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Speaker 1: Are you leaving? I you wanna way back home?

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Speaker 2: Either way, we want to be there. Doesn't matter how

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Speaker 2: much baggage you claim and give us time and a

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Speaker 2: termino and gage aid.

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Speaker 1: We want to send you off in style. We wanna

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Speaker 1: welcome you back home.

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Speaker 2: Tell us all about it. We scared her? Was it fine?

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Speaker 3: Now?

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Speaker 2: Porn? Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride?

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Speaker 2: Do you need to ride? Do you need to ride?

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Speaker 1: Do your need to.

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Speaker 4: Ride with Karen and Chris.

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Speaker 1: Welcome to Do you need a ride? This is Chris Fairbanks.

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Speaker 2: This is Karen Kilgariff.

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Speaker 5: This is part two in our epic cliffhanger saga where

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Speaker 5: the last you saw me, I was about to go

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Speaker 5: off a jump in a truck, but I froze in midair.

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Speaker 2: Frozen midair. Anything could happen in mid air?

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Speaker 1: Oh? Could boss Hog lose interest and stop chasing me? Perhaps?

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Speaker 2: What if boss Hog got a hobby and started leaving

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Speaker 2: the Duke boys alone?

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Speaker 5: Yeah, he started wearing more leisure wear, fewer white suits, maybe.

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Speaker 2: Going on a couple casual coffee dates just to see

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Speaker 2: who's out there in their little town.

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Speaker 5: It is strange to me that one of my favorite

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Speaker 5: shows as a child included a vehicle that on top

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Speaker 5: of it had the rebel Confederate flag, And I do

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Speaker 5: remember my dad saying that's bad.

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Speaker 1: By the way, that's a bad flag. Well it's not

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Speaker 1: a bad car. Turn it up.

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Speaker 2: Yeah, it was not good to have something that bad

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Speaker 2: just there for the kids to enjoy. That kind of

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Speaker 2: shit where it's like, yeah, this this the racism is

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Speaker 2: long held tradition in this country.

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Speaker 5: Well it was during that time where people were like,

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Speaker 5: oh no, this flag's of history.

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Speaker 1: It's a historical. And because they had the.

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Speaker 5: Characters like no, we have all types of different friends.

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Speaker 5: There was no like hate in the scripts. But that

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Speaker 5: just on the car that yeah.

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Speaker 1: It was a man, it's crazy to think that now. Anyway.

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Speaker 5: I like on the show how they were driving and

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Speaker 5: there's a green screen behind them.

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Speaker 1: Of course they're just sitting in a car that two

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Speaker 1: gaffers are shaking.

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Speaker 5: Yeah, and they everyone's what's so bad at acting like

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Speaker 5: they were driving. It's like they never had driven before.

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Speaker 5: Just oh, I'm under dirt road, so I'm gonna gyrate

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Speaker 5: side the side like Chris Farley character.

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Speaker 2: Also, how long did they have to film like that

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Speaker 2: where they're just like, okay, now, okay, we have to

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Speaker 2: pick up another one of these for scene five, scenes eight,

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Speaker 2: scene twenty, Like that's all they did.

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Speaker 1: Oh, you're right, change your shirt. We have another driving scene.

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Speaker 2: Yeah, yeah, we have to race around.

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Speaker 5: Yes, it's driving that we can't relate to, or certainly

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Speaker 5: you can't because you are a calm, fluid driver.

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Speaker 2: No no, no, no, no, no, no no no. That's the

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Speaker 2: other thing. Their horn was the fucking Dixie's. That's also racist.

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Speaker 1: That's like a battle horn.

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Speaker 3: Right.

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Speaker 2: Oh boy, that guy's sick of waiting for me to Goh.

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Speaker 2: The thing that I when, uh, I think for me,

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Speaker 2: my real awareness of how crazy the Confederate flag being

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Speaker 2: places and people offending it is was I think it

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Speaker 2: was probably during the George Floyd protest and someone was like,

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Speaker 2: it's a loser flag. Why do we have to look

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Speaker 2: at it? They lost? And I was like, oh my god,

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Speaker 2: that's so true. It's like you don't all these statues

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Speaker 2: or these flags are all those things, those are the losers.

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Speaker 1: Yeah.

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Speaker 5: I remember that being and it being such a small

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Speaker 5: period in time too. The Confederacy was just like a

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Speaker 5: handful of years, right, and why is it being remembered

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Speaker 5: in that way. It was really and we know the

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Speaker 5: answer system. Oh, the guy that blew us off the

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Speaker 5: road looks like he was a big fan of I

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Speaker 5: don't know.

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Speaker 1: I judge trucks, don't judge.

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Speaker 5: I judge big black trucks with big American flags on them.

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Speaker 2: But you know, Thin Blue Line Guy.

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Speaker 5: Which is a documentary. I forget his name, Eryl Morris,

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Speaker 5: Errol Morris, and it is what you can do recap

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Speaker 5: that for me. I'd love to a documentary I haven't

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Speaker 5: seen forever. It's a story of a vehicular stop.

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Speaker 2: I can't remember where it took place, what state it

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Speaker 2: took place in. Essentially, the cop ended up shooting the person,

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Speaker 2: and the way it got covered up and worked through

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Speaker 2: the system. There was a witness, there was a person

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Speaker 2: who was murdered. I don't really remember much else, but

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Speaker 2: the way Errol Morris oops, the way Errol Morris did

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Speaker 2: it and directed it. It was kind of like, here's what

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Speaker 2: was presented, and then you watch it that way, and

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Speaker 2: then you see it again and here's actually what happened.

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Speaker 2: And it was just a very fascinating and kind of

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Speaker 2: provocative way to explain a true crime story.

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Speaker 1: Yeah. Yeah.

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Speaker 5: He also made another documentary about that autistic woman that

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Speaker 5: through Temple Granted Temple Grandon, they hold the weighted blanket

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Speaker 5: and they thinking of humane slaughter methods because she was

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Speaker 5: like a four h you know, she's like a teachers

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Speaker 5: at a college.

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Speaker 2: And she was like me, a four eh superstar.

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Speaker 1: Yes, early four superstar who was like, hey, this.

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Speaker 5: Old way with the no country for old men bolt

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Speaker 5: gun is bad and figured out the maze where they're

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Speaker 5: comforted or whatever at the last minute. There's an Arrol

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Speaker 5: Morris documentary about her. And there are people I know

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Speaker 5: in Denver that went to school in Fort Collins and

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Speaker 5: she was their professor.

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Speaker 2: Did they like learning from her?

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Speaker 1: I think so. I think everyone liked her.

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Speaker 2: I bet she would be an incredible teacher because she

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Speaker 2: really loves and cares about her subject.

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Speaker 1: Yeah, yeah, passionate about it.

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Speaker 2: And also she really helped people with the cow hugging

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Speaker 2: machine concept, which is certain people are very comforted and

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Speaker 2: soothed by that kind of pressure, which I don't think

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Speaker 2: people understood before.

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Speaker 1: Have you ever tinkered with a weighted blanket?

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Speaker 2: Oh? Hell yeah, that pink It looks like it's a

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Speaker 2: big crocheted blanket. It sometimes is on my couch. Yeah,

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Speaker 2: that thing weighs twenty pounds.

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Speaker 1: It's like chain mail.

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Speaker 5: It's like BB's yes, and you put it on your chest,

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Speaker 5: you are out.

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Speaker 2: It's the greatest. It's also you may have experienced it

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Speaker 2: at the dentist's office when they put that lead thing

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Speaker 2: right that were X rays used to be my favorite.

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Speaker 2: I'd be like, can you leave this on for the

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Speaker 2: rest of the time, and my dentist would laugh at me.

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Speaker 5: It's yeah, he's like, oh, she's comforted by a deflecting radiation.

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Speaker 2: Yeah, he didn't get it.

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Speaker 1: Yeah, it's it puts it asleep.

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Speaker 5: But then at three am suddenly it seems like someone's chitting,

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Speaker 5: like shitting sitting, or they could be doing both and

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Speaker 5: on your chest careful.

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Speaker 1: It's a terrible way to wake up.

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Speaker 2: Either way.

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Speaker 1: Yeah panicked, Uh yeah, but yeah I am.

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Speaker 2: There was also Did you ever see Doctor Death? That's

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Speaker 2: one of the most incredible documentaries ever. It's about the

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Speaker 2: guy who worked on the electric chair and became he

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Speaker 2: became a Holocaust denier because he got pulled into he

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Speaker 2: started speaking. It's the most you have to see it.

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Speaker 2: It's the most amazing documentary what is.

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Speaker 1: The name of the.

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Speaker 5: Podcast that's about the murdering doctor. Oh, that's that you've

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Speaker 5: talked about on your other fav.

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Speaker 1: That's not mister Death.

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Speaker 2: I think it happened in Death Soon Death. That's not

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Speaker 2: also doctor Death.

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Speaker 5: I feel like it is which you know, one's a podcast,

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Speaker 5: the show.

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Speaker 2: Maybe it's doctor Death is the podcast, Mister Death is

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Speaker 2: the documentary.

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Speaker 5: I think the documentary is call me Greg, mister Death

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Speaker 5: as my father.

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Speaker 2: I think it is mister Death, The Rise and Fall

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Speaker 2: of Fred. Ah. Okay, that's it.

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Speaker 1: So he's not a doctor, it's me. That's the difference.

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Speaker 2: Well, that's the actual point of the whole documentary, and

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Speaker 2: that will help me remember it in the future. Uh,

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Speaker 2: he's not a doctor, he's not an expert, and yet

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Speaker 2: he starts putting together this theory about how the Holocaust

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Speaker 2: didn't happen, and it is so insaneikes and so awful.

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Speaker 2: And so it's this example of people getting caught up

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Speaker 2: in like the glory and the compliment of a group

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Speaker 2: of people going, you're an expert and we believe you,

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Speaker 2: right when he's like, it's like, no, you're not.

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Speaker 5: It's because there's a third one that it's something death,

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Speaker 5: and it's a doctor that kept putting plastic trachea like

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Speaker 5: doing what would have been maybe state of the art

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Speaker 5: dipping plastic devices implants in stem cells, like maybe eventually

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Speaker 5: would be the future of certain surgeries, but just trying

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Speaker 5: it out on people and everyone was dying, and they

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Speaker 5: kept moving him to a different hospitals, very much like

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Speaker 5: I think that's monsignor death.

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Speaker 1: No, it's another.

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Speaker 2: Promising A Catholic priest was also a surgeon.

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Speaker 5: This is another doctor one. And I swear that there's

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Speaker 5: too many doctor deaths.

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Speaker 1: There's many of them.

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Speaker 5: And this wasn't the guy that that podcast is based on,

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Speaker 5: the drug addict guy that.

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Speaker 2: Was killing people a spinal surgeon.

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Speaker 1: Yeah, scary.

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Speaker 5: There are people just with unshakable confidence and also.

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Speaker 2: No compassion mental illness. Mental illness is what I'm trying

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Speaker 2: to say, that's what you were looking for.

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Speaker 5: Yeah, I find confidence to be a mental illness.

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Speaker 1: That's how I was raised.

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Speaker 5: I read doubt myself in Sabotage my own comedy, but

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Speaker 5: I know it comes from a place of health.

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Speaker 2: Also, I think maybe the thing you're talking about was

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Speaker 2: it was like the third season of Doctor Death. So

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Speaker 2: it was the podcast with a different doctor doing the show.

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Speaker 5: Yeah, well it's a Netflix thing. I live a moving

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Speaker 5: picture shows.

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Speaker 2: Yeah.

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Speaker 1: Town to town, Oh got it?

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Speaker 3: Yeah, up and down the Yeah.

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Speaker 1: Yeah, but look out, a lot of them are pickpockets.

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Speaker 2: A lot of doctors are pickpockets.

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Speaker 5: Yes, yes, I mean especially if you're not insured, they'll

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Speaker 5: take your money.

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Speaker 1: Yo.

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Speaker 2: Yeah, yoh yeah.

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Speaker 1: Very excited for today's guest.

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Speaker 2: If we if we could, just if we could just

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Speaker 2: get there.

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Speaker 1: It's very deep part of town.

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Speaker 2: Yes, we're so far into the valley that it's nineteen

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Speaker 2: eighty seven.

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Speaker 5: Something happened where that La River. And believe it or not,

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Speaker 5: it's a real river. You see it in Greece and

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Speaker 5: other movies because it's surrounded by cement.

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Speaker 1: It's an actual river and if you don't navigate it correctly,

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Speaker 1: you've got to drive to go around it.

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Speaker 2: Yeah that's true.

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Speaker 1: Yeah I could have said that better, but you know

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Speaker 1: what I mean.

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Speaker 2: Hey, look, I think a lot of people got to

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Speaker 2: know the La River during this last what the press

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Speaker 2: called a life threatening storm system that blew through La

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Speaker 2: and the La River got very full.

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Speaker 1: It became an I think they called it atmospheric river.

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Speaker 2: It wit you know the atmospheric river was just the

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Speaker 2: rain itself in the sky. Oh okay, and then our

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Speaker 2: river got very full. It was like, look at the river.

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Speaker 2: And then a bunch of other people were like, yeah, hey,

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Speaker 2: real quick, that's what it's supposed to do, right, This

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Speaker 2: is all according.

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Speaker 5: To plant right, that's why the cement embankments are embankments.

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Speaker 2: Is that a school? It is?

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Speaker 1: It's geel?

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Speaker 5: What kind soccer camp? Those kids are forced to play

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Speaker 5: soccer in bright white.

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Speaker 2: Clothing, religious soccer.

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Speaker 1: And look a skate park? Hey where are we we're.

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Speaker 2: In We're deep in the valley.

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Speaker 5: Now I feel like I'm about to get on a

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Speaker 5: private jet.

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Speaker 1: Isn't there an airport over here?

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Speaker 2: I think so?

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Speaker 1: Uh yeah, those were my opening for famous people.

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Speaker 2: Days, your private jet days.

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Speaker 1: Yeah.

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Speaker 5: Now I just get on big old commercial airliners. That's

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Speaker 5: how I like it, reve and elbows with the public.

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Speaker 5: No more private jets for me. It's a choice.

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Speaker 2: Yep, you're in charge.

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Speaker 1: Yeah, it's just what I prefer.

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Speaker 2: I prefer never being on a commercial flight because there

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Speaker 2: is literally no more space to be on a plane anymore.

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Speaker 2: It's so psychotic.

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Speaker 5: Oh right, They have slowly, without making an announcement, taking

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Speaker 5: away all the leg room and the ability to recline.

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Speaker 1: In most cases, yeah.

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Speaker 5: Unless you go really you know, throw some money at

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Speaker 5: one of the big Delta United, you pretty much have

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Speaker 5: to stay still and no recline.

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Speaker 2: And you have to hope that you don't have a

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Speaker 2: person who doesn't understand physical boundaries with other people.

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Speaker 1: Yes, someone that takes their shoes off I know here.

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Speaker 2: In parentheses, or someone that just splits their legs apart

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Speaker 2: like their like that's a choice, and they get to

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Speaker 2: come into your area because they're a man. Let's just

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Speaker 2: say it. Well, yeah, yeah, it's men.

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Speaker 1: Yeah, I spend time. Yeah, it really happened.

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Speaker 2: Weirdly, spreading their legs to a degree where you're just like,

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Speaker 2: what's wrong in there?

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Speaker 1: Yeah?

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Speaker 5: And a lot of times do you think they're doing

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Speaker 5: that because they want to chat or.

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Speaker 2: Just because they belie believe that that is their right

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Speaker 2: to do it, and everybody around them is like, I'm

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Speaker 2: afraid he'll kill me if I say anything, right it is.

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Speaker 1: Yeah, that's where I always wear a hood. What I

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Speaker 1: just say, you can put it over your head. Oh okay, yeah,

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Speaker 1: they don't want to kill you after that, and you.

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Speaker 2: Don't have to talk well, yeah, they don't have a

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Speaker 2: choice to. Yeah, but I mean it's kind of understandable

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Speaker 2: because there is no space or room. But those are

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Speaker 2: the kind of people. It's like, there's no space or room,

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Speaker 2: I'm going to do this, And it's like, right, you're

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Speaker 2: not punishing Delta right now, you're punishing me, right.

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Speaker 5: Right, Yeah, your punk rock legs spreading is not against

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Speaker 5: the man.

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Speaker 1: It's against the one man next to me.

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Speaker 5: Please stop being so punk rock this man right here

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Speaker 5: and put your socks back on.

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Speaker 2: I mean, that is the grossest of all time.

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Speaker 1: Oh yeah.

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Speaker 2: Also the women that slip their hair over the seat

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Speaker 2: and put their long hair.

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Speaker 1: That's always surprising. That one's nuts because if.

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Speaker 5: I had long hair, I would be so terrified if

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Speaker 5: it was hanging beckoning someone behind me.

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Speaker 2: I feel like I've seen video of people cutting people's

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Speaker 2: hair that do that, which I'm like, yeah, that's your right.

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Speaker 5: And it's weird. It must be a past life. But

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Speaker 5: my biggest fear is it being dipped in an ink. Well,

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Speaker 5: you know how they take your pigtails.

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Speaker 2: You're acting like you're the one with the hair right

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Speaker 2: now though.

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Speaker 5: Yeah, oh yes, I'm the victim. I have blonde pigtails.

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Speaker 2: Huh.

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Speaker 1: And my name is Laura.

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Speaker 5: Angles and you know, yeah, it's why my dad always

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Speaker 5: said don't dip your pen in the company ink.

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Speaker 1: I think it was about now that was something else.

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Speaker 1: Little house, Yeah, yeah, yeah, it was about little house.

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Speaker 2: Yeah, just a little house, reference a little one.

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Speaker 5: I'm very excited for a guest. I'm also excited for

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Speaker 5: a pond pickup. I'm going to take.

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Speaker 2: Off my jacket because you're quite warm.

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Speaker 1: I am quite warm. That's one thing about the sea.

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Speaker 1: And in this town, they will change on a dime.

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Speaker 2: Absolutely got a layer.

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Speaker 1: I brought a jacket because it gets cold at night.

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Speaker 5: It's pretty cold at night, like not compared to other

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Speaker 5: places with blizzards. But daytime, it was surfing safari shorts.

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Speaker 1: It's just that time of year.

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Speaker 2: This morning, though, I went out at seven am, as

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Speaker 2: I like to do to greet the day. It was

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Speaker 2: fucking freezing outside, truly freezing.

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Speaker 5: Did you what do you do at seven am? Like

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Speaker 5: just leave the house and hit the streets?

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Speaker 2: No, no, I just want, you know, me and the

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Speaker 2: dogs go outside, yea, and me like see what's going down?

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Speaker 2: And yeah, drink coffee outside and listen to birds. I

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Speaker 2: watched a thing on TikTok that said listening to birds

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Speaker 2: song is like one of the best things you can

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Speaker 2: do for your mental health, which I didn't know.

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Speaker 5: Yeah, and for dogs, letting them go out and smell

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Speaker 5: all new smells is very important to their mental Yeah,

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Speaker 5: you gotta do it.

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Speaker 1: You gotta let dogs stink different.

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Speaker 5: Smells, stink it or smell different stinks. I think you know,

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Speaker 5: is this the house? This is straight out of I

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Speaker 5: mean it's beautiful, It's I.

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Speaker 1: Really like it. Look at that foliage.

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Speaker 5: Here he is ladies and gentlemen. He's standing outside my window.

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Speaker 5: He'll know to come in soon.

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Speaker 1: You know him from clubs?

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Speaker 2: No, no, no, just a couple of minutes I.

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Speaker 3: Was I didn't see you, and then I sort of

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Speaker 3: just go out and I saw you were over here.

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Speaker 3: You are good to see you.

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Speaker 5: Our guest today has done clubs and colleges throughout the

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Speaker 5: continental United States as well as Canada. Put your ears

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Speaker 5: together for our friend Brett Weinbach.

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Speaker 3: Hi, thank you are already starting yet. Yeah, I'm do

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Speaker 3: you say? How am I I'm good?

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Speaker 1: How How are you?

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Speaker 3: How am I?

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00:19:00,920 --> 00:19:04,040
Speaker 1: I did the opposite with your Uh yeah.

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Speaker 3: You mean you said my name without an R E no, no, no,

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00:19:06,840 --> 00:19:09,679
Speaker 3: without a wait without an N, and then you added

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Speaker 3: an R to THET.

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Speaker 5: I knew there was a consonant floating around looking for

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Speaker 5: a home, and I just picked the wrong one in

365
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Speaker 5: the wrong place.

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Speaker 1: Sorry.

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Speaker 2: Yeah, what a beautiful house that is.

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Speaker 3: Yeah, well, I don't what you were waiting outside of

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Speaker 3: a different house, I think, And I wonder if you

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Speaker 3: think that's the house.

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Speaker 1: Oh that's so funny.

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Speaker 2: It wasn't the house that we were kind of in

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Speaker 2: front of.

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Speaker 3: No, they think you were in front of the next house.

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00:19:35,359 --> 00:19:39,199
Speaker 3: Oh no, sorry, which is fine. I mean, you know

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Speaker 3: there's more of a mistique that way.

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Speaker 2: Yeah, that's right.

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Speaker 3: You just have no idea. You didn't really probably absorb

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Speaker 3: in any of the houses.

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00:19:44,640 --> 00:19:47,200
Speaker 2: That were around, and so yeah, we have no idea.

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Speaker 3: You have no idea the shack that I live in.

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00:19:49,119 --> 00:19:52,440
Speaker 5: Yeah, there were shacks left and right, and we got

383
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Speaker 5: sucked in by the beautiful foliage next door.

