1 00:00:01,760 --> 00:00:06,200 Speaker 1: You are what I call her. 2 00:00:06,320 --> 00:00:16,880 Speaker 2: Ye, it's way up. It's Friday. 3 00:00:17,600 --> 00:00:20,880 Speaker 3: Is here your favorite co host, Angela, it's a fridayy. 4 00:00:20,920 --> 00:00:24,680 Speaker 2: Don't do that on main No Day, I'm sorry, happy day? 5 00:00:24,760 --> 00:00:25,280 Speaker 4: Do that? 6 00:00:25,360 --> 00:00:27,720 Speaker 3: Beat up a happy mayin O day. 7 00:00:27,760 --> 00:00:30,360 Speaker 2: You're going to be celebrating in Brooklyn later today after 8 00:00:30,400 --> 00:00:33,080 Speaker 2: the show. But in the meantime, there's been a lot 9 00:00:33,080 --> 00:00:36,120 Speaker 2: of conversation about this complex list. Oh boy, and we're 10 00:00:36,120 --> 00:00:37,880 Speaker 2: going to talk about that, Shirley, because you know, beat 11 00:00:37,880 --> 00:00:38,560 Speaker 2: O love a list. 12 00:00:39,000 --> 00:00:41,240 Speaker 3: Everything that happens, he turns it into a list. 13 00:00:41,320 --> 00:00:43,120 Speaker 1: Georgia is on my mind today. 14 00:00:43,040 --> 00:00:46,440 Speaker 2: All right, So we'll talk about the top fifty rappers 15 00:00:46,880 --> 00:00:49,559 Speaker 2: from Atlanta from Atlanta later on. 16 00:00:49,640 --> 00:00:50,120 Speaker 5: But but. 17 00:00:52,120 --> 00:00:54,160 Speaker 2: One of my top people is going to be joining 18 00:00:54,200 --> 00:00:55,400 Speaker 2: us today. Stephanie Mills. 19 00:00:55,400 --> 00:00:56,760 Speaker 1: Okay, the legend. 20 00:00:56,880 --> 00:00:59,360 Speaker 2: Yeah, she is a legend, and she's on Broadway, back 21 00:00:59,400 --> 00:01:01,680 Speaker 2: on Broadway. If you'll recall, she got her start on 22 00:01:01,720 --> 00:01:04,360 Speaker 2: The Wig and the Wiz on Broadway and now she's 23 00:01:04,400 --> 00:01:07,360 Speaker 2: back on Broadway in Haitestown, and so I'm excited for 24 00:01:07,400 --> 00:01:09,600 Speaker 2: her to be joining us today. And she's just amazing too. 25 00:01:09,680 --> 00:01:11,399 Speaker 2: I love me some Stephanie Mills. 26 00:01:11,400 --> 00:01:11,640 Speaker 6: Wow. 27 00:01:11,760 --> 00:01:15,160 Speaker 2: And to this day. Her voice is just still on 28 00:01:15,200 --> 00:01:16,200 Speaker 2: point incomparable. 29 00:01:16,400 --> 00:01:16,560 Speaker 5: Yep. 30 00:01:16,760 --> 00:01:18,080 Speaker 3: One thing we agree on that. 31 00:01:18,640 --> 00:01:19,440 Speaker 1: I love that all right. 32 00:01:19,440 --> 00:01:20,720 Speaker 2: Well, who do you want to shine a light on? 33 00:01:20,800 --> 00:01:23,040 Speaker 2: Eight hundred two ninety two fifty one fifty call us up. 34 00:01:23,080 --> 00:01:25,560 Speaker 2: Let's shine a light, let's bread some love on this Friday. 35 00:01:25,840 --> 00:01:27,920 Speaker 2: Eight hundred two ninety two fifty one fifty is a 36 00:01:27,959 --> 00:01:28,280 Speaker 2: way up. 37 00:01:28,400 --> 00:01:31,520 Speaker 5: We're gonna light to fuck up. I'm shin, I'm shine. 38 00:01:32,160 --> 00:01:35,479 Speaker 5: Turn your lights on, y'all spreading love to those who 39 00:01:35,480 --> 00:01:41,119 Speaker 5: are doing greatness. Light on them, shine the light on it. 40 00:01:41,120 --> 00:01:42,800 Speaker 5: It's time to shine a light on them. 41 00:01:43,520 --> 00:01:44,039 Speaker 3: It's way up. 42 00:01:44,080 --> 00:01:46,320 Speaker 2: But Angela, Yeah, I'm here. Beat us here, It beat 43 00:01:46,400 --> 00:01:49,280 Speaker 2: us right, and let's shine a light. And today we 44 00:01:49,360 --> 00:01:51,520 Speaker 2: want to shine a light on Brent Fayaz and his 45 00:01:51,640 --> 00:01:53,480 Speaker 2: business partner Tie based in Yeah. 46 00:01:53,600 --> 00:01:54,240 Speaker 1: I love those guys. 47 00:01:54,360 --> 00:01:55,400 Speaker 3: The reason why. 48 00:01:55,280 --> 00:01:57,840 Speaker 2: They have invested more than one hundred thousand dollars and 49 00:01:57,920 --> 00:02:02,280 Speaker 2: black women led STEM companies Wow under their Lost Kids label. 50 00:02:02,320 --> 00:02:05,520 Speaker 2: They have a fifty to fifty business partnership and they 51 00:02:05,520 --> 00:02:09,480 Speaker 2: reinvest the profits into various ventures. Their primary focus is 52 00:02:09,480 --> 00:02:13,359 Speaker 2: on black women let businesses, particularly in the STEM field. 53 00:02:13,400 --> 00:02:13,880 Speaker 1: I love that. 54 00:02:13,960 --> 00:02:16,160 Speaker 2: I love it and Brent Faias has talked about this 55 00:02:16,240 --> 00:02:19,680 Speaker 2: before and he really, you know, does what he does. 56 00:02:19,919 --> 00:02:21,720 Speaker 1: And they called Brent FIUs toxic. 57 00:02:21,800 --> 00:02:23,919 Speaker 7: How can you be toxic when you're donating hundreds of 58 00:02:23,960 --> 00:02:25,320 Speaker 7: thousands to STEMS research? 59 00:02:25,440 --> 00:02:27,400 Speaker 2: And now I remember this back in twenty twenty when 60 00:02:27,400 --> 00:02:30,120 Speaker 2: they launched the Show You Off grant program, which gave 61 00:02:30,160 --> 00:02:32,880 Speaker 2: ten thousand dollar grants to black women entrepreneurs in the DC, 62 00:02:33,040 --> 00:02:35,680 Speaker 2: Maryland and Virginia area. And it's now in its fourth 63 00:02:35,760 --> 00:02:38,600 Speaker 2: cycle and so they are, like we said, just focused 64 00:02:38,639 --> 00:02:39,560 Speaker 2: on the STEM sector. 65 00:02:39,680 --> 00:02:40,639 Speaker 3: So shout out to them. 66 00:02:40,840 --> 00:02:41,400 Speaker 1: That's what's up. 67 00:02:41,600 --> 00:02:44,800 Speaker 2: Yeah, And I just love the fact that with his 68 00:02:44,919 --> 00:02:47,799 Speaker 2: music he has a I mean, everybody loves Brent faiaz 69 00:02:47,880 --> 00:02:49,960 Speaker 2: but women love him in particular too. But you're right, 70 00:02:50,000 --> 00:02:51,840 Speaker 2: he does get labeled toxic. I don't know why, and 71 00:02:51,880 --> 00:02:54,799 Speaker 2: he gets so frustrated he does, like you make toxic 72 00:02:54,880 --> 00:02:55,799 Speaker 2: music exactly. 73 00:02:55,960 --> 00:02:57,359 Speaker 3: But he's an amazing artist. 74 00:02:57,360 --> 00:02:58,840 Speaker 2: And the fact that he's been able to do this 75 00:02:58,960 --> 00:03:02,359 Speaker 2: and be independent and sign on the artists underneath him 76 00:03:02,360 --> 00:03:04,320 Speaker 2: who are just as dope, you know, shout out to 77 00:03:04,320 --> 00:03:06,520 Speaker 2: Burnfires and ty Basing. Now, who do you guys want 78 00:03:06,560 --> 00:03:08,720 Speaker 2: to spread some love to? Eight hundred two ninety two 79 00:03:08,800 --> 00:03:11,200 Speaker 2: fifty one fifty, Catherine, who do you want to shine 80 00:03:11,200 --> 00:03:11,600 Speaker 2: a light on? 81 00:03:13,040 --> 00:03:13,639 Speaker 8: My man? 82 00:03:13,760 --> 00:03:15,200 Speaker 9: His name is Eric Jackson. 83 00:03:15,480 --> 00:03:16,720 Speaker 3: Okay, he's great. 84 00:03:16,760 --> 00:03:19,040 Speaker 9: He do he do whatever I ask him to do? 85 00:03:19,360 --> 00:03:20,080 Speaker 5: His good apartment. 86 00:03:20,680 --> 00:03:24,120 Speaker 2: Wow, that's your man, and that's also your assistant. 87 00:03:25,080 --> 00:03:27,160 Speaker 4: But look, yeah, you're right. 88 00:03:27,360 --> 00:03:30,239 Speaker 2: Every good partner is kind of like your assistant too. 89 00:03:30,720 --> 00:03:32,840 Speaker 2: Do you do whatever Eric Jackson asked you to do? 90 00:03:32,919 --> 00:03:34,200 Speaker 1: Too? Yes? 91 00:03:34,320 --> 00:03:34,720 Speaker 6: I do? 92 00:03:35,360 --> 00:03:37,960 Speaker 2: See now that's love. He does whatever you ask him, 93 00:03:37,960 --> 00:03:39,240 Speaker 2: and you do whatever he asks you. 94 00:03:40,000 --> 00:03:40,560 Speaker 1: Yes, I do? 95 00:03:41,160 --> 00:03:43,280 Speaker 2: All right, Well, thank you for calling. You sound in love, 96 00:03:43,400 --> 00:03:45,520 Speaker 2: in love just the way you say. Yes, I do. 97 00:03:45,800 --> 00:03:46,200 Speaker 2: I am. 98 00:03:46,680 --> 00:03:49,360 Speaker 9: But he's better than the one the other relationships I've 99 00:03:49,400 --> 00:03:49,800 Speaker 9: been in. 100 00:03:50,080 --> 00:03:50,320 Speaker 5: I know. 101 00:03:50,400 --> 00:03:53,920 Speaker 3: That's right. See level up, baby, Thank you, Thank you 102 00:03:53,960 --> 00:03:54,440 Speaker 3: for calling. 103 00:03:54,760 --> 00:03:56,839 Speaker 2: That was shine a light eight hundred two ninety two 104 00:03:56,840 --> 00:03:58,840 Speaker 2: fifty one fifty in case you couldn't get through. And 105 00:03:58,840 --> 00:04:01,400 Speaker 2: when we come back, we have your et beat Out. Yep, 106 00:04:01,520 --> 00:04:03,440 Speaker 2: you want to get right into it, might as well. 107 00:04:03,520 --> 00:04:06,120 Speaker 2: All right, well, we'll start it off with this complex 108 00:04:06,200 --> 00:04:08,760 Speaker 2: list of the fifty best Atlanta rappers. 109 00:04:08,360 --> 00:04:11,600 Speaker 3: Of all time, and beat Out got a lot to say. 110 00:04:11,640 --> 00:04:13,720 Speaker 2: We definitely want to hear your thoughts too, so hit 111 00:04:13,800 --> 00:04:16,000 Speaker 2: us up on the Instagram way up with you or 112 00:04:16,040 --> 00:04:18,320 Speaker 2: on Twitter or I guess the kids call it x 113 00:04:18,400 --> 00:04:23,000 Speaker 2: now ya in the rooms. 114 00:04:22,040 --> 00:04:25,520 Speaker 5: From industry Shade to all of gossips out send angelus 115 00:04:25,600 --> 00:04:26,839 Speaker 5: speeling that EyeT. 116 00:04:28,240 --> 00:04:28,640 Speaker 1: All right? 117 00:04:28,680 --> 00:04:29,240 Speaker 3: His way up? 118 00:04:29,279 --> 00:04:32,840 Speaker 2: I'm here, beat out here, what up? And let's get 119 00:04:32,839 --> 00:04:36,039 Speaker 2: into this. Yet you came in here talking about this. 120 00:04:36,240 --> 00:04:37,680 Speaker 2: I know you're on fire right now? 121 00:04:37,760 --> 00:04:38,919 Speaker 3: Yes, all right? 122 00:04:39,080 --> 00:04:43,080 Speaker 2: So Complex did the fifty best Atlanta rappers of all time. 123 00:04:43,320 --> 00:04:50,040 Speaker 7: Rings My former employer brackets on Complex, and there was just. 124 00:04:50,000 --> 00:04:53,279 Speaker 2: A lot of conversations. So let's talk about who made 125 00:04:53,320 --> 00:04:56,159 Speaker 2: this list. Yes, a little nonz ex's number fifty on 126 00:04:56,160 --> 00:05:01,040 Speaker 2: the list. Trouble was number forty seven, Okay, Rich the 127 00:05:01,120 --> 00:05:04,560 Speaker 2: kid number forty six. Little Scrappy made it at number 128 00:05:04,560 --> 00:05:06,840 Speaker 2: forty four, by the way, but let's move up further 129 00:05:06,960 --> 00:05:10,640 Speaker 2: on the list. CHILDI Scambino is number thirty three. What 130 00:05:10,680 --> 00:05:11,839 Speaker 2: do you think about that placement? 