WEBVTT - Les Pétroleuses: 'Savage Hordes of She-Devils'

0:00:02.200 --> 0:00:06.559
<v Speaker 1>Welcome to Criminalia, a production of Shondaland Audio in partnership

0:00:06.600 --> 0:00:11.800
<v Speaker 1>with iHeartRadio.

0:00:14.360 --> 0:00:16.680
<v Speaker 2>Thank you for joining us for the first episode of

0:00:16.720 --> 0:00:20.120
<v Speaker 2>a new season of Criminalia. This season, we'll be talking

0:00:20.160 --> 0:00:24.360
<v Speaker 2>about arson, firebugs, and in this episode a creature known

0:00:24.400 --> 0:00:29.440
<v Speaker 2>as the petreluse. The petreluse is at its very basics,

0:00:29.640 --> 0:00:33.000
<v Speaker 2>considered to be a woman who uses petroleum fuel to

0:00:33.080 --> 0:00:36.800
<v Speaker 2>set fires, according to the rumors around Paris in May

0:00:36.800 --> 0:00:40.600
<v Speaker 2>of eighteen seventy one, though multiple petrulus were to blame

0:00:40.640 --> 0:00:43.839
<v Speaker 2>for burning down much of the city. Of course, the

0:00:43.840 --> 0:00:45.800
<v Speaker 2>story is a lot bigger than that, so let's get

0:00:45.800 --> 0:00:49.040
<v Speaker 2>into it. Welcome to Criminalia. I'm Maria Tremarki.

0:00:49.120 --> 0:00:52.200
<v Speaker 1>And I'm Holly Frye. And to talk about the Petreluse.

0:00:52.400 --> 0:00:55.440
<v Speaker 1>And even though that sounds the same to English speakers

0:00:55.480 --> 0:00:59.000
<v Speaker 1>as the singular, we are talking plural here. We need

0:00:59.000 --> 0:01:01.360
<v Speaker 1>to first talk a bit about what was happening in

0:01:01.440 --> 0:01:06.959
<v Speaker 1>France when they allegedly materialized, specifically the political turmoil in

0:01:07.040 --> 0:01:10.959
<v Speaker 1>France in the nineteenth century, how France became a democracy

0:01:11.120 --> 0:01:13.600
<v Speaker 1>after its defeat in the Franco Prussian War of eighteen

0:01:13.720 --> 0:01:17.400
<v Speaker 1>seventy and the impact of the short lived radical Paris

0:01:17.440 --> 0:01:22.080
<v Speaker 1>Commune that resulted. We fully acknowledge that, yes, one could

0:01:22.160 --> 0:01:25.440
<v Speaker 1>easily spend a lifetime talking about the details of the

0:01:25.440 --> 0:01:28.440
<v Speaker 1>commune what led up to it. You know, once you

0:01:28.480 --> 0:01:32.800
<v Speaker 1>get from French Revolution into like late nineteenth century is

0:01:32.920 --> 0:01:35.280
<v Speaker 1>kind of one long arc. That is a lot of

0:01:35.280 --> 0:01:39.000
<v Speaker 1>things impacting one another and how things ultimately came to

0:01:39.040 --> 0:01:42.400
<v Speaker 1>a fiery end. But because our focus is on the

0:01:42.400 --> 0:01:46.000
<v Speaker 1>female supporters of the Paris Commune and the mythology that

0:01:46.040 --> 0:01:50.440
<v Speaker 1>grew out of accusations of them being quote rebellious, we're

0:01:50.440 --> 0:01:53.440
<v Speaker 1>going to talk pretty quickly through the historical timeline to

0:01:53.560 --> 0:01:55.720
<v Speaker 1>get to the rise of the commune itself.

0:01:56.480 --> 0:01:59.480
<v Speaker 2>Big changes happened in Central Europe after the Holy Roman

0:01:59.520 --> 0:02:03.200
<v Speaker 2>Empire dissolved in eighteen oh six, and that included the

0:02:03.320 --> 0:02:08.640
<v Speaker 2>unification of states. Before eighteen oh six, the German speaking States,

0:02:08.760 --> 0:02:12.720
<v Speaker 2>or simply called the German States, had only been neighbors,

0:02:12.840 --> 0:02:18.120
<v Speaker 2>really together, only in a very loose political entity. That

0:02:18.160 --> 0:02:22.679
<v Speaker 2>political entity was the Holy Roman Empire. In the absence

0:02:22.880 --> 0:02:25.560
<v Speaker 2>of that, Prince Otto von Bismarck thought he'd tried to

0:02:25.639 --> 0:02:28.959
<v Speaker 2>unify all German states under the control of his northern

0:02:29.040 --> 0:02:33.160
<v Speaker 2>German state of Prussia. Consolidation led to the creation of

0:02:33.200 --> 0:02:40.280
<v Speaker 2>the German Confederation that was thirty nine unified states, including Prussia. Consolidation,

0:02:40.440 --> 0:02:44.800
<v Speaker 2>though spawned three wars. The first war of German unification

0:02:44.960 --> 0:02:48.160
<v Speaker 2>was the eighteen sixty two Danish War, the second was

0:02:48.200 --> 0:02:51.040
<v Speaker 2>the eighteen sixty six Austro Prussian War, and the third

0:02:51.080 --> 0:02:54.679
<v Speaker 2>and final piece of consolidation was the Franco Prussian War

0:02:54.720 --> 0:02:56.240
<v Speaker 2>of eighteen seventy.

