WEBVTT - 9021One on One: Rachel True

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<v Speaker 1>It's with Jenny Garth and Tori Spelling. You guys, we

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<v Speaker 1>are here today with another nine oh two one on one.

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<v Speaker 1>We're talking with Jan Miler. I mean that's who she played.

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<v Speaker 1>Of course, I'm Beverly Hills nine one. The one and only.

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<v Speaker 1>Rachel True is going to be with us. Super excited.

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<v Speaker 1>Rachel Hi, Oh my goodness, Rachel True is here. Thank

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<v Speaker 1>you for coming on. Listen. Thank both of you for

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<v Speaker 1>inviting me. I've not gotten to meet you, Jenny I

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<v Speaker 1>think before, and Tori you probably don't remember, but I

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<v Speaker 1>met you so briefly at Sundance I think, yes, I

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<v Speaker 1>feel like I met you through Kathleen Robertson. Yes, yes, yes,

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<v Speaker 1>So anyway, anyway, I really appreciate the invite on and

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<v Speaker 1>I love your podcast and it's fabulous to be honest,

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<v Speaker 1>So thank you, thank you. Oh my gosh, Well we're

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<v Speaker 1>excited to have you here today. You played Jan Miler.

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<v Speaker 1>I'm Beverly Hills nine two and two episodes Minnesota College

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<v Speaker 1>with Brenda. Tell us how it happened. How did you

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<v Speaker 1>get the role of m Listen. Like everyone at that time,

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<v Speaker 1>we were like, oh my god, I want to be

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<v Speaker 1>on nine O two one h right, like you guys

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<v Speaker 1>were on it, but the rest of us were like,

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<v Speaker 1>we really want to be on that show. So it

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<v Speaker 1>was not a huge role, but I was like, I

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<v Speaker 1>want to do it, you know, um And it was

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<v Speaker 1>more than one episode. And let's be real, there weren't

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<v Speaker 1>so many black people on your show besides Bibica, so

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<v Speaker 1>so I very much wanted to be on the show

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<v Speaker 1>for many reasons. Um. And I was lucky enough Tori

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<v Speaker 1>to have read for your dead for another show, and

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<v Speaker 1>he was really kind. I think he liked my PATOI

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<v Speaker 1>I think I think you know, back then in the nineties, right,

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<v Speaker 1>everyone was much more black people. We want to urban

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<v Speaker 1>it up. That's all I ever heard was Brban Rachel really, yeah,

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<v Speaker 1>you don't know, how said. I cannot believe that was

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<v Speaker 1>okay for them to say, do not know? But right

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<v Speaker 1>before a test they'd be like, that's great, but's sassier,

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<v Speaker 1>more urban, right, And I was like, I don't know

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<v Speaker 1>what you mean. This is literally the patois of my voice. Um.

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<v Speaker 1>So to be able to audition for a show like

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<v Speaker 1>nine O two and no and just speak in like

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<v Speaker 1>the weird California vernacular, I already seemed to possess was

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<v Speaker 1>really fun for an actor at that time because as

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<v Speaker 1>a black actor, listen, there's always a room and a

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<v Speaker 1>place for more urban roles and things, of course, but

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<v Speaker 1>at that time I went out of my way to

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<v Speaker 1>show people that we were a multitude, and we spoke

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<v Speaker 1>many different ways and we looked many different ways. So

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<v Speaker 1>that's why I always wore my hair curly, because all

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<v Speaker 1>the black girls were forced into wigs or wanted to,

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<v Speaker 1>and I just thought, let's show them what what it's like.

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<v Speaker 1>And then the other thing that's funny about that is

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<v Speaker 1>I was told a lot when I was younger, like

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<v Speaker 1>you're too contemporary looking for like a period piece, And

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<v Speaker 1>I was like, you don't think the plantations were full

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<v Speaker 1>of little mixed curly hair girls who looked exactly like me.

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<v Speaker 1>You know, So again back to nine or two, when

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<v Speaker 1>it was a real cool and a boon to be

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<v Speaker 1>able to book a job on that show, and so

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<v Speaker 1>you auditioned for it? Just did I feel like I

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<v Speaker 1>did audition? I don't think I was just offered it.

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<v Speaker 1>Did you audition for any other roles? Like We've talked

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<v Speaker 1>to a lot of people who said I audition for

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<v Speaker 1>so many roles, and this is the one that ended

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<v Speaker 1>up happening. I had only auditioned for one other role

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<v Speaker 1>for I remember she was blind, That's what I remember.

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<v Speaker 1>And and James Jason was the director because I think

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<v Speaker 1>he was in on that session. I did not book it.

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<v Speaker 1>Did a better job? Did the woman? Did the character

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<v Speaker 1>that was blind have like a relationship with Brandon? With Jason?

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<v Speaker 1>I can't remember, but I know it was like a

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<v Speaker 1>big part. So it was like, you know, one that

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<v Speaker 1>all the actors wanted. I don't even know if it

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<v Speaker 1>went to someone black, to be honest um, although probably

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<v Speaker 1>because back then it wasn't really you didn't really bring

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<v Speaker 1>everyone in for anything. It was always very specific. Was

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<v Speaker 1>that before you did this role that you auditioned for

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<v Speaker 1>the other one or after? Yeah, I had auditioned for

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<v Speaker 1>the other one before this, And because it was a

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<v Speaker 1>bigger role and on such a cool show, of course

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<v Speaker 1>I was devastated when I didn't get it. I don't

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<v Speaker 1>know about YouTube, but I always took the nose harder

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<v Speaker 1>than I should have. My gosh, racial rejection is so hard.

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<v Speaker 1>People have no idea how many times you get rejected

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<v Speaker 1>in this business, and how many times you have to

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<v Speaker 1>bounce back from that. Well, yeah, I was saying to like,

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<v Speaker 1>my anxiety levels were always sky high day because you

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<v Speaker 1>were Okay, you're here, but no, you're leaving tomorrow, or

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<v Speaker 1>you have an audition right now, and you know, it's

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<v Speaker 1>really hard on the nervous system, which I think people

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<v Speaker 1>don't understand about acting. They just think, oh, it's so

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<v Speaker 1>easy and fun, and in days in Lewensio World especially,

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<v Speaker 1>I think they don't understand the rigorous work YouTube did

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<v Speaker 1>on that show because I was on later on in

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<v Speaker 1>the auds. I was on a sitcom and I love

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<v Speaker 1>that because I was like, oh, I'm in it ten

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<v Speaker 1>and I'm done by three thirty. And I have loved

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<v Speaker 1>that world too. I have every fourth week off schedule,

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<v Speaker 1>I compared to the drama because you guys worked long hours,

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<v Speaker 1>right like five days a week, yeah, sixteen days, and

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<v Speaker 1>you didn't get your fourth week off. I do have

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<v Speaker 1>one story that I want to tell about my brief

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<v Speaker 1>time please who knows so, but it's I'm gonna talent.

