1 00:00:00,120 --> 00:00:00,440 Speaker 1: Worrying. 2 00:00:00,440 --> 00:00:05,600 Speaker 2: On today's episode, we're talking about spider Man, Your Friendly 3 00:00:05,640 --> 00:00:10,560 Speaker 2: Neighborhood Spider Man, some Captain America news. It's basically a 4 00:00:10,600 --> 00:00:12,720 Speaker 2: news episode, so not a lot of spoilers, but just 5 00:00:12,760 --> 00:00:13,119 Speaker 2: be worn. 6 00:00:29,320 --> 00:00:29,560 Speaker 3: Hello. 7 00:00:30,360 --> 00:00:33,080 Speaker 2: My name is Jason Concepcion and I'm Rosday Night, and 8 00:00:33,120 --> 00:00:35,480 Speaker 2: welcome back to xtra Vision, the podcast where we dive 9 00:00:35,520 --> 00:00:37,920 Speaker 2: deep your favorite shows, movies, comics and pop culture. 10 00:00:37,920 --> 00:00:39,440 Speaker 1: Coming from Ara podcast Where Were You? 11 00:00:39,560 --> 00:00:43,199 Speaker 2: Three episodes a week every Tuesday, Wednesday, and Thursday. 12 00:00:43,280 --> 00:00:45,720 Speaker 3: It's previously on, so we're catching up on the biggest 13 00:00:45,760 --> 00:00:49,280 Speaker 3: geek news of the week, including Anthony Mackie talks is 14 00:00:49,360 --> 00:00:53,480 Speaker 3: controversial but actually not that controversial, and very true facts 15 00:00:54,080 --> 00:00:57,639 Speaker 3: about Captain America and all the things that Netflix has 16 00:00:57,680 --> 00:00:59,000 Speaker 3: planned for twenty twenty five. 17 00:00:59,520 --> 00:01:00,600 Speaker 4: First up news. 18 00:01:02,080 --> 00:01:03,960 Speaker 1: In spider Man News. 19 00:01:05,080 --> 00:01:08,720 Speaker 2: Hudson Thames, voice of Peter Parker, spider Man on Your 20 00:01:08,720 --> 00:01:11,160 Speaker 2: Friendly Neighborhood spider Man's Watch It Now on a Disney 21 00:01:11,200 --> 00:01:11,880 Speaker 2: Plus good show. 22 00:01:12,240 --> 00:01:15,679 Speaker 1: Really was quoted in a Collider? 23 00:01:15,800 --> 00:01:18,039 Speaker 5: Was it a collider? It was a collider in it 24 00:01:18,080 --> 00:01:18,479 Speaker 5: was Clyde. 25 00:01:18,520 --> 00:01:18,800 Speaker 4: Wow. 26 00:01:20,040 --> 00:01:25,559 Speaker 2: That's was quoted in Collider as saying, among other things, 27 00:01:25,640 --> 00:01:29,479 Speaker 2: quote my biggest fear was that it your friendly neighborhood 28 00:01:29,480 --> 00:01:34,000 Speaker 2: spider Man was going to be annoying and woke, and uh, 29 00:01:34,160 --> 00:01:39,720 Speaker 2: you know, this has caused some controversy amongst fans and others. 30 00:01:40,240 --> 00:01:43,959 Speaker 2: But Rosie, I have a theory, yes and our and 31 00:01:44,040 --> 00:01:47,000 Speaker 2: my theory I think will be underlined by our second 32 00:01:47,040 --> 00:01:50,040 Speaker 2: news story about Sam Wilson. But I think that Disney 33 00:01:50,080 --> 00:01:53,560 Speaker 2: secretly likes this for the following reason. 34 00:01:54,520 --> 00:01:57,280 Speaker 1: One, it allows. 35 00:01:57,000 --> 00:02:01,120 Speaker 2: The right to be to get performing of and say like, look, 36 00:02:01,200 --> 00:02:05,640 Speaker 2: we're winning, We're Disney, look at us, we got Disney's realized. 37 00:02:05,840 --> 00:02:08,880 Speaker 2: You go woke, you go broke it, We're fucking we're winning, 38 00:02:09,400 --> 00:02:14,239 Speaker 2: when in reality, Jeff Treummel, Disney and the rest are 39 00:02:14,360 --> 00:02:17,560 Speaker 2: doing nothing different about how they cast, how they staff, 40 00:02:17,600 --> 00:02:22,200 Speaker 2: the show is incredibly the plot lines, the diversity of it. 41 00:02:22,639 --> 00:02:26,160 Speaker 2: So I think that I think Disney secretly likes this 42 00:02:26,280 --> 00:02:29,000 Speaker 2: because it takes some of the heat off of them 43 00:02:29,080 --> 00:02:33,399 Speaker 2: and this show. Let's uh, these kind of like right 44 00:02:33,400 --> 00:02:37,240 Speaker 2: wing cultural excremists feel like, hey, we're winning when in 45 00:02:37,280 --> 00:02:40,720 Speaker 2: reality nothing has changed, I think substantively changes. 46 00:02:41,600 --> 00:02:42,440 Speaker 1: That is my theory. 47 00:02:42,560 --> 00:02:45,800 Speaker 3: I think that that sounds very realistic, honestly, and I 48 00:02:45,960 --> 00:02:49,200 Speaker 3: just it was so wild that this dropped like the 49 00:02:49,360 --> 00:02:50,760 Speaker 3: day before the show. 50 00:02:50,560 --> 00:02:54,080 Speaker 5: Came out and sudden interesting it was. Yeah, I'm surprised. 51 00:02:54,360 --> 00:02:55,399 Speaker 5: I have had. 52 00:02:55,240 --> 00:03:00,000 Speaker 3: Quotes pulled by some big studios before if somebody said 53 00:03:00,160 --> 00:03:04,359 Speaker 3: something controversial, So that aligns with your theory in my opinion, because. 54 00:03:04,080 --> 00:03:06,080 Speaker 5: They probably this quote is out there. 55 00:03:06,600 --> 00:03:10,400 Speaker 3: I will say to Colli and to Collider, Jeff Trumau 56 00:03:10,520 --> 00:03:13,280 Speaker 3: said in a Reddit Q and A, I love Hudson 57 00:03:13,400 --> 00:03:15,360 Speaker 3: and didn't focus too much on what he said. I 58 00:03:15,400 --> 00:03:18,000 Speaker 3: believe he simply misspoke, and I know that's been wighing 59 00:03:18,000 --> 00:03:18,640 Speaker 3: on him now. 60 00:03:18,680 --> 00:03:20,360 Speaker 5: Whether or not you believe that, I do have to 61 00:03:20,400 --> 00:03:22,200 Speaker 5: say he definitely misspoke. 62 00:03:22,320 --> 00:03:25,320 Speaker 3: Because the show is so as they would as people 63 00:03:25,320 --> 00:03:28,040 Speaker 3: would call it woke. You know, the show is actually 64 00:03:28,080 --> 00:03:33,919 Speaker 3: incredibly inclusive and diverse and thoughtful and subversive. 65 00:03:33,240 --> 00:03:35,320 Speaker 5: In a lot of the stories it chooses to tell. 66 00:03:35,680 --> 00:03:38,640 Speaker 3: So yeah, not a great not a great showing for 67 00:03:38,760 --> 00:03:43,040 Speaker 3: Hudson Thames, but the show is brilliant and hopefully people 68 00:03:43,040 --> 00:03:44,160 Speaker 3: are still going to check it out. 69 00:03:44,280 --> 00:03:49,360 Speaker 2: Next up, Anthony Mackie has clarified earlier statements about Captain 70 00:03:49,400 --> 00:03:55,040 Speaker 2: America and how he feels about taking on the role saying, essentially, quote, 71 00:03:55,040 --> 00:03:57,760 Speaker 2: I'm a proud American. There's a clip of Mackie responding 72 00:03:57,800 --> 00:04:01,520 Speaker 2: to a question during a promotional event for Captain America 73 00:04:01,560 --> 00:04:04,320 Speaker 2: Brave New World where in which he says, quote to me, 74 00:04:04,400 --> 00:04:06,320 Speaker 2: Captain America represents a lot of different things that I 75 00:04:06,320 --> 00:04:09,600 Speaker 2: don't think the term America should be one of those representations. 