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Speaker 1: Okay, we are taking it back to the early Jersey days.

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Speaker 1: Teresa and Jacqueline get an invite they can't refuse, but

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Speaker 1: worlds collide and tempers flair when they come face to

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Speaker 1: face with Danielle, fashion designer, actor, singer, and host of

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Speaker 1: the podcast Hello Isaac. Isaac Msrahi joins me to break

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Speaker 1: down this episode. His new podcast, Hello Isaac is on

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Speaker 1: iHeart and wherever podcasts are, and it's doing really well.

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Speaker 1: This is Real Housewives of New Jersey Season two, episode nine,

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Speaker 1: posh spite. Let's get into it.

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Speaker 2: We're doing rewise. Tell me you watched it.

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Speaker 3: I did, of course, Okay, I watched it.

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Speaker 2: Had you seen it in the beginning.

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Speaker 3: Of course I had. You know, I used to follow Jersey.

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Speaker 3: I don't really follow it anymore. I guess I could

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Speaker 3: because it's really fun and funny, but I don't know why.

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Speaker 3: I don't think I really liked it in those days.

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Speaker 3: I think you know what it was. I swear to you.

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Speaker 3: I think there was something about Carolyn Manzo that was

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Speaker 3: so charming that kind of like pulled the whole thing together,

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Speaker 3: Like she was a She was a steadying presence in that.

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Speaker 2: Show, maternal figure yeah.

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Speaker 3: Yeah, And when she kind of took her leave of

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Speaker 3: the thing, I started to like lose my interest. It's

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Speaker 3: like Nini leaks when she was off of I don't

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Speaker 3: know why, Like I can't watch Atlanta anymore. You say,

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Speaker 3: live for Atlanta.

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Speaker 1: It was the best one when when Cher said, who

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Speaker 1: going to check me booth? And I said to Andy

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Speaker 1: when he fired her, I was like, what the fuck

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Speaker 1: are you doing? And they brought her back later I

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Speaker 1: was like, what the.

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Speaker 2: Fuck are you actually?

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Speaker 3: Exactly?

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Speaker 2: I mean, I think Nanie's probably the most iconic housewife

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Speaker 2: of all.

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Speaker 3: She is an iconic aside from you.

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Speaker 2: Oh thank you. I appreciate that.

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Speaker 1: So no, But so here's the thing, So I want

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Speaker 1: to know where you are in this now because I,

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Speaker 1: first of all, I watched this episode with you and

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Speaker 1: mind like thinking about what you would be thinking. So

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Speaker 1: we'll get into that. But then the world of housewives,

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Speaker 1: which is so cluttered and crowded, and when we started,

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Speaker 1: and when I started on it, they were just a

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Speaker 1: one franchise, then two that it was really like Jersey.

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Speaker 2: It was New York.

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Speaker 1: I know, Orange County started, but who cares? And they're

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Speaker 1: good and it's entertaining but New York. Ramona is right

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Speaker 1: when she says, yes, uneloquently that New York did put

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Speaker 1: the Housewives on the map because of the media, not

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Speaker 1: because of the people.

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Speaker 2: The media.

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Speaker 3: And also, Darling, we're from New York, so we're gonna

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Speaker 3: say that.

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Speaker 2: Okay, No, but it did. It became It was like

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Speaker 2: a nice, campy show.

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Speaker 1: And then New York came on TV and we were

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Speaker 1: in the city of the media, so there was more

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Speaker 1: coverage because socialites in New York were more were pissed

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Speaker 1: off that people like Jill Zaron were saying she runs

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Speaker 1: with a fabulous circle of people.

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Speaker 2: They were really annoyed.

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Speaker 3: Yeah, exact.

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Speaker 2: Okay, so it like provoked.

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Speaker 1: New York magazine. So but where So what's your relationship

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Speaker 1: to the entire franchise now?

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Speaker 3: Of the Housewives entirely? I watch see I do, stopped

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Speaker 3: and I started again about two years ago or more recently,

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Speaker 3: I watched that. I will never miss an episode of

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Speaker 3: Beverly Hills because it's so fascinating. No, I'm telling you,

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Speaker 3: I live for those girls, and I know some of them.

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Speaker 3: I know Kyle a little bit, and I know Rina

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Speaker 3: a lot. I know Na a lot from QC. And

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Speaker 3: I'm gonna miss her, boy, I'm going to miss her

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Speaker 3: on that show. And what don't know, I don't know.

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Speaker 3: I just find it so And also the clothes, at

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Speaker 3: least you you know what the clothes are or are

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Speaker 3: trying to be on that show, whereas like on these

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Speaker 3: other shows, Oh my god, the clothes, it's like, where

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Speaker 3: do they come from? A I think.

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Speaker 1: It's well, a couple of things. I know you hate

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Speaker 1: the Burkins, and particularly the small one so Beverly Hills

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Speaker 1: is fraught with.

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Speaker 3: So I hate them. I absolutely love them. I just

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Speaker 3: I hate what's happened to the whole symbol of the Burkin.

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Speaker 3: It's like, exactly, it's so everyone and it's so shrunken.

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Speaker 3: It's so like like when they shrink it down or

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Speaker 3: like it. It's so pale by comparison to the rest

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Speaker 3: of the clothes these bitches are wearing, you know what

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Speaker 3: I mean. It's like, wait a minute now, if you

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Speaker 3: if you know, wearing Darling, yes, you're be littling it.

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Speaker 3: If you're Caroline Kennedy, right, and you're wearing a T

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Speaker 3: shirt with a pair of jeans, maybe a manoale blanic

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Speaker 3: kitten heel something and your hair is gray and you're

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Speaker 3: carrying a burk and boom, you know. But if you're

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Speaker 3: all dressed up, it's overkilled this thing and costume me bullshit.

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Speaker 3: And you're carrying about burket It's like, wow, look how

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Speaker 3: rich you are? You know what?

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Speaker 1: And you see the girls putting them in the camera

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Speaker 1: angle you see it?

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Speaker 3: No, and they're always talking about it. It's like, oh,

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Speaker 3: you know how much of this cost right? Oh?

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Speaker 1: No, the show does. It's so funny. Even with houses.

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Speaker 1: I used to say, you can never do that. I

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Speaker 1: think that's so ghosh. But I find the g's, the f's,

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Speaker 1: the seas, the over logos like costumes so insecure and ghosh.

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Speaker 1: So I'm interested. What do you think about that?

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Speaker 3: Oh my god? Completely one hundred percent. You know. The

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Speaker 3: thing is like, Darling, there's a when I grew up

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Speaker 3: in fashion, which was literally in the last century. Okay, babe,

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Speaker 3: Like that's how old And that's why no one wants

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Speaker 3: to cares what I have to say. But I remember, like,

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Speaker 3: and I'm not saying any of this is bad, but

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Speaker 3: like when we were little or kids or young adults,

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Speaker 3: you know, if you looked at something that was really

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Speaker 3: hard to get in or out of. Right, if there

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Speaker 3: were corsets and you know, if you had to do

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Speaker 3: a million buttons and zippers and things, it wasn't modern,

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Speaker 3: Like it was like, yeah, no, maybe it's good visually,

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Speaker 3: but no, you know, I'm sorry, Like I didn't like

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Speaker 3: it and you were taught not to like it, or

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Speaker 3: if it was something that was extremely tight and extremely revealing, no,

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Speaker 3: you know what I mean, there was a kind of

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Speaker 3: hold on.

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Speaker 1: There's a meaning to it, I think because I read

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Speaker 1: the book written about Anna Wintour which said that, and

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Speaker 1: I'm getting somewhere with this, which said that, like Tom

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Speaker 1: Ford doesn't love the whole circus of the met Gala

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Speaker 1: a because he likes when it used to be an

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Speaker 1: elegant night out.

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Speaker 3: Be I don't disagree with that.

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Speaker 2: I don't disagree with him either.

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Speaker 1: And he also doesn't like the matchy matchiness when someone

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Speaker 1: wears his whole outfit the way it is on the

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Speaker 1: runway also because it's not being creative.

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Speaker 2: I kind of get that too. I get it.

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Speaker 1: I don't know enough about it. But Anna Winter, I

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Speaker 1: think somewhere said like she likes when someone seems like

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Speaker 1: they're dressing like themselves, like she doesn't want you to

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Speaker 1: come in to work for her and dress like a

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Speaker 1: version of what you think she would want and she

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Speaker 1: But these girls all are dressing in a way that

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Speaker 1: they want to, Like it's so forced, it doesn't look natural.

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Speaker 2: So it brings up to me what fashion really is.

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Speaker 3: But here's the thing, Like, now I'm gonna kind of

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Speaker 3: like throw you for a little bit of a loop, okay,

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Speaker 3: because if we talk about what fashion really is, darling,

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Speaker 3: we'll be here like for the rest of the.

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Speaker 2: Fir will stop this.

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Speaker 3: Sorry, no, but I'm gonna say it's like, you know

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Speaker 3: when I say I like watching Beverly Hills because I

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Speaker 3: actually or New York because I actually know where they're

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Speaker 3: getting these clothes from. And I don't know like who

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Speaker 3: is making these dresses for these housewives in Atlanta or

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Speaker 3: like in you know, Florida or in But.

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Speaker 2: Doesn't that make what about this? Why do you need

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Speaker 2: to know?

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Speaker 3: No? I don't. I'm just saying it's just a funny puzzle.

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Speaker 2: Manuzz exactly exactly.

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Speaker 3: But also on the converse of that, when you're watching,

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Speaker 3: you go like, okay, like where does a dress like

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Speaker 3: that come from?

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Speaker 1: Like, oh, it's interesting, like where in the whole where

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Speaker 1: is the story? That's fascinating because you played, you play

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Speaker 1: in the game show, You're like, oh, that's a blah

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Speaker 1: blah blah, that's a Selene A.

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Speaker 3: Little bit A little bit. Also, I'm saying to myself, like, man,

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Speaker 3: some dressmaker, some queen went out of her mind to

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Speaker 3: make that that, you know, because it's like if you

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Speaker 3: look at it and you go, oh right, I get it,

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Speaker 3: It's like it's Tom Brown, you know what it is

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Speaker 3: like if you're just watching La but then you're watching

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Speaker 3: and you're going, well, whose fantasy is that? What collection

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Speaker 3: did that come out of? Like what your do?

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Speaker 2: You do? Do you always?

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Speaker 3: You know? But yes, I mean it's like it's one

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Speaker 3: of a few things. I mean, or it's just a

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Speaker 3: little dress you got on main Street in Easthampton and

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Speaker 3: I saw it the window. I know, no exactly, I know,

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Speaker 3: I know, because but you don't wear you don't do that, darling,

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Speaker 3: you don't do that. You know that other thing from Dubai.

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Speaker 3: Oh my god, the dress darling. And they go to

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Speaker 3: lunch and they're literally have trains and like attendance not

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Speaker 3: really lam squad, I know, I mean, well, it is real, darling,

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Speaker 3: It's becoming real. That's my point. We don't know. We

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Speaker 3: hate it, we hate it, we hate it, but it's

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Speaker 3: not real except the children gag over it. They gag right,

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Speaker 3: and they go, That's what I want to do when

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Speaker 3: I grow up. So but give it ten years, twenty years.

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Speaker 3: It's going to be people walking around with entourages and

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Speaker 3: people holding their trains to go to the gym. I'm

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Speaker 3: not kidding you, no, no, no doubt. Naby honey. If

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Speaker 3: you wore anything in discreet at that time in the

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Speaker 3: turn of the last century, you were you couldn't even

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Speaker 3: show up the Ridgerton They wore the same dress. Well Bridgerton.

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Speaker 3: You know what. I have a lot of problems with Bridgerton.

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Speaker 3: I got I watched a few episodes and I found

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Speaker 3: it just so kind of like, I don't know, I

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Speaker 3: didn't like Bridgerton, okay.

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Speaker 1: And I meant it okay, so, oh my god, we

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Speaker 1: got so fascinated.

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Speaker 2: I'm drunk.

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Speaker 1: Hold on, but wait, you know what I mean though.

