1 00:00:11,760 --> 00:00:16,840 Speaker 1: And his Drink Chats motherfucking podcast. He's a legendary queen's rapper, 2 00:00:17,120 --> 00:00:20,920 Speaker 1: he's Segre's your boy nor he's a Miami hippop pioneer 3 00:00:21,640 --> 00:00:24,239 Speaker 1: d J e FN. Together they drink it up with 4 00:00:24,280 --> 00:00:28,760 Speaker 1: some of the biggest players in the most professional unprofessional 5 00:00:28,880 --> 00:00:33,720 Speaker 1: podcast and yet number one sorts for drunk drinks motherfuckings. 6 00:00:33,760 --> 00:00:38,240 Speaker 1: New Year's Eve, that his time for drink Champs, trink up, motherfucker? 7 00:00:45,040 --> 00:00:46,760 Speaker 1: Would it good be? Hopefully? Would it still be? This 8 00:00:46,800 --> 00:00:49,040 Speaker 1: is your boy n A O A usually is that 9 00:00:49,120 --> 00:00:51,120 Speaker 1: this time we have my boy e f right now. 10 00:00:51,120 --> 00:00:53,680 Speaker 1: He's I'm you know, getting his life together, you know, 11 00:00:53,720 --> 00:00:56,320 Speaker 1: with his family and as the new borns. So we're 12 00:00:56,360 --> 00:00:59,680 Speaker 1: gonna hold it down. And this is motherfucker drink Chas motherfucker. Y'appya, 13 00:00:59,840 --> 00:01:04,840 Speaker 1: man ain't something a very limited cue, So medi everybody 14 00:01:05,000 --> 00:01:07,080 Speaker 1: here to make noise right now. I got one of 15 00:01:07,120 --> 00:01:09,880 Speaker 1: my what I like to call the leaders of the 16 00:01:09,920 --> 00:01:13,160 Speaker 1: new generation, one of my favorite, one of the lyricals 17 00:01:13,160 --> 00:01:15,479 Speaker 1: of the lyricals. You know what I'm saying, ain't got 18 00:01:15,560 --> 00:01:17,240 Speaker 1: style like you know what I'm saying. He makes two 19 00:01:17,280 --> 00:01:19,720 Speaker 1: burrows together. You know what I'm saying queens and motherfucking 20 00:01:19,760 --> 00:01:22,039 Speaker 1: man hand, I ain't gonna lie. If you put those together, 21 00:01:22,040 --> 00:01:23,960 Speaker 1: you just birth the flies nigger in the world. You 22 00:01:24,000 --> 00:01:26,520 Speaker 1: know what I'm saying. I amoust say so myself. I 23 00:01:26,600 --> 00:01:29,240 Speaker 1: you know, man, man, this guy has an old soul. 24 00:01:29,560 --> 00:01:33,360 Speaker 1: He got joint albums with Oh Geez, he got mixtapes, 25 00:01:33,400 --> 00:01:36,080 Speaker 1: he got old type of things. He's signed to to 26 00:01:36,319 --> 00:01:40,880 Speaker 1: to my Big Homies label. He's a motherfucking a great 27 00:01:40,959 --> 00:01:45,080 Speaker 1: representative of how the music and how you know, keeping 28 00:01:45,080 --> 00:01:49,280 Speaker 1: the city alive it's going. He's a superstar, got fucking movies, 29 00:01:49,320 --> 00:01:52,600 Speaker 1: got fucking all type of crazy ship, his own strand lines. 30 00:01:53,360 --> 00:01:56,320 Speaker 1: I'm a fan of myself personally. If you don't know 31 00:01:56,360 --> 00:02:02,200 Speaker 1: what I'm talking about, motherfucker David. Now, Dave, you know 32 00:02:02,240 --> 00:02:03,480 Speaker 1: I've been trying to get you for a while. Can 33 00:02:03,520 --> 00:02:05,520 Speaker 1: you sleep? What can you pop off? And you have 34 00:02:05,600 --> 00:02:07,640 Speaker 1: your own bottle of champagne? You gotta share here, you 35 00:02:07,680 --> 00:02:12,840 Speaker 1: know I'm saying. So let me, let let's be clear, 36 00:02:12,960 --> 00:02:16,880 Speaker 1: right um, I want to go through the whole thing. 37 00:02:17,000 --> 00:02:18,480 Speaker 1: But this is something that I want to get to 38 00:02:18,560 --> 00:02:21,079 Speaker 1: being that way in Florida right now. This is it's 39 00:02:21,080 --> 00:02:24,480 Speaker 1: a step that you took that I felt was very 40 00:02:24,520 --> 00:02:32,480 Speaker 1: admirable and honorable. Um, you had Kodak Black on your album, 41 00:02:32,600 --> 00:02:37,440 Speaker 1: but there was some discrepancies or some misunderstand Oh, let's 42 00:02:37,440 --> 00:02:42,040 Speaker 1: just say what it was. He said something about Nipsey's wife. 43 00:02:42,240 --> 00:02:46,360 Speaker 1: I don't trust you bro Botse's wife at a time 44 00:02:47,080 --> 00:02:51,840 Speaker 1: where it was just not acceptable. But you, being who 45 00:02:51,880 --> 00:02:55,400 Speaker 1: you are, you could have ignored that and said, you 46 00:02:55,400 --> 00:02:58,359 Speaker 1: know what, let me just keep diverse anyway, because Kodak 47 00:02:58,440 --> 00:03:00,959 Speaker 1: is Kodak. This is this is like the Tupac of 48 00:03:01,040 --> 00:03:04,480 Speaker 1: our generation for lack of a better word. But what 49 00:03:04,639 --> 00:03:07,799 Speaker 1: made you say let me take that stance and stand 50 00:03:07,840 --> 00:03:09,920 Speaker 1: on something? Honestly, I'm a big fan of code that, 51 00:03:10,120 --> 00:03:12,440 Speaker 1: you know what I mean. Like we did the double 52 00:03:12,600 --> 00:03:15,840 Speaker 1: xil first covered the guy and all that, so I've 53 00:03:15,880 --> 00:03:18,960 Speaker 1: been a fan and the record I had him more. 54 00:03:19,280 --> 00:03:21,040 Speaker 1: I got a little baby on it too. So they 55 00:03:21,040 --> 00:03:22,919 Speaker 1: were telling me I was crazy, like you got both 56 00:03:22,919 --> 00:03:25,880 Speaker 1: of them mons right, But me and nip was tight, 57 00:03:26,400 --> 00:03:29,200 Speaker 1: like like tight, you know what I mean. Yeah, I 58 00:03:29,680 --> 00:03:32,760 Speaker 1: just came from over there, but cool with his brother 59 00:03:32,800 --> 00:03:34,920 Speaker 1: all his home. He's like, I got a different relationship 60 00:03:35,000 --> 00:03:37,720 Speaker 1: with nip than I had with Kodak and at that 61 00:03:37,800 --> 00:03:40,600 Speaker 1: time when I saw it, what he was saying or whatever, 62 00:03:40,760 --> 00:03:43,520 Speaker 1: it just rubbed me the wrong win. So just my 63 00:03:44,040 --> 00:03:48,240 Speaker 1: I move off morals. I don't move off billboard, none 64 00:03:48,240 --> 00:03:51,400 Speaker 1: of that. Or who's the biggest I'm saying, Like if 65 00:03:51,400 --> 00:03:53,640 Speaker 1: it don't feel right, or if I feel any amount 66 00:03:53,640 --> 00:03:59,640 Speaker 1: of disrespecting somebody, I got off. If you pop, make sure, 67 00:04:00,400 --> 00:04:02,400 Speaker 1: yeah I get to you. But um, if I feel 68 00:04:02,440 --> 00:04:05,880 Speaker 1: like it's it's any amount of disrespect towards somebody I 69 00:04:05,880 --> 00:04:08,040 Speaker 1: got genuine love for, and I know they got genuine 70 00:04:08,040 --> 00:04:10,320 Speaker 1: love for me. And I mean and they're not even 71 00:04:10,320 --> 00:04:12,640 Speaker 1: around no more to defend themselves to speak on their 72 00:04:12,640 --> 00:04:15,200 Speaker 1: own you know what I mean? Because I can't. I 73 00:04:15,240 --> 00:04:17,599 Speaker 1: can't move forward with it because so then how did 74 00:04:17,640 --> 00:04:20,400 Speaker 1: that was? It was an actual call had to be 75 00:04:20,440 --> 00:04:23,400 Speaker 1: made to Koldak crew or now just when you speak, 76 00:04:23,440 --> 00:04:26,440 Speaker 1: we had the verse um um that that that came 77 00:04:26,440 --> 00:04:30,680 Speaker 1: through um shout was to Stevo. Steve, yeah you know 78 00:04:30,760 --> 00:04:34,880 Speaker 1: Steve um he put that together and uh when it happened, 79 00:04:34,880 --> 00:04:37,360 Speaker 1: I tossed, I don't take boy on like you know 80 00:04:37,400 --> 00:04:38,960 Speaker 1: what I'm saying, Like, once I see it once, say 81 00:04:38,960 --> 00:04:41,120 Speaker 1: you know, once that came out, they went viral what 82 00:04:41,200 --> 00:04:42,880 Speaker 1: he was saying and all that. So I just that 83 00:04:42,960 --> 00:04:44,880 Speaker 1: was just a decision I made. It might have been done, 84 00:04:45,480 --> 00:04:47,560 Speaker 1: but it was just that's how I felt my heart, 85 00:04:47,560 --> 00:04:49,560 Speaker 1: like I can't rock like that. So what what would 86 00:04:49,560 --> 00:04:51,640 Speaker 1: have happened if you didn't do that? How how would you? 87 00:04:51,880 --> 00:04:53,840 Speaker 1: I don't know. Like I said, I just left it. 88 00:04:53,960 --> 00:04:55,800 Speaker 1: I just left the hood, Like you know what I'm saying. 89 00:04:55,800 --> 00:04:58,320 Speaker 1: I still go over there and still chip with his family. 90 00:04:58,360 --> 00:05:00,880 Speaker 1: So I don't know. I just couldn't have it. Wouldn't 91 00:05:00,880 --> 00:05:02,479 Speaker 1: have felt right. You know, I wouldn't want to did 92 00:05:02,520 --> 00:05:04,840 Speaker 1: that video or wouldn't just certain stuff I wouldn't want 93 00:05:04,880 --> 00:05:07,520 Speaker 1: to do. You will get some champaigns, get some shampage 94 00:05:07,560 --> 00:05:10,640 Speaker 1: drink Yeah, yeah, yeah, that's you know what I'm said, 95 00:05:11,279 --> 00:05:18,000 Speaker 1: we haven't. I wanted to tell you. I thought that 96 00:05:18,000 --> 00:05:20,080 Speaker 1: that was amiable because a lot of people would act 97 00:05:20,120 --> 00:05:22,160 Speaker 1: like they didn't understand what was happening, or a lot 98 00:05:22,200 --> 00:05:23,919 Speaker 1: of people for a lot of for for lack of 99 00:05:23,960 --> 00:05:27,240 Speaker 1: a better term, they'll say, minding their business, salute, salute, 100 00:05:27,320 --> 00:05:31,720 Speaker 1: And I thought that wasn't a time you should mind 101 00:05:31,760 --> 00:05:33,480 Speaker 1: your business. I thought that was a great stance. But 102 00:05:33,760 --> 00:05:35,520 Speaker 1: I also have to point out a lot of people 103 00:05:35,560 --> 00:05:37,200 Speaker 1: wouldn't have took that stance. A lot of people would 104 00:05:37,520 --> 00:05:39,240 Speaker 1: That's why, that's why I feel like you have an 105 00:05:39,240 --> 00:05:41,120 Speaker 1: old soul, like you know what I'm saying, Like, I 106 00:05:41,160 --> 00:05:43,760 Speaker 1: know you're young, but so let's take it from the beginning, 107 00:05:44,520 --> 00:05:47,600 Speaker 1: because a lot of people in New York City be like, yo, 108 00:05:48,000 --> 00:05:51,400 Speaker 1: I know something playing ball, like so talking like cam 109 00:05:51,440 --> 00:05:53,880 Speaker 1: come from that, mace, come from that. You know, I 110 00:05:53,920 --> 00:05:56,160 Speaker 1: played at the Gauchos, I played for Ame High. If 111 00:05:56,160 --> 00:05:58,080 Speaker 1: you listen to my joints, I said, I played board 112 00:05:58,080 --> 00:06:00,400 Speaker 1: of events. Y'all handled the pill and no one called on. 113 00:06:00,520 --> 00:06:02,840 Speaker 1: So now Kenny Smith is telling people you normy played 114 00:06:02,839 --> 00:06:06,480 Speaker 1: ball school and everybody's like, played basketball. I'm like, listen 115 00:06:06,560 --> 00:06:09,120 Speaker 1: to my rs. I was just play for events, entered 116 00:06:09,160 --> 00:06:11,560 Speaker 1: the pill ms Kenny Smith brother, But don't want to 117 00:06:11,560 --> 00:06:13,240 Speaker 1: listen to me. They THO I played ball over I 118 00:06:13,320 --> 00:06:18,320 Speaker 1: handled the pill. They're doing selling drops basketball. Yeah, so 119 00:06:18,440 --> 00:06:20,360 Speaker 1: a lot of us come from this background. So take 120 00:06:20,400 --> 00:06:23,160 Speaker 1: it from the episode. With me. It was like Big said, 121 00:06:23,800 --> 00:06:26,360 Speaker 1: what I'm saying, you got like crack Rock got a 122 00:06:26,360 --> 00:06:28,000 Speaker 1: wicked jump shot. You know what I'm saying that was 123 00:06:28,080 --> 00:06:32,919 Speaker 1: the options with me. But that was my my first love, 124 00:06:33,400 --> 00:06:37,120 Speaker 1: like my first Um, I don't even know how they 125 00:06:37,160 --> 00:06:38,600 Speaker 1: explained it, you know what I'm saying, Like I was 126 00:06:38,680 --> 00:06:40,840 Speaker 1: my every day get up in the morning, and know 127 00:06:40,839 --> 00:06:43,160 Speaker 1: what I'm saying. I was on that. I don't wanna do. 128 00:06:43,240 --> 00:06:44,720 Speaker 1: You know what I'm saying, I don't want to. I 129 00:06:44,880 --> 00:06:46,160 Speaker 1: was trying to go to the A with that, you 130 00:06:46,200 --> 00:06:48,000 Speaker 1: know what I mean. And it took me to school. 131 00:06:48,040 --> 00:06:50,520 Speaker 1: I was able to go to college. Um, play with 132 00:06:50,600 --> 00:06:52,720 Speaker 1: a few players. That's the top dudes right now in 133 00:06:52,760 --> 00:06:55,720 Speaker 1: the NBA. They some of my closest friends. Just to 134 00:06:55,800 --> 00:06:58,799 Speaker 1: throw ball. You played with um kave me and Kevin 135 00:06:58,880 --> 00:07:11,360 Speaker 1: was on we go that the rent. I played with 136 00:07:11,400 --> 00:07:15,800 Speaker 1: a few of them, Jeff Green, Um, a few of 137 00:07:15,880 --> 00:07:19,160 Speaker 1: them Harding, Uh, just the A U. C. O. J. 138 00:07:19,320 --> 00:07:22,080 Speaker 1: Mayo because we all like the same class. I graduated 139 00:07:22,120 --> 00:07:26,200 Speaker 1: who six so um we all you know. I came 140 00:07:26,280 --> 00:07:29,840 Speaker 1: up in that crew of ball players and it ain't working. 141 00:07:29,880 --> 00:07:33,480 Speaker 1: I had them now it was. It was it was 142 00:07:34,200 --> 00:07:38,080 Speaker 1: a bad mentality bad he's excoose that didn't make it 143 00:07:38,120 --> 00:07:40,520 Speaker 1: to the lead. I didn't get hurt. I was I 144 00:07:40,920 --> 00:07:43,720 Speaker 1: was in perfect shape. I just had a hot bad 145 00:07:43,920 --> 00:07:45,960 Speaker 1: I just had that, you know, eighteen nineteen. I don't 146 00:07:46,000 --> 00:07:48,920 Speaker 1: want to really hear nothing. I'm I'm some way I'm 147 00:07:48,920 --> 00:07:51,360 Speaker 1: not used to, you know what I mean. So that 148 00:07:51,600 --> 00:07:54,720 Speaker 1: that was my downfall with that. But there wasn't no injury, 149 00:07:54,920 --> 00:07:57,480 Speaker 1: you know what I mean. Everybody get injured or something 150 00:07:57,520 --> 00:08:00,600 Speaker 1: like that, everybody from the hood. But like YO, little 151 00:08:00,640 --> 00:08:03,080 Speaker 1: Pinky Toll, you know what I'm saying, Ship got injured. 152 00:08:03,080 --> 00:08:05,760 Speaker 1: You know, like a nigga nigga, we ain't making But 153 00:08:05,920 --> 00:08:12,280 Speaker 1: I so coming from there, mm hmm. Basketball, Is that 154 00:08:13,120 --> 00:08:15,760 Speaker 1: the hustle is over? Or you were more to math 155 00:08:15,880 --> 00:08:18,040 Speaker 1: say I'm going on going to hip hop? Or it 156 00:08:18,200 --> 00:08:24,520 Speaker 1: was after after that, Um is when the the struggle 157 00:08:24,600 --> 00:08:27,600 Speaker 1: from before the ball worked out came back. You know 158 00:08:27,600 --> 00:08:29,200 Speaker 1: what I'm saying, because now I'm back in the hood. 159 00:08:29,880 --> 00:08:32,120 Speaker 1: As soon as I left UM, I was at Towson 160 00:08:32,200 --> 00:08:34,920 Speaker 1: University in Baltimore. I got put out of there. I 161 00:08:35,040 --> 00:08:36,920 Speaker 1: moved back. I moved to Ravens Wood, you know what 162 00:08:36,960 --> 00:08:40,679 Speaker 1: I'm saying. In Queen's So me and my cousin and 163 00:08:41,760 --> 00:08:44,840 Speaker 1: now I'm everybody asked me, why are you not in school? 164 00:08:44,880 --> 00:08:47,120 Speaker 1: Are you're not playing ball. No, I'm like, I got 165 00:08:47,160 --> 00:08:50,200 Speaker 1: the weed now, like you know what I'm saying, that's over. 166 00:08:51,360 --> 00:08:53,280 Speaker 1: I got the bud so that I went through that 167 00:08:53,920 --> 00:08:56,200 Speaker 1: and always had a love for rat. A little man 168 00:08:56,240 --> 00:08:57,920 Speaker 1: and I lived on the sixth floor. My little man 169 00:08:57,920 --> 00:09:00,480 Speaker 1: lived on the third floor, and he had a his 170 00:09:00,559 --> 00:09:03,120 Speaker 1: own compete at the computer to shut up the mic 171 00:09:03,240 --> 00:09:06,040 Speaker 1: all of that. So I convinced him to bring it upstairs, 172 00:09:06,200 --> 00:09:08,040 Speaker 1: like let me, let me, let me try something on 173 00:09:08,120 --> 00:09:09,600 Speaker 1: that ship, you know what I'm saying, try to wrap 174 00:09:10,480 --> 00:09:15,480 Speaker 1: and from there I locked in, locked up coming from you, 175 00:09:15,760 --> 00:09:18,320 Speaker 1: came from you think that this rap game would ever 176 00:09:18,400 --> 00:09:22,719 Speaker 1: be with it's act right now? Like hell' no, I 177 00:09:22,800 --> 00:09:27,840 Speaker 1: don't know. I always thought um like I like I said, 178 00:09:27,880 --> 00:09:31,240 Speaker 1: all my favorite artists, including yourself, you know what I'm saying. 179 00:09:31,280 --> 00:09:34,000 Speaker 1: The people that inspired me to even do this ship 180 00:09:35,200 --> 00:09:37,920 Speaker 1: y'all was authentic, like you all had some type of 181 00:09:39,679 --> 00:09:42,120 Speaker 1: something you know what I'm saying, where somebody wants substance 182 00:09:42,160 --> 00:09:44,920 Speaker 1: you want to be like y'all know what I'm saying now. 183 00:09:45,000 --> 00:09:46,839 Speaker 1: It was like anybody could just get hot, make a 184 00:09:46,880 --> 00:09:49,440 Speaker 1: hot song, get their money, and you know what I'm saying, 185 00:09:49,520 --> 00:09:51,360 Speaker 1: So I don't I feel like it's it's way more 186 00:09:51,440 --> 00:09:53,679 Speaker 1: watered than because it seems like that's the that's the 187 00:09:53,880 --> 00:09:56,240 Speaker 1: that's the route you're taking. You're not trying to like 188 00:09:56,400 --> 00:09:59,800 Speaker 1: chase uh a hot song or hot trend. You actually 189 00:10:00,160 --> 00:10:02,480 Speaker 1: complete bodies of work when you listen to Carma. Listen 190 00:10:02,520 --> 00:10:04,640 Speaker 1: to Carma to this is complete bodies of work that 191 00:10:04,760 --> 00:10:08,880 Speaker 1: actually goes with the next project. Why and for for 192 00:10:09,520 --> 00:10:11,760 Speaker 1: for Like, that's why I keep saying you have an 193 00:10:11,760 --> 00:10:14,480 Speaker 1: old soul, Like these kids don't care about the album 194 00:10:14,640 --> 00:10:16,400 Speaker 1: at all? Why do you care about the album? Like, 195 00:10:16,440 --> 00:10:18,640 Speaker 1: I'm gonna be honest, Like if I was you, obviously 196 00:10:18,720 --> 00:10:21,320 Speaker 1: you get a lot of girls and girls around around, 197 00:10:21,559 --> 00:10:24,120 Speaker 1: I would just make a record one of them just 198 00:10:24,240 --> 00:10:27,679 Speaker 1: like yeah, just like it. But I got a bunch 199 00:10:27,720 --> 00:10:29,480 Speaker 1: of homies in like, man, just throw one of them 200 00:10:29,559 --> 00:10:35,199 Speaker 1: joys bigger, let's I get around. Yeah, he's gonna get 201 00:10:35,200 --> 00:10:41,319 Speaker 1: around now. Honestly, with that, I feel like, um, that's 202 00:10:41,360 --> 00:10:43,679 Speaker 1: what I still listen to. Like I just pulled up 203 00:10:43,760 --> 00:10:45,719 Speaker 1: Knocking Lefe after like you know what I'm saying, that's 204 00:10:45,760 --> 00:10:49,240 Speaker 1: what I drove over here listening to. So I missed 205 00:10:49,280 --> 00:10:51,679 Speaker 1: that skits you know, like they don't do none of that. No, 206 00:10:51,920 --> 00:10:54,559 Speaker 1: all that's like a lost art Like I like to 207 00:10:54,640 --> 00:10:56,439 Speaker 1: put something more with it. Feel like you're watching the 208 00:10:56,520 --> 00:10:58,839 Speaker 1: movie if you sit back, roll your weed up, or 209 00:10:58,880 --> 00:11:01,240 Speaker 1: you want to get on the road whatever the Chronic album. 210 00:11:01,240 --> 00:11:03,280 Speaker 1: When you did the Chronic you actually I felt like 211 00:11:03,360 --> 00:11:05,320 Speaker 1: I was in California. Yeah, you know what I'm saying. 212 00:11:05,320 --> 00:11:08,240 Speaker 1: It's a few artists that still do that. Wayne last album, 213 00:11:08,280 --> 00:11:11,080 Speaker 1: he just did that. What I'm saying, why do that here? 214 00:11:11,160 --> 00:11:13,080 Speaker 1: Bring it to his world? Kendrick, do that? He bring 215 00:11:13,160 --> 00:11:15,240 Speaker 1: you to his like certain artists bring you to the world. 216 00:11:15,840 --> 00:11:20,920 Speaker 1: But that's like a loss. Now it's all about the same. No, 217 00:11:21,120 --> 00:11:22,679 Speaker 1: just if it's you know, can you dance to it? 218 00:11:22,760 --> 00:11:24,560 Speaker 1: It's just a new trend. Can they do a TikTok 219 00:11:24,640 --> 00:11:27,120 Speaker 1: to it? I don't care about none of that saying 220 00:11:27,720 --> 00:11:29,520 Speaker 1: that ain't with move me, you know what I mean. Sure, 221 00:11:29,920 --> 00:11:31,560 Speaker 1: I want to put I want to push it out. 222 00:11:31,600 --> 00:11:34,240 Speaker 1: That's gonna outlive me. That's my thing, you know what 223 00:11:34,240 --> 00:11:36,240 Speaker 1: I mean. Ten years from now, you're gonna still be like, No, 224 00:11:36,360 --> 00:11:39,520 Speaker 1: that ship was hard, you know what i mean. So, um, 225 00:11:40,000 --> 00:11:44,840 Speaker 1: with that being said, how is it difficult being doing 226 00:11:44,920 --> 00:11:49,839 Speaker 1: business with lives or is it easier because like I 227 00:11:50,080 --> 00:11:52,360 Speaker 1: don't want to say it's gonna say, but um it's 228 00:11:52,440 --> 00:11:54,760 Speaker 1: to me. It's easier if you know, I'm like, you know, 229 00:11:55,160 --> 00:11:59,360 Speaker 1: you know before me this is cool man, and and 230 00:11:59,520 --> 00:12:03,160 Speaker 1: he's something like that. He just you know, he gave 231 00:12:03,200 --> 00:12:04,959 Speaker 1: me the game, Like if I got a question for 232 00:12:05,080 --> 00:12:07,400 Speaker 1: big bro, he I mean he let me know exactly, 233 00:12:07,480 --> 00:12:09,840 Speaker 1: like like do that like that and what I'm saying, 234 00:12:09,880 --> 00:12:11,319 Speaker 1: and then I can just put that to Hive. I 235 00:12:11,559 --> 00:12:15,040 Speaker 1: was gonna move and just take his advice. But it 236 00:12:15,200 --> 00:12:18,439 Speaker 1: definitely helped shout I was doing because the majority of 237 00:12:18,840 --> 00:12:23,200 Speaker 1: people in hip hop culture that was that ain't born 238 00:12:23,280 --> 00:12:25,760 Speaker 1: in two thousand and fifteen. You know what I'm saying, 239 00:12:25,840 --> 00:12:28,880 Speaker 1: Like they fars bro. You know what I'm saying, They 240 00:12:28,920 --> 00:12:31,520 Speaker 1: grew up the bro. So that definitely helped me move 241 00:12:31,520 --> 00:12:33,920 Speaker 1: a lot smoother. I'll tell you what. It's a double 242 00:12:33,960 --> 00:12:38,040 Speaker 1: as sword always for me, right because sometimes if I 243 00:12:38,120 --> 00:12:40,480 Speaker 1: hang out with n chilled or whatever, I won't post 244 00:12:40,520 --> 00:12:44,120 Speaker 1: the picture. Look just and if I if I do 245 00:12:44,320 --> 00:12:47,360 Speaker 1: take a picture, I won't post it for a while 246 00:12:47,720 --> 00:12:52,120 Speaker 1: because like so many people like I've never seen people 247 00:12:52,320 --> 00:12:56,760 Speaker 1: turned groupie for like him and hole like they got 248 00:12:56,920 --> 00:13:04,160 Speaker 1: something like makes everybody a group Michael Jackson, the whole 249 00:13:04,600 --> 00:13:06,920 Speaker 1: everybody post a bitture with this Nias is hitting you 250 00:13:07,000 --> 00:13:08,840 Speaker 1: that never hit you, Like, Yo, what's uping my bro? 251 00:13:09,040 --> 00:13:10,679 Speaker 1: You know what I mean? Just a kid? You help 252 00:13:10,760 --> 00:13:13,720 Speaker 1: me get a verse from now. I's like, no reading, 253 00:13:15,440 --> 00:13:22,240 Speaker 1: I got the police now cold on oh ship? Definitely 254 00:13:22,480 --> 00:13:31,439 Speaker 1: that was definitely cop. It was a cop. Huh yes, 255 00:13:31,720 --> 00:13:37,559 Speaker 1: So as Escort is cool man, he cool. He just 256 00:13:38,120 --> 00:13:39,840 Speaker 1: he wanted to one of the dudes in the game 257 00:13:39,880 --> 00:13:42,280 Speaker 1: that I got a choice, I got a chance to 258 00:13:42,320 --> 00:13:46,120 Speaker 1: get around that really, Uh, help me move like just 259 00:13:46,280 --> 00:13:47,960 Speaker 1: you know, just watching them from a fall and help 260 00:13:48,040 --> 00:13:50,680 Speaker 1: me move like just you know what I'm saying, help 261 00:13:50,720 --> 00:13:53,360 Speaker 1: me move like I just like I get stamn, you 262 00:13:53,360 --> 00:13:54,839 Speaker 1: know what I'm saying on home Like, I just like 263 00:13:54,920 --> 00:13:58,400 Speaker 1: it's you know what I'm saying. I think I think 264 00:13:58,720 --> 00:14:00,800 Speaker 1: like I said, it's it's it's as a as a 265 00:14:00,840 --> 00:14:03,640 Speaker 1: gift and a curse, more of a gift than a curse. Um. 266 00:14:04,240 --> 00:14:06,560 Speaker 1: And it's like, you know, for me, you know, getting 267 00:14:06,600 --> 00:14:08,240 Speaker 1: the really norm throughout the years, like I used to 268 00:14:08,280 --> 00:14:09,800 Speaker 1: roll sons blunts. I don't know how I look at 269 00:14:09,800 --> 00:14:12,480 Speaker 1: my my ships is terrible like I wrote terrible blunts, 270 00:14:12,520 --> 00:14:15,080 Speaker 1: you know what I'm saying, But it was just smokable, 271 00:14:15,120 --> 00:14:16,719 Speaker 1: but for for me and for him, you know what 272 00:14:16,720 --> 00:14:19,200 Speaker 1: I mean. But going through that, one of the most 273 00:14:19,280 --> 00:14:21,760 Speaker 1: genius people I've ever met, a lot of people sleep 274 00:14:21,840 --> 00:14:24,960 Speaker 1: on is a guy named Jungle, And I always want 275 00:14:25,000 --> 00:14:28,760 Speaker 1: to give Jungle his props because I can't even tell 276 00:14:29,280 --> 00:14:33,320 Speaker 1: tell you the initial meeting and what Jungle did for 277 00:14:33,440 --> 00:14:36,080 Speaker 1: me because I gotta save it for the movie slash documentary. 278 00:14:36,160 --> 00:14:38,000 Speaker 1: That's how dope it is. And about saying it right now. 279 00:14:38,560 --> 00:14:42,360 Speaker 1: If I'm saying right now, it's it's still dope, but 280 00:14:42,520 --> 00:14:44,600 Speaker 1: it ain't. It ain't gonna be like when you see 281 00:14:44,640 --> 00:14:50,120 Speaker 1: it acted out. But I've never seen a person like 282 00:14:50,520 --> 00:14:55,280 Speaker 1: be able to handle business and not change his integrity 283 00:14:55,320 --> 00:14:57,720 Speaker 1: of who he is. He's always still a hood nigger, 284 00:14:58,000 --> 00:15:01,840 Speaker 1: He's always still drinking, handy, he's always but he handles 285 00:15:01,960 --> 00:15:04,960 Speaker 1: his business. So a lot of that I took, you 286 00:15:05,000 --> 00:15:06,640 Speaker 1: know what I'm saying. Like we had a short time 287 00:15:07,120 --> 00:15:11,400 Speaker 1: with Jungle was managing me, and then we needed the 288 00:15:11,480 --> 00:15:13,880 Speaker 1: big dogs to come in, so I got Chris Lady 289 00:15:13,920 --> 00:15:16,160 Speaker 1: and the Jungles, just like you know what you need 290 00:15:16,240 --> 00:15:18,360 Speaker 1: it's time for you to move on. It's like it 291 00:15:18,480 --> 00:15:21,040 Speaker 1: was time for you to move on. But I always 292 00:15:21,120 --> 00:15:24,080 Speaker 1: wish I would have told him no and be like, yo, 293 00:15:24,200 --> 00:15:25,920 Speaker 1: just stick around, because he was like, you know what, 294 00:15:26,000 --> 00:15:27,840 Speaker 1: this guy's gonna teach you something I can't teach you. 295 00:15:28,240 --> 00:15:29,640 Speaker 1: You know what I'm saying. So he bowled out. But 296 00:15:29,640 --> 00:15:31,880 Speaker 1: I always wish I would have said, no, I'm thinking 297 00:15:32,160 --> 00:15:34,400 Speaker 1: that let's learn this just together, you know what I'm saying. 298 00:15:34,760 --> 00:15:36,520 Speaker 1: But I knew who his brother was, so I knew 299 00:15:36,520 --> 00:15:40,080 Speaker 1: he didn't really really need it. But a lot of 300 00:15:40,120 --> 00:15:44,200 Speaker 1: people don't know how smart Jungle is. So the word 301 00:15:44,280 --> 00:15:47,960 Speaker 1: the word on the street is junks. So not discovered you, 302 00:15:48,080 --> 00:15:51,360 Speaker 1: but so you wrapping it wasn't like like the illest 303 00:15:51,360 --> 00:15:52,920 Speaker 1: part with that is I used to go to Queen 304 00:15:52,960 --> 00:15:56,440 Speaker 1: you know the wards to the bridges. Yeah, twenty first year, 305 00:15:56,480 --> 00:15:58,480 Speaker 1: that's just walk up the block. So I'd be in 306 00:15:58,520 --> 00:16:01,120 Speaker 1: a bridge every day. League Like you know what I'm saying, 307 00:16:01,120 --> 00:16:02,960 Speaker 1: Like all my wrest in piece, My little bro just 308 00:16:03,160 --> 00:16:06,120 Speaker 1: just passed shooter that's had me over there every day 309 00:16:08,280 --> 00:16:11,560 Speaker 1: just through Uh what was his last Uh he's on 310 00:16:11,920 --> 00:16:16,000 Speaker 1: street that's to twelve seconds. Uh, what's it called silence, 311 00:16:29,680 --> 00:16:33,560 Speaker 1: rest in peace. Can't shoot. I'm saying, you used to 312 00:16:33,560 --> 00:16:34,840 Speaker 1: be and used to be at your nigga. I'll be 313 00:16:34,880 --> 00:16:37,600 Speaker 1: over there every day getting full. We look at whatever 314 00:16:37,760 --> 00:16:41,280 Speaker 1: you get my head cut. Um, I would see Jungle 315 00:16:41,640 --> 00:16:44,040 Speaker 1: like that, Like you was just saying, Junk is that 316 00:16:44,160 --> 00:16:46,520 Speaker 1: type where you be walking through the bridge. He be chilling, 317 00:16:46,600 --> 00:16:50,160 Speaker 1: you know what I'm saying. So um, me and him 318 00:16:50,240 --> 00:16:52,760 Speaker 1: we got cool shouts to snacks, were being snacks crib. 319 00:16:53,040 --> 00:16:54,800 Speaker 1: You know what I'm saying. Look at my ni a bullick. 320 00:16:54,840 --> 00:17:03,600 Speaker 1: We just came in here, Toby know, Hollywood, we're being 321 00:17:03,680 --> 00:17:08,520 Speaker 1: snacks crib jump calling me like like just regular ship, 322 00:17:09,320 --> 00:17:11,920 Speaker 1: but the whole hood talking about me rapping. You know 323 00:17:11,960 --> 00:17:15,280 Speaker 1: what I'm Sayous Like that's you Like yeah, they're like, 324 00:17:15,400 --> 00:17:18,760 Speaker 1: so you're putting on That's how that. That's how that happened. 325 00:17:18,760 --> 00:17:20,359 Speaker 1: Like now I was ain't know about me like Junk 326 00:17:20,440 --> 00:17:22,720 Speaker 1: did that and I'll never forget him in snacks face 327 00:17:22,800 --> 00:17:27,080 Speaker 1: time with me in l A like, um, bro fucking 328 00:17:27,119 --> 00:17:28,600 Speaker 1: with your ship, like you know what I'm saying. We're 329 00:17:28,640 --> 00:17:31,639 Speaker 1: here pulling your videos up on YouTube. I'm like what 330 00:17:32,080 --> 00:17:33,920 Speaker 1: And at this time I got old videos of the 331 00:17:33,960 --> 00:17:38,480 Speaker 1: projects like there's no no, nothing going on. I mean, 332 00:17:38,840 --> 00:17:41,359 Speaker 1: I mean I'm telling over there, okay, you know what 333 00:17:41,400 --> 00:17:43,240 Speaker 1: I'm saying. That's what all my I'm shooting all my 334 00:17:43,320 --> 00:17:46,120 Speaker 1: visuals this so I'm like, damn me tun them down 335 00:17:46,320 --> 00:17:49,000 Speaker 1: all right, just lit okay. So to subscribe to people 336 00:17:49,080 --> 00:17:52,080 Speaker 1: who coming up, people that's in the projects right now, 337 00:17:52,240 --> 00:17:54,320 Speaker 1: that it's a start that's from their projects. Maybe they're 338 00:17:54,320 --> 00:17:57,159 Speaker 1: from Left Fact, maybe they from you know, the can projects, 339 00:17:57,160 --> 00:18:00,760 Speaker 1: maybe from Jim Jones, maybe they from describe that feeling 340 00:18:01,119 --> 00:18:04,200 Speaker 1: of a dude being the man from that hood and 341 00:18:04,520 --> 00:18:08,040 Speaker 1: interested in you. What is that It's like it's over 342 00:18:08,240 --> 00:18:11,600 Speaker 1: it's overwhelming. It's like it's like it's dope and spooky 343 00:18:11,680 --> 00:18:13,879 Speaker 1: at the same time, because I mean yours is a 344 00:18:13,960 --> 00:18:16,359 Speaker 1: little deeper because you got like the best rapper and 345 00:18:18,040 --> 00:18:21,480 Speaker 1: like that. This is like it's like it's like this 346 00:18:21,720 --> 00:18:25,520 Speaker 1: this I felt about it, Like when Nis came out. 347 00:18:26,560 --> 00:18:29,000 Speaker 1: He came out, I believe, But let's let's google that. 348 00:18:29,040 --> 00:18:31,119 Speaker 1: That's let's not sit around here like we're not going 349 00:18:32,880 --> 00:18:39,400 Speaker 1: no no, no, no, between can be triple checked out 350 00:18:39,400 --> 00:18:41,879 Speaker 1: through the world. When where he was like when what 351 00:18:42,040 --> 00:18:44,480 Speaker 1: year was that, I'm gonna break it down how I 352 00:18:44,560 --> 00:18:48,080 Speaker 1: feel about the situation. Yo, listen, I'm gonna tell you. 353 00:18:49,200 --> 00:18:51,879 Speaker 1: I'm gonna tell you before you get this. It was 354 00:18:51,960 --> 00:18:55,200 Speaker 1: a time. I'm from Queen's right. It was a time 355 00:18:55,680 --> 00:18:58,399 Speaker 1: on writ A Island where Queen's niggas really had to 356 00:18:58,480 --> 00:19:01,680 Speaker 1: give it up. Like because there was this guy named 357 00:19:01,720 --> 00:19:04,639 Speaker 1: carrass One that said I didn't hear a peep from 358 00:19:04,680 --> 00:19:07,480 Speaker 1: a place called Queen's and if it was a Queen's nigga, 359 00:19:07,760 --> 00:19:10,639 Speaker 1: you had to be you could be a murderer. Me 360 00:19:10,800 --> 00:19:14,560 Speaker 1: walking through the four building, the sixth building, you're walking 361 00:19:14,600 --> 00:19:18,480 Speaker 1: through the leg. So it wasn't until this album that 362 00:19:18,680 --> 00:19:24,800 Speaker 1: dropped to four the niggas had to realize Queen's Niggas 363 00:19:24,840 --> 00:19:27,960 Speaker 1: is going to the ball and we're gon we're gonna, 364 00:19:28,160 --> 00:19:33,880 Speaker 1: We're gonna take the wall. Thank you now, it's goddamn 365 00:19:33,960 --> 00:19:39,840 Speaker 1: sorry sorry, because listen, bro, I ain't gonna lie. It 366 00:19:39,920 --> 00:19:42,720 Speaker 1: was rough on Queen's niggas any nigger because the thing was, 367 00:19:42,840 --> 00:19:45,400 Speaker 1: we definitely lost that battle. Let's be clear. I'm sorry, 368 00:19:45,440 --> 00:19:47,359 Speaker 1: and she sharing. I love you. I've seen you on 369 00:19:47,560 --> 00:19:49,480 Speaker 1: Live the other day. You deserve I need you on 370 00:19:49,600 --> 00:19:52,119 Speaker 1: drink chance, buddy. Unless I was going to be clear 371 00:19:55,359 --> 00:19:58,480 Speaker 1: when it came to that. So especially Queen's Bridge, you 372 00:19:58,560 --> 00:20:02,760 Speaker 1: don't have Queen's Bridge a rough place. You are looking 373 00:20:02,840 --> 00:20:06,359 Speaker 1: like Queen's where it's like this is a corny you 374 00:20:06,440 --> 00:20:09,560 Speaker 1: know if you if you ain't been there, you remember, 375 00:20:10,640 --> 00:20:12,760 Speaker 1: it's just like you didn't hear peek from a place 376 00:20:12,840 --> 00:20:19,320 Speaker 1: called Quez like Queen's Guard thinking like you're thinking like 377 00:20:19,400 --> 00:20:21,640 Speaker 1: you would go out there and just rob every drug dealer, 378 00:20:21,800 --> 00:20:23,879 Speaker 1: like like let me just come in my hat and 379 00:20:23,960 --> 00:20:26,480 Speaker 1: like so when were coming to my hat and just 380 00:20:26,520 --> 00:20:32,520 Speaker 1: say everybody just sweet sweet and me you know, going 381 00:20:32,600 --> 00:20:35,560 Speaker 1: from forty projacts going and just realizing. But it wasn't 382 00:20:35,600 --> 00:20:38,040 Speaker 1: to that album. So that's why before you started your 383 00:20:38,080 --> 00:20:41,359 Speaker 1: story be next Tony four. That was my proudest moment, 384 00:20:41,440 --> 00:20:43,879 Speaker 1: Like when I know I love the album more than 385 00:20:43,960 --> 00:20:45,840 Speaker 1: I I swear to God. I told him that all 386 00:20:45,840 --> 00:20:47,440 Speaker 1: the time, like you know, you're just no way. I'm like, 387 00:20:47,520 --> 00:20:49,560 Speaker 1: I tell you, I add more fights to you for 388 00:20:49,720 --> 00:20:52,239 Speaker 1: the album. But like I'm sorry, I'm sorry, I went 389 00:20:52,280 --> 00:20:56,119 Speaker 1: to I'm sorry now. I just feel like you know, 390 00:20:56,280 --> 00:20:59,880 Speaker 1: from from nine four to he signed me two thousand fourteen, 391 00:21:00,000 --> 00:21:01,399 Speaker 1: you know what I'm saying. But a lot of people 392 00:21:02,480 --> 00:21:06,840 Speaker 1: look at the numbers, look at that spaceship fall to 393 00:21:07,000 --> 00:21:16,320 Speaker 1: two fourteen. What I'm saying, twenty years, that's understand that 394 00:21:16,440 --> 00:21:19,159 Speaker 1: maybe three you know the three to say that the 395 00:21:19,240 --> 00:21:25,800 Speaker 1: three you know what I'm saying, I understanding continue the word. 396 00:21:25,960 --> 00:21:29,040 Speaker 1: Um if you go from now for the two thousand fourteen, 397 00:21:29,440 --> 00:21:32,440 Speaker 1: how many artists from his own projects, like you know 398 00:21:32,440 --> 00:21:35,760 Speaker 1: what I'm saying, like then probably wanted that shot or 399 00:21:35,880 --> 00:21:39,159 Speaker 1: for him to do that, Like so when it happened 400 00:21:39,200 --> 00:21:41,520 Speaker 1: for me, it was like a lot of love, but 401 00:21:41,600 --> 00:21:44,480 Speaker 1: a lot of like fucus that nigger, like where that 402 00:21:44,600 --> 00:21:48,000 Speaker 1: come from? Like it was a lot of that too. Sold. Yeah, 403 00:21:49,960 --> 00:21:54,240 Speaker 1: I had to being around and you know what I'm saying, 404 00:21:54,320 --> 00:21:56,480 Speaker 1: Like I got my I'm good, like you know what 405 00:21:56,520 --> 00:21:58,600 Speaker 1: I'm saying, But it took a wilder you know, the 406 00:21:58,680 --> 00:22:01,000 Speaker 1: bridge ain't if you ain't from there, It ain't just 407 00:22:01,960 --> 00:22:04,280 Speaker 1: going jack you like that. Lets you really know somebody 408 00:22:04,359 --> 00:22:06,440 Speaker 1: from over there or you be over there all the time, 409 00:22:06,520 --> 00:22:09,840 Speaker 1: like you gotta put it work, like so Jung and 410 00:22:10,240 --> 00:22:14,520 Speaker 1: just certain motherfucker's I was around kind of helped me 411 00:22:14,640 --> 00:22:17,920 Speaker 1: navigate all that ship, you know, before it was even lit, 412 00:22:18,000 --> 00:22:19,040 Speaker 1: Like you know what I mean when you're going to 413 00:22:19,119 --> 00:22:21,960 Speaker 1: Queens Bridge and seeing jump with that on vernon a 414 00:22:22,080 --> 00:22:25,760 Speaker 1: B or a B. Jun't be all on any of 415 00:22:25,920 --> 00:22:28,680 Speaker 1: don Block. I come from the era of Queen's Bridge. 