76 00:04:09,680 --> 00:04:11,720 Speaker 2: It's about a man who keeps his word, who has 77 00:04:11,760 --> 00:04:15,480 Speaker 2: honored dignity, integrity, someone who's trustworthy and dependable. And of 78 00:04:15,480 --> 00:04:17,080 Speaker 2: course there's backlash to this, and. 79 00:04:17,200 --> 00:04:20,880 Speaker 3: Which is hilarious because I have to say, Anthony Mackie, 80 00:04:21,240 --> 00:04:24,680 Speaker 3: you are correct. If you've ever read a Captain America comic, 81 00:04:24,839 --> 00:04:26,960 Speaker 3: the whole point of Captain America is he will turn 82 00:04:27,040 --> 00:04:30,839 Speaker 3: his back on America if he thinks America is doing 83 00:04:30,920 --> 00:04:31,680 Speaker 3: something that is. 84 00:04:31,680 --> 00:04:34,800 Speaker 1: No wander around his motorcycle, going. 85 00:04:34,720 --> 00:04:37,080 Speaker 5: To become a nomad. He's going to say, I'll burn 86 00:04:37,200 --> 00:04:39,440 Speaker 5: that flag. He's gonna say, I hate Captain America. I 87 00:04:39,480 --> 00:04:40,160 Speaker 5: hate America. 88 00:04:40,240 --> 00:04:45,840 Speaker 3: You know, there's many, many iterations of that very complicated 89 00:04:46,400 --> 00:04:50,960 Speaker 3: kind of conflict that Steve Rodgers feels against his country 90 00:04:51,240 --> 00:04:54,880 Speaker 3: throughout the comics, and Sam Wilson has had similar kind 91 00:04:54,920 --> 00:04:59,119 Speaker 3: of conflicts as Captain America in the comics. So yeah, 92 00:04:59,120 --> 00:05:02,720 Speaker 3: this is a basically a nonsense backlash, but. 93 00:05:02,760 --> 00:05:05,359 Speaker 5: He did have to apologize for. 94 00:05:05,600 --> 00:05:07,839 Speaker 2: But and again, I think it just shows you the 95 00:05:07,880 --> 00:05:11,760 Speaker 2: amount of heat that is on Disney. They've notably went 96 00:05:11,839 --> 00:05:16,920 Speaker 2: through a raucous kind of like attempted investor takeover over 97 00:05:16,960 --> 00:05:22,719 Speaker 2: the last couple of years by right wing investors who didn't. 98 00:05:22,440 --> 00:05:23,440 Speaker 1: Like the direction. 99 00:05:23,640 --> 00:05:28,160 Speaker 2: And of course there was a quite publicized battle against 100 00:05:28,400 --> 00:05:33,000 Speaker 2: DeSantis with the Disney versus DeSantis in Florida, a lot 101 00:05:33,040 --> 00:05:35,160 Speaker 2: of other things. In the end, of course, you know, 102 00:05:35,240 --> 00:05:37,599 Speaker 2: we could go on and on with the various stories 103 00:05:37,600 --> 00:05:39,839 Speaker 2: about is Disney too woke that have popped up, And 104 00:05:39,920 --> 00:05:43,760 Speaker 2: so I think this shows you that Disney is trying 105 00:05:43,800 --> 00:05:48,919 Speaker 2: to manage these conversations, and I agree with you, this 106 00:05:49,040 --> 00:05:53,719 Speaker 2: is like not a big deal. Up next, Netflix reveals 107 00:05:53,720 --> 00:05:57,719 Speaker 2: some upcoming series and films and games for twenty twenty five. Netflix, 108 00:05:57,760 --> 00:06:02,560 Speaker 2: You're all conquering platform. They have won the streaming wars. 109 00:06:02,760 --> 00:06:06,799 Speaker 2: The streaming wars are over, and Netflix stands triumphant above all, 110 00:06:07,120 --> 00:06:11,599 Speaker 2: and part of their twenty twenty five offerings include Guilmo 111 00:06:11,720 --> 00:06:16,719 Speaker 2: del Toro and Oscar Isaac's in Frankenstein. Wow, Hello, I 112 00:06:16,839 --> 00:06:20,200 Speaker 2: know way Oscar Isaac. 113 00:06:20,000 --> 00:06:26,680 Speaker 3: Giamo del Toro directing Frankenstein sounds ideal. Oscar Isaac as Frankenstein, 114 00:06:26,960 --> 00:06:29,560 Speaker 3: not the monster who will be played by Jacob and Laudie. 115 00:06:29,640 --> 00:06:33,760 Speaker 3: I believe big old Jacom. I want to say he's 116 00:06:33,880 --> 00:06:36,800 Speaker 3: very big, very huge gym. That's why people cast him. 117 00:06:37,360 --> 00:06:40,280 Speaker 3: I gotta say, I'm conceptually I'm very excited for this, 118 00:06:40,600 --> 00:06:44,320 Speaker 3: but as an Oscar Isaac lover, I will say his 119 00:06:44,480 --> 00:06:47,160 Speaker 3: agents do not give him the best scripts, so I'm 120 00:06:47,200 --> 00:06:51,280 Speaker 3: slightly nervous, but I'm excited because it looks cool, hilariously 121 00:06:51,320 --> 00:06:53,320 Speaker 3: looks like they shot it on the same set as Wicked, 122 00:06:53,360 --> 00:06:54,200 Speaker 3: which I think is. 123 00:06:54,120 --> 00:06:57,000 Speaker 5: Really really funny. But yeah, it looks good. 124 00:06:57,680 --> 00:07:00,719 Speaker 2: That is very exciting. The third and five season of 125 00:07:00,800 --> 00:07:04,440 Speaker 2: Squid Game will come out June twenty seventh, twenty twenty five, 126 00:07:04,480 --> 00:07:06,440 Speaker 2: which is a fast turned round. 127 00:07:06,520 --> 00:07:09,440 Speaker 3: That's much much quicker, but makes sense because Quig Game 128 00:07:09,520 --> 00:07:12,960 Speaker 3: season two was very fun, new characters, but was essentially 129 00:07:13,000 --> 00:07:13,720 Speaker 3: half a season. 130 00:07:13,920 --> 00:07:15,720 Speaker 5: Yes, it's so this makes sense. 131 00:07:16,360 --> 00:07:20,320 Speaker 2: The final battle, I guess against the billionaires who run 132 00:07:20,400 --> 00:07:24,760 Speaker 2: the reviled squid Game. The fifth and final season of 133 00:07:24,840 --> 00:07:27,080 Speaker 2: Stranger Things will come later this year. 134 00:07:27,680 --> 00:07:29,680 Speaker 5: The brothers children, Jason. 135 00:07:29,480 --> 00:07:33,840 Speaker 2: They're in legitimately in their mid to late twenties. 136 00:07:33,920 --> 00:07:34,160 Speaker 1: Now. 137 00:07:34,440 --> 00:07:40,480 Speaker 2: The Duffer brothers have been talking potential spinoffs, but nothing concrete. 138 00:07:40,600 --> 00:07:43,560 Speaker 6: Finish the show first, Okay, these children are all taller 139 00:07:43,600 --> 00:07:45,920 Speaker 6: than Winona Ryder, like, just finish the show and then 140 00:07:45,960 --> 00:07:48,880 Speaker 6: you could talk about spinoffs. Your momentum is not their, sir, 141 00:07:49,240 --> 00:07:50,640 Speaker 6: you could talk about spinoffs later. 