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Speaker 3: Well that mansion. Yeah, it's oh yeah so that yeah,

385
00:19:58,840 --> 00:20:02,240
Speaker 3: well that the mansions have voiliage. So, but shacks don't

386
00:20:02,240 --> 00:20:04,240
Speaker 3: have foliage. If it doesn't have foliage as a shack.

387
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Speaker 2: Basically, how was the shock during the recent rainstorm. Is

388
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Speaker 2: that you did it all fall apart?

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00:20:09,840 --> 00:20:13,160
Speaker 3: Yeah, that would just rebuild it. You know, we're it's

390
00:20:13,160 --> 00:20:16,120
Speaker 3: still a work in progress, you know, but hopefully next

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Speaker 3: time we'll I we'll use brick this next time. Yeah,

392
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Speaker 3: and hopefully it won't get blown over.

393
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Speaker 1: The third time. It's a third time.

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Speaker 3: Actually, yeah, I'm using what is it straw this time? Yeah,

395
00:20:26,000 --> 00:20:27,720
Speaker 3: so I'm going to test that out. It probably won't

396
00:20:27,760 --> 00:20:29,040
Speaker 3: work out. Next time will be brick.

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Speaker 5: Yeah, it's weird that you started with sticks and then

398
00:20:31,720 --> 00:20:36,439
Speaker 5: went to straw because traditionally, and I'm no contractor or.

399
00:20:36,560 --> 00:20:39,959
Speaker 1: Pig, it's or wolf.

400
00:20:42,080 --> 00:20:45,560
Speaker 5: Or a golden haired girl looking for a comfortable bed.

401
00:20:45,840 --> 00:20:47,440
Speaker 5: Am I confusing stories?

402
00:20:47,640 --> 00:20:50,600
Speaker 3: I mean you aren't that well No, I mean you

403
00:20:50,640 --> 00:20:53,280
Speaker 3: wouldn't be. I think the same character is in Little

404
00:20:53,320 --> 00:20:56,880
Speaker 3: Red Riding Hood. I think that the wolf, same wolf.

405
00:20:57,160 --> 00:20:59,800
Speaker 3: It couldn't be a similar wolf. Maybe maybe they're related

406
00:20:59,840 --> 00:21:02,080
Speaker 3: to this idea. A quick question, where are we going

407
00:21:02,240 --> 00:21:02,760
Speaker 3: that care? No?

408
00:21:02,840 --> 00:21:04,240
Speaker 2: Where do you have anywhere you need to be?

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Speaker 3: I was trying to think of something that we could do,

410
00:21:07,080 --> 00:21:09,720
Speaker 3: and I mean I was thinking maybe I could we

411
00:21:09,760 --> 00:21:12,200
Speaker 3: could pick up I could pick up some sandwiches, a

412
00:21:12,200 --> 00:21:15,800
Speaker 3: Paris Bagett amazing that maybe some pastries as well. I

413
00:21:15,840 --> 00:21:16,159
Speaker 3: don't know.

414
00:21:16,240 --> 00:21:17,200
Speaker 1: Do they have a drive through?

415
00:21:17,720 --> 00:21:19,280
Speaker 3: No, it's not a drive through, but it's a quick

416
00:21:19,359 --> 00:21:20,800
Speaker 3: running and get it. Or is it better if we

417
00:21:20,840 --> 00:21:22,879
Speaker 3: just stay in, I mean, do it? I don't know.

418
00:21:22,920 --> 00:21:24,320
Speaker 3: It was just a thought. You know, it's back the

419
00:21:24,320 --> 00:21:25,040
Speaker 3: other way though, if you.

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00:21:27,480 --> 00:21:31,440
Speaker 2: Should we do like some sort of a pastry tasting. Yeah,

421
00:21:31,920 --> 00:21:33,200
Speaker 2: you want them for yourself?

422
00:21:33,560 --> 00:21:34,719
Speaker 3: We could do that. Why don't we do that?

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00:21:34,760 --> 00:21:35,000
Speaker 1: Okay?

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00:21:35,080 --> 00:21:37,679
Speaker 3: Yeah, what are you? What are you interested in? Not

425
00:21:37,720 --> 00:21:39,359
Speaker 3: to get away from the big bad wolf. We can

426
00:21:39,400 --> 00:21:40,200
Speaker 3: get back exactly.

427
00:21:41,240 --> 00:21:43,280
Speaker 5: My back started to sweat because I thought we weren't

428
00:21:43,280 --> 00:21:44,680
Speaker 5: going to revisit this wolf thing.

429
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Speaker 3: Okay, we'll talk about the pastries when we get closer

430
00:21:46,960 --> 00:21:49,480
Speaker 3: to the spot. That was just an idea. By the way,

431
00:21:49,480 --> 00:21:51,960
Speaker 3: we could go to Trader Joe's also and find some

432
00:21:52,040 --> 00:21:52,640
Speaker 3: treats there.

433
00:21:52,680 --> 00:21:55,440
Speaker 2: But maybe I like pastry. Its fancy.

434
00:21:55,600 --> 00:21:56,600
Speaker 3: Yeah, okay, let's do that.

435
00:21:56,800 --> 00:21:59,720
Speaker 5: And people, that's one thing we've learned about this podcast.

436
00:21:59,760 --> 00:22:03,080
Speaker 1: We love They love when we eat into our microphones.

437
00:22:03,960 --> 00:22:06,040
Speaker 3: Oh yeah, yeah, yeah. What's the name of the place,

438
00:22:06,160 --> 00:22:07,880
Speaker 3: like Paris bag Get. You know it's a chain.

439
00:22:08,280 --> 00:22:11,480
Speaker 1: Oh, I've never heard of Paris, but yet.

440
00:22:11,960 --> 00:22:14,560
Speaker 3: It's a chain. Look, I could I don't mind getting

441
00:22:14,600 --> 00:22:16,919
Speaker 3: some sandwiches there for myself that I could stock up

442
00:22:16,920 --> 00:22:20,000
Speaker 3: on for the tomorrow or something, you know. And they

443
00:22:20,040 --> 00:22:23,040
Speaker 3: have this one sandwich that I like. I mean, I

444
00:22:23,040 --> 00:22:24,560
Speaker 3: would almost go as far as say I love it,

445
00:22:24,600 --> 00:22:28,600
Speaker 3: but that's a strong word. But it's it has bree

446
00:22:28,680 --> 00:22:31,359
Speaker 3: cheese and apple in it, or maybe even pair and

447
00:22:31,400 --> 00:22:33,560
Speaker 3: that could really kind of get me going. You know,

448
00:22:34,720 --> 00:22:36,679
Speaker 3: the sandwich has pear and bree cheese in it.

449
00:22:36,840 --> 00:22:40,080
Speaker 1: Yeah, that'll loot light a fire under your taste buds.

450
00:22:40,400 --> 00:22:42,920
Speaker 2: Is that the sandwich where you tuck your napkin into

451
00:22:42,920 --> 00:22:44,560
Speaker 2: the top of your shirt before you eat it.

452
00:22:44,680 --> 00:22:47,440
Speaker 3: I would do that with any sandwich I think, Yeah, yeah,

453
00:22:47,520 --> 00:22:50,120
Speaker 3: just to keep it clean, you know. Yeah, I practice

454
00:22:50,160 --> 00:22:52,560
Speaker 3: safe eating safe.

455
00:22:54,440 --> 00:22:57,080
Speaker 1: When I was a kid, I think probably fourth grade,

456
00:22:57,119 --> 00:22:59,280
Speaker 1: we're supposed to design.

457
00:22:59,000 --> 00:23:01,600
Speaker 5: And invent an invention as if it was going to

458
00:23:01,680 --> 00:23:05,919
Speaker 5: get patented. It was just a project and mine was,

459
00:23:06,000 --> 00:23:09,600
Speaker 5: oh yeah, a tablecloth, and my mom helped me make

460
00:23:09,680 --> 00:23:14,840
Speaker 5: it for an entire table that had a little tail

461
00:23:14,960 --> 00:23:20,159
Speaker 5: on it that you chucked into your shirt, so you

462
00:23:20,240 --> 00:23:22,560
Speaker 5: were it was like a bridge for all the food,

463
00:23:22,960 --> 00:23:28,080
Speaker 5: so you could be the ultimate sob. And I still

464
00:23:28,080 --> 00:23:29,080
Speaker 5: think I should take.

465
00:23:28,960 --> 00:23:29,359
Speaker 1: That to it.

466
00:23:29,320 --> 00:23:31,439
Speaker 3: It's not a bad idea. I have seen that that

467
00:23:32,000 --> 00:23:35,960
Speaker 3: not with a tail, you know, not so designed, you know,

468
00:23:36,040 --> 00:23:36,919
Speaker 3: but I've seen.

469
00:23:36,680 --> 00:23:38,800
Speaker 1: That just a red lobster bib.

470
00:23:39,200 --> 00:23:39,360
Speaker 2: No.

471
00:23:39,359 --> 00:23:41,760
Speaker 3: No, I've seen someone were in a cartoon or something

472
00:23:41,920 --> 00:23:46,240
Speaker 3: use the tablecloth as a bib, right, but not designed

473
00:23:46,400 --> 00:23:48,119
Speaker 3: for that to happen, you know what I mean. That

474
00:23:48,240 --> 00:23:50,840
Speaker 3: was sort of their own, but you're kind of adding

475
00:23:51,080 --> 00:23:55,280
Speaker 3: this extra piece to it that can make it more practical.

476
00:23:55,440 --> 00:23:58,600
Speaker 5: It would be funny if my invention actually just came

477
00:23:58,680 --> 00:24:01,200
Speaker 5: from the same whatever cartoon when you watched, because this

478
00:24:01,320 --> 00:24:02,760
Speaker 5: is also a cartoon wolf.

479
00:24:02,800 --> 00:24:04,439
Speaker 3: Well, I you know, I had to do an invention

480
00:24:04,560 --> 00:24:07,040
Speaker 3: thing too for school, and what was your mine? Was

481
00:24:07,160 --> 00:24:10,080
Speaker 3: so lame compared to that. I think it was just

482
00:24:11,240 --> 00:24:14,040
Speaker 3: it was basically this idea that I'm trying to remember now.

483
00:24:14,080 --> 00:24:18,360
Speaker 3: It was some kind of travel toothbrush m where the

484
00:24:19,280 --> 00:24:22,240
Speaker 3: all I did was what was it? I had baking

485
00:24:22,280 --> 00:24:25,240
Speaker 3: soda just attached to the toothbrush, so that you could

486
00:24:25,280 --> 00:24:28,359
Speaker 3: just carry the toothbrush with baking soda to brush your

487
00:24:28,359 --> 00:24:30,320
Speaker 3: teeth with baking soda or something like.

488
00:24:30,280 --> 00:24:31,840
Speaker 2: That little yellow box.

489
00:24:33,040 --> 00:24:35,160
Speaker 3: Well it was I think we got a little container

490
00:24:35,200 --> 00:24:37,640
Speaker 3: to put it in to attach it to the toothbrush. Okay,

491
00:24:37,680 --> 00:24:40,359
Speaker 3: it's just it's not really an invention. I was just

492
00:24:40,400 --> 00:24:42,840
Speaker 3: sort of gluing stuff together.

493
00:24:43,080 --> 00:24:46,560
Speaker 1: Yeah, just cutting out the toothpaste. Mental man.

494
00:24:47,000 --> 00:24:50,080
Speaker 5: Yeah, it's already got the baking soda on the bristles.

495
00:24:50,160 --> 00:24:53,480
Speaker 3: Well, I think I maybe the reasoning was, oh maybe

496
00:24:53,480 --> 00:24:56,760
Speaker 3: the baking SODA's I don't know, lighter to carry around

497
00:24:56,840 --> 00:24:59,879
Speaker 3: or something. I don't know why. Why the baking soda.

498
00:25:00,080 --> 00:25:05,840
Speaker 5: But you keep that that toothbrush in the fridge and

499
00:25:05,880 --> 00:25:07,480
Speaker 5: it keeps all your food fresh.

500
00:25:08,560 --> 00:25:09,879
Speaker 3: Oh yeah, yeah, that's what it is.

501
00:25:09,960 --> 00:25:12,320
Speaker 1: There, It is there, it is figured it out.

502
00:25:12,520 --> 00:25:15,680
Speaker 2: Or if you're a toothpaste isn't salty.

503
00:25:15,400 --> 00:25:17,920
Speaker 5: Enough, I'll give you eighteen thousand dollars and I want

504
00:25:17,920 --> 00:25:18,680
Speaker 5: twenty percent.

505
00:25:19,359 --> 00:25:20,239
Speaker 3: Hey that sounds like a deal.

506
00:25:20,480 --> 00:25:21,480
Speaker 1: Yeah, it's a good deal.

507
00:25:21,640 --> 00:25:23,800
Speaker 3: It's a deal for that. I just blew it for

508
00:25:23,880 --> 00:25:28,000
Speaker 3: the travel for the Brent Winebag patented travel toothbrush baking

509
00:25:28,040 --> 00:25:32,320
Speaker 3: soda kit. That sounds like a deal. I yeah, I

510
00:25:32,359 --> 00:25:34,440
Speaker 3: just I don't know. There must have been something more

511
00:25:34,480 --> 00:25:36,760
Speaker 3: to it. But I'm afraid it was that simple.

512
00:25:36,960 --> 00:25:38,399
Speaker 1: Yeah, what great?

513
00:25:38,520 --> 00:25:39,800
Speaker 2: What grade were you in do you.

514
00:25:39,720 --> 00:25:42,399
Speaker 3: Think I think it was probably second grade or something

515
00:25:42,440 --> 00:25:42,760
Speaker 3: like that.

516
00:25:42,880 --> 00:25:45,040
Speaker 2: Yeah, I think that's advanced for second Did you have

517
00:25:45,119 --> 00:25:45,800
Speaker 2: to do that, Karen?

518
00:25:45,840 --> 00:25:47,199
Speaker 1: Did you have to invent something?

519
00:25:47,400 --> 00:25:49,680
Speaker 2: Oh? No, they didn't ask us really to. I was

520
00:25:49,760 --> 00:25:51,920
Speaker 2: in like Montessori school, so it's all like do you

521
00:25:51,960 --> 00:25:53,920
Speaker 2: feel great today? It was a lot of that kind

522
00:25:53,920 --> 00:25:54,359
Speaker 2: of stuff.

523
00:25:54,640 --> 00:25:56,960
Speaker 1: I did not know you went to Montesssauri school.

524
00:25:57,040 --> 00:25:59,920
Speaker 2: Yeah, grammar school. It was all like we had dot cards,

525
00:26:00,119 --> 00:26:04,200
Speaker 2: so no one was called like advanced, middle or behind

526
00:26:04,240 --> 00:26:06,320
Speaker 2: in front of anybody. It was doc card. So you

527
00:26:06,359 --> 00:26:09,159
Speaker 2: were just in a color group. So nobody had to

528
00:26:09,160 --> 00:26:13,919
Speaker 2: feel bad if they weren't as fast or whatever as

529
00:26:13,960 --> 00:26:14,560
Speaker 2: anybody else.

530
00:26:14,640 --> 00:26:18,080
Speaker 3: I had the I had the Monascory school. I think,

531
00:26:19,760 --> 00:26:22,960
Speaker 3: just a little bit before kindergarten. How was it Do

532
00:26:23,000 --> 00:26:28,320
Speaker 3: you think pretty good? Now? It was?

533
00:26:29,880 --> 00:26:30,040
Speaker 1: Yeah?

534
00:26:30,080 --> 00:26:32,280
Speaker 3: I mean I don't know, I don't I what I

535
00:26:32,320 --> 00:26:35,920
Speaker 3: remember is not I got sick once and I didn't

536
00:26:35,920 --> 00:26:38,840
Speaker 3: go to school for two weeks, and it was really

537
00:26:38,880 --> 00:26:41,679
Speaker 3: hard for me to adjus going back. You know, so

538
00:26:41,720 --> 00:26:44,720
Speaker 3: this is age four ish to five ish or something,

539
00:26:45,240 --> 00:26:48,720
Speaker 3: and you know, gosh, remember that when you get sick

540
00:26:48,720 --> 00:26:50,280
Speaker 3: and then you get used to not going to school,

541
00:26:50,320 --> 00:26:51,639
Speaker 3: and then it was really hard to go back to

542
00:26:51,680 --> 00:26:54,080
Speaker 3: school after that. So I remember that. I have that

543
00:26:54,160 --> 00:26:54,639
Speaker 3: memory of that.

544
00:26:54,680 --> 00:26:54,879
Speaker 2: I have.

545
00:26:55,400 --> 00:26:59,520
Speaker 3: I remember counting beads, you know. I remember nap time,

546
00:27:00,119 --> 00:27:03,560
Speaker 3: you know. And I remember vultron you know. I remember

547
00:27:03,720 --> 00:27:07,000
Speaker 3: someone had a vultron and they brought it there. And

548
00:27:08,160 --> 00:27:09,440
Speaker 3: I remember the sand pit.

549
00:27:10,000 --> 00:27:15,360
Speaker 1: Yeah yeah, and walking the plank. I remember people.

550
00:27:15,040 --> 00:27:18,000
Speaker 3: Peeing in the pit. I think that was a thing,

551
00:27:18,080 --> 00:27:19,159
Speaker 3: you pee in the pit, right.

552
00:27:19,160 --> 00:27:22,280
Speaker 1: Sure. Oh Man school was filthy.

553
00:27:22,520 --> 00:27:25,160
Speaker 3: Oh sure, was kidding me. I used to get boils

554
00:27:25,200 --> 00:27:28,040
Speaker 3: all over my body. It was so filled. I was

555
00:27:28,080 --> 00:27:28,960
Speaker 3: a filthy kid.

556
00:27:29,560 --> 00:27:32,840
Speaker 5: I think every time I got sick it was because

557
00:27:32,880 --> 00:27:34,760
Speaker 5: I was playing in sand.

558
00:27:34,720 --> 00:27:40,240
Speaker 3: Box that was a urine for cats yea all the time.

559
00:27:40,560 --> 00:27:43,359
Speaker 5: And we finally figured it out. Oh it's the sandbox.

560
00:27:43,400 --> 00:27:46,240
Speaker 5: It's also where the cats hang out for bathroom time.

561
00:27:46,359 --> 00:27:47,960
Speaker 5: It's funny that we figured that out.

562
00:27:48,440 --> 00:27:51,360
Speaker 3: Yeah, Montessori school. I mean, I don't know if I

563
00:27:51,400 --> 00:27:56,520
Speaker 3: really got to feel the difference between Montesssori and I

564
00:27:56,560 --> 00:27:57,600
Speaker 3: don't know, other schools.

565
00:27:57,920 --> 00:28:00,560
Speaker 2: Yeah, because if you were there in the beginning that's

566
00:28:00,560 --> 00:28:03,760
Speaker 2: almost like kindergarten feels different than first grade, where you're like, well, yeah,

567
00:28:03,760 --> 00:28:06,480
Speaker 2: of course that's different because that was like stage one

568
00:28:06,720 --> 00:28:09,160
Speaker 2: and now you're in it in the machine.

569
00:28:09,000 --> 00:28:12,160
Speaker 3: Right right, So it seemed Yeah, it wasn't. I guess

570
00:28:12,160 --> 00:28:14,280
Speaker 3: it would have. I would have really sensed the difference

571
00:28:14,320 --> 00:28:17,280
Speaker 3: if I went to Montessori school for fourth grade only

572
00:28:17,480 --> 00:28:18,760
Speaker 3: or something like that. Yeah.

573
00:28:18,880 --> 00:28:22,160
Speaker 1: Yeah, you gotta have a contrast, gotta have a control set.

574
00:28:22,320 --> 00:28:27,000
Speaker 2: I did the My control set was K through five. Yeah,

575
00:28:28,080 --> 00:28:30,240
Speaker 2: essentially Montessori because that all the same teachers. It was

576
00:28:30,240 --> 00:28:32,879
Speaker 2: a small school. And then I went to Catholic school

577
00:28:32,880 --> 00:28:35,960
Speaker 2: in sixth grade and had the shit slapped out of me.

578
00:28:36,080 --> 00:28:38,600
Speaker 2: But not just conceptually, not literally.

579
00:28:38,920 --> 00:28:40,920
Speaker 3: I could have been one of those schools, you know. Yeah,

580
00:28:41,880 --> 00:28:43,960
Speaker 3: maybe it was if they did martial arts there, you know,

581
00:28:45,240 --> 00:28:47,080
Speaker 3: you know, if they did you know, it was if

582
00:28:47,080 --> 00:28:50,400
Speaker 3: you went to you know, the Chuck Norris School for yeah,

583
00:28:50,800 --> 00:28:53,920
Speaker 3: you know whatever, you know, I don't know from X

584
00:28:53,960 --> 00:28:54,760
Speaker 3: Montessori school.

585
00:28:54,760 --> 00:28:58,640
Speaker 2: It is for people who are sick of monesssory softness.

586
00:28:59,000 --> 00:29:02,280
Speaker 3: Yeah, it's the Chuck nor School for sheltered boys and girls.

587
00:29:02,520 --> 00:29:05,760
Speaker 1: Yeah, some school that Tarantino dreams about.

588
00:29:06,800 --> 00:29:09,320
Speaker 3: I did take martial arts when I was in elementary

589
00:29:09,320 --> 00:29:13,240
Speaker 3: school and actually all the way into high school. How

590
00:29:13,320 --> 00:29:16,520
Speaker 3: to go, Well, I got this. I got slapped around

591
00:29:16,600 --> 00:29:19,080
Speaker 3: quite a bit, you know, learn how to be a real.

