1 00:00:00,000 --> 00:00:01,840 Speaker 1: Hey, everybody, Bobby here, thank you for listening to the 2 00:00:01,840 --> 00:00:03,520 Speaker 1: Bobby Cast. I want to share with you guys a 3 00:00:03,520 --> 00:00:05,680 Speaker 1: new six part limited series that we're gonna feature over 4 00:00:05,680 --> 00:00:09,240 Speaker 1: the coming weeks. It's called Unsigned and Independent, hosted by 5 00:00:09,320 --> 00:00:11,639 Speaker 1: Kevin O'Connell, who you may know is kick off Kevin 6 00:00:11,720 --> 00:00:15,400 Speaker 1: from my sports podcast Whistles. But this six part series 7 00:00:15,400 --> 00:00:19,440 Speaker 1: features unsigned and independent artists and bands in Nashville. So 8 00:00:19,480 --> 00:00:21,239 Speaker 1: this whole series was made to highlight the journey and 9 00:00:21,239 --> 00:00:23,800 Speaker 1: the grind that musicians go through trying to make any 10 00:00:23,800 --> 00:00:26,920 Speaker 1: country music. The artist featured on this podcast, they're doing 11 00:00:26,960 --> 00:00:30,480 Speaker 1: it all themselves, no labels, no management, with most not 12 00:00:30,560 --> 00:00:33,000 Speaker 1: even a publishing team. So Kevin will bring you their 13 00:00:33,080 --> 00:00:37,199 Speaker 1: stories of what touring, writing, and recording music is like 14 00:00:37,320 --> 00:00:39,440 Speaker 1: when you've got to do it all by yourself. So 15 00:00:39,640 --> 00:00:41,600 Speaker 1: even if you don't know their names, I think you'll 16 00:00:41,640 --> 00:00:44,240 Speaker 1: be inspired by their passion to do what they love 17 00:00:44,320 --> 00:00:47,720 Speaker 1: and maybe you become a fan. New episodes every Monday 18 00:00:47,720 --> 00:00:49,519 Speaker 1: for a while here on the bobbycast feed for the 19 00:00:49,560 --> 00:00:53,280 Speaker 1: next six weeks. The episode now is Graham named Caro 20 00:00:53,600 --> 00:00:56,360 Speaker 1: and Kevin said he moved to town and this is 21 00:00:56,440 --> 00:00:59,000 Speaker 1: the first artist he saw at Tootsie's. So he's been 22 00:00:59,040 --> 00:01:01,160 Speaker 1: here for a while. But it's cool. Remember when I 23 00:01:01,160 --> 00:01:03,080 Speaker 1: first moved down, I saw people and I was like, day, 24 00:01:03,120 --> 00:01:05,280 Speaker 1: I can't believe everybody's as good. And then you realize 25 00:01:05,560 --> 00:01:07,720 Speaker 1: everybody is this good. So it's a hard place to 26 00:01:07,720 --> 00:01:10,040 Speaker 1: make it, but that's what this whole series is about. 27 00:01:10,280 --> 00:01:14,360 Speaker 1: Here is episode one of the Bobby Cast presents Unsigned 28 00:01:14,360 --> 00:01:27,440 Speaker 1: and Independent with Kevin O'Connell and Joy. Hey. This is Kevin, 29 00:01:27,520 --> 00:01:30,760 Speaker 1: host of Unsigned and Independent. I appreciate you listening to 30 00:01:30,800 --> 00:01:33,920 Speaker 1: this podcast series. You can find me on social media 31 00:01:33,959 --> 00:01:37,480 Speaker 1: and Twitter and Instagram at Kickoff Kevin. On this first episode, 32 00:01:37,520 --> 00:01:39,399 Speaker 1: we have Graham man Care. You can follow him on 33 00:01:39,480 --> 00:01:43,000 Speaker 1: social media at Graham Nan Carol. Graham's a great guy. 34 00:01:43,040 --> 00:01:45,560 Speaker 1: We dive into his story and him moving out to 35 00:01:45,640 --> 00:01:48,560 Speaker 1: Nashville about five years ago from San Diego and what 36 00:01:48,720 --> 00:01:51,040 Speaker 1: that journey has been like for him. He's an independent artist, 37 00:01:51,080 --> 00:01:53,080 Speaker 1: so he does everything on his own, from his bookings 38 00:01:53,080 --> 00:01:55,800 Speaker 1: to his showing, his traveling, whatever it may be. So 39 00:01:55,840 --> 00:01:58,040 Speaker 1: he's got some great stories about, you know, maybe breaking 40 00:01:58,080 --> 00:02:00,760 Speaker 1: down on the bus or what it's like to try 41 00:02:00,800 --> 00:02:04,240 Speaker 1: to make it by yourself with no agency, no management, 42 00:02:04,320 --> 00:02:06,720 Speaker 1: anything like that, and I hope you enjoy it. Thanks 43 00:02:06,760 --> 00:02:09,120 Speaker 1: again for listening, Graham. What's up man? Thanks for being here. 44 00:02:09,160 --> 00:02:11,480 Speaker 1: I just saw in your social media recently that you 45 00:02:11,520 --> 00:02:13,360 Speaker 1: were out on the road. It looked like you might 46 00:02:13,400 --> 00:02:16,040 Speaker 1: have been touring. Is that right? It was a residency 47 00:02:16,080 --> 00:02:19,440 Speaker 1: at MGM at Loser's Bar, which you know of where 48 00:02:19,440 --> 00:02:21,880 Speaker 1: they do whiskey jam. When you go on tour, is 49 00:02:21,880 --> 00:02:24,280 Speaker 1: that something that you plan far in advance, because obviously 50 00:02:24,320 --> 00:02:26,160 Speaker 1: you have to you have to make sure you're getting 51 00:02:26,160 --> 00:02:27,760 Speaker 1: paid for it, and there's a lot of I mean, 52 00:02:27,880 --> 00:02:29,440 Speaker 1: it's not like, hey, you just pick up and leaving. 