1 00:00:01,480 --> 00:00:05,280 Speaker 1: Are you leave in I you wanna way back home? 2 00:00:05,559 --> 00:00:10,680 Speaker 2: Either way, we want to be there. Doesn't matter how 3 00:00:10,800 --> 00:00:14,960 Speaker 2: much baggage you claim and give us time and a 4 00:00:15,120 --> 00:00:20,360 Speaker 2: terminol and gay a. We want to send you off InStyle. 5 00:00:21,720 --> 00:00:26,600 Speaker 2: We want to welcome you back home. Tell us all 6 00:00:26,600 --> 00:00:27,160 Speaker 2: about it. 7 00:00:27,400 --> 00:00:29,160 Speaker 1: We scared her? Was it fine? 8 00:00:31,120 --> 00:00:32,120 Speaker 3: Now? Porn? 9 00:00:47,680 --> 00:00:51,000 Speaker 1: Do you need to ride? Do you need to ride? 10 00:00:51,680 --> 00:00:54,920 Speaker 1: Do you need to ride? Do you need to ride? 11 00:00:55,600 --> 00:00:56,960 Speaker 3: Do you need to ride? 12 00:00:57,560 --> 00:00:59,400 Speaker 1: Do you need to ride? 13 00:01:00,560 --> 00:01:00,840 Speaker 4: Ride? 14 00:01:01,480 --> 00:01:02,400 Speaker 3: Do you need. 15 00:01:08,720 --> 00:01:15,039 Speaker 4: With Karen and Chris welcome to Do you need to ride? 16 00:01:15,040 --> 00:01:17,120 Speaker 4: This is Chris Fairbanks. 17 00:01:16,800 --> 00:01:20,680 Speaker 1: And this is Karen kill Garraff. Hello Karen, Hello Chris. 18 00:01:21,360 --> 00:01:25,360 Speaker 4: Before we introduce our guests, I just want to give 19 00:01:25,360 --> 00:01:29,560 Speaker 4: a little background. He's like my older brother in comedy 20 00:01:30,120 --> 00:01:30,839 Speaker 4: or bigger brother. 21 00:01:31,520 --> 00:01:32,679 Speaker 1: Yeah, much larger. 22 00:01:32,840 --> 00:01:33,960 Speaker 3: Yeah, he's much larger. 23 00:01:34,080 --> 00:01:38,880 Speaker 4: And also if I he might correct me later. But 24 00:01:38,920 --> 00:01:42,399 Speaker 4: I believe one of the reasons you and I started 25 00:01:42,440 --> 00:01:46,440 Speaker 4: podcasting together is as Jimmy suggested you as a possible 26 00:01:47,000 --> 00:01:49,840 Speaker 4: podcast partner, and so did Greg Barrent. And that was 27 00:01:49,920 --> 00:01:53,080 Speaker 4: all the all the research I'd done, but two out 28 00:01:53,120 --> 00:01:57,520 Speaker 4: of two people said Karen Kilgarriff. And then after a 29 00:01:57,640 --> 00:02:01,160 Speaker 4: year I mustered up the courage to ask you because 30 00:02:01,160 --> 00:02:04,440 Speaker 4: I was a shy, scared boy. And look at us 31 00:02:04,480 --> 00:02:10,519 Speaker 4: now listen, this podcast is fifty percent responsible, or I mean, 32 00:02:11,080 --> 00:02:14,680 Speaker 4: you know what I mean for hard guest today, mister 33 00:02:14,960 --> 00:02:19,680 Speaker 4: Jimmy Parno, was that my intro? It was Yeah, it 34 00:02:19,720 --> 00:02:20,720 Speaker 4: was shoddy. 35 00:02:20,800 --> 00:02:21,880 Speaker 1: It almost didn't happen. 36 00:02:22,080 --> 00:02:24,720 Speaker 4: Yeah, real smokes. Yeah, not the best. 37 00:02:25,280 --> 00:02:26,480 Speaker 5: I guess that's why I didn't know if I was 38 00:02:26,480 --> 00:02:28,120 Speaker 5: supposed to jump in. Am I still waiting for the 39 00:02:28,160 --> 00:02:29,880 Speaker 5: curtain to be open? So I walk out? Am I 40 00:02:29,919 --> 00:02:31,960 Speaker 5: tripping over the curtain because I walked out too soon? 41 00:02:32,680 --> 00:02:33,120 Speaker 3: You know what? 42 00:02:33,200 --> 00:02:35,440 Speaker 4: That's how I feel. Sometimes I'm never not funny. Not 43 00:02:35,520 --> 00:02:37,560 Speaker 4: to just hold the mirror. I don't know when to 44 00:02:37,639 --> 00:02:39,440 Speaker 4: jump in. Sometimes it's unclear. 45 00:02:40,040 --> 00:02:42,200 Speaker 3: It's very clear you're welcome to jump in any time. 46 00:02:42,560 --> 00:02:46,360 Speaker 3: And and I give a nice ramp up. 47 00:02:46,400 --> 00:02:48,800 Speaker 5: I give a nice Please welcome a funny guy. We 48 00:02:48,880 --> 00:02:50,800 Speaker 5: just watched his special. My son thinks it's the funny, 49 00:02:50,880 --> 00:02:53,680 Speaker 5: especially seen in ages. Please welcome Chris Fairbanks. I give 50 00:02:53,680 --> 00:02:56,600 Speaker 5: a nice build up. Not this stutter stammer crap. Yeah, 51 00:02:56,639 --> 00:03:00,640 Speaker 5: well it's my signature. Stutter scammer. Hard to understand. 52 00:03:00,960 --> 00:03:04,720 Speaker 4: That's why I got the big Bucks fair Banks brand. 53 00:03:07,280 --> 00:03:08,120 Speaker 1: Jimmy, how are you? 54 00:03:08,560 --> 00:03:10,639 Speaker 3: I'm good, I'm honored to be here. What I find 55 00:03:10,720 --> 00:03:14,280 Speaker 3: funny about this, guys, and I mean funny, weird, not funny, haha, 56 00:03:14,280 --> 00:03:18,360 Speaker 3: clownish is you guys have asked me to do your 57 00:03:18,360 --> 00:03:20,000 Speaker 3: program before. It never worked out. 58 00:03:20,440 --> 00:03:22,480 Speaker 5: Nobody was ever interested in coming to Baldoon Hills to 59 00:03:22,480 --> 00:03:25,160 Speaker 5: pick me up, to bring me anywhere. So it took 60 00:03:25,200 --> 00:03:28,200 Speaker 5: a pandemic and me sitting in my own home to 61 00:03:28,280 --> 00:03:30,960 Speaker 5: be on a show that involves being in a vehicle. 62 00:03:31,280 --> 00:03:36,120 Speaker 4: That's right, Well, the silver lining is right now, you're safe. 63 00:03:36,600 --> 00:03:38,400 Speaker 4: You know a lot of these people were putting their 64 00:03:38,400 --> 00:03:41,520 Speaker 4: lines in their hands. We almost killed Eddie Pepatone. I 65 00:03:41,520 --> 00:03:43,400 Speaker 4: don't think he was looking out the right window, but 66 00:03:43,520 --> 00:03:46,280 Speaker 4: he he almost perished at our hands. 67 00:03:46,640 --> 00:03:48,960 Speaker 6: We've had a lot of near misses on this podcast, 68 00:03:49,040 --> 00:03:49,880 Speaker 6: a lot of danger. 69 00:03:50,000 --> 00:03:50,240 Speaker 1: Yeah. 70 00:03:50,520 --> 00:03:52,200 Speaker 5: When you said he was looking out the window, could 71 00:03:52,200 --> 00:03:54,520 Speaker 5: he see past the saliva that was covering the glass? 72 00:03:54,920 --> 00:03:58,680 Speaker 4: Is that minor? His I guess spits a lot, is 73 00:03:58,680 --> 00:04:01,080 Speaker 4: my points? Eddie spitz lot when he speaks. That's what 74 00:04:01,560 --> 00:04:04,080 Speaker 4: defense I've been I have been at. Say it, don't 75 00:04:04,120 --> 00:04:06,400 Speaker 4: spray it kid from the beginning. 76 00:04:06,560 --> 00:04:08,480 Speaker 6: Yeah, I thought you just meant that I have a 77 00:04:08,600 --> 00:04:11,160 Speaker 6: very messy car, which I was like, that's true. 78 00:04:11,640 --> 00:04:15,880 Speaker 3: No insult somebody that's here. I take. I take swipes 79 00:04:15,920 --> 00:04:17,960 Speaker 3: of people that can't defend themselves. Yeah. 80 00:04:18,040 --> 00:04:21,960 Speaker 1: Yeah, that's that's the part of way, that's the brand. 81 00:04:22,320 --> 00:04:22,800 Speaker 3: Yeah. 82 00:04:22,600 --> 00:04:25,440 Speaker 4: Yeah, Karen did used to have dog saliva on her 83 00:04:25,480 --> 00:04:27,680 Speaker 4: back windows sometimes. 84 00:04:28,240 --> 00:04:30,640 Speaker 5: I did not know that, so there therefore, that's why 85 00:04:30,720 --> 00:04:33,839 Speaker 5: Karen stared at me through the zoom lens as if 86 00:04:34,440 --> 00:04:36,559 Speaker 5: Pardo was saying the most offensive thing in the world. 87 00:04:36,800 --> 00:04:39,000 Speaker 3: And I was like, holy crap, is Pepatone right behind me? 88 00:04:39,040 --> 00:04:41,080 Speaker 3: Why is that the Jimmy? 89 00:04:41,120 --> 00:04:43,720 Speaker 6: That's just my eyebrows. That's the way pencil my eyebrows, 90 00:04:43,720 --> 00:04:44,720 Speaker 6: and it always looks like that. 91 00:04:45,040 --> 00:04:47,360 Speaker 1: Dos I pencil them? 92 00:04:47,480 --> 00:04:49,720 Speaker 4: D It's very jimmy. 93 00:04:50,240 --> 00:04:51,040 Speaker 3: What do you say, Chris? 94 00:04:51,040 --> 00:04:53,400 Speaker 4: It's very common these days. I wish that when you 95 00:04:53,440 --> 00:04:56,120 Speaker 4: put on those glasses there was a little uh groucho 96 00:04:56,200 --> 00:04:57,360 Speaker 4: marks eyebrows on them. 97 00:04:57,560 --> 00:04:58,600 Speaker 3: That is what I wanted. 98 00:04:59,000 --> 00:05:00,960 Speaker 1: Those are her specialty eyebrow glasses. 99 00:05:01,320 --> 00:05:03,480 Speaker 3: What if what if I put. 100 00:05:03,360 --> 00:05:05,279 Speaker 5: Them on and they were those Chinese glasses that people 101 00:05:05,360 --> 00:05:07,320 Speaker 5: used to think were funny to put on oh boy, 102 00:05:07,680 --> 00:05:09,159 Speaker 5: the hair, the little Chinese eyes in there. 103 00:05:09,000 --> 00:05:11,000 Speaker 3: And people would like wear them them. 104 00:05:11,440 --> 00:05:14,320 Speaker 6: The zoom would automatically end because it's twenty twenty one 105 00:05:14,360 --> 00:05:16,839 Speaker 6: and you cannot do it anymore. 106 00:05:16,600 --> 00:05:19,679 Speaker 3: Anywoll Carol, Let me see yourr Let me see your brows. Please. 107 00:05:20,400 --> 00:05:22,960 Speaker 4: They are nice house, they have it. 108 00:05:23,320 --> 00:05:26,280 Speaker 6: They cut thanks. I have that happened natural. I'm not 109 00:05:26,320 --> 00:05:27,560 Speaker 6: really buying this from you. 110 00:05:28,760 --> 00:05:31,719 Speaker 3: I think, yeah, they do. It's like little skepticism with 111 00:05:31,720 --> 00:05:34,480 Speaker 3: the brow with a pencil brow. I think it was 112 00:05:34,560 --> 00:05:35,600 Speaker 3: very nice. It looks very natural. 113 00:05:35,640 --> 00:05:37,200 Speaker 5: I would not have known that you were penciling them 114 00:05:37,200 --> 00:05:38,320 Speaker 5: in via the zoom. 115 00:05:41,000 --> 00:05:41,359 Speaker 3: I don't know. 116 00:05:41,400 --> 00:05:42,919 Speaker 5: I don't know if if I get closer to you, 117 00:05:42,920 --> 00:05:44,520 Speaker 5: and I don't know if Auberty is close that I 118 00:05:44,520 --> 00:05:45,680 Speaker 5: would be so close. 119 00:05:45,440 --> 00:05:47,120 Speaker 3: That I would know that it's pencil and not real hair. 120 00:05:47,360 --> 00:05:48,840 Speaker 3: That would be very intimate. 121 00:05:49,120 --> 00:05:51,919 Speaker 1: It's it's like I keep people at a distance. 122 00:05:52,040 --> 00:05:55,080 Speaker 4: Yeah, it's like another man's shoes and shawshank. You're never 123 00:05:55,200 --> 00:05:58,680 Speaker 4: really looking at someone's eyebrows. You're making full eye contact. 124 00:05:59,240 --> 00:06:01,520 Speaker 6: Unless every once in a while I'll buy the wrong 125 00:06:01,600 --> 00:06:04,760 Speaker 6: color because in the kind of eyebrow powder that I 126 00:06:04,880 --> 00:06:09,360 Speaker 6: use there really is. There's about fifteen choices, and I've 127 00:06:09,360 --> 00:06:13,720 Speaker 6: definitely used too dark where everything else looks kind of natural, 128 00:06:13,760 --> 00:06:16,880 Speaker 6: and my rows look sharp, beat on like. 129 00:06:16,920 --> 00:06:18,200 Speaker 1: It's very disturbing. 130 00:06:18,920 --> 00:06:21,080 Speaker 6: Yeah, I've gone the wrong way many times, so you 131 00:06:21,160 --> 00:06:23,000 Speaker 6: kind of know. But I think the thing these days 132 00:06:23,040 --> 00:06:25,960 Speaker 6: is everyone is so good at eyebrows these days. This 133 00:06:26,080 --> 00:06:27,920 Speaker 6: is the thing both of you would never be interested 134 00:06:27,960 --> 00:06:31,160 Speaker 6: in talking about. But eyebrows are a real high art 135 00:06:31,240 --> 00:06:31,799 Speaker 6: these days. 136 00:06:31,960 --> 00:06:32,719 Speaker 1: And I will. 137 00:06:32,600 --> 00:06:33,000 Speaker 3: Tell you this. 138 00:06:33,240 --> 00:06:35,240 Speaker 4: I'm sorry, go ahead, Chris, No, No, I just want 139 00:06:35,279 --> 00:06:37,320 Speaker 4: to say that it is the day for the man 140 00:06:37,400 --> 00:06:39,359 Speaker 4: to pay attention to their eyebrows. I find when I 141 00:06:39,440 --> 00:06:43,960 Speaker 4: let them mine go, I look like a college math professor. 142 00:06:44,200 --> 00:06:48,159 Speaker 4: They curl, and the minute they touch my eyelid, I 143 00:06:48,200 --> 00:06:51,760 Speaker 4: know it's time to pull out the groomer. 144 00:06:52,400 --> 00:06:53,520 Speaker 3: Yeah, I have a hey. 145 00:06:54,640 --> 00:06:56,840 Speaker 5: I'm always told whatever I'm on the whenever I when 146 00:06:56,880 --> 00:06:59,880 Speaker 5: I used to do television shows, back when people gave 147 00:06:59,920 --> 00:07:02,840 Speaker 5: a damn about me in my career, whenever they would 148 00:07:02,839 --> 00:07:04,720 Speaker 5: do makeup, they would always say, in this particular eyebrow 149 00:07:05,080 --> 00:07:07,120 Speaker 5: that I might I want to consider on my left eyebrow, 150 00:07:07,160 --> 00:07:12,000 Speaker 5: consider getting a tattoo. My eyebrows tattooed on because I'm 151 00:07:12,040 --> 00:07:15,160 Speaker 5: missing like a little part there of my eyebrow. So 152 00:07:15,200 --> 00:07:18,080 Speaker 5: they suggested that so that it doesn't look penciled in 153 00:07:18,120 --> 00:07:20,120 Speaker 5: when I am on camera, and I went, you know what, 154 00:07:20,400 --> 00:07:20,920 Speaker 5: three times a. 155 00:07:20,920 --> 00:07:24,840 Speaker 3: Year eight worth me getting a tattoo of eyebrows. 156 00:07:25,120 --> 00:07:28,520 Speaker 6: Also, I would disagree or I would like to see 157 00:07:29,160 --> 00:07:30,960 Speaker 6: I would love to see a camera test of that, 158 00:07:31,280 --> 00:07:34,640 Speaker 6: because how is a tattoo looking better than the pencil? 159 00:07:34,680 --> 00:07:36,160 Speaker 1: They are with you or she had lighton. 160 00:07:36,760 --> 00:07:39,360 Speaker 3: She says that it would. I don't know the answer 161 00:07:39,360 --> 00:07:39,640 Speaker 3: to that. 162 00:07:39,800 --> 00:07:42,200 Speaker 1: So maybe it's just the way they do it. 163 00:07:42,280 --> 00:07:45,120 Speaker 4: Technically, your first and only a tattoo would be a 164 00:07:45,160 --> 00:07:47,080 Speaker 4: face tatt which is you know. 165 00:07:47,360 --> 00:07:51,240 Speaker 3: Oh no, I have two tattoos, do you Yeah? I 166 00:07:51,280 --> 00:07:53,040 Speaker 3: have a bright I got one on none of them 167 00:07:53,000 --> 00:07:54,320 Speaker 3: and the other ones on your business. 168 00:07:54,360 --> 00:07:57,880 Speaker 6: So that's so here and there is around your belly 169 00:07:57,880 --> 00:08:00,600 Speaker 6: button and ankle, of course. 170 00:08:00,800 --> 00:08:02,960 Speaker 5: I have a dolphin on my ale and a daisy 171 00:08:03,000 --> 00:08:06,720 Speaker 5: on my belly bumbon. I have a on this arm, 172 00:08:06,880 --> 00:08:07,800 Speaker 5: I nope, on this arm. 173 00:08:07,840 --> 00:08:09,440 Speaker 3: I have a shark. On my right arm. 174 00:08:09,440 --> 00:08:11,640 Speaker 5: I have a shark, and on my left arm, I 175 00:08:11,640 --> 00:08:14,120 Speaker 5: have an anchor with Oliver's my son, Oliver's. 176 00:08:13,840 --> 00:08:17,200 Speaker 3: Name on it. Oh, because he stabilizes me. See he's 177 00:08:17,400 --> 00:08:19,920 Speaker 3: he keeps me, he keeps me stable. 178 00:08:20,000 --> 00:08:22,760 Speaker 5: And it's a shark represent if I, if I knew, 179 00:08:22,760 --> 00:08:25,640 Speaker 5: if I had a vocabulary, I would have said more, yes, yes, 180 00:08:26,440 --> 00:08:27,120 Speaker 5: the shark is. 181 00:08:27,160 --> 00:08:28,679 Speaker 3: I just I'm a big fan of sharks. 182 00:08:28,760 --> 00:08:33,880 Speaker 5: I think they're they're neat and uh and I. 183 00:08:33,559 --> 00:08:36,079 Speaker 3: As I jokingly always says, I love the sea. So 184 00:08:36,160 --> 00:08:38,960 Speaker 3: that is the other Obviously, these would be the two 185 00:08:38,960 --> 00:08:42,800 Speaker 3: tattoos Jimmy Parter would get. The other two would be 186 00:08:42,880 --> 00:08:45,840 Speaker 3: never when I get tattoos. I had a little nervous 187 00:08:45,840 --> 00:08:48,439 Speaker 3: breakdown when Oliver was born. Five weeks after he was born, 188 00:08:48,720 --> 00:08:51,400 Speaker 3: I found myself getting a tattoo, thinking I had never 189 00:08:51,480 --> 00:08:53,640 Speaker 3: done anything exciting with my life, and now I'm a father, 190 00:08:53,800 --> 00:08:54,680 Speaker 3: I should do something. 191 00:08:54,920 --> 00:08:57,000 Speaker 5: So I got a tattoo, and then when hey, that 192 00:08:57,040 --> 00:08:59,040 Speaker 5: one seems lonely, I should get another tattoo. 193 00:08:59,280 --> 00:09:01,640 Speaker 3: So that's why it's either that or a Corvette. 194 00:09:02,040 --> 00:09:03,800 Speaker 5: Yeah, and I couldn't afford that I could have worn 195 00:09:03,840 --> 00:09:07,720 Speaker 5: a couple hundred bucks with some guy still smoking directly 196 00:09:07,760 --> 00:09:09,280 Speaker 5: into my face while he put a tattoo on. 197 00:09:09,679 --> 00:09:12,400 Speaker 6: I love the idea that a stand up comedian, like 198 00:09:12,440 --> 00:09:14,840 Speaker 6: a lifelong stand up comedian that's been on TV and 199 00:09:14,840 --> 00:09:17,520 Speaker 6: done all this stuff, you'd never done anything exciting with 200 00:09:17,559 --> 00:09:17,920 Speaker 6: your life. 201 00:09:18,040 --> 00:09:19,440 Speaker 1: What more do you want? Karen? 202 00:09:19,480 --> 00:09:20,640 Speaker 3: Can I say? Can I tell you something? 