WEBVTT - "Cher" Part 1

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<v Speaker 1>Slevety book Club.

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<v Speaker 2>Hey, baby, this is just a PSA. Today's huge episode.

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<v Speaker 2>It's about Share.

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<v Speaker 3>Baby, it's a big fat episode and her memoir is

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<v Speaker 3>a real heavy one. So guess what, baby, we're breaking

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<v Speaker 3>it up into two parts.

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<v Speaker 2>Look, preser it gets two episodes.

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<v Speaker 3>I sure as he'll do too, So please enjoy this.

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<v Speaker 3>But now that there is one more big fat episode

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<v Speaker 3>on Share to come next week.

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<v Speaker 2>Yeah, so settle in and buckle up. Slay book Club, Cherylyn.

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<v Speaker 3>If you walk out of that door, you're never coming back.

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<v Speaker 2>Mama. I love Sonny.

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<v Speaker 1>I don't care that man's not good for you. He's

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<v Speaker 1>much older and Sicilian. I don't trust him. He's not

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<v Speaker 1>as rich as you are.

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<v Speaker 2>Pretty Share Please, babe, we're Armenian. Who cares if he's Sicilian?

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<v Speaker 2>And he treats me right better than I don't know?

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<v Speaker 2>Husband won two, three, four, five, five again six, Babe.

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<v Speaker 1>Chroylynne, all those man I did for you, I found

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<v Speaker 1>husbands that would provide for us.

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<v Speaker 2>Mama, Babe, I just wanna sing. And Sonny's promised me

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<v Speaker 2>that he says he's gonna introduce me to Philip Spector. Mama,

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<v Speaker 2>where's my swede? Vest? You bought me at the sears.

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<v Speaker 1>Last month, Chrolyn, I wore that swayed vest to a

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<v Speaker 1>cocktail party with my other submin wives and they all said,

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<v Speaker 1>that's a vest for a mature lady, not a young girl.

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<v Speaker 1>You're just fourteen, little Chrilyn. You can't be going off

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<v Speaker 1>in living with a Sicilian man. And let me tell

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<v Speaker 1>you something about that phil Spector. He's never gonna give

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<v Speaker 1>you the time of day. No, no, no, you're not

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<v Speaker 1>the Ronettes.

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<v Speaker 3>Oh you're beautiful, You're beautiful, my cup.

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<v Speaker 2>But you can't sing, MoMA. I'm just trying to do

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<v Speaker 2>what you wanted to do, which was sing, babe, do

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<v Speaker 2>up if I could turn my chime. I'm sorry, Chlene.

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<v Speaker 3>I know I heard you.

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<v Speaker 2>Ollu Walner move in with Sonny, babe, and I'm gonna

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<v Speaker 2>make so much money singing with that Philip Specter. I'm

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<v Speaker 2>gonna buy you and dea house. I'm gonna come back here.

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<v Speaker 2>You mock my words, Mama, babe. I'm gonna come back

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<v Speaker 2>here with a big old check and a big old

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<v Speaker 2>red Cadillac, and I'm gonna have a paper bag of

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<v Speaker 2>money and I'm gonna jump it on the bed and

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<v Speaker 2>We're gonna live hard class.

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<v Speaker 3>But don't you say I didn't warn you when it

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<v Speaker 3>all falls to.

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<v Speaker 2>Mama.

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<v Speaker 3>No, you can go through the window. That's more dramatic.

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<v Speaker 2>I'm so thin, but it's not in style yet. I

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<v Speaker 2>can justly loose window.

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<v Speaker 3>Oh, get your skinny little lass out of here.

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<v Speaker 2>My ass is gonna fat when I come back. I'm

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<v Speaker 2>all this ciling and cooking.

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<v Speaker 3>Who's that knocking at the door. It's all your friends,

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<v Speaker 3>you filthy horse. Your husband's gone and you've got books

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<v Speaker 3>the bottle of wine to kill. It's Hollywood, it's books,

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<v Speaker 3>it's gossip. I'm sure it's memoirs Martini.

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<v Speaker 2>Celebrity puff Club to read it while it's hot.

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<v Speaker 3>Celebrity puff Club, I tell your secrets.

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<v Speaker 2>We won't talk celebrity books.

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<v Speaker 1>No, boys are a loud cleto say it loud and

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<v Speaker 1>pound celebty poop club.

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<v Speaker 2>Buzz me in. I brought the queer feel.

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<v Speaker 3>Hey, best friends, her best friend?

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<v Speaker 2>Hi, best friend. How you doing, babe?

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<v Speaker 3>How you doing baby?

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<v Speaker 2>It's a sunny day at CBS lot.

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<v Speaker 3>Happen, New Year, Babe.

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<v Speaker 2>Happen New Year Babe. We're recording live from Real Loss

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<v Speaker 2>from Vegas.

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<v Speaker 3>Where there's a heara underneath the tropic canna in the

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<v Speaker 3>launder room.

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<v Speaker 2>Okay, you guys, let's get straight freaking into it. Because

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<v Speaker 2>the book we read was.

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<v Speaker 3>Long, Mama, it was long just getting started.

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<v Speaker 2>Yeah, it's like we're gonna have to do like five

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<v Speaker 2>other epps about this book and the second part we

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<v Speaker 2>are talking about today. None, No, the the Mother, of

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<v Speaker 2>course we're talking about.

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<v Speaker 3>She's one of the ones, literally the ones.

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<v Speaker 2>There's only a few.

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<v Speaker 3>Yes, she's right up there with God and Madonna. Of course,

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<v Speaker 3>we're talking about Share and.

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<v Speaker 2>Her book, Share the Memoir Part one.

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<v Speaker 3>He it's a heavy book. You read this book and

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<v Speaker 3>you're just like, on page one hundred, she's still age four.

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<v Speaker 2>But yet she's already moved in with Sonny. And then

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<v Speaker 2>it's like your page let's say seventy five, and you're

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<v Speaker 2>reading it and you're like, are we still on her

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<v Speaker 2>great grandmother's childhood or her grandmother's child.

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<v Speaker 3>She's very not a single detail and it ends in

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<v Speaker 3>just like nineteen eighty and you're just like, oh, so

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<v Speaker 3>she hasn't even like done any of her big movies or.

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<v Speaker 2>Like, well, that's kind of actually, I would say the

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<v Speaker 2>point of this book.

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<v Speaker 3>Yeah, it is to say this was her first act.

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<v Speaker 2>This was her first act. This book is about her

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<v Speaker 2>great grandmother's childhood.

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<v Speaker 3>Yeah.

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<v Speaker 2>This book is about the South. It is about about

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<v Speaker 2>the West. It's about the wild West.

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<v Speaker 3>About America and mythology.

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<v Speaker 2>Okay, it's about moving to California with a goddamn dream

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<v Speaker 2>and the men who keep you from it. Yeah, but

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<v Speaker 2>also the men who bring you to California. Yeah, and

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<v Speaker 2>say you've got something about you, but then take it

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<v Speaker 2>off from you.

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<v Speaker 3>It's just like every week there's a man going you

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<v Speaker 3>got something, kid, for like the first fourteen years of

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<v Speaker 3>her life.

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<v Speaker 2>If I may just situate you kind of in the

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<v Speaker 2>past for a second, just so you know where you're

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<v Speaker 2>just like, what the hell are you talking about? With

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<v Speaker 2>like all of her great grandparents. You turn to a

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<v Speaker 2>page and you're like, oh, this is like a tree

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<v Speaker 2>book about the mines. Isaac blew up stumps for the

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<v Speaker 2>railroad for a living, and that day he lit too

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<v Speaker 2>close on the dynamite fuse. He was blown sky high

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<v Speaker 2>in the explosion. Widowed and penniless, Margaret struggled the feet

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<v Speaker 2>her family when she lost the small farm she could

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<v Speaker 2>only afford to keep the two youngest boys send the

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<v Speaker 2>rest to relatives. They didn't know Skinny, shine, tiny, and

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<v Speaker 2>you're like, wait, what.

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<v Speaker 3>You said that this book is They call a schoolers

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<v Speaker 3>sketch about the past, and it literally is like you

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<v Speaker 3>had another selection from the first fifty pages of the book.

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<v Speaker 3>While in Reno, there was a local beauty pageant. Linda

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<v Speaker 3>urged Mom to enter, even though neither thought she could

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<v Speaker 3>actually win. I'm being southern now. Mom was amazed when

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<v Speaker 3>she crowned the model Miss. She won a cash prize

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<v Speaker 3>and her picture was in the paper for days. In

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<v Speaker 3>one photograph, she was winking at someone in the audience,

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<v Speaker 3>and when I asked who that was, she said it

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<v Speaker 3>was my grandmother. My grandmother was even more excited when

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<v Speaker 3>she spotted Ernest prim millionaire, who was a regular in

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<v Speaker 3>the Gardena club in La where Linda was his favorite waitress.

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<v Speaker 3>Ernie was a middle aged bald in Texan with the

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<v Speaker 3>property and pilot included Rito's Pallet Club, Casino and the

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<v Speaker 3>Prima Donna Club. It was a match made in heaven,

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<v Speaker 3>my grandmother's greed and his money. Linda was eager to

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<v Speaker 3>introduce a single daughter to the man she called the

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<v Speaker 3>big bass.

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<v Speaker 2>Everyone is like a roven singer in like an old

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<v Speaker 2>saloon that's taken on a child, but then like a

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<v Speaker 2>dog goes missing, so they had to shoot their first son.

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<v Speaker 2>There's a photo in here of her grandparents, and her

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<v Speaker 2>grandfather looks like the scariest like hating of like an

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<v Speaker 2>old man. And then she reveals.

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<v Speaker 3>Fully from eighteen oh one. It's like he.

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<v Speaker 2>Has like the craziest beard, these actually very kind of

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<v Speaker 2>filson coated like oil tinned pants. And then it's like

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<v Speaker 2>revealed that he snapped a kitten's neck in half, and

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<v Speaker 2>they're like he was an angry man, but he was

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<v Speaker 2>blown up in the factory five. So he got his.

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<v Speaker 3>Because like the kitten was drinking milk, and they's.

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<v Speaker 2>The depression, yes, the depression.

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<v Speaker 1>They had no money for food, and that milk had

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<v Speaker 1>to last the whole family for a week. So when

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<v Speaker 1>that kitten started drinking the milk, well he snapped its

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<v Speaker 1>next clean off. Well I never forgave him for that.

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<v Speaker 1>I never did my grandmammy. But then he struck gold

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<v Speaker 1>but lost it all, you know.

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<v Speaker 2>So we were penniless again.

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<v Speaker 3>And you're just like share are you even born?

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<v Speaker 2>Which I also like really respect her for setting us

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<v Speaker 2>in a place in time and doing kind of like

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<v Speaker 2>a true epic memoir about this where she's just like, no, bitch,

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<v Speaker 2>I'm sure you need to learn about Grandpappy.

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<v Speaker 3>Yeah, it's the Barber streis End thing where it's like,

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<v Speaker 3>you don't tell share to edit her memoir. Now she

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<v Speaker 3>says Part one will be four hundred pages and it's

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<v Speaker 3>gonna stop in nineteen eighty.

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<v Speaker 2>You're like, absolutely, absolutely, But even until the end of

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<v Speaker 2>the book, when it's like so much has happened and

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<v Speaker 2>there's still so much to tell, she's being like, so,

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<v Speaker 2>I was in the Hollywood Hills with my friend Kate.

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<v Speaker 2>We were at a Jupanese restaurant and we were getting

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<v Speaker 2>an argument. I don't remember about what, but we were

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<v Speaker 2>drinking a lot of socket. And then the next morning

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<v Speaker 2>I said, I don't know, you could get a hangover

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<v Speaker 2>from so much socket. You're kind of like, huh, so, Nolan.

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<v Speaker 3>You're not gonna follow up with that one.

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<v Speaker 2>And it's all leading up to this, like you.

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<v Speaker 3>Know, the climax of the book. You get argument you

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<v Speaker 3>don't really remember.

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<v Speaker 2>And it sounds actually like the most like classic kind

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<v Speaker 2>of empty Japanese place was free soake. No.

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<v Speaker 3>I mean, we all know the two pm empty Japanese

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<v Speaker 3>restaurant VI.

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<v Speaker 2>But there's nothing better.

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<v Speaker 3>There's nothing better than getting in a fight with your

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<v Speaker 3>close friend and.

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<v Speaker 2>You're like, you know what, bitch, this free house Saki

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<v Speaker 2>is actually making me. Remember you said something seven months.

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<v Speaker 3>Or something about like when the bill is fifty two

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<v Speaker 3>five fifty two, it's just really and like make people

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<v Speaker 3>be honest.

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<v Speaker 2>Yeah, So basically this is part one and it only

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<v Speaker 2>goes till nineteen eighty, and you know we're in a

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<v Speaker 2>big part one place Wicked has now been out for

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<v Speaker 2>a month, yes, and two weeks, but like how a

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<v Speaker 2>lot of stuff is like part one, Part one. I'm

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<v Speaker 2>just like, but sure you deserve the part one because

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<v Speaker 2>I also like that. It's like Barber stars and put

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<v Speaker 2>out a nine hundred page book and it's like this

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<v Speaker 2>was so long, but it was still feasible.

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<v Speaker 3>Yeah, no it was. And there are parts where it

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<v Speaker 3>would really kind of get going and I would just

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<v Speaker 3>be like, oh, I'm interested. There were parts when I

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<v Speaker 3>was just like this feels daunting and I don't feel

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<v Speaker 3>like I've really cracked it yet. The first like twenty

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<v Speaker 3>five pages are funny because it's so casino, right, and

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<v Speaker 3>then the first one hundred pages are like I'm glad

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<v Speaker 3>I know this all about you childhood. But then I'm

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<v Speaker 3>also just like, okay, okay, you got a bike for

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<v Speaker 3>your sixth birthday?

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<v Speaker 2>Right, because also you see like it coming You're like,

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<v Speaker 2>we're at a hundred and we're a bike, Like when

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<v Speaker 2>are we getting to you? And Greg Allman? Then you

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<v Speaker 2>realize you're like, oh, we're not covering Moonstruck.

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<v Speaker 3>And there's something about it because like she's not really

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<v Speaker 3>that introspective, which I think sometimes I like in a

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<v Speaker 3>book to not be like so like she doesn't seem

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<v Speaker 3>so obsessed with herself. She we're just telling you what happened.

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<v Speaker 3>But there is I would say an excessive amount of plot.

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<v Speaker 2>Like it's really plot driven.

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<v Speaker 3>Yeah, in a way that's almost like this already feels

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<v Speaker 3>like it's nine seasons of a show about her.

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<v Speaker 2>Yeah, okay, Which is it's funny that you say this

0:11:33.720 --> 0:11:35.760
<v Speaker 2>book is so plot because okay, so I find like

0:11:35.920 --> 0:11:39.520
<v Speaker 2>a lot of her earlier music is extremely plot driven,

0:11:39.559 --> 0:11:41.480
<v Speaker 2>which also was the style of that time.

