WEBVTT - How Skywriting Works

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<v Speaker 1>Welcome to Stuff you Should Know from House Stuff Works

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<v Speaker 1>dot com. Hey, and welcome to the podcast. I'm Josh Clark,

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<v Speaker 1>There's Charles w Chuck Bryant, and Jerry's over there. Who's

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<v Speaker 1>the only well one of the three of us, which

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<v Speaker 1>is crazy pray. Uh, you and I are both sick

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<v Speaker 1>at the same time. Yeah, I'm getting over mine and

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<v Speaker 1>you're in it sounds like in the throes of yours.

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<v Speaker 1>I am, yes, in the flummy thickness of it. And

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<v Speaker 1>this is stuff you should know. That's right. It is

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<v Speaker 1>written in the sky. It is we're in the stars. Uh. Yeah, well,

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<v Speaker 1>now you can't do that at night, No, but you could.

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<v Speaker 1>They tried to make it so yeah glow in the dark.

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<v Speaker 1>Yeah you saw that too, spoiler. Yeah. So we're talking

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<v Speaker 1>about skywriting, right. Uh. And I was trying to think back, Chuck,

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<v Speaker 1>if I have ever seen something written in the sky.

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<v Speaker 1>I'm like, surely I have. You've never seen the scar

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<v Speaker 1>writing message I have like in in I've seen pictures

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<v Speaker 1>of them are plenty, Like you weren't, Like, what is this.

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<v Speaker 1>I'm trying to remember back towards childhood, which is you

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<v Speaker 1>know when I probably would have seen uh, and I

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<v Speaker 1>just can't quite place it. But I have a vague recollection,

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<v Speaker 1>um and nothing. It's me standing and there's grass. But

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<v Speaker 1>then I'm like, look up, dummy, look up, what's in

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<v Speaker 1>the sky. I just walk off and need a dandelion.

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<v Speaker 1>This was this was actually my idea as an article,

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<v Speaker 1>like we're flooding the website with new material now, which

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<v Speaker 1>is great. Man. And uh, I pitched this like five

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<v Speaker 1>weeks ago, not even bam, and here it is, whoomp,

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<v Speaker 1>here it is. I thought you knew, Uh, this is

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<v Speaker 1>a good idea, Chuck, thank you. I found this fascinating.

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<v Speaker 1>Did you know much about it when you pitched it?

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<v Speaker 1>Or had you seen a sky written message recently? Um?

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<v Speaker 1>I think I got the idea from the great comedian

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<v Speaker 1>Kurt Brauno or um did a Kickstarter in may you

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<v Speaker 1>do a skywriting message? And I think his quote was,

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<v Speaker 1>it's so stupid and I love doing stupid things. And

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<v Speaker 1>thank god the Internet loves stupid too, because they funded it.

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<v Speaker 1>And he let people vote on what to do, and

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<v Speaker 1>they chose how do I land? And he had that

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<v Speaker 1>written above the skies of Los Angeles and got some

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<v Speaker 1>attention for it, and it was a funny little gag

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<v Speaker 1>and Kurt's a great guy and a friend of the show. So, um,

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<v Speaker 1>that's where I got the idea because I started wondering,

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<v Speaker 1>how in the world do they do that? Like I've

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<v Speaker 1>seen him before, but I thought, you know, when you're

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<v Speaker 1>up there in the plane, it's got to be pretty

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<v Speaker 1>tough spell something out to like massage the clouds over

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<v Speaker 1>into to beat them into letters. Right, that's how they

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<v Speaker 1>do it. Correct, that's not how they do it. No,

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<v Speaker 1>that isn't how they do it. They use a certain

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<v Speaker 1>type of oil and some high horsepowered planes and it

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<v Speaker 1>takes a tremendous amount of skill, which is why it's

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<v Speaker 1>not much of a surprise, um that it finds. It's uh,

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<v Speaker 1>it's origins among War One flying asis. Apparently the Royal

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<v Speaker 1>Air Force. There was a guy named John Clifford Savage, who, um,

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<v Speaker 1>I guess invented skywriting for military purposes. Yeah, and back

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<v Speaker 1>then I think there were several things they did with

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<v Speaker 1>it in the military. One was to give messages when

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<v Speaker 1>you know you're out of like radio control, because I

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<v Speaker 1>think you can you can see messages for like hundred

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<v Speaker 1>square miles. Yeah, there's a little tricky math to it,

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<v Speaker 1>but there. They say that on a clear day, if

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<v Speaker 1>you're standing on say the Great Planes or something, okay,

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<v Speaker 1>you could you can see a skywritten message for something

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<v Speaker 1>like thirty miles. And if you take into account all

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<v Speaker 1>the thirty miles and multiplian, it's what did you say,

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<v Speaker 1>like square miles, that's a that's a lot of exposure. Yeah,

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<v Speaker 1>and if you're in World War One, your walkie talkie

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<v Speaker 1>back then might not have gone that far. So they

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<v Speaker 1>would send messages and apparently they would also use it

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<v Speaker 1>to um cloak ships, I guess, fly around and just

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<v Speaker 1>close them in cloudy smoke because detection, because what you're

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<v Speaker 1>doing when you're writing is a sky message is basically, um,

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<v Speaker 1>I guess you're you're basically just flying parallel to the ground, right, Well,

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<v Speaker 1>I mean it's aerial acrobatics. You're you're spelling with your plane.

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<v Speaker 1>So um, you're loopti loop and you're doing all sorts

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<v Speaker 1>of crazy stuff. So after John Clifford Savage invented this,

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<v Speaker 1>like within a couple of years after inventing skywriting, somebody's like,

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<v Speaker 1>you know, who would love this company's And companies have money,

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<v Speaker 1>that's right, so let's charge the money to advertise their

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<v Speaker 1>stuff in the sky. And a dude named Captain Cyril

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<v Speaker 1>Turner was the first person, and I think to write

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<v Speaker 1>a skywritten advertisement. Yeah, and I think he was. I

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<v Speaker 1>don't know if it was his original idea, but he

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<v Speaker 1>seemed to be doing this as a proof of concept,

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<v Speaker 1>like let me let me write daily Mail the British newspaper,

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<v Speaker 1>let me right that in the air, uh, and see

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<v Speaker 1>how that works. And then later he went to the

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<v Speaker 1>United States later that same year and said hello USA

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<v Speaker 1>over time square and then Carl Vanderbilt, which is the

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<v Speaker 1>hotel phone number where he was staying, and apparently the

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<v Speaker 1>next two and a half hours he got, uh the

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<v Speaker 1>switchboard lit up literally you can say that because it

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<v Speaker 1>was the nineties and it was. They got forty seven

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<v Speaker 1>thousand phone calls in just a couple of hours. And UM,

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<v Speaker 1>I think that was his way of saying, this is

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<v Speaker 1>gonna work. Yeah exactly, this is advertising. And it got

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<v Speaker 1>the attention to some people, some companies pretty quickly. UM

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<v Speaker 1>Lucky Strikes very famously got into uh skywriting for advertising.

