WEBVTT - Imagine Me & You with Samee Junio

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<v Speaker 1>On the Bell cast, the questions asked if movies have

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<v Speaker 1>women in them? Are all their discussions just boyfriends and husbands?

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<v Speaker 1>Do they have individualism? The patriarchy? Zef invest start changing

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<v Speaker 1>it with the bec Del cast. Hey Jamie, Hey Caitlin. Look,

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<v Speaker 1>I know it's your wedding day and you're getting married

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<v Speaker 1>to Alfred Molina right now, But yeah, could this weight no?

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<v Speaker 1>Because I did your floral arrangements and then I looked

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<v Speaker 1>at you and I fell in love with you at

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<v Speaker 1>first sight. Wait, I phone in love with you at

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<v Speaker 1>first sight. This is gonna be kid suck. We should well,

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<v Speaker 1>let's wait a couple of weeks. Jeez, okay, okay, yeah, God,

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<v Speaker 1>Alfred is going to so bummed out when he finds out.

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<v Speaker 1>He's gonna be so bummed out. He's gonna have to

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<v Speaker 1>talk to my precocious kids sister about it on a

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<v Speaker 1>roof for some reason. Yeah, and then he's going to

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<v Speaker 1>be like, I should have married you in year old kid,

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<v Speaker 1>and they're just like, what is this joke that's happening

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<v Speaker 1>with the hot guy from Chasing Liberty? Welcome to cast.

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<v Speaker 1>My name is Jamie Loftus. I just married Alfred Molina. Congratulations.

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<v Speaker 1>My name is Caitlyn Dronte and I will soon be

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<v Speaker 1>marrying Jamie Loftus. It's awesome. And and now um and

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<v Speaker 1>my my, my funny dad is going to be so supportive.

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<v Speaker 1>Your dad? Who is Giles from Buffy the Vampire Slayer.

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<v Speaker 1>I didn't watch Buffy the Vampire Slayer, so I did

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<v Speaker 1>not know that. Did you know that Matthew Good was

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<v Speaker 1>the hot guy from Chasing Liberty? I don't know what

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<v Speaker 1>Chasing Liberty is. See, And that's why this is such

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<v Speaker 1>a strong partnership. We we compliment each other so well.

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<v Speaker 1>We fill in each other's gaps. Wink coo. This is

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<v Speaker 1>really This is Caitlin's horney this year, and it's starting

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<v Speaker 1>to seep into the vernacular here as well. I won't

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<v Speaker 1>deny it. Oh my god, remember when you hit on

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<v Speaker 1>it hit on the tech Guy at our show. I

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<v Speaker 1>only say that because it was in front of the

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<v Speaker 1>audience on Mike. It was it was sort of aggressive.

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<v Speaker 1>I did apologize to him afterward and I said, I'm

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<v Speaker 1>sorry if that made you uncomfortable. But I did call

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<v Speaker 1>back to me hitting on the Tech Guy at a

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<v Speaker 1>live show that we did in Los Angeles, several times,

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<v Speaker 1>and um, and you think this they actually everyone kind

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<v Speaker 1>of did love it, and uh, now we can do

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<v Speaker 1>a reverse and I can show up at your wedding

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<v Speaker 1>in low rise jeans, uh, with a huge belt that's

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<v Speaker 1>like four inches thick. Every outfit that Lena Hetty wars

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<v Speaker 1>and this, uh is it's equally baffling and enticing to me.

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<v Speaker 1>I really love it. The pants just they're so I

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<v Speaker 1>know that that's like just two thousand five in general,

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<v Speaker 1>but when you see pants going so dangerously low, it's concerning.

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<v Speaker 1>There is like I feel like there's some margin of

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<v Speaker 1>error where it's like there's an inch of hip flesh

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<v Speaker 1>where it's like stops being sexy and starts being like,

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<v Speaker 1>what's going to happen? Like it starts right, it starts

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<v Speaker 1>to make me nervous. Yeah. Speaking of the wardrobe, I

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<v Speaker 1>wrote down in my notes that this is the scarfyst

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<v Speaker 1>movie I've ever seen, and that no less than thirty

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<v Speaker 1>different scarves are seen spread across at least a dozen

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<v Speaker 1>different characters. It's very scarfy. I didn't notice this scarfys

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<v Speaker 1>because I was too busy writing down this horrible joke.

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<v Speaker 1>What is this coyote British. Okay, it's the episode of Yes,

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<v Speaker 1>thanks for listening. You can you can follow us on Twitter.

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<v Speaker 1>Let's get Sammy in here. It's time. Yeah, we gotta

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<v Speaker 1>get Sammy in here. So we'll introduce our guests and

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<v Speaker 1>then we'll explain what this podcast is. So our guest

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<v Speaker 1>today is the senior audio producer at Entertainment Weekly. You

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<v Speaker 1>know them from our episodes on She's the Man and

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<v Speaker 1>Crazy Stupid Love? Is that even the name of that movie?

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<v Speaker 1>Don't remember? And you know them from being our road

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<v Speaker 1>dog on various tours. It's Sammy Junio. Welcome back friend. Wait,

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<v Speaker 1>is this your jacket appearance? This is this is episode three,

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<v Speaker 1>isn't it? This is three? But we are jacket appearances.

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<v Speaker 1>We give our out jackets jacket five five? Yeah, and

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<v Speaker 1>to be clear, who has a jacket? Followed through on

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<v Speaker 1>the jacket promise? We've never given out a jacket. Naomi

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<v Speaker 1>has a jacket? Does just just Kenese? Just Kenese has

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<v Speaker 1>a jacket? God damn it. That's exciting because now I

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<v Speaker 1>think I confuse it with three. She's in the three club, right, correct,

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<v Speaker 1>there's a three club, then there's the jacket club, right,

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<v Speaker 1>So Sammy you are now in the three club, which

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<v Speaker 1>is just the name that I don't get a jacket. No,

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<v Speaker 1>we'll give you a little hug. I think I'm busy

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<v Speaker 1>now I should believe so Caitlin's horny year. I just

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<v Speaker 1>want to hug my friends. I know I've talked about

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<v Speaker 1>this on the show before, but I worked very briefly

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<v Speaker 1>right after I got out of college at this place.

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<v Speaker 1>But I guess will remain nameless because it's still open

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<v Speaker 1>for some reason. But they call their employees guest huggers,

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<v Speaker 1>and if anyone comes in and they're like, I want

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<v Speaker 1>to hug At the time, you had to hug them,

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<v Speaker 1>I hate it. And you made eight dollars an hour

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<v Speaker 1>and it was four thirty in the morning. How many

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<v Speaker 1>hugs did you deal out? I would say I didn't

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<v Speaker 1>give out many hugs, but I hugged the same people

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<v Speaker 1>over and over. A lot of regulars came in wanting

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<v Speaker 1>wanting a hug because the hug is required. Did you

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<v Speaker 1>have like limitations around the hugs, like no longer than

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<v Speaker 1>three seconds, you can't snuggle in their neck? Like what's

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<v Speaker 1>the deal with these hugs? I don't think unless I'm

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<v Speaker 1>blocking things out, I don't think I ever had a

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<v Speaker 1>problem with like hug duration. It was more the firmness

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<v Speaker 1>of the hug and the earliness I felt. I felt

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<v Speaker 1>defenseless because it was always five am, and it would

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<v Speaker 1>be like a weird old guy would come in and

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<v Speaker 1>he's like, I'm here, and you know, so I'm here.

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<v Speaker 1>I'm here for my hog, and then you didn't have

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<v Speaker 1>to hug him. I don't like that one bit for anyways, Sammy,

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<v Speaker 1>that's what we could do for you, thoughts, Okay, yeah,

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<v Speaker 1>I'll do it. We're going to have it. I'll pay

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<v Speaker 1>you both eight dollars an hour. Sorry, bye, oh thank you? Yeah, yeah,

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<v Speaker 1>thanks so much. Um. This is our show in which

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<v Speaker 1>we examined movies through an intersectional feminist lens, using the

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<v Speaker 1>Bechtel test simply as a jumping off point to get

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<v Speaker 1>a converse station going and Jamie, what is that though? Oh? Yeah, um,

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<v Speaker 1>well it's this the Bechdel Test. There's a lot of

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<v Speaker 1>different versions of it. It was created by queer cartoonist

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<v Speaker 1>Alison Bechdel, sometimes called the Bechtel Wallace Test. Our version

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<v Speaker 1>of it is this, we require that two characters of

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<v Speaker 1>a marginalized gender with names talk to each other about

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<v Speaker 1>something other than a man for two lines of dialogue,

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<v Speaker 1>and they have to be narratively significant lines of dialogue.

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<v Speaker 1>No past the coffee, okay, No, no thank you okay

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<v Speaker 1>unless unless that coffee has poison? Yeah? Wow? Should we

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<v Speaker 1>write this screenplay? I think I just rewatched Phantom Thread

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<v Speaker 1>is that's my cross to bear? Um? The movie recovering

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<v Speaker 1>today is Imagine Me and You. It is a two

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<v Speaker 1>thou and five British I don't know why I said

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<v Speaker 1>British like that, like accusation, British rom com directed by

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<v Speaker 1>Mamma Mia. Mama me a man Old Parker ak Mr

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<v Speaker 1>Papia MoMA Me and You. That's where he got the

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<v Speaker 1>idea to direct Mamma Mia. Wow. What's his name? I

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<v Speaker 1>know that he's married to His name is Old park

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<v Speaker 1>Yeah he is Mr Dandy Newton. Oh congrats? Yeah yeah,

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<v Speaker 1>truly they've been married for a long time. And so

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<v Speaker 1>they're at home. I mean, is he called Papa Pia

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<v Speaker 1>at home? Compia anywhere? That's what? That's not even my junk.

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<v Speaker 1>That's from our MoMA Mia episode with me. Wow, that's

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<v Speaker 1>a call back. I think I forgot about. It's a

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<v Speaker 1>good jow when she said Papa Pia, it rocked my world.

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<v Speaker 1>He I don't think he directed the first one. It

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<v Speaker 1>was just Momma, here we go again. Or did he

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<v Speaker 1>do both? I think he just did the second one. Yeah,

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<v Speaker 1>unless he only wants credit for the second one. No, No,

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<v Speaker 1>he's he's directed this. He's directed the best Exotic Mayor,

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<v Speaker 1>so he wrote it. I don't think I care. I mean,

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<v Speaker 1>he's worth talking about because he, as far as I know,

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<v Speaker 1>is a straight man who directed, wrote, and directed this

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<v Speaker 1>movie about queer women's so that'll be worth discussing. Perhaps

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<v Speaker 1>he didn't do terrible things to them, which is nice true,

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<v Speaker 1>but then there's also some choices that were made. I'm like, yes,

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<v Speaker 1>a straight guy wrote this movie. I can tell Sammy,

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<v Speaker 1>what is your relationship with this movie? This movie was

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<v Speaker 1>brought to my attention recently by one of my dear friends,

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<v Speaker 1>and I mentioned that I hadn't seen it, and she

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<v Speaker 1>said she reacted in that way that like some people

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<v Speaker 1>do when you don't you haven't watched like Jurassic Arc

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<v Speaker 1>or Back to the Future, and you have to see it,

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<v Speaker 1>which usually I shut down and then stop watching movies

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<v Speaker 1>for two years because I just don't like that too much,

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<v Speaker 1>too much. It's a little too much. But because it

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<v Speaker 1>is a piece of queer cinema, I watched it. It's fine,

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<v Speaker 1>it's fine. It is fine. Yeah, we'll talk about the

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<v Speaker 1>degree to which it is fine. For the record, though,

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<v Speaker 1>when you approached me to cover a movie on the

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<v Speaker 1>Bachtel cast because of my gayness and you get doing

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<v Speaker 1>a rainbow capitalism move by featuring queers in June, I

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<v Speaker 1>we're basically the gap and we're like, all of our

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<v Speaker 1>shirts are rainbow this month or whatever. It's like, yeah,

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<v Speaker 1>we're a bank with a rainbow flag outside. That's terrifying.

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<v Speaker 1>And then outside of June, you're awful, right, don't give jerks. Yeah,

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<v Speaker 1>I'd say we're the opposite of allies. Right, Okay, So, uh, Jamie,

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<v Speaker 1>what is your relationship with this movie? If any, I

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<v Speaker 1>didn't really have one. I was aware of this movie

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<v Speaker 1>and I had not seen it. It wasn't like honestly,

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<v Speaker 1>sometimes I the difference between me ching a movie and

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<v Speaker 1>not is is it streaming for free at this exact second.

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<v Speaker 1>If the answer is no, then I'm like, well I'll

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<v Speaker 1>get around to it, or eventually I'll have to pay

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<v Speaker 1>four dollars to watch it for my job, and that

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<v Speaker 1>is what has happened here. And I, I mean, I

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<v Speaker 1>enjoyed it. I think that like there's there are some

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<v Speaker 1>problematic elements to it, but as far as uh, you know,

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<v Speaker 1>I generally like rom comms, even when they're corny and

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<v Speaker 1>problematic and horrible, and this movie is all three of

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<v Speaker 1>those things to some extent, but to less of an

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<v Speaker 1>extent than I think your average rom com, which is

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<v Speaker 1>pretty impressive. So I enjoyed it. I thought it was lovely.

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<v Speaker 1>I also, like, really like the two lead actors in

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<v Speaker 1>this movie, so that made it quite easy to watch.

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<v Speaker 1>And also they're like I fell down a rabbit hole

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<v Speaker 1>of how they're like best friends. And there's all these

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<v Speaker 1>cute interviews that they've done together, because they did two

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<v Speaker 1>movies together this year, and one was called The Cave

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<v Speaker 1>and one was called Imagine Me, and you like we

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<v Speaker 1>were so close from the set of the Cave that

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<v Speaker 1>we couldn't wait to play a couple. I don't know

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<v Speaker 1>what The Cave is about, and I don't care. I'm

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<v Speaker 1>guessing it's about a cave that much I feel pretty

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<v Speaker 1>sure of. But or it's another queer exploration movie and

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<v Speaker 1>the Cave is a puss. Things are getting horny again.

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<v Speaker 1>Dang it like that guys Nottle hornytown. Here we go broom.

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<v Speaker 1>Oh okay. I had never seen this movie either, and

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<v Speaker 1>it wasn't even super on my radar. I was under

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<v Speaker 1>the impression that basically every not that this is even

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<v Speaker 1>an extremely mainstream movie. But it got like a theatrical release,

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<v Speaker 1>not the widest release, but it's like a fairly widest

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<v Speaker 1>It's not like an art house movie. It's like a

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<v Speaker 1>fairly mainstream British cow wide was the Caves release? I

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<v Speaker 1>bet it was a little bit wider and yeah, definitely longer.

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<v Speaker 1>You So what was I saying this movie? It was

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<v Speaker 1>not super on my radar because I was under the

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<v Speaker 1>impression that the most mainstream lesbian movies were period pieces

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<v Speaker 1>that ended in sadness and or tragedy. So I was

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<v Speaker 1>pleasantly surprised that this is a lighthearted rom com that

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<v Speaker 1>has a happy ending. It has a big corny ending

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<v Speaker 1>set piece and rething. Oh yeah, parents are French ng

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<v Speaker 1>in traffic. You're like, what is going on here? There's

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<v Speaker 1>a check offs diaphragm. We'll get into that Forney, So

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<v Speaker 1>should I? Should I do the recap of the movie. Actually,

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<v Speaker 1>let's take a quick break first, because we've been we've

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<v Speaker 1>been yabbing, horny yabs and what wait wait, wait before

0:14:30.200 --> 0:14:33.640
<v Speaker 1>we go to this break any it's just when you're

0:14:33.720 --> 0:14:39.160
<v Speaker 1>yabbing and gabbing, is yabb even a word? Look, I'm

0:14:39.160 --> 0:14:43.920
<v Speaker 1>tired today, so we're gabbing, and it took so long

0:14:44.000 --> 0:14:45.920
<v Speaker 1>that we have to go to break. So let's do

0:14:45.960 --> 0:14:55.320
<v Speaker 1>that and we'll be right back. And we're back. We're

0:14:55.320 --> 0:15:00.720
<v Speaker 1>on fire today. I swear our smoothest episode. It I

0:15:00.760 --> 0:15:04.880
<v Speaker 1>feel like I've derailed us. No, no, it's not you, Sam,

0:15:04.960 --> 0:15:14.360
<v Speaker 1>it's actually because Caitlin was getting derailed whoke Horney. The

0:15:14.440 --> 0:15:18.920
<v Speaker 1>plot of Imagine Me and You is this. We meet Rachel.

0:15:19.080 --> 0:15:23.680
<v Speaker 1>That's Piper Parabo. She is getting ready for her wedding.

0:15:24.200 --> 0:15:28.120
<v Speaker 1>She's with her mom and dad, Tessa and Ned played

0:15:28.160 --> 0:15:33.680
<v Speaker 1>by Celia Emery, I'mory and Anthony Head that's Giles from

0:15:33.680 --> 0:15:39.200
<v Speaker 1>Buffy Gile. Also there is Rachel's little sister, Henrietta, and

0:15:39.320 --> 0:15:43.240
<v Speaker 1>then also her friends come in Beth and Zena played

0:15:43.240 --> 0:15:47.400
<v Speaker 1>by Sharon Horgan and Vanette Robinson. Remember where they made

0:15:47.720 --> 0:15:52.560
<v Speaker 1>the kids fall in love. Sorry, there when they hate it, creepy, creepy.

0:15:52.560 --> 0:15:58.160
<v Speaker 1>I hate it so much. Here is h actually Rachel's

0:15:58.200 --> 0:16:01.760
<v Speaker 1>little sister, because when they're walking, he's a carnival bonfire thing.

0:16:02.400 --> 0:16:06.720
<v Speaker 1>She's with another adult and she's like, I'm not your mother.

0:16:07.160 --> 0:16:10.600
<v Speaker 1>I was really curious about that too, because she only

0:16:10.680 --> 0:16:14.360
<v Speaker 1>has adult friends. This little girl, this nine year old girl,

0:16:14.520 --> 0:16:16.840
<v Speaker 1>doesn't have any friends her age except for a boyfriend

0:16:16.840 --> 0:16:20.680
<v Speaker 1>she gets later. She only hangs out with adults. The

0:16:20.760 --> 0:16:23.240
<v Speaker 1>woman who is like, I'm not your mom is her

0:16:23.280 --> 0:16:26.760
<v Speaker 1>friend Beth. It's such a bizarre addition to the movie.

0:16:26.960 --> 0:16:30.200
<v Speaker 1>But there is a little sister, Henrietta. It is I

0:16:30.200 --> 0:16:32.640
<v Speaker 1>feel like the mid two thousand's was the peak of

0:16:32.640 --> 0:16:37.240
<v Speaker 1>this just like garbage trope of like I'm a kid

0:16:37.360 --> 0:16:39.800
<v Speaker 1>and all my friends are adults, that I'm really smart

0:16:39.880 --> 0:16:42.600
<v Speaker 1>and listen to my vocabulary and do you believe in

0:16:42.680 --> 0:16:45.160
<v Speaker 1>love at first sight? And you're like, oh my god,

0:16:45.200 --> 0:16:48.360
<v Speaker 1>it's not the kid's fault, but I feel sick. What's

0:16:48.400 --> 0:16:52.440
<v Speaker 1>an unstoppable face? Oh my god? Kind of to be

0:16:52.640 --> 0:16:55.440
<v Speaker 1>my best friend, says Elanista. I was like, what the

0:16:55.520 --> 0:17:01.760
<v Speaker 1>fund is happening? Yeah, she should be shamed. For a

0:17:01.840 --> 0:17:04.920
<v Speaker 1>friend and spending all of her free time with a

0:17:05.040 --> 0:17:08.360
<v Speaker 1>child who she's not related to. Wait, hold on one

0:17:08.400 --> 0:17:12.840
<v Speaker 1>more thing before we talk about did you both see

0:17:12.840 --> 0:17:17.359
<v Speaker 1>the fact about Click? Yes on the Wikipedia page. Oh, Sammy,

0:17:17.400 --> 0:17:21.080
<v Speaker 1>I feel like you'll like this. This movie was originally

0:17:21.160 --> 0:17:25.720
<v Speaker 1>called click because they click, and then they had to

0:17:25.800 --> 0:17:29.399
<v Speaker 1>change it because of the movie Click, which is about

0:17:30.200 --> 0:17:34.639
<v Speaker 1>Stanley with a remote control that changes the course of time.

