WEBVTT - Punch Drunk Love with Grace Freud

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<v Speaker 1>On the Bechdel Cast, the questions asked if movies have

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<v Speaker 1>women and them, are all their discussions just boyfriends and husbands,

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<v Speaker 1>or do they have individualism the patriarchy? Zeph and Beast

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<v Speaker 1>start changing it with the Bechdel Cast.

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<v Speaker 2>Hey Jamie, it's Caitlin. What's your credit card information and

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<v Speaker 2>your Social Security number?

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<v Speaker 3>Yeah, I'll give that to you. Okay, I'll give that

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<v Speaker 3>to you. Yeah, write it down, Write it down over

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<v Speaker 3>the phone. You're get wild, It's ready. I still do

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<v Speaker 3>that sometimes give it. I should be left in the past,

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<v Speaker 3>like make a purchase over the phone. Every once in

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<v Speaker 3>a while, you have to give someone your credit card

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<v Speaker 3>number over the phone.

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<v Speaker 2>WHOA, I haven't done that in like, I don't know,

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<v Speaker 2>probably ten years.

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<v Speaker 3>I feel like it's mostly bet On behalf of my

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<v Speaker 3>mom or something where she still like makes purchases and

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<v Speaker 3>the like. It's so interesting how boomers are always think

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<v Speaker 3>they're like credit card numbers are being stolen, but they're

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<v Speaker 3>the ones saying them out loud on the phone, Like

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<v Speaker 3>I don't think they're really taking care. I would give

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<v Speaker 3>you my credit card number.

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<v Speaker 4>Thanks.

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<v Speaker 3>Well, welcome to the Bechel. Feel free to send us

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<v Speaker 3>your credit card number. You can definitely trust us.

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<v Speaker 2>Trust us.

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<v Speaker 3>My name is Shamie Loftus.

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<v Speaker 2>My name is Caitlin Deonte. This is our show where

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<v Speaker 2>we examine movies through an intersectional feminist lens, using the

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<v Speaker 2>Bechdel test as a jumping off point. Jamie, what's that.

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<v Speaker 3>Well, there's so many versions of this test. It is

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<v Speaker 3>a media metric created by a dear friend of the show,

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<v Speaker 3>maybe even our best friend. We've we spent two minutes

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<v Speaker 3>with her in person. She's our dearest friend and we

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<v Speaker 3>love our friend Alison. It's too whole minutes. Yes week

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<v Speaker 3>in Sacramento, a couple of weeks ago.

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<v Speaker 4>I know you guys hung out, but like she's your

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<v Speaker 4>best friend. Now, yeahh did you guys talk about Eddie

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<v Speaker 4>Santa Claus movies or eddiething like.

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<v Speaker 3>You don't understand, you don't understand.

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<v Speaker 4>I'm kind of like the Robin or in a more

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<v Speaker 4>gender Ermie says, back girl of the back as. And

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<v Speaker 4>now all of a sudden, I find out that Alice

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<v Speaker 4>Impactel can just Lotchida talk to you for twenty minutes

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<v Speaker 4>and not even seem interested. I saw the picture.

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<v Speaker 2>Okay, look wow, And all of a sudden, she's your

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<v Speaker 2>best friend.

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<v Speaker 3>She's our best friend, great and our defense. We've been

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<v Speaker 3>begging her to be our friend for nine years.

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<v Speaker 2>Grace. If it makes you feel any better, you're our

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<v Speaker 2>bestest friend.

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<v Speaker 4>I mean, I guess. I guess. I would like to

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<v Speaker 4>say that makes me feel better, But I think the

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<v Speaker 4>truth is I'm gonna go to become a banelike character

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<v Speaker 4>for the podcast.

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<v Speaker 3>Come back with the mask and.

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<v Speaker 4>The mad man definition. Let me see dearly yearly what. Okay,

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<v Speaker 4>that's too much. I thought it would look more like

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<v Speaker 4>a bane mask.

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<v Speaker 3>Or something, just like the Baines's voice is like right

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<v Speaker 3>up there in the pantheon of like voices that haunt

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<v Speaker 3>me from high school. Yeah, just be social studies class

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<v Speaker 3>is full of teenagers doing the bain voice.

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<v Speaker 4>Okay, I'm sorry to disagree with you, JB. But the

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<v Speaker 4>Dark Knight Prizes came out two years after you graduated

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<v Speaker 4>in high school.

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<v Speaker 3>Okay, maybe I look whatever college college.

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<v Speaker 4>Really, I'm just telling you because I took my entire

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<v Speaker 4>family to see the Dark Knight Rises as like a

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<v Speaker 4>nice thing. I don't know why.

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<v Speaker 2>I thought.

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<v Speaker 4>I was like, I'm gonna do this nice thing, and

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<v Speaker 4>I hated it.

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<v Speaker 2>It's not a very good movie.

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<v Speaker 3>I didn't see it in theaters because I was sick

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<v Speaker 3>of the voice, which is why I didn't see so

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<v Speaker 3>many movies when they so Bane's in the third one,

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<v Speaker 3>not the second one.

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<v Speaker 4>Bain is in the third one. Okay, and I'll tell

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<v Speaker 4>you this, Tom Hardy rocks it. But the problem with

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<v Speaker 4>that movie is they they don't let him just be

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<v Speaker 4>the villain, you know, like there's gotta be this tall,

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<v Speaker 4>y'all ghoul character that pops up.

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<v Speaker 2>Oh, that's right.

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<v Speaker 4>Also, it was like, so they like make Batman lose

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<v Speaker 4>all of his money, and like how they do that

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<v Speaker 4>is Baine just like takes over the stock market and

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<v Speaker 4>presses a button and.

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<v Speaker 2>Then takes his credit card information. He takes his credit

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<v Speaker 2>card information and his social Security number, and he bleeds

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<v Speaker 2>him dry.

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<v Speaker 3>He does what Georgia did to Bury. Wow, it all

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<v Speaker 3>comes around.

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<v Speaker 2>We're talking about Punch Drunk Love today, not Dark Knight Rises.

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<v Speaker 4>My favorite movie, my favorite movie of all time is

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<v Speaker 4>Punch Drunk Glove.

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<v Speaker 3>Well, listen, listeners, you can google what the Bechdel test is.

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<v Speaker 3>Because we didn't get we didn't get that far.

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<v Speaker 2>We just passed it until we started talking about Bane.

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<v Speaker 4>Until the Bechdel test posits that if two women are

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<v Speaker 4>in a movie and they talk about something I find

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<v Speaker 4>personally interesting, then it's good.

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<v Speaker 3>Yes. Wait, so, so Punch Trunk Love is your favorite movie?

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<v Speaker 3>Tell us about your history with this movie.

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<v Speaker 4>Yeah, I've seen Punch Drunk Love probably more than I've

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<v Speaker 4>seen any other movie, except for maybe Muppet Christmas Carol

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<v Speaker 4>or the Rankin Bass like Specials if you want to

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<v Speaker 4>call them movies, or maybe Elf. Okay, outside of the

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<v Speaker 4>Christmas category, have any Christmas movie?

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<v Speaker 2>Well, what about the Santa Claus?

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<v Speaker 4>That's true? Also, Actually I didn't. Oh, yes, okay, I'll

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<v Speaker 4>let you introduce me now.

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<v Speaker 2>Oh, it's okay. Our guest is a writer, a comedian.

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<v Speaker 2>She's in the upcoming movie We Are Pat and you

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<v Speaker 2>remember her from our episodes on the Santa Claus franchise.

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<v Speaker 2>It's Grace freyd Hi.

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<v Speaker 3>Everybody, we're really kind of like branching out this time.

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<v Speaker 3>I didn't even really realize that this is our first

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<v Speaker 3>non Santa Claus related endeavor.

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<v Speaker 4>It is our first non Santa Claus related endeavor.

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<v Speaker 3>Check in, How is everybody feeling about this?

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<v Speaker 2>It's strange.

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<v Speaker 4>I do think I am shocked. I still haven't seen

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<v Speaker 4>the second season of The Santa Claus.

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<v Speaker 2>That is shocking, I know, and I do.

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<v Speaker 3>I haven't seen it either. I feel like were we

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<v Speaker 3>to watch it, we would still be like in the

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<v Speaker 3>first hundred people that have seen it, Yeah, they didn't

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<v Speaker 3>advertise it at all, so.

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<v Speaker 4>Certainly in the first hundred people that have had a

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<v Speaker 4>conversation about it, yes, you know, certainly. It's really the slop.

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<v Speaker 4>I mean, this is getting me down. I think that

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<v Speaker 4>they so much slop this movie series that I think

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<v Speaker 4>even the third one was so fun. You know, it

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<v Speaker 4>was weird, but it was so fun. Aesthetically, nothing I think.

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<v Speaker 4>What kills me about the show The Santa Clauses is

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<v Speaker 4>it just not shot like a movie. It's just shot

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<v Speaker 4>like slop.

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<v Speaker 3>You know it's it does yet it looks very ai.

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<v Speaker 3>I don't know. Although much like The Santa Claus Punch,

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<v Speaker 3>Trunck Love stars a popular nineties comedian taking a turn

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<v Speaker 3>and trying something new out like being in a prestige

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<v Speaker 3>rom com or being Santa Claus two pass.

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<v Speaker 4>That is so true.

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<v Speaker 2>It's the parallels are striking.

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<v Speaker 4>Speaking of two roads, I remember a time, the time

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<v Speaker 4>that my mom brought me to see Little Fokkers in

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<v Speaker 4>or it was maybe Meet the Fokers. It was Meet

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<v Speaker 4>the Fokers, not Little Foker's. And Hunstream Glove was out

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<v Speaker 4>at the same time, and I really wanted to go

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<v Speaker 4>see Punch Drunk Love because I loved Adam Sandler, and

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<v Speaker 4>my mom would not let me go see it. She said,

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<v Speaker 4>look to adult and then she brings me to meet

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<v Speaker 4>the Fockers, which is just all Penis jokes. The whole time.

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<v Speaker 3>I was like, I don't have to meet the Fockers.

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<v Speaker 3>Is the alternative?

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<v Speaker 4>She wasn't wrong, but but I do wonder what my

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<v Speaker 4>life would be like. I thought, I think about this

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<v Speaker 4>someone often if she had let me see Punch Drunk

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<v Speaker 4>Love with her, because I think I would have even

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<v Speaker 4>been taken with it at that age. I would I

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<v Speaker 4>think I was like eight or nine. I think I

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<v Speaker 4>would have been really taken with it, you know, because

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<v Speaker 4>it's a I don't know, it's the most special film

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<v Speaker 4>in the world to me. It just it's a movie that,

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<v Speaker 4>you know, I think that I can't. I can't like

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<v Speaker 4>this is gonna sound crazy, like it's something that I

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<v Speaker 4>would say is a joke, but it's one hundred percent

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<v Speaker 4>sincere Barry Egan. Adam Sandler's character in Punchdrunk Love is

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<v Speaker 4>the character I most relate to, I think, in maybe

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<v Speaker 4>all of fiction. And it's because, you know, when I

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<v Speaker 4>first saw this movie, I was eighteen, and I had

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<v Speaker 4>to watch it for a film class and I had

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<v Speaker 4>to do a shot breakdown of the whole movie. So

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<v Speaker 4>I had to watch it again and again and again

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<v Speaker 4>and again, and then I had to write my final

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<v Speaker 4>project about the diegetic versus non diegetic sound in the film.

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<v Speaker 4>And I think it really taught me about stories and

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<v Speaker 4>like the different components of a I mean like it

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<v Speaker 4>made me appreciate it. After that I did that, it

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<v Speaker 4>was hard to really hate a movie ever, you know,

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<v Speaker 4>like will you get such an appreciation for the mix

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<v Speaker 4>of it all? You know? And I mean I think

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<v Speaker 4>that I wouldn't love Megalopolis if I didn't see Punch

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<v Speaker 4>Drunk Love one hundred times.

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<v Speaker 3>First, okay, okay, it's at the eleven minute mark Megalopolis

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<v Speaker 3>was mentioned. I was, okay that I was really creous

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<v Speaker 3>because what we when you were originally going to come

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<v Speaker 3>on late last year, it was going to be Megalopolis.

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<v Speaker 3>And then when we finally scheduled it was Punchdrunk Love,

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<v Speaker 3>and I was like, do I bring up Megalopolis? And

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<v Speaker 3>then I was like, no, Grace will on her own,

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<v Speaker 3>and there it is. There's no way Megalopolis will not

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<v Speaker 3>come up.

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<v Speaker 4>It's it's it's we'll get more to Megalopolis. But a

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<v Speaker 4>movie I genuinely love.

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<v Speaker 3>Also, this is ultimately about Megalopolis.

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<v Speaker 4>This is all everything. Well, the thing is, everything's kind

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<v Speaker 4>of about Megalopolis because everything is about the future. Oh

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<v Speaker 4>you know it's lead back, yes, but like in a

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<v Speaker 4>way all roads duly to me by so Punch Trunk Club.

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<v Speaker 4>I'm seeing and this point of my life when my

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<v Speaker 4>brain is falling apart, I'm having these huge manic spikes.

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<v Speaker 4>I'm losing a lot of friends. My bipolar disorder started

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<v Speaker 4>to really set in when I was like sixteen seventeen,

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<v Speaker 4>and it reached a real fever pitch by my first

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<v Speaker 4>year of college. You know, I'm having these experiences where

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<v Speaker 4>I'm like not remembering things I've said, and like, I

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<v Speaker 4>have these moments of such intense emotion that are coupled

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<v Speaker 4>with long stretches of I'm just kind of in my

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<v Speaker 4>room and I'm being chill, and I and I'm kind

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<v Speaker 4>of feeling like, well, why why can't people see me

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<v Speaker 4>as this person who wants to being nice, you know,

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<v Speaker 4>And I can't stop drink. Drinking is a big part

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<v Speaker 4>of it, and using is a big part of it,

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<v Speaker 4>and it's just out of control. And so I'm spending

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<v Speaker 4>these long stretches just in my dorm room too, because

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<v Speaker 4>I feel like I'm scared of interacting with people and

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<v Speaker 4>scared of I just don't know what my emotions are

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<v Speaker 4>gonna be and how they're gonna shoot. And I've had

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<v Speaker 4>that kind of since I was a kid, but it

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<v Speaker 4>got to this really bad place, and I'm like seeing

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<v Speaker 4>my therapist a few times a week. I'm trying different medications,

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<v Speaker 4>and some of these medications have really harsh side effects,

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<v Speaker 4>you know, Like I try Abilify once and I'm like

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<v Speaker 4>literally drooling all the time. I'm having these intense panic attacks.

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<v Speaker 4>And also I'm kind of being a dick because I'm

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<v Speaker 4>like dealing with all of this and I just don't,

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<v Speaker 4>you know, this was me at a big like a

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<v Speaker 4>big bottom, and I look back, you know, I'm someone

0:13:06.640 --> 0:13:09.840
<v Speaker 4>in recovery. I look back at different bottoms I've had,

0:13:10.640 --> 0:13:14.160
<v Speaker 4>and I definitely the drinking and using was part of it.

0:13:14.240 --> 0:13:16.840
<v Speaker 4>But I think the big thing was I'm being hit

0:13:16.920 --> 0:13:20.719
<v Speaker 4>with bipolar one, this huge, huge mental health disorder that

0:13:20.760 --> 0:13:23.120
<v Speaker 4>I think people are very glib about off it, you know,

0:13:23.480 --> 0:13:26.640
<v Speaker 4>or people call themselves by polar Yeah, we all know this,

0:13:26.800 --> 0:13:32.439
<v Speaker 4>people do that online. Yeah, But bipolar one is I

0:13:32.559 --> 0:13:36.520
<v Speaker 4>think it's very hard to understand what mania is, like

0:13:37.160 --> 0:13:40.079
<v Speaker 4>like medical mania, if you haven't been in it, you know,

0:13:40.880 --> 0:13:43.199
<v Speaker 4>and then you snap out of it, You're like, why

0:13:43.280 --> 0:13:45.400
<v Speaker 4>did I act like that? And there's not like the

0:13:45.520 --> 0:13:49.960
<v Speaker 4>reason is you were manic, you know, But that's hard

0:13:50.000 --> 0:13:52.440
<v Speaker 4>to get across to other people that are also eighteen

0:13:52.520 --> 0:13:56.880
<v Speaker 4>and figuring stuff out. You know, I was sick. I

0:13:57.040 --> 0:14:00.480
<v Speaker 4>was not not unleathium yet, which ended up being the

0:14:00.600 --> 0:14:04.679
<v Speaker 4>thing that really helped. And if anybody is listening to

0:14:04.760 --> 0:14:08.400
<v Speaker 4>this and it's afraid of trying with me, I'm like,

0:14:08.559 --> 0:14:12.440
<v Speaker 4>I was because you've heard a million bad stories about it. Well,

0:14:13.000 --> 0:14:15.760
<v Speaker 4>you know. So that's the thing that if you do

0:14:15.920 --> 0:14:18.680
<v Speaker 4>have bipolar, what if you are keep having menic episodes,

0:14:19.320 --> 0:14:22.680
<v Speaker 4>give it a shot, you know, because it's this thing

0:14:22.760 --> 0:14:25.160
<v Speaker 4>that like if you if you do have the deficit

0:14:25.240 --> 0:14:27.840
<v Speaker 4>in your head when you start taking it. It's night

0:14:27.880 --> 0:14:29.960
<v Speaker 4>and day, you know, after a few weeks, and you

0:14:30.040 --> 0:14:33.320
<v Speaker 4>get through through through that. But also, since I was

0:14:33.360 --> 0:14:36.680
<v Speaker 4>a kid, I had problems with emotional spikes to some degrees,

0:14:36.960 --> 0:14:41.120
<v Speaker 4>and I always had this feeling of like just being

0:14:41.240 --> 0:14:45.200
<v Speaker 4>so put upon, and so it was hard for me

0:14:45.680 --> 0:14:51.440
<v Speaker 4>to take responsibility for the consequences of those spikes or

0:14:51.480 --> 0:14:54.640
<v Speaker 4>tantrums or whatever you want to call them, because my

0:14:54.880 --> 0:14:58.520
<v Speaker 4>life felt so hard that I'm like, don't you see

0:14:58.520 --> 0:15:03.360
<v Speaker 4>how shitty everything is? Just ignore that, you know. I

0:15:03.560 --> 0:15:08.080
<v Speaker 4>never let that be. And Punch Trump Glove is this

0:15:08.240 --> 0:15:11.480
<v Speaker 4>film that has this character Barry Egan in it that

0:15:12.200 --> 0:15:16.480
<v Speaker 4>is just so sweet and so has closed himself off

0:15:16.560 --> 0:15:22.080
<v Speaker 4>to the world, mostly in my interpretation from his acknowledgement

0:15:22.160 --> 0:15:24.880
<v Speaker 4>that he has this anger and this mania in him,

0:15:25.080 --> 0:15:28.880
<v Speaker 4>you know. And I you know, I didn't even know

0:15:29.000 --> 0:15:31.400
<v Speaker 4>the term neurodivergent at the time, and I don't know

0:15:31.440 --> 0:15:34.360
<v Speaker 4>if I even love that term. But as someone who

0:15:35.480 --> 0:15:41.160
<v Speaker 4>really struggles with understanding certain emotional things sometimes or like,

0:15:41.760 --> 0:15:45.160
<v Speaker 4>I've really had to work on a lot of those

0:15:45.240 --> 0:15:49.920
<v Speaker 4>different things, and I'm so I can be very obsessive

0:15:49.960 --> 0:15:53.760
<v Speaker 4>about certain things and not let them go. I just

0:15:53.920 --> 0:15:57.480
<v Speaker 4>saw someone who was so you know, not kind of

0:15:57.600 --> 0:16:01.960
<v Speaker 4>loud and gregarious like I can be. But Barri's quiet

0:16:02.080 --> 0:16:05.640
<v Speaker 4>moments look so much like my quiet moments, and his

0:16:06.720 --> 0:16:11.440
<v Speaker 4>outbursts look so much like my outbursts, and his desire

0:16:11.600 --> 0:16:14.200
<v Speaker 4>for everyone to just see him as this person who

0:16:14.800 --> 0:16:17.840
<v Speaker 4>isn't just those outbursts because most of the time he

0:16:18.040 --> 0:16:23.840
<v Speaker 4>is just fine, was so palpable. I think what Adam

0:16:23.920 --> 0:16:29.040
<v Speaker 4>Sandler does on this role is just beautiful. I think

0:16:29.120 --> 0:16:33.640
<v Speaker 4>it's his best role by far. Like I think what

0:16:33.840 --> 0:16:39.600
<v Speaker 4>he does in Uncut Gems is slick and funny and

0:16:39.800 --> 0:16:44.280
<v Speaker 4>impressive and emotional. But what he does in Punched Drunk

0:16:44.280 --> 0:16:50.480
<v Speaker 4>Glove is he really makes all the wants and desires

0:16:50.560 --> 0:16:56.440
<v Speaker 4>and loves and resentments of this very quiet character so

0:16:56.680 --> 0:17:01.040
<v Speaker 4>apparent moment to moment to moment to moment. And he's

0:17:01.080 --> 0:17:03.520
<v Speaker 4>also very funny while he does it. I you know,

0:17:04.240 --> 0:17:07.920
<v Speaker 4>this is a funny film. Yeah, whenever somebody says, well,

0:17:08.160 --> 0:17:11.159
<v Speaker 4>Paul Thomas Anderson calls it his romantic comedy, but it's

0:17:11.200 --> 0:17:15.600
<v Speaker 4>not really funny and like, hey, what, like what do

0:17:15.640 --> 0:17:18.440
<v Speaker 4>you do you just like with somebody of shit on

0:17:18.520 --> 0:17:22.280
<v Speaker 4>the floor, Like right, I feel like it's.

0:17:22.160 --> 0:17:24.520
<v Speaker 3>Like they're What they're trying to say is like, it's

0:17:24.600 --> 0:17:27.560
<v Speaker 3>not funny in the way that an Adam Sandler comedy

0:17:27.560 --> 0:17:29.720
<v Speaker 3>is quote unquote is supposed to be funny. But like,

0:17:30.040 --> 0:17:33.600
<v Speaker 3>you can't watch the scene where he's ranting about putting

0:17:33.760 --> 0:17:36.960
<v Speaker 3>for thirty seconds and be like, I'm that's I feel

0:17:37.040 --> 0:17:38.480
<v Speaker 3>nothing like it's great.

0:17:39.040 --> 0:17:41.600
<v Speaker 4>It has one of I think the funniest lines in

0:17:41.680 --> 0:17:47.719
<v Speaker 4>all of cinema, which is after Barry smashes the deck window, hm,

0:17:48.040 --> 0:17:51.040
<v Speaker 4>it cuts to the closet that he's in calming down

0:17:51.920 --> 0:17:55.320
<v Speaker 4>and his sister's husband, his brother in law, comes in

0:17:56.400 --> 0:17:59.879
<v Speaker 4>and there he's like you're He goes, you're a doctor, right,

0:18:00.600 --> 0:18:04.840
<v Speaker 4>and he's like yeah, and he's like could you maybe

0:18:05.119 --> 0:18:09.680
<v Speaker 4>you know you have like someone like you help people

0:18:09.800 --> 0:18:15.000
<v Speaker 4>with problems, like emotional problems, and the brother in lago's

0:18:15.320 --> 0:18:20.800
<v Speaker 4>very I'm a dentist. Yeah. It's perfect, And this is

0:18:20.960 --> 0:18:25.000
<v Speaker 4>all in the This film does something that I think

0:18:25.520 --> 0:18:32.720
<v Speaker 4>Makelawfelis also does very well, which is I had all

0:18:33.520 --> 0:18:38.320
<v Speaker 4>one opera, you know, the whole thing start to finish

0:18:38.640 --> 0:18:42.840
<v Speaker 4>is such one big story, musical story quill you know.