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<v Speaker 1>UM Snocco basically anybody who is anybody with the company

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<v Speaker 1>back then was doing skywriting because the other stuff you

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<v Speaker 1>had was the side of a barn, maybe some radio advertising, right,

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<v Speaker 1>but skywriting, for the amount of money it costs, you

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<v Speaker 1>could get a lot of exposure in ways you you

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<v Speaker 1>just normally couldn't. And Pepsi was starting out at this

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<v Speaker 1>time and they bought into skywriting so enormously that the

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<v Speaker 1>company and skywriting are kind of, um, they go hand

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<v Speaker 1>in hand in a lot of people's minds. Yeah, in

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<v Speaker 1>the nineteen thirties they started putting they didn't have as

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<v Speaker 1>much money to advertise on the radio. So uh, from

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<v Speaker 1>the nineteen fifties, I'm sorry, from the thirties. Of the

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<v Speaker 1>nineteen fifties, they like went all over the US, Cuba, Mexico, Venezuela, Canada.

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<v Speaker 1>Just that was their main form of advertising. And uh,

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<v Speaker 1>the New York Times at the time was they thought

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<v Speaker 1>the skies were going to be littered, like polluted with

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<v Speaker 1>with ads and they called it celestial vandalism, and uh

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<v Speaker 1>they predicted uh, intricate pictures and colors and glow in

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<v Speaker 1>the dark, like we said, But none of that really

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<v Speaker 1>came to fruition, No, it didn't. Um, And I mean,

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<v Speaker 1>there's pretty good reason to kind of worry about this, Uh,

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<v Speaker 1>in alone. Pepsi alone commissioned two thousand skywriting projects and

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<v Speaker 1>um for kind of more in the history of it,

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<v Speaker 1>there's this good article called what Happened to Skywriting that

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<v Speaker 1>was in The Atlantic. That's worth ning too, by the way,

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<v Speaker 1>But um, the thing that undid skywriting. The answer to

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<v Speaker 1>that question is television period. Television advertising came in and

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<v Speaker 1>thanks to our friends at the Nielsen Company, you could

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<v Speaker 1>uh really kind of target and taylor your ad in

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<v Speaker 1>ways that you couldn't before with radio. And it was

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<v Speaker 1>for the amount of exposure you got. It was definitely

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<v Speaker 1>worthwhile to save your money for television advertising and funnel

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<v Speaker 1>away money from your skywriting budget. You know, well it

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<v Speaker 1>seems silly now, but it was like a legit form

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<v Speaker 1>back then of advertising. Um. And like it points out

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<v Speaker 1>in this article, uh, you have to have ideal conditions

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<v Speaker 1>as well. It's got to be a clear sky, can't

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<v Speaker 1>be cloudy, can't be rainy, um, can't be too windy.

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<v Speaker 1>So there was a lot of things that that radio

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<v Speaker 1>and television offered, like it doesn't matter what the weather

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<v Speaker 1>is like basically, I mean, your reception is still gonna suck.

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<v Speaker 1>People can still probably hear what you're trying to say

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<v Speaker 1>that's a that's a good point. And actually Pepsi um

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<v Speaker 1>as I guess it's fiftieth anniversary or something like that.

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<v Speaker 1>They commissioned one of their their former skywriting pilots to

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<v Speaker 1>go find some plane the type of plane that was

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<v Speaker 1>used for skywriting. And this guy found like the plane,

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<v Speaker 1>one of the main planes that Pepsi used for its

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<v Speaker 1>skywriting campaigns because it was so deep into it it

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<v Speaker 1>maintained its own aerial fleet, and this guy found it

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<v Speaker 1>and they started another skywriting campaign for another like twenty

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<v Speaker 1>something years, I believe. Yeah, it started in the seventies

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<v Speaker 1>with the Marry Me Sue commercial? Did you happen to

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<v Speaker 1>watch that? No? I didn't get a chance, did you? Like? Yeah,

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<v Speaker 1>I mean I remembered it when I saw it, which

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<v Speaker 1>was from nine. So that was the first startling thing

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<v Speaker 1>that happened to me today. And you know how a

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<v Speaker 1>commercial spectator just so like cam fisted, Like it's this

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<v Speaker 1>cowboy at a barn trying to proposed to sue his wife,

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<v Speaker 1>of course, and she's you know, you know, it's all

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<v Speaker 1>acted out, but it's got music over it, so she's like,

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<v Speaker 1>what are you doing? And he's like, oh, just wait,

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<v Speaker 1>and she sees the word mary and she's like hmmm.

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<v Speaker 1>And then she sees marry me and she's like whoa.

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<v Speaker 1>And then she sees her name Sue, and she's like

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<v Speaker 1>what yes, of course, and then they kiss and the

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<v Speaker 1>barn catches fire. Now they're outside the barn. The barn, oh,

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<v Speaker 1>I think he said bar. I'm a little stuffed up, gotcha.

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<v Speaker 1>But uh, it's great seventies commercial fun. I recommend watching

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<v Speaker 1>it on the YouTube. It would have been great had

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<v Speaker 1>the Wicked Witch of the West flown in and written

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<v Speaker 1>surrender Dorothy over marry me, Sue, because that showed up.

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<v Speaker 1>Remember she sky wrote with her room. Really yeah, I

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<v Speaker 1>don't remember that it was in uh. I guess it

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<v Speaker 1>was shortly after which was about the gold standard um,

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<v Speaker 1>but it was I think shortly after she discovered her

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<v Speaker 1>sister had been smushed by Dorothy and that Dorothy was

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<v Speaker 1>in oz and she jumps on her broom and flies

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<v Speaker 1>up and surrender Dorothy with it and black smoke. Well,

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<v Speaker 1>she like farting that out. She's squeezing flying monkeys. That

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<v Speaker 1>that broom exhaust that we all know about. So let's

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<v Speaker 1>talk about how to sky right, all right after the chuck. Um,

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<v Speaker 1>they say in this article, but I probably they in

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<v Speaker 1>general that skywriting is a lost art. It takes a

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<v Speaker 1>tremendous amount of skill, and it's been so underfunded over

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<v Speaker 1>the last few decades that like, there's literally a handful

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<v Speaker 1>of people, maybe four or five. How many people fit

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<v Speaker 1>into a hand Well, it says in here four people.

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<v Speaker 1>I found that hard to believe. But uh. The article

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<v Speaker 1>also points out that it's a lost art because it's

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<v Speaker 1>you can't learn it unless you learn from someone who

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<v Speaker 1>does it, and so few people do it these days.

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<v Speaker 1>It's just a closely guarded secret. And back in the

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<v Speaker 1>day they wouldn't tell anyone because competition among pilots. They

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<v Speaker 1>would keep their little secrets to themselves. So there's really

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<v Speaker 1>you can't get on the internet and learn how to skywrite. Yeah,

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<v Speaker 1>there's not a handbook or anything like that. Um, and

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<v Speaker 1>we should say we're talking skywriting. There's something separate called

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<v Speaker 1>sky typing, which more people are involved with, but for

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<v Speaker 1>for free hand skywriting, there's seriously possibly four to six

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<v Speaker 1>people in the world that know how to do it. Yeah,

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<v Speaker 1>well these days too. Um. I looked at a couple

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<v Speaker 1>of the skywriding websites. I think there's probably only two,

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<v Speaker 1>and it's it's sky riding in banner towing, which is

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<v Speaker 1>the big things. So you got skywriting dot com and

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<v Speaker 1>skywriting dot net. That would have made and that's what

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<v Speaker 1>you see more of these days. If you want an

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<v Speaker 1>ad or marry me, Josh, you're gonna you're gonna attach

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<v Speaker 1>it to a banner and pull it behind your plane. Yeah,

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<v Speaker 1>instead of that stupid smoke stunt. And actually, one of

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<v Speaker 1>the people interviewed one of the very few people who

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<v Speaker 1>know how to freehand skywrite, which is kind of redundant.