416 00:22:28,760 --> 00:22:30,240 Speaker 1: He might be he might be in the Paul. He 417 00:22:30,320 --> 00:22:32,119 Speaker 1: might remember Paul. And I'm like, you might be. He 418 00:22:32,640 --> 00:22:35,000 Speaker 1: might call me and be anywhere, like you know what 419 00:22:35,040 --> 00:22:38,359 Speaker 1: I'm saying. Now. We also seen the other day this 420 00:22:38,520 --> 00:22:42,840 Speaker 1: footage of you getting arrested by the cops one street 421 00:22:42,920 --> 00:22:49,359 Speaker 1: that was coming out of the bridge and leaving the 422 00:22:49,440 --> 00:22:52,960 Speaker 1: bridge to go back up town. That was what was. 423 00:22:53,359 --> 00:22:54,800 Speaker 1: I went to go light a candle and all that 424 00:22:54,920 --> 00:22:56,320 Speaker 1: for sure, you know what I'm saying, You're not the 425 00:22:56,359 --> 00:23:00,480 Speaker 1: cops doing ye wants just the crowd and growing. They 426 00:23:00,560 --> 00:23:02,600 Speaker 1: just start valuating. But I was on my way out 427 00:23:02,600 --> 00:23:05,479 Speaker 1: they kind of like sat on me, and as soon 428 00:23:05,520 --> 00:23:07,399 Speaker 1: as we was leaving out, he pulled by, honest and 429 00:23:07,440 --> 00:23:09,360 Speaker 1: all that pulled in front of us made us jump 430 00:23:09,400 --> 00:23:11,440 Speaker 1: out the car and all that locked me and took 431 00:23:11,520 --> 00:23:15,280 Speaker 1: us to fourteen depressing three or four hours. And shoot, 432 00:23:15,320 --> 00:23:18,000 Speaker 1: the funeral was the next morning. So I'm in there, like, 433 00:23:18,280 --> 00:23:20,520 Speaker 1: please let us out before ten am. I'm trying to 434 00:23:20,640 --> 00:23:22,040 Speaker 1: get to the funeral, like you know what I'm saying, 435 00:23:22,080 --> 00:23:24,160 Speaker 1: the little show, but that was just one of them 436 00:23:24,200 --> 00:23:26,760 Speaker 1: like we know you are, We're gonna bother you, like 437 00:23:26,880 --> 00:23:29,359 Speaker 1: you know what I'm saying now, you know wh why 438 00:23:29,480 --> 00:23:32,760 Speaker 1: Peter Ship, Yeah I'm not glad. I'm glad in Miami. Brother, Like, yeah, 439 00:23:32,760 --> 00:23:36,359 Speaker 1: I'm gonna be honest. Man. They used the motherfucker's it's 440 00:23:36,359 --> 00:23:39,840 Speaker 1: scummed bags and they kind of like us and ship. 441 00:23:39,920 --> 00:23:41,720 Speaker 1: They kind of like, you know your style and ship 442 00:23:41,800 --> 00:23:43,040 Speaker 1: like you know what I mean. It's kind of crazy, 443 00:23:43,640 --> 00:23:48,840 Speaker 1: but moving on, so you get this call, right, They 444 00:23:48,880 --> 00:23:51,080 Speaker 1: said Sun is feeling your ship. For those that's not 445 00:23:51,600 --> 00:23:54,160 Speaker 1: familiar with, Son is the ultimate Summer, And they say 446 00:23:54,200 --> 00:23:57,440 Speaker 1: Sun is just only one that's that's God's son, that's 447 00:23:57,480 --> 00:23:59,160 Speaker 1: the God's son, that's the God. You know what I mean? 448 00:23:59,760 --> 00:24:01,359 Speaker 1: Certain times I feel like he's like like the like 449 00:24:01,480 --> 00:24:06,040 Speaker 1: the boss or something like I had like whole conversations 450 00:24:06,080 --> 00:24:07,960 Speaker 1: with niggas we never mentioned his name. He said, because 451 00:24:07,960 --> 00:24:11,640 Speaker 1: you know, hor Son is you know, because that's a fact. 452 00:24:11,720 --> 00:24:16,280 Speaker 1: That's not a fact. It's like his name. Look like 453 00:24:16,560 --> 00:24:21,159 Speaker 1: I don't even think he knows that, you know, you know, 454 00:24:21,600 --> 00:24:23,680 Speaker 1: Sun saint being tamp but you know he's gonna be 455 00:24:23,720 --> 00:24:27,119 Speaker 1: in like never never say his name, think about that. 456 00:24:27,800 --> 00:24:31,200 Speaker 1: That's I don't even think he knows that. We gotta 457 00:24:31,240 --> 00:24:36,119 Speaker 1: put that to him, like, Yo, you're ultimate, like and 458 00:24:36,200 --> 00:24:38,440 Speaker 1: it's crazy because it will be four other people here. 459 00:24:38,760 --> 00:24:41,160 Speaker 1: They don't know what the funk we're talking about because 460 00:24:41,200 --> 00:24:44,159 Speaker 1: we're using a generic name, his son, but it's the ultimate. 461 00:24:44,359 --> 00:24:46,960 Speaker 1: You know, he's the Ultimate. Moving on. So when you 462 00:24:47,080 --> 00:24:50,080 Speaker 1: hear he's interested, what do you take? Where do you 463 00:24:50,160 --> 00:24:52,600 Speaker 1: go from that? You dropped more mixtapes because that's the 464 00:24:52,640 --> 00:24:57,359 Speaker 1: difference between our generation. Um, your generation is you guys 465 00:24:57,520 --> 00:25:00,240 Speaker 1: had to just keep putting out. Like once we had 466 00:25:00,400 --> 00:25:04,399 Speaker 1: a buzz of somebody saying they're into us. What we 467 00:25:04,480 --> 00:25:06,680 Speaker 1: would do is we try to cater to them. But 468 00:25:06,800 --> 00:25:08,760 Speaker 1: you're living in a different generation. You living like you 469 00:25:08,840 --> 00:25:12,920 Speaker 1: said in two thousand and fourteen, So I imagine, So 470 00:25:13,040 --> 00:25:15,119 Speaker 1: what is your approach? Your approaches let me keep working 471 00:25:15,600 --> 00:25:19,080 Speaker 1: or let me fall back until he steps something. Now, 472 00:25:19,200 --> 00:25:22,399 Speaker 1: my approach was not bombs away, Like now I got 473 00:25:22,480 --> 00:25:25,680 Speaker 1: to like that. I feel like that's what me. Bro 474 00:25:26,240 --> 00:25:29,439 Speaker 1: funk with me like you do, because I told him 475 00:25:29,440 --> 00:25:30,840 Speaker 1: I ship bro all you ever had to do was 476 00:25:30,960 --> 00:25:32,920 Speaker 1: say my name. I ain't need a dollar from you. 477 00:25:33,560 --> 00:25:36,440 Speaker 1: I ain't need I ain't even need a verse, like 478 00:25:36,560 --> 00:25:38,320 Speaker 1: if the verse to me was a black. Once we 479 00:25:38,400 --> 00:25:40,800 Speaker 1: start making music together, I was like, oh, this is crazy, 480 00:25:40,920 --> 00:25:43,919 Speaker 1: Like I never expected that ship. But even on Polo 481 00:25:44,080 --> 00:25:47,479 Speaker 1: far on Angie Show and said my name and by 482 00:25:47,560 --> 00:25:50,119 Speaker 1: the time listening before you signed, before I signed, and 483 00:25:50,280 --> 00:25:51,800 Speaker 1: he spoke on me you know what I'm saying, and 484 00:25:52,000 --> 00:25:53,320 Speaker 1: he was gonna do that makes a noise for that, 485 00:25:53,359 --> 00:25:58,920 Speaker 1: you know, that was just something for that, you know, 486 00:25:58,960 --> 00:26:04,119 Speaker 1: how Sun do you know what I'm saying that? And 487 00:26:04,200 --> 00:26:05,720 Speaker 1: at this when he said that, I'm still living in 488 00:26:05,720 --> 00:26:08,960 Speaker 1: the rains wood the whole project. You know, anybody telling 489 00:26:09,000 --> 00:26:12,680 Speaker 1: me now you're talking about him? Like what who woke 490 00:26:12,760 --> 00:26:14,920 Speaker 1: up the next morning? She was on World Stars seeing it, 491 00:26:15,200 --> 00:26:17,240 Speaker 1: you know, shout. I'm like, oh this iss litting it 492 00:26:17,320 --> 00:26:18,879 Speaker 1: or not trying to go up because I got the 493 00:26:19,320 --> 00:26:21,679 Speaker 1: co sign of all co signs. You know what I'm 494 00:26:21,720 --> 00:26:23,760 Speaker 1: seeing in my mind? Just think about it. Man. The 495 00:26:23,840 --> 00:26:26,680 Speaker 1: os was so powerful and I wanted because Steve Style 496 00:26:26,760 --> 00:26:28,480 Speaker 1: said said this on the show, and I never really 497 00:26:28,560 --> 00:26:31,320 Speaker 1: corrected him. He's Steve South said you know, Cole Mega 498 00:26:31,400 --> 00:26:34,879 Speaker 1: just got signed off a shot out. And the crazy 499 00:26:34,920 --> 00:26:37,520 Speaker 1: shit about that is I understood what Steve Stot was 500 00:26:37,600 --> 00:26:40,359 Speaker 1: coming from, but Mega had had his own. But if 501 00:26:40,440 --> 00:26:42,680 Speaker 1: you think about the narrative of that, how crazy is 502 00:26:42,720 --> 00:26:45,159 Speaker 1: that that person that person conna accuse you but just 503 00:26:45,240 --> 00:26:47,680 Speaker 1: getting just a shot out and change your life. Like 504 00:26:47,840 --> 00:26:51,040 Speaker 1: I'm gonna be honest. He had it was written. I 505 00:26:51,119 --> 00:26:53,480 Speaker 1: think it was taken in blood. Um. At the end 506 00:26:53,520 --> 00:26:58,600 Speaker 1: of it, he just said component Norriega and you have 507 00:26:58,960 --> 00:27:08,200 Speaker 1: no idea. Level went up, like shit, holy shit. It's 508 00:27:08,240 --> 00:27:11,080 Speaker 1: just like, hey, Noriega, Like you know, everybody caught you 509 00:27:11,200 --> 00:27:13,800 Speaker 1: Nori before, like but then just said you're compol to 510 00:27:13,880 --> 00:27:25,480 Speaker 1: Noriega now all of a sudden, So so moving back 511 00:27:25,520 --> 00:27:28,159 Speaker 1: to you. That's how powerful to dude is. Like I 512 00:27:28,200 --> 00:27:31,440 Speaker 1: always yoke with him about but I think I think 513 00:27:31,520 --> 00:27:35,800 Speaker 1: sometimes he humbles itself to knocking blade how powerful he is. 514 00:27:35,960 --> 00:27:38,560 Speaker 1: But that's how powerful is so so you turn it 515 00:27:38,680 --> 00:27:42,880 Speaker 1: up and then what is it actually like when they say, well, 516 00:27:43,680 --> 00:27:45,920 Speaker 1: you know contracts is going to be in I was 517 00:27:45,960 --> 00:27:49,480 Speaker 1: talking with his managers manager and yeah, and reached out. 518 00:27:49,600 --> 00:27:51,720 Speaker 1: That's why I spoke the ant before I spoke the knaves. 519 00:27:52,840 --> 00:27:55,399 Speaker 1: I was just I'm still not believing Jungle. I'm like, man, 520 00:27:55,520 --> 00:27:57,600 Speaker 1: jump talking ship, Like, no, I ain't feing with it. 521 00:27:59,160 --> 00:28:02,320 Speaker 1: Ain't no way. But at hitting me, That's what I 522 00:28:02,400 --> 00:28:03,560 Speaker 1: knew it was real. He was like, Yo, I'm in 523 00:28:03,600 --> 00:28:06,760 Speaker 1: the city. Let's link up. Let's go get something to eat. Um. 524 00:28:07,320 --> 00:28:09,520 Speaker 1: What's that ship across from the depth gym building? Uh? 525 00:28:11,040 --> 00:28:14,360 Speaker 1: Palm is right? Acrosse Damn. I don't know that one though. 526 00:28:14,359 --> 00:28:15,600 Speaker 1: I don't know that. It's like a little it's some 527 00:28:15,600 --> 00:28:21,560 Speaker 1: of the restaurant right therese from we met there um 528 00:28:21,680 --> 00:28:23,600 Speaker 1: and he put me on. He was like, yo, Nas 529 00:28:23,840 --> 00:28:26,960 Speaker 1: got this label masson pill. That's when it was real. 530 00:28:27,040 --> 00:28:29,000 Speaker 1: He was like, you want to sign you just that. 531 00:28:29,160 --> 00:28:32,359 Speaker 1: The third I called my mom's I'll never forget I 532 00:28:32,440 --> 00:28:35,880 Speaker 1: see your mind. No, she said Nas? Who Nas? I said, 533 00:28:35,920 --> 00:28:39,160 Speaker 1: my Nas like the boy from remember the movie Belly 534 00:28:39,480 --> 00:28:41,880 Speaker 1: you love Belly. She was like, oh, the cool nigger 535 00:28:42,360 --> 00:28:50,560 Speaker 1: him right right? So she like, did he tell you that? 536 00:28:50,800 --> 00:28:52,480 Speaker 1: I'm like, no, I ain't spoke to him yet. She like, 537 00:28:52,600 --> 00:28:58,760 Speaker 1: you waited, you speak to him before you do anything. Basically, 538 00:28:58,760 --> 00:29:02,560 Speaker 1: don't get your hopes out if you spoke yet. I'm like, man, 539 00:29:02,840 --> 00:29:07,560 Speaker 1: he in your mind. I spoke to his brother, so 540 00:29:07,600 --> 00:29:09,800 Speaker 1: I'm not but she like you ain't spoke to them, 541 00:29:09,840 --> 00:29:12,440 Speaker 1: don't get and what I'm saying. Okay, next day I 542 00:29:12,520 --> 00:29:15,280 Speaker 1: got the call. Now I was hit me. Was the 543 00:29:15,320 --> 00:29:21,080 Speaker 1: block number? It was a random I think it was 544 00:29:21,160 --> 00:29:23,280 Speaker 1: like was it It wasn't a New York number. It 545 00:29:23,400 --> 00:29:26,160 Speaker 1: was callie, but it wasn't l A Nevil. It was 546 00:29:26,240 --> 00:29:32,320 Speaker 1: like it was one of them. I don't know who 547 00:29:32,360 --> 00:29:34,840 Speaker 1: this might be. I did that today, by the way, 548 00:29:34,880 --> 00:29:43,120 Speaker 1: when I did that. But yeah, so but and you know, 549 00:29:43,320 --> 00:29:46,000 Speaker 1: Na's got no hom we got one of them voices. 550 00:29:46,120 --> 00:29:48,800 Speaker 1: Like as soon as he you know what I'm saying, 551 00:29:48,800 --> 00:29:50,480 Speaker 1: I'm like, nah, this ain't you know what I mean. 552 00:29:50,560 --> 00:29:52,160 Speaker 1: He bugged me out and we got the shop. But 553 00:29:52,200 --> 00:29:54,120 Speaker 1: he's just like you like like what you're doing, man, 554 00:29:54,240 --> 00:29:56,000 Speaker 1: Like I'll be in the city. He was doing the 555 00:29:56,160 --> 00:30:00,320 Speaker 1: UM I think it was the twenty and anniversary of Mattic. 556 00:30:00,880 --> 00:30:02,920 Speaker 1: What he was doing, like the documentary of the ship 557 00:30:03,160 --> 00:30:06,760 Speaker 1: and not the musicale No, not that before that UM 558 00:30:06,920 --> 00:30:09,880 Speaker 1: swaying on. It was like premiere at the Premier q Tiples. 559 00:30:09,960 --> 00:30:12,000 Speaker 1: All that was there and that was the first night 560 00:30:12,040 --> 00:30:13,680 Speaker 1: I met him. You know what I'm saying. I've been 561 00:30:13,720 --> 00:30:16,720 Speaker 1: in the bridge forever and never never met Nas, and 562 00:30:16,760 --> 00:30:19,600 Speaker 1: then I met him once we spoke, I met him. 563 00:30:19,960 --> 00:30:22,160 Speaker 1: And what I'm saying that now, like it's so ill. 564 00:30:22,600 --> 00:30:26,400 Speaker 1: You gotta know these people to ever see him. If 565 00:30:26,440 --> 00:30:29,320 Speaker 1: you don't know him, they're like myths. Like you know 566 00:30:29,360 --> 00:30:31,920 Speaker 1: what I'm saying, Nas from that building right there, Like 567 00:30:32,000 --> 00:30:36,200 Speaker 1: but if you don't know they they like urban lessons. Bro, 568 00:30:36,360 --> 00:30:38,640 Speaker 1: you never see them if you don't know. If they're 569 00:30:38,640 --> 00:30:40,480 Speaker 1: not letting you know not, I'll be here. I'll be 570 00:30:40,600 --> 00:30:43,080 Speaker 1: there like you won't know. So that was dope to me. 571 00:30:43,200 --> 00:30:45,120 Speaker 1: I'm like, oh, I know how to I could get 572 00:30:45,160 --> 00:30:48,080 Speaker 1: in touch with Nas and I guys just me. I'm 573 00:30:48,360 --> 00:30:50,160 Speaker 1: so I sat on the part said this ship number. 574 00:30:50,680 --> 00:30:52,160 Speaker 1: It was like yeah, locked me And I'm like, this 575 00:30:52,280 --> 00:30:59,120 Speaker 1: is it? He say like you'm saying nothing about like 576 00:30:59,160 --> 00:31:01,360 Speaker 1: I didn't did it? Did it? You know what I'm saying. 577 00:31:01,360 --> 00:31:03,040 Speaker 1: I ain't made a dollar yet, But in my mind, 578 00:31:03,080 --> 00:31:05,520 Speaker 1: I'm like, yeah, it's on, it's on. I'm one step 579 00:31:05,560 --> 00:31:07,840 Speaker 1: closer to what I what I was trying to do, 580 00:31:08,080 --> 00:31:10,920 Speaker 1: you know what I'm saying. All Right, So now boom. 581 00:31:11,160 --> 00:31:17,480 Speaker 1: Now we got that contract side right now, Nas as 582 00:31:17,520 --> 00:31:20,640 Speaker 1: a bit of a um like a Doctor Dre type 583 00:31:20,640 --> 00:31:22,880 Speaker 1: of recuptation, Like it's either you go to the moon 584 00:31:23,080 --> 00:31:27,600 Speaker 1: or them or you actually either be because I don't 585 00:31:27,640 --> 00:31:30,360 Speaker 1: want to say mediocre, it's just that he's just so great. 586 00:31:31,600 --> 00:31:33,200 Speaker 1: He's just so great that a lot of people would 587 00:31:33,200 --> 00:31:35,480 Speaker 1: sit back and be like, yo, you didn't meet reach 588 00:31:35,600 --> 00:31:38,640 Speaker 1: his level, so you you didn't make it. How does 589 00:31:39,240 --> 00:31:42,440 Speaker 1: is that pressure on you or because like right now, 590 00:31:42,680 --> 00:31:45,320 Speaker 1: you're like, and again I apologize for lack of a 591 00:31:45,360 --> 00:31:48,120 Speaker 1: better term, you're like his Kanye West, Like you're like 592 00:31:48,280 --> 00:31:51,800 Speaker 1: his actual this is my artist that I actually took 593 00:31:52,120 --> 00:31:55,280 Speaker 1: and it works, you know what I'm saying. So is 594 00:31:55,320 --> 00:31:58,320 Speaker 1: that is that like now I look at it like this, 595 00:31:58,560 --> 00:32:02,240 Speaker 1: like I don't feel like a Lebron or k Deal 596 00:32:02,400 --> 00:32:05,640 Speaker 1: or Hall. I don't feel like they're trying to outdoing 597 00:32:05,760 --> 00:32:10,360 Speaker 1: Michael Jordan's You can't. I could never outdo what Nas did. 598 00:32:10,520 --> 00:32:13,160 Speaker 1: It was the time he came in the game. That ever, 599 00:32:13,320 --> 00:32:16,880 Speaker 1: that's that's in stone already. But I could create my 600 00:32:16,920 --> 00:32:21,240 Speaker 1: own legacy or for what he did, you know what 601 00:32:21,280 --> 00:32:23,160 Speaker 1: I'm saying. He was the one that introduced me to 602 00:32:23,280 --> 00:32:25,880 Speaker 1: the world. So with that, I gotta do me and 603 00:32:26,000 --> 00:32:27,840 Speaker 1: focus on what I could leave to the game and 604 00:32:28,480 --> 00:32:30,480 Speaker 1: the kid I might put on ten years from them, 605 00:32:30,560 --> 00:32:32,440 Speaker 1: and that's how I'll be thinking. But then I don't. 606 00:32:32,480 --> 00:32:34,959 Speaker 1: I don't look at it like, yo, I gotta live 607 00:32:35,040 --> 00:32:37,360 Speaker 1: up to Nosti all the ship he did and then 608 00:32:37,440 --> 00:32:40,280 Speaker 1: that's impossible. But you know what I'm saying, Like, that's 609 00:32:40,320 --> 00:32:43,320 Speaker 1: impossible to do. But but have you ever have you 610 00:32:43,400 --> 00:32:47,200 Speaker 1: ever been in a situation where your idols became your rivals? Uh? 611 00:32:47,960 --> 00:32:51,480 Speaker 1: On the record? Hell yeah, so not in personal not 612 00:32:51,640 --> 00:32:53,840 Speaker 1: like that, it'd be love, But on a song, I don't. 613 00:32:54,760 --> 00:32:56,760 Speaker 1: I never approached a record like, oh this is I'd 614 00:32:56,760 --> 00:33:00,200 Speaker 1: be like, man, this is my time to let them know. 615 00:33:00,720 --> 00:33:02,360 Speaker 1: I get busy. Like you know what I'm saying, I 616 00:33:02,400 --> 00:33:04,080 Speaker 1: ain't gonna be like, oh no, that's the that's the 617 00:33:04,120 --> 00:33:06,280 Speaker 1: o G. I'm not going I'm trying to burn you. 618 00:33:07,680 --> 00:33:10,120 Speaker 1: You're trying to burn you whoever it is, like, you 619 00:33:10,160 --> 00:33:11,720 Speaker 1: know what I'm saying. But has ever been a time 620 00:33:11,800 --> 00:33:13,959 Speaker 1: like when you met somebody you thought you looked up 621 00:33:14,000 --> 00:33:16,520 Speaker 1: to and you met him and it was just like 622 00:33:16,560 --> 00:33:20,760 Speaker 1: a little different. Frank, Yeah, there's a limit. Uh, yeah, 623 00:33:21,480 --> 00:33:25,520 Speaker 1: that that happened, man's shot talk of four years of 624 00:33:25,600 --> 00:33:31,400 Speaker 1: this shot. Let's get some shots to the bro, some 625 00:33:31,480 --> 00:33:33,640 Speaker 1: shot because I'll let you know, bro, let me know 626 00:33:33,760 --> 00:33:38,120 Speaker 1: the times, brou I'm I'm gonna go to rock man. 627 00:33:38,200 --> 00:33:40,320 Speaker 1: You know what I mean. We were up, bro, pop 628 00:33:40,440 --> 00:33:43,640 Speaker 1: Daddy got damn it. We're were ing up. Baby's right, 629 00:33:43,720 --> 00:33:46,960 Speaker 1: we were en up that. I don't know that go together, 630 00:33:47,600 --> 00:33:51,360 Speaker 1: but we're gonna know what they got. The ship is 631 00:33:51,400 --> 00:33:55,280 Speaker 1: the character the end of the Yeah, let's take we 632 00:33:55,400 --> 00:34:03,120 Speaker 1: are good job shot everybody. We got jobs, babies. A 633 00:34:03,160 --> 00:34:05,320 Speaker 1: lot of niggas don't got jobs, baby, trust me, that's 634 00:34:05,360 --> 00:34:10,160 Speaker 1: why they be feeling ship shots. But let's go. Let's go, baby, 635 00:34:10,520 --> 00:34:17,240 Speaker 1: Let's go baby. Sooan do say too? We got business 636 00:34:17,360 --> 00:34:24,759 Speaker 1: hole about here too, baby. But yeah that yes, it's 637 00:34:24,760 --> 00:34:29,440 Speaker 1: that good dude sake, Baby, he's gonna take. Yeah. No, 638 00:34:29,520 --> 00:34:33,720 Speaker 1: I want to listen. Let me just tell you something. 639 00:34:34,040 --> 00:34:36,640 Speaker 1: If he should start drinking that, I know he's a 640 00:34:36,760 --> 00:34:39,560 Speaker 1: half of Queen's nigga, he's not. Just let me just 641 00:34:39,600 --> 00:34:42,520 Speaker 1: tell you what kind of Queen's niggast. Listen, you be 642 00:34:42,600 --> 00:34:48,360 Speaker 1: a Queen's nigga, but listen. Ravers would niggas getting bag didn't. 643 00:34:48,400 --> 00:34:54,759 Speaker 1: They want to fight everybody, everybody, not one person, like 644 00:34:54,880 --> 00:34:57,200 Speaker 1: they can't just have a one of one. That's not good. 645 00:34:58,040 --> 00:35:02,399 Speaker 1: They want to fight at least four, but in front 646 00:35:02,440 --> 00:35:05,920 Speaker 1: of everybody, like I don't know what it is with kanyaks, 647 00:35:05,960 --> 00:35:08,080 Speaker 1: with people big up my people from raids, big fraid 648 00:35:08,840 --> 00:35:12,399 Speaker 1: everybody over there? Yo, all right, so everybody else getting 649 00:35:12,400 --> 00:35:16,320 Speaker 1: shots here? Get some shots man? You know what I 650 00:35:16,440 --> 00:35:18,160 Speaker 1: want to I want to pick up to the volt. 651 00:35:18,640 --> 00:35:21,439 Speaker 1: I want to pick up this thesis. Gloves is hard 652 00:35:21,480 --> 00:35:25,080 Speaker 1: to take off. I feel like I'm a Dexter right now. World. 653 00:35:25,239 --> 00:35:27,360 Speaker 1: I feel like this dex stuff right now. Yeah, but 654 00:35:27,440 --> 00:35:30,040 Speaker 1: let me just tell you something. Everybody poor the shop, 655 00:35:30,120 --> 00:35:31,960 Speaker 1: but please listen, because listen. I don't know if you 656 00:35:32,040 --> 00:35:35,160 Speaker 1: know David's our show is about giving people their flowers, 657 00:35:35,719 --> 00:35:37,879 Speaker 1: you know what. And people want to say how great 658 00:35:37,920 --> 00:35:40,440 Speaker 1: people is after they gone and after they're dead. I 659 00:35:40,520 --> 00:35:42,040 Speaker 1: don't want to do that, and this show I want 660 00:35:42,080 --> 00:35:44,359 Speaker 1: people to know how great there is. I want people 661 00:35:44,520 --> 00:35:46,400 Speaker 1: here and I want you to know. Bro. A lot 662 00:35:46,440 --> 00:35:48,480 Speaker 1: of people say, well, it's Davis the legend or not. 663 00:35:48,840 --> 00:35:50,560 Speaker 1: I want That's why I want you to describe the 664 00:35:50,640 --> 00:35:53,080 Speaker 1: stories of what you've been through and all that, because 665 00:35:53,200 --> 00:35:55,800 Speaker 1: I know you're a legend. I know you're a legend, 666 00:35:56,160 --> 00:35:58,239 Speaker 1: and our co signed you a legend. But I want 667 00:35:58,400 --> 00:36:00,560 Speaker 1: people to hear these stories and head which you've been through. 668 00:36:00,880 --> 00:36:03,360 Speaker 1: But until then, listen, my brother, I want you to 669 00:36:03,440 --> 00:36:09,319 Speaker 1: know your legend. And this is about salute my brothers. 670 00:36:10,760 --> 00:36:21,520 Speaker 1: Smell good. So I'm bouncing around a little bit now. Now. 671 00:36:21,600 --> 00:36:26,600 Speaker 1: One of the things is one of the things is 672 00:36:27,400 --> 00:36:33,680 Speaker 1: uh gang culture? Right? Is um? I remember hearing I'm 673 00:36:33,719 --> 00:36:38,560 Speaker 1: not I think it was t rogers and or something 674 00:36:38,640 --> 00:36:41,239 Speaker 1: he alluded to. Let me get something that he alluded that, 675 00:36:41,600 --> 00:36:46,320 Speaker 1: you know what, or New York gang banging or whatever. 676 00:36:47,200 --> 00:36:49,720 Speaker 1: But they should have their own sets. So I remember, 677 00:36:49,840 --> 00:36:56,160 Speaker 1: like people like banging criss y'all or mafia or something 678 00:36:56,200 --> 00:36:59,279 Speaker 1: like that in New York and then whatever whatever. But 679 00:36:59,400 --> 00:37:02,560 Speaker 1: now I seem New York has their own sets at 680 00:37:02,600 --> 00:37:06,399 Speaker 1: my correct and there's a lot of um. I ain't 681 00:37:06,440 --> 00:37:08,279 Speaker 1: gonna say a lot, but there's a few sets that 682 00:37:09,840 --> 00:37:13,719 Speaker 1: is was originated in New York, you know what. It's 683 00:37:13,760 --> 00:37:16,920 Speaker 1: even blood of crypt but and let me actually starting 684 00:37:18,200 --> 00:37:21,920 Speaker 1: is that sanctioned? I feel like it's up to that 685 00:37:22,040 --> 00:37:25,200 Speaker 1: set like I'm I'm from rolling thirties, you know what 686 00:37:25,200 --> 00:37:27,400 Speaker 1: I'm saying. So I had to go to l A 687 00:37:27,480 --> 00:37:30,879 Speaker 1: and tapping with the actual you know what I'm saying. 688 00:37:30,880 --> 00:37:32,200 Speaker 1: I had to go over there and tap in with 689 00:37:32,320 --> 00:37:35,040 Speaker 1: the O G s, the the young homies, the the 690 00:37:35,160 --> 00:37:37,520 Speaker 1: girls or like everybody. Had to just go over there 691 00:37:38,160 --> 00:37:40,080 Speaker 1: and let my presence be known because I couldn't be 692 00:37:40,160 --> 00:37:43,880 Speaker 1: in New York or be on these videos throwing up 693 00:37:43,920 --> 00:37:46,040 Speaker 1: certain ships or banging certain ship and I ain't want 694 00:37:46,120 --> 00:37:48,080 Speaker 1: tapped in where it was originated, you know what I mean. 695 00:37:48,200 --> 00:37:50,400 Speaker 1: So I feel like that be the I don't know, 696 00:37:50,600 --> 00:37:53,120 Speaker 1: I feel like it's it's up to what you bang. 697 00:37:53,360 --> 00:37:54,960 Speaker 1: Like I know with my ship, you got to go 698 00:37:55,080 --> 00:37:57,560 Speaker 1: tap in over there or ain't gonna respected you know what? 699 00:37:58,040 --> 00:38:00,799 Speaker 1: And um, you know bringing it see it did when 700 00:38:00,840 --> 00:38:03,080 Speaker 1: you met Nipsey, you told him this is the gang. 701 00:38:03,280 --> 00:38:05,800 Speaker 1: You know. It's crazy. When I met Nick everybody that 702 00:38:05,960 --> 00:38:08,680 Speaker 1: was with me grew up with him. So it almost 703 00:38:08,760 --> 00:38:11,600 Speaker 1: made me like, yeah, because the thirties and he from 704 00:38:11,600 --> 00:38:17,360 Speaker 1: the sixth I'm saying when his parking lot right with 705 00:38:17,480 --> 00:38:20,080 Speaker 1: what that happened, I made him right there. Um God, 706 00:38:20,840 --> 00:38:22,440 Speaker 1: you know what I'm saying, I just I just put 707 00:38:22,520 --> 00:38:25,719 Speaker 1: the set and nip on my back. But he was 708 00:38:26,719 --> 00:38:28,120 Speaker 1: called him. I said, I'm in l A. He used 709 00:38:28,120 --> 00:38:29,480 Speaker 1: to go to the store. I got, I'm gonna get 710 00:38:29,480 --> 00:38:31,080 Speaker 1: you a package for you and I just had Kyrie, 711 00:38:31,719 --> 00:38:33,600 Speaker 1: someone get you in your daughter a package together. Just 712 00:38:33,680 --> 00:38:36,520 Speaker 1: go over there. Um at this time, Fastest in the store, 713 00:38:36,600 --> 00:38:39,839 Speaker 1: rest in peace. Fast That was just his his left 714 00:38:39,880 --> 00:38:42,879 Speaker 1: hand man, Fastoo got me together, got me old kind 715 00:38:42,920 --> 00:38:46,080 Speaker 1: of cruns short ship from my moms, my daughter. Um, 716 00:38:46,960 --> 00:38:49,239 Speaker 1: that pulled up and then from that day on we 717 00:38:49,360 --> 00:38:51,040 Speaker 1: was locked in. You know what I'm saying. But the 718 00:38:51,120 --> 00:38:54,279 Speaker 1: people I pulled up with from the thirties that I 719 00:38:54,400 --> 00:38:57,560 Speaker 1: was already with. I grew up with him, knew him already. 720 00:38:57,680 --> 00:38:59,200 Speaker 1: So when he seen me with them, he like a 721 00:38:59,360 --> 00:39:02,240 Speaker 1: curse tap like you ain't You're just not a rapper 722 00:39:02,360 --> 00:39:06,520 Speaker 1: that's out here claiming you crib that you really tapped 723 00:39:06,560 --> 00:39:08,799 Speaker 1: in with the turf like the people you went. I've 724 00:39:08,840 --> 00:39:11,480 Speaker 1: been new them before, I was a nipsy. So I 725 00:39:11,560 --> 00:39:13,520 Speaker 1: feel like that kind of made our relationship a little 726 00:39:13,560 --> 00:39:15,080 Speaker 1: a little stronger, you know what I mean. So, but 727 00:39:15,200 --> 00:39:17,440 Speaker 1: what made you want to do that? Because again, like 728 00:39:17,600 --> 00:39:21,520 Speaker 1: you know, our New York attitude is you know, we 729 00:39:21,640 --> 00:39:23,440 Speaker 1: from me from the city, Like, so what made you 730 00:39:23,520 --> 00:39:24,719 Speaker 1: say that? You know when we go to l A 731 00:39:25,040 --> 00:39:27,360 Speaker 1: and let me tap in where you know, because this 732 00:39:27,480 --> 00:39:29,480 Speaker 1: is this is the culture that was the that's the 733 00:39:29,560 --> 00:39:32,759 Speaker 1: week we actually jack and a real gang that really 734 00:39:32,840 --> 00:39:35,640 Speaker 1: exists over there, Like it ain't like this something we 735 00:39:35,719 --> 00:39:37,600 Speaker 1: woke up and said, we're gonna be all the crips. 736 00:39:38,320 --> 00:39:40,680 Speaker 1: We're gonna be like that ship is a real gang. 737 00:39:40,800 --> 00:39:44,600 Speaker 1: Like I know, people's sixty damn thiss seventy years old 738 00:39:45,680 --> 00:39:48,960 Speaker 1: that you know what I'm saying that jack thumbs like that. 739 00:39:49,200 --> 00:39:55,080 Speaker 1: They've been doing that for for decades. So I fortunately 740 00:39:55,320 --> 00:39:57,520 Speaker 1: got famous, you know what I'm saying. I could have 741 00:39:57,560 --> 00:39:59,680 Speaker 1: stayed in the hood and I probably still would have 742 00:39:59,719 --> 00:40:02,120 Speaker 1: wanted to go tapp in. But the fact that I'm 743 00:40:02,200 --> 00:40:04,080 Speaker 1: on the on on the front line, I'm in the 744 00:40:04,160 --> 00:40:07,160 Speaker 1: I'm in all these clubs, I'm everywhere, I gotta have 745 00:40:07,800 --> 00:40:09,640 Speaker 1: tapping with the roots of it, you know what I'm saying. 746 00:40:09,680 --> 00:40:11,960 Speaker 1: I gotta be able to go over there and politics 747 00:40:12,040 --> 00:40:13,719 Speaker 1: with them, then come back to New York and move 748 00:40:13,760 --> 00:40:16,239 Speaker 1: around and being at be everywhere because at this point, 749 00:40:16,840 --> 00:40:18,680 Speaker 1: the gang ship is everywhere, Like it ain't just a 750 00:40:18,880 --> 00:40:21,439 Speaker 1: l a New York thing. It's every city every It'd 751 00:40:21,480 --> 00:40:24,279 Speaker 1: be little cities you you just visited, and they'd be 752 00:40:24,480 --> 00:40:27,000 Speaker 1: hunt the crips out there too, unt bloods out there. 753 00:40:27,040 --> 00:40:29,719 Speaker 1: You're like, yeah, this is crazy. So I just like, 754 00:40:29,880 --> 00:40:33,720 Speaker 1: just me personally, I feel more comfortable knowing I'm tapped 755 00:40:33,760 --> 00:40:36,719 Speaker 1: in where where it was created. You know what makes 756 00:40:36,760 --> 00:40:41,280 Speaker 1: some noise for that goddamn it. So now it's different 757 00:40:41,360 --> 00:40:44,760 Speaker 1: because on the East Coast, that's a lot of brothers 758 00:40:44,840 --> 00:40:47,080 Speaker 1: that grew up together, but they like some of their 759 00:40:47,120 --> 00:40:49,800 Speaker 1: best friends, some of them are bloods and some of 760 00:40:49,880 --> 00:40:52,880 Speaker 1: them are our cribs. Bright at home, he's living the 761 00:40:52,960 --> 00:40:55,359 Speaker 1: same crib, little brother, big brother one Blood, the big 762 00:40:55,440 --> 00:40:58,279 Speaker 1: brother Blood, the little brother crib in New York in 763 00:40:58,480 --> 00:41:03,160 Speaker 1: Ravens in ravers Wood, older brother Blood and the little 764 00:41:03,200 --> 00:41:15,120 Speaker 1: brother Christ and the same ship he went that way, 765 00:41:15,239 --> 00:41:17,840 Speaker 1: he went that way, Like that's real life. I've seen that, 766 00:41:18,040 --> 00:41:21,799 Speaker 1: Like because because from my error, right, we would never 767 00:41:21,920 --> 00:41:24,160 Speaker 1: thought we've seen this. But from your error, this is 768 00:41:24,200 --> 00:41:31,120 Speaker 1: actually normal, right because I'm forty two, how old? Ik' yes? 769 00:41:31,200 --> 00:41:34,760 Speaker 1: So this is normal to you? Extreme that's crazy because 770 00:41:34,920 --> 00:41:38,960 Speaker 1: I'm eleven years older than right, because okay, so but 771 00:41:39,120 --> 00:41:43,959 Speaker 1: to you, alright, cool, So since you seeing Harlem seeing 772 00:41:44,000 --> 00:41:49,160 Speaker 1: people wearing all blue on hall, it's Nash now now 773 00:41:49,360 --> 00:41:52,480 Speaker 1: because I remember when when when I remember dip Set 774 00:41:52,560 --> 00:41:55,879 Speaker 1: had the whole town blood, yeah, everybody, And I'm saying 775 00:41:55,880 --> 00:41:58,760 Speaker 1: I could, I could eventually remember that everybody was blood. 776 00:41:59,320 --> 00:42:01,600 Speaker 1: So I I feel like, you know, it's crazy. I 777 00:42:01,719 --> 00:42:04,840 Speaker 1: feel like you always got your real ones that have 778 00:42:04,920 --> 00:42:08,719 Speaker 1: been putting on regardless of what's going on. But when 779 00:42:08,760 --> 00:42:10,759 Speaker 1: you see the waves of it, it has a lot 780 00:42:10,840 --> 00:42:12,960 Speaker 1: to do with rat in the in the in the 781 00:42:13,080 --> 00:42:15,520 Speaker 1: culture and what's going on and who's in the position 782 00:42:16,239 --> 00:42:18,439 Speaker 1: to influence that. You know what I'm saying, I feel 783 00:42:18,440 --> 00:42:19,759 Speaker 1: like they have a lot to do with it, you 784 00:42:19,800 --> 00:42:22,920 Speaker 1: know what I mean, Look Snoop Snoop, and look he's 785 00:42:22,920 --> 00:42:25,640 Speaker 1: been cripping forever, still on that like that, you know 786 00:42:25,680 --> 00:42:28,440 Speaker 1: what I'm saying, Like math start and he still do 787 00:42:28,600 --> 00:42:33,320 Speaker 1: mad positive, real big business or kind of real ship cripping, 788 00:42:34,120 --> 00:42:35,680 Speaker 1: you know what I'm saying, Like we tell you a 789 00:42:35,719 --> 00:42:41,960 Speaker 1: funny story about Snoop, Right, Snoop love, Oh damn, this 790 00:42:42,040 --> 00:42:44,400 Speaker 1: is alright? Who I was gonna I was gonna go somewhere. 791 00:42:44,480 --> 00:42:50,840 Speaker 1: Hold on, let me relax, because I was about to 792 00:42:50,880 --> 00:42:53,319 Speaker 1: hit you with three different stories that en flowing up 793 00:42:53,360 --> 00:42:57,440 Speaker 1: some ship. Hold on, get back, come back to the Bahama. 794 00:43:01,680 --> 00:43:04,759 Speaker 1: A lot of people don't know man or the Bahamas 795 00:43:04,800 --> 00:43:09,160 Speaker 1: trip that was. That was that was like we gotta 796 00:43:09,200 --> 00:43:11,279 Speaker 1: do it again. But the time we did it that 797 00:43:11,440 --> 00:43:15,080 Speaker 1: was like that was like unforgettable time for me. Like 798 00:43:15,239 --> 00:43:17,240 Speaker 1: you know what I'm saying, Just that vibe was firing 799 00:43:17,880 --> 00:43:21,719 Speaker 1: in my mind. I got nas right here and right here, 800 00:43:22,640 --> 00:43:25,719 Speaker 1: I'm like, man, you know what I'm saying. I'm about 801 00:43:25,719 --> 00:43:31,080 Speaker 1: to just asked mad questions. So here's the craziest. Yet 802 00:43:32,440 --> 00:43:33,759 Speaker 1: they hit me. They're like, yo, we want to go 803 00:43:33,800 --> 00:43:35,279 Speaker 1: to the Bahamas. I'm like yo, I'm just coming to 804 00:43:35,320 --> 00:43:37,399 Speaker 1: my lady man, Like I've been like yo, I don't 805 00:43:37,440 --> 00:43:38,880 Speaker 1: need an extra thing, Like I'm just for me and 806 00:43:38,960 --> 00:43:41,040 Speaker 1: my lady. But I'm like, you know what, I don't 807 00:43:41,080 --> 00:43:44,640 Speaker 1: want to work out there, so I come here. Come. 808 00:43:44,880 --> 00:43:47,839 Speaker 1: I recorded like four or five jobs and I'm like, yo, 809 00:43:48,080 --> 00:43:50,880 Speaker 1: I'm I'm in the Bahamas. Every record record. I'm like, yo, 810 00:43:50,960 --> 00:43:53,480 Speaker 1: I'm in the Bahamas right now, clear Water Blue Room. 811 00:43:53,560 --> 00:43:56,520 Speaker 1: But I'm from the actual records because I just wanted 812 00:43:56,560 --> 00:44:01,759 Speaker 1: to party me up. I'm thinking, here, do something. I'm saying, 813 00:44:02,120 --> 00:44:13,560 Speaker 1: like I got some right, I know this up like broke, Yeah, 814 00:44:13,600 --> 00:44:16,040 Speaker 1: I like like three or four joys. Yeah, I ain't 815 00:44:16,040 --> 00:44:17,719 Speaker 1: gonna lie. Let me tell you, let me tell you something. 816 00:44:18,000 --> 00:44:19,600 Speaker 1: This is this is what this would remind me of. 817 00:44:19,680 --> 00:44:22,840 Speaker 1: And I told now is this? But maybe I should 818 00:44:22,880 --> 00:44:25,960 Speaker 1: have been included. But I think that he should do 819 00:44:26,120 --> 00:44:29,200 Speaker 1: a version of the New Firm with you. What's the 820 00:44:29,280 --> 00:44:32,640 Speaker 1: younger that was there? The Libalool, the libal Wool dude. 821 00:44:33,760 --> 00:44:35,360 Speaker 1: I know Killer Mike was there, but it was the 822 00:44:35,480 --> 00:44:39,279 Speaker 1: young boy that I think he's has something like that 823 00:44:39,600 --> 00:44:42,120 Speaker 1: on on on on Master Hill. Can you google as 824 00:44:42,280 --> 00:44:50,200 Speaker 1: as as the young the young boy? He he didn't 825 00:44:50,200 --> 00:44:53,120 Speaker 1: put upon us a futures with young board. He from like, 826 00:44:53,239 --> 00:44:57,160 Speaker 1: oh how you I think, yeah, as some ship like that. 827 00:44:57,360 --> 00:44:58,960 Speaker 1: I don't know exactly what you're talking him out. So 828 00:44:59,080 --> 00:45:01,080 Speaker 1: I felt like there's only a few of us out there. 829 00:45:01,120 --> 00:45:04,120 Speaker 1: That's his name? Right? So so what was his name? 830 00:45:04,520 --> 00:45:08,520 Speaker 1: As real as real? Okay, So I'm gonna describe something 831 00:45:08,600 --> 00:45:13,359 Speaker 1: for you, all right, nas is on uh the War 832 00:45:13,440 --> 00:45:17,719 Speaker 1: Report album. He's on this record call music, make these 833 00:45:17,800 --> 00:45:22,359 Speaker 1: thugs come down the actually the ship actually never makes 834 00:45:22,400 --> 00:45:26,800 Speaker 1: the album right, so hot at the time, Sony says, 835 00:45:27,080 --> 00:45:30,400 Speaker 1: no way, you cannot be on this album, right, We're 836 00:45:30,440 --> 00:45:33,440 Speaker 1: the young dudes were the opponent over give were the 837 00:45:33,480 --> 00:45:38,560 Speaker 1: young dudes were under marb d So we couldn't clear NAS. 838 00:45:38,600 --> 00:45:43,640 Speaker 1: Every couldn't clearbuster rhymes right boom. So now I'm on 839 00:45:43,800 --> 00:45:46,920 Speaker 1: my way to my solo. NAS feels bad about it. 840 00:45:47,040 --> 00:45:48,560 Speaker 1: This is my side of the story. NAS might have 841 00:45:48,640 --> 00:45:51,200 Speaker 1: a totally different end. Jungle don't have a totally different story. 842 00:45:51,760 --> 00:45:54,200 Speaker 1: So Jungle hits me like, yo, we're making this right. 843 00:45:55,120 --> 00:45:58,840 Speaker 1: So I'm like he's like, yo, on flying you to Miami. 844 00:45:59,520 --> 00:46:03,680 Speaker 1: So I'm like, what, I never left Jamaica quick, So 845 00:46:04,120 --> 00:46:09,080 Speaker 1: I'm like, that's the fatherless of Jamaica. Miami folk sound 846 00:46:09,120 --> 00:46:16,560 Speaker 1: like Jamaica to me. I don't know why Miami seemed 847 00:46:16,560 --> 00:46:19,080 Speaker 1: like Jamaica and me right, but I'm acting like it's nothing. 