53 00:02:29,440 --> 00:02:31,560 Speaker 1: Going onto a lot harder than I thought. So for 54 00:02:31,600 --> 00:02:33,519 Speaker 1: a guy that's trying to make it in the industry 55 00:02:33,520 --> 00:02:35,840 Speaker 1: but randomly goes on tour or not randomly, I don't 56 00:02:35,880 --> 00:02:38,280 Speaker 1: know if you randomly do. What is that like for 57 00:02:38,320 --> 00:02:40,280 Speaker 1: you as an artist to try to make it in 58 00:02:40,280 --> 00:02:43,600 Speaker 1: that lifestyle. Uh, it's tougher than I thought. I still 59 00:02:43,680 --> 00:02:47,239 Speaker 1: love it. Um. I'm independent and independent artists, so I 60 00:02:47,240 --> 00:02:50,320 Speaker 1: don't have a bus driver. My band comes with me. 61 00:02:50,360 --> 00:02:55,160 Speaker 1: We've got a big old Sprinter van. Comfy. Um. But 62 00:02:55,160 --> 00:02:56,880 Speaker 1: but you know, you run into things and that's why 63 00:02:56,919 --> 00:02:59,680 Speaker 1: people do have managers and publicists and all that stuff 64 00:03:00,400 --> 00:03:03,600 Speaker 1: so much so you're your your your publicist, you're your manager, 65 00:03:03,800 --> 00:03:08,000 Speaker 1: you're singing. Yeah, every's a lot. Yeah, but you know, 66 00:03:08,080 --> 00:03:10,800 Speaker 1: I trust that if I would keep working hard, things 67 00:03:10,800 --> 00:03:13,200 Speaker 1: will things will happen. I agree. Because you've been out 68 00:03:13,200 --> 00:03:16,320 Speaker 1: here for what two thousands seventeen so about five years 69 00:03:16,400 --> 00:03:18,840 Speaker 1: or so, and you've been on the grind. Yeah, man, 70 00:03:19,320 --> 00:03:20,960 Speaker 1: that's what this is about. We're here to talk about 71 00:03:20,960 --> 00:03:24,800 Speaker 1: the grind. You national musician artists. They're everywhere out here 72 00:03:24,840 --> 00:03:28,120 Speaker 1: in our backyard. And I've only been here a year 73 00:03:28,160 --> 00:03:29,440 Speaker 1: and a half, about a year and a half, and 74 00:03:29,440 --> 00:03:31,600 Speaker 1: I remember my first weekend here. I was like, damn, 75 00:03:32,040 --> 00:03:34,560 Speaker 1: there's so much talent here, so much it's insane. It's 76 00:03:34,560 --> 00:03:37,000 Speaker 1: a blessing too as a as an artist. Right, So 77 00:03:37,040 --> 00:03:40,440 Speaker 1: what's that like for you to go through those years 78 00:03:40,440 --> 00:03:43,600 Speaker 1: of that grind? I mean, late nights, early mornings, you 79 00:03:43,640 --> 00:03:45,240 Speaker 1: never know if you're gonna play, you don't know, if 80 00:03:45,720 --> 00:03:47,320 Speaker 1: I don't know. It's the ups and downs. So take 81 00:03:47,360 --> 00:03:50,120 Speaker 1: us through it. What's that like for you? Unreal? Uh. 82 00:03:50,400 --> 00:03:52,600 Speaker 1: The first time I got here, I went straight down 83 00:03:52,600 --> 00:03:54,680 Speaker 1: to tutsis because my buddy had a place to play, 84 00:03:54,680 --> 00:03:57,800 Speaker 1: and sure enough, playing four or five nights a week 85 00:03:57,880 --> 00:04:01,280 Speaker 1: for four hours at a time, no breaks, real low 86 00:04:01,320 --> 00:04:04,040 Speaker 1: dough and having to run the tip jug and just 87 00:04:04,160 --> 00:04:08,840 Speaker 1: really you know, humiliating stuff at times. But it really 88 00:04:08,960 --> 00:04:12,480 Speaker 1: got my chops off, chops up for entertaining. When I 89 00:04:12,480 --> 00:04:14,400 Speaker 1: moved here, I thought I was kind of hit a ceiling. 90 00:04:14,760 --> 00:04:16,960 Speaker 1: So many people were like moved to Nashville, and finally 91 00:04:17,000 --> 00:04:18,960 Speaker 1: I checked it out after made a record out here, 92 00:04:18,960 --> 00:04:23,040 Speaker 1: and I love it so basically it's taught me how 93 00:04:23,040 --> 00:04:26,839 Speaker 1: to entertain and it's introduced me to thousands of musicians now. 94 00:04:26,920 --> 00:04:29,320 Speaker 1: So when I go on the road, if someone can't 95 00:04:29,320 --> 00:04:32,440 Speaker 1: make it, there's ten other guitar players that can. And 96 00:04:32,760 --> 00:04:35,000 Speaker 1: it's a special thing. But I definitely I broke my 97 00:04:35,040 --> 00:04:37,040 Speaker 1: back right right as I moved out here, and she 98 00:04:37,120 --> 00:04:39,880 Speaker 1: went straight down to plan and it and my voice 99 00:04:39,920 --> 00:04:42,480 Speaker 1: was going, you know, and the drinking and everything. It's 100 00:04:42,520 --> 00:04:46,120 Speaker 1: really hard to keep it together. I always say, if 101 00:04:46,120 --> 00:04:47,680 Speaker 1: I was in my young twenties and nationalist, no way 102 00:04:47,680 --> 00:04:50,200 Speaker 1: I would have been able to live. Seriously, I would 103 00:04:50,200 --> 00:04:54,320 Speaker 1: have been in jail. Can you imagine anyway broke her back? 104 00:04:54,480 --> 00:04:57,120 Speaker 1: How do you break your back? Mountain biking. I thought 105 00:04:57,120 --> 00:04:59,120 Speaker 1: you're gonna say you're performing on stage and you got 106 00:04:59,240 --> 00:05:03,160 Speaker 1: crazy and yeah, I should come up with yeah right, 107 00:05:03,920 --> 00:05:07,080 Speaker 1: that sucks. Okay, So back when you first got out here, yeah, 108 00:05:07,120 --> 00:05:09,120 Speaker 1: and uh it was just Mountain Bigo with my mom, 109 00:05:09,600 --> 00:05:12,200 Speaker 1: and uh, what brought me out here was a dude 110 00:05:12,240 --> 00:05:15,080 Speaker 1: named Vance Powell. My bandon name Carroll, My band named 111 00:05:15,120 --> 00:05:19,240 Speaker 1: Carol in San Diego had a tenure run had us, 112 00:05:19,400 --> 00:05:21,320 Speaker 1: we got signed, and when I moved out here, we 113 00:05:21,440 --> 00:05:23,960 Speaker 1: got an opportunity to work with Vance Powell, who does 114 00:05:24,000 --> 00:05:29,840 Speaker 1: all Jack Jack White stuff, Chris Stapleton's Fish's New record 115 00:05:29,920 --> 00:05:32,440 Speaker 1: like this Guy's. He