WEBVTT - #510 - Richie Rich 

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<v Speaker 1>You got your man, Richie rich Man live on the

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<v Speaker 1>West Coast down here on the LA side of things,

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<v Speaker 1>and you could check me.

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<v Speaker 2>Out with my man my Ace Boulet.

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<v Speaker 3>Care all right, man, look it's the Boot black Cat Podcast.

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<v Speaker 3>We got a special guest in here, Oakland legend, Richie.

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<v Speaker 2>Rich what's that? What you kid?

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<v Speaker 4>Man?

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<v Speaker 3>I'm good, brother, I ain't gonna lie you. You always

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<v Speaker 3>had one of my favorite voices when I was going up,

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<v Speaker 3>like rather be one of my favorite Upac songs ever. Okay,

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<v Speaker 3>and it was so dope to see, Like I was

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<v Speaker 3>like scrolling and I see you pop up on at

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<v Speaker 3>the pergola with the Russell Right. You have this legendary

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<v Speaker 3>unfortunate moment for you where you.

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<v Speaker 2>You say me pop up and pop down?

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<v Speaker 3>Yeah you I mean you heard like you broke up

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<v Speaker 3>while you were Toro lower Patello. Yeah, so you fall out,

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<v Speaker 3>but you don't stop rapping, come on, and it becomes

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<v Speaker 3>like this like viral legendary moment.

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<v Speaker 2>Hey, I'm man, I'm be honest with you. That shit.

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<v Speaker 2>I mean, I didn't have no choice really, like.

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<v Speaker 4>But the dread had to be running for you to

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<v Speaker 4>just keep going.

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<v Speaker 2>I didn't even feel the leg To be honest with you,

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<v Speaker 2>I didn't feel the leg. I knew my verse was coming.

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<v Speaker 1>Russ was trying to pick me up, and I got

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<v Speaker 1>people talking about, dude, watch that, Watch how you snatched

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<v Speaker 1>the mic from the Russell Like you just snatched. I

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<v Speaker 1>took the mic and just got to it and then

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<v Speaker 1>I started freestyling.

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<v Speaker 2>What happened in the When I go back and look

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<v Speaker 2>at it, I'd be like, damn, I was on point.

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<v Speaker 4>You was on your was Legendar say?

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<v Speaker 2>Legendar?

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<v Speaker 3>Yeah, you're one of like the very few people who

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<v Speaker 3>were like on the ground level of like the hip

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<v Speaker 3>hop scene in the Bay Area.

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<v Speaker 2>You were in a group of four one five frour

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<v Speaker 2>one five.

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<v Speaker 4>Back in the day. When when would I guess when

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<v Speaker 4>did you initially? When did that group start?

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<v Speaker 3>Just to get people a timeline, because I think the

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<v Speaker 3>only guy we always reference like back to the eighties

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<v Speaker 3>is like too short the early nineties, you know, eighties

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<v Speaker 3>is like short, But like you were very much a

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<v Speaker 3>part of that early early Bay Area movement as well.

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<v Speaker 1>We came right after Short four one five We popped

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<v Speaker 1>in eighty nine. That's when we dropped that record, and

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<v Speaker 1>uh it rolled into the summer of nineteen ninety. Uh

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<v Speaker 1>so it was nineteen eighty nine when we dropped a

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<v Speaker 1>full on five record and then uh it carried the

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<v Speaker 1>ninety's funny you say Short was the only one, and

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<v Speaker 1>he was. He was our target. That's who we was.

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<v Speaker 1>We was gunning for Short because he was the dude,

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<v Speaker 1>you know what I mean. So he was the that's

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<v Speaker 1>that was the and I remember Short used to be like, man, y'all.

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<v Speaker 2>Got a lot of ways.

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<v Speaker 1>Y'all got little ways to go before y'all can fuck

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<v Speaker 1>with me, you know. And then we ended up dropping

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<v Speaker 1>a fall on Fire record. We was at a car

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<v Speaker 1>wash one day. Short pulled up and.

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<v Speaker 2>We was knocking the record. He was listening. He was listening.

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<v Speaker 2>He looked at me. He said, all right, man, he said,

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<v Speaker 2>y'all got to town right now.

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<v Speaker 1>He went in there and cooked that goddamn ghetto up

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<v Speaker 1>and came back right back backing.

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<v Speaker 4>You feel you guys inspired you He's like someone coming

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<v Speaker 4>from me.

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<v Speaker 1>I got to keep going. Yeah, but you know, dog man,

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<v Speaker 1>that's one of my homeboys.

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<v Speaker 2>Man.

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<v Speaker 1>He he brother. Yeah, yeah, man, that was brother important. Fortunately, man,

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<v Speaker 1>that's crazy. I think it was well, yeah, early yesterday

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<v Speaker 1>morning and Wayne low Man, good dude, good dude. But yeah,

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<v Speaker 1>short he pioneered that that thing, and uh, we came

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<v Speaker 1>behind him. There was other artists that were still rocking,

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<v Speaker 1>but four one five and we had no clue bro

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<v Speaker 1>that that ship was gonna do what it did, you

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<v Speaker 1>know what I mean. We just was putting music out

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<v Speaker 1>and that's where it started from for me, and started

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<v Speaker 1>in eighty nine. And then I got myself wrapped up

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<v Speaker 1>in a little trouble on the street hustling, and then

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<v Speaker 1>when I came home, I think my next play was Tupac.

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<v Speaker 2>Uh the the what's.

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<v Speaker 1>The album he did against the World?

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<v Speaker 2>Yeah, he put on me against the World.

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<v Speaker 3>And so you had already had before you got incarcerated

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<v Speaker 3>and got in trouble, you had already had a great

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<v Speaker 3>relationship of pot because people don't I mean for people

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<v Speaker 3>who are Tupac fans, they know Oakland roots.

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<v Speaker 1>No, I didn't know Pop when when I was four

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<v Speaker 1>one five, when I got in trouble, I didn't know Pop.

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<v Speaker 1>I met him after that. I met him when I

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<v Speaker 1>came home. I met Tupac over a sack of weed.

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<v Speaker 4>Uh.

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<v Speaker 1>Chick called me and said she had a dude, the

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<v Speaker 1>one to buy some pot. I went over there to

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<v Speaker 1>serve him and it was in and then we kind

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<v Speaker 1>of got cool, but not on the music shit right,

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<v Speaker 1>just on some hanging out shit and one thing led

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<v Speaker 1>to another, and then I think Pac put me on.

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<v Speaker 2>Me Against the World, and then the Loonies put me on.

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<v Speaker 1>That remix, yes, which is and that kicked it right

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<v Speaker 1>back off for me.

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<v Speaker 2>Yeah where are you from? Ok? Yeah, and that kicked

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<v Speaker 2>it right back off.

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<v Speaker 4>One of the greatest remixes ever.

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<v Speaker 2>Come on.

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<v Speaker 3>Yeah, that's dope too because if you think about from

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<v Speaker 3>your perspective, you're a part of this group, then you

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<v Speaker 3>go away, you come home. And like at that time

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<v Speaker 3>I got five on. It had to be running the Bay.

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<v Speaker 2>Yeah, I mean it was.

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<v Speaker 4>That was a national record, but I'm sure up there

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<v Speaker 4>it was.

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<v Speaker 1>It was killing shit. The Loonies was killing it. Yeah,

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<v Speaker 1>that was a big record.

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<v Speaker 3>And shout out to Yuckmouth too, who went on to

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<v Speaker 3>have an incredible like independent run and.

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<v Speaker 1>Yeah, yuck co lyricists, bro, I mean both of them,

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<v Speaker 1>yuck and but I mean Yuck He's always was different man,

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<v Speaker 1>and JJ always been different with them bars. So yeah,

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<v Speaker 1>JJ and them put me on a they put me on.

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<v Speaker 1>That's what we knew him as JJ before he came

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<v Speaker 1>with you. But uh, they put me on that five

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<v Speaker 1>on it and that spawned the death Jam deal between

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<v Speaker 1>the five on It and to Me against the World,

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<v Speaker 1>and then the labels start popping out, and then I

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<v Speaker 1>ended up over there on Death on Death Jam.

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<v Speaker 3>That's dope, man, that's crazy when you found out. First

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<v Speaker 3>of all, were you able to hear anybody else's verses

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<v Speaker 3>on the remix?

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<v Speaker 4>I got five on it.

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<v Speaker 1>I got to the studio Lake keV. I pulled up

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<v Speaker 1>late because I was always in the street hustling. I

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<v Speaker 1>remember when I got there, Uh, forty forty had a

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<v Speaker 1>garbage can bro a plastic garbage can full of hurricane,

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<v Speaker 1>So I was like, what's in the garbage can?

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<v Speaker 2>It was like drink.

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<v Speaker 1>So he came with all the mix, I guess, and

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<v Speaker 1>poured all this shit in his garbage can.

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<v Speaker 2>So I'm scooping my cus.

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<v Speaker 4>Like jungle juice.

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<v Speaker 2>Yeah, yeah, same shit.

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<v Speaker 1>Like he mixing all this shit, but this is in

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<v Speaker 1>a big ass garbage I get to the studio and

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<v Speaker 1>I think everybody's verses was down, and I remember Young

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<v Speaker 1>saying double how long is it? Don't take you to

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<v Speaker 1>write your verse. So I started writing, and we was

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<v Speaker 1>drinking and smoking and just talking shit. And to be

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<v Speaker 1>honest with you, I hate it the verse because really,

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<v Speaker 1>I'm gonna tell you, the two verses that people like

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<v Speaker 1>the most from me are the two verses that I

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<v Speaker 1>wasn't comfortable with, even the one on me against the world.

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<v Speaker 2>The certain niggas want to stick to the game because

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<v Speaker 2>Park was.

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<v Speaker 1>Rushing me, Like, so I'm writing fast, and I figured

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<v Speaker 1>the bars was cool, but I just I wasn't swinging

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<v Speaker 1>them the way you know what I mean. Sometimes it

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<v Speaker 1>take you a little time to when you write something

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<v Speaker 1>to run run through it three or four times.

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<v Speaker 2>Man, they like, come on, let's get it down.

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<v Speaker 1>So both of them verses, to me, I was like, man,

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<v Speaker 1>I could do it. Like with Park, when you lay

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<v Speaker 1>something that you better lay what you want because it's stuck,

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<v Speaker 1>like he ain't letting you go.

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<v Speaker 2>Back, and and the same thing with the five on it.

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<v Speaker 1>I laid it and do to me, I mean, shot

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<v Speaker 1>Gee's verse was cold, Yuck's verse was cold. I had

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<v Speaker 1>no clue that my verse would be the verse that

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<v Speaker 1>everybody went to with the song.

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<v Speaker 4>Yeah cut this.

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<v Speaker 3>To me, it's my favorite verse on the song also

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<v Speaker 3>because like you just brought like.

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<v Speaker 1>Your like real player shit, like right, and the thing

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<v Speaker 1>it was like I was, like, I said, I was

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<v Speaker 1>being rushed, so I didn't really I was listening because

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<v Speaker 1>I think they played it a couple of times and

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<v Speaker 1>I heard what Yuck had said and I was like, damn,

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<v Speaker 1>here we go. Like he was hard to come behind.

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<v Speaker 1>And so when I came with that where are You From?

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<v Speaker 1>Oakland smoke, and I was just trying to cover up

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<v Speaker 1>as many bars as I could because I didn't have

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<v Speaker 1>my shit together. And when the song came out, we

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<v Speaker 1>shot the video and like, I remember being in New

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<v Speaker 1>York and Justine's puff had a party and we was

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<v Speaker 1>in that restaurant and they played that record and when

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<v Speaker 1>he dropped the they dropped the music and said where

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<v Speaker 1>are you from? And I'm like, I was like, what

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<v Speaker 1>the fuck?

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<v Speaker 2>We in New York?

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<v Speaker 4>What year was the party?

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<v Speaker 1>The party had to be ninety five?

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<v Speaker 3>Oh shit, So this is this is before Diddy got

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<v Speaker 3>super weird.

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<v Speaker 4>This was when the parties were still We're still like

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<v Speaker 4>very player.

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<v Speaker 1>Yeah, it was a restaurant, so it was his son's restaurant.

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<v Speaker 1>So this was my first time being in one of

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<v Speaker 1>them events, and I remember Puff was a.

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<v Speaker 2>Puff was always to me like.

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<v Speaker 1>The hardest working man in the game, like they had

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<v Speaker 1>all the records, dude, and and it just seemed like

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<v Speaker 1>for me, I always felt like once you hit a

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<v Speaker 1>certain spot, you'd be like, all right, I'm good, I

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<v Speaker 1>canna lay off. But I remember going to Justice with

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<v Speaker 1>my manager. He was like, hey, Puffing him having a

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<v Speaker 1>party up here. Big was was Big there. I don't

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<v Speaker 1>know if Big was there or not. I know Craig

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<v Speaker 1>macnum was in there. And we came from like when

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<v Speaker 1>we club, we go to the bar and we buy shots,

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<v Speaker 1>you know what I mean, or buy solo drinks. We

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<v Speaker 1>never bought no bottles, so I was never into that.

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<v Speaker 1>And I remember they was. Puff was like, whatever you

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<v Speaker 1>want to drink, and at the time we was drinking

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<v Speaker 1>kvasi a so he like you on a bottle.

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<v Speaker 2>I was like, no, I'll go to the barn, just

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<v Speaker 2>grab a drink.

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<v Speaker 1>So we was in there and they dropped that record, bro,

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<v Speaker 1>And when I heard the response, I was like, they

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<v Speaker 1>like that off the motherfucker in New York. Yeah, And

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<v Speaker 1>then from there everywhere we went. I mean that record

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<v Speaker 1>smashing right now.

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<v Speaker 2>For sure.

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<v Speaker 3>It's still it's still in gold rotation all over the country.

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<v Speaker 3>Like you know, you turn any new mix on any

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<v Speaker 3>radio station, you go hear it.

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<v Speaker 2>You know that five on it is a crazy record?

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<v Speaker 4>Yo. That's crazy? Yo? What for you?

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<v Speaker 2>Man?

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<v Speaker 4>Like? Was it about? You think? Were you and Parc meeting?

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<v Speaker 3>Uh?

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<v Speaker 4>Doing that?

0:09:40.440 --> 0:09:42.400
<v Speaker 3>We deal that that you guys were able to kind

0:09:42.400 --> 0:09:44.439
<v Speaker 3>of catch a vibe and fuck with each other.

0:09:45.240 --> 0:09:45.440
<v Speaker 2>Yeah.

0:09:45.480 --> 0:09:49.000
<v Speaker 1>It was trippy because he was making music, but he

0:09:49.080 --> 0:09:50.560
<v Speaker 1>wasn't making a kind of music we was making.

0:09:50.600 --> 0:09:50.719
<v Speaker 2>You know.

0:09:50.760 --> 0:09:53.680
<v Speaker 1>Four and five was like gangster hip hop, and Park

0:09:53.840 --> 0:09:56.000
<v Speaker 1>was more on the black power than he had to

0:09:56.000 --> 0:09:59.280
<v Speaker 1>Bringdus got a Baby, more conscious shit. Yeah, but we

0:09:59.360 --> 0:10:01.839
<v Speaker 1>locked up because we liked fucking with brogs, you know

0:10:01.840 --> 0:10:03.679
<v Speaker 1>what I mean. And we started going to clubs and

0:10:03.720 --> 0:10:06.920
<v Speaker 1>hanging out and shit like that. So we became homies

0:10:07.280 --> 0:10:10.199
<v Speaker 1>way before we even thought about doing any music. And

0:10:10.320 --> 0:10:11.720
<v Speaker 1>I remember he was like, man, I want to do

0:10:11.720 --> 0:10:13.320
<v Speaker 1>some music with you too, And I was like, well, man,

0:10:13.320 --> 0:10:15.240
<v Speaker 1>you're on the black power shit, we on the gangster shit,

0:10:15.320 --> 0:10:17.520
<v Speaker 1>and he's like, no, I got some shit like so

0:10:17.920 --> 0:10:19.800
<v Speaker 1>we just kind of start fucking around it wasn't even

0:10:19.880 --> 0:10:23.280
<v Speaker 1>music wise, you know what I mean, just hanging out

0:10:23.280 --> 0:10:27.839
<v Speaker 1>the clubs, partying like that, getting these together. And then

0:10:27.920 --> 0:10:29.800
<v Speaker 1>one thing led to another and the first record we

0:10:29.840 --> 0:10:32.400
<v Speaker 1>did was that one produced by Warren g Llt to

0:10:32.480 --> 0:10:35.720
<v Speaker 1>kick It. And then from there we was like we

0:10:35.720 --> 0:10:37.200
<v Speaker 1>was just locked in, you know what I mean. So

0:10:37.240 --> 0:10:40.000
<v Speaker 1>I was taking him around the town money Bee, uh

0:10:40.600 --> 0:10:43.280
<v Speaker 1>was money being him, had him and they were showing

0:10:43.320 --> 0:10:45.280
<v Speaker 1>him some ship. But then I started showing him some

0:10:45.320 --> 0:10:47.920
<v Speaker 1>other ship, you know what I mean? And uh, I

0:10:47.920 --> 0:10:48.720
<v Speaker 1>remember money.

0:10:48.559 --> 0:10:50.240
<v Speaker 2>Be just did he just did an interview.

0:10:50.280 --> 0:10:52.520
<v Speaker 1>I seen Money was like, well, we was running with Park,

0:10:52.600 --> 0:10:54.640
<v Speaker 1>but then once he got with Rich and Gov, it

0:10:54.760 --> 0:10:56.720
<v Speaker 1>was some whole other ship because you know we.

0:10:56.600 --> 0:10:59.160
<v Speaker 2>Was in the street. Yeah you know, and uh I

0:10:59.240 --> 0:11:00.760
<v Speaker 2>just had him under my wing. Dude. He was just

0:11:00.800 --> 0:11:02.760
<v Speaker 2>a young dude, smooth cool.

0:11:03.040 --> 0:11:05.920
<v Speaker 1>I didn't know he was gonna end up like the

0:11:06.000 --> 0:11:07.679
<v Speaker 1>nigga he ended up being, you know what I mean.

0:11:07.800 --> 0:11:10.760
<v Speaker 1>I couldn't see it on him, to be honest with you, but.

0:11:10.840 --> 0:11:13.360
<v Speaker 3>I mean you hear he was like obviously a complex guy,

0:11:13.480 --> 0:11:15.880
<v Speaker 3>like a kind of and and I think all greats

0:11:15.920 --> 0:11:20.160
<v Speaker 3>are like contradictory in.

0:11:18.880 --> 0:11:20.520
<v Speaker 4>In nature, right, you know what I mean.

0:11:21.120 --> 0:11:23.240
<v Speaker 3>You would hear PoCA love women. He loved the party.

0:11:23.320 --> 0:11:25.920
<v Speaker 3>You also heard he had hands. He was also very

0:11:25.960 --> 0:11:28.400
<v Speaker 3>much like a revolutionary, you know, fighting a good fight.