592
00:29:18,920 --> 00:29:20,600
Speaker 1: Man, any belts.

593
00:29:20,800 --> 00:29:23,480
Speaker 3: Yeah, I was a black, I got I became black. Yeah,

594
00:29:23,680 --> 00:29:26,360
Speaker 3: oh wow, I went black and I never went back.

595
00:29:26,400 --> 00:29:29,920
Speaker 1: Now, so you could handle yourself in a tussle, I.

596
00:29:29,840 --> 00:29:32,280
Speaker 3: Probably couldn't handle anything. I mean I might be able

597
00:29:32,280 --> 00:29:36,680
Speaker 3: to handle you know, if I got into a fight

598
00:29:36,720 --> 00:29:39,560
Speaker 3: with a maybe a monastery school kid, now, I could

599
00:29:39,600 --> 00:29:42,560
Speaker 3: probably handle that. Yeah, anything older than.

600
00:29:42,400 --> 00:29:44,080
Speaker 2: That, slap the beads out of their hands.

601
00:29:44,280 --> 00:29:47,520
Speaker 5: Yeah, as long as it's anything above seventy pounds.

602
00:29:48,040 --> 00:29:48,920
Speaker 1: I'm not trained.

603
00:29:49,080 --> 00:29:51,640
Speaker 3: Yeah, no, I mean it's been too long, I think,

604
00:29:51,720 --> 00:29:53,640
Speaker 3: you know, but I was pretty disciplined back then.

605
00:29:53,720 --> 00:29:55,760
Speaker 1: You know, were you how serious?

606
00:29:55,800 --> 00:29:58,640
Speaker 5: Because one time at a party, you just started playing piano.

607
00:29:58,800 --> 00:30:01,960
Speaker 5: I didn't know that you had this background, but you are.

608
00:30:02,360 --> 00:30:04,440
Speaker 3: Yeah, I mean martial arts really gave me a lot.

609
00:30:04,560 --> 00:30:07,400
Speaker 3: You know, you went to playing.

610
00:30:07,520 --> 00:30:10,080
Speaker 1: And what belt did you earn in piano?

611
00:30:10,080 --> 00:30:10,480
Speaker 3: Piano?

612
00:30:10,760 --> 00:30:11,600
Speaker 1: Yeah?

613
00:30:12,000 --> 00:30:13,200
Speaker 3: Black and white?

614
00:30:13,000 --> 00:30:13,200
Speaker 2: Nice?

615
00:30:13,240 --> 00:30:14,720
Speaker 3: Yeah, black and white.

616
00:30:14,880 --> 00:30:19,920
Speaker 5: Yeah, I hear I alternating, I know, that's about the keys.

617
00:30:22,840 --> 00:30:25,080
Speaker 3: I played piano somewhere where you were once.

618
00:30:25,480 --> 00:30:31,240
Speaker 1: Yeah. I think it was a party, like it had

619
00:30:31,280 --> 00:30:31,520
Speaker 1: to be.

620
00:30:33,280 --> 00:30:35,720
Speaker 3: Was I playing chopsticks? Which would explain the martial arts?

621
00:30:35,800 --> 00:30:40,000
Speaker 5: No, you were like, full on, I'm a musician. I'm like,

622
00:30:40,080 --> 00:30:41,520
Speaker 5: where the hell is this coming from?

623
00:30:42,000 --> 00:30:42,200
Speaker 1: Yeah?

624
00:30:42,200 --> 00:30:44,960
Speaker 3: I could have been an emotion in Natasha's Yeah. Well yeah,

625
00:30:45,000 --> 00:30:47,320
Speaker 3: no I did that too. Actually I kind of transferred

626
00:30:47,320 --> 00:30:51,480
Speaker 3: from martial arts to piano for real. Well, I mean

627
00:30:51,520 --> 00:30:54,960
Speaker 3: I did take piano seriously in high school. Yeah, so

628
00:30:56,280 --> 00:31:00,560
Speaker 3: that was one of my extracurricular activities. Yeah, piano, jazz pian. Actually.

629
00:31:00,800 --> 00:31:02,520
Speaker 2: Oh, I was going to say, were you ever in

630
00:31:02,560 --> 00:31:04,840
Speaker 2: a band, but were jazz?

631
00:31:05,000 --> 00:31:05,200
Speaker 1: Yeah?

632
00:31:05,200 --> 00:31:07,160
Speaker 3: We did. I did have a jazz band in high

633
00:31:07,200 --> 00:31:10,200
Speaker 3: school and played in some jazz bands and stuff.

634
00:31:10,240 --> 00:31:12,280
Speaker 1: Any grass in that band? You know I used to

635
00:31:12,360 --> 00:31:14,160
Speaker 1: blow on the trombone.

636
00:31:14,240 --> 00:31:15,400
Speaker 3: Oh you played trombone?

637
00:31:15,520 --> 00:31:15,880
Speaker 1: Yeah?

638
00:31:15,960 --> 00:31:16,560
Speaker 3: Okay, yeah.

639
00:31:16,600 --> 00:31:16,680
Speaker 5: No.

640
00:31:16,800 --> 00:31:18,440
Speaker 3: We had a couple of cats in there. We had

641
00:31:19,560 --> 00:31:23,880
Speaker 3: we had a guitarist, you know, on, a bassist, you know, drums,

642
00:31:24,480 --> 00:31:27,640
Speaker 3: I did key, I was on keys, you know, we

643
00:31:27,680 --> 00:31:29,640
Speaker 3: did our songs footprints you know.

644
00:31:31,400 --> 00:31:33,240
Speaker 1: Cats, I know about you cats.

645
00:31:33,320 --> 00:31:36,200
Speaker 5: Yeah, yeah, I was third chair I had the driest

646
00:31:36,360 --> 00:31:37,120
Speaker 5: spit valve.

647
00:31:38,120 --> 00:31:41,040
Speaker 3: I tried to play a horn at one point because

648
00:31:41,040 --> 00:31:44,120
Speaker 3: I wanted to be smooth like stan Getz, you know,

649
00:31:44,800 --> 00:31:46,920
Speaker 3: I believe, but I didn't.

650
00:31:47,400 --> 00:31:50,960
Speaker 5: I wanted the cool one that saxophone or even trump,

651
00:31:51,040 --> 00:31:52,960
Speaker 5: anything's cooler than trombone.

652
00:31:53,120 --> 00:31:54,400
Speaker 3: Trombone, it can be cool.

653
00:31:54,800 --> 00:31:58,800
Speaker 1: I guess if you squint and you don't focus, I.

654
00:31:58,800 --> 00:32:01,440
Speaker 3: Just don't because you could with the trombone. You know.

655
00:32:01,680 --> 00:32:04,920
Speaker 5: That's why they assigned me the trombone. It's because they

656
00:32:05,120 --> 00:32:07,400
Speaker 5: I think I whistled or something. They're like, you have

657
00:32:07,440 --> 00:32:10,760
Speaker 5: an ear for music. Here's this instrument that has no

658
00:32:10,880 --> 00:32:12,800
Speaker 5: discernible note making.

659
00:32:13,720 --> 00:32:16,040
Speaker 3: Well, that's the beauty of it. It has an infinite,

660
00:32:16,920 --> 00:32:18,880
Speaker 3: infinite possibilities of the trombone, and.

661
00:32:19,040 --> 00:32:20,120
Speaker 1: I never really looked at it.

662
00:32:20,120 --> 00:32:22,360
Speaker 3: That's how I'm looking at it right now at least,

663
00:32:22,400 --> 00:32:27,360
Speaker 3: is that you're not just restricted to the notes, to

664
00:32:27,920 --> 00:32:29,600
Speaker 3: the traditional notes that you can play, but you can

665
00:32:29,640 --> 00:32:35,000
Speaker 3: play every little microtne because the scale is as is,

666
00:32:35,040 --> 00:32:40,000
Speaker 3: as wider, is as vast as as you telescope you

667
00:32:40,040 --> 00:32:42,560
Speaker 3: know whatever, yes, slide slide the horn or whatever it is.

668
00:32:42,600 --> 00:32:44,800
Speaker 5: You know, it never went low enough, though I remember

669
00:32:44,880 --> 00:32:47,480
Speaker 5: firing that thing across the room because I'd.

670
00:32:47,320 --> 00:32:51,160
Speaker 3: Extend, huh, and you wanted to low and need it longer.

671
00:32:51,240 --> 00:32:54,720
Speaker 3: So the longer this extension, they lower the note.

672
00:32:54,480 --> 00:32:56,200
Speaker 1: And then you have to have other people they are

673
00:32:56,240 --> 00:32:57,240
Speaker 1: operating it with you.

674
00:32:58,400 --> 00:33:01,600
Speaker 3: That sounds like the invention need to work on. Is

675
00:33:01,680 --> 00:33:05,880
Speaker 3: the super extended trombone, you know.

676
00:33:06,840 --> 00:33:10,120
Speaker 2: And it goes so low that it affects other people's

677
00:33:10,160 --> 00:33:14,000
Speaker 2: physical bodies and the police or government could buy it

678
00:33:14,040 --> 00:33:16,120
Speaker 2: from you as a weapon against.

679
00:33:16,360 --> 00:33:18,920
Speaker 5: People, and you need someone to help you, like a

680
00:33:19,000 --> 00:33:22,360
Speaker 5: second ad uh trombone operator.

681
00:33:22,520 --> 00:33:25,720
Speaker 3: I mean, we can get this extension really really far.

682
00:33:26,640 --> 00:33:30,400
Speaker 3: I mean, this could be the fully extended trombone. I mean,

683
00:33:30,720 --> 00:33:33,920
Speaker 3: I don't want to really call it a tromboner in

684
00:33:33,960 --> 00:33:36,400
Speaker 3: a sense, but it is kind of like it has

685
00:33:36,600 --> 00:33:41,120
Speaker 3: It is kind of extended, you know, it's like extends.

686
00:33:41,440 --> 00:33:45,960
Speaker 3: We can call it extends, you know. And not only

687
00:33:46,000 --> 00:33:48,440
Speaker 3: does it increase the length of the trombone, but it

688
00:33:48,480 --> 00:33:50,440
Speaker 3: also makes it last longer.

689
00:33:51,120 --> 00:33:53,560
Speaker 1: Really, what about the width that too?

690
00:33:53,800 --> 00:33:55,160
Speaker 3: Well, that's something else we need.

691
00:33:56,320 --> 00:33:58,880
Speaker 5: Are you still do want to join together and have

692
00:33:58,920 --> 00:34:02,560
Speaker 5: a viagra jam in my garage because me and some

693
00:34:02,680 --> 00:34:06,280
Speaker 5: other men of a certain age are looking for an outlet.

694
00:34:06,040 --> 00:34:08,920
Speaker 3: Right right, you need to kind of you need to

695
00:34:08,960 --> 00:34:10,600
Speaker 3: play the rest of that energy off.

696
00:34:11,040 --> 00:34:15,600
Speaker 5: The earliest commercials actually had that was how they were

697
00:34:15,680 --> 00:34:19,160
Speaker 5: selling it. Oh, this person's just gonna are they having

698
00:34:19,200 --> 00:34:20,560
Speaker 5: a medical emergency.

699
00:34:20,440 --> 00:34:21,719
Speaker 2: They don't know what to do.

700
00:34:22,880 --> 00:34:26,080
Speaker 5: They're like a cow and a temple, grand and maze

701
00:34:26,160 --> 00:34:27,840
Speaker 5: right now, they're being soothed.

702
00:34:28,239 --> 00:34:29,280
Speaker 3: It's a pretty new car.

703
00:34:29,520 --> 00:34:30,520
Speaker 1: I guess we could honk.

704
00:34:31,239 --> 00:34:33,080
Speaker 2: What if they don't know how to drive this car?

705
00:34:33,480 --> 00:34:35,560
Speaker 3: I think it's so new they're still figuring it out.

706
00:34:36,120 --> 00:34:37,080
Speaker 1: They're not a person.

707
00:34:37,160 --> 00:34:39,759
Speaker 2: No, there is.

708
00:34:39,840 --> 00:34:43,000
Speaker 3: Oh, I kind of like it. I think it's peaceful. Yeah,

709
00:34:43,280 --> 00:34:46,040
Speaker 3: we are. Just there's a stillness you know that I

710
00:34:46,680 --> 00:34:50,480
Speaker 3: can appreciate. You know, it's very you know zen or something.

711
00:34:50,600 --> 00:34:53,760
Speaker 5: Yeah, so often I get caught up in the hustle

712
00:34:53,800 --> 00:34:56,920
Speaker 5: and bustle of the Encino Town Center, and right then

713
00:34:57,080 --> 00:34:59,439
Speaker 5: seem like a nice, cool, relaxing break.

714
00:35:00,080 --> 00:35:03,239
Speaker 2: Go all the way around, because your place is back there, right, No.

715
00:35:03,680 --> 00:35:05,680
Speaker 3: It's down that way.

716
00:35:06,040 --> 00:35:06,880
Speaker 1: Yeah there's.

717
00:35:09,000 --> 00:35:11,600
Speaker 3: Oh you mean that might not my place. My own

718
00:35:11,640 --> 00:35:13,000
Speaker 3: place means the place we're going to.

719
00:35:13,440 --> 00:35:14,200
Speaker 2: It's your new place.

720
00:35:14,320 --> 00:35:16,000
Speaker 1: No, you're Sandwich residents.

721
00:35:17,360 --> 00:35:19,160
Speaker 3: Yeah, your second home.

722
00:35:20,840 --> 00:35:23,920
Speaker 5: Where you and you're gonna buy bulk sandwiches for the

723
00:35:23,960 --> 00:35:25,400
Speaker 5: whole week, right.

724
00:35:25,640 --> 00:35:28,799
Speaker 3: I think I'm gonna buy two. I want to get

725
00:35:28,840 --> 00:35:31,520
Speaker 3: my if they got that breath one, I want that?

726
00:35:32,080 --> 00:35:34,000
Speaker 3: Are we're all gonna go in? Does that work? Or no?

727
00:35:34,040 --> 00:35:35,040
Speaker 3: We can't know?

728
00:35:35,160 --> 00:35:37,600
Speaker 2: We can't but you can't. But I mean, do you

729
00:35:37,640 --> 00:35:41,040
Speaker 2: want to buy sample pastries with that twenty dollars bill

730
00:35:41,080 --> 00:35:41,439
Speaker 2: I found?

731
00:35:42,200 --> 00:35:45,000
Speaker 3: I'll do you? Would you guys want my macarones or something?

732
00:35:45,080 --> 00:35:45,439
Speaker 5: Or what.

733
00:35:47,360 --> 00:35:51,880
Speaker 3: Macron? Do you guys want my macarons or something else? Oh,

734
00:35:51,920 --> 00:35:53,440
Speaker 3: I'll just hear it. You can do it later. I'll

735
00:35:53,480 --> 00:35:55,040
Speaker 3: just get use a card because I'm gonna do it.

736
00:35:55,080 --> 00:35:57,319
Speaker 3: Buy my sandwiches, sir, or whatever you know? I mean?

737
00:35:57,440 --> 00:36:01,080
Speaker 2: Or if you put that in your pocket. Oh, just

738
00:36:01,160 --> 00:36:04,759
Speaker 2: get things that look interesting that are different. How about that?

739
00:36:05,280 --> 00:36:09,600
Speaker 3: Something different? Okay? But you want it to be sweet though? Yes?

740
00:36:09,680 --> 00:36:11,919
Speaker 3: I do. Okay, So you don't want a fancy hot

741
00:36:11,960 --> 00:36:15,160
Speaker 3: talk because they have those, they have fancy hot dogs.

742
00:36:15,239 --> 00:36:16,920
Speaker 2: Do you want a fancy hot kind of want to?

743
00:36:17,920 --> 00:36:18,680
Speaker 3: You do? Want something to?

744
00:36:18,920 --> 00:36:19,000
Speaker 5: Ye?

745
00:36:19,120 --> 00:36:20,680
Speaker 1: I want a savory as hot dog?

746
00:36:21,719 --> 00:36:22,080
Speaker 3: Okay?

747
00:36:22,360 --> 00:36:25,400
Speaker 2: Can I have the sweet equivalent of a hotel.

748
00:36:25,520 --> 00:36:27,279
Speaker 3: Yeah, yeah, yeah, we'll get it a sweet dog.

749
00:36:27,520 --> 00:36:27,800
Speaker 2: Great.

750
00:36:28,560 --> 00:36:30,440
Speaker 5: Yeah, I haven't had a hot dog for years, but

751
00:36:30,520 --> 00:36:32,160
Speaker 5: I think I want to try one, do it.

752
00:36:32,360 --> 00:36:33,600
Speaker 1: I know they're bad for you.

753
00:36:33,680 --> 00:36:34,839
Speaker 2: This is perfect.

754
00:36:34,880 --> 00:36:39,200
Speaker 3: This is gonna be very special for you. Okay, I

755
00:36:39,200 --> 00:36:41,320
Speaker 3: think it's gonna be kind of special because it's fancy.

756
00:36:41,680 --> 00:36:44,840
Speaker 2: And while you're going and just see what happens.

757
00:36:44,480 --> 00:36:47,040
Speaker 1: I'm gonna drop some blueprints for this extended.

758
00:36:48,360 --> 00:36:50,080
Speaker 3: You want to come into Chris and see what it

759
00:36:50,120 --> 00:36:50,480
Speaker 3: looks like.

760
00:36:51,360 --> 00:36:54,440
Speaker 1: Yeah, yeah, I'm going to join it, but I'll be

761
00:36:54,520 --> 00:36:55,280
Speaker 1: off the record.

762
00:36:57,960 --> 00:36:59,440
Speaker 3: Who it was?

763
00:36:59,680 --> 00:37:03,080
Speaker 2: Okay, save it for the record.

764
00:37:03,200 --> 00:37:03,839
Speaker 1: Yeah, save it.

765
00:37:04,160 --> 00:37:05,680
Speaker 2: You guys got challenges.

766
00:37:06,040 --> 00:37:07,920
Speaker 1: No, no, no.

767
00:37:07,760 --> 00:37:08,239
Speaker 3: You'll see.

768
00:37:08,520 --> 00:37:09,799
Speaker 2: Did you want to take your jacket off?

769
00:37:10,239 --> 00:37:14,840
Speaker 5: Yes, thank you very much to my Dennis the Mens

770
00:37:14,880 --> 00:37:15,840
Speaker 5: Little Kids shirt.

771
00:37:18,680 --> 00:37:22,279
Speaker 1: And also it was a failed mission, Oh yeah, a

772
00:37:22,320 --> 00:37:22,799
Speaker 1: little bit.

773
00:37:22,960 --> 00:37:27,040
Speaker 3: I mean in many ways, I would say.

774
00:37:25,880 --> 00:37:29,080
Speaker 5: We First of all, the minute we walked in, we

775
00:37:29,160 --> 00:37:31,840
Speaker 5: both tripped and fell flat on our faces.

776
00:37:32,520 --> 00:37:34,160
Speaker 3: Yeah, it was really bloody.

777
00:37:34,200 --> 00:37:34,440
Speaker 4: We had it.

778
00:37:34,520 --> 00:37:36,080
Speaker 3: That's why we took so long. We were wiping up.

779
00:37:37,320 --> 00:37:40,880
Speaker 1: I said the wrong things. We didn't. We grabbed pastries

780
00:37:40,920 --> 00:37:43,640
Speaker 1: and didn't learn what they were called. First so then

781
00:37:43,719 --> 00:37:46,959
Speaker 1: we went to pay for them. I just had this nutty.

782
00:37:46,680 --> 00:37:50,400
Speaker 3: Round thing, so they were they were out of the

783
00:37:50,400 --> 00:37:53,759
Speaker 3: sandwiches that I wanted to get, So no sandwiches, this

784
00:37:54,040 --> 00:37:56,920
Speaker 3: is like, and even the pastries, everything was gone. It

785
00:37:57,000 --> 00:37:58,360
Speaker 3: was just all kind of done.

786
00:37:58,640 --> 00:37:59,560
Speaker 2: Because it's the afternoon.

787
00:37:59,719 --> 00:38:01,920
Speaker 1: The mosts donut.

788
00:38:03,160 --> 00:38:05,800
Speaker 3: What's what we got you here? Is a mochi nut.

789
00:38:05,920 --> 00:38:08,680
Speaker 1: It's a mochi nut, so it's.

790
00:38:08,400 --> 00:38:12,959
Speaker 3: It's kind of a donut made with mochi kind of Yeah.

791
00:38:13,080 --> 00:38:16,759
Speaker 3: I think there's a mochi element to it. And it's

792
00:38:16,800 --> 00:38:20,239
Speaker 3: a bisk It's a bisc off or something or some

793
00:38:20,360 --> 00:38:24,000
Speaker 3: kind of bisc off type thing. The cookie, yeah, it's

794
00:38:24,080 --> 00:38:26,840
Speaker 3: it's got airplane cookie. I think it's got airplane cookie

795
00:38:27,200 --> 00:38:28,000
Speaker 3: sprinkled on it.

796
00:38:28,080 --> 00:38:29,680
Speaker 2: I think for real.

797
00:38:29,880 --> 00:38:32,040
Speaker 3: Yeah, I mean honestly, I didn't. I wasn't too intrigued

798
00:38:32,080 --> 00:38:33,840
Speaker 3: by most of the patriots there, and I just I

799
00:38:33,880 --> 00:38:35,759
Speaker 3: got the same thing because I didn't just to do

800
00:38:35,800 --> 00:38:38,439
Speaker 3: it with you, you know, should we do it? Yeah?