worked with Martina McBride. He was 116 00:05:32,520 --> 00:05:36,279 Speaker 1: head of Blackbird with her husband. Just a legend and 117 00:05:36,320 --> 00:05:39,600 Speaker 1: a great dude. Anyway, So we made a record called 118 00:05:39,600 --> 00:05:44,040 Speaker 1: Hot Chicken based off his explanation of the hot Chicken consequence, 119 00:05:44,080 --> 00:05:47,200 Speaker 1: which you could figure out on your own, use your imagination. Yeah. Yeah, 120 00:05:48,080 --> 00:05:50,719 Speaker 1: So anyways, Uh, yeah, man, when I fell I fell 121 00:05:50,720 --> 00:05:53,240 Speaker 1: in love with this town. Thirty days here, we stayed 122 00:05:53,279 --> 00:05:56,160 Speaker 1: on the East Side and just I'm like, okay, it's time. Yeah, 123 00:05:56,200 --> 00:05:57,640 Speaker 1: and you knew it right away. I mean, within those 124 00:05:57,640 --> 00:05:59,320 Speaker 1: thirty days you're like, Okay, I'm here. Yeah, I'm gonna 125 00:05:59,360 --> 00:06:00,960 Speaker 1: I'm gonna see where this takes me. I want to 126 00:06:00,960 --> 00:06:03,359 Speaker 1: grind it out and see where. And at first, you know, 127 00:06:03,400 --> 00:06:05,200 Speaker 1: when I don't know about you. But when I traveled 128 00:06:05,240 --> 00:06:07,039 Speaker 1: sometimes I get like in a little bit of a 129 00:06:07,080 --> 00:06:10,240 Speaker 1: homesick depression. And I think it was winter times. It 130 00:06:10,279 --> 00:06:13,279 Speaker 1: was a little cloudy, and I didn't know anybody. Yeah 131 00:06:13,320 --> 00:06:16,560 Speaker 1: you know, um, but I fell in love with it. 132 00:06:16,400 --> 00:06:19,560 Speaker 1: Realized people are really nice here. That's my favorite part 133 00:06:20,000 --> 00:06:22,559 Speaker 1: of all natural everyone, what's your favorite part? Probably the people, 134 00:06:23,000 --> 00:06:25,680 Speaker 1: especially because us we come from I'm from southern California 135 00:06:25,720 --> 00:06:29,039 Speaker 1: as well, you know Orange County of Yeah, you're the 136 00:06:29,040 --> 00:06:32,120 Speaker 1: people driving up the housing. Yeah, they love us, and 137 00:06:32,160 --> 00:06:35,120 Speaker 1: then they love to come visit. Yeah exactly. But so 138 00:06:35,160 --> 00:06:36,920 Speaker 1: we know, you know, you get a lot of superficial 139 00:06:36,960 --> 00:06:39,039 Speaker 1: people out there in southern California and you come to 140 00:06:39,120 --> 00:06:43,440 Speaker 1: Nashville and it's just a totally different refreshing tastes of people. 141 00:06:43,520 --> 00:06:45,719 Speaker 1: New people, and everyone's from somewhere else and you all 142 00:06:45,800 --> 00:06:48,600 Speaker 1: kind of have the same mindset. So that's what makes 143 00:06:48,640 --> 00:06:50,920 Speaker 1: it so easy to transition here. I feel like for anybody, 144 00:06:50,920 --> 00:06:54,000 Speaker 1: no matter where you're from, and then but it is hard, 145 00:06:54,080 --> 00:06:56,480 Speaker 1: right to leave southern California. So what was like? What 146 00:06:56,520 --> 00:06:58,800 Speaker 1: was that like leaving? Because you go back all the time, 147 00:06:59,080 --> 00:07:01,320 Speaker 1: job back, Man, it was hard to leave. I had 148 00:07:01,360 --> 00:07:03,599 Speaker 1: to play yesterday, so we and and I was getting 149 00:07:03,640 --> 00:07:07,720 Speaker 1: back for this, right. Uh, it's I missed the ocean. 150 00:07:07,880 --> 00:07:11,280 Speaker 1: I missed the waves. Um yeah, because you're a surfer, 151 00:07:11,320 --> 00:07:15,200 Speaker 1: and missed my family. Yeah, I love surfing. Did yeah, Um, 152 00:07:15,240 --> 00:07:17,640 Speaker 1: but you know, it's always there. I'm grateful to have 153 00:07:17,720 --> 00:07:19,760 Speaker 1: family there so I could cruise there when I'm able 154 00:07:19,800 --> 00:07:24,000 Speaker 1: to and play there. And it's a great market, and uh, 155 00:07:24,080 --> 00:07:27,280 Speaker 1: it's it's my biggest market. Yeah. I do some analytics 156 00:07:27,320 --> 00:07:29,760 Speaker 1: on bands in town, and it shows you where your 157 00:07:29,800 --> 00:07:32,400 Speaker 1: hits are, and that's that's the biggest market still for me. 158 00:07:33,200 --> 00:07:35,680 Speaker 1: Even even living out here in natural you still get 159 00:07:34,920 --> 00:07:37,280 Speaker 1: that out there. Yeah. I did see when I moved 160 00:07:37,280 --> 00:07:40,200 Speaker 1: to Nashville, all these dots around Nashville start popping up, 161 00:07:40,200 --> 00:07:42,400 Speaker 1: which which is cool because it's so central, right, and 162 00:07:42,400 --> 00:07:45,000 Speaker 1: all these people flock here from Ohio and all around 163 00:07:45,040 --> 00:07:47,680 Speaker 1: the country. Right. So, and then they take the music 164 00:07:47,720 --> 00:07:49,840 Speaker 1: back with them and listened to its special people that 165 00:07:49,880 --> 00:07:52,880 Speaker 1: you played with. I saw online guys like Thomas Rhett, 166 00:07:53,440 --> 00:07:56,920 Speaker 1: Billy Farrington, Chris Stapleton, Josh Abbott. I saw you play 167 00:07:56,920 --> 00:07:59,520 Speaker 1: a Nissan Stadium this year with the NHL Classic. I 168 00:07:59,560 --> 00:08:03,880 Speaker 1: mean that was mind blowing. Yeah, dude, I was actually 169 00:08:03,960 --> 00:08:06,560 Speaker 1: stranded in New Mexico with a broken down van on 170 00:08:06,640 --> 00:08:10,440 Speaker 1: tour and bowling through. My bandmate and partner in crime 171 00:08:10,520 --> 00:08:12,200 Speaker 1: