WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the Best Bits of the Week with Morgan number two.

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<v Speaker 1>What is up, y'all? Welcome to the Best Bits, Just

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<v Speaker 1>the Bits, y'all are coming from listening to the conversation

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<v Speaker 1>I had with Mike d this weekend, which was so fun.

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<v Speaker 1>We had a great conversation as always and they always

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<v Speaker 1>turn into some therapy sessions, and Mike and I both

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<v Speaker 1>had some realizations during that podcast. So if you're listening

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<v Speaker 1>to this right now, while you're hearing coming out of

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<v Speaker 1>my voice, this is the Best Bits, just the Bits.

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<v Speaker 1>I'm going to enter all the bits that you can

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<v Speaker 1>listen to and catch up on the show, But if

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<v Speaker 1>you want to hear it just the conversation with Mike,

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<v Speaker 1>then make sure you check out Part one. We're going

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<v Speaker 1>to kick it off with number seven. This is Restless Road.

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<v Speaker 1>It was their first ever appearance on the show, and

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<v Speaker 1>they shared the connection they have to Kane Brown, how

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<v Speaker 1>their bands started, how it's evolved in just so many

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<v Speaker 1>cool things, plus a really awesome medley performance. If you

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<v Speaker 1>don't hear it here, you can go watch it at

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<v Speaker 1>Bobby Bones dot com. Number seven on The Bobby Bones Show. Now,

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<v Speaker 1>Restless Road fellas good to see you Amy, I would

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<v Speaker 1>like for you to meet Restless Road. Zach say hi

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<v Speaker 1>to Amy. Hey Amy, Hello? I like this. This is

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<v Speaker 1>like Colton. Oh, Garrett, Hey, Amy, I'm Garrett. Hello. There

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<v Speaker 1>you got it now. So this this body of work

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<v Speaker 1>here is Restless Road. We played the opery together last

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<v Speaker 1>week and Charles Kelley from Lady A came and sang

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<v Speaker 1>with you guys, and it's pretty cool. It was, it was,

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<v Speaker 1>It was absolutely incredible. I mean because he was a

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<v Speaker 1>co writer on the on the new single, so it

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<v Speaker 1>was an honor kind of to have him come out

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<v Speaker 1>and play it with us. Do you know how I

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<v Speaker 1>knew that he wrote the song is because he texts

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<v Speaker 1>me bragging that he wrote the song sounds about right yeah,

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<v Speaker 1>and then I saw there you go, there you go.

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<v Speaker 1>So before we talk about kind of you guys and

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<v Speaker 1>you know who you are, I'd like for audience to

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<v Speaker 1>hear you a little bit. I know you guys do

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<v Speaker 1>this cool medley that I've heard you do. Do you

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<v Speaker 1>think you guys could do that here live on the show. Oh?

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<v Speaker 1>Absolutely good. All right, here we go. Here's Restless Road,

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<v Speaker 1>Baby locking door and turn the lights down. Loop put

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<v Speaker 1>some music on the song to slow, baby, we ain't

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<v Speaker 1>got no place to go. I hope you want to stay.

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<v Speaker 1>I've ben thinking about the sowday long. Never fail to

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<v Speaker 1>feeling quietly the strong. I can leave ow Woogie turns

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<v Speaker 1>he home just to be old man that I can

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<v Speaker 1>take a full right on a big green tractor and

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<v Speaker 1>we can go slow the biggie, go faster down through

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<v Speaker 1>the woods, round to the pasture, and long the time

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<v Speaker 1>of you. He really don't matter the time of being,

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<v Speaker 1>laugh and drive if you want to, girl, you know

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<v Speaker 1>you got meet on too. We can go town maybe

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<v Speaker 1>if you'd rather take a full right on my being

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<v Speaker 1>Greek tractor and both should have been a cowboy. Shouldn't

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<v Speaker 1>room be right? Well? M seeing you right in my

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<v Speaker 1>phony on chat of dry steal any young girl? So

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<v Speaker 1>just my jean, see those can't fire songs or should

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<v Speaker 1>have been Caldbey or should have been Campbell. You love me?

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<v Speaker 1>You won't be my friend? Sitting to will don't le

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<v Speaker 1>Bret take me by? Won't I think this is sound?

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<v Speaker 1>Chick chick, oh bobby chick, so restless road, nice job

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<v Speaker 1>fellas you know. I know what it's like now because

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<v Speaker 1>I've been jaded a bit after being at a lot

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<v Speaker 1>of shows. When someone yells at your hometown, you feel

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<v Speaker 1>excited and you're like, oh, so that I've lost. However,

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<v Speaker 1>I wasn't expecting the rhyme with Bobby Bones and I

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<v Speaker 1>was like, oh, you worm or something. It was. It

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<v Speaker 1>was a it was a low hanging fruit. We had

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<v Speaker 1>to get it. Um. So let's kind of start at

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<v Speaker 1>the beginning here. I know you guys from knowing Kane Brown, right,

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<v Speaker 1>I think Kane is what interest who introduced me to

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<v Speaker 1>you guys? So, Garrett, what's the situation. How do you

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<v Speaker 1>guys know Kine? Well Colton, Colton can probably tell you that. So, um,

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<v Speaker 1>we know came from back in two thousand and thirteen.

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<v Speaker 1>We were all on the TV show The X Factor

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<v Speaker 1>together and that's kind of where Wrestless Roads started, and

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<v Speaker 1>we were kind of all we all met each other

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<v Speaker 1>in Los Angeles and Hollywood week and it was we

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<v Speaker 1>were kind of all pitted against each other, or so

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<v Speaker 1>we thought, and then um, coming to find out no,

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<v Speaker 1>they were all along trying to set up this for

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<v Speaker 1>this four person group, and Kane was supposed to be

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<v Speaker 1>in Wrestless Road, but then Kane decided he wanted to

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<v Speaker 1>go on and to solo stuff, and he became the

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<v Speaker 1>King Brown that everybody knews and loves. And we continued. So, Zach,

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<v Speaker 1>when you're from whichaw, Kansas? My family actually lives there now,

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<v Speaker 1>but I was born and raised in Iowa, then lived

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<v Speaker 1>in Michigan and Pennsylvania. My dad, he's a choir director,

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<v Speaker 1>so he got a job at Wichita State University. So

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<v Speaker 1>that's why I call home now. Okay, shocker, shout out.

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<v Speaker 1>So you're home now? Is Wichita? Well? I just call

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<v Speaker 1>home where my family lives. From home? Do you live here?

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<v Speaker 1>That's tough the thing where? So you moved around a

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<v Speaker 1>whole lot and your dad was a choir instructor. Yeah,

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<v Speaker 1>he's a choir director. So does was he hard on you? No? Honestly,

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<v Speaker 1>I wouldn't actually ever let him hear me sing. It

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<v Speaker 1>was kidding. Its weird, I don't know what it was like.

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<v Speaker 1>I wanted to prove it on my own or something.

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<v Speaker 1>I would never let him help me sing. And I

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<v Speaker 1>eventually joined choir myself. He wasn't my teacher, but I

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<v Speaker 1>joined because I was moving school so much. I needed

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<v Speaker 1>to do something to kind of make friends, and I

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<v Speaker 1>kind of fit in so I just kind of kept

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<v Speaker 1>up with it, and yeah, it's my dream honestly to

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<v Speaker 1>do like a choir remix to one of our songs

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<v Speaker 1>and have my dad come out and like conduct the

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<v Speaker 1>choir so with a stick. He's got this stick. He

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<v Speaker 1>actually got him a custom one for Christmas. There it's

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<v Speaker 1>called but Tom. I don't know, actually don't know, but yeah,

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<v Speaker 1>the choir guy's son. You should know, you're yeah, you're

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<v Speaker 1>you're you're his son, and you should be asking, Yeah,

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<v Speaker 1>I've never been in a choir before. Yeah, he's got

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<v Speaker 1>the stick and everything. So rest the name Restless Road?

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<v Speaker 1>What is the what's the genesis of that? I wish

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<v Speaker 1>it had a really cool story. I don't know what

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<v Speaker 1>came first, the name or the meaning. Let's make up.

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<v Speaker 1>Let's just make up a name that they've really told us,

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<v Speaker 1>you know, on the show. They said, hey, we need

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<v Speaker 1>a name by the end of the day. And we

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<v Speaker 1>were coming up with just everything we could and nothing

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<v Speaker 1>was sticking. And we just said Restless Road and the

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<v Speaker 1>guy was like, man, that sounds like some and we

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<v Speaker 1>never looked back, you know, And now now I feel

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<v Speaker 1>like it kind of has taken on its own meaning.

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<v Speaker 1>This whole journey to get to this point in life.

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<v Speaker 1>In general, for everybody, it's it's a restless road. It's

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<v Speaker 1>it's you never know what you're gonna get. And we

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<v Speaker 1>have this whole catchphrase and it's called keep your eyes

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<v Speaker 1>on the road, and it's just all about staying focused

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<v Speaker 1>on your dream and your goal. And that's kind of

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<v Speaker 1>so it's kind of I feel like developed the meaning.

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<v Speaker 1>I'm gonna give you a meaning. So when you guys

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<v Speaker 1>met you, you hit it off, and you all were

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<v Speaker 1>like on ancestry dot com or one of those sites,

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<v Speaker 1>and you realize when you look back into your history

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<v Speaker 1>that all of your grandparents lived on Restless Avenue, but

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<v Speaker 1>Wrestless Avenue didn't sound good. So crazy coincidence that they

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<v Speaker 1>all live in the same place because they were all

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<v Speaker 1>fighting for America in World War One and they lived

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<v Speaker 1>on Wrestless Avenue. And you're like, wow, we can't believe

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<v Speaker 1>that we're all matched together. This has got to be

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<v Speaker 1>some some sign from God. And so instead of Wrestless Avenue,

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<v Speaker 1>you're like, let's just say Wrestless Road because it sounds better.

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<v Speaker 1>And then now representing USA U three, Wrestless Road, that's

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<v Speaker 1>your new story. You can have it free. Well I'm

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<v Speaker 1>glad you said that because my free trial on answer

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<v Speaker 1>try dot Com ran out before I got Okay, that's great.

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<v Speaker 1>We know what's really ironic though, that you say that

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<v Speaker 1>my grandpa after we were on the show, he changed

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<v Speaker 1>the name of my home, the road that we lived

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<v Speaker 1>one in our hometown. And it's not a total lie,

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<v Speaker 1>so let's go literally live. He really did change it,

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<v Speaker 1>and then he got really mad because my grandpa's like

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<v Speaker 1>kind of a recluse, so he doesn't like people. And

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<v Speaker 1>so there was two like, there was people stopping by

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<v Speaker 1>because when we were rolled in the show, people were

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<v Speaker 1>wanting to stop by and see where this was. And

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<v Speaker 1>he went out there and chopped the whole sign down

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<v Speaker 1>and never put it back out. So I don't know

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<v Speaker 1>if it's still legally Wrestless Road, but we're gonna we're

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<v Speaker 1>gonna say it is our Wrestless avenue. This was That

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<v Speaker 1>whole situation works. So what's the living situation with you guys?

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<v Speaker 1>You guys live together. Me and Zach do. We live

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<v Speaker 1>over in East Nashville and Colton. He has a beautiful family.

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<v Speaker 1>He's married, he has two little girls. Why don't you

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<v Speaker 1>move with them. He's got to have room now, I don't.

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<v Speaker 1>I don't know. I don't know if he he I

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<v Speaker 1>don't know if he can handle two more the poncles. Dude,

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<v Speaker 1>So are you guys known as uncle? Oh? Yeah, there

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<v Speaker 1>we're Uncle Gee and Uncle Zach. Yeah. And your kids

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<v Speaker 1>are how old? Two and four? I mean you're like sixteen?

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<v Speaker 1>How do you have to kick kids? I know, man,

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<v Speaker 1>I've been married for seven years too already. Wow. And

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<v Speaker 1>so yeah, and you grew up where West Virginia? Now,

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<v Speaker 1>did you ever make the walk to Tennessee? And I

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<v Speaker 1>say that because Eddie did from West Virginia. I know

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<v Speaker 1>a few people that's done it. Um, y'all are a

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<v Speaker 1>different breed of people. Man, I lived I lived out there,

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<v Speaker 1>and I don't think that you couldn't catch me walking

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<v Speaker 1>that far. It's it is a long walk. Colton. What

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<v Speaker 1>what's your hometown? Like? Small? Real small? Um? We had uh,

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<v Speaker 1>we have one one stop sign, one gas station. Um,

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<v Speaker 1>and it there's about two. Last time they did a census,

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<v Speaker 1>there was two hundred and seventy two people in the town.

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<v Speaker 1>So everybody knows everyone. Um. But it's it's honestly really

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<v Speaker 1>cool because I feel like, uh, just West Virginia in general,

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<v Speaker 1>they tend to rally around people that are doing stuff

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<v Speaker 1>because not a lot of people get out of West

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<v Speaker 1>Virginia and and do something. So, um, it's been it's

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<v Speaker 1>been a really awesome experience and being able to go back.

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<v Speaker 1>They actually, I don't know if this is this is

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<v Speaker 1>it's weird, but they put I seen you have a

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<v Speaker 1>sign in your hometown and they put home of Colton

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<v Speaker 1>pack um in front of mine, which was a really cool,

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<v Speaker 1>really cool moment um. So they're they're definitely proud. It's

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<v Speaker 1>it's it's a really cool, a really cool thing, and

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<v Speaker 1>I love to get to go back when I can. So,

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<v Speaker 1>so you're from West Virginia. And then Zach like where

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<v Speaker 1>it is? I know you see you families in which

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<v Speaker 1>town now? But to you, where's home? As a kid,

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<v Speaker 1>you gotta be you gotta pick a place where would

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<v Speaker 1>it be? It's really hard. Um, I've always said I

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<v Speaker 1>kind of feel like I don't have a hometown. Maybe

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<v Speaker 1>we'll write a song about it. That's crazy that you

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<v Speaker 1>feel that you feel like you don't have a hometown. Um,

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<v Speaker 1>but in a lot of ways, it's It's something that

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<v Speaker 1>my dad would would apologize for later on and be like,

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<v Speaker 1>I'm really sorry that, you know, we had to move around.

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<v Speaker 1>But I actually really value and appreciate that experience because

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<v Speaker 1>it really forced me to come out of my shell

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<v Speaker 1>and uh just adapts a new situations and I've applied

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<v Speaker 1>that a lot to what we're doing today. Um, but

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<v Speaker 1>I feel sad for him. I feel sad for you

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<v Speaker 1>being acquired director, you know, military expect I feel like

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<v Speaker 1>you have a hometown. Yeah, well, I got friends in

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<v Speaker 1>a lot of places I got you know, I loved

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<v Speaker 1>my Michigan friends. That's kind of where I feel like

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<v Speaker 1>I that's where I started singing. That's where I did

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<v Speaker 1>this time, East Lansing. Okay, there it is. There's his hometown. Okay.

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<v Speaker 1>My question would be if like you were playing Monday

0:11:51.960 --> 0:11:55.280
<v Speaker 1>night football and he's like, you know, I'm from home

0:11:55.320 --> 0:11:58.200
<v Speaker 1>to Mountain Pine Ark and tell Bob. You'd be like, oh,

0:11:58.320 --> 0:12:00.000
<v Speaker 1>I don't have a hometown. We'd be like, I got

0:12:00.120 --> 0:12:02.839
<v Speaker 1>change because I feel sat any watch football now, you know,

0:12:03.480 --> 0:12:06.320
<v Speaker 1>but I like it. I like your attitude about it. Um,

0:12:07.800 --> 0:12:12.480
<v Speaker 1>whenever you guys started playing together, did you feel like, oh, man,

0:12:12.520 --> 0:12:14.240
<v Speaker 1>I kind of wanted to be solo. Now we're together,

0:12:14.800 --> 0:12:16.800
<v Speaker 1>it was that that kind of a process to get

0:12:16.840 --> 0:12:18.480
<v Speaker 1>through or we like, man, we actually are a lot

0:12:18.520 --> 0:12:22.000
<v Speaker 1>better together than we were by ourselves. This is way

0:12:22.000 --> 0:12:23.800
<v Speaker 1>more fun being a group. This, Yeah, it would be.

0:12:24.000 --> 0:12:26.800
<v Speaker 1>I just think, you know, being a group obviously comes

0:12:26.800 --> 0:12:29.080
<v Speaker 1>with more challenges. You're gonna have to make some sacrifices

0:12:29.120 --> 0:12:31.040
<v Speaker 1>and I'm sure there's things that we don't even know

0:12:31.080 --> 0:12:33.480
<v Speaker 1>about down the road we're gonna have to work together on.

0:12:33.600 --> 0:12:37.080
<v Speaker 1>But for me, it's just so much fun there. There's

0:12:37.240 --> 0:12:39.319
<v Speaker 1>no joke. They're my best friends and we and everyone

0:12:39.360 --> 0:12:42.360
<v Speaker 1>thinks that we're brothers, but it feels like it. And

0:12:43.200 --> 0:12:45.840
<v Speaker 1>it's just we we love making music together and we

0:12:45.960 --> 0:12:48.520
<v Speaker 1>just love what we do, and um, you still like

0:12:48.559 --> 0:12:51.160
<v Speaker 1>each other. Yeah, we haven't had a we haven't had

0:12:51.160 --> 0:12:54.400
<v Speaker 1>a blowout yet. You really haven't, and you we really

0:12:54.400 --> 0:12:56.320
<v Speaker 1>have it. But we're honestly, I feel like we're pretty

0:12:56.400 --> 0:12:59.600
<v Speaker 1>we're pretty good about like communication skill. As soon as Yeah,

0:12:59.600 --> 0:13:02.360
<v Speaker 1>if something and it's like a problems arising immediately, we

0:13:02.400 --> 0:13:04.560
<v Speaker 1>just we just say how we feel. When we work

0:13:04.559 --> 0:13:07.000
<v Speaker 1>it out, we say, we say it, we get past it,

0:13:07.040 --> 0:13:10.320
<v Speaker 1>and we move on. Is there a voting protocol, Like,

0:13:10.360 --> 0:13:13.480
<v Speaker 1>if hey to one you know, wins. How do you

0:13:13.480 --> 0:13:15.240
<v Speaker 1>guys do that? Well? I think I think what's cool

0:13:15.280 --> 0:13:17.319
<v Speaker 1>about us is, you know, over the years that we've

0:13:17.320 --> 0:13:19.840
<v Speaker 1>been together, like we all came from different places, we

0:13:19.880 --> 0:13:22.920
<v Speaker 1>have very different voices and styles. But I think that's

0:13:22.960 --> 0:13:24.720
<v Speaker 1>what's cool is we kind of bounce off each other,

0:13:24.760 --> 0:13:27.199
<v Speaker 1>and you know, it's it's cool to hear their perspective

0:13:27.200 --> 0:13:29.760
<v Speaker 1>because I might think, you know, something sounds cool, but

0:13:29.800 --> 0:13:32.600
<v Speaker 1>they they'll have a different perspective, and you know, it's

0:13:32.760 --> 0:13:35.200
<v Speaker 1>it's cool to bounce ideas off each other and then

0:13:35.280 --> 0:13:36.800
<v Speaker 1>kind of be like, hey, maybe I wasn't right and

0:13:36.840 --> 0:13:39.760
<v Speaker 1>maybe that was a little cooler. So you're from tuscalost Alabama,

0:13:39.880 --> 0:13:43.080
<v Speaker 1>I am, how's that working out for you? Well? I

0:13:43.080 --> 0:13:45.960
<v Speaker 1>always tell people this, um, because you know, people either

0:13:46.080 --> 0:13:48.080
<v Speaker 1>love or hate that you're from Tuscalosa. They're like, oh,

0:13:48.120 --> 0:13:50.520
<v Speaker 1>real tied or they're like, oh dude, no. But uh

0:13:50.840 --> 0:13:53.040
<v Speaker 1>when I turned to when I started talking, my parents said,

0:13:53.080 --> 0:13:54.840
<v Speaker 1>you can either live with us here at home, or

0:13:54.880 --> 0:13:56.600
<v Speaker 1>we're gonna take you to the woods and you can

0:13:56.800 --> 0:13:58.240
<v Speaker 1>figure it out. You got you gotta be a real

0:13:58.280 --> 0:14:00.640
<v Speaker 1>tied fan, I said, okay, so we're forced into it. Yeah.