0:02:57.160 --> 0:03:00.960
<v Speaker 1>And that brings us to Emperor Napoleon the Third. Napoleon

0:03:01.000 --> 0:03:05.040
<v Speaker 1>Bonaparte's nephew, Napoleon the Third led what was known as

0:03:05.080 --> 0:03:09.240
<v Speaker 1>France's Second Empire, and he did not much care for

0:03:09.320 --> 0:03:15.320
<v Speaker 1>Otto's idea. He declared war against Prussia in retaliation. German troops, though,

0:03:15.400 --> 0:03:18.400
<v Speaker 1>were ultimately better prepared than the French army, and the

0:03:18.400 --> 0:03:22.800
<v Speaker 1>war ended with France's admission of defeat. France signed an

0:03:22.880 --> 0:03:26.480
<v Speaker 1>armistice with the new Prussian led German Empire in January

0:03:26.520 --> 0:03:31.120
<v Speaker 1>of eighteen seventy one, and remaining French government officials formed

0:03:31.160 --> 0:03:36.320
<v Speaker 1>a new legislative National Assembly. Adolf Thier was appointed to

0:03:36.440 --> 0:03:40.520
<v Speaker 1>lead the incoming government, a parliamentary republic rather than a monarchy,

0:03:40.960 --> 0:03:43.400
<v Speaker 1>and he sat as President of what would become known

0:03:43.440 --> 0:03:47.720
<v Speaker 1>as France's Third Republic. The new government set itself up

0:03:47.800 --> 0:03:51.120
<v Speaker 1>at the former royal palace at Versailles, only about twelve

0:03:51.200 --> 0:03:55.840
<v Speaker 1>miles west of Paris, and it remained there for several years. Today,

0:03:56.200 --> 0:03:58.600
<v Speaker 1>the period of the Third Republic is considered to have

0:03:58.640 --> 0:04:03.440
<v Speaker 1>been the first stable electoral democracy with universal male suffrage

0:04:03.520 --> 0:04:08.120
<v Speaker 1>in Europe. This new government, though, was more conservative than

0:04:08.120 --> 0:04:11.400
<v Speaker 1>the citizens of Paris were, and many were unhappy that

0:04:11.480 --> 0:04:15.560
<v Speaker 1>the new rules seemed very similar to the old rule. It,

0:04:15.920 --> 0:04:19.000
<v Speaker 1>like the Second Empire, was supported by the Catholic Church

0:04:19.360 --> 0:04:24.240
<v Speaker 1>as well as military leaders and France's conservative population, but

0:04:24.320 --> 0:04:26.880
<v Speaker 1>among Parisians there was a fear that it was just

0:04:26.960 --> 0:04:29.280
<v Speaker 1>going to turn out to be a republican name only,

0:04:29.720 --> 0:04:32.400
<v Speaker 1>and that the new political leaders planned to re establish

0:04:32.520 --> 0:04:33.159
<v Speaker 1>the monarchy.

0:04:34.560 --> 0:04:37.840
<v Speaker 2>Working class Parisians, who were both angry at the armistice

0:04:37.839 --> 0:04:42.600
<v Speaker 2>with Germany and with Tierre's leadership, established a new revolutionary

0:04:42.600 --> 0:04:47.839
<v Speaker 2>political authority, the Paris Commune. Its delegates, known as the

0:04:47.880 --> 0:04:50.680
<v Speaker 2>commune Ards, were considered among Parisians to be a group

0:04:50.720 --> 0:04:55.920
<v Speaker 2>of low class, ruthless radicals. They were actually mainly comprised

0:04:55.920 --> 0:04:59.240
<v Speaker 2>of Jacobin's but also included Blancists as well as members

0:04:59.240 --> 0:05:06.120
<v Speaker 2>of Karl Marxi International Workingmen's Association. The Paris Commune lasted

0:05:06.200 --> 0:05:11.200
<v Speaker 2>for sixty four days. Though it existed for just two months,

0:05:11.240 --> 0:05:14.120
<v Speaker 2>the Commune made a big impact and it's where we

0:05:14.240 --> 0:05:18.440
<v Speaker 2>find the beginnings of the Petrulus. Concepts and ideas that

0:05:18.480 --> 0:05:22.520
<v Speaker 2>in many countries are considered pretty commonplace in modern democracies.

0:05:22.600 --> 0:05:25.719
<v Speaker 2>Things like women's rights, workers' rights, as well as separation

0:05:25.800 --> 0:05:29.000
<v Speaker 2>of church and state. These were radical concepts that were

0:05:29.120 --> 0:05:32.920
<v Speaker 2>not accepted in France in eighteen seventy one, but they

0:05:33.040 --> 0:05:36.880
<v Speaker 2>were accepted ideas within the commune.

0:05:37.160 --> 0:05:41.120
<v Speaker 1>The creation of the Paris Commune introduced more anger and

0:05:41.160 --> 0:05:44.200
<v Speaker 1>aggression to the city. We're going to jump ahead a

0:05:44.200 --> 0:05:47.000
<v Speaker 1>few months to April of eighteen seventy one, when the

0:05:47.120 --> 0:05:50.120
<v Speaker 1>Versaie those are the troops who had remained loyal to

0:05:50.279 --> 0:05:55.400
<v Speaker 1>Tiars's new government began amassing outside the city, fearing an

0:05:55.440 --> 0:05:58.920
<v Speaker 1>impending attack, and rightly so, the leaders of the Paris

0:05:58.960 --> 0:06:03.960
<v Speaker 1>Commune ready to mountain offensive. Louis Rossel, a soldier unhappy

0:06:04.040 --> 0:06:07.359
<v Speaker 1>at the armistice with Germany, felt the new commune offered

0:06:07.400 --> 0:06:10.599
<v Speaker 1>a quote lifeline, and he wrote to the Minister of

0:06:10.640 --> 0:06:13.960
<v Speaker 1>war quote. I do not hesitate to join the side

0:06:14.000 --> 0:06:17.360
<v Speaker 1>which has not concluded peace and which does not include

0:06:17.400 --> 0:06:23.839
<v Speaker 1>in its ranks generals guilty of capitulation. Early offensive attempts failed, though,

0:06:23.880 --> 0:06:26.760
<v Speaker 1>and Commune leaders called off their attacks on the Palace,

0:06:27.240 --> 0:06:28.000
<v Speaker 1>but this.

0:06:28.000 --> 0:06:32.159
<v Speaker 2>In turn then emboldened Tiers's troops, who attacked, entering the

0:06:32.160 --> 0:06:35.920
<v Speaker 2>city through an unguarded city wall. At the time, Paris

0:06:35.960 --> 0:06:38.720
<v Speaker 2>had roughly two million residents, and the war was being

0:06:38.800 --> 0:06:43.400
<v Speaker 2>fought literally on their streets, in their front yards. By

0:06:43.440 --> 0:06:46.600
<v Speaker 2>May twenty second, more than fifty thousand of tiers troops

0:06:46.600 --> 0:06:49.640
<v Speaker 2>had moved into the city, and he hoped that suppressing

0:06:49.720 --> 0:06:53.640
<v Speaker 2>the insurrection would ultimately strengthen the position of the Third Republic.