called and he's like, what do you think about singing 172 00:08:12,240 --> 00:08:14,920 Speaker 1: at the Stadium Classic. I'm like, dude, I bought the 173 00:08:14,920 --> 00:08:17,160 Speaker 1: ticket right away. I'm in yeah, I know. I left 174 00:08:17,160 --> 00:08:19,560 Speaker 1: the van at the shop and flew out and absolutely 175 00:08:19,560 --> 00:08:22,080 Speaker 1: out there five minutes late, and really, you know, yeah, 176 00:08:22,120 --> 00:08:24,080 Speaker 1: I didn't even have a chance to like have a beer, 177 00:08:24,120 --> 00:08:27,400 Speaker 1: but it was awesome. Do you have somebody that's top 178 00:08:27,400 --> 00:08:28,840 Speaker 1: of the head when somebody says, hey, who have you 179 00:08:28,840 --> 00:08:33,440 Speaker 1: played with? That's the most memorable. Oh dude, John Fogerty, 180 00:08:34,000 --> 00:08:36,559 Speaker 1: Really that guy put on the most amazing show I've 181 00:08:36,559 --> 00:08:39,600 Speaker 1: ever seen. A stage coach two thousand six. We were 182 00:08:39,600 --> 00:08:42,520 Speaker 1: in the back watching from behind, and uh, We're like, 183 00:08:42,559 --> 00:08:45,160 Speaker 1: we gotta be out front, even though it was thousands 184 00:08:45,200 --> 00:08:47,200 Speaker 1: of people and I don't like crowds, like being in 185 00:08:47,240 --> 00:08:50,280 Speaker 1: the middle. And we went and it was number one. 186 00:08:50,320 --> 00:08:53,080 Speaker 1: He played every single song about ten clicks faster, and 187 00:08:53,080 --> 00:08:57,000 Speaker 1: he's like, uh so it was just electric, dude, and 188 00:08:57,040 --> 00:09:00,079 Speaker 1: the whole imagine the whole stadium singing. Have you have 189 00:09:00,200 --> 00:09:04,760 Speaker 1: the scene? You know all time? Yeah? Really that's up there? 190 00:09:04,800 --> 00:09:08,160 Speaker 1: Even what was like Stapleton? I mean you probably Stapleton 191 00:09:08,320 --> 00:09:10,920 Speaker 1: watched up front too? Okay? Where was that a stagecoach 192 00:09:10,960 --> 00:09:14,559 Speaker 1: as well? Okay? And he's unreal that voice. I believe 193 00:09:14,640 --> 00:09:17,400 Speaker 1: that voice is probably the best in country music in 194 00:09:17,440 --> 00:09:19,240 Speaker 1: my opinion. When I have to play a song of his, 195 00:09:19,320 --> 00:09:23,959 Speaker 1: I have to like tune my guitar down massively. What's 196 00:09:23,960 --> 00:09:26,040 Speaker 1: that like? Then? You know, when you're out on Broadway 197 00:09:26,200 --> 00:09:28,240 Speaker 1: or wherever you're playing here in Nashville and somebody comes 198 00:09:28,280 --> 00:09:30,480 Speaker 1: up to you because they think that you know every 199 00:09:30,480 --> 00:09:33,160 Speaker 1: single song of all time, right, like hey, I got 200 00:09:33,280 --> 00:09:35,199 Speaker 1: I'm giving you twenty bucks you should play this, and 201 00:09:35,320 --> 00:09:38,760 Speaker 1: you're like, uh, dude, like I don't know every single song. 202 00:09:38,840 --> 00:09:41,520 Speaker 1: So what's that like? If somebody comes up and they're like, hey, 203 00:09:41,559 --> 00:09:44,760 Speaker 1: can you play this? And you're like maybe they show 204 00:09:44,840 --> 00:09:46,160 Speaker 1: me the money, and they show you the money, what 205 00:09:46,240 --> 00:09:48,440 Speaker 1: do you do? Thing is the band sees the money too, 206 00:09:48,679 --> 00:09:51,080 Speaker 1: So I kind of is I do what I can 207 00:09:51,160 --> 00:09:53,400 Speaker 1: to make it happen, and if not, I do honky 208 00:09:53,440 --> 00:09:56,199 Speaker 1: tonk negotiation and try and work out something maybe by 209 00:09:56,200 --> 00:09:59,720 Speaker 1: the same artist, but another song, yeah, along the same line. 210 00:10:00,240 --> 00:10:03,199 Speaker 1: Just keep them some somewhat happy, and they always are. 211 00:10:03,320 --> 00:10:06,040 Speaker 1: I mean sometimes it's their wedding anniversary song and they're 212 00:10:06,120 --> 00:10:07,920 Speaker 1: kind of bummed, and I'll go outside and listen to 213 00:10:07,920 --> 00:10:09,880 Speaker 1: it on my phone and come back in, and you know, 214 00:10:09,920 --> 00:10:12,280 Speaker 1: I'll do the best I can. They're all doing the 215 00:10:12,720 --> 00:10:14,360 Speaker 1: dance on the on the floor in front of you 216 00:10:14,360 --> 00:10:17,360 Speaker 1: two with the wife are exactly, man, some of the 217 00:10:17,360 --> 00:10:20,120 Speaker 1: things that go down on that street. Yeah, I'm sure 218 00:10:20,160 --> 00:10:21,880 Speaker 1: you can tell some stories that I don't know if 219 00:10:21,920 --> 00:10:23,000 Speaker 1: you'd be able to make it on that I don't 220 00:10:23,040 --> 00:10:25,760 Speaker 1: know if I can remember some of the stories. We 221 00:10:25,840 --> 00:10:28,319 Speaker 1: had good times. So yeah, I'm kind of cutting it low, 222 00:10:28,720 --> 00:10:31,840 Speaker 1: cutting it down on Broadway. It's just not the I've 223 00:10:31,840 --> 00:10:35,960 Speaker 1: had my time. It's not the best environment to uh 224 00:10:36,360 --> 00:10:39,880 Speaker 1: be healthy, and like my sleep schedules still messed up, dude. 225 00:10:39,880 --> 00:10:43,320 Speaker 1: I went to sleep at like four thirty last night. Yeah, 226 00:10:43,400 --> 00:10:46,280 Speaker 1: and I'm like on mellow tone in and trying to 227 00:10:46,400 --> 00:10:48,760 Speaker 1: just doesn't work because we did those ten to two 228 00:10:48,800 --> 00:10:50,640 Speaker 1: shifts for so long. Do you