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Speaker 1: I didn't like the movie the first time I saw.

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Speaker 1: We are to the movie that I'm telling you that's

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Speaker 1: a left.

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Speaker 2: Turn on the highway.

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Speaker 3: I'm trying the highway slide a flag on the plate?

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Speaker 3: Two flags, that's three flags? Hell?

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Speaker 2: Why what the fuck you mean you didn't like it?

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Speaker 4: Yeah? Yeah, what up?

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Speaker 3: Y'all?

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Speaker 4: This is your boy. Joe Cracked the Dawn.

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Speaker 5: You know who it is?

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Speaker 6: Your boy Jada kissed the Joe and Jada's show, Every show, legendary,

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Speaker 6: every show.

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Speaker 2: I kind of stoppable to your mortals this year, and.

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Speaker 4: I don't know what y'all want.

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Speaker 6: I don't know if y'all gonna be able to handle

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Speaker 6: what's going on here.

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Speaker 1: You know, the apology is always less louder than the initiation.

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Speaker 1: You know, the apology, but guy, get continued.

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Speaker 6: You think of today's guests, right, You think funny, You

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Speaker 6: think Queens, New York. You think one man shows like Freak,

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Speaker 6: You think Broadway movie screens and now a Spanish language

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Speaker 6: series on Hulu called Dead Killing Nannies. You think of

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Speaker 6: a man who turned pain into punchlines and built the

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Speaker 6: whole career, and nobody can argue. You think about today's guests.

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Speaker 6: You think I come ladies and gentlemen.

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Speaker 2: Bendy Blanco from the Browns.

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Speaker 5: Definitely you're doing that right now. You're kidding me. You

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Speaker 5: had one.

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Speaker 6: When you think of today's guest, fucking Benny Blanco, the

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Speaker 6: Sny Blanco from the Bronx.

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Speaker 5: This so much for our coaching, is it? John?

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Speaker 2: Thank you?

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Speaker 5: Man?

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Speaker 2: That was great? What a great injo. I'm like, I'm embarrassed.

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Speaker 5: Thank you.

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Speaker 2: You guys are the best.

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Speaker 3: Man.

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Speaker 2: I'm a family.

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Speaker 6: Thanks thanks for joining the couch with me and my brother. Uh.

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Speaker 6: Production staff is like the Avengers day. They do a

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Speaker 6: great job.

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Speaker 2: I mean, you got a serious staff here, man, This

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Speaker 2: is insane. How many people got here? That's a big

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Speaker 2: payroll varies.

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Speaker 1: Let me tell you something. Some artists come up in

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Speaker 1: here with entourage of like forty. You know, I'm older,

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Speaker 1: so I've been through every failure.

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Speaker 5: You've seen it all. You've seen it all for real.

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Speaker 1: So when i see them come in here with a

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Speaker 1: forty clip, I'm immediately.

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Speaker 2: Thinking they're doing the math of that.

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Speaker 5: You do?

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Speaker 3: How much is that your hotel rooms?

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Speaker 2: My family?

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Speaker 3: They're still gonna be on the payroll somehow, Bro and

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Speaker 3: the gas on what I'm because that's you vs and

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Speaker 3: the Ubers. That costs money too. Yes, they get hungry too.

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Speaker 3: Ash always gets hungry, yo. And you don't want to

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Speaker 3: eat what they eat. You want to eat what you

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Speaker 3: want to eat, and where you want to eat is

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Speaker 3: way more expensive. So that's one hundred bucks a pop.

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Speaker 3: She got forty deep times one hundred dollars a person.

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Speaker 1: Nah, sometimes a female artist coming in here with thirty people,

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Speaker 1: and I'm just you know the way I do it now,

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Speaker 1: I'm old man. It's like I'm sitting on the porch here,

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Speaker 1: I'm looking at it. I'm like, yo, yeah, shit costed.

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Speaker 1: This is a cautionary tale about to happen. Yeah, yeah,

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Speaker 1: oh you know what I mean, Like you know, have

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Speaker 1: you know I help people all the time.

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Speaker 2: Helps people all this That's what I hear on the street.

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Speaker 1: It's the truth, I know, Like I mean truth, like

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Speaker 1: you know, when I go, when I go to heaven,

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Speaker 1: when I go to meet the man, you know, not

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Speaker 1: for a long time. Yeah, but I hope I get

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Speaker 1: you know, some of these homeless. You know, I got

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Speaker 1: a routine of like homeless. You know, one day I'm

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Speaker 1: hanging out with the royal family of Dubai, right. When

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Speaker 1: they come to New York, they only hang out with

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Speaker 1: Fat Joe. They like they have too, so they're like, Yo, Joe,

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Speaker 1: let's go to a steakhouse. I'm like, no problem, I

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Speaker 1: got my age show set up.

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Speaker 4: We're walking there.

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Speaker 1: It's a beautiful day in New York and everybody's just

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Speaker 1: walking up and they're like, yo Joe, and I'm like, honey,

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Speaker 1: they don't that's not in Dubai that they don't Joe White, No,

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Speaker 1: I don't know if they don't believe it.

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Speaker 4: Chat but what are you looking at these people coming

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Speaker 4: up to you, Joe.

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Speaker 5: I'm like, you know, I know all of them.

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Speaker 4: Yeah, I do that ship every day in my life.

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Speaker 2: But that's good.

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Speaker 3: That's good giving. Yo's put out good. More good comes

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Speaker 3: to you. You're generous, the world will be generous back.

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Speaker 3: I mean, it's karma, isn't it.

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Speaker 5: That's how I feel. I think I should find a

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Speaker 5: way to try to write that.

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Speaker 4: Off, right.

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Speaker 2: I mean that that would be the mathematics.

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Speaker 4: It counts homeless. They want cash man.

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Speaker 2: They're not like the casting charity. Cast charity.

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Speaker 3: It's a charitable donation. If I've o see one three ship,

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Speaker 3: you know, not for profit.

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Speaker 1: You know, John, you want to know what's the craziest

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Speaker 1: thing is what's the craziest thing, Joe, is that the

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Speaker 1: man is he is giving you your intro and he

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Speaker 1: says funny. And the last thing I think of John

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Speaker 1: leg Guzamo for it because he plays such a gangster

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Speaker 1: role in all these movies. It's funny, but the man's funny.

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Speaker 1: I want to you the One Man Show, I see

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Speaker 1: all your Ship? What was your father's name in the show?

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Speaker 5: My father's name?

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Speaker 4: And the One Man Show Faster? What was that master?

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Speaker 2: Faster? But my father faster? Yo?

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Speaker 4: That ship was hilarious.

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Speaker 2: Man.

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Speaker 3: But you know, why can't you do both? Why can't

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Speaker 3: you be a comedian not faster?

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Speaker 2: You could do both.

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Speaker 3: You just have to work harder because they're both demand

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Speaker 3: different things from you, and you just got to deliver

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Speaker 3: on each aspect differently. It's like the athletes who can

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Speaker 3: do football and basketball or baseball.

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Speaker 4: Now we appreciate you for both.

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Speaker 2: It's just you know, you got to change up your

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Speaker 2: game anyhow.

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Speaker 1: Yeah, I love I love All your Gangster Ship too.

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Speaker 1: You know it wasn't my favorite game.

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Speaker 3: Yeah, everybody always talks about that scene when you pop

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Speaker 3: this lever and the rifle flies out for the track

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Speaker 3: of the couch and shot.

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Speaker 2: Yeah, let me tell you the best part of that movie.

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Speaker 1: That that put me into like a space where I

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Speaker 1: think one of my best, probably my very best gangster

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Speaker 1: song I ever did, my Lifestyle. I wrote it whenever

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Speaker 1: we had a break in the trailer because we was

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Speaker 1: doing that movie and all that gangster ship was going on.

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Speaker 5: I'm y'all wan my.

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Speaker 1: Lifestyle while send me the beat. I wrote the ship

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Speaker 1: on the set of that movie, in the trailer. Every

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Speaker 1: time we took a break, I went back up in

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Speaker 1: there another ball of two balls.

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Speaker 3: You're like a method rapper, like you were being gangster

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Speaker 3: and you were writing gangster rap. Yeah, but the movie

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Speaker 3: was so gangst there was. I mean, Frank wrote about

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Speaker 3: his own life. He wrote about his own family and

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Speaker 3: people that he knew in the South Bronx.

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Speaker 2: It was legit. I mean, that's what he was writing about.

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Speaker 2: That's why Empire rock so hard.

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Speaker 1: Yeah, it did, man, and even me. You know, whenever

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Speaker 1: it shows up at two in the morning. Some day

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Speaker 1: I started watching that shit. It comes on TV at

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Speaker 1: two in the morning.

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Speaker 3: I'm like, dude, I gotta tell you that movie was

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Speaker 3: really special because it cost two million dollars to make

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Speaker 3: back in the day, and when it came out in

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Speaker 3: December during Christmas time, it was number eight on the billboard.

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Speaker 3: It was number eight against movies that were fifty sixty

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Speaker 3: one hundred million, and we were number eight and stayed

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Speaker 3: up there for about a month on the top.

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Speaker 2: That's how hot the movie was.

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Speaker 4: It was also ahead of his time.

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Speaker 1: Oh yeah about somebody want to get out the game

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Speaker 1: and invest in Wall Street.

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Speaker 5: But it was a.

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Speaker 4: Scam he had Bernie made off before burn.

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Speaker 3: Yes, and also in the Latin director Latin writer, you know,

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Speaker 3: the whole Latin cast that was way ahead of.

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Speaker 2: Its time too, and we were making bank.

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Speaker 3: And they should have been an empire too, Frank raised

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Speaker 3: the director should have had a ton of movies. If

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Speaker 3: he was a white director and a white writer, he

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Speaker 3: would have been offered everything. And instead, you know, you

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Speaker 3: just got to keep with retelling, please look at the script,

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Speaker 3: please look at this, please, And you always got to

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Speaker 3: keep begging, and it gets tiring. I think that I

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Speaker 3: like to wind and complain. So what if I can't

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Speaker 3: complain here?

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Speaker 2: What the fuck? Now?

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Speaker 4: I'm being honest with you, That's that's really my problem

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Speaker 4: with Hollywood.

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Speaker 3: Like I call it hollywooden't because it has been hollywooden

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Speaker 3: for us forever. I mean, I have great success in it,

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Speaker 3: but at the same time, it's still not what it

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Speaker 3: should be, you know. I mean it's still we're still like,

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Speaker 3: we're twenty percent of the population. We over index at

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Speaker 3: the box office at thirty percent. We're third of sports fans.

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Speaker 3: Where is our thirty percent of the of the movies,

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Speaker 3: of the of the casting, of the executives.

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Speaker 2: Where is that? I want that? I want twenty percent,

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Speaker 2: because that's our parody. I'm gonna tell you the story.

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Speaker 2: I don't want to kill.

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Speaker 1: No, no, no. But there was once a guy, right,

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Speaker 1: and I know he's gonna know. I'm pretty sure he botch.

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Speaker 1: Now he was a good guy, I can't say. But

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Speaker 1: they made him the president of one of the biggest studios.

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Speaker 5: Which one.

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Speaker 1: Oh my god, listen big time, Okay, this guy, give us,

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Speaker 1: give us initials.

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Speaker 2: This guy was running the show. But and I knew him,

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Speaker 2: and we have friends in common.

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Speaker 1: Every time I go to LA we would have dinner

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Speaker 1: together and I would sit down and be like, Yo,

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Speaker 1: what movie you putting out?

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Speaker 2: Oh? Nothing andmember that.

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Speaker 6: Yo.

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Speaker 1: But you know you you're you're in the hot seat, bro.

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Speaker 1: You could you put out a bunch of Latino movies,

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Speaker 1: black movies. This you're the he was the man. He's

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Speaker 1: answered to no one. This guy was hiding under his desk.

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Speaker 1: So long till they figure out, hey, this guy Johnny

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Speaker 1: ain't doing nothing trying to get rid of them. It's

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Speaker 1: like these people work to get in these positions. Then

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Speaker 1: they get gunshots.

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Speaker 3: Yeah.

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Speaker 1: Yeah, they're scared to pull the trigger on the movie

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Speaker 1: because if it doesn't succeed right then they're fired.

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Speaker 2: Well you hit it, you.

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Speaker 3: Hit that, you hit it right there, because that's what

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Speaker 3: the industry is. It's based on fear. Everybody's afraid of

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Speaker 3: losing their jobs. So everybody's afraid of making a mistake

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Speaker 3: and pulling the trigger in green lightning shit. I mean

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Speaker 3: David Soslov, the guy who's doing that big deal, the

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Speaker 3: big merger right now with Warner Brothers, HBO and the

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Speaker 3: and the L seventy billion, that right that one, Well,

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Speaker 3: his whole thing was zero production. That's how he grows

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Speaker 3: the the value of the company. But you can't have

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Speaker 3: a production company that doesn't produce of course you now

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Speaker 3: they do. Well, he did, but it's a fake, a

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Speaker 3: fake premise, bro, It's a Ponzi scheme.

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Speaker 2: That's why they're they're they're they're they're they're.

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Speaker 3: Shipping on that deal right now because Yeah, anyway, what

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Speaker 3: we're talking about, let's talk about my show coming out.

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Speaker 1: Before one show in regular light, before before we get

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Speaker 1: into the new show.

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Speaker 6: I got, I got some colleage. Let's get into I

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Speaker 6: got some Corlito questions. I was that Carlito is one

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Speaker 6: of the movies that feel like every character was real light.

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Speaker 5: Yeah, every it feels like it wasn't a character.

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Speaker 2: Jada, You were right.

