1
00:00:00,160 --> 00:00:03,240
Speaker 1: London. If you're listening to this in the audio form,

2
00:00:03,560 --> 00:00:06,320
Speaker 1: we are in your city tonight at Leicester Square Theater.

3
00:00:06,800 --> 00:00:09,280
Speaker 1: If you're watching this on YouTube, now the London show

4
00:00:09,360 --> 00:00:12,840
Speaker 1: is fucking incredible and you missed it, so maybe you'll

5
00:00:12,840 --> 00:00:15,600
Speaker 1: see us in New York December one, Sony Hall, please

6
00:00:15,640 --> 00:00:19,000
Speaker 1: get some merch at New Royamall dot com, Patreon dot com.

7
00:00:19,040 --> 00:00:24,680
Speaker 1: Forward slash or backslash New Royate Mall. That's that's all

8
00:00:24,680 --> 00:00:25,040
Speaker 1: I got.

9
00:00:26,040 --> 00:00:26,720
Speaker 2: That's all you need.

10
00:00:27,320 --> 00:00:34,640
Speaker 1: Big facts, No Willian and I'm released.

11
00:00:36,080 --> 00:00:38,520
Speaker 3: Mh is that three pack? Yeah?

12
00:00:38,600 --> 00:00:40,600
Speaker 1: New Andre three thousand, new ship.

13
00:00:40,800 --> 00:00:45,720
Speaker 3: Shit, shit, that's good. That think marries.

14
00:00:46,479 --> 00:00:49,280
Speaker 1: It's Meg the Stallion working. Do I think Lizzo playing

15
00:00:49,280 --> 00:00:51,280
Speaker 1: the flute? I don't know if that's a lozo it

16
00:00:51,400 --> 00:00:55,000
Speaker 1: was I think I didn't want to be offensive, sound

17
00:00:55,040 --> 00:00:58,720
Speaker 1: like lungs. Well, welcome everyone's crazy to a brand new episode.

18
00:00:59,040 --> 00:01:00,880
Speaker 1: We're actually in London right now, but we're in New

19
00:01:00,960 --> 00:01:03,440
Speaker 1: York in London. Look how that works. We brought the

20
00:01:03,480 --> 00:01:07,200
Speaker 1: set to London. Yeah, currently gave a show right now

21
00:01:07,280 --> 00:01:11,920
Speaker 1: while you're listening to this technically live yet here we are.

22
00:01:12,000 --> 00:01:15,960
Speaker 1: How's everyone feeling? How are you okay?

23
00:01:16,080 --> 00:01:17,600
Speaker 2: I'm good verb.

24
00:01:18,040 --> 00:01:19,160
Speaker 1: It's a verbal communication.

25
00:01:19,319 --> 00:01:23,319
Speaker 3: Uh genre audio platform. Are you tired from packing?

26
00:01:23,640 --> 00:01:25,160
Speaker 1: You have jet lag already in New York?

27
00:01:26,680 --> 00:01:28,040
Speaker 2: I'm good, Okay.

28
00:01:29,400 --> 00:01:30,759
Speaker 1: Will Smith got fucked in the ass.

29
00:01:31,600 --> 00:01:33,039
Speaker 3: Well, how do you know it was him getting sucked

30
00:01:33,040 --> 00:01:33,640
Speaker 3: in the ass?

31
00:01:33,880 --> 00:01:36,720
Speaker 1: Well, I would never doubt his assistant in Tasha Kay No.

32
00:01:36,959 --> 00:01:38,399
Speaker 1: It was on the internet, so it's true.

33
00:01:39,480 --> 00:01:41,199
Speaker 2: I don't even know how he was able to do that.

34
00:01:41,520 --> 00:01:44,319
Speaker 1: Get fucking ass like on set probably like some.

35
00:01:44,280 --> 00:01:45,959
Speaker 2: Lou No, I mean, sit down up and talk about

36
00:01:45,959 --> 00:01:46,680
Speaker 2: Will Smith like that.

37
00:01:47,440 --> 00:01:49,080
Speaker 3: That is true, and that's kind of fucking His wife

38
00:01:49,080 --> 00:01:49,920
Speaker 3: says worse about him.

39
00:01:49,960 --> 00:01:52,440
Speaker 4: It's Tasha Kay Like, let's remember who this is.

40
00:01:52,440 --> 00:01:54,000
Speaker 3: Who's Tasha Ka? I really don't know who that is.

41
00:01:54,080 --> 00:01:56,560
Speaker 1: For those that don't know, Will Smith's former assistant and

42
00:01:56,640 --> 00:02:02,880
Speaker 1: best friends sat down with The Credible and they discussed

43
00:02:03,080 --> 00:02:06,160
Speaker 1: Will Smith being fucked in the ass on set by

44
00:02:06,320 --> 00:02:07,000
Speaker 1: Dwayne Martin.

45
00:02:07,440 --> 00:02:08,760
Speaker 3: She plays audio from it.

46
00:02:08,840 --> 00:02:10,480
Speaker 1: Just sure, why not?

47
00:02:11,840 --> 00:02:14,040
Speaker 5: There's nothing you going to do to please her. You

48
00:02:14,040 --> 00:02:16,239
Speaker 5: can buy her eighty cars, you can get her eighty

49
00:02:16,320 --> 00:02:17,120
Speaker 5: private jets. Y.

50
00:02:17,280 --> 00:02:18,639
Speaker 3: She's itching for that baby leg.

51
00:02:19,120 --> 00:02:22,200
Speaker 5: She want that baby lage be the person so much

52
00:02:22,600 --> 00:02:25,840
Speaker 5: that they fall into submission. So all right, I open

53
00:02:25,919 --> 00:02:29,200
Speaker 5: the door to dwayne dressing room and that's when I

54
00:02:29,240 --> 00:02:32,000
Speaker 5: see Dwayne and having angle sex with Will.

55
00:02:36,639 --> 00:02:40,560
Speaker 1: Why is this allowed? Why are things allowed to even speak?

56
00:02:40,680 --> 00:02:43,240
Speaker 1: And I don't mean that in a derogatory way, but

57
00:02:43,320 --> 00:02:45,160
Speaker 1: there needs to be some vetting process for someone to

58
00:02:45,200 --> 00:02:46,959
Speaker 1: be able to just accuse someone of getting fucked in

59
00:02:47,000 --> 00:02:48,360
Speaker 1: the ass because they have a microphone.

60
00:02:48,840 --> 00:02:52,280
Speaker 2: Well, no, it's not even about that. Like what does

61
00:02:52,320 --> 00:02:53,000
Speaker 2: it matter.

62
00:02:53,720 --> 00:02:54,760
Speaker 1: If Will gets fucking the ass?

63
00:02:54,800 --> 00:02:57,239
Speaker 2: I don't particular who cares about? Like, I just don't

64
00:02:57,320 --> 00:03:00,960
Speaker 2: understand how this is like new and this is like

65
00:03:02,160 --> 00:03:04,160
Speaker 2: people are sitting down on a I don't know what

66
00:03:04,280 --> 00:03:07,040
Speaker 2: this is just the white table, white table, white team,

67
00:03:07,560 --> 00:03:10,200
Speaker 2: and just saying these things. If it's true or not,

68
00:03:11,120 --> 00:03:11,760
Speaker 2: it doesn't matter.

69
00:03:11,800 --> 00:03:14,120
Speaker 1: Well, in Tashak, she owes card to be a lot

70
00:03:14,120 --> 00:03:15,760
Speaker 1: of money, so I think she'll probably sit with anyone

71
00:03:15,760 --> 00:03:19,240
Speaker 1: that is anything salatious to say. But judging about how

72
00:03:19,280 --> 00:03:22,079
Speaker 1: the gay smear campaign with Obama that kind of came

73
00:03:22,120 --> 00:03:25,280
Speaker 1: and went former president of the United States, people cared

74
00:03:25,320 --> 00:03:26,600
Speaker 1: for like an hour.

75
00:03:26,800 --> 00:03:27,680
Speaker 2: Nobody cares.

76
00:03:28,240 --> 00:03:30,200
Speaker 1: I just don't know if the Will Smith wants like.

77
00:03:30,200 --> 00:03:33,959
Speaker 2: Nobody cares about who's gay who's not. It's been a

78
00:03:34,040 --> 00:03:36,200
Speaker 2: rough year for white how it was gay last week?

79
00:03:36,840 --> 00:03:40,920
Speaker 2: Nobody cares this probably probably probably nobody cares this week,

80
00:03:41,880 --> 00:03:43,720
Speaker 2: you know what I mean? Like it's like, who gives

81
00:03:43,720 --> 00:03:46,920
Speaker 2: a fuck about this? Like I just don't understand. Now

82
00:03:47,200 --> 00:03:50,160
Speaker 2: she had some some some backlash from sitting down talking

83
00:03:50,200 --> 00:03:53,600
Speaker 2: about CARTI. I mean, I don't know if it's if

84
00:03:53,600 --> 00:03:58,120
Speaker 2: it's any backlash coming from Will Smith's legal team about this.

85
00:03:59,200 --> 00:04:02,400
Speaker 1: Well, I mean, this gentleman does seem like he may

86
00:04:02,440 --> 00:04:04,040
Speaker 1: have some experience in anal.

87
00:04:03,840 --> 00:04:08,760
Speaker 3: Sex from you know, from experience or what.

88
00:04:09,280 --> 00:04:11,040
Speaker 1: Just you know, I just have a hunch by how

89
00:04:11,080 --> 00:04:14,120
Speaker 1: he's speaking. You're talking about so what do I know?

90
00:04:14,960 --> 00:04:16,360
Speaker 1: I ain't gonna lie, But why are you talking about

91
00:04:16,360 --> 00:04:16,760
Speaker 1: Will's dick?

92
00:04:16,800 --> 00:04:16,920
Speaker 6: Too?

93
00:04:16,920 --> 00:04:18,720
Speaker 2: I think somebody sitting down with that shirt? And I

94
00:04:18,760 --> 00:04:19,279
Speaker 2: just don't believe.

95
00:04:21,120 --> 00:04:22,839
Speaker 3: Why is it the strike.

96
00:04:24,400 --> 00:04:27,240
Speaker 2: That's the that's the prototypical Nigerian scammer.

97
00:04:27,000 --> 00:04:29,080
Speaker 3: Shirt, that's the Marshals versace.

98
00:04:29,360 --> 00:04:31,599
Speaker 2: Yeah, Like I'm not believing though. I can't. I can't

99
00:04:31,640 --> 00:04:32,920
Speaker 2: take you serious with that type.

100
00:04:33,160 --> 00:04:34,679
Speaker 1: He looks like he works out in hard bottoms.

101
00:04:34,880 --> 00:04:37,480
Speaker 3: Yeah, but look at his hand posture that means business.

102
00:04:37,760 --> 00:04:42,040
Speaker 1: Shots at Aldo.

103
00:04:43,320 --> 00:04:48,080
Speaker 2: Why is it what's some of Will Smith? Why is

104
00:04:48,120 --> 00:04:50,920
Speaker 2: everyone what's up? Like with everybody? Like he can't Will

105
00:04:51,000 --> 00:04:55,640
Speaker 2: can't stay out of the headlines with some bullshit attached

106
00:04:55,640 --> 00:04:56,240
Speaker 2: to his name.

107
00:04:56,400 --> 00:04:57,560
Speaker 3: I think it's an attack on him.

108
00:04:58,040 --> 00:05:00,599
Speaker 1: I think it's Chris Rock harmon. Maybe Chris has a

109
00:05:00,600 --> 00:05:03,960
Speaker 1: longer reach than we think. No, it's been downhill since

110
00:05:04,040 --> 00:05:07,320
Speaker 1: they did a fresh Prince rebout. Shit was great. Will

111
00:05:07,400 --> 00:05:09,960
Speaker 1: was in great spirits for quite some time till that slot.

112
00:05:10,000 --> 00:05:10,240
Speaker 3: Listen.

113
00:05:10,320 --> 00:05:11,960
Speaker 2: I don't think that Will Smith. I don't think that

114
00:05:12,040 --> 00:05:15,039
Speaker 2: Chris Rock even I don't think he cares about that

115
00:05:15,240 --> 00:05:18,000
Speaker 2: moment anymore. I think he addressed it on his special

116
00:05:18,080 --> 00:05:21,280
Speaker 2: on Netflix. He did what he did. I think Chris

117
00:05:21,360 --> 00:05:25,640
Speaker 2: Rock has moved on from this shit. But for whatever reason,

118
00:05:26,440 --> 00:05:29,880
Speaker 2: Will Smith name is in the tabloids every week, whether

119
00:05:29,880 --> 00:05:34,640
Speaker 2: it's from his wife, whether it's from you know, Tasha.

120
00:05:34,320 --> 00:05:35,440
Speaker 1: K Tasha Kay.

121
00:05:36,400 --> 00:05:41,760
Speaker 2: This dude's name is brother Balale. Like, I just don't like.

122
00:05:42,320 --> 00:05:45,000
Speaker 2: Will was always like the cool dude in Hollywood. Like

123
00:05:45,080 --> 00:05:47,200
Speaker 2: now all of a sudden, it's just like everybody is

124
00:05:47,640 --> 00:05:52,520
Speaker 2: trying to tear Will down or the famous, his his character,

125
00:05:52,640 --> 00:05:55,720
Speaker 2: his name, like, I just don't, I don't, I don't know.

126
00:05:55,800 --> 00:05:57,920
Speaker 1: I mean, Cardi b winning that case might have been

127
00:05:57,920 --> 00:06:01,480
Speaker 1: the worst thing for Hollywood and quote unquote secrets because

128
00:06:01,480 --> 00:06:02,840
Speaker 1: now Tasha k is gonna be in the red for

129
00:06:02,880 --> 00:06:04,400
Speaker 1: the rest of her life. She's always gonna owe, she's

130
00:06:04,400 --> 00:06:06,800
Speaker 1: always gonna have to file for bankruptcy. It's just going

131
00:06:06,839 --> 00:06:08,440
Speaker 1: to be a continued cycle where she's not going to

132
00:06:08,480 --> 00:06:11,080
Speaker 1: give a fuck. Like you would think if someone lost

133
00:06:11,080 --> 00:06:14,280
Speaker 1: the case of deformation, they would probably not continue to

134
00:06:15,080 --> 00:06:18,880
Speaker 1: teeter with the line of possible deformation like this. Will

135
00:06:18,920 --> 00:06:20,600
Speaker 1: could sue if this is in fact.

136
00:06:20,680 --> 00:06:23,920
Speaker 3: Will as well as Dwayne is Dwayne Martin openly gay?

137
00:06:24,080 --> 00:06:25,680
Speaker 3: Is that a thing that she just put on his

138
00:06:25,800 --> 00:06:26,360
Speaker 3: jacket too?

139
00:06:26,480 --> 00:06:31,080
Speaker 2: Or this has been a rumor for years. This is

140
00:06:31,160 --> 00:06:35,919
Speaker 2: not the first time I've heard this. Brother Balau just

141
00:06:35,960 --> 00:06:37,560
Speaker 2: got up there and just said shit, But we all

142
00:06:37,680 --> 00:06:39,680
Speaker 2: just heard over years. And I don't know why. It's

143
00:06:39,720 --> 00:06:44,000
Speaker 2: like headline, but it's like, Okay, you're saying what we

144
00:06:44,080 --> 00:06:48,400
Speaker 2: heard for years. So because you are a former best friend,

145
00:06:48,560 --> 00:06:50,640
Speaker 2: first of all, that title former best friend is hilarious.

146
00:06:50,680 --> 00:06:55,800
Speaker 2: It's wild your former best friend and former assistant. So yeah,

147
00:06:55,839 --> 00:06:57,719
Speaker 2: you may have seen some things in up privy to

148
00:06:57,760 --> 00:07:01,800
Speaker 2: some things that most people or not. But I don't

149
00:07:01,839 --> 00:07:06,200
Speaker 2: know if that gives it credibility. I mean, if he

150
00:07:06,240 --> 00:07:09,320
Speaker 2: would have said another name that we never heard at

151
00:07:09,560 --> 00:07:14,040
Speaker 2: alleged to be having gay sex with will Smith, then

152
00:07:14,040 --> 00:07:15,920
Speaker 2: maybe it's a little more like, oh, first time we

153
00:07:16,000 --> 00:07:18,880
Speaker 2: heard that. But Dwayne Martin will Smith thing has been

154
00:07:19,840 --> 00:07:22,680
Speaker 2: in you know, group chats for years.

155
00:07:22,920 --> 00:07:24,960
Speaker 1: You think you think brother balau Bibe is just going

156
00:07:25,000 --> 00:07:28,000
Speaker 1: for low hanging fruit. This was something that I mean,

157
00:07:28,040 --> 00:07:30,280
Speaker 1: this is not giving new information where it's shocking.

158
00:07:30,080 --> 00:07:32,240
Speaker 2: At all, Like this is not new, but because it's

159
00:07:32,280 --> 00:07:35,320
Speaker 2: from his former assistant and best friend, and I guess

160
00:07:35,360 --> 00:07:36,800
Speaker 2: people feel like it has to be true.

161
00:07:37,400 --> 00:07:40,040
Speaker 1: Well, let me ask a question outside of this. Women

162
00:07:40,040 --> 00:07:43,560
Speaker 1: get offended when you bring up the prenup thing in Hollywood.

163
00:07:43,680 --> 00:07:47,200
Speaker 1: Typically the assistant role in the beginning goes to one

164
00:07:47,200 --> 00:07:49,200
Speaker 1: of your best friends. That's kind of like a thing

165
00:07:49,280 --> 00:07:52,560
Speaker 1: I feel like in entertainment, do you give your friend

166
00:07:52,600 --> 00:07:56,160
Speaker 1: an NDA when they become your assistant or an NDA period?

167
00:07:56,400 --> 00:07:59,120
Speaker 2: Not really if it's your best friend, not not industry

168
00:07:59,160 --> 00:08:01,000
Speaker 2: best friend. If it's like your real best friend and

169
00:08:01,080 --> 00:08:03,080
Speaker 2: you made it and then you let y'all will put

170
00:08:03,080 --> 00:08:05,600
Speaker 2: you on my payroll, you know, with my assistant. I

171
00:08:05,600 --> 00:08:08,360
Speaker 2: don't want nobody knew around me. Then no, you don't

172
00:08:08,360 --> 00:08:12,920
Speaker 2: have your real life best friend sign of NDA. But

173
00:08:13,440 --> 00:08:16,760
Speaker 2: Will Smith's case, he may he may need to have

174
00:08:16,960 --> 00:08:20,160
Speaker 2: any and everybody around him sign the NDA at this point.

175
00:08:20,120 --> 00:08:22,520
Speaker 1: Well, is BB from West Philly? Or is this a

176
00:08:22,560 --> 00:08:23,320
Speaker 1: Hollywood friend?

177
00:08:24,520 --> 00:08:25,000
Speaker 2: I don't know.

178
00:08:25,960 --> 00:08:28,640
Speaker 1: It appears he's in Will Smith's book. I saw that clip,

179
00:08:29,920 --> 00:08:32,040
Speaker 1: but of course Jamar's is the only one that read

180
00:08:32,080 --> 00:08:36,040
Speaker 1: that piece of literature. Do you remember hearing about big

181
00:08:36,040 --> 00:08:37,000
Speaker 1: brother below?

182
00:08:37,440 --> 00:08:37,480
Speaker 7: No?

183
00:08:37,640 --> 00:08:40,280
Speaker 4: I don't. I can't say that. I recall doesn't mean

184
00:08:40,280 --> 00:08:40,960
Speaker 4: that he wasn't in there.

185
00:08:41,000 --> 00:08:41,520
Speaker 3: I just I don't.

186
00:08:41,760 --> 00:08:42,600
Speaker 1: Did you sign an NDA?

187
00:08:42,720 --> 00:08:42,920
Speaker 3: Yeah?

188
00:08:42,920 --> 00:08:46,199
Speaker 1: No, I don't. I don't recall MTUs have slipped my memory.

189
00:08:46,880 --> 00:08:49,480
Speaker 3: Well, there's more. We cut the audio off kind of short,

190
00:08:49,520 --> 00:08:51,679
Speaker 3: but there's more context that he provides, and you can

191
00:08:51,760 --> 00:08:54,160
Speaker 3: he really embolluishes it. He said Will was bent over

192
00:08:54,200 --> 00:08:57,600
Speaker 3: the couch and Dwayne was standing up killing him, murdering.

193
00:08:57,840 --> 00:08:58,719
Speaker 3: It was murdering there.

194
00:08:58,800 --> 00:09:00,760
Speaker 1: Let's go how long that you have to stay to

195
00:09:01,400 --> 00:09:04,240
Speaker 1: watch the ain'tal sex to know that he was smoking it?

196
00:09:05,280 --> 00:09:07,880
Speaker 3: Like you're really getting up how many strokes before you know?

197
00:09:08,240 --> 00:09:09,240
Speaker 3: He's like killing it?

198
00:09:09,720 --> 00:09:13,680
Speaker 2: Not only that, if you walk in on two guys

199
00:09:13,720 --> 00:09:16,640
Speaker 2: having sex and they are caught there, you know, nobody

200
00:09:16,679 --> 00:09:19,040
Speaker 2: knows that they have sex with each other. I don't

201
00:09:19,040 --> 00:09:21,120
Speaker 2: think that they keep going once you walk in, and

202
00:09:21,200 --> 00:09:22,800
Speaker 2: like you, are you able to tell that.

203
00:09:22,800 --> 00:09:25,600
Speaker 1: He's killing it? Like, well, hold on, maybe maybe Duane,

204
00:09:26,040 --> 00:09:27,520
Speaker 1: they were caught up in the moment. Maybe he was

205
00:09:27,559 --> 00:09:31,280
Speaker 1: really serving I didn't even realize that the door opened,

206
00:09:31,800 --> 00:09:34,319
Speaker 1: and then what do you say? Sorry, gentlemen, that's possible

207
00:09:34,320 --> 00:09:34,640
Speaker 1: my bad?

208
00:09:34,760 --> 00:09:37,800
Speaker 3: Oh no, step brother, the brother Will.

209
00:09:38,760 --> 00:09:42,440
Speaker 1: I just don't like on a movie set. I'm not

210
00:09:42,559 --> 00:09:45,400
Speaker 1: I'm not rolling. I'm not saying that couldn't have happened somewhere,

211
00:09:45,480 --> 00:09:48,720
Speaker 1: but like in a green room at your movie set.

212
00:09:48,600 --> 00:09:52,320
Speaker 3: On the set of that's not happening. Over that's not happening.

213
00:09:52,360 --> 00:09:53,840
Speaker 1: I'm just not rolling with it.

214
00:09:53,840 --> 00:09:56,120
Speaker 2: It doesn't happen like that, Like that's Will Smith is

215
00:09:56,160 --> 00:09:59,600
Speaker 2: not risking getting caught on set having sex in his trailer.

216
00:09:59,280 --> 00:10:02,160
Speaker 3: With doing why I locked the door? It kind of

217
00:10:02,360 --> 00:10:05,079
Speaker 3: makes it fun. Now, Oh god, you just wanted to

218
00:10:05,080 --> 00:10:06,800
Speaker 3: get I'm not about that, have you guys? Ever walked

219
00:10:06,840 --> 00:10:08,679
Speaker 3: in on someone se.

220
00:10:08,559 --> 00:10:12,960
Speaker 1: Plenty of gay sex, not gay sex either, almost said

221
00:10:12,960 --> 00:10:13,839
Speaker 1: regular sex.

222
00:10:15,679 --> 00:10:16,360
Speaker 3: Got sex.

223
00:10:17,600 --> 00:10:22,440
Speaker 1: Christians misionaries the way the world is intended straight sex. Yes,

224
00:10:22,480 --> 00:10:24,640
Speaker 1: I've walked in on plenty of times, but no, I've

225
00:10:24,640 --> 00:10:26,160
Speaker 1: never walked in on gay sex.

226
00:10:25,960 --> 00:10:27,199
Speaker 2: Happening plenty of times.

227
00:10:27,200 --> 00:10:29,560
Speaker 1: Who you just wan what to college? You don't knock

228
00:10:29,960 --> 00:10:32,680
Speaker 1: the fun I lived in in your house dorm room

229
00:10:32,679 --> 00:10:36,040
Speaker 1: apartment with five other guys. There was people were fucking,

230
00:10:36,679 --> 00:10:38,960
Speaker 1: not each other. They were women, that were and if

231
00:10:38,960 --> 00:10:40,560
Speaker 1: they were who journey?

