WEBVTT - Ne-Yo

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<v Speaker 1>You and Taylor Smith will make a cute couple. Y'all.

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<v Speaker 1>All right, y'all be killing, y'all be killing y'all.

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<v Speaker 2>Man Dale, Oh the tailor one on me. I'm toxic,

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<v Speaker 2>shall all my life, grinding all.

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<v Speaker 3>My life, sacrifice, hustle, P pricing one slice. Got the

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<v Speaker 3>brother geis swap all my life, Poppy, grinding all my life,

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<v Speaker 3>all my life, grinding all my life, sacrifights, hustle, p

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<v Speaker 3>pricing one slice, Doctor brother geiswap all my life, iop

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<v Speaker 3>be grinding all my life.

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<v Speaker 4>Hello, welcome to another edition of Club Shasha. I am

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<v Speaker 4>your host, Shannon Sharp. I'm also the propriet of Club Shaha,

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<v Speaker 4>and the guy that's stopping by for conversation and a

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<v Speaker 4>drink today is a three time Grammy Award winning hit maker,

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<v Speaker 4>a multi platinum selling singer, iconic songwriter, pop basalist, R

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<v Speaker 4>and B powerhouse dancer, composer, producer, internationally acclaimed recognized.

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<v Speaker 1>And a live, very very live and all the way

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<v Speaker 1>live performer.

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<v Speaker 4>Neil you doing, I'm good, but you'll stop eybody man

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<v Speaker 4>to give me a coming bite of your time today.

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<v Speaker 2>Thank you for having me.

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<v Speaker 1>My research. If my research is correct, you're a vodka drinker.

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<v Speaker 4>Yes, yes, I don't have vodka, but I have my

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<v Speaker 4>very own Konjact. I would be honored if you would

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<v Speaker 4>have a toast to your success and my success. You want, Hey,

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<v Speaker 4>we're not gonna tell the club because you know the

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<v Speaker 4>brown people, the brown make it tell the club up.

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<v Speaker 1>We're not gonna tell the club up.

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<v Speaker 2>Tonight I saw good. I happily do it.

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<v Speaker 1>Absolutely, appreciate you, bro yesterday you know just the doctor.

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<v Speaker 2>It is new.

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<v Speaker 1>You had this while I had. We went since twenty

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<v Speaker 1>twenty one. Cool all success, brod smooth, you know a

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<v Speaker 1>little something acute ever we want.

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<v Speaker 4>We beat twelve hundred knjacts at the Simple Wards the

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<v Speaker 4>best tastes in Kangjact in twenty twenty two.

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<v Speaker 1>So I appreciate you doing that. So how you doing.

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<v Speaker 2>I'm good man, I'm in a good space, real a

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<v Speaker 2>good space.

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<v Speaker 4>I appreciate you stopping by. I know you had a

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<v Speaker 4>big gig in Vegas. Actually we were on the plane

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<v Speaker 4>flying back together yesterday.

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<v Speaker 1>I was like, bad, I don't know if he just

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<v Speaker 1>going have But.

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<v Speaker 2>Now luckily I am virtually It's impossible for me to

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<v Speaker 2>stay awake on the airplane. That's where I catch up

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<v Speaker 2>on my sleep, even though that was like a thirteen

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<v Speaker 2>second flight. Right still here, Oh yeah, I can't stay

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<v Speaker 2>awake on the plane. The second butt touch seat, I'm gone.

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<v Speaker 2>I don't want the water. I don't want to Peanut,

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<v Speaker 2>don't you You're just gone gone whole time.

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<v Speaker 1>Let's get right into it.

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<v Speaker 4>The AI generated songs we see that Drake is complaining about.

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<v Speaker 4>I think he had a song with the Weekend generated

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<v Speaker 4>twenty million strings in forty eight hours. He complained about

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<v Speaker 4>the song that he made with an ice Spice.

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<v Speaker 1>Where is your what is your stance on this?

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<v Speaker 2>I'm just okay. I feel like technology is very much

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<v Speaker 2>like fire. It can destroy or it can warm a home,

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<v Speaker 2>you know what I mean. Like, it's about it's about

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<v Speaker 2>the way you use it. However, this specific technology, what

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<v Speaker 2>is the good aspect of it?

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<v Speaker 1>Like?

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<v Speaker 2>What is the positive aspect of this technology? Like? What

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<v Speaker 2>good thing are they going to do with it? Because

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<v Speaker 2>I can totally see all the bad things that can

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<v Speaker 2>be done. Right, It's like, you know, somebody said to

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<v Speaker 2>me the other day, they have an AI now where

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<v Speaker 2>you can tell the AI to write a song in

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<v Speaker 2>the form of neo right, and then there's another AI

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<v Speaker 2>you can go to and get Neo's voice to sing

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<v Speaker 2>said song that was just written in the form of Neo.

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<v Speaker 2>So basically, what does that mean? Neo no longer need it?

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<v Speaker 2>So I'm like, what is it? What is the what

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<v Speaker 2>is the endgame with this? Like, I don't, I don't.

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<v Speaker 2>I don't understand what the positive aspect of this technology is.

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<v Speaker 4>So you're telling me that there's an AI that can says, okay,

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<v Speaker 4>basically be a ghost writer.

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<v Speaker 2>Write a song like Neo, using words that Neo may use,

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<v Speaker 2>tones that Neo may use, and then you can go

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<v Speaker 2>to another AI and get Neo's voice to sing that song.

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<v Speaker 1>Do you think record companies are going to head in

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<v Speaker 1>this direction?

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<v Speaker 2>I don't know, that's the thing, because I don't. I

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<v Speaker 2>don't understand. Even with this Drake thing right now, right

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<v Speaker 2>twenty million streams and however many streams of twenty four

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<v Speaker 2>So that's that's money that's kind of just sitting there.

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<v Speaker 2>Who gets paid? Who they get that money to? Like?

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<v Speaker 2>Am I like, how how.

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<v Speaker 4>If your soul you feel you should be getting monetizing.

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<v Speaker 2>That If it's it's his voice, it's his voice used

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<v Speaker 2>to us through AI, Like he I feel like he

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<v Speaker 2>should get something for that, because they're using his voice.

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<v Speaker 2>I'm more than certain he didn't give them permission.

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<v Speaker 1>You feeling somebody get sued behind this article?

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<v Speaker 2>I listen if saying my voice on it, I might

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<v Speaker 2>be the first to sue. I'm trying to figure out.

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<v Speaker 2>I just again, I don't get it. If somebody can

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<v Speaker 2>tell me what the positive aspects of this technology is,

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<v Speaker 2>all right, let's figure that out. Now, it's just a

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<v Speaker 2>matter of how they use it. But if it ain't

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<v Speaker 2>no positive aspects, and y'all, now, y'all, just y'all literally

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<v Speaker 2>just taking money out of people's pocket, right, So.

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<v Speaker 4>In other words, they're basically trying to cut the artists,

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<v Speaker 4>the actual breathing, living artists, out.

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<v Speaker 1>Of the equation.

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<v Speaker 2>That's what it feels like.

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<v Speaker 4>We see all these social media TikTok. Are you a

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<v Speaker 4>fan of these like these shorts catchy jingles.

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<v Speaker 2>To a degree? I mean, when it's when it's fun,

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<v Speaker 2>it's fun, and that's all I find it good. But

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<v Speaker 2>when all of a sudden, now the radio has to

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<v Speaker 2>play this song because it's so popular on TikTok. Meanwhile,

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<v Speaker 2>the best part of the song you heard on TikTok

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<v Speaker 2>already and the rest of the song is gabbage, you

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<v Speaker 2>know what I mean. It just takes down the quality

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<v Speaker 2>of the music played on the radio. I mean it's again,

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<v Speaker 2>it's about the way the technology is used.

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<v Speaker 1>So you don't like this trend the word it's.

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<v Speaker 2>Headed, not really, man, I mean so I feel like

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<v Speaker 2>people are creating for the algorithm now as opposed to

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<v Speaker 2>creating from from the heart, from the soul, like what

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<v Speaker 2>music is supposed to. Music is supposed to be therapeutic.

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<v Speaker 2>Music is supposed to be you as your realist. You

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<v Speaker 2>know what I'm saying. There's things that I can't say

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<v Speaker 2>out loud that I can write in a song and

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<v Speaker 2>be totally all right with you know. So that's that's

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<v Speaker 2>supposed to be the realist version of you. If you're

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<v Speaker 2>writing a song and you're making the song a minute

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<v Speaker 2>and twenty seconds long because of the fact that if

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<v Speaker 2>the song is shorter it'll get streamed more, then you're

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<v Speaker 2>not like you're not writing that. That's nothing. You're not

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<v Speaker 2>saying anything worth being said in my personal opinion, So.

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<v Speaker 1>I wanted to ask you this.

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<v Speaker 4>You do you feel like artists make songs to be

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<v Speaker 4>popular or do they make songs that they really feel

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<v Speaker 4>It seems like me, I'm talking to you, you make

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<v Speaker 4>songs that you feel passionate about and whether you know, yeah,

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<v Speaker 4>obviously you want you wanted to be pop anyone, but

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<v Speaker 4>you're not just specifically trying to make a song that's

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<v Speaker 4>gonna be catchy.

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<v Speaker 2>That's not my thing. No. Music has been therapy for

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<v Speaker 2>me my entire you know what I mean. I credit

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<v Speaker 2>my mother for giving me my first red notebook and

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<v Speaker 2>telling me to write it down. And I was like,

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<v Speaker 2>write what down? And she's like, I don't give it damn,

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<v Speaker 2>just write it down because she saw that I needed

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<v Speaker 2>an outlet, you know. So that's what music has always

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<v Speaker 2>been for me. So if if I write something, what

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<v Speaker 2>I've always found found for myself is that if I

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<v Speaker 2>write from the heart, people tend to feel it more,

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<v Speaker 2>thus attends to do better.

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<v Speaker 1>You know.

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<v Speaker 2>So I've never been I've never been to a place

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<v Speaker 2>where it's like, Okay, let me write something that I

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<v Speaker 2>feel like is gonna make money. That's never been my

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<v Speaker 2>my That's never been my motivating factor, I should say

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<v Speaker 2>for music, it's always been about being able to express myself,

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<v Speaker 2>being able to being able to get that thing off

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<v Speaker 2>me if I need, if I need that, That's what

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<v Speaker 2>music has always been for me.

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<v Speaker 1>So have you always had this gift?

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<v Speaker 4>I mean because obviously you listen to music growing up

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<v Speaker 4>and you know, like, man, I like this, did you

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<v Speaker 4>go after you hear a song?

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<v Speaker 1>And do you like? Okay, let me try to write

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<v Speaker 1>something in the paper.

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<v Speaker 2>To that degree something like that. I my mom used

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<v Speaker 2>to watch TV with stereo on. Okay, Like music was

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<v Speaker 2>always there every day, all day, more than just you know,

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<v Speaker 2>cleaning the house on Sunday morning, Like every single day,

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<v Speaker 2>it's music blaring out of our house. So it took

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<v Speaker 2>me a minute to take the whole concept of the

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<v Speaker 2>words that I was putting together and then putting these

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<v Speaker 2>melodies with these words and then creating a song. Initially

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<v Speaker 2>it was just kind of like, uh, journal entries, you

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<v Speaker 2>know what I mean, or poems, you know, I find

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<v Speaker 2>a little girl I like, and I write write a

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<v Speaker 2>poem about her hair. Never get a poem to the girl,

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<v Speaker 2>because I wasn't you know, I wasn't that dude. I

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<v Speaker 2>had to grow into that dude anyway. But but yeah,

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<v Speaker 2>that was it is what it is now. But well,

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<v Speaker 2>yeah it took a minute to put the two together.

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<v Speaker 2>But once I did, like it became all I needed.

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<v Speaker 2>Like I didn't need I didn't need any other type

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<v Speaker 2>of therapy. I didn't need anybody to talk to because

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<v Speaker 2>I had my music. I could, I could. You know,

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<v Speaker 2>I wasn't judged by anybody, uh, when it was just

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<v Speaker 2>me and my music. So like it became my best friend.

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<v Speaker 1>Growing up. Who were some of the artists that you

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<v Speaker 1>listened to? I don't know. I mean Teddy Pendergrass was

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<v Speaker 1>when I growing up.

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<v Speaker 4>Very white, so classics obviously, you know you had baby

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<v Speaker 4>Face and you had Keith Sweat and you have so

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<v Speaker 4>who did Neo Bari or like Okay, I kind of

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<v Speaker 4>like this style.

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<v Speaker 2>Like I don't think anybody listening to music in the

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<v Speaker 2>nineties or was around for music in the nineties. I

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<v Speaker 2>don't think any songwriter after that period can say that

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<v Speaker 2>they didn't borrow something from Babyface. Yeah, Faces Faces Foundation, right.

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<v Speaker 3>Uh.

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<v Speaker 2>But then to go further back, you're Smokey Robinson. You

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<v Speaker 2>know I have I have five Kings, and these are

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<v Speaker 2>the five artists that I've always wanted to like, you know,

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<v Speaker 2>if I could take these five person people on tournament

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<v Speaker 2>in one person. This is who Neo was going to be,

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<v Speaker 2>you know, this is what I was going to So

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<v Speaker 2>it was Prince, Michael Jackson, Stevie Wonder, Samit Davis, Junior,

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<v Speaker 2>Marvin Gaye.

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<v Speaker 1>So like.

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<v Speaker 2>So so my entire everything, my entire artistry came from

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<v Speaker 2>me just pulling bits and pieces from these five specific artists.

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<v Speaker 4>So you're more of a because most of these guys

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<v Speaker 4>wrote a lot of these guys wrote for themselves. So

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<v Speaker 4>you like the you like to write for yourself, but

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<v Speaker 4>you like to write for other artists also.

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<v Speaker 2>Indeed, indeed, I I started loving was all writing was

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<v Speaker 2>always my first love. So I'm trying to say Kanye

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<v Speaker 2>getting to me again, no no, no, no, but writing

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<v Speaker 2>be even even so much before performing and all of that.

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<v Speaker 2>Writing has always been my first love. So yeah, I

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<v Speaker 2>learned that I could do it for other people as well.

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<v Speaker 2>Actually started out doing it for other people before I,

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<v Speaker 2>you know, got I guess confident enough to find my

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<v Speaker 2>own voice and do the artists.

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<v Speaker 4>Like radio streaming, it seems like streaming is kind of

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<v Speaker 4>the way to go. Is like things, you still have

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<v Speaker 4>the radio play, but it seems like streaming is the

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<v Speaker 4>way to go.

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<v Speaker 1>Now do you have a preference.

0:10:38.240 --> 0:10:40.719
<v Speaker 2>You know what I put it like this, when they

0:10:40.760 --> 0:10:44.320
<v Speaker 2>get the numbers right, when they finally you know, open

0:10:44.440 --> 0:10:46.200
<v Speaker 2>up them books and realize that them laws is one

0:10:46.280 --> 0:10:48.840
<v Speaker 2>hundred plus years old. All the music laws are one

0:10:48.880 --> 0:10:52.160
<v Speaker 2>hundred plus years Okay, every aspect of music has evolved

0:10:52.320 --> 0:10:56.240
<v Speaker 2>except the laws. And the laws are how artists make money,

0:10:56.440 --> 0:10:58.920
<v Speaker 2>you know what I mean. Like streaming is cool, finding good,

0:10:58.920 --> 0:11:00.800
<v Speaker 2>but it's to the point where if you are just

0:11:00.840 --> 0:11:03.760
<v Speaker 2>a songwriter, just a songwriter, it's hard for you to

0:11:03.960 --> 0:11:04.959
<v Speaker 2>live off of what you do.

0:11:05.160 --> 0:11:05.319
<v Speaker 1>Right.

0:11:05.720 --> 0:11:08.120
<v Speaker 2>So you know, once they get the numbers right with

0:11:08.200 --> 0:11:10.960
<v Speaker 2>the streaming, I'm all for it. I'm all for you know,

0:11:11.040 --> 0:11:13.720
<v Speaker 2>the evolution of the way people get their music, the

0:11:13.720 --> 0:11:16.280
<v Speaker 2>way people consume the music. I'm all for that. But

0:11:16.880 --> 0:11:19.280
<v Speaker 2>at some point somebody has to go, a wait a minute,

0:11:19.400 --> 0:11:21.400
<v Speaker 2>these guys ain't getting what they work over you, right,

0:11:21.679 --> 0:11:22.920
<v Speaker 2>you know what I mean? And that's that's what that's

0:11:22.920 --> 0:11:24.600
<v Speaker 2>where it's at right now. You know, I don't even

0:11:24.600 --> 0:11:26.160
<v Speaker 2>I don't even remember what a stream is right now.

0:11:26.240 --> 0:11:27.959
<v Speaker 2>But at one point it was like like a fraction

0:11:28.040 --> 0:11:30.240
<v Speaker 2>of opinion. I mean, streams you gotta get before you

0:11:30.240 --> 0:11:32.480
<v Speaker 2>can see any real mind. You know, that's just that's

0:11:32.480 --> 0:11:32.840
<v Speaker 2>mess up.

0:11:32.840 --> 0:11:34.960
<v Speaker 4>Well, how do you change your system when the system

0:11:35.040 --> 0:11:38.280
<v Speaker 4>is not instituting changes because they benefit the most from it.

0:11:38.320 --> 0:11:42.240
<v Speaker 2>That's the problem. That's the problem. I I wish I

0:11:42.280 --> 0:11:45.800
<v Speaker 2>could say that if the people rally together. But again,

0:11:45.960 --> 0:11:47.920
<v Speaker 2>you know, the people that are pulling, the people that

0:11:47.960 --> 0:11:49.720
<v Speaker 2>are pulling the strings are the people that are benefiting

0:11:49.720 --> 0:11:52.600
<v Speaker 2>the most from the system staying what it is. So yeah,

0:11:52.640 --> 0:11:55.679
<v Speaker 2>it's so uphill battle man. Why don't figure it out?

0:11:56.000 --> 0:11:58.000
<v Speaker 1>Why don't love songs sold like they used to?