0:06:54.440 --> 0:06:57.680
<v Speaker 2>In response, the Paris Commune issued a call to arms,

0:06:58.040 --> 0:07:01.200
<v Speaker 2>and this is what brings us to the Paris and

0:07:01.240 --> 0:07:04.920
<v Speaker 2>what's known as lass Amene Saint Blanc or the Bloody Wheat.

0:07:06.920 --> 0:07:10.200
<v Speaker 1>Paris, as you can imagine, had turned into chaos at

0:07:10.200 --> 0:07:13.400
<v Speaker 1>this point. By May twenty third, the third day of

0:07:13.440 --> 0:07:17.120
<v Speaker 1>the Bloody Week, Tirs's troops were targeting and killing supporters

0:07:17.120 --> 0:07:21.520
<v Speaker 1>of the Commune in earnest communards, Catholic clergy. Let's just

0:07:21.560 --> 0:07:24.320
<v Speaker 1>go ahead, and say anyone and everyone who lived in

0:07:24.400 --> 0:07:27.720
<v Speaker 1>the city feared being shot or killed day and night

0:07:27.880 --> 0:07:32.920
<v Speaker 1>and without cause. In one truly terrible statistic, more than

0:07:32.960 --> 0:07:36.800
<v Speaker 1>three hundred suspected Communards were killed inside the church of

0:07:36.840 --> 0:07:42.240
<v Speaker 1>Saint Marie Madeleine by Versailles troops. French poet Augustine Malvina

0:07:42.280 --> 0:07:46.360
<v Speaker 1>Blanche Cotte described in her work Tablette dunfem pond'n la

0:07:46.440 --> 0:07:50.320
<v Speaker 1>commune that's writings of a woman during the commune, the

0:07:50.360 --> 0:07:55.080
<v Speaker 1>smell of gunpowder and the overwhelming terror around her. On

0:07:55.120 --> 0:07:58.360
<v Speaker 1>May twenty four, she wrote, quote, the night has been dreadful,

0:07:58.640 --> 0:08:04.520
<v Speaker 1>with reciprocal fury shells, shrapnel, cannonade, musketry all kept on

0:08:04.680 --> 0:08:08.800
<v Speaker 1>bursting in a frightful concert. The sky itself is red.

0:08:09.040 --> 0:08:11.800
<v Speaker 1>The flashes of the massacre have set it on fire.

0:08:13.320 --> 0:08:16.960
<v Speaker 2>The city really wasn't prepared for conflict at this level.

0:08:17.520 --> 0:08:22.240
<v Speaker 2>Many street barricades went unmanned. There wasn't enough ammunition. The

0:08:22.320 --> 0:08:25.040
<v Speaker 2>city was defended not by the French army, those were

0:08:25.320 --> 0:08:28.960
<v Speaker 2>Tier's forces, but rather by the local national guard called

0:08:28.960 --> 0:08:33.720
<v Speaker 2>the Federat, which had roughly four hundred thousand volunteers among

0:08:33.720 --> 0:08:37.240
<v Speaker 2>its forces. The national Guard had played a major role

0:08:37.320 --> 0:08:40.440
<v Speaker 2>in previous wars, including the Franco Prussian War, but was

0:08:40.559 --> 0:08:44.480
<v Speaker 2>disbanded by TIER soon after the establishment of the Third Republic.

0:08:45.280 --> 0:08:49.280
<v Speaker 2>That job loss contributed to recent economic losses throughout the city,

0:08:49.440 --> 0:08:54.200
<v Speaker 2>sparking additional anger among Parisians. When the Guard was reactivated

0:08:54.200 --> 0:08:57.560
<v Speaker 2>to defend Paris during the eighteen seventy one uprising, it

0:08:57.679 --> 0:09:00.080
<v Speaker 2>wasn't the unit Tier had known. It was a a

0:09:00.280 --> 0:09:05.720
<v Speaker 2>newly radicalized national Guard that wasn't above say, burning down

0:09:05.720 --> 0:09:06.720
<v Speaker 2>the Hotel Deville.

0:09:08.400 --> 0:09:12.200
<v Speaker 1>Fires were intentionally set around the city during the uprising,

0:09:12.440 --> 0:09:16.080
<v Speaker 1>and many during the Bloody Wheat. Targets included the Hotel

0:09:16.120 --> 0:09:19.080
<v Speaker 1>de Ville as we just mentioned, the Palais de Justice,

0:09:19.480 --> 0:09:23.920
<v Speaker 1>Tuilieri Palace, the Richelieut Library of the Louver, dozens of

0:09:23.960 --> 0:09:26.319
<v Speaker 1>smaller buildings near the Rue Royale and the Rue de

0:09:26.480 --> 0:09:30.400
<v Speaker 1>Faubourg Saint Honore, as well as the commercial docks along

0:09:30.440 --> 0:09:34.480
<v Speaker 1>the Seine. Anything that had a whiff of the monarchy

0:09:34.480 --> 0:09:37.160
<v Speaker 1>about it was considered a target, and among one of

0:09:37.200 --> 0:09:40.520
<v Speaker 1>the first marks set ablaze was the Vendome Column. That's

0:09:40.559 --> 0:09:44.880
<v Speaker 1>a monument that Napoleon Bonaparte had erected to honor well himself.

0:09:46.040 --> 0:09:49.520
<v Speaker 1>The commune arts called it quote a monument of barbarism,

0:09:50.080 --> 0:09:53.040
<v Speaker 1>and the idea to destroy the tower is sometimes credited

0:09:53.080 --> 0:09:57.559
<v Speaker 1>to French artist Gustave Courbet, who had held leadership positions

0:09:57.600 --> 0:10:01.360
<v Speaker 1>on the commune's arts and education councils, although he had

0:10:01.400 --> 0:10:04.880
<v Speaker 1>broken with the commune before the Vendome column was attacked.

0:10:05.640 --> 0:10:09.280
<v Speaker 1>Some private homes were looted and burned, including the residence

0:10:09.360 --> 0:10:12.840
<v Speaker 1>of Adolph Thierre. In the days and months that followed

0:10:12.840 --> 0:10:15.920
<v Speaker 1>the uprising, the fires and those who set them took

0:10:15.960 --> 0:10:17.280
<v Speaker 1>on a story all their own.