0:18:44.400 --> 0:18:49.040
<v Speaker 4>But I see in Barry so much of myself and

0:18:49.240 --> 0:18:51.879
<v Speaker 4>I think the story is so beautiful because he finds

0:18:51.920 --> 0:18:56.680
<v Speaker 4>someone who understands him and views him, like really views

0:18:56.760 --> 0:19:00.399
<v Speaker 4>his humanity. And you see that holy, you see that

0:19:00.720 --> 0:19:06.399
<v Speaker 4>like in its entirety because when Lena is left at

0:19:06.440 --> 0:19:10.040
<v Speaker 4>the hospital, when he like ditches her and you get

0:19:10.119 --> 0:19:14.479
<v Speaker 4>you understand why he's doing it, but she meets him

0:19:14.600 --> 0:19:17.639
<v Speaker 4>with like this hurt me. It's not like she just

0:19:17.760 --> 0:19:19.240
<v Speaker 4>sees him and it's like, okay, so you can do

0:19:19.320 --> 0:19:22.200
<v Speaker 4>whatever because you got a weird brain, you know. She

0:19:22.440 --> 0:19:25.320
<v Speaker 4>like she really treats him as a person that she

0:19:25.520 --> 0:19:28.920
<v Speaker 4>also has expectations of and love for and understand me.

0:19:29.040 --> 0:19:32.120
<v Speaker 4>They all come together, you know. And I have found

0:19:32.200 --> 0:19:36.560
<v Speaker 4>in my life being the person that I am, it's

0:19:36.840 --> 0:19:41.320
<v Speaker 4>very hard to find someone that does all of that,

0:19:41.760 --> 0:19:44.600
<v Speaker 4>you know, and isn't like a switch, you know. I

0:19:44.880 --> 0:19:49.440
<v Speaker 4>feel like as a mentally ill person, I've been in

0:19:49.600 --> 0:19:54.640
<v Speaker 4>relationships where either they are totally supportive to a point

0:19:54.680 --> 0:19:58.800
<v Speaker 4>that's maybe not like healthy, you know, or they're done

0:19:58.840 --> 0:20:00.920
<v Speaker 4>with it, you know, and it's like a switch that

0:20:01.040 --> 0:20:03.040
<v Speaker 4>can go on and off and on and off, you know.

0:20:04.040 --> 0:20:06.760
<v Speaker 4>And I think it's really beautiful that she's able to

0:20:07.000 --> 0:20:10.720
<v Speaker 4>like she just she knows herself so well and what

0:20:10.840 --> 0:20:14.879
<v Speaker 4>she wants, and she's able to not change that based

0:20:14.960 --> 0:20:17.920
<v Speaker 4>on Barry. He just happens to be someone she does

0:20:18.040 --> 0:20:20.960
<v Speaker 4>love and want. I think this is the greatest love

0:20:21.080 --> 0:20:24.520
<v Speaker 4>story of all time, and it's a it's very taum.

0:20:24.640 --> 0:20:27.600
<v Speaker 4>It takes place in apartments, yeah, and in the San

0:20:27.720 --> 0:20:29.399
<v Speaker 4>Fernando Valley, you.

0:20:29.480 --> 0:20:34.480
<v Speaker 2>Know, like over the course of like four days. Maybe, Yeah,

0:20:34.480 --> 0:20:35.200
<v Speaker 2>it's pretty tight.

0:20:35.320 --> 0:20:38.040
<v Speaker 4>Yeah, it's more than four days because we don't quite

0:20:38.119 --> 0:20:39.360
<v Speaker 4>know how long they're in Hawaii.

0:20:39.800 --> 0:20:43.159
<v Speaker 2>Oh ray, I forgot Okay, so yeah, maybe maybe as

0:20:43.240 --> 0:20:47.080
<v Speaker 2>much as two weeks, but it's still pretty quick.

0:20:47.440 --> 0:20:51.320
<v Speaker 4>And this goes to my next contention, which is I'm

0:20:51.400 --> 0:20:54.320
<v Speaker 4>going to ask a question that I don't know why,

0:20:54.920 --> 0:20:57.240
<v Speaker 4>but you two never seem to get along to asking

0:20:57.320 --> 0:21:02.000
<v Speaker 4>on this podcast, which is does this film pass the

0:21:02.119 --> 0:21:08.080
<v Speaker 4>Bechdel Test? And my answer is yes, it does. And

0:21:08.200 --> 0:21:09.520
<v Speaker 4>the reason you're acting like we.

0:21:09.600 --> 0:21:12.159
<v Speaker 3>Were, like we started the show by saying it doesn't.

0:21:12.800 --> 0:21:18.480
<v Speaker 4>Okay, Well, this is first, this is my reasoning. Adam

0:21:18.680 --> 0:21:24.600
<v Speaker 4>Sandler's character, very Egot is a woman. Okay, expand on that,

0:21:27.119 --> 0:21:34.720
<v Speaker 4>Oh God, I should have thought more about it. I

0:21:35.560 --> 0:21:39.879
<v Speaker 4>don't think that there was any intention on on Paul

0:21:40.560 --> 0:21:47.080
<v Speaker 4>or Adam's parts to suggest that Barry is trans, nor

0:21:47.200 --> 0:21:50.640
<v Speaker 4>do I think you know, I'm I'm of the mindset,

0:21:50.720 --> 0:21:55.000
<v Speaker 4>generally speaking, that someone is trans if they say they're trans,

0:21:55.840 --> 0:21:58.960
<v Speaker 4>if not like the Kurt Cobain stuff, everyone says Kurt

0:21:59.000 --> 0:22:02.320
<v Speaker 4>Cobain is a transform And I think it's beautiful to

0:22:02.560 --> 0:22:05.879
<v Speaker 4>like see that Kirk Cobain had an understanding of his

0:22:06.040 --> 0:22:09.760
<v Speaker 4>gender that seemed expansive in some way. But I'm not

0:22:09.880 --> 0:22:13.840
<v Speaker 4>going to take away his right to have said who

0:22:13.920 --> 0:22:16.480
<v Speaker 4>he was or not while he was living, you know.

0:22:16.800 --> 0:22:23.680
<v Speaker 4>I but very to me is someone who is so

0:22:24.880 --> 0:22:30.600
<v Speaker 4>he's he has seven evil sisters and which feels.

0:22:30.359 --> 0:22:35.720
<v Speaker 3>So like fairy tale coded somehow, yes, is a.

0:22:35.760 --> 0:22:41.000
<v Speaker 4>Fairy tale and he's constantly mocked by them for being

0:22:41.119 --> 0:22:42.320
<v Speaker 4>gay and not a man.

0:22:42.600 --> 0:22:42.760
<v Speaker 1>You know.

0:22:43.760 --> 0:22:47.720
<v Speaker 4>He has this like man costume, you know, in the suit, the.

0:22:47.760 --> 0:22:50.760
<v Speaker 2>Blue suit, and he wears in every scene of the movie.

0:22:50.840 --> 0:22:54.360
<v Speaker 4>I think, this beautiful blue suit that's supposed to look cheap,

0:22:54.400 --> 0:22:55.680
<v Speaker 4>but I think looks beautiful.

0:22:55.800 --> 0:22:57.840
<v Speaker 3>I think it looks great well, and I loved how

0:22:58.119 --> 0:23:01.240
<v Speaker 3>subtly it's put in that like it's weird to people

0:23:01.280 --> 0:23:03.280
<v Speaker 3>that he's wearing it. Because like, this is the only

0:23:03.359 --> 0:23:05.879
<v Speaker 3>thing we know he's wearing, but every like more than

0:23:05.880 --> 0:23:07.639
<v Speaker 3>one of his sisters are like, what the fuck are

0:23:07.720 --> 0:23:10.160
<v Speaker 3>you wearing? And it's like he's trying something out.

0:23:11.440 --> 0:23:17.119
<v Speaker 2>His colleague comments on it too, Gusman, Yeah, who.

0:23:17.200 --> 0:23:20.680
<v Speaker 4>Is great in it too. Louis Guzman is so funny.

0:23:20.400 --> 0:23:21.879
<v Speaker 3>At its to your character actor.

0:23:22.200 --> 0:23:25.720
<v Speaker 4>He is the only character in the whole thing who's

0:23:25.960 --> 0:23:29.399
<v Speaker 4>he's he's in a fairytale. You know. Everyone else is

0:23:29.520 --> 0:23:33.399
<v Speaker 4>kind of going about their lives and Louis Guzman is like,

0:23:34.880 --> 0:23:36.399
<v Speaker 4>how many of her free stories are we going to

0:23:36.480 --> 0:23:37.000
<v Speaker 4>go to get?

0:23:38.760 --> 0:23:43.119
<v Speaker 3>He's great, He's my dad's favorite actor. Oh my Louis

0:23:43.200 --> 0:23:46.440
<v Speaker 3>Guzman head. I think mostly because of Boogie Knights, but

0:23:46.520 --> 0:23:50.000
<v Speaker 3>also Louise Guzman's in like hundreds of movies and yeah,

0:23:50.560 --> 0:23:51.160
<v Speaker 3>he's so great.

0:23:51.440 --> 0:23:55.960
<v Speaker 4>And you know, I think that, uh, he's so the

0:23:56.160 --> 0:23:58.840
<v Speaker 4>skin that he is, in the life that he has,

0:23:59.840 --> 0:24:03.680
<v Speaker 4>he seems to be looking for beauty and intimacy that

0:24:03.880 --> 0:24:06.440
<v Speaker 4>is outside of what is expected for him, which I

0:24:06.480 --> 0:24:11.240
<v Speaker 4>think is put on display most clearly in that initial

0:24:11.359 --> 0:24:16.640
<v Speaker 4>phone call with the phone sex hotline woman. And it's

0:24:16.760 --> 0:24:19.280
<v Speaker 4>not the first movie, obviously, wh or someone just wanted

0:24:19.320 --> 0:24:24.280
<v Speaker 4>to talk. But there's not any faint like an Annie

0:24:24.320 --> 0:24:26.840
<v Speaker 4>Hall or whatever. It's like, here's this creepy guy. You know,

0:24:27.560 --> 0:24:29.880
<v Speaker 4>Barry never comes off as some creepy guy, at least

0:24:29.920 --> 0:24:34.840
<v Speaker 4>to me. You know, he doesn't have an ulterior motive.

0:24:35.680 --> 0:24:37.240
<v Speaker 4>I'm not saying it would have been bad if he

0:24:37.280 --> 0:24:39.520
<v Speaker 4>wanted to just jack off. Maybe he does jack off.

0:24:39.560 --> 0:24:42.560
<v Speaker 4>There's nothing bad with that, but he likes, he craves

0:24:42.600 --> 0:24:44.359
<v Speaker 4>this intimacy and he craves the.

0:24:45.840 --> 0:24:49.320
<v Speaker 2>I think this movie would be interesting in conversation with

0:24:50.520 --> 0:24:53.959
<v Speaker 2>Friendship because I just saw Friendship and both movies are

0:24:54.000 --> 0:24:59.240
<v Speaker 2>about like male loneliness, and I kept kind of being

0:24:59.400 --> 0:25:03.080
<v Speaker 2>reminded a Tim Robinson character when I was watching Adam

0:25:03.119 --> 0:25:05.000
<v Speaker 2>Sandler in this movie.

0:25:06.080 --> 0:25:06.680
<v Speaker 3>Yeah, I see it.

0:25:06.920 --> 0:25:07.600
<v Speaker 4>I can see that.

0:25:07.920 --> 0:25:12.280
<v Speaker 2>I mean, they're definitely totally different, and one is way

0:25:12.359 --> 0:25:16.639
<v Speaker 2>more absurdist than the other, but yeah, I see it.

0:25:16.720 --> 0:25:19.080
<v Speaker 3>Though, I think that that makes sense, and there's like

0:25:19.720 --> 0:25:23.960
<v Speaker 3>there is this I like Barry. I mean, whatever, we

0:25:24.000 --> 0:25:25.879
<v Speaker 3>don't need to pit them against each other, but I like,

0:25:26.040 --> 0:25:28.919
<v Speaker 3>I think Barry's character has a lot more depth.

0:25:29.280 --> 0:25:30.480
<v Speaker 2>But like, yeah, I do.

0:25:30.680 --> 0:25:33.920
<v Speaker 3>I do kind of like how he's even at his

0:25:34.800 --> 0:25:39.920
<v Speaker 3>most vulnerable, unstable moment, whatever it is, you're totally regress.

0:25:40.000 --> 0:25:44.200
<v Speaker 3>Like he's he's very lovable, like we and it feels

0:25:44.280 --> 0:25:48.160
<v Speaker 3>like with with making like having that moment of intimacy

0:25:48.200 --> 0:25:50.399
<v Speaker 3>and just wanting to talk, it feels like he's trying

0:25:50.440 --> 0:25:53.600
<v Speaker 3>to have in a way that is like very human,

0:25:53.880 --> 0:25:54.919
<v Speaker 3>have a little bit of.

0:25:55.000 --> 0:25:59.359
<v Speaker 5>Control over a moment of intimacy that feels so like

0:25:59.600 --> 0:26:04.280
<v Speaker 5>all in every other area of his life. And it's

0:26:04.359 --> 0:26:07.000
<v Speaker 5>not for lack of effort on his part. It's like

0:26:07.320 --> 0:26:09.480
<v Speaker 5>these family dynamics are.

0:26:09.400 --> 0:26:13.160
<v Speaker 3>A fucking nightmare. Like yeah, you know, we could talk

0:26:13.200 --> 0:26:14.800
<v Speaker 3>about that in a bit too.

0:26:15.720 --> 0:26:21.080
<v Speaker 4>Yes, Friendship and pun Trunk Love have main characters that

0:26:21.160 --> 0:26:25.600
<v Speaker 4>are our lonely men. But Friendship seems to posit that

0:26:25.880 --> 0:26:29.840
<v Speaker 4>male loneliness has a unique aspect to it, or like

0:26:29.960 --> 0:26:32.879
<v Speaker 4>to focus to focus on those unique aspects. I'm not

0:26:32.960 --> 0:26:36.680
<v Speaker 4>saying that there aren't some unique things, you know, Like

0:26:37.160 --> 0:26:40.080
<v Speaker 4>their big tagline was like men shouldn't have friends, and

0:26:40.200 --> 0:26:42.720
<v Speaker 4>there's you know, like yadi aadiyada, right, And I'm like,

0:26:42.800 --> 0:26:48.160
<v Speaker 4>great movie, funny movie. Unstrunk Love is anything is about

0:26:48.200 --> 0:26:52.280
<v Speaker 4>the universality of loneliness, you know, And I'm not just

0:26:52.440 --> 0:26:57.440
<v Speaker 4>talking about Barry and Lena. I'm talking about Mary min

0:26:57.560 --> 0:27:02.200
<v Speaker 4>Rashka playing the main sister that you see is Lena's friend. Yeah,

0:27:02.800 --> 0:27:06.399
<v Speaker 4>her loneliness, her desire to have something to do in

0:27:06.520 --> 0:27:09.440
<v Speaker 4>her life, which happens to be harassing her brother. You know,

0:27:10.480 --> 0:27:17.600
<v Speaker 4>the loneliness of of Philip Seymour Hoffin's character Dean what's his.

0:27:17.680 --> 0:27:23.720
<v Speaker 3>Name, I kep Dean Furniture, Dean Mattress, Dean Trumbull, Dean Trumble,

0:27:23.920 --> 0:27:25.200
<v Speaker 3>Trumble Mattress in frind.

0:27:25.280 --> 0:27:27.200
<v Speaker 4>Yeah, that's a lonely man.

0:27:27.480 --> 0:27:27.639
<v Speaker 1>You know.

0:27:27.960 --> 0:27:30.480
<v Speaker 4>Obviously he's just sparking orders. There's no he has no

0:27:30.640 --> 0:27:32.920
<v Speaker 4>peers because he's put himself on the top of his

0:27:33.080 --> 0:27:36.600
<v Speaker 4>trashy you know, the ladies behind it. Like everyone in

0:27:36.680 --> 0:27:41.240
<v Speaker 4>this movie is lonely, and it's that's this, it's this.

0:27:42.080 --> 0:27:48.520
<v Speaker 4>It's another similarity to Megalopolis in that like it's this

0:27:48.840 --> 0:27:54.880
<v Speaker 4>big thematic orchestral piece. But the thing about like everybody

0:27:54.920 --> 0:27:58.200
<v Speaker 4>in Punish Trunk Club is lonely. Everybody in Migalopolis is

0:27:58.600 --> 0:28:02.200
<v Speaker 4>upset about megalopolisliness.

0:28:02.920 --> 0:28:08.400
<v Speaker 3>But it's a universe, but the universality of the feeling. No, Yeah,

0:28:08.520 --> 0:28:11.280
<v Speaker 3>I do think that this is like a big story

0:28:11.320 --> 0:28:15.200
<v Speaker 3>about just capital l loneliness that anyone can sort of

0:28:15.600 --> 0:28:19.560
<v Speaker 3>tap into really quick. Kitlyn, what's your history.

0:28:19.359 --> 0:28:19.920
<v Speaker 4>With this movie?

0:28:20.520 --> 0:28:26.000
<v Speaker 2>I had seen this movie once before. I remember thinking

0:28:26.359 --> 0:28:30.720
<v Speaker 2>how different it was from every other Adam Sandler led

0:28:30.960 --> 0:28:32.840
<v Speaker 2>movie I had seen up until that point.

0:28:32.880 --> 0:28:35.880
<v Speaker 3>I feel like that was the headline at the time, too, right, Yeah.

0:28:35.920 --> 0:28:38.520
<v Speaker 2>And I was I think, like many people who saw

0:28:38.560 --> 0:28:43.240
<v Speaker 2>this movie, including Adam Sandler himself, I was shocked that

0:28:43.840 --> 0:28:48.880
<v Speaker 2>he had any capacity for versatility. But I was like, wow,

0:28:48.960 --> 0:28:51.560
<v Speaker 2>he actually like does a good job and he plays

0:28:51.600 --> 0:28:54.640
<v Speaker 2>a character that I don't hate. And to be fair,

0:28:55.080 --> 0:28:57.360
<v Speaker 2>you know, when I was young, I was watching Billy

0:28:57.760 --> 0:29:02.160
<v Speaker 2>Madison and living, laughing, loving it. But by the time

0:29:02.240 --> 0:29:04.160
<v Speaker 2>this movie came out, I was like pretty sick of

0:29:04.560 --> 0:29:08.920
<v Speaker 2>his little antics. But then I was like, wow, he's

0:29:09.320 --> 0:29:16.000
<v Speaker 2>he's good, and uh, that's pretty much it. Paul Thomas

0:29:16.080 --> 0:29:18.760
<v Speaker 2>Anderson is he can be hit or miss For me.

0:29:19.240 --> 0:29:22.760
<v Speaker 2>I like movies of his like Magnolia and Boogie Nights.

0:29:23.320 --> 0:29:24.960
<v Speaker 2>Phantom Thread, I didn't really like the first time I

0:29:25.000 --> 0:29:26.920
<v Speaker 2>watched it. I think I might need to go back

0:29:26.920 --> 0:29:29.240
<v Speaker 2>and rewatch it else. I hate liquorice pizza, and I

0:29:29.440 --> 0:29:30.480
<v Speaker 2>have to say that out loud.

0:29:30.520 --> 0:29:33.840
<v Speaker 3>I didn't like Phantom threadfoor I didn't. I didn't connect

0:29:33.920 --> 0:29:35.520
<v Speaker 3>with Phantom Thread the first time I saw it, and

0:29:35.600 --> 0:29:38.920
<v Speaker 3>then the second through three thousand times I saw it,

0:29:39.000 --> 0:29:41.880
<v Speaker 3>I was like, wait, so well, but I had that

0:29:42.000 --> 0:29:44.640
<v Speaker 3>experience a lot with his movie, specifically where it doesn't

0:29:44.640 --> 0:29:47.000
<v Speaker 3>always connect with me on the first watch. But I

0:29:47.080 --> 0:29:49.720
<v Speaker 3>also I haven't gone back to liquorice Pizza. I wasn't

0:29:49.760 --> 0:29:50.360
<v Speaker 3>a big fan of it.

0:29:50.440 --> 0:29:52.560
<v Speaker 2>I will always hate that movie no matter what.

0:29:52.680 --> 0:29:55.680
<v Speaker 4>I'm pretty sure Phantom Thread is another film that I

0:29:55.840 --> 0:30:01.800
<v Speaker 4>really connected with the protagonist. And because uh, I think

0:30:01.920 --> 0:30:05.480
<v Speaker 4>that Reynolds Woodcock and Barry Eating are two sides of

0:30:05.560 --> 0:30:10.160
<v Speaker 4>the same coin in some ways. But Barry is dealing

0:30:10.280 --> 0:30:13.720
<v Speaker 4>with his loneliness and fear by acting as if he

0:30:13.760 --> 0:30:16.920
<v Speaker 4>has no control and no agency in his life, and

0:30:17.080 --> 0:30:20.040
<v Speaker 4>Reynolds Woodcock is acting as if he has total control

0:30:20.600 --> 0:30:24.440
<v Speaker 4>and complete agency in his life. You know, they're both

0:30:24.560 --> 0:30:28.880
<v Speaker 4>obsessive too, but about one is about trying to.

0:30:29.040 --> 0:30:31.560
<v Speaker 2>Like trying to accumulate.

0:30:32.640 --> 0:30:36.360
<v Speaker 4>Of himself, you know, yeah, yes, yeah, but he's he's

0:30:37.080 --> 0:30:41.680
<v Speaker 4>like before he has a reason to use the airline miles,

0:30:42.160 --> 0:30:46.000
<v Speaker 4>he's accumulating them simply because it seems like a smart

0:30:46.120 --> 0:30:48.720
<v Speaker 4>thing for him to do, right that might make people

0:30:48.880 --> 0:30:51.880
<v Speaker 4>respect him or like be a good resource.

0:30:52.200 --> 0:30:54.720
<v Speaker 3>In the reveal that he has never, in fact been

0:30:54.800 --> 0:30:59.240
<v Speaker 3>on a plane before is like, so I just thought,

0:30:59.320 --> 0:31:02.760
<v Speaker 3>like the pacing of like how stuff is revealed in

0:31:02.840 --> 0:31:05.720
<v Speaker 3>this movie is so good because you just do assume

0:31:05.800 --> 0:31:08.600
<v Speaker 3>that someone accumulating airline miles has been on a plane.

0:31:09.520 --> 0:31:09.880
<v Speaker 2>I love it.

0:31:10.000 --> 0:31:12.800
<v Speaker 3>Yeah, no, but I totally see that connection of Yeah,

0:31:13.400 --> 0:31:15.920
<v Speaker 3>they're both obsessed with control, but one is obsessed with

0:31:16.080 --> 0:31:18.280
<v Speaker 3>the lack of it he has, and the other is

0:31:18.800 --> 0:31:21.160
<v Speaker 3>trying to maintain the control he imposes, and.

0:31:21.280 --> 0:31:25.320
<v Speaker 4>He's creating this like fake identity. Yeah, like he doesn't

0:31:25.400 --> 0:31:28.600
<v Speaker 4>care about his warehouse or like you know, like he's

0:31:29.120 --> 0:31:32.240
<v Speaker 4>he's a man with no passion until he finds it.