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Speaker 3: I mean because the writer was a New York Puerto

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Speaker 3: Rican judge who wrote about his life growing up in

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Speaker 3: Spanish Harlem, so he knew what he was talking from,

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Speaker 3: you know. And uh, you know, they cast thewas Guzman

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Speaker 3: and myself to bring a little authenticity because you know,

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Speaker 3: the lead was supposed to be a Puerto Rican but

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Speaker 3: it was played by a white guy playing Puerto Rican,

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Speaker 3: which is you know.

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Speaker 2: It was what they used to do back in the day.

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Speaker 2: They won't let us be our heroes.

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Speaker 3: And the legend he played the legendary role Yes, that

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Speaker 3: the white guy he didn't do.

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Speaker 2: Why you got to name him man.

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Speaker 3: Because he's the legend of name that executive. But he'll

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Speaker 3: name Pacino in the movie. He's a bad motherfucker. Al

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Speaker 3: Pacino is amazing, amazing, He's amazing. There's a lot of

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Speaker 3: white actors that I respect. I'm not disrespecting him. I

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Speaker 3: still love my white actors. Latino could have played that role.

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Speaker 3: Hell yeah, why not?

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Speaker 6: Yo?

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Speaker 4: We hadn't.

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Speaker 3: We had Andy Garcia, we had Benjamin Brad, we had

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Speaker 3: Benicia told. We had tons of people who could have

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Speaker 3: played it, but they wouldn't give us those lead roles.

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Speaker 3: I mean, I mean Patino played Latino twice and how

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Speaker 3: many other brown face?

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Speaker 2: Yes, that would have made.

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Speaker 1: A starface, yes, and fucking calledos.

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Speaker 3: But imagine you put a Latin actor in that role, man,

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Speaker 3: they would have been superstars.

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Speaker 1: The Latin actor was Benny Blanco from the Blank? Or

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Speaker 1: was thisso the big that didn't fly?

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Speaker 5: Straight?

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Speaker 1: Fucking movie? Let me tell you something. I didn't like

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Speaker 1: the movie the first time I saw it. We are

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Speaker 1: to the movie that I'm telling you.

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Speaker 4: That's a left.

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Speaker 2: Turn on the highway.

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Speaker 5: I'm driving on the highway.

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Speaker 3: Flag a flag on the plate. Two flags. That's three flags. Hell,

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Speaker 3: why what the fuck you mean you didn't like it?

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Speaker 3: Let me tell you why. I don't know if I

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Speaker 3: want to know why. No, no, no, it isn't even

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Speaker 3: your fault. Nobody's fault.

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Speaker 1: I'm coming off for Scarface we lived. I mean, we're

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Speaker 1: keeping the real star face.

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Speaker 4: I know.

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Speaker 2: But director same director, Brian de Palmer, one of the great.

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Speaker 1: Scarface kind of like destroyed my whole crew's life. Growing up,

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Speaker 1: we sold drugs because the Scarface we would out. I

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Speaker 1: remember getting locked up and my best friend was called

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Speaker 1: ton Montana Rest in Peace.

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Speaker 4: He got killed.

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Speaker 1: I remember going to the priests and getting locked up

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Speaker 1: with him and him in you human life, putting his

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Speaker 1: foot on the captain's table like I ain't thrown in

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Speaker 1: Mandana and you have a job in the nigga.

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Speaker 2: Like look the fuck up, get the fuck in the cell.

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Speaker 1: Like you know, we were brainwashed. So when colletos Way

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Speaker 1: came out, we thought it was like Carface Part two

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Speaker 1: and when he walks around Spanish Harlem and everybody's like yo,

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Speaker 1: and we like, oh shit, you see chich in that

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Speaker 1: spot and that the gig Rest in peace, Get the yeah, yo, yeah,

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Speaker 1: you and ju salads. All right, he comes up, So

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Speaker 1: I'm thinking it's carface too.

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Speaker 4: It's on the whole movie.

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Speaker 1: Theater thought that, by the way, and then it turned

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Speaker 1: into a love story with ballet, with this, with that,

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Speaker 1: but years nada understanding life and the hye right right

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Speaker 1: have movies one of the greatest movies ever made in

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Speaker 1: the history of mankind. I got to understand the love story.

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Speaker 1: He's trying to break away.

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Speaker 2: Right right, trying to get out the business, and the

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Speaker 2: business won't let him go.

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Speaker 1: So at first I'm thinking this call face part to it.

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Speaker 1: Then I'm like, yo, this is a fucking love story

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Speaker 1: with a white girl that lay like what the fuck?

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Speaker 5: You?

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Speaker 1: Was the only person we could relate to in that

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Speaker 1: Scarfaces because you walking up in there? You Benny Blancos.

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Speaker 1: What was that like playing Benny? Was it anybody you

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Speaker 1: thought of like this guy? I knew this guy, grew

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Speaker 1: up with him. What was it?

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Speaker 5: It was? It was? It was a cat that I

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Speaker 5: was hanging out with.

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Speaker 3: Yeah, he was a drug dealer, and uh and uh

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Speaker 3: I shouldn't have been hanging out with him because I

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Speaker 3: didn't realize I was kind of stupid and thought I

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Speaker 3: was invincible somehow, but hanging out with him was really

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Speaker 3: dangerous because his brother had had gotten shot just walking

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Speaker 3: around the neighborhood like that.

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Speaker 2: Because they were both drug dealers. Everybody knew who they were,

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Speaker 2: so it was.

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Speaker 3: Stupid of me to go with him to the where

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Speaker 3: he stores, that where the stash houses and all that.

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Speaker 2: And I was doing all that.

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Speaker 3: So yeah, I betsed it on somebody directly, because that's

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Speaker 3: why I had that kind of fire and juice.

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Speaker 2: But also Brian did Palmu taught me so much, man.

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Speaker 2: He gave me.

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Speaker 3: He gave me so much law in that movie, so

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Speaker 3: I got to return it. We had just done Carldo

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Speaker 3: Casualties of War with Sean Penn and Michael J. Fox

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Speaker 3: and Bing Raim's Vietnam movie, and then he cast me

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Speaker 3: as as Benny Blanco in The Bronx, and Yo, back

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Speaker 3: then that was real film, thirty five millimeter.

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Speaker 2: You you you got four or five takes.

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Speaker 3: He gave me thirty takes on my entrance because he

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Speaker 3: enjoyed the crazy shit that I was doing. But that

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Speaker 3: taught me how to act, man, because everything I did,

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Speaker 3: I came and I knocked down the waiters uh, Trey

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Speaker 3: you kid, Yeah, yeah.

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Speaker 5: I did. That was a real walk.

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Speaker 1: Yeah, man, like you had the chest out there like

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Speaker 1: looking at the sit like you you had that sit

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Speaker 1: to a science.

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Speaker 3: Ye.

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Speaker 2: It was so much fun man and Pacino. I was

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Speaker 2: improvising everything.

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Speaker 5: Uh uh.

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Speaker 3: The palm allowed me to put all my friends at

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Speaker 3: my booth, in the in the club, in the discotheque.

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Speaker 3: I had my ex wife. We won't talk about her.

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Speaker 3: And then all the other people were like Nelson Bass.

365
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Speaker 3: She took, she took a lot at the.

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Speaker 2: Time, it was it was almost fifty percent of what

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Speaker 2: I had.

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Speaker 3: Jesus, yeah, Jesus say in La.

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Speaker 5: She's not gonna hear yo.

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Speaker 2: Jesus is lord man, why you had no.

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Speaker 5: No, no, no.

372
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Speaker 3: That who's who's had a good divorce. Nobody's had nobody.

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Speaker 1: But I just quiet, don't look around because with no disrespect,

374
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Speaker 1: because I got a lot of friends they divorced wives.

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Speaker 4: But that's like that you considered that.

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Speaker 1: A job now, like, well, you're gonna lose fives of

377
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Speaker 1: sex athletes and all that like that. Like but they

378
00:17:38,240 --> 00:17:40,880
Speaker 1: and then they'll become what business woman once you give

379
00:17:40,920 --> 00:17:44,600
Speaker 1: them that twenty thirty million, their new ship under.

380
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Speaker 4: Their Instagram and everywhere.

381
00:17:45,760 --> 00:17:48,680
Speaker 1: It's like, Yo, this is the business lady from this

382
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Speaker 1: and this and that and the only business state there

383
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Speaker 1: was taking nigga's money. This shit is out of control, buddy.

384
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Speaker 1: I'm hitting him like the businesswoman of the year I got.

385
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Speaker 3: I saw a flag him there before we all get

386
00:18:02,800 --> 00:18:03,760
Speaker 3: canceled and ship.

387
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Speaker 4: I got a lot of sisters. Fucking wives do you have, Joe?

388
00:18:09,640 --> 00:18:13,320
Speaker 4: I don't have X wives. The problem is you just anyway.

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Speaker 1: It's a huge hustle these days, huge hustles.

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Speaker 4: But yes, so that that movie changed my life.

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Speaker 3: Calledly those But what you know, what's interesting to me, Joe,

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Speaker 3: is that Scarface because there's such few Latin representations and

393
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Speaker 3: we had no positive representation in that era. It was

394
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Speaker 3: all like drug dealers because everything in Miami vice, every

395
00:18:39,720 --> 00:18:41,400
Speaker 3: Latin character was was a criminal.

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Speaker 7: Uh.

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Speaker 3: And then you if they had had more positive Latin images,

398
00:18:47,040 --> 00:18:50,680
Speaker 3: would you have gone into a more positive path or

399
00:18:50,840 --> 00:18:53,159
Speaker 3: or because Scarface was even a white guy playing a

400
00:18:53,240 --> 00:18:55,120
Speaker 3: Latin guy playing I had it for.

401
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Speaker 1: The wrong path no matter what. I had a father

402
00:18:58,320 --> 00:19:00,879
Speaker 1: he worked his ass off at him. Mother she worked

403
00:19:00,880 --> 00:19:03,960
Speaker 1: that ass off. I had love in the crib and

404
00:19:04,080 --> 00:19:06,879
Speaker 1: I was just looking for the wrong shit, no matter what.

405
00:19:07,840 --> 00:19:12,440
Speaker 1: So you know what happened. No, it is the truth.

406
00:19:12,560 --> 00:19:15,520
Speaker 1: I had a father that loved me. He worked his

407
00:19:15,880 --> 00:19:18,680
Speaker 1: ass off. Like there was days my father would come

408
00:19:18,720 --> 00:19:22,320
Speaker 1: home and dressed like you and fucking just throw himself

409
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Speaker 1: on the bed and we saw him the next morning.

410
00:19:26,200 --> 00:19:30,280
Speaker 1: They had that motherfucker working, and my mom same shit.

411
00:19:30,480 --> 00:19:33,200
Speaker 1: And I still the minute I could run to the streets,

412
00:19:33,240 --> 00:19:36,679
Speaker 1: I ran to the streets. That was very ambitious, you know,

413
00:19:36,840 --> 00:19:39,680
Speaker 1: almost like Benny Blanco. I was very ambitious.

414
00:19:39,720 --> 00:19:44,240
Speaker 2: I'm still very ambitious. That hasn't got a way, No, no, no, no, no, no.

415
00:19:44,320 --> 00:19:47,000
Speaker 1: It's something I'm blessed with because there's so many people

416
00:19:48,160 --> 00:19:50,280
Speaker 1: that choose to live a mediocre life.

417
00:19:50,440 --> 00:19:54,040
Speaker 2: They choose to all right, we did it already.

418
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Speaker 7: You know.

419
00:19:54,359 --> 00:19:56,159
Speaker 1: I'm at the point I ain't even gonna lie to you.

420
00:19:56,280 --> 00:19:58,680
Speaker 1: If I put my lifestyle down.

421
00:19:59,320 --> 00:19:59,959
Speaker 5: Got to put it down.

422
00:20:00,160 --> 00:20:03,520
Speaker 2: You gotta move somewhere where it's cheap or something like that.

423
00:20:04,400 --> 00:20:05,560
Speaker 4: I don't got to work no more.

424
00:20:06,040 --> 00:20:07,399
Speaker 5: I could just watch TV and.

425
00:20:07,440 --> 00:20:10,879
Speaker 3: Ship you downside so you could, uh yeah, well that's smart.

426
00:20:10,880 --> 00:20:14,480
Speaker 1: That's a smart move, yes, but not for me. Oh see,

427
00:20:14,480 --> 00:20:16,320
Speaker 1: I'm Benny blanco. I'm still walking.

428
00:20:16,320 --> 00:20:18,120
Speaker 5: Oh yeah, yeah, Hey.

429
00:20:17,680 --> 00:20:19,360
Speaker 4: You got all that lady. That can't be jail.

430
00:20:19,400 --> 00:20:21,600
Speaker 1: I got to come up in this restaurant. I gotta

431
00:20:21,640 --> 00:20:24,719
Speaker 1: be in all the hot spots. But I am saying,

432
00:20:24,920 --> 00:20:28,200
Speaker 1: if I ever wanted to get myself a nice, affordable,

433
00:20:28,760 --> 00:20:34,160
Speaker 1: middle income nice house and watch Jeopardy at seven thirty,

434
00:20:34,200 --> 00:20:34,880
Speaker 1: I could do it.

435
00:20:34,960 --> 00:20:35,359
Speaker 5: You could do.

436
00:20:35,440 --> 00:20:37,040
Speaker 2: But that's not you. That's not you. You got too

437
00:20:37,119 --> 00:20:37,719
Speaker 2: much going on.

438
00:20:38,000 --> 00:20:40,600
Speaker 1: No, I gotta care to be in this ship, like

439
00:20:40,840 --> 00:20:43,199
Speaker 1: you know. That's that's the story of my life. How

440
00:20:43,280 --> 00:20:45,840
Speaker 1: much as how much does this get pay?