203 00:09:20,800 --> 00:09:23,600 Speaker 5: I have said this a thousand times, and you are 204 00:09:23,640 --> 00:09:27,000 Speaker 5: the first person to understand how ridiculous it is that 205 00:09:27,080 --> 00:09:29,720 Speaker 5: I think I've done nothing with Like, really, you lived 206 00:09:29,720 --> 00:09:31,720 Speaker 5: out of your car, going across the country doing stand 207 00:09:31,800 --> 00:09:32,680 Speaker 5: up at saloons. 208 00:09:33,000 --> 00:09:35,440 Speaker 3: You did something, You did do daring things. 209 00:09:35,559 --> 00:09:38,439 Speaker 6: It's the one thing most people say will say to you, 210 00:09:38,720 --> 00:09:40,880 Speaker 6: I could never do what thing to do? I could 211 00:09:40,960 --> 00:09:43,240 Speaker 6: never do that, could never stand up in front of 212 00:09:43,280 --> 00:09:46,880 Speaker 6: five people and speak much less two hundred every night, 213 00:09:47,400 --> 00:09:50,640 Speaker 6: new material, blah blah blah. Right, Yeah, but that's I 214 00:09:50,720 --> 00:09:54,480 Speaker 6: think that's what we all do. Comedians never appreciate how 215 00:09:54,520 --> 00:09:57,000 Speaker 6: hard comedy is because we can do it, so it's 216 00:09:57,280 --> 00:09:58,680 Speaker 6: it doesn't feel as big of a deal. 217 00:09:58,920 --> 00:10:01,080 Speaker 4: Yes, I feel like I I haven't lived life because 218 00:10:01,120 --> 00:10:03,560 Speaker 4: I've never had a nine to five job, which is 219 00:10:03,760 --> 00:10:05,600 Speaker 4: quite the opposite of what everyone wants. 220 00:10:05,640 --> 00:10:08,480 Speaker 3: Yeah, that's exactly the opposite of what we were talking about. Yeah, yeah, 221 00:10:08,840 --> 00:10:11,040 Speaker 3: but I get you're hey, can I can I shoehorn 222 00:10:11,080 --> 00:10:12,040 Speaker 3: this in real fast one time? 223 00:10:12,120 --> 00:10:15,360 Speaker 5: And this goes back to the eyebrows, and it was 224 00:10:15,400 --> 00:10:16,959 Speaker 5: really the only time that I would This is the 225 00:10:16,960 --> 00:10:18,280 Speaker 5: one hundred per cent of this is the first time 226 00:10:18,280 --> 00:10:20,400 Speaker 5: I ever noted somebody's eyebrows. And now I can't stop 227 00:10:20,400 --> 00:10:22,920 Speaker 5: looking at people's eyebrows. I was on a I was 228 00:10:22,920 --> 00:10:24,880 Speaker 5: on a flight from Los Angeles to Dallas. I was 229 00:10:24,880 --> 00:10:27,200 Speaker 5: on an American Airline. Salute that tail, it's got a 230 00:10:27,200 --> 00:10:27,679 Speaker 5: flag on. 231 00:10:27,640 --> 00:10:28,640 Speaker 3: It, and. 232 00:10:30,440 --> 00:10:33,440 Speaker 5: I'm sitting next to somebody, and I don't recognize. At first, 233 00:10:33,440 --> 00:10:36,280 Speaker 5: I don't recognize who that person is, and then I 234 00:10:36,360 --> 00:10:39,640 Speaker 5: recognize that. I see that, I recognize that face, and 235 00:10:39,640 --> 00:10:41,800 Speaker 5: now I recognize that face, and then I recognized that face. 236 00:10:42,360 --> 00:10:44,079 Speaker 3: And then the woman who sat behind me. 237 00:10:44,080 --> 00:10:46,360 Speaker 5: She and her daughter started talking to me because at 238 00:10:46,360 --> 00:10:49,160 Speaker 5: the time, I had a UCB sweatshirt jacket on. And 239 00:10:49,240 --> 00:10:52,360 Speaker 5: she said, I guess the younger kids call those hoodies. 240 00:10:51,880 --> 00:10:55,120 Speaker 3: And sweater jacket. I call a sweater jacket. 241 00:10:55,600 --> 00:10:58,880 Speaker 5: So she she says, hey, my daughter takes classes at 242 00:10:58,920 --> 00:11:01,280 Speaker 5: the UCB, And I said, oh, oh, I started with 243 00:11:01,320 --> 00:11:03,680 Speaker 5: those guys met and I started in Chicago. I started 244 00:11:03,679 --> 00:11:05,360 Speaker 5: with all the guys that run the UCB. I started 245 00:11:05,360 --> 00:11:07,040 Speaker 5: with them, do we stand up? And they're like, oh, 246 00:11:07,040 --> 00:11:09,760 Speaker 5: you're standing And that woman turns out to be Charlene Tilton. 247 00:11:11,240 --> 00:11:14,600 Speaker 5: TV showed Dallas and then I said, what are you doing? 248 00:11:14,640 --> 00:11:16,920 Speaker 5: She goes, oh, we're going to a convention. It's a 249 00:11:17,160 --> 00:11:20,360 Speaker 5: Dallas Reunion convention. I was like, that's where I recognize everybody. 250 00:11:20,920 --> 00:11:23,120 Speaker 5: And so it then dawned to me that I'm literally 251 00:11:23,120 --> 00:11:24,640 Speaker 5: the only person in first class. 252 00:11:24,679 --> 00:11:26,600 Speaker 3: I was bumped up. I got points bumped up on 253 00:11:26,640 --> 00:11:28,360 Speaker 3: points in the world. 254 00:11:28,960 --> 00:11:31,520 Speaker 5: So I'm the only person in first class that was 255 00:11:31,600 --> 00:11:35,840 Speaker 5: not a member of the Dallas cast. And I turned 256 00:11:35,840 --> 00:11:37,880 Speaker 5: next to me to I, well, who's the guy next 257 00:11:37,880 --> 00:11:39,959 Speaker 5: to me? And he turns to me and says hello 258 00:11:40,160 --> 00:11:43,080 Speaker 5: and goes He raises his eyebrows up and down in 259 00:11:43,120 --> 00:11:47,480 Speaker 5: a crazy manner, and it was Larry Hagman and his 260 00:11:47,559 --> 00:11:51,120 Speaker 5: eyebrows though had their own plane ticket. That's how bananas 261 00:11:50,960 --> 00:11:53,640 Speaker 5: his eyebrows were like. They were like. 262 00:11:53,760 --> 00:11:56,760 Speaker 3: Nobody said, hey, Larry, cut those things like they were 263 00:11:57,000 --> 00:11:59,640 Speaker 3: they were literally three inches off of his face. 264 00:11:59,679 --> 00:12:03,240 Speaker 5: They were insane. Old man was he jr? Ewing that 265 00:12:03,240 --> 00:12:08,400 Speaker 5: that actor that was major Healey from I Dream of Jeanie. 266 00:12:08,720 --> 00:12:12,120 Speaker 4: I never I never made it past the opening sequence 267 00:12:12,160 --> 00:12:15,800 Speaker 4: of the Dallas Skyline. I never watched a minute of 268 00:12:15,800 --> 00:12:17,280 Speaker 4: that program was to me either. 269 00:12:17,080 --> 00:12:18,679 Speaker 3: For me, it's so good. 270 00:12:18,920 --> 00:12:22,880 Speaker 6: We get that was if we like were getting babysat 271 00:12:23,000 --> 00:12:25,360 Speaker 6: or there was something happening where our parents weren't paying attention, 272 00:12:25,440 --> 00:12:28,040 Speaker 6: you got to watch Dallas. So there was this extra 273 00:12:28,160 --> 00:12:30,560 Speaker 6: thrill where you're just like, look at Bobby and what's 274 00:12:30,559 --> 00:12:33,240 Speaker 6: her name? Talking to each other, like we would watch 275 00:12:33,280 --> 00:12:36,920 Speaker 6: it as if it was the most wonderful, amazing show. 276 00:12:36,960 --> 00:12:40,040 Speaker 6: And when I think I was probably eight years old 277 00:12:40,200 --> 00:12:43,240 Speaker 6: or so, when the whole who shot Jr? The most 278 00:12:43,280 --> 00:12:48,760 Speaker 6: brilliant like television publicity idea of all time, which is JR, 279 00:12:48,800 --> 00:12:50,960 Speaker 6: who was like the big mean guy on the show, 280 00:12:51,120 --> 00:12:53,719 Speaker 6: gets shot, no one knows who did it, and then 281 00:12:53,760 --> 00:12:56,600 Speaker 6: there's it's like an entire season dedicated to figuring out 282 00:12:57,040 --> 00:12:59,520 Speaker 6: on a show that's otherwise just a nighttime soap opera. 283 00:12:59,760 --> 00:13:02,920 Speaker 6: It turned into like a crime procedural. 284 00:13:03,320 --> 00:13:05,800 Speaker 5: We also spent the entire because it was a cliffhanger 285 00:13:05,840 --> 00:13:09,000 Speaker 5: from one season to the next. And when I say we, 286 00:13:09,200 --> 00:13:13,120 Speaker 5: I mean the country spent the entire summer talking about 287 00:13:13,160 --> 00:13:16,360 Speaker 5: who shot JR. So Heark's point, like it got a 288 00:13:16,480 --> 00:13:18,800 Speaker 5: morning radio talked about it, Evening radio talked about it, 289 00:13:18,880 --> 00:13:20,000 Speaker 5: middays talked about overnights. 290 00:13:20,000 --> 00:13:21,120 Speaker 3: Everybodys talking about in radio. 291 00:13:21,400 --> 00:13:22,640 Speaker 1: Yeah, different times. 292 00:13:23,280 --> 00:13:27,160 Speaker 6: Back then it was there were four networks or three networks, 293 00:13:27,240 --> 00:13:29,520 Speaker 6: so like we all were watching the same shows and 294 00:13:29,640 --> 00:13:31,640 Speaker 6: talking about it. I mean it was like you kind 295 00:13:31,640 --> 00:13:33,880 Speaker 6: of had no choice. But yeah, who shot Jr? Was 296 00:13:33,920 --> 00:13:34,840 Speaker 6: a very big deal. 297 00:13:35,240 --> 00:13:37,680 Speaker 3: I remember we were a Dynasty household. I go ahead. 298 00:13:37,840 --> 00:13:40,360 Speaker 3: I'm sorry, I keep interacting. No, no zoom leg. I'm not 299 00:13:40,360 --> 00:13:41,560 Speaker 3: being rude. It's the zoom leg. 300 00:13:41,720 --> 00:13:42,600 Speaker 1: It's zoom. 301 00:13:42,679 --> 00:13:46,360 Speaker 4: When I said, j are you ing, I thought, maybe, uh, oh, 302 00:13:46,480 --> 00:13:49,000 Speaker 4: this is Dynasty. They are the same shows to me. 303 00:13:49,400 --> 00:13:52,440 Speaker 4: I do not know the difference. One takes place in Texas, 304 00:13:52,520 --> 00:13:53,120 Speaker 4: That's all I know. 305 00:13:54,080 --> 00:13:55,800 Speaker 5: Like I said, we were a Dynasty house and I 306 00:13:55,800 --> 00:13:58,600 Speaker 5: couldn't tell you where that was. Maybe New York, La 307 00:13:58,760 --> 00:13:59,160 Speaker 5: is La. 308 00:13:59,559 --> 00:13:59,920 Speaker 3: I don't know. 309 00:14:00,000 --> 00:14:02,120 Speaker 1: Oh, we weren't allowed to watch Dynasty. 310 00:14:02,400 --> 00:14:07,240 Speaker 3: Oh for some reason. 311 00:14:07,320 --> 00:14:09,400 Speaker 1: That was like they drew the line. I don't know. 312 00:14:09,480 --> 00:14:11,800 Speaker 6: I think all of it was against the rules, But 313 00:14:11,920 --> 00:14:13,960 Speaker 6: like the one we would try to watch if we 314 00:14:14,000 --> 00:14:16,480 Speaker 6: could was Dallas, And maybe it was because it was 315 00:14:16,520 --> 00:14:18,200 Speaker 6: like a little country and there was kind of like 316 00:14:18,800 --> 00:14:23,240 Speaker 6: that relatable like look at they have a ranch, whereas 317 00:14:23,320 --> 00:14:27,000 Speaker 6: Dynasty was just like very fancy, rich people, you know, 318 00:14:27,160 --> 00:14:29,200 Speaker 6: coming downstairs and yelling at each other and stuff. 319 00:14:29,240 --> 00:14:31,720 Speaker 3: I got that was every episode, Every episode had some 320 00:14:31,840 --> 00:14:34,640 Speaker 3: rich person using the stairs to full effect. 321 00:14:34,880 --> 00:14:35,120 Speaker 2: Yeah. 322 00:14:35,160 --> 00:14:37,200 Speaker 4: Yeah, that's why I wasn't allowed to watch it. My 323 00:14:37,320 --> 00:14:39,880 Speaker 4: parents did not ever want me to know. We were 324 00:14:40,120 --> 00:14:41,200 Speaker 4: simply middle to. 325 00:14:41,200 --> 00:14:44,640 Speaker 1: Lower class, like where are our stairs? 326 00:14:44,720 --> 00:14:46,520 Speaker 4: Yeah, if you don't see it on TV, you think 327 00:14:46,520 --> 00:14:51,320 Speaker 4: you're rich. I think only rich kids have their father 328 00:14:51,440 --> 00:14:54,480 Speaker 4: make their toys out of wood for them, I'm rich. 329 00:14:56,400 --> 00:14:59,200 Speaker 6: What was Jimmy at that time? What was your favorite? 330 00:14:59,240 --> 00:15:01,080 Speaker 6: Like what was a point and TV for you? Was 331 00:15:01,120 --> 00:15:02,400 Speaker 6: it Dallas or Dynasty? 332 00:15:02,520 --> 00:15:03,800 Speaker 4: Or was there Dynasty? 333 00:15:04,640 --> 00:15:04,760 Speaker 6: Uh? 334 00:15:05,040 --> 00:15:08,480 Speaker 5: Well, I mean sitcoms? Was you know, Happy Days, Learn 335 00:15:08,560 --> 00:15:12,360 Speaker 5: and Shirley, Welcome Back, Caught Her, Chico and the Man. 336 00:15:13,280 --> 00:15:14,680 Speaker 3: There was one more of the way that we always 337 00:15:14,680 --> 00:15:15,040 Speaker 3: talked about. 338 00:15:15,080 --> 00:15:17,840 Speaker 5: And then of course TV and Started Life, Started Life. 339 00:15:17,880 --> 00:15:19,600 Speaker 5: Stanford Somewhere was a little bit before that. We watched 340 00:15:19,600 --> 00:15:24,440 Speaker 5: that reruns more than anything else. Yeah, wa TVs appreciation. Uh, 341 00:15:24,480 --> 00:15:27,560 Speaker 5: and then the dramas were we would watch Love Boat 342 00:15:27,600 --> 00:15:28,960 Speaker 5: Fantasy Island every Saturday. 343 00:15:29,000 --> 00:15:31,080 Speaker 3: That would be me. That was that was that was 344 00:15:31,120 --> 00:15:33,760 Speaker 3: no question appointment TV. To watch those two shows back 345 00:15:33,760 --> 00:15:34,080 Speaker 3: to back. 346 00:15:34,240 --> 00:15:37,920 Speaker 6: Fantasy Island was such a good idea for the whole 347 00:15:37,960 --> 00:15:40,920 Speaker 6: like whole family, because we were watching like anything can happen, 348 00:15:41,000 --> 00:15:43,000 Speaker 6: but it was always, of course adult stuff that would 349 00:15:43,040 --> 00:15:46,440 Speaker 6: be happening. Do you remember the one where Barbie Benton 350 00:15:47,120 --> 00:15:48,200 Speaker 6: I think it was Barbie Benton. 351 00:15:48,440 --> 00:15:50,120 Speaker 1: She was fat and then. 352 00:15:50,200 --> 00:15:52,360 Speaker 6: Her fantasy was that she would be thin, and so 353 00:15:52,480 --> 00:15:55,080 Speaker 6: then she she was like basically in a fat suit 354 00:15:55,080 --> 00:15:57,080 Speaker 6: in the beginning, and then she went running through the 355 00:15:57,120 --> 00:15:59,680 Speaker 6: jungle and when she came back oach she had a 356 00:16:00,040 --> 00:16:00,760 Speaker 6: revett and body. 357 00:16:00,800 --> 00:16:01,600 Speaker 1: I think it was her. 358 00:16:02,080 --> 00:16:03,680 Speaker 6: It was like that was one of those things I 359 00:16:03,720 --> 00:16:06,920 Speaker 6: was like, well, this show is incredible, Like it to 360 00:16:07,040 --> 00:16:10,160 Speaker 6: me was the most brilliant writing of all time. 361 00:16:10,440 --> 00:16:13,400 Speaker 4: Except what about running through a jungle makes you drop 362 00:16:13,440 --> 00:16:15,000 Speaker 4: that kind of weight? The humidity? 363 00:16:15,480 --> 00:16:17,200 Speaker 3: Oh it's humidity, I think, Chris, Yeah. 364 00:16:17,080 --> 00:16:20,960 Speaker 4: Yeah, okay, just with one jungle run. 365 00:16:23,360 --> 00:16:25,720 Speaker 1: She went to a magical part of the jungle. 366 00:16:25,840 --> 00:16:27,800 Speaker 4: Oh gotcha, gotcha? 367 00:16:27,880 --> 00:16:31,720 Speaker 5: She uh Karen, I guess you you kind of answer 368 00:16:31,800 --> 00:16:34,320 Speaker 5: this what I'm curious. I don't think I understood what 369 00:16:34,520 --> 00:16:36,160 Speaker 5: that Fantasy Island was adult stuff. 370 00:16:37,960 --> 00:16:42,479 Speaker 3: I don't think I understood the the uh. 371 00:16:41,560 --> 00:16:44,240 Speaker 5: The layers of Fantasy Island when I was a kid. 372 00:16:44,240 --> 00:16:46,240 Speaker 5: I think I just liked, Hey, Sonny Bono is singing 373 00:16:46,400 --> 00:16:48,480 Speaker 5: like I think it was like that aspect of it 374 00:16:49,080 --> 00:16:49,520 Speaker 5: that I. 375 00:16:49,520 --> 00:16:51,760 Speaker 1: Liked I was little, and the other guys. 376 00:16:53,320 --> 00:16:57,200 Speaker 5: Yeah, the guy talks funny. Hey, speaking of Barbie Betten, 377 00:16:57,520 --> 00:17:02,280 Speaker 5: I've been binging McLoud. That is, That's what I've I've 378 00:17:02,320 --> 00:17:04,520 Speaker 5: already gone through Kojak and Colombo and all that, so 379 00:17:04,560 --> 00:17:07,399 Speaker 5: I'm on to McLoud and Barbie Benton was recently playing. 380 00:17:07,920 --> 00:17:11,080 Speaker 5: She was a country music singer on McLoud. And guess 381 00:17:11,080 --> 00:17:11,800 Speaker 5: who can't sing? 382 00:17:12,600 --> 00:17:12,919 Speaker 1: Herbie? 383 00:17:13,520 --> 00:17:14,639 Speaker 3: Yeah, not very good singing. 384 00:17:15,840 --> 00:17:17,879 Speaker 1: They were just letting her actually do the singing. 385 00:17:18,119 --> 00:17:20,199 Speaker 5: She was doing the singing, And it must have been 386 00:17:20,280 --> 00:17:24,560 Speaker 5: very hard to find an actual gorgeous woman in Los Angeles. 387 00:17:24,560 --> 00:17:26,400 Speaker 5: They could sing at that time. Yeah, apparently. 388 00:17:26,560 --> 00:17:29,879 Speaker 4: Yeah, they lesed to cast things just based on headshots. 389 00:17:29,960 --> 00:17:31,840 Speaker 4: I think you never had to wish into a room 390 00:17:32,119 --> 00:17:37,280 Speaker 4: singing dance. There's no dubbing had best date by ten Or. 391 00:17:37,240 --> 00:17:39,359 Speaker 6: What if it was a thing where Barbie Benton wanted 392 00:17:39,359 --> 00:17:41,199 Speaker 6: to go into music and this was her like some 393 00:17:41,359 --> 00:17:44,080 Speaker 6: power agent was just like, you will cast her and 394 00:17:44,119 --> 00:17:46,320 Speaker 6: she will sing it herself, and then that's what it 395 00:17:46,400 --> 00:17:46,800 Speaker 6: turned out. 396 00:17:46,800 --> 00:17:50,040 Speaker 5: What maybe that makes more sense because otherwise I don't 397 00:17:50,080 --> 00:17:51,560 Speaker 5: understand why she was the choice. 398 00:17:52,040 --> 00:17:55,040 Speaker 3: Yeah, me too, that I'm wrong. She was on Broadway 399 00:17:55,080 --> 00:17:56,400 Speaker 3: for seventeen years. 