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Speaker 1: It's the Best Bits of the Week with Morgan number two.

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Speaker 1: What is up, y'all? Welcome to the Best Bits, Just

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Speaker 1: the Bits, y'all are coming from listening to the conversation

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Speaker 1: I had with Mike d this weekend, which was so fun.

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Speaker 1: We had a great conversation as always and they always

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Speaker 1: turn into some therapy sessions, and Mike and I both

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Speaker 1: had some realizations during that podcast. So if you're listening

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Speaker 1: to this right now, while you're hearing coming out of

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Speaker 1: my voice, this is the Best Bits, just the Bits.

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Speaker 1: I'm going to enter all the bits that you can

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Speaker 1: listen to and catch up on the show, But if

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Speaker 1: you want to hear it just the conversation with Mike,

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Speaker 1: then make sure you check out Part one. We're going

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Speaker 1: to kick it off with number seven. This is Restless Road.

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Speaker 1: It was their first ever appearance on the show, and

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Speaker 1: they shared the connection they have to Kane Brown, how

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Speaker 1: their bands started, how it's evolved in just so many

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Speaker 1: cool things, plus a really awesome medley performance. If you

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Speaker 1: don't hear it here, you can go watch it at

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Speaker 1: Bobby Bones dot com. Number seven on The Bobby Bones Show. Now,

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Speaker 1: Restless Road fellas good to see you Amy, I would

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Speaker 1: like for you to meet Restless Road. Zach say hi

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Speaker 1: to Amy. Hey Amy, Hello? I like this. This is

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Speaker 1: like Colton. Oh, Garrett, Hey, Amy, I'm Garrett. Hello. There

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Speaker 1: you got it now. So this this body of work

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Speaker 1: here is Restless Road. We played the opery together last

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Speaker 1: week and Charles Kelley from Lady A came and sang

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Speaker 1: with you guys, and it's pretty cool. It was, it was,

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Speaker 1: It was absolutely incredible. I mean because he was a

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Speaker 1: co writer on the on the new single, so it

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Speaker 1: was an honor kind of to have him come out

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Speaker 1: and play it with us. Do you know how I

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Speaker 1: knew that he wrote the song is because he texts

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Speaker 1: me bragging that he wrote the song sounds about right yeah,

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Speaker 1: and then I saw there you go, there you go.

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Speaker 1: So before we talk about kind of you guys and

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Speaker 1: you know who you are, I'd like for audience to

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Speaker 1: hear you a little bit. I know you guys do

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Speaker 1: this cool medley that I've heard you do. Do you

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Speaker 1: think you guys could do that here live on the show. Oh?

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Speaker 1: Absolutely good. All right, here we go. Here's Restless Road,

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Speaker 1: Baby locking door and turn the lights down. Loop put

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Speaker 1: some music on the song to slow, baby, we ain't

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Speaker 1: got no place to go. I hope you want to stay.

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Speaker 1: I've ben thinking about the sowday long. Never fail to

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Speaker 1: feeling quietly the strong. I can leave ow Woogie turns

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Speaker 1: he home just to be old man that I can

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Speaker 1: take a full right on a big green tractor and

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Speaker 1: we can go slow the biggie, go faster down through

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Speaker 1: the woods, round to the pasture, and long the time

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Speaker 1: of you. He really don't matter the time of being,

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Speaker 1: laugh and drive if you want to, girl, you know

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Speaker 1: you got meet on too. We can go town maybe

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Speaker 1: if you'd rather take a full right on my being

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Speaker 1: Greek tractor and both should have been a cowboy. Shouldn't

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Speaker 1: room be right? Well? M seeing you right in my

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Speaker 1: phony on chat of dry steal any young girl? So

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Speaker 1: just my jean, see those can't fire songs or should

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Speaker 1: have been Caldbey or should have been Campbell. You love me?

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Speaker 1: You won't be my friend? Sitting to will don't le

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Speaker 1: Bret take me by? Won't I think this is sound?

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Speaker 1: Chick chick, oh bobby chick, so restless road, nice job

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Speaker 1: fellas you know. I know what it's like now because

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Speaker 1: I've been jaded a bit after being at a lot

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Speaker 1: of shows. When someone yells at your hometown, you feel

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Speaker 1: excited and you're like, oh, so that I've lost. However,

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Speaker 1: I wasn't expecting the rhyme with Bobby Bones and I

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Speaker 1: was like, oh, you worm or something. It was. It

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Speaker 1: was a it was a low hanging fruit. We had

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Speaker 1: to get it. Um. So let's kind of start at

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Speaker 1: the beginning here. I know you guys from knowing Kane Brown, right,

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Speaker 1: I think Kane is what interest who introduced me to

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Speaker 1: you guys? So, Garrett, what's the situation. How do you

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Speaker 1: guys know Kine? Well Colton, Colton can probably tell you that. So, um,

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Speaker 1: we know came from back in two thousand and thirteen.

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Speaker 1: We were all on the TV show The X Factor

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Speaker 1: together and that's kind of where Wrestless Roads started, and

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Speaker 1: we were kind of all we all met each other

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Speaker 1: in Los Angeles and Hollywood week and it was we

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Speaker 1: were kind of all pitted against each other, or so

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Speaker 1: we thought, and then um, coming to find out no,

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Speaker 1: they were all along trying to set up this for

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Speaker 1: this four person group, and Kane was supposed to be

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Speaker 1: in Wrestless Road, but then Kane decided he wanted to

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Speaker 1: go on and to solo stuff, and he became the

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Speaker 1: King Brown that everybody knews and loves. And we continued. So, Zach,

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Speaker 1: when you're from whichaw, Kansas? My family actually lives there now,

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Speaker 1: but I was born and raised in Iowa, then lived

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Speaker 1: in Michigan and Pennsylvania. My dad, he's a choir director,

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Speaker 1: so he got a job at Wichita State University. So

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Speaker 1: that's why I call home now. Okay, shocker, shout out.

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Speaker 1: So you're home now? Is Wichita? Well? I just call

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Speaker 1: home where my family lives. From home? Do you live here?

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Speaker 1: That's tough the thing where? So you moved around a

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Speaker 1: whole lot and your dad was a choir instructor. Yeah,

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Speaker 1: he's a choir director. So does was he hard on you? No? Honestly,

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Speaker 1: I wouldn't actually ever let him hear me sing. It

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Speaker 1: was kidding. Its weird, I don't know what it was like.

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Speaker 1: I wanted to prove it on my own or something.

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Speaker 1: I would never let him help me sing. And I

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Speaker 1: eventually joined choir myself. He wasn't my teacher, but I

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Speaker 1: joined because I was moving school so much. I needed

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Speaker 1: to do something to kind of make friends, and I

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Speaker 1: kind of fit in so I just kind of kept

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Speaker 1: up with it, and yeah, it's my dream honestly to

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Speaker 1: do like a choir remix to one of our songs

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Speaker 1: and have my dad come out and like conduct the

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Speaker 1: choir so with a stick. He's got this stick. He

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Speaker 1: actually got him a custom one for Christmas. There it's

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Speaker 1: called but Tom. I don't know, actually don't know, but yeah,

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Speaker 1: the choir guy's son. You should know, you're yeah, you're

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Speaker 1: you're you're his son, and you should be asking, Yeah,

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Speaker 1: I've never been in a choir before. Yeah, he's got

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Speaker 1: the stick and everything. So rest the name Restless Road?

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Speaker 1: What is the what's the genesis of that? I wish

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Speaker 1: it had a really cool story. I don't know what

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Speaker 1: came first, the name or the meaning. Let's make up.

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Speaker 1: Let's just make up a name that they've really told us,

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Speaker 1: you know, on the show. They said, hey, we need

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Speaker 1: a name by the end of the day. And we

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Speaker 1: were coming up with just everything we could and nothing

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Speaker 1: was sticking. And we just said Restless Road and the

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Speaker 1: guy was like, man, that sounds like some and we

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Speaker 1: never looked back, you know, And now now I feel

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Speaker 1: like it kind of has taken on its own meaning.

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Speaker 1: This whole journey to get to this point in life.

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Speaker 1: In general, for everybody, it's it's a restless road. It's

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Speaker 1: it's you never know what you're gonna get. And we

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Speaker 1: have this whole catchphrase and it's called keep your eyes

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Speaker 1: on the road, and it's just all about staying focused

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Speaker 1: on your dream and your goal. And that's kind of

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Speaker 1: so it's kind of I feel like developed the meaning.

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Speaker 1: I'm gonna give you a meaning. So when you guys

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Speaker 1: met you, you hit it off, and you all were

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Speaker 1: like on ancestry dot com or one of those sites,

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Speaker 1: and you realize when you look back into your history

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Speaker 1: that all of your grandparents lived on Restless Avenue, but

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Speaker 1: Wrestless Avenue didn't sound good. So crazy coincidence that they

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Speaker 1: all live in the same place because they were all

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Speaker 1: fighting for America in World War One and they lived

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Speaker 1: on Wrestless Avenue. And you're like, wow, we can't believe

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Speaker 1: that we're all matched together. This has got to be

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Speaker 1: some some sign from God. And so instead of Wrestless Avenue,

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Speaker 1: you're like, let's just say Wrestless Road because it sounds better.

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Speaker 1: And then now representing USA U three, Wrestless Road, that's

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Speaker 1: your new story. You can have it free. Well I'm

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Speaker 1: glad you said that because my free trial on answer

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Speaker 1: try dot Com ran out before I got Okay, that's great.

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Speaker 1: We know what's really ironic though, that you say that

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Speaker 1: my grandpa after we were on the show, he changed

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Speaker 1: the name of my home, the road that we lived

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Speaker 1: one in our hometown. And it's not a total lie,

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Speaker 1: so let's go literally live. He really did change it,

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Speaker 1: and then he got really mad because my grandpa's like

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Speaker 1: kind of a recluse, so he doesn't like people. And

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Speaker 1: so there was two like, there was people stopping by

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Speaker 1: because when we were rolled in the show, people were

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Speaker 1: wanting to stop by and see where this was. And

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Speaker 1: he went out there and chopped the whole sign down

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Speaker 1: and never put it back out. So I don't know

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Speaker 1: if it's still legally Wrestless Road, but we're gonna we're

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Speaker 1: gonna say it is our Wrestless avenue. This was That

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Speaker 1: whole situation works. So what's the living situation with you guys?

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Speaker 1: You guys live together. Me and Zach do. We live

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Speaker 1: over in East Nashville and Colton. He has a beautiful family.

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Speaker 1: He's married, he has two little girls. Why don't you

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Speaker 1: move with them. He's got to have room now, I don't.

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Speaker 1: I don't know. I don't know if he he I

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Speaker 1: don't know if he can handle two more the poncles. Dude,

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Speaker 1: So are you guys known as uncle? Oh? Yeah, there

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Speaker 1: we're Uncle Gee and Uncle Zach. Yeah. And your kids

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Speaker 1: are how old? Two and four? I mean you're like sixteen?

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Speaker 1: How do you have to kick kids? I know, man,

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Speaker 1: I've been married for seven years too already. Wow. And

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Speaker 1: so yeah, and you grew up where West Virginia? Now,

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Speaker 1: did you ever make the walk to Tennessee? And I

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Speaker 1: say that because Eddie did from West Virginia. I know

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Speaker 1: a few people that's done it. Um, y'all are a

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Speaker 1: different breed of people. Man, I lived I lived out there,

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Speaker 1: and I don't think that you couldn't catch me walking

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Speaker 1: that far. It's it is a long walk. Colton. What

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Speaker 1: what's your hometown? Like? Small? Real small? Um? We had uh,

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Speaker 1: we have one one stop sign, one gas station. Um,

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Speaker 1: and it there's about two. Last time they did a census,

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Speaker 1: there was two hundred and seventy two people in the town.

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Speaker 1: So everybody knows everyone. Um. But it's it's honestly really

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Speaker 1: cool because I feel like, uh, just West Virginia in general,

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Speaker 1: they tend to rally around people that are doing stuff

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Speaker 1: because not a lot of people get out of West

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Speaker 1: Virginia and and do something. So, um, it's been it's

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Speaker 1: been a really awesome experience and being able to go back.

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Speaker 1: They actually, I don't know if this is this is

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Speaker 1: it's weird, but they put I seen you have a

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Speaker 1: sign in your hometown and they put home of Colton

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Speaker 1: pack um in front of mine, which was a really cool,

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Speaker 1: really cool moment um. So they're they're definitely proud. It's

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Speaker 1: it's it's a really cool, a really cool thing, and

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Speaker 1: I love to get to go back when I can. So,

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Speaker 1: so you're from West Virginia. And then Zach like where

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Speaker 1: it is? I know you see you families in which

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Speaker 1: town now? But to you, where's home? As a kid,

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Speaker 1: you gotta be you gotta pick a place where would

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Speaker 1: it be? It's really hard. Um, I've always said I

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Speaker 1: kind of feel like I don't have a hometown. Maybe

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Speaker 1: we'll write a song about it. That's crazy that you

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Speaker 1: feel that you feel like you don't have a hometown. Um,

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Speaker 1: but in a lot of ways, it's It's something that

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Speaker 1: my dad would would apologize for later on and be like,

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Speaker 1: I'm really sorry that, you know, we had to move around.

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Speaker 1: But I actually really value and appreciate that experience because

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Speaker 1: it really forced me to come out of my shell

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Speaker 1: and uh just adapts a new situations and I've applied

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Speaker 1: that a lot to what we're doing today. Um, but

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Speaker 1: I feel sad for him. I feel sad for you

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Speaker 1: being acquired director, you know, military expect I feel like

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Speaker 1: you have a hometown. Yeah, well, I got friends in

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Speaker 1: a lot of places I got you know, I loved

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Speaker 1: my Michigan friends. That's kind of where I feel like

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Speaker 1: I that's where I started singing. That's where I did

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Speaker 1: this time, East Lansing. Okay, there it is. There's his hometown. Okay.

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Speaker 1: My question would be if like you were playing Monday

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Speaker 1: night football and he's like, you know, I'm from home

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Speaker 1: to Mountain Pine Ark and tell Bob. You'd be like, oh,

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Speaker 1: I don't have a hometown. We'd be like, I got

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Speaker 1: change because I feel sat any watch football now, you know,

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Speaker 1: but I like it. I like your attitude about it. Um,

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Speaker 1: whenever you guys started playing together, did you feel like, oh, man,

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Speaker 1: I kind of wanted to be solo. Now we're together,

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Speaker 1: it was that that kind of a process to get

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Speaker 1: through or we like, man, we actually are a lot

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Speaker 1: better together than we were by ourselves. This is way

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Speaker 1: more fun being a group. This, Yeah, it would be.

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Speaker 1: I just think, you know, being a group obviously comes

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Speaker 1: with more challenges. You're gonna have to make some sacrifices

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Speaker 1: and I'm sure there's things that we don't even know

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Speaker 1: about down the road we're gonna have to work together on.

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Speaker 1: But for me, it's just so much fun there. There's

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Speaker 1: no joke. They're my best friends and we and everyone

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Speaker 1: thinks that we're brothers, but it feels like it. And

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Speaker 1: it's just we we love making music together and we

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Speaker 1: just love what we do, and um, you still like

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Speaker 1: each other. Yeah, we haven't had a we haven't had

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Speaker 1: a blowout yet. You really haven't, and you we really

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Speaker 1: have it. But we're honestly, I feel like we're pretty

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Speaker 1: we're pretty good about like communication skill. As soon as Yeah,

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Speaker 1: if something and it's like a problems arising immediately, we

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Speaker 1: just we just say how we feel. When we work

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Speaker 1: it out, we say, we say it, we get past it,

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Speaker 1: and we move on. Is there a voting protocol, Like,

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Speaker 1: if hey to one you know, wins. How do you

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Speaker 1: guys do that? Well? I think I think what's cool

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Speaker 1: about us is, you know, over the years that we've

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Speaker 1: been together, like we all came from different places, we

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Speaker 1: have very different voices and styles. But I think that's

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Speaker 1: what's cool is we kind of bounce off each other,

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Speaker 1: and you know, it's it's cool to hear their perspective

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Speaker 1: because I might think, you know, something sounds cool, but

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Speaker 1: they they'll have a different perspective, and you know, it's

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Speaker 1: it's cool to bounce ideas off each other and then

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Speaker 1: kind of be like, hey, maybe I wasn't right and

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Speaker 1: maybe that was a little cooler. So you're from tuscalost Alabama,

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Speaker 1: I am, how's that working out for you? Well? I

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Speaker 1: always tell people this, um, because you know, people either

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Speaker 1: love or hate that you're from Tuscalosa. They're like, oh,

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Speaker 1: real tied or they're like, oh dude, no. But uh

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Speaker 1: when I turned to when I started talking, my parents said,

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Speaker 1: you can either live with us here at home, or

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Speaker 1: we're gonna take you to the woods and you can

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Speaker 1: figure it out. You got you gotta be a real

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Speaker 1: tied fan, I said, okay, so we're forced into it. Yeah.

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Speaker 1: I grew up there. I was there till I was eighteen,

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Speaker 1: moved to Nashville after, so I kind of have to

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Speaker 1: be Yeah. See, I am not. I feel a bit

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Speaker 1: the opposite. I actually really enjoy going to Tuscaloosa. But

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Speaker 1: I am not an Alabama fan at all. But I'm

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Speaker 1: just jealous that you guys are really good, and so

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Speaker 1: I take that on on you. My hatred is jealousy. Yeah,

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Speaker 1: I don't know, it's it's been weird, like with with

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Speaker 1: all the football success. You know, it's been weird watching

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Speaker 1: sports growing up because when I was a young kid,

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Speaker 1: we didn't have Nick Saban. I think he's a huge

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Speaker 1: part of that. But yeah, it was crazy seeing seeing

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Speaker 1: where they were and how they are now. It was

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Speaker 1: just a big change. And you get do three hometown

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Speaker 1: shows whenever you're touring, like, all right, we're gonna do it. Yeah,

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Speaker 1: Well there, I promise you. There's probably no chance we're

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Speaker 1: ever going to my hometown. There's there's not enough people.