0:31:33.280 --> 0:31:36.479
<v Speaker 4>And Reynolds is a person that has all the passion

0:31:36.560 --> 0:31:41.760
<v Speaker 4>in the world and no capacity to take a moment

0:31:41.880 --> 0:31:44.080
<v Speaker 4>of like seed any of that passion.

0:31:44.320 --> 0:31:44.560
<v Speaker 3>Yeah.

0:31:44.720 --> 0:31:48.200
<v Speaker 4>For the reality of a relationship, the reality of a family,

0:31:48.320 --> 0:31:54.320
<v Speaker 4>Yadi Yadi Audiata, Paul Thomas Anderson, I love you all

0:31:54.440 --> 0:31:57.400
<v Speaker 4>the baby, I.

0:31:57.880 --> 0:32:00.600
<v Speaker 2>Need to rewatch throw it again. Jamie, what is your

0:32:01.160 --> 0:32:03.520
<v Speaker 2>history with Punch Drunk Glove.

0:32:03.880 --> 0:32:05.760
<v Speaker 3>I really like this movie. I saw it for the

0:32:05.800 --> 0:32:09.600
<v Speaker 3>first time in college and I've revisited it from time

0:32:09.680 --> 0:32:14.040
<v Speaker 3>to time. It's not my favorite Paul Thomas Anderson. I'm

0:32:15.040 --> 0:32:18.160
<v Speaker 3>I think I'm ultimately there will be Blood, Girly. My

0:32:18.240 --> 0:32:21.200
<v Speaker 3>brother and I used to do a really powerful double

0:32:21.280 --> 0:32:25.040
<v Speaker 3>feature of There Will Be Blood and Doubt, and that

0:32:25.240 --> 0:32:28.520
<v Speaker 3>was our late two thousands double feature that we would do.

0:32:29.800 --> 0:32:33.280
<v Speaker 3>Really wanted to think some big thoughts. So I am

0:32:33.400 --> 0:32:36.480
<v Speaker 3>ultimately there will be Blood girl. But I also love

0:32:36.600 --> 0:32:40.920
<v Speaker 3>that this movie is sandwich between Magnolia and There Will

0:32:40.960 --> 0:32:45.880
<v Speaker 3>Be Blood. There's just the guys. Got range Io had

0:32:45.920 --> 0:32:50.000
<v Speaker 3>a funny letterbox review of this movie where it was

0:32:50.200 --> 0:32:53.240
<v Speaker 3>like something akin to like, oh yeah, like Paul Thomas

0:32:53.280 --> 0:32:56.120
<v Speaker 3>Anderson made Magnolia and then was like, oh wait, I

0:32:56.160 --> 0:32:59.920
<v Speaker 3>should make a movie that's short, and that is how

0:33:00.040 --> 0:33:02.360
<v Speaker 3>we came to get Punch Drunk Love.

0:33:03.160 --> 0:33:03.360
<v Speaker 4>Yeah.

0:33:03.400 --> 0:33:06.920
<v Speaker 3>I really like this movie. I've never really watched it

0:33:07.040 --> 0:33:11.800
<v Speaker 3>with a critical lens at all. I just this is

0:33:12.040 --> 0:33:14.000
<v Speaker 3>very much a movie I've just let wash over me

0:33:14.240 --> 0:33:16.600
<v Speaker 3>in the in the many times I've seen it, so

0:33:16.640 --> 0:33:18.440
<v Speaker 3>I'm excited to talk about it.

0:33:18.920 --> 0:33:20.760
<v Speaker 2>Let's take a quick break, and then we'll come back

0:33:20.920 --> 0:33:22.160
<v Speaker 2>for the recap.

0:33:32.440 --> 0:33:33.480
<v Speaker 3>And we're back.

0:33:34.240 --> 0:33:38.520
<v Speaker 2>Here's the recap of Punch Drunk Love. We meet Barry

0:33:38.600 --> 0:33:43.440
<v Speaker 2>Egan played by Adam Sandler in his office, which we

0:33:43.600 --> 0:33:49.240
<v Speaker 2>will eventually learn is inside a warehouse slash business that

0:33:50.080 --> 0:33:53.600
<v Speaker 2>wholesale sells toilet plungers.

0:33:54.080 --> 0:33:57.920
<v Speaker 4>Awesome, not just toilet plungers, novelty toilet plungers.

0:33:58.000 --> 0:34:00.880
<v Speaker 2>Yeah, that seemed to have water in the hand. Question

0:34:00.960 --> 0:34:03.200
<v Speaker 2>markers funger.

0:34:03.320 --> 0:34:05.480
<v Speaker 4>I don't know what that is, but they're fun.

0:34:05.680 --> 0:34:07.680
<v Speaker 3>They're fun, he says.

0:34:07.800 --> 0:34:09.759
<v Speaker 4>Keep them at eye level so that the kids can

0:34:09.800 --> 0:34:10.200
<v Speaker 4>see him.

0:34:10.719 --> 0:34:14.280
<v Speaker 2>Ye, yes, yes, yes. So he's on the phone asking

0:34:14.400 --> 0:34:19.000
<v Speaker 2>about some like airline miles promotion that's going to come back,

0:34:19.239 --> 0:34:23.760
<v Speaker 2>of course. Then he steps outside and sees a bizarre

0:34:23.880 --> 0:34:27.120
<v Speaker 2>sequence of events. First, a horrific car crash that never

0:34:27.280 --> 0:34:29.440
<v Speaker 2>comes back in any way or I don't. I'm like,

0:34:29.560 --> 0:34:31.719
<v Speaker 2>is this a metaphor? I don't understand what this was?

0:34:32.600 --> 0:34:35.279
<v Speaker 2>And then another vehicle pulls up right in front of him,

0:34:35.800 --> 0:34:41.280
<v Speaker 2>drops off a little miniature piano, and speeds off a harmonium.

0:34:41.880 --> 0:34:47.440
<v Speaker 2>Shortly after that, a woman played by Emily Watson pulls up.

0:34:47.680 --> 0:34:50.080
<v Speaker 2>She's there to leave her car at the auto mechanic

0:34:50.200 --> 0:34:52.839
<v Speaker 2>next door, but they're not open yet, so she leaves

0:34:52.880 --> 0:34:55.360
<v Speaker 2>her car keys with Barry to pass them on to

0:34:55.440 --> 0:35:00.560
<v Speaker 2>the mechanic and he's like, oh, okay, beca because.

0:35:00.400 --> 0:35:02.480
<v Speaker 4>He says no at first, he says.

0:35:03.080 --> 0:35:07.520
<v Speaker 2>He's reluctant because the thing with him is we've alluded

0:35:07.560 --> 0:35:11.840
<v Speaker 2>to is that he has a significant amount of social anxiety.

0:35:12.200 --> 0:35:16.239
<v Speaker 2>He is awkward in social situations, he's quite jumpy, has

0:35:16.320 --> 0:35:21.799
<v Speaker 2>like a nervous energy in general. Then Barry brings what's

0:35:21.840 --> 0:35:23.359
<v Speaker 2>it called a harmonium.

0:35:23.000 --> 0:35:28.279
<v Speaker 4>A harmonium, yes, which is like a piano accordion, but

0:35:28.480 --> 0:35:30.719
<v Speaker 4>like an accordion like has the piano, but it's like

0:35:31.239 --> 0:35:33.120
<v Speaker 4>it's like upright and it's broken.

0:35:33.600 --> 0:35:35.040
<v Speaker 2>Oh, and that's why he puts the tape on.

0:35:35.120 --> 0:35:35.920
<v Speaker 4>You has to fix it.

0:35:36.160 --> 0:35:39.160
<v Speaker 3>Yeah, it's like Barry himself.

0:35:40.000 --> 0:35:41.840
<v Speaker 4>And he just puts it on top of his desk.

0:35:42.680 --> 0:35:45.640
<v Speaker 4>It covers like this whole desk for the rest of

0:35:45.680 --> 0:35:48.880
<v Speaker 4>the movie. It's just yeah, I do love that.

0:35:49.000 --> 0:35:51.279
<v Speaker 3>Yeah, And it's it's just like a yet another thing

0:35:51.400 --> 0:35:53.600
<v Speaker 3>that anyone he encounters is like what is that? What

0:35:53.719 --> 0:35:56.400
<v Speaker 3>the fuck is that? And he's like, oh, it's just

0:35:56.560 --> 0:35:57.000
<v Speaker 3>this thing.

0:35:58.360 --> 0:36:00.960
<v Speaker 2>Yeah, okay, so that when he starts a busy day

0:36:01.000 --> 0:36:04.880
<v Speaker 2>of work where he and his colleague Lands played by

0:36:05.000 --> 0:36:09.760
<v Speaker 2>Luis Gusmann, are selling the fungers, but Barry keeps getting

0:36:09.800 --> 0:36:13.600
<v Speaker 2>interrupted when his many sisters call him asking if he's

0:36:13.640 --> 0:36:17.080
<v Speaker 2>going to a party tonight. One of his sisters even

0:36:17.120 --> 0:36:21.120
<v Speaker 2>shows up. This is Elizabeth played by Marilynn Rashcub, who

0:36:21.680 --> 0:36:24.040
<v Speaker 2>says that she wants to bring a friend of hers

0:36:24.560 --> 0:36:27.600
<v Speaker 2>to the party who she wants Barry to meet, but

0:36:27.760 --> 0:36:31.160
<v Speaker 2>he is not into this idea, though he does seem

0:36:31.239 --> 0:36:34.120
<v Speaker 2>to be thinking about the woman who dropped off her car.

0:36:34.600 --> 0:36:38.160
<v Speaker 4>Mm hmm, I guess what bitches, Wait, we don't know that.

0:36:38.320 --> 0:36:40.920
<v Speaker 2>Well, yeah, we don't know yet, but it is the

0:36:40.960 --> 0:36:44.360
<v Speaker 2>same woman. Anyway. We cut to Barry showing up at

0:36:44.400 --> 0:36:48.480
<v Speaker 2>the party. It's his seven sisters and their husbands, and

0:36:48.600 --> 0:36:52.319
<v Speaker 2>they're all very antagonistic toward him. They're reminiscing about how

0:36:52.360 --> 0:36:57.319
<v Speaker 2>they bullied him, how when they were kids he threw

0:36:57.520 --> 0:37:00.200
<v Speaker 2>a hammer through a glass door, and.

0:37:00.280 --> 0:37:03.640
<v Speaker 4>They importantly ask, hmm, how do you get the hammer?

0:37:03.719 --> 0:37:04.880
<v Speaker 4>And nobody has an answer.

0:37:05.360 --> 0:37:08.120
<v Speaker 3>I like this, I mean we can talk about because

0:37:08.440 --> 0:37:13.279
<v Speaker 3>the sisters feel very fairy tale coded to me. You know,

0:37:13.480 --> 0:37:17.440
<v Speaker 3>they are outside of Elizabeth, very indistinguishable from one another.

0:37:18.200 --> 0:37:19.800
<v Speaker 3>They are all sort of this like, you know, and

0:37:21.120 --> 0:37:24.719
<v Speaker 3>they're you know. We could talk about how the antagonists

0:37:24.760 --> 0:37:27.920
<v Speaker 3>in this story are generally women at some point, but

0:37:28.960 --> 0:37:31.160
<v Speaker 3>but I did, like, I thought the casting on the

0:37:31.200 --> 0:37:35.759
<v Speaker 3>sisters was so good, like that sequence. It just this

0:37:35.960 --> 0:37:38.680
<v Speaker 3>is a movie where this isn't even true of all

0:37:38.719 --> 0:37:43.680
<v Speaker 3>Paul Thomas Anderson movies, where everyone looks basically normal, like

0:37:44.120 --> 0:37:48.279
<v Speaker 3>everyone looks like you could meet them, and I just like, it's,

0:37:48.560 --> 0:37:50.600
<v Speaker 3>you know, it's a very white movie, like I'm not

0:37:50.840 --> 0:37:53.200
<v Speaker 3>you know, but this is like Adam Sandlor and Emily

0:37:53.239 --> 0:37:55.560
<v Speaker 3>Watson look like people you could meet in the world

0:37:55.840 --> 0:37:59.920
<v Speaker 3>as a couple, and as someone who saw Materialists last night,

0:38:00.040 --> 0:38:03.920
<v Speaker 3>I value that. I value people that look like they

0:38:04.080 --> 0:38:07.359
<v Speaker 3>exist in the world. I mean, and his whole family too.

0:38:07.880 --> 0:38:12.520
<v Speaker 4>Emily Watson is a very beautiful woman but is never

0:38:12.760 --> 0:38:16.560
<v Speaker 4>presented by the film is like houci Mama, what's going on?

0:38:17.320 --> 0:38:17.520
<v Speaker 1>You know?

0:38:17.760 --> 0:38:21.760
<v Speaker 4>Okay, which a lot of even like Fancy Dancy remained

0:38:21.760 --> 0:38:24.120
<v Speaker 4>a comedies that are not like horny like in the

0:38:24.200 --> 0:38:28.680
<v Speaker 4>Nana's Only Round common like classical way are like Oh,

0:38:28.840 --> 0:38:31.520
<v Speaker 4>look at this woman. You want to fuck so bad,

0:38:31.760 --> 0:38:34.080
<v Speaker 4>you know, right, Like it's like that is kind of

0:38:34.160 --> 0:38:36.960
<v Speaker 4>how she's presented in some way, you know, but that's

0:38:37.040 --> 0:38:39.440
<v Speaker 4>not in this movie. She's just a lady. Yeah, a

0:38:39.480 --> 0:38:42.000
<v Speaker 4>beautiful lady about a lady exactly. Yeah.

0:38:42.080 --> 0:38:43.880
<v Speaker 3>Like the way she's framed in the way that she,

0:38:45.200 --> 0:38:47.120
<v Speaker 3>I don't know, acts like you could tell they're interested

0:38:47.120 --> 0:38:48.959
<v Speaker 3>in each other. You can tell they're falling in love.

0:38:49.080 --> 0:38:52.120
<v Speaker 3>But it's not like super didactic in the way it's shown.

0:38:52.280 --> 0:38:54.920
<v Speaker 3>I just I love when people are in movies and

0:38:55.040 --> 0:38:56.560
<v Speaker 3>they have regular teeth.

0:38:57.520 --> 0:39:01.520
<v Speaker 2>Yes, okay, so they're talking about this thing. They do

0:39:01.680 --> 0:39:04.320
<v Speaker 2>say where he got the hammer? He was building a doghouse.

0:39:04.400 --> 0:39:07.680
<v Speaker 2>His one sister comes out from the bathroom and she's like,

0:39:07.760 --> 0:39:11.239
<v Speaker 2>he was building a doghouse. But anyway, this, you know,

0:39:11.400 --> 0:39:14.480
<v Speaker 2>triggers some bad emotions in him, and he kind of

0:39:14.560 --> 0:39:18.240
<v Speaker 2>snaps and he kicks a bunch of windows or sliding

0:39:18.280 --> 0:39:21.400
<v Speaker 2>glass doors and they shatter and everyone's like, what the

0:39:21.600 --> 0:39:25.520
<v Speaker 2>fuck man? And then he confides in his brother in

0:39:25.640 --> 0:39:28.719
<v Speaker 2>law in a scene that we briefly mentioned, but he

0:39:28.760 --> 0:39:33.040
<v Speaker 2>says he doesn't like himself. He might want psychiatric help.

0:39:33.200 --> 0:39:35.920
<v Speaker 2>Sometimes he cries for no reason, and then he bursts

0:39:35.960 --> 0:39:40.680
<v Speaker 2>into tears. We cut to Burry at the grocery store

0:39:40.840 --> 0:39:45.600
<v Speaker 2>shopping for healthy choice products that have this promotion where

0:39:45.640 --> 0:39:47.759
<v Speaker 2>you get a bunch of frequent Flyer miles if you

0:39:47.880 --> 0:39:52.320
<v Speaker 2>buy you know, ten frozen meals or ten puddings, and

0:39:52.600 --> 0:39:55.280
<v Speaker 2>you'll get even more miles if you have this certain coupon.

0:39:55.760 --> 0:39:59.359
<v Speaker 2>And we see him clipping this coupon, and as he's

0:39:59.400 --> 0:40:03.560
<v Speaker 2>doing that, he notices an ad for a phone sex hotline,

0:40:04.160 --> 0:40:07.719
<v Speaker 2>so he calls the number. He gives his credit card information,

0:40:08.000 --> 0:40:13.400
<v Speaker 2>his address, his social security number, and he starts talking

0:40:13.520 --> 0:40:18.000
<v Speaker 2>to a woman named Georgia who is trying to do

0:40:18.719 --> 0:40:22.440
<v Speaker 2>her job. She's trying to do phone sex, and it's

0:40:22.520 --> 0:40:24.880
<v Speaker 2>clear that again he just wanted someone to talk to,

0:40:25.160 --> 0:40:28.960
<v Speaker 2>so he's not really doing phone sex. Back he eventually

0:40:29.040 --> 0:40:31.200
<v Speaker 2>goes to bed side. Note he has one of those

0:40:31.280 --> 0:40:32.759
<v Speaker 2>clap on clap off lights.

0:40:32.880 --> 0:40:34.920
<v Speaker 3>Such a good detail. Oh I love it.

0:40:36.080 --> 0:40:39.200
<v Speaker 2>All my nipples are going to the clap off light.

0:40:39.680 --> 0:40:42.720
<v Speaker 3>I will say that the thing that I found myself

0:40:42.760 --> 0:40:46.600
<v Speaker 3>connecting with Barry the hardest on is like that sequence

0:40:46.640 --> 0:40:49.480
<v Speaker 3>that happens right before where he's asking his brother in

0:40:49.600 --> 0:40:53.160
<v Speaker 3>law like can you get me help? You know, and

0:40:53.280 --> 0:40:55.520
<v Speaker 3>his brother in law, I think, like many of the

0:40:55.680 --> 0:40:59.120
<v Speaker 3>men specifically in this movie, does want to help him

0:40:59.160 --> 0:41:02.120
<v Speaker 3>but doesn't really know how and sort of just doesn't

0:41:02.160 --> 0:41:06.280
<v Speaker 3>really do anything. And then Barry like channels his energy

0:41:06.360 --> 0:41:10.640
<v Speaker 3>instead into this like hyper specific task. So he's like, Okay,

0:41:10.800 --> 0:41:13.319
<v Speaker 3>I tried to get help, I wasn't able to get help.

0:41:14.040 --> 0:41:15.520
<v Speaker 3>We're going back to the pudding thing.

0:41:15.760 --> 0:41:16.000
<v Speaker 5>And I.

0:41:17.480 --> 0:41:21.239
<v Speaker 3>Have experienced that spiral a number of times over the

0:41:21.360 --> 0:41:24.640
<v Speaker 3>years of like, well I did my best, and now

0:41:24.800 --> 0:41:26.439
<v Speaker 3>back to my hyper specific task.

0:41:26.840 --> 0:41:29.120
<v Speaker 4>If you name a few, I can't think of any

0:41:29.200 --> 0:41:29.960
<v Speaker 4>that I've seen you do.

0:41:30.719 --> 0:41:40.239
<v Speaker 3>Oh, I mean it's I was like, wait, really yeah,

0:41:41.520 --> 0:41:44.160
<v Speaker 3>But it's like I don't know. It's fun to see

0:41:44.200 --> 0:41:47.000
<v Speaker 3>stuff like that too, because it's also like he's doing

0:41:47.120 --> 0:41:49.160
<v Speaker 3>the kind of things that I also do, but that

0:41:49.320 --> 0:41:52.080
<v Speaker 3>like you don't tell people you're doing the pudding thing, right,

0:41:52.200 --> 0:41:54.440
<v Speaker 3>Like it's I love that he's doing the pudding thing

0:41:54.680 --> 0:41:57.000
<v Speaker 3>and he's thinking about it and like, well, I don't

0:41:57.080 --> 0:41:59.560
<v Speaker 3>want to spend two dollars in the karaoke I can.

0:41:59.680 --> 0:42:02.600
<v Speaker 3>I can, Like there's a whole like matrix of information.

0:42:02.800 --> 0:42:05.320
<v Speaker 4>I was like ah. He also makes sure the pudding

0:42:05.400 --> 0:42:08.600
<v Speaker 4>thing is ethical. For the record, she's off the phone

0:42:08.719 --> 0:42:12.040
<v Speaker 4>with the health Insuran we thought the GETTI and he's

0:42:12.120 --> 0:42:16.280
<v Speaker 4>asking them, are you aware that this could you know? Result?

0:42:16.520 --> 0:42:20.600
<v Speaker 2>Yeah, the monetary value of the price is way more

0:42:21.760 --> 0:42:23.920
<v Speaker 2>and they're just like, I don't know. And he's like.

0:42:24.040 --> 0:42:27.360
<v Speaker 4>Okay, And that's how we're introduced to him. Yeah, this

0:42:27.600 --> 0:42:30.880
<v Speaker 4>is like being bad kind of too, Like this is

0:42:31.040 --> 0:42:33.800
<v Speaker 4>like his fine. I think he feels like he's getting

0:42:33.840 --> 0:42:35.120
<v Speaker 4>one over on support.

0:42:35.520 --> 0:42:38.880
<v Speaker 3>Yeah, I like how Yeah, And everyone who talks him

0:42:38.920 --> 0:42:41.959
<v Speaker 3>they're like, yeah, you could buy three thousand dollars worth

0:42:42.000 --> 0:42:44.719
<v Speaker 3>of pudding. We can't stop you.

0:42:45.239 --> 0:42:49.080
<v Speaker 2>This is also based on a story a guy named

0:42:49.160 --> 0:42:55.440
<v Speaker 2>David Phillips. He successfully accumulated over a million frequent flyer

0:42:55.560 --> 0:42:59.760
<v Speaker 2>miles after buying three thousand dollars worth of Healthy Choice,

0:43:01.239 --> 0:43:05.600
<v Speaker 2>and Paul Thomas Anderson went to David Phillips. He went

0:43:05.640 --> 0:43:10.680
<v Speaker 2>to Healthy Choice. He's like, can I use your story

0:43:10.880 --> 0:43:14.160
<v Speaker 2>slash your product in my movie? And they're like sure.

0:43:14.520 --> 0:43:18.040
<v Speaker 3>I love that. I do appreciate because like most people

0:43:18.239 --> 0:43:22.319
<v Speaker 3>wouldn't go to the guy who bought three thousand dollars

0:43:22.400 --> 0:43:24.840
<v Speaker 3>worth of putting to be like just checking in, Like

0:43:24.960 --> 0:43:27.920
<v Speaker 3>imagine if Law and Order did that, which they never do,

0:43:28.200 --> 0:43:32.160
<v Speaker 3>Like I appreciate that thoroughness from Paul Thomas Anderson.

0:43:32.480 --> 0:43:37.000
<v Speaker 2>Yeah. Anyway, so he's had this phone conversation with Georgia.

0:43:37.440 --> 0:43:41.080
<v Speaker 2>It ends off screen, and then the next morning, Georgia

0:43:41.160 --> 0:43:46.000
<v Speaker 2>calls him again asking if Barry can help out with rent.

0:43:46.320 --> 0:43:49.200
<v Speaker 2>She needs seven hundred and fifty dollars and he says, no,

0:43:49.320 --> 0:43:52.520
<v Speaker 2>I'm sorry, I can't afford that, and then she kind

0:43:52.560 --> 0:43:54.000
<v Speaker 2>of starts threatening.

0:43:53.840 --> 0:43:58.760
<v Speaker 4>Him, explicitly threatened him. Yeah, she goes in it pretty

0:43:58.880 --> 0:44:01.480
<v Speaker 4>quick for' actually for may that is.