0:17:35.400 --> 0:17:37.560
<v Speaker 1>I feel like that's a It was a good pivot

0:17:37.640 --> 0:17:41.480
<v Speaker 1>because I feel like probably it would have been called click.

0:17:42.040 --> 0:17:47.000
<v Speaker 1>Oh sure, no one thought of that, And I honestly think,

0:17:47.080 --> 0:17:50.480
<v Speaker 1>you know, if there was a movie that needed the

0:17:50.520 --> 0:17:54.760
<v Speaker 1>title click more, I think that it was the movie

0:17:54.800 --> 0:18:01.520
<v Speaker 1>about movie Click feels more integral to the premise. Yeah. Anyways,

0:18:02.080 --> 0:18:05.840
<v Speaker 1>how what happens in the movie, So okay, So we

0:18:06.040 --> 0:18:09.359
<v Speaker 1>see Rachel getting ready for her wedding. Then we cut

0:18:09.400 --> 0:18:14.600
<v Speaker 1>to loose. That's Lena Hetty. She is a florist who

0:18:14.640 --> 0:18:18.160
<v Speaker 1>did the floral arrangement for this upcoming wedding. We see

0:18:18.160 --> 0:18:21.159
<v Speaker 1>everyone arriving at the wedding. We meet the groom, Hector

0:18:21.359 --> 0:18:26.240
<v Speaker 1>a k A. Heck is what everyone calls him. So British.

0:18:26.560 --> 0:18:28.679
<v Speaker 1>One thing that confused me about Hector is that he

0:18:28.760 --> 0:18:31.680
<v Speaker 1>got so or Heck, I guess we have to call

0:18:31.760 --> 0:18:36.000
<v Speaker 1>him heck Um. Is that they established him as being

0:18:36.119 --> 0:18:39.359
<v Speaker 1>very shy, like he's too shy to make his speech

0:18:39.359 --> 0:18:41.520
<v Speaker 1>at the wedding, but then for the rest of the

0:18:41.560 --> 0:18:46.520
<v Speaker 1>movie he's in fact very outgoing. So there are a

0:18:46.560 --> 0:18:50.040
<v Speaker 1>lot of that all about public speaking is is horrifying though,

0:18:50.320 --> 0:18:52.840
<v Speaker 1>that's true, But then he like was accosting people at

0:18:52.840 --> 0:18:55.880
<v Speaker 1>the grocery store, where he's just like, are you gay?

0:18:55.920 --> 0:18:57.679
<v Speaker 1>At the girl? I was like, this feels like a

0:18:57.680 --> 0:19:00.760
<v Speaker 1>different person to me at grocery outing. What a what

0:19:00.880 --> 0:19:05.160
<v Speaker 1>a trope? What was going on there? Still, I still

0:19:05.200 --> 0:19:07.720
<v Speaker 1>think that public speaking is is horrifying, and there's a

0:19:07.720 --> 0:19:10.520
<v Speaker 1>big difference between that and outing people on the grocery store.

0:19:11.240 --> 0:19:15.399
<v Speaker 1>Fair enough, Heck really loves to out people. At least

0:19:15.400 --> 0:19:19.240
<v Speaker 1>every other scene it happens. It happens so frequently it

0:19:19.320 --> 0:19:24.480
<v Speaker 1>kind of becomes his thing. It's really bizarre. Yeah, so

0:19:24.520 --> 0:19:29.600
<v Speaker 1>there's that. He is played by Matthew Good. The wedding

0:19:29.640 --> 0:19:34.399
<v Speaker 1>starts and as Rachel is walking down the aisle, she

0:19:35.200 --> 0:19:39.400
<v Speaker 1>makes eye contact with Loose love It. They give each

0:19:39.440 --> 0:19:43.840
<v Speaker 1>other a little look. It cute. I love it. At

0:19:44.080 --> 0:19:48.199
<v Speaker 1>the reception, Loose introduces herself to Rachel. She helps like

0:19:48.480 --> 0:19:52.240
<v Speaker 1>fish Rachel's wedding ring out of a glass bucket full

0:19:52.280 --> 0:19:58.399
<v Speaker 1>of some kind of drink. This scene, it's a fun scene. Also,

0:19:58.640 --> 0:20:01.560
<v Speaker 1>here's some things about that whole scene. Number one, Loose

0:20:01.680 --> 0:20:06.040
<v Speaker 1>already just wraps her arm around Rachel, like immediately to

0:20:06.440 --> 0:20:09.359
<v Speaker 1>move her in front of her while she's fishing the

0:20:09.359 --> 0:20:14.400
<v Speaker 1>punch out. So touchy. Doyd love it. Yes? Is it inappropriate? Also? Yes?

0:20:14.960 --> 0:20:19.000
<v Speaker 1>And then also if you're going elbow deep into anything

0:20:19.160 --> 0:20:22.920
<v Speaker 1>or anyone. She didn't take off any she didn't wipe

0:20:22.960 --> 0:20:25.359
<v Speaker 1>off her arm. She knew how far she had to

0:20:25.400 --> 0:20:28.080
<v Speaker 1>go in. She didn't wipe off her she didn't take

0:20:28.080 --> 0:20:32.000
<v Speaker 1>off her jewelry, which was the whole problem. Also, was

0:20:32.080 --> 0:20:35.520
<v Speaker 1>it explained how the ring even got in there. She's like,

0:20:35.560 --> 0:20:37.960
<v Speaker 1>it's in there. It's like, how did it know? Who

0:20:38.000 --> 0:20:40.920
<v Speaker 1>put it there? She just dropped it in because you

0:20:40.920 --> 0:20:45.200
<v Speaker 1>didn't want to be married to her? Straight as heck.

0:20:45.480 --> 0:20:48.320
<v Speaker 1>She made a mistake, immediately knew it. Yeah, I guess

0:20:48.320 --> 0:20:53.040
<v Speaker 1>that's foreshadowing her wedding ring falling off. She also she

0:20:53.080 --> 0:20:55.840
<v Speaker 1>does play with it at the end, spoiler alert. And

0:20:55.920 --> 0:20:58.440
<v Speaker 1>she's just like, it's still not tied on her finger

0:20:58.480 --> 0:21:01.760
<v Speaker 1>because it's just like flopping around anyway. You can't be

0:21:01.800 --> 0:21:05.280
<v Speaker 1>having a floppy wedding ring. Yeah, doesn't bode well. I

0:21:05.320 --> 0:21:09.720
<v Speaker 1>do like when Lena Hetty, Lena Hetty gives that jerky

0:21:09.960 --> 0:21:15.199
<v Speaker 1>guy that heck works with a clammy handshake, and I

0:21:15.280 --> 0:21:18.880
<v Speaker 1>giggled giggled at the clammy handshake. There was a sound

0:21:18.880 --> 0:21:23.080
<v Speaker 1>effect it was like and it was gross. There's also

0:21:23.119 --> 0:21:26.199
<v Speaker 1>the thing of like, uh, I forgot all of their

0:21:26.280 --> 0:21:30.800
<v Speaker 1>names just now, Rachel Loose Loose instinctually put the ring

0:21:30.920 --> 0:21:34.240
<v Speaker 1>back on Rachel's finger, and Rachel there was like, no,

0:21:35.080 --> 0:21:37.359
<v Speaker 1>there's no like shock of oh, she's touching me, Like

0:21:37.400 --> 0:21:39.720
<v Speaker 1>she's just like I put it on as your hand

0:21:39.800 --> 0:21:42.159
<v Speaker 1>is behind your back and I don't know. They were

0:21:42.200 --> 0:21:45.240
<v Speaker 1>being rascally. I loved it. I'm realizing that I mix

0:21:45.480 --> 0:21:51.840
<v Speaker 1>up this guy, Matthew Good with another British guy who

0:21:52.000 --> 0:21:57.800
<v Speaker 1>was hot around the same time named Hugh Dancy. Oh

0:21:57.960 --> 0:22:02.719
<v Speaker 1>isn't Hugh Dancy the guy and Ella enchanted? Or no? Yes, okay,

0:22:02.800 --> 0:22:05.440
<v Speaker 1>they're just like generically it's hard to keep generically hot

0:22:05.480 --> 0:22:08.720
<v Speaker 1>guys straight. Sometimes true Also, I think Hugh Dancy is

0:22:08.760 --> 0:22:13.199
<v Speaker 1>married to oh gosh, I forgot her name, Claire Danes. Okay,

0:22:13.200 --> 0:22:17.119
<v Speaker 1>oh yeah, he is big win for Hugh. She's Matthew

0:22:17.160 --> 0:22:19.960
<v Speaker 1>Good's wife doesn't even have a Wikipedia page. It makes

0:22:19.960 --> 0:22:26.120
<v Speaker 1>me sick, loser, I all right, but I just need

0:22:26.119 --> 0:22:31.960
<v Speaker 1>to barrel through this. Okay. So we see Loose helping

0:22:32.200 --> 0:22:34.880
<v Speaker 1>Rachel with her floppy wedding ring, and then we see

0:22:34.880 --> 0:22:39.320
<v Speaker 1>them like vibing. You know, they're they're they're connecting. We

0:22:39.359 --> 0:22:42.680
<v Speaker 1>also see a bunch of men try to hit on Loose,

0:22:43.520 --> 0:22:48.040
<v Speaker 1>such as Heck best Man, Coop and then that sleazy

0:22:48.080 --> 0:22:51.280
<v Speaker 1>guy that you were talking about Jamie's names Rob, but

0:22:52.240 --> 0:22:56.600
<v Speaker 1>take Coop, Heck, Loose Um Coop socks and I hate

0:22:56.600 --> 0:22:58.280
<v Speaker 1>that the movie tries to make us think that he

0:22:58.359 --> 0:23:01.040
<v Speaker 1>doesn't suck. Yeah, I think that's That was one of

0:23:01.040 --> 0:23:04.840
<v Speaker 1>the more glaring things for me was being asked to

0:23:05.000 --> 0:23:09.000
<v Speaker 1>root for Coop. Yeah, can't, can't do it. So all

0:23:09.000 --> 0:23:11.720
<v Speaker 1>these guys are hitting on Loose, but she doesn't seem

0:23:11.760 --> 0:23:15.560
<v Speaker 1>to be into any of them. Then, one day after

0:23:15.720 --> 0:23:20.719
<v Speaker 1>the wedding, Rachel comes into Loose's flower shop and thanks

0:23:20.760 --> 0:23:25.760
<v Speaker 1>her for doing a good flower job. At the wedding.

0:23:26.119 --> 0:23:30.960
<v Speaker 1>At what wedding does the florist hang out the entire

0:23:31.080 --> 0:23:35.200
<v Speaker 1>time and has such a presence that a child befriends

0:23:35.240 --> 0:23:39.159
<v Speaker 1>them and then come for their number. I don't understand this.

0:23:39.960 --> 0:23:42.480
<v Speaker 1>How did they stay in contact this child and this

0:23:42.600 --> 0:23:45.919
<v Speaker 1>adult right in two thousand and five? No, less like

0:23:46.080 --> 0:23:49.359
<v Speaker 1>would have been very difficult. I also, I mean there's

0:23:49.480 --> 0:23:53.120
<v Speaker 1>so many like this is such a rom COMI rom

0:23:53.240 --> 0:23:56.119
<v Speaker 1>com like down to the fact that her job is florist.

0:23:56.359 --> 0:23:59.480
<v Speaker 1>You're like, really, we couldn't do at least you see

0:23:59.480 --> 0:24:01.840
<v Speaker 1>her doing her job and it's not just like, what's

0:24:01.840 --> 0:24:05.600
<v Speaker 1>a rom com job? She curates things at museum, but

0:24:06.119 --> 0:24:08.480
<v Speaker 1>she has a flourish Do we know what Rachel does?

0:24:09.440 --> 0:24:12.560
<v Speaker 1>I believe she's a journalist, but we only see one

0:24:12.640 --> 0:24:17.840
<v Speaker 1>scene in which she is doing work journally. But your diary, Yeah,

0:24:17.880 --> 0:24:21.600
<v Speaker 1>she's she's writing into her diary. UM. I made note

0:24:21.640 --> 0:24:23.960
<v Speaker 1>of this that the movie cares way more about hex

0:24:24.200 --> 0:24:26.960
<v Speaker 1>job because we see him at work, we're talking about

0:24:26.960 --> 0:24:30.280
<v Speaker 1>work or something relating to his work, and not just

0:24:30.400 --> 0:24:33.640
<v Speaker 1>his current job but his like dream job that gets

0:24:33.680 --> 0:24:36.960
<v Speaker 1>talked about constantly. And then Rachel's job is just like

0:24:37.200 --> 0:24:40.040
<v Speaker 1>what does she do again? You see her at an

0:24:40.040 --> 0:24:43.960
<v Speaker 1>office a bunch. I didn't realize that she was doing journalism.

0:24:44.000 --> 0:24:46.359
<v Speaker 1>There's that scene where she seems to be like editing

0:24:46.960 --> 0:24:49.560
<v Speaker 1>a piece that either someone else wrote or that she wrote.

0:24:49.760 --> 0:24:52.720
<v Speaker 1>You'd be funny if she was like solving the Zodiac

0:24:52.760 --> 0:24:56.360
<v Speaker 1>case and just the movie was not interested in there,

0:24:56.600 --> 0:24:59.680
<v Speaker 1>just like she won a Pulitzer the next year, not

0:24:59.800 --> 0:25:03.120
<v Speaker 1>the the plot of the movie was very interested in that.

0:25:03.600 --> 0:25:06.240
<v Speaker 1>I love that he also hex job. I don't know,

0:25:06.320 --> 0:25:09.199
<v Speaker 1>like what I'm sure I I sort of understand like

0:25:09.280 --> 0:25:12.399
<v Speaker 1>where they weren't going by being like he's got to

0:25:12.480 --> 0:25:15.760
<v Speaker 1>make changes in his life question Mark. But like, I

0:25:15.760 --> 0:25:18.359
<v Speaker 1>don't know why we're seeing this man at work doing

0:25:19.200 --> 0:25:24.080
<v Speaker 1>business deals and being like, I hate business deals four

0:25:24.520 --> 0:25:30.240
<v Speaker 1>point one temperatures. What are you doing? I think he's

0:25:30.359 --> 0:25:34.639
<v Speaker 1>day trading crypto. Do you think Papa Pia really knew

0:25:34.800 --> 0:25:36.840
<v Speaker 1>what he was writing down when he wrote that down?

0:25:36.960 --> 0:25:39.479
<v Speaker 1>I don't think. So. I don't know this job, my

0:25:39.480 --> 0:25:46.200
<v Speaker 1>my just stay stuffing the phone. I don't know go on, Oh, okay,

0:25:46.320 --> 0:25:50.560
<v Speaker 1>So Rachel goes to lose his flower shop and she's like, hey,

0:25:50.560 --> 0:25:56.280
<v Speaker 1>come to dinner with me and my husband. We'll see

0:25:56.280 --> 0:26:00.239
<v Speaker 1>you Friday, and she's and loses, like sounds great. So

0:26:00.280 --> 0:26:04.080
<v Speaker 1>then Rachel tells Heck about these dinner plans, and she

0:26:04.119 --> 0:26:09.159
<v Speaker 1>reveals that she is trying to set up Loose with Coop,

0:26:09.400 --> 0:26:12.200
<v Speaker 1>that guy who is like hecks friend slash best man.

0:26:12.640 --> 0:26:14.639
<v Speaker 1>And this is a part of the movie that don't

0:26:14.680 --> 0:26:17.880
<v Speaker 1>try to find any logic here, because there isn't any,

0:26:18.280 --> 0:26:21.240
<v Speaker 1>because what has happened already is that Coop at the

0:26:21.280 --> 0:26:26.320
<v Speaker 1>wedding was aggressively hitting on Loose, even more aggressively than

0:26:26.359 --> 0:26:28.639
<v Speaker 1>I was hitting on the tech guy at that show.

0:26:29.480 --> 0:26:33.080
<v Speaker 1>That's that's actually a good yardstick to use moving forward,

0:26:34.520 --> 0:26:37.119
<v Speaker 1>more or less aggressive of that as that night downtown,

0:26:37.480 --> 0:26:40.200
<v Speaker 1>way more aggressive than that because he was like groping

0:26:40.200 --> 0:26:43.200
<v Speaker 1>her on the dance floor and like being really sleezy

0:26:43.520 --> 0:26:50.200
<v Speaker 1>was disgusting. So he has already expressed ample interest in Loose. Meanwhile,

0:26:50.320 --> 0:26:52.840
<v Speaker 1>Rachel is like, yeah, I'm trying to set them up.

0:26:53.080 --> 0:26:55.399
<v Speaker 1>I think they would be a great match, which, first

0:26:55.400 --> 0:26:58.560
<v Speaker 1>of all, what is your judge of character, Rachel, if

0:26:58.600 --> 0:27:02.480
<v Speaker 1>you think that Coop is all a good person? And secondly,

0:27:03.119 --> 0:27:06.879
<v Speaker 1>why are you trying because she's like, oh my gosh,

0:27:06.920 --> 0:27:10.640
<v Speaker 1>do you think Coope likes Loose. I hope he does,

0:27:10.720 --> 0:27:13.680
<v Speaker 1>and it's like he's already said a million times he does.

0:27:14.160 --> 0:27:16.600
<v Speaker 1>So there's just like a really weird plot hole. I

0:27:16.640 --> 0:27:19.720
<v Speaker 1>don't know if there's like a missing scene or what.

0:27:20.320 --> 0:27:23.240
<v Speaker 1>Done that made sense? The closest I could get to,

0:27:23.520 --> 0:27:27.600
<v Speaker 1>like finding some logic in there was like, I don't know.