0:10:18.360 --> 0:10:21.400
<v Speaker 2>The Bloody Week ended on May twenty eighth, when Tierre's

0:10:21.400 --> 0:10:24.600
<v Speaker 2>forces took control of the city, and a final act

0:10:24.640 --> 0:10:27.600
<v Speaker 2>of brutality, roughly one hundred and fifty commune ards were

0:10:27.640 --> 0:10:31.199
<v Speaker 2>executed and buried in a mass grave at Perlische's cemetery

0:10:31.280 --> 0:10:34.400
<v Speaker 2>the night of May twenty seventh. More than forty three

0:10:34.480 --> 0:10:37.880
<v Speaker 2>thousand Parisians were arrested in the aftermath of the uprising.

0:10:38.800 --> 0:10:42.280
<v Speaker 2>Some leaders of the newly defunct commune fled France. Others

0:10:42.320 --> 0:10:45.120
<v Speaker 2>were exiled to the French territory of New Caledonia in

0:10:45.120 --> 0:10:48.400
<v Speaker 2>the South Pacific. Some were executed for their role in

0:10:48.440 --> 0:10:52.120
<v Speaker 2>the uprising, though many members in the commune were eventually

0:10:52.280 --> 0:10:53.319
<v Speaker 2>granted amnesty.

0:10:54.920 --> 0:10:56.600
<v Speaker 1>We're going to take a break for a word from

0:10:56.600 --> 0:10:59.959
<v Speaker 1>our sponsors, and when we return, we will talk about

0:11:00.080 --> 0:11:03.600
<v Speaker 1>how the story of these Parisian arsonists just doesn't hold up.

0:11:17.720 --> 0:11:21.280
<v Speaker 2>Welcome back to Criminalia. Let's talk about how the female

0:11:21.280 --> 0:11:25.040
<v Speaker 2>Communards became a scapegoat for the violence that happened during

0:11:25.080 --> 0:11:29.280
<v Speaker 2>the uprising and the misogynistic coverage of the trial that followed.

0:11:30.920 --> 0:11:34.160
<v Speaker 1>So let's talk about the fires. We know from modern

0:11:34.280 --> 0:11:37.880
<v Speaker 1>historians and some not so modern historians that the fires

0:11:37.920 --> 0:11:41.240
<v Speaker 1>set around Paris during the uprising were likely set by

0:11:41.320 --> 0:11:44.720
<v Speaker 1>Tiers troops as well as the National Guard and those

0:11:44.760 --> 0:11:48.040
<v Speaker 1>who were striking out in political anger, but that is

0:11:48.120 --> 0:11:51.680
<v Speaker 1>not how the story of these fires was told. The

0:11:51.760 --> 0:11:56.040
<v Speaker 1>widespread arson, according to the original narrative, was attributed to

0:11:56.120 --> 0:11:59.840
<v Speaker 1>the women Communards, who were given the nickname les Petrolus.

0:12:00.720 --> 0:12:04.720
<v Speaker 1>American historian Albert Boehm once wrote that these women quote

0:12:04.800 --> 0:12:09.439
<v Speaker 1>often symbolized the commune as a militant female, the mythical petruluse,

0:12:09.920 --> 0:12:13.280
<v Speaker 1>the female incendiary who flouted her true nature.

0:12:15.760 --> 0:12:19.280
<v Speaker 2>Women did have an active role in the Paris Commune,

0:12:19.280 --> 0:12:22.560
<v Speaker 2>and that included everything from caring for the wounded to

0:12:22.760 --> 0:12:26.280
<v Speaker 2>fighting in their revolution. There were a number of feminist

0:12:26.280 --> 0:12:30.520
<v Speaker 2>initiatives proposed in the Commune, including equal wages for women,

0:12:30.760 --> 0:12:35.079
<v Speaker 2>the right to divorce, and professional education for women, yet

0:12:35.880 --> 0:12:39.080
<v Speaker 2>there were no women in leadership positions in the Commune.

0:12:39.600 --> 0:12:44.040
<v Speaker 2>In her book The Fury Archives, Female Citizenship, Human Rights

0:12:44.040 --> 0:12:47.640
<v Speaker 2>and the International Avant Garde, author Jill Richards writes that

0:12:47.800 --> 0:12:51.360
<v Speaker 2>at the time, women who were active in politics would

0:12:51.360 --> 0:12:54.600
<v Speaker 2>have been at the same time excluded from any kind

0:12:54.640 --> 0:12:58.520
<v Speaker 2>of political recognition. That was the climate, and that was

0:12:58.600 --> 0:13:02.240
<v Speaker 2>true within the Second Empire, the Third Republic, and the

0:13:02.280 --> 0:13:08.320
<v Speaker 2>Commune's Central Committee. Richards calls these women political actors, human

0:13:08.760 --> 0:13:10.360
<v Speaker 2>but not given the rights of men.

0:13:12.400 --> 0:13:15.319
<v Speaker 1>At a time in France when women had no political

0:13:15.400 --> 0:13:18.560
<v Speaker 1>rights and little to know liberties, the idea of the

0:13:18.559 --> 0:13:21.760
<v Speaker 1>Petreloeus of the Paris Commune was one that represented the

0:13:22.000 --> 0:13:26.319
<v Speaker 1>emancipated woman that was the usual term for a feminist

0:13:26.360 --> 0:13:31.400
<v Speaker 1>in the nineteenth century. The petrelieuz was considered among Parisians

0:13:31.600 --> 0:13:35.840
<v Speaker 1>to be dangerous. According to Gay Gullickson, professor Emerita at

0:13:35.840 --> 0:13:38.880
<v Speaker 1>the University of Maryland and author of the book Unruly

0:13:38.920 --> 0:13:42.280
<v Speaker 1>Women of Paris images of the Commune. Quote. They were

0:13:42.280 --> 0:13:45.560
<v Speaker 1>women who had left the domestic sphere for the political arena,

0:13:45.840 --> 0:13:50.160
<v Speaker 1>where feminism challenges bourgeois men's sense of order, power and

0:13:50.200 --> 0:13:55.280
<v Speaker 1>well being. There was and is no evidence that there

0:13:55.320 --> 0:13:57.160
<v Speaker 1>was an all girl arson gang.

0:13:58.840 --> 0:14:01.880
<v Speaker 2>Female commune arts were on trial for their alleged arson

0:14:01.960 --> 0:14:07.000
<v Speaker 2>activities during the uprising. French journalist Leonce DuPont recalled that

0:14:07.400 --> 0:14:10.720
<v Speaker 2>the women were ugly, to be sure, but not quite

0:14:10.840 --> 0:14:14.679
<v Speaker 2>ugly enough, or not as ugly as one might have expected.