142 00:07:51,200 --> 00:07:55,240 Speaker 2: Five years after the release of the original movie, in 143 00:07:55,320 --> 00:08:00,440 Speaker 2: twenty twenty, The Old Guard is getting a sequel starring 144 00:08:00,600 --> 00:08:04,840 Speaker 2: Charlie's the On She's back. We love, We love when 145 00:08:05,400 --> 00:08:10,240 Speaker 2: Charlie's does action. She's a wonderful action hero. The third 146 00:08:10,400 --> 00:08:15,040 Speaker 2: installment of Knives Out, Wake Up, Knives Out, Mystery. 147 00:08:15,240 --> 00:08:18,080 Speaker 1: We'll release twenty five out. Details. 148 00:08:18,160 --> 00:08:20,040 Speaker 2: We don't know a lot about details, But what do 149 00:08:20,040 --> 00:08:20,560 Speaker 2: you need to know? 150 00:08:20,640 --> 00:08:21,320 Speaker 1: You know what it is. 151 00:08:21,360 --> 00:08:24,040 Speaker 5: It's Fun's gonna get mess we get murdered. 152 00:08:24,080 --> 00:08:24,880 Speaker 1: It's a fun murder. 153 00:08:26,000 --> 00:08:29,680 Speaker 2: We'll figure it out, Ran Johnson. Yes, and then season 154 00:08:29,920 --> 00:08:36,800 Speaker 2: five can you believe it? Should not believe it on 155 00:08:37,040 --> 00:08:38,560 Speaker 2: you You'll. 156 00:08:38,360 --> 00:08:43,440 Speaker 3: Get that show is very, very very addicting and hilarious 157 00:08:43,520 --> 00:08:48,040 Speaker 3: and Penn Bagley has been holding his shoulders since they 158 00:08:48,080 --> 00:08:50,920 Speaker 3: got rid of Victoria Padretti, who is the best character 159 00:08:50,920 --> 00:08:51,160 Speaker 3: in You. 160 00:08:51,480 --> 00:08:54,559 Speaker 5: But yeah, I Love You began as a lifetime. 161 00:08:54,160 --> 00:08:57,800 Speaker 3: TV series and uh yeah, and and now we're going 162 00:08:57,880 --> 00:09:01,360 Speaker 3: to get the final season where spoiler alert for the 163 00:09:01,400 --> 00:09:04,360 Speaker 3: last four seasons, Joe is now back in New York 164 00:09:04,800 --> 00:09:07,200 Speaker 3: and he has a billionaire backing him in his weird 165 00:09:07,280 --> 00:09:08,000 Speaker 3: murders breeze. 166 00:09:08,000 --> 00:09:10,520 Speaker 5: So I'm interested to see what happens next. 167 00:09:10,880 --> 00:09:14,040 Speaker 2: Up next week on Extra Vision, we're diving into stuff. 168 00:09:14,120 --> 00:09:15,840 Speaker 1: That's it for news. Thanks for listening. 169 00:09:16,240 --> 00:09:19,200 Speaker 3: Coming up, commen, and I give you a brief spoiler 170 00:09:19,200 --> 00:09:21,640 Speaker 3: free review of Companion. You want to go in knowing 171 00:09:21,679 --> 00:09:25,000 Speaker 3: as little as possible, and then my interview with director 172 00:09:25,120 --> 00:09:40,960 Speaker 3: Drew Hancock. Common Thank you for joining me to talk 173 00:09:41,000 --> 00:09:44,400 Speaker 3: about Companion. We are going to have a spoiler free 174 00:09:44,440 --> 00:09:47,360 Speaker 3: conversation about this because the movie is so good if 175 00:09:47,400 --> 00:09:48,319 Speaker 3: you go in behind. 176 00:09:48,480 --> 00:09:50,360 Speaker 5: So what did you think about the movie? How did 177 00:09:50,400 --> 00:09:52,600 Speaker 5: you enjoy it? What did you know about it going in? 178 00:09:53,280 --> 00:09:55,480 Speaker 5: I knew very little bit about it. Going in. 179 00:09:55,840 --> 00:09:59,520 Speaker 7: I knew that Sophie Thatcher and Harvey Gian we're on 180 00:09:59,559 --> 00:10:01,840 Speaker 7: the cow and I was like, oh, I love those two. 181 00:10:02,000 --> 00:10:05,640 Speaker 7: I want to see this movie. I highly recommend going 182 00:10:05,679 --> 00:10:08,280 Speaker 7: in as blind as you possibly can. I saw it 183 00:10:08,520 --> 00:10:13,200 Speaker 7: last Friday thanks to a screener that you got for us, Rosie. 184 00:10:13,280 --> 00:10:15,840 Speaker 5: Thank you and you're welcome. 185 00:10:16,360 --> 00:10:19,640 Speaker 7: I loved it so much that I am going to 186 00:10:19,679 --> 00:10:21,800 Speaker 7: go see it in the theater this weekend. 187 00:10:22,080 --> 00:10:27,560 Speaker 5: Because, yeah, it's a Companion. Yeah it's really, really, really 188 00:10:27,600 --> 00:10:28,199 Speaker 5: really good. 189 00:10:28,559 --> 00:10:31,320 Speaker 3: It's produced by the guys who made barber Area, Yes, 190 00:10:31,400 --> 00:10:33,600 Speaker 3: so that gives you kind of a vibe on what 191 00:10:33,679 --> 00:10:36,920 Speaker 3: it's on. I went to see it at Warner Brothers 192 00:10:37,360 --> 00:10:41,320 Speaker 3: a couple of months ago, and I didn't know anything about. 193 00:10:41,000 --> 00:10:44,439 Speaker 5: It, and I am a twist guesser. 194 00:10:44,520 --> 00:10:46,800 Speaker 3: I can't help it. It's always the way my brains work. 195 00:10:47,080 --> 00:10:49,040 Speaker 3: So I was definitely like trying to work out what 196 00:10:49,080 --> 00:10:51,440 Speaker 3: it was. But the movie was so much fun on 197 00:10:51,600 --> 00:10:54,400 Speaker 3: the way to the big reveals. Yes, I just thought 198 00:10:54,440 --> 00:10:56,680 Speaker 3: it was great. I will say, if you want to 199 00:10:56,720 --> 00:10:59,200 Speaker 3: go in blind, if you have not seen anything about 200 00:10:59,240 --> 00:11:00,880 Speaker 3: Companion yet and you're listening to this. 201 00:11:01,320 --> 00:11:02,520 Speaker 5: Don't watch any trailers. 202 00:11:02,760 --> 00:11:05,360 Speaker 3: I begged them not to add spoilers in the trailers, 203 00:11:05,400 --> 00:11:06,920 Speaker 3: and they went that way for a little bit, and 204 00:11:07,000 --> 00:11:09,240 Speaker 3: in the end, they kind of had to, I think, 205 00:11:09,320 --> 00:11:11,760 Speaker 3: lean into a little bit more of what was going 206 00:11:11,800 --> 00:11:13,120 Speaker 3: on because they wanted people to. 207 00:11:13,559 --> 00:11:14,800 Speaker 5: Have a concept of the movie. 