0:27:27.680 --> 0:27:31.520
<v Speaker 1>I feel like I've seen this happen before. Is like

0:27:31.600 --> 0:27:33.760
<v Speaker 1>if you have a like if someone has a crush

0:27:33.760 --> 0:27:36.000
<v Speaker 1>on someone else while they're in a relationship, They're like,

0:27:36.320 --> 0:27:38.400
<v Speaker 1>I've got to pair this person off. I gotta get

0:27:38.440 --> 0:27:42.080
<v Speaker 1>this person into a relationship so they're not tempting to

0:27:42.160 --> 0:27:45.680
<v Speaker 1>me anymore. I've seen that happen in friend groups, where

0:27:45.680 --> 0:27:49.159
<v Speaker 1>it's like we need to neutralize the situation. But this

0:27:49.240 --> 0:27:51.399
<v Speaker 1>is like friends and not a florist you met for

0:27:51.440 --> 0:27:55.440
<v Speaker 1>a couple hours at your wedding. That's the other thing, right,

0:27:55.520 --> 0:27:57.960
<v Speaker 1>It's like I keep forgetting they're actually not friends, that

0:27:58.119 --> 0:28:00.480
<v Speaker 1>they don't know each other. But you wouldn't know that

0:28:00.520 --> 0:28:03.320
<v Speaker 1>based on what happens in the movie, because both Heck

0:28:03.840 --> 0:28:07.960
<v Speaker 1>and Rachel are acting as though Loose is a very

0:28:08.000 --> 0:28:11.320
<v Speaker 1>close friend of theirs, but they didn't meet until the wedding,

0:28:11.600 --> 0:28:14.480
<v Speaker 1>and Loose doesn't appear to have friends except for the

0:28:14.520 --> 0:28:17.040
<v Speaker 1>friend from the grocery store, like Loose has friends, but

0:28:17.119 --> 0:28:22.119
<v Speaker 1>only when it's plot convenient. Right. The relationships in this

0:28:22.160 --> 0:28:25.639
<v Speaker 1>movie in general, and the way they are established and

0:28:25.680 --> 0:28:29.280
<v Speaker 1>pan out, often make absolutely no sense. But the point

0:28:29.280 --> 0:28:33.320
<v Speaker 1>here is that Rachel is trying to set up Loose

0:28:33.400 --> 0:28:37.560
<v Speaker 1>with Coop, and she really hopes that Coop likes Loose.

0:28:37.680 --> 0:28:42.440
<v Speaker 1>She doesn't really care if Luke, like Loose likes Coop.

0:28:45.080 --> 0:28:48.880
<v Speaker 1>There's too many consonant sounds here. She doesn't care if

0:28:49.040 --> 0:28:53.880
<v Speaker 1>Lucy Coop, which is also like maybe this is like

0:28:53.920 --> 0:28:58.200
<v Speaker 1>a two five haircut, like men's haircut back then, we're

0:28:58.240 --> 0:29:02.560
<v Speaker 1>not very good. But they kept talking about Coop like

0:29:02.760 --> 0:29:06.800
<v Speaker 1>well who could resist? And I'm like, I'm sorry, easily

0:29:06.920 --> 0:29:11.959
<v Speaker 1>feel like many of us good because his personality is

0:29:12.080 --> 0:29:15.360
<v Speaker 1>also dogshit and his hair cut it looks like you

0:29:15.440 --> 0:29:22.560
<v Speaker 1>went through the Casper machine. Okay, oh that's the best

0:29:22.640 --> 0:29:27.560
<v Speaker 1>burn on the entire world burn, thank you. So that's happening.

0:29:27.640 --> 0:29:31.320
<v Speaker 1>But then also Rachel is like, yeah, I have this

0:29:31.400 --> 0:29:34.960
<v Speaker 1>feeling the Luce and I are going to be really

0:29:35.000 --> 0:29:38.520
<v Speaker 1>good friends. Were just like we're kind of soul mates,

0:29:39.120 --> 0:29:43.120
<v Speaker 1>but in a friend way, so so she reveals that

0:29:43.280 --> 0:29:47.880
<v Speaker 1>to Heck. Then Loose comes over for dinner and reveals

0:29:47.920 --> 0:29:52.720
<v Speaker 1>to Heck that she is gay, which Heck reveals to

0:29:53.040 --> 0:29:58.640
<v Speaker 1>Coop immediately everyone he's ever met so many people. But

0:29:58.680 --> 0:30:02.720
<v Speaker 1>then Coop is like, oh, well, I can switch people

0:30:02.840 --> 0:30:08.360
<v Speaker 1>from being gay to being into me fucking childish, and

0:30:08.400 --> 0:30:10.720
<v Speaker 1>he does this constantly throughout the movie as well, and

0:30:10.760 --> 0:30:12.720
<v Speaker 1>again where it's like, I'm sorry, we're supposed to be

0:30:12.880 --> 0:30:17.080
<v Speaker 1>We're supposed to find this guy compelling at all, because like,

0:30:17.240 --> 0:30:21.040
<v Speaker 1>we don't want him to get hit by a car, right.

0:30:21.320 --> 0:30:23.640
<v Speaker 1>I had to when that started coming up. I had

0:30:23.680 --> 0:30:27.640
<v Speaker 1>to remind myself how close in proximity this movie came

0:30:27.680 --> 0:30:32.040
<v Speaker 1>out to Geelie, a movie in which that is the

0:30:32.240 --> 0:30:39.000
<v Speaker 1>entire premise. Yeah, wow, so I almost forgot. Unfortunately, this

0:30:39.280 --> 0:30:44.920
<v Speaker 1>kind of rhetoric was um so tolerated in the Bush

0:30:44.920 --> 0:30:49.600
<v Speaker 1>administration years that you could make a whole movie about it.

0:30:49.600 --> 0:30:52.800
<v Speaker 1>It is true. Okay, So they're all at dinner and

0:30:53.200 --> 0:30:56.400
<v Speaker 1>everyone is discussing the idea of like love at first

0:30:56.560 --> 0:31:00.840
<v Speaker 1>sight versus falling in love with someone gradually, and they

0:31:00.880 --> 0:31:04.520
<v Speaker 1>all kind of figure out where they stand on that,

0:31:04.640 --> 0:31:07.280
<v Speaker 1>and I'm I guess this is supposed to be like, yeah,

0:31:07.320 --> 0:31:08.960
<v Speaker 1>this is the theme of the movie, but it's like

0:31:09.080 --> 0:31:11.800
<v Speaker 1>very clunky and like not very well done. Where do

0:31:11.960 --> 0:31:16.880
<v Speaker 1>we stand on this whole thing? Well, as um, someone

0:31:16.920 --> 0:31:21.160
<v Speaker 1>who's experiencing their horny ist year, I believe in horny

0:31:21.240 --> 0:31:25.880
<v Speaker 1>at first sight. Damn m what about you, Sammy. I

0:31:27.240 --> 0:31:30.080
<v Speaker 1>think it's like a it's probably a horny at first sight,

0:31:30.240 --> 0:31:33.920
<v Speaker 1>but there is like that that vibe thing that happens,

0:31:34.280 --> 0:31:37.960
<v Speaker 1>uh sometimes with like with Rachel and Luis, which is like,

0:31:38.000 --> 0:31:41.880
<v Speaker 1>oh fuck, now the rest of my day and possibly

0:31:41.960 --> 0:31:44.920
<v Speaker 1>weak is ruined because I'm going to be thinking about you.

0:31:46.120 --> 0:31:49.200
<v Speaker 1>Is it essentially love? No, But I think that a

0:31:49.240 --> 0:31:51.840
<v Speaker 1>lot of people confuse it with that. But like you know,

0:31:51.960 --> 0:31:54.000
<v Speaker 1>when you see somebody and you're like, oh fuck, I'm

0:31:54.000 --> 0:31:55.800
<v Speaker 1>obsessed with you. I think my life has changed. But

0:31:55.840 --> 0:31:58.240
<v Speaker 1>you're not going to say that immediately. You might say

0:31:58.280 --> 0:32:05.080
<v Speaker 1>it later. Speak for yourself. Corny, corny alert because are

0:32:05.080 --> 0:32:12.080
<v Speaker 1>adding a fog horn sound effect a fog horn. It's

0:32:12.080 --> 0:32:17.120
<v Speaker 1>so HORNI al arms Jamie your thoughts. I believe in

0:32:17.160 --> 0:32:22.120
<v Speaker 1>it because I suck. I'm corny. I do believe in it.

0:32:22.360 --> 0:32:25.080
<v Speaker 1>I I think I don't believe in it. Like every

0:32:25.080 --> 0:32:28.440
<v Speaker 1>time someone says it happens, sometimes they have to, um,

0:32:28.480 --> 0:32:31.640
<v Speaker 1>you know, like just go to therapy sometimes. But other

0:32:31.680 --> 0:32:35.840
<v Speaker 1>times I do think it's possible. I have experienced it

0:32:36.960 --> 0:32:39.920
<v Speaker 1>and then I ended up in a really long relationship. Okay,

0:32:39.960 --> 0:32:42.600
<v Speaker 1>that's so nice. So it doesn't mean it has to

0:32:42.680 --> 0:32:47.480
<v Speaker 1>be good good or end well to count, right, No,

0:32:47.560 --> 0:32:52.440
<v Speaker 1>one like that's a common misconception. True, I believe in it,

0:32:52.600 --> 0:32:54.880
<v Speaker 1>but I also don't think it's like, um, I feel

0:32:54.880 --> 0:32:58.280
<v Speaker 1>like it's overblown of like it's not a must, right,

0:32:58.400 --> 0:33:01.120
<v Speaker 1>A slow burn is good. You can also try horny

0:33:01.160 --> 0:33:03.520
<v Speaker 1>at first sight. Just a thought. I I think I

0:33:03.520 --> 0:33:07.000
<v Speaker 1>should try more horny at first sight because it sounds

0:33:07.040 --> 0:33:11.680
<v Speaker 1>it sounds less punishing, it's pretty fun. Okay. So Coop

0:33:11.920 --> 0:33:17.560
<v Speaker 1>gives Loose a ride home from the dinner and she confides, Yeah,

0:33:17.760 --> 0:33:22.080
<v Speaker 1>it's creepy. He's again aggressively hitting on her the whole time.

0:33:22.880 --> 0:33:27.840
<v Speaker 1>She confides in him that she's into someone, but that

0:33:27.880 --> 0:33:31.360
<v Speaker 1>person has already partnered and by this point, we the

0:33:31.400 --> 0:33:36.360
<v Speaker 1>audience can assume that it's Rachel who she's into. We

0:33:36.440 --> 0:33:41.320
<v Speaker 1>saw the poster right. Also, Coop's hand is on Loose's

0:33:41.360 --> 0:33:44.239
<v Speaker 1>butt on the poster for the movie. Don't know if

0:33:45.000 --> 0:33:49.000
<v Speaker 1>we caught that it's true. He's like, canonically the worst.

0:33:49.120 --> 0:33:55.959
<v Speaker 1>It's just wild. He's awful. Then Rachel and Heck, because

0:33:56.000 --> 0:33:59.680
<v Speaker 1>don't forget his name is Heck. They run into Loose

0:34:00.040 --> 0:34:04.640
<v Speaker 1>at the supermarket when she's with another woman, Eadie, who

0:34:04.640 --> 0:34:06.680
<v Speaker 1>I think we also saw earlier at the very beginning

0:34:06.680 --> 0:34:09.160
<v Speaker 1>of the movie at the flower shop. Yeah, so they're friends,

0:34:09.760 --> 0:34:15.320
<v Speaker 1>and Heck is like, Rachel, you know your friend Luce. Well,

0:34:15.520 --> 0:34:19.239
<v Speaker 1>she's gay, by the way. And then they run into

0:34:19.280 --> 0:34:23.120
<v Speaker 1>eat Loose and Eadie again and he's like, hey, Eadie,

0:34:23.440 --> 0:34:28.000
<v Speaker 1>are you gay? So he's just like loudly Mr shy,

0:34:28.400 --> 0:34:31.799
<v Speaker 1>not respecting boundaries, screaming top of his lungs at the

0:34:31.800 --> 0:34:35.480
<v Speaker 1>grocery store. I just gay as a tennis player. Yes,

0:34:35.560 --> 0:34:37.839
<v Speaker 1>that is a line of dialogue. I hate to see

0:34:38.280 --> 0:34:45.279
<v Speaker 1>Papa Pia. What are you doing? So Eadie reveals that

0:34:45.520 --> 0:34:48.960
<v Speaker 1>she and Loose are just friends, they're not dating, and

0:34:48.960 --> 0:34:54.040
<v Speaker 1>then Rachel seems to start questioning things about herself, about

0:34:54.800 --> 0:34:59.400
<v Speaker 1>love in general, perhaps even about her relationship with Heck.

0:35:00.360 --> 0:35:06.320
<v Speaker 1>Nigay um okay. So then everyone goes to Rachel's sister,

0:35:06.480 --> 0:35:11.960
<v Speaker 1>Henrietta's school play slash science presentation. I'm not really sure

0:35:12.000 --> 0:35:15.240
<v Speaker 1>what it is. What weird excuse was there for Loose

0:35:15.320 --> 0:35:20.399
<v Speaker 1>to be there because Henrietta asked Luce? I helped her. Yeah,

0:35:20.480 --> 0:35:24.280
<v Speaker 1>LuSE helped Henrietta with the project because they're best friends.

0:35:24.360 --> 0:35:28.800
<v Speaker 1>Question Mark, so weird, so sinister? When did you access

0:35:28.880 --> 0:35:31.319
<v Speaker 1>this child? When did this child come in contact with

0:35:31.400 --> 0:35:34.960
<v Speaker 1>you long enough to I hate asking questions of a

0:35:35.040 --> 0:35:38.040
<v Speaker 1>movie like this, but I just cannot handle it. I

0:35:38.080 --> 0:35:42.560
<v Speaker 1>cannot suspend much suspension of disbelief, and I can suspend

0:35:43.080 --> 0:35:47.640
<v Speaker 1>not to brag, but I can suspend my disbelief. We've

0:35:47.680 --> 0:35:50.800
<v Speaker 1>seen it, We've seen it happen. I saw Doctor Strange,

0:35:51.480 --> 0:35:54.839
<v Speaker 1>So I think I know a thing or two about

0:35:55.440 --> 0:36:03.439
<v Speaker 1>my disbelief because it felt real. Let me um. One

0:36:03.440 --> 0:36:09.000
<v Speaker 1>of the like conventions of rom coms is that the characters,

0:36:09.040 --> 0:36:14.359
<v Speaker 1>and specifically the romantic interests, usually bump into each other

0:36:14.760 --> 0:36:19.640
<v Speaker 1>very conveniently, very plot device e very often. So it's

0:36:19.920 --> 0:36:24.160
<v Speaker 1>not out of like the realm of you know, being

0:36:24.160 --> 0:36:27.120
<v Speaker 1>able to suspend your disbelief for a rom com that

0:36:27.200 --> 0:36:29.759
<v Speaker 1>these characters are running into each other, but the way

0:36:29.760 --> 0:36:32.400
<v Speaker 1>the movie justifies that they're running into each other is

0:36:32.400 --> 0:36:36.719
<v Speaker 1>what is absolutely wild and makes no sense ever. Just

0:36:36.960 --> 0:36:42.480
<v Speaker 1>have her like have a niece in the like there's

0:36:42.520 --> 0:36:47.960
<v Speaker 1>there's so many ways to have this be a like corny,

0:36:48.239 --> 0:36:52.200
<v Speaker 1>forced together rom com thing that I love without her

0:36:52.239 --> 0:36:55.879
<v Speaker 1>being best friends with a nine year old? Why keep

0:36:55.920 --> 0:36:58.560
<v Speaker 1>the kids out of it? Yeah? Why is the kid

0:36:58.640 --> 0:37:01.640
<v Speaker 1>even there? So I know I can like suspend my

0:37:01.840 --> 0:37:04.640
<v Speaker 1>just like Lena Hetty is a very like talented actress,

0:37:04.680 --> 0:37:08.000
<v Speaker 1>but sometimes you're like, get Sarcey away from that kid.

0:37:08.600 --> 0:37:14.640
<v Speaker 1>She's got a bad track record, true wow, pushing kids

0:37:14.640 --> 0:37:17.040
<v Speaker 1>out of windows and everything, you know, like, let Cercy

0:37:17.200 --> 0:37:24.480
<v Speaker 1>Lanister that close to your fourth grader? Good luck, honey, scary? Okay.

0:37:24.520 --> 0:37:28.520
<v Speaker 1>So Rachel and Loose are at this like science presentation

0:37:28.800 --> 0:37:33.480
<v Speaker 1>of Henrietta's and Rachel fantasizes about getting close to Loose

0:37:33.600 --> 0:37:37.200
<v Speaker 1>and touching her hair and maybe even kissing her. So horny,

0:37:37.320 --> 0:37:40.760
<v Speaker 1>very good. I did like that so good. I screamed

0:37:41.200 --> 0:37:43.319
<v Speaker 1>the first time, second time and third time I watched it.

0:37:43.600 --> 0:37:46.800
<v Speaker 1>They're saying, you're right, Jamie. There scenes making so horny

0:37:46.880 --> 0:37:49.240
<v Speaker 1>that like almost the rest of the movie being awful,

0:37:49.360 --> 0:37:52.600
<v Speaker 1>is okay? It doesn't matter if it gets bad five

0:37:52.600 --> 0:37:56.960
<v Speaker 1>seconds after. But yeah, that scene I really enjoyed, and

0:37:57.000 --> 0:37:59.360
<v Speaker 1>even though a lot of it, You're right, Sammy was

0:37:59.400 --> 0:38:02.239
<v Speaker 1>inappropriate an overly touchy. I did love the punch ball

0:38:02.239 --> 0:38:07.640
<v Speaker 1>scene also so good. I would do it absolutely. I mean,

0:38:07.640 --> 0:38:10.600
<v Speaker 1>we haven't even gotten to the diaphragm scene, so just

0:38:10.719 --> 0:38:18.000
<v Speaker 1>you wait, ye had the second time Loose grabs Rachel's underbreast. Wow,

0:38:18.120 --> 0:38:23.839
<v Speaker 1>I'm horne while someone else is on the train to Hornytown.

0:38:26.600 --> 0:38:32.400
<v Speaker 1>We are okay. So Rachel is having this fantasy about

0:38:32.719 --> 0:38:35.799
<v Speaker 1>nuzzling up with Loose, and then Rachel tries to talk

0:38:35.840 --> 0:38:39.600
<v Speaker 1>to Loose about her feelings, but Loose kind of runs away,

0:38:39.719 --> 0:38:41.839
<v Speaker 1>and it seems like she doesn't want to be responsible

0:38:42.200 --> 0:38:47.200
<v Speaker 1>for tearing apart anyone's relationship, and specifically Rachel's relationship with

0:38:47.239 --> 0:38:50.400
<v Speaker 1>Heck Yeah, for some reason, she tells Coop She's like,

0:38:51.320 --> 0:38:55.360
<v Speaker 1>guess what guy who won't stop harassing me? I don't

0:38:55.560 --> 0:39:01.200
<v Speaker 1>believe in messing with other people's relationships because they're supposed

0:39:01.200 --> 0:39:04.200
<v Speaker 1>to be friends, question Mark, And You're like, yeah, they

0:39:04.239 --> 0:39:08.640
<v Speaker 1>become friends, and it's like, why this guy sucks so bad? Right?

0:39:08.719 --> 0:39:13.320
<v Speaker 1>She probably has other friends. D like Luce has horrible

0:39:13.360 --> 0:39:16.600
<v Speaker 1>tasted friends as because she becomes friends with a fourth

0:39:16.600 --> 0:39:20.000
<v Speaker 1>grader and a guy who stops actually harassing her in

0:39:20.040 --> 0:39:22.680
<v Speaker 1>the course of this movie. And you're like, you already

0:39:22.680 --> 0:39:27.200
<v Speaker 1>have friends, and your mom seems really nice, and and

0:39:27.239 --> 0:39:30.320
<v Speaker 1>the one friend that she does have who seems age

0:39:30.320 --> 0:39:33.920
<v Speaker 1>appropriate and who doesn't mistreat her is dy and we

0:39:34.000 --> 0:39:37.440
<v Speaker 1>barely see that relationship on screen. Yeah, and she's one

0:39:37.480 --> 0:39:40.040
<v Speaker 1>of the only other few queer characters in the movie.