0:14:15.600 --> 0:14:18.199
<v Speaker 2>And though we paraphrased him a little bit there, all

0:14:18.240 --> 0:14:22.960
<v Speaker 2>those ugly words were his, and it's his words, those

0:14:23.080 --> 0:14:25.800
<v Speaker 2>ugly words that went on to become pretty much the

0:14:25.840 --> 0:14:29.360
<v Speaker 2>default record of the fourth Military Tribunal of the Paris

0:14:29.400 --> 0:14:31.920
<v Speaker 2>Commune that was the first of the trials to be

0:14:32.080 --> 0:14:35.200
<v Speaker 2>devoted to female commune arts.

0:14:37.080 --> 0:14:43.560
<v Speaker 1>Five women appeared in court, Elizabeth Gretife, Leontine Souetin, Josephine

0:14:43.600 --> 0:14:49.040
<v Speaker 1>mauche Eula li Papavoine, and Lucie Marie Bouquamp. And of

0:14:49.080 --> 0:14:52.520
<v Speaker 1>all of them, DuPont wrote, quote, they were not hideous enough,

0:14:52.640 --> 0:14:57.600
<v Speaker 1>not old enough, not criminal enough to inspire horror. He

0:14:57.680 --> 0:15:00.560
<v Speaker 1>had more to say on the subject, and reportedly knowing

0:15:00.640 --> 0:15:05.080
<v Speaker 1>a little about physiognomy, he deliberately focused on any facial

0:15:05.160 --> 0:15:10.120
<v Speaker 1>markings or perceived deformities the women had. So physiognomy, in

0:15:10.160 --> 0:15:13.000
<v Speaker 1>case you do not know, is a pseudoscience. It's the

0:15:13.040 --> 0:15:17.040
<v Speaker 1>practice of assessing a person's character or personality traits from

0:15:17.040 --> 0:15:22.520
<v Speaker 1>their physical characteristics, and specifically their face. DuPaul reported Elizabeth

0:15:22.600 --> 0:15:26.720
<v Speaker 1>had a quote large nose and beast like grin. He

0:15:26.880 --> 0:15:30.520
<v Speaker 1>also wrote that she was overdressed for court and perspired

0:15:30.560 --> 0:15:35.000
<v Speaker 1>too much. Leontine's left cheek, he noted, was scarred, and

0:15:35.040 --> 0:15:37.320
<v Speaker 1>he went on to speculate that this may have happened

0:15:37.360 --> 0:15:40.640
<v Speaker 1>in a brothel. There's no evidence at all to suggest

0:15:40.720 --> 0:15:45.560
<v Speaker 1>that Josephine, he observed, seemed dirty and withered, and he

0:15:45.600 --> 0:15:49.080
<v Speaker 1>wrote that she looked angry, quote like a fury. He

0:15:49.160 --> 0:15:52.440
<v Speaker 1>found twenty four year old ulales face to be too large,

0:15:52.520 --> 0:15:55.560
<v Speaker 1>and of Lucy well, her mouth was just too big.

0:15:56.240 --> 0:15:59.680
<v Speaker 1>If you're looking for any evidence that these women were arsonists, though,

0:15:59.760 --> 0:16:03.320
<v Speaker 1>do not look to DuPont. His account sort of reads

0:16:03.400 --> 0:16:05.160
<v Speaker 1>like a Petrelouze fanfic.

0:16:06.640 --> 0:16:09.880
<v Speaker 2>Renee de Polges, a journalist for the French Daily newspaper,

0:16:10.040 --> 0:16:13.200
<v Speaker 2>le Figero also expressed disappointment with the looks of the

0:16:13.240 --> 0:16:17.240
<v Speaker 2>accused arsonists. In his coverage of the trial, he reported

0:16:17.240 --> 0:16:20.760
<v Speaker 2>that a crowd had gathered outside the courtroom quote with

0:16:20.880 --> 0:16:24.960
<v Speaker 2>some excitement, no doubt, because the very word petreluze summoned

0:16:25.040 --> 0:16:29.160
<v Speaker 2>the most sinister menace, that is to say, savage hordes

0:16:29.160 --> 0:16:33.320
<v Speaker 2>of she devils. However, to the audience's dismay, the persons

0:16:33.400 --> 0:16:37.600
<v Speaker 2>led to the bench were ruined girls, ragged, grown pale

0:16:37.680 --> 0:16:40.440
<v Speaker 2>from their night watches or darkened by the sun. Their

0:16:40.560 --> 0:16:45.040
<v Speaker 2>voices hoarse, their eyes dull, no longer feminine or masculine,

0:16:45.400 --> 0:16:51.080
<v Speaker 2>beings without sex, without morality, without conscience, without even cynicism.

0:16:51.760 --> 0:16:54.920
<v Speaker 2>He never uses the word ugly, as DuPont like to

0:16:54.960 --> 0:16:56.360
<v Speaker 2>throw about quite liberally.

0:16:56.720 --> 0:16:57.680
<v Speaker 1>But he really.

0:16:57.480 --> 0:17:00.320
<v Speaker 2>Doesn't have to, does he. He doesn't even describe these

0:17:00.320 --> 0:17:01.160
<v Speaker 2>women as human.

0:17:02.800 --> 0:17:06.760
<v Speaker 1>Writers were not the only ones describing the accused this way.

0:17:07.040 --> 0:17:11.960
<v Speaker 1>The Petrelius were also vilified through visual art. Misogynistic caricatures

0:17:12.000 --> 0:17:16.440
<v Speaker 1>of women were printed in publications and newspapers, most depicting

0:17:16.480 --> 0:17:21.159
<v Speaker 1>female Commune art supporters as mustachioed women carrying torches and

0:17:21.280 --> 0:17:25.359
<v Speaker 1>watering cans full of gasoline. Some women were drawn with

0:17:25.480 --> 0:17:29.760
<v Speaker 1>pig like features. The writing and the imagery had nothing

0:17:29.800 --> 0:17:33.359
<v Speaker 1>to do with evidence, but it did directly reflect societal

0:17:33.400 --> 0:17:37.200
<v Speaker 1>fears at that time, fears concerning the fight for female

0:17:37.200 --> 0:17:41.560
<v Speaker 1>independence and agency, and in this instance, through women's participation

0:17:41.680 --> 0:17:42.320
<v Speaker 1>in revolution.