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Speaker 1: What I mean though, is that there's a line between

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Speaker 1: it being a reality show and that Denise Richards shows

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Speaker 1: up on a balcony in shorts and everyone's in ball gowns,

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Speaker 1: which they're doing for the cameras, so they're doing it

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Speaker 1: for us. So it's theater, which is what the Metcal

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Speaker 1: has become too, because it's a competition, but theater. But

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Speaker 1: it's not really wearing today when the cameras aren't there.

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Speaker 1: And I always wore what I learned today when the.

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Speaker 2: Cats were well there. I don't get that me too.

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Speaker 3: I mean, we grew up looking at Tina Chow and

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Speaker 3: you know, like Maxim de la Falleis and Loul de

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Speaker 3: la Falles and Son Laurent and all those Betty catrou

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Speaker 3: and all those girls who understood that, like you could

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Speaker 3: wear a white shirt and a bunch of bracelets and

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Speaker 3: it was so fabulous, you know what I mean.

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Speaker 1: So I'm with you, and Todd Ford on that I'm

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Speaker 1: with you, like, don't look so thirsty and forth? All right,

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Speaker 1: So the jersey, so that we know your relationship to

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Speaker 1: the housewise you don't you watch certain shows religiously. To me,

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Speaker 1: first of all, it's fascinating. A jersey is about family.

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Speaker 1: I agree with you about Caroline as a person as

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Speaker 1: a and I like Jacqueline too, but I don't think

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Speaker 1: I think Caroline is like almost too genuine or too

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Speaker 1: good and too normal for the housewise, like she and

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Speaker 1: her husband are talking about retiring.

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Speaker 2: I'm a little bored.

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Speaker 3: I'm a little bored.

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Speaker 2: Oh and Albi.

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Speaker 3: So I feel that the thing was Albi and his

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Speaker 3: law career and all that, you.

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Speaker 1: Know, yes, and having a possibility. Yeah, but the retirement conversation.

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Speaker 1: The show now probably wouldn't be as indulgent of those conversations,

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Speaker 1: right because they're like not as like quick moving, you know, drama.

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Speaker 1: And I find it fascinating. She is from a family

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Speaker 1: of eleven I.

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Speaker 3: Know me too. I clocked that one, honey, I clocked that, Darling.

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Speaker 3: That's a lot of kids.

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Speaker 2: Like think about that.

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Speaker 3: That's like another kid.

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Speaker 1: That's like you heard that about other countries, Like that's

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Speaker 1: like an Irish extraordinary, like a.

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Speaker 3: Play on you know of Martin McDonough play about a

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Speaker 3: family with eleven children.

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Speaker 2: Yeah, so that was like, okay, screech marks.

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Speaker 1: And it's funny that they all weren't more in this

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Speaker 1: show because you see Kardashians and like all the spawn

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Speaker 1: like making entire shows. I'm just curious about these eleven people.

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Speaker 1: Eleven is enough.

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Speaker 3: I mean that's eleven children.

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Speaker 1: I always find it fun to watch these years later,

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Speaker 1: not just because like the quality is different, not just

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Speaker 1: because there were only four women, which was is shocking

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Speaker 1: when you say just the.

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Speaker 3: Four women shocking shop.

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Speaker 1: Right, So it's like it's like that was back when

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Speaker 1: the shows were probably trying to be a little more

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Speaker 1: like Sex and the City, you know, with just the

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Speaker 1: four girls.

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Speaker 3: Or human you know, human. I mean, how many fucking

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Speaker 3: stories can you follow with real deep interest? You know

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Speaker 3: you can't follow many more stories, you know, I swear

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Speaker 3: to God. Also, by the way, you had that, I remember,

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Speaker 3: and it all came back flooding back to me. Remember

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Speaker 3: the sort of like the gay the gay gay friends gay,

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Speaker 3: the gay who was who didn't have any scenes this week,

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Speaker 3: but I remember her. I remember this guy. He was

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Speaker 3: like tall and ald built, and he remember.

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Speaker 1: He was sitting a friend on the wrong show on.

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Speaker 3: This show friend. He was gay. He didn't have any

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Speaker 3: scenes on this episode. He may have already come and

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Speaker 3: gone and this and the whole franchise, but there a lot.

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Speaker 3: He was one of the kids friends. I think he

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Speaker 3: was like Carolyn Manzol, like had kids that moved out

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Speaker 3: and he moved out.

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Speaker 2: Yeah, he was kind of Yeah, I remember he looks.

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Speaker 3: He looked straight, but he was completely gay. And I

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Speaker 3: remember in the day thinking like you might meet him

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Speaker 3: in an alley some night.

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Speaker 1: I would, Wow, he's not on the show. He's more accessible,

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Speaker 1: well exactly.

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Speaker 3: He's also probably my age by now.

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Speaker 2: Yes, so I found.

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Speaker 1: It reminds me of the concept that I tell people

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Speaker 1: about when people are asked to leave the show or

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Speaker 1: when people really succeed. Danielle is the hate to hate.

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Speaker 1: Like there's love to hate, there's love to love. Danielle

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Speaker 1: is the hate to hate.

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Speaker 3: She's the hate. It's so true. She got really that's

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Speaker 3: a good one. That's yeah, exactly.

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Speaker 2: Right, you know what I mean. She's the first ever

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Speaker 2: watch What Happens Live guest fun fact?

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Speaker 3: Is that true? Ye? No, wait a minute, but by

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Speaker 3: the way, like you know, she's the hate to hate

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Speaker 3: character who literally is introduced as such, like she doesn't

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Speaker 3: have a good moment from the fucking beginning of the

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Speaker 3: whole thing, Like she literally comes in and you just

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Speaker 3: like want to kill her. From the mid arc. There's

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Speaker 3: no arc. She doesn't get there.

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Speaker 1: She starts there, so like fascinating. Okay, So Kim Kim.

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Speaker 3: By the way, Kim looks exactly like Sonya if they

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Speaker 3: literally it's the same interesting, sure, the same lip. They

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Speaker 3: went to the same lip person. I'm serious. Literally Kim

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Speaker 3: him with the blonde Kim D. Kim D and Sonia

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Speaker 3: Morgan booth. Okay, by the way, Sonia Morgan, I saw

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Speaker 3: her in person a few times. She is literally a

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Speaker 3: fucking like Burne Jones drawing. That woman is so pretty.

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Speaker 3: She's so very beautiful and fragile. No, I'm not kidding.

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Speaker 3: She has the face of like a burn like an angel,

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Speaker 3: like a I don't know what.

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Speaker 2: She's going to be so happy. This is going to

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Speaker 2: make her life in the text.

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Speaker 1: So Kim D is the quintessential first real Bravo example.

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Speaker 1: Well second, because Jill's friend Brad was one is a

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Speaker 1: real Bravo example in the beginning, when people didn't realize

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Speaker 1: that this person's clamoring to be on the show, right, like.

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Speaker 3: Why isn't she on the show? Right? Where's her? You know?

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Speaker 3: Kind of magic.

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Speaker 1: Well, she's like the Marlowe of this show, like a

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Speaker 1: semi hateful friend that can't make the cut and I

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Speaker 1: don't know why as the main character, but she's going

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Speaker 1: to be a good side. And she's the smartest one

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Speaker 1: on the show because her little store that is so

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Speaker 1: cluttered gets the main stage at a country club in

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Speaker 1: a local fashion show.

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Speaker 3: Well, I mean, you know, Darling, can we talk about

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Speaker 3: that country club? Can we talk about that fashion show?

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Speaker 2: I mean and that story.

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Speaker 3: You know, But that's what I'm saying. So it's all

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Speaker 3: it's all of a piece. And by the way, like.

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Speaker 2: But how Jersey, what do you mean? That's what that is?

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Speaker 2: Jersey like?

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Speaker 3: But I have to tell you also, it's a really

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Speaker 3: really good strategy and sell to sell clothes. That's not

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Speaker 3: just you have this crazy store that's tiny and it's

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Speaker 3: just like full of all this stuff and you just

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Speaker 3: have to wade through it. I think people like to

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Speaker 3: wade through stuff to like I'm not kidding.

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Speaker 2: When they go TJ Max model except like.

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Speaker 3: The Mini Mini Mini Mini Mini version.

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Speaker 1: It can be aid producing though it has to be

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Speaker 1: curated properly. Otherwise you hit the wall and you feel

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Speaker 1: like you're panicking.

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Speaker 3: Yes, the very I can't do it. I prefer like,

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Speaker 3: you know, walking in and there's like a rack with

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Speaker 3: like one or two things.

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Speaker 1: I like organized, I can't I like organized, but TJ

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Speaker 1: has a way of doing it where it's my organized section.

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Speaker 3: Yeah.

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Speaker 1: Yeah, So I agree with Danielle about that woman being

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Speaker 1: off putting in a front facing desk position.

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Speaker 3: Oh you do. I know me too. I don't understand.

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Speaker 3: I don't understand walking into a shop and there being

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Speaker 3: a desk with a w I don't get that. It

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Speaker 3: was like, yeah, I didn't disagree with Danielle on that.

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Speaker 3: I mean, she did kind of jump the gun a

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Speaker 3: little bit. God knows what. Yes, you know what. I

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Speaker 3: knew what happened to her on the way she came,

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Speaker 3: she came to it, whatever it was, she jumped the gun.

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Speaker 3: But but I do understand why she would think that, like, oh, really, receptionist,

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Speaker 3: I walk into a store, it's a woman sitting at

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Speaker 3: a desk. You know, because if you walk into a

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Speaker 3: store and a woman standing there with holding some you know,

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Speaker 3: holding some hangers with clothes, you go, okay, well I'll

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Speaker 3: wait a second. But if she's sitting at a desk

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Speaker 3: on the phone, by the way, on the phone, it

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Speaker 3: feels like you're being screened. It kind of feels like

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Speaker 3: you're being screwed.

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Speaker 1: It feels like you're in a dentist office. It doesn't

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Speaker 1: make any sense. And it's also like a giant tall desk.

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Speaker 1: It doesn't make it. You don't walk into so I

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Speaker 1: thought like, and she was also low at the desk,

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Speaker 1: like it looked like a dentist doctor. You're low, you're like, hey, guys. Anyway,

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Speaker 1: I thought she was off putting, like it was just

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Speaker 1: like that's the place.

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Speaker 3: I mean, she wasn't mean or anything, but she was

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Speaker 3: a little off putting. And the fact that she was

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Speaker 3: on the phone added.

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Speaker 1: To the you know, I hate that in general by

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Speaker 1: the when you walk into a restaurant, you hear their comment,

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Speaker 1: put the phone down and greet me at the restaurant host.

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Speaker 3: Oh no, darling, darling, darling. When you when you Darling's

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Speaker 3: when you walk into a restaurant and they don't see

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Speaker 3: you right away, that's just such a hard time or

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Speaker 3: they don't say one second or whatever. Yes, that's very

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Speaker 3: very That's what I'm saying.

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Speaker 1: They're like on a personal phone call and they're like

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Speaker 1: not giving you eye contact.

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Speaker 2: It's passag. So this was passag.

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Speaker 1: This woman was passag But Daniel, it's just like some

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00:18:32,200 --> 00:18:35,040
Speaker 1: there was some like foreplay that we didn't see where

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Speaker 1: Danielle had some institution happening.

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Speaker 3: Yeah, she understood something. Some producer set her up or

396
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Speaker 3: somebody set her up. You know, she did.

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Speaker 2: She she knew that she was walking into.

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Speaker 3: You know, there's a million things that could have been

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Speaker 3: that morning, you.

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Speaker 1: Know, like I think she already knew that, Like this

401
00:18:52,800 --> 00:18:58,800
Speaker 1: was her friend who was like infiltrating Teresa because it's

402
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Speaker 1: like noodle into the show to get your your.

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Speaker 2: Fashion show in.

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Speaker 1: So she felt like she was like friend jumping and

405
00:19:05,600 --> 00:19:07,280
Speaker 1: then like there was some behind the scenes thing and

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00:19:07,280 --> 00:19:10,520
Speaker 1: that was interesting. But I found the best and most

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Speaker 1: New Jersey Housewives line that I've ever heard that I

408
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Speaker 1: didn't notice the first time around was I was next

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Speaker 1: door paying my water bill.

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Speaker 3: Wow, oh right, that's because you pay for water in Jersey.