0:39:40.680 --> 0:39:43.960
<v Speaker 1>So although the way that she grabbed her in the

0:39:44.000 --> 0:39:46.879
<v Speaker 1>grocery store and was just like I tried, there's also

0:39:46.960 --> 0:39:49.960
<v Speaker 1>probably some weirdness there. Yes, I thought that was weird. Yeah,

0:39:50.040 --> 0:39:53.800
<v Speaker 1>it stresses me out. Everything's a mess in this movie. Sorry, Kaitlyn,

0:39:53.880 --> 0:40:00.680
<v Speaker 1>you did almost say characters on your characters, and I

0:40:00.760 --> 0:40:06.520
<v Speaker 1>just wanted I just wanted to make sure we um acknowledge.

0:40:06.760 --> 0:40:09.480
<v Speaker 1>We acknowledged it, and now it's out there, and if

0:40:09.520 --> 0:40:13.440
<v Speaker 1>our audience wants to take that into their vernacular save

0:40:13.640 --> 0:40:17.000
<v Speaker 1>half a second of time, they're welcome to do so.

0:40:17.280 --> 0:40:21.920
<v Speaker 1>Merged coming possibly Crecters. I don't know want that on

0:40:22.000 --> 0:40:26.120
<v Speaker 1>our permanent record. I think you should. Okay, So then

0:40:26.640 --> 0:40:31.160
<v Speaker 1>Rachel goes to a video store and rents and I

0:40:31.200 --> 0:40:34.200
<v Speaker 1>couldn't tell if this was specifically a lesbian porn movie,

0:40:34.760 --> 0:40:39.000
<v Speaker 1>but it's a porn movie and her mom catches her

0:40:39.000 --> 0:40:42.319
<v Speaker 1>while she's renting it. Heck catches her while she's watching it.

0:40:42.680 --> 0:40:45.240
<v Speaker 1>Each time she plays it off is like a mistake

0:40:45.520 --> 0:40:49.520
<v Speaker 1>or it's research or something silly. I accidentally brought four

0:40:49.719 --> 0:40:55.800
<v Speaker 1>pornography films on vhs back to my flat. We all

0:40:55.960 --> 0:41:00.279
<v Speaker 1>can relate, you know why? I said pornography films gen

0:41:00.520 --> 0:41:04.120
<v Speaker 1>So sometimes that will happen. Also, it's two thousand and six.

0:41:04.400 --> 0:41:08.120
<v Speaker 1>You have the internet, right, Yeah? No one told her

0:41:08.160 --> 0:41:11.680
<v Speaker 1>about whatever website people were on a two thousen six?

0:41:11.840 --> 0:41:14.680
<v Speaker 1>Was it red Tube? Was that Red Tube era? Yeah?

0:41:14.800 --> 0:41:19.160
<v Speaker 1>I don't. I mean, what, how do you know, Sammy?

0:41:19.239 --> 0:41:24.400
<v Speaker 1>That was a test on the game positive for Horny

0:41:25.719 --> 0:41:31.360
<v Speaker 1>Horny Town. Okay. Heck notices that Rachel has been a

0:41:31.400 --> 0:41:35.160
<v Speaker 1>bit distant lately, and he's kind of trying to maybe

0:41:35.160 --> 0:41:39.960
<v Speaker 1>spice things up or figure things out. Meanwhile, Rachel continues

0:41:40.040 --> 0:41:44.160
<v Speaker 1>to think about Loose. Then Heck has to bail on

0:41:44.280 --> 0:41:48.279
<v Speaker 1>plans that he had with Rachel, so he asks their

0:41:48.360 --> 0:41:52.920
<v Speaker 1>new best friend Loose again. This relationship is very weird,

0:41:53.120 --> 0:41:55.720
<v Speaker 1>but he's like, hey, Loose, will you take my wife

0:41:55.760 --> 0:41:59.480
<v Speaker 1>out in my place? And then she does so. Rachel

0:41:59.520 --> 0:42:05.360
<v Speaker 1>and Loose to a soccer game where Loose grabs Rachel's

0:42:05.719 --> 0:42:11.680
<v Speaker 1>diaphragm and teaches her how to yell really loudly. Don't worry.

0:42:12.000 --> 0:42:17.120
<v Speaker 1>That comes back in a check offs. Diaphragm our favorite

0:42:17.200 --> 0:42:24.480
<v Speaker 1>term right up there with characters. So that happens and

0:42:24.520 --> 0:42:26.920
<v Speaker 1>they they're touching their vibing. Then they play D d

0:42:27.160 --> 0:42:32.480
<v Speaker 1>R together. Arcade is so horny? Horny is play to

0:42:32.800 --> 0:42:36.479
<v Speaker 1>arcades for dates? Yeah? D d R ist hied with

0:42:37.200 --> 0:42:41.640
<v Speaker 1>the classroom space presentation scene for things that made me

0:42:41.680 --> 0:42:45.600
<v Speaker 1>the horny ist in the movie outside of kissing. Outside

0:42:45.640 --> 0:42:49.279
<v Speaker 1>of kissing, of course, but sorry, I'm a version, so

0:42:49.360 --> 0:42:54.400
<v Speaker 1>this is a difficult episode for me. Yeah, of course,

0:42:54.440 --> 0:42:57.520
<v Speaker 1>although I wish, I mean, I wasn't shocked because of

0:42:57.680 --> 0:43:03.480
<v Speaker 1>just how any like non hetero romances treated ratings wise,

0:43:03.600 --> 0:43:08.480
<v Speaker 1>But this movie was rated R How absurd is that? Oh? Yeah,

0:43:08.840 --> 0:43:11.319
<v Speaker 1>like it could and they said it was because they

0:43:11.360 --> 0:43:14.239
<v Speaker 1>say funk a lot, which isn't untrue. But you're like

0:43:14.640 --> 0:43:18.719
<v Speaker 1>you could almost argue PG like outside of like some

0:43:18.920 --> 0:43:22.279
<v Speaker 1>heavy petting, which I know that's like, but even there's

0:43:22.320 --> 0:43:26.040
<v Speaker 1>been people make out in PG movies. I just was like,

0:43:26.080 --> 0:43:28.880
<v Speaker 1>I can't believe this was rated R. It's ridiculous. Titanic

0:43:29.000 --> 0:43:31.880
<v Speaker 1>is rated PG, and we see bear Titty is not

0:43:31.960 --> 0:43:36.920
<v Speaker 1>rated PG. Sorry, not PG. There's a nipple in it.

0:43:37.560 --> 0:43:40.799
<v Speaker 1>Sorry I went to SAG there's two nipples in it.

0:43:41.000 --> 0:43:46.719
<v Speaker 1>There's two nipples. If anything, this movie is should be

0:43:46.800 --> 0:43:49.560
<v Speaker 1>rated PG thirteen. The fact that it's rated R, I

0:43:49.600 --> 0:43:51.799
<v Speaker 1>think has a lot to do with something we've talked

0:43:51.800 --> 0:43:54.799
<v Speaker 1>about on the podcast before and something that is the

0:43:54.840 --> 0:43:57.480
<v Speaker 1>topic of the documentary. This film is not yet rated,

0:43:57.920 --> 0:44:04.200
<v Speaker 1>where oftentimes queer relationships and queer sex scenes will earn

0:44:04.560 --> 0:44:07.760
<v Speaker 1>like an R or an n C seventeen rating, even

0:44:07.800 --> 0:44:12.760
<v Speaker 1>though they will virtually look identical to a hetero sex scene.

0:44:13.160 --> 0:44:20.080
<v Speaker 1>But because it's like it's yeah, it's it's just like

0:44:20.120 --> 0:44:22.880
<v Speaker 1>straight up homophobic, like I'm just kidding, I'm just kiddea.

0:44:24.160 --> 0:44:26.160
<v Speaker 1>And then it's also it's like and the fall out

0:44:26.160 --> 0:44:28.440
<v Speaker 1>of that is it just like limits who can see

0:44:28.480 --> 0:44:33.279
<v Speaker 1>people's access to the movie and distribution and all that. Yeah. Yeah,

0:44:33.440 --> 0:44:37.160
<v Speaker 1>I was like, man, it's it's just simply not narrated movie,

0:44:37.680 --> 0:44:41.840
<v Speaker 1>not even a little bit. Okay, So they're at the

0:44:42.000 --> 0:44:46.840
<v Speaker 1>end of their little soccer game slash d DR date

0:44:47.080 --> 0:44:51.640
<v Speaker 1>and Rachel almost kisses Loose, but Rachel pulls away at

0:44:51.640 --> 0:44:55.640
<v Speaker 1>the last minute and then goes inside in front of

0:44:55.680 --> 0:45:03.759
<v Speaker 1>her house. Yeah, yes here, So Lose doesn't say hey,

0:45:03.960 --> 0:45:06.640
<v Speaker 1>did you just try to kiss me in a way

0:45:06.640 --> 0:45:09.200
<v Speaker 1>that if someone had done that to me, I would

0:45:09.239 --> 0:45:13.000
<v Speaker 1>be like, hey, did you just killing your brave? Thank

0:45:13.000 --> 0:45:17.959
<v Speaker 1>you so much. I would have been like, what, sorry, Sorry,

0:45:18.000 --> 0:45:20.240
<v Speaker 1>I got in my face, got in the way your face.

0:45:21.320 --> 0:45:23.839
<v Speaker 1>I actually really shouldn't even be here because I've never

0:45:23.880 --> 0:45:30.680
<v Speaker 1>had sex before me showing up anywhere. They almost kiss,

0:45:30.760 --> 0:45:33.440
<v Speaker 1>but then they don't, and then Rachel tries to have

0:45:33.520 --> 0:45:37.239
<v Speaker 1>sex with Heck in a park I think, to like

0:45:37.360 --> 0:45:40.839
<v Speaker 1>liven up their sex life, but it doesn't pan out.

0:45:41.400 --> 0:45:44.640
<v Speaker 1>What was going on in that scene? That scene was

0:45:45.239 --> 0:45:52.760
<v Speaker 1>so bizarre and also like excessively British. What ah, Papa,

0:45:52.920 --> 0:45:57.520
<v Speaker 1>I don't papa, Pia really really confused me there, Yeah,

0:45:57.560 --> 0:46:01.200
<v Speaker 1>because they encounter to game men are two queer men

0:46:01.360 --> 0:46:05.160
<v Speaker 1>who are also having sex in a park. I have

0:46:05.239 --> 0:46:15.759
<v Speaker 1>the same first name, and they're dressed identically enough, and

0:46:15.800 --> 0:46:18.080
<v Speaker 1>I get that there's like a that is a thing,

0:46:18.480 --> 0:46:21.719
<v Speaker 1>and that there's like a historical president for game and

0:46:22.239 --> 0:46:24.920
<v Speaker 1>having sex in a place like a park. But it

0:46:25.000 --> 0:46:26.920
<v Speaker 1>just felt like it was like making a weird joke

0:46:27.080 --> 0:46:30.560
<v Speaker 1>of everything. And then right that whole scene was so

0:46:30.680 --> 0:46:33.839
<v Speaker 1>bizarre and like polite and sexless that you're just like,

0:46:34.520 --> 0:46:38.120
<v Speaker 1>what am I watching? It reads very weird. Why they

0:46:38.239 --> 0:46:42.600
<v Speaker 1>dress the men in the same outfit, the same brown sweater.

0:46:43.320 --> 0:46:48.440
<v Speaker 1>It was like, I don't know, Tweedlede energy to in

0:46:48.480 --> 0:46:51.600
<v Speaker 1>the costuming department that day, not sure what was happening.

0:46:51.880 --> 0:46:54.200
<v Speaker 1>They're like, we ran out of scarfs. We used up

0:46:54.200 --> 0:46:56.799
<v Speaker 1>all the scarves on the characters. We're going to give

0:46:56.840 --> 0:47:01.319
<v Speaker 1>them matching scarfs as well, but unfortunately Lena Hetty is

0:47:01.520 --> 0:47:08.080
<v Speaker 1>only wearing scarfs today, so we're fresh out. Yeah, okay,

0:47:08.160 --> 0:47:12.640
<v Speaker 1>So then Rachel goes to Loose's flower shop and she's like,

0:47:13.040 --> 0:47:16.360
<v Speaker 1>whatever is happening between us, it has to stop, and

0:47:16.400 --> 0:47:18.520
<v Speaker 1>so she tries to end things. But then two seconds

0:47:18.560 --> 0:47:22.080
<v Speaker 1>later she comes back and kisses Loose and they're making

0:47:22.120 --> 0:47:26.839
<v Speaker 1>out and it's getting steamy and we see that close her.

0:47:28.840 --> 0:47:32.399
<v Speaker 1>Oh yes, I disliked how I don't know. This movie

0:47:32.400 --> 0:47:35.480
<v Speaker 1>is so British even the it's it's as British as

0:47:35.520 --> 0:47:41.520
<v Speaker 1>Piper Parabo is not um. I was wondering, and I

0:47:41.600 --> 0:47:44.800
<v Speaker 1>want to hear what are like English listeners think about

0:47:44.840 --> 0:47:47.839
<v Speaker 1>her accent in this movie. I can't tell how good

0:47:47.840 --> 0:47:50.680
<v Speaker 1>of a job she's doing. What didn't like bother me?

0:47:50.760 --> 0:47:53.800
<v Speaker 1>But yeah, it's like we're not purveyors of the accent.

0:47:54.640 --> 0:47:56.560
<v Speaker 1>But I liked when Lena Hetty was like, I have

0:47:56.719 --> 0:47:59.200
<v Speaker 1>thhoned in my bum. You're like, wow, what a British

0:47:59.239 --> 0:48:03.359
<v Speaker 1>way to say. True. Okay, so they're making out. It's

0:48:03.360 --> 0:48:07.600
<v Speaker 1>getting steamy, but then Heck comes in and Rachel hides

0:48:07.719 --> 0:48:13.080
<v Speaker 1>in the back and overhears Heck telling Loose his concerns

0:48:13.560 --> 0:48:17.320
<v Speaker 1>about how he's doing something wrong in his relationship, which

0:48:17.360 --> 0:48:20.280
<v Speaker 1>makes Rachel feel super guilty that she's not being honest

0:48:20.320 --> 0:48:22.920
<v Speaker 1>with him, so she runs off. And it also is

0:48:23.160 --> 0:48:27.160
<v Speaker 1>bizarre because Heck does not know Lose very well, and

0:48:27.280 --> 0:48:30.000
<v Speaker 1>here he is in the flower shop saying, I think

0:48:30.080 --> 0:48:33.279
<v Speaker 1>my marriage is falling apart. What do you think They're

0:48:33.280 --> 0:48:37.759
<v Speaker 1>putting a lot of pressure truly? Yeah, for someone that

0:48:37.880 --> 0:48:42.160
<v Speaker 1>they just like forced into a French like, it doesn't

0:48:42.160 --> 0:48:45.600
<v Speaker 1>feel like their friendship happens organically at all. It's very bizarre.

0:48:46.719 --> 0:48:50.080
<v Speaker 1>So Rachel runs off and Loose chases after her, and

0:48:50.200 --> 0:48:53.239
<v Speaker 1>Rachel's like, I can't do this, So they kind of

0:48:53.239 --> 0:48:57.440
<v Speaker 1>say goodbye and part ways. We see Rachel being bummed

0:48:57.440 --> 0:49:00.560
<v Speaker 1>about this. We see Loose being bummed about this. Heck

0:49:00.640 --> 0:49:04.080
<v Speaker 1>is having a bad time at work. He quits his job.

0:49:04.440 --> 0:49:10.480
<v Speaker 1>Everyone's having their low point one point seven. He was crying.

0:49:10.520 --> 0:49:19.960
<v Speaker 1>He's like, you liar, and I lied to quit. What

0:49:20.000 --> 0:49:23.160
<v Speaker 1>are you? Like? What are you doing on the phone?

0:49:23.920 --> 0:49:27.760
<v Speaker 1>He's like, I bet it's something really fucked up? Maybe okay.

0:49:27.800 --> 0:49:34.880
<v Speaker 1>In my headcanon, Rachel is solving the Zodiac killer case. Meanwhile,

0:49:35.400 --> 0:49:38.760
<v Speaker 1>her husband is on the phone with the Zodiac killer,

0:49:39.120 --> 0:49:47.800
<v Speaker 1>bargaining with him being his accomplice. Whoa people killed? He's negotiating,

0:49:48.120 --> 0:49:51.359
<v Speaker 1>he's agociating it down. This is how many you can

0:49:51.360 --> 0:49:56.160
<v Speaker 1>get away with? Point six. I love this. This is

0:49:56.440 --> 0:49:59.160
<v Speaker 1>let's keep it going. Let's talking about this for another

0:49:59.160 --> 0:50:04.799
<v Speaker 1>twenty minutes. Yeah, okay, so everyone's having their low point.

0:50:04.920 --> 0:50:09.200
<v Speaker 1>Loose confides in her mom about Rachel. Rachel talks to

0:50:09.440 --> 0:50:12.640
<v Speaker 1>Heck about how she has fallen for someone else, but

0:50:12.880 --> 0:50:16.719
<v Speaker 1>she plans to stay with him because he is her

0:50:16.719 --> 0:50:21.880
<v Speaker 1>best friend. But then Coop shows up at Loose's flower

0:50:21.920 --> 0:50:26.640
<v Speaker 1>shop and confronts her about meddling in Rachel and Hex's relationship,

0:50:26.920 --> 0:50:31.240
<v Speaker 1>and he calls her, I think a dumb slut. So

0:50:31.640 --> 0:50:37.040
<v Speaker 1>we think that's awesome. Rachel finds out that Loose is

0:50:37.160 --> 0:50:40.520
<v Speaker 1>going on a long holiday through Henrietta, who is on

0:50:40.560 --> 0:50:45.120
<v Speaker 1>the phone with Luce. Right. What it's like that that

0:50:45.320 --> 0:50:47.600
<v Speaker 1>child has one of those phones that can only dial

0:50:47.640 --> 0:50:50.719
<v Speaker 1>out to the police and the parents phone number, but

0:50:50.800 --> 0:50:58.400
<v Speaker 1>instead it's the police and Loose and Louse. Wow, Okay,

0:50:58.440 --> 0:51:04.120
<v Speaker 1>I don't hate it. Okay, so so sorry, it's just

0:51:04.160 --> 0:51:08.839
<v Speaker 1>sinking in for me. Uh, we're really coining a lot

0:51:08.880 --> 0:51:14.640
<v Speaker 1>of phrases today due to our lack of access to reality.

0:51:15.160 --> 0:51:18.879
<v Speaker 1>We're doing so well. I think we're doing great. So

0:51:19.280 --> 0:51:23.360
<v Speaker 1>Rachel learned this about Loose, that she's going away on holiday,

0:51:23.480 --> 0:51:27.680
<v Speaker 1>and then that like prompts Heck to be like, I

0:51:27.760 --> 0:51:30.360
<v Speaker 1>can't do this. I'm leaving. I'm not going to stand

0:51:30.400 --> 0:51:32.319
<v Speaker 1>in the way of your chance to be happy with

0:51:32.360 --> 0:51:37.359
<v Speaker 1>someone else, Rachel. So she's like, okay, cool, and then

0:51:37.440 --> 0:51:40.359
<v Speaker 1>her parents are like what's going on? And Rachel is like,

0:51:40.480 --> 0:51:43.200
<v Speaker 1>I'm in love with Luce, but I don't think anything's

0:51:43.200 --> 0:51:46.360
<v Speaker 1>going to happen, and Rachel's dad is like, well, you

0:51:46.400 --> 0:51:48.880
<v Speaker 1>should go after her, So they all pile in the

0:51:48.960 --> 0:51:51.959
<v Speaker 1>car and go to Loose's flower shop, but Luse's mom

0:51:52.160 --> 0:51:54.600
<v Speaker 1>is like, she's not here, but let's go get her.