0:14:00.679 --> 0:14:02.440
<v Speaker 1>I grew up there. I was there till I was eighteen,

0:14:02.520 --> 0:14:04.640
<v Speaker 1>moved to Nashville after, so I kind of have to

0:14:04.679 --> 0:14:07.160
<v Speaker 1>be Yeah. See, I am not. I feel a bit

0:14:07.200 --> 0:14:10.080
<v Speaker 1>the opposite. I actually really enjoy going to Tuscaloosa. But

0:14:10.080 --> 0:14:12.160
<v Speaker 1>I am not an Alabama fan at all. But I'm

0:14:12.200 --> 0:14:16.440
<v Speaker 1>just jealous that you guys are really good, and so

0:14:16.480 --> 0:14:19.680
<v Speaker 1>I take that on on you. My hatred is jealousy. Yeah,

0:14:19.760 --> 0:14:22.240
<v Speaker 1>I don't know, it's it's been weird, like with with

0:14:22.280 --> 0:14:25.120
<v Speaker 1>all the football success. You know, it's been weird watching

0:14:25.160 --> 0:14:27.800
<v Speaker 1>sports growing up because when I was a young kid,

0:14:28.000 --> 0:14:30.400
<v Speaker 1>we didn't have Nick Saban. I think he's a huge

0:14:30.400 --> 0:14:32.840
<v Speaker 1>part of that. But yeah, it was crazy seeing seeing

0:14:33.000 --> 0:14:34.800
<v Speaker 1>where they were and how they are now. It was

0:14:34.880 --> 0:14:37.000
<v Speaker 1>just a big change. And you get do three hometown

0:14:37.000 --> 0:14:39.800
<v Speaker 1>shows whenever you're touring, like, all right, we're gonna do it. Yeah,

0:14:39.840 --> 0:14:42.160
<v Speaker 1>Well there, I promise you. There's probably no chance we're

0:14:42.160 --> 0:14:45.480
<v Speaker 1>ever going to my hometown. There's there's not enough people.

0:14:45.560 --> 0:14:48.120
<v Speaker 1>Yeah we will, definitely, we're going to Yeah, we gotta

0:14:48.120 --> 0:14:50.320
<v Speaker 1>go back. We are going to West Virginia. So I

0:14:50.400 --> 0:14:52.760
<v Speaker 1>kind of take West Virginia's my whole home. I feel

0:14:52.760 --> 0:14:54.920
<v Speaker 1>the same way about it, Arkansaw anywhere kan saw. This's

0:14:54.920 --> 0:14:57.520
<v Speaker 1>like exactly exactly you guys are all over. I'm looking

0:14:57.560 --> 0:14:59.040
<v Speaker 1>at all these dates that you guys are doing. And

0:14:59.080 --> 0:15:03.600
<v Speaker 1>so when you play live show and it's you three, like,

0:15:04.000 --> 0:15:06.200
<v Speaker 1>are you able to cover the whole? I mean musically,

0:15:06.360 --> 0:15:08.360
<v Speaker 1>you guys have it all right here with you three.

0:15:08.400 --> 0:15:10.360
<v Speaker 1>I mean, I'm sure you got a drummer, but like, what,

0:15:10.360 --> 0:15:14.360
<v Speaker 1>what's what are you guys doing there on the set about? Um? Yeah,

0:15:14.400 --> 0:15:17.720
<v Speaker 1>So it's actually so Garrett plays guitar, Zach plays guitar,

0:15:17.840 --> 0:15:21.640
<v Speaker 1>I play guitar and piano. Um, and uh, it's really cool.

0:15:21.680 --> 0:15:25.360
<v Speaker 1>So I went to Um, the our lead guitar player

0:15:25.400 --> 0:15:28.160
<v Speaker 1>is actually from my high school. So he moved to Nashville.

0:15:28.280 --> 0:15:30.800
<v Speaker 1>I used to try to get him to to move

0:15:30.840 --> 0:15:34.320
<v Speaker 1>to Nashville early on because he's just unbelievable at what

0:15:34.360 --> 0:15:37.240
<v Speaker 1>he does. And um, he actually moved to Nashville where

0:15:37.280 --> 0:15:39.960
<v Speaker 1>I did. After all that time, and then, uh, when

0:15:40.000 --> 0:15:43.880
<v Speaker 1>the opportunity arise, I told him, I said, man, we'd

0:15:43.880 --> 0:15:45.760
<v Speaker 1>love to have you in the band. And he's been

0:15:45.760 --> 0:15:47.560
<v Speaker 1>playing with us. So it's been really cool. To get

0:15:47.600 --> 0:15:50.400
<v Speaker 1>to see two people from the middle of nowhere, West

0:15:50.480 --> 0:15:53.800
<v Speaker 1>Virginia on on on the big stage show. I guess

0:15:53.840 --> 0:15:57.240
<v Speaker 1>I asked that because you know, you gotta pay people. True,

0:15:57.400 --> 0:16:00.800
<v Speaker 1>you know, and at one point the Wrestless Road money

0:16:00.880 --> 0:16:02.960
<v Speaker 1>is gonna be coming in pretty good. I hope right

0:16:03.000 --> 0:16:04.880
<v Speaker 1>now you're trying to figure it out. You know, he

0:16:04.960 --> 0:16:07.600
<v Speaker 1>got all those mouths to feed it is. That's very true.

0:16:07.720 --> 0:16:09.560
<v Speaker 1>That's very true. I mean right now, we do have

0:16:09.600 --> 0:16:11.400
<v Speaker 1>a drummer in a in a lead guitar player, but

0:16:11.640 --> 0:16:14.040
<v Speaker 1>other than that, we can that's pretty full sounding. That's

0:16:14.080 --> 0:16:16.320
<v Speaker 1>pretty awesome. You guys can I hope you go and

0:16:16.360 --> 0:16:19.280
<v Speaker 1>see Wrestless Road because they have so many dates. Um

0:16:19.440 --> 0:16:21.000
<v Speaker 1>and we'll tell you just a second about that. But

0:16:21.200 --> 0:16:23.120
<v Speaker 1>the thing that interests me to about new artists is

0:16:23.120 --> 0:16:24.720
<v Speaker 1>when they get asked to do something like The Bachelor,

0:16:24.840 --> 0:16:26.320
<v Speaker 1>like to perform on that show, because I just feel

0:16:26.320 --> 0:16:28.120
<v Speaker 1>so awkward because do you have to do it over

0:16:28.200 --> 0:16:30.760
<v Speaker 1>and over again? We did it any way to dive

0:16:30.760 --> 0:16:33.320
<v Speaker 1>into this, Oh yeah, because that's that to me, that's

0:16:33.320 --> 0:16:35.320
<v Speaker 1>always fascinating. And have a few friends that have done

0:16:35.320 --> 0:16:37.800
<v Speaker 1>it and it just feels weird. So what who did

0:16:37.800 --> 0:16:40.200
<v Speaker 1>they bring you in for and what was the scene?

0:16:40.840 --> 0:16:44.520
<v Speaker 1>We were episode four on Clayton's season, and all we

0:16:44.600 --> 0:16:46.840
<v Speaker 1>knew going in. We're huge fans of the show, by

0:16:46.880 --> 0:16:48.240
<v Speaker 1>the way, so when we found out, we were just

0:16:48.440 --> 0:16:50.120
<v Speaker 1>so pumped to be there and we're asking, you have

0:16:50.200 --> 0:16:51.320
<v Speaker 1>to say that if you do it, like it's in

0:16:51.320 --> 0:16:54.600
<v Speaker 1>the contract. Probably for eight or nine years now, we've

0:16:54.600 --> 0:16:57.640
<v Speaker 1>watched it. Religious Oh yeah, we know. We knew all

0:16:57.640 --> 0:17:01.720
<v Speaker 1>the facts, like we keep up, Okay, ask anything. We won't,

0:17:01.720 --> 0:17:04.399
<v Speaker 1>but I believe you. Yeah, it's the most dramatic season

0:17:04.480 --> 0:17:08.320
<v Speaker 1>of The Bachelor coming out coming up. Anyways, where do

0:17:08.400 --> 0:17:11.080
<v Speaker 1>they send you? Just la. We were actually in Houston,

0:17:11.359 --> 0:17:13.280
<v Speaker 1>so we had finished the show. We were opening with Kane.

0:17:13.320 --> 0:17:15.760
<v Speaker 1>We finished the show, flew to Houston, and it was

0:17:15.800 --> 0:17:18.359
<v Speaker 1>a date at this like farmhouse. It was a barbecue

0:17:19.080 --> 0:17:21.600
<v Speaker 1>date that they were on, and so during the daytime

0:17:21.640 --> 0:17:24.000
<v Speaker 1>portion we were kind of kept secret and we were

0:17:24.040 --> 0:17:26.520
<v Speaker 1>asking the producers a million questions. How's the show work?

0:17:26.600 --> 0:17:29.240
<v Speaker 1>We had like a million questions. And then by the

0:17:29.280 --> 0:17:32.000
<v Speaker 1>time they ate dinner, I'm using air quotes because they

0:17:32.000 --> 0:17:35.359
<v Speaker 1>don't actually eat the food. They eat dinner at around

0:17:35.400 --> 0:17:39.280
<v Speaker 1>midnight and then there's this big sliding door and we're

0:17:39.320 --> 0:17:41.080
<v Speaker 1>on the other side of it, and when the producers

0:17:41.119 --> 0:17:44.200
<v Speaker 1>just like, hey, whenever that door opens, just start and

0:17:44.840 --> 0:17:46.960
<v Speaker 1>the suspense was just killing us because we had to

0:17:47.000 --> 0:17:49.600
<v Speaker 1>be totally silent. It was like eight minutes went by.

0:17:49.720 --> 0:17:51.359
<v Speaker 1>We didn't tell us. They're like, they're like, just watch

0:17:51.480 --> 0:17:54.080
<v Speaker 1>that door and be ready to play, and whenever it opens,

0:17:54.160 --> 0:17:56.200
<v Speaker 1>just scowed it. And we're like, I'm like sitting there

0:17:56.240 --> 0:17:58.879
<v Speaker 1>for I've met you forty minutes, just waiting, waiting, waiting,

0:17:58.880 --> 0:18:01.560
<v Speaker 1>and they're it's dead silent. Everybody's whispering, and then the

0:18:01.560 --> 0:18:04.359
<v Speaker 1>producers like out her earpiece and she's like she's crying.

0:18:04.400 --> 0:18:09.040
<v Speaker 1>The girl's crying. She's like goddard and uh, the door

0:18:09.040 --> 0:18:11.760
<v Speaker 1>finally opened, yeah, and they walked through and they were

0:18:11.880 --> 0:18:13.840
<v Speaker 1>mean five feet away from us and just went for

0:18:13.840 --> 0:18:18.240
<v Speaker 1>the instant makeout. And uh, that's really what was what

0:18:18.400 --> 0:18:20.800
<v Speaker 1>was challenging was was keeping the straight face because you

0:18:20.840 --> 0:18:22.600
<v Speaker 1>can't you have to look at them, you can't not

0:18:22.680 --> 0:18:25.120
<v Speaker 1>look at them, but then you feel weird both ways.

0:18:25.119 --> 0:18:26.760
<v Speaker 1>But it's weird both ways. You don't look at them,

0:18:26.800 --> 0:18:28.400
<v Speaker 1>You're like, were you performing to them? But then they're

0:18:28.440 --> 0:18:30.600
<v Speaker 1>like making out you know, and then then you're just like,

0:18:30.720 --> 0:18:32.320
<v Speaker 1>we have my morow for this, you only do it

0:18:32.359 --> 0:18:34.800
<v Speaker 1>one time? Well, we did it a few did they

0:18:34.800 --> 0:18:37.880
<v Speaker 1>have to keep kissing? Well, so what was funny? Yeah,

0:18:38.840 --> 0:18:43.199
<v Speaker 1>right after Clayton did this big, massive speech and I

0:18:43.200 --> 0:18:45.000
<v Speaker 1>mean it was like it was it was perfect. It

0:18:45.080 --> 0:18:48.480
<v Speaker 1>was the perfect speech. And then the producers go, can

0:18:48.520 --> 0:18:51.080
<v Speaker 1>you please say exactly what you said, just like you

0:18:51.119 --> 0:18:53.239
<v Speaker 1>said it? He said, I like those words you use.

0:18:53.280 --> 0:18:55.520
<v Speaker 1>I like to use more of those words. So instead

0:18:55.560 --> 0:18:57.840
<v Speaker 1>of doing the speech, they were just like, now we're

0:18:57.840 --> 0:18:59.959
<v Speaker 1>just gonna make outens. So then they continue to do

0:19:00.080 --> 0:19:02.320
<v Speaker 1>that and he kept trying to have to stop them,

0:19:02.680 --> 0:19:05.120
<v Speaker 1>and yeah, it was we got like two or three

0:19:05.119 --> 0:19:07.320
<v Speaker 1>minutes with him off camera, and they did seem to

0:19:07.320 --> 0:19:10.440
<v Speaker 1>be like all over each other. I don't even know

0:19:11.359 --> 0:19:13.640
<v Speaker 1>the bitter end. And she was Rachel, I'm not gonna,

0:19:14.000 --> 0:19:16.320
<v Speaker 1>you know, spoil anything, but Colton, we don't have the

0:19:16.320 --> 0:19:18.840
<v Speaker 1>final wait, I don't even know if this is like

0:19:20.760 --> 0:19:23.440
<v Speaker 1>it came out like what a week, oh like two

0:19:23.440 --> 0:19:25.000
<v Speaker 1>weeks ago. If you saw it, it was the now

0:19:25.080 --> 0:19:27.920
<v Speaker 1>biggest train wreck of a finale, Like the guy did

0:19:28.119 --> 0:19:31.600
<v Speaker 1>probably you know, everything wrong, and uh, the girl that

0:19:31.840 --> 0:19:33.720
<v Speaker 1>was a part of our day. She kind of got,

0:19:33.760 --> 0:19:35.840
<v Speaker 1>you know, the short end of the stick, like she

0:19:36.000 --> 0:19:38.640
<v Speaker 1>was her and the she was like second and third

0:19:38.640 --> 0:19:40.119
<v Speaker 1>with the other girl. He just told him both. It

0:19:40.160 --> 0:19:42.879
<v Speaker 1>made her the new bachelorette. Yeah, they gave her there

0:19:43.200 --> 0:19:45.280
<v Speaker 1>another chance at The funny thing about the story is

0:19:45.320 --> 0:19:48.080
<v Speaker 1>I lost interest after you finish your part. I don't care.

0:19:48.119 --> 0:19:50.080
<v Speaker 1>I mean I yeah, guys, we're just talking to air

0:19:50.240 --> 0:19:53.360
<v Speaker 1>after a while. Rachel Susie. I don't know what's happening. Yeah.

0:19:53.400 --> 0:19:55.320
<v Speaker 1>I thought maybe they were sharing a story from a

0:19:55.400 --> 0:19:58.760
<v Speaker 1>year ago. No, no, just yeah, yeah, just now. Yeah,

0:19:58.840 --> 0:20:03.720
<v Speaker 1>Rachel and Susie. It's cool thing, No idea, what's happening here? Yes? No,

0:20:03.800 --> 0:20:08.440
<v Speaker 1>not no, that's Colton. Colton was the other bachelor, Clayton. See,

0:20:08.480 --> 0:20:11.159
<v Speaker 1>there's just so many seasons at this point to keep up.

0:20:11.400 --> 0:20:13.959
<v Speaker 1>Restless Road is here. You guys have a new single.

0:20:14.200 --> 0:20:16.000
<v Speaker 1>I would like for you to play it. Can you

0:20:16.000 --> 0:20:18.800
<v Speaker 1>play the whole thing? We can? Okay, good, because sometimes

0:20:18.800 --> 0:20:20.040
<v Speaker 1>people come in and I want to play like a

0:20:20.080 --> 0:20:22.399
<v Speaker 1>third of it. Let's just play the first fifteen seconds.

0:20:22.400 --> 0:20:24.000
<v Speaker 1>See I knew it. I knew there was something up

0:20:24.440 --> 0:20:26.720
<v Speaker 1>all right. Here is Restless road and they're gonna do

0:20:26.760 --> 0:20:42.200
<v Speaker 1>their new song growing old with you. All right, boys, girl,

0:20:42.280 --> 0:20:49.960
<v Speaker 1>you stole my heart. Change to call them my plays

0:20:50.040 --> 0:20:58.480
<v Speaker 1>and we range Now I finally know what amazing grace

0:21:00.119 --> 0:21:09.160
<v Speaker 1>look again to your baby. I see my whole life.

0:21:10.720 --> 0:21:17.399
<v Speaker 1>What see We put the stansas found as some fall him,

0:21:17.760 --> 0:21:23.359
<v Speaker 1>travel around world, put some pictures on the ship. Hold

0:21:23.400 --> 0:21:28.280
<v Speaker 1>your close and keep the fat raising kids without listening.

0:21:29.680 --> 0:21:33.920
<v Speaker 1>Come on, baby, what you saved to? I feel like

0:21:34.240 --> 0:21:51.160
<v Speaker 1>Queen Oh. I feel like Queen Oh. Restless road. Nice

0:21:51.240 --> 0:21:54.760
<v Speaker 1>job boys. My favorite part of that song is when

0:21:54.800 --> 0:21:58.280
<v Speaker 1>Zach comes back goes, I don't even know what you're saying. Now,

0:21:58.400 --> 0:22:00.800
<v Speaker 1>one party, but we're all we're in the mood. We're

0:22:00.880 --> 0:22:02.640
<v Speaker 1>dancing on theirselfs. We felt like we're on the Bachelor.