0:44:01.560 --> 0:44:06.560
<v Speaker 2>True barry hangs. Up he goes to work reveal that

0:44:07.040 --> 0:44:11.279
<v Speaker 2>he has bought hundreds of. Puddings he's now kind of

0:44:11.400 --> 0:44:15.800
<v Speaker 2>panicking after this phone, call and so he cancels his credit.

0:44:15.880 --> 0:44:20.840
<v Speaker 2>Card then his Sister elizabeth shows up again with the

0:44:21.040 --> 0:44:24.600
<v Speaker 2>woman who had dropped off her car yesterday because she's

0:44:24.680 --> 0:44:28.520
<v Speaker 2>the woman Who elizabeth wanted to introduce wow To, barry

0:44:28.840 --> 0:44:32.680
<v Speaker 2>and her name Is. Lena and then as this scene goes,

0:44:32.840 --> 0:44:36.359
<v Speaker 2>on things get more and more. Chaotic but basically they

0:44:36.480 --> 0:44:40.160
<v Speaker 2>Invite barry to get breakfast with. Them they're interrupted When

0:44:40.280 --> 0:44:43.680
<v Speaker 2>georgia keeps calling and continues to be very aggressive and.

0:44:43.840 --> 0:44:48.759
<v Speaker 2>Threatening he keeps hanging up on. Her Then elizabeth is interrogating.

0:44:48.880 --> 0:44:52.640
<v Speaker 2>Him Then lena starts chatting with him and trying to like.

0:44:52.960 --> 0:44:58.800
<v Speaker 2>FLIRT a forklift, Crashes everyone's, like what's this? Pudding what's this?

0:44:58.960 --> 0:45:02.360
<v Speaker 2>Piano why are you wearing this blue? Suit? Again and

0:45:02.480 --> 0:45:06.280
<v Speaker 2>then Eventually lena And elizabeth go to, leave But lena

0:45:06.400 --> 0:45:09.800
<v Speaker 2>comes back and Asks barry out on a date the following,

0:45:09.920 --> 0:45:15.480
<v Speaker 2>night and he. Agrees we cut to. Provo, utah we

0:45:15.719 --> 0:45:19.600
<v Speaker 2>Meet georgia or the person who's like pretending to be

0:45:19.680 --> 0:45:20.400
<v Speaker 2>This georgia.

0:45:20.560 --> 0:45:24.000
<v Speaker 3>Person my head canon For georgia is that she is

0:45:24.080 --> 0:45:27.759
<v Speaker 3>a Like mormon dropout who's trying to get.

0:45:27.840 --> 0:45:32.359
<v Speaker 2>By, yeah she is collaborating with a guy Named, dean

0:45:32.760 --> 0:45:35.879
<v Speaker 2>That's Philip Seymour hoffman to go After.

0:45:36.000 --> 0:45:40.799
<v Speaker 4>BARRY i mean she's working with for. Him, yeah explicitly

0:45:40.920 --> 0:45:41.600
<v Speaker 4>she's working for.

0:45:41.800 --> 0:45:46.399
<v Speaker 2>Him, yeah Because dean owns a mattress, store.

0:45:46.440 --> 0:45:49.680
<v Speaker 4>Which is a front for his, gang basically his criminal.

0:45:49.760 --> 0:45:54.040
<v Speaker 3>Activities he's got his you, know he's got his hands

0:45:54.080 --> 0:45:56.200
<v Speaker 3>and a lot of. Businesses he's got a lot of

0:45:56.239 --> 0:45:57.000
<v Speaker 3>things going on out of.

0:45:57.080 --> 0:45:57.120
<v Speaker 4>This.

0:45:57.600 --> 0:46:00.640
<v Speaker 3>Yeah but, yeah she definitely works for him and seems

0:46:01.000 --> 0:46:06.120
<v Speaker 3>a little scared of, him because later, on when When

0:46:06.239 --> 0:46:08.959
<v Speaker 3>barry demands to speak to the manager of the phone sex,

0:46:09.040 --> 0:46:13.200
<v Speaker 3>hotline she does refer to Phil Seymour.

0:46:13.239 --> 0:46:17.360
<v Speaker 2>Hoffmann, Right but for, now they're sending a bunch of

0:46:17.840 --> 0:46:22.960
<v Speaker 2>minions To barry's house In la to intimidate. Him so

0:46:23.120 --> 0:46:26.400
<v Speaker 2>back In, La barry And lena go out to. Dinner

0:46:27.080 --> 0:46:29.440
<v Speaker 2>she reveals that she saw a picture of him with

0:46:29.560 --> 0:46:32.200
<v Speaker 2>his sisters and she wanted to meet, him and she

0:46:32.440 --> 0:46:36.640
<v Speaker 2>dropped her car off at that mechanic to try to meet.

0:46:36.760 --> 0:46:42.160
<v Speaker 3>HIM i think it's, see it's maybe a little stocker, vibes.

0:46:41.960 --> 0:46:45.000
<v Speaker 2>But it's it's a little, stockery but it's, not she

0:46:45.160 --> 0:46:48.960
<v Speaker 2>admits the worst type of. STOKING i don't think it's.

0:46:49.000 --> 0:46:53.880
<v Speaker 4>STOCKERY i think everybody gets one, play you, know like

0:46:54.080 --> 0:46:56.960
<v Speaker 4>to meet someone they want to, meet or like a romance.

0:46:57.080 --> 0:46:59.520
<v Speaker 4>Someone you get one play and if it doesn't, work you,

0:46:59.640 --> 0:47:00.759
<v Speaker 4>pack you're bagging you go.

0:47:00.880 --> 0:47:01.839
<v Speaker 3>HOME i think that's.

0:47:01.880 --> 0:47:05.400
<v Speaker 4>Fair but everybody gets one. Play obviously the play is

0:47:05.440 --> 0:47:07.320
<v Speaker 4>and showing up at someone's house that you don't, know

0:47:07.680 --> 0:47:08.040
<v Speaker 4>but like.

0:47:09.680 --> 0:47:10.440
<v Speaker 2>Context is very.

0:47:10.440 --> 0:47:13.600
<v Speaker 4>Important, yeah you, see, like, hey that cute person you know,

0:47:13.800 --> 0:47:16.000
<v Speaker 4>them and then like you're, like, HEY i got your,

0:47:16.080 --> 0:47:19.320
<v Speaker 4>number or like that's one. Thing you get one shot

0:47:19.840 --> 0:47:22.239
<v Speaker 4>and then the SHOT's. Done that's. It but you'll get one.

0:47:22.440 --> 0:47:23.880
<v Speaker 4>Shot and she took her shot.

0:47:24.280 --> 0:47:26.960
<v Speaker 2>Because it's Like i've done stuff like, that And i've

0:47:27.000 --> 0:47:29.920
<v Speaker 2>gone to comedy shows of Comedians i've had crushes, on

0:47:30.400 --> 0:47:32.080
<v Speaker 2>hoping to like talk to.

0:47:32.200 --> 0:47:35.120
<v Speaker 3>Them and ALSO i think the critical thing here Because

0:47:35.120 --> 0:47:37.759
<v Speaker 3>i've seen this criticizes stock you, behavior but like it

0:47:37.920 --> 0:47:42.320
<v Speaker 3>is like it Passes Grace freud's one shot, rule and

0:47:43.000 --> 0:47:45.840
<v Speaker 3>it's like it's not what she does is not like

0:47:46.440 --> 0:47:49.759
<v Speaker 3>leering or menacing or creepy at. All she just wants

0:47:49.880 --> 0:47:53.080
<v Speaker 3>to meet him and LIKE i don't.

0:47:53.080 --> 0:47:55.480
<v Speaker 2>Know their conversation is very. Brief, yeah she doesn't like

0:47:55.719 --> 0:47:57.000
<v Speaker 2>linger and be.

0:47:57.239 --> 0:48:02.360
<v Speaker 4>Weird and, importantly she isn't, like, HEY i saw you

0:48:02.440 --> 0:48:04.439
<v Speaker 4>in a. PICTURE i just had to meet. You i'm

0:48:04.520 --> 0:48:07.839
<v Speaker 4>like so into. You she once she senses that there

0:48:07.960 --> 0:48:10.960
<v Speaker 4>is some sort of mutual, attraction just like by the,

0:48:11.040 --> 0:48:14.320
<v Speaker 4>WAY i just want you to KNOW i orchestrated this

0:48:15.440 --> 0:48:17.400
<v Speaker 4>and she says it so she says THAT i think

0:48:17.480 --> 0:48:20.120
<v Speaker 4>at the perfect time to say, it, ye not when

0:48:20.200 --> 0:48:24.080
<v Speaker 4>it feels like pressure almost to then follow through the

0:48:24.160 --> 0:48:27.920
<v Speaker 4>day and not Like Almond vane or, whatever you, know.

0:48:28.280 --> 0:48:31.680
<v Speaker 2>Which she also addresses during that first. Date she's, LIKE

0:48:32.560 --> 0:48:35.240
<v Speaker 2>i want to like get this off my chest BECAUSE

0:48:35.239 --> 0:48:38.319
<v Speaker 2>i don't want to have any weird like me withholding

0:48:38.400 --> 0:48:42.040
<v Speaker 2>information from you for too. Long here it IS i

0:48:42.360 --> 0:48:45.279
<v Speaker 2>like her so, much and he is fine with. It

0:48:45.480 --> 0:48:47.760
<v Speaker 2>he doesn't give a single. Shit he's, like he's actually,

0:48:47.840 --> 0:48:52.520
<v Speaker 2>flattered it seems. Yeah and then he opens up and

0:48:52.719 --> 0:48:56.040
<v Speaker 2>tells her about something that he seems to be humiliated,

0:48:56.120 --> 0:49:00.680
<v Speaker 2>by but this whole pudding. Thing but Then lena brings

0:49:00.760 --> 0:49:04.239
<v Speaker 2>up the hammer story from his, childhood which prompts him

0:49:04.320 --> 0:49:08.400
<v Speaker 2>to go into the bathroom and completely trash, it and

0:49:08.560 --> 0:49:10.919
<v Speaker 2>he's kicked out of the. Restaurant but he And lena

0:49:11.040 --> 0:49:13.719
<v Speaker 2>leave together and they drive. Around they end up at her.

0:49:13.800 --> 0:49:18.000
<v Speaker 2>Place but then when he, leaves he's very awkward and

0:49:18.320 --> 0:49:20.279
<v Speaker 2>there's not a real kiss or anything like, that and

0:49:20.360 --> 0:49:21.759
<v Speaker 2>he says and bye.

0:49:21.840 --> 0:49:25.800
<v Speaker 4>Bye oh my, god this is bye bye bye bye and.

0:49:26.320 --> 0:49:30.960
<v Speaker 4>Bye but then he goes. Back he, like and this

0:49:31.120 --> 0:49:34.279
<v Speaker 4>is one of the most beautiful scenes on. Film he

0:49:34.600 --> 0:49:38.840
<v Speaker 4>leaves the building and as he's, leaving the front desk is,

0:49:38.880 --> 0:49:41.320
<v Speaker 4>like are you? Buried and this is like it's kind of,

0:49:41.360 --> 0:49:42.520
<v Speaker 4>scary right because.

0:49:42.760 --> 0:49:44.120
<v Speaker 3>Because he's afraid someone's hunting.

0:49:44.239 --> 0:49:47.920
<v Speaker 4>Him, yeah, yeah and he's like yeah and, Gradsend she's,

0:49:47.960 --> 0:49:53.360
<v Speaker 4>LIKE i wish that you'd kissed. Me and then he

0:49:53.640 --> 0:49:57.360
<v Speaker 4>like starts like rotting back to her. Apartment it seems

0:49:57.400 --> 0:49:59.239
<v Speaker 4>like he gets a lot to get. There, yes he

0:49:59.320 --> 0:50:02.160
<v Speaker 4>gets a. Lot he was going down this fall down

0:50:02.239 --> 0:50:05.360
<v Speaker 4>that all and bad and badit bam and the score

0:50:05.400 --> 0:50:07.880
<v Speaker 4>is getting bigger and bigger and. Bigger and then he

0:50:08.000 --> 0:50:11.080
<v Speaker 4>finally finds her in. Bam they kid said it's so.

0:50:11.400 --> 0:50:13.359
<v Speaker 4>Beautiful mm, hmmm mm.

0:50:13.480 --> 0:50:17.279
<v Speaker 2>Hmmm and then they agreed to see each other when

0:50:17.400 --> 0:50:20.560
<v Speaker 2>she gets back from a trip To hawaii that she had,

0:50:20.640 --> 0:50:23.240
<v Speaker 2>mentioned and he, said oh, maybe Y'all i'm going To hawaii,

0:50:23.360 --> 0:50:24.600
<v Speaker 2>too which is a.

0:50:24.719 --> 0:50:28.839
<v Speaker 3>Lie but that's also WHAT i really appreciated about their

0:50:29.440 --> 0:50:32.120
<v Speaker 3>date in a way that like clearly sets up this

0:50:32.320 --> 0:50:35.040
<v Speaker 3>is What barry needs to like overcome to be able

0:50:35.080 --> 0:50:38.080
<v Speaker 3>to have a relationship with, her is? RIGHT i think

0:50:38.120 --> 0:50:41.640
<v Speaker 3>it's right Before lena is, like, OKAY i have to come,

0:50:41.719 --> 0:50:43.520
<v Speaker 3>clean LIKE i had a crush on, you and that's

0:50:43.560 --> 0:50:45.359
<v Speaker 3>WHY i brought out my car off blah blah, blah

0:50:45.440 --> 0:50:47.400
<v Speaker 3>because she's very honest AND i think, grace like you

0:50:47.440 --> 0:50:51.800
<v Speaker 3>were saying, earlier like she knows. Herself and what precedes

0:50:51.880 --> 0:50:56.160
<v Speaker 3>that is very like telling this the series of white,

0:50:56.239 --> 0:50:59.719
<v Speaker 3>lies so That lena doesn't quote unquote think he's weird

0:51:00.040 --> 0:51:04.320
<v Speaker 3>where you, know and and then she's very, honest and

0:51:04.440 --> 0:51:07.759
<v Speaker 3>then and then he's able to like slowly start to open.

0:51:07.880 --> 0:51:10.080
<v Speaker 3>Up BUT i also could sort of connect to like

0:51:10.280 --> 0:51:16.440
<v Speaker 3>he tells weird lies sometimes, nervously which is especially WHEN

0:51:16.480 --> 0:51:17.880
<v Speaker 3>i was like younger.

0:51:17.680 --> 0:51:18.399
<v Speaker 2>And super super.

0:51:18.480 --> 0:51:20.399
<v Speaker 3>INSECURE i do that all the time just to feel

0:51:20.440 --> 0:51:23.640
<v Speaker 3>like you could engage with other people to just seem

0:51:23.719 --> 0:51:27.200
<v Speaker 3>like you get it or whatever as a defense. Mechanism

0:51:27.480 --> 0:51:30.719
<v Speaker 3>AND i don't, know there's there's some barrier in all of.

0:51:30.800 --> 0:51:32.719
<v Speaker 3>Us AND i love. That like when he it's just

0:51:32.840 --> 0:51:35.800
<v Speaker 3>like because he doesn't really feel safe to fully be

0:51:36.000 --> 0:51:40.080
<v Speaker 3>himself with. Anybody and also it's, like especially for someone

0:51:40.080 --> 0:51:43.120
<v Speaker 3>who doesn't feel safe being themselves with a lot of,

0:51:43.239 --> 0:51:47.759
<v Speaker 3>people what happens With georgia is his worst, nightmare where

0:51:47.840 --> 0:51:50.560
<v Speaker 3>it's like he's not even fully telling her the, truth

0:51:50.600 --> 0:51:53.040
<v Speaker 3>but he's trying to have an authentic conversation and then

0:51:53.080 --> 0:51:54.800
<v Speaker 3>it feels like he's punished.

0:51:54.440 --> 0:51:57.640
<v Speaker 2>For, it, which, yeah for, sure.

0:51:57.920 --> 0:52:01.080
<v Speaker 4>He does lie to. Her he, does, yeah having a, girlfriend,

0:52:01.320 --> 0:52:04.840
<v Speaker 4>yeah which IS i don't think wrong, necessarily you.

0:52:04.960 --> 0:52:07.759
<v Speaker 3>Know he's just, like there's like a mutual agreement of.

0:52:07.880 --> 0:52:08.880
<v Speaker 3>Fantasy it's a.

0:52:09.000 --> 0:52:12.759
<v Speaker 4>Fantasy it's a mutual. Fantasy, yeah but she tries to

0:52:12.840 --> 0:52:15.600
<v Speaker 4>use it Against he's, Like i'm gonna call your, girlfriend you, know,

0:52:15.719 --> 0:52:19.400
<v Speaker 4>yeah she'll pick up and he's, LIKE i had a

0:52:19.480 --> 0:52:24.040
<v Speaker 4>girlfriend a, wife and he's, LIKE i, don't, YEAH i, KNOW.

0:52:24.640 --> 0:52:25.440
<v Speaker 2>I have no love in.

0:52:25.520 --> 0:52:27.560
<v Speaker 3>Mind this is this is getting forward a little. Bit

0:52:27.640 --> 0:52:30.400
<v Speaker 3>but later when he's on the payphone and he's, like,

0:52:30.520 --> 0:52:32.520
<v Speaker 3>wait do you have a? Boyfriend have you been? Married

0:52:32.600 --> 0:52:34.000
<v Speaker 3>she's like, no when was the last time you had a?

0:52:34.040 --> 0:52:35.600
<v Speaker 3>Girlfriend he's, like so have you been?

0:52:35.680 --> 0:52:39.440
<v Speaker 2>Married like he just question and then she's like we

0:52:39.520 --> 0:52:41.640
<v Speaker 2>should meet up and talk about, this and he's, like

0:52:41.719 --> 0:52:44.040
<v Speaker 2>so where are you. From i'm still on the. Phone

0:52:44.200 --> 0:52:44.560
<v Speaker 2>he's just.

0:52:44.800 --> 0:52:49.279
<v Speaker 4>Excited like that's HOW i feel about stuff, too when

0:52:49.440 --> 0:52:53.320
<v Speaker 4>like WHEN i get open with somethe OR I i

0:52:53.480 --> 0:52:57.200
<v Speaker 4>feel like it's it's Very i'm not into it Or

0:52:57.320 --> 0:52:59.560
<v Speaker 4>i'm so into, it AND i want to know that

0:52:59.680 --> 0:53:03.800
<v Speaker 4>it'll be forever and, okay which is not, healthy but

0:53:04.160 --> 0:53:05.960
<v Speaker 4>is THAT i really.

0:53:05.880 --> 0:53:07.600
<v Speaker 3>It's human in this movie.

0:53:09.360 --> 0:53:11.680
<v Speaker 2>Anyway so they have this nice date and they finally

0:53:11.760 --> 0:53:15.520
<v Speaker 2>kiss and they part, ways and as he's returning, home

0:53:16.320 --> 0:53:20.520
<v Speaker 2>he is abducted by the guys Who georgia And dean

0:53:20.880 --> 0:53:24.560
<v Speaker 2>sent and they make him take five hundred dollars out

0:53:24.600 --> 0:53:28.640
<v Speaker 2>of AN. Atm one guy punches. Him he starts saying

0:53:28.760 --> 0:53:32.320
<v Speaker 2>ow aw aw before he's even. PUNCHED i love. That

0:53:32.520 --> 0:53:36.320
<v Speaker 2>great details that happened to my brother. Once, oh and

0:53:36.400 --> 0:53:39.600
<v Speaker 2>then he like sprints away and he's like running around

0:53:39.640 --> 0:53:45.279
<v Speaker 2>the neighborhood and perhaps to. Flee he decides to go To,

0:53:45.360 --> 0:53:50.000
<v Speaker 2>hawaii but he needs More Frequent flyer miles, first so

0:53:50.160 --> 0:53:52.399
<v Speaker 2>he And lance go to the grocery store and buy

0:53:52.440 --> 0:53:53.000
<v Speaker 2>a bunch more.

0:53:53.080 --> 0:53:55.680
<v Speaker 4>PUDDING i would like to say one thing really, quickly

0:53:55.840 --> 0:53:59.399
<v Speaker 4>would in that like a series of shots of him

0:53:59.520 --> 0:54:04.359
<v Speaker 4>running around The San Fernando valley after the. Abduction. Yeah

0:54:04.680 --> 0:54:07.360
<v Speaker 4>people ask me WHY i Love Los, angeles AND i,

0:54:07.520 --> 0:54:11.719
<v Speaker 4>say Because Los angeles is unique in any other big

0:54:11.800 --> 0:54:14.239
<v Speaker 4>City i've lived, in which is that it has a

0:54:14.320 --> 0:54:17.319
<v Speaker 4>real sense of. MYSTERY i don't feel Like New york has.

0:54:17.440 --> 0:54:20.360
<v Speaker 4>THAT i don't feel Like chicago has. It Los angeles

0:54:20.480 --> 0:54:25.240
<v Speaker 4>really feels like it's constantly changing and there's always places

0:54:25.320 --> 0:54:28.520
<v Speaker 4>That i've not uncovered and h and that aura of

0:54:28.680 --> 0:54:32.080
<v Speaker 4>MYSTERY i think is so on display on film in

0:54:32.160 --> 0:54:34.480
<v Speaker 4>this in this, movie both in the scene when the

0:54:34.520 --> 0:54:38.000
<v Speaker 4>harmonium is dropped off and making those warehouse districts look,

0:54:38.040 --> 0:54:41.840
<v Speaker 4>beautiful and then When barry's just driving around and running,

0:54:41.920 --> 0:54:45.000
<v Speaker 4>around it just is like Any it's SO i don't,

0:54:45.000 --> 0:54:47.640
<v Speaker 4>KNOW i THINK i think this this movie really shows

0:54:47.680 --> 0:54:51.080
<v Speaker 4>WHY i love la you, know because it captures that

0:54:51.239 --> 0:54:51.920
<v Speaker 4>vibe AND i.

0:54:52.000 --> 0:54:55.320
<v Speaker 3>Mean, like, yeah he's uniquely good at The king of

0:54:55.360 --> 0:54:59.440
<v Speaker 3>The valley. HIMSELF i really liked HOW i think we

0:54:59.480 --> 0:55:02.520
<v Speaker 3>talked about it early in the, episode but like how

0:55:02.640 --> 0:55:05.840
<v Speaker 3>carefully the like dreamlike quality of this movie because basically

0:55:05.960 --> 0:55:09.240
<v Speaker 3>everything that we're shown does, Happen but there are several

0:55:09.320 --> 0:55:11.719
<v Speaker 3>points in the movie where you're like that can't have,

0:55:11.960 --> 0:55:15.759
<v Speaker 3>happened but it always, oh it's, LIKE i, mean we'll

0:55:15.760 --> 0:55:17.040
<v Speaker 3>get there in a, second but at the moment with

0:55:17.160 --> 0:55:19.800
<v Speaker 3>the like the guy in the back of the car and,

0:55:19.800 --> 0:55:21.880
<v Speaker 3>all and you're, like that can't be. True and then

0:55:21.920 --> 0:55:23.560
<v Speaker 3>we cut to the hospital and you're, like, oh, no

0:55:24.440 --> 0:55:24.759
<v Speaker 3>that was.

0:55:24.840 --> 0:55:27.919
<v Speaker 4>True but and then something we haven't hit, on which

0:55:27.960 --> 0:55:31.920
<v Speaker 4>is present throughout this, film or the animated interstitials THAT

0:55:32.040 --> 0:55:35.839
<v Speaker 4>i think we're actually done at Cal, arts and these

0:55:35.960 --> 0:55:39.960
<v Speaker 4>animated interstitials that are you, know some could call them.