0:51:54.840 --> 0:51:56.959
<v Speaker 1>So then they get back in the car and try

0:51:57.040 --> 0:52:00.120
<v Speaker 1>to intercept Loose on her way to the airport were

0:52:00.360 --> 0:52:05.120
<v Speaker 1>question mark not really sure, but they're all stuck in traffic,

0:52:05.800 --> 0:52:10.560
<v Speaker 1>including Loose in her taxi. So then Rachel calls Loose

0:52:10.960 --> 0:52:14.560
<v Speaker 1>on the phone and realizes she's nearby because she hears

0:52:14.600 --> 0:52:24.480
<v Speaker 1>a cyclist singing imagine me and you so happy. She

0:52:24.560 --> 0:52:27.319
<v Speaker 1>hears that on Loose's end of the phone, and then

0:52:27.360 --> 0:52:30.919
<v Speaker 1>she actually hears the cyclist singing a few seconds later

0:52:30.960 --> 0:52:34.480
<v Speaker 1>as he passes, so Rachel's like, oh my gosh, she's nearby.

0:52:34.560 --> 0:52:36.319
<v Speaker 1>So she gets on the roof of the car and

0:52:36.440 --> 0:52:40.319
<v Speaker 1>yells out really loudly, just like Loose taught her in

0:52:40.520 --> 0:52:44.160
<v Speaker 1>the diaphragm scene, where she's like, use your diaphragm to

0:52:44.320 --> 0:52:48.239
<v Speaker 1>yell and Loose here's it, and gets out of the

0:52:48.280 --> 0:52:51.080
<v Speaker 1>taxi and then they run toward each other and they

0:52:51.200 --> 0:52:54.000
<v Speaker 1>kiss on the street. I just thought about how funny

0:52:54.000 --> 0:52:57.399
<v Speaker 1>it would be if instead of your winker number nine,

0:52:57.440 --> 0:53:06.560
<v Speaker 1>that Rachel just did the horn foghorn. Just okay, sorry,

0:53:06.560 --> 0:53:10.560
<v Speaker 1>go ahead, it's good. It's good. Um. So they kissed

0:53:10.560 --> 0:53:13.440
<v Speaker 1>on the street. And then as the credits roll, we

0:53:13.560 --> 0:53:18.279
<v Speaker 1>see Heck traveling and he meets another woman. We see Coop,

0:53:18.360 --> 0:53:21.480
<v Speaker 1>who has apparently settled down and had a baby. We

0:53:21.560 --> 0:53:26.600
<v Speaker 1>see Rachel and Louse and they are so happy together.

0:53:29.560 --> 0:53:32.280
<v Speaker 1>And that's the story. So let's take a quick break.

0:53:32.920 --> 0:53:36.080
<v Speaker 1>And I'm so sorry to interrupt your singing, Sammy, but

0:53:36.200 --> 0:53:39.560
<v Speaker 1>we do have to leave immediately and go to a

0:53:39.600 --> 0:53:52.000
<v Speaker 1>break and we'll be right back, and we're back due.

0:53:52.040 --> 0:53:54.560
<v Speaker 1>When they played that song in Freaky Friday, but they

0:53:54.640 --> 0:53:58.680
<v Speaker 1>turned it into a rock song, I don't remember that

0:53:59.160 --> 0:54:02.120
<v Speaker 1>seeing a few bars, if you will, okay, Instead of

0:54:02.560 --> 0:54:06.480
<v Speaker 1>imagine me I do, it sounded more like imagine me

0:54:06.560 --> 0:54:16.320
<v Speaker 1>and you. I do you know like rock music. Oh,

0:54:16.520 --> 0:54:18.640
<v Speaker 1>if you've heard that version of the song, I did

0:54:18.680 --> 0:54:23.839
<v Speaker 1>a pretty good job imagine me and you. I think

0:54:23.840 --> 0:54:27.680
<v Speaker 1>about you every day. Are nine. It's only right to

0:54:27.800 --> 0:54:31.520
<v Speaker 1>think about the girl you. Oh there die so happy

0:54:31.680 --> 0:54:35.320
<v Speaker 1>to get beautiful. And then the guys in the background.

0:54:35.320 --> 0:54:40.919
<v Speaker 1>You're like, Oh, it's good, alright, So shall we talk

0:54:40.920 --> 0:54:46.440
<v Speaker 1>about this movie thoughts. This movie, which is I think

0:54:46.440 --> 0:54:51.279
<v Speaker 1>it is called Click Click Imagine Her and her. My

0:54:51.360 --> 0:54:53.560
<v Speaker 1>first thought on this movie was that there is a

0:54:53.920 --> 0:55:00.279
<v Speaker 1>hot dog representation is almost confusingly high. Um do. Only

0:55:00.320 --> 0:55:03.400
<v Speaker 1>thing we know about Rachel's father is that he loves

0:55:03.440 --> 0:55:07.560
<v Speaker 1>his family and but not his not his wife, his wife.

0:55:07.760 --> 0:55:10.360
<v Speaker 1>Not his wife, hates his wife right until the until

0:55:10.400 --> 0:55:15.839
<v Speaker 1>at the end where he's like, actually they hate each other.

0:55:16.360 --> 0:55:19.840
<v Speaker 1>They hate each other here. But he does love hot dogs.

0:55:20.040 --> 0:55:23.080
<v Speaker 1>He loves hot dogs. That's the thing that he loves purely.

0:55:23.200 --> 0:55:26.120
<v Speaker 1>He can't love his daughter if he thinks about the

0:55:26.160 --> 0:55:28.879
<v Speaker 1>fact that she's most likely not a virgin. That makes

0:55:28.960 --> 0:55:33.279
<v Speaker 1>him sick. Yeah, what did he say? He said, I

0:55:33.320 --> 0:55:36.200
<v Speaker 1>can't talk about my daughter because all I can think

0:55:36.239 --> 0:55:38.520
<v Speaker 1>about is you putting your hand in my daughter or

0:55:38.560 --> 0:55:42.680
<v Speaker 1>something like that. Very weird. It was something like, is

0:55:42.719 --> 0:55:46.400
<v Speaker 1>that something people? I mean, not to mention your parents,

0:55:46.440 --> 0:55:48.800
<v Speaker 1>but is that like something that people even that just

0:55:48.840 --> 0:55:51.840
<v Speaker 1>wouldn't be my go to phrase to even express that thought.

0:55:51.960 --> 0:55:54.239
<v Speaker 1>What if he's like, get your hot dog out of

0:55:54.280 --> 0:55:59.239
<v Speaker 1>my daughter, get your hot dog out of my m Yeah,

0:55:59.280 --> 0:56:03.000
<v Speaker 1>I don't need to con tinue the sentence. No do

0:56:03.120 --> 0:56:07.160
<v Speaker 1>it um Okay. So this is a queer rom com

0:56:07.239 --> 0:56:09.440
<v Speaker 1>from two thousand five. I'm not going to say a

0:56:09.520 --> 0:56:18.239
<v Speaker 1>qualm con qualm call uh. And it was written and

0:56:18.280 --> 0:56:25.480
<v Speaker 1>directed by a man. I don't know exactly what his

0:56:25.560 --> 0:56:30.440
<v Speaker 1>sexuality is, but he is married to a woman and

0:56:30.520 --> 0:56:32.960
<v Speaker 1>that's all we know. So I can't I don't want to,

0:56:33.120 --> 0:56:35.919
<v Speaker 1>you know, make any assumptions here, but it's a movie

0:56:35.920 --> 0:56:39.000
<v Speaker 1>from two thousand five, meaning it could go a lot

0:56:39.040 --> 0:56:41.720
<v Speaker 1>of ways. I was like, there's probably some very dated

0:56:41.719 --> 0:56:46.480
<v Speaker 1>things here. There's probably some like weird trophy things happening,

0:56:46.520 --> 0:56:49.200
<v Speaker 1>and there are, but there are also a lot of

0:56:49.200 --> 0:56:53.320
<v Speaker 1>things that I was pleasantly surprised by. Again, not knowing

0:56:53.320 --> 0:56:56.120
<v Speaker 1>really anything about the movie before watching it to prep

0:56:56.160 --> 0:57:01.120
<v Speaker 1>for this episode, and knowing some of the existing kind

0:57:01.120 --> 0:57:07.960
<v Speaker 1>of tropes and context surrounding lesbian movies, I was pleasantly surprised.

0:57:08.160 --> 0:57:11.920
<v Speaker 1>It is a movie set in contemporary times, so it's

0:57:11.960 --> 0:57:16.600
<v Speaker 1>not a period drama. It isn't tragedy porn the way

0:57:16.600 --> 0:57:20.360
<v Speaker 1>that a lot of again, you know, like mainstream lesbian

0:57:20.440 --> 0:57:24.080
<v Speaker 1>films have been in the past few years, there's a

0:57:24.120 --> 0:57:28.640
<v Speaker 1>happy ending where the lesbian lovers get together at the

0:57:28.760 --> 0:57:32.320
<v Speaker 1>end and presumably stayed together, and they're like generally accepted

0:57:32.360 --> 0:57:35.360
<v Speaker 1>by all their friends and family. I mean there are

0:57:36.040 --> 0:57:41.280
<v Speaker 1>I feel like Coope and Rachel's mom are the most

0:57:41.720 --> 0:57:44.400
<v Speaker 1>problematic unless I'm missing someone, but they seem to be

0:57:44.440 --> 0:57:48.760
<v Speaker 1>the most problematic about the relationship. Yeah, for Coop, I think,

0:57:48.920 --> 0:57:51.280
<v Speaker 1>you know, being the worst offender by far, because he

0:57:51.400 --> 0:57:54.600
<v Speaker 1>was like I just saw Jeelie and you won't believe

0:57:55.680 --> 0:58:01.520
<v Speaker 1>you know, the lies I believe. But but yeah, generally

0:58:01.560 --> 0:58:05.800
<v Speaker 1>like accepted and and and so happy together. One could

0:58:05.840 --> 0:58:08.880
<v Speaker 1>even say, or the way I choose to say it,

0:58:08.920 --> 0:58:14.920
<v Speaker 1>which is so happy to do. But yeah, that that

0:58:15.080 --> 0:58:20.200
<v Speaker 1>is something. Because of the like time and place where

0:58:20.240 --> 0:58:23.800
<v Speaker 1>they are, we don't have to see the characters deal

0:58:23.880 --> 0:58:30.080
<v Speaker 1>with extreme rampant homophobia. Of course, there are micro and

0:58:30.480 --> 0:58:34.080
<v Speaker 1>macro aggressions against them from particular characters, but by and large,

0:58:34.880 --> 0:58:39.120
<v Speaker 1>people are accepting them. Although you do have like all

0:58:39.120 --> 0:58:44.200
<v Speaker 1>those weird moments of like Heck outing loose to everyone

0:58:44.280 --> 0:58:48.800
<v Speaker 1>he's ever met. There's there's weird things like that going on,

0:58:49.640 --> 0:58:54.320
<v Speaker 1>but it's I guess not the worst example I've seen

0:58:54.520 --> 0:58:56.760
<v Speaker 1>also it might not be fair to call Loose and

0:58:56.880 --> 0:59:03.560
<v Speaker 1>Rachel lesbian lovers because it's entirely possible that Rachel is bisexual. Yeah,

0:59:03.640 --> 0:59:06.520
<v Speaker 1>I kind of I'm curious whatever with that. I kind

0:59:06.520 --> 0:59:10.040
<v Speaker 1>of appreciated that that was, like because I know that

0:59:10.120 --> 0:59:13.200
<v Speaker 1>like public discourse in two thousand five, always as my

0:59:13.720 --> 0:59:18.040
<v Speaker 1>child self was aware of it, is like the conversation

0:59:18.080 --> 0:59:22.160
<v Speaker 1>around bisexuality was basically non existent, and so I thought

0:59:22.240 --> 0:59:26.200
<v Speaker 1>that there would be very like dated trophy like pick

0:59:26.280 --> 0:59:30.240
<v Speaker 1>a side kind of conversation surrounding Rachel, and I kind

0:59:30.240 --> 0:59:32.560
<v Speaker 1>of appreciate I mean, for the time it came out

0:59:32.640 --> 0:59:36.320
<v Speaker 1>that that wasn't a big discussion and that wasn't something

0:59:36.360 --> 0:59:39.880
<v Speaker 1>that was like like it wasn't I guess it was

0:59:39.880 --> 0:59:42.320
<v Speaker 1>like it just like wasn't called into questions like whether

0:59:42.400 --> 0:59:46.480
<v Speaker 1>she had ever loved or been attracted to her husband,

0:59:47.520 --> 0:59:49.400
<v Speaker 1>which I don't know. I thought it was, like, I

0:59:49.520 --> 0:59:53.560
<v Speaker 1>just I wasn't expecting that move for a movie that

0:59:53.600 --> 0:59:57.400
<v Speaker 1>came out in two five. Yeah. Yeah, I really appreciate

0:59:57.440 --> 1:00:00.520
<v Speaker 1>that they didn't, like they didn't lean into stare areotypes

1:00:00.600 --> 1:00:03.959
<v Speaker 1>to make it like palatable for the straight audience either,

1:00:04.040 --> 1:00:07.640
<v Speaker 1>like they didn't like, Oh, Louis is a lesbian, so

1:00:07.680 --> 1:00:10.880
<v Speaker 1>here are these lesbian things she definitely does because she's

1:00:10.880 --> 1:00:15.760
<v Speaker 1>a lesbian straits. It was nice. Sure. I was also

1:00:15.840 --> 1:00:20.240
<v Speaker 1>pleasantly surprised that Loose when you meet her, is already

1:00:20.280 --> 1:00:22.880
<v Speaker 1>and out lesbian, because a lot of times I think

1:00:22.880 --> 1:00:27.560
<v Speaker 1>a trope in queer romance stories is and like not

1:00:27.680 --> 1:00:33.320
<v Speaker 1>to discredit or like invalidate people discovering themselves and you know,

1:00:33.400 --> 1:00:37.360
<v Speaker 1>questioning and you know, discovering their sexuality, because of course

1:00:37.520 --> 1:00:42.120
<v Speaker 1>that is completely valid and an authentic experience for many people.

1:00:42.640 --> 1:00:44.800
<v Speaker 1>But I know that there is a frustration about a

1:00:44.840 --> 1:00:47.840
<v Speaker 1>lot of queer cinema that many queer characters are not

1:00:48.040 --> 1:00:52.440
<v Speaker 1>already out and living their queer lives, and the representation

1:00:52.440 --> 1:00:56.000
<v Speaker 1>excused pretty heavily on characters who are in the closet

1:00:56.440 --> 1:00:59.960
<v Speaker 1>and or who haven't come out yet at the beginning

1:01:00.120 --> 1:01:03.479
<v Speaker 1>of the movie, and a lot of movies focus on

1:01:03.880 --> 1:01:07.520
<v Speaker 1>coming out stories, which I guess this movie sort of

1:01:07.560 --> 1:01:12.160
<v Speaker 1>does with Rachel's character. But I just appreciate that Luce

1:01:12.600 --> 1:01:16.520
<v Speaker 1>is already out. Yeah, she's like out to her mom,

1:01:16.600 --> 1:01:20.200
<v Speaker 1>no problem, Like, it's just it's a very chill environment.

1:01:20.240 --> 1:01:22.840
<v Speaker 1>Her mom's just like, get out there in Date, and

1:01:22.880 --> 1:01:26.560
<v Speaker 1>then Lena Hetty's like you get out there in Date,

1:01:26.760 --> 1:01:30.800
<v Speaker 1>and then they both do the end, the end. I

1:01:30.880 --> 1:01:34.640
<v Speaker 1>was surprised that we see women kissing each other on

1:01:34.880 --> 1:01:43.480
<v Speaker 1>screen multiple times, especially because again another cinematic convention you see,

1:01:44.400 --> 1:01:48.600
<v Speaker 1>especially in movies of this era with queer characters. Maybe

1:01:48.640 --> 1:01:52.280
<v Speaker 1>the characters were allowed to be out, but often they

1:01:52.520 --> 1:01:56.600
<v Speaker 1>wouldn't have any kind of romance or romantic partner, and

1:01:56.640 --> 1:01:59.120
<v Speaker 1>if they did, we were also not allowed We were

1:01:59.120 --> 1:02:01.680
<v Speaker 1>not allowed to actually see them kiss or be physically

1:02:01.760 --> 1:02:05.160
<v Speaker 1>intimate in any way. So the fact that this movie

1:02:05.640 --> 1:02:08.680
<v Speaker 1>and it would be absolutely ridiculous if they weren't allowed

1:02:08.720 --> 1:02:12.480
<v Speaker 1>to because like rom coms have people kissing. That's one

1:02:12.560 --> 1:02:15.560
<v Speaker 1>of the conventions of the genre, and it shouldn't be

1:02:15.560 --> 1:02:18.360
<v Speaker 1>surprising that this happens. But because of the precedent that

1:02:18.480 --> 1:02:23.600
<v Speaker 1>had been set of queer characters not being allowed to

1:02:23.800 --> 1:02:29.160
<v Speaker 1>show physical intimacy on screen, I found myself surprised that

1:02:29.320 --> 1:02:31.760
<v Speaker 1>again in a movie from two thousand five, we actually

1:02:31.800 --> 1:02:35.440
<v Speaker 1>see them kissing on screen. I am I went back

1:02:35.520 --> 1:02:38.880
<v Speaker 1>and watched some of the like DVD extras and like

1:02:39.000 --> 1:02:41.560
<v Speaker 1>press junkets from this movie because I was just curious

1:02:41.560 --> 1:02:45.640
<v Speaker 1>of because, as far as I know, Piper Parabout and

1:02:45.760 --> 1:02:48.680
<v Speaker 1>Lena Hetty are both straight actors as far as we know,

1:02:48.760 --> 1:02:53.320
<v Speaker 1>and certainly at this time they were very publicly publicly straight.