131 00:05:12,480 --> 00:05:15,640 Speaker 1: I think that's I think that's decent. That's decent, I 132 00:05:15,640 --> 00:05:17,360 Speaker 1: guess all right. 133 00:05:17,640 --> 00:05:20,480 Speaker 2: In addition to that, Jid's number twenty seven. 134 00:05:21,040 --> 00:05:22,040 Speaker 1: Now we have a problem. 135 00:05:22,160 --> 00:05:23,159 Speaker 3: He should have been up higher. 136 00:05:23,200 --> 00:05:26,120 Speaker 7: Yeah, absolutely, I don't think there are twenty three rappers 137 00:05:26,120 --> 00:05:28,160 Speaker 7: better than Jid in Atlanta or in him place. 138 00:05:28,160 --> 00:05:29,159 Speaker 3: He's number twenty seven. 139 00:05:29,240 --> 00:05:31,680 Speaker 2: Yeah, I agree that he should have definitely been up 140 00:05:31,720 --> 00:05:32,560 Speaker 2: higher on that list. 141 00:05:33,600 --> 00:05:36,359 Speaker 3: Shout out to Lotto. She's number twenty five on the list. 142 00:05:36,920 --> 00:05:38,840 Speaker 2: I personally had thought she should be up a little 143 00:05:38,920 --> 00:05:40,800 Speaker 2: higher too, But you said she's new. 144 00:05:41,200 --> 00:05:45,279 Speaker 7: Lotto's at twenty five and Jid's at twenty seven. Nah, Nah, 145 00:05:45,680 --> 00:05:48,280 Speaker 7: lottoes not better than Jed. I think that needs to 146 00:05:48,320 --> 00:05:48,839 Speaker 7: be swapped. 147 00:05:51,160 --> 00:05:53,240 Speaker 3: You would put him at twenty five and over twenty seven. 148 00:05:53,279 --> 00:05:56,040 Speaker 7: I would put Jid a lot higher. I think Jid 149 00:05:56,080 --> 00:05:57,679 Speaker 7: belongs maybe somewhere in the top twenty. 150 00:05:57,720 --> 00:05:59,479 Speaker 2: I would have put both of them up higher. Okay, 151 00:05:59,520 --> 00:06:01,320 Speaker 2: they're the new they're kind of the newest one. Young 152 00:06:01,360 --> 00:06:02,720 Speaker 2: Nudies on the list too, he's newer. 153 00:06:02,880 --> 00:06:04,360 Speaker 1: Yeah, young Nudy. I like Young Nudy. 154 00:06:04,400 --> 00:06:06,359 Speaker 2: Yeah, Young Nudi's on the list all right. Also on 155 00:06:06,400 --> 00:06:10,160 Speaker 2: the list, Gunna is number twenty and he's above Lil 156 00:06:10,240 --> 00:06:11,279 Speaker 2: Yachti's number twenty four. 157 00:06:11,400 --> 00:06:13,719 Speaker 1: By the way, this is where it gets crazy. It's 158 00:06:13,720 --> 00:06:14,599 Speaker 1: such a hard thing. 159 00:06:14,720 --> 00:06:16,440 Speaker 7: It's not you know. I try to stay in my 160 00:06:16,480 --> 00:06:18,760 Speaker 7: New York state of mind. But you know, things like 161 00:06:18,800 --> 00:06:19,720 Speaker 7: this won't allow me. 162 00:06:19,680 --> 00:06:20,120 Speaker 1: To do it. 163 00:06:20,320 --> 00:06:22,640 Speaker 2: You know, number one on the list is Andre three thousand. 164 00:06:22,720 --> 00:06:24,680 Speaker 2: Let's just jump to that because you really had a problem. 165 00:06:24,960 --> 00:06:27,560 Speaker 7: Yeah, I've had a beef of one hundred three thousand 166 00:06:27,600 --> 00:06:29,880 Speaker 7: for years because it's like he's not a solo artist. 167 00:06:29,960 --> 00:06:32,160 Speaker 7: When you talk about Andred three thousand, you can't talk. 168 00:06:32,320 --> 00:06:34,000 Speaker 7: You cannot talk about big Boy. You be eve been 169 00:06:34,000 --> 00:06:35,120 Speaker 7: remiss not to mention him. 170 00:06:35,320 --> 00:06:37,320 Speaker 1: Outcast is a group Big Boys number eight. 171 00:06:37,640 --> 00:06:41,360 Speaker 7: That's ridiculous. Big Boy's output has been prolific since twenty 172 00:06:41,520 --> 00:06:44,279 Speaker 7: ten man with his own solo efforts. Big Boy to 173 00:06:44,400 --> 00:06:47,479 Speaker 7: me has been doing the most since Outcast. Slit Andre 174 00:06:47,520 --> 00:06:49,520 Speaker 7: three thousand. You might get a verse here, verse there, 175 00:06:49,760 --> 00:06:52,239 Speaker 7: and he delivers out. Let's be clear. Andre two thousand 176 00:06:52,320 --> 00:06:54,400 Speaker 7: is nice, but to have him at number one. 177 00:06:54,880 --> 00:06:57,400 Speaker 2: See, I'm glad you're consistent because you were so mad 178 00:06:57,400 --> 00:07:01,599 Speaker 2: about Lauren Hill having one album plus the unplugged album 179 00:07:01,600 --> 00:07:02,880 Speaker 2: plus being in the fujis. 180 00:07:03,040 --> 00:07:03,200 Speaker 10: Yeah. 181 00:07:03,320 --> 00:07:05,960 Speaker 7: People like a split big Boy and Andre like one 182 00:07:06,000 --> 00:07:06,720 Speaker 7: is better than the other. 183 00:07:06,720 --> 00:07:08,480 Speaker 1: I think they're evenly yoped as an artist. 184 00:07:09,920 --> 00:07:10,880 Speaker 3: I mean, I don't know about it. 185 00:07:11,040 --> 00:07:12,840 Speaker 2: I don't know that you can say two people are 186 00:07:13,520 --> 00:07:16,920 Speaker 2: exactly even, there's always gonna be somebody, you know who. 187 00:07:17,360 --> 00:07:20,840 Speaker 7: I think in certain instances, one artist might be superior 188 00:07:20,880 --> 00:07:21,320 Speaker 7: than the other. 189 00:07:21,680 --> 00:07:25,480 Speaker 2: Now it's future and then TI after that. Okay, all right, 190 00:07:25,480 --> 00:07:26,239 Speaker 2: so two is future. 191 00:07:26,280 --> 00:07:29,400 Speaker 1: Three, I would swap future for TI. You will put 192 00:07:29,400 --> 00:07:29,840 Speaker 1: the future. 193 00:07:29,960 --> 00:07:30,160 Speaker 11: Yeah. 194 00:07:30,160 --> 00:07:32,440 Speaker 7: If I had a group outcast as like as an 195 00:07:32,800 --> 00:07:35,320 Speaker 7: entity as number one, I'll put our cast as number one? 196 00:07:35,400 --> 00:07:35,560 Speaker 5: Right? 197 00:07:35,880 --> 00:07:38,360 Speaker 1: But after that, I'm like, who would come after them? 198 00:07:38,720 --> 00:07:40,040 Speaker 1: And I think it might be T. 199 00:07:40,200 --> 00:07:43,320 Speaker 2: I think checks off a lot of Probably a lot 200 00:07:43,320 --> 00:07:46,240 Speaker 2: of people might feel that way. But you know, Future definitely, 201 00:07:46,640 --> 00:07:50,240 Speaker 2: I think is continuing, yeah to put out music right now? 202 00:07:50,520 --> 00:07:51,560 Speaker 3: Well, TI is too. 203 00:07:51,440 --> 00:07:52,200 Speaker 1: Yeah, absolutely? 204 00:07:52,800 --> 00:07:56,040 Speaker 3: Okay. Also then Gucci Mane and g Z four and five. 205 00:07:56,120 --> 00:07:58,880 Speaker 7: Absolutely, I think I would put GZ over Gucci, but 206 00:07:58,960 --> 00:08:01,640 Speaker 7: I'm not mad whatever. Yeah, we did see the verses. 207 00:08:01,680 --> 00:08:04,760 Speaker 7: I don't know who to go for each other, but 208 00:08:05,120 --> 00:08:05,840 Speaker 7: those are good picks. 209 00:08:06,000 --> 00:08:09,160 Speaker 3: Okay. Young Thug and Ludacris at six and seven. 210 00:08:10,240 --> 00:08:12,720 Speaker 1: Nah, you can't put Young Thug over Ludacris. Man, You 211 00:08:12,880 --> 00:08:13,280 Speaker 1: kidding me? 212 00:08:13,800 --> 00:08:16,240 Speaker 2: Yeah, I think people don't be giving Ludacris to the 213 00:08:16,280 --> 00:08:17,360 Speaker 2: respect that he deserves. 214 00:08:17,440 --> 00:08:19,240 Speaker 3: When it comes to being an artist, to being a 215 00:08:19,320 --> 00:08:19,920 Speaker 3: hip hop artist. 216 00:08:20,000 --> 00:08:22,520 Speaker 1: Yeah, Ludacris is definitely and maybe the top five for sure. 217 00:08:22,520 --> 00:08:24,520 Speaker 2: But you know what I think, Ludacris venturing out and 218 00:08:24,560 --> 00:08:26,480 Speaker 2: doing other things and acting and doing it feels like 219 00:08:26,520 --> 00:08:29,880 Speaker 2: his focus after that, after what he's done, has been 220 00:08:29,880 --> 00:08:32,760 Speaker 2: more on that. Absolutely on acting in business and you 221 00:08:32,800 --> 00:08:35,719 Speaker 2: know and everything. All right, Then after that we have 222 00:08:35,800 --> 00:08:38,480 Speaker 2: Big Boy eight two Chains at nine, Little Baby at ten, 223 00:08:38,720 --> 00:08:42,000 Speaker 2: twenty one, Savage at eleven, and Playboycarti at twelve. 224 00:08:42,280 --> 00:08:44,680 Speaker 7: I can't get jiggy with that. Playboy Cardi couldn't wrap 225 00:08:44,679 --> 00:08:46,760 Speaker 7: a gift. Have you ever heard Playboy Cartti's music? 226 00:08:47,280 --> 00:08:48,040 Speaker 3: Of course I have. 227 00:08:48,200 --> 00:08:51,000 Speaker 1: He wraps in like Batman's sound effects. He sucks. 228 00:08:51,520 --> 00:08:54,320 Speaker 2: You think Playboy Cardi is absolutely? I wouldn't say that. 229 00:08:54,440 --> 00:08:55,240 Speaker 3: You think he sucks? 230 00:08:55,440 --> 00:08:57,719 Speaker 1: Am I alone yet? Okay? 231 00:08:57,800 --> 00:09:00,000 Speaker 2: Yeah, I don't think he's h He's terrible, but I wouldn't. 232 00:09:00,120 --> 00:09:01,760 Speaker 2: I don't know if I would happen. But as high 233 00:09:01,760 --> 00:09:04,679 Speaker 2: as twelve, and then offset Killer Mike quav whoa, whoa. 234 00:09:04,480 --> 00:09:06,720 Speaker 7: Whoa stop right there, Killer Mic at number fourteen. Killer 235 00:09:06,760 --> 00:09:09,079 Speaker 7: Mike definitely needs to be bumped up. He's incredible. 236 00:09:09,080 --> 00:09:10,240 Speaker 3: That I would bump to the mike up. 237 00:09:10,360 --> 00:09:12,280 Speaker 1: Michael was probably the best album of last year. 238 00:09:12,800 --> 00:09:14,560 Speaker 2: All right, well, good, well, you guys can see this 239 00:09:14,600 --> 00:09:17,040 Speaker 2: full list. Jamaine Dupre made the list at number seventeen, 240 00:09:17,080 --> 00:09:19,840 Speaker 2: followed by Little John, then take Off, and like we said, 241 00:09:19,880 --> 00:09:20,920 Speaker 2: Gunner at number twenty. 242 00:09:20,960 --> 00:09:21,880 Speaker 1: It gets murky, man. 243 00:09:22,320 --> 00:09:23,880 Speaker 2: I'm just glad gun is on this list because you're 244 00:09:23,880 --> 00:09:25,959 Speaker 2: ally was acting like he wasn't going to exist anymore, 245 00:09:26,840 --> 00:09:29,680 Speaker 2: and now things have turned around. In a conversation, hard 246 00:09:29,679 --> 00:09:31,960 Speaker 2: at work, head down, keep it moving, all right, well 247 00:09:31,960 --> 00:09:33,560 Speaker 2: that is your Yet when we come back, we have 248 00:09:33,600 --> 00:09:35,640 Speaker 2: about last night. That's where we discussed what we did 249 00:09:35,720 --> 00:09:38,440 Speaker 2: last night. And you'll let us know. It's also MAINO 250 00:09:38,559 --> 00:09:40,800 Speaker 2: day today, so May day. He's getting ready for that. 251 00:09:40,840 --> 00:09:43,600 Speaker 2: Already talked to him this morning. He's he's already outside. 252 00:09:43,640 --> 00:09:45,040 Speaker 2: Its way up night. 