0:55:40.000 --> 0:55:44.240
<v Speaker 4>Simplistic it's like colors and lines and stuff that doesn't,

0:55:44.320 --> 0:55:47.120
<v Speaker 4>happen but it does in the same. Way it's, like

0:55:47.560 --> 0:55:50.600
<v Speaker 4>here's Something i'm seeing on, film what does that mean is?

0:55:50.760 --> 0:55:54.839
<v Speaker 4>Happening it is the same like it's like the bah da.

0:55:54.920 --> 0:56:00.719
<v Speaker 4>Da so it's LIKE i think those you, know stitials

0:56:01.480 --> 0:56:05.440
<v Speaker 4>help the dreamlike quality of all of. It, sure because it's,

0:56:05.560 --> 0:56:09.160
<v Speaker 4>like how can a color? Happen is a Color i'm

0:56:09.320 --> 0:56:13.040
<v Speaker 4>just seen on screen? Reel is this an? Event it's

0:56:13.080 --> 0:56:15.279
<v Speaker 4>being presented to me as this in the same way

0:56:16.320 --> 0:56:19.480
<v Speaker 4>as all this other. Stuff, yeah you, know like it's

0:56:19.560 --> 0:56:22.880
<v Speaker 4>a part of the same. Thread so, yeah a phantom.

0:56:23.000 --> 0:56:24.800
<v Speaker 4>Thread the phantom. Thread.

0:56:25.120 --> 0:56:29.640
<v Speaker 2>Wow, again the truck that just like tumbles down the

0:56:29.640 --> 0:56:31.759
<v Speaker 2>street toward the beginning of the, movie And i'm, like

0:56:31.920 --> 0:56:34.719
<v Speaker 2>that's gonna pay off in some way or we're gonna

0:56:34.800 --> 0:56:35.760
<v Speaker 2>learn something about.

0:56:35.760 --> 0:56:38.320
<v Speaker 3>It it's such a good tone setter, though just like

0:56:38.520 --> 0:56:39.600
<v Speaker 3>things are just gonna.

0:56:39.840 --> 0:56:41.480
<v Speaker 2>Happen yeah for. Sure.

0:56:41.640 --> 0:56:41.839
<v Speaker 4>Yeah.

0:56:42.360 --> 0:56:45.080
<v Speaker 2>Okay so he And lance have gone to the grocery

0:56:45.120 --> 0:56:48.000
<v Speaker 2>store to buy more, pudding But barry learns that the

0:56:48.200 --> 0:56:53.080
<v Speaker 2>miles he's accumulated can't be redeemed for six to eight,

0:56:53.160 --> 0:56:55.319
<v Speaker 2>weeks so he freaks out a little.

0:56:55.320 --> 0:56:58.759
<v Speaker 4>Bit he fully freaks, out this is this is his

0:56:59.239 --> 0:57:07.640
<v Speaker 4>fucking his, loss fucking, dombas fuck bullshit, screenwriting nothing. Matters

0:57:08.200 --> 0:57:09.080
<v Speaker 4>and again it's.

0:57:09.000 --> 0:57:12.040
<v Speaker 3>A great, like uh fuck you to how those moments

0:57:12.160 --> 0:57:13.960
<v Speaker 3>usually happen where it's it's, LIKE i feel like it

0:57:14.200 --> 0:57:19.160
<v Speaker 3>often is something really small that feels. Gigantic and then

0:57:19.240 --> 0:57:22.240
<v Speaker 3>he remembers he could just buy a you can just,

0:57:22.480 --> 0:57:24.400
<v Speaker 3>GOD i love.

0:57:24.480 --> 0:57:27.440
<v Speaker 2>Him, yeah so he decides to go a NOTE i

0:57:27.520 --> 0:57:30.720
<v Speaker 2>MADE i was, like he doesn't know which Island lena is,

0:57:30.800 --> 0:57:33.560
<v Speaker 2>on but he seems to pick the right island because

0:57:33.640 --> 0:57:37.440
<v Speaker 2>they meet up pretty. Easily but, anyway is that did

0:57:37.480 --> 0:57:40.520
<v Speaker 2>you think about? THAT i did think about. That, yeah

0:57:41.880 --> 0:57:45.720
<v Speaker 2>maybe that's just The bechdel cast lens or. Something but,

0:57:46.560 --> 0:57:49.640
<v Speaker 2>anyway so he. Go he arrives In, hawaii and he

0:57:49.840 --> 0:57:53.680
<v Speaker 2>gets the name Of lena's hotel from his Sister, elizabeth

0:57:54.000 --> 0:57:58.480
<v Speaker 2>in a phone call where he's having another, outburst but

0:57:58.600 --> 0:58:01.840
<v Speaker 2>he meets up With. Lena they have a romantic night

0:58:01.920 --> 0:58:04.160
<v Speaker 2>together and it seems like they really really like each.

0:58:04.200 --> 0:58:09.000
<v Speaker 2>Other Then barry calls the phone sex hotline and leaves

0:58:09.320 --> 0:58:13.360
<v Speaker 2>a message telling them that he expects them to return his.

0:58:13.560 --> 0:58:17.680
<v Speaker 3>Money, yes the confidence given By New love And fucking.

0:58:17.560 --> 0:58:21.160
<v Speaker 4>Has, Yeah New love And Fucking baby it has.

0:58:21.120 --> 0:58:23.480
<v Speaker 3>Cust him to possibly self sabotage yet.

0:58:23.520 --> 0:58:27.440
<v Speaker 2>Again but now he's advocating for. Himself yes he, is

0:58:27.560 --> 0:58:29.440
<v Speaker 2>he is in a way that he couldn't. Before but

0:58:29.600 --> 0:58:31.440
<v Speaker 2>it's hard not to be scared for him in that.

0:58:31.600 --> 0:58:32.280
<v Speaker 3>Moment you're like.

0:58:32.600 --> 0:58:36.680
<v Speaker 4>True and when they're, fucking when they're in the, hotel

0:58:37.560 --> 0:58:41.640
<v Speaker 4>he has this like quote THAT i want to say

0:58:41.760 --> 0:58:43.800
<v Speaker 4>perfectly Because i'm not the kind of person that can

0:58:43.880 --> 0:58:48.400
<v Speaker 4>remember this whole thing all at. Once but it's, like,

0:58:48.680 --> 0:58:53.240
<v Speaker 4>uh like they've just fucked and, stuff and he's, like

0:58:54.160 --> 0:58:55.440
<v Speaker 4>HiT's i can't say?

0:58:55.480 --> 0:58:55.720
<v Speaker 5>It is?

0:58:55.760 --> 0:58:57.840
<v Speaker 2>It when she says LIKE i want to chew on your,

0:58:57.960 --> 0:58:59.000
<v Speaker 2>CHEEK i want.

0:58:58.880 --> 0:59:00.440
<v Speaker 4>To eat him up with The he's, LIKE i want

0:59:00.480 --> 0:59:02.280
<v Speaker 4>to punch you on the ball your fucking eyes. OUT

0:59:02.600 --> 0:59:04.240
<v Speaker 4>i don't want to eat you fucking. UP i want to,

0:59:04.320 --> 0:59:05.560
<v Speaker 4>like it's just like fucking.

0:59:05.320 --> 0:59:07.360
<v Speaker 3>And they're like escalating. It, yeah they're.

0:59:07.320 --> 0:59:12.840
<v Speaker 4>Escalating and It's AND i actually have unexclusive for The Vechdel,

0:59:12.920 --> 0:59:17.360
<v Speaker 4>cast which is that my Friend Alex blum is doing

0:59:17.440 --> 0:59:21.320
<v Speaker 4>this thing Called hotlines where she writes quotes from movies

0:59:22.080 --> 0:59:24.439
<v Speaker 4>on hot. Dogs and she asked me for my favorit

0:59:24.520 --> 0:59:26.680
<v Speaker 4>quote from a, movie AND i gave her this long

0:59:26.760 --> 0:59:29.440
<v Speaker 4>one BECAUSE i thought it would be, funny and and

0:59:29.600 --> 0:59:31.320
<v Speaker 4>so she POSTED i take a screenshot of. IT i

0:59:31.400 --> 0:59:35.800
<v Speaker 4>posted on my. STORY i take. HER i was demonetized

0:59:35.840 --> 0:59:38.520
<v Speaker 4>From instagram for two weeks because they said that that

0:59:38.680 --> 0:59:42.080
<v Speaker 4>quote on a hot dog and mustard was inciting. Violence

0:59:42.520 --> 0:59:45.240
<v Speaker 4>oh my. God AND i know no one like reported.

0:59:45.280 --> 0:59:47.479
<v Speaker 4>It it was not something like idiot trying to troll,

0:59:47.560 --> 0:59:50.439
<v Speaker 4>me because it was weeks later like they're like net

0:59:51.040 --> 0:59:53.200
<v Speaker 4>or whatever just like picked it.

0:59:53.280 --> 0:59:56.240
<v Speaker 3>Up, wow that could have really hurt. Someone that they

0:59:56.720 --> 1:00:01.280
<v Speaker 3>really could have hurt. Someone, God, well thank you for

1:00:01.360 --> 1:00:01.760
<v Speaker 3>the hot dog.

1:00:01.800 --> 1:00:06.600
<v Speaker 4>Exclusive Hot Dog. Succy check Out Alex bloom On instagram

1:00:06.920 --> 1:00:09.640
<v Speaker 4>for the Series. Hotlines that's.

1:00:09.840 --> 1:00:14.720
<v Speaker 2>Awesome, YEAH i mean it. Is it's very like cutesy pillow,

1:00:14.840 --> 1:00:16.480
<v Speaker 2>talk but it's also extremely.

1:00:16.600 --> 1:00:19.600
<v Speaker 3>Violent they're, intense they're matching each other's.

1:00:19.680 --> 1:00:23.480
<v Speaker 4>Freak it's them recognizing this thing in each, other this

1:00:23.680 --> 1:00:26.440
<v Speaker 4>anger that maybe she's able to love because she has it,

1:00:26.600 --> 1:00:30.640
<v Speaker 4>too and that there's speeds so tender to each other

1:00:30.720 --> 1:00:31.960
<v Speaker 4>when they could rip each other.

1:00:32.080 --> 1:00:34.960
<v Speaker 3>APART i think, THIS i GUESS i just, LIKE i

1:00:35.040 --> 1:00:37.040
<v Speaker 3>don't feel LIKE i know enough about her to be

1:00:37.200 --> 1:00:40.720
<v Speaker 3>sure of certain reactions on leaning this, PART.

1:00:40.960 --> 1:00:43.320
<v Speaker 2>I tend to agree with. That, yeah that's kind of

1:00:43.360 --> 1:00:44.880
<v Speaker 2>one of my big criticisms of the.

1:00:44.960 --> 1:00:48.120
<v Speaker 4>Movie there is something, though that she says THAT i

1:00:48.200 --> 1:00:53.240
<v Speaker 4>can't remember, verbatim but it's something, LIKE i swear she

1:00:53.360 --> 1:00:56.760
<v Speaker 4>says something LIKE i saw, you AND i knew LIKE

1:00:57.280 --> 1:01:00.680
<v Speaker 4>i KNEW i had to see you because and later she's,

1:01:00.760 --> 1:01:03.240
<v Speaker 4>LIKE i just could tell that we had there's some

1:01:03.480 --> 1:01:06.240
<v Speaker 4>sort of cod LIKE i see a similarity because of

1:01:06.760 --> 1:01:07.920
<v Speaker 4>how she talks about that.

1:01:08.400 --> 1:01:10.880
<v Speaker 3>She recognizes something in. HIM i think that that makes

1:01:10.920 --> 1:01:11.479
<v Speaker 3>a lot of. Sense.

1:01:11.840 --> 1:01:12.040
<v Speaker 5>Yeah.

1:01:12.160 --> 1:01:13.680
<v Speaker 3>Yeah and also it's, like SO i feel like so

1:01:13.800 --> 1:01:17.080
<v Speaker 3>much Of, lena you, know not to like Discredit Paul Thomas,

1:01:17.120 --> 1:01:19.200
<v Speaker 3>anderty but so much of WHAT i feel like we

1:01:19.320 --> 1:01:22.200
<v Speaker 3>know about her is In Emily watson's performance versus like

1:01:22.320 --> 1:01:26.120
<v Speaker 3>what's really on the, page because she does like the

1:01:26.200 --> 1:01:28.920
<v Speaker 3>way that she reacts To, BARRY i feel like tells

1:01:29.040 --> 1:01:31.840
<v Speaker 3>us more about her than she says or we're.

1:01:31.960 --> 1:01:37.960
<v Speaker 2>Told, Right, yeah in any, case they've had a, sexy

1:01:38.080 --> 1:01:42.280
<v Speaker 2>nice time. Together and Then barry And lena head back

1:01:42.360 --> 1:01:46.080
<v Speaker 2>to la together and when they're pulling into his, place

1:01:46.480 --> 1:01:50.360
<v Speaker 2>a truck slims into his. Car it's the minions who

1:01:50.520 --> 1:01:55.920
<v Speaker 2>are After, barry but he beats them and smashes the

1:01:55.960 --> 1:01:58.480
<v Speaker 2>truck up a little, bit and then he Takes lena

1:01:58.640 --> 1:02:02.600
<v Speaker 2>to a hospital to have her minor head injury.

1:02:02.760 --> 1:02:05.160
<v Speaker 4>Treated it's a cool fight scene.

1:02:05.280 --> 1:02:06.960
<v Speaker 3>Too, YEAH i was like.

1:02:07.000 --> 1:02:09.400
<v Speaker 2>Pretty impressed With Adam sandler's.

1:02:09.680 --> 1:02:16.360
<v Speaker 4>Choreography he grabs the this tire iron truck and just like,

1:02:18.840 --> 1:02:22.440
<v Speaker 4>yeah like he doesn't kill, anyone, no, no.

1:02:23.880 --> 1:02:27.280
<v Speaker 3>No and it's, LIKE, I i'm curious what you both

1:02:27.320 --> 1:02:29.120
<v Speaker 3>think about. THIS i thought that that, was, like really

1:02:29.760 --> 1:02:32.760
<v Speaker 3>when he does finally get to wail on a fucking

1:02:33.360 --> 1:02:36.960
<v Speaker 3>evil guy or, whatever, LIKE i found it really really

1:02:37.080 --> 1:02:39.320
<v Speaker 3>satisfying because it's the first time that we're able to

1:02:39.400 --> 1:02:43.480
<v Speaker 3>see him direct this anchor at a worthy target and

1:02:43.640 --> 1:02:47.080
<v Speaker 3>not just like a wall or or you, know like

1:02:47.240 --> 1:02:49.120
<v Speaker 3>it and he doesn't need to hide. IT i know

1:02:49.200 --> 1:02:52.280
<v Speaker 3>that it's not the. Like it doesn't you, know it's

1:02:52.280 --> 1:02:54.000
<v Speaker 3>not the end game of. Anything but it was just

1:02:54.560 --> 1:02:58.680
<v Speaker 3>nice to See barry get to just like tire iron

1:02:58.800 --> 1:03:01.160
<v Speaker 3>someone in the face WHO i was, like you, know

1:03:01.280 --> 1:03:03.880
<v Speaker 3>he's earned, that he's earned. That he keeps a lot. In,

1:03:04.640 --> 1:03:05.880
<v Speaker 3>yes A, barry but.

1:03:05.960 --> 1:03:09.600
<v Speaker 4>He's not secretly a serial killer or, something because he

1:03:09.720 --> 1:03:12.120
<v Speaker 4>could have killed them all and he does.

1:03:12.200 --> 1:03:14.520
<v Speaker 2>It, Yeah, no it's not kill them, all of. Course.

1:03:15.000 --> 1:03:18.640
<v Speaker 4>No have you guys read the like there's like a

1:03:18.800 --> 1:03:24.720
<v Speaker 4>punch Shrunk superman theory That arry get Is. Superman i'm,

1:03:24.840 --> 1:03:29.000
<v Speaker 4>Like i'm not, kiddy LIKE i disagree with, it AND

1:03:29.120 --> 1:03:32.520
<v Speaker 4>i think IT'S i HONESTLY i SHOULD i honestly think

1:03:33.080 --> 1:03:36.520
<v Speaker 4>that this theory is evidence of a deep rot and

1:03:36.640 --> 1:03:39.360
<v Speaker 4>even PEOPLE i, Love but it's out.

1:03:39.440 --> 1:03:40.400
<v Speaker 5>THERE i.

1:03:40.560 --> 1:03:42.600
<v Speaker 3>Didn't i'm, like of, COURSE i feel like there was

1:03:42.680 --> 1:03:44.840
<v Speaker 3>like a very specific moment in like the mid twenty

1:03:44.960 --> 1:03:49.160
<v Speaker 3>tens where just theories like this ran, rampant and to what?

1:03:49.480 --> 1:03:52.880
<v Speaker 3>End Let barry be a normal. Guy that's the that's

1:03:52.960 --> 1:03:53.640
<v Speaker 3>the beauty of.

1:03:53.760 --> 1:03:59.280
<v Speaker 2>Him, Yes, Okay so while she's in the, Hospital barry

1:03:59.480 --> 1:04:04.280
<v Speaker 2>calls the phone sex hotline again and he's. Irate he's

1:04:04.600 --> 1:04:08.520
<v Speaker 2>screaming At. Georgia then he gets connected To dean and

1:04:08.920 --> 1:04:12.240
<v Speaker 2>he's screaming at him and they're threatening each. Other and

1:04:12.320 --> 1:04:15.200
<v Speaker 2>Then barry figures out Where dean And georgia, are so

1:04:15.360 --> 1:04:18.840
<v Speaker 2>he like drops everything and just goes straight To utah

1:04:19.400 --> 1:04:22.880
<v Speaker 2>to confront. Them barry And dean get in each other's

1:04:22.920 --> 1:04:26.840
<v Speaker 2>faces And barry, SAYS i have love in my life,

1:04:26.960 --> 1:04:29.840
<v Speaker 2>now and it makes me stronger than you can, Imagine

1:04:30.320 --> 1:04:32.600
<v Speaker 2>so put an end to this, now Or i'll beat

1:04:32.680 --> 1:04:35.800
<v Speaker 2>the hell out of. You And dean is, like all,

1:04:35.880 --> 1:04:40.040
<v Speaker 2>right it's. Over So barry goes back To La he

1:04:40.160 --> 1:04:44.440
<v Speaker 2>grabs his little. Piano he takes it To lena's, apartment

1:04:45.680 --> 1:04:49.680
<v Speaker 2>not sure, why but he apologizes to her for leaving

1:04:49.800 --> 1:04:52.360
<v Speaker 2>her at the, hospital and he tells the whole story

1:04:52.520 --> 1:04:56.200
<v Speaker 2>of how he called a phone sex line and those

1:04:56.240 --> 1:04:58.840
<v Speaker 2>people started harassing. Him but he's taking care of, it

1:04:59.360 --> 1:05:01.800
<v Speaker 2>and if she gives him six to eight weeks to

1:05:01.920 --> 1:05:05.920
<v Speaker 2>prove that he's an okay, guy then he can redeem

1:05:06.280 --> 1:05:09.960
<v Speaker 2>the airline miles from the pudding and go with her

1:05:10.400 --> 1:05:13.960
<v Speaker 2>wherever she needs to. Go and she does, say, like

1:05:14.160 --> 1:05:16.120
<v Speaker 2>you left me at the hospital and that wasn't, cool

1:05:16.600 --> 1:05:19.000
<v Speaker 2>and he's, LIKE i, KNOW i won't do it, again

1:05:19.280 --> 1:05:22.320
<v Speaker 2>and then they kiss and make up the. End, Yay

1:05:22.720 --> 1:05:25.000
<v Speaker 2>so let's take another quick break and we'll come back

1:05:25.880 --> 1:05:27.800
<v Speaker 2>to further discuss.

1:05:37.840 --> 1:05:38.160
<v Speaker 5>And we're.

1:05:38.200 --> 1:05:40.760
<v Speaker 3>Back where do we want to? START i. DON'T i

1:05:40.880 --> 1:05:42.040
<v Speaker 3>mean we've covered a.

1:05:42.160 --> 1:05:43.160
<v Speaker 2>LOT i talked about a.

1:05:43.240 --> 1:05:47.479
<v Speaker 3>Lot i've covered quite a. Lot but, YEAH i guess one,

1:05:48.120 --> 1:05:50.920
<v Speaker 3>thing let's talk about Uh lena a little bit more

1:05:50.920 --> 1:05:53.040
<v Speaker 3>because we've talked a lot About. Barry there's still more

1:05:53.080 --> 1:05:56.360
<v Speaker 3>to be said About. Barry but, sure, YEAH i really like.

1:05:56.440 --> 1:05:59.480
<v Speaker 3>HER i think THAT i wish that we do a

1:05:59.520 --> 1:06:03.200
<v Speaker 3>little bit more more about. Her but it's tricky because

1:06:03.240 --> 1:06:09.120
<v Speaker 3>this story is so firmly centered On barry versus the.

1:06:09.520 --> 1:06:12.720
<v Speaker 3>Couple LIKE i don't, know it's a story Where barry

1:06:12.760 --> 1:06:15.240
<v Speaker 3>falls in, love BUT i don't think it's necessarily like

1:06:15.400 --> 1:06:18.440
<v Speaker 3>a story about that because all of that sort of.

1:06:18.520 --> 1:06:20.760
<v Speaker 3>Happens that's not the exact.

1:06:20.920 --> 1:06:24.880
<v Speaker 4>Half, yeah it's about him doing the work mama's.

1:06:25.320 --> 1:06:27.480
<v Speaker 3>Yeah, yeah like getting to a place where he can

1:06:27.560 --> 1:06:31.120
<v Speaker 3>BE i really like my my like dorky head cannon

1:06:31.160 --> 1:06:32.640
<v Speaker 3>for the, end of this movie is now that he

1:06:33.480 --> 1:06:37.360
<v Speaker 3>is like comfortable enough and can truly be himself with

1:06:37.480 --> 1:06:42.040
<v Speaker 3>someone unlike his like dufust brother in. Law lena's the

1:06:42.120 --> 1:06:44.960
<v Speaker 3>kind of person who could help him find a, therapist

1:06:45.240 --> 1:06:47.240
<v Speaker 3>who could help him do all of these, things and

1:06:47.560 --> 1:06:50.800
<v Speaker 3>he would be comfortable enough to like actually ask for

1:06:50.960 --> 1:06:53.560
<v Speaker 3>that With and it just seems like one of those

1:06:53.720 --> 1:06:57.360
<v Speaker 3>rare relationships that puts you on a path, towards like

1:06:57.520 --> 1:07:00.640
<v Speaker 3>closer to who you want to. Be AND i love

1:07:00.720 --> 1:07:03.280
<v Speaker 3>that for, Them BUT i guess what is a little

1:07:03.360 --> 1:07:06.080
<v Speaker 3>more elusive to me IS I With, lena we learn

1:07:06.720 --> 1:07:09.520
<v Speaker 3>a bunch of stuff about her close to the end

1:07:09.600 --> 1:07:12.720
<v Speaker 3>of the movie is that she's been divorced, Before she's,

1:07:13.040 --> 1:07:15.480
<v Speaker 3>had you, know a number of, relationships WHICH i think

1:07:15.520 --> 1:07:18.280
<v Speaker 3>you can feel in her character based on like she's,

1:07:18.360 --> 1:07:21.680
<v Speaker 3>pretty like she's she's adorable on the dates and she

1:07:22.480 --> 1:07:24.439
<v Speaker 3>but you can tell like she knows what she's, doing

1:07:24.640 --> 1:07:27.160
<v Speaker 3>she has more, experience, yeah and like she knows what

1:07:27.240 --> 1:07:29.600
<v Speaker 3>she's looking for and she's pretty frank about. That AND

1:07:30.040 --> 1:07:31.440
<v Speaker 3>i Think barry kind of needs.