1:02:54.280 --> 1:02:56.880
<v Speaker 1>There's gonna be a better way to say that. But

1:02:56.880 --> 1:03:00.200
<v Speaker 1>but I wanted to watch interviews with them, and something

1:03:00.240 --> 1:03:02.120
<v Speaker 1>that didn't occur to me that came up in every

1:03:02.160 --> 1:03:05.720
<v Speaker 1>single interview was this movie came out the same year

1:03:05.720 --> 1:03:09.880
<v Speaker 1>as Brokeback Mountain. In Brokeback Mountain comes up in every

1:03:09.920 --> 1:03:14.280
<v Speaker 1>single interview, and they're very annoyed by it. Where I

1:03:14.320 --> 1:03:16.360
<v Speaker 1>don't know, I mean, I think it's like to me,

1:03:16.400 --> 1:03:20.560
<v Speaker 1>it almost spoke to like how little queer cinema there

1:03:20.680 --> 1:03:24.040
<v Speaker 1>was in like a I guess because because this movie

1:03:24.200 --> 1:03:28.160
<v Speaker 1>was not huge, Brokeback Mountain was huge. Um, but in everything,

1:03:28.200 --> 1:03:30.000
<v Speaker 1>they're like, why don't you have as much sex in

1:03:30.040 --> 1:03:32.840
<v Speaker 1>this movie as they have in Brokeback Mountain. They're kind

1:03:32.840 --> 1:03:37.000
<v Speaker 1>of like, it's a different genre, Like rom coms are

1:03:37.080 --> 1:03:40.680
<v Speaker 1>usually pretty sexless. So yeah, I thought that this this

1:03:40.800 --> 1:03:43.280
<v Speaker 1>had about the amount of sex and kissing that your

1:03:43.320 --> 1:03:47.800
<v Speaker 1>average rom com does, and possibly slightly more because they

1:03:47.880 --> 1:03:51.000
<v Speaker 1>kissed more than one time, right, right, because normally in

1:03:51.000 --> 1:03:53.560
<v Speaker 1>a a hetero rom com they don't kiss until the

1:03:53.680 --> 1:03:56.120
<v Speaker 1>very end. It depends on the story, of course, but

1:03:56.200 --> 1:03:59.760
<v Speaker 1>like that's pretty standard. Yeah, yeah, yeah. It just it

1:04:00.480 --> 1:04:03.800
<v Speaker 1>connect for me that this was like the year of

1:04:03.840 --> 1:04:06.320
<v Speaker 1>Brokeback Mountain, and Brokeback Mountain comes up as if it

1:04:06.360 --> 1:04:10.080
<v Speaker 1>were the only other queer movie to ever exist, and

1:04:10.320 --> 1:04:13.200
<v Speaker 1>Lena Hetty and Piper parable just kind of don't know

1:04:13.240 --> 1:04:14.800
<v Speaker 1>what to do with the question. They're like, yeah, it's

1:04:14.800 --> 1:04:18.400
<v Speaker 1>a round com. We're friends. We met on the cave

1:04:19.120 --> 1:04:27.200
<v Speaker 1>and but another thing, and we were talking about this

1:04:27.240 --> 1:04:29.720
<v Speaker 1>a little bit, Sammy, when you and I watched part

1:04:29.720 --> 1:04:37.600
<v Speaker 1>of this movie together together unhappily on what Okay, I'm joking.

1:04:39.480 --> 1:04:43.360
<v Speaker 1>You brought up that the movie tends to avoid the

1:04:43.400 --> 1:04:47.960
<v Speaker 1>predatory lesbian trope. I don't know what to make of

1:04:48.040 --> 1:04:53.840
<v Speaker 1>the soccer game slash yelling slash diaphragm scene because there

1:04:54.440 --> 1:04:57.200
<v Speaker 1>I don't know, but I tend to agree that that

1:04:57.280 --> 1:05:02.800
<v Speaker 1>the movie does tend to avoid the trope. But I

1:05:02.840 --> 1:05:06.080
<v Speaker 1>feel like the diaphragm scene isn't like if they were

1:05:06.080 --> 1:05:09.840
<v Speaker 1>going to lean into the predator lesbian trope, Luce would

1:05:09.920 --> 1:05:14.000
<v Speaker 1>essentially be coope like it's that sure, not like because

1:05:14.040 --> 1:05:16.479
<v Speaker 1>I feel like the diaphram thing, like as I guess,

1:05:16.600 --> 1:05:20.400
<v Speaker 1>as we were about Loose touching Rachel where she did,

1:05:20.480 --> 1:05:25.680
<v Speaker 1>I'm stuttering because I'm horny about it. Um we you

1:05:26.320 --> 1:05:30.640
<v Speaker 1>me horn um. Like they didn't shoot it in a

1:05:30.680 --> 1:05:34.720
<v Speaker 1>way where it seemed like Loose was doing it for

1:05:35.160 --> 1:05:41.040
<v Speaker 1>the reason of just touching all over her new married friend, right, yeah,

1:05:41.120 --> 1:05:44.640
<v Speaker 1>and then Rachel is like, we'll put both of your

1:05:44.680 --> 1:05:49.760
<v Speaker 1>hands on me. Yeah that or like, oh, Rachel, but

1:05:49.800 --> 1:05:52.960
<v Speaker 1>it should be as I don't know, I mean, it

1:05:53.080 --> 1:05:58.680
<v Speaker 1>is the spitla of my scene of the movie and Jamie,

1:05:58.720 --> 1:06:02.040
<v Speaker 1>as you just said, put your hands on me, Loose loose,

1:06:02.840 --> 1:06:05.280
<v Speaker 1>I felt like, yeah for that, I mean, I definitely

1:06:05.880 --> 1:06:08.280
<v Speaker 1>think that that's a very two thousand five e and all,

1:06:08.680 --> 1:06:12.280
<v Speaker 1>But it felt more like a rom com thing that

1:06:12.360 --> 1:06:14.920
<v Speaker 1>like that would have happened in a rom comm in

1:06:14.920 --> 1:06:18.480
<v Speaker 1>two thousand five, regardless of the gender of true the

1:06:18.520 --> 1:06:22.320
<v Speaker 1>people involved, Like you could see Hugh Grant doing that

1:06:22.440 --> 1:06:25.480
<v Speaker 1>in two thousand five in a rom com easily of

1:06:25.560 --> 1:06:28.640
<v Speaker 1>just like you know, he probably does it in notting

1:06:28.720 --> 1:06:31.320
<v Speaker 1>Hill for all I know. Yeah, I the diaphragm thing

1:06:31.360 --> 1:06:34.600
<v Speaker 1>felt like a rom com issue more so than a

1:06:34.640 --> 1:06:39.240
<v Speaker 1>predatory lesbian trope in my opinion. Yeah, I see that,

1:06:40.040 --> 1:06:41.920
<v Speaker 1>and like it's not even though that. You know, you

1:06:41.960 --> 1:06:46.000
<v Speaker 1>watch this movie and you're like, Wow, let's congratulate the

1:06:46.040 --> 1:06:51.960
<v Speaker 1>movie for avoiding what should just be of avoided in

1:06:52.720 --> 1:06:56.200
<v Speaker 1>a narrative. But at the same time, because so many

1:06:56.240 --> 1:07:00.360
<v Speaker 1>harmful tropes have been established, I still couldn't help but

1:07:00.480 --> 1:07:06.000
<v Speaker 1>be again pleasantly surprised by what the movie does that's

1:07:06.320 --> 1:07:12.040
<v Speaker 1>positive and avoids that is negative. That said, there's stuff

1:07:12.080 --> 1:07:16.040
<v Speaker 1>that it leans into that is negative. Yeah, but I

1:07:16.040 --> 1:07:19.320
<v Speaker 1>guess my point is like, oh, there's really cool stuff

1:07:19.360 --> 1:07:23.880
<v Speaker 1>that happens in this movie that I think make it

1:07:24.800 --> 1:07:28.439
<v Speaker 1>watchable even to this day. Yeah, I don't know. Yeah,

1:07:28.480 --> 1:07:31.920
<v Speaker 1>this feels this feels like it just it's a bit

1:07:31.960 --> 1:07:35.440
<v Speaker 1>diff a weird one because it's like, there's certainly, like

1:07:35.640 --> 1:07:41.480
<v Speaker 1>way better movies about women in love than this one.

1:07:42.120 --> 1:07:44.720
<v Speaker 1>A lot of the ones that are much better are

1:07:44.800 --> 1:07:47.080
<v Speaker 1>made by queer women. We've covered some of them on

1:07:47.160 --> 1:07:50.320
<v Speaker 1>this show. I feel like Papa Pia is kind of

1:07:50.360 --> 1:07:55.440
<v Speaker 1>showing the Papa Pianist of it all in certain scenes

1:07:55.520 --> 1:07:59.440
<v Speaker 1>and exchanges. Um, and then it also kind of feels

1:07:59.480 --> 1:08:01.840
<v Speaker 1>like we've talked about this kind of thing that tends

1:08:01.880 --> 1:08:04.160
<v Speaker 1>to happen on the show all the time of just

1:08:04.240 --> 1:08:08.040
<v Speaker 1>sort of like this weird half step of progress where

1:08:08.040 --> 1:08:11.360
<v Speaker 1>it's like this was a like wide international release with

1:08:11.920 --> 1:08:15.880
<v Speaker 1>big movie stars, but it was like written and directed

1:08:15.920 --> 1:08:19.519
<v Speaker 1>by a straight guy. But it almost felt like this

1:08:19.560 --> 1:08:24.880
<v Speaker 1>movie like deviates so little from the romcom formula that

1:08:25.280 --> 1:08:28.040
<v Speaker 1>it feels like, I don't know, I would be curious of,

1:08:28.160 --> 1:08:31.639
<v Speaker 1>like how if if it's already considered at this time

1:08:31.720 --> 1:08:34.400
<v Speaker 1>so unusual to have a queer relationship at the center

1:08:35.120 --> 1:08:39.320
<v Speaker 1>of a like widely released movie, Like how far are

1:08:39.320 --> 1:08:42.240
<v Speaker 1>you going to deviate from the formula if that movie

1:08:42.360 --> 1:08:45.280
<v Speaker 1>is even going to get made, you know, which I

1:08:45.320 --> 1:08:49.160
<v Speaker 1>have kind of conflicting thoughts about, because on one hand,

1:08:50.000 --> 1:08:53.280
<v Speaker 1>this movie was not reviewed favorably. I think it has

1:08:53.320 --> 1:08:58.280
<v Speaker 1>like a thirty five percent on Rotten Tomatoes, and the

1:08:58.360 --> 1:09:04.559
<v Speaker 1>consensus seems to be that, Yeah, despite it subverting the

1:09:04.800 --> 1:09:10.240
<v Speaker 1>kind of expected narrative of this being a queer story

1:09:10.400 --> 1:09:13.360
<v Speaker 1>rather than a hetero story, which is what most mainstream

1:09:13.479 --> 1:09:19.120
<v Speaker 1>rom coms feature, this is still an extremely predictable trophy

1:09:19.520 --> 1:09:24.760
<v Speaker 1>corny rom com. And while that is true, part of

1:09:24.760 --> 1:09:29.120
<v Speaker 1>me is like, well, queer people deserve corny rom coms

1:09:29.240 --> 1:09:34.760
<v Speaker 1>to yeah. But on the other hand, it felt to

1:09:34.920 --> 1:09:38.840
<v Speaker 1>me partially and I'm interested to hear everyone's thoughts on this,

1:09:38.960 --> 1:09:45.599
<v Speaker 1>but there's still so much heterosexuality in this movie, and

1:09:45.640 --> 1:09:50.200
<v Speaker 1>it felt to me as though this is a movie

1:09:50.640 --> 1:09:57.000
<v Speaker 1>that's like written by a straight guy mostly for straight people,

1:09:58.560 --> 1:10:02.120
<v Speaker 1>because of different story choices that were made and what

1:10:02.200 --> 1:10:06.439
<v Speaker 1>the movie focuses on a lot, which is like way

1:10:06.439 --> 1:10:10.640
<v Speaker 1>too much of because like there's all these subplots or

1:10:10.720 --> 1:10:15.080
<v Speaker 1>like narrative through lines where we get focused on Rachel's

1:10:15.200 --> 1:10:20.000
<v Speaker 1>mom and dad and they're failing and then reblossoming relationship,

1:10:20.040 --> 1:10:23.320
<v Speaker 1>we get Rachel's little sister and her little boyfriend. Oh

1:10:23.360 --> 1:10:25.559
<v Speaker 1>my god, I mean that's like a whole separate issue.

1:10:25.600 --> 1:10:28.640
<v Speaker 1>Why are we having the music swell growth? I have

1:10:28.720 --> 1:10:32.439
<v Speaker 1>that in my notes my sentences. Music's music swell for children?

1:10:32.600 --> 1:10:36.640
<v Speaker 1>Question mark Why it seemed to seemed to swell absurdly

1:10:36.720 --> 1:10:42.040
<v Speaker 1>loudly too? I was like, I was like, oh my god, sorry, sorry,

1:10:42.040 --> 1:10:47.880
<v Speaker 1>And weird grooming, Yeah, it's weird. Good job, Papa Papa Boom.

1:10:48.800 --> 1:10:52.280
<v Speaker 1>We see Coop trying to fuck a bunch of women.

1:10:52.640 --> 1:10:57.320
<v Speaker 1>We see Beth Rachel's friend trying to find a boyfriend. Basically,

1:10:57.400 --> 1:11:01.519
<v Speaker 1>I just wish that there were more queer movies where

1:11:01.560 --> 1:11:05.840
<v Speaker 1>more of the characters are queer and it's not just

1:11:06.000 --> 1:11:09.839
<v Speaker 1>like two queer women hanging out with thousands of straight people.

1:11:10.880 --> 1:11:13.760
<v Speaker 1>That is an ask that would have over extended old

1:11:13.760 --> 1:11:16.000
<v Speaker 1>Papa Pia, and I feel like he would have mishandled

1:11:16.280 --> 1:11:19.800
<v Speaker 1>any more queer characters. Certainly, Papapia is like, I can

1:11:19.840 --> 1:11:24.559
<v Speaker 1>truly just handle to one legend a half if you

1:11:24.720 --> 1:11:30.600
<v Speaker 1>consider loses friend Dye, a character which he seems to

1:11:30.680 --> 1:11:35.000
<v Speaker 1>about halfway right, yes, one point three one point four two.

1:11:36.920 --> 1:11:39.200
<v Speaker 1>Meanwhile you get a whole scene of whatever the funk

1:11:39.320 --> 1:11:42.439
<v Speaker 1>that is uh boring a piece I android on. This

1:11:42.560 --> 1:11:46.839
<v Speaker 1>was written by friend of the show, Princess Weeks. Princess

1:11:46.840 --> 1:11:50.240
<v Speaker 1>wrote about this movie for The Mary Suit earlier this

1:11:50.439 --> 1:11:54.920
<v Speaker 1>or last year, so I wanted to share what her

1:11:55.200 --> 1:12:00.000
<v Speaker 1>thoughts were a little bit. She's saying stuff like this quote.

1:12:00.720 --> 1:12:03.320
<v Speaker 1>Neither Rachel nor lewis pursued the other. They just keep

1:12:03.360 --> 1:12:05.679
<v Speaker 1>getting pulled in each other's way. And while loose being

1:12:05.720 --> 1:12:08.320
<v Speaker 1>gay is addressed early on, it's not seen as an issue,

1:12:08.320 --> 1:12:10.600
<v Speaker 1>which is great. I felt a lot more joy in

1:12:10.600 --> 1:12:13.400
<v Speaker 1>watching this film because while the cheating element isn't great,

1:12:13.479 --> 1:12:15.920
<v Speaker 1>it was nice seeing it not be either a traditional

1:12:15.960 --> 1:12:19.240
<v Speaker 1>coming out story or inherently a gay angst story. Just

1:12:19.320 --> 1:12:21.679
<v Speaker 1>a love connection with bad timing that ends up working

1:12:21.680 --> 1:12:25.960
<v Speaker 1>out without turning anyone into a bad person unquote, which

1:12:25.960 --> 1:12:28.639
<v Speaker 1>I do think is like a strength of this movie,

1:12:28.720 --> 1:12:30.880
<v Speaker 1>because it's like, Heck, I think a lot of Heck

1:12:31.000 --> 1:12:36.120
<v Speaker 1>behavior is unacceptable. The fact that he compulsively outs loose

1:12:36.200 --> 1:12:41.200
<v Speaker 1>at every opportunity is pretty egregious, but in the general

1:12:41.240 --> 1:12:44.680
<v Speaker 1>sense I did because I feel like it's such a

1:12:44.760 --> 1:12:47.160
<v Speaker 1>rom com. One of the tropes that's avoided in this

1:12:47.200 --> 1:12:51.680
<v Speaker 1>movie is like there's always like the third party is

1:12:51.960 --> 1:12:57.480
<v Speaker 1>made out to be like horrible, evil, irredeemable cal Hockley,

1:12:57.520 --> 1:13:01.400
<v Speaker 1>if you will, the cal Hockley of the situation, and Heck,

1:13:01.560 --> 1:13:06.400
<v Speaker 1>while he certainly has issues and like has behavior that

1:13:06.640 --> 1:13:11.920
<v Speaker 1>is not acceptable, is not like a bad person and

1:13:12.120 --> 1:13:14.920
<v Speaker 1>is also I thought like it was cool that they

1:13:15.000 --> 1:13:17.360
<v Speaker 1>didn't make him out to be a villain because then

1:13:17.400 --> 1:13:20.439
<v Speaker 1>you get to see him like realize that his wife

1:13:20.479 --> 1:13:23.920
<v Speaker 1>is in love with luc and except that his wife

1:13:24.640 --> 1:13:26.760
<v Speaker 1>um but I thought it was nice that he like,

1:13:26.800 --> 1:13:30.720
<v Speaker 1>obviously it's very painful for your wife to leave you

1:13:30.920 --> 1:13:34.479
<v Speaker 1>for anybody. But but he's just like, you know, he

1:13:34.920 --> 1:13:38.400
<v Speaker 1>accepts it. He doesn't lash out in a villainous fashion.

1:13:39.080 --> 1:13:42.960
<v Speaker 1>And uh, that's I like, even for any rom com,

1:13:42.960 --> 1:13:46.120
<v Speaker 1>that's unusual. But I thought it worked really well here.

1:13:46.320 --> 1:13:48.880
<v Speaker 1>Instead we have Coop lashing out and being like you

1:13:48.920 --> 1:13:52.920
<v Speaker 1>filthy slut. Something is wrong with Coop and we're like, Coop,

1:13:53.040 --> 1:13:55.559
<v Speaker 1>why are you even in this movie? Get out of here?

1:13:55.640 --> 1:13:58.840
<v Speaker 1>No one likes you. He doesn't do anything. The boy

1:13:58.880 --> 1:14:02.000
<v Speaker 1>ain't right. Yeah, Luce could have had those conversations that

1:14:02.080 --> 1:14:04.519
<v Speaker 1>she had with Cooper with h if they really wanted

1:14:04.560 --> 1:14:08.360
<v Speaker 1>them to be friends. Are they eat like right? What

1:14:08.439 --> 1:14:12.800
<v Speaker 1>would have worked better for me is if so when

1:14:13.000 --> 1:14:17.240
<v Speaker 1>Cooper meets Loose at the wedding and he he fancies her,

1:14:18.080 --> 1:14:21.559
<v Speaker 1>if he goes to Rachel then and it's like, hey,

1:14:21.600 --> 1:14:24.439
<v Speaker 1>can you try to set me up with the flower lady?