0:22:02.720 --> 0:22:06.680
<v Speaker 1>We're doing the thing. Hey, that was good. I like that, Zach,

0:22:07.000 --> 0:22:10.440
<v Speaker 1>Are you known what is that? Are you baritone or

0:22:10.440 --> 0:22:13.879
<v Speaker 1>are you a bass? A baritone um? Probably more of

0:22:13.880 --> 0:22:16.080
<v Speaker 1>a baritone, but yeah, I don't know the difference, and

0:22:16.080 --> 0:22:18.240
<v Speaker 1>I wouldn't have been done. I don't know. He also

0:22:18.280 --> 0:22:20.080
<v Speaker 1>wanted to tell me the other day. He was like, well, Sue,

0:22:20.160 --> 0:22:21.399
<v Speaker 1>my dad taught me this, And I was like, I

0:22:21.400 --> 0:22:23.200
<v Speaker 1>don't know. I would say. I would say I'm a

0:22:23.240 --> 0:22:25.119
<v Speaker 1>bass singer. But then I'll like, see some video on

0:22:25.160 --> 0:22:27.200
<v Speaker 1>TikTok and see a guy who can sing like way

0:22:27.240 --> 0:22:30.120
<v Speaker 1>lower than me. I'm like, no, he's he's the real guy.

0:22:30.160 --> 0:22:33.359
<v Speaker 1>But how high can you go? I can go so high?

0:22:34.400 --> 0:22:41.560
<v Speaker 1>And how low can you go? Oh on Bobby Bones? Yeah,

0:22:41.600 --> 0:22:45.040
<v Speaker 1>I think I could do that. Hey, So yeah, what's

0:22:45.080 --> 0:22:46.960
<v Speaker 1>that line? No music? When you come back in? I

0:22:47.040 --> 0:22:48.479
<v Speaker 1>put you on the spot here. When when you come back,

0:22:49.160 --> 0:22:50.760
<v Speaker 1>let me, let me quite, let me go back and

0:22:50.960 --> 0:22:54.960
<v Speaker 1>go what you say? We put us down some root. Okay,

0:22:54.960 --> 0:22:58.200
<v Speaker 1>that's what I liked. Yeah, you should do that more. Yeah, okay, Okay,

0:22:58.200 --> 0:23:00.399
<v Speaker 1>here's the deal. Restless Road is here there watching their

0:23:00.400 --> 0:23:03.200
<v Speaker 1>first ever headlining tour, The Bar Friends Tour, starts April

0:23:03.240 --> 0:23:06.040
<v Speaker 1>six in Milwaukee. If you're listening to us in Milwaukee

0:23:06.160 --> 0:23:08.880
<v Speaker 1>or Madison, you can go watch. But they're all over

0:23:08.920 --> 0:23:11.360
<v Speaker 1>the place. Get tickets at Restless road dot com. So

0:23:11.400 --> 0:23:16.359
<v Speaker 1>many of the cities that we're in, Grand Rapids, Nashville, Atlanta,

0:23:16.480 --> 0:23:18.440
<v Speaker 1>Saint Louis. I could keep reading it, but you would

0:23:18.440 --> 0:23:20.520
<v Speaker 1>just get annoyed. But go to Restless Road dot com.

0:23:20.600 --> 0:23:22.560
<v Speaker 1>They're also looking for local openers for their tour, so

0:23:22.600 --> 0:23:25.480
<v Speaker 1>they're picking winners. Uh, we're about to pick winters now.

0:23:25.520 --> 0:23:27.160
<v Speaker 1>So that's a pretty cool thing though, trying to find

0:23:27.200 --> 0:23:30.359
<v Speaker 1>local in every city. And they also bring local fans

0:23:30.880 --> 0:23:32.720
<v Speaker 1>and that's pretty cool too because then you get free

0:23:32.760 --> 0:23:34.159
<v Speaker 1>people coming to the show that they're buying tickets. Make

0:23:34.200 --> 0:23:38.480
<v Speaker 1>them buy tickets. Wrestless Road guys appreciate that, great job,

0:23:38.680 --> 0:23:40.840
<v Speaker 1>so you guys can follow them at Restless Road. They

0:23:40.840 --> 0:23:42.399
<v Speaker 1>have a massive TikTok. You guys do a lot of

0:23:42.400 --> 0:23:44.399
<v Speaker 1>singing on TikTok. I like that. Oh yeah, you're just like,

0:23:44.400 --> 0:23:45.840
<v Speaker 1>all right, we'll here for another video. What would you

0:23:45.880 --> 0:23:47.040
<v Speaker 1>like us to do? You're like, well, I guess we'll

0:23:47.040 --> 0:23:50.239
<v Speaker 1>sing like it all right, Restless Road, you guys check

0:23:50.280 --> 0:23:54.040
<v Speaker 1>out Growing Old with You. It's the best Bits of

0:23:54.080 --> 0:24:00.480
<v Speaker 1>the Week with Morgan. Number two. This one definitely caused

0:24:00.480 --> 0:24:03.679
<v Speaker 1>some drama controversy, however, you want to put it in

0:24:03.720 --> 0:24:07.800
<v Speaker 1>the studio because Eddie thought Abby was dragging her feet

0:24:07.960 --> 0:24:11.240
<v Speaker 1>on doing some more as her career as an artist

0:24:11.320 --> 0:24:14.159
<v Speaker 1>is blowing up from doing the National Anthem. So Bobby

0:24:14.240 --> 0:24:16.720
<v Speaker 1>and Eddie said they would write her an original song

0:24:16.800 --> 0:24:19.400
<v Speaker 1>that she can perform, and Abby was a little reluctant

0:24:19.440 --> 0:24:21.719
<v Speaker 1>at first, but you know, now it might actually be

0:24:22.200 --> 0:24:24.479
<v Speaker 1>a smash hit. Who knows. We don't know what's going

0:24:24.480 --> 0:24:27.120
<v Speaker 1>to happen. But you can hear how it all went down,

0:24:27.280 --> 0:24:30.440
<v Speaker 1>or I hear at number six, number six, Eddie thinks

0:24:30.440 --> 0:24:32.720
<v Speaker 1>at Abby is dragging her feet on something that she

0:24:32.720 --> 0:24:35.359
<v Speaker 1>could really capitalize on it. Which, by the way, Abby

0:24:35.480 --> 0:24:37.520
<v Speaker 1>is our phone screener, so she's not on the air

0:24:37.560 --> 0:24:40.480
<v Speaker 1>a lot, but if you call the show, you'll talk

0:24:40.480 --> 0:24:43.200
<v Speaker 1>to her. I think about Abby is she likes to sing.

0:24:43.760 --> 0:24:46.080
<v Speaker 1>She's been on the show singing. She sang with us

0:24:46.119 --> 0:24:49.000
<v Speaker 1>the Raging Idiots. Yeah. She then had a song that

0:24:49.119 --> 0:24:52.320
<v Speaker 1>charted the national anthem what she hit seventy one, number

0:24:52.359 --> 0:24:54.440
<v Speaker 1>seventy one on the charts. Amazing. We gave her a cake.

0:24:54.480 --> 0:24:56.200
<v Speaker 1>We were so proud of her. Abby. Are you still

0:24:56.240 --> 0:25:01.080
<v Speaker 1>kind of living off that buzz? Yeah? That is so awesome. See, great,

0:25:01.200 --> 0:25:03.840
<v Speaker 1>great moment for her singing career. Eddie, What is she

0:25:03.880 --> 0:25:06.720
<v Speaker 1>not doing? Guys? She's got to take the next step.

0:25:06.800 --> 0:25:10.640
<v Speaker 1>The iron is hot, So write an original song. It's

0:25:10.680 --> 0:25:13.879
<v Speaker 1>your chance now to come up with something good. Bobby

0:25:13.920 --> 0:25:16.560
<v Speaker 1>will play it on the show. Record labels are listening.

0:25:16.800 --> 0:25:19.280
<v Speaker 1>This is her big shot, and she's dragging her feet

0:25:19.320 --> 0:25:21.600
<v Speaker 1>because the more time she waits, I mean, the more

0:25:21.640 --> 0:25:23.720
<v Speaker 1>people are gonna forget about her. Eddie, have you already

0:25:23.720 --> 0:25:25.959
<v Speaker 1>written something? Yes, dude, I gave her a melody. I

0:25:26.000 --> 0:25:28.320
<v Speaker 1>wrote her something on the guitar and I said, look,

0:25:29.040 --> 0:25:32.080
<v Speaker 1>just do your life story. We all follow your life story.

0:25:32.200 --> 0:25:35.560
<v Speaker 1>You're finally have a boyfriend, like this could be your song,

0:25:35.760 --> 0:25:38.240
<v Speaker 1>So you need her to write it? Yeah. I gave

0:25:38.280 --> 0:25:40.800
<v Speaker 1>her like a template, and I don't wait. Why don't

0:25:40.840 --> 0:25:43.440
<v Speaker 1>you and I? Because like Jason Aldean doesn't really write

0:25:43.440 --> 0:25:45.480
<v Speaker 1>his own song sing her and he sings a bunch

0:25:45.480 --> 0:25:47.520
<v Speaker 1>of hits, Why don't you and I write it and

0:25:47.560 --> 0:25:49.440
<v Speaker 1>she can be aldeane and she can sing the song.

0:25:50.640 --> 0:25:53.840
<v Speaker 1>Oh I would, I would like that. Yeah, Okay, it

0:25:53.880 --> 0:25:55.800
<v Speaker 1>makes me nervous. He wants me to write about my

0:25:55.880 --> 0:25:58.760
<v Speaker 1>relationship and I'm like, it's so new. I don't know.

0:25:58.800 --> 0:26:01.040
<v Speaker 1>We're gonna write about your Relationshi, Yeah, we're gonna write

0:26:01.040 --> 0:26:04.160
<v Speaker 1>about you. It's about you and your voice, so give

0:26:04.240 --> 0:26:06.800
<v Speaker 1>us some time. How does she record it? Though? Recordings

0:26:06.800 --> 0:26:08.680
<v Speaker 1>with you? That means she knows well you figure it out.

0:26:08.680 --> 0:26:12.080
<v Speaker 1>We know these people, so we will We will write

0:26:12.080 --> 0:26:13.959
<v Speaker 1>you a song, Abby, but you record it and then

0:26:13.960 --> 0:26:15.840
<v Speaker 1>we'll Okay, we'll put it out and see how it does.

0:26:16.000 --> 0:26:18.239
<v Speaker 1>So Abby has no say in it though, right, Like

0:26:18.280 --> 0:26:20.800
<v Speaker 1>if the songs, the song and whatever it is, she's

0:26:20.840 --> 0:26:23.760
<v Speaker 1>gonna record it. You're correct, she has no say, right, Okay,

0:26:24.440 --> 0:26:28.600
<v Speaker 1>So we're gonna write it Abby, You're gonna record it. Deal? Okay?

0:26:28.680 --> 0:26:31.040
<v Speaker 1>Is it gonna be like raging idiots style or you're

0:26:31.440 --> 0:26:35.160
<v Speaker 1>like making fun of me? Abby? Would we do that Abby?

0:26:35.160 --> 0:26:37.560
<v Speaker 1>Where we're going to be serious songwriters and write you something.

0:26:37.640 --> 0:26:39.800
<v Speaker 1>Our goal is to write you something serious. They could

0:26:39.800 --> 0:26:42.600
<v Speaker 1>actually be a hit. Correct, Okay? Yeah, I trust you.

0:26:42.800 --> 0:26:46.400
<v Speaker 1>Lunch Box your thoughts, guys, you are doing everything for her.

0:26:46.560 --> 0:26:48.439
<v Speaker 1>You got to let her learn on her own. When

0:26:48.520 --> 0:26:51.919
<v Speaker 1>Jason Aldean was starting, you didn't have songwriters writing songs

0:26:51.920 --> 0:26:54.520
<v Speaker 1>for him. He had to earn that. She has done nothing.

0:26:54.560 --> 0:26:57.200
<v Speaker 1>You guys are doing this. You got to teach her

0:26:57.240 --> 0:26:59.280
<v Speaker 1>that she has to work for it. If you do

0:26:59.359 --> 0:27:02.640
<v Speaker 1>everything for her, what does that teach her? Like Eddie,

0:27:02.640 --> 0:27:05.800
<v Speaker 1>if you did your kids homework, does that teach him anything? No? No,

0:27:06.000 --> 0:27:10.160
<v Speaker 1>you're right, Like, what are you guys doing what I admitted.

0:27:10.160 --> 0:27:14.600
<v Speaker 1>I'm not a songwriter, but okay, don't do music. I'm

0:27:14.640 --> 0:27:17.040
<v Speaker 1>a singer, but there are a lot of people who aren't. Okay,

0:27:17.160 --> 0:27:20.520
<v Speaker 1>So Jason Audien's first ever number one song is why

0:27:20.880 --> 0:27:24.680
<v Speaker 1>he didn't write it by rodn Nick Clawson, Vicki mcgeehey

0:27:24.760 --> 0:27:26.840
<v Speaker 1>and Big and Riches John Rich. Look at that. We're

0:27:26.920 --> 0:27:30.000
<v Speaker 1>going to be big and Riches John Rich. Ye. Well, yeah,

0:27:30.040 --> 0:27:32.440
<v Speaker 1>we're gonna write it. Abby, give us some time. We'll

0:27:32.440 --> 0:27:34.160
<v Speaker 1>write it, we record it, we'll debut it around the show.

0:27:34.240 --> 0:27:38.239
<v Speaker 1>Let's go. I love this. I'm excited. Abbe Leady Anderson. Right,

0:27:38.280 --> 0:27:40.280
<v Speaker 1>that's our forming name, pen to Paper. I'll see you

0:27:40.320 --> 0:27:42.520
<v Speaker 1>guys tomorrow. You're ready, I go home right now. We

0:27:42.640 --> 0:27:45.640
<v Speaker 1>just started the show. Prepare your boyfriend for this song

0:27:47.160 --> 0:27:49.119
<v Speaker 1>you just said it was. We haven't decide decided. We

0:27:49.119 --> 0:27:52.040
<v Speaker 1>haven't set in a room pend paper yet. Okay, all right, Abby,

0:27:52.160 --> 0:27:56.199
<v Speaker 1>we'll be in touch. Okay, okay, all right. It's the

0:27:56.240 --> 0:28:01.400
<v Speaker 1>best bits of the week with Morgan. Number two. Boy

0:28:01.440 --> 0:28:05.080
<v Speaker 1>does Lunchbox have some crazy stuff happening in his neighborhood.

0:28:05.119 --> 0:28:08.600
<v Speaker 1>He confronted another neighbor. Okay, this is not the same

0:28:08.640 --> 0:28:11.680
<v Speaker 1>one that had the Christmas light situation, but he confronted

0:28:11.720 --> 0:28:14.520
<v Speaker 1>one about a broken down car. He went to their door,

0:28:14.640 --> 0:28:17.600
<v Speaker 1>knocked on it, said some words, Yes, that really happened.

0:28:17.640 --> 0:28:21.240
<v Speaker 1>And this is number five, number five. Yesterday we talked

0:28:21.240 --> 0:28:25.200
<v Speaker 1>about lunchboxes. Neighbor, it's not the Christmas lights. Guy different.

0:28:25.960 --> 0:28:28.040
<v Speaker 1>He has a car that's been broken down, sitting in

0:28:28.040 --> 0:28:30.320
<v Speaker 1>front of your house for over two months, easily over

0:28:30.359 --> 0:28:33.040
<v Speaker 1>two months, just sitting there, had mood. I mean there's dust.

0:28:33.080 --> 0:28:34.919
<v Speaker 1>I mean, I don't even think the door has been opened,

0:28:35.080 --> 0:28:37.680
<v Speaker 1>just sitting And if it wasn't right in front of

0:28:37.720 --> 0:28:40.239
<v Speaker 1>your house, would you care, wouldn't care, wouldn't care. It's

0:28:40.280 --> 0:28:42.960
<v Speaker 1>street parking though, that's the problem. And so with kids

0:28:43.000 --> 0:28:45.400
<v Speaker 1>it's hard to park across the street, and oh look

0:28:45.440 --> 0:28:48.120
<v Speaker 1>for cars. It's just really a hassle. Okay, I'm good it,

0:28:48.360 --> 0:28:50.920
<v Speaker 1>do you Yeah, sure, I get it. With a broken

0:28:50.920 --> 0:28:52.200
<v Speaker 1>out car to sitting in front of the house all

0:28:52.200 --> 0:28:56.760
<v Speaker 1>the time, and they're probably isn't a law that says

0:28:56.800 --> 0:28:58.960
<v Speaker 1>this person gets this spot on the street right right.

0:28:58.960 --> 0:29:00.800
<v Speaker 1>There's no like, oh this is your spot, this is

0:29:00.840 --> 0:29:03.200
<v Speaker 1>your spot, nothing like that, all right, So we decided

0:29:03.240 --> 0:29:05.840
<v Speaker 1>two verses one. Eddie and I decided Lunchbox should go

0:29:05.840 --> 0:29:08.640
<v Speaker 1>and confront the guy and record it for the record.

0:29:08.680 --> 0:29:10.160
<v Speaker 1>I did not want the stabbing because I don't want

0:29:10.160 --> 0:29:14.080
<v Speaker 1>any He didn't get shot. It's all good, good in

0:29:14.200 --> 0:29:19.560
<v Speaker 1>the neighbor. Yet I shot the neighbor. It takes time

0:29:19.560 --> 0:29:23.400
<v Speaker 1>at escalate over time. Okay, here is the first clip

0:29:23.400 --> 0:29:30.640
<v Speaker 1>of Lunchbox walking over to the neighbor's house. All right,

0:29:30.640 --> 0:29:33.160
<v Speaker 1>how's it going? Man? Sold back? You're in your car,

0:29:33.240 --> 0:29:35.840
<v Speaker 1>but it'd been down there for oh, well over a month? Man?

0:29:36.000 --> 0:29:38.480
<v Speaker 1>And um, is there any way we can push it

0:29:38.520 --> 0:29:42.320
<v Speaker 1>across the street? Oh? First of all for two months?

0:29:42.320 --> 0:29:52.120
<v Speaker 1>Turned into one? All right, how's it going? Man? Sold back?

0:29:52.360 --> 0:29:53.920
<v Speaker 1>You're in your car, but they've been down there for

0:29:54.520 --> 0:29:57.520
<v Speaker 1>well over a month? Man? And um, is there any

0:29:57.520 --> 0:30:00.120
<v Speaker 1>way we can push it across the street. It is

0:30:00.160 --> 0:30:02.560
<v Speaker 1>a good plan to week a good plan. I think

0:30:02.720 --> 0:30:05.000
<v Speaker 1>that's the angle to go. You found a way to

0:30:05.160 --> 0:30:10.840
<v Speaker 1>not just put it on him. Yeah, that's not how

0:30:10.880 --> 0:30:13.160
<v Speaker 1>I remember going around scared no no, no one scared.