253 00:09:46,160 --> 00:09:52,960 Speaker 5: So about last night? Yes, he went down. 254 00:09:52,400 --> 00:09:53,280 Speaker 3: All right, his way up. 255 00:09:53,320 --> 00:09:55,040 Speaker 2: I'm here, beat outs here, well it was beat out, 256 00:09:55,120 --> 00:09:56,559 Speaker 2: that's right, that's right, beat on? 257 00:09:56,800 --> 00:09:57,880 Speaker 3: What did you do last night? 258 00:09:58,080 --> 00:10:00,360 Speaker 1: What do I do last night? I got to hear cut? 259 00:10:01,200 --> 00:10:01,880 Speaker 1: You didn't notice? 260 00:10:01,960 --> 00:10:03,720 Speaker 3: Why do you get a haircut so frequently? 261 00:10:03,920 --> 00:10:05,480 Speaker 1: Because I mean I have hair. 262 00:10:05,360 --> 00:10:07,920 Speaker 2: Like how often does this happen. I like, once a week, 263 00:10:08,160 --> 00:10:09,400 Speaker 2: I want to you get a haircut? 264 00:10:09,440 --> 00:10:10,000 Speaker 3: Is that a lot? 265 00:10:10,160 --> 00:10:11,440 Speaker 1: Is that? Is that a lot? Yes? 266 00:10:11,559 --> 00:10:11,800 Speaker 9: Really? 267 00:10:12,240 --> 00:10:13,520 Speaker 3: Once a week is excessive. 268 00:10:13,640 --> 00:10:13,880 Speaker 1: Wow? 269 00:10:14,160 --> 00:10:16,439 Speaker 7: You know I want to look nice, so I get 270 00:10:16,480 --> 00:10:18,280 Speaker 7: a haircut once a week. Shout out to the ball. 271 00:10:18,200 --> 00:10:18,840 Speaker 1: Of three sixty. 272 00:10:19,320 --> 00:10:19,880 Speaker 3: That's your friend. 273 00:10:19,880 --> 00:10:21,760 Speaker 2: That's your best Would you say that's your best that's 274 00:10:21,800 --> 00:10:24,120 Speaker 2: my best friend? Yes, your best friend is your barber. 275 00:10:24,160 --> 00:10:25,559 Speaker 1: I got a bestie? Is that okay? 276 00:10:25,760 --> 00:10:28,800 Speaker 2: Now I know he went away for a little while. 277 00:10:29,040 --> 00:10:30,520 Speaker 2: What did you have to do during did you you 278 00:10:30,559 --> 00:10:32,400 Speaker 2: have to switch? I know barbers are such a big 279 00:10:32,440 --> 00:10:33,160 Speaker 2: deal for you guys. 280 00:10:33,160 --> 00:10:34,000 Speaker 1: Oh yeah, absolutely. 281 00:10:34,080 --> 00:10:36,680 Speaker 7: You can't switch a barber, right, so you had to No, 282 00:10:36,800 --> 00:10:38,199 Speaker 7: I went to him after I left here. 283 00:10:38,360 --> 00:10:40,280 Speaker 1: No, I'm talking about when he was away. Oh, when 284 00:10:40,280 --> 00:10:42,480 Speaker 1: he was away. Yeah, that was hard. That was hard. 285 00:10:43,000 --> 00:10:43,800 Speaker 1: It was hard for him. 286 00:10:43,920 --> 00:10:44,120 Speaker 5: It was. 287 00:10:49,000 --> 00:10:50,520 Speaker 1: You free through sixty. 288 00:10:50,640 --> 00:10:51,640 Speaker 3: I mean my haircut. 289 00:10:51,840 --> 00:10:53,200 Speaker 1: It's like, yo, we're gonna have to get a conju 290 00:10:53,280 --> 00:10:53,920 Speaker 1: cool or something like. 291 00:10:53,920 --> 00:10:59,200 Speaker 3: That, conjugal haircut. You know. 292 00:10:59,240 --> 00:11:00,880 Speaker 2: They always say that the worst thing a woman can 293 00:11:00,920 --> 00:11:03,280 Speaker 2: do to a man is cheat on him with his barber. 294 00:11:03,360 --> 00:11:05,240 Speaker 1: Oh man, that's bad news. 295 00:11:05,320 --> 00:11:07,199 Speaker 2: Yea, yeah, because now you got to be like, man, 296 00:11:08,360 --> 00:11:14,319 Speaker 2: he's slept with my woman. But it's so interesting to me. 297 00:11:14,400 --> 00:11:16,480 Speaker 3: How like dedicated you guys are. 298 00:11:16,679 --> 00:11:18,720 Speaker 1: Yeah, man, no good ball but changing life. 299 00:11:18,880 --> 00:11:22,480 Speaker 2: Okay, Well, anyway, last night, I'm getting ready for angela 300 00:11:22,559 --> 00:11:24,400 Speaker 2: ye day, so I had to dedicate the night to 301 00:11:24,480 --> 00:11:28,240 Speaker 2: like putting together. We haven't even announced the artist yet, 302 00:11:28,240 --> 00:11:30,080 Speaker 2: so we're about to start announcing artists who are going 303 00:11:30,120 --> 00:11:31,720 Speaker 2: to be performing. But you know, it's an all free 304 00:11:31,760 --> 00:11:32,720 Speaker 2: thing at the bark Lace. 305 00:11:32,840 --> 00:11:33,840 Speaker 1: Yes, I can't wait. 306 00:11:34,280 --> 00:11:36,640 Speaker 2: It's gonna be really, really fun. I'm excited. I'll give 307 00:11:36,679 --> 00:11:38,880 Speaker 2: y'all a little spoiler. Someone who's going to be there. 308 00:11:39,559 --> 00:11:43,160 Speaker 2: Donelle Rawlings is going to be there. He was like, 309 00:11:43,200 --> 00:11:45,040 Speaker 2: I'm gonna be in town, and they actually reached down 310 00:11:45,040 --> 00:11:47,800 Speaker 2: and they were like, okay, we're putting his schedule together. 311 00:11:47,960 --> 00:11:50,480 Speaker 2: So you know, so Donelle is going to be there 312 00:11:50,520 --> 00:11:52,680 Speaker 2: with us, and a lot of my homegirls are coming 313 00:11:52,720 --> 00:11:54,439 Speaker 2: in from out of town and staying at my house. 314 00:11:54,559 --> 00:11:56,160 Speaker 3: M don't do that. 315 00:11:56,600 --> 00:11:56,840 Speaker 11: What. 316 00:11:58,760 --> 00:12:00,800 Speaker 3: So it's gonna be fun. So I'm excited for it. 317 00:12:00,880 --> 00:12:03,000 Speaker 2: But I know it's gonna be a lot because everybody's 318 00:12:03,000 --> 00:12:03,600 Speaker 2: gonna be here. 319 00:12:03,679 --> 00:12:05,640 Speaker 1: So I one of don's gonna do new material. 320 00:12:06,000 --> 00:12:06,960 Speaker 3: I didn't say he was performing. 321 00:12:06,960 --> 00:12:08,959 Speaker 2: He's just gonna be here beat up to know donell 322 00:12:09,040 --> 00:12:11,440 Speaker 2: can't stay away from a mic. So we'll see what happens. 323 00:12:11,440 --> 00:12:14,040 Speaker 2: But anyway, when we come back, tell us a secret. 324 00:12:14,040 --> 00:12:16,160 Speaker 2: Eight hundred two ninety two fifty one fifty is a 325 00:12:16,240 --> 00:12:19,360 Speaker 2: number you get to stay anonymous. It's no judgment a 326 00:12:19,640 --> 00:12:22,240 Speaker 2: little bit. Yeah, you can't be as bad as men. 327 00:12:22,280 --> 00:12:23,839 Speaker 1: No, but who are we to judge? 328 00:12:23,920 --> 00:12:24,040 Speaker 4: Right? 329 00:12:24,120 --> 00:12:27,080 Speaker 2: Eight hundred two ninety two fifty one fifty. Call us up, 330 00:12:27,360 --> 00:12:30,040 Speaker 2: tell us a secret. You'll be saying some wow, wow wow, 331 00:12:30,720 --> 00:12:32,560 Speaker 2: but we do our best to keep it neutral. 332 00:12:32,600 --> 00:12:32,840 Speaker 3: Okay. 333 00:12:32,880 --> 00:12:35,480 Speaker 2: Eight hundred two ninety two fifty one fifty. It's way up, 334 00:12:35,640 --> 00:12:36,160 Speaker 2: clean up. 335 00:12:37,720 --> 00:12:41,120 Speaker 5: This is a judgment free zone. Tell us a secret, all. 336 00:12:41,160 --> 00:12:43,079 Speaker 2: Right, it's way up. I'm here, beat us here, well, 337 00:12:43,120 --> 00:12:45,520 Speaker 2: it's beat us up beat. It's gonna be hard, all right, 338 00:12:45,720 --> 00:12:48,160 Speaker 2: But I need you to reserve any type of judgment 339 00:12:48,200 --> 00:12:50,679 Speaker 2: for everybody who's calling to tell us a secret. Anonymous, 340 00:12:50,760 --> 00:12:53,559 Speaker 2: Leave all right, anonymous, call it what's your secret? 341 00:12:54,240 --> 00:12:56,680 Speaker 11: So I've been with my baby mother for a couple 342 00:12:56,640 --> 00:13:00,000 Speaker 11: of years and we have a three year old. Okay, 343 00:13:00,120 --> 00:13:02,080 Speaker 11: you know, we took some time apart from each other, 344 00:13:02,160 --> 00:13:05,439 Speaker 11: and I'm not proud of it, and I ended up 345 00:13:05,840 --> 00:13:10,360 Speaker 11: getting her her little sister pregnant by mistake. 346 00:13:10,640 --> 00:13:14,200 Speaker 7: We haven't told her sister whoa how many months is she? 347 00:13:14,200 --> 00:13:15,679 Speaker 9: She is three months right now? 348 00:13:16,040 --> 00:13:18,719 Speaker 2: Oh my gosh, how did it even happen in the 349 00:13:19,160 --> 00:13:19,720 Speaker 2: first place? 350 00:13:20,200 --> 00:13:23,560 Speaker 11: I got a text from her talking about comeover because 351 00:13:23,600 --> 00:13:26,120 Speaker 11: she had to talk to me about something because we 352 00:13:26,200 --> 00:13:31,320 Speaker 11: were doing so remodeling in her mother's house. And one 353 00:13:31,360 --> 00:13:35,120 Speaker 11: thing led to another. We started drinking, hanging out. 354 00:13:38,760 --> 00:13:40,480 Speaker 2: Did you keep on doing it? Or was it just 355 00:13:40,520 --> 00:13:42,880 Speaker 2: a one time? And then she got pregnant? 356 00:13:43,160 --> 00:13:45,480 Speaker 11: We did it a couple of times after. But did 357 00:13:45,520 --> 00:13:47,360 Speaker 11: she just She just found. 358 00:13:47,040 --> 00:13:49,480 Speaker 1: Out last month and she sure is you? 359 00:13:50,040 --> 00:13:52,040 Speaker 11: I wanted to get a test. I gotta find out. 360 00:13:52,280 --> 00:13:54,880 Speaker 2: But she says me, who do you think she'd tell 361 00:13:55,160 --> 00:13:57,680 Speaker 2: your child? And are you said with your child's mother? 362 00:13:58,160 --> 00:13:59,480 Speaker 11: We recently got that together. 363 00:14:01,720 --> 00:14:02,520 Speaker 1: This is a tough one. 364 00:14:02,880 --> 00:14:05,400 Speaker 2: Yeah, that is an extremely tough because she should be 365 00:14:05,440 --> 00:14:08,040 Speaker 2: so mad at her little sisterant for that, mad at you. 366 00:14:08,559 --> 00:14:10,160 Speaker 3: That's gonna that That one hurts. 367 00:14:10,720 --> 00:14:13,319 Speaker 11: Yeah, yeah, I feel bad, but it is like I 368 00:14:13,400 --> 00:14:15,520 Speaker 11: don't believe in abortions, and it is what it is 369 00:14:15,559 --> 00:14:17,120 Speaker 11: at this point. You know, if it's mine, you know 370 00:14:17,160 --> 00:14:18,040 Speaker 11: I'm gonna step up. 371 00:14:22,000 --> 00:14:23,280 Speaker 3: It's a very messy situation. 372 00:14:23,400 --> 00:14:27,160 Speaker 2: The kids are gonna be cousins, They're gonna be siblings 373 00:14:27,160 --> 00:14:27,760 Speaker 2: and cousins. 374 00:14:28,400 --> 00:14:31,760 Speaker 3: Explain that. All right, Well, thank you for calling. 375 00:14:32,120 --> 00:14:34,880 Speaker 2: That's a really, really tough secret to have, and I 376 00:14:34,880 --> 00:14:37,160 Speaker 2: feel so bad for your your child's mother. 377 00:14:37,840 --> 00:14:38,600 Speaker 9: But I'm gonna tell. 378 00:14:38,920 --> 00:14:40,040 Speaker 11: I promise, I'm gonna tell. 379 00:14:40,320 --> 00:14:42,120 Speaker 3: Okay, all right, let us know how it goes. 380 00:14:42,120 --> 00:14:43,680 Speaker 1: We sent us invitation to the shower. 381 00:14:46,240 --> 00:14:48,880 Speaker 2: I'm going to tear the whole family apart, all right, 382 00:14:48,920 --> 00:14:49,640 Speaker 2: thank you for calling. 