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<v Speaker 1>It involves Shannon Right, who I worked with, and she's

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<v Speaker 1>lovely but sue to the non actor. It might sound terrible,

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<v Speaker 1>but it's not you're gonna understand as actors. Just so

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<v Speaker 1>we're in the rooms, you know, we're waiting, and I

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<v Speaker 1>heard them knock on Shannon's store and she was like,

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<v Speaker 1>I'll be right there right and literally they don't even

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<v Speaker 1>wait like two minutes and they knock it and they're

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<v Speaker 1>like a lot of calm right now, and the A

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<v Speaker 1>D was kind of stride it right, I'm scared about

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<v Speaker 1>I'm like, my fingertips are going them, okay, go on.

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<v Speaker 1>So so they're knocking it and they knocked right away,

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<v Speaker 1>like thirty seconds later, like yeah, we need you right now,

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<v Speaker 1>and she literally yells back, I'm putting in a tampon.

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<v Speaker 1>And I as an actor, I respect that though I

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<v Speaker 1>did not see that coming. But no, that was brilliant

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<v Speaker 1>in the moment. I was like, because I listen as again,

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<v Speaker 1>I don't it's not all about race. But as a

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<v Speaker 1>black actor, I was constantly told you will be fired

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<v Speaker 1>for the same thing as these white girls do. You

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<v Speaker 1>will be fine, like literally told that job after job.

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<v Speaker 1>So I heard that and I was like, oh, what

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<v Speaker 1>I ever say or anything? And I'm like, you know,

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<v Speaker 1>cut two years later on my own show, and I'm

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<v Speaker 1>like I'm keeping just let peace pay to say Shannon wasn't.

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<v Speaker 1>It wasn't like to the non actor that might sound ready,

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<v Speaker 1>it's not. It's someone literally saying, I am coming. I

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<v Speaker 1>love my job, I will be there, I will be

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<v Speaker 1>out this door as soon as I am done. So

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<v Speaker 1>I actually get where she was coming from. So you

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<v Speaker 1>guys had a good time on the set, do you remember,

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<v Speaker 1>like what the but it was like it was fun

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<v Speaker 1>all but you know, like here's the thing. And the

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<v Speaker 1>other thing non actress don't understand is how awkward it

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<v Speaker 1>is to come in as a guest cost You're walking

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<v Speaker 1>into a well oiled machine and everybody's used to everybody's

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<v Speaker 1>personalities and everything like that. So I don't like I

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<v Speaker 1>did a movie years later with Shannon super friendly. I

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<v Speaker 1>don't think she was super friendly when we did that

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<v Speaker 1>scene together. I don't you know what I mean, like

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<v Speaker 1>because that was kind of like her not having a

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<v Speaker 1>good time scenes though. Did they film It was like

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<v Speaker 1>all the same place and they filmed both episodes. It's

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<v Speaker 1>backed back to get those done. I feel like they

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<v Speaker 1>did film both like it might have been over two days.

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<v Speaker 1>It wasn't just like it was all within like a

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<v Speaker 1>very yeah. Yeah, yeah, so again I was really happy

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<v Speaker 1>to be there, like I'm Minnesota, I'm her, And then

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<v Speaker 1>like every actor, I'm like, maybe she'll stay in Minnesota,

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<v Speaker 1>and you're like, Rachel, the show is called nine two,

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<v Speaker 1>she's not staying in saying she wasn't like unfriendly. She

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<v Speaker 1>was probably this stay honestly the same way I got

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<v Speaker 1>when when you were on a show, and you guys

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<v Speaker 1>know this I'm saying was for the audience. Like I

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<v Speaker 1>was number one on the call sheet of my sitcom.

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<v Speaker 1>I was in every scene. I was tired, you know,

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<v Speaker 1>even though it's a fun, silly job, so you're not

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<v Speaker 1>actually as over to everyone who comes in because you

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<v Speaker 1>have to save your energy for your performance. So you know,

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<v Speaker 1>I get that, but I haven't. I should. I should

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<v Speaker 1>work on that. Then I need to work on saving

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<v Speaker 1>my energy for your perform Yeah, because I go no, no,

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<v Speaker 1>I have this weird thing ever since I was young,

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<v Speaker 1>that it goes back to n to that I thought

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<v Speaker 1>like everyone would be like, oh, Tori Spelling, producer's daughter,

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<v Speaker 1>She's gonna be horrible, she's gonna be entitled. So even

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<v Speaker 1>I could be having the worst day ever or something

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<v Speaker 1>horrible is going on, and I'm just like, I'll be like, hi,

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<v Speaker 1>how are you, and like hugging grain, like I just

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<v Speaker 1>go too much on you because I'm just like a

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<v Speaker 1>gonna take you to train that out in your real life. Wait,

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<v Speaker 1>what do you mean? I'm saying, like, because I find

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<v Speaker 1>if we are like okay, because I can't imagine the pressure,

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<v Speaker 1>by the way, Tori of having that on my back. Right,

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<v Speaker 1>It's hard enough as an actor to be like do

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<v Speaker 1>you like me? Do you think I'm good? But later

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<v Speaker 1>in it's your dad, and of course you're gonna feel

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<v Speaker 1>like people are judging you and like you get one,

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<v Speaker 1>and then I've got to prove myself right, So you

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<v Speaker 1>end up being extra accommodating to a certain extent. And

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<v Speaker 1>so I'm saying, and sometimes I can cross into real

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<v Speaker 1>life and we can be over accommodating to our friends

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<v Speaker 1>instead of setting boundaries, you know what I mean. Yes,

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<v Speaker 1>I have not learned to do that yet, but there's

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<v Speaker 1>always hope. We're all working on it. I mean, I'm

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<v Speaker 1>gonna say, like the nice thing about being one of

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<v Speaker 1>the nice things, right, because being a grown up isn't

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<v Speaker 1>all terrible. I think it's kind of great. That, like,

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<v Speaker 1>as an adult, I feel much more comfortable with myself,

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<v Speaker 1>with my choices, what I do, saying yes, saying no

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<v Speaker 1>and being okay with that rather than if I say no,

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<v Speaker 1>they're not gonna like me. Like now, I don't give up.

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<v Speaker 1>So very helpful and I care. I want I like

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<v Speaker 1>people and I want them to like me back. But

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<v Speaker 1>I also think some of the bending over that we

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<v Speaker 1>I did myself when I was younger, I realized I

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<v Speaker 1>got sort of taken advantage of, maybe on jobs, and

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<v Speaker 1>you know, I wasn't treated as well because she's the

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<v Speaker 1>easy one. M Yeah, I was just writing about that

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<v Speaker 1>so funny. I was just writing about that my journal,

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<v Speaker 1>about like how that's the person that I used to

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<v Speaker 1>be so much more needy and like super like super

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<v Speaker 1>sensitive and I needed affirmation from other people and now

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<v Speaker 1>I just at at this point in my life, I

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<v Speaker 1>just don't need that. I need the love and respect

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<v Speaker 1>of the people that are most important to me, but

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<v Speaker 1>the other people I don't care. Well, I think that's

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<v Speaker 1>why I'm talking about it too, because chances are I'm

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<v Speaker 1>definitely older, probably I'm sure than both of you, and

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<v Speaker 1>it took me a really no chance, no chance now

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<v Speaker 1>I am, but it took me a really long time.