801
00:38:38,480 --> 00:38:40,319
Speaker 3: I mean you are you able to do that and

802
00:38:40,400 --> 00:38:42,600
Speaker 3: talk and watch that everything?

803
00:38:42,760 --> 00:38:43,239
Speaker 1: Watch me?

804
00:38:44,600 --> 00:38:46,560
Speaker 3: I actually surprised that you're able to sort of do

805
00:38:46,640 --> 00:38:48,840
Speaker 3: this podcast behind the wheel.

806
00:38:48,880 --> 00:38:51,280
Speaker 1: You know who can't and tried you for years?

807
00:38:51,320 --> 00:38:52,040
Speaker 3: Is that right? Me?

808
00:38:52,239 --> 00:38:53,799
Speaker 1: Yeah, it's sorry.

809
00:38:53,800 --> 00:38:57,240
Speaker 3: This crinkling is probably horrible for the sound here environment.

810
00:38:57,920 --> 00:39:01,879
Speaker 1: I have a soft bun that has crab in.

811
00:39:01,840 --> 00:39:06,160
Speaker 2: It because saying oh, okay, yeah, is it gonna smell

812
00:39:06,160 --> 00:39:08,200
Speaker 2: like fishing here, Chris when I'm trying to eat my mochi?

813
00:39:09,200 --> 00:39:12,959
Speaker 2: Maybe let's see.

814
00:39:13,200 --> 00:39:15,680
Speaker 1: Okay, what's that? Oh?

815
00:39:15,800 --> 00:39:17,040
Speaker 2: Someone doesn't know their seatbuild them?

816
00:39:17,840 --> 00:39:18,000
Speaker 5: Oh?

817
00:39:18,480 --> 00:39:20,840
Speaker 3: Oh what how did that happen? How did that happen?

818
00:39:20,880 --> 00:39:22,320
Speaker 2: Oh?

819
00:39:24,719 --> 00:39:25,680
Speaker 1: Mine's really good?

820
00:39:25,840 --> 00:39:28,160
Speaker 3: Okay, this is really good. Well, let's talk about this

821
00:39:28,200 --> 00:39:32,480
Speaker 3: mochi nut for a second. It has that chewy mochi

822
00:39:32,640 --> 00:39:36,280
Speaker 3: quality to it. Yeah, and that's all I have to say.

823
00:39:36,400 --> 00:39:41,680
Speaker 5: And you, but it's where's the bisk off cookie?

824
00:39:41,680 --> 00:39:42,959
Speaker 1: And am I saying that? Right?

825
00:39:43,320 --> 00:39:46,840
Speaker 3: It's there's crumbles of it on the on the nut.

826
00:39:47,400 --> 00:39:49,239
Speaker 1: That's yeah.

827
00:39:49,400 --> 00:39:55,200
Speaker 2: Wait, this is quite a flavorful. There's a lot going

828
00:39:55,239 --> 00:39:56,480
Speaker 2: on that I didn't expect.

829
00:39:56,600 --> 00:39:59,400
Speaker 3: It's a surprise, right, Well, I do like I've had

830
00:39:59,440 --> 00:40:02,280
Speaker 3: mochi nuts before, and I do. I haven't had this flavor,

831
00:40:02,960 --> 00:40:05,920
Speaker 3: but I do like that kind of chewy moch e quality.

832
00:40:06,840 --> 00:40:10,360
Speaker 5: Is there an element added of enjoyment when in the background.

833
00:40:10,480 --> 00:40:12,440
Speaker 1: There's kind of a crabby.

834
00:40:13,960 --> 00:40:16,000
Speaker 3: Yeah. It makes me feel like I'm on the back

835
00:40:16,000 --> 00:40:16,600
Speaker 3: on the docks.

836
00:40:16,800 --> 00:40:21,359
Speaker 5: Yeah yeah, the do at least that that sizzler when

837
00:40:21,360 --> 00:40:21,919
Speaker 5: you're a kid.

838
00:40:22,040 --> 00:40:25,279
Speaker 3: Oh yeah, it makes me I'm hearing whispers in my ear.

839
00:40:28,000 --> 00:40:31,120
Speaker 1: What should we dip the but doesn't the gravy, boy doesn't?

840
00:40:31,160 --> 00:40:33,400
Speaker 2: It also taste a little bit like they're doing something

841
00:40:33,400 --> 00:40:34,960
Speaker 2: with coffee in there, because there's like.

842
00:40:34,920 --> 00:40:38,600
Speaker 3: A Oh, do you think maybe that's the bisk Off.

843
00:40:38,680 --> 00:40:40,440
Speaker 3: It's kind of a bisk Off to me. Sounds like

844
00:40:40,480 --> 00:40:44,520
Speaker 3: the name of a man. Yeah, to bisk Off, you know,

845
00:40:44,800 --> 00:40:47,040
Speaker 3: to bisc Off buildings, go condo.

846
00:40:47,200 --> 00:40:51,400
Speaker 5: There's a comic in Houston named Craig Biskoff. Oh really,

847
00:40:51,480 --> 00:40:52,920
Speaker 5: I'm pretty sure that was its name.

848
00:40:52,960 --> 00:40:55,399
Speaker 3: It sounds like a really wealth and affluent name.

849
00:40:56,680 --> 00:41:00,279
Speaker 1: Now you look like a bass player, big do t is?

850
00:41:00,560 --> 00:41:03,360
Speaker 5: Now that I feel bad about the I'm eating the

851
00:41:03,440 --> 00:41:06,120
Speaker 5: equivalent of like tuna over the sink right now?

852
00:41:08,520 --> 00:41:09,160
Speaker 1: Pulled it up.

853
00:41:09,560 --> 00:41:15,360
Speaker 3: I fancy fish stick that you're eating in a way,

854
00:41:12,960 --> 00:41:18,040
Speaker 3: it's like, yeah, it's like a it's a crab filled

855
00:41:18,200 --> 00:41:18,920
Speaker 3: jelly donut.

856
00:41:19,080 --> 00:41:24,040
Speaker 5: It's uh, you're both joking and you're right, it is

857
00:41:24,080 --> 00:41:26,840
Speaker 5: a sweet It shouldn't be.

858
00:41:26,680 --> 00:41:27,880
Speaker 1: Making me this happy.

859
00:41:28,560 --> 00:41:33,480
Speaker 5: And if someone said it's a savory sweet crab pocket.

860
00:41:33,040 --> 00:41:35,440
Speaker 1: Uh, you know, I'd usually run for the hills. Oh

861
00:41:35,520 --> 00:41:36,839
Speaker 1: is it sweet away from the.

862
00:41:36,840 --> 00:41:42,240
Speaker 5: Sea, the out the actual bun part is they're sugar

863
00:41:42,280 --> 00:41:42,880
Speaker 5: in it?

864
00:41:44,160 --> 00:41:45,759
Speaker 3: Yeah, that kind of turns me on.

865
00:41:46,200 --> 00:41:48,279
Speaker 1: Yeah, I know, I kind of like the idea of that.

866
00:41:48,640 --> 00:41:50,960
Speaker 1: You do mean sexually, right, mm hmmmmm.

867
00:41:52,160 --> 00:41:54,680
Speaker 3: It turns me on sexually and every other way too.

868
00:41:55,120 --> 00:41:59,239
Speaker 3: Fish electrically, it turns me in, turns me on in

869
00:41:59,280 --> 00:41:59,920
Speaker 3: a fish way.

870
00:42:01,680 --> 00:42:02,799
Speaker 2: I hate fish so much.

871
00:42:03,719 --> 00:42:10,759
Speaker 5: It's jam band all really, so i've really I do

872
00:42:10,960 --> 00:42:12,359
Speaker 5: open a can tuna here.

873
00:42:13,640 --> 00:42:16,560
Speaker 2: It must be pretty fresh, and doesn't it doesn't stink

874
00:42:16,680 --> 00:42:17,600
Speaker 2: like fish?

875
00:42:17,680 --> 00:42:20,960
Speaker 3: Yeah, I don't smell anything, right, and I wish I did,

876
00:42:21,360 --> 00:42:24,680
Speaker 3: and you know, because I like that smell technically.

877
00:42:24,560 --> 00:42:26,279
Speaker 1: Is a I believe crustacean?

878
00:42:26,840 --> 00:42:29,319
Speaker 3: Well yeah, that actually I don't. I actually don't like

879
00:42:29,360 --> 00:42:33,560
Speaker 3: shellfish myself, crustaceans and stuff. I do like regular fish.

880
00:42:34,320 --> 00:42:36,680
Speaker 3: In fact, I love it, you do. I mean it's

881
00:42:36,680 --> 00:42:37,879
Speaker 3: a strong word love, but.

882
00:42:37,960 --> 00:42:38,839
Speaker 1: Yeah, yeah it is.

883
00:42:39,400 --> 00:42:43,919
Speaker 5: I feel good because the sandwich you loved and fell

884
00:42:44,040 --> 00:42:44,840
Speaker 5: on the fence about.

885
00:42:46,440 --> 00:42:51,400
Speaker 1: They did not have the fruits, yeah, the pear and apple, and.

886
00:42:51,239 --> 00:42:54,040
Speaker 3: They didn't have that. They didn't have just a regular

887
00:42:54,040 --> 00:42:56,919
Speaker 3: ham and cheese kind of sandwich that I wanted to get.

888
00:42:58,040 --> 00:43:01,640
Speaker 3: And they also only had one version of the fancy

889
00:43:01,640 --> 00:43:05,359
Speaker 3: hot dogs, which you know, I mean if I wish

890
00:43:05,440 --> 00:43:09,040
Speaker 3: Chris could have seen the variety of fancy dogs that.

891
00:43:09,000 --> 00:43:12,040
Speaker 2: They have and can you maybe put your finger on

892
00:43:12,080 --> 00:43:14,720
Speaker 2: what exactly makes them fancy flaky?

893
00:43:14,840 --> 00:43:18,080
Speaker 5: I saw it and I almost got it, but I'm

894
00:43:18,200 --> 00:43:21,840
Speaker 5: trying not to eat hot dogs and pigs.

895
00:43:22,600 --> 00:43:24,080
Speaker 2: But you were the one that was all like, I.

896
00:43:24,080 --> 00:43:27,200
Speaker 5: Know, Oh, I wanted it. I wanted it. It was

897
00:43:27,480 --> 00:43:30,279
Speaker 5: much like this sweet bun. It looked like.

898
00:43:30,360 --> 00:43:34,080
Speaker 1: A fully woews.

899
00:43:34,360 --> 00:43:37,440
Speaker 5: It looked like a pastry, but I knew inside, well,

900
00:43:37,680 --> 00:43:41,720
Speaker 5: it's flaky. And it drizzled on top. Oh, very flaky.

901
00:43:41,760 --> 00:43:45,360
Speaker 5: I could tell from a distance. But what there'szzle frosting

902
00:43:45,760 --> 00:43:50,080
Speaker 5: was drizzled thin stripes of ketchup and mustard.

903
00:43:50,160 --> 00:43:52,200
Speaker 3: Yeah, they kind of just Oh that's part of what

904
00:43:52,280 --> 00:43:54,920
Speaker 3: makes it fancy, is they just sort of drizzle it.

905
00:43:55,120 --> 00:43:56,319
Speaker 1: Yeah, it's not just.

906
00:43:56,280 --> 00:43:59,320
Speaker 3: Squirted on there, you know what I mean, it's a drizzle.

907
00:43:59,120 --> 00:44:03,279
Speaker 1: And the hot dog barely poking out at each end.

908
00:44:03,840 --> 00:44:06,640
Speaker 3: That one in particular. There's another fancy dog that they

909
00:44:06,680 --> 00:44:10,160
Speaker 3: have there that wasn't there today, and it's you see

910
00:44:10,200 --> 00:44:12,799
Speaker 3: the full length of it, but it's in a sort

911
00:44:12,800 --> 00:44:15,799
Speaker 3: of flaky bun of sorts. It's not really even a bun,

912
00:44:15,880 --> 00:44:17,520
Speaker 3: but it's a pastry of sorts. But would you guys

913
00:44:17,520 --> 00:44:20,680
Speaker 3: need any napkins or anything? You have napkins here? I

914
00:44:20,719 --> 00:44:23,319
Speaker 3: got extra napkins if you need that or want that, I.

915
00:44:23,239 --> 00:44:23,919
Speaker 2: Would take one.

916
00:44:24,400 --> 00:44:28,600
Speaker 5: I'm keeping my crab bun caged up because I don't

917
00:44:28,640 --> 00:44:29,879
Speaker 5: want to ruin everyone else.

918
00:44:29,960 --> 00:44:32,719
Speaker 3: It's experience, it's not it wouldn't ruin my I don't smell.

919
00:44:33,080 --> 00:44:35,200
Speaker 2: Yeah, I really didn't smell. And I'm very impressed by

920
00:44:35,280 --> 00:44:37,440
Speaker 2: this quality of fish it.

921
00:44:37,920 --> 00:44:39,319
Speaker 1: I'm gonna have that a little later.

922
00:44:39,440 --> 00:44:41,080
Speaker 2: You're gonna microwave that in the office.

923
00:44:41,200 --> 00:44:44,440
Speaker 5: Yeah, yeah, yes, there's there's a little mayonnaise in there,

924
00:44:44,520 --> 00:44:45,879
Speaker 5: so it's time to make it hot.

925
00:44:45,920 --> 00:44:48,000
Speaker 1: That's one thing I've learned about hot.

926
00:44:48,440 --> 00:44:51,239
Speaker 2: But Brent, you've had the fancy hot dogs, you know

927
00:44:51,760 --> 00:44:54,040
Speaker 2: whereof you speak in that regard?

928
00:44:54,600 --> 00:44:56,000
Speaker 3: What do I what I have to say about them?

929
00:44:56,280 --> 00:44:58,320
Speaker 1: I mean like they're good I've made a mistake.

930
00:44:58,480 --> 00:45:01,160
Speaker 3: You're saying, well, I think they're good if you want

931
00:45:01,160 --> 00:45:01,759
Speaker 3: a hot dog.

932
00:45:02,000 --> 00:45:05,960
Speaker 5: Right, That's the part I was on the fence about.

933
00:45:06,280 --> 00:45:08,360
Speaker 3: He changed his mind. He wanted a crab croquette.

934
00:45:08,440 --> 00:45:09,200
Speaker 1: Yeah, and.

935
00:45:10,560 --> 00:45:13,759
Speaker 3: So hey, I'm I'm happy with whatever you wanted to

936
00:45:13,800 --> 00:45:17,160
Speaker 3: do and you pursuing your dreams.

937
00:45:17,200 --> 00:45:20,080
Speaker 1: Really, He's like, are you sure about this? Yeah?

938
00:45:20,120 --> 00:45:23,680
Speaker 3: That looks like some sort of not anymore. But did earlier?

939
00:45:23,719 --> 00:45:25,880
Speaker 3: It look like some sort of other world.

940
00:45:26,560 --> 00:45:28,480
Speaker 1: Oh this little promenade.

941
00:45:28,560 --> 00:45:32,440
Speaker 3: Yeah, yeah, it looked like some sort of slice of Europe.

942
00:45:32,680 --> 00:45:36,440
Speaker 1: Yeah, it was undulating bricks and cobblestone.

943
00:45:36,480 --> 00:45:39,080
Speaker 2: That could be your third space, Brent, if you want

944
00:45:39,160 --> 00:45:41,920
Speaker 2: to make it that, go bring your book up there

945
00:45:42,440 --> 00:45:43,040
Speaker 2: and a scarf.

946
00:45:43,239 --> 00:45:46,799
Speaker 1: Yeah, your own private little Spain.

947
00:45:46,600 --> 00:45:47,319
Speaker 3: Spain you went with.

948
00:45:47,880 --> 00:45:48,680
Speaker 1: Yeah, yeah, I went.

949
00:45:48,800 --> 00:45:52,160
Speaker 3: I was thinking more Luxembourg. Well I was thinking more

950
00:45:52,840 --> 00:45:53,840
Speaker 3: San Marino.

951
00:45:54,320 --> 00:45:54,720
Speaker 1: Yeah.

952
00:45:54,920 --> 00:45:57,560
Speaker 5: I only reference the place as I frequent and I'm

953
00:45:57,560 --> 00:45:58,880
Speaker 5: a man who goes to Spain.

954
00:45:59,560 --> 00:46:00,520
Speaker 3: Wait, do you go to Spain?

955
00:46:00,560 --> 00:46:01,320
Speaker 1: I went once?

956
00:46:03,480 --> 00:46:07,319
Speaker 5: I went once Sairn Expedia commercial.

957
00:46:08,120 --> 00:46:08,920
Speaker 1: Yeah, it was fun.

958
00:46:09,040 --> 00:46:12,200
Speaker 5: They shot it in Spain for one day, but they

959
00:46:12,280 --> 00:46:14,560
Speaker 5: let us stay there for five days.

960
00:46:14,840 --> 00:46:17,239
Speaker 3: That's uh, what do you know why they shot it?

961
00:46:17,320 --> 00:46:18,560
Speaker 3: There was there something particular.

962
00:46:19,880 --> 00:46:23,120
Speaker 5: I think I lucked out and I was on some

963
00:46:23,239 --> 00:46:27,840
Speaker 5: weird hidden tax ride off trip because the guy that

964
00:46:28,000 --> 00:46:32,920
Speaker 5: was camera operating, uh and and uh, you know, giving

965
00:46:32,960 --> 00:46:36,160
Speaker 5: me notes before I booked it ended up acting in

966
00:46:36,239 --> 00:46:36,840
Speaker 5: the commercial.

967
00:46:37,320 --> 00:46:38,719
Speaker 1: I'm going on this trip too.

968
00:46:38,840 --> 00:46:39,440
Speaker 3: That's funny.

969
00:46:39,520 --> 00:46:42,879
Speaker 5: I'm like, oh, that's that's weird. And so we're in

970
00:46:42,920 --> 00:46:47,920
Speaker 5: Spain and uh, it was so beautiful all the like

971
00:46:48,920 --> 00:46:55,200
Speaker 5: the Goudy esque architecture and the everything was mosaic, and

972
00:46:55,600 --> 00:46:58,120
Speaker 5: everything looked like it could be in a skate park,

973
00:46:58,239 --> 00:47:01,279
Speaker 5: like everything looked like a skateboard obstacle.

974
00:47:02,200 --> 00:47:03,239
Speaker 1: And uh.

975
00:47:04,719 --> 00:47:08,600
Speaker 5: We shot two commercials, one in English and the other

976
00:47:08,640 --> 00:47:11,280
Speaker 5: one was French actors.

977
00:47:11,200 --> 00:47:13,040
Speaker 3: Who get it with Spain.

978
00:47:13,360 --> 00:47:14,600
Speaker 1: Yeah I know.

979
00:47:15,239 --> 00:47:18,000
Speaker 5: And I'm like, this could be a beach anywhere you

980
00:47:18,040 --> 00:47:20,560
Speaker 5: could have colorized the water to look blue and green,

981
00:47:20,960 --> 00:47:24,000
Speaker 5: but no, we went because it was a beautiful beach.

982
00:47:24,320 --> 00:47:27,520
Speaker 3: It's interesting that it was a French in Spain because

983
00:47:27,520 --> 00:47:32,000
Speaker 3: it makes me almost think of putting an taking an

984
00:47:32,160 --> 00:47:34,560
Speaker 3: N out of a name and putting an R in

985
00:47:34,640 --> 00:47:37,280
Speaker 3: another word, you know, that kind of mix up. Look,

986
00:47:37,400 --> 00:47:41,120
Speaker 3: I apologize, no, I just said. What I'm saying is

987
00:47:41,120 --> 00:47:43,279
Speaker 3: I think there's some consistency to the sort of.

988
00:47:43,320 --> 00:47:45,080
Speaker 1: No, it's time we cracked this open.

989
00:47:45,280 --> 00:47:48,520
Speaker 5: Since I met you, I've alternately called you Brett and

990
00:47:48,560 --> 00:47:50,800
Speaker 5: Brett yeah.

991
00:47:50,760 --> 00:47:53,920
Speaker 1: And then I usually run off and get it try

992
00:47:53,960 --> 00:47:58,080
Speaker 1: and just run away. I know he didn't know.

993
00:47:58,560 --> 00:48:01,520
Speaker 3: Well, here's the thing oftimes when people say Brett, I

994
00:48:01,560 --> 00:48:04,239
Speaker 3: think they just have a stuffed up nose, you know,

995
00:48:04,360 --> 00:48:06,480
Speaker 3: I think, oh, they must just be stuffed up. They

996
00:48:06,520 --> 00:48:07,920
Speaker 3: might have allergies or.

997
00:48:08,000 --> 00:48:08,920
Speaker 1: Cut to see her again.

998
00:48:11,960 --> 00:48:14,760
Speaker 3: I really honestly think that people just have a nasally

999
00:48:15,239 --> 00:48:17,600
Speaker 3: or some sort of stuffed up sound. That's normal for

1000
00:48:17,640 --> 00:48:20,359
Speaker 3: them too. Maybe they don't have allergies, that's their normal sound.

1001
00:48:20,480 --> 00:48:21,040
Speaker 1: I can't.

1002
00:48:21,280 --> 00:48:24,319
Speaker 5: I can't put the blame on my deviated septum. I

1003
00:48:24,360 --> 00:48:28,760
Speaker 5: actually have messed up your name way. And this goes

1004
00:48:28,800 --> 00:48:31,439
Speaker 5: back to when you had a mask of your own

1005
00:48:31,480 --> 00:48:33,719
Speaker 5: face when I first saw you at the punch Yeah

1006
00:48:33,719 --> 00:48:34,400
Speaker 5: that was Halloween.