1:07:31.560 --> 1:07:32.240
<v Speaker 4>THAT i don't.

1:07:32.280 --> 1:07:34.600
<v Speaker 2>KNOW i JUST i feel like we learn a few

1:07:34.680 --> 1:07:38.280
<v Speaker 2>facts about, her BUT i don't know because we never

1:07:38.520 --> 1:07:43.080
<v Speaker 2>like have moments with just. Her it's always her in

1:07:43.120 --> 1:07:46.040
<v Speaker 2>the context of her being With. Barry AND i know

1:07:46.120 --> 1:07:48.560
<v Speaker 2>that's how, like that's a lot of stories work as

1:07:48.600 --> 1:07:51.240
<v Speaker 2>far as like whose perspective is this story told? From

1:07:51.400 --> 1:07:53.680
<v Speaker 2>but it kind of happens at the expense of we

1:07:53.920 --> 1:07:55.600
<v Speaker 2>don't get to know her nearly as.

1:07:55.640 --> 1:07:58.200
<v Speaker 4>Well so AND i don't give a Sh.

1:08:01.000 --> 1:08:01.880
<v Speaker 3>And that's why you're here.

1:08:01.960 --> 1:08:06.280
<v Speaker 2>Today he's just fucking, like what's to.

1:08:06.320 --> 1:08:08.600
<v Speaker 4>DO i think it's a good, movie AND i THINK i,

1:08:08.640 --> 1:08:09.800
<v Speaker 4>Mean i'm not saying it's.

1:08:09.840 --> 1:08:12.160
<v Speaker 3>Not we're not saying it's a bad. Movie we're just

1:08:12.160 --> 1:08:13.400
<v Speaker 3>saying we don't know very much about.

1:08:13.440 --> 1:08:14.840
<v Speaker 2>It we're just doing our. Podcast.

1:08:14.960 --> 1:08:18.479
<v Speaker 4>Grace, yeah that's. True that's. True, See i'd like to

1:08:18.600 --> 1:08:21.720
<v Speaker 4>SAY i have a message for other upcoming guests Of

1:08:21.800 --> 1:08:25.639
<v Speaker 4>The Bechdel, cast which IS i just want to remind

1:08:25.720 --> 1:08:29.240
<v Speaker 4>you guys that you don't have to let the synopsis

1:08:29.320 --> 1:08:32.840
<v Speaker 4>get out. Quick you have to like wait to, say

1:08:32.920 --> 1:08:35.880
<v Speaker 4>have the pass The Bechdel test or. Anything you, know

1:08:37.960 --> 1:08:39.360
<v Speaker 4>you are playing a, Game.

1:08:41.040 --> 1:08:42.680
<v Speaker 2>Jigsaw, Vibes let's play a.

1:08:42.760 --> 1:08:47.439
<v Speaker 4>Game every episode Of The Bechdel cast is a game

1:08:47.520 --> 1:08:53.439
<v Speaker 4>that can be, won and it's you Versus jamie And,

1:08:53.600 --> 1:08:56.960
<v Speaker 4>caatelet or or if you're, smart you'll silo one of

1:08:57.000 --> 1:09:07.400
<v Speaker 4>them off and. Attack BUT i just if any possible

1:09:07.479 --> 1:09:12.760
<v Speaker 4>Upcoming Bechdel cast members are returning guests or, whatever you can.

1:09:12.880 --> 1:09:14.800
<v Speaker 4>Win you just have to put in the.

1:09:14.960 --> 1:09:19.479
<v Speaker 3>Work it's, true, Okay and it took years for you

1:09:19.600 --> 1:09:22.040
<v Speaker 3>to get to this place where you can really demolish

1:09:22.160 --> 1:09:22.479
<v Speaker 3>us in this.

1:09:22.600 --> 1:09:24.360
<v Speaker 2>Way it took Four Santa claus.

1:09:24.439 --> 1:09:30.080
<v Speaker 4>EPISODES i, MEAN I i JUST i know all your

1:09:30.200 --> 1:09:37.160
<v Speaker 4>moves And i'm. Ready i'm ready for our own.

1:09:37.320 --> 1:09:37.920
<v Speaker 2>Game it's.

1:09:37.960 --> 1:09:38.559
<v Speaker 3>True it's.

1:09:38.640 --> 1:09:43.040
<v Speaker 4>True, well this is the final episode of The Bechdel. Cast, Everybody.

1:09:45.360 --> 1:09:48.760
<v Speaker 3>Grace was the final boss the whole, time AND i

1:09:48.960 --> 1:09:49.560
<v Speaker 3>what so?

1:09:50.400 --> 1:09:51.640
<v Speaker 4>Game oh my.

1:09:51.720 --> 1:09:55.720
<v Speaker 2>Gosh well let me let's talk about things that we

1:09:56.520 --> 1:10:00.600
<v Speaker 2>did like, then shall. WE i, MEAN i think this

1:10:01.160 --> 1:10:03.719
<v Speaker 2>movie does a really good job of showing a character

1:10:03.920 --> 1:10:09.799
<v Speaker 2>with certainly, anxiety possibly also. Depression nothing's ever explicitly, stated

1:10:09.880 --> 1:10:13.960
<v Speaker 2>but we can glean from his behavior and what he

1:10:14.200 --> 1:10:18.000
<v Speaker 2>says about how he feels his, loneliness AND i think

1:10:18.040 --> 1:10:22.639
<v Speaker 2>that's presented with an authenticity that we don't often see

1:10:23.040 --> 1:10:26.560
<v Speaker 2>in regards to the portrayal of mental. Illness and anxiety

1:10:26.760 --> 1:10:31.920
<v Speaker 2>and things in. Cinema SO i liked how that was.

1:10:31.960 --> 1:10:34.840
<v Speaker 2>HANDLED i was ready to come down harder On barry

1:10:35.600 --> 1:10:39.960
<v Speaker 2>Pre grace your history with the, movie BECAUSE i was

1:10:40.080 --> 1:10:42.640
<v Speaker 2>gonna say something, LIKE i think it's, LIKE i appreciate

1:10:43.240 --> 1:10:46.040
<v Speaker 2>the portrayal of mental illness in his, character but he

1:10:46.160 --> 1:10:51.040
<v Speaker 2>also has a really difficult time regulating his, emotions and

1:10:51.120 --> 1:10:55.000
<v Speaker 2>that often manifests in these violent outbursts where he's trashing

1:10:55.040 --> 1:10:57.560
<v Speaker 2>a room or breaking glass or punching a wall or,

1:10:57.600 --> 1:11:00.639
<v Speaker 2>whatever or screaming at his sister and threat to kill,

1:11:00.720 --> 1:11:05.719
<v Speaker 2>her for, Example and his mental illness doesn't obviously doesn't

1:11:05.760 --> 1:11:09.759
<v Speaker 2>excuse those. Things AND i was gonna be, Like, okay,

1:11:09.840 --> 1:11:12.559
<v Speaker 2>well this guy needs to learn to regulate his emotions

1:11:12.560 --> 1:11:14.560
<v Speaker 2>a little bit, better the way that many men and

1:11:14.680 --> 1:11:18.720
<v Speaker 2>people of all genders could stand to learn to regulate their.

1:11:18.840 --> 1:11:22.519
<v Speaker 2>Emotions but you, know AND i DON'T i still feel

1:11:22.600 --> 1:11:26.800
<v Speaker 2>that about his. Character but then you also have to

1:11:26.880 --> 1:11:30.479
<v Speaker 2>consider that he was like pretty relentlessly bullied by his

1:11:30.600 --> 1:11:34.120
<v Speaker 2>sisters his entire. Childhood we can, presume.

1:11:34.280 --> 1:11:37.240
<v Speaker 3>Right that's the only, like the only thing we really

1:11:37.360 --> 1:11:39.439
<v Speaker 3>see even with like the one, sister we do get

1:11:39.520 --> 1:11:42.200
<v Speaker 3>to know WHO i think is fascinating in her own,

1:11:42.280 --> 1:11:44.559
<v Speaker 3>right although we don't know much about, her it's mostly

1:11:44.600 --> 1:11:48.120
<v Speaker 3>in the, performance but that, like even when she's trying

1:11:48.240 --> 1:11:53.559
<v Speaker 3>to do something quote unquote nice for him by introducing, him, yeah.

1:11:53.479 --> 1:11:55.240
<v Speaker 2>Setting him up with, someone.

1:11:55.280 --> 1:11:58.800
<v Speaker 3>But even in those, interactions she can't help but bully.

1:11:58.920 --> 1:12:02.120
<v Speaker 3>Him WHERE i think it was like when she's introducing

1:12:02.360 --> 1:12:05.240
<v Speaker 3>him To lena again and she's, like, so are you

1:12:05.320 --> 1:12:07.360
<v Speaker 3>coming with us or? Not are you coming with us or?

1:12:07.400 --> 1:12:09.559
<v Speaker 3>Not what the fuck is? That why are you put?

1:12:09.600 --> 1:12:09.640
<v Speaker 4>It?

1:12:11.080 --> 1:12:13.640
<v Speaker 3>Right like where she's still like it just seems like

1:12:13.760 --> 1:12:17.040
<v Speaker 3>it's so baked into their family dynamic to pile On

1:12:17.240 --> 1:12:20.639
<v Speaker 3>barry and under any and all, circumstances and it doesn't,

1:12:20.960 --> 1:12:23.680
<v Speaker 3>right it doesn't excuse his. Behavior but it's LIKE i

1:12:23.760 --> 1:12:26.240
<v Speaker 3>do feel like it at very least we are given

1:12:26.360 --> 1:12:29.599
<v Speaker 3>the context for like this isn't just like AN Snl

1:12:29.640 --> 1:12:32.519
<v Speaker 3>Adam sandler character of like this is what he. Does

1:12:32.640 --> 1:12:35.719
<v Speaker 3>he's the angry, Guy like we're given context for that. Anger.

1:12:36.439 --> 1:12:38.599
<v Speaker 3>Right but, yeah but but BUT i see what you're

1:12:38.600 --> 1:12:38.960
<v Speaker 3>saying too.

1:12:39.439 --> 1:12:44.639
<v Speaker 4>WELL i think it's interesting you both use the term,

1:12:45.439 --> 1:12:49.600
<v Speaker 4>Excuse like does it excuse there's mental? Illness excuse his.

1:12:49.800 --> 1:12:56.120
<v Speaker 4>Behavior and the OLDER i get and the MORE i

1:12:57.320 --> 1:13:01.479
<v Speaker 4>deal with my own mental, health the mental serious mental

1:13:01.520 --> 1:13:07.439
<v Speaker 4>illness of family, members seeing the mental health issues of

1:13:08.439 --> 1:13:12.759
<v Speaker 4>like unhoused PEOPLE i know and in recovering and. STUFF

1:13:13.479 --> 1:13:16.720
<v Speaker 4>i wonder if this film could be a moment of

1:13:17.160 --> 1:13:21.200
<v Speaker 4>like learning, that like it might not be useful to

1:13:21.439 --> 1:13:25.280
<v Speaker 4>ask like is this? Behave is there an excuse for this?

1:13:25.439 --> 1:13:28.360
<v Speaker 4>Behavior or like looking at something through the realm of

1:13:28.479 --> 1:13:33.240
<v Speaker 4>excuse or non. Excuse it's, like what does attaching a

1:13:33.479 --> 1:13:39.839
<v Speaker 4>moral worth to an action and then weighing it against

1:13:39.920 --> 1:13:46.320
<v Speaker 4>someone's privilege and versus their mental health issues and stuff like?

1:13:46.400 --> 1:13:49.960
<v Speaker 4>That what does that? Do as much as is that

1:13:50.320 --> 1:13:54.040
<v Speaker 4>like necessarily a productive way to look at mental? Illness

1:13:54.200 --> 1:13:56.960
<v Speaker 4>AND i would suggest that that may maybe it's. Not

1:13:57.360 --> 1:14:01.000
<v Speaker 4>you know, what we can look at that when we See,

1:14:01.080 --> 1:14:04.960
<v Speaker 4>barry we can see that he is a person that

1:14:06.000 --> 1:14:12.400
<v Speaker 4>has the capacity to deal with these emotions in different,

1:14:12.479 --> 1:14:17.160
<v Speaker 4>ways you, Know but how he has dealt with them

1:14:17.200 --> 1:14:21.760
<v Speaker 4>in certain moments is by acting out these, tantrums this.

1:14:21.920 --> 1:14:26.400
<v Speaker 4>Destruction and so what can people who care about him,

1:14:26.439 --> 1:14:29.080
<v Speaker 4>Do Like i'm talking about him like he's a, Person

1:14:29.160 --> 1:14:31.680
<v Speaker 4>BUT i, guess like just mental health in, General, LIKE

1:14:32.400 --> 1:14:36.880
<v Speaker 4>i think the choices when dealing in life with someone

1:14:36.920 --> 1:14:41.360
<v Speaker 4>who has a serious mental health problem are trying to

1:14:41.640 --> 1:14:46.120
<v Speaker 4>engage with them to get better or letting go of

1:14:46.240 --> 1:14:49.080
<v Speaker 4>that as something you haven't want to have anything to

1:14:49.160 --> 1:14:53.639
<v Speaker 4>do with their control, over you. Know, Yeah AND i think,

1:14:53.760 --> 1:14:57.840
<v Speaker 4>That LIKE i think the, FACT i, guess like What

1:14:57.880 --> 1:15:02.000
<v Speaker 4>i'm saying is the fact that we can understand this

1:15:02.240 --> 1:15:08.439
<v Speaker 4>poor behavior through the lens of his mental illness maybe

1:15:08.600 --> 1:15:13.800
<v Speaker 4>shows that there's folly in questioning whether or not there

1:15:13.880 --> 1:15:18.160
<v Speaker 4>is an, excuse like saying if it is morally good or,

1:15:18.280 --> 1:15:21.000
<v Speaker 4>Bad like just the fact that you can look at

1:15:21.080 --> 1:15:22.120
<v Speaker 4>through that, lens.

1:15:22.120 --> 1:15:26.240
<v Speaker 3>You, KNOW i, AGREE i, MEAN i guess to, CLARIFY i,

1:15:26.320 --> 1:15:30.760
<v Speaker 3>mean at least WHEN i, say like what excuses the,

1:15:30.800 --> 1:15:32.880
<v Speaker 3>Behavior i'm trying to see it from the perspective of

1:15:32.920 --> 1:15:37.640
<v Speaker 3>who it's happening, to not who's perpetrating. It and so With,

1:15:37.840 --> 1:15:40.599
<v Speaker 3>BARRY i, MEAN i part of WHAT i like about

1:15:40.640 --> 1:15:42.920
<v Speaker 3>this movie is that you see someone who is struggling

1:15:44.400 --> 1:15:48.280
<v Speaker 3>with mental health right in an in between. Point we

1:15:48.360 --> 1:15:51.160
<v Speaker 3>don't you, know he doesn't arrive quote unquote at mental

1:15:51.200 --> 1:15:53.519
<v Speaker 3>health at the end of the, movie because that's not

1:15:53.800 --> 1:15:57.160
<v Speaker 3>a thing that. Happens we see a like phase of.

1:15:57.280 --> 1:16:00.840
<v Speaker 3>THIS i, guess, like, Yeah i'm thinking more of like

1:16:00.960 --> 1:16:05.680
<v Speaker 3>if you're in the shoes Of elizabeth and this is

1:16:05.800 --> 1:16:09.160
<v Speaker 3>your your brother lashing out at, you and you have

1:16:09.479 --> 1:16:13.120
<v Speaker 3>done something there has been, sustained like she's treated him

1:16:13.160 --> 1:16:16.519
<v Speaker 3>like shit for a long. Time but how do, you

1:16:16.920 --> 1:16:21.920
<v Speaker 3>as like two, people reach a place of peace in that?

1:16:22.000 --> 1:16:24.560
<v Speaker 3>Way AND i don't. KNOW i, mean and this is

1:16:24.640 --> 1:16:27.400
<v Speaker 3>again it's like one movie can't do all of. THIS

1:16:27.640 --> 1:16:30.560
<v Speaker 3>i guess. WHAT i JUST i wish that, WELL i

1:16:30.600 --> 1:16:35.120
<v Speaker 3>don't even. Know this isn't even a criticism of the.

1:16:35.280 --> 1:16:38.800
<v Speaker 3>MOVIE i GUESS i just we see a lot of

1:16:38.920 --> 1:16:42.000
<v Speaker 3>cause and effect in the way that he is the

1:16:42.080 --> 1:16:45.160
<v Speaker 3>recipient of all of, this this emotional abuse from his.

1:16:45.280 --> 1:16:50.720
<v Speaker 3>Family they are unable TO i you, know if we're

1:16:50.760 --> 1:16:55.639
<v Speaker 3>showing them, grace they are completely unable to help, him

1:16:55.960 --> 1:16:57.599
<v Speaker 3>even when he's, asking, well.

1:16:57.520 --> 1:17:00.920
<v Speaker 4>They do not treat him like he's mentally or have

1:17:01.080 --> 1:17:03.880
<v Speaker 4>any recon like that's an important distinct. Ship they just.

1:17:03.880 --> 1:17:06.599
<v Speaker 3>Say That's, berry which is a very family.

1:17:06.720 --> 1:17:06.840
<v Speaker 5>Thing.

1:17:07.040 --> 1:17:09.360
<v Speaker 4>Yeah and if he if he did not deal with

1:17:09.479 --> 1:17:12.479
<v Speaker 4>this mental illness and they were calling him gay and

1:17:12.520 --> 1:17:15.880
<v Speaker 4>a homo and, stuff he might just have, laughed, right you,

1:17:15.960 --> 1:17:18.320
<v Speaker 4>know maybe he might not, have but like the way

1:17:18.439 --> 1:17:21.320
<v Speaker 4>that they're saying, it if the soundtrack was at that,

1:17:21.439 --> 1:17:27.200
<v Speaker 4>moment you might not key into it as this like

1:17:27.720 --> 1:17:30.960
<v Speaker 4>stressful evil thing because they're, LIKE i, mean it's not

1:17:31.160 --> 1:17:34.080
<v Speaker 4>cool to like call your brother a homo as a derogatory.

1:17:34.200 --> 1:17:37.400
<v Speaker 4>Thing BUT i could certainly see a, family especially in

1:17:37.439 --> 1:17:41.840
<v Speaker 4>the early two, thousands you fucking homo and everyone you, know, like,

1:17:42.200 --> 1:17:42.600
<v Speaker 4>well it's like.

1:17:42.640 --> 1:17:44.800
<v Speaker 3>Even just like WITH i don't, know LIKE i saw

1:17:44.880 --> 1:17:48.920
<v Speaker 3>my family recently and they they've like said the same

1:17:49.080 --> 1:17:53.200
<v Speaker 3>thing about me that is hurtful for my whole, life

1:17:53.520 --> 1:17:56.000
<v Speaker 3>but it is just an element of the family and

1:17:56.240 --> 1:17:59.000
<v Speaker 3>and the same goes for other family members in other,

1:17:59.120 --> 1:18:02.040
<v Speaker 3>directions where it's like that's like the part of the

1:18:03.160 --> 1:18:05.400
<v Speaker 3>fucked up part of being with a, family where it's

1:18:05.680 --> 1:18:08.720
<v Speaker 3>just you can normalize it in a family dynamic that

1:18:09.479 --> 1:18:15.479
<v Speaker 3>feels so impossible to replicate in other places where it's

1:18:15.520 --> 1:18:19.120
<v Speaker 3>just they they're not even thinking about like it's like

1:18:19.160 --> 1:18:20.960
<v Speaker 3>they've been doing this for so, long they're not even

1:18:21.040 --> 1:18:28.120
<v Speaker 3>thinking about why their brother acts the way he, does, like, which, yeah,

1:18:28.560 --> 1:18:28.840
<v Speaker 3>WELL i.

1:18:28.840 --> 1:18:33.360
<v Speaker 2>Think the scene Where barry pulls aside his brother in

1:18:33.560 --> 1:18:37.439
<v Speaker 2>law and Has that conversation is really interesting because it

1:18:37.600 --> 1:18:43.479
<v Speaker 2>shows That barry knows something is amiss with his mental,

1:18:43.760 --> 1:18:45.320
<v Speaker 2>health he doesn't really quite have the.

1:18:45.360 --> 1:18:47.479
<v Speaker 3>Words for, it and he also just doesn't like how he.

1:18:47.680 --> 1:18:50.920
<v Speaker 2>Feels he doesn't like how he, feels and he is

1:18:51.479 --> 1:18:56.240
<v Speaker 2>actively seeking help in a way that he clearly feels uncomfortable.

1:18:56.320 --> 1:19:00.960
<v Speaker 2>Doing but he realizes like things have maybe hit critical.

1:19:01.080 --> 1:19:04.599
<v Speaker 2>Mass he just smashed a bunch of windows and then

1:19:04.800 --> 1:19:08.080
<v Speaker 2>was berated for, it so he's just, like something needs to.

1:19:08.200 --> 1:19:11.960
<v Speaker 2>CHANGE i clearly need. HELP i was amused by the

1:19:12.640 --> 1:19:17.479
<v Speaker 2>line where the brother in law, says, like what's what's the,

1:19:17.560 --> 1:19:21.280
<v Speaker 2>matter what's? Wrong And barry, SAYS i don't know if

1:19:21.320 --> 1:19:24.160
<v Speaker 2>anything is wrong BECAUSE i don't know how other people.

1:19:24.320 --> 1:19:31.000
<v Speaker 4>Are that's such a perfect lie and it kind.

1:19:30.880 --> 1:19:33.880
<v Speaker 2>Of breaks your heart because he clearly has so hard

1:19:33.920 --> 1:19:36.639
<v Speaker 2>of a time connecting with other people and really getting

1:19:36.760 --> 1:19:39.360
<v Speaker 2>to know who other people are and how they. Are but,

1:19:39.439 --> 1:19:42.680
<v Speaker 2>anyway he's trying to seek help and he knows the

1:19:42.720 --> 1:19:46.360
<v Speaker 2>type of help he, needs and his brother in law

1:19:47.160 --> 1:19:51.400
<v Speaker 2>is not dismissing, him but he also Betrays berry's, trust

1:19:51.560 --> 1:19:54.439
<v Speaker 2>And barry says like don't tell my. SISTERS i don't

1:19:54.439 --> 1:19:57.400
<v Speaker 2>want them to. Know i'm embarrassed about, This LIKE i

1:19:57.439 --> 1:19:59.280
<v Speaker 2>feel LIKE i don't have ANYONE i can talk to about.

1:19:59.320 --> 1:20:02.400
<v Speaker 2>This and a few scenes, Later, elizabeth WHO i guess

1:20:02.640 --> 1:20:07.080
<v Speaker 2>is this brother in, law is like they're, partnered and she's,

1:20:07.200 --> 1:20:09.760
<v Speaker 2>like what was this that you were Telling walter or

1:20:09.800 --> 1:20:12.240
<v Speaker 2>whatever to get you a? Shrink and what's this crying

1:20:12.360 --> 1:20:15.639
<v Speaker 2>problem that you? Have and she's sneering and like being

1:20:15.760 --> 1:20:19.920
<v Speaker 2>very judgy about. It and so he's trying to seek,

1:20:19.960 --> 1:20:22.840
<v Speaker 2>help and it's like a just the stigma of mental,

1:20:23.120 --> 1:20:25.240
<v Speaker 2>health especially at this time in two thousand and two

1:20:25.280 --> 1:20:29.240
<v Speaker 2>when this movie comes, Out like he's willing to seek, help,

1:20:29.680 --> 1:20:34.560
<v Speaker 2>yeah and the society around him is not being receptive to.