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Speaker 1: Yeah we will, definitely, we're going to Yeah, we gotta

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Speaker 1: go back. We are going to West Virginia. So I

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Speaker 1: kind of take West Virginia's my whole home. I feel

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Speaker 1: the same way about it, Arkansaw anywhere kan saw. This's

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Speaker 1: like exactly exactly you guys are all over. I'm looking

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Speaker 1: at all these dates that you guys are doing. And

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Speaker 1: so when you play live show and it's you three, like,

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Speaker 1: are you able to cover the whole? I mean musically,

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Speaker 1: you guys have it all right here with you three.

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Speaker 1: I mean, I'm sure you got a drummer, but like, what,

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Speaker 1: what's what are you guys doing there on the set about? Um? Yeah,

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Speaker 1: So it's actually so Garrett plays guitar, Zach plays guitar,

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Speaker 1: I play guitar and piano. Um, and uh, it's really cool.

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Speaker 1: So I went to Um, the our lead guitar player

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Speaker 1: is actually from my high school. So he moved to Nashville.

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Speaker 1: I used to try to get him to to move

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Speaker 1: to Nashville early on because he's just unbelievable at what

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Speaker 1: he does. And um, he actually moved to Nashville where

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Speaker 1: I did. After all that time, and then, uh, when

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Speaker 1: the opportunity arise, I told him, I said, man, we'd

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Speaker 1: love to have you in the band. And he's been

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Speaker 1: playing with us. So it's been really cool. To get

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Speaker 1: to see two people from the middle of nowhere, West

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Speaker 1: Virginia on on on the big stage show. I guess

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Speaker 1: I asked that because you know, you gotta pay people. True,

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Speaker 1: you know, and at one point the Wrestless Road money

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Speaker 1: is gonna be coming in pretty good. I hope right

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Speaker 1: now you're trying to figure it out. You know, he

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Speaker 1: got all those mouths to feed it is. That's very true.

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Speaker 1: That's very true. I mean right now, we do have

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Speaker 1: a drummer in a in a lead guitar player, but

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Speaker 1: other than that, we can that's pretty full sounding. That's

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Speaker 1: pretty awesome. You guys can I hope you go and

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Speaker 1: see Wrestless Road because they have so many dates. Um

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Speaker 1: and we'll tell you just a second about that. But

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Speaker 1: the thing that interests me to about new artists is

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Speaker 1: when they get asked to do something like The Bachelor,

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Speaker 1: like to perform on that show, because I just feel

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Speaker 1: so awkward because do you have to do it over

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Speaker 1: and over again? We did it any way to dive

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Speaker 1: into this, Oh yeah, because that's that to me, that's

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Speaker 1: always fascinating. And have a few friends that have done

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Speaker 1: it and it just feels weird. So what who did

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Speaker 1: they bring you in for and what was the scene?

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Speaker 1: We were episode four on Clayton's season, and all we

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Speaker 1: knew going in. We're huge fans of the show, by

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Speaker 1: the way, so when we found out, we were just

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Speaker 1: so pumped to be there and we're asking, you have

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Speaker 1: to say that if you do it, like it's in

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Speaker 1: the contract. Probably for eight or nine years now, we've

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Speaker 1: watched it. Religious Oh yeah, we know. We knew all

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Speaker 1: the facts, like we keep up, Okay, ask anything. We won't,

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00:17:01,720 --> 00:17:04,399
Speaker 1: but I believe you. Yeah, it's the most dramatic season

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Speaker 1: of The Bachelor coming out coming up. Anyways, where do

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Speaker 1: they send you? Just la. We were actually in Houston,

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Speaker 1: so we had finished the show. We were opening with Kane.

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Speaker 1: We finished the show, flew to Houston, and it was

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Speaker 1: a date at this like farmhouse. It was a barbecue

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Speaker 1: date that they were on, and so during the daytime

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Speaker 1: portion we were kind of kept secret and we were

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Speaker 1: asking the producers a million questions. How's the show work?

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Speaker 1: We had like a million questions. And then by the

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Speaker 1: time they ate dinner, I'm using air quotes because they

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Speaker 1: don't actually eat the food. They eat dinner at around

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Speaker 1: midnight and then there's this big sliding door and we're

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Speaker 1: on the other side of it, and when the producers

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Speaker 1: just like, hey, whenever that door opens, just start and

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Speaker 1: the suspense was just killing us because we had to

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Speaker 1: be totally silent. It was like eight minutes went by.

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Speaker 1: We didn't tell us. They're like, they're like, just watch

358
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Speaker 1: that door and be ready to play, and whenever it opens,

359
00:17:54,160 --> 00:17:56,200
Speaker 1: just scowed it. And we're like, I'm like sitting there

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Speaker 1: for I've met you forty minutes, just waiting, waiting, waiting,

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Speaker 1: and they're it's dead silent. Everybody's whispering, and then the

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Speaker 1: producers like out her earpiece and she's like she's crying.

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Speaker 1: The girl's crying. She's like goddard and uh, the door

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00:18:09,040 --> 00:18:11,760
Speaker 1: finally opened, yeah, and they walked through and they were

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Speaker 1: mean five feet away from us and just went for

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Speaker 1: the instant makeout. And uh, that's really what was what

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Speaker 1: was challenging was was keeping the straight face because you

368
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Speaker 1: can't you have to look at them, you can't not

369
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Speaker 1: look at them, but then you feel weird both ways.

370
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Speaker 1: But it's weird both ways. You don't look at them,

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Speaker 1: You're like, were you performing to them? But then they're

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Speaker 1: like making out you know, and then then you're just like,

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Speaker 1: we have my morow for this, you only do it

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Speaker 1: one time? Well, we did it a few did they

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Speaker 1: have to keep kissing? Well, so what was funny? Yeah,

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00:18:38,840 --> 00:18:43,199
Speaker 1: right after Clayton did this big, massive speech and I

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Speaker 1: mean it was like it was it was perfect. It

378
00:18:45,080 --> 00:18:48,480
Speaker 1: was the perfect speech. And then the producers go, can

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Speaker 1: you please say exactly what you said, just like you

380
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Speaker 1: said it? He said, I like those words you use.

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Speaker 1: I like to use more of those words. So instead

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Speaker 1: of doing the speech, they were just like, now we're

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Speaker 1: just gonna make outens. So then they continue to do

384
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Speaker 1: that and he kept trying to have to stop them,

385
00:19:02,680 --> 00:19:05,120
Speaker 1: and yeah, it was we got like two or three

386
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Speaker 1: minutes with him off camera, and they did seem to

387
00:19:07,320 --> 00:19:10,440
Speaker 1: be like all over each other. I don't even know

388
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Speaker 1: the bitter end. And she was Rachel, I'm not gonna,

389
00:19:14,000 --> 00:19:16,320
Speaker 1: you know, spoil anything, but Colton, we don't have the

390
00:19:16,320 --> 00:19:18,840
Speaker 1: final wait, I don't even know if this is like

391
00:19:20,760 --> 00:19:23,440
Speaker 1: it came out like what a week, oh like two

392
00:19:23,440 --> 00:19:25,000
Speaker 1: weeks ago. If you saw it, it was the now

393
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Speaker 1: biggest train wreck of a finale, Like the guy did

394
00:19:28,119 --> 00:19:31,600
Speaker 1: probably you know, everything wrong, and uh, the girl that

395
00:19:31,840 --> 00:19:33,720
Speaker 1: was a part of our day. She kind of got,

396
00:19:33,760 --> 00:19:35,840
Speaker 1: you know, the short end of the stick, like she

397
00:19:36,000 --> 00:19:38,640
Speaker 1: was her and the she was like second and third

398
00:19:38,640 --> 00:19:40,119
Speaker 1: with the other girl. He just told him both. It

399
00:19:40,160 --> 00:19:42,879
Speaker 1: made her the new bachelorette. Yeah, they gave her there

400
00:19:43,200 --> 00:19:45,280
Speaker 1: another chance at The funny thing about the story is

401
00:19:45,320 --> 00:19:48,080
Speaker 1: I lost interest after you finish your part. I don't care.

402
00:19:48,119 --> 00:19:50,080
Speaker 1: I mean I yeah, guys, we're just talking to air

403
00:19:50,240 --> 00:19:53,360
Speaker 1: after a while. Rachel Susie. I don't know what's happening. Yeah.

404
00:19:53,400 --> 00:19:55,320
Speaker 1: I thought maybe they were sharing a story from a

405
00:19:55,400 --> 00:19:58,760
Speaker 1: year ago. No, no, just yeah, yeah, just now. Yeah,

406
00:19:58,840 --> 00:20:03,720
Speaker 1: Rachel and Susie. It's cool thing, No idea, what's happening here? Yes? No,

407
00:20:03,800 --> 00:20:08,440
Speaker 1: not no, that's Colton. Colton was the other bachelor, Clayton. See,

408
00:20:08,480 --> 00:20:11,159
Speaker 1: there's just so many seasons at this point to keep up.

409
00:20:11,400 --> 00:20:13,959
Speaker 1: Restless Road is here. You guys have a new single.

410
00:20:14,200 --> 00:20:16,000
Speaker 1: I would like for you to play it. Can you

411
00:20:16,000 --> 00:20:18,800
Speaker 1: play the whole thing? We can? Okay, good, because sometimes

412
00:20:18,800 --> 00:20:20,040
Speaker 1: people come in and I want to play like a

413
00:20:20,080 --> 00:20:22,399
Speaker 1: third of it. Let's just play the first fifteen seconds.

414
00:20:22,400 --> 00:20:24,000
Speaker 1: See I knew it. I knew there was something up

415
00:20:24,440 --> 00:20:26,720
Speaker 1: all right. Here is Restless road and they're gonna do

416
00:20:26,760 --> 00:20:42,200
Speaker 1: their new song growing old with you. All right, boys, girl,

417
00:20:42,280 --> 00:20:49,960
Speaker 1: you stole my heart. Change to call them my plays

418
00:20:50,040 --> 00:20:58,480
Speaker 1: and we range Now I finally know what amazing grace

419
00:21:00,119 --> 00:21:09,160
Speaker 1: look again to your baby. I see my whole life.

420
00:21:10,720 --> 00:21:17,399
Speaker 1: What see We put the stansas found as some fall him,

421
00:21:17,760 --> 00:21:23,359
Speaker 1: travel around world, put some pictures on the ship. Hold

422
00:21:23,400 --> 00:21:28,280
Speaker 1: your close and keep the fat raising kids without listening.

423
00:21:29,680 --> 00:21:33,920
Speaker 1: Come on, baby, what you saved to? I feel like

424
00:21:34,240 --> 00:21:51,160
Speaker 1: Queen Oh. I feel like Queen Oh. Restless road. Nice

425
00:21:51,240 --> 00:21:54,760
Speaker 1: job boys. My favorite part of that song is when

426
00:21:54,800 --> 00:21:58,280
Speaker 1: Zach comes back goes, I don't even know what you're saying. Now,

427
00:21:58,400 --> 00:22:00,800
Speaker 1: one party, but we're all we're in the mood. We're

428
00:22:00,880 --> 00:22:02,640
Speaker 1: dancing on theirselfs. We felt like we're on the Bachelor.

429
00:22:02,720 --> 00:22:06,680
Speaker 1: We're doing the thing. Hey, that was good. I like that, Zach,

430
00:22:07,000 --> 00:22:10,440
Speaker 1: Are you known what is that? Are you baritone or

431
00:22:10,440 --> 00:22:13,879
Speaker 1: are you a bass? A baritone um? Probably more of

432
00:22:13,880 --> 00:22:16,080
Speaker 1: a baritone, but yeah, I don't know the difference, and

433
00:22:16,080 --> 00:22:18,240
Speaker 1: I wouldn't have been done. I don't know. He also

434
00:22:18,280 --> 00:22:20,080
Speaker 1: wanted to tell me the other day. He was like, well, Sue,

435
00:22:20,160 --> 00:22:21,399
Speaker 1: my dad taught me this, And I was like, I

436
00:22:21,400 --> 00:22:23,200
Speaker 1: don't know. I would say. I would say I'm a

437
00:22:23,240 --> 00:22:25,119
Speaker 1: bass singer. But then I'll like, see some video on

438
00:22:25,160 --> 00:22:27,200
Speaker 1: TikTok and see a guy who can sing like way

439
00:22:27,240 --> 00:22:30,120
Speaker 1: lower than me. I'm like, no, he's he's the real guy.

440
00:22:30,160 --> 00:22:33,359
Speaker 1: But how high can you go? I can go so high?

441
00:22:34,400 --> 00:22:41,560
Speaker 1: And how low can you go? Oh on Bobby Bones? Yeah,

442
00:22:41,600 --> 00:22:45,040
Speaker 1: I think I could do that. Hey, So yeah, what's

443
00:22:45,080 --> 00:22:46,960
Speaker 1: that line? No music? When you come back in? I

444
00:22:47,040 --> 00:22:48,479
Speaker 1: put you on the spot here. When when you come back,

445
00:22:49,160 --> 00:22:50,760
Speaker 1: let me, let me quite, let me go back and

446
00:22:50,960 --> 00:22:54,960
Speaker 1: go what you say? We put us down some root. Okay,

447
00:22:54,960 --> 00:22:58,200
Speaker 1: that's what I liked. Yeah, you should do that more. Yeah, okay, Okay,

448
00:22:58,200 --> 00:23:00,399
Speaker 1: here's the deal. Restless Road is here there watching their

449
00:23:00,400 --> 00:23:03,200
Speaker 1: first ever headlining tour, The Bar Friends Tour, starts April

450
00:23:03,240 --> 00:23:06,040
Speaker 1: six in Milwaukee. If you're listening to us in Milwaukee

451
00:23:06,160 --> 00:23:08,880
Speaker 1: or Madison, you can go watch. But they're all over

452
00:23:08,920 --> 00:23:11,360
Speaker 1: the place. Get tickets at Restless road dot com. So

453
00:23:11,400 --> 00:23:16,359
Speaker 1: many of the cities that we're in, Grand Rapids, Nashville, Atlanta,

454
00:23:16,480 --> 00:23:18,440
Speaker 1: Saint Louis. I could keep reading it, but you would

455
00:23:18,440 --> 00:23:20,520
Speaker 1: just get annoyed. But go to Restless Road dot com.

456
00:23:20,600 --> 00:23:22,560
Speaker 1: They're also looking for local openers for their tour, so

457
00:23:22,600 --> 00:23:25,480
Speaker 1: they're picking winners. Uh, we're about to pick winters now.

458
00:23:25,520 --> 00:23:27,160
Speaker 1: So that's a pretty cool thing though, trying to find

459
00:23:27,200 --> 00:23:30,359
Speaker 1: local in every city. And they also bring local fans

460
00:23:30,880 --> 00:23:32,720
Speaker 1: and that's pretty cool too because then you get free

461
00:23:32,760 --> 00:23:34,159
Speaker 1: people coming to the show that they're buying tickets. Make

462
00:23:34,200 --> 00:23:38,480
Speaker 1: them buy tickets. Wrestless Road guys appreciate that, great job,

463
00:23:38,680 --> 00:23:40,840
Speaker 1: so you guys can follow them at Restless Road. They

464
00:23:40,840 --> 00:23:42,399
Speaker 1: have a massive TikTok. You guys do a lot of

465
00:23:42,400 --> 00:23:44,399
Speaker 1: singing on TikTok. I like that. Oh yeah, you're just like,

466
00:23:44,400 --> 00:23:45,840
Speaker 1: all right, we'll here for another video. What would you

467
00:23:45,880 --> 00:23:47,040
Speaker 1: like us to do? You're like, well, I guess we'll

468
00:23:47,040 --> 00:23:50,239
Speaker 1: sing like it all right, Restless Road, you guys check

469
00:23:50,280 --> 00:23:54,040
Speaker 1: out Growing Old with You. It's the best Bits of

470
00:23:54,080 --> 00:24:00,480
Speaker 1: the Week with Morgan. Number two. This one definitely caused

471
00:24:00,480 --> 00:24:03,679
Speaker 1: some drama controversy, however, you want to put it in

472
00:24:03,720 --> 00:24:07,800
Speaker 1: the studio because Eddie thought Abby was dragging her feet

473
00:24:07,960 --> 00:24:11,240
Speaker 1: on doing some more as her career as an artist

474
00:24:11,320 --> 00:24:14,159
Speaker 1: is blowing up from doing the National Anthem. So Bobby

475
00:24:14,240 --> 00:24:16,720
Speaker 1: and Eddie said they would write her an original song

476
00:24:16,800 --> 00:24:19,400
Speaker 1: that she can perform, and Abby was a little reluctant

477
00:24:19,440 --> 00:24:21,719
Speaker 1: at first, but you know, now it might actually be

478
00:24:22,200 --> 00:24:24,479
Speaker 1: a smash hit. Who knows. We don't know what's going

479
00:24:24,480 --> 00:24:27,120
Speaker 1: to happen. But you can hear how it all went down,

480
00:24:27,280 --> 00:24:30,440
Speaker 1: or I hear at number six, number six, Eddie thinks

481
00:24:30,440 --> 00:24:32,720
Speaker 1: at Abby is dragging her feet on something that she

482
00:24:32,720 --> 00:24:35,359
Speaker 1: could really capitalize on it. Which, by the way, Abby

483
00:24:35,480 --> 00:24:37,520
Speaker 1: is our phone screener, so she's not on the air

484
00:24:37,560 --> 00:24:40,480
Speaker 1: a lot, but if you call the show, you'll talk

485
00:24:40,480 --> 00:24:43,200
Speaker 1: to her. I think about Abby is she likes to sing.

486
00:24:43,760 --> 00:24:46,080
Speaker 1: She's been on the show singing. She sang with us

487
00:24:46,119 --> 00:24:49,000
Speaker 1: the Raging Idiots. Yeah. She then had a song that

488
00:24:49,119 --> 00:24:52,320
Speaker 1: charted the national anthem what she hit seventy one, number

489
00:24:52,359 --> 00:24:54,440
Speaker 1: seventy one on the charts. Amazing. We gave her a cake.