232
00:10:40,640 --> 00:10:44,200
Speaker 3: Yeah, that's their journey. Walked in on two chicks, uh

233
00:10:44,679 --> 00:10:45,360
Speaker 3: fucking each other?

234
00:10:45,679 --> 00:10:48,960
Speaker 1: That's pretty cool. M Did you apologize or no?

235
00:10:48,960 --> 00:10:50,080
Speaker 3: No, I've got invited.

236
00:10:51,040 --> 00:10:51,640
Speaker 2: You invited?

237
00:10:51,920 --> 00:10:54,240
Speaker 3: I like it became a thing. Oh nice?

238
00:10:54,280 --> 00:10:55,080
Speaker 1: Did you know they were?

239
00:10:55,120 --> 00:10:55,640
Speaker 4: You just know?

240
00:10:55,760 --> 00:10:58,559
Speaker 3: Yeah's way more to that story. I'm gonna leave out,

241
00:10:58,600 --> 00:11:02,000
Speaker 3: but yeah, they were. I left whatever we were hanging

242
00:11:02,040 --> 00:11:03,200
Speaker 3: and I went to go to the bathroom and by

243
00:11:03,200 --> 00:11:06,360
Speaker 3: the time I came back, they were naked and mashing clams.

244
00:11:06,400 --> 00:11:08,959
Speaker 2: And I was like, I'll join mashing clams.

245
00:11:09,040 --> 00:11:10,680
Speaker 3: Nice, Yeah, it's clam chowder.

246
00:11:11,559 --> 00:11:11,960
Speaker 1: I saw that.

247
00:11:12,200 --> 00:11:14,640
Speaker 2: The Boston boy, I think.

248
00:11:14,840 --> 00:11:17,839
Speaker 1: Such a stereotypical porno set up. Like I was walking

249
00:11:17,960 --> 00:11:19,920
Speaker 1: is this the bathrooms?

250
00:11:20,080 --> 00:11:22,000
Speaker 3: We were on the couch, and then I left to

251
00:11:22,080 --> 00:11:24,000
Speaker 3: go to the bathroom, and then when I came back,

252
00:11:24,400 --> 00:11:26,480
Speaker 3: they were You had no idea that was going to happen.

253
00:11:26,720 --> 00:11:28,520
Speaker 1: I had to take a ship. That was pretty quick

254
00:11:28,520 --> 00:11:29,720
Speaker 1: that they got to it.

255
00:11:29,720 --> 00:11:31,680
Speaker 3: It was quick. I had an inkling because you know,

256
00:11:31,679 --> 00:11:32,400
Speaker 3: I don't wash my hand.

257
00:11:32,400 --> 00:11:34,559
Speaker 4: It was literally I was.

258
00:11:34,520 --> 00:11:34,960
Speaker 3: In and out.

259
00:11:35,000 --> 00:11:35,480
Speaker 2: That's quick.

260
00:11:35,559 --> 00:11:36,600
Speaker 3: Yeah. I was in and out.

261
00:11:36,720 --> 00:11:39,360
Speaker 1: Yeah, and they like mashed like the scissor right away.

262
00:11:39,600 --> 00:11:42,200
Speaker 3: I was eating out. It wasn't It wasn't. Yeah. I

263
00:11:42,240 --> 00:11:43,880
Speaker 3: was gonna say they weren't high fiving lips.

264
00:11:43,920 --> 00:11:47,320
Speaker 2: A little full play. Yeah, okay, like a good gay

265
00:11:47,320 --> 00:11:47,760
Speaker 2: fall play.

266
00:11:48,040 --> 00:11:50,679
Speaker 3: You're blushing like thot. I'm thinking about it now.

267
00:11:50,760 --> 00:11:51,839
Speaker 2: Yeah, it leves me a full play.

268
00:11:52,280 --> 00:11:53,520
Speaker 1: But if not, hey, that's your journey.

269
00:11:54,080 --> 00:11:56,520
Speaker 2: Like man four play? Is man or man four plays?

270
00:11:56,559 --> 00:11:59,000
Speaker 1: Just call it the Will Smith tell us about it?

271
00:11:59,080 --> 00:12:02,280
Speaker 3: What is it? What's man? Throw ping pong balls at

272
00:12:02,280 --> 00:12:03,680
Speaker 3: each other's dicks and like hit a home run.

273
00:12:04,000 --> 00:12:06,439
Speaker 2: It's like because men are not like men are not

274
00:12:06,480 --> 00:12:09,199
Speaker 2: like pass I would take women. Women are very passionate,

275
00:12:10,200 --> 00:12:12,600
Speaker 2: like two men is probably it's just aggressive. It's like

276
00:12:13,360 --> 00:12:16,320
Speaker 2: come here, bro, It's like, what do you do like

277
00:12:16,360 --> 00:12:17,480
Speaker 2: each other? Like check ball?

278
00:12:22,440 --> 00:12:24,600
Speaker 3: What's that drilling football? When you're lying on your back

279
00:12:25,400 --> 00:12:26,400
Speaker 3: turn around?

280
00:12:26,920 --> 00:12:30,960
Speaker 2: I don't know, Yeah, that's that's what you think gay

281
00:12:31,040 --> 00:12:32,680
Speaker 2: the Mississippi what do they call that drill?

282
00:12:32,720 --> 00:12:34,320
Speaker 3: You know, when you like get up and run into

283
00:12:34,320 --> 00:12:35,640
Speaker 3: each other and whoever tackles.

284
00:12:36,320 --> 00:12:39,679
Speaker 2: I don't know the name of the Yeah, damn, I.

285
00:12:39,600 --> 00:12:40,120
Speaker 4: Don't think that.

286
00:12:40,400 --> 00:12:43,040
Speaker 8: I'm sure there's men that are like passionate right with

287
00:12:43,080 --> 00:12:45,120
Speaker 8: their gay partners, like I imagine there's a lot of

288
00:12:45,160 --> 00:12:45,760
Speaker 8: like choking.

289
00:12:45,880 --> 00:12:46,960
Speaker 2: And you watch gay porn?

290
00:12:47,360 --> 00:12:47,720
Speaker 4: I do not.

291
00:12:48,720 --> 00:12:49,559
Speaker 3: Do you watchorn?

292
00:12:49,640 --> 00:12:51,160
Speaker 4: No, I don't watch gay porn.

293
00:12:51,880 --> 00:12:54,440
Speaker 1: Like male or female female porn in general is not

294
00:12:54,480 --> 00:12:55,520
Speaker 1: really like sensual.

295
00:12:55,679 --> 00:13:00,520
Speaker 4: Yeah, there's such a very violent and watch up.

296
00:13:00,520 --> 00:13:02,880
Speaker 3: Who wants that there's sexual porn?

297
00:13:03,559 --> 00:13:04,720
Speaker 4: There is? It's lesbian.

298
00:13:04,840 --> 00:13:07,920
Speaker 2: But why why don't why don't women watch gay like

299
00:13:08,640 --> 00:13:11,360
Speaker 2: they do? Say she doesn't.

300
00:13:11,559 --> 00:13:14,960
Speaker 4: I know she doesn't speak for all women and popular belief.

301
00:13:15,200 --> 00:13:17,000
Speaker 2: Yo, me, do you watch men gay porn?

302
00:13:18,760 --> 00:13:20,720
Speaker 8: I've like I've done like research, like I've watched it

303
00:13:20,760 --> 00:13:22,520
Speaker 8: for research purposes, but not to try to get off,

304
00:13:23,040 --> 00:13:23,760
Speaker 8: what are you researching?

305
00:13:23,960 --> 00:13:24,880
Speaker 4: I don't know. I just wanted to see.

306
00:13:24,880 --> 00:13:26,000
Speaker 3: It's out of curiosity.

307
00:13:26,520 --> 00:13:29,200
Speaker 8: I've watched like transsexual porn, Like I just wanted to

308
00:13:29,280 --> 00:13:31,320
Speaker 8: like see like what it was like.

309
00:13:31,400 --> 00:13:33,679
Speaker 3: We could be vulnerable here. I downely clicked on the

310
00:13:33,720 --> 00:13:35,080
Speaker 3: training video. I've seen.

311
00:13:35,160 --> 00:13:38,120
Speaker 1: I've seen the thumbnails like, but like you don't see

312
00:13:38,520 --> 00:13:41,680
Speaker 1: like you don't see it until until it it's not

313
00:13:41,720 --> 00:13:42,959
Speaker 1: revealed to open.

314
00:13:42,800 --> 00:13:44,600
Speaker 3: The pizza box and she's also packing.

315
00:13:47,000 --> 00:13:51,240
Speaker 1: How long? How long as you're staying on the video,

316
00:13:51,280 --> 00:13:51,559
Speaker 1: and so.

317
00:13:51,880 --> 00:13:54,000
Speaker 3: You guys said you gotta give it like a five

318
00:13:54,000 --> 00:13:58,440
Speaker 3: to ten second. Whoa you see where it's going. I

319
00:13:58,440 --> 00:14:02,160
Speaker 3: don't have comments. You don't have to give hit porn comments.

320
00:14:02,480 --> 00:14:04,240
Speaker 3: I scrolled down and hit the comments. I'm like, any

321
00:14:04,240 --> 00:14:06,160
Speaker 3: does anyone else get blindsided by that? And all the

322
00:14:06,160 --> 00:14:08,040
Speaker 3: comments like what the fun like? It's a lot of that.

323
00:14:08,120 --> 00:14:10,760
Speaker 2: So it's good to know people agree you comments on

324
00:14:10,800 --> 00:14:11,440
Speaker 2: porn videos.

325
00:14:11,520 --> 00:14:13,079
Speaker 3: It depends.

326
00:14:13,320 --> 00:14:14,560
Speaker 2: I've did a couple of I don't know.

327
00:14:14,600 --> 00:14:20,880
Speaker 3: I don't leave first. I don't have an account. I

328
00:14:20,920 --> 00:14:25,360
Speaker 3: read comments pornhub might be the funniest comments.

329
00:14:24,880 --> 00:14:27,880
Speaker 2: Of the funniest some of the funnies it's like Reddit

330
00:14:27,960 --> 00:14:28,760
Speaker 2: and porn hubber.

331
00:14:29,160 --> 00:14:33,280
Speaker 8: Just so horny like Instagram comments but like worse, like no.

332
00:14:33,440 --> 00:14:34,920
Speaker 1: I feel like I kind of want to look at the.

333
00:14:36,800 --> 00:14:37,360
Speaker 2: Some of the funnies.

334
00:14:37,560 --> 00:14:39,720
Speaker 1: I know they have comments, but usually like I don't

335
00:14:39,720 --> 00:14:42,520
Speaker 1: stick around after posting that clarity, like I don't know,

336
00:14:42,760 --> 00:14:45,240
Speaker 1: you don't feel like look at what others reviewed.

337
00:14:46,880 --> 00:14:48,560
Speaker 3: Like sometimes after you not though, and you just don't

338
00:14:48,560 --> 00:14:51,280
Speaker 3: want whatever's happening on the screen to keep scrolling. You

339
00:14:51,320 --> 00:14:53,120
Speaker 3: just scroll up and then you just get a screen

340
00:14:53,160 --> 00:14:56,160
Speaker 3: of comments, and then that's when I'll go through it.

341
00:14:56,320 --> 00:15:00,000
Speaker 3: She's so hot, yeah, pretty funny. No, it's hilarious comments.

342
00:15:00,440 --> 00:15:02,400
Speaker 2: I read one comment, dude, it was like, Yo, when

343
00:15:02,440 --> 00:15:05,360
Speaker 2: she first started, she was such a sweetheart. Now she's

344
00:15:05,400 --> 00:15:09,240
Speaker 2: a bimbo. I was like, I was like, how do

345
00:15:09,360 --> 00:15:12,120
Speaker 2: you don't even notice following her career arc? Like what

346
00:15:12,160 --> 00:15:12,960
Speaker 2: are you talking about?

347
00:15:13,120 --> 00:15:13,360
Speaker 3: King?

348
00:15:13,680 --> 00:15:15,760
Speaker 1: These ones are kind of nice. Demi is so pretty

349
00:15:17,160 --> 00:15:18,800
Speaker 1: all right? I missed those tits.

350
00:15:19,600 --> 00:15:21,320
Speaker 3: Yeah, I missed those tits.

351
00:15:21,360 --> 00:15:23,600
Speaker 1: Who is the male porn star? Question mark? Question Mark?

352
00:15:23,720 --> 00:15:24,600
Speaker 3: I mean will?

353
00:15:24,760 --> 00:15:25,960
Speaker 1: I loved how they fucked?

354
00:15:26,680 --> 00:15:29,000
Speaker 3: That's nice. There's like I love like when.

355
00:15:28,920 --> 00:15:31,080
Speaker 1: People I was sure, fuck her. She's a hotty.

356
00:15:30,880 --> 00:15:32,520
Speaker 3: People point out continuity errors.

357
00:15:33,120 --> 00:15:33,400
Speaker 4: Uh.

358
00:15:33,440 --> 00:15:35,680
Speaker 1: Inportant it's a different level.

359
00:15:36,280 --> 00:15:38,680
Speaker 3: You're like the property sex porns, where like the girl's like,

360
00:15:38,680 --> 00:15:40,720
Speaker 3: I'm interested in this apartment and she's like broke and

361
00:15:40,760 --> 00:15:43,720
Speaker 3: has no money. It's like in the continent, people will notice,

362
00:15:43,760 --> 00:15:46,440
Speaker 3: like her purse is already in the apartment before she enters,

363
00:15:46,480 --> 00:15:48,200
Speaker 3: and they're like, how would she's already been there? She

364
00:15:48,280 --> 00:15:51,120
Speaker 3: lives there, Like it's so funny.

365
00:15:51,960 --> 00:15:54,680
Speaker 1: El Playboy twenty one said, oh fuck would love to

366
00:15:54,720 --> 00:15:55,480
Speaker 1: take these two on.

367
00:15:55,800 --> 00:16:00,760
Speaker 3: Yeah, sous about right at the mandre on.

368
00:16:01,440 --> 00:16:03,320
Speaker 8: But yeah, No, I don't think women really watch gay

369
00:16:03,360 --> 00:16:06,040
Speaker 8: porn like that because there's no like I'm not in that.

370
00:16:06,080 --> 00:16:08,200
Speaker 8: I don't see myself in that, Like it takes away

371
00:16:08,200 --> 00:16:10,360
Speaker 8: from I don't want to see men have a sex.

372
00:16:10,400 --> 00:16:11,960
Speaker 8: I know a bunch of straight women who only watch

373
00:16:12,000 --> 00:16:15,640
Speaker 8: like women having sex because you know, it feels more.

374
00:16:15,640 --> 00:16:17,400
Speaker 2: Really straight women only watch lesbians.

375
00:16:17,440 --> 00:16:18,960
Speaker 4: I know a lot of straight women who will only

376
00:16:19,000 --> 00:16:19,920
Speaker 4: watch lesbian sex.

377
00:16:20,160 --> 00:16:22,480
Speaker 3: Why because it feels more. They're using toys so it

378
00:16:22,520 --> 00:16:24,080
Speaker 3: gets it penetrative, or they just.

379
00:16:24,040 --> 00:16:26,400
Speaker 4: Usually a lot softer. There's a lot of pussy eating

380
00:16:26,440 --> 00:16:26,640
Speaker 4: in it.

381
00:16:26,680 --> 00:16:27,440
Speaker 3: There's a lot of licking.

382
00:16:28,480 --> 00:16:30,280
Speaker 1: It's not just some dude with a backwards hat.

383
00:16:30,200 --> 00:16:35,760
Speaker 8: Like yeahs on like hitting surrounding. I hate seeing men

384
00:16:35,800 --> 00:16:36,200
Speaker 8: and porn.

385
00:16:36,240 --> 00:16:38,360
Speaker 3: It's just me too.

386
00:16:38,960 --> 00:16:41,960
Speaker 1: I wonder how you get into that business porn, like

387
00:16:41,960 --> 00:16:44,400
Speaker 1: as a guy a girl. I feel like it'd be

388
00:16:44,560 --> 00:16:45,240
Speaker 1: relatively easy.

389
00:16:45,280 --> 00:16:47,240
Speaker 3: I think, not like only fans to drop on the

390
00:16:47,240 --> 00:16:48,880
Speaker 3: Bang bros. You can just text yeah, there you go too.

391
00:16:49,000 --> 00:16:53,040
Speaker 1: Yeah, I think I missed my window. A little old

392
00:16:53,080 --> 00:16:53,560
Speaker 1: for that genre.

393
00:16:53,640 --> 00:16:55,120
Speaker 3: Do you have the legacy account? You're not?

394
00:16:56,120 --> 00:16:59,920
Speaker 1: Really they like start now to start, there's like older guy,

395
00:17:00,120 --> 00:17:02,160
Speaker 1: but like started thirty three.

396
00:17:02,080 --> 00:17:03,200
Speaker 3: Yeah, popat real quick.

397
00:17:04,040 --> 00:17:05,000
Speaker 4: I'm not the one who started.

398
00:17:05,119 --> 00:17:07,280
Speaker 1: I understand twenty times sounds just put his first album

399
00:17:07,280 --> 00:17:08,560
Speaker 1: out at thirty. I just don't know if I could

400
00:17:08,560 --> 00:17:09,800
Speaker 1: start my porn career then.

401
00:17:10,200 --> 00:17:15,600
Speaker 3: You comparing Maul has a video that's like you're like, uh,

402
00:17:16,440 --> 00:17:18,520
Speaker 3: the scouting tape, you can circulate that.

403
00:17:19,119 --> 00:17:21,160
Speaker 2: A girl definitely asked me to do like only fans.

404
00:17:21,160 --> 00:17:22,760
Speaker 2: What are like? She's like, you can wear a mask.

405
00:17:22,840 --> 00:17:27,240
Speaker 2: I was like, it's a backwards mask, Like you're really

406
00:17:27,240 --> 00:17:28,679
Speaker 2: trying to pitch this to me. She's like, yeah, we

407
00:17:28,680 --> 00:17:32,920
Speaker 2: can both wear masks and just no one will knows you. Yes,

408
00:17:33,000 --> 00:17:37,360
Speaker 2: I was gonna say all I can, I didn't. I

409
00:17:37,440 --> 00:17:38,880
Speaker 2: quickly dismissed what she was saying.

410
00:17:39,040 --> 00:17:40,960
Speaker 4: Why you didn't consider it?

411
00:17:42,720 --> 00:17:44,639
Speaker 1: But like if she hit the fan instead of like

412
00:17:44,680 --> 00:17:45,160
Speaker 1: going back.

413
00:17:45,080 --> 00:17:52,040
Speaker 2: I would like I would clean the fan, clean her fan. Yeah,

414
00:17:52,119 --> 00:17:54,480
Speaker 2: I would just clean the ship off the fan rory

415
00:17:54,560 --> 00:17:57,040
Speaker 2: like I'm never ever putting a mask on doing only

416
00:17:57,080 --> 00:17:58,200
Speaker 2: fans Like, I'm not doing that.

417
00:17:58,680 --> 00:18:01,040
Speaker 1: What if three Stacks is playing the flute in the background,

418
00:18:01,280 --> 00:18:02,320
Speaker 1: I might wow you fuck.

419
00:18:02,359 --> 00:18:04,879
Speaker 2: I did not might consider it because I'm like a cobra,

420
00:18:05,000 --> 00:18:06,960
Speaker 2: Like you played the flute and I just pop out

421
00:18:06,960 --> 00:18:07,320
Speaker 2: the box.

422
00:18:07,320 --> 00:18:12,159
Speaker 9: They start with, hell, dude, I would subscribe you slither.

423
00:18:12,480 --> 00:18:15,399
Speaker 2: Yeah, you know, only when three Stacks is playing the flute. Though.

424
00:18:15,440 --> 00:18:16,480
Speaker 2: That's the only thing that gets me.

425
00:18:16,480 --> 00:18:19,959
Speaker 1: Going well while everyone is listening to this. On a Friday,

426
00:18:20,040 --> 00:18:23,760
Speaker 1: November seventeen, Andre three thousand put out a solo album

427
00:18:23,960 --> 00:18:27,480
Speaker 1: from what we understand is just the flute, no lyrics,

428
00:18:27,560 --> 00:18:31,440
Speaker 1: just music, no bass, no drums, no lyrics, just eighty

429
00:18:31,440 --> 00:18:33,600
Speaker 1: seven minutes of a flute.

430
00:18:33,800 --> 00:18:37,399
Speaker 2: I think there's bass and drum this this other instrumentation

431
00:18:37,560 --> 00:18:39,080
Speaker 2: going on, but he thought it was just wind.

432
00:18:39,119 --> 00:18:39,600
Speaker 1: Instruments.

433
00:18:39,720 --> 00:18:42,680
Speaker 2: No, he's he's he's playing he's playing the flute though.

434
00:18:42,840 --> 00:18:45,560
Speaker 1: Well he's been practicing for ten years and so m hm,

435
00:18:45,560 --> 00:18:46,800
Speaker 1: So I mean I'd imagine this will.

436
00:18:46,680 --> 00:18:47,560
Speaker 3: Be good avoiding Roy.

437
00:18:47,680 --> 00:18:48,600
Speaker 2: Yeah, I don't.

438
00:18:48,440 --> 00:18:51,040
Speaker 1: Know if if I was as disappointed as everyone was

439
00:18:51,080 --> 00:18:54,479
Speaker 1: when this was announced. I wasn't expecting a Andre three

440
00:18:54,520 --> 00:18:58,439
Speaker 1: thousand rap album in my lifetime, so like, I'm not

441
00:18:58,440 --> 00:19:00,760
Speaker 1: really let down that he's putting out an album that's not

442
00:19:00,760 --> 00:19:03,160
Speaker 1: a rap album. I would love one. I just wasn't

443
00:19:03,200 --> 00:19:06,000
Speaker 1: expecting one, so it's not really a leftdown to me.

444
00:19:06,240 --> 00:19:09,560
Speaker 2: We was at LA last week. I popped up on

445
00:19:09,560 --> 00:19:12,800
Speaker 2: the Alchemists. He had a he had an in store

446
00:19:13,520 --> 00:19:17,000
Speaker 2: was the album release, and he was telling me that

447
00:19:17,200 --> 00:19:21,000
Speaker 2: three thousand that stopped by a studio. He said, yeah, man,

448
00:19:21,040 --> 00:19:23,480
Speaker 2: you know I've been been recording, working on a new album,

449
00:19:23,600 --> 00:19:27,320
Speaker 2: so you know als already, Like what like any you

450
00:19:27,320 --> 00:19:30,520
Speaker 2: know this is Alchemists. He's like, stop three thousand album,

451
00:19:30,600 --> 00:19:34,000
Speaker 2: Like everything stops. I need to hear this. And he says,

452
00:19:34,680 --> 00:19:37,280
Speaker 2: three thousand plays the album and it's you know, just

453
00:19:37,720 --> 00:19:40,840
Speaker 2: flute instrumentation, and he's waiting for like the lyrics to

454
00:19:40,880 --> 00:19:44,280
Speaker 2: come into bars never happened, Bars never happened.

455
00:19:44,280 --> 00:19:46,399
Speaker 3: There's no lyrics, no damn.

456
00:19:46,760 --> 00:19:48,960
Speaker 1: Three Sacks also said that there's absolutely no lyrics, and

457
00:19:48,960 --> 00:19:50,880
Speaker 1: he said he went in trying to make a rap album,

458
00:19:50,920 --> 00:19:52,600
Speaker 1: but this is where the wind took him, which I

459
00:19:52,640 --> 00:19:54,800
Speaker 1: guess is the only metaphor that we will get because.

460
00:19:54,560 --> 00:19:56,480
Speaker 3: It's all when it's funny to mars.

461
00:19:56,840 --> 00:19:59,360
Speaker 1: So we got one bar yeah out of him. With that,

462
00:19:59,560 --> 00:20:03,800
Speaker 1: he played for Frank Ocean and Tyler the Creator, which

463
00:20:04,560 --> 00:20:05,679
Speaker 1: can we pull up those.

464
00:20:05,600 --> 00:20:08,920
Speaker 3: Quotes from there? Sit down with him?

465
00:20:09,119 --> 00:20:09,359
Speaker 2: Listen.