0:11:58.520 --> 0:12:00.080
<v Speaker 4>Because you seem like you're back in the day he

0:12:00.200 --> 0:12:01.760
<v Speaker 4>got song they I want to beat with you for

0:12:01.760 --> 0:12:03.199
<v Speaker 4>the night. I want to like candles, I want to

0:12:03.440 --> 0:12:05.000
<v Speaker 4>tell the pronographs. I want to turn off the lives

0:12:05.040 --> 0:12:07.720
<v Speaker 4>and run the bath all. I would have a bubble

0:12:07.760 --> 0:12:09.400
<v Speaker 4>baffa do all that now, it seemed like it want

0:12:09.440 --> 0:12:12.880
<v Speaker 4>to be a smashing smashing Dash.

0:12:13.120 --> 0:12:20.080
<v Speaker 2>Yeah, smashing Dash goes. I like smashing Dash. No, you

0:12:20.120 --> 0:12:23.440
<v Speaker 2>got a songwriter spirit brother smashing Dash. Right.

0:12:23.760 --> 0:12:25.319
<v Speaker 4>You know I'm saying that because I don't come to

0:12:25.400 --> 0:12:27.240
<v Speaker 4>me that he gave it out here.

0:12:27.160 --> 0:12:31.000
<v Speaker 2>Before we started sending some relatives. Brother Rick co written

0:12:31.040 --> 0:12:31.520
<v Speaker 2>by what.

0:12:31.559 --> 0:12:34.800
<v Speaker 4>Happened to the real soul love making song that you

0:12:34.920 --> 0:12:36.199
<v Speaker 4>turn old you like, but this.

0:12:36.160 --> 0:12:36.960
<v Speaker 1>Is my damn.

0:12:37.679 --> 0:12:39.680
<v Speaker 2>I hate to I hate to say it this way,

0:12:40.280 --> 0:12:43.360
<v Speaker 2>but there's there's there's really no way to beat around

0:12:43.360 --> 0:12:47.000
<v Speaker 2>the bush. Every genre of music at one point got

0:12:47.000 --> 0:12:51.160
<v Speaker 2>a hip hop makeover, okay, right, country music, country music

0:12:51.160 --> 0:12:54.680
<v Speaker 2>got a hip hop makeover. Right? Hip hop has never

0:12:54.760 --> 0:12:59.200
<v Speaker 2>been about love, so to speaker, at least not that farm.

0:12:59.520 --> 0:13:02.240
<v Speaker 2>In the world of hip hop, that that love and

0:13:02.240 --> 0:13:06.120
<v Speaker 2>that vulnerability was was looked at its soft right. So

0:13:06.280 --> 0:13:10.280
<v Speaker 2>once hip hop became literally the biggest music in the world,

0:13:11.400 --> 0:13:13.439
<v Speaker 2>now all the all the all you please, baby, baby

0:13:13.440 --> 0:13:16.400
<v Speaker 2>please guys is looking at the fact that their audiences

0:13:16.400 --> 0:13:19.120
<v Speaker 2>are shrinking and the hip hop audience is growing. So

0:13:19.120 --> 0:13:21.760
<v Speaker 2>now it's like, all right, well, maybe she don't want

0:13:21.760 --> 0:13:23.800
<v Speaker 2>me to beg no moment. Maybe that's that's what they want.

0:13:23.800 --> 0:13:26.120
<v Speaker 2>All right, Well, now I gotta be tough now, now

0:13:26.120 --> 0:13:29.480
<v Speaker 2>I gotta now, I gotta sing the word bitch, what what?

0:13:30.040 --> 0:13:32.480
<v Speaker 2>And and and the women is gonna sing it with me? What?

0:13:32.800 --> 0:13:34.120
<v Speaker 2>This is where we are now, This is where we

0:13:34.160 --> 0:13:37.120
<v Speaker 2>are now, and it's it again, it is what it is.

0:13:37.160 --> 0:13:40.600
<v Speaker 2>I cannot be a lover of music and not uh

0:13:41.320 --> 0:13:43.800
<v Speaker 2>find the positive aspects of all genres of music and

0:13:43.840 --> 0:13:47.160
<v Speaker 2>all evolutions of music, But at the same time, when

0:13:47.240 --> 0:13:50.640
<v Speaker 2>an entire genre of music is no longer what it

0:13:50.760 --> 0:13:56.440
<v Speaker 2>was at its best moments because of this other genre takeover. Yeah, man,

0:13:56.480 --> 0:13:58.800
<v Speaker 2>that don't that don't feel good? That don't feel good.

0:14:00.080 --> 0:14:03.360
<v Speaker 4>I heard all the time it's R and B dead.

0:14:03.840 --> 0:14:06.520
<v Speaker 4>And if it's not, what, will R and B ever

0:14:06.559 --> 0:14:07.560
<v Speaker 4>be what it once was?

0:14:08.840 --> 0:14:10.680
<v Speaker 2>I do not think that R and B is dead.

0:14:11.559 --> 0:14:13.600
<v Speaker 2>I think that R and B is going through a

0:14:13.600 --> 0:14:18.360
<v Speaker 2>bit of an identity crisis right now. And will R

0:14:18.400 --> 0:14:22.240
<v Speaker 2>and B ever be what it was? I don't think so.

0:14:23.000 --> 0:14:25.960
<v Speaker 2>I think that the evolution of music is always going

0:14:26.000 --> 0:14:28.040
<v Speaker 2>to be a forward motion as opposed to a backward

0:14:28.120 --> 0:14:30.600
<v Speaker 2>most I just think that there's going to come a

0:14:30.640 --> 0:14:34.400
<v Speaker 2>point where somebody of this new generation is going to

0:14:35.000 --> 0:14:38.680
<v Speaker 2>realize the power of the way, what the way R

0:14:38.720 --> 0:14:41.280
<v Speaker 2>and B was, and then grab elements of that and

0:14:41.320 --> 0:14:43.520
<v Speaker 2>pull it into whatever the next thing is. That's what

0:14:43.640 --> 0:14:44.840
<v Speaker 2>That's what I think it's going to happen.

0:14:44.920 --> 0:14:46.440
<v Speaker 1>Did Auto Tunes ruined R and B?

0:14:47.640 --> 0:14:49.680
<v Speaker 2>It didn't ruin it. It just made the club a

0:14:49.680 --> 0:14:57.160
<v Speaker 2>little less elite. You know what I mean? Long long

0:14:57.280 --> 0:14:59.480
<v Speaker 2>you had to that was what it was. You wouln't.

0:14:59.520 --> 0:15:01.120
<v Speaker 2>You couldn't be part of the team if you didn't.

0:15:01.760 --> 0:15:03.960
<v Speaker 2>I'll take it even back further than like before me,

0:15:04.160 --> 0:15:06.600
<v Speaker 2>before your Joe de season, all that back when it

0:15:06.680 --> 0:15:09.200
<v Speaker 2>was the whole band is in one room. We got

0:15:09.240 --> 0:15:12.240
<v Speaker 2>to record this record. The drums got a microphone, the

0:15:12.280 --> 0:15:14.480
<v Speaker 2>guitar got a microphone, the singer got a microphone, the

0:15:14.520 --> 0:15:18.200
<v Speaker 2>backup singers got microphones. Ready action, you do the whole

0:15:18.240 --> 0:15:22.040
<v Speaker 2>song all the way down. There is no flying taking

0:15:22.120 --> 0:15:24.720
<v Speaker 2>up hook part and copy and pastes. We gotta do

0:15:24.760 --> 0:15:28.200
<v Speaker 2>the whole song every hook sang out the whole every

0:15:28.240 --> 0:15:33.120
<v Speaker 2>single time the person messing up your ass out of here,

0:15:33.160 --> 0:15:35.760
<v Speaker 2>bro like na, we gotta start all the way over

0:15:35.760 --> 0:15:37.640
<v Speaker 2>because you missed a note on the bass. Come on,

0:15:37.760 --> 0:15:40.320
<v Speaker 2>But so you had to be like you had to

0:15:40.320 --> 0:15:42.840
<v Speaker 2>be on it. You had to be on it. Now

0:15:43.480 --> 0:15:45.720
<v Speaker 2>you can push a button and get it all, which

0:15:45.800 --> 0:15:47.640
<v Speaker 2>means that the club is not as elite as it

0:15:47.680 --> 0:15:49.240
<v Speaker 2>once was. Now anybody can come in.

0:15:49.760 --> 0:15:52.440
<v Speaker 1>All right, Well, you mentioned boy bands.

0:15:52.760 --> 0:15:56.160
<v Speaker 4>You started out as a boy bandes, what happened to

0:15:56.200 --> 0:15:57.119
<v Speaker 4>the boy band.

0:16:00.080 --> 0:16:01.880
<v Speaker 2>To a degree, the same thing that kind of happened

0:16:01.920 --> 0:16:04.800
<v Speaker 2>to R and B is. You know what's worse than

0:16:04.840 --> 0:16:09.160
<v Speaker 2>one dude sitting around big and four what it became.

0:16:10.480 --> 0:16:13.000
<v Speaker 2>It's just to say that truth, that's what it became. Now,

0:16:13.040 --> 0:16:16.280
<v Speaker 2>if if we ever get another boy band, it's gonna

0:16:16.320 --> 0:16:20.360
<v Speaker 2>be more than likely a primarily hip hop based situation

0:16:20.880 --> 0:16:23.880
<v Speaker 2>because we got to get back to that point where

0:16:24.560 --> 0:16:27.080
<v Speaker 2>people realize the power of vulnerability. I don't think that.

0:16:27.200 --> 0:16:29.880
<v Speaker 2>I don't think anybody understands how much power there is

0:16:29.920 --> 0:16:34.400
<v Speaker 2>in being able to be vulnerable. You make vulnerable not

0:16:34.520 --> 0:16:36.480
<v Speaker 2>look weak. There's no way it's vulnerable.

0:16:36.520 --> 0:16:40.720
<v Speaker 4>Oh do you think they'll ever be? I mean, because

0:16:40.800 --> 0:16:44.440
<v Speaker 4>you know, would there ever be another new kids and

0:16:44.920 --> 0:16:47.200
<v Speaker 4>boys to me and in sync?

0:16:47.280 --> 0:16:50.760
<v Speaker 1>And do you? I mean because I mean if.

0:16:51.360 --> 0:16:54.360
<v Speaker 4>Splitting two hundred thousand, three hundred thousand and six ways

0:16:54.840 --> 0:16:58.600
<v Speaker 4>as opposed to like six hundred thousand one way sounds

0:16:58.600 --> 0:16:59.120
<v Speaker 4>better than.

0:16:59.000 --> 0:17:03.760
<v Speaker 2>Me right, definitely, so definitely. So I mean, and mind you,

0:17:04.359 --> 0:17:05.879
<v Speaker 2>let us keep in mind that the boy band is

0:17:05.920 --> 0:17:08.159
<v Speaker 2>not dead. It's not it's not dead. It's just Korean.

0:17:08.720 --> 0:17:09.880
<v Speaker 1>Oh okay, okay.

0:17:09.880 --> 0:17:11.959
<v Speaker 2>Shout out to BTS, Shout out to the whole K

0:17:12.000 --> 0:17:14.200
<v Speaker 2>pop movement, like they still they still going strong with

0:17:14.240 --> 0:17:17.399
<v Speaker 2>the boy band movement. It's just it's I don't know,

0:17:17.640 --> 0:17:18.919
<v Speaker 2>you know what, I got to give a lot of

0:17:18.960 --> 0:17:21.800
<v Speaker 2>credit to K pop and just I've been over there

0:17:22.200 --> 0:17:25.080
<v Speaker 2>and saw just the machine that it is over there.

0:17:25.119 --> 0:17:27.360
<v Speaker 2>Like they're literally going from like from a kid from

0:17:27.400 --> 0:17:31.440
<v Speaker 2>a child and training these kids in music, guitar with piano,

0:17:31.800 --> 0:17:34.600
<v Speaker 2>real live music, teaching them how to really sing, really dance,

0:17:34.800 --> 0:17:36.960
<v Speaker 2>and then deciding if they're gonna get in a group

0:17:37.040 --> 0:17:38.960
<v Speaker 2>or if you're gonna be a solo artist. And it's

0:17:39.000 --> 0:17:41.520
<v Speaker 2>like and it's producing. It's producing a pretty quality product

0:17:41.520 --> 0:17:43.440
<v Speaker 2>of producing on myself. So shout out to K pop

0:17:43.480 --> 0:17:46.040
<v Speaker 2>and just everything that's happening in that movement. Man, it's dope.

0:17:46.240 --> 0:17:48.920
<v Speaker 1>What happened to your group? Why stay together?

0:17:49.080 --> 0:17:53.040
<v Speaker 2>We we disbanded because we was broke, and you know,

0:17:53.119 --> 0:17:55.800
<v Speaker 2>you can only be broke for so long before you know,

0:17:55.920 --> 0:17:57.800
<v Speaker 2>being broke with people just gets annoying.

0:17:58.040 --> 0:18:01.000
<v Speaker 1>It's like one person be broke where you got five.

0:18:01.400 --> 0:18:03.600
<v Speaker 2>I can be broke by myself and b aight for

0:18:03.640 --> 0:18:06.080
<v Speaker 2>a little while, but I'm broke with you, and I

0:18:06.080 --> 0:18:07.919
<v Speaker 2>got to listen to you plan by being broke to

0:18:08.520 --> 0:18:12.320
<v Speaker 2>bro I don't. But now we we eventually broke up

0:18:12.359 --> 0:18:14.639
<v Speaker 2>because you know, things just wasn't moving away we expected

0:18:14.680 --> 0:18:18.199
<v Speaker 2>in the movie. And mind you we it's not like

0:18:18.240 --> 0:18:21.520
<v Speaker 2>we really sat down and devised like the best plane, right,

0:18:21.760 --> 0:18:24.560
<v Speaker 2>you know what I mean? We after after graduation, we

0:18:24.600 --> 0:18:28.960
<v Speaker 2>all sat in the Dennys in Las Vegas and rode

0:18:29.000 --> 0:18:30.840
<v Speaker 2>out on a napkin what our plan was. And the

0:18:30.920 --> 0:18:34.240
<v Speaker 2>plan was hopping Corey's van because Corey was the only person,

0:18:34.520 --> 0:18:36.800
<v Speaker 2>only one of us with a car. Hopping Corey's van

0:18:36.960 --> 0:18:40.400
<v Speaker 2>driver California, find a Capitol Records building, Park in front

0:18:40.400 --> 0:18:42.159
<v Speaker 2>of the Capitol Records Building, jump up on top of

0:18:42.200 --> 0:18:44.639
<v Speaker 2>the van and sing our songs until the president of

0:18:44.680 --> 0:18:46.680
<v Speaker 2>the Capitol Records comes down and gives us a record deal.

0:18:46.760 --> 0:18:50.000
<v Speaker 2>This was the plan. Notice I didn't mention food, I

0:18:50.000 --> 0:18:53.520
<v Speaker 2>didn't mention shelter. Yeah, all of these things that that

0:18:53.720 --> 0:18:59.160
<v Speaker 2>was so easy. Shelter Corey's van provided shelter for six months,

0:18:59.240 --> 0:19:02.880
<v Speaker 2>foecasts in the in a v W van for six months. Yeah. Yeah,

0:19:03.119 --> 0:19:06.080
<v Speaker 2>that's that's that's that's that's the epitome of.

0:19:06.280 --> 0:19:07.240
<v Speaker 1>What you were dedicated.

0:19:07.359 --> 0:19:08.960
<v Speaker 4>You like, Okay, this is what is gonna take for

0:19:09.000 --> 0:19:10.680
<v Speaker 4>the time being. So we got to make the best

0:19:10.680 --> 0:19:11.320
<v Speaker 4>of the situation.

0:19:11.440 --> 0:19:12.920
<v Speaker 2>We did what we had to do until we just

0:19:12.960 --> 0:19:14.720
<v Speaker 2>couldn't do it no more. It just it just got

0:19:14.720 --> 0:19:16.320
<v Speaker 2>to the point where it's like, all right, you know what,

0:19:17.520 --> 0:19:18.919
<v Speaker 2>maybe this ain't what it's supposed to be.

0:19:19.000 --> 0:19:20.800
<v Speaker 1>So did the guy come down from Capitol Records?

0:19:20.800 --> 0:19:24.280
<v Speaker 2>And the only people that came out of Capitol Records

0:19:24.320 --> 0:19:28.119
<v Speaker 2>for us was security the law. Yes, we got to

0:19:28.160 --> 0:19:30.840
<v Speaker 2>a first name basis with the security guard at Capitol

0:19:30.880 --> 0:19:32.600
<v Speaker 2>Records because we would show up around the same time

0:19:32.640 --> 0:19:34.800
<v Speaker 2>every day, get up sing our songs, you know what

0:19:34.840 --> 0:19:36.960
<v Speaker 2>I'm saying. We started doing it when we knew everybody

0:19:37.000 --> 0:19:38.760
<v Speaker 2>was at lunch, so people would come out, you know,

0:19:38.880 --> 0:19:40.600
<v Speaker 2>sometimes they throw us a little change or whatever the

0:19:40.640 --> 0:19:42.520
<v Speaker 2>case may be. But then after a while, dude like,

0:19:42.520 --> 0:19:45.440
<v Speaker 2>all right, y'all gotta make a movie. All right, ted,

0:19:45.480 --> 0:19:46.520
<v Speaker 2>we'll be back tomorrow. Yep.

0:19:48.040 --> 0:19:50.960
<v Speaker 1>So who would you compare your group? Took? What was

0:19:51.000 --> 0:19:52.960
<v Speaker 1>your group? What would we?

0:19:52.960 --> 0:19:54.560
<v Speaker 2>We idolized Boyston men?

0:19:54.680 --> 0:19:57.000
<v Speaker 1>Okay, so we was we.

0:19:56.840 --> 0:19:59.200
<v Speaker 2>Was about you know, finding them four and five part harmony,

0:19:59.359 --> 0:20:01.520
<v Speaker 2>right right, y'all love songs. That was our thing.