0:11:41.600 --> 0:11:44.200
<v Speaker 3>Has that thing where she says she doesn't like it, No,

0:11:44.480 --> 0:11:47.120
<v Speaker 3>what's weird about this book. She never talks about her

0:11:47.200 --> 0:11:50.120
<v Speaker 3>music at all. Yeah, like so then I was recording

0:11:50.120 --> 0:11:52.440
<v Speaker 3>my seventh album at this time. But then it's like

0:11:52.600 --> 0:11:55.720
<v Speaker 3>just a passing sentence and then it's back to like

0:11:56.040 --> 0:11:57.559
<v Speaker 3>tons of drama.

0:11:57.520 --> 0:12:03.679
<v Speaker 2>With her and the lot she's afraid of flying. I mean,

0:12:03.679 --> 0:12:06.000
<v Speaker 2>I would say the most she talks about music, let's

0:12:06.080 --> 0:12:08.920
<v Speaker 2>just kind of get into the music covered in this book.

0:12:09.040 --> 0:12:13.000
<v Speaker 3>Is she literally thinks gypsy tramps and thieves, Like it's

0:12:13.000 --> 0:12:14.960
<v Speaker 3>like your text, ohold story, and it's like, girl, this

0:12:15.000 --> 0:12:15.720
<v Speaker 3>book is story.

0:12:15.920 --> 0:12:17.920
<v Speaker 2>It's like gypsy tramps and thee is like the most

0:12:18.160 --> 0:12:22.360
<v Speaker 2>iconic song she's tramps and thieves.

0:12:22.440 --> 0:12:24.560
<v Speaker 3>But I kin think like is the reason that she

0:12:24.679 --> 0:12:26.679
<v Speaker 3>doesn't really express a lot of interest in row music

0:12:26.760 --> 0:12:29.120
<v Speaker 3>is because she's just kind of this old school singer

0:12:29.440 --> 0:12:31.720
<v Speaker 3>because she doesn't think of herself as an amazing singer.

0:12:31.760 --> 0:12:32.360
<v Speaker 3>She's just like the.

0:12:32.400 --> 0:12:35.880
<v Speaker 2>Things of herself as an enter Yeah.

0:12:35.920 --> 0:12:38.120
<v Speaker 3>And so it's like she shows up to the studio

0:12:38.240 --> 0:12:40.280
<v Speaker 3>their land on tracks, other people are writing the song.

0:12:40.360 --> 0:12:42.920
<v Speaker 3>She's kind of like, Okay, what are we singing today, honey,

0:12:43.040 --> 0:12:43.679
<v Speaker 3>and then she you.

0:12:43.600 --> 0:12:47.400
<v Speaker 2>Know, try this. Well. The beginning of her music career

0:12:47.480 --> 0:12:49.320
<v Speaker 2>though it's also has to do with the self esteem,

0:12:49.360 --> 0:12:52.120
<v Speaker 2>and I think basically like the insanity of working for

0:12:52.320 --> 0:12:55.880
<v Speaker 2>mister Philip Spect, who was a tyrant and a killer.

0:12:56.200 --> 0:12:58.520
<v Speaker 3>Yeah, who's also like my hair twin.

0:13:00.120 --> 0:13:01.880
<v Speaker 2>It is wig like heavier than yours.

0:13:02.400 --> 0:13:04.480
<v Speaker 3>So it's just like left uncamped like that is.

0:13:06.080 --> 0:13:10.560
<v Speaker 2>So childhood. It's blah blah blah. Her mom is married

0:13:10.600 --> 0:13:13.560
<v Speaker 2>like nine thousand times and it's so iconic, and everyone

0:13:13.600 --> 0:13:16.480
<v Speaker 2>is like a different sexier hairin annict to than the next.

0:13:16.760 --> 0:13:19.000
<v Speaker 3>And she's always kind of been like rolling her eyes

0:13:19.040 --> 0:13:22.280
<v Speaker 3>being there, oh, okay, mom, husband number four, and she's

0:13:22.320 --> 0:13:25.200
<v Speaker 3>like kind of implying that her mom is like an

0:13:25.280 --> 0:13:27.320
<v Speaker 3>absolute like sex and love addict.

0:13:27.640 --> 0:13:30.960
<v Speaker 2>Her mom needs to go to love addicts synonymous.

0:13:30.320 --> 0:13:33.000
<v Speaker 3>And then also saying like this is the time women

0:13:33.360 --> 0:13:36.040
<v Speaker 3>had to get married. That was their retreat money baby,

0:13:36.520 --> 0:13:39.480
<v Speaker 3>and she just always felt safer in a marriage, and

0:13:39.520 --> 0:13:41.400
<v Speaker 3>so that's what she was going to do over and

0:13:41.440 --> 0:13:43.839
<v Speaker 3>over again, even if it was to a man who

0:13:43.920 --> 0:13:46.000
<v Speaker 3>was penniless. But of course she preferred married men.

0:13:46.120 --> 0:13:49.880
<v Speaker 2>Who were rich. And she literally her mom literally marries

0:13:50.320 --> 0:13:52.480
<v Speaker 2>Harper Collins, the Harper Colin.

0:13:52.600 --> 0:13:54.440
<v Speaker 3>Oh that was crazy. His name was just like John

0:13:54.559 --> 0:13:55.559
<v Speaker 3>Harper Percollins.

0:13:55.920 --> 0:13:58.880
<v Speaker 2>But then the reason why they divorced is because he

0:13:59.000 --> 0:14:01.400
<v Speaker 2>was two into old juice, Babe.

0:14:01.400 --> 0:14:04.880
<v Speaker 3>I was insane, Like so my mama, No, she was

0:14:04.920 --> 0:14:07.920
<v Speaker 3>still a good Southern girl and she wouldn't want to

0:14:07.960 --> 0:14:08.720
<v Speaker 3>have a threesome.

0:14:09.000 --> 0:14:12.960
<v Speaker 2>And I'm gonna just yeah, let's find HarperCollins. Well you

0:14:13.000 --> 0:14:15.480
<v Speaker 2>finally let me give a little background. So her mom

0:14:15.559 --> 0:14:20.040
<v Speaker 2>also was brought to La by like her iconic Oklahoma daddy,

0:14:20.160 --> 0:14:22.920
<v Speaker 2>because her mom moved to La to become a star.

0:14:23.160 --> 0:14:26.920
<v Speaker 3>Yeah, and her mom was being like so Barbara Payton

0:14:27.040 --> 0:14:29.000
<v Speaker 3>in this way yeah, and also kind of like like

0:14:29.160 --> 0:14:31.840
<v Speaker 3>not so drug addict, but just going of like normal

0:14:31.880 --> 0:14:34.160
<v Speaker 3>alcoholic and then in a nineteen forties way, she.

0:14:34.120 --> 0:14:35.760
<v Speaker 2>Was Barbara Payne, but she was also I feel like

0:14:35.800 --> 0:14:37.920
<v Speaker 2>they were pushing her to be kind of this like

0:14:38.160 --> 0:14:43.320
<v Speaker 2>Shirley Temple like saloon girl. Like her grandfather would bring

0:14:43.320 --> 0:14:46.880
<v Speaker 2>her mom to doc saloons and she'd be six years

0:14:46.920 --> 0:14:50.160
<v Speaker 2>old being so Mason Ramsey singing. Everyone was being like,

0:14:50.240 --> 0:14:54.360
<v Speaker 2>give that girl a penny.

0:14:55.480 --> 0:14:58.000
<v Speaker 3>So then she marries I don't know if this is

0:14:58.000 --> 0:15:01.200
<v Speaker 3>HarperCollins or a different rich guy, but like they moved

0:15:01.200 --> 0:15:03.240
<v Speaker 3>to some huge house in LA and they have a walk.

0:15:03.440 --> 0:15:05.120
<v Speaker 2>That's I think the HarperCollins guy.

0:15:05.240 --> 0:15:07.440
<v Speaker 3>Thanks for him. I was sent to a fanci school

0:15:07.560 --> 0:15:10.840
<v Speaker 3>next Steak, and for one glorious summer, Lobster became my

0:15:10.960 --> 0:15:14.520
<v Speaker 3>favorite fool. Mom laughed a lot around him, who wore

0:15:14.560 --> 0:15:17.680
<v Speaker 3>the most expensive of everything, and his home was decorated

0:15:17.720 --> 0:15:21.400
<v Speaker 3>with impeccable taste. But Joe swung too far the other

0:15:21.480 --> 0:15:25.040
<v Speaker 3>way from my mother too, because beneath the panache, he

0:15:25.200 --> 0:15:27.400
<v Speaker 3>was a party animal who liked to drink and was

0:15:27.440 --> 0:15:29.960
<v Speaker 3>too wild in the bedroom. When he told her that

0:15:30.000 --> 0:15:34.200
<v Speaker 3>he wanted to be more experimental sexually and involve other women,

0:15:34.520 --> 0:15:37.920
<v Speaker 3>Oh that was something naive Jackie Jean from Arkansas simply

0:15:37.920 --> 0:15:41.880
<v Speaker 3>couldn't face. Shocked, she told him, you know, I love you, Joe,

0:15:42.080 --> 0:15:44.920
<v Speaker 3>but I can't do that. They tried for a long

0:15:44.960 --> 0:15:47.280
<v Speaker 3>time to work it out, as neither Joe or my

0:15:47.320 --> 0:15:49.760
<v Speaker 3>mother wanted to face the end of their marriage, but

0:15:49.920 --> 0:15:51.520
<v Speaker 3>the fantasy was over.

0:15:51.880 --> 0:15:55.920
<v Speaker 2>I'm so obsessed that HarperCollins guy was just being like, babe,

0:15:56.040 --> 0:15:58.680
<v Speaker 2>what about threesome tonight? And she's like, I can. I'm

0:15:58.680 --> 0:16:01.160
<v Speaker 2>a lady from Markanson is like, but I don't want

0:16:01.160 --> 0:16:03.480
<v Speaker 2>to divorce you and I love little sheer Lynne and

0:16:03.480 --> 0:16:07.280
<v Speaker 2>they're like, the threesome tonight is non negotiable.

0:16:08.960 --> 0:16:12.880
<v Speaker 3>She communicated about your conna about boundaries and.

0:16:12.920 --> 0:16:16.600
<v Speaker 2>Needs because you're not getting your needs. Matt, Yes, I

0:16:16.600 --> 0:16:18.800
<v Speaker 2>think it's kind of cool. He was being pretty honest,

0:16:19.040 --> 0:16:24.680
<v Speaker 2>more honest than Sonny Bono. Later on in their marriage.

0:16:24.720 --> 0:16:25.960
<v Speaker 3>Was actually cheating on her.

0:16:25.880 --> 0:16:37.040
<v Speaker 2>With waitresses, vegas employees, production girls, assistance drivers, cashiers, makeup artists.

0:16:37.280 --> 0:16:39.480
<v Speaker 3>He was running around on her in two times and

0:16:39.600 --> 0:16:40.080
<v Speaker 3>there she.

0:16:40.600 --> 0:16:45.800
<v Speaker 2>Was believe in him for every word. But so this

0:16:45.880 --> 0:16:47.640
<v Speaker 2>is so fat, so he gave her Oh no, this

0:16:47.760 --> 0:16:49.440
<v Speaker 2>was like a different husband. But there's a part where

0:16:49.440 --> 0:16:51.640
<v Speaker 2>it's like her husband is about to cut off her

0:16:51.640 --> 0:16:54.520
<v Speaker 2>credit cards. So she takes her daughters to like say,

0:16:54.600 --> 0:16:57.240
<v Speaker 2>his Realbucking Co and she tells them to go shop

0:16:57.240 --> 0:17:00.240
<v Speaker 2>and get everything they want. But like Shares being kind

0:17:00.240 --> 0:17:03.400
<v Speaker 2>of like quote unquote like a tomboy because according to Share,

0:17:04.119 --> 0:17:08.520
<v Speaker 2>I've always worn Favo ones, my grandma Wolfavo ones, my

0:17:08.680 --> 0:17:11.400
<v Speaker 2>mother Wolfavo ones. It's boyish.

0:17:11.440 --> 0:17:15.440
<v Speaker 3>She's skinny and let's just say it thin one.

0:17:15.520 --> 0:17:18.600
<v Speaker 2>She invented being thin. But she can enter the hall

0:17:18.640 --> 0:17:21.920
<v Speaker 2>of fame of her being kind of ugly and freaky

0:17:21.960 --> 0:17:25.639
<v Speaker 2>and not accepted for her looks, for being tall and thin. Yeah,

0:17:25.680 --> 0:17:29.239
<v Speaker 2>but I'll say this, her look truly wasn't accepted in

0:17:29.280 --> 0:17:30.200
<v Speaker 2>the past.

0:17:30.600 --> 0:17:33.199
<v Speaker 3>Yeah, she's kind of not lying, and she I like

0:17:33.280 --> 0:17:35.520
<v Speaker 3>that she situates a little more historically because at one

0:17:35.520 --> 0:17:38.080
<v Speaker 3>point she says, my look wasn't a thing yet, and

0:17:38.160 --> 0:17:39.960
<v Speaker 3>like she was coming out of like the pin up

0:17:40.000 --> 0:17:41.520
<v Speaker 3>era where it was all about.

0:17:41.440 --> 0:17:47.800
<v Speaker 2>A net food cello Betty painege Marilyn Monroe. It's like

0:17:48.040 --> 0:17:52.520
<v Speaker 2>big knockers and a push up bra, snatched waist, kind

0:17:52.520 --> 0:17:55.719
<v Speaker 2>of fluffy but kind of a little more like just

0:17:55.760 --> 0:17:56.720
<v Speaker 2>a rabbit stuff.

0:17:56.880 --> 0:17:59.400
<v Speaker 3>And like she was obviously like you know, I think

0:17:59.560 --> 0:18:02.359
<v Speaker 3>tweaky like made being thin more of a thing. But

0:18:02.480 --> 0:18:04.479
<v Speaker 3>like she was at the same time as Twiggy, and

0:18:04.520 --> 0:18:08.200
<v Speaker 3>she was kind of bringing up the American side of Thinness.

0:18:08.400 --> 0:18:11.320
<v Speaker 2>Well. But this basically someone says to her, which I

0:18:11.320 --> 0:18:13.520
<v Speaker 2>think is kind of what really kind of gets it

0:18:13.560 --> 0:18:15.520
<v Speaker 2>down to looks. He's like, you can be brunette and

0:18:15.560 --> 0:18:19.199
<v Speaker 2>blue eyes, you can be blonde with brown eyes. You

0:18:19.240 --> 0:18:21.679
<v Speaker 2>can't be a brunette with brown eyes.