ever get on a 229 00:10:50,640 --> 00:10:53,040 Speaker 1: consistent schedule? I mean in the five out here that 230 00:10:53,120 --> 00:10:54,720 Speaker 1: you've been out here? Yeah, I did when I was 231 00:10:55,200 --> 00:10:57,920 Speaker 1: you knows, doesn't let you play anywhere else but their bar. 232 00:10:58,080 --> 00:11:00,920 Speaker 1: So I had a good schedule there Today, Jay's Allen 233 00:11:01,000 --> 00:11:05,960 Speaker 1: Jackson's bar for a while and just kind of, you know, 234 00:11:06,080 --> 00:11:08,920 Speaker 1: broadening my horizons. I love playing out of state. I've 235 00:11:08,920 --> 00:11:11,640 Speaker 1: always wanted the tour, so that's coming true and I'm 236 00:11:11,679 --> 00:11:15,360 Speaker 1: just doing that a lot. You're just Nan Caro now right. Well, yeah, 237 00:11:15,400 --> 00:11:18,920 Speaker 1: my my band from San Diego's Nan Caro. Uh. We 238 00:11:19,000 --> 00:11:22,040 Speaker 1: had my buddy Russell played lap steel. He kinda isn't 239 00:11:22,080 --> 00:11:26,679 Speaker 1: able to play anymore unfortunately. Um so all of Nan 240 00:11:26,760 --> 00:11:28,880 Speaker 1: Carroll didn't move out here. So I kind of formed 241 00:11:28,880 --> 00:11:30,959 Speaker 1: when I met John Bolinger one night we were playing 242 00:11:30,960 --> 00:11:33,280 Speaker 1: on stage and he called me a Goddamn Saint and 243 00:11:33,320 --> 00:11:35,800 Speaker 1: I'm like, hey, dude, that would be a great band name, 244 00:11:36,520 --> 00:11:38,160 Speaker 1: and so he's like, what do you think about that? 245 00:11:38,320 --> 00:11:41,319 Speaker 1: So I changed my name Carrol Page to Goddamn Saints 246 00:11:41,320 --> 00:11:44,440 Speaker 1: and I got some you know, not not really flak, 247 00:11:44,559 --> 00:11:47,480 Speaker 1: but just a couple of people were like, Okay, like 248 00:11:47,559 --> 00:11:50,960 Speaker 1: this guy doesn't really care, but I'm punk rock and 249 00:11:51,400 --> 00:11:54,200 Speaker 1: I think it's a time to be real and it's 250 00:11:54,240 --> 00:11:57,400 Speaker 1: it's art. God Damn Finings is kind of funny and 251 00:11:57,440 --> 00:11:59,160 Speaker 1: I hear red next Day it all the time. So 252 00:11:59,200 --> 00:12:01,199 Speaker 1: they kick him at for it, right, you know what 253 00:12:01,280 --> 00:12:03,079 Speaker 1: I mean? I mean, I asked God if it was cool. 254 00:12:03,679 --> 00:12:06,240 Speaker 1: I got all the signs it was. So do you 255 00:12:06,280 --> 00:12:09,760 Speaker 1: have that name still or no? Yeah? Yeah, I keep 256 00:12:09,840 --> 00:12:12,839 Speaker 1: changing my Instagram. I run like five pages and it's 257 00:12:12,880 --> 00:12:15,439 Speaker 1: just really tiring me out. So I'm trying to streamline 258 00:12:15,480 --> 00:12:18,040 Speaker 1: it down to one without losing all the followers. Yeah. 259 00:12:18,160 --> 00:12:19,880 Speaker 1: Have you talked to somebody in the industry, whether it's 260 00:12:20,000 --> 00:12:21,800 Speaker 1: you know, record deal or whatever label and they're like, 261 00:12:21,880 --> 00:12:24,760 Speaker 1: you know, we like you, but we can't with this name. 262 00:12:24,760 --> 00:12:26,199 Speaker 1: We can have to do with it? Or has it 263 00:12:26,280 --> 00:12:28,560 Speaker 1: not gotten to that point? I guess a couple of shows, 264 00:12:28,679 --> 00:12:33,480 Speaker 1: maybe hey, can we use nan Carol instead? Um? Corporate 265 00:12:33,559 --> 00:12:39,560 Speaker 1: things just depends really, Um, haven't ran into too much trouble? No, no, no, 266 00:12:39,600 --> 00:12:42,200 Speaker 1: I mean it's kind of funny, right, I mean, it 267 00:12:42,200 --> 00:12:44,840 Speaker 1: definitely sticks out, Yeah, it does. And all my favorite 268 00:12:44,840 --> 00:12:50,520 Speaker 1: bands like bad religion, sex pistols. They weren't necessarily Yeah, 269 00:12:50,600 --> 00:12:52,200 Speaker 1: that's that's true. Now that you say that, all those 270 00:12:52,280 --> 00:12:55,040 Speaker 1: names are kind of like my hand. They're about yeah, exactly, 271 00:12:55,080 --> 00:12:57,120 Speaker 1: And you can't help with to think, like, wait this name, 272 00:12:57,160 --> 00:12:59,280 Speaker 1: I need to hear this right right? Yeah, Graham name 273 00:12:59,360 --> 00:13:01,719 Speaker 1: Carol is hard to remember. Yeah, goddamn saying it's this 274 00:13:01,800 --> 00:13:06,439 Speaker 1: kind of remember. So you're gonna stick with that moving forward? Then? 275 00:13:06,520 --> 00:13:10,160 Speaker 1: Right for for my project with Bollinger? Yet, I love projects. 276 00:13:11,000 --> 00:13:13,680 Speaker 1: All my heroes have like four five bands. Some of 277 00:13:13,679 --> 00:13:16,000 Speaker 1: them have like forty bands, you know what I mean? Like, 278 00:13:16,040 --> 00:13:17,640 Speaker 1: who are some of the other guys out here that 279 00:13:17,840 --> 00:13:21,000 Speaker 1: um have kind of influenced you and gotten you to 280 00:13:21,120 --> 00:13:23,120 Speaker 1: where you're at now? Um, I know you talked a 281 00:13:23,160 --> 00:13:25,960 Speaker 1: little bit about it earlier, but is there's some Bollinger 282 00:13:26,000 --> 00:13:27,880 Speaker 1: you're with him all the time, right or when you're 283 00:13:28,960 --> 00:13:32,480 Speaker 1: with that dude? Yeah, sow him. He's huge, uh, And 284 00:13:32,520 --> 00:13:34,400 Speaker 1: it's really cool to get a guy like him to 285 00:13:34,520 --> 00:13:37,480 Speaker 1: be like, dude, you're great, let's play