400 00:17:56,920 --> 00:17:59,840 Speaker 6: It's just your personal tasty. You don't like her style sing, 401 00:18:00,080 --> 00:18:00,359 Speaker 6: you know what? 402 00:18:00,440 --> 00:18:02,520 Speaker 3: Yeh, the hell of mine? Maybe she has a wonderful 403 00:18:02,520 --> 00:18:06,000 Speaker 3: recording career, it's just not your bag. 404 00:18:07,920 --> 00:18:11,000 Speaker 6: The show that I love from that era and love 405 00:18:11,040 --> 00:18:14,000 Speaker 6: to watch reruns of now it like it's so satisfying 406 00:18:14,000 --> 00:18:17,719 Speaker 6: in so many ways, is hard to heart because they 407 00:18:17,760 --> 00:18:20,040 Speaker 6: it's all the and I wonder if you saw the 408 00:18:20,040 --> 00:18:24,600 Speaker 6: same thing. And I don't remember McCloud specifically, but back then, 409 00:18:25,040 --> 00:18:28,040 Speaker 6: like late seventies early eighties TV, they did a lot. 410 00:18:27,920 --> 00:18:29,200 Speaker 1: Of everything was real time. 411 00:18:29,240 --> 00:18:31,439 Speaker 6: They wouldn't cut to like, hey, we're going to go 412 00:18:31,520 --> 00:18:33,719 Speaker 6: to that We're going to go investigate that building. Then 413 00:18:33,760 --> 00:18:37,040 Speaker 6: they'd show the people walking to their car, heading in, 414 00:18:37,320 --> 00:18:40,240 Speaker 6: driving to the building, getting out, taking the elevator up. 415 00:18:40,320 --> 00:18:43,440 Speaker 6: It was invensane and I think now I realized it. 416 00:18:43,680 --> 00:18:44,240 Speaker 1: They were just. 417 00:18:44,280 --> 00:18:47,040 Speaker 6: Killing time and then our long drama and they were 418 00:18:47,160 --> 00:18:49,960 Speaker 6: it was kind of filler. But it's stuff that as 419 00:18:50,000 --> 00:18:52,040 Speaker 6: I watch it, it makes like and hard to heart. 420 00:18:52,280 --> 00:18:54,639 Speaker 6: They drive all over Los Angeles, so you can see 421 00:18:54,640 --> 00:18:57,400 Speaker 6: like nineteen eighty Los Angeles in those episodes. 422 00:18:57,800 --> 00:18:58,560 Speaker 1: It's the best. 423 00:18:58,680 --> 00:19:02,000 Speaker 3: I love it, I was telling Dandiell. I was why 424 00:19:02,040 --> 00:19:04,359 Speaker 3: I went through a that girl phase during the pandemic 425 00:19:04,560 --> 00:19:07,080 Speaker 3: and I lasted about a season and a half and 426 00:19:07,119 --> 00:19:08,800 Speaker 3: then I was like, I can't take the show any warry. 427 00:19:08,880 --> 00:19:09,520 Speaker 3: But I loved it. 428 00:19:09,840 --> 00:19:12,520 Speaker 5: But they like they literally would show Anne leave the 429 00:19:12,520 --> 00:19:14,600 Speaker 5: shoot okay, I'll be right down, like somebody would say 430 00:19:14,600 --> 00:19:16,840 Speaker 5: I'm at the front door, and they would or I'm leaving, 431 00:19:17,160 --> 00:19:19,400 Speaker 5: and she would leave her apartment. They would show relieve 432 00:19:19,440 --> 00:19:21,600 Speaker 5: apartment used to elevator go down and then wait out. 433 00:19:21,600 --> 00:19:23,679 Speaker 5: They would show her waiting outside and then flagging the 434 00:19:23,720 --> 00:19:26,160 Speaker 5: car down like kid, and then. 435 00:19:26,080 --> 00:19:28,159 Speaker 3: The car driving away with her in it. All of 436 00:19:28,160 --> 00:19:30,240 Speaker 3: that was included I and I loved it. 437 00:19:30,680 --> 00:19:34,119 Speaker 4: Yes, I guess that is how I noticed that Dragon. 438 00:19:34,160 --> 00:19:36,639 Speaker 4: I had to watch a bunch of old Dragnet episodes 439 00:19:36,680 --> 00:19:39,119 Speaker 4: because we were doing that green screen thing where I 440 00:19:39,119 --> 00:19:42,600 Speaker 4: get thrown in and then not only did they show 441 00:19:42,640 --> 00:19:45,600 Speaker 4: the driving across town and the entering of buildings, it 442 00:19:45,680 --> 00:19:48,800 Speaker 4: was part of the narration, like they'd say, four thirty 443 00:19:48,840 --> 00:19:52,240 Speaker 4: eight pm, we drove to the building and went inside, 444 00:19:52,280 --> 00:19:55,080 Speaker 4: and it shows there's like narration. If if it's not 445 00:19:55,200 --> 00:19:59,680 Speaker 4: enough to just watch it, there's also a confirmation with narration. 446 00:20:00,040 --> 00:20:00,720 Speaker 3: That's what you're seeing. 447 00:20:01,040 --> 00:20:02,360 Speaker 1: What you're seeing is what's. 448 00:20:02,119 --> 00:20:06,800 Speaker 4: Happening, and it's time stamped. Also for half that's half 449 00:20:06,840 --> 00:20:07,600 Speaker 4: the episode. 450 00:20:08,080 --> 00:20:11,040 Speaker 6: What was Remington Steele used to do that too, there's 451 00:20:11,080 --> 00:20:13,480 Speaker 6: a Remington Steel was very much like we better go 452 00:20:13,520 --> 00:20:15,679 Speaker 6: and take take a look and investigate. And then it 453 00:20:15,720 --> 00:20:19,280 Speaker 6: would be a four minute scene of them driving to 454 00:20:19,359 --> 00:20:22,120 Speaker 6: a place that was four minutes away from where they were. 455 00:20:22,000 --> 00:20:22,920 Speaker 3: And that's awesome. 456 00:20:23,000 --> 00:20:25,479 Speaker 4: Again, that's the same show It's Heart to Heart for Me, 457 00:20:25,640 --> 00:20:30,240 Speaker 4: which one had Robert Wagner Hard to heart Okay, Pierce 458 00:20:30,280 --> 00:20:34,360 Speaker 4: brad Yeah, he's a handsome guy. 459 00:20:34,480 --> 00:20:37,000 Speaker 3: Huh, Jimmy, I will never use any excuse not to 460 00:20:37,040 --> 00:20:39,879 Speaker 3: mention that when he was backstage when I worked at 461 00:20:39,880 --> 00:20:42,560 Speaker 3: Conad O'Brian on a regular basis and I was in 462 00:20:42,600 --> 00:20:45,520 Speaker 3: the green room and just watching the show on the monitor, 463 00:20:45,840 --> 00:20:47,040 Speaker 3: and all of a sudden, next to me. 464 00:20:47,080 --> 00:20:48,960 Speaker 5: I didn't, I didn't, I didn't see who it was, 465 00:20:49,000 --> 00:20:52,439 Speaker 5: but I just felt stardom standing next to me. And 466 00:20:52,480 --> 00:20:54,320 Speaker 5: then I turned to my left and out of his 467 00:20:54,440 --> 00:20:56,679 Speaker 5: dressing room watching the show on monitor, and the monitor 468 00:20:56,680 --> 00:20:59,159 Speaker 5: as well in the in the group green room was 469 00:20:59,240 --> 00:21:02,000 Speaker 5: the most handed, some prettiest man I've ever seen in 470 00:21:02,040 --> 00:21:02,480 Speaker 5: my life. 471 00:21:03,000 --> 00:21:06,200 Speaker 4: Yeah, like Corinthian Leather. 472 00:21:06,720 --> 00:21:10,399 Speaker 3: Oh I'm not kidding. I've never seen a more handsome 473 00:21:10,480 --> 00:21:11,560 Speaker 3: human being on this planet. 474 00:21:11,920 --> 00:21:15,600 Speaker 6: Yeah, because he also has It's like the expression on 475 00:21:15,680 --> 00:21:19,760 Speaker 6: his face constantly is pure confidence, you know what I mean. 476 00:21:19,800 --> 00:21:22,320 Speaker 6: Like it's like he's kind of surveying the room, like 477 00:21:22,480 --> 00:21:24,119 Speaker 6: who's good enough to be near me? 478 00:21:24,680 --> 00:21:26,280 Speaker 1: No one in here like it. 479 00:21:26,640 --> 00:21:29,440 Speaker 6: He has the you know, it's fascinating and I love 480 00:21:29,960 --> 00:21:32,600 Speaker 6: having myself worked on a talk show. There really are 481 00:21:32,680 --> 00:21:36,159 Speaker 6: these people that have it where like you can feel 482 00:21:36,200 --> 00:21:38,959 Speaker 6: them coming. There's like when you're in the room with them, 483 00:21:39,000 --> 00:21:41,280 Speaker 6: you're just like, holy shit, there they are, like you 484 00:21:41,320 --> 00:21:45,320 Speaker 6: can feel them an aura of specialness. 485 00:21:45,359 --> 00:21:46,160 Speaker 3: It's bananas. 486 00:21:46,359 --> 00:21:49,560 Speaker 5: And by the way, to that point, what I very 487 00:21:50,280 --> 00:21:52,040 Speaker 5: It was rare when somebody would come out of their 488 00:21:52,119 --> 00:21:54,359 Speaker 5: dressing room to watch the show in the green room, 489 00:21:54,680 --> 00:21:55,119 Speaker 5: and so it was. 490 00:21:55,080 --> 00:21:56,080 Speaker 3: Always like, can you believe that? 491 00:21:56,119 --> 00:21:58,040 Speaker 5: How don't earth that guy is so like you would 492 00:21:58,119 --> 00:22:00,000 Speaker 5: never think Paris Brosna would be one of those guys. 493 00:22:00,000 --> 00:22:02,159 Speaker 5: You would think he'd behind closed doors looking in a mirror. 494 00:22:02,320 --> 00:22:05,960 Speaker 5: But he came out and joined in was talking like, 495 00:22:06,840 --> 00:22:08,679 Speaker 5: I'm fascinated by that because I'm with you, like you 496 00:22:08,760 --> 00:22:11,080 Speaker 5: just feel that stardom come at you. Yeah, but then 497 00:22:11,080 --> 00:22:13,280 Speaker 5: there's others that you go, I don't get why you're 498 00:22:13,320 --> 00:22:13,880 Speaker 5: the lead guest. 499 00:22:13,920 --> 00:22:18,200 Speaker 1: All right, okay, all right, well okay, I. 500 00:22:18,119 --> 00:22:19,280 Speaker 3: Guess we'll get through this. All right. 501 00:22:19,800 --> 00:22:22,520 Speaker 4: I get that when I was been in the same 502 00:22:22,600 --> 00:22:24,879 Speaker 4: room as John Hamm, who I think is your friend, 503 00:22:24,880 --> 00:22:27,320 Speaker 4: and I had that same feeling. I'm like, I didn't 504 00:22:27,320 --> 00:22:29,240 Speaker 4: know what to say. I was tongue tied, which I 505 00:22:29,320 --> 00:22:31,800 Speaker 4: usually am anyway. But he yeah, he's got that look 506 00:22:31,800 --> 00:22:35,000 Speaker 4: about him where I'm like, you can just smell the 507 00:22:35,040 --> 00:22:36,400 Speaker 4: handsomeness coming off. 508 00:22:36,520 --> 00:22:38,600 Speaker 3: Now listen, Chris is handsome. 509 00:22:38,640 --> 00:22:40,680 Speaker 5: And by the way, let's make no mistake, Yes, John 510 00:22:40,760 --> 00:22:43,200 Speaker 5: is my friend, but he is one of the most 511 00:22:43,680 --> 00:22:48,359 Speaker 5: handsome men on the planet. Brosden wins. Yeah, yeah, Brosnen 512 00:22:48,720 --> 00:22:51,479 Speaker 5: beats John Hamm. That's how handsome Pierce Brosnen is. 513 00:22:52,000 --> 00:22:55,680 Speaker 1: You know what, because John ham could, You wouldn't want. 514 00:22:55,520 --> 00:22:57,399 Speaker 6: To cast him as a regular guy, but if you 515 00:22:57,600 --> 00:23:00,520 Speaker 6: had to, you could, like in those times times where 516 00:23:01,400 --> 00:23:04,800 Speaker 6: his character on Madmen was, you know, super drunk and 517 00:23:04,880 --> 00:23:07,000 Speaker 6: fucked up and whatever. You're like, oh yeah, it looks 518 00:23:07,040 --> 00:23:09,520 Speaker 6: kind of rough. You can't do that to Pierce Brows 519 00:23:10,760 --> 00:23:12,760 Speaker 6: good luck. You can mess his hair up a little bit, 520 00:23:12,880 --> 00:23:14,800 Speaker 6: but the face is going to stay the same. 521 00:23:14,960 --> 00:23:16,560 Speaker 3: They made his hair askew. 522 00:23:16,760 --> 00:23:19,080 Speaker 4: I think for Matador, where he's like a washed up 523 00:23:19,080 --> 00:23:20,200 Speaker 4: guy living in a hotel. 524 00:23:20,320 --> 00:23:24,560 Speaker 1: Skill hanswer, that's a great movie. Yeah, Matador him. 525 00:23:24,640 --> 00:23:25,960 Speaker 4: Yeah, everyone write that down. 526 00:23:26,080 --> 00:23:27,399 Speaker 1: Also, it's such a good one. 527 00:23:27,480 --> 00:23:31,080 Speaker 4: Jimmy, you your interview with John Hamm with for your 528 00:23:31,200 --> 00:23:33,919 Speaker 4: behind the scenes what was your conan behind the scenes 529 00:23:33,960 --> 00:23:34,560 Speaker 4: interview show? 530 00:23:35,160 --> 00:23:37,560 Speaker 3: The part of Patrol is that online. 531 00:23:37,640 --> 00:23:40,160 Speaker 4: It's so funny and it was fun to see how 532 00:23:40,200 --> 00:23:42,560 Speaker 4: funny John Hamm is because you don't know that he 533 00:23:42,680 --> 00:23:45,560 Speaker 4: is a comedically trained he's legit hilaric. 534 00:23:45,720 --> 00:23:48,280 Speaker 3: Right, Hey, well, I say thank you on both of 535 00:23:48,280 --> 00:23:49,080 Speaker 3: our behalfs it. 536 00:23:49,359 --> 00:23:52,080 Speaker 4: Yeah, yeah, it's great. Yeah, you're both you're good in 537 00:23:52,200 --> 00:23:53,520 Speaker 4: it too. That's what I meant to say. 538 00:23:53,560 --> 00:23:54,360 Speaker 3: Oh, thank you. 539 00:23:55,240 --> 00:23:57,760 Speaker 4: And you call it the podcast and he's like, that's 540 00:23:57,880 --> 00:24:00,520 Speaker 4: not what this is though, and then I. 541 00:24:00,440 --> 00:24:03,280 Speaker 3: Said let's do it again. He's like, nope, because. 542 00:24:04,240 --> 00:24:07,200 Speaker 4: My sister went to see you do stand up somewhere. 543 00:24:07,240 --> 00:24:09,800 Speaker 4: I don't remember. You've met my sister Spokane? 544 00:24:10,080 --> 00:24:11,080 Speaker 3: Was it Spokane? 545 00:24:11,080 --> 00:24:13,600 Speaker 4: And I made her watch that interview first, and it's 546 00:24:13,600 --> 00:24:17,720 Speaker 4: her favorite. She memorized it, makes references to it like 547 00:24:17,760 --> 00:24:21,199 Speaker 4: it was a movie that is very funny. 548 00:24:21,280 --> 00:24:23,639 Speaker 3: Yeah, well, thank you very much. And it was a 549 00:24:23,640 --> 00:24:25,399 Speaker 3: delight meeting your your sister. 550 00:24:25,640 --> 00:24:28,959 Speaker 5: And I think she felt that she was taking up 551 00:24:28,960 --> 00:24:30,200 Speaker 5: my time and that was not the case. 552 00:24:30,359 --> 00:24:32,919 Speaker 3: Like was like, no, I welcome talking to somebody please. 553 00:24:33,359 --> 00:24:33,760 Speaker 3: Oh yeah. 554 00:24:33,840 --> 00:24:37,240 Speaker 4: She's always very careful and apologietic about but she'll yeah, 555 00:24:37,440 --> 00:24:39,440 Speaker 4: she'll she'll talk to you. She's the best. 556 00:24:39,560 --> 00:24:42,480 Speaker 3: But she didn't. I had to chase her down. I 557 00:24:42,560 --> 00:24:43,760 Speaker 3: forced her into the back of the car to have 558 00:24:43,800 --> 00:24:44,600 Speaker 3: a conversation with me. 559 00:24:44,880 --> 00:24:49,080 Speaker 4: Right, yeah, I remember she called me she said, joke 560 00:24:49,720 --> 00:24:52,439 Speaker 4: one has he ever kidnapped someone before? And I'm like, 561 00:24:53,840 --> 00:24:54,440 Speaker 4: he can't. 562 00:24:54,240 --> 00:24:56,800 Speaker 1: Get in the trunk to have a conversation. It's very odd. 563 00:24:57,240 --> 00:25:00,119 Speaker 3: I listen, it's quiet, you're not bothered by anybody. He 564 00:25:01,080 --> 00:25:04,600 Speaker 3: has a light in my mouth. It's a muffled. 565 00:25:05,640 --> 00:25:05,840 Speaker 2: Uh. 566 00:25:05,880 --> 00:25:06,159 Speaker 3: You know what. 567 00:25:06,200 --> 00:25:08,119 Speaker 5: Another time, I was at the Barnes and Noble at 568 00:25:08,119 --> 00:25:11,199 Speaker 5: the Grove and I was checking out and then the 569 00:25:11,240 --> 00:25:13,920 Speaker 5: other the other cashier said I'll take the next customer here, 570 00:25:14,359 --> 00:25:16,919 Speaker 5: and Stardom came next to me. And it took me 571 00:25:16,960 --> 00:25:20,440 Speaker 5: a second because this was years past his prime and 572 00:25:20,520 --> 00:25:22,840 Speaker 5: it was Matt Dylan. And it was one of those 573 00:25:22,840 --> 00:25:25,399 Speaker 5: times where I was like, not only understand when people 574 00:25:25,400 --> 00:25:28,640 Speaker 5: say I discovered somebody at the soda shop, because if 575 00:25:28,640 --> 00:25:30,040 Speaker 5: I was an agent, I would have gone up to 576 00:25:30,080 --> 00:25:31,440 Speaker 5: that guy and went, I don't know who you are, 577 00:25:31,600 --> 00:25:34,520 Speaker 5: but we're signing a contract today. Like it was, there 578 00:25:34,560 --> 00:25:37,639 Speaker 5: was something magic happening with Matt Dylan buying a magazine. 579 00:25:37,800 --> 00:25:42,239 Speaker 6: Matt Dylan is mine and my sister's like, you know, 580 00:25:42,440 --> 00:25:46,399 Speaker 6: grammar school, like very early crush. He was in his 581 00:25:46,520 --> 00:25:49,560 Speaker 6: prime when we were you know, twelve or whatever, and 582 00:25:50,480 --> 00:25:53,200 Speaker 6: always loved him. My sister kind of loved him the most. 583 00:25:52,840 --> 00:25:57,960 Speaker 6: I was more of a Scott Bao girl. He's well, 584 00:25:59,160 --> 00:26:02,560 Speaker 6: those Italians. But Matt Dylan, I mean he was just 585 00:26:02,640 --> 00:26:06,920 Speaker 6: like heart throbbed. He was undeniable. So cut to when 586 00:26:06,920 --> 00:26:09,359 Speaker 6: I'm twenty and I'm in San Francisco working at the 587 00:26:09,400 --> 00:26:13,200 Speaker 6: Gap and it's the end of like an eight hour 588 00:26:13,240 --> 00:26:16,600 Speaker 6: shift and I'm over by the dressing rooms, folding down 589 00:26:16,760 --> 00:26:20,640 Speaker 6: a bunch of sweaters and sweaty I haven't I put 590 00:26:20,680 --> 00:26:22,719 Speaker 6: on makeup eight hours previous, you know. 591 00:26:22,880 --> 00:26:25,000 Speaker 1: And it's the Gap. Nothing ever happened there. 592 00:26:25,440 --> 00:26:27,520 Speaker 6: It was the one that's in the upper market where 593 00:26:27,520 --> 00:26:29,480 Speaker 6: it's kind of like you're not in the Castro yet 594 00:26:29,520 --> 00:26:32,639 Speaker 6: you're in this weird, you know, man's land. And it 595 00:26:32,720 --> 00:26:35,840 Speaker 6: was just a you know, boring retail job. And we're 596 00:26:35,880 --> 00:26:38,600 Speaker 6: sitting there and I look up and Matt Dylan walks 597 00:26:38,600 --> 00:26:41,399 Speaker 6: in the store, and I swear to god, I was 598 00:26:41,480 --> 00:26:44,960 Speaker 6: just like, how how Like I don't even get to 599 00:26:44,960 --> 00:26:47,639 Speaker 6: brush my hair or have one moment of like a 600 00:26:47,680 --> 00:26:49,040 Speaker 6: little bit of powder or something. 