383 00:14:50,080 --> 00:14:51,520 Speaker 3: Hey, and not na miss Carlin. How are you? 384 00:14:52,000 --> 00:14:52,520 Speaker 1: I'm good? 385 00:14:52,560 --> 00:14:53,160 Speaker 5: How are you? 386 00:14:53,400 --> 00:14:54,880 Speaker 1: I'm good? Think you want to tell me and beat 387 00:14:54,920 --> 00:14:56,760 Speaker 1: out a secret? Yeah? 388 00:14:56,840 --> 00:14:58,920 Speaker 11: When I was in prison, I had a bunch of 389 00:14:58,960 --> 00:15:02,040 Speaker 11: puntels and two of them chatted my name on them. 390 00:15:04,240 --> 00:15:05,200 Speaker 1: You got it going on? 391 00:15:05,400 --> 00:15:05,440 Speaker 5: Er? 392 00:15:05,480 --> 00:15:08,040 Speaker 2: How long you was locked up for five and a 393 00:15:08,080 --> 00:15:09,920 Speaker 2: half years? Did you end up with either one of 394 00:15:09,960 --> 00:15:10,800 Speaker 2: them when you came home? 395 00:15:11,480 --> 00:15:11,640 Speaker 5: Uh? 396 00:15:11,760 --> 00:15:14,240 Speaker 11: No, they're still in prison and we don't talk anymore. 397 00:15:15,880 --> 00:15:17,560 Speaker 2: So you were in prison and you were talking to 398 00:15:17,600 --> 00:15:19,200 Speaker 2: them at other they were in another prison. 399 00:15:19,760 --> 00:15:22,280 Speaker 9: Yeah, they were down in Florida and Massachusetts. 400 00:15:22,360 --> 00:15:24,240 Speaker 1: Now that you're released, have you went to go visit 401 00:15:24,240 --> 00:15:24,840 Speaker 1: those guys? 402 00:15:25,280 --> 00:15:25,400 Speaker 9: Uh? 403 00:15:25,480 --> 00:15:29,120 Speaker 3: No, you can't even do that. What'd you go to 404 00:15:29,160 --> 00:15:29,480 Speaker 3: jail for. 405 00:15:30,400 --> 00:15:32,320 Speaker 9: I went to jail for a possession of mess? 406 00:15:32,520 --> 00:15:36,080 Speaker 3: Okay, all right, well you know what, thanks for calling. 407 00:15:36,120 --> 00:15:39,440 Speaker 2: These guys got their tattoos on them. Who knows who 408 00:15:39,480 --> 00:15:42,800 Speaker 2: else who's tattooed on you? That's the real question. 409 00:15:44,000 --> 00:15:46,000 Speaker 9: Yeah, I got this guy chatted on me. 410 00:15:46,160 --> 00:15:49,280 Speaker 1: I knew it. 411 00:15:49,480 --> 00:15:55,160 Speaker 3: Okay, all right, well, thank you for calling. No problem playin'. 412 00:15:54,240 --> 00:15:56,120 Speaker 1: She would you ever get someone's name? 413 00:15:56,360 --> 00:15:58,600 Speaker 3: I don't have no tattoos though, so it makes sense. 414 00:15:58,600 --> 00:16:00,960 Speaker 1: Do you have tattoos? You got a tattoo on your daughter? 415 00:16:01,360 --> 00:16:04,320 Speaker 7: It's a cross. I was going through a phase in college. 416 00:16:04,880 --> 00:16:05,680 Speaker 7: He went religious. 417 00:16:05,720 --> 00:16:08,920 Speaker 2: I went through a religious face in college. All right, 418 00:16:08,920 --> 00:16:10,680 Speaker 2: Well that was tell us a secret eight hundred and 419 00:16:10,680 --> 00:16:12,280 Speaker 2: two ninet two fifty one to fifty in case you 420 00:16:12,320 --> 00:16:14,000 Speaker 2: couldn't get through. And when we come back, we have 421 00:16:14,120 --> 00:16:16,560 Speaker 2: your yee team, and let's talk about somebody who was 422 00:16:16,600 --> 00:16:20,520 Speaker 2: on that complex list of top Atlanta rappers. Will tell 423 00:16:20,560 --> 00:16:22,760 Speaker 2: you what Lotto has going on. For the first time 424 00:16:22,760 --> 00:16:23,720 Speaker 2: at Burr is way. 425 00:16:23,640 --> 00:16:25,760 Speaker 5: Up, Yo, She's about to blow the lead ab off 426 00:16:25,760 --> 00:16:26,080 Speaker 5: this spot. 427 00:16:26,200 --> 00:16:26,760 Speaker 1: Let's get it. 428 00:16:26,800 --> 00:16:29,560 Speaker 5: Oh yeah, Angelus billing at yee tea, Come and get 429 00:16:29,640 --> 00:16:30,400 Speaker 5: your tea? 430 00:16:30,640 --> 00:16:31,080 Speaker 1: All right? 431 00:16:31,080 --> 00:16:33,000 Speaker 2: His way up, I'm here, beat outs here. Well it 432 00:16:33,080 --> 00:16:36,720 Speaker 2: was beat Happy Friday, Happy Friday. Now let's talk about this. 433 00:16:37,240 --> 00:16:40,320 Speaker 2: Tank and Stephen A. Smith on the Stephen A. Smith Show. 434 00:16:40,600 --> 00:16:42,880 Speaker 2: The two of them are going back and forth over 435 00:16:43,000 --> 00:16:47,360 Speaker 2: Chris Brown and Michael Jackson. Now, Tank feels like Chris 436 00:16:47,360 --> 00:16:49,320 Speaker 2: Brown is in fact better than Michael Jackson. 437 00:16:49,320 --> 00:16:50,040 Speaker 3: Here's what he said. 438 00:16:51,200 --> 00:16:55,240 Speaker 10: Chris Brown is in fact better than Michael Jackson. 439 00:16:55,320 --> 00:16:57,920 Speaker 5: What Tank, do you understand what you say? Man? 440 00:16:58,040 --> 00:17:01,800 Speaker 10: If there was Magic Johnson and now there is Lebron James, 441 00:17:02,120 --> 00:17:05,320 Speaker 10: that is the ultimate evolution of a man who can 442 00:17:05,359 --> 00:17:09,240 Speaker 10: play all five positions. We talk about Chris Brown, We're 443 00:17:09,280 --> 00:17:12,560 Speaker 10: talking about the evolution of Michael Jackson. 444 00:17:12,680 --> 00:17:15,560 Speaker 1: Oh, come on, I take it, as Steven would say, 445 00:17:15,600 --> 00:17:16,480 Speaker 1: that's blasphemous. 446 00:17:16,680 --> 00:17:19,199 Speaker 3: Now you but you said, I can see. 447 00:17:19,480 --> 00:17:21,240 Speaker 7: I think it depends on what we're talking about. I 448 00:17:21,280 --> 00:17:23,439 Speaker 7: think Chris is a better dancer than Michael. You know, 449 00:17:23,520 --> 00:17:26,600 Speaker 7: Chris is doing all kinds of acrobats and gymnastics on stage, 450 00:17:26,800 --> 00:17:29,000 Speaker 7: but as an overall artist, I gotta give it to Mike. 451 00:17:29,040 --> 00:17:31,320 Speaker 7: I don't think Chris has a classic like an off 452 00:17:31,359 --> 00:17:33,040 Speaker 7: the Wall of thriller or even bad. 453 00:17:32,960 --> 00:17:33,560 Speaker 1: To his name. 454 00:17:34,680 --> 00:17:36,080 Speaker 2: The way I looked at it is says, first of 455 00:17:36,119 --> 00:17:38,480 Speaker 2: all the two different errors, I wouldn't even compare the 456 00:17:38,520 --> 00:17:40,480 Speaker 2: two of them. And I think Chris Brown wouldn't even 457 00:17:40,520 --> 00:17:44,080 Speaker 2: say I'm better than Michael Jackson because you are also 458 00:17:44,200 --> 00:17:48,200 Speaker 2: kind of like influenced absolutely by Michael Jackson. So it's 459 00:17:48,200 --> 00:17:50,960 Speaker 2: an honor to be in that conversation. And I think 460 00:17:51,000 --> 00:17:53,919 Speaker 2: we can see from Chris Brown sold out shows. 461 00:17:54,000 --> 00:17:55,040 Speaker 1: Yeah, Chris is doing his thing. 462 00:17:55,320 --> 00:17:57,359 Speaker 3: He's doing his thing. I think he's super talented. 463 00:17:57,440 --> 00:18:00,720 Speaker 2: I think it's just a losing situation to try to 464 00:18:00,720 --> 00:18:03,520 Speaker 2: compare anybody, to try to compare themselves to Michael Jackson. 465 00:18:03,520 --> 00:18:04,560 Speaker 3: Why would anyone do that? 466 00:18:04,680 --> 00:18:06,440 Speaker 1: You know, they chose to follow and. 467 00:18:06,400 --> 00:18:10,040 Speaker 2: Star power wise Michael Jackson just even like you didn't 468 00:18:10,040 --> 00:18:12,399 Speaker 2: even see him anywhere, right, you know, he had the 469 00:18:12,440 --> 00:18:15,159 Speaker 2: Neverland Ranch. It was like all this mystique and you know, 470 00:18:15,240 --> 00:18:17,840 Speaker 2: nowadays there's not the same mystique as there used to be, 471 00:18:18,680 --> 00:18:21,720 Speaker 2: thanks to the access that people have to other people, But. 472 00:18:21,760 --> 00:18:23,560 Speaker 7: As far as artistry goes, I got to give it 473 00:18:23,560 --> 00:18:26,280 Speaker 7: to Mike. He's was a great artist and songwriter. 474 00:18:26,320 --> 00:18:27,600 Speaker 3: He also had Quincy Jones. 475 00:18:27,680 --> 00:18:30,560 Speaker 2: He definitely don't not forget that he had Quincy Jones, 476 00:18:30,760 --> 00:18:33,960 Speaker 2: and so having teams like that and listen, never want 477 00:18:34,000 --> 00:18:36,320 Speaker 2: to take anything away from Chris Brown and what he has, 478 00:18:36,359 --> 00:18:38,680 Speaker 2: because I love some Chris Brown songs. You could put 479 00:18:38,680 --> 00:18:41,320 Speaker 2: on a Chris Brown best of playlist and drive for 480 00:18:41,400 --> 00:18:42,679 Speaker 2: hours favorite Chris. 481 00:18:42,800 --> 00:18:48,280 Speaker 7: Favorite Michael Jackson album. 482 00:18:48,640 --> 00:18:50,399 Speaker 2: You know what, I'm not going to say it was thriller. 483 00:18:50,440 --> 00:18:52,520 Speaker 2: I know people love thriller and that was like a classic. 484 00:18:53,040 --> 00:18:56,000 Speaker 2: But I'm gonna have to say off. 485 00:18:55,800 --> 00:18:57,960 Speaker 1: The wall, I'm of a bad guy. 486 00:18:58,520 --> 00:19:03,240 Speaker 3: I know you are, I know you are all right now. 487 00:19:03,320 --> 00:19:06,000 Speaker 2: Lotto has announced their first headlining tour and has also 488 00:19:06,200 --> 00:19:08,920 Speaker 2: revealed who her opening acts are going to be. By 489 00:19:08,960 --> 00:19:12,560 Speaker 2: the way, this tour is kicking off October twenty fifth 490 00:19:12,560 --> 00:19:15,840 Speaker 2: and Tampa and ending in Colorado on December seventh. I 491 00:19:15,840 --> 00:19:18,640 Speaker 2: would go see Lotto the contur I want to say 492 00:19:18,640 --> 00:19:21,000 Speaker 2: this about Lotto too, because I do like her album, 493 00:19:21,000 --> 00:19:22,800 Speaker 2: I like her music, I like her as a person. 494 00:19:23,320 --> 00:19:26,200 Speaker 2: I do feel like she's had great also, just from 495 00:19:26,240 --> 00:19:29,880 Speaker 2: being on the Jermaine dupri To Rap Show, I think 496 00:19:29,920 --> 00:19:33,800 Speaker 2: that she's had some really good as far as one 497 00:19:33,840 --> 00:19:35,960 Speaker 2: of my what's the word I'm thinking of, like the 498 00:19:36,600 --> 00:19:39,960 Speaker 2: like in Motown when they would give you artists, what 499 00:19:39,960 --> 00:19:41,840 Speaker 2: do you mean like like training? 500 00:19:41,880 --> 00:19:43,560 Speaker 1: I'm trying to get training. Okay, I got you. 501 00:19:43,600 --> 00:19:45,040 Speaker 2: I know what you're saying, like yeah, So I feel 502 00:19:45,080 --> 00:19:47,680 Speaker 2: like she's actually yeah development, that's the way I was 503 00:19:47,720 --> 00:19:49,080 Speaker 2: looking for. I don't know why I couldn't think of it, 504 00:19:49,440 --> 00:19:51,119 Speaker 2: but she's had some great artist development. 505 00:19:51,240 --> 00:19:51,719 Speaker 1: Yes, all right. 506 00:19:51,760 --> 00:19:53,080 Speaker 3: Wallet is also going on tour. 507 00:19:53,080 --> 00:19:55,760 Speaker 2: He's announced his twenty twenty four Every Blue Moon Tour 508 00:19:56,080 --> 00:19:58,960 Speaker 2: that's going to be happening the release of his upcoming 509 00:19:59,000 --> 00:20:03,720 Speaker 2: eighth album, Celebrat and the fifteenth anniversary of his debut debut. 