208 00:11:14,880 --> 00:11:18,680 Speaker 3: But as Kamen has said, it's super fun. When I 209 00:11:18,720 --> 00:11:21,360 Speaker 3: spoke to Drew, we're going to hear the interview soon. 210 00:11:22,160 --> 00:11:25,360 Speaker 3: He also recommended other movies to watch if you enjoy 211 00:11:25,400 --> 00:11:28,520 Speaker 3: the film, and yeah, it was. I think this is 212 00:11:28,520 --> 00:11:31,360 Speaker 3: a really fun movie. It could be our first kind 213 00:11:31,400 --> 00:11:33,520 Speaker 3: of big hit of the year. 214 00:11:33,559 --> 00:11:34,920 Speaker 5: A great reviews were good. 215 00:11:35,480 --> 00:11:38,480 Speaker 3: Okay, so, and if you want a one sentence pitch 216 00:11:38,559 --> 00:11:42,960 Speaker 3: for the movie, spoiler free. A group of young hot 217 00:11:43,520 --> 00:11:47,880 Speaker 3: friends go to a cabin in the woods, but one 218 00:11:47,960 --> 00:11:51,000 Speaker 3: of them ends up in a violent situation and they 219 00:11:51,040 --> 00:11:53,319 Speaker 3: have to kind of live. 220 00:11:53,280 --> 00:11:55,920 Speaker 7: And it's a downhill spiral from there. Basically, it's a 221 00:11:55,960 --> 00:11:57,240 Speaker 7: downhill spiral from there. 222 00:11:57,320 --> 00:12:00,319 Speaker 3: Basically it's and once you once you're twenty minute into 223 00:12:00,400 --> 00:12:03,280 Speaker 3: the movie and you understand the full concept, you'll be 224 00:12:03,360 --> 00:12:08,559 Speaker 3: able to get the even more obvious one sentence pitch 225 00:12:08,600 --> 00:12:10,600 Speaker 3: that you can tell to your friends if they prefer 226 00:12:10,640 --> 00:12:14,160 Speaker 3: a spoiler. But yeah, it's super fun, super stylishly shot. 227 00:12:14,320 --> 00:12:16,920 Speaker 3: I love a lock drum mystery. I love a cabin 228 00:12:16,960 --> 00:12:20,920 Speaker 3: in the Woods type situation. And it is another powerhouse 229 00:12:21,320 --> 00:12:22,520 Speaker 3: performance from Sophie Thatcher. 230 00:12:22,559 --> 00:12:26,720 Speaker 7: Oh, who is just so absolutely incredible acting from Sophie Thatcher. 231 00:12:27,000 --> 00:12:30,840 Speaker 7: And yeah, Harvey Gian's character awesome. It adds that element 232 00:12:30,880 --> 00:12:36,320 Speaker 7: of comedic relief. It's funny. It's not horror in my opinion. 233 00:12:37,320 --> 00:12:41,200 Speaker 5: No, no, no, it's more it's a dark comedy. 234 00:12:41,640 --> 00:12:43,760 Speaker 3: And yeah, and I love Lucas Gage and I think 235 00:12:43,800 --> 00:12:45,800 Speaker 3: he's so good in there, and him and Harvey are 236 00:12:45,880 --> 00:12:46,600 Speaker 3: so good together. 237 00:12:47,080 --> 00:12:48,959 Speaker 5: Also, Jack Quaite's still playing. 238 00:12:48,720 --> 00:12:52,439 Speaker 3: The most hateable characters from Scream five to this. 239 00:12:52,720 --> 00:12:55,280 Speaker 5: You know, he's he from Huey from the Boys. 240 00:12:55,320 --> 00:12:58,400 Speaker 3: He's playing the nice guy who's not so nice, and 241 00:12:58,440 --> 00:12:59,520 Speaker 3: he does it well. 242 00:12:59,440 --> 00:13:02,280 Speaker 7: Yes, he does it very well. But yeah, I think 243 00:13:02,679 --> 00:13:04,760 Speaker 7: you know, it's a great movie to go see with 244 00:13:04,800 --> 00:13:08,360 Speaker 7: a date, maybe kind of reflect It's a it's a 245 00:13:08,360 --> 00:13:10,760 Speaker 7: good like dating sort of movie because it makes you 246 00:13:10,800 --> 00:13:12,440 Speaker 7: think about relationships. 247 00:13:12,559 --> 00:13:14,600 Speaker 3: Good to see if somebody has read for you, yes, 248 00:13:14,760 --> 00:13:16,800 Speaker 3: exactly by how they. 249 00:13:16,679 --> 00:13:18,040 Speaker 5: Respond to what it's like. 250 00:13:18,360 --> 00:13:21,080 Speaker 3: I'll never forget when Midsummer came out and everyone was like, 251 00:13:21,559 --> 00:13:24,480 Speaker 3: you know, at the end, people were leaving and the 252 00:13:24,520 --> 00:13:26,760 Speaker 3: boys were like, I don't get why you're crying like 253 00:13:26,920 --> 00:13:29,120 Speaker 3: it was he should never have gotten killed. 254 00:13:30,000 --> 00:13:31,200 Speaker 5: You know, this is definitely one of. 255 00:13:31,200 --> 00:13:35,000 Speaker 3: Those movies you could probably find out if your partner's 256 00:13:35,040 --> 00:13:38,920 Speaker 3: got dodgy plans on you, we'd out the bad Boys. 257 00:13:39,280 --> 00:13:41,440 Speaker 5: But yeah, it's very fun movie. 258 00:13:41,720 --> 00:13:43,840 Speaker 3: And as you can tell, we can't tell you anything 259 00:13:43,880 --> 00:13:46,880 Speaker 3: about it without spoiling it, but I hope you guys 260 00:13:46,880 --> 00:13:50,000 Speaker 3: have fun watching it. Up Next, I am going to 261 00:13:50,080 --> 00:13:55,080 Speaker 3: be talking to Companion director Drew Hancock about the wild 262 00:13:55,360 --> 00:14:00,400 Speaker 3: sci fi flick starring Sophie Thatcher, Jack Quade, Half Again, 263 00:14:00,720 --> 00:14:02,160 Speaker 3: Lucas Gage and more. 264 00:14:02,600 --> 00:14:21,760 Speaker 5: After This Break. 265 00:14:17,480 --> 00:14:19,400 Speaker 3: One of my favorite movies. I was so glad when 266 00:14:19,440 --> 00:14:21,280 Speaker 3: I bought this hat. I should have bought more than one. 267 00:14:22,720 --> 00:14:25,120 Speaker 4: In one word, how do you feel about them remaking it? 268 00:14:25,240 --> 00:14:25,600 Speaker 3: Weird? 269 00:14:26,400 --> 00:14:29,320 Speaker 4: Okay, mostly because. 270 00:14:29,040 --> 00:14:31,160 Speaker 3: I actually think this last year has been like an 271 00:14:31,240 --> 00:14:34,600 Speaker 3: unbelievable year of movies that have been influenced by possession, 272 00:14:34,680 --> 00:14:38,680 Speaker 3: whether it's like First Omen or Nosferto or something so 273 00:14:38,680 --> 00:14:41,080 Speaker 3: so I feel like Isabelle, She's already making her mark. 274 00:14:41,280 --> 00:14:44,800 Speaker 3: But yeah, I'm open minded. There's some remakes I love, 275 00:14:46,000 --> 00:14:49,600 Speaker 3: But yeah, I also did love this movie. I was, Yeah, 276 00:14:49,720 --> 00:14:51,520 Speaker 3: I was lucky enough to get to see early and 277 00:14:51,560 --> 00:14:54,360 Speaker 3: I thought it was just really great. The cast is 278 00:14:54,560 --> 00:14:58,800 Speaker 3: thank you Berry Taylor made for me and our podcast crew. 279 00:14:58,880 --> 00:15:01,200 Speaker 3: We love all of these people. So first of all, 280 00:15:01,200 --> 00:15:02,840 Speaker 3: I would just love to know, like what were the 281 00:15:02,880 --> 00:15:06,800 Speaker 3: origins of this screenplay and this story, Like where did 282 00:15:06,800 --> 00:15:08,120 Speaker 3: the idea come from? 283 00:15:08,440 --> 00:15:11,600 Speaker 4: Yeah, before you get into that, how you saw it? 284 00:15:11,680 --> 00:15:12,840 Speaker 4: Like you see link. 285 00:15:14,040 --> 00:15:17,280 Speaker 8: I was lucky I got to see it at in 286 00:15:18,160 --> 00:15:22,920 Speaker 8: Warner Brothers on the lots as to give them feedback, 287 00:15:22,960 --> 00:15:24,520 Speaker 8: so I got to see it in a real cinema, 288 00:15:24,680 --> 00:15:25,840 Speaker 8: there were other people there. 