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<v Speaker 1>It's skywriting is freehand. Um. She met her husband who

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<v Speaker 1>was a banner tower and taught him how to skywrite.

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<v Speaker 1>She was a pepsi smoke writer. Um and uh. When

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<v Speaker 1>she got ahold of her husband, he was just some

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<v Speaker 1>backwards banner tower. She's like, I'm gonna teach you a skill. Friend.

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<v Speaker 1>He's like, but all you do is hook it up

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<v Speaker 1>here and fly right, And she said, oh my, just wait,

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<v Speaker 1>oh you're talking about the Yeah, he thought banner towing

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<v Speaker 1>was like the different cult. Yeah, because he was crop

0:13:00.559 --> 0:13:05.720
<v Speaker 1>dusting before that. But Suzanne Asbury Oliver and her husband,

0:13:05.760 --> 0:13:10.520
<v Speaker 1>Steve Oliver. I believe um are two of there, possibly

0:13:10.559 --> 0:13:13.000
<v Speaker 1>half of the total number of people who know how

0:13:13.040 --> 0:13:16.240
<v Speaker 1>to sky right, is that crazy? And they're married. It's

0:13:16.240 --> 0:13:20.319
<v Speaker 1>all in the family. Yeah, the secrets in the family.

0:13:20.720 --> 0:13:23.240
<v Speaker 1>So these planes are going about a hundred and fifty

0:13:23.240 --> 0:13:26.520
<v Speaker 1>miles an hour. It's pretty fast. And in order to

0:13:27.200 --> 0:13:29.440
<v Speaker 1>if you've ever seen a skywritten message, it's it looks

0:13:29.440 --> 0:13:33.079
<v Speaker 1>a little like a child has drawn it because they're

0:13:33.160 --> 0:13:35.440
<v Speaker 1>riding it with a plane, And it's just very difficult

0:13:35.480 --> 0:13:39.360
<v Speaker 1>to do. Um. And in fact, the word pepsi itself

0:13:39.440 --> 0:13:44.559
<v Speaker 1>apparently takes seventeen different maneuvers and I think like fourteen

0:13:44.640 --> 0:13:48.520
<v Speaker 1>smoke releases just to make those five letters. Yeah, that's

0:13:48.520 --> 0:13:52.440
<v Speaker 1>just pretty tricky, right. Um. Even before that, though, you

0:13:52.480 --> 0:13:55.080
<v Speaker 1>have to have perfect conditions, Like you were saying, the

0:13:55.080 --> 0:13:57.880
<v Speaker 1>whole thing starts at about ten thousand feet up because

0:13:58.000 --> 0:14:01.840
<v Speaker 1>up there it's cold enough sometimes it's human enough, um

0:14:01.880 --> 0:14:05.880
<v Speaker 1>that the smoke will stay together, so it'll last as

0:14:05.920 --> 0:14:09.000
<v Speaker 1>long as like twenty minutes under ideal conditions. Plus it

0:14:09.040 --> 0:14:11.920
<v Speaker 1>can't be cloudy or else. Your stuff just kind of

0:14:12.480 --> 0:14:17.640
<v Speaker 1>blends in with everything else, right exactly, So you you

0:14:17.880 --> 0:14:20.240
<v Speaker 1>have to have ideal conditions first, and then after that

0:14:20.520 --> 0:14:24.440
<v Speaker 1>you have to get in your little uh air acrobatic plane.

0:14:24.800 --> 0:14:27.360
<v Speaker 1>So they used to use UM. I think the Pepsi

0:14:27.440 --> 0:14:32.160
<v Speaker 1>plane was a Traveler, that's what it was called. That

0:14:32.320 --> 0:14:34.840
<v Speaker 1>was the company that made it. UM and it's now

0:14:34.880 --> 0:14:38.800
<v Speaker 1>in the National Air and Space Museum by Dullus, which

0:14:38.880 --> 0:14:43.480
<v Speaker 1>is well worth the visit. Yeah, there's a space shuttle there,

0:14:43.520 --> 0:14:47.520
<v Speaker 1>there's a s R. Seventy one Blackbird. There's a lot

0:14:47.640 --> 0:14:50.680
<v Speaker 1>of really great stuff there, and apparently there's the Pepsi

0:14:50.720 --> 0:14:54.720
<v Speaker 1>plane too, but UM. Suzanne Asbury Oliver says that she

0:14:54.840 --> 0:14:58.920
<v Speaker 1>uses a Chipmunk now, which is a small light, very

0:14:59.040 --> 0:15:04.480
<v Speaker 1>highly maneuverable plane with a high horsepower. That's another key, sure,

0:15:05.080 --> 0:15:07.720
<v Speaker 1>because with high horse power you can generate a lot

0:15:07.720 --> 0:15:09.960
<v Speaker 1>of heat. And you're gonna have to generate a lot

0:15:10.000 --> 0:15:12.440
<v Speaker 1>of heat up there because you need to burn off

0:15:12.440 --> 0:15:17.680
<v Speaker 1>your oil. Yeah, it's a paraffin oil UM liquid paraffin basically,

0:15:17.760 --> 0:15:21.040
<v Speaker 1>and it needs to in order to reach that smoke point,

0:15:21.160 --> 0:15:24.520
<v Speaker 1>needs to hit the engine at fift degrees and then

0:15:24.560 --> 0:15:29.280
<v Speaker 1>it is just spit out through the exhaust. And I

0:15:29.320 --> 0:15:33.120
<v Speaker 1>think the letters themselves always wonder from the ground like

0:15:33.160 --> 0:15:36.200
<v Speaker 1>how big they are. Apparently the letters are about a

0:15:36.200 --> 0:15:40.080
<v Speaker 1>mile high and once the smoke expands about seventy five

0:15:40.120 --> 0:15:43.400
<v Speaker 1>ft wide, which is bigger than I thought. Yeah, I

0:15:43.440 --> 0:15:47.640
<v Speaker 1>had no idea they were mile high letters. And pepsi

0:15:47.680 --> 0:15:50.400
<v Speaker 1>can be the word pepsi. It can be up to

0:15:50.440 --> 0:15:54.320
<v Speaker 1>about five miles across. Yeah, and um, so when you're

0:15:54.360 --> 0:15:57.600
<v Speaker 1>doing this you have no frame of reference. Um, like,

0:15:57.680 --> 0:16:00.320
<v Speaker 1>you can't see what you're doing, is the author of

0:16:00.360 --> 0:16:03.920
<v Speaker 1>this article points out. Julia Layton says, it's basically like

0:16:04.000 --> 0:16:08.800
<v Speaker 1>drawing a picture in the dark. Yeah, Um, backwards and backwards.

0:16:08.800 --> 0:16:11.040
<v Speaker 1>It's a very good point, which I didn't understand why

0:16:11.080 --> 0:16:13.040
<v Speaker 1>they had to do it that way, because the way

0:16:13.080 --> 0:16:17.080
<v Speaker 1>you're flying, the ground is below you, but the people

0:16:17.160 --> 0:16:21.800
<v Speaker 1>looking up at the message, this guy is above them.