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Speaker 3: I forgot about that. That's which stuff. I remember when

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Speaker 3: I was a kid, we used to go to Deal,

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Speaker 3: New Jersey for the summer, which is a short town,

414
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Speaker 3: and there were water bills and my father would always say,

415
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Speaker 3: you have to pay for water out here, Like what

416
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Speaker 3: the fuck? You know, by the way, can we just

417
00:19:39,920 --> 00:19:41,720
Speaker 3: cut I know this is on your list of questions.

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Speaker 3: I don't want to jump.

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00:19:42,640 --> 00:19:44,000
Speaker 2: The question jump whatever you want?

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Speaker 3: Could I just go because for one minute, like, did

421
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Speaker 3: you think that maybe Teresa at the end was kind

422
00:19:51,440 --> 00:19:55,760
Speaker 3: of actually reaching out to her to like or what?

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00:19:56,280 --> 00:19:59,600
Speaker 3: Or did you think I like that? Was that? Was

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Speaker 3: that a produce? Real? Like? Whoa?

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Speaker 1: Okay, because I thought of it too. It struck me too.

426
00:20:04,680 --> 00:20:09,720
Speaker 1: So what I think happened was, oh I know what happened. Okay,

427
00:20:09,760 --> 00:20:10,439
Speaker 1: I know what happened.

428
00:20:10,480 --> 00:20:10,960
Speaker 3: What happened?

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Speaker 1: So before I know exactly happened, I had to just

430
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Speaker 1: go there and be a housewife for one second. Okay,

431
00:20:15,119 --> 00:20:18,760
Speaker 1: So you're going into a scene. You're going in to

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Speaker 1: go to the night, the big night. This is the

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Speaker 1: big fashion show.

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Speaker 2: This is a big deal. This is a big multi

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Speaker 2: camera maybe where you.

436
00:20:25,320 --> 00:20:27,439
Speaker 3: Wear your little chinchilla jacket if you're.

437
00:20:27,600 --> 00:20:30,359
Speaker 2: Full on, and then the little shrug for Jeff.

438
00:20:30,320 --> 00:20:32,720
Speaker 3: Which was so good, that little shrug. You wish you

439
00:20:32,800 --> 00:20:33,359
Speaker 3: had that shrug.

440
00:20:33,440 --> 00:20:35,840
Speaker 2: I wish jeans though, so good?

441
00:20:36,160 --> 00:20:38,240
Speaker 3: Or you know it's like a turtleneck and some kind

442
00:20:38,280 --> 00:20:40,560
Speaker 3: of like a little tight skirt, Oh my god, so cute.

443
00:20:40,600 --> 00:20:43,720
Speaker 2: Go Okay, yeah, should I got rid of my wife? Okay,

444
00:20:44,119 --> 00:20:47,080
Speaker 2: So here's exactly what happens.

445
00:20:47,240 --> 00:20:50,400
Speaker 1: You get there and this is also early seasons where

446
00:20:50,400 --> 00:20:52,720
Speaker 1: you're actually listening and a producer comes into your car.

447
00:20:53,040 --> 00:20:55,399
Speaker 1: Let them the other person's miking you, the sound person's

448
00:20:55,440 --> 00:20:57,920
Speaker 1: making you, the producer's next to you, and they're like, okay,

449
00:20:58,000 --> 00:21:00,639
Speaker 1: so tonight, this just happened with that which you're going

450
00:21:00,680 --> 00:21:02,560
Speaker 1: to have to talk to Cam. You should definitely mention

451
00:21:02,640 --> 00:21:04,639
Speaker 1: this to that person, and I think that should happen

452
00:21:04,640 --> 00:21:06,159
Speaker 1: and make sure you get in that and make sure

453
00:21:06,200 --> 00:21:09,480
Speaker 1: you do that, and make sure you invite Penelope to

454
00:21:09,720 --> 00:21:13,440
Speaker 1: the Saint Barts next week. Like there are beats, beats

455
00:21:13,520 --> 00:21:14,560
Speaker 1: that you have to hit.

456
00:21:14,720 --> 00:21:16,639
Speaker 3: Let's get the beat, of course, but I'm going to

457
00:21:16,680 --> 00:21:18,879
Speaker 3: give you is so much more interesting than what you

458
00:21:18,920 --> 00:21:19,679
Speaker 3: could ever subjes.

459
00:21:19,880 --> 00:21:22,960
Speaker 2: I don't like Yeah, I hate it. Yeah, I don't

460
00:21:23,040 --> 00:21:23,960
Speaker 2: like that. I don't like that.

461
00:21:24,040 --> 00:21:24,560
Speaker 3: It's not for me.

462
00:21:24,680 --> 00:21:27,879
Speaker 1: But you still manage to absorb some of it. And

463
00:21:27,920 --> 00:21:30,040
Speaker 1: you're aware as and I would never be always take

464
00:21:30,080 --> 00:21:31,800
Speaker 1: at the fuck out my car, but you're.

465
00:21:31,720 --> 00:21:35,000
Speaker 2: Aware in your mind of what you want.

466
00:21:34,880 --> 00:21:37,320
Speaker 1: To get done because you're a good employee and you're

467
00:21:37,320 --> 00:21:38,960
Speaker 1: a good team player, and you want to hit the beats.

468
00:21:38,960 --> 00:21:42,320
Speaker 1: You're aware of what they've said, so Teresa has the

469
00:21:42,359 --> 00:21:45,159
Speaker 1: only thing that this audience wants and needs by two

470
00:21:45,200 --> 00:21:47,439
Speaker 1: people that actually are cast members of the show, is

471
00:21:47,480 --> 00:21:50,679
Speaker 1: for these two people to get together. It's Serena and

472
00:21:50,800 --> 00:21:52,479
Speaker 1: June in Handmaid's Tale.

473
00:21:52,680 --> 00:21:54,000
Speaker 2: So we're not going to finish this.

474
00:21:54,119 --> 00:21:57,080
Speaker 1: So even if everyone's thinking about leaving and getting their jackets,

475
00:21:57,080 --> 00:21:59,639
Speaker 1: the producers putting going in a bathroom and saying, you

476
00:21:59,720 --> 00:22:01,720
Speaker 1: gotta talk to Danielle before you leave, Like it's the

477
00:22:01,760 --> 00:22:06,120
Speaker 1: Me and Kelly bensimone scene, right, you need to get

478
00:22:06,119 --> 00:22:06,560
Speaker 1: that scene.

479
00:22:06,600 --> 00:22:07,359
Speaker 2: You need that moment.

480
00:22:07,440 --> 00:22:11,200
Speaker 1: So what's happening is Teresa's just sitting there and she's like, hi,

481
00:22:11,520 --> 00:22:12,360
Speaker 1: like just trying to.

482
00:22:12,320 --> 00:22:14,760
Speaker 3: Like she's trying to do something.

483
00:22:14,720 --> 00:22:16,120
Speaker 2: Something, it's an interaction.

484
00:22:16,720 --> 00:22:19,920
Speaker 1: And then Danielle is like, and I do believe it

485
00:22:19,960 --> 00:22:23,520
Speaker 1: was probably Teresa that was told that, and Danielle is

486
00:22:23,560 --> 00:22:29,119
Speaker 1: probably like, Okay, whatever, genuous and it was gamy and

487
00:22:29,160 --> 00:22:31,200
Speaker 1: that like, fuck you, I'm gonna go where I wanted

488
00:22:31,240 --> 00:22:32,800
Speaker 1: where I felt. Anyway, the reason I didn't want to

489
00:22:32,800 --> 00:22:34,840
Speaker 1: talk to you to begin with, I was shocked, Oh

490
00:22:34,840 --> 00:22:40,480
Speaker 1: she's seventeen. I'm shocked that we have like bookend shit

491
00:22:40,640 --> 00:22:43,919
Speaker 1: show episodes like the last episode of the last season

492
00:22:44,119 --> 00:22:47,520
Speaker 1: was Flip a table. Not that many episodes later.

493
00:22:47,600 --> 00:22:48,119
Speaker 2: I know it's.

494
00:22:50,200 --> 00:22:52,840
Speaker 1: Like like like there's a lot of cops and fights

495
00:22:52,840 --> 00:22:55,879
Speaker 1: in this series. I never remembered it being so crazy

496
00:22:55,920 --> 00:22:57,240
Speaker 1: that they're like very physical.

497
00:22:57,640 --> 00:22:59,520
Speaker 3: Well I do. I remember it being crazy, and I

498
00:22:59,520 --> 00:23:04,000
Speaker 3: remember it taking the lead in the franchise. It became

499
00:23:04,119 --> 00:23:06,960
Speaker 3: like the most popular franchise because it was so insane.

500
00:23:07,840 --> 00:23:12,600
Speaker 1: Exactly exactly. Okay, So you know, here's the thing. Danielle

501
00:23:12,720 --> 00:23:16,720
Speaker 1: seems I don't like to use the word nuts, but

502
00:23:16,880 --> 00:23:20,439
Speaker 1: like she comes out of the gate paranoid and like

503
00:23:20,960 --> 00:23:23,440
Speaker 1: she starts the fight before the fight is started. It's

504
00:23:23,480 --> 00:23:25,199
Speaker 1: just so and I'm an aggressive person.

505
00:23:25,359 --> 00:23:27,560
Speaker 2: It's so aggressive.

506
00:23:27,040 --> 00:23:30,239
Speaker 1: Like it's like she's at a ten. She comes in

507
00:23:30,400 --> 00:23:32,520
Speaker 1: hot at all times, is what I notice.

508
00:23:32,800 --> 00:23:35,800
Speaker 3: Well, you know what, Darling, it's like because there is

509
00:23:35,840 --> 00:23:41,760
Speaker 3: a special kind of a gene that exists in anyone

510
00:23:42,160 --> 00:23:45,760
Speaker 3: of the housewives. You included right where you're like going,

511
00:23:45,960 --> 00:23:48,600
Speaker 3: this is a show that has to be interesting, it

512
00:23:48,680 --> 00:23:52,920
Speaker 3: has to be feisty, there have to be conflicts, right,

513
00:23:53,000 --> 00:23:58,400
Speaker 3: so you've got and she especially is very very sensitive.

514
00:23:58,840 --> 00:24:01,560
Speaker 3: She's like a missile of like a heat seeking missile.

515
00:24:01,760 --> 00:24:04,639
Speaker 3: She will find the drama if you set that woman

516
00:24:04,720 --> 00:24:07,800
Speaker 3: up right. So you were talking about like having producers

517
00:24:07,840 --> 00:24:09,840
Speaker 3: going well, this has happened, and that has happened, and

518
00:24:09,880 --> 00:24:12,119
Speaker 3: you're going like, really I know it, mind her up,

519
00:24:12,200 --> 00:24:14,960
Speaker 3: and there has I know, like kick the snake, kick

520
00:24:15,000 --> 00:24:17,879
Speaker 3: the snake. You know, I don't think if you're you know,

521
00:24:17,960 --> 00:24:22,920
Speaker 3: if you're a conscientious kind of Bravo employee, you understand

522
00:24:22,960 --> 00:24:25,920
Speaker 3: that you're supposed to bring some kind of a drama

523
00:24:25,960 --> 00:24:29,440
Speaker 3: to a you notes, no, you have to be promotes.

524
00:24:29,680 --> 00:24:32,560
Speaker 3: But I think like in the case of Danielle Boy

525
00:24:32,720 --> 00:24:36,280
Speaker 3: she is like and sometimes I think maybe a little

526
00:24:36,320 --> 00:24:40,120
Speaker 3: too she is a little bit too highly strung and

527
00:24:40,200 --> 00:24:44,480
Speaker 3: too sensitive to that, to that ability to she's half coughed,

528
00:24:44,680 --> 00:24:45,320
Speaker 3: she's haf cough.