0:11:28.480 --> 0:11:32.280
<v Speaker 3>Like you know, I feel like that era of Tupac,

0:11:33.320 --> 0:11:35.760
<v Speaker 3>you know, I feel like it's not as talked about,

0:11:35.800 --> 0:11:37.320
<v Speaker 3>like him running around the Bay Area.

0:11:38.760 --> 0:11:40.760
<v Speaker 1>Yeah, it was layers. It was layers to him. He

0:11:40.840 --> 0:11:43.800
<v Speaker 1>was he was a he was a different kind of individual.

0:11:44.360 --> 0:11:47.880
<v Speaker 1>And I remember following him down to l A and

0:11:47.920 --> 0:11:50.000
<v Speaker 1>he was shooting all the movies and ship, you know,

0:11:50.480 --> 0:11:53.600
<v Speaker 1>shooting the Poetic Justice, and I'm like this thing over

0:11:53.640 --> 0:11:54.600
<v Speaker 1>here with Janet Jackson.

0:11:55.520 --> 0:11:58.200
<v Speaker 2>It's different, all shit, It's different. Like he just was.

0:11:58.400 --> 0:12:00.960
<v Speaker 1>He was just moving, moving, move And I had never

0:12:00.960 --> 0:12:02.440
<v Speaker 1>really seen it like that because we was just on

0:12:02.480 --> 0:12:05.880
<v Speaker 1>an independent level, you feel, so I had never seen

0:12:05.920 --> 0:12:06.400
<v Speaker 1>it like that.

0:12:07.040 --> 0:12:09.800
<v Speaker 3>And just what you guys ever get any squabbles together

0:12:09.920 --> 0:12:11.880
<v Speaker 3>like with like you know, maybe leaving a club.

0:12:12.640 --> 0:12:12.960
<v Speaker 2>You know what.

0:12:13.040 --> 0:12:15.640
<v Speaker 1>We had a little issue in San Francisco one night

0:12:15.679 --> 0:12:18.360
<v Speaker 1>at a club called The Stone, but we didn't actually

0:12:18.440 --> 0:12:20.520
<v Speaker 1>get into a squad. Some niggas was throwing some shit

0:12:20.600 --> 0:12:23.480
<v Speaker 1>on stage, some water bottles, and I remember Pop picked

0:12:23.520 --> 0:12:25.319
<v Speaker 1>up the mic stand and kind of jabbed it down

0:12:25.400 --> 0:12:28.680
<v Speaker 1>at the DO. But it wasn't no altercation. It was

0:12:28.720 --> 0:12:31.880
<v Speaker 1>a story that surfaced like something happened in that club,

0:12:32.320 --> 0:12:34.120
<v Speaker 1>but it never really jumped off like that. But no,

0:12:34.280 --> 0:12:37.640
<v Speaker 1>when I was with him, because like when I was

0:12:37.679 --> 0:12:40.920
<v Speaker 1>moving around in Oakland, we wasn't having no issues like that,

0:12:41.000 --> 0:12:43.319
<v Speaker 1>so everything was smooth. I just was kind of showing

0:12:43.360 --> 0:12:45.880
<v Speaker 1>him the ropes, you know, and not trying to show

0:12:45.920 --> 0:12:48.440
<v Speaker 1>him the dope game because that's what I was dealing with,

0:12:48.920 --> 0:12:51.920
<v Speaker 1>but just kind of showing him just the city, you

0:12:51.960 --> 0:12:54.760
<v Speaker 1>know what I mean. And he was giving me the

0:12:54.800 --> 0:12:57.120
<v Speaker 1>slang and the ship that he was speaking from where

0:12:57.160 --> 0:12:58.560
<v Speaker 1>he was coming from, and I was like, bro, it's

0:12:58.600 --> 0:12:59.320
<v Speaker 1>different up here.

0:13:00.040 --> 0:13:02.160
<v Speaker 2>We really just was smoking and fucking with bitches.

0:13:02.200 --> 0:13:05.600
<v Speaker 3>That was it tell me about. So rather b is like,

0:13:05.720 --> 0:13:07.719
<v Speaker 3>it's one of my favorite Chupac songs ever. I think

0:13:07.760 --> 0:13:10.080
<v Speaker 3>it's like one of the I mean, people love that song.

0:13:10.200 --> 0:13:13.080
<v Speaker 3>It's a classic. But your guys little interaction in the

0:13:13.080 --> 0:13:16.800
<v Speaker 3>beginning back and forth, like was that like a natural

0:13:16.840 --> 0:13:18.720
<v Speaker 3>one take or did you guys rehearse that?

0:13:19.000 --> 0:13:20.960
<v Speaker 1>No, it was one take, and it's crazy if you

0:13:21.000 --> 0:13:24.800
<v Speaker 1>listen to that record. They beat a word out like

0:13:24.920 --> 0:13:27.400
<v Speaker 1>I said, this is for the Honeyes, the super Saucy,

0:13:27.640 --> 0:13:30.480
<v Speaker 1>but they beat Saucy out. I don't know what they

0:13:30.559 --> 0:13:33.360
<v Speaker 1>thought that meant or something, but no. So I came

0:13:33.400 --> 0:13:36.360
<v Speaker 1>in the studio and Park was like rich. He said, uh,

0:13:37.480 --> 0:13:39.800
<v Speaker 1>he had just finished up writing a song. He went

0:13:39.840 --> 0:13:42.360
<v Speaker 1>in and laid the verses and he came out. He said, man,

0:13:42.400 --> 0:13:44.640
<v Speaker 1>we need to do something for the bitches. I said,

0:13:44.640 --> 0:13:45.840
<v Speaker 1>what you want to do? He said, I don't know,

0:13:45.920 --> 0:13:48.080
<v Speaker 1>just some shit like you know, some player shit, like

0:13:48.080 --> 0:13:49.880
<v Speaker 1>how we fuck with it? Like you know, I don't

0:13:49.880 --> 0:13:51.400
<v Speaker 1>want to I don't want to be your man. I

0:13:51.480 --> 0:13:53.480
<v Speaker 1>just want to be your nigga type shit. I was like,

0:13:53.520 --> 0:13:55.680
<v Speaker 1>all right. So then I think Johnny Ja or somebody

0:13:55.679 --> 0:13:57.640
<v Speaker 1>produced that beat. They pulled the beat up and we

0:13:57.720 --> 0:13:59.600
<v Speaker 1>was fucking around and he just start writing. So we

0:13:59.640 --> 0:14:02.240
<v Speaker 1>sitting right next to each other, he writing, and he

0:14:02.360 --> 0:14:04.960
<v Speaker 1>looking over what you got? Come on, man, come on?

0:14:05.080 --> 0:14:07.120
<v Speaker 1>So I'm like, spit your shit. So he wrote one

0:14:07.200 --> 0:14:10.480
<v Speaker 1>verse hella fast. He went in there in space. He's

0:14:10.480 --> 0:14:11.640
<v Speaker 1>fitting for me, right in front of me.

0:14:12.280 --> 0:14:14.120
<v Speaker 2>So I said, okay, well I can lead off of that.

0:14:14.200 --> 0:14:15.880
<v Speaker 1>You know, you could ride I was because he was

0:14:15.880 --> 0:14:18.320
<v Speaker 1>talking about winding and dining with the bitch, you know.

0:14:18.400 --> 0:14:19.720
<v Speaker 1>So then I said, well, you could ride out with

0:14:19.760 --> 0:14:22.120
<v Speaker 1>spoke code to get your libst and crab because all

0:14:22.160 --> 0:14:24.320
<v Speaker 1>I got it, I'm just finna dick you down, you

0:14:24.360 --> 0:14:24.720
<v Speaker 1>feel me?

0:14:24.960 --> 0:14:27.120
<v Speaker 2>So we went from there. He heard that, then he

0:14:27.240 --> 0:14:29.040
<v Speaker 2>spread off of what I said at the end.

0:14:28.960 --> 0:14:31.680
<v Speaker 1>Of my verse, and that shit just came to Dude.

0:14:31.720 --> 0:14:33.200
<v Speaker 1>We did that song in probably ten minutes.

0:14:33.240 --> 0:14:33.400
<v Speaker 2>Bro.

0:14:33.640 --> 0:14:34.320
<v Speaker 4>That's crazy.

0:14:34.400 --> 0:14:35.320
<v Speaker 2>We wrote that song in.

0:14:35.200 --> 0:14:37.600
<v Speaker 1>Like ten minutes, bro, And it's crazy when we went

0:14:37.680 --> 0:14:39.840
<v Speaker 1>there and laid it and then he had EBB come

0:14:39.920 --> 0:14:42.600
<v Speaker 1>sing on the hook. Once the song was done and

0:14:42.640 --> 0:14:44.880
<v Speaker 1>we sat back, he was like, Nigga, this is that

0:14:45.120 --> 0:14:48.040
<v Speaker 1>shit right here. And I mean it turned out to

0:14:48.040 --> 0:14:49.720
<v Speaker 1>be a classic record that's still like a lot of

0:14:49.720 --> 0:14:50.440
<v Speaker 1>people's favorite.

0:14:50.520 --> 0:14:50.720
<v Speaker 4>Yeah.

0:14:50.760 --> 0:14:53.880
<v Speaker 3>No, for sure, women love that record, love it, especially

0:14:53.920 --> 0:14:56.000
<v Speaker 3>a certain like growing up as a kid in Phoenix

0:14:56.160 --> 0:15:00.520
<v Speaker 3>surrounded by latinas certain specific type of love. The Mexican

0:15:00.560 --> 0:15:02.640
<v Speaker 3>woman pops into my head when I think of that song.

0:15:02.680 --> 0:15:07.480
<v Speaker 2>Right, I got the baddest one though, yo.

0:15:07.680 --> 0:15:13.480
<v Speaker 3>So you obviously man coming from the what are your

0:15:13.480 --> 0:15:15.600
<v Speaker 3>thoughts because you know the weed game I'm sure when

0:15:15.600 --> 0:15:17.840
<v Speaker 3>you were growing up right in the Bay, because it's

0:15:17.880 --> 0:15:21.600
<v Speaker 3>always been like northern California's got the best weed. Everybody

0:15:21.600 --> 0:15:23.840
<v Speaker 3>from all over the country at a certain point in time.

0:15:23.880 --> 0:15:25.080
<v Speaker 3>Not to say that they still don't, but for the

0:15:25.080 --> 0:15:27.000
<v Speaker 3>most part, like you would hear like a lot of

0:15:27.040 --> 0:15:27.960
<v Speaker 3>people's plugs would be.

0:15:28.000 --> 0:15:28.680
<v Speaker 4>Up north, right, right.

0:15:30.440 --> 0:15:33.320
<v Speaker 3>Is it kind of crazy to just see like the

0:15:34.480 --> 0:15:38.760
<v Speaker 3>just the pack culture becomes so like I wouldn't necessarily

0:15:38.800 --> 0:15:41.800
<v Speaker 3>say it's mainstream, but it's just it's just kind of

0:15:41.840 --> 0:15:45.040
<v Speaker 3>crazy like that, Like you know, like shipping a pound

0:15:45.040 --> 0:15:47.360
<v Speaker 3>of weed in the mail is like not that crazy anymore,

0:15:47.880 --> 0:15:49.360
<v Speaker 3>even if it gets caught up in the mail, like

0:15:49.400 --> 0:15:51.040
<v Speaker 3>you probably gonna hear about it if it's if it's

0:15:51.040 --> 0:15:51.880
<v Speaker 3>like one or two packs.

0:15:52.240 --> 0:15:52.480
<v Speaker 4>Fair.

0:15:52.840 --> 0:15:56.080
<v Speaker 1>Yeah, we came up, We came up moving white. So

0:15:56.480 --> 0:15:59.680
<v Speaker 1>when we was always secondary to whit, it just it

0:15:59.720 --> 0:16:03.200
<v Speaker 1>didn't make money like that people always smoked it. Back then,

0:16:03.280 --> 0:16:05.080
<v Speaker 1>it was only two kind of weeds. It was indo

0:16:05.160 --> 0:16:08.240
<v Speaker 1>and tie indo and tie stick, which is crazy.

0:16:08.720 --> 0:16:10.000
<v Speaker 2>So when the.

0:16:09.960 --> 0:16:13.080
<v Speaker 1>Weed game got to where people was pitching out of

0:16:13.120 --> 0:16:15.800
<v Speaker 1>state and getting tons of money for the shit, I

0:16:15.800 --> 0:16:18.200
<v Speaker 1>couldn't believe that you could make more money with weed

0:16:18.360 --> 0:16:20.000
<v Speaker 1>than you can do with the white. I was like,

0:16:20.320 --> 0:16:23.080
<v Speaker 1>it don't make sense, but I saw people doing it.

0:16:23.360 --> 0:16:25.760
<v Speaker 1>But then, like you say, once the legalization came in,

0:16:26.360 --> 0:16:28.680
<v Speaker 1>I remember my first time walking in the cannabis club

0:16:28.760 --> 0:16:32.480
<v Speaker 1>in Oakland, and I just felt uncomfortable in there cause

0:16:32.480 --> 0:16:35.280
<v Speaker 1>it was like old ladies and shit in there buying weed,

0:16:35.520 --> 0:16:38.320
<v Speaker 1>like you see, like your auntie Grandma, because she come

0:16:38.360 --> 0:16:41.560
<v Speaker 1>in she kicking her shit out. Yeah, And I was tripping, bro.

0:16:41.600 --> 0:16:44.760
<v Speaker 1>I was like, this shit don't even seem real. And

0:16:44.800 --> 0:16:47.040
<v Speaker 1>like now I'm still I wanted to bring some weed

0:16:47.080 --> 0:16:50.280
<v Speaker 1>down there with me, but just the d boy in media,

0:16:50.320 --> 0:16:52.600
<v Speaker 1>I can't erase the fact that they're gonna run through

0:16:52.600 --> 0:16:54.600
<v Speaker 1>my bag and take me to jail. It still don't

0:16:54.640 --> 0:16:57.160
<v Speaker 1>seem real to me. But like you said, I know

0:16:57.240 --> 0:17:00.480
<v Speaker 1>motherfuckers who just put weed in they carry on, oh,

0:17:00.960 --> 0:17:02.000
<v Speaker 1>staying it and raw.

0:17:03.120 --> 0:17:06.840
<v Speaker 3>I've been going through TSA and I've seen them move

0:17:06.920 --> 0:17:09.080
<v Speaker 3>my weed out of the way to pull a microphone

0:17:09.080 --> 0:17:10.720
<v Speaker 3>out and be like, oh, it's just the Michael, and

0:17:10.720 --> 0:17:13.520
<v Speaker 3>then put it back and just just it's obviously weed.

0:17:13.640 --> 0:17:15.920
<v Speaker 1>Like man, I went, I went to New York, dude

0:17:15.960 --> 0:17:18.080
<v Speaker 1>and didn't take no weed, and you.

0:17:18.040 --> 0:17:19.919
<v Speaker 4>Didn't need to if you went recently, you didn't need

0:17:19.960 --> 0:17:21.520
<v Speaker 4>to take It's everywhere. Hey.

0:17:21.560 --> 0:17:25.120
<v Speaker 1>The hotel I stayed at right across the street, they

0:17:25.160 --> 0:17:28.280
<v Speaker 1>had like a it looked like it was a smoke shop, right, yeah.

0:17:28.640 --> 0:17:30.440
<v Speaker 1>So I walked in. I said, man, y'all see a weed.

0:17:30.720 --> 0:17:32.960
<v Speaker 1>He's like, no, we just cut the little pipes and

0:17:33.040 --> 0:17:34.879
<v Speaker 1>zags and all the ship. So I bought some some

0:17:35.000 --> 0:17:38.480
<v Speaker 1>raw papers, some vibes, I mean, yeah, shot to n

0:17:38.720 --> 0:17:39.199
<v Speaker 1>be mad at me.

0:17:40.200 --> 0:17:43.200
<v Speaker 2>Sorry, sorry burn. Yeah, I bought some vibes.

0:17:43.840 --> 0:17:45.480
<v Speaker 1>And then when I'm walking, I said, man, y'all, don't

0:17:45.480 --> 0:17:47.680
<v Speaker 1>know where I'm gett no weed from. And the dude

0:17:47.760 --> 0:17:49.879
<v Speaker 1>was looking at me, and then he was like you

0:17:49.920 --> 0:17:52.480
<v Speaker 1>where you live at? I said, California. He's like, all right,

0:17:52.480 --> 0:17:54.639
<v Speaker 1>I got some weed. I said, what you got? So

0:17:54.680 --> 0:17:56.600
<v Speaker 1>he whispered something to his man. This man went out

0:17:56.640 --> 0:17:58.879
<v Speaker 1>the front door. Took him about five six minutes. He

0:17:58.920 --> 0:18:00.680
<v Speaker 1>came back with a bag and had all type of apes.

0:18:00.720 --> 0:18:02.919
<v Speaker 1>I was like, damn, okay, because I remember having to

0:18:02.920 --> 0:18:04.960
<v Speaker 1>go to Branson to Bye the we you know, and

0:18:05.040 --> 0:18:07.479
<v Speaker 1>I remember he's not around. Yeah, and then we just

0:18:07.520 --> 0:18:08.600
<v Speaker 1>it wasn't all that good.

0:18:09.000 --> 0:18:10.880
<v Speaker 4>You know, they're doing full sessions.

0:18:10.880 --> 0:18:12.760
<v Speaker 3>Like if you go to Central Park there's dudes just

0:18:12.840 --> 0:18:16.040
<v Speaker 3>with fold up tables with just if you go to

0:18:16.080 --> 0:18:17.520
<v Speaker 3>like Bodega's.

0:18:16.960 --> 0:18:20.239
<v Speaker 4>They got shrooms on display. Right, what the is going on?

0:18:20.760 --> 0:18:21.360
<v Speaker 2>It's going down.

0:18:21.400 --> 0:18:23.399
<v Speaker 3>I think we were there the week it got legalized,

0:18:23.960 --> 0:18:25.480
<v Speaker 3>and it was like a flip switched.

0:18:26.080 --> 0:18:28.960
<v Speaker 2>It was crazy instantly it was just nothing to everything,

0:18:29.080 --> 0:18:29.359
<v Speaker 2>just like that.

0:18:29.440 --> 0:18:32.199
<v Speaker 3>And it's like early like Cali legalization days where it's

0:18:32.240 --> 0:18:34.520
<v Speaker 3>kind of the wild wild West still right, you know.

0:18:34.560 --> 0:18:36.840
<v Speaker 4>So yeah, New York's wild right now. Dude, it's it's

0:18:36.880 --> 0:18:38.120
<v Speaker 4>it's pretty crazy.

0:18:39.400 --> 0:18:42.960
<v Speaker 3>Talk to me about uh, you know obviously, man, you

0:18:43.080 --> 0:18:47.040
<v Speaker 3>just dropped a new record called Richard, which is out.