441
00:20:45,880 --> 00:20:48,480
Speaker 3: You paid really good? But how much is really good?

442
00:20:49,520 --> 00:20:52,720
Speaker 3: I need numbers? I can't be This guy won't give me.

443
00:20:52,800 --> 00:20:55,840
Speaker 3: He won't give me initials, he won't give me my

444
00:20:56,280 --> 00:20:58,800
Speaker 3: I get out of this. Listen my ex x x

445
00:20:58,960 --> 00:21:01,679
Speaker 3: x x x x his wife. I'll be coming for

446
00:21:01,760 --> 00:21:06,160
Speaker 3: some fucking money if she this motherfucker.

447
00:21:05,520 --> 00:21:11,320
Speaker 4: Huh or that's what I see? Y? Are you crazy?

448
00:21:12,040 --> 00:21:16,800
Speaker 1: You don't want from the block coming from fucking lifetime warranty?

449
00:21:17,920 --> 00:21:22,240
Speaker 4: That bits? Are you crazy? I can't tell them numbers.

450
00:21:22,680 --> 00:21:24,919
Speaker 1: That's a new thing I don't do though, Well that

451
00:21:25,000 --> 00:21:29,800
Speaker 1: was that well know, we come from nothing right right,

452
00:21:30,320 --> 00:21:34,119
Speaker 1: So everything since the beginning of time of rap music

453
00:21:34,600 --> 00:21:41,720
Speaker 1: has always been bragging, bravado, coasted. You know, fucking Melly

454
00:21:41,760 --> 00:21:44,840
Speaker 1: Mao still living in the process. He was like shimmapel

455
00:21:45,119 --> 00:21:47,960
Speaker 1: Melly mail. They was talking about that ship from But

456
00:21:48,119 --> 00:21:51,480
Speaker 1: in any case, back in the days, when any rapper

457
00:21:51,520 --> 00:21:55,080
Speaker 1: would get a big check or some new success, they

458
00:21:55,119 --> 00:21:59,919
Speaker 1: would announce it right, first guy from Brooklyn to May

459
00:22:00,280 --> 00:22:02,679
Speaker 1: eight million, Yeah, yeah, yeah, put that shit up on

460
00:22:02,720 --> 00:22:04,760
Speaker 1: the raptors. And then motherfucker's it be running in the

461
00:22:04,800 --> 00:22:10,040
Speaker 1: street the hood like, yo, oh boy made eight Now you'd.

462
00:22:09,760 --> 00:22:13,160
Speaker 2: Be lucky to see me say I made two dollars.

463
00:22:13,960 --> 00:22:15,840
Speaker 5: You can figure it out, do the math.

464
00:22:15,920 --> 00:22:17,800
Speaker 3: Look at me like I just go look at celebrity

465
00:22:17,800 --> 00:22:21,119
Speaker 3: worth and I go boom. Not true though, how is

466
00:22:21,160 --> 00:22:22,360
Speaker 3: it not true? Too little tom?

467
00:22:23,480 --> 00:22:25,800
Speaker 1: I gotta watch the course more than what they say.

468
00:22:25,840 --> 00:22:29,400
Speaker 1: My networth is that ship been lined a long time ago.

469
00:22:31,920 --> 00:22:33,640
Speaker 1: Trust me what I tell you, it's way off. It's

470
00:22:33,720 --> 00:22:36,959
Speaker 1: way off beyond oh good, good to know good. But

471
00:22:37,000 --> 00:22:38,240
Speaker 1: my thing is I look it up before.

472
00:22:38,240 --> 00:22:41,800
Speaker 3: I I don't brag about because I was gonna He's

473
00:22:41,800 --> 00:22:43,359
Speaker 3: worth a lot more than that.

474
00:22:43,640 --> 00:22:48,680
Speaker 2: Come on, now, yo, bro, I got, I got, but

475
00:22:48,840 --> 00:22:49,600
Speaker 2: he said, Yo, bro.

476
00:22:49,760 --> 00:22:50,040
Speaker 3: You know.

477
00:22:53,920 --> 00:22:57,280
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Speaker 2: Anyway, can we talk about my sterious.

516
00:24:55,880 --> 00:24:58,040
Speaker 5: Thank you, thank you?

517
00:24:58,359 --> 00:25:07,840
Speaker 3: Hey, No, no, that's utopia, dear killing nannies. It's so dope, man,

518
00:25:08,080 --> 00:25:12,359
Speaker 3: It's the first authorized Pablo Escobar story. And you know,

519
00:25:12,920 --> 00:25:16,520
Speaker 3: white actors in America all have to play Hamlet, Hamlet

520
00:25:16,800 --> 00:25:20,120
Speaker 3: all that, and actors have to play Pablobars bensa Toro

521
00:25:20,240 --> 00:25:23,959
Speaker 3: did it? Have you Bardem did it? Wagno Mara did

522
00:25:24,000 --> 00:25:25,800
Speaker 3: and now I'm doing it. But I think I got

523
00:25:25,840 --> 00:25:28,960
Speaker 3: the best accident best. Yes, sir bro you check it out.

524
00:25:29,000 --> 00:25:32,160
Speaker 3: You don't, I'm gonna watch. I just was watching yesterday.

525
00:25:32,160 --> 00:25:34,720
Speaker 3: Look at some YouTube, Pablo bar video, and then look

526
00:25:34,720 --> 00:25:38,159
Speaker 3: at what I'm doing. See how there's no difference for

527
00:25:38,200 --> 00:25:42,200
Speaker 3: everything I can tell you about Popeye his hit me. Yes, yes, yes,

528
00:25:46,680 --> 00:25:54,760
Speaker 3: I said pop Pie. I thought you and Columbo, Yeah yeah, yeah.

529
00:25:54,880 --> 00:25:57,199
Speaker 3: You got to meet the real Popeye because he's out there.

530
00:25:57,760 --> 00:26:00,240
Speaker 3: Get to meet the real Popeye. But I said his

531
00:26:00,320 --> 00:26:03,880
Speaker 3: videos and I met his son, Pablo's Escobar son who

532
00:26:03,960 --> 00:26:04,640
Speaker 3: changed his name.

533
00:26:05,840 --> 00:26:08,600
Speaker 4: Nice guy. Just see anything on his wife yesterday too.

534
00:26:08,760 --> 00:26:08,960
Speaker 5: Yeah.

535
00:26:08,960 --> 00:26:12,760
Speaker 3: The dude escaped the sins of his father, escaped the lifestyle.

536
00:26:13,080 --> 00:26:17,120
Speaker 3: He became a psychologist, travels around the world giving speeches

537
00:26:17,160 --> 00:26:20,359
Speaker 3: about positivity. Like he really ran away from that. He

538
00:26:20,359 --> 00:26:22,560
Speaker 3: could have chosen to kept to keep going in the

539
00:26:22,600 --> 00:26:26,119
Speaker 3: Father's wars because the reason that Pablo is still magnetic.

540
00:26:26,280 --> 00:26:30,520
Speaker 3: Is because he's the wealthiest gangster that ever lived in

541
00:26:30,560 --> 00:26:33,359
Speaker 3: the history of the world. He died it with thirty

542
00:26:33,400 --> 00:26:37,959
Speaker 3: billion dollars back then today's dates would be seventy billion dollars.

543
00:26:38,320 --> 00:26:41,680
Speaker 4: I mean, let's do with those three new hollarys. Come

544
00:26:41,720 --> 00:26:42,359
Speaker 4: on two times.

545
00:26:42,440 --> 00:26:45,840
Speaker 1: This guy's called Tutama Felon. Don't tell me why he

546
00:26:45,880 --> 00:26:48,879
Speaker 1: wears those shoes. I don't know what kind of shoes

547
00:26:48,880 --> 00:26:52,440
Speaker 1: is though. Penny loaf for sneakers, hot steppers. He got

548
00:26:52,480 --> 00:26:55,199
Speaker 1: the leakers. He wants to go double viral and I

549
00:26:55,280 --> 00:26:59,160
Speaker 1: fell for it. Man went viral with them fucking astronaut

550
00:26:59,160 --> 00:27:02,440
Speaker 1: shoes he got on and the penny loafers he got

551
00:27:02,560 --> 00:27:05,920
Speaker 1: sneaker penny loafers. You got a penny in the penny

552
00:27:06,240 --> 00:27:09,320
Speaker 1: that's a local questions. He got to sitting in the lower

553
00:27:09,400 --> 00:27:12,000
Speaker 1: cartels you ship.

554
00:27:13,359 --> 00:27:13,639
Speaker 6: Ship.

555
00:27:13,680 --> 00:27:15,200
Speaker 4: He got the sitting lowers.

556
00:27:22,800 --> 00:27:25,439
Speaker 3: That laugh is the best? Oh shoot does are sneaking

557
00:27:25,480 --> 00:27:26,119
Speaker 3: penny loafer?

558
00:27:26,200 --> 00:27:33,359
Speaker 1: Oh my god, advice, I never I've never seen no

559
00:27:33,520 --> 00:27:39,280
Speaker 1: sh Those are the cadados. Yo are toasted A new.

560
00:27:39,240 --> 00:27:41,680
Speaker 5: Series eight hundred Toaster.

561
00:27:42,359 --> 00:27:47,160
Speaker 6: Yeah, Killing Nanny's streaming now Hulu, Disney Plus.

562
00:27:47,520 --> 00:27:51,800
Speaker 5: Let's hear about it. Yes, make sure we all enjoy it.

563
00:27:52,480 --> 00:27:55,359
Speaker 6: I start watching the trailer, right yeah, yeah, and I

564
00:27:55,480 --> 00:27:59,960
Speaker 6: understand Spanish much better than speaking, but just start getting real.

565
00:28:00,200 --> 00:28:03,600
Speaker 5: It started agatting. I needed to call somebody. It got over.

566
00:28:03,960 --> 00:28:07,560
Speaker 4: You got to read it subtile sometime.

567
00:28:07,280 --> 00:28:09,800
Speaker 5: Leave no sub try to get in, you know, you

568
00:28:09,840 --> 00:28:10,800
Speaker 5: try to do it without.

569
00:28:10,560 --> 00:28:13,359
Speaker 2: Subtitles, like try to go like do a lingo with it.

570
00:28:14,200 --> 00:28:17,679
Speaker 1: No, no, no, you need subtitles, especially Colombia's they talked.

571
00:28:17,400 --> 00:28:18,520
Speaker 2: That they talk fast.

572
00:28:18,600 --> 00:28:18,760
Speaker 5: Yeah.

573
00:28:18,840 --> 00:28:21,840
Speaker 1: Yeah, oh man, I try to talk to my fucking

574
00:28:21,920 --> 00:28:26,480
Speaker 1: mother in law. Tell you she told you what you're

575
00:28:26,520 --> 00:28:27,760
Speaker 1: eating for breakfast.

576
00:28:28,680 --> 00:28:31,360
Speaker 4: She told you the whole menu, bro, and one.

577
00:28:31,640 --> 00:28:32,480
Speaker 5: That's the goal.

578
00:28:33,920 --> 00:28:36,720
Speaker 4: That ship out of here. You're like, huh what what

579
00:28:36,960 --> 00:28:37,359
Speaker 4: by yu?

580
00:28:37,560 --> 00:28:38,600
Speaker 5: What like?

581
00:28:38,720 --> 00:28:40,920
Speaker 4: Now, ain't motherfucker's talk fast?

582
00:28:41,160 --> 00:28:41,360
Speaker 5: Yeah?

583
00:28:41,640 --> 00:28:42,640
Speaker 2: Talk about You need.

584
00:28:42,440 --> 00:28:45,280
Speaker 1: The subtitles, you know, I want to see that series

585
00:28:45,320 --> 00:28:49,520
Speaker 1: because to me thus far, Yeah, the best Pablo was

586
00:28:49,560 --> 00:28:52,760
Speaker 1: the cheapest version, which was that like a Pablo novella.

587
00:28:53,000 --> 00:28:55,520
Speaker 4: Yeah, oh my god, that guy was good. That guy

588
00:28:55,600 --> 00:28:56,160
Speaker 4: was better than me.

589
00:28:57,080 --> 00:28:58,320
Speaker 5: Don't tell you that. I admit that.

590
00:28:58,360 --> 00:29:01,240
Speaker 3: I'm admit that that guy was really that was incredible

591
00:29:01,240 --> 00:29:04,840
Speaker 3: man because he looked like him. He spoke like, yeah,

592
00:29:05,080 --> 00:29:08,160
Speaker 3: the novella got yeah, that guy was killing I'm better

593
00:29:08,200 --> 00:29:11,440
Speaker 3: than all the other North American actors out.

594
00:29:11,240 --> 00:29:15,320
Speaker 2: There I have. I am gonna text take that motherfucker

595
00:29:15,480 --> 00:29:16,520
Speaker 2: out to say it for you.

596
00:29:17,280 --> 00:29:20,360
Speaker 1: I'm watching the ship with twenty black guys. Every time

597
00:29:20,400 --> 00:29:22,720
Speaker 1: that shit came on, were in the studio in Miami.

598
00:29:23,080 --> 00:29:25,440
Speaker 1: We all watch him reading the sub to. We didn't

599
00:29:25,480 --> 00:29:26,440
Speaker 1: miss one, dude.

600
00:29:26,520 --> 00:29:30,840
Speaker 3: That series is incredible. That's eighty episodes. But you didn't

601
00:29:30,880 --> 00:29:34,440
Speaker 3: watch watching I sit every day.