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<v Speaker 1>That thatsonality we have on set, which is our personality, right,

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<v Speaker 1>it's our true who we are, But there's also a

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<v Speaker 1>little bit of a mask on there. Is we all

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<v Speaker 1>carry a mask all the time through life, right, and

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<v Speaker 1>then there's set mask, which is a little different than

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<v Speaker 1>our day to day mask. And I find as an adult,

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<v Speaker 1>I'm willing to look at those things and strip them off,

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<v Speaker 1>Whereas when I was younger, I would have been like,

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<v Speaker 1>oh you see me, and then I would have probably

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<v Speaker 1>crumpled up in a ball. Yeah. No, growing up is

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<v Speaker 1>pretty rad like all the all the insights that you

0:12:05.040 --> 0:12:07.480
<v Speaker 1>get and the and the confidence that you get. It

0:12:07.559 --> 0:12:10.560
<v Speaker 1>actually is an unlike Unfortunately on like you two, I

0:12:10.600 --> 0:12:13.200
<v Speaker 1>don't have kids, right, I really wanted them, but I

0:12:13.200 --> 0:12:14.760
<v Speaker 1>couldn't have them. So I don't have kids, and I

0:12:14.840 --> 0:12:17.200
<v Speaker 1>don't have that thing to mark the passage of time

0:12:17.400 --> 0:12:20.400
<v Speaker 1>and to see, you know, the years go by or

0:12:20.400 --> 0:12:22.920
<v Speaker 1>my own growth or there. So I kind of have

0:12:23.000 --> 0:12:25.320
<v Speaker 1>to just clock it on my own. And I'm trying

0:12:25.440 --> 0:12:28.480
<v Speaker 1>because I feel like as humans we get this chance

0:12:28.880 --> 0:12:30.800
<v Speaker 1>we do our thing, and all we can try to do.

0:12:30.960 --> 0:12:32.520
<v Speaker 1>All I can try to do is be the best

0:12:32.640 --> 0:12:35.040
<v Speaker 1>human I can be, and the times that I've fallen

0:12:35.640 --> 0:12:38.400
<v Speaker 1>and and failed, I have to just get up and

0:12:38.400 --> 0:12:40.800
<v Speaker 1>try again and do better the next time, rather than

0:12:40.920 --> 0:12:44.760
<v Speaker 1>going I failed, I am ah, you know, and beating

0:12:44.800 --> 0:12:47.320
<v Speaker 1>myself up. And yeah, I'm saying that for the people listening,

0:12:47.360 --> 0:12:51.120
<v Speaker 1>because I'm sure I'm not the only person who behaved

0:12:51.160 --> 0:13:07.000
<v Speaker 1>like that to themselves. No. Oh my gosh, I wish

0:13:07.040 --> 0:13:09.319
<v Speaker 1>I had spent more time with you with that Sundance

0:13:09.440 --> 0:13:14.120
<v Speaker 1>part way back when, because you're awesome. Well, you know,

0:13:14.559 --> 0:13:16.679
<v Speaker 1>thank you, that's really kind of you to say. But also,

0:13:16.760 --> 0:13:19.120
<v Speaker 1>you know, this acting career, right, it's up, it's down,

0:13:19.120 --> 0:13:22.240
<v Speaker 1>it's sideways. So like Jenny, I right, I don't know

0:13:22.280 --> 0:13:25.240
<v Speaker 1>if you you right as well? Right? Sometimes and I

0:13:25.880 --> 0:13:27.840
<v Speaker 1>you know, when things got a little slow, I wrote

0:13:27.880 --> 0:13:30.480
<v Speaker 1>a book and sold a book to a major publisher,

0:13:30.880 --> 0:13:33.600
<v Speaker 1>And that was a big step for me because back

0:13:33.640 --> 0:13:35.160
<v Speaker 1>in the nineties, you remember when it was like you

0:13:35.160 --> 0:13:38.959
<v Speaker 1>can only be an actor, anything else and you suck.

0:13:39.760 --> 0:13:42.800
<v Speaker 1>So I had that ingrained in me that, like even

0:13:42.880 --> 0:13:45.719
<v Speaker 1>even other artsy stuff, the attitude was well, if you're

0:13:45.760 --> 0:13:50.000
<v Speaker 1>not you know, you can do one. Wait, what's your book? Oh?

0:13:50.040 --> 0:13:52.600
<v Speaker 1>It's it's okay, don't laugh, or you got or your

0:13:52.640 --> 0:13:54.360
<v Speaker 1>ladies can, and you can make fun of me later.

0:13:54.400 --> 0:13:56.120
<v Speaker 1>But one thing I've always done throughout my whole life,

0:13:56.160 --> 0:14:01.080
<v Speaker 1>that's he'll calm me down and self soothe me. It's, um,

0:14:02.080 --> 0:14:05.880
<v Speaker 1>I don't know why, an embarrassed. It's not really first masturbating. Yeah,

0:14:06.040 --> 0:14:10.160
<v Speaker 1>the book about white story, I recommend The Rabbit. No,

0:14:10.440 --> 0:14:14.520
<v Speaker 1>it's not about that is the fastest one. Okay, go on,

0:14:15.000 --> 0:14:17.880
<v Speaker 1>it's a I knew you know that one. It's a

0:14:17.920 --> 0:14:23.480
<v Speaker 1>tarot book in deck set. It's young love this, Oh

0:14:23.520 --> 0:14:26.280
<v Speaker 1>good God, listen. The reason I had my bets on

0:14:26.320 --> 0:14:29.320
<v Speaker 1>this is I didn't understand that certain people are like

0:14:29.840 --> 0:14:32.480
<v Speaker 1>especially my black brothers and sisters are like, oh no,

0:14:32.680 --> 0:14:35.640
<v Speaker 1>Rachel the devil, And I'm like, okay, paper cards printed

0:14:35.680 --> 0:14:42.920
<v Speaker 1>in China literally just images we use to unlock our

0:14:42.960 --> 0:14:47.040
<v Speaker 1>own emotions, the things that are unconscious. Right, So it's

0:14:47.040 --> 0:14:49.480
<v Speaker 1>always been a passion of mine. And um, I wrote

0:14:49.480 --> 0:14:53.040
<v Speaker 1>a book and designed a deck and it's I'm proud

0:14:53.080 --> 0:14:54.840
<v Speaker 1>of that. But wait, what's it called? Tell us what

0:14:54.880 --> 0:14:58.760
<v Speaker 1>It's called true true heart, intuitive tarot and you can

0:14:58.760 --> 0:15:00.960
<v Speaker 1>get it anywhere. Books are still like Barnes and Noble

0:15:01.040 --> 0:15:05.320
<v Speaker 1>or Amazon. But I'm proud of that. You're smart. That's

0:15:05.840 --> 0:15:08.560
<v Speaker 1>you should be proud of that. That's awesome, that's great.

0:15:08.600 --> 0:15:10.680
<v Speaker 1>A soo, I wrote it myself. I had six million

0:15:10.680 --> 0:15:12.160
<v Speaker 1>people be like, I'll write it for you, and I

0:15:12.240 --> 0:15:14.600
<v Speaker 1>was like, I am an artist, I will write my

0:15:14.640 --> 0:15:17.520
<v Speaker 1>own book. But I think I'm particularly proud of it

0:15:17.560 --> 0:15:21.800
<v Speaker 1>in my evolution because I needed something to focus on.