529
00:24:45,560 --> 00:24:47,560
Speaker 1: Yeah, she's half coughed. And you brought up the best

530
00:24:47,560 --> 00:24:49,879
Speaker 1: thing though, which is interesting. First of all, I have

531
00:24:49,960 --> 00:24:53,119
Speaker 1: to remind everybody that like, there's no way to describe

532
00:24:53,320 --> 00:24:55,280
Speaker 1: Andy Cohen doesn't even know what it's like because he

533
00:24:55,280 --> 00:24:57,720
Speaker 1: does has never lived it. What it is like to

534
00:24:57,920 --> 00:25:03,600
Speaker 1: involve heightened to women, to involve ratings, to involve producers,

535
00:25:03,640 --> 00:25:05,440
Speaker 1: and they're all different on all the different shows, different

536
00:25:05,480 --> 00:25:08,440
Speaker 1: types of producers, and then to involve alcohol, and then

537
00:25:08,440 --> 00:25:10,560
Speaker 1: to involve the fact that you live in this vortex

538
00:25:10,560 --> 00:25:13,040
Speaker 1: where you think all this stuff is important and it

539
00:25:13,080 --> 00:25:14,920
Speaker 1: means a lot too at this time, even though it's

540
00:25:14,920 --> 00:25:15,400
Speaker 1: not real.

541
00:25:16,040 --> 00:25:17,640
Speaker 3: Yes, you brought up.

542
00:25:17,600 --> 00:25:20,040
Speaker 1: Sensitive with Danielle, which I definitely agree with, And there's

543
00:25:20,040 --> 00:25:24,119
Speaker 1: something about her to me that feels like like a

544
00:25:24,200 --> 00:25:27,000
Speaker 1: caged animal that if you come at them, they're just

545
00:25:27,080 --> 00:25:28,800
Speaker 1: going to like, I know, well.

546
00:25:28,720 --> 00:25:30,720
Speaker 3: That's what I'm talking about. And you know what, She's

547
00:25:30,800 --> 00:25:33,120
Speaker 3: not the only one. Like I've been on Andy Show

548
00:25:33,160 --> 00:25:36,520
Speaker 3: a million times and you can feel like certain of

549
00:25:36,560 --> 00:25:41,760
Speaker 3: those women, Darling, they are they don't it's nothing stands

550
00:25:41,800 --> 00:25:46,480
Speaker 3: in their way between you know, between the drama and

551
00:25:46,560 --> 00:25:48,840
Speaker 3: the capturing of the drama. So it's like you don't

552
00:25:48,840 --> 00:25:51,639
Speaker 3: even exist in the room. You know what I'm talking about, right?

553
00:25:51,960 --> 00:25:54,880
Speaker 1: What I want to say those people, I always am

554
00:25:54,960 --> 00:25:57,439
Speaker 1: shocked by how somebody could fuck up this job and

555
00:25:57,480 --> 00:26:00,440
Speaker 1: get fired. And the thing is what happens a lot

556
00:26:00,560 --> 00:26:02,400
Speaker 1: is some people. There's a couple of things that happen.

557
00:26:02,440 --> 00:26:03,399
Speaker 1: People won't come a.

558
00:26:03,440 --> 00:26:05,959
Speaker 3: Minute, Wait a second, wait a minute, Okay, don't you

559
00:26:06,000 --> 00:26:09,560
Speaker 3: give me this, because what's good about you because you

560
00:26:09,720 --> 00:26:13,560
Speaker 3: under sad drama. Drama wasn't as important to you as like,

561
00:26:14,359 --> 00:26:16,200
Speaker 3: I don't know. First of all, you're a writer. I

562
00:26:16,240 --> 00:26:18,200
Speaker 3: think you're like a writer. I swear to god. It's

563
00:26:18,240 --> 00:26:21,119
Speaker 3: like you're writing in your head, like how many different

564
00:26:21,119 --> 00:26:23,679
Speaker 3: fucking ways can this go down? And you not to

565
00:26:23,760 --> 00:26:26,000
Speaker 3: blow smoke up your butt. I think that's why you

566
00:26:26,040 --> 00:26:28,560
Speaker 3: were so good on that show, because you didn't go

567
00:26:28,680 --> 00:26:31,520
Speaker 3: in half cocked. You went in phone cocked. Oh I'm

568
00:26:31,560 --> 00:26:34,840
Speaker 3: kidding now, but I mean no, you went in going like, Okay,

569
00:26:35,040 --> 00:26:39,240
Speaker 3: I'll do my best here, and then you recognize something

570
00:26:39,359 --> 00:26:43,240
Speaker 3: as writer. Yeah, you didn't go in going anything.

571
00:26:43,480 --> 00:26:46,680
Speaker 1: You know, it's like, oh, you're describing preconceived notions. You're

572
00:26:46,680 --> 00:26:49,639
Speaker 1: describing a leg on a dance floor, which was obviously

573
00:26:49,680 --> 00:26:50,720
Speaker 1: so self produced.

574
00:26:51,040 --> 00:26:53,000
Speaker 2: But that's what I was just going to say. It's

575
00:26:53,040 --> 00:26:53,760
Speaker 2: impossible for.

576
00:26:53,720 --> 00:26:57,040
Speaker 3: Me to a dance floor. You didn't. Oh my god, okay,

577
00:26:57,280 --> 00:26:59,200
Speaker 3: get me. No, of course I know.

578
00:26:59,359 --> 00:27:03,320
Speaker 1: But oh sorry, No. What I'm saying is the pre

579
00:27:03,640 --> 00:27:06,800
Speaker 1: like and sometimes it can land. It can land like Teresa.

580
00:27:06,880 --> 00:27:09,919
Speaker 1: I'm sure she's semi planned that or in the moment.

581
00:27:09,680 --> 00:27:10,680
Speaker 2: Planet, but it landed.

582
00:27:11,080 --> 00:27:14,680
Speaker 1: But what I'm saying is preconceived notions. So people come

583
00:27:14,680 --> 00:27:16,080
Speaker 1: into the Housewives, and there are a couple of ways

584
00:27:16,080 --> 00:27:18,639
Speaker 1: they do it. They've they're coming in, they've watched it

585
00:27:18,960 --> 00:27:21,760
Speaker 1: every single They're gonna be just like Bethany.

586
00:27:21,800 --> 00:27:22,760
Speaker 2: They're gonna do it just like me.

587
00:27:22,840 --> 00:27:25,280
Speaker 1: And he called me from a reunion recently and said,

588
00:27:25,800 --> 00:27:29,200
Speaker 1: ex housewife is literally channeling you right now and trying

589
00:27:29,280 --> 00:27:31,920
Speaker 1: has studied the reunions and trying to be right now.

590
00:27:31,960 --> 00:27:37,240
Speaker 2: Andy, that happened recently. Okay, but that did happen.

591
00:27:37,480 --> 00:27:41,000
Speaker 1: But you come in and you either want to be

592
00:27:41,000 --> 00:27:43,479
Speaker 1: better then you want to act like what's going on

593
00:27:43,560 --> 00:27:45,600
Speaker 1: with all these people like in Carol Radzivill, like I

594
00:27:45,680 --> 00:27:48,560
Speaker 1: went on George Clooney and I'm a I'm a Kennedy

595
00:27:48,560 --> 00:27:52,560
Speaker 1: and like what's going on? Everybody's so dramatic. That's one way.

596
00:27:52,840 --> 00:27:54,920
Speaker 1: The other two is I'm gonna fuck with the most

597
00:27:54,960 --> 00:27:55,520
Speaker 1: powerful one.

598
00:27:55,560 --> 00:28:03,160
Speaker 3: I'm gonna come in, put them down, goodbye exactly. Wait

599
00:28:03,160 --> 00:28:05,600
Speaker 3: a minute, by the way, can I just say one

600
00:28:05,640 --> 00:28:08,520
Speaker 3: thing about what you just said, which is before what's

601
00:28:08,520 --> 00:28:11,040
Speaker 3: coming in and coming to Bethany? Right? The one thing

602
00:28:11,200 --> 00:28:16,719
Speaker 3: I love already about Jenna Lyons, like the show premiered,

603
00:28:16,760 --> 00:28:20,080
Speaker 3: Yet she says something in the Times like I think

604
00:28:20,080 --> 00:28:23,320
Speaker 3: it was like a bold type of bold face kind

605
00:28:23,320 --> 00:28:25,400
Speaker 3: of quote from her. She said, you know, I don't

606
00:28:25,400 --> 00:28:27,480
Speaker 3: know what they're going to think of me. I don't

607
00:28:27,480 --> 00:28:29,040
Speaker 3: know if they're going to think I'm stuck up. I

608
00:28:29,040 --> 00:28:30,800
Speaker 3: don't know if they're going to think I'm an asshole.

609
00:28:31,280 --> 00:28:33,240
Speaker 3: I don't know. And I was like, Wow, that is

610
00:28:33,280 --> 00:28:35,679
Speaker 3: the greatest thing I ever heard in my life. That

611
00:28:35,760 --> 00:28:39,360
Speaker 3: she's already kind of like knowing that they're going to

612
00:28:39,400 --> 00:28:43,880
Speaker 3: think she's so stuck up because she's really smart. You know,

613
00:28:43,960 --> 00:28:47,480
Speaker 3: Jenna Lyons is very, very very smart. And I tell

614
00:28:47,560 --> 00:28:51,040
Speaker 3: you that's what that's what is great. Like, I think

615
00:28:51,320 --> 00:28:54,560
Speaker 3: the reason I watched New York, the reason I watched

616
00:28:56,600 --> 00:29:01,040
Speaker 3: Beverly Hills, is because you know, you've got some smart people.

617
00:29:01,120 --> 00:29:04,760
Speaker 3: You've got some smart people. It's not just table thres,

618
00:29:05,400 --> 00:29:08,120
Speaker 3: not many, no, no, no, but you have some Like

619
00:29:08,160 --> 00:29:10,520
Speaker 3: That's what That's what I think is exciting about the

620
00:29:10,560 --> 00:29:14,840
Speaker 3: New York reboot is that they're at least Jenna is

621
00:29:14,920 --> 00:29:16,880
Speaker 3: very very smart, you know what I mean, She's smart

622
00:29:17,000 --> 00:29:19,680
Speaker 3: enough to say, well, maybe you think I'm stuck up,

623
00:29:19,680 --> 00:29:19,920
Speaker 3: you know what?

624
00:29:19,960 --> 00:29:22,600
Speaker 1: I mean, like, but the most iconic housewives are not

625
00:29:22,640 --> 00:29:25,760
Speaker 1: the smartest ones for the most part, just yeah except here.

626
00:29:26,680 --> 00:29:29,240
Speaker 2: Well thank you. But there's an art to this thing.

627
00:29:29,840 --> 00:29:34,000
Speaker 3: And and Kyle, Kyle's really smart. I met her twice

628
00:29:34,200 --> 00:29:35,240
Speaker 3: and she is smart.

629
00:29:35,400 --> 00:29:36,240
Speaker 2: You know, she's smart.

630
00:29:36,240 --> 00:29:36,520
Speaker 3: Smart.

631
00:29:36,600 --> 00:29:39,760
Speaker 1: There's an art to this thing, and it's not what

632
00:29:39,800 --> 00:29:42,080
Speaker 1: people think that it is. So anyway, people come in

633
00:29:42,120 --> 00:29:44,320
Speaker 1: and do that. And then the third category is a

634
00:29:44,360 --> 00:29:45,840
Speaker 1: person who comes in and they're like, I'm going to

635
00:29:45,880 --> 00:29:50,080
Speaker 1: burn this house to the ground, right, but it's disproportionate

636
00:29:50,200 --> 00:29:51,280
Speaker 1: and it just doesn't land.

637
00:29:51,320 --> 00:29:54,240
Speaker 3: So it doesn't land, and it's very, as you say,

638
00:29:54,240 --> 00:29:58,000
Speaker 3: half cocked and not fully cocked. I gets saying fully cocked.

639
00:29:57,720 --> 00:30:00,960
Speaker 1: Because I really like it, saying yeah, let's talk about

640
00:30:01,000 --> 00:30:03,480
Speaker 1: Bailey's on the Rocks as an Italian drinking.

641
00:30:03,520 --> 00:30:06,440
Speaker 3: Oh baby, And they had a name for it, didn't that,

642
00:30:07,200 --> 00:30:09,040
Speaker 3: Oh no, it was Bailey's on the Rocks. I thought

643
00:30:09,040 --> 00:30:11,000
Speaker 3: they kept saying babies on the rocks.