602
00:29:34,480 --> 00:29:39,160
Speaker 2: It's not eighty episodes. You're too busy making money. How's

603
00:29:39,160 --> 00:29:39,920
Speaker 2: that celebrity worth?

604
00:29:39,960 --> 00:29:41,720
Speaker 1: Gonna get bigger if you if you are a TV

605
00:29:42,040 --> 00:29:48,200
Speaker 1: recording this pre podcasts, we was in the studio twenty

606
00:29:48,280 --> 00:29:52,280
Speaker 1: deep every fucking night watching that problem, I believe when

607
00:29:52,280 --> 00:29:53,240
Speaker 1: it first came out.

608
00:29:53,280 --> 00:29:57,960
Speaker 3: But watch this series, man, because the sun gave all

609
00:29:58,000 --> 00:30:02,640
Speaker 3: the intel. I'm always happening behind closed doors. And even

610
00:30:02,680 --> 00:30:08,320
Speaker 3: though Pablo was this sociopath, gangster assassin, he showed love

611
00:30:08,360 --> 00:30:10,800
Speaker 3: to his kids like hogged and kissed and then coming

612
00:30:10,880 --> 00:30:13,440
Speaker 3: back in the eighties, pops were tough love. They weren't

613
00:30:13,560 --> 00:30:15,760
Speaker 3: hugging and kissing like my dad when I was growing up.

614
00:30:15,760 --> 00:30:20,200
Speaker 3: He was like, every day you get stupider by the moment. Congratulations,

615
00:30:20,400 --> 00:30:23,960
Speaker 3: how do you become even stupider than yesterday. That was

616
00:30:24,040 --> 00:30:27,440
Speaker 3: love back then, but not Pablo, because Pablo was on

617
00:30:27,520 --> 00:30:30,320
Speaker 3: death store all the time. So he hogged his son,

618
00:30:30,800 --> 00:30:33,760
Speaker 3: kissed him, said I love you publicly and everything can't

619
00:30:33,920 --> 00:30:36,680
Speaker 3: killed his family to what he got, cause you always

620
00:30:36,720 --> 00:30:39,800
Speaker 3: get vulnerable. They tell gangsters you have children, that's your

621
00:30:39,840 --> 00:30:42,560
Speaker 3: new Achilles heel. That's how they're gonna get you. And

622
00:30:42,760 --> 00:30:44,680
Speaker 3: that's how they got them.

623
00:30:44,920 --> 00:30:46,640
Speaker 5: Man, what a fucking story. Man.

624
00:30:46,680 --> 00:30:48,080
Speaker 4: I was just it's crazy.

625
00:30:48,120 --> 00:30:51,160
Speaker 1: I'm so oh, I don't know if it's a pause,

626
00:30:51,400 --> 00:30:55,160
Speaker 1: but infatuated with Pablo and his lifestyle. I was just

627
00:30:55,360 --> 00:30:58,200
Speaker 1: yesterday I'm watching the story of his wife and how

628
00:30:58,240 --> 00:30:58,680
Speaker 1: he met her.

629
00:30:58,920 --> 00:31:00,600
Speaker 4: He met her really really young.

630
00:31:00,960 --> 00:31:03,400
Speaker 2: Well they were both young, but he was really man young.

631
00:31:03,520 --> 00:31:06,040
Speaker 3: He was like she was it was he, Yeah, it

632
00:31:06,080 --> 00:31:08,960
Speaker 3: was it was canceible young.

633
00:31:09,760 --> 00:31:13,000
Speaker 5: Oh was he? He was twenty one, twenty one?

634
00:31:13,040 --> 00:31:15,840
Speaker 3: But still I mean that it's still way too young. No,

635
00:31:16,200 --> 00:31:18,200
Speaker 3: that's not right, that's not at all.

636
00:31:18,320 --> 00:31:20,680
Speaker 4: But back in the days, was that it wasn't it

637
00:31:20,720 --> 00:31:21,000
Speaker 4: wasn't it.

638
00:31:21,240 --> 00:31:23,719
Speaker 3: Wasn't the eighteen hundreds. It was nineteen eighty. Come on,

639
00:31:24,560 --> 00:31:26,520
Speaker 3: it was still not cool. It was not appropriate.

640
00:31:26,640 --> 00:31:27,680
Speaker 5: Crazy, it wasn't cool.

641
00:31:27,840 --> 00:31:29,760
Speaker 3: No, but he had he had mad power, and he

642
00:31:29,800 --> 00:31:31,440
Speaker 3: thought he could do whatever the fuck he wanted.

643
00:31:31,480 --> 00:31:34,200
Speaker 2: So he thought that, Yeah, but that's wrong. Yeah, that

644
00:31:34,320 --> 00:31:36,760
Speaker 2: was wrong. Now Pablo did a lot of foul shit.

645
00:31:37,040 --> 00:31:38,160
Speaker 2: Of course, if.

646
00:31:38,040 --> 00:31:41,200
Speaker 5: You believe all life is alive.

647
00:31:41,360 --> 00:31:42,200
Speaker 4: Yeah, ye're still a love.

648
00:31:42,280 --> 00:31:45,120
Speaker 2: Yeah. Yeah. He's got two kids and his son is

649
00:31:45,160 --> 00:31:45,680
Speaker 2: doing great.

650
00:31:45,680 --> 00:31:45,840
Speaker 5: Man.

651
00:31:46,000 --> 00:31:49,440
Speaker 3: He he authorized this show, He consulted on it.

652
00:31:49,520 --> 00:31:52,360
Speaker 2: He talked to the writers. This dialogue in here that

653
00:31:52,480 --> 00:31:53,720
Speaker 2: I go, there's no.

654
00:31:53,520 --> 00:31:56,680
Speaker 3: Way, this is incredible. This is not dialogue. These are

655
00:31:56,760 --> 00:32:00,880
Speaker 3: spoken words that had a life. These words were actually said.

656
00:32:01,440 --> 00:32:04,440
Speaker 3: And when he confronts his father, because the kid couldn't

657
00:32:04,440 --> 00:32:06,760
Speaker 3: go to school because the DA would catch him or

658
00:32:06,800 --> 00:32:08,920
Speaker 3: he'd be assassinating. The kids were scared of him, so

659
00:32:08,960 --> 00:32:11,239
Speaker 3: he had to be homeschooled, and so Pablo got him

660
00:32:11,640 --> 00:32:16,640
Speaker 3: these assassin nanny teachers that were his nannies, teachers, friends

661
00:32:16,640 --> 00:32:19,560
Speaker 3: and family. But you know, you can't control them. Yeah,

662
00:32:19,600 --> 00:32:22,440
Speaker 3: but you can't control them either because they're not families.

663
00:32:22,520 --> 00:32:26,000
Speaker 3: So some of them became informants, Paul had to kill them.

664
00:32:26,360 --> 00:32:28,120
Speaker 3: The kid doesn't know what to do now. He's like,

665
00:32:28,200 --> 00:32:31,320
Speaker 3: these people were my family, my friends, and you kill them.

666
00:32:31,720 --> 00:32:33,800
Speaker 3: And he says, Tom, what are you? If mom crosses,

667
00:32:33,800 --> 00:32:35,960
Speaker 3: you're going to kill her. If Grandma looks at you

668
00:32:36,000 --> 00:32:37,600
Speaker 3: the wrong way, you're going to kill her. These are

669
00:32:37,720 --> 00:32:40,640
Speaker 3: actual words that the son takes me that.

670
00:32:40,760 --> 00:32:44,560
Speaker 1: You know what, you know what's crazy about being against

671
00:32:45,160 --> 00:32:50,760
Speaker 1: especially in America, Well it's everywhere, but especially in America, is.

672
00:32:52,240 --> 00:32:52,920
Speaker 5: Golf forbid?

673
00:32:52,960 --> 00:32:55,960
Speaker 1: You born with the name Gotti, like John gott It,

674
00:32:56,040 --> 00:32:59,440
Speaker 1: you could be the seventeenth grandson. You're a ready a criminal.

675
00:33:00,160 --> 00:33:02,240
Speaker 1: You're in school and they looking at you like you're

676
00:33:02,240 --> 00:33:05,920
Speaker 1: a mafia boys. They on your ass. They don't want

677
00:33:05,960 --> 00:33:11,600
Speaker 1: to hear nothing. They lock up anybody. You knows what

678
00:33:11,800 --> 00:33:17,400
Speaker 1: I noticed about life say, it's still feeding Pablo Escob,

679
00:33:17,520 --> 00:33:19,360
Speaker 1: his son is giving the rights to the movie. So

680
00:33:19,400 --> 00:33:21,960
Speaker 1: they're still eating off the Mathers last name.

681
00:33:22,120 --> 00:33:24,360
Speaker 2: But he's not taking the thirty billion that he could

682
00:33:24,360 --> 00:33:24,640
Speaker 2: have had.

683
00:33:24,800 --> 00:33:25,120
Speaker 5: I know.

684
00:33:25,320 --> 00:33:28,960
Speaker 1: But what I'm saying that we know of. But listen right,

685
00:33:29,880 --> 00:33:33,280
Speaker 1: what we're saying is this right. I'm not even glorifying

686
00:33:33,320 --> 00:33:35,800
Speaker 1: that like that. What I'm saying is when you look

687
00:33:35,840 --> 00:33:38,360
Speaker 1: at the Roman Empires and the movies and all that,

688
00:33:38,480 --> 00:33:42,680
Speaker 1: everybody always kept caring about their name. They were like,

689
00:33:42,760 --> 00:33:45,600
Speaker 1: I'll break down every statue with your face on it.

690
00:33:46,680 --> 00:33:50,120
Speaker 1: Your name will never be told in the streets. This this,

691
00:33:50,120 --> 00:33:55,440
Speaker 1: this that, and it's all about your name. So these kids,

692
00:33:55,440 --> 00:33:59,920
Speaker 1: if you born Jonathan Gotti from fucking pre k, they

693
00:34:00,080 --> 00:34:04,120
Speaker 1: looking at you like, he's going to federal prison. He's

694
00:34:04,200 --> 00:34:07,880
Speaker 1: a Gotti, he's gonna go. And Pablo's sons, probably one

695
00:34:07,920 --> 00:34:12,240
Speaker 1: of the only whose kids lies in this ship. Escaped

696
00:34:13,480 --> 00:34:17,280
Speaker 1: the enemy, not the murder him. Yeah, because you killed

697
00:34:17,280 --> 00:34:19,880
Speaker 1: so many people. Absolutely, he had to change his.

698
00:34:20,719 --> 00:34:22,879
Speaker 5: People didn't want to kill.

699
00:34:23,040 --> 00:34:25,040
Speaker 2: Absolutely, Absolutely he was in it.

700
00:34:25,120 --> 00:34:26,200
Speaker 4: Oh no, he's in it.

701
00:34:26,560 --> 00:34:27,640
Speaker 2: Well, he was a kid, he's not that.

702
00:34:27,800 --> 00:34:29,919
Speaker 3: His dad was shot at when he was nineteen years old,

703
00:34:29,920 --> 00:34:32,279
Speaker 3: so he didn't really get into the game, right, and

704
00:34:32,320 --> 00:34:35,480
Speaker 3: his dad was protecting him from that. But when his

705
00:34:35,560 --> 00:34:37,960
Speaker 3: dad got shot, he was only nineteen and he left

706
00:34:38,040 --> 00:34:40,560
Speaker 3: and he changed his name. The mom took him away

707
00:34:40,560 --> 00:34:44,600
Speaker 3: from the country, they moved out, went incognito, and then

708
00:34:44,640 --> 00:34:48,360
Speaker 3: he resurfaced. You know, after they had taken down the

709
00:34:48,480 --> 00:34:51,000
Speaker 3: enemies that the government had taken them all and down there.

710
00:34:51,600 --> 00:34:54,960
Speaker 3: Then then they resurfaced.

711
00:34:55,560 --> 00:34:57,279
Speaker 1: Yeah something. But you want to know what's crazy. If

712
00:34:57,320 --> 00:35:00,920
Speaker 1: you think about Griselda, she went back the Columbia. They

713
00:35:01,000 --> 00:35:04,359
Speaker 1: murdered her on the motorcycle. Guy came and murdered her

714
00:35:04,400 --> 00:35:08,200
Speaker 1: the first day she touched down. Wow, Columbia. She was

715
00:35:08,239 --> 00:35:12,080
Speaker 1: like pablos. You know, she was killing everything too. They

716
00:35:12,160 --> 00:35:12,640
Speaker 1: killed tough.

717
00:35:13,200 --> 00:35:15,200
Speaker 5: He ain't let her live. And the minute.

718
00:35:14,920 --> 00:35:19,239
Speaker 3: Those people was at the other night, just Colombia, she

719
00:35:19,360 --> 00:35:21,279
Speaker 3: killed so many people. Yeah, yeah, that's what I'm trying

720
00:35:21,320 --> 00:35:21,560
Speaker 3: to touch.

721
00:35:21,880 --> 00:35:24,000
Speaker 2: You know, the people are gonna come after you yet, Yeah.

722
00:35:23,920 --> 00:35:24,759
Speaker 4: Somebody, you know.

723
00:35:25,440 --> 00:35:27,840
Speaker 1: Unfortunately, when you see these movies and they see the

724
00:35:27,840 --> 00:35:29,719
Speaker 1: little kid, what we're gonna do with the little kid,

725
00:35:30,480 --> 00:35:35,440
Speaker 1: they usually killed the little kid because coming back, you know,

726
00:35:35,480 --> 00:35:36,920
Speaker 1: we killed this whole family.

727
00:35:36,880 --> 00:35:39,040
Speaker 2: He's gonna be he's gonna one engine some time.