1007
00:48:35,360 --> 00:48:39,040
Speaker 1: Yeah, and just as a tree, oh my god.

1008
00:48:39,440 --> 00:48:42,640
Speaker 5: And later on walking around the city in that tree,

1009
00:48:42,760 --> 00:48:44,719
Speaker 5: did you know I got accosted?

1010
00:48:44,920 --> 00:48:47,440
Speaker 3: I think you told me that later some years later.

1011
00:48:47,239 --> 00:48:49,760
Speaker 2: That yeah, yeah, by eco terrorists.

1012
00:48:49,520 --> 00:48:53,120
Speaker 5: No, by a regular regular old give me, give me

1013
00:48:53,160 --> 00:48:57,120
Speaker 5: some money, I thought. But he came up behind me

1014
00:48:57,160 --> 00:48:59,600
Speaker 5: and grat put his arms around me and squeezed, and

1015
00:48:59,640 --> 00:49:02,279
Speaker 5: I think he was acting out what he felt was

1016
00:49:02,320 --> 00:49:08,080
Speaker 5: the most perfect, perfectly timed tree hugging joke. But I

1017
00:49:08,160 --> 00:49:11,719
Speaker 5: just looked at him and saw that he was desperate

1018
00:49:11,760 --> 00:49:15,240
Speaker 5: and scary, and so we had a and.

1019
00:49:15,520 --> 00:49:17,120
Speaker 1: Very young you know it.

1020
00:49:17,800 --> 00:49:21,919
Speaker 5: He run at the end of my extended trombone and

1021
00:49:21,960 --> 00:49:23,640
Speaker 5: we got in a bit.

1022
00:49:23,520 --> 00:49:24,719
Speaker 1: Of a fight.

1023
00:49:25,160 --> 00:49:28,840
Speaker 5: He slammed him down, yeah, and which I'm not bragging

1024
00:49:28,880 --> 00:49:30,719
Speaker 5: him felt terrible because he had a look on his

1025
00:49:30,800 --> 00:49:33,640
Speaker 5: face like why is this happening. I just did the

1026
00:49:33,680 --> 00:49:37,760
Speaker 5: funniest tree hugging joke. But he was following me before

1027
00:49:37,800 --> 00:49:38,759
Speaker 5: that to ATM.

1028
00:49:38,960 --> 00:49:41,759
Speaker 3: And this guy was a Montassori school student. He was

1029
00:49:42,480 --> 00:49:45,160
Speaker 3: he was young. He was a young man, No, he was.

1030
00:49:45,360 --> 00:49:49,400
Speaker 5: He was desperate and looked looked like he was going

1031
00:49:49,480 --> 00:49:53,160
Speaker 5: to cause trouble. But as soon as I was.

1032
00:49:54,560 --> 00:49:55,959
Speaker 2: Punching him in the face, I.

1033
00:49:55,880 --> 00:49:58,000
Speaker 1: Didn't punch him. I just slammed him on the ground.

1034
00:49:58,000 --> 00:49:58,319
Speaker 2: A lot.

1035
00:49:59,360 --> 00:50:02,040
Speaker 1: Driving back, it was like, look at that tree attacking

1036
00:50:02,080 --> 00:50:02,399
Speaker 1: a man.

1037
00:50:02,800 --> 00:50:04,719
Speaker 3: Yeah, he didn't punch it. We just did a pile Driver.

1038
00:50:04,960 --> 00:50:08,120
Speaker 5: I do that series, the one I'm not proud of it.

1039
00:50:08,120 --> 00:50:10,880
Speaker 5: It was a it was a it was a it

1040
00:50:10,920 --> 00:50:11,640
Speaker 5: was a dark.

1041
00:50:11,480 --> 00:50:15,719
Speaker 2: Knight, well and darker still when Brett walked up with

1042
00:50:15,800 --> 00:50:18,200
Speaker 2: a mask of his own face song that.

1043
00:50:18,320 --> 00:50:21,359
Speaker 3: Was Halloween costume. That's so, I just thought it would

1044
00:50:21,360 --> 00:50:23,040
Speaker 3: be kind of funny to just have a mask in

1045
00:50:23,080 --> 00:50:25,560
Speaker 3: my face. Yeah, and I did a set with that

1046
00:50:26,200 --> 00:50:27,520
Speaker 3: with that mask, you know.

1047
00:50:27,520 --> 00:50:29,120
Speaker 2: And I was a paper mask.

1048
00:50:29,160 --> 00:50:31,839
Speaker 3: Sorry, yeah, it was paper mask, just made.

1049
00:50:33,680 --> 00:50:36,000
Speaker 1: Didn't you print hundreds of them and have the whole

1050
00:50:36,040 --> 00:50:37,520
Speaker 1: audience with them? Or did you?

1051
00:50:37,719 --> 00:50:41,360
Speaker 3: I did that some years later, and as part of

1052
00:50:41,400 --> 00:50:45,239
Speaker 3: my Edinburgh show, I had Yeah, I kind of had

1053
00:50:45,239 --> 00:50:47,080
Speaker 3: promotional items. I've made these masks.

1054
00:50:47,160 --> 00:50:49,279
Speaker 1: I maybe I just saw photos of that.

1055
00:50:49,400 --> 00:50:51,680
Speaker 3: Oh yeah. So there was the last I think the

1056
00:50:51,760 --> 00:50:54,400
Speaker 3: last night of the shows. I had everybody in the

1057
00:50:54,400 --> 00:50:55,760
Speaker 3: audience where we took a picture.

1058
00:50:56,040 --> 00:50:56,920
Speaker 2: So that's awesome.

1059
00:50:57,000 --> 00:50:58,640
Speaker 5: It's funny and you and I, you and I have

1060
00:50:59,440 --> 00:51:01,319
Speaker 5: known each other for so long and we've done so

1061
00:51:01,400 --> 00:51:03,840
Speaker 5: many of the same shows because we're from a lost

1062
00:51:03,880 --> 00:51:07,360
Speaker 5: genre of comedy known as alternative comedy.

1063
00:51:07,480 --> 00:51:09,040
Speaker 3: I mean, one could call it that. I just call

1064
00:51:09,080 --> 00:51:09,640
Speaker 3: it comedy.

1065
00:51:09,680 --> 00:51:10,719
Speaker 1: But yeah, yeah, me too.

1066
00:51:10,719 --> 00:51:12,360
Speaker 3: Some people call it a kaiser blade. I call it

1067
00:51:12,400 --> 00:51:12,719
Speaker 3: a sleep.

1068
00:51:12,920 --> 00:51:17,960
Speaker 1: I know you're yeah, I know you killed Dwight yol

1069
00:51:17,960 --> 00:51:22,239
Speaker 1: come that one time. Yeah. I of course I.

1070
00:51:22,160 --> 00:51:25,319
Speaker 5: Almost got offended when people said that, because I'm like, no,

1071
00:51:25,400 --> 00:51:26,640
Speaker 5: I want to work everywhere.

1072
00:51:26,719 --> 00:51:27,640
Speaker 3: Yeah, yeah, yeah exactly.

1073
00:51:27,680 --> 00:51:28,920
Speaker 1: I'm not trying to create.

1074
00:51:29,239 --> 00:51:31,120
Speaker 3: Yeah, I'm not trying to put myself in a hole,

1075
00:51:31,200 --> 00:51:33,640
Speaker 3: you know. I you know, yeah, let's do them all

1076
00:51:33,840 --> 00:51:37,719
Speaker 3: and clubs, you know, clubs and.

1077
00:51:37,640 --> 00:51:41,840
Speaker 5: College and I've seen you do well in those situations.

1078
00:51:42,120 --> 00:51:45,680
Speaker 5: And and any comic that knows you would say what

1079
00:51:45,719 --> 00:51:50,600
Speaker 5: you're doing is risky or making it harder by being

1080
00:51:51,719 --> 00:51:55,719
Speaker 5: not going for what everyone knows it's relatable, or like

1081
00:51:55,719 --> 00:51:57,120
Speaker 5: because you don't have that.

1082
00:51:57,400 --> 00:51:59,400
Speaker 1: Gear in your head. You do what you want to

1083
00:51:59,440 --> 00:52:02,040
Speaker 1: do and everyone likes it.

1084
00:52:01,239 --> 00:52:02,920
Speaker 2: I am I've never seen you.

1085
00:52:03,080 --> 00:52:04,719
Speaker 1: I've never seen great.

1086
00:52:04,800 --> 00:52:07,440
Speaker 3: Well, thank you, and I I have not done great before.

1087
00:52:07,480 --> 00:52:11,759
Speaker 3: But I will say that I also am very I do.

1088
00:52:12,800 --> 00:52:15,960
Speaker 3: I do strive to appeal to as many people. I

1089
00:52:16,000 --> 00:52:20,160
Speaker 3: don't want to be challenging or you know, I don't

1090
00:52:20,200 --> 00:52:22,799
Speaker 3: want to do what I'm doing for uh, I mean,

1091
00:52:22,840 --> 00:52:24,680
Speaker 3: I don't want to only appeal to a certain I

1092
00:52:25,239 --> 00:52:26,120
Speaker 3: want to appeal to.

1093
00:52:26,160 --> 00:52:28,880
Speaker 5: All, and it used to I think a lot of

1094
00:52:28,920 --> 00:52:32,520
Speaker 5: working comics are road dogs. From when I first started,

1095
00:52:32,600 --> 00:52:35,120
Speaker 5: thought that I was trying to be different on purpose,

1096
00:52:35,160 --> 00:52:36,759
Speaker 5: and I'm like, why would I do that?

1097
00:52:36,960 --> 00:52:38,160
Speaker 1: Of course I want everyone.

1098
00:52:38,520 --> 00:52:41,000
Speaker 3: Of course I have heard that before that I do.

1099
00:52:41,640 --> 00:52:43,319
Speaker 3: Oh you want to challenge the crowd. No, I don't

1100
00:52:43,320 --> 00:52:45,920
Speaker 3: want I want them to want to be easy for them,

1101
00:52:45,960 --> 00:52:48,880
Speaker 3: you know, just easy laugh, as easy as possible. I

1102
00:52:48,880 --> 00:52:51,080
Speaker 3: don't want them to have to find the laughter somewhere.

1103
00:52:51,480 --> 00:52:53,719
Speaker 3: I want it right there in front of them.

1104
00:52:53,760 --> 00:53:00,640
Speaker 1: Well mochi nut Yeah, yeah, it's.

1105
00:52:59,760 --> 00:53:01,719
Speaker 2: It's off on top of your comedy, right.

1106
00:53:01,880 --> 00:53:04,879
Speaker 3: Yeah, so it gets so that has that affluence kind

1107
00:53:04,920 --> 00:53:09,200
Speaker 3: of energy to energy. It appeals to the lowbrow.

1108
00:53:08,880 --> 00:53:12,319
Speaker 5: And hi, yeah, don't forget it's a little nutty.

1109
00:53:12,719 --> 00:53:13,120
Speaker 1: Yeah.

1110
00:53:13,200 --> 00:53:17,080
Speaker 5: I think most people, though, if that's their goal, they're like, oh,

1111
00:53:17,160 --> 00:53:20,120
Speaker 5: let me do all relatable premise like hacks.

1112
00:53:20,160 --> 00:53:22,560
Speaker 3: Well look there, you know, it's all about to me

1113
00:53:23,280 --> 00:53:25,920
Speaker 3: about appealing to as many people as possible, but also

1114
00:53:25,960 --> 00:53:29,480
Speaker 3: doing it from a place of you know, that's true

1115
00:53:29,960 --> 00:53:32,800
Speaker 3: to myself or your guns stick stick to my guns.

1116
00:53:32,880 --> 00:53:33,080
Speaker 1: Yeah.

1117
00:53:33,200 --> 00:53:35,960
Speaker 3: At the same time, but it's about finding the bridge.

1118
00:53:36,000 --> 00:53:38,600
Speaker 5: You know, do you still do stand up well open

1119
00:53:38,680 --> 00:53:41,560
Speaker 5: carrying a firearm stick to them?

1120
00:53:41,640 --> 00:53:43,799
Speaker 2: Can I ask you about my favorite thing that you've

1121
00:53:43,800 --> 00:53:45,600
Speaker 2: ever done, which is, and I can't remember if I've

1122
00:53:45,600 --> 00:53:47,560
Speaker 2: talked to you about it, but I probably have, maybe

1123
00:53:47,600 --> 00:53:51,000
Speaker 2: not is your Annie lennox y video that you recreated

1124
00:53:51,239 --> 00:53:53,880
Speaker 2: shot for shot, which I every time I saw it

1125
00:53:53,920 --> 00:53:55,759
Speaker 2: on the internet, I would retweet it and be like,

1126
00:53:55,840 --> 00:53:58,839
Speaker 2: this is the best thing that's ever happened. But how

1127
00:53:58,880 --> 00:54:04,799
Speaker 2: did that come about? And what was the behind it?

1128
00:54:04,920 --> 00:54:05,839
Speaker 1: I've never seen this?

1129
00:54:05,920 --> 00:54:06,520
Speaker 2: Are you serious?

1130
00:54:06,520 --> 00:54:07,560
Speaker 1: And I've seen all brands.

1131
00:54:08,080 --> 00:54:11,080
Speaker 5: Anyone listening right now, their chances are you've seen the

1132
00:54:11,120 --> 00:54:14,920
Speaker 5: one nine hundred gangster video, right it is am I

1133
00:54:15,040 --> 00:54:16,640
Speaker 5: saying that, right, that's.

1134
00:54:16,480 --> 00:54:18,440
Speaker 3: A good way to describe it. It's not one nine

1135
00:54:18,480 --> 00:54:21,239
Speaker 3: hundred gangsters, but I mean it's I mean, it's I mean, no,

1136
00:54:21,320 --> 00:54:24,160
Speaker 3: I think people know what you mean. Yeah, pick up

1137
00:54:24,200 --> 00:54:31,759
Speaker 3: the phone. The why video Annie Lennox, Why well Annie

1138
00:54:31,840 --> 00:54:34,839
Speaker 3: Lennox for for just to start is she's a very

1139
00:54:34,880 --> 00:54:41,400
Speaker 3: striking woman, and she has very striking features, and she

1140
00:54:42,040 --> 00:54:47,120
Speaker 3: expresses herself visually in a very intense way.

1141
00:54:47,239 --> 00:54:49,680
Speaker 1: Yeah, like Willem Dafoe or Tilda Swinton.

1142
00:54:50,080 --> 00:54:53,480
Speaker 3: Yes, yeah, that's true. They're all kind of all the same.

1143
00:54:54,560 --> 00:55:00,799
Speaker 3: I don't know, school, yeah something. And I thought I

1144
00:55:00,880 --> 00:55:05,439
Speaker 3: was watching that music video one day, and I've seen

1145
00:55:05,480 --> 00:55:07,120
Speaker 3: it a million times, but there was this one day

1146
00:55:07,160 --> 00:55:10,200
Speaker 3: when I thought to myself, this would be really I

1147
00:55:10,200 --> 00:55:12,120
Speaker 3: thought it would be funny if I just did it,

1148
00:55:12,400 --> 00:55:14,640
Speaker 3: like if I if if instead of any Lenox it

1149
00:55:14,680 --> 00:55:17,480
Speaker 3: was me doing it because and I just thought that

1150
00:55:17,520 --> 00:55:19,319
Speaker 3: would be funny for some reason, you know, I think

1151
00:55:19,320 --> 00:55:22,160
Speaker 3: it's it's what I would I would discribe this. I

1152
00:55:22,640 --> 00:55:25,000
Speaker 3: was I'm about to say something kind of pretentious.

1153
00:55:24,560 --> 00:55:27,560
Speaker 1: But no, this almost I.

1154
00:55:27,520 --> 00:55:29,399
Speaker 3: Was gonna say, it's no, No, it's I wasn't gonna

1155
00:55:29,400 --> 00:55:31,000
Speaker 3: say that. I was gonna say, you're gonna.

1156
00:55:30,760 --> 00:55:32,000
Speaker 2: Say you're as pretty as any let.

1157
00:55:32,280 --> 00:55:34,920
Speaker 3: I was gonna say, I should be, Yes, I should

1158
00:55:35,000 --> 00:55:40,000
Speaker 3: be the anty Lenox of music. I should be you know,

1159
00:55:40,640 --> 00:55:45,200
Speaker 3: a multi platinum anyway, the uh I I get. I

1160
00:55:45,239 --> 00:55:47,520
Speaker 3: was going to say that it's a really kind of

1161
00:55:47,520 --> 00:55:53,279
Speaker 3: postmodern comedy thing where the joke is not the joke

1162
00:55:53,360 --> 00:55:59,319
Speaker 3: isn't just recreating something but with certain things change, but

1163
00:55:59,400 --> 00:56:01,560
Speaker 3: it's it's not even making fun of something. It's just

1164
00:56:01,600 --> 00:56:05,800
Speaker 3: recreating it. That's to me very much of postmodern comedy

1165
00:56:05,800 --> 00:56:09,480
Speaker 3: thing is when you kind of just recreate things and

1166
00:56:10,520 --> 00:56:14,160
Speaker 3: or you simulate things to as much of a precise

1167
00:56:14,440 --> 00:56:18,080
Speaker 3: degree you can. And then also, but there's something off

1168
00:56:18,120 --> 00:56:20,359
Speaker 3: about it too that makes it its own thing too.

1169
00:56:20,760 --> 00:56:22,920
Speaker 2: Well, because you didn't have any makeup on.

1170
00:56:23,440 --> 00:56:25,280
Speaker 3: Well, that was okay. The reason I didn't put makeup

1171
00:56:25,320 --> 00:56:28,240
Speaker 3: on is because I didn't want it to come across

1172
00:56:28,280 --> 00:56:30,480
Speaker 3: like it was some kind of cross dressing thing, right,

1173
00:56:30,520 --> 00:56:33,200
Speaker 3: And I wanted it to be clear that the joke

1174
00:56:33,239 --> 00:56:35,640
Speaker 3: of this is me in this, And because and if

1175
00:56:35,640 --> 00:56:37,440
Speaker 3: I had makeup on, it would want to be maybe

1176
00:56:37,520 --> 00:56:39,839
Speaker 3: like a cross dressing thing, but also it would look

1177
00:56:39,920 --> 00:56:42,600
Speaker 3: like too much like Anny lenox that I wanted to

1178
00:56:42,600 --> 00:56:46,640
Speaker 3: look like. The comedy to me is me. You're seeing

1179
00:56:46,680 --> 00:56:49,080
Speaker 3: me in my face in this, not any lenoxes. So yeah,

1180
00:56:49,560 --> 00:56:50,120
Speaker 3: and being.

1181
00:56:50,000 --> 00:56:54,560
Speaker 2: That dramatic and sincere and all of it without yeah,

1182
00:56:54,600 --> 00:56:58,560
Speaker 2: without eyeshadow, without any of the actual drama. That's what

1183
00:56:58,600 --> 00:57:01,520
Speaker 2: I loved about it is you were giving a thousand

1184
00:57:01,600 --> 00:57:06,160
Speaker 2: percent to make it like what Annul is out any wink.

1185
00:57:06,360 --> 00:57:07,080
Speaker 2: It was amazing.

1186
00:57:07,120 --> 00:57:09,160
Speaker 3: Oh thanks, I mean it took a lot of memorization too,

1187
00:57:09,200 --> 00:57:12,799
Speaker 3: because there's certain long takes of things that you know,

1188
00:57:13,400 --> 00:57:16,560
Speaker 3: it was kind of having to rehearse it, you know

1189
00:57:16,640 --> 00:57:20,360
Speaker 3: a few times and memorize the moves for each shot,

1190
00:57:20,520 --> 00:57:22,520
Speaker 3: some of them being long shots, you know, just kind

1191
00:57:22,560 --> 00:57:25,320
Speaker 3: of knowing where in the music cues that it was Okay,

1192
00:57:25,320 --> 00:57:28,000
Speaker 3: here's the part where the brush is kind of going

1193
00:57:28,040 --> 00:57:29,360
Speaker 3: over the in between the eyes.

1194
00:57:29,400 --> 00:57:32,920
Speaker 2: And because she's also doing this thing, she's staring straight

1195
00:57:32,960 --> 00:57:34,640
Speaker 2: into the camera the entire.

1196
00:57:34,480 --> 00:57:36,720
Speaker 3: Time, well, she's also she's staring at the camera. Well,

1197
00:57:36,720 --> 00:57:38,919
Speaker 3: she's also staring at herself a lot of times too

1198
00:57:39,240 --> 00:57:42,120
Speaker 3: in the mirror, which I think is interesting about her.

1199
00:57:42,160 --> 00:57:44,440
Speaker 3: She does that a lot. Well, I think she does

1200
00:57:44,480 --> 00:57:46,080
Speaker 3: that a lot. She does it in another music video

1201
00:57:46,080 --> 00:57:49,040
Speaker 3: which I also considered, you know, redoing as well, because

1202
00:57:49,040 --> 00:57:50,960
Speaker 3: it was is this one where she's staring at a

1203
00:57:51,000 --> 00:57:54,320
Speaker 3: mirror the whole it's her face against a mirror, and

1204
00:57:54,880 --> 00:57:58,840
Speaker 3: that one she's pretty expressive into. But anyway, yeah, you know,

1205
00:57:59,000 --> 00:58:01,160
Speaker 3: she's really it's it's just I don't know, I just

1206
00:58:01,200 --> 00:58:03,080
Speaker 3: thought it would be funny as all. You know, there's

1207
00:58:03,120 --> 00:58:05,120
Speaker 3: no that's pretty much it, and so I just told

1208
00:58:05,760 --> 00:58:08,880
Speaker 3: I told funnier die. I just said, hey, how about

1209
00:58:08,880 --> 00:58:12,440
Speaker 3: this is a videos? Why any Lennox but said, alys

1210
00:58:12,520 --> 00:58:16,840
Speaker 3: is me. We just recreated exactly, and so they produced

1211
00:58:16,840 --> 00:58:19,080
Speaker 3: it and they went for it.