0:20:01.640 --> 0:20:03.440
<v Speaker 1>No instruments, any instrument.

0:20:03.280 --> 0:20:05.280
<v Speaker 2>Not not well enough to get on stage with them.

0:20:05.320 --> 0:20:08.639
<v Speaker 2>Now sit in the room and tap out on the

0:20:08.640 --> 0:20:11.800
<v Speaker 2>piano thing thinking think yeah, this one thing thing, think

0:20:11.880 --> 0:20:14.080
<v Speaker 2>that one. That's that's about as good as we got with.

0:20:14.160 --> 0:20:17.479
<v Speaker 4>So when you performed the MTV you did Apollo Show Apollo,

0:20:18.160 --> 0:20:20.000
<v Speaker 4>you was like, Okay, I made it, or did you

0:20:20.080 --> 0:20:21.320
<v Speaker 4>like I'm still not here.

0:20:21.240 --> 0:20:24.920
<v Speaker 2>Yet with the group or just as myself you feel

0:20:25.440 --> 0:20:28.679
<v Speaker 2>as myself? It was definitely good to be able to

0:20:28.680 --> 0:20:30.840
<v Speaker 2>go back to some of those places where you know,

0:20:30.880 --> 0:20:32.399
<v Speaker 2>I kind of fell on my face with the with

0:20:32.440 --> 0:20:35.639
<v Speaker 2>the group and and and do it over. Uh that

0:20:35.800 --> 0:20:37.879
<v Speaker 2>that definitely felt good. But now I didn't realize I

0:20:38.040 --> 0:20:42.080
<v Speaker 2>made it until I We used to throw a Grammy

0:20:42.119 --> 0:20:44.600
<v Speaker 2>party every year, whether we want or not, we just

0:20:44.640 --> 0:20:47.960
<v Speaker 2>throw the party. And I remember Prince and Steven Wander

0:20:48.080 --> 0:20:50.639
<v Speaker 2>crash my party. Now crash my party is not the

0:20:50.640 --> 0:20:54.280
<v Speaker 2>way that I want to say that, because but who's

0:20:54.280 --> 0:20:57.160
<v Speaker 2>not letting Steven Win and Prince Lee bud so y'all,

0:20:57.240 --> 0:20:59.719
<v Speaker 2>y'all had crashed nothing. They just they showed up. They

0:20:59.720 --> 0:21:02.399
<v Speaker 2>showed up uninvited. I didn't invite them because I'm like,

0:21:02.440 --> 0:21:05.840
<v Speaker 2>I figured they wouldn't come, but yeah, they they crashed

0:21:05.840 --> 0:21:08.720
<v Speaker 2>my party. So I remember they. I remember sitting in

0:21:08.760 --> 0:21:11.200
<v Speaker 2>the section. Prince is right here and Stevie Wonder is

0:21:11.240 --> 0:21:13.760
<v Speaker 2>right here, and I'm just sweating bullets, like what do

0:21:13.840 --> 0:21:14.240
<v Speaker 2>I say?

0:21:14.400 --> 0:21:14.520
<v Speaker 1>Like?

0:21:14.560 --> 0:21:16.960
<v Speaker 2>These are two of the reasons that I even do this, right,

0:21:17.280 --> 0:21:19.720
<v Speaker 2>So I took a sip of my drink. Prince Lean's

0:21:19.720 --> 0:21:25.240
<v Speaker 2>over and goes, what are you drinking? Vodka cranberry? He goes,

0:21:26.440 --> 0:21:29.880
<v Speaker 2>mind you, I'm already sitting this closer, man, So now

0:21:29.920 --> 0:21:31.760
<v Speaker 2>you want me to get even close? Okay, all right,

0:21:32.119 --> 0:21:33.880
<v Speaker 2>it's just fucker's.

0:21:33.480 --> 0:21:33.960
<v Speaker 1>Bad for you.

0:21:36.720 --> 0:21:38.320
<v Speaker 2>And didn't say nothing else the rest of the time

0:21:38.359 --> 0:21:40.720
<v Speaker 2>he was at That was the That was the entirety

0:21:40.760 --> 0:21:43.480
<v Speaker 2>of our conversation. I didn't touch the drink until it

0:21:43.560 --> 0:21:43.920
<v Speaker 2>left again.

0:21:43.960 --> 0:21:46.640
<v Speaker 1>I couldn't well clearly listen to it because.

0:21:46.880 --> 0:21:50.520
<v Speaker 2>No, no, But in the moment, in the moment, you know,

0:21:50.640 --> 0:21:53.159
<v Speaker 2>it was that, you know, Deebo say shut up, I

0:21:53.160 --> 0:21:53.560
<v Speaker 2>shut up.

0:21:57.200 --> 0:21:59.920
<v Speaker 1>Your first deal? What was that moment?

0:22:00.280 --> 0:22:05.000
<v Speaker 2>Like my first deal, my first deal with was with

0:22:05.320 --> 0:22:11.040
<v Speaker 2>Columbia Records, and it was I'll say this, it was

0:22:11.040 --> 0:22:15.520
<v Speaker 2>a learning experience, you know, a as an artist signed

0:22:15.520 --> 0:22:18.000
<v Speaker 2>to a label, you don't got a whole lot of freedom,

0:22:18.040 --> 0:22:21.560
<v Speaker 2>but there are some elements of it that you can control,

0:22:21.920 --> 0:22:24.320
<v Speaker 2>you know. I went in under the impression that I

0:22:24.359 --> 0:22:26.280
<v Speaker 2>had no control of anything. So I was kind of like,

0:22:26.640 --> 0:22:28.040
<v Speaker 2>it's kind of like a robot a little bit, you

0:22:28.080 --> 0:22:29.639
<v Speaker 2>know what I'm saying. Pretty much, whatever they told me

0:22:29.680 --> 0:22:31.280
<v Speaker 2>to do, I did whatever they told me to wear,

0:22:31.560 --> 0:22:33.640
<v Speaker 2>whatever producers they told me to work with, you know,

0:22:33.880 --> 0:22:37.600
<v Speaker 2>just because I'm thinking, I worked so hard to get here,

0:22:37.640 --> 0:22:42.320
<v Speaker 2>let me not rock the boat, right. So it finally

0:22:42.359 --> 0:22:45.480
<v Speaker 2>came down to the album is done, the artwork is done,

0:22:45.920 --> 0:22:48.960
<v Speaker 2>We've picked the first single, were ready to go, and

0:22:49.000 --> 0:22:53.280
<v Speaker 2>I'm looking at like a flyer of the artwork, and

0:22:53.320 --> 0:22:57.439
<v Speaker 2>I'm like, this is not me, this is not me,

0:22:57.640 --> 0:23:00.199
<v Speaker 2>This is like, this is baby tyres Is. Somebody like,

0:23:00.440 --> 0:23:02.400
<v Speaker 2>no disrespect to Tyrene, but I feel like that's kind

0:23:02.400 --> 0:23:04.040
<v Speaker 2>of the direction they were trying to go with me.

0:23:04.240 --> 0:23:06.399
<v Speaker 2>If you see the pictures, it's like, yeah, there's a

0:23:06.400 --> 0:23:09.879
<v Speaker 2>little Tyresis anyway, much a lot of Tyreses anyway. So

0:23:10.880 --> 0:23:13.159
<v Speaker 2>I go to the label on some listen. I know

0:23:13.240 --> 0:23:16.080
<v Speaker 2>the album is finished, but do y'all think I could

0:23:16.080 --> 0:23:17.840
<v Speaker 2>go in and maybe do one or two more songs

0:23:17.880 --> 0:23:22.120
<v Speaker 2>that just kind of fit. Who the hell I am right,

0:23:22.520 --> 0:23:25.199
<v Speaker 2>And they were like, well, no album is done, and

0:23:25.240 --> 0:23:27.600
<v Speaker 2>also your budget is depleted. I'm like, how much my

0:23:27.600 --> 0:23:30.200
<v Speaker 2>budget depleted? I know exactly what we spent. And this

0:23:30.240 --> 0:23:32.879
<v Speaker 2>is when I learned that, Okay, I don't know if

0:23:32.920 --> 0:23:34.840
<v Speaker 2>this still goes on. It's been a while since I've

0:23:34.880 --> 0:23:37.000
<v Speaker 2>had this happen to meet. But you get a record

0:23:37.080 --> 0:23:39.960
<v Speaker 2>deal and they take you out to eat and they

0:23:40.000 --> 0:23:41.920
<v Speaker 2>throw that credit card down at the end of the night,

0:23:42.440 --> 0:23:44.520
<v Speaker 2>and what they don't tell you is that that's your

0:23:44.560 --> 0:23:50.600
<v Speaker 2>budget on that credit card. What yeah, yeah, yeah, yeah yeah.

0:23:50.600 --> 0:23:52.520
<v Speaker 2>We went with Tomtterr Child's a bunch of different times.

0:23:52.560 --> 0:23:56.160
<v Speaker 2>I'm like, they just you love me in here, mister

0:23:56.280 --> 0:24:00.600
<v Speaker 2>Childs every time we visited. All right, my label loved me. No.

0:24:00.760 --> 0:24:02.800
<v Speaker 2>I was paying for all that and had no idea,

0:24:03.400 --> 0:24:06.040
<v Speaker 2>had no clue what it was.

0:24:06.320 --> 0:24:08.919
<v Speaker 4>Clearly you said your first deal, so things didn't go

0:24:09.200 --> 0:24:14.800
<v Speaker 4>as expect you when you were dropped, what are you thinking?

0:24:17.320 --> 0:24:19.280
<v Speaker 2>To be completely honest with you, I went into a

0:24:19.320 --> 0:24:24.000
<v Speaker 2>slight depression just behind really feeling like, you know, my

0:24:24.080 --> 0:24:26.040
<v Speaker 2>foot was in the door. Maybe I should have just

0:24:26.240 --> 0:24:27.600
<v Speaker 2>maybe I should just went with what they wanted me

0:24:27.640 --> 0:24:29.360
<v Speaker 2>to do. Maybe I should have, you know, to hell

0:24:29.400 --> 0:24:32.080
<v Speaker 2>with artistic integrity and just go for it. But then

0:24:32.119 --> 0:24:33.640
<v Speaker 2>I know, I know in the back of my head,

0:24:33.640 --> 0:24:34.959
<v Speaker 2>I would have never been able. I wouldn't been able

0:24:34.960 --> 0:24:37.679
<v Speaker 2>to look myself in the maryor so I'm back to

0:24:37.720 --> 0:24:40.960
<v Speaker 2>square one, just kind of trying to figure it out

0:24:40.960 --> 0:24:44.520
<v Speaker 2>at this point. You know, Yeah, it was, it was.

0:24:44.680 --> 0:24:46.919
<v Speaker 2>It was a rough little moment just because I didn't

0:24:46.960 --> 0:24:50.560
<v Speaker 2>know that that was like the most uncertain moment that

0:24:50.600 --> 0:24:53.199
<v Speaker 2>I that I had experienced up to then. You know,

0:24:53.320 --> 0:24:55.360
<v Speaker 2>because even even when we was living in the van,

0:24:55.800 --> 0:24:57.520
<v Speaker 2>you know, I'm talking to my mom every day, and

0:24:57.520 --> 0:24:59.680
<v Speaker 2>I knew that if push come to shove and it

0:24:59.800 --> 0:25:02.480
<v Speaker 2>hit the fan, I could go on home. But then

0:25:02.520 --> 0:25:08.679
<v Speaker 2>in this situation, I'm out here. I'm rough Lee twenty

0:25:08.760 --> 0:25:11.320
<v Speaker 2>twenty one years old. I just got dropped from my

0:25:11.400 --> 0:25:14.720
<v Speaker 2>record label. My managers is not picking up the phone

0:25:14.760 --> 0:25:17.000
<v Speaker 2>no more because we got dropped from a record Like

0:25:17.080 --> 0:25:19.040
<v Speaker 2>it's like, all right, well, clearly they don't want you.

0:25:21.280 --> 0:25:25.240
<v Speaker 2>I have no I have no options, no anything, right,

0:25:25.359 --> 0:25:28.760
<v Speaker 2>So it's it's literally a back to square one moment,

0:25:29.000 --> 0:25:32.440
<v Speaker 2>and I just leaned on what was always there, which

0:25:32.480 --> 0:25:34.760
<v Speaker 2>was the music. You know what I'm saying. I literally

0:25:34.800 --> 0:25:37.600
<v Speaker 2>met the man that is my manager today as I

0:25:37.680 --> 0:25:40.399
<v Speaker 2>was walking down the street, just literally singing at the

0:25:40.400 --> 0:25:42.600
<v Speaker 2>top of my lungs with my eyes closed because I

0:25:42.640 --> 0:25:44.720
<v Speaker 2>was that's the only place that I could find solace.

0:25:44.760 --> 0:25:46.879
<v Speaker 2>And I'm just walking and singing, and he's in an

0:25:47.040 --> 0:25:49.960
<v Speaker 2>suv driving in the opposite direction. Scared turned around in

0:25:49.960 --> 0:25:52.080
<v Speaker 2>the middle of the street and came back, Ay you

0:25:52.119 --> 0:25:56.800
<v Speaker 2>singing something? Yeah, clearly, yeah, I choke. You said, I

0:25:56.800 --> 0:25:58.359
<v Speaker 2>know this person, this person, that person I got this

0:25:58.359 --> 0:26:01.520
<v Speaker 2>studio that is I to mind you. I'm hearing this.

0:26:01.560 --> 0:26:04.840
<v Speaker 2>I'm seeing his lips moving, but I ain't listening nothing whatever.

0:26:04.880 --> 0:26:07.480
<v Speaker 2>Brook All right, well, right round the corner, all right,

0:26:07.520 --> 0:26:09.320
<v Speaker 2>come on, let's go. I hopped in the van again.

0:26:09.359 --> 0:26:10.720
<v Speaker 2>I don't know who this person is. You could have

0:26:10.760 --> 0:26:12.880
<v Speaker 2>you could have killed me. I ain't know. He brought

0:26:12.920 --> 0:26:15.000
<v Speaker 2>me around the corner to uh, these two these two

0:26:15.040 --> 0:26:19.480
<v Speaker 2>producers that he was working with. And I worked with

0:26:19.600 --> 0:26:24.000
<v Speaker 2>him for roughly three to four months before we got

0:26:24.040 --> 0:26:27.080
<v Speaker 2>the death Jam deal and mind you, no contract. He

0:26:27.160 --> 0:26:28.800
<v Speaker 2>said to me, He said, to me, listen, I'm gonna

0:26:28.800 --> 0:26:30.480
<v Speaker 2>shake your hand right now. If I don't get you

0:26:30.520 --> 0:26:33.280
<v Speaker 2>a deal in four months, you walk away with that handshaking.

0:26:33.359 --> 0:26:34.760
<v Speaker 2>We go out, we go away. So I don't need

0:26:34.800 --> 0:26:38.200
<v Speaker 2>no paper, I don't need no nothing. Four months to

0:26:38.280 --> 0:26:40.480
<v Speaker 2>the day, I had a record deal. I had a

0:26:40.480 --> 0:26:43.080
<v Speaker 2>record deal. Death Jam. Yeah, so much load of tango,

0:26:43.200 --> 0:26:44.720
<v Speaker 2>much letter, my team, much a lot of compound.

0:26:45.160 --> 0:26:49.800
<v Speaker 1>That's you go to death Jam. Yes, that goals. That's

0:26:49.840 --> 0:26:54.280
<v Speaker 1>your second record, that's your second record contract. Things going well.

0:26:54.440 --> 0:26:57.040
<v Speaker 2>Things are going well. Things are going well because I

0:26:57.119 --> 0:26:58.800
<v Speaker 2>went in there with a little bit of knowledge. It's

0:26:58.880 --> 0:27:00.800
<v Speaker 2>like noa, noa, we don't need to go to Miss Challo.

0:27:00.960 --> 0:27:04.480
<v Speaker 1>Yeah we're good. I'm good. Yeah, I cooked before I left.

0:27:04.480 --> 0:27:06.600
<v Speaker 2>I'm straight left overs.

0:27:06.640 --> 0:27:07.720
<v Speaker 1>We're good, right good Okay.

0:27:08.119 --> 0:27:11.320
<v Speaker 2>So and then also I got the opportunity to talk

0:27:11.359 --> 0:27:15.200
<v Speaker 2>to la Read and really talk to him like from

0:27:15.240 --> 0:27:17.600
<v Speaker 2>an artist, from an artist soul to an artist soul.

0:27:18.119 --> 0:27:21.399
<v Speaker 2>I went to him and said, listen, the music that

0:27:21.520 --> 0:27:23.480
<v Speaker 2>you're that you've heard and that you've liked, is the

0:27:23.600 --> 0:27:26.240
<v Speaker 2>music that I really do. If this is a situation

0:27:26.240 --> 0:27:28.040
<v Speaker 2>where you're gonna try to turn me into somebody else,

0:27:28.480 --> 0:27:30.720
<v Speaker 2>we don't have to do this. I'll go somewhere else.

0:27:31.119 --> 0:27:32.560
<v Speaker 2>And he said to me, he was like, I'm signing

0:27:32.640 --> 0:27:34.280
<v Speaker 2>you because I like what you do. Why would I

0:27:34.320 --> 0:27:37.840
<v Speaker 2>try to change that? And that was just a quiet

0:27:37.960 --> 0:27:41.200
<v Speaker 2>cool you know, I can actually express myself for real

0:27:41.320 --> 0:27:43.440
<v Speaker 2>and really be who I am and and get this

0:27:43.560 --> 0:27:45.800
<v Speaker 2>music out here the right way. And sure enough, that's

0:27:45.800 --> 0:27:46.280
<v Speaker 2>what happened.

0:27:46.600 --> 0:27:50.160
<v Speaker 1>So when did when did jay Z take over Death

0:27:50.280 --> 0:27:51.160
<v Speaker 1>Jail for La?