490
00:24:54,480 --> 00:24:56,200
Speaker 1: We were so proud of her. Abby. Are you still

491
00:24:56,240 --> 00:25:01,080
Speaker 1: kind of living off that buzz? Yeah? That is so awesome. See, great,

492
00:25:01,200 --> 00:25:03,840
Speaker 1: great moment for her singing career. Eddie, What is she

493
00:25:03,880 --> 00:25:06,720
Speaker 1: not doing? Guys? She's got to take the next step.

494
00:25:06,800 --> 00:25:10,640
Speaker 1: The iron is hot, So write an original song. It's

495
00:25:10,680 --> 00:25:13,879
Speaker 1: your chance now to come up with something good. Bobby

496
00:25:13,920 --> 00:25:16,560
Speaker 1: will play it on the show. Record labels are listening.

497
00:25:16,800 --> 00:25:19,280
Speaker 1: This is her big shot, and she's dragging her feet

498
00:25:19,320 --> 00:25:21,600
Speaker 1: because the more time she waits, I mean, the more

499
00:25:21,640 --> 00:25:23,720
Speaker 1: people are gonna forget about her. Eddie, have you already

500
00:25:23,720 --> 00:25:25,959
Speaker 1: written something? Yes, dude, I gave her a melody. I

501
00:25:26,000 --> 00:25:28,320
Speaker 1: wrote her something on the guitar and I said, look,

502
00:25:29,040 --> 00:25:32,080
Speaker 1: just do your life story. We all follow your life story.

503
00:25:32,200 --> 00:25:35,560
Speaker 1: You're finally have a boyfriend, like this could be your song,

504
00:25:35,760 --> 00:25:38,240
Speaker 1: So you need her to write it? Yeah. I gave

505
00:25:38,280 --> 00:25:40,800
Speaker 1: her like a template, and I don't wait. Why don't

506
00:25:40,840 --> 00:25:43,440
Speaker 1: you and I? Because like Jason Aldean doesn't really write

507
00:25:43,440 --> 00:25:45,480
Speaker 1: his own song sing her and he sings a bunch

508
00:25:45,480 --> 00:25:47,520
Speaker 1: of hits, Why don't you and I write it and

509
00:25:47,560 --> 00:25:49,440
Speaker 1: she can be aldeane and she can sing the song.

510
00:25:50,640 --> 00:25:53,840
Speaker 1: Oh I would, I would like that. Yeah, Okay, it

511
00:25:53,880 --> 00:25:55,800
Speaker 1: makes me nervous. He wants me to write about my

512
00:25:55,880 --> 00:25:58,760
Speaker 1: relationship and I'm like, it's so new. I don't know.

513
00:25:58,800 --> 00:26:01,040
Speaker 1: We're gonna write about your Relationshi, Yeah, we're gonna write

514
00:26:01,040 --> 00:26:04,160
Speaker 1: about you. It's about you and your voice, so give

515
00:26:04,240 --> 00:26:06,800
Speaker 1: us some time. How does she record it? Though? Recordings

516
00:26:06,800 --> 00:26:08,680
Speaker 1: with you? That means she knows well you figure it out.

517
00:26:08,680 --> 00:26:12,080
Speaker 1: We know these people, so we will We will write

518
00:26:12,080 --> 00:26:13,959
Speaker 1: you a song, Abby, but you record it and then

519
00:26:13,960 --> 00:26:15,840
Speaker 1: we'll Okay, we'll put it out and see how it does.

520
00:26:16,000 --> 00:26:18,239
Speaker 1: So Abby has no say in it though, right, Like

521
00:26:18,280 --> 00:26:20,800
Speaker 1: if the songs, the song and whatever it is, she's

522
00:26:20,840 --> 00:26:23,760
Speaker 1: gonna record it. You're correct, she has no say, right, Okay,

523
00:26:24,440 --> 00:26:28,600
Speaker 1: So we're gonna write it Abby, You're gonna record it. Deal? Okay?

524
00:26:28,680 --> 00:26:31,040
Speaker 1: Is it gonna be like raging idiots style or you're

525
00:26:31,440 --> 00:26:35,160
Speaker 1: like making fun of me? Abby? Would we do that Abby?

526
00:26:35,160 --> 00:26:37,560
Speaker 1: Where we're going to be serious songwriters and write you something.

527
00:26:37,640 --> 00:26:39,800
Speaker 1: Our goal is to write you something serious. They could

528
00:26:39,800 --> 00:26:42,600
Speaker 1: actually be a hit. Correct, Okay? Yeah, I trust you.

529
00:26:42,800 --> 00:26:46,400
Speaker 1: Lunch Box your thoughts, guys, you are doing everything for her.

530
00:26:46,560 --> 00:26:48,439
Speaker 1: You got to let her learn on her own. When

531
00:26:48,520 --> 00:26:51,919
Speaker 1: Jason Aldean was starting, you didn't have songwriters writing songs

532
00:26:51,920 --> 00:26:54,520
Speaker 1: for him. He had to earn that. She has done nothing.

533
00:26:54,560 --> 00:26:57,200
Speaker 1: You guys are doing this. You got to teach her

534
00:26:57,240 --> 00:26:59,280
Speaker 1: that she has to work for it. If you do

535
00:26:59,359 --> 00:27:02,640
Speaker 1: everything for her, what does that teach her? Like Eddie,

536
00:27:02,640 --> 00:27:05,800
Speaker 1: if you did your kids homework, does that teach him anything? No? No,

537
00:27:06,000 --> 00:27:10,160
Speaker 1: you're right, Like, what are you guys doing what I admitted.

538
00:27:10,160 --> 00:27:14,600
Speaker 1: I'm not a songwriter, but okay, don't do music. I'm

539
00:27:14,640 --> 00:27:17,040
Speaker 1: a singer, but there are a lot of people who aren't. Okay,

540
00:27:17,160 --> 00:27:20,520
Speaker 1: So Jason Audien's first ever number one song is why

541
00:27:20,880 --> 00:27:24,680
Speaker 1: he didn't write it by rodn Nick Clawson, Vicki mcgeehey

542
00:27:24,760 --> 00:27:26,840
Speaker 1: and Big and Riches John Rich. Look at that. We're

543
00:27:26,920 --> 00:27:30,000
Speaker 1: going to be big and Riches John Rich. Ye. Well, yeah,

544
00:27:30,040 --> 00:27:32,440
Speaker 1: we're gonna write it. Abby, give us some time. We'll

545
00:27:32,440 --> 00:27:34,160
Speaker 1: write it, we record it, we'll debut it around the show.

546
00:27:34,240 --> 00:27:38,239
Speaker 1: Let's go. I love this. I'm excited. Abbe Leady Anderson. Right,

547
00:27:38,280 --> 00:27:40,280
Speaker 1: that's our forming name, pen to Paper. I'll see you

548
00:27:40,320 --> 00:27:42,520
Speaker 1: guys tomorrow. You're ready, I go home right now. We

549
00:27:42,640 --> 00:27:45,640
Speaker 1: just started the show. Prepare your boyfriend for this song

550
00:27:47,160 --> 00:27:49,119
Speaker 1: you just said it was. We haven't decide decided. We

551
00:27:49,119 --> 00:27:52,040
Speaker 1: haven't set in a room pend paper yet. Okay, all right, Abby,

552
00:27:52,160 --> 00:27:56,199
Speaker 1: we'll be in touch. Okay, okay, all right. It's the

553
00:27:56,240 --> 00:28:01,400
Speaker 1: best bits of the week with Morgan. Number two. Boy

554
00:28:01,440 --> 00:28:05,080
Speaker 1: does Lunchbox have some crazy stuff happening in his neighborhood.

555
00:28:05,119 --> 00:28:08,600
Speaker 1: He confronted another neighbor. Okay, this is not the same

556
00:28:08,640 --> 00:28:11,680
Speaker 1: one that had the Christmas light situation, but he confronted

557
00:28:11,720 --> 00:28:14,520
Speaker 1: one about a broken down car. He went to their door,

558
00:28:14,640 --> 00:28:17,600
Speaker 1: knocked on it, said some words, Yes, that really happened.

559
00:28:17,640 --> 00:28:21,240
Speaker 1: And this is number five, number five. Yesterday we talked

560
00:28:21,240 --> 00:28:25,200
Speaker 1: about lunchboxes. Neighbor, it's not the Christmas lights. Guy different.

561
00:28:25,960 --> 00:28:28,040
Speaker 1: He has a car that's been broken down, sitting in

562
00:28:28,040 --> 00:28:30,320
Speaker 1: front of your house for over two months, easily over

563
00:28:30,359 --> 00:28:33,040
Speaker 1: two months, just sitting there, had mood. I mean there's dust.

564
00:28:33,080 --> 00:28:34,919
Speaker 1: I mean, I don't even think the door has been opened,

565
00:28:35,080 --> 00:28:37,680
Speaker 1: just sitting And if it wasn't right in front of

566
00:28:37,720 --> 00:28:40,239
Speaker 1: your house, would you care, wouldn't care, wouldn't care. It's

567
00:28:40,280 --> 00:28:42,960
Speaker 1: street parking though, that's the problem. And so with kids

568
00:28:43,000 --> 00:28:45,400
Speaker 1: it's hard to park across the street, and oh look

569
00:28:45,440 --> 00:28:48,120
Speaker 1: for cars. It's just really a hassle. Okay, I'm good it,

570
00:28:48,360 --> 00:28:50,920
Speaker 1: do you Yeah, sure, I get it. With a broken

571
00:28:50,920 --> 00:28:52,200
Speaker 1: out car to sitting in front of the house all

572
00:28:52,200 --> 00:28:56,760
Speaker 1: the time, and they're probably isn't a law that says

573
00:28:56,800 --> 00:28:58,960
Speaker 1: this person gets this spot on the street right right.

574
00:28:58,960 --> 00:29:00,800
Speaker 1: There's no like, oh this is your spot, this is

575
00:29:00,840 --> 00:29:03,200
Speaker 1: your spot, nothing like that, all right, So we decided

576
00:29:03,240 --> 00:29:05,840
Speaker 1: two verses one. Eddie and I decided Lunchbox should go

577
00:29:05,840 --> 00:29:08,640
Speaker 1: and confront the guy and record it for the record.

578
00:29:08,680 --> 00:29:10,160
Speaker 1: I did not want the stabbing because I don't want

579
00:29:10,160 --> 00:29:14,080
Speaker 1: any He didn't get shot. It's all good, good in

580
00:29:14,200 --> 00:29:19,560
Speaker 1: the neighbor. Yet I shot the neighbor. It takes time

581
00:29:19,560 --> 00:29:23,400
Speaker 1: at escalate over time. Okay, here is the first clip

582
00:29:23,400 --> 00:29:30,640
Speaker 1: of Lunchbox walking over to the neighbor's house. All right,

583
00:29:30,640 --> 00:29:33,160
Speaker 1: how's it going? Man? Sold back? You're in your car,

584
00:29:33,240 --> 00:29:35,840
Speaker 1: but it'd been down there for oh, well over a month? Man?

585
00:29:36,000 --> 00:29:38,480
Speaker 1: And um, is there any way we can push it

586
00:29:38,520 --> 00:29:42,320
Speaker 1: across the street? Oh? First of all for two months?

587
00:29:42,320 --> 00:29:52,120
Speaker 1: Turned into one? All right, how's it going? Man? Sold back?

588
00:29:52,360 --> 00:29:53,920
Speaker 1: You're in your car, but they've been down there for

589
00:29:54,520 --> 00:29:57,520
Speaker 1: well over a month? Man? And um, is there any

590
00:29:57,520 --> 00:30:00,120
Speaker 1: way we can push it across the street. It is

591
00:30:00,160 --> 00:30:02,560
Speaker 1: a good plan to week a good plan. I think

592
00:30:02,720 --> 00:30:05,000
Speaker 1: that's the angle to go. You found a way to

593
00:30:05,160 --> 00:30:10,840
Speaker 1: not just put it on him. Yeah, that's not how

594
00:30:10,880 --> 00:30:13,160
Speaker 1: I remember going around scared no no, no one scared.

595
00:30:13,160 --> 00:30:15,600
Speaker 1: I one scared of tiny. And also he didn't let

596
00:30:15,600 --> 00:30:19,640
Speaker 1: the guy say hello or anything. A man right at it? Here,

597
00:30:19,720 --> 00:30:21,920
Speaker 1: here's the thing you guys always tell me to work

598
00:30:21,920 --> 00:30:24,320
Speaker 1: on my approach. So I was trying to, like say,

599
00:30:24,360 --> 00:30:27,400
Speaker 1: in a calm manner instead of being confrontational. So maybe

600
00:30:27,400 --> 00:30:29,040
Speaker 1: that's where the stutter comes in. Like I'm trying to

601
00:30:29,080 --> 00:30:31,400
Speaker 1: be like because I want to be like, yo, your

602
00:30:31,400 --> 00:30:33,800
Speaker 1: car has been but I'm trying to be like, how

603
00:30:33,800 --> 00:30:35,800
Speaker 1: do I say this about him getting really mad in

604
00:30:35,840 --> 00:30:38,040
Speaker 1: your head? How did that go? I was like, dude,

605
00:30:38,040 --> 00:30:39,920
Speaker 1: get the car in front of my house, like you're

606
00:30:40,120 --> 00:30:46,040
Speaker 1: killing me, said any So, okay, maybe maybe we shouldn't

607
00:30:46,040 --> 00:30:49,480
Speaker 1: playing this audio. Okay, here is how it ends. If

608
00:30:49,480 --> 00:30:52,280
Speaker 1: we could just move it there, that means you, oh, absolutely,

609
00:30:52,360 --> 00:30:54,360
Speaker 1: and we don't have no sorry about no, no, no no.

610
00:30:54,480 --> 00:30:56,080
Speaker 1: Like I said, it ain't a big deal and I

611
00:30:56,080 --> 00:30:58,040
Speaker 1: don't need it done to night. It's just you know,

612
00:30:58,080 --> 00:31:00,480
Speaker 1: with kids, it's just hard moving Like when I park

613
00:31:00,480 --> 00:31:02,200
Speaker 1: across the street. This is hard with them trying to

614
00:31:02,240 --> 00:31:04,920
Speaker 1: run out the road and all that. So yeah, I apologize, Hey,

615
00:31:05,120 --> 00:31:08,960
Speaker 1: like I said it. They actually got stolen from right

616
00:31:09,160 --> 00:31:11,360
Speaker 1: right here at one point, and so I had to

617
00:31:11,880 --> 00:31:13,840
Speaker 1: I was off my job for a period of time.

618
00:31:14,280 --> 00:31:16,520
Speaker 1: I had to pay to get it back, and I

619
00:31:16,520 --> 00:31:19,440
Speaker 1: don't want any community around in the evening tomorrow. Yeah,

620
00:31:19,520 --> 00:31:23,240
Speaker 1: I'll be there man, Okay, yeah, I'm one. Yeah, next house, man,

621
00:31:23,520 --> 00:31:28,920
Speaker 1: I'll come knock on. Yeah, no problem. He's like, it's

622
00:31:28,960 --> 00:31:31,840
Speaker 1: so nice, and oddly so is long. Yeah, they're like

623
00:31:31,880 --> 00:31:34,000
Speaker 1: best buddies. Now you got a friend. Man, Now it's

624
00:31:33,960 --> 00:31:35,920
Speaker 1: thought your good looks. I thought we should hang out.

625
00:31:37,200 --> 00:31:38,920
Speaker 1: What are you all gonna do tonight? Well, he says,

626
00:31:38,920 --> 00:31:40,400
Speaker 1: he's gonna come knock on the door and we're gonna

627
00:31:40,440 --> 00:31:43,520
Speaker 1: move the car. I think as much as we're giving

628
00:31:43,560 --> 00:31:45,200
Speaker 1: you crap, and the only reason we're giving you crap

629
00:31:45,280 --> 00:31:47,479
Speaker 1: is because you present. I'm so macho. No I am.

630
00:31:47,760 --> 00:31:49,640
Speaker 1: Hold on, hold on, You're like, I'm gonna kick the

631
00:31:49,640 --> 00:31:52,360
Speaker 1: door down and I'll make it happen. What you actually

632
00:31:52,400 --> 00:31:58,680
Speaker 1: did is the right thing in honey not vinegar. Yeah,

633
00:31:58,840 --> 00:32:01,560
Speaker 1: you know, I don't know more flies to honey than vinegar.

634
00:32:01,640 --> 00:32:04,120
Speaker 1: You gave him honey, you're sweet, you're kind guy. I

635
00:32:04,280 --> 00:32:06,400
Speaker 1: lured him in and he was not threatened by you

636
00:32:06,440 --> 00:32:08,400
Speaker 1: at all. He wasn't learning in any way by you,

637
00:32:08,480 --> 00:32:11,560
Speaker 1: because you don't. He didn't. You weren't didn't sound tough, Yeah,

638
00:32:11,640 --> 00:32:14,720
Speaker 1: didn't look tough. So you and him are basically the same,

639
00:32:14,760 --> 00:32:17,080
Speaker 1: good for you. So yeah, that means tonight he's gonna

640
00:32:17,160 --> 00:32:18,720
Speaker 1: knock on my door and we're gonna move that car.

641
00:32:19,480 --> 00:32:23,680
Speaker 1: Let's do it. Let's move that car. Okay, it's all good,

642
00:32:23,680 --> 00:32:26,680
Speaker 1: it's all good. Oh yeah, yeah, I'm sorry your car

643
00:32:26,680 --> 00:32:31,440
Speaker 1: got here's the keys in my car. We're I did

644
00:32:31,480 --> 00:32:33,440
Speaker 1: feel sympathetic because he did say he got his car

645
00:32:33,480 --> 00:32:35,440
Speaker 1: stolen in his office job for a little bit, so

646
00:32:35,480 --> 00:32:37,320
Speaker 1: he hadn't mailed up pay to get it fixed. Okay,

647
00:32:37,360 --> 00:32:39,520
Speaker 1: I get it. But let's move the car. So I

648
00:32:39,560 --> 00:32:41,880
Speaker 1: will see you tonight. Knock on my door and let's

649
00:32:41,920 --> 00:32:44,080
Speaker 1: move the car. All right, big daddy, you tell him, Yeah,

650
00:32:44,120 --> 00:32:46,280
Speaker 1: I will. Hey, but you're getting it done and that's

651
00:32:46,280 --> 00:32:49,280
Speaker 1: all that matters. Yeah, yeah, nice job. It's a victory

652
00:32:49,320 --> 00:32:54,920
Speaker 1: for lunch Bob. It's the best bits of the week

653
00:32:55,680 --> 00:32:59,719
Speaker 1: with Morgan number two. We got number four right here.