1:20:34.680 --> 1:20:37.800
<v Speaker 3>It SO i think it's interesting too that like he

1:20:38.000 --> 1:20:41.040
<v Speaker 3>never goes to his sisters because he knows it's a

1:20:41.120 --> 1:20:44.080
<v Speaker 3>worthless thing to, Do, like you, know he says he's

1:20:44.080 --> 1:20:45.600
<v Speaker 3>got AND i think there is some truth that he

1:20:45.720 --> 1:20:48.680
<v Speaker 3>says he's going to his brother in law so he

1:20:48.680 --> 1:20:51.400
<v Speaker 3>can get that great dentist. Joke AND i celebrate, that

1:20:51.720 --> 1:20:53.800
<v Speaker 3>but it's also like so telling that he has seven

1:20:53.920 --> 1:20:56.639
<v Speaker 3>siblings and he is comfortable going to zero of, them

1:20:56.880 --> 1:21:00.519
<v Speaker 3>and in fact is constantly asking that people don't tell

1:21:00.600 --> 1:21:03.519
<v Speaker 3>them what he's doing because he clearly like lives in

1:21:04.600 --> 1:21:08.840
<v Speaker 3>this state of anxiety that he's going to be mocked for,

1:21:09.520 --> 1:21:13.439
<v Speaker 3>whatever because that's what their dynamic. Is we don't really

1:21:13.560 --> 1:21:16.040
<v Speaker 3>know why that, is but like we don't really have to.

1:21:16.200 --> 1:21:19.160
<v Speaker 3>Either it is what it. IS i do, THINK i,

1:21:19.240 --> 1:21:21.160
<v Speaker 3>mean it would be impossible to get to know all

1:21:21.200 --> 1:21:24.519
<v Speaker 3>these all seven of these. SISTERS i don't. Know, again

1:21:24.560 --> 1:21:27.160
<v Speaker 3>it's like not a, criticism it's WHERE i think that

1:21:27.479 --> 1:21:31.680
<v Speaker 3>Mariy Lynn riska's, character like Her, elizabeth comes across so

1:21:31.800 --> 1:21:35.400
<v Speaker 3>much in her reactions versus what she actually says and,

1:21:35.560 --> 1:21:40.559
<v Speaker 3>does BECAUSE i feel like she's played as someone who

1:21:41.280 --> 1:21:45.439
<v Speaker 3>is also lonely, herself because you, know if you were doing,

1:21:45.560 --> 1:21:49.519
<v Speaker 3>great you wouldn't be bullying your brother while introducing him to.

1:21:49.720 --> 1:21:54.320
<v Speaker 3>Someone and there's that great moment towards the, END i,

1:21:54.400 --> 1:21:58.280
<v Speaker 3>mean it's great for all three of, them where after you,

1:21:58.320 --> 1:22:01.360
<v Speaker 3>Know barry's In hawaii and And lena is the first

1:22:01.400 --> 1:22:05.400
<v Speaker 3>person to ever actually respect his request to not tell his,

1:22:05.560 --> 1:22:08.880
<v Speaker 3>sisters which is another like she sees, him she gets,

1:22:08.960 --> 1:22:13.280
<v Speaker 3>him and she kind of pokes fun At barry as

1:22:13.320 --> 1:22:15.840
<v Speaker 3>a joke between the two of, them and Then elizabeth is, like,

1:22:15.920 --> 1:22:18.599
<v Speaker 3>well you can't say my brother is. WEIRD i can,

1:22:18.680 --> 1:22:22.919
<v Speaker 3>see which is the most sibling thing you could possibly.

1:22:23.040 --> 1:22:25.559
<v Speaker 3>Say and, again it just like gives us a little

1:22:25.640 --> 1:22:30.240
<v Speaker 3>bit of insight into what this family is. Like but

1:22:30.400 --> 1:22:33.519
<v Speaker 3>outside of, THAT i, mean we mostly, know you, know

1:22:33.840 --> 1:22:38.400
<v Speaker 3>because this story is the story of this chunk of

1:22:38.479 --> 1:22:41.240
<v Speaker 3>time In barry's, life we really only know whose sisters

1:22:41.240 --> 1:22:44.920
<v Speaker 3>are in relation to, him AND i think that's just

1:22:44.960 --> 1:22:48.360
<v Speaker 3>because of how the story is. Written BUT i do

1:22:48.520 --> 1:22:50.640
<v Speaker 3>still wish. THAT i do think that there was like

1:22:51.360 --> 1:22:54.080
<v Speaker 3>a little more room to know a little more About

1:22:54.160 --> 1:22:57.720
<v Speaker 3>lena in the scope of this. Story but, yeah, yeah But.

1:22:58.000 --> 1:23:00.360
<v Speaker 2>Paul Thomas anderson didn't want this movie to be longer

1:23:00.439 --> 1:23:03.720
<v Speaker 2>than ninety, minutes, right AND i celebrate, that you, Know,

1:23:03.920 --> 1:23:04.559
<v Speaker 2>Yeah and that's.

1:23:04.640 --> 1:23:06.920
<v Speaker 4>Beautiful is this this.

1:23:07.040 --> 1:23:11.960
<v Speaker 3>Has to be his shortest, movie, right because how long Was.

1:23:12.040 --> 1:23:15.240
<v Speaker 3>MAGNOLIA i do think it's funny that three hours and eight. Minutes,

1:23:15.600 --> 1:23:17.760
<v Speaker 3>Yeah so he was, Like, okay, OKAY i get, IT

1:23:18.040 --> 1:23:18.439
<v Speaker 3>i need to.

1:23:18.439 --> 1:23:19.800
<v Speaker 2>Calm, Down let's do a little.

1:23:19.840 --> 1:23:20.000
<v Speaker 4>One.

1:23:20.560 --> 1:23:22.439
<v Speaker 2>Yeah it happens kind of at the expense of, us

1:23:22.520 --> 1:23:26.000
<v Speaker 2>not knowing more About, Lena BUT i don't hate their

1:23:26.080 --> 1:23:29.839
<v Speaker 2>relationship the WAY i usually hate relationships like hetero romantic

1:23:29.920 --> 1:23:34.320
<v Speaker 2>relationships in movies where grace to your point of like

1:23:34.800 --> 1:23:38.600
<v Speaker 2>she took her, shot it worked. OUT i also like

1:23:38.760 --> 1:23:41.560
<v Speaker 2>that you see a woman asking a man for a

1:23:41.640 --> 1:23:45.919
<v Speaker 2>first date Because elizabeth brought her to his Like plunger

1:23:46.040 --> 1:23:48.960
<v Speaker 2>warehouse to be, like come to breakfast with, us and

1:23:49.800 --> 1:23:51.680
<v Speaker 2>that doesn't pan, out and so she's, like you know,

1:23:51.800 --> 1:23:54.439
<v Speaker 2>What i'm just gonna, Ask LIKE i already know him

1:23:54.439 --> 1:23:57.720
<v Speaker 2>a little, bit now we're, acquainted let, me you, know

1:23:57.960 --> 1:24:00.720
<v Speaker 2>shoot this. Shot and she's, Like i'm going to go

1:24:00.800 --> 1:24:02.479
<v Speaker 2>out for some food, tomorrow do you want to?

1:24:02.520 --> 1:24:06.600
<v Speaker 3>COME i mean she she kind of nudges this relationship

1:24:07.120 --> 1:24:09.400
<v Speaker 3>forward in a way that again like it seems Like

1:24:09.520 --> 1:24:13.280
<v Speaker 3>barry kind of needs with where he's, at but it's never.

1:24:13.400 --> 1:24:15.960
<v Speaker 3>Aggressive and also the fact that, like, yeah there's a,

1:24:16.200 --> 1:24:20.599
<v Speaker 3>phrase she drops the hint, repeatedly like even though it's

1:24:20.640 --> 1:24:23.439
<v Speaker 3>based off of like a Random Barry white lie of, like,

1:24:23.560 --> 1:24:26.760
<v Speaker 3>Oh i'm going To hawaii For plunger. Work you're like,

1:24:27.280 --> 1:24:30.599
<v Speaker 3>sure WHICH i think she kind of is, like oh,

1:24:31.800 --> 1:24:35.560
<v Speaker 3>well BUT i like that, again like the invitation To

1:24:35.640 --> 1:24:38.320
<v Speaker 3>hawaii is. Explicit she's, like, well if you're there and

1:24:38.400 --> 1:24:40.320
<v Speaker 3>you want to hang, OUT i would love to see.

1:24:40.360 --> 1:24:42.200
<v Speaker 3>You and she says that more than once and, like,

1:24:42.360 --> 1:24:45.600
<v Speaker 3>YEAH i don't. Know even though it's like awkward and

1:24:45.600 --> 1:24:48.360
<v Speaker 3>they're both very work to, progress there are adults about,

1:24:48.360 --> 1:24:50.520
<v Speaker 3>it and she says.

1:24:50.920 --> 1:24:55.960
<v Speaker 4>Very importantly after they fucking shit on the bed in that,

1:24:56.160 --> 1:25:00.280
<v Speaker 4>order she's, like you've got me out of my. Room

1:25:01.000 --> 1:25:02.880
<v Speaker 4>you came and you got me out of my. Room

1:25:03.600 --> 1:25:06.080
<v Speaker 4>would just like to me like also kind of a

1:25:06.160 --> 1:25:09.920
<v Speaker 4>sign that they're of the same, feather you, know like, Introverted,

1:25:10.040 --> 1:25:15.080
<v Speaker 4>yeah a, feather you, know like it's. Beautiful it, is

1:25:15.520 --> 1:25:15.720
<v Speaker 4>it is.

1:25:15.880 --> 1:25:18.360
<v Speaker 2>Nice and, again and we already touched on this, too

1:25:18.439 --> 1:25:21.960
<v Speaker 2>but after he literally abandons her at the hospital after

1:25:22.600 --> 1:25:24.840
<v Speaker 2>this car, accident.

1:25:24.720 --> 1:25:27.320
<v Speaker 3>Which isn't, great but ALSO i feel, like because we're

1:25:27.360 --> 1:25:29.960
<v Speaker 3>so in his head at that, point it honestly didn't

1:25:29.960 --> 1:25:31.880
<v Speaker 3>even register with me at. FIRST i was, like, yeah

1:25:31.960 --> 1:25:34.880
<v Speaker 3>he's got he's got unfinished, business he's got to finish.

1:25:34.960 --> 1:25:37.160
<v Speaker 3>This it did register with me WHERE i was, like, wait,

1:25:37.280 --> 1:25:39.320
<v Speaker 3>yeah did he just leave her? There and then she,

1:25:39.520 --> 1:25:40.559
<v Speaker 3>Asks she's, like where's?

1:25:40.600 --> 1:25:41.240
<v Speaker 2>That where's the?

1:25:41.280 --> 1:25:42.760
<v Speaker 3>Guy came, with and the nurses, like.

1:25:42.840 --> 1:25:47.680
<v Speaker 2>HMMM i don't, KNOW i, okay, yeah and she establishes

1:25:47.720 --> 1:25:50.360
<v Speaker 2>a boundary and she, says you can't do things like

1:25:50.560 --> 1:25:54.280
<v Speaker 2>that if we're gonna be together or see each. Other

1:25:54.920 --> 1:25:58.600
<v Speaker 2>and he seems to recognize, that and he seems determined

1:25:58.800 --> 1:26:02.280
<v Speaker 2>not only to redeemed the airline miles from the, pudding

1:26:02.479 --> 1:26:03.240
<v Speaker 2>but to redeem.

1:26:03.400 --> 1:26:08.960
<v Speaker 3>Himself and it just feels very clear that he will

1:26:09.800 --> 1:26:12.640
<v Speaker 3>BECAUSE i, mean it's also like there's of all of

1:26:12.760 --> 1:26:16.000
<v Speaker 3>the different complicated aspects Of barry's. CHARACTER i feel like

1:26:16.080 --> 1:26:20.320
<v Speaker 3>he's he's also just like looking to be respected by,

1:26:20.720 --> 1:26:23.840
<v Speaker 3>someone where he's like so many people in his. LIFE i,

1:26:23.920 --> 1:26:26.600
<v Speaker 3>mean he sort of has a friend In, lance but

1:26:26.760 --> 1:26:29.479
<v Speaker 3>that is a very LIKE i, Mean Louis gospond's, amazing

1:26:29.760 --> 1:26:33.840
<v Speaker 3>And Louis gusbond is very concerned about. Him he's, like

1:26:33.960 --> 1:26:36.439
<v Speaker 3>please go on a, vacation WHICH i thought was very,

1:26:36.479 --> 1:26:39.920
<v Speaker 3>funny but that, like, yeah this is like a relationship

1:26:39.960 --> 1:26:43.040
<v Speaker 3>where he could feel respected, too where it's like it's

1:26:43.160 --> 1:26:45.479
<v Speaker 3>just clear that he doesn't have that in other areas

1:26:45.560 --> 1:26:49.000
<v Speaker 3>of his, life does. ANYONE i don't really have anything

1:26:49.040 --> 1:26:51.920
<v Speaker 3>to say About Dean. Trumbull he shows up late in the.

1:26:52.040 --> 1:26:54.960
<v Speaker 3>Movie he's there and you're, like and that Was Dean.

1:26:55.000 --> 1:26:59.080
<v Speaker 2>Trumbull just That Philip Seymour hoffman can be in a

1:26:59.200 --> 1:27:03.880
<v Speaker 2>movie for five minutes or less and still just take it.

1:27:04.000 --> 1:27:08.120
<v Speaker 4>Crushing he is okay the Most so like the thing

1:27:08.200 --> 1:27:12.599
<v Speaker 4>About Dean troumble the Mattress, man first of, all very

1:27:12.720 --> 1:27:16.479
<v Speaker 4>important to. Know they made like sketches for this movie,

1:27:16.600 --> 1:27:18.800
<v Speaker 4>too With Philip seymour often that you can find.

1:27:18.840 --> 1:27:22.240
<v Speaker 3>Online, really that's so. Fun that makes.

1:27:22.280 --> 1:27:27.559
<v Speaker 4>Sense, yeah there's like two three of, them and they're

1:27:27.680 --> 1:27:30.679
<v Speaker 4>like little like, ads and one of them he falls

1:27:30.760 --> 1:27:33.559
<v Speaker 4>like fifty feet onto a mattress IF i remember. Correct

1:27:34.720 --> 1:27:40.479
<v Speaker 4>AND i do think like he is kind of similar

1:27:40.560 --> 1:27:43.880
<v Speaker 4>To he's like similar and opposite To. Berry you, know

1:27:44.120 --> 1:27:48.440
<v Speaker 4>this is. Supermanny he is kind of like Like Barry's

1:27:48.600 --> 1:27:53.519
<v Speaker 4>lexolutor and that he's Like barry has this like fated

1:27:53.640 --> 1:27:57.400
<v Speaker 4>love and romance in his life and that is like

1:27:57.680 --> 1:28:03.040
<v Speaker 4>almost supernaturally fairy tale like and And Dean trumbll so.

1:28:03.120 --> 1:28:08.920
<v Speaker 4>Opposite like he he's paid women to be around, him you,

1:28:09.000 --> 1:28:12.560
<v Speaker 4>know and he's paying men to like do stuff for

1:28:12.720 --> 1:28:14.320
<v Speaker 4>him that a friend MIGHT i, mean not that a

1:28:14.360 --> 1:28:16.320
<v Speaker 4>friend would go beat. It, well but you, know he

1:28:16.439 --> 1:28:19.120
<v Speaker 4>seems very. Lonely he has his own. Warehouse they both

1:28:19.200 --> 1:28:22.800
<v Speaker 4>have a. Warehouse they both have these, businesses but they're

1:28:23.040 --> 1:28:26.599
<v Speaker 4>like it's like a very different way That barry could

1:28:26.640 --> 1:28:28.120
<v Speaker 4>have popped up turned.

1:28:28.160 --> 1:28:30.960
<v Speaker 3>Out it's a different way To, yeah it's like a

1:28:31.120 --> 1:28:36.320
<v Speaker 3>it's a more assertive person's version of keeping control in

1:28:36.880 --> 1:28:40.800
<v Speaker 3>like this state of loneliness that he's. IN i didn't

1:28:40.880 --> 1:28:42.960
<v Speaker 3>know about the. Sketches it's so. Funny, well it.

1:28:43.000 --> 1:28:46.320
<v Speaker 2>Took me forever to realize That barry is the owner

1:28:46.520 --> 1:28:49.760
<v Speaker 2>of this plunger, business that he's not an, employee that

1:28:49.960 --> 1:28:52.000
<v Speaker 2>this is his. Business, yeah he owns.

1:28:52.000 --> 1:28:53.880
<v Speaker 4>It it's his, business and he's proud of.

1:28:53.920 --> 1:28:57.120
<v Speaker 2>It because he doesn't operate it in such a way

1:28:57.120 --> 1:29:00.680
<v Speaker 2>where he's the boss. Man and in, fact when the

1:29:00.800 --> 1:29:05.080
<v Speaker 2>forklift is, crashing like all the products are spilling and

1:29:05.160 --> 1:29:08.320
<v Speaker 2>breaking stuff like, that he's just, like, hi you, Guys,

1:29:08.400 --> 1:29:11.280
<v Speaker 2>okay anyway back to the WOMAN i have a crush, on.

1:29:13.240 --> 1:29:18.880
<v Speaker 3>Which is really what most bosses, do even good Bosses i've,

1:29:18.920 --> 1:29:21.800
<v Speaker 3>had just are, like, hey you good in. HERE i

1:29:21.880 --> 1:29:25.400
<v Speaker 3>gotta go, bye like, cool just make sure the check's

1:29:25.439 --> 1:29:28.519
<v Speaker 3>clear and leave me. Alone that's the ideal. Boss.

1:29:29.320 --> 1:29:33.639
<v Speaker 2>Right one of the THINGS i found fascinating About dean

1:29:34.160 --> 1:29:38.400
<v Speaker 2>and his minions is that they keep Shaming barry for

1:29:38.640 --> 1:29:42.719
<v Speaker 2>quote unquote being a pervert and acting like he deserves

1:29:42.840 --> 1:29:45.960
<v Speaker 2>to be blackmailed and threatened and beaten up because he

1:29:46.160 --> 1:29:50.120
<v Speaker 2>had the audacity to call a phone sex. Hotline and it's,

1:29:50.200 --> 1:29:53.120
<v Speaker 2>like you're the one running the phone sex hot, line

1:29:53.680 --> 1:29:56.839
<v Speaker 2>so why are you shaming your own clientele for engaging

1:29:57.240 --> 1:30:00.720
<v Speaker 2>with sex? Workers which feels bizarre, now but it was

1:30:00.960 --> 1:30:01.920
<v Speaker 2>two thousand and, two so.

1:30:02.160 --> 1:30:04.360
<v Speaker 3>WELL i also wrote down BECAUSE i had the same

1:30:04.400 --> 1:30:06.320
<v Speaker 3>THOUGHT i wrote, Down is this a utah?

1:30:06.479 --> 1:30:07.760
<v Speaker 2>THING i don't.

1:30:07.840 --> 1:30:10.960
<v Speaker 4>KNOW i don't. KNOW i think it was simply a

1:30:11.080 --> 1:30:13.639
<v Speaker 4>way for them to get money.

1:30:13.439 --> 1:30:15.720
<v Speaker 3>Out of, Him, right you should shame him.

1:30:15.760 --> 1:30:19.640
<v Speaker 4>More and also the perversion is that he's ashamed of

1:30:19.720 --> 1:30:23.200
<v Speaker 4>wanting to fuck a lady almost like these are guys

1:30:23.280 --> 1:30:29.120
<v Speaker 4>that seemingly fuck like and openly are misogynistic and, Stuff

1:30:29.640 --> 1:30:32.960
<v Speaker 4>AND i think what they if there's any real anger

1:30:33.080 --> 1:30:36.680
<v Speaker 4>there is that they think he thinks he's better than,

1:30:36.760 --> 1:30:41.080
<v Speaker 4>them right or, something you. Know, yeah it's like they're,

1:30:41.120 --> 1:30:44.280
<v Speaker 4>like we're all getting. Gash why are you try to

1:30:44.360 --> 1:30:47.200
<v Speaker 4>act what you don't want. Gash that's WHAT i want to.

1:30:47.280 --> 1:30:49.720
<v Speaker 4>Say was a line that was cut out of the.

1:30:49.800 --> 1:30:52.800
<v Speaker 4>Script that is WHY i put money on. It PAUL

1:30:53.520 --> 1:30:56.920
<v Speaker 4>i bettied twenty dollars that that was in the. Script and,

1:30:58.080 --> 1:30:59.680
<v Speaker 4>please he's a.

1:30:59.680 --> 1:31:01.720
<v Speaker 3>Page members so he'll.

1:31:01.800 --> 1:31:03.320
<v Speaker 2>Hear and this isn't even A patreon.

1:31:03.439 --> 1:31:07.600
<v Speaker 4>EPISODE I i almost got to Meet Paul Thomas anderson,

1:31:07.680 --> 1:31:11.040
<v Speaker 4>recently kind Of oh, wow because a friend of mine

1:31:11.840 --> 1:31:14.760
<v Speaker 4>was briefly dating a friend of his but then she

1:31:14.840 --> 1:31:15.519
<v Speaker 4>stopped dating.

1:31:15.600 --> 1:31:17.640
<v Speaker 2>Him oh, Wow so WHAT i?

1:31:17.720 --> 1:31:19.760
<v Speaker 4>SAY i almost got to do. THAT i, mean if

1:31:19.800 --> 1:31:21.320
<v Speaker 4>my head it was gonna happen for a.

1:31:21.400 --> 1:31:27.840
<v Speaker 2>Second but, well just to take a little signed bar he,

1:31:28.200 --> 1:31:31.559
<v Speaker 2>again he was, like, Wow magnolia was so. Long MAYBE

1:31:31.560 --> 1:31:33.960
<v Speaker 2>i shouldn't do that again for my next. Movie so

1:31:34.080 --> 1:31:37.479
<v Speaker 2>he was determined to make it around ninety, minutes not

1:31:37.600 --> 1:31:40.960
<v Speaker 2>to really exceed. That he also specifically wrote The barry

1:31:41.120 --> 1:31:44.960
<v Speaker 2>character With Adam sandler in, mind Because Paul Thomas anderson

1:31:45.320 --> 1:31:49.800
<v Speaker 2>Loved Adam sandler and his, movies Particularly Big, daddy and

1:31:49.920 --> 1:31:54.160
<v Speaker 2>then he had seen different performances of his in various sketch,

1:31:54.240 --> 1:31:58.519
<v Speaker 2>shows and he's, like he has to be In punch Drunk.

1:31:58.760 --> 1:32:05.040
<v Speaker 2>Love Joanne seller was quote unquote be fuddled That Paul

1:32:05.160 --> 1:32:08.960
<v Speaker 2>Thomas anderson wanted to Cast Adam sandler and he had

1:32:09.000 --> 1:32:11.439
<v Speaker 2>to convince her That sandler was the right person for the.

1:32:11.560 --> 1:32:18.519
<v Speaker 2>Job and then WHILE pta was Filming, magnolia he Calls

1:32:18.680 --> 1:32:21.439
<v Speaker 2>Adam sandler and he's, Like i'm writing this movie for.