0:17:43.680 --> 0:17:47.800
<v Speaker 2>Captain Juan, prosecutor at the trials, stated of the accused women,

0:17:47.920 --> 0:17:53.760
<v Speaker 2>quote the horrible campaign against civilization begun on March eighteenth

0:17:53.800 --> 0:17:56.800
<v Speaker 2>by people who believe in neither God nor country, and

0:17:57.560 --> 0:18:01.080
<v Speaker 2>alas in great number unworthy creatus who seem to have

0:18:01.119 --> 0:18:04.280
<v Speaker 2>taken on the task of becoming an opprobrium to their sex.

0:18:04.480 --> 0:18:09.600
<v Speaker 2>And she becomes a moral monstrosity, then woman is more

0:18:09.680 --> 0:18:13.400
<v Speaker 2>dangerous than the most dangerous man. What began with what

0:18:13.440 --> 0:18:18.440
<v Speaker 2>you might consider like low hanging fruit among misogynists, such

0:18:18.480 --> 0:18:21.479
<v Speaker 2>as referring to women as a she devil, became a

0:18:21.640 --> 0:18:26.040
<v Speaker 2>larger and uncomfortable question of how female commune ards mattered

0:18:26.080 --> 0:18:30.040
<v Speaker 2>in regard to much bigger issues such as women's legal personhood.

0:18:30.840 --> 0:18:33.720
<v Speaker 2>The accused women of the Commune emerged from the flames

0:18:33.880 --> 0:18:37.359
<v Speaker 2>as a mythical creature, but they also emerged as a

0:18:37.400 --> 0:18:41.199
<v Speaker 2>scapegoat whose role in the Commune, say modern historians, was

0:18:41.240 --> 0:18:44.200
<v Speaker 2>exaggerated in reaction to the threat they posed.

0:18:45.840 --> 0:18:50.280
<v Speaker 1>Since the nineteenth century, researchers and historians have tried to

0:18:50.440 --> 0:18:53.400
<v Speaker 1>estimate the number of commune Ards killed in the uprising.

0:18:54.240 --> 0:18:57.800
<v Speaker 1>Current estimates suggest that at least ten thousand people most

0:18:57.880 --> 0:19:00.960
<v Speaker 1>during the Bloody Week, but as many as twenty thousand

0:19:01.000 --> 0:19:02.240
<v Speaker 1>deaths may have happened.

0:19:03.520 --> 0:19:05.600
<v Speaker 2>We are going to take a break forward from our

0:19:05.640 --> 0:19:08.200
<v Speaker 2>sponsor now, but when we're back we will talk more

0:19:08.280 --> 0:19:12.120
<v Speaker 2>about the depiction of the petreluse and the misogynistic narrative

0:19:12.240 --> 0:19:20.840
<v Speaker 2>that formed around the female commune arts.

0:19:28.440 --> 0:19:32.680
<v Speaker 1>Welcome back to Criminalia. Let's continue talking about the way

0:19:33.280 --> 0:19:36.480
<v Speaker 1>female commune arts were treated after the uprising and how

0:19:36.520 --> 0:19:39.800
<v Speaker 1>their story became mythology.

0:19:39.840 --> 0:19:43.199
<v Speaker 2>Even before the trials began, the press had fixated on

0:19:43.280 --> 0:19:48.040
<v Speaker 2>a perverse idea of the petroluse. In their writing, reporters

0:19:48.160 --> 0:19:53.359
<v Speaker 2>invoked descriptions including things like she wolves, the hydra, and

0:19:53.560 --> 0:19:59.080
<v Speaker 2>other mythological monstrosities to describe the accused women. Early political

0:19:59.160 --> 0:20:03.160
<v Speaker 2>cartoons printed newspapers portrayed women from the commune as ghoules

0:20:03.280 --> 0:20:08.520
<v Speaker 2>carrying cans of gasoline. Propaganda postcards showed the petrulus as

0:20:08.560 --> 0:20:12.960
<v Speaker 2>a witch, usually holding a water can and quote watering

0:20:13.040 --> 0:20:17.680
<v Speaker 2>the fires of destruction because they violated traditional gender rules.

0:20:17.720 --> 0:20:21.399
<v Speaker 2>Female commune ards were considered by journalists and illustrators to

0:20:21.400 --> 0:20:26.000
<v Speaker 2>be unfeminine, and we saw the quote unnatural so many times.

0:20:26.359 --> 0:20:30.480
<v Speaker 2>They were certainly not welcome in joining the political discourse.

0:20:31.480 --> 0:20:35.480
<v Speaker 2>French novelist and poet Arson Hussai, who was a contemporary

0:20:35.520 --> 0:20:39.600
<v Speaker 2>to the Commune, disparagingly wrote that quote with a kick

0:20:39.640 --> 0:20:42.440
<v Speaker 2>to their skirts, we should cast into the hell of malediction,

0:20:42.640 --> 0:20:45.480
<v Speaker 2>all these horrible creatures who have dishonored women in the

0:20:45.520 --> 0:20:49.880
<v Speaker 2>saturnalias and impieties of the Commune.

0:20:49.920 --> 0:20:53.320
<v Speaker 1>Of the misogynistic press coverage. Author Gaye Gilixen writes that

0:20:53.400 --> 0:20:59.080
<v Speaker 1>quote virtually overnight, this representation of the dangerous, unruly female

0:20:59.080 --> 0:21:02.960
<v Speaker 1>incendiary came to symbolize the evils of the commune. For

0:21:03.000 --> 0:21:06.240
<v Speaker 1>its critics, she could not have been imagined without the

0:21:06.280 --> 0:21:09.359
<v Speaker 1>fires that burned furiously in parts of the city. But

0:21:09.480 --> 0:21:13.640
<v Speaker 1>she was also the heir of the female representations already circulating,

0:21:14.000 --> 0:21:21.119
<v Speaker 1>the gun wielding Amazons, furies, viragos, female orators, and cantinier. Instead,

0:21:21.200 --> 0:21:25.479
<v Speaker 1>the Petrulus lingered in people's minds, a powerful personification of

0:21:25.560 --> 0:21:28.639
<v Speaker 1>evil with which to condemn the commune and to question

0:21:28.760 --> 0:21:30.160
<v Speaker 1>the very nature of woman.