654
00:33:00,000 --> 00:33:02,280
Speaker 1: All had lots of things to say about this one

655
00:33:02,360 --> 00:33:05,880
Speaker 1: on our social media. The grocery store situation where I

656
00:33:05,880 --> 00:33:08,840
Speaker 1: am getting some free items not of any of my doing,

657
00:33:08,920 --> 00:33:13,160
Speaker 1: but potentially because someone likes me, as the show seemed

658
00:33:13,160 --> 00:33:15,280
Speaker 1: to think that's the case. But you can listen and

659
00:33:15,320 --> 00:33:18,080
Speaker 1: decide for yourself. Just know, okay that I am no thief.

660
00:33:18,160 --> 00:33:20,800
Speaker 1: This is nothing that I plan to have happened or

661
00:33:21,080 --> 00:33:22,880
Speaker 1: ever thought would happened to me. But you know what,

662
00:33:23,160 --> 00:33:26,040
Speaker 1: as Mike and I said during the part one, if

663
00:33:26,080 --> 00:33:28,720
Speaker 1: you get free items, like, are you really going to

664
00:33:28,840 --> 00:33:31,840
Speaker 1: turn that down? Like, I mean, listen, we're all we're

665
00:33:31,880 --> 00:33:35,200
Speaker 1: all dealing with some high prices right now. Okay, number four,

666
00:33:35,320 --> 00:33:38,479
Speaker 1: All right, we're gonna help Morgan. Here, Morgan, what's happening

667
00:33:38,480 --> 00:33:40,280
Speaker 1: at the grocery store? Well, so I go to this

668
00:33:40,320 --> 00:33:44,800
Speaker 1: place like regularly, probably once a week, and this guy

669
00:33:44,840 --> 00:33:46,920
Speaker 1: has picked up on it, I guess. And so every

670
00:33:46,920 --> 00:33:49,000
Speaker 1: time I go in, one of the workers at the

671
00:33:49,000 --> 00:33:51,920
Speaker 1: grocery store gives me a free item. Sometimes it's a

672
00:33:51,960 --> 00:33:55,040
Speaker 1: protein bar, sometimes it's a chocolate cake, othertimes it's candy.

673
00:33:55,120 --> 00:33:57,480
Speaker 1: I've gotten three free items so far from this guy.

674
00:33:57,680 --> 00:34:01,160
Speaker 1: Chocolate Cake's not like the rest. No chocolate cake. Yeah,

675
00:34:01,200 --> 00:34:04,000
Speaker 1: Like it was a life is a freezer section thing

676
00:34:04,040 --> 00:34:05,920
Speaker 1: that you pop in the oven or whatever, And he's like,

677
00:34:05,960 --> 00:34:08,239
Speaker 1: this is my favorite, started a whole conversation about it,

678
00:34:08,239 --> 00:34:10,000
Speaker 1: and then made sure he gave it to me for free.

679
00:34:10,200 --> 00:34:13,000
Speaker 1: Is he a manager? No, he's also when I was

680
00:34:13,040 --> 00:34:16,000
Speaker 1: standing in line to check out, he purposely came and

681
00:34:16,080 --> 00:34:18,600
Speaker 1: switched the other guy out so that he would be

682
00:34:18,640 --> 00:34:23,040
Speaker 1: there checking me out. Okay, yeah for sure. Until then.

683
00:34:23,239 --> 00:34:25,520
Speaker 1: Up until then, I was like, maybe he does. Maybe

684
00:34:25,520 --> 00:34:29,560
Speaker 1: he doesn't that he's in love with you. Yeah, I

685
00:34:29,600 --> 00:34:32,399
Speaker 1: mean I feel like, are we Is he gonna lose

686
00:34:32,440 --> 00:34:34,520
Speaker 1: his job? He can't be doing this. I think there's

687
00:34:34,520 --> 00:34:38,279
Speaker 1: an important question. How old is this guy? I don't know.

688
00:34:38,400 --> 00:34:41,480
Speaker 1: He wears hats often, so I can't really tell on age,

689
00:34:41,480 --> 00:34:43,680
Speaker 1: but he does look like he's probably in his thirties.

690
00:34:44,719 --> 00:34:48,279
Speaker 1: Russly so he gives you free stuff, which strikes up

691
00:34:48,320 --> 00:34:51,440
Speaker 1: conversation when you're going through the line. He has he

692
00:34:51,520 --> 00:34:55,719
Speaker 1: ever at all flirted or made any sort of move. No,

693
00:34:55,880 --> 00:34:58,520
Speaker 1: he's never like out or done that. He told me

694
00:34:58,560 --> 00:35:01,160
Speaker 1: about his day and the hot be that he's gotten into,

695
00:35:01,200 --> 00:35:04,359
Speaker 1: which was like an extensive conversation with a cashier person. Yeah,

696
00:35:04,560 --> 00:35:07,279
Speaker 1: was a hobby, um gardening. He was really excited to

697
00:35:07,280 --> 00:35:09,880
Speaker 1: tell me about his gardening that he got into. Yeah. Um.

698
00:35:10,760 --> 00:35:12,560
Speaker 1: But that was unprompted. He was like, how's your day?

699
00:35:12,600 --> 00:35:14,239
Speaker 1: I got into this and just wanted to talk to

700
00:35:14,280 --> 00:35:16,759
Speaker 1: me while this, I have like five items to check out.

701
00:35:16,840 --> 00:35:19,600
Speaker 1: Has he messaged you on Instagram and your general or

702
00:35:19,600 --> 00:35:21,960
Speaker 1: anything not that I'm aware of. No, Okay, he's in

703
00:35:22,000 --> 00:35:24,640
Speaker 1: love with you, right everybody for sure? Yeah? Do you

704
00:35:24,680 --> 00:35:27,680
Speaker 1: still have a boyfriend? Yes? I do? Okay, Okay, has

705
00:35:27,680 --> 00:35:29,840
Speaker 1: he seen him? Yes, he's been in the store with me,

706
00:35:29,960 --> 00:35:32,560
Speaker 1: but like we'll buy things separately, so sometimes you won't

707
00:35:32,560 --> 00:35:34,520
Speaker 1: see us together. And my boyfriend's like, it's fine, you

708
00:35:34,520 --> 00:35:36,640
Speaker 1: can just buy my groceries next time. This is what's

709
00:35:36,640 --> 00:35:38,239
Speaker 1: going to happen. I like how I think I'd be

710
00:35:38,280 --> 00:35:39,680
Speaker 1: the same way. I'd be like, hey, just go through

711
00:35:39,680 --> 00:35:42,360
Speaker 1: by yourself. Maybe you got another pretty cake today? What

712
00:35:42,400 --> 00:35:45,680
Speaker 1: were you gonna say? Okay, So either he's giving the

713
00:35:45,760 --> 00:35:48,040
Speaker 1: handing it out for free and like should it be?

714
00:35:48,480 --> 00:35:51,520
Speaker 1: Or oh he's super sweet and I mean he's covering

715
00:35:51,560 --> 00:35:53,480
Speaker 1: the bill like he knows he gave away the chocolate

716
00:35:53,480 --> 00:35:56,319
Speaker 1: cake and so he covers Like maybe they have they

717
00:35:56,320 --> 00:35:58,279
Speaker 1: can do that where they pay the five dollars to

718
00:35:58,360 --> 00:36:01,680
Speaker 1: make sure it's paid for. Yeah, but both are love her.

719
00:36:01,719 --> 00:36:03,560
Speaker 1: But I'm just saying sure. I just worry about if

720
00:36:03,560 --> 00:36:05,439
Speaker 1: he's doing something shading, he's gonna end up getting fired

721
00:36:05,440 --> 00:36:07,000
Speaker 1: because of Morgan. But we don't even know the good

722
00:36:07,040 --> 00:36:08,279
Speaker 1: we don't even know the girl. Why are you worried

723
00:36:08,280 --> 00:36:11,960
Speaker 1: about him? Yeah? Would you date this guy if you

724
00:36:11,960 --> 00:36:14,239
Speaker 1: didn't have a boyfriend? I don't think so. I mean

725
00:36:14,280 --> 00:36:16,800
Speaker 1: he's cute, but not really my type. Okay, so he

726
00:36:16,960 --> 00:36:19,400
Speaker 1: must not be like a creepy stalker type. No, he

727
00:36:19,440 --> 00:36:23,400
Speaker 1: doesn't act like that at all. So final question, if

728
00:36:23,560 --> 00:36:26,200
Speaker 1: for some reason, you and your boyfriend break up, would

729
00:36:26,200 --> 00:36:29,880
Speaker 1: you then consider the grocery store guy. I don't think so.

730
00:36:31,120 --> 00:36:35,040
Speaker 1: He gives you chocolate cake garding together, Like, how long

731
00:36:35,080 --> 00:36:36,719
Speaker 1: can I let this go on for? Do I keep

732
00:36:36,719 --> 00:36:39,040
Speaker 1: just letting him give me free stuff? That's what? Does

733
00:36:39,040 --> 00:36:42,000
Speaker 1: Morgan say anything? I don't know. I don't Why would

734
00:36:42,000 --> 00:36:45,520
Speaker 1: you say something you're getting free stuff? Because eventually it's

735
00:36:45,560 --> 00:36:48,200
Speaker 1: gonna get awkward. Well, eventually he's gonna have to make

736
00:36:48,239 --> 00:36:50,719
Speaker 1: some sort of move, yes, and then that's when the

737
00:36:50,760 --> 00:36:53,840
Speaker 1: free stuff stops. Whenever you're like, oh, I have a boyfriend,

738
00:36:54,080 --> 00:36:55,640
Speaker 1: and that's when it heartbreaks and he has he goes

739
00:36:55,640 --> 00:36:58,919
Speaker 1: through depression, that's when all that stuff happens and hurt

740
00:36:58,920 --> 00:37:03,319
Speaker 1: her car. That's gonna oh naturally though, right? Um? Well,

741
00:37:03,320 --> 00:37:05,480
Speaker 1: it's gonna happen naturally, the whole process. At some point

742
00:37:05,480 --> 00:37:07,319
Speaker 1: he's gonna be like, all right, I'm just gonna do it. Yeah,

743
00:37:07,320 --> 00:37:08,279
Speaker 1: you want to go on a day with me? And

744
00:37:08,280 --> 00:37:11,040
Speaker 1: she's gonna say no. He's obsessing about it every night. Yeah,

745
00:37:11,120 --> 00:37:12,759
Speaker 1: and not like he's gonna stab you kind of way,

746
00:37:12,760 --> 00:37:14,040
Speaker 1: but he's like, oh, I really we'll like to work

747
00:37:14,080 --> 00:37:16,200
Speaker 1: up the courage. We don't know that, but he probably

748
00:37:16,320 --> 00:37:18,480
Speaker 1: if I were. He can't find you on Instagram. It's well,

749
00:37:18,480 --> 00:37:20,399
Speaker 1: I guess you don't post your boyfriend on Instagram. Really

750
00:37:20,719 --> 00:37:22,960
Speaker 1: I don't. And I Well, what's crazy though, is I

751
00:37:22,960 --> 00:37:24,960
Speaker 1: also don't go in there like dolled up. I'm like

752
00:37:25,000 --> 00:37:27,560
Speaker 1: going in after I worked out, Like sometimes I go

753
00:37:27,560 --> 00:37:29,239
Speaker 1: in there without makeup. I don't know that this man

754
00:37:29,280 --> 00:37:32,520
Speaker 1: actually knows who or anything about me because I go

755
00:37:32,560 --> 00:37:35,560
Speaker 1: in there so different every time. Like sometimes I've walked

756
00:37:35,560 --> 00:37:37,439
Speaker 1: in there with full on makeup and he's never talked

757
00:37:37,480 --> 00:37:40,560
Speaker 1: to me. So I don't know. My advice, keep accepting

758
00:37:40,600 --> 00:37:42,359
Speaker 1: the free stuff, but just no, one day it's gonna

759
00:37:42,360 --> 00:37:44,200
Speaker 1: get awkward and he's like, hey, and I would just

760
00:37:44,239 --> 00:37:46,520
Speaker 1: be prepared and be like, oh, I'd have some nice

761
00:37:46,560 --> 00:37:49,279
Speaker 1: answer to let him down easy? Okay, can I just

762
00:37:49,320 --> 00:37:51,440
Speaker 1: be like, you know, I'm sorry, I have a boyfriend.

763
00:37:51,560 --> 00:37:57,080
Speaker 1: You're super sweet though, I like, yeah, that's a tough one. Um.

764
00:37:57,120 --> 00:37:59,560
Speaker 1: I would probably say like, hey, buddy, thanks for the

765
00:37:59,560 --> 00:38:01,799
Speaker 1: free stuff, and maybe there's a chance later if you

766
00:38:01,800 --> 00:38:03,480
Speaker 1: can give me a freestuff. Oh wow, but right now,

767
00:38:03,480 --> 00:38:08,399
Speaker 1: I have a boyfriend. But yeah, it's good. It's gonna

768
00:38:08,400 --> 00:38:11,239
Speaker 1: get awkward. You can make it awkward earlier by going, hey,

769
00:38:11,320 --> 00:38:13,240
Speaker 1: I can't take that stuff because I have a boyfriend,

770
00:38:13,280 --> 00:38:14,200
Speaker 1: and then he goes, I'll just give it to you

771
00:38:14,239 --> 00:38:17,640
Speaker 1: because it's part of the art sale today. I'm not

772
00:38:17,680 --> 00:38:20,040
Speaker 1: gonna do that. I can't. I'm so bad about being awkward.

773
00:38:20,040 --> 00:38:22,440
Speaker 1: It's what I'm not doing that. Okay, prediction. Let's this

774
00:38:22,480 --> 00:38:24,239
Speaker 1: is how we're gonna wrap this up. A prediction game.

775
00:38:24,880 --> 00:38:27,280
Speaker 1: The next time Morgan goes in, if he gives her something,

776
00:38:27,360 --> 00:38:30,000
Speaker 1: what will it be? Oh? Everybody want to put it?

777
00:38:30,160 --> 00:38:32,120
Speaker 1: Everyone put a dollar in sure, and if somebody gets

778
00:38:32,120 --> 00:38:34,319
Speaker 1: it right. We got to be specific though, right, like

779
00:38:34,400 --> 00:38:37,200
Speaker 1: a specific item. Okay, I'll go ahead to let us Okay,

780
00:38:38,520 --> 00:38:42,280
Speaker 1: you've lost Hey, you don't know amy box of cereal? Oh,

781
00:38:42,400 --> 00:38:49,319
Speaker 1: it's good, Eddie, um paper product's just let's go with

782
00:38:49,360 --> 00:38:53,200
Speaker 1: paper towels. Okay, too big, lunch Box, It's easy, guys.

783
00:38:53,239 --> 00:38:56,720
Speaker 1: It's a bell pepper. She likes green bell peppers gardens

784
00:38:56,840 --> 00:39:00,400
Speaker 1: from his own garden. That's so good. Okay, let us

785
00:39:00,400 --> 00:39:02,839
Speaker 1: know next time you go in, hey will and we'll

786
00:39:02,920 --> 00:39:04,680
Speaker 1: check back up mall and I'll click my cash when

787
00:39:04,680 --> 00:39:06,640
Speaker 1: you get the head to let us though, lead to

788
00:39:06,680 --> 00:39:11,760
Speaker 1: let us. It's the best bits of the week with Morgan.

789
00:39:11,880 --> 00:39:16,560
Speaker 1: Number two. Eddie definitely brought something controversial. I mean, we're just,

790
00:39:16,680 --> 00:39:19,040
Speaker 1: you know, talking about all the different topics causing some

791
00:39:19,160 --> 00:39:22,000
Speaker 1: drama on the show this week. But Eddie, he is

792
00:39:22,080 --> 00:39:24,640
Speaker 1: telling us that he is teaching his kids something when

793
00:39:24,640 --> 00:39:28,480
Speaker 1: he goes to restaurants. And boy, did myself Bobby Amy

794
00:39:28,520 --> 00:39:30,839
Speaker 1: have a lot to say about it. Lunchbox agreed with him.

795
00:39:30,880 --> 00:39:32,799
Speaker 1: So Lunchbox and Eddie were on one team that it

796
00:39:32,840 --> 00:39:35,799
Speaker 1: was Bobby Amy and myself and we are just absolutely

797
00:39:35,840 --> 00:39:38,400
Speaker 1: baffled that this is something that's happened. And you know,

798
00:39:38,480 --> 00:39:40,719
Speaker 1: maybe you do this too, or maybe you don't, or

799
00:39:40,760 --> 00:39:43,600
Speaker 1: maybe you'll never admit it. I don't know, but listen

800
00:39:43,640 --> 00:39:46,400
Speaker 1: to this moment, right here. This is Eddie sharing something

801
00:39:46,520 --> 00:39:50,839
Speaker 1: he's teaching his kids that majority of us might find controversial.

802
00:39:51,360 --> 00:39:54,120
Speaker 1: Number three, I'm weird about sending food back if I'm

803
00:39:54,120 --> 00:39:56,640
Speaker 1: in a restaurant. Having worked in a restaurant for years,

804
00:39:57,680 --> 00:39:59,319
Speaker 1: I don't know if they're doing back there. Also, don't

805
00:39:59,320 --> 00:40:02,759
Speaker 1: want to insult that cook or the waiter. But we

806
00:40:02,760 --> 00:40:05,480
Speaker 1: were at a dinner and I ordered my steak medium.

807
00:40:05,640 --> 00:40:07,440
Speaker 1: Also ordered a one, and if you give me a one,

808
00:40:07,440 --> 00:40:09,040
Speaker 1: I don't care how bad the meat is, it makes

809
00:40:09,040 --> 00:40:12,560
Speaker 1: a steak great. Yeah. Yeah, and it was red and

810
00:40:12,600 --> 00:40:14,280
Speaker 1: I showed Eddie. I was like, hey, am I weird?