0:30:13.160 --> 0:30:15.600
<v Speaker 1>I one scared of tiny. And also he didn't let

0:30:15.600 --> 0:30:19.640
<v Speaker 1>the guy say hello or anything. A man right at it? Here,

0:30:19.720 --> 0:30:21.920
<v Speaker 1>here's the thing you guys always tell me to work

0:30:21.920 --> 0:30:24.320
<v Speaker 1>on my approach. So I was trying to, like say,

0:30:24.360 --> 0:30:27.400
<v Speaker 1>in a calm manner instead of being confrontational. So maybe

0:30:27.400 --> 0:30:29.040
<v Speaker 1>that's where the stutter comes in. Like I'm trying to

0:30:29.080 --> 0:30:31.400
<v Speaker 1>be like because I want to be like, yo, your

0:30:31.400 --> 0:30:33.800
<v Speaker 1>car has been but I'm trying to be like, how

0:30:33.800 --> 0:30:35.800
<v Speaker 1>do I say this about him getting really mad in

0:30:35.840 --> 0:30:38.040
<v Speaker 1>your head? How did that go? I was like, dude,

0:30:38.040 --> 0:30:39.920
<v Speaker 1>get the car in front of my house, like you're

0:30:40.120 --> 0:30:46.040
<v Speaker 1>killing me, said any So, okay, maybe maybe we shouldn't

0:30:46.040 --> 0:30:49.480
<v Speaker 1>playing this audio. Okay, here is how it ends. If

0:30:49.480 --> 0:30:52.280
<v Speaker 1>we could just move it there, that means you, oh, absolutely,

0:30:52.360 --> 0:30:54.360
<v Speaker 1>and we don't have no sorry about no, no, no no.

0:30:54.480 --> 0:30:56.080
<v Speaker 1>Like I said, it ain't a big deal and I

0:30:56.080 --> 0:30:58.040
<v Speaker 1>don't need it done to night. It's just you know,

0:30:58.080 --> 0:31:00.480
<v Speaker 1>with kids, it's just hard moving Like when I park

0:31:00.480 --> 0:31:02.200
<v Speaker 1>across the street. This is hard with them trying to

0:31:02.240 --> 0:31:04.920
<v Speaker 1>run out the road and all that. So yeah, I apologize, Hey,

0:31:05.120 --> 0:31:08.960
<v Speaker 1>like I said it. They actually got stolen from right

0:31:09.160 --> 0:31:11.360
<v Speaker 1>right here at one point, and so I had to

0:31:11.880 --> 0:31:13.840
<v Speaker 1>I was off my job for a period of time.

0:31:14.280 --> 0:31:16.520
<v Speaker 1>I had to pay to get it back, and I

0:31:16.520 --> 0:31:19.440
<v Speaker 1>don't want any community around in the evening tomorrow. Yeah,

0:31:19.520 --> 0:31:23.240
<v Speaker 1>I'll be there man, Okay, yeah, I'm one. Yeah, next house, man,

0:31:23.520 --> 0:31:28.920
<v Speaker 1>I'll come knock on. Yeah, no problem. He's like, it's

0:31:28.960 --> 0:31:31.840
<v Speaker 1>so nice, and oddly so is long. Yeah, they're like

0:31:31.880 --> 0:31:34.000
<v Speaker 1>best buddies. Now you got a friend. Man, Now it's

0:31:33.960 --> 0:31:35.920
<v Speaker 1>thought your good looks. I thought we should hang out.

0:31:37.200 --> 0:31:38.920
<v Speaker 1>What are you all gonna do tonight? Well, he says,

0:31:38.920 --> 0:31:40.400
<v Speaker 1>he's gonna come knock on the door and we're gonna

0:31:40.440 --> 0:31:43.520
<v Speaker 1>move the car. I think as much as we're giving

0:31:43.560 --> 0:31:45.200
<v Speaker 1>you crap, and the only reason we're giving you crap

0:31:45.280 --> 0:31:47.479
<v Speaker 1>is because you present. I'm so macho. No I am.

0:31:47.760 --> 0:31:49.640
<v Speaker 1>Hold on, hold on, You're like, I'm gonna kick the

0:31:49.640 --> 0:31:52.360
<v Speaker 1>door down and I'll make it happen. What you actually

0:31:52.400 --> 0:31:58.680
<v Speaker 1>did is the right thing in honey not vinegar. Yeah,

0:31:58.840 --> 0:32:01.560
<v Speaker 1>you know, I don't know more flies to honey than vinegar.

0:32:01.640 --> 0:32:04.120
<v Speaker 1>You gave him honey, you're sweet, you're kind guy. I

0:32:04.280 --> 0:32:06.400
<v Speaker 1>lured him in and he was not threatened by you

0:32:06.440 --> 0:32:08.400
<v Speaker 1>at all. He wasn't learning in any way by you,

0:32:08.480 --> 0:32:11.560
<v Speaker 1>because you don't. He didn't. You weren't didn't sound tough, Yeah,

0:32:11.640 --> 0:32:14.720
<v Speaker 1>didn't look tough. So you and him are basically the same,

0:32:14.760 --> 0:32:17.080
<v Speaker 1>good for you. So yeah, that means tonight he's gonna

0:32:17.160 --> 0:32:18.720
<v Speaker 1>knock on my door and we're gonna move that car.

0:32:19.480 --> 0:32:23.680
<v Speaker 1>Let's do it. Let's move that car. Okay, it's all good,

0:32:23.680 --> 0:32:26.680
<v Speaker 1>it's all good. Oh yeah, yeah, I'm sorry your car

0:32:26.680 --> 0:32:31.440
<v Speaker 1>got here's the keys in my car. We're I did

0:32:31.480 --> 0:32:33.440
<v Speaker 1>feel sympathetic because he did say he got his car

0:32:33.480 --> 0:32:35.440
<v Speaker 1>stolen in his office job for a little bit, so

0:32:35.480 --> 0:32:37.320
<v Speaker 1>he hadn't mailed up pay to get it fixed. Okay,

0:32:37.360 --> 0:32:39.520
<v Speaker 1>I get it. But let's move the car. So I

0:32:39.560 --> 0:32:41.880
<v Speaker 1>will see you tonight. Knock on my door and let's

0:32:41.920 --> 0:32:44.080
<v Speaker 1>move the car. All right, big daddy, you tell him, Yeah,

0:32:44.120 --> 0:32:46.280
<v Speaker 1>I will. Hey, but you're getting it done and that's

0:32:46.280 --> 0:32:49.280
<v Speaker 1>all that matters. Yeah, yeah, nice job. It's a victory

0:32:49.320 --> 0:32:54.920
<v Speaker 1>for lunch Bob. It's the best bits of the week

0:32:55.680 --> 0:32:59.719
<v Speaker 1>with Morgan number two. We got number four right here.

0:33:00.000 --> 0:33:02.280
<v Speaker 1>All had lots of things to say about this one

0:33:02.360 --> 0:33:05.880
<v Speaker 1>on our social media. The grocery store situation where I

0:33:05.880 --> 0:33:08.840
<v Speaker 1>am getting some free items not of any of my doing,

0:33:08.920 --> 0:33:13.160
<v Speaker 1>but potentially because someone likes me, as the show seemed

0:33:13.160 --> 0:33:15.280
<v Speaker 1>to think that's the case. But you can listen and

0:33:15.320 --> 0:33:18.080
<v Speaker 1>decide for yourself. Just know, okay that I am no thief.

0:33:18.160 --> 0:33:20.800
<v Speaker 1>This is nothing that I plan to have happened or

0:33:21.080 --> 0:33:22.880
<v Speaker 1>ever thought would happened to me. But you know what,

0:33:23.160 --> 0:33:26.040
<v Speaker 1>as Mike and I said during the part one, if

0:33:26.080 --> 0:33:28.720
<v Speaker 1>you get free items, like, are you really going to

0:33:28.840 --> 0:33:31.840
<v Speaker 1>turn that down? Like, I mean, listen, we're all we're

0:33:31.880 --> 0:33:35.200
<v Speaker 1>all dealing with some high prices right now. Okay, number four,

0:33:35.320 --> 0:33:38.479
<v Speaker 1>All right, we're gonna help Morgan. Here, Morgan, what's happening

0:33:38.480 --> 0:33:40.280
<v Speaker 1>at the grocery store? Well, so I go to this

0:33:40.320 --> 0:33:44.800
<v Speaker 1>place like regularly, probably once a week, and this guy

0:33:44.840 --> 0:33:46.920
<v Speaker 1>has picked up on it, I guess. And so every

0:33:46.920 --> 0:33:49.000
<v Speaker 1>time I go in, one of the workers at the

0:33:49.000 --> 0:33:51.920
<v Speaker 1>grocery store gives me a free item. Sometimes it's a

0:33:51.960 --> 0:33:55.040
<v Speaker 1>protein bar, sometimes it's a chocolate cake, othertimes it's candy.

0:33:55.120 --> 0:33:57.480
<v Speaker 1>I've gotten three free items so far from this guy.

0:33:57.680 --> 0:34:01.160
<v Speaker 1>Chocolate Cake's not like the rest. No chocolate cake. Yeah,

0:34:01.200 --> 0:34:04.000
<v Speaker 1>Like it was a life is a freezer section thing

0:34:04.040 --> 0:34:05.920
<v Speaker 1>that you pop in the oven or whatever, And he's like,

0:34:05.960 --> 0:34:08.239
<v Speaker 1>this is my favorite, started a whole conversation about it,

0:34:08.239 --> 0:34:10.000
<v Speaker 1>and then made sure he gave it to me for free.

0:34:10.200 --> 0:34:13.000
<v Speaker 1>Is he a manager? No, he's also when I was

0:34:13.040 --> 0:34:16.000
<v Speaker 1>standing in line to check out, he purposely came and

0:34:16.080 --> 0:34:18.600
<v Speaker 1>switched the other guy out so that he would be

0:34:18.640 --> 0:34:23.040
<v Speaker 1>there checking me out. Okay, yeah for sure. Until then.

0:34:23.239 --> 0:34:25.520
<v Speaker 1>Up until then, I was like, maybe he does. Maybe

0:34:25.520 --> 0:34:29.560
<v Speaker 1>he doesn't that he's in love with you. Yeah, I

0:34:29.600 --> 0:34:32.399
<v Speaker 1>mean I feel like, are we Is he gonna lose

0:34:32.440 --> 0:34:34.520
<v Speaker 1>his job? He can't be doing this. I think there's

0:34:34.520 --> 0:34:38.279
<v Speaker 1>an important question. How old is this guy? I don't know.

0:34:38.400 --> 0:34:41.480
<v Speaker 1>He wears hats often, so I can't really tell on age,

0:34:41.480 --> 0:34:43.680
<v Speaker 1>but he does look like he's probably in his thirties.

0:34:44.719 --> 0:34:48.279
<v Speaker 1>Russly so he gives you free stuff, which strikes up

0:34:48.320 --> 0:34:51.440
<v Speaker 1>conversation when you're going through the line. He has he

0:34:51.520 --> 0:34:55.719
<v Speaker 1>ever at all flirted or made any sort of move. No,

0:34:55.880 --> 0:34:58.520
<v Speaker 1>he's never like out or done that. He told me

0:34:58.560 --> 0:35:01.160
<v Speaker 1>about his day and the hot be that he's gotten into,

0:35:01.200 --> 0:35:04.359
<v Speaker 1>which was like an extensive conversation with a cashier person. Yeah,

0:35:04.560 --> 0:35:07.279
<v Speaker 1>was a hobby, um gardening. He was really excited to

0:35:07.280 --> 0:35:09.880
<v Speaker 1>tell me about his gardening that he got into. Yeah. Um.

0:35:10.760 --> 0:35:12.560
<v Speaker 1>But that was unprompted. He was like, how's your day?

0:35:12.600 --> 0:35:14.239
<v Speaker 1>I got into this and just wanted to talk to

0:35:14.280 --> 0:35:16.759
<v Speaker 1>me while this, I have like five items to check out.

0:35:16.840 --> 0:35:19.600
<v Speaker 1>Has he messaged you on Instagram and your general or

0:35:19.600 --> 0:35:21.960
<v Speaker 1>anything not that I'm aware of. No, Okay, he's in

0:35:22.000 --> 0:35:24.640
<v Speaker 1>love with you, right everybody for sure? Yeah? Do you

0:35:24.680 --> 0:35:27.680
<v Speaker 1>still have a boyfriend? Yes? I do? Okay, Okay, has

0:35:27.680 --> 0:35:29.840
<v Speaker 1>he seen him? Yes, he's been in the store with me,

0:35:29.960 --> 0:35:32.560
<v Speaker 1>but like we'll buy things separately, so sometimes you won't

0:35:32.560 --> 0:35:34.520
<v Speaker 1>see us together. And my boyfriend's like, it's fine, you

0:35:34.520 --> 0:35:36.640
<v Speaker 1>can just buy my groceries next time. This is what's

0:35:36.640 --> 0:35:38.239
<v Speaker 1>going to happen. I like how I think I'd be

0:35:38.280 --> 0:35:39.680
<v Speaker 1>the same way. I'd be like, hey, just go through

0:35:39.680 --> 0:35:42.360
<v Speaker 1>by yourself. Maybe you got another pretty cake today? What

0:35:42.400 --> 0:35:45.680
<v Speaker 1>were you gonna say? Okay, So either he's giving the

0:35:45.760 --> 0:35:48.040
<v Speaker 1>handing it out for free and like should it be?

0:35:48.480 --> 0:35:51.520
<v Speaker 1>Or oh he's super sweet and I mean he's covering

0:35:51.560 --> 0:35:53.480
<v Speaker 1>the bill like he knows he gave away the chocolate

0:35:53.480 --> 0:35:56.319
<v Speaker 1>cake and so he covers Like maybe they have they

0:35:56.320 --> 0:35:58.279
<v Speaker 1>can do that where they pay the five dollars to

0:35:58.360 --> 0:36:01.680
<v Speaker 1>make sure it's paid for. Yeah, but both are love her.

0:36:01.719 --> 0:36:03.560
<v Speaker 1>But I'm just saying sure. I just worry about if

0:36:03.560 --> 0:36:05.439
<v Speaker 1>he's doing something shading, he's gonna end up getting fired

0:36:05.440 --> 0:36:07.000
<v Speaker 1>because of Morgan. But we don't even know the good

0:36:07.040 --> 0:36:08.279
<v Speaker 1>we don't even know the girl. Why are you worried

0:36:08.280 --> 0:36:11.960
<v Speaker 1>about him? Yeah? Would you date this guy if you

0:36:11.960 --> 0:36:14.239
<v Speaker 1>didn't have a boyfriend? I don't think so. I mean

0:36:14.280 --> 0:36:16.800
<v Speaker 1>he's cute, but not really my type. Okay, so he

0:36:16.960 --> 0:36:19.400
<v Speaker 1>must not be like a creepy stalker type. No, he

0:36:19.440 --> 0:36:23.400
<v Speaker 1>doesn't act like that at all. So final question, if

0:36:23.560 --> 0:36:26.200
<v Speaker 1>for some reason, you and your boyfriend break up, would

0:36:26.200 --> 0:36:29.880
<v Speaker 1>you then consider the grocery store guy. I don't think so.

0:36:31.120 --> 0:36:35.040
<v Speaker 1>He gives you chocolate cake garding together, Like, how long

0:36:35.080 --> 0:36:36.719
<v Speaker 1>can I let this go on for? Do I keep

0:36:36.719 --> 0:36:39.040
<v Speaker 1>just letting him give me free stuff? That's what? Does

0:36:39.040 --> 0:36:42.000
<v Speaker 1>Morgan say anything? I don't know. I don't Why would

0:36:42.000 --> 0:36:45.520
<v Speaker 1>you say something you're getting free stuff? Because eventually it's

0:36:45.560 --> 0:36:48.200
<v Speaker 1>gonna get awkward. Well, eventually he's gonna have to make

0:36:48.239 --> 0:36:50.719
<v Speaker 1>some sort of move, yes, and then that's when the

0:36:50.760 --> 0:36:53.840
<v Speaker 1>free stuff stops. Whenever you're like, oh, I have a boyfriend,

0:36:54.080 --> 0:36:55.640
<v Speaker 1>and that's when it heartbreaks and he has he goes

0:36:55.640 --> 0:36:58.919
<v Speaker 1>through depression, that's when all that stuff happens and hurt

0:36:58.920 --> 0:37:03.319
<v Speaker 1>her car. That's gonna oh naturally though, right? Um? Well,

0:37:03.320 --> 0:37:05.480
<v Speaker 1>it's gonna happen naturally, the whole process. At some point

0:37:05.480 --> 0:37:07.319
<v Speaker 1>he's gonna be like, all right, I'm just gonna do it. Yeah,

0:37:07.320 --> 0:37:08.279
<v Speaker 1>you want to go on a day with me? And

0:37:08.280 --> 0:37:11.040
<v Speaker 1>she's gonna say no. He's obsessing about it every night. Yeah,

0:37:11.120 --> 0:37:12.759
<v Speaker 1>and not like he's gonna stab you kind of way,

0:37:12.760 --> 0:37:14.040
<v Speaker 1>but he's like, oh, I really we'll like to work

0:37:14.080 --> 0:37:16.200
<v Speaker 1>up the courage. We don't know that, but he probably

0:37:16.320 --> 0:37:18.480
<v Speaker 1>if I were. He can't find you on Instagram. It's well,

0:37:18.480 --> 0:37:20.399
<v Speaker 1>I guess you don't post your boyfriend on Instagram. Really

0:37:20.719 --> 0:37:22.960
<v Speaker 1>I don't. And I Well, what's crazy though, is I

0:37:22.960 --> 0:37:24.960
<v Speaker 1>also don't go in there like dolled up. I'm like

0:37:25.000 --> 0:37:27.560
<v Speaker 1>going in after I worked out, Like sometimes I go

0:37:27.560 --> 0:37:29.239
<v Speaker 1>in there without makeup. I don't know that this man

0:37:29.280 --> 0:37:32.520
<v Speaker 1>actually knows who or anything about me because I go

0:37:32.560 --> 0:37:35.560
<v Speaker 1>in there so different every time. Like sometimes I've walked

0:37:35.560 --> 0:37:37.439
<v Speaker 1>in there with full on makeup and he's never talked

0:37:37.480 --> 0:37:40.560
<v Speaker 1>to me. So I don't know. My advice, keep accepting

0:37:40.600 --> 0:37:42.359
<v Speaker 1>the free stuff, but just no, one day it's gonna

0:37:42.360 --> 0:37:44.200
<v Speaker 1>get awkward and he's like, hey, and I would just

0:37:44.239 --> 0:37:46.520
<v Speaker 1>be prepared and be like, oh, I'd have some nice

0:37:46.560 --> 0:37:49.279
<v Speaker 1>answer to let him down easy? Okay, can I just

0:37:49.320 --> 0:37:51.440
<v Speaker 1>be like, you know, I'm sorry, I have a boyfriend.