728
00:35:39,320 --> 00:35:41,560
Speaker 4: So this guy is very lucky that he's able to

729
00:35:41,640 --> 00:35:43,080
Speaker 4: even It's amazing.

730
00:35:42,680 --> 00:35:44,480
Speaker 2: How you know the psychology of it all.

731
00:35:47,400 --> 00:35:53,720
Speaker 3: I mean, he's like a Wikipedia on gangsterism, gangsterism, ismism.

732
00:35:54,040 --> 00:35:55,960
Speaker 5: The kid's gonna come back kill.

733
00:35:58,239 --> 00:36:02,399
Speaker 3: But not this kid because this kid, yeah, his mother

734
00:36:02,480 --> 00:36:04,960
Speaker 3: to his mother's like an advisor or something like.

735
00:36:05,400 --> 00:36:07,520
Speaker 2: But it's true. I mean, what happened to his thirty

736
00:36:07,560 --> 00:36:09,560
Speaker 2: billion dollars or seventy billion?

737
00:36:09,600 --> 00:36:09,759
Speaker 6: Now?

738
00:36:10,120 --> 00:36:12,160
Speaker 2: Now it's there, it's there somewhere.

739
00:36:13,040 --> 00:36:15,000
Speaker 5: Do they keep finding this money and ship?

740
00:36:15,120 --> 00:36:15,200
Speaker 3: Like?

741
00:36:15,239 --> 00:36:19,319
Speaker 2: No, nobody's nobody's found anything. There's a whole bunch of

742
00:36:19,360 --> 00:36:24,560
Speaker 2: stories out about decayed, rotted. There's a farmer's story circulating

743
00:36:24,600 --> 00:36:25,120
Speaker 2: about a farm.

744
00:36:25,160 --> 00:36:25,839
Speaker 5: There was one.

745
00:36:26,000 --> 00:36:28,040
Speaker 4: There was one father that found a bunch of.

746
00:36:27,960 --> 00:36:30,560
Speaker 5: Money and they turned in He turned it in.

747
00:36:30,680 --> 00:36:32,719
Speaker 2: Marked and marked bills too. Aren't they mark bills?

748
00:36:32,760 --> 00:36:33,080
Speaker 5: Somebody?

749
00:36:33,120 --> 00:36:38,479
Speaker 4: No, it's old school money. But you gotta formerly find

750
00:36:38,520 --> 00:36:41,800
Speaker 4: seven hundred million eat. He's like, yo, get that ship.

751
00:36:41,760 --> 00:36:42,319
Speaker 5: Out of here.

752
00:36:43,800 --> 00:36:46,080
Speaker 3: You found like eighty million in uh in one of

753
00:36:46,560 --> 00:36:48,120
Speaker 3: an apartment of medianas.

754
00:36:47,719 --> 00:36:49,120
Speaker 4: And it never gave it up?

755
00:36:49,239 --> 00:36:52,279
Speaker 2: Yeah I found, Yeah, I found, you gave it back.

756
00:36:53,160 --> 00:36:53,839
Speaker 5: We'll get it back.

757
00:36:54,280 --> 00:36:56,200
Speaker 1: Fuck out of here. Let me explain saying to you

758
00:36:57,239 --> 00:36:59,600
Speaker 1: this is the problem I have. Is the problem you

759
00:36:59,600 --> 00:37:04,320
Speaker 1: will standards? Maybe I hope that the world villainizes people.

760
00:37:05,160 --> 00:37:08,920
Speaker 1: Right Martin Luther King was murdered right now, there's a

761
00:37:08,960 --> 00:37:10,280
Speaker 1: Montin Luther King Highway.

762
00:37:10,320 --> 00:37:12,640
Speaker 2: Everywhere there's a montin Luther King High.

763
00:37:12,480 --> 00:37:16,400
Speaker 1: School, Joe Louis. They drove him crazy for taxes. The

764
00:37:16,480 --> 00:37:18,279
Speaker 1: man was looking out the window of the box of

765
00:37:18,400 --> 00:37:21,239
Speaker 1: Joe Louis thinking the government was coming to kill him

766
00:37:21,239 --> 00:37:24,560
Speaker 1: because he owned Texas. Now you got Joe Louis Highways,

767
00:37:24,800 --> 00:37:26,120
Speaker 1: you got Joe Lewis School.

768
00:37:26,200 --> 00:37:27,080
Speaker 4: But these were heroes.

769
00:37:27,120 --> 00:37:29,880
Speaker 3: I mean, there were heroes to us right well to

770
00:37:30,160 --> 00:37:32,000
Speaker 3: the good thing.

771
00:37:32,080 --> 00:37:33,920
Speaker 1: So what I'm trying to tell you is, my daughter

772
00:37:33,960 --> 00:37:36,160
Speaker 1: went to Columbia and she went to the museum of

773
00:37:36,200 --> 00:37:38,120
Speaker 1: Pablo Weskeball with the plane.

774
00:37:37,800 --> 00:37:39,120
Speaker 4: On top the high seat.

775
00:37:39,200 --> 00:37:42,040
Speaker 1: They still making money off this man that they murdered

776
00:37:42,520 --> 00:37:45,319
Speaker 1: and they called them a criminal and they assassinated and

777
00:37:45,320 --> 00:37:46,800
Speaker 1: he was the biggest shit in the world.

778
00:37:47,120 --> 00:37:50,560
Speaker 4: To this day, Columbia is making money off of fucking Pablo.

779
00:37:50,800 --> 00:37:52,920
Speaker 3: Right, But they have a they have a they have

780
00:37:52,960 --> 00:37:56,080
Speaker 3: a hate relationship with Pablo. They do not love him

781
00:37:56,120 --> 00:37:57,560
Speaker 3: in Columbia because.

782
00:37:57,640 --> 00:37:58,920
Speaker 4: Who's making the money.

783
00:37:59,400 --> 00:38:01,800
Speaker 2: I don't know who's they take you on making the

784
00:38:01,840 --> 00:38:02,799
Speaker 2: money off of this show.

785
00:38:02,880 --> 00:38:06,160
Speaker 1: But that's not like, that's not not thirty million him.

786
00:38:06,520 --> 00:38:11,640
Speaker 1: I'm saying, if we went tourists to Colombia and we

787
00:38:11,680 --> 00:38:11,920
Speaker 1: want to.

788
00:38:11,920 --> 00:38:14,799
Speaker 3: See, they don't detegrate my country. We want to my

789
00:38:14,840 --> 00:38:19,200
Speaker 3: wife's Columbia. Oh we've got good taste, Yeah, thank you,

790
00:38:19,239 --> 00:38:23,760
Speaker 3: but a little a little Columbia riqua, Yeah, Colombo riqua.

791
00:38:23,880 --> 00:38:24,480
Speaker 4: We got that.

792
00:38:24,560 --> 00:38:26,360
Speaker 1: But what I'm saying to you is, if we wanted

793
00:38:26,400 --> 00:38:29,719
Speaker 1: to go to a tour of Pablo wesketball, yeah, day

794
00:38:29,760 --> 00:38:30,200
Speaker 1: and he did it.

795
00:38:30,200 --> 00:38:31,600
Speaker 5: There's people doing it right now.

796
00:38:32,040 --> 00:38:34,120
Speaker 3: Well, I went to all the locations where he lived,

797
00:38:34,440 --> 00:38:38,120
Speaker 3: all all his his uh, the big zoo that he had.

798
00:38:38,120 --> 00:38:39,759
Speaker 3: I did all that when we were shooting, because we

799
00:38:39,800 --> 00:38:42,719
Speaker 3: shot it in Colombia and mel Jeens near all the

800
00:38:42,800 --> 00:38:44,479
Speaker 3: places that he actually did live.

801
00:38:44,719 --> 00:38:45,920
Speaker 5: Wow, Yeah, he did. You know.

802
00:38:45,960 --> 00:38:49,279
Speaker 2: You know he had a big zoo and he had hippos.

803
00:38:49,440 --> 00:38:51,640
Speaker 4: And they let the thousand.

804
00:38:51,719 --> 00:38:54,440
Speaker 3: Yeah, and they let the hippos out into like our

805
00:38:54,560 --> 00:38:58,440
Speaker 3: Mississippi type river Magdalena. It's invested with hippos. You know,

806
00:38:58,520 --> 00:39:00,920
Speaker 3: hippos are the most dangerous and almost on the planet.

807
00:39:01,320 --> 00:39:02,560
Speaker 5: They let him go in the water.

808
00:39:02,760 --> 00:39:06,720
Speaker 3: Yeah, and they multiplied into the hundreds. Now, so they

809
00:39:06,880 --> 00:39:10,560
Speaker 3: know they have to go out and clearically, you know,

810
00:39:11,080 --> 00:39:14,960
Speaker 3: do it with with Peter you know approval, euthanize them.

811
00:39:15,840 --> 00:39:21,000
Speaker 2: Yeah, y did I did I sidetrack too much? No, no, no,

812
00:39:21,000 --> 00:39:23,000
Speaker 2: I have ADHD. I'm sorry.

813
00:39:23,280 --> 00:39:24,440
Speaker 5: My fidy goes everywhere.

814
00:39:25,960 --> 00:39:30,000
Speaker 2: Okay, cool, now this show? You know you give us

815
00:39:30,040 --> 00:39:30,640
Speaker 2: all you got.

816
00:39:30,719 --> 00:39:31,000
Speaker 5: Brother.

817
00:39:31,520 --> 00:39:32,719
Speaker 2: I'm trying to try, baby.

818
00:39:32,920 --> 00:39:33,120
Speaker 5: Yeah.

819
00:39:33,200 --> 00:39:35,680
Speaker 2: Here, you know I'm here for trying to make this

820
00:39:35,719 --> 00:39:36,320
Speaker 2: ship happen.

821
00:39:36,440 --> 00:39:37,000
Speaker 5: You know what I mean.

822
00:39:38,719 --> 00:39:43,160
Speaker 3: So I'm definitely watching this series, dude. It's an all

823
00:39:43,200 --> 00:39:45,879
Speaker 3: Spanish language show. I did the dubbing two for those

824
00:39:45,920 --> 00:39:48,399
Speaker 3: people who don't like to read Jada Kiss you can

825
00:39:49,600 --> 00:39:51,759
Speaker 3: you could you do the dual lingo thing and just

826
00:39:51,840 --> 00:39:56,080
Speaker 3: watch it and not understand it. But I love that

827
00:39:56,120 --> 00:39:56,440
Speaker 3: about it.

828
00:39:56,400 --> 00:39:58,440
Speaker 1: I love that about him. This actor, this is a

829
00:39:58,600 --> 00:40:01,680
Speaker 1: famous actor. Every time they do something in Colombia. It's

830
00:40:01,719 --> 00:40:03,960
Speaker 1: a little guy with red hair. He's always into all

831
00:40:04,000 --> 00:40:08,080
Speaker 1: the Pablo movies. What fucking movie I watched last night?

832
00:40:08,640 --> 00:40:12,600
Speaker 1: I watched this ship called Agent Zenna and he was

833
00:40:12,640 --> 00:40:14,920
Speaker 1: one of the fucking spies in the movie too.

834
00:40:14,960 --> 00:40:16,279
Speaker 4: It's based out of Columbia.

835
00:40:17,000 --> 00:40:21,560
Speaker 1: You know, the redhead Colombian actor he played in that novella.

836
00:40:21,640 --> 00:40:26,240
Speaker 1: He was he was put in that Gustavo in the novella.

837
00:40:26,440 --> 00:40:30,080
Speaker 1: But he makes all the Spanish speaking movies.

838
00:40:30,120 --> 00:40:30,800
Speaker 6: He's he's.

839
00:40:32,760 --> 00:40:33,960
Speaker 2: He must have been in my movie.

840
00:40:34,320 --> 00:40:35,920
Speaker 4: He has to be in my series.

841
00:40:35,960 --> 00:40:39,440
Speaker 2: Made a legit steal of approval. I don't know that,

842
00:40:39,520 --> 00:40:40,800
Speaker 2: cat no h.

843
00:40:42,200 --> 00:40:46,120
Speaker 3: But dude, I mean, this series is so cool because

844
00:40:46,120 --> 00:40:49,200
Speaker 3: it's all from the pov of the kid. So it's

845
00:40:49,239 --> 00:40:51,640
Speaker 3: it's because obviously the son gave us all the info

846
00:40:51,960 --> 00:40:54,680
Speaker 3: the intel on it, and it's all from his point

847
00:40:54,680 --> 00:40:57,160
Speaker 3: of view of growing up with these killer nannies that

848
00:40:57,239 --> 00:41:00,400
Speaker 3: protected him and raised him, and and he lived this

849
00:41:00,520 --> 00:41:03,279
Speaker 3: wild life that he was able to escape anyhow, Which

850
00:41:03,320 --> 00:41:07,040
Speaker 3: is the biggest beautiful part of the show is that

851
00:41:07,719 --> 00:41:09,680
Speaker 3: you see him hit nineteen. He starts off as a

852
00:41:09,680 --> 00:41:12,640
Speaker 3: little guy and his dad is loving and caring, but

853
00:41:13,200 --> 00:41:15,759
Speaker 3: the dad has to like move them out at one

854
00:41:15,800 --> 00:41:18,239
Speaker 3: place in the next because they're onto him. He has

855
00:41:18,280 --> 00:41:20,279
Speaker 3: to sometimes not be with them so that he's a

856
00:41:20,360 --> 00:41:23,600
Speaker 3: decoy so it don't blow up his family, you know.

857
00:41:23,800 --> 00:41:25,879
Speaker 2: So you're constantly living in paranoia.

858
00:41:26,920 --> 00:41:29,080
Speaker 3: So it can't be a good lifestyle, bro, even if

859
00:41:29,080 --> 00:41:31,120
Speaker 3: you have thirty billion dollars to live like that.