644
00:30:11,400 --> 00:30:14,600
Speaker 2: Bailey so Italian. I love that good.

645
00:30:15,200 --> 00:30:19,640
Speaker 1: Teresa's drinking a drink with an orange and a pink

646
00:30:19,720 --> 00:30:20,880
Speaker 1: drink with an orange.

647
00:30:20,520 --> 00:30:23,560
Speaker 3: And what about a second, darling, what about a coke

648
00:30:23,640 --> 00:30:24,760
Speaker 3: with a shot of wine.

649
00:30:25,120 --> 00:30:27,400
Speaker 2: Hello, I happened.

650
00:30:27,520 --> 00:30:28,440
Speaker 3: That happened.

651
00:30:28,720 --> 00:30:31,000
Speaker 2: That could be a TikTok sensation. I want to go.

652
00:30:30,960 --> 00:30:33,959
Speaker 3: Maybe I know we should get together. You should have

653
00:30:34,000 --> 00:30:37,120
Speaker 3: that should be like your new Oh. I feel like

654
00:30:37,160 --> 00:30:40,640
Speaker 3: you introduced that moscow mule. I feel like you personally

655
00:30:40,760 --> 00:30:47,120
Speaker 3: introduced the moscow mule to the entire like Western hemisphere. Yes, yes,

656
00:30:47,640 --> 00:30:50,960
Speaker 3: on your show known as The Real House was Yeah,

657
00:30:51,840 --> 00:30:53,200
Speaker 3: and I swear to god, it was like the first

658
00:30:53,200 --> 00:30:55,360
Speaker 3: time anyone ever heard of a moscow. You may have

659
00:30:55,440 --> 00:30:59,720
Speaker 3: to revive like a coke with a shot of red wine.

660
00:30:59,720 --> 00:31:02,520
Speaker 1: All right, I'm gonna make a tri yeah, okay. So

661
00:31:02,760 --> 00:31:05,120
Speaker 1: and also I find it fascinating that Caroline and her

662
00:31:05,200 --> 00:31:07,560
Speaker 1: husband keep talking about retirement.

663
00:31:07,840 --> 00:31:09,520
Speaker 2: Paul and I are long.

664
00:31:09,360 --> 00:31:11,520
Speaker 1: Distance, like we we don't We're not together all the time,

665
00:31:11,520 --> 00:31:14,400
Speaker 1: and we both it's good because I'm with my daughter,

666
00:31:14,440 --> 00:31:15,040
Speaker 1: then I'm with Paul.

667
00:31:15,080 --> 00:31:17,200
Speaker 2: We have pot too, Okay. I don't need to be

668
00:31:17,280 --> 00:31:18,520
Speaker 2: up anyone down all day.

669
00:31:18,400 --> 00:31:21,000
Speaker 3: Long, arnold. We live in separate places. We come together

670
00:31:21,040 --> 00:31:23,040
Speaker 3: for three or four days that he goes back to

671
00:31:23,080 --> 00:31:24,240
Speaker 3: the city or I go to the city.

672
00:31:24,240 --> 00:31:24,880
Speaker 2: And you're married.

673
00:31:25,440 --> 00:31:26,040
Speaker 3: We're married.

674
00:31:27,360 --> 00:31:29,760
Speaker 2: So this is a non traditional relationship.

675
00:31:29,960 --> 00:31:33,640
Speaker 3: By the way, completely monogamous, unlike a lot of homosexuals

676
00:31:33,640 --> 00:31:37,240
Speaker 3: who have open relationships, unlike a lot of new heterosexuals,

677
00:31:37,280 --> 00:31:40,440
Speaker 3: and you know, polyamorous couples who do a lot of stuff.

678
00:31:40,560 --> 00:31:43,760
Speaker 3: We are what is what was I going to say?

679
00:31:43,800 --> 00:31:47,160
Speaker 3: We were non traditionally sort of.

680
00:31:47,680 --> 00:31:48,880
Speaker 2: Oh, monoogamous.

681
00:31:48,960 --> 00:31:50,320
Speaker 3: Yes, we are monogamous.

682
00:31:50,440 --> 00:31:53,400
Speaker 2: But how long has it been like that? Oh?

683
00:31:53,480 --> 00:31:57,880
Speaker 3: My god, always, I'm not kidding you. I met him, well,

684
00:31:58,200 --> 00:32:00,920
Speaker 3: I met him about something like twenty two years ago,

685
00:32:01,040 --> 00:32:02,840
Speaker 3: and then we split up for seven years and I

686
00:32:02,920 --> 00:32:05,240
Speaker 3: just slept with everybody, you know, But then we got

687
00:32:05,280 --> 00:32:08,440
Speaker 3: back together. We got back together in like two thousand

688
00:32:08,480 --> 00:32:12,080
Speaker 3: and seven, and we have been monogamous since two thousand

689
00:32:12,120 --> 00:32:14,800
Speaker 3: and seven. We got married in twenty eleven when it became.

690
00:32:14,640 --> 00:32:19,280
Speaker 1: But monogamous, non traditional locationally and that just life dictated

691
00:32:19,320 --> 00:32:20,480
Speaker 1: that you made a decision.

692
00:32:20,720 --> 00:32:23,240
Speaker 3: No, no, you know what. When we chat about it,

693
00:32:23,240 --> 00:32:25,200
Speaker 3: I'm like, oh, you know, we're monogamous. We both go

694
00:32:25,520 --> 00:32:28,360
Speaker 3: I'm not sure, not sure, you know. But then it's

695
00:32:28,400 --> 00:32:30,840
Speaker 3: like you try or something. I don't try. But it's

696
00:32:30,880 --> 00:32:33,640
Speaker 3: like I approach somebody approaches or I approach her, I think,

697
00:32:33,640 --> 00:32:35,560
Speaker 3: and then I'm like, that's not worth it. No one

698
00:32:35,560 --> 00:32:36,960
Speaker 3: could be as sexy as my husband.

699
00:32:37,120 --> 00:32:40,000
Speaker 1: Okay, Jacqueline's daughter gets asked to be in the fashion show,

700
00:32:40,240 --> 00:32:42,920
Speaker 1: so right, that's another smart This Kim.

701
00:32:42,880 --> 00:32:45,680
Speaker 2: Is a little minx. She like, I gotta lock this

702
00:32:45,760 --> 00:32:49,280
Speaker 2: fucking fashion show. Oh yeah, it's o air.

703
00:32:49,680 --> 00:32:53,560
Speaker 3: And do you believe that? Like Jacqueline's daughter says yes,

704
00:32:54,280 --> 00:32:56,000
Speaker 3: like she's okay, I'll do it.

705
00:32:56,200 --> 00:32:57,080
Speaker 2: Why don't you believe it?

706
00:32:57,480 --> 00:32:59,960
Speaker 3: I don't know. I guess she does. I guess everyone.

707
00:33:00,000 --> 00:33:01,560
Speaker 3: She just wants to be a she.

708
00:33:01,520 --> 00:33:02,280
Speaker 2: Wants to be a model.

709
00:33:02,280 --> 00:33:07,120
Speaker 1: And by the way, Danielle's daughter is stunning and seems

710
00:33:07,120 --> 00:33:07,640
Speaker 1: really true.

711
00:33:07,840 --> 00:33:13,200
Speaker 3: It is like Shay gorgeous. Really, you know who else's

712
00:33:13,280 --> 00:33:16,320
Speaker 3: daughter is so beautiful. I've said this before a million times.

713
00:33:16,360 --> 00:33:18,360
Speaker 1: And Ashley's beautiful too. I'm just saying they didn't ask

714
00:33:18,440 --> 00:33:19,120
Speaker 1: Danielle's daughter.

715
00:33:19,560 --> 00:33:23,480
Speaker 3: Luanne's daughter. Oh my god, she literally looks like she

716
00:33:23,560 --> 00:33:26,360
Speaker 3: should do a Chanelle. She should be the fact that

717
00:33:26,400 --> 00:33:28,760
Speaker 3: girl looks like a proof character. I'm serious. She is

718
00:33:28,800 --> 00:33:31,120
Speaker 3: so beautiful. She looks like a nineteenth century like a

719
00:33:31,880 --> 00:33:35,360
Speaker 3: like some I don't know, like a Baldini drawing or something.

720
00:33:35,400 --> 00:33:38,840
Speaker 3: I mean she is so beautiful, that girl, those eyebrows.

721
00:33:38,840 --> 00:33:40,760
Speaker 3: Oh Darling, at least she was. I don't know. I

722
00:33:40,800 --> 00:33:42,880
Speaker 3: haven't seen her in a minute, Like sometimes they grow

723
00:33:42,960 --> 00:33:44,920
Speaker 3: into something. But the last time I saw her, and

724
00:33:44,960 --> 00:33:46,080
Speaker 3: she's out here a lot.

725
00:33:46,280 --> 00:33:47,160
Speaker 2: Yeah, what's her name?

726
00:33:47,200 --> 00:33:52,000
Speaker 3: Her name is what Victoria Darling? Last time I saw her,

727
00:33:52,040 --> 00:33:56,080
Speaker 3: she was she should be. She looks like I don't know,

728
00:33:56,160 --> 00:33:57,920
Speaker 3: she looks like in a still La fraisage.

729
00:33:58,080 --> 00:34:03,320
Speaker 2: So that's shotspired. Not having Danielle's child in the show.

730
00:34:03,120 --> 00:34:07,760
Speaker 1: Right, that's what shot inspired, like this woman, Kim not

731
00:34:07,800 --> 00:34:09,720
Speaker 1: having shots fired.

732
00:34:20,160 --> 00:34:23,440
Speaker 2: So now so now we're at the show.

733
00:34:24,160 --> 00:34:24,520
Speaker 3: Yes.

734
00:34:24,760 --> 00:34:27,440
Speaker 1: By the way, Kim does like a nice little apology

735
00:34:27,440 --> 00:34:29,640
Speaker 1: on the phone, which was like a good obligatory apology,

736
00:34:29,680 --> 00:34:31,360
Speaker 1: and she's like, let's just let's just start over. And

737
00:34:31,400 --> 00:34:33,640
Speaker 1: I kind of remember that from years ago. I don't

738
00:34:33,640 --> 00:34:36,200
Speaker 1: know why I remember that apology. It was just like Danielle,

739
00:34:36,560 --> 00:34:39,560
Speaker 1: let's just like not we thought, it's okay, I'm sorry whatever.

740
00:34:39,680 --> 00:34:41,040
Speaker 2: Like I kind of liked that apology.

741
00:34:41,080 --> 00:34:41,800
Speaker 3: I don't know why.

742
00:34:42,080 --> 00:34:45,240
Speaker 2: Weird, just like by gone's bygones.

743
00:34:44,880 --> 00:34:48,160
Speaker 3: Apologies to show you're so right about that, you know.

744
00:34:48,200 --> 00:34:50,560
Speaker 2: I just like I like an apology like that, So

745
00:34:50,680 --> 00:34:52,000
Speaker 2: all right, here we are, we.

746
00:34:51,920 --> 00:34:55,640
Speaker 3: Are, and then the show, I mean the show like

747
00:34:55,760 --> 00:34:59,759
Speaker 3: you need you need someone to walk down a runway

748
00:35:00,200 --> 00:35:02,640
Speaker 3: to show like a ripped up to a printed T

749
00:35:02,800 --> 00:35:07,319
Speaker 3: shirt with a printed jean leggings. Really, that's what you're

750
00:35:07,320 --> 00:35:09,360
Speaker 3: going to show in your show. It's crazy. And you

751
00:35:09,400 --> 00:35:11,800
Speaker 3: see the girls looking like, oh yeah, those are good leggings.

752
00:35:11,800 --> 00:35:14,960
Speaker 3: I need the I guess what the hell.

753
00:35:15,120 --> 00:35:19,160
Speaker 1: It's hilarious, it's ridiculous, it's so Jersey and it's so great.

754
00:35:19,760 --> 00:35:21,480
Speaker 3: It's crazy. It's crazy.

755
00:35:22,120 --> 00:35:24,160
Speaker 1: It's like a little bit like the Borsh Belt or something.