601 00:26:49,400 --> 00:26:53,000 Speaker 1: And as I'm watching him, I'm I'm starstruck. 602 00:26:53,040 --> 00:26:55,439 Speaker 6: I mean, it was like I felt him on the 603 00:26:55,520 --> 00:26:58,920 Speaker 6: sidewalk coming through the door and he comes in. 604 00:26:59,480 --> 00:27:01,800 Speaker 1: I probably have told the story Chris on this show 605 00:27:01,800 --> 00:27:05,159 Speaker 1: before No No, which this is. 606 00:27:05,600 --> 00:27:09,000 Speaker 6: It's one of my faves, because you in San Francisco, 607 00:27:09,119 --> 00:27:12,479 Speaker 6: you would get famous people, like there are people who 608 00:27:12,600 --> 00:27:14,879 Speaker 6: lived in the city, but it was like Alice Walker 609 00:27:14,920 --> 00:27:16,680 Speaker 6: and Tracy Chapman, you know what I mean. It would 610 00:27:16,680 --> 00:27:19,560 Speaker 6: be people who had been very We live in San Francisco, 611 00:27:19,680 --> 00:27:22,960 Speaker 6: so it's maybe. I ran into Robin Williams one time 612 00:27:23,119 --> 00:27:26,199 Speaker 6: at Green Apple Books. Literally was looking down at my 613 00:27:26,200 --> 00:27:27,879 Speaker 6: feet as I was walking, looked up. 614 00:27:27,760 --> 00:27:29,520 Speaker 1: And it was him, and he was like, excuse men. 615 00:27:29,600 --> 00:27:30,280 Speaker 1: Gave me a smile. 616 00:27:30,600 --> 00:27:33,040 Speaker 6: But other than that, there was no chance of a 617 00:27:33,040 --> 00:27:34,960 Speaker 6: celebrity sighting in San Francisco. 618 00:27:35,520 --> 00:27:37,119 Speaker 1: And it's fucking Matt Dillon. 619 00:27:37,240 --> 00:27:40,640 Speaker 6: So it's he. It's just the most beautiful man. And 620 00:27:40,880 --> 00:27:43,960 Speaker 6: as I'm watching him walk in, my friend Jason has 621 00:27:44,000 --> 00:27:46,560 Speaker 6: spotted him from the back of the store and is 622 00:27:46,880 --> 00:27:49,359 Speaker 6: running toward the cash register to be the one to 623 00:27:49,400 --> 00:27:52,199 Speaker 6: help him. But our manager Corby was there first. And 624 00:27:52,280 --> 00:27:55,600 Speaker 6: Corby was the best. He was so funny, he was 625 00:27:55,640 --> 00:27:57,320 Speaker 6: really nice, but he was a little bit of like 626 00:27:57,359 --> 00:28:00,440 Speaker 6: an airhead and you know what I mean, just kind 627 00:28:00,440 --> 00:28:03,360 Speaker 6: of like not paying attention type of guy. And Mac 628 00:28:03,400 --> 00:28:05,880 Speaker 6: Dylan walks up to Corby and goes, hey, man, can 629 00:28:05,880 --> 00:28:08,240 Speaker 6: I use your phone? Some guys following me. I need 630 00:28:08,240 --> 00:28:11,359 Speaker 6: to call a cab And Krby picks up the phone 631 00:28:11,640 --> 00:28:13,679 Speaker 6: and puts on the Hunter and goes, that happens to 632 00:28:13,720 --> 00:28:17,080 Speaker 6: me all the time. He had no idea it was 633 00:28:17,119 --> 00:28:21,160 Speaker 6: not Dylan, and just like no, no, we both went 634 00:28:21,240 --> 00:28:23,239 Speaker 6: up and just kind of like wiped the counterdown for 635 00:28:23,240 --> 00:28:25,160 Speaker 6: no reason, just so we could be nearby. 636 00:28:25,440 --> 00:28:28,679 Speaker 3: Like it was. 637 00:28:30,040 --> 00:28:32,720 Speaker 1: We couldn't believe it. It was like a miracle. 638 00:28:33,320 --> 00:28:36,880 Speaker 4: Why was Corby being followed around? Was he a famous 639 00:28:37,200 --> 00:28:37,960 Speaker 4: gap manager? 640 00:28:38,360 --> 00:28:41,400 Speaker 6: No? He was basically saying that because they were most 641 00:28:41,400 --> 00:28:43,520 Speaker 6: of the guys that worked at that gap were gay, 642 00:28:43,800 --> 00:28:47,080 Speaker 6: and basically it was just like some He just assumed 643 00:28:47,120 --> 00:28:49,680 Speaker 6: it was another gay guy that was like some some 644 00:28:49,800 --> 00:28:52,600 Speaker 6: drunk guy out of a bar. Was like being too 645 00:28:52,840 --> 00:28:56,160 Speaker 6: pushy or something. Yeah, is that cruising mentality? 646 00:28:56,320 --> 00:28:57,320 Speaker 3: It was a guy cruising. 647 00:28:57,520 --> 00:29:00,360 Speaker 6: I think I had these I had people follow me too. 648 00:29:00,560 --> 00:29:02,080 Speaker 6: Don't worry, You're not alone. 649 00:29:02,160 --> 00:29:06,800 Speaker 4: It was like, you're not special, You're not special, beauty. Yes, 650 00:29:07,360 --> 00:29:09,640 Speaker 4: was that the gap that was right by the punchline? 651 00:29:09,720 --> 00:29:13,240 Speaker 4: Kind of? Was it in the Oh? No, that's where 652 00:29:13,360 --> 00:29:13,560 Speaker 4: I know. 653 00:29:14,120 --> 00:29:17,680 Speaker 6: That's the Ambarcadero, so we were we were way up market, 654 00:29:17,800 --> 00:29:20,200 Speaker 6: out of even then, like if you were at the Umbarcadero, 655 00:29:20,360 --> 00:29:23,480 Speaker 6: Like I one time went to the movie theater that 656 00:29:23,600 --> 00:29:26,200 Speaker 6: was there when we were all up there for Sketch Fest, 657 00:29:26,600 --> 00:29:30,239 Speaker 6: and I went to see the Amy Winehouse documentary and 658 00:29:30,360 --> 00:29:32,880 Speaker 6: walked out and was like crying because it was so 659 00:29:33,160 --> 00:29:36,400 Speaker 6: amazing and beautiful, and came around the corner and Pat Carney, 660 00:29:36,880 --> 00:29:38,160 Speaker 6: the drummer for the. 661 00:29:39,680 --> 00:29:40,480 Speaker 4: Jimmy you know that. 662 00:29:41,280 --> 00:29:43,720 Speaker 3: No, that's it's drummer. 663 00:29:43,720 --> 00:29:48,240 Speaker 6: So I don't know the Black Keys, thank you, Steven. Yes, 664 00:29:48,280 --> 00:29:50,560 Speaker 6: the drummer for the Black Keys is just standing on 665 00:29:50,600 --> 00:29:52,800 Speaker 6: the sidewalk, and I was just like, what the fuck, 666 00:29:52,880 --> 00:29:54,800 Speaker 6: Like it was so shocking because it just kind of 667 00:29:54,800 --> 00:29:57,440 Speaker 6: doesn't happen in San Francisco. But if it's going to happen, 668 00:29:57,480 --> 00:29:59,640 Speaker 6: it would happen downtown, like you know what I mean, 669 00:29:59,720 --> 00:30:02,800 Speaker 6: that's like where people go. The upper you know, like 670 00:30:03,000 --> 00:30:06,600 Speaker 6: Upper Castros or the upper Upper Market area is just 671 00:30:06,720 --> 00:30:08,400 Speaker 6: kind of out of. 672 00:30:09,120 --> 00:30:15,320 Speaker 4: Yeah, it's all over there, not an exciting spot. 673 00:30:15,520 --> 00:30:17,520 Speaker 3: Yeah, Karen, are you okay? You kind of lost interest 674 00:30:17,520 --> 00:30:18,480 Speaker 3: in your own story there at. 675 00:30:19,960 --> 00:30:21,840 Speaker 6: When I couldn't think of the name of the Black Keys, 676 00:30:21,840 --> 00:30:23,560 Speaker 6: and I just started thinking, why do I Why am 677 00:30:23,600 --> 00:30:24,400 Speaker 6: I still podcast? 678 00:30:24,520 --> 00:30:27,920 Speaker 4: I was just I was thankful that it steered me 679 00:30:27,960 --> 00:30:30,160 Speaker 4: away from my boring gap story. I was about to 680 00:30:30,200 --> 00:30:33,480 Speaker 4: talk about underwear I bought and the the car I got. 681 00:30:33,600 --> 00:30:36,360 Speaker 4: Oh great, now I'm telling the story. 682 00:30:36,800 --> 00:30:38,520 Speaker 1: I just yourself out of it. 683 00:30:38,680 --> 00:30:40,600 Speaker 4: I got a gap credit card and I didn't know 684 00:30:40,640 --> 00:30:43,120 Speaker 4: what that meant, and it turned into debt. Anyway, I 685 00:30:43,160 --> 00:30:45,400 Speaker 4: still have those underwear today, and I wear them out 686 00:30:45,440 --> 00:30:47,920 Speaker 4: of out of revenge for that debt. 687 00:30:48,480 --> 00:30:49,200 Speaker 3: That'll show them. 688 00:30:49,360 --> 00:30:50,840 Speaker 4: Yeah, that will show those underwear. 689 00:30:51,600 --> 00:30:54,840 Speaker 3: That'll get them. 690 00:30:56,480 --> 00:30:58,520 Speaker 5: I was just going to I was just gonna tell Chris, 691 00:30:58,600 --> 00:31:00,480 Speaker 5: you could also use that credit card Banana Republic. 692 00:31:00,640 --> 00:31:01,040 Speaker 6: That was it. 693 00:31:01,120 --> 00:31:02,800 Speaker 3: That's all I was going to say. That's all I 694 00:31:04,040 --> 00:31:04,680 Speaker 3: at the time. 695 00:31:05,200 --> 00:31:10,120 Speaker 4: I think I knew that, and I love their slacks, 696 00:31:10,360 --> 00:31:13,080 Speaker 4: so I would have I love the cure saying their 697 00:31:13,120 --> 00:31:14,240 Speaker 4: slacks at the time. 698 00:31:14,440 --> 00:31:17,480 Speaker 6: One of my favorite jokes when we worked on Zach 699 00:31:17,520 --> 00:31:20,920 Speaker 6: califhan Akis's talk show, I believe it's called Up All 700 00:31:21,040 --> 00:31:25,240 Speaker 6: Night or something like that or Friday Night. Uh. When 701 00:31:25,280 --> 00:31:28,240 Speaker 6: this people from v H one, which is the network 702 00:31:28,240 --> 00:31:31,080 Speaker 6: it was on, would come to like the executives would 703 00:31:31,120 --> 00:31:33,680 Speaker 6: come to give us notes. Zach used to call them 704 00:31:33,720 --> 00:31:35,920 Speaker 6: the bananas because they all wore Banana. 705 00:31:35,560 --> 00:31:38,520 Speaker 1: Republic clothes, so you'd be like, the bananas are on 706 00:31:38,560 --> 00:31:38,920 Speaker 1: their way. 707 00:31:40,040 --> 00:31:42,520 Speaker 6: Anyway, I was just going to ask you, aside from 708 00:31:42,600 --> 00:31:44,400 Speaker 6: these ones that we just talked about, do you have 709 00:31:44,480 --> 00:31:49,320 Speaker 6: a do you have a favorite star sighting? Like not 710 00:31:49,400 --> 00:31:51,560 Speaker 6: at work, where you would of course see stars, but 711 00:31:51,680 --> 00:31:52,520 Speaker 6: like in the wild. 712 00:31:52,960 --> 00:31:58,280 Speaker 5: You know, my very first one ever was I was 713 00:31:58,280 --> 00:32:00,880 Speaker 5: out in it is what I was going to the 714 00:32:01,440 --> 00:32:02,400 Speaker 5: I think it was when I was going to the 715 00:32:02,400 --> 00:32:04,400 Speaker 5: American Academy for Medic Arts and I went to a 716 00:32:04,440 --> 00:32:09,000 Speaker 5: movie theater and which is now closed on Pico. And 717 00:32:09,040 --> 00:32:10,840 Speaker 5: I don't even remember why I was at that movie theater, 718 00:32:10,880 --> 00:32:14,640 Speaker 5: but I came out of the bathroom and I thought 719 00:32:14,640 --> 00:32:16,520 Speaker 5: of this, because of what you said about Robin Williams. 720 00:32:16,640 --> 00:32:19,120 Speaker 5: I kind of wasn't paying any attention, and I turned 721 00:32:19,120 --> 00:32:21,960 Speaker 5: the corner and my face went directly into this man's 722 00:32:22,040 --> 00:32:26,320 Speaker 5: chest and it was Gary Busey, And so I turned 723 00:32:26,320 --> 00:32:29,000 Speaker 5: the corner, smashed my face into Gary Busey's chest and 724 00:32:29,000 --> 00:32:30,640 Speaker 5: then looked up and just went, I panted, and I went, 725 00:32:30,800 --> 00:32:32,240 Speaker 5: I love you, and then I walked away. 726 00:32:32,360 --> 00:32:38,840 Speaker 3: I didn't know what to do. And then so many many, many, many, many, many, 727 00:32:38,840 --> 00:32:39,920 Speaker 3: many many many men, many. 728 00:32:39,760 --> 00:32:43,720 Speaker 5: Many years later, I was going to see my doctor, 729 00:32:43,760 --> 00:32:47,360 Speaker 5: doctor Joe Sugarman in Beverly Hills, Aaron O's Throat, guid 730 00:32:47,400 --> 00:32:51,080 Speaker 5: to the Stars. Oh and Sugarman, everybody goes to the sweet, 731 00:32:51,080 --> 00:32:54,320 Speaker 5: sweet Sugarman. Paul Stanley of Kissed, Everybody goes to him. Now, listen, 732 00:32:54,320 --> 00:32:58,080 Speaker 5: here's the thing. So I'm turning the corner off of 733 00:32:58,120 --> 00:33:00,880 Speaker 5: a little Santa Monica onto what whatever that street is, 734 00:33:01,000 --> 00:33:06,480 Speaker 5: and I see a guy staring at there's a bronze 735 00:33:06,480 --> 00:33:10,440 Speaker 5: statue of two kids flying a kite, you know, some sculpture, 736 00:33:10,960 --> 00:33:13,400 Speaker 5: and there's a guy staring at it. And then he 737 00:33:13,440 --> 00:33:14,760 Speaker 5: salutes it. 738 00:33:15,000 --> 00:33:19,520 Speaker 3: And then he turns around and it's Gary Busey, and 739 00:33:19,920 --> 00:33:22,520 Speaker 3: he goes he goes by right, gives a little all right, 740 00:33:22,520 --> 00:33:24,640 Speaker 3: and salutes it, and then he looks at me. He 741 00:33:24,640 --> 00:33:28,960 Speaker 3: goes beautiful in it. And I don't really know what 742 00:33:29,000 --> 00:33:29,320 Speaker 3: he was. 743 00:33:29,400 --> 00:33:32,440 Speaker 5: If he was saluting them flying a metal kite in 744 00:33:32,480 --> 00:33:36,160 Speaker 5: the wind, if he liked the artistic approach, I don't 745 00:33:36,200 --> 00:33:37,920 Speaker 5: know what he liked, but I liked that I got 746 00:33:37,920 --> 00:33:38,920 Speaker 5: to see him saluting it. 747 00:33:39,080 --> 00:33:43,000 Speaker 3: Did you see I still love you? Scary if I 748 00:33:43,040 --> 00:33:45,040 Speaker 3: met There was a time back in nineteen eighty seven 749 00:33:45,040 --> 00:33:47,560 Speaker 3: where I ran into you. You were hot off of 750 00:33:47,600 --> 00:33:48,600 Speaker 3: the Buddy Holly story. 751 00:33:48,960 --> 00:33:54,200 Speaker 4: Somewhere in between those sightings, he had a horrific motorcycle rack, 752 00:33:54,240 --> 00:33:58,480 Speaker 4: and I think he became a different, perhaps might I say, 753 00:33:58,560 --> 00:33:59,960 Speaker 4: strange person after that. 754 00:34:00,240 --> 00:34:02,320 Speaker 5: Yeah, he was not the same guy that I ran 755 00:34:02,400 --> 00:34:04,600 Speaker 5: into at the movie theater. There's no doubt about that rise. 756 00:34:05,000 --> 00:34:07,840 Speaker 6: Although have you ever been caught in public doing a 757 00:34:07,880 --> 00:34:10,839 Speaker 6: thing because you thought no one was around? I one 758 00:34:10,880 --> 00:34:14,960 Speaker 6: time there used to be a bookstore in the Beverly Connection, 759 00:34:15,800 --> 00:34:18,239 Speaker 6: and I was in there one night and saw a 760 00:34:18,280 --> 00:34:21,880 Speaker 6: book that was I think it was some kind of 761 00:34:21,920 --> 00:34:24,600 Speaker 6: a Menner from Mars Wimmer. There was like that mena 762 00:34:24,640 --> 00:34:27,480 Speaker 6: for Mars women are from Venus trend that went crazy wher. 763 00:34:27,520 --> 00:34:29,560 Speaker 6: It was just like man and women have nothing to 764 00:34:29,600 --> 00:34:31,600 Speaker 6: do with each other, and they'll never understand each other, 765 00:34:31,680 --> 00:34:33,960 Speaker 6: and you have to do these things and actually you all. 766 00:34:33,840 --> 00:34:34,439 Speaker 1: Hate each other. 767 00:34:34,719 --> 00:34:36,400 Speaker 6: And so there was some book I was reading the 768 00:34:36,440 --> 00:34:39,080 Speaker 6: cover of and then I just started laughing and I 769 00:34:39,200 --> 00:34:41,279 Speaker 6: kicked the book and it was just I was just 770 00:34:41,560 --> 00:34:42,680 Speaker 6: by myself. 771 00:34:42,280 --> 00:34:45,160 Speaker 1: And just was like fuck you. And right at the. 772 00:34:45,080 --> 00:34:47,839 Speaker 6: Same time, this guy I knew Dave was coming around 773 00:34:47,880 --> 00:34:51,520 Speaker 6: the corner and he started like I basically got caught 774 00:34:51,600 --> 00:34:53,759 Speaker 6: doing something I thought. I was just by myself having 775 00:34:53,760 --> 00:34:56,160 Speaker 6: a moment with this book, and he completely caught me 776 00:34:56,920 --> 00:34:58,120 Speaker 6: being a complete weirdo. 777 00:34:58,239 --> 00:35:00,200 Speaker 1: It was really embarrassing and funny. 778 00:35:00,800 --> 00:35:02,919 Speaker 6: So sometimes that just happens when you're just like, hey, 779 00:35:03,360 --> 00:35:06,399 Speaker 6: I salute good art, right and. 780 00:35:06,360 --> 00:35:07,680 Speaker 5: You don't you don't know if some reason, well who 781 00:35:07,719 --> 00:35:09,799 Speaker 5: cares good for Gary Busey for enjoying his life. 782 00:35:09,960 --> 00:35:10,680 Speaker 3: That's what I say. 783 00:35:11,120 --> 00:35:12,640 Speaker 1: Just do it, Just go for it. 784 00:35:12,840 --> 00:35:13,200 Speaker 3: Just do it. 785 00:35:13,280 --> 00:35:18,600 Speaker 4: Nike it up, Jimmy. How many times? There's two that 786 00:35:18,680 --> 00:35:20,680 Speaker 4: stand out the mouse, but I opened for you in 787 00:35:20,800 --> 00:35:24,719 Speaker 4: many a city and many some we had scary We 788 00:35:24,800 --> 00:35:27,040 Speaker 4: did some scary gigs together. 789 00:35:27,520 --> 00:35:28,759 Speaker 1: Road dog stories. 790 00:35:29,600 --> 00:35:30,440 Speaker 3: Well there's Rooster t. 791 00:35:30,640 --> 00:35:33,160 Speaker 4: Feathers where the guy there was a guy on a 792 00:35:33,360 --> 00:35:36,680 Speaker 4: speakerphone or he had a bluetooth and he was having 793 00:35:36,719 --> 00:35:40,320 Speaker 4: a full volume conversation where you could hear the other person. 