0:18:21.760 --> 0:18:25.680
<v Speaker 3>You're too exousted yes, you're too Arminian, miss Cardassian.

0:18:25.800 --> 0:18:29.639
<v Speaker 2>I know literally like she invented calabasas she invented like

0:18:29.760 --> 0:18:32.920
<v Speaker 2>being Armenia in La. I mean she's also part choking.

0:18:32.920 --> 0:18:35.399
<v Speaker 3>Half Breed, as she says that the title of her

0:18:35.440 --> 0:18:37.000
<v Speaker 3>seven nineteen seventy two album.

0:18:36.960 --> 0:18:39.359
<v Speaker 2>Which can I just take a sidebar again?

0:18:39.440 --> 0:18:41.920
<v Speaker 3>This is her just not mention her music career at all.

0:18:41.960 --> 0:18:44.399
<v Speaker 2>The half Breed album and the Gypsy Trumps and Thieves

0:18:44.400 --> 0:18:48.520
<v Speaker 2>album are so insanely and fab and like seventies and

0:18:48.640 --> 0:18:51.639
<v Speaker 2>like the use of bells and like it is so

0:18:51.760 --> 0:18:54.640
<v Speaker 2>amazing and like literally like half Breed, like the sounds

0:18:54.640 --> 0:18:59.040
<v Speaker 2>of clumping and trolloping and cantering, like the audio design

0:18:59.119 --> 0:19:01.639
<v Speaker 2>is amazing and so much for early songs have this

0:19:01.800 --> 0:19:05.600
<v Speaker 2>like amazing kind of Phil Specter sound where you really hear.

0:19:05.560 --> 0:19:08.680
<v Speaker 3>The wall of the wall of sound, which he pioneered.

0:19:09.240 --> 0:19:11.960
<v Speaker 2>Yes, was he a horrible man? Yeah? Did he murder? Sure?

0:19:12.080 --> 0:19:15.720
<v Speaker 3>You know? I saw Ronnie Specter at City Winery when

0:19:15.720 --> 0:19:19.800
<v Speaker 3>I was an Yeah wait, fab and she like couldn't

0:19:19.880 --> 0:19:23.119
<v Speaker 3>sing her like the Ronette songs because of like a

0:19:23.200 --> 0:19:25.960
<v Speaker 3>licensing issue, like because he used toll like own the

0:19:26.000 --> 0:19:27.639
<v Speaker 3>rights even though he like murdered her or whatever.

0:19:29.480 --> 0:19:30.960
<v Speaker 2>Wait, that's so this book.

0:19:31.440 --> 0:19:33.359
<v Speaker 3>And like the whole show was her. It's kind of

0:19:33.359 --> 0:19:36.680
<v Speaker 3>like drunk and talking shit on stage and just yeah,

0:19:36.720 --> 0:19:38.840
<v Speaker 3>I mean I feel it was a nasty man.

0:19:39.320 --> 0:19:39.639
<v Speaker 2>Wow.

0:19:39.920 --> 0:19:41.800
<v Speaker 3>Yeah, it was iconic.

0:19:42.200 --> 0:19:44.440
<v Speaker 2>Literally iconic. And it's like I feel like he probably

0:19:44.520 --> 0:19:47.040
<v Speaker 2>was still alive when you saw her, because I think

0:19:47.040 --> 0:19:51.040
<v Speaker 2>he like died two years ago. Yeah, And basically what

0:19:51.119 --> 0:19:54.600
<v Speaker 2>he did is he invited a woman home to his

0:19:54.800 --> 0:20:00.600
<v Speaker 2>big mansion. As Chare calls it, spooky Boots. He quotes

0:20:01.000 --> 0:20:05.320
<v Speaker 2>of that spooky Boots and yeah, he shot it down.

0:20:05.480 --> 0:20:07.560
<v Speaker 3>Wait, you're talking about the Phil Spectra story.

0:20:07.760 --> 0:20:11.119
<v Speaker 2>Yes, yes, okay, that happened in like the eighties or

0:20:11.160 --> 0:20:14.960
<v Speaker 2>early nineties, and it was such a like aspiring B

0:20:15.240 --> 0:20:16.800
<v Speaker 2>list actress.

0:20:16.520 --> 0:20:19.919
<v Speaker 3>Because when she first like mentions him. So they're at

0:20:19.920 --> 0:20:23.840
<v Speaker 3>gold Star Studios, which is like Sonny Bono is working

0:20:23.920 --> 0:20:28.240
<v Speaker 3>there as like an assistant producer, like helping make all

0:20:28.320 --> 0:20:31.399
<v Speaker 3>these there's like a real factory or churning out like

0:20:31.480 --> 0:20:35.240
<v Speaker 3>these girl groups and the Rawnettes are recording there, and

0:20:35.920 --> 0:20:39.280
<v Speaker 3>she's like not totally trusting Sonny it. He wanted to

0:20:39.280 --> 0:20:41.000
<v Speaker 3>prove to me that he was working. So it took

0:20:41.040 --> 0:20:43.680
<v Speaker 3>me to meet Philip at his hotel off Sunset Boulevard,

0:20:43.880 --> 0:20:46.320
<v Speaker 3>and I didn't much like what I saw. He might

0:20:46.359 --> 0:20:48.760
<v Speaker 3>have been a demigogue to many, but he acted weird,

0:20:48.800 --> 0:20:51.280
<v Speaker 3>and I didn't like how he stared at me, looking

0:20:51.280 --> 0:20:53.119
<v Speaker 3>me up and down. He made a dumb ass common

0:20:53.200 --> 0:20:57.359
<v Speaker 3>in French in front of his friend Vulechevicmir He said,

0:20:57.440 --> 0:21:00.600
<v Speaker 3>smoking asking me to sleep with him without break, gonna sweat.

0:21:00.600 --> 0:21:06.800
<v Speaker 3>I gave him a look back and replied, wean, you

0:21:06.840 --> 0:21:12.680
<v Speaker 3>could have knocked them over with a feather's trademark.

0:21:13.920 --> 0:21:16.879
<v Speaker 2>Dead pant. I mean, she is a comedian, and you

0:21:16.960 --> 0:21:19.600
<v Speaker 2>really realized in this book. It's like it's kind of crazy,

0:21:19.640 --> 0:21:22.800
<v Speaker 2>how like the modern gay symbolism of share is so

0:21:23.560 --> 0:21:26.040
<v Speaker 2>like about believe and you know, if I can turn

0:21:26.080 --> 0:21:27.680
<v Speaker 2>back time and her thong.

0:21:27.560 --> 0:21:30.760
<v Speaker 3>Her nineties like gay era of her being like I'm

0:21:30.760 --> 0:21:32.160
<v Speaker 3>a full drag queen now.

0:21:32.359 --> 0:21:35.639
<v Speaker 2>Right when reality she started out much more as just

0:21:35.680 --> 0:21:39.440
<v Speaker 2>like this cool dead pangianine grab flow.

0:21:40.480 --> 0:21:44.280
<v Speaker 3>So insanely thin and glamorous like that there's no one like,

0:21:44.440 --> 0:21:46.720
<v Speaker 3>there's no one like her because like you know, you

0:21:46.760 --> 0:21:49.520
<v Speaker 3>had the gen versus, you had the Carol Burnetts.

0:21:49.800 --> 0:21:52.399
<v Speaker 2>Carol Burnet. She was as a caravan Amazon off.

0:21:52.320 --> 0:21:54.840
<v Speaker 3>Show and they like went on Carole Burnett' show and

0:21:54.840 --> 0:21:56.399
<v Speaker 3>like that's like kind of how they got their start,

0:21:56.480 --> 0:21:58.560
<v Speaker 3>and then they basically they filled in for.

0:21:58.480 --> 0:22:00.879
<v Speaker 2>Her, right they filled in for her, and then everyone

0:22:00.960 --> 0:22:03.760
<v Speaker 2>was like, wait, your guys, this dynamic is like so

0:22:04.160 --> 0:22:08.119
<v Speaker 2>cool and you're dead pan and like he's silly.

0:22:08.000 --> 0:22:09.920
<v Speaker 3>And it was like he was the silly straight man

0:22:10.000 --> 0:22:11.600
<v Speaker 3>to her being like dead pan, and.

0:22:11.680 --> 0:22:13.399
<v Speaker 2>They were kind of wause she was like, Sonny was

0:22:13.440 --> 0:22:15.760
<v Speaker 2>the straight man. But then it's also like she was

0:22:15.760 --> 0:22:18.879
<v Speaker 2>the straight man in this way because she's like so

0:22:19.040 --> 0:22:22.840
<v Speaker 2>dead pan sarcastic. So basically he would be kind of like, oh,

0:22:22.920 --> 0:22:26.240
<v Speaker 2>I'm the Doufest husband a little bit, and then she

0:22:26.280 --> 0:22:28.720
<v Speaker 2>would eye roll and like make a joke about his mother.

0:22:29.000 --> 0:22:32.080
<v Speaker 2>They were kind of modeled after my favorite couple of

0:22:32.119 --> 0:22:36.880
<v Speaker 2>the fifties, Louis Prima and Killy Smith, because Louis Prima

0:22:37.080 --> 0:22:40.719
<v Speaker 2>was like, you know, crazy and kookie and a singer,

0:22:40.760 --> 0:22:44.000
<v Speaker 2>and Keilly Smith's look is kind of a precursor to

0:22:44.119 --> 0:22:47.399
<v Speaker 2>Cher's look, Like it's these like dark brown eyes. She

0:22:47.480 --> 0:22:51.320
<v Speaker 2>had this insanely straightened bob and then she would just

0:22:51.440 --> 0:22:55.720
<v Speaker 2>eye roll to Louis Prima's silly jokes Louis Prima Voice

0:22:55.760 --> 0:22:57.320
<v Speaker 2>of Blue if You.

0:22:58.000 --> 0:23:00.560
<v Speaker 3>Because I feel like she references Lucy and Desi as

0:23:00.600 --> 0:23:04.000
<v Speaker 3>being the real also that Curt, but of course Lucy

0:23:04.119 --> 0:23:06.760
<v Speaker 3>wasn't doing glamour in the way that Share was because Share.

0:23:07.000 --> 0:23:09.160
<v Speaker 3>The obsession with shopping starts very early in this book,

0:23:09.200 --> 0:23:11.439
<v Speaker 3>and I love that through line. So she has this

0:23:11.480 --> 0:23:14.720
<v Speaker 3>part where she talks about how to shop with a

0:23:14.760 --> 0:23:16.560
<v Speaker 3>man and how it's easier. So she's with one of

0:23:16.560 --> 0:23:19.960
<v Speaker 3>her stepdads who's one of the rich ones, and this

0:23:20.040 --> 0:23:22.359
<v Speaker 3>is when they moved to New York City, and like

0:23:22.640 --> 0:23:24.520
<v Speaker 3>she is having to kind of go to all these

0:23:24.520 --> 0:23:27.080
<v Speaker 3>like cocktail parties in New York with the rich father

0:23:27.960 --> 0:23:30.359
<v Speaker 3>and she's kind of like thirteen but like sexy and

0:23:30.359 --> 0:23:33.280
<v Speaker 3>like basically the whole also like have this book is

0:23:33.280 --> 0:23:38.040
<v Speaker 3>about her being like this, like underage sexual object to

0:23:38.040 --> 0:23:41.160
<v Speaker 3>older men, and oh is lying about her age. Honey,

0:23:41.280 --> 0:23:42.959
<v Speaker 3>they didn't really want to know the truth, and I

0:23:43.000 --> 0:23:43.760
<v Speaker 3>didn't tell them.

0:23:43.920 --> 0:23:45.920
<v Speaker 2>And that's kind of the craziest part about this book

0:23:46.040 --> 0:23:49.360
<v Speaker 2>is you realize she moves in with Sonny at age.

0:23:49.680 --> 0:23:51.920
<v Speaker 3>She lies to him and tells him that she's seventeen,

0:23:52.640 --> 0:23:55.520
<v Speaker 3>but she's actually sixteen and he's twenty.

0:23:55.560 --> 0:23:58.679
<v Speaker 2>Twenty seven because she's like by the time she's eighteen,

0:23:58.720 --> 0:24:01.880
<v Speaker 2>they're celebrating his birthday.

0:24:01.560 --> 0:24:02.920
<v Speaker 3>With Warren Beatty when she's like.

0:24:03.119 --> 0:24:06.600
<v Speaker 2>Before that at fourteen, the fourteen and she goes over

0:24:06.680 --> 0:24:10.040
<v Speaker 2>and like swims at his house and obviously like, well,

0:24:10.080 --> 0:24:13.280
<v Speaker 2>she loses her virginity to like someone else, which was

0:24:13.320 --> 0:24:15.800
<v Speaker 2>like the big headline with this book that she like

0:24:15.880 --> 0:24:18.880
<v Speaker 2>quote unquote like loaned it out to like this guy

0:24:19.440 --> 0:24:19.960
<v Speaker 2>guy who.

0:24:19.960 --> 0:24:22.120
<v Speaker 3>Was being annoying and she thought that he was kind

0:24:22.119 --> 0:24:24.520
<v Speaker 3>of like acting too cool around his friends with her,

0:24:24.880 --> 0:24:28.200
<v Speaker 3>so she fucked him and then dropped him to.

0:24:28.160 --> 0:24:30.320
<v Speaker 2>Get back out of revenge sex.

0:24:30.480 --> 0:24:32.880
<v Speaker 3>Revenge sex, we've all done it, okay, But so when

0:24:32.880 --> 0:24:36.919
<v Speaker 3>she's living in New York, she is teaching you how

0:24:36.960 --> 0:24:38.560
<v Speaker 3>to go shot me with a man to make sure

0:24:38.560 --> 0:24:41.200
<v Speaker 3>we look presentable for the grown up soirees. Mama wanted

0:24:41.240 --> 0:24:43.120
<v Speaker 3>us to buy dress your clothes better suited to our

0:24:43.119 --> 0:24:46.200
<v Speaker 3>new lifestyle. She still tried to choose my outfits moment,

0:24:46.240 --> 0:24:48.760
<v Speaker 3>and I stubbornly wasn't having it, so I'd ask Gilbert

0:24:48.800 --> 0:24:52.040
<v Speaker 3>to take me shopping instead. With Gilbert I learned the

0:24:52.119 --> 0:24:55.000
<v Speaker 3>art of shopping with a man. I just made him

0:24:55.000 --> 0:24:58.159
<v Speaker 3>think everything was his idea. He take a seat, Let

0:24:58.240 --> 0:24:59.920
<v Speaker 3>me pick the things I liked, going in and out

0:24:59.920 --> 0:25:01.720
<v Speaker 3>of the dressing room and showing him one outfit after

0:25:01.720 --> 0:25:04.399
<v Speaker 3>the other. Gilbert would simply give his opinion, asking what

0:25:04.440 --> 0:25:08.000
<v Speaker 3>I preferred, and agreeing to my choices. He never questioned

0:25:08.000 --> 0:25:10.399
<v Speaker 3>the process of the styles I picked. It was a

0:25:10.480 --> 0:25:15.239
<v Speaker 3>wonderful feeling. This is genius. So basically the idea is

0:25:15.880 --> 0:25:18.120
<v Speaker 3>you go with the man and you let him take

0:25:18.240 --> 0:25:21.000
<v Speaker 3>part in the evaluation process. You give them a lot

0:25:21.040 --> 0:25:23.440
<v Speaker 3>of options and then they're choosing and the real circus

0:25:23.560 --> 0:25:24.920
<v Speaker 3>you like all the options.