510 00:20:03,440 --> 00:20:05,560 Speaker 1: Album Time Goes By fast Man. Yep. 511 00:20:05,600 --> 00:20:08,840 Speaker 2: He's kicking that off in Fort Lauderdale on September nineteenth, 512 00:20:08,920 --> 00:20:12,680 Speaker 2: and he's ending as of now November seventh and Birmingham, Alabama. 513 00:20:12,720 --> 00:20:14,000 Speaker 1: I'll check that out. All right. 514 00:20:14,040 --> 00:20:16,119 Speaker 2: Well, that is your yet when we come back, we 515 00:20:16,160 --> 00:20:17,840 Speaker 2: have under the radar. These are the stories that are 516 00:20:17,840 --> 00:20:20,520 Speaker 2: not necessarily in the headlines. They are flying under the radar. 517 00:20:20,560 --> 00:20:22,199 Speaker 2: But yeah, definitely need to know about them. 518 00:20:22,200 --> 00:20:24,760 Speaker 5: It's way up the news that relates to you. These 519 00:20:24,800 --> 00:20:26,720 Speaker 5: stories are flying under the radar. 520 00:20:27,359 --> 00:20:28,280 Speaker 3: All right, it's way up. 521 00:20:28,280 --> 00:20:31,040 Speaker 2: I'm here beat outs here well, and let's get into 522 00:20:31,040 --> 00:20:33,840 Speaker 2: these under the radar stories. Disney, they've been having some 523 00:20:33,920 --> 00:20:38,960 Speaker 2: issues because attendance is underperforming expectations. People are a lot 524 00:20:39,000 --> 00:20:41,000 Speaker 2: more price conscious, and from what I'm hearing, because I've 525 00:20:41,040 --> 00:20:44,840 Speaker 2: never been to Disney, it's really expensive. So they're going 526 00:20:44,920 --> 00:20:47,760 Speaker 2: to try to now have lower price ticket options and 527 00:20:47,920 --> 00:20:51,520 Speaker 2: value season deals at resort hotels so families can come 528 00:20:51,520 --> 00:20:53,399 Speaker 2: and visit even if they're on a tight budget. So 529 00:20:53,400 --> 00:20:55,680 Speaker 2: they want to try to navigate through these bumps in 530 00:20:55,720 --> 00:20:56,040 Speaker 2: the road. 531 00:20:56,119 --> 00:20:57,440 Speaker 1: I went to Disney World, so I'm my daughter to 532 00:20:57,480 --> 00:20:59,080 Speaker 1: Disney World for a birthday a few years ago. 533 00:20:59,280 --> 00:21:00,840 Speaker 3: You just showed me picture. She looks like she had 534 00:21:00,880 --> 00:21:01,600 Speaker 3: such a good time. 535 00:21:01,680 --> 00:21:03,640 Speaker 1: I needed to go fund when we came back home. 536 00:21:03,960 --> 00:21:05,840 Speaker 1: Jesus is mad expressive. 537 00:21:05,480 --> 00:21:07,040 Speaker 2: That's what I hear, And especially if you want to 538 00:21:07,040 --> 00:21:10,000 Speaker 2: like cut the line and stuff like that. A VIP experience. 539 00:21:10,920 --> 00:21:13,160 Speaker 2: But they said during the pandemic people had extra money. 540 00:21:13,200 --> 00:21:16,120 Speaker 2: Now Melms, all right, now I want to get into 541 00:21:16,160 --> 00:21:19,400 Speaker 2: a really sad story and offer our condolences to Victoria 542 00:21:19,480 --> 00:21:23,120 Speaker 2: Lee's family. Now, the family made a mental health call 543 00:21:23,200 --> 00:21:25,280 Speaker 2: to nine one one, and they had done that in 544 00:21:25,280 --> 00:21:27,840 Speaker 2: the past, and the nine one one responder had always 545 00:21:27,840 --> 00:21:30,320 Speaker 2: been understanding because she has a very fragile mental state. 546 00:21:31,119 --> 00:21:32,879 Speaker 2: She was only twenty five years old and she was 547 00:21:32,920 --> 00:21:36,040 Speaker 2: fatally shot by a police officer in her apartment last month. 548 00:21:36,400 --> 00:21:39,280 Speaker 2: Now they are going to review body camera video from 549 00:21:39,320 --> 00:21:41,440 Speaker 2: the morning that she was killed. She was fatally shot 550 00:21:41,440 --> 00:21:44,520 Speaker 2: in the chest on July twenty eighth, a police officer 551 00:21:44,640 --> 00:21:46,960 Speaker 2: was responding to a mental health crisis call at her home. 552 00:21:47,000 --> 00:21:50,040 Speaker 2: This was in Fort Lee and the brother and the 553 00:21:50,040 --> 00:21:52,520 Speaker 2: family called and they said they requested an ambulance to 554 00:21:52,520 --> 00:21:53,440 Speaker 2: take her to the hospital. 555 00:21:53,480 --> 00:21:55,679 Speaker 3: They also gave details about. 556 00:21:55,400 --> 00:21:57,720 Speaker 2: Her mental state out of concern they might escalate the 557 00:21:57,760 --> 00:22:01,360 Speaker 2: situation unnecessarily. She was armed, she had a plastic water 558 00:22:01,480 --> 00:22:05,520 Speaker 2: jug when she was shot. And I do want to 559 00:22:05,560 --> 00:22:08,080 Speaker 2: say that she also did work at engine room, which 560 00:22:08,119 --> 00:22:11,320 Speaker 2: is where we record lip service. So she's definitely part 561 00:22:11,359 --> 00:22:13,000 Speaker 2: of the family. So we want to make sure that 562 00:22:13,040 --> 00:22:16,439 Speaker 2: we bring more attention to this. She was diagnosed with 563 00:22:16,440 --> 00:22:19,800 Speaker 2: bipolar disorder in twenty seventeen, and it led to her 564 00:22:19,840 --> 00:22:22,680 Speaker 2: to withdraw early from college. They've been managing her condition 565 00:22:23,400 --> 00:22:27,359 Speaker 2: with various activities like work, travel, and music, and you know, 566 00:22:27,440 --> 00:22:29,639 Speaker 2: unfortunately this is what happened. But they are going to 567 00:22:29,640 --> 00:22:33,000 Speaker 2: be reviewing that body camera footage and so really sad, 568 00:22:33,080 --> 00:22:39,119 Speaker 2: sad situation, and you know, unfortunately this happened. So I 569 00:22:39,160 --> 00:22:42,120 Speaker 2: do hope that the family does get some answers, some justice. 570 00:22:42,119 --> 00:22:45,359 Speaker 1: Man, those body cameras are definitely helpful joy like this. 571 00:22:45,600 --> 00:22:48,680 Speaker 2: So yes, our condolence is to Victoria Lee's family and friends. 572 00:22:48,960 --> 00:22:50,320 Speaker 2: All right, now, you know we have the way up 573 00:22:50,320 --> 00:22:52,440 Speaker 2: mixed at the top of the hour. Plus Stephanie Mills 574 00:22:52,480 --> 00:22:54,159 Speaker 2: is going to be joining us today. She's starring in 575 00:22:54,160 --> 00:22:55,640 Speaker 2: Hadestown on Broadway. 576 00:22:55,880 --> 00:22:56,399 Speaker 1: We gotta go. 577 00:22:57,000 --> 00:22:59,160 Speaker 2: I'm already making plans to do like a night out 578 00:22:59,200 --> 00:23:02,199 Speaker 2: to go see her. All right, so it's way up. 579 00:23:02,560 --> 00:23:04,959 Speaker 2: She's like the talk like they angel Jean, like they 580 00:23:05,040 --> 00:23:06,320 Speaker 2: angel jee. 581 00:23:06,359 --> 00:23:09,880 Speaker 5: Man, She's spilling it all. This is yet way. 582 00:23:11,840 --> 00:23:14,159 Speaker 3: All right, his way up. I'm here and feed. 583 00:23:13,880 --> 00:23:16,439 Speaker 2: Out right here with me. 584 00:23:16,520 --> 00:23:17,200 Speaker 1: I'm barely here. 585 00:23:17,320 --> 00:23:18,600 Speaker 3: All right, let's get into some ut. 586 00:23:18,840 --> 00:23:22,080 Speaker 2: Jordan Chiles has spoken out about the unjust decision to 587 00:23:22,119 --> 00:23:25,520 Speaker 2: strip her bronze metal. She said, I'm overwhelmed by the 588 00:23:25,560 --> 00:23:27,440 Speaker 2: love I have received over the past few days. I'm 589 00:23:27,440 --> 00:23:31,919 Speaker 2: also incredibly grateful to my family, teammates, coaches, fans. She 590 00:23:32,000 --> 00:23:35,960 Speaker 2: goes on to say the appeal was unsuccessful and I 591 00:23:36,000 --> 00:23:38,439 Speaker 2: have no words. This decision feels unjust and comes as 592 00:23:38,480 --> 00:23:40,679 Speaker 2: a significant blow, not just to me, but to everyone 593 00:23:40,680 --> 00:23:43,400 Speaker 2: who has champion my journey. To add to the heartbreak, 594 00:23:43,400 --> 00:23:46,760 Speaker 2: the unprompted racially driven attacks on social media are wrong 595 00:23:47,119 --> 00:23:50,320 Speaker 2: and extremely hurtful. I poured my heart and soul into 596 00:23:50,359 --> 00:23:52,280 Speaker 2: this sport, and I am so proud to represent my 597 00:23:52,320 --> 00:23:53,440 Speaker 2: culture and my country. 598 00:23:53,600 --> 00:23:55,760 Speaker 1: I thought there was talks of like having joint custody 599 00:23:55,800 --> 00:23:56,280 Speaker 1: of the metal. 600 00:23:56,720 --> 00:24:00,000 Speaker 2: Yeah, I saw those conversations as well. I mean, the 601 00:24:00,080 --> 00:24:03,320 Speaker 2: he was denied, but officials are going to try to 602 00:24:03,440 --> 00:24:06,720 Speaker 2: find a way to let her keep her medal. It's 603 00:24:06,760 --> 00:24:10,159 Speaker 2: her first in an individual Olympic competition, and so I 604 00:24:10,240 --> 00:24:12,520 Speaker 2: know it was meaningful for her. And you know, I 605 00:24:12,520 --> 00:24:14,440 Speaker 2: did an interview and I'm hoping that we'll be able 606 00:24:14,640 --> 00:24:17,080 Speaker 2: to put it out because it was so amazing, so positive. 607 00:24:17,240 --> 00:24:19,480 Speaker 2: But we did address a lot of the racist comments 608 00:24:19,480 --> 00:24:22,520 Speaker 2: that I've seen people leaving after that appeal. 609 00:24:22,840 --> 00:24:23,960 Speaker 3: After she did do the. 610 00:24:23,880 --> 00:24:25,840 Speaker 2: Inquiry, the coach did the inquiry and then she was 611 00:24:25,840 --> 00:24:28,960 Speaker 2: awarded the medal. They've been attacking her, they've been attacking 612 00:24:29,040 --> 00:24:30,560 Speaker 2: all of that. It was the first ever time you 613 00:24:30,600 --> 00:24:34,639 Speaker 2: saw three black women, you know, with the gold, the silver, 614 00:24:34,720 --> 00:24:38,040 Speaker 2: and the bronze at once in the Olympics and the gymnastics. 615 00:24:38,040 --> 00:24:42,480 Speaker 2: So all right, august Alcina was on Council Culture and 616 00:24:43,000 --> 00:24:46,280 Speaker 2: they were asking him about his love for another man 617 00:24:46,320 --> 00:24:47,640 Speaker 2: and his perspective on love. 618 00:24:47,640 --> 00:24:48,560 Speaker 3: And here's what he said. 619 00:24:49,000 --> 00:24:52,320 Speaker 5: You talked about your love for another man. What is 620 00:24:52,680 --> 00:24:54,480 Speaker 5: opening your heart done for you? 621 00:24:54,960 --> 00:24:57,680 Speaker 7: It's like when people want you to define yourself as 622 00:24:58,040 --> 00:25:00,520 Speaker 7: whether you gaze straight by sexual all as you was 623 00:25:00,560 --> 00:25:01,280 Speaker 7: just talking about. 