1:14:24.520 --> 1:14:26.479
<v Speaker 1>Can you like get us all together for dinner and

1:14:26.520 --> 1:14:29.479
<v Speaker 1>try to set this up? And then Rachel's more than

1:14:29.520 --> 1:14:33.600
<v Speaker 1>happy to extend this invitation because she either consciously or

1:14:33.640 --> 1:14:40.040
<v Speaker 1>subconsciously wants to spend more time with Loose and then

1:14:40.400 --> 1:14:43.879
<v Speaker 1>that's why they have that dinner scene with the match

1:14:44.040 --> 1:14:48.360
<v Speaker 1>making attempt. That's not even necessarily like a a Bectel

1:14:48.400 --> 1:14:51.759
<v Speaker 1>cast thing that just like would make more narrative sense

1:14:51.920 --> 1:14:55.639
<v Speaker 1>to me. But anyway, I think we need to spend

1:14:55.680 --> 1:14:59.680
<v Speaker 1>any more time trying to make Cooper makes sense, right, No,

1:15:00.200 --> 1:15:02.160
<v Speaker 1>we just have to accept the fact that that the

1:15:02.320 --> 1:15:06.439
<v Speaker 1>trash character Papa Pia, you know, examine yourself. It's but

1:15:06.479 --> 1:15:10.400
<v Speaker 1>it's also like to me, Rachel's character not making sense

1:15:10.439 --> 1:15:12.120
<v Speaker 1>unless I guess you could read it that like she

1:15:12.200 --> 1:15:15.200
<v Speaker 1>extends this invitation and is trying to do this matchmaking

1:15:16.080 --> 1:15:19.559
<v Speaker 1>because she's also just subconsciously trying to spend more time

1:15:19.760 --> 1:15:22.240
<v Speaker 1>with Luce and it could just be under the guise

1:15:22.360 --> 1:15:24.559
<v Speaker 1>of trying to match make, but really she's just like

1:15:25.280 --> 1:15:28.000
<v Speaker 1>I want to be near her, so I think that's

1:15:28.120 --> 1:15:33.800
<v Speaker 1>entirely possible. Anyway. Moving on, Like most rom coms, even

1:15:33.920 --> 1:15:38.960
<v Speaker 1>once set in large cities with diverse populations, uh, this

1:15:39.080 --> 1:15:42.920
<v Speaker 1>is very white movie, Rachel has what feels like a

1:15:42.960 --> 1:15:49.280
<v Speaker 1>token black friend, Zena played by Vanette Robinson. Of Rachel's

1:15:49.320 --> 1:15:54.360
<v Speaker 1>two friends her and Beth, Zena is the one without

1:15:54.560 --> 1:15:58.479
<v Speaker 1>a little subplot because the other friend, the white woman,

1:15:59.080 --> 1:16:02.040
<v Speaker 1>gets more screen time. She gets a little subplot where

1:16:02.040 --> 1:16:04.760
<v Speaker 1>she's trying to find a boyfriend. We just get to

1:16:04.800 --> 1:16:09.240
<v Speaker 1>know that character better. The one black character in the

1:16:09.280 --> 1:16:15.719
<v Speaker 1>movie is like sidelined to the extreme, and I hated it. Yeah,

1:16:15.800 --> 1:16:18.320
<v Speaker 1>I think her most notable moment was the scene in

1:16:18.400 --> 1:16:22.400
<v Speaker 1>the bathroom where they were talking about, um, if they

1:16:22.439 --> 1:16:26.240
<v Speaker 1>had ever considered dating women before, and that is like

1:16:26.360 --> 1:16:29.240
<v Speaker 1>that was her little showcase moment. I thought it was

1:16:29.280 --> 1:16:34.000
<v Speaker 1>like a fun moment for the five. But yeah, we don't.

1:16:34.000 --> 1:16:36.840
<v Speaker 1>We don't know anything about her and this movie. I mean,

1:16:36.880 --> 1:16:39.479
<v Speaker 1>as with most round comps, it's very white, and it

1:16:39.520 --> 1:16:42.719
<v Speaker 1>also takes place in just like generally the upper classes

1:16:42.840 --> 1:16:45.760
<v Speaker 1>upper you know, you saw their flat. They have a

1:16:45.880 --> 1:16:50.679
<v Speaker 1>spiral staircase in their flat, which is with like roof

1:16:50.720 --> 1:16:56.320
<v Speaker 1>access simply impractical. Okay, not practical. Heck can afford it

1:16:56.360 --> 1:17:00.200
<v Speaker 1>because he day trades crypto or whatever. The fun. Oh

1:17:00.280 --> 1:17:03.599
<v Speaker 1>he's got forty one point six, He's he's set for life. Yeah,

1:17:03.640 --> 1:17:07.160
<v Speaker 1>he's fine. He's going to get a bonus the size

1:17:07.200 --> 1:17:12.240
<v Speaker 1>of his boss's naus. It's implies. I was like, I

1:17:12.400 --> 1:17:18.040
<v Speaker 1>really hate business dialogue in movies. It's so gross. Um,

1:17:18.120 --> 1:17:20.400
<v Speaker 1>you see a David ma'am at play one time and

1:17:20.439 --> 1:17:23.840
<v Speaker 1>then you just write ship like that down. It's disgusting,

1:17:24.439 --> 1:17:31.400
<v Speaker 1>glaze over. Is there any other stuff? Yeah? Other thoughts, Caitlin,

1:17:31.439 --> 1:17:33.479
<v Speaker 1>Do you have more things or can I get at

1:17:33.479 --> 1:17:36.439
<v Speaker 1>it please? Okay, great, here's some things in my notes

1:17:36.479 --> 1:17:39.719
<v Speaker 1>that we didn't touch on. Going back to the bathroom scene.

1:17:39.840 --> 1:17:41.880
<v Speaker 1>I don't think I've ever heard crossed the street as

1:17:41.920 --> 1:17:46.240
<v Speaker 1>a euphemism for being gay, which is fun British. When

1:17:46.320 --> 1:17:49.800
<v Speaker 1>Rachel goes, have you ever crossed the street, which is like, oh,

1:17:49.840 --> 1:17:54.360
<v Speaker 1>that's nice, I'll use that. Um. And then when Rachel

1:17:54.600 --> 1:18:00.160
<v Speaker 1>was talking to Heck after exposing her gayness to him,

1:18:00.360 --> 1:18:02.439
<v Speaker 1>her line of you're my best friend. That was enough

1:18:02.479 --> 1:18:06.879
<v Speaker 1>before and we'll be enough again that that is a terrible,

1:18:07.000 --> 1:18:12.040
<v Speaker 1>non comforting thing to hear from your new wife. And

1:18:12.080 --> 1:18:15.160
<v Speaker 1>if that is how you felt in the relationship before,

1:18:15.200 --> 1:18:18.759
<v Speaker 1>you probably shouldn't have been married anyway. Precisely, we already

1:18:18.760 --> 1:18:22.080
<v Speaker 1>talked about I should have married you, which is what

1:18:22.400 --> 1:18:26.320
<v Speaker 1>Hex said to a nine year old child. That is

1:18:26.760 --> 1:18:31.479
<v Speaker 1>so so bad, believably weird. It was giving a little

1:18:31.520 --> 1:18:37.879
<v Speaker 1>women Amien Lorie energy except that actually happens in Little Away.

1:18:38.800 --> 1:18:41.559
<v Speaker 1>Um okay, and then some horny, some horny moments between

1:18:41.600 --> 1:18:45.320
<v Speaker 1>Rachel and Loose after the Arcade dates when they're talking

1:18:45.320 --> 1:18:49.400
<v Speaker 1>about flowers and Loose is like, you don't want to

1:18:49.400 --> 1:18:52.400
<v Speaker 1>hear about lilies, and Rachel's like, no, tell me about lilies,

1:18:52.600 --> 1:18:55.000
<v Speaker 1>and this is like okay, they mean, I dare you

1:18:55.040 --> 1:18:58.720
<v Speaker 1>to love me. And then Loose makes eye contact and

1:18:58.760 --> 1:19:01.639
<v Speaker 1>then steps away of that is that is so horny?

1:19:01.720 --> 1:19:04.200
<v Speaker 1>What a horny move. I loved it so much, very good,

1:19:04.439 --> 1:19:08.200
<v Speaker 1>very gay, quite horny about it. And then um, when

1:19:08.200 --> 1:19:11.760
<v Speaker 1>they're when they're breaking up in the park and Lucy's like,

1:19:11.760 --> 1:19:14.839
<v Speaker 1>don't forget me, and Rachel says, I won't remember anything

1:19:14.880 --> 1:19:19.479
<v Speaker 1>else also just fucked me right up again. Those scenes,

1:19:19.640 --> 1:19:25.840
<v Speaker 1>the scenes between the two of them gorgeous, even though

1:19:25.880 --> 1:19:29.280
<v Speaker 1>I think that Rachel's character is like kind of blah

1:19:29.320 --> 1:19:31.800
<v Speaker 1>and like a little under characterized. I mean, she's a

1:19:31.840 --> 1:19:39.800
<v Speaker 1>straight woman, true, Sorry but sorry. Why are they drawn

1:19:39.840 --> 1:19:42.719
<v Speaker 1>to each other besides the fact that they are both

1:19:42.920 --> 1:19:46.880
<v Speaker 1>attractive and near each other? This is a thing that

1:19:47.640 --> 1:19:51.280
<v Speaker 1>I take issue with. Baby Can and Baby You're sexy

1:19:51.360 --> 1:19:57.120
<v Speaker 1>and life Cannon to build a life together, bros. That's true.

1:19:57.160 --> 1:19:59.000
<v Speaker 1>There are just a lot of sexy people that you're

1:19:59.040 --> 1:20:02.560
<v Speaker 1>just like, I'm this isn't a conversation kind of relationship,

1:20:02.760 --> 1:20:05.479
<v Speaker 1>and well that's good for them, trust me with my

1:20:05.600 --> 1:20:09.280
<v Speaker 1>horny time. I know. But when i'm if, I'm trying

1:20:09.280 --> 1:20:12.920
<v Speaker 1>to get into a relation, like a long term, meaningful

1:20:13.080 --> 1:20:16.760
<v Speaker 1>companionship with someone so hot you wouldn't even need to

1:20:16.800 --> 1:20:21.160
<v Speaker 1>talk to anybody of I don't have to imagine. Unbelievable.

1:20:21.240 --> 1:20:24.320
<v Speaker 1>We make our living talking without being seen. We have

1:20:24.360 --> 1:20:29.599
<v Speaker 1>the opposite problem. Despite all that, though, I did really

1:20:29.720 --> 1:20:33.479
<v Speaker 1>enjoy their scenes together and honestly wish there were more

1:20:33.640 --> 1:20:36.400
<v Speaker 1>of them, but instead, too much real estate in the

1:20:36.439 --> 1:20:41.839
<v Speaker 1>movie is dedicated to watching Heck at his job, scenes

1:20:41.920 --> 1:20:46.080
<v Speaker 1>between Coope and Loose, in which he is being a

1:20:46.120 --> 1:20:50.840
<v Speaker 1>disgusting creep, scenes where Henrietta is best friends with a

1:20:50.920 --> 1:20:55.320
<v Speaker 1>hundred different adults like I just wish there had been

1:20:55.920 --> 1:21:00.280
<v Speaker 1>a little bit more emphasis on the queer relationship and

1:21:01.360 --> 1:21:05.880
<v Speaker 1>seeing that heighten and develop again to watch Imagine Me

1:21:05.960 --> 1:21:12.680
<v Speaker 1>and two the Rise of grou Oh. Heck, if this

1:21:12.720 --> 1:21:15.160
<v Speaker 1>movie was like really really bad, like you call it,

1:21:15.240 --> 1:21:23.679
<v Speaker 1>imagine pee and pooh, we're really doing this yeah, Sammy,

1:21:23.680 --> 1:21:25.280
<v Speaker 1>do you have more things? Did you read the Roger

1:21:25.360 --> 1:21:29.759
<v Speaker 1>Ebert I'm I'm I'm teeing it up right now. So

1:21:30.160 --> 1:21:32.680
<v Speaker 1>once we decided that Imagine Me and You was going

1:21:32.720 --> 1:21:35.400
<v Speaker 1>to be the movie we covered, I googled it, as

1:21:35.439 --> 1:21:38.599
<v Speaker 1>one does, and I saw that there was a review

1:21:39.080 --> 1:21:43.679
<v Speaker 1>from www dot Roger Ebert dot com from two thousand

1:21:43.760 --> 1:21:47.240
<v Speaker 1>and six, And in the Google search you see a

1:21:47.280 --> 1:21:52.479
<v Speaker 1>little bit of a sentence. So the sentence is this,

1:21:53.520 --> 1:21:57.720
<v Speaker 1>this movie is basically gay propaganda. The basis is that

1:21:57.800 --> 1:22:00.400
<v Speaker 1>she is leaving a happy relationship with a man she

1:22:00.560 --> 1:22:03.960
<v Speaker 1>has known for ages and is a good dot dot dot,

1:22:04.920 --> 1:22:10.920
<v Speaker 1>which is a pretty strong accusation. Strong accusation. Look, yeah,

1:22:11.240 --> 1:22:13.760
<v Speaker 1>I clicked. I was like, I have to make sure

1:22:13.800 --> 1:22:16.960
<v Speaker 1>I'm assuming that he's saying all this is a pejorative,

1:22:17.760 --> 1:22:20.240
<v Speaker 1>But what if he wasn't right? But he was. He

1:22:20.280 --> 1:22:22.320
<v Speaker 1>did not like the movie. He didn't like the movie,

1:22:22.360 --> 1:22:24.400
<v Speaker 1>but then at the end he was like at the end,

1:22:24.439 --> 1:22:27.120
<v Speaker 1>he kind of implies that it's because it's his second

1:22:27.720 --> 1:22:32.440
<v Speaker 1>like he liked a movie where hyper parable plays a

1:22:32.479 --> 1:22:35.960
<v Speaker 1>gay character better. Like he's like, I like the other

1:22:36.160 --> 1:22:41.280
<v Speaker 1>parable lesbian movie better. And then you're like jeez. Okay,

1:22:41.280 --> 1:22:43.360
<v Speaker 1>Oh no, he was talking about another Oh yeah, was

1:22:43.400 --> 1:22:45.840
<v Speaker 1>he Yeah, that's what he Yes, he was like she

1:22:45.920 --> 1:22:48.559
<v Speaker 1>was probably thinking about how much better that movie was

1:22:48.880 --> 1:22:51.639
<v Speaker 1>the whole time she was shooting this movie. But he's

1:22:51.720 --> 1:22:57.680
<v Speaker 1>just a mess. Right. Here's what made me me eyebrows

1:22:57.840 --> 1:23:03.320
<v Speaker 1>raise is that that's specific sentence in the snapshot of

1:23:03.360 --> 1:23:07.479
<v Speaker 1>the article or review, not in the not in the

1:23:07.520 --> 1:23:10.120
<v Speaker 1>review once you click on it. So was it? So

1:23:10.160 --> 1:23:13.720
<v Speaker 1>where does it come from? It was scrubbed? Oh so

1:23:13.760 --> 1:23:15.880
<v Speaker 1>we'll never know the rest of that sentence. Wait, so

1:23:15.920 --> 1:23:18.880
<v Speaker 1>it was it originally published with that sentence in it,

1:23:18.920 --> 1:23:23.439
<v Speaker 1>but then they like edited it out later on. I'm

1:23:23.479 --> 1:23:27.160
<v Speaker 1>pretty sure because I couldn't find it anywhere else, right,

1:23:27.200 --> 1:23:29.160
<v Speaker 1>because I started. I tried to search for it too

1:23:29.240 --> 1:23:31.559
<v Speaker 1>once you had mentioned that, and then I couldn't find

1:23:31.600 --> 1:23:38.040
<v Speaker 1>it anywhere. So yeah, naughty boy Roger, naughty boy Roger.

1:23:39.200 --> 1:23:42.519
<v Speaker 1>We'll have to call him in hell where he lives

1:23:42.640 --> 1:23:46.439
<v Speaker 1>now there. Sorry, I just like to mention that Roger

1:23:46.520 --> 1:23:49.400
<v Speaker 1>Effort could be in hell if you believe in that

1:23:49.520 --> 1:23:52.920
<v Speaker 1>sort of thing. Sure, sure, yeah, I mean he maybe

1:23:53.000 --> 1:24:01.080
<v Speaker 1>he's in heck. It like the character's na um. Here's

1:24:01.080 --> 1:24:05.000
<v Speaker 1>a few things um Loose fat shames one of her customers.

1:24:05.880 --> 1:24:11.759
<v Speaker 1>Loose calls her love interest shrill Heck keeps talking about

1:24:11.760 --> 1:24:14.400
<v Speaker 1>how he could make jam and I'm like, excuse me,

1:24:14.479 --> 1:24:19.160
<v Speaker 1>don't you mean marmalade. We're in Paddington Territory here? Okay,

1:24:19.400 --> 1:24:23.680
<v Speaker 1>this is England, this is London. You mean marmalade? Have

1:24:23.720 --> 1:24:27.160
<v Speaker 1>I heard of it? Um? I felt as though there

1:24:27.280 --> 1:24:30.479
<v Speaker 1>was like we talked a little bit about Rachel's parents

1:24:30.600 --> 1:24:33.320
<v Speaker 1>and that relationship, how they hate each other, but then

1:24:33.360 --> 1:24:36.080
<v Speaker 1>at the very end they decided to rekindle. In the case,

1:24:36.680 --> 1:24:39.439
<v Speaker 1>it felt to me as though we had like a

1:24:39.520 --> 1:24:43.720
<v Speaker 1>shrewish mom trope happening with Rachel's mom. But then that

1:24:43.800 --> 1:24:46.840
<v Speaker 1>was also kind of like offset by Loose having a

1:24:46.920 --> 1:24:56.280
<v Speaker 1>cool mom so so much she fucks What else? I

1:24:56.320 --> 1:24:59.679
<v Speaker 1>feel like the part where Rachel almost kisses Loose after

1:24:59.760 --> 1:25:04.320
<v Speaker 1>they play DDR was a surprise kiss, but then it

1:25:04.360 --> 1:25:06.360
<v Speaker 1>didn't get followed through on, which I feel like we

1:25:06.439 --> 1:25:09.559
<v Speaker 1>haven't seen where like a surprise kiss doesn't happen all

1:25:09.560 --> 1:25:13.120
<v Speaker 1>the way. Surprise kisses just mean like nobody's asking can

1:25:13.120 --> 1:25:16.280
<v Speaker 1>I kiss you? Right, It's just like you know, you

1:25:16.360 --> 1:25:18.759
<v Speaker 1>kind of lunge at someone and kiss them without checking

1:25:18.760 --> 1:25:21.639
<v Speaker 1>in to see if they want to be kiss I'm sorry,

1:25:22.120 --> 1:25:23.960
<v Speaker 1>was there a lunge in that one? I feel like

1:25:24.000 --> 1:25:26.760
<v Speaker 1>that was a vibe, that was a vibe it could yeah,

1:25:26.880 --> 1:25:28.599
<v Speaker 1>I don't know. I feel like that that that one

1:25:28.600 --> 1:25:30.679
<v Speaker 1>passed the vibe check for me. I think I feel

1:25:30.680 --> 1:25:33.439
<v Speaker 1>like they were tiptoeing towards each other. Maybe I maybe

1:25:33.479 --> 1:25:36.719
<v Speaker 1>I'm just obsessed with people. No one, No one does

1:25:36.760 --> 1:25:41.200
<v Speaker 1>my line, my horny pickup line, which is should we kiss?

1:25:42.360 --> 1:25:47.280
<v Speaker 1>And that way it's very explicitly put out there. Thank you.

1:25:48.120 --> 1:25:51.040
<v Speaker 1>So whenever people don't say that and don't get all

1:25:51.080 --> 1:25:54.799
<v Speaker 1>of that verbal confirmation, see, I do something that's not sexy.

1:25:54.960 --> 1:26:02.439
<v Speaker 1>I say what the kids saying, oh cool? Oh yeah,

1:26:02.800 --> 1:26:06.559
<v Speaker 1>I asked if do you want to kiss? And then

1:26:07.360 --> 1:26:11.080
<v Speaker 1>after minutes of me being very very nervous, I'll say, okay,

1:26:11.120 --> 1:26:14.120
<v Speaker 1>here I come, so we're all doing great. I also

1:26:14.200 --> 1:26:17.439
<v Speaker 1>do like you know, when like a parent is like

1:26:18.040 --> 1:26:20.640
<v Speaker 1>feeding their kid a spoonful of thing and it's like

1:26:20.680 --> 1:26:23.160
<v Speaker 1>an airplane. I sort of do that too. I'm mike, here,

1:26:23.200 --> 1:26:30.320
<v Speaker 1>I come, is it with your head? Yeah? I'm like swiveling. Uh.