0:25:25.240 --> 0:25:28.280
<v Speaker 2>Listen to this, Ladies, make a man think it's his idea,

0:25:28.880 --> 0:25:32.200
<v Speaker 2>then wrap him around your finger. Okay, you got.

0:25:32.160 --> 0:25:34.359
<v Speaker 3>Him hooked for life. I've done this with my father

0:25:34.400 --> 0:25:35.520
<v Speaker 3>and it does actually work.

0:25:35.600 --> 0:25:38.440
<v Speaker 2>What do you think we're friends? Baby, I've done this

0:25:38.520 --> 0:25:41.879
<v Speaker 2>with you many times. Cut to me at Dover Street

0:25:41.920 --> 0:25:45.000
<v Speaker 2>Market being like, what do you think is this shirt?

0:25:45.200 --> 0:25:45.440
<v Speaker 3>Oh?

0:25:45.560 --> 0:25:48.159
<v Speaker 2>My god, your strict your baby.

0:25:49.520 --> 0:25:49.760
<v Speaker 3>Again?

0:26:04.400 --> 0:26:08.120
<v Speaker 2>So her style also like I know the flares were

0:26:08.160 --> 0:26:11.399
<v Speaker 2>existing then, but like I feel like she and Sunny

0:26:11.440 --> 0:26:16.240
<v Speaker 2>they fully like invented kind of like the boh dream

0:26:16.440 --> 0:26:20.800
<v Speaker 2>Catcher flared style. So she sees these girls in La

0:26:20.960 --> 0:26:23.840
<v Speaker 2>walking down the street. One day, I was walking down

0:26:23.920 --> 0:26:26.240
<v Speaker 2>Sunset when I spoiled a beautiful blonde with her hair

0:26:26.280 --> 0:26:28.959
<v Speaker 2>and long braids wearing the most amazing bell bottom pants

0:26:29.320 --> 0:26:31.840
<v Speaker 2>that made me chase her down the street. I've never

0:26:31.880 --> 0:26:35.159
<v Speaker 2>seen bells at the bottom of pants that huge. She

0:26:35.280 --> 0:26:41.000
<v Speaker 2>told me they were called elephant bells. I was like, literally,

0:26:41.040 --> 0:26:43.840
<v Speaker 2>we need to bring that back. A line called elephant

0:26:43.880 --> 0:26:47.920
<v Speaker 2>bells and it's the biggest flares you've ever seen. Hers

0:26:48.000 --> 0:26:50.679
<v Speaker 2>had big flowers all over them and were laced with

0:26:50.880 --> 0:26:53.080
<v Speaker 2>raw hot. I asked to wear. She got them, and

0:26:53.160 --> 0:26:57.720
<v Speaker 2>she told me my fronmysm and juicing herself as Colleen.

0:26:58.200 --> 0:27:00.360
<v Speaker 2>She took me to her tannic cover hole the back

0:27:00.400 --> 0:27:02.719
<v Speaker 2>of a drug cleaner on Sunset was she and a

0:27:02.720 --> 0:27:06.040
<v Speaker 2>flame headed Irish girl named Bridget were creating pants and

0:27:06.240 --> 0:27:11.040
<v Speaker 2>every color. And then her and Sonny move Colleen and

0:27:11.080 --> 0:27:15.320
<v Speaker 2>Bridget into their house and like, Sonny buys a like

0:27:15.480 --> 0:27:19.520
<v Speaker 2>industrial sewing machine and they just share designs the clothes,

0:27:19.560 --> 0:27:22.359
<v Speaker 2>and then Bridget and Colleen are like sewing them, and

0:27:22.400 --> 0:27:25.520
<v Speaker 2>then they're having this like amazingly flare factory.

0:27:25.760 --> 0:27:28.199
<v Speaker 3>You just like find a girl in flares on the

0:27:28.240 --> 0:27:30.040
<v Speaker 3>street and then you're like, you're moving in with me,

0:27:30.119 --> 0:27:33.520
<v Speaker 3>and now you're part of my whole outfit factory. But

0:27:33.640 --> 0:27:36.199
<v Speaker 3>you know, it was essential because the wordship was essential

0:27:36.240 --> 0:27:37.200
<v Speaker 3>to their success.

0:27:37.480 --> 0:27:39.879
<v Speaker 2>And then they go to London and like go on

0:27:39.920 --> 0:27:42.439
<v Speaker 2>to shopping spree and like Carnaby Street, and then they

0:27:42.480 --> 0:27:43.320
<v Speaker 2>come back where.

0:27:43.200 --> 0:27:45.600
<v Speaker 3>Fashion was exploding in the sixties dollars.

0:27:45.359 --> 0:27:48.760
<v Speaker 2>Yeah, and they're being like, oh my god, London's crazy. Also,

0:27:49.119 --> 0:27:51.320
<v Speaker 2>throughout her entire London trip, she was like, it was

0:27:51.359 --> 0:27:54.040
<v Speaker 2>the most fun we ever had. The food was horrible

0:27:54.080 --> 0:27:54.879
<v Speaker 2>that I mentioned that.

0:27:55.200 --> 0:27:57.360
<v Speaker 3>I love that she keeps saying the food was bad,

0:27:57.520 --> 0:28:00.200
<v Speaker 3>But I'm also like, sure you don't eat what the

0:28:00.240 --> 0:28:00.960
<v Speaker 3>food was bad?

0:28:01.760 --> 0:28:04.000
<v Speaker 2>Yeah, I mean, I'm sure. She was again like such

0:28:04.040 --> 0:28:07.520
<v Speaker 2>a like big Carnabie Street table. There's like so many

0:28:07.600 --> 0:28:10.119
<v Speaker 2>drinks and like weird plates, and she's like taking a

0:28:10.119 --> 0:28:12.879
<v Speaker 2>sip of like beans, being so like this is probably

0:28:12.880 --> 0:28:14.240
<v Speaker 2>what my memote.

0:28:14.400 --> 0:28:16.280
<v Speaker 3>Yeah, it's all just like so much boiled meat.

0:28:16.760 --> 0:28:20.959
<v Speaker 2>And they come back after their trip to London and

0:28:21.000 --> 0:28:23.960
<v Speaker 2>realized they've gotten famous. But I mean, which is also

0:28:24.000 --> 0:28:27.000
<v Speaker 2>kind of fun. I'm like, yes, you invented flares and

0:28:27.119 --> 0:28:29.840
<v Speaker 2>like suede, but that was also like the style of

0:28:29.880 --> 0:28:30.200
<v Speaker 2>the time.

0:28:30.359 --> 0:28:33.040
<v Speaker 3>It was a perfect storm where there's a little bit

0:28:33.040 --> 0:28:36.600
<v Speaker 3>of mythologism where she's just like, I was so excited

0:28:36.680 --> 0:28:39.000
<v Speaker 3>by this style that people weren't ready for. But then

0:28:39.680 --> 0:28:42.760
<v Speaker 3>the British invasion and the Beatles and Carnabie Street got

0:28:42.800 --> 0:28:46.200
<v Speaker 3>people ready for these like more mad silhouettes of just

0:28:46.240 --> 0:28:49.720
<v Speaker 3>like the tighter pants and the flaring and the wilder colors.

0:28:50.400 --> 0:28:53.880
<v Speaker 3>But her like excitement about it was what drove her

0:28:53.920 --> 0:28:56.560
<v Speaker 3>to like create these outfits and like incorporate them into

0:28:56.600 --> 0:28:58.760
<v Speaker 3>their act, and like that was really you can't fake that.

0:28:58.760 --> 0:28:59.720
<v Speaker 3>She wasn't following Trench.

0:28:59.720 --> 0:29:02.160
<v Speaker 2>She was she was creating trends. And then the thing

0:29:02.160 --> 0:29:05.320
<v Speaker 2>that they did create is making the hairstyles where it

0:29:05.360 --> 0:29:08.320
<v Speaker 2>was like her hair was totally straightened, so she looked

0:29:08.400 --> 0:29:10.120
<v Speaker 2>like Cleopatra and.

0:29:10.000 --> 0:29:12.720
<v Speaker 3>He looked like Caesar. And so they started going by

0:29:12.840 --> 0:29:15.320
<v Speaker 3>Caesar and Cleo, which didn't really hit, and then they

0:29:15.360 --> 0:29:16.240
<v Speaker 3>went by Sonny and Shai.

0:29:16.440 --> 0:29:19.160
<v Speaker 2>It's crazy. I have a question for you. Do you

0:29:19.400 --> 0:29:21.000
<v Speaker 2>find Sonny at this time?

0:29:21.520 --> 0:29:25.239
<v Speaker 3>Yes, he's got the mustache she's got the mop top like,

0:29:25.520 --> 0:29:26.920
<v Speaker 3>I'm into it to me.

0:29:27.360 --> 0:29:33.240
<v Speaker 2>Without the mustache, Sonny is funky boots looking.

0:29:32.760 --> 0:29:36.160
<v Speaker 3>Yeah, but with the mustache like it really works to me.

0:29:36.400 --> 0:29:39.800
<v Speaker 2>It kind of goes to show kind of the control

0:29:40.000 --> 0:29:43.040
<v Speaker 2>a certain type of man can hold over a woman,

0:29:43.200 --> 0:29:47.120
<v Speaker 2>a controlling man, where I'm like, damn sure, this guy

0:29:47.160 --> 0:29:47.920
<v Speaker 2>ain't that hot.

0:29:48.120 --> 0:29:51.280
<v Speaker 3>He's totally hot. He's got a hairy chest. I mean,

0:29:51.480 --> 0:29:53.760
<v Speaker 3>the hair is insane, I will say.

0:29:53.880 --> 0:29:55.920
<v Speaker 2>I mean he's like kind of like Muppet us.

0:29:56.080 --> 0:29:57.200
<v Speaker 3>It's a little muppetty.

0:29:57.480 --> 0:30:00.560
<v Speaker 2>Yes, so kind of in this time, I'm you know,

0:30:00.680 --> 0:30:03.280
<v Speaker 2>they basically they record I Got You, Babe, and it

0:30:03.320 --> 0:30:05.320
<v Speaker 2>goes like freaking wild.

0:30:05.680 --> 0:30:08.200
<v Speaker 3>You know that She performed at my mother's high school,

0:30:08.400 --> 0:30:12.440
<v Speaker 3>at Louisville Girls High School in solo or with Sonny.

0:30:12.480 --> 0:30:15.320
<v Speaker 3>So this was like in sixties. This was during this

0:30:15.440 --> 0:30:18.960
<v Speaker 3>time when they were like gigging it up everywhere constantly.

0:30:19.080 --> 0:30:21.720
<v Speaker 2>And as someone says about Sonny, if you told him

0:30:21.720 --> 0:30:24.800
<v Speaker 2>there was a gig down the street, he'd speed right there.

0:30:25.040 --> 0:30:26.080
<v Speaker 3>No. It was like if you had to go to

0:30:26.120 --> 0:30:28.280
<v Speaker 3>a gig in San Francisco, he'd stop in San Berndino

0:30:28.320 --> 0:30:30.360
<v Speaker 3>on the way to do another gig, like he couldn't

0:30:30.360 --> 0:30:32.680
<v Speaker 3>get enough. He was working into the bone. And it

0:30:32.760 --> 0:30:35.520
<v Speaker 3>turns out why, well, they actually had two hundred and

0:30:35.600 --> 0:30:38.840
<v Speaker 3>seventy thousand dollars in back taxes that they are the irs.

0:30:38.920 --> 0:30:40.800
<v Speaker 2>So this is kind of a classic story, and like

0:30:40.920 --> 0:30:43.840
<v Speaker 2>everyone like, listen up, this is what happens. It's like,

0:30:43.880 --> 0:30:45.680
<v Speaker 2>you can have a hit single and do I Got

0:30:45.680 --> 0:30:50.320
<v Speaker 2>You babe, and you know, record your hit comedic nightly

0:30:50.480 --> 0:30:56.560
<v Speaker 2>program with hilarious skits. But if you don't pay those taxes, yeah,

0:30:56.600 --> 0:30:57.440
<v Speaker 2>you can get.

0:30:57.880 --> 0:31:01.800
<v Speaker 3>Creative types just get really afraid of paperwork and business stuff.

0:31:01.840 --> 0:31:05.040
<v Speaker 3>And I think that we have to remember to hire

0:31:05.120 --> 0:31:08.720
<v Speaker 3>those accountants. Wait. I love when they're first dating. They're

0:31:08.720 --> 0:31:10.880
<v Speaker 3>not actually dating. She's just like roommates.

0:31:11.040 --> 0:31:13.680
<v Speaker 2>He thinks basically like she's funny, and he's like if

0:31:13.680 --> 0:31:16.960
<v Speaker 2>you clean and cook, like you can just like live.

0:31:16.800 --> 0:31:19.000
<v Speaker 3>Here because he's like, I'm not attracted to you, and she's like, honey,

0:31:19.040 --> 0:31:22.480
<v Speaker 3>I'm not attracted to you. Like I'm sixteen, and they're

0:31:22.560 --> 0:31:25.520
<v Speaker 3>living at this random apartment in Hollywood and he has

0:31:25.560 --> 0:31:27.720
<v Speaker 3>like so many girlfriends and he's such a ladies man.

0:31:28.000 --> 0:31:29.440
<v Speaker 3>And one of the girls who came to the apartment

0:31:29.480 --> 0:31:31.320
<v Speaker 3>told me that she knew Sonny was cheating on her.

0:31:31.760 --> 0:31:33.680
<v Speaker 3>That's just how he is. I suppose the news didn't

0:31:33.680 --> 0:31:36.160
<v Speaker 3>supprime me well. Waiting for his divorce, Sonny started seeing

0:31:36.160 --> 0:31:38.160
<v Speaker 3>several women, including one who claimed she was pregnant with

0:31:38.200 --> 0:31:40.760
<v Speaker 3>his child, took us money for an abortion, along with

0:31:40.840 --> 0:31:42.760
<v Speaker 3>two other men to whom she made the same claim,

0:31:42.800 --> 0:31:46.000
<v Speaker 3>and flew to Hawaii together teeth fix instead. That chick

0:31:46.080 --> 0:31:48.280
<v Speaker 3>was so smart she got a suntan and a teeth

0:31:48.280 --> 0:31:50.720
<v Speaker 3>fixed all on their dime. I'm obsessed with tell you man,

0:31:50.760 --> 0:31:54.000
<v Speaker 3>you're pregnant, then going to Hawaiian getting dental work portion money.