811
00:40:14,400 --> 00:40:16,840
Speaker 1: Is just not done? And Eddie backed me up and

812
00:40:16,880 --> 00:40:18,759
Speaker 1: I sent it back and I hated doing that, felt

813
00:40:18,840 --> 00:40:21,040
Speaker 1: terrible about but Eddie was like proud of it, like, yeah,

814
00:40:21,040 --> 00:40:24,360
Speaker 1: that's what you do. One on the board. So not

815
00:40:24,560 --> 00:40:26,880
Speaker 1: my thing, but you're not afraid to do it. Then

816
00:40:26,960 --> 00:40:29,520
Speaker 1: this happened again recently. Yeah, recently, I took my fourteen

817
00:40:29,560 --> 00:40:31,840
Speaker 1: year old son to a restaurant. He orders a shake

818
00:40:32,200 --> 00:40:34,319
Speaker 1: and he and he drinks about half of it and

819
00:40:34,360 --> 00:40:36,200
Speaker 1: then he goes, I don't know, dad, I just don't

820
00:40:36,200 --> 00:40:38,040
Speaker 1: like the way this taste. It was a weird shake,

821
00:40:38,200 --> 00:40:40,359
Speaker 1: not like your ordinary chocolate shake or whatever. He says,

822
00:40:41,040 --> 00:40:43,080
Speaker 1: what do I do? I said, Hey, this is this

823
00:40:43,160 --> 00:40:45,200
Speaker 1: is what it's all about. When you're not satisfied with

824
00:40:45,280 --> 00:40:47,160
Speaker 1: something at a restaurant, you tell the waitress or the

825
00:40:47,160 --> 00:40:49,440
Speaker 1: waiter and you say, hey, I didn't like this? Can

826
00:40:49,440 --> 00:40:51,239
Speaker 1: I have a new one? But what do you mean satisfied?

827
00:40:51,320 --> 00:40:52,719
Speaker 1: Like if you don't like how it tastes? Yeah, I say,

828
00:40:52,760 --> 00:40:54,200
Speaker 1: you ordered French fries and you're like, I don't know,

829
00:40:54,239 --> 00:40:56,040
Speaker 1: I just don't like the French fries. They're not crunchy

830
00:40:56,120 --> 00:40:58,799
Speaker 1: enough for whatever. Take him back and get tater times. Well,

831
00:40:59,480 --> 00:41:01,520
Speaker 1: so you're saying at a restaurant, and this is what

832
00:41:01,600 --> 00:41:04,600
Speaker 1: you're teaching your kids. Yeah, that if you order something

833
00:41:05,600 --> 00:41:07,560
Speaker 1: and not that it's messed up or there's a hair

834
00:41:07,600 --> 00:41:10,279
Speaker 1: in it, right, if you just go, I don't this

835
00:41:10,280 --> 00:41:13,080
Speaker 1: isn't really good for my taste buds. It doesn't fulfill

836
00:41:13,160 --> 00:41:16,200
Speaker 1: then my need for a nice dinner. All that falls

837
00:41:16,280 --> 00:41:20,800
Speaker 1: under the satisfactory category. Do you think that's okay? Yeah?

838
00:41:20,840 --> 00:41:23,160
Speaker 1: I mean he wasn't satisfied with that shake. I don't

839
00:41:23,160 --> 00:41:25,360
Speaker 1: know what he ordered. He ordered that shake. I get it,

840
00:41:25,400 --> 00:41:28,720
Speaker 1: but it wasn't to his satisfactory whatever. He drank half

841
00:41:28,719 --> 00:41:32,960
Speaker 1: of half. The only way I would consider this being

842
00:41:33,000 --> 00:41:35,359
Speaker 1: okay is if he had a drink or zip and

843
00:41:35,360 --> 00:41:38,359
Speaker 1: it's like, oh, this is not what I thought it was,

844
00:41:39,080 --> 00:41:41,360
Speaker 1: but not half of it. To his defense, he was

845
00:41:41,400 --> 00:41:43,560
Speaker 1: trying to convince himself to drink more and be like,

846
00:41:43,640 --> 00:41:45,359
Speaker 1: maybe I'll like it the more I drink, but then

847
00:41:45,440 --> 00:41:47,200
Speaker 1: about halfway he's like, no, I just can't do it.

848
00:41:47,280 --> 00:41:48,680
Speaker 1: So the question is if you go to a restaurant

849
00:41:48,680 --> 00:41:50,400
Speaker 1: and you don't like the food you got, can you

850
00:41:50,440 --> 00:41:52,160
Speaker 1: send it back if you don't like it because the

851
00:41:52,200 --> 00:41:55,080
Speaker 1: flavors are just not your thing or whatever. You made

852
00:41:55,120 --> 00:41:57,719
Speaker 1: a mistake in ordering something that you don't like, right, Like,

853
00:41:57,840 --> 00:42:00,200
Speaker 1: I can't order. I can't be debating between mean the

854
00:42:00,280 --> 00:42:02,120
Speaker 1: chicken sandwich and the hammerger. And I get the chicken sandwichs,

855
00:42:02,120 --> 00:42:04,120
Speaker 1: you're like, oh, this just is not hitting the spot,

856
00:42:04,160 --> 00:42:07,600
Speaker 1: and go ask for Burger hitting the spots of funny

857
00:42:07,719 --> 00:42:10,719
Speaker 1: yes better. Example, you get a spicy chicken sandwich right

858
00:42:10,760 --> 00:42:12,200
Speaker 1: and then you start eating it, You're like, oh, this

859
00:42:12,280 --> 00:42:14,040
Speaker 1: is way more spicier than I thought. I can't even

860
00:42:14,040 --> 00:42:16,239
Speaker 1: breathe this is too spicy. I'm gonna change my order?

861
00:42:16,280 --> 00:42:17,719
Speaker 1: Can I take my sandwich back when you get me

862
00:42:17,719 --> 00:42:23,640
Speaker 1: one that's not so spicy? Same thing? I mean, it's

863
00:42:23,680 --> 00:42:26,439
Speaker 1: too spicy. No, No, you can't do that. And he's

864
00:42:26,480 --> 00:42:28,960
Speaker 1: teaching his kids to do this. You're going to grow

865
00:42:29,000 --> 00:42:31,920
Speaker 1: up thinking that this is okay if you know what

866
00:42:32,040 --> 00:42:34,799
Speaker 1: you're ordering, and then you get what you ordered, and

867
00:42:34,880 --> 00:42:37,640
Speaker 1: you know and you got and every expectation has met

868
00:42:38,120 --> 00:42:40,880
Speaker 1: and it's not undercooked or a hair or fingernail, like

869
00:42:40,880 --> 00:42:44,000
Speaker 1: take all that stuff. If it's exactly what you ordered,

870
00:42:44,320 --> 00:42:47,239
Speaker 1: you pay for it. Wow. Okay, that's what I said.

871
00:42:47,280 --> 00:42:49,320
Speaker 1: I guess I was just raised differently. My dad was

872
00:42:49,360 --> 00:42:52,120
Speaker 1: the king of this, all right. He loved doing this

873
00:42:52,200 --> 00:42:56,080
Speaker 1: around the room. I say that is not and that

874
00:42:56,280 --> 00:42:59,680
Speaker 1: is not good. Okay, Amy, not good. I'm embarrassed, really

875
00:42:59,680 --> 00:43:05,480
Speaker 1: both secondary embarrassment, lunchbox. I am team Maddie. Now we

876
00:43:05,520 --> 00:43:08,719
Speaker 1: know it's Eddie. You are paying for someone. If you

877
00:43:08,760 --> 00:43:11,440
Speaker 1: are not satisfied with that item, you can ask for

878
00:43:11,480 --> 00:43:13,400
Speaker 1: something different. It's like, as action has to be that

879
00:43:13,400 --> 00:43:16,080
Speaker 1: they didn't do it what they had promised. If they

880
00:43:16,200 --> 00:43:18,040
Speaker 1: give you what they told you they were going to

881
00:43:18,080 --> 00:43:20,719
Speaker 1: give you, you can't be mad at what they gave you. Yeah,

882
00:43:20,719 --> 00:43:22,280
Speaker 1: you can say, you know what, it's not It doesn't

883
00:43:22,280 --> 00:43:23,880
Speaker 1: taste like I thought it was gonna taste, and so

884
00:43:23,920 --> 00:43:25,959
Speaker 1: it doesn't hit the spot. You go to a movie,

885
00:43:26,280 --> 00:43:28,399
Speaker 1: self funny to say for a reason you don't want

886
00:43:28,400 --> 00:43:30,520
Speaker 1: to eat it. If you go to a movie and

887
00:43:30,560 --> 00:43:32,600
Speaker 1: halfway through you're like, man, I just don't like this movie,

888
00:43:32,640 --> 00:43:34,279
Speaker 1: you can go back to the box office and say,

889
00:43:34,320 --> 00:43:36,120
Speaker 1: you know what, out of your mind you cannot do that.

890
00:43:36,239 --> 00:43:39,000
Speaker 1: Yes you can if you don't like the movie. Yes,

891
00:43:39,080 --> 00:43:40,920
Speaker 1: and you go and say, man, I don't like that movie.

892
00:43:40,960 --> 00:43:42,960
Speaker 1: I need my money back. And that is exactly what

893
00:43:43,040 --> 00:43:45,439
Speaker 1: Eddie's kid did. And I am team Maddie. You don't

894
00:43:45,480 --> 00:43:49,399
Speaker 1: like it, get something different, Morgan. No, he cannot send

895
00:43:49,400 --> 00:43:51,640
Speaker 1: it back. I've been a server. I've been here before. No,

896
00:43:51,840 --> 00:43:53,600
Speaker 1: what about the movie thing that lunchbox is talking to.

897
00:43:55,960 --> 00:43:58,560
Speaker 1: Everybody was dissatisfied with things, and we'd all be returning

898
00:43:58,560 --> 00:44:01,400
Speaker 1: stuff all the time. Do you buy a pair of

899
00:44:01,520 --> 00:44:03,760
Speaker 1: jeans and you wear them for a week and be like, oh,

900
00:44:03,800 --> 00:44:05,520
Speaker 1: I've been wearing these all week and they're just not

901
00:44:05,560 --> 00:44:08,920
Speaker 1: working out. You can't ever turn them absolutely if they

902
00:44:08,920 --> 00:44:12,160
Speaker 1: don't fit. Okay, So here is the actual policy. Okay,

903
00:44:12,239 --> 00:44:15,440
Speaker 1: when you're at the theater at ticket maybe refunded, boom

904
00:44:15,560 --> 00:44:18,399
Speaker 1: of the thirty minutes after they're the film as started.

905
00:44:18,480 --> 00:44:20,360
Speaker 1: That's not half a milkshake. Not half, that's half a

906
00:44:20,400 --> 00:44:24,040
Speaker 1: milksha that's right, it's like a third. Yeah, it's like

907
00:44:24,080 --> 00:44:26,480
Speaker 1: a quarter of the fourth of the milkshake. Okay, you know,

908
00:44:26,600 --> 00:44:28,560
Speaker 1: Lunchox gonna watch movie for twenty nine minutes and then

909
00:44:28,640 --> 00:44:32,160
Speaker 1: run out, real quick run to the box. I don't

910
00:44:32,160 --> 00:44:35,640
Speaker 1: think that's cool. Okay, so it's too late because we

911
00:44:35,680 --> 00:44:37,520
Speaker 1: did it already in this But now you've learned, so

912
00:44:37,520 --> 00:44:39,480
Speaker 1: should I tell him next time? Hey, I've changed my mind.

913
00:44:40,000 --> 00:44:43,080
Speaker 1: Now you don't want to change your mind because Bobby

914
00:44:43,160 --> 00:44:45,359
Speaker 1: and A well it's three against two. That's the only

915
00:44:45,360 --> 00:44:49,560
Speaker 1: reason I don't really want to listen to Lunchbox. Yeah,

916
00:44:49,560 --> 00:44:51,320
Speaker 1: but this is how you grew up. It is that

917
00:44:51,400 --> 00:44:53,120
Speaker 1: was raised this way, but that doesn't mean that it

918
00:44:53,160 --> 00:44:55,239
Speaker 1: was the right way. That's correct, So tell your son.

919
00:44:56,040 --> 00:44:58,200
Speaker 1: He should send things back if it doesn't meet the

920
00:44:58,239 --> 00:45:02,360
Speaker 1: expectation that he was presented. He got it, not just

921
00:45:02,400 --> 00:45:07,760
Speaker 1: because it doesn't hit the spot. It's the best bits

922
00:45:07,800 --> 00:45:13,880
Speaker 1: of the week with Morgan Number two, the moment everybody

923
00:45:13,920 --> 00:45:17,719
Speaker 1: has been waiting for. Amy sang with Ryan heard the

924
00:45:17,840 --> 00:45:21,080
Speaker 1: duet that we have been hearing about and building up

925
00:45:21,120 --> 00:45:23,319
Speaker 1: for weeks. She was talking about how she could sing

926
00:45:23,719 --> 00:45:26,560
Speaker 1: Chasing after You, she could do Marin's part on the

927
00:45:26,760 --> 00:45:29,759
Speaker 1: Ryan heard Mary Moore's song, and while Ryan Herd came

928
00:45:29,760 --> 00:45:32,560
Speaker 1: in with Maren and Hardy and they performed his new

929
00:45:32,600 --> 00:45:36,840
Speaker 1: song pass It On. But more importantly, Amy sang Chasing

930
00:45:36,880 --> 00:45:39,359
Speaker 1: after You with Ryan while Maren sat in her seat

931
00:45:39,360 --> 00:45:41,759
Speaker 1: and watched the whole thing happen. It was just a

932
00:45:41,840 --> 00:45:45,000
Speaker 1: glorious moment in so many ways, and one that you know,

933
00:45:45,200 --> 00:45:46,560
Speaker 1: it was cool to be a part of. And there's

934
00:45:46,600 --> 00:45:48,960
Speaker 1: lots of photos and stuff at Bobby Bones dot com

935
00:45:49,080 --> 00:45:51,359
Speaker 1: or on our Instagram at Bobby Bones Show, so make

936
00:45:51,400 --> 00:45:55,160
Speaker 1: sure you check those out. Number two, the Friday morning

937
00:45:55,160 --> 00:45:59,239
Speaker 1: conversation with Brian heard. Well, it's Ryan and a lot

938
00:45:59,280 --> 00:46:02,400
Speaker 1: of well friends and wife. But Ryan, good to see you, buddy. Hey,

939
00:46:02,880 --> 00:46:06,239
Speaker 1: so intro. Introduce everyone here on the stage. Obviously, this

940
00:46:06,360 --> 00:46:09,799
Speaker 1: is my beautiful wife, Marion Morris, who I got to

941
00:46:09,800 --> 00:46:12,320
Speaker 1: work with last year doing Chasing After You and was

942
00:46:12,360 --> 00:46:14,719
Speaker 1: a big part of putting my album out. And our

943
00:46:14,840 --> 00:46:18,520
Speaker 1: second single I got to write with Maren and our

944
00:46:18,560 --> 00:46:20,640
Speaker 1: friend Hardy right here. It's called pass it On. So

945
00:46:21,080 --> 00:46:23,680
Speaker 1: really thrilled to, I don't know, get to work with

946
00:46:23,719 --> 00:46:25,719
Speaker 1: these We've been writing songs together for a lot of years,

947
00:46:25,760 --> 00:46:27,560
Speaker 1: so it's pretty fun to have a single on the

948
00:46:27,640 --> 00:46:30,560
Speaker 1: radio with them. So Ryan, let's talk about new music

949
00:46:30,560 --> 00:46:32,879
Speaker 1: for a second because it's out. And I assume, since

950
00:46:32,880 --> 00:46:35,279
Speaker 1: again you have Hardy and Maren here, did you guys

951
00:46:35,320 --> 00:46:37,520
Speaker 1: all write this song together. Yeah, we wrote it with

952
00:46:37,560 --> 00:46:39,960
Speaker 1: our friend Jordan Schmidt, and I think originally pass it

953
00:46:40,000 --> 00:46:43,000
Speaker 1: On was an idea for Maren's album which just came out.

954
00:46:43,080 --> 00:46:46,239
Speaker 1: And then halfway through the writing the song, Marion said,

955
00:46:46,280 --> 00:46:49,680
Speaker 1: I don't think this is a song for me to sing,

956
00:46:49,719 --> 00:46:54,319
Speaker 1: and I've passed it on. So then Hardy jumped in

957
00:46:54,320 --> 00:46:56,120
Speaker 1: the vocal booth and he sang a version of it,

958
00:46:56,160 --> 00:46:58,600
Speaker 1: and then it fell to the third artist in the room,

959
00:46:58,600 --> 00:47:00,359
Speaker 1: which is me, and now it's on the radio. So

960
00:47:00,680 --> 00:47:03,160
Speaker 1: what a story. So that happened, So you guys were

961
00:47:03,160 --> 00:47:04,960
Speaker 1: in a room to write for Marion? Was that kind

962
00:47:05,000 --> 00:47:07,080
Speaker 1: of hearty? I'll ask you this was that the goal?

963
00:47:07,160 --> 00:47:09,400
Speaker 1: At first? I'm not really sure. I don't think we

964
00:47:09,440 --> 00:47:12,600
Speaker 1: went in with any intention, I guess, but uh yeah,

965
00:47:12,680 --> 00:47:14,719
Speaker 1: I don't know. I mean maybe one of you guys

966
00:47:14,760 --> 00:47:17,879
Speaker 1: could answer that better than me, But um, I think

967
00:47:17,880 --> 00:47:19,640
Speaker 1: we were honestly just in the room to write a

968
00:47:19,680 --> 00:47:22,600
Speaker 1: great song that day. Yeah, we're always sort of playing

969
00:47:22,680 --> 00:47:25,279
Speaker 1: chicken because the three of us are artists, and then

970
00:47:25,360 --> 00:47:27,960
Speaker 1: Jordan is just there and helping us out. We're like,

971
00:47:28,000 --> 00:47:31,520
Speaker 1: who will this fall to? And I feel like it

972
00:47:31,600 --> 00:47:33,319
Speaker 1: was it was an idea we brought in and we

973
00:47:33,320 --> 00:47:36,399
Speaker 1: were saving for our rite with Hearty, But then he

974
00:47:36,440 --> 00:47:38,799
Speaker 1: was singing most of the day and I was just like,

975
00:47:39,040 --> 00:47:41,680
Speaker 1: I feel like a guy. I hear a guy on this,

976
00:47:42,160 --> 00:47:45,200
Speaker 1: And then um, yeah, Ryan knocked it out of the

977
00:47:45,200 --> 00:47:48,080
Speaker 1: park for this record. Does the opposite ever happen? Ryan,

978
00:47:48,080 --> 00:47:49,840
Speaker 1: We're instead of someone going, hey, this is not for me?