848 00:46:20,040 --> 00:46:23,239 Speaker 1: I'm acting like it's nothing right. So, um that we 849 00:46:23,440 --> 00:46:29,040 Speaker 1: come around and I guess no call. Then the next 850 00:46:29,120 --> 00:46:32,120 Speaker 1: week come around, I guess no call and whatever, Like 851 00:46:32,360 --> 00:46:35,400 Speaker 1: was the Instagram at that time, like you knew that 852 00:46:35,520 --> 00:46:38,560 Speaker 1: they was in Miami. But I didn't get that call. 853 00:46:38,719 --> 00:46:41,000 Speaker 1: So I was like, oh, ship, but what I'm gonna do? 854 00:46:41,160 --> 00:46:48,120 Speaker 1: Like another two weeks past, John called me, Yeah, you 855 00:46:48,200 --> 00:46:54,400 Speaker 1: haven't been in l A. I'm like calls never or 856 00:46:54,440 --> 00:46:56,520 Speaker 1: what's up? But you got to you know, like come on, 857 00:46:57,160 --> 00:46:59,880 Speaker 1: I got a whole albumbout, the Warrick kids, whatever you know, 858 00:47:00,200 --> 00:47:02,239 Speaker 1: l A. You know what I'm saying because things like yo, 859 00:47:02,280 --> 00:47:04,520 Speaker 1: al right, cool, you're flying you out to l A. 860 00:47:04,960 --> 00:47:10,520 Speaker 1: It's time to take it everything. So this is why 861 00:47:10,560 --> 00:47:12,840 Speaker 1: I found with nature to this day. So I was 862 00:47:12,880 --> 00:47:15,600 Speaker 1: supposed to go in on Wednesday, that would have been 863 00:47:16,040 --> 00:47:19,319 Speaker 1: that would have been my session. But instead I fly 864 00:47:19,520 --> 00:47:23,080 Speaker 1: in on Tuesday, and I was supposed to stay at 865 00:47:23,160 --> 00:47:27,000 Speaker 1: the hotel was the Sheraton Universal Sheraton and I was 866 00:47:27,040 --> 00:47:29,319 Speaker 1: supposed to stay at the hotel. But I was like, yo, 867 00:47:30,400 --> 00:47:33,600 Speaker 1: dude's got a session. Say yeah? So I pulled up. 868 00:47:35,080 --> 00:47:39,880 Speaker 1: As I pulled up, I still hurt or for me 869 00:47:40,040 --> 00:47:45,200 Speaker 1: having I'm leaving that was on the war report. Drivers 870 00:47:45,280 --> 00:47:49,000 Speaker 1: told me that was whack, said you I'm leaving, Like 871 00:47:49,960 --> 00:47:52,319 Speaker 1: what is that about you? Some rag of muffins? Ship 872 00:47:53,840 --> 00:47:58,080 Speaker 1: hurt my heart? So I thought I thought this was 873 00:47:59,760 --> 00:48:04,360 Speaker 1: some fat so the records. God, So I came. So 874 00:48:04,520 --> 00:48:06,480 Speaker 1: I came out, and I actually walk in the studio 875 00:48:07,160 --> 00:48:09,640 Speaker 1: because you know, there was a bullshit back then. You 876 00:48:09,680 --> 00:48:11,800 Speaker 1: know four o'clock. You gotta check in at four o'clock. 877 00:48:12,239 --> 00:48:18,160 Speaker 1: So they in the studio. I go, it's Nature. Dr Dre. 878 00:48:20,239 --> 00:48:22,320 Speaker 1: His name is white boy Scott the time, they wouldn't 879 00:48:22,320 --> 00:48:29,040 Speaker 1: even call him Scott. Story mail man, oh the stories man, 880 00:48:29,960 --> 00:48:36,080 Speaker 1: my brother, and these are all these people here in 881 00:48:36,200 --> 00:48:41,080 Speaker 1: this one room. And then they say, anybody got something 882 00:48:41,200 --> 00:48:44,759 Speaker 1: for this? And then they played. As soon as I 883 00:48:44,880 --> 00:48:49,560 Speaker 1: hear it beat, I'm like, I'm leaving and I sing it. 884 00:48:51,520 --> 00:48:56,480 Speaker 1: Andre's like you got that? And I'm like, and I 885 00:48:56,640 --> 00:49:00,400 Speaker 1: go in and I lay. But this was Nature's session, right. 886 00:49:00,800 --> 00:49:02,480 Speaker 1: This is the reason why I fus with Nature to 887 00:49:02,560 --> 00:49:04,200 Speaker 1: this day because if I was Nate out, it might 888 00:49:04,239 --> 00:49:14,600 Speaker 1: have been like, old, this is Marbo. He couldn't do that. 889 00:49:14,880 --> 00:49:19,080 Speaker 1: He was supposed to do that, but he looked niggas 890 00:49:19,120 --> 00:49:22,080 Speaker 1: be like. So Nate looked at me and it was 891 00:49:22,200 --> 00:49:24,840 Speaker 1: like it was like the doc just asked me to 892 00:49:24,920 --> 00:49:27,600 Speaker 1: get in. So I went in. But the crazy ship 893 00:49:27,840 --> 00:49:30,080 Speaker 1: was I laid my ship perfectly. See a lot of 894 00:49:30,120 --> 00:49:32,719 Speaker 1: people don't know back in the days, I was one 895 00:49:32,840 --> 00:49:36,840 Speaker 1: take Nori for real, Super Doug is one track? What what? What? What? 896 00:49:37,040 --> 00:49:41,800 Speaker 1: What's one track? That's one take? A crazy I didn't 897 00:49:41,880 --> 00:49:44,279 Speaker 1: know how to punch in. It's not because I was 898 00:49:45,840 --> 00:49:49,480 Speaker 1: that's one punch, so I didn't know how to punch in. 899 00:49:49,719 --> 00:49:54,320 Speaker 1: Like in fact, we used to record on was Dos 900 00:49:54,920 --> 00:49:57,680 Speaker 1: So anyway, because when I went in, I just laid 901 00:49:57,760 --> 00:49:59,439 Speaker 1: this ship because I had the whole song. The whole 902 00:49:59,480 --> 00:50:04,360 Speaker 1: song was done. Andre was like, you can't. You have 903 00:50:04,520 --> 00:50:08,320 Speaker 1: to lay it more times because no one is perfect 904 00:50:08,360 --> 00:50:12,080 Speaker 1: around man, He's like the first take and I know 905 00:50:12,160 --> 00:50:13,719 Speaker 1: he used the first take. I know they used the 906 00:50:13,760 --> 00:50:16,839 Speaker 1: first take. But anyway, bottom line is when I went 907 00:50:17,120 --> 00:50:18,680 Speaker 1: The reason why I bring that up is because when 908 00:50:18,680 --> 00:50:21,279 Speaker 1: I went to the Bahamas and I looked at what 909 00:50:21,480 --> 00:50:23,560 Speaker 1: was doing and I said, this is what Sun is 910 00:50:23,600 --> 00:50:26,040 Speaker 1: trying to create. This was so dope like to me 911 00:50:26,400 --> 00:50:29,960 Speaker 1: because I'm sitting back saying years later, he's trying to 912 00:50:30,080 --> 00:50:33,560 Speaker 1: create the re create the firm without actually naming it 913 00:50:33,680 --> 00:50:36,400 Speaker 1: a name. But that's why that reckons if you if 914 00:50:36,400 --> 00:50:38,200 Speaker 1: you understand what I'm saying, like it feels like the 915 00:50:38,280 --> 00:50:41,120 Speaker 1: new Firm new new body, our business, you know what 916 00:50:41,120 --> 00:50:44,239 Speaker 1: I mean? The room because of that, and I was 917 00:50:45,280 --> 00:50:48,839 Speaker 1: bro that behind us was a vibe. That's a vibe 918 00:50:48,840 --> 00:50:52,120 Speaker 1: I never caught before, Like you don't go to Behamas 919 00:50:52,120 --> 00:50:54,279 Speaker 1: all the time and then to be out there and 920 00:50:54,480 --> 00:50:57,160 Speaker 1: we're just in the studio every day and just chefs 921 00:50:57,200 --> 00:51:03,960 Speaker 1: walking around. Hey you want some chicken? Yeah yeah, drinking, drinking, 922 00:51:04,000 --> 00:51:06,680 Speaker 1: all the types of why I kept order and listening listen. 923 00:51:07,040 --> 00:51:09,239 Speaker 1: I don't know what it was, doubt, I don't know 924 00:51:09,360 --> 00:51:11,880 Speaker 1: what it was, but I got that drinking listen. Let 925 00:51:11,920 --> 00:51:15,040 Speaker 1: me just think I came to half right here. I 926 00:51:16,640 --> 00:51:18,680 Speaker 1: had five records for niggas to choose from. I had, 927 00:51:18,920 --> 00:51:22,439 Speaker 1: I had a had ve Gondo, I had a couple 928 00:51:22,440 --> 00:51:25,919 Speaker 1: of whatever you want listen, and I made some new ship. 929 00:51:26,120 --> 00:51:28,200 Speaker 1: But I was like, I got a nice check. I 930 00:51:28,239 --> 00:51:30,520 Speaker 1: went out there. I had all I had on flip flops. 931 00:51:30,680 --> 00:51:33,440 Speaker 1: I had my taco meat showing. I was out there like, yeah, 932 00:51:33,480 --> 00:51:35,920 Speaker 1: let's just have some fun baby bills on me. It 933 00:51:36,080 --> 00:51:40,719 Speaker 1: was just crazy, like yall was that as waking up drinking? Yea, 934 00:51:40,800 --> 00:51:43,799 Speaker 1: working up and wake up. So I come down at 935 00:51:43,840 --> 00:51:46,480 Speaker 1: the ball. That was that was ill. So I want 936 00:51:46,480 --> 00:51:51,480 Speaker 1: to commend Peter, every Jeff, everybody inside together, everybody that 937 00:51:51,640 --> 00:51:54,319 Speaker 1: massive pill. Yeah, let's pick them up, man, Let's pick 938 00:51:54,360 --> 00:51:59,480 Speaker 1: them pick him up. Man. It felt good and one 939 00:51:59,560 --> 00:52:02,600 Speaker 1: one thing I I like and seeing the whole me 940 00:52:03,040 --> 00:52:06,120 Speaker 1: bully around. That's big bro. That's that's before I even 941 00:52:06,400 --> 00:52:09,239 Speaker 1: I ain't gonna fun. Let's get into that. Like, that's 942 00:52:09,239 --> 00:52:11,520 Speaker 1: who gave me the the that's who put the battery 943 00:52:11,520 --> 00:52:15,160 Speaker 1: in my back. You're like in real life, like when 944 00:52:15,239 --> 00:52:17,400 Speaker 1: you wanted to stop now when I when I was 945 00:52:17,680 --> 00:52:20,759 Speaker 1: when I I couldn't figure out what to do when bad, 946 00:52:20,840 --> 00:52:23,160 Speaker 1: when I was done with basketball and I was hustling 947 00:52:23,239 --> 00:52:25,040 Speaker 1: and trying to make me a couple of dollars, like 948 00:52:25,160 --> 00:52:28,320 Speaker 1: he was telling me, nigga, he was stared. He was staring. 949 00:52:28,400 --> 00:52:30,160 Speaker 1: You know what I'm saying. He was bringing me. He 950 00:52:30,280 --> 00:52:33,239 Speaker 1: was the first person bringing me around artists, you know 951 00:52:33,280 --> 00:52:35,840 Speaker 1: what I'm saying. Like I never was around the rappers 952 00:52:35,840 --> 00:52:37,960 Speaker 1: I was in the hood. He was bringing me around 953 00:52:38,600 --> 00:52:42,239 Speaker 1: trade songs, Jim Jones, all these different artists. Cam Ue. 954 00:52:42,320 --> 00:52:44,120 Speaker 1: I was like, so I was getting to see that 955 00:52:44,239 --> 00:52:50,520 Speaker 1: ship ten years before I even decided this is what 956 00:52:50,600 --> 00:52:51,960 Speaker 1: I want to do, Like I was, I was I 957 00:52:52,080 --> 00:52:54,960 Speaker 1: was getting to see that ship. So um, I tell 958 00:52:55,000 --> 00:52:59,440 Speaker 1: people all the time, like's it's red. You have friends 959 00:52:59,520 --> 00:53:01,720 Speaker 1: that rock you that long. You know what I'm saying, 960 00:53:01,840 --> 00:53:04,400 Speaker 1: Like through it all, from it from the track to 961 00:53:04,520 --> 00:53:06,359 Speaker 1: the good to the through the bad, through it all, 962 00:53:06,480 --> 00:53:07,839 Speaker 1: like you know what I'm saying, Bully been there. If 963 00:53:07,880 --> 00:53:09,920 Speaker 1: anybody that know me, you haven't seen this nigger like, 964 00:53:10,000 --> 00:53:12,080 Speaker 1: you know what I mean. So but you don't want 965 00:53:12,120 --> 00:53:14,520 Speaker 1: to really put that gave me the energy, Like, yo, 966 00:53:14,640 --> 00:53:17,759 Speaker 1: bro lock in and you could. You're gonna be one 967 00:53:17,800 --> 00:53:19,480 Speaker 1: of them. You're gonna be all them niggas that we're 968 00:53:19,520 --> 00:53:21,600 Speaker 1: gonna pull up on and party with. You're gonna be 969 00:53:21,640 --> 00:53:23,600 Speaker 1: They're gonna be pulling up on you. You're gonna be 970 00:53:23,640 --> 00:53:25,600 Speaker 1: one of them niggers too. And I just took that 971 00:53:25,680 --> 00:53:27,439 Speaker 1: advice and ran with it. You know what I'm saying, 972 00:53:27,480 --> 00:53:30,359 Speaker 1: This ship work. It's beautiful thing because you know why 973 00:53:30,920 --> 00:53:32,839 Speaker 1: when you keep it real with your people, and your 974 00:53:32,840 --> 00:53:35,200 Speaker 1: people keep it real with you. Hold on, I'm waking Meg. 975 00:53:36,800 --> 00:53:39,120 Speaker 1: You gonna try to stop saying You're gonna try to 976 00:53:39,160 --> 00:53:44,080 Speaker 1: stop saying killer Cameroon, Holy ship. Wait for me, Cameron, 977 00:53:44,320 --> 00:53:52,920 Speaker 1: Just text me, Wooly look Camera, they text me back 978 00:53:52,960 --> 00:53:57,600 Speaker 1: in two years. Let me let me Cam, I've missed 979 00:53:57,600 --> 00:54:06,840 Speaker 1: you as a friend, Bro, Holy act exciting little gangster. 980 00:54:09,480 --> 00:54:13,719 Speaker 1: I don't know if that niggas Cameroon's first something just 981 00:54:13,800 --> 00:54:16,120 Speaker 1: one of them. Yeah that I ain't got a lot nigga, 982 00:54:16,120 --> 00:54:20,160 Speaker 1: the ice of songs. Something we gotta be saying. You 983 00:54:20,200 --> 00:54:25,640 Speaker 1: gotta saying again all the time, like we don't say. 984 00:54:30,800 --> 00:54:34,319 Speaker 1: Let let let me tell you something, Bro, I really 985 00:54:34,400 --> 00:54:37,719 Speaker 1: grew up with Cam and Jim Jones on some real 986 00:54:37,840 --> 00:54:41,440 Speaker 1: ship like we they from Harlem, I'm from Queens. But 987 00:54:41,640 --> 00:54:47,240 Speaker 1: nineteen was the best year of hip hop. I apologize 988 00:54:47,600 --> 00:54:52,239 Speaker 1: best year, my best year of hip hop, I think so. 989 00:54:53,200 --> 00:54:57,520 Speaker 1: That's when DMS dropped them two albums, Cameron Hold Me 990 00:54:57,640 --> 00:55:01,160 Speaker 1: and Cameron dropped Hold It's not an that freshman class, 991 00:55:01,200 --> 00:55:03,000 Speaker 1: though he dropped the ninety eight. But he's not that 992 00:55:03,080 --> 00:55:08,120 Speaker 1: freshman class. The freshman class was Cannabis, DMX, corrupt, Nori, 993 00:55:09,840 --> 00:55:16,440 Speaker 1: Camron corrupt. Listen. I mean I can't lie that. I 994 00:55:16,480 --> 00:55:23,560 Speaker 1: ain't gonna lie. You're listening, listen. I got I got 995 00:55:23,640 --> 00:55:25,880 Speaker 1: so much pussy for you back then, like I got 996 00:55:26,000 --> 00:55:29,759 Speaker 1: I was thinking popping business for you back then. Y'all, 997 00:55:30,560 --> 00:55:32,160 Speaker 1: he's for Davies. When you get up. You know what 998 00:55:32,160 --> 00:55:39,320 Speaker 1: I'm saying, get up, But that's for you up. He 999 00:55:39,560 --> 00:55:41,920 Speaker 1: definitely caught up now that David. Let me don't get 1000 00:55:41,960 --> 00:55:46,080 Speaker 1: to that. It's gonna get to that. But Yo, So 1001 00:55:46,200 --> 00:55:50,239 Speaker 1: I'll be honest, Cam, I'm gonna tell the story. I'm 1002 00:55:50,239 --> 00:55:52,000 Speaker 1: gonna tell the story. This is this is the reason 1003 00:55:52,080 --> 00:55:57,680 Speaker 1: why you from Holland, from Holland. Okay, good bully, you 1004 00:55:57,920 --> 00:56:00,520 Speaker 1: know you from Brooklyn? Right, Okay, I'm helly. Why these 1005 00:56:00,560 --> 00:56:04,520 Speaker 1: hard niggas is crazy. We had horse and Carriages video. 1006 00:56:06,239 --> 00:56:08,320 Speaker 1: If you look at horse and Carriage video, it's probably 1007 00:56:08,320 --> 00:56:10,680 Speaker 1: the only two times I've ever had my shirt open ever. 1008 00:56:12,000 --> 00:56:16,080 Speaker 1: I don't know what these I don't know what these 1009 00:56:16,160 --> 00:56:20,040 Speaker 1: nigs did to me. Right the pool like that do dance. 1010 00:56:23,239 --> 00:56:30,520 Speaker 1: I'm thinking we all, I'm thinking we all been. So 1011 00:56:30,840 --> 00:56:35,600 Speaker 1: we go outside, go downstairs. It's a ball court there. 1012 00:56:36,520 --> 00:56:39,879 Speaker 1: So I'm like, ayes, I know type of nigga I am. 1013 00:56:40,920 --> 00:56:43,799 Speaker 1: So I'm looking at Camer. I know I know him 1014 00:56:44,120 --> 00:56:46,759 Speaker 1: from ball but we didn't. We don't connect. We don't 1015 00:56:46,800 --> 00:56:51,400 Speaker 1: talk like that at this time. So about that and 1016 00:56:51,600 --> 00:56:55,279 Speaker 1: him Jim freaky look and I know the niggas I 1017 00:56:55,360 --> 00:57:00,960 Speaker 1: got with me is not niggas I trust and Jim, like, 1018 00:57:01,120 --> 00:57:04,080 Speaker 1: you know, to play ball, you gotta trust the niggas. 1019 00:57:04,080 --> 00:57:09,440 Speaker 1: It's like trust and I don't know what you're going 1020 00:57:09,600 --> 00:57:11,560 Speaker 1: ready to go out, but I knew it. But I 1021 00:57:11,680 --> 00:57:15,160 Speaker 1: was just thinking, like, yo, I'm I'm to Yon Day 1022 00:57:16,160 --> 00:57:19,080 Speaker 1: Michael don't got it really depends on one of them. 1023 00:57:19,120 --> 00:57:23,840 Speaker 1: I trusts. The other three is Frank's limits, but let's 1024 00:57:23,920 --> 00:57:28,600 Speaker 1: just try anyway. We played against him, and I'm thinking 1025 00:57:28,600 --> 00:57:34,120 Speaker 1: anything because buster they drinking honey or day Champagne. I 1026 00:57:34,160 --> 00:57:37,600 Speaker 1: don't know what these niggas. These these niggas did. It 1027 00:57:37,720 --> 00:57:41,200 Speaker 1: was a stock stock. But at some point, I don't 1028 00:57:41,240 --> 00:57:43,240 Speaker 1: know why I say at tip off because we definitely 1029 00:57:43,320 --> 00:57:48,040 Speaker 1: hood people. We don't tip off, so at check check 1030 00:57:49,680 --> 00:57:56,320 Speaker 1: they turned into different individuals. Havn't forgave Kim or Jim Jones. 1031 00:57:57,520 --> 00:58:06,000 Speaker 1: Day was not the game. They turned it up on me. Bro. 1032 00:58:06,120 --> 00:58:08,080 Speaker 1: I was like, yo, you know many shows I did 1033 00:58:08,120 --> 00:58:11,320 Speaker 1: with y'all for free, Like I was the guest the gas. 1034 00:58:11,400 --> 00:58:13,080 Speaker 1: You know, you know how it is, you're coming out 1035 00:58:14,440 --> 00:58:24,000 Speaker 1: what never charged for? None of that rom perpectly basketball, 1036 00:58:24,520 --> 00:58:28,120 Speaker 1: They didn't let me get that one and it's were downtown, 1037 00:58:28,440 --> 00:58:32,880 Speaker 1: but there's like adjacent. It's like technically still man hat 1038 00:58:36,960 --> 00:58:41,040 Speaker 1: So big up to cam U, big up to Free, 1039 00:58:41,400 --> 00:58:44,520 Speaker 1: big up to Aunt. I'm and I'm the big big 1040 00:58:44,600 --> 00:58:47,200 Speaker 1: boy that passed away. Um I think his name is Mike. 1041 00:58:47,280 --> 00:58:50,640 Speaker 1: I forget Jim. I know we really went on tour 1042 00:58:50,800 --> 00:58:54,840 Speaker 1: in the beginning really from from them from entertainment and um, 1043 00:58:55,080 --> 00:58:57,439 Speaker 1: you know big big num up man, Like I really 1044 00:58:57,560 --> 00:59:00,200 Speaker 1: really I really love brothers man. I really do really 1045 00:59:00,240 --> 00:59:04,720 Speaker 1: love him. So um some moving on, what make you 1046 00:59:04,920 --> 00:59:09,080 Speaker 1: name a project Karma? Because, for lack of a better term, 1047 00:59:10,000 --> 00:59:15,080 Speaker 1: karma is something that comes back in the hood, in 1048 00:59:15,160 --> 00:59:18,720 Speaker 1: the hood. In reality, it's something that could come back 1049 00:59:18,800 --> 00:59:21,600 Speaker 1: positive or negative, but in the hood people use karma 1050 00:59:22,160 --> 00:59:25,960 Speaker 1: as negative way, so when not, That's that's where that 1051 00:59:26,040 --> 00:59:30,440 Speaker 1: came from. Like, but I knew I'm big on like 1052 00:59:30,800 --> 00:59:35,360 Speaker 1: uh like one word. I mean like me and Stabbs 1053 00:59:35,400 --> 00:59:38,000 Speaker 1: did belove it. I'm getting to that. I'm saying My 1054 00:59:38,080 --> 00:59:42,720 Speaker 1: first album was Paranoia. Like I'm just big on one 1055 00:59:42,800 --> 00:59:46,760 Speaker 1: word that says everything that I'm talking about on this project, 1056 00:59:46,880 --> 00:59:48,600 Speaker 1: you know what I'm saying, or the just the vibe 1057 00:59:48,640 --> 00:59:52,120 Speaker 1: I got and I'm a strong believer in what goes 1058 00:59:52,200 --> 00:59:54,880 Speaker 1: around comes around, you know what I'm saying, Whatever you 1059 00:59:54,960 --> 00:59:58,000 Speaker 1: put out into the universe, I feel like that sho's 1060 00:59:58,040 --> 00:59:59,880 Speaker 1: gonna come back, you know what I'm saying. So I tried, 1061 01:00:00,040 --> 01:00:03,000 Speaker 1: uh um, you know, we all do our dirt, but 1062 01:00:03,240 --> 01:00:06,880 Speaker 1: I try to consciously put good out, you know what 1063 01:00:06,920 --> 01:00:09,280 Speaker 1: I'm saying, hoping that should come back to me. You 1064 01:00:09,280 --> 01:00:11,760 Speaker 1: know what I'm saying. Because I got friends that ain't 1065 01:00:11,800 --> 01:00:15,160 Speaker 1: here no more. They're doing a hundred years. They put 1066 01:00:15,200 --> 01:00:17,280 Speaker 1: bad into the universe. I watched them do it. I 1067 01:00:17,440 --> 01:00:19,800 Speaker 1: might have did it with him, like, but that's all 1068 01:00:19,880 --> 01:00:23,360 Speaker 1: they did, you know what I'm saying. And the Calma 1069 01:00:23,600 --> 01:00:26,400 Speaker 1: that ain't it never come back good. You know what 1070 01:00:26,400 --> 01:00:28,320 Speaker 1: I'm saying. You probably got a few people that did 1071 01:00:28,640 --> 01:00:31,680 Speaker 1: horrible and they didn't got away, you know what I'm saying. Luckily, 1072 01:00:32,400 --> 01:00:34,160 Speaker 1: but not even said of the time that Calma come 1073 01:00:34,200 --> 01:00:36,479 Speaker 1: back bad depending on what you put out into the world. 1074 01:00:36,560 --> 01:00:41,080 Speaker 1: So I felt like that was just a strong title 1075 01:00:41,280 --> 01:00:45,360 Speaker 1: that everybody could relate to. Whether you're from the hood, suburb, 1076 01:00:45,400 --> 01:00:48,160 Speaker 1: wherever you from, it's Calma. It's what I'm saying. How 1077 01:00:48,360 --> 01:00:51,320 Speaker 1: if you if you treat you if you if you 1078 01:00:51,440 --> 01:00:54,440 Speaker 1: treat your whoever, your kids wrong, your mom wrong you, 1079 01:00:54,760 --> 01:00:57,320 Speaker 1: whoever you do, if anybody over. You're doing good. You 1080 01:00:57,320 --> 01:00:59,160 Speaker 1: know what I'm saying. You got good, Calma coming back. 1081 01:00:59,640 --> 01:01:02,000 Speaker 1: You're doing I'm wrong. That ship gonna come back somehow, 1082 01:01:02,080 --> 01:01:04,680 Speaker 1: you know what I'm saying, Especially to somebody that got 1083 01:01:04,800 --> 01:01:06,800 Speaker 1: nothing but gam and love. You know what I'm saying 1084 01:01:06,920 --> 01:01:09,280 Speaker 1: for you? And I feel like in the hood a 1085 01:01:09,360 --> 01:01:13,480 Speaker 1: lot of times, the the survivor, like my last my 1086 01:01:13,800 --> 01:01:15,680 Speaker 1: last album to Michael, you know what I'm saying, Like, 1087 01:01:16,800 --> 01:01:19,960 Speaker 1: once that come into play, you don't think about karma. 1088 01:01:20,480 --> 01:01:24,120 Speaker 1: But when you take survival, paranoia and karma, right, this 1089 01:01:24,480 --> 01:01:27,200 Speaker 1: is emotions. You feel like you're a film. That's all me. 1090 01:01:27,880 --> 01:01:30,240 Speaker 1: You know what I'm saying. You remember when I dropped Paranoia, 1091 01:01:31,520 --> 01:01:34,760 Speaker 1: I was transitioning from the projects to a condo in Jersey. 1092 01:01:35,720 --> 01:01:37,520 Speaker 1: Now it's just said my name. I just got my 1093 01:01:37,640 --> 01:01:40,480 Speaker 1: first ROLLI I just got the range role like all that. 1094 01:01:40,600 --> 01:01:42,960 Speaker 1: So I was like, oh, you know what I'm saying. 1095 01:01:43,000 --> 01:01:44,880 Speaker 1: Them the looks in the hood a little different than me. 1096 01:01:45,480 --> 01:01:48,080 Speaker 1: Them DAPs is a little good, you know what I'm saying. 1097 01:01:48,120 --> 01:01:50,600 Speaker 1: Them Das used to be come in. They used to 1098 01:01:50,800 --> 01:02:00,280 Speaker 1: hug me and all. Now yeah down like funny. I 1099 01:02:00,440 --> 01:02:03,320 Speaker 1: know you forever, but now you're doing good and you 1100 01:02:03,440 --> 01:02:07,160 Speaker 1: out of here. And I'm still hitting Domicans, Dominican porta 1101 01:02:07,200 --> 01:02:12,040 Speaker 1: veganic Dominicans ain't a lot of Dominican. Look, man, I 1102 01:02:12,080 --> 01:02:14,520 Speaker 1: ain't a lot of browns. That's that's you know what 1103 01:02:14,560 --> 01:02:16,360 Speaker 1: I mean when when I when I was a second, 1104 01:02:16,440 --> 01:02:21,360 Speaker 1: when I was single out there, Man, I ain't been 1105 01:02:21,400 --> 01:02:23,480 Speaker 1: singing a long time. When they see the eye round 1106 01:02:24,040 --> 01:02:31,960 Speaker 1: the phone, baby, you continue, but you've been knocking him 1107 01:02:31,960 --> 01:02:33,920 Speaker 1: a lock down dog. Let's keep it around chilling man. 1108 01:02:34,160 --> 01:02:47,040 Speaker 1: Yet I'll be focused on you know. Yeah, I got girls, 1109 01:02:47,080 --> 01:02:49,360 Speaker 1: so now we respect that. I feel like with a boy, 1110 01:02:50,120 --> 01:02:52,200 Speaker 1: you can rock and roll like you know what I'm saying. Boy, 1111 01:02:52,240 --> 01:02:53,800 Speaker 1: you know what I mean with a girl, a girl 1112 01:02:53,880 --> 01:03:01,160 Speaker 1: like you had your time. Yeah, we listen. I lived. 1113 01:03:01,800 --> 01:03:03,720 Speaker 1: I'm not I'm not the other guys. I'm not mother. 1114 01:03:04,400 --> 01:03:13,080 Speaker 1: What's this nigger names killis? I'm y'all, I was in 1115 01:03:13,160 --> 01:03:18,720 Speaker 1: the blocking room. Goddamn's come good. I'm marrying now. I 1116 01:03:19,200 --> 01:03:21,800 Speaker 1: come home every night. I do not, But I lived 1117 01:03:21,800 --> 01:03:23,600 Speaker 1: through y'all niggas. Like when I'll be looking at your 1118 01:03:23,640 --> 01:03:29,880 Speaker 1: Instagram like, God, damn, man, I know my popsy man, 1119 01:03:31,040 --> 01:03:33,160 Speaker 1: I know he's going with it. Mother. He said, if 1120 01:03:33,160 --> 01:03:38,160 Speaker 1: I could only just switch places with you, I said, 1121 01:03:38,240 --> 01:03:41,160 Speaker 1: for thirty minutes, that's all I mean. Let me just 1122 01:03:41,280 --> 01:03:49,040 Speaker 1: trade places with you for thirty minutes. I think, God, no, 1123 01:03:49,240 --> 01:03:52,000 Speaker 1: I'm not gonna lie. I'm very proud of your generation 1124 01:03:52,120 --> 01:03:55,320 Speaker 1: because y'all figured it out. The thing about your generation 1125 01:03:55,600 --> 01:03:59,440 Speaker 1: is y'all actually figured out how to labor. Excuse me, 1126 01:03:59,600 --> 01:04:06,360 Speaker 1: the lay needs y'all like y'all like right now, if 1127 01:04:06,480 --> 01:04:09,800 Speaker 1: death Jam was the seven ties with you or you 1128 01:04:09,880 --> 01:04:13,840 Speaker 1: know whatever, seven times you have your fan base. I'm good, 1129 01:04:13,880 --> 01:04:17,560 Speaker 1: I'm I'm you like I kid you not. And that's 1130 01:04:17,600 --> 01:04:21,840 Speaker 1: something your whole generation, whether they realized that or not, 1131 01:04:22,080 --> 01:04:25,080 Speaker 1: they got that. It's y'all followers. This is your Instagram. 1132 01:04:26,080 --> 01:04:28,600 Speaker 1: Never give these guys your Instagram. Never get these guys 1133 01:04:28,680 --> 01:04:31,560 Speaker 1: your password. None of this ship I don't give. It's 1134 01:04:31,560 --> 01:04:34,600 Speaker 1: a new act call. I tell people all the tithing 1135 01:04:34,600 --> 01:04:37,720 Speaker 1: because how to cut you off? But shouts to death jail. 1136 01:04:38,720 --> 01:04:44,240 Speaker 1: You know what I'm saying, what you're doing? Man, I 1137 01:04:44,400 --> 01:04:47,600 Speaker 1: grew up on them, so I wasn't you know, everybody 1138 01:04:47,680 --> 01:04:52,120 Speaker 1: was over there from the rough Rider, fucking murdering rocket Feller. 1139 01:04:52,640 --> 01:04:55,280 Speaker 1: I grew up on that ship. So to me, it 1140 01:04:55,440 --> 01:04:59,520 Speaker 1: was like a cross of a finish line like ship. 1141 01:05:01,000 --> 01:05:04,080 Speaker 1: But getting blindsided by the fact of all of this 1142 01:05:04,240 --> 01:05:08,360 Speaker 1: work I already put in, all the things I've already created, 1143 01:05:08,680 --> 01:05:11,240 Speaker 1: and what I'm saying I actually had the same success 1144 01:05:11,320 --> 01:05:15,000 Speaker 1: on your own to the acting. That was all that was, 1145 01:05:15,480 --> 01:05:18,200 Speaker 1: That was that was I'm just you know, I I'm 1146 01:05:18,240 --> 01:05:22,000 Speaker 1: just thinking about it. This ship I got like, that's 1147 01:05:22,040 --> 01:05:24,320 Speaker 1: all things that came from me, in the in the 1148 01:05:24,400 --> 01:05:27,880 Speaker 1: work I was putting in, and whoever reached out directly 1149 01:05:27,960 --> 01:05:30,280 Speaker 1: to me, and like so a lot of that was like, uh, 1150 01:05:31,760 --> 01:05:33,960 Speaker 1: it's dope to be here, but um, you know what 1151 01:05:33,960 --> 01:05:37,920 Speaker 1: I mean, I didn't kind of created my own situation nowhere. 1152 01:05:39,680 --> 01:05:41,920 Speaker 1: It's it's pretty much the same thing with a publishing deal, 1153 01:05:42,000 --> 01:05:46,240 Speaker 1: which which which actually means right, publishing deal, you get 1154 01:05:46,280 --> 01:05:48,680 Speaker 1: your money back when you sell the actual records to 1155 01:05:48,840 --> 01:05:53,920 Speaker 1: like the video games or the movies or whatever like that. 1156 01:05:54,240 --> 01:05:56,400 Speaker 1: But if you know the people who make the video games, 1157 01:05:56,440 --> 01:05:59,440 Speaker 1: even though people make the movies, it's actually no need 1158 01:05:59,520 --> 01:06:02,480 Speaker 1: to get up deal. But this motherfucker's are telling you 1159 01:06:02,640 --> 01:06:06,960 Speaker 1: not hunting from the hood, denying that when I got 1160 01:06:07,000 --> 01:06:09,320 Speaker 1: my publishing that I was fresh out the projects like 1161 01:06:10,360 --> 01:06:12,880 Speaker 1: and ain't offering some ship I've never heard of exactly. 1162 01:06:13,040 --> 01:06:16,320 Speaker 1: So I'm like, but what I signed, Like, you know 1163 01:06:16,360 --> 01:06:20,840 Speaker 1: what I'm saying, Like, but it does mean if it's 1164 01:06:20,880 --> 01:06:22,480 Speaker 1: not a hundred, it does mean it's it's worth one 1165 01:06:22,520 --> 01:06:26,400 Speaker 1: point eight. It's a fact. It's a it's a fact. 1166 01:06:26,480 --> 01:06:31,919 Speaker 1: But what you have to work that one point that bread. 1167 01:06:31,960 --> 01:06:35,000 Speaker 1: Now you have to get busy. Yeah, yeah, that's get busy. 1168 01:06:35,080 --> 01:06:38,600 Speaker 1: That's how that work. That's how that work. That's how 1169 01:06:38,680 --> 01:06:42,560 Speaker 1: that work. Or you or you or you in debt forever. 1170 01:06:42,720 --> 01:06:44,560 Speaker 1: Like you know what I'm saying, Like, I ain't in 1171 01:06:44,600 --> 01:06:46,760 Speaker 1: the own a soul. I ain't gonna everybody in the hood. 1172 01:06:46,800 --> 01:06:48,480 Speaker 1: I don't want to nobody in the industry. And here's 1173 01:06:48,520 --> 01:06:51,920 Speaker 1: the crazy ship. It's the crazy ship us when I 1174 01:06:51,960 --> 01:06:53,560 Speaker 1: say us, because I don't want to. I don't want 1175 01:06:53,560 --> 01:06:56,600 Speaker 1: to turn into that old guy, right you muddy mud. 1176 01:06:57,280 --> 01:06:59,200 Speaker 1: I don't want to be that fun my day right 1177 01:06:59,280 --> 01:07:04,240 Speaker 1: like in this day about that y'all was all right, soap, 1178 01:07:04,760 --> 01:07:08,920 Speaker 1: that's kind of cool. I like did your late laughing, 1179 01:07:09,000 --> 01:07:13,280 Speaker 1: that's what's that. But what I'm gonna say is when 1180 01:07:13,440 --> 01:07:16,040 Speaker 1: I when we was making albums back then, right, the 1181 01:07:16,320 --> 01:07:20,000 Speaker 1: reason why we didn't recoup was a great reason. And 1182 01:07:20,000 --> 01:07:21,640 Speaker 1: I'm gonna break it down to you, not to say 1183 01:07:22,000 --> 01:07:24,600 Speaker 1: like it was a different generation, but it kind of was. 1184 01:07:24,920 --> 01:07:27,120 Speaker 1: Meaning they had to pay for the album cover, they 1185 01:07:27,160 --> 01:07:30,080 Speaker 1: had to pay for the actual the credits. Every time 1186 01:07:30,120 --> 01:07:32,840 Speaker 1: you wanted to shot your man out, spank you for you, 1187 01:07:32,960 --> 01:07:35,240 Speaker 1: spank you with eating hot dogs that nigga from You 1188 01:07:35,240 --> 01:07:39,440 Speaker 1: know what I'm saying, mother block that I'm shoting them out. 1189 01:07:39,640 --> 01:07:42,960 Speaker 1: All that ship cost it, right, the thing, all that 1190 01:07:45,040 --> 01:07:53,200 Speaker 1: album every okay, not only that, then you had the vinyl, 1191 01:07:53,400 --> 01:07:55,360 Speaker 1: then you had the c D, then you had you 1192 01:07:55,440 --> 01:07:59,680 Speaker 1: know whatever else motherfucker's wanted to do, and you had 1193 01:07:59,760 --> 01:08:02,440 Speaker 1: all the videos. All this right now, you can make 1194 01:08:02,560 --> 01:08:07,160 Speaker 1: videos literally four thousand dollars if we couldn't make videos 1195 01:08:07,200 --> 01:08:09,680 Speaker 1: for Hunting Grand back then. So this is the reason 1196 01:08:09,720 --> 01:08:11,840 Speaker 1: why you look at certain people's albums and you might 1197 01:08:11,880 --> 01:08:15,640 Speaker 1: look at allomatic might still not be recouped, but in 1198 01:08:15,720 --> 01:08:19,160 Speaker 1: that they was to recoup this that they overcharged us 1199 01:08:19,400 --> 01:08:22,120 Speaker 1: from the beginning, from the beginning they said that yo, 1200 01:08:22,360 --> 01:08:25,680 Speaker 1: your video, which is actually fucking five grand back then 1201 01:08:25,760 --> 01:08:28,800 Speaker 1: it's the same fucking technology. But they said your video 1202 01:08:28,920 --> 01:08:32,639 Speaker 1: was honey gram. So you're sitting there, you were couping 1203 01:08:32,760 --> 01:08:37,559 Speaker 1: four hundred and fifty thousand. The only dude that should 1204 01:08:37,600 --> 01:08:39,880 Speaker 1: not be recouped out of everybody, and he's my brother. 1205 01:08:39,920 --> 01:08:42,040 Speaker 1: I speak to him every two days, is Busting Rhymes. 1206 01:08:42,080 --> 01:08:45,519 Speaker 1: It's the only nick That motherfucker video was three million. 1207 01:08:45,680 --> 01:08:59,040 Speaker 1: Every video you do, you don't video, but there have 1208 01:08:59,160 --> 01:09:02,160 Speaker 1: been no videos like them. Ships. First, listen to me, 1209 01:09:02,280 --> 01:09:16,519 Speaker 1: clear Busting never had an old cave video you doing. 1210 01:09:17,840 --> 01:09:23,920 Speaker 1: We got my brother, keep going hard listen. That's the 1211 01:09:23,960 --> 01:09:26,720 Speaker 1: only but if you think about an all actuality. So 1212 01:09:26,920 --> 01:09:29,920 Speaker 1: now this is why I love this generation because this 1213 01:09:30,040 --> 01:09:34,360 Speaker 1: generation is producing their own albums, They engineering their own albums. 1214 01:09:34,720 --> 01:09:38,640 Speaker 1: There the producer that's producing it is their homeboy, and 1215 01:09:39,000 --> 01:09:42,040 Speaker 1: the director that's directing all their videos is their homeboy. 1216 01:09:42,280 --> 01:09:45,160 Speaker 1: There's no there's actually no need for a record lation 1217 01:09:45,640 --> 01:09:48,000 Speaker 1: at this point. Everything even with me, and it's been 1218 01:09:48,120 --> 01:09:51,360 Speaker 1: this way, including me doing my deal with Mahon pill 1219 01:09:52,120 --> 01:09:55,960 Speaker 1: in depth gam I've been super house bro. Everything I 1220 01:09:56,120 --> 01:09:59,080 Speaker 1: do from the visuals from from time to time the 1221 01:09:59,160 --> 01:10:01,680 Speaker 1: label get they they there, you'll see a video come 1222 01:10:01,720 --> 01:10:04,120 Speaker 1: out and then you can tell the label probably put 1223 01:10:04,200 --> 01:10:08,960 Speaker 1: some bread behind. But the ship that sell them shows 1224 01:10:09,000 --> 01:10:12,400 Speaker 1: out that had them them fans around them around the corner. 1225 01:10:13,040 --> 01:10:14,880 Speaker 1: That'd be the ship that we'll be doing, the ship 1226 01:10:14,960 --> 01:10:17,400 Speaker 1: that we'll be shooting up. The little freestyles I'm doing, 1227 01:10:17,520 --> 01:10:21,519 Speaker 1: order the the the grassroots to the ship. Like you 1228 01:10:21,560 --> 01:10:24,200 Speaker 1: know what I'm saying, Like it don't it's weird. You 1229 01:10:24,240 --> 01:10:26,040 Speaker 1: know what I'm saying. You'll be the the average kid 1230 01:10:26,080 --> 01:10:27,880 Speaker 1: in the hood. Its thirsty to get with the label, 1231 01:10:28,000 --> 01:10:31,799 Speaker 1: not knowing you already creating your own vibe from the street. 1232 01:10:32,360 --> 01:10:34,240 Speaker 1: I'm telling you, you're not knowing that you got your 1233 01:10:34,400 --> 01:10:36,240 Speaker 1: Your man didn't decided he want to do the camera 1234 01:10:36,320 --> 01:10:39,240 Speaker 1: ship now y'all shooting videos, y'all a man he want 1235 01:10:39,240 --> 01:10:41,840 Speaker 1: to make merch now y'all got y'all got closed with 1236 01:10:42,880 --> 01:10:45,120 Speaker 1: and and now you're bringing all of that. So the 1237 01:10:45,200 --> 01:10:48,519 Speaker 1: late that's what makes the label. But you're bringing them 1238 01:10:48,560 --> 01:10:52,200 Speaker 1: and they're like, oh, I can make They created a 1239 01:10:52,400 --> 01:10:54,800 Speaker 1: vibe that you gotta buy. You you wanna you want 1240 01:10:54,840 --> 01:10:56,519 Speaker 1: to get in tune with if you ain't had nothing 1241 01:10:56,520 --> 01:10:58,479 Speaker 1: that was worth getting paid off. They wouldn't get in 1242 01:10:58,520 --> 01:11:00,560 Speaker 1: tune with you. I'm gonna say one story. Mind me 1243 01:11:00,640 --> 01:11:02,559 Speaker 1: to say, this is the reason why the young generation 1244 01:11:02,640 --> 01:11:05,360 Speaker 1: got this figured out. My first day sign of the 1245 01:11:05,439 --> 01:11:09,120 Speaker 1: Depth Jam, I walked in the building. As I'm walking 1246 01:11:09,160 --> 01:11:10,680 Speaker 1: in the building, you know, you gotta sign your name 1247 01:11:10,760 --> 01:11:13,080 Speaker 1: to the ship before you go upstairs. So I saw 1248 01:11:13,320 --> 01:11:14,760 Speaker 1: by the side of my name and in front of 1249 01:11:14,800 --> 01:11:18,240 Speaker 1: me is IRV Gotti. So every guy's a cocky motherfucker. 1250 01:11:19,040 --> 01:11:25,360 Speaker 1: Every already signed and I turned around, right. So I'm 1251 01:11:25,400 --> 01:11:28,439 Speaker 1: sitting there, I'm thinking Depthcam but changed my life. I'm 1252 01:11:28,520 --> 01:11:32,080 Speaker 1: sitting there, I'm like, yo, so I'm signing that, and 1253 01:11:32,200 --> 01:11:35,000 Speaker 1: he just smells me or something because he didn't turn around. 1254 01:11:35,720 --> 01:11:37,840 Speaker 1: He didn't turn around. He was just looking face forward. 1255 01:11:38,200 --> 01:11:40,080 Speaker 1: And then he signed in and just kept going face 1256 01:11:40,120 --> 01:11:42,120 Speaker 1: forward and I signed in and he just wants to 1257 01:11:42,160 --> 01:11:48,439 Speaker 1: smell like it's another nigger head and just turned around. 1258 01:11:48,479 --> 01:11:50,240 Speaker 1: I was like yo, And I was like what. I 1259 01:11:50,320 --> 01:11:53,720 Speaker 1: looked at Eric, because you know, so what on earth? 1260 01:11:54,760 --> 01:11:58,080 Speaker 1: He was like the sign with Depth Jam. Huh. So 1261 01:11:58,200 --> 01:12:03,679 Speaker 1: I'm like, yeah, it's like you didn't make it like terrible. 