794 00:35:40,360 --> 00:35:43,279 Speaker 4: And then I said, don't you have a dogfight to 795 00:35:43,320 --> 00:35:47,160 Speaker 4: be betting on? And then he waited, he waited in 796 00:35:47,200 --> 00:35:49,840 Speaker 4: the parking lot and they wouldn't let us leave because 797 00:35:50,840 --> 00:35:52,560 Speaker 4: he said, I'm going to kill that guy, and so 798 00:35:52,600 --> 00:35:55,160 Speaker 4: I had to wait in the club with the night spent. 799 00:35:55,920 --> 00:36:00,239 Speaker 4: But the time you and I did that bench sure, 800 00:36:00,560 --> 00:36:03,279 Speaker 4: there is a New Year's show that we did at 801 00:36:03,320 --> 00:36:06,520 Speaker 4: the Venture A comedy club, and I mean, do you 802 00:36:06,560 --> 00:36:08,640 Speaker 4: want to take the reins on this story? 803 00:36:08,920 --> 00:36:10,360 Speaker 3: I sure it? 804 00:36:10,560 --> 00:36:12,440 Speaker 5: Uh and if I don't, if I don't nail this, 805 00:36:12,640 --> 00:36:16,040 Speaker 5: please remind me. So it was Boris Hamilton was mc ing. Yeah, 806 00:36:16,239 --> 00:36:18,400 Speaker 5: you were. You were the feature act, and I of course. 807 00:36:18,280 --> 00:36:21,279 Speaker 3: Was headlining as I would from show business and yes, so, 808 00:36:23,000 --> 00:36:28,319 Speaker 3: uh sense what at the time? 809 00:36:28,400 --> 00:36:30,640 Speaker 1: Yes, so, Jimmy, you weird? 810 00:36:31,120 --> 00:36:35,040 Speaker 5: No mis understood, I'm I'm closing it arc Yeah, yeah, 811 00:36:35,080 --> 00:36:38,240 Speaker 5: he was a job what made it really bizarre? Okay, 812 00:36:38,280 --> 00:36:40,600 Speaker 5: So we did a show the night before New Year's Eve, 813 00:36:40,600 --> 00:36:43,080 Speaker 5: which I believe is on the thirtieth of December, and. 814 00:36:43,640 --> 00:36:47,320 Speaker 3: We're uh and it went okay. The show went okay, 815 00:36:47,560 --> 00:36:49,960 Speaker 3: but the owner of the club panicked and called all 816 00:36:50,000 --> 00:36:53,880 Speaker 3: of us and uh what threatened to fire everybody. 817 00:36:54,239 --> 00:36:56,719 Speaker 5: Told me I'm gonna fire everybody. I'm firing everybody. If 818 00:36:56,760 --> 00:36:58,640 Speaker 5: you guys don't pick it up for you know you guys, 819 00:36:58,680 --> 00:37:01,600 Speaker 5: they better have good first shows or they're or they're fired, 820 00:37:01,640 --> 00:37:03,279 Speaker 5: and I'll find two other people open for you for 821 00:37:03,280 --> 00:37:03,839 Speaker 5: the New Year show. 822 00:37:03,920 --> 00:37:06,600 Speaker 4: Yeah, didn't he say he almost fired Boris at one 823 00:37:06,640 --> 00:37:09,760 Speaker 4: point after the first that wasn't up to snuff. He's gone, 824 00:37:09,800 --> 00:37:13,000 Speaker 4: wait a minute, it's one show, and he was. 825 00:37:13,400 --> 00:37:14,799 Speaker 3: And by the way, it wasn't all that shitty. It 826 00:37:14,840 --> 00:37:17,000 Speaker 3: was fine, it was fine. Yeah, well we were. 827 00:37:17,000 --> 00:37:19,600 Speaker 5: We expect a lot more on MC's you can't you're 828 00:37:19,680 --> 00:37:23,960 Speaker 5: a you're a tourist trap. So he he puts the 829 00:37:24,000 --> 00:37:25,719 Speaker 5: fear of God in everybody that if it doesn't if 830 00:37:25,719 --> 00:37:27,759 Speaker 5: the first show doesn't go well, you're all fired, and 831 00:37:27,840 --> 00:37:32,040 Speaker 5: so like, yeah, exactly, like everybody's on their heels. So 832 00:37:32,160 --> 00:37:34,239 Speaker 5: then the second show. So, by the way, first show 833 00:37:34,239 --> 00:37:35,360 Speaker 5: goes great, nobody gets. 834 00:37:35,200 --> 00:37:40,640 Speaker 3: Fired and uh he So the second show starts, Boris 835 00:37:40,760 --> 00:37:44,560 Speaker 3: on stage. Uh, Chris goes up, and this guy and 836 00:37:44,600 --> 00:37:48,160 Speaker 3: his wife are are bothering Chris. They're they're they're heckling 837 00:37:48,239 --> 00:37:49,160 Speaker 3: Chris NonStop. 838 00:37:49,239 --> 00:37:49,359 Speaker 2: Right. 839 00:37:49,400 --> 00:37:51,719 Speaker 4: A guy who looks like g Gordon Liddy is the 840 00:37:51,719 --> 00:37:53,959 Speaker 4: best way to describe me. I actually remember him as 841 00:37:54,120 --> 00:37:57,160 Speaker 4: the bare knuckle boxer, the bald guy with the curly 842 00:37:57,239 --> 00:38:00,600 Speaker 4: mustache and Indiana Jones that he fights next to the airplane. 843 00:38:00,840 --> 00:38:02,880 Speaker 4: To me, he looked like an old time a boxer 844 00:38:02,960 --> 00:38:04,840 Speaker 4: where his knuckles at beat towards his face. 845 00:38:04,960 --> 00:38:07,719 Speaker 3: He's the old guy, like the old the weightlifter guy 846 00:38:07,800 --> 00:38:11,800 Speaker 3: who is like a cartoon. Yeah, we're with the wrong weights. 847 00:38:11,800 --> 00:38:13,600 Speaker 3: And he's bald and he's got the mustache. 848 00:38:13,800 --> 00:38:16,319 Speaker 4: Before the show, he was outside and he said, these 849 00:38:16,360 --> 00:38:20,160 Speaker 4: motherfuckers better be funny. While he is outside tweaking and 850 00:38:20,239 --> 00:38:22,920 Speaker 4: smoking menthols. Okay, yeah, continue. 851 00:38:23,000 --> 00:38:26,680 Speaker 5: So so he and his lady friend are disrupting Chris, 852 00:38:26,840 --> 00:38:29,480 Speaker 5: and Chris is dealing with it but also trying to 853 00:38:29,480 --> 00:38:31,799 Speaker 5: do his act. And he also Chris is also going, well, 854 00:38:31,840 --> 00:38:33,920 Speaker 5: I can't do everything I need to do because Pardo 855 00:38:34,040 --> 00:38:35,520 Speaker 5: needs to go up next to so I don't. I 856 00:38:35,560 --> 00:38:39,560 Speaker 5: can't sabotage the show by completely destroying this guy because 857 00:38:39,600 --> 00:38:41,480 Speaker 5: that will ruin everybody's New Year's Eve. 858 00:38:41,800 --> 00:38:44,000 Speaker 3: So, which is a professional thing to do. 859 00:38:44,560 --> 00:38:46,360 Speaker 5: Other guys would go, hey, it's my time, and I 860 00:38:46,400 --> 00:38:48,279 Speaker 5: got a fucking my men, there's still a show you 861 00:38:48,280 --> 00:38:50,480 Speaker 5: got to do, and Chris, Chris knew that and so 862 00:38:50,719 --> 00:38:53,920 Speaker 5: thank you I got up on stage and Chris did great. 863 00:38:55,200 --> 00:38:57,719 Speaker 3: And then I get up there and the guy, I 864 00:38:57,760 --> 00:39:00,680 Speaker 3: forget what he said to me, uh, and. 865 00:39:00,719 --> 00:39:02,640 Speaker 4: He was on his phone and he said, oh, just 866 00:39:02,760 --> 00:39:07,759 Speaker 4: watching some short mother smart ass, short smart ass. I 867 00:39:07,800 --> 00:39:08,879 Speaker 4: think it was something like that. 868 00:39:09,040 --> 00:39:11,560 Speaker 5: It was something like that. And then but and I lost. 869 00:39:12,160 --> 00:39:13,840 Speaker 5: I just was like, you know what, I I'm not 870 00:39:13,960 --> 00:39:15,720 Speaker 5: like the other guys. I'm not going to fucking tolerate 871 00:39:15,760 --> 00:39:18,279 Speaker 5: your shit or something like that. And then he like, 872 00:39:18,320 --> 00:39:20,200 Speaker 5: are you talking to me? But exactly I'm talking to you, 873 00:39:20,640 --> 00:39:23,640 Speaker 5: and I'm now, of course, my heart is pounding like 874 00:39:23,960 --> 00:39:26,600 Speaker 5: it's never been, you know, like like it's never pounded 875 00:39:26,600 --> 00:39:28,880 Speaker 5: that hard, because like I'm about to die like this 876 00:39:28,960 --> 00:39:32,240 Speaker 5: guy's so he stands up and like it's it's almost 877 00:39:32,320 --> 00:39:34,960 Speaker 5: like a joke, like if it was Scooby Doo, his 878 00:39:35,080 --> 00:39:36,360 Speaker 5: shadow would have attacked me. 879 00:39:36,440 --> 00:39:38,439 Speaker 3: Like it was that huge of a man. 880 00:39:38,600 --> 00:39:41,279 Speaker 4: He was huge, Yeah, he was. He was almost he 881 00:39:41,400 --> 00:39:45,640 Speaker 4: was sick something and also four feet wide like he was. 882 00:39:45,800 --> 00:39:49,640 Speaker 4: He was all buffed and huge, huge, So I did 883 00:39:49,640 --> 00:39:51,480 Speaker 4: the thing. A comic out of the Midwest taught me 884 00:39:51,520 --> 00:39:53,400 Speaker 4: this that if you ever think that somebody's coming at 885 00:39:53,400 --> 00:39:55,520 Speaker 4: the stage, grabbed the mic stand because that's your that's 886 00:39:55,560 --> 00:39:57,719 Speaker 4: your weapon, like that's you know, just hit him with 887 00:39:57,719 --> 00:39:59,439 Speaker 4: the mic stand if they come at you and you're 888 00:39:59,440 --> 00:39:59,879 Speaker 4: gonna win. 889 00:40:00,040 --> 00:40:03,480 Speaker 3: Yeah. So yeah, And so. 890 00:40:03,600 --> 00:40:06,120 Speaker 5: I'm holding that and then just and I'm and I'm 891 00:40:06,120 --> 00:40:08,319 Speaker 5: holding the MIC's in, I'm talking and I'm trying not 892 00:40:08,440 --> 00:40:11,160 Speaker 5: to engage with them at the same time, trying to 893 00:40:11,200 --> 00:40:15,719 Speaker 5: diffuse it. And an ashtray whizzes past my head. No, 894 00:40:15,760 --> 00:40:19,759 Speaker 5: I'm sure non ashtray a shot class wow, past my 895 00:40:19,800 --> 00:40:23,759 Speaker 5: head and hits the woman sitting across the stage from 896 00:40:23,800 --> 00:40:24,839 Speaker 5: that woman's see I. 897 00:40:24,840 --> 00:40:27,400 Speaker 3: Do not remember that either. Wow. Yeah. 898 00:40:27,640 --> 00:40:30,080 Speaker 5: So then that woman says, hey, what the fuck or whatever, 899 00:40:30,200 --> 00:40:32,479 Speaker 5: and I went, yeah, that's a little crazy, and then 900 00:40:33,160 --> 00:40:37,280 Speaker 5: she throws something else at me, and then I forget 901 00:40:37,280 --> 00:40:39,480 Speaker 5: what I said to them, Chris. But the guy then 902 00:40:39,600 --> 00:40:43,360 Speaker 5: starts coming after me. Yeah right, and they so again 903 00:40:43,400 --> 00:40:46,640 Speaker 5: here if I could interject, the entire part of the 904 00:40:47,000 --> 00:40:50,680 Speaker 5: part of the ticket price that night was some kind 905 00:40:50,719 --> 00:40:53,800 Speaker 5: of a fish dinner provided by a neighboring restaurant. 906 00:40:54,320 --> 00:40:57,160 Speaker 4: Uh they didn't have enough fish. Only half the people 907 00:40:57,200 --> 00:41:00,160 Speaker 4: got the meal. Uh they paid for. So they were 908 00:41:00,200 --> 00:41:02,919 Speaker 4: hungry and they were angry half of them. So yeah, 909 00:41:02,960 --> 00:41:06,920 Speaker 4: it was tense already. And so fishermen were wandering in 910 00:41:07,200 --> 00:41:10,520 Speaker 4: covered with fish gills, yelling and they'd have to be 911 00:41:10,600 --> 00:41:13,480 Speaker 4: ushered out. So already tense up to this moment. 912 00:41:13,920 --> 00:41:15,319 Speaker 1: Geez, and I. 913 00:41:15,280 --> 00:41:16,959 Speaker 6: Bet you that if you didn't get a fish dinner, 914 00:41:16,960 --> 00:41:18,600 Speaker 6: they were like, you get one drink for free. 915 00:41:18,680 --> 00:41:21,760 Speaker 5: Oh they had so yeah they yeah. So they're drunk 916 00:41:21,800 --> 00:41:25,200 Speaker 5: now on exactly to make up for it. So he 917 00:41:25,320 --> 00:41:28,879 Speaker 5: starts coming after me, and uh. These two guys who 918 00:41:28,880 --> 00:41:30,880 Speaker 5: were there that two guys that were off duty policemen 919 00:41:30,920 --> 00:41:33,960 Speaker 5: who were dating the waitresses. They were like, hey, we 920 00:41:33,960 --> 00:41:35,680 Speaker 5: probably should get involved here since nobody in the club 921 00:41:35,719 --> 00:41:39,200 Speaker 5: seems interested in stopping this. So they come over to 922 00:41:39,239 --> 00:41:44,359 Speaker 5: stop it, and so they go to, uh, I forget 923 00:41:44,360 --> 00:41:46,600 Speaker 5: what they did, like they went to like slowly get on. 924 00:41:46,719 --> 00:41:48,080 Speaker 3: They like jump corned them out. 925 00:41:48,200 --> 00:41:51,839 Speaker 4: I think they said, uh, we're gonna take you outside, sir, 926 00:41:52,000 --> 00:41:54,879 Speaker 4: like in a gentlemanly way. I did also notice they 927 00:41:54,880 --> 00:42:00,440 Speaker 4: both were wearing tap Out brand polo shirts, so they 928 00:42:00,480 --> 00:42:02,640 Speaker 4: gotta dress up. Yeah, yeah, yeah, they were wearing Paulo. 929 00:42:02,880 --> 00:42:03,560 Speaker 4: That's important. 930 00:42:04,360 --> 00:42:07,320 Speaker 3: And by the way, Magan, they're the heroes in this story, 931 00:42:07,360 --> 00:42:08,560 Speaker 3: these two guys are the heroes. 932 00:42:08,640 --> 00:42:11,640 Speaker 5: Yeah, so they they come over, but this guy's so big. 933 00:42:11,920 --> 00:42:13,880 Speaker 5: They're kind of like hanging on his arms like that, 934 00:42:14,320 --> 00:42:16,440 Speaker 5: Like that's how big this dude is. Like, they're trying 935 00:42:16,440 --> 00:42:19,960 Speaker 5: to wrangle him down. And that guy's wife jumps on top, 936 00:42:20,239 --> 00:42:22,360 Speaker 5: jumps on the back of one of these off duty cops, 937 00:42:22,680 --> 00:42:24,680 Speaker 5: but he doesn't know who it is, so he turns 938 00:42:24,680 --> 00:42:27,120 Speaker 5: around and punches the woman in the face, and. 939 00:42:27,080 --> 00:42:31,240 Speaker 4: She flies into a giant Christmas tree, which then topples 940 00:42:31,280 --> 00:42:34,680 Speaker 4: onto one of the tables this giant Christmas tree. 941 00:42:35,160 --> 00:42:39,360 Speaker 3: Blood goes flying everywhere from this woman's nose. I remember 942 00:42:39,400 --> 00:42:42,120 Speaker 3: the man bleeding. They both bled. Apparently they're both blood. 943 00:42:42,760 --> 00:42:46,320 Speaker 6: But sorry, the person that got punched was the correct person. 944 00:42:46,360 --> 00:42:48,080 Speaker 1: It was the woman from this office. 945 00:42:48,560 --> 00:42:52,200 Speaker 5: Yes, yes, the guy. The guy did feel bad. He's like, 946 00:42:52,239 --> 00:42:53,839 Speaker 5: I never would have punched her and punched it if 947 00:42:53,840 --> 00:42:55,759 Speaker 5: I knew it was her. I didn't know who it was. 948 00:42:56,000 --> 00:42:58,360 Speaker 5: Somebody jumped on my back and I just instinctively remember that, 949 00:42:58,440 --> 00:42:59,440 Speaker 5: turned around and punched it. 950 00:42:59,600 --> 00:43:03,359 Speaker 6: No, if you jump on someone's back, if hands fly, 951 00:43:03,640 --> 00:43:04,560 Speaker 6: that's what you signed up. 952 00:43:04,640 --> 00:43:07,440 Speaker 4: And these two people the whole time they are sitting there. 953 00:43:07,480 --> 00:43:10,200 Speaker 4: They were fidgeting and jiggling their legs in a way 954 00:43:10,320 --> 00:43:12,600 Speaker 4: I think only can be provided by math. 955 00:43:13,040 --> 00:43:15,279 Speaker 3: Yeah, they were all methed up. There's no them that 956 00:43:15,280 --> 00:43:15,880 Speaker 3: they were tweaking. 957 00:43:15,960 --> 00:43:17,560 Speaker 1: Yeah, yeah, because I was going to say sorry. 958 00:43:17,719 --> 00:43:21,560 Speaker 6: Usually someone that's that big doesn't feel the need to 959 00:43:21,880 --> 00:43:25,720 Speaker 6: flex that way. Usually big guys are underplaying it because 960 00:43:25,760 --> 00:43:27,239 Speaker 6: they get so much attention. 961 00:43:26,960 --> 00:43:28,319 Speaker 1: Of like, oh, what do you want to fight me 962 00:43:28,400 --> 00:43:28,800 Speaker 1: or whatever. 963 00:43:29,200 --> 00:43:31,920 Speaker 6: That's what surprised me is like it feels to me 964 00:43:32,080 --> 00:43:33,920 Speaker 6: like those guys don't do that. 965 00:43:33,920 --> 00:43:34,239 Speaker 3: That up. 966 00:43:34,320 --> 00:43:37,840 Speaker 5: Well, I'll say this, Karen. I'm not defending him in 967 00:43:37,840 --> 00:43:40,120 Speaker 5: any ways, ship or form. This guy ruined people's New 968 00:43:40,160 --> 00:43:42,959 Speaker 5: Year's eves. But he, you know, he would say something 969 00:43:43,000 --> 00:43:45,440 Speaker 5: and I would be me and be very funny and 970 00:43:45,480 --> 00:43:48,200 Speaker 5: make him look stupid, and he wasn't going to tolerate that. 971 00:43:48,280 --> 00:43:50,799 Speaker 5: So that's why he was flexing, because how dare this 972 00:43:50,920 --> 00:43:54,000 Speaker 5: little piece of shit guy make you know, win this fight? 973 00:43:54,400 --> 00:43:56,200 Speaker 5: And well, I know how I can win it. I 974 00:43:56,239 --> 00:43:59,080 Speaker 5: will stand up and destroy this guy with one punch. 975 00:44:01,520 --> 00:44:02,319 Speaker 3: Yeah, does he. 976 00:44:02,280 --> 00:44:04,399 Speaker 1: Think it's gonna happen if he's on the phone and being. 