1:26:30.560 --> 1:26:36.280
<v Speaker 1>Sammy wins that that's pretty good. Um, I think that's

1:26:36.320 --> 1:26:40.479
<v Speaker 1>really all I had. Yeah, I had Coyote, I said,

1:26:40.560 --> 1:26:44.360
<v Speaker 1>I said, more like Coyote British. More like Rachel getting

1:26:44.479 --> 1:26:49.519
<v Speaker 1>unmarried and the night that's that's actually a really good joke, Jamie,

1:26:49.760 --> 1:26:53.599
<v Speaker 1>thank you. Wow, don't sound so surprised. Well, I mean

1:26:53.800 --> 1:26:57.920
<v Speaker 1>comparing to Coyote Britain from the from the joke, writer

1:26:58.040 --> 1:27:03.240
<v Speaker 1>who wrote Coyote Britain calls this a joke that makes sense.

1:27:04.200 --> 1:27:07.719
<v Speaker 1>Oh good, that's all I have. That's all I have, Yes, Sammy,

1:27:07.720 --> 1:27:11.120
<v Speaker 1>do anything else you'd like to share? Yeah? I really

1:27:11.200 --> 1:27:14.240
<v Speaker 1>don't like that. D d R is again misrepresented in

1:27:14.280 --> 1:27:17.479
<v Speaker 1>the movie. They're not playing, they're not actively playing the game.

1:27:18.400 --> 1:27:21.880
<v Speaker 1>Can touch happens a lot, and it's very frustrating as

1:27:21.920 --> 1:27:27.720
<v Speaker 1>a a DDR self DDR champion champion does me. It's

1:27:27.760 --> 1:27:31.559
<v Speaker 1>also funny when people in movies managed to make DDR

1:27:31.600 --> 1:27:34.639
<v Speaker 1>look sexy, because it's like, it's not to say it's

1:27:34.680 --> 1:27:38.639
<v Speaker 1>not sexy, but it's not like backup dancers sexy. It's

1:27:38.680 --> 1:27:41.160
<v Speaker 1>like DDR is really sexy if you wanted to see

1:27:41.200 --> 1:27:45.479
<v Speaker 1>someone move their feet really quickly and while their upper

1:27:45.520 --> 1:27:49.200
<v Speaker 1>half is essentially not moving at all, it's not pie

1:27:49.200 --> 1:27:51.200
<v Speaker 1>prepara book gets an ash shake in there. I'm like,

1:27:51.280 --> 1:27:54.400
<v Speaker 1>that's not that's not how the game is played. That's

1:27:54.439 --> 1:27:56.400
<v Speaker 1>not how ap plays. Also, I'll go ahead and say

1:27:56.400 --> 1:27:59.120
<v Speaker 1>that d d R is not really that sexy. It

1:27:59.320 --> 1:28:01.960
<v Speaker 1>is not, but it's the just the atmosphere of being

1:28:02.000 --> 1:28:07.600
<v Speaker 1>in an arcade and competing with someone exactly horny d

1:28:08.479 --> 1:28:12.880
<v Speaker 1>had even them ending up on a DDR machine after

1:28:13.120 --> 1:28:16.840
<v Speaker 1>Louis was like, I want to go dancing. That is ridiculous.

1:28:16.880 --> 1:28:20.960
<v Speaker 1>That is a ridiculous solution to that. Yes, I would

1:28:21.040 --> 1:28:23.880
<v Speaker 1>be so disappointed because d d R should not be

1:28:23.920 --> 1:28:29.080
<v Speaker 1>called Dance Dance Revolution. It's like Jump Jump Revolution. You're

1:28:29.120 --> 1:28:31.920
<v Speaker 1>not really dancing when you play DDR. You're just sort

1:28:31.960 --> 1:28:35.559
<v Speaker 1>of like stepping and hopping, like tap tap Now I'm sweating,

1:28:35.640 --> 1:28:41.880
<v Speaker 1>that's the game. That's the game. But I did enjoy

1:28:42.040 --> 1:28:44.120
<v Speaker 1>their connection and it felt to me as though they

1:28:44.120 --> 1:28:47.080
<v Speaker 1>had pretty palpable on screen chemistry. We've we've talked about

1:28:47.120 --> 1:28:50.920
<v Speaker 1>this where like developed on the side of the cave. True,

1:28:51.240 --> 1:28:55.080
<v Speaker 1>but we've talked about how like sometimes in queer movies

1:28:55.160 --> 1:29:00.479
<v Speaker 1>where straight actors are cast, the characters don't of any

1:29:00.680 --> 1:29:04.760
<v Speaker 1>chemistry and this isn't necessarily happiest season, I feel I

1:29:04.760 --> 1:29:08.720
<v Speaker 1>feel like we talked about this on the Carol episode

1:29:08.800 --> 1:29:11.160
<v Speaker 1>as well, And this is not necessarily this is not

1:29:11.280 --> 1:29:16.280
<v Speaker 1>specifically a heat for that one. That's true. No one

1:29:16.560 --> 1:29:20.200
<v Speaker 1>can claim that there was chemistry and happiest season just

1:29:20.360 --> 1:29:23.559
<v Speaker 1>canonically palpably untrue, Like did these women know each other?

1:29:23.600 --> 1:29:25.960
<v Speaker 1>I mean there was, but it was between Aubrey Plaza

1:29:25.960 --> 1:29:30.680
<v Speaker 1>and Christen Stewart right right. And this isn't like necessarily

1:29:30.960 --> 1:29:34.360
<v Speaker 1>an issue specific to queer movies because look at Matthew

1:29:34.439 --> 1:29:37.400
<v Speaker 1>McConaughey and every rom com he's in, and how little

1:29:37.439 --> 1:29:40.960
<v Speaker 1>chemistry he has with any of the women. Okay, Wedding Planner,

1:29:41.040 --> 1:29:44.120
<v Speaker 1>they were in love. That is so far and I

1:29:44.200 --> 1:29:47.320
<v Speaker 1>refused to check my work, But this is something that

1:29:47.360 --> 1:29:51.160
<v Speaker 1>we have come up upon where straight actors are cast

1:29:51.680 --> 1:29:55.760
<v Speaker 1>in queer roles and they often won't have chemistry with

1:29:55.800 --> 1:30:00.559
<v Speaker 1>each other. But I felt chemistry between Piper Parabow and

1:30:01.080 --> 1:30:05.880
<v Speaker 1>Lena Hetty. Yeah, tell that to my pair of boner

1:30:09.160 --> 1:30:14.680
<v Speaker 1>who piper pipe. There's a there's a pipe, there's a

1:30:14.720 --> 1:30:21.519
<v Speaker 1>penis joke in there. Maybe just spitballing anyone. Yeah, I was.

1:30:21.600 --> 1:30:23.840
<v Speaker 1>I was following it. No, I was following it. But

1:30:23.840 --> 1:30:25.479
<v Speaker 1>then I was like, that would sounds so gross to

1:30:25.479 --> 1:30:29.599
<v Speaker 1>say out loud. So well, happiest season more like horny

1:30:29.680 --> 1:30:34.280
<v Speaker 1>is season for Caitlin And I'm gonna make a piper

1:30:35.080 --> 1:30:41.360
<v Speaker 1>joke anyway, Right, it passes the Bichtel test. Big surprise,

1:30:41.880 --> 1:30:46.920
<v Speaker 1>the movie passes the Backtel test five hundred thousand times. Yes, man,

1:30:47.040 --> 1:30:49.680
<v Speaker 1>it's a lot between a lot of different combinations of

1:30:50.000 --> 1:30:54.799
<v Speaker 1>characters as well, moms and daughters, lovers, childs and children

1:30:54.800 --> 1:30:59.960
<v Speaker 1>and adults that our best friends we don't know. Yeah. Yeah,

1:31:01.120 --> 1:31:03.560
<v Speaker 1>as far as our nipple scales zero to five nipples.

1:31:03.600 --> 1:31:06.720
<v Speaker 1>Based on how the movie fares when looking at it

1:31:06.760 --> 1:31:12.960
<v Speaker 1>through an intersectional feminist lens, ah, I guess I would

1:31:13.000 --> 1:31:14.960
<v Speaker 1>give this. This is one of those sort of like

1:31:15.040 --> 1:31:18.800
<v Speaker 1>split down the middle movies For me. I do think

1:31:18.920 --> 1:31:23.640
<v Speaker 1>it was ahead of its time in a number of ways.

1:31:23.840 --> 1:31:29.040
<v Speaker 1>I think that it holds up better than you'd expect

1:31:29.240 --> 1:31:33.040
<v Speaker 1>of a two thousand five rom com about a queer

1:31:33.080 --> 1:31:39.320
<v Speaker 1>relationship written and directed by a straight white guy as

1:31:39.360 --> 1:31:43.200
<v Speaker 1>far as we know, but a lot of harmful tropes

1:31:43.600 --> 1:31:48.280
<v Speaker 1>were avoided. Not all of them were avoided, but enough

1:31:48.760 --> 1:31:52.519
<v Speaker 1>were that I feel like, you know, this is a

1:31:52.520 --> 1:31:56.200
<v Speaker 1>movie to to still watch and enjoy and appreciate the

1:31:56.240 --> 1:32:00.640
<v Speaker 1>relationship and appreciate that it's a queer rom calm that

1:32:00.760 --> 1:32:05.880
<v Speaker 1>has a happy ending and that has a nice relationship

1:32:05.960 --> 1:32:09.160
<v Speaker 1>that you can get behind. Because also, like just a

1:32:09.200 --> 1:32:13.000
<v Speaker 1>convention of the romcom genre is like it's a toxic

1:32:13.040 --> 1:32:16.400
<v Speaker 1>relationship where characters are lying to each other and being

1:32:16.439 --> 1:32:19.840
<v Speaker 1>manipulative and being gross and creepy a lot of the time,

1:32:20.479 --> 1:32:25.240
<v Speaker 1>and that doesn't happen in this movie. We just have

1:32:25.640 --> 1:32:31.559
<v Speaker 1>a pretty sweet connection between two people and they make

1:32:31.560 --> 1:32:35.519
<v Speaker 1>it work. So I think I'll give this three because

1:32:35.520 --> 1:32:39.240
<v Speaker 1>of that. It obviously gets points off for some of

1:32:39.240 --> 1:32:42.880
<v Speaker 1>the behavior of other characters that doesn't really go challenged

1:32:43.439 --> 1:32:48.439
<v Speaker 1>or commented on by the movie cooop and heck outing

1:32:49.040 --> 1:32:54.280
<v Speaker 1>loose all the time, That the extreme whiteness of the movie,

1:32:54.439 --> 1:32:58.519
<v Speaker 1>the sidelining of the one black character. Everyone else you

1:32:58.520 --> 1:33:02.479
<v Speaker 1>see on screen who as a speaking role is white.

1:33:02.880 --> 1:33:10.479
<v Speaker 1>Um yeah, three nipples, and I'll give one to Rachel,

1:33:10.560 --> 1:33:14.080
<v Speaker 1>I'll give one to Loose, and I'll give one to

1:33:14.439 --> 1:33:20.880
<v Speaker 1>Eat because I wanted more for her character. I'll meet

1:33:20.960 --> 1:33:25.160
<v Speaker 1>you three. Uh yeah, there's uh four. Its time considered,

1:33:25.400 --> 1:33:28.600
<v Speaker 1>like I had to keep putting my like. It's frustrating

1:33:28.640 --> 1:33:32.800
<v Speaker 1>because there are so many like better queer movies, many

1:33:32.840 --> 1:33:36.360
<v Speaker 1>of them made by queer people made well before this movie.

1:33:36.760 --> 1:33:40.519
<v Speaker 1>But a lot of the popular, you know, mainstream cinema,

1:33:40.680 --> 1:33:45.080
<v Speaker 1>that cinema, Oh my god. Okay, okay, I have to

1:33:45.080 --> 1:33:51.520
<v Speaker 1>go walk into the ocean, loser alert movies. It's called movies, okay,

1:33:51.560 --> 1:33:54.800
<v Speaker 1>but yeah, a lot of movies that featured queer relationships

1:33:54.840 --> 1:33:59.519
<v Speaker 1>in like mainstream releases. Literally, Geelie came out two years

1:33:59.560 --> 1:34:03.360
<v Speaker 1>before that, so I think, given the era it came

1:34:03.640 --> 1:34:07.000
<v Speaker 1>out in, I was pleasantly surprised that it did as

1:34:07.040 --> 1:34:11.840
<v Speaker 1>many just like lovely sweet rom com things as it did.

1:34:11.880 --> 1:34:16.320
<v Speaker 1>I like the relationship, I like the characters. Generally, I'm

1:34:16.360 --> 1:34:22.600
<v Speaker 1>mainly docking it for extreme whiteness, Papa Pilla's choices surrounding

1:34:22.680 --> 1:34:28.320
<v Speaker 1>when music should swell around children and uh and literally

1:34:28.360 --> 1:34:33.320
<v Speaker 1>and literally the character coop um, So I will I'll

1:34:33.360 --> 1:34:36.559
<v Speaker 1>go with three. I'll give when to loose window loses,

1:34:37.000 --> 1:34:42.479
<v Speaker 1>horny horny mom, and one to the hot dog. Oh yeah,

1:34:42.520 --> 1:34:46.800
<v Speaker 1>I wanted to give a nipple to the scarves. Oh yeah,

1:34:47.240 --> 1:34:51.799
<v Speaker 1>I ran out honorary mentioned to the scarfs scarves, scarves,

1:34:51.920 --> 1:34:58.360
<v Speaker 1>scarves and scarves, scarves, scarfs, Sammy, what about you? Um,

1:34:58.680 --> 1:35:01.880
<v Speaker 1>I don't have anything to add to y'all's reasoning, but

1:35:01.960 --> 1:35:08.160
<v Speaker 1>I think the child stuff makes me incredibly uncomfortable. So

1:35:08.320 --> 1:35:12.320
<v Speaker 1>it's a two and a half for me. Dog. Hell yeah,

1:35:12.439 --> 1:35:13.840
<v Speaker 1>do you want to go up to a two point six?

1:35:13.880 --> 1:35:17.720
<v Speaker 1>Two point seven? Two point four two point three? Are

1:35:17.720 --> 1:35:20.519
<v Speaker 1>you lying to me? We're just lying? And then you

1:35:20.600 --> 1:35:26.080
<v Speaker 1>hang up the phone and say I quit. I um

1:35:26.120 --> 1:35:32.559
<v Speaker 1>my nipples go to loose, go to Loose's mom, and

1:35:32.600 --> 1:35:35.840
<v Speaker 1>then the point five nip goes to don't forget me.

1:35:36.200 --> 1:35:43.360
<v Speaker 1>I won't remember anything else. It's nice, that's happing. Good.

1:35:43.840 --> 1:35:48.639
<v Speaker 1>Well give Papa Pia that m thank you so much

1:35:48.760 --> 1:35:50.840
<v Speaker 1>for joining us once again. You are now in the

1:35:51.439 --> 1:35:55.839
<v Speaker 1>three time appearance club. And for that again, the reward

1:35:55.920 --> 1:35:58.639
<v Speaker 1>is a nice little hug. I can't wait to hug

1:35:58.640 --> 1:36:03.040
<v Speaker 1>you both for longer than five minutes for eight dollars

1:36:03.080 --> 1:36:06.439
<v Speaker 1>a piece. I was like, and you don't even need

1:36:06.479 --> 1:36:09.920
<v Speaker 1>to pay me the five minutes. Divide that by it.

1:36:10.200 --> 1:36:13.639
<v Speaker 1>You just give me thirty five cents, give me no money.

1:36:13.680 --> 1:36:15.240
<v Speaker 1>I'm good to go. You got it. I want the

1:36:15.280 --> 1:36:20.080
<v Speaker 1>full eight dollars please, you got it? Thank you so

1:36:20.160 --> 1:36:24.040
<v Speaker 1>much for coming back. Where can people you know, check

1:36:24.080 --> 1:36:27.479
<v Speaker 1>out your stuff and follow you on social media and

1:36:27.560 --> 1:36:32.559
<v Speaker 1>all of that. I'm on Twitter at it underscore your

1:36:32.760 --> 1:36:36.040
<v Speaker 1>why oh you are underscore? Sam, don't follow me in

1:36:36.040 --> 1:36:40.800
<v Speaker 1>Instagram or what. I'm just I'm taking a break from it,

1:36:40.840 --> 1:36:43.559
<v Speaker 1>and I just it feels weird when people start following

1:36:43.600 --> 1:36:46.599
<v Speaker 1>me from podcasts, stuff or just like anything, and then

1:36:46.640 --> 1:36:49.840
<v Speaker 1>I feel like I'm overexposed. Yeah, that's part of why

1:36:49.840 --> 1:36:53.360
<v Speaker 1>I'm taking myself off. Now that's healthy. I have the

1:36:53.400 --> 1:36:58.320
<v Speaker 1>exact opposite and unhealthy relationship with social media and that

1:36:58.560 --> 1:37:02.400
<v Speaker 1>I need more people to follow me so that I

1:37:02.439 --> 1:37:05.639
<v Speaker 1>feel more valid as a human. So I'll just throw

1:37:05.680 --> 1:37:10.480
<v Speaker 1>out follow me at Caitlin Toronte on Twitter and Instagram.

1:37:10.720 --> 1:37:13.720
<v Speaker 1>I'm ambivalent on the issue at this time, smart and

1:37:13.800 --> 1:37:17.400
<v Speaker 1>so I won't be commenting further. However, you know you can't.

1:37:17.439 --> 1:37:21.920
<v Speaker 1>You can sign up for our Patreona game Matreon at

1:37:21.920 --> 1:37:27.679
<v Speaker 1>Patreona complaxback dol Cast, where we're covering all manner of

1:37:28.280 --> 1:37:33.320
<v Speaker 1>cinema this month, recovering two great pieces of cinema on

1:37:33.360 --> 1:37:36.000
<v Speaker 1>the Matreon we're covering I know what you did last

1:37:36.040 --> 1:37:40.760
<v Speaker 1>summer and Midsomar, So how do you like that? How

1:37:40.760 --> 1:37:43.080
<v Speaker 1>do you like that? The theme of course being I

1:37:43.200 --> 1:37:47.639
<v Speaker 1>know what you did last midsmar Um. It's not it's

1:37:47.760 --> 1:37:51.680
<v Speaker 1>it's no Coyote British, but I think that we were

1:37:51.720 --> 1:37:54.919
<v Speaker 1>onto something. But we did cover Coyote Ugly on the Matreon,

1:37:55.040 --> 1:37:57.760
<v Speaker 1>so that's just another reason to head over there and

1:37:57.880 --> 1:38:04.120
<v Speaker 1>subscribe and get access to that. Para boner Okay, we

1:38:04.160 --> 1:38:06.920
<v Speaker 1>got d the episode. We gotta end the episode. You

1:38:06.960 --> 1:38:08.960
<v Speaker 1>can get our merch at t public dot com slash

1:38:09.040 --> 1:38:13.840
<v Speaker 1>the Beachdel Cast. Follow us is also horny. Please like,

1:38:13.920 --> 1:38:20.760
<v Speaker 1>does someone say para boner um. Yeah, check out our

1:38:20.880 --> 1:38:27.000
<v Speaker 1>merch it's beyond the lookout for the forthcoming character short.

1:38:28.760 --> 1:38:35.120
<v Speaker 1>Just kidding. We will probably never make new merchants um anyway,

1:38:35.200 --> 1:38:38.439
<v Speaker 1>that's at public dot com slash the Bechdel Cast, and

1:38:39.280 --> 1:38:43.000
<v Speaker 1>thanks for listening. Thanks for coming back, Sammy, thanks for

1:38:43.040 --> 1:38:47.080
<v Speaker 1>coming back. Hey, thanks for having me. Happy Pride, Bye

1:38:47.080 --> 1:38:48.479
<v Speaker 1>bye