466
00:20:09,400 --> 00:20:11,280
Speaker 1: This is why I respect Tyler and Frank because you

467
00:20:11,320 --> 00:20:14,000
Speaker 1: know they revere Andre three thousand, so they were trying

468
00:20:14,000 --> 00:20:17,760
Speaker 1: to find any fucking way to compliment one of their heroes.

469
00:20:17,480 --> 00:20:18,159
Speaker 3: With this album.

470
00:20:18,480 --> 00:20:20,080
Speaker 1: Tyler was like, yeah, so I have like all these

471
00:20:20,080 --> 00:20:22,840
Speaker 1: suitcases and I didn't know how to arrange them, but

472
00:20:22,880 --> 00:20:27,120
Speaker 1: then like track four came on and I arranged them suitcases,

473
00:20:27,400 --> 00:20:31,439
Speaker 1: just trying to find anything yeah to say. And then

474
00:20:31,480 --> 00:20:35,960
Speaker 1: Frank was like, I like that one too. This is

475
00:20:35,960 --> 00:20:37,080
Speaker 1: from a three Sacks quote.

476
00:20:37,119 --> 00:20:38,960
Speaker 2: Yeah, because you can't. You can't. What are you gonna

477
00:20:38,960 --> 00:20:42,040
Speaker 2: say if Andre three thousand plays his album for you

478
00:20:42,080 --> 00:20:45,480
Speaker 2: and it's just it's like, can't you can't shit on it.

479
00:20:45,840 --> 00:20:48,320
Speaker 1: I get all the music critics and Reddit people will

480
00:20:48,359 --> 00:20:49,840
Speaker 1: be like, oh, I tell him this is trash and

481
00:20:49,880 --> 00:20:52,480
Speaker 1: go back to you know you. Wouldn't you sit there

482
00:20:52,520 --> 00:20:53,879
Speaker 1: like ooh I like that flute?

483
00:20:53,960 --> 00:20:56,359
Speaker 2: Yeah, Like oh I saw you was taking us right there,

484
00:20:56,400 --> 00:20:56,920
Speaker 2: like yeah.

485
00:20:57,240 --> 00:20:58,600
Speaker 1: But I don't feel like I'm going to walk with

486
00:20:58,640 --> 00:20:59,240
Speaker 1: the butterflies.

487
00:20:59,280 --> 00:21:02,440
Speaker 3: I don't think Andre's delusional in the sense that he

488
00:21:02,760 --> 00:21:06,680
Speaker 3: expects people to like. It's his crowd to hip hop

489
00:21:06,720 --> 00:21:09,240
Speaker 3: crowd predominantly, so he's not gonna be like, Okay, I

490
00:21:09,280 --> 00:21:12,520
Speaker 3: expect all my fans to love a Woodwind album. I

491
00:21:12,520 --> 00:21:15,320
Speaker 3: feel like this is just clearly just a passion project.

492
00:21:15,560 --> 00:21:18,840
Speaker 1: I respected his quote unquote rollout this week flat out

493
00:21:18,840 --> 00:21:21,920
Speaker 1: telling everyone what it is. No like mystique, No, nothing

494
00:21:21,960 --> 00:21:24,359
Speaker 1: like hey guys, I'm putting out a flute album and

495
00:21:24,400 --> 00:21:24,719
Speaker 1: that's it.

496
00:21:24,840 --> 00:21:25,000
Speaker 6: No.

497
00:21:25,240 --> 00:21:27,480
Speaker 2: The album comes with a warning label that says warning,

498
00:21:27,520 --> 00:21:28,440
Speaker 2: no bars.

499
00:21:29,440 --> 00:21:31,240
Speaker 1: Can we pull up? The track list was pretty funny.

500
00:21:31,240 --> 00:21:33,560
Speaker 1: I think the first song is called sorry that this

501
00:21:33,640 --> 00:21:34,760
Speaker 1: Isn't a rap album.

502
00:21:35,119 --> 00:21:36,280
Speaker 3: I love it.

503
00:21:36,359 --> 00:21:40,320
Speaker 1: The track list was pretty funny. I appreciate the transparency.

504
00:21:40,480 --> 00:21:41,639
Speaker 3: I cleaned the apartment to this.

505
00:21:42,640 --> 00:21:44,720
Speaker 1: I'm sure it's good. There's going to be someplace that

506
00:21:45,200 --> 00:21:45,840
Speaker 1: you can play it.

507
00:21:46,520 --> 00:21:47,200
Speaker 2: Yeah, I'm cool.

508
00:21:47,960 --> 00:21:49,480
Speaker 1: You don't want to do shrooms in London with us?

509
00:21:49,840 --> 00:21:52,119
Speaker 2: No Hogwarts, no.

510
00:21:54,080 --> 00:21:54,240
Speaker 3: One.

511
00:21:54,320 --> 00:21:56,199
Speaker 2: I grew up on three thousand being one of the

512
00:21:56,240 --> 00:21:58,560
Speaker 2: best rappers I ever heard, and I get it. You know,

513
00:21:58,600 --> 00:22:01,400
Speaker 2: this is him just expressing himself, the artists and where

514
00:22:01,400 --> 00:22:04,879
Speaker 2: he's at in his life. I respect that, but you

515
00:22:04,880 --> 00:22:06,480
Speaker 2: know I want to I want to hear some three thousand.

516
00:22:06,560 --> 00:22:09,119
Speaker 2: I want to hear you know, his his thoughts. I

517
00:22:09,119 --> 00:22:11,560
Speaker 2: want to hear what's in his brain.

518
00:22:11,680 --> 00:22:13,920
Speaker 1: And you know you got it in the track. They're

519
00:22:13,920 --> 00:22:14,400
Speaker 1: like tweeting.

520
00:22:14,680 --> 00:22:16,800
Speaker 3: All his lyrics are so.

521
00:22:16,920 --> 00:22:18,320
Speaker 1: The first one is I swear I really want to

522
00:22:18,320 --> 00:22:20,040
Speaker 1: make a rap album, but this is literally the way

523
00:22:20,080 --> 00:22:21,879
Speaker 1: the wind blew me this time. The second one is

524
00:22:22,000 --> 00:22:24,560
Speaker 1: the slang word pussy rolls off the tongue with a

525
00:22:24,640 --> 00:22:29,239
Speaker 1: far better ease than the proper word vagina. Do you agree?

526
00:22:29,640 --> 00:22:31,240
Speaker 1: These are these are his drafts.

527
00:22:31,000 --> 00:22:33,719
Speaker 2: These are his drafts, These are captions.

528
00:22:35,200 --> 00:22:37,040
Speaker 3: Vagina is a nasty word. I agree with.

529
00:22:37,080 --> 00:22:42,080
Speaker 1: Vagina feels more vogar, but pussy hunt feels more appropriate

530
00:22:42,080 --> 00:22:43,480
Speaker 1: than no cutting sounds horrible.

531
00:22:43,480 --> 00:22:44,920
Speaker 3: That's a harsh word. That's a harsh word.

532
00:22:45,040 --> 00:22:47,040
Speaker 2: It does. It sounds like a wound. It sounds like

533
00:22:47,040 --> 00:22:48,640
Speaker 2: a wound.

534
00:22:49,119 --> 00:22:51,520
Speaker 4: I just never thought of as an actual vagina.

535
00:22:51,520 --> 00:22:53,439
Speaker 1: I just think it's something you call people that are

536
00:22:53,480 --> 00:22:54,199
Speaker 1: acting cunty.

537
00:22:54,440 --> 00:22:57,040
Speaker 4: Yeah, it's just like I've never used to describe an

538
00:22:57,080 --> 00:22:57,840
Speaker 4: actual vagina.

539
00:22:58,600 --> 00:23:00,719
Speaker 1: The Knight in Hawaii, when I turned into a panther

540
00:23:00,800 --> 00:23:04,880
Speaker 1: and started making these low registered herringtones that I couldn't control,

541
00:23:05,160 --> 00:23:08,840
Speaker 1: shit was wild. That's a sound journey, that shrooms. That's ayahuasca.

542
00:23:09,000 --> 00:23:10,400
Speaker 1: I know what he's going through there. I can't wait

543
00:23:10,440 --> 00:23:11,119
Speaker 1: for track three.

544
00:23:11,240 --> 00:23:16,040
Speaker 2: I like track full Bipolo disorders. I like the Daughter

545
00:23:16,280 --> 00:23:19,080
Speaker 2: wears a three thousand button down embroidered.

546
00:23:20,440 --> 00:23:22,640
Speaker 3: Okay, say.

547
00:23:24,280 --> 00:23:26,240
Speaker 2: Ninety three to Infinity and Beyonce.

548
00:23:26,920 --> 00:23:29,200
Speaker 3: You think she's got vocals? He said, there's no raps,

549
00:23:29,240 --> 00:23:30,360
Speaker 3: but Beyonce could sing.

550
00:23:30,359 --> 00:23:35,040
Speaker 2: Not happening, Gandhi, Dali, Lama, your Lord and Savior, J C. Bundy,

551
00:23:35,359 --> 00:23:37,639
Speaker 2: Jeffrey Dahmer, and John Wayne Gason, what.

552
00:23:37,720 --> 00:23:41,240
Speaker 3: Kind of I resonate more with the second half of

553
00:23:41,280 --> 00:23:41,919
Speaker 3: those names.

554
00:23:41,960 --> 00:23:44,240
Speaker 2: And God, that's fired.

555
00:23:44,280 --> 00:23:45,359
Speaker 4: That's a picture caption.

556
00:23:46,240 --> 00:23:46,720
Speaker 2: No, it's not.

557
00:23:51,960 --> 00:23:54,919
Speaker 1: Dreams. One is buried beneath the dungeon floors slowly sprout

558
00:23:55,000 --> 00:23:58,520
Speaker 1: into undenying gardens. I'm so happy he was honest with us,

559
00:23:58,520 --> 00:24:00,200
Speaker 1: because if he put this track list out on a

560
00:24:00,240 --> 00:24:04,480
Speaker 1: Tuesday and we assumed this was him like rapping and singing,

561
00:24:04,640 --> 00:24:06,439
Speaker 1: I would think this might be the greatest album of

562
00:24:06,480 --> 00:24:07,000
Speaker 1: all time by.

563
00:24:07,320 --> 00:24:11,159
Speaker 2: Some of the greatest uh names of songs.

564
00:24:11,200 --> 00:24:13,399
Speaker 3: For sure, this is great.

565
00:24:13,880 --> 00:24:16,760
Speaker 1: Does it stream well? First week numbers? What are we projecting?

566
00:24:19,200 --> 00:24:20,040
Speaker 2: This is gonna tank?

567
00:24:20,760 --> 00:24:21,879
Speaker 4: Tank is crazy?

568
00:24:22,160 --> 00:24:24,520
Speaker 2: Damn yeah, and this is one of my favorite rappers

569
00:24:24,520 --> 00:24:26,760
Speaker 2: of all time. But this is gonna tank. This is

570
00:24:26,760 --> 00:24:28,480
Speaker 2: gonna be one of those people like yo, like if

571
00:24:28,480 --> 00:24:31,440
Speaker 2: he ever does an interview years down the line, Well,

572
00:24:31,440 --> 00:24:34,159
Speaker 2: you're honestly, we was taking us with that flute album,

573
00:24:34,320 --> 00:24:37,040
Speaker 2: Like we like, I get it, but like, how how

574
00:24:37,119 --> 00:24:39,520
Speaker 2: long did you let the shrooms seep into the pot?

575
00:24:39,640 --> 00:24:42,159
Speaker 1: Well, it's not for you, it is. We don't know

576
00:24:42,200 --> 00:24:45,200
Speaker 1: that yet. This could be like sound like Waka Flocka Beats.

577
00:24:45,200 --> 00:24:47,199
Speaker 1: They just got the flu future uses the flute all

578
00:24:47,200 --> 00:24:51,159
Speaker 1: the time. This could be metro Bom does all right,

579
00:24:51,200 --> 00:24:52,919
Speaker 1: let's since we haven't heard this.

580
00:24:52,520 --> 00:24:55,160
Speaker 2: This would be funny if like like a hit boy

581
00:24:55,200 --> 00:24:58,040
Speaker 2: of Metro, one of the dope producers, like sample one

582
00:24:58,080 --> 00:25:00,560
Speaker 2: of these and like make like a real.

583
00:25:00,440 --> 00:25:02,879
Speaker 3: Track here remix happening? Yeah, yeah for sure?

584
00:25:03,160 --> 00:25:04,639
Speaker 1: Or what if this is the greatest rap album of

585
00:25:04,640 --> 00:25:06,320
Speaker 1: all time and he's been trolling us for a decade

586
00:25:06,320 --> 00:25:08,160
Speaker 1: by playing the flute and soho that we do believe

587
00:25:08,160 --> 00:25:10,399
Speaker 1: that this is a flute album and it's nothing but bars.

588
00:25:10,520 --> 00:25:11,360
Speaker 4: You're so hopeful.

589
00:25:11,600 --> 00:25:13,720
Speaker 2: No, I've I've spoke to people.

590
00:25:13,560 --> 00:25:13,919
Speaker 3: That heard it.

591
00:25:13,960 --> 00:25:15,920
Speaker 1: No, he was trying to trick alchemists too. It's trying

592
00:25:15,960 --> 00:25:17,840
Speaker 1: to trick them. It's trying to trick Tyler Frank.

593
00:25:18,720 --> 00:25:19,080
Speaker 2: Enough of it.

594
00:25:19,119 --> 00:25:20,040
Speaker 1: That's the other album.

595
00:25:19,920 --> 00:25:22,359
Speaker 2: Got him three stacks. Enough of the tricks, man. I

596
00:25:22,400 --> 00:25:25,399
Speaker 2: get it. You know we're not on your frequency. I

597
00:25:25,440 --> 00:25:27,240
Speaker 2: get it, But can we just get some I just

598
00:25:27,240 --> 00:25:28,360
Speaker 2: want some bars, That's all.

599
00:25:29,119 --> 00:25:32,520
Speaker 1: I predict that we're going to get the music snob

600
00:25:33,440 --> 00:25:37,040
Speaker 1: most annoying week of the year, you know, Pitchfork and

601
00:25:37,200 --> 00:25:40,000
Speaker 1: everyone that thinks they're at a higher frequency of music

602
00:25:40,080 --> 00:25:41,600
Speaker 1: like this is gonna be the greatest thing ever. We

603
00:25:41,640 --> 00:25:46,440
Speaker 1: don't understand, we don't understand, we're not progressed. Yeah, we're

604
00:25:46,440 --> 00:25:46,879
Speaker 1: gonna get that.

605
00:25:46,880 --> 00:25:48,280
Speaker 3: All week you haven't heard win like this.

606
00:25:49,480 --> 00:25:49,960
Speaker 2: I haven't.

607
00:25:50,000 --> 00:25:52,320
Speaker 1: It's very remnants of the Beatles first album.

608
00:25:52,640 --> 00:25:55,160
Speaker 2: But I mean we have to listen to it, of course.

609
00:25:55,400 --> 00:25:56,680
Speaker 2: I think we almost have to legit.

610
00:25:56,520 --> 00:25:57,720
Speaker 1: And get it early too.

611
00:25:58,000 --> 00:25:59,239
Speaker 2: We just have to hear what it is.

612
00:25:59,440 --> 00:26:01,679
Speaker 1: We should We should go to sow House in London

613
00:26:01,720 --> 00:26:05,000
Speaker 1: and ask for the auxiliary and just crank the flute album.

614
00:26:05,119 --> 00:26:08,960
Speaker 2: He might beat her, shock me, he might beat her.

615
00:26:09,600 --> 00:26:11,639
Speaker 1: Well, no, I'll be there, so he won't.

616
00:26:12,080 --> 00:26:13,760
Speaker 2: You're there, He'll be in Australia.

617
00:26:13,320 --> 00:26:17,000
Speaker 3: He'll he'll be another show house in London. Yeah. Staying

618
00:26:17,000 --> 00:26:19,000
Speaker 3: on music, in the state of hip hop, Yacht, he's

619
00:26:19,040 --> 00:26:23,800
Speaker 3: been getting some flack. He had some comments about the

620
00:26:23,880 --> 00:26:27,639
Speaker 3: hip hop's been ruined, and he took that those words

621
00:26:27,640 --> 00:26:29,400
Speaker 3: of Twitter and people kind of turned it on him

622
00:26:29,400 --> 00:26:30,960
Speaker 3: and said this is low key or fall man.

623
00:26:31,800 --> 00:26:33,440
Speaker 1: So can we get the full quote please?

624
00:26:34,119 --> 00:26:36,520
Speaker 3: Yeah? Sure. So he says hip hop is in a

625
00:26:36,600 --> 00:26:39,280
Speaker 3: terrible place. The state of hip hop right now is

626
00:26:39,320 --> 00:26:41,440
Speaker 3: in a lot of imitation. It's a lot of quick

627
00:26:41,440 --> 00:26:44,600
Speaker 3: and low quality music being put out. That's effect, he continued,

628
00:26:44,880 --> 00:26:47,359
Speaker 3: It's a lot less risk taking, it's a lot less originality.

629
00:26:47,400 --> 00:26:49,800
Speaker 3: People are too safe now everyone is so safe. I'd

630
00:26:49,880 --> 00:26:52,480
Speaker 3: rather take a risk than take the al.

631
00:26:52,880 --> 00:26:53,720
Speaker 1: All right, is he wrong?

632
00:26:55,320 --> 00:26:55,800
Speaker 3: No?

633
00:26:55,800 --> 00:26:57,120
Speaker 2: No, he's right.

634
00:26:58,040 --> 00:27:00,520
Speaker 1: I can focus on the message here and not messenger.

635
00:27:01,640 --> 00:27:04,400
Speaker 1: And I don't think Yadi is the reason for hip

636
00:27:04,400 --> 00:27:06,639
Speaker 1: hop to be in a bad place, to be quite honest.

637
00:27:06,680 --> 00:27:09,840
Speaker 2: But his how you put that on Yadi, that is

638
00:27:09,880 --> 00:27:11,439
Speaker 2: that is crazy.

639
00:27:11,680 --> 00:27:14,520
Speaker 1: I don't think it's solely Yachty's fault. I think his

640
00:27:14,640 --> 00:27:17,040
Speaker 1: peers in his generation you could put some blame on.

641
00:27:18,520 --> 00:27:20,560
Speaker 1: And I could see the quote unquote hip hop purists

642
00:27:20,560 --> 00:27:22,320
Speaker 1: being mad that this is coming from Yati, but he's

643
00:27:22,359 --> 00:27:24,840
Speaker 1: not lying. It's I'd rather come from him than come

644
00:27:24,880 --> 00:27:28,119
Speaker 1: from some from Ebro because the kids are going to

645
00:27:28,200 --> 00:27:30,800
Speaker 1: be like, all right, oh man, just be quiet and happy.

646
00:27:30,800 --> 00:27:31,840
Speaker 1: It's coming from Yachti.

647
00:27:31,920 --> 00:27:34,359
Speaker 2: And I like the fact that Yady put out he said,

648
00:27:34,520 --> 00:27:36,400
Speaker 2: he said what he said, but then he also put

649
00:27:36,400 --> 00:27:38,920
Speaker 2: out an album that he put out with Let's Start

650
00:27:38,920 --> 00:27:42,520
Speaker 2: Here that sounded the way it did, and we spoke

651
00:27:42,560 --> 00:27:45,600
Speaker 2: about it. We heard the album, we liked it. It

652
00:27:45,680 --> 00:27:48,639
Speaker 2: wasn't the prototypical Yachti sound that we thought we were

653
00:27:48,720 --> 00:27:51,920
Speaker 2: going to get. So, you know, for him to say

654
00:27:51,920 --> 00:27:54,080
Speaker 2: that and then he's also showing like, look I did it.

655
00:27:54,080 --> 00:27:57,480
Speaker 2: I put out an album psychedelic rock, it was different sounds.

656
00:27:57,520 --> 00:27:59,760
Speaker 2: I was just experimenting. I wanted to try some different

657
00:28:00,200 --> 00:28:02,879
Speaker 2: step outside of my box. So I respect him for

658
00:28:02,920 --> 00:28:04,960
Speaker 2: that because he's not just talking it. He's actually he's

659
00:28:05,000 --> 00:28:07,520
Speaker 2: actually doing it as well. So I respect what he's saying,

660
00:28:07,560 --> 00:28:09,000
Speaker 2: and he's right, it's a lot of it's a lot

661
00:28:09,000 --> 00:28:11,920
Speaker 2: of people imitating what's already out there with sampling the

662
00:28:11,960 --> 00:28:15,639
Speaker 2: sample that was already sampled before the sample, you know,

663
00:28:15,800 --> 00:28:18,800
Speaker 2: everything is it's the same non artists that do features

664
00:28:18,840 --> 00:28:21,600
Speaker 2: with each other, so it's essentially the same song over

665
00:28:21,640 --> 00:28:25,280
Speaker 2: and over. So I understand what Yadi is saying. It's

666
00:28:25,440 --> 00:28:28,520
Speaker 2: very stale. But again it's because the way the business

667
00:28:28,560 --> 00:28:31,200
Speaker 2: is set up now, with with with the industry streaming

668
00:28:31,359 --> 00:28:34,320
Speaker 2: and people click when they see a name attached to

669
00:28:34,320 --> 00:28:37,600
Speaker 2: a certain song just because of the name. So it's

670
00:28:37,640 --> 00:28:40,280
Speaker 2: a lot of things going on that's causing to it's

671
00:28:40,320 --> 00:28:43,320
Speaker 2: causing an effect on the music. The music is suffering

672
00:28:43,800 --> 00:28:46,320
Speaker 2: because the business is set up the way it is now.

673
00:28:46,800 --> 00:28:50,040
Speaker 1: And with the business being set up the way it is,

674
00:28:50,800 --> 00:28:53,200
Speaker 1: these current artists, for the most part, couldn't take a

675
00:28:53,280 --> 00:28:56,120
Speaker 1: risk if they wanted to. They don't have the ability

676
00:28:56,320 --> 00:28:58,560
Speaker 1: or talent or vision to take a risk or do

677
00:28:58,680 --> 00:29:02,440
Speaker 1: something different. So even with the business I still have

678
00:29:02,440 --> 00:29:04,640
Speaker 1: to put it on the creative side as well. Yeah,

679
00:29:04,720 --> 00:29:07,120
Speaker 1: they don't have the ability to take a risk. Yeah

680
00:29:07,160 --> 00:29:08,920
Speaker 1: they may want to, but they wouldn't even know where

681
00:29:08,920 --> 00:29:11,320
Speaker 1: to begin. They just have to follow exactly what has

682
00:29:11,360 --> 00:29:13,520
Speaker 1: been working. Yeah, and what they know will work.

683
00:29:13,600 --> 00:29:16,480
Speaker 2: I mean it. Now, if there's the person attached to

684
00:29:16,520 --> 00:29:19,800
Speaker 2: the record, have a name that goes viral, you know,

685
00:29:20,800 --> 00:29:23,560
Speaker 2: you want to put these people together. It's no synergy.

686
00:29:23,600 --> 00:29:26,520
Speaker 2: It's no chemistry between these people. It's just the fact

687
00:29:26,560 --> 00:29:30,560
Speaker 2: that both of these you know, artists are the most downloaded,

688
00:29:30,600 --> 00:29:32,560
Speaker 2: the most click names on the internet at the moment.

689
00:29:32,960 --> 00:29:35,000
Speaker 2: So they figure, okay, let's put them on a record

690
00:29:35,160 --> 00:29:37,880
Speaker 2: because it's going to extreme well because people are already

691
00:29:37,880 --> 00:29:40,040
Speaker 2: clicking on their names. But it's like, yeah, you could

692
00:29:40,360 --> 00:29:43,000
Speaker 2: hear in the music, you can feel it. It's no chemistry.

693
00:29:43,320 --> 00:29:44,400
Speaker 2: The music is terrible.

694
00:29:44,520 --> 00:29:46,960
Speaker 3: And Yadi added that he believes he was not by

695
00:29:47,000 --> 00:29:48,600
Speaker 3: the Grammy Board. What do you guy, do you think

696
00:29:48,600 --> 00:29:50,880
Speaker 3: he should have been nominated? And if so, what he

697
00:29:50,960 --> 00:29:52,880
Speaker 3: had a really good album. What category do you think

698
00:29:52,920 --> 00:29:53,760
Speaker 3: this would even go for?