0:16:22.040 --> 0:16:23.920
<v Speaker 1>Oh yeah, sure, I guess that makes sense. So when

0:16:23.960 --> 0:16:28.440
<v Speaker 1>you're writing pepsi like this, if you were beneath it

0:16:28.440 --> 0:16:31.800
<v Speaker 1>would be backwards to you. So since you were doing

0:16:31.840 --> 0:16:33.400
<v Speaker 1>it for the benefit of the people on the ground,

0:16:33.680 --> 0:16:36.840
<v Speaker 1>you the skywriter, has to write the whole thing backwards.

0:16:36.880 --> 0:16:39.080
<v Speaker 1>They probably learned that the hard way a couple of times. Yeah,

0:16:39.080 --> 0:16:42.720
<v Speaker 1>I would guess. So they're like, hello USA, backwards. What

0:16:42.760 --> 0:16:44.800
<v Speaker 1>does that say? Yeah, apparently there was one guy I

0:16:44.800 --> 0:16:46.960
<v Speaker 1>read in the Atlantic story in New York in the

0:16:47.000 --> 0:16:49.720
<v Speaker 1>early days that did such a bad job. He landed

0:16:49.760 --> 0:16:51.800
<v Speaker 1>and went back up and put a drew a line

0:16:51.800 --> 0:16:55.040
<v Speaker 1>through his message and started over. Yeah. I like that though, Yeah,

0:16:55.040 --> 0:16:56.920
<v Speaker 1>I mean it makes sense. I was wondering if there

0:16:57.000 --> 0:16:59.920
<v Speaker 1>was a technique for like flying through your old letter

0:17:00.080 --> 0:17:01.600
<v Speaker 1>or whatever to break them up and start over. But

0:17:02.200 --> 0:17:04.560
<v Speaker 1>the line will do it too, because I never thought

0:17:04.600 --> 0:17:08.119
<v Speaker 1>about that. It's a good idea. But um, so to

0:17:08.119 --> 0:17:11.160
<v Speaker 1>to make these letters, you're using, um, the ground. Any

0:17:11.320 --> 0:17:13.160
<v Speaker 1>anything you can on the ground is like a frame

0:17:13.160 --> 0:17:17.560
<v Speaker 1>of reference, like streets um in some cities, or form

0:17:17.560 --> 0:17:20.760
<v Speaker 1>a grid like pattern. So in an article I read,

0:17:21.119 --> 0:17:25.639
<v Speaker 1>they basically said that's kind of like using lined paper. Um.

0:17:25.800 --> 0:17:28.000
<v Speaker 1>You also can use the shadow on the ground that's

0:17:28.000 --> 0:17:31.320
<v Speaker 1>reflected by the clouds to kind of show yourself like, Okay,

0:17:31.359 --> 0:17:32.879
<v Speaker 1>that that letter looks good, I can move on to

0:17:32.960 --> 0:17:37.359
<v Speaker 1>the next one. But you're also using timing too, so like,

0:17:37.480 --> 0:17:41.280
<v Speaker 1>for example, to make the upright in a ffort a

0:17:41.280 --> 0:17:44.119
<v Speaker 1>P or an L or something like that, you're gonna

0:17:44.240 --> 0:17:47.800
<v Speaker 1>hold your smoke trigger for like a fifteen count or

0:17:47.880 --> 0:17:49.920
<v Speaker 1>something like that, right, and you'll know what that's gonna

0:17:49.960 --> 0:17:52.320
<v Speaker 1>look like. I mean a lot of practice goes into

0:17:52.359 --> 0:17:56.480
<v Speaker 1>this too, for sure, because that's just one streak when

0:17:56.520 --> 0:17:58.240
<v Speaker 1>you have to go make the rest of the P

0:17:59.040 --> 0:18:02.400
<v Speaker 1>or an R or something that's very difficult. And Suzanne

0:18:02.440 --> 0:18:08.280
<v Speaker 1>Hasbury Oliver points out writing Chinese extraordinarily difficult, like in

0:18:08.359 --> 0:18:12.000
<v Speaker 1>the sky. I wasn't sure what she meant by that.

0:18:12.160 --> 0:18:14.840
<v Speaker 1>I think she met in this guy really yeah, man,

0:18:15.200 --> 0:18:17.360
<v Speaker 1>I thought you were just equating it with writing Chinese

0:18:17.359 --> 0:18:19.760
<v Speaker 1>on paper or something. I don't know. She's the best around,

0:18:20.000 --> 0:18:23.160
<v Speaker 1>all right. So once you have written this message, if

0:18:23.240 --> 0:18:25.680
<v Speaker 1>it is on a good day and it's not super windy,

0:18:25.760 --> 0:18:29.000
<v Speaker 1>you might get twenty minutes out of it. Um usually

0:18:29.080 --> 0:18:31.280
<v Speaker 1>less than that. I've seen anywhere from like eight to

0:18:31.359 --> 0:18:34.600
<v Speaker 1>ten before it starts to dissipate, and you can see it,

0:18:34.680 --> 0:18:36.600
<v Speaker 1>you know, for a while too once it dissipates. But

0:18:37.000 --> 0:18:39.160
<v Speaker 1>on a on a good day, what you're paying for

0:18:39.320 --> 0:18:43.000
<v Speaker 1>is not a lot of time, exposure time. So that's

0:18:43.000 --> 0:18:44.560
<v Speaker 1>why back in the day they used to do over

0:18:44.680 --> 0:18:47.760
<v Speaker 1>things like Times Square or sporting events. Of course, is

0:18:47.800 --> 0:18:51.880
<v Speaker 1>where they do the banners now. The same idea back then. Um,

0:18:51.920 --> 0:18:54.199
<v Speaker 1>And like we said, Chuck, they use a paraffin based

0:18:54.240 --> 0:18:58.280
<v Speaker 1>oil and they have a reservoir tank that usually holds

0:18:58.280 --> 0:19:01.040
<v Speaker 1>something like thirty gallons. This is a hundred and fourteen

0:19:01.119 --> 0:19:04.040
<v Speaker 1>leaders for our friends outside of the US and Liberia.

0:19:04.240 --> 0:19:09.159
<v Speaker 1>And um, that's enough typically to to write about twelve letters.

0:19:09.160 --> 0:19:13.080
<v Speaker 1>Not much no, so these messages are are typically fairly short,

0:19:13.560 --> 0:19:15.840
<v Speaker 1>although there was one that's way more than twelve letters

0:19:15.880 --> 0:19:17.719
<v Speaker 1>and I couldn't find out, but it seems to me

0:19:17.800 --> 0:19:20.080
<v Speaker 1>from what I've seen, it's got to be the longest

0:19:20.119 --> 0:19:23.200
<v Speaker 1>skywriting message ever, the one that John Lennon and Yoko

0:19:23.240 --> 0:19:28.480
<v Speaker 1>oh No commissioned. Uh oh, is it over Toronto? Over Toronto?

0:19:28.960 --> 0:19:32.960
<v Speaker 1>War is over? If you want it, Happy Xmas. They've

0:19:32.960 --> 0:19:36.639
<v Speaker 1>saved a few bucks there from John and Yoko. Um.

0:19:36.720 --> 0:19:39.080
<v Speaker 1>The only thing I can figure is they might have

0:19:39.080 --> 0:19:42.680
<v Speaker 1>had a couple of planes at work, maybe because that's

0:19:42.720 --> 0:19:45.879
<v Speaker 1>way more than twelve letters. Yeah, I mean, if the

0:19:45.920 --> 0:19:48.720
<v Speaker 1>thing sticks around for twenty minutes, they could be Yeah,

0:19:48.880 --> 0:19:51.160
<v Speaker 1>I would guess they'd have to use more than one.