0:31:54.200 --> 0:31:56.880
<v Speaker 2>A lot of this book is very like escaping to

0:31:56.960 --> 0:31:59.320
<v Speaker 2>Hawaii in like a way that I feel like we

0:31:59.400 --> 0:32:04.120
<v Speaker 2>can't anymore. No, although like later on she's with Greg

0:32:04.160 --> 0:32:06.840
<v Speaker 2>Allman of the Almond Brothers, who has had a horrible

0:32:06.880 --> 0:32:10.480
<v Speaker 2>heroin addiction, and they're like, let's just go to Hawaii

0:32:10.520 --> 0:32:14.080
<v Speaker 2>to beat this thing out, babe, And like they're in Hawaii,

0:32:14.080 --> 0:32:16.560
<v Speaker 2>but then they like can't even go to any restaurants

0:32:16.800 --> 0:32:19.480
<v Speaker 2>because like men are getting like so mad at Greg

0:32:19.560 --> 0:32:22.960
<v Speaker 2>Almon being like stopped taking like one of our women

0:32:23.160 --> 0:32:27.680
<v Speaker 2>because they like think shares Hawaiian and they're like, stop

0:32:27.760 --> 0:32:31.640
<v Speaker 2>dating our local beautiful Hawaiian women. And he's like, man,

0:32:31.800 --> 0:32:35.480
<v Speaker 2>he's nodding off, and she's like, so from then on

0:32:35.640 --> 0:32:38.000
<v Speaker 2>we just stuck to the beach. But I feel like

0:32:38.000 --> 0:32:39.880
<v Speaker 2>everyone's been like we had to hut out.

0:32:39.880 --> 0:32:41.480
<v Speaker 3>Wait, and you're saying, we can't do that go to

0:32:41.560 --> 0:32:42.360
<v Speaker 3>Hawaiian anymore.

0:32:42.560 --> 0:32:44.840
<v Speaker 2>I guess it's there's all these high rises and there's

0:32:44.880 --> 0:32:49.000
<v Speaker 2>paparazzi in Hawaii. Now, okay, Share, I'm sure you could

0:32:49.080 --> 0:32:51.880
<v Speaker 2>rent a huge villa and hide, but it's less of

0:32:51.920 --> 0:32:55.040
<v Speaker 2>a like let's rent a like tiny little cabin and

0:32:55.280 --> 0:32:58.000
<v Speaker 2>just like just hied away from it.

0:32:57.960 --> 0:33:00.080
<v Speaker 3>All right. I mean, it's like when Kristin CAVALII, it

0:33:00.200 --> 0:33:03.120
<v Speaker 3>was like sandals during the pandemic for like three months.

0:33:03.160 --> 0:33:05.160
<v Speaker 2>We got the photos fast of her with the.

0:33:05.120 --> 0:33:07.960
<v Speaker 3>Pigs, right, that's because she's posting them.

0:33:08.000 --> 0:33:10.840
<v Speaker 2>Also, I want to talk about her and Sonny's divorce.

0:33:10.920 --> 0:33:12.960
<v Speaker 3>Wait, but we actually didn't even talk about the vest thing,

0:33:12.960 --> 0:33:15.280
<v Speaker 3>and I just want to get that quickly. Let's in

0:33:15.360 --> 0:33:17.400
<v Speaker 3>terms of her fashion, there's this whole period in her

0:33:17.440 --> 0:33:20.920
<v Speaker 3>life where she's basically seen fashion on the street and

0:33:21.000 --> 0:33:24.320
<v Speaker 3>like running after it. One day, we were driving down

0:33:24.400 --> 0:33:27.520
<v Speaker 3>Los Cienaga Boulevard when I spotted an amazing bobcat for

0:33:27.680 --> 0:33:30.760
<v Speaker 3>vest blowing in the breeze outside a sandal store owned

0:33:30.760 --> 0:33:35.600
<v Speaker 3>by an Armenian leather worker named Andrew Macochian. Whoa, so,

0:33:36.360 --> 0:33:41.560
<v Speaker 3>I shrieked, stop back up? What he cried wondering was wrong?

0:33:41.720 --> 0:33:44.720
<v Speaker 3>Look at that? Oh Sunny, I just have to have it.

0:33:45.200 --> 0:33:47.200
<v Speaker 3>He parked the car, we ran in and I tried

0:33:47.240 --> 0:33:49.680
<v Speaker 3>on the vest. It was too big for me, so

0:33:49.720 --> 0:33:52.200
<v Speaker 3>I made Sunny trod on. He bought it a wore

0:33:52.280 --> 0:33:54.239
<v Speaker 3>for years until he made the mistake of loaning it

0:33:54.240 --> 0:33:57.600
<v Speaker 3>to Jerry Wexler for a costume party. The two already

0:33:57.640 --> 0:33:59.720
<v Speaker 3>had bad blood, and after the party, Jerry said it

0:33:59.760 --> 0:34:01.360
<v Speaker 3>was still that.

0:34:01.480 --> 0:34:04.840
<v Speaker 2>Bard is so in. Let's break it down first. One,

0:34:04.920 --> 0:34:06.640
<v Speaker 2>I set this audio to you when I was on

0:34:06.680 --> 0:34:09.040
<v Speaker 2>the plane and I was leaving LA and I was like, wait,

0:34:09.080 --> 0:34:11.319
<v Speaker 2>that is so me in a car like passing by

0:34:11.320 --> 0:34:13.440
<v Speaker 2>a store being like wait is that a bowling shirt?

0:34:13.520 --> 0:34:13.640
<v Speaker 3>Like?

0:34:14.000 --> 0:34:15.640
<v Speaker 2>Turn around right now?

0:34:15.880 --> 0:34:17.080
<v Speaker 3>Whoa?

0:34:17.440 --> 0:34:21.480
<v Speaker 2>Son? Let's all just say this. She got babe from

0:34:21.719 --> 0:34:26.040
<v Speaker 2>her her mother. Okay, so she started calling Sonny babe.

0:34:26.560 --> 0:34:30.680
<v Speaker 2>He started calling her babe. They started saying babe, which

0:34:30.800 --> 0:34:35.439
<v Speaker 2>created I think a California way of speaking. I think

0:34:35.560 --> 0:34:37.840
<v Speaker 2>they and like, yes, her mom was calling her babe.

0:34:37.880 --> 0:34:39.960
<v Speaker 2>I think in a little more like hey, babe, like

0:34:40.239 --> 0:34:45.720
<v Speaker 2>kind of Southern. I think she invented literally babe, babe, babe,

0:34:45.960 --> 0:34:56.759
<v Speaker 2>Kristen Kim, Kate Boe, Wurney, Luren Jessee Like, Yes, she

0:34:56.800 --> 0:35:00.480
<v Speaker 2>created flares, Yes, she created teas hair. Yes, she created

0:35:00.520 --> 0:35:03.240
<v Speaker 2>wearing like a song in a music video.

0:35:03.360 --> 0:35:07.759
<v Speaker 3>Yes, she literally invented being thin with straightened hair, with

0:35:07.800 --> 0:35:10.160
<v Speaker 3>straightened hair and like not having tits.

0:35:09.960 --> 0:35:13.719
<v Speaker 2>Also wearing like kind of wide like boyfriend jeans with

0:35:13.760 --> 0:35:17.880
<v Speaker 2>a little top. Yeah, little white jeans, little top for

0:35:17.960 --> 0:35:18.920
<v Speaker 2>the white like jeans.

0:35:20.719 --> 0:35:24.439
<v Speaker 3>But she also invented babe babe. What's funny because she's

0:35:24.560 --> 0:35:27.600
<v Speaker 3>not a valley girl. She doesn't have like a vocal fry.

0:35:27.800 --> 0:35:32.560
<v Speaker 2>No, I mean where Cher gets her amazing way of speaking?

0:35:33.040 --> 0:35:34.560
<v Speaker 3>Is it just Armenian ness?

0:35:35.239 --> 0:35:36.800
<v Speaker 2>Is it Kim's Armenian?

0:35:38.960 --> 0:35:41.960
<v Speaker 3>She certainly doesn't. It's funny. You know, She's part of

0:35:42.040 --> 0:35:45.760
<v Speaker 3>a long line of women with husky voices that become

0:35:45.840 --> 0:35:47.520
<v Speaker 3>like sex symbols, like Demi Moore.

0:35:47.960 --> 0:35:50.120
<v Speaker 2>I was thinking about Demi so much book because it's

0:35:50.160 --> 0:35:54.360
<v Speaker 2>like Demi really kind of has her look the long

0:35:54.600 --> 0:36:00.760
<v Speaker 2>straightened black hair, thin hot, like kind of like Col Rocker.

0:36:01.080 --> 0:36:04.440
<v Speaker 3>You know, there's something almost like proto feminist about it,

0:36:04.520 --> 0:36:06.640
<v Speaker 3>of like a woman with a deeper voice being a

0:36:06.680 --> 0:36:09.840
<v Speaker 3>sex symbol, because I do feel like today's sex symbol

0:36:09.840 --> 0:36:12.160
<v Speaker 3>women are so kim who like I talk like this.

0:36:13.400 --> 0:36:18.759
<v Speaker 2>Baby always well baby, this was happening on the sexual revolutions,

0:36:21.719 --> 0:36:24.000
<v Speaker 2>would stock baby.

0:36:23.440 --> 0:36:27.319
<v Speaker 3>Would she like wasn't participating because Shenao lot drugs, but.

0:36:27.560 --> 0:36:30.200
<v Speaker 2>She did love kind of back to the music, but

0:36:30.280 --> 0:36:32.640
<v Speaker 2>all like when they started and it was so girl group.

0:36:33.160 --> 0:36:38.520
<v Speaker 2>I think she really loved like Hendrix and Janis Joplin,

0:36:38.680 --> 0:36:42.000
<v Speaker 2>but like she didn't like drugs and like Sonny was

0:36:42.040 --> 0:36:45.600
<v Speaker 2>so kind of like Sicilian and just like cigar coded

0:36:45.800 --> 0:36:48.919
<v Speaker 2>and drinks that they stayed away from it. She saw

0:36:48.920 --> 0:36:51.120
<v Speaker 2>all her stepfathers be addicted to dope.

0:36:51.400 --> 0:36:54.040
<v Speaker 3>You know. So there's this actually quite interesting part where

0:36:54.320 --> 0:36:57.719
<v Speaker 3>later on she's like, we kind of miscalculated. So there's

0:36:57.719 --> 0:36:59.960
<v Speaker 3>basically kind of like two eras of Sonny and Share.

0:37:00.000 --> 0:37:03.279
<v Speaker 3>There's first them starting out as a music duo. That's

0:37:03.320 --> 0:37:04.839
<v Speaker 3>when I Got You Babe comes out. This is in

0:37:04.880 --> 0:37:09.000
<v Speaker 3>the sixties, and then there's all this political change happening,

0:37:09.160 --> 0:37:13.120
<v Speaker 3>and she's kind of like acknowledging that it's going down.

0:37:13.920 --> 0:37:18.040
<v Speaker 3>And obviously people are being super anti at the Vietnam War.

0:37:18.760 --> 0:37:21.480
<v Speaker 3>There's a lot of drug use, and there's this counterculture

0:37:21.480 --> 0:37:25.319
<v Speaker 3>revolution happening, and they're like, wait, we suddenly became like

0:37:25.800 --> 0:37:30.920
<v Speaker 3>more conservative. So she's talking about Alan Ginsburg Timothy Leary,

0:37:31.440 --> 0:37:34.800
<v Speaker 3>the Harvard psychologists who recommended these psychoedelic drugs for mind expansion.

0:37:35.239 --> 0:37:37.560
<v Speaker 3>He became famous for his turn on tune in drop

0:37:37.560 --> 0:37:39.879
<v Speaker 3>out message with I thought was dumb. I never took

0:37:39.960 --> 0:37:42.200
<v Speaker 3>drugs and the idea of taking acid didn't turn me on.

0:37:43.120 --> 0:37:45.960
<v Speaker 3>So while everyone else was tripping playing acid rock a

0:37:46.040 --> 0:37:48.960
<v Speaker 3>machin in the streets to protest the Vietnam War, Sonny

0:37:49.000 --> 0:37:51.080
<v Speaker 3>and I with a straight square couple who sang middle

0:37:51.080 --> 0:37:54.359
<v Speaker 3>of the road songs, didn't engage in drug culture. And

0:37:54.400 --> 0:37:57.239
<v Speaker 3>now in the era of free love, we became uncool

0:37:57.320 --> 0:37:58.280
<v Speaker 3>for being married.

0:37:58.719 --> 0:38:01.200
<v Speaker 2>Well, and they were like getting into this also very

0:38:01.239 --> 0:38:05.200
<v Speaker 2>like TV couple vibe. So she was like liking that

0:38:05.400 --> 0:38:08.400
<v Speaker 2>music and like didn't believe in the Vietnam War. But

0:38:08.440 --> 0:38:11.000
<v Speaker 2>she wasn't gonna be so like merching the streets. I

0:38:11.000 --> 0:38:14.160
<v Speaker 2>think also because Sonny was like, no, we need to

0:38:14.239 --> 0:38:18.800
<v Speaker 2>market ourselves as like a kooky, sexy couple on TV

0:38:19.520 --> 0:38:22.840
<v Speaker 2>that like everyone loves, yeah for like America.

0:38:22.880 --> 0:38:25.759
<v Speaker 3>I think he had like, yeah, a slightly more anachronistic

0:38:25.840 --> 0:38:31.320
<v Speaker 3>idea of like what would be a like popular Middle

0:38:31.360 --> 0:38:35.799
<v Speaker 3>America couple like product because their music was a little

0:38:35.840 --> 0:38:37.520
<v Speaker 3>bit more folk rock, and it was like, I mean,

0:38:37.560 --> 0:38:40.040
<v Speaker 3>I guess that's also what like Janice Joplin was doing,

0:38:40.200 --> 0:38:41.640
<v Speaker 3>but I just feel like it was a little bit

0:38:41.680 --> 0:38:45.600
<v Speaker 3>more like retro if you listen to hipp.