699
00:29:54,440 --> 00:29:57,320
Speaker 1: So that's a good question. It would have to be

700
00:29:57,360 --> 00:30:00,239
Speaker 1: somewhere in the alternative progressive.

701
00:30:00,080 --> 00:30:02,200
Speaker 2: Yeah, I was, I would say progressive.

702
00:30:02,560 --> 00:30:04,240
Speaker 1: I don't know if it was quite album of the

703
00:30:04,320 --> 00:30:09,720
Speaker 1: Year worthy, but I feel yacht there was definitely categories

704
00:30:09,720 --> 00:30:11,880
Speaker 1: that he could have been nominated in with that by

705
00:30:11,880 --> 00:30:12,240
Speaker 1: your work.

706
00:30:13,240 --> 00:30:16,160
Speaker 2: The album was good. The album it was, it was different,

707
00:30:17,440 --> 00:30:19,200
Speaker 2: there was some really good songs on it. So I

708
00:30:19,240 --> 00:30:22,600
Speaker 2: mean again, I just I amployed Yachty for saying what

709
00:30:22,640 --> 00:30:24,800
Speaker 2: he's saying, but he you know, it's also valid because

710
00:30:24,840 --> 00:30:26,400
Speaker 2: he he did what he did and putting out the

711
00:30:26,440 --> 00:30:29,240
Speaker 2: project that he did, so gotta respect that.

712
00:30:30,760 --> 00:30:40,560
Speaker 1: What do you think about this risk right here? Gang Gang?

713
00:30:41,360 --> 00:30:41,800
Speaker 3: Oh wow?

714
00:30:43,600 --> 00:30:44,120
Speaker 2: Who is that.

715
00:30:45,760 --> 00:30:48,400
Speaker 3: Pinky doll? Don't make music?

716
00:30:48,880 --> 00:30:49,080
Speaker 2: Yeah?

717
00:30:49,160 --> 00:30:49,320
Speaker 7: Now?

718
00:30:49,480 --> 00:30:50,960
Speaker 2: Does is that the girl? I was doing?

719
00:30:50,960 --> 00:30:53,040
Speaker 4: The him so good?

720
00:30:53,120 --> 00:30:53,320
Speaker 1: Yeah?

721
00:30:53,640 --> 00:30:53,800
Speaker 3: Yeah?

722
00:30:53,920 --> 00:30:56,520
Speaker 1: She was also a sex worker. She's a jack of

723
00:30:56,520 --> 00:30:56,840
Speaker 1: all trade.

724
00:30:56,880 --> 00:30:58,520
Speaker 2: She wears a lot of ads, well she does, only

725
00:30:58,760 --> 00:30:59,840
Speaker 2: now she's trying to make music.

726
00:31:00,200 --> 00:31:00,480
Speaker 1: Trying.

727
00:31:00,760 --> 00:31:03,560
Speaker 3: She smashed yea at the State of Hip Hop.

728
00:31:04,320 --> 00:31:06,680
Speaker 1: I heard at all AMC theaters they're going to play

729
00:31:06,720 --> 00:31:10,680
Speaker 1: that before the movie starts. Used to do the things

730
00:31:10,680 --> 00:31:11,720
Speaker 1: should be just her doing.

731
00:31:11,640 --> 00:31:15,520
Speaker 3: Oh it's called yes popcorn. Yeah, So it's just NPC

732
00:31:15,680 --> 00:31:16,720
Speaker 3: with a beat behind it.

733
00:31:16,960 --> 00:31:21,000
Speaker 8: I can see something this song going somewhere, marketing wise.

734
00:31:22,720 --> 00:31:24,840
Speaker 4: I can't marketing wise.

735
00:31:24,960 --> 00:31:28,959
Speaker 2: In the trash and delete No it's.

736
00:31:28,200 --> 00:31:32,560
Speaker 8: Dee, But I think there's a reason why she's doing this,

737
00:31:32,640 --> 00:31:35,120
Speaker 8: and I can see it being used in a commercial

738
00:31:35,200 --> 00:31:35,680
Speaker 8: or something.

739
00:31:35,720 --> 00:31:37,400
Speaker 4: I can see her making money.

740
00:31:37,160 --> 00:31:39,360
Speaker 1: For Ever since that Glow REALI song, I can only

741
00:31:39,400 --> 00:31:44,960
Speaker 1: hear music as just just shipping out, like why just

742
00:31:45,000 --> 00:31:47,200
Speaker 1: after saying yes popcorn, yes, popcorn? All right, we have

743
00:31:47,240 --> 00:31:52,800
Speaker 1: a space there. Gang gang Yeah, what does it have

744
00:31:52,840 --> 00:31:53,360
Speaker 1: to do with anything?

745
00:31:53,560 --> 00:31:55,400
Speaker 4: Gang is one of her phrases that she said.

746
00:31:55,520 --> 00:31:56,200
Speaker 1: It's one of hers.

747
00:31:56,280 --> 00:31:57,640
Speaker 3: Yes, yeah, she's one of hers.

748
00:31:58,200 --> 00:31:59,280
Speaker 1: Well you know it's one of hers.

749
00:32:00,360 --> 00:32:01,640
Speaker 3: You know what she uses.

750
00:32:01,760 --> 00:32:05,480
Speaker 8: She doesn't her NPC, She'll go gang. That's one of

751
00:32:05,520 --> 00:32:08,120
Speaker 8: the like yes, popcorn, like I seem so good, Gang Gang,

752
00:32:08,160 --> 00:32:09,480
Speaker 8: Gang Gang, that's one of the things.

753
00:32:09,360 --> 00:32:10,280
Speaker 3: That was doing it on.

754
00:32:10,520 --> 00:32:12,120
Speaker 2: Just want to say that China got it right.

755
00:32:12,960 --> 00:32:14,480
Speaker 3: China, China shut.

756
00:32:15,960 --> 00:32:18,560
Speaker 2: Trying to know they got it right. This is this,

757
00:32:18,560 --> 00:32:20,000
Speaker 2: this is mental illness.

758
00:32:20,960 --> 00:32:23,200
Speaker 4: Well, you can't chalk everything up to be in mental illness.

759
00:32:23,200 --> 00:32:26,120
Speaker 3: Ship watch.

760
00:32:27,640 --> 00:32:30,480
Speaker 1: If there isn't mental illness, I think this is leading

761
00:32:30,520 --> 00:32:30,800
Speaker 1: to it.

762
00:32:30,960 --> 00:32:31,280
Speaker 3: What's that.

763
00:32:32,880 --> 00:32:37,080
Speaker 2: Hypnosis repeating word that's mental illness. You can't tell me

764
00:32:37,080 --> 00:32:38,680
Speaker 2: that that's not mental driving.

765
00:32:39,000 --> 00:32:40,400
Speaker 3: How is this any different than Baby Shark?

766
00:32:41,400 --> 00:32:45,680
Speaker 2: Don't see? I think Baby Shark is That is one

767
00:32:45,720 --> 00:32:48,800
Speaker 2: of the greatest songs ever recorded in human history.

768
00:32:48,840 --> 00:32:52,240
Speaker 3: Someone was blaming Rory on Reddit for I guess suggesting

769
00:32:52,240 --> 00:32:54,360
Speaker 3: Baby Shark and I guess their child got super addicted

770
00:32:54,400 --> 00:32:54,560
Speaker 3: to that.

771
00:32:54,920 --> 00:32:56,120
Speaker 1: Yeah, No, it's it's heroin.

772
00:32:56,480 --> 00:33:02,640
Speaker 3: I think the post is like I no longer like Rory. Yeah,

773
00:33:02,680 --> 00:33:03,640
Speaker 3: all the bubbles.

774
00:33:03,320 --> 00:33:04,480
Speaker 4: On the bubbles on the tub.

775
00:33:05,160 --> 00:33:08,880
Speaker 1: Listen, my mom just bought Amara a Miss Rachel doll.

776
00:33:09,040 --> 00:33:10,480
Speaker 1: I'm like, she doesn't get enough of this ship on

777
00:33:10,520 --> 00:33:11,200
Speaker 1: the TV.

778
00:33:11,400 --> 00:33:13,240
Speaker 4: Now they're making dolls, making dolls.

779
00:33:13,880 --> 00:33:16,400
Speaker 1: Yes, it's a god complex. She is the Lord and Savior.

780
00:33:17,040 --> 00:33:19,400
Speaker 1: I'm her I'm just her father. I'm just a mere mortal.

781
00:33:19,800 --> 00:33:22,320
Speaker 1: And then there's Miss Rachel, and then there's Baby Shark.

782
00:33:23,640 --> 00:33:25,920
Speaker 1: I'm somewhere down here. I'm down here next to the

783
00:33:25,960 --> 00:33:27,600
Speaker 1: Amazon delivery gain mall.

784
00:33:27,680 --> 00:33:29,040
Speaker 8: I do want to I do want to go back

785
00:33:29,040 --> 00:33:31,760
Speaker 8: to that NPC point of you thinking that that's mental illness.

786
00:33:31,800 --> 00:33:33,640
Speaker 8: You think that she's mentally ill or the people who

787
00:33:33,680 --> 00:33:35,280
Speaker 8: are paying her to do that are mentally ill.

788
00:33:35,640 --> 00:33:35,920
Speaker 2: Both.

789
00:33:37,240 --> 00:33:39,360
Speaker 4: You think she's mentally ill for getting a bag.

790
00:33:39,480 --> 00:33:41,080
Speaker 1: I think she found a lick. I think the people

791
00:33:41,080 --> 00:33:46,040
Speaker 1: that are paying her and are like fully engulfed in

792
00:33:46,040 --> 00:33:48,360
Speaker 1: that entire world are mentally ill. Yes, but it's kind

793
00:33:48,400 --> 00:33:50,160
Speaker 1: and I think it can lead you to mental illness

794
00:33:50,280 --> 00:33:53,479
Speaker 1: if you have a young sponge mind and you're literally

795
00:33:53,520 --> 00:33:58,080
Speaker 1: just looking at this girl spitting out Internet words, that

796
00:33:58,120 --> 00:33:59,280
Speaker 1: will drive you to mental illness.

797
00:33:59,320 --> 00:33:59,680
Speaker 3: For sure.

798
00:33:59,760 --> 00:34:02,400
Speaker 1: They have as a torture that's going time to obey

799
00:34:02,400 --> 00:34:04,880
Speaker 1: shit that's now just in our phones.

800
00:34:05,320 --> 00:34:07,200
Speaker 8: But I just think people get different pleasure out of

801
00:34:07,200 --> 00:34:09,440
Speaker 8: different things. Like I'm obsessed with watching people stock their

802
00:34:09,480 --> 00:34:10,680
Speaker 8: fridge on TikTok.

803
00:34:10,760 --> 00:34:12,800
Speaker 1: Have you seen an Opid zero Dark thirty?

804
00:34:13,480 --> 00:34:15,240
Speaker 3: Yeah, the movie.

805
00:34:15,440 --> 00:34:17,759
Speaker 1: This This doll is committing war crimes like this is

806
00:34:17,800 --> 00:34:19,240
Speaker 1: what they used to do to torture people.

807
00:34:19,280 --> 00:34:21,439
Speaker 2: So you you're obsessed with watching people stock their fridge

808
00:34:21,480 --> 00:34:23,200
Speaker 2: right on TikTok? Yeah, let me show you what mental

809
00:34:23,200 --> 00:34:25,400
Speaker 2: health comes in. Is your fridge stocked?

810
00:34:25,920 --> 00:34:26,120
Speaker 3: Yeah?

811
00:34:26,280 --> 00:34:30,400
Speaker 8: Not as clean as you ask, not the way that

812
00:34:30,920 --> 00:34:33,759
Speaker 8: theirs are like they organize it like everything is just

813
00:34:33,840 --> 00:34:36,920
Speaker 8: it's it's insane, like it's so dope, like they'll restock

814
00:34:36,960 --> 00:34:39,279
Speaker 8: their strawberries, they'll wash it off, all those things. It's

815
00:34:39,360 --> 00:34:42,000
Speaker 8: very interesting to watch, No, it doesn't make any sense. Instead,

816
00:34:42,000 --> 00:34:44,480
Speaker 8: if they're watching hours of those videos will make you

817
00:34:44,520 --> 00:34:46,280
Speaker 8: think like, oh, this person must be crazy.

818
00:34:46,560 --> 00:34:47,120
Speaker 3: But I don't know.

819
00:34:47,200 --> 00:34:49,360
Speaker 4: I think you have to be addicted to something to understand.

820
00:34:49,400 --> 00:34:51,759
Speaker 3: Just go buy some who might it all?

821
00:34:51,800 --> 00:34:53,480
Speaker 1: Because I you know, at one point I was addicted

822
00:34:53,520 --> 00:34:58,360
Speaker 1: to Law and Order SVU hours upon just like she

823
00:34:58,480 --> 00:35:00,520
Speaker 1: was raped and pistol in the parking lot, and I'm like,

824
00:35:00,640 --> 00:35:01,680
Speaker 1: I can't wait for the next episode.

825
00:35:01,680 --> 00:35:04,200
Speaker 3: I wonder what Livy's gonna do? Yeah, that she was,

826
00:35:04,560 --> 00:35:06,880
Speaker 3: so are we gonna blame the abuser like the or

827
00:35:06,880 --> 00:35:10,759
Speaker 3: the creator? We got people like Damarius, who I would

828
00:35:11,160 --> 00:35:12,440
Speaker 3: be considered creator.

829
00:35:12,840 --> 00:35:14,759
Speaker 1: Is this a chicken and egg theory that you're getting.

830
00:35:14,680 --> 00:35:18,359
Speaker 3: Kind of look at Damarus so good?

831
00:35:18,960 --> 00:35:20,319
Speaker 4: Oh thank you?

832
00:35:22,760 --> 00:35:25,759
Speaker 7: And then here I am being a user sending her

833
00:35:25,800 --> 00:35:36,400
Speaker 7: hot chili wait wait wait ed schils hot.

834
00:35:34,600 --> 00:35:37,359
Speaker 4: Chili peppers hot, so Eden, I went turned out.

835
00:35:38,680 --> 00:35:41,680
Speaker 2: Eden. I don't feel like you lost some brains.

836
00:35:42,200 --> 00:35:45,319
Speaker 8: So that wasn't I wasn't. That wasn't why I went live.

837
00:35:45,360 --> 00:35:47,719
Speaker 8: I went live because I was doing a pickle challenge

838
00:35:48,080 --> 00:35:50,640
Speaker 8: with Alex. And in the pickle challenge when I was

839
00:35:50,680 --> 00:35:52,839
Speaker 8: on there, Eden went on there and started sending me

840
00:35:53,239 --> 00:35:55,560
Speaker 8: stuff to get me to act like an NPC character.

841
00:35:55,880 --> 00:35:57,600
Speaker 4: So I started doing it just for fun.

842
00:35:57,640 --> 00:35:59,440
Speaker 1: The best five dollars I ever spent, I want to

843
00:35:59,480 --> 00:36:01,719
Speaker 1: effect for all. Well, it's not what it looks like.

844
00:36:01,719 --> 00:36:05,000
Speaker 1: I was doing a pickle challenge. Come on, I wasn't

845
00:36:05,040 --> 00:36:05,960
Speaker 1: doing that crazy stuff.

846
00:36:06,239 --> 00:36:06,319
Speaker 2: No.

847
00:36:06,440 --> 00:36:09,200
Speaker 8: Well, it's a really really big pickle that you like

848
00:36:09,360 --> 00:36:12,319
Speaker 8: gut out and you stuff it with like candy and

849
00:36:12,520 --> 00:36:16,160
Speaker 8: hot chips and all types of ship that's like teenagers eat.

850
00:36:16,400 --> 00:36:18,719
Speaker 8: So I made Alex, I got dared to do it,

851
00:36:18,760 --> 00:36:20,960
Speaker 8: and me and Alex did it for TikTok.

852
00:36:21,200 --> 00:36:24,000
Speaker 3: I sent her fifty ice cream comes play the audio.

853
00:36:24,280 --> 00:36:27,040
Speaker 1: He was just so, this is what this was the

854
00:36:27,080 --> 00:36:29,640
Speaker 1: last time we all read a book she read.

855
00:36:30,400 --> 00:36:31,919
Speaker 4: I just read. I read books daily.

856
00:36:31,960 --> 00:36:32,680
Speaker 1: I met a real book.

857
00:36:33,000 --> 00:36:34,920
Speaker 4: I read real books daily.

858
00:36:35,560 --> 00:36:38,400
Speaker 3: You just don't. Yeah, this is uh, I'm just uh,

859
00:36:38,960 --> 00:36:42,200
Speaker 3: you're empowering that mall. How I know she got your

860
00:36:42,200 --> 00:36:42,719
Speaker 3: hoodie on.

861
00:36:44,680 --> 00:36:49,440
Speaker 1: It was we are affiliated to all of that small yeah, smallanggang.

862
00:36:50,280 --> 00:36:53,640
Speaker 2: Please don't ever say that that's a new drop. Listen, man,

863
00:36:53,840 --> 00:36:56,560
Speaker 2: I get it all this, you know social media, and

864
00:36:56,800 --> 00:36:59,640
Speaker 2: you know it's just certain ship that I'm just like,

865
00:37:00,160 --> 00:37:03,720
Speaker 2: I feel like we could be doing so much better

866
00:37:04,560 --> 00:37:07,520
Speaker 2: without time than to be sitting there yelling at it

867
00:37:08,040 --> 00:37:13,160
Speaker 2: out screen saying oh yeah popcorn, yesang clip it gang.

868
00:37:15,560 --> 00:37:20,600
Speaker 8: Yes, that's her job, Like this is she paid a

869
00:37:20,719 --> 00:37:24,160
Speaker 8: lot of to do that, the same way that you

870
00:37:24,200 --> 00:37:26,839
Speaker 8: get paid a lot of money to sit here and

871
00:37:27,000 --> 00:37:30,040
Speaker 8: talk about ship. So like, I'm sure that there's others

872
00:37:30,120 --> 00:37:32,600
Speaker 8: Nobo being serious, I'm sure that there are people who

873
00:37:32,640 --> 00:37:34,680
Speaker 8: sit and look at podcasts and be like, there's more

874
00:37:34,719 --> 00:37:36,600
Speaker 8: productive things we could be doing with our time than

875
00:37:36,640 --> 00:37:39,360
Speaker 8: sitting and talking about Will Smith getting his ass rammed.

876
00:37:39,760 --> 00:37:41,080
Speaker 1: But I say the same thing.

877
00:37:41,160 --> 00:37:43,239
Speaker 3: I mean, not wrong, not wrong there yet.

878
00:37:43,280 --> 00:37:46,240
Speaker 1: Yeah, this is coming from like a higher moral standard.

879
00:37:46,280 --> 00:37:48,080
Speaker 1: I think we're all nuts. Just I don't know if

880
00:37:48,080 --> 00:37:49,360
Speaker 1: this is helping.

881
00:37:50,000 --> 00:37:52,759
Speaker 2: That's just like a different level of mentuellness. This is

882
00:37:52,760 --> 00:37:54,600
Speaker 2: what we do for a living is mentuellth do.

883
00:37:54,520 --> 00:37:59,400
Speaker 3: You guys remember uh back of the day, Chatrolette or Omegle. Yeah,

884
00:37:59,800 --> 00:38:02,879
Speaker 3: so that just I think I believe it was last

885
00:38:02,880 --> 00:38:06,400
Speaker 3: week o Mego officially shut down after fourteen years damn.

886
00:38:07,719 --> 00:38:10,680
Speaker 3: But I feel like this era omegal and Charrolette was

887
00:38:10,719 --> 00:38:13,640
Speaker 3: like the early onset days of NPC, like streaming, not

888
00:38:13,760 --> 00:38:15,840
Speaker 3: NPC per se, but just live streaming.

889
00:38:15,480 --> 00:38:17,319
Speaker 1: In two thousand and nine was fourteen years ago.

890
00:38:17,480 --> 00:38:20,480
Speaker 3: Yeah, yeah, math So for those who don't remember, Charrolette

891
00:38:20,520 --> 00:38:23,680
Speaker 3: Omega were sites where you click on it would just

892
00:38:23,719 --> 00:38:26,440
Speaker 3: be your camera would be live and it would just

893
00:38:26,560 --> 00:38:29,840
Speaker 3: randomize people and you can just stream live stream of

894
00:38:29,880 --> 00:38:32,040
Speaker 3: people across the world, and it usually just came down

895
00:38:32,080 --> 00:38:34,480
Speaker 3: to a lot of men beating off, yeah, and a

896
00:38:34,480 --> 00:38:38,080
Speaker 3: lot of like, you know, kids or whatever. But it

897
00:38:38,200 --> 00:38:40,120
Speaker 3: was an era. I think all that was the earliest

898
00:38:40,200 --> 00:38:43,759
Speaker 3: version of what we're currently seeing on TikTok and all that. Yeah,

899
00:38:43,840 --> 00:38:46,640
Speaker 3: Towerlette does still exist, Okay, yeah, yeah, I.

900
00:38:46,560 --> 00:38:48,799
Speaker 1: Mean it's really Nastre's fault. At the end of the day,

901
00:38:48,640 --> 00:38:51,240
Speaker 1: what do you say that it's file sharing just started.

902
00:38:51,280 --> 00:38:55,040
Speaker 1: All of this being able to share files with strangers ruined.

903
00:38:54,760 --> 00:38:58,280
Speaker 3: The naster LimeWire frost wire. Yeah, Soldier boy made it popular.

904
00:38:58,920 --> 00:39:01,320
Speaker 1: Well, I mean he didn't been the Internet with Al Gore.

905
00:39:01,560 --> 00:39:04,839
Speaker 1: But Soldier Boy million dollars for a verse?

906
00:39:04,880 --> 00:39:05,040
Speaker 3: Now?

907
00:39:06,320 --> 00:39:06,919
Speaker 1: Is that what I read?

908
00:39:07,040 --> 00:39:07,839
Speaker 3: Yeah? He did say that.

909
00:39:07,920 --> 00:39:08,440
Speaker 2: You read that.

910
00:39:10,080 --> 00:39:14,359
Speaker 1: Would in between my popcorn Popcorn Ganggang. I did read

911
00:39:14,360 --> 00:39:14,920
Speaker 1: that headline.

912
00:39:15,680 --> 00:39:17,600
Speaker 2: Who's paying Soldier Boy million dollars for a verse?

913
00:39:17,760 --> 00:39:18,759
Speaker 1: What's the ROI on that?

914
00:39:19,640 --> 00:39:22,040
Speaker 2: I don't know. A million dollars has to be terrible.

915
00:39:22,360 --> 00:39:24,720
Speaker 1: Listen, six to nine paid Kodak Black a million dollars,

916
00:39:24,719 --> 00:39:25,640
Speaker 1: got no ROI on that.

917
00:39:25,680 --> 00:39:26,960
Speaker 3: I thought it was two million.

918
00:39:28,280 --> 00:39:28,760
Speaker 1: For Kodak.

919
00:39:28,800 --> 00:39:29,600
Speaker 2: I think it was a million.

920
00:39:30,040 --> 00:39:32,120
Speaker 3: Yeah, huh.

921
00:39:33,520 --> 00:39:35,720
Speaker 1: Kodak looked like he was writing that whole situation one million.

922
00:39:36,320 --> 00:39:37,880
Speaker 1: The song did absolutely nothing.

923
00:39:39,280 --> 00:39:39,400
Speaker 7: Like.

924
00:39:39,440 --> 00:39:41,360
Speaker 2: That's why I don't think he was right.

925
00:39:42,640 --> 00:39:45,080
Speaker 1: Just to take the mill and then just him on

926
00:39:45,080 --> 00:39:45,439
Speaker 1: the song.

927
00:39:45,960 --> 00:39:49,920
Speaker 2: You can't, man, you just moral's not for sale?

928
00:39:49,960 --> 00:39:52,040
Speaker 3: Man, I mean, I don't know. A million dollars sounds

929
00:39:52,080 --> 00:39:54,520
Speaker 3: kind of nice. Looks like a updated on six nine

930
00:39:54,560 --> 00:39:56,840
Speaker 3: looks like he was recently detained in the DR for

931
00:39:57,320 --> 00:39:59,200
Speaker 3: assaulting music producers.

932
00:40:00,280 --> 00:40:02,040
Speaker 1: Is he still locked up? I thought that was a skit.

933
00:40:02,680 --> 00:40:05,000
Speaker 2: No, that was real. Okay, that wasn't a juicy bit.