0:15:21.880 --> 0:15:23.440
<v Speaker 1>I'm not kind of personal. If I don't have a

0:15:23.560 --> 0:15:25.800
<v Speaker 1>job right and I don't know the kids to the

0:15:26.320 --> 0:15:28.640
<v Speaker 1>I didn't have anything to focus on, and this grounded

0:15:28.720 --> 0:15:30.640
<v Speaker 1>me and let me know that I had a talent

0:15:30.720 --> 0:15:33.880
<v Speaker 1>as a writer. Because it includes twenty two memory kind

0:15:33.920 --> 0:15:39.200
<v Speaker 1>of essays, personal essays. There's really mind opening, just like

0:15:39.240 --> 0:15:42.000
<v Speaker 1>every role we do is mind opening. You know the

0:15:42.040 --> 0:15:47.119
<v Speaker 1>book was mind opening? Well did you write this book? Oh?

0:15:47.160 --> 0:15:49.400
<v Speaker 1>I think it came out almost two years ago. Now

0:15:49.720 --> 0:15:51.880
<v Speaker 1>I'm literally in the middle of pitching my next book

0:15:52.040 --> 0:15:54.200
<v Speaker 1>right now. So I let me have a career. Like

0:15:54.280 --> 0:15:57.800
<v Speaker 1>you you're you've done all these acting roles. Now you're writing, like,

0:15:57.960 --> 0:16:01.000
<v Speaker 1>what is what's your favorite? Do do you like one

0:16:01.040 --> 0:16:04.560
<v Speaker 1>more than the other? Wait? Oh wait, what's her favorite thing?

0:16:04.560 --> 0:16:08.840
<v Speaker 1>That she's done. Can I say my favorite thing she's done? Sorry? Okay,

0:16:08.960 --> 0:16:13.720
<v Speaker 1>can I fan girl out before you answer that question? Yes? Okay,

0:16:13.720 --> 0:16:16.360
<v Speaker 1>So rewatching this. I have to admit, like Jen and

0:16:16.400 --> 0:16:18.320
<v Speaker 1>I haven't seen a lot of the episodes, which is

0:16:18.320 --> 0:16:21.600
<v Speaker 1>why as best friends, like we're so excited to rewatch

0:16:21.680 --> 0:16:25.520
<v Speaker 1>together and talk about it. And for some reason, I

0:16:25.600 --> 0:16:28.400
<v Speaker 1>didn't remember, like I knew, I knew you, um, but

0:16:28.400 --> 0:16:30.360
<v Speaker 1>I didn't remember you were in nine two. When I

0:16:30.360 --> 0:16:35.440
<v Speaker 1>saw you, I literally freaked out and went because horror fanatic, Sorry,

0:16:35.440 --> 0:16:36.760
<v Speaker 1>I have to talk about the Craft. I just have to.

0:16:36.800 --> 0:16:41.320
<v Speaker 1>I'm sorry, thanks girl, one of the most iconic cult

0:16:41.720 --> 0:16:47.040
<v Speaker 1>horror films ever. Um and yeah, obsessed with the Craft,

0:16:47.240 --> 0:16:49.600
<v Speaker 1>and I had to go. My kids don't even care

0:16:49.640 --> 0:16:51.200
<v Speaker 1>that I was in nine two, but I was like,

0:16:51.440 --> 0:16:53.960
<v Speaker 1>oh my gosh, come look, and they right off the

0:16:53.960 --> 0:16:57.480
<v Speaker 1>bat were like from the Craft, and I was like, yeah,

0:16:57.600 --> 0:17:01.040
<v Speaker 1>I really because one of my their friends pre summer,

0:17:01.120 --> 0:17:03.320
<v Speaker 1>she's a big she was on a different world and

0:17:03.360 --> 0:17:08.880
<v Speaker 1>it's a big She's great, she's so funny, so talented.

0:17:08.960 --> 0:17:11.119
<v Speaker 1>She just showed the Craft to her daughters and all

0:17:11.119 --> 0:17:13.639
<v Speaker 1>of a sudden, my stock went up so far in

0:17:13.720 --> 0:17:17.600
<v Speaker 1>that household. Before they were like, oh yeah, Rachel. Now

0:17:17.640 --> 0:17:22.960
<v Speaker 1>they were like, Rachel, my daughter just turned to eleven,

0:17:23.040 --> 0:17:25.359
<v Speaker 1>and she's like a huge fan. And I'm going to

0:17:25.680 --> 0:17:27.320
<v Speaker 1>be a geek and take a picture of the screen

0:17:27.359 --> 0:17:29.600
<v Speaker 1>here so she could see you and I together. And

0:17:29.680 --> 0:17:33.800
<v Speaker 1>you too, Jenn, you too, Well, it's your daughter. Actually

0:17:33.840 --> 0:17:36.560
<v Speaker 1>I call we call um my one daughter Hattie, actually

0:17:36.640 --> 0:17:41.119
<v Speaker 1>Jenny's daughter, Um, but we she's a horror fan and

0:17:41.160 --> 0:17:43.359
<v Speaker 1>we're going to do her eleventh birthday and she wants

0:17:43.400 --> 0:17:47.879
<v Speaker 1>it um after the craft. Wait cool to me as

0:17:47.920 --> 0:17:51.520
<v Speaker 1>you showed her the original. I wanted to ask you

0:17:51.560 --> 0:17:54.040
<v Speaker 1>what you think of the new one. I don't know

0:17:54.160 --> 0:17:57.280
<v Speaker 1>her nice gowns, I don't know. I mean, here's the thing.

0:17:57.680 --> 0:18:00.640
<v Speaker 1>I would have more to say, except I feel like,

0:18:01.080 --> 0:18:02.680
<v Speaker 1>and I'll put this on the record, I feel like

0:18:02.720 --> 0:18:04.600
<v Speaker 1>they made a mistake. They were in talks with all

0:18:04.600 --> 0:18:06.240
<v Speaker 1>of us to be in it right, and then they

0:18:06.400 --> 0:18:08.600
<v Speaker 1>executive is like, well, we pulled the audience and the

0:18:08.680 --> 0:18:11.760
<v Speaker 1>last thing they want to see is you ladies with kids,

0:18:11.840 --> 0:18:15.080
<v Speaker 1>and and everyone I speak to who like you girls,

0:18:15.200 --> 0:18:17.880
<v Speaker 1>women and everyone out there is like what do you mean?