0:18:47.200 --> 0:18:48.720
<v Speaker 3>You got Larry June on there, you got some of

0:18:48.760 --> 0:18:50.720
<v Speaker 3>the younger guys, you know. I mean, I feel like

0:18:50.760 --> 0:18:55.000
<v Speaker 3>the Bay Area is somehow there's so many wins in

0:18:55.040 --> 0:18:57.119
<v Speaker 3>the industry when we look at guys like Russell and

0:18:57.160 --> 0:18:59.280
<v Speaker 3>we look at you know, Larry Junior, even a guy

0:18:59.320 --> 0:19:01.680
<v Speaker 3>like like g Easy who redid the West Coast record.

0:19:03.960 --> 0:19:06.480
<v Speaker 3>But why is it you think that the Bays I

0:19:06.520 --> 0:19:08.560
<v Speaker 3>feel like always kind of the underdog and hip hop

0:19:08.600 --> 0:19:09.639
<v Speaker 3>and doesn't get the credit.

0:19:09.960 --> 0:19:12.640
<v Speaker 2>I don't, man, you know what, I'm being honest with you, kid.

0:19:12.880 --> 0:19:16.680
<v Speaker 1>It's rough because we started a lot of the trends,

0:19:16.800 --> 0:19:19.800
<v Speaker 1>you know what I mean. But the way I look

0:19:19.840 --> 0:19:21.920
<v Speaker 1>at it and the way I look at it is

0:19:22.320 --> 0:19:24.000
<v Speaker 1>different than the way a lot of the young artists

0:19:24.000 --> 0:19:27.440
<v Speaker 1>look at it because they always what the normal chatter is,

0:19:27.480 --> 0:19:30.200
<v Speaker 1>people steal are shit, we don't get no run with it.

0:19:31.880 --> 0:19:34.000
<v Speaker 1>But the way I look at it is you know,

0:19:34.119 --> 0:19:38.000
<v Speaker 1>le Or and Russell taught me how music works and

0:19:38.840 --> 0:19:43.480
<v Speaker 1>basically gave me an.

0:19:42.240 --> 0:19:43.040
<v Speaker 2>Example of.

0:19:44.520 --> 0:19:48.120
<v Speaker 1>Record companies are like helicopters, and they fly over markets

0:19:48.520 --> 0:19:50.399
<v Speaker 1>and they try to see how many people are in

0:19:50.400 --> 0:19:52.720
<v Speaker 1>the market. So when they flew over the Bay Area

0:19:52.880 --> 0:19:56.200
<v Speaker 1>at the time, it was probably about a sixty thousand

0:19:56.280 --> 0:20:00.480
<v Speaker 1>unit market between Oakland, San Francisco, San Jose. You could

0:20:00.600 --> 0:20:04.439
<v Speaker 1>move about sixty thousand units there. So they pick up

0:20:04.520 --> 0:20:07.480
<v Speaker 1>artist up from there, sign him to the label, put

0:20:07.560 --> 0:20:10.119
<v Speaker 1>him with other artists that are hot, so people in

0:20:10.240 --> 0:20:13.480
<v Speaker 1>his region see him and then they come support. So

0:20:13.560 --> 0:20:18.239
<v Speaker 1>that's how the labels suck that sixty thousand you know,

0:20:18.880 --> 0:20:24.520
<v Speaker 1>get those sales. But what's crazy is, guys, from where

0:20:24.520 --> 0:20:27.560
<v Speaker 1>I'm from can put a record out with a sound

0:20:28.000 --> 0:20:30.600
<v Speaker 1>and it'll only go so far, and then somebody else

0:20:30.640 --> 0:20:34.359
<v Speaker 1>will take that same sound and it'll just take off.

0:20:34.520 --> 0:20:39.800
<v Speaker 1>I don't know what causes that to me, and I

0:20:39.840 --> 0:20:43.320
<v Speaker 1>could be wrong. To me, if your shit is dope,

0:20:44.280 --> 0:20:49.000
<v Speaker 1>it usually breaks through and it don't take long. Usually

0:20:49.000 --> 0:20:51.520
<v Speaker 1>when it's something is hot, you see Mazi that you

0:20:51.560 --> 0:20:54.600
<v Speaker 1>put that first blooded out, pay out right the right

0:20:54.640 --> 0:20:55.440
<v Speaker 1>off the rip.

0:20:55.600 --> 0:20:57.120
<v Speaker 4>I mean, shot, you got a gold record here?

0:20:57.240 --> 0:21:00.400
<v Speaker 2>Yeah, come on, shout out Mazi. Uhh. To me, that's

0:21:00.400 --> 0:21:01.120
<v Speaker 2>how it works.

0:21:01.560 --> 0:21:07.440
<v Speaker 1>But then I see, to me, I feel like some

0:21:07.520 --> 0:21:10.000
<v Speaker 1>of our artists it's not that they don't know what

0:21:10.280 --> 0:21:13.680
<v Speaker 1>to do, but they don't know what not to do

0:21:14.160 --> 0:21:18.040
<v Speaker 1>as much. And sometimes when you get to see too

0:21:18.119 --> 0:21:22.120
<v Speaker 1>much of a situation, then you'll be like, damn, well

0:21:22.160 --> 0:21:25.840
<v Speaker 1>if it was that, why would dude do this? You know,

0:21:25.920 --> 0:21:28.800
<v Speaker 1>it's just like social media. I'll see posts with some

0:21:28.840 --> 0:21:30.720
<v Speaker 1>of the guys and you'd be like, that's dope, and

0:21:30.720 --> 0:21:32.240
<v Speaker 1>then you'll keep scrolling, you be like, damn, why the

0:21:32.240 --> 0:21:35.359
<v Speaker 1>fuck would he post this? Like so, to me, less

0:21:35.480 --> 0:21:38.400
<v Speaker 1>is more you give them if you let them see

0:21:38.440 --> 0:21:41.800
<v Speaker 1>the right shit, I think you got action.

0:21:42.400 --> 0:21:46.000
<v Speaker 2>But What happened with us is we never really had.

0:21:46.240 --> 0:21:51.680
<v Speaker 1>Production like LA had production, like New York had production

0:21:52.240 --> 0:21:54.760
<v Speaker 1>in the early age. Like DJ Durrell he produced our

0:21:54.800 --> 0:21:57.639
<v Speaker 1>four one five record, he had some heat. But like

0:21:57.720 --> 0:22:00.520
<v Speaker 1>now we got the groups like the Mechanics, like Dudes

0:22:00.560 --> 0:22:03.840
<v Speaker 1>who got beats. But before I think the Bay Area

0:22:05.480 --> 0:22:06.480
<v Speaker 1>got slapped see.

0:22:06.320 --> 0:22:10.040
<v Speaker 2>But pre Pilo, pre the Mechanics. I don't think our

0:22:10.119 --> 0:22:11.359
<v Speaker 2>production was.

0:22:11.720 --> 0:22:14.720
<v Speaker 1>Accepted by the rest of the world because it was

0:22:14.760 --> 0:22:17.480
<v Speaker 1>basically just baselines, you know. I mean, we was just

0:22:17.560 --> 0:22:19.880
<v Speaker 1>rocking over baselines because we come up on the too

0:22:19.880 --> 0:22:20.560
<v Speaker 1>short defunct.

0:22:20.680 --> 0:22:21.800
<v Speaker 2>That's like what we run with.

0:22:22.160 --> 0:22:25.960
<v Speaker 1>But around the world they want more than that. They

0:22:26.000 --> 0:22:28.479
<v Speaker 1>need you to come with something that they can get with.

0:22:29.200 --> 0:22:36.280
<v Speaker 1>And I think LA produces a more national sound as

0:22:36.280 --> 0:22:40.240
<v Speaker 1>opposed to our shit is it's bay Area laden because

0:22:40.240 --> 0:22:42.760
<v Speaker 1>it's built for the streets of Oakland. Is built for

0:22:42.800 --> 0:22:44.920
<v Speaker 1>the trunk or the cougar, It's built for the trunk

0:22:44.920 --> 0:22:48.160
<v Speaker 1>of the Mustang. A lot of people come and be like, Hey,

0:22:48.160 --> 0:22:51.680
<v Speaker 1>this shit is dope, but people be wanting a little

0:22:51.720 --> 0:22:56.919
<v Speaker 1>bit more musical, not just baslines. I don't know, bru

0:22:57.000 --> 0:22:59.200
<v Speaker 1>It's like it's like the Bay Area. It seems like

0:22:59.240 --> 0:23:01.159
<v Speaker 1>people say we got a curse on because there's a

0:23:01.160 --> 0:23:02.720
<v Speaker 1>lot of talented dudes up there.

0:23:02.600 --> 0:23:05.479
<v Speaker 3>Bro, and like a lot of like I mean, there

0:23:05.480 --> 0:23:07.320
<v Speaker 3>are records being sold out of the Bay. It's just

0:23:07.359 --> 0:23:10.719
<v Speaker 3>like the and you know, I got it. It's crazy

0:23:10.760 --> 0:23:14.280
<v Speaker 3>to think, like the most commercially successful rapper outside of

0:23:14.320 --> 0:23:16.879
<v Speaker 3>like forty and too short to ever come out of

0:23:16.880 --> 0:23:17.120
<v Speaker 3>the Bay.

0:23:17.119 --> 0:23:19.720
<v Speaker 1>It's g easy, exactly. And it's a lot of talent

0:23:19.800 --> 0:23:21.600
<v Speaker 1>in there, a lot of talent in there.

0:23:21.800 --> 0:23:22.000
<v Speaker 2>Yeah.

0:23:22.200 --> 0:23:24.960
<v Speaker 3>G's like showed so much love, took everybody on the

0:23:25.040 --> 0:23:26.960
<v Speaker 3>road with and put everybody on all his albums, you know,

0:23:27.000 --> 0:23:28.360
<v Speaker 3>when he's going crazy.

0:23:28.480 --> 0:23:32.680
<v Speaker 1>And G's doing real well for himself. It's weird, bro,

0:23:32.960 --> 0:23:34.320
<v Speaker 1>because because I think.

0:23:34.160 --> 0:23:36.240
<v Speaker 3>Like I think about the Pack and I'm like, okay,

0:23:36.280 --> 0:23:39.119
<v Speaker 3>the Pack sonically before a little B went did his

0:23:39.160 --> 0:23:42.440
<v Speaker 3>little b shit the Pack? To me, when I think

0:23:42.440 --> 0:23:44.199
<v Speaker 3>of the jerk movement in LA and I think of

0:23:44.200 --> 0:23:47.240
<v Speaker 3>the Mustard shit h the League of Starshit, I think, well, damn,

0:23:47.280 --> 0:23:48.600
<v Speaker 3>like the Pack, we're kind of making it.

0:23:48.840 --> 0:23:49.600
<v Speaker 2>They did that first.

0:23:49.600 --> 0:23:51.440
<v Speaker 4>It was like their bag, you know what I mean,

0:23:51.520 --> 0:23:52.480
<v Speaker 4>Like sonically, you know.

0:23:52.640 --> 0:23:56.119
<v Speaker 1>Yeah, it's weird. I don't know, if I don't know

0:23:56.160 --> 0:24:00.439
<v Speaker 1>if it's our business. You know, we don't do good business.

0:24:01.080 --> 0:24:03.560
<v Speaker 1>I don't know what it is. Because it's been a

0:24:03.600 --> 0:24:05.920
<v Speaker 1>lot of dope ass music that comes from the Bay.

0:24:06.240 --> 0:24:07.479
<v Speaker 1>I don't want to be one of them dudes who

0:24:07.520 --> 0:24:08.959
<v Speaker 1>sit there and be like, yeah, we put it out,

0:24:09.040 --> 0:24:10.320
<v Speaker 1>they take it and run with it.

0:24:10.480 --> 0:24:12.480
<v Speaker 3>I mean sometimes two it's also like getting at it,

0:24:12.560 --> 0:24:14.560
<v Speaker 3>like I feel like I'm friends with a lot of

0:24:14.640 --> 0:24:17.240
<v Speaker 3>artists from the Bay and a lot of people who

0:24:17.240 --> 0:24:19.680
<v Speaker 3>are you know, big deals in the Bay, like behind

0:24:19.680 --> 0:24:22.000
<v Speaker 3>the scenes. I go out there a lot. I feel

0:24:22.000 --> 0:24:25.480
<v Speaker 3>like too a lot of times, like the getting popping

0:24:25.560 --> 0:24:31.080
<v Speaker 3>in the city is it's it's almost like it's not

0:24:31.119 --> 0:24:35.480
<v Speaker 3>necessarily enough. But if if that's what the main objective is,

0:24:35.520 --> 0:24:40.119
<v Speaker 3>and then and then you're changing your life right, cracking regionally,

0:24:40.840 --> 0:24:42.359
<v Speaker 3>I don't know if you have the incentive to be

0:24:42.440 --> 0:24:44.679
<v Speaker 3>like you're gonna go hate Atlanta for like a summer

0:24:45.200 --> 0:24:47.120
<v Speaker 3>when network and now in the studio.

0:24:46.920 --> 0:24:47.760
<v Speaker 2>That's what I'm talking about.

0:24:48.000 --> 0:24:54.040
<v Speaker 3>Istoven, right, Jaethoven's from the Bay. Right, It's like it's

0:24:54.080 --> 0:24:55.440
<v Speaker 3>not Zetoven who's from the Bay?

0:24:55.680 --> 0:24:57.280
<v Speaker 4>Is it Aetoven? What's to do from the.

0:24:57.200 --> 0:25:01.200
<v Speaker 2>Bay that did all the shit of Goujie from the Bay,

0:25:01.920 --> 0:25:02.399
<v Speaker 2>the dude.

0:25:02.280 --> 0:25:05.800
<v Speaker 3>Who fucking produced the four fifteen album for Ghazi. He's

0:25:05.840 --> 0:25:07.720
<v Speaker 3>a fucking that everyone thinks he's from Atlanta.

0:25:08.280 --> 0:25:12.600
<v Speaker 2>That must be saying. It might be I didn't know.

0:25:12.720 --> 0:25:14.439
<v Speaker 4>They might be wrong. I'll tell you right now. Actually

0:25:14.480 --> 0:25:15.920
<v Speaker 4>what's the uh?

0:25:15.960 --> 0:25:18.240
<v Speaker 1>But see like you, that's when I when I mentioned

0:25:18.280 --> 0:25:20.720
<v Speaker 1>the business. That's what I'm talking about. Like, you got

0:25:20.720 --> 0:25:23.000
<v Speaker 1>to move it around. You got to be able to

0:25:23.000 --> 0:25:26.560
<v Speaker 1>get on the plane, go sit in some other places network,

0:25:26.800 --> 0:25:28.520
<v Speaker 1>you know what I mean. And I think for the

0:25:28.560 --> 0:25:32.040
<v Speaker 1>longest Oakland has been like it's a world to us,

0:25:32.320 --> 0:25:34.800
<v Speaker 1>you know what I mean, it's like the Oakland world.

0:25:34.840 --> 0:25:37.679
<v Speaker 1>If you can hit here, if you feel like you

0:25:37.680 --> 0:25:40.320
<v Speaker 1>didn't hit everywhere, but you got to move it around.

0:25:41.280 --> 0:25:43.960
<v Speaker 1>And uh, a lot of the artists, like you said,

0:25:45.160 --> 0:25:47.320
<v Speaker 1>you we make it here and this is it.

0:25:47.320 --> 0:25:49.680
<v Speaker 2>It's like we don't move out. I call it the

0:25:49.760 --> 0:25:50.600
<v Speaker 2>Chitlin circuit.

0:25:50.760 --> 0:25:52.359
<v Speaker 4>Yeah, for sure, that's what I call it.

0:25:52.359 --> 0:25:52.800
<v Speaker 2>I'd be like.

0:25:55.359 --> 0:25:59.600
<v Speaker 1>Vegas Portland, you know, yeah my death so yeah, you

0:25:59.800 --> 0:26:03.000
<v Speaker 1>just be on that on that little ass track, you know,

0:26:03.359 --> 0:26:04.680
<v Speaker 1>but you got from uh.

0:26:06.840 --> 0:26:09.280
<v Speaker 3>Jose No, No, is that the guy who did the

0:26:09.280 --> 0:26:11.960
<v Speaker 3>four fifteen I'm Gazi was fucking with him all broke.

0:26:12.119 --> 0:26:13.840
<v Speaker 4>I don't think it's Aetoven. I think I'm tripping.

0:26:13.880 --> 0:26:16.320
<v Speaker 2>You're talking about uh, you're not talking about what to

0:26:16.359 --> 0:26:20.720
<v Speaker 2>call him? What's that boy name? Not chopped? What is

0:26:20.760 --> 0:26:23.480
<v Speaker 2>that boy? Man? I know you're talking about tip of

0:26:23.480 --> 0:26:25.119
<v Speaker 2>my tongue Istoven.

0:26:25.119 --> 0:26:26.480
<v Speaker 4>I don't know if he's from the Bay, but he

0:26:26.600 --> 0:26:29.240
<v Speaker 4>did spend up there. He's got Bay roots and he

0:26:29.280 --> 0:26:29.680
<v Speaker 4>did that.

0:26:30.040 --> 0:26:31.639
<v Speaker 3>I know, you know, I know, I know. I was

0:26:31.680 --> 0:26:33.960
<v Speaker 3>surprised to hear that it is. I A'm thinking, is

0:26:34.000 --> 0:26:34.479
<v Speaker 3>Atoven Man?

0:26:34.480 --> 0:26:35.879
<v Speaker 1>I was about to say, shit, I need some of

0:26:35.920 --> 0:26:37.800
<v Speaker 1>them to say the zay got knocks too.

0:26:37.880 --> 0:26:40.600
<v Speaker 3>I know you had some Bayarrier roots for sure, because

0:26:40.640 --> 0:26:42.359
<v Speaker 3>he did. He did that whole album with Remember that

0:26:42.400 --> 0:26:45.200
<v Speaker 3>album Ghazi put together that it was four fifteen, right,

0:26:45.200 --> 0:26:49.000
<v Speaker 3>they were calling it, you know whatever. I'm curious, man,

0:26:49.119 --> 0:26:52.399
<v Speaker 3>what are your thoughts on? You know, Oakland as a

0:26:52.400 --> 0:26:55.679
<v Speaker 3>whole has gotten like a national It's kind of like

0:26:55.720 --> 0:26:58.520
<v Speaker 3>the punching bag for like the rest of America to

0:26:58.560 --> 0:27:02.520
<v Speaker 3>be like, this is what happens when they're shitty Democratic

0:27:02.560 --> 0:27:05.480
<v Speaker 3>policies in and out. Burger closes and your car is

0:27:05.480 --> 0:27:08.240
<v Speaker 3>getting bipped, and they gotta close Walgreens and all the

0:27:08.280 --> 0:27:10.119
<v Speaker 3>ship's locked up in the grocery stores.

0:27:10.240 --> 0:27:12.480
<v Speaker 1>Hey, I come, I come from the old Oakland where

0:27:12.480 --> 0:27:15.920
<v Speaker 1>that ship was lovely. It's different now, bro, it's I mean,

0:27:15.960 --> 0:27:19.000
<v Speaker 1>it's just, man, it's different up there.