0:19:51.400 --> 0:19:54.800
<v Speaker 1>And then uh over Austin in March of this year.

0:19:54.840 --> 0:19:57.480
<v Speaker 1>That had to be for south By Southwest or the

0:19:57.520 --> 0:20:01.199
<v Speaker 1>first several hundred digits of pie. So they must have

0:20:01.200 --> 0:20:03.240
<v Speaker 1>had a couple of planes over that too. Pie in

0:20:03.280 --> 0:20:08.040
<v Speaker 1>the sky. Um, it's gonna cost you some money. Uh.

0:20:08.160 --> 0:20:10.440
<v Speaker 1>In the article it says five thousand, but I saw

0:20:11.240 --> 0:20:14.640
<v Speaker 1>the other website. Maybe they're undercutting. Um said that they

0:20:14.680 --> 0:20:18.840
<v Speaker 1>started about fift bucks for the most basic message, which

0:20:18.920 --> 0:20:21.960
<v Speaker 1>is just an I I guess so, and it goes

0:20:22.040 --> 0:20:25.360
<v Speaker 1>up from there. Um, I know Kurt Brownell are raised. Um,

0:20:25.440 --> 0:20:28.800
<v Speaker 1>Like I said about sixty eight hundred bucks. Uh, that's

0:20:28.800 --> 0:20:33.119
<v Speaker 1>not bad for a lengthy message like that. Yeah, how

0:20:33.200 --> 0:20:36.800
<v Speaker 1>do I land? Yeah? And the Kickstarter apparently the founder

0:20:36.800 --> 0:20:39.479
<v Speaker 1>of Kickstarter heard about it and was in town and

0:20:39.520 --> 0:20:42.040
<v Speaker 1>like delayed his trip an extra day because Kurt had

0:20:42.080 --> 0:20:44.800
<v Speaker 1>a big party on a rooftop and um, he stayed

0:20:44.840 --> 0:20:47.240
<v Speaker 1>and went to the party just to I guess say,

0:20:47.320 --> 0:20:50.879
<v Speaker 1>like this is what my company has become. Or I

0:20:50.960 --> 0:20:53.680
<v Speaker 1>had something to do with this too, Yeah, probably so. Um.

0:20:53.720 --> 0:20:56.600
<v Speaker 1>And if you're worried about what is being used for smoke,

0:20:56.680 --> 0:21:00.000
<v Speaker 1>like we said, it's paraffine oil. Um, And it's actually

0:21:00.160 --> 0:21:04.840
<v Speaker 1>non toxic, biodegradable, the good stuff. And if you're like, hey,

0:21:04.880 --> 0:21:09.800
<v Speaker 1>skywriting is polluting, but I'm cool with air shows. Well,

0:21:09.920 --> 0:21:12.120
<v Speaker 1>I have an eye opener for you, pal. They used

0:21:12.200 --> 0:21:14.960
<v Speaker 1>the same stuff at air shows. That's right. And if

0:21:15.000 --> 0:21:17.840
<v Speaker 1>you are a pilot, like let's say you're a crop

0:21:17.920 --> 0:21:20.280
<v Speaker 1>duster and you've got a little tavil and chipmunk and

0:21:20.359 --> 0:21:22.399
<v Speaker 1>you want to get into this because it seems like

0:21:22.440 --> 0:21:26.240
<v Speaker 1>a good time to be getting into skywriting. Um, it's

0:21:26.240 --> 0:21:28.360
<v Speaker 1>also the worst time to be getting in the skywriting.

0:21:28.800 --> 0:21:33.000
<v Speaker 1>But um, it'll cost you anywhere from three to six

0:21:33.040 --> 0:21:36.040
<v Speaker 1>grand to outfit your plane to be able to do this,

0:21:36.920 --> 0:21:38.520
<v Speaker 1>which I mean you can make that back in a

0:21:38.560 --> 0:21:41.480
<v Speaker 1>couple of messages, maybe one. Yeah, that's not bad. Yeah,

0:21:41.480 --> 0:21:43.840
<v Speaker 1>if John Lennon hires you, yeah, I don't know if

0:21:43.840 --> 0:21:46.440
<v Speaker 1>that's gonna happen anytime soon. No, but Yoko still could.

0:21:46.480 --> 0:21:49.239
<v Speaker 1>She's still around and kicking. That's true. We saw her

0:21:49.240 --> 0:21:53.159
<v Speaker 1>in New York in person. Yeah, no way, what just

0:21:53.240 --> 0:21:57.200
<v Speaker 1>like walking No at a restaurant. Oh, that's a big one.

0:21:57.359 --> 0:22:00.879
<v Speaker 1>It was a huge one. Yeah, they're neat or if

0:22:00.920 --> 0:22:05.119
<v Speaker 1>you're shy a La bouff. Oh yeah, yeah, you know

0:22:05.200 --> 0:22:08.600
<v Speaker 1>that guy, that jerk. He's not famous anymore. It bags

0:22:08.640 --> 0:22:11.919
<v Speaker 1>says though he uh he did that you know, he

0:22:11.960 --> 0:22:14.040
<v Speaker 1>was in the ad that played Jars in Scandal earlier

0:22:14.080 --> 0:22:16.080
<v Speaker 1>this year. I didn't know what that was about. He

0:22:16.240 --> 0:22:19.040
<v Speaker 1>did some h I think, I'm not sure exactly what

0:22:19.040 --> 0:22:21.760
<v Speaker 1>he did, but he supposedly played giarized Daniel Clothes, a

0:22:21.920 --> 0:22:25.200
<v Speaker 1>graphic novel like pretty heavily and he was just killed

0:22:25.240 --> 0:22:27.480
<v Speaker 1>for it. For what did he have a graphic knowledge? Now?

0:22:27.560 --> 0:22:29.440
<v Speaker 1>I think he did a maybe it was a play

0:22:29.520 --> 0:22:32.680
<v Speaker 1>or something. I can't remember exactly, but he was called

0:22:32.680 --> 0:22:34.679
<v Speaker 1>out and nobody likes that guy anyway, so people are

0:22:34.720 --> 0:22:37.960
<v Speaker 1>ready to pounce on him anyway, So he did. He

0:22:38.040 --> 0:22:43.520
<v Speaker 1>spent grand two higher skywriters, one that said I'm sorry,

0:22:43.960 --> 0:22:46.920
<v Speaker 1>Daniel Clothes or clouds, I'm not sure I was pronounced,

0:22:47.400 --> 0:22:53.399
<v Speaker 1>and then another one that said stop creating because if

0:22:53.400 --> 0:22:55.800
<v Speaker 1>you're a creator, they're gonna come after you. I guess

0:22:57.359 --> 0:23:02.960
<v Speaker 1>grand Um and I believe though, were digital skywriting, which

0:23:02.960 --> 0:23:07.480
<v Speaker 1>is whoa, whoa. We're gonna get into that right after this.