289 00:15:26,200 --> 00:15:26,560 Speaker 3: It was. 290 00:15:30,080 --> 00:15:30,520 Speaker 7: Yeah. 291 00:15:30,640 --> 00:15:33,120 Speaker 3: I think I will say I don't know if this 292 00:15:33,200 --> 00:15:35,720 Speaker 3: will reassure you slightly, but I think having the links 293 00:15:35,760 --> 00:15:38,160 Speaker 3: available is great as like a critic and somebody who 294 00:15:38,200 --> 00:15:40,480 Speaker 3: reviews this stuff more often, and it does spread out 295 00:15:40,480 --> 00:15:42,040 Speaker 3: the amount of people who are able to see it. 296 00:15:42,160 --> 00:15:46,160 Speaker 3: But I'm excited to go see it in a big ball. Yeah. 297 00:15:46,240 --> 00:15:48,920 Speaker 4: Yeah, it's a fun It's a fun one. So sorry. Yeah, 298 00:15:49,000 --> 00:15:53,520 Speaker 4: so the inception of the idea came about really, I mean, 299 00:15:53,560 --> 00:15:55,520 Speaker 4: I wish it was more like a better story than this, 300 00:15:55,640 --> 00:15:57,200 Speaker 4: but it came out. I was at a place in 301 00:15:57,240 --> 00:15:59,600 Speaker 4: my career where I wasn't getting opportunities that I wanted, 302 00:15:59,640 --> 00:16:02,400 Speaker 4: like I I love genre. I love genre like I 303 00:16:02,400 --> 00:16:05,760 Speaker 4: love horror, I love sci fi, I love thrillers. But 304 00:16:05,920 --> 00:16:09,320 Speaker 4: I wasn't working in that space, and I was bouncing 305 00:16:09,360 --> 00:16:12,200 Speaker 4: around different sitcoms and comedy shows, and I was like, 306 00:16:12,200 --> 00:16:14,520 Speaker 4: why isn't anyone hiring me for the things I want? 307 00:16:15,040 --> 00:16:17,840 Speaker 4: And then it took the pandemic for me to realize, you, dope, 308 00:16:18,000 --> 00:16:19,600 Speaker 4: like you are the reason why you don't have a 309 00:16:19,600 --> 00:16:22,680 Speaker 4: writing example that represents, like, you know, the types of 310 00:16:22,720 --> 00:16:26,280 Speaker 4: movies that you like. So the Companion was born out 311 00:16:26,280 --> 00:16:28,920 Speaker 4: of just necessity, me being like, okay, I need something 312 00:16:29,080 --> 00:16:30,840 Speaker 4: to show the world that I can do this. And 313 00:16:30,880 --> 00:16:33,000 Speaker 4: then it's only in hindsight that I look back and 314 00:16:33,040 --> 00:16:36,480 Speaker 4: go like, oh yeah, I wrote the movie thinking that 315 00:16:36,640 --> 00:16:39,560 Speaker 4: maybe this might be the last thing people I sent 316 00:16:39,680 --> 00:16:41,840 Speaker 4: out that people read. So let's put everything in it, 317 00:16:42,120 --> 00:16:43,320 Speaker 4: you know, let's put all these genres. 318 00:16:43,360 --> 00:16:45,600 Speaker 3: All the time, I was gonna say, I way, you 319 00:16:45,600 --> 00:16:47,160 Speaker 3: were like, you were like, I just don't have a 320 00:16:47,200 --> 00:16:48,680 Speaker 3: spec script with enough fimeres. 321 00:16:48,720 --> 00:16:51,640 Speaker 4: So you were like, I'm yeah, let's put all the 322 00:16:51,720 --> 00:16:54,880 Speaker 4: genres in there. See what's see what happens? But yeah, 323 00:16:54,920 --> 00:16:58,440 Speaker 4: so you know, when I the actual idea idea came 324 00:16:58,600 --> 00:17:01,880 Speaker 4: about from that and and I just I made it 325 00:17:01,960 --> 00:17:05,800 Speaker 4: like a little, a little what you call it. It's 326 00:17:05,920 --> 00:17:08,520 Speaker 4: just a game for myself being like, okay, just generate 327 00:17:08,560 --> 00:17:10,960 Speaker 4: as many ideas as you possibly can over like a 328 00:17:11,080 --> 00:17:13,840 Speaker 4: five six month period, and we'll just once that's done, 329 00:17:14,000 --> 00:17:16,040 Speaker 4: you know, buzzer hits and we're going to tick the 330 00:17:16,080 --> 00:17:18,119 Speaker 4: one that we that we like the most. And that 331 00:17:18,200 --> 00:17:21,480 Speaker 4: ended up being a companion and out of all, you know, 332 00:17:21,560 --> 00:17:25,760 Speaker 4: all projects, the the generated like the thing that kind 333 00:17:25,800 --> 00:17:29,280 Speaker 4: of like the germ or whatever. It's always different. It's 334 00:17:29,280 --> 00:17:32,040 Speaker 4: sometimes it's scene, sometimes it's the character. Sometimes it's just 335 00:17:32,080 --> 00:17:34,640 Speaker 4: an image. But this one is one of the few 336 00:17:34,680 --> 00:17:37,000 Speaker 4: times I was sitting down. It just came in fully baked, 337 00:17:37,160 --> 00:17:40,159 Speaker 4: like I was three couples. I don't even know why 338 00:17:40,160 --> 00:17:41,920 Speaker 4: I knew it was gonna be three couples. Three couples 339 00:17:42,200 --> 00:17:43,880 Speaker 4: go to a cabin in the middle of the woods. 340 00:17:44,200 --> 00:17:46,679 Speaker 4: One of them finds out they're a robot, and then 341 00:17:46,520 --> 00:17:48,840 Speaker 4: then shit hits the fan and ever and like people 342 00:17:48,880 --> 00:17:51,040 Speaker 4: get picked off one at a time. But what I 343 00:17:51,080 --> 00:17:53,320 Speaker 4: didn't have in that initial idea was the idea that 344 00:17:53,320 --> 00:17:57,959 Speaker 4: it would be you know Iris's story my you know, 345 00:17:58,080 --> 00:18:01,720 Speaker 4: my writer brain said, oh, she has to antagonist, obviously 346 00:18:01,840 --> 00:18:07,399 Speaker 4: she's a robot, and so beating out the story, I 347 00:18:07,000 --> 00:18:09,920 Speaker 4: was just figuring out E's scene. Okay, they knew I 348 00:18:09,920 --> 00:18:12,320 Speaker 4: had the grocery store scene. That's me cute, it's gonna 349 00:18:12,720 --> 00:18:14,640 Speaker 4: be off. And then you find out why later on 350 00:18:14,680 --> 00:18:17,480 Speaker 4: and why that was the case, and then the drive 351 00:18:17,600 --> 00:18:19,520 Speaker 4: up and then they get to the house and she's 352 00:18:19,520 --> 00:18:22,359 Speaker 4: standing outside the house and she's thinking about meeting his 353 00:18:22,440 --> 00:18:24,520 Speaker 4: friends and his family, and that tapped into this thing 354 00:18:24,560 --> 00:18:27,159 Speaker 4: inside me where I started to remember all of my 355 00:18:27,280 --> 00:18:31,200 Speaker 4: partners like friends and family meeting them for the first time, 356 