1212
00:58:19,200 --> 00:58:21,960
Speaker 5: I forgot that that was kind of like you go

1213
00:58:22,080 --> 00:58:24,919
Speaker 5: in there and pitch it to him, much like Shark Tank,

1214
00:58:25,200 --> 00:58:28,640
Speaker 5: and they would produce videos and then the success of

1215
00:58:28,680 --> 00:58:33,360
Speaker 5: that video would be based on voting, did you yes, yeah?

1216
00:58:33,840 --> 00:58:35,720
Speaker 1: I think funny or does it die right?

1217
00:58:35,800 --> 00:58:39,720
Speaker 3: Right right? Exactly? Initially I think that initial concept was

1218
00:58:39,760 --> 00:58:42,840
Speaker 3: based on Hot or Not dot com. I think you

1219
00:58:42,840 --> 00:58:45,120
Speaker 3: remember that. Remember how or Not?

1220
00:58:45,280 --> 00:58:47,280
Speaker 1: I thought Hot or Not became Facebook?

1221
00:58:47,360 --> 00:58:48,280
Speaker 2: Yeah, That's what I thought it.

1222
00:58:48,200 --> 00:58:50,080
Speaker 3: Was, you know, I think it did. But then I

1223
00:58:50,120 --> 00:58:53,400
Speaker 3: think that this kid thought hot or Not? What if

1224
00:58:53,400 --> 00:58:56,240
Speaker 3: we did that with comedy, I think, And then he

1225
00:58:56,320 --> 00:58:59,640
Speaker 3: told his dad about it, and then they made the

1226
00:58:59,640 --> 00:59:00,800
Speaker 3: company or something and his.

1227
00:59:00,800 --> 00:59:05,360
Speaker 5: Dad was Will Ferrell something like yeah or Adam.

1228
00:59:05,640 --> 00:59:08,400
Speaker 3: It was Adam, And I think think guy's name is Kwame.

1229
00:59:08,400 --> 00:59:13,160
Speaker 1: Or it starts yep, it's ringing a bell.

1230
00:59:13,120 --> 00:59:17,160
Speaker 3: Michael Kwam does that ring a bell? And it was.

1231
00:59:17,120 --> 00:59:20,920
Speaker 2: Literally the same thing of the objectification of general people

1232
00:59:21,280 --> 00:59:23,800
Speaker 2: of like we decide if you're good or bad, but

1233
00:59:23,960 --> 00:59:26,440
Speaker 2: with like people's sets or people's videos.

1234
00:59:26,600 --> 00:59:29,400
Speaker 3: Yeah, just the comedy videos. But I think that they

1235
00:59:29,680 --> 00:59:32,080
Speaker 3: I don't think the voting system was in place by

1236
00:59:32,120 --> 00:59:34,680
Speaker 3: the time I did that, right, that video that was

1237
00:59:34,720 --> 00:59:35,480
Speaker 3: early Yeah.

1238
00:59:35,560 --> 00:59:38,200
Speaker 2: Yeah, I would have voted for you five times.

1239
00:59:38,240 --> 00:59:40,720
Speaker 3: No, thank you. I appreciate your appreciate your votes. Every

1240
00:59:40,800 --> 00:59:44,160
Speaker 3: vote counts. I wouldn't be here today if it wasn't

1241
00:59:44,160 --> 00:59:44,720
Speaker 3: for your votes.

1242
00:59:44,800 --> 00:59:47,600
Speaker 1: So you know that brings get out there.

1243
00:59:49,200 --> 00:59:53,080
Speaker 5: Rock the vote, right, all the musicians are doing it,

1244
00:59:53,200 --> 00:59:54,240
Speaker 5: celebrities are.

1245
00:59:54,440 --> 00:59:56,520
Speaker 3: Lennox Is doing it? Then you could do it too.

1246
00:59:56,680 --> 00:59:58,560
Speaker 3: Rock the voat four.

1247
01:00:00,440 --> 01:00:03,080
Speaker 1: Up, next the rock and jock pop.

1248
01:00:03,120 --> 01:00:05,400
Speaker 3: Next, we're gonna hear a new cut from Rollins Band.

1249
01:00:05,600 --> 01:00:08,560
Speaker 5: Yeah, and then Eric Nice is gonna show you the

1250
01:00:08,680 --> 01:00:10,560
Speaker 5: most recent dance moves.

1251
01:00:14,320 --> 01:00:16,240
Speaker 1: Oh man, that's where a simpler day.

1252
01:00:16,880 --> 01:00:18,520
Speaker 3: But yeah, you know, by the way, do you know

1253
01:00:18,520 --> 01:00:20,120
Speaker 3: how I just learned this today? Do you know how

1254
01:00:20,280 --> 01:00:21,160
Speaker 3: MTV started?

1255
01:00:22,320 --> 01:00:22,520
Speaker 1: No?

1256
01:00:23,600 --> 01:00:27,640
Speaker 3: So, Michael is it Nesmuth who's in the Monkeys?

1257
01:00:28,000 --> 01:00:28,320
Speaker 1: Sure?

1258
01:00:28,600 --> 01:00:32,200
Speaker 3: He created a show for Nickelodeon, and I forgot the

1259
01:00:32,280 --> 01:00:34,800
Speaker 3: name of it was called pop video or something like that.

1260
01:00:34,960 --> 01:00:40,560
Speaker 3: It wasn't pop up video. It was some show and

1261
01:00:40,600 --> 01:00:43,520
Speaker 3: it was basically music videos, and it was just supposed

1262
01:00:43,520 --> 01:00:47,400
Speaker 3: to be a show for Nickelodeon and so they and

1263
01:00:47,440 --> 01:00:49,720
Speaker 3: that was sold to Time Warner or something like that,

1264
01:00:49,800 --> 01:00:52,480
Speaker 3: and they thought they just they thought, oh, this shouldn't

1265
01:00:52,480 --> 01:00:54,600
Speaker 3: be a show, it should be a whole channel. So

1266
01:00:54,680 --> 01:00:59,760
Speaker 3: it was kind of semi created by Michael Nesmyth and the.

1267
01:01:00,240 --> 01:01:04,320
Speaker 5: Making little movies for a music like Let's Start with

1268
01:01:04,520 --> 01:01:08,080
Speaker 5: the Two B's or video Killed the Radio Star. That

1269
01:01:08,240 --> 01:01:12,360
Speaker 5: seemed very strategic, like, hey, this might ruin music if

1270
01:01:12,360 --> 01:01:14,840
Speaker 5: people are more concerned about what people look like it.

1271
01:01:15,000 --> 01:01:17,480
Speaker 5: But I don't think that they were. I think that's

1272
01:01:17,600 --> 01:01:22,960
Speaker 5: just a weird, ironic coincidence that that was the first song.

1273
01:01:23,400 --> 01:01:26,200
Speaker 3: No, there does seems like there's some kind of calculation there.

1274
01:01:26,240 --> 01:01:28,720
Speaker 2: I think they were planning that for sure. But I think, well,

1275
01:01:28,760 --> 01:01:31,120
Speaker 2: there's a really good When you asked that question, I

1276
01:01:31,160 --> 01:01:32,480
Speaker 2: was like, God, I want to answer this. And I

1277
01:01:32,480 --> 01:01:35,600
Speaker 2: have no memory of that documentary, but there's a really

1278
01:01:35,600 --> 01:01:39,560
Speaker 2: good documentary about MTV. Because I was eleven when it

1279
01:01:39,600 --> 01:01:42,960
Speaker 2: came out, so it was like we were absolute cult members.

1280
01:01:43,000 --> 01:01:44,840
Speaker 2: We watched it all day every day.

1281
01:01:44,920 --> 01:01:45,600
Speaker 1: Yep, me too.

1282
01:01:45,720 --> 01:01:48,000
Speaker 2: We loved it. We were like obsessed and like there

1283
01:01:48,000 --> 01:01:51,280
Speaker 2: would be like you know, like a family or you know,

1284
01:01:51,360 --> 01:01:54,640
Speaker 2: like neighborhood function. There'd be like twenty kids in a room,

1285
01:01:54,800 --> 01:01:58,040
Speaker 2: dead silent, all watching it and just like we couldn't

1286
01:01:58,080 --> 01:02:01,280
Speaker 2: believe it. It was so finally TV was good and it

1287
01:02:01,360 --> 01:02:04,360
Speaker 2: was like TV for younger people, which it wasn't like

1288
01:02:04,440 --> 01:02:08,080
Speaker 2: that before, and we were obsessed. So like that documentary

1289
01:02:08,880 --> 01:02:11,440
Speaker 2: is really amazing because it kind of shows all the

1290
01:02:11,480 --> 01:02:13,040
Speaker 2: different ways, like you know how it used to go

1291
01:02:14,760 --> 01:02:17,960
Speaker 2: and the MTV logo would change. They would just call

1292
01:02:18,080 --> 01:02:20,520
Speaker 2: up all those artists that they liked in New York

1293
01:02:20,880 --> 01:02:23,360
Speaker 2: and have them all submit and they would just use everything.

1294
01:02:23,640 --> 01:02:23,880
Speaker 1: Wow.

1295
01:02:24,120 --> 01:02:25,640
Speaker 2: Yeah, like it was a really.

1296
01:02:27,760 --> 01:02:29,680
Speaker 3: That was There was different versions of that because I

1297
01:02:29,760 --> 01:02:31,720
Speaker 3: just recalled just the.

1298
01:02:31,160 --> 01:02:36,000
Speaker 2: One song, guitar on one song, different logos, so there

1299
01:02:36,000 --> 01:02:37,560
Speaker 2: would be the original, but then.

1300
01:02:37,400 --> 01:02:39,320
Speaker 3: There was like the reason it changes is those are

1301
01:02:39,360 --> 01:02:40,240
Speaker 3: different artists every.

1302
01:02:40,080 --> 01:02:47,480
Speaker 5: Single Yeah, right, gotcha, Sorry, that's cool. Guess the notion

1303
01:02:47,600 --> 01:02:50,160
Speaker 5: of like my sister having all of our best friends

1304
01:02:50,200 --> 01:02:54,200
Speaker 5: come over for the premiere and it was advertised of

1305
01:02:54,440 --> 01:02:59,120
Speaker 5: Duran Duran was going to have it was a video

1306
01:02:59,440 --> 01:03:01,840
Speaker 5: or maybe a concert, but I remember them down there

1307
01:03:01,880 --> 01:03:06,200
Speaker 5: screaming and and or the we are the world thing

1308
01:03:06,680 --> 01:03:10,840
Speaker 5: globally this uh this video with all the artists in

1309
01:03:10,880 --> 01:03:13,720
Speaker 5: the world to fight fam and in South Africa there's

1310
01:03:13,760 --> 01:03:14,880
Speaker 5: all artists in the world.

1311
01:03:14,640 --> 01:03:20,160
Speaker 1: And darod feelings. Did you watch that documentary.

1312
01:03:19,680 --> 01:03:20,320
Speaker 3: About why Dan?

1313
01:03:21,280 --> 01:03:27,000
Speaker 1: They never address it. They try and move, but it's more.

1314
01:03:26,840 --> 01:03:29,440
Speaker 2: About like friends with somebody or are just in the building.

1315
01:03:30,040 --> 01:03:33,320
Speaker 5: They he had just uh, I don't know why he

1316
01:03:33,480 --> 01:03:35,360
Speaker 5: was and you could tell by the look on his

1317
01:03:35,480 --> 01:03:39,000
Speaker 5: face He's like, why am I here? But that's also

1318
01:03:39,800 --> 01:03:43,560
Speaker 5: what Bruce Springsteen and and Bob Dylan felt already talked

1319
01:03:43,600 --> 01:03:44,400
Speaker 5: about this, but.

1320
01:03:44,320 --> 01:03:46,080
Speaker 1: They're they were wondering why he was there.

1321
01:03:46,120 --> 01:03:50,200
Speaker 5: They know that not that traditionally they aren't vocalists that

1322
01:03:50,280 --> 01:03:52,000
Speaker 5: are like, oh, I'm going to hammer it out like

1323
01:03:52,080 --> 01:03:57,640
Speaker 5: Diana Ross. So Huey Lewis Springsteen, who had a sore throat.

1324
01:03:57,680 --> 01:03:59,920
Speaker 5: He just came off of his Born in the USA

1325
01:04:00,160 --> 01:04:02,919
Speaker 5: tour that night and flew to be in this room

1326
01:04:02,920 --> 01:04:07,280
Speaker 5: of geniuses, and they it's funny who's self conscious and

1327
01:04:07,360 --> 01:04:10,320
Speaker 5: who is like, oh, yeah, this is just a walk

1328
01:04:10,360 --> 01:04:13,000
Speaker 5: in the park. And no one was more nervous than

1329
01:04:13,040 --> 01:04:16,680
Speaker 5: Huey Lewis. He's like because they interview him now too,

1330
01:04:16,720 --> 01:04:19,000
Speaker 5: and he's like, I knew that I had the worst

1331
01:04:19,080 --> 01:04:20,280
Speaker 5: voice in the room, but.

1332
01:04:20,280 --> 01:04:23,840
Speaker 1: He nails it, like, yeah, I know.

1333
01:04:24,160 --> 01:04:27,800
Speaker 5: It's just it showed all these stars and some of

1334
01:04:27,840 --> 01:04:33,320
Speaker 5: them very relatably are self conscious and other ones are like,

1335
01:04:34,000 --> 01:04:36,480
Speaker 5: you know, Diane Warwick's like, I'm the only one that

1336
01:04:36,600 --> 01:04:37,360
Speaker 5: belongs here.

1337
01:04:37,760 --> 01:04:41,800
Speaker 3: There was certain and Prince of course, you know, you

1338
01:04:41,800 --> 01:04:42,880
Speaker 3: know he was invited, but.

1339
01:04:43,240 --> 01:04:45,000
Speaker 5: Yeah, he's the only one that didn't show up. You

1340
01:04:45,080 --> 01:04:46,600
Speaker 5: got to watch this thing if you know that.

1341
01:04:46,600 --> 01:04:51,360
Speaker 3: You Madonna, Oh really, yeah, she was kind of I guess,

1342
01:04:51,400 --> 01:04:54,600
Speaker 3: maybe not taking I don't know. Maybe some people didn't

1343
01:04:54,600 --> 01:04:55,880
Speaker 3: take her seriously.

1344
01:04:56,040 --> 01:04:59,440
Speaker 5: Because culaper was there, but people did take her seriously.

1345
01:04:59,440 --> 01:05:02,160
Speaker 5: And there is a great scene where it's like, something's

1346
01:05:02,200 --> 01:05:05,160
Speaker 5: wrong with the recording. There's a scratchiness in your voice.

1347
01:05:05,200 --> 01:05:09,080
Speaker 5: And then they finally realized it's all of her jewelry

1348
01:05:09,280 --> 01:05:13,120
Speaker 5: was banging together and they're like, yeah, there's interference. Maybe

1349
01:05:13,200 --> 01:05:15,760
Speaker 5: it's these necklaces.

1350
01:05:16,200 --> 01:05:23,080
Speaker 1: Whoa, wow, he almost got touched by a cement man.

1351
01:05:23,840 --> 01:05:26,440
Speaker 2: What's happening? Am I not in a lane? This is

1352
01:05:26,760 --> 01:05:27,520
Speaker 2: so weird?

1353
01:05:27,640 --> 01:05:29,840
Speaker 3: I think, well, you're getting into a lane. Yeah, I

1354
01:05:29,880 --> 01:05:31,080
Speaker 3: think you're on your way to your.

1355
01:05:31,000 --> 01:05:34,200
Speaker 2: Transitioning, but these guys want to go before me.

1356
01:05:34,600 --> 01:05:34,760
Speaker 1: Right.

1357
01:05:35,000 --> 01:05:37,320
Speaker 5: He thought he could squeeze in, and he just knows

1358
01:05:37,400 --> 01:05:38,920
Speaker 5: the dimensions of that vehicle.

1359
01:05:39,080 --> 01:05:40,040
Speaker 3: She just knows what's going on.

1360
01:05:41,360 --> 01:05:43,440
Speaker 5: This is going to make her nervous. But I know

1361
01:05:43,640 --> 01:05:45,280
Speaker 5: exactly how many inches I have.

1362
01:05:45,520 --> 01:05:47,360
Speaker 2: But I've never been more confident.

1363
01:05:47,560 --> 01:05:51,120
Speaker 3: Yeah. I was going to say that to bring it

1364
01:05:51,200 --> 01:05:54,720
Speaker 3: back to us knowing each other for a while. Chris, Yes,

1365
01:05:55,040 --> 01:05:57,120
Speaker 3: we you know, you and I were both in a

1366
01:05:57,280 --> 01:06:01,400
Speaker 3: sort of I don't know, maybe perhaps pastiche of we

1367
01:06:01,440 --> 01:06:04,760
Speaker 3: are the world. Yeah right, I mean you know, I

1368
01:06:05,200 --> 01:06:07,480
Speaker 3: mean it's cut together, we're in the same video.

1369
01:06:07,880 --> 01:06:12,280
Speaker 1: Yeah, and your line is so open up your mine?

1370
01:06:13,520 --> 01:06:17,280
Speaker 5: You remember, Yeah, I remember, because we everyone had their

1371
01:06:18,000 --> 01:06:20,880
Speaker 5: I'm glad we did what like you and Bronger and

1372
01:06:20,920 --> 01:06:23,240
Speaker 5: I just riffed a made up thing.

1373
01:06:24,320 --> 01:06:25,960
Speaker 3: I did sing some real lyrics too.

1374
01:06:26,320 --> 01:06:29,080
Speaker 1: Yeah me, I like what they used. It was. It

1375
01:06:29,120 --> 01:06:31,600
Speaker 1: was weird, but.

1376
01:06:31,520 --> 01:06:33,680
Speaker 3: I kind of did it as a character, kind of

1377
01:06:33,720 --> 01:06:35,880
Speaker 3: you know, I had sunglasses on, and well I mean

1378
01:06:35,920 --> 01:06:38,240
Speaker 3: people wearing sunglasses anyway, but I mean I was kind

1379
01:06:38,240 --> 01:06:39,080
Speaker 3: of doing as a character.

1380
01:06:39,120 --> 01:06:41,040
Speaker 5: I think I tried really hard to say. I'm like,

1381
01:06:41,120 --> 01:06:43,040
Speaker 5: I'm gonna belt something out.

1382
01:06:43,280 --> 01:06:43,840
Speaker 2: What was it for?

1383
01:06:44,480 --> 01:06:44,600
Speaker 3: Uh?

1384
01:06:45,320 --> 01:06:48,080
Speaker 1: It was for the LA Food.

1385
01:06:47,840 --> 01:06:50,360
Speaker 5: Bank and it was Scott Ackerman and BJ Porter. It

1386
01:06:50,440 --> 01:06:54,240
Speaker 5: was a comedy death Ray group We are in the world.

1387
01:06:54,480 --> 01:06:56,720
Speaker 1: Yeah, and weird Al was in.

1388
01:06:56,760 --> 01:07:02,520
Speaker 3: It with hard and Firm and I think that to

1389
01:07:02,560 --> 01:07:03,920
Speaker 3: introduce it or something right.

1390
01:07:03,960 --> 01:07:04,640
Speaker 1: It's okay.

1391
01:07:04,680 --> 01:07:07,880
Speaker 5: And here's what he said, here's what he's so it's

1392
01:07:07,920 --> 01:07:11,760
Speaker 5: the funniest. It's worth watching this comedy death Ray Christmas

1393
01:07:11,800 --> 01:07:15,000
Speaker 5: thing just for the Kurt Russell in Crow, because he goes.

1394
01:07:16,480 --> 01:07:17,680
Speaker 1: The end of the Introy goes.

1395
01:07:17,680 --> 01:07:22,200
Speaker 5: We all know that laughter is the best medicine, but

1396
01:07:22,480 --> 01:07:29,000
Speaker 5: food is the best food, and he delivers it with

1397
01:07:29,160 --> 01:07:32,680
Speaker 5: such a committed dry.

1398
01:07:32,560 --> 01:07:35,040
Speaker 1: He paused extra long for food.

1399
01:07:35,600 --> 01:07:38,200
Speaker 5: And just from that alone, I'm like, Oh, Kurt Russell

1400
01:07:38,280 --> 01:07:39,760
Speaker 5: is like the funniest.

1401
01:07:41,120 --> 01:07:42,480
Speaker 1: I wish, I wish.

1402
01:07:42,080 --> 01:07:42,680
Speaker 2: I know.

1403
01:07:42,760 --> 01:07:44,360
Speaker 3: A lot of his movies are comedies.

1404
01:07:44,400 --> 01:07:49,880
Speaker 2: You know, it's true. He's less dramatic and more yeah,

1405
01:07:49,920 --> 01:07:50,240
Speaker 2: I mean.