0:18:18.320 --> 0:18:21.560
<v Speaker 1>Because I feel like what they do is they discount

0:18:21.800 --> 0:18:26.400
<v Speaker 1>us grown women who have more spending money. Now theoretically,

0:18:26.680 --> 0:18:29.040
<v Speaker 1>you know, I mean, you guys had all in your twenties,

0:18:29.080 --> 0:18:33.040
<v Speaker 1>but for the regular, for normal people, most women who

0:18:33.040 --> 0:18:35.760
<v Speaker 1>are grown, we haven't spending money. And I think the

0:18:35.840 --> 0:18:38.159
<v Speaker 1>crowd that people would have come out to see the

0:18:38.200 --> 0:18:40.560
<v Speaker 1>grown ladies and the craft with their kids, you would

0:18:40.560 --> 0:18:44.159
<v Speaker 1>have gotten the young and yeah, exactly. And instead what

0:18:44.240 --> 0:18:47.000
<v Speaker 1>I get is like, you know, I mean, I guess

0:18:47.000 --> 0:18:48.920
<v Speaker 1>shade to the new one is people going there was

0:18:48.920 --> 0:18:53.440
<v Speaker 1>a new one, and I'm like, all right, anyway, yeah,

0:18:53.440 --> 0:18:57.160
<v Speaker 1>because that really hurt the screen franchise, bringing the original

0:18:57.200 --> 0:18:59.840
<v Speaker 1>cast back and like also having the new bees, you

0:18:59.880 --> 0:19:02.760
<v Speaker 1>know what I mean, Like, it's kind of nuts that

0:19:02.800 --> 0:19:04.240
<v Speaker 1>they were in talks with you and then it didn't

0:19:04.240 --> 0:19:07.679
<v Speaker 1>go further like I would have. I wanted that. I

0:19:07.720 --> 0:19:09.719
<v Speaker 1>wanted to look for you guys, like what that's what

0:19:09.800 --> 0:19:14.240
<v Speaker 1>fans want to see, so that you could blend generations. Um.

0:19:14.320 --> 0:19:19.760
<v Speaker 1>So my so, my daughter liked it. Um. And that's

0:19:19.840 --> 0:19:22.879
<v Speaker 1>actually when I showed her the original one because she

0:19:23.119 --> 0:19:24.840
<v Speaker 1>liked it, and I was like, She's like, why don't

0:19:24.840 --> 0:19:27.159
<v Speaker 1>you like this? This is great? And that's when I

0:19:27.240 --> 0:19:29.320
<v Speaker 1>was like, Okay, you gotta see the O G one

0:19:29.440 --> 0:19:32.960
<v Speaker 1>my generation watch because it's amazing. And then she got

0:19:33.000 --> 0:19:36.840
<v Speaker 1>her cell phones? What's wrong with them? Know? She ended

0:19:36.920 --> 0:19:39.159
<v Speaker 1>up because you know, sometimes horror films now are just

0:19:39.240 --> 0:19:43.119
<v Speaker 1>so like high, like fast paced, and the lighting and

0:19:43.160 --> 0:19:45.920
<v Speaker 1>the it's all about like, oh, I don't know, it's

0:19:45.960 --> 0:19:48.760
<v Speaker 1>too much to get anxiety. They don't let anything breathe

0:19:48.800 --> 0:19:52.280
<v Speaker 1>in horror films sometimes. And the first one was just

0:19:52.400 --> 0:19:56.840
<v Speaker 1>so iconic and just everything head to show, fashion, everything.

0:19:57.280 --> 0:19:59.760
<v Speaker 1>I think they did a good job at capturing that

0:20:00.080 --> 0:20:02.960
<v Speaker 1>moment in time. How's that? You know? Like it really

0:20:02.960 --> 0:20:06.639
<v Speaker 1>did capture some the onst of the nineties, um and

0:20:06.720 --> 0:20:08.919
<v Speaker 1>that moment in time. And I will give the new

0:20:08.920 --> 0:20:11.040
<v Speaker 1>one which I haven't seen, but I think they captured

0:20:11.080 --> 0:20:14.040
<v Speaker 1>their moment too, you know what I mean, like their

0:20:14.160 --> 0:20:17.160
<v Speaker 1>moment of now um and and that's kind of what

0:20:17.200 --> 0:20:21.840
<v Speaker 1>film is about. So anyway, I would say, back to

0:20:21.960 --> 0:20:24.600
<v Speaker 1>Jenny's thing, I like it all. One thing I've realized

0:20:24.600 --> 0:20:28.560
<v Speaker 1>like when I was in my younger years, I was

0:20:28.600 --> 0:20:31.800
<v Speaker 1>always uncomfortable saying I'm an artist. I don't know why,

0:20:32.080 --> 0:20:35.720
<v Speaker 1>you know, because I thought artists were this better thing

0:20:36.040 --> 0:20:39.440
<v Speaker 1>than me. Right, So now I fully understand as an adult,

0:20:39.480 --> 0:20:43.040
<v Speaker 1>I'm an artist. So whether it's writing, directing, which I

0:20:43.040 --> 0:20:46.760
<v Speaker 1>would like to do, any any of these things, Um,

0:20:46.800 --> 0:20:50.920
<v Speaker 1>I adore. Yeah, I mean I wouldn't. I wasn't comfortable

0:20:50.960 --> 0:20:53.920
<v Speaker 1>saying oh, I'm a creative as a young person either,

0:20:54.080 --> 0:20:56.720
<v Speaker 1>But now, like that's the only way my brain works,

0:20:56.720 --> 0:20:59.440
<v Speaker 1>and I know it and I love it. Right, That's

0:20:59.440 --> 0:21:02.080
<v Speaker 1>what I really is. That is how my brain works.

0:21:02.119 --> 0:21:04.520
<v Speaker 1>So it doesn't really matter what formed is. I do

0:21:04.600 --> 0:21:07.119
<v Speaker 1>get a particular kick out of acting. I don't always

0:21:07.119 --> 0:21:09.760
<v Speaker 1>have to watch it, per se. What do you mean

0:21:09.880 --> 0:21:12.879
<v Speaker 1>watch your work? Yeah? I don't always enjoy that. Like

0:21:12.920 --> 0:21:16.159
<v Speaker 1>if you guys credit for watching the old episodes of

0:21:16.240 --> 0:21:18.840
<v Speaker 1>your shows. It's so long ago that it's okay for

0:21:18.920 --> 0:21:23.800
<v Speaker 1>us now to watch. Really Yeah, And like, oddly enough,

0:21:23.840 --> 0:21:25.480
<v Speaker 1>I don't know if my master told you guys. Like

0:21:25.520 --> 0:21:30.320
<v Speaker 1>I'm here in Louisiana shooting the sequel twenty years twenty

0:21:30.359 --> 0:21:32.840
<v Speaker 1>plus years later to Half Baked, which was a stone

0:21:33.440 --> 0:21:37.720
<v Speaker 1>stoic What that is so fun? That's why I'm here.

0:21:37.960 --> 0:21:41.760
<v Speaker 1>I'm like, all right, so wait, what's your role? What's

0:21:41.760 --> 0:21:43.960
<v Speaker 1>your what's your role? And half still married? I was

0:21:44.000 --> 0:21:47.560
<v Speaker 1>Mary Jane and the original one, I was Dave's love

0:21:47.640 --> 0:21:50.840
<v Speaker 1>interest and now I'm the mom to the person having

0:21:50.840 --> 0:21:54.800
<v Speaker 1>the adventure, which is another thing that is interesting as

0:21:54.800 --> 0:21:57.680
<v Speaker 1>an adult actor, because I just got in last night

0:21:57.840 --> 0:22:01.280
<v Speaker 1>and on the plane was alright, Rachel, you're the only adult.