1262 01:12:03,960 --> 01:12:08,040 Speaker 1: It's the most terrible information. I'm excited right now you 1263 01:12:08,080 --> 01:12:10,439 Speaker 1: would want to Yeah, you don't want to hit because 1264 01:12:10,439 --> 01:12:13,800 Speaker 1: I don't want to. I don't want to celebrate it 1265 01:12:13,880 --> 01:12:16,439 Speaker 1: from you. So because I'm like, because I'm like, yo, 1266 01:12:16,560 --> 01:12:19,000 Speaker 1: you know for you know, he's another quiz nigger. So 1267 01:12:19,080 --> 01:12:21,800 Speaker 1: it's like, yo, god man is from that side, So 1268 01:12:22,320 --> 01:12:25,200 Speaker 1: what do you mean? He's like, Yo, you ain't make it. 1269 01:12:25,320 --> 01:12:28,880 Speaker 1: I'm like, and I'm like, oh, these niggs must be threatened. 1270 01:12:28,920 --> 01:12:32,320 Speaker 1: The song. He's like, Yo, that independent label you was 1271 01:12:32,400 --> 01:12:34,880 Speaker 1: that you know how much you work there, You're gonna 1272 01:12:34,920 --> 01:12:38,360 Speaker 1: have to work three times more that depth jam because 1273 01:12:38,439 --> 01:12:42,479 Speaker 1: now you're at the Yankees. And I swore herbs a 1274 01:12:42,560 --> 01:12:45,040 Speaker 1: hater bro, I swear to God, I might have said, 1275 01:12:49,160 --> 01:12:54,479 Speaker 1: and then years later I said, just gave you the 1276 01:12:54,600 --> 01:12:57,360 Speaker 1: real fact. He gave me to like, like, yo, because 1277 01:12:57,400 --> 01:12:59,920 Speaker 1: you're at the Yankees. You think you think when you 1278 01:13:00,160 --> 01:13:03,719 Speaker 1: at the Marlins, it's lit. You know it's lit because 1279 01:13:03,720 --> 01:13:06,400 Speaker 1: you're the man at the mall. But now you're at 1280 01:13:06,439 --> 01:13:09,280 Speaker 1: the Yankees. You got Derren g, you got a row, 1281 01:13:10,080 --> 01:13:11,800 Speaker 1: you got the other dude. What's the new dude, the 1282 01:13:11,840 --> 01:13:14,720 Speaker 1: new dude j J. What's her name? What's the new 1283 01:13:14,800 --> 01:13:19,600 Speaker 1: nigga that light now on the Yankees, um Lloyd, I 1284 01:13:19,680 --> 01:13:24,160 Speaker 1: got the time, and I was like, well, let me 1285 01:13:24,280 --> 01:13:26,640 Speaker 1: do what I do because I don't really know how 1286 01:13:26,680 --> 01:13:28,760 Speaker 1: to even you know what I'm saying, like this is 1287 01:13:29,280 --> 01:13:32,439 Speaker 1: a real fall, Like you know what I'm saying, like 1288 01:13:32,520 --> 01:13:35,040 Speaker 1: this ain't the same. I ain't coming with the same 1289 01:13:35,080 --> 01:13:38,400 Speaker 1: intentions or the same vibe at all. But y'all got 1290 01:13:38,439 --> 01:13:40,400 Speaker 1: me over here, so we got we got let's make 1291 01:13:40,439 --> 01:13:43,759 Speaker 1: this work, you know what I'm saying. So now you're 1292 01:13:43,800 --> 01:13:46,600 Speaker 1: down with the label, down with NAS. How do you 1293 01:13:46,680 --> 01:13:50,760 Speaker 1: think is it's popping? Do you think that this's gonna Sure? 1294 01:13:50,800 --> 01:13:52,800 Speaker 1: You're not feeling right? And if you're feeling that's just 1295 01:13:52,920 --> 01:13:55,120 Speaker 1: for y'all. Right, I'm sorry, alright, cool, al right? Who 1296 01:13:55,200 --> 01:14:02,480 Speaker 1: your on Instagram? Please, I'm sorry, I've been watching. I'm sorry. Sorry. 1297 01:14:04,760 --> 01:14:06,560 Speaker 1: She wasn't here for the speech, so if she was 1298 01:14:06,680 --> 01:14:08,680 Speaker 1: doing social media, she would be right because he was 1299 01:14:08,800 --> 01:14:13,760 Speaker 1: here for the speech. So now signing NAS everything boom. 1300 01:14:14,760 --> 01:14:16,760 Speaker 1: Is there anything in the back of your mind that 1301 01:14:16,880 --> 01:14:20,760 Speaker 1: there might be some rocket fella? I ain't gonna fund 1302 01:14:20,840 --> 01:14:23,920 Speaker 1: between me and between us, no one else is gonna 1303 01:14:23,960 --> 01:14:35,559 Speaker 1: see what I actually, uh went like chopped it up 1304 01:14:35,600 --> 01:14:40,639 Speaker 1: with one like after the nap saying that shop wants 1305 01:14:40,840 --> 01:14:44,600 Speaker 1: that's still big Bro. But um, in my mind, that 1306 01:14:44,800 --> 01:14:48,800 Speaker 1: was like the ultimate I didn't did it? You know 1307 01:14:48,840 --> 01:14:50,599 Speaker 1: what I'm saying. I didn't. I didn't got I got 1308 01:14:50,720 --> 01:14:53,360 Speaker 1: bro and and and the ill part about NAS. He 1309 01:14:53,520 --> 01:14:55,320 Speaker 1: was cool with it, like you know what I'm saying, 1310 01:14:55,880 --> 01:14:58,040 Speaker 1: but that you chopped it up? What want? Yeah, like 1311 01:14:58,400 --> 01:15:00,840 Speaker 1: you said him, I was going, I was really the 1312 01:15:01,040 --> 01:15:04,080 Speaker 1: conversations was about management, So I was I was gonna 1313 01:15:04,080 --> 01:15:08,080 Speaker 1: be My whole thing was I'm signing NAS. But lookay, 1314 01:15:08,120 --> 01:15:10,000 Speaker 1: hold on, I'm not understand with it. I don't think 1315 01:15:10,040 --> 01:15:13,679 Speaker 1: you'll understand what you're saying. You were thinking about having 1316 01:15:13,720 --> 01:15:17,320 Speaker 1: O g one Man, no brock Nation. I was gonna 1317 01:15:17,360 --> 01:15:19,400 Speaker 1: be signing to Master Pill that would have been my 1318 01:15:19,560 --> 01:15:23,000 Speaker 1: label one which and then let rock Nation management because 1319 01:15:23,000 --> 01:15:25,280 Speaker 1: a lot of the niggas that's on rock Nation it's 1320 01:15:25,360 --> 01:15:27,719 Speaker 1: managed by them. That ain't really the label they signed 1321 01:15:27,760 --> 01:15:31,800 Speaker 1: tom staying. In my mind, that's what you know, and 1322 01:15:31,880 --> 01:15:35,120 Speaker 1: I was kind of close to that, but a few 1323 01:15:35,240 --> 01:15:37,960 Speaker 1: evil forces just didn't allow that to happen. You know, 1324 01:15:38,080 --> 01:15:39,920 Speaker 1: I made it happen, right, you know, I got business 1325 01:15:39,920 --> 01:15:49,080 Speaker 1: the wall three niggas I was. I was took they're 1326 01:15:49,120 --> 01:15:53,720 Speaker 1: too rich to be. I was in the building. It 1327 01:15:53,800 --> 01:15:55,880 Speaker 1: ain't had nothing to do with even one of them. 1328 01:15:56,280 --> 01:16:00,600 Speaker 1: It was other ship. I ain't gonna tell, but it 1329 01:16:00,720 --> 01:16:02,560 Speaker 1: was all the ship that but it was, you know, 1330 01:16:02,600 --> 01:16:04,640 Speaker 1: I mean two or three times I pulled up you 1331 01:16:04,640 --> 01:16:06,080 Speaker 1: know what I mean, they was telling me. I mean 1332 01:16:06,160 --> 01:16:09,439 Speaker 1: I chomped it up and it was looking good because 1333 01:16:10,600 --> 01:16:13,680 Speaker 1: from from from that was just my direct, you know, 1334 01:16:13,760 --> 01:16:16,800 Speaker 1: he from my tail, like that was my direct when 1335 01:16:16,840 --> 01:16:18,840 Speaker 1: it came to Rock Nation. That's who I could talk with. 1336 01:16:19,200 --> 01:16:20,920 Speaker 1: You know what I'm saying, How I could go outland? 1337 01:16:21,080 --> 01:16:23,519 Speaker 1: You know what I'm saying, Like, so now I remember 1338 01:16:23,640 --> 01:16:26,360 Speaker 1: originally it was Wayne On right now, WAYNEO is it 1339 01:16:26,439 --> 01:16:30,240 Speaker 1: on every Day's Struggle? I believe? Okay, So what what 1340 01:16:30,360 --> 01:16:32,120 Speaker 1: what happened with them? If that's something you want to 1341 01:16:32,160 --> 01:16:35,679 Speaker 1: talk about? People grew apart? You know what I'm saying. 1342 01:16:35,720 --> 01:16:37,200 Speaker 1: That's one of them. Meet me and him, that was 1343 01:16:37,320 --> 01:16:39,080 Speaker 1: my brother. I took my shot how to with him? 1344 01:16:39,560 --> 01:16:42,560 Speaker 1: I turned Muslim with him, and I'm saying nothing but 1345 01:16:42,720 --> 01:16:48,479 Speaker 1: genuine love for him. You know, Um, people grew apart. 1346 01:16:48,640 --> 01:16:50,080 Speaker 1: You know what I mean, at the time we came in, 1347 01:16:51,160 --> 01:16:53,360 Speaker 1: Like I said, at the end of the day, I 1348 01:16:53,439 --> 01:16:56,200 Speaker 1: don't have no hard fellers because at the time when 1349 01:16:56,280 --> 01:16:58,080 Speaker 1: it when it, when we made it happen, it was 1350 01:16:58,120 --> 01:17:02,000 Speaker 1: like impossible to the hood for some ship like that 1351 01:17:02,120 --> 01:17:03,920 Speaker 1: to go down. Like you know what I'm saying. You 1352 01:17:04,040 --> 01:17:07,760 Speaker 1: got a nigga from first to nigga from lex that 1353 01:17:07,920 --> 01:17:10,840 Speaker 1: then linked up, put something together and then nas and 1354 01:17:10,920 --> 01:17:12,840 Speaker 1: sound it, you know what I mean. So that just 1355 01:17:12,960 --> 01:17:15,920 Speaker 1: looked like whoa, you know what I mean. So I 1356 01:17:16,040 --> 01:17:19,360 Speaker 1: always salute that situation. But people grow apart. Shouts to 1357 01:17:19,400 --> 01:17:22,120 Speaker 1: win on what he's doing right now, and I'm doing 1358 01:17:22,200 --> 01:17:24,800 Speaker 1: what I'm doing. But it's no hall feelings day. I 1359 01:17:24,840 --> 01:17:26,439 Speaker 1: just we just grew apart. You know what I man? 1360 01:17:28,040 --> 01:17:30,240 Speaker 1: Is is that like something a part of the industry 1361 01:17:30,400 --> 01:17:36,120 Speaker 1: that that folks with you sometimes it is because see me, Yeah, 1362 01:17:36,160 --> 01:17:41,439 Speaker 1: it's super funks with me because because before all of 1363 01:17:41,520 --> 01:17:44,640 Speaker 1: this ship, it didn't matter. It was my man, you 1364 01:17:44,720 --> 01:17:46,880 Speaker 1: know what I mean, Like it was my guy that 1365 01:17:47,000 --> 01:17:49,080 Speaker 1: we're rocking roads. I mean like it was cool. But 1366 01:17:49,840 --> 01:17:54,680 Speaker 1: once you're throwing the the everything everything, I ain't going 1367 01:17:54,720 --> 01:17:57,360 Speaker 1: I can't even point I can't pay a point one thing. 1368 01:17:57,520 --> 01:18:01,560 Speaker 1: But once you're throwing everything, it makes motherfucker's do this. 1369 01:18:02,120 --> 01:18:03,760 Speaker 1: That was your day to day guy, you know what 1370 01:18:03,760 --> 01:18:06,280 Speaker 1: I'm saying. So of course you're gonna keep it pushing 1371 01:18:06,439 --> 01:18:09,080 Speaker 1: us life, you know what I'm saying, But use I 1372 01:18:09,160 --> 01:18:10,920 Speaker 1: sit back and think about it, like damn, you know 1373 01:18:10,960 --> 01:18:14,639 Speaker 1: what I'm saying, Like that was certain people was really 1374 01:18:14,720 --> 01:18:17,280 Speaker 1: my guy, like like not just him, but a lot 1375 01:18:17,360 --> 01:18:20,040 Speaker 1: of people then went through that with that was my man, 1376 01:18:20,240 --> 01:18:22,439 Speaker 1: like you know I mean, And and you'd be so 1377 01:18:22,640 --> 01:18:26,360 Speaker 1: focused on your career and what you're doing, you don't 1378 01:18:26,400 --> 01:18:30,040 Speaker 1: got time to even really men relationships. You know what 1379 01:18:30,080 --> 01:18:32,400 Speaker 1: I'm saying. You don't thinking about it five years later, 1380 01:18:32,520 --> 01:18:34,679 Speaker 1: like because you was on your I gotta do this album, 1381 01:18:35,160 --> 01:18:36,880 Speaker 1: I'm doing this, I got this photo shoot, I got 1382 01:18:36,960 --> 01:18:39,840 Speaker 1: this interview at this magazine, I got this movie, and 1383 01:18:39,960 --> 01:18:42,160 Speaker 1: you and niggas is falling off, you know what I'm saying. 1384 01:18:42,200 --> 01:18:45,200 Speaker 1: And these are people that you truly got love for 1385 01:18:45,400 --> 01:18:46,920 Speaker 1: you know what I'm saying, And they got love for you. 1386 01:18:47,640 --> 01:18:50,439 Speaker 1: But you want to mission you you you you you 1387 01:18:50,920 --> 01:18:53,479 Speaker 1: already like man, I'm on a I'm in a zone 1388 01:18:53,960 --> 01:18:55,640 Speaker 1: and that's what I gotta go do. And if you 1389 01:18:55,760 --> 01:18:58,400 Speaker 1: can't get with it. When we figured that out later, 1390 01:18:58,640 --> 01:19:00,360 Speaker 1: you know what I'm saying, Like, but for right now, 1391 01:19:00,479 --> 01:19:02,000 Speaker 1: I gotta I got, I got to do, I got, 1392 01:19:02,479 --> 01:19:05,240 Speaker 1: I got the whole Damn should I gotta roll? You 1393 01:19:05,280 --> 01:19:06,880 Speaker 1: know what I mean? So I do sit back and 1394 01:19:06,960 --> 01:19:09,680 Speaker 1: think about that. You know what I mean. There's so 1395 01:19:09,840 --> 01:19:12,519 Speaker 1: many people that I look and there's so there's so 1396 01:19:12,560 --> 01:19:15,320 Speaker 1: many people that was great, people that was with me, 1397 01:19:15,800 --> 01:19:18,360 Speaker 1: but I realized that, you know, they might have not 1398 01:19:18,680 --> 01:19:21,599 Speaker 1: fit at this table. Let's say this is your situation. 1399 01:19:21,720 --> 01:19:25,040 Speaker 1: Let's say in this but there's a lot of people 1400 01:19:25,200 --> 01:19:29,320 Speaker 1: that you know, they come back and the thing is, 1401 01:19:29,760 --> 01:19:31,880 Speaker 1: here's here's the greatest thing in the world. Let's to 1402 01:19:32,000 --> 01:19:35,600 Speaker 1: repair the relationship. Right as I think we've started some 1403 01:19:35,720 --> 01:19:38,519 Speaker 1: eleven years, I still look good. Let's keep it brill 1404 01:19:40,880 --> 01:19:49,160 Speaker 1: that good. So it's about amending the relationship, right is. 1405 01:19:49,200 --> 01:19:53,040 Speaker 1: The thing is, no matter where we was at, if 1406 01:19:53,120 --> 01:19:55,400 Speaker 1: we can sit back and be like yo, I think 1407 01:19:55,560 --> 01:19:59,080 Speaker 1: that's the beautiful partist When we can sit back and say, yo, listen, yo, 1408 01:19:59,200 --> 01:20:01,639 Speaker 1: y'all you know what boom boom where you at all 1409 01:20:01,800 --> 01:20:03,920 Speaker 1: come on, boom boom, and you put it back together. 1410 01:20:04,960 --> 01:20:08,599 Speaker 1: When that happens, that's the ultimate friendship that I feel 1411 01:20:08,640 --> 01:20:12,040 Speaker 1: like nothing makes a relationship strong good and falling the 1412 01:20:12,120 --> 01:20:15,479 Speaker 1: funk off, you know what I'm saying, because we've all 1413 01:20:15,560 --> 01:20:17,920 Speaker 1: fall off of people and you never speak to him again, 1414 01:20:18,439 --> 01:20:22,639 Speaker 1: but being able to actually fall off, you feel your way, 1415 01:20:22,680 --> 01:20:24,840 Speaker 1: they feel their way in y'all go, y'all separate way 1416 01:20:24,920 --> 01:20:28,320 Speaker 1: for however long, but somehow somewhere y'all figure that out. 1417 01:20:28,400 --> 01:20:31,040 Speaker 1: Like you know what, bro they come back around. So 1418 01:20:31,160 --> 01:20:33,600 Speaker 1: I feel like that be the genuine ship. If we 1419 01:20:33,720 --> 01:20:36,639 Speaker 1: never speak again, it wasn't genuine. Whatever love I thought 1420 01:20:36,720 --> 01:20:39,320 Speaker 1: you had, you ain't really had that. And if we 1421 01:20:39,479 --> 01:20:43,640 Speaker 1: go back, something about that was real. And when you 1422 01:20:43,800 --> 01:20:45,760 Speaker 1: bring it back like it's the thing about this it's 1423 01:20:45,800 --> 01:20:48,920 Speaker 1: like even me and son, like me and Son, we 1424 01:20:49,040 --> 01:20:51,400 Speaker 1: had he had to fall out. I feel like he 1425 01:20:51,680 --> 01:20:53,400 Speaker 1: shot at me in front of a whole bunch of people. 1426 01:20:53,439 --> 01:20:57,160 Speaker 1: He shoulding this show at and whatever. But when we 1427 01:20:57,280 --> 01:20:59,519 Speaker 1: got back together, it was just like, you know what, 1428 01:21:00,760 --> 01:21:05,000 Speaker 1: you know what, It's just even when when I see y'all, 1429 01:21:05,120 --> 01:21:08,960 Speaker 1: I'll be like, Damn, that's that's that's that's that's that's 1430 01:21:09,080 --> 01:21:12,040 Speaker 1: that's mad. That's to me. I think it would be 1431 01:21:12,120 --> 01:21:16,120 Speaker 1: like this is my whole thing. Like people, people don't 1432 01:21:16,200 --> 01:21:21,160 Speaker 1: let tom come into or even coming to the situation 1433 01:21:22,040 --> 01:21:24,120 Speaker 1: a person to judge you how you act, or for 1434 01:21:24,479 --> 01:21:27,479 Speaker 1: a year being around you, I don't even know you 1435 01:21:27,640 --> 01:21:29,360 Speaker 1: like that. I've been around for a year, you know 1436 01:21:29,400 --> 01:21:31,880 Speaker 1: what I'm saying. Like the relationships of people that have 1437 01:21:31,960 --> 01:21:35,160 Speaker 1: been been rocked out fifteen years, twenty years, then four 1438 01:21:35,520 --> 01:21:39,639 Speaker 1: shot shot out, had beef got cool again with each other, 1439 01:21:39,720 --> 01:21:44,080 Speaker 1: baby shower, that the love that be the love, Like 1440 01:21:44,160 --> 01:21:45,519 Speaker 1: you know what I'm saying. Because you're gonna meet a 1441 01:21:45,520 --> 01:21:47,720 Speaker 1: billion that's one thing I learned in this life. You're 1442 01:21:47,760 --> 01:21:50,880 Speaker 1: gonna meet it. You're gonna meet the world. You know 1443 01:21:50,920 --> 01:21:52,559 Speaker 1: what I'm saying, You're gonna meet the world. I mean, 1444 01:21:52,680 --> 01:21:55,559 Speaker 1: mother fucker's gonna rock with you, looking in the person 1445 01:21:55,720 --> 01:21:59,479 Speaker 1: and the person you are, gratitude, your mood swings, all 1446 01:21:59,520 --> 01:22:01,679 Speaker 1: this ship. That the ship you bring to the table, 1447 01:22:02,479 --> 01:22:04,400 Speaker 1: whether it's good or bad. I mean, my fucker's get 1448 01:22:04,479 --> 01:22:08,240 Speaker 1: rocked with that for for extended period of time. That's 1449 01:22:08,320 --> 01:22:10,320 Speaker 1: the love. You know what I'm saying. People could pull 1450 01:22:10,400 --> 01:22:12,240 Speaker 1: up to three years. Oh boy lett he in the club, 1451 01:22:12,320 --> 01:22:15,439 Speaker 1: ain't no bitch is on him. It's bottles. The jewelers 1452 01:22:15,600 --> 01:22:18,439 Speaker 1: is around. He's getting closed it. Yeah, you're around that. 1453 01:22:18,560 --> 01:22:22,400 Speaker 1: That ship slow up Corona showed me a lot because yeah, 1454 01:22:22,600 --> 01:22:26,800 Speaker 1: when the corner dropped, that shows Yeah, a lot of 1455 01:22:26,840 --> 01:22:30,879 Speaker 1: the things that was heavy ever with my life and vanished. 1456 01:22:31,640 --> 01:22:35,759 Speaker 1: My actual guys is around, like my my is not calling, 1457 01:22:37,840 --> 01:22:49,160 Speaker 1: no money with me. You got it on your own. 1458 01:22:51,360 --> 01:22:54,880 Speaker 1: Let me says open, my phone will be ringing and 1459 01:22:55,000 --> 01:22:58,519 Speaker 1: getting the phone will be booming. The data clubs open. 1460 01:22:59,600 --> 01:23:02,400 Speaker 1: That's how I go though. This ship all artificial, but 1461 01:23:02,560 --> 01:23:06,439 Speaker 1: certain makes like with me and you sad you want 1462 01:23:06,520 --> 01:23:09,600 Speaker 1: person when city happened to me? Because you know a 1463 01:23:09,680 --> 01:23:12,880 Speaker 1: lot of ship now in life we we put it 1464 01:23:12,880 --> 01:23:15,160 Speaker 1: on the ground. And what I'm saying, web, it's a 1465 01:23:15,320 --> 01:23:17,960 Speaker 1: death for whatever we just that's how that's like our 1466 01:23:18,080 --> 01:23:21,240 Speaker 1: new coping mechanism. Let's let's post this and you know 1467 01:23:21,280 --> 01:23:24,120 Speaker 1: what I mean. You know what I mean. And it's 1468 01:23:24,160 --> 01:23:28,400 Speaker 1: only it's only a certain artists. It's only certain artists 1469 01:23:28,560 --> 01:23:32,200 Speaker 1: that really directly hitting me like you know what I'm saying. 1470 01:23:32,320 --> 01:23:35,080 Speaker 1: Like Staus Pete pulled up on me like what I'm 1471 01:23:35,120 --> 01:23:37,479 Speaker 1: saying and shops to says with him and his wife. 1472 01:23:38,080 --> 01:23:40,160 Speaker 1: I pulled up like he called me, said, you're coming 1473 01:23:40,160 --> 01:23:41,639 Speaker 1: to juice ball. I want to get you a hug, 1474 01:23:42,120 --> 01:23:45,920 Speaker 1: nor re hit me direct, just checking on you anything 1475 01:23:45,960 --> 01:23:48,240 Speaker 1: you need. I'm here like so as certain people that 1476 01:23:49,120 --> 01:23:53,240 Speaker 1: I might have met in the industry, but in the industry. Ship, 1477 01:23:54,320 --> 01:23:56,800 Speaker 1: get what I mean, like it's real. I look at 1478 01:23:56,840 --> 01:24:00,840 Speaker 1: Bro as a big bro like something. Ship. I'm gonna 1479 01:24:00,880 --> 01:24:03,000 Speaker 1: be honest with you, and I was trying to avoid 1480 01:24:03,040 --> 01:24:05,120 Speaker 1: this with him to take a shot first, and God, 1481 01:24:05,960 --> 01:24:10,519 Speaker 1: so little, a little, a little. Do you see that 1482 01:24:10,600 --> 01:24:14,360 Speaker 1: you see? Get me drunk? Right? Yeah? Yeah, That's what 1483 01:24:14,439 --> 01:24:19,160 Speaker 1: I'm going man, shooting right now. He's probably right now. 1484 01:24:19,360 --> 01:24:21,439 Speaker 1: So I'm not a lot. I think have been sitting 1485 01:24:21,520 --> 01:24:23,760 Speaker 1: right here when I've seen what happened to shoot up. 1486 01:24:25,680 --> 01:24:28,920 Speaker 1: I knew you needed that love. I don't know who 1487 01:24:28,920 --> 01:24:33,880 Speaker 1: you needed. I don't want to say attention. You need 1488 01:24:34,040 --> 01:24:37,880 Speaker 1: people to know that, y'all life is gonna be I 1489 01:24:38,680 --> 01:24:40,400 Speaker 1: but some wanted you to keep going. This is a 1490 01:24:40,479 --> 01:24:43,040 Speaker 1: different sun. I wanted you to keep going and you 1491 01:24:43,200 --> 01:24:48,240 Speaker 1: have to keep right like and without you even knowing that. 1492 01:24:48,360 --> 01:24:51,759 Speaker 1: Ship extremely helped me. Bro. I was on a dog's space. 1493 01:24:52,240 --> 01:24:53,840 Speaker 1: That was my best friend. You know what I'm saying. 1494 01:24:53,880 --> 01:24:57,720 Speaker 1: For the last fifteen years, we did everything right. You 1495 01:24:57,760 --> 01:24:59,479 Speaker 1: know what I'm saying. We finally I was begging him 1496 01:24:59,520 --> 01:25:02,920 Speaker 1: last passport, got his passport. I did a tour and 1497 01:25:03,080 --> 01:25:08,040 Speaker 1: December when everywhere at Dubai, Germany, London, Paris, Portugal, when 1498 01:25:08,080 --> 01:25:09,679 Speaker 1: I took him around the world. You know what I'm saying. 1499 01:25:10,640 --> 01:25:13,240 Speaker 1: He came home and and and and that ship happened. 1500 01:25:13,280 --> 01:25:16,720 Speaker 1: But that helped me extremely you know what I'm saying. 1501 01:25:16,720 --> 01:25:20,160 Speaker 1: You get a lot of your my condolences, but they 1502 01:25:20,280 --> 01:25:22,160 Speaker 1: don't know what you're really going through. So somebody to 1503 01:25:22,280 --> 01:25:25,000 Speaker 1: take the time out of it. I know you're busy, dude. 1504 01:25:25,200 --> 01:25:26,920 Speaker 1: I know certain people got a lot of ship going 1505 01:25:26,960 --> 01:25:29,120 Speaker 1: on right now. So for you to really you really 1506 01:25:29,439 --> 01:25:32,519 Speaker 1: hit me or some ship I knew relationship, you really 1507 01:25:32,640 --> 01:25:37,800 Speaker 1: hit me. The Obama Strip Left bonding experience. I mean 1508 01:25:37,880 --> 01:25:39,600 Speaker 1: that was a part of it. But even beyond that, 1509 01:25:41,479 --> 01:25:47,080 Speaker 1: I knew, I knew who who knew. And the thing 1510 01:25:47,160 --> 01:25:52,200 Speaker 1: about it was, um, I've been through that so much. 1511 01:25:52,400 --> 01:25:55,720 Speaker 1: You know, I got twenty five years or I'm going on, 1512 01:25:56,320 --> 01:25:59,960 Speaker 1: excuse me, the rap game, but I got I'm talking 1513 01:26:00,040 --> 01:26:03,720 Speaker 1: mom in the streets and just the rap game is 1514 01:26:03,800 --> 01:26:07,479 Speaker 1: one thing, but I go through that so much. And 1515 01:26:07,560 --> 01:26:10,479 Speaker 1: the thing is, we never understand when it's like a 1516 01:26:10,720 --> 01:26:13,320 Speaker 1: right hand man. You don't you don't get it. And 1517 01:26:13,720 --> 01:26:15,160 Speaker 1: you know what's the part about it that both my 1518 01:26:15,280 --> 01:26:19,040 Speaker 1: heart shooter got shot five times. Yeah years ago, you 1519 01:26:19,080 --> 01:26:20,840 Speaker 1: know what I'm saying. King to he got hit and 1520 01:26:21,040 --> 01:26:23,720 Speaker 1: some niggers hit him in the bridge. Shout to my 1521 01:26:24,080 --> 01:26:27,000 Speaker 1: my son Pefe. His moms sat with him. The ambulance 1522 01:26:27,080 --> 01:26:29,120 Speaker 1: came down and he survived that ship walked that off. 1523 01:26:29,600 --> 01:26:32,200 Speaker 1: We went on the whole. Then years passed. We're going 1524 01:26:32,240 --> 01:26:33,960 Speaker 1: a toy. He came back to the bridge, he had 1525 01:26:34,000 --> 01:26:36,000 Speaker 1: static with the nigga. Nigga stabbed him in the back. 1526 01:26:36,880 --> 01:26:39,640 Speaker 1: He goes to his mouth, SIGNI right there, and and 1527 01:26:39,720 --> 01:26:42,840 Speaker 1: that story he faced time mean, nigg you know I'm terminating. 1528 01:26:42,840 --> 01:26:46,080 Speaker 1: I don't die of that right and then the looking 1529 01:26:46,200 --> 01:26:48,080 Speaker 1: killed him. You know what I'm saying telling me, Yo, 1530 01:26:48,160 --> 01:26:50,680 Speaker 1: He called me like y'all ain't feeling good. You know 1531 01:26:50,720 --> 01:26:52,040 Speaker 1: what I'm I'm gonna go check on him and go. 1532 01:26:52,120 --> 01:26:54,360 Speaker 1: She was good. He went drove, took herself to the 1533 01:26:54,439 --> 01:26:57,400 Speaker 1: hospital and never left them more. You know what I mean? 1534 01:26:57,560 --> 01:26:59,920 Speaker 1: Like twenty seven years old. The liquor, and and then 1535 01:27:00,000 --> 01:27:02,600 Speaker 1: I sit back and think all the times we was 1536 01:27:02,680 --> 01:27:05,679 Speaker 1: drinking the pain away, no matter what we was going through, 1537 01:27:06,200 --> 01:27:08,240 Speaker 1: but it was a good time, like in the hood, 1538 01:27:08,360 --> 01:27:15,479 Speaker 1: you know, time getting the bottle. Second, because every one 1539 01:27:15,560 --> 01:27:19,600 Speaker 1: of us, you think about nas, you know jay Z, 1540 01:27:19,760 --> 01:27:22,599 Speaker 1: you think about me. I got hit hard, Todd. Every 1541 01:27:22,640 --> 01:27:24,640 Speaker 1: one of us has a ghost that runs with us. 1542 01:27:25,000 --> 01:27:27,160 Speaker 1: And it's maybe you didn't start with your ghosts. So 1543 01:27:27,280 --> 01:27:34,160 Speaker 1: now you have to like, I got just my heart 1544 01:27:34,240 --> 01:27:36,160 Speaker 1: right here, brother freaky like you know what I'm saying. 1545 01:27:36,200 --> 01:27:38,599 Speaker 1: I got ghost, I had goo. I just didn't see 1546 01:27:38,640 --> 01:27:42,519 Speaker 1: that because what broke was the fact that I watched 1547 01:27:42,600 --> 01:27:45,679 Speaker 1: my son like get out to get out the hood. 1548 01:27:45,800 --> 01:27:48,160 Speaker 1: He got out the trenches, you know what I'm saying. 1549 01:27:48,240 --> 01:27:51,000 Speaker 1: By the time it all went down, he hadn't got 1550 01:27:51,080 --> 01:27:53,640 Speaker 1: his license, got a BMW truck. I don't got my 1551 01:27:53,720 --> 01:28:00,479 Speaker 1: license yet, moved me neither and drive. He got a 1552 01:28:00,560 --> 01:28:03,240 Speaker 1: crib shooter. Was living in Jersey City, and it moved 1553 01:28:03,280 --> 01:28:04,960 Speaker 1: his little brother out the hood and they had a 1554 01:28:05,560 --> 01:28:08,320 Speaker 1: little kindo in Gersey City. He had the BM truck. 1555 01:28:08,920 --> 01:28:10,880 Speaker 1: He was chilling, you know what I'm saying. Like he 1556 01:28:11,080 --> 01:28:13,320 Speaker 1: finally got to the point. I was begging the nigga 1557 01:28:13,360 --> 01:28:16,519 Speaker 1: for years. You're bro, we lit down, we're running around. 1558 01:28:16,560 --> 01:28:18,760 Speaker 1: You can't be sitting in the bridge all that, you 1559 01:28:18,800 --> 01:28:20,320 Speaker 1: know what I'm saying, just to beg him, and he 1560 01:28:20,439 --> 01:28:23,519 Speaker 1: finally got it. And once he got it, he died. 1561 01:28:24,040 --> 01:28:25,680 Speaker 1: So that ship kind of what I'm saying, that just 1562 01:28:25,760 --> 01:28:28,439 Speaker 1: make it's that our question that forever, you know what 1563 01:28:28,439 --> 01:28:31,160 Speaker 1: I mean. But I feel like we all, like, like 1564 01:28:31,280 --> 01:28:35,479 Speaker 1: I said, you escho stables, y'all hit me on some 1565 01:28:35,600 --> 01:28:39,120 Speaker 1: real direct little bro ship, Like y'all feel I feel 1566 01:28:39,120 --> 01:28:41,200 Speaker 1: what's going on. And I mean it wasn't on Instagram 1567 01:28:42,120 --> 01:28:44,200 Speaker 1: with oh, it wasn't just that like let me oh, 1568 01:28:44,240 --> 01:28:46,240 Speaker 1: I've seen it. Let me just now. It was direct 1569 01:28:46,360 --> 01:28:49,320 Speaker 1: and I respect that. I respect that too. Man. Let's 1570 01:28:49,360 --> 01:28:52,519 Speaker 1: let's make some noise. We had a moment side of 1571 01:28:52,560 --> 01:28:55,439 Speaker 1: stones all there. Let's make He's a turn up dude. 1572 01:28:55,479 --> 01:28:57,880 Speaker 1: That's my that was a live wire. You know, what's 1573 01:28:57,920 --> 01:28:59,680 Speaker 1: the crazy ship. That's how I came up with what 1574 01:29:00,840 --> 01:29:05,360 Speaker 1: I'm not from Shooter, But what I'm saying is Queensbridge niggers, 1575 01:29:05,840 --> 01:29:08,320 Speaker 1: Like what happened was when NAS came out everybody from 1576 01:29:08,400 --> 01:29:14,120 Speaker 1: Queen because Nas is a smooth dude, So everybody every 1577 01:29:14,720 --> 01:29:21,720 Speaker 1: Queens is smooth the rest of the bridge. If you 1578 01:29:21,880 --> 01:29:23,680 Speaker 1: really think about it, That's how I came up with 1579 01:29:23,840 --> 01:29:28,880 Speaker 1: what What? Because what happened was Nas came out with 1580 01:29:29,000 --> 01:29:32,679 Speaker 1: this posana in ninety four, but you know he probably 1581 01:29:32,680 --> 01:29:36,640 Speaker 1: started in ninety two. It started in ninety two, and 1582 01:29:37,439 --> 01:29:40,920 Speaker 1: so he was just just cool yea, you know, whatever, whatever, 1583 01:29:42,080 --> 01:29:44,800 Speaker 1: And that's how I came up what What? Because I 1584 01:29:44,840 --> 01:29:48,640 Speaker 1: would just be like, what what what? I'm like, this 1585 01:29:48,800 --> 01:29:51,120 Speaker 1: is who y'all really are. This is who we really are. 1586 01:29:51,479 --> 01:29:56,040 Speaker 1: Like there's only one smooth nigga. I'm like, they came 1587 01:29:56,120 --> 01:29:59,519 Speaker 1: home from so I came over to school and this 1588 01:29:59,640 --> 01:30:03,320 Speaker 1: one take it that was in the basement, and that 1589 01:30:03,520 --> 01:30:08,439 Speaker 1: video came on Big Tigger, like the candle yeah tunes, 1590 01:30:08,479 --> 01:30:11,000 Speaker 1: I got a cock of spin yo, what this thing? 1591 01:30:11,160 --> 01:30:15,320 Speaker 1: And Chill is willing but he's talking, he was talk 1592 01:30:16,080 --> 01:30:20,000 Speaker 1: He's sitting there. I'm like, no, I made that in 1593 01:30:20,120 --> 01:30:22,519 Speaker 1: one take. Let me just tell you something the same 1594 01:30:22,760 --> 01:30:26,040 Speaker 1: I tell you that's when you learned something new, anything happened. 1595 01:30:26,080 --> 01:30:28,400 Speaker 1: I never would have knew that ship I met this dude, 1596 01:30:28,760 --> 01:30:32,400 Speaker 1: that's crazy. This is how he sent me the message. 1597 01:30:32,439 --> 01:30:34,799 Speaker 1: This is a fact. Forrell is a legend from the beginning. 1598 01:30:37,120 --> 01:30:38,960 Speaker 1: No one knows who for All is. No one knows 1599 01:30:38,960 --> 01:30:44,240 Speaker 1: who the Neptunes is. But his message, Nori can't close 1600 01:30:44,320 --> 01:30:52,360 Speaker 1: his album without me. He's cocky from the beginning. Pay listen, 1601 01:30:52,439 --> 01:31:00,360 Speaker 1: he wasn't. Don't let me close my ship you want? 1602 01:31:01,520 --> 01:31:04,120 Speaker 1: And I just found my computer, got like seventy for 1603 01:31:04,200 --> 01:31:06,920 Speaker 1: real beasts from the kaid I just found. I'm a holder. 1604 01:31:06,920 --> 01:31:10,000 Speaker 1: I'm a holder and I found but my wife's a holder, 1605 01:31:10,439 --> 01:31:13,200 Speaker 1: so my wife found it. I gotta I got a 1606 01:31:13,479 --> 01:31:17,680 Speaker 1: white laptop like the original laptop. I think, you know all. 1607 01:31:18,160 --> 01:31:21,720 Speaker 1: I got like seventy for joints. But they're not from 1608 01:31:21,760 --> 01:31:24,200 Speaker 1: the era that I really really want. But this is 1609 01:31:24,240 --> 01:31:26,960 Speaker 1: the this is the era I really really want. Right 1610 01:31:27,160 --> 01:31:30,080 Speaker 1: hold on right now. I got this record called and 1611 01:31:31,400 --> 01:31:33,920 Speaker 1: stands for Niggas. It's numbe one in New York City. 1612 01:31:33,920 --> 01:31:35,400 Speaker 1: To me, if you've got NOBE New York City, you 1613 01:31:35,720 --> 01:31:40,880 Speaker 1: run the world. I'm gonna to this day. Kid, anybody, anybody, anybody, 1614 01:31:41,600 --> 01:31:46,280 Speaker 1: I got my knife out range is ready to let 1615 01:31:46,360 --> 01:31:47,960 Speaker 1: you know. So anyway, I don't remember one of the 1616 01:31:48,040 --> 01:31:50,960 Speaker 1: new record of New York City. Everybody's like, Yo, this 1617 01:31:51,120 --> 01:31:55,640 Speaker 1: this kid, you gotta meet him. So I'm like, all right, 1618 01:31:55,760 --> 01:31:58,719 Speaker 1: cool sound on sound studios. The reason why I remember 1619 01:31:58,800 --> 01:32:02,680 Speaker 1: sound on sound studios because Biggie was seafood y'all for 1620 01:32:02,760 --> 01:32:06,920 Speaker 1: a long time. People. You know what see y'all means? 1621 01:32:08,880 --> 01:32:12,000 Speaker 1: So see what y'all of me? Like you fry, I 1622 01:32:12,080 --> 01:32:18,240 Speaker 1: mean like you? So what I meant? Men, that's that's loose. 1623 01:32:19,160 --> 01:32:24,720 Speaker 1: When you if you're super serious, listen, listen. If you're 1624 01:32:24,720 --> 01:32:28,160 Speaker 1: supers literally y'all the differences. If you're super serious, that's 1625 01:32:28,160 --> 01:32:31,320 Speaker 1: see for y'all, you're super front. If front, oh he's 1626 01:32:31,320 --> 01:32:36,280 Speaker 1: seafood y'all, forget about it, forgetting about it. But if 1627 01:32:37,560 --> 01:32:40,240 Speaker 1: he was about that's the real deal. Is the real 1628 01:32:40,960 --> 01:32:45,559 Speaker 1: all Right, we come one biggie who was someone moved 1629 01:32:45,600 --> 01:32:51,920 Speaker 1: forward to Okay, this doesn't so so biggie right? You 1630 01:32:52,120 --> 01:32:55,200 Speaker 1: thought he was a sound on a bad boy Bad 1631 01:32:55,280 --> 01:32:59,040 Speaker 1: Boys on forty four, So he really kind of mixed 1632 01:32:59,120 --> 01:33:02,200 Speaker 1: his rackets at one four. He had the hit men 1633 01:33:02,600 --> 01:33:05,000 Speaker 1: and all them dudes mixing his ship. But when he 1634 01:33:05,160 --> 01:33:09,439 Speaker 1: laid his vocals, he was at a joint called sound 1635 01:33:09,560 --> 01:33:21,280 Speaker 1: on Sound Good Everything that's my man. When remember so 1636 01:33:21,880 --> 01:33:25,360 Speaker 1: so so Sound on Sound, It's where Biggie was actually 1637 01:33:25,520 --> 01:33:29,560 Speaker 1: laying his vocals right, and the crazy about sound on 1638 01:33:29,640 --> 01:33:31,960 Speaker 1: sound was next door to sound on Sound was a 1639 01:33:32,200 --> 01:33:36,120 Speaker 1: white strip club, so Big was so much of a 1640 01:33:36,280 --> 01:33:41,120 Speaker 1: lang Big used to lay his birth were white strippers 1641 01:33:43,240 --> 01:33:47,200 Speaker 1: and these chicks had no rhythm. Tworking wasn't involved back then, 1642 01:33:48,360 --> 01:33:57,200 Speaker 1: just like it was terrible, but it was only me 1643 01:33:57,680 --> 01:34:02,440 Speaker 1: and Big. That's how I meant that, because the Naptunes produced. 1644 01:34:03,000 --> 01:34:05,360 Speaker 1: I don't want to be clear. Listen, I want to 1645 01:34:05,400 --> 01:34:09,480 Speaker 1: say this because anybody else don't know this. Then Neptunes 1646 01:34:09,560 --> 01:34:13,680 Speaker 1: actually produced for people before me. They produced for a 1647 01:34:13,800 --> 01:34:16,760 Speaker 1: bad boy, they produced for me. Why did your girl 1648 01:34:16,960 --> 01:34:22,599 Speaker 1: keep looking at me? Why you girls standing there? Okay, 1649 01:34:23,280 --> 01:34:30,360 Speaker 1: I'm going there, bro, No, no, I want to pick 1650 01:34:30,479 --> 01:34:37,640 Speaker 1: up resting effects. That's his ghost, ghost producing thing. And 1651 01:34:37,760 --> 01:34:42,680 Speaker 1: then and then he didn't we love you, we got 1652 01:34:42,720 --> 01:34:47,200 Speaker 1: your back, we got your back flowers. So when he 1653 01:34:47,479 --> 01:34:51,000 Speaker 1: met me, he goes, this is exact words to me. 1654 01:34:51,760 --> 01:34:54,680 Speaker 1: No one listens to me. The first one listen to me, 1655 01:34:55,000 --> 01:34:59,000 Speaker 1: it's gonna go number one. So I looked and he 1656 01:34:59,280 --> 01:35:02,439 Speaker 1: was tight very since back then, like he had a 1657 01:35:02,520 --> 01:35:10,880 Speaker 1: tight ship his clothes type and no, not yet, I 1658 01:35:11,120 --> 01:35:13,120 Speaker 1: hear it yet, And then his chain was like that. 1659 01:35:13,280 --> 01:35:18,719 Speaker 1: It felt like somebody was in the back Black Lives. 1660 01:35:20,080 --> 01:35:22,320 Speaker 1: So then he goes, you're ready. I'm like, I'm ready. 1661 01:35:23,000 --> 01:35:25,120 Speaker 1: First of all, he quoted me blood money word for 1662 01:35:25,160 --> 01:35:27,760 Speaker 1: word the first verse. This is the most gamester of 1663 01:35:27,880 --> 01:35:32,160 Speaker 1: his song I've ever made. Right, and then and then 1664 01:35:32,240 --> 01:35:35,280 Speaker 1: after he quos I think verse to me, he goes, 1665 01:35:35,640 --> 01:35:37,000 Speaker 1: I just want you to know I don't have a 1666 01:35:37,080 --> 01:35:39,000 Speaker 1: duck bone in my body. And I was just like, 1667 01:35:39,280 --> 01:35:44,639 Speaker 1: you gonna coat the both me like I almost gripped 1668 01:35:44,720 --> 01:35:48,400 Speaker 1: up on you. He said, I don't have a dug 1669 01:35:48,479 --> 01:35:50,280 Speaker 1: mold in my body, which which made me say this 1670 01:35:50,400 --> 01:35:54,479 Speaker 1: is a real So he plays me one beat day 1671 01:35:55,920 --> 01:35:58,600 Speaker 1: I want to go in the boot for media. This 1672 01:35:58,840 --> 01:36:02,320 Speaker 1: is crazy. I've never heard no ship like this. Then 1673 01:36:02,360 --> 01:36:05,639 Speaker 1: he plays me the second beat. I've never heard no ship. 1674 01:36:06,040 --> 01:36:07,479 Speaker 1: But if I gotta be cool. It's like when you 1675 01:36:07,560 --> 01:36:10,040 Speaker 1: want to buy apartment in the real to you don't 1676 01:36:10,080 --> 01:36:13,360 Speaker 1: want the reil to the really know that, y'all? You 1677 01:36:13,439 --> 01:36:15,120 Speaker 1: all right? Boom? So I'm like, all right, who let 1678 01:36:15,160 --> 01:36:17,080 Speaker 1: me get this? He's like, yo, so do me a favor, 1679 01:36:17,680 --> 01:36:19,599 Speaker 1: and I got the number one record in New York City. 1680 01:36:19,600 --> 01:36:21,519 Speaker 1: I don't have them number work in the world. It's 1681 01:36:21,560 --> 01:36:24,160 Speaker 1: called an r E don't have. He stands with niggas don't. 1682 01:36:24,200 --> 01:36:27,400 Speaker 1: So he says, if I give you this, I don't 1683 01:36:27,400 --> 01:36:29,720 Speaker 1: want you to listen to this. The third beat two, 1684 01:36:29,800 --> 01:36:35,920 Speaker 1: you get to Miami. All right, cool, I agree to it. 1685 01:36:36,320 --> 01:36:39,800 Speaker 1: This is the c D Days. So he gives me 1686 01:36:39,880 --> 01:36:43,080 Speaker 1: the ship. The first two songs I write those on 1687 01:36:43,160 --> 01:36:47,600 Speaker 1: the way to the airport. Third song it took me 1688 01:36:47,720 --> 01:36:51,559 Speaker 1: everything in the world not for me to play right. 