977 00:44:04,320 --> 00:44:07,399 Speaker 4: An appall him and gave him free tickets. That guy 978 00:44:07,440 --> 00:44:10,320 Speaker 4: did not sign up to be there. They just showed 979 00:44:10,400 --> 00:44:14,520 Speaker 4: up because they were out of rowdy powder, you know 980 00:44:14,560 --> 00:44:18,480 Speaker 4: what I mean. Yeah, yeah, yeah, sure, I mean yeah, 981 00:44:18,480 --> 00:44:21,520 Speaker 4: it's pretty clear, of course. You know what, sometimes I 982 00:44:21,640 --> 00:44:23,960 Speaker 4: just sway that at the end. You know what I'm saying, Jimmy, 983 00:44:24,440 --> 00:44:28,399 Speaker 4: Yeah you want to tell me? And what I'm saying, yeah, you. 984 00:44:28,360 --> 00:44:28,800 Speaker 1: Got the r P. 985 00:44:29,160 --> 00:44:34,720 Speaker 3: Oh yeah, I got it. They finally get these people out, Karen, 986 00:44:35,080 --> 00:44:39,160 Speaker 3: and and then it's like twelve minutes left of the show, 987 00:44:39,520 --> 00:44:42,200 Speaker 3: and I was like, so, I guess I continue, and 988 00:44:42,239 --> 00:44:45,000 Speaker 3: some people one woman's like, nope, you're ruin our night, 989 00:44:45,360 --> 00:44:47,080 Speaker 3: and I go, then scram, I don't need you here, 990 00:44:47,480 --> 00:44:51,040 Speaker 3: and she left, and then some other people. Everybody else stayed, 991 00:44:51,080 --> 00:44:53,080 Speaker 3: and it ended up being okay, right, Chris at the end. 992 00:44:53,160 --> 00:44:55,120 Speaker 4: Yeah, you pulled it off. And I didn't think it 993 00:44:55,160 --> 00:44:58,160 Speaker 4: was possible. This happened a quarter to midnight, and then 994 00:44:58,200 --> 00:45:02,279 Speaker 4: it finally, after recognizing what had happened, you diffused it 995 00:45:02,360 --> 00:45:04,600 Speaker 4: and we rang in the New Year, and it ended fine. 996 00:45:04,640 --> 00:45:08,560 Speaker 4: But what I'm remembering is them choking this man out 997 00:45:08,640 --> 00:45:10,600 Speaker 4: and he fell and hit his head on the stage 998 00:45:10,680 --> 00:45:14,040 Speaker 4: and bloodshot out of his head at his heart rate. 999 00:45:14,480 --> 00:45:18,040 Speaker 4: To you were on stage and you dodged his flying blood, 1000 00:45:18,360 --> 00:45:20,759 Speaker 4: you had to slam it. That was a traumatic thing 1001 00:45:20,920 --> 00:45:24,359 Speaker 4: and I think everyone there screamed. I don't think that's 1002 00:45:24,400 --> 00:45:27,480 Speaker 4: not something you see every day, as a man bleeding 1003 00:45:27,520 --> 00:45:29,759 Speaker 4: at his heart rate in a in a squirt gun 1004 00:45:29,920 --> 00:45:32,839 Speaker 4: like es and this is very great. I'm sorry, but 1005 00:45:33,040 --> 00:45:37,160 Speaker 4: it was crazy. Blood everywhere. These guys were professional MMA fighters. 1006 00:45:37,440 --> 00:45:39,000 Speaker 4: They were feeding them the knees. 1007 00:45:39,200 --> 00:45:39,600 Speaker 3: It was. 1008 00:45:40,280 --> 00:45:42,719 Speaker 4: It was scary to watch. And I've you know, I 1009 00:45:42,760 --> 00:45:46,239 Speaker 4: know how much you love fights, Karen, watching people really 1010 00:45:46,239 --> 00:45:49,440 Speaker 4: do feed each other the boots these but this was 1011 00:45:49,560 --> 00:45:53,000 Speaker 4: a violent, scary one with people that And. 1012 00:45:52,880 --> 00:45:53,960 Speaker 3: Then these guys came in. 1013 00:45:54,000 --> 00:45:57,960 Speaker 4: They're like, we're sorry, everybody, we had to do something. 1014 00:45:58,080 --> 00:46:00,680 Speaker 4: They felt bad, and their jeans were covered in blood. 1015 00:46:00,719 --> 00:46:01,120 Speaker 3: They're la. 1016 00:46:02,560 --> 00:46:05,200 Speaker 4: And the fight kept happening. As he was ringing in 1017 00:46:05,280 --> 00:46:07,120 Speaker 4: the New Year, you could hear them yelling and s 1018 00:46:07,120 --> 00:46:11,560 Speaker 4: coupling outside and then the police. The police came an 1019 00:46:11,600 --> 00:46:13,000 Speaker 4: hour later or something. 1020 00:46:13,200 --> 00:46:16,279 Speaker 6: Did the audience that I know, the one lady was like, 1021 00:46:16,320 --> 00:46:18,759 Speaker 6: you run our New Year's whatever. But but once the 1022 00:46:18,800 --> 00:46:20,440 Speaker 6: guy was out of the those people were out of 1023 00:46:20,480 --> 00:46:22,600 Speaker 6: the room. Were you able to get. 1024 00:46:22,400 --> 00:46:23,959 Speaker 1: That audience back in any agent? 1025 00:46:24,040 --> 00:46:24,200 Speaker 6: Yeah? 1026 00:46:24,200 --> 00:46:24,520 Speaker 3: I got that. 1027 00:46:25,640 --> 00:46:29,680 Speaker 4: Yeah, it was pretty amazing. Like talk about legendary talking 1028 00:46:29,680 --> 00:46:31,520 Speaker 4: about it, yeah, talk about an obstacle. 1029 00:46:32,040 --> 00:46:34,440 Speaker 3: Uh you did it? Yeah? You know what. 1030 00:46:34,280 --> 00:46:36,440 Speaker 5: The other thing the woman said when she said, uh, 1031 00:46:36,880 --> 00:46:39,240 Speaker 5: you ruine a night, she said this was your fault. 1032 00:46:39,400 --> 00:46:42,680 Speaker 4: She blamed like, oh I remember, was this my fault? 1033 00:46:44,640 --> 00:46:47,120 Speaker 3: The guy's on the phone and then threw something at me. 1034 00:46:47,239 --> 00:46:48,439 Speaker 3: This isn't my fault at all. 1035 00:46:48,680 --> 00:46:51,400 Speaker 4: All these are harbor people. She was probably his cousin. 1036 00:46:52,200 --> 00:46:54,279 Speaker 1: It's your folk were on crystal meth. 1037 00:46:54,840 --> 00:46:57,040 Speaker 3: Yeah, it's just awful. 1038 00:46:57,200 --> 00:47:01,600 Speaker 4: And then and the fisherman kept coming, these fishermen in 1039 00:47:01,760 --> 00:47:02,800 Speaker 4: yellow rain. 1040 00:47:02,680 --> 00:47:04,240 Speaker 3: Suits covered in shots. 1041 00:47:04,600 --> 00:47:09,239 Speaker 4: We want a beer full volume from Russia. There's a 1042 00:47:09,280 --> 00:47:12,880 Speaker 4: comedy concert happening, sir, please stop yelling in your fishy 1043 00:47:12,880 --> 00:47:13,680 Speaker 4: man voice. 1044 00:47:14,239 --> 00:47:15,960 Speaker 1: So big was this club? 1045 00:47:16,080 --> 00:47:16,319 Speaker 3: Was it? 1046 00:47:16,440 --> 00:47:17,640 Speaker 1: Can you compare it to a club? 1047 00:47:17,680 --> 00:47:17,960 Speaker 6: I know? 1048 00:47:18,160 --> 00:47:21,200 Speaker 1: Like, is it? Was it smaller or bigger? 1049 00:47:21,560 --> 00:47:23,840 Speaker 3: What would you say, Chris? 1050 00:47:24,200 --> 00:47:26,719 Speaker 4: I think you could pack two hundred people into that 1051 00:47:27,280 --> 00:47:28,680 Speaker 4: two hundred Yeah. 1052 00:47:28,800 --> 00:47:31,479 Speaker 1: So like the improv with no curtain clo. 1053 00:47:31,560 --> 00:47:33,640 Speaker 3: You know what, the improv with no curtain closes a 1054 00:47:33,719 --> 00:47:35,360 Speaker 3: perfect shape and size and everything. 1055 00:47:35,440 --> 00:47:39,759 Speaker 4: Yes, yes, Jesus, oh yes Christmas. That giant Christmas tree 1056 00:47:39,800 --> 00:47:43,080 Speaker 4: had no business being in a club that small. I 1057 00:47:43,080 --> 00:47:45,440 Speaker 4: think the tree committed suicide when it tove onto that 1058 00:47:45,520 --> 00:47:51,279 Speaker 4: table of people. Ornaments everywhere, glass into champagne glasses. 1059 00:47:51,400 --> 00:47:54,920 Speaker 6: Oh Jimmy, can you remember what your when you got 1060 00:47:54,960 --> 00:47:57,200 Speaker 6: were getting the audience back with the first joke you had, 1061 00:47:57,480 --> 00:47:59,680 Speaker 6: was like, no, what just happened? 1062 00:48:00,480 --> 00:48:02,640 Speaker 3: I'm sure it was just all that, you know. 1063 00:48:03,800 --> 00:48:05,600 Speaker 5: I do remember at one point while it was all happening, 1064 00:48:05,719 --> 00:48:07,600 Speaker 5: is like, so, I guess I just do play by play? 1065 00:48:07,640 --> 00:48:08,359 Speaker 3: What do I do now? 1066 00:48:08,560 --> 00:48:08,640 Speaker 6: Like? 1067 00:48:08,680 --> 00:48:09,880 Speaker 3: I remember saying that. 1068 00:48:09,840 --> 00:48:13,120 Speaker 4: Yeah, yeah, you As they were fighting, he was commentating 1069 00:48:13,160 --> 00:48:15,799 Speaker 4: the fight. Oh, they got him in some kind of 1070 00:48:15,840 --> 00:48:20,880 Speaker 4: I guess that's a choke hold war blood. It was 1071 00:48:20,920 --> 00:48:24,040 Speaker 4: going to be a great year and that you know, 1072 00:48:24,080 --> 00:48:27,200 Speaker 4: I'm in my tuxedo like an idiot. 1073 00:48:28,280 --> 00:48:31,040 Speaker 1: O splatters of blood on your tu It looked. 1074 00:48:30,960 --> 00:48:34,239 Speaker 3: Very nice on the white shirt costuming. 1075 00:48:34,840 --> 00:48:37,520 Speaker 4: Oh it was a horrifying sticks his head. 1076 00:48:37,360 --> 00:48:39,360 Speaker 1: Out and goes, no, I'm not the bad guy, am I? 1077 00:48:39,600 --> 00:48:39,799 Speaker 4: Yeah? 1078 00:48:40,120 --> 00:48:41,200 Speaker 1: No, I seem pretty good. 1079 00:48:41,320 --> 00:48:43,400 Speaker 3: Don't Are you to come back tomorrow? 1080 00:48:43,480 --> 00:48:43,680 Speaker 4: Right? 1081 00:48:44,000 --> 00:48:44,600 Speaker 3: Of course? 1082 00:48:45,120 --> 00:48:48,360 Speaker 4: Meanwhile, the guy that was laying down the law during 1083 00:48:48,400 --> 00:48:51,839 Speaker 4: that fight, and he was a big fireman, mustached looking guy. 1084 00:48:52,000 --> 00:48:55,600 Speaker 4: He was hiding behind the front kiosk, pretending the fight 1085 00:48:55,760 --> 00:48:58,520 Speaker 4: wasn't happening. He was nowhere to be found. Jimmy's like, 1086 00:48:58,600 --> 00:49:00,800 Speaker 4: is there a police or someone that could be called? 1087 00:49:01,560 --> 00:49:06,040 Speaker 4: There's a fight happening, and the guys just neighbor and 1088 00:49:06,080 --> 00:49:11,000 Speaker 4: home improvement. He was so he was petrified, scary. Yeah, 1089 00:49:11,040 --> 00:49:15,200 Speaker 4: we have done some Uh, we've come a long way, Jimmy, Oh, 1090 00:49:15,239 --> 00:49:18,160 Speaker 4: we sure have. You know, we sure have those gigs anymore? 1091 00:49:18,560 --> 00:49:20,760 Speaker 1: Do you missicus? Do you miss the road? 1092 00:49:21,120 --> 00:49:21,560 Speaker 3: Sort of? 1093 00:49:23,040 --> 00:49:25,520 Speaker 5: I mean I miss you know what I mean? I 1094 00:49:25,560 --> 00:49:27,759 Speaker 5: miss meeting the people afterwards. I mean, that's sincerely. I 1095 00:49:27,760 --> 00:49:30,640 Speaker 5: miss that's the part of it that I miss. And 1096 00:49:30,680 --> 00:49:32,440 Speaker 5: I guess I missed the time on stage. I don't 1097 00:49:32,480 --> 00:49:34,520 Speaker 5: miss any of the other aspects of it at all 1098 00:49:34,600 --> 00:49:35,000 Speaker 5: at all. 1099 00:49:35,719 --> 00:49:35,959 Speaker 3: Yeah. 1100 00:49:36,040 --> 00:49:39,279 Speaker 4: Even last night I did a virtual show on a 1101 00:49:39,360 --> 00:49:43,000 Speaker 4: stage but with the zoom audience and afterwards there's a 1102 00:49:43,000 --> 00:49:45,799 Speaker 4: little hangout and it was by far my favorite part. 1103 00:49:46,160 --> 00:49:48,640 Speaker 3: Wait a second, So you're in a club and they're 1104 00:49:48,719 --> 00:49:50,840 Speaker 3: videotaping like you on stage at the club and then. 1105 00:49:51,160 --> 00:49:54,280 Speaker 4: Yeah, it's a warehouse where they put in a stage 1106 00:49:54,400 --> 00:49:57,200 Speaker 4: and it looks like there's a brick wall and a 1107 00:49:57,239 --> 00:50:00,600 Speaker 4: cool like Edison Bull lamp and it looks beautifu. But yeah, 1108 00:50:00,640 --> 00:50:02,439 Speaker 4: no one in there. So you have to get used 1109 00:50:02,440 --> 00:50:06,280 Speaker 4: to firing off your jokes to just barely hearing laughter. 1110 00:50:06,400 --> 00:50:08,840 Speaker 4: But I'm I it's the only thing we can do 1111 00:50:08,920 --> 00:50:11,839 Speaker 4: right now, so I'm trying to enjoy it. But it 1112 00:50:11,920 --> 00:50:13,239 Speaker 4: is hard. It is hard to do. 1113 00:50:13,480 --> 00:50:15,799 Speaker 3: That sounds impossible, it's it's not. 1114 00:50:15,920 --> 00:50:17,840 Speaker 4: It is possible, but you have to forget what you 1115 00:50:17,920 --> 00:50:22,080 Speaker 4: know about how you usually depend on laughter to keep. 1116 00:50:21,960 --> 00:50:23,600 Speaker 1: You going and what you like. 1117 00:50:24,160 --> 00:50:28,799 Speaker 3: You have to forget what makes you and settle for 1118 00:50:28,880 --> 00:50:30,200 Speaker 3: the opposite. 1119 00:50:30,719 --> 00:50:33,160 Speaker 6: Well, because remember that show Ian Abramson used to do 1120 00:50:33,239 --> 00:50:35,880 Speaker 6: that show where you would do your you would do your. 1121 00:50:35,800 --> 00:50:37,960 Speaker 1: Act in like a in like. 1122 00:50:37,920 --> 00:50:40,600 Speaker 6: A sealed off room separately, so the audience would be 1123 00:50:40,680 --> 00:50:42,360 Speaker 6: laughing at you, but you couldn't hear, so you just 1124 00:50:42,400 --> 00:50:43,440 Speaker 6: had to keep going. 1125 00:50:43,400 --> 00:50:46,239 Speaker 3: Oh wow, that's yeah. Why did that happen and why 1126 00:50:46,239 --> 00:50:48,120 Speaker 3: did people say yes to do it? To do it? 1127 00:50:48,120 --> 00:50:50,960 Speaker 6: It was because it was basically like, here's worst case 1128 00:50:51,000 --> 00:50:54,680 Speaker 6: scenario comedy. So at like a comedy festival. You'd be 1129 00:50:54,719 --> 00:50:57,000 Speaker 6: at Bridgetown, but then you'd go do this crazy show 1130 00:50:57,040 --> 00:50:59,960 Speaker 6: where the audience knew how miserable you were and people 1131 00:51:00,080 --> 00:51:02,160 Speaker 6: were trying to do stuff, and it would just be like, 1132 00:51:02,160 --> 00:51:04,160 Speaker 6: like I remember it was when Drennan and I were 1133 00:51:04,160 --> 00:51:07,760 Speaker 6: doing songs, and we were doing these songs, we would 1134 00:51:08,000 --> 00:51:09,400 Speaker 6: like it would be over and then I would just 1135 00:51:09,440 --> 00:51:13,480 Speaker 6: be like that was bad, Like you just can't not 1136 00:51:13,880 --> 00:51:14,440 Speaker 6: kill that. 1137 00:51:14,719 --> 00:51:17,040 Speaker 4: Yeah, I did feel bad last night, and I think 1138 00:51:17,040 --> 00:51:19,760 Speaker 4: it went well and people enjoyed it, but I need 1139 00:51:19,760 --> 00:51:24,960 Speaker 4: to hear the laughs. I can't imagine doing it like that, like, oh, yeah, 1140 00:51:25,000 --> 00:51:28,400 Speaker 4: I'm doing a half hour and Joe Rogan's Deprivation Tank 1141 00:51:28,680 --> 00:51:32,400 Speaker 4: coming there. Oh God, to where you hear nothing. That 1142 00:51:32,400 --> 00:51:33,440 Speaker 4: would be so hard. 1143 00:51:33,960 --> 00:51:36,520 Speaker 5: Yeah, But here's the irony of that is we've all 1144 00:51:36,600 --> 00:51:38,520 Speaker 5: done plenty of shows where there's a room full of 1145 00:51:38,520 --> 00:51:39,200 Speaker 5: people where we. 1146 00:51:39,160 --> 00:51:40,680 Speaker 3: Don't get a single laugh, right right. 1147 00:51:40,680 --> 00:51:43,000 Speaker 5: I just have this set when you bomb miserably, and 1148 00:51:43,040 --> 00:51:45,160 Speaker 5: somehow that feels better than doing it on zoom where 1149 00:51:45,200 --> 00:51:46,759 Speaker 5: you know that people are enjoying it but you can't. 1150 00:51:47,400 --> 00:51:47,920 Speaker 1: Yeah. 1151 00:51:48,000 --> 00:51:50,480 Speaker 4: Yeah, how am I comfortable with when I know it's 1152 00:51:50,480 --> 00:51:54,360 Speaker 4: my fault entirely. I guess that just sucked tonight. 1153 00:51:55,200 --> 00:51:58,560 Speaker 1: There's something I do love when it's a when I'm bombing. 1154 00:51:58,640 --> 00:52:00,719 Speaker 6: It has to be very specific, though, because if it's 1155 00:52:00,719 --> 00:52:04,080 Speaker 6: a smaller room, like if it's if it's quiet, because 1156 00:52:04,120 --> 00:52:07,800 Speaker 6: the audience is small, and then I'm bombing, I suddenly 1157 00:52:07,840 --> 00:52:11,680 Speaker 6: become the most creative mind of all time because it's 1158 00:52:11,760 --> 00:52:14,080 Speaker 6: the one way I can go none of this matters. 1159 00:52:14,600 --> 00:52:17,799 Speaker 6: But if it's like slightly bigger and it's just like 1160 00:52:18,200 --> 00:52:21,120 Speaker 6: the things don't come when they're supposed to come, it's 1161 00:52:21,640 --> 00:52:24,760 Speaker 6: first I hate myself, but then I hate them ten 1162 00:52:24,920 --> 00:52:29,719 Speaker 6: times more, and it is I can't. I can't get 1163 00:52:29,719 --> 00:52:32,560 Speaker 6: around it, like I can't have fun with it. I'm 1164 00:52:32,600 --> 00:52:35,040 Speaker 6: always in such awe of the kind of people who 1165 00:52:35,080 --> 00:52:37,879 Speaker 6: can be eating it and still kind of staying on. 1166 00:52:37,840 --> 00:52:40,080 Speaker 1: That like this is fun and it's fine and who cares. 1167 00:52:40,320 --> 00:52:41,239 Speaker 1: I don't know how you do that. 1168 00:52:41,440 --> 00:52:41,959 Speaker 3: I don't either. 1169 00:52:42,160 --> 00:52:45,320 Speaker 4: For me, it's just a defense mechanism. When your back's 1170 00:52:45,320 --> 00:52:47,759 Speaker 4: against the wall like that and you're scared. That is 1171 00:52:47,800 --> 00:52:50,279 Speaker 4: how I used to get out of fights. That's how 1172 00:52:50,960 --> 00:52:53,400 Speaker 4: I mean. And Jimmy, you probably don't. You don't remember 1173 00:52:53,440 --> 00:52:56,919 Speaker 4: what you said during that horrible nineteen twenties bar fight. 1174 00:52:57,560 --> 00:53:00,399 Speaker 4: But you said funny things and you probably if they 1175 00:53:00,400 --> 00:53:03,520 Speaker 4: were just spilling out of your mouth because you thought 1176 00:53:03,600 --> 00:53:04,600 Speaker 4: you were about to die. 1177 00:53:05,239 --> 00:53:09,320 Speaker 3: Yeah, you gotta get off the gems before while you can. Yeah. 1178 00:53:09,360 --> 00:53:11,640 Speaker 5: Really, that's one that it's like when people always say 1179 00:53:11,719 --> 00:53:13,960 Speaker 5: to me, you know, because I improvised my show so much, 1180 00:53:14,040 --> 00:53:15,920 Speaker 5: like do you record? You must record every night? Then 1181 00:53:16,080 --> 00:53:17,839 Speaker 5: remember what you said? It like, I don't record at all. 1182 00:53:18,200 --> 00:53:19,920 Speaker 5: But it's nice like that. It was like, damn it, 1183 00:53:20,440 --> 00:53:22,919 Speaker 5: they're right, I should be recording everything because this would 1184 00:53:22,960 --> 00:53:26,000 Speaker 5: be amazing to have documentation of Yeah. 1185 00:53:25,880 --> 00:53:28,759 Speaker 4: Yeah, that was your version of the guy that hit 1186 00:53:28,800 --> 00:53:32,480 Speaker 4: the audience member with the guitar, except was no video 1187 00:53:32,520 --> 00:53:32,799 Speaker 4: of that. 1188 00:53:33,480 --> 00:53:35,960 Speaker 6: I wonder if you guys should call that club if 1189 00:53:35,960 --> 00:53:38,439 Speaker 6: it's still open, and see if they recorded it. Yeah, 1190 00:53:38,440 --> 00:53:41,279 Speaker 6: wouldn't that be amazing if there's just videos sitting somewhere. 