756
00:35:24,200 --> 00:35:26,600
Speaker 1: They'd have one of these like fake fashion shows up there,

757
00:35:26,600 --> 00:35:30,880
Speaker 1: you know what I mean, how they do like competition pictures, Yes, yes.

758
00:35:30,880 --> 00:35:33,719
Speaker 3: Something like on The Marvelous Missus Mais, Yes.

759
00:35:33,520 --> 00:35:36,319
Speaker 1: Exactly exactly, like they do these like little shows like

760
00:35:36,360 --> 00:35:39,080
Speaker 1: that's what this is with these because it's just a

761
00:35:39,200 --> 00:35:42,520
Speaker 1: non housewife managed to jam in her store in a fashion.

762
00:35:42,600 --> 00:35:47,080
Speaker 1: I wouldn't allow that anymore, like no Dwayne or one

763
00:35:47,080 --> 00:35:47,319
Speaker 1: of those.

764
00:35:48,320 --> 00:35:50,960
Speaker 3: Well, Duane was one of the best characters of the

765
00:35:51,120 --> 00:35:53,840
Speaker 3: entire and I can't believe they don't see that. I

766
00:35:53,840 --> 00:35:57,800
Speaker 3: can't believe they don't see Dwyane and like recognize Dwyane,

767
00:35:57,960 --> 00:36:03,640
Speaker 3: like Dwayne show was the air, I mean the craziest person.

768
00:36:03,840 --> 00:36:06,560
Speaker 1: Okay, first of all, Who's Bentley? Was that the Kim

769
00:36:06,680 --> 00:36:08,719
Speaker 1: g I don't know where that Kim came from, but

770
00:36:08,719 --> 00:36:10,759
Speaker 1: she's another Kim. And they showed up at a four

771
00:36:10,800 --> 00:36:13,600
Speaker 1: door black Bentley. That's like old school for the luxury

772
00:36:13,600 --> 00:36:15,759
Speaker 1: cars that came into Housewives later, Like it was a

773
00:36:15,880 --> 00:36:17,560
Speaker 1: four door like flying Well.

774
00:36:17,880 --> 00:36:20,440
Speaker 3: By the way, I always say that to myself, like

775
00:36:20,480 --> 00:36:23,680
Speaker 3: when I see the quotient, like the car quotient on

776
00:36:23,719 --> 00:36:26,680
Speaker 3: The Housewives, I'm like, where's my may back, where's my

777
00:36:26,840 --> 00:36:27,919
Speaker 3: fucking you know what I mean?

778
00:36:28,080 --> 00:36:30,399
Speaker 1: Like I mean it, it's very we got to get

779
00:36:30,400 --> 00:36:33,160
Speaker 1: the car going for the show. Yeah, it's very like

780
00:36:33,600 --> 00:36:34,800
Speaker 1: a different car each season.

781
00:36:35,040 --> 00:36:37,319
Speaker 2: Who cares. If we build it, they will come.

782
00:36:37,360 --> 00:36:39,960
Speaker 1: If we if we mortgage our houses ten different ways

783
00:36:40,000 --> 00:36:43,520
Speaker 1: from Sunday, then the money will come. That's the Housewives model.

784
00:36:43,560 --> 00:36:45,440
Speaker 1: You don't have to be rich. You just have to

785
00:36:45,480 --> 00:36:46,160
Speaker 1: look rich.

786
00:36:46,120 --> 00:36:48,160
Speaker 3: Look it for a minute, and then go into debt

787
00:36:48,239 --> 00:36:50,520
Speaker 3: and get in trouble and then be on the lamb.

788
00:36:50,920 --> 00:36:54,399
Speaker 2: Yes, right, I'd say, And but you always have to make.

789
00:36:54,320 --> 00:36:56,160
Speaker 3: It to the reunion. No matter how on the lamb

790
00:36:56,160 --> 00:36:58,360
Speaker 3: you are, you gotta make it show up to the reunion.

791
00:36:59,080 --> 00:37:01,759
Speaker 1: Five to ten percent and that's a it's a I'm

792
00:37:01,760 --> 00:37:07,240
Speaker 1: being generous. Five to ten percent of housewives actually got

793
00:37:07,239 --> 00:37:10,880
Speaker 1: it like that right from money Stampoint. I've literally read

794
00:37:11,400 --> 00:37:15,120
Speaker 1: fifty times when people say the net worth of housewives.

795
00:37:15,320 --> 00:37:17,120
Speaker 2: They are so wrong with everybody.

796
00:37:17,160 --> 00:37:20,279
Speaker 1: They say, Carol Radziwill's worth like several million dollars, like

797
00:37:20,320 --> 00:37:22,720
Speaker 1: she's worth a couple, Like they go crazy with everybody.

798
00:37:22,719 --> 00:37:27,360
Speaker 1: They're always wrong. Okay, So Danielle comes in with the bodyguard.

799
00:37:27,360 --> 00:37:29,040
Speaker 1: Who was that guy?

800
00:37:29,280 --> 00:37:33,200
Speaker 3: Wait a minute, I don't know. And and also when

801
00:37:33,239 --> 00:37:36,759
Speaker 3: she said that thing about what made me giggle? And

802
00:37:36,840 --> 00:37:39,200
Speaker 3: you know again the bodyguard maybe giggle. But also when

803
00:37:39,200 --> 00:37:42,560
Speaker 3: she said, Paris Hilton taught her to pretend.

804
00:37:42,280 --> 00:37:45,680
Speaker 1: Oh, I didn't know they were friends. That's like I said,

805
00:37:45,719 --> 00:37:48,560
Speaker 1: my friend Gwyneth, and who's that right?

806
00:37:48,680 --> 00:37:50,920
Speaker 3: Right? Right? But we didn't know they were friends. But

807
00:37:51,000 --> 00:37:53,959
Speaker 3: also like, I love how Paris Hilton had to teach

808
00:37:54,000 --> 00:37:56,080
Speaker 3: you to do that, right, It's like you would just

809
00:37:56,160 --> 00:37:58,439
Speaker 3: assume that if you were on your phone, people would

810
00:37:58,480 --> 00:38:03,480
Speaker 3: get annoyed. I love how Paris Hilton had to point

811
00:38:03,560 --> 00:38:06,320
Speaker 3: really funny, it's really subtly funny.

812
00:38:06,360 --> 00:38:06,640
Speaker 2: Funny.

813
00:38:07,400 --> 00:38:09,719
Speaker 1: Yeah, like like like if you're on your phone, then

814
00:38:09,719 --> 00:38:11,200
Speaker 1: you might be engaged in something else.

815
00:38:11,360 --> 00:38:12,399
Speaker 2: Yeah, something had that.

816
00:38:13,000 --> 00:38:15,920
Speaker 3: Oh oh right, you know tell me that, Paris Hilton.

817
00:38:16,280 --> 00:38:17,920
Speaker 2: But yeah, exactly, Yeah, that's important.

818
00:38:18,400 --> 00:38:20,200
Speaker 3: It's important important.

819
00:38:20,320 --> 00:38:22,880
Speaker 2: Asterisk that's hysterical. I didn't think of that.

820
00:38:22,920 --> 00:38:25,439
Speaker 3: I saw way, you know, like, can I just say

821
00:38:25,480 --> 00:38:27,480
Speaker 3: one thing? Because we've all been on Andy show a

822
00:38:27,520 --> 00:38:30,640
Speaker 3: million times and they go, what do you think? And

823
00:38:30,680 --> 00:38:33,080
Speaker 3: you're like, well that is really who would wear that?

824
00:38:33,200 --> 00:38:36,120
Speaker 3: You crazy? You know? And then because in advance, I

825
00:38:36,120 --> 00:38:38,040
Speaker 3: would say to him Andy, how am I going to

826
00:38:38,120 --> 00:38:40,719
Speaker 3: say that this is revolting and that I hate that

827
00:38:40,840 --> 00:38:43,240
Speaker 3: or that I like that? He says, Darling, you must

828
00:38:43,280 --> 00:38:45,760
Speaker 3: say this, and I was like, but I can't. I can't,

829
00:38:45,880 --> 00:38:47,560
Speaker 3: And he was like, but you know, these women, they

830
00:38:47,600 --> 00:38:51,080
Speaker 3: open their lives up and so there it's open season.

831
00:38:51,120 --> 00:38:53,000
Speaker 1: It's like, you know, it's also an open season. I'll

832
00:38:53,000 --> 00:38:55,439
Speaker 1: watch what Happens live for Clickbait Central for four days.

833
00:38:55,440 --> 00:38:58,160
Speaker 1: You've never had more headlines about the ship you say

834
00:38:58,160 --> 00:38:59,719
Speaker 1: on there than the next four days after that.

835
00:39:00,320 --> 00:39:02,719
Speaker 3: Yeah, but you know, what, But he's kind of right

836
00:39:02,800 --> 00:39:04,480
Speaker 3: in that respect. It's like if you go on the

837
00:39:04,560 --> 00:39:08,520
Speaker 3: reality show, you open your life up to someone going

838
00:39:08,719 --> 00:39:11,960
Speaker 3: really her friend Paris Hilton. I mean, I'm sorry to

839
00:39:12,000 --> 00:39:14,719
Speaker 3: say that, but it is very funny, and I do

840
00:39:15,000 --> 00:39:17,480
Speaker 3: like her. I do like Danielle. I'm not kidding. I

841
00:39:17,520 --> 00:39:20,640
Speaker 3: really like Danielle. But you know, I got to say that.

842
00:39:21,320 --> 00:39:23,480
Speaker 3: And then and then, by the way, when I said

843
00:39:23,520 --> 00:39:27,359
Speaker 3: earlier about how like you know, the children are gagging, right,

844
00:39:27,400 --> 00:39:30,839
Speaker 3: the children are gagging and ten years everyone is going

845
00:39:30,880 --> 00:39:34,560
Speaker 3: to be doing all this. They are already because of Bravo,

846
00:39:34,640 --> 00:39:37,440
Speaker 3: because of the Housewives, because of you, because of Andy's show.

847
00:39:37,960 --> 00:39:44,440
Speaker 3: Because I'm telling you, like life is imitating art. Life

848
00:39:44,520 --> 00:39:47,319
Speaker 3: is fucking imitating art, whether we like it or not.

849
00:39:47,760 --> 00:39:50,640
Speaker 1: You brought up something interesting, You brought up something I've

850
00:39:50,640 --> 00:39:54,000
Speaker 1: thought about and I've said it, but like I forget

851
00:39:54,000 --> 00:39:56,600
Speaker 1: about it. So you go on watch What Happens Live

852
00:39:56,640 --> 00:39:59,759
Speaker 1: as a Housewife, and you know, you go into the

853
00:39:59,800 --> 00:40:03,120
Speaker 1: super this is what's happening. You're there to play and

854
00:40:03,160 --> 00:40:05,560
Speaker 1: so yes, you're there for clickbait, You're there for questions,

855
00:40:05,600 --> 00:40:08,600
Speaker 1: you're for audience polls, You're there to get yes Okay,

856
00:40:08,880 --> 00:40:10,600
Speaker 1: that's the problem I've had when.

857
00:40:10,520 --> 00:40:13,600
Speaker 2: I go there now, having.

858
00:40:13,400 --> 00:40:16,960
Speaker 1: Left that atmosphere, having chosen to paid, I just want

859
00:40:16,960 --> 00:40:19,080
Speaker 1: to hawk my ship and be entertaining and go with

860
00:40:19,120 --> 00:40:21,200
Speaker 1: Andy and like, you know, a little bit of clickbait,

861
00:40:21,480 --> 00:40:24,480
Speaker 1: but I'll go there. I'm like, so Ramona was asked

862
00:40:24,480 --> 00:40:26,360
Speaker 1: who the ugliest housewife of all time is?

863
00:40:26,400 --> 00:40:29,720
Speaker 3: And and I'm not.

864
00:40:29,360 --> 00:40:32,239
Speaker 1: I'm not doing this anymore. I'm not paying to do

865
00:40:32,320 --> 00:40:34,600
Speaker 1: this anymore. I'm paid to talk about my products. A

866
00:40:34,640 --> 00:40:38,960
Speaker 1: couple of j Lo Raleiota questions and you know, Sigourney

867
00:40:39,000 --> 00:40:40,960
Speaker 1: when he was on which will God rest his soul?