624 00:25:01,720 --> 00:25:02,400 Speaker 1: Love is like. 625 00:25:02,760 --> 00:25:06,720 Speaker 7: Much more complex than that for me because love is 626 00:25:06,720 --> 00:25:07,439 Speaker 7: a language. 627 00:25:07,680 --> 00:25:11,000 Speaker 5: I'm fluent in love when it speaks to me. 628 00:25:11,720 --> 00:25:13,480 Speaker 1: Wow, yes, like being fluid. 629 00:25:14,520 --> 00:25:17,160 Speaker 2: I do want to say. Aside from all of that, 630 00:25:17,240 --> 00:25:19,960 Speaker 2: his face products are amazing. He has a skincare line, 631 00:25:20,320 --> 00:25:22,240 Speaker 2: so I've been using the and seeing a product. It's 632 00:25:22,280 --> 00:25:26,680 Speaker 2: a it's like a powder exfoliator. I highly recommend it. It 633 00:25:26,720 --> 00:25:30,680 Speaker 2: makes my face very smooth and it's so clean. I 634 00:25:30,680 --> 00:25:32,840 Speaker 2: could feel it like squeaky clean. Aside from all of 635 00:25:32,880 --> 00:25:34,040 Speaker 2: the love. 636 00:25:34,200 --> 00:25:36,160 Speaker 7: It wasn't a few weeks a few weeks ago though, 637 00:25:36,280 --> 00:25:38,480 Speaker 7: that he played for the Western Conference. I didn't know 638 00:25:38,520 --> 00:25:42,800 Speaker 7: that what algus Alsina plays for the Western the other side, 639 00:25:42,960 --> 00:25:43,400 Speaker 7: other team. 640 00:25:43,560 --> 00:25:51,800 Speaker 2: All right, anyway, Yes, you were definitely alone, but I know, 641 00:25:51,880 --> 00:25:53,520 Speaker 2: and it's kind of your job to know what's going on. 642 00:25:53,600 --> 00:25:53,840 Speaker 1: All right. 643 00:25:54,080 --> 00:25:57,320 Speaker 2: Sure has postponed an additional set of shows due to 644 00:25:57,440 --> 00:26:01,080 Speaker 2: a neck injury, and he was hoping that with physical 645 00:26:01,119 --> 00:26:03,320 Speaker 2: therapy and medical torment, he would be able to overcome 646 00:26:03,359 --> 00:26:05,639 Speaker 2: the injury and be ready for Opening night, but unfortunately 647 00:26:05,760 --> 00:26:08,879 Speaker 2: has not healed, so he's rescheduled a few shows. I 648 00:26:08,920 --> 00:26:12,640 Speaker 2: want to say, yesterday I had Fred who owned fred 649 00:26:12,760 --> 00:26:15,280 Speaker 2: M who owns Media takeout up here, and he was 650 00:26:15,320 --> 00:26:17,400 Speaker 2: given us some tea about Usher and here's what he said. 651 00:26:17,880 --> 00:26:19,960 Speaker 8: So I spoke a couple of people and they're a 652 00:26:19,960 --> 00:26:24,320 Speaker 8: little bit worried about the relationship or the impact that 653 00:26:24,440 --> 00:26:28,439 Speaker 8: ushers what new wife is having on him. Usher in 654 00:26:28,520 --> 00:26:31,679 Speaker 8: the past would have kind of pushed through this and 655 00:26:31,760 --> 00:26:35,280 Speaker 8: kind of performed, but it was Jen who convinced him 656 00:26:35,520 --> 00:26:37,240 Speaker 8: that he needed to take a little bit of time 657 00:26:37,240 --> 00:26:40,480 Speaker 8: for himself and his family and to not perform. And 658 00:26:40,560 --> 00:26:44,240 Speaker 8: so there's a growing rift between Usher's kind of management 659 00:26:44,920 --> 00:26:47,320 Speaker 8: team and Jen and I think this is something that 660 00:26:47,320 --> 00:26:48,840 Speaker 8: I think we're going to see play out over the 661 00:26:48,880 --> 00:26:49,760 Speaker 8: next couple of weeks. 662 00:26:50,280 --> 00:26:51,719 Speaker 3: And then this story came out today. 663 00:26:51,840 --> 00:26:52,199 Speaker 5: Wow. 664 00:26:52,240 --> 00:26:54,440 Speaker 1: Interesting. Oh she was like the hardest working man of shows. 665 00:26:54,640 --> 00:26:56,639 Speaker 2: I will say, I'm not against if your wife is 666 00:26:56,640 --> 00:26:58,640 Speaker 2: telling you take a break, I'm kind of not again, 667 00:26:58,640 --> 00:27:02,760 Speaker 2: I don't think that's a negative thing. But all right, 668 00:27:02,800 --> 00:27:04,760 Speaker 2: well that is your yet when we come back, it's a. 669 00:27:04,720 --> 00:27:05,720 Speaker 3: New music Friday. 670 00:27:05,880 --> 00:27:08,720 Speaker 2: Yes, we talk about it. I know you love this 671 00:27:09,680 --> 00:27:12,680 Speaker 2: beat out. You're gonna need security, whether it's relationship for 672 00:27:12,760 --> 00:27:13,439 Speaker 2: career advice. 673 00:27:13,680 --> 00:27:14,919 Speaker 5: Angela's dropping facts. 674 00:27:16,240 --> 00:27:19,200 Speaker 2: This is as what's up its way up at Angela. Yee, 675 00:27:19,200 --> 00:27:21,680 Speaker 2: I'm here, my guy beat out his here. You don't 676 00:27:21,680 --> 00:27:22,720 Speaker 2: give bad advice, be dot. 677 00:27:22,840 --> 00:27:23,560 Speaker 1: I don't think I do. 678 00:27:23,720 --> 00:27:25,320 Speaker 3: But you're a very traditional person. 679 00:27:25,840 --> 00:27:29,080 Speaker 1: Conservative traditional But. 680 00:27:29,119 --> 00:27:33,160 Speaker 2: Anyway, eight hundred nine fifty one fifty ask yee, it's 681 00:27:33,240 --> 00:27:35,239 Speaker 2: happening right now. If you have any questions, you can 682 00:27:35,280 --> 00:27:37,280 Speaker 2: call us up. Hey, Rico, what's your question? 683 00:27:37,880 --> 00:27:41,359 Speaker 9: Okay, my girlfriend of five years she just broke up 684 00:27:41,400 --> 00:27:45,240 Speaker 9: with me because she found out that my mom is 685 00:27:45,520 --> 00:27:48,400 Speaker 9: friends with my ex. I want to get back with her, 686 00:27:48,440 --> 00:27:51,159 Speaker 9: But when you found out, you call it my mom. 687 00:27:51,359 --> 00:27:53,840 Speaker 9: Don't be whoa violation? 688 00:27:54,560 --> 00:27:56,520 Speaker 3: Why would she talk to your mom like that? 689 00:27:56,520 --> 00:27:56,600 Speaker 6: That? 690 00:27:56,760 --> 00:27:57,560 Speaker 3: Now that's crazy. 691 00:27:58,760 --> 00:28:00,680 Speaker 9: That the thing I don't know because, like I said, 692 00:28:00,680 --> 00:28:03,320 Speaker 9: we've been together five years, we got a three year 693 00:28:03,320 --> 00:28:06,600 Speaker 9: old times together. You know, this was a woman I 694 00:28:06,720 --> 00:28:09,760 Speaker 9: was playing on Marion. But it's like when she gets mad, 695 00:28:09,880 --> 00:28:12,960 Speaker 9: she just goes straight to eighteen double hockey stick. You 696 00:28:13,000 --> 00:28:13,439 Speaker 9: know what I mean? 697 00:28:13,800 --> 00:28:16,399 Speaker 2: Yeah, you know, And that feels like she got to 698 00:28:16,440 --> 00:28:18,360 Speaker 2: work on that. You can't do stuff like that when 699 00:28:18,359 --> 00:28:20,479 Speaker 2: you get mad and y'all have a kid together, like 700 00:28:20,560 --> 00:28:23,159 Speaker 2: you can't you know the example that she's setting for that. 701 00:28:23,280 --> 00:28:23,880 Speaker 3: I get it. 702 00:28:24,080 --> 00:28:26,640 Speaker 2: She's mad because you kept something from her, But now 703 00:28:26,680 --> 00:28:28,920 Speaker 2: she turned a situation where she where you would have 704 00:28:28,960 --> 00:28:30,320 Speaker 2: been in the wrong, and so now she in. 705 00:28:30,280 --> 00:28:30,800 Speaker 3: The wrong too. 706 00:28:31,440 --> 00:28:33,760 Speaker 9: And I want her to apologize, but I want her 707 00:28:33,800 --> 00:28:35,800 Speaker 9: to apologize on her own. I don't want to have 708 00:28:35,880 --> 00:28:37,959 Speaker 9: to require her to apologize. You feel me? 709 00:28:38,120 --> 00:28:39,200 Speaker 3: Does she thinks she's wrong? 710 00:28:39,880 --> 00:28:43,680 Speaker 9: I don't think so. I mean, because there's situations before 711 00:28:43,960 --> 00:28:46,320 Speaker 9: where she said something about the way things to my 712 00:28:46,400 --> 00:28:49,960 Speaker 9: mom and like he apologized, But it's because I asked 713 00:28:49,960 --> 00:28:50,360 Speaker 9: her too. 714 00:28:50,720 --> 00:28:52,000 Speaker 1: Do y'all break up all the time? 715 00:28:52,080 --> 00:28:53,720 Speaker 3: Like that? Does she do that? Like frequently? 716 00:28:54,440 --> 00:28:57,960 Speaker 9: Not frequently, but over the five years it happened six 717 00:28:58,040 --> 00:28:58,840 Speaker 9: seven times? 718 00:28:58,840 --> 00:29:00,560 Speaker 3: Oh my gosh, a lot. 719 00:29:00,920 --> 00:29:02,880 Speaker 2: All right, Well, it feels like a I don't think 720 00:29:02,920 --> 00:29:05,720 Speaker 2: this is like the end of your relationship. I feel 721 00:29:05,720 --> 00:29:07,560 Speaker 2: like she's just mad. But she's got to learn how 722 00:29:07,600 --> 00:29:10,160 Speaker 2: to control it. Because if you are with somebody and 723 00:29:10,200 --> 00:29:12,240 Speaker 2: you feel like I can't tell them this because they're 724 00:29:12,240 --> 00:29:13,800 Speaker 2: going to get so mad, I don't know what they're 725 00:29:13,800 --> 00:29:16,040 Speaker 2: going to say and how they're going to react, and 726 00:29:16,080 --> 00:29:18,720 Speaker 2: they could disrespect my mother as well. 727 00:29:18,880 --> 00:29:20,720 Speaker 3: That's not good. And you need to. 728 00:29:20,680 --> 00:29:24,000 Speaker 2: Second think that because you know, I can't see this 729 00:29:24,080 --> 00:29:27,080 Speaker 2: ever ending in a positive way unless she's willing to 730 00:29:27,160 --> 00:29:30,760 Speaker 2: work on herself. I feel like maybe she needs an 731 00:29:30,800 --> 00:29:34,000 Speaker 2: outside person. You guys still have a kid together, so 732 00:29:34,040 --> 00:29:37,600 Speaker 2: you'll still be co parenting together. So maybe work on 733 00:29:38,160 --> 00:29:40,640 Speaker 2: that relationship before you jump back in and be like, oh, 734 00:29:40,720 --> 00:29:43,480 Speaker 2: let's be together, Because some way, somehow she needs to 735 00:29:43,520 --> 00:29:46,200 Speaker 2: get some help, and so maybe it's like, let's go 736 00:29:46,240 --> 00:29:49,920 Speaker 2: to family therapy or a couple for that, just because 737 00:29:49,920 --> 00:29:52,520 Speaker 2: I know, regardless of if we're together or not, we 738 00:29:52,560 --> 00:29:54,040 Speaker 2: need to deal with each other and be in each 739 00:29:54,080 --> 00:29:57,880 Speaker 2: other's lives. And then maybe somebody else can help her 740 00:29:57,960 --> 00:30:00,920 Speaker 2: learn how to cope with that, because this is something 741 00:30:00,920 --> 00:30:03,120 Speaker 2: that you need to address, but not while she's mad, 742 00:30:03,640 --> 00:30:05,760 Speaker 2: but at a time when you guys are calm, so 743 00:30:05,800 --> 00:30:09,160 Speaker 2: she can understand why this is not something that's effective 744 00:30:09,160 --> 00:30:10,040 Speaker 2: in a relationship. 745 00:30:10,520 --> 00:30:12,680 Speaker 9: All right, I appreciate it. 746 00:30:12,960 --> 00:30:14,920 Speaker 2: All right, Well, good luck. It seems like you're a 747 00:30:14,960 --> 00:30:16,720 Speaker 2: good guy, and I'm sorry that this happened. 