0:22:02.000 --> 0:22:05.480
<v Speaker 1>Everyone else is going to be a child or pretending

0:22:05.800 --> 0:22:08.000
<v Speaker 1>or pretending to be a child. Like because I was

0:22:08.080 --> 0:22:10.880
<v Speaker 1>way older than the characters I played when I was younger,

0:22:11.240 --> 0:22:13.520
<v Speaker 1>I just knew that I looked that age and that

0:22:13.520 --> 0:22:16.080
<v Speaker 1>that was fine for me, you know, so I was

0:22:16.160 --> 0:22:20.119
<v Speaker 1>older than my peers. Um. But with this it's an

0:22:20.160 --> 0:22:24.880
<v Speaker 1>interesting transition, you know, m because I'm I'm the mom. Wait,

0:22:24.880 --> 0:22:27.719
<v Speaker 1>but it's not your first time playing a mom, you

0:22:27.760 --> 0:22:31.040
<v Speaker 1>know what. I think I've only played a mom like

0:22:31.200 --> 0:22:33.880
<v Speaker 1>one other time, Like I did. I'm on an Amazon

0:22:34.040 --> 0:22:37.760
<v Speaker 1>show called uh Oh. It's about four women in Harlem,

0:22:37.800 --> 0:22:40.720
<v Speaker 1>and it's called Harlem. And in that one, I played

0:22:41.000 --> 0:22:43.280
<v Speaker 1>a love interest to one of the younger girls. So

0:22:43.359 --> 0:22:47.360
<v Speaker 1>I'm usually like that, non mom, um, because you look

0:22:47.440 --> 0:22:54.080
<v Speaker 1>so young, like that's why that's the camera lady. But no,

0:22:54.240 --> 0:22:56.199
<v Speaker 1>this this is like a grown man son. And I

0:22:56.240 --> 0:22:59.360
<v Speaker 1>was like, OK, it's a little intimidating as an actress,

0:22:59.480 --> 0:23:01.760
<v Speaker 1>right type of grown son rather than eight. I was like,

0:23:01.840 --> 0:23:03.720
<v Speaker 1>I didn't even get an eight year old. Yeah, you

0:23:03.720 --> 0:23:08.240
<v Speaker 1>didn't need to transition into it. They just comedy like

0:23:08.320 --> 0:23:12.040
<v Speaker 1>it's it's like, it's also fun. And the truth is

0:23:12.040 --> 0:23:16.760
<v Speaker 1>it's not like real easily be the mother person. So

0:23:17.320 --> 0:23:20.959
<v Speaker 1>it's not out of alignment with the truth. I know

0:23:21.080 --> 0:23:23.159
<v Speaker 1>even now. I mean, I have a twenty five year

0:23:23.160 --> 0:23:26.000
<v Speaker 1>old daughter and I'm like, wait, what you're I'm your

0:23:26.040 --> 0:23:30.240
<v Speaker 1>mom like in real life. I don't get it. Really,

0:23:30.359 --> 0:23:33.240
<v Speaker 1>I though you look amazing. I never would have Tory.

0:23:33.320 --> 0:23:36.760
<v Speaker 1>How do you have? How many kids? Five? Five? Five?

0:23:36.920 --> 0:23:39.040
<v Speaker 1>In between the two of us, we have eight kids,

0:23:39.200 --> 0:23:44.160
<v Speaker 1>and that crazy, Like you look fabulous because the one

0:23:44.160 --> 0:23:48.120
<v Speaker 1>thing I know is kids. Can you know a person?

0:23:48.200 --> 0:23:52.080
<v Speaker 1>Not everybody off too gorgeous women, But it's true. You know,

0:23:52.200 --> 0:23:54.520
<v Speaker 1>I think they keep you young, they keep you on

0:23:54.640 --> 0:23:58.119
<v Speaker 1>your toes, they do both. I think it's a the worry.

0:23:58.200 --> 0:24:00.920
<v Speaker 1>I think that worry right. But definitely hear what you're

0:24:00.920 --> 0:24:03.800
<v Speaker 1>saying about playing a mom. It is it's like a

0:24:03.840 --> 0:24:06.400
<v Speaker 1>little bit of a transition, a switch in your brain

0:24:06.400 --> 0:24:10.439
<v Speaker 1>that you have exactly it is a little bit and

0:24:10.520 --> 0:24:12.520
<v Speaker 1>yet at the same time, like I said, I'm not

0:24:12.640 --> 0:24:17.119
<v Speaker 1>adverse to We're privileged to be here. We all know

0:24:17.200 --> 0:24:19.800
<v Speaker 1>people who are not here, right, who didn't make it

0:24:19.840 --> 0:24:21.840
<v Speaker 1>to this age. So that's kind of how I look

0:24:21.840 --> 0:24:24.320
<v Speaker 1>at it. And it doesn't mean I don't go, oh,

0:24:24.400 --> 0:24:28.920
<v Speaker 1>this line or this thing. But the truth is, um,

0:24:28.960 --> 0:24:31.560
<v Speaker 1>it is a privilege to still be alive at this

0:24:31.560 --> 0:24:36.200
<v Speaker 1>this particular juncture. So I just truly and I try

0:24:36.200 --> 0:24:51.080
<v Speaker 1>to keep that in perspective. You know, we can talk

0:24:51.080 --> 0:24:55.480
<v Speaker 1>to you all day, you have amazing we do You

0:24:55.480 --> 0:24:58.360
<v Speaker 1>still keep in touch with nev Campbell? Um, I do.

0:24:58.640 --> 0:25:01.120
<v Speaker 1>And I see her at those U signing things, which

0:25:01.160 --> 0:25:05.960
<v Speaker 1>I'm sure she's right. People like for the first convention

0:25:06.040 --> 0:25:08.200
<v Speaker 1>I ever did, every picture of me next is someone

0:25:08.280 --> 0:25:12.959
<v Speaker 1>touching me and ME going ah. Because I grew up

0:25:12.960 --> 0:25:15.280
<v Speaker 1>in a hockey household, so I was like, oh, we

0:25:15.320 --> 0:25:19.480
<v Speaker 1>have to touch here. That's interesting, But it's super They're

0:25:19.480 --> 0:25:22.359
<v Speaker 1>actually really fun to do because you connect with the

0:25:22.400 --> 0:25:25.320
<v Speaker 1>people and and and they love these shows. They're the

0:25:25.359 --> 0:25:28.960
<v Speaker 1>reason I know to know and it's so true and

0:25:29.880 --> 0:25:31.680
<v Speaker 1>appreciate them. But I'm still in touch with them. I'm

0:25:31.680 --> 0:25:33.760
<v Speaker 1>not in touch with everyone I work with me just

0:25:33.800 --> 0:25:36.879
<v Speaker 1>like you guys, you know, of course. Yeah. Well, I

0:25:37.000 --> 0:25:38.879
<v Speaker 1>was like, when people like you ask me best friends

0:25:38.880 --> 0:25:40.600
<v Speaker 1>with so and so, and I'm like, are you friends

0:25:40.600 --> 0:25:44.920
<v Speaker 1>with some person who worked with twenty years ago? I

0:25:44.960 --> 0:25:47.240
<v Speaker 1>literally would not have asked that question, but our producer

0:25:47.280 --> 0:25:49.879
<v Speaker 1>put in the notes that you guys are still talk No,

0:25:50.080 --> 0:25:52.360
<v Speaker 1>we are reached me super tight um. But she lived

0:25:52.359 --> 0:25:54.119
<v Speaker 1>on it and I just saw her recently, so I

0:25:54.160 --> 0:25:56.119
<v Speaker 1>was like, oh, I'm not know. She's a She's a

0:25:56.160 --> 0:25:59.400
<v Speaker 1>lovely girl. And oddly enough, when we shot the craft,

0:25:59.600 --> 0:26:02.160
<v Speaker 1>I was super tight, was me and Nav and then

0:26:02.240 --> 0:26:04.600
<v Speaker 1>Robin and Fruza were kind of their own islands and

0:26:04.640 --> 0:26:07.959
<v Speaker 1>I was told to not even talk to Fruzia because

0:26:08.720 --> 0:26:11.280
<v Speaker 1>x y Z by my team. And the funny thing

0:26:11.359 --> 0:26:13.320
<v Speaker 1>is this Spruce and I are like best friends now.