868
00:40:41,000 --> 00:40:43,399
Speaker 1: Because he was really funny on the show. But like,

869
00:40:43,800 --> 00:40:46,279
Speaker 1: I'm not paid to come on here and get dragged

870
00:40:46,320 --> 00:40:48,600
Speaker 1: by like poles and ship. So that's the funny thing

871
00:40:48,600 --> 00:40:49,319
Speaker 1: that you bring up, Like.

872
00:40:49,880 --> 00:40:52,799
Speaker 3: Because you're because you're so in the you're so so

873
00:40:52,800 --> 00:40:56,040
Speaker 3: so in in the franchise and enough to be doing

874
00:40:56,080 --> 00:41:01,200
Speaker 3: a podcast called Rewives Okay, blue blue fat boom boom, boom,

875
00:41:01,200 --> 00:41:03,439
Speaker 3: okay boom. But anyway, but then but then the thing

876
00:41:03,600 --> 00:41:06,759
Speaker 3: is like for me, I am not doing yes, of course,

877
00:41:06,760 --> 00:41:09,000
Speaker 3: of course, but listen, but me, who I am not

878
00:41:09,239 --> 00:41:11,760
Speaker 3: in that world? And I watch it like some crazy

879
00:41:11,800 --> 00:41:15,480
Speaker 3: teenage girl. I watch it and I'm thrilled, and I

880
00:41:15,600 --> 00:41:18,160
Speaker 3: go like, you know, I can't wait to go on

881
00:41:18,280 --> 00:41:20,160
Speaker 3: that show, was going.

882
00:41:20,000 --> 00:41:22,720
Speaker 2: On show saying really so fun. Yeah, exactly.

883
00:41:22,880 --> 00:41:25,319
Speaker 3: So he's so cute and he's so like I just

884
00:41:25,400 --> 00:41:27,520
Speaker 3: he's so mysterious and anyway, go on.

885
00:41:27,760 --> 00:41:31,120
Speaker 1: Yes, so it's open season and me too. If I'm

886
00:41:31,120 --> 00:41:33,840
Speaker 1: gonna hawk what I'm hawking, I'm gonna take take the beating.

887
00:41:33,880 --> 00:41:36,120
Speaker 2: And that's just what happens. So now I got to

888
00:41:36,120 --> 00:41:38,000
Speaker 2: get to the biggest couple of moments.

889
00:41:38,280 --> 00:41:41,960
Speaker 1: Now we got to get to what was the cocaine

890
00:41:42,080 --> 00:41:44,279
Speaker 1: line that Danielle said about a seventeen year old? Did

891
00:41:44,320 --> 00:41:47,040
Speaker 1: I miss something? What the hell was the cocaine line?

892
00:41:47,080 --> 00:41:51,480
Speaker 1: She said something about coke core and I wish, oh

893
00:41:51,880 --> 00:41:53,759
Speaker 1: was she talked about a seventeen year old girl.

894
00:41:54,040 --> 00:41:54,840
Speaker 2: Something happened.

895
00:41:55,200 --> 00:41:57,600
Speaker 1: She was at the table and she's talking about Ashley,

896
00:41:57,600 --> 00:42:00,080
Speaker 1: and Ashley's been sending Danielle text I don't understand, and

897
00:42:00,160 --> 00:42:03,279
Speaker 1: I would school my daughter like it goes two ways. Yes,

898
00:42:03,440 --> 00:42:06,640
Speaker 1: we don't bring the children in, but she's almost an adult.

899
00:42:06,719 --> 00:42:09,960
Speaker 1: And if she's texting Danielle like her mother Jacqueline, she'd be.

900
00:42:10,000 --> 00:42:12,719
Speaker 3: Like, give me that phone exactly.

901
00:42:12,400 --> 00:42:14,080
Speaker 2: No way.

902
00:42:13,160 --> 00:42:16,600
Speaker 3: But as there was no It's true. There was also

903
00:42:16,680 --> 00:42:19,920
Speaker 3: a moment I couldn't tell because we couldn't actually there

904
00:42:20,040 --> 00:42:23,239
Speaker 3: wasn't like, uh, you know, a what's it called an

905
00:42:23,360 --> 00:42:26,279
Speaker 3: establishing shot of that show. You didn't know where the

906
00:42:26,320 --> 00:42:31,080
Speaker 3: tables were. But there was a moment where Jacqueline's daughter

907
00:42:31,360 --> 00:42:33,200
Speaker 3: Ashley was kind of looking over and she went like

908
00:42:33,239 --> 00:42:36,759
Speaker 3: that no taunting, taunting, you know what I mean? So

909
00:42:36,880 --> 00:42:37,520
Speaker 3: there you go?

910
00:42:38,040 --> 00:42:41,439
Speaker 1: So there, Well, I mean, Danielle, here's the thing too.

911
00:42:41,840 --> 00:42:44,640
Speaker 1: On reality TV, people played to the audience and want

912
00:42:44,640 --> 00:42:47,319
Speaker 1: to do things that we will approve of. So Danielle,

913
00:42:47,520 --> 00:42:50,799
Speaker 1: in fairness to being trying being who she really is,

914
00:42:51,040 --> 00:42:53,080
Speaker 1: she didn't think about us. She was like, fuck it,

915
00:42:53,440 --> 00:42:56,960
Speaker 1: this little girl who's seventeen is fucking with me, and

916
00:42:57,000 --> 00:42:59,319
Speaker 1: I'm gonna say it, Like most people know better for

917
00:42:59,400 --> 00:43:01,960
Speaker 1: the camera to not say that, but like, listen, there

918
00:43:01,960 --> 00:43:03,920
Speaker 1: are friends of my daughters who I don't like it.

919
00:43:04,000 --> 00:43:06,719
Speaker 1: She's only thirteen. Like I'm not saying it to them,

920
00:43:07,080 --> 00:43:20,160
Speaker 1: but like the side, you know what I mean. Wait,

921
00:43:20,640 --> 00:43:24,840
Speaker 1: I need a take from you on Danielle and Ashley.

922
00:43:24,880 --> 00:43:27,440
Speaker 1: I think you're splitting the difference between child and taunting.

923
00:43:28,080 --> 00:43:30,120
Speaker 3: Well, if she said that about crack core, because I

924
00:43:30,120 --> 00:43:33,000
Speaker 3: don't remember that, that is like really not Okay.

925
00:43:32,960 --> 00:43:35,000
Speaker 2: Danielle called Ashley a coke horn.

926
00:43:35,160 --> 00:43:37,200
Speaker 3: She did, right, Okay, that's.

927
00:43:37,040 --> 00:43:38,800
Speaker 2: Where the line is hard.

928
00:43:39,080 --> 00:43:41,080
Speaker 3: You can't cross it. You cannot cross it.

929
00:43:41,120 --> 00:43:42,759
Speaker 2: You can't know, you can't say coke, and you can't

930
00:43:42,760 --> 00:43:43,120
Speaker 2: say who.

931
00:43:43,280 --> 00:43:45,759
Speaker 3: No, let's say core. I can't believe.

932
00:43:45,840 --> 00:43:47,640
Speaker 2: How was that not a physical fight?

933
00:43:47,760 --> 00:43:49,840
Speaker 1: Like, how would Teresa sitting on a club chair in

934
00:43:49,880 --> 00:43:53,120
Speaker 1: a in a country club saying nothing and no exchange

935
00:43:53,160 --> 00:43:55,399
Speaker 1: and they get into a brawl and the co core

936
00:43:55,520 --> 00:43:56,319
Speaker 1: thing wasn't a thing.

937
00:43:56,480 --> 00:43:58,280
Speaker 3: Well wait a minute, because of the next episod.

938
00:43:58,320 --> 00:43:59,120
Speaker 2: So she didn't hear it.

939
00:43:59,320 --> 00:44:02,360
Speaker 3: She didn't hear it, but we heard yeah. But also

940
00:44:02,400 --> 00:44:05,000
Speaker 3: in the next episode you have Ashley pulling hairs out

941
00:44:05,040 --> 00:44:07,239
Speaker 3: of actual nicole of Danielle's head.

942
00:44:07,880 --> 00:44:13,040
Speaker 1: Remember, okay, never get involved, but literally producers never should

943
00:44:13,040 --> 00:44:17,840
Speaker 1: get involved. One time, a producer told me that Tinsley

944
00:44:17,840 --> 00:44:20,360
Speaker 1: had gone to try and weddings when she wasn't engaged.

945
00:44:20,560 --> 00:44:22,560
Speaker 1: It's very rare that they'll tell you something that you

946
00:44:22,600 --> 00:44:25,040
Speaker 1: should be you should be finding it out yourself through

947
00:44:25,080 --> 00:44:27,399
Speaker 1: the group, like they don't plant see it, they don't

948
00:44:27,400 --> 00:44:29,719
Speaker 1: just come. But that time they needed someone to know

949
00:44:29,800 --> 00:44:32,680
Speaker 1: and it paid off. This is a situation where a

950
00:44:32,719 --> 00:44:36,480
Speaker 1: producer should either literally tell a person at another table

951
00:44:36,480 --> 00:44:40,040
Speaker 1: it was just said, or send someone a messenger carrier

952
00:44:40,080 --> 00:44:42,080
Speaker 1: pigeon over to be like, wait a.

953
00:44:42,080 --> 00:44:44,279
Speaker 3: Minute, now, can we go back to Tinsley trying on

954
00:44:44,320 --> 00:44:48,319
Speaker 3: wedding dresses? If you're Tinsley Mortimer going to like, what

955
00:44:48,520 --> 00:44:48,759
Speaker 3: is it?

956
00:44:49,000 --> 00:44:52,160
Speaker 2: I'm so where I'm sol That's where she went.

957
00:44:52,160 --> 00:44:55,279
Speaker 3: I'm okay, right, you go to I'msol, right, or you

958
00:44:55,320 --> 00:44:57,360
Speaker 3: go to Verro, you go somewhere to try on wedding

959
00:44:57,360 --> 00:45:00,359
Speaker 3: gowns and you're Tinsley Mortimer, like, it's not gonna get

960
00:45:00,400 --> 00:45:03,640
Speaker 3: out that you're trying. Of course doesn't she think it's

961
00:45:03,640 --> 00:45:05,759
Speaker 3: going to get out? Of course she knows it's going

962
00:45:05,800 --> 00:45:08,399
Speaker 3: to get out. Someone's going to say something to somebody

963
00:45:08,719 --> 00:45:11,640
Speaker 3: that the fabulous Mortimer was trying on gowns.

964
00:45:11,840 --> 00:45:14,320
Speaker 1: Well take it back one more. I guarantee the producers

965
00:45:14,719 --> 00:45:17,160
Speaker 1: wanted her to. It was I was the one who

966
00:45:17,200 --> 00:45:20,799
Speaker 1: originally cleared Am Saul when I got married, you know,

967
00:45:20,800 --> 00:45:23,200
Speaker 1: when I got married. Yes, So the producers are probably like,

968
00:45:23,200 --> 00:45:24,960
Speaker 1: we've already cleared that place and we know they're free

969
00:45:24,960 --> 00:45:25,279
Speaker 1: to film.

970
00:45:25,320 --> 00:45:26,440
Speaker 2: Let's get Tinsley to go in.

971
00:45:26,600 --> 00:45:28,400
Speaker 3: And I mean, well, that's what I'm saying.

972
00:45:28,480 --> 00:45:29,960
Speaker 2: Yeah, we're saying the same thing.

973
00:45:30,000 --> 00:45:33,160
Speaker 1: But I took the bait, went for the fish and killed,

974
00:45:33,239 --> 00:45:34,240
Speaker 1: you know, cook the fish.

975
00:45:34,280 --> 00:45:34,560
Speaker 2: Okay.

976
00:45:35,800 --> 00:45:38,960
Speaker 1: But yeah, so I'm saying, in the very rare occasion,

977
00:45:39,000 --> 00:45:40,759
Speaker 1: do you want the other table to know something? And

978
00:45:40,800 --> 00:45:42,839
Speaker 1: that would be a co court seventeen years old.