00:18:31,240 --> 00:18:33,399 Speaker 4: and the alienation I felt, and like just like the 357 00:18:33,840 --> 00:18:36,400 Speaker 4: worry that I was going to like screw something up. 358 00:18:36,440 --> 00:18:39,439 Speaker 4: And I was immediately in that moment like like just 359 00:18:39,520 --> 00:18:42,880 Speaker 4: identifying with her. And that's when I went, oh, wait 360 00:18:42,920 --> 00:18:45,560 Speaker 4: a minute, let's stop for a second. Let's think about this. 361 00:18:45,840 --> 00:18:48,400 Speaker 4: Could I make a movie where the robot is the 362 00:18:48,400 --> 00:18:52,000 Speaker 4: most human character in the movie, the one that you 363 00:18:52,200 --> 00:18:55,080 Speaker 4: empathize with the most. And that as soon as I 364 00:18:55,119 --> 00:18:58,280 Speaker 4: had that, that that's when Companion really like took off 365 00:18:58,400 --> 00:19:00,359 Speaker 4: my brain and I was like, oh no, this is 366 00:19:00,600 --> 00:19:03,359 Speaker 4: this is something interesting and let's explore this, and and 367 00:19:03,440 --> 00:19:05,240 Speaker 4: you know, and then and then as you're you know, 368 00:19:05,359 --> 00:19:07,399 Speaker 4: you're you're digging and you're digging and you're digging and 369 00:19:07,400 --> 00:19:10,440 Speaker 4: you're fighting things to to use, and it just became 370 00:19:10,480 --> 00:19:12,520 Speaker 4: obvious right away. Oh wait a minute, like this is 371 00:19:12,560 --> 00:19:14,800 Speaker 4: a this is a perfect metaphor for being in a 372 00:19:14,840 --> 00:19:18,240 Speaker 4: toxic relationship, you know, like you know, the literal sense 373 00:19:18,280 --> 00:19:21,680 Speaker 4: of being programmed versus like the metaphorical sense of being programmed. 374 00:19:21,680 --> 00:19:25,000 Speaker 4: This is perfect for anyone. And I think that's it's 375 00:19:25,119 --> 00:19:27,560 Speaker 4: very identifiable for men and women who've been in bad 376 00:19:27,600 --> 00:19:30,440 Speaker 4: relationships of how you come out the other end going 377 00:19:30,520 --> 00:19:32,320 Speaker 4: oh I was brainwashed. Oh I don't know what I 378 00:19:32,359 --> 00:19:34,840 Speaker 4: was thinking. And that's it's you know, you know, in 379 00:19:34,880 --> 00:19:37,960 Speaker 4: this case, she literally gets brainwashed. Yeah. 380 00:19:38,119 --> 00:19:41,320 Speaker 3: I did love the the ways that you kind of 381 00:19:41,320 --> 00:19:43,280 Speaker 3: got to subvert that and she kind of gets to 382 00:19:43,320 --> 00:19:46,639 Speaker 3: take more control of herself throughout throughout the movie. So 383 00:19:46,760 --> 00:19:49,360 Speaker 3: kind of speaking to the multiple dramas, something I did 384 00:19:49,359 --> 00:19:51,480 Speaker 3: really love about this film. I love a genre bender. 385 00:19:51,800 --> 00:19:56,280 Speaker 3: Could you talk about balancing the kind of romantic comedy 386 00:19:57,560 --> 00:20:01,800 Speaker 3: opening or the romantic drama opening while knowing exactly why 387 00:20:01,800 --> 00:20:02,840 Speaker 3: the movie was gonna go. 388 00:20:04,040 --> 00:20:07,560 Speaker 4: Yeah, I mean that the just full disclosure, The first 389 00:20:07,640 --> 00:20:09,600 Speaker 4: draft of the script had no comedy in it. It 390 00:20:09,720 --> 00:20:12,280 Speaker 4: was like a black black mirror episode, and I just 391 00:20:12,480 --> 00:20:16,000 Speaker 4: wasn't clicking. I'm like why, Like, like I think I 392 00:20:16,600 --> 00:20:18,400 Speaker 4: was because I wanted to do genre. I was like, well, 393 00:20:18,400 --> 00:20:20,720 Speaker 4: it can't have comedy, and I come from the comedy world, 394 00:20:21,000 --> 00:20:23,320 Speaker 4: and so I was just concentrating on making it just 395 00:20:23,359 --> 00:20:26,280 Speaker 4: as dramatic as possible, and it just had no it 396 00:20:26,400 --> 00:20:29,879 Speaker 4: just it just was flat. And then I that's you know, 397 00:20:29,920 --> 00:20:32,359 Speaker 4: after two or three drafts, I'm like, what am I doing? 398 00:20:32,400 --> 00:20:36,040 Speaker 4: Like my natural inclination is to make things funny, Like 399 00:20:36,080 --> 00:20:39,320 Speaker 4: I like to find the absurdity in moments, and and 400 00:20:39,720 --> 00:20:41,840 Speaker 4: as soon as I started fleshing that out and adding 401 00:20:41,840 --> 00:20:43,679 Speaker 4: a little bit of levity to it, a little bit 402 00:20:43,720 --> 00:20:47,520 Speaker 4: of comedy, the humor, that's what I that's when it 403 00:20:47,640 --> 00:20:52,800 Speaker 4: started to really sing. And Yeah, so as far as 404 00:20:52,920 --> 00:20:56,840 Speaker 4: like balancing the tones, that was I was very easy 405 00:20:56,960 --> 00:20:58,760 Speaker 4: in the shooting because you're not really thinking about it. 406 00:20:58,800 --> 00:21:01,560 Speaker 4: You're just because the directive you're giving all the department 407 00:21:01,600 --> 00:21:03,119 Speaker 4: heads and all the actors just let's just keep this 408 00:21:03,119 --> 00:21:05,240 Speaker 4: as grounded as possible. Don't think about what tone we're 409 00:21:05,280 --> 00:21:08,320 Speaker 4: in right now. Just play it real, don't reach for jokes, 410 00:21:08,600 --> 00:21:11,080 Speaker 4: don't don't don't you know, this isn't a comedy. This 411 00:21:11,119 --> 00:21:13,399 Speaker 4: is a relationship drama. And you have that as a 412 00:21:13,480 --> 00:21:15,960 Speaker 4: through line. Everyone has like like kind of a hook 413 00:21:16,000 --> 00:21:19,240 Speaker 4: to hang their coat on, and it's it's it's an easy, 414 00:21:19,600 --> 00:21:23,440 Speaker 4: it's an easy kind of uh directive to have and interpret. 