0:37:51.560 --> 0:37:57.080
<v Speaker 1>You're super sweet though, I like, yeah, that's a tough one. Um.

0:37:57.120 --> 0:37:59.560
<v Speaker 1>I would probably say like, hey, buddy, thanks for the

0:37:59.560 --> 0:38:01.799
<v Speaker 1>free stuff, and maybe there's a chance later if you

0:38:01.800 --> 0:38:03.480
<v Speaker 1>can give me a freestuff. Oh wow, but right now,

0:38:03.480 --> 0:38:08.399
<v Speaker 1>I have a boyfriend. But yeah, it's good. It's gonna

0:38:08.400 --> 0:38:11.239
<v Speaker 1>get awkward. You can make it awkward earlier by going, hey,

0:38:11.320 --> 0:38:13.240
<v Speaker 1>I can't take that stuff because I have a boyfriend,

0:38:13.280 --> 0:38:14.200
<v Speaker 1>and then he goes, I'll just give it to you

0:38:14.239 --> 0:38:17.640
<v Speaker 1>because it's part of the art sale today. I'm not

0:38:17.680 --> 0:38:20.040
<v Speaker 1>gonna do that. I can't. I'm so bad about being awkward.

0:38:20.040 --> 0:38:22.440
<v Speaker 1>It's what I'm not doing that. Okay, prediction. Let's this

0:38:22.480 --> 0:38:24.239
<v Speaker 1>is how we're gonna wrap this up. A prediction game.

0:38:24.880 --> 0:38:27.280
<v Speaker 1>The next time Morgan goes in, if he gives her something,

0:38:27.360 --> 0:38:30.000
<v Speaker 1>what will it be? Oh? Everybody want to put it?

0:38:30.160 --> 0:38:32.120
<v Speaker 1>Everyone put a dollar in sure, and if somebody gets

0:38:32.120 --> 0:38:34.319
<v Speaker 1>it right. We got to be specific though, right, like

0:38:34.400 --> 0:38:37.200
<v Speaker 1>a specific item. Okay, I'll go ahead to let us Okay,

0:38:38.520 --> 0:38:42.280
<v Speaker 1>you've lost Hey, you don't know amy box of cereal? Oh,

0:38:42.400 --> 0:38:49.319
<v Speaker 1>it's good, Eddie, um paper product's just let's go with

0:38:49.360 --> 0:38:53.200
<v Speaker 1>paper towels. Okay, too big, lunch Box, It's easy, guys.

0:38:53.239 --> 0:38:56.720
<v Speaker 1>It's a bell pepper. She likes green bell peppers gardens

0:38:56.840 --> 0:39:00.400
<v Speaker 1>from his own garden. That's so good. Okay, let us

0:39:00.400 --> 0:39:02.839
<v Speaker 1>know next time you go in, hey will and we'll

0:39:02.920 --> 0:39:04.680
<v Speaker 1>check back up mall and I'll click my cash when

0:39:04.680 --> 0:39:06.640
<v Speaker 1>you get the head to let us though, lead to

0:39:06.680 --> 0:39:11.760
<v Speaker 1>let us. It's the best bits of the week with Morgan.

0:39:11.880 --> 0:39:16.560
<v Speaker 1>Number two. Eddie definitely brought something controversial. I mean, we're just,

0:39:16.680 --> 0:39:19.040
<v Speaker 1>you know, talking about all the different topics causing some

0:39:19.160 --> 0:39:22.000
<v Speaker 1>drama on the show this week. But Eddie, he is

0:39:22.080 --> 0:39:24.640
<v Speaker 1>telling us that he is teaching his kids something when

0:39:24.640 --> 0:39:28.480
<v Speaker 1>he goes to restaurants. And boy, did myself Bobby Amy

0:39:28.520 --> 0:39:30.839
<v Speaker 1>have a lot to say about it. Lunchbox agreed with him.

0:39:30.880 --> 0:39:32.799
<v Speaker 1>So Lunchbox and Eddie were on one team that it

0:39:32.840 --> 0:39:35.799
<v Speaker 1>was Bobby Amy and myself and we are just absolutely

0:39:35.840 --> 0:39:38.400
<v Speaker 1>baffled that this is something that's happened. And you know,

0:39:38.480 --> 0:39:40.719
<v Speaker 1>maybe you do this too, or maybe you don't, or

0:39:40.760 --> 0:39:43.600
<v Speaker 1>maybe you'll never admit it. I don't know, but listen

0:39:43.640 --> 0:39:46.400
<v Speaker 1>to this moment, right here. This is Eddie sharing something

0:39:46.520 --> 0:39:50.839
<v Speaker 1>he's teaching his kids that majority of us might find controversial.

0:39:51.360 --> 0:39:54.120
<v Speaker 1>Number three, I'm weird about sending food back if I'm

0:39:54.120 --> 0:39:56.640
<v Speaker 1>in a restaurant. Having worked in a restaurant for years,

0:39:57.680 --> 0:39:59.319
<v Speaker 1>I don't know if they're doing back there. Also, don't

0:39:59.320 --> 0:40:02.759
<v Speaker 1>want to insult that cook or the waiter. But we

0:40:02.760 --> 0:40:05.480
<v Speaker 1>were at a dinner and I ordered my steak medium.

0:40:05.640 --> 0:40:07.440
<v Speaker 1>Also ordered a one, and if you give me a one,

0:40:07.440 --> 0:40:09.040
<v Speaker 1>I don't care how bad the meat is, it makes

0:40:09.040 --> 0:40:12.560
<v Speaker 1>a steak great. Yeah. Yeah, and it was red and

0:40:12.600 --> 0:40:14.280
<v Speaker 1>I showed Eddie. I was like, hey, am I weird?

0:40:14.400 --> 0:40:16.840
<v Speaker 1>Is just not done? And Eddie backed me up and

0:40:16.880 --> 0:40:18.759
<v Speaker 1>I sent it back and I hated doing that, felt

0:40:18.840 --> 0:40:21.040
<v Speaker 1>terrible about but Eddie was like proud of it, like, yeah,

0:40:21.040 --> 0:40:24.360
<v Speaker 1>that's what you do. One on the board. So not

0:40:24.560 --> 0:40:26.880
<v Speaker 1>my thing, but you're not afraid to do it. Then

0:40:26.960 --> 0:40:29.520
<v Speaker 1>this happened again recently. Yeah, recently, I took my fourteen

0:40:29.560 --> 0:40:31.840
<v Speaker 1>year old son to a restaurant. He orders a shake

0:40:32.200 --> 0:40:34.319
<v Speaker 1>and he and he drinks about half of it and

0:40:34.360 --> 0:40:36.200
<v Speaker 1>then he goes, I don't know, dad, I just don't

0:40:36.200 --> 0:40:38.040
<v Speaker 1>like the way this taste. It was a weird shake,

0:40:38.200 --> 0:40:40.359
<v Speaker 1>not like your ordinary chocolate shake or whatever. He says,

0:40:41.040 --> 0:40:43.080
<v Speaker 1>what do I do? I said, Hey, this is this

0:40:43.160 --> 0:40:45.200
<v Speaker 1>is what it's all about. When you're not satisfied with

0:40:45.280 --> 0:40:47.160
<v Speaker 1>something at a restaurant, you tell the waitress or the

0:40:47.160 --> 0:40:49.440
<v Speaker 1>waiter and you say, hey, I didn't like this? Can

0:40:49.440 --> 0:40:51.239
<v Speaker 1>I have a new one? But what do you mean satisfied?

0:40:51.320 --> 0:40:52.719
<v Speaker 1>Like if you don't like how it tastes? Yeah, I say,

0:40:52.760 --> 0:40:54.200
<v Speaker 1>you ordered French fries and you're like, I don't know,

0:40:54.239 --> 0:40:56.040
<v Speaker 1>I just don't like the French fries. They're not crunchy

0:40:56.120 --> 0:40:58.799
<v Speaker 1>enough for whatever. Take him back and get tater times. Well,

0:40:59.480 --> 0:41:01.520
<v Speaker 1>so you're saying at a restaurant, and this is what

0:41:01.600 --> 0:41:04.600
<v Speaker 1>you're teaching your kids. Yeah, that if you order something

0:41:05.600 --> 0:41:07.560
<v Speaker 1>and not that it's messed up or there's a hair

0:41:07.600 --> 0:41:10.279
<v Speaker 1>in it, right, if you just go, I don't this

0:41:10.280 --> 0:41:13.080
<v Speaker 1>isn't really good for my taste buds. It doesn't fulfill

0:41:13.160 --> 0:41:16.200
<v Speaker 1>then my need for a nice dinner. All that falls

0:41:16.280 --> 0:41:20.800
<v Speaker 1>under the satisfactory category. Do you think that's okay? Yeah?

0:41:20.840 --> 0:41:23.160
<v Speaker 1>I mean he wasn't satisfied with that shake. I don't

0:41:23.160 --> 0:41:25.360
<v Speaker 1>know what he ordered. He ordered that shake. I get it,

0:41:25.400 --> 0:41:28.720
<v Speaker 1>but it wasn't to his satisfactory whatever. He drank half

0:41:28.719 --> 0:41:32.960
<v Speaker 1>of half. The only way I would consider this being

0:41:33.000 --> 0:41:35.359
<v Speaker 1>okay is if he had a drink or zip and

0:41:35.360 --> 0:41:38.359
<v Speaker 1>it's like, oh, this is not what I thought it was,

0:41:39.080 --> 0:41:41.360
<v Speaker 1>but not half of it. To his defense, he was

0:41:41.400 --> 0:41:43.560
<v Speaker 1>trying to convince himself to drink more and be like,

0:41:43.640 --> 0:41:45.359
<v Speaker 1>maybe I'll like it the more I drink, but then

0:41:45.440 --> 0:41:47.200
<v Speaker 1>about halfway he's like, no, I just can't do it.

0:41:47.280 --> 0:41:48.680
<v Speaker 1>So the question is if you go to a restaurant

0:41:48.680 --> 0:41:50.400
<v Speaker 1>and you don't like the food you got, can you

0:41:50.440 --> 0:41:52.160
<v Speaker 1>send it back if you don't like it because the

0:41:52.200 --> 0:41:55.080
<v Speaker 1>flavors are just not your thing or whatever. You made

0:41:55.120 --> 0:41:57.719
<v Speaker 1>a mistake in ordering something that you don't like, right, Like,

0:41:57.840 --> 0:42:00.200
<v Speaker 1>I can't order. I can't be debating between mean the

0:42:00.280 --> 0:42:02.120
<v Speaker 1>chicken sandwich and the hammerger. And I get the chicken sandwichs,

0:42:02.120 --> 0:42:04.120
<v Speaker 1>you're like, oh, this just is not hitting the spot,

0:42:04.160 --> 0:42:07.600
<v Speaker 1>and go ask for Burger hitting the spots of funny

0:42:07.719 --> 0:42:10.719
<v Speaker 1>yes better. Example, you get a spicy chicken sandwich right

0:42:10.760 --> 0:42:12.200
<v Speaker 1>and then you start eating it, You're like, oh, this

0:42:12.280 --> 0:42:14.040
<v Speaker 1>is way more spicier than I thought. I can't even

0:42:14.040 --> 0:42:16.239
<v Speaker 1>breathe this is too spicy. I'm gonna change my order?

0:42:16.280 --> 0:42:17.719
<v Speaker 1>Can I take my sandwich back when you get me

0:42:17.719 --> 0:42:23.640
<v Speaker 1>one that's not so spicy? Same thing? I mean, it's

0:42:23.680 --> 0:42:26.439
<v Speaker 1>too spicy. No, No, you can't do that. And he's

0:42:26.480 --> 0:42:28.960
<v Speaker 1>teaching his kids to do this. You're going to grow

0:42:29.000 --> 0:42:31.920
<v Speaker 1>up thinking that this is okay if you know what

0:42:32.040 --> 0:42:34.799
<v Speaker 1>you're ordering, and then you get what you ordered, and

0:42:34.880 --> 0:42:37.640
<v Speaker 1>you know and you got and every expectation has met

0:42:38.120 --> 0:42:40.880
<v Speaker 1>and it's not undercooked or a hair or fingernail, like

0:42:40.880 --> 0:42:44.000
<v Speaker 1>take all that stuff. If it's exactly what you ordered,

0:42:44.320 --> 0:42:47.239
<v Speaker 1>you pay for it. Wow. Okay, that's what I said.

0:42:47.280 --> 0:42:49.320
<v Speaker 1>I guess I was just raised differently. My dad was

0:42:49.360 --> 0:42:52.120
<v Speaker 1>the king of this, all right. He loved doing this

0:42:52.200 --> 0:42:56.080
<v Speaker 1>around the room. I say that is not and that

0:42:56.280 --> 0:42:59.680
<v Speaker 1>is not good. Okay, Amy, not good. I'm embarrassed, really

0:42:59.680 --> 0:43:05.480
<v Speaker 1>both secondary embarrassment, lunchbox. I am team Maddie. Now we

0:43:05.520 --> 0:43:08.719
<v Speaker 1>know it's Eddie. You are paying for someone. If you

0:43:08.760 --> 0:43:11.440
<v Speaker 1>are not satisfied with that item, you can ask for

0:43:11.480 --> 0:43:13.400
<v Speaker 1>something different. It's like, as action has to be that

0:43:13.400 --> 0:43:16.080
<v Speaker 1>they didn't do it what they had promised. If they

0:43:16.200 --> 0:43:18.040
<v Speaker 1>give you what they told you they were going to

0:43:18.080 --> 0:43:20.719
<v Speaker 1>give you, you can't be mad at what they gave you. Yeah,

0:43:20.719 --> 0:43:22.280
<v Speaker 1>you can say, you know what, it's not It doesn't

0:43:22.280 --> 0:43:23.880
<v Speaker 1>taste like I thought it was gonna taste, and so

0:43:23.920 --> 0:43:25.959
<v Speaker 1>it doesn't hit the spot. You go to a movie,

0:43:26.280 --> 0:43:28.399
<v Speaker 1>self funny to say for a reason you don't want

0:43:28.400 --> 0:43:30.520
<v Speaker 1>to eat it. If you go to a movie and

0:43:30.560 --> 0:43:32.600
<v Speaker 1>halfway through you're like, man, I just don't like this movie,

0:43:32.640 --> 0:43:34.279
<v Speaker 1>you can go back to the box office and say,

0:43:34.320 --> 0:43:36.120
<v Speaker 1>you know what, out of your mind you cannot do that.

0:43:36.239 --> 0:43:39.000
<v Speaker 1>Yes you can if you don't like the movie. Yes,

0:43:39.080 --> 0:43:40.920
<v Speaker 1>and you go and say, man, I don't like that movie.

0:43:40.960 --> 0:43:42.960
<v Speaker 1>I need my money back. And that is exactly what

0:43:43.040 --> 0:43:45.439
<v Speaker 1>Eddie's kid did. And I am team Maddie. You don't

0:43:45.480 --> 0:43:49.399
<v Speaker 1>like it, get something different, Morgan. No, he cannot send

0:43:49.400 --> 0:43:51.640
<v Speaker 1>it back. I've been a server. I've been here before. No,

0:43:51.840 --> 0:43:53.600
<v Speaker 1>what about the movie thing that lunchbox is talking to.

0:43:55.960 --> 0:43:58.560
<v Speaker 1>Everybody was dissatisfied with things, and we'd all be returning

0:43:58.560 --> 0:44:01.400
<v Speaker 1>stuff all the time. Do you buy a pair of

0:44:01.520 --> 0:44:03.760
<v Speaker 1>jeans and you wear them for a week and be like, oh,

0:44:03.800 --> 0:44:05.520
<v Speaker 1>I've been wearing these all week and they're just not

0:44:05.560 --> 0:44:08.920
<v Speaker 1>working out. You can't ever turn them absolutely if they

0:44:08.920 --> 0:44:12.160
<v Speaker 1>don't fit. Okay, So here is the actual policy. Okay,

0:44:12.239 --> 0:44:15.440
<v Speaker 1>when you're at the theater at ticket maybe refunded, boom

0:44:15.560 --> 0:44:18.399
<v Speaker 1>of the thirty minutes after they're the film as started.

0:44:18.480 --> 0:44:20.360
<v Speaker 1>That's not half a milkshake. Not half, that's half a

0:44:20.400 --> 0:44:24.040
<v Speaker 1>milksha that's right, it's like a third. Yeah, it's like

0:44:24.080 --> 0:44:26.480
<v Speaker 1>a quarter of the fourth of the milkshake. Okay, you know,

0:44:26.600 --> 0:44:28.560
<v Speaker 1>Lunchox gonna watch movie for twenty nine minutes and then

0:44:28.640 --> 0:44:32.160
<v Speaker 1>run out, real quick run to the box. I don't

0:44:32.160 --> 0:44:35.640
<v Speaker 1>think that's cool. Okay, so it's too late because we

0:44:35.680 --> 0:44:37.520
<v Speaker 1>did it already in this But now you've learned, so

0:44:37.520 --> 0:44:39.480
<v Speaker 1>should I tell him next time? Hey, I've changed my mind.

0:44:40.000 --> 0:44:43.080
<v Speaker 1>Now you don't want to change your mind because Bobby

0:44:43.160 --> 0:44:45.359
<v Speaker 1>and A well it's three against two. That's the only

0:44:45.360 --> 0:44:49.560
<v Speaker 1>reason I don't really want to listen to Lunchbox. Yeah,

0:44:49.560 --> 0:44:51.320
<v Speaker 1>but this is how you grew up. It is that

0:44:51.400 --> 0:44:53.120
<v Speaker 1>was raised this way, but that doesn't mean that it

0:44:53.160 --> 0:44:55.239
<v Speaker 1>was the right way. That's correct, So tell your son.