0:27:52.480 --> 0:27:54.680
<v Speaker 2>Jay Z came in kind of right at the top

0:27:54.880 --> 0:27:58.800
<v Speaker 2>of when I got signed, Like you know, l A

0:27:59.280 --> 0:28:00.879
<v Speaker 2>l A was always you know, always top dog, but

0:28:00.960 --> 0:28:05.960
<v Speaker 2>he took up. He's CEO president, you know. So yeah, Jay,

0:28:06.040 --> 0:28:07.760
<v Speaker 2>I mean, my first time going to one of six part,

0:28:07.880 --> 0:28:09.240
<v Speaker 2>jay Z took me on. Their first time going to

0:28:09.320 --> 0:28:12.120
<v Speaker 2>tr L, jay Z took me on. He really kind

0:28:12.119 --> 0:28:13.760
<v Speaker 2>of just took me under the wing, like you know,

0:28:13.920 --> 0:28:15.560
<v Speaker 2>this is this is our new R and B artist

0:28:15.640 --> 0:28:18.560
<v Speaker 2>and I appreciate him to this day for it.

0:28:19.359 --> 0:28:21.600
<v Speaker 1>He got upset with you because you wrote a song

0:28:22.000 --> 0:28:22.600
<v Speaker 1>gave it away.

0:28:24.200 --> 0:28:29.960
<v Speaker 2>Yeah yeah, so, uh, shortly before before the deaf Jam

0:28:30.080 --> 0:28:33.960
<v Speaker 2>situation happened, I leaned on songwriting. You know, I was

0:28:34.000 --> 0:28:36.080
<v Speaker 2>just I was just a songwriter. So I wrote a

0:28:36.160 --> 0:28:39.040
<v Speaker 2>song for Mario you should let me love you?

0:28:39.280 --> 0:28:39.400
<v Speaker 1>Right.

0:28:39.920 --> 0:28:42.800
<v Speaker 2>So this song goes on and uh stays at number

0:28:42.800 --> 0:28:47.640
<v Speaker 2>one for like twelve thirteen weeks. Something like that becomes

0:28:47.720 --> 0:28:51.000
<v Speaker 2>one of the most played songs in radio history. So

0:28:51.480 --> 0:28:53.640
<v Speaker 2>when I the first time I got to meet jay Z,

0:28:53.800 --> 0:28:55.640
<v Speaker 2>by this time, I've been signed for, you know, a

0:28:55.680 --> 0:28:58.560
<v Speaker 2>couple of months at this point, I walked into the

0:28:58.640 --> 0:29:01.360
<v Speaker 2>room and he's in there in La ref I walk in, like, Hey,

0:29:01.360 --> 0:29:02.680
<v Speaker 2>how you doing. It's nice to meet you. You're like, man,

0:29:02.680 --> 0:29:03.880
<v Speaker 2>why you get a damn song away?

0:29:05.080 --> 0:29:05.720
<v Speaker 1>That first eight?

0:29:06.640 --> 0:29:10.840
<v Speaker 2>Nice to meet you too, But I'm neil. Yeah, while

0:29:10.840 --> 0:29:13.720
<v Speaker 2>you get a damn songway? Yeah, to this day, yeah,

0:29:13.880 --> 0:29:15.440
<v Speaker 2>you get on me about giving a damn song away,

0:29:15.520 --> 0:29:16.960
<v Speaker 2>But I was just a songwriter when I wrote it.

0:29:17.160 --> 0:29:19.440
<v Speaker 2>I didn't write it for myself. I mean, had I known,

0:29:19.600 --> 0:29:21.600
<v Speaker 2>do you think you could have done it justice like

0:29:21.720 --> 0:29:24.360
<v Speaker 2>Mario did. I'll be the first to tell you that

0:29:24.520 --> 0:29:26.600
<v Speaker 2>Mario got chops that I don't. You know that. I

0:29:26.680 --> 0:29:29.320
<v Speaker 2>ain't got no shame in that, but I know that

0:29:29.400 --> 0:29:32.480
<v Speaker 2>I got chops too, So yeah, I feel like I

0:29:32.520 --> 0:29:33.680
<v Speaker 2>feel like it would have worked either way.

0:29:34.040 --> 0:29:36.640
<v Speaker 1>Do you have you ever given a song away that

0:29:36.800 --> 0:29:38.320
<v Speaker 1>you felt you should have kept.

0:29:39.600 --> 0:29:43.280
<v Speaker 2>Once or twice, once or twice. There was a point

0:29:43.320 --> 0:29:45.040
<v Speaker 2>in time where I would have a little bit of

0:29:45.200 --> 0:29:48.560
<v Speaker 2>separation anxiety with certain songs, right you know what I mean?

0:29:48.640 --> 0:29:50.640
<v Speaker 2>Like I feel like especially if I hear the end

0:29:50.680 --> 0:29:54.200
<v Speaker 2>result and be like and am not totally pleased with

0:29:54.280 --> 0:29:57.040
<v Speaker 2>some of the decisions made, right, you know, then it

0:29:57.120 --> 0:29:58.800
<v Speaker 2>becomes that feeling of Man, if you was gonna do that,

0:29:58.840 --> 0:30:00.960
<v Speaker 2>I could have just kept my damn song. But but

0:30:01.080 --> 0:30:03.800
<v Speaker 2>at the same time, you have to you have to

0:30:03.960 --> 0:30:06.360
<v Speaker 2>let an artist be an artist, right. I can't allow

0:30:06.400 --> 0:30:09.280
<v Speaker 2>a person. I can't expect a person to think the

0:30:09.360 --> 0:30:11.080
<v Speaker 2>way that I'm gonna think, make the choices that I'm

0:30:11.080 --> 0:30:14.840
<v Speaker 2>gonna make, especially when I've given them the song. Like uh, Beyonce,

0:30:15.040 --> 0:30:18.280
<v Speaker 2>for example, if you hear my version of Irreplaceable, you

0:30:18.600 --> 0:30:21.000
<v Speaker 2>hear the basis, you hear the foundation, but then you

0:30:21.080 --> 0:30:23.520
<v Speaker 2>hear her version and you hear all the Beyonce isms

0:30:23.520 --> 0:30:25.200
<v Speaker 2>that she put on top of it. Like, you want

0:30:25.520 --> 0:30:27.960
<v Speaker 2>an artist to do that for the record? You want that?

0:30:28.160 --> 0:30:29.720
<v Speaker 1>When did you know your paying game was stroll?

0:30:34.040 --> 0:30:37.720
<v Speaker 2>When I got my name, Honestly, I got my name

0:30:37.800 --> 0:30:41.560
<v Speaker 2>from a producer friend of mine, Dion Evans Uh. He

0:30:41.680 --> 0:30:43.240
<v Speaker 2>used to work a lot with with Digital on the

0:30:43.280 --> 0:30:45.200
<v Speaker 2>ground back in the day park and all of them.

0:30:46.040 --> 0:30:48.760
<v Speaker 2>He was a person that dubbed me Neo. It was

0:30:48.840 --> 0:30:51.040
<v Speaker 2>it was shortly after the Matrix movie came out.

0:30:51.920 --> 0:30:54.280
<v Speaker 1>So which came first, that Neo Matrix.

0:30:54.760 --> 0:30:57.760
<v Speaker 2>Matrix Neo came first. Yeah, that Neo definitely came first.

0:30:58.360 --> 0:31:02.160
<v Speaker 2>But the reference was the way Neil could do things

0:31:02.200 --> 0:31:03.760
<v Speaker 2>in the Matrix that other people couldn't do.

0:31:03.920 --> 0:31:04.200
<v Speaker 1>Correct.

0:31:04.360 --> 0:31:06.720
<v Speaker 2>I could do things in music that other people couldn't do, Like,

0:31:06.800 --> 0:31:08.760
<v Speaker 2>for example, I used to prove myself on how fast

0:31:08.880 --> 0:31:11.080
<v Speaker 2>I could write a song, like give me an hour,

0:31:11.120 --> 0:31:15.440
<v Speaker 2>I give you twelve records, quick, quick, quick. Now, not

0:31:15.520 --> 0:31:18.040
<v Speaker 2>that's I said twelve records. I ain't say twelve good records, right.

0:31:18.280 --> 0:31:22.320
<v Speaker 2>I learned later on quality versus quantity, But at that moment,

0:31:22.600 --> 0:31:24.080
<v Speaker 2>I was I was the cat that was gonna get

0:31:24.120 --> 0:31:26.360
<v Speaker 2>in there and just crank him out. And Dion says

0:31:26.360 --> 0:31:28.760
<v Speaker 2>to me, He's like, it's like like he had never

0:31:28.800 --> 0:31:30.720
<v Speaker 2>seen that before. Like you let the Neo the music industry,

0:31:30.760 --> 0:31:32.040
<v Speaker 2>and that's where the name came from.

0:31:33.120 --> 0:31:33.880
<v Speaker 1>You wrote to the.

0:31:33.960 --> 0:31:37.560
<v Speaker 4>Left, to the left, Yes, indeed, I think now, correct

0:31:37.600 --> 0:31:40.840
<v Speaker 4>me if I'm wrong, La read because did you want

0:31:40.880 --> 0:31:41.360
<v Speaker 4>to do the song?

0:31:41.440 --> 0:31:43.360
<v Speaker 1>And he said give it to Beyonce because he's like

0:31:43.440 --> 0:31:44.560
<v Speaker 1>it fits more Beyonce.

0:31:46.040 --> 0:31:48.760
<v Speaker 2>La was definitely part of that decision, but it was okay.

0:31:48.800 --> 0:31:50.960
<v Speaker 2>So it was this, I wrote the song to do

0:31:51.080 --> 0:31:54.560
<v Speaker 2>it myself myself and Stargate shout out to Stargate, let

0:31:54.640 --> 0:31:57.600
<v Speaker 2>him got your death. But when we got finished with

0:31:57.680 --> 0:32:01.200
<v Speaker 2>the song and we're listening to it, it and it's

0:32:01.240 --> 0:32:03.920
<v Speaker 2>like it's it's just we knew it was a hit,

0:32:04.360 --> 0:32:07.080
<v Speaker 2>but it feel right, you know what I'm saying. They

0:32:07.160 --> 0:32:10.200
<v Speaker 2>didn't like I love this song, but it's something about

0:32:10.240 --> 0:32:10.680
<v Speaker 2>this ship.

0:32:10.520 --> 0:32:11.160
<v Speaker 1>I do not like.

0:32:11.520 --> 0:32:14.640
<v Speaker 2>It became that. So that's that's when we finally started going,

0:32:14.680 --> 0:32:17.240
<v Speaker 2>you know what, maybe if we okay, maybe if we

0:32:17.320 --> 0:32:19.200
<v Speaker 2>flip this and flip that and and and let them

0:32:19.200 --> 0:32:21.360
<v Speaker 2>want let a female do it. And like we was

0:32:21.400 --> 0:32:23.000
<v Speaker 2>on the fence a little bit, and l a Ree

0:32:23.120 --> 0:32:25.680
<v Speaker 2>was kind of the tipping factor, like, you know what, Yeah,

0:32:25.800 --> 0:32:28.200
<v Speaker 2>I definitely feel like this song will get more more,

0:32:28.840 --> 0:32:31.000
<v Speaker 2>more power punch with a woman singing it.

0:32:31.120 --> 0:32:32.640
<v Speaker 1>How did you decide to give it to Beyonce?

0:32:33.600 --> 0:32:38.640
<v Speaker 2>I didn't. We Actually we actually had shopped into a

0:32:38.720 --> 0:32:41.240
<v Speaker 2>few different female artists who shall remain nameless because we

0:32:41.640 --> 0:32:45.560
<v Speaker 2>want it, but want it, they adn't want it. They

0:32:45.600 --> 0:32:54.240
<v Speaker 2>didn't understand man him. I'll say this, it's it's female artists.

0:32:54.240 --> 0:32:58.160
<v Speaker 2>You know, it's female ARTI as you know, a whole

0:32:58.200 --> 0:32:59.920
<v Speaker 2>bunch of them. Yep, and you know the one up

0:33:00.080 --> 0:33:02.840
<v Speaker 2>you know the ones I'm talking don't know her.

0:33:03.520 --> 0:33:04.440
<v Speaker 1>This is the first mission.

0:33:06.000 --> 0:33:10.440
<v Speaker 2>No, no, not anger that, but yeah, Beyonce's name was

0:33:10.480 --> 0:33:12.240
<v Speaker 2>not the first name that popped up when we were

0:33:12.240 --> 0:33:15.120
<v Speaker 2>shopping the song. But once Beyonce got ahold of it,

0:33:15.200 --> 0:33:17.360
<v Speaker 2>it became I mean, the rest is history, right, No,

0:33:17.920 --> 0:33:19.920
<v Speaker 2>it became what people know in love today.

0:33:20.120 --> 0:33:22.880
<v Speaker 4>So let's just say, for the sake of argument, I sing,

0:33:23.040 --> 0:33:25.600
<v Speaker 4>I don't I say, Neil, I need you to write

0:33:25.640 --> 0:33:26.040
<v Speaker 4>me something?

0:33:26.440 --> 0:33:27.320
<v Speaker 1>How much you charge it?

0:33:28.600 --> 0:33:28.880
<v Speaker 2>Hmm?

0:33:30.120 --> 0:33:33.000
<v Speaker 1>Okay? You how does that work?

0:33:33.200 --> 0:33:35.160
<v Speaker 4>Does somebody call you and say, hey, Neil, can you

0:33:35.280 --> 0:33:37.520
<v Speaker 4>write me a song? Or do they send you like,

0:33:37.600 --> 0:33:39.520
<v Speaker 4>what do you think of changes? Additions?

0:33:40.320 --> 0:33:43.760
<v Speaker 2>Normally they ask and then okay. So it's if you're

0:33:43.800 --> 0:33:46.640
<v Speaker 2>an independent artist. You know, I got the independent artist

0:33:46.720 --> 0:33:48.360
<v Speaker 2>price because I know what it is to be independent,

0:33:48.400 --> 0:33:51.240
<v Speaker 2>you doing everything yourself. I'm not gonna charge you what

0:33:51.360 --> 0:33:54.280
<v Speaker 2>I would charge your record label, for example, because I

0:33:54.320 --> 0:33:56.920
<v Speaker 2>know I'm not Yeah, I'm not you, I'm not hitting you.

0:33:57.000 --> 0:34:00.440
<v Speaker 2>I'm getting your record label. So you know how how

0:34:00.600 --> 0:34:02.520
<v Speaker 2>it happens, be it I run into the artists or

0:34:03.360 --> 0:34:05.280
<v Speaker 2>artists management, reach out to my management or whatever the

0:34:05.320 --> 0:34:07.080
<v Speaker 2>case may be. They say, we love for Neo to

0:34:07.080 --> 0:34:08.839
<v Speaker 2>go in the studio for such and such artists.

0:34:08.880 --> 0:34:09.120
<v Speaker 1>All right.

0:34:09.400 --> 0:34:11.680
<v Speaker 2>They would then set up studio time you know that

0:34:11.760 --> 0:34:14.120
<v Speaker 2>they pay for it. However, many days or whatever they

0:34:14.200 --> 0:34:17.280
<v Speaker 2>want me to go in, I go in, and whatever

0:34:17.320 --> 0:34:19.440
<v Speaker 2>I write within those days, I submit to them what

0:34:19.560 --> 0:34:20.879
<v Speaker 2>they like, they keep, but they don't.

0:34:20.920 --> 0:34:21.480
<v Speaker 1>I get back.

0:34:21.520 --> 0:34:23.080
<v Speaker 2>And that's how it works.

0:34:23.160 --> 0:34:24.319
<v Speaker 1>Have you ever told anybody no.

0:34:27.280 --> 0:34:31.479
<v Speaker 2>M Yes, yes I have, just because I genuinely didn't

0:34:31.480 --> 0:34:33.080
<v Speaker 2>see it was it was a cat that wanted me

0:34:33.160 --> 0:34:35.719
<v Speaker 2>to do a feature on his record, you know, up

0:34:35.800 --> 0:34:38.000
<v Speaker 2>and coming dude, and it was it was just some

0:34:38.200 --> 0:34:41.840
<v Speaker 2>real It just it wouldn't have made no sense in

0:34:41.960 --> 0:34:43.960
<v Speaker 2>my personal opinion, wouldn't made no sense, like I'm never

0:34:44.000 --> 0:34:48.719
<v Speaker 2>gonna do anything that's gonna intentionally jeopardize my brand or

0:34:48.920 --> 0:34:50.960
<v Speaker 2>or you know, confused people in the realm of my brand,

0:34:51.000 --> 0:34:52.120
<v Speaker 2>and it just wouldn't made no sense.

0:34:52.520 --> 0:34:54.000
<v Speaker 4>I mean, I'm looking at some of the people you've

0:34:54.000 --> 0:34:57.920
<v Speaker 4>written for, Beyonce, Rihanna, Whitney and Mary J Jennifer Hudson, Monica,

0:34:57.960 --> 0:34:59.840
<v Speaker 4>b K Music, So.

0:35:00.560 --> 0:35:03.680
<v Speaker 1>I mean, I mean you got a who's who? How

0:35:03.760 --> 0:35:04.160
<v Speaker 1>do I mean?

0:35:05.480 --> 0:35:08.000
<v Speaker 4>I mean all these people, I mean, everybody's coming out

0:35:08.000 --> 0:35:11.000
<v Speaker 4>in the woodwork, said Neo Neo neo. And they expected

0:35:11.040 --> 0:35:13.960
<v Speaker 4>you to write irreplaceable. They expected you to write to

0:35:14.040 --> 0:35:14.439
<v Speaker 4>the left.

0:35:14.920 --> 0:35:15.200
<v Speaker 1>Damn.

0:35:16.360 --> 0:35:18.880
<v Speaker 4>I mean, Michael Jordan's going fifty every game. There was

0:35:18.880 --> 0:35:21.280
<v Speaker 4>a couple of there's a couple of thirteen fourteen points

0:35:21.320 --> 0:35:21.759
<v Speaker 4>in there too.