415 00:21:23,560 --> 00:21:26,280 Speaker 4: And it was only until we got into posts that 416 00:21:26,280 --> 00:21:28,600 Speaker 4: we're like, oh, yeah, this is going to be tough 417 00:21:28,640 --> 00:21:33,280 Speaker 4: because you start learning, oh, you can tease a you 418 00:21:33,320 --> 00:21:37,879 Speaker 4: can tease a genre too early, and the audience starts 419 00:21:37,920 --> 00:21:39,280 Speaker 4: to think, oh, this is when it turns into an 420 00:21:39,280 --> 00:21:42,040 Speaker 4: action movie, and then it doesn't, and then they're like 421 00:21:42,240 --> 00:21:44,680 Speaker 4: suddenly they're checking their watches. And so it became an 422 00:21:44,680 --> 00:21:47,800 Speaker 4: interesting experiment of the editing process and showing it to 423 00:21:47,840 --> 00:21:51,880 Speaker 4: different friends and families, showing it to you know, test audience, 424 00:21:51,960 --> 00:21:55,920 Speaker 4: and then just fine tuning it and learning like where 425 00:21:55,920 --> 00:21:58,320 Speaker 4: we've made that it's so easy to read an audience 426 00:21:58,359 --> 00:22:00,800 Speaker 4: and when they were starting to check out and feeling 427 00:22:01,840 --> 00:22:04,639 Speaker 4: like that tonal whiplash, which is it means it's not 428 00:22:04,720 --> 00:22:07,320 Speaker 4: working and then just fine tuning and fine tuning and 429 00:22:07,359 --> 00:22:10,800 Speaker 4: focusing and refining and then getting into a place really like, Okay, 430 00:22:11,040 --> 00:22:14,280 Speaker 4: the audience doesn't think it's you know, it doesn't feel 431 00:22:14,280 --> 00:22:16,240 Speaker 4: like a two hour, two and a half hour movie anymore. 432 00:22:16,280 --> 00:22:18,240 Speaker 4: It feels like a tight hour and a half and 433 00:22:18,880 --> 00:22:22,720 Speaker 4: people feel like they're getting being satiated just the right way. 434 00:22:22,720 --> 00:22:25,960 Speaker 4: But yeah, the tone stuff didn't become a pain in 435 00:22:26,000 --> 00:22:29,000 Speaker 4: the ass until editing, So. 436 00:22:29,040 --> 00:22:31,400 Speaker 3: The script was all like, once it was out there, 437 00:22:31,400 --> 00:22:33,520 Speaker 3: it was pretty well received. There was people were really 438 00:22:33,560 --> 00:22:36,280 Speaker 3: excited for it. Then what was it like to start 439 00:22:36,320 --> 00:22:39,760 Speaker 3: attaching the cost who is just like obviously Sophie Thatcher 440 00:22:39,840 --> 00:22:43,360 Speaker 3: coming off of like Yellow Jackets, She's so incredible now 441 00:22:43,440 --> 00:22:47,840 Speaker 3: heretic to Jack Quade Screen five very much in the 442 00:22:47,880 --> 00:22:50,359 Speaker 3: same space. Lucas Gage, who I just love and everything. 443 00:22:50,440 --> 00:22:53,560 Speaker 3: He's so fantastic. Covey Dan, I love and everything. Megan 444 00:22:53,640 --> 00:22:55,680 Speaker 3: Suri another person I was super happy to see it 445 00:22:55,960 --> 00:22:58,760 Speaker 3: reput friend. I'm not gonna mention my favorite bit of costing, 446 00:22:58,800 --> 00:23:01,280 Speaker 3: because I do feel like it's a surprised when it appears. 447 00:23:01,359 --> 00:23:05,720 Speaker 3: But what was it like to start putting talent that 448 00:23:05,880 --> 00:23:08,560 Speaker 3: felt equivalent to the project on the project. 449 00:23:09,400 --> 00:23:11,840 Speaker 4: Yeah, I mean that that's like, that's the goal you write. 450 00:23:11,880 --> 00:23:13,359 Speaker 4: You want to you don't want to go for like 451 00:23:13,440 --> 00:23:15,520 Speaker 4: the hottest name, you want to go for who's right 452 00:23:15,640 --> 00:23:17,840 Speaker 4: for it. And it just so happened to be like, 453 00:23:17,880 --> 00:23:20,520 Speaker 4: oh what like this became just because came a very 454 00:23:20,520 --> 00:23:22,960 Speaker 4: like hot test, you know, not because we were like 455 00:23:23,040 --> 00:23:25,679 Speaker 4: let's make something hip and cool. It was just the 456 00:23:26,200 --> 00:23:29,040 Speaker 4: you know, who is best for each role? You know, 457 00:23:29,200 --> 00:23:33,439 Speaker 4: Jack came by chance, like Jack has the same not 458 00:23:33,480 --> 00:23:35,800 Speaker 4: the same reps, but we're both repped by UTA, and 459 00:23:35,880 --> 00:23:38,560 Speaker 4: his team had slipped him a script before we were 460 00:23:38,560 --> 00:23:41,320 Speaker 4: even in the casting process, and so he read it, 461 00:23:41,480 --> 00:23:43,919 Speaker 4: liked it, and then requested to sit down with me. 462 00:23:44,520 --> 00:23:47,040 Speaker 4: And I sat down with him, and the one the 463 00:23:47,080 --> 00:23:49,600 Speaker 4: only thing I needed from Josh, which is a big ass, 464 00:23:49,800 --> 00:23:53,320 Speaker 4: is you need to find someone who can make unlikeability 465 00:23:53,359 --> 00:23:57,520 Speaker 4: to be unlikability likable like you. He starts out of 466 00:23:57,560 --> 00:24:01,080 Speaker 4: the gate saying horrible ship. Like his first lines is 467 00:24:01,600 --> 00:24:03,760 Speaker 4: like smile and act happy, which is just an awful 468 00:24:03,760 --> 00:24:07,159 Speaker 4: thing to say to anyone, But he says it in 469 00:24:07,200 --> 00:24:10,320 Speaker 4: a way that it's still bad, but you go, oh, 470 00:24:10,400 --> 00:24:12,720 Speaker 4: he just he's not It's not malicious, it's coming from 471 00:24:12,720 --> 00:24:13,440 Speaker 4: a place and he just. 472 00:24:13,400 --> 00:24:16,480 Speaker 3: Doesn't want he wants you don't feel anxious. 473 00:24:17,400 --> 00:24:19,320 Speaker 4: Yeah, and he's a do f It's a little bit 474 00:24:19,320 --> 00:24:20,959 Speaker 4: of a do fiss, which is lovable and you're you're 475 00:24:20,960 --> 00:24:23,359 Speaker 4: you're rooting for that person. So it's it's so fun 476 00:24:23,359 --> 00:24:26,240 Speaker 4: to play with this a version of just how charismatic 477 00:24:26,480 --> 00:24:29,920 Speaker 4: that dude is. And so that was very easy. Sophie 478 00:24:30,320 --> 00:24:33,640 Speaker 4: came much much later because you know that that that's 479 00:24:33,720 --> 00:24:37,360 Speaker 4: just it's a tough role to cast because it's there's 480 00:24:37,680 --> 00:24:40,760 Speaker 4: like like not just within like the movie, but within scenes, 481 00:24:40,840 --> 00:24:43,880 Speaker 4: there's there's emotional shifts happening, Like she goes like when 482 00:24:43,920 --> 00:24:46,040 Speaker 4: she finds out the truth about who she is, like 483 00:24:46,080 --> 00:24:51,840 Speaker 4: she's going from you know, fear to humor to uh 484 00:24:52,200 --> 00:24:56,120 Speaker 4: like begging for her life to like just go back 485 00:24:56,160 --> 00:24:58,520 Speaker 4: to fear. And so that's like I remember talking to 486 00:24:58,520 --> 00:25:02,480 Speaker 4: her and she was really scared about that scene. But yeah, 487 00:25:02,640 --> 00:25:05,800 Speaker 4: like she came late. We've done a lot of casting. 