748 00:30:17,120 --> 00:30:19,880 Speaker 3: All right, thank you, all right, thank you for calling. 749 00:30:20,040 --> 00:30:22,640 Speaker 2: That's ask ye eight hundred two ninety two fifty one 750 00:30:22,720 --> 00:30:25,640 Speaker 2: fifty if you couldn't get through. And when we come back, 751 00:30:26,000 --> 00:30:30,040 Speaker 2: I'm so excited about this. Stephanie Mills is joining us. 752 00:30:30,080 --> 00:30:33,960 Speaker 2: She is starring in Hadestown Armborough Way. Such a huge deal. 753 00:30:34,040 --> 00:30:35,040 Speaker 1: She started off arm. 754 00:30:34,960 --> 00:30:38,120 Speaker 2: Bro Way in The Whiz almost fifty years ago. It's 755 00:30:38,160 --> 00:30:41,240 Speaker 2: going to be fifty years wow, since she played young Dorothy. 756 00:30:41,440 --> 00:30:42,920 Speaker 2: And by the way, I want to say, she still 757 00:30:42,960 --> 00:30:45,760 Speaker 2: looks amazing. All right, Well, Stephanie Mills is up next. 758 00:30:45,800 --> 00:30:48,440 Speaker 5: This way up this is way up with Angela ye 759 00:30:48,600 --> 00:30:51,640 Speaker 5: let's go. You are a media maven, right, you never 760 00:30:51,720 --> 00:30:54,200 Speaker 5: know what Angel's gonna say. 761 00:30:54,320 --> 00:30:54,680 Speaker 1: What's up? 762 00:30:54,680 --> 00:30:56,000 Speaker 3: Its way up with Angela, yee. 763 00:30:56,040 --> 00:30:58,600 Speaker 2: And you see I'm happy and smiling because Stephanie Mills 764 00:30:58,720 --> 00:31:02,680 Speaker 2: is here. Brooklyn's Let's feel this bedstide, do or Die. 765 00:31:02,840 --> 00:31:05,440 Speaker 2: And you know what, I'm so excited that you are 766 00:31:05,480 --> 00:31:07,720 Speaker 2: back home. Like I said when I saw you, welcome home, 767 00:31:08,040 --> 00:31:10,280 Speaker 2: and welcome home, it's not just welcome back to New York, 768 00:31:10,320 --> 00:31:11,640 Speaker 2: but welcome back to Broadway. 769 00:31:11,920 --> 00:31:15,959 Speaker 6: No. I mean it'd be fifty years next year that 770 00:31:16,040 --> 00:31:18,120 Speaker 6: I haven't been on Broadway and to come back and 771 00:31:18,160 --> 00:31:22,720 Speaker 6: do Haitiestown and in a show that's won eight Tony's. 772 00:31:23,160 --> 00:31:25,760 Speaker 6: You know, the Wiz won seven. So it's nice to 773 00:31:25,800 --> 00:31:28,840 Speaker 6: be back in a Tony Award winning show. And playing 774 00:31:29,240 --> 00:31:32,360 Speaker 6: Miss Hermes is such a delicious role. 775 00:31:32,640 --> 00:31:35,080 Speaker 2: Now, I do notice that with this player, as you 776 00:31:35,080 --> 00:31:36,080 Speaker 2: were getting ready, you have to be. 777 00:31:36,120 --> 00:31:37,560 Speaker 3: On stage the entire time. 778 00:31:37,720 --> 00:31:40,080 Speaker 1: The entire time. 779 00:31:40,600 --> 00:31:43,080 Speaker 6: Once I hit that stage, I don't leave until intermission 780 00:31:43,760 --> 00:31:44,880 Speaker 6: and the second act too. 781 00:31:44,960 --> 00:31:47,920 Speaker 12: Once I come on stage, I'm there because I'm narrating 782 00:31:47,960 --> 00:31:48,680 Speaker 12: the whole play. 783 00:31:49,240 --> 00:31:50,360 Speaker 3: And it's an opera. 784 00:31:50,440 --> 00:31:52,640 Speaker 6: I never did an opera before, and that's what really 785 00:31:52,680 --> 00:31:55,000 Speaker 6: attracted me to it because it was so different. 786 00:31:55,120 --> 00:31:57,040 Speaker 2: That's interesting, you say, because when you look at your 787 00:31:57,040 --> 00:32:01,520 Speaker 2: social media, you are definitely very outsp yes, very pro 788 00:32:01,640 --> 00:32:03,360 Speaker 2: black yes and proudly so. 789 00:32:03,680 --> 00:32:03,840 Speaker 1: Yes. 790 00:32:03,960 --> 00:32:06,960 Speaker 2: And Broadway definitely in the past has not been that, 791 00:32:07,200 --> 00:32:07,720 Speaker 2: you know, the. 792 00:32:07,680 --> 00:32:08,520 Speaker 3: Great White Way. 793 00:32:08,640 --> 00:32:11,840 Speaker 2: Great White Way is what they would call it when 794 00:32:11,880 --> 00:32:13,080 Speaker 2: you were starring in The Whiz. 795 00:32:13,320 --> 00:32:13,600 Speaker 7: Yes. 796 00:32:13,880 --> 00:32:14,080 Speaker 1: Yes. 797 00:32:14,160 --> 00:32:16,520 Speaker 2: So do you feel like now that you're back here 798 00:32:16,640 --> 00:32:19,400 Speaker 2: and back on Broadway and I'm sure you've seen a 799 00:32:19,400 --> 00:32:22,640 Speaker 2: few different plays during that time, you feel like things 800 00:32:22,680 --> 00:32:23,640 Speaker 2: have changed much? 801 00:32:24,320 --> 00:32:27,160 Speaker 6: Not much has changed really, you know, but my cast 802 00:32:27,280 --> 00:32:31,720 Speaker 6: is wonderful. And why said much hasn't changes because Hinton 803 00:32:31,760 --> 00:32:32,760 Speaker 6: battle passed away. 804 00:32:33,040 --> 00:32:34,440 Speaker 12: He's won three Tonys. 805 00:32:34,720 --> 00:32:37,520 Speaker 6: They had to go and fight for him to have 806 00:32:37,560 --> 00:32:41,200 Speaker 6: the lights dimmed. But you know, I don't concentrate on that. 807 00:32:41,960 --> 00:32:43,840 Speaker 6: I concentrate on what I want to do and how 808 00:32:43,880 --> 00:32:46,440 Speaker 6: I'm going to do it. I respect them and they 809 00:32:46,480 --> 00:32:47,280 Speaker 6: have to respect me. 810 00:32:47,640 --> 00:32:50,680 Speaker 2: Right now, I am talking to Stephanie Mills the Legend, 811 00:32:51,160 --> 00:32:54,040 Speaker 2: and I think there's no way that people cannot sometimes 812 00:32:54,040 --> 00:32:55,000 Speaker 2: forget a line or. 813 00:32:55,000 --> 00:32:56,680 Speaker 12: Hey, I do have a ride. 814 00:32:58,440 --> 00:32:59,320 Speaker 3: It is impossible. 815 00:32:59,480 --> 00:33:01,320 Speaker 12: I have so many lines to remember. 816 00:33:01,320 --> 00:33:04,680 Speaker 2: But sometimes I'm like, and then they'll just go to 817 00:33:04,760 --> 00:33:06,440 Speaker 2: the next scene and they'll say. 818 00:33:06,360 --> 00:33:08,200 Speaker 12: She'll find a way back, and. 819 00:33:08,200 --> 00:33:11,160 Speaker 2: I do, and people can't tell. Maybe you can tell. 820 00:33:11,680 --> 00:33:14,760 Speaker 2: I don't stop in the audience, so they don't. Yeah, 821 00:33:14,800 --> 00:33:17,160 Speaker 2: so what is something that would be on your vision 822 00:33:17,160 --> 00:33:19,640 Speaker 2: board now? Because it feels like you've done so much, 823 00:33:19,920 --> 00:33:23,240 Speaker 2: You've been with the legends, you know, but people also 824 00:33:23,360 --> 00:33:25,000 Speaker 2: don't know the whole Stephanie Miils story. 825 00:33:25,000 --> 00:33:26,200 Speaker 3: I don't know that we ever will. 826 00:33:26,640 --> 00:33:29,200 Speaker 6: I don't think people will ever know. I think some 827 00:33:29,320 --> 00:33:31,600 Speaker 6: things I will go to my grave. I do plan 828 00:33:31,680 --> 00:33:34,320 Speaker 6: on writing a book, but I plan on writing a 829 00:33:34,320 --> 00:33:36,720 Speaker 6: book on how to survive in the business. 830 00:33:36,880 --> 00:33:39,920 Speaker 12: And certain things that you shouldn't do that I've learned 831 00:33:39,960 --> 00:33:42,360 Speaker 12: over the years that I would love to leave. 832 00:33:42,600 --> 00:33:45,520 Speaker 2: For other people, Like, give me an example of something 833 00:33:45,520 --> 00:33:47,920 Speaker 2: you shouldn't do to survive in the business. I don't 834 00:33:47,920 --> 00:33:51,160 Speaker 2: think you should do anything and everything that people want 835 00:33:51,200 --> 00:33:53,200 Speaker 2: you to do. How old were you when you learned 836 00:33:53,200 --> 00:33:53,680 Speaker 2: that lesson? 837 00:33:53,920 --> 00:33:56,840 Speaker 6: But I was like forty, because you got to remember, 838 00:33:56,840 --> 00:33:58,920 Speaker 6: I have been in the business since I was ten eleven. 839 00:33:59,120 --> 00:34:01,240 Speaker 6: I was always told I was going to be blacklisted, 840 00:34:01,280 --> 00:34:02,800 Speaker 6: and I was going to be this, and I was 841 00:34:02,880 --> 00:34:04,640 Speaker 6: not going to do this, or I'd be like. 842 00:34:04,680 --> 00:34:07,120 Speaker 12: Okay, whatever, but I always kept going. 843 00:34:07,320 --> 00:34:10,000 Speaker 2: Stephanie Mills is here. She is back on Broadway and 844 00:34:10,040 --> 00:34:12,640 Speaker 2: Haiti Town. She has new music, she's doing all the things. 845 00:34:12,640 --> 00:34:14,239 Speaker 2: We got more with her when we come back. It's 846 00:34:14,280 --> 00:34:17,880 Speaker 2: way up with Angela Yee about to do this. 847 00:34:18,120 --> 00:34:19,080 Speaker 1: One is the. 848 00:34:19,080 --> 00:34:22,360 Speaker 5: Famous women in radio audio. Men, we're talking about Angela Ye. 849 00:34:22,400 --> 00:34:24,759 Speaker 5: You're way up with Angela Yee. Please believe that. 850 00:34:25,520 --> 00:34:25,920 Speaker 1: What's up? 851 00:34:25,920 --> 00:34:27,120 Speaker 3: It's way up with Angela Yee. 852 00:34:27,200 --> 00:34:29,440 Speaker 2: I'm here and I am joined by somebody who I 853 00:34:29,480 --> 00:34:31,680 Speaker 2: still get nervous talking to her because I'm such a 854 00:34:31,719 --> 00:34:34,120 Speaker 2: fan Stephanie Mills. And I love when you post some 855 00:34:34,160 --> 00:34:37,480 Speaker 2: of your throwbacks of yourself on that stage back then, 856 00:34:37,520 --> 00:34:38,400 Speaker 2: to see. 857 00:34:38,280 --> 00:34:40,319 Speaker 3: You as like a young young girl. 858 00:34:40,480 --> 00:34:43,239 Speaker 2: Yeah, and you know what, you look exactly the same. No, 859 00:34:43,320 --> 00:34:46,040 Speaker 2: I don't you do your face. You don't look like 860 00:34:46,040 --> 00:34:47,440 Speaker 2: you don't mess with your face or anything. 861 00:34:47,440 --> 00:34:47,560 Speaker 4: You know. 862 00:34:47,840 --> 00:34:48,160 Speaker 12: I haven't. 863 00:34:48,280 --> 00:34:49,120 Speaker 3: I don't have no book. 864 00:34:49,200 --> 00:34:50,080 Speaker 12: The only thing I got a. 865 00:34:50,040 --> 00:34:52,719 Speaker 6: Long long time ago was my nose, okay, but other 866 00:34:52,800 --> 00:34:55,200 Speaker 6: than that, No, I don't know how you maintain this. 867 00:34:55,400 --> 00:34:56,440 Speaker 3: I mean it's amazing. 868 00:34:56,800 --> 00:35:00,600 Speaker 6: I sleep a lot and I stay away from stressful situation. 869 00:35:01,320 --> 00:35:03,200 Speaker 3: You're like, that's why I'm not dating anybody right now? 870 00:35:04,880 --> 00:35:06,759 Speaker 3: You want to do this, Madly mondays, I don't know. 871 00:35:06,880 --> 00:35:09,080 Speaker 12: I love you, love my Madly mondays. 872 00:35:09,120 --> 00:35:09,920 Speaker 3: Look at girls. 