0:27:19.760 --> 0:27:22.080
<v Speaker 2>It's different. It's just these these youngsters.

0:27:22.119 --> 0:27:25.680
<v Speaker 1>Man, there's just a different breed of a young man

0:27:25.760 --> 0:27:26.520
<v Speaker 1>moving around there.

0:27:26.560 --> 0:27:28.040
<v Speaker 2>Bro. It's wild, but it.

0:27:28.080 --> 0:27:32.760
<v Speaker 1>Was always wild like, but it was wild with some

0:27:32.880 --> 0:27:34.760
<v Speaker 1>fear of your parenting.

0:27:35.160 --> 0:27:37.840
<v Speaker 4>Wild with a with a dash of principle. Yeah right,

0:27:38.400 --> 0:27:39.480
<v Speaker 4>there's a line here.

0:27:39.400 --> 0:27:40.480
<v Speaker 2>Yeah, right, right now.

0:27:40.520 --> 0:27:42.600
<v Speaker 1>These youngsters they don't they don't respect nothing. The ain't

0:27:42.640 --> 0:27:43.320
<v Speaker 1>afraid of nothing.

0:27:43.320 --> 0:27:43.480
<v Speaker 2>Man.

0:27:43.520 --> 0:27:47.639
<v Speaker 1>And then you can feel it outside, like like you say, bipping,

0:27:47.680 --> 0:27:50.600
<v Speaker 1>they breaking windows and taking shit out of cars.

0:27:50.720 --> 0:27:51.720
<v Speaker 4>You could be in the car.

0:27:51.920 --> 0:27:52.160
<v Speaker 2>Yeah.

0:27:52.600 --> 0:27:54.840
<v Speaker 1>I remember I pulled up in front of FAB store

0:27:55.720 --> 0:27:59.040
<v Speaker 1>and walked across the street. Fab say, w you got

0:27:59.040 --> 0:28:01.480
<v Speaker 1>anything in the car. I was like, Noah, I got

0:28:01.480 --> 0:28:03.679
<v Speaker 1>somebody sitting in there. He said, double, They'll go in

0:28:03.720 --> 0:28:06.800
<v Speaker 1>there with the motherfucker's sitting in there. And I'm like, huh,

0:28:07.040 --> 0:28:09.639
<v Speaker 1>I've never been billed, but everybody that I know been

0:28:09.680 --> 0:28:11.359
<v Speaker 1>hit at least four times.

0:28:11.880 --> 0:28:15.080
<v Speaker 3>Yeah, it's crazy because All Star weekend's coming up right,

0:28:15.160 --> 0:28:18.600
<v Speaker 3>Oh my god, it's about to be great people. Oh what,

0:28:18.800 --> 0:28:21.240
<v Speaker 3>there's so many people coming in down that the fucking

0:28:21.280 --> 0:28:23.959
<v Speaker 3>idea where it's about the Cameron tried to tell them

0:28:24.080 --> 0:28:25.639
<v Speaker 3>they gonna get a fucking rental car.

0:28:26.280 --> 0:28:28.359
<v Speaker 4>They're gonna have their shit, and they ain't gonna have

0:28:28.400 --> 0:28:28.679
<v Speaker 4>this shit.

0:28:28.680 --> 0:28:30.120
<v Speaker 2>It's gonna be a lot of glass on the ground.

0:28:30.119 --> 0:28:30.600
<v Speaker 2>I'll tell you that.

0:28:30.720 --> 0:28:33.320
<v Speaker 3>We're gonna fucking see Erdie Johnson on T and tving like, guys,

0:28:33.320 --> 0:28:34.720
<v Speaker 3>I know you see me in a sweatsuit, but my

0:28:34.760 --> 0:28:35.720
<v Speaker 3>suit was just stolen.

0:28:35.840 --> 0:28:38.479
<v Speaker 2>Oh man. They didn't hit news cruise for cameras all

0:28:38.560 --> 0:28:40.400
<v Speaker 2>kind of shit. Oh yeah, yeah, I ain't doing fuck

0:28:40.440 --> 0:28:40.880
<v Speaker 2>around you.

0:28:41.280 --> 0:28:43.040
<v Speaker 4>And then two weeks later hit the mission and get

0:28:43.040 --> 0:28:43.760
<v Speaker 4>stuff very cheap.

0:28:44.000 --> 0:28:45.400
<v Speaker 2>And a lot of that started with.

0:28:47.320 --> 0:28:50.800
<v Speaker 1>Little motherfucker's breaking in a car, catching a dude who

0:28:50.920 --> 0:28:53.880
<v Speaker 1>just came from the airport trying to come by two

0:28:54.000 --> 0:28:57.200
<v Speaker 1>three hundred pounds. Oh yeah, and they hit for four

0:28:57.720 --> 0:29:01.440
<v Speaker 1>hundred thousand, three hundred thousand, And when you tell your

0:29:01.440 --> 0:29:04.240
<v Speaker 1>buddies you just hit for three hundred, now they think

0:29:04.280 --> 0:29:06.960
<v Speaker 1>it's three hundred in every car they look in to hit.

0:29:06.960 --> 0:29:09.480
<v Speaker 4>The numbers game. It's like scratching a lot of the ticket.

0:29:09.440 --> 0:29:11.840
<v Speaker 2>And that ship series up there, Bro, you will get

0:29:11.840 --> 0:29:12.640
<v Speaker 2>your shit bipped.

0:29:13.200 --> 0:29:16.680
<v Speaker 3>Yeah me, my boy, My boy John. You might know

0:29:16.760 --> 0:29:20.000
<v Speaker 3>John Coston. Shout out to John. He he just opens

0:29:20.000 --> 0:29:21.480
<v Speaker 3>his trunk and rolls all his windows down.

0:29:21.720 --> 0:29:23.800
<v Speaker 2>That's what they say you need to do. I'm not

0:29:23.920 --> 0:29:24.280
<v Speaker 2>doing that.

0:29:24.400 --> 0:29:26.880
<v Speaker 3>He's like, yeah, yeah, because he's like, I got a Tesla.

0:29:26.880 --> 0:29:28.560
<v Speaker 3>It's a bitch for me to get my window fixed.

0:29:28.680 --> 0:29:31.440
<v Speaker 3>He's like, so I'd rather them just go through the car,

0:29:31.680 --> 0:29:33.880
<v Speaker 3>see nothing's in here, and then like, don't break my

0:29:33.920 --> 0:29:35.840
<v Speaker 3>window so I don't have to like go through a

0:29:35.840 --> 0:29:37.520
<v Speaker 3>two week process of getting my window fixed.

0:29:37.520 --> 0:29:40.960
<v Speaker 1>When that ship first started, it was a dude on Instagram.

0:29:41.160 --> 0:29:42.440
<v Speaker 2>I don't know where he's from, but.

0:29:42.360 --> 0:29:46.640
<v Speaker 1>He he pulled up, got out, rolled his windows down,

0:29:47.480 --> 0:29:51.560
<v Speaker 1>opened the trunk, the hood, all four of the doors.

0:29:51.960 --> 0:29:53.920
<v Speaker 1>Then he started walking towards the store. He came back,

0:29:54.000 --> 0:29:57.080
<v Speaker 1>opened the glove box and he was looking at the car.

0:29:57.160 --> 0:30:00.600
<v Speaker 1>He's like, I should be straight, and he walked. I'm like,

0:30:00.840 --> 0:30:03.320
<v Speaker 1>see for me. If I'm gonna leave my car open,

0:30:03.320 --> 0:30:05.120
<v Speaker 1>I feel like somebody can go steal it, you know

0:30:05.160 --> 0:30:06.800
<v Speaker 1>what I mean, even if it ain't shit in there.

0:30:07.640 --> 0:30:10.600
<v Speaker 1>But you can drive past places in Oakland and see

0:30:10.640 --> 0:30:14.840
<v Speaker 1>all the cars parked with the windows down, like, come on, yeah,

0:30:14.960 --> 0:30:16.400
<v Speaker 1>ain't nothing in here.

0:30:16.720 --> 0:30:17.960
<v Speaker 4>I gotta take my charger with me.

0:30:18.400 --> 0:30:20.800
<v Speaker 2>Hey, they done bipped moving cars. You don't seen it?

0:30:22.400 --> 0:30:25.680
<v Speaker 3>Like that car that I think just left the airport

0:30:25.880 --> 0:30:27.800
<v Speaker 3>and they had all their luggage in the back, and

0:30:27.880 --> 0:30:29.400
<v Speaker 3>I think there was like a fork.

0:30:29.160 --> 0:30:29.719
<v Speaker 4>On the freeway.

0:30:29.760 --> 0:30:31.400
<v Speaker 2>Try to get onto the bridge right, yes.

0:30:31.400 --> 0:30:33.160
<v Speaker 4>And then they hit them and then hit the other way.

0:30:33.520 --> 0:30:36.080
<v Speaker 1>And then let me tell you something I saw my

0:30:36.120 --> 0:30:42.120
<v Speaker 1>first live bipping. I was at a a grow, a

0:30:42.480 --> 0:30:44.080
<v Speaker 1>place where they sell grow equipment.

0:30:44.120 --> 0:30:46.640
<v Speaker 2>I was talking to one of my homeboys when the

0:30:46.680 --> 0:30:51.960
<v Speaker 2>parking lot and this truck pulls in and parks. I

0:30:51.960 --> 0:30:53.440
<v Speaker 2>ain't even paying attention to the truck.

0:30:53.560 --> 0:30:55.480
<v Speaker 1>Only reason I know about the truck now is because

0:30:55.560 --> 0:30:59.800
<v Speaker 1>I saw the move in comes this little Toyota zooms up.

0:31:00.080 --> 0:31:02.600
<v Speaker 1>I mean, call the motherfucker stopped. Like equivalent to where

0:31:02.600 --> 0:31:06.640
<v Speaker 1>that computer is? We standing here talking, One dude jump

0:31:06.680 --> 0:31:10.600
<v Speaker 1>out by break the back window of this tie hall

0:31:11.360 --> 0:31:13.760
<v Speaker 1>jumps in there. I mean to where his waist all.

0:31:13.840 --> 0:31:16.040
<v Speaker 1>You see his feet in the air. His homie stealing

0:31:16.080 --> 0:31:19.320
<v Speaker 1>the car with the heat comes up out of there

0:31:19.360 --> 0:31:21.280
<v Speaker 1>with two big ass bags. Throw them on the ground,

0:31:21.880 --> 0:31:24.160
<v Speaker 1>jump in there, grab some more. Won't open his boy

0:31:24.240 --> 0:31:24.880
<v Speaker 1>popped the trunk.

0:31:25.240 --> 0:31:25.440
<v Speaker 2>Dude.

0:31:25.480 --> 0:31:28.680
<v Speaker 1>They was in and out in seconds. So the dude

0:31:28.760 --> 0:31:31.000
<v Speaker 1>I'm talking to, he owns this place to sell the

0:31:31.040 --> 0:31:33.720
<v Speaker 1>grow equipment. He said, damn, they just hit Dude. They

0:31:33.800 --> 0:31:36.400
<v Speaker 1>must have followed him coming from his grow. I said

0:31:36.480 --> 0:31:38.280
<v Speaker 1>he had weed there. He said, yeah, them bags was

0:31:38.280 --> 0:31:40.920
<v Speaker 1>full of weed. I was like, damn, that's crazy. They

0:31:41.000 --> 0:31:42.720
<v Speaker 1>zoom out the parking lot. Now the way the parking

0:31:42.720 --> 0:31:46.560
<v Speaker 1>lot is set up, you come in from here. This

0:31:46.680 --> 0:31:49.160
<v Speaker 1>car sparked here, so they zoom in. Bubb of them

0:31:49.240 --> 0:31:52.640
<v Speaker 1>hit him and go this way out and around. So

0:31:53.480 --> 0:31:57.120
<v Speaker 1>the parking lot it's a big square. keV were sitting

0:31:57.120 --> 0:32:01.760
<v Speaker 1>there talking. This motherfucker's come back, zoom right back up.

0:32:01.640 --> 0:32:03.480
<v Speaker 2>There, stop again, get more.

0:32:03.760 --> 0:32:06.479
<v Speaker 1>No, I think his gun when he went into the window,

0:32:06.600 --> 0:32:10.400
<v Speaker 1>fell out, fell out into the car, came back, dived

0:32:10.400 --> 0:32:12.600
<v Speaker 1>back in the window again, went opened the doors and

0:32:12.640 --> 0:32:14.640
<v Speaker 1>found the pistol, got up, got back in the car

0:32:14.680 --> 0:32:17.800
<v Speaker 1>and left. I said, boy, this shit crazy, but the

0:32:17.840 --> 0:32:20.640
<v Speaker 1>cold thing about it brave. It was in and out, dude,

0:32:20.640 --> 0:32:23.600
<v Speaker 1>it seemed like twelve to fifteen seconds.

0:32:23.680 --> 0:32:25.640
<v Speaker 4>Well, the tools that they used to break the window,

0:32:25.760 --> 0:32:26.760
<v Speaker 4>I know sometimes.

0:32:26.440 --> 0:32:29.000
<v Speaker 3>They'll use like spark plugs, right, but they sell these

0:32:29.040 --> 0:32:31.160
<v Speaker 3>little like uh yeah, they got a little button. Now

0:32:31.240 --> 0:32:34.360
<v Speaker 3>you just and it just it just it's it's it's

0:32:34.400 --> 0:32:37.080
<v Speaker 3>some Batman shit for real. Honestly, it's some real Batman shit.

0:32:37.120 --> 0:32:38.760
<v Speaker 3>It's like the Bippers are modern day Batman.

0:32:38.920 --> 0:32:41.520
<v Speaker 1>Well now they're taking Now they're taking your cars like

0:32:41.600 --> 0:32:44.160
<v Speaker 1>hellcats and you can't you can't keep.

0:32:44.000 --> 0:32:46.400
<v Speaker 4>A hell cat because it just gets stripped down.

0:32:46.520 --> 0:32:48.520
<v Speaker 1>No, man, they coming to get that motherfucker. I don't

0:32:48.520 --> 0:32:50.880
<v Speaker 1>care where it's at. Oh no, they come with this

0:32:51.240 --> 0:32:54.240
<v Speaker 1>satellite dish looking thing. One dude that's holding the thing.

0:32:54.400 --> 0:32:56.280
<v Speaker 4>Oh yeah, yeah, that's by your house.

0:32:56.800 --> 0:32:59.600
<v Speaker 2>Yeah, because the door, and the other dude's on the door.

0:32:59.840 --> 0:33:03.280
<v Speaker 2>You hear he crawling there out that motherfuckers start up

0:33:03.280 --> 0:33:04.080
<v Speaker 2>and they go yeah no.

0:33:04.280 --> 0:33:07.280
<v Speaker 3>So what they say is they that there's these metal containers.

0:33:07.600 --> 0:33:10.200
<v Speaker 3>If you're worried about that, there's like these metal containers

0:33:10.240 --> 0:33:12.280
<v Speaker 3>that you're supposed to keep your key in in your

0:33:12.280 --> 0:33:16.200
<v Speaker 3>house because if someone pulls up that little thing, it's

0:33:16.200 --> 0:33:19.240
<v Speaker 3>supposed to kind of magnify whatever signal your key gets off.

0:33:19.560 --> 0:33:21.280
<v Speaker 3>If your key's in the house. A lot of people

0:33:21.320 --> 0:33:23.160
<v Speaker 3>when they come in, they put them by the door, right,

0:33:23.640 --> 0:33:26.880
<v Speaker 3>So there's these that's the thing. There's now they sell

0:33:26.920 --> 0:33:28.880
<v Speaker 3>these metal boxes that you put your key in, put

0:33:28.880 --> 0:33:31.000
<v Speaker 3>your keys in, and but you know that sh it's crazy.

0:33:31.040 --> 0:33:33.360
<v Speaker 2>They sell all these priuses too. You need to get

0:33:33.360 --> 0:33:34.760
<v Speaker 2>a fucking prius because.

0:33:34.840 --> 0:33:37.160
<v Speaker 4>Nobody wants the prius and it's good on gas.

0:33:37.120 --> 0:33:39.680
<v Speaker 1>But they'll take your Calidi converter off that motherfucker got

0:33:39.760 --> 0:33:43.520
<v Speaker 1>right now. Stealing is just it's at an all time high, bro,

0:33:43.720 --> 0:33:46.280
<v Speaker 1>Like you can't have shiit no more, Like they'll hunt

0:33:46.320 --> 0:33:46.680
<v Speaker 1>you down.

0:33:46.800 --> 0:33:49.080
<v Speaker 3>I think what happened in LA was like during the pandemic,

0:33:49.640 --> 0:33:53.440
<v Speaker 3>the influction or the influx of money that came in

0:33:53.480 --> 0:33:55.480
<v Speaker 3>because of like all the PPP and the DD.

0:33:55.400 --> 0:33:56.520
<v Speaker 4>Shit was crazy.

0:33:56.680 --> 0:33:59.080
<v Speaker 1>That's what happened banks And when that ship, when once

0:33:59.120 --> 0:34:01.560
<v Speaker 1>it was gone, they went it's like, well, fuck, I'm

0:34:01.680 --> 0:34:02.360
<v Speaker 1>used to this shit.

0:34:02.680 --> 0:34:04.800
<v Speaker 2>It was in Oakland too, everybody was rich.

0:34:05.040 --> 0:34:06.800
<v Speaker 4>I like nineteen forty two there was.

0:34:06.760 --> 0:34:09.080
<v Speaker 1>A segment and it's funny you say that there was

0:34:09.120 --> 0:34:12.520
<v Speaker 1>a segment and a time in Oakland where it was

0:34:12.560 --> 0:34:15.680
<v Speaker 1>so many nineteen forty two bottles. Okay, so you know

0:34:15.760 --> 0:34:18.240
<v Speaker 1>that how they do the memorials when somebody get killed

0:34:18.560 --> 0:34:20.640
<v Speaker 1>and you might see a couple of Hennessy bottles, and

0:34:21.520 --> 0:34:24.000
<v Speaker 1>it got to where it was all class a alzou

0:34:24.640 --> 0:34:27.080
<v Speaker 1>all forty two bottles. You just look down and you're like, Dan,

0:34:27.160 --> 0:34:29.799
<v Speaker 1>that's twenty thousand dollars worth of liquor right there.

0:34:30.200 --> 0:34:33.600
<v Speaker 4>Like, yeah, the pandemic made tequila crack boy.

0:34:33.480 --> 0:34:35.920
<v Speaker 1>Like and everybody was getting that money. Then it was gone.

0:34:36.360 --> 0:34:38.840
<v Speaker 1>And once it was gone, that's when it started happened.

0:34:38.880 --> 0:34:41.200
<v Speaker 1>Motherfuckers just starting licking shit.