1191 00:53:41,600 --> 00:53:46,120 Speaker 4: That they watch every Christmas telling a version of the 1192 00:53:46,160 --> 00:53:50,480 Speaker 4: same story and then that except their version was that 1193 00:53:50,520 --> 00:53:53,680 Speaker 4: guy was like half owner of the comedy club. The 1194 00:53:53,719 --> 00:53:56,600 Speaker 4: guy up front, he looked just like the own. They 1195 00:53:56,600 --> 00:53:59,000 Speaker 4: were both tall guys with mustaches. I think he was 1196 00:53:59,040 --> 00:54:00,400 Speaker 4: in on it. I think it was. 1197 00:54:00,680 --> 00:54:02,640 Speaker 3: He was a good guy by the way. He just 1198 00:54:03,080 --> 00:54:04,920 Speaker 3: he was. He was panicked about his business. 1199 00:54:05,320 --> 00:54:09,000 Speaker 4: Yea, all, hey all yeah, all people, remember, as you said, 1200 00:54:09,120 --> 00:54:10,719 Speaker 4: our jobs were on the line, he was going to 1201 00:54:10,800 --> 00:54:11,279 Speaker 4: fire us. 1202 00:54:12,040 --> 00:54:14,439 Speaker 3: That's true. Well true, as you and bores did suck. 1203 00:54:15,400 --> 00:54:18,520 Speaker 4: I knew it. I knew it was coming Roastmaster. 1204 00:54:21,760 --> 00:54:24,560 Speaker 6: The pressure he applied seemed to really work, because then 1205 00:54:24,600 --> 00:54:25,919 Speaker 6: you guys totally came back. 1206 00:54:26,000 --> 00:54:26,600 Speaker 1: You killed it. 1207 00:54:26,719 --> 00:54:29,520 Speaker 6: You did well that you built the tension high enough 1208 00:54:29,760 --> 00:54:31,440 Speaker 6: so that blood was spilled. 1209 00:54:31,760 --> 00:54:36,200 Speaker 4: Yeah, I thought, you man, literally sorry blood. I told 1210 00:54:36,280 --> 00:54:36,600 Speaker 4: you that. 1211 00:54:37,040 --> 00:54:38,319 Speaker 1: I just wanted it in my job. 1212 00:54:38,640 --> 00:54:41,040 Speaker 4: No, I just I was. I was nervous because I 1213 00:54:41,080 --> 00:54:42,600 Speaker 4: was like, oh, I'm going to blow it and then 1214 00:54:42,640 --> 00:54:44,600 Speaker 4: that'll be the end of my career. And Jimmy's not 1215 00:54:44,719 --> 00:54:47,040 Speaker 4: ever going to take me to another one of these 1216 00:54:47,360 --> 00:54:52,160 Speaker 4: violent chuckle buckets with him. But I do miss those 1217 00:54:52,200 --> 00:54:55,760 Speaker 4: where usually we had fun, and usually fun I learned 1218 00:54:55,760 --> 00:54:58,080 Speaker 4: a lot opening for Jimmy and the Maid. 1219 00:54:58,200 --> 00:55:00,399 Speaker 6: That was If you would say that was the worst 1220 00:55:00,440 --> 00:55:02,600 Speaker 6: show you guys did together, for sure, it was what 1221 00:55:02,680 --> 00:55:04,880 Speaker 6: was the best show that you did together? 1222 00:55:04,960 --> 00:55:09,120 Speaker 5: This is to me, it's the same show Yeah, it's funny. 1223 00:55:10,080 --> 00:55:12,400 Speaker 3: I know. We had great shows at places. 1224 00:55:12,520 --> 00:55:15,000 Speaker 4: If something goes well, though, I'm like, yeah, that's how 1225 00:55:15,040 --> 00:55:16,960 Speaker 4: it should go, and I delete it from my memory. 1226 00:55:16,960 --> 00:55:19,080 Speaker 4: If it's horrifying and my life is on the line, 1227 00:55:19,080 --> 00:55:20,560 Speaker 4: goddamn right, I remember. 1228 00:55:20,200 --> 00:55:21,000 Speaker 3: It every day. 1229 00:55:21,680 --> 00:55:24,800 Speaker 4: I just remember the bad things and the good things. Yeah, 1230 00:55:24,880 --> 00:55:25,680 Speaker 4: that's how it should be. 1231 00:55:26,239 --> 00:55:26,399 Speaker 3: Oh. 1232 00:55:26,480 --> 00:55:28,600 Speaker 4: No, we had fun in Kirkland. You went with me 1233 00:55:28,680 --> 00:55:30,200 Speaker 4: about some of my first luggage. 1234 00:55:30,480 --> 00:55:32,279 Speaker 3: You brought a piece of luggage in the rain. 1235 00:55:32,760 --> 00:55:36,640 Speaker 4: Yeah, that zipper blew out immediately it was raining. And 1236 00:55:36,680 --> 00:55:39,720 Speaker 4: then you kept every restaurant we went to. Jimmy always 1237 00:55:39,760 --> 00:55:42,960 Speaker 4: like my son is this is my son? He's new 1238 00:55:43,000 --> 00:55:47,520 Speaker 4: in town. He's a graphic artist. Is there any academy 1239 00:55:47,520 --> 00:55:50,440 Speaker 4: where he can learn? He likes to draw and paint specifically, 1240 00:55:51,320 --> 00:55:53,759 Speaker 4: like just to the waitress, and then i'd it was 1241 00:55:53,800 --> 00:55:57,000 Speaker 4: a challenge for me to then play along and be like, 1242 00:55:57,080 --> 00:56:00,640 Speaker 4: yes I am this is my father, and yes I'm 1243 00:56:00,680 --> 00:56:03,400 Speaker 4: going to art in school. Otherwise I would have Jimmy 1244 00:56:03,400 --> 00:56:04,360 Speaker 4: would have given it to me. 1245 00:56:04,760 --> 00:56:06,960 Speaker 3: I'm fun. That sounds fun to me. 1246 00:56:07,280 --> 00:56:10,440 Speaker 5: I sound fun you are, or I sound like the 1247 00:56:10,440 --> 00:56:12,279 Speaker 5: obnoxious comic who can't shut it off. 1248 00:56:12,320 --> 00:56:14,359 Speaker 3: That's either way. Either you can listen to that story 1249 00:56:14,360 --> 00:56:15,160 Speaker 3: and take it either way. 1250 00:56:15,920 --> 00:56:18,839 Speaker 1: Does it depend what mood you're in, how much sleep you've gone. 1251 00:56:19,000 --> 00:56:21,359 Speaker 3: Yeah, yeah, it was fun, Karen. 1252 00:56:21,400 --> 00:56:23,200 Speaker 1: To be honestly, it sounds fun to me. 1253 00:56:23,320 --> 00:56:24,319 Speaker 3: I like stuff like that. 1254 00:56:25,360 --> 00:56:28,520 Speaker 4: I think your son, Oliver thinks you're fun, and uh, 1255 00:56:28,600 --> 00:56:28,839 Speaker 4: I do. 1256 00:56:29,040 --> 00:56:30,319 Speaker 3: I do think he thinks I'm fun. 1257 00:56:30,400 --> 00:56:33,799 Speaker 4: I think he's got Yeah, he likes comedy. I like 1258 00:56:33,880 --> 00:56:37,520 Speaker 4: that kid. He's he's also, Karen, interested in miniatures. He 1259 00:56:37,600 --> 00:56:41,719 Speaker 4: makes these dioramas dedicated to different TV shows. He's very 1260 00:56:41,760 --> 00:56:45,440 Speaker 4: creative and yeah, he just I've never met all of everybody. 1261 00:56:45,520 --> 00:56:48,840 Speaker 4: Seems like the sweetest kid ever, Karen. He made me 1262 00:56:48,840 --> 00:56:51,320 Speaker 4: a Mary Tyler Moore action figure for Christmas. That was 1263 00:56:51,360 --> 00:56:52,120 Speaker 4: my Christmas guest. 1264 00:56:52,200 --> 00:56:54,560 Speaker 1: Yeah, I mean, wait, how how old does he know? 1265 00:56:54,760 --> 00:56:58,560 Speaker 3: He's thirteen? And the truth that I kind of made 1266 00:56:58,560 --> 00:56:59,080 Speaker 3: the joke earlier. 1267 00:56:59,120 --> 00:57:01,440 Speaker 5: But the truth is, we watch Chris's special and it 1268 00:57:01,480 --> 00:57:03,279 Speaker 5: is Oliver's favorite stand up special. 1269 00:57:02,960 --> 00:57:05,120 Speaker 4: That we watched that's so great. 1270 00:57:05,360 --> 00:57:07,080 Speaker 3: He quotes it almost every day. 1271 00:57:07,239 --> 00:57:10,399 Speaker 5: And we've watched other We've watched great comics, and uh, 1272 00:57:10,640 --> 00:57:12,799 Speaker 5: and I love the fact. The truth is, I love 1273 00:57:12,840 --> 00:57:15,319 Speaker 5: the fact that he loves good comedy. And I don't 1274 00:57:15,320 --> 00:57:18,440 Speaker 5: have to pretend that somebody that sucks is good, you 1275 00:57:18,440 --> 00:57:18,800 Speaker 5: know what I mean. 1276 00:57:18,920 --> 00:57:21,320 Speaker 3: I don't have to no, no, no, no that you know, yeah, 1277 00:57:21,360 --> 00:57:22,640 Speaker 3: you know, I know that guy. He's a good guy. 1278 00:57:22,640 --> 00:57:24,080 Speaker 3: I don't have to do any of that. I get 1279 00:57:24,080 --> 00:57:24,320 Speaker 3: to go. 1280 00:57:24,520 --> 00:57:28,880 Speaker 5: Yeah, Fair Makes is great, Nate Bargotzi is great, Tig 1281 00:57:29,000 --> 00:57:32,440 Speaker 5: is great. You know whatever specials we've watched. Yeah, Maria 1282 00:57:32,520 --> 00:57:33,280 Speaker 5: Bamford is great. 1283 00:57:33,360 --> 00:57:33,920 Speaker 3: Thank god. 1284 00:57:34,480 --> 00:57:37,240 Speaker 4: Yeah, yeah, he gets it, Yeah, he does get it. 1285 00:57:37,000 --> 00:57:40,080 Speaker 6: It's between you and Danielle, though. I can't imagine it 1286 00:57:40,120 --> 00:57:42,320 Speaker 6: would be like almost like an Alex P. Keaton thing 1287 00:57:42,320 --> 00:57:43,040 Speaker 6: if he didn't know good. 1288 00:57:43,840 --> 00:57:47,720 Speaker 4: Right, he's just the tiniest little Republican in a suit 1289 00:57:47,840 --> 00:57:56,920 Speaker 4: talking about studying law. Yeah, he his favorite thing. 1290 00:57:57,680 --> 00:57:59,640 Speaker 3: This happens a couple of years ago. We read Toys 1291 00:57:59,720 --> 00:58:01,000 Speaker 3: r Us. They were still open, that's who all the 1292 00:58:01,000 --> 00:58:01,320 Speaker 3: story is. 1293 00:58:01,360 --> 00:58:03,680 Speaker 5: So he was much younger, and you know, I don't 1294 00:58:03,760 --> 00:58:06,800 Speaker 5: like scatological humor. I don't like poop poop peepee sort 1295 00:58:06,840 --> 00:58:07,560 Speaker 5: of stuff at all. 1296 00:58:07,640 --> 00:58:11,200 Speaker 3: I just I don't. I hate faart. I hate that word. 1297 00:58:11,440 --> 00:58:12,760 Speaker 3: It's just not part of me. 1298 00:58:13,360 --> 00:58:15,160 Speaker 5: And so we were looking at the games, at the 1299 00:58:15,160 --> 00:58:18,440 Speaker 5: board games, and one of them was, you know, flush 1300 00:58:18,520 --> 00:58:21,800 Speaker 5: the toilet, and then another one was who who shit 1301 00:58:21,880 --> 00:58:24,680 Speaker 5: the bed or whatever it's called. And then there's like 1302 00:58:24,720 --> 00:58:27,000 Speaker 5: all these games where it's like, you know, move your 1303 00:58:27,040 --> 00:58:30,080 Speaker 5: piece of poop around like it was, and. 1304 00:58:30,200 --> 00:58:34,160 Speaker 3: I literally section it was. I don't know, it was 1305 00:58:34,200 --> 00:58:37,240 Speaker 3: in the kids section. Kids find that funny apparently, so yeah, 1306 00:58:37,600 --> 00:58:38,760 Speaker 3: but I. 1307 00:58:38,640 --> 00:58:41,439 Speaker 5: Didn't realize that that that I said it out loud. 1308 00:58:41,520 --> 00:58:43,560 Speaker 5: I just kind of and I just went, what the 1309 00:58:43,680 --> 00:58:48,840 Speaker 5: fuck is going on? And Oliver laughed like crazy. He 1310 00:58:48,840 --> 00:58:51,200 Speaker 5: couldn't wait to get home until Danielle like, hey, we're 1311 00:58:51,200 --> 00:58:53,200 Speaker 5: in the we're in the game thing and Dad said 1312 00:58:53,200 --> 00:58:54,480 Speaker 5: this and it was the funniest thing in the world 1313 00:58:54,520 --> 00:58:56,520 Speaker 5: because it was like, seriously, what was going on? 1314 00:58:56,560 --> 00:58:59,040 Speaker 3: Why were all these games happening? Mom? It was the greatest. 1315 00:59:00,120 --> 00:59:01,800 Speaker 5: You must have been like nine or ten, even though like, 1316 00:59:01,840 --> 00:59:04,360 Speaker 5: but I couldn't even control my filthy mouth from coming out. 1317 00:59:06,120 --> 00:59:07,000 Speaker 1: But it is that thing. 1318 00:59:07,680 --> 00:59:09,520 Speaker 6: It feels like that's the kind of thing where there 1319 00:59:09,560 --> 00:59:11,680 Speaker 6: was a turn where for a long time it was 1320 00:59:11,680 --> 00:59:14,920 Speaker 6: like adults making games for kids that were, oh, this 1321 00:59:15,000 --> 00:59:17,360 Speaker 6: is you'll learn to count money or you'll learn to 1322 00:59:18,240 --> 00:59:20,560 Speaker 6: you know, the game of life where you put little 1323 00:59:20,600 --> 00:59:22,640 Speaker 6: things in your car and you'll make the decisions or 1324 00:59:22,680 --> 00:59:26,120 Speaker 6: whatever and they're actually yeah or whatever the fuck you know, 1325 00:59:26,240 --> 00:59:28,400 Speaker 6: or you'll just learn to count or how cards work 1326 00:59:28,480 --> 00:59:31,120 Speaker 6: or whatever. But then that turn of like we're just 1327 00:59:31,160 --> 00:59:33,800 Speaker 6: going to market to the lowest common denominator and just 1328 00:59:33,880 --> 00:59:37,040 Speaker 6: try to make money off of the like what the 1329 00:59:37,080 --> 00:59:39,640 Speaker 6: first thing a third grader thinks of, Yeah, it's just 1330 00:59:39,680 --> 00:59:42,560 Speaker 6: so cynical and like such a bummer to see that. 1331 00:59:42,800 --> 00:59:44,200 Speaker 1: It's just obviously what that is. 1332 00:59:44,560 --> 00:59:46,360 Speaker 5: That's what that was, and that's what it was. It 1333 00:59:46,400 --> 00:59:49,080 Speaker 5: was like a guttural reaction of saying everything you just said. 1334 00:59:49,320 --> 00:59:52,160 Speaker 5: Articularly I just thought, it's just go, what the fuck 1335 00:59:52,280 --> 00:59:52,840 Speaker 5: is going on? 1336 00:59:53,160 --> 00:59:55,880 Speaker 3: Like that? Just beaten down by it like that. 1337 00:59:55,880 --> 00:59:59,400 Speaker 4: That's where we're at. Okay, great, Yeah, I'm surprised. I 1338 00:59:59,400 --> 01:00:01,760 Speaker 4: mean you U have to go behind a curtain that 1339 01:00:01,840 --> 01:00:05,840 Speaker 4: shows topless greeting cards at Spencer Gifts to fight for 1340 01:00:06,120 --> 01:00:07,840 Speaker 4: specific games. 1341 01:00:08,760 --> 01:00:12,400 Speaker 3: Right toilet ring toss, and it's just so awful. 1342 01:00:12,880 --> 01:00:15,800 Speaker 6: You know, when you you can get the new iPods, 1343 01:00:16,560 --> 01:00:18,480 Speaker 6: know I the earbuds. 1344 01:00:18,640 --> 01:00:21,400 Speaker 1: Yes, I never called them right name, and I'm. 1345 01:00:21,200 --> 01:00:23,560 Speaker 4: Not to call iPads and I always will. 1346 01:00:23,800 --> 01:00:27,200 Speaker 6: Yeah, But basically you can get the case that they 1347 01:00:27,240 --> 01:00:31,320 Speaker 6: now come in personalized, so you can get your initials, 1348 01:00:31,320 --> 01:00:33,760 Speaker 6: you can get something award written, and you can also 1349 01:00:33,800 --> 01:00:36,160 Speaker 6: put any emoji on there. And I was looking like, oh, 1350 01:00:36,200 --> 01:00:39,480 Speaker 6: this is kind of cool whatever, and then the ship emoji. 1351 01:00:39,120 --> 01:00:40,040 Speaker 1: Is one of the options. 1352 01:00:40,160 --> 01:00:42,880 Speaker 6: I was like, do that, Like, what kind of low 1353 01:00:42,920 --> 01:00:45,400 Speaker 6: self esteem must you where You're just like, you know, 1354 01:00:45,560 --> 01:00:47,800 Speaker 6: it's my it's my iPad, but you know. 1355 01:00:48,040 --> 01:00:49,120 Speaker 1: Put some ship on there too. 1356 01:00:49,720 --> 01:00:55,400 Speaker 3: They think it's the funniest thing. Put a gun in 1357 01:00:55,440 --> 01:00:57,080 Speaker 3: your mouth, Jesus. 1358 01:01:00,080 --> 01:01:07,880 Speaker 4: Worst, the worst. 1359 01:01:08,960 --> 01:01:10,920 Speaker 1: He just leaves. 1360 01:01:11,000 --> 01:01:14,360 Speaker 4: We slap our our laptop shut if there's silence. 1361 01:01:15,640 --> 01:01:18,280 Speaker 6: Jimmy, I keep seeing someone made a gift of you 1362 01:01:18,320 --> 01:01:21,400 Speaker 6: and I talking when I think it was when I 1363 01:01:21,480 --> 01:01:24,440 Speaker 6: was on Never Not Funny last time when you said 1364 01:01:24,880 --> 01:01:27,480 Speaker 6: you people from Largo were assholes and I was like, 1365 01:01:27,920 --> 01:01:31,360 Speaker 6: you weren't you weren't a dream yourself or something laughing? 1366 01:01:31,480 --> 01:01:32,160 Speaker 1: Do you remember that? 1367 01:01:32,360 --> 01:01:33,160 Speaker 3: I don't at all. 1368 01:01:34,400 --> 01:01:35,400 Speaker 1: Somebody made a gift of it. 1369 01:01:35,480 --> 01:01:37,040 Speaker 6: And I was looking at the other day and it's 1370 01:01:37,080 --> 01:01:40,680 Speaker 6: so funny because the words at the bottom are really mean, 1371 01:01:40,960 --> 01:01:43,760 Speaker 6: and we're both laughing and just. 1372 01:01:43,680 --> 01:01:46,040 Speaker 1: Like, this is so what it's like to be a comedian. 1373 01:01:46,120 --> 01:01:48,320 Speaker 6: We're just like, if you just saw the words, you'd 1374 01:01:48,320 --> 01:01:51,640 Speaker 6: think we were completely like confronting each other, like we're 1375 01:01:51,640 --> 01:01:55,520 Speaker 6: on a reality show together, and instead we're just both laughing, 1376 01:01:55,640 --> 01:01:56,880 Speaker 6: just being like, you're a prick. 