0:26:13.400 --> 0:26:17.760
<v Speaker 1>She's so fun She's the nicest girl. She is so sweet,

0:26:17.800 --> 0:26:19.480
<v Speaker 1>and I realized people are like, what do you mean,

0:26:19.520 --> 0:26:21.320
<v Speaker 1>Fruza ball and I'm like, no, no, no, no no, no.

0:26:21.359 --> 0:26:24.880
<v Speaker 1>One of the most loyal, supportive friends there is out there.

0:26:25.160 --> 0:26:28.040
<v Speaker 1>So I'm so glad that eventually I got to know her,

0:26:28.119 --> 0:26:30.480
<v Speaker 1>because she's a real special girl. That's neat that you

0:26:30.760 --> 0:26:34.200
<v Speaker 1>that you were able to come around and sort of yeah.

0:26:34.200 --> 0:26:36.840
<v Speaker 1>And we've got together as friends, we've been talked about

0:26:36.880 --> 0:26:38.840
<v Speaker 1>these things. But again, the first time I saw her

0:26:38.880 --> 0:26:42.040
<v Speaker 1>after years and years and years, here's what I think

0:26:42.080 --> 0:26:44.360
<v Speaker 1>people out there forget to do. Like even when you're

0:26:45.200 --> 0:26:48.400
<v Speaker 1>you know, like she she's fabulous, but she was kind

0:26:48.400 --> 0:26:51.560
<v Speaker 1>of a pain and in the lovely way back then.

0:26:51.800 --> 0:26:53.760
<v Speaker 1>So the first thing she said to me was listen,

0:26:53.800 --> 0:26:58.040
<v Speaker 1>I'm sorry, mhm. And that's all it takes. But people

0:26:58.040 --> 0:27:01.480
<v Speaker 1>don't realize is it doesn't have to be this huge conversation.

0:27:01.560 --> 0:27:05.280
<v Speaker 1>It's simply I'm acknowledging in X y Z and that

0:27:05.320 --> 0:27:08.119
<v Speaker 1>was it. And and I had to learn to to

0:27:08.280 --> 0:27:10.760
<v Speaker 1>let her and other people have that moment because I

0:27:10.840 --> 0:27:13.359
<v Speaker 1>was like, no, no, it's fine. And you know what,

0:27:13.560 --> 0:27:15.560
<v Speaker 1>sometimes you have to let the person get out there,

0:27:15.600 --> 0:27:18.640
<v Speaker 1>sorry or there whatever it is, because that's important for them,

0:27:18.960 --> 0:27:21.240
<v Speaker 1>you know, just like my nature is like I don't

0:27:21.240 --> 0:27:23.520
<v Speaker 1>want any of fine, And I was like, non' let

0:27:23.520 --> 0:27:26.160
<v Speaker 1>me hear this. So her and never great. I don't

0:27:26.160 --> 0:27:27.800
<v Speaker 1>know Robin at all. I didn't know where when we

0:27:27.800 --> 0:27:31.320
<v Speaker 1>shot the movie. I still don't know where. Um and um.

0:27:31.680 --> 0:27:34.359
<v Speaker 1>I'm generally I keep in touch with a few people

0:27:34.400 --> 0:27:37.199
<v Speaker 1>that I've worked with, like Kathleen, I hadn't talked to

0:27:37.240 --> 0:27:41.000
<v Speaker 1>in a while, but you know we were she love, Yeah,

0:27:42.400 --> 0:27:45.800
<v Speaker 1>we listen. We had to share a trailer a trailer,

0:27:45.880 --> 0:27:50.199
<v Speaker 1>so thank god we got along. Usually we'll get your

0:27:50.240 --> 0:27:54.760
<v Speaker 1>own trailer. We were sharing trailers and Christina appudate. I

0:27:54.760 --> 0:27:56.960
<v Speaker 1>think too. We were all like in the same trailer,

0:27:57.000 --> 0:28:01.040
<v Speaker 1>so thank god we all got along. Well we we

0:28:01.160 --> 0:28:03.000
<v Speaker 1>love talking to you. But um, okay, going back to

0:28:03.040 --> 0:28:05.520
<v Speaker 1>Beverly Hills now or too. I know, um, as a

0:28:06.040 --> 0:28:09.760
<v Speaker 1>fair person that watched the show, I'm assuming which team

0:28:09.760 --> 0:28:13.280
<v Speaker 1>are you, Brandon or Dylan? Everybody wants to know these things. Girl,

0:28:13.320 --> 0:28:17.320
<v Speaker 1>I have to admit this. Oh neither, I'm no, I'm

0:28:17.400 --> 0:28:20.400
<v Speaker 1>actually find I'm like this. I've always been this way

0:28:20.400 --> 0:28:22.600
<v Speaker 1>since I was a kid. Like well, he started off

0:28:22.640 --> 0:28:26.960
<v Speaker 1>with Brenda. So when I was a kid and they'd

0:28:26.960 --> 0:28:29.159
<v Speaker 1>switch him up or change things, I would just it

0:28:29.240 --> 0:28:31.760
<v Speaker 1>made me up tight, and so for some reason, I

0:28:31.800 --> 0:28:34.320
<v Speaker 1>was like, it's supposed to be with Brenda. So I'm

0:28:34.359 --> 0:28:40.440
<v Speaker 1>so sorry, Jenny, don't be sorry. Your character was with Sweeter. Wait,

0:28:40.480 --> 0:28:43.720
<v Speaker 1>feel the same way sometimes watching it back, We're like, wait,

0:28:44.360 --> 0:28:48.680
<v Speaker 1>don't even like this guy? Okay, so your team Brenda.