0:34:41.880 --> 0:34:43.759
<v Speaker 3>Yeah, I think I think find like me and a

0:34:43.800 --> 0:34:45.480
<v Speaker 3>men were talking because we're like, there was like a

0:34:45.520 --> 0:34:47.600
<v Speaker 3>little period of time where like the nightlife in the

0:34:47.600 --> 0:34:50.839
<v Speaker 3>Bay was a little fucking dried up, and he said

0:34:50.840 --> 0:34:52.279
<v Speaker 3>it's starting to come back. I mean, I feel like

0:34:52.280 --> 0:34:53.760
<v Speaker 3>it's always kind of been right in Oakland.

0:34:54.320 --> 0:34:56.759
<v Speaker 1>Well, you know what our problem is, what our night

0:34:56.760 --> 0:34:59.360
<v Speaker 1>life is. We used to have Hello spots, No, it

0:34:59.440 --> 0:35:01.680
<v Speaker 1>used to be crazy. Now it's only a few spots.

0:35:01.680 --> 0:35:07.200
<v Speaker 1>But the violence and the windows being broken people just

0:35:07.239 --> 0:35:09.000
<v Speaker 1>like I don't want to go out, you know what

0:35:09.080 --> 0:35:09.359
<v Speaker 1>I mean?

0:35:10.000 --> 0:35:11.560
<v Speaker 4>Yeah, when I go out, I mean when I go

0:35:11.600 --> 0:35:13.480
<v Speaker 4>to the Bay. Dude, I'm in a fucking uber there

0:35:13.520 --> 0:35:14.839
<v Speaker 4>you go. Yeah, that's it.

0:35:15.200 --> 0:35:15.480
<v Speaker 2>Uber.

0:35:15.520 --> 0:35:18.560
<v Speaker 1>You got an uber because shit, when when you leave

0:35:18.560 --> 0:35:20.480
<v Speaker 1>your car somewhere, nine times out of ten, you're gonna

0:35:20.520 --> 0:35:23.320
<v Speaker 1>come back when your window's gonna be gone. It's slowed

0:35:23.320 --> 0:35:25.120
<v Speaker 1>down a bit though, Like I was asking some of

0:35:25.120 --> 0:35:27.960
<v Speaker 1>my people who be really outside fucking with it, and

0:35:28.000 --> 0:35:30.040
<v Speaker 1>they's like, it's not as bad as it was. But

0:35:30.320 --> 0:35:32.799
<v Speaker 1>right and like you said, right when that pandemic money

0:35:32.880 --> 0:35:33.399
<v Speaker 1>dried up.

0:35:33.920 --> 0:35:39.120
<v Speaker 2>The two right after that, this year was crazy.

0:35:39.200 --> 0:35:43.200
<v Speaker 4>It was crazy. You are you are you paying Obviously.

0:35:42.920 --> 0:35:45.920
<v Speaker 3>You've always had a relationship with guys from sack Shot

0:35:45.920 --> 0:35:48.200
<v Speaker 3>to see Boing those guys, But are you paid attention

0:35:48.200 --> 0:35:48.560
<v Speaker 3>to what's.

0:35:48.400 --> 0:35:49.240
<v Speaker 4>Going on in Stockton?

0:35:49.400 --> 0:35:51.480
<v Speaker 3>Like Stockton's got a lot of motion, but it's also

0:35:51.600 --> 0:35:55.640
<v Speaker 3>like seemingly the most violent place in California and everyone's

0:35:55.680 --> 0:35:57.160
<v Speaker 3>getting arrested or killed out there.

0:35:57.160 --> 0:36:00.960
<v Speaker 1>Like so Stockton is an overdraft city, just like Antioch.

0:36:01.360 --> 0:36:03.560
<v Speaker 1>I got a place in Antioch. They built all these

0:36:04.080 --> 0:36:07.880
<v Speaker 1>new cities and these new homes and in effort to

0:36:07.880 --> 0:36:13.480
<v Speaker 1>get people to move out of the Oaklands. The San Francisco's, Yeah,

0:36:13.520 --> 0:36:15.880
<v Speaker 1>because they want those cities back, because they got ports,

0:36:16.120 --> 0:36:17.400
<v Speaker 1>they got all these nice.

0:36:17.200 --> 0:36:19.360
<v Speaker 4>Houses, and all the tech money came, all the.

0:36:19.360 --> 0:36:19.960
<v Speaker 2>Shit came in.

0:36:20.040 --> 0:36:23.680
<v Speaker 1>So as far as the violence that's going on in Stockton,

0:36:23.800 --> 0:36:25.640
<v Speaker 1>I'm not up on that, but they do have a

0:36:25.680 --> 0:36:28.759
<v Speaker 1>bunch of little hot artists. This moving Stockton got some

0:36:28.800 --> 0:36:34.080
<v Speaker 1>motion right now. Yeah, I'm in a young kid named

0:36:34.080 --> 0:36:36.839
<v Speaker 1>Haiti Baby. Yes, Haiti is killing it. It's a couple

0:36:36.880 --> 0:36:40.160
<v Speaker 1>other Stockton. Stockton on fire right now. As far as

0:36:40.200 --> 0:36:43.040
<v Speaker 1>the young rapt just like they don't fire.

0:36:42.840 --> 0:36:46.279
<v Speaker 3>Just stop beefing. Yeah, you know, like Haiti Baby, he's

0:36:46.320 --> 0:36:46.879
<v Speaker 3>a sharp dude.

0:36:46.880 --> 0:36:49.279
<v Speaker 4>He got out, even made the run in La. You're

0:36:49.640 --> 0:36:50.880
<v Speaker 4>working with j Z now.

0:36:51.680 --> 0:36:56.320
<v Speaker 3>He had a viral freestyle on our show that Rihanna reposted.

0:36:56.520 --> 0:36:58.040
<v Speaker 4>Did you ever see his freestyle.

0:36:57.680 --> 0:36:59.760
<v Speaker 3>He had or he was like hi, hi, Hi, No,

0:36:59.800 --> 0:37:02.200
<v Speaker 3>but oh my god, it was it was insane.

0:37:02.280 --> 0:37:05.560
<v Speaker 1>It was like everywhere he's been moving, bro. I was

0:37:05.640 --> 0:37:07.719
<v Speaker 1>actually I'm doing some shows with Haiti. They say he

0:37:07.719 --> 0:37:09.520
<v Speaker 1>was in New York right now doing a great guy

0:37:09.840 --> 0:37:10.279
<v Speaker 1>went to do.

0:37:10.440 --> 0:37:12.680
<v Speaker 4>Uh also makes me feel fat every time the radar.

0:37:13.120 --> 0:37:15.680
<v Speaker 1>Yes, yeah, yeah, you know what, He's got a different

0:37:15.760 --> 0:37:17.920
<v Speaker 1>kind of energy and he kind of reminds me of.

0:37:17.840 --> 0:37:19.640
<v Speaker 2>The pock Ship, you know, because he in shape.

0:37:19.640 --> 0:37:20.040
<v Speaker 4>I see that.

0:37:20.400 --> 0:37:22.759
<v Speaker 1>We get to pulling his shirt off type ship, you know.

0:37:22.840 --> 0:37:25.720
<v Speaker 1>And and and chicks love at his shows. Be loaded

0:37:25.760 --> 0:37:28.600
<v Speaker 1>with bitches, you know what I mean. But yeah, Stockton,

0:37:28.800 --> 0:37:31.359
<v Speaker 1>they got a movement going right now. For sure they

0:37:31.360 --> 0:37:33.680
<v Speaker 1>got they got a movement. It's like five or six

0:37:34.080 --> 0:37:36.040
<v Speaker 1>little artists coming up out of stock and that's kicking

0:37:36.120 --> 0:37:37.120
<v Speaker 1>up some dust right now.

0:37:38.480 --> 0:37:40.400
<v Speaker 4>Talk to me about the Death Jam days, because at

0:37:40.400 --> 0:37:43.719
<v Speaker 4>that time it's really you. I don't know if Joe

0:37:43.719 --> 0:37:44.600
<v Speaker 4>Felon he was on Death.

0:37:44.520 --> 0:37:48.080
<v Speaker 1>Jamp yet when from the West, when I got to Warren,

0:37:48.200 --> 0:37:52.239
<v Speaker 1>me and jail right, what was for you?

0:37:52.320 --> 0:37:55.360
<v Speaker 4>Like? Obviously you also run some big soundtracks. Show on

0:37:55.400 --> 0:37:58.360
<v Speaker 4>the Naughty Professor soundtrack, I want to say soul food.

0:37:58.640 --> 0:38:02.480
<v Speaker 1>Oh no, we did Nutty Professor. We did uh how

0:38:02.520 --> 0:38:03.160
<v Speaker 1>to be a Player?

0:38:03.280 --> 0:38:06.399
<v Speaker 4>How to be a Player. I just saw Bill Bella,

0:38:06.480 --> 0:38:07.560
<v Speaker 4>he came a pizza shop shot.

0:38:07.640 --> 0:38:10.080
<v Speaker 1>Yeah, me and Me and Quick and Rick James did

0:38:10.080 --> 0:38:12.040
<v Speaker 1>a song on I Believe how to.

0:38:12.000 --> 0:38:15.720
<v Speaker 2>Be a Player. Rick James, Rick, the real Rick James.

0:38:15.960 --> 0:38:17.080
<v Speaker 2>Now let me tell you about that.

0:38:17.360 --> 0:38:18.239
<v Speaker 4>Did you guys meet him?

0:38:18.360 --> 0:38:20.680
<v Speaker 1>Yeah, we came to the studio Quick had him, had

0:38:20.760 --> 0:38:23.399
<v Speaker 1>him at the studio. Rick was there and the boy

0:38:23.480 --> 0:38:26.960
<v Speaker 1>Danny who play on the horn and them niggas was

0:38:27.000 --> 0:38:29.840
<v Speaker 1>in there barefoot. Now this is the second time I

0:38:29.960 --> 0:38:35.680
<v Speaker 1>seen this barefoot ship with these ogs. George Clinton stopped

0:38:35.719 --> 0:38:38.600
<v Speaker 1>by a studio that I recorded called the Grill in Emoryville,

0:38:38.600 --> 0:38:41.480
<v Speaker 1>which is in Oakland similar to Oakland's closer. We call

0:38:41.560 --> 0:38:46.840
<v Speaker 1>it em Oakland, but it's really Emoryville, and Clinton was

0:38:46.880 --> 0:38:49.799
<v Speaker 1>in there. They was in there singing barefoot, and we like,

0:38:49.880 --> 0:38:52.160
<v Speaker 1>what talk about this barefoot ship? So when I went

0:38:52.200 --> 0:38:55.120
<v Speaker 1>and did the ship with Quick, we a quick studio

0:38:55.320 --> 0:38:57.600
<v Speaker 1>and Rick is there. Now you you got to know

0:38:57.640 --> 0:39:00.160
<v Speaker 1>we in here with the super freak Rick James. This

0:39:00.200 --> 0:39:02.919
<v Speaker 1>shit is crazy, right because I grew up my parents

0:39:02.960 --> 0:39:06.040
<v Speaker 1>and them listening to this shit. So Rick and his

0:39:06.200 --> 0:39:08.440
<v Speaker 1>man on the horn, Danny, you know when he say

0:39:08.480 --> 0:39:12.040
<v Speaker 1>blow Danny and on the sacks, these dudes is barefoot.

0:39:13.280 --> 0:39:16.959
<v Speaker 2>So I asked Rick, I said, man, what's the barfoot shit?

0:39:17.360 --> 0:39:18.520
<v Speaker 2>I said, because I seen.

0:39:18.320 --> 0:39:21.640
<v Speaker 1>George do the bearfoot of shit, and he said, oh,

0:39:21.680 --> 0:39:25.160
<v Speaker 1>you didn't know the funk is in the floor. I said, well,

0:39:25.160 --> 0:39:28.799
<v Speaker 1>he said, the funk comes from the floor and comes up.

0:39:28.880 --> 0:39:30.360
<v Speaker 1>He said, but if you got on them shoes with

0:39:30.400 --> 0:39:33.000
<v Speaker 1>the rubber soles, it comes up and it goes right

0:39:33.040 --> 0:39:36.440
<v Speaker 1>back down. So the next time I saw George at

0:39:36.440 --> 0:39:39.000
<v Speaker 1>the grill, I just ran it by him. I said, Man,

0:39:39.000 --> 0:39:41.600
<v Speaker 1>what's the barefoot shit? He said, Well, that's the only

0:39:41.640 --> 0:39:43.480
<v Speaker 1>way you're gonna get the funk, he said, because the

0:39:43.520 --> 0:39:47.600
<v Speaker 1>funk comes up from the floor. He said, So when

0:39:47.640 --> 0:39:50.880
<v Speaker 1>you barefoot, as the funk comes up, it comes up

0:39:50.920 --> 0:39:52.920
<v Speaker 1>through you, he says. That's why we did all our

0:39:52.920 --> 0:39:55.480
<v Speaker 1>shows barefoot back in the day, he said. And you know,

0:39:55.560 --> 0:39:58.040
<v Speaker 1>you see it's wearing them platform boots and shit.

0:39:58.120 --> 0:40:00.359
<v Speaker 2>He said. But when we was recording the records, we

0:40:00.400 --> 0:40:01.880
<v Speaker 2>was recording the shit barefoot.

0:40:02.040 --> 0:40:04.360
<v Speaker 1>Damn, they said, because the funk is in the floor.

0:40:05.239 --> 0:40:07.400
<v Speaker 1>And then I learned not to cut you off. I

0:40:07.480 --> 0:40:10.759
<v Speaker 1>learned later on that's why they put rubber on the

0:40:10.800 --> 0:40:14.000
<v Speaker 1>bottom of shoes so we don't catch the herb's vibration,

0:40:14.480 --> 0:40:17.439
<v Speaker 1>because once it comes up electricity. Rubber is the only

0:40:17.480 --> 0:40:19.960
<v Speaker 1>thing that rebels it. So I think it's some truth

0:40:20.000 --> 0:40:20.279
<v Speaker 1>to that.

0:40:20.560 --> 0:40:23.960
<v Speaker 4>Quite possibly was Rick like all that. You know, sometimes

0:40:24.000 --> 0:40:25.919
<v Speaker 4>sometimes you meet somebody who you grow up loving.

0:40:26.000 --> 0:40:29.319
<v Speaker 2>And then he was cool as a motherfucker. The thing

0:40:29.560 --> 0:40:29.920
<v Speaker 2>was he.

0:40:31.400 --> 0:40:35.040
<v Speaker 1>Quick, He was he was fucking with me, but he's

0:40:35.080 --> 0:40:38.879
<v Speaker 1>really fucking with Quick, you know what I mean, Quick Quick? Yeah,

0:40:38.880 --> 0:40:40.960
<v Speaker 1>And I was, you know, they featured me on the record,

0:40:41.200 --> 0:40:43.760
<v Speaker 1>you know, definitely kind of just put me in that space.

0:40:44.320 --> 0:40:45.880
<v Speaker 1>But once I laid the verse and ship and I

0:40:45.880 --> 0:40:48.439
<v Speaker 1>got to holler at him, it's just just a.

0:40:48.440 --> 0:40:49.120
<v Speaker 2>Player, bro.

0:40:49.440 --> 0:40:51.400
<v Speaker 1>He went in there and sung that it was a

0:40:51.400 --> 0:40:54.080
<v Speaker 1>remake of one of his old songs, hard to Get,

0:40:54.800 --> 0:40:58.120
<v Speaker 1>And I mean, dudes sound exactly like the old record.

0:40:58.239 --> 0:41:00.640
<v Speaker 1>Just went in there and just start cooking, bro. Like

0:41:01.520 --> 0:41:03.560
<v Speaker 1>that's one thing about all them old artists, Dude, the

0:41:03.600 --> 0:41:07.120
<v Speaker 1>motherfuckers was special with that ship. And I remember talking

0:41:07.120 --> 0:41:09.520
<v Speaker 1>to Quick me and Quick sitting back watching him cook.

0:41:09.600 --> 0:41:12.279
<v Speaker 1>We were like this nigga right here, the truth and

0:41:12.440 --> 0:41:14.000
<v Speaker 1>Quick on the beat and ricking.

0:41:13.800 --> 0:41:15.600
<v Speaker 2>Hear it and his man on the horn.

0:41:15.800 --> 0:41:19.759
<v Speaker 1>So that was that was the start of my When

0:41:19.800 --> 0:41:21.319
<v Speaker 1>I got to death Jam, like I said, it was

0:41:21.320 --> 0:41:24.040
<v Speaker 1>a ben war with with other labels, but I was

0:41:24.080 --> 0:41:26.239
<v Speaker 1>like I could go fuck with Russell Simmons, Like I

0:41:26.280 --> 0:41:27.880
<v Speaker 1>got to this is LLL cool J.

0:41:28.080 --> 0:41:28.480
<v Speaker 4>This is that.

0:41:29.040 --> 0:41:31.720
<v Speaker 1>So that's why I went to death Jam. Uh Tina,

0:41:31.760 --> 0:41:33.840
<v Speaker 1>shout out Tina Davis. She's the one who plugged me

0:41:33.880 --> 0:41:34.359
<v Speaker 1>with the deal.

0:41:34.680 --> 0:41:35.840
<v Speaker 4>She's in the bay now shot.

0:41:36.239 --> 0:41:37.520
<v Speaker 2>She out there working with Gazi. Yeah.

0:41:37.719 --> 0:41:40.120
<v Speaker 1>Yeah, So Tina plugged me with the deal. And then

0:41:40.120 --> 0:41:42.399
<v Speaker 1>when I got to death Jam, I got to see

0:41:42.560 --> 0:41:44.640
<v Speaker 1>music on just on a bigger level, you know what

0:41:44.640 --> 0:41:44.960
<v Speaker 1>I mean.

0:41:45.160 --> 0:41:47.960
<v Speaker 2>So I got plugged on some some soundtracks. Uh.

0:41:48.040 --> 0:41:50.879
<v Speaker 1>My manager at the time, rest in Peace, Dominum Toome,

0:41:51.400 --> 0:41:53.600
<v Speaker 1>he was putting me, put me on New York undercover.

0:41:54.000 --> 0:41:55.719
<v Speaker 2>It was just like a lot of ship that was

0:41:55.719 --> 0:41:56.919
<v Speaker 2>happening fast.

0:41:56.600 --> 0:42:02.160
<v Speaker 4>For a guy Leoren, Like is he as advertised or shark.

0:42:02.200 --> 0:42:04.600
<v Speaker 1>Leord the truth? You know a lot of people say

0:42:05.160 --> 0:42:07.560
<v Speaker 1>weird shit about Leor. I don't have nothing. I don't

0:42:07.560 --> 0:42:10.200
<v Speaker 1>have nothing bad I can say about nobody at Deaf Jam,

0:42:10.280 --> 0:42:15.080
<v Speaker 1>and I met them all, Julie Greenwall, Tina Davis, Leor Cohen,

0:42:15.600 --> 0:42:21.000
<v Speaker 1>Kevin Lyles, Michael Kaiser, all of them. Dude, just serious

0:42:21.040 --> 0:42:23.880
<v Speaker 1>about this music business. But Leor was the ring leader

0:42:23.920 --> 0:42:26.560
<v Speaker 1>of that shit and he just pushed a line. I

0:42:26.600 --> 0:42:28.919
<v Speaker 1>remember one time we went to I wanted to buy

0:42:28.960 --> 0:42:30.400
<v Speaker 1>some weed. I was in New York. They had an

0:42:30.400 --> 0:42:33.160
<v Speaker 1>apartment for me out there. I was living in Jersey City.