1689 01:36:52,040 --> 01:36:54,679 Speaker 1: So I get to the Kid Hotel. Anybody who stays 1690 01:36:54,680 --> 01:37:00,240 Speaker 1: at the Kid Hotel uses foul motherfucker. I'm being honest there, 1691 01:37:00,360 --> 01:37:03,120 Speaker 1: but it's now now if you staying, they can't hotel 1692 01:37:03,160 --> 01:37:06,720 Speaker 1: you about because this hunkers everywhere. But back then, it's 1693 01:37:06,760 --> 01:37:10,160 Speaker 1: my first is my first second time in Miami? Remember 1694 01:37:10,240 --> 01:37:19,679 Speaker 1: the first Remember remember the days, literally remember remember day 1695 01:37:19,920 --> 01:37:22,920 Speaker 1: at this time confirmed to me in Miami, and they 1696 01:37:23,040 --> 01:37:27,439 Speaker 1: never gave me that tick. So now I'm not This 1697 01:37:27,600 --> 01:37:30,680 Speaker 1: guy gives music. So so I'm at the ball and 1698 01:37:30,760 --> 01:37:33,040 Speaker 1: the girl just like yo, she's talking to me. I 1699 01:37:33,200 --> 01:37:36,479 Speaker 1: was like, and then like I thought, I was mad 1700 01:37:36,560 --> 01:37:39,720 Speaker 1: cute at that time, like I really did, and I 1701 01:37:39,800 --> 01:37:43,640 Speaker 1: still do to this day. But she said, do you 1702 01:37:43,800 --> 01:37:48,040 Speaker 1: want the party? And I said, I gotta pay? Oh no, 1703 01:37:49,200 --> 01:37:53,360 Speaker 1: let me relax. I gotta relax. That's I gotta pay. Question. Now, Yeah, 1704 01:37:53,400 --> 01:37:55,280 Speaker 1: you want to party, that's I gotta pay. I said, 1705 01:37:55,320 --> 01:38:02,439 Speaker 1: Holy Moti, y'all, y'all what means? They could have meant that? 1706 01:38:03,880 --> 01:38:07,000 Speaker 1: I wasn't involved back there, so I just thought it 1707 01:38:07,120 --> 01:38:13,280 Speaker 1: was yeah. So I go upstairs. I go upstairs Dave 1708 01:38:13,960 --> 01:38:15,800 Speaker 1: and he goes. So I played the CD and then 1709 01:38:15,920 --> 01:38:20,960 Speaker 1: it goes you found Manuel Noriega that was on to 1710 01:38:21,040 --> 01:38:23,760 Speaker 1: be the Ready I had never heard of producer, every 1711 01:38:23,840 --> 01:38:27,280 Speaker 1: dude the helicopter and then the helicopter and I was like, 1712 01:38:27,880 --> 01:38:33,840 Speaker 1: I looked around the whole. So I wrote the whole 1713 01:38:34,040 --> 01:38:37,200 Speaker 1: rhyme together. And here's the crazy the what what was 1714 01:38:37,320 --> 01:38:39,200 Speaker 1: never supposed to be on the record. That's how I 1715 01:38:39,320 --> 01:38:49,880 Speaker 1: counted bars what what what? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? What? 1716 01:38:50,080 --> 01:38:54,479 Speaker 1: What what? And when I laid it, because mind you, 1717 01:38:54,479 --> 01:38:56,080 Speaker 1: I didn't know how to punch it in, but I 1718 01:38:56,160 --> 01:38:59,280 Speaker 1: got that girls to sing what what? That's not true. 1719 01:39:00,000 --> 01:39:02,160 Speaker 1: There was a lot of true. Let me tell you 1720 01:39:02,240 --> 01:39:09,680 Speaker 1: the truth was that about a lot I'm giving you 1721 01:39:09,800 --> 01:39:16,000 Speaker 1: that happened. You're talking about the handburger. I'm talking about 1722 01:39:16,120 --> 01:39:20,960 Speaker 1: the time when you when you I'm with you. So 1723 01:39:21,120 --> 01:39:23,800 Speaker 1: when he first off, this is the only thing when 1724 01:39:23,960 --> 01:39:26,559 Speaker 1: for real. By the way, he's not for real, he's 1725 01:39:26,720 --> 01:39:30,639 Speaker 1: just a guy kind of No, at the time, he's 1726 01:39:30,680 --> 01:39:34,920 Speaker 1: just a guy. And no, they just was neptune. So 1727 01:39:35,080 --> 01:39:37,400 Speaker 1: I called him both. I think they both had one phone, 1728 01:39:37,840 --> 01:39:40,720 Speaker 1: and my mind, just let me roll they had one 1729 01:39:40,760 --> 01:39:43,519 Speaker 1: phone together. Just fuck just let me roll with it. 1730 01:39:43,760 --> 01:39:45,840 Speaker 1: I don't think that's the truth at all, but fucking 1731 01:39:46,479 --> 01:39:51,479 Speaker 1: still at a shot. So come on, you come on, bro, 1732 01:39:51,720 --> 01:39:55,960 Speaker 1: and you get the subway salmon mastiated the subway. She 1733 01:39:56,040 --> 01:40:00,800 Speaker 1: gets the subway salmon gloves. Anyway, so called him, I said, yo, 1734 01:40:00,880 --> 01:40:03,080 Speaker 1: I got one change, and he said, what's the one change? 1735 01:40:03,200 --> 01:40:05,960 Speaker 1: I said, I don't want the girl to say yeah, 1736 01:40:06,080 --> 01:40:09,680 Speaker 1: because she was saying yeah, yeah yeah. I said I 1737 01:40:09,720 --> 01:40:13,760 Speaker 1: want her to say what what what? So he said bad. 1738 01:40:14,560 --> 01:40:16,920 Speaker 1: So I went to White Track Studios for the eighth Street, 1739 01:40:17,200 --> 01:40:20,080 Speaker 1: eighth Avenue. I know you recording them right track. So 1740 01:40:20,240 --> 01:40:23,200 Speaker 1: I went there and by the way, he said, Yo, 1741 01:40:23,320 --> 01:40:26,400 Speaker 1: I'm gonna go use the bathroom. It was like I 1742 01:40:26,520 --> 01:40:31,080 Speaker 1: laid the whole track in eight minutes beginning because you 1743 01:40:31,120 --> 01:40:33,760 Speaker 1: gotta remember, I had to wait for the intro to intro. 1744 01:40:33,840 --> 01:40:35,519 Speaker 1: I couldn't cut it off back then back you know 1745 01:40:35,680 --> 01:40:40,200 Speaker 1: right now. I like the intro, but I couldn't cut 1746 01:40:40,240 --> 01:40:43,320 Speaker 1: the intro. So I did the whole thing straight. And 1747 01:40:43,400 --> 01:40:46,400 Speaker 1: then when I came back hit him and Chad Hugo 1748 01:40:46,600 --> 01:40:50,920 Speaker 1: was talking to each other like that hook is the dog, 1749 01:40:52,160 --> 01:40:56,519 Speaker 1: because that's how I laid bars back there every song. 1750 01:40:56,600 --> 01:41:01,160 Speaker 1: Anybody who recorded me in had that same as Zach Hook. 1751 01:41:02,240 --> 01:41:05,880 Speaker 1: That's a fact that for role and Chad Hugle was 1752 01:41:05,920 --> 01:41:15,280 Speaker 1: the only person to say that is keep keep that man. 1753 01:41:16,320 --> 01:41:19,519 Speaker 1: Have you ever worked with them? I met for we 1754 01:41:19,640 --> 01:41:22,400 Speaker 1: were queened, but we ain't locked in yet. Oh I'm 1755 01:41:23,040 --> 01:41:30,680 Speaker 1: I'm I'm gonna hook that out because um, that's like 1756 01:41:31,080 --> 01:41:32,960 Speaker 1: I ain't worked with him. I worked. I worked with 1757 01:41:33,040 --> 01:41:35,280 Speaker 1: anybody I've been kind of and when I met him, 1758 01:41:35,320 --> 01:41:38,680 Speaker 1: I was like, you like, let's do it. You know 1759 01:41:38,800 --> 01:41:45,000 Speaker 1: he said it on some fly. You know, you gotta 1760 01:41:45,000 --> 01:41:46,960 Speaker 1: go through you gotta go through the chronicles of meeting 1761 01:41:47,080 --> 01:41:53,320 Speaker 1: Quincy Jones because he's Quincy right, listen, like he's a 1762 01:41:53,400 --> 01:41:57,200 Speaker 1: little weird, but man cool. It was gonna be honest 1763 01:41:57,280 --> 01:41:59,439 Speaker 1: with you. I don't be honest if you pay attention 1764 01:41:59,479 --> 01:42:03,880 Speaker 1: to the story. He's always been weird. It's not something 1765 01:42:03,960 --> 01:42:09,080 Speaker 1: because of his achievements. He's been weird from the beginning. 1766 01:42:09,400 --> 01:42:14,920 Speaker 1: But he can tap into a thug like he His 1767 01:42:15,080 --> 01:42:19,200 Speaker 1: first ship, he quoted me, was bloody money. This is disrespectful. 1768 01:42:19,600 --> 01:42:22,960 Speaker 1: This has no hook to it. This has this. First off, 1769 01:42:23,040 --> 01:42:27,240 Speaker 1: the first verse is twenty six bucks, the second is 1770 01:42:27,400 --> 01:42:32,439 Speaker 1: thirty two. How the like, this is terrible. First off, 1771 01:42:32,479 --> 01:42:34,800 Speaker 1: I didn't even know I was recording a song when 1772 01:42:34,840 --> 01:42:37,240 Speaker 1: I laid that, Like, I was just like, no one 1773 01:42:37,360 --> 01:42:39,880 Speaker 1: came to the studio. Component in comes trash, then comes 1774 01:42:40,000 --> 01:42:42,240 Speaker 1: That's how blood money got it. This is real ship. 1775 01:42:42,320 --> 01:42:46,640 Speaker 1: I'm just like and I just went in and everybody 1776 01:42:47,120 --> 01:42:52,559 Speaker 1: all the blood around like blood and I was really 1777 01:42:52,640 --> 01:43:03,080 Speaker 1: telling my money was like what, by the way, if 1778 01:43:03,120 --> 01:43:06,800 Speaker 1: you look at if you look at the war, if 1779 01:43:06,840 --> 01:43:11,920 Speaker 1: you look at the war report, so we did blood money. 1780 01:43:13,880 --> 01:43:18,400 Speaker 1: I can't stop the blood niggas from coming to the show. 1781 01:43:19,040 --> 01:43:27,320 Speaker 1: What did that be easy lp He did sometimes as well. Yeah, 1782 01:43:28,000 --> 01:43:33,520 Speaker 1: the dastics, Yeah, so all right, my bad. I apologize. 1783 01:43:33,560 --> 01:43:35,599 Speaker 1: The bloods went crazy, Yeah, it went crazy. I ain't 1784 01:43:35,600 --> 01:43:42,320 Speaker 1: gonna lie. I'm proud of New York City because the 1785 01:43:42,360 --> 01:43:46,000 Speaker 1: reason why I proud of New York City is at first, 1786 01:43:46,160 --> 01:43:49,720 Speaker 1: when I thought about gangs coming to New York City 1787 01:43:49,760 --> 01:43:54,960 Speaker 1: and gangs that was originated in l A somewhat frowned 1788 01:43:55,080 --> 01:43:59,479 Speaker 1: upon it. Someone was like why. But then as I 1789 01:44:00,800 --> 01:44:03,200 Speaker 1: continue to live, I said, We're all going to be 1790 01:44:03,400 --> 01:44:08,599 Speaker 1: one place right at the end of the day. Uh. 1791 01:44:09,720 --> 01:44:15,200 Speaker 1: I remember at one point I could never go Queensbridge 1792 01:44:15,240 --> 01:44:17,920 Speaker 1: and see anybody from Left Frack. I can never go 1793 01:44:18,040 --> 01:44:20,720 Speaker 1: to Left Rack. I can see anybody from Queensbridge. Now 1794 01:44:21,040 --> 01:44:25,160 Speaker 1: I can't stop seeing it. When I go to fucking 1795 01:44:25,240 --> 01:44:28,840 Speaker 1: Queen's Bridges last Rack people there, I'm like, he's Uee's 1796 01:44:28,880 --> 01:44:32,120 Speaker 1: Papa Cheese. And then and then I go when I go, 1797 01:44:32,680 --> 01:44:35,200 Speaker 1: and the thing is, I have to look at it 1798 01:44:35,320 --> 01:44:37,760 Speaker 1: like that was me and poem Ship at the end 1799 01:44:37,760 --> 01:44:41,120 Speaker 1: of the day they were shot making um Laky the 1800 01:44:41,200 --> 01:44:45,840 Speaker 1: kid before that to laft Frack Queensbridge, dudes, but who 1801 01:44:45,960 --> 01:44:48,080 Speaker 1: made it solidary and you know, I got to pick 1802 01:44:48,200 --> 01:44:50,960 Speaker 1: them off for being the first, But who made it 1803 01:44:52,120 --> 01:44:55,360 Speaker 1: the ship was me and Poem And as we keep migrating, 1804 01:44:56,680 --> 01:45:00,760 Speaker 1: will always will always be that. So as New York 1805 01:45:01,800 --> 01:45:08,720 Speaker 1: adapted it, Yeah, I thought to myself, they adapted hip hop. 1806 01:45:10,760 --> 01:45:12,559 Speaker 1: They don't. They don't call the hip hop and say, 1807 01:45:12,800 --> 01:45:16,640 Speaker 1: you know what, this ship originated in New York, So 1808 01:45:16,800 --> 01:45:20,120 Speaker 1: why can't our gang dudes or that's what you bang. 1809 01:45:20,160 --> 01:45:22,920 Speaker 1: You're banging crip, you're baning blood, Like that ship is 1810 01:45:23,000 --> 01:45:29,360 Speaker 1: just black culture, brocause, like anywhere, anywhere, anywhere, and I'm 1811 01:45:29,360 --> 01:45:32,679 Speaker 1: gonna take it further than that, it's minority culture because 1812 01:45:32,720 --> 01:45:36,680 Speaker 1: I feel like anywhere any city you go to Atlanta, 1813 01:45:37,520 --> 01:45:42,160 Speaker 1: they didn't went up. There's a billions right now, y'all. Sorry, 1814 01:45:49,760 --> 01:45:53,240 Speaker 1: But any any any any city that you think of, 1815 01:45:55,840 --> 01:45:59,400 Speaker 1: once you tap into the ghether with that city, somebody, everybody, 1816 01:45:59,479 --> 01:46:03,040 Speaker 1: somebody in took wrap and made away from Houston to 1817 01:46:03,240 --> 01:46:10,320 Speaker 1: Chicago to Memphis, everywhere New York, every borough in New York, 1818 01:46:10,479 --> 01:46:16,240 Speaker 1: every Jersey, everywhere. Like I feel like that's uhum, that's like, 1819 01:46:16,680 --> 01:46:19,400 Speaker 1: that's that's the way out, bro. And once you didn't 1820 01:46:19,520 --> 01:46:23,000 Speaker 1: and the fact that the people before like y'all like 1821 01:46:23,640 --> 01:46:25,519 Speaker 1: we want and the people before y'all, like, you know 1822 01:46:25,520 --> 01:46:29,559 Speaker 1: what I'm saying, Like they made it with it became 1823 01:46:29,760 --> 01:46:33,120 Speaker 1: like I I might can't play ball, I might can't 1824 01:46:33,680 --> 01:46:36,559 Speaker 1: go dunk on on on people and dude and cross 1825 01:46:36,640 --> 01:46:39,320 Speaker 1: people over and do all this or whatever. But I 1826 01:46:39,400 --> 01:46:42,360 Speaker 1: could rap and I got and I know how to throw. 1827 01:46:42,479 --> 01:46:44,160 Speaker 1: I could throw some ship on and I and on 1828 01:46:44,280 --> 01:46:46,080 Speaker 1: me and all my guys just flying, you know what 1829 01:46:46,120 --> 01:46:49,679 Speaker 1: I'm saying. Like, so that just gave a different vibe 1830 01:46:49,760 --> 01:46:52,000 Speaker 1: and it was just a number of way out and 1831 01:46:52,080 --> 01:46:55,240 Speaker 1: then once the world got a whole of it, it 1832 01:46:55,400 --> 01:46:57,880 Speaker 1: was it was over. Because you gotta remember, everybody in 1833 01:46:57,960 --> 01:47:00,720 Speaker 1: the suburbs want to be in the hood. If they 1834 01:47:00,800 --> 01:47:04,120 Speaker 1: can't get there, if they the hood attracts them, they 1835 01:47:04,120 --> 01:47:05,640 Speaker 1: don't know about it, you know what I'm saying, Like 1836 01:47:05,720 --> 01:47:07,439 Speaker 1: they ain't around that, you know what I'm saying. The 1837 01:47:07,520 --> 01:47:09,120 Speaker 1: kids in the hood when I get out that ship, 1838 01:47:09,920 --> 01:47:12,760 Speaker 1: but the kids in the suburbs is attracted to it, like, oh, 1839 01:47:12,960 --> 01:47:14,960 Speaker 1: that's that's where it's at. Like they don't know what's 1840 01:47:14,960 --> 01:47:18,360 Speaker 1: going on. So once you equate that to the music, 1841 01:47:19,160 --> 01:47:23,000 Speaker 1: it's the same ship. The suburbs going wrap. You know 1842 01:47:23,040 --> 01:47:24,840 Speaker 1: what I'm saying, Like they're watching what's going on in 1843 01:47:24,920 --> 01:47:28,400 Speaker 1: the hood and going adapt to it, gonna be influenced 1844 01:47:28,479 --> 01:47:30,519 Speaker 1: by it, and going, Now it's a world wide think 1845 01:47:31,160 --> 01:47:32,560 Speaker 1: it ain't just a hood thing, and ain't just a 1846 01:47:32,640 --> 01:47:36,639 Speaker 1: black thing. Now, White people wrap, Spanish people wrapp, Filipinos wrapped, 1847 01:47:36,920 --> 01:47:42,640 Speaker 1: Alaskan wrapping, Chinese now rappers, like it's beyond every just 1848 01:47:42,840 --> 01:47:44,920 Speaker 1: the hood. When you was coming up, it was the 1849 01:47:45,000 --> 01:47:49,639 Speaker 1: hooden dolphin. Right now, I'm signing, and I'm gonna signing, 1850 01:47:49,680 --> 01:48:05,639 Speaker 1: and I said, keep going, keep gonna. I don't think 1851 01:48:05,720 --> 01:48:09,000 Speaker 1: the world was rapping second, but I know for the 1852 01:48:09,160 --> 01:48:15,160 Speaker 1: facts to the day where East is rapping every culture 1853 01:48:15,240 --> 01:48:22,519 Speaker 1: in Chinese. I'm gonna say something, y'all listen, had we 1854 01:48:22,600 --> 01:48:25,880 Speaker 1: love him? When you say something stupid because it's Mike Hu, 1855 01:48:26,320 --> 01:48:31,519 Speaker 1: say that that's something about it. Keeping could I spoke 1856 01:48:32,040 --> 01:48:39,599 Speaker 1: right now? I don't know I got. But if you're 1857 01:48:39,600 --> 01:48:43,519 Speaker 1: saying where Slim was growing up there coming up in 1858 01:48:43,640 --> 01:48:49,880 Speaker 1: the game one, every culture in the world was not 1859 01:48:50,280 --> 01:48:55,320 Speaker 1: rapping right now, Eastern rapping. I know for fact, Australia, 1860 01:48:55,360 --> 01:48:59,519 Speaker 1: they're rapping, China, you name it, all over the world. 1861 01:48:59,600 --> 01:49:02,720 Speaker 1: There I just watched some ship um last night. I 1862 01:49:02,800 --> 01:49:06,640 Speaker 1: was on on Live with the ray Kum. It was 1863 01:49:08,479 --> 01:49:15,679 Speaker 1: watched shouts to the chef, shouts to the whole woo. 1864 01:49:15,800 --> 01:49:17,920 Speaker 1: But I did. I tapped it with him and then 1865 01:49:17,960 --> 01:49:21,080 Speaker 1: I watched him and Meth talk and MAV said, the 1866 01:49:21,120 --> 01:49:26,560 Speaker 1: really ship ever like they put they pushed weed to 1867 01:49:26,680 --> 01:49:29,120 Speaker 1: the forefront, like you know what I'm saying, Like now, 1868 01:49:29,280 --> 01:49:31,080 Speaker 1: that's why I think about that. That's why wed is 1869 01:49:31,120 --> 01:49:34,799 Speaker 1: so accepted now amongst rappers. That's why I wis khalif 1870 01:49:34,920 --> 01:49:37,559 Speaker 1: for all these all these artists that come out heavily 1871 01:49:37,640 --> 01:49:41,760 Speaker 1: weed and fluenced or every video was heavy weed. That's 1872 01:49:41,800 --> 01:49:45,280 Speaker 1: why they get prospered. Because of Matt Bradman on the 1873 01:49:45,400 --> 01:49:50,880 Speaker 1: Cypress head. All these artists that were smoking heavily and 1874 01:49:51,040 --> 01:49:53,640 Speaker 1: every every time you see them, they were smoking. So 1875 01:49:53,760 --> 01:49:55,360 Speaker 1: they made the ship cool. You know what I'm saying, 1876 01:49:55,400 --> 01:49:57,880 Speaker 1: I feel like they don't get enough. Now you got 1877 01:49:57,960 --> 01:50:00,679 Speaker 1: you got, you got industries getting built. Here's some dollars 1878 01:50:00,720 --> 01:50:04,680 Speaker 1: off weed and they're tapping into the wrap they got 1879 01:50:04,880 --> 01:50:09,519 Speaker 1: they got at Blood Teach. They got the wrappers promoting 1880 01:50:09,560 --> 01:50:11,880 Speaker 1: the ship. That's what make the weed hot. If the 1881 01:50:11,920 --> 01:50:15,200 Speaker 1: wrappers are smoking come on, come, you give me this 1882 01:50:15,280 --> 01:50:18,400 Speaker 1: because you know I'm gonna take real nigga gonna take 1883 01:50:18,439 --> 01:50:26,080 Speaker 1: it and I'm smoking so so so look, but here's 1884 01:50:26,080 --> 01:50:34,439 Speaker 1: the crazy ship. That's one of the hottest Baby, let's 1885 01:50:34,439 --> 01:50:37,439 Speaker 1: pick up to the seas. Glyszi'es, I'll be seeing y'all 1886 01:50:37,439 --> 01:50:43,920 Speaker 1: outre bro living loose. I've expect y'all so the buts, 1887 01:50:44,160 --> 01:50:49,840 Speaker 1: I say, bro, you got a going that what I'm saying? 1888 01:50:49,880 --> 01:50:52,640 Speaker 1: I got the internet out? Sorry many that could go 1889 01:50:52,680 --> 01:50:55,240 Speaker 1: to d C again, but it's great now I let him. 1890 01:50:57,040 --> 01:51:00,720 Speaker 1: But no glyssies or summer. So from here on out, 1891 01:51:01,120 --> 01:51:06,559 Speaker 1: you funny any moles and boughttom all have eight moans 1892 01:51:06,600 --> 01:51:09,240 Speaker 1: and boughttom over the crap you gotta eat mos and 1893 01:51:09,280 --> 01:51:14,719 Speaker 1: boughtom okay, so ho, So now you got to sess 1894 01:51:15,600 --> 01:51:24,360 Speaker 1: knocking everything down. Everything is happening. But but they call 1895 01:51:24,479 --> 01:51:26,880 Speaker 1: you and they say listen, I want you to play 1896 01:51:27,720 --> 01:51:33,400 Speaker 1: and uh a series? Right? But didn't they say I 1897 01:51:33,520 --> 01:51:38,960 Speaker 1: want you to play method man? Right? How is this call? 1898 01:51:40,040 --> 01:51:43,240 Speaker 1: What is it? I like another shop, like another shot? 1899 01:51:43,320 --> 01:51:47,040 Speaker 1: I like another shot, Bro. I'm just kidding. Let I 1900 01:51:47,080 --> 01:51:54,600 Speaker 1: can't let you and I see you. Yeah, that's my 1901 01:51:54,720 --> 01:52:04,960 Speaker 1: last name. It's my last name. Let's Paul walk Baby, 1902 01:52:05,280 --> 01:52:09,960 Speaker 1: that's Paul Walk. Hold because you've been disd you've been 1903 01:52:10,000 --> 01:52:22,280 Speaker 1: giving me has been I ain't goin't' that's their pis. 1904 01:52:22,360 --> 01:52:36,920 Speaker 1: Ice was going on general bad. I was. I was 1905 01:52:37,000 --> 01:52:43,960 Speaker 1: off course. So they call you because in my mind, 1906 01:52:46,600 --> 01:52:50,519 Speaker 1: in my mind, did right my ultimate role to ever play. 1907 01:52:52,600 --> 01:52:54,360 Speaker 1: Big Daddy Cane shut me down when I was told 1908 01:52:54,400 --> 01:52:57,760 Speaker 1: him this, you know what I'm going with it. I 1909 01:52:57,880 --> 01:53:00,639 Speaker 1: wanted to play business. Y'all tell you my favorite role 1910 01:53:01,520 --> 01:53:05,000 Speaker 1: that you played, because can't you get back to that? 1911 01:53:05,280 --> 01:53:11,400 Speaker 1: You remember my favorite rote? They already but hold, We'll 1912 01:53:11,439 --> 01:53:16,320 Speaker 1: get back to that word for word. But so my 1913 01:53:16,479 --> 01:53:21,320 Speaker 1: favorite So you get you get a call that says, yo, 1914 01:53:23,120 --> 01:53:25,200 Speaker 1: we want you to audition, or we want you to 1915 01:53:25,320 --> 01:53:28,240 Speaker 1: try out, or we want you to you have the 1916 01:53:28,400 --> 01:53:30,719 Speaker 1: role to be met. That man in the womb text 1917 01:53:31,560 --> 01:53:34,320 Speaker 1: Now I shot. I did a movie called Beasts. Shouts 1918 01:53:34,360 --> 01:53:43,760 Speaker 1: to Chris Robinson, give me I found running down. I 1919 01:53:43,880 --> 01:53:48,240 Speaker 1: look at me like like nas to my actorship. You 1920 01:53:48,320 --> 01:53:50,280 Speaker 1: feel me like he gave me the game? My guy, 1921 01:53:50,600 --> 01:53:54,639 Speaker 1: he did, he did. He did my first second videos 1922 01:53:54,800 --> 01:54:00,560 Speaker 1: song I'm running down on the ship like pulling that. 1923 01:54:00,920 --> 01:54:03,760 Speaker 1: Mr Chris row U. He gave me a role in 1924 01:54:03,800 --> 01:54:08,280 Speaker 1: the movie called beats Um. It's on Netflix. It's on 1925 01:54:08,400 --> 01:54:12,240 Speaker 1: Netflix now. I played a role dude named Mr. I 1926 01:54:12,320 --> 01:54:15,960 Speaker 1: like ran a pool hall. It was storming Anthony Anderson. 1927 01:54:16,800 --> 01:54:18,360 Speaker 1: So that was ill to me. I'm like, damn, my 1928 01:54:18,439 --> 01:54:22,080 Speaker 1: first movie, I'm with a real He was like he 1929 01:54:22,200 --> 01:54:24,160 Speaker 1: was in some classic ship like like you know what 1930 01:54:24,200 --> 01:54:28,439 Speaker 1: I'm saying, And all my all my scenes was with him, 1931 01:54:29,160 --> 01:54:31,040 Speaker 1: you know what I mean. So he really coached me 1932 01:54:31,160 --> 01:54:33,200 Speaker 1: through that and gave me a lot of games as 1933 01:54:33,280 --> 01:54:35,959 Speaker 1: far as the act and went. We shot that in Chicago. 1934 01:54:37,200 --> 01:54:40,000 Speaker 1: Um Bully was out there with me, was by alone. 1935 01:54:40,080 --> 01:54:43,000 Speaker 1: Was out there like a week, like eight days. We 1936 01:54:43,080 --> 01:54:46,200 Speaker 1: shot that in Chicago in the hood. It was in 1937 01:54:46,200 --> 01:54:48,720 Speaker 1: a little dirt hub, was an angle wood that was hot. No, 1938 01:54:48,800 --> 01:54:51,440 Speaker 1: it was summer. So I'm taking pictures in the hood. 1939 01:54:52,360 --> 01:54:56,240 Speaker 1: The rappers is hit me this herb and dirty, like 1940 01:54:56,320 --> 01:54:58,200 Speaker 1: what you're doing over there. I'm like, man, I'm doing 1941 01:54:58,240 --> 01:55:04,440 Speaker 1: a movie like like Nigga got in the We had 1942 01:55:04,520 --> 01:55:07,480 Speaker 1: some Chicago diggers with us, Like it's good. But uh 1943 01:55:08,200 --> 01:55:11,680 Speaker 1: so I shot that with him. That came out, you know, 1944 01:55:11,840 --> 01:55:14,080 Speaker 1: matter of fact before that came out, he reached out 1945 01:55:14,360 --> 01:55:17,120 Speaker 1: maybe like six months after we got done filming there. 1946 01:55:17,680 --> 01:55:21,120 Speaker 1: He was like, Yo, I'm doing a wood thing, um 1947 01:55:22,200 --> 01:55:24,120 Speaker 1: like a serious like you know what I'm saying, how 1948 01:55:24,160 --> 01:55:28,200 Speaker 1: without you? How you feel playing meth? What? What do 1949 01:55:28,280 --> 01:55:30,960 Speaker 1: you mean how I feel? Let's do that? Like you're like, yeah, 1950 01:55:30,960 --> 01:55:32,280 Speaker 1: I want you you see like you don't have the 1951 01:55:32,360 --> 01:55:34,320 Speaker 1: audition because I want to know. I want to see 1952 01:55:34,360 --> 01:55:35,760 Speaker 1: what you're gonna do them like, so I had it 1953 01:55:35,840 --> 01:55:39,080 Speaker 1: like he always gonna make you tickets more serious than 1954 01:55:40,120 --> 01:55:43,040 Speaker 1: it is because I know it like just to me, 1955 01:55:43,640 --> 01:55:45,880 Speaker 1: I knew he had me locked in already, but but 1956 01:55:45,960 --> 01:55:47,520 Speaker 1: he was still doing something like you gotta come over. 1957 01:55:47,640 --> 01:55:52,280 Speaker 1: So I auditioned two times, pulled up. It was two 1958 01:55:52,400 --> 01:55:54,000 Speaker 1: chicks in there. The first time I went, they just 1959 01:55:54,040 --> 01:55:55,960 Speaker 1: had me in the room with a camera. I just 1960 01:55:56,040 --> 01:55:57,840 Speaker 1: had to say certain lines. They just want to see 1961 01:55:57,880 --> 01:56:01,760 Speaker 1: how I looked saying Ship. Then the next audition, Chris 1962 01:56:01,920 --> 01:56:04,080 Speaker 1: was in the room. You know what I'm saying. He 1963 01:56:04,160 --> 01:56:06,200 Speaker 1: wanted me to do this like basically the same ship. 1964 01:56:06,880 --> 01:56:09,960 Speaker 1: And then I got the role. And then maybe like 1965 01:56:10,040 --> 01:56:12,040 Speaker 1: a week or two after that scup, he told you 1966 01:56:12,160 --> 01:56:14,640 Speaker 1: got to roll right there and there when you Two 1967 01:56:14,720 --> 01:56:16,360 Speaker 1: days later I found out it was like you locked 1968 01:56:16,400 --> 01:56:19,240 Speaker 1: there and they sent Hood my Manhood. They sent him 1969 01:56:19,280 --> 01:56:21,560 Speaker 1: to the location where we had to go and stand out. 1970 01:56:21,840 --> 01:56:25,240 Speaker 1: So did they just booked you and get you? I 1971 01:56:25,280 --> 01:56:30,560 Speaker 1: got the just we went. They gave us the date 1972 01:56:30,840 --> 01:56:33,120 Speaker 1: to go get the to do the reading. You know, 1973 01:56:33,200 --> 01:56:35,240 Speaker 1: whenever you're doing you gotta do like everybody sit at 1974 01:56:35,280 --> 01:56:38,360 Speaker 1: the table and you all read your lines like every 1975 01:56:38,400 --> 01:56:40,680 Speaker 1: actor like you all just we just go through the book. 1976 01:56:41,440 --> 01:56:44,280 Speaker 1: Maybe three or four days before we did that. I 1977 01:56:44,360 --> 01:56:46,960 Speaker 1: got with Meth. I went out there chopped it up 1978 01:56:47,000 --> 01:56:49,520 Speaker 1: with him. When did you meet Meth? Don't stating on 1979 01:56:49,640 --> 01:56:55,760 Speaker 1: the ferry. You know, it's crazy I met when I 1980 01:56:55,880 --> 01:56:59,920 Speaker 1: met Memphis. Memphis was like, it's crazy to day I 1981 01:57:00,080 --> 01:57:04,440 Speaker 1: met him. He was kind of like he just pulled 1982 01:57:04,520 --> 01:57:06,040 Speaker 1: up to see me for a second because he was 1983 01:57:06,080 --> 01:57:09,600 Speaker 1: working up, so I could he definitely he definitely working 1984 01:57:09,680 --> 01:57:11,760 Speaker 1: up that I can tell. He just left at gym. 1985 01:57:11,840 --> 01:57:13,520 Speaker 1: He was like, you ain't gonna front. He told me 1986 01:57:13,560 --> 01:57:15,320 Speaker 1: he was out here and I want to come meet 1987 01:57:15,360 --> 01:57:17,680 Speaker 1: you to the shop. So that's how I first met him. 1988 01:57:18,120 --> 01:57:20,360 Speaker 1: But he was like, yo, kill that ship and the 1989 01:57:20,480 --> 01:57:22,640 Speaker 1: questions you got about it. Let me know, I'm gonna 1990 01:57:22,640 --> 01:57:24,200 Speaker 1: get back to this workout. It was some quick ship. 1991 01:57:24,960 --> 01:57:28,080 Speaker 1: Then after that we vibe, we smoked. All right, let's 1992 01:57:28,120 --> 01:57:30,360 Speaker 1: keep it up. That first met it was a little shaky. 1993 01:57:30,560 --> 01:57:33,520 Speaker 1: It was like because at the end of the day 1994 01:57:33,520 --> 01:57:36,080 Speaker 1: you got thinking about we didn't between you if you 1995 01:57:36,200 --> 01:57:39,080 Speaker 1: mean if you mean that he wasn't that first. I 1996 01:57:39,240 --> 01:57:43,120 Speaker 1: was like you that it was. I was just excited 1997 01:57:43,160 --> 01:57:44,960 Speaker 1: to meet him. But it was quick. But he was like, 1998 01:57:45,240 --> 01:57:48,160 Speaker 1: it wasn't he It wasn't like the It was just 1999 01:57:48,360 --> 01:57:49,880 Speaker 1: like a baby. You know what I'm saying. It was 2000 01:57:49,960 --> 01:57:52,760 Speaker 1: a real son. Isn't really heard you was over here 2001 01:57:54,800 --> 01:57:58,000 Speaker 1: because his math. So now we're shopping it up. We're 2002 01:57:58,040 --> 01:58:00,200 Speaker 1: talking and then once I got on the set, he 2003 01:58:00,320 --> 01:58:03,960 Speaker 1: pulled up on me. We smoked, we and then men, 2004 01:58:04,240 --> 01:58:05,920 Speaker 1: we locked down and I'm saying I had a show 2005 01:58:05,960 --> 01:58:08,640 Speaker 1: in New York. He pulled up performing with me. We 2006 01:58:08,760 --> 01:58:10,920 Speaker 1: locked that. From that point on me and Matvi, he 2007 01:58:11,000 --> 01:58:12,480 Speaker 1: was like, you picked that ship, Like he said, I 2008 01:58:12,520 --> 01:58:15,160 Speaker 1: couldn't have picked nobody better to you know what he 2009 01:58:15,320 --> 01:58:19,200 Speaker 1: picked you or it was like he stamped it like 2010 01:58:19,400 --> 01:58:22,160 Speaker 1: Chris Robin Alight. It was like, yo, you should play 2011 01:58:22,200 --> 01:58:25,360 Speaker 1: you and he was like, go ahead. How hard is that? 2012 01:58:25,520 --> 01:58:29,280 Speaker 1: Because here you are building your own legacy. But this 2013 01:58:29,440 --> 01:58:32,120 Speaker 1: is a legacy, and you know this legacy it's worth it. 2014 01:58:32,200 --> 01:58:35,880 Speaker 1: It's crazy. I couldn't curve it. And I deal with 2015 01:58:36,080 --> 01:58:37,880 Speaker 1: the I got people run down on me and don't 2016 01:58:37,920 --> 01:58:40,440 Speaker 1: know who the hell Dave? He says, you know what 2017 01:58:40,440 --> 01:58:43,240 Speaker 1: I'm saying. They were like Shotgun, that's my name on 2018 01:58:43,320 --> 01:58:49,520 Speaker 1: the show. But that's I'm like, damn, I've been wrapping 2019 01:58:51,280 --> 01:58:56,240 Speaker 1: kind of running down that's man. But I take it 2020 01:58:56,280 --> 01:58:57,880 Speaker 1: all like, you know what I'm saying is what it is. 2021 01:58:58,480 --> 01:59:00,760 Speaker 1: I look at it like a brand. I'm saying I 2022 01:59:01,200 --> 01:59:02,800 Speaker 1: came out of the Davies, but I'm trying to just 2023 01:59:02,880 --> 01:59:05,640 Speaker 1: build a brand with that ship. Now they're doing part two? 2024 01:59:06,240 --> 01:59:09,960 Speaker 1: Did he involved we're doing season two? WELLY locked that? Yeah, 2025 01:59:10,440 --> 01:59:13,520 Speaker 1: Corona FU the game up supposed we're supposed to be 2026 01:59:13,600 --> 01:59:19,600 Speaker 1: shooting that ship. Yeah, that should have been raking left 2027 01:59:19,640 --> 01:59:23,200 Speaker 1: you like waiting season Oh ship, let's go picked up? 2028 01:59:23,360 --> 01:59:38,920 Speaker 1: Oh ship? I tell ye looking good, brother, good got 2029 01:59:38,960 --> 01:59:43,880 Speaker 1: you man? That's you know. David says, what's what's something? Bro? 2030 01:59:44,320 --> 01:59:55,120 Speaker 1: Jake Chill Bucket, little fucking though. Yeah, yeah, what's fine. 2031 01:59:55,280 --> 01:59:58,920 Speaker 1: You know we love you. Let's go find Yeah, yeah, 2032 01:59:58,960 --> 02:00:01,800 Speaker 1: we got we got everything. What's this? What's going on? Brue? 2033 02:00:02,160 --> 02:00:06,320 Speaker 1: What's really going on? Yeah? What's man? I'm out here, Man, 2034 02:00:06,320 --> 02:00:12,960 Speaker 1: I'm outside, remember Sam, Yo, that's what something? Man like 2035 02:00:13,080 --> 02:00:15,360 Speaker 1: you more? You know that. That's want to get more 2036 02:00:15,440 --> 02:00:18,120 Speaker 1: paper with y'all. Want to have fucking dinners with y'all, 2037 02:00:18,200 --> 02:00:21,280 Speaker 1: when our kids to hang out this shot man, that's it. 2038 02:00:22,200 --> 02:00:29,560 Speaker 1: That's that's it. Yeah, thank you big will I need 2039 02:00:29,640 --> 02:00:38,240 Speaker 1: you later? Thank you? Love some p I'm not gonna 2040 02:00:38,320 --> 02:00:40,600 Speaker 1: lie right. That's that's That's the name of my new 2041 02:00:40,680 --> 02:00:43,680 Speaker 1: show that I'm gonna start telling who could you call? 2042 02:00:44,520 --> 02:00:50,480 Speaker 1: Could you call? Because I call? I didn't even announce 2043 02:00:50,520 --> 02:00:55,440 Speaker 1: it because I didn't think he's gonna calling out. I 2044 02:00:55,560 --> 02:00:57,920 Speaker 1: would you give me? I don't know if I got 2045 02:00:58,000 --> 02:01:00,680 Speaker 1: tip for nor right now? Because I want I'm an 2046 02:01:00,720 --> 02:01:04,440 Speaker 1: extra nigga. Let's make some noise for me being extra. 2047 02:01:06,760 --> 02:01:09,880 Speaker 1: So you called us some people. So now they're telling 2048 02:01:09,920 --> 02:01:14,200 Speaker 1: you this and you say, fuck it, I'm gonna um, 2049 02:01:14,640 --> 02:01:19,600 Speaker 1: I'm gonna still go for it. Right, And meth comes 2050 02:01:19,640 --> 02:01:23,360 Speaker 1: and sees you, does does he convince you that this 2051 02:01:23,520 --> 02:01:26,560 Speaker 1: is the role you're supposed to be doing. Okay, and 2052 02:01:26,600 --> 02:01:28,120 Speaker 1: then we're like from the jump and let me know, 2053 02:01:28,200 --> 02:01:31,120 Speaker 1: he was funking with me. I just could tell he 2054 02:01:31,280 --> 02:01:33,840 Speaker 1: was in motion, you know what I'm saying, Like the 2055 02:01:34,840 --> 02:01:38,280 Speaker 1: day I was they put it together for us to meet, 2056 02:01:38,440 --> 02:01:41,440 Speaker 1: he was doing what he just he came and respectfully 2057 02:01:41,560 --> 02:01:43,640 Speaker 1: did that, but he was on the move, you know 2058 02:01:43,640 --> 02:01:45,840 Speaker 1: what I'm saying. But from that point on, we locked them. 2059 02:01:46,080 --> 02:01:50,520 Speaker 1: I'm saying, that's the home. It makes a noise to Math, 2060 02:01:54,560 --> 02:01:58,760 Speaker 1: the foul flight. Remember this is the worst place ever been, 2061 02:02:02,920 --> 02:02:05,800 Speaker 1: the worst whatever. Let me set you up, said you up, please, 2062 02:02:05,840 --> 02:02:07,960 Speaker 1: because you can't just start like because my brother, I 2063 02:02:08,080 --> 02:02:13,080 Speaker 1: can't just do that. All right, listen, that's my brother. 2064 02:02:13,160 --> 02:02:14,840 Speaker 1: I'm gonna show you. I'm gonna tell your story later. 2065 02:02:15,080 --> 02:02:19,680 Speaker 1: But this is one story. So I do a record 2066 02:02:20,240 --> 02:02:23,960 Speaker 1: for Math. Remember, like, yo, Nori, I want to pay 2067 02:02:24,040 --> 02:02:26,120 Speaker 1: you know, there's no way I can't make Math the 2068 02:02:26,160 --> 02:02:28,840 Speaker 1: man pay me. It's no way. So just give my 2069 02:02:28,920 --> 02:02:31,760 Speaker 1: flights to the video. I'm good. So it's a right cool. 2070 02:02:32,280 --> 02:02:34,320 Speaker 1: They threw my man on the flight. What kind of 2071 02:02:34,400 --> 02:02:37,520 Speaker 1: flight they do? You on the first last of y'all 2072 02:02:37,960 --> 02:02:44,280 Speaker 1: but was slap for a long time. I didn't. I 2073 02:02:44,320 --> 02:02:48,040 Speaker 1: didn't listen. But we got some New York ship. We're 2074 02:02:48,080 --> 02:02:53,000 Speaker 1: gonna me manship, no problem, you know, let's go. And 2075 02:02:53,360 --> 02:02:58,760 Speaker 1: then when I went to secure the flight, they said, listen, bro, 2076 02:02:59,840 --> 02:03:05,640 Speaker 1: you can't bring that tooth thick got a tooth place. 2077 02:03:05,640 --> 02:03:15,680 Speaker 1: I got a flight in this. Listen this they like, 2078 02:03:15,880 --> 02:03:20,280 Speaker 1: no carry on. This flight is debted from the start, 2079 02:03:21,520 --> 02:03:24,920 Speaker 1: Like getting this ship, I gotta be fucked up. Let 2080 02:03:24,960 --> 02:03:27,560 Speaker 1: me pick up the street. I'm not going anywhere. I 2081 02:03:27,680 --> 02:03:33,960 Speaker 1: got like a bogies. We're throwing in the trash. They 2082 02:03:34,040 --> 02:03:37,640 Speaker 1: only let me about wallet, and even about wallet had 2083 02:03:37,720 --> 02:03:45,040 Speaker 1: to weigh a first up. But let's be good. They 2084 02:03:45,120 --> 02:03:50,040 Speaker 1: sent you back first class. My niggers, they class. It's 2085 02:03:50,160 --> 02:03:58,840 Speaker 1: gone that ever lived in the women. Wait, I didn't 2086 02:03:58,880 --> 02:04:02,920 Speaker 1: viel I love Matthew that no, no, no, but you 2087 02:04:04,920 --> 02:04:07,520 Speaker 1: so now listen now, but love it. How did this happen? 2088 02:04:07,720 --> 02:04:12,400 Speaker 1: And how did this come together? Because okay, you know, 2089 02:04:12,880 --> 02:04:16,400 Speaker 1: the old generation meets new new generation. Everyone has been 2090 02:04:16,440 --> 02:04:19,720 Speaker 1: talking about this forever. There's actually never been an album 2091 02:04:20,240 --> 02:04:25,840 Speaker 1: to produce that, to compliment that, and to showcase that 2092 02:04:26,080 --> 02:04:28,800 Speaker 1: that's never been This is but loved right, this is 2093 02:04:28,840 --> 02:04:32,680 Speaker 1: you want staff, But this is the only time and 2094 02:04:32,800 --> 02:04:35,600 Speaker 1: no one is actually sitting back and saying this is 2095 02:04:35,640 --> 02:04:41,080 Speaker 1: the new generations the h I want to say the 2096 02:04:41,120 --> 02:04:45,080 Speaker 1: true generation or the other generation, because I don't want 2097 02:04:45,120 --> 02:04:47,560 Speaker 1: to say that the true like everybody else is true. 2098 02:04:48,040 --> 02:04:50,040 Speaker 1: So I don't know. But but this is this is that, 2099 02:04:50,320 --> 02:04:55,320 Speaker 1: this is always new. This is a great fucking album. 