934
00:40:05,680 --> 00:40:08,279
Speaker 1: I thought it was no so what do you do?

935
00:40:08,320 --> 00:40:10,280
Speaker 1: He beat up a.

936
00:40:10,920 --> 00:40:13,920
Speaker 2: Yeah, he ran up in the studio. I think a

937
00:40:14,000 --> 00:40:17,760
Speaker 2: girl that I think he was dating, a producer, somebody

938
00:40:18,080 --> 00:40:20,919
Speaker 2: I don't know. He ran up in there. They beat

939
00:40:21,600 --> 00:40:24,160
Speaker 2: him and his crew beat up some producers, and I

940
00:40:24,280 --> 00:40:25,520
Speaker 2: thought that they were going to get on a flight

941
00:40:25,560 --> 00:40:28,160
Speaker 2: and leave the R and police was like, no, no, no, no,

942
00:40:28,200 --> 00:40:29,680
Speaker 2: You're were wonderful assault.

943
00:40:29,880 --> 00:40:31,560
Speaker 1: Usually that goes the other way. You assault someone in

944
00:40:31,640 --> 00:40:40,120
Speaker 1: America and go to d R. Yeah, Benzino alert, he's

945
00:40:40,120 --> 00:40:43,520
Speaker 1: back at it. I thought you could silence the source God,

946
00:40:43,680 --> 00:40:44,640
Speaker 1: and you cannot more.

947
00:40:45,440 --> 00:40:46,040
Speaker 2: I'm not trying.

948
00:40:46,120 --> 00:40:50,560
Speaker 1: I know you were trying, but Benzino will not be silenced.

949
00:40:50,600 --> 00:40:54,520
Speaker 2: Listen, man, I I understand Benzino in this situation and

950
00:40:54,520 --> 00:40:58,600
Speaker 2: give us some context. So Bizino called out busting rhymes,

951
00:40:58,800 --> 00:41:02,640
Speaker 2: uh for Core his daughter Coler being half naked in

952
00:41:02,680 --> 00:41:06,040
Speaker 2: their music video. He said that, uh, he felt like

953
00:41:06,040 --> 00:41:10,160
Speaker 2: Buster should have reached out to him and I guess

954
00:41:10,160 --> 00:41:13,759
Speaker 2: spoke to him about shooting the video or whatever. I

955
00:41:13,840 --> 00:41:19,399
Speaker 2: understand Benzino's stance. He's he's just being a dad, He's

956
00:41:19,440 --> 00:41:23,640
Speaker 2: being a father. He obviously he knows, you know, the

957
00:41:23,760 --> 00:41:26,080
Speaker 2: dangers in the industry. And the things that go on,

958
00:41:26,160 --> 00:41:29,440
Speaker 2: the things that happens, and I just think he's trying

959
00:41:29,480 --> 00:41:32,600
Speaker 2: to protect his daughter as best as he can from that.

960
00:41:33,040 --> 00:41:37,799
Speaker 2: Coy is obviously, you know, aesthetically, she's very you know,

961
00:41:37,840 --> 00:41:40,600
Speaker 2: comfortable with a body. She dresses very you know, sexy,

962
00:41:40,719 --> 00:41:44,360
Speaker 2: She wears you know, things that just show her her figure,

963
00:41:44,400 --> 00:41:46,600
Speaker 2: and it's it's probably hard for dad to see his

964
00:41:46,719 --> 00:41:52,080
Speaker 2: daughter on the internet like that in videos dressed like that,

965
00:41:52,960 --> 00:41:56,680
Speaker 2: especially when he's around, when she's around guys that Benzino

966
00:41:56,760 --> 00:41:59,000
Speaker 2: is probably the same age as and they know each other,

967
00:41:59,120 --> 00:42:01,799
Speaker 2: and he just knows how this industry is. He knows

968
00:42:01,840 --> 00:42:03,280
Speaker 2: grown men are looking at his daughter.

969
00:42:04,400 --> 00:42:06,560
Speaker 1: But she's been half naked for quite some time. It's

970
00:42:06,600 --> 00:42:09,759
Speaker 1: been years, Like yeah, every video that she's done, for

971
00:42:09,800 --> 00:42:13,200
Speaker 1: the most part, Instagram, Socials, Live Show.

972
00:42:13,280 --> 00:42:13,440
Speaker 2: Yeah.

973
00:42:13,480 --> 00:42:15,840
Speaker 1: But I think this is just the video with Buster

974
00:42:16,120 --> 00:42:17,680
Speaker 1: is now where we're drawing the line.

975
00:42:17,719 --> 00:42:19,319
Speaker 2: Not draw the line. But I think he just feels

976
00:42:19,360 --> 00:42:22,960
Speaker 2: like Buster should have, you know, just reached out to

977
00:42:23,000 --> 00:42:24,480
Speaker 2: him like yo, you know, me and Corey shooting the

978
00:42:24,560 --> 00:42:28,080
Speaker 2: video for the record, whatever, you know. I just feel

979
00:42:28,080 --> 00:42:30,920
Speaker 2: like he you know, he's in a tough I understand

980
00:42:30,920 --> 00:42:31,840
Speaker 2: he's in a tough spot.

981
00:42:31,880 --> 00:42:32,040
Speaker 3: Man.

982
00:42:32,120 --> 00:42:34,920
Speaker 2: His daughter is is a grown woman. Now, she's sexy,

983
00:42:35,400 --> 00:42:39,000
Speaker 2: she's beautiful. Uh you know, men are around her, men

984
00:42:39,120 --> 00:42:42,080
Speaker 2: want her. It's just a tough spot for dad to

985
00:42:42,160 --> 00:42:44,760
Speaker 2: be in. And especially when you talk about the industry

986
00:42:44,800 --> 00:42:48,040
Speaker 2: that he came up in and he knows the nasty

987
00:42:48,080 --> 00:42:50,399
Speaker 2: shit that goes on and how you know, grown men

988
00:42:50,440 --> 00:42:53,640
Speaker 2: will you know, hover over a young girl.

989
00:42:53,880 --> 00:42:58,120
Speaker 1: I mean, I could see if they were like really

990
00:42:58,200 --> 00:42:59,960
Speaker 1: dancing with each other in the video or even whole

991
00:43:00,120 --> 00:43:04,760
Speaker 1: each other like Ja ruin j Lo. They're they're playing

992
00:43:04,800 --> 00:43:09,759
Speaker 1: fucking hopscotch together and ship like Patty Cake, whatever the fuck.

993
00:43:09,960 --> 00:43:12,000
Speaker 2: But don't do that, R because if you if Amar

994
00:43:12,120 --> 00:43:14,680
Speaker 2: grows up to be an amazing artist and she's beautiful

995
00:43:14,719 --> 00:43:19,560
Speaker 2: and she's wearing you know, very revealing things, and she

996
00:43:19,680 --> 00:43:24,680
Speaker 2: does a song with I don't know, Reason, okay, and

997
00:43:24,800 --> 00:43:27,759
Speaker 2: Reason hopefully he's still in the industry. Hopefully that's and

998
00:43:27,960 --> 00:43:30,359
Speaker 2: and and and and and Reason is doing the verse

999
00:43:30,480 --> 00:43:35,560
Speaker 2: on Amar's record, and Reason doesn't call you and say, yo,

1000
00:43:35,680 --> 00:43:38,840
Speaker 2: I'm doing a video with your daughter. So I'm just

1001
00:43:38,880 --> 00:43:40,040
Speaker 2: giving you the heads up, like.

1002
00:43:41,600 --> 00:43:44,800
Speaker 1: Number one to kind of kill that scenario. I would

1003
00:43:44,880 --> 00:43:46,560
Speaker 1: know and VI it.

1004
00:43:46,600 --> 00:43:50,759
Speaker 3: All right, Ry see like you can. But Tamar's point

1005
00:43:50,840 --> 00:43:54,960
Speaker 3: is if it's someone that's currently your daughter, your pel.

1006
00:43:54,480 --> 00:43:56,960
Speaker 1: Yeah, I think I think the problem is here that

1007
00:43:57,000 --> 00:43:59,480
Speaker 1: Benzino did not know that his daughter had a video

1008
00:43:59,480 --> 00:44:04,040
Speaker 1: shoot with Buster Rhymes. Why why is it responsibility to

1009
00:44:04,120 --> 00:44:06,520
Speaker 1: call Benzino, let him know about his daughter.

1010
00:44:06,600 --> 00:44:08,040
Speaker 2: Let me take that, let me take that card out

1011
00:44:08,040 --> 00:44:08,359
Speaker 2: your hands.

1012
00:44:08,400 --> 00:44:10,680
Speaker 1: Reason is not gonna call me about anything Omar related

1013
00:44:10,760 --> 00:44:11,480
Speaker 1: because I'm gonna know.

1014
00:44:11,719 --> 00:44:13,719
Speaker 2: Okay, but okay, let's take that card out your hand.

1015
00:44:13,760 --> 00:44:16,360
Speaker 2: Let's say that you and tomorrow, for whatever reason, she

1016
00:44:16,480 --> 00:44:18,760
Speaker 2: becomes a young woman, and y'all kind of just are.

1017
00:44:18,640 --> 00:44:21,600
Speaker 1: Like, I'm not gonna go on love and hip hop

1018
00:44:21,680 --> 00:44:24,120
Speaker 1: or partner with Dave Mays. There's there's nothing that's straight

1019
00:44:24,160 --> 00:44:25,120
Speaker 1: in our relationship.

1020
00:44:25,480 --> 00:44:26,040
Speaker 4: Or you're not.

1021
00:44:28,000 --> 00:44:29,960
Speaker 2: You can't you can't do that. You can't do that.

1022
00:44:30,000 --> 00:44:30,120
Speaker 6: Bro.

1023
00:44:30,160 --> 00:44:31,640
Speaker 2: You got to understand as a father, you got to

1024
00:44:31,680 --> 00:44:34,279
Speaker 2: understand whatere Bisino's coming from. No matter what, Corey is

1025
00:44:34,280 --> 00:44:36,560
Speaker 2: a grown woman, twenty six year old wman, grown woman.

1026
00:44:36,760 --> 00:44:39,640
Speaker 2: But that's still in forever going to be his little girl,

1027
00:44:39,719 --> 00:44:40,280
Speaker 2: his daughter.

1028
00:44:40,080 --> 00:44:41,960
Speaker 1: Of course. But do we even know Buster Rhymes and

1029
00:44:42,000 --> 00:44:42,799
Speaker 1: Benzino speak.

1030
00:44:43,400 --> 00:44:44,960
Speaker 2: No, I'm not saying I'm not saying we know that

1031
00:44:45,040 --> 00:44:47,600
Speaker 2: I'm not I'm not saying I'm not I'm not saying

1032
00:44:47,600 --> 00:44:49,520
Speaker 2: that Buster should have did anything he should have called.

1033
00:44:49,560 --> 00:44:53,239
Speaker 2: I'm just saying I understand ben Zino's standpoint in it.

1034
00:44:53,239 --> 00:44:56,879
Speaker 2: It's just like, Yo, this is my my daughter's my baby. Yes,

1035
00:44:57,000 --> 00:45:00,439
Speaker 2: she's a grown woman. Yes she's attractive, she's beautiful. Yes,

1036
00:45:00,560 --> 00:45:04,000
Speaker 2: men are gonna want her. But he knows also like, yo,

1037
00:45:04,120 --> 00:45:06,799
Speaker 2: the industry is nasty, and it's like these men that

1038
00:45:06,840 --> 00:45:10,240
Speaker 2: are my age are around my daughter now have access

1039
00:45:10,239 --> 00:45:12,200
Speaker 2: to my daughter. Like some of them I may have

1040
00:45:12,239 --> 00:45:14,360
Speaker 2: a relationship with, I feel like they should hit me

1041
00:45:14,360 --> 00:45:16,080
Speaker 2: and be like, Yo, listen, you know me and your daughter.

1042
00:45:16,200 --> 00:45:18,200
Speaker 2: But she's all good, she's safe, Like I'm making sure

1043
00:45:18,640 --> 00:45:20,600
Speaker 2: you know she's straight, like nobody. You know what I'm saying.

1044
00:45:20,600 --> 00:45:23,400
Speaker 2: It's nothing but respect on the set, like just something

1045
00:45:23,440 --> 00:45:25,399
Speaker 2: like that, to where it's like, you know, I don't

1046
00:45:25,400 --> 00:45:27,399
Speaker 2: want to just see a dude that's my peers pop

1047
00:45:27,480 --> 00:45:29,560
Speaker 2: up with the video and then my daughter's running around

1048
00:45:29,560 --> 00:45:30,160
Speaker 2: in the video with.

1049
00:45:30,200 --> 00:45:33,280
Speaker 1: I can't be more scared of her peers, not my peers.

1050
00:45:33,400 --> 00:45:35,319
Speaker 4: Can we well, first of all, can we confirm that

1051
00:45:35,360 --> 00:45:37,440
Speaker 4: this is coy song and it's not.

1052
00:45:37,520 --> 00:45:40,360
Speaker 1: Bus Buster Himes featuring. And we know Bus is very

1053
00:45:40,440 --> 00:45:42,840
Speaker 1: much involved in his videos, But at no point do

1054
00:45:42,920 --> 00:45:45,680
Speaker 1: I think Buster Rhymes had any say in what Coiler

1055
00:45:45,760 --> 00:45:46,400
Speaker 1: Ray was wearing.

1056
00:45:46,760 --> 00:45:48,239
Speaker 3: I'm style or I'm not saying that.

1057
00:45:48,440 --> 00:45:50,400
Speaker 2: I'm not saying that. I'm just saying I understand what

1058
00:45:50,440 --> 00:45:53,480
Speaker 2: Benzino is alluding to, Like Yo, like, damn, bro, Like

1059
00:45:53,520 --> 00:45:56,239
Speaker 2: you can't just hit me and just you know, let

1060
00:45:56,280 --> 00:45:58,760
Speaker 2: me know, Like, Yo, listen, I'm you know, I'm shooting

1061
00:45:58,760 --> 00:46:00,839
Speaker 2: with your daughter today, but you to know, listen, bro,

1062
00:46:00,880 --> 00:46:04,359
Speaker 2: everything is professionals. You know, she's taking care of her

1063
00:46:04,360 --> 00:46:04,760
Speaker 2: like everything.

1064
00:46:04,960 --> 00:46:08,040
Speaker 1: That would clean Still if Pleason text me twenty years

1065
00:46:08,080 --> 00:46:10,839
Speaker 1: from now on a video shoot with Lamara and was like, Yo,

1066
00:46:10,920 --> 00:46:12,640
Speaker 1: just let you know I'm shooting with Toma day, gonna

1067
00:46:12,719 --> 00:46:14,799
Speaker 1: keep it professional, I'd call him like he'd be like, well,

1068
00:46:14,840 --> 00:46:15,719
Speaker 1: what the fuck you talk about?

1069
00:46:15,719 --> 00:46:16,160
Speaker 3: You creep?

1070
00:46:16,320 --> 00:46:16,680
Speaker 4: Yeah what?

1071
00:46:16,760 --> 00:46:16,920
Speaker 5: Yeah?

1072
00:46:17,160 --> 00:46:19,600
Speaker 2: You mean no, But I'm just saying because you know.

1073
00:46:19,960 --> 00:46:21,160
Speaker 1: Or for putting this on your gym.

1074
00:46:21,200 --> 00:46:23,040
Speaker 2: You know how videos, you know how video shoots can get.

1075
00:46:23,080 --> 00:46:24,520
Speaker 2: It's not just the artists around it.

1076
00:46:24,800 --> 00:46:26,200
Speaker 1: People a fortieth music video.

1077
00:46:26,280 --> 00:46:28,480
Speaker 2: Yeah, but what I'm saying is is people around the set.

1078
00:46:28,480 --> 00:46:31,040
Speaker 2: There's other people on the set, like and if you.

1079
00:46:31,000 --> 00:46:36,040
Speaker 1: Have Ifna security her team like Busters, not who that

1080
00:46:36,719 --> 00:46:40,280
Speaker 1: should come from or who I'm looking to to protect

1081
00:46:40,400 --> 00:46:42,160
Speaker 1: or be around. Talk about the team that's around Coy

1082
00:46:42,160 --> 00:46:43,960
Speaker 1: at all times. That's always around her when she's half

1083
00:46:44,040 --> 00:46:46,880
Speaker 1: naked with her at the club, whether at photo shoots,

1084
00:46:47,080 --> 00:46:49,360
Speaker 1: where they're at video shoots, where they're at label meetings.

1085
00:46:49,360 --> 00:46:51,160
Speaker 1: So you say, those people are the people I want

1086
00:46:51,200 --> 00:46:52,680
Speaker 1: to speak to because they know what's going on. So

1087
00:46:52,719 --> 00:46:54,680
Speaker 1: you must to showing up to do a shoot now.

1088
00:46:54,840 --> 00:46:56,719
Speaker 2: So you're saying, as a father, you don't see where

1089
00:46:56,719 --> 00:46:58,240
Speaker 2: Mizzino's coming from.

1090
00:46:58,280 --> 00:47:01,880
Speaker 1: Not in regards to Buster Rhymes owing him a call

1091
00:47:01,960 --> 00:47:04,280
Speaker 1: about keeping it professional, because I think that's weird.

1092
00:47:04,880 --> 00:47:06,839
Speaker 3: I mean, yeah, and it goes half and a half

1093
00:47:06,880 --> 00:47:09,120
Speaker 3: because of the fact that he's mentioned that Koy was

1094
00:47:09,160 --> 00:47:09,880
Speaker 3: half naked.

1095
00:47:09,680 --> 00:47:12,319
Speaker 1: Out they were in the video, like they're touching on

1096
00:47:12,360 --> 00:47:15,200
Speaker 1: each other and shit, it's a little different.

1097
00:47:15,000 --> 00:47:16,040
Speaker 2: Y, but Buster wouldn't do that.

1098
00:47:16,239 --> 00:47:18,879
Speaker 8: Yeah, I agree, called her like Nie or something or yeah,

1099
00:47:18,920 --> 00:47:20,880
Speaker 8: something like that. And one of the songs, one of

1100
00:47:20,880 --> 00:47:24,920
Speaker 8: the lyrics it was like something like wholesome and like,

1101
00:47:25,000 --> 00:47:28,080
Speaker 8: you know, guardian like, but I don't know.

1102
00:47:29,480 --> 00:47:32,560
Speaker 1: I think it's a weird conversation to put that on

1103
00:47:32,640 --> 00:47:36,480
Speaker 1: Buster Rhymes, to be quite honest, if it was her

1104
00:47:36,480 --> 00:47:40,719
Speaker 1: first video ever, yeah, sure, that's a little different. But

1105
00:47:40,800 --> 00:47:42,439
Speaker 1: she's been in this business for a couple of years

1106
00:47:42,520 --> 00:47:45,759
Speaker 1: now and has been more naked than she was in

1107
00:47:45,760 --> 00:47:48,359
Speaker 1: this video around plenty of people, and I think her

1108
00:47:48,360 --> 00:47:52,719
Speaker 1: peers are probably way creepier than people that Benzeno is

1109
00:47:52,800 --> 00:47:57,319
Speaker 1: cool with. M I'm saying toay, his daughter, you don't know.

1110
00:47:57,880 --> 00:47:59,239
Speaker 1: I'm sure there's creeps, so.

1111
00:47:59,239 --> 00:48:01,200
Speaker 2: You don't so you don't do't see where Baizino's coming from.

1112
00:48:01,560 --> 00:48:03,880
Speaker 1: In regards to Buster Rhymes having to call him about that.

1113
00:48:04,000 --> 00:48:06,200
Speaker 3: No, okay. In terms of his daughter, I'm sure he

1114
00:48:06,239 --> 00:48:07,879
Speaker 3: had like a daughter father.

1115
00:48:08,080 --> 00:48:10,759
Speaker 1: In regards to god h him like, yeah, I'm doing

1116
00:48:10,800 --> 00:48:12,920
Speaker 1: to shoot with Coy today.

1117
00:48:13,880 --> 00:48:14,160
Speaker 3: Cool.

1118
00:48:14,280 --> 00:48:16,759
Speaker 1: But like in regards to hey, your daughter's naked on set,

1119
00:48:17,000 --> 00:48:20,239
Speaker 1: it's a weird fucking text are called again, Yeah, got out,

1120
00:48:21,000 --> 00:48:23,120
Speaker 1: super weird, especially when her whole career has been that.

1121
00:48:24,520 --> 00:48:26,399
Speaker 1: As a father, I'd be like, this is an odd

1122
00:48:26,520 --> 00:48:27,919
Speaker 1: call and text message.

1123
00:48:27,880 --> 00:48:30,799
Speaker 3: Okay, But clearly that's what he wanted.

1124
00:48:33,000 --> 00:48:36,920
Speaker 2: I'm I understand it. I get it. I mean, I'm

1125
00:48:36,960 --> 00:48:39,680
Speaker 2: not saying it's Busta's fault. I'm not putting anything on Buster,

1126
00:48:39,880 --> 00:48:42,960
Speaker 2: but I understand the stance that Benzino's taken. And you know,

1127
00:48:43,040 --> 00:48:46,239
Speaker 2: he's been outspoken about the interview with Angie Martinez and Coy,

1128
00:48:47,680 --> 00:48:50,120
Speaker 2: you know, saying that they spending a false narrative that

1129
00:48:50,800 --> 00:48:53,000
Speaker 2: you know, he's he wasn't a good dad or you

1130
00:48:53,040 --> 00:48:56,000
Speaker 2: know whatever people are saying about his relationship with his daughter.

1131
00:48:57,600 --> 00:48:59,719
Speaker 2: I just think this is all connected to that, Like,

1132
00:48:59,800 --> 00:49:03,040
Speaker 2: you know, why does it feel like this is being

1133
00:49:03,120 --> 00:49:04,960
Speaker 2: pushed about me? Like I don't have a relationship with

1134
00:49:04,960 --> 00:49:07,000
Speaker 2: my daughter. I didn't take I didn't raise my daughter.

1135
00:49:07,040 --> 00:49:09,239
Speaker 2: I didn't give her the best life that I could.

1136
00:49:09,400 --> 00:49:12,200
Speaker 2: Like I understand, you know, Benzino is just feeling like, yo,

1137
00:49:12,440 --> 00:49:15,040
Speaker 2: I'm receiving a bad rep here with my daughter, who

1138
00:49:15,080 --> 00:49:16,959
Speaker 2: I love and care about. Like this is fucking weird.

1139
00:49:17,000 --> 00:49:19,279
Speaker 2: And I know what this industry does. It tries to

1140
00:49:19,400 --> 00:49:22,960
Speaker 2: pull families apart. It tries to pull daughters away from

1141
00:49:23,000 --> 00:49:23,560
Speaker 2: their fathers.

1142
00:49:23,680 --> 00:49:28,640
Speaker 8: Like but rhetoric like it's not like for yeah, like

1143
00:49:28,680 --> 00:49:31,160
Speaker 8: you mad at everybody else because of what your daughter

1144
00:49:31,280 --> 00:49:35,239
Speaker 8: has repeatedly said about you and y'all relationship, and.

1145
00:49:35,360 --> 00:49:37,920
Speaker 1: Zeno has to take some accountability because they went publicly

1146
00:49:38,040 --> 00:49:42,040
Speaker 1: back and forth for over a year. Right and even

1147
00:49:42,080 --> 00:49:45,200
Speaker 1: if it must hurt to hear your daughter say wild

1148
00:49:45,239 --> 00:49:47,239
Speaker 1: shit about you, especially if it isn't true, but you're

1149
00:49:47,320 --> 00:49:50,240
Speaker 1: also the adult and the parent, which means you should

1150
00:49:50,320 --> 00:49:52,799
Speaker 1: handle that privately, not do a year back and forth

1151
00:49:52,880 --> 00:49:54,280
Speaker 1: on Instagram with your daughter.

1152
00:49:55,200 --> 00:49:56,560
Speaker 4: Which kind of proves her point.

1153
00:49:56,640 --> 00:49:59,240
Speaker 1: Yeah, Like it made you look almost it gave validation

1154
00:49:59,320 --> 00:50:00,160
Speaker 1: to what she was saying.

1155
00:50:00,120 --> 00:50:01,480
Speaker 4: If you are such a great dad.