873 00:35:11,480 --> 00:35:13,440 Speaker 12: I don't know any of those men. 874 00:35:13,640 --> 00:35:15,600 Speaker 3: So how do you recruit them? How do you pick them? 875 00:35:16,000 --> 00:35:18,960 Speaker 6: Well, I'll pick some pictures and then I'll send it 876 00:35:19,000 --> 00:35:21,880 Speaker 6: to the person that does my mind social media, and 877 00:35:22,239 --> 00:35:23,440 Speaker 6: then we'll pick it together. 878 00:35:23,680 --> 00:35:25,520 Speaker 2: You know, because if you get in a relationship, that's over. 879 00:35:25,600 --> 00:35:27,680 Speaker 2: I don't know if you can you still do man, we'll. 880 00:35:27,560 --> 00:35:30,359 Speaker 12: Still do what I want to do. I don't think 881 00:35:30,400 --> 00:35:30,680 Speaker 12: of you. 882 00:35:30,719 --> 00:35:33,240 Speaker 6: If you're good in a relationship, you should change yourself. 883 00:35:33,400 --> 00:35:34,359 Speaker 6: Of course, you want to be. 884 00:35:34,360 --> 00:35:37,360 Speaker 2: Respectful, right But I don't know any some guy and 885 00:35:37,400 --> 00:35:39,880 Speaker 2: he was doing like you know, women crush Wednesdays. 886 00:35:40,520 --> 00:35:45,040 Speaker 12: It would bother me, No, okay, it would it bother you. 887 00:35:45,480 --> 00:35:46,200 Speaker 3: It depends. 888 00:35:46,239 --> 00:35:46,759 Speaker 1: I don't know. 889 00:35:47,400 --> 00:35:50,239 Speaker 6: If you like somebody and you were dating them and 890 00:35:50,280 --> 00:35:52,000 Speaker 6: they were doing that, and then all of a sudden 891 00:35:52,120 --> 00:35:54,719 Speaker 6: YO got into a relationship, why would you want to 892 00:35:54,760 --> 00:35:56,919 Speaker 6: stop their creativity of what they were doing. 893 00:35:57,080 --> 00:35:59,160 Speaker 12: I don't believe in trying to change somebody. 894 00:35:59,400 --> 00:36:02,440 Speaker 2: Right now, I'm talking to Stephanie Mills, the legend. 895 00:36:02,760 --> 00:36:03,240 Speaker 3: Stephanie. 896 00:36:03,320 --> 00:36:05,440 Speaker 2: You also have a new song out right now is 897 00:36:05,440 --> 00:36:06,799 Speaker 2: called jam and I like it. 898 00:36:06,800 --> 00:36:09,759 Speaker 3: I'm jamming you like it. I like the vibe you know. 899 00:36:10,160 --> 00:36:11,439 Speaker 3: Right you call Roight. 900 00:36:11,520 --> 00:36:12,880 Speaker 6: You called me, he said, I want to send you 901 00:36:12,920 --> 00:36:15,560 Speaker 6: a song. I said okay, and I said, oh, ray, 902 00:36:15,600 --> 00:36:17,520 Speaker 6: I really like this song. I said, who are you 903 00:36:17,560 --> 00:36:18,719 Speaker 6: going to get to sing it? 904 00:36:18,760 --> 00:36:19,359 Speaker 3: He said you. 905 00:36:20,920 --> 00:36:23,960 Speaker 12: I said, okay, I'm here, right, I'm there. 906 00:36:24,040 --> 00:36:26,120 Speaker 6: So we went in the studio and did it with 907 00:36:26,160 --> 00:36:29,920 Speaker 6: the Kick Capri, Dougie Fresh and MC light. 908 00:36:30,120 --> 00:36:33,200 Speaker 2: You know a lot of people are sampling songs now 909 00:36:33,640 --> 00:36:35,520 Speaker 2: from songs that we grew up on. How do you 910 00:36:35,560 --> 00:36:37,279 Speaker 2: feel about artists sampling your music? 911 00:36:37,360 --> 00:36:37,480 Speaker 6: Oh? 912 00:36:37,520 --> 00:36:41,960 Speaker 3: I love it, I said, check it. Just keep it coming. 913 00:36:42,040 --> 00:36:45,280 Speaker 6: That's that's I always call it mailbox money. So that 914 00:36:45,280 --> 00:36:48,120 Speaker 6: that I love it. Sample all you want, take it? 915 00:36:48,280 --> 00:36:48,640 Speaker 12: Take it? 916 00:36:48,719 --> 00:36:51,680 Speaker 3: Yeah, you got this. Just handle the business and man, 917 00:36:51,719 --> 00:36:53,279 Speaker 3: sure I get my money exactly. 918 00:36:53,960 --> 00:36:54,160 Speaker 5: Well. 919 00:36:54,160 --> 00:36:56,560 Speaker 2: Listen, I always appreciate you. I love seeing you every 920 00:36:56,560 --> 00:36:58,640 Speaker 2: single time you're in town. I'm coming to Haititown. I'm 921 00:36:58,640 --> 00:37:00,319 Speaker 2: gonna let all of us, let us let. 922 00:37:00,280 --> 00:37:03,120 Speaker 12: Me know so that when you come and text me, 923 00:37:03,160 --> 00:37:04,000 Speaker 12: you have my phone number. 924 00:37:04,840 --> 00:37:07,640 Speaker 2: I tell you, I get excited if Stephanie Mills, Like 925 00:37:07,800 --> 00:37:10,400 Speaker 2: the first time Stephanie Mills ever texted me, I said, 926 00:37:11,080 --> 00:37:12,799 Speaker 2: I know because I was like, have a good day, 927 00:37:12,960 --> 00:37:15,480 Speaker 2: be careful. Yeah, And I was like, I can't believe 928 00:37:15,480 --> 00:37:17,440 Speaker 2: Stephanie Mills. And I had to like tell my you 929 00:37:17,440 --> 00:37:20,440 Speaker 2: know you even you said stuff that's exciting to me. 930 00:37:20,560 --> 00:37:22,520 Speaker 12: You said, I can't believe you're texting me. I'm just like, 931 00:37:22,560 --> 00:37:24,120 Speaker 12: you're my friend, You're my little baby. 932 00:37:24,160 --> 00:37:27,600 Speaker 2: Now, you know how exapt like other things don't matter 933 00:37:27,680 --> 00:37:29,600 Speaker 2: so much, but when you get a text from these 934 00:37:29,640 --> 00:37:33,320 Speaker 2: Stephanie Mills, you know, it feels exciting. Well, Stephanie Mills 935 00:37:33,320 --> 00:37:35,760 Speaker 2: the legend. Thank you so much for joining me. Everybody, 936 00:37:35,760 --> 00:37:37,560 Speaker 2: make sure y'all go see Hayey time. Make sure y'all 937 00:37:37,600 --> 00:37:40,040 Speaker 2: follow her so you can stay up to date on 938 00:37:40,200 --> 00:37:43,040 Speaker 2: everything that she has going on, but also just your 939 00:37:43,080 --> 00:37:45,160 Speaker 2: opinions and thoughts on things, which I think is so 940 00:37:45,200 --> 00:37:46,080 Speaker 2: important and crucial. 941 00:37:46,360 --> 00:37:47,160 Speaker 12: Thank you. 942 00:37:47,160 --> 00:37:49,360 Speaker 2: You could watch that phone interview on my YouTube channel. 943 00:37:49,400 --> 00:37:51,239 Speaker 2: Way up with you and when we come back, you 944 00:37:51,280 --> 00:37:52,960 Speaker 2: guys have the last word, pick. 945 00:37:52,920 --> 00:37:56,319 Speaker 10: Up the phone, gets your voice heard? 946 00:37:56,400 --> 00:37:59,400 Speaker 5: What the word bitch? Here is the last word? On 947 00:37:59,480 --> 00:38:00,760 Speaker 5: way Angela? Ye? 948 00:38:00,960 --> 00:38:02,879 Speaker 3: What's up? His way up at Angela? Yee, I'm here. 949 00:38:02,960 --> 00:38:05,680 Speaker 3: My guy beat out his here, we beat out, say goodbye. 950 00:38:05,880 --> 00:38:08,280 Speaker 2: I can't wait to see number one when you post 951 00:38:08,320 --> 00:38:12,040 Speaker 2: your take on the Atlanta Top fifty Rappers in complex? 952 00:38:12,120 --> 00:38:13,359 Speaker 3: What people have to say about that? 953 00:38:13,560 --> 00:38:13,880 Speaker 1: Yes? 954 00:38:14,120 --> 00:38:16,879 Speaker 2: And then number two people responded, what you said about 955 00:38:16,880 --> 00:38:18,760 Speaker 2: this rapper Ian that Boo signed? 956 00:38:18,880 --> 00:38:20,759 Speaker 7: Listen, I will not tell a lot man. I am 957 00:38:20,760 --> 00:38:22,400 Speaker 7: the name you could trust in hip hop when it 958 00:38:22,400 --> 00:38:23,080 Speaker 7: comes to music. 959 00:38:23,120 --> 00:38:26,200 Speaker 1: Are you ever wrong? Rarely? Why are you laughing? 960 00:38:28,280 --> 00:38:30,040 Speaker 3: He's going to become a meme again? All right? 961 00:38:30,560 --> 00:38:32,640 Speaker 2: But again today is Maino Days. So if you're going 962 00:38:32,719 --> 00:38:34,879 Speaker 2: to be in Brooklyn, come and check us. I'm about 963 00:38:34,920 --> 00:38:37,160 Speaker 2: to head out there when I leave here, So I'm 964 00:38:37,160 --> 00:38:38,799 Speaker 2: excited for that shut out to my guy, mana, he 965 00:38:38,800 --> 00:38:39,719 Speaker 2: got his own day? 966 00:38:39,960 --> 00:38:41,480 Speaker 1: How do you celebrate May No Day? 967 00:38:41,520 --> 00:38:44,799 Speaker 2: Like you said to kidnap someone? Are you gonna say 968 00:38:44,800 --> 00:38:47,480 Speaker 2: that on the air you already said it. You might 969 00:38:47,560 --> 00:38:51,360 Speaker 2: end up in the trunk somewhere beat auto basement. No, 970 00:38:51,400 --> 00:38:53,239 Speaker 2: but shout out to my guy main on that insur real, 971 00:38:53,280 --> 00:38:54,920 Speaker 2: my brf, my best rapper. 972 00:38:54,680 --> 00:38:56,120 Speaker 1: Friend Mana for a long time. 973 00:38:56,239 --> 00:38:58,680 Speaker 2: I know somebody in here said y'all should do a 974 00:38:58,680 --> 00:39:02,080 Speaker 2: show together, making a show. Shout out to Stephanie Mills. 975 00:39:02,080 --> 00:39:04,520 Speaker 2: She's in Hadestown on Broadway and she joined us today. 976 00:39:04,520 --> 00:39:07,240 Speaker 2: You can see that foot interview on Way Up with Ye. 977 00:39:07,440 --> 00:39:10,719 Speaker 2: It's also curl Fest this weekend, so you guys make 978 00:39:10,719 --> 00:39:12,560 Speaker 2: sure you head out to curl Fest. There's a lot 979 00:39:12,600 --> 00:39:14,640 Speaker 2: going on. You like the Fanatics Fest you were talking 980 00:39:14,640 --> 00:39:14,960 Speaker 2: about that. 981 00:39:15,040 --> 00:39:16,920 Speaker 1: I plan on going to that this weekend. Okay, the 982 00:39:16,960 --> 00:39:17,680 Speaker 1: weather holds. 983 00:39:17,520 --> 00:39:20,760 Speaker 2: Up, It's an active weekend. You guys, enjoy it. Be safe, 984 00:39:20,760 --> 00:39:22,480 Speaker 2: and this show is all about you. So you have 985 00:39:22,600 --> 00:39:23,240 Speaker 2: the last word. 986 00:39:23,800 --> 00:39:26,120 Speaker 9: Yeah, I had slept with my mom best friend. 987 00:39:26,320 --> 00:39:29,239 Speaker 4: This lady know me since I was thirteen, Like last night, 988 00:39:29,320 --> 00:39:30,120 Speaker 4: just got out wold. 989 00:39:30,160 --> 00:39:31,520 Speaker 10: But I get married in two weeks. 990 00:39:31,640 --> 00:39:33,560 Speaker 12: I just had to let this out before y'all, I 991 00:39:33,600 --> 00:39:34,480 Speaker 12: mean before I get me. 992 00:39:34,600 --> 00:39:37,319 Speaker 11: I'm still gonna marry my behindy, but I just slept 993 00:39:37,360 --> 00:39:38,399 Speaker 11: with my mom best friend. 994 00:39:39,040 --> 00:39:42,400 Speaker 4: Hey, my name is Sean. I'm from cmd Camden, New Jersey. 995 00:39:42,560 --> 00:39:44,880 Speaker 4: I want to shine a light on my Mom, she's 996 00:39:44,920 --> 00:39:48,000 Speaker 4: the best mom ever. I know you shick right now, 997 00:39:48,040 --> 00:39:50,200 Speaker 4: but you're going to get better and I'm here for 998 00:39:50,239 --> 00:39:52,239 Speaker 4: you and I will be here for you for the 999 00:39:52,320 --> 00:39:55,239 Speaker 4: rest of my life, your life, everybody life. I love 1000 00:39:55,320 --> 00:39:56,040 Speaker 4: you best, Mom. 1001 00:39:57,040 --> 00:39:59,080 Speaker 5: You bribe me way you up with Angela Yee