0:23:10.840 --> 0:23:14.800
<v Speaker 1>So digital skywriting the Wave of the future, Yeah, the

0:23:14.800 --> 0:23:19.200
<v Speaker 1>Wave of the Future that originally originated in the nineteen forties. Yeah,

0:23:19.240 --> 0:23:21.320
<v Speaker 1>I was really surprised to see that. So remember how

0:23:21.359 --> 0:23:24.880
<v Speaker 1>we said there was like skywriting which is freehand. There's

0:23:24.920 --> 0:23:28.840
<v Speaker 1>also sky typing, which is basically like dot matrix printing,

0:23:28.960 --> 0:23:31.680
<v Speaker 1>but in the sky. And in the forties, the guy

0:23:31.760 --> 0:23:36.159
<v Speaker 1>named Andy Stennis whose family is still involved in sky typing.

0:23:36.440 --> 0:23:40.639
<v Speaker 1>They run a UM, one of the bigger sky typing companies.

0:23:40.680 --> 0:23:44.960
<v Speaker 1>As you can imagine, UM he invented this process where

0:23:44.960 --> 0:23:49.520
<v Speaker 1>you would use multiple planes and they basically just fly

0:23:49.800 --> 0:23:54.320
<v Speaker 1>across the path to sky information. So kind of like

0:23:54.359 --> 0:23:57.560
<v Speaker 1>you remember that chalk holder that you you would make

0:23:57.600 --> 0:24:02.439
<v Speaker 1>like the the music stripe with ye, yeah, I think

0:24:02.480 --> 0:24:05.400
<v Speaker 1>they used it to UM. When your first learning cursive

0:24:05.840 --> 0:24:08.399
<v Speaker 1>like lined paper, or if you got in trouble and

0:24:08.440 --> 0:24:11.119
<v Speaker 1>you have to write something all over the chalkboard, you

0:24:11.160 --> 0:24:13.160
<v Speaker 1>can just use that thing and knock out like five

0:24:13.200 --> 0:24:15.320
<v Speaker 1>at once. I totally forgot about this. This is like

0:24:15.359 --> 0:24:18.760
<v Speaker 1>that but with planes. And in the fourties, Andy Stintness

0:24:18.840 --> 0:24:21.280
<v Speaker 1>was like, I'm just gonna put five planes in the

0:24:21.320 --> 0:24:24.760
<v Speaker 1>service together. We'll fly in formation uh in one direction,

0:24:24.760 --> 0:24:27.080
<v Speaker 1>we'll all go back and fly above that in the

0:24:27.119 --> 0:24:30.040
<v Speaker 1>opposite direction, and then above that back in the original direction,

0:24:30.560 --> 0:24:34.560
<v Speaker 1>and then UM you print out basically a message that way.

0:24:34.600 --> 0:24:36.679
<v Speaker 1>So you're building it from the bottom up or the

0:24:36.720 --> 0:24:40.320
<v Speaker 1>top down, going from side to side, just like a

0:24:40.440 --> 0:24:43.640
<v Speaker 1>dot mate like exactly like that. Yeah. The thing is, though,

0:24:44.080 --> 0:24:47.000
<v Speaker 1>is it's not um. It's gonna look neater than your

0:24:47.000 --> 0:24:48.520
<v Speaker 1>hand drawn when it's not gonna look like a five

0:24:48.560 --> 0:24:51.199
<v Speaker 1>year old druid. Well, especially since in the sixties they

0:24:51.240 --> 0:24:54.399
<v Speaker 1>introduced computer programs that control it too well exactly, and

0:24:54.440 --> 0:24:57.760
<v Speaker 1>it's um. It's little puffs of smoke like the dot matrix,

0:24:57.800 --> 0:25:01.600
<v Speaker 1>So the computer can trolls it. The pilot just flies

0:25:01.680 --> 0:25:04.760
<v Speaker 1>the plane. It's got the message all loaded into the

0:25:04.800 --> 0:25:08.160
<v Speaker 1>little program and it knows when to to burp out

0:25:08.200 --> 0:25:11.120
<v Speaker 1>those little puffs of smoke UM, five at a time,

0:25:11.880 --> 0:25:13.880
<v Speaker 1>and then back and forth and back and forth until

0:25:13.920 --> 0:25:17.480
<v Speaker 1>you've got you know whatever, you're silly messages shila boof.

0:25:18.680 --> 0:25:22.640
<v Speaker 1>So if you're if you're making a mile high UM

0:25:23.000 --> 0:25:27.000
<v Speaker 1>message and the five planes are flying in like a

0:25:27.040 --> 0:25:30.920
<v Speaker 1>half a mile wide formation, then they're gonna one passes.

0:25:31.040 --> 0:25:34.520
<v Speaker 1>They're gonna make the bottom half of like pie yeah

0:25:34.800 --> 0:25:37.360
<v Speaker 1>or stop creating or something. Then the next pass will

0:25:37.400 --> 0:25:39.280
<v Speaker 1>be the top half of it from one side to

0:25:39.320 --> 0:25:43.120
<v Speaker 1>the other, and then you've got a perfect, very very nice,

0:25:43.160 --> 0:25:46.760
<v Speaker 1>like you said, very clean sky typed message. Yeah, and

0:25:46.800 --> 0:25:49.120
<v Speaker 1>you can still see the dots. I mean it puffs out,

0:25:49.160 --> 0:25:53.520
<v Speaker 1>but it never quite connects like a skywritten message. And

0:25:53.560 --> 0:25:57.400
<v Speaker 1>I guess that another think about grand that's five planes

0:25:58.280 --> 0:26:00.840
<v Speaker 1>at five grand apiece, which is a minimum price, so

0:26:00.920 --> 0:26:03.520
<v Speaker 1>I guess that makes sense. Yeah, that's that's one of

0:26:03.560 --> 0:26:06.040
<v Speaker 1>the main reasons sky typing is so much more expensive.

0:26:06.080 --> 0:26:08.479
<v Speaker 1>You can get way more letters out of it. Like

0:26:08.520 --> 0:26:11.480
<v Speaker 1>when they did Pie in the Sky in Austin, they

0:26:11.520 --> 0:26:14.760
<v Speaker 1>did um, I think a couple hundred of the of

0:26:14.840 --> 0:26:20.320
<v Speaker 1>the places after the decimal Like that's a tremendous sky

0:26:20.400 --> 0:26:22.760
<v Speaker 1>type message to Don't wonder who paid for that. I'm

0:26:22.800 --> 0:26:25.160
<v Speaker 1>sure it was like a Google or somebody. Huh. Probably

0:26:25.520 --> 0:26:28.240
<v Speaker 1>they got deep pockets. But that's one of the reasons

0:26:28.240 --> 0:26:30.359
<v Speaker 1>why it's so expensive, because you have to hire five

0:26:30.480 --> 0:26:33.679
<v Speaker 1>or more planes, Like it's a minimum of five planes. Yeah,

0:26:33.840 --> 0:26:36.439
<v Speaker 1>you might need more than that. Yeah, and um, I

0:26:36.480 --> 0:26:40.480
<v Speaker 1>think who wrote this one? Julia Layton. Julia Layton says

0:26:40.560 --> 0:26:46.720
<v Speaker 1>that the digital skywriting requires less piloting finesse. I guess

0:26:46.720 --> 0:26:48.240
<v Speaker 1>that's a one way of saying it, because you're not

0:26:48.280 --> 0:26:50.239
<v Speaker 1>doing loop de loops. But if you're flying five at

0:26:50.240 --> 0:26:53.520
<v Speaker 1>a time in formation. That's some piloting finesse. That is,

0:26:53.640 --> 0:26:56.639
<v Speaker 1>it is piloting finesse. But they're not like they're not

0:26:57.280 --> 0:26:59.400
<v Speaker 1>doing like you say, a loop de loop to make