979
00:47:50,480 --> 00:47:51,960
Speaker 1: Is every going in a room were writing for somebody else?

980
00:47:51,920 --> 00:47:53,359
Speaker 1: And goes No, I like this song so much, I

981
00:47:53,400 --> 00:47:55,239
Speaker 1: now want it. I do that all the time. I'm

982
00:47:55,280 --> 00:47:58,960
Speaker 1: sure Hearty does too. I want the song. Yeah, It's

983
00:47:59,160 --> 00:48:01,799
Speaker 1: gotta be pretty weird for me to like put like

984
00:48:01,880 --> 00:48:03,960
Speaker 1: grab it right away. Otherwise I like to pitch them

985
00:48:03,960 --> 00:48:07,439
Speaker 1: and see kind of get some reactions. But but yeah,

986
00:48:07,440 --> 00:48:09,680
Speaker 1: this one was I don't know when you're putting an

987
00:48:09,680 --> 00:48:12,120
Speaker 1: album together, I've only done it one time, but you

988
00:48:12,160 --> 00:48:14,359
Speaker 1: always think about like how do you want to set

989
00:48:14,400 --> 00:48:17,200
Speaker 1: a tone? And I think just having something unabashedly positive

990
00:48:17,440 --> 00:48:20,200
Speaker 1: was a really cool way to kick off my album.

991
00:48:20,200 --> 00:48:22,160
Speaker 1: And then when we had to pick a second single,

992
00:48:22,280 --> 00:48:24,680
Speaker 1: this is the one that our record company was really

993
00:48:24,680 --> 00:48:28,680
Speaker 1: excited about. So I have really just thrilled that I

994
00:48:28,680 --> 00:48:30,359
Speaker 1: get to have both of these two in studio. It's

995
00:48:30,400 --> 00:48:33,319
Speaker 1: such a massive treat for me and for us. Well,

996
00:48:33,400 --> 00:48:36,920
Speaker 1: let's hear the song Ryan heard, Marion Morris and Hardy

997
00:48:37,160 --> 00:48:43,840
Speaker 1: here to do. Pass it on. If you got a

998
00:48:43,880 --> 00:48:47,239
Speaker 1: little smile in your pocket, or maybe just a couple

999
00:48:47,239 --> 00:48:51,080
Speaker 1: of coins, If you got a little weight and you

1000
00:48:51,200 --> 00:48:56,200
Speaker 1: wall in a right direction to pawn some good advice,

1001
00:48:56,960 --> 00:49:01,319
Speaker 1: good vibes or a little positivity. Yeah, if you got

1002
00:49:01,440 --> 00:49:04,759
Speaker 1: a full cup and split it on up like somebody

1003
00:49:04,880 --> 00:49:10,400
Speaker 1: did before me, pass it on, Pass it on, Pass

1004
00:49:10,480 --> 00:49:14,759
Speaker 1: it on someone else. What good is you down? He

1005
00:49:14,840 --> 00:49:17,239
Speaker 1: all you love, all your battle. If you keep it

1006
00:49:17,280 --> 00:49:21,720
Speaker 1: out to yourself, there's enough to go around to send

1007
00:49:21,760 --> 00:49:24,200
Speaker 1: it on down, because you can't take it with you.

1008
00:49:24,239 --> 00:49:31,000
Speaker 1: When you're gone, pass it on, pass it on, pass

1009
00:49:31,080 --> 00:49:49,319
Speaker 1: it on? Come on? Awesome, great job lyon heard Marion

1010
00:49:49,440 --> 00:49:51,920
Speaker 1: Morris and Hardy all here doing pass it On. I mean,

1011
00:49:51,920 --> 00:49:53,839
Speaker 1: it's a great song and it's also like a you're right,

1012
00:49:53,840 --> 00:49:56,080
Speaker 1: it's like a good feeling song. I hope, so, man,

1013
00:49:56,120 --> 00:49:59,480
Speaker 1: I mean, there's a lot of a lot of I

1014
00:49:59,520 --> 00:50:01,880
Speaker 1: think this it's a great song for to hear on

1015
00:50:01,880 --> 00:50:03,440
Speaker 1: the radio. Man, We're really proud of it. There's a

1016
00:50:03,440 --> 00:50:05,160
Speaker 1: reason we wanted to start our album with it, and

1017
00:50:05,280 --> 00:50:07,799
Speaker 1: I'm really just again thrilled to have these two in

1018
00:50:07,880 --> 00:50:10,120
Speaker 1: the studio with me supporting, just because you know, it's

1019
00:50:10,160 --> 00:50:11,879
Speaker 1: fun to do this with your friends. Do you, guys

1020
00:50:11,920 --> 00:50:13,400
Speaker 1: and Mari and I'll ask you this, do you feel

1021
00:50:13,440 --> 00:50:15,399
Speaker 1: like since you wrote it, you're more invested and it's

1022
00:50:15,440 --> 00:50:17,640
Speaker 1: easier to sing on it, like it makes more sense.

1023
00:50:17,840 --> 00:50:20,160
Speaker 1: I mean, this is my first Ryan Herd single, Oh

1024
00:50:20,280 --> 00:50:24,680
Speaker 1: come on right, So I feel really special. Marying things

1025
00:50:24,719 --> 00:50:26,879
Speaker 1: on almost every song that I put out, so it's

1026
00:50:27,000 --> 00:50:29,680
Speaker 1: that's it's easy to and also chasing after you, so

1027
00:50:29,760 --> 00:50:32,239
Speaker 1: it's it's I don't know, she's my safety blanket, I think.

1028
00:50:32,600 --> 00:50:34,440
Speaker 1: And Marin's record just came out, and your record has

1029
00:50:34,440 --> 00:50:36,600
Speaker 1: been out since the late last year. But and I'm

1030
00:50:36,640 --> 00:50:39,520
Speaker 1: not asking this anytime soon, but back in the day,

1031
00:50:39,960 --> 00:50:42,640
Speaker 1: George and Tammy, back in the you know, it was

1032
00:50:42,680 --> 00:50:44,799
Speaker 1: a thing where you would the couples would do an

1033
00:50:44,920 --> 00:50:47,560
Speaker 1: entire album. Has that ever been talked about in your house?

1034
00:50:49,040 --> 00:50:52,320
Speaker 1: It's a soul album? Maybe yes, maybe just briefly because

1035
00:50:52,320 --> 00:50:55,600
Speaker 1: it's it's fun to even like a five song EP.

1036
00:50:56,239 --> 00:50:58,960
Speaker 1: It's just once we get through the Marin record, we

1037
00:50:58,960 --> 00:51:01,279
Speaker 1: can talk more about what we're doing next. But I

1038
00:51:01,280 --> 00:51:04,200
Speaker 1: feel like we're so like just coming out of that tunnel. So,

1039
00:51:04,520 --> 00:51:06,880
Speaker 1: I mean, I love all the duets so like, I

1040
00:51:06,960 --> 00:51:10,400
Speaker 1: think one of my favorite songs is like the Loretta

1041
00:51:10,520 --> 00:51:13,400
Speaker 1: Conway twitty You're the reason our kids are ugly like

1042
00:51:13,960 --> 00:51:16,600
Speaker 1: but that is my favorite thing about country music, couples

1043
00:51:16,600 --> 00:51:19,319
Speaker 1: like or duets. And Hardy, who has been on every

1044
00:51:19,360 --> 00:51:21,680
Speaker 1: single duet and country the last five years. Congratulations, buddy,

1045
00:51:21,680 --> 00:51:24,280
Speaker 1: You've killing him. It's like, if there's a song, Hardy's

1046
00:51:24,320 --> 00:51:26,719
Speaker 1: on it. Now. We got to vote for Hardy to

1047
00:51:26,840 --> 00:51:28,680
Speaker 1: be Songwriter of the Year at the ACMs this year,

1048
00:51:28,719 --> 00:51:30,799
Speaker 1: so I mean, congrats to you, man. Let's thank you man.

1049
00:51:30,920 --> 00:51:33,040
Speaker 1: We have the ACM Songwriter of the Year on this song,

1050
00:51:33,080 --> 00:51:36,720
Speaker 1: which is pretty z yeah awesome. Well, we're gonna speaking

1051
00:51:36,760 --> 00:51:40,239
Speaker 1: of wonderful talented people, Amy's gonna got her performance in

1052
00:51:40,280 --> 00:51:43,440
Speaker 1: a second. You're you're, you're, You're up to date right?

1053
00:51:43,520 --> 00:51:46,640
Speaker 1: Oh yes, I've been following along. Okay, he's totally up

1054
00:51:46,760 --> 00:51:48,920
Speaker 1: to date. I don't know if Marin is, so that

1055
00:51:48,960 --> 00:51:51,920
Speaker 1: makes me nervous. So this is what's happened a long time.

1056
00:51:51,960 --> 00:51:53,799
Speaker 1: I know it's coming, but just helped fill me in

1057
00:51:54,160 --> 00:51:56,280
Speaker 1: a long time ago. Amy said, Mat think I actually

1058
00:51:56,280 --> 00:51:58,000
Speaker 1: sing the mari In part pretty good and chasing after

1059
00:51:58,040 --> 00:52:06,160
Speaker 1: you exactly? I said, I sing along in my car

1060
00:52:06,400 --> 00:52:09,759
Speaker 1: with Ryan, but I'm not in the marn We all

1061
00:52:09,760 --> 00:52:13,600
Speaker 1: have no I heard you do it and you saying great,

1062
00:52:14,000 --> 00:52:17,239
Speaker 1: thanks Marin. It's really low. It's a low part of it, sure,

1063
00:52:17,320 --> 00:52:20,080
Speaker 1: but I've never ever done this with anybody else except Maren.

1064
00:52:21,239 --> 00:52:24,080
Speaker 1: It makes me even now now now I'm way nervous

1065
00:52:24,120 --> 00:52:28,360
Speaker 1: and I don't especially with Marin here. I need to

1066
00:52:28,920 --> 00:52:31,480
Speaker 1: people to know I'm not trying. Do you do the

1067
00:52:31,560 --> 00:52:36,440
Speaker 1: like Marion? Uh? Listen, listen, Yeah, what if we what

1068
00:52:36,480 --> 00:52:38,279
Speaker 1: if Maren sat in your seat? I might need a

1069
00:52:38,320 --> 00:52:42,879
Speaker 1: cute nose. Okay, I my goal would be to make

1070
00:52:42,960 --> 00:52:46,680
Speaker 1: Marian prava also to know that, like, I am definitely

1071
00:52:46,719 --> 00:52:49,319
Speaker 1: not Marin. This is like just fun. This is like

1072
00:52:49,360 --> 00:52:51,839
Speaker 1: a oh yeah, because you do something. Okay, we're gonna

1073
00:52:51,880 --> 00:52:54,640
Speaker 1: do it next ye hold on, Okay, we're rambled. We

1074
00:52:54,680 --> 00:52:57,240
Speaker 1: didn't know at the time when this was suggested by you, Amy,

1075
00:52:57,239 --> 00:52:59,440
Speaker 1: that Marin was going to be here to watch. Totally

1076
00:52:59,480 --> 00:53:04,120
Speaker 1: different story. Yeah, but this is all your idea. Yeah yeah, Well,

1077
00:53:04,160 --> 00:53:06,319
Speaker 1: I mean I feel like over the years, what like

1078
00:53:06,320 --> 00:53:08,640
Speaker 1: we've been doing this sixteen years or something I've sang

1079
00:53:08,760 --> 00:53:11,799
Speaker 1: with some like I've had the opportunity to just have

1080
00:53:11,920 --> 00:53:13,520
Speaker 1: fun with it. And this is a song that I

1081
00:53:13,560 --> 00:53:16,239
Speaker 1: just love, big fan of it from the beginning. I

1082
00:53:16,320 --> 00:53:18,840
Speaker 1: enjoy singing it in my car. So I maybe just

1083
00:53:19,080 --> 00:53:23,040
Speaker 1: mentioned it'd be so fun to sing sing it. I mentioned.

1084
00:53:23,600 --> 00:53:27,600
Speaker 1: So here's what's happening, Amy, you should just really have fun,

1085
00:53:27,840 --> 00:53:30,640
Speaker 1: I am, because if what she does guys once she's

1086
00:53:30,680 --> 00:53:32,520
Speaker 1: not on, which is hard for us to be on

1087
00:53:32,800 --> 00:53:35,160
Speaker 1: or don't have your skill set. No, so once then

1088
00:53:35,160 --> 00:53:37,600
Speaker 1: she starts to goop around and do like funny runs.

1089
00:53:37,680 --> 00:53:43,880
Speaker 1: We told her commit to being serious right, Yes, yes, okay, committed. Okay, Amy,

1090
00:53:43,920 --> 00:53:47,080
Speaker 1: your thoughts before we hit this song. I've got it,

1091
00:53:47,160 --> 00:53:49,799
Speaker 1: nailed it. Ryan, your thoughts before we hit this song.

1092
00:53:49,960 --> 00:53:52,400
Speaker 1: I've just been following the saga online for a while,

1093
00:53:52,440 --> 00:53:54,359
Speaker 1: so I'm really excited to do it. I've been I've

1094
00:53:54,360 --> 00:53:59,080
Speaker 1: been thrilled that that you've wanted to That's very cool. Hey, Teddy,

1095
00:53:59,120 --> 00:54:01,520
Speaker 1: would you mind paying the intro before we actually go

1096
00:54:01,640 --> 00:54:03,759
Speaker 1: through it? I want to show and we'll show Amy

1097
00:54:03,760 --> 00:54:06,080
Speaker 1: worsh to come in it. Will you just play up

1098
00:54:06,120 --> 00:54:09,680
Speaker 1: to the part where no where that part? Yeah, just

1099
00:54:09,719 --> 00:54:13,680
Speaker 1: the intro? What what are we practicing? Which part? When

1100
00:54:13,719 --> 00:54:15,879
Speaker 1: you come in with the listen right, because you'll finish

1101
00:54:15,880 --> 00:54:18,120
Speaker 1: the chorus the chorus. Yeause, he does it first, you

1102
00:54:18,200 --> 00:54:20,160
Speaker 1: do the chorus and then it goes back into that

1103
00:54:20,200 --> 00:54:22,960
Speaker 1: second verse, right if I may. There's no leg we

1104
00:54:23,080 --> 00:54:24,960
Speaker 1: just say, oh, it just goes right into it, and

1105
00:54:25,040 --> 00:54:31,479
Speaker 1: you may. That's it on the one. On the one,

1106
00:54:31,560 --> 00:54:33,760
Speaker 1: I'll give you a big old head nod, you know, Amy,

1107
00:54:33,960 --> 00:54:38,560
Speaker 1: and and then I follow you. Yeah, okay, here we go.

1108
00:54:39,480 --> 00:54:41,960
Speaker 1: Ryan heard a name, Marin. Can you give me a

1109
00:54:42,000 --> 00:54:48,280
Speaker 1: mimimi like a dough like I really wanted what I wish?

1110
00:54:48,680 --> 00:54:53,360
Speaker 1: I don't know, can I whenever Ryan's doing his first first?

1111
00:54:53,440 --> 00:54:56,680
Speaker 1: Do you ever like because sometimes Marion will just kind

1112
00:54:56,680 --> 00:54:59,200
Speaker 1: of like in the back like if like when Ryan

1113
00:54:59,280 --> 00:55:02,399
Speaker 1: goes like then I wake up with you on my chest?

1114
00:55:02,520 --> 00:55:04,160
Speaker 1: Do I ever just be like on my chest? No?

1115
00:55:05,080 --> 00:55:11,279
Speaker 1: Not this time? Are you serious? Okay? I am here?

1116
00:55:11,320 --> 00:55:14,279
Speaker 1: We go? Are you staying there? I am? I saying

1117
00:55:14,480 --> 00:55:19,399
Speaker 1: where would you feel most? You can take my seat? Yeah,

1118
00:55:19,520 --> 00:55:21,920
Speaker 1: that's a good point, Hardy. Why do you say is

1119
00:55:21,960 --> 00:55:25,000
Speaker 1: in between like in your seat? Yeah? And you should

1120
00:55:25,280 --> 00:55:26,880
Speaker 1: why I suggest that I told me I was an idiot?

1121
00:55:26,920 --> 00:55:34,640
Speaker 1: All right, A great hilarious We're gonna put it to

1122
00:55:34,680 --> 00:55:36,560
Speaker 1: the test. You should if I can find a harmony,

1123
00:55:36,719 --> 00:55:40,480
Speaker 1: I'll Harty's gonna harmonize with me? Okay, I'm just soon

1124
00:55:40,560 --> 00:55:42,719
Speaker 1: gonna have to close my eyes. But all it feel

1125
00:55:42,760 --> 00:55:46,440
Speaker 1: like you're looking to Amy over here. We get that

1126
00:55:46,520 --> 00:55:51,160
Speaker 1: we look like all the time. See Marion said it? Okay, Ryan, definitely, Amy,

1127
00:55:51,680 --> 00:56:09,200
Speaker 1: let's go. Teddy will follow you. Okay, you can move

1128
00:56:09,360 --> 00:56:13,440
Speaker 1: when your wind's all done. Always catch me when I'm

1129
00:56:13,560 --> 00:56:17,399
Speaker 1: not that strong, and then you wind up staying all

1130
00:56:17,520 --> 00:56:24,480
Speaker 1: night long. Ain't nothing new then? A'wagged with you on

1131
00:56:24,760 --> 00:56:29,040
Speaker 1: my chest. You got a way of making me forget

1132
00:56:29,960 --> 00:56:34,160
Speaker 1: the girl with you. The answer is always yes every

1133
00:56:34,239 --> 00:56:38,840
Speaker 1: time call. But I know y'all know it isn't matter

1134
00:56:38,960 --> 00:56:42,400
Speaker 1: of time til you walk till you walk out of

1135
00:56:42,600 --> 00:56:47,640
Speaker 1: my life. Let me standing your lonely, feeling like a fool.