1156
00:50:01,600 --> 00:50:04,160
Speaker 8: Like if I just decided one day like I'm you

1157
00:50:04,239 --> 00:50:06,120
Speaker 8: know something my dad did traumatize me and I'm gonna

1158
00:50:06,120 --> 00:50:08,239
Speaker 8: start talking about it online. My father, because he's a

1159
00:50:08,239 --> 00:50:10,719
Speaker 8: good father, would never start attacking me online. He would

1160
00:50:11,080 --> 00:50:13,000
Speaker 8: call me and say, Yo, what the why are you

1161
00:50:13,080 --> 00:50:14,719
Speaker 8: out here lying? Like what the fuck is going on?

1162
00:50:15,600 --> 00:50:17,319
Speaker 8: You going back and forth for her on Instagram because

1163
00:50:17,320 --> 00:50:19,080
Speaker 8: that's probably the only way you could contact her because

1164
00:50:19,080 --> 00:50:20,360
Speaker 8: you're not in her life.

1165
00:50:20,560 --> 00:50:26,960
Speaker 1: Yeah, but I mean, realistically, I think YG should call me,

1166
00:50:27,120 --> 00:50:29,839
Speaker 1: like if he just sees if he sees my girl

1167
00:50:29,920 --> 00:50:31,560
Speaker 1: busting open on the pole and post it on IG.

1168
00:50:31,719 --> 00:50:33,479
Speaker 1: I feel like, HyG, you should shoot me a text

1169
00:50:33,719 --> 00:50:34,319
Speaker 1: before he posted.

1170
00:50:34,360 --> 00:50:35,399
Speaker 3: Don't think he should post it first.

1171
00:50:35,440 --> 00:50:38,800
Speaker 2: If your girls in a YG video shoot busting and

1172
00:50:38,920 --> 00:50:42,040
Speaker 2: did you leave a comment, say yo, like delete this.

1173
00:50:42,239 --> 00:50:43,200
Speaker 1: That's my baby mama.

1174
00:50:43,320 --> 00:50:44,359
Speaker 2: That's not your baby mama.

1175
00:50:44,440 --> 00:50:47,560
Speaker 3: Bro, it'll picture by the way, Yeah the picture picture's fine.

1176
00:50:48,200 --> 00:50:49,200
Speaker 1: That's not your baby mom.

1177
00:50:49,320 --> 00:50:53,160
Speaker 3: You spoke, that's not your baby. YG was focused. She's

1178
00:50:53,360 --> 00:50:53,920
Speaker 3: fine too.

1179
00:50:54,680 --> 00:50:56,560
Speaker 1: It not being your girls one thing, but that's also

1180
00:50:56,800 --> 00:50:58,960
Speaker 1: not the mother for your child anymore.

1181
00:50:59,040 --> 00:51:00,839
Speaker 2: Yeah, Like I don't kid that you had a baby

1182
00:51:00,880 --> 00:51:02,319
Speaker 2: with her. That is no longer your baby mother.

1183
00:51:02,480 --> 00:51:04,439
Speaker 1: That's a girl. You know that you have something in common.

1184
00:51:04,560 --> 00:51:06,160
Speaker 2: Yeah, yeah, I just did something together.

1185
00:51:06,440 --> 00:51:07,759
Speaker 1: I didn't feel like this was fake For those that

1186
00:51:07,840 --> 00:51:13,080
Speaker 1: don't know. YG posted a harmless photo IG of him

1187
00:51:13,120 --> 00:51:15,960
Speaker 1: next to a stripper holding her leg up with just

1188
00:51:16,000 --> 00:51:20,200
Speaker 1: doing what strippers do, and her alleged baby father commented

1189
00:51:20,360 --> 00:51:22,279
Speaker 1: and said, please delete this. This is my baby mother.

1190
00:51:22,480 --> 00:51:25,439
Speaker 1: Then posted a video which I believe was in a park,

1191
00:51:26,160 --> 00:51:30,080
Speaker 1: which was weird, like go find your kid.

1192
00:51:30,080 --> 00:51:32,280
Speaker 2: Take this down now.

1193
00:51:32,840 --> 00:51:35,279
Speaker 1: And was like yo, y gee from a real one

1194
00:51:35,360 --> 00:51:36,840
Speaker 1: to another real one like, I just need you to

1195
00:51:36,920 --> 00:51:42,279
Speaker 1: take them down, which I think is fake. There's no

1196
00:51:42,400 --> 00:51:45,520
Speaker 1: way a guy really from one real one to another. YG,

1197
00:51:45,760 --> 00:51:46,239
Speaker 1: take that down.

1198
00:51:46,320 --> 00:51:47,200
Speaker 2: That's not a real move.

1199
00:51:48,320 --> 00:51:51,560
Speaker 3: Okay, but say it is real, say it is real.

1200
00:51:52,800 --> 00:51:56,959
Speaker 3: Bomb them, so say this isn't fake? Okay? Would would

1201
00:51:57,040 --> 00:52:00,480
Speaker 3: you out of respect for someone? No, clearly he doesn't

1202
00:52:00,520 --> 00:52:03,160
Speaker 3: relationship with this guy, would you take no?

1203
00:52:03,960 --> 00:52:04,000
Speaker 4: No?

1204
00:52:04,840 --> 00:52:05,440
Speaker 3: No, no?

1205
00:52:06,320 --> 00:52:07,399
Speaker 2: Why would I take that down?

1206
00:52:07,480 --> 00:52:08,760
Speaker 3: Like, I don't know it's a fire picture.

1207
00:52:08,880 --> 00:52:10,960
Speaker 2: I don't know you or her, Like the picture is

1208
00:52:11,000 --> 00:52:11,359
Speaker 2: just dope.

1209
00:52:11,840 --> 00:52:14,840
Speaker 1: If she said take it down, cool, that's different. But

1210
00:52:14,960 --> 00:52:18,279
Speaker 1: if some some guy, no, it's up there. I mean

1211
00:52:18,320 --> 00:52:20,040
Speaker 1: posting a stripper in general is a little odd. But

1212
00:52:20,080 --> 00:52:22,000
Speaker 1: he's a rapper, so I guess they get past them.

1213
00:52:22,920 --> 00:52:23,120
Speaker 3: Yeah.

1214
00:52:23,560 --> 00:52:25,600
Speaker 2: And of the look like they was at was that

1215
00:52:25,640 --> 00:52:26,239
Speaker 2: a strip club?

1216
00:52:26,400 --> 00:52:28,239
Speaker 1: It looks more like a private like a video.

1217
00:52:28,280 --> 00:52:31,440
Speaker 3: Well that that poll is not attached to a seedling, it's.

1218
00:52:31,280 --> 00:52:31,839
Speaker 1: Probably a video.

1219
00:52:32,600 --> 00:52:33,160
Speaker 3: That's pretty ill.

1220
00:52:33,280 --> 00:52:35,120
Speaker 1: And if it's a video, shoot, I'm definitely not taking it.

1221
00:52:35,320 --> 00:52:37,200
Speaker 3: No, so many hands on that pole.

1222
00:52:37,280 --> 00:52:40,239
Speaker 4: It's the way he looking at her, It's the way

1223
00:52:40,280 --> 00:52:44,720
Speaker 4: he looking like I'm looking to don't worry. He looks amazing.

1224
00:52:45,000 --> 00:52:45,160
Speaker 3: Mind.

1225
00:52:45,520 --> 00:52:47,279
Speaker 1: He might have been just minding his business. He could

1226
00:52:47,280 --> 00:52:47,960
Speaker 1: be looking past her.

1227
00:52:48,080 --> 00:52:50,120
Speaker 2: Yeah, he might not even be looking the way that

1228
00:52:50,200 --> 00:52:51,120
Speaker 2: angle of that picture is.

1229
00:52:51,160 --> 00:52:52,680
Speaker 1: He might not even looking at looking at the crafty

1230
00:52:52,760 --> 00:52:54,600
Speaker 1: table for snacks or.

1231
00:52:54,640 --> 00:52:56,080
Speaker 2: The option just walked in one or the other.

1232
00:52:56,320 --> 00:53:01,680
Speaker 3: Yeah, the options show. You heard, you heard me kill

1233
00:53:01,960 --> 00:53:02,720
Speaker 3: She is the snack.

1234
00:53:03,480 --> 00:53:04,360
Speaker 2: She is the snack.

1235
00:53:04,560 --> 00:53:08,040
Speaker 1: You don't be giving it up. No, I'm not taking

1236
00:53:08,120 --> 00:53:09,719
Speaker 1: anything down because some guy.

1237
00:53:09,840 --> 00:53:13,279
Speaker 2: No, that's staying up, man, and it's getting mad lights going.

1238
00:53:13,320 --> 00:53:15,520
Speaker 2: It's doing numbers right now with the numbers.

1239
00:53:15,680 --> 00:53:16,719
Speaker 3: Yeah, what's the analytics on this?

1240
00:53:16,880 --> 00:53:18,439
Speaker 1: Matter of fact, we're going to re edit this video

1241
00:53:18,480 --> 00:53:19,319
Speaker 1: so it's just me and her.

1242
00:53:19,560 --> 00:53:23,960
Speaker 3: Yeah, that'd be my first I'd be smart. Yeah, but this,

1243
00:53:24,120 --> 00:53:24,680
Speaker 3: I don't know this.

1244
00:53:24,840 --> 00:53:27,640
Speaker 1: This felt like a slow news day when this popped up.

1245
00:53:28,280 --> 00:53:30,080
Speaker 3: If that was your baby, would you want to do

1246
00:53:30,400 --> 00:53:32,399
Speaker 3: news day? Huh? If that was your baby mama, would

1247
00:53:32,400 --> 00:53:32,799
Speaker 3: you want to down?

1248
00:53:33,320 --> 00:53:35,800
Speaker 2: That was my baby mother? I got bigger problems to

1249
00:53:35,800 --> 00:53:38,200
Speaker 2: worry about. Yeah, that's my baby's mother right there.

1250
00:53:38,200 --> 00:53:41,560
Speaker 1: And she's a stripper and nothing against strippers, but is.

1251
00:53:41,560 --> 00:53:44,319
Speaker 3: This not good promo for her? Great promo for her?

1252
00:53:44,440 --> 00:53:44,600
Speaker 2: Yeah?

1253
00:53:44,719 --> 00:53:47,520
Speaker 3: She tagged on no, of course, not even tag strippers.

1254
00:53:48,400 --> 00:53:52,320
Speaker 1: I'm sure. I'm sure she's been on Twitter her only fans.

1255
00:53:52,120 --> 00:53:54,359
Speaker 2: Like and letting everybody and letting everybody know that that's

1256
00:53:54,440 --> 00:53:55,279
Speaker 2: not her baby father.

1257
00:53:55,640 --> 00:53:57,440
Speaker 4: I do not know him, even if I don't even

1258
00:53:57,480 --> 00:53:59,480
Speaker 4: have big saying that's not.

1259
00:54:01,000 --> 00:54:01,520
Speaker 3: That's funny.

1260
00:54:01,880 --> 00:54:02,680
Speaker 1: Do we have voicemails?

1261
00:54:08,960 --> 00:54:09,759
Speaker 2: You've got mail?

1262
00:54:10,520 --> 00:54:13,640
Speaker 6: What's up, y'all? My name is Kyle from Chicago, a

1263
00:54:13,840 --> 00:54:16,359
Speaker 6: big fan of the pot. Just want to first off,

1264
00:54:16,480 --> 00:54:18,520
Speaker 6: let y'all know that y'all folks itself and not coming

1265
00:54:18,560 --> 00:54:21,200
Speaker 6: back to Chicago this year, go to school with all y'all.

1266
00:54:21,280 --> 00:54:25,200
Speaker 6: Y'all doing y'all name. My question or scenario for y'all

1267
00:54:26,160 --> 00:54:27,960
Speaker 6: is that me and my shorty have been together for

1268
00:54:28,000 --> 00:54:33,719
Speaker 6: about five years now, so obviously you know it's time

1269
00:54:33,800 --> 00:54:36,239
Speaker 6: to like shit, getting real shit, getting serious type ship.

1270
00:54:37,080 --> 00:54:39,600
Speaker 6: So what that means said, like, I'm thinking about you know,

1271
00:54:39,680 --> 00:54:43,240
Speaker 6: popular questions soon. We've been ready, We're close to finishing

1272
00:54:43,280 --> 00:54:45,759
Speaker 6: our education. I'm close to finishing my doctors. She's close

1273
00:54:45,800 --> 00:54:49,600
Speaker 6: to finishing our master's and everything. However, my shorty has

1274
00:54:49,600 --> 00:54:51,680
Speaker 6: always told me or when we first started dating, she

1275
00:54:51,719 --> 00:54:54,440
Speaker 6: always expects me that like how she always wants to

1276
00:54:54,480 --> 00:54:58,279
Speaker 6: go to Paris and everything like that her birthday, which

1277
00:54:58,400 --> 00:55:02,120
Speaker 6: is we'll she'll turn twenty nine. So Ever, since she

1278
00:55:02,160 --> 00:55:04,080
Speaker 6: told me about that when we first started dating, my

1279
00:55:04,280 --> 00:55:08,800
Speaker 6: dream or my goal, was to do the proposal on

1280
00:55:08,920 --> 00:55:11,720
Speaker 6: the twenty ninth, not the twenty ninth, but in Paris

1281
00:55:11,760 --> 00:55:14,759
Speaker 6: once she turns twenty nine. However, that's three years from now,

1282
00:55:15,160 --> 00:55:16,719
Speaker 6: so I'm already knowing that she's gonna be at some

1283
00:55:16,760 --> 00:55:18,719
Speaker 6: point in time, she's gonna be like Nigga, like what

1284
00:55:18,840 --> 00:55:21,520
Speaker 6: the fuck you home? Like you know, it's just that time.

1285
00:55:23,400 --> 00:55:25,440
Speaker 6: So I guess, long story short before the voicemail to

1286
00:55:25,640 --> 00:55:29,000
Speaker 6: cut me off. Should I continue to keep up with

1287
00:55:29,080 --> 00:55:32,480
Speaker 6: my plan to wait to Paris at twenty nine, which

1288
00:55:32,560 --> 00:55:34,200
Speaker 6: is three years from now, which at that point, well

1289
00:55:34,200 --> 00:55:36,520
Speaker 6: were together for eight years, or should I go ahead

1290
00:55:36,520 --> 00:55:38,080
Speaker 6: and prepare to part the question soon?

1291
00:55:38,160 --> 00:55:39,000
Speaker 2: Let me know your thoughts.

1292
00:55:40,480 --> 00:55:42,880
Speaker 1: Yeah, I don't know if I'm the those qualified.

1293
00:55:43,920 --> 00:55:45,319
Speaker 2: Back right, Yeah, it's not.

1294
00:55:47,640 --> 00:55:48,640
Speaker 1: Three years a long time.

1295
00:55:48,840 --> 00:55:51,239
Speaker 3: Eight years together that would be three years a long time.

1296
00:55:52,560 --> 00:55:54,040
Speaker 1: Yeah, I would find another way.

1297
00:55:54,080 --> 00:55:57,400
Speaker 3: To get a dog by some time. Well, if he's ready,

1298
00:55:57,560 --> 00:56:01,279
Speaker 3: dog do that? Yeah? Yeah, yeah, does a dog do that?

1299
00:56:02,320 --> 00:56:05,200
Speaker 1: The dog was after so oh nice, try all right,

1300
00:56:05,360 --> 00:56:12,640
Speaker 1: joke didn't work. I would find another way to pop

1301
00:56:12,680 --> 00:56:16,360
Speaker 1: the question and maybe do like the wedding in Paris

1302
00:56:16,400 --> 00:56:19,400
Speaker 1: and go to Paris taxes, moving in Paris, something in

1303
00:56:19,480 --> 00:56:23,000
Speaker 1: that regard Paris taxes because three years, after five years,

1304
00:56:23,160 --> 00:56:26,680
Speaker 1: another three get it. I understand you guys are getting

1305
00:56:26,719 --> 00:56:29,160
Speaker 1: your masters and all this other shit, so time is

1306
00:56:29,920 --> 00:56:31,719
Speaker 1: doesn't really matter. I guess when you're in school and

1307
00:56:31,800 --> 00:56:34,680
Speaker 1: doing all that shit, because everything's at the end. Once

1308
00:56:34,719 --> 00:56:37,120
Speaker 1: you get your degree, you can buy time with school.

1309
00:56:37,160 --> 00:56:39,600
Speaker 3: I feel like he said, in three years, she'll be

1310
00:56:39,640 --> 00:56:44,680
Speaker 3: twenty nine. Twenty nine, damn, they're young. Yeah, so I'm thinking, like, well,

1311
00:56:44,680 --> 00:56:45,799
Speaker 3: maybe three years is not too bad.

1312
00:56:46,160 --> 00:56:46,759
Speaker 2: It's not bad.

1313
00:56:46,960 --> 00:56:49,160
Speaker 8: But they've been together for five years, so by the

1314
00:56:49,200 --> 00:56:51,680
Speaker 8: time he pops the question, it will be eight years

1315
00:56:51,719 --> 00:56:52,440
Speaker 8: they sting together.

1316
00:56:52,640 --> 00:56:55,400
Speaker 3: But why not just tell her? Like why why does

1317
00:56:55,440 --> 00:56:57,800
Speaker 3: this have to be a secret, Because that's the surprising

1318
00:56:57,800 --> 00:56:59,920
Speaker 3: woman of the I mean, if they're going to Paris, think,

1319
00:57:00,200 --> 00:57:01,840
Speaker 3: come on, no, you don't know. Some people go to

1320
00:57:01,880 --> 00:57:03,800
Speaker 3: Paris and they don't propose. They never like this. She

1321
00:57:04,040 --> 00:57:06,359
Speaker 3: I think she would know what's going on one day.

1322
00:57:06,600 --> 00:57:07,759
Speaker 4: Man, you better lock it down.

1323
00:57:08,239 --> 00:57:09,960
Speaker 3: I was like, why wouldn't you? Why would you hide

1324
00:57:10,000 --> 00:57:11,520
Speaker 3: this from her and give her that anxiety? Do you

1325
00:57:11,600 --> 00:57:14,840
Speaker 3: think she'll like leave if he doesn't? Three years is

1326
00:57:14,880 --> 00:57:17,200
Speaker 3: a long time, mat Shit can happen a long time.

1327
00:57:17,240 --> 00:57:20,040
Speaker 1: You're talking about take her to serious tower. Let's get

1328
00:57:20,320 --> 00:57:24,160
Speaker 1: with serious tower to propose. No, I know, but don't

1329
00:57:24,160 --> 00:57:24,640
Speaker 1: push her off.

1330
00:57:24,720 --> 00:57:27,720
Speaker 3: It's not called seers anymore though, it's not. No, what's

1331
00:57:27,760 --> 00:57:31,720
Speaker 3: it called? Well? When I was there with the willis,

1332
00:57:31,800 --> 00:57:33,960
Speaker 3: but it might be again target tower.

1333
00:57:34,400 --> 00:57:34,920
Speaker 4: What do you think?

1334
00:57:35,640 --> 00:57:36,480
Speaker 3: Take your cheesecake?

1335
00:57:36,640 --> 00:57:38,560
Speaker 2: I don't think three years trades were called.

1336
00:57:39,400 --> 00:57:43,840
Speaker 4: If you've already been waiting five, you don't think just

1337
00:57:43,880 --> 00:57:44,600
Speaker 4: three years alone.

1338
00:57:44,680 --> 00:57:48,000
Speaker 3: They've been together for five, waiting five for the three years?

1339
00:57:48,120 --> 00:57:50,560
Speaker 2: Is that that goes by fast? Especially you're in school,

1340
00:57:51,240 --> 00:57:53,160
Speaker 2: they're about to be out of school. Yeah, but that

1341
00:57:53,240 --> 00:57:56,240
Speaker 2: goes by fast, like I don't. I don't think it's

1342
00:57:56,360 --> 00:57:56,960
Speaker 2: I don't think.

1343
00:57:58,240 --> 00:58:00,400
Speaker 3: If they live together. Do they live yeah? I mean

1344
00:58:00,440 --> 00:58:03,000
Speaker 3: that's another question. Do they live together? Do they have

1345
00:58:03,440 --> 00:58:04,120
Speaker 3: a pet together?

1346
00:58:04,680 --> 00:58:04,720
Speaker 2: Like?

1347
00:58:04,840 --> 00:58:05,960
Speaker 3: There's just so many dogs?

1348
00:58:07,000 --> 00:58:07,040
Speaker 2: What?

1349
00:58:08,400 --> 00:58:11,200
Speaker 1: I have no advice on this one. You're kind of

1350
00:58:11,240 --> 00:58:13,440
Speaker 1: on your own here, man. Yeah, I'm just telling you.

1351
00:58:13,520 --> 00:58:15,600
Speaker 8: I feel this one that if we've been together for

1352
00:58:15,800 --> 00:58:20,720
Speaker 8: five years and you haven't proposed waiting after that sixth.

1353
00:58:20,560 --> 00:58:22,720
Speaker 4: Year and be like, huh that seven year wait, so

1354
00:58:24,120 --> 00:58:24,920
Speaker 4: he has to propose.

1355
00:58:25,480 --> 00:58:26,400
Speaker 3: They're so young too.

1356
00:58:26,520 --> 00:58:28,200
Speaker 1: If they were in their thirties, I would get it.

1357
00:58:28,320 --> 00:58:30,160
Speaker 1: But you're in your twenties, no one.

1358
00:58:30,520 --> 00:58:33,240
Speaker 3: But if like twenty six, she's twenty six right now,

1359
00:58:33,320 --> 00:58:35,240
Speaker 3: technically she literally that's young.

1360
00:58:36,400 --> 00:58:38,400
Speaker 1: And they're in Chicago too, So I'm sure it's not

1361
00:58:38,520 --> 00:58:40,960
Speaker 1: like all their we're going to get killed years are.

1362
00:58:41,080 --> 00:58:45,920
Speaker 3: Oh my god, they're going to get killed soon. It's

1363
00:58:46,000 --> 00:58:49,280
Speaker 3: not got to get out. I'm sure in the bed

1364
00:58:49,320 --> 00:58:50,080
Speaker 3: bugs and get shot.

1365
00:58:50,400 --> 00:58:52,760
Speaker 1: All their friends are not like getting married and having

1366
00:58:52,840 --> 00:58:55,320
Speaker 1: kids at this point exactly. I'm sure there's not that pressure.

1367
00:58:55,560 --> 00:58:55,800
Speaker 6: You know what?

1368
00:58:55,920 --> 00:58:58,920
Speaker 1: I changed my answer, wait, wait for the threes, but

1369
00:58:59,280 --> 00:58:59,880
Speaker 1: vot to Paris?

1370
00:59:00,080 --> 00:59:03,520
Speaker 3: Why hide it? Like I'm saying, have the conversation, but like, hey,

1371
00:59:03,680 --> 00:59:05,440
Speaker 3: like I love you, I want to spend the rest

1372
00:59:05,480 --> 00:59:07,280
Speaker 3: of my life with you. I have a plan of

1373
00:59:07,360 --> 00:59:08,760
Speaker 3: how I want to go back, Like why keep it

1374
00:59:08,800 --> 00:59:11,200
Speaker 3: a fucking secret and keep her like thinking, what's wrong

1375
00:59:11,280 --> 00:59:13,480
Speaker 3: with me? Is it me? After five years what's going on? Like,

1376
00:59:13,600 --> 00:59:16,040
Speaker 3: don't you don't have to be like on this date,

1377
00:59:16,280 --> 00:59:17,520
Speaker 3: we're going to go to Paris. You don't have to

1378
00:59:17,560 --> 00:59:19,520
Speaker 3: do that, but like give let her know, like, yo,

1379
00:59:19,760 --> 00:59:22,160
Speaker 3: you're my person. This is where I'm at. What's a

1380
00:59:22,160 --> 00:59:22,520
Speaker 3: good point?

1381
00:59:22,600 --> 00:59:24,440
Speaker 2: I like her, don't need to hide this ship and

1382
00:59:24,520 --> 00:59:29,560
Speaker 2: then her wanting to get engaged is like in your twenties.

1383
00:59:29,760 --> 00:59:31,440
Speaker 9: Twenty nine at that point if they did make it

1384
00:59:31,480 --> 00:59:32,800
Speaker 9: the time, I mean, that'll be eight years. Ain't that

1385
00:59:33,080 --> 00:59:36,400
Speaker 9: you think that's like me? You think there's something wrong

1386
00:59:36,440 --> 00:59:38,760
Speaker 9: with you. Don't think five years is a long time

1387
00:59:38,840 --> 00:59:39,880
Speaker 9: to be in a relationship.