1:32:21.600 --> 1:32:24.880
<v Speaker 2>You And Adam sandler was, like that's. NICE i don't

1:32:24.920 --> 1:32:29.000
<v Speaker 2>really know who you, are but. God and Then Adam

1:32:29.040 --> 1:32:32.200
<v Speaker 2>sandler Watched magnolia after it came, out and then he

1:32:32.400 --> 1:32:37.200
<v Speaker 2>felt quote unquote fucking terrified and was very intimidated By

1:32:37.600 --> 1:32:42.920
<v Speaker 2>PTA's like directorial. Prowess And Adam sandler was, LIKE i

1:32:42.960 --> 1:32:43.920
<v Speaker 2>don't know IF i can do.

1:32:44.120 --> 1:32:48.120
<v Speaker 3>This it's like you can do, it kinga so and he,

1:32:48.280 --> 1:32:51.880
<v Speaker 3>can and he CAN i do kind of like BECAUSE

1:32:51.880 --> 1:32:54.560
<v Speaker 3>i wasn't An Adam sandler kid growing, UP i was

1:32:54.640 --> 1:32:57.920
<v Speaker 3>kept From Adam sandler outside Of Big daddy for some.

1:32:58.080 --> 1:33:03.720
<v Speaker 4>Reason but samil introduction To Adam Sandler Big daddy was

1:33:03.800 --> 1:33:06.720
<v Speaker 4>the first ONE i was able to. Watch BUT i

1:33:07.200 --> 1:33:09.800
<v Speaker 4>got to Watch Adam sandler still kind of, young but

1:33:09.920 --> 1:33:12.240
<v Speaker 4>it felt like it had been a million. Years, Yeah

1:33:12.520 --> 1:33:14.760
<v Speaker 4>LIKE i got to watch my First Adam sandler movie

1:33:14.800 --> 1:33:18.360
<v Speaker 4>besides part Of Big daddy On Comedy central Was Billy

1:33:18.479 --> 1:33:20.720
<v Speaker 4>madison AND i got to watch that WHEN i was

1:33:20.840 --> 1:33:24.600
<v Speaker 4>like ten or, eleven but it felt like all my

1:33:24.800 --> 1:33:27.679
<v Speaker 4>friends had gotten to see all of. Them so even

1:33:27.720 --> 1:33:29.479
<v Speaker 4>THOUGH i GUESS i was still young at the, TIME

1:33:29.560 --> 1:33:33.200
<v Speaker 4>i was Like jesus finally spent billion.

1:33:33.439 --> 1:33:38.639
<v Speaker 3>Years and for more On Adam sandler as a comedic

1:33:38.680 --> 1:33:42.120
<v Speaker 3>persona versus this particular, movie you can go. To we

1:33:42.280 --> 1:33:47.240
<v Speaker 3>recently Covered Eight Crazy, nights where we started talking about

1:33:47.280 --> 1:33:48.120
<v Speaker 3>his career more.

1:33:48.439 --> 1:33:50.400
<v Speaker 2>Busy well that's just not.

1:33:50.560 --> 1:33:53.920
<v Speaker 3>True well that's just not. True let's be, serious.

1:33:55.200 --> 1:33:55.559
<v Speaker 2>Pedally.

1:33:55.680 --> 1:33:58.800
<v Speaker 4>False the other thing About Crazy, nights AND i think

1:33:58.880 --> 1:34:02.800
<v Speaker 4>this is very, important the Little man gets frozen at

1:34:02.840 --> 1:34:03.560
<v Speaker 4>a big block of.

1:34:03.720 --> 1:34:05.360
<v Speaker 2>Pool, yes.

1:34:06.760 --> 1:34:07.720
<v Speaker 5>We, do we do.

1:34:07.840 --> 1:34:09.519
<v Speaker 3>Good we do talk about that in.

1:34:09.680 --> 1:34:14.480
<v Speaker 2>Depth we also talk ABOUT i think worth Mentioning Adam Sandler's,

1:34:14.760 --> 1:34:18.400
<v Speaker 2>zionism and they go into depth on The Eight Crazy nights.

1:34:18.439 --> 1:34:20.920
<v Speaker 2>Episode so if you want to hear, more refer back

1:34:20.960 --> 1:34:21.160
<v Speaker 2>to that.

1:34:21.360 --> 1:34:24.040
<v Speaker 3>Episode, yeah that's What that's WHAT i was getting at

1:34:24.200 --> 1:34:25.559
<v Speaker 3>is we have A fullir.

1:34:25.640 --> 1:34:30.000
<v Speaker 2>Discussion in any, case any other thoughts On Punch Drunk.

1:34:30.120 --> 1:34:34.040
<v Speaker 4>LOVE i Have there's one thing that we didn't touch,

1:34:34.120 --> 1:34:40.479
<v Speaker 4>on which is the moment of confrontation when he rips

1:34:40.640 --> 1:34:44.760
<v Speaker 4>the phone headset off and he's got the phone the

1:34:44.840 --> 1:34:48.880
<v Speaker 4>telephone like handset or whatever with him when he gets

1:34:49.000 --> 1:34:53.960
<v Speaker 4>To utah and he's, Like i've got a love in

1:34:54.040 --> 1:34:57.880
<v Speaker 4>my life and that makes me strong and, say that's,

1:34:58.000 --> 1:35:02.080
<v Speaker 4>that you, Know AND i, think then that is really

1:35:02.160 --> 1:35:04.400
<v Speaker 4>living up the desire that a part of your life

1:35:04.479 --> 1:35:08.960
<v Speaker 4>can be. Over THAT i think is such a desire

1:35:09.360 --> 1:35:13.040
<v Speaker 4>of someone dealing with mental illness that the period of

1:35:13.120 --> 1:35:16.600
<v Speaker 4>my life in WHICH i am bipolar can be, done you.

1:35:16.720 --> 1:35:21.200
<v Speaker 4>Know SO i think it's. Interesting the wish fulfillment, THERE

1:35:21.520 --> 1:35:25.439
<v Speaker 4>i think is is something that also really got, me

1:35:25.760 --> 1:35:28.680
<v Speaker 4>you know because when we're talking about like like like like,

1:35:28.960 --> 1:35:32.840
<v Speaker 4>well if their lives were to continue on after this, film,

1:35:33.479 --> 1:35:38.040
<v Speaker 4>YES i do think That lena could help him get

1:35:38.040 --> 1:35:40.559
<v Speaker 4>into therapy Actually audiadia out of it for the purpose

1:35:40.640 --> 1:35:43.840
<v Speaker 4>of this. Film in that moment he defeats it and

1:35:44.400 --> 1:35:46.280
<v Speaker 4>that's you, know that's all we, see you, Know AND

1:35:46.400 --> 1:35:49.760
<v Speaker 4>i think that's that offers like something like beautiful THAT

1:35:49.800 --> 1:35:51.720
<v Speaker 4>i haven't really seen in other movies, too like just

1:35:51.800 --> 1:35:52.400
<v Speaker 4>being done with.

1:35:52.520 --> 1:35:56.439
<v Speaker 2>It hell, yeah AND i MEAN i was expecting more

1:35:56.479 --> 1:36:01.200
<v Speaker 2>of a violent confrontation in that scene in Between barry

1:36:01.439 --> 1:36:06.759
<v Speaker 2>and The Philip Seymour hoffman. Character but you can sense

1:36:07.160 --> 1:36:12.200
<v Speaker 2>That dean probably couldn't hold his own in a, fight

1:36:12.400 --> 1:36:15.599
<v Speaker 2>and that's why he sends his minions and he doesn't

1:36:15.640 --> 1:36:19.400
<v Speaker 2>actually want to fight him and engage in. Violence and

1:36:19.479 --> 1:36:22.280
<v Speaker 2>then he's just, Like, okay that's. That and then As

1:36:22.439 --> 1:36:26.040
<v Speaker 2>barry's walking, away he's, like, yeah you better, go you fucking.

1:36:26.200 --> 1:36:29.600
<v Speaker 2>Pervert and Then barry turns back around he's, LIKE i

1:36:29.760 --> 1:36:34.040
<v Speaker 2>fucking warned. You and then and Then dean goes that that's,

1:36:34.040 --> 1:36:36.200
<v Speaker 2>that and then he runs. Away so it's just like this,

1:36:36.400 --> 1:36:39.920
<v Speaker 2>guy he's a. COWARD i don't know what my point is,

1:36:40.000 --> 1:36:41.800
<v Speaker 2>exactly but so.

1:36:41.920 --> 1:36:44.280
<v Speaker 4>It does pass The bechdel test so.

1:36:45.200 --> 1:36:49.840
<v Speaker 3>WELL i think that there is, like genuinely this is

1:36:49.920 --> 1:36:53.320
<v Speaker 3>So barry's story that, like, SPIRITUALLY i don't think it,

1:36:53.360 --> 1:36:56.479
<v Speaker 3>does BUT i do think it. Might there might have

1:36:56.520 --> 1:36:59.519
<v Speaker 3>been like a technical thing where there's a few times

1:36:59.560 --> 1:37:01.400
<v Speaker 3>where like as if it The lena talk about their

1:37:01.520 --> 1:37:03.360
<v Speaker 3>jobs or, yeah going.

1:37:03.240 --> 1:37:04.160
<v Speaker 2>To the restaurant for.

1:37:04.280 --> 1:37:08.240
<v Speaker 4>Breakfast that's, true And Jerry egan is a woman.

1:37:09.840 --> 1:37:12.920
<v Speaker 2>And people are saying he's Both superman and a.

1:37:12.960 --> 1:37:15.720
<v Speaker 4>Woman, Well superman is a.

1:37:15.800 --> 1:37:19.000
<v Speaker 3>Woman, well so many, breakings so many breaking.

1:37:19.120 --> 1:37:23.320
<v Speaker 2>Started, well as far as our nipple scale, goes where

1:37:23.400 --> 1:37:26.320
<v Speaker 2>we rate the movie based on a scale of zero

1:37:26.439 --> 1:37:30.040
<v Speaker 2>to five, nipples examining it through an intersectional feminist, LENS

1:37:31.240 --> 1:37:34.479
<v Speaker 2>i don't know even a little, bit like.

1:37:34.520 --> 1:37:37.120
<v Speaker 3>It's really, like DOESN'T i. Don't, YEAH i don't really.

1:37:37.200 --> 1:37:40.720
<v Speaker 2>Know doesn't. Apply, yeah we have another movie. Recently i'm

1:37:40.760 --> 1:37:42.040
<v Speaker 2>going to give it five.

1:37:42.240 --> 1:37:46.559
<v Speaker 4>Nipples, Okay i'm gonna give.

1:37:46.600 --> 1:37:50.960
<v Speaker 2>It i'll give it five toilet plungers on the plunger.

1:37:51.040 --> 1:37:54.360
<v Speaker 3>Scale Ok get, Yeah i'll give it five novelty toilet. Plungers.

1:37:54.720 --> 1:37:57.040
<v Speaker 3>Yeah i'm forgoing the nipple scale for this one because

1:37:57.080 --> 1:37:58.479
<v Speaker 3>it is so unique in so many.

1:37:58.520 --> 1:38:02.760
<v Speaker 4>Ways it's a story that and sends. Gender let's go with.

1:38:02.880 --> 1:38:06.439
<v Speaker 3>That and that's Why i'm giving it five. PLUNGERS i think.

1:38:06.360 --> 1:38:09.000
<v Speaker 4>That's Why i'm giving. It i'm giving it five nipples

1:38:09.080 --> 1:38:14.120
<v Speaker 4>BECAUSE i do think that this, MOVIE i do think

1:38:14.200 --> 1:38:18.360
<v Speaker 4>it's in conversation with what it means to be a,

1:38:18.479 --> 1:38:22.920
<v Speaker 4>man and it presents something radically different and beautiful than

1:38:22.960 --> 1:38:27.000
<v Speaker 4>what very but himself believes he has to be and

1:38:27.120 --> 1:38:30.280
<v Speaker 4>what his sisters and this are forcing on, him and

1:38:30.400 --> 1:38:33.280
<v Speaker 4>he breaks from. That, yeah this is, true and then

1:38:33.320 --> 1:38:35.760
<v Speaker 4>he becomes gay and has a wife and he's a.

1:38:35.880 --> 1:38:39.560
<v Speaker 4>Woman they do something more than you. Haul they like

1:38:39.720 --> 1:38:42.479
<v Speaker 4>FedEx air cargo themselves around the.

1:38:42.640 --> 1:38:43.560
<v Speaker 2>World they go To.

1:38:43.680 --> 1:38:47.040
<v Speaker 3>Hawaii their second data is their SECOND datea is In hawaii.

1:38:47.439 --> 1:38:51.800
<v Speaker 3>THERE i DO i think you're, right like where the

1:38:51.960 --> 1:38:55.799
<v Speaker 3>sisters are mocking him because he's not meeting their threshold

1:38:55.880 --> 1:38:59.759
<v Speaker 3>for what masculinity looks. Like and how he finds happy

1:38:59.840 --> 1:39:03.479
<v Speaker 3>to is by just being who he, is and just.

1:39:03.520 --> 1:39:08.680
<v Speaker 2>The way that society slash patriarchy does not permit men

1:39:08.960 --> 1:39:13.400
<v Speaker 2>to express or feel or engage with their, emotions and

1:39:13.560 --> 1:39:18.479
<v Speaker 2>especially if those emotions are things like sadness and loneliness and.

1:39:18.600 --> 1:39:22.960
<v Speaker 2>Insecurity and that's very clearly What barry's dealing. With and

1:39:23.080 --> 1:39:27.760
<v Speaker 2>he's trying to address his issues with mental, health and

1:39:28.560 --> 1:39:31.400
<v Speaker 2>no one is willing to help, him, really or at

1:39:31.439 --> 1:39:33.559
<v Speaker 2>least not the people in his. Family and it.

1:39:33.640 --> 1:39:37.120
<v Speaker 3>Also feels like a good time capsule, too because it's,

1:39:37.200 --> 1:39:39.519
<v Speaker 3>like not only does no one help, him it seems

1:39:39.600 --> 1:39:42.759
<v Speaker 3>like no one knows, how which does feel very true

1:39:43.040 --> 1:39:48.320
<v Speaker 3>of the early two thousands where there were conversations around mental, health.

1:39:48.280 --> 1:39:51.120
<v Speaker 2>But going to a quote unquote shrink AND i.

1:39:51.120 --> 1:39:54.800
<v Speaker 3>Think it was considered like emasculating too yes for a

1:39:54.880 --> 1:39:55.920
<v Speaker 3>man to want like a.

1:39:56.000 --> 1:39:59.719
<v Speaker 2>Therapist, Definitely, grace thank you for joining.

1:39:59.800 --> 1:40:03.840
<v Speaker 3>Us come back from, Megalais, OH i will come. Back

1:40:04.800 --> 1:40:11.520
<v Speaker 3>please don't MAKE i was, Like caitlin doesn't want to Do, Actually.

1:40:11.360 --> 1:40:14.880
<v Speaker 2>Grace this might be how you like jettisoned me off

1:40:14.960 --> 1:40:18.640
<v Speaker 2>of the podcast BECAUSE i refuse to do a megas.

1:40:18.760 --> 1:40:20.400
<v Speaker 2>Episode so you've seen.

1:40:20.200 --> 1:40:25.160
<v Speaker 4>It, yes in, yeah the whole, experience like with the

1:40:25.479 --> 1:40:27.920
<v Speaker 4>with the usher going up to the. Screen, no but

1:40:28.120 --> 1:40:29.640
<v Speaker 4>well then it doesn't really, count.

1:40:32.400 --> 1:40:34.760
<v Speaker 3>So, yeah you didn't really see.

1:40:34.760 --> 1:40:39.320
<v Speaker 4>It what do you dislike about? Me we don't have.

1:40:39.479 --> 1:40:43.040
<v Speaker 2>Time but what we do have time for tell us

1:40:43.479 --> 1:40:47.280
<v Speaker 2>about where people can follow you on social? Media plug

1:40:47.920 --> 1:40:49.040
<v Speaker 2>what you want to, plum.

1:40:48.920 --> 1:40:50.439
<v Speaker 3>Tell us That pat tell us. Everything.

1:40:50.920 --> 1:40:54.280
<v Speaker 4>Well the movie is Called We Are, pat and it

1:40:54.640 --> 1:41:00.240
<v Speaker 4>is a it's a lot of, things but it's at it's,

1:41:00.360 --> 1:41:06.960
<v Speaker 4>core it's about How i'm a very scared. Person it is,

1:41:07.400 --> 1:41:10.360
<v Speaker 4>It but So We Are pat is a documentary that

1:41:10.520 --> 1:41:12.760
<v Speaker 4>just ME i tried back out That i'm in AND

1:41:12.840 --> 1:41:17.680
<v Speaker 4>i wrote sketches for that is like looking back at

1:41:17.760 --> 1:41:22.479
<v Speaker 4>the Character pat FROM snl and the widely derided Film It's,

1:41:22.560 --> 1:41:27.360
<v Speaker 4>pat And pat is this androgynous character that no one

1:41:27.400 --> 1:41:29.559
<v Speaker 4>can tell If pat is a man or a. Woman,

1:41:30.200 --> 1:41:33.400
<v Speaker 4>Notably pat is not non. Binary pat knows what Sex

1:41:33.520 --> 1:41:37.680
<v Speaker 4>pat is and Believes pat isn't interpreted as, such you,

1:41:37.760 --> 1:41:43.000
<v Speaker 4>know does not really recognize that people don't. Know so

1:41:43.520 --> 1:41:46.600
<v Speaker 4>it's looking back at that finding a lot of humor in,

1:41:46.680 --> 1:41:52.760
<v Speaker 4>it trying to, like certain people hate On pat a.

1:41:52.840 --> 1:41:55.960
<v Speaker 4>Lot you, Know i'm not one of those. PEOPLE i Love.

1:41:56.080 --> 1:42:00.519
<v Speaker 4>Pat it's a really good movie and it's AND i

1:42:00.600 --> 1:42:02.960
<v Speaker 4>think it Is it does something THAT i haven't really

1:42:03.080 --> 1:42:07.400
<v Speaker 4>seen another documentary, do which is have a comedian contend

1:42:08.400 --> 1:42:12.680
<v Speaker 4>with the consequences of their. Comedy And julia does it

1:42:12.920 --> 1:42:18.560
<v Speaker 4>in a way THAT'S i wouldn't say, apologetic but empathetic and.

1:42:19.000 --> 1:42:22.599
<v Speaker 4>Understanding and it has become a good friend of mine

1:42:22.680 --> 1:42:27.880
<v Speaker 4>throughout this like shooting, Process Julia Sweeney, rocks AND i

1:42:28.000 --> 1:42:30.479
<v Speaker 4>think it is such a GOOD i think you should

1:42:30.520 --> 1:42:32.680
<v Speaker 4>watch it once it gets. Sold it's gonna be a

1:42:32.920 --> 1:42:38.080
<v Speaker 4>frameline this Like Queer, festival AND i think it's gonna

1:42:38.080 --> 1:42:40.519
<v Speaker 4>be at some other places, too but hopefully it gets. Sold,

1:42:41.479 --> 1:42:44.719
<v Speaker 4>Also i've launched a sub. Stack It's Grace Chief Freud

1:42:45.400 --> 1:42:50.360
<v Speaker 4>No Grace Grace Chief, No It's Grace grace g as

1:42:50.479 --> 1:42:54.040
<v Speaker 4>in Go freud dot substack dot, com and it's called

1:42:54.080 --> 1:42:57.840
<v Speaker 4>Wrong galaxy And i'm posting original fiction on. There in

1:42:57.880 --> 1:43:00.120
<v Speaker 4>addition to, THAT i have a reading series called On

1:43:00.280 --> 1:43:04.880
<v Speaker 4>galaxy at stories every. Month and then Also i'm At

1:43:05.479 --> 1:43:10.360
<v Speaker 4>Grace Gee freud on x and you can find me On.

1:43:11.080 --> 1:43:14.400
<v Speaker 4>Instagram and those are only things to.

1:43:14.479 --> 1:43:21.040
<v Speaker 2>Plug thank you again for being. Here i'll Reconsider. Megalopolis

1:43:21.160 --> 1:43:22.040
<v Speaker 2>let me think about.

1:43:21.800 --> 1:43:22.080
<v Speaker 4>It for a.

1:43:22.160 --> 1:43:25.040
<v Speaker 3>While it's like we're gonna wait Till christmas. Time there's.

1:43:25.200 --> 1:43:29.559
<v Speaker 4>Time, yes you should also watch The christmas.

1:43:29.600 --> 1:43:32.760
<v Speaker 3>Special, YEAH i would highly recommend it If grace made.

1:43:32.800 --> 1:43:36.160
<v Speaker 2>It, OH i thought it was LIKE i was. THERE

1:43:36.760 --> 1:43:40.479
<v Speaker 2>i thought it was like The megalopolis characters. DOING i

1:43:40.520 --> 1:43:42.559
<v Speaker 2>thought it was like A Star Wars christmas special kind

1:43:42.560 --> 1:43:45.960
<v Speaker 2>of thing. Basically, okay but but if you did, It

1:43:46.160 --> 1:43:46.800
<v Speaker 2>i'll watch.

1:43:46.920 --> 1:43:50.160
<v Speaker 4>It And Alec robbins And Mike in put it on

1:43:51.120 --> 1:43:55.599
<v Speaker 4>and we made sketches for it and did a whole.

1:43:55.680 --> 1:43:58.640
<v Speaker 4>LOT i have a dear love for that, Film So

1:43:58.720 --> 1:44:03.240
<v Speaker 4>i'm going to give punch Drunk love five, Nipples, megelois four,

1:44:03.360 --> 1:44:08.360
<v Speaker 4>nipples and Eight Crazy nights three. Nipples, Wow, okay Bye.

1:44:08.400 --> 1:44:14.920
<v Speaker 2>Brave you can follow us On instagram At Bechdel. Cast

1:44:14.960 --> 1:44:19.120
<v Speaker 2>you can also subscribe to Our patreon Aka. Matreon it's

1:44:19.200 --> 1:44:21.920
<v Speaker 2>the best way to support the. Show it's five dollars

1:44:21.960 --> 1:44:24.679
<v Speaker 2>a month and you get two bonus episodes every month

1:44:24.920 --> 1:44:30.280
<v Speaker 2>about an amazingly brilliantly genius, theme as well as access

1:44:30.560 --> 1:44:34.760
<v Speaker 2>to the entire back catalog of, many many bonus. Episodes

1:44:35.280 --> 1:44:39.040
<v Speaker 2>so check that out at patreon dot com Slash Bechdel.

1:44:39.120 --> 1:44:42.559
<v Speaker 3>Cast and with, that let's learn how to play exactly

1:44:42.640 --> 1:44:45.679
<v Speaker 3>three notes on the harmonium And i'll fall in love.

1:44:46.640 --> 1:44:49.439
<v Speaker 2>And bye bye bye bye bye, bye and bye bye

1:44:49.600 --> 1:44:55.719
<v Speaker 2>bye bye and bye bye bye. Bye The Bechdel cast

1:44:55.840 --> 1:44:59.519
<v Speaker 2>is a production Of, iHeartMedia hosted By Caitlin derante And Jamie,

1:44:59.560 --> 1:45:04.040
<v Speaker 2>loftus produced By Sophie, lichtermann edited By. Molaboord our theme

1:45:04.120 --> 1:45:07.360
<v Speaker 2>song was composed By Mike kaplan with vocals By Katherine.

1:45:07.400 --> 1:45:11.639
<v Speaker 2>Voskresenski our logo in merch is designed By Jamie loftus

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<v Speaker 2>and a special thanks To Aristotle. Assevedo for more information

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<v Speaker 2>about the, podcast please visit Link Tree Slash bechtelcast