0:35:22.040 --> 0:35:24.320
<v Speaker 2>It's been a it's been more than a couple of

0:35:24.360 --> 0:35:26.919
<v Speaker 2>times where you know, an artist asked me for something

0:35:26.960 --> 0:35:29.080
<v Speaker 2>and I'll write them what I feel like is what

0:35:29.160 --> 0:35:32.120
<v Speaker 2>they asked for, and they'll they'll say, no, I mean

0:35:32.160 --> 0:35:32.600
<v Speaker 2>that happens.

0:35:32.680 --> 0:35:33.120
<v Speaker 1>It happened.

0:35:33.560 --> 0:35:36.200
<v Speaker 2>But I don't. I don't so much because well not,

0:35:36.360 --> 0:35:38.480
<v Speaker 2>because what didn't work for you might work for her

0:35:38.719 --> 0:35:40.680
<v Speaker 2>or him or whoever you know, and once you give

0:35:40.719 --> 0:35:43.520
<v Speaker 2>it back to me, his mind. Like their songs that

0:35:44.239 --> 0:35:46.680
<v Speaker 2>made it to Beyonce's album made it to Rihanna's album

0:35:46.719 --> 0:35:49.080
<v Speaker 2>that were not written for Beyonce Arihanna. These are the

0:35:49.120 --> 0:35:52.120
<v Speaker 2>songs that other artists turned down, and these artists didn't.

0:35:52.160 --> 0:35:54.359
<v Speaker 1>Not even looking hot. So let mess your question.

0:35:54.480 --> 0:35:56.400
<v Speaker 4>How do you think an artist feel I turned this

0:35:56.560 --> 0:36:00.600
<v Speaker 4>song down? I turned that song down? Beyonce did Rihanna?

0:36:00.800 --> 0:36:01.400
<v Speaker 4>That could have been?

0:36:02.560 --> 0:36:04.800
<v Speaker 2>I can imagine that. That's a hard pill to swallow.

0:36:04.880 --> 0:36:07.759
<v Speaker 1>Yeah, I can, but hold on.

0:36:08.520 --> 0:36:12.160
<v Speaker 4>Sometimes it's maybe it's just Beyonce and Rihanna and you

0:36:12.239 --> 0:36:14.279
<v Speaker 4>wouldn't have had the same success with said song.

0:36:14.440 --> 0:36:18.160
<v Speaker 2>That's possible, that's possible, but the reality is you ain't

0:36:18.200 --> 0:36:21.719
<v Speaker 2>even try. So who's to say, right, who's to say

0:36:21.760 --> 0:36:25.200
<v Speaker 2>at least at least they had the guts to give

0:36:25.239 --> 0:36:27.200
<v Speaker 2>it a try and it turned out to work for them.

0:36:27.400 --> 0:36:29.440
<v Speaker 1>Have you ever written? Have you ever written? Have you

0:36:29.520 --> 0:36:30.160
<v Speaker 1>written for someone?

0:36:30.200 --> 0:36:32.120
<v Speaker 4>Because if they say, write me a song, if you're

0:36:32.120 --> 0:36:34.000
<v Speaker 4>gonna pay you for it, do they ever say, nah,

0:36:34.080 --> 0:36:35.600
<v Speaker 4>I'm not good, just keep it, or you just have

0:36:35.680 --> 0:36:36.480
<v Speaker 4>to do you have to.

0:36:36.480 --> 0:36:37.239
<v Speaker 1>Turn it over to them.

0:36:37.600 --> 0:36:39.759
<v Speaker 2>No, I turn it over to them, you know, and

0:36:39.840 --> 0:36:42.560
<v Speaker 2>then they decide whether they want to keep, which ones

0:36:42.560 --> 0:36:44.560
<v Speaker 2>they want to keep. Whatever they don't keep, they just give.

0:36:44.480 --> 0:36:47.040
<v Speaker 1>Back, okay, And then you shop it to somebody else.

0:36:47.200 --> 0:36:49.759
<v Speaker 2>Yeah, shop it to somebody else. So I'll take a

0:36:49.840 --> 0:36:52.760
<v Speaker 2>piece of it, turn it into a hook for this rapper. Everything,

0:36:52.880 --> 0:36:54.319
<v Speaker 2>give me use for something, you know what I mean?

0:36:54.400 --> 0:36:56.440
<v Speaker 2>It never, it's never anything that just has to in

0:36:56.480 --> 0:36:56.960
<v Speaker 2>the archive.

0:36:57.160 --> 0:36:59.080
<v Speaker 1>You ever had anything leaked? Yeah?

0:36:59.760 --> 0:37:01.960
<v Speaker 2>Yeah, yeah, man, But how would you have to know

0:37:02.040 --> 0:37:02.600
<v Speaker 2>who's doing it?

0:37:02.719 --> 0:37:03.399
<v Speaker 1>Neo? Nah?

0:37:03.480 --> 0:37:06.560
<v Speaker 2>So this this particular situation, this was back when Sony

0:37:06.600 --> 0:37:09.480
<v Speaker 2>Studios existed in New York. You know, may it rested,

0:37:09.680 --> 0:37:13.640
<v Speaker 2>It ain't there no more Sony Recording Studios, Stargate. They

0:37:13.680 --> 0:37:15.719
<v Speaker 2>had a room at a room of their of their

0:37:15.760 --> 0:37:18.959
<v Speaker 2>own in Sony Studio. Somebody broken Stony Studios and stole

0:37:19.040 --> 0:37:22.280
<v Speaker 2>their hard drives. Me and Brandy had did like four records,

0:37:23.080 --> 0:37:25.680
<v Speaker 2>and the following week them Joints was in the world.

0:37:26.480 --> 0:37:30.000
<v Speaker 2>It's because somebody broke in and stole the hard drives. Wow, yeah,

0:37:30.360 --> 0:37:33.560
<v Speaker 2>it happens. But since then, I mean, it's it's it's

0:37:34.480 --> 0:37:36.320
<v Speaker 2>I don't know, it's a slippery slope. It's hard to

0:37:36.400 --> 0:37:39.440
<v Speaker 2>keep anything absolutely private anymore, you know. So Yeah, I've

0:37:39.440 --> 0:37:42.400
<v Speaker 2>definitely had had things leaked, but I've always looked at

0:37:42.440 --> 0:37:44.400
<v Speaker 2>it as all right, Well, if the music leaked and

0:37:44.440 --> 0:37:46.479
<v Speaker 2>people like it, that just adds to my fan.

0:37:46.480 --> 0:37:50.800
<v Speaker 4>Base, right right, So when you when you say the writers,

0:37:50.880 --> 0:37:54.200
<v Speaker 4>you say the writers into streaming. It's not the same

0:37:55.160 --> 0:37:58.080
<v Speaker 4>writing for an album or things of that nature. Correct,

0:37:58.680 --> 0:38:00.560
<v Speaker 4>What do you mean as far as you say, like

0:38:00.719 --> 0:38:02.879
<v Speaker 4>the streaming SERTs like the right, you said writers when

0:38:02.880 --> 0:38:06.120
<v Speaker 4>they streaming a record, the writers don't get the compensation

0:38:06.280 --> 0:38:07.440
<v Speaker 4>that they deserved.

0:38:07.880 --> 0:38:11.480
<v Speaker 2>Well, yeah, no, the streaming the numbers that writers are

0:38:11.520 --> 0:38:14.320
<v Speaker 2>getting for streams is not what it needs to be,

0:38:14.840 --> 0:38:15.239
<v Speaker 2>not at all.

0:38:15.360 --> 0:38:17.440
<v Speaker 1>So you got to have like need to stream like

0:38:17.480 --> 0:38:18.600
<v Speaker 1>a billion times to make.

0:38:18.520 --> 0:38:21.279
<v Speaker 2>Anything, billions millions and billions of streams before you start

0:38:21.320 --> 0:38:23.280
<v Speaker 2>to see an your real money. Yes, definitely.

0:38:23.960 --> 0:38:25.600
<v Speaker 4>So why do you why do you stay writing? I

0:38:25.640 --> 0:38:27.360
<v Speaker 4>mean because it seems like everything is kind of like

0:38:27.400 --> 0:38:29.960
<v Speaker 4>going towards the streaming industry, and that means it gets

0:38:30.080 --> 0:38:31.200
<v Speaker 4>less and less in your pocket.

0:38:31.760 --> 0:38:34.200
<v Speaker 2>Well, I mean there are there are exceptions to every

0:38:34.239 --> 0:38:39.200
<v Speaker 2>situation and to every rule, right you know, I again, Uh,

0:38:39.440 --> 0:38:41.960
<v Speaker 2>my motivating factor has never been financed in regard to

0:38:42.040 --> 0:38:43.880
<v Speaker 2>this business. I do this because I love it. If

0:38:43.920 --> 0:38:45.960
<v Speaker 2>there was no money to be made in it anymore,

0:38:46.480 --> 0:38:49.359
<v Speaker 2>you still find a neo song somewhere really, Yes, yes,

0:38:49.480 --> 0:38:52.959
<v Speaker 2>because I don't do this just for money. I thank

0:38:53.040 --> 0:38:55.960
<v Speaker 2>God and the Creator that I can provide for my

0:38:56.080 --> 0:38:58.880
<v Speaker 2>family doing what I love. But to be honest, if

0:38:58.960 --> 0:39:01.040
<v Speaker 2>I could not provide for my family doing what I love,

0:39:01.080 --> 0:39:02.680
<v Speaker 2>I would just find a way to provide for my

0:39:02.760 --> 0:39:05.200
<v Speaker 2>family while doing what I love. You know what I mean?

0:39:05.239 --> 0:39:07.759
<v Speaker 2>Because this is this is music is woven into my DNA.

0:39:07.800 --> 0:39:08.920
<v Speaker 2>I couldn't stop if I wanted to.

0:39:09.040 --> 0:39:09.680
<v Speaker 1>That's just what it is.

0:39:09.800 --> 0:39:12.360
<v Speaker 4>So how's the interview process if somebody wants to write it?

0:39:12.440 --> 0:39:14.080
<v Speaker 4>When you want someone wants you to write a song

0:39:14.160 --> 0:39:15.959
<v Speaker 4>from them, do you sit, do you're talking the phone?

0:39:15.960 --> 0:39:18.040
<v Speaker 1>Do y'all go out to dinner? Do you like get

0:39:18.080 --> 0:39:18.439
<v Speaker 1>a sense?

0:39:18.640 --> 0:39:21.279
<v Speaker 4>I mean, because if you know the artist, you kind

0:39:21.320 --> 0:39:23.240
<v Speaker 4>of get a sense of kind of like the direction

0:39:23.360 --> 0:39:24.000
<v Speaker 4>they want to go in.

0:39:25.120 --> 0:39:27.919
<v Speaker 2>I mean, it's it's always, uh, it's always a sign

0:39:27.960 --> 0:39:30.320
<v Speaker 2>of respect to ask an artist like, Okay, what's the

0:39:30.719 --> 0:39:31.560
<v Speaker 2>what's the concept?

0:39:31.840 --> 0:39:31.880
<v Speaker 1>Like?

0:39:32.120 --> 0:39:34.160
<v Speaker 2>Is there a concept to your project as opposed to

0:39:34.280 --> 0:39:36.200
<v Speaker 2>just trying to shove a song down their throat? Right?

0:39:36.400 --> 0:39:38.359
<v Speaker 2>You know, because it's like, well, I don't even talk

0:39:38.480 --> 0:39:41.200
<v Speaker 2>like that, all right, right, So so I'll definitely give

0:39:41.320 --> 0:39:44.000
<v Speaker 2>the artists the respect of asking, you know, is there

0:39:44.080 --> 0:39:46.720
<v Speaker 2>something specific you want to say? Is there a specific

0:39:46.920 --> 0:39:49.880
<v Speaker 2>genre that you that you're hunting for? You know, we'll sit,

0:39:49.960 --> 0:39:51.640
<v Speaker 2>we'll have a conversation. We'll have a kind of an

0:39:51.680 --> 0:39:54.200
<v Speaker 2>off the cuff conversation like how's your love life, like,

0:39:54.239 --> 0:39:56.120
<v Speaker 2>what's you know, what's going on in your world, what's

0:39:56.320 --> 0:39:58.400
<v Speaker 2>what's keeping you awake at night if anything at all?

0:39:58.840 --> 0:40:00.680
<v Speaker 2>And that's where we figure out what we want to

0:40:00.719 --> 0:40:02.840
<v Speaker 2>write about and that and you know, I feel like

0:40:02.960 --> 0:40:05.560
<v Speaker 2>doing that makes the artists know and understand that this

0:40:05.680 --> 0:40:08.480
<v Speaker 2>is literally being custom made for you. This is not

0:40:08.640 --> 0:40:10.360
<v Speaker 2>a song that I had in my back pocket and

0:40:10.520 --> 0:40:11.960
<v Speaker 2>a right maybe I could sell it to this one.

0:40:12.000 --> 0:40:15.080
<v Speaker 2>Not you, alright, maybe you No. It's like I'm literally

0:40:15.200 --> 0:40:17.680
<v Speaker 2>asking you where you at and if you say something

0:40:17.719 --> 0:40:20.319
<v Speaker 2>that that sparked something that I already got, yeah, I'll

0:40:20.400 --> 0:40:22.680
<v Speaker 2>let you hear it. But ultimately and that you're paying

0:40:22.719 --> 0:40:24.640
<v Speaker 2>me to be here. We're gonna sit and we're gonna talk,

0:40:24.680 --> 0:40:26.600
<v Speaker 2>and I'm gonna create something for you from scratch.

0:40:27.320 --> 0:40:30.120
<v Speaker 4>Were you in the studio when when Beyonce is doing Irreplaceable,

0:40:30.200 --> 0:40:32.480
<v Speaker 4>did you know irreplaceable was going to be that I

0:40:32.880 --> 0:40:36.480
<v Speaker 4>did not know. So at the studio and as you

0:40:36.719 --> 0:40:39.759
<v Speaker 4>as you're writing this song and you hearing her singing.

0:40:40.200 --> 0:40:42.920
<v Speaker 2>Well, here's the thing with Beyonce. Beyonce is one of

0:40:43.040 --> 0:40:47.480
<v Speaker 2>those few artists that don't really need nobody, right. So

0:40:48.040 --> 0:40:51.040
<v Speaker 2>I was there for about fifteen minutes, and I remember

0:40:51.080 --> 0:40:52.880
<v Speaker 2>there was one instance where I tried to feed her

0:40:53.000 --> 0:40:54.920
<v Speaker 2>no and she was like, it's cool, I got it.

0:40:56.560 --> 0:40:59.960
<v Speaker 1>Like that, go get some coffee.

0:41:01.760 --> 0:41:03.640
<v Speaker 2>Just gone by my bit. And mind you, by the

0:41:03.680 --> 0:41:05.040
<v Speaker 2>time I came back in the rooms home with them

0:41:05.080 --> 0:41:07.560
<v Speaker 2>like she's like was doing, took him out of maybe

0:41:07.560 --> 0:41:09.399
<v Speaker 2>an hour to do that. To do what she needed

0:41:09.400 --> 0:41:10.960
<v Speaker 2>to do in that moment, took him maybe an hour.

0:41:11.360 --> 0:41:14.480
<v Speaker 2>So that wasn't I've dealt with artists where you kind

0:41:14.480 --> 0:41:16.080
<v Speaker 2>of got a hold of hand through the whole process.

0:41:16.239 --> 0:41:17.640
<v Speaker 2>And I ain't mad at that either, you know what

0:41:17.640 --> 0:41:21.120
<v Speaker 2>I'm saying. But but you know, a person like like

0:41:21.160 --> 0:41:24.440
<v Speaker 2>a Beyonce, like Beyonce is, she's an anomaly, Like she

0:41:24.560 --> 0:41:27.360
<v Speaker 2>don't she she got every note, she know exactly what

0:41:27.480 --> 0:41:29.239
<v Speaker 2>she wanted to do, ad lib wise and all of that.

0:41:29.400 --> 0:41:32.040
<v Speaker 2>Like she'll she'll listen to your idea. But to be honest,

0:41:32.080 --> 0:41:34.120
<v Speaker 2>she don't need you that right, you know what I mean?

0:41:34.200 --> 0:41:35.200
<v Speaker 2>So that's that's what that was.

0:41:35.320 --> 0:41:38.000
<v Speaker 1>Give me a mount Rushmore, a female artist you've written for?

0:41:38.560 --> 0:41:41.960
<v Speaker 2>Oh Man, mount Rushmore. How many heads are mount Rushmore?

0:41:42.040 --> 0:41:44.920
<v Speaker 1>I wasn't good. Okay, we ain't gonna let you add

0:41:44.960 --> 0:41:45.560
<v Speaker 1>none either.

0:41:45.960 --> 0:41:48.319
<v Speaker 2>Damn yeahs my mount rush for ye.

0:41:48.400 --> 0:41:51.320
<v Speaker 1>I know you want to build a bob about Rushmore?

0:41:51.360 --> 0:41:59.040
<v Speaker 2>All right, fa fa Top four, Beyonce, Rihanna, Mary J. Blige,

0:42:02.680 --> 0:42:03.359
<v Speaker 2>Celine Dion.

0:42:05.920 --> 0:42:06.120
<v Speaker 1>Yeah.

0:42:07.000 --> 0:42:11.760
<v Speaker 4>So Celeine Dion calls you, Neil? Does anybody have anybody

0:42:11.800 --> 0:42:14.600
<v Speaker 4>since you've gone started giving going by the name Neo?

0:42:14.960 --> 0:42:18.799
<v Speaker 4>Has anybody called you your government name, not.

0:42:21.680 --> 0:42:21.919
<v Speaker 1>Lord?

0:42:22.080 --> 0:42:25.399
<v Speaker 2>Maybe an attorney call you, yeah, mister Smith.

0:42:25.480 --> 0:42:28.719
<v Speaker 4>Yeah, but does anybody have anybody say, in the last

0:42:28.760 --> 0:42:30.719
<v Speaker 4>twenty years called you by your government name?