860
00:41:38,719 --> 00:41:41,480
Speaker 2: Well, he did it longer than most gangster is out here.

861
00:41:41,600 --> 00:41:41,759
Speaker 7: Now.

862
00:41:41,800 --> 00:41:45,680
Speaker 1: All the gangsters I have and I love run face bro,

863
00:41:45,920 --> 00:41:50,120
Speaker 1: all these gangsters. Now you party for a year, right,

864
00:41:50,760 --> 00:41:54,040
Speaker 1: you fuck every stripper you ever wanted to. You buy

865
00:41:54,120 --> 00:41:56,879
Speaker 1: him watches, all types of shit. You drive around fly

866
00:41:57,040 --> 00:41:59,040
Speaker 1: for one year, then you get a good old forty

867
00:41:59,120 --> 00:42:03,439
Speaker 1: years for it the Feds. You have a one year run, right,

868
00:42:03,680 --> 00:42:06,360
Speaker 1: and you the guy you talk on one on four.

869
00:42:06,880 --> 00:42:11,319
Speaker 1: You run a ship, you in starlets. I'm just trying to.

870
00:42:11,280 --> 00:42:12,719
Speaker 4: Tell you you just pay rise.

871
00:42:13,920 --> 00:42:14,839
Speaker 5: It's good, all good.

872
00:42:14,960 --> 00:42:17,640
Speaker 4: You know, come through. You got one year run. You

873
00:42:17,719 --> 00:42:19,319
Speaker 4: wore the fly jacket for a year.

874
00:42:19,480 --> 00:42:22,280
Speaker 1: Next thing, you know, you got to meet Jada, kiss

875
00:42:22,280 --> 00:42:23,480
Speaker 1: the fat joe y'o.

876
00:42:23,640 --> 00:42:24,359
Speaker 4: What's up next?

877
00:42:24,400 --> 00:42:24,560
Speaker 5: Thing?

878
00:42:24,600 --> 00:42:28,279
Speaker 1: You know you in there telling that story for forty years.

879
00:42:28,560 --> 00:42:31,919
Speaker 1: How you was running ship in two thousand four time.

880
00:42:32,040 --> 00:42:33,440
Speaker 4: Yeah, it ain't no problem.

881
00:42:33,480 --> 00:42:35,680
Speaker 1: No West caball where you get the fucking be on

882
00:42:35,760 --> 00:42:38,080
Speaker 1: the run for fifteen years, This and this.

883
00:42:38,000 --> 00:42:40,160
Speaker 4: And that, A B's in the building.

884
00:42:41,239 --> 00:42:43,480
Speaker 2: I'm glad you're saying that, man, because that needs to

885
00:42:43,520 --> 00:42:44,000
Speaker 2: be said.

886
00:42:44,080 --> 00:42:48,680
Speaker 3: That not to romanticize or idolize this type of lifestyle,

887
00:42:48,680 --> 00:42:50,960
Speaker 3: because it's a it's a short term you know, it's

888
00:42:50,960 --> 00:42:51,680
Speaker 3: a short term deal.

889
00:42:51,719 --> 00:42:52,600
Speaker 2: It's a short term goal.

890
00:42:52,600 --> 00:42:54,920
Speaker 1: It's not right about now with all these cameras and

891
00:42:54,960 --> 00:42:58,160
Speaker 1: all they forget it, they could Jesse Smalley.

892
00:42:58,280 --> 00:43:00,480
Speaker 4: Yet you know they're about to fake them up.

893
00:43:00,480 --> 00:43:03,319
Speaker 1: And they put the cameras all the way back till

894
00:43:03,320 --> 00:43:06,280
Speaker 1: the motherfucker got out the car with the motherfuckers.

895
00:43:06,520 --> 00:43:07,480
Speaker 4: He was rehearsing.

896
00:43:07,560 --> 00:43:11,399
Speaker 1: They caught him off film in the studio, rehearsing when you.

897
00:43:11,360 --> 00:43:12,319
Speaker 5: Punched me to the left.

898
00:43:12,360 --> 00:43:14,759
Speaker 2: I'm gonna look that way at.

899
00:43:16,239 --> 00:43:20,080
Speaker 5: This motherfucker. Y this yo. They's sick out here.

900
00:43:20,120 --> 00:43:22,320
Speaker 3: Yeah, no, dude, Now they're gonna have They're gonna have

901
00:43:22,400 --> 00:43:26,400
Speaker 3: drones that can follow you. No more police card chases.

902
00:43:26,719 --> 00:43:30,000
Speaker 3: A drone is gonna follow you till you stop. That's

903
00:43:30,040 --> 00:43:33,640
Speaker 3: the new thing coming. He yes that he's kicking drone.

904
00:43:33,640 --> 00:43:35,760
Speaker 3: It comes after you till you till they get you.

905
00:43:35,800 --> 00:43:37,880
Speaker 4: No gangsterism is done.

906
00:43:39,520 --> 00:43:41,600
Speaker 2: You're you got the police.

907
00:43:42,080 --> 00:43:45,480
Speaker 1: Yeah, this ship out of control right now than some

908
00:43:45,520 --> 00:43:47,680
Speaker 1: of these motherfuckers is crazy.

909
00:43:47,920 --> 00:43:49,799
Speaker 5: They're gonna have drones that follow you to you.

910
00:43:50,120 --> 00:43:57,799
Speaker 1: Yes, yes, on the already make any plans. I swear

911
00:43:57,840 --> 00:44:01,040
Speaker 1: to god. They're using them in Jersey, chasing dudes with

912
00:44:01,120 --> 00:44:03,880
Speaker 1: the drone. The dudes hiding in the thing and they

913
00:44:03,960 --> 00:44:06,480
Speaker 1: be like come out, no, no, no, they.

914
00:44:06,400 --> 00:44:10,800
Speaker 3: Got those do it Pallunteer and Oracle in our government.

915
00:44:11,000 --> 00:44:13,600
Speaker 3: That's they're gonna follow you. They're gonna use your your

916
00:44:13,680 --> 00:44:16,239
Speaker 3: ring in your house, They're gonna use your nest in

917
00:44:16,280 --> 00:44:19,520
Speaker 3: your house, your your your whatever, stupid vacuum to the

918
00:44:19,600 --> 00:44:20,239
Speaker 3: zoom ball room.

919
00:44:20,280 --> 00:44:21,720
Speaker 2: But thing, they're gonna use.

920
00:44:21,560 --> 00:44:25,080
Speaker 3: All that to look at you, find you gps U

921
00:44:25,520 --> 00:44:26,800
Speaker 3: and and you're gonna be controlled.

922
00:44:26,840 --> 00:44:29,680
Speaker 2: They're gonna lock you in your house. It's crazy, it's coming.

923
00:44:29,800 --> 00:44:33,680
Speaker 3: Pallenteer will get all your info, info and data and

924
00:44:33,800 --> 00:44:35,560
Speaker 3: combines it all to find out where you are, what

925
00:44:35,600 --> 00:44:37,480
Speaker 3: you're doing, and predict your behavior.

926
00:44:37,800 --> 00:44:39,960
Speaker 2: Like the movies we used to see, Yes, but now

927
00:44:39,960 --> 00:44:43,080
Speaker 2: it's a reality. Let me ask you a question, right,

928
00:44:43,160 --> 00:44:44,320
Speaker 2: do you can ask anything?

929
00:44:44,840 --> 00:44:48,600
Speaker 1: Movies prepare us for like where we're going in life,

930
00:44:48,680 --> 00:44:50,239
Speaker 1: like sci fi does.

931
00:44:50,520 --> 00:44:52,960
Speaker 3: I think sci fi definitely does prepare us for a

932
00:44:53,000 --> 00:44:56,440
Speaker 3: future because it's all imagination and and and these writers

933
00:44:56,440 --> 00:44:56,759
Speaker 3: have to.

934
00:44:56,719 --> 00:44:58,960
Speaker 1: I don't think it's imagination. I think some of this

935
00:44:59,000 --> 00:45:03,759
Speaker 1: ship is like they're letting us know, Hey, somebody research now, Yes,

936
00:45:04,000 --> 00:45:07,880
Speaker 1: you know George justin that FaceTime beats George.

937
00:45:08,000 --> 00:45:09,200
Speaker 2: Yeah.

938
00:45:09,320 --> 00:45:12,040
Speaker 4: Jane and his wife. Now we got faced.

939
00:45:12,440 --> 00:45:13,799
Speaker 2: Yeah for real, you thought that was.

940
00:45:13,760 --> 00:45:14,480
Speaker 5: Never coming out.

941
00:45:14,600 --> 00:45:16,520
Speaker 1: Now you take a ship, you press the wall and

942
00:45:16,600 --> 00:45:17,560
Speaker 1: it push.

943
00:45:18,320 --> 00:45:20,960
Speaker 4: That was George just huh.

944
00:45:21,160 --> 00:45:23,480
Speaker 1: At that time we was up on the fleetstones with

945
00:45:23,560 --> 00:45:24,560
Speaker 1: the bullshit called.

946
00:45:24,560 --> 00:45:26,640
Speaker 4: But George Justin was letting.

947
00:45:26,400 --> 00:45:29,040
Speaker 3: Me no food on a tray, remember the foods just

948
00:45:29,160 --> 00:45:30,960
Speaker 3: come out on a conveyor belt.

949
00:45:31,000 --> 00:45:33,880
Speaker 2: And the Jetsons we got that a lot of times.

950
00:45:33,920 --> 00:45:37,040
Speaker 1: When movies win awards like the Oscars and all that,

951
00:45:37,840 --> 00:45:40,719
Speaker 1: I'm like the guy who goes watches it the next day.

952
00:45:40,880 --> 00:45:44,040
Speaker 4: I had never saw Bogonia is crazy?

953
00:45:44,200 --> 00:45:44,920
Speaker 5: That ship was?

954
00:45:45,000 --> 00:45:45,960
Speaker 2: That was crazy?

955
00:45:45,960 --> 00:45:46,120
Speaker 5: Man?

956
00:45:46,239 --> 00:45:48,600
Speaker 3: Yo, How incredible was this movie? But I don't know

957
00:45:48,680 --> 00:45:49,799
Speaker 3: how I felt about that movie.

958
00:45:49,840 --> 00:45:50,000
Speaker 5: Bro.

959
00:45:50,040 --> 00:45:51,320
Speaker 3: I had a bit of a hard time with it

960
00:45:51,360 --> 00:45:55,320
Speaker 3: because of the female violence. I was like, what's your point?

961
00:45:55,360 --> 00:45:55,600
Speaker 5: Bro?

962
00:45:56,040 --> 00:45:59,880
Speaker 2: Oh, I'm never gonna work for him now, thanks loud yaga.

963
00:46:00,800 --> 00:46:03,600
Speaker 3: I was talking out. I was talking smack about Yardgoes.

964
00:46:03,600 --> 00:46:04,520
Speaker 3: What the fuck is wrong with me?

965
00:46:04,640 --> 00:46:05,600
Speaker 4: This what she blew up?

966
00:46:05,640 --> 00:46:09,080
Speaker 2: But it's in this drink, bro, Yo, that's the truth.

967
00:46:09,600 --> 00:46:10,680
Speaker 4: Some ship best ever.

968
00:46:11,000 --> 00:46:13,399
Speaker 1: But let me tell you something that's I can't believe

969
00:46:13,440 --> 00:46:15,879
Speaker 1: I said that, Yo, that's she was a bugged up movie, though,

970
00:46:16,960 --> 00:46:19,959
Speaker 1: said what it was bugged the fuck? Oh hell yeah,

971
00:46:20,040 --> 00:46:23,959
Speaker 1: good movie, Butgonia, it's interesting. You gotta watch that ship

972
00:46:24,000 --> 00:46:26,000
Speaker 1: them boys, watch it them boys.

973
00:46:26,080 --> 00:46:26,760
Speaker 4: Was crazy.

974
00:46:26,800 --> 00:46:27,960
Speaker 2: The motherfuckers. Man.

975
00:46:28,000 --> 00:46:30,399
Speaker 1: I had to double watch that movie. I said, yo,

976
00:46:30,480 --> 00:46:33,560
Speaker 1: e motherfucker crazy. The whole time I'm looking, I'm.

977
00:46:33,440 --> 00:46:37,520
Speaker 3: Like, give him the ending, spoiled the ending for everybody.

978
00:46:38,160 --> 00:46:40,400
Speaker 1: Let me tell you about about he gonna do it.

979
00:46:40,440 --> 00:46:43,680
Speaker 1: One thing that happened with that movie that was crazy.

980
00:46:43,719 --> 00:46:48,480
Speaker 1: Don't get in my zone. They had the dumb cousin.

981
00:46:49,360 --> 00:46:53,560
Speaker 3: Don't do don't no, no, don't no because the kid

982
00:46:53,920 --> 00:46:56,279
Speaker 3: because he's not he's not acting that.

983
00:46:56,520 --> 00:46:59,280
Speaker 2: Oh no, no, no, he's a he's just Oh no.

984
00:46:59,200 --> 00:47:01,600
Speaker 1: God blake, I got special needs. Oh yeah, he's special.

985
00:47:01,640 --> 00:47:03,560
Speaker 1: Last thing I'm doing is playing with anybody. I know

986
00:47:03,600 --> 00:47:04,799
Speaker 1: he's real special needs.

987
00:47:04,800 --> 00:47:05,279
Speaker 2: That was an act.

988
00:47:05,440 --> 00:47:06,080
Speaker 5: I didn't know that.