0:28:49.040 --> 0:28:51.920
<v Speaker 1>I'm just one more thing because I was because I

0:28:52.560 --> 0:28:54.520
<v Speaker 1>think I also was like team Brenda because I've had

0:28:54.640 --> 0:28:58.360
<v Speaker 1>enough boyfriend's cheat on me that I was like, how

0:28:58.400 --> 0:29:01.440
<v Speaker 1>could she do that? You know your character even though

0:29:01.440 --> 0:29:04.280
<v Speaker 1>you weren't really cheating, Well, you kind of were right,

0:29:04.360 --> 0:29:07.760
<v Speaker 1>you kind of stole them right. No, she did not

0:29:08.000 --> 0:29:12.240
<v Speaker 1>steal him. We only know this because we just watched

0:29:12.280 --> 0:29:15.840
<v Speaker 1>it and my memories. You stole in in many, many,

0:29:15.880 --> 0:29:19.720
<v Speaker 1>many memories. They were broken up as they were broken up. Yeah,

0:29:20.240 --> 0:29:22.960
<v Speaker 1>I guess I knew that. But she was still Brenda's

0:29:22.960 --> 0:29:26.240
<v Speaker 1>best friends, so that's still pretty I think that's where

0:29:26.240 --> 0:29:28.959
<v Speaker 1>it went in. Although I kind of saw the benefits

0:29:29.080 --> 0:29:32.200
<v Speaker 1>to both, by the way, because you and um Luke

0:29:32.240 --> 0:29:36.000
<v Speaker 1>were really sweet together, so I did. I actually liked

0:29:36.000 --> 0:29:38.120
<v Speaker 1>you both, but I think I was supposed to be

0:29:38.200 --> 0:29:42.840
<v Speaker 1>with Brenda. But did you like Brandon better or Dylan? Oh?

0:29:43.000 --> 0:29:47.560
<v Speaker 1>I was listened Brandon Adwarves, but I'm gonna go with

0:29:47.600 --> 0:29:50.920
<v Speaker 1>a bad boy. How do you think I managed to

0:29:50.920 --> 0:29:59.400
<v Speaker 1>get to this age and be unmarried? Oh? Yeah? You like? Yeah?

0:29:59.720 --> 0:30:02.760
<v Speaker 1>I I mean I just like I thought Brandam was adorable.

0:30:03.000 --> 0:30:04.920
<v Speaker 1>You know, he's such a hand. They're both so handsome.

0:30:04.960 --> 0:30:08.160
<v Speaker 1>But there was something about that quiet strength that Luke

0:30:08.240 --> 0:30:12.160
<v Speaker 1>had that I really loved you and many many others.

0:30:12.520 --> 0:30:15.840
<v Speaker 1>Oh yeah, no doubt. That was a phenomenal man. And

0:30:15.920 --> 0:30:18.160
<v Speaker 1>before we go, I have to nerd out one last

0:30:18.160 --> 0:30:21.200
<v Speaker 1>time and ask you to say people always say Donna

0:30:21.240 --> 0:30:24.880
<v Speaker 1>Martin graduates um, and with Jen I choose me. I

0:30:24.920 --> 0:30:27.480
<v Speaker 1>have to ask you, can you say, um, light is

0:30:27.480 --> 0:30:32.640
<v Speaker 1>a feather stiff? Yeah? I thought you were gonna be

0:30:32.680 --> 0:30:36.040
<v Speaker 1>like all hale corners of the everything, Oh my god,

0:30:36.080 --> 0:30:38.040
<v Speaker 1>any of it. Can you just recite the whole movie

0:30:38.120 --> 0:30:41.560
<v Speaker 1>right for Light is a feather, Stuff is a board

0:30:42.360 --> 0:30:45.960
<v Speaker 1>And we've got the instruction that's one of my lines

0:30:46.040 --> 0:30:49.080
<v Speaker 1>from I Love This and iose are the only ones

0:30:49.120 --> 0:30:50.840
<v Speaker 1>I can remember? Are you guys like me where you

0:30:50.880 --> 0:30:54.960
<v Speaker 1>don't remember anything? Nothing? I don't remember it. It's almost

0:30:55.000 --> 0:30:59.160
<v Speaker 1>like it wasn't me. Me too, my head. I have

0:30:59.200 --> 0:31:07.560
<v Speaker 1>a little I think it's disassociation. Better meet you and therapy. Okay, camera,

0:31:08.760 --> 0:31:11.160
<v Speaker 1>you're rounded out, like I will finish with if anyone

0:31:11.200 --> 0:31:12.800
<v Speaker 1>who's listening is out there and you're like you can't

0:31:12.800 --> 0:31:15.560
<v Speaker 1>afford a shrink or go to a therapist, it's really

0:31:15.560 --> 0:31:18.120
<v Speaker 1>help it's really helpful and healthy to go to a therapist.

0:31:18.320 --> 0:31:20.840
<v Speaker 1>Check out tyrol, but check out my check out other ones,

0:31:20.880 --> 0:31:23.400
<v Speaker 1>because there's nothing like using that to calm myself down

0:31:23.400 --> 0:31:25.479
<v Speaker 1>at two am. And that way, I don't call my

0:31:25.520 --> 0:31:28.680
<v Speaker 1>friends up going like asking him to live in the

0:31:28.680 --> 0:31:30.880
<v Speaker 1>minutia of my brain. I like to work things out

0:31:30.880 --> 0:31:33.480
<v Speaker 1>now before I call my friends. That's a good idea.

0:31:34.040 --> 0:31:40.840
<v Speaker 1>That is my friends. They're probably like, thank you. Listen, ladies,

0:31:40.840 --> 0:31:45.560
<v Speaker 1>thank you so much. This is so funny you I

0:31:45.600 --> 0:31:48.600
<v Speaker 1>think I don't want to say anything because we've had

0:31:48.640 --> 0:31:50.760
<v Speaker 1>great guests. You, I think are my favorite guests we've

0:31:50.800 --> 0:31:56.200
<v Speaker 1>ever had. I hope I see your ladies in person someday, please,

0:31:56.760 --> 0:31:59.080
<v Speaker 1>that'd be great. I really would love to connect with

0:31:59.080 --> 0:32:00.880
<v Speaker 1>your ladies in person. And if not, thank you so

0:32:00.960 --> 0:32:03.480
<v Speaker 1>much for letting me come on your show. Well, good

0:32:03.520 --> 0:32:06.600
<v Speaker 1>luck with your bush, good luck with your movie, good

0:32:06.680 --> 0:32:09.520
<v Speaker 1>luck with all these things. Is it called half Baked

0:32:09.560 --> 0:32:11.680
<v Speaker 1>two or is it what's it called? It's called half

0:32:11.680 --> 0:32:14.080
<v Speaker 1>baked too? Okay, Okay, well, I don't know, you know

0:32:14.120 --> 0:32:17.320
<v Speaker 1>sometimes that like I'm still like, what am I doing here?

0:32:17.880 --> 0:32:20.520
<v Speaker 1>Well baked? I don't know if that would be the sequel.

0:32:20.560 --> 0:32:25.320
<v Speaker 1>You know, I don't know, Baked. Yeah right, thank you.

0:32:25.640 --> 0:32:29.040
<v Speaker 1>We love you, Rachel Truth, thank you, thank you. I

0:32:29.160 --> 0:32:31.800
<v Speaker 1>love is mutual again. I hope you can tell how

0:32:31.840 --> 0:32:35.080
<v Speaker 1>excited I was to be a nerd like I can't

0:32:35.160 --> 0:32:38.520
<v Speaker 1>hide these things when you're you're among friends, so we're

0:32:38.560 --> 0:32:44.480
<v Speaker 1>nerds too, yes all, okay, have a great thank you. Bye,