1388
00:59:39,920 --> 00:59:41,720
Speaker 8: Like I don't want that when you met at twenty one,

1389
00:59:41,880 --> 00:59:43,720
Speaker 8: I don't want to say along okay.

1390
00:59:43,600 --> 00:59:44,360
Speaker 3: And we in school.

1391
00:59:44,560 --> 00:59:47,360
Speaker 4: That doesn't matter. They're still in a relationship.

1392
00:59:47,680 --> 00:59:50,000
Speaker 8: No, if they were dating each other and they were

1393
00:59:50,080 --> 00:59:51,680
Speaker 8: kind of like he didn't know if he was ready

1394
00:59:51,720 --> 00:59:53,920
Speaker 8: to be in a serious relationship, they're dating and more

1395
00:59:53,960 --> 00:59:57,400
Speaker 8: than likely they're probably living together. So how old they

1396
00:59:57,440 --> 01:00:01,160
Speaker 8: are doesn't really matter because if they having the conversations

1397
01:00:01,200 --> 01:00:03,240
Speaker 8: while they're laying next to each other every night, oh,

1398
01:00:03,320 --> 01:00:05,440
Speaker 8: I know that this is my person, or like you

1399
01:00:05,560 --> 01:00:08,080
Speaker 8: know we're going along those lines. Our families know each other,

1400
01:00:08,360 --> 01:00:10,640
Speaker 8: YadA YadA. No matter how young we are, we know

1401
01:00:10,760 --> 01:00:12,360
Speaker 8: that we want to spend the rest of our life together.

1402
01:00:12,440 --> 01:00:13,840
Speaker 4: Do you think that she think you.

1403
01:00:13,840 --> 01:00:14,800
Speaker 2: Want to spend the rest of your life?

1404
01:00:15,000 --> 01:00:17,280
Speaker 1: And you know engagement rings cost money, weddings cost money,

1405
01:00:17,800 --> 01:00:21,200
Speaker 1: honeymoons costs money. They and if you're in all right.

1406
01:00:21,240 --> 01:00:23,400
Speaker 1: So let's say let's say we meet our freshman year

1407
01:00:23,400 --> 01:00:26,080
Speaker 1: of college and the entire four years we're together. That

1408
01:00:26,160 --> 01:00:28,280
Speaker 1: puts us at four years in dating. But their first

1409
01:00:28,360 --> 01:00:30,000
Speaker 1: year out of college is the toughest, try to find

1410
01:00:30,000 --> 01:00:32,640
Speaker 1: a job, get established. Now we're at five years, but

1411
01:00:32,720 --> 01:00:34,480
Speaker 1: we've been together for five years, so you're gonna say

1412
01:00:34,520 --> 01:00:36,160
Speaker 1: a wedding is the next He just.

1413
01:00:36,240 --> 01:00:38,680
Speaker 4: Says they're working on their doctorate.

1414
01:00:39,000 --> 01:00:41,640
Speaker 1: Okay, No, I'm putting a separate scenario because you say

1415
01:00:41,720 --> 01:00:45,840
Speaker 1: five years means they should get married. But school is

1416
01:00:45,880 --> 01:00:47,480
Speaker 1: not a factor in that. When I'm saying it one

1417
01:00:47,880 --> 01:00:50,400
Speaker 1: per no, I'm not. You have to pay student loans,

1418
01:00:50,640 --> 01:00:52,240
Speaker 1: you're trying to get a job out of school.

1419
01:00:52,280 --> 01:00:55,080
Speaker 4: I'm not talking those years. I'm not talking about the marriage.

1420
01:00:55,080 --> 01:00:57,840
Speaker 8: I'm talking about the engagement and how a woman will

1421
01:00:57,920 --> 01:01:01,920
Speaker 8: feel about a long commit me without an engagement, especially

1422
01:01:02,040 --> 01:01:04,200
Speaker 8: if we discussed marriage.

1423
01:01:03,840 --> 01:01:05,960
Speaker 4: And you know that I want marriage, and I like,

1424
01:01:06,080 --> 01:01:07,280
Speaker 4: we both know this, all righty.

1425
01:01:07,200 --> 01:01:08,800
Speaker 3: Then I have to pay you back on Juliana's point,

1426
01:01:08,840 --> 01:01:11,640
Speaker 3: which is him giving her the assurance, which I agree.

1427
01:01:11,800 --> 01:01:14,800
Speaker 3: I agree, it will happen, right, and it will happen

1428
01:01:14,880 --> 01:01:17,960
Speaker 3: in a special time, but it shouldn't really be. It

1429
01:01:17,960 --> 01:01:18,440
Speaker 3: shouldn't be.

1430
01:01:18,920 --> 01:01:21,760
Speaker 2: Having no type of conversation in your twenties is fucking crazy.

1431
01:01:22,320 --> 01:01:24,040
Speaker 3: That's your I mean, and I'm not even pulling that.

1432
01:01:24,160 --> 01:01:26,760
Speaker 3: It's because you're forty one and you're not seeing it, Like,

1433
01:01:27,120 --> 01:01:28,920
Speaker 3: I get what you mean, but it's just common though

1434
01:01:29,240 --> 01:01:30,320
Speaker 3: it is common that people.

1435
01:01:30,760 --> 01:01:33,840
Speaker 2: Not saying it's not common, but it's still like, like, bro,

1436
01:01:34,040 --> 01:01:35,840
Speaker 2: like you, you're in your twenties.

1437
01:01:35,560 --> 01:01:38,000
Speaker 8: In school, and we also don't know how old he

1438
01:01:38,320 --> 01:01:40,400
Speaker 8: is because it's not like he's in school, like, oh,

1439
01:01:40,520 --> 01:01:43,840
Speaker 8: he's a fucking sophomore in like his first four years.

1440
01:01:44,080 --> 01:01:46,360
Speaker 8: He's finishing his doctorate. The nigga probably been in school

1441
01:01:46,360 --> 01:01:47,280
Speaker 8: for the past eight years.

1442
01:01:47,800 --> 01:01:50,520
Speaker 3: And hey, I mean, like it's at the point he's

1443
01:01:50,960 --> 01:01:51,960
Speaker 3: lived life exactly.

1444
01:01:52,040 --> 01:01:53,080
Speaker 2: Yeah, he's sent up his future.

1445
01:01:53,600 --> 01:01:56,200
Speaker 3: You just started her master's because she has three years left.

1446
01:01:56,880 --> 01:01:59,760
Speaker 3: He's a three year program or four year program, and he's.

1447
01:02:00,360 --> 01:02:02,720
Speaker 8: It's obvious that he's older than her, right, So, yeah,

1448
01:02:02,920 --> 01:02:05,360
Speaker 8: she may be twenty six, but I don't he's not

1449
01:02:05,440 --> 01:02:07,920
Speaker 8: giving me twenty six. By by what he's doing in

1450
01:02:08,000 --> 01:02:09,800
Speaker 8: school and how he's talking. He's given me that he's

1451
01:02:09,840 --> 01:02:11,400
Speaker 8: twenty eight, twenty ninety.

1452
01:02:11,880 --> 01:02:12,360
Speaker 3: He's old.

1453
01:02:12,960 --> 01:02:15,360
Speaker 2: So he's getting up there in twenty eight.

1454
01:02:15,520 --> 01:02:18,800
Speaker 1: No, I'm not saying now what a fucking bum?

1455
01:02:19,160 --> 01:02:23,520
Speaker 3: Right, does it matter how old he is in this case? Yeah,

1456
01:02:23,520 --> 01:02:25,880
Speaker 3: I don't, because he clearly doesn't care about age's about

1457
01:02:25,960 --> 01:02:26,200
Speaker 3: for her.

1458
01:02:27,080 --> 01:02:29,040
Speaker 4: Yeah, I think he's so saying that they're too young

1459
01:02:29,160 --> 01:02:29,720
Speaker 4: to get married.

1460
01:02:30,360 --> 01:02:33,680
Speaker 3: But he's so transfixed on this Paris thing that I

1461
01:02:33,800 --> 01:02:36,360
Speaker 3: think he's letting that. I mean, that's cool a lot.

1462
01:02:37,720 --> 01:02:41,000
Speaker 3: What what to Demarus point would just be natural progression

1463
01:02:41,040 --> 01:02:41,800
Speaker 3: of this relationship.

1464
01:02:41,920 --> 01:02:45,160
Speaker 8: Yeah, Like if he could get to Paris right now,

1465
01:02:45,520 --> 01:02:46,760
Speaker 8: he's like, I want to take her to Paris on

1466
01:02:46,840 --> 01:02:48,880
Speaker 8: her twenty ninth birthday. He's like trying to put the

1467
01:02:48,960 --> 01:02:52,280
Speaker 8: perfect proposal, when it's not that he wants to wait

1468
01:02:52,320 --> 01:02:53,760
Speaker 8: to get engaged. He wants to get.

1469
01:02:53,640 --> 01:02:55,960
Speaker 3: Engaged on the twenty ninth for her twenty nine, Like

1470
01:02:56,000 --> 01:02:57,960
Speaker 3: there's so much shit that he wants it to, like

1471
01:02:58,200 --> 01:03:00,480
Speaker 3: you know that fucking math science brain.

1472
01:03:00,440 --> 01:03:01,560
Speaker 4: He wants it may be a person.

1473
01:03:02,720 --> 01:03:04,880
Speaker 3: Is there something wrong for him putting that? No, but

1474
01:03:05,000 --> 01:03:08,080
Speaker 3: it's now. But now you're battling this fucking inner narrative

1475
01:03:08,160 --> 01:03:10,160
Speaker 3: and dialogue and you got to just tell her like, hey,

1476
01:03:10,200 --> 01:03:10,600
Speaker 3: I want to.

1477
01:03:10,640 --> 01:03:12,400
Speaker 10: Do this with you, but you know he should. He

1478
01:03:12,400 --> 01:03:13,840
Speaker 10: should talk to her. And if she's like, you don't

1479
01:03:13,880 --> 01:03:16,400
Speaker 10: have to wait, then fucking go to this year's tower,

1480
01:03:16,480 --> 01:03:19,880
Speaker 10: like Rory said, kick her off, Yeah, get over with Yeah.

1481
01:03:20,200 --> 01:03:20,840
Speaker 10: I just I don't know.

1482
01:03:20,920 --> 01:03:22,800
Speaker 8: I believe in waiting for you know when people are

1483
01:03:22,880 --> 01:03:25,960
Speaker 8: talking about old like waiting for marriage and the wedding

1484
01:03:26,080 --> 01:03:28,480
Speaker 8: of course, because those things can be very expensive. Engagement

1485
01:03:28,520 --> 01:03:30,760
Speaker 8: rings can be expensive too, But you can make the

1486
01:03:30,840 --> 01:03:32,919
Speaker 8: commitment with the person even if you do it without

1487
01:03:32,920 --> 01:03:33,200
Speaker 8: the ring.

1488
01:03:33,320 --> 01:03:36,200
Speaker 4: Hey, I plan on spending the rest of my life.

1489
01:03:36,560 --> 01:03:39,240
Speaker 1: That sounds good on paper. Women don't want that. You

1490
01:03:39,280 --> 01:03:40,440
Speaker 1: don't want engaging with no ring?

1491
01:03:40,600 --> 01:03:43,120
Speaker 4: No I'm not. I'm not saying that's I'm talking about.

1492
01:03:43,360 --> 01:03:47,280
Speaker 3: Like suicide, that's not show in Toronto.

1493
01:03:48,360 --> 01:03:49,360
Speaker 2: But that was different.

1494
01:03:50,080 --> 01:03:52,880
Speaker 3: Was that was worse. Yeah, yeah, he walked home with

1495
01:03:52,960 --> 01:03:53,400
Speaker 3: a T shirt.

1496
01:03:53,720 --> 01:03:56,080
Speaker 2: We got got to force him to get engaged or

1497
01:03:56,160 --> 01:03:58,400
Speaker 2: engagement shirt. They definitely didn't.

1498
01:03:58,160 --> 01:03:59,920
Speaker 3: Plan on it. A shot of Hornitos and the tea,

1499
01:04:00,560 --> 01:04:01,400
Speaker 3: and like the fact.

1500
01:04:01,200 --> 01:04:02,760
Speaker 2: That he just recognized, like, yo, I don't have money

1501
01:04:02,800 --> 01:04:03,440
Speaker 2: for right now.

1502
01:04:03,480 --> 01:04:06,560
Speaker 3: That's I like how cool he was about He wasn't

1503
01:04:06,560 --> 01:04:08,960
Speaker 3: even like on some woe is Me shit. He was like, yeah,

1504
01:04:09,000 --> 01:04:10,080
Speaker 3: this is where I'm at my life.

1505
01:04:10,320 --> 01:04:11,800
Speaker 4: But I think, see that's sexy to me.

1506
01:04:11,840 --> 01:04:13,880
Speaker 8: If my partner comes to me and they're like, yo,

1507
01:04:14,080 --> 01:04:15,360
Speaker 8: you know I'm gonna spend the rest of my life

1508
01:04:15,400 --> 01:04:17,080
Speaker 8: with you, but I know you want this ten thousand

1509
01:04:17,120 --> 01:04:19,480
Speaker 8: dollars Tiffany's ring and I don't have it right now

1510
01:04:19,560 --> 01:04:20,000
Speaker 8: to get.

1511
01:04:19,840 --> 01:04:20,600
Speaker 3: That for you? Is it?

1512
01:04:20,680 --> 01:04:21,160
Speaker 2: That's sexy?

1513
01:04:21,520 --> 01:04:23,760
Speaker 3: I feel like that got here. Yeah, you're capping that

1514
01:04:25,320 --> 01:04:25,560
Speaker 3: right now.

1515
01:04:27,200 --> 01:04:28,600
Speaker 2: We're not doing that. We're not doing that.

1516
01:04:28,800 --> 01:04:31,360
Speaker 3: You think that's not doing that? We are not doing.

1517
01:04:31,240 --> 01:04:32,920
Speaker 2: That's nothing sexy about that.

1518
01:04:33,120 --> 01:04:34,040
Speaker 3: Stop lying you not.

1519
01:04:34,360 --> 01:04:35,480
Speaker 1: You just said that sexy.

1520
01:04:35,920 --> 01:04:37,840
Speaker 2: As much as you talk about niggas o, heare not

1521
01:04:38,560 --> 01:04:41,640
Speaker 2: putting out not paying for ship. Now all of a sudden,

1522
01:04:41,640 --> 01:04:41,960
Speaker 2: it's sexy.

1523
01:04:42,000 --> 01:04:42,240
Speaker 3: You don't.

1524
01:04:43,360 --> 01:04:44,480
Speaker 4: So that's completely different.

1525
01:04:44,560 --> 01:04:47,040
Speaker 8: If me and you are building together, we're in school together,

1526
01:04:47,160 --> 01:04:48,760
Speaker 8: like we have a life together. We've been together for

1527
01:04:48,920 --> 01:04:51,400
Speaker 8: five years, and I know that you're on your way

1528
01:04:51,480 --> 01:04:53,680
Speaker 8: to being able to afford this ring, and I love

1529
01:04:53,760 --> 01:04:55,760
Speaker 8: you like we've been together, committed to each other.

1530
01:04:56,080 --> 01:04:58,400
Speaker 4: No, of course, I think that that's beautiful.

1531
01:04:58,000 --> 01:04:59,080
Speaker 1: Like all four fellas.

1532
01:05:00,320 --> 01:05:02,200
Speaker 3: Oh so you're saying it's the looming it's the looming

1533
01:05:02,320 --> 01:05:03,600
Speaker 3: financial bag that will.

1534
01:05:03,480 --> 01:05:05,920
Speaker 4: Eventually that they've been together for five years, they love

1535
01:05:05,960 --> 01:05:07,520
Speaker 4: each other. Fuck y'all acting real dense.

1536
01:05:07,600 --> 01:05:10,720
Speaker 3: Yeah, I think a lot of people don't up after

1537
01:05:10,800 --> 01:05:12,760
Speaker 3: five years, Like come on now, Like.

1538
01:05:13,360 --> 01:05:15,240
Speaker 1: Well, if we go back to Chicago, maybe he proposes

1539
01:05:15,280 --> 01:05:15,480
Speaker 1: at the.

1540
01:05:15,480 --> 01:05:19,880
Speaker 3: Show that Paris just make sure it's on the twenty ninth. Yeah,

1541
01:05:20,080 --> 01:05:22,160
Speaker 3: it seems to be important here. In three years we'll

1542
01:05:22,160 --> 01:05:22,720
Speaker 3: be in Chicago.

1543
01:05:23,560 --> 01:05:25,600
Speaker 8: If you're to bury that woman, lock it down, bro,

1544
01:05:25,720 --> 01:05:27,800
Speaker 8: that's all I'm saying. Assure her that you're gonna lock

1545
01:05:27,840 --> 01:05:29,800
Speaker 8: it down. Assure her that you're gonna lock it down.

1546
01:05:29,800 --> 01:05:30,480
Speaker 8: That's all I'm saying.

1547
01:05:30,520 --> 01:05:32,280
Speaker 3: I mean him calling in. I guess she has some

1548
01:05:32,400 --> 01:05:34,360
Speaker 3: sort of doubt, right, or she's like nudging at him

1549
01:05:34,360 --> 01:05:34,680
Speaker 3: about it.

1550
01:05:35,600 --> 01:05:38,680
Speaker 8: He knows that if they're talking about it now and

1551
01:05:38,680 --> 01:05:40,720
Speaker 8: it's like you know, well, you guys don't know, but

1552
01:05:40,840 --> 01:05:42,760
Speaker 8: you know when you get to that certain level in

1553
01:05:42,800 --> 01:05:46,000
Speaker 8: the relationship where it's kind of like expected, like all right,

1554
01:05:46,080 --> 01:05:47,680
Speaker 8: like are we going to commit to this for sure?

1555
01:05:47,920 --> 01:05:50,840
Speaker 8: If they're at that point now and he's some of them, oh,

1556
01:05:50,840 --> 01:05:52,280
Speaker 8: I want to wait three more years because I want

1557
01:05:52,320 --> 01:05:54,320
Speaker 8: this perfect date. He knows that she might start looking

1558
01:05:54,320 --> 01:05:56,320
Speaker 8: at him like he's fucking insane, which is why he

1559
01:05:56,440 --> 01:05:56,720
Speaker 8: called in.

1560
01:05:56,920 --> 01:05:59,520
Speaker 2: Do you think proposing in front of the Eiffel Tower

1561
01:05:59,720 --> 01:06:03,520
Speaker 2: is as Corny is proposing at a basketball game?

1562
01:06:05,680 --> 01:06:06,800
Speaker 1: What's wrong with a basketball game?

1563
01:06:06,800 --> 01:06:09,840
Speaker 4: That's corn kiss cam and ship the mascot.

1564
01:06:09,920 --> 01:06:12,120
Speaker 1: Oh, I was thinking of like when that you guys

1565
01:06:12,120 --> 01:06:14,320
Speaker 1: really like the name that viral clip of like the dancer?

1566
01:06:14,720 --> 01:06:15,320
Speaker 3: She was a dancer.

1567
01:06:15,640 --> 01:06:17,520
Speaker 1: Yeah, that's what I know.

1568
01:06:18,440 --> 01:06:21,360
Speaker 2: All right, Kiss, that's like a real thought out Okay.

1569
01:06:21,680 --> 01:06:22,520
Speaker 1: Kiss in Paris?

1570
01:06:23,120 --> 01:06:25,439
Speaker 3: Yeah, I think Paris, Texas is a viable option.

1571
01:06:25,520 --> 01:06:27,920
Speaker 1: You could do Vegas they have the Eiffel Tower there,

1572
01:06:28,120 --> 01:06:30,680
Speaker 1: but no, if you go France City of Lovers, if

1573
01:06:30,680 --> 01:06:34,680
Speaker 1: you're like live in Paris, I think it's proposed in

1574
01:06:34,680 --> 01:06:38,040
Speaker 1: front of the Eiffel Tower. Okay, but yeah, if you

1575
01:06:38,120 --> 01:06:40,160
Speaker 1: travel to France, I think it's corny.

1576
01:06:40,840 --> 01:06:42,800
Speaker 4: Yeah, well there's some girl I think it's corny.

1577
01:06:42,840 --> 01:06:44,040
Speaker 1: A lot of girls love Paris.

1578
01:06:44,320 --> 01:06:45,920
Speaker 3: No I get that, but I'm saying I think it's

1579
01:06:46,160 --> 01:06:46,480
Speaker 3: a lot of.

1580
01:06:46,480 --> 01:06:48,840
Speaker 2: Girls love Paris because a lot of girls love past exactly.

1581
01:06:48,920 --> 01:06:50,680
Speaker 3: Say, at this point, you don't know why you've been

1582
01:06:50,720 --> 01:06:54,200
Speaker 3: together for five, eight years whatever, Go propose at a

1583
01:06:54,280 --> 01:06:59,120
Speaker 3: spot that has significance in like intrinsic value, shared value

1584
01:06:59,280 --> 01:07:01,840
Speaker 3: in your lives that you shared together. Don't go to

1585
01:07:01,920 --> 01:07:04,240
Speaker 3: the top of flight to another country and neither of

1586
01:07:04,280 --> 01:07:06,200
Speaker 3: you speak the language. You're going just to take this

1587
01:07:06,320 --> 01:07:08,520
Speaker 3: photo and get on a knee, I think, because then

1588
01:07:08,560 --> 01:07:10,360
Speaker 3: for the rest of your life, because say you do

1589
01:07:10,440 --> 01:07:12,280
Speaker 3: it like this way. Like my brother just got engaged.

1590
01:07:12,280 --> 01:07:13,880
Speaker 3: They went to a restaurant they had one of their

1591
01:07:13,880 --> 01:07:15,960
Speaker 3: first dates at in d C. They did a whole

1592
01:07:16,040 --> 01:07:18,880
Speaker 3: thing there. It was adorable. But they live in that city.

1593
01:07:18,960 --> 01:07:21,360
Speaker 3: They can relive that memory like it's a part of

1594
01:07:21,440 --> 01:07:23,640
Speaker 3: their life every you know, when they go out.

1595
01:07:23,800 --> 01:07:26,240
Speaker 1: But Paris seems to be like this is the older ones.

1596
01:07:26,400 --> 01:07:27,200
Speaker 3: What are they going back?

1597
01:07:27,320 --> 01:07:29,640
Speaker 1: But how do you know doctors they go to Paris

1598
01:07:29,680 --> 01:07:30,000
Speaker 1: all the time.

1599
01:07:30,040 --> 01:07:31,200
Speaker 3: Who knows the fuck doctor?

1600
01:07:31,280 --> 01:07:34,919
Speaker 1: What they're getting their masters and doctors and ship money.

1601
01:07:34,920 --> 01:07:36,720
Speaker 1: They're pediatrician what that means?

1602
01:07:36,720 --> 01:07:39,120
Speaker 3: Also, that's exactly what what if? That's exactly what she wanted.

1603
01:07:39,280 --> 01:07:42,880
Speaker 1: That's what I'm saying. It's not like that she wanted that.

1604
01:07:43,000 --> 01:07:43,800
Speaker 3: It is what she wants.

1605
01:07:44,360 --> 01:07:46,080
Speaker 1: So why are you killing them for doing something she wants?

1606
01:07:46,080 --> 01:07:47,920
Speaker 3: You know, I'm saying it's very nice, and I'm saying that,

1607
01:07:48,040 --> 01:07:49,640
Speaker 3: I'm saying what she said.

1608
01:07:50,240 --> 01:07:51,880
Speaker 1: Take her to the restaurant your brother went to in

1609
01:07:51,960 --> 01:07:55,800
Speaker 1: d C. I don't know, Just take her where she

1610
01:07:55,920 --> 01:07:57,160
Speaker 1: loves Paris? What's wrong with that?

1611
01:07:58,280 --> 01:08:00,240
Speaker 3: Like there's so much ship. I'm certain they have very

1612
01:08:00,280 --> 01:08:02,960
Speaker 3: fond memories of places or things in Chicago that they

1613
01:08:03,000 --> 01:08:06,240
Speaker 3: could do that would probably she wants Paris though, that's

1614
01:08:06,280 --> 01:08:08,320
Speaker 3: her honey Paris, that's.