0:42:30.880 --> 0:42:33.160
<v Speaker 2>Not any artists? Like you? Got to you got to

0:42:33.280 --> 0:42:35.000
<v Speaker 2>know me. You got to get to that place where

0:42:35.040 --> 0:42:36.759
<v Speaker 2>you really know who I am before you call me

0:42:36.880 --> 0:42:38.440
<v Speaker 2>anything other than Neil.

0:42:38.840 --> 0:42:44.719
<v Speaker 4>Okay, Yeah, So Celeine Dion calls Neo up. Sim So

0:42:45.080 --> 0:42:46.200
<v Speaker 4>how did that conversation go?

0:42:48.800 --> 0:42:52.920
<v Speaker 2>Surprisingly? Uh, she was a fan of my music. She's

0:42:52.920 --> 0:42:55.320
<v Speaker 2>a fan of We actually met through her husband, you know,

0:42:55.440 --> 0:42:58.520
<v Speaker 2>may Rest, and he was telling me that she was

0:42:58.560 --> 0:43:00.400
<v Speaker 2>a fan of the music, and I was like, yo,

0:43:00.480 --> 0:43:02.400
<v Speaker 2>I'm a huge Celendian fan. I love to write with her.

0:43:02.440 --> 0:43:05.000
<v Speaker 2>One day, mind you this this conversation happens. And then

0:43:05.040 --> 0:43:07.279
<v Speaker 2>a month later, you know, I get a call out

0:43:07.280 --> 0:43:09.840
<v Speaker 2>of nowhere and it's heard right, and she tells me

0:43:09.920 --> 0:43:11.200
<v Speaker 2>she's a fan of the music and tells me that

0:43:11.280 --> 0:43:13.200
<v Speaker 2>she wants to work together. We get in this wrote

0:43:13.239 --> 0:43:15.560
<v Speaker 2>we did the song, but actually she wanted me to

0:43:15.600 --> 0:43:18.319
<v Speaker 2>write her a song. Initially, okay, because I've written her

0:43:18.360 --> 0:43:19.760
<v Speaker 2>songs in it week. There's one that we did together,

0:43:19.960 --> 0:43:24.920
<v Speaker 2>which was the whole other mind blowing situation. So she said,

0:43:24.960 --> 0:43:26.080
<v Speaker 2>I love what you do. I'd love for you to

0:43:26.080 --> 0:43:29.160
<v Speaker 2>write me some songs. I did two songs for her

0:43:29.360 --> 0:43:31.640
<v Speaker 2>on the Oh Man, I gotta find a name. I

0:43:31.640 --> 0:43:33.879
<v Speaker 2>gotta find a name of that album, not the last

0:43:33.920 --> 0:43:35.839
<v Speaker 2>one she put out. It's like like two albums back

0:43:35.880 --> 0:43:38.920
<v Speaker 2>in the two songs for on that album. And we

0:43:39.120 --> 0:43:41.839
<v Speaker 2>just kind of kept in contact. Like she's really really

0:43:41.920 --> 0:43:44.960
<v Speaker 2>cool people right, like like she's she's silly, like she

0:43:45.040 --> 0:43:48.600
<v Speaker 2>was doing ever especially impersonations, like she's she's really really cool.

0:43:49.120 --> 0:43:55.080
<v Speaker 2>So I remember the following album cycle, she was like,

0:43:55.160 --> 0:43:59.880
<v Speaker 2>we have to do a song together. And I'm like why, Like,

0:44:00.080 --> 0:44:01.960
<v Speaker 2>if you have Seline Dion's voice, what the hell do

0:44:02.040 --> 0:44:04.520
<v Speaker 2>you need neo voice for it? Right? And she's like, no, no, no, no, no,

0:44:04.960 --> 0:44:06.960
<v Speaker 2>we're doing the song together. You write it, you let

0:44:07.040 --> 0:44:08.960
<v Speaker 2>me know what it's done. I'll fly you guys out

0:44:09.000 --> 0:44:10.920
<v Speaker 2>and we make it happen. And sure enough, so I

0:44:11.000 --> 0:44:14.280
<v Speaker 2>wrote the song. We recorded it at the recording studio

0:44:14.360 --> 0:44:16.800
<v Speaker 2>that is at the Poems in Las Vegas, right, you know,

0:44:16.800 --> 0:44:20.839
<v Speaker 2>because she was doing her residence here, and yeah, man,

0:44:20.920 --> 0:44:22.759
<v Speaker 2>the rest is history. One of one of the most

0:44:23.520 --> 0:44:26.000
<v Speaker 2>genuine people that I've ever met. Like, you know, you

0:44:26.160 --> 0:44:28.399
<v Speaker 2>meet artists, and you know, some people give you who

0:44:28.400 --> 0:44:30.640
<v Speaker 2>they really are. Some people give you their representatives. Some

0:44:30.680 --> 0:44:32.879
<v Speaker 2>people give you who they think that you expect to see.

0:44:33.680 --> 0:44:37.799
<v Speaker 2>She walked in as her and you know, unapologetically her,

0:44:38.239 --> 0:44:39.920
<v Speaker 2>like you know, hair and a messy bun, like we

0:44:40.000 --> 0:44:42.400
<v Speaker 2>hear the work. Hey, it's nice to meet you. I'm Selene.

0:44:42.480 --> 0:44:44.560
<v Speaker 2>Let's let's rock like and I respect that.

0:44:45.360 --> 0:44:48.399
<v Speaker 4>You wrote when you wrote Unfaithful for Rihanna. Every time

0:44:48.480 --> 0:44:50.120
<v Speaker 4>I walk out the door. I see him die a

0:44:50.160 --> 0:44:52.600
<v Speaker 4>little more inside. I don't want to hurt him anymore.

0:44:52.800 --> 0:44:54.319
<v Speaker 4>I don't want to take away his life. I don't

0:44:54.320 --> 0:44:57.279
<v Speaker 4>want to be a murderer. How do you come up

0:44:57.280 --> 0:44:57.719
<v Speaker 4>with that hook?

0:44:59.239 --> 0:45:04.239
<v Speaker 2>That is a story. A lot of a lot of

0:45:04.360 --> 0:45:08.359
<v Speaker 2>my a lot of my songs come from actual experiences.

0:45:08.560 --> 0:45:11.319
<v Speaker 2>And you know, if it's not an you will make

0:45:11.320 --> 0:45:11.919
<v Speaker 2>a cute couple.

0:45:13.320 --> 0:45:16.200
<v Speaker 1>Y'all all right about y'all be killing y'all, be killing y'all.

0:45:18.239 --> 0:45:22.440
<v Speaker 2>Tailor one on me. I'm toxic. I mess, I mess

0:45:22.520 --> 0:45:28.120
<v Speaker 2>all that. A few tailors all love no, But I write.

0:45:28.239 --> 0:45:30.400
<v Speaker 2>I write from experience. Man, It's it's not always my

0:45:30.600 --> 0:45:34.960
<v Speaker 2>personal experience. Like, for example, Irreplaceable was the story about

0:45:35.000 --> 0:45:36.319
<v Speaker 2>one of my aunts. I grew up in the house

0:45:36.360 --> 0:45:38.719
<v Speaker 2>with five aunts, and that one particular aunt that just

0:45:38.840 --> 0:45:41.759
<v Speaker 2>always had a new boyfriend. So that's that story came from.

0:45:41.880 --> 0:45:44.440
<v Speaker 2>That song came from that story. Unfaithful came from a

0:45:44.480 --> 0:45:46.359
<v Speaker 2>story that my sister was telling me about a dude

0:45:46.360 --> 0:45:48.279
<v Speaker 2>that she was dating back in the day. You know,

0:45:49.320 --> 0:45:51.640
<v Speaker 2>she she might get mad at me for telling this story,

0:45:51.719 --> 0:45:54.560
<v Speaker 2>but it is I mean, she she was. It was

0:45:54.600 --> 0:45:57.719
<v Speaker 2>one of those situations won't know which one you're talking about.

0:45:58.480 --> 0:46:01.799
<v Speaker 2>I do, but she'll know. And I'm gonna get home

0:46:01.960 --> 0:46:04.439
<v Speaker 2>and catch some catch a couple of these, A couple body.

0:46:04.800 --> 0:46:04.960
<v Speaker 1>Nah.

0:46:05.000 --> 0:46:08.000
<v Speaker 2>But she was she was dealing. She was dealing with

0:46:08.080 --> 0:46:10.160
<v Speaker 2>this dude and it was that whole situation. And he's

0:46:10.280 --> 0:46:13.120
<v Speaker 2>just he's just too nice. He's so nice, Like I

0:46:13.239 --> 0:46:15.640
<v Speaker 2>literally just walk over his back, he's so nice. So

0:46:15.880 --> 0:46:17.880
<v Speaker 2>because he was so nice, she started dealing with somebody

0:46:17.920 --> 0:46:21.399
<v Speaker 2>else and it got to the point where like everybody knew.

0:46:22.480 --> 0:46:27.399
<v Speaker 2>Everybody knew, and it's like, okay, okay, she's she's she's

0:46:27.440 --> 0:46:30.560
<v Speaker 2>doing what she's doing. The whole family knows, her friends know,

0:46:31.000 --> 0:46:33.279
<v Speaker 2>his friends know. The only person that's acting like they

0:46:33.320 --> 0:46:38.440
<v Speaker 2>don't know it's him, and it's like, what do you do?

0:46:38.640 --> 0:46:40.040
<v Speaker 2>So so that's so, that's what the old thing came

0:46:40.080 --> 0:46:42.400
<v Speaker 2>back because she felt terrible about it, but at the

0:46:42.480 --> 0:46:43.279
<v Speaker 2>same time, it's like.

0:46:43.400 --> 0:46:44.560
<v Speaker 1>Not enough to stop doing it though.

0:46:44.760 --> 0:46:46.040
<v Speaker 2>Yeah, that's what it was.

0:46:46.360 --> 0:46:46.920
<v Speaker 1>That's what it was.

0:46:47.280 --> 0:46:51.440
<v Speaker 2>Thank you who almost said her name. She was mad,

0:46:51.480 --> 0:46:52.320
<v Speaker 2>you'd be all right, you're.

0:46:52.239 --> 0:46:56.880
<v Speaker 1>Right, said that breakups are great for writing songs. Is

0:46:56.960 --> 0:46:57.680
<v Speaker 1>that how you feel?

0:46:57.840 --> 0:47:01.840
<v Speaker 2>Absolutely? Yes, definitely, So I don't know what it is

0:47:02.480 --> 0:47:08.760
<v Speaker 2>about heartbreak or turmoil or drama or animosity or sadness.

0:47:09.080 --> 0:47:11.880
<v Speaker 2>But for whatever reason, when you when you put yourself

0:47:12.000 --> 0:47:16.399
<v Speaker 2>there and you write anything, it's gonna be deep, it's

0:47:16.400 --> 0:47:19.880
<v Speaker 2>gonna be meaningful, it's gonna have depth, it's gonna have emotion.

0:47:20.440 --> 0:47:22.000
<v Speaker 2>And those are the those are some of the key

0:47:22.160 --> 0:47:25.120
<v Speaker 2>ingredients to a song that you just can't stop singing.

0:47:25.920 --> 0:47:28.000
<v Speaker 4>So in other word, just because you know, because everybody

0:47:28.000 --> 0:47:31.319
<v Speaker 4>automatically thinks, but when you write a song, you're talking

0:47:31.360 --> 0:47:33.680
<v Speaker 4>about a personal experience, like us your confession.

0:47:34.080 --> 0:47:35.560
<v Speaker 1>Everybody said he talking about chili.

0:47:36.040 --> 0:47:37.920
<v Speaker 4>Yeah, but you're saying that, hey, you know, it might

0:47:37.960 --> 0:47:39.560
<v Speaker 4>be on It might be a sister, it might be

0:47:39.600 --> 0:47:40.440
<v Speaker 4>a homeboy that was.

0:47:40.440 --> 0:47:44.160
<v Speaker 2>Going through Always me, no, not always, because my my

0:47:44.400 --> 0:47:47.400
<v Speaker 2>story and what's going on with me. You know, I'm

0:47:47.440 --> 0:47:49.759
<v Speaker 2>a I'm gonna I'm gonna dabble into it a little bit,

0:47:49.960 --> 0:47:53.000
<v Speaker 2>but for the most part, I'm a I'm I've learned

0:47:53.080 --> 0:47:55.000
<v Speaker 2>that it's certain aspects of me that I would like

0:47:55.160 --> 0:47:58.319
<v Speaker 2>to keep for me, right, you know, because the world, uh,

0:47:59.000 --> 0:48:00.680
<v Speaker 2>it ain't a person walking face of the planet that

0:48:00.719 --> 0:48:03.000
<v Speaker 2>has the right to judge anybody, right they don't stop them,

0:48:03.160 --> 0:48:05.680
<v Speaker 2>you know. And and you know, I got kids. I

0:48:05.719 --> 0:48:08.520
<v Speaker 2>don't want my kids to to to get into all

0:48:08.560 --> 0:48:10.480
<v Speaker 2>that and see all of that, you know. But other

0:48:10.600 --> 0:48:13.080
<v Speaker 2>than that, yeah, I write from I write from just

0:48:13.200 --> 0:48:15.239
<v Speaker 2>things that I've always found that if I write from

0:48:15.320 --> 0:48:17.759
<v Speaker 2>something that really happened, the song just comes out better.

0:48:17.800 --> 0:48:20.400
<v Speaker 2>I can make it up all day, but those songs

0:48:20.520 --> 0:48:23.239
<v Speaker 2>just don't have the same you know what I mean,

0:48:23.400 --> 0:48:25.680
<v Speaker 2>Like it's it's that thing, right, it's that thing like, no,

0:48:25.840 --> 0:48:28.800
<v Speaker 2>this really happened. I really had to you know, I

0:48:29.160 --> 0:48:31.200
<v Speaker 2>really couldn't turn the radio off. I really had the

0:48:31.239 --> 0:48:33.640
<v Speaker 2>answer machine with hey, we can't come to the phone

0:48:33.719 --> 0:48:35.560
<v Speaker 2>right now. You know, we use kids. The hell we

0:48:35.680 --> 0:48:39.800
<v Speaker 2>was doing right, But like the fine details that that

0:48:39.960 --> 0:48:42.080
<v Speaker 2>you are, that you can put into it when it's

0:48:42.120 --> 0:48:45.759
<v Speaker 2>something that you really experience, like that's the like that's

0:48:45.840 --> 0:48:48.399
<v Speaker 2>the weapon X that turns it into that hit song.

0:48:48.880 --> 0:48:52.560
<v Speaker 4>Because you're in this place, it's on your mind. You

0:48:52.680 --> 0:48:56.399
<v Speaker 4>can't seem to escape it. Uh, the mind can't relate,

0:48:56.560 --> 0:48:59.720
<v Speaker 4>can't race what the heart can't delete, and so you're writing.

0:49:00.120 --> 0:49:03.880
<v Speaker 4>So that puts you in a space that man, I

0:49:03.960 --> 0:49:06.799
<v Speaker 4>might as well, you know, turn this heartbreak into something. Yeah,

0:49:06.960 --> 0:49:09.520
<v Speaker 4>something good can come out of every bad situation.

0:49:09.719 --> 0:49:10.080
<v Speaker 2>Definitely.

0:49:10.120 --> 0:49:13.360
<v Speaker 1>We don't see it at the time, but you says, okay,

0:49:13.920 --> 0:49:16.919
<v Speaker 1>this happened then any way I wanted to I'm putting

0:49:16.960 --> 0:49:17.919
<v Speaker 1>pen to paper. Yep.

0:49:18.080 --> 0:49:24.480
<v Speaker 2>Absolutely. It is the ultimate gift from God because you know,

0:49:25.480 --> 0:49:28.440
<v Speaker 2>everybody goes through hurt and heartache and pain. Not everybody

0:49:28.520 --> 0:49:31.160
<v Speaker 2>gets the outlet that music is right, you know, I

0:49:31.239 --> 0:49:33.160
<v Speaker 2>don't have to. I don't have to pack it down

0:49:33.560 --> 0:49:36.319
<v Speaker 2>and eventually blow up for something stupid. Now, as soon

0:49:36.360 --> 0:49:38.439
<v Speaker 2>as I feel it, as soon as my chest get heavy,

0:49:38.480 --> 0:49:40.560
<v Speaker 2>I can sit and write it. After I'm done writing,

0:49:41.640 --> 0:49:43.759
<v Speaker 2>I'm good because it ain't in me no more. It's

0:49:43.800 --> 0:49:45.520
<v Speaker 2>here now, you know, And I'm gonna get that to

0:49:45.560 --> 0:49:47.520
<v Speaker 2>the world and like minded people are gonna listen to

0:49:47.560 --> 0:49:49.480
<v Speaker 2>it and be like, yeah, I understand that I've been

0:49:49.520 --> 0:49:52.360
<v Speaker 2>there before. I felt that before, and that's how we

0:49:52.440 --> 0:49:53.480
<v Speaker 2>get to where I am.

0:49:53.560 --> 0:49:56.280
<v Speaker 1>Now. Do you think any of the women like songs

0:49:56.320 --> 0:49:59.239
<v Speaker 1>that you wrote like that, you know what? Wrote this

0:49:59.360 --> 0:50:01.520
<v Speaker 1>about me? I know what.

0:50:02.719 --> 0:50:05.440
<v Speaker 2>Yes, I've been that. Some of them have reached out

0:50:05.600 --> 0:50:06.200
<v Speaker 2>and asked, is.

0:50:06.239 --> 0:50:06.719
<v Speaker 1>That about me?

0:50:06.960 --> 0:50:07.000
<v Speaker 2>No?

0:50:08.640 --> 0:50:10.200
<v Speaker 1>No, I ain't talking about you.

0:50:10.480 --> 0:50:12.040
<v Speaker 2>It's about you. That don't mean you don't mean you

0:50:12.080 --> 0:50:15.640
<v Speaker 2>get no money for Dan Will. It's about you. Come on,

0:50:16.080 --> 0:50:17.800
<v Speaker 2>I said, I put the date in the song. You

0:50:17.920 --> 0:50:23.080
<v Speaker 2>know it's about you. However, enjoyed from from Johanna Civic.