1406
01:07:53,600 --> 01:08:00,840
Speaker 5: Blisk and a dramatic character that's comedy. There's a there's

1407
01:08:00,880 --> 01:08:05,240
Speaker 5: a video of him and his His son's an actor

1408
01:08:05,280 --> 01:08:08,120
Speaker 5: that I didn't realize was his son, but looks a

1409
01:08:08,160 --> 01:08:11,640
Speaker 5: lot like him. And there they keep laughing. He's making

1410
01:08:11,680 --> 01:08:13,640
Speaker 5: fun of his dad for watching.

1411
01:08:14,880 --> 01:08:15,600
Speaker 1: He caught him.

1412
01:08:15,640 --> 01:08:20,240
Speaker 5: Came in and caught him watching one of his movies. Yeah,

1413
01:08:20,320 --> 01:08:23,519
Speaker 5: and and and they just both start laughing and they

1414
01:08:23,520 --> 01:08:25,360
Speaker 5: had identical laughs.

1415
01:08:25,880 --> 01:08:28,040
Speaker 1: And then he was like, oh, I didn't know you

1416
01:08:28,080 --> 01:08:28,640
Speaker 1: were coming in.

1417
01:08:28,800 --> 01:08:30,920
Speaker 5: He made like a oh you walked in on me

1418
01:08:31,040 --> 01:08:34,240
Speaker 5: watching like porn or something joke. And they kept going

1419
01:08:34,280 --> 01:08:37,080
Speaker 5: back and forth and they kept I watched it over

1420
01:08:37,120 --> 01:08:38,040
Speaker 5: and over because the.

1421
01:08:38,080 --> 01:08:39,719
Speaker 3: Son was masturbating to the movie.

1422
01:08:41,960 --> 01:08:42,120
Speaker 1: Yeah.

1423
01:08:42,680 --> 01:08:45,360
Speaker 5: Yeah, Well that's where the interview gets weird because they

1424
01:08:45,400 --> 01:08:47,280
Speaker 5: start doing it on camera together.

1425
01:08:47,360 --> 01:08:49,640
Speaker 3: So let me show you how to do that. The

1426
01:08:50,840 --> 01:08:52,599
Speaker 3: first of all pop up extends and.

1427
01:08:56,080 --> 01:08:59,000
Speaker 1: But no, they just it's just like a dad and son.

1428
01:08:59,280 --> 01:09:02,040
Speaker 1: It's fun. It's just something you watch and it makes

1429
01:09:02,040 --> 01:09:06,720
Speaker 1: you miss your dad and that. Yeah, yeah, yeah, I

1430
01:09:06,800 --> 01:09:07,599
Speaker 1: like to get it said.

1431
01:09:07,800 --> 01:09:11,519
Speaker 2: There's also a real good documentary because Kurt Russell's father,

1432
01:09:12,160 --> 01:09:14,880
Speaker 2: who would be Wyatt Russell's grandfather.

1433
01:09:14,479 --> 01:09:16,639
Speaker 1: Wyatt, that's it, that's his name. Wait, thank you?

1434
01:09:16,680 --> 01:09:17,720
Speaker 3: Oh wait, what's say?

1435
01:09:17,720 --> 01:09:22,520
Speaker 2: What the son of is Wyatt? But the grand the grandfather,

1436
01:09:22,920 --> 01:09:26,439
Speaker 2: and Kurt Russell's father was a he was on I

1437
01:09:26,439 --> 01:09:28,720
Speaker 2: think gun smoke for years. So he was like an

1438
01:09:28,800 --> 01:09:33,479
Speaker 2: old school fifties Hollywood actor, and he when he was

1439
01:09:33,520 --> 01:09:36,599
Speaker 2: getting older and getting cast less, like he had worked

1440
01:09:36,640 --> 01:09:38,320
Speaker 2: all the time, and then to a degree, and then

1441
01:09:38,320 --> 01:09:39,840
Speaker 2: it was like after he was fifty, he was like,

1442
01:09:39,880 --> 01:09:42,439
Speaker 2: I can't get work. So he moves up to I

1443
01:09:42,479 --> 01:09:45,719
Speaker 2: think it was Portland or maybe Seattle, and he starts

1444
01:09:46,080 --> 01:09:49,639
Speaker 2: like a Triple A League men's softball team. He either

1445
01:09:49,680 --> 01:09:55,920
Speaker 2: starts already takes over ownership of it, and Kurt Russell

1446
01:09:56,000 --> 01:09:59,240
Speaker 2: plays on the team and he basically brings this team

1447
01:10:00,120 --> 01:10:03,160
Speaker 2: to glory and it's all these like it's a great documentary.

1448
01:10:03,200 --> 01:10:05,160
Speaker 2: It's like a Bad News Bears for adults.

1449
01:10:05,200 --> 01:10:08,000
Speaker 1: But Kurt Russell was already in like Disney.

1450
01:10:07,560 --> 01:10:10,040
Speaker 3: Movies, yeah, because he was a kid actor. Yeah, he

1451
01:10:10,120 --> 01:10:11,439
Speaker 3: was in commercials and stuff too.

1452
01:10:11,560 --> 01:10:13,320
Speaker 2: But in his twenties, I guess he went up there

1453
01:10:13,320 --> 01:10:16,559
Speaker 2: and was like, I'm gonna go play like un non

1454
01:10:16,600 --> 01:10:18,280
Speaker 2: professional softball.

1455
01:10:18,360 --> 01:10:21,000
Speaker 1: I guess, for the fun, for the sake of having fun,

1456
01:10:21,080 --> 01:10:21,519
Speaker 1: for the fun.

1457
01:10:21,520 --> 01:10:21,840
Speaker 2: People.

1458
01:10:22,240 --> 01:10:26,560
Speaker 3: When's the last time you guys saw Bad News Bears.

1459
01:10:26,760 --> 01:10:28,360
Speaker 2: I've been ten years easily.

1460
01:10:28,439 --> 01:10:31,040
Speaker 3: Well, I watched it recently. What was you gonna say

1461
01:10:31,080 --> 01:10:31,599
Speaker 3: recently too.

1462
01:10:32,200 --> 01:10:34,280
Speaker 5: No, I've been meaning to because when I worked at

1463
01:10:34,320 --> 01:10:36,760
Speaker 5: Fuel TV, it was across the street from The Bad

1464
01:10:36,800 --> 01:10:39,320
Speaker 5: News bears Field, and so I was like, oh, I

1465
01:10:39,320 --> 01:10:40,000
Speaker 5: gotta watch that.

1466
01:10:40,160 --> 01:10:43,400
Speaker 3: Oh I hadn't seen it for a long time. I

1467
01:10:43,400 --> 01:10:46,600
Speaker 3: mean maybe you know, whatever, forty years or something, but

1468
01:10:46,640 --> 01:10:51,759
Speaker 3: I I saw it recently, and it's really good.

1469
01:10:51,840 --> 01:10:52,240
Speaker 2: So good.

1470
01:10:52,320 --> 01:10:55,080
Speaker 3: It's such a good movie. It's not it's not even

1471
01:10:55,120 --> 01:10:57,559
Speaker 3: doesn't even seem like it's really for kids. It's Walter

1472
01:10:57,680 --> 01:11:04,599
Speaker 3: Meth yeah and yeah, so that and it's it's really

1473
01:11:04,600 --> 01:11:07,439
Speaker 3: good and it's not it's structured. I mean, I don't know.

1474
01:11:07,560 --> 01:11:09,200
Speaker 3: Just a lot of things about it are really good.

1475
01:11:09,200 --> 01:11:12,400
Speaker 2: And well there's parts where he is so awful to

1476
01:11:12,479 --> 01:11:15,880
Speaker 2: those kids while he drinks, right, while he drinks beer

1477
01:11:15,960 --> 01:11:19,759
Speaker 2: and stuff, and it's so refreshingly funny, and it reminds

1478
01:11:19,760 --> 01:11:21,720
Speaker 2: me of like, oh, that's what my uncle Steve used

1479
01:11:21,720 --> 01:11:23,559
Speaker 2: to be like, where it's like adults would just say

1480
01:11:23,560 --> 01:11:25,960
Speaker 2: whatever to kids and be like, yeah, like none of

1481
01:11:25,960 --> 01:11:29,320
Speaker 2: that what's best for the child in any way?

1482
01:11:29,479 --> 01:11:32,360
Speaker 3: Right, there's a lot of realness to the to what

1483
01:11:32,479 --> 01:11:35,280
Speaker 3: happens in that movie, and just the way it plays

1484
01:11:35,280 --> 01:11:38,240
Speaker 3: out too. I'm not to spoil anything, even though it's

1485
01:11:38,240 --> 01:11:42,000
Speaker 3: pretty old at this point people should probably, but it

1486
01:11:42,160 --> 01:11:44,960
Speaker 3: just plays out not the way a typical sort of

1487
01:11:45,000 --> 01:11:47,599
Speaker 3: baseball movie would play out. I feel like, are you.

1488
01:11:47,520 --> 01:11:49,599
Speaker 2: Talking about the picture at the end and.

1489
01:11:49,520 --> 01:11:53,280
Speaker 3: His dad, Well, I mean that, but also just ultimately

1490
01:11:53,320 --> 01:11:56,840
Speaker 3: what happens, I mean, like overall, you know, for everybody. Yeah,

1491
01:11:57,120 --> 01:12:02,240
Speaker 3: but also the way that there's a lot of silent

1492
01:12:02,280 --> 01:12:06,880
Speaker 3: moments too in the movie that feel real too. And yeah,

1493
01:12:07,000 --> 01:12:09,040
Speaker 3: just it's it's a kind of a in some ways

1494
01:12:09,040 --> 01:12:11,960
Speaker 3: a gritty movie and it's really good. It's just really

1495
01:12:11,960 --> 01:12:14,360
Speaker 3: good and it Yeah, it's about this alcoholic guy and

1496
01:12:14,439 --> 01:12:17,479
Speaker 3: he is drunk. Yeah, and he's coaching this team and

1497
01:12:18,160 --> 01:12:21,240
Speaker 3: oh anyway, really you haven't seen The Baddies Bears in

1498
01:12:21,280 --> 01:12:23,479
Speaker 3: a while? Yeah, I recommend it. Like I said, I

1499
01:12:23,680 --> 01:12:24,920
Speaker 3: hadn't seen it since I was a kid.

1500
01:12:25,560 --> 01:12:28,520
Speaker 1: It was just yeah, tonight.

1501
01:12:28,640 --> 01:12:32,000
Speaker 2: For that so funny. There's a lot of swears. There's

1502
01:12:32,040 --> 01:12:33,799
Speaker 2: a lot of bad swears, bad swears.

1503
01:12:33,880 --> 01:12:35,200
Speaker 1: Yeah, I'll bring my jar.

1504
01:12:35,920 --> 01:12:38,200
Speaker 3: Yeah it's interesting actually the swear words.

1505
01:12:37,920 --> 01:12:40,200
Speaker 2: That are using, yeah, really very seventies.

1506
01:12:40,600 --> 01:12:44,519
Speaker 3: Like, yeah, there's words used more freely in that movie.

1507
01:12:44,600 --> 01:12:47,599
Speaker 3: That you would not use to Some people wouldn't in

1508
01:12:47,640 --> 01:12:52,240
Speaker 3: those some people would maybe use even more freely. Yeah, yeah,

1509
01:12:52,880 --> 01:12:57,320
Speaker 3: I wouldn't do Yeah, but anyway, not to sorry, not

1510
01:12:57,360 --> 01:13:00,240
Speaker 3: to get off topic on from Russell. No, it's in

1511
01:13:00,280 --> 01:13:01,040
Speaker 3: the Russell family.

1512
01:13:01,760 --> 01:13:05,000
Speaker 2: But also that I also loved when I saw it

1513
01:13:05,000 --> 01:13:07,639
Speaker 2: originally and then when I rewatched it, it really felt

1514
01:13:07,680 --> 01:13:10,080
Speaker 2: like tatimonial being a picture and all the ship she

1515
01:13:10,160 --> 01:13:12,479
Speaker 2: went through and like being the best picture and then

1516
01:13:12,680 --> 01:13:16,960
Speaker 2: but whatever is like it's so now and today where

1517
01:13:16,960 --> 01:13:20,160
Speaker 2: it's like she's getting the job done and everyone's still pissed. Anyway,

1518
01:13:20,200 --> 01:13:22,720
Speaker 2: it doesn't work, And I don't know, there were so

1519
01:13:22,760 --> 01:13:25,080
Speaker 2: many things in it that are like, oh, this is

1520
01:13:25,120 --> 01:13:27,840
Speaker 2: gonna this isn't the thing that society is going to solve.

1521
01:13:27,960 --> 01:13:30,960
Speaker 2: This is always going to be an issue. There's lots

1522
01:13:30,960 --> 01:13:34,000
Speaker 2: of those kinds of lessons. I think.

1523
01:13:34,400 --> 01:13:36,679
Speaker 1: Oh, and it has that Earl Hainy.

1524
01:13:37,120 --> 01:13:38,679
Speaker 2: You know it's Jackie Earl Haley.

1525
01:13:38,760 --> 01:13:43,360
Speaker 3: Yeah, yeah, he was in that. What does it bring away?

1526
01:13:44,520 --> 01:13:44,720
Speaker 2: Yeah?

1527
01:13:44,800 --> 01:13:48,360
Speaker 5: And the other one that's about like the Vegas kids

1528
01:13:48,479 --> 01:13:53,679
Speaker 5: with with Matt Dylan, like the Rumble Fish or something.

1529
01:13:53,720 --> 01:13:55,640
Speaker 3: Oh, that's a Oklahoma.

1530
01:13:55,120 --> 01:13:58,760
Speaker 5: City he's in a lot of like cool like seventies

1531
01:13:58,840 --> 01:13:59,840
Speaker 5: movies that I've like.

1532
01:14:00,600 --> 01:14:04,280
Speaker 3: Wait, is it no Matt Dylan movie, is it? It's

1533
01:14:04,320 --> 01:14:07,320
Speaker 3: not The Bodyguard? Right, No, not the body But is

1534
01:14:07,320 --> 01:14:08,320
Speaker 3: that what it's called My Bodyguard?

1535
01:14:08,479 --> 01:14:08,679
Speaker 1: Yeah?

1536
01:14:08,680 --> 01:14:10,200
Speaker 3: That era?

1537
01:14:10,800 --> 01:14:13,240
Speaker 1: Yeah, that is a good movie.

1538
01:14:13,960 --> 01:14:14,280
Speaker 2: It is.

1539
01:14:14,920 --> 01:14:15,880
Speaker 1: It was Jagged Edge.

1540
01:14:15,960 --> 01:14:17,120
Speaker 2: Did you say breaking away?

1541
01:14:17,560 --> 01:14:19,320
Speaker 1: Yeah?

1542
01:14:20,439 --> 01:14:24,120
Speaker 2: Over the Edge, over the Edge, yeah.

1543
01:14:24,040 --> 01:14:25,759
Speaker 1: Yeah, yeah, all that stuff.

1544
01:14:25,760 --> 01:14:27,880
Speaker 5: It's like, I want to watch this, but I feel

1545
01:14:27,920 --> 01:14:31,080
Speaker 5: like my parents won't let me. And I missed the boat.

1546
01:14:31,439 --> 01:14:33,760
Speaker 5: That's probably the reason I never had a BMX bike.

1547
01:14:34,080 --> 01:14:37,080
Speaker 2: Also, Jackie ol Haley was the pedophile in Little Children,

1548
01:14:37,160 --> 01:14:39,840
Speaker 2: which is he was so creepy. That was just like

1549
01:14:39,920 --> 01:14:40,840
Speaker 2: return to the screen.

1550
01:14:42,280 --> 01:14:45,120
Speaker 5: I've never seen that. I just know he's like swimming

1551
01:14:45,120 --> 01:14:46,679
Speaker 5: in a pool looking creepy.

1552
01:14:46,760 --> 01:14:48,879
Speaker 2: It's such a good it's such a good movie.

1553
01:14:49,280 --> 01:14:52,320
Speaker 5: And do you live anywhere near the dress Also, how

1554
01:14:52,320 --> 01:14:56,400
Speaker 5: do people watch the Dress Up Gang? It felt like

1555
01:14:56,439 --> 01:14:58,360
Speaker 5: we were going to that house for some reason. I

1556
01:14:58,400 --> 01:14:59,479
Speaker 5: always imagine, oh.

1557
01:14:59,520 --> 01:15:01,639
Speaker 3: Yeah, no, oh, that's the house for Dress Up Gang.

1558
01:15:01,640 --> 01:15:04,960
Speaker 3: I thought you're gonna say, well, everybody lives everyone lives

1559
01:15:05,000 --> 01:15:07,719
Speaker 3: near dress Up Gang because it's on the internet, and

1560
01:15:07,840 --> 01:15:09,080
Speaker 3: the internet is everyone I.

1561
01:15:09,040 --> 01:15:12,120
Speaker 5: Thought it was real, so that lives on the internet.

1562
01:15:12,120 --> 01:15:14,639
Speaker 5: But I thought all the characters in real life lived together.

1563
01:15:15,120 --> 01:15:18,479
Speaker 3: Well, it's kind of true they did at one point, right,

1564
01:15:18,680 --> 01:15:22,559
Speaker 3: Donnie and Corey used to live together. Okay, is someone

1565
01:15:22,760 --> 01:15:23,719
Speaker 3: Corey lives in that house?

1566
01:15:23,760 --> 01:15:25,400
Speaker 1: Okay, it is.

1567
01:15:25,760 --> 01:15:28,599
Speaker 3: It's actually not even a house. It's a it's sort

1568
01:15:28,640 --> 01:15:32,360
Speaker 3: of an apartment complex that of houses of sorts or

1569
01:15:32,400 --> 01:15:34,439
Speaker 3: something like that. Yeah, I mean it is some sort

1570
01:15:34,439 --> 01:15:35,640
Speaker 3: of apartment.

1571
01:15:35,360 --> 01:15:39,120
Speaker 1: And we were nowhere near it in your neighborhood. That's funny.

1572
01:15:39,120 --> 01:15:41,040
Speaker 2: We were literally looking at that house that we thought

1573
01:15:41,120 --> 01:15:42,920
Speaker 2: was your house, and we're like, oh, look the dress up.

1574
01:15:44,240 --> 01:15:46,200
Speaker 3: That's so funny. Not only was it not my house,

1575
01:15:46,240 --> 01:15:49,479
Speaker 3: but it was also not the dress Gang's house, which

1576
01:15:49,479 --> 01:15:50,760
Speaker 3: you thought it was.

1577
01:15:50,120 --> 01:15:53,360
Speaker 5: One day, we'll get to the bottom of what TV

1578
01:15:53,479 --> 01:15:55,599
Speaker 5: show that house that Stranger's house was in.

1579
01:15:56,680 --> 01:15:59,280
Speaker 1: As we ignored you standing by the wind.

1580
01:15:59,600 --> 01:16:01,639
Speaker 3: I can talk when I was looking for you guys,

1581
01:16:01,640 --> 01:16:03,519
Speaker 3: and then I decided to just go out. And then

1582
01:16:03,560 --> 01:16:06,680
Speaker 3: I saw this car here and I thought, oh, that

1583
01:16:06,760 --> 01:16:09,160
Speaker 3: must be probably that's them. And I walked over there

1584
01:16:09,200 --> 01:16:13,519
Speaker 3: and I said, hi, I remember that, Yeah, you might remember,

1585
01:16:13,600 --> 01:16:19,240
Speaker 3: I said, so dress up you know, I think it's

1586
01:16:19,280 --> 01:16:22,519
Speaker 3: on TBS dot com, but it also I think most

1587
01:16:22,520 --> 01:16:26,000
Speaker 3: of the episodes are on YouTube. I think, yeah, you

1588
01:16:26,000 --> 01:16:27,800
Speaker 3: can find it if you look for it. All the

1589
01:16:27,800 --> 01:16:29,160
Speaker 3: episodes are out there somewhere.

1590
01:16:29,200 --> 01:16:30,160
Speaker 2: And it's so funny.

1591
01:16:30,680 --> 01:16:33,040
Speaker 3: Oh yeah, no thanks, I I those guys who make

1592
01:16:33,080 --> 01:16:36,439
Speaker 3: it are really so good and so talented. They're so funny,

1593
01:16:36,479 --> 01:16:39,320
Speaker 3: and just their sensibility is so good.

1594
01:16:39,439 --> 01:16:40,040
Speaker 2: It's so good.

1595
01:16:41,040 --> 01:16:41,800
Speaker 1: Yeah, And you're good.

1596
01:16:41,840 --> 01:16:45,080
Speaker 5: And your character on it is somewhere a near jazz

1597
01:16:45,120 --> 01:16:46,280
Speaker 5: guy talking about.

1598
01:16:48,040 --> 01:16:50,880
Speaker 3: More. He's a little he's kind of jazz maybe but

1599
01:16:50,920 --> 01:16:53,320
Speaker 3: a little more, a little more hip hop.

1600
01:16:53,520 --> 01:16:54,439
Speaker 1: Yeah, yeah, but he.

1601
01:16:54,400 --> 01:16:59,760
Speaker 2: Has a sensitive side too, yeah yeah.

1602
01:16:58,439 --> 01:17:01,880
Speaker 3: Yeah, so he's kind of kind of any Lennox too.

1603
01:17:02,640 --> 01:17:05,599
Speaker 3: Really well, degree, you know, got a little bit of everything,

1604
01:17:05,640 --> 01:17:10,160
Speaker 3: you know, I got you know, what are those people

1605
01:17:10,200 --> 01:17:11,879
Speaker 3: call the TV killed the radio star.