2100 02:04:55,440 --> 02:04:58,560 Speaker 1: Y'all about to go on part two? But how do 2101 02:04:58,680 --> 02:05:01,760 Speaker 1: you even think of that? Like, how does this come together? 2102 02:05:02,360 --> 02:05:04,920 Speaker 1: It's so ill because styles I've been saying this for 2103 02:05:05,040 --> 02:05:07,760 Speaker 1: my my first interview ever. That's that's always my favorite 2104 02:05:07,840 --> 02:05:15,600 Speaker 1: rapper um and both I named David and we was ruining. 2105 02:05:15,640 --> 02:05:17,040 Speaker 1: We was in it. We was I wasn't young because 2106 02:05:17,040 --> 02:05:20,240 Speaker 1: he was in um D block studios, smoking and ship 2107 02:05:20,320 --> 02:05:25,560 Speaker 1: shouts to pools, daves who kiss, yeah, shouts the order. 2108 02:05:26,480 --> 02:05:28,760 Speaker 1: That's that's that's like my that's family. You know what 2109 02:05:28,800 --> 02:05:32,839 Speaker 1: I'm saying. That's like, that's that's like the big bros. 2110 02:05:32,920 --> 02:05:34,240 Speaker 1: Like you know what I'm saying. I really got a 2111 02:05:34,280 --> 02:05:36,960 Speaker 1: different vibe with them. But we was, we was looking 2112 02:05:37,040 --> 02:05:38,880 Speaker 1: the ship up. He was in the studio of Smaller 2113 02:05:38,960 --> 02:05:43,800 Speaker 1: was like what do uh what do what do David means? 2114 02:05:44,520 --> 02:05:48,520 Speaker 1: You know what I'm saying. It was like, um, beloved 2115 02:05:48,640 --> 02:05:52,880 Speaker 1: of friends. It's like that's the definition of the name David. 2116 02:05:54,720 --> 02:05:57,600 Speaker 1: So he was like, damn but loved that's it, Like 2117 02:05:58,040 --> 02:06:00,360 Speaker 1: you know what I'm saying, that's from that little lux 2118 02:06:00,440 --> 02:06:03,600 Speaker 1: ever come at y'all n lucks a little lux just 2119 02:06:03,640 --> 02:06:05,920 Speaker 1: like he was like beloved. You know that's a bro. 2120 02:06:06,240 --> 02:06:08,080 Speaker 1: I always catch luxe of the juice. But that was like, 2121 02:06:08,200 --> 02:06:10,080 Speaker 1: let my mom, Lord of lux were saying, but love 2122 02:06:10,160 --> 02:06:15,160 Speaker 1: it and something. I get my mom like, yeah, that's 2123 02:06:15,200 --> 02:06:18,200 Speaker 1: just that's that's how he greets you. But it's just 2124 02:06:18,400 --> 02:06:20,960 Speaker 1: it fits, you know what I'm saying that, Like I said, 2125 02:06:21,040 --> 02:06:24,160 Speaker 1: Peeping my favorite rapper. So I've been listening to him 2126 02:06:24,200 --> 02:06:26,120 Speaker 1: and Kiss going back and forth for years. So just 2127 02:06:26,240 --> 02:06:29,080 Speaker 1: for me to get that opportunity to like through an 2128 02:06:29,080 --> 02:06:31,960 Speaker 1: album with him going just me and him back and forth, 2129 02:06:32,160 --> 02:06:34,240 Speaker 1: you know what I mean? That was You know it's beautiful. 2130 02:06:34,320 --> 02:06:38,760 Speaker 1: You met the styles Peter Vegan, right, you never know 2131 02:06:38,800 --> 02:06:55,520 Speaker 1: what style speeding eight meat was a foul I just 2132 02:06:56,520 --> 02:06:59,600 Speaker 1: leave stop listen styles Peter meat eater, he got me 2133 02:07:00,080 --> 02:07:04,640 Speaker 1: got different, nigger, you got balls, he got he got me. Yeah, 2134 02:07:04,760 --> 02:07:12,800 Speaker 1: I don't. He got me, healthy man, he got me. 2135 02:07:13,040 --> 02:07:16,560 Speaker 1: He got me all types of black oil, black sea oils. 2136 02:07:17,680 --> 02:07:23,080 Speaker 1: Shout to the fallah like, yeah, that's that's my famis. 2137 02:07:23,640 --> 02:07:26,840 Speaker 1: Have no idea shot shout to. Let me tell you 2138 02:07:26,920 --> 02:07:30,720 Speaker 1: what happened having bad from TV? Bad from TV? Right 2139 02:07:31,560 --> 02:07:34,080 Speaker 1: mind you. It's a little story. Hold on real quick. 2140 02:07:34,240 --> 02:07:35,800 Speaker 1: This is a meat story, one of one of the 2141 02:07:38,760 --> 02:07:40,640 Speaker 1: understand why you brung it there? Bro, I don't know. 2142 02:07:45,280 --> 02:07:49,960 Speaker 1: I'm going to up. He really can't say I want. 2143 02:07:50,920 --> 02:07:54,360 Speaker 1: I know. We're drunk. Watch watch how you're talking like, 2144 02:07:57,800 --> 02:08:02,480 Speaker 1: I'm on my next bot? Are you? Are you? Are 2145 02:08:02,520 --> 02:08:04,080 Speaker 1: you in your next bottle? You don't even finished. You 2146 02:08:04,080 --> 02:08:08,720 Speaker 1: have to finish that bottle. Come on, come on the 2147 02:08:08,760 --> 02:08:15,560 Speaker 1: next one. I'm on the next one, and let's see 2148 02:08:15,560 --> 02:08:17,120 Speaker 1: if you get along. Let's see if you get along. 2149 02:08:17,280 --> 02:08:20,440 Speaker 1: Take your shot already. Yeah, I definitely took my I'm 2150 02:08:20,480 --> 02:08:22,760 Speaker 1: taking another shot, bro, right now, I got another shot, 2151 02:08:22,840 --> 02:08:26,760 Speaker 1: right now. I'll be free in thirty minutes without him. 2152 02:08:26,840 --> 02:08:31,120 Speaker 1: That's that means probably not done. I got take a 2153 02:08:31,200 --> 02:08:51,800 Speaker 1: piss break. Yeah, m hm, stuff yet, I'm gonna just 2154 02:08:51,920 --> 02:09:08,240 Speaker 1: wait until hold on you it's a monster leader did 2155 02:09:08,320 --> 02:09:14,760 Speaker 1: you getting as good? I did that because I got 2156 02:09:14,800 --> 02:09:19,560 Speaker 1: two everybody here. You was the only nigger I did 2157 02:09:19,680 --> 02:09:23,520 Speaker 1: not want to answer, did we getting as good? Okay, 2158 02:09:29,480 --> 02:09:32,120 Speaker 1: you don't know what I'm talking. Shut up the point 2159 02:09:32,160 --> 02:09:37,360 Speaker 1: why I love you? I love I don't want anybody 2160 02:09:37,360 --> 02:09:40,879 Speaker 1: to think I'm talking about you crazy because I'm not weird. 2161 02:09:41,000 --> 02:09:44,280 Speaker 1: But did we getting as good? That was crazy? Listen, 2162 02:09:44,360 --> 02:09:46,800 Speaker 1: by the way, I didn't text. I did text much 2163 02:09:46,800 --> 02:09:50,520 Speaker 1: to live. Did text him and he didn't answer, and 2164 02:09:50,600 --> 02:09:52,640 Speaker 1: I just it's true. I gotta text to prove it. 2165 02:09:52,760 --> 02:09:55,200 Speaker 1: Right here, I was about saying I didn't text him 2166 02:09:55,440 --> 02:09:58,080 Speaker 1: and it would not be the truth. But then I 2167 02:09:58,200 --> 02:10:00,880 Speaker 1: just hit the snooze button, letting day you're talking, and 2168 02:10:00,920 --> 02:10:03,760 Speaker 1: he just picked up, and like that was just hard. 2169 02:10:04,320 --> 02:10:08,160 Speaker 1: Now we're gonna say, Dave east Nas, You're gonna make 2170 02:10:08,160 --> 02:10:10,200 Speaker 1: a movie out of it. I'm sorry. This is what 2171 02:10:10,360 --> 02:10:14,520 Speaker 1: we did. Trailer. We do what we do, alright, anybody 2172 02:10:14,600 --> 02:10:19,400 Speaker 1: else I said that trailer. He's out in the street. 2173 02:10:19,840 --> 02:10:22,360 Speaker 1: I don't know what you said, but I'm rolling with 2174 02:10:22,520 --> 02:10:24,680 Speaker 1: you just to feel like whatever you said, I feel 2175 02:10:24,680 --> 02:10:32,320 Speaker 1: like I'm rolling it. So fucking this is this is 2176 02:10:32,560 --> 02:10:38,440 Speaker 1: fucking vodka hand sanitized has turned into va and to 2177 02:10:38,560 --> 02:10:47,880 Speaker 1: kill to kill it is so rapid. Just want I know, 2178 02:10:48,040 --> 02:10:50,200 Speaker 1: I hate to kill her, but I love to kill her. 2179 02:10:50,480 --> 02:10:53,120 Speaker 1: But I hate it, but I also love it, right, 2180 02:10:53,400 --> 02:11:02,000 Speaker 1: so I kind of crazy. I don't like it. I 2181 02:11:02,080 --> 02:11:14,080 Speaker 1: don't like it. H anybody good? Oh ship? What's going on? Brother? 2182 02:11:14,120 --> 02:11:17,000 Speaker 1: You're looking good? Baby, listen, wait and everything. I'm respect 2183 02:11:17,080 --> 02:11:22,160 Speaker 1: that baby saying vibe houses, vibing, vibe houses, vibing. Goddamn it, 2184 02:11:23,120 --> 02:11:25,960 Speaker 1: this is the vibes house. Man have the vibe house 2185 02:11:26,960 --> 02:11:29,680 Speaker 1: definitely took little of her. Boats was his nick name. 2186 02:11:33,000 --> 02:11:35,440 Speaker 1: I'm good, I ain't even gonna open this and putting 2187 02:11:35,440 --> 02:11:40,280 Speaker 1: this with the other rapper weed I got, yeah, mad, 2188 02:11:40,520 --> 02:11:44,800 Speaker 1: let's just put it into I'm making a museum wrapper 2189 02:11:44,840 --> 02:11:50,840 Speaker 1: weed rappers. Nigga's talking on hundred seventy dollars for thirty grands. 2190 02:11:50,840 --> 02:11:58,760 Speaker 1: You gotta stop, Yeah, you gotta that's that's a column. 2191 02:11:59,400 --> 02:12:02,000 Speaker 1: That's how I say no, that's your price. You'd be 2192 02:12:02,080 --> 02:12:06,120 Speaker 1: selling tourious, give be selling tourists. Read if you're a taurists, 2193 02:12:06,200 --> 02:12:08,320 Speaker 1: even the beach, this hes gonna show up when you 2194 02:12:08,400 --> 02:12:14,080 Speaker 1: buy by Hey, how you don't know it's gonna be bad, 2195 02:12:14,200 --> 02:12:16,800 Speaker 1: happy and ship. You're gonna be like, there's something wrong. 2196 02:12:16,960 --> 02:12:22,400 Speaker 1: Why is this ounce four hundred and seventy dollars out 2197 02:12:22,520 --> 02:12:29,120 Speaker 1: everywhere else house everywhere else? It's two hundred dollars bro Right, 2198 02:12:29,200 --> 02:12:38,880 Speaker 1: then he got that that believe baby, I definitely got 2199 02:12:38,920 --> 02:12:44,840 Speaker 1: the shot with Rolle some of that. No, I ain't rolling. 2200 02:12:44,960 --> 02:12:47,760 Speaker 1: I ain't because I'm gonna I'm gonna stick with my file. 2201 02:12:47,840 --> 02:12:51,160 Speaker 1: Y'all lives right here. But I'm gonna take that to go. 2202 02:12:51,440 --> 02:12:53,320 Speaker 1: I got this with the searts. I'm gonna put this 2203 02:12:53,400 --> 02:12:58,440 Speaker 1: with camp. Wait, cam ain't send me the first cam 2204 02:12:58,600 --> 02:13:02,160 Speaker 1: ever the cameras roll want up the first time Low came, 2205 02:13:02,400 --> 02:13:05,280 Speaker 1: but even hit me back, you know me and Cat 2206 02:13:05,480 --> 02:13:10,000 Speaker 1: want to go was jam for lack of a better term, 2207 02:13:10,120 --> 02:13:18,040 Speaker 1: nigga's got to like give us that. I don't mean block. 2208 02:13:19,240 --> 02:13:23,200 Speaker 1: I don't mind. Nigga well aware what's going on, sir, 2209 02:13:24,040 --> 02:13:27,360 Speaker 1: but this is for him to hit me back. I 2210 02:13:27,480 --> 02:13:31,080 Speaker 1: love a nigga like, I ain't whatever way he thought. 2211 02:13:31,200 --> 02:13:34,640 Speaker 1: If he thought that way, that ain't it, you know 2212 02:13:34,680 --> 02:13:36,880 Speaker 1: what I mean. So I'm not a lie. That's the 2213 02:13:36,960 --> 02:13:43,760 Speaker 1: first time backward Lo Lo lo lo on the first time. 2214 02:13:45,320 --> 02:13:52,040 Speaker 1: Let's go as loon. What's going on? Yeah, come on, 2215 02:13:56,000 --> 02:14:01,000 Speaker 1: welcome home, Bro, appreciate what I'm selling. Man, they got 2216 02:14:01,040 --> 02:14:07,880 Speaker 1: me on drink Champs. I'm in Miami with family. Man. Listen, 2217 02:14:09,720 --> 02:14:13,720 Speaker 1: I'm trying. I'm trying to let you too. Man. We 2218 02:14:13,880 --> 02:14:15,760 Speaker 1: know we got you. Well, we know I got you, 2219 02:14:26,320 --> 02:14:28,480 Speaker 1: no problem, Bro, you got my number to wrecking. I 2220 02:14:28,600 --> 02:14:30,680 Speaker 1: love you. We're doing a Hall of We're doing the 2221 02:14:30,760 --> 02:14:33,440 Speaker 1: Hall of episode, so it was so doped up. You 2222 02:14:33,480 --> 02:14:35,080 Speaker 1: know what I mean to have you check in with 2223 02:14:35,160 --> 02:14:40,440 Speaker 1: it with young Homie Davies. My man, I'm gonna get 2224 02:14:40,480 --> 02:14:42,080 Speaker 1: with you as soon as I get back. You already know. 2225 02:14:42,280 --> 02:14:50,640 Speaker 1: I think I'm solam. I know you always always awesome, 2226 02:14:51,320 --> 02:14:56,240 Speaker 1: unless you know how much will let you. Yet, you 2227 02:14:56,320 --> 02:15:08,000 Speaker 1: know we got I'm wanna fucking li Checkett's work. I 2228 02:15:08,120 --> 02:15:10,720 Speaker 1: cannot take that. I cannot see those frosts. I gotta 2229 02:15:10,760 --> 02:15:15,200 Speaker 1: give it to the y'all me motherfucker girls, daies? Bro? 2230 02:15:16,680 --> 02:15:19,760 Speaker 1: What what what? What the what the fucking I'm being honest. 2231 02:15:19,800 --> 02:15:22,200 Speaker 1: You're a young nigga with an old soul, and we 2232 02:15:22,360 --> 02:15:25,920 Speaker 1: respect that. We respect your cool and what you're rolling over. 2233 02:15:26,200 --> 02:15:32,560 Speaker 1: We shot, that's been up shot, Lizzie got that from you. 2234 02:15:34,040 --> 02:15:36,520 Speaker 1: You see what up? Man and him and um who 2235 02:15:36,640 --> 02:15:40,720 Speaker 1: he had beefoot um? What's his name? Fly wasn't nigga. 2236 02:15:41,200 --> 02:15:46,440 Speaker 1: I don't be keeping up with these beefs. It's basted 2237 02:15:46,600 --> 02:15:48,920 Speaker 1: my man, my man name. I don't keep up with 2238 02:15:51,400 --> 02:16:00,880 Speaker 1: call styles. All that know is east you know you 2239 02:16:01,240 --> 02:16:09,680 Speaker 1: break this up's let's get what fund out trout my nigga, 2240 02:16:09,920 --> 02:16:19,760 Speaker 1: tral my nigga, shout with my net. Yeah he's still 2241 02:16:19,800 --> 02:16:24,920 Speaker 1: he locked up right trail. That's my nigger's ghost, just 2242 02:16:25,040 --> 02:16:29,840 Speaker 1: my nigga. Alright, cool that trap funk with the whole 2243 02:16:29,960 --> 02:16:31,920 Speaker 1: d she all them nigg is getting busy out there, 2244 02:16:32,720 --> 02:16:38,040 Speaker 1: just muscled up one. Listen your let me get another. 2245 02:16:38,560 --> 02:16:48,200 Speaker 1: Just as know what's going on. Let's set that's the ghost, y'all. 2246 02:16:48,280 --> 02:16:52,240 Speaker 1: His nigg is definitely picking up now when you wanted 2247 02:16:52,280 --> 02:16:56,080 Speaker 1: to fig up. They don't pick up after pick up less. 2248 02:16:56,200 --> 02:16:59,400 Speaker 1: Let me see where I get hit up. That's a 2249 02:16:59,440 --> 02:17:02,520 Speaker 1: new segment the show because we famous Can we cover 2250 02:17:03,080 --> 02:17:09,400 Speaker 1: our favorite? Can you calls showing up at all? I 2251 02:17:09,440 --> 02:17:12,080 Speaker 1: can call real quickly. Let's see let's see whatever famous 2252 02:17:12,120 --> 02:17:13,840 Speaker 1: do you call? That's the new segment of the show. 2253 02:17:14,000 --> 02:17:20,520 Speaker 1: David figured you know what day second show that me 2254 02:17:20,600 --> 02:17:24,600 Speaker 1: and you are producing. We're gonna get other dudes can 2255 02:17:24,760 --> 02:17:29,560 Speaker 1: call who can you call? Check this out I'm doing. 2256 02:17:29,600 --> 02:17:32,199 Speaker 1: I'm doing drink Champs right now. We're doing a segment 2257 02:17:32,320 --> 02:17:36,840 Speaker 1: call who can you call? And I just, I just 2258 02:17:37,000 --> 02:17:39,720 Speaker 1: I just want to desist to show some love real quick. 2259 02:17:42,560 --> 02:17:52,560 Speaker 1: You know you're not gonna be careless, not I might know. 2260 02:17:52,720 --> 02:17:57,200 Speaker 1: I think you might go everybody real quick. Oh my god, man, 2261 02:18:06,200 --> 02:18:12,440 Speaker 1: we had I love you said we had not? Yeah, 2262 02:18:12,520 --> 02:18:14,440 Speaker 1: now so that was you. We had to drive to 2263 02:18:14,560 --> 02:18:17,440 Speaker 1: let you come in person. We need you in person. 2264 02:18:17,520 --> 02:18:21,520 Speaker 1: We love you. Who can you call? Oh? Ship day 2265 02:18:21,600 --> 02:18:31,880 Speaker 1: needs you by the one. I love that MoMA showed 2266 02:18:31,959 --> 02:18:34,520 Speaker 1: up and showed up, killed that guy. I got that 2267 02:18:34,959 --> 02:19:00,480 Speaker 1: call you hear COVID Yeah about cool of dad. It 2268 02:19:00,480 --> 02:19:08,480 Speaker 1: doesn't make it even enough. When we were just negotiating, 2269 02:19:08,560 --> 02:19:20,240 Speaker 1: I didn't sound out. Got it right now? That's cut out? 2270 02:19:20,560 --> 02:19:25,240 Speaker 1: Okay you call can you call yo? Son? You got 2271 02:19:25,280 --> 02:19:31,000 Speaker 1: it right down, That's all I'm saying. Look at that 2272 02:19:31,120 --> 02:19:37,400 Speaker 1: yall face that what you're doing? Grab one all this 2273 02:19:37,680 --> 02:19:42,080 Speaker 1: one that was gay, that was ga, that was done enough. 2274 02:19:42,240 --> 02:19:46,800 Speaker 1: You you over time me with Mary though Mary was on, 2275 02:19:47,000 --> 02:19:50,200 Speaker 1: I was chilling. Wait, I'm like, yo, who what is that? 2276 02:19:50,480 --> 02:19:56,880 Speaker 1: That's meaning seu and oh that was declined cline. I 2277 02:19:56,920 --> 02:20:03,440 Speaker 1: don't change number life now, mama, my mind. Hold on, damn, 2278 02:20:03,520 --> 02:20:08,000 Speaker 1: hold on, let me try something. I got to love me. 2279 02:20:08,120 --> 02:20:11,400 Speaker 1: I home. You gotta blame shoot them where like like 2280 02:20:11,600 --> 02:20:13,720 Speaker 1: we got all the businesses going on. I don't want 2281 02:20:13,720 --> 02:20:16,680 Speaker 1: to bother because I want that. I want that y'aller 2282 02:20:16,760 --> 02:20:20,200 Speaker 1: to go through. Y'all know, no, no, not that that 2283 02:20:20,320 --> 02:20:26,000 Speaker 1: was we have to call guard. I'm married, brother, I'm 2284 02:20:26,000 --> 02:20:28,480 Speaker 1: gonna have any other girls, my wife and my phone. 2285 02:20:30,320 --> 02:20:44,640 Speaker 1: That is naby. I got up. Yeah, I try, I 2286 02:20:44,800 --> 02:20:47,800 Speaker 1: got I gotta hold on. Let me look too much. 2287 02:20:47,920 --> 02:20:52,039 Speaker 1: Let me see, let me see. I'm say that Jewelah, 2288 02:20:52,720 --> 02:20:56,920 Speaker 1: who can you call segments? Damon? Who can that's I said? 2289 02:20:58,240 --> 02:21:00,680 Speaker 1: It's like that's the way to say. That was fine. 2290 02:21:01,240 --> 02:21:06,240 Speaker 1: Look killer killer just hit me back. And I'm not 2291 02:21:06,240 --> 02:21:08,920 Speaker 1: gonna do fat Joe because that's a cliche, just cliche 2292 02:21:09,800 --> 02:21:13,400 Speaker 1: like kiss. Let's see, let's this boat call kiss, Let's 2293 02:21:13,400 --> 02:21:19,040 Speaker 1: see who picks up kiss? You're still you call them 2294 02:21:19,640 --> 02:21:25,879 Speaker 1: about to start kiss my cousin. I don't know something 2295 02:21:28,000 --> 02:21:33,640 Speaker 1: I got it right, So you tell me kiss it's 2296 02:21:33,640 --> 02:21:51,960 Speaker 1: not giving me the points. They got me want to 2297 02:21:52,040 --> 02:21:56,080 Speaker 1: drink ship and we do. We're doing. Who can you call? 2298 02:21:56,280 --> 02:22:04,680 Speaker 1: You are you know you can call me? Yea? We 2299 02:22:04,800 --> 02:22:07,760 Speaker 1: got we got headsco on the life. I got married 2300 02:22:09,040 --> 02:22:14,680 Speaker 1: and you picked up taster you call listens incredible you ship, 2301 02:22:17,640 --> 02:22:22,640 Speaker 1: don't get ahead of phone, don't but you ain't. Got 2302 02:22:22,800 --> 02:22:39,400 Speaker 1: nobody on the phone. T you got sunny d picking 2303 02:22:39,520 --> 02:22:45,360 Speaker 1: up man. I called good, called Mary. I called you. 2304 02:22:46,200 --> 02:22:50,960 Speaker 1: It's a it's a. I don't know where you're gonna 2305 02:22:51,000 --> 02:22:52,760 Speaker 1: go with it. I see what's going I mean, thank 2306 02:22:52,800 --> 02:22:55,760 Speaker 1: you for picking up. That's what's going on. Man, we 2307 02:22:56,000 --> 02:23:02,440 Speaker 1: love you know what's go You better call somebody. You 2308 02:23:02,560 --> 02:23:17,039 Speaker 1: don't somebody y'all know. Yeah, we got let's tracking. Look 2309 02:23:17,120 --> 02:23:36,200 Speaker 1: we're in the build. That's true going on. Don't got 2310 02:23:36,240 --> 02:23:38,480 Speaker 1: me on the train chats and got a second call. 2311 02:23:39,000 --> 02:23:42,480 Speaker 1: Who can you call that don't pick out? I told 2312 02:23:42,560 --> 02:23:46,960 Speaker 1: him I'll go pick up for me. I'm gonna poking 2313 02:23:47,000 --> 02:23:54,400 Speaker 1: the booth right now. Yeah, I gotta let y'all hear 2314 02:23:54,400 --> 02:24:04,520 Speaker 1: what I'm working with. You go, this is epic. Stop playing. Yeah, cash, 2315 02:24:04,640 --> 02:24:10,120 Speaker 1: that's the cash man. We outside. Bake that ship. You 2316 02:24:10,160 --> 02:24:24,360 Speaker 1: don't want to welcome to the tamratone. Oh it south. 2317 02:24:25,080 --> 02:24:29,440 Speaker 1: They just gonna make it home. This house BODYCD make's 2318 02:24:29,480 --> 02:24:35,080 Speaker 1: hanging home. Make it home. What you think they're gonna 2319 02:24:35,080 --> 02:24:37,560 Speaker 1: get this thing? I ain't trying to sort them out. 2320 02:24:37,720 --> 02:24:40,200 Speaker 1: I don't sort the bitch you think the SOONEK wanted? 2321 02:24:41,720 --> 02:24:45,440 Speaker 1: Is y'all getting this ship? Yeah? Different? You shouldn't want 2322 02:24:46,480 --> 02:24:58,280 Speaker 1: different listening differ, we're playing those different Look at this ship. 2323 02:24:58,320 --> 02:25:00,600 Speaker 1: He ain't a booth, right, everybody o to Twitter and 2324 02:25:00,680 --> 02:25:04,160 Speaker 1: be like, cast no, we know we got we got 2325 02:25:14,959 --> 02:25:21,959 Speaker 1: you mother call can you can you step on camera 2326 02:25:22,040 --> 02:25:24,199 Speaker 1: real quick? We got an album they don't know about 2327 02:25:25,080 --> 02:25:28,320 Speaker 1: nigging me and you got a gang bang. Oh man, 2328 02:25:29,080 --> 02:25:30,760 Speaker 1: they don't know about that. I ain't never spoke on 2329 02:25:30,920 --> 02:25:39,240 Speaker 1: that later minute. This ain't that. They don't even know 2330 02:25:39,680 --> 02:25:45,280 Speaker 1: an album. Let's breaking new shot shot. Hold on, hold on, 2331 02:25:45,320 --> 02:25:48,400 Speaker 1: hold on, hold on, no man, where we went? I've 2332 02:25:48,440 --> 02:25:50,360 Speaker 1: been the harld of many times, but never like that. 2333 02:25:50,560 --> 02:25:52,200 Speaker 1: You dripped me in the sauce. You kik me here 2334 02:25:52,240 --> 02:25:56,200 Speaker 1: the McDonald's, You kicked me here. The motherfucking sea break 2335 02:25:56,320 --> 02:25:58,600 Speaker 1: took me under the thinking to the project. You took 2336 02:25:58,680 --> 02:26:00,800 Speaker 1: me all the round, all amount set it up calling 2337 02:26:00,879 --> 02:26:07,640 Speaker 1: personal you didn't. Yeah, I love you. You know us 2338 02:26:07,720 --> 02:26:10,840 Speaker 1: Burson day. Come on man, y'all make your your step 2339 02:26:10,920 --> 02:26:13,560 Speaker 1: and drinking on ship. We're about the first shot for 2340 02:26:13,640 --> 02:26:16,320 Speaker 1: your right now, right now, right now, shout for you. 2341 02:26:16,720 --> 02:26:19,920 Speaker 1: You know that I hold on You know, I love you. 2342 02:26:20,000 --> 02:26:21,520 Speaker 1: You know I love you. You know I want him 2343 02:26:21,520 --> 02:26:25,200 Speaker 1: to give us a noy story, but no, no, we 2344 02:26:25,280 --> 02:26:34,440 Speaker 1: gotta line. Thank you so much, Thank you listening. Yeah, 2345 02:26:34,480 --> 02:26:43,960 Speaker 1: swear make some norse for super Boe time. Okay, I 2346 02:26:44,040 --> 02:26:46,640 Speaker 1: love you because you right back at you know that 2347 02:26:48,560 --> 02:27:01,000 Speaker 1: I'm trying to count. He's good, sup at different He's good. 2348 02:27:02,320 --> 02:27:12,080 Speaker 1: Oh yeah, we're doing the same. May call who can 2349 02:27:12,280 --> 02:27:21,400 Speaker 1: cost me against Davies saying rule with something? Yeah? This 2350 02:27:21,760 --> 02:27:27,160 Speaker 1: name the pool? What out many? Yeah? Point Yeah, I 2351 02:27:27,400 --> 02:27:34,520 Speaker 1: gotta lie, you asked the phone, very naked, relaxed. You 2352 02:27:34,600 --> 02:27:42,680 Speaker 1: gotta miss this call. Brother, I'm with you. I just 2353 02:27:42,760 --> 02:27:56,760 Speaker 1: gotta win. Yeah, we got Jarl jarroin Yo, my brother, 2354 02:27:56,920 --> 02:28:03,760 Speaker 1: my my brother to live. We are, we are dreaming, 2355 02:28:05,840 --> 02:28:18,000 Speaker 1: we are how you call it? Respond show? I love this. Yeah, 2356 02:28:18,680 --> 02:28:21,480 Speaker 1: I'm about the whole niggas. That's not famous. No Diddy 2357 02:28:21,640 --> 02:28:27,320 Speaker 1: is not with me to I signed that contract and 2358 02:28:27,440 --> 02:28:34,360 Speaker 1: I actually in fact though all right, that's it because 2359 02:28:34,360 --> 02:28:38,120 Speaker 1: if they don't, they don't win. Might beginning, cur, you 2360 02:28:38,320 --> 02:28:43,040 Speaker 1: got a young son? You got son on there? Oh right? 2361 02:28:43,480 --> 02:28:47,000 Speaker 1: Your cur? Who push your Let's let's see a pusher, 2362 02:28:47,520 --> 02:28:52,240 Speaker 1: all right? We pushing this party drug dealing. Not in 2363 02:28:52,400 --> 02:28:56,080 Speaker 1: real life my mind. In my mind, you got a 2364 02:28:56,080 --> 02:29:00,160 Speaker 1: little bit fuck No, I don't got it. I do 2365 02:29:00,360 --> 02:29:06,320 Speaker 1: got it, but it's pushing like two, what's your push? 2366 02:29:06,360 --> 02:29:10,920 Speaker 1: Your all right? Here we go? Put your too? Ain't 2367 02:29:10,920 --> 02:29:20,080 Speaker 1: pick it up? Busy nicks man's all I'm hearing his 2368 02:29:20,240 --> 02:29:24,280 Speaker 1: phone cost. The next guy that gets anybody on the 2369 02:29:24,400 --> 02:29:31,080 Speaker 1: line wins. How about that. I'm gonna I never stupid man, 2370 02:29:31,120 --> 02:29:33,400 Speaker 1: I ain't. I feel like he wants a stupid mad 2371 02:29:34,320 --> 02:29:36,640 Speaker 1: That's why I need to push you need. I need 2372 02:29:36,640 --> 02:29:39,640 Speaker 1: to push your on skates. I've never been on line 2373 02:29:39,680 --> 02:29:41,640 Speaker 1: on skateboard, Pete. I'm gonna try that. That's my next 2374 02:29:41,760 --> 02:29:51,039 Speaker 1: that's my next movie. Right now. Situation, even even in school, 2375 02:29:51,800 --> 02:29:53,720 Speaker 1: you want me to get somebody on the line right now, 2376 02:29:53,879 --> 02:29:59,720 Speaker 1: I don't want you to get nobody on't want to 2377 02:29:59,760 --> 02:30:02,760 Speaker 1: clear you as a friend. At this point, I just 2378 02:30:02,840 --> 02:30:08,560 Speaker 1: want to say you a hanger on? He do either? 2379 02:30:08,879 --> 02:30:13,200 Speaker 1: That was crazy, but we're gonna make it happen. They're 2380 02:30:13,200 --> 02:30:17,640 Speaker 1: gonna pick up the market. That's what I call something 2381 02:30:18,120 --> 02:30:21,520 Speaker 1: that's crazy. That's the name of his like like this, 2382 02:30:21,720 --> 02:30:26,560 Speaker 1: this is just the next show. Listen. You guys wanted 2383 02:30:26,640 --> 02:30:41,120 Speaker 1: to call somebody random? Listen, I'm yo, Dave Man. Let 2384 02:30:41,200 --> 02:30:45,440 Speaker 1: me just tell you something, Bro, you a legend or 2385 02:30:45,720 --> 02:30:47,960 Speaker 1: did somebody pick up? Hold on because I'll make another call, Like, 2386 02:30:48,040 --> 02:30:55,160 Speaker 1: don't be sneaking a call. I want to state you 2387 02:30:55,200 --> 02:31:01,080 Speaker 1: want to call somebody from California. I don't want you 2388 02:31:01,120 --> 02:31:03,840 Speaker 1: to call nobody but nowhere. But I don't my behalf. 2389 02:31:04,320 --> 02:31:18,760 Speaker 1: If you're call's day Kenny Smith. What's up? Bro? Teck 2390 02:31:18,800 --> 02:31:27,279 Speaker 1: me with out very good what they dream? You're definitely 2391 02:31:27,360 --> 02:31:32,280 Speaker 1: in the got you? Thank you man, because you know 2392 02:31:32,520 --> 02:31:34,640 Speaker 1: I've been seeing you telling people that I played for events. 2393 02:31:34,680 --> 02:31:37,160 Speaker 1: A lot of people don't understand that I played for events. 2394 02:31:37,320 --> 02:31:39,320 Speaker 1: I said it in the eight I should play both 2395 02:31:39,320 --> 02:31:41,400 Speaker 1: of events, y'all. I handled the pill. I was the 2396 02:31:41,440 --> 02:31:45,600 Speaker 1: point guard. Yeah. I was following you, you and Kenny Lee, 2397 02:31:45,720 --> 02:31:50,520 Speaker 1: you and you know what I mean. I love you something. 2398 02:31:50,600 --> 02:31:53,480 Speaker 1: Interviewing Davieses were having a segment called who could You Call? 2399 02:31:53,640 --> 02:31:55,520 Speaker 1: And I think you just made me win? Thank you 2400 02:31:55,600 --> 02:32:08,760 Speaker 1: so much, Kenny Smith call you yeah, probably get excite. 2401 02:32:09,400 --> 02:32:13,039 Speaker 1: You got excited. You've got a litlematics. How you found 2402 02:32:13,120 --> 02:32:18,160 Speaker 1: New York? Like, come on, how you gonna do that? Literally? 2403 02:32:18,400 --> 02:32:21,960 Speaker 1: I stepped up my own ship. But this New York 2404 02:32:22,040 --> 02:32:24,320 Speaker 1: in me is like, yo, yo, nigga, what are you doing? 2405 02:32:25,520 --> 02:32:29,920 Speaker 1: I'm sorry a little bit. Michael Jordan's nobody can't call 2406 02:32:30,000 --> 02:32:35,640 Speaker 1: Michael put your only motherfucker You're gonna get feel like 2407 02:32:35,680 --> 02:32:49,160 Speaker 1: I want this leave it a go. Yeah, I'm want to. Yeah, 2408 02:32:49,600 --> 02:32:55,760 Speaker 1: let's sat every like Michael pick Michael want to sound 2409 02:32:55,760 --> 02:32:58,680 Speaker 1: a little different, bro oh yeah, because he might say 2410 02:33:00,040 --> 02:33:04,720 Speaker 1: definitely what white people? If that's what I'm saying, Miller, 2411 02:33:04,879 --> 02:33:09,080 Speaker 1: don't which which one you going on? Let's see, let's 2412 02:33:09,120 --> 02:33:12,720 Speaker 1: see you've seen him this morning? You know, hold on 2413 02:33:14,480 --> 02:33:34,680 Speaker 1: hero compo, hold on? Yeah, night doing a suddenly cool? 2414 02:33:34,760 --> 02:33:45,440 Speaker 1: Who can you call your I'm always that's my brother, 2415 02:33:47,160 --> 02:33:57,560 Speaker 1: got me twisted? What ship? Who shift the water out there? 2416 02:33:57,640 --> 02:34:00,600 Speaker 1: And they're working out? Look, yeah, I was the man. 2417 02:34:04,560 --> 02:34:10,160 Speaker 1: What's the weather out that Jim were the report, bro, No, no, no, 2418 02:34:10,920 --> 02:34:12,960 Speaker 1: I only need the rather apart. When you start from 2419 02:34:12,959 --> 02:34:15,520 Speaker 1: your toes, when you stop from head. When you do that, 2420 02:34:16,280 --> 02:34:18,520 Speaker 1: you know I'm the biggest man, Jim. When you're gonna 2421 02:34:18,560 --> 02:34:24,200 Speaker 1: like that, Yeah, that's my brother. I love your man. 2422 02:34:24,240 --> 02:34:29,959 Speaker 1: I see you. Yeah. I think I think that's one. 2423 02:34:30,040 --> 02:34:32,480 Speaker 1: That's one. That's one up. I might be winning man. 2424 02:34:35,959 --> 02:34:39,080 Speaker 1: I ain't allowed as a part legends. I'm gonna give 2425 02:34:39,120 --> 02:34:44,959 Speaker 1: it tie. You wanted that, yeah, legend, But I made 2426 02:34:45,040 --> 02:34:49,640 Speaker 1: your hard on him. I started with battle. That's changed 2427 02:34:49,680 --> 02:34:56,320 Speaker 1: the theme back. I felt like I felt like Escort. 2428 02:34:56,440 --> 02:34:59,520 Speaker 1: I said heart was married Mary, but I felt like 2429 02:34:59,560 --> 02:35:12,000 Speaker 1: it was just escorts a Santo. He had water took like. 2430 02:35:12,160 --> 02:35:14,160 Speaker 1: I felt like he just came out of like making 2431 02:35:14,200 --> 02:35:17,840 Speaker 1: a blessing, like he just he just sacrificed the chicken 2432 02:35:18,280 --> 02:35:25,520 Speaker 1: and he just cut he just cut up yea, and 2433 02:35:25,600 --> 02:35:31,840 Speaker 1: then he came back. He's like, I'm back and then naughty. 2434 02:35:33,480 --> 02:35:38,040 Speaker 1: I agree. He noticed ship. He know I'm what I 2435 02:35:38,080 --> 02:35:39,960 Speaker 1: told him. I said, Yo, listen, if I hit you, 2436 02:35:40,000 --> 02:35:42,280 Speaker 1: I never face time you bro. But if I face 2437 02:35:42,400 --> 02:35:44,040 Speaker 1: time you, bro. I want to do this for a 2438 02:35:44,040 --> 02:35:47,480 Speaker 1: little bro. I want to make a little That was 2439 02:35:47,520 --> 02:35:50,480 Speaker 1: two days ago. Remember I never hit him back and say, yo, 2440 02:35:50,680 --> 02:35:54,240 Speaker 1: let's keep that going. So that I was now y'all 2441 02:35:54,240 --> 02:35:58,000 Speaker 1: implement that into drink champions in the future. Just shot 2442 02:35:58,080 --> 02:36:00,720 Speaker 1: me out. Wait, hold on, excuse me. That's all I mean. 2443 02:36:01,520 --> 02:36:07,560 Speaker 1: We're gonna make a million dollars together. I don't know shows. 2444 02:36:08,760 --> 02:36:11,000 Speaker 1: We're gonna make a show. Who can you call from 2445 02:36:11,040 --> 02:36:15,400 Speaker 1: this shot? Because you're gonna always wait with the girls, 2446 02:36:15,640 --> 02:36:18,360 Speaker 1: because I've got a girl killing. But what I'm gonna 2447 02:36:18,440 --> 02:36:23,320 Speaker 1: do is I'm gonna be the ultimate brother. You know 2448 02:36:23,480 --> 02:36:26,760 Speaker 1: what it is. I know you're knocking anything down, so 2449 02:36:26,879 --> 02:36:33,320 Speaker 1: that's how I can't. But what I'm gonna do, I'm 2450 02:36:33,320 --> 02:36:36,520 Speaker 1: gonna fighting out. I'm gonna make everybody my sister. Now, 2451 02:36:37,200 --> 02:36:41,000 Speaker 1: Haydn do it time on the one. Just want to 2452 02:36:41,360 --> 02:36:44,960 Speaker 1: sircustance and that's okay. So so I'm gonna get beat 2453 02:36:45,040 --> 02:36:48,800 Speaker 1: the next time. That's what I've noticed. Listen, we can't 2454 02:36:48,800 --> 02:36:52,480 Speaker 1: compete with Maddie. That's it. That changed the game, changed 2455 02:36:52,480 --> 02:36:56,000 Speaker 1: the game. Shot, So who can you call? Who can 2456 02:36:56,080 --> 02:37:01,520 Speaker 1: you go? Do you that shot? Shots to knol I 2457 02:37:01,560 --> 02:37:04,720 Speaker 1: didn't give another shot. Got damn, it's a new bottle. 2458 02:37:04,800 --> 02:37:08,200 Speaker 1: Was a little shott damn because I got another shots. 2459 02:37:08,800 --> 02:37:11,560 Speaker 1: I got one. I'll take another one. I wanted to 2460 02:37:11,680 --> 02:37:15,360 Speaker 1: change that was that was? That was I thant all 2461 02:37:15,440 --> 02:37:17,520 Speaker 1: them ships like, yeah, this is a whole new wave, 2462 02:37:17,640 --> 02:37:21,480 Speaker 1: like it's another way. It's a whole save what I 2463 02:37:21,520 --> 02:37:23,600 Speaker 1: got that games, it's really a whole another wave, like 2464 02:37:24,000 --> 02:37:33,400 Speaker 1: don't say what I got to s yeah him like 2465 02:37:33,440 --> 02:37:36,640 Speaker 1: a little tid. They ain't know we can do that. 2466 02:37:36,840 --> 02:37:40,600 Speaker 1: That's something now, No, but but we had some things 2467 02:37:40,600 --> 02:37:42,240 Speaker 1: in the building. No, we need, we need, we need, 2468 02:37:42,400 --> 02:37:47,960 Speaker 1: we need new shots brobe. Yeah, I like who pulled 2469 02:37:48,040 --> 02:37:58,680 Speaker 1: up the night double married nas Coppo no knowledge jade room. Yo. Yeah, 2470 02:37:59,320 --> 02:38:04,000 Speaker 1: nobody can't clam know you. That's why. That's why even 2471 02:38:04,040 --> 02:38:07,720 Speaker 1: though Lord no, but I gotta give it the hall 2472 02:38:07,800 --> 02:38:11,120 Speaker 1: On wins. But but I gotta give it to you. 2473 02:38:11,720 --> 02:38:15,000 Speaker 1: Even though he called my phone, you know what, he's 2474 02:38:15,040 --> 02:38:19,160 Speaker 1: a hard nigger, sued to let me just tell yourself 2475 02:38:19,160 --> 02:38:25,640 Speaker 1: about loan. Yeah, but let me, let me, let me 2476 02:38:25,720 --> 02:38:27,960 Speaker 1: tell you, let me tell you, Let me tell you 2477 02:38:28,000 --> 02:38:34,400 Speaker 1: about that par the hall loon Hoddy combs r p 2478 02:38:34,640 --> 02:38:39,600 Speaker 1: hud r p hudd loon Hoddy Combs. Um even me 2479 02:38:39,800 --> 02:38:45,240 Speaker 1: no cards, my brother in case, in case anybody don't know, 2480 02:38:45,760 --> 02:38:48,160 Speaker 1: Carden was signed the penalty. Me and Carden is like 2481 02:38:48,280 --> 02:38:50,879 Speaker 1: this to this day, I still call him, We still speak, 2482 02:38:51,120 --> 02:38:55,760 Speaker 1: we still kick it all the time. UMT record um. 2483 02:38:56,240 --> 02:38:59,880 Speaker 1: You know that whole red, the whole regime from May 2484 02:39:00,080 --> 02:39:05,160 Speaker 1: used to to Jim to to Cam, all of them. Like, 2485 02:39:05,320 --> 02:39:08,040 Speaker 1: I really kind of grew up with these dudes. And 2486 02:39:08,320 --> 02:39:11,160 Speaker 1: you know, for Loon to come back home and you know, 2487 02:39:11,280 --> 02:39:16,480 Speaker 1: be unscaled and you know he's he's just you know, pure. 2488 02:39:17,000 --> 02:39:21,520 Speaker 1: We heard pure, he's sounding good, and I just wanted 2489 02:39:21,560 --> 02:39:26,160 Speaker 1: to give that love, bro, so right there. Yeah, yeah, 2490 02:39:26,920 --> 02:39:28,840 Speaker 1: So we can't count Loon as one of the who 2491 02:39:28,959 --> 02:39:31,000 Speaker 1: you call, because that's what was one of the things 2492 02:39:31,080 --> 02:39:33,640 Speaker 1: I just said, Yo, Lo, I would love for um. 2493 02:39:34,600 --> 02:39:36,080 Speaker 1: You know, you know y'all knew each other. You know 2494 02:39:36,080 --> 02:39:37,800 Speaker 1: what I'm saying because I love you know you you 2495 02:39:38,120 --> 02:39:42,400 Speaker 1: old Hall speak to you. Yeah yeah, yeah, yeah, that 2496 02:39:42,560 --> 02:39:52,240 Speaker 1: was Yeah. I'm so glad that should I call Swissy? 