989
00:47:06,160 --> 00:47:09,040
Speaker 1: No, no, That's why I wanted to learn you no, no, no, no, no,

990
00:47:09,080 --> 00:47:11,279
Speaker 1: God forbid that. He did a phenomenal job.

991
00:47:12,080 --> 00:47:15,200
Speaker 2: He's incredible. Yeah, yeah, no, I know, I want I'm

992
00:47:15,200 --> 00:47:15,480
Speaker 2: saying this.

993
00:47:15,600 --> 00:47:16,200
Speaker 5: I didn't know.

994
00:47:16,320 --> 00:47:20,440
Speaker 1: But what I'm saying to you is it's like we

995
00:47:20,560 --> 00:47:22,960
Speaker 1: got an inside joke, right, what's that?

996
00:47:23,080 --> 00:47:23,319
Speaker 5: You know?

997
00:47:24,320 --> 00:47:25,959
Speaker 4: You know Terror Squad's my crew.

998
00:47:26,120 --> 00:47:29,399
Speaker 2: Hell ya rap label whatever from way back when.

999
00:47:29,680 --> 00:47:33,960
Speaker 3: And now we say you're the leader, you're the way

1000
00:47:34,080 --> 00:47:36,839
Speaker 3: I'm not the leader, right, so you know now they

1001
00:47:36,880 --> 00:47:39,560
Speaker 3: try to lock record labels up like if they're gangs

1002
00:47:39,600 --> 00:47:40,920
Speaker 3: like the mafia.

1003
00:47:41,040 --> 00:47:44,000
Speaker 1: So everybody we hand on the we'll be like, yo,

1004
00:47:44,120 --> 00:47:46,760
Speaker 1: search just what you're the leader now.

1005
00:47:47,160 --> 00:47:47,680
Speaker 5: I don't want it.

1006
00:47:47,760 --> 00:47:50,480
Speaker 1: Nobody to be Like even the dumbest guy in Tervis

1007
00:47:50,480 --> 00:47:53,320
Speaker 1: Squad calls me back, not search in two seconds.

1008
00:47:53,360 --> 00:47:54,280
Speaker 5: I am not the leader.

1009
00:47:54,680 --> 00:47:55,720
Speaker 4: I am not the leader.

1010
00:47:56,120 --> 00:47:56,960
Speaker 5: You are the leader.

1011
00:47:57,840 --> 00:48:00,640
Speaker 4: You are the leader. Nobody wants to be the leader.

1012
00:48:00,680 --> 00:48:02,880
Speaker 2: No more, no, no, no, no, that's not the leader.

1013
00:48:03,120 --> 00:48:05,720
Speaker 1: And if you ever noticed in the movies, they always

1014
00:48:05,719 --> 00:48:11,000
Speaker 1: take somebody with a little low IQ and they put

1015
00:48:11,040 --> 00:48:12,239
Speaker 1: him there and they use him.

1016
00:48:12,719 --> 00:48:13,399
Speaker 5: You know what I'm saying.

1017
00:48:13,480 --> 00:48:15,800
Speaker 4: Like we used to call that throwing.

1018
00:48:15,600 --> 00:48:16,840
Speaker 5: The battery in the back.

1019
00:48:17,120 --> 00:48:19,080
Speaker 1: When you had a guy that you knew he wasn't

1020
00:48:19,120 --> 00:48:21,360
Speaker 1: that smarter, you could gass him to do anything.

1021
00:48:22,520 --> 00:48:24,560
Speaker 4: You be like, yo, that guy don't like him.

1022
00:48:24,840 --> 00:48:26,799
Speaker 2: Maybe he should get shot in his head.

1023
00:48:26,880 --> 00:48:28,360
Speaker 5: I don't know, it's.

1024
00:48:28,239 --> 00:48:31,920
Speaker 4: Just that much, huh, Johnny two times, be like really,

1025
00:48:33,400 --> 00:48:35,160
Speaker 4: the leader said he don't like that.

1026
00:48:35,400 --> 00:48:37,920
Speaker 5: Yan, Yeah, the guy don't like that.

1027
00:48:38,080 --> 00:48:40,240
Speaker 4: Now, let's see what happens.

1028
00:48:40,360 --> 00:48:42,160
Speaker 2: Like this guy I.

1029
00:48:42,120 --> 00:48:44,399
Speaker 5: Had, one guy came home. I had one guy.

1030
00:48:45,480 --> 00:48:47,439
Speaker 2: Okay, let me just end this over.

1031
00:48:48,040 --> 00:48:49,120
Speaker 4: I never told his story.

1032
00:48:49,200 --> 00:48:52,759
Speaker 2: We had one guy we grew up with. Let me

1033
00:48:52,760 --> 00:48:53,319
Speaker 2: tell you something.

1034
00:48:54,120 --> 00:48:58,600
Speaker 1: This guy was dangerous, right, like a sociopath. Well, some

1035
00:48:58,640 --> 00:49:00,800
Speaker 1: of these guys, we just thought they were real guys

1036
00:49:00,800 --> 00:49:02,760
Speaker 1: in the hoods. Some of them were serial killers.

1037
00:49:02,880 --> 00:49:03,000
Speaker 5: Right.

1038
00:49:03,920 --> 00:49:06,880
Speaker 1: But this, well, anyway, one day we four deep, we

1039
00:49:07,000 --> 00:49:10,960
Speaker 1: in the jeep is the eighties, and we're trying to

1040
00:49:11,040 --> 00:49:13,200
Speaker 1: rap to some girls. You know, fat joke got his

1041
00:49:13,280 --> 00:49:15,759
Speaker 1: shirt off. You know I used to go topless, my

1042
00:49:15,920 --> 00:49:16,640
Speaker 1: jewels on you.

1043
00:49:17,600 --> 00:49:17,839
Speaker 5: Yeah.

1044
00:49:17,840 --> 00:49:19,879
Speaker 1: I never was a champ of being the fact guy.

1045
00:49:26,160 --> 00:49:29,759
Speaker 1: And let me tell you something. When them police come

1046
00:49:29,800 --> 00:49:31,960
Speaker 1: from murder, I've been there three times. When the police

1047
00:49:32,000 --> 00:49:37,200
Speaker 1: come from murder, they come with tanks, with fucking trucks,

1048
00:49:37,239 --> 00:49:42,920
Speaker 1: with lights, with this, they come with so many police cars. Technology, y'all, No,

1049
00:49:42,960 --> 00:49:46,680
Speaker 1: not technology. They know you killing. They're coming to get

1050
00:49:46,680 --> 00:49:48,640
Speaker 1: the killer. So what I'm trying to say is, anyway

1051
00:49:48,680 --> 00:49:50,279
Speaker 1: we get locked up, they throw it's on the floor,

1052
00:49:50,360 --> 00:49:53,399
Speaker 1: no reason. Nights hot day like today, everybody's on the floor.

1053
00:49:53,440 --> 00:49:55,640
Speaker 1: We go in the precinct. We turn around and the

1054
00:49:55,680 --> 00:49:57,840
Speaker 1: one guy he's looking at us and he's like, and

1055
00:49:57,920 --> 00:49:59,680
Speaker 1: we don't know we joking, we don't know what we're

1056
00:49:59,719 --> 00:50:09,640
Speaker 1: in there for. He's like, guys, remember what happened over

1057
00:50:09,680 --> 00:50:13,080
Speaker 1: there at that And you know, ship we heard about

1058
00:50:13,520 --> 00:50:18,919
Speaker 1: the guy he got shot. I won't be seeing yard

1059
00:50:19,040 --> 00:50:21,920
Speaker 1: for a while. He knew what they came for. We

1060
00:50:21,960 --> 00:50:25,040
Speaker 1: got no fucking clue. O, suck my dig fuck your mother.

1061
00:50:25,120 --> 00:50:27,399
Speaker 1: We we don't know what we're getting locked up? Four

1062
00:50:27,440 --> 00:50:31,240
Speaker 1: we we he got locked up. So he did about

1063
00:50:31,280 --> 00:50:34,680
Speaker 1: fifteen twenty years or something that they damn and everybody

1064
00:50:34,760 --> 00:50:37,120
Speaker 1: was coming back from from jail, like when you know

1065
00:50:37,120 --> 00:50:39,600
Speaker 1: how you go to jail to visit now, they used

1066
00:50:39,600 --> 00:50:41,520
Speaker 1: to come back and be like, Yo, y'all got one.

1067
00:50:42,440 --> 00:50:48,520
Speaker 2: Y'all got what.

1068
00:50:46,280 --> 00:50:49,680
Speaker 4: Mother fucker was stabbing everybody in there. They was like, y'all,

1069
00:50:49,800 --> 00:50:51,080
Speaker 4: god damn.

1070
00:50:51,040 --> 00:50:54,520
Speaker 2: There's a guy named such and such your.

1071
00:50:54,360 --> 00:50:58,200
Speaker 4: God one, he laying it down in there. So legend he.

1072
00:50:58,160 --> 00:51:01,480
Speaker 1: Comes home from jail, I'm already fed. Joe the rapper,

1073
00:51:02,040 --> 00:51:04,720
Speaker 1: I'm a Jimmy's Broce Cafe. You probably was in there.

1074
00:51:04,560 --> 00:51:08,440
Speaker 3: With your Jimmy's Cafe was the bomb man m P.

1075
00:51:08,760 --> 00:51:12,960
Speaker 3: And they go, Joe, No, who just came home such

1076
00:51:13,000 --> 00:51:16,560
Speaker 3: and such? Look at the guy he comes home.

1077
00:51:16,640 --> 00:51:17,319
Speaker 5: He's like this.

1078
00:51:19,360 --> 00:51:21,239
Speaker 2: I said, man, I heard everything about you.

1079
00:51:21,320 --> 00:51:21,480
Speaker 6: Man.

1080
00:51:21,520 --> 00:51:23,560
Speaker 2: He was like yeah. I said, man, you was putting

1081
00:51:23,600 --> 00:51:26,399
Speaker 2: in that work. Legendary man. He was like yeah, yeah,

1082
00:51:26,480 --> 00:51:27,000
Speaker 2: yeah yeah.

1083
00:51:27,280 --> 00:51:30,080
Speaker 1: He was like, man, my sister had just passed from sorry,

1084
00:51:30,160 --> 00:51:31,879
Speaker 1: Lisa used to write me this down.

1085
00:51:31,960 --> 00:51:35,280
Speaker 8: Yeah yeah yeah, I said, look money in my pocket.

1086
00:51:35,320 --> 00:51:39,040
Speaker 8: I pulled out like twenty thirty thousands. Yo, here go,

1087
00:51:39,360 --> 00:51:42,040
Speaker 8: Oh what I could never hang out with you in

1088
00:51:42,200 --> 00:51:42,640
Speaker 8: my life.

1089
00:51:43,040 --> 00:51:49,400
Speaker 2: Wow, that's incredible. Paid him to get stay away from this.

1090
00:51:49,600 --> 00:51:53,839
Speaker 1: The first motherfucker that understood as dumb as we could say.

1091
00:51:53,880 --> 00:51:57,680
Speaker 1: He's probably he's the first motherfucker that took the thirty

1092
00:51:57,760 --> 00:52:00,760
Speaker 1: grand and said, I understand, Joe, change your life.

1093
00:52:01,880 --> 00:52:02,480
Speaker 2: That's cool.

1094
00:52:02,680 --> 00:52:04,560
Speaker 1: He went and got shot the fuck up about a

1095
00:52:04,640 --> 00:52:09,120
Speaker 1: week later, like this guy and Magnet. No, I don't

1096
00:52:09,120 --> 00:52:11,799
Speaker 1: give a fuck. I just like the guy was really

1097
00:52:11,880 --> 00:52:15,320
Speaker 1: my friend. Oh and he honors.

1098
00:52:16,680 --> 00:52:17,640
Speaker 2: That was hard to yo.

1099
00:52:17,840 --> 00:52:18,560
Speaker 5: Yeah, honored.

1100
00:52:18,880 --> 00:52:21,719
Speaker 4: The declaration have been the better. He was in jail.

1101
00:52:21,800 --> 00:52:25,320
Speaker 1: They was coming back, like, Yo, this guy is putting

1102
00:52:25,440 --> 00:52:29,960
Speaker 1: it work for y'all. Guys in jail. Somebody says something

1103
00:52:30,000 --> 00:52:32,799
Speaker 1: about that Joe is over in there, so he comes home.

1104
00:52:33,520 --> 00:52:35,560
Speaker 1: I was like, yo, I can't hang out with No,

1105
00:52:35,719 --> 00:52:37,719
Speaker 1: you can't. You can't bring that in your life. You're

1106
00:52:37,719 --> 00:52:40,799
Speaker 1: gonna kill the home Madison's guard. I can't hang out.

1107
00:52:43,080 --> 00:52:43,600
Speaker 4: We gotta know.

1108
00:52:43,760 --> 00:52:46,040
Speaker 1: We got a local motive. Were waiting for one to

1109
00:52:46,080 --> 00:52:47,960
Speaker 1: come home. So friend of mine been to Joe what

1110
00:52:48,160 --> 00:52:51,480
Speaker 1: thirty what thirty seven years? I almost got locked up

1111
00:52:51,520 --> 00:52:53,520
Speaker 1: with him, but were waiting for a local motive to come.

1112
00:52:53,600 --> 00:52:58,200
Speaker 1: He's also getting the cash treatment, and we cannot That

1113
00:52:58,360 --> 00:52:59,080
Speaker 1: was a long time ago.

1114
00:52:59,120 --> 00:52:59,600
Speaker 5: What is it now?