0:26:59.640 --> 0:27:03.160
<v Speaker 1>the part of a are Yeah, you know, like they're

0:27:03.200 --> 0:27:06.119
<v Speaker 1>just basically flying in formation and then some computer is

0:27:06.160 --> 0:27:09.200
<v Speaker 1>measuring exactly like their altitude and their distance in relation

0:27:09.280 --> 0:27:11.520
<v Speaker 1>to the ground and spitting out a puff of smoke

0:27:11.920 --> 0:27:14.399
<v Speaker 1>to form these letters. Like they're not doing any of

0:27:14.440 --> 0:27:17.359
<v Speaker 1>the writing. Yeah, but it's still it's better than I

0:27:17.400 --> 0:27:22.000
<v Speaker 1>can do. I'll give you that. Um. Yeah. And there's

0:27:22.080 --> 0:27:27.560
<v Speaker 1>predictions that, uh, skywriting is making a big comeback. Um,

0:27:27.600 --> 0:27:31.640
<v Speaker 1>so much so. And I found this interesting. Microsoft, did

0:27:31.640 --> 0:27:33.919
<v Speaker 1>you see this where they got a virtual skywriting patent.

0:27:35.480 --> 0:27:37.480
<v Speaker 1>There's the dumbest thing I've ever heard. They got a

0:27:37.480 --> 0:27:39.480
<v Speaker 1>patent where you can send in a picture of a

0:27:39.520 --> 0:27:42.439
<v Speaker 1>blue sky and tell them the mess, tell them the

0:27:42.480 --> 0:27:45.679
<v Speaker 1>message you want, and they will insert a fake skywriting

0:27:45.720 --> 0:27:49.280
<v Speaker 1>message into your photo and you can show people like, hey,

0:27:49.320 --> 0:27:52.520
<v Speaker 1>I got a photo of a skywriting message. That's not real.

0:27:52.840 --> 0:27:57.640
<v Speaker 1>That's cheating. That's gonna ruin the industry maybe. But um,

0:27:57.680 --> 0:28:00.760
<v Speaker 1>apparently the patent the picture that they used to get

0:28:00.800 --> 0:28:03.919
<v Speaker 1>the patent ordered was of a real skywritten message that

0:28:04.000 --> 0:28:08.040
<v Speaker 1>was actually copy written, so they I think it's still

0:28:08.080 --> 0:28:11.840
<v Speaker 1>went through even though they had infringed on a copyright

0:28:11.880 --> 0:28:13.960
<v Speaker 1>to get the patent, And I don't think they've done

0:28:13.960 --> 0:28:16.600
<v Speaker 1>anything with it yet. There's not an app yet. But

0:28:16.680 --> 0:28:18.760
<v Speaker 1>um no, I would know about it if there were

0:28:19.040 --> 0:28:20.960
<v Speaker 1>look out for it in the future. My friend, you

0:28:21.080 --> 0:28:24.320
<v Speaker 1>might be able to fake you me out. Yeah, let's say,

0:28:24.359 --> 0:28:26.159
<v Speaker 1>look at this photo. And she's like, that's weird. What

0:28:26.440 --> 0:28:29.160
<v Speaker 1>Usually people just walk you outside and show you the thing.

0:28:29.359 --> 0:28:31.679
<v Speaker 1>I would say, no time for that. Just look at

0:28:31.680 --> 0:28:35.240
<v Speaker 1>the photo. We're a busy couple. Yeah, um, and they're Actually.

0:28:35.320 --> 0:28:37.439
<v Speaker 1>It does sound like there is something of a future

0:28:37.560 --> 0:28:44.719
<v Speaker 1>for skywriting thanks to social media, because there's the the

0:28:44.760 --> 0:28:47.600
<v Speaker 1>novelty of a skywritten message like a real one, not

0:28:47.720 --> 0:28:50.480
<v Speaker 1>then Microsoft fake out like how do I land? And

0:28:50.640 --> 0:28:54.360
<v Speaker 1>you've got things like Instagram and Twitter, so people are like, oh,

0:28:54.480 --> 0:28:57.000
<v Speaker 1>check this out what somebody did over the sky of Austin,

0:28:57.280 --> 0:28:59.480
<v Speaker 1>And all of a sudden, something that was visible to

0:28:59.520 --> 0:29:02.800
<v Speaker 1>everybody at south By Southwest is visible to the entire world.

0:29:02.960 --> 0:29:05.320
<v Speaker 1>Well that's how Kurt brown Ewers blew up. It was

0:29:05.400 --> 0:29:08.640
<v Speaker 1>on Reddit and like weeks after he had done it,

0:29:08.680 --> 0:29:10.160
<v Speaker 1>he got a little bit of pressed, and then it

0:29:10.280 --> 0:29:12.360
<v Speaker 1>popped up on Reddit weeks later and he got a

0:29:12.360 --> 0:29:15.840
<v Speaker 1>whole new round of press and did interviews about it,

0:29:15.880 --> 0:29:19.720
<v Speaker 1>and it became a nice little comics stunt for role Kurt.

0:29:20.000 --> 0:29:24.200
<v Speaker 1>Now he has a car, that's right. Uh, you got

0:29:24.240 --> 0:29:26.640
<v Speaker 1>anything else? I have nothing else, sir. Okay, Well, if

0:29:26.640 --> 0:29:29.880
<v Speaker 1>you want to know more about skywriting, this article commissioned

0:29:29.880 --> 0:29:33.880
<v Speaker 1>by Chuck, you can type skywriting one word into the

0:29:33.920 --> 0:29:35.800
<v Speaker 1>search bar at how stuff works dot com and it

0:29:35.840 --> 0:29:37.840
<v Speaker 1>will bring it up. Since I said sewarch bar, it's

0:29:37.880 --> 0:29:41.800
<v Speaker 1>time for a listener mail. I'm gonna call this another

0:29:42.360 --> 0:29:46.560
<v Speaker 1>vulture vomit revisiting. That's the gift that keeps on giving. Yeah,

0:29:46.600 --> 0:29:50.000
<v Speaker 1>we did a podcast a while ago on vultures and

0:29:50.040 --> 0:29:52.680
<v Speaker 1>how their defense is to vomit on you, and uh,

0:29:52.720 --> 0:29:54.520
<v Speaker 1>it happened to this guy, which is kind of neat.

0:29:55.640 --> 0:29:58.360
<v Speaker 1>Hey everyone, I'm a bit of an amateur speed lunker.

0:29:58.840 --> 0:30:01.080
<v Speaker 1>A few summers ago I made precarious climb up a

0:30:01.080 --> 0:30:03.800
<v Speaker 1>cliff to explore a cave overlooking a river. I had

0:30:03.800 --> 0:30:06.120
<v Speaker 1>a friend with me, as you always should for such adventures.