together. You know. 286 00:13:37,600 --> 00:13:40,440 Speaker 1: It's like, oh man, I gotta step up now. And 287 00:13:40,480 --> 00:13:42,600 Speaker 1: he's such a great player that I've worked hard to 288 00:13:43,200 --> 00:13:47,360 Speaker 1: keep at that level. Vance pal like I mentioned earlier, Uh, 289 00:13:47,440 --> 00:13:50,040 Speaker 1: total sweetheart. He got my first gig in town at 290 00:13:50,080 --> 00:13:53,200 Speaker 1: Basement East, which is not an easy place to get into. 291 00:13:53,280 --> 00:13:54,880 Speaker 1: You know, there's a lot of touring acts that come 292 00:13:54,920 --> 00:13:59,000 Speaker 1: through and that was back in sixteen. Um who else? 293 00:13:59,040 --> 00:14:02,719 Speaker 1: Oh Rett Miller? Okay, Old ninety Sevens. He's pretty much 294 00:14:02,720 --> 00:14:06,440 Speaker 1: the reason that I that I'm here and met Vance. Yeah. 295 00:14:06,480 --> 00:14:08,280 Speaker 1: And then my bass player Joe is the one that 296 00:14:08,320 --> 00:14:11,480 Speaker 1: connected connected us all because he started with Old ninety 297 00:14:11,520 --> 00:14:16,360 Speaker 1: Sevens originally in Texas. Have you um seen some people 298 00:14:16,360 --> 00:14:18,720 Speaker 1: out here that you've met from the beginning and seeing 299 00:14:18,880 --> 00:14:22,880 Speaker 1: maybe now that there to a place whether it's with 300 00:14:22,920 --> 00:14:25,520 Speaker 1: a record, you know, a labeled deal, whatever it may be, 301 00:14:25,600 --> 00:14:27,240 Speaker 1: where you're like, damn, I want that, Like how did 302 00:14:27,240 --> 00:14:30,320 Speaker 1: he get their kind of thing? Or no? Multiple people 303 00:14:30,360 --> 00:14:33,600 Speaker 1: probably bands are younger kids and it's awesome. I'm happy 304 00:14:33,640 --> 00:14:35,520 Speaker 1: for him. You see it happen every day. Then what 305 00:14:35,640 --> 00:14:38,280 Speaker 1: is that like for you? A guy still trying to 306 00:14:38,280 --> 00:14:40,040 Speaker 1: get your break and you see those guys, I mean, 307 00:14:40,040 --> 00:14:44,080 Speaker 1: do you hold not maybe not towards them necessarily personally, 308 00:14:44,120 --> 00:14:46,440 Speaker 1: but you know what, why not me? Yeah? Exactly? You 309 00:14:46,440 --> 00:14:51,040 Speaker 1: know what? No? Because uh Bowlander said this thing to 310 00:14:51,040 --> 00:14:52,880 Speaker 1: me the other day, and I thought it was so cool. 311 00:14:53,400 --> 00:14:55,960 Speaker 1: He said, there's this old story. There's these two fish, 312 00:14:56,120 --> 00:14:58,720 Speaker 1: and one of the fishes like frantic, and he's running around, 313 00:14:58,960 --> 00:15:02,400 Speaker 1: swimming around and he finds this other fish. He's like, hey, 314 00:15:02,840 --> 00:15:05,520 Speaker 1: where's the ocean? And the fish goes, dude, you're in 315 00:15:05,560 --> 00:15:07,600 Speaker 1: the ocean. It's like, no, no, no, I'm looking for 316 00:15:07,640 --> 00:15:09,880 Speaker 1: the ocean. Tell me where it is. And that's the whole, 317 00:15:10,080 --> 00:15:13,080 Speaker 1: the whole lesson there is, like I don't want to 318 00:15:13,080 --> 00:15:15,240 Speaker 1: sound cocky, but in my mind, I've made it. I'm 319 00:15:15,240 --> 00:15:20,760 Speaker 1: doing what I love and this is a process, you know, 320 00:15:21,160 --> 00:15:24,920 Speaker 1: life his life. So I just gotta ride out the 321 00:15:24,920 --> 00:15:27,840 Speaker 1: wave and enjoy every second of it. Because I look 322 00:15:27,880 --> 00:15:30,680 Speaker 1: back sometimes in those days on Broadway that we were growing, 323 00:15:30,680 --> 00:15:33,280 Speaker 1: it were actually really fun, you know, and at times 324 00:15:33,280 --> 00:15:36,800 Speaker 1: I was miserable and couldn't wait to get off stage. Um. 325 00:15:36,840 --> 00:15:38,680 Speaker 1: So yeah, I mean I'm not I don't have any 326 00:15:38,720 --> 00:15:41,960 Speaker 1: animosity towards anybody with success. It's all about the journey. 327 00:15:42,360 --> 00:15:45,840 Speaker 1: Everyone's journey is different than anyone else, and that's what 328 00:15:45,960 --> 00:15:48,480 Speaker 1: makes it so great. And like you were saying, even 329 00:15:48,560 --> 00:15:50,160 Speaker 1: for myself, you look back a couple of years and 330 00:15:50,160 --> 00:15:52,680 Speaker 1: you're like, damn. Like at that that time, you're like, 331 00:15:52,800 --> 00:15:54,480 Speaker 1: I don't even know what's gonna happen this, And then 332 00:15:54,640 --> 00:15:55,920 Speaker 1: you look back now and you're like, wow, I've come 333 00:15:55,960 --> 00:15:57,880 Speaker 1: a long way in two years. But you don't even 334 00:15:57,880 --> 00:15:59,720 Speaker 1: realize it until you sit there and you think about it. 335 00:15:59,760 --> 00:16:03,400 Speaker 1: We always want more right now. Yeah, it's it's kind 336 00:16:03,400 --> 00:16:06,720 Speaker 1: of programmed into us as Americans. I just feel like, 337 00:16:06,760 --> 00:16:09,200 Speaker 1: as a kid, you know, like do well at school, 338 00:16:09,280 --> 00:16:11,880 Speaker 1: go to college. Yeah, I wish they would have said, hey, 339 00:16:11,960 --> 00:16:15,120 Speaker 1: junior college works too. Yeah that's what I did. Really, Yeah, 340 00:16:15,200 --> 00:16:16,960 Speaker 1: we don't need to be paying all this money for that, 341 00:16:17,160 --> 00:16:21,360 Speaker 1: right right if you're still just partying and exactly and 342 00:16:21,360 --> 00:16:23,800 Speaker 1: it