0:44:56.040 --> 0:44:58.200
<v Speaker 1>He should send things back if it doesn't meet the

0:44:58.239 --> 0:45:02.360
<v Speaker 1>expectation that he was presented. He got it, not just

0:45:02.400 --> 0:45:07.760
<v Speaker 1>because it doesn't hit the spot. It's the best bits

0:45:07.800 --> 0:45:13.880
<v Speaker 1>of the week with Morgan Number two, the moment everybody

0:45:13.920 --> 0:45:17.719
<v Speaker 1>has been waiting for. Amy sang with Ryan heard the

0:45:17.840 --> 0:45:21.080
<v Speaker 1>duet that we have been hearing about and building up

0:45:21.120 --> 0:45:23.319
<v Speaker 1>for weeks. She was talking about how she could sing

0:45:23.719 --> 0:45:26.560
<v Speaker 1>Chasing after You, she could do Marin's part on the

0:45:26.760 --> 0:45:29.759
<v Speaker 1>Ryan heard Mary Moore's song, and while Ryan Herd came

0:45:29.760 --> 0:45:32.560
<v Speaker 1>in with Maren and Hardy and they performed his new

0:45:32.600 --> 0:45:36.840
<v Speaker 1>song pass It On. But more importantly, Amy sang Chasing

0:45:36.880 --> 0:45:39.359
<v Speaker 1>after You with Ryan while Maren sat in her seat

0:45:39.360 --> 0:45:41.759
<v Speaker 1>and watched the whole thing happen. It was just a

0:45:41.840 --> 0:45:45.000
<v Speaker 1>glorious moment in so many ways, and one that you know,

0:45:45.200 --> 0:45:46.560
<v Speaker 1>it was cool to be a part of. And there's

0:45:46.600 --> 0:45:48.960
<v Speaker 1>lots of photos and stuff at Bobby Bones dot com

0:45:49.080 --> 0:45:51.359
<v Speaker 1>or on our Instagram at Bobby Bones Show, so make

0:45:51.400 --> 0:45:55.160
<v Speaker 1>sure you check those out. Number two, the Friday morning

0:45:55.160 --> 0:45:59.239
<v Speaker 1>conversation with Brian heard. Well, it's Ryan and a lot

0:45:59.280 --> 0:46:02.400
<v Speaker 1>of well friends and wife. But Ryan, good to see you, buddy. Hey,

0:46:02.880 --> 0:46:06.239
<v Speaker 1>so intro. Introduce everyone here on the stage. Obviously, this

0:46:06.360 --> 0:46:09.799
<v Speaker 1>is my beautiful wife, Marion Morris, who I got to

0:46:09.800 --> 0:46:12.320
<v Speaker 1>work with last year doing Chasing After You and was

0:46:12.360 --> 0:46:14.719
<v Speaker 1>a big part of putting my album out. And our

0:46:14.840 --> 0:46:18.520
<v Speaker 1>second single I got to write with Maren and our

0:46:18.560 --> 0:46:20.640
<v Speaker 1>friend Hardy right here. It's called pass it On. So

0:46:21.080 --> 0:46:23.680
<v Speaker 1>really thrilled to, I don't know, get to work with

0:46:23.719 --> 0:46:25.719
<v Speaker 1>these We've been writing songs together for a lot of years,

0:46:25.760 --> 0:46:27.560
<v Speaker 1>so it's pretty fun to have a single on the

0:46:27.640 --> 0:46:30.560
<v Speaker 1>radio with them. So Ryan, let's talk about new music

0:46:30.560 --> 0:46:32.879
<v Speaker 1>for a second because it's out. And I assume, since

0:46:32.880 --> 0:46:35.279
<v Speaker 1>again you have Hardy and Maren here, did you guys

0:46:35.320 --> 0:46:37.520
<v Speaker 1>all write this song together. Yeah, we wrote it with

0:46:37.560 --> 0:46:39.960
<v Speaker 1>our friend Jordan Schmidt, and I think originally pass it

0:46:40.000 --> 0:46:43.000
<v Speaker 1>On was an idea for Maren's album which just came out.

0:46:43.080 --> 0:46:46.239
<v Speaker 1>And then halfway through the writing the song, Marion said,

0:46:46.280 --> 0:46:49.680
<v Speaker 1>I don't think this is a song for me to sing,

0:46:49.719 --> 0:46:54.319
<v Speaker 1>and I've passed it on. So then Hardy jumped in

0:46:54.320 --> 0:46:56.120
<v Speaker 1>the vocal booth and he sang a version of it,

0:46:56.160 --> 0:46:58.600
<v Speaker 1>and then it fell to the third artist in the room,

0:46:58.600 --> 0:47:00.359
<v Speaker 1>which is me, and now it's on the radio. So

0:47:00.680 --> 0:47:03.160
<v Speaker 1>what a story. So that happened, So you guys were

0:47:03.160 --> 0:47:04.960
<v Speaker 1>in a room to write for Marion? Was that kind

0:47:05.000 --> 0:47:07.080
<v Speaker 1>of hearty? I'll ask you this was that the goal?

0:47:07.160 --> 0:47:09.400
<v Speaker 1>At first? I'm not really sure. I don't think we

0:47:09.440 --> 0:47:12.600
<v Speaker 1>went in with any intention, I guess, but uh yeah,

0:47:12.680 --> 0:47:14.719
<v Speaker 1>I don't know. I mean maybe one of you guys

0:47:14.760 --> 0:47:17.879
<v Speaker 1>could answer that better than me, But um, I think

0:47:17.880 --> 0:47:19.640
<v Speaker 1>we were honestly just in the room to write a

0:47:19.680 --> 0:47:22.600
<v Speaker 1>great song that day. Yeah, we're always sort of playing

0:47:22.680 --> 0:47:25.279
<v Speaker 1>chicken because the three of us are artists, and then

0:47:25.360 --> 0:47:27.960
<v Speaker 1>Jordan is just there and helping us out. We're like,

0:47:28.000 --> 0:47:31.520
<v Speaker 1>who will this fall to? And I feel like it

0:47:31.600 --> 0:47:33.319
<v Speaker 1>was it was an idea we brought in and we

0:47:33.320 --> 0:47:36.399
<v Speaker 1>were saving for our rite with Hearty, But then he

0:47:36.440 --> 0:47:38.799
<v Speaker 1>was singing most of the day and I was just like,

0:47:39.040 --> 0:47:41.680
<v Speaker 1>I feel like a guy. I hear a guy on this,

0:47:42.160 --> 0:47:45.200
<v Speaker 1>And then um, yeah, Ryan knocked it out of the

0:47:45.200 --> 0:47:48.080
<v Speaker 1>park for this record. Does the opposite ever happen? Ryan,

0:47:48.080 --> 0:47:49.840
<v Speaker 1>We're instead of someone going, hey, this is not for me?

0:47:50.480 --> 0:47:51.960
<v Speaker 1>Is every going in a room were writing for somebody else?

0:47:51.920 --> 0:47:53.359
<v Speaker 1>And goes No, I like this song so much, I

0:47:53.400 --> 0:47:55.239
<v Speaker 1>now want it. I do that all the time. I'm

0:47:55.280 --> 0:47:58.960
<v Speaker 1>sure Hearty does too. I want the song. Yeah, It's

0:47:59.160 --> 0:48:01.799
<v Speaker 1>gotta be pretty weird for me to like put like

0:48:01.880 --> 0:48:03.960
<v Speaker 1>grab it right away. Otherwise I like to pitch them

0:48:03.960 --> 0:48:07.439
<v Speaker 1>and see kind of get some reactions. But but yeah,

0:48:07.440 --> 0:48:09.680
<v Speaker 1>this one was I don't know when you're putting an

0:48:09.680 --> 0:48:12.120
<v Speaker 1>album together, I've only done it one time, but you

0:48:12.160 --> 0:48:14.359
<v Speaker 1>always think about like how do you want to set

0:48:14.400 --> 0:48:17.200
<v Speaker 1>a tone? And I think just having something unabashedly positive

0:48:17.440 --> 0:48:20.200
<v Speaker 1>was a really cool way to kick off my album.

0:48:20.200 --> 0:48:22.160
<v Speaker 1>And then when we had to pick a second single,

0:48:22.280 --> 0:48:24.680
<v Speaker 1>this is the one that our record company was really

0:48:24.680 --> 0:48:28.680
<v Speaker 1>excited about. So I have really just thrilled that I

0:48:28.680 --> 0:48:30.359
<v Speaker 1>get to have both of these two in studio. It's

0:48:30.400 --> 0:48:33.319
<v Speaker 1>such a massive treat for me and for us. Well,

0:48:33.400 --> 0:48:36.920
<v Speaker 1>let's hear the song Ryan heard, Marion Morris and Hardy

0:48:37.160 --> 0:48:43.840
<v Speaker 1>here to do. Pass it on. If you got a

0:48:43.880 --> 0:48:47.239
<v Speaker 1>little smile in your pocket, or maybe just a couple

0:48:47.239 --> 0:48:51.080
<v Speaker 1>of coins, If you got a little weight and you

0:48:51.200 --> 0:48:56.200
<v Speaker 1>wall in a right direction to pawn some good advice,

0:48:56.960 --> 0:49:01.319
<v Speaker 1>good vibes or a little positivity. Yeah, if you got

0:49:01.440 --> 0:49:04.759
<v Speaker 1>a full cup and split it on up like somebody

0:49:04.880 --> 0:49:10.400
<v Speaker 1>did before me, pass it on, Pass it on, Pass

0:49:10.480 --> 0:49:14.759
<v Speaker 1>it on someone else. What good is you down? He

0:49:14.840 --> 0:49:17.239
<v Speaker 1>all you love, all your battle. If you keep it

0:49:17.280 --> 0:49:21.720
<v Speaker 1>out to yourself, there's enough to go around to send

0:49:21.760 --> 0:49:24.200
<v Speaker 1>it on down, because you can't take it with you.

0:49:24.239 --> 0:49:31.000
<v Speaker 1>When you're gone, pass it on, pass it on, pass

0:49:31.080 --> 0:49:49.319
<v Speaker 1>it on? Come on? Awesome, great job lyon heard Marion

0:49:49.440 --> 0:49:51.920
<v Speaker 1>Morris and Hardy all here doing pass it On. I mean,

0:49:51.920 --> 0:49:53.839
<v Speaker 1>it's a great song and it's also like a you're right,

0:49:53.840 --> 0:49:56.080
<v Speaker 1>it's like a good feeling song. I hope, so, man,

0:49:56.120 --> 0:49:59.480
<v Speaker 1>I mean, there's a lot of a lot of I

0:49:59.520 --> 0:50:01.880
<v Speaker 1>think this it's a great song for to hear on

0:50:01.880 --> 0:50:03.440
<v Speaker 1>the radio. Man, We're really proud of it. There's a

0:50:03.440 --> 0:50:05.160
<v Speaker 1>reason we wanted to start our album with it, and

0:50:05.280 --> 0:50:07.799
<v Speaker 1>I'm really just again thrilled to have these two in

0:50:07.880 --> 0:50:10.120
<v Speaker 1>the studio with me supporting, just because you know, it's

0:50:10.160 --> 0:50:11.879
<v Speaker 1>fun to do this with your friends. Do you, guys

0:50:11.920 --> 0:50:13.400
<v Speaker 1>and Mari and I'll ask you this, do you feel

0:50:13.440 --> 0:50:15.399
<v Speaker 1>like since you wrote it, you're more invested and it's

0:50:15.440 --> 0:50:17.640
<v Speaker 1>easier to sing on it, like it makes more sense.

0:50:17.840 --> 0:50:20.160
<v Speaker 1>I mean, this is my first Ryan Herd single, Oh

0:50:20.280 --> 0:50:24.680
<v Speaker 1>come on right, So I feel really special. Marying things

0:50:24.719 --> 0:50:26.879
<v Speaker 1>on almost every song that I put out, so it's

0:50:27.000 --> 0:50:29.680
<v Speaker 1>that's it's easy to and also chasing after you, so

0:50:29.760 --> 0:50:32.239
<v Speaker 1>it's it's I don't know, she's my safety blanket, I think.

0:50:32.600 --> 0:50:34.440
<v Speaker 1>And Marin's record just came out, and your record has

0:50:34.440 --> 0:50:36.600
<v Speaker 1>been out since the late last year. But and I'm

0:50:36.640 --> 0:50:39.520
<v Speaker 1>not asking this anytime soon, but back in the day,

0:50:39.960 --> 0:50:42.640
<v Speaker 1>George and Tammy, back in the you know, it was

0:50:42.680 --> 0:50:44.799
<v Speaker 1>a thing where you would the couples would do an

0:50:44.920 --> 0:50:47.560
<v Speaker 1>entire album. Has that ever been talked about in your house?

0:50:49.040 --> 0:50:52.320
<v Speaker 1>It's a soul album? Maybe yes, maybe just briefly because

0:50:52.320 --> 0:50:55.600
<v Speaker 1>it's it's fun to even like a five song EP.

0:50:56.239 --> 0:50:58.960
<v Speaker 1>It's just once we get through the Marin record, we

0:50:58.960 --> 0:51:01.279
<v Speaker 1>can talk more about what we're doing next. But I

0:51:01.280 --> 0:51:04.200
<v Speaker 1>feel like we're so like just coming out of that tunnel. So,

0:51:04.520 --> 0:51:06.880
<v Speaker 1>I mean, I love all the duets so like, I

0:51:06.960 --> 0:51:10.400
<v Speaker 1>think one of my favorite songs is like the Loretta

0:51:10.520 --> 0:51:13.400
<v Speaker 1>Conway twitty You're the reason our kids are ugly like

0:51:13.960 --> 0:51:16.600
<v Speaker 1>but that is my favorite thing about country music, couples

0:51:16.600 --> 0:51:19.319
<v Speaker 1>like or duets. And Hardy, who has been on every

0:51:19.360 --> 0:51:21.680
<v Speaker 1>single duet and country the last five years. Congratulations, buddy,

0:51:21.680 --> 0:51:24.280
<v Speaker 1>You've killing him. It's like, if there's a song, Hardy's

0:51:24.320 --> 0:51:26.719
<v Speaker 1>on it. Now. We got to vote for Hardy to

0:51:26.840 --> 0:51:28.680
<v Speaker 1>be Songwriter of the Year at the ACMs this year,

0:51:28.719 --> 0:51:30.799
<v Speaker 1>so I mean, congrats to you, man. Let's thank you man.

0:51:30.920 --> 0:51:33.040
<v Speaker 1>We have the ACM Songwriter of the Year on this song,

0:51:33.080 --> 0:51:36.720
<v Speaker 1>which is pretty z yeah awesome. Well, we're gonna speaking

0:51:36.760 --> 0:51:40.239
<v Speaker 1>of wonderful talented people, Amy's gonna got her performance in

0:51:40.280 --> 0:51:43.440
<v Speaker 1>a second. You're you're, you're, You're up to date right?

0:51:43.520 --> 0:51:46.640
<v Speaker 1>Oh yes, I've been following along. Okay, he's totally up

0:51:46.760 --> 0:51:48.920
<v Speaker 1>to date. I don't know if Marin is, so that

0:51:48.960 --> 0:51:51.920
<v Speaker 1>makes me nervous. So this is what's happened a long time.

0:51:51.960 --> 0:51:53.799
<v Speaker 1>I know it's coming, but just helped fill me in

0:51:54.160 --> 0:51:56.280
<v Speaker 1>a long time ago. Amy said, Mat think I actually

0:51:56.280 --> 0:51:58.000
<v Speaker 1>sing the mari In part pretty good and chasing after

0:51:58.040 --> 0:52:06.160
<v Speaker 1>you exactly? I said, I sing along in my car

0:52:06.400 --> 0:52:09.759
<v Speaker 1>with Ryan, but I'm not in the marn We all

0:52:09.760 --> 0:52:13.600
<v Speaker 1>have no I heard you do it and you saying great,

0:52:14.000 --> 0:52:17.239
<v Speaker 1>thanks Marin. It's really low. It's a low part of it, sure,

0:52:17.320 --> 0:52:20.080
<v Speaker 1>but I've never ever done this with anybody else except Maren.

0:52:21.239 --> 0:52:24.080
<v Speaker 1>It makes me even now now now I'm way nervous

0:52:24.120 --> 0:52:28.360
<v Speaker 1>and I don't especially with Marin here. I need to

0:52:28.920 --> 0:52:31.480
<v Speaker 1>people to know I'm not trying. Do you do the

0:52:31.560 --> 0:52:36.440
<v Speaker 1>like Marion? Uh? Listen, listen, Yeah, what if we what

0:52:36.480 --> 0:52:38.279
<v Speaker 1>if Maren sat in your seat? I might need a

0:52:38.320 --> 0:52:42.879
<v Speaker 1>cute nose. Okay, I my goal would be to make

0:52:42.960 --> 0:52:46.680
<v Speaker 1>Marian prava also to know that, like, I am definitely

0:52:46.719 --> 0:52:49.319
<v Speaker 1>not Marin. This is like just fun. This is like

0:52:49.360 --> 0:52:51.839
<v Speaker 1>a oh yeah, because you do something. Okay, we're gonna

0:52:51.880 --> 0:52:54.640
<v Speaker 1>do it next ye hold on, Okay, we're rambled. We

0:52:54.680 --> 0:52:57.240
<v Speaker 1>didn't know at the time when this was suggested by you, Amy,

0:52:57.239 --> 0:52:59.440
<v Speaker 1>that Marin was going to be here to watch. Totally

0:52:59.480 --> 0:53:04.120
<v Speaker 1>different story. Yeah, but this is all your idea. Yeah yeah, Well,

0:53:04.160 --> 0:53:06.319
<v Speaker 1>I mean I feel like over the years, what like

0:53:06.320 --> 0:53:08.640
<v Speaker 1>we've been doing this sixteen years or something I've sang

0:53:08.760 --> 0:53:11.799
<v Speaker 1>with some like I've had the opportunity to just have

0:53:11.920 --> 0:53:13.520
<v Speaker 1>fun with it. And this is a song that I

0:53:13.560 --> 0:53:16.239
<v Speaker 1>just love, big fan of it from the beginning. I

0:53:16.320 --> 0:53:18.840
<v Speaker 1>enjoy singing it in my car. So I maybe just

0:53:19.080 --> 0:53:23.040
<v Speaker 1>mentioned it'd be so fun to sing sing it. I mentioned.

0:53:23.600 --> 0:53:27.600
<v Speaker 1>So here's what's happening, Amy, you should just really have fun,

0:53:27.840 --> 0:53:30.640
<v Speaker 1>I am, because if what she does guys once she's

0:53:30.680 --> 0:53:32.520
<v Speaker 1>not on, which is hard for us to be on

0:53:32.800 --> 0:53:35.160
<v Speaker 1>or don't have your skill set. No, so once then

0:53:35.160 --> 0:53:37.600
<v Speaker 1>she starts to goop around and do like funny runs.

0:53:37.680 --> 0:53:43.880
<v Speaker 1>We told her commit to being serious right, Yes, yes, okay, committed. Okay, Amy,

0:53:43.920 --> 0:53:47.080
<v Speaker 1>your thoughts before we hit this song. I've got it,

0:53:47.160 --> 0:53:49.799
<v Speaker 1>nailed it. Ryan, your thoughts before we hit this song.