0:38:45.160 --> 0:38:48.040
<v Speaker 2>Yeah, like if you listen to her like sixties records,

0:38:48.280 --> 0:38:50.600
<v Speaker 2>they're a little more like girl group. And then her

0:38:50.719 --> 0:38:54.560
<v Speaker 2>number one single is actually kind of more famous by

0:38:54.640 --> 0:39:00.600
<v Speaker 2>Nancy Sinatra, which is Bang Bang my Barbis shot mood Down,

0:39:01.400 --> 0:39:05.600
<v Speaker 2>which it's actually a little sound Yeah, it's a little

0:39:05.640 --> 0:39:11.839
<v Speaker 2>more kill Bill new war Manson's Sunsets story very western,

0:39:12.000 --> 0:39:14.719
<v Speaker 2>like their vibe I think was a little bit more

0:39:14.760 --> 0:39:18.600
<v Speaker 2>about being like Hollywood and less like.

0:39:19.800 --> 0:39:24.319
<v Speaker 3>By gay scary, really scary.

0:39:25.120 --> 0:39:28.439
<v Speaker 2>But then they do this huge MLK concert and Chaer

0:39:28.600 --> 0:39:30.960
<v Speaker 2>was really like proud that they were like part of

0:39:31.000 --> 0:39:31.840
<v Speaker 2>this MLK.

0:39:32.480 --> 0:39:36.200
<v Speaker 3>She's consciously realizing they need to recalibrate because they're kind

0:39:36.200 --> 0:39:38.520
<v Speaker 3>of losing their edge at this moment when everyone's being

0:39:38.600 --> 0:39:41.239
<v Speaker 3>hippy dippy, and when she sees Jimmy Hendrix at that

0:39:41.360 --> 0:39:45.080
<v Speaker 3>like benefit for RFK, after he like dies and then

0:39:45.120 --> 0:39:46.480
<v Speaker 3>like he's like, you got.

0:39:46.280 --> 0:39:50.120
<v Speaker 2>Any stuff and she's like, what stuff, babe, And she's

0:39:50.239 --> 0:39:55.840
<v Speaker 2>like a slowly realized he was talking about drugs, okay.

0:39:56.239 --> 0:40:00.160
<v Speaker 2>And then there's this amazing scene when her and Sonny

0:40:00.200 --> 0:40:06.200
<v Speaker 2>go to Salvador Dolly's house. Oh, and she's like, we

0:40:06.239 --> 0:40:09.480
<v Speaker 2>walked in with a crew, and we realized we had

0:40:09.520 --> 0:40:13.600
<v Speaker 2>walked in just at the end of an orgy, and

0:40:13.680 --> 0:40:16.839
<v Speaker 2>she's kind of embarrassed that Sonny Bono and their other

0:40:16.920 --> 0:40:19.440
<v Speaker 2>friend are acting so like silly, Like I feel like

0:40:19.440 --> 0:40:21.680
<v Speaker 2>they're being kind of these guys that are like, oh,

0:40:21.760 --> 0:40:24.120
<v Speaker 2>we're just gonna like laugh to cover up that they're

0:40:24.120 --> 0:40:28.799
<v Speaker 2>feeling awkward about the orgy, and I feel like cher

0:40:29.000 --> 0:40:31.560
<v Speaker 2>was kind of a little more interested in like what

0:40:31.760 --> 0:40:34.200
<v Speaker 2>was going on. And then Salvador Dali, like who sounds

0:40:34.239 --> 0:40:38.799
<v Speaker 2>honestly so fucking annoying, invites them to this big dinner and.

0:40:38.760 --> 0:40:40.880
<v Speaker 3>Then leaves after five minutes and it's like we have

0:40:40.920 --> 0:40:43.279
<v Speaker 3>a previous engagement and goes to sit at.

0:40:43.200 --> 0:40:45.799
<v Speaker 2>A table like two tables over right, which is so

0:40:45.960 --> 0:40:47.200
<v Speaker 2>like surrealist of him.

0:40:47.600 --> 0:40:50.080
<v Speaker 3>Yeah, I mean I've talked about surrealism. I do think

0:40:50.080 --> 0:40:50.600
<v Speaker 3>it's annoying.

0:40:51.239 --> 0:40:52.680
<v Speaker 2>I mean, I feel like we have a full up

0:40:52.680 --> 0:40:56.040
<v Speaker 2>on Dolly and him being annoying, and it's like elephants

0:40:56.560 --> 0:40:57.520
<v Speaker 2>coming out of a head.

0:40:57.680 --> 0:41:01.319
<v Speaker 3>But she's also she's also being like, oh, I feel

0:41:01.320 --> 0:41:04.239
<v Speaker 3>like such a Squaresville because they're all being such like.

0:41:04.239 --> 0:41:05.600
<v Speaker 2>No, That's what I'm saying, Like, I feel like she

0:41:05.960 --> 0:41:08.759
<v Speaker 2>would have kind of rolled harder with Dolly, but felt

0:41:08.760 --> 0:41:10.920
<v Speaker 2>like she was with Bono and was like, oh, I

0:41:11.080 --> 0:41:12.920
<v Speaker 2>kind of have to like roll with my guys.

0:41:13.360 --> 0:41:16.240
<v Speaker 3>But at the same time, though, she literally doesn't like drugs,

0:41:16.280 --> 0:41:18.520
<v Speaker 3>and she is not a New York person, like she

0:41:18.680 --> 0:41:20.560
<v Speaker 3>is an LA person and she is being.

0:41:20.440 --> 0:41:21.640
<v Speaker 2>Like La sober.

0:41:21.960 --> 0:41:24.759
<v Speaker 3>She is like La sober, and so they're being so

0:41:24.960 --> 0:41:28.240
<v Speaker 3>like New York glitterroddy where drugs.

0:41:28.520 --> 0:41:31.400
<v Speaker 2>Drugs were rather permits. And ultimately she's a house not

0:41:32.520 --> 0:41:35.399
<v Speaker 2>so she's big house. And throughout this book, she's they're

0:41:35.440 --> 0:41:38.239
<v Speaker 2>buying so many different houses, and she's always wanting so

0:41:38.239 --> 0:41:41.239
<v Speaker 2>many different houses. She's always been like fun of Loo,

0:41:41.760 --> 0:41:43.640
<v Speaker 2>we had the house in the hills, but then she

0:41:43.760 --> 0:41:47.080
<v Speaker 2>was being like, oh, Sunny, I'll stay with you if

0:41:47.120 --> 0:41:49.360
<v Speaker 2>you like give me this house in Malanto.

0:41:49.520 --> 0:41:52.080
<v Speaker 3>Yeah, she keeps meeting bigger houses until they're having that

0:41:52.120 --> 0:41:54.360
<v Speaker 3>house with like separate masters that they're living in with

0:41:54.400 --> 0:41:56.000
<v Speaker 3>their fake marriage when they're.

0:41:55.840 --> 0:41:58.279
<v Speaker 2>But all the while, also why she's like kind of

0:41:58.320 --> 0:42:00.919
<v Speaker 2>afraid of being more counter called her too, is she's

0:42:00.960 --> 0:42:04.600
<v Speaker 2>like completely under his control and he slowly in the

0:42:04.680 --> 0:42:08.680
<v Speaker 2>relationship does not let her literally see movies alone.

0:42:08.800 --> 0:42:11.000
<v Speaker 3>All of Britney conservatorship, where like.

0:42:11.080 --> 0:42:14.440
<v Speaker 2>She can maybe go shopping with one friend, but he'll

0:42:14.480 --> 0:42:17.080
<v Speaker 2>like be very or Kelly and like be like you

0:42:17.200 --> 0:42:19.239
<v Speaker 2>have to be back in the thirty five in a

0:42:19.280 --> 0:42:19.960
<v Speaker 2>minute guy.

0:42:20.040 --> 0:42:22.879
<v Speaker 3>To follow her. And like when they're in Vegas and

0:42:22.920 --> 0:42:25.279
<v Speaker 3>like one of the band guys like sees her in

0:42:25.320 --> 0:42:28.160
<v Speaker 3>the casino alone, he's like so scared because he knows

0:42:28.200 --> 0:42:30.799
<v Speaker 3>he's gonna get in trouble. That share is like not

0:42:30.960 --> 0:42:33.160
<v Speaker 3>with Sonny and is like out of the dressing room.

0:42:33.239 --> 0:42:35.600
<v Speaker 2>And then this turning point comes where like she's like

0:42:35.880 --> 0:42:38.359
<v Speaker 2>wakes up and hears voices in one of their big

0:42:38.400 --> 0:42:43.680
<v Speaker 2>houses mm hmm and whispers, and she basically sees them

0:42:43.719 --> 0:42:46.759
<v Speaker 2>hooking up yeah with his assistant.

0:42:46.360 --> 0:42:49.239
<v Speaker 3>And like the check is then like leaving and she's

0:42:49.280 --> 0:42:50.719
<v Speaker 3>being like what the fuck.

0:42:50.680 --> 0:42:53.960
<v Speaker 2>And he's been like, oh, I'm so sorry. So then

0:42:53.960 --> 0:42:56.680
<v Speaker 2>she's like, okay, two can play this game. Cut to

0:42:56.719 --> 0:42:59.520
<v Speaker 2>them in Vegas. They also go this range of kind

0:42:59.560 --> 0:43:01.600
<v Speaker 2>of like in your Sinatra were at this point also

0:43:01.600 --> 0:43:03.680
<v Speaker 2>in the sixties, like you could kind of, I think,

0:43:03.960 --> 0:43:07.880
<v Speaker 2>go a few routes of like Hendricks or like Vegas

0:43:07.960 --> 0:43:11.800
<v Speaker 2>was starting, so it's like the Elvis and the Sinatras

0:43:11.840 --> 0:43:13.600
<v Speaker 2>and you could like get a Vegas show and be

0:43:13.600 --> 0:43:16.160
<v Speaker 2>a little more like fab and just like have a

0:43:16.200 --> 0:43:16.920
<v Speaker 2>steady check.

0:43:17.200 --> 0:43:19.640
<v Speaker 3>Yeah. But and this comes back to her like that's

0:43:19.680 --> 0:43:22.600
<v Speaker 3>where she think fits more naturally politically. She was like, yes,

0:43:22.680 --> 0:43:26.040
<v Speaker 3>I liked McGovern and not Nixon, and like my mom

0:43:26.120 --> 0:43:28.919
<v Speaker 3>was so Nixon with her yard sign. But like she's like, yes,

0:43:28.960 --> 0:43:31.960
<v Speaker 3>I supported RFK. I thought he was what we Bobby,

0:43:32.000 --> 0:43:35.239
<v Speaker 3>Like I thought we needed Bobby. But she's like ultimately

0:43:35.480 --> 0:43:37.440
<v Speaker 3>like I'm not being so.

0:43:37.440 --> 0:43:41.880
<v Speaker 2>Like she's not in the streets on the streets, sobbing

0:43:42.080 --> 0:43:46.560
<v Speaker 2>but she's not a preppy. Yeah, I mean, she's definitely

0:43:45.840 --> 0:43:49.120
<v Speaker 2>more of a hippie, and Sonny does support mc governance.

0:43:49.160 --> 0:43:51.160
<v Speaker 2>She goes to her mom's house when the mom does

0:43:51.160 --> 0:43:54.120
<v Speaker 2>put Nixon signs in the yard, and she's being a

0:43:54.160 --> 0:43:56.600
<v Speaker 2>little more like woke office girl that comes home from

0:43:56.600 --> 0:43:59.720
<v Speaker 2>Thanksgiving and takes the signs out of the yard.

0:44:00.280 --> 0:44:04.760
<v Speaker 3>She's absolutely we office girl and Thanksgiving.

0:44:05.360 --> 0:44:09.920
<v Speaker 2>Less fully protests every day getting arrested like in a beret.

0:44:10.160 --> 0:44:13.400
<v Speaker 3>But ultimately their Vegas act and their whole TV show,

0:44:13.680 --> 0:44:16.640
<v Speaker 3>which we'll get into on part two of part one

0:44:16.719 --> 0:44:21.560
<v Speaker 3>of Share, is like it is way more old school,

0:44:21.600 --> 0:44:24.440
<v Speaker 3>like borshed belt hilarious.

0:44:23.760 --> 0:44:27.359
<v Speaker 2>Like jokes about in law send marriages jokes, and.

0:44:27.320 --> 0:44:29.760
<v Speaker 3>Like she's ribbon him on his height and he's ribven

0:44:29.800 --> 0:44:31.480
<v Speaker 3>her for being so damn thin.

0:44:31.800 --> 0:44:34.799
<v Speaker 2>Also, age was totally different then, so like Sonny was

0:44:34.920 --> 0:44:37.320
<v Speaker 2>at this time like thirty three, and to be thirty

0:44:37.360 --> 0:44:40.440
<v Speaker 2>three in nineteen sixty five is basically like being fifty.

0:44:40.760 --> 0:44:43.879
<v Speaker 3>Yeah, age was so different then, because like the whole time,

0:44:43.920 --> 0:44:46.360
<v Speaker 3>she's still just like twenty two, which is like forty

0:44:46.400 --> 0:44:47.120
<v Speaker 3>for a woman.

0:44:47.200 --> 0:44:50.080
<v Speaker 2>Right, and she's already like left Philip Specter, she's like

0:44:50.280 --> 0:44:51.839
<v Speaker 2>I Got You Babe has come out.

0:44:52.320 --> 0:44:55.000
<v Speaker 3>Yeah. And also when people were in their thirties, they

0:44:55.000 --> 0:44:57.080
<v Speaker 3>looked one hundred because nobody drank water bag.

0:44:57.280 --> 0:44:59.680
<v Speaker 2>So they are being a little more like Vegas, less

0:44:59.760 --> 0:45:03.600
<v Speaker 2>like protest. Yeah, though of course classic all sixties like

0:45:03.640 --> 0:45:07.200
<v Speaker 2>they are absolutely like sobbing when JFK dies in a

0:45:07.239 --> 0:45:08.040
<v Speaker 2>way that just.

0:45:08.000 --> 0:45:11.320
<v Speaker 3>Like all were, we all were, you know, the world

0:45:11.320 --> 0:45:14.719
<v Speaker 3>as we knew it changed. I remember when the nuns

0:45:14.840 --> 0:45:17.120
<v Speaker 3>wheeled in the television.

0:45:16.960 --> 0:45:20.480
<v Speaker 2>Every Bird's and we got under our desks and I

0:45:20.560 --> 0:45:23.600
<v Speaker 2>came home early that day and Daddy lit up his

0:45:23.760 --> 0:45:27.080
<v Speaker 2>cigar and he says, I'm going to bed early. I've

0:45:27.120 --> 0:45:33.000
<v Speaker 2>never seen Daddy go to bed early. Tunny's controlling, basically, guys,

0:45:33.160 --> 0:45:33.680
<v Speaker 2>is the tea?

0:45:33.840 --> 0:45:35.600
<v Speaker 3>Yeah the tea? Is he super controlling.

0:45:35.760 --> 0:45:38.279
<v Speaker 2>Let's just say the beginning of their divorce starts in

0:45:38.400 --> 0:45:41.320
<v Speaker 2>Vegas when she sleeps with one of their band members.

0:45:41.440 --> 0:45:42.920
<v Speaker 3>Well, but she doesn't actually sleep with him.