1115
00:52:59,719 --> 00:53:01,480
Speaker 1: Can't be thirty k's gotta be more dumb. It might

1116
00:53:01,560 --> 00:53:04,200
Speaker 1: be like fifty thousand. We sent him money every fucking

1117
00:53:04,239 --> 00:53:06,880
Speaker 1: week for thirty seven years. But what I'm saying to

1118
00:53:06,920 --> 00:53:08,799
Speaker 1: you is I cannot be with this guy.

1119
00:53:08,920 --> 00:53:09,479
Speaker 5: No, you can't.

1120
00:53:09,600 --> 00:53:14,040
Speaker 4: They nowhere, I good, good, here's a guy. No, No,

1121
00:53:14,160 --> 00:53:15,040
Speaker 4: you can't see the guy.

1122
00:53:15,120 --> 00:53:15,600
Speaker 5: They all know.

1123
00:53:15,920 --> 00:53:17,959
Speaker 1: I said, there's a guy. He's gonna come in here,

1124
00:53:18,760 --> 00:53:21,400
Speaker 1: talk to you like he runs this ship. He probably

1125
00:53:21,480 --> 00:53:24,279
Speaker 1: might take any outfit he wants in the store. He'd

1126
00:53:24,320 --> 00:53:28,799
Speaker 1: do whatever the fuck he wants. Don't argue with the guy.

1127
00:53:29,040 --> 00:53:29,840
Speaker 5: Just call me up.

1128
00:53:31,080 --> 00:53:34,399
Speaker 4: I'm coming and I'm gonna come.

1129
00:53:35,320 --> 00:53:39,799
Speaker 1: Severance package, beet bet bet your parachute.

1130
00:53:40,080 --> 00:53:41,560
Speaker 4: Guess what, My god, I love you.

1131
00:53:42,080 --> 00:53:43,160
Speaker 2: I cannot hang out with you.

1132
00:53:43,360 --> 00:53:43,919
Speaker 5: No, you can't.

1133
00:53:44,200 --> 00:53:46,719
Speaker 4: This got beat up so much. He got metal plates in.

1134
00:53:46,719 --> 00:53:48,239
Speaker 5: This just from the cop. You know, I had a

1135
00:53:48,280 --> 00:53:49,840
Speaker 5: friend like that when I was growing up. He he

1136
00:53:50,840 --> 00:53:51,279
Speaker 5: he used to do.

1137
00:53:51,480 --> 00:53:53,960
Speaker 3: He used to do tapes of Kung Fu movies and

1138
00:53:54,000 --> 00:53:56,560
Speaker 3: sell him the Times Square, and and he had this

1139
00:53:56,719 --> 00:54:00,719
Speaker 3: cat living with him, and the cat took He was

1140
00:54:00,760 --> 00:54:04,200
Speaker 3: a drug addict, and he took his his video recording

1141
00:54:04,280 --> 00:54:06,880
Speaker 3: machine that he copied the Kung Fu tapes on and

1142
00:54:07,040 --> 00:54:08,319
Speaker 3: sold them on the street for crack.

1143
00:54:09,120 --> 00:54:11,239
Speaker 2: And my friend, I'm not gonna say his name, hit

1144
00:54:11,440 --> 00:54:13,600
Speaker 2: the dude with a let pipe and.

1145
00:54:15,160 --> 00:54:16,160
Speaker 5: Murdered him, Jef.

1146
00:54:16,280 --> 00:54:17,759
Speaker 2: He had to go to jail, and then he used

1147
00:54:17,800 --> 00:54:19,879
Speaker 2: to write me all the time and wanted to meet

1148
00:54:19,960 --> 00:54:21,080
Speaker 2: up after he came out.

1149
00:54:20,960 --> 00:54:23,600
Speaker 3: Like years and years years later, I go, I was like,

1150
00:54:23,719 --> 00:54:27,040
Speaker 3: you know, he's a murder. Yeah, I'm like, we can't, dude,

1151
00:54:27,160 --> 00:54:29,520
Speaker 3: I mean, we just can't hang. I'm in a different lifestyle.

1152
00:54:29,680 --> 00:54:32,200
Speaker 3: I'm a different person. My whole life is going to

1153
00:54:32,440 --> 00:54:35,840
Speaker 3: a path of cleanliness, goodness. You know, that's not the

1154
00:54:35,960 --> 00:54:37,520
Speaker 3: path that I want to be a part of. And

1155
00:54:37,640 --> 00:54:40,680
Speaker 3: you know, he turned Christian, he's a born again Christian

1156
00:54:40,719 --> 00:54:43,359
Speaker 3: and yeah, yeah, absolutely that's good for him.

1157
00:54:43,880 --> 00:54:47,120
Speaker 2: It's like, oh, and I don't mean to disparage him

1158
00:54:47,120 --> 00:54:47,279
Speaker 2: at all.

1159
00:54:47,320 --> 00:54:51,000
Speaker 3: I'm just saying, you know, you come to Yeah, I

1160
00:54:51,000 --> 00:54:52,319
Speaker 3: don't want to bring that into my life.

1161
00:54:52,440 --> 00:54:56,080
Speaker 1: No, No, The problem is, right, is that all of

1162
00:54:56,200 --> 00:55:00,160
Speaker 1: us came from somewhere and it was so hard to

1163
00:55:00,239 --> 00:55:00,920
Speaker 1: get to where we.

1164
00:55:01,000 --> 00:55:02,760
Speaker 4: Are and be legitimate.

1165
00:55:03,360 --> 00:55:07,239
Speaker 3: Those kind of somebody crazy to be exactly, to put

1166
00:55:07,280 --> 00:55:10,520
Speaker 3: you in a position where you throw everything away from

1167
00:55:10,560 --> 00:55:12,520
Speaker 3: your family trying to keep it real.

1168
00:55:12,640 --> 00:55:14,919
Speaker 4: I'm done with keeping up on that level.

1169
00:55:15,080 --> 00:55:18,719
Speaker 3: Absolutely, that's a smart move. It's a smart move, right, wrong, Aby,

1170
00:55:19,400 --> 00:55:21,799
Speaker 3: I gotta I gotta uncle. I'll tell this last story

1171
00:55:21,840 --> 00:55:24,560
Speaker 3: and then we're gonna cut. Okay, these motherfuckers, you're you're

1172
00:55:24,600 --> 00:55:27,120
Speaker 3: fucking up vibe. Let me tell you something is a classic.

1173
00:55:28,400 --> 00:55:32,520
Speaker 3: This is a fucking classic. We're number one for a reason.

1174
00:55:32,600 --> 00:55:33,640
Speaker 3: I know when we got one.

1175
00:55:34,200 --> 00:55:38,439
Speaker 1: Okay, my uncle was in jail since I was three

1176
00:55:38,560 --> 00:55:43,360
Speaker 1: years old. Another guy, legend, legend, legend, legend. He was

1177
00:55:43,400 --> 00:55:46,640
Speaker 1: stabbing motherfuckers in jail up to the wall like hey,

1178
00:55:46,880 --> 00:55:49,279
Speaker 1: Like the killers I know were scared of him. Like

1179
00:55:49,640 --> 00:55:52,680
Speaker 1: he's one of the founding members of a crew called

1180
00:55:52,719 --> 00:55:53,600
Speaker 1: the rat Hunters.

1181
00:55:53,880 --> 00:55:57,160
Speaker 2: Wow, I never heard of them. Whatever is that?

1182
00:55:57,520 --> 00:56:01,040
Speaker 4: The whole fucking New York State jail, the rat Hunters?

1183
00:56:01,160 --> 00:56:04,680
Speaker 2: They here was the eighties or seventies, seventies, seventies, seventies.

1184
00:56:04,760 --> 00:56:07,280
Speaker 1: So they got pictures of him all over my house

1185
00:56:07,320 --> 00:56:09,680
Speaker 1: and they're like, Yo, that's uncle Jack bull this.

1186
00:56:10,000 --> 00:56:10,920
Speaker 5: You know, I know him well.

1187
00:56:11,480 --> 00:56:14,160
Speaker 1: And the guys who I respect are coming home from jail,

1188
00:56:14,160 --> 00:56:16,560
Speaker 1: they're like, Yo, met your uncle dadd Yo, that nick

1189
00:56:16,960 --> 00:56:17,879
Speaker 1: he helped me down.

1190
00:56:18,320 --> 00:56:21,440
Speaker 4: I was under his umbrella. And these are the dangerous guys.

1191
00:56:21,920 --> 00:56:24,040
Speaker 1: He's one of them guys. When you go up there

1192
00:56:24,080 --> 00:56:26,759
Speaker 1: to speak, here was one of them guys. That dumb

1193
00:56:26,840 --> 00:56:30,080
Speaker 1: guys look at him, be like Jesus Christ, like that's

1194
00:56:30,120 --> 00:56:33,560
Speaker 1: your nephew. Like right, So he comes home from jail.

1195
00:56:33,640 --> 00:56:34,680
Speaker 1: My whole family called me.

1196
00:56:34,719 --> 00:56:37,000
Speaker 2: They said, y'all, old Jack Moo got home from jail.

1197
00:56:37,680 --> 00:56:38,600
Speaker 5: He wants to see you.

1198
00:56:39,040 --> 00:56:40,880
Speaker 4: I knew this day was coming, just like we got

1199
00:56:40,960 --> 00:56:42,560
Speaker 4: locomotive coming down soon too.

1200
00:56:42,600 --> 00:56:43,520
Speaker 2: So I go in the car.

1201
00:56:44,160 --> 00:56:46,040
Speaker 1: I pick him up at the Fat Joe the Rapper.

1202
00:56:46,120 --> 00:56:49,239
Speaker 1: I already shot the movie with John Lego Zama. I

1203
00:56:49,320 --> 00:56:52,640
Speaker 1: get in the car with him. I know everything about you,

1204
00:56:53,800 --> 00:56:57,520
Speaker 1: Joey Krack, false brunch. This is that you did good, nephew.

1205
00:56:58,000 --> 00:57:00,360
Speaker 1: Everybody he talked good about you. And there this this

1206
00:57:00,480 --> 00:57:02,959
Speaker 1: that you put in work, this and that you see.

1207
00:57:03,400 --> 00:57:05,320
Speaker 1: I need you to take me to Newark, New Jersey.

1208
00:57:05,360 --> 00:57:07,200
Speaker 1: They got this and this and that for me waiting.

1209
00:57:07,360 --> 00:57:12,440
Speaker 1: I said, you ever seen the car like when somebody

1210
00:57:12,600 --> 00:57:16,400
Speaker 1: dies in the car that it just last they go

1211
00:57:16,720 --> 00:57:20,800
Speaker 1: to the side. I never forget. I was on Streetmart

1212
00:57:21,320 --> 00:57:23,880
Speaker 1: that Gus takes it on He's street by the car

1213
00:57:24,160 --> 00:57:29,920
Speaker 1: was fucking car went like this, I said. I went

1214
00:57:29,960 --> 00:57:33,520
Speaker 1: in my pocket. I pulled out like twenty thousand. I said, Uncle,

1215
00:57:34,160 --> 00:57:37,840
Speaker 1: I can't hang out. I'm so, he said, now if

1216
00:57:37,880 --> 00:57:40,640
Speaker 1: you understand, understand, he takes the money, he gets out

1217
00:57:40,680 --> 00:57:43,520
Speaker 1: the car. He eventually became keeping. He died well, he

1218
00:57:43,600 --> 00:57:44,360
Speaker 1: became keeping.

1219
00:57:44,920 --> 00:57:45,160
Speaker 2: Wow.

1220
00:57:45,560 --> 00:57:46,160
Speaker 5: He came home.

1221
00:57:46,240 --> 00:57:48,360
Speaker 1: After twenty some years, I started seeing him in the

1222
00:57:48,400 --> 00:57:53,040
Speaker 1: clubs popping bottles. Benzon's beaming outside, big ass. He you know,

1223
00:57:53,160 --> 00:57:56,280
Speaker 1: he's the rat hunter. He's not telling they give him

1224
00:57:56,320 --> 00:57:58,480
Speaker 1: anything in the street. You understand what I'm saying. But

1225
00:57:58,600 --> 00:58:02,200
Speaker 1: that nigga boy that that ship took two minutes said

1226
00:58:05,880 --> 00:58:07,280
Speaker 1: here's how this is gonna work.

1227
00:58:07,360 --> 00:58:08,160
Speaker 4: But you carry something.

1228
00:58:08,200 --> 00:58:10,360
Speaker 3: You carry a lot of cash in your pockets. Bro,

1229
00:58:11,200 --> 00:58:15,320
Speaker 3: That shit makes you feel vulnerable in thirty thousand out

1230
00:58:15,320 --> 00:58:15,840
Speaker 3: of cash.

1231
00:58:16,000 --> 00:58:19,480
Speaker 4: My whole life. It's fucked up because now they look

1232
00:58:19,520 --> 00:58:20,640
Speaker 4: at you like you an alien.

1233
00:58:20,720 --> 00:58:22,840
Speaker 2: If you pull out cash and this cat nobody uses

1234
00:58:22,960 --> 00:58:24,000
Speaker 2: carry on cash.

1235
00:58:24,320 --> 00:58:26,280
Speaker 1: I mean the gas station, I go get a sugar

1236
00:58:26,320 --> 00:58:29,080
Speaker 1: free Red Bull. They're like, no cash, no cash, no cash.

1237
00:58:29,160 --> 00:58:31,240
Speaker 5: I'm like, what the fuck? They want a credit card?

1238
00:58:31,640 --> 00:58:37,080
Speaker 5: This ain't that. That ain't this. It's crack. He's a

1239
00:58:37,280 --> 00:58:38,960
Speaker 5: Hulu Disney plush.

1240
00:58:39,120 --> 00:58:48,120
Speaker 4: I'm watching Takes Night, right,