1136
00:56:50,719 --> 00:56:54,640
Speaker 1: Every time. Every time you stay were done, you come

1137
00:56:54,719 --> 00:56:58,080
Speaker 1: back to the love you around it from. I don't

1138
00:56:58,160 --> 00:57:01,319
Speaker 1: know why, I don't know why I let you, but

1139
00:57:01,560 --> 00:57:14,280
Speaker 1: I do, Yes, I love chasing after you listen. Wish

1140
00:57:14,280 --> 00:57:17,880
Speaker 1: I could quit you, but it feels too good. If

1141
00:57:17,880 --> 00:57:21,200
Speaker 1: I could turn it off, you know I would, But

1142
00:57:21,400 --> 00:57:25,360
Speaker 1: something about you makes me think we could make it

1143
00:57:25,640 --> 00:57:29,680
Speaker 1: after all. But I know, yeah, I know, it's a

1144
00:57:29,880 --> 00:57:33,400
Speaker 1: matter of time till you walk, till you walk back

1145
00:57:33,520 --> 00:57:38,320
Speaker 1: out of my Lifely be standing here, lonely, feeling like

1146
00:57:38,560 --> 00:57:45,480
Speaker 1: a fool. Every time, every time you say we're done,

1147
00:57:45,600 --> 00:57:49,000
Speaker 1: you come back to the love you were running from.

1148
00:57:49,080 --> 00:57:52,160
Speaker 1: I don't know why, I don't know why I let you,

1149
00:57:52,600 --> 00:58:13,840
Speaker 1: but I do. Yes, I love chasing it. Do you

1150
00:58:13,840 --> 00:58:18,200
Speaker 1: you can mole and your wines all gone? Always catch

1151
00:58:18,240 --> 00:58:21,680
Speaker 1: me when I'm not at that's strong. Then you wound

1152
00:58:21,800 --> 00:58:27,640
Speaker 1: up staying all night long ain't nothing. But I know

1153
00:58:28,000 --> 00:58:31,440
Speaker 1: y'all know, it's a matter of time til you walk,

1154
00:58:31,520 --> 00:58:35,240
Speaker 1: till you walk back out of my lifely be staying

1155
00:58:35,440 --> 00:58:43,280
Speaker 1: her lonely, feeling like a fool. Time every time you

1156
00:58:43,600 --> 00:58:47,600
Speaker 1: stay with time, you come back to love you running

1157
00:58:47,720 --> 00:58:50,480
Speaker 1: from I don't know why. I don't know why I

1158
00:58:50,920 --> 00:58:59,080
Speaker 1: let you, but I do. Yes, I love Jess, do you? Yeah?

1159
00:58:59,160 --> 00:59:13,600
Speaker 1: I love that's good. Who wow, let's go to the Okay,

1160
00:59:13,800 --> 00:59:16,840
Speaker 1: so Amy, Yes, Marion's up. I feel like we're on

1161
00:59:17,560 --> 00:59:20,480
Speaker 1: the Voice or American Idol or something. You're going to Hollywood.

1162
00:59:21,760 --> 00:59:24,800
Speaker 1: Thank you, Thank you Ryan. What you think about you

1163
00:59:24,880 --> 00:59:27,640
Speaker 1: did great? Yeah? You made it to listen, Well, what's

1164
00:59:27,680 --> 00:59:30,080
Speaker 1: difficult is I mean, I know y'all do this all

1165
00:59:30,120 --> 00:59:32,680
Speaker 1: the time, but like I'm not hearing. You don't hear

1166
00:59:33,040 --> 00:59:35,520
Speaker 1: I mean, I don't so I'm just like, oh, I

1167
00:59:35,720 --> 00:59:39,080
Speaker 1: didn't say a sentence. I just I don't know how

1168
00:59:39,120 --> 00:59:44,400
Speaker 1: they just performed without hearing themselves usually. Here party your

1169
00:59:44,520 --> 00:59:47,400
Speaker 1: thoughts on Amy's performance. I thought you did great. Yeah,

1170
00:59:47,480 --> 00:59:51,400
Speaker 1: you know it. Confidence and do you feel that adrenaline

1171
00:59:51,480 --> 00:59:54,000
Speaker 1: rush right now? Yes, that's the best feeling about performing

1172
00:59:54,120 --> 00:59:55,840
Speaker 1: right Like in the fifth grade, I was in a

1173
00:59:55,920 --> 01:00:00,120
Speaker 1: talent show and saying Amy Grant and I fel well

1174
01:00:00,200 --> 01:00:02,280
Speaker 1: in the fifth grade, though, like I didn't now I

1175
01:00:02,400 --> 01:00:04,880
Speaker 1: recognize I can't sing. In the fifth grade, I thought

1176
01:00:05,000 --> 01:00:07,840
Speaker 1: I still had a chance. Marion, you actually posted an

1177
01:00:07,880 --> 01:00:09,800
Speaker 1: old video clip of like you as a kid talking

1178
01:00:09,840 --> 01:00:11,120
Speaker 1: about your why I don't know how day or you

1179
01:00:11,120 --> 01:00:12,920
Speaker 1: weren't fifth grade. You're talking about how your album came

1180
01:00:12,960 --> 01:00:14,280
Speaker 1: out and go get it. And I was like that

1181
01:00:14,440 --> 01:00:16,439
Speaker 1: was me, Like I wanted to sing, I sing at church,

1182
01:00:17,000 --> 01:00:19,560
Speaker 1: did all the things. So this is just something fun

1183
01:00:19,640 --> 01:00:21,760
Speaker 1: for me. I know. I can't say all right, all right,

1184
01:00:22,280 --> 01:00:24,400
Speaker 1: all right, let's let's put Marion back in the big

1185
01:00:24,480 --> 01:00:29,320
Speaker 1: kid chair. Okay, yeah, yeah, alright, right, let me say

1186
01:00:29,360 --> 01:00:31,760
Speaker 1: a couple of things. First of all, Ryan trying to

1187
01:00:31,800 --> 01:00:34,840
Speaker 1: walk off the set here. Ryan, congratulations on the new song.

1188
01:00:34,920 --> 01:00:37,920
Speaker 1: It's awesome. I love it. Pass an arm amazing, Maren.

1189
01:00:37,960 --> 01:00:39,920
Speaker 1: I know your record came out last week. It's fantastic.

1190
01:00:40,640 --> 01:00:43,440
Speaker 1: Great job, Teddy as always. I guess we'll see in

1191
01:00:43,480 --> 01:00:44,640
Speaker 1: a couple days. I don't know who you'll be in

1192
01:00:44,680 --> 01:00:47,720
Speaker 1: here with, but it's Austin and Hardy just a massive

1193
01:00:47,760 --> 01:00:51,280
Speaker 1: fan of everything. You do writing wise, your style. Just

1194
01:00:51,440 --> 01:00:53,440
Speaker 1: I'm just a big fan. Thank you, so appreciate you

1195
01:00:53,480 --> 01:00:56,200
Speaker 1: coming up here. Here it is thanks thanks Hardy. All right,

1196
01:00:56,400 --> 01:00:59,680
Speaker 1: and there is a cake entering the room because it

1197
01:00:59,880 --> 01:01:03,200
Speaker 1: is is happy birthday, my name, happy birthday too. It's

1198
01:01:03,280 --> 01:01:07,640
Speaker 1: your birthday? Who all of you? No, it's my birthday.

1199
01:01:08,880 --> 01:01:11,000
Speaker 1: Cut that cut, that cut, that cut. Oh, this is

1200
01:01:11,160 --> 01:01:14,640
Speaker 1: recorded on my birthday. What okay? Oh? And oh it

1201
01:01:14,920 --> 01:01:17,600
Speaker 1: is my name, happy birthday. You know what. Here's here's

1202
01:01:17,600 --> 01:01:20,320
Speaker 1: the inside joke everybody. We recorded this before my birthday

1203
01:01:20,320 --> 01:01:23,480
Speaker 1: and I was confused why cake was coming in studio.

1204
01:01:25,040 --> 01:01:27,640
Speaker 1: I was like, wait, this is the earliest surprise party ever.

1205
01:01:28,360 --> 01:01:35,720
Speaker 1: Thank you for the cake. We were all equally confused. Yes, Um, Ryan, great, Marion, Teddy, Hardy,

1206
01:01:36,160 --> 01:01:38,320
Speaker 1: great show, and that's awesome. All right, We good guys.

1207
01:01:39,160 --> 01:01:41,800
Speaker 1: Amy Oh, Amy did great. Thank you Amy. We'll have

1208
01:01:42,040 --> 01:01:44,480
Speaker 1: weeks to talk about this and relive it. Okay, there

1209
01:01:44,520 --> 01:01:48,920
Speaker 1: they are the crude Thank you guys. It's the best

1210
01:01:49,080 --> 01:01:53,640
Speaker 1: bits of the week with Morgan number two and coming

1211
01:01:53,760 --> 01:01:56,640
Speaker 1: in hauntingly. Is that even a word? I don't know

1212
01:01:56,720 --> 01:01:58,240
Speaker 1: if that's a word, but you know what, it's going

1213
01:01:58,320 --> 01:02:00,440
Speaker 1: to be a word. Right now hunting leet Number one,

1214
01:02:01,120 --> 01:02:06,160
Speaker 1: the Haunted Crying Doll drama. Listen, somebody was supposed to

1215
01:02:06,160 --> 01:02:08,240
Speaker 1: take it home for a week, live with it, see

1216
01:02:08,320 --> 01:02:10,080
Speaker 1: what happens, and you know they did not want to,

1217
01:02:10,200 --> 01:02:12,000
Speaker 1: so they paid someone else on the show to do it.

1218
01:02:12,120 --> 01:02:14,680
Speaker 1: And you know, when money gets involved, somebody on the

1219
01:02:14,720 --> 01:02:16,640
Speaker 1: show is going to get in on the action. And

1220
01:02:16,760 --> 01:02:19,760
Speaker 1: that is definitely what happened. So make sure you catch

1221
01:02:19,880 --> 01:02:24,080
Speaker 1: up on this whole situation with the haunted doll, because

1222
01:02:24,640 --> 01:02:26,400
Speaker 1: I have a feeling we're going to be having some

1223
01:02:26,680 --> 01:02:29,880
Speaker 1: stories over the next week about this whole situation. So

1224
01:02:30,520 --> 01:02:33,960
Speaker 1: here it is right now, number one. Yesterday we were

1225
01:02:33,960 --> 01:02:37,600
Speaker 1: talking about it Ventroloquist doll and this doll supposedly haunted,

1226
01:02:38,320 --> 01:02:41,280
Speaker 1: and I said, who believes that a doll could be haunted?

1227
01:02:41,920 --> 01:02:43,680
Speaker 1: And both Amy and Eddie said, I don't think a

1228
01:02:43,760 --> 01:02:45,520
Speaker 1: thing can be haunted. I said, great, I'm glad you

1229
01:02:45,600 --> 01:02:48,240
Speaker 1: said that, because what we have purchased is the crying

1230
01:02:48,360 --> 01:02:51,600
Speaker 1: Boy doll that they claim is haunted. The Crying Boy

1231
01:02:51,760 --> 01:02:53,680
Speaker 1: was part of the collection of dolls. The owner of

1232
01:02:53,720 --> 01:02:56,800
Speaker 1: the doll said she swore she always felt strange and

1233
01:02:56,880 --> 01:02:59,680
Speaker 1: sad around him, like it brought. I don't have time

1234
01:02:59,720 --> 01:03:02,520
Speaker 1: for that in your tee, she said, Sometimes his shoes

1235
01:03:03,040 --> 01:03:07,200
Speaker 1: would be off and she would never touch the doll's feet. Okay,

1236
01:03:07,480 --> 01:03:10,200
Speaker 1: So since you don't believe things are haunted, we're gonna

1237
01:03:10,240 --> 01:03:11,960
Speaker 1: play a game. Loser takes a doll home with them

1238
01:03:11,960 --> 01:03:14,760
Speaker 1: for a week. Cool. We actually will get the doll

1239
01:03:14,960 --> 01:03:18,400
Speaker 1: on Friday like in hopefully, and then all next week

1240
01:03:18,440 --> 01:03:20,840
Speaker 1: you have the doll at home with you. So we're

1241
01:03:20,880 --> 01:03:24,160
Speaker 1: gonna play twenty one questions and the loser takes the

1242
01:03:24,240 --> 01:03:27,520
Speaker 1: haunted doll home for a for a week. Okay, So

1243
01:03:27,680 --> 01:03:29,440
Speaker 1: what'll happen is I have a celebrity. I've shared it

1244
01:03:29,480 --> 01:03:31,640
Speaker 1: with a Mike d He'll losso service fact checker. You

1245
01:03:31,720 --> 01:03:36,720
Speaker 1: can ask yes or no questions, and if you decide

1246
01:03:36,760 --> 01:03:39,960
Speaker 1: that you want to guess the celebrity, buzz in with

1247
01:03:40,040 --> 01:03:41,720
Speaker 1: your name at any time. But once you guess and

1248
01:03:41,800 --> 01:03:44,600
Speaker 1: you miss it, you're gone. You lose. Okay, So you

1249
01:03:44,720 --> 01:03:46,880
Speaker 1: get at anytime buzz in and say I want to

1250
01:03:46,880 --> 01:03:50,280
Speaker 1: guess the celebrity, say your name as the buzzer. It's wrong,

1251
01:03:50,560 --> 01:03:54,600
Speaker 1: it gets wrong, you lose. Yeah, So ready to go amy.

1252
01:03:54,640 --> 01:03:56,320
Speaker 1: You will go first a yes or no question. Have

1253
01:03:56,400 --> 01:03:59,640
Speaker 1: a celebrity in my head? Twenty one questions? Go Is

1254
01:03:59,680 --> 01:04:04,480
Speaker 1: it a male? No, it's a woman, Eddie. Is this

1255
01:04:04,720 --> 01:04:10,880
Speaker 1: woman dead? Oh? Here we go. No, is the dramatic pauses.

1256
01:04:11,400 --> 01:04:17,960
Speaker 1: I'm thinking, no, the woman's not dead. Okay. Is she married? Mike?

1257
01:04:20,000 --> 01:04:22,720
Speaker 1: I think so, but Mike is serving as the fact checker,

1258
01:04:23,120 --> 01:04:24,760
Speaker 1: and he will tell me if she's married or not.

1259
01:04:25,800 --> 01:04:28,640
Speaker 1: She is married, Yes, Mary, We get twenty questions each. Right, no,

1260
01:04:28,760 --> 01:04:31,760
Speaker 1: we go until someone loses It could be a hundred questions.

1261
01:04:33,200 --> 01:04:37,000
Speaker 1: Go ahead, Eddie, h married? Okay, Um, let's see. Is

1262
01:04:37,040 --> 01:04:41,000
Speaker 1: this person famous? Yeah? Obviously, no, not obviously. It could

1263
01:04:41,080 --> 01:04:48,200
Speaker 1: be like my cousin. It's never obvious. Does she have kids? No? No,

1264
01:04:49,720 --> 01:04:55,920
Speaker 1: no kids? Married, no kids. Is this a woman who's alive?

1265
01:04:56,200 --> 01:05:02,360
Speaker 1: Is she American? Oh, here's the drop. M trying to think, yes,

1266
01:05:03,680 --> 01:05:06,560
Speaker 1: Yes she's American. I'm looking at Mike if I'm confused, Yes,

1267
01:05:06,640 --> 01:05:16,480
Speaker 1: she's American, American woman. Is she a singer? No? Female, famous,

1268
01:05:17,120 --> 01:05:21,560
Speaker 1: not a singer, American a long married? Yeah? Married? No kids? Um?

1269
01:05:22,080 --> 01:05:29,880
Speaker 1: Is she an actress? No, Mike, we're gonna go no, right, no,

1270
01:05:30,040 --> 01:05:32,280
Speaker 1: we'll say no. Not a singer, not an actresses doesn't

1271
01:05:32,320 --> 01:05:38,400
Speaker 1: sing or act, and she's famous. She an influencer, TikToker whatever? No,

1272
01:05:38,560 --> 01:05:43,760
Speaker 1: not a TikToker? What does she knew? Bobby? Is she Caucasian? Es? Yeah?

1273
01:05:47,040 --> 01:05:56,400
Speaker 1: Is she in politics? No? Is she a comedian? Yes? Oh? Oh,

1274
01:05:56,520 --> 01:05:58,360
Speaker 1: this is tough. I have a question. I don't want

1275
01:05:58,360 --> 01:06:04,240
Speaker 1: to ask it. She said no, Is it my turn? Yeah?

1276
01:06:04,360 --> 01:06:08,240
Speaker 1: You said no kids? No kids? Married? She's a comedian.

1277
01:06:09,440 --> 01:06:10,600
Speaker 1: Now you guts to start to think you know who

1278
01:06:10,640 --> 01:06:12,000
Speaker 1: it is. I'm scared. I know who it is, but

1279
01:06:12,080 --> 01:06:14,800
Speaker 1: I'm scared. Okay, is she a comedian that has also

1280
01:06:14,880 --> 01:06:21,080
Speaker 1: started movies? Let me ask Mike, because I don't think so.