0:50:23.120 --> 0:50:23.399
<v Speaker 2>We did.

0:50:24.400 --> 0:50:26.800
<v Speaker 4>We see a lot of you got an extensive catalog.

0:50:26.840 --> 0:50:28.600
<v Speaker 4>We see a lot of people selling off their catalog.

0:50:28.719 --> 0:50:30.080
<v Speaker 4>Is that something that you're interested in?

0:50:31.000 --> 0:50:33.600
<v Speaker 2>If for the right price, yeah, yeah, for the right price,

0:50:33.640 --> 0:50:36.480
<v Speaker 2>I definitely do that, just because I know that I'm

0:50:36.560 --> 0:50:38.960
<v Speaker 2>not done, Like I haven't written my greatest song.

0:50:39.080 --> 0:50:42.560
<v Speaker 4>Right, So if you sell your catalog, that means you

0:50:42.680 --> 0:50:45.240
<v Speaker 4>start the process of another or then every does everything

0:50:45.280 --> 0:50:46.760
<v Speaker 4>that you right go into that catalog.

0:50:46.920 --> 0:50:48.319
<v Speaker 2>Oh no, no, no, you start the process. You start

0:50:48.320 --> 0:50:51.719
<v Speaker 2>another one, Okay, start over, which I have again I

0:50:51.800 --> 0:50:54.440
<v Speaker 2>have no problem with because I I have yet to

0:50:54.480 --> 0:50:57.360
<v Speaker 2>write my most amazing record. And as things happen in

0:50:57.440 --> 0:51:00.799
<v Speaker 2>my life, you know, as time progresses, different things happen.

0:51:00.880 --> 0:51:03.879
<v Speaker 2>I just got more and more ammo for for this gun.

0:51:04.080 --> 0:51:06.080
<v Speaker 1>So yeah, do you like writing more or do you

0:51:06.200 --> 0:51:07.000
<v Speaker 1>like performing more?

0:51:07.800 --> 0:51:11.759
<v Speaker 2>As of late, writing more? I love to perform. I

0:51:11.840 --> 0:51:13.160
<v Speaker 2>love to get out there and you know, do that

0:51:13.239 --> 0:51:16.960
<v Speaker 2>home you perform I am absolutely.

0:51:16.520 --> 0:51:20.080
<v Speaker 4>So that because you have singers, you have performers. You

0:51:20.200 --> 0:51:23.480
<v Speaker 4>have and you can do both, but you really like performing.

0:51:23.560 --> 0:51:25.520
<v Speaker 2>Performing is my thing. I can stand still and sing

0:51:25.600 --> 0:51:27.120
<v Speaker 2>a song, but I ain't gonna have no fun. If

0:51:27.120 --> 0:51:28.440
<v Speaker 2>I don't have no fun, you probably gonna have no

0:51:28.520 --> 0:51:30.520
<v Speaker 2>fun either. So now we're gonna jump around, We're gonna

0:51:30.680 --> 0:51:32.960
<v Speaker 2>work the whole stage. This is this is who I am.

0:51:33.120 --> 0:51:36.319
<v Speaker 1>Yes, where are you on social media? Uh?

0:51:37.280 --> 0:51:38.520
<v Speaker 2>What are my social media handles?

0:51:38.560 --> 0:51:38.800
<v Speaker 1>Hold on?

0:51:39.719 --> 0:51:44.160
<v Speaker 2>The IG is at neo h the Twitter is at

0:51:44.280 --> 0:51:45.160
<v Speaker 2>Neo Compound.

0:51:46.440 --> 0:51:48.200
<v Speaker 1>Respond Do you respond to comments?

0:51:48.600 --> 0:51:51.640
<v Speaker 2>Yeah? Yeah, so, I mean I don't. I don't read

0:51:51.719 --> 0:51:55.759
<v Speaker 2>comments as much anymore because, for whatever reason, you read

0:51:55.800 --> 0:51:58.360
<v Speaker 2>them comments and all of a sudden you start to like,

0:51:58.920 --> 0:52:02.560
<v Speaker 2>let those opinions mean something, when the reality is opinions

0:52:02.600 --> 0:52:05.920
<v Speaker 2>are not special because literally everybody got one, right, So

0:52:06.520 --> 0:52:08.279
<v Speaker 2>I don't. I don't readcomments as much as I used to.

0:52:08.440 --> 0:52:11.040
<v Speaker 2>But should you receive a DM from from me and

0:52:11.120 --> 0:52:13.200
<v Speaker 2>you see the yellow yellow, you see the blue dot,

0:52:13.280 --> 0:52:14.160
<v Speaker 2>you know that that's really me.

0:52:14.320 --> 0:52:14.719
<v Speaker 1>It's really me.

0:52:14.760 --> 0:52:15.600
<v Speaker 2>I'm really responding.

0:52:16.239 --> 0:52:18.520
<v Speaker 1>Oh okay, yeah, yeah, let's get it.

0:52:18.520 --> 0:52:19.879
<v Speaker 4>I want to get through your upbring before I get

0:52:19.880 --> 0:52:22.799
<v Speaker 4>you out of here. Born in Arkansas. Yes, how old

0:52:22.880 --> 0:52:24.840
<v Speaker 4>were you when you left Arkansas and went to Vegas?

0:52:25.120 --> 0:52:28.360
<v Speaker 2>Roughly eight nine years old somewhere in there. And we

0:52:28.480 --> 0:52:30.560
<v Speaker 2>got to Vegas and stayed in Vegas and went to

0:52:30.640 --> 0:52:33.560
<v Speaker 2>high school in Las Vegas, the whole nine, right, that

0:52:33.760 --> 0:52:37.800
<v Speaker 2>was weird, definitely, just it wasn't weird as it was happening.

0:52:37.880 --> 0:52:40.000
<v Speaker 2>It's weird as I look back and like know how

0:52:40.120 --> 0:52:42.719
<v Speaker 2>other people's high school situation went. You know, you go

0:52:42.760 --> 0:52:44.520
<v Speaker 2>through high school with that click of friends all the

0:52:44.560 --> 0:52:46.680
<v Speaker 2>way up and you'll graduate together and all that I

0:52:46.719 --> 0:52:49.279
<v Speaker 2>don't happen in Vegas because everybody's coming in to do

0:52:49.320 --> 0:52:51.400
<v Speaker 2>what they're gonna do for about a year. It's tours sound,

0:52:51.719 --> 0:52:53.840
<v Speaker 2>it's military base, you know what I'm saying. They in

0:52:53.960 --> 0:52:55.640
<v Speaker 2>and out. So every school year you start with brand

0:52:55.640 --> 0:52:57.600
<v Speaker 2>new people teaching you how to be a people person.

0:52:57.760 --> 0:53:00.640
<v Speaker 2>Not to mention, there's a strip every day and where

0:53:00.640 --> 0:53:03.360
<v Speaker 2>you meet Susan and her nine friends from Minnesota and

0:53:03.440 --> 0:53:05.319
<v Speaker 2>they and and yeah, so.

0:53:05.360 --> 0:53:07.160
<v Speaker 1>That so that so that's the best. That's one of

0:53:07.200 --> 0:53:08.879
<v Speaker 1>the best parts about Vegas hunts.

0:53:09.719 --> 0:53:12.160
<v Speaker 2>You meet a lot of people. You meet a lot

0:53:12.280 --> 0:53:15.200
<v Speaker 2>of different people from all walks of life. Everybody find

0:53:15.239 --> 0:53:19.279
<v Speaker 2>a way to Vegas at some point. Yeah, to a.

0:53:19.360 --> 0:53:22.919
<v Speaker 1>Degree, to a degree, fifty degree, seventy five degree.

0:53:23.960 --> 0:53:28.839
<v Speaker 2>I mean, I'm I'll say this, as as my age progresses,

0:53:29.080 --> 0:53:31.800
<v Speaker 2>my patience gets shorter, you know what I mean, Like

0:53:32.400 --> 0:53:36.000
<v Speaker 2>energy becomes real, real important as you as as time progresses.

0:53:36.360 --> 0:53:39.200
<v Speaker 2>And now I'm real picky and choosy about what I

0:53:39.280 --> 0:53:40.640
<v Speaker 2>choose to give energy to and who.

0:53:41.120 --> 0:53:43.280
<v Speaker 4>So, yeah, did grow up with growing up in Vegas

0:53:43.560 --> 0:53:45.239
<v Speaker 4>make you want to do show? Make you want to

0:53:45.239 --> 0:53:45.840
<v Speaker 4>get on stage?

0:53:45.920 --> 0:53:46.719
<v Speaker 2>Or absolutely?

0:53:47.160 --> 0:53:47.359
<v Speaker 4>Yeah?

0:53:47.520 --> 0:53:49.920
<v Speaker 2>Man, that was that was you know you you hit

0:53:49.960 --> 0:53:53.200
<v Speaker 2>the strip as as a teenager and you see the

0:53:53.280 --> 0:53:55.600
<v Speaker 2>limos pull up and you see the celebrity get out,

0:53:55.680 --> 0:53:57.000
<v Speaker 2>and you know, if you get a chance to get

0:53:57.040 --> 0:53:59.160
<v Speaker 2>into any of these Vegas shows, and you just it's

0:53:59.200 --> 0:54:01.880
<v Speaker 2>an experience, bro, Especially as a kid, you're looking at

0:54:01.920 --> 0:54:02.920
<v Speaker 2>that like, oh man.

0:54:03.040 --> 0:54:03.560
<v Speaker 1>That would be me.

0:54:03.760 --> 0:54:05.080
<v Speaker 2>That's that's what I want to do right there.

0:54:05.280 --> 0:54:08.759
<v Speaker 4>Yeah, so your parents they weren't together, but so so

0:54:09.320 --> 0:54:11.560
<v Speaker 4>did it have an impact that your dad wasn't around?

0:54:11.719 --> 0:54:14.000
<v Speaker 4>And you said, you talked about your mom, you talked

0:54:14.000 --> 0:54:16.480
<v Speaker 4>about the women in your life, your aunts, and you

0:54:16.960 --> 0:54:19.840
<v Speaker 4>wrote songs, and you had seemed like in your sisters

0:54:19.880 --> 0:54:22.040
<v Speaker 4>and your mom and your aunts, so you had very

0:54:22.080 --> 0:54:23.640
<v Speaker 4>strong women around you.

0:54:23.840 --> 0:54:27.560
<v Speaker 2>Definitely, so definitely so had uncles that that you know

0:54:27.680 --> 0:54:30.160
<v Speaker 2>that were there, but you know they show up eating leave.

0:54:32.760 --> 0:54:36.800
<v Speaker 2>But no, it was primarily my mother, my grandmother, five aunts,

0:54:36.880 --> 0:54:42.040
<v Speaker 2>my sister, and me. And I never really, I never

0:54:42.120 --> 0:54:44.319
<v Speaker 2>really felt like I was missing anything from not having

0:54:44.360 --> 0:54:47.279
<v Speaker 2>a dad until you know, I got of a certain

0:54:47.320 --> 0:54:48.960
<v Speaker 2>age and I'm in school and my friends are talking

0:54:49.000 --> 0:54:50.880
<v Speaker 2>about their dads and they're doing with their dads, and

0:54:50.880 --> 0:54:52.960
<v Speaker 2>I'm like, wait a minute, I ain't. I ain't never

0:54:53.000 --> 0:54:55.080
<v Speaker 2>did that. But then it becomes a thing.

0:54:55.200 --> 0:54:56.000
<v Speaker 1>Did you play sports?

0:54:56.280 --> 0:54:59.520
<v Speaker 2>Uh? Not really a little bit, but I never really

0:54:59.560 --> 0:55:01.960
<v Speaker 2>took a seat I would. I was more of an

0:55:02.120 --> 0:55:04.920
<v Speaker 2>artistic kid than an athletic kid. I could do it,

0:55:05.400 --> 0:55:07.120
<v Speaker 2>but if I had to chew, if I had the option,

0:55:07.280 --> 0:55:09.160
<v Speaker 2>I was somewhere writing a song.

0:55:09.480 --> 0:55:12.800
<v Speaker 1>How did being raised by women impact your songwriting?

0:55:13.560 --> 0:55:19.840
<v Speaker 2>It helped me escape the potential of the whole toxic

0:55:19.960 --> 0:55:23.120
<v Speaker 2>masculinity thing that that everybody so up in a uproar

0:55:23.160 --> 0:55:28.200
<v Speaker 2>about today. I feel like toxic masculinity is the opposite

0:55:28.320 --> 0:55:31.279
<v Speaker 2>of a person that is in touch with and not

0:55:31.360 --> 0:55:35.040
<v Speaker 2>afraid of emotion. Like I've heard people say, how do

0:55:35.080 --> 0:55:37.279
<v Speaker 2>you write from the mind of a woman so well,

0:55:37.400 --> 0:55:38.960
<v Speaker 2>and it's like, I'm not writing from the mind of

0:55:39.000 --> 0:55:40.439
<v Speaker 2>a woman. I'm writing from the mind of a person

0:55:40.480 --> 0:55:44.000
<v Speaker 2>that's not afraid of emotion. You're giving these emotions for

0:55:44.120 --> 0:55:47.080
<v Speaker 2>a reason, okay, that they're supposed to help you throughout life.

0:55:47.120 --> 0:55:49.520
<v Speaker 2>You're not supposed to ignore them. You know the whole

0:55:49.600 --> 0:55:52.120
<v Speaker 2>boys don't cry. That's not a thing. It's not a

0:55:52.200 --> 0:55:54.520
<v Speaker 2>thing at all. Like, that's that's how you That's how

0:55:54.600 --> 0:55:58.720
<v Speaker 2>you breed that toxic male. You know, I gotta address

0:55:58.760 --> 0:56:00.839
<v Speaker 2>every situation with aggress and that's how.

0:56:00.760 --> 0:56:01.279
<v Speaker 1>You breed that.

0:56:01.760 --> 0:56:03.480
<v Speaker 2>My mom didn't raise me like that. She said, if

0:56:03.520 --> 0:56:05.560
<v Speaker 2>it's smile, if it feels good, smile and if for

0:56:05.640 --> 0:56:08.280
<v Speaker 2>hers cry, and never be ashamed of either one because

0:56:08.280 --> 0:56:10.120
<v Speaker 2>you're giving them for a reason the tools.

0:56:10.520 --> 0:56:13.879
<v Speaker 4>Do You feel like man suppressed a lot of their

0:56:13.960 --> 0:56:19.399
<v Speaker 4>true feelings of motion and they can't properly be who

0:56:19.480 --> 0:56:20.120
<v Speaker 4>they truly are.

0:56:20.280 --> 0:56:24.600
<v Speaker 2>Absolutely, absolutely, I feel like especially nowadays, where you know,

0:56:25.520 --> 0:56:28.440
<v Speaker 2>all vulnerability is viewed as weakness, and any man showing

0:56:28.480 --> 0:56:32.560
<v Speaker 2>any is ridiculed or whatever or something like that. Yeah, yeah,

0:56:32.640 --> 0:56:35.600
<v Speaker 2>you get caught, and it's like I've just never I've

0:56:35.680 --> 0:56:37.640
<v Speaker 2>just never bought into that. You know what I'm saying.

0:56:37.800 --> 0:56:42.080
<v Speaker 2>I've been bullied before. I understand what that is. You know,

0:56:42.200 --> 0:56:44.080
<v Speaker 2>nine times out of ten, the cat bullying you is

0:56:44.080 --> 0:56:46.680
<v Speaker 2>getting bullied, as Daddy would' his ass. Something's happening to him.

0:56:47.120 --> 0:56:49.360
<v Speaker 2>It's not just he ain't just wake up and decide

0:56:49.360 --> 0:56:50.960
<v Speaker 2>to mess with you. He messed with you cause somebody

0:56:51.040 --> 0:56:53.719
<v Speaker 2>messing with him. I get that, I understand what that is.

0:56:54.719 --> 0:56:57.719
<v Speaker 2>I just really feel like the way that the way

0:56:57.760 --> 0:56:59.439
<v Speaker 2>that my mom brought me up, don't even she didn't

0:56:59.440 --> 0:57:00.919
<v Speaker 2>bring me up, is chump you know what I'm saying.

0:57:00.960 --> 0:57:02.960
<v Speaker 2>She definitely taught me how to try to fend for

0:57:03.120 --> 0:57:06.360
<v Speaker 2>self and defend myself. But at the same time, she

0:57:06.520 --> 0:57:09.680
<v Speaker 2>taught me that every situation is not called for aggression,

0:57:09.920 --> 0:57:12.160
<v Speaker 2>right you know, you set up and argue with a fool.

0:57:12.360 --> 0:57:14.080
<v Speaker 2>To the people watching, they don't know who the fool is,

0:57:14.200 --> 0:57:16.640
<v Speaker 2>right y'all both y'all both look like fools right now,

0:57:17.000 --> 0:57:19.520
<v Speaker 2>And that and that was that was me growing up.

0:57:19.560 --> 0:57:21.360
<v Speaker 2>I wasn't a cat that was so eager to jump

0:57:21.400 --> 0:57:23.080
<v Speaker 2>into a fight. You know what I'm saying. Nine times

0:57:23.080 --> 0:57:25.200
<v Speaker 2>out of ten, I'm talking so fast. You don't want

0:57:25.200 --> 0:57:27.920
<v Speaker 2>to fight no more. That's why that's who I was.

0:57:27.960 --> 0:57:29.440
<v Speaker 1>I read your favorite sport is boxing.

0:57:29.480 --> 0:57:34.440
<v Speaker 2>You're still absolutely absolutely congrats Tank did that?

0:57:34.680 --> 0:57:38.959
<v Speaker 4>Yeah, man, so growing up in Vegas, the Mike Capitol World,

0:57:39.040 --> 0:57:41.240
<v Speaker 4>I don't know how many fights Tyson that you saw,

0:57:41.640 --> 0:57:42.680
<v Speaker 4>may Weather that you saw.