1615
01:08:08,200 --> 01:08:10,200
Speaker 8: Her dream proposal. I don't know you're not hearing, but

1616
01:08:10,280 --> 01:08:12,320
Speaker 8: the honey, honey, don't honeymoon me in Paris.

1617
01:08:12,400 --> 01:08:12,880
Speaker 4: That's awful.

1618
01:08:13,120 --> 01:08:18,280
Speaker 3: What I don't understand theney she wanted. She wants Paris

1619
01:08:18,400 --> 01:08:19,560
Speaker 3: is the point Syracuse?

1620
01:08:20,720 --> 01:08:21,479
Speaker 1: Where would you want to be.

1621
01:08:23,640 --> 01:08:27,920
Speaker 3: Crazy at the Bury Oranges?

1622
01:08:28,560 --> 01:08:32,360
Speaker 1: I just love this Syracuse game. Yeah, that's where they met.

1623
01:08:32,840 --> 01:08:34,240
Speaker 2: If you went to if we went to school together,

1624
01:08:34,240 --> 01:08:34,920
Speaker 2: and then I understand that.

1625
01:08:35,200 --> 01:08:37,880
Speaker 3: Okay, so yes, So he should propose now or later

1626
01:08:38,200 --> 01:08:42,760
Speaker 3: later later, man tell her later, but tell her, don't

1627
01:08:42,800 --> 01:08:43,080
Speaker 3: hide this.

1628
01:08:43,200 --> 01:08:45,439
Speaker 8: Reassure her every day that you're gonna marry We're not

1629
01:08:45,520 --> 01:08:47,320
Speaker 8: doing I'm not telling you everything.

1630
01:08:48,680 --> 01:08:51,040
Speaker 4: Yeah, I didn't say, Julie, that's not what I said.

1631
01:08:51,040 --> 01:08:53,760
Speaker 4: I said that every day, every day that you're going

1632
01:08:53,840 --> 01:08:56,360
Speaker 4: to marry reassure her. I didn't say that every day.

1633
01:08:56,840 --> 01:08:57,439
Speaker 3: God you can.

1634
01:08:57,800 --> 01:08:59,720
Speaker 8: When I say reassure, I did not mean that it

1635
01:08:59,800 --> 01:09:01,479
Speaker 8: has to be, oh, I'm going to marry you. I'm

1636
01:09:01,479 --> 01:09:03,360
Speaker 8: going to marry you every day. So just make her

1637
01:09:03,600 --> 01:09:05,720
Speaker 8: feel so loved, make her feel like you're so in

1638
01:09:05,800 --> 01:09:08,000
Speaker 8: love with her that you are definitely going to marry her,

1639
01:09:08,080 --> 01:09:09,600
Speaker 8: like there's never going to be anybody else, Like you

1640
01:09:09,640 --> 01:09:11,280
Speaker 8: don't have any doubt about her.

1641
01:09:11,520 --> 01:09:14,080
Speaker 4: That's what I'm saying. When I say reassured, you can

1642
01:09:14,120 --> 01:09:15,960
Speaker 4: do that through actions. You can do that through words.

1643
01:09:16,600 --> 01:09:18,760
Speaker 4: That doesn't mean say I'm going to marry you every

1644
01:09:18,800 --> 01:09:19,240
Speaker 4: single day.

1645
01:09:19,280 --> 01:09:20,479
Speaker 3: That's not what I meant. Gotch.

1646
01:09:20,680 --> 01:09:22,719
Speaker 4: Just make sure that there's no doubt in her mind.

1647
01:09:22,840 --> 01:09:24,519
Speaker 4: Like Julian said, so an hour later.

1648
01:09:25,680 --> 01:09:29,000
Speaker 3: Later later, if you do it right later later.

1649
01:09:29,680 --> 01:09:31,120
Speaker 1: It took a while for us to get that conclusion,

1650
01:09:31,120 --> 01:09:31,680
Speaker 1: but I'm glad we did.

1651
01:09:31,720 --> 01:09:35,479
Speaker 3: I'm ready for you. I'm a smart guys.

1652
01:09:36,600 --> 01:09:39,120
Speaker 4: I feel like you guys called the wrong people for advice,

1653
01:09:39,920 --> 01:09:40,080
Speaker 4: you know.

1654
01:09:40,360 --> 01:09:43,080
Speaker 3: I feel like everyone, for every question calls an NPR,

1655
01:09:43,240 --> 01:09:44,600
Speaker 3: but they don't have a call in feature, so they

1656
01:09:44,680 --> 01:09:47,519
Speaker 3: just called us. Were the second Yeah, it's.

1657
01:09:47,479 --> 01:09:48,679
Speaker 4: Yeah, second line of defense.

1658
01:09:48,880 --> 01:09:51,840
Speaker 1: Yeah, I can't get MPR. So let's just go over here.

1659
01:09:52,479 --> 01:09:53,560
Speaker 2: And how do you know you want to spend the

1660
01:09:53,560 --> 01:09:54,720
Speaker 2: rest of your life with that woman here?

1661
01:09:54,880 --> 01:09:55,000
Speaker 3: Oh?

1662
01:09:55,200 --> 01:09:57,080
Speaker 2: No, God, I'm just saying how.

1663
01:09:57,240 --> 01:09:59,920
Speaker 3: That's how relationships work. That's how marriage works. Yeah, in love,

1664
01:10:00,080 --> 01:10:02,599
Speaker 3: always a chance, moll. It's never like a fucking guarantee.

1665
01:10:02,640 --> 01:10:05,439
Speaker 2: But how do you know? Do you ever really know?

1666
01:10:06,520 --> 01:10:07,519
Speaker 2: Or do you just take a chance.

1667
01:10:07,760 --> 01:10:09,160
Speaker 1: That's I think everyone takes it.

1668
01:10:09,240 --> 01:10:11,160
Speaker 3: It's a chance, life's a chance, they believe.

1669
01:10:11,400 --> 01:10:14,360
Speaker 1: But wait, let that chance could wait, but then it

1670
01:10:14,360 --> 01:10:15,000
Speaker 1: could be too late.

1671
01:10:16,080 --> 01:10:18,920
Speaker 2: Then that means it wasn't meant for you, or you waited.

1672
01:10:18,640 --> 01:10:20,240
Speaker 1: Too long, Wait, wasn't waiting anymore?

1673
01:10:20,320 --> 01:10:20,479
Speaker 3: Love?

1674
01:10:20,560 --> 01:10:20,840
Speaker 2: Waits.

1675
01:10:21,200 --> 01:10:22,240
Speaker 1: No, love doesn't really wait.

1676
01:10:22,800 --> 01:10:23,719
Speaker 3: I wait love.

1677
01:10:23,920 --> 01:10:27,519
Speaker 4: Love waits, but not for that long. Love wait.

1678
01:10:27,680 --> 01:10:28,200
Speaker 2: Love waits.

1679
01:10:28,640 --> 01:10:30,040
Speaker 4: Relationships don't always wait.

1680
01:10:30,120 --> 01:10:32,000
Speaker 3: How long you wait? How long do you think love waits?

1681
01:10:32,240 --> 01:10:36,240
Speaker 2: For love wait until until you know it is what

1682
01:10:36,360 --> 01:10:36,560
Speaker 2: it is?

1683
01:10:37,000 --> 01:10:37,880
Speaker 3: Ah.

1684
01:10:41,280 --> 01:10:43,840
Speaker 2: So it's like I never thought about it that it

1685
01:10:43,880 --> 01:10:45,439
Speaker 2: could be rushing to get married to a chick that

1686
01:10:45,479 --> 01:10:47,880
Speaker 2: don't they don't even really know for real, happening a lot.

1687
01:10:48,040 --> 01:10:51,360
Speaker 3: Yeah, but that's not not in this case at all.

1688
01:10:51,640 --> 01:10:53,719
Speaker 3: I'm just we don't know that five years.

1689
01:10:53,880 --> 01:10:57,800
Speaker 1: Well, they're young themselves yet, they're twenty something years old.

1690
01:10:57,800 --> 01:10:59,519
Speaker 3: But in that case, they didn't have to wait that long.

1691
01:10:59,800 --> 01:11:01,200
Speaker 2: They don't even know who they are yet.

1692
01:11:01,360 --> 01:11:04,080
Speaker 8: Okay, but when you're asking someone to marry you, you're

1693
01:11:04,160 --> 01:11:07,160
Speaker 8: not committing to the person that they are. Then you're

1694
01:11:07,200 --> 01:11:10,200
Speaker 8: committing to this person as a whole and hope that

1695
01:11:10,280 --> 01:11:13,639
Speaker 8: you will grow together no matter like whoever this person

1696
01:11:13,800 --> 01:11:16,000
Speaker 8: grows into being and whoever I grow to be. We're

1697
01:11:16,080 --> 01:11:20,439
Speaker 8: making like making a pack to appreciate each other and

1698
01:11:20,640 --> 01:11:23,599
Speaker 8: to grow together and go on this path of life together.

1699
01:11:23,640 --> 01:11:26,200
Speaker 8: Of course we're going to become different people. The marriage

1700
01:11:26,360 --> 01:11:29,120
Speaker 8: is I'm going to love you no matter what. That

1701
01:11:29,439 --> 01:11:31,160
Speaker 8: that is what they're going in.

1702
01:11:31,280 --> 01:11:33,479
Speaker 2: I'm gonna love you no matter what, only if you

1703
01:11:33,640 --> 01:11:35,040
Speaker 2: propose to me within three years.

1704
01:11:36,120 --> 01:11:37,920
Speaker 4: You keep saying within three years, Like it's not within

1705
01:11:38,000 --> 01:11:41,040
Speaker 4: eight years. You keep just saying three it's eight. Well, no,

1706
01:11:41,200 --> 01:11:42,200
Speaker 4: you don't know years.

1707
01:11:42,520 --> 01:11:44,280
Speaker 3: I don't know about eight years because he didn't know

1708
01:11:44,320 --> 01:11:46,120
Speaker 3: what twenty nine.

1709
01:11:46,720 --> 01:11:48,760
Speaker 1: A lot of people look at the pattern of engagement

1710
01:11:48,880 --> 01:11:53,559
Speaker 1: marriage Kid's house like that all takes fifteen twenty years

1711
01:11:53,720 --> 01:11:58,439
Speaker 1: in totality. So that's why some people rush by definition

1712
01:11:58,720 --> 01:12:01,320
Speaker 1: into engagements after eight years, because I have to start

1713
01:12:01,360 --> 01:12:04,200
Speaker 1: the steps for the rest of my life. That's where

1714
01:12:04,200 --> 01:12:05,720
Speaker 1: it's But we just like we just sat here and

1715
01:12:05,800 --> 01:12:07,240
Speaker 1: read like the marriage is going anywhere.

1716
01:12:07,280 --> 01:12:08,840
Speaker 2: Well yeah, we just sat here and read the numbers

1717
01:12:08,880 --> 01:12:10,240
Speaker 2: on how many people get divorced.

1718
01:12:10,280 --> 01:12:12,599
Speaker 1: Now, oh no, listen, it's a chance, and it's fucking chance.

1719
01:12:13,360 --> 01:12:15,759
Speaker 4: But just because people get divorced doesn't mean that marriage

1720
01:12:15,800 --> 01:12:16,280
Speaker 4: doesn't work.

1721
01:12:16,280 --> 01:12:18,160
Speaker 2: So I'm not saying I never said, I never said

1722
01:12:18,160 --> 01:12:20,719
Speaker 2: marriage doesn't work. But people get divorced a lot because

1723
01:12:20,800 --> 01:12:24,720
Speaker 2: people get engaged quickly and don't really know each other sure,

1724
01:12:24,920 --> 01:12:27,320
Speaker 2: and then they try to learn each other through engagement

1725
01:12:27,400 --> 01:12:29,880
Speaker 2: and then realize, oh shit, I don't really like this.

1726
01:12:29,920 --> 01:12:31,760
Speaker 8: Person, but you keep saying they don't know each other.

1727
01:12:31,880 --> 01:12:34,800
Speaker 8: You're never gonna fully know your partner. You change every

1728
01:12:34,920 --> 01:12:37,120
Speaker 8: two every year, every year, I'm a different person. I

1729
01:12:37,160 --> 01:12:38,760
Speaker 8: will be growing for the rest of my life.

1730
01:12:38,840 --> 01:12:40,439
Speaker 3: The marriag said, you get the new pussy every week.

1731
01:12:40,800 --> 01:12:42,440
Speaker 3: Chameleon had us anyway.

1732
01:12:42,280 --> 01:12:43,680
Speaker 8: I will be growing for the rest of my life.

1733
01:12:43,720 --> 01:12:45,320
Speaker 8: You'll be growing for the rest of your life. You're

1734
01:12:45,360 --> 01:12:47,439
Speaker 8: always going to be a different person than you were before.

1735
01:12:47,680 --> 01:12:50,120
Speaker 8: So we have to recommit to learning each other. You're

1736
01:12:50,160 --> 01:12:52,080
Speaker 8: never just gonna know me. You could have known me

1737
01:12:52,160 --> 01:12:54,840
Speaker 8: for fifteen years and two years from now, I could

1738
01:12:54,880 --> 01:12:57,200
Speaker 8: still become a different person. Does that mean that I

1739
01:12:57,240 --> 01:12:59,720
Speaker 8: should never get married or that I should break up

1740
01:12:59,760 --> 01:13:01,920
Speaker 8: with somebody every three years when I grow.

1741
01:13:02,120 --> 01:13:04,880
Speaker 4: No, it's committing to You're gonna keep growing. I'm gonna

1742
01:13:04,960 --> 01:13:05,880
Speaker 4: keep growing, and we're going.

1743
01:13:05,840 --> 01:13:08,080
Speaker 8: To continue to learn each other. That's the point of

1744
01:13:08,840 --> 01:13:10,599
Speaker 8: so far. In my eyes, that's the point of marriage.

1745
01:13:10,600 --> 01:13:12,840
Speaker 8: You're never gonna fully know me because I'm never gonna

1746
01:13:12,840 --> 01:13:14,560
Speaker 8: continue to be the same person that I was.

1747
01:13:15,400 --> 01:13:17,719
Speaker 2: So now you just said something right this I'm built different.

1748
01:13:18,760 --> 01:13:20,479
Speaker 3: I agree with her, She's not wrong.

1749
01:13:21,720 --> 01:13:24,519
Speaker 8: Yeah, I think people get divorced so much because they

1750
01:13:24,600 --> 01:13:28,360
Speaker 8: can't handle somebody growing, they can't handle someone changing. Granted,

1751
01:13:28,400 --> 01:13:30,960
Speaker 8: I know sometimes people become completely different people and that

1752
01:13:31,120 --> 01:13:33,479
Speaker 8: isn't what you signed up for, and I can respect that,

1753
01:13:33,640 --> 01:13:35,759
Speaker 8: but I also think that some people just aren't willing

1754
01:13:36,160 --> 01:13:39,080
Speaker 8: to watch somebody grow and to wait for them to grow,

1755
01:13:39,400 --> 01:13:42,320
Speaker 8: like I don't think or to you know, change and

1756
01:13:42,360 --> 01:13:44,080
Speaker 8: become a chamelion with the person that they become.

1757
01:13:44,120 --> 01:13:45,519
Speaker 4: I don't think some people do.

1758
01:13:45,560 --> 01:13:47,719
Speaker 2: That like crazy, because think about it. You're getting engage

1759
01:13:47,760 --> 01:13:49,280
Speaker 2: with somebody, right, you think you know this person, then

1760
01:13:49,320 --> 01:13:51,479
Speaker 2: you have a kid. What if this person is just

1761
01:13:51,560 --> 01:13:52,479
Speaker 2: a horrible parent?

1762
01:13:53,240 --> 01:13:56,719
Speaker 3: You don't Yeah, relationships or risks everything.

1763
01:13:57,160 --> 01:13:59,040
Speaker 2: But that's what I'm saying, Like, that's why life is

1764
01:13:59,160 --> 01:14:01,519
Speaker 2: just like it's scared because it's like you think, you

1765
01:14:01,640 --> 01:14:03,600
Speaker 2: notice women know this man, and then you have a

1766
01:14:03,720 --> 01:14:06,280
Speaker 2: child and you're like, oh, you're a piece of shit.

1767
01:14:07,120 --> 01:14:07,439
Speaker 3: Every time.

1768
01:14:08,400 --> 01:14:11,479
Speaker 1: I would imagine most people going into an engagement are

1769
01:14:11,560 --> 01:14:16,720
Speaker 1: thinking about marriage, children, future, and already view them with

1770
01:14:16,920 --> 01:14:18,360
Speaker 1: potential to be a good parent.

1771
01:14:18,479 --> 01:14:18,679
Speaker 3: Yeah.

1772
01:14:18,720 --> 01:14:21,439
Speaker 1: I don't think anyone has the assumption that someone's going

1773
01:14:21,479 --> 01:14:23,320
Speaker 1: to be a shitty mother or father. It's like, well

1774
01:14:23,400 --> 01:14:24,120
Speaker 1: let's get engaged.

1775
01:14:25,160 --> 01:14:26,640
Speaker 2: No, but I'm people you don't know.

1776
01:14:26,840 --> 01:14:28,760
Speaker 1: Of course I never know, but what June just everything

1777
01:14:28,840 --> 01:14:29,200
Speaker 1: is a risk.

1778
01:14:29,280 --> 01:14:31,160
Speaker 8: I also think there's red flags for shit like that.

1779
01:14:32,040 --> 01:14:34,000
Speaker 8: I think there's I think there's red flags. Somebody could

1780
01:14:34,000 --> 01:14:35,599
Speaker 8: be an amazing partner to you, but if you see

1781
01:14:35,600 --> 01:14:38,240
Speaker 8: they're selfish everybody else in their life. I was just

1782
01:14:38,280 --> 01:14:40,200
Speaker 8: talking about that on Twitter where somebody was like they

1783
01:14:40,280 --> 01:14:42,439
Speaker 8: said that same exact thing, like you don't know if

1784
01:14:42,479 --> 01:14:46,000
Speaker 8: somebody will be a good parent yet, like they can

1785
01:14:46,040 --> 01:14:48,280
Speaker 8: completely change once they have a kid, Like you never know,

1786
01:14:48,520 --> 01:14:50,920
Speaker 8: so you can't blame people once like their baby father

1787
01:14:51,040 --> 01:14:53,200
Speaker 8: run out on them. And I'm just like, I feel

1788
01:14:53,280 --> 01:14:55,559
Speaker 8: like people are really bad at seeing red flags. If

1789
01:14:55,600 --> 01:14:57,920
Speaker 8: they're red flags, aren't happening to them. Like if you

1790
01:14:58,000 --> 01:15:01,160
Speaker 8: have a friend that talks shit about everybody else and

1791
01:15:01,280 --> 01:15:03,880
Speaker 8: then or does everybody else dirty and you're just hanging

1792
01:15:03,920 --> 01:15:05,160
Speaker 8: with them and you see it like oh, they did

1793
01:15:05,200 --> 01:15:06,920
Speaker 8: that person dirty, and then you get done dirty and

1794
01:15:06,960 --> 01:15:09,240
Speaker 8: you're like, oh damn, they did me dirty too, Like

1795
01:15:09,479 --> 01:15:11,360
Speaker 8: you didn't see that red flag. I think people are

1796
01:15:11,400 --> 01:15:13,880
Speaker 8: really good at ignoring red flags. So I think, if

1797
01:15:13,920 --> 01:15:15,560
Speaker 8: somebody's gonna be a shitty parent. When I say a

1798
01:15:15,600 --> 01:15:19,800
Speaker 8: shitty parent, they're selfish, or they're extremely impatient, or they're violent,

1799
01:15:20,040 --> 01:15:21,479
Speaker 8: you're telling me that this person has.

1800
01:15:21,520 --> 01:15:24,519
Speaker 4: Never shown you any inkling of this before the kid

1801
01:15:24,600 --> 01:15:26,439
Speaker 4: came unfortunate. I just don't believe you.

1802
01:15:26,560 --> 01:15:28,600
Speaker 3: But a lot of people put blinders up in relationships

1803
01:15:28,800 --> 01:15:30,799
Speaker 3: exactly sure. They see what they want to see potential

1804
01:15:30,840 --> 01:15:33,839
Speaker 3: and what they want the person to be. Rather sadly,

1805
01:15:33,960 --> 01:15:38,599
Speaker 3: more often than not, people think those like life changing

1806
01:15:38,720 --> 01:15:41,320
Speaker 3: moments a kid or buying a house, or are gonna

1807
01:15:41,680 --> 01:15:45,320
Speaker 3: eradicate or change the things that they may have ignored

1808
01:15:45,360 --> 01:15:47,120
Speaker 3: in the past, like oh, now we went from the

1809
01:15:47,200 --> 01:15:50,640
Speaker 3: small one studio apartment to a multi bedroom home. This

1810
01:15:50,760 --> 01:15:52,160
Speaker 3: will change you know that.

1811
01:15:52,200 --> 01:15:53,719
Speaker 1: Was our problem? Yeah, yeah, studio apartment.

1812
01:15:53,720 --> 01:15:57,360
Speaker 3: We needed another room. You needed more speech, more walls

1813
01:15:57,400 --> 01:15:59,080
Speaker 3: we wan on top of you, more walls to throw

1814
01:15:59,120 --> 01:15:59,360
Speaker 3: me into.

1815
01:15:59,479 --> 01:16:00,759
Speaker 1: But then you can stop shooting.

1816
01:16:00,760 --> 01:16:02,920
Speaker 8: If we're not in this place, you can't blame the

1817
01:16:02,960 --> 01:16:06,240
Speaker 8: person and say, oh they changed, No, you just we're

1818
01:16:06,320 --> 01:16:08,960
Speaker 8: at You are not taking accoun accountability for acting stupid

1819
01:16:09,000 --> 01:16:09,479
Speaker 8: on purpose.

1820
01:16:09,640 --> 01:16:13,120
Speaker 2: So well, hopefully sir, we gave you some good advice.

1821
01:16:13,680 --> 01:16:16,840
Speaker 2: I'm sure we didn't, but I say, wait.

1822
01:16:17,080 --> 01:16:19,160
Speaker 1: You seem like a smart guy. You'll make the right you'll.

1823
01:16:19,000 --> 01:16:20,839
Speaker 2: Figure it out. You're studying to get your doctors.

1824
01:16:21,479 --> 01:16:23,240
Speaker 1: But currently when you're listening to this, if you are

1825
01:16:23,320 --> 01:16:26,840
Speaker 1: listening on a Friday, we are in London tonight. If

1826
01:16:26,840 --> 01:16:30,240
Speaker 1: it's not sold out, grab some tickets. We're back in

1827
01:16:30,280 --> 01:16:35,679
Speaker 1: New York on December first. Patreon dot com backslash claim

1828
01:16:35,880 --> 01:16:37,680
Speaker 1: you about that too, I know, and I commented back,

1829
01:16:37,840 --> 01:16:39,839
Speaker 1: I'm going to continue to say backslash because.

1830
01:16:39,600 --> 01:16:42,000
Speaker 3: It's forward slash. It's forward slash.

1831
01:16:42,400 --> 01:16:45,920
Speaker 1: You are literally taking real time out of your day

1832
01:16:45,960 --> 01:16:46,679
Speaker 1: on a Friday.

1833
01:16:47,360 --> 01:16:48,840
Speaker 3: Talk about you with backlashing and force.

1834
01:16:48,960 --> 01:16:50,920
Speaker 1: You're just niitpicking it to the point that you are

1835
01:16:51,000 --> 01:16:53,479
Speaker 1: trying to find anything wrong with the pod at that point.

1836
01:16:53,640 --> 01:16:57,839
Speaker 2: Yeah, yes, we're anew rorymul dot com merch available subscrip

1837
01:16:57,920 --> 01:17:00,080
Speaker 2: to the Patreon, subscribed to YouTube with the like. But

1838
01:17:00,280 --> 01:17:02,920
Speaker 2: know what you hating and like you said, if you're

1839
01:17:02,960 --> 01:17:05,840
Speaker 2: listening to this, we are in London tonight, so let's

1840
01:17:05,840 --> 01:17:08,720
Speaker 2: go have some fun. Yeah all right, man, we'll talk

1841
01:17:08,720 --> 01:17:11,280
Speaker 2: to y'all soon. Be safe, let's go kick some asks

1842
01:17:11,400 --> 01:17:16,200
Speaker 2: on that Nigga Y'SUS Ginger Peace, no Worrian loud