979
00:45:44,120 --> 00:45:48,360
Speaker 3: Ok it's not okay, bad, that's just bad. But you

980
00:45:48,440 --> 00:45:52,640
Speaker 3: know what, like in our lives, we say some bad things,

981
00:45:52,719 --> 00:45:55,759
Speaker 3: you know, we don't expect people to hear. And maybe

982
00:45:56,120 --> 00:45:59,440
Speaker 3: in her defense, Danielle was not up to speed yet,

983
00:46:00,080 --> 00:46:02,160
Speaker 3: or maybe she just wanted everyone to know that she

984
00:46:02,280 --> 00:46:02,680
Speaker 3: was just so.

985
00:46:03,120 --> 00:46:04,439
Speaker 2: You said it an hour ago.

986
00:46:04,760 --> 00:46:07,799
Speaker 1: She she comes in full cock and she's like, yes,

987
00:46:07,960 --> 00:46:08,919
Speaker 1: keep bringing.

988
00:46:08,600 --> 00:46:12,040
Speaker 2: It like she's not. And yeah, she comes into She.

989
00:46:12,040 --> 00:46:14,200
Speaker 3: Is just gonna burn that thing down.

990
00:46:14,640 --> 00:46:16,600
Speaker 2: She's Kalisi at the end of a game of Throne.

991
00:46:16,600 --> 00:46:18,000
Speaker 3: She's gonna burn it exactly.

992
00:46:18,440 --> 00:46:19,839
Speaker 2: A co Quardo seventeen.

993
00:46:19,600 --> 00:46:22,000
Speaker 1: Year old is burning the kingdom down. So now we're

994
00:46:22,040 --> 00:46:24,000
Speaker 1: in the hallway, we're almost done. Now in the hallway,

995
00:46:24,239 --> 00:46:26,479
Speaker 1: Teresa's sitting there, like you said, like a little chesh

996
00:46:26,560 --> 00:46:26,799
Speaker 1: ar cat.

997
00:46:26,880 --> 00:46:29,840
Speaker 2: She's like, you know, the best is you know me,

998
00:46:29,960 --> 00:46:30,640
Speaker 2: I'm sweet?

999
00:46:31,280 --> 00:46:33,560
Speaker 3: Ah. I know. Of course I was like, yeah, she's

1000
00:46:33,600 --> 00:46:35,960
Speaker 3: so sweet, and what a sweet dear.

1001
00:46:37,280 --> 00:46:40,520
Speaker 2: She goes I'm sweet in twenty second.

1002
00:46:40,320 --> 00:46:42,440
Speaker 3: Twenty four minutes, exact twenty for seconds.

1003
00:46:43,640 --> 00:46:46,759
Speaker 2: I mean, she goes right like you like there's no

1004
00:46:46,960 --> 00:46:50,320
Speaker 2: palate cleanser. She's like, you know me, I'm sweet, so sweet.

1005
00:46:51,880 --> 00:46:55,120
Speaker 3: That was really funny because you know me, I didn't

1006
00:46:55,160 --> 00:46:57,520
Speaker 3: have a mean bonum. I'm so sweet. I don't mean anything.

1007
00:46:57,600 --> 00:47:01,440
Speaker 3: I don't mean to make anybody feel really so great

1008
00:47:01,480 --> 00:47:01,840
Speaker 3: say she.

1009
00:47:01,960 --> 00:47:05,400
Speaker 1: Said something like exactly like I'm a nice girl or

1010
00:47:05,480 --> 00:47:07,560
Speaker 1: I'm really sweet or I wrote it down, she wrote

1011
00:47:07,640 --> 00:47:10,960
Speaker 1: she said something. But the juxtaposition from her saying that

1012
00:47:11,160 --> 00:47:15,200
Speaker 1: exact thing, and and then and Daniel's like, yiada, I

1013
00:47:15,239 --> 00:47:18,200
Speaker 1: don't see that. And then she goes nuts.

1014
00:47:18,480 --> 00:47:22,560
Speaker 3: She goes nuts and she starts running, physically running. You know,

1015
00:47:23,320 --> 00:47:25,360
Speaker 3: it's really good. The one thing about Theresa that I

1016
00:47:25,520 --> 00:47:29,160
Speaker 3: will say, you know, I don't think that she is

1017
00:47:30,000 --> 00:47:34,399
Speaker 3: kind of like pregurgitating or pre producing shit. I think

1018
00:47:34,800 --> 00:47:37,120
Speaker 3: I just think that she has like a trigger finger,

1019
00:47:37,320 --> 00:47:40,120
Speaker 3: like she's just like she goes from like zero to

1020
00:47:40,280 --> 00:47:42,880
Speaker 3: a thousand, Like you saw that thing in that restaurant,

1021
00:47:42,880 --> 00:47:46,320
Speaker 3: which she was like yeah, but prophet, she was really

1022
00:47:46,440 --> 00:47:50,279
Speaker 3: going through something like that was a physical thing, right,

1023
00:47:50,600 --> 00:47:54,279
Speaker 3: it's physically like you know, crazy, she's physically she will

1024
00:47:54,360 --> 00:47:55,600
Speaker 3: go to a thousand, you know.

1025
00:47:55,680 --> 00:47:59,800
Speaker 1: Okay, Well, Kendall has given me some insight. So Danielle

1026
00:48:00,200 --> 00:48:03,759
Speaker 1: actually a cocre whilst walking down the runway. I feel

1027
00:48:03,760 --> 00:48:04,839
Speaker 1: like that doubles it down.

1028
00:48:05,360 --> 00:48:08,320
Speaker 3: That makes it even worse. No, no, no, no, she

1029
00:48:08,360 --> 00:48:10,759
Speaker 3: didn't say she was. She said she looked like a

1030
00:48:10,880 --> 00:48:14,320
Speaker 3: co Core. She said she was dressed like a co

1031
00:48:14,480 --> 00:48:15,440
Speaker 3: cor or something.

1032
00:48:15,280 --> 00:48:17,400
Speaker 1: Or well that's another by the way, Jersey could be

1033
00:48:17,560 --> 00:48:19,600
Speaker 1: many many lines for you. Co Core could be a

1034
00:48:19,640 --> 00:48:24,479
Speaker 1: different line. Yes, heroin, she could be a different line. So, last,

1035
00:48:24,520 --> 00:48:27,480
Speaker 1: but not least, the trigger was Danielle doesn't like how

1036
00:48:27,600 --> 00:48:32,120
Speaker 1: Teresa calls her honey, which is oh, bless her heart, pass.

1037
00:48:31,880 --> 00:48:36,080
Speaker 3: Out, Oh absolutely absolutely, you know what and like and

1038
00:48:36,200 --> 00:48:40,239
Speaker 3: the thing is right now, it's very very funny what

1039
00:48:40,400 --> 00:48:43,839
Speaker 3: you can and can't say, like the word you sort

1040
00:48:43,880 --> 00:48:46,920
Speaker 3: of probably shouldn't say that word so much should come on.

1041
00:48:47,120 --> 00:48:49,120
Speaker 3: There was that whole thing in Beverly Hills where it

1042
00:48:49,239 --> 00:48:50,759
Speaker 3: was like oh no, no, no, you can never use

1043
00:48:50,760 --> 00:48:52,480
Speaker 3: the C word, blah blah. There are people who just

1044
00:48:52,560 --> 00:48:54,759
Speaker 3: don't like it. But no, but the thing is, it's like,

1045
00:48:55,320 --> 00:48:58,120
Speaker 3: you know, for some reason Potts is not as bad

1046
00:48:59,040 --> 00:49:02,200
Speaker 3: like what's no? But you know what I mean, like,

1047
00:49:02,880 --> 00:49:05,480
Speaker 3: oh my god, the bit you should say that word.

1048
00:49:05,760 --> 00:49:08,480
Speaker 3: You're not allowed to say that word, right? What else?

1049
00:49:08,880 --> 00:49:11,239
Speaker 1: But I think it's very British to say that word.

1050
00:49:11,280 --> 00:49:14,719
Speaker 1: And it's because it's very it's become a little more

1051
00:49:14,760 --> 00:49:17,359
Speaker 1: common in vernacular. I say the sea words not all

1052
00:49:17,440 --> 00:49:19,759
Speaker 1: the time, but but I add a why sometimes and

1053
00:49:19,840 --> 00:49:20,479
Speaker 1: it makes it okay.

1054
00:49:20,520 --> 00:49:22,000
Speaker 2: It's love you, But you.

1055
00:49:22,040 --> 00:49:25,319
Speaker 3: Can't go like bitch if you say, especially if you're

1056
00:49:25,320 --> 00:49:27,800
Speaker 3: a man going to a woman, bitch love like you

1057
00:49:27,840 --> 00:49:29,040
Speaker 3: can say it to another.

1058
00:49:28,800 --> 00:49:30,880
Speaker 2: Gay man, but you can you can't say you're.

1059
00:49:32,239 --> 00:49:35,000
Speaker 3: A bitch, right, But yet bitch is so funny. It's like,

1060
00:49:35,080 --> 00:49:37,719
Speaker 3: you know, if you say bitch and everybody laughs immediately

1061
00:49:37,920 --> 00:49:40,040
Speaker 3: because it's like it's a funny thing.

1062
00:49:40,239 --> 00:49:44,120
Speaker 2: You know what, video saying that bitch has good bush. Yeah,

1063
00:49:44,160 --> 00:49:46,080
Speaker 2: you can't say that if you say.

1064
00:49:46,640 --> 00:49:49,760
Speaker 3: Yeah, exactly, you can't. Yeah you can't. Yeah exactly, you can't.

1065
00:49:49,960 --> 00:49:51,759
Speaker 3: It's just not But it's a funny thing.

1066
00:49:52,400 --> 00:49:54,440
Speaker 1: It's by the way, No, it's back to the thing.

1067
00:49:55,239 --> 00:49:58,239
Speaker 1: It's if it lands, if it be funny.

1068
00:49:58,239 --> 00:50:02,120
Speaker 3: Ben, it's funny if it breaks, it's I love that.

1069
00:50:02,200 --> 00:50:03,640
Speaker 2: You know that crimes and misdemeanors.

1070
00:50:03,680 --> 00:50:05,480
Speaker 1: You've got to be able to land. You got to

1071
00:50:05,520 --> 00:50:09,040
Speaker 1: be able to land it. So's you can't you can't land.

1072
00:50:09,200 --> 00:50:12,560
Speaker 1: See don't play. Thank you so much.

1073
00:50:14,000 --> 00:50:15,719
Speaker 3: Well, listen, I'm not going to ask you to come

1074
00:50:15,800 --> 00:50:17,839
Speaker 3: on my podcast, but just listen to the damn thing

1075
00:50:17,960 --> 00:50:20,600
Speaker 3: because it's great. It's called Hello Eyes, and I'm not kidding.

1076
00:50:20,600 --> 00:50:23,319
Speaker 3: It just started and we're like number six overall. How

1077
00:50:23,320 --> 00:50:26,279
Speaker 3: about that in comedy? I swear to God, I swear

1078
00:50:26,320 --> 00:50:27,240
Speaker 3: to how that happened?

1079
00:50:27,440 --> 00:50:28,480
Speaker 2: Where are you on? iHeart?

1080
00:50:28,960 --> 00:50:32,760
Speaker 3: Yeah, anywhere you find. I love everything. I love everything.

1081
00:50:32,800 --> 00:50:35,680
Speaker 2: I love everything about podcasts, and you love everything about you.

1082
00:50:36,480 --> 00:50:38,960
Speaker 3: Oh my god, I love you. Bye.

1083
00:50:39,640 --> 00:50:43,200
Speaker 1: That was amazing and ridiculous. I knew Isaac would be amazing.

1084
00:50:43,400 --> 00:50:46,400
Speaker 1: Shout out to my producers for knowing to have Isaac

1085
00:50:46,480 --> 00:50:50,600
Speaker 1: Musrahie comment on a Jersey Housewives, country club, posh store,

1086
00:50:51,280 --> 00:50:52,560
Speaker 1: fashion show, genius.

1087
00:50:52,719 --> 00:50:55,440
Speaker 2: I just love it all. It's so incredibly stupid that

1088
00:50:55,520 --> 00:50:56,200
Speaker 2: I live for it.