was smart you're around before the social media age. 343 00:16:24,000 --> 00:16:26,160 Speaker 1: I'm grateful. Yeah, I got to put my teeth And 344 00:16:26,360 --> 00:16:32,200 Speaker 1: what's that like for you to see people, you know, 345 00:16:32,240 --> 00:16:34,720 Speaker 1: get this success? I mean good for everybody. Like we're saying, 346 00:16:34,720 --> 00:16:36,800 Speaker 1: but you've been around in both eras, you've seen it 347 00:16:37,160 --> 00:16:39,120 Speaker 1: before and then you've seen during and then now what's 348 00:16:39,160 --> 00:16:42,240 Speaker 1: going on now? Are you big on social media? Like 349 00:16:42,280 --> 00:16:44,120 Speaker 1: do you try to use that platform? I mean, I'm 350 00:16:44,120 --> 00:16:47,400 Speaker 1: sure you could assume I'm not really really into it, 351 00:16:47,920 --> 00:16:50,880 Speaker 1: and there's nothing weirder to me than filming myself. I 352 00:16:50,920 --> 00:16:54,560 Speaker 1: feel like if I'm filming myself, then that means nobody 353 00:16:54,600 --> 00:16:56,840 Speaker 1: else is willing to film me. I should just stop. 354 00:16:57,160 --> 00:17:02,640 Speaker 1: But social media, however, has absolutely help me grow my career. Yes, yeah, 355 00:17:02,760 --> 00:17:05,800 Speaker 1: TikTok uh. I got a call from a lady who 356 00:17:05,760 --> 00:17:08,879 Speaker 1: wants to manage me through there. It's like, I don't know, 357 00:17:08,960 --> 00:17:11,960 Speaker 1: I dove in and got over my little whatever it 358 00:17:12,080 --> 00:17:14,200 Speaker 1: was about it. You know, Yeah, it's the new way, 359 00:17:14,320 --> 00:17:16,399 Speaker 1: and I don't want to be that old guy like 360 00:17:17,080 --> 00:17:19,240 Speaker 1: kids these days, and you know what, some of them 361 00:17:19,240 --> 00:17:21,840 Speaker 1: are making it work. I know, isn't that. I already 362 00:17:21,880 --> 00:17:23,640 Speaker 1: feel like I'm thirty one and I feel like I'm 363 00:17:23,840 --> 00:17:25,760 Speaker 1: I'm an old man because I don't want to TikTok. 364 00:17:25,800 --> 00:17:27,880 Speaker 1: I don't want Yeah, guess what's another thing. I gotta 365 00:17:27,880 --> 00:17:29,920 Speaker 1: TikTok about a week ago. I don't even know what 366 00:17:29,960 --> 00:17:33,359 Speaker 1: I'm doing. You're awesome, dude, I mean great, You'll do fine. 367 00:17:33,440 --> 00:17:36,320 Speaker 1: I mean that's the thing is when I heard TikTok, 368 00:17:36,320 --> 00:17:39,679 Speaker 1: I'm like another social media platform and now we're gonna 369 00:17:40,040 --> 00:17:42,720 Speaker 1: we're gonna lip sync our songs and try to get 370 00:17:42,720 --> 00:17:46,640 Speaker 1: a bunch of views and it's just saturated. But it's 371 00:17:46,640 --> 00:17:49,480 Speaker 1: working and it's the hottest thing right now. So yeah, 372 00:17:49,600 --> 00:17:51,600 Speaker 1: it's one of those it's either you get on the 373 00:17:51,640 --> 00:17:53,359 Speaker 1: train and move with it or it's gonna leave you 374 00:17:53,359 --> 00:17:56,040 Speaker 1: guys behind, right absolutely, yeah, yeah, And what do you 375 00:17:56,040 --> 00:17:59,520 Speaker 1: want to corporate or whatever? Owned by somebody else? And 376 00:18:00,040 --> 00:18:03,000 Speaker 1: algorithm will change. The algorithm is pretty special on that thing. 377 00:18:03,040 --> 00:18:04,720 Speaker 1: I don't know how it works, but I know I 378 00:18:04,720 --> 00:18:08,840 Speaker 1: don't really trust it either. Yeah, but if it works 379 00:18:08,840 --> 00:18:11,280 Speaker 1: for you or whoever, then do your thing, you know 380 00:18:11,280 --> 00:18:13,440 Speaker 1: what I mean. So tell me about this song. Get 381 00:18:13,480 --> 00:18:15,840 Speaker 1: on up, get on a new one. It's a brand 382 00:18:15,840 --> 00:18:17,920 Speaker 1: new song, got a great sound, dude. I'll play a 383 00:18:17,920 --> 00:18:19,760 Speaker 1: little clip of it real quick right here. Just you 384 00:18:19,800 --> 00:18:26,359 Speaker 1: can hear it. I mean, you can't help but to 385 00:18:26,480 --> 00:18:29,320 Speaker 1: hear that, just like you start bobbing your head, stomp 386 00:18:29,440 --> 00:18:31,960 Speaker 1: your feet, man, and you just can't help it. No, 387 00:18:32,080 --> 00:18:34,840 Speaker 1: I mean, and the musicians on there are just fired, dude. 388 00:18:34,880 --> 00:18:38,800 Speaker 1: We got volunteer uh Andy Hall, Darren Tario on bass, 389 00:18:38,840 --> 00:18:41,919 Speaker 1: who's been on tour with Garth Brooks. I mean, everybody, 390 00:18:42,040 --> 00:18:44,600 Speaker 1: and if you hear that, bassline. It's just so good. 391 00:18:44,640 --> 00:18:47,040 Speaker 1: And then I had my friend Tara Lynn coming just 392 00:18:47,200 --> 00:18:50,200 Speaker 1: the background or yea the background girl. Yeah yeah, um, 393 00:18:50,440 --> 00:18:52,760 Speaker 1: she was in addition to it. We needed something else, 394 00:18:52,960 --> 00:18:55,080 Speaker 1: you know, I can because they're my friends, Like, you know, 395 00:18:55,119 --> 00:18:56,920 Speaker 1: there's got to be like a calling answer thing because 396 00:18:56,960 --> 00:18:59,400 Speaker 1: it's really catchy. So we got her in there. She's 397 00:18:59,400 --> 00:19:02,240 Speaker 1: the best tears a saint. I see her. Are you 398 00:19:02,440 --> 00:19:04,639 Speaker 1: on your Instagram a lot? Right? Yeah, we're we're good friends. 