1377 01:01:57,000 --> 01:01:58,320 Speaker 1: Well you were an asshole too. 1378 01:01:58,720 --> 01:01:58,919 Speaker 3: Yeah. 1379 01:01:58,960 --> 01:02:02,240 Speaker 4: When I first met you, I didn't know just how 1380 01:02:02,360 --> 01:02:05,200 Speaker 4: sarcastic you were. I was only impressed that you came 1381 01:02:05,240 --> 01:02:07,480 Speaker 4: to Cap City in Austin once a year and you 1382 01:02:07,600 --> 01:02:10,600 Speaker 4: remembered my name and that I was from Montana. But 1383 01:02:10,640 --> 01:02:14,240 Speaker 4: then you started making fun of me, and I totally 1384 01:02:14,240 --> 01:02:17,280 Speaker 4: thought you were serious. And then you walked away and 1385 01:02:17,320 --> 01:02:19,520 Speaker 4: you were shaking your head, and like ten minutes later 1386 01:02:19,560 --> 01:02:21,800 Speaker 4: you came over and he said, you know, I'm kidding, 1387 01:02:21,840 --> 01:02:24,440 Speaker 4: right that that's what I do. I go to the 1388 01:02:24,520 --> 01:02:28,320 Speaker 4: ultimate end of what you can do with sarcasm, and uh, 1389 01:02:28,360 --> 01:02:30,480 Speaker 4: that's what I just did. And I'm like, oh, okay, 1390 01:02:30,480 --> 01:02:31,560 Speaker 4: I'll get it from now on. 1391 01:02:32,200 --> 01:02:32,439 Speaker 3: Yeah. 1392 01:02:32,600 --> 01:02:36,120 Speaker 5: See, it's fun just I have I think it's always 1393 01:02:36,160 --> 01:02:37,440 Speaker 5: best when you have to explain that you just had 1394 01:02:37,440 --> 01:02:41,120 Speaker 5: a good time, right, that's the best comedy. Karen is 1395 01:02:41,160 --> 01:02:44,200 Speaker 5: your camera somehow getting more vasolene on it as this 1396 01:02:44,240 --> 01:02:44,840 Speaker 5: show goes on. 1397 01:02:45,360 --> 01:02:48,200 Speaker 1: Probably oh this, yeah, that's it. That's it. 1398 01:02:48,200 --> 01:02:50,560 Speaker 3: It's looking more more civil Shepherdy as we go. Yeah, 1399 01:02:50,720 --> 01:02:51,000 Speaker 3: thank you. 1400 01:02:51,240 --> 01:02:52,160 Speaker 1: Wait good or bad? 1401 01:02:52,520 --> 01:02:52,720 Speaker 4: Good? 1402 01:02:52,840 --> 01:02:53,040 Speaker 3: Bad? 1403 01:02:53,840 --> 01:02:56,680 Speaker 6: It's the sun is going down, so I'm facing I 1404 01:02:56,760 --> 01:02:58,840 Speaker 6: literally face like the sunset direction. 1405 01:02:59,360 --> 01:03:00,840 Speaker 1: So here it as it goes down. 1406 01:03:01,000 --> 01:03:04,840 Speaker 6: Yes, I basically start to disappear the darkness of the room. 1407 01:03:04,960 --> 01:03:08,960 Speaker 4: It did look exactly like a romantic dream sequence from Moonlighting. 1408 01:03:09,360 --> 01:03:10,360 Speaker 3: You are very much. 1409 01:03:10,960 --> 01:03:12,440 Speaker 1: It could just be my beauty. 1410 01:03:12,960 --> 01:03:15,720 Speaker 3: Well, that's always on the table, Kara. Nobody's dismissing that. 1411 01:03:16,360 --> 01:03:16,960 Speaker 1: It's ability. 1412 01:03:17,440 --> 01:03:20,840 Speaker 4: Let's lord, it's your dog's bit. It's not saliva again. 1413 01:03:21,600 --> 01:03:23,160 Speaker 6: Yeah, I just have the dog come up and lick 1414 01:03:23,240 --> 01:03:25,000 Speaker 6: the camera right before every zoom. 1415 01:03:25,080 --> 01:03:28,240 Speaker 4: Hey, you gotta clean it somehow clean that lens, doggy. 1416 01:03:28,360 --> 01:03:30,760 Speaker 3: I'm glad, glad you brought back that callback of me 1417 01:03:30,800 --> 01:03:33,560 Speaker 3: insulting Eddy Pepatone for no reason whatsoever. Thanks for bringing 1418 01:03:33,600 --> 01:03:33,880 Speaker 3: that back. 1419 01:03:33,960 --> 01:03:37,840 Speaker 1: Christ Everyone can take it. Everyone can take it. 1420 01:03:38,840 --> 01:03:42,640 Speaker 6: That's our love language hatred, right. 1421 01:03:43,160 --> 01:03:46,120 Speaker 4: Yeah, Eddie Pepperton knows you love him, and I do 1422 01:03:46,200 --> 01:03:47,200 Speaker 4: love Eddi Peppatone. 1423 01:03:47,360 --> 01:03:49,080 Speaker 5: I see Eddie Pepatone every year. I didn't see him 1424 01:03:49,080 --> 01:03:50,640 Speaker 5: this year because of the pandemic, but every year we 1425 01:03:51,280 --> 01:03:54,960 Speaker 5: Janieith Wilson. Wilson puts together a little thing for the 1426 01:03:54,960 --> 01:03:58,880 Speaker 5: the women shelters. She puts together at Christmas a party 1427 01:03:58,920 --> 01:04:03,200 Speaker 5: for them. Sure, Eddie, my wife volunteers. Eddi Pepatone volunteers. 1428 01:04:03,760 --> 01:04:07,240 Speaker 3: I show up and shake some hands and the kids 1429 01:04:07,280 --> 01:04:08,880 Speaker 3: get a nice charge out of me when I shows up. 1430 01:04:08,880 --> 01:04:10,160 Speaker 5: Hey, it's the guy from the Game show from two 1431 01:04:10,160 --> 01:04:12,919 Speaker 5: thousand and five. That's great, take a nice charge. 1432 01:04:12,960 --> 01:04:13,480 Speaker 1: I love it. 1433 01:04:13,680 --> 01:04:17,760 Speaker 4: Oh, Merry Christmas. Children and I see every year, and 1434 01:04:18,240 --> 01:04:20,640 Speaker 4: he's great. I haven't seen him in many years. I 1435 01:04:20,680 --> 01:04:22,440 Speaker 4: haven't seen anyone in a while. 1436 01:04:22,800 --> 01:04:26,880 Speaker 3: But uh, Chris, Chris word of pandemic. Nobody sees anybody. 1437 01:04:27,000 --> 01:04:29,560 Speaker 4: Yeah, but it's specific to me when I think about 1438 01:04:29,560 --> 01:04:33,240 Speaker 4: the situation I'm in. He's a little different. You know, 1439 01:04:33,280 --> 01:04:37,240 Speaker 4: I don't have roommates. My apartment is up on a hill. 1440 01:04:37,360 --> 01:04:39,160 Speaker 4: I did there's no one passing by. 1441 01:04:39,720 --> 01:04:43,520 Speaker 6: Oh yeah, Matt Dylan never happens into your apartment. 1442 01:04:44,760 --> 01:04:46,960 Speaker 4: If I did, I'd kiss faces with him and say 1443 01:04:47,000 --> 01:04:49,680 Speaker 4: I love him the butt heads and then say I 1444 01:04:49,720 --> 01:04:50,120 Speaker 4: love him. 1445 01:04:50,320 --> 01:04:52,240 Speaker 1: Jimmy, do you have anything to plug or do you 1446 01:04:52,240 --> 01:04:54,960 Speaker 1: want to talk about upcoming events in your life that 1447 01:04:55,200 --> 01:04:56,560 Speaker 1: you would like people to attend. 1448 01:04:56,840 --> 01:04:59,320 Speaker 5: Oh, well, of course I got the ord WINNI podcast 1449 01:04:59,400 --> 01:05:01,760 Speaker 5: Never not Funny that we enjoy of course having both 1450 01:05:01,760 --> 01:05:06,400 Speaker 5: of you on fan Favorites. And I do a thing 1451 01:05:07,280 --> 01:05:10,080 Speaker 5: on YouTube called Jimmy's Records and Tapes that it's at 1452 01:05:10,440 --> 01:05:12,400 Speaker 5: YouTube dot com, slash number not funny that it's me 1453 01:05:13,640 --> 01:05:17,560 Speaker 5: talking this season, it's my five favorite of a certain topic, 1454 01:05:18,640 --> 01:05:22,520 Speaker 5: be it, you know, my five favorite prog rock songs, 1455 01:05:22,560 --> 01:05:26,280 Speaker 5: my five favorite. 1456 01:05:24,680 --> 01:05:26,960 Speaker 3: Horn songs, so on and so forth. But you're not 1457 01:05:26,960 --> 01:05:29,040 Speaker 3: coming to it for musical expertise. You're coming to watch 1458 01:05:29,080 --> 01:05:30,680 Speaker 3: me via jackass talking about music. 1459 01:05:30,800 --> 01:05:33,440 Speaker 4: Yeah, topic doesn't matter, but you are. 1460 01:05:33,800 --> 01:05:37,880 Speaker 6: You are a musical expert because I did back when 1461 01:05:38,080 --> 01:05:41,040 Speaker 6: Julian McCullough used to do Julian Love's music. I did 1462 01:05:41,080 --> 01:05:43,880 Speaker 6: that with you a couple times and you pulled out 1463 01:05:44,240 --> 01:05:49,400 Speaker 6: some esoteric information that was so mind blowing. Like a 1464 01:05:49,480 --> 01:05:51,640 Speaker 6: couple of times we played games and you had like 1465 01:05:52,040 --> 01:05:54,680 Speaker 6: you listed things by year, where I was just like, 1466 01:05:54,720 --> 01:05:56,000 Speaker 6: what is going on? 1467 01:05:56,280 --> 01:05:57,880 Speaker 1: Like you really do know your stuff. 1468 01:05:57,960 --> 01:06:00,160 Speaker 3: I know I know what I know. 1469 01:05:59,800 --> 01:06:00,240 Speaker 1: I know. 1470 01:06:01,080 --> 01:06:02,920 Speaker 5: But if you start talking about the Black Keys and 1471 01:06:02,960 --> 01:06:03,960 Speaker 5: saying that you saw the drummer. 1472 01:06:04,120 --> 01:06:06,600 Speaker 3: I don't know. I couldn't even pick a song of theirs, 1473 01:06:06,600 --> 01:06:08,440 Speaker 3: Like if you started playing it, I would go, who's that? 1474 01:06:08,440 --> 01:06:10,440 Speaker 5: I wouldn't have a clue. But what I know, I 1475 01:06:10,520 --> 01:06:12,880 Speaker 5: know all of it. I'm in okay, yeah, yeah, I'm 1476 01:06:12,920 --> 01:06:15,600 Speaker 5: in got it. I'm also doing a live thank you 1477 01:06:15,680 --> 01:06:17,520 Speaker 5: ver ask Karen and I only bring this up I 1478 01:06:17,520 --> 01:06:22,360 Speaker 5: think it's February seventeenth. I'm doing a Nope wrong about 1479 01:06:22,440 --> 01:06:27,440 Speaker 5: that dates February nineteenth at Flapperscomedy dot com. I've been 1480 01:06:27,480 --> 01:06:30,680 Speaker 5: doing these monthly shows where I figured out a way 1481 01:06:30,720 --> 01:06:33,440 Speaker 5: to do virtual crowd work and I'm doing it where 1482 01:06:33,040 --> 01:06:37,440 Speaker 5: I interview the people and like the producer in the 1483 01:06:37,440 --> 01:06:41,200 Speaker 5: showroom find it just picks anybody at random. I interview 1484 01:06:41,280 --> 01:06:43,240 Speaker 5: that person and then I asked that. I say, hey, 1485 01:06:43,240 --> 01:06:45,240 Speaker 5: what story or bit would you like to hear from 1486 01:06:45,280 --> 01:06:47,280 Speaker 5: my act? And I'll do it and if it's like 1487 01:06:47,320 --> 01:06:50,080 Speaker 5: an old thing, I kind of find my way through 1488 01:06:50,080 --> 01:06:52,800 Speaker 5: it and maybe mangle it which is funny, or I 1489 01:06:53,400 --> 01:06:56,600 Speaker 5: nail it and that's funny. So those have been a 1490 01:06:56,640 --> 01:06:58,400 Speaker 5: lot of fun So come out buy for that. If 1491 01:06:58,400 --> 01:06:59,480 Speaker 5: that interests you in any way. 1492 01:06:59,600 --> 01:07:02,280 Speaker 4: Yeah, that one time Karen and I did that with 1493 01:07:02,320 --> 01:07:05,600 Speaker 4: Greg Barrett where we assigned each other bits that we 1494 01:07:05,640 --> 01:07:07,520 Speaker 4: remembered from the other person and we had to do 1495 01:07:07,600 --> 01:07:09,760 Speaker 4: them in a live at that live podcast. 1496 01:07:09,920 --> 01:07:12,000 Speaker 3: Fine, right, it was so yes, it was, you know, 1497 01:07:12,360 --> 01:07:13,800 Speaker 3: it's it's amazing that you say that. Christ. 1498 01:07:14,200 --> 01:07:17,600 Speaker 5: Going back to the live setting, I worked with Pam Stone. 1499 01:07:17,600 --> 01:07:21,320 Speaker 5: Remember Pam Stone, very funny, talk tall, but she's very 1500 01:07:21,320 --> 01:07:22,920 Speaker 5: tall because I'm five foot four, everybody's tall. 1501 01:07:23,880 --> 01:07:26,440 Speaker 3: She was on coach. She was very funny and she. 1502 01:07:28,040 --> 01:07:30,320 Speaker 5: It just makes me think of them camaraderie that at 1503 01:07:30,320 --> 01:07:32,880 Speaker 5: one point some comics used to have and maybe they 1504 01:07:32,920 --> 01:07:34,520 Speaker 5: still have it, and I just don't, not with the 1505 01:07:34,560 --> 01:07:38,520 Speaker 5: right people anymore, but like give each other words to 1506 01:07:38,560 --> 01:07:41,400 Speaker 5: say on stage or hey, hey, I dare you to 1507 01:07:41,440 --> 01:07:44,680 Speaker 5: do that bit that always bombed. And so I was 1508 01:07:44,680 --> 01:07:46,520 Speaker 5: working with I was working with Pam Stone, and she 1509 01:07:47,440 --> 01:07:51,200 Speaker 5: told me to say, uh what did she I don't 1510 01:07:51,200 --> 01:07:53,120 Speaker 5: remember what words she told me to say, but I 1511 01:07:53,200 --> 01:07:55,160 Speaker 5: thought she told me to say C O N T. 1512 01:07:55,480 --> 01:07:58,680 Speaker 3: That's what I thought she told me to say. And 1513 01:07:58,760 --> 01:08:01,280 Speaker 3: so I figure out a way to say it on stage, 1514 01:08:01,720 --> 01:08:03,200 Speaker 3: and then I come off, and she goes, what the 1515 01:08:03,200 --> 01:08:04,800 Speaker 3: fuck is the matter with you? Why don't you say 1516 01:08:04,800 --> 01:08:06,520 Speaker 3: that word? I go, you told you doubt me to 1517 01:08:07,000 --> 01:08:09,000 Speaker 3: and she's like, no, I told you to say dixie Cup. 1518 01:08:09,080 --> 01:08:13,000 Speaker 3: Like I don't know what I thought you said, but 1519 01:08:13,160 --> 01:08:15,760 Speaker 3: I loved I love that ship. So I would love 1520 01:08:15,800 --> 01:08:17,360 Speaker 3: to do a show with you guys where we do that, 1521 01:08:17,400 --> 01:08:19,000 Speaker 3: where we try to find a way to. 1522 01:08:19,200 --> 01:08:22,439 Speaker 4: Hope it was and I hope you in your act 1523 01:08:22,520 --> 01:08:27,160 Speaker 4: you said dixie content at some point it paints a 1524 01:08:27,240 --> 01:08:28,320 Speaker 4: very Southern picture. 1525 01:08:28,439 --> 01:08:30,640 Speaker 5: I love it well. She is from the South, So 1526 01:08:30,680 --> 01:08:32,800 Speaker 5: there's a good point that she made. I think she 1527 01:08:32,920 --> 01:08:35,760 Speaker 5: said to say that word and then backpedaled when the 1528 01:08:35,800 --> 01:08:36,920 Speaker 5: audiences care for it. 1529 01:08:37,720 --> 01:08:39,120 Speaker 1: Yeah, that's like I would never. 1530 01:08:40,680 --> 01:08:43,479 Speaker 3: You, sir, Yeah, that that would be r. 1531 01:08:43,439 --> 01:08:46,280 Speaker 6: At this point, it would be a dream to do 1532 01:08:46,439 --> 01:08:49,360 Speaker 6: a night of comedy with you guys, Oh my gosh, 1533 01:08:49,400 --> 01:08:51,360 Speaker 6: as someone who like I was trying to get back 1534 01:08:51,360 --> 01:08:52,600 Speaker 6: into it and then I just didn't like it and 1535 01:08:52,640 --> 01:08:54,920 Speaker 6: I wouldn't work on it, and blah blah blah. And 1536 01:08:55,080 --> 01:08:59,000 Speaker 6: at this point, a year, a year into this fucking quarantine, 1537 01:08:59,320 --> 01:09:00,320 Speaker 6: I would try my best. 1538 01:09:00,320 --> 01:09:02,040 Speaker 1: I would write any things I would. 1539 01:09:02,000 --> 01:09:03,760 Speaker 6: I would do everything I could to do in a 1540 01:09:03,920 --> 01:09:05,240 Speaker 6: night of comedy with my friends. 1541 01:09:05,320 --> 01:09:06,920 Speaker 3: Yeah, it would be wonderful when we do it. 1542 01:09:06,960 --> 01:09:09,160 Speaker 4: We have to give each other assignments. I like that 1543 01:09:09,240 --> 01:09:12,479 Speaker 4: idea here it is, yeah, yes, for sure. Well, if 1544 01:09:12,479 --> 01:09:15,519 Speaker 4: you haven't heard Jimmy Pardos podcast Never Not Funny, it 1545 01:09:15,640 --> 01:09:18,639 Speaker 4: is I think the first podcast that I ever knew about, 1546 01:09:18,720 --> 01:09:21,360 Speaker 4: and certainly the first one I was ever a guest on. 1547 01:09:22,040 --> 01:09:24,679 Speaker 4: And uh yeah, I've learned a lot from Jimmy and 1548 01:09:24,720 --> 01:09:26,880 Speaker 4: he's great. And you just heard how funny he is. 1549 01:09:26,960 --> 01:09:27,559 Speaker 3: So uh oh. 1550 01:09:28,000 --> 01:09:30,639 Speaker 4: This is a conclusionary statement, and I think a pretty 1551 01:09:30,680 --> 01:09:31,200 Speaker 4: good one. 1552 01:09:31,400 --> 01:09:33,320 Speaker 3: Pretty good. I ramped down. 1553 01:09:33,160 --> 01:09:36,240 Speaker 1: Nice, You're definitely warming it down. 1554 01:09:36,280 --> 01:09:39,000 Speaker 4: That's yeah. You gotta cool off a lot of people 1555 01:09:39,479 --> 01:09:42,519 Speaker 4: if you just abruptly end, they pull a hammy or something, 1556 01:09:42,520 --> 01:09:44,240 Speaker 4: they pull up rustle in their leg. 1557 01:09:45,760 --> 01:09:47,479 Speaker 3: You can't he got cool. 1558 01:09:47,400 --> 01:09:49,760 Speaker 1: Down, Jimmy, thank you so much for doing I am. 1559 01:09:49,640 --> 01:09:51,479 Speaker 5: Honored, honest to god. I'm so great to see you guys, 1560 01:09:51,520 --> 01:09:53,120 Speaker 5: my friends. It was great to see you, and as 1561 01:09:53,160 --> 01:09:54,519 Speaker 5: being part of the show was great to see you. 1562 01:09:54,600 --> 01:09:56,960 Speaker 5: So thank you, thank you, and say hello come back. 1563 01:09:57,000 --> 01:10:00,200 Speaker 4: So yeah, yeah, say hello to Danielle and Oliver please, yes, 1564 01:10:00,640 --> 01:10:03,559 Speaker 4: of course you've been listening to Do you need a ride? 1565 01:10:03,960 --> 01:10:13,080 Speaker 3: D y n A R? Are you leaving? I? 1566 01:10:13,439 --> 01:10:17,360 Speaker 2: You wanna way back home? Either way we want to 1567 01:10:17,400 --> 01:10:22,880 Speaker 2: be there. Doesn't matter how much baggage you claim and 1568 01:10:23,040 --> 01:10:26,880 Speaker 2: give us time and a turmano and gage. 1569 01:10:28,240 --> 01:10:29,759 Speaker 1: We want to send you. 1570 01:10:29,560 --> 01:10:34,479 Speaker 2: Off instead, we want to welcome you back home. 1571 01:10:36,320 --> 01:10:38,640 Speaker 6: Tell us all about ity scared her? 1572 01:10:38,880 --> 01:10:39,639 Speaker 1: Was it fine? 1573 01:10:41,600 --> 01:10:42,200 Speaker 6: Malborn? 1574 01:10:58,120 --> 01:11:01,519 Speaker 1: Do you need to ride? Do you need to ride? 1575 01:11:02,120 --> 01:11:03,400 Speaker 4: Do you need to ride? 1576 01:11:04,080 --> 01:11:07,439 Speaker 1: Do you need to ride? Do you need to ride? 1577 01:11:08,000 --> 01:11:09,920 Speaker 1: Do you need to ride? 1578 01:11:10,080 --> 01:11:11,360 Speaker 4: Do you need to ride? 1579 01:11:11,960 --> 01:11:17,759 Speaker 3: Do you need. 1580 01:11:19,200 --> 01:11:20,240 Speaker 4: With Karen and chriss 1581 01:11:22,000 --> 01:11:22,280 Speaker 6: M h