1606
01:17:11,800 --> 01:17:14,559
Speaker 4: Googles, the bugle buggles.

1607
01:17:15,760 --> 01:17:16,800
Speaker 3: Yeah, got a little bit of that.

1608
01:17:16,920 --> 01:17:17,720
Speaker 1: Yeah yeah, it's got a.

1609
01:17:17,720 --> 01:17:19,640
Speaker 3: Little bit of a bugle boy, got a little bit

1610
01:17:19,680 --> 01:17:22,840
Speaker 3: of hot a bogle boy. Does he's kind of a

1611
01:17:22,880 --> 01:17:23,400
Speaker 3: bugle boy?

1612
01:17:23,520 --> 01:17:23,960
Speaker 1: Yeah, yeah.

1613
01:17:24,280 --> 01:17:28,080
Speaker 5: Zipper on the cargoes and you gotta peg the cuffs.

1614
01:17:28,320 --> 01:17:30,320
Speaker 3: Do you think that would be a good line to

1615
01:17:30,360 --> 01:17:32,360
Speaker 3: work these days, you know, if trying to meet somebody.

1616
01:17:32,400 --> 01:17:34,360
Speaker 3: Excuse me, are those bugle boy jeans?

1617
01:17:34,439 --> 01:17:34,679
Speaker 1: Yeah?

1618
01:17:34,880 --> 01:17:37,920
Speaker 3: You think that could work. Yeah, well there's a line

1619
01:17:37,960 --> 01:17:39,320
Speaker 3: to pick up, pick somebody up.

1620
01:17:39,680 --> 01:17:43,320
Speaker 1: Someone age appropriate. Hell yeah, I remember those.

1621
01:17:43,600 --> 01:17:47,479
Speaker 5: Remember Gennaris hyper colors when I get married?

1622
01:17:48,320 --> 01:17:52,320
Speaker 3: Yeah, hyper color? Yeah, I believe it or not. I

1623
01:17:52,360 --> 01:17:55,200
Speaker 3: had a hypercolor shirt at one point that was.

1624
01:17:55,240 --> 01:17:58,320
Speaker 2: Hyper I was too old? Was hyper color? You touched it?

1625
01:17:58,400 --> 01:17:59,000
Speaker 2: Changed color?

1626
01:17:59,280 --> 01:18:01,840
Speaker 3: Yeah?

1627
01:18:01,920 --> 01:18:02,120
Speaker 1: Yeah.

1628
01:18:02,280 --> 01:18:11,799
Speaker 5: It was like, uh teen wheels or turboteen. Uh getting angry.

1629
01:18:11,800 --> 01:18:14,120
Speaker 5: He turned him into a trans am. But you want

1630
01:18:14,200 --> 01:18:15,920
Speaker 5: him to be a high school kid again, you get

1631
01:18:15,960 --> 01:18:16,960
Speaker 5: him cold wet?

1632
01:18:18,200 --> 01:18:18,880
Speaker 2: Is that true?

1633
01:18:19,120 --> 01:18:21,200
Speaker 1: Yeah? It was the most bizarre cartoon ever.

1634
01:18:21,760 --> 01:18:25,400
Speaker 5: His teeth turned into a bumper, his hands fisted up

1635
01:18:25,439 --> 01:18:28,560
Speaker 5: and turned a rubber time, and then all of his friends.

1636
01:18:28,240 --> 01:18:31,160
Speaker 1: Got up in him and they dropped the reaction and

1637
01:18:31,200 --> 01:18:33,479
Speaker 1: then they're like, He's like, I'm still a car.

1638
01:18:33,640 --> 01:18:36,000
Speaker 5: You guys are like, oh sorry, and they hose him

1639
01:18:36,040 --> 01:18:38,559
Speaker 5: off and he turned to a kid in a letterman jacket.

1640
01:18:38,600 --> 01:18:38,920
Speaker 1: Again.

1641
01:18:39,400 --> 01:18:43,719
Speaker 5: I know it seems like I'm making this, but yeah,

1642
01:18:43,800 --> 01:18:46,599
Speaker 5: Gennaro was like, if you yeah, you breathe on it

1643
01:18:46,600 --> 01:18:50,559
Speaker 5: it would get dark, like a pink sweatshirt that gets dark.

1644
01:18:51,200 --> 01:18:55,080
Speaker 2: Was it anyone? Was anyone concerned? Like I immediately am concerned.

1645
01:18:55,120 --> 01:18:56,680
Speaker 2: Then you put that shirt on and now you're a

1646
01:18:56,680 --> 01:18:59,679
Speaker 2: sweaty pig like it is cool.

1647
01:19:00,120 --> 01:19:01,640
Speaker 3: Then it was up to somebody else to change the

1648
01:19:01,840 --> 01:19:03,439
Speaker 3: you know, then they could touch it, put their hand

1649
01:19:03,439 --> 01:19:05,639
Speaker 3: on it if they were warm. Yeah, and they could

1650
01:19:05,680 --> 01:19:07,360
Speaker 3: put their hand on and you know it would make

1651
01:19:07,360 --> 01:19:08,040
Speaker 3: a handprint.

1652
01:19:08,240 --> 01:19:09,719
Speaker 1: Yeah, it just changed.

1653
01:19:09,920 --> 01:19:13,000
Speaker 5: Like the cool part is you're indoors, you wearing purple,

1654
01:19:13,280 --> 01:19:15,719
Speaker 5: you go out and recess all of a sudden it's pink.

1655
01:19:16,360 --> 01:19:17,360
Speaker 1: So it's like whoa.

1656
01:19:17,439 --> 01:19:20,800
Speaker 3: And they had different gimmick ones like an invisible man

1657
01:19:20,840 --> 01:19:23,519
Speaker 3: that there was this invisible man one where it shows

1658
01:19:23,560 --> 01:19:25,240
Speaker 3: the man and then once it heats up, you just

1659
01:19:25,680 --> 01:19:28,400
Speaker 3: you know, it just becomes the hat and the sunglasses

1660
01:19:29,920 --> 01:19:30,679
Speaker 3: something like that.

1661
01:19:31,400 --> 01:19:32,080
Speaker 2: Incredible.

1662
01:19:32,200 --> 01:19:36,400
Speaker 1: But there's another golf course, right yeah, yeah, I don't think. Yeah,

1663
01:19:36,439 --> 01:19:37,880
Speaker 1: I've never done this one.

1664
01:19:37,960 --> 01:19:38,920
Speaker 3: I'm never going to this one.

1665
01:19:39,120 --> 01:19:39,960
Speaker 1: It's a crappy part.

1666
01:19:40,280 --> 01:19:41,280
Speaker 2: Yeah, forget that one.

1667
01:19:41,360 --> 01:19:45,120
Speaker 5: I will not hit off rubber mats.

1668
01:19:45,520 --> 01:19:47,120
Speaker 1: Yeah, it's uh, it's.

1669
01:19:47,400 --> 01:19:49,120
Speaker 3: What do you talk about usually on this podcast? You

1670
01:19:49,200 --> 01:19:49,800
Speaker 3: talk about old.

1671
01:19:49,880 --> 01:19:52,639
Speaker 5: No, No, we're getting too Yeah, we got a whole

1672
01:19:52,680 --> 01:19:54,840
Speaker 5: script that could so I gonna get into the politic.

1673
01:19:55,600 --> 01:19:57,960
Speaker 3: Yeah, I mean, I'm just wondering if it's been too Uh.

1674
01:19:59,000 --> 01:20:01,519
Speaker 3: Listeners don't like you talk about something they don't never

1675
01:20:01,600 --> 01:20:02,080
Speaker 3: even heard of.

1676
01:20:02,080 --> 01:20:06,720
Speaker 5: Problem, you're so surprised, Yeah, I I we anytime we

1677
01:20:06,840 --> 01:20:10,120
Speaker 5: try and plan something, they're like not loose enough.

1678
01:20:10,800 --> 01:20:14,599
Speaker 1: They'll get upset. Oftentimes, the original.

1679
01:20:15,000 --> 01:20:19,000
Speaker 5: Plan with this podcast one was to take someone pick

1680
01:20:19,040 --> 01:20:22,400
Speaker 5: someone up or take them from the airport and provide

1681
01:20:22,400 --> 01:20:24,880
Speaker 5: a service. The airport became the worst place in the

1682
01:20:24,920 --> 01:20:27,720
Speaker 5: world to go to. I had some mental breakdowns. Now

1683
01:20:27,760 --> 01:20:32,400
Speaker 5: we go and drive around neighborhoods, and we used to

1684
01:20:32,439 --> 01:20:36,479
Speaker 5: talk about, Hey, how was your gig or how are

1685
01:20:36,520 --> 01:20:38,520
Speaker 5: you looking forward to your gig.

1686
01:20:40,200 --> 01:20:42,000
Speaker 1: To provide a comfort.

1687
01:20:43,080 --> 01:20:44,600
Speaker 3: You get support for it.

1688
01:20:44,680 --> 01:20:46,599
Speaker 2: Yeah, do you have any gigs you want to talk about?

1689
01:20:48,000 --> 01:20:48,640
Speaker 1: So here we go.

1690
01:20:48,760 --> 01:20:53,240
Speaker 3: This is not a road gig, but it's a there

1691
01:20:53,280 --> 01:20:55,040
Speaker 3: is a sort of I don't even know if I

1692
01:20:55,120 --> 01:20:58,280
Speaker 3: call it a gig exactly, but there is a sort

1693
01:20:58,280 --> 01:21:02,280
Speaker 3: of thing that I'm having here Los Angeles coming up

1694
01:21:02,439 --> 01:21:03,240
Speaker 3: that I can mention.

1695
01:21:03,320 --> 01:21:05,200
Speaker 1: A corporate event at dinner party.

1696
01:21:05,320 --> 01:21:07,519
Speaker 3: Yeah, it's a corporate event. You have to be working.

1697
01:21:08,080 --> 01:21:11,519
Speaker 3: If you work for Chase Bank, then you're definitely invited.

1698
01:21:11,960 --> 01:21:17,519
Speaker 3: It's mandatory, you have to. So my sister and I

1699
01:21:17,600 --> 01:21:22,519
Speaker 3: do this weekly live stream on Mondays at six pm

1700
01:21:22,560 --> 01:21:23,200
Speaker 3: Pacific time.

1701
01:21:24,040 --> 01:21:25,240
Speaker 1: Is your sister a musician?

1702
01:21:25,360 --> 01:21:27,400
Speaker 3: She is a musician, but she's really funny too. She's

1703
01:21:27,439 --> 01:21:28,360
Speaker 3: the funniest person I know.

1704
01:21:29,240 --> 01:21:32,320
Speaker 5: And I've I did not know that was your sister.

1705
01:21:32,400 --> 01:21:34,760
Speaker 5: I've of course watched clips. Oh yeah, okay, you're so

1706
01:21:34,880 --> 01:21:35,479
Speaker 5: fun together.

1707
01:21:35,720 --> 01:21:38,280
Speaker 3: Yeah, she's really well, who did you think it was just.

1708
01:21:38,240 --> 01:21:39,840
Speaker 1: A friend of yours that I've never met?

1709
01:21:40,000 --> 01:21:44,080
Speaker 3: Yeah, okay, yeah, so she's she's a musician, but she's

1710
01:21:44,160 --> 01:21:45,400
Speaker 3: you know, she's funny and.

1711
01:21:45,560 --> 01:21:47,639
Speaker 1: Does why you're so good at reading each other?

1712
01:21:48,160 --> 01:21:51,080
Speaker 3: It's oh yeah, yeah, yeah, it's a lifelong that's cool.

1713
01:21:51,120 --> 01:21:54,960
Speaker 3: And it's called the Chicken Coop. And so we're doing

1714
01:21:54,960 --> 01:21:58,080
Speaker 3: our one hundredth episode. So that's online normally, right, and

1715
01:21:58,080 --> 01:22:00,439
Speaker 3: it's on my YouTube channel, which is YouTube dot com

1716
01:22:00,479 --> 01:22:04,200
Speaker 3: slash Brent Wyback. So you know, it's usually online and

1717
01:22:04,240 --> 01:22:06,719
Speaker 3: we interact with the it's live, we interact with people

1718
01:22:06,840 --> 01:22:13,160
Speaker 3: watching and stuff, and but lived in so this is

1719
01:22:13,240 --> 01:22:16,519
Speaker 3: it's yeah, just so it's that one there, but anyway, yeah,

1720
01:22:16,520 --> 01:22:19,479
Speaker 3: it's beautiful. Thanks. I mean, if you're just I don't

1721
01:22:19,479 --> 01:22:21,360
Speaker 3: know if you're just saying that, or it's gorgeous.

1722
01:22:21,920 --> 01:22:23,200
Speaker 2: We love it. We do love it.

1723
01:22:24,000 --> 01:22:27,200
Speaker 1: The one with that swing wait let him do is playing? Sorry?

1724
01:22:27,200 --> 01:22:29,920
Speaker 3: No, yeah, it's not not right directly that we're in

1725
01:22:29,960 --> 01:22:31,559
Speaker 3: front of here, but over one.

1726
01:22:31,680 --> 01:22:33,000
Speaker 1: Oh good, that's the best one.

1727
01:22:34,160 --> 01:22:38,000
Speaker 3: Oh were you saying the one with a swing? No? Yeah, yeah,

1728
01:22:38,240 --> 01:22:41,280
Speaker 3: the one over the beautiful house. All right, sorry for

1729
01:22:41,360 --> 01:22:48,599
Speaker 3: the one hundredth episode, for the hundredth time. The uh,

1730
01:22:48,760 --> 01:22:52,040
Speaker 3: it's we're doing a lot an in person version of

1731
01:22:52,080 --> 01:22:54,679
Speaker 3: it that's going to be at the Crow in Santa

1732
01:22:54,720 --> 01:22:57,760
Speaker 3: Monica and that's on March fourth. I don't know where

1733
01:22:57,760 --> 01:22:59,679
Speaker 3: this comes out. Maybe this came out or this didn't

1734
01:22:59,720 --> 01:23:00,519
Speaker 3: come up, doesn't.

1735
01:23:00,280 --> 01:23:01,880
Speaker 1: Come out, No, it might be perfect timing.

1736
01:23:01,960 --> 01:23:04,400
Speaker 3: So March fourth, it's a Monday, and it'll be that

1737
01:23:04,520 --> 01:23:08,439
Speaker 3: eight pm so and it's at the Chrow and it's

1738
01:23:08,439 --> 01:23:10,439
Speaker 3: gonna be basically the same thing we do, which is

1739
01:23:10,479 --> 01:23:14,479
Speaker 3: we watch old commercials from the eighties and you know,

1740
01:23:14,560 --> 01:23:16,880
Speaker 3: just talk about nostalgic stuff kind of like what we

1741
01:23:16,920 --> 01:23:19,200
Speaker 3: did a little bit today. Yeah, there's a little taste

1742
01:23:19,280 --> 01:23:20,360
Speaker 3: actually yeah.

1743
01:23:20,160 --> 01:23:21,720
Speaker 1: Yeah, and you.

1744
01:23:21,680 --> 01:23:23,320
Speaker 3: Know, joke around and stuff, and so that's gonna be

1745
01:23:23,320 --> 01:23:25,040
Speaker 3: in person March, yeah, March fourth, so you know, if

1746
01:23:25,040 --> 01:23:29,200
Speaker 3: you're in the Los Angeles area and yeah, you know.

1747
01:23:29,240 --> 01:23:31,240
Speaker 1: And if not, if they can't see it, can they

1748
01:23:31,280 --> 01:23:32,400
Speaker 1: watch it on your YouTube?

1749
01:23:32,479 --> 01:23:35,000
Speaker 3: Yeah, And it's archives of all the episodes is on

1750
01:23:35,320 --> 01:23:39,559
Speaker 3: the playlist that's called the Chicken Coop on my YouTube channel. Yeah,

1751
01:23:39,640 --> 01:23:41,639
Speaker 3: and that's so that's something you can check out, yeah,

1752
01:23:41,720 --> 01:23:42,320
Speaker 3: if you want to.

1753
01:23:42,439 --> 01:23:44,679
Speaker 1: And watch all all of the videos.

1754
01:23:44,760 --> 01:23:46,679
Speaker 3: Yeah, dress up gang and then you know, my friend

1755
01:23:46,760 --> 01:23:49,840
Speaker 3: Doug and I do this web series called Poundhouse and

1756
01:23:49,920 --> 01:23:52,840
Speaker 3: a new season was released recently and those are all

1757
01:23:52,920 --> 01:23:55,439
Speaker 3: out now. You check out the new season of Poundhouse.

1758
01:23:54,920 --> 01:23:58,599
Speaker 1: And nominated for a streamy I believe it was.

1759
01:23:59,320 --> 01:24:01,680
Speaker 3: It was one point in the past. Not yeah, I

1760
01:24:01,680 --> 01:24:03,439
Speaker 3: mean I think maybe the third.

1761
01:24:03,600 --> 01:24:08,160
Speaker 1: Have good memory and I did you open up your.

1762
01:24:09,840 --> 01:24:12,080
Speaker 3: Did you how did you know about the stream that was?

1763
01:24:12,200 --> 01:24:13,720
Speaker 3: That's old news, But I mean how did you know

1764
01:24:13,720 --> 01:24:14,560
Speaker 3: about that?

1765
01:24:14,560 --> 01:24:15,240
Speaker 1: That that is?

1766
01:24:16,400 --> 01:24:16,639
Speaker 2: Yeah?

1767
01:24:16,760 --> 01:24:19,840
Speaker 1: Yeah, that that but the lyrics there ain't no looking

1768
01:24:19,880 --> 01:24:20,160
Speaker 1: that up.

1769
01:24:20,160 --> 01:24:22,360
Speaker 5: That's a memory, all right, Yeah, because I haven't even

1770
01:24:22,360 --> 01:24:24,160
Speaker 5: watched that, right, I don't watch it.

1771
01:24:25,760 --> 01:24:31,080
Speaker 3: So anyway, Yeah, check out Poundhouse and check out that

1772
01:24:31,160 --> 01:24:33,439
Speaker 3: and I don't know, the pound Cast is the podcast

1773
01:24:33,479 --> 01:24:35,280
Speaker 3: to do with Doug and that's pretty much.

1774
01:24:35,640 --> 01:24:36,000
Speaker 1: Yeah.

1775
01:24:36,320 --> 01:24:39,400
Speaker 5: I'm so glad to find out that's your sister.

1776
01:24:39,439 --> 01:24:41,679
Speaker 1: I've been wanting. Yeah, you guys are great together.

1777
01:24:42,040 --> 01:24:43,799
Speaker 3: Thanks. Yeah, she's she's hilarious.

1778
01:24:43,840 --> 01:24:47,880
Speaker 1: You know, so check out Brent Weinbach and Brett Weinbach.

1779
01:24:48,360 --> 01:24:51,120
Speaker 3: Brent Weinbach, you know that probably I bet you might

1780
01:24:51,160 --> 01:24:53,760
Speaker 3: find stuff under Brett Winebach because people probably make the

1781
01:24:53,760 --> 01:24:56,960
Speaker 3: same mistake. Well, maybe find stuff that we don't even

1782
01:24:57,000 --> 01:25:00,559
Speaker 3: know about. Yeah, you know, yeah, yeah, it just find

1783
01:25:00,560 --> 01:25:02,439
Speaker 3: out all the iterations.

1784
01:25:01,960 --> 01:25:03,640
Speaker 1: Successful car dealership.

1785
01:25:03,720 --> 01:25:07,120
Speaker 2: Watch any version of Brunch, Brett Winebo.

1786
01:25:06,920 --> 01:25:13,960
Speaker 3: Look up Brett wing Lash, Wingspan, Yeah, Wingspan, yeah, wing Berg. Actually,

1787
01:25:13,960 --> 01:25:16,760
Speaker 3: I bet you people do Weinberg. Yeah, you look that up.

1788
01:25:16,760 --> 01:25:18,680
Speaker 3: But there's maybe something under that.

1789
01:25:18,960 --> 01:25:21,160
Speaker 1: Yeah, sounds like controversy.

1790
01:25:22,160 --> 01:25:25,400
Speaker 3: Hey, thanks, thanks for everything. Thanks say the same thing,

1791
01:25:25,439 --> 01:25:27,520
Speaker 3: Thanks for everything, Julie Newmoar.

1792
01:25:27,400 --> 01:25:32,680
Speaker 5: Thanks for with love. You've been listening to h Do

1793
01:25:32,760 --> 01:25:36,599
Speaker 5: You Need a Ride? D y n ar Aar.

1794
01:25:43,840 --> 01:25:45,880
Speaker 1: This has been an exactly right.

1795
01:25:45,800 --> 01:25:48,560
Speaker 2: Production produced by Analise Nelson.

1796
01:25:48,600 --> 01:25:50,040
Speaker 1: Mixed by Edson Choy.

1797
01:25:50,479 --> 01:25:52,400
Speaker 2: Our talent booker is Patrick Cootner.

1798
01:25:52,640 --> 01:25:54,560
Speaker 1: Theme song by Karen Kilgarriff.

1799
01:25:55,000 --> 01:25:58,559
Speaker 2: Art work by Chris Fairbanks. Follow the show on Instagram, Twitter,

1800
01:25:58,600 --> 01:26:02,960
Speaker 2: and Facebook at dinar pot That's d y n Ar Podcast.

1801
01:26:03,400 --> 01:26:06,960
Speaker 5: For more information, go to exactly rightmedia dot com.

1802
01:26:06,960 --> 01:26:09,240
Speaker 2: Thank you, Oh, You're welcome.