0:45:42.960 --> 0:45:45.120
<v Speaker 2>Then well, she kisses him and then they sleep together.

0:45:45.280 --> 0:45:47.799
<v Speaker 3>No, but not until after they leave Vegas, remember.

0:45:47.560 --> 0:45:49.160
<v Speaker 2>Oh, and then they have the conversation She's like, I

0:45:49.160 --> 0:45:50.839
<v Speaker 2>want to sleep a bill and I want a house

0:45:50.880 --> 0:45:51.480
<v Speaker 2>in Malibu.

0:45:51.680 --> 0:45:53.200
<v Speaker 3>Yeah, and then He's like, how long do you need

0:45:53.280 --> 0:45:55.560
<v Speaker 3>and she goes two hours and then she goes, but

0:45:55.600 --> 0:45:57.759
<v Speaker 3>she actually just talks to Bill and cries about how

0:45:57.840 --> 0:45:59.680
<v Speaker 3>sad her marriage is and how controlling he is and

0:45:59.719 --> 0:46:02.200
<v Speaker 3>how hard. Yeah, but then she does sleep with Bill

0:46:02.239 --> 0:46:03.560
<v Speaker 3>in Malibu two weeks later.

0:46:03.640 --> 0:46:06.400
<v Speaker 2>What's really sad is when they do kiss in Vegas.

0:46:06.719 --> 0:46:09.680
<v Speaker 2>She's like, that's what I imagine as a teen kissing

0:46:09.760 --> 0:46:13.160
<v Speaker 2>to be like Sonny didn't kiss, which is so sixties.

0:46:13.239 --> 0:46:16.640
<v Speaker 3>That revelation's crazy that Sonny didn't like kissing.

0:46:16.520 --> 0:46:18.759
<v Speaker 2>And she like had it, have like a kiss for

0:46:18.880 --> 0:46:22.520
<v Speaker 2>years and she just like made out for the first time.

0:46:22.719 --> 0:46:25.200
<v Speaker 3>That's so crazy. It's cool that she's still young then,

0:46:25.239 --> 0:46:25.680
<v Speaker 3>so it's like.

0:46:25.760 --> 0:46:27.719
<v Speaker 2>It doesn't it's not too sad. She's like twenty three

0:46:27.920 --> 0:46:41.480
<v Speaker 2>Actually fuck turn mac segments.

0:46:41.920 --> 0:46:46.200
<v Speaker 3>How does she live? What does she eat? Not mad?

0:46:46.600 --> 0:46:50.279
<v Speaker 3>Not much, honey, because she's so busy like being a diva.

0:46:50.320 --> 0:46:51.879
<v Speaker 3>But what does modern chare eat?

0:46:53.080 --> 0:46:56.040
<v Speaker 2>No, I think we should share for this book share

0:46:56.880 --> 0:46:59.320
<v Speaker 2>and then next episode will two part.

0:47:00.600 --> 0:47:03.360
<v Speaker 3>So this is what a share eat in the sixties.

0:47:05.160 --> 0:47:07.680
<v Speaker 2>And throughout this book which goes to nineteen eighties. So

0:47:08.320 --> 0:47:11.440
<v Speaker 2>here's what I'm saying, I think it's sixties share eats

0:47:11.520 --> 0:47:15.560
<v Speaker 2>like Spagodian meatball's midbust Sonny, and it's so like little

0:47:15.600 --> 0:47:17.880
<v Speaker 2>apartment one pot.

0:47:17.560 --> 0:47:20.200
<v Speaker 3>Portion sizes were so much smaller than.

0:47:20.320 --> 0:47:22.560
<v Speaker 2>Yeah, I think he's making kind of like a cartoon

0:47:22.719 --> 0:47:25.319
<v Speaker 2>Lady in the Tramp spaginning meatballs for them.

0:47:25.760 --> 0:47:28.759
<v Speaker 3>Do you think that he's making like three really big meatballs.

0:47:28.880 --> 0:47:32.239
<v Speaker 2>Yes, okay, for some reason, the money is sicilian. I

0:47:32.280 --> 0:47:35.839
<v Speaker 2>kind of think he's being a little prego sauce and

0:47:35.960 --> 0:47:38.640
<v Speaker 2>actually like not being so like his home.

0:47:39.200 --> 0:47:41.120
<v Speaker 3>Sure him like chopping onions.

0:47:41.320 --> 0:47:44.560
<v Speaker 2>I think he's chopping onions to a bottled sauce. What

0:47:45.200 --> 0:47:46.000
<v Speaker 2>people do it?

0:47:46.160 --> 0:47:49.759
<v Speaker 3>I mean, okay, the sixties was so like canned everything. Yes,

0:47:49.880 --> 0:47:52.480
<v Speaker 3>Like my mom was like I never said until she

0:47:52.560 --> 0:47:53.760
<v Speaker 3>was like forty, and they're.

0:47:53.560 --> 0:47:56.040
<v Speaker 2>Being so like we were struggling out as honey, like

0:47:56.080 --> 0:47:57.920
<v Speaker 2>we ate dinner on a cardboard.

0:47:57.520 --> 0:48:01.839
<v Speaker 3>Box and he's making prey go and she can't even

0:48:01.920 --> 0:48:04.239
<v Speaker 3>conceive like how to even do prego. She's like somehow

0:48:04.280 --> 0:48:05.000
<v Speaker 3>burning the prey go.

0:48:05.239 --> 0:48:07.440
<v Speaker 2>And then they would go to another Italian restaurant if

0:48:07.480 --> 0:48:09.239
<v Speaker 2>they ever went out, because he would never let them

0:48:09.280 --> 0:48:11.799
<v Speaker 2>like eat out because he was so like scary and

0:48:11.840 --> 0:48:14.160
<v Speaker 2>controlling and was like no man can see he was

0:48:14.239 --> 0:48:17.360
<v Speaker 2>so controlled. And then it would be like garlic bread,

0:48:17.600 --> 0:48:22.600
<v Speaker 2>wine pasta doll of fifty and it.

0:48:22.560 --> 0:48:24.399
<v Speaker 3>Was like a dollar seventy five with a glass of wine.

0:48:25.120 --> 0:48:26.959
<v Speaker 2>I feel like by the end of the book, she's

0:48:27.000 --> 0:48:28.960
<v Speaker 2>doing like sushi and Laurel Canyon.

0:48:30.040 --> 0:48:32.719
<v Speaker 3>Yeah, but so she hadn't been invented yet in the sixties.

0:48:33.360 --> 0:48:37.680
<v Speaker 3>She's doing obviously outfits. She's wearing flairs, she's wearing bests,

0:48:37.719 --> 0:48:41.400
<v Speaker 3>she's wearing Bob Mackie. Yeah, it's a lifelong relationship with

0:48:41.400 --> 0:48:42.279
<v Speaker 3>Bob Mackie.

0:48:42.120 --> 0:48:46.520
<v Speaker 2>And its sequins. It's like also all about flares that

0:48:46.600 --> 0:48:51.000
<v Speaker 2>she is having her girlfriends cut in like different sweded

0:48:51.760 --> 0:48:55.680
<v Speaker 2>liners in so it's like oil tin swede patches as

0:48:55.760 --> 0:48:58.880
<v Speaker 2>like a raver would do with like fleece and wide legs,

0:48:59.280 --> 0:49:01.360
<v Speaker 2>do you know what I mean? Like they're cutting up flaars,

0:49:01.520 --> 0:49:03.400
<v Speaker 2>adding extra frating.

0:49:02.960 --> 0:49:05.880
<v Speaker 3>A panel of fabric to make the flair like complete.

0:49:06.200 --> 0:49:09.880
<v Speaker 2>Yeah. And whether it's beat the Bell, Paisley, your stripes,

0:49:10.280 --> 0:49:14.040
<v Speaker 2>or you know, fur, definitely. She makes a big point

0:49:14.040 --> 0:49:16.640
<v Speaker 2>about how like in the sixties she was swayed in

0:49:16.760 --> 0:49:19.600
<v Speaker 2>fur and how like now she's really anti fur because

0:49:19.600 --> 0:49:21.040
<v Speaker 2>she gets so Lupita baby.

0:49:21.280 --> 0:49:25.920
<v Speaker 3>Yeah, that reminds me her writing smile obviously if you've

0:49:25.920 --> 0:49:27.719
<v Speaker 3>seen her Twitter, and she reveals in this book she's

0:49:27.719 --> 0:49:29.920
<v Speaker 3>like dyslexic and has learning disability and had a lot

0:49:29.960 --> 0:49:31.680
<v Speaker 3>of trouble reading as a child, and it was actually

0:49:31.719 --> 0:49:35.359
<v Speaker 3>Sunny who first like gave her the confidence to like

0:49:35.719 --> 0:49:38.799
<v Speaker 3>fully read a book for pleasure, which she still does

0:49:38.840 --> 0:49:39.920
<v Speaker 3>and loves to this day.

0:49:40.120 --> 0:49:42.080
<v Speaker 2>There's a picture in this book of her reading a

0:49:42.080 --> 0:49:43.080
<v Speaker 2>book in bed with Sunny.

0:49:43.120 --> 0:49:44.400
<v Speaker 3>But for a long time she was like bad at

0:49:44.400 --> 0:49:47.320
<v Speaker 3>school and like teachers told her that she wasn't applying herself.

0:49:47.560 --> 0:49:50.239
<v Speaker 3>But it makes me curious because she wrote this, she

0:49:50.280 --> 0:49:53.640
<v Speaker 3>wrote this question mark because like, obviously this book is

0:49:53.680 --> 0:49:57.080
<v Speaker 3>not the style of like how she writes. If you've

0:49:57.080 --> 0:49:59.520
<v Speaker 3>seen her Twitter, which is like so kookie and so

0:49:59.600 --> 0:50:02.520
<v Speaker 3>stream up consciousness, I'm like much more like just like

0:50:02.760 --> 0:50:06.520
<v Speaker 3>kind of raw poetry. Yeah, I mean, are we thinking

0:50:06.520 --> 0:50:09.560
<v Speaker 3>it's the classic thing where she had like many zoom

0:50:09.600 --> 0:50:13.279
<v Speaker 3>calls with the ghostwriter and they basically like wrote it.

0:50:13.640 --> 0:50:17.160
<v Speaker 2>Well. She reveals that her favorite movie is, of course

0:50:17.200 --> 0:50:20.160
<v Speaker 2>my favorite movie Auntie Mame, and she's seen it a

0:50:20.160 --> 0:50:23.240
<v Speaker 2>million times. And the way Auntie Mame writes her book

0:50:23.480 --> 0:50:26.680
<v Speaker 2>In Auntie Mame is she walks around the room as

0:50:26.719 --> 0:50:29.879
<v Speaker 2>a nerdy typist, just types a mile a minute, and

0:50:29.920 --> 0:50:33.320
<v Speaker 2>she is being so share, being like, darling, my puberty

0:50:33.360 --> 0:50:36.160
<v Speaker 2>was bleak in Buffalo, and then like the nerdy woman

0:50:36.239 --> 0:50:40.320
<v Speaker 2>is being like, wow, you really lived. Yeah, Agnes is

0:50:40.360 --> 0:50:43.000
<v Speaker 2>the character, so I think she it was tons of

0:50:43.040 --> 0:50:45.160
<v Speaker 2>zoom calls and then I think someone was coming over

0:50:45.200 --> 0:50:48.920
<v Speaker 2>and shares walking around, She's been like full dictation. Baby,

0:50:49.880 --> 0:50:52.520
<v Speaker 2>I was so mad at Sonny in the spring of

0:50:52.600 --> 0:50:54.840
<v Speaker 2>nineteen sixty one I could hardly eat.

0:50:55.200 --> 0:50:57.759
<v Speaker 3>That does make sense why the sort of structure of

0:50:57.800 --> 0:51:01.439
<v Speaker 3>the book is so like just deep till logical, where

0:51:01.440 --> 0:51:04.120
<v Speaker 3>it's just like time, because you can imagine the team

0:51:04.239 --> 0:51:08.640
<v Speaker 3>being like, okay, share now nineteen sixty one, this song

0:51:08.680 --> 0:51:10.319
<v Speaker 3>came out like you did this, and they're giving her

0:51:10.320 --> 0:51:12.279
<v Speaker 3>some of the time poles. She's like, oh, right, right, well,

0:51:12.360 --> 0:51:14.400
<v Speaker 3>let me tell you this story, right.

0:51:14.280 --> 0:51:16.719
<v Speaker 2>And they're being like, so in nineteen seventy one, you

0:51:16.800 --> 0:51:19.680
<v Speaker 2>and Greg all men like were on and off, and

0:51:19.719 --> 0:51:23.480
<v Speaker 2>she's like, oh, baby, we visited his mama in Macon.

0:51:23.600 --> 0:51:25.719
<v Speaker 2>There were these two women. I think her name was

0:51:25.880 --> 0:51:31.000
<v Speaker 2>Diana t Well. She had a barbecue stand. She's one

0:51:31.000 --> 0:51:33.400
<v Speaker 2>of those people that I think of travel and the

0:51:33.440 --> 0:51:36.640
<v Speaker 2>food is important. She will try the barbecue. I don't

0:51:36.640 --> 0:51:40.040
<v Speaker 2>think she's ordering barbecue at home. But like if she

0:51:40.160 --> 0:51:42.239
<v Speaker 2>goes to the South and someone makes her like an

0:51:42.280 --> 0:51:45.080
<v Speaker 2>amazing blade of like chicken and beans and corn bread,

0:51:45.200 --> 0:51:45.839
<v Speaker 2>she's eating it.

0:51:45.960 --> 0:51:47.560
<v Speaker 3>She's not finishing the plate though.

0:51:47.560 --> 0:51:49.920
<v Speaker 2>She's tasting each bite. No, oh my god, No, she's

0:51:49.960 --> 0:51:50.880
<v Speaker 2>not licking it clean.

0:51:50.960 --> 0:51:53.920
<v Speaker 3>Now, as Ruth Raschel said, a few bites will do.

0:51:54.600 --> 0:51:58.040
<v Speaker 2>She's tossing her hair, being like baby cudding this recipe.

0:51:58.080 --> 0:51:59.320
<v Speaker 2>I want to make it for chess.

0:51:59.440 --> 0:52:01.920
<v Speaker 3>Okay, how does she live? Here's the real question. So

0:52:02.200 --> 0:52:04.880
<v Speaker 3>she I feel like she's sot and there's been eras

0:52:04.920 --> 0:52:05.239
<v Speaker 3>of share.