1281
01:06:21,400 --> 01:06:28,200
Speaker 1: But gosh, so Mike, she's been in mood what not

1282
01:06:28,440 --> 01:06:33,400
Speaker 1: known as an actress, but she's been in movies? Is

1283
01:06:33,440 --> 01:06:36,000
Speaker 1: it my turn? This is tough because I feel like

1284
01:06:36,040 --> 01:06:37,840
Speaker 1: I know who it is. But and I have one

1285
01:06:37,880 --> 01:06:39,720
Speaker 1: more question, but I don't want to ask it because

1286
01:06:39,720 --> 01:06:44,360
Speaker 1: I think that'll give Amy the answer. And follow a

1287
01:06:44,480 --> 01:06:46,320
Speaker 1: question with immediately yelling your name, you have to pause

1288
01:06:46,320 --> 01:06:48,720
Speaker 1: for at least three seconds. Okay, so you don't just

1289
01:06:48,760 --> 01:06:50,200
Speaker 1: go get the answer and yell your name. Okay, I

1290
01:06:50,240 --> 01:06:53,000
Speaker 1: have a question, but she can jump in can't it

1291
01:06:53,360 --> 01:07:00,280
Speaker 1: is she can she be a raunchy comedian. That's not

1292
01:07:00,360 --> 01:07:04,600
Speaker 1: gonna help me. Yes, no, no, oh, well that kind

1293
01:07:04,640 --> 01:07:06,320
Speaker 1: of goes me. I wish Eddie would have guessed and

1294
01:07:06,320 --> 01:07:14,160
Speaker 1: missed it. That had been hilarious. Okay, okay. Has mal

1295
01:07:14,240 --> 01:07:17,720
Speaker 1: comedian married? No kids? She's been in some movies. What

1296
01:07:17,880 --> 01:07:27,560
Speaker 1: about TV? Has she done TV shows? Yes? Okay, okay,

1297
01:07:28,480 --> 01:07:32,520
Speaker 1: what are you thinking about now? The thing that's confusing

1298
01:07:32,560 --> 01:07:34,919
Speaker 1: when you ask if somebody's something, it's not what they're

1299
01:07:34,960 --> 01:07:37,360
Speaker 1: known most for, but they've probably done it. What was

1300
01:07:37,400 --> 01:07:39,920
Speaker 1: their springboard? Like maybe they've done other things, But what

1301
01:07:40,000 --> 01:07:42,360
Speaker 1: did it start with? Like your star wouldn't say media,

1302
01:07:42,360 --> 01:07:44,200
Speaker 1: You wouldn't say I'm an author, but I've written a

1303
01:07:44,240 --> 01:07:48,360
Speaker 1: couple of book but right same here. But you said

1304
01:07:48,440 --> 01:07:51,040
Speaker 1: yes to comedian though, yes, and yes to she's TV

1305
01:07:51,080 --> 01:07:54,920
Speaker 1: show show? Okay, So it started with comedy, Eddie, it's

1306
01:07:54,960 --> 01:07:58,800
Speaker 1: over to you. It's me okay, Um what she was?

1307
01:07:58,880 --> 01:08:03,200
Speaker 1: She a part of the Oscars this year. I didn't watch.

1308
01:08:03,360 --> 01:08:05,080
Speaker 1: All I know is somebody slap somebody? Yeah, but you

1309
01:08:05,160 --> 01:08:10,040
Speaker 1: know who she wasn't? Okay? Good? Not good? I meant

1310
01:08:10,560 --> 01:08:16,080
Speaker 1: doesn't have kids? Every comedian I'm thinking of has a child.

1311
01:08:16,280 --> 01:08:17,960
Speaker 1: It must not be that one of the comedians. You're thinking.

1312
01:08:19,400 --> 01:08:22,559
Speaker 1: We're playing twenty one questions. They're trying to identify the celebrity.

1313
01:08:22,560 --> 01:08:28,320
Speaker 1: Does she have blonde hair, yes, big Amy, that's big

1314
01:08:28,640 --> 01:08:33,240
Speaker 1: blonde hair. But she totally has blonde hair, female babies,

1315
01:08:34,439 --> 01:08:42,840
Speaker 1: American comedian, American has done TV? Okay, is she is?

1316
01:08:42,960 --> 01:08:47,920
Speaker 1: She over forty years of age? Anytime? On? Amy? Go ahead,

1317
01:08:48,200 --> 01:08:51,559
Speaker 1: come on, Shaw, you look up. She is over forty.

1318
01:08:51,800 --> 01:08:55,360
Speaker 1: She is over forty, Amy, ask it she's over Well, no,

1319
01:08:55,560 --> 01:08:58,200
Speaker 1: this person can't be over forty unless she's forty one.

1320
01:09:00,920 --> 01:09:11,360
Speaker 1: Turn No, he just as god hair, married, comedian, no kids.

1321
01:09:11,560 --> 01:09:14,840
Speaker 1: Has she had any plastic surgery? I don't know. That's yes.

1322
01:09:15,040 --> 01:09:17,240
Speaker 1: Some of them have been vocal about it lately. That's

1323
01:09:17,280 --> 01:09:19,240
Speaker 1: why I don't. I don't know. I don't know that

1324
01:09:19,560 --> 01:09:22,200
Speaker 1: it's been in magazines. I don't know. That's a question though, right,

1325
01:09:22,240 --> 01:09:24,200
Speaker 1: and they said they wanted to be real about it. Yeah,

1326
01:09:24,240 --> 01:09:26,360
Speaker 1: I don't know that that's the answer. I don't know

1327
01:09:26,479 --> 01:09:30,599
Speaker 1: that answer. Okay, does she have her own TV show?

1328
01:09:31,400 --> 01:09:38,600
Speaker 1: M does she? Or hash she ever? Oh, let's go

1329
01:09:38,680 --> 01:09:41,240
Speaker 1: with hash she ever? What's me Mike, I believe she's

1330
01:09:41,240 --> 01:09:43,639
Speaker 1: had her own TV show. Yes, okay, keep a bunch

1331
01:09:43,680 --> 01:09:48,040
Speaker 1: of actors, like acting show or talk show. He just

1332
01:09:48,120 --> 01:09:50,360
Speaker 1: had TV show. I know. Now I'm asking. You have

1333
01:09:50,400 --> 01:09:52,600
Speaker 1: to ask yes or no talk show? Yes or no

1334
01:09:54,400 --> 01:10:00,240
Speaker 1: talk show? Yes? That helps kind of. I can't do it. Guys.

1335
01:10:00,280 --> 01:10:01,519
Speaker 1: You have to buzz in when you're gonna have a

1336
01:10:01,560 --> 01:10:03,040
Speaker 1: big question here and I can't ask it. You have

1337
01:10:03,080 --> 01:10:04,200
Speaker 1: to buzz in with your name if you want to

1338
01:10:04,200 --> 01:10:06,080
Speaker 1: know the answer. But we're getting down the nitty gritty Andy.

1339
01:10:06,160 --> 01:10:08,240
Speaker 1: You know you can ask a question, then once he answers,

1340
01:10:08,240 --> 01:10:10,280
Speaker 1: you have three seconds to yell your name to answer.

1341
01:10:10,479 --> 01:10:13,080
Speaker 1: You have to wait three seconds. Yeah, you don't have

1342
01:10:13,160 --> 01:10:16,320
Speaker 1: to wait for Amy. You can jump in immediately. Yes, okay.

1343
01:10:18,720 --> 01:10:22,720
Speaker 1: Has she ever done any voice work? That's interesting? Yeah?

1344
01:10:22,880 --> 01:10:26,960
Speaker 1: Voice work? Voice work? Oh god? Yeah. You qu shouldn't

1345
01:10:26,960 --> 01:10:36,599
Speaker 1: have asked it. You didn't give me Amy get ready

1346
01:10:37,280 --> 01:10:39,679
Speaker 1: to a griefy crime boy in your house for one week.

1347
01:10:42,760 --> 01:10:44,160
Speaker 1: Why did you you knew he was going to jump in?

1348
01:10:44,280 --> 01:10:46,360
Speaker 1: I know, but I was. If I guessed Ellen and

1349
01:10:46,479 --> 01:10:51,000
Speaker 1: I was wrong, that's the same risks, same with him. Amy.

1350
01:10:51,040 --> 01:10:53,000
Speaker 1: You had three you had no seconds. You could have

1351
01:10:53,080 --> 01:10:57,280
Speaker 1: jumped right in. Wow. Now she takes the crime boy home.

1352
01:10:58,479 --> 01:11:01,800
Speaker 1: If what like, what if I don't get sleep that week?

1353
01:11:02,000 --> 01:11:03,519
Speaker 1: You might not, but that's going to be because you've

1354
01:11:03,520 --> 01:11:05,680
Speaker 1: done it to yourself. You might not believe that things

1355
01:11:05,720 --> 01:11:07,840
Speaker 1: are hunt I don't think it's haunted. You believe. I

1356
01:11:07,920 --> 01:11:11,960
Speaker 1: don't want the even the potential of hauntedness. But what's

1357
01:11:12,000 --> 01:11:14,519
Speaker 1: the worst, just the shoes? What's the worst? That this

1358
01:11:14,640 --> 01:11:19,960
Speaker 1: crime baby an easy and sad. Yet Amy will take

1359
01:11:19,960 --> 01:11:22,120
Speaker 1: a haunted doll home with her for a week. It

1360
01:11:22,280 --> 01:11:26,160
Speaker 1: must be in the confines of your house. No garage, children, Yeah,

1361
01:11:26,479 --> 01:11:30,360
Speaker 1: but you don't believe in it? Okay, it can be

1362
01:11:30,439 --> 01:11:32,920
Speaker 1: in my garage. No, not your garage. In the house.

1363
01:11:33,000 --> 01:11:36,559
Speaker 1: Amy comes in wearing all blackness. She cries every segment

1364
01:11:37,720 --> 01:11:42,200
Speaker 1: similar to the other seasons of the seasons. That's it,

1365
01:11:42,479 --> 01:11:47,439
Speaker 1: not always. There are different seasons of live TV with you.

1366
01:11:48,680 --> 01:11:52,280
Speaker 1: Do not bring it in the studio. Don't bring it

1367
01:11:52,360 --> 01:11:55,880
Speaker 1: with you? Why because I don't want that, don't want

1368
01:11:55,880 --> 01:11:58,080
Speaker 1: any of that house. Fine, Okay, Amy will take home

1369
01:11:58,160 --> 01:12:01,000
Speaker 1: the crying boy doll and have it for next week.

1370
01:12:01,280 --> 01:12:04,200
Speaker 1: You lost, Yes, Amy has to take a haunted doll

1371
01:12:04,240 --> 01:12:07,519
Speaker 1: home with her. She lost a game for a week,

1372
01:12:07,560 --> 01:12:09,840
Speaker 1: it's supposed to live at her house. She reached out

1373
01:12:09,880 --> 01:12:13,600
Speaker 1: to her pastor. The pastor's like, hey, we believe in

1374
01:12:13,680 --> 01:12:15,439
Speaker 1: Jesus Christ, and this is not bigger than Jesus Christ,

1375
01:12:15,439 --> 01:12:16,559
Speaker 1: he said, but you do have kids and I could

1376
01:12:16,560 --> 01:12:20,240
Speaker 1: freak him out, which tore Amy a little bit. Yeah.

1377
01:12:20,720 --> 01:12:22,920
Speaker 1: Then Lunchbox said, I'll take the doll home, and he

1378
01:12:22,960 --> 01:12:25,880
Speaker 1: held up a number. So if Amy pays him this number,

1379
01:12:27,040 --> 01:12:28,640
Speaker 1: which hurts, by the way, like I don't want to

1380
01:12:28,680 --> 01:12:33,080
Speaker 1: pay this money, he'll take the doll home. So I

1381
01:12:33,200 --> 01:12:36,400
Speaker 1: do need your decision right now, right now. Hit me

1382
01:12:36,479 --> 01:12:39,760
Speaker 1: with it. Okay, Amy, there is the haunted doll. It

1383
01:12:39,920 --> 01:12:44,360
Speaker 1: is called the Crying Boy. Are you taking the doll

1384
01:12:44,439 --> 01:12:47,560
Speaker 1: home for a week or are you? I like that

1385
01:12:47,640 --> 01:12:50,320
Speaker 1: drum roll, that's good, Yeah it counselante. I mean the

1386
01:12:50,400 --> 01:12:53,600
Speaker 1: thing is like, I'm here like as my job, like

1387
01:12:53,720 --> 01:12:56,200
Speaker 1: I get paid to be here, like I'm getting paid

1388
01:12:56,360 --> 01:12:58,439
Speaker 1: right now, and then I'm about to pay the money

1389
01:12:58,520 --> 01:13:01,600
Speaker 1: that I'm making. So you are you? Wow? Is that

1390
01:13:01,680 --> 01:13:04,320
Speaker 1: the announcement you are paying the money? It just feels weird,

1391
01:13:04,400 --> 01:13:06,479
Speaker 1: like who else at their job has to like make

1392
01:13:06,640 --> 01:13:08,479
Speaker 1: money and then spend it right to spend all the

1393
01:13:08,520 --> 01:13:12,160
Speaker 1: time for listeners for games. I know, I know this

1394
01:13:12,400 --> 01:13:14,960
Speaker 1: is just as a being trying like trying to be

1395
01:13:15,000 --> 01:13:18,360
Speaker 1: a responsible parent. Answer is, I cannot bring the haunted

1396
01:13:18,439 --> 01:13:21,400
Speaker 1: doll into my home, and I guess I am going

1397
01:13:21,439 --> 01:13:24,680
Speaker 1: to be paying Lunchbox a stupid amount of money to

1398
01:13:24,760 --> 01:13:28,120
Speaker 1: avoid it. Who I don't want the doll, but I

1399
01:13:28,240 --> 01:13:33,120
Speaker 1: want money. I need to see a handshake, because once

1400
01:13:33,160 --> 01:13:37,600
Speaker 1: the hand shake out, he's now outligated, always spit in

1401
01:13:37,680 --> 01:13:42,280
Speaker 1: his hand. I didn't really Okay, handshake is on breaking news,

1402
01:13:43,560 --> 01:13:48,559
Speaker 1: like honestly, I have no more new breakings. That's now

1403
01:13:48,640 --> 01:13:53,040
Speaker 1: his doll. The dolls here today? Oh now, Oh, I'm

1404
01:13:53,120 --> 01:13:55,639
Speaker 1: so glad this deal got done today because I can't.

1405
01:13:55,960 --> 01:13:58,680
Speaker 1: I just could. Potentially I could hide it from my son,

1406
01:13:58,800 --> 01:14:00,400
Speaker 1: but if you were to find out, it could just

1407
01:14:00,520 --> 01:14:03,800
Speaker 1: cause issues. Well, we're moving from you to Lunchbox now. Okay, good,

1408
01:14:03,880 --> 01:14:07,400
Speaker 1: but well Lunchbox, Oh the doll is here? Where is

1409
01:14:07,400 --> 01:14:10,320
Speaker 1: it right now? Mike? It's outside. We're not bringing in

1410
01:14:10,320 --> 01:14:12,680
Speaker 1: the building. I'm not gonna tell my wife. That's not

1411
01:14:12,760 --> 01:14:17,840
Speaker 1: our problem. That's a good point, n op. What's not

1412
01:14:18,000 --> 01:14:21,479
Speaker 1: our problem. That's a good one. Start saying that to people.

1413
01:14:21,600 --> 01:14:24,320
Speaker 1: We're going to make the handoff. Do you want to

1414
01:14:24,320 --> 01:14:25,880
Speaker 1: do the next segment but outside, we'll get them on

1415
01:14:25,880 --> 01:14:27,439
Speaker 1: the phone and we'll go and put it in your car.

1416
01:14:28,479 --> 01:14:31,680
Speaker 1: My car is already haunted. No, it's dirty with dead

1417
01:14:31,720 --> 01:14:35,920
Speaker 1: animals and bugs. Yeah, it's just you did that. Oh boy,

1418
01:14:36,120 --> 01:14:38,439
Speaker 1: We'll pass over the doll in the next segment. I

1419
01:14:38,479 --> 01:14:43,880
Speaker 1: don't like it. What is that? What I was gonna say? Yeah?

1420
01:14:43,920 --> 01:14:45,519
Speaker 1: What else you gonna do that's gonna happen? Can I

1421
01:14:45,600 --> 01:14:48,439
Speaker 1: make Can I do a payment plan? Just venmo him

1422
01:14:48,560 --> 01:14:52,200
Speaker 1: that way, he has to do it. It's the Best

1423
01:14:52,360 --> 01:14:57,400
Speaker 1: Bits of the Week with Morgan number two. Thanks so much, y'all.

1424
01:14:57,400 --> 01:14:59,719
Speaker 1: I hope you got caught up on everything that happened

1425
01:14:59,760 --> 01:15:01,960
Speaker 1: during show this week. Make sure you check out at

1426
01:15:02,000 --> 01:15:04,400
Speaker 1: Bobby Bones Show social media as well as at Bobby

1427
01:15:04,439 --> 01:15:06,679
Speaker 1: Bones dot com because that's all the content. You gotta

1428
01:15:07,080 --> 01:15:09,400
Speaker 1: be all the way updated on everything that happened, because

1429
01:15:09,479 --> 01:15:11,160
Speaker 1: next week we're gonna be coming in hot with new

1430
01:15:11,240 --> 01:15:14,479
Speaker 1: content and maybe even some updates from this. So don't

1431
01:15:14,520 --> 01:15:17,000
Speaker 1: miss anything. And this is the whole point of the

1432
01:15:17,080 --> 01:15:19,240
Speaker 1: Best Bits, and so y'all don't miss a thing and

1433
01:15:19,320 --> 01:15:21,760
Speaker 1: I hope you love it. Please hit me up on

1434
01:15:21,920 --> 01:15:24,200
Speaker 1: social media, tag me if you're listening to it. I

1435
01:15:24,320 --> 01:15:26,960
Speaker 1: love seeing them and I'll always repost if I do

1436
01:15:27,080 --> 01:15:29,960
Speaker 1: see them, So please hit me up in let me

1437
01:15:30,040 --> 01:15:33,080
Speaker 1: know what you're thinking of the two separate pieces of

1438
01:15:33,200 --> 01:15:35,320
Speaker 1: the podcast. I think most of y'all are loving it,

1439
01:15:35,439 --> 01:15:37,840
Speaker 1: but I hope you guys have a fantastic weekend. Thanks

1440
01:15:37,920 --> 01:15:40,320
Speaker 1: for hanging out with me, Bobby Bone