0:21:33.359 --> 0:21:37.680
<v Speaker 2>Not all coverage of the women came from outside the commune,

0:21:37.720 --> 0:21:41.760
<v Speaker 2>though in her memoirs completed in eighteen eighty six, female

0:21:41.760 --> 0:21:45.520
<v Speaker 2>communore Louise Michelle described her mindset at the time as

0:21:45.680 --> 0:21:51.320
<v Speaker 2>quote all or nothing of the events. She wrote barbarian

0:21:51.400 --> 0:21:54.000
<v Speaker 2>that I am I love cannon, the smell of powder,

0:21:54.119 --> 0:21:57.960
<v Speaker 2>machine gun bullets in the air. In contrast to the

0:21:58.000 --> 0:22:02.439
<v Speaker 2>circulating propaganda, In real photographs of Luise, she appears to

0:22:02.440 --> 0:22:07.200
<v Speaker 2>be a no nonsense woman dressed in a National Guard uniform.

0:22:08.400 --> 0:22:12.920
<v Speaker 1>Summarized by French writer and male communard Benois Mallon, quote,

0:22:13.119 --> 0:22:16.760
<v Speaker 1>above all, one important fact that the Paris Revolution brought

0:22:16.800 --> 0:22:20.520
<v Speaker 1>to light is the entry of women into politics. They

0:22:20.560 --> 0:22:23.760
<v Speaker 1>felt that the cooperation of women was indispensable to the

0:22:23.800 --> 0:22:28.199
<v Speaker 1>triumph of the social revolution, which had reached the fighting stage.

0:22:28.600 --> 0:22:31.919
<v Speaker 1>The woman and the proletariat, those ultimate victims of the

0:22:31.960 --> 0:22:36.160
<v Speaker 1>old order, could not hope for their emancipation except by

0:22:36.160 --> 0:22:39.840
<v Speaker 1>forming a strong union against all the forces of the past.

0:22:41.520 --> 0:22:46.239
<v Speaker 2>Gullixon explains that quote vengeful proletarians were dangerous enough, but

0:22:46.520 --> 0:22:50.760
<v Speaker 2>women posed even greater threats to the social order. She continues,

0:22:50.840 --> 0:22:54.399
<v Speaker 2>explaining that there were damaging ideologies that grew up around

0:22:54.440 --> 0:22:57.520
<v Speaker 2>the female commun art stories which show us today the

0:22:57.640 --> 0:23:01.720
<v Speaker 2>extent of the fears around French women's potential political power

0:23:01.760 --> 0:23:06.280
<v Speaker 2>and agency. During the Proletariat's civil war and revolution, they

0:23:06.320 --> 0:23:10.280
<v Speaker 2>were punished for existing outside of the traditional domestic rule.

0:23:10.680 --> 0:23:13.320
<v Speaker 2>Some were exiled and others were killed when the Commune

0:23:13.359 --> 0:23:14.600
<v Speaker 2>fell to the Third Republic.

0:23:16.040 --> 0:23:20.080
<v Speaker 1>Activist and founder of the Union des Femme Elizabeth Mitriev,

0:23:20.240 --> 0:23:23.960
<v Speaker 1>a contemporary of the Paris Commune, once stated that these women,

0:23:24.080 --> 0:23:27.359
<v Speaker 1>these radical women, felt that they could achieve quote the

0:23:27.440 --> 0:23:31.920
<v Speaker 1>creation of a new social order founded on equality, solidarity

0:23:32.160 --> 0:23:35.639
<v Speaker 1>and of freedom, but it wasn't meant to be. Instead

0:23:35.680 --> 0:23:39.480
<v Speaker 1>of improving women's rights, female supporters of the Commune were

0:23:39.480 --> 0:23:44.320
<v Speaker 1>demonized for daring to involve themselves in politics. Long after

0:23:44.359 --> 0:23:48.000
<v Speaker 1>the Commune was gone, spite lingered and the women, or

0:23:48.359 --> 0:23:52.879
<v Speaker 1>more accurately, the idea of what these women represented, became

0:23:53.000 --> 0:23:56.320
<v Speaker 1>a successful scapegoat for the French state regarding the burning

0:23:56.359 --> 0:24:01.560
<v Speaker 1>of Paris and atrocities committed during the uprising. These women

0:24:01.800 --> 0:24:05.240
<v Speaker 1>are forever immortalized in the image of the Petreloeus and

0:24:05.320 --> 0:24:08.880
<v Speaker 1>their mythology went beyond the borders of Paris and France.

0:24:09.520 --> 0:24:14.280
<v Speaker 1>American politician and diplomat Elihu Washburn, for example, is known

0:24:14.320 --> 0:24:17.960
<v Speaker 1>to have brought home tales of the quote savage petrelus

0:24:18.040 --> 0:24:21.400
<v Speaker 1>in Paris, imagine that dinner party conversation.

0:24:25.520 --> 0:24:28.720
<v Speaker 2>In the aftermath of the Paris Commune, a general feeling,

0:24:29.080 --> 0:24:33.600
<v Speaker 2>like a general undercurrent throughout the city allowed for the

0:24:33.680 --> 0:24:39.199
<v Speaker 2>concept of femininity to become greatly distorted among the public, politicians,

0:24:39.240 --> 0:24:43.520
<v Speaker 2>and among the press covering the events. To quote Gallixen again,

0:24:43.640 --> 0:24:45.840
<v Speaker 2>and this is because she really hits the nail on

0:24:45.880 --> 0:24:49.879
<v Speaker 2>the head here. Bourgeois men and women were obsessed with

0:24:50.000 --> 0:24:54.480
<v Speaker 2>representations of the women on the barricades as immoral and unnatural.

0:24:55.760 --> 0:24:59.439
<v Speaker 2>For conservatives, the fires and the sinister Petreloeus were a

0:24:59.440 --> 0:25:03.600
<v Speaker 2>godsend since they distracted attention from the army's slaughter of

0:25:03.640 --> 0:25:05.000
<v Speaker 2>the Parisians.