0:53:49.960 --> 0:53:52.400
<v Speaker 1>I've just been following the saga online for a while,

0:53:52.440 --> 0:53:54.359
<v Speaker 1>so I'm really excited to do it. I've been I've

0:53:54.360 --> 0:53:59.080
<v Speaker 1>been thrilled that that you've wanted to That's very cool. Hey, Teddy,

0:53:59.120 --> 0:54:01.520
<v Speaker 1>would you mind paying the intro before we actually go

0:54:01.640 --> 0:54:03.759
<v Speaker 1>through it? I want to show and we'll show Amy

0:54:03.760 --> 0:54:06.080
<v Speaker 1>worsh to come in it. Will you just play up

0:54:06.120 --> 0:54:09.680
<v Speaker 1>to the part where no where that part? Yeah, just

0:54:09.719 --> 0:54:13.680
<v Speaker 1>the intro? What what are we practicing? Which part? When

0:54:13.719 --> 0:54:15.879
<v Speaker 1>you come in with the listen right, because you'll finish

0:54:15.880 --> 0:54:18.120
<v Speaker 1>the chorus the chorus. Yeause, he does it first, you

0:54:18.200 --> 0:54:20.160
<v Speaker 1>do the chorus and then it goes back into that

0:54:20.200 --> 0:54:22.960
<v Speaker 1>second verse, right if I may. There's no leg we

0:54:23.080 --> 0:54:24.960
<v Speaker 1>just say, oh, it just goes right into it, and

0:54:25.040 --> 0:54:31.479
<v Speaker 1>you may. That's it on the one. On the one,

0:54:31.560 --> 0:54:33.760
<v Speaker 1>I'll give you a big old head nod, you know, Amy,

0:54:33.960 --> 0:54:38.560
<v Speaker 1>and and then I follow you. Yeah, okay, here we go.

0:54:39.480 --> 0:54:41.960
<v Speaker 1>Ryan heard a name, Marin. Can you give me a

0:54:42.000 --> 0:54:48.280
<v Speaker 1>mimimi like a dough like I really wanted what I wish?

0:54:48.680 --> 0:54:53.360
<v Speaker 1>I don't know, can I whenever Ryan's doing his first first?

0:54:53.440 --> 0:54:56.680
<v Speaker 1>Do you ever like because sometimes Marion will just kind

0:54:56.680 --> 0:54:59.200
<v Speaker 1>of like in the back like if like when Ryan

0:54:59.280 --> 0:55:02.399
<v Speaker 1>goes like then I wake up with you on my chest?

0:55:02.520 --> 0:55:04.160
<v Speaker 1>Do I ever just be like on my chest? No?

0:55:05.080 --> 0:55:11.279
<v Speaker 1>Not this time? Are you serious? Okay? I am here?

0:55:11.320 --> 0:55:14.279
<v Speaker 1>We go? Are you staying there? I am? I saying

0:55:14.480 --> 0:55:19.399
<v Speaker 1>where would you feel most? You can take my seat? Yeah,

0:55:19.520 --> 0:55:21.920
<v Speaker 1>that's a good point, Hardy. Why do you say is

0:55:21.960 --> 0:55:25.000
<v Speaker 1>in between like in your seat? Yeah? And you should

0:55:25.280 --> 0:55:26.880
<v Speaker 1>why I suggest that I told me I was an idiot?

0:55:26.920 --> 0:55:34.640
<v Speaker 1>All right, A great hilarious We're gonna put it to

0:55:34.680 --> 0:55:36.560
<v Speaker 1>the test. You should if I can find a harmony,

0:55:36.719 --> 0:55:40.480
<v Speaker 1>I'll Harty's gonna harmonize with me? Okay, I'm just soon

0:55:40.560 --> 0:55:42.719
<v Speaker 1>gonna have to close my eyes. But all it feel

0:55:42.760 --> 0:55:46.440
<v Speaker 1>like you're looking to Amy over here. We get that

0:55:46.520 --> 0:55:51.160
<v Speaker 1>we look like all the time. See Marion said it? Okay, Ryan, definitely, Amy,

0:55:51.680 --> 0:56:09.200
<v Speaker 1>let's go. Teddy will follow you. Okay, you can move

0:56:09.360 --> 0:56:13.440
<v Speaker 1>when your wind's all done. Always catch me when I'm

0:56:13.560 --> 0:56:17.399
<v Speaker 1>not that strong, and then you wind up staying all

0:56:17.520 --> 0:56:24.480
<v Speaker 1>night long. Ain't nothing new then? A'wagged with you on

0:56:24.760 --> 0:56:29.040
<v Speaker 1>my chest. You got a way of making me forget

0:56:29.960 --> 0:56:34.160
<v Speaker 1>the girl with you. The answer is always yes every

0:56:34.239 --> 0:56:38.840
<v Speaker 1>time call. But I know y'all know it isn't matter

0:56:38.960 --> 0:56:42.400
<v Speaker 1>of time til you walk till you walk out of

0:56:42.600 --> 0:56:47.640
<v Speaker 1>my life. Let me standing your lonely, feeling like a fool.

0:56:50.719 --> 0:56:54.640
<v Speaker 1>Every time. Every time you stay were done, you come

0:56:54.719 --> 0:56:58.080
<v Speaker 1>back to the love you around it from. I don't

0:56:58.160 --> 0:57:01.319
<v Speaker 1>know why, I don't know why I let you, but

0:57:01.560 --> 0:57:14.280
<v Speaker 1>I do, Yes, I love chasing after you listen. Wish

0:57:14.280 --> 0:57:17.880
<v Speaker 1>I could quit you, but it feels too good. If

0:57:17.880 --> 0:57:21.200
<v Speaker 1>I could turn it off, you know I would, But

0:57:21.400 --> 0:57:25.360
<v Speaker 1>something about you makes me think we could make it

0:57:25.640 --> 0:57:29.680
<v Speaker 1>after all. But I know, yeah, I know, it's a

0:57:29.880 --> 0:57:33.400
<v Speaker 1>matter of time till you walk, till you walk back

0:57:33.520 --> 0:57:38.320
<v Speaker 1>out of my Lifely be standing here, lonely, feeling like

0:57:38.560 --> 0:57:45.480
<v Speaker 1>a fool. Every time, every time you say we're done,

0:57:45.600 --> 0:57:49.000
<v Speaker 1>you come back to the love you were running from.

0:57:49.080 --> 0:57:52.160
<v Speaker 1>I don't know why, I don't know why I let you,

0:57:52.600 --> 0:58:13.840
<v Speaker 1>but I do. Yes, I love chasing it. Do you

0:58:13.840 --> 0:58:18.200
<v Speaker 1>you can mole and your wines all gone? Always catch

0:58:18.240 --> 0:58:21.680
<v Speaker 1>me when I'm not at that's strong. Then you wound

0:58:21.800 --> 0:58:27.640
<v Speaker 1>up staying all night long ain't nothing. But I know

0:58:28.000 --> 0:58:31.440
<v Speaker 1>y'all know, it's a matter of time til you walk,

0:58:31.520 --> 0:58:35.240
<v Speaker 1>till you walk back out of my lifely be staying

0:58:35.440 --> 0:58:43.280
<v Speaker 1>her lonely, feeling like a fool. Time every time you

0:58:43.600 --> 0:58:47.600
<v Speaker 1>stay with time, you come back to love you running

0:58:47.720 --> 0:58:50.480
<v Speaker 1>from I don't know why. I don't know why I

0:58:50.920 --> 0:58:59.080
<v Speaker 1>let you, but I do. Yes, I love Jess, do you? Yeah?

0:58:59.160 --> 0:59:13.600
<v Speaker 1>I love that's good. Who wow, let's go to the Okay,

0:59:13.800 --> 0:59:16.840
<v Speaker 1>so Amy, Yes, Marion's up. I feel like we're on

0:59:17.560 --> 0:59:20.480
<v Speaker 1>the Voice or American Idol or something. You're going to Hollywood.

0:59:21.760 --> 0:59:24.800
<v Speaker 1>Thank you, Thank you Ryan. What you think about you

0:59:24.880 --> 0:59:27.640
<v Speaker 1>did great? Yeah? You made it to listen, Well, what's

0:59:27.680 --> 0:59:30.080
<v Speaker 1>difficult is I mean, I know y'all do this all

0:59:30.120 --> 0:59:32.680
<v Speaker 1>the time, but like I'm not hearing. You don't hear

0:59:33.040 --> 0:59:35.520
<v Speaker 1>I mean, I don't so I'm just like, oh, I

0:59:35.720 --> 0:59:39.080
<v Speaker 1>didn't say a sentence. I just I don't know how

0:59:39.120 --> 0:59:44.400
<v Speaker 1>they just performed without hearing themselves usually. Here party your

0:59:44.520 --> 0:59:47.400
<v Speaker 1>thoughts on Amy's performance. I thought you did great. Yeah,

0:59:47.480 --> 0:59:51.400
<v Speaker 1>you know it. Confidence and do you feel that adrenaline

0:59:51.480 --> 0:59:54.000
<v Speaker 1>rush right now? Yes, that's the best feeling about performing

0:59:54.120 --> 0:59:55.840
<v Speaker 1>right Like in the fifth grade, I was in a

0:59:55.920 --> 1:00:00.120
<v Speaker 1>talent show and saying Amy Grant and I fel well

1:00:00.200 --> 1:00:02.280
<v Speaker 1>in the fifth grade, though, like I didn't now I

1:00:02.400 --> 1:00:04.880
<v Speaker 1>recognize I can't sing. In the fifth grade, I thought

1:00:05.000 --> 1:00:07.840
<v Speaker 1>I still had a chance. Marion, you actually posted an

1:00:07.880 --> 1:00:09.800
<v Speaker 1>old video clip of like you as a kid talking

1:00:09.840 --> 1:00:11.120
<v Speaker 1>about your why I don't know how day or you

1:00:11.120 --> 1:00:12.920
<v Speaker 1>weren't fifth grade. You're talking about how your album came

1:00:12.960 --> 1:00:14.280
<v Speaker 1>out and go get it. And I was like that

1:00:14.440 --> 1:00:16.439
<v Speaker 1>was me, Like I wanted to sing, I sing at church,

1:00:17.000 --> 1:00:19.560
<v Speaker 1>did all the things. So this is just something fun

1:00:19.640 --> 1:00:21.760
<v Speaker 1>for me. I know. I can't say all right, all right,

1:00:22.280 --> 1:00:24.400
<v Speaker 1>all right, let's let's put Marion back in the big

1:00:24.480 --> 1:00:29.320
<v Speaker 1>kid chair. Okay, yeah, yeah, alright, right, let me say

1:00:29.360 --> 1:00:31.760
<v Speaker 1>a couple of things. First of all, Ryan trying to

1:00:31.800 --> 1:00:34.840
<v Speaker 1>walk off the set here. Ryan, congratulations on the new song.

1:00:34.920 --> 1:00:37.920
<v Speaker 1>It's awesome. I love it. Pass an arm amazing, Maren.

1:00:37.960 --> 1:00:39.920
<v Speaker 1>I know your record came out last week. It's fantastic.

1:00:40.640 --> 1:00:43.440
<v Speaker 1>Great job, Teddy as always. I guess we'll see in

1:00:43.480 --> 1:00:44.640
<v Speaker 1>a couple days. I don't know who you'll be in

1:00:44.680 --> 1:00:47.720
<v Speaker 1>here with, but it's Austin and Hardy just a massive

1:00:47.760 --> 1:00:51.280
<v Speaker 1>fan of everything. You do writing wise, your style. Just

1:00:51.440 --> 1:00:53.440
<v Speaker 1>I'm just a big fan. Thank you, so appreciate you

1:00:53.480 --> 1:00:56.200
<v Speaker 1>coming up here. Here it is thanks thanks Hardy. All right,

1:00:56.400 --> 1:00:59.680
<v Speaker 1>and there is a cake entering the room because it

1:00:59.880 --> 1:01:03.200
<v Speaker 1>is is happy birthday, my name, happy birthday too. It's

1:01:03.280 --> 1:01:07.640
<v Speaker 1>your birthday? Who all of you? No, it's my birthday.

1:01:08.880 --> 1:01:11.000
<v Speaker 1>Cut that cut, that cut, that cut. Oh, this is

1:01:11.160 --> 1:01:14.640
<v Speaker 1>recorded on my birthday. What okay? Oh? And oh it

1:01:14.920 --> 1:01:17.600
<v Speaker 1>is my name, happy birthday. You know what. Here's here's

1:01:17.600 --> 1:01:20.320
<v Speaker 1>the inside joke everybody. We recorded this before my birthday

1:01:20.320 --> 1:01:23.480
<v Speaker 1>and I was confused why cake was coming in studio.

1:01:25.040 --> 1:01:27.640
<v Speaker 1>I was like, wait, this is the earliest surprise party ever.

1:01:28.360 --> 1:01:35.720
<v Speaker 1>Thank you for the cake. We were all equally confused. Yes, Um, Ryan, great, Marion, Teddy, Hardy,

1:01:36.160 --> 1:01:38.320
<v Speaker 1>great show, and that's awesome. All right, We good guys.

1:01:39.160 --> 1:01:41.800
<v Speaker 1>Amy Oh, Amy did great. Thank you Amy. We'll have

1:01:42.040 --> 1:01:44.480
<v Speaker 1>weeks to talk about this and relive it. Okay, there

1:01:44.520 --> 1:01:48.920
<v Speaker 1>they are the crude Thank you guys. It's the best

1:01:49.080 --> 1:01:53.640
<v Speaker 1>bits of the week with Morgan number two and coming

1:01:53.760 --> 1:01:56.640
<v Speaker 1>in hauntingly. Is that even a word? I don't know

1:01:56.720 --> 1:01:58.240
<v Speaker 1>if that's a word, but you know what, it's going

1:01:58.320 --> 1:02:00.440
<v Speaker 1>to be a word. Right now hunting leet Number one,

1:02:01.120 --> 1:02:06.160
<v Speaker 1>the Haunted Crying Doll drama. Listen, somebody was supposed to

1:02:06.160 --> 1:02:08.240
<v Speaker 1>take it home for a week, live with it, see

1:02:08.320 --> 1:02:10.080
<v Speaker 1>what happens, and you know they did not want to,

1:02:10.200 --> 1:02:12.000
<v Speaker 1>so they paid someone else on the show to do it.

1:02:12.120 --> 1:02:14.680
<v Speaker 1>And you know, when money gets involved, somebody on the

1:02:14.720 --> 1:02:16.640
<v Speaker 1>show is going to get in on the action. And

1:02:16.760 --> 1:02:19.760
<v Speaker 1>that is definitely what happened. So make sure you catch

1:02:19.880 --> 1:02:24.080
<v Speaker 1>up on this whole situation with the haunted doll, because

1:02:24.640 --> 1:02:26.400
<v Speaker 1>I have a feeling we're going to be having some

1:02:26.680 --> 1:02:29.880
<v Speaker 1>stories over the next week about this whole situation. So

1:02:30.520 --> 1:02:33.960
<v Speaker 1>here it is right now, number one. Yesterday we were

1:02:33.960 --> 1:02:37.600
<v Speaker 1>talking about it Ventroloquist doll and this doll supposedly haunted,

1:02:38.320 --> 1:02:41.280
<v Speaker 1>and I said, who believes that a doll could be haunted?

1:02:41.920 --> 1:02:43.680
<v Speaker 1>And both Amy and Eddie said, I don't think a

1:02:43.760 --> 1:02:45.520
<v Speaker 1>thing can be haunted. I said, great, I'm glad you

1:02:45.600 --> 1:02:48.240
<v Speaker 1>said that, because what we have purchased is the crying

1:02:48.360 --> 1:02:51.600
<v Speaker 1>Boy doll that they claim is haunted. The Crying Boy

1:02:51.760 --> 1:02:53.680
<v Speaker 1>was part of the collection of dolls. The owner of

1:02:53.720 --> 1:02:56.800
<v Speaker 1>the doll said she swore she always felt strange and

1:02:56.880 --> 1:02:59.680
<v Speaker 1>sad around him, like it brought. I don't have time

1:02:59.720 --> 1:03:02.520
<v Speaker 1>for that in your tee, she said, Sometimes his shoes

1:03:03.040 --> 1:03:07.200
<v Speaker 1>would be off and she would never touch the doll's feet. Okay,

1:03:07.480 --> 1:03:10.200
<v Speaker 1>So since you don't believe things are haunted, we're gonna

1:03:10.240 --> 1:03:11.960
<v Speaker 1>play a game. Loser takes a doll home with them

1:03:11.960 --> 1:03:14.760
<v Speaker 1>for a week. Cool. We actually will get the doll

1:03:14.960 --> 1:03:18.400
<v Speaker 1>on Friday like in hopefully, and then all next week

1:03:18.440 --> 1:03:20.840
<v Speaker 1>you have the doll at home with you. So we're

1:03:20.880 --> 1:03:24.160
<v Speaker 1>gonna play twenty one questions and the loser takes the

1:03:24.240 --> 1:03:27.520
<v Speaker 1>haunted doll home for a for a week. Okay, So

1:03:27.680 --> 1:03:29.440
<v Speaker 1>what'll happen is I have a celebrity. I've shared it

1:03:29.480 --> 1:03:31.640
<v Speaker 1>with a Mike d He'll losso service fact checker. You

1:03:31.720 --> 1:03:36.720
<v Speaker 1>can ask yes or no questions, and if you decide

1:03:36.760 --> 1:03:39.960
<v Speaker 1>that you want to guess the celebrity, buzz in with

1:03:40.040 --> 1:03:41.720
<v Speaker 1>your name at any time. But once you guess and

1:03:41.800 --> 1:03:44.600
<v Speaker 1>you miss it, you're gone. You lose. Okay, So you

1:03:44.720 --> 1:03:46.880
<v Speaker 1>get at anytime buzz in and say I want to

1:03:46.880 --> 1:03:50.280
<v Speaker 1>guess the celebrity, say your name as the buzzer. It's wrong,

1:03:50.560 --> 1:03:54.600
<v Speaker 1>it gets wrong, you lose. Yeah, So ready to go amy.

1:03:54.640 --> 1:03:56.320
<v Speaker 1>You will go first a yes or no question. Have

1:03:56.400 --> 1:03:59.640
<v Speaker 1>a celebrity in my head? Twenty one questions? Go Is

1:03:59.680 --> 1:04:04.480
<v Speaker 1>it a male? No, it's a woman, Eddie. Is this

1:04:04.720 --> 1:04:10.880
<v Speaker 1>woman dead? Oh? Here we go. No, is the dramatic pauses.

1:04:11.400 --> 1:04:17.960
<v Speaker 1>I'm thinking, no, the woman's not dead. Okay. Is she married? Mike?

1:04:20.000 --> 1:04:22.720
<v Speaker 1>I think so, but Mike is serving as the fact checker,

1:04:23.120 --> 1:04:24.760
<v Speaker 1>and he will tell me if she's married or not.

1:04:25.800 --> 1:04:28.640
<v Speaker 1>She is married, Yes, Mary, We get twenty questions each. Right, no,

1:04:28.760 --> 1:04:31.760
<v Speaker 1>we go until someone loses It could be a hundred questions.

1:04:33.200 --> 1:04:37.000
<v Speaker 1>Go ahead, Eddie, h married? Okay, Um, let's see. Is

1:04:37.040 --> 1:04:41.000
<v Speaker 1>this person famous? Yeah? Obviously, no, not obviously. It could

1:04:41.080 --> 1:04:48.200
<v Speaker 1>be like my cousin. It's never obvious. Does she have kids? No? No,

1:04:49.720 --> 1:04:55.920
<v Speaker 1>no kids? Married, no kids. Is this a woman who's alive?