2497 02:39:53,879 --> 02:39:55,680 Speaker 1: That was one of the let's together, Let's call together, 2498 02:39:55,720 --> 02:39:57,280 Speaker 1: that was one of the That was one of the ones. 2499 02:40:00,040 --> 02:40:03,480 Speaker 1: Swiss White did you trying to battle Swiss being the 2500 02:40:03,560 --> 02:40:08,840 Speaker 1: mountains of media right now, swiss is and fucking sucking 2501 02:40:08,879 --> 02:40:14,760 Speaker 1: Tony stocks house, next one and after this, I gotta 2502 02:40:14,760 --> 02:40:17,520 Speaker 1: take a piss and make it urgent. Keep calling me 2503 02:40:17,640 --> 02:40:19,720 Speaker 1: my pickup. You can make it urgent. How do you 2504 02:40:19,800 --> 02:40:39,640 Speaker 1: do that? You gotta keep calling you? He was doing 2505 02:40:39,680 --> 02:40:42,840 Speaker 1: a second call. Who you can call, you'll go, so 2506 02:40:43,040 --> 02:40:45,720 Speaker 1: me and David the Boy down to the last one. 2507 02:40:46,280 --> 02:40:49,520 Speaker 1: I'm not calling to you, and you've been telling me 2508 02:40:55,000 --> 02:41:01,480 Speaker 1: I'm not. I'm not friend. Yeah, I stood face time. 2509 02:41:01,640 --> 02:41:09,280 Speaker 1: I was facing. I was fed on the mouth of 2510 02:41:09,280 --> 02:41:19,920 Speaker 1: the ya. Yeah, I love, I love. I want hold 2511 02:41:19,959 --> 02:41:26,520 Speaker 1: on everybody. I love every time a lot, hold y'all, 2512 02:41:26,560 --> 02:41:31,520 Speaker 1: hold on out you guys. I was I was fine, 2513 02:41:31,640 --> 02:41:34,760 Speaker 1: hold on, hold on the pult on real quick, maver 2514 02:41:34,920 --> 02:41:39,680 Speaker 1: j block to homie. No, I just want, I need, 2515 02:41:39,879 --> 02:41:45,120 Speaker 1: I need. I need this math dough. Yeah. Never that, 2516 02:41:45,640 --> 02:41:48,480 Speaker 1: I had it in my other phone. He's gonna shut 2517 02:41:48,560 --> 02:41:50,960 Speaker 1: the build it damn sending that through I everything that's 2518 02:41:51,720 --> 02:41:53,960 Speaker 1: gonna shut it from then on. I'm from that. If 2519 02:41:54,800 --> 02:42:02,240 Speaker 1: I wanted sending that telling you nothing, never just do it. 2520 02:42:02,480 --> 02:42:04,080 Speaker 1: I can't tell you that. I'm just sitting that too. 2521 02:42:06,560 --> 02:42:09,240 Speaker 1: For this ship. Wait till the ship. This this was fine. 2522 02:42:11,120 --> 02:42:14,520 Speaker 1: This was fine. Watched the full ship thinks, ain't did that. 2523 02:42:15,040 --> 02:42:17,560 Speaker 1: Don't get your flowers else, this is your flower. I 2524 02:42:17,800 --> 02:42:19,840 Speaker 1: ain't did that. That was gangs. I wish I could 2525 02:42:19,879 --> 02:42:22,200 Speaker 1: call Master the p I ain't got this number. I 2526 02:42:22,320 --> 02:42:25,720 Speaker 1: just watch. No, I just watched it. That's a little hour. 2527 02:42:26,080 --> 02:42:31,280 Speaker 1: I just watched fine. You know we should have called 2528 02:42:31,320 --> 02:42:36,520 Speaker 1: him back. Oh no, it's too well, when will you 2529 02:42:36,600 --> 02:42:39,520 Speaker 1: watching VT? I think I got home. I got something 2530 02:42:39,640 --> 02:42:50,240 Speaker 1: that's so he already punched, punching in. It's always really 2531 02:42:51,320 --> 02:42:58,280 Speaker 1: just over. He ain't gonna good time over time all 2532 02:42:58,360 --> 02:43:03,520 Speaker 1: my side over. I'm not what's gonna work that way. 2533 02:43:03,760 --> 02:43:10,680 Speaker 1: This is because he's like me. He bound down, motherfucking 2534 02:43:10,760 --> 02:43:15,320 Speaker 1: flying Master Peak. Guys, look and we won't just try 2535 02:43:15,360 --> 02:43:17,480 Speaker 1: to take all ideas like y'all had the idea already. 2536 02:43:19,920 --> 02:43:23,680 Speaker 1: Job I should have documented bro youd better stop I'd 2537 02:43:23,720 --> 02:43:29,119 Speaker 1: on Master peak music. Let's just ship. Look Master Peak, 2538 02:43:29,200 --> 02:43:36,640 Speaker 1: This lets you know our relationship on Masterpek. You you 2539 02:43:36,760 --> 02:43:41,920 Speaker 1: did the drink chads already, Master, So where's the FaceTime 2540 02:43:44,320 --> 02:43:54,840 Speaker 1: O Master pen ain't picking up. I'm doing drink chips 2541 02:43:58,200 --> 02:44:00,640 Speaker 1: before I expose. We don't know what I don't want 2542 02:44:00,680 --> 02:44:03,280 Speaker 1: everybody to know what's going on. Yet we're doing I'm 2543 02:44:03,280 --> 02:44:06,000 Speaker 1: want to drink. I'm in Miami with noriy I'm doing 2544 02:44:06,120 --> 02:44:09,240 Speaker 1: drink Champs. You gotta got a second call? Who can 2545 02:44:09,320 --> 02:44:13,199 Speaker 1: you call? Like I said, I'm calling my big brother. 2546 02:44:13,520 --> 02:44:28,040 Speaker 1: Everybody makes some noris frothing man. What's going on? He 2547 02:44:33,440 --> 02:44:41,720 Speaker 1: shy huh. I'm judging bands right now for slack this ship. 2548 02:44:43,959 --> 02:44:52,880 Speaker 1: Get your money, big bro, he's doing right perfect. Josh, 2549 02:44:53,320 --> 02:44:59,040 Speaker 1: you shopn't me but the good word. Hey, if you 2550 02:44:59,120 --> 02:45:03,680 Speaker 1: ain't neck you already, you know that. I love you, nigger. 2551 02:45:03,760 --> 02:45:07,440 Speaker 1: You know that bad peace bro? And you ain't match 2552 02:45:07,560 --> 02:45:18,039 Speaker 1: you every day? Damn. That was like whatever, i ain't 2553 02:45:18,040 --> 02:45:26,600 Speaker 1: gonna lie, it's already. Yeah, I'm gonna I'm using the 2554 02:45:26,640 --> 02:45:29,080 Speaker 1: chee cold in a second. The first sound person Jones, 2555 02:45:31,320 --> 02:45:35,960 Speaker 1: Yeah you got, he said, Queen Jes like, yeah, I 2556 02:45:36,040 --> 02:45:42,160 Speaker 1: don't using round apparently for running do it document, so 2557 02:45:42,280 --> 02:45:47,600 Speaker 1: you win, you do that, But what a great trying 2558 02:45:47,720 --> 02:45:51,640 Speaker 1: round episode. You don't pick up for me when he 2559 02:45:51,720 --> 02:45:55,240 Speaker 1: don't know what's this? Text me? I had a number 2560 02:45:55,320 --> 02:46:03,160 Speaker 1: kids cool. I wouldn't do all these other niggas, but 2561 02:46:03,240 --> 02:46:08,720 Speaker 1: I got Kenny Smith don't come for that. Yeah, all 2562 02:46:08,800 --> 02:46:15,760 Speaker 1: that not just showing you try that I did already. 2563 02:46:15,879 --> 02:46:19,200 Speaker 1: Let's just only let me try again. Listen, I called 2564 02:46:19,240 --> 02:46:24,040 Speaker 1: my mother my mother. Don't even got get kiss because 2565 02:46:24,240 --> 02:46:28,000 Speaker 1: mine give me the mother is legendess. Can I call 2566 02:46:28,040 --> 02:46:35,280 Speaker 1: your mother and that count? Yes? You just But I look, 2567 02:46:35,400 --> 02:46:40,040 Speaker 1: David's gone on the comprid of me because I affect 2568 02:46:40,080 --> 02:46:42,480 Speaker 1: that because right now this is we're gonna really do 2569 02:46:42,600 --> 02:46:45,480 Speaker 1: the show like this, that draw right now, Tom on, 2570 02:46:45,800 --> 02:46:56,199 Speaker 1: I'm going for Tom Tom. Yeah, that nigga. I'm gonna 2571 02:46:56,200 --> 02:46:59,200 Speaker 1: called Tory Lanes. But I don't think that's appropriate. You not. 2572 02:46:59,320 --> 02:47:15,440 Speaker 1: I kind of feels now comedian com Let's see, let's 2573 02:47:15,440 --> 02:47:22,080 Speaker 1: see even good d anybody wins. Ask Craig if he 2574 02:47:22,160 --> 02:47:24,640 Speaker 1: w DMX. But the listeners is like, yo, this is 2575 02:47:24,760 --> 02:47:30,000 Speaker 1: Matt boring. This up? Tom all on a fun with me, 2576 02:47:32,720 --> 02:47:35,760 Speaker 1: I don't think so he's never really picked up from me. 2577 02:47:35,920 --> 02:47:38,280 Speaker 1: All right, I'm gonna going with Lamar Niggers. Don't know 2578 02:47:38,320 --> 02:47:43,360 Speaker 1: who he is, but he's like, UM, google them, I'm 2579 02:47:43,400 --> 02:47:49,360 Speaker 1: doing them all No, I ain't calling Tori bro that 2580 02:47:49,520 --> 02:47:55,000 Speaker 1: das called to. He's in a new generation Bro. We 2581 02:47:55,080 --> 02:48:00,640 Speaker 1: went to bosses I see, I see. How should we stop? Right? Like? 2582 02:48:00,760 --> 02:48:02,760 Speaker 1: Just let David us to win? And that's it? Like 2583 02:48:04,560 --> 02:48:09,520 Speaker 1: he win? Who else supposed to go? I forgot Morlan 2584 02:48:09,600 --> 02:48:12,880 Speaker 1: Win is gonna win. Let's see it, mom, let's see it, 2585 02:48:13,240 --> 02:48:16,920 Speaker 1: gonna pick up mall in a winter situation, take it 2586 02:48:16,959 --> 02:48:19,760 Speaker 1: over mall and mall and mall and ha changed the terrain. 2587 02:48:20,280 --> 02:48:24,920 Speaker 1: I got you right now, you're a little bit I 2588 02:48:25,000 --> 02:48:28,040 Speaker 1: went snoop math Mary, And where did I go? I 2589 02:48:28,120 --> 02:48:35,400 Speaker 1: went Jada kiss Jada nine Swiss beach. This kind of e. 2590 02:48:35,680 --> 02:48:40,600 Speaker 1: This is a good email. Bad, this is good bad. 2591 02:48:40,879 --> 02:48:43,600 Speaker 1: Let's be clear. Marlon Waye just lost his moms. I 2592 02:48:43,680 --> 02:48:46,040 Speaker 1: did not I got, I got crag. I don't have 2593 02:48:46,480 --> 02:48:51,680 Speaker 1: X number. I have fifteen thousand number of of DMXIC. 2594 02:48:53,920 --> 02:48:57,120 Speaker 1: Why don't you call him on your phone? Pick up? 2595 02:48:57,200 --> 02:49:00,480 Speaker 1: He's gonna pick up my ship. He gonna think on 2596 02:49:00,640 --> 02:49:06,840 Speaker 1: his baby. Mom's three your five numbers? Like terriful, terrible, 2597 02:49:06,959 --> 02:49:11,280 Speaker 1: Like alright, cool, let me see, let me see we 2598 02:49:11,360 --> 02:49:17,000 Speaker 1: got loon. Loon is also mine too. Let's see if Timberland, 2599 02:49:17,080 --> 02:49:20,680 Speaker 1: let's see if Timberland, there's no bust ain't picking up 2600 02:49:20,680 --> 02:49:27,720 Speaker 1: on a regular somebody? What the fun is going on. 2601 02:49:30,200 --> 02:49:49,440 Speaker 1: It's my mom's keep you show. Yes, Timberland, we got 2602 02:49:53,040 --> 02:49:58,440 Speaker 1: what's something, big bro? I just we gotta go in 2603 02:49:58,520 --> 02:50:09,280 Speaker 1: a second call o came yo, Timbo, thank you. I 2604 02:50:09,320 --> 02:50:11,800 Speaker 1: think you just rung me over the top. I appreciate 2605 02:50:13,800 --> 02:50:26,040 Speaker 1: you know what it called? You know what? Yeah, you listen. 2606 02:50:26,120 --> 02:50:29,160 Speaker 1: Let's to really do it short like we go, but 2607 02:50:29,360 --> 02:50:32,120 Speaker 1: but it's not us. We do it. We do it 2608 02:50:32,200 --> 02:50:35,160 Speaker 1: for the first five minutes, but then we do to 2609 02:50:35,200 --> 02:50:39,120 Speaker 1: get Molly Cyrus against motherfucking Linz long head. That's right, 2610 02:50:39,280 --> 02:50:41,800 Speaker 1: there's not two different people right now. That's not you 2611 02:50:41,840 --> 02:50:43,160 Speaker 1: know what I mean? You know, I don't really know 2612 02:50:45,160 --> 02:50:49,160 Speaker 1: the same the same. Yo. Did you see the footage 2613 02:50:49,200 --> 02:50:52,840 Speaker 1: of you when Snoop on the Snoop episode. On a 2614 02:50:52,879 --> 02:50:56,240 Speaker 1: Snoop episode, you look like he's on bay side for free, 2615 02:50:57,760 --> 02:51:01,600 Speaker 1: Like right now, you look like you like from Ala Padda. 2616 02:51:03,360 --> 02:51:05,440 Speaker 1: You got a lot of Yeah, you know, I like you. 2617 02:51:06,440 --> 02:51:09,280 Speaker 1: You're good, Yo. Let me tell you something, Dave east Man, 2618 02:51:13,879 --> 02:51:17,240 Speaker 1: I think we gotta add this part out because not 2619 02:51:17,440 --> 02:51:22,080 Speaker 1: a comproment part stop. Let's see compon will pick up. 2620 02:51:23,160 --> 02:51:26,400 Speaker 1: Let's let's see if campone can pick up. Let's see 2621 02:51:28,200 --> 02:51:30,760 Speaker 1: if Spanish niggas, no, no, because we listen because you 2622 02:51:30,879 --> 02:51:35,920 Speaker 1: Dominican too, We're gonna start making you claim Dominican. We 2623 02:51:36,040 --> 02:51:42,560 Speaker 1: have we have fabil. Let's damn all right, I think this. 2624 02:51:42,640 --> 02:51:45,520 Speaker 1: We're gonna see who me and you we're gonna call 2625 02:51:45,600 --> 02:51:52,800 Speaker 1: fab at the same time again, saying I like that 2626 02:51:52,959 --> 02:51:55,800 Speaker 1: game same time. That's how we're gonna do the niggas. Pause, 2627 02:51:56,680 --> 02:51:58,440 Speaker 1: it's gonna be and you. It's gonna call who you 2628 02:51:58,480 --> 02:52:00,520 Speaker 1: can call, right, and then we're gon be like yo 2629 02:52:00,560 --> 02:52:04,160 Speaker 1: the same time. Why because you like the way you 2630 02:52:04,200 --> 02:52:06,000 Speaker 1: flip on Swiss. I like the way you flip on 2631 02:52:06,040 --> 02:52:09,800 Speaker 1: Swiss like yo, because I got I got, I got, 2632 02:52:09,920 --> 02:52:12,240 Speaker 1: just got like got like twelve years on you. He's 2633 02:52:12,240 --> 02:52:14,480 Speaker 1: supposed to do that. He didn't know that, he didn't 2634 02:52:14,480 --> 02:52:17,080 Speaker 1: know we were together. But that's how they're gonna That's 2635 02:52:17,120 --> 02:52:26,600 Speaker 1: how we listen. We just made it up playing it's 2636 02:52:26,959 --> 02:52:38,920 Speaker 1: good now. This is one of my homies that came 2637 02:52:39,000 --> 02:52:42,720 Speaker 1: home for a long time ago. A right, yeah, just 2638 02:52:42,879 --> 02:52:45,920 Speaker 1: type it bro with your subway fucking classes on Super 2639 02:52:45,959 --> 02:52:53,640 Speaker 1: Sam Davies. I'm gonna be honest, Bro, I worried about 2640 02:52:53,680 --> 02:52:57,120 Speaker 1: you a lot because of your old soul because of 2641 02:52:57,320 --> 02:53:00,960 Speaker 1: the fact that you keep it so real. And I'm 2642 02:53:01,000 --> 02:53:03,800 Speaker 1: gonna be honest, sometimes I'll be wanting you to not 2643 02:53:04,000 --> 02:53:08,080 Speaker 1: keep it so real, because I'll be wanting you to 2644 02:53:09,760 --> 02:53:16,200 Speaker 1: protect yourself a little more meaning like for instance, for 2645 02:53:16,240 --> 02:53:20,600 Speaker 1: shooting to the room, I wanted you just go there 2646 02:53:20,640 --> 02:53:24,960 Speaker 1: and just break out. But when I understood, understand everything, 2647 02:53:25,000 --> 02:53:28,680 Speaker 1: you get different. I understand everything you did. Couldn't leave 2648 02:53:29,160 --> 02:53:34,400 Speaker 1: what I'm saying, yeah, and that that's my biggest that fight, 2649 02:53:35,360 --> 02:53:39,000 Speaker 1: Like I the world looked at me like I'm let this. 2650 02:53:39,160 --> 02:53:43,160 Speaker 1: I ain't body got I got this potential and you 2651 02:53:43,240 --> 02:53:48,240 Speaker 1: could be this that bro like so I get all 2652 02:53:48,320 --> 02:53:50,400 Speaker 1: that and I want to do all that, but certain 2653 02:53:50,480 --> 02:53:53,360 Speaker 1: ship is hard to you go back to you to 2654 02:53:53,440 --> 02:53:55,000 Speaker 1: this day, you go back to the left front. You 2655 02:53:55,000 --> 02:53:57,640 Speaker 1: know what I'm saying. So but he's too you know, 2656 02:53:58,800 --> 02:54:02,680 Speaker 1: you're sliding through what I'm saying. When you was at 2657 02:54:02,760 --> 02:54:06,600 Speaker 1: your peak, you was coming through now like it don't 2658 02:54:06,600 --> 02:54:09,959 Speaker 1: matter you but let me give you some jewels. If 2659 02:54:09,959 --> 02:54:12,640 Speaker 1: I could give you some jewels. I remember it was 2660 02:54:12,879 --> 02:54:16,240 Speaker 1: a guy named his name was everybody think uncle Wise 2661 02:54:16,360 --> 02:54:18,480 Speaker 1: and fat Wise the same person. That's not the truth. 2662 02:54:18,800 --> 02:54:21,760 Speaker 1: Uncle Wise is from South Jamaica, fat Wise from left 2663 02:54:21,879 --> 02:54:24,600 Speaker 1: right and fat Wise came to me one day and said, yo, 2664 02:54:26,080 --> 02:54:27,920 Speaker 1: I know you love the hood. Every time I used 2665 02:54:27,920 --> 02:54:29,600 Speaker 1: to come back to the and he used to say, Yo, 2666 02:54:30,320 --> 02:54:33,280 Speaker 1: don't ever park your cars on the app. Park it 2667 02:54:33,400 --> 02:54:37,800 Speaker 1: around the corner and drive through the bike or walk 2668 02:54:37,920 --> 02:54:43,920 Speaker 1: through up. And it taught me a lot because no 2669 02:54:44,040 --> 02:54:46,800 Speaker 1: one got shot when I did that, Because the thing 2670 02:54:47,000 --> 02:54:49,680 Speaker 1: is when you try. Sometimes when you pull up and 2671 02:54:49,760 --> 02:54:51,840 Speaker 1: you're just trying to show the brothers this is the 2672 02:54:51,920 --> 02:54:59,440 Speaker 1: next level of life. They take it as there's a 2673 02:54:59,520 --> 02:55:01,080 Speaker 1: lot of times a big bro I come through the 2674 02:55:01,120 --> 02:55:04,039 Speaker 1: hood with no jewelry on, and you got you got 2675 02:55:05,000 --> 02:55:07,920 Speaker 1: niggas that say, oh he over there, he don't want 2676 02:55:07,959 --> 02:55:11,720 Speaker 1: to get in his jewelry. But at the end of 2677 02:55:11,760 --> 02:55:14,960 Speaker 1: the day, Wama, Mama, why I'm gonna be waiting to 2678 02:55:15,080 --> 02:55:18,600 Speaker 1: stick in front of pit bulls. I'm for what like 2679 02:55:19,760 --> 02:55:22,120 Speaker 1: if if like With me, it's like everything has a 2680 02:55:22,320 --> 02:55:26,080 Speaker 1: has a time as an occasion. So if I'm in 2681 02:55:26,120 --> 02:55:28,920 Speaker 1: the club with a million rappers, everybody shine and I'm 2682 02:55:28,920 --> 02:55:32,279 Speaker 1: a shine too. But if I'm gonna block with niggas, 2683 02:55:32,280 --> 02:55:35,440 Speaker 1: that's stalling. They don't know what's going like how they're 2684 02:55:35,440 --> 02:55:37,400 Speaker 1: gonna get their next meal. I'm not. I'm gonna come 2685 02:55:37,480 --> 02:55:39,640 Speaker 1: pull up with a with a with a Hunter dollar, 2686 02:55:39,680 --> 02:55:42,280 Speaker 1: all the chain on Hunter dollar. Watch in front of 2687 02:55:42,320 --> 02:55:45,160 Speaker 1: you smoking a blunt, with you passing a blunt, you're 2688 02:55:45,160 --> 02:55:48,640 Speaker 1: looking at my watch, my ring. I'm fronting on you, 2689 02:55:49,640 --> 02:55:52,480 Speaker 1: even if in my mind I'm not. You're not I am. 2690 02:55:52,920 --> 02:55:56,160 Speaker 1: You are not I am though, that's how vigger. But 2691 02:55:56,280 --> 02:55:58,800 Speaker 1: I am at the end of the day, I am 2692 02:55:59,120 --> 02:56:02,400 Speaker 1: regardless of how field I am. I'm at the end 2693 02:56:02,400 --> 02:56:04,240 Speaker 1: of the day. Why you why you could have came 2694 02:56:04,280 --> 02:56:07,400 Speaker 1: through regular bro pulled or you already pulled up in 2695 02:56:07,440 --> 02:56:12,160 Speaker 1: the big hopped down, dripping He said, damn you got 2696 02:56:12,240 --> 02:56:17,760 Speaker 1: whatever you might have or whatever. White point. I don't 2697 02:56:17,760 --> 02:56:20,200 Speaker 1: think that's just because at the end of the day, 2698 02:56:20,879 --> 02:56:24,040 Speaker 1: these are people I grew up people. They don't get that. 2699 02:56:24,120 --> 02:56:25,600 Speaker 1: These are people I grew up with. These are the 2700 02:56:25,640 --> 02:56:29,680 Speaker 1: builders I used to come through dead broke, starving, So 2701 02:56:30,040 --> 02:56:33,600 Speaker 1: why why can't I go back through their children? But 2702 02:56:33,840 --> 02:56:36,760 Speaker 1: I know the difference of coming back through as a 2703 02:56:36,920 --> 02:56:43,840 Speaker 1: rapper or coming back through regular anyway. That's bothering niggas 2704 02:56:44,080 --> 02:56:46,320 Speaker 1: if you think so, We're not half the time you 2705 02:56:46,360 --> 02:56:48,240 Speaker 1: see them videos in the hood. See, you gotta remember 2706 02:56:48,280 --> 02:56:50,560 Speaker 1: I'm running around. I did the security thing, but I'm 2707 02:56:50,560 --> 02:56:53,240 Speaker 1: going around with my people, with my friends. I don't 2708 02:56:53,320 --> 02:56:57,640 Speaker 1: gotta fucking big, hunting pound nigger on the corner. Oh 2709 02:56:57,720 --> 02:56:59,760 Speaker 1: that's it's not be the guys with me. Like my 2710 02:57:00,040 --> 02:57:01,800 Speaker 1: my man is like, they're gonna rock and roll, So 2711 02:57:02,600 --> 02:57:07,880 Speaker 1: however to go guns fist, my friend's gonna do that. 2712 02:57:08,040 --> 02:57:11,000 Speaker 1: So I'm not that. Don't bother me. But at the 2713 02:57:11,080 --> 02:57:15,800 Speaker 1: same time, I'm not going make myself a talking I'm 2714 02:57:15,840 --> 02:57:21,920 Speaker 1: already I'm six five light skin tattoos. Like as soon 2715 02:57:21,959 --> 02:57:24,120 Speaker 1: as I pull up, they're like, oh that's easy, that's 2716 02:57:24,440 --> 02:57:28,080 Speaker 1: I'm easily recognizable any fucking way I go. Definitely like 2717 02:57:28,160 --> 02:57:37,960 Speaker 1: a Dominican drug wherever you go. That's a fact. If 2718 02:57:37,959 --> 02:57:40,120 Speaker 1: I gotta, if I gotta buck on me and jewelry, 2719 02:57:40,640 --> 02:57:44,040 Speaker 1: I'm gonna play. So when they got starting, don't kid 2720 02:57:45,240 --> 02:57:47,560 Speaker 1: you know. I've ever catching temperateship without all that on 2721 02:57:47,680 --> 02:57:49,800 Speaker 1: me to see how you really feel. Because if you 2722 02:57:49,879 --> 02:57:51,440 Speaker 1: feel that way for real, you're gonna do it to 2723 02:57:51,560 --> 02:57:53,640 Speaker 1: me without it on me. You're gonna try that. You're 2724 02:57:53,640 --> 02:57:56,320 Speaker 1: gonna get with any but this ship is gonna make you. 2725 02:57:57,400 --> 02:57:59,360 Speaker 1: Let's do that. Let's let's make a movie real quick. 2726 02:57:59,400 --> 02:58:02,840 Speaker 1: That boy, I don't. One of the dangerousest comments come. 2727 02:58:03,120 --> 02:58:06,000 Speaker 1: You gotta know where you're at is when you put 2728 02:58:06,600 --> 02:58:10,640 Speaker 1: a dude from from from from Brooklyn or due from 2729 02:58:10,720 --> 02:58:17,760 Speaker 1: Queen's or do iced t. I got that too, I bro, 2730 02:58:18,240 --> 02:58:24,560 Speaker 1: I'm speaking this East big bro. I'm like, you know 2731 02:58:24,600 --> 02:58:33,560 Speaker 1: what I mean. I'm gonna face time me from my phone. 2732 02:58:33,600 --> 02:58:44,280 Speaker 1: I'm doing a drink, champhipa still, yeah, we're doing a drink. 2733 02:58:44,320 --> 02:58:48,280 Speaker 1: I mean doing it. We got a little second. I 2734 02:58:48,400 --> 02:58:54,519 Speaker 1: called Mary. We had a Memphis in here, nas Jay. 2735 02:58:56,520 --> 02:59:00,200 Speaker 1: He said, let me get my motherfucking look together. Say 2736 02:59:00,280 --> 02:59:03,480 Speaker 1: that call bullets soldier ready, I'm a FaceTime you hurt, 2737 02:59:06,480 --> 02:59:10,080 Speaker 1: don't be right, I ain't know. We call it ot 2738 02:59:10,480 --> 02:59:30,280 Speaker 1: tez color color. Tell mother, Oh you like that. I'm 2739 02:59:30,840 --> 02:59:36,280 Speaker 1: I'm always I have to pull up town town, I'm here, 2740 02:59:37,320 --> 02:59:41,920 Speaker 1: your college, everywhere. You know. You gotta ask all the 2741 02:59:42,000 --> 02:59:46,000 Speaker 1: second who you can call right now? Go icy. But 2742 02:59:46,120 --> 02:59:49,560 Speaker 1: it wasn't on face time, so I had this. Let 2743 02:59:49,600 --> 03:00:00,480 Speaker 1: him know, y'all, don't you're trying to thread. I call Snoop, 2744 03:00:00,560 --> 03:00:04,640 Speaker 1: Snoop picked up. Yeah gangster. Yeah, I called Mary J. 2745 03:00:05,840 --> 03:00:25,000 Speaker 1: That's simp. Do stop playing that you're good looking one. 2746 03:00:25,959 --> 03:00:35,160 Speaker 1: Yeah that was se y'all got through this store. I 2747 03:00:35,280 --> 03:00:40,440 Speaker 1: got to do that. Yea. Now this is a great show, 2748 03:00:40,840 --> 03:00:43,960 Speaker 1: A great show. See that stopping? I thought it squashed. 2749 03:00:44,040 --> 03:00:49,200 Speaker 1: I thought he he just keeps coming back. That's that's 2750 03:00:49,240 --> 03:00:55,920 Speaker 1: a basketball. Yeah, y'alls over like it's okay with the boy. 2751 03:00:57,280 --> 03:01:03,680 Speaker 1: That's like that's had drop. Come on day, come on 2752 03:01:11,920 --> 03:01:20,760 Speaker 1: right and this is real ship. Right, let's pick up 2753 03:01:20,800 --> 03:01:27,400 Speaker 1: the ViBe's house student motherfucking and we gotta join with 2754 03:01:27,600 --> 03:01:31,440 Speaker 1: me and Davies. Here we do. It's so hard, I 2755 03:01:31,520 --> 03:01:35,400 Speaker 1: said you you said no from five, you're from six 2756 03:01:35,800 --> 03:01:45,080 Speaker 1: six six. Et 's not like where I live. Now, 2757 03:01:45,560 --> 03:01:54,560 Speaker 1: I'm not gonna lie. It's really sounded like take that 2758 03:01:54,680 --> 03:02:01,520 Speaker 1: math is a left fact? Are you kind of rough? 2759 03:02:05,160 --> 03:02:10,240 Speaker 1: Said that? Potmer? And we're gonna Paul the more that's 2760 03:02:10,760 --> 03:02:12,520 Speaker 1: want to quez the more I was a little nigga, 2761 03:02:12,600 --> 03:02:21,039 Speaker 1: who's gonna the more down you I know, I see 2762 03:02:21,720 --> 03:02:28,320 Speaker 1: brother twee clease please, you know that's the whole we 2763 03:02:28,400 --> 03:02:36,000 Speaker 1: hadn't you call? You know that's my holye you know, 2764 03:02:36,200 --> 03:02:42,920 Speaker 1: and you know you're my homie. Take your waist coats. 2765 03:02:43,280 --> 03:03:02,760 Speaker 1: Don't make me big. You're that point. Don't dinner. Look, 2766 03:03:02,840 --> 03:03:05,240 Speaker 1: we're doing up. We got a segment we want. We're 2767 03:03:05,280 --> 03:03:11,800 Speaker 1: doing a drink since but we call. Who can you call? So? 2768 03:03:11,959 --> 03:03:15,080 Speaker 1: I got he got he called, he got Swiss beasts 2769 03:03:15,120 --> 03:03:21,720 Speaker 1: to pick up. J D Kiss, Nas, Timbo Ro, Timberland, 2770 03:03:26,000 --> 03:03:32,520 Speaker 1: I got you, I got I need one bro? Who 2771 03:03:32,520 --> 03:03:38,039 Speaker 1: else that count me? Nas? I'm doing snoop? Yeah you snoop? Mary? 2772 03:03:39,720 --> 03:03:43,160 Speaker 1: What was picked up? Come on? I forgot, But it's 2773 03:03:43,240 --> 03:03:46,720 Speaker 1: all the time. It's to be worked out. We don't 2774 03:03:46,720 --> 03:03:52,039 Speaker 1: want to get more you and fucking that's enough. Yeah, 2775 03:03:52,560 --> 03:04:07,440 Speaker 1: it's very true what I'm saying. Listen, hold that that's 2776 03:04:07,520 --> 03:04:30,520 Speaker 1: I RecA does. What's cracking nigger? That's it? Yeah? That 2777 03:04:30,720 --> 03:04:36,960 Speaker 1: poor Yeah that part. Look look yeah, that's that's iced. 2778 03:04:36,959 --> 03:04:50,320 Speaker 1: See your dad, we'll be a cut fucking tie your nigga, 2779 03:04:50,360 --> 03:04:54,240 Speaker 1: God bless you got down all the time, my nigga, 2780 03:04:56,000 --> 03:05:09,080 Speaker 1: make take comes to no thank you. You're gonna father 2781 03:05:09,280 --> 03:05:16,560 Speaker 1: what you was doing. That's all. You know what I'm saying. 2782 03:05:17,640 --> 03:05:20,120 Speaker 1: Be careful with them because everybody ain't cool. You know 2783 03:05:20,160 --> 03:05:22,800 Speaker 1: what I'm saying, I'm just gonna say that I appreciate 2784 03:05:22,879 --> 03:05:25,440 Speaker 1: that you're right. You are you absolutely right? We all 2785 03:05:25,520 --> 03:05:32,039 Speaker 1: have absolutely right. We all don't hung out, that's all. 2786 03:05:32,360 --> 03:05:34,840 Speaker 1: That's that's what the nigga know. But you're right, you're 2787 03:05:34,920 --> 03:05:41,160 Speaker 1: right right here, right, you're right. I appreciate that. You 2788 03:05:41,240 --> 03:05:44,720 Speaker 1: know that I ain't. You're right? What's going on up? 2789 03:05:45,000 --> 03:05:47,640 Speaker 1: You know? You right? You know, Mannie, don't ever call 2790 03:05:47,720 --> 03:05:52,360 Speaker 1: me on the spot of moments for no You know, 2791 03:05:52,480 --> 03:05:54,960 Speaker 1: I love you, know you know you're my big homey bro. 2792 03:05:56,360 --> 03:05:58,520 Speaker 1: I ain't gonna I'm looking at myself through your mirror 2793 03:05:58,520 --> 03:06:06,080 Speaker 1: and I'm looking good. I ain't gonna love Oh chuck 2794 03:06:06,200 --> 03:06:15,800 Speaker 1: d termed sixty damn it might be your best. Hell yeah, 2795 03:06:16,000 --> 03:06:19,160 Speaker 1: I want I want your line. I'm a private line 2796 03:06:20,200 --> 03:06:25,280 Speaker 1: reach other. You know. I love you class, love you, bro, 2797 03:06:26,959 --> 03:06:29,879 Speaker 1: woman to tell you I ain't gonna lie. I ain't 2798 03:06:29,879 --> 03:06:33,240 Speaker 1: gonna lie. He has no idea how much we knew 2799 03:06:33,280 --> 03:06:35,400 Speaker 1: each other. But he used you today. And guess what 2800 03:06:35,520 --> 03:06:39,040 Speaker 1: he wont he won today because yeah, I couldn't do 2801 03:06:39,200 --> 03:06:40,760 Speaker 1: to your birth, I couldn't throw to your birth, but 2802 03:06:40,840 --> 03:06:43,920 Speaker 1: he did. All right? Who I love you, nigger. You 2803 03:06:44,000 --> 03:06:47,800 Speaker 1: know that I don't know how that's gonna go. All right, 2804 03:06:47,879 --> 03:06:55,760 Speaker 1: my nigger, all right, my boy, all right, that's some 2805 03:06:55,879 --> 03:07:01,520 Speaker 1: queen ship. Might not not in the way n iced 2806 03:07:01,520 --> 03:07:04,320 Speaker 1: tea pulled up. That was all. We had a couple 2807 03:07:04,320 --> 03:07:10,600 Speaker 1: of niggas ahead to night. No, we got we gotta cover. 2808 03:07:10,720 --> 03:07:12,959 Speaker 1: We got a cover. I'm saying now, that was real. 2809 03:07:13,320 --> 03:07:18,360 Speaker 1: This one. What you're calling bron't what you're calling bro 2810 03:07:19,800 --> 03:07:29,000 Speaker 1: sneak shot y going just nigging on. I'm pick up 2811 03:07:29,280 --> 03:07:37,880 Speaker 1: which because I think you're calling that's your go. By 2812 03:07:37,920 --> 03:07:40,960 Speaker 1: the way, you don't really get the iced tea. You 2813 03:07:41,000 --> 03:07:46,080 Speaker 1: don't get because I see Bully make the call. I'm 2814 03:07:46,080 --> 03:07:50,680 Speaker 1: gonna be family. Family. You can do that with a 2815 03:07:50,760 --> 03:07:57,000 Speaker 1: nigga like hey, but always this is our show, though 2816 03:07:57,080 --> 03:08:01,240 Speaker 1: he cons o shower. It's all so we say the rules. 2817 03:08:01,520 --> 03:08:03,920 Speaker 1: That's how the show starts. And you battle for the 2818 03:08:04,000 --> 03:08:06,200 Speaker 1: first three minutes and then and then you know you 2819 03:08:06,680 --> 03:08:10,160 Speaker 1: get good. My homies, South sal Houdin, this is the 2820 03:08:10,240 --> 03:08:13,120 Speaker 1: person thing guy I ever sold drugs for. It's real. 2821 03:08:13,200 --> 03:08:16,200 Speaker 1: He should be outside. Can you help him out? First? 2822 03:08:16,640 --> 03:08:25,240 Speaker 1: The first Nigga episode, Drugs for Salodeen sal Hood rs 2823 03:08:25,320 --> 03:08:34,960 Speaker 1: Crossed says Crossed let's see you recognize crush. Crush the 2824 03:08:35,040 --> 03:08:39,360 Speaker 1: first first thing, So Crush, he's a foul nigga. All great, 2825 03:08:39,360 --> 03:08:42,040 Speaker 1: and they don't know that. Niggas make the fucking yeah, 2826 03:08:44,840 --> 03:08:50,120 Speaker 1: who's joking my out? So into this delicious? What the show? 2827 03:08:51,680 --> 03:08:55,840 Speaker 1: Who can you call? Oh? Yeah that's who can we call? 2828 03:08:55,920 --> 03:08:59,640 Speaker 1: We got one? So now, but listen, Dave, this is 2829 03:08:59,640 --> 03:09:01,600 Speaker 1: just break it down for you, and we're gonna say 2830 03:09:01,600 --> 03:09:03,840 Speaker 1: it because this is how confident I am. It's gonna 2831 03:09:03,840 --> 03:09:07,320 Speaker 1: be our guests. But then you can call like Molly Cyrus, 2832 03:09:08,000 --> 03:09:14,560 Speaker 1: and then I can call maybe Madonna, or maybe I 2833 03:09:14,680 --> 03:09:18,640 Speaker 1: could call Molly Cyrus, or maybe I could call Gloria 2834 03:09:19,000 --> 03:09:24,240 Speaker 1: Estevan that's Miami, and then we could compare. Come on 2835 03:09:24,360 --> 03:09:30,560 Speaker 1: South then, come on, nigga, Irrist crushed on relax, come on, 2836 03:09:30,920 --> 03:09:33,000 Speaker 1: come on, you and your only come on nigga. You 2837 03:09:34,000 --> 03:09:39,160 Speaker 1: this my nigga. Nig have so cracked for ever. It's 2838 03:09:39,200 --> 03:09:45,480 Speaker 1: the best cooking nigga and queens nigga. This niggles, John Gotti, 2839 03:09:45,680 --> 03:09:53,120 Speaker 1: niggers came and see this stuff from being on And 2840 03:09:53,240 --> 03:09:56,040 Speaker 1: if you listen to my ROMs, I'm not making up. 2841 03:09:56,080 --> 03:09:59,240 Speaker 1: None of this is to my mom this mother came 2842 03:09:59,480 --> 03:10:13,320 Speaker 1: so to talk about shot, but it's who can you call? 2843 03:10:14,520 --> 03:10:23,720 Speaker 1: Are we with this? So what's gonna be started? You 2844 03:10:23,879 --> 03:10:30,080 Speaker 1: want to Travis Scott, You're going to get a little oozy. 2845 03:10:30,280 --> 03:10:33,320 Speaker 1: B You gotta remember this was all spared of moment. No, 2846 03:10:33,800 --> 03:10:37,680 Speaker 1: it's still right now. But if I prepare it, you remember, 2847 03:10:37,760 --> 03:10:40,360 Speaker 1: we're prepared. You act like we against each other. We're 2848 03:10:40,360 --> 03:10:42,360 Speaker 1: not getting each other. Bro, No, it's together. But but 2849 03:10:43,120 --> 03:10:46,960 Speaker 1: the beginning. Yeah, then we're still battling like right now, 2850 03:10:48,080 --> 03:10:51,760 Speaker 1: because because because because because when you called Mary, yeah yeah, 2851 03:10:51,760 --> 03:10:54,120 Speaker 1: when you call Mary, that's actually my thing. You supposed 2852 03:10:54,160 --> 03:11:02,920 Speaker 1: to call a new generation. I didn't see that. I 2853 03:11:03,040 --> 03:11:06,400 Speaker 1: called nasty. We a segment call who can you call? 2854 03:11:06,879 --> 03:11:09,760 Speaker 1: There was no real life? How did you start? Let's this? 2855 03:11:13,080 --> 03:11:15,880 Speaker 1: I forgot math and my ship? Yeah? Mary, how do 2856 03:11:16,200 --> 03:11:25,360 Speaker 1: to marry him? Man? All our kneed? Yeah? I need 2857 03:11:25,760 --> 03:11:28,880 Speaker 1: a right? So hold on? How did that? Doesn't me 2858 03:11:29,200 --> 03:11:32,640 Speaker 1: like I went you far with NASTI you set it off. 2859 03:11:33,400 --> 03:11:39,280 Speaker 1: You you ever got to judge your stars. Alright, let's 2860 03:11:39,360 --> 03:11:42,080 Speaker 1: beat and wet, let's do act. Okay, we cant so 2861 03:11:42,320 --> 03:11:45,280 Speaker 1: I stood here and I did because I feel like 2862 03:11:45,320 --> 03:11:47,440 Speaker 1: I'm a foul nigger like that. Did I just pressed 2863 03:11:48,680 --> 03:11:52,000 Speaker 1: you press that? Did I tell him you pressed the time? 2864 03:11:52,080 --> 03:11:54,600 Speaker 1: And no, did I'm a faither? You didn't say it 2865 03:11:54,640 --> 03:11:56,680 Speaker 1: was called I'm a foul turned up? Sorry? Did you 2866 03:11:56,760 --> 03:11:59,080 Speaker 1: turned the phone? And escho, I'm gonna let frantick up 2867 03:11:59,120 --> 03:12:03,800 Speaker 1: something sexy too, So now I'm plyting. I'm saying I 2868 03:12:03,879 --> 03:12:09,640 Speaker 1: got something for the shock she picked up tanning and 2869 03:12:11,360 --> 03:12:25,440 Speaker 1: what they was gonna panic? Yeah about I ain't gonna 2870 03:12:27,680 --> 03:12:30,560 Speaker 1: who can I call but ladies for the ladies in 2871 03:12:30,600 --> 03:12:33,040 Speaker 1: the house, for the ladies in the house. This is 2872 03:12:33,120 --> 03:12:36,520 Speaker 1: the reason why I panicked. I know I only have 2873 03:12:36,600 --> 03:12:41,680 Speaker 1: about three sisters in hip hop mm hmm. Everybody else 2874 03:12:41,879 --> 03:12:45,240 Speaker 1: as a married man, it's not appropriate to have their number. 2875 03:12:46,200 --> 03:12:50,080 Speaker 1: M hm. I felt like somebody should have been like, word, 2876 03:12:54,160 --> 03:12:57,160 Speaker 1: that guy's a married man. You want me you don't 2877 03:12:57,160 --> 03:12:59,240 Speaker 1: you want me to have train a number? You want 2878 03:12:59,280 --> 03:13:04,680 Speaker 1: me to have? Like I know training is Homeboy number. Yeah, 2879 03:13:04,720 --> 03:13:08,480 Speaker 1: I know Adma Rose Direct number. But my wife, my 2880 03:13:08,560 --> 03:13:21,120 Speaker 1: white man's like were recently making music. Is the thing 2881 03:13:21,280 --> 03:13:23,200 Speaker 1: is the thing? Is the thing is. That's the reason 2882 03:13:23,200 --> 03:13:24,840 Speaker 1: why I drink. That wasn't one of them, like I 2883 03:13:24,920 --> 03:13:28,600 Speaker 1: had a number from two eight. The thing is drink chance. 2884 03:13:29,240 --> 03:13:33,320 Speaker 1: Drink chance is um I Actually it's not that I 2885 03:13:33,400 --> 03:13:36,640 Speaker 1: don't want. I want females on here, please please, from 2886 03:13:37,800 --> 03:13:40,720 Speaker 1: teeth up to everybody I wanted. The thing is, I 2887 03:13:40,800 --> 03:13:42,959 Speaker 1: don't know how to do that because I'm a martered 2888 03:13:43,400 --> 03:13:46,120 Speaker 1: I'm not married. You would have smoked me, but I 2889 03:13:46,160 --> 03:13:47,840 Speaker 1: got I got a number two. But the thing is, 2890 03:13:48,080 --> 03:13:51,400 Speaker 1: I'm a married lawyer nigga, so that I'm married lawyer person. 2891 03:13:51,680 --> 03:13:54,560 Speaker 1: So the thing is I don't actually know how to 2892 03:13:54,600 --> 03:13:58,600 Speaker 1: approach female sometimes. So that's the reason why I drink chance. 2893 03:13:58,840 --> 03:14:03,240 Speaker 1: Seems like it man driven, but it's not. The thing 2894 03:14:03,440 --> 03:14:05,920 Speaker 1: is I can I can I interlude? Can you be 2895 03:14:05,959 --> 03:14:11,600 Speaker 1: your female bo? Can I get? Won't give you jack? People? 2896 03:14:11,680 --> 03:14:16,280 Speaker 1: Be our female booker that you give your female book 2897 03:14:16,680 --> 03:14:21,240 Speaker 1: because your eyes, you get, you get, you get to 2898 03:14:21,280 --> 03:14:27,840 Speaker 1: y'all of me. Don't pay you ever. You we don't 2899 03:14:27,840 --> 03:14:33,440 Speaker 1: get sending y'all. Y'all, y'all, that's hard. Designs. What are those? 2900 03:14:33,480 --> 03:14:35,400 Speaker 1: What do you? I'm design these right here? This is 2901 03:14:35,800 --> 03:14:39,600 Speaker 1: those very nice. I got tired of wind called here. 2902 03:14:39,680 --> 03:14:42,800 Speaker 1: They charged too much. Ship. That's the misdad your ships. 2903 03:14:42,959 --> 03:14:46,560 Speaker 1: Look at my name I like my name. I gotta 2904 03:14:46,560 --> 03:14:49,000 Speaker 1: pay for you. I thought you card the year jan 2905 03:14:49,160 --> 03:14:52,480 Speaker 1: a lot. I can see clar I gotta I can 2906 03:14:52,560 --> 03:15:00,080 Speaker 1: see vision. We got you, y'all. I thought that the 2907 03:15:00,200 --> 03:15:05,400 Speaker 1: South greater than the motherfucker Bill to make I know, listen, 2908 03:15:05,520 --> 03:15:07,800 Speaker 1: this is a different life. But back in the days 2909 03:15:07,879 --> 03:15:12,440 Speaker 1: he he cooked the best cocaine in Queens, the whole Pueens. 2910 03:15:13,760 --> 03:15:17,800 Speaker 1: There was no nigger that didn't cook no way, everyone listened. 2911 03:15:18,440 --> 03:15:21,320 Speaker 1: There was kidnapping niggas because they said, niggers, you got money. 2912 03:15:23,280 --> 03:15:25,640 Speaker 1: There was kidnapping niggas at one point, like you sat 2913 03:15:25,720 --> 03:15:28,000 Speaker 1: with the cook off Colt like this is real, kick 2914 03:15:28,080 --> 03:15:30,240 Speaker 1: this out like I'm gonna leving it on. I'm so sorry. 