0:25:06.320 --> 0:25:10.840
<v Speaker 1>Everyone from historians to politicians to Parisian citizens has a

0:25:10.840 --> 0:25:15.200
<v Speaker 1>differing view on the significance of the Petrulus, the violent uprising,

0:25:15.280 --> 0:25:19.800
<v Speaker 1>and the commune. Revolutionary Karl Marx described the Paris Commune

0:25:19.880 --> 0:25:23.760
<v Speaker 1>as the first proletarian revolution, one that rejected the authority

0:25:23.800 --> 0:25:27.560
<v Speaker 1>of the French Third Republic. Vladimir Lenin, founder of the

0:25:27.600 --> 0:25:31.960
<v Speaker 1>Russian Communist Party, was impressed by the quote revolutionary passion

0:25:32.320 --> 0:25:36.399
<v Speaker 1>of the Commune arts. Chinese communist revolutionary and the founder

0:25:36.440 --> 0:25:39.879
<v Speaker 1>of the People's Republic of China Mau Situng spoke of

0:25:39.920 --> 0:25:42.000
<v Speaker 1>being inspired by the Commune Arts.

0:25:43.480 --> 0:25:47.760
<v Speaker 2>But those women accused of using nineteenth century Molotov cocktails

0:25:47.800 --> 0:25:52.760
<v Speaker 2>to burn down Paris, that's right, they didn't exist.

0:25:59.240 --> 0:26:02.679
<v Speaker 1>All right, Maria. Yes, it's a new season and a

0:26:02.720 --> 0:26:05.800
<v Speaker 1>new drink segment, so we're calling this one Lighter Fluid.

0:26:05.960 --> 0:26:06.600
<v Speaker 2>Which I love.

0:26:08.720 --> 0:26:11.080
<v Speaker 1>I can already tell that the challenge of this season

0:26:11.280 --> 0:26:14.920
<v Speaker 1>is not making everything a spicy fire.

0:26:14.760 --> 0:26:17.200
<v Speaker 2>Drink exactly, can we Let's just set all the drinks

0:26:17.280 --> 0:26:18.639
<v Speaker 2>up and we'd get boring.

0:26:19.080 --> 0:26:22.160
<v Speaker 1>They may all be spicy. We'll see what happens, We'll

0:26:22.200 --> 0:26:27.120
<v Speaker 1>see what feels correct. So in this case, I started

0:26:27.160 --> 0:26:31.440
<v Speaker 1>to think about flavors common in French foods. French food

0:26:32.080 --> 0:26:36.320
<v Speaker 1>not really known for its spicy, fiery dishes, so that's

0:26:36.400 --> 0:26:39.560
<v Speaker 1>one thing. But what French food is known for, among

0:26:39.600 --> 0:26:42.240
<v Speaker 1>other things, is it's beautiful pastries. And so I started

0:26:42.240 --> 0:26:47.560
<v Speaker 1>thinking about French fruit tarts. So usually like a fruit tart,

0:26:47.600 --> 0:26:51.040
<v Speaker 1>there are obviously different variations, but there's a base like

0:26:51.119 --> 0:26:54.280
<v Speaker 1>a crust that's usually a cookie type thing, like a

0:26:54.400 --> 0:26:57.000
<v Speaker 1>very buttery crust, and then there's a creamy layer and

0:26:57.040 --> 0:26:59.840
<v Speaker 1>then there's fresh fruit on top. So I wanted to

0:26:59.840 --> 0:27:04.439
<v Speaker 1>do something that conjured that but also seemed like maybe

0:27:04.480 --> 0:27:07.800
<v Speaker 1>you put a very mild hot sauce on top of it. Oh,

0:27:07.840 --> 0:27:12.399
<v Speaker 1>So to start, you have to do a little prep

0:27:12.440 --> 0:27:15.720
<v Speaker 1>on this one, which is that you have to take

0:27:15.760 --> 0:27:18.919
<v Speaker 1>about four ounces of vodka. You're not gonna use all

0:27:18.960 --> 0:27:21.120
<v Speaker 1>four ounces, this is just for prep.

0:27:21.440 --> 0:27:24.440
<v Speaker 2>I'm like, this is a big drink, used it.

0:27:24.400 --> 0:27:28.400
<v Speaker 1>Across multiple projects. But it's one of those things where

0:27:28.440 --> 0:27:31.720
<v Speaker 1>we've talked about before if you if you go lower,

0:27:32.080 --> 0:27:35.640
<v Speaker 1>your proportions of ingredients get a little harder to control

0:27:36.040 --> 0:27:38.520
<v Speaker 1>as they shrink. So we're starting with four ounces of

0:27:38.600 --> 0:27:43.480
<v Speaker 1>vodka and about a tea spoon or like a pretty

0:27:43.520 --> 0:27:46.679
<v Speaker 1>rounded barspoon of paprika. You're gonna put that in the

0:27:46.720 --> 0:27:48.359
<v Speaker 1>vodka and you're gonna let that sit not for a

0:27:48.359 --> 0:27:50.120
<v Speaker 1>long time. This isn't like a multi day.

0:27:49.960 --> 0:27:53.440
<v Speaker 2>Thing, and this is like a sweet Hungarian, not a smoky.

0:27:53.440 --> 0:27:56.520
<v Speaker 1>It can be whatever paprika you have on hand. Truthfully,

0:27:56.560 --> 0:27:58.840
<v Speaker 1>because the thing that you're pulling out of it that

0:27:58.920 --> 0:28:01.160
<v Speaker 1>really gets left in the vibe cut is almost the same.

0:28:01.200 --> 0:28:05.280
<v Speaker 1>Either way. Smoky is great in my opinion. You're gonna

0:28:05.280 --> 0:28:07.080
<v Speaker 1>give it a little shake in, like a little jar

0:28:07.160 --> 0:28:08.920
<v Speaker 1>or whatever you got. If you only have a cup

0:28:08.960 --> 0:28:11.600
<v Speaker 1>and you stir it, that's fine too. You really only

0:28:11.600 --> 0:28:14.399
<v Speaker 1>need to let that set forty five minutes, not a

0:28:14.400 --> 0:28:16.840
<v Speaker 1>long time. Go have lunch while you do that. That's

0:28:16.880 --> 0:28:19.959
<v Speaker 1>what I did. So then when you are ready, when

0:28:20.000 --> 0:28:22.040
<v Speaker 1>that has set for a minute, you are gonna make

0:28:22.160 --> 0:28:26.680
<v Speaker 1>your drink, which I am calling the gasoline goules. These

0:28:26.720 --> 0:28:30.160
<v Speaker 1>women were incorrectly and rudely called ghoules. But we're gonna

0:28:30.160 --> 0:28:32.600
<v Speaker 1>make