1:04:56.200 --> 1:05:02.360
<v Speaker 1>Is she American? Oh, here's the drop. M trying to think, yes,

1:05:03.680 --> 1:05:06.560
<v Speaker 1>Yes she's American. I'm looking at Mike if I'm confused, Yes,

1:05:06.640 --> 1:05:16.480
<v Speaker 1>she's American, American woman. Is she a singer? No? Female, famous,

1:05:17.120 --> 1:05:21.560
<v Speaker 1>not a singer, American a long married? Yeah? Married? No kids? Um?

1:05:22.080 --> 1:05:29.880
<v Speaker 1>Is she an actress? No, Mike, we're gonna go no, right, no,

1:05:30.040 --> 1:05:32.280
<v Speaker 1>we'll say no. Not a singer, not an actresses doesn't

1:05:32.320 --> 1:05:38.400
<v Speaker 1>sing or act, and she's famous. She an influencer, TikToker whatever? No,

1:05:38.560 --> 1:05:43.760
<v Speaker 1>not a TikToker? What does she knew? Bobby? Is she Caucasian? Es? Yeah?

1:05:47.040 --> 1:05:56.400
<v Speaker 1>Is she in politics? No? Is she a comedian? Yes? Oh? Oh,

1:05:56.520 --> 1:05:58.360
<v Speaker 1>this is tough. I have a question. I don't want

1:05:58.360 --> 1:06:04.240
<v Speaker 1>to ask it. She said no, Is it my turn? Yeah?

1:06:04.360 --> 1:06:08.240
<v Speaker 1>You said no kids? No kids? Married? She's a comedian.

1:06:09.440 --> 1:06:10.600
<v Speaker 1>Now you guts to start to think you know who

1:06:10.640 --> 1:06:12.000
<v Speaker 1>it is. I'm scared. I know who it is, but

1:06:12.080 --> 1:06:14.800
<v Speaker 1>I'm scared. Okay, is she a comedian that has also

1:06:14.880 --> 1:06:21.080
<v Speaker 1>started movies? Let me ask Mike, because I don't think so.

1:06:21.400 --> 1:06:28.200
<v Speaker 1>But gosh, so Mike, she's been in mood what not

1:06:28.440 --> 1:06:33.400
<v Speaker 1>known as an actress, but she's been in movies? Is

1:06:33.440 --> 1:06:36.000
<v Speaker 1>it my turn? This is tough because I feel like

1:06:36.040 --> 1:06:37.840
<v Speaker 1>I know who it is. But and I have one

1:06:37.880 --> 1:06:39.720
<v Speaker 1>more question, but I don't want to ask it because

1:06:39.720 --> 1:06:44.360
<v Speaker 1>I think that'll give Amy the answer. And follow a

1:06:44.480 --> 1:06:46.320
<v Speaker 1>question with immediately yelling your name, you have to pause

1:06:46.320 --> 1:06:48.720
<v Speaker 1>for at least three seconds. Okay, so you don't just

1:06:48.760 --> 1:06:50.200
<v Speaker 1>go get the answer and yell your name. Okay, I

1:06:50.240 --> 1:06:53.000
<v Speaker 1>have a question, but she can jump in can't it

1:06:53.360 --> 1:07:00.280
<v Speaker 1>is she can she be a raunchy comedian. That's not

1:07:00.360 --> 1:07:04.600
<v Speaker 1>gonna help me. Yes, no, no, oh, well that kind

1:07:04.640 --> 1:07:06.320
<v Speaker 1>of goes me. I wish Eddie would have guessed and

1:07:06.320 --> 1:07:14.160
<v Speaker 1>missed it. That had been hilarious. Okay, okay. Has mal

1:07:14.240 --> 1:07:17.720
<v Speaker 1>comedian married? No kids? She's been in some movies. What

1:07:17.880 --> 1:07:27.560
<v Speaker 1>about TV? Has she done TV shows? Yes? Okay, okay,

1:07:28.480 --> 1:07:32.520
<v Speaker 1>what are you thinking about now? The thing that's confusing

1:07:32.560 --> 1:07:34.919
<v Speaker 1>when you ask if somebody's something, it's not what they're

1:07:34.960 --> 1:07:37.360
<v Speaker 1>known most for, but they've probably done it. What was

1:07:37.400 --> 1:07:39.920
<v Speaker 1>their springboard? Like maybe they've done other things, But what

1:07:40.000 --> 1:07:42.360
<v Speaker 1>did it start with? Like your star wouldn't say media,

1:07:42.360 --> 1:07:44.200
<v Speaker 1>You wouldn't say I'm an author, but I've written a

1:07:44.240 --> 1:07:48.360
<v Speaker 1>couple of book but right same here. But you said

1:07:48.440 --> 1:07:51.040
<v Speaker 1>yes to comedian though, yes, and yes to she's TV

1:07:51.080 --> 1:07:54.920
<v Speaker 1>show show? Okay, So it started with comedy, Eddie, it's

1:07:54.960 --> 1:07:58.800
<v Speaker 1>over to you. It's me okay, Um what she was?

1:07:58.880 --> 1:08:03.200
<v Speaker 1>She a part of the Oscars this year. I didn't watch.

1:08:03.360 --> 1:08:05.080
<v Speaker 1>All I know is somebody slap somebody? Yeah, but you

1:08:05.160 --> 1:08:10.040
<v Speaker 1>know who she wasn't? Okay? Good? Not good? I meant

1:08:10.560 --> 1:08:16.080
<v Speaker 1>doesn't have kids? Every comedian I'm thinking of has a child.

1:08:16.280 --> 1:08:17.960
<v Speaker 1>It must not be that one of the comedians. You're thinking.

1:08:19.400 --> 1:08:22.559
<v Speaker 1>We're playing twenty one questions. They're trying to identify the celebrity.

1:08:22.560 --> 1:08:28.320
<v Speaker 1>Does she have blonde hair, yes, big Amy, that's big

1:08:28.640 --> 1:08:33.240
<v Speaker 1>blonde hair. But she totally has blonde hair, female babies,

1:08:34.439 --> 1:08:42.840
<v Speaker 1>American comedian, American has done TV? Okay, is she is?

1:08:42.960 --> 1:08:47.920
<v Speaker 1>She over forty years of age? Anytime? On? Amy? Go ahead,

1:08:48.200 --> 1:08:51.559
<v Speaker 1>come on, Shaw, you look up. She is over forty.

1:08:51.800 --> 1:08:55.360
<v Speaker 1>She is over forty, Amy, ask it she's over Well, no,

1:08:55.560 --> 1:08:58.200
<v Speaker 1>this person can't be over forty unless she's forty one.

1:09:00.920 --> 1:09:11.360
<v Speaker 1>Turn No, he just as god hair, married, comedian, no kids.

1:09:11.560 --> 1:09:14.840
<v Speaker 1>Has she had any plastic surgery? I don't know. That's yes.

1:09:15.040 --> 1:09:17.240
<v Speaker 1>Some of them have been vocal about it lately. That's

1:09:17.280 --> 1:09:19.240
<v Speaker 1>why I don't. I don't know. I don't know that

1:09:19.560 --> 1:09:22.200
<v Speaker 1>it's been in magazines. I don't know. That's a question though, right,

1:09:22.240 --> 1:09:24.200
<v Speaker 1>and they said they wanted to be real about it. Yeah,

1:09:24.240 --> 1:09:26.360
<v Speaker 1>I don't know that that's the answer. I don't know

1:09:26.479 --> 1:09:30.599
<v Speaker 1>that answer. Okay, does she have her own TV show?

1:09:31.400 --> 1:09:38.600
<v Speaker 1>M does she? Or hash she ever? Oh, let's go

1:09:38.680 --> 1:09:41.240
<v Speaker 1>with hash she ever? What's me Mike, I believe she's

1:09:41.240 --> 1:09:43.639
<v Speaker 1>had her own TV show. Yes, okay, keep a bunch

1:09:43.680 --> 1:09:48.040
<v Speaker 1>of actors, like acting show or talk show. He just

1:09:48.120 --> 1:09:50.360
<v Speaker 1>had TV show. I know. Now I'm asking. You have

1:09:50.400 --> 1:09:52.600
<v Speaker 1>to ask yes or no talk show? Yes or no

1:09:54.400 --> 1:10:00.240
<v Speaker 1>talk show? Yes? That helps kind of. I can't do it. Guys.

1:10:00.280 --> 1:10:01.519
<v Speaker 1>You have to buzz in when you're gonna have a

1:10:01.560 --> 1:10:03.040
<v Speaker 1>big question here and I can't ask it. You have

1:10:03.080 --> 1:10:04.200
<v Speaker 1>to buzz in with your name if you want to

1:10:04.200 --> 1:10:06.080
<v Speaker 1>know the answer. But we're getting down the nitty gritty Andy.

1:10:06.160 --> 1:10:08.240
<v Speaker 1>You know you can ask a question, then once he answers,

1:10:08.240 --> 1:10:10.280
<v Speaker 1>you have three seconds to yell your name to answer.

1:10:10.479 --> 1:10:13.080
<v Speaker 1>You have to wait three seconds. Yeah, you don't have

1:10:13.160 --> 1:10:16.320
<v Speaker 1>to wait for Amy. You can jump in immediately. Yes, okay.

1:10:18.720 --> 1:10:22.720
<v Speaker 1>Has she ever done any voice work? That's interesting? Yeah?

1:10:22.880 --> 1:10:26.960
<v Speaker 1>Voice work? Voice work? Oh god? Yeah. You qu shouldn't

1:10:26.960 --> 1:10:36.599
<v Speaker 1>have asked it. You didn't give me Amy get ready

1:10:37.280 --> 1:10:39.679
<v Speaker 1>to a griefy crime boy in your house for one week.

1:10:42.760 --> 1:10:44.160
<v Speaker 1>Why did you you knew he was going to jump in?

1:10:44.280 --> 1:10:46.360
<v Speaker 1>I know, but I was. If I guessed Ellen and

1:10:46.479 --> 1:10:51.000
<v Speaker 1>I was wrong, that's the same risks, same with him. Amy.

1:10:51.040 --> 1:10:53.000
<v Speaker 1>You had three you had no seconds. You could have

1:10:53.080 --> 1:10:57.280
<v Speaker 1>jumped right in. Wow. Now she takes the crime boy home.

1:10:58.479 --> 1:11:01.800
<v Speaker 1>If what like, what if I don't get sleep that week?

1:11:02.000 --> 1:11:03.519
<v Speaker 1>You might not, but that's going to be because you've

1:11:03.520 --> 1:11:05.680
<v Speaker 1>done it to yourself. You might not believe that things

1:11:05.720 --> 1:11:07.840
<v Speaker 1>are hunt I don't think it's haunted. You believe. I

1:11:07.920 --> 1:11:11.960
<v Speaker 1>don't want the even the potential of hauntedness. But what's

1:11:12.000 --> 1:11:14.519
<v Speaker 1>the worst, just the shoes? What's the worst? That this

1:11:14.640 --> 1:11:19.960
<v Speaker 1>crime baby an easy and sad. Yet Amy will take

1:11:19.960 --> 1:11:22.120
<v Speaker 1>a haunted doll home with her for a week. It

1:11:22.280 --> 1:11:26.160
<v Speaker 1>must be in the confines of your house. No garage, children, Yeah,

1:11:26.479 --> 1:11:30.360
<v Speaker 1>but you don't believe in it? Okay, it can be

1:11:30.439 --> 1:11:32.920
<v Speaker 1>in my garage. No, not your garage. In the house.

1:11:33.000 --> 1:11:36.559
<v Speaker 1>Amy comes in wearing all blackness. She cries every segment

1:11:37.720 --> 1:11:42.200
<v Speaker 1>similar to the other seasons of the seasons. That's it,

1:11:42.479 --> 1:11:47.439
<v Speaker 1>not always. There are different seasons of live TV with you.

1:11:48.680 --> 1:11:52.280
<v Speaker 1>Do not bring it in the studio. Don't bring it

1:11:52.360 --> 1:11:55.880
<v Speaker 1>with you? Why because I don't want that, don't want

1:11:55.880 --> 1:11:58.080
<v Speaker 1>any of that house. Fine, Okay, Amy will take home

1:11:58.160 --> 1:12:01.000
<v Speaker 1>the crying boy doll and have it for next week.

1:12:01.280 --> 1:12:04.200
<v Speaker 1>You lost, Yes, Amy has to take a haunted doll

1:12:04.240 --> 1:12:07.519
<v Speaker 1>home with her. She lost a game for a week,

1:12:07.560 --> 1:12:09.840
<v Speaker 1>it's supposed to live at her house. She reached out

1:12:09.880 --> 1:12:13.600
<v Speaker 1>to her pastor. The pastor's like, hey, we believe in

1:12:13.680 --> 1:12:15.439
<v Speaker 1>Jesus Christ, and this is not bigger than Jesus Christ,

1:12:15.439 --> 1:12:16.559
<v Speaker 1>he said, but you do have kids and I could

1:12:16.560 --> 1:12:20.240
<v Speaker 1>freak him out, which tore Amy a little bit. Yeah.

1:12:20.720 --> 1:12:22.920
<v Speaker 1>Then Lunchbox said, I'll take the doll home, and he

1:12:22.960 --> 1:12:25.880
<v Speaker 1>held up a number. So if Amy pays him this number,

1:12:27.040 --> 1:12:28.640
<v Speaker 1>which hurts, by the way, like I don't want to

1:12:28.680 --> 1:12:33.080
<v Speaker 1>pay this money, he'll take the doll home. So I

1:12:33.200 --> 1:12:36.400
<v Speaker 1>do need your decision right now, right now. Hit me

1:12:36.479 --> 1:12:39.760
<v Speaker 1>with it. Okay, Amy, there is the haunted doll. It

1:12:39.920 --> 1:12:44.360
<v Speaker 1>is called the Crying Boy. Are you taking the doll

1:12:44.439 --> 1:12:47.560
<v Speaker 1>home for a week or are you? I like that

1:12:47.640 --> 1:12:50.320
<v Speaker 1>drum roll, that's good, Yeah it counselante. I mean the

1:12:50.400 --> 1:12:53.600
<v Speaker 1>thing is like, I'm here like as my job, like

1:12:53.720 --> 1:12:56.200
<v Speaker 1>I get paid to be here, like I'm getting paid

1:12:56.360 --> 1:12:58.439
<v Speaker 1>right now, and then I'm about to pay the money

1:12:58.520 --> 1:13:01.600
<v Speaker 1>that I'm making. So you are you? Wow? Is that

1:13:01.680 --> 1:13:04.320
<v Speaker 1>the announcement you are paying the money? It just feels weird,

1:13:04.400 --> 1:13:06.479
<v Speaker 1>like who else at their job has to like make

1:13:06.640 --> 1:13:08.479
<v Speaker 1>money and then spend it right to spend all the

1:13:08.520 --> 1:13:12.160
<v Speaker 1>time for listeners for games. I know, I know this

1:13:12.400 --> 1:13:14.960
<v Speaker 1>is just as a being trying like trying to be

1:13:15.000 --> 1:13:18.360
<v Speaker 1>a responsible parent. Answer is, I cannot bring the haunted

1:13:18.439 --> 1:13:21.400
<v Speaker 1>doll into my home, and I guess I am going

1:13:21.439 --> 1:13:24.680
<v Speaker 1>to be paying Lunchbox a stupid amount of money to

1:13:24.760 --> 1:13:28.120
<v Speaker 1>avoid it. Who I don't want the doll, but I

1:13:28.240 --> 1:13:33.120
<v Speaker 1>want money. I need to see a handshake, because once

1:13:33.160 --> 1:13:37.600
<v Speaker 1>the hand shake out, he's now outligated, always spit in

1:13:37.680 --> 1:13:42.280
<v Speaker 1>his hand. I didn't really Okay, handshake is on breaking news,

1:13:43.560 --> 1:13:48.559
<v Speaker 1>like honestly, I have no more new breakings. That's now

1:13:48.640 --> 1:13:53.040
<v Speaker 1>his doll. The dolls here today? Oh now, Oh, I'm

1:13:53.120 --> 1:13:55.639
<v Speaker 1>so glad this deal got done today because I can't.

1:13:55.960 --> 1:13:58.680
<v Speaker 1>I just could. Potentially I could hide it from my son,

1:13:58.800 --> 1:14:00.400
<v Speaker 1>but if you were to find out, it could just

1:14:00.520 --> 1:14:03.800
<v Speaker 1>cause issues. Well, we're moving from you to Lunchbox now. Okay, good,

1:14:03.880 --> 1:14:07.400
<v Speaker 1>but well Lunchbox, Oh the doll is here? Where is

1:14:07.400 --> 1:14:10.320
<v Speaker 1>it right now? Mike? It's outside. We're not bringing in

1:14:10.320 --> 1:14:12.680
<v Speaker 1>the building. I'm not gonna tell my wife. That's not

1:14:12.760 --> 1:14:17.840
<v Speaker 1>our problem. That's a good point, n op. What's not

1:14:18.000 --> 1:14:21.479
<v Speaker 1>our problem. That's a good one. Start saying that to people.

1:14:21.600 --> 1:14:24.320
<v Speaker 1>We're going to make the handoff. Do you want to

1:14:24.320 --> 1:14:25.880
<v Speaker 1>do the next segment but outside, we'll get them on

1:14:25.880 --> 1:14:27.439
<v Speaker 1>the phone and we'll go and put it in your car.

1:14:28.479 --> 1:14:31.680
<v Speaker 1>My car is already haunted. No, it's dirty with dead

1:14:31.720 --> 1:14:35.920
<v Speaker 1>animals and bugs. Yeah, it's just you did that. Oh boy,

1:14:36.120 --> 1:14:38.439
<v Speaker 1>We'll pass over the doll in the next segment. I

1:14:38.479 --> 1:14:43.880
<v Speaker 1>don't like it. What is that? What I was gonna say? Yeah?

1:14:43.920 --> 1:14:45.519
<v Speaker 1>What else you gonna do that's gonna happen? Can I

1:14:45.600 --> 1:14:48.439
<v Speaker 1>make Can I do a payment plan? Just venmo him

1:14:48.560 --> 1:14:52.200
<v Speaker 1>that way, he has to do it. It's the Best

1:14:52.360 --> 1:14:57.400
<v Speaker 1>Bits of the Week with Morgan number two. Thanks so much, y'all.

1:14:57.400 --> 1:14:59.719
<v Speaker 1>I hope you got caught up on everything that happened

1:14:59.760 --> 1:15:01.960
<v Speaker 1>during show this week. Make sure you check out at

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<v Speaker 1>Bobby Bones Show social media as well as at Bobby

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<v Speaker 1>Bones dot com because that's all the content. You gotta

1:15:07.080 --> 1:15:09.400
<v Speaker 1>be all the way updated on everything that happened, because

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<v Speaker 1>Best Bits, and so y'all don't miss a thing and

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<v Speaker 1>but I hope you guys have a fantastic weekend. Thanks

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<v Speaker 1>for hanging out with me, Bobby Bone