2915 03:15:30,360 --> 03:15:36,840 Speaker 1: I'm continue like with that. I feel like I'm talking 2916 03:15:36,840 --> 03:15:42,800 Speaker 1: about the glasses still people with females because I thought 2917 03:15:42,840 --> 03:15:46,400 Speaker 1: he had a cardierson he doesn't, but he got his own. 2918 03:15:48,160 --> 03:15:50,040 Speaker 1: That's where he was. Carn want to be and I 2919 03:15:50,120 --> 03:15:58,000 Speaker 1: just want like four black own. I love it. Get 2920 03:15:58,040 --> 03:16:02,240 Speaker 1: with me. I got you. If the free don't look 2921 03:16:02,280 --> 03:16:06,920 Speaker 1: at this little forth am I Now I feel like 2922 03:16:06,959 --> 03:16:13,680 Speaker 1: I'm both of that. Now, let me say some davies 2923 03:16:13,720 --> 03:16:16,280 Speaker 1: to be proud of you bro, you know, looking as 2924 03:16:16,320 --> 03:16:18,440 Speaker 1: a nigga like like like him. He looked at me 2925 03:16:18,640 --> 03:16:20,640 Speaker 1: and he say, I'm proud of you. So I gotta 2926 03:16:20,720 --> 03:16:23,240 Speaker 1: do the same thing and say look at you and 2927 03:16:23,280 --> 03:16:25,440 Speaker 1: say I'm proud of you because you took the game 2928 03:16:25,520 --> 03:16:27,840 Speaker 1: the same way he gave me the game the same way, 2929 03:16:28,440 --> 03:16:31,680 Speaker 1: you know, and you pop the next one. Come on. 2930 03:16:36,000 --> 03:16:42,200 Speaker 1: He had a question of me. No, bros, proud of you. 2931 03:16:42,680 --> 03:16:48,400 Speaker 1: You're not proud of you. Bro. Listen, we don't trust 2932 03:16:48,440 --> 03:16:51,039 Speaker 1: you to pop that bottom. Bro, I'm going to the town. Bro. 2933 03:16:51,200 --> 03:16:54,400 Speaker 1: Let's see. That's let's see this because this is this 2934 03:16:54,480 --> 03:16:56,280 Speaker 1: is one of my best friends. But I still don't 2935 03:16:56,600 --> 03:16:58,760 Speaker 1: I'm proud of me, you know, I'm only proud of you. 2936 03:17:00,760 --> 03:17:06,720 Speaker 1: Don't worry because what are we using? No? I told 2937 03:17:06,800 --> 03:17:12,320 Speaker 1: him a lot though. Let's see you had the Ravens 2938 03:17:12,360 --> 03:17:17,360 Speaker 1: with twists with that Hastian. I don't know where it's 2939 03:17:17,360 --> 03:17:26,400 Speaker 1: gonna end. Oh guilty. Everybody ever got to relax, man, 2940 03:17:26,760 --> 03:17:30,959 Speaker 1: But everybody say, yeah, I'm just saying man that I'm 2941 03:17:31,000 --> 03:17:37,039 Speaker 1: saying saying, you're not saying anything. I'm sorry. When you asked, 2942 03:17:37,160 --> 03:17:40,840 Speaker 1: you said, I asked, you got what you asked? What then? 2943 03:17:40,920 --> 03:17:44,480 Speaker 1: Did I. I was studied it well, I was locked 2944 03:17:44,520 --> 03:17:48,200 Speaker 1: in Si Man. We forgot for hands deal bro, we 2945 03:17:48,320 --> 03:17:53,360 Speaker 1: all forgot. So we know you Dominican right, but his 2946 03:17:53,720 --> 03:17:58,880 Speaker 1: and I'm beaging my father family from Barbados. That's why 2947 03:17:58,920 --> 03:18:04,920 Speaker 1: you get all the bitches Dominican and you got good heads. 2948 03:18:05,080 --> 03:18:13,160 Speaker 1: You gotta good alright, goddamn shot, what's going on against 2949 03:18:13,200 --> 03:18:17,760 Speaker 1: the part you put up to a good occasion? Look 2950 03:18:18,800 --> 03:18:25,560 Speaker 1: Creek Town song ready, what we're doing? No or not? 2951 03:18:25,720 --> 03:18:29,960 Speaker 1: My my my mom's family is Dominican and Creole. My 2952 03:18:30,080 --> 03:18:33,680 Speaker 1: mom's My mom's from Louisiana, you know what I'm saying. 2953 03:18:33,879 --> 03:18:36,760 Speaker 1: And my my pops grew up. My pops was born 2954 03:18:36,800 --> 03:18:40,360 Speaker 1: at hallm You grew up in Corona, Queens, you know 2955 03:18:40,400 --> 03:18:43,640 Speaker 1: what I'm saying, Like Northern Bulevard, Night Street, all that 2956 03:18:43,800 --> 03:18:50,080 Speaker 1: over there. So with that mix you could over you 2957 03:18:50,120 --> 03:18:53,160 Speaker 1: could imagined the household. Like the food I was eating musically, 2958 03:18:53,400 --> 03:18:55,160 Speaker 1: all that was spicy, you know what I'm saying. That 2959 03:18:55,240 --> 03:18:58,280 Speaker 1: anything was. I just grew up in that mix of 2960 03:18:58,760 --> 03:19:02,080 Speaker 1: both like of of Caribbean and Spanish, you know what 2961 03:19:02,120 --> 03:19:05,400 Speaker 1: I'm saying. But I felt like it was it was ill, 2962 03:19:05,560 --> 03:19:09,800 Speaker 1: you know what I mean? Like it helped me become 2963 03:19:09,840 --> 03:19:12,120 Speaker 1: who I am said, ain't being in that mix, you 2964 03:19:12,160 --> 03:19:15,240 Speaker 1: know what I'm saying, being both or being in the 2965 03:19:15,320 --> 03:19:18,600 Speaker 1: mix with the food, just the different foods, the different vibes, 2966 03:19:18,680 --> 03:19:22,600 Speaker 1: the different cousins. That was dope, you know what I'm saying. 2967 03:19:23,240 --> 03:19:25,680 Speaker 1: But now when I travel is is would be ill 2968 03:19:25,760 --> 03:19:28,640 Speaker 1: to me, Like you know what I'm saying, So it 2969 03:19:28,760 --> 03:19:32,280 Speaker 1: helps up. It's not only make noise for that. But 2970 03:19:34,080 --> 03:19:38,840 Speaker 1: but let me just tell you something. Embrace your latin 2971 03:19:38,920 --> 03:19:43,720 Speaker 1: on side because I'm black, but I'm also on that theater. 2972 03:19:46,480 --> 03:19:51,640 Speaker 1: Thank you, bro. Yeah, let me just tell you something 2973 03:19:51,680 --> 03:19:55,240 Speaker 1: about that creepy I just want you to know one thing. 2974 03:19:56,240 --> 03:19:58,560 Speaker 1: Definitely didn't want you to know what I want. What 2975 03:19:58,680 --> 03:20:01,240 Speaker 1: you want me to know right now? Whatever saying side, 2976 03:20:01,920 --> 03:20:04,039 Speaker 1: I love this guy, I said, I got a lot 2977 03:20:04,040 --> 03:20:07,760 Speaker 1: of this guy. But there's only with it he mentioned 2978 03:20:07,800 --> 03:20:11,400 Speaker 1: his creole side. I just want you to understand when 2979 03:20:11,480 --> 03:20:19,640 Speaker 1: he remember he mentioned creo side. You know that when 2980 03:20:19,760 --> 03:20:27,039 Speaker 1: he mentions his cre all side, he's literally percent mentioning 2981 03:20:27,560 --> 03:20:37,360 Speaker 1: his Hatians. There's no cree all side. It's literally from Haiti, Louisiana. 2982 03:20:38,360 --> 03:20:44,920 Speaker 1: It's really you know the difference is French. They speak French. 2983 03:20:45,200 --> 03:20:47,840 Speaker 1: That's all. That's all I want to say. Man, trying 2984 03:20:47,840 --> 03:20:58,640 Speaker 1: to say you know what, listen, listen, I'm on your side. 2985 03:20:59,800 --> 03:21:05,280 Speaker 1: Was I have no I didn't even want to open 2986 03:21:05,360 --> 03:21:20,360 Speaker 1: my mouth, but all I wanted Davey definitely. Nobody's all right, 2987 03:21:20,440 --> 03:21:36,480 Speaker 1: I'm not I'm not componisation solid he's he's having all right, 2988 03:21:36,840 --> 03:21:44,480 Speaker 1: We all the same right here exist then it exists 2989 03:21:44,520 --> 03:21:49,960 Speaker 1: before that. But that's what different thing going? Alright, quick 2990 03:21:50,000 --> 03:21:52,920 Speaker 1: time with Slive. You're ready the time to the time, 2991 03:21:53,080 --> 03:21:58,440 Speaker 1: this best end of view ever took. You're ready. It's 2992 03:21:58,480 --> 03:22:00,880 Speaker 1: called quick time with Slive. Time times. I'm gonna give 2993 03:22:00,879 --> 03:22:04,040 Speaker 1: you two choices. You just gotta it doesn't matter whoever 2994 03:22:04,120 --> 03:22:07,240 Speaker 1: it is. Just pick fast. Just to get in trouble 2995 03:22:07,280 --> 03:22:11,240 Speaker 1: part of a little bit. That's what I'm gonna go. Right, 2996 03:22:11,480 --> 03:22:15,840 Speaker 1: come on, are you ready? Come on? Nicki minaj or 2997 03:22:16,200 --> 03:22:26,119 Speaker 1: Cardi B, Cardi, um Nas or Jay z Um Dominican 2998 03:22:26,200 --> 03:22:40,199 Speaker 1: of Quarto vecand um and well or Daddy Yankee. Right, Okay, 2999 03:22:40,240 --> 03:22:42,520 Speaker 1: what do I get thrown on? Hip hop? Hip hop? 3000 03:22:43,240 --> 03:22:49,880 Speaker 1: All right? Um fuck? All right? We already said yeah, 3001 03:22:49,879 --> 03:22:55,520 Speaker 1: I'm good with this. Let's go alright, cool, Teddy Pretti 3002 03:22:55,600 --> 03:23:03,360 Speaker 1: graph or Willie Cologne it again, Teddy Teddy Penograss said 3003 03:23:05,280 --> 03:23:12,640 Speaker 1: whatever Teddy pendagraph or Willie coloone Teddy American Women or 3004 03:23:12,680 --> 03:23:21,000 Speaker 1: its National War inter National Old Day? Can I say Mets, Yankees, Yankees, 3005 03:23:23,160 --> 03:23:35,080 Speaker 1: Nicks or Nets? Oh, Matt's k D and Brooklyn Man, 3006 03:23:35,080 --> 03:23:41,760 Speaker 1: I'm gonna go with the nets. What I'm gonna go, 3007 03:23:41,760 --> 03:23:44,280 Speaker 1: I'm gonna go with them, nig Man. I'm not gonna 3008 03:23:44,320 --> 03:23:46,240 Speaker 1: ask queens of Hall of because I expect him to 3009 03:23:46,360 --> 03:23:50,280 Speaker 1: pick hall and you know what, that's it picks, because 3010 03:23:50,320 --> 03:23:52,959 Speaker 1: that's I got. I got my heart too d for both. 3011 03:23:54,600 --> 03:23:57,160 Speaker 1: I can't. I can't pick Queens over or Hall of 3012 03:23:57,240 --> 03:24:01,360 Speaker 1: over Queens or that's beautiful. I really can't. Like I 3013 03:24:01,440 --> 03:24:04,680 Speaker 1: can't do that, Okay, I got I got ties the Queens, 3014 03:24:04,800 --> 03:24:07,360 Speaker 1: that's for life. I got tied the Hall of that's 3015 03:24:07,440 --> 03:24:12,560 Speaker 1: for life, like it happened in my childhood and all 3016 03:24:12,640 --> 03:24:15,400 Speaker 1: them should happen to much child And I turned cript 3017 03:24:15,480 --> 03:24:17,680 Speaker 1: in queens like they ain't happen up town that was 3018 03:24:17,720 --> 03:24:20,800 Speaker 1: in queens. So I got I mean, I can't. I 3019 03:24:20,879 --> 03:24:24,320 Speaker 1: could never be like home. I'm gonna just always put 3020 03:24:24,400 --> 03:24:26,560 Speaker 1: on for both because That's that's where I was at. 3021 03:24:26,720 --> 03:24:29,080 Speaker 1: You know what I'm saying, that's so hard. So now 3022 03:24:29,280 --> 03:24:33,840 Speaker 1: this is the toughest one, Bob Molly act. The love 3023 03:24:35,480 --> 03:24:40,800 Speaker 1: uh going, Bob. I ain't go front. I got Bob 3024 03:24:40,920 --> 03:24:46,360 Speaker 1: on my leg. I'm going to Bob bro respect. I'm 3025 03:24:46,360 --> 03:24:50,200 Speaker 1: gonna going with the bambarracks. I don't know in my 3026 03:24:50,320 --> 03:25:00,160 Speaker 1: mind like shots happening, Bob. I'm gonna be honest, Bro, 3027 03:25:01,320 --> 03:25:04,080 Speaker 1: this was epic. Yes, this is not only this epic. 3028 03:25:04,240 --> 03:25:10,520 Speaker 1: It's not that it's that um this she was overdue soon. 3029 03:25:10,959 --> 03:25:13,760 Speaker 1: It's overdue. And you know what I want to show. 3030 03:25:13,840 --> 03:25:18,039 Speaker 1: I want to show. And the thing is, I want 3031 03:25:18,080 --> 03:25:22,000 Speaker 1: to prove that you're a legend because so many people, 3032 03:25:24,280 --> 03:25:25,960 Speaker 1: you know, every end of view I ever do. I 3033 03:25:26,040 --> 03:25:34,320 Speaker 1: say I got this artist, somebody who fuck him? They're 3034 03:25:34,320 --> 03:25:37,840 Speaker 1: not They're not dream camp status. And they when I 3035 03:25:37,920 --> 03:25:42,440 Speaker 1: said that for you yesterday, who is that? There's only 3036 03:25:42,520 --> 03:25:46,760 Speaker 1: two people that said he's not a legend yet, and 3037 03:25:47,040 --> 03:25:50,280 Speaker 1: we had about thousands. You know, you know this is 3038 03:25:50,320 --> 03:25:54,160 Speaker 1: bullshit messages. You gotta be old school, you gotta be 3039 03:25:54,240 --> 03:25:56,280 Speaker 1: from the nineties or dead to be a legend in 3040 03:25:56,360 --> 03:26:00,240 Speaker 1: this society. I want to change that though, I'm saying, 3041 03:26:00,240 --> 03:26:03,040 Speaker 1: if you were alive like you, Niver wasn't a legend. 3042 03:26:03,080 --> 03:26:05,440 Speaker 1: While he was allowed, he wasn't a legend. We knew that. 3043 03:26:06,320 --> 03:26:10,840 Speaker 1: But to the world he was not legendary. Great great 3044 03:26:11,240 --> 03:26:15,360 Speaker 1: was he died? Everything was now now they they they 3045 03:26:15,520 --> 03:26:23,040 Speaker 1: they did they here if he wasn't tune, he was 3046 03:26:23,120 --> 03:26:26,080 Speaker 1: in tune, but the world wasn't in tune. Bro, That's 3047 03:26:26,120 --> 03:26:28,400 Speaker 1: the sad part about it. You gotta die for more 3048 03:26:28,720 --> 03:26:32,320 Speaker 1: to really understand what she was doing. Go do they 3049 03:26:32,400 --> 03:26:36,720 Speaker 1: research and all them. That's why dream chapters did You 3050 03:26:36,760 --> 03:26:44,560 Speaker 1: ain't gotta die? Right? He say something? End this because 3051 03:26:44,560 --> 03:26:46,840 Speaker 1: I'm about to end it. Before we end this, you 3052 03:26:46,879 --> 03:26:49,280 Speaker 1: know what initially told me that the first this is 3053 03:26:49,320 --> 03:26:53,120 Speaker 1: the last time I met. I feel like I feel 3054 03:26:53,120 --> 03:26:54,600 Speaker 1: like I got one more shot in me. That's it. 3055 03:26:54,640 --> 03:26:56,720 Speaker 1: I'm sorry, I'm I don't get I got one more 3056 03:26:56,760 --> 03:27:00,280 Speaker 1: to drink, Champ. So the shots? So are you taking shot? 3057 03:27:00,879 --> 03:27:03,840 Speaker 1: The come on? That's this the last one? Banking? What's 3058 03:27:03,840 --> 03:27:08,040 Speaker 1: going on? I ain't gonna just talk to me the 3059 03:27:08,200 --> 03:27:12,640 Speaker 1: last one? Take one game? Everybody, you take all three, 3060 03:27:12,800 --> 03:27:16,960 Speaker 1: but let's go just give me another shot and three 3061 03:27:17,400 --> 03:27:23,240 Speaker 1: calling three you drinking, take a shot. Three listen, if 3062 03:27:23,280 --> 03:27:29,280 Speaker 1: you listen to to my real hip hop, We're gona 3063 03:27:30,200 --> 03:27:35,240 Speaker 1: call three right coming three right August. We're gonna do this. 3064 03:27:35,600 --> 03:27:37,320 Speaker 1: I got some, I got some, I got some on 3065 03:27:37,440 --> 03:27:40,680 Speaker 1: there and I'm doing this. No, no, no, you give 3066 03:27:40,680 --> 03:27:42,120 Speaker 1: me a little more. I don't do that. Don't do that. 3067 03:27:43,200 --> 03:27:45,880 Speaker 1: I don't baby, come, I didn't. He's gonna take a 3068 03:27:45,920 --> 03:27:48,880 Speaker 1: real shot. I need to nigga. That ship looked like 3069 03:27:49,760 --> 03:27:54,200 Speaker 1: crushed back. This new boy right now, say killed that? 3070 03:27:54,560 --> 03:27:57,200 Speaker 1: To kill that you listen, the biggest drug dealer for 3071 03:27:57,320 --> 03:28:01,840 Speaker 1: MyoD right, I'm sorry. I'm sorry. My last home nigger 3072 03:28:01,879 --> 03:28:05,800 Speaker 1: that's what we look right, bro. It was NBA niggas, 3073 03:28:05,840 --> 03:28:11,160 Speaker 1: And yeah it's my nigga right here. There's no bullshit. 3074 03:28:11,840 --> 03:28:18,119 Speaker 1: I wish I was bullshit. We can meet you fire please, 3075 03:28:18,320 --> 03:28:19,800 Speaker 1: all right? So this is the last one, all right? 3076 03:28:19,920 --> 03:28:26,240 Speaker 1: Bum ready? Yeah, stop a little shooting, love you nigga, 3077 03:28:26,280 --> 03:28:32,320 Speaker 1: A little shooting, shouting, shooting all the boys. Hey, body 3078 03:28:32,480 --> 03:28:42,160 Speaker 1: like your crap? Okay, yeah that was one of them. Yeah, 3079 03:28:45,720 --> 03:28:48,960 Speaker 1: that was very nice. I ain't gonna I'm gonna keep smoking. 3080 03:28:49,040 --> 03:28:56,800 Speaker 1: Is that okay? Did you see your home was about up? Yeah? 3081 03:28:58,560 --> 03:29:03,000 Speaker 1: Now you look good on camera your phone home. It 3082 03:29:03,200 --> 03:29:06,440 Speaker 1: was like before and after you look like he was 3083 03:29:06,480 --> 03:29:12,760 Speaker 1: from Queens. So you look right now from from Redwood, 3084 03:29:12,840 --> 03:29:17,920 Speaker 1: Middle Village, they side, that's side, that's my man side, 3085 03:29:18,000 --> 03:29:22,520 Speaker 1: Shady feeling. I lived at that practice a little bit 3086 03:29:22,560 --> 03:29:27,160 Speaker 1: tooth from over there from Shady that's deep though you 3087 03:29:27,600 --> 03:29:35,800 Speaker 1: damn that's damn yeah, that's d that's still cueze Jerseys hard. 3088 03:29:36,360 --> 03:29:40,280 Speaker 1: You see miss Jersey mass Jersey good. I'm not gonna lie. 3089 03:29:40,600 --> 03:29:43,119 Speaker 1: Can we even the South? Can we see who called Uka? 3090 03:29:43,240 --> 03:29:45,040 Speaker 1: I want to even this south. That was a good 3091 03:29:45,160 --> 03:29:47,520 Speaker 1: That was a good battle. It's a good battle. How 3092 03:29:47,520 --> 03:29:51,960 Speaker 1: did you tell you I wanted to college? I feel 3093 03:29:52,000 --> 03:29:55,080 Speaker 1: like I want callould be married. That She was almost 3094 03:29:55,080 --> 03:30:00,560 Speaker 1: like a verses. I responded with Mary, Oh you got it, listen, 3095 03:30:01,200 --> 03:30:05,640 Speaker 1: got to really I got m mind. I just wanted 3096 03:30:05,640 --> 03:30:08,040 Speaker 1: to take that win. I don't know, I don't want 3097 03:30:08,200 --> 03:30:11,600 Speaker 1: you want no, no no. But it was now we 3098 03:30:11,680 --> 03:30:14,480 Speaker 1: have that was like the old like I ain't gonna know. 3099 03:30:14,640 --> 03:30:16,680 Speaker 1: We have a new show, but I feel like no 3100 03:30:16,840 --> 03:30:20,400 Speaker 1: other artists could create that mix. We just created that. 3101 03:30:20,760 --> 03:30:24,480 Speaker 1: That's not gonna happen again, especially the newer. But we 3102 03:30:24,840 --> 03:30:27,760 Speaker 1: did what we literally had. I used to see Snoop 3103 03:30:27,959 --> 03:30:33,640 Speaker 1: Mary nas Kish nothing. That's like they all pulled up. 3104 03:30:33,760 --> 03:30:39,800 Speaker 1: It's never shows four years old. So we should have 3105 03:30:39,840 --> 03:30:45,080 Speaker 1: called him the one and blackest king. Man. You know 3106 03:30:45,680 --> 03:30:47,480 Speaker 1: she comes out, everybody's gonna be like, you'll call me 3107 03:30:48,480 --> 03:30:55,160 Speaker 1: the blackest King's supposed to call somebody project exactly tell 3108 03:30:55,200 --> 03:30:58,560 Speaker 1: you about this. Won't make niggas answer their phone. Yeah, 3109 03:31:00,040 --> 03:31:05,440 Speaker 1: like I don't know that. Yeah, I know now, I 3110 03:31:05,520 --> 03:31:09,760 Speaker 1: know he's no we're doing this. Yeah, I don't know why. 3111 03:31:09,760 --> 03:31:15,400 Speaker 1: I see the green came across my mind. See huh, 3112 03:31:17,000 --> 03:31:19,680 Speaker 1: let's see you see the only thing he pick it up. 3113 03:31:21,840 --> 03:31:24,680 Speaker 1: I ain't hearing the old guy. I got so much 3114 03:31:25,040 --> 03:31:28,320 Speaker 1: other money. I got so much other money, got so 3115 03:31:28,440 --> 03:31:33,039 Speaker 1: much other money with him, all right, See, don't pick 3116 03:31:33,120 --> 03:31:37,320 Speaker 1: up believing. We gotta go. You gotta be the next move, 3117 03:31:38,440 --> 03:31:48,480 Speaker 1: all right, we gotta go. Oh and bro, I got no, 3118 03:31:48,600 --> 03:31:55,320 Speaker 1: I ain't corner. I got him for my driving Ruth 3119 03:31:55,480 --> 03:32:11,320 Speaker 1: rosson day. That was the try else. Okay, guys, Gables 3120 03:32:11,400 --> 03:32:19,960 Speaker 1: over yeo, man, everybody, I want to smoke a bog 3121 03:32:20,040 --> 03:32:23,320 Speaker 1: here cause I smoke it right now. You guys, let's 3122 03:32:23,400 --> 03:32:27,320 Speaker 1: keep calling me I'm not too body else. Bro, that's all. 3123 03:32:27,360 --> 03:32:31,720 Speaker 1: I want to just sit. But you know what is 3124 03:32:31,800 --> 03:32:38,160 Speaker 1: bad for you right day, I'm gonna live forever. I'm 3125 03:32:38,240 --> 03:32:48,760 Speaker 1: just gonna smoke. I feel like people that y I 3126 03:32:48,840 --> 03:32:52,400 Speaker 1: feel like people have smoked him. Don't know. No, I gotta, 3127 03:32:52,440 --> 03:32:57,520 Speaker 1: I gotta, I gotta do better the last person. I 3128 03:32:57,520 --> 03:33:05,160 Speaker 1: don't take a picture dated everybody. Yeah, but you got 3129 03:33:05,200 --> 03:33:08,040 Speaker 1: a new project coming out. Let's be clear before we 3130 03:33:08,080 --> 03:33:10,840 Speaker 1: get up out of here. What's it all with this 3131 03:33:10,920 --> 03:33:15,680 Speaker 1: new project. Let's talk about this part three. I thought 3132 03:33:15,760 --> 03:33:18,520 Speaker 1: part one in part two he was gonna leave calm along. 3133 03:33:19,000 --> 03:33:21,560 Speaker 1: I'm still on that. But this is the actual first album, 3134 03:33:22,680 --> 03:33:25,119 Speaker 1: the actual album this now, this is nothing mix tape. 3135 03:33:25,120 --> 03:33:29,880 Speaker 1: It's not a mix tape. One of two. DJ Holiday 3136 03:33:30,320 --> 03:33:33,960 Speaker 1: hosted it on some on some street mix safe Ship. 3137 03:33:35,400 --> 03:33:41,640 Speaker 1: But after I dropped Survival, I came back, did the overseas, sour, 3138 03:33:42,680 --> 03:33:44,240 Speaker 1: came back to New York. I was locked. I was 3139 03:33:44,320 --> 03:33:46,480 Speaker 1: locked in before I went over there, already had music, 3140 03:33:47,280 --> 03:33:49,080 Speaker 1: but then I was I was recording. I was just 3141 03:33:50,000 --> 03:33:51,800 Speaker 1: the vibe of the music. I was like this for 3142 03:33:51,920 --> 03:33:54,160 Speaker 1: like an album. You know what I'm saying, Like I 3143 03:33:54,280 --> 03:33:59,840 Speaker 1: got popcorn on it. I'm Jamaica. Did he shot out 3144 03:33:59,840 --> 03:34:04,600 Speaker 1: of police respect shouts to the Bronx chefs to Highbridge. 3145 03:34:05,440 --> 03:34:09,000 Speaker 1: I got Young Dog on it, shouts to Memphis. You 3146 03:34:09,040 --> 03:34:12,039 Speaker 1: know what I'm saying. I got Dopeboy on it, shouts 3147 03:34:12,080 --> 03:34:15,640 Speaker 1: to Cleveland. I got Married J Blige on it. Um 3148 03:34:15,879 --> 03:34:19,680 Speaker 1: trade songs on it. You know what I'm saying is 3149 03:34:19,720 --> 03:34:21,840 Speaker 1: a couple of artists on the on the project. Is 3150 03:34:22,120 --> 03:34:24,279 Speaker 1: that just made me feel like this is an album 3151 03:34:25,280 --> 03:34:27,520 Speaker 1: and saying that this is beyond the mixtape with me 3152 03:34:27,600 --> 03:34:31,160 Speaker 1: putting it out as a mixed tape. So Brogus fourteen. 3153 03:34:31,320 --> 03:34:33,000 Speaker 1: You know what I'm saying. I dropped a few videos 3154 03:34:33,040 --> 03:34:37,640 Speaker 1: off to shoot already, but it's fifteen records on there um, 3155 03:34:40,000 --> 03:34:43,200 Speaker 1: not a lot of in outs production. I got um 3156 03:34:43,400 --> 03:34:46,120 Speaker 1: some outside production. I got DJ Paul from three six 3157 03:34:46,200 --> 03:34:50,240 Speaker 1: my Field on there. Um. A couple of the home 3158 03:34:50,280 --> 03:34:56,200 Speaker 1: inducers there who like can Keys from l A. He 3159 03:34:56,320 --> 03:34:58,760 Speaker 1: did a few more records. I linked with them with this. 3160 03:35:00,120 --> 03:35:05,560 Speaker 1: Yeah this producers. How about the features features married a Boogie, 3161 03:35:06,400 --> 03:35:14,119 Speaker 1: Young Dolph, Tray dough Boy is not clapping already. Always 3162 03:35:15,240 --> 03:35:17,520 Speaker 1: got me Me and Benny the Butcher going back and forth. 3163 03:35:17,640 --> 03:35:19,879 Speaker 1: I know, I know everybody is you know what shouts 3164 03:35:19,959 --> 03:35:23,760 Speaker 1: to the whole Brazil the movement. I love him niggas, 3165 03:35:23,800 --> 03:35:26,200 Speaker 1: but I wanted one like because you know, I'm like 3166 03:35:26,240 --> 03:35:28,400 Speaker 1: I like I was just saying earlier, like I'm into 3167 03:35:28,440 --> 03:35:31,400 Speaker 1: the competition of this ship, like the sport. So let 3168 03:35:31,440 --> 03:35:34,360 Speaker 1: me stop. Everybody. Everybody got chains in jewelry, like what's 3169 03:35:34,480 --> 03:35:36,920 Speaker 1: up like that? Let's wrap like I'll mean I'll be 3170 03:35:37,000 --> 03:35:40,320 Speaker 1: on that bag. So the nigger that everybody says the 3171 03:35:40,400 --> 03:35:43,840 Speaker 1: hottest or the new I want to with them. I 3172 03:35:43,879 --> 03:35:49,200 Speaker 1: don't want to, hope, I don't want to. Let is. 3173 03:35:49,920 --> 03:35:52,680 Speaker 1: At some point, Stephen Victor used to work for Depth. Yah. 3174 03:35:53,120 --> 03:35:56,080 Speaker 1: Stephen Victor was my that's my boy, that was my 3175 03:35:56,280 --> 03:36:01,840 Speaker 1: he was my main you know what I'm saying. That 3176 03:36:02,000 --> 03:36:06,119 Speaker 1: left them and then to go for pop smoke, pop 3177 03:36:06,200 --> 03:36:08,680 Speaker 1: smoke and the world was on the street. Was he 3178 03:36:08,840 --> 03:36:12,880 Speaker 1: was trying to put pop smoke directly against you. This 3179 03:36:13,040 --> 03:36:15,560 Speaker 1: is the world on the street. You you you could 3180 03:36:15,600 --> 03:36:17,800 Speaker 1: askwer it whatever the way you want to the world 3181 03:36:17,800 --> 03:36:20,480 Speaker 1: on the street was he wanted to have pop smoke 3182 03:36:20,680 --> 03:36:24,320 Speaker 1: directly against you to get you out of that. That's 3183 03:36:24,400 --> 03:36:27,640 Speaker 1: that's the word. Can't get me out of that better 3184 03:36:27,680 --> 03:36:31,080 Speaker 1: than this ship. Yeah, I'm too a part of this ship. Like, yeah, 3185 03:36:31,200 --> 03:36:32,680 Speaker 1: you don't get me out of there, you can, you 3186 03:36:32,720 --> 03:36:36,360 Speaker 1: can make another way. No, no, what I mean, I'm 3187 03:36:36,400 --> 03:36:39,960 Speaker 1: not talking about him and particularly some of the labels. 3188 03:36:40,440 --> 03:36:44,080 Speaker 1: Labels was because it didn't see the victive work for them. 3189 03:36:44,320 --> 03:36:48,840 Speaker 1: Disrespect I don't want to be really be disrespectful, but yeah, 3190 03:36:49,640 --> 03:36:52,120 Speaker 1: real ship like them, they don't know what's going on. 3191 03:36:52,280 --> 03:36:54,200 Speaker 1: They don't come to no block, they don't come on 3192 03:36:54,280 --> 03:36:58,000 Speaker 1: no projects, they don't come to the studio. But when 3193 03:36:58,080 --> 03:37:01,400 Speaker 1: you know the lay, when you gotta go to the label. 3194 03:37:02,040 --> 03:37:05,400 Speaker 1: They don't come outside where you could, like me being 3195 03:37:05,440 --> 03:37:08,440 Speaker 1: signed a depth jamnigg do what they want with me 3196 03:37:08,560 --> 03:37:11,480 Speaker 1: outside somewhere wherever I be at. All they're gonna do 3197 03:37:11,600 --> 03:37:17,680 Speaker 1: is post damn and peace or free Davis or however 3198 03:37:17,800 --> 03:37:20,320 Speaker 1: whatever bagh. That's what they're gonna do. But they ain't 3199 03:37:20,320 --> 03:37:22,760 Speaker 1: got nobody in the field that's running over like y'all 3200 03:37:22,800 --> 03:37:26,360 Speaker 1: have street teams and ship from the label that might 3201 03:37:26,440 --> 03:37:28,840 Speaker 1: have ran around with niggas street niggas, but they was 3202 03:37:28,959 --> 03:37:37,520 Speaker 1: they still was creating around bro, and that's what makes 3203 03:37:37,560 --> 03:37:40,000 Speaker 1: them weary and me or be like, oh, I don't 3204 03:37:40,040 --> 03:37:41,960 Speaker 1: know because I pull up with a hunting hood niggas, 3205 03:37:42,600 --> 03:37:46,960 Speaker 1: ten bloods, ten crips. What's up? Whatever? What's going on 3206 03:37:47,080 --> 03:37:49,160 Speaker 1: with my with my tape? When does this drop us 3207 03:37:49,160 --> 03:37:51,800 Speaker 1: all that? You know what I'm saying. So I get it. 3208 03:37:52,760 --> 03:37:56,400 Speaker 1: They're not into the aggression or the actually the street person. 3209 03:37:56,840 --> 03:37:59,840 Speaker 1: They into the street music. That's why they love Takashi. 3210 03:38:01,520 --> 03:38:04,320 Speaker 1: But what would have happened in your opinion if you 3211 03:38:04,400 --> 03:38:06,720 Speaker 1: think because this is the room one room way is 3212 03:38:06,760 --> 03:38:11,280 Speaker 1: Stephen Victor, which was like somebody helped helped sign you? 3213 03:38:11,480 --> 03:38:13,600 Speaker 1: Is that correct? Now? I got I signed with that 3214 03:38:13,840 --> 03:38:15,879 Speaker 1: jam and then I was supposed to do a management 3215 03:38:15,959 --> 03:38:19,400 Speaker 1: deal with him and Peter bitten Bender from from Massa 3216 03:38:19,520 --> 03:38:22,600 Speaker 1: Hill and that didn't work out. So let me just 3217 03:38:22,879 --> 03:38:26,240 Speaker 1: let me explain to you that he left the sign 3218 03:38:26,320 --> 03:38:29,080 Speaker 1: pop smoking and pop smoke, and that was the whole 3219 03:38:29,160 --> 03:38:32,560 Speaker 1: thing there was. They was trying to actually compare pop 3220 03:38:32,640 --> 03:38:39,360 Speaker 1: Smoke to Davies und percent different orders both cript different people, 3221 03:38:40,120 --> 03:38:43,040 Speaker 1: different orders. He gotta he gotta a wave. He run 3222 03:38:43,160 --> 03:38:47,879 Speaker 1: with I'm talking. I'm I'm actually saying ship you get 3223 03:38:48,720 --> 03:38:50,800 Speaker 1: you know what I'm saying, you can change? He like 3224 03:38:51,600 --> 03:38:55,200 Speaker 1: go I love pop. That was my blt boy, it 3225 03:38:55,360 --> 03:38:57,680 Speaker 1: was it was change. He got ship. You everybody can 3226 03:38:57,760 --> 03:39:00,960 Speaker 1: remember it was he had. He had, He had a 3227 03:39:01,120 --> 03:39:04,360 Speaker 1: vibe New York, a scene and forever. He came with it. 3228 03:39:05,680 --> 03:39:07,320 Speaker 1: You know what I'm saying, Like he just had a 3229 03:39:07,320 --> 03:39:09,680 Speaker 1: whole vibe, His whole wave was fired. He would he'd 3230 03:39:09,720 --> 03:39:12,680 Speaker 1: have been a fucking rock star if that ship didn't happen. 3231 03:39:12,680 --> 03:39:14,200 Speaker 1: You know what I'm saying, That he'd have been out 3232 03:39:14,240 --> 03:39:19,320 Speaker 1: of here. I'm rapping, like really really rapping, paying attention 3233 03:39:19,400 --> 03:39:23,160 Speaker 1: to every ball in my sixteen spitting, trying to I'm 3234 03:39:23,160 --> 03:39:25,360 Speaker 1: trying to keep up with nas and these niggas you 3235 03:39:26,400 --> 03:39:29,000 Speaker 1: and kissing them. That's who when I'm when I'm writing 3236 03:39:29,040 --> 03:39:32,200 Speaker 1: a round or not writing a rhynd or just I'm 3237 03:39:32,240 --> 03:39:34,800 Speaker 1: thinking of y'all. Y'all was approaching ship. So I'm like, 3238 03:39:34,879 --> 03:39:40,680 Speaker 1: I gotta go in. I don't have being at Death Jam. 3239 03:39:41,280 --> 03:39:43,600 Speaker 1: Stephen Victor. You remember Stephen Victor was at there. He 3240 03:39:43,720 --> 03:39:46,160 Speaker 1: was when I when I played Survival for Depth Jam, 3241 03:39:46,240 --> 03:39:47,840 Speaker 1: he was there. He was, he was right there. That 3242 03:39:47,879 --> 03:39:49,840 Speaker 1: was right before he left. So did you hit the 3243 03:39:49,920 --> 03:39:54,440 Speaker 1: room of when Stephen Victor left Depth Jam In the room. 3244 03:39:54,760 --> 03:39:57,520 Speaker 1: He got out of there right across the street from 3245 03:39:57,600 --> 03:40:00,440 Speaker 1: Death Jam. It was the Pop Smokes first, the first 3246 03:40:00,560 --> 03:40:07,280 Speaker 1: meet the will ship, so it was a billboards he left, 3247 03:40:07,360 --> 03:40:11,040 Speaker 1: Stephen Victor left Depth Sham and then put the flyer 3248 03:40:11,160 --> 03:40:13,560 Speaker 1: for his next for the artist he had across the street. 3249 03:40:13,840 --> 03:40:16,039 Speaker 1: So any artists that walked into Depth him, you saw 3250 03:40:16,120 --> 03:40:20,360 Speaker 1: Pop Smoke on a billboard across the street. Sure, so 3251 03:40:20,520 --> 03:40:25,040 Speaker 1: this nick is Stephen Victors. I like, I like that 3252 03:40:25,160 --> 03:40:28,240 Speaker 1: ship though, like I'm gonna go up. I haven't going 3253 03:40:28,440 --> 03:40:30,880 Speaker 1: going up when you but but but you understand that 3254 03:40:31,080 --> 03:40:35,200 Speaker 1: that's what it was for New York, Like like I'm yo, 3255 03:40:36,000 --> 03:40:39,400 Speaker 1: the older brother. I'm the person that actually seen that. 3256 03:40:40,560 --> 03:40:43,199 Speaker 1: So when I seen it, that was the actual play 3257 03:40:44,400 --> 03:40:52,040 Speaker 1: was when it was naas it was against Biggie in 3258 03:40:52,200 --> 03:40:58,120 Speaker 1: this error was Davies. But what they didn't know not 3259 03:40:58,280 --> 03:41:00,400 Speaker 1: to cut you off. Me and Popper Smoke was cool, 3260 03:41:01,000 --> 03:41:04,960 Speaker 1: that's my guy. That was none of us. So I 3261 03:41:05,080 --> 03:41:07,600 Speaker 1: didn't know. But that wasn't your play. The play was 3262 03:41:08,000 --> 03:41:10,879 Speaker 1: put it together, and that was that was like put 3263 03:41:10,920 --> 03:41:15,120 Speaker 1: it this away. He was so ill, I'll being caught right, well, 3264 03:41:15,160 --> 03:41:16,920 Speaker 1: I'll be in Permi. You know. That's all the same 3265 03:41:16,959 --> 03:41:20,040 Speaker 1: building ra being caught. You know that it's mad studios 3266 03:41:20,080 --> 03:41:23,720 Speaker 1: in You know what I'm saying, that's what's that seventh 3267 03:41:23,760 --> 03:41:28,920 Speaker 1: threets to seventh. What I'm saying like, any time I'll 3268 03:41:28,920 --> 03:41:31,640 Speaker 1: be in the studio and be all my niggers, I'll 3269 03:41:31,680 --> 03:41:34,320 Speaker 1: be at be in the boot wrapping and ship. Nigga 3270 03:41:34,440 --> 03:41:36,160 Speaker 1: tapped me on my shoulders. I don't know what it'd be. 3271 03:41:36,200 --> 03:41:39,000 Speaker 1: It would be pop smoke by itself. Here, pull up 3272 03:41:39,000 --> 03:41:41,760 Speaker 1: the dollar. He was like, your local upstairs, My niggas 3273 03:41:41,760 --> 03:41:44,360 Speaker 1: are good. I heard you and we did this for 3274 03:41:44,440 --> 03:41:47,040 Speaker 1: a mom straight. You know what I'm saying. Like me 3275 03:41:47,080 --> 03:41:51,240 Speaker 1: and that Nigga really caught a real vibe Like you 3276 03:41:51,320 --> 03:41:52,760 Speaker 1: know what I'm saying that I funked with him. He 3277 03:41:52,800 --> 03:41:55,440 Speaker 1: was He was so humble but at the same time 3278 03:41:55,600 --> 03:41:59,040 Speaker 1: so so confident like that was that was just I 3279 03:41:59,200 --> 03:42:02,520 Speaker 1: was like it was Nigga like this Nigga believed he 3280 03:42:02,680 --> 03:42:05,200 Speaker 1: knew he was that Nigga was still like trying to 3281 03:42:05,360 --> 03:42:07,880 Speaker 1: learn or new like like the same way I'll be. 3282 03:42:08,879 --> 03:42:10,960 Speaker 1: I could be lit and be like nigg I'm big. 3283 03:42:12,600 --> 03:42:14,720 Speaker 1: I'm like I know who I'll be around. I know 3284 03:42:14,800 --> 03:42:17,320 Speaker 1: the niggas that did what they did. That's real legends. 3285 03:42:17,440 --> 03:42:21,039 Speaker 1: Like I'm litting my own mind, y'all. Niggas is lit 3286 03:42:21,760 --> 03:42:25,240 Speaker 1: for real, like in real life, Like in my own mind, 3287 03:42:25,520 --> 03:42:28,040 Speaker 1: orders to my niggas. Yeah, I didn't did what I did. 3288 03:42:28,160 --> 03:42:31,200 Speaker 1: I nigg has been lit for the fucking decades and 3289 03:42:31,280 --> 03:42:34,880 Speaker 1: nigga ain't no fucking with that. Can't bother that. So 3290 03:42:35,000 --> 03:42:37,320 Speaker 1: when when you when you catch a young nigga that's 3291 03:42:38,120 --> 03:42:41,080 Speaker 1: confident enough to be a star, but humble enough to 3292 03:42:41,160 --> 03:42:45,080 Speaker 1: respect what was performed special, you know what I'm saying. 3293 03:42:45,120 --> 03:42:47,040 Speaker 1: Pop Smoke was one of them niggas that was like that, 3294 03:42:47,160 --> 03:42:50,040 Speaker 1: you know what I'm saying. He was He was special, bro, 3295 03:42:50,160 --> 03:42:53,520 Speaker 1: Like the nigga respected what what what came beform, but 3296 03:42:53,600 --> 03:42:57,240 Speaker 1: he had his own ship. Like I'm litting like anything, 3297 03:42:57,320 --> 03:43:00,800 Speaker 1: I'm out of here, Like I mean, it's just it's 3298 03:43:01,080 --> 03:43:04,240 Speaker 1: it's unfortunate the bulls shit happen to nas, you know 3299 03:43:04,280 --> 03:43:17,400 Speaker 1: what I'm saying. Or boy first of twee, Yeah, I 3300 03:43:17,560 --> 03:43:28,640 Speaker 1: pretty much can't say anything after that, thank you, Motherfucker's now. 3301 03:43:28,640 --> 03:43:31,039 Speaker 1: I did a lot of interviews, bro, this this was different, 3302 03:43:33,120 --> 03:43:35,680 Speaker 1: but but it don't feel like an interview. I feel 3303 03:43:35,720 --> 03:43:39,280 Speaker 1: like we I feel like we're just vibeing like a 3304 03:43:39,320 --> 03:43:41,760 Speaker 1: lot of ships feel like, let me watch what I'm saying, 3305 03:43:41,959 --> 03:43:44,640 Speaker 1: or man, I got to really I spoke my mind. No, 3306 03:43:44,800 --> 03:43:47,600 Speaker 1: but but but this is this is your platform. It's 3307 03:43:47,640 --> 03:43:50,320 Speaker 1: the thing. Every time you want to say something, you 3308 03:43:50,400 --> 03:43:52,880 Speaker 1: come here, Like why why funk with these other people 3309 03:43:53,040 --> 03:43:57,199 Speaker 1: at this point? Because they they swindled on you. They're 3310 03:43:57,240 --> 03:43:59,360 Speaker 1: trying to do like I know what you you could say, 3311 03:43:59,400 --> 03:44:02,160 Speaker 1: they're not want to spend me. I never gonna be 3312 03:44:02,320 --> 03:44:05,400 Speaker 1: like all right, y'all, let's let's let's let's set eats 3313 03:44:05,480 --> 03:44:08,600 Speaker 1: up for this so this hit. Na. We're gonna sit 3314 03:44:08,680 --> 03:44:12,560 Speaker 1: here and really vibe out as bros. And the conversation 3315 03:44:12,600 --> 03:44:16,760 Speaker 1: go go wherever they go, whether they get disrespectful, how 3316 03:44:16,920 --> 03:44:19,200 Speaker 1: it go. But it's it's all genuine and they're gonna 3317 03:44:19,200 --> 03:44:22,320 Speaker 1: be no set up. Like now these things set you up, 3318 03:44:22,400 --> 03:44:25,920 Speaker 1: bron some bullshit and you won't see you see how 3319 03:44:25,959 --> 03:44:28,080 Speaker 1: I'm getting drunk with you all. You'll be sitting drunk 3320 03:44:28,560 --> 03:44:30,920 Speaker 1: and they be spending you and then you see it 3321 03:44:31,040 --> 03:44:33,200 Speaker 1: later like yo, they at least sum me in that interview. 3322 03:44:34,040 --> 03:44:39,000 Speaker 1: You smell me like y'all, but I know you're gonna 3323 03:44:39,000 --> 03:44:42,880 Speaker 1: bring you this, you know, bring me to this show 3324 03:44:43,400 --> 03:44:47,400 Speaker 1: to help me. Yeah, not me, not but but but 3325 03:44:47,600 --> 03:44:50,840 Speaker 1: now I'm correct you. I'm not here to help here, 3326 03:44:51,600 --> 03:44:58,200 Speaker 1: I'm here to respect it. Yeah, is the same thing. 3327 03:45:00,040 --> 03:45:03,680 Speaker 1: That's I'm here to respect you, help respect you on 3328 03:45:03,760 --> 03:45:11,640 Speaker 1: the next level. Yeah, yeah, yeah, that's cool. I respect that, bro. 3329 03:45:12,000 --> 03:45:14,200 Speaker 1: Like the thing is like, it's like, look at my man, 3330 03:45:14,280 --> 03:45:16,160 Speaker 1: Look at my man. My man is a guy. You 3331 03:45:16,200 --> 03:45:20,000 Speaker 1: know what you tell me? Shut then up? The same 3332 03:45:20,040 --> 03:45:24,280 Speaker 1: thing and the thing is like, my bro, all we 3333 03:45:24,360 --> 03:45:26,680 Speaker 1: want to do is see the next person lead to 3334 03:45:26,800 --> 03:45:30,560 Speaker 1: the next next plateau. That's it. That's all. That's all. 3335 03:45:31,240 --> 03:45:36,560 Speaker 1: That's all it is. Listen, let's have some fun. We 3336 03:45:36,680 --> 03:45:41,680 Speaker 1: all pitch and the shot. Thanks for joining us for 3337 03:45:41,720 --> 03:45:44,400 Speaker 1: another episode of Drink Champs hosted by Yours truly, d 3338 03:45:44,560 --> 03:45:47,280 Speaker 1: J e F and n R E. Please make sure 3339 03:45:47,320 --> 03:45:49,640 Speaker 1: to follow us on all our socials. Let's add Drink 3340 03:45:49,720 --> 03:45:53,160 Speaker 1: Champs across all platforms at the real noriegan, I g 3341 03:45:53,879 --> 03:45:57,000 Speaker 1: at Noriaga on Twitter, mine is at Who's Crazy on 3342 03:45:57,120 --> 03:46:00,280 Speaker 1: I g at d j e FN on Twitter, and 3343 03:46:00,400 --> 03:46:02,800 Speaker 1: most importantly, stay up to date with the latest releases, 3344 03:46:03,200 --> 03:46:06,360 Speaker 1: news and merch by going to drink Champs dot com, 3345 03:46:14,560 --> 03:46:14,600 Speaker 1: m