0:52:05.400 --> 0:52:08.279
<v Speaker 2>So there's so many eras because at one point, when

0:52:08.280 --> 0:52:12.640
<v Speaker 2>she's with Greg Goleman, her bedroom burns down and she

0:52:12.719 --> 0:52:16.640
<v Speaker 2>sees it as actually a miracle because she's like, then

0:52:17.200 --> 0:52:21.799
<v Speaker 2>I was able to import all this Bali wood and

0:52:21.880 --> 0:52:25.200
<v Speaker 2>I made a modern Bolanese bedroom that was so like,

0:52:25.480 --> 0:52:27.240
<v Speaker 2>this is my Bolanese tiki.

0:52:27.680 --> 0:52:27.919
<v Speaker 3>Yeah.

0:52:27.960 --> 0:52:30.279
<v Speaker 2>And then she had her Egyptian phase, and then she

0:52:30.440 --> 0:52:33.279
<v Speaker 2>had her like probably louis the fourteenth phase.

0:52:33.040 --> 0:52:35.400
<v Speaker 3>So she basically is like died in the world Buddha

0:52:35.400 --> 0:52:38.759
<v Speaker 3>and has ben Buddha forever, and she's like different iterations

0:52:38.800 --> 0:52:41.200
<v Speaker 3>of Buddha throughout history and like what that would have

0:52:41.360 --> 0:52:42.919
<v Speaker 3>meant for women throughout.

0:52:42.560 --> 0:52:45.160
<v Speaker 2>History right the sixties when Buddha was just being created.

0:52:45.200 --> 0:52:46.359
<v Speaker 2>Its being more DreamCatcher.

0:52:46.560 --> 0:52:48.319
<v Speaker 3>I love the part with the brass bed where she

0:52:48.400 --> 0:52:50.640
<v Speaker 3>was like, I felt so good when me and Sonny

0:52:50.680 --> 0:52:53.879
<v Speaker 3>polished that brass bed because those other girlfriends would never

0:52:53.920 --> 0:52:55.440
<v Speaker 3>have sat and polish to bed.

0:52:55.840 --> 0:52:58.640
<v Speaker 2>That part was insane, where she's like, we discovered it

0:52:58.680 --> 0:53:02.040
<v Speaker 2>was brass, so we got a Brothertle pads out and

0:53:02.080 --> 0:53:04.600
<v Speaker 2>it's like basically she's saying she's a tomboy and like

0:53:04.960 --> 0:53:07.240
<v Speaker 2>she is a guys girl and is down to school.

0:53:08.440 --> 0:53:10.640
<v Speaker 3>I'm not just some girl who's gonna sit around like

0:53:11.000 --> 0:53:12.960
<v Speaker 3>online shopping on Prime Day.

0:53:13.080 --> 0:53:16.319
<v Speaker 2>I am and like current sunny, I think, really love

0:53:16.440 --> 0:53:19.560
<v Speaker 2>to decorate together. And it's like, actually this very I

0:53:19.560 --> 0:53:22.520
<v Speaker 2>think tos a couple things where she's like when we

0:53:22.520 --> 0:53:24.400
<v Speaker 2>were good, we were good, and we would go to

0:53:24.440 --> 0:53:26.600
<v Speaker 2>a small town and we would antique.

0:53:26.080 --> 0:53:28.880
<v Speaker 3>And we would like we shop for the table and

0:53:28.960 --> 0:53:31.759
<v Speaker 3>like shop for bulls together, making like kind of like

0:53:31.800 --> 0:53:34.080
<v Speaker 3>a Japanese screen window shutter.

0:53:34.320 --> 0:53:38.280
<v Speaker 2>Oh wait, that was crazy. They have like blinds.

0:53:38.320 --> 0:53:40.359
<v Speaker 3>He's like busted Venetians.

0:53:39.880 --> 0:53:43.239
<v Speaker 2>Busted Venetians, and he goes and buys like a beautiful

0:53:43.480 --> 0:53:48.000
<v Speaker 2>woven Japanese tapestry and then cuts it and sews it

0:53:48.040 --> 0:53:51.560
<v Speaker 2>to each part of the Venetian blind. I was like,

0:53:51.960 --> 0:53:53.680
<v Speaker 2>literally genius, what can't they do?

0:53:53.920 --> 0:53:56.080
<v Speaker 3>I know, but I also feel like it probably looked

0:53:56.200 --> 0:54:00.239
<v Speaker 3>like a liv I think it may look like a

0:54:00.320 --> 0:54:04.400
<v Speaker 3>little dork like it was maybe looking like a little

0:54:04.400 --> 0:54:06.600
<v Speaker 3>bit wonky sima.

0:54:06.640 --> 0:54:09.320
<v Speaker 2>It probably wasn't perfect, but I mean, she just kind.

0:54:09.200 --> 0:54:11.200
<v Speaker 3>Of made me think of do you remember when in

0:54:11.239 --> 0:54:14.040
<v Speaker 3>my first apartment in New York I had that dresser

0:54:14.040 --> 0:54:17.839
<v Speaker 3>I made out of cardboard? Oh no, you weren't living

0:54:17.880 --> 0:54:21.000
<v Speaker 3>in New York then, but on Tenth Street. Yeah, And

0:54:21.040 --> 0:54:23.920
<v Speaker 3>I had like used boxes and I like fit them together.

0:54:24.040 --> 0:54:27.000
<v Speaker 3>I like meet slits and like constructed a dresser out

0:54:27.040 --> 0:54:27.719
<v Speaker 3>of cardboard.

0:54:28.120 --> 0:54:30.319
<v Speaker 2>Okay, it was a little bit like that.

0:54:30.480 --> 0:54:33.240
<v Speaker 3>It wasn't looking like a cool like you know, Donald

0:54:33.640 --> 0:54:35.440
<v Speaker 3>ud It doesn't.

0:54:35.160 --> 0:54:37.799
<v Speaker 2>Sound Donald Judge. It also made me think of just

0:54:37.840 --> 0:54:41.000
<v Speaker 2>like me in college, like going to the store in

0:54:41.080 --> 0:54:46.320
<v Speaker 2>Chinatown and buying a huge Chinese fan and that's.

0:54:46.200 --> 0:54:48.799
<v Speaker 3>More you being like gay guy with AIDS and like having.

0:54:48.520 --> 0:54:51.000
<v Speaker 2>A bird which is also so share which is also

0:54:51.160 --> 0:54:53.560
<v Speaker 2>so I'm saying, like I like her style, is that

0:54:53.800 --> 0:54:56.600
<v Speaker 2>because she's so like, yeah, she is like silk robe

0:54:56.719 --> 0:55:00.640
<v Speaker 2>and and she starts to kind of, you know, say,

0:55:00.719 --> 0:55:03.040
<v Speaker 2>like I love gay guys and like AIDS was happening

0:55:03.040 --> 0:55:04.680
<v Speaker 2>a little bit, but we'll get into that.

0:55:04.960 --> 0:55:08.480
<v Speaker 3>And part two, Part one she fully dates David Geffer.

0:55:08.719 --> 0:55:13.880
<v Speaker 2>Yeah, and the sucks was amazing, babe, crazy. Okay, we

0:55:13.920 --> 0:55:15.919
<v Speaker 2>haven't got to chas you guys. That's why we're coming

0:55:15.960 --> 0:55:18.960
<v Speaker 2>back next week with part two. So part one, Who

0:55:19.000 --> 0:55:21.200
<v Speaker 2>are you in the book? Right now? I'm a person

0:55:21.200 --> 0:55:23.399
<v Speaker 2>who read five hundred bages of chair.

0:55:24.239 --> 0:55:27.839
<v Speaker 3>No, you know who you are. You know you're Josita,

0:55:28.239 --> 0:55:31.279
<v Speaker 3>the German maid who's really bad at her job. And

0:55:32.000 --> 0:55:34.760
<v Speaker 3>they were like, she was the worst maid ever, darling.

0:55:35.280 --> 0:55:37.239
<v Speaker 3>She couldn't find her ass with two hands.

0:55:37.840 --> 0:55:39.480
<v Speaker 2>But they're like, Bob, we loved her.

0:55:42.200 --> 0:55:44.200
<v Speaker 3>And then she like moves into some apartment that one

0:55:44.200 --> 0:55:46.120
<v Speaker 3>of her stepdad's reads for her with Josie to the

0:55:46.160 --> 0:55:48.000
<v Speaker 3>maid and they're just like being cookie and like burning

0:55:48.000 --> 0:55:48.440
<v Speaker 3>the curtains.

0:55:48.600 --> 0:55:50.560
<v Speaker 2>I know what it's like. I would so become like

0:55:50.760 --> 0:55:56.160
<v Speaker 2>roommates with my clients and daughter, and I'm just being like, babe,

0:55:56.200 --> 0:55:59.000
<v Speaker 2>let's go to the club. Babe, let's go to the club.

0:56:00.440 --> 0:56:04.640
<v Speaker 2>You are, oh you hit Papa being like, come and

0:56:04.680 --> 0:56:09.400
<v Speaker 2>play this saloon. I'll play piano, you sing, We're gonna

0:56:09.400 --> 0:56:11.160
<v Speaker 2>make five cents each.

0:56:11.640 --> 0:56:13.760
<v Speaker 3>This Arkansas like alcoholic minor.

0:56:14.040 --> 0:56:17.000
<v Speaker 2>Yeah, okay, who moves to La to be like I'm

0:56:17.040 --> 0:56:18.680
<v Speaker 2>gonna make my daughter a star.

0:56:19.560 --> 0:56:21.040
<v Speaker 3>I mean, what I want to be is the girl

0:56:21.080 --> 0:56:24.239
<v Speaker 3>who's like saying she needs an abortion money and then

0:56:24.320 --> 0:56:26.200
<v Speaker 3>using that money to get done to work in Hawaii.

0:56:26.280 --> 0:56:28.319
<v Speaker 3>But I don't know if I have that gumption in

0:56:28.360 --> 0:56:30.520
<v Speaker 3>that moxie. I haven't scammed enough men.

0:56:31.080 --> 0:56:32.880
<v Speaker 2>Yeah you're not that. I mean you could also be

0:56:32.960 --> 0:56:36.160
<v Speaker 2>so like SHARE's best friend who's like being her chica

0:56:36.200 --> 0:56:38.319
<v Speaker 2>in Vegas. But then it's like, oh, girl, I need

0:56:38.320 --> 0:56:40.399
<v Speaker 2>to keep my job. So I'm actually gonna stop talking

0:56:40.440 --> 0:56:45.319
<v Speaker 2>to you because like, Sonny has hired so many mafiosos,

0:56:45.800 --> 0:56:48.919
<v Speaker 2>and we'll talk about all the capo bosses in part

0:56:49.120 --> 0:56:49.840
<v Speaker 2>part two.

0:56:50.360 --> 0:56:52.440
<v Speaker 3>I give this, but.

0:56:53.960 --> 0:56:56.960
<v Speaker 2>Definitely like it's hard to give the rating now, I

0:56:56.960 --> 0:56:57.399
<v Speaker 2>don't wanna.

0:56:57.640 --> 0:57:00.000
<v Speaker 3>Maybe we'll wait till man, let's wait. We'll wait till

0:57:00.080 --> 0:57:02.719
<v Speaker 3>next week together, Radin, stay tuned for part two.

0:57:02.840 --> 0:57:03.960
<v Speaker 2>Now You're on the end of your seat.

0:57:04.120 --> 0:57:06.640
<v Speaker 3>Art one a share of the memoir.

0:57:06.600 --> 0:57:09.120
<v Speaker 2>Share Baby Baby bestst.

0:57:13.480 --> 0:57:16.600
<v Speaker 3>This episode was produced by one of the best in

0:57:16.680 --> 0:57:21.400
<v Speaker 3>the Bears all the Masters, a Master of Production and

0:57:21.520 --> 0:57:22.760
<v Speaker 3>my Heart Baby, I Love You.

0:57:22.840 --> 0:57:26.600
<v Speaker 2>The supervising producer was our Boos Defar. We were married

0:57:26.760 --> 0:57:29.640
<v Speaker 2>for nine and a half years. I got pregnant, but

0:57:29.680 --> 0:57:32.080
<v Speaker 2>then I left him because I fell back in love

0:57:32.280 --> 0:57:37.120
<v Speaker 2>with my first husband. This episode was executive produced by

0:57:37.160 --> 0:57:42.600
<v Speaker 2>my old galpal, Christina Effett. We used to run Vegas Baby.

0:57:42.320 --> 0:57:47.120
<v Speaker 3>A sound engineer who pioneer the use of the wall

0:57:47.200 --> 0:57:50.400
<v Speaker 3>of sound that you've heard and all the best girl

0:57:50.440 --> 0:57:53.760
<v Speaker 3>groups in nineteen fifty nine. In nineteen seventy three, is

0:57:53.840 --> 0:57:55.920
<v Speaker 3>Behe Rais He rested me.

0:57:56.760 --> 0:58:01.640
<v Speaker 2>The music, of course, was a little proteg man Stephen

0:58:01.760 --> 0:58:06.360
<v Speaker 2>pull Host, the young homosexual man that I met on

0:58:06.440 --> 0:58:09.320
<v Speaker 2>at at Whiskey of Go Go. But his songs are

0:58:09.360 --> 0:58:12.760
<v Speaker 2>pretty cool, so he did the third remix for Believe

0:58:12.840 --> 0:58:16.480
<v Speaker 2>I heard the club once and I said, Okay, babe,

0:58:16.680 --> 0:58:18.000
<v Speaker 2>I should do a theme song for this.

0:58:18.680 --> 0:58:25.880
<v Speaker 3>Originally the game, This pollcast in Las Vegas, Nevada with

0:58:26.000 --> 0:58:30.640
<v Speaker 3>Prolab Project. We were under contract for four years at

0:58:30.680 --> 0:58:35.440
<v Speaker 3>the Venetian Basement. Not a lot of people go in there.

0:58:35.520 --> 0:58:38.120
<v Speaker 1>Very dank, very dirty. They wouldn't let us leave, but

0:58:38.200 --> 0:58:41.919
<v Speaker 1>we were locked up. But we ultimately found a way

0:58:42.040 --> 0:58:45.520
<v Speaker 1>to part ways and set our assets evenly. And I

0:58:45.600 --> 0:58:48.760
<v Speaker 1>wish them the best. They run that town with an iron.

0:58:48.560 --> 0:58:49.640
<v Speaker 3>Fits and I wouldn't have an as.

0:58:49.880 --> 0:58:53.320
<v Speaker 2>I love your baby. Look, I didn't want to used

0:58:53.320 --> 0:58:56.280
<v Speaker 2>to be in the sixties with vinyl sales and everything.

0:58:56.640 --> 0:58:58.600
<v Speaker 2>So if you want to head over to patreon dot

0:58:58.640 --> 0:59:00.960
<v Speaker 2>com so I've seen to see the past. Sign up.

0:59:01.040 --> 0:59:05.440
<v Speaker 2>We get a few more of our musics on music, Hollywood, sex,

0:59:06.280 --> 0:59:08.840
<v Speaker 2>blove and drugs and rock and roll,