399 00:19:05,280 --> 00:19:08,160 Speaker 1: We wrote a song together called I Understand I Will 400 00:19:08,200 --> 00:19:12,760 Speaker 1: Never Understand, and um premiered on CMT and got some 401 00:19:12,880 --> 00:19:17,080 Speaker 1: love on some other platforms, so really pretty cool. That's awesome. Yeah, 402 00:19:17,080 --> 00:19:18,639 Speaker 1: it was. It was a part song, you know, me 403 00:19:18,720 --> 00:19:20,479 Speaker 1: and Bolinger and her sat down and we were like 404 00:19:21,000 --> 00:19:23,119 Speaker 1: we usually talk, and we were talking about what was 405 00:19:23,160 --> 00:19:24,960 Speaker 1: going on in the in the States right now with 406 00:19:25,920 --> 00:19:29,159 Speaker 1: you know, I mean, George Floyd had just passed away 407 00:19:29,160 --> 00:19:30,840 Speaker 1: and all this stuff was going on. There were riots 408 00:19:30,840 --> 00:19:33,200 Speaker 1: in Nashville, and so we sat down amongst the chaos 409 00:19:33,240 --> 00:19:36,200 Speaker 1: and and wrote that song and it was really cool. 410 00:19:36,359 --> 00:19:41,359 Speaker 1: That's awesome. Yeah, thanks. You find that inspiration from usually 411 00:19:41,400 --> 00:19:42,879 Speaker 1: what's going on in the world or whatever kind of 412 00:19:42,920 --> 00:19:47,560 Speaker 1: hit you that day. Yeah, whatever, it does vary a 413 00:19:47,560 --> 00:19:50,680 Speaker 1: lot of times it's like a melody first, or one 414 00:19:50,760 --> 00:19:53,440 Speaker 1: word or a little phrase that I'll kind of try 415 00:19:53,440 --> 00:19:56,280 Speaker 1: and wrap it all around. You know. Co writing has 416 00:19:56,359 --> 00:19:59,800 Speaker 1: really been awesome. I didn't co write until I moved here, really. Yeah. 417 00:20:00,040 --> 00:20:02,320 Speaker 1: Found a lot of people that you connect with and yeah, 418 00:20:02,400 --> 00:20:05,240 Speaker 1: and it's I mean, you know, teamwork makes the dream work. 419 00:20:05,280 --> 00:20:08,680 Speaker 1: That's right, That's right. Is there a goal out here 420 00:20:08,720 --> 00:20:11,240 Speaker 1: for you where you think, like, hey, if I get 421 00:20:11,280 --> 00:20:14,960 Speaker 1: to this point, or if I signed this deal or 422 00:20:14,960 --> 00:20:16,959 Speaker 1: whatever it may be. I mean, is there an ultimate 423 00:20:16,960 --> 00:20:19,600 Speaker 1: goal for you or you just kind of going along 424 00:20:19,640 --> 00:20:23,120 Speaker 1: and doing what you can in you know, hopefully something 425 00:20:23,160 --> 00:20:25,760 Speaker 1: will fall into place. My goal has always been put 426 00:20:25,760 --> 00:20:28,919 Speaker 1: out records. My heroes did that, and that's that's the 427 00:20:28,960 --> 00:20:32,520 Speaker 1: old school way to me. Um, put out records, shows, 428 00:20:32,760 --> 00:20:35,240 Speaker 1: tour for the rest of my life. Then, I mean, 429 00:20:35,280 --> 00:20:37,119 Speaker 1: I doesn't have to be with a major, like like, 430 00:20:37,200 --> 00:20:39,359 Speaker 1: you don't need any of that, right, No, no disrespect 431 00:20:39,400 --> 00:20:42,080 Speaker 1: to labels, like if it was a good deal, man, 432 00:20:42,119 --> 00:20:44,359 Speaker 1: I'd be all over it. Um. But these days so 433 00:20:44,480 --> 00:20:47,360 Speaker 1: much is in our hands as artists, and we could 434 00:20:47,400 --> 00:20:50,120 Speaker 1: do so much on our own and maybe that will 435 00:20:50,160 --> 00:20:53,359 Speaker 1: create the interest in the label or a manager, you know, 436 00:20:53,480 --> 00:20:55,880 Speaker 1: all the things that we need. But the label has 437 00:20:55,920 --> 00:20:58,159 Speaker 1: seemed to from what I've understood in the industry, I 438 00:20:58,240 --> 00:21:01,000 Speaker 1: seemed to kind of the important it has gone down 439 00:21:01,080 --> 00:21:03,720 Speaker 1: unless it's a big label that cares about you. Of course. 440 00:21:03,960 --> 00:21:07,080 Speaker 1: Um I've had experiences with labels. Uh. I was signed 441 00:21:07,119 --> 00:21:09,240 Speaker 1: on I was eighteen to a punk rock label and 442 00:21:09,320 --> 00:21:11,399 Speaker 1: Rancid took and took us under their wing up in 443 00:21:11,440 --> 00:21:14,400 Speaker 1: northern California. Really yeah, man helped us make a great 444 00:21:14,440 --> 00:21:18,400 Speaker 1: record at the record plant in Sausalito or Salsalito, which 445 00:21:18,440 --> 00:21:22,520 Speaker 1: is like a legendary place where just crazy stories. So 446 00:21:22,600 --> 00:21:25,199 Speaker 1: a lot of crazy stories, odes and bathrooms, you know, 447 00:21:25,320 --> 00:21:28,359 Speaker 1: San Francisco since since the sixties, and can imagine all 448 00:21:28,400 --> 00:21:31,359 Speaker 1: the stories. Oh yeah, I can only imagine. But hey, Graham, 449 00:21:31,440 --> 00:21:33,440 Speaker 1: I really appreciate you coming in here today. This is 450 00:21:33,480 --> 00:21:36,639 Speaker 1: a lot of fun. Your story is awesome, and just 451 00:21:36,760 --> 00:21:39,280 Speaker 1: stay on the ground, keep doing what you're doing your outlook. 452 00:21:39,359 --> 00:21:42,040 Speaker 1: Everything will fall into place. There's no doubt about it. 453 00:21:42,200 --> 00:21:44,520 Speaker 1: And for everybody that's listening, go check them out. Graham 454 00:21:44,600 --> 00:21:48,080 Speaker 1: nan Caro on Instagram, Twitter, check me out, Kick off 455 00:21:48,160 --> 00:21:51,120 Speaker 1: Kevin on Instagram and Twitter. Graham, thanks a lot. Let's 456 00:21:51,119 --> 00:21:53,600 Speaker 1: do it again sometime. Thanks Kevin, DU's a blast, dude,