0:57:43.080 --> 0:57:45.160
<v Speaker 1>What is it about the fight game that makes you

0:57:45.240 --> 0:57:45.720
<v Speaker 1>such a fan?

0:57:47.040 --> 0:57:52.280
<v Speaker 2>I love the strategy, there's some there's some fighters that

0:57:52.320 --> 0:57:53.760
<v Speaker 2>I that I'm more of a fan of than others.

0:57:53.800 --> 0:57:55.200
<v Speaker 2>You know, you got you, you got your slugg as

0:57:55.200 --> 0:57:57.560
<v Speaker 2>you catch gonna go out there and swing as hard

0:57:57.560 --> 0:58:01.160
<v Speaker 2>as they can till somebody fall down. That's what Floyd

0:58:01.200 --> 0:58:03.880
<v Speaker 2>has always been a favorite of mine because he's strategic.

0:58:04.400 --> 0:58:07.680
<v Speaker 2>Floyd's game is not hitting you. Floyd's game is making

0:58:07.760 --> 0:58:11.040
<v Speaker 2>you miss, which is just even more embarrassing. Like that's

0:58:11.440 --> 0:58:13.760
<v Speaker 2>that's the mind games that Floyd's plays. I'm gonna let you.

0:58:13.760 --> 0:58:15.720
<v Speaker 2>I'm gonna let you swing for the fences and you're

0:58:15.720 --> 0:58:18.320
<v Speaker 2>gonna hit me none, You're not gonna touch me. Love.

0:58:18.360 --> 0:58:22.360
<v Speaker 2>I've always loved just the cleverness of something that's supposed

0:58:22.360 --> 0:58:24.880
<v Speaker 2>to be so brutal, but you literally got to use

0:58:24.920 --> 0:58:26.600
<v Speaker 2>your mind if you're gonna be good at it, if

0:58:26.600 --> 0:58:29.600
<v Speaker 2>you're gonna be successful at it. This brutal blood sport

0:58:30.400 --> 0:58:32.440
<v Speaker 2>where you feel like it's just two men going in

0:58:32.480 --> 0:58:33.960
<v Speaker 2>there beating the hell out of each other for the

0:58:34.000 --> 0:58:36.640
<v Speaker 2>hell of it. Now, this is a strategic game, you

0:58:36.680 --> 0:58:38.840
<v Speaker 2>know what I mean. And it's just I've always been

0:58:38.880 --> 0:58:40.880
<v Speaker 2>a fan of that, that contrast. It's like, this is

0:58:40.920 --> 0:58:44.160
<v Speaker 2>what you expect, but in actuality, it's really this, you know,

0:58:44.200 --> 0:58:45.080
<v Speaker 2>I've always been a fan of that.

0:58:45.080 --> 0:58:46.880
<v Speaker 1>I'm gonna get you out to hear your last two questions.

0:58:47.600 --> 0:58:50.120
<v Speaker 4>Do you feel as an entertainer that you need more

0:58:50.200 --> 0:58:54.000
<v Speaker 4>than one revenue stream because you entertain you sing?

0:58:54.120 --> 0:58:54.560
<v Speaker 1>You right?

0:58:55.720 --> 0:58:59.760
<v Speaker 2>Absolutely so. We already discussed the fact that songwriters just

0:59:00.000 --> 0:59:03.000
<v Speaker 2>a songwriters. If you're not making billions and billions and

0:59:03.080 --> 0:59:05.920
<v Speaker 2>billions of streams, you can't even live off your livelihood,

0:59:06.080 --> 0:59:07.600
<v Speaker 2>you know what I mean. You'll have a hit song

0:59:07.680 --> 0:59:10.240
<v Speaker 2>on the radio and be broke. This is a real thing,

0:59:10.440 --> 0:59:14.400
<v Speaker 2>Like that'll make no sense. There's no other medium that

0:59:14.520 --> 0:59:16.800
<v Speaker 2>that happens in. You can't have the number one blockbuster

0:59:16.920 --> 0:59:19.720
<v Speaker 2>movie in America and live in an apartment. That's not happening. Now,

0:59:19.880 --> 0:59:23.240
<v Speaker 2>they don't page you well for that music, not so much.

0:59:23.360 --> 0:59:26.200
<v Speaker 2>That's just what happens. So yes, as an artist, as

0:59:26.240 --> 0:59:28.560
<v Speaker 2>a as a songwriter, it is an your best interest

0:59:28.640 --> 0:59:31.840
<v Speaker 2>to have multiple streams of revenue. You know, if you

0:59:32.000 --> 0:59:34.680
<v Speaker 2>are a person with a personality, use that, you know,

0:59:34.800 --> 0:59:38.880
<v Speaker 2>don't rely on just one aspect of entertainment. If you

0:59:39.000 --> 0:59:41.640
<v Speaker 2>are a person that understands what entertainment is and your

0:59:41.760 --> 0:59:42.800
<v Speaker 2>entertainment value, I.

0:59:42.840 --> 0:59:44.440
<v Speaker 1>See you throw it in your hat and the acting ring.

0:59:45.640 --> 0:59:49.200
<v Speaker 1>So fifty cent bl yes, yes, a few episodes.

0:59:51.600 --> 0:59:54.160
<v Speaker 2>I met I met fifty a while ago. You know

0:59:54.160 --> 0:59:56.480
<v Speaker 2>what I'm saying. We did did the joint together, you know,

0:59:56.560 --> 1:00:00.600
<v Speaker 2>so we always kind of kept in contact. He he

1:00:01.760 --> 1:00:03.560
<v Speaker 2>basically told me that he was he was gonna figure

1:00:03.560 --> 1:00:05.720
<v Speaker 2>out a way for us to work because he saw

1:00:05.800 --> 1:00:07.960
<v Speaker 2>that I was, you know that I was interested in

1:00:08.080 --> 1:00:10.160
<v Speaker 2>doing the acting thing. So he's like, we're gonnaigure out,

1:00:10.160 --> 1:00:11.440
<v Speaker 2>We're gonna find a way to find a way to

1:00:11.480 --> 1:00:14.320
<v Speaker 2>make it work. He threw me a couple auditions, and

1:00:14.360 --> 1:00:16.120
<v Speaker 2>mind you, that's that's one thing that I really loved

1:00:16.160 --> 1:00:18.640
<v Speaker 2>about him is that he wasn't just gonna give me something, right,

1:00:18.840 --> 1:00:20.840
<v Speaker 2>you know? He's like, yo, you know this is this

1:00:21.040 --> 1:00:23.240
<v Speaker 2>is an opportunity. You get in there, you do the audition.

1:00:23.320 --> 1:00:24.520
<v Speaker 2>If you get it, you get it. If you don't,

1:00:24.560 --> 1:00:27.080
<v Speaker 2>you don't, And like, I respect that, you know. So

1:00:28.040 --> 1:00:30.480
<v Speaker 2>same thing with this BMF situation that that's going on now.

1:00:30.960 --> 1:00:33.120
<v Speaker 2>He said, I think I found something that that's gonna

1:00:33.120 --> 1:00:35.000
<v Speaker 2>make sense, you know, or at least I would like

1:00:35.040 --> 1:00:37.240
<v Speaker 2>to see you in his row. So he pressed me

1:00:37.240 --> 1:00:41.280
<v Speaker 2>with the BMF thing. I'm I think, I don't you

1:00:41.320 --> 1:00:42.800
<v Speaker 2>know what. Let me not even give it away. Yeah,

1:00:42.800 --> 1:00:46.040
<v Speaker 2>I'm on BMF for a few episodes. Yeah yeah, i'mnna

1:00:46.080 --> 1:00:46.320
<v Speaker 2>leave it.

1:00:46.280 --> 1:00:48.760
<v Speaker 4>At that, but I gotta get some player to him this.

1:00:49.680 --> 1:00:55.280
<v Speaker 4>You once found one of your artists asleep. Now I'm

1:00:55.320 --> 1:00:58.320
<v Speaker 4>assuming you got a nice five house, probably be more

1:00:58.360 --> 1:00:59.720
<v Speaker 4>than one bedroom, I'm assuming.

1:00:59.800 --> 1:01:01.760
<v Speaker 1>I mean that's Barry. I mean it's very consumption.

1:01:01.920 --> 1:01:03.120
<v Speaker 2>With no man.

1:01:04.560 --> 1:01:07.040
<v Speaker 1>Thinking that Neil's got a nice house. He has more

1:01:07.080 --> 1:01:10.240
<v Speaker 1>than been So why what made him think it would

1:01:10.280 --> 1:01:14.600
<v Speaker 1>be okay? Was he explain it? Explain it?

1:01:15.480 --> 1:01:18.520
<v Speaker 2>Okay? Shout out to my man, Lucky Day, I love

1:01:18.680 --> 1:01:22.840
<v Speaker 2>love you today, Unlucky that day. I didn't bring you

1:01:22.880 --> 1:01:25.120
<v Speaker 2>back up him. I didn't bring it up. But we're here,

1:01:25.240 --> 1:01:30.000
<v Speaker 2>all right. Lucky Day is an R and B artist, extraordinary,

1:01:30.080 --> 1:01:32.200
<v Speaker 2>one of Grammy last year. Like, dude is doing this thing.

1:01:32.520 --> 1:01:35.480
<v Speaker 2>I love that he's doing his thing. Before Lucky Day

1:01:35.520 --> 1:01:37.760
<v Speaker 2>got his shot, h there was a time, a point

1:01:37.760 --> 1:01:40.080
<v Speaker 2>in time where I was going to sign him. Okay, right,

1:01:40.480 --> 1:01:43.920
<v Speaker 2>so you know we're writing songs together, your artist.

1:01:43.720 --> 1:01:45.200
<v Speaker 1>At the time you were thinking about signing.

1:01:45.240 --> 1:01:47.440
<v Speaker 2>Were we were going to sign Yeah, okay, but we

1:01:47.560 --> 1:01:52.680
<v Speaker 2>writing songs together. For example, Jamie Fox's verse on Uh yeah,

1:01:53.160 --> 1:01:57.080
<v Speaker 2>he wrote that, Okay, he wrote that. So so basically

1:01:57.160 --> 1:01:59.120
<v Speaker 2>I'm about to go on the road. I gave him

1:01:59.160 --> 1:02:01.320
<v Speaker 2>access to my house. I'm like, listen, you can post

1:02:01.440 --> 1:02:02.600
<v Speaker 2>up here. You know what I'm saying.

1:02:02.680 --> 1:02:03.120
<v Speaker 1>Do what you do.

1:02:04.040 --> 1:02:08.240
<v Speaker 2>One room, one rule, don't go in my room.

1:02:09.080 --> 1:02:12.120
<v Speaker 4>So you so crystal clear, you made it a bundantly clear.

1:02:12.760 --> 1:02:17.840
<v Speaker 4>You have access to the hot house tomorrow my room.

1:02:17.960 --> 1:02:20.160
<v Speaker 2>Okay, right, so I got it, go on the road.

1:02:20.320 --> 1:02:21.960
<v Speaker 2>You know what I'm saying. Chat went the cat back

1:02:22.000 --> 1:02:24.560
<v Speaker 2>and forth. I am I ain't can destroying the house,

1:02:24.600 --> 1:02:24.800
<v Speaker 2>all right?

1:02:24.840 --> 1:02:25.640
<v Speaker 1>Cool? Cool?

1:02:26.080 --> 1:02:30.560
<v Speaker 2>So I get home that morning I go into my

1:02:30.800 --> 1:02:34.680
<v Speaker 2>room and old boys asleep in my bed with a

1:02:34.760 --> 1:02:37.960
<v Speaker 2>young lady. I'm like, alrighty, so yeah, I took it

1:02:38.040 --> 1:02:40.200
<v Speaker 2>up on myself to wake him up and like, come on, break,

1:02:40.600 --> 1:02:42.120
<v Speaker 2>you gotta go. Hold you ain't working up with the

1:02:42.200 --> 1:02:46.160
<v Speaker 2>right left no no, no, no walking as on two pieces.

1:02:46.280 --> 1:02:48.640
<v Speaker 2>I'm in bro, I'm saying, I just I pull like

1:02:48.720 --> 1:02:51.240
<v Speaker 2>it was like, hey, I gave breakf bed, you gotta go.

1:02:52.680 --> 1:02:54.000
<v Speaker 1>Ain't you're gonna be sleeping?

1:02:55.320 --> 1:02:57.720
<v Speaker 4>I don't told you have access to eat all the

1:02:57.800 --> 1:03:00.080
<v Speaker 4>food and the kitchen, the refrigerator.

1:03:00.360 --> 1:03:02.480
<v Speaker 1>You go to. I got five bedroo crib and you

1:03:02.520 --> 1:03:03.600
<v Speaker 1>can break your answer.

1:03:05.720 --> 1:03:08.120
<v Speaker 4>I know your mom fail every situation that the call

1:03:08.240 --> 1:03:10.800
<v Speaker 4>war aggression, get really aggressive with him.

1:03:11.120 --> 1:03:13.960
<v Speaker 2>You know what is is. I can't even fop him,

1:03:14.000 --> 1:03:16.720
<v Speaker 2>and it is what it is. But we've spoken since then.

1:03:17.080 --> 1:03:19.240
<v Speaker 2>You know what I'm saying, It's it's all love. You know,

1:03:19.360 --> 1:03:23.000
<v Speaker 2>it ain't no beef, rantomosity whatsoever. You know, I'm more

1:03:23.320 --> 1:03:25.600
<v Speaker 2>than happy for old boy and what and what is

1:03:25.760 --> 1:03:28.280
<v Speaker 2>what he's doing in his crazy you know what.

1:03:28.640 --> 1:03:30.400
<v Speaker 1>I kind of empathized with it because I don't know

1:03:30.440 --> 1:03:31.959
<v Speaker 1>I'm bout there to hit it. You you are fair.

1:03:32.320 --> 1:03:35.280
<v Speaker 1>I'm like, let me show you.

1:03:37.360 --> 1:03:41.400
<v Speaker 2>Know that exactly how it went. I don't mind. Nice,

1:03:41.760 --> 1:03:43.520
<v Speaker 2>I don't mind. I don't mind. I let my friends

1:03:43.640 --> 1:03:45.120
<v Speaker 2>use the nil. They can use it as cool.

1:03:46.800 --> 1:03:50.880
<v Speaker 4>Last question, World d Ash your coach star, Yes, how

1:03:51.480 --> 1:03:53.880
<v Speaker 4>how did that impact you hearing that news?

1:03:55.120 --> 1:03:57.000
<v Speaker 1>But did you know he was going through something?

1:03:57.560 --> 1:04:01.600
<v Speaker 2>That that I had no idea that he was going

1:04:01.640 --> 1:04:04.920
<v Speaker 2>through anything. And and and you know, just from the

1:04:05.000 --> 1:04:07.280
<v Speaker 2>circle of friends that I knew that knew him, they

1:04:07.400 --> 1:04:09.640
<v Speaker 2>had no idea that he was going through anything. I've

1:04:09.720 --> 1:04:12.959
<v Speaker 2>always looked at that with a side eye. I ain't

1:04:13.000 --> 1:04:15.840
<v Speaker 2>making no accusations or nothing like that, but just the

1:04:15.920 --> 1:04:20.720
<v Speaker 2>twitch that I knew he would, that man was in

1:04:20.840 --> 1:04:23.000
<v Speaker 2>love with his children, that man was in love with

1:04:23.080 --> 1:04:25.760
<v Speaker 2>his wife, that man was in love with life. But

1:04:27.360 --> 1:04:28.760
<v Speaker 2>I can't I can't say I knew what he was

1:04:28.800 --> 1:04:30.800
<v Speaker 2>going through. And you never know what somebody's going through

1:04:30.840 --> 1:04:33.600
<v Speaker 2>in the dark. You have no idea. But the twitch

1:04:33.680 --> 1:04:35.440
<v Speaker 2>that I knew, the twitch that was represented to me

1:04:35.640 --> 1:04:37.360
<v Speaker 2>was not somebody that would have that would have did that.

1:04:37.480 --> 1:04:39.920
<v Speaker 2>So I've always I've always felt a way about that.

1:04:40.040 --> 1:04:42.240
<v Speaker 2>You know what I'm saying, he was he was brother

1:04:42.440 --> 1:04:45.280
<v Speaker 2>was was a light, you know what I mean, Like

1:04:45.360 --> 1:04:47.680
<v Speaker 2>you like you meet people and it's like it's just

1:04:47.760 --> 1:04:51.640
<v Speaker 2>a bright dude, it's just just good energy. I'm going

1:04:51.680 --> 1:04:53.760
<v Speaker 2>off of this dude. And that's what he was. That's

1:04:53.800 --> 1:04:56.000
<v Speaker 2>we all every time I saw him, that's what he was.

1:04:56.480 --> 1:04:58.960
<v Speaker 2>So I don't know that that story just had never

1:04:59.000 --> 1:05:01.720
<v Speaker 2>added up to me personally, but it is what it is.

1:05:01.800 --> 1:05:04.920
<v Speaker 1>Appreciate you. Thanks for your time all stopping by the club.

1:05:05.080 --> 1:05:06.640
<v Speaker 1>Indeed all the best moving forward.

1:05:06.720 --> 1:05:08.400
<v Speaker 2>Thank you, sir. Thank you for having me sweating in

1:05:08.440 --> 1:05:09.040
<v Speaker 2>and drinking.

1:05:11.880 --> 1:05:16.040
<v Speaker 3>All my life, grinding all my life, sacrifice, hustle, pair

1:05:16.120 --> 1:05:19.680
<v Speaker 3>the price, wanta slice, got to brow the dice, swap

1:05:19.920 --> 1:05:20.480
<v Speaker 3>all my life.

1:05:20.560 --> 1:05:24.200
<v Speaker 2>I've been grinding all my life, all my life, grinding all.

1:05:24.120 --> 1:05:28.520
<v Speaker 3>My life, sacrifice, hustle, pay the price, and want to slice.

1:05:28.880 --> 1:05:31.120
<v Speaker 2>Got to brow the dice, the swap all my life.

1:05:31.200 --> 1:05:32.520
<v Speaker 2>I've been grinding all my life.