488 00:25:05,880 --> 00:25:08,520 Speaker 4: We we we got like three hundred self tapes from 489 00:25:08,720 --> 00:25:12,280 Speaker 4: very talented actors, and we just couldn't find anyone that 490 00:25:12,400 --> 00:25:14,480 Speaker 4: nailed the first half and the second half because the 491 00:25:14,520 --> 00:25:17,280 Speaker 4: first half, you know, passivity like that. You know, like 492 00:25:17,520 --> 00:25:19,800 Speaker 4: need to buy her as someone that like is being 493 00:25:21,040 --> 00:25:24,960 Speaker 4: kind of uh put in her plate and passive and dotile, 494 00:25:25,640 --> 00:25:26,959 Speaker 4: and then you need to buy her at the end 495 00:25:26,960 --> 00:25:28,879 Speaker 4: as someone who stands up to Josh. She she she 496 00:25:29,160 --> 00:25:31,280 Speaker 4: becomes empowered. Like there's a literal moment in the movie 497 00:25:31,280 --> 00:25:33,199 Speaker 4: where there's like a switch is slipped on and she 498 00:25:33,240 --> 00:25:36,600 Speaker 4: becomes someone else. And it was there were so many actors. 499 00:25:36,640 --> 00:25:37,960 Speaker 4: They could do the first half, but they could do 500 00:25:37,960 --> 00:25:39,560 Speaker 4: the second half. There's a lot of actors that do 501 00:25:39,600 --> 00:25:42,879 Speaker 4: the second half, you know, these bad asss like women 502 00:25:42,920 --> 00:25:45,240 Speaker 4: that you're just oh my god, you're so amazing in 503 00:25:45,280 --> 00:25:48,440 Speaker 4: the speech and I just love this. Yeah, but then 504 00:25:48,440 --> 00:25:49,959 Speaker 4: you do the opening scene of her in the car 505 00:25:50,000 --> 00:25:53,600 Speaker 4: and you're like this feels fake. This, Yeah, you're awesome. 506 00:25:53,720 --> 00:25:57,119 Speaker 4: You're an awesome person. So Sophie, Sophie comes in and 507 00:25:57,160 --> 00:26:00,720 Speaker 4: we do a chemistry read with her and Jack. It's 508 00:26:00,720 --> 00:26:03,320 Speaker 4: over zoom, which is not a situation where you ever 509 00:26:03,440 --> 00:26:05,320 Speaker 4: want to do a chemistry read because how are you 510 00:26:05,359 --> 00:26:07,360 Speaker 4: going to read? You know, like, how how they work 511 00:26:07,400 --> 00:26:09,760 Speaker 4: off each other. They're on the same room, it's on 512 00:26:09,760 --> 00:26:12,040 Speaker 4: a little box on a computer screen, but We had 513 00:26:12,040 --> 00:26:14,840 Speaker 4: to do it because I was in New York, Jack 514 00:26:15,000 --> 00:26:19,640 Speaker 4: was in London, and Sophie was in la Even over zoom, 515 00:26:19,680 --> 00:26:21,800 Speaker 4: you could feel it. It was one of those Hollywood 516 00:26:21,800 --> 00:26:24,720 Speaker 4: cliche moments where as soon as she started speaking, oh 517 00:26:24,760 --> 00:26:29,240 Speaker 4: my god, this is Iris. And because I'm so negative, 518 00:26:29,320 --> 00:26:31,280 Speaker 4: because I was such a cynical person, I'm like, well, 519 00:26:31,320 --> 00:26:33,440 Speaker 4: we're going to screw this up. Like this is workout. 520 00:26:33,680 --> 00:26:36,680 Speaker 4: We've found our Iris, and it's not going to work 521 00:26:36,720 --> 00:26:39,800 Speaker 4: out because, like you know, let the universe is outing, 522 00:26:39,880 --> 00:26:43,960 Speaker 4: it wants to destroy me. But it worked out, and 523 00:26:44,080 --> 00:26:47,000 Speaker 4: she she's in it, and I think she's you know, 524 00:26:47,119 --> 00:26:50,720 Speaker 4: I think she's universally if you don't like the movie, 525 00:26:50,840 --> 00:26:53,520 Speaker 4: I think everyone can recognize that she's unbelievable in it. 526 00:26:54,280 --> 00:26:57,159 Speaker 3: Yeah, she's incredible. And before I go, I was just 527 00:26:57,320 --> 00:26:59,600 Speaker 3: all listen to her extra vision. We love to do 528 00:26:59,600 --> 00:27:01,520 Speaker 3: a little bit of homework, a little bit of prep, 529 00:27:01,560 --> 00:27:04,520 Speaker 3: a little bit of post work sometimes, So like, what 530 00:27:04,640 --> 00:27:08,040 Speaker 3: are the five movies that you think shaped companion that 531 00:27:08,119 --> 00:27:10,360 Speaker 3: people can this one's out. 532 00:27:11,280 --> 00:27:16,240 Speaker 4: Yeah, so X Marketa is like an obvious one. Stepford 533 00:27:16,280 --> 00:27:23,400 Speaker 4: Wives is an obvious one. Don't worry, Darling Gosh Lars 534 00:27:23,440 --> 00:27:25,880 Speaker 4: and the Real Girl love that. 535 00:27:25,920 --> 00:27:27,000 Speaker 1: Well, great cup. 536 00:27:28,560 --> 00:27:30,720 Speaker 4: And then I need a Colin Brothers one in there 537 00:27:30,720 --> 00:27:35,120 Speaker 4: because they're so influential to me. So so like Fargo. 538 00:27:35,160 --> 00:27:35,960 Speaker 4: Maybe I was going to. 539 00:27:35,960 --> 00:27:38,919 Speaker 3: Say maybe a Fargo because it's that kind of intimate, 540 00:27:39,400 --> 00:27:42,480 Speaker 3: like Cabin in the Woods esque kind of small mystery 541 00:27:42,520 --> 00:27:45,480 Speaker 3: that has bigger kind of ramifications potentially. 542 00:27:45,680 --> 00:27:49,119 Speaker 4: Yeah. Yeah, it's tough to kind of conquer this movie 543 00:27:49,160 --> 00:27:51,680 Speaker 4: because you know, it's a sci fi movie that we're 544 00:27:51,720 --> 00:27:53,400 Speaker 4: just trying to make it not look like a sci 545 00:27:53,400 --> 00:27:56,160 Speaker 4: fi movie. But yeah, I think those are good. Five. 546 00:27:56,400 --> 00:27:58,199 Speaker 3: Yeah, it was a lot of fun. Thank you so much, 547 00:27:58,800 --> 00:28:01,399 Speaker 3: of course, Thank you. Yeah, I appreciate you joining us 548 00:28:01,400 --> 00:28:01,760 Speaker 3: to hear our. 549 00:28:01,720 --> 00:28:02,280 Speaker 5: Next ray Vision. 550 00:28:02,400 --> 00:28:06,399 Speaker 3: Yes, I'm sorry, short, no worries, A great day you hi. 551 00:28:10,240 --> 00:28:10,320 Speaker 1: X. 552 00:28:10,400 --> 00:28:13,120 Speaker 2: Ray Vision is hosted by Jason Concepcion and Rosie Night 553 00:28:13,200 --> 00:28:15,000 Speaker 2: and is a production of iHeart Podcast. 554 00:28:15,359 --> 00:28:18,920 Speaker 3: Our executive producers are Joel Monique and Aaron Kurtman. 555 00:28:19,160 --> 00:28:21,240 Speaker 1: Our supervising producer is Abusafar. 556 00:28:21,600 --> 00:28:25,560 Speaker 3: Our producers are Common Laurent Dean Jonathan and Fay Wax. 557 00:28:25,680 --> 00:28:28,440 Speaker 2: Our theme song is by Brian Vasquez, with alternate theme 558 00:28:28,520 --> 00:28:29,760 Speaker 2: songs by Aaron Kaufman. 559 00:28:29,960 --> 00:28:33,720 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman, and Heidi, 560 00:28:34,000 --> 00:28:35,200 Speaker 3: our discord moderator,