0:30:06.120 --> 0:30:08.239
<v Speaker 1>But the narrow ledge only allowed for one of us

0:30:08.240 --> 0:30:10.120
<v Speaker 1>at a time to get to the mouth of the cave,

0:30:10.200 --> 0:30:13.120
<v Speaker 1>so I went first. I got into the cave, and

0:30:13.160 --> 0:30:15.440
<v Speaker 1>the droppings in foul stench let me know that it

0:30:15.480 --> 0:30:18.640
<v Speaker 1>was a vulture nest, but nobody seemed to be home,

0:30:19.040 --> 0:30:21.800
<v Speaker 1>so I ventured a little deeper and found, in my surprise,

0:30:22.200 --> 0:30:27.160
<v Speaker 1>a nest of hissing, angry little vulture lngs. I bet

0:30:27.200 --> 0:30:30.440
<v Speaker 1>they are. Uh. They were as aggressive as they were fuzzy,

0:30:30.640 --> 0:30:33.160
<v Speaker 1>and the biggest one tried to challenge me and chase

0:30:33.200 --> 0:30:35.120
<v Speaker 1>me away, which I thought was really cute. That's the

0:30:35.200 --> 0:30:38.040
<v Speaker 1>big brother, until I heard a thump behind me in

0:30:38.080 --> 0:30:40.640
<v Speaker 1>a much louder hiss. I turned around to see that

0:30:40.760 --> 0:30:44.680
<v Speaker 1>Mama had returned, and her bulk blocked almost the entire

0:30:44.800 --> 0:30:47.280
<v Speaker 1>entrance of the small cave. I decided to make a

0:30:47.320 --> 0:30:50.680
<v Speaker 1>fake rush and yell to scare her away, and when

0:30:50.720 --> 0:30:54.240
<v Speaker 1>I did, she reared her head back and projectile vomited,

0:30:54.840 --> 0:30:57.400
<v Speaker 1>kidding me in the side of the face. Oh man,

0:30:57.600 --> 0:31:00.280
<v Speaker 1>I have to tell you, guys, no other chemical current

0:31:00.400 --> 0:31:03.320
<v Speaker 1>in nature compares to vulture vomit. I was shocked for

0:31:03.360 --> 0:31:05.320
<v Speaker 1>a moment, and when I caught the whiff of the

0:31:05.360 --> 0:31:08.160
<v Speaker 1>disgusting mess running down my neck and into my shirt.

0:31:08.600 --> 0:31:13.000
<v Speaker 1>I basically went mildly insane. I pushed past the vulture,

0:31:13.440 --> 0:31:16.280
<v Speaker 1>leapt from the cave and slid down a tree growing

0:31:16.320 --> 0:31:19.000
<v Speaker 1>next to the cliff, tore off my shirt and jumped

0:31:19.000 --> 0:31:20.800
<v Speaker 1>into the river in a mad dash to get away

0:31:20.800 --> 0:31:23.720
<v Speaker 1>from that smell. Despite a good washing in the river,

0:31:23.800 --> 0:31:26.000
<v Speaker 1>I still stank and I had to ride home in

0:31:26.240 --> 0:31:29.000
<v Speaker 1>the bed of the truck. That, my friends, is why

0:31:29.000 --> 0:31:31.600
<v Speaker 1>you should never scare a vulture, And that is from

0:31:31.680 --> 0:31:35.320
<v Speaker 1>James Ashford in Springfield. Missoo nice. Thanks a lot, James.

0:31:35.400 --> 0:31:38.480
<v Speaker 1>It's funny how vulture vomit will focus the mind. Yeah,

0:31:38.600 --> 0:31:41.520
<v Speaker 1>I bet it's um. Have you ever been skunked or

0:31:41.640 --> 0:31:45.480
<v Speaker 1>been super close to something that's been driven on the

0:31:45.520 --> 0:31:48.560
<v Speaker 1>highway through its skunk? Not the sane. I've never been

0:31:48.600 --> 0:31:51.840
<v Speaker 1>anywhere near now. Yeah. Our dog Lucy got skunked when

0:31:51.880 --> 0:31:53.880
<v Speaker 1>we lived in l A and I woke up. I

0:31:53.960 --> 0:31:55.480
<v Speaker 1>might have told this before I woke up in the

0:31:55.480 --> 0:31:58.520
<v Speaker 1>middle of the night. And this was during this post

0:31:58.600 --> 0:32:01.040
<v Speaker 1>nine eleven. I thought that someone had set off a

0:32:01.040 --> 0:32:04.479
<v Speaker 1>dirty bomb. It was unlike it doesn't smell like it

0:32:04.520 --> 0:32:07.360
<v Speaker 1>does on the road. It smelled like the harshest, most

0:32:07.400 --> 0:32:11.600
<v Speaker 1>bitter like acrid chemical. It was just in the air

0:32:11.640 --> 0:32:13.160
<v Speaker 1>and I was tasting at my mouth, and I was like,

0:32:13.200 --> 0:32:15.520
<v Speaker 1>we've been attacked. We've been attacked. I I yeah, because

0:32:15.520 --> 0:32:19.320
<v Speaker 1>there's something almost like vaguely pleasant about like skunk smell

0:32:19.600 --> 0:32:21.920
<v Speaker 1>far away. Oh yeah, I love it. But actually see

0:32:21.920 --> 0:32:23.640
<v Speaker 1>how it would just like make you lose your mind

0:32:23.680 --> 0:32:26.280
<v Speaker 1>and it is not the same thing close up and

0:32:26.960 --> 0:32:29.800
<v Speaker 1>burn your skin or anything. No, it didn't. It was

0:32:29.840 --> 0:32:32.880
<v Speaker 1>really gross. So, I mean she smelled for We gave

0:32:32.880 --> 0:32:35.800
<v Speaker 1>her the tomato juice bath, which is supposed to help.

0:32:35.920 --> 0:32:38.760
<v Speaker 1>Did it work. I mean it's sort of massed a

0:32:38.800 --> 0:32:40.960
<v Speaker 1>little bit, but it basically just has to wear off

0:32:41.000 --> 0:32:43.760
<v Speaker 1>over of course some days and days and days. Yeah,

0:32:43.800 --> 0:32:47.080
<v Speaker 1>it was really rancid. Did you like shaver her fur anything? Like? No,

0:32:47.400 --> 0:32:49.400
<v Speaker 1>I thought about it. It was so gross. It is

0:32:49.480 --> 0:32:51.840
<v Speaker 1>very gross. Yeah, I didn't know there's skunks in l A.

0:32:51.960 --> 0:32:54.360
<v Speaker 1>That might be the fact of this podcast. They're all

0:32:54.360 --> 0:33:00.000
<v Speaker 1>over the place, skunks, coyotes, mountain lions, and smelly dogs

0:33:00.000 --> 0:33:05.480
<v Speaker 1>a wild place tomato sauce dogs. Uh. If you want

0:33:05.520 --> 0:33:07.440
<v Speaker 1>to tell us a story that has to do with

0:33:07.440 --> 0:33:09.680
<v Speaker 1>one of our old episodes. We love hearing about that,

0:33:09.840 --> 0:33:12.920
<v Speaker 1>especially if it brings up a counter story by Chuck.

0:33:13.600 --> 0:33:16.160
<v Speaker 1>You can tweet to us at s y s K podcast.

0:33:16.520 --> 0:33:18.920
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0:33:18.920 --> 0:33:21.080
<v Speaker 1>you Should Know. You can send us an email to

0:33:21.240 --> 0:33:24.680
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0:33:24.760 --> 0:33:27.640
<v Speaker 1>an Instagram page, We have a Pinterest page. We got

0:33:27.640 --> 0:33:31.400
<v Speaker 1>it all, everybody, and the whole thing comes together at

0:33:31.400 --> 0:33:33.680
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0:33:33.680 --> 0:33:41.360
<v Speaker 1>com for more on this and thousands of other topics.

0:33:41.600 --> 0:33:50.160
<v Speaker 1>Is it how stuff Works dot com