0:42:34.280 --> 0:42:36.600
<v Speaker 1>So Leo is like, let's let's go out and fuck

0:42:36.640 --> 0:42:37.560
<v Speaker 1>around a little bit.

0:42:38.120 --> 0:42:39.040
<v Speaker 2>So we fuck around.

0:42:39.080 --> 0:42:42.239
<v Speaker 1>We jump in the black truck and he takes me

0:42:42.320 --> 0:42:44.480
<v Speaker 1>down to one hundred and forty fifth down there in

0:42:44.560 --> 0:42:47.160
<v Speaker 1>Les and he's like, you can get your weed right there.

0:42:47.200 --> 0:42:50.359
<v Speaker 1>That's Brentson going there and get you some weed. I said,

0:42:50.360 --> 0:42:51.880
<v Speaker 1>all right, I said, you coming in. He said no,

0:42:52.160 --> 0:42:54.560
<v Speaker 1>I'm I'm gonna bounce. I'll just leave the car here

0:42:54.560 --> 0:42:57.120
<v Speaker 1>with you. And I said you're gonna bounce? He said, yeah,

0:42:57.120 --> 0:42:59.879
<v Speaker 1>I'm good wherever I go. And he just jumps out

0:42:59.880 --> 0:43:02.040
<v Speaker 1>of a car at fucking two in the morning, dude,

0:43:02.080 --> 0:43:05.279
<v Speaker 1>and just starts walking up the street. And I'm like,

0:43:05.400 --> 0:43:09.160
<v Speaker 1>the fuck Like, I mean, Leor was the first person

0:43:09.239 --> 0:43:12.440
<v Speaker 1>I saw. He asked me one day. I think we

0:43:12.440 --> 0:43:14.960
<v Speaker 1>were in la He said, rich, you need money? I

0:43:15.000 --> 0:43:16.960
<v Speaker 1>said yeah. He said, come on, let's go to the

0:43:17.640 --> 0:43:19.560
<v Speaker 1>to the bank machine. So we go to the tailor.

0:43:19.600 --> 0:43:21.920
<v Speaker 1>He said how much you need? I said, shit, I

0:43:21.960 --> 0:43:22.239
<v Speaker 1>don't know.

0:43:22.320 --> 0:43:22.480
<v Speaker 2>Now.

0:43:22.520 --> 0:43:25.960
<v Speaker 1>I thought tailors only give you three hundred dollars. I said,

0:43:26.040 --> 0:43:28.759
<v Speaker 1>this motherfucker pull about nine thousand dollars out of a

0:43:28.800 --> 0:43:32.719
<v Speaker 1>tailor machine at ATM, out of an ATM bro And

0:43:32.760 --> 0:43:34.720
<v Speaker 1>I had never seen no shit like that.

0:43:35.080 --> 0:43:36.799
<v Speaker 4>Because you, I mean, I think you set your limit.

0:43:36.840 --> 0:43:38.680
<v Speaker 1>But yeah, yeah, I was like, what the fuck is

0:43:38.760 --> 0:43:42.879
<v Speaker 1>going on? But Leor he is definitely a shark. But

0:43:42.920 --> 0:43:46.120
<v Speaker 1>the boy, I mean, he gets it done. He gets

0:43:46.160 --> 0:43:48.879
<v Speaker 1>it done. Don't the funniest thing that I've ever heard

0:43:48.960 --> 0:43:51.040
<v Speaker 1>him do. He put me on the spot.

0:43:51.080 --> 0:43:51.480
<v Speaker 2>One time.

0:43:52.239 --> 0:43:55.319
<v Speaker 1>They had a meeting and a PolyGram meeting in San

0:43:55.360 --> 0:43:57.839
<v Speaker 1>Francisco at some big hotel and he was like, Rich,

0:43:57.880 --> 0:44:00.000
<v Speaker 1>I'm in town, Come fuck with me. I said, all right,

0:44:00.080 --> 0:44:01.680
<v Speaker 1>So I pulled up on her. He said, I got

0:44:01.719 --> 0:44:03.480
<v Speaker 1>this board meeting to go to. Then we can hang out.

0:44:03.800 --> 0:44:05.520
<v Speaker 1>He said, just roll with me. So we get to

0:44:05.560 --> 0:44:07.880
<v Speaker 1>the board meeting and he goes up there and he

0:44:07.880 --> 0:44:10.720
<v Speaker 1>gets on stage and he's telling PolyGram, you know, about

0:44:11.040 --> 0:44:13.000
<v Speaker 1>what they did with last year's money and what's gonna

0:44:13.000 --> 0:44:15.200
<v Speaker 1>happen with the next budgets, and then he just breaks

0:44:15.200 --> 0:44:17.200
<v Speaker 1>out and he's like, you know, we've never signed anybody

0:44:17.200 --> 0:44:19.279
<v Speaker 1>from the Bay Area, you know, and it's a lot

0:44:19.320 --> 0:44:20.040
<v Speaker 1>of talent here.

0:44:20.400 --> 0:44:22.920
<v Speaker 2>But I think we found our jewel. And he's here

0:44:22.960 --> 0:44:23.719
<v Speaker 2>in the building. Richie.

0:44:23.800 --> 0:44:26.160
<v Speaker 1>Rich come up here and then walked me up on stage.

0:44:26.200 --> 0:44:28.520
<v Speaker 1>He said he can talk a lot better than I can,

0:44:28.680 --> 0:44:29.000
<v Speaker 1>and he.

0:44:29.000 --> 0:44:32.120
<v Speaker 2>Walked off stage. Dude, I'm sitting on the stage with

0:44:32.239 --> 0:44:37.440
<v Speaker 2>these three hundred people, and I'll just start popping it,

0:44:37.560 --> 0:44:38.439
<v Speaker 2>you know, just start.

0:44:39.040 --> 0:44:40.480
<v Speaker 4>You did that no idea that it was gonna happen.

0:44:40.560 --> 0:44:42.799
<v Speaker 1>No, he don't give you no lead up. When he

0:44:42.840 --> 0:44:45.239
<v Speaker 1>was finished, he's like, you're my fucking man. That's why

0:44:45.280 --> 0:44:48.000
<v Speaker 1>I love you. Like a fucking chameleon, Richie. I can

0:44:48.120 --> 0:44:50.839
<v Speaker 1>just set you down anywhere and you adapt. But he

0:44:50.920 --> 0:44:53.120
<v Speaker 1>was he was a he was a dog when it

0:44:53.120 --> 0:44:55.040
<v Speaker 1>comes to the business. I used to see him on

0:44:55.120 --> 0:44:59.000
<v Speaker 1>two phones. Dude, he'd be on this phone. Look, he'd

0:44:59.000 --> 0:45:01.480
<v Speaker 1>be like, yeah, no, we're gonna get it done. Hold

0:45:01.560 --> 0:45:05.239
<v Speaker 1>on one second, No, no, no, tell him to get

0:45:05.239 --> 0:45:06.560
<v Speaker 1>it Okay, give me two seconds.

0:45:06.680 --> 0:45:08.880
<v Speaker 2>I told her I need it done. I want to

0:45:08.880 --> 0:45:13.399
<v Speaker 2>fuck it done. Hold on, yes, no, we're gonna get

0:45:13.480 --> 0:45:15.920
<v Speaker 2>I mean, dude, I was like, this dude's a fucking

0:45:16.000 --> 0:45:21.239
<v Speaker 2>maniac now popping from wild to calm. And then he's like,

0:45:21.760 --> 0:45:25.440
<v Speaker 2>sorry about that, Richie, where were we? I'm like this,

0:45:25.640 --> 0:45:25.880
<v Speaker 2>do this?

0:45:26.000 --> 0:45:27.879
<v Speaker 3>Yeah, you know he always gets a lot of help

0:45:27.920 --> 0:45:30.799
<v Speaker 3>for making the three sixty deal thing. But I saw

0:45:30.840 --> 0:45:34.120
<v Speaker 3>the way he explained it, and for a lot of

0:45:34.239 --> 0:45:38.000
<v Speaker 3>artists how he explained it made sense because he's like, look,

0:45:39.040 --> 0:45:41.040
<v Speaker 3>if you and I start a restaurant together and I

0:45:41.080 --> 0:45:44.799
<v Speaker 3>invest all the money. Let's say you're the chef, and

0:45:44.840 --> 0:45:49.000
<v Speaker 3>then the restaurant it goes crazy, and then you decide

0:45:49.080 --> 0:45:52.279
<v Speaker 3>to bottle up the sauce from the restaurant and sell

0:45:52.320 --> 0:45:56.120
<v Speaker 3>it at Walmart. It's the restaurant sauce. Put the money up.

0:45:56.200 --> 0:45:57.919
<v Speaker 3>You brought the food to the table, but I put

0:45:57.960 --> 0:45:59.759
<v Speaker 3>the money up. Shouldn't I get a cut of the

0:45:59.760 --> 0:46:01.000
<v Speaker 3>sauce is getting sold a Walmart?

0:46:01.080 --> 0:46:01.520
<v Speaker 2>You better know?

0:46:02.000 --> 0:46:02.879
<v Speaker 4>So it's like and.

0:46:02.800 --> 0:46:04.359
<v Speaker 3>I think you know, But then you see people who

0:46:04.719 --> 0:46:08.320
<v Speaker 3>don't need that or aren't. That's where it's all about leverage,

0:46:08.440 --> 0:46:10.720
<v Speaker 3>right situations. It's like you're like, if you're the Russell,

0:46:10.719 --> 0:46:13.399
<v Speaker 3>you could tell label go fuck yourself exactly because you're like, yo,

0:46:13.440 --> 0:46:15.239
<v Speaker 3>I'm making more money than you can offer me. Fuck

0:46:15.280 --> 0:46:18.480
<v Speaker 3>your advance until and he's not you know, the Russell's

0:46:18.480 --> 0:46:20.280
<v Speaker 3>not against signing a major deal.

0:46:20.320 --> 0:46:20.799
<v Speaker 4>He said that.

0:46:20.800 --> 0:46:23.000
<v Speaker 3>He's like, Yo, the right deal comes along, sure, but

0:46:23.120 --> 0:46:25.000
<v Speaker 3>for now, like funk Off, I'm not getting taken it, you.

0:46:25.000 --> 0:46:25.359
<v Speaker 2>Know what I mean.

0:46:25.440 --> 0:46:27.160
<v Speaker 1>Like he told me, The Russell was like, it ain't

0:46:27.200 --> 0:46:29.799
<v Speaker 1>even so much about the money for me rich as

0:46:29.880 --> 0:46:33.320
<v Speaker 1>much as it is if I make a hot record

0:46:33.480 --> 0:46:36.480
<v Speaker 1>tonight and I want to put it out tonight, I

0:46:36.520 --> 0:46:38.439
<v Speaker 1>want to freedom, he said. I don't want to ever

0:46:38.560 --> 0:46:41.240
<v Speaker 1>lose that, he said. And that's kind of what fucks

0:46:41.280 --> 0:46:42.279
<v Speaker 1>it up for me with you.

0:46:42.239 --> 0:46:46.600
<v Speaker 4>Know, you're fully independent right now. Yeah, what's your distro through?

0:46:47.160 --> 0:46:50.839
<v Speaker 1>I'm through the Empire. I'm with Ghanzi since he was

0:46:50.840 --> 0:46:55.200
<v Speaker 1>in Grooves. Yes, I'm grandfathered in back before it was Empire, back.

0:46:55.080 --> 0:46:58.960
<v Speaker 3>When well, I mean, were you Did you ever have

0:46:58.960 --> 0:47:00.880
<v Speaker 3>any interactions with the guy? Brian Sampson.

0:47:01.840 --> 0:47:04.279
<v Speaker 2>Brian Sampson, He did distribution, He.

0:47:04.280 --> 0:47:06.239
<v Speaker 3>Was the radio guy for Empire when it started, and

0:47:06.320 --> 0:47:09.720
<v Speaker 3>he used to work Gazis Records at in Grews.

0:47:08.800 --> 0:47:11.600
<v Speaker 1>Real real Yeah, no, No, I ain't had no interest

0:47:11.760 --> 0:47:13.960
<v Speaker 1>with him. You know, we started off with Walter at

0:47:14.040 --> 0:47:17.560
<v Speaker 1>City Hall. That was our independent man. And that's back

0:47:17.560 --> 0:47:18.479
<v Speaker 1>when forty and then.

0:47:18.480 --> 0:47:20.960
<v Speaker 4>Was moving that that would push the records and all that.

0:47:21.120 --> 0:47:22.319
<v Speaker 2>No, no, city Hall would.

0:47:22.480 --> 0:47:24.480
<v Speaker 1>So basically what we would do is we'd record the

0:47:24.520 --> 0:47:27.000
<v Speaker 1>records and Walter would do pre orders. He'd be like,

0:47:27.040 --> 0:47:29.560
<v Speaker 1>I need twenty thousand of that, and you bring him

0:47:29.880 --> 0:47:30.719
<v Speaker 1>the record and.

0:47:30.640 --> 0:47:32.360
<v Speaker 2>He cast you. Oh that's fine.

0:47:32.360 --> 0:47:34.800
<v Speaker 1>So that's how you we walk out of Walkers Walters

0:47:34.840 --> 0:47:37.480
<v Speaker 1>with a check for seventy bucks, you know, and it

0:47:37.520 --> 0:47:40.680
<v Speaker 1>was it was good. Now what he was making off

0:47:40.719 --> 0:47:43.359
<v Speaker 1>that was probably more than that, but shit, that's how

0:47:43.360 --> 0:47:47.440
<v Speaker 1>the independent game really came up. Before I got with Empire,

0:47:47.560 --> 0:47:49.080
<v Speaker 1>we used to fuck with City Hall.

0:47:49.120 --> 0:47:51.200
<v Speaker 3>Like you're gonna cast you out for a project, this

0:47:51.239 --> 0:47:52.200
<v Speaker 3>is what you're gonna make off it?

0:47:52.360 --> 0:47:54.960
<v Speaker 2>Well, yam, and then it's he wasn't He wasn't even

0:47:55.000 --> 0:47:55.760
<v Speaker 2>mind the project.

0:47:55.800 --> 0:47:59.000
<v Speaker 1>He'll just tell you we're gonna press up to press

0:47:59.080 --> 0:48:01.960
<v Speaker 1>up twenty thousands, press up ten thousand units of it

0:48:01.960 --> 0:48:02.480
<v Speaker 1>and bring.

0:48:02.320 --> 0:48:04.240
<v Speaker 2>It to me. And I'm a bum from you for

0:48:04.320 --> 0:48:05.280
<v Speaker 2>seven dollars apiece.

0:48:05.480 --> 0:48:07.719
<v Speaker 4>Oh that's fire. Yeah, So you come.

0:48:07.680 --> 0:48:09.560
<v Speaker 1>Up here with ten thousand of them at seven apiece,

0:48:09.600 --> 0:48:12.239
<v Speaker 1>that's seventy And he writes your check for seventy and

0:48:12.320 --> 0:48:15.319
<v Speaker 1>he distributed them and sell them and he called you

0:48:15.360 --> 0:48:17.240
<v Speaker 1>back and be like, I need twenty more.

0:48:17.320 --> 0:48:19.080
<v Speaker 2>Yeah, And that's how it was rolling.

0:48:19.160 --> 0:48:20.799
<v Speaker 4>What year did you end up believing Death Jam?

0:48:21.040 --> 0:48:22.719
<v Speaker 1>I was only there for a year. I was in

0:48:22.800 --> 0:48:24.920
<v Speaker 1>and out like the Burger Joint. So I'm gonna tell

0:48:24.920 --> 0:48:26.080
<v Speaker 1>you what happened.

0:48:26.080 --> 0:48:28.239
<v Speaker 4>Because your Season Veteran was on.

0:48:28.280 --> 0:48:29.759
<v Speaker 2>Rush right, yeah? Yeah?

0:48:29.800 --> 0:48:31.120
<v Speaker 4>So was that still like yeah.

0:48:30.920 --> 0:48:33.520
<v Speaker 2>That was still now Season Veteran was on Death Jam, but.

0:48:33.480 --> 0:48:35.840
<v Speaker 1>It was it was all Rush associated labels. That was

0:48:35.880 --> 0:48:38.680
<v Speaker 1>like the father the parent company. I got to Deaf

0:48:38.760 --> 0:48:43.680
<v Speaker 1>JM in ninety six, recorded my first record, Seasoned Veteran

0:48:43.960 --> 0:48:47.120
<v Speaker 1>dropped it, started recording the follow up.

0:48:47.400 --> 0:48:49.560
<v Speaker 2>Which I named The Game.

0:48:50.640 --> 0:48:54.520
<v Speaker 1>And then that's when the merger shit started popping off,

0:48:54.600 --> 0:48:58.680
<v Speaker 1>when poly Graham and all that. So Leo and Russell

0:48:58.719 --> 0:49:00.319
<v Speaker 1>came and sat me down and said, hey, which were

0:49:00.320 --> 0:49:04.120
<v Speaker 1>about to sell the company, and your sophomore record is

0:49:04.160 --> 0:49:07.799
<v Speaker 1>about to come out, you know, and it's up to

0:49:07.840 --> 0:49:09.640
<v Speaker 1>you if you want to stay here. But we don't

0:49:09.640 --> 0:49:12.560
<v Speaker 1>know who's gonna be running the company, they said. And

0:49:12.600 --> 0:49:15.680
<v Speaker 1>the fact that you know we met you and as

0:49:15.680 --> 0:49:19.600
<v Speaker 1>a hustler. You know, we got a this is the proposal,

0:49:20.480 --> 0:49:23.600
<v Speaker 1>the record that we just recorded for you. You can take

0:49:23.640 --> 0:49:26.919
<v Speaker 1>the record, do what you want with it, and we'll

0:49:26.960 --> 0:49:30.120
<v Speaker 1>give you X amount of dollars cash.

0:49:30.160 --> 0:49:32.399
<v Speaker 2>And they said you can leave. They said, but if

0:49:32.400 --> 0:49:33.719
<v Speaker 2>you want to stay, you could stay too.

0:49:33.960 --> 0:49:35.600
<v Speaker 1>They said, the only reason we're telling you this is

0:49:35.680 --> 0:49:38.479
<v Speaker 1>we don't know who's gonna be running and it gets

0:49:38.480 --> 0:49:41.080
<v Speaker 1>shelved or some shit like that. So my manager at

0:49:41.080 --> 0:49:43.399
<v Speaker 1>the time, do muhim too may He was like, shit,

0:49:43.480 --> 0:49:46.279
<v Speaker 1>let's take the money and the record. We didn't get

0:49:46.320 --> 0:49:49.480
<v Speaker 1>another deal, so that's what we did. Well, what ended

0:49:49.560 --> 0:49:53.400
<v Speaker 1>up happening is whoever was buying the thing, it was

0:49:53.440 --> 0:49:56.279
<v Speaker 1>a seagram in Sons deal Edgar Brofman's name was in

0:49:56.320 --> 0:49:58.960
<v Speaker 1>the mix somewhere, so they had something to do with Seagrams.

0:49:59.719 --> 0:50:05.279
<v Speaker 1>And apparently he proposition Leor and said, I want to

0:50:06.120 --> 0:50:09.120
<v Speaker 1>buy the label, but I want you to run it,

0:50:09.280 --> 0:50:11.200
<v Speaker 1>but you need to fire all the people. I'm gonna

0:50:11.200 --> 0:50:12.920
<v Speaker 1>bring my own people in, but you can run it.

0:50:13.200 --> 0:50:15.360
<v Speaker 1>And Leor was like, no, I'm not doing that. He

0:50:15.480 --> 0:50:17.719
<v Speaker 1>was like, these are the people that made me. We group,

0:50:17.840 --> 0:50:20.359
<v Speaker 1>we made this thing together. So if they go I go,

0:50:21.120 --> 0:50:22.719
<v Speaker 1>so they said he was like, all right, fuck it,

0:50:23.239 --> 0:50:26.080
<v Speaker 1>y'all can stay. So if I had known that, I

0:50:26.080 --> 0:50:27.040
<v Speaker 1>would have stayed, yeah.

0:50:26.920 --> 0:50:28.880
<v Speaker 3>Because then I would have it was kind of like

0:50:28.920 --> 0:50:32.400
<v Speaker 3>the New Golden exactly, Yeah, jay Z exactly.

0:50:32.480 --> 0:50:34.600
<v Speaker 1>And then I would have, you know, because my first

0:50:34.600 --> 0:50:37.040
<v Speaker 1>record did well, and then I was a West Coast

0:50:37.080 --> 0:50:39.640
<v Speaker 1>artist and they didn't really know how to market West

0:50:39.680 --> 0:50:41.439
<v Speaker 1>Coast music, but they were trying to figure it out.

0:50:42.600 --> 0:50:45.480
<v Speaker 1>So I think my record is like three hundred and

0:50:45.520 --> 0:50:49.239
<v Speaker 1>sixty thousand or some shit before a first before sophomore

0:50:49.320 --> 0:50:52.320
<v Speaker 1>album on the West Coast nigga that was decent numbers,

0:50:52.320 --> 0:50:54.240
<v Speaker 1>and they was like, well, the next one will definitely

0:50:54.280 --> 0:50:54.640
<v Speaker 1>go goal.

0:50:55.600 --> 0:50:58.160
<v Speaker 2>So I would have stayed if I knew they were

0:50:58.160 --> 0:50:59.840
<v Speaker 2>going to be in control. But I didn't.

0:51:00.520 --> 0:51:03.200
<v Speaker 1>But then when I look at it in hindsight now

0:51:03.520 --> 0:51:07.440
<v Speaker 1>and see all the fun toy that happened in the industry,

0:51:08.680 --> 0:51:10.799
<v Speaker 1>I think me leaving was the best thing that could

0:51:10.840 --> 0:51:12.960
<v Speaker 1>have happened because when you put.

0:51:12.760 --> 0:51:16.040
<v Speaker 3>Out I remember, the game was all over every magazine,

0:51:16.080 --> 0:51:18.200
<v Speaker 3>Like I don't know what y'all's magazine budget was, but

0:51:18.280 --> 0:51:20.680
<v Speaker 3>I used to buy every source and every double XL right,

0:51:20.800 --> 0:51:24.640
<v Speaker 3>and I feel like there's like album covers. I remember

0:51:24.880 --> 0:51:27.120
<v Speaker 3>mentally in my head because I would just see the ad.

0:51:27.080 --> 0:51:31.600
<v Speaker 1>Right, I was sitting by that bends with the brim wrong. Yeah, yeah,

0:51:31.640 --> 0:51:32.720
<v Speaker 1>And that was a dope record.

0:51:32.920 --> 0:51:35.480
<v Speaker 4>H So was that was that you ended up putting

0:51:35.480 --> 0:51:35.719
<v Speaker 4>that out?

0:51:35.760 --> 0:51:38.479
<v Speaker 2>Put it out independently, and so it was independently And.

0:51:38.400 --> 0:51:40.960
<v Speaker 1>Back then I used to just drop the records, set

0:51:41.000 --> 0:51:42.240
<v Speaker 1>them on the ground and walk away.

0:51:42.280 --> 0:51:44.200
<v Speaker 4>How much would y'all spend on magazine ads?

0:51:44.200 --> 0:51:46.320
<v Speaker 3>I always wondered that as a kid, like when Double

0:51:46.440 --> 0:51:47.920
<v Speaker 3>XL source spread, you know, like.

0:51:48.000 --> 0:51:50.080
<v Speaker 1>Yeah, we used to get them their ads for dirt

0:51:50.120 --> 0:51:53.080
<v Speaker 1>cheap bro bus stops. Back then it was bus benches

0:51:53.120 --> 0:51:55.960
<v Speaker 1>and source ads, and and that's how you were selling records.

0:51:56.560 --> 0:51:56.759
<v Speaker 2>You know.

0:51:58.320 --> 0:52:00.560
<v Speaker 1>I wasn't a I wasn't a win wizard at it,

0:52:00.719 --> 0:52:03.480
<v Speaker 1>like forty in them forty and them was wizards at

0:52:03.520 --> 0:52:07.279
<v Speaker 1>the independent game. Him and his uncle Saint Charles. They

0:52:07.360 --> 0:52:09.960
<v Speaker 1>knew how to market and move that shit. For me,

0:52:10.080 --> 0:52:13.040
<v Speaker 1>it was like after leaving Death Jam, it was almost

0:52:13.040 --> 0:52:16.640
<v Speaker 1>like my plane just was slowly glide because it was

0:52:16.640 --> 0:52:17.239
<v Speaker 1>was it like.

0:52:17.200 --> 0:52:19.640
<v Speaker 4>A four year break, five year break before the album

0:52:19.719 --> 0:52:20.040
<v Speaker 4>came out.

0:52:20.080 --> 0:52:21.759
<v Speaker 1>Yeah, it was a minute. It was a minute, and

0:52:21.800 --> 0:52:24.080
<v Speaker 1>then I just kind of dropped it. I didn't promote

0:52:24.080 --> 0:52:26.040
<v Speaker 1>it much, you know what I mean, because I was

0:52:26.120 --> 0:52:28.160
<v Speaker 1>used to what Walter was doing. He was just buying

0:52:28.200 --> 0:52:30.480
<v Speaker 1>our shit, cashing it out, so I didn't have to

0:52:30.520 --> 0:52:33.719
<v Speaker 1>promote the records. And it's crazy because I remember lee

0:52:33.840 --> 0:52:36.560
<v Speaker 1>Or he was letting me know, like this shit is payola,

0:52:36.880 --> 0:52:39.839
<v Speaker 1>like you gotta you have to breath, you gotta grease

0:52:39.880 --> 0:52:41.960
<v Speaker 1>the wheels to make it work. Like he showed me

0:52:41.960 --> 0:52:44.480
<v Speaker 1>how they had placement in stores, like you go into stores,

0:52:44.719 --> 0:52:45.600
<v Speaker 1>everything up front.

0:52:45.640 --> 0:52:47.080
<v Speaker 2>We owned those two ships.

0:52:47.120 --> 0:52:49.160
<v Speaker 4>Yeah, that was the old school game, right you had

0:52:49.160 --> 0:52:50.200
<v Speaker 4>to pay for store places.

0:52:50.280 --> 0:52:53.080
<v Speaker 1>Yeah, those these top shelves, the ones by the register,

0:52:53.239 --> 0:52:55.080
<v Speaker 1>we got. That's us and you ain't gonna see nothing there.

0:52:55.120 --> 0:52:58.080
<v Speaker 4>But are they used to take like money to rate

0:52:58.160 --> 0:52:59.080
<v Speaker 4>your album and the source?

0:53:00.080 --> 0:53:02.960
<v Speaker 1>I believe so I'm never paid source, but I believe

0:53:03.080 --> 0:53:06.120
<v Speaker 1>all of that shit was like that, because I remember

0:53:06.520 --> 0:53:10.560
<v Speaker 1>I spoke on this in my last interview. They had

0:53:10.600 --> 0:53:13.320
<v Speaker 1>the music box where people used to call them Request

0:53:13.600 --> 0:53:16.040
<v Speaker 1>and less Ryan. When number one on the box and

0:53:16.080 --> 0:53:18.120
<v Speaker 1>I called Leors like I told you it was gonna

0:53:18.120 --> 0:53:19.640
<v Speaker 1>go number one, he was like yeah, I bought the

0:53:19.640 --> 0:53:21.680
<v Speaker 1>spot and You're like.

0:53:22.480 --> 0:53:24.880
<v Speaker 2>I was deflated. Bro. I was deflated.

0:53:24.880 --> 0:53:25.040
<v Speaker 1>Bro.

0:53:25.080 --> 0:53:27.000
<v Speaker 2>I was like, you know what, I'm going back to

0:53:27.040 --> 0:53:30.800
<v Speaker 2>the street. I'll said, this shit right here is too much.

0:53:31.680 --> 0:53:34.640
<v Speaker 3>What would you say because before this project, the last

0:53:34.680 --> 0:53:36.040
<v Speaker 3>thing you drop was the grow Room.

0:53:35.920 --> 0:53:38.480
<v Speaker 2>Right, which five years ago, twenty twenty.

0:53:39.160 --> 0:53:42.040
<v Speaker 3>Is there been anything that has just kind of letting

0:53:42.120 --> 0:53:44.680
<v Speaker 3>the fire under you again to dive back in and

0:53:45.120 --> 0:53:46.000
<v Speaker 3>put some new music out.

0:53:46.320 --> 0:53:49.920
<v Speaker 1>What my biggest thing was, keV was I had always

0:53:49.960 --> 0:53:54.040
<v Speaker 1>been making music, right, and always making this kind of

0:53:54.080 --> 0:53:58.120
<v Speaker 1>music that I make, but the music that was out

0:53:58.200 --> 0:54:02.040
<v Speaker 1>and that was selling was different, you know, And I

0:54:02.040 --> 0:54:07.040
<v Speaker 1>didn't think throwing my project into the market while all

0:54:07.080 --> 0:54:10.360
<v Speaker 1>that other shit was moving was gonna be a good idea.

0:54:10.440 --> 0:54:12.719
<v Speaker 1>So I was kind of hesitant. I was like, ah,

0:54:12.800 --> 0:54:14.319
<v Speaker 1>Hele was like, man, put that shit out, put that

0:54:14.320 --> 0:54:18.360
<v Speaker 1>shit out. But I was like, uh, because even this record,

0:54:18.440 --> 0:54:20.560
<v Speaker 1>after the grow Room, I should I had a record

0:54:20.600 --> 0:54:21.879
<v Speaker 1>ready to follow right up.

0:54:23.160 --> 0:54:26.040
<v Speaker 2>But back you know, little Baby was killing it. Uh.

0:54:26.120 --> 0:54:27.960
<v Speaker 2>You know, it was just a lot of shit out

0:54:28.000 --> 0:54:30.520
<v Speaker 2>that was still from that other kind of.

0:54:30.520 --> 0:54:32.160
<v Speaker 4>Where you're like, yeah, this is where do I fit

0:54:32.200 --> 0:54:32.400
<v Speaker 4>in here?

0:54:32.400 --> 0:54:32.480
<v Speaker 3>Here?

0:54:32.719 --> 0:54:34.319
<v Speaker 1>Like I was like, don't know about the way the

0:54:34.360 --> 0:54:36.839
<v Speaker 1>shit I'm talking. It's cool, but where do I fit

0:54:36.960 --> 0:54:39.799
<v Speaker 1>in with what's happening? So I kind of was stand

0:54:39.880 --> 0:54:43.080
<v Speaker 1>office and then I said, fuck it. I put the

0:54:43.160 --> 0:54:45.600
<v Speaker 1>record out and now the record is getting so much

0:54:45.640 --> 0:54:49.279
<v Speaker 1>good feedback. But I did a call with the Nerve DJs,

0:54:49.320 --> 0:54:52.680
<v Speaker 1>a zoom call, and a lot of DJs was chiming

0:54:52.719 --> 0:54:54.759
<v Speaker 1>in from around the world, and it's one DJ said

0:54:54.760 --> 0:54:58.399
<v Speaker 1>some real shit. He said, Bro, you dropped on Death

0:54:58.440 --> 0:55:00.719
<v Speaker 1>d M in ninety six. He said, it's two five.

0:55:01.680 --> 0:55:05.920
<v Speaker 1>We're approaching the thirty year cycle. He said, music is

0:55:06.080 --> 0:55:09.760
<v Speaker 1>right back to where it was when you first came out.

0:55:10.000 --> 0:55:13.319
<v Speaker 1>He said, you never switched up. You stayed the same.

0:55:13.400 --> 0:55:15.440
<v Speaker 1>He said, a lot of people jumped and tried to

0:55:15.560 --> 0:55:18.719
<v Speaker 1>chase the trends and all the shit. He said, you

0:55:18.760 --> 0:55:21.040
<v Speaker 1>didn't participate in the high fee movement.

0:55:21.080 --> 0:55:21.920
<v Speaker 2>He said. I remember the.

0:55:23.440 --> 0:55:25.600
<v Speaker 1>Specifically, he said, because I follow you, And I was like, damn,

0:55:25.680 --> 0:55:28.120
<v Speaker 1>rich An, He's not putting out no music with this.

0:55:28.600 --> 0:55:29.840
<v Speaker 1>He said, So what has happened?

0:55:29.880 --> 0:55:30.280
<v Speaker 2>Rinches?

0:55:30.840 --> 0:55:35.400
<v Speaker 1>You stayed the same and the shit spent all the

0:55:35.400 --> 0:55:38.759
<v Speaker 1>way back around. He said, Now it's right back where

0:55:38.760 --> 0:55:40.600
<v Speaker 1>they ready for the kind of shit that you make.

0:55:40.880 --> 0:55:43.160
<v Speaker 1>And I didn't even really trip off that that it's

0:55:43.239 --> 0:55:46.680
<v Speaker 1>been that long, you know what I mean. But it

0:55:46.760 --> 0:55:49.920
<v Speaker 1>seems like right now you remember how much music was dropping,

0:55:50.239 --> 0:55:52.040
<v Speaker 1>or it's not a lot of people dropping.

0:55:52.360 --> 0:55:54.840
<v Speaker 2>Nas was one of the first dudes to start fucking.

0:55:54.600 --> 0:55:56.520
<v Speaker 1>With the hit boy and then he was like, hey,

0:55:56.560 --> 0:55:58.560
<v Speaker 1>if you old school and you got music, put that

0:55:58.640 --> 0:56:00.640
<v Speaker 1>shit out, put that shit out.

0:56:00.800 --> 0:56:00.960
<v Speaker 2>Yeah.

0:56:01.000 --> 0:56:04.040
<v Speaker 3>I had recently, I talked with ice Cube and Exhibit

0:56:04.120 --> 0:56:07.759
<v Speaker 3>on the pod recently and I thanked ice Cube because

0:56:07.760 --> 0:56:10.120
<v Speaker 3>I was like, hey, dude, thank you for putting out

0:56:10.160 --> 0:56:13.320
<v Speaker 3>like an ice Cube album and like ice Cube trying

0:56:13.320 --> 0:56:16.319
<v Speaker 3>to fit in right and Exhibit his new album comes

0:56:16.320 --> 0:56:18.400
<v Speaker 3>out next month. But I had the pleasure listening to

0:56:18.440 --> 0:56:21.480
<v Speaker 3>it and I was like, bro, thank you. This is

0:56:21.480 --> 0:56:24.520
<v Speaker 3>an Exhibit album. This is not like you don't sound washed,

0:56:24.640 --> 0:56:27.000
<v Speaker 3>try trying to hang with the kids. Like, at the

0:56:27.080 --> 0:56:29.600
<v Speaker 3>end of the day, this art form that we all

0:56:29.640 --> 0:56:33.560
<v Speaker 3>love it is old now. So there's people who are

0:56:34.000 --> 0:56:36.279
<v Speaker 3>you know, your age, my age, I'm thirty eight, you know,

0:56:37.320 --> 0:56:39.759
<v Speaker 3>who still want to listen like I know the shit

0:56:39.840 --> 0:56:41.560
<v Speaker 3>I like, it's like I don't.

0:56:41.360 --> 0:56:44.440
<v Speaker 4>Want to hear fucking jay Z do little Baby.

0:56:44.160 --> 0:56:46.800
<v Speaker 2>Shit like exactly. I mean like and it's and little

0:56:46.800 --> 0:56:50.520
<v Speaker 2>Baby shit is flying hard him and.

0:56:51.680 --> 0:56:53.879
<v Speaker 4>Listen a little baby I'm gonna go go there for that.

0:56:53.960 --> 0:56:55.840
<v Speaker 3>But if I want to listen to Richie Rich or

0:56:55.880 --> 0:56:57.920
<v Speaker 3>if I want to listen to you know, whoever it is,

0:56:57.960 --> 0:57:00.760
<v Speaker 3>It's like, I know what I want from cube album.

0:57:00.800 --> 0:57:02.759
<v Speaker 1>That's what me and Glasses Malone talk about. A lot

0:57:02.760 --> 0:57:06.040
<v Speaker 1>of Glasses is a real student of this shit is amazing. Yeah,

0:57:06.080 --> 0:57:09.400
<v Speaker 1>he knows this shit and he's been pecking on me, like, dude,

0:57:09.719 --> 0:57:12.440
<v Speaker 1>put some fucking music out. Rich He said, you a

0:57:12.640 --> 0:57:16.200
<v Speaker 1>cool old nigga. Bro, He said, you an older nigga.

0:57:16.280 --> 0:57:19.080
<v Speaker 1>He said, but you got style, you got clean whips.

0:57:19.280 --> 0:57:22.160
<v Speaker 1>You still talk that shit. He said, that's the ship

0:57:22.280 --> 0:57:24.880
<v Speaker 1>that we want to hear. He said, I don't want

0:57:24.920 --> 0:57:29.400
<v Speaker 1>to hear Richie Rich from somebody else, or I don't

0:57:29.440 --> 0:57:33.520
<v Speaker 1>want to hear like you said, Richie Rich doing Little

0:57:33.520 --> 0:57:35.600
<v Speaker 1>Baby or Richie Rich doing you know.

0:57:36.120 --> 0:57:38.000
<v Speaker 2>He said, I want to hear rich doing Rich.

0:57:38.920 --> 0:57:40.360
<v Speaker 4>So I think there's this.

0:57:40.600 --> 0:57:42.400
<v Speaker 3>I think there's I think at the end of the day, man,

0:57:42.440 --> 0:57:44.560
<v Speaker 3>there's a market for it, and there was always a

0:57:44.560 --> 0:57:46.280
<v Speaker 3>market for it. I feel like there's a artists who

0:57:46.280 --> 0:57:47.840
<v Speaker 3>have kind of been If you look at a guy

0:57:47.840 --> 0:57:51.200
<v Speaker 3>like Berner, Berner's had like a really successful independent hip

0:57:51.200 --> 0:57:54.080
<v Speaker 3>hop career, right, his shit is really like laid back

0:57:54.160 --> 0:57:57.320
<v Speaker 3>player shit, Like he's just talking some game and talking

0:57:57.360 --> 0:57:59.920
<v Speaker 3>about like and it's like, you know, the production is

0:58:00.040 --> 0:58:02.680
<v Speaker 3>he's never really chasing any like crazy like trendy production.

0:58:02.760 --> 0:58:05.240
<v Speaker 3>He's just you know, So I think that I think

0:58:05.240 --> 0:58:07.240
<v Speaker 3>it's dope that you're you're you're back in it man

0:58:07.840 --> 0:58:11.280
<v Speaker 3>and the l Russell record. I know he's doing well

0:58:12.040 --> 0:58:15.280
<v Speaker 3>with you, him and Pilow and the Young and from Mercede.

0:58:15.280 --> 0:58:19.160
<v Speaker 3>What's his name, Malachi. You know what's funny is Malachi

0:58:19.240 --> 0:58:21.440
<v Speaker 3>came on our show. I met him at the Pergola

0:58:22.960 --> 0:58:26.800
<v Speaker 3>when he was fifteen sixteen, right, and I saw him

0:58:26.840 --> 0:58:28.760
<v Speaker 3>just rap live and I was like, dude, come through.

0:58:28.880 --> 0:58:30.960
<v Speaker 3>So hitting his dad took him out of school one

0:58:31.040 --> 0:58:33.880
<v Speaker 3>day and they drove down here from from merced I

0:58:33.920 --> 0:58:34.320
<v Speaker 3>think it's where.

0:58:35.080 --> 0:58:38.320
<v Speaker 1>Yeah, Malachi is cold talented dude bro.

0:58:38.920 --> 0:58:41.720
<v Speaker 2>Definitely just fucking man talented little dude bro.

0:58:42.120 --> 0:58:44.280
<v Speaker 1>That whole movement they got, they got a lot of

0:58:44.360 --> 0:58:48.040
<v Speaker 1>cool shit going on, but little Mally be talking that ship.

0:58:48.160 --> 0:58:51.040
<v Speaker 3>No, he's hard bro, Like I mean, I'm whatever he

0:58:51.160 --> 0:58:52.800
<v Speaker 3>I man. I remember when when I heard him rap

0:58:52.840 --> 0:58:54.400
<v Speaker 3>for the first time game of Goosebumps and then he

0:58:54.440 --> 0:58:57.040
<v Speaker 3>came up here and just destroyed it. It's dope to

0:58:57.080 --> 0:59:00.400
<v Speaker 3>see him, like, you know, grow up like two or

0:59:00.440 --> 0:59:01.520
<v Speaker 3>three years ago when he came through.

0:59:01.560 --> 0:59:03.560
<v Speaker 1>You know what I like about what Larrussell has brought

0:59:03.640 --> 0:59:07.960
<v Speaker 1>to the game is it's stripped down back to where

0:59:08.000 --> 0:59:10.480
<v Speaker 1>it's coming through the ear and not through the eyes.

0:59:10.720 --> 0:59:13.240
<v Speaker 1>Because for a minute they took it from the ear

0:59:13.360 --> 0:59:17.520
<v Speaker 1>to the eye. If you didn't have ten cubans on

0:59:18.280 --> 0:59:21.840
<v Speaker 1>and you wasn't the man, you feel me, and music

0:59:21.880 --> 0:59:23.760
<v Speaker 1>has always been a thing that should come through the

0:59:23.800 --> 0:59:25.360
<v Speaker 1>fucking ears, you feel me.

0:59:25.400 --> 0:59:28.400
<v Speaker 4>That's how we had. We had to listen to you

0:59:27.480 --> 0:59:27.760
<v Speaker 4>that way.

0:59:27.960 --> 0:59:30.600
<v Speaker 3>There YouTube, there was a discman or a walkman and

0:59:30.680 --> 0:59:34.400
<v Speaker 3>exactly or the radio and your and your imagination.

0:59:34.680 --> 0:59:38.480
<v Speaker 1>So what l Russell is showing is that, Okay, you

0:59:38.520 --> 0:59:42.680
<v Speaker 1>don't have to have all that to put your project

0:59:43.080 --> 0:59:45.600
<v Speaker 1>into the space and you know, try to get yourself

0:59:45.640 --> 0:59:47.960
<v Speaker 1>some fans. And I think that's cool because there's a

0:59:48.040 --> 0:59:50.280
<v Speaker 1>lot of artists who feel like they might need to

0:59:50.320 --> 0:59:53.400
<v Speaker 1>go rob and steal and kill to get the piece,

0:59:53.520 --> 0:59:56.640
<v Speaker 1>the rap costume I gotta have. I need the rais,

0:59:56.720 --> 0:59:59.680
<v Speaker 1>I need the ghost, you know. I gotta have the

0:59:59.720 --> 1:00:02.280
<v Speaker 1>fuck and rorri, you know. And then you got a

1:00:02.360 --> 1:00:05.880
<v Speaker 1>nigga like Larry June who has all that shit, but

1:00:06.000 --> 1:00:07.440
<v Speaker 1>his style is just player.

1:00:07.560 --> 1:00:09.360
<v Speaker 4>He's just like you might see him on a ten

1:00:09.440 --> 1:00:10.760
<v Speaker 4>speed taking a bike ride.

1:00:10.800 --> 1:00:14.480
<v Speaker 1>You know, you'll see Larry in a fucking Ferrari with

1:00:14.640 --> 1:00:17.200
<v Speaker 1>the bike on mounted on top of that bitch shit.

1:00:17.800 --> 1:00:19.800
<v Speaker 2>So it's coming back to.

1:00:21.520 --> 1:00:26.280
<v Speaker 1>End up being individuals where people can like you for

1:00:26.360 --> 1:00:28.720
<v Speaker 1>what you do and you don't have to be doing

1:00:28.760 --> 1:00:31.280
<v Speaker 1>what everybody else is doing. That's what I like about

1:00:31.560 --> 1:00:35.160
<v Speaker 1>what's happening. I've always felt like my lane was game

1:00:35.480 --> 1:00:37.000
<v Speaker 1>just to just to chop some game.

1:00:37.440 --> 1:00:40.120
<v Speaker 2>My uh, my strong suit is my voice. People's like

1:00:40.120 --> 1:00:41.480
<v Speaker 2>man Rich got that voice.

1:00:42.160 --> 1:00:46.080
<v Speaker 1>But for a while, the music shit had got to

1:00:46.080 --> 1:00:50.280
<v Speaker 1>where like if you wasn't stupid balling, you just you

1:00:50.360 --> 1:00:52.200
<v Speaker 1>just you wasn't shit, you know what I mean?

1:00:52.240 --> 1:00:54.040
<v Speaker 3>Sure, I think I think it's dope to see fans

1:00:54.080 --> 1:00:56.760
<v Speaker 3>like just like they just want to relate to people, Yeah, exactly.

1:00:56.840 --> 1:00:59.760
<v Speaker 3>And I think with Russell. You mentioned a thirty year cycle.

1:01:00.120 --> 1:01:03.520
<v Speaker 3>I feel like there's like this cycle of like he's

1:01:03.640 --> 1:01:05.800
<v Speaker 3>doing the new version of getting it out the trunk

1:01:06.280 --> 1:01:08.040
<v Speaker 3>back in the day when when when we think of

1:01:08.080 --> 1:01:10.560
<v Speaker 3>the bag or we think of Texas selling CD's out

1:01:10.560 --> 1:01:15.480
<v Speaker 3>the trunk, like lo Russell has, I feel like changed

1:01:15.680 --> 1:01:18.640
<v Speaker 3>the way a lot of independent artists think about what

1:01:18.760 --> 1:01:19.680
<v Speaker 3>could be possible.

1:01:19.920 --> 1:01:21.400
<v Speaker 2>Right Well, he gave me that.

1:01:21.560 --> 1:01:23.880
<v Speaker 1>I told him when I came back to the Pergola

1:01:24.280 --> 1:01:26.480
<v Speaker 1>after before I messed my leg up. I told him,

1:01:26.520 --> 1:01:28.520
<v Speaker 1>I said, bro, I got tons of music. I said,

1:01:28.560 --> 1:01:30.320
<v Speaker 1>I just don't know how to release it. I said,

1:01:30.320 --> 1:01:32.440
<v Speaker 1>because it was a different game. I said, show me

1:01:32.480 --> 1:01:34.200
<v Speaker 1>that you know how you're releasing the music. He's like,

1:01:34.240 --> 1:01:36.600
<v Speaker 1>I got you. And the cold thing about Larrussell is

1:01:36.920 --> 1:01:39.080
<v Speaker 1>people think that he just is in. He's just an

1:01:39.080 --> 1:01:42.720
<v Speaker 1>independent artist man, dude just booking his own shows.

1:01:42.920 --> 1:01:43.760
<v Speaker 2>It's all you feel me.

1:01:43.800 --> 1:01:49.640
<v Speaker 1>He's got his own infrastructure, like everything he does is all.

1:01:51.960 --> 1:01:53.240
<v Speaker 3>It's like, Yeah, if you want to come to a

1:01:53.320 --> 1:01:55.200
<v Speaker 3>Larussell show, you're going to buy the ticket through me,

1:01:55.280 --> 1:01:56.800
<v Speaker 3>and you're going to pay what you want and then

1:01:56.840 --> 1:01:58.400
<v Speaker 3>will approve your bid.

1:01:58.400 --> 1:02:01.200
<v Speaker 1>Exactly and which is at his merch there, and I mean,

1:02:01.360 --> 1:02:04.760
<v Speaker 1>what I really like about him is he's not selfish.

1:02:04.800 --> 1:02:04.960
<v Speaker 2>Bro.

1:02:05.240 --> 1:02:08.240
<v Speaker 1>Should you see the tiny desk? Yes, okay, so when

1:02:08.240 --> 1:02:10.800
<v Speaker 1>you see the tiny desk, you've seen the same cast

1:02:11.040 --> 1:02:17.480
<v Speaker 1>of him, t the musicians, the cameraman. I mean, yeah,

1:02:17.520 --> 1:02:20.120
<v Speaker 1>we all rolling, We all rolling. It ain't oh yes,

1:02:20.320 --> 1:02:23.000
<v Speaker 1>just me, y'all fall back. I got to go do tiny.

1:02:22.680 --> 1:02:23.880
<v Speaker 2>Desks, you know what I mean.

1:02:24.280 --> 1:02:28.560
<v Speaker 1>And and it's a certain amount of love inside of

1:02:28.600 --> 1:02:32.840
<v Speaker 1>his creativity that's making people realize like, oh, it's okay

1:02:32.880 --> 1:02:34.280
<v Speaker 1>to just be yourself.

1:02:34.800 --> 1:02:37.120
<v Speaker 3>And I like, you know, such a rough place, you know,

1:02:37.760 --> 1:02:41.520
<v Speaker 3>I like that. Uh, you know, he's he's also showing

1:02:41.600 --> 1:02:45.480
<v Speaker 3>like Hell is an amazing place. Go to Vallejos right

1:02:45.560 --> 1:02:47.840
<v Speaker 3>by the water, and yeah, you know it's it's a

1:02:47.880 --> 1:02:50.280
<v Speaker 3>it's a shaky place, right, but it's and so is

1:02:50.320 --> 1:02:53.560
<v Speaker 3>everywhere else. Is everywhere else exactly exactly for sure. Well, look, man,

1:02:53.600 --> 1:02:56.400
<v Speaker 3>I appreciate you pulling up. The album is called Richard.

1:02:56.160 --> 1:02:57.800
<v Speaker 2>Richard's out right now.

1:02:58.680 --> 1:03:00.800
<v Speaker 3>I'm glad you got the wrap, Battery back in your back,

1:03:00.920 --> 1:03:03.360
<v Speaker 3>Come home, brother, anything else coming?

1:03:03.760 --> 1:03:06.360
<v Speaker 1>H Yeah, I got a record. Me and Dj Fresh

1:03:06.480 --> 1:03:08.919
<v Speaker 1>just did a Tonight Show album. Okay, so that's gonna

1:03:08.920 --> 1:03:10.640
<v Speaker 1>be dope. It's supposed to be the first off of

1:03:10.680 --> 1:03:14.080
<v Speaker 1>his The Legends series that he's dropping. I got another

1:03:14.120 --> 1:03:16.920
<v Speaker 1>record following the Richard album. I haven't titled it yet,

1:03:17.160 --> 1:03:18.080
<v Speaker 1>but it's ready to go.

1:03:18.120 --> 1:03:18.520
<v Speaker 2>We shoot.

1:03:18.600 --> 1:03:20.720
<v Speaker 1>We're currently shooting videos for that. See, I'm ahead of

1:03:20.720 --> 1:03:23.120
<v Speaker 1>the game. Well, I'm ahead of the game, right. I

1:03:23.160 --> 1:03:26.560
<v Speaker 1>got three records. I got the Fresh, I got another

1:03:26.560 --> 1:03:29.320
<v Speaker 1>album behind that. See, for me, making songs is the

1:03:29.440 --> 1:03:33.200
<v Speaker 1>easy part, but it's just getting it out and now

1:03:33.240 --> 1:03:37.800
<v Speaker 1>that I've learned how to make some money off the music.

1:03:37.920 --> 1:03:40.000
<v Speaker 1>It ain't always the music that you're gonna get the

1:03:40.040 --> 1:03:43.960
<v Speaker 1>money off of. But if you package an album and

1:03:44.000 --> 1:03:47.160
<v Speaker 1>a vinyl and a hoodie, somebody will give you two hundred.

1:03:46.960 --> 1:03:47.680
<v Speaker 4>For that, for sure.

1:03:47.800 --> 1:03:48.280
<v Speaker 2>You feel me.

1:03:48.560 --> 1:03:51.840
<v Speaker 3>Yeah, It's almost like when you just think about streaming income,

1:03:52.120 --> 1:03:54.720
<v Speaker 3>it could be disheartening exactly because there's not a lot

1:03:54.760 --> 1:03:55.200
<v Speaker 3>of money there.

1:03:55.280 --> 1:03:55.560
<v Speaker 2>Right.

1:03:55.560 --> 1:03:58.240
<v Speaker 3>It's like, if you use the album and the music

1:03:58.280 --> 1:04:00.480
<v Speaker 3>as a vessel to monetize people who fuck.

1:04:00.320 --> 1:04:02.600
<v Speaker 2>With you, exactly, all you gotta do. You can get you.

1:04:02.600 --> 1:04:05.200
<v Speaker 1>You can get you a fan base of two hundred people,

1:04:05.320 --> 1:04:07.640
<v Speaker 1>and if they'll spend twenty to fifty dollars with you

1:04:07.680 --> 1:04:08.040
<v Speaker 1>a month.

1:04:08.440 --> 1:04:09.760
<v Speaker 2>You're chilling. You chilling.

1:04:09.920 --> 1:04:11.919
<v Speaker 1>You know you're chilling because a lot of people don't

1:04:11.920 --> 1:04:13.640
<v Speaker 1>know you can get on these majors and do all

1:04:13.640 --> 1:04:16.120
<v Speaker 1>these shows and go to these awards ceremonies and your

1:04:16.120 --> 1:04:17.640
<v Speaker 1>mouth be white and dry.

1:04:17.800 --> 1:04:18.479
<v Speaker 2>I mean, we all.

1:04:18.400 --> 1:04:21.960
<v Speaker 1>Heard the TLC stories. We've all heard the stories. It

1:04:21.960 --> 1:04:24.080
<v Speaker 1>ain't always how it looks, you know what I mean.

1:04:24.200 --> 1:04:27.520
<v Speaker 1>So it's cool that you can get direct to the consumer.

1:04:27.640 --> 1:04:29.600
<v Speaker 1>And what else is cool is that people are still

1:04:29.600 --> 1:04:31.480
<v Speaker 1>supporting the artists they really fuck with they do.

1:04:31.560 --> 1:04:34.280
<v Speaker 4>Man, well, I appreciate you. Go follow this guy with.

1:04:34.360 --> 1:04:38.000
<v Speaker 1>Rg www dot. I'm trying to get you straight to

1:04:38.040 --> 1:04:40.680
<v Speaker 1>the website. So my what do you call him? Is

1:04:40.720 --> 1:04:43.600
<v Speaker 1>at the real Richie Rich. That's my Instagram. All of

1:04:43.600 --> 1:04:46.200
<v Speaker 1>my socials are at the real Richie Rich. And thus

1:04:46.280 --> 1:04:49.560
<v Speaker 1>spelled t h A R E A l R I

1:04:49.640 --> 1:04:53.560
<v Speaker 1>C h I E r I c ed rich. You

1:04:53.600 --> 1:04:57.480
<v Speaker 1>can get merch. I got a website ww dot double worldwide.

1:04:57.480 --> 1:04:59.680
<v Speaker 2>Double is spelled like bubblegum d U B B L

1:04:59.680 --> 1:05:00.400
<v Speaker 2>E world Hi.

1:05:00.840 --> 1:05:03.400
<v Speaker 1>Get these hoodies, bro, I didn't know I was coming

1:05:03.400 --> 1:05:04.840
<v Speaker 1>to see bro, I gotta assume something.

1:05:04.880 --> 1:05:06.120
<v Speaker 2>Get tartets up, man.

1:05:06.760 --> 1:05:09.080
<v Speaker 4>Uh any plans for the All Star weekend.

1:05:08.800 --> 1:05:09.480
<v Speaker 2>You better know what.

1:05:09.720 --> 1:05:11.520
<v Speaker 1>Yeah, me and Russ got something cooking for the All

1:05:11.560 --> 1:05:16.400
<v Speaker 1>Star weekend. It's back on, bro. It seemed like people

1:05:16.480 --> 1:05:18.400
<v Speaker 1>ready for the rescue man, and I got a whole

1:05:18.440 --> 1:05:19.360
<v Speaker 1>bunch of game for him.

1:05:19.400 --> 1:05:21.200
<v Speaker 2>I love it so yeah, I had to make my rounds.

1:05:21.240 --> 1:05:21.720
<v Speaker 2>Come down here.

1:05:21.760 --> 1:05:24.520
<v Speaker 4>Appreciate you get pulling up there. It is Richie, rich

1:05:24.600 --> 1:05:24.919
<v Speaker 4>my guy.

1:05:25.000 --> 1:05:25.800
<v Speaker 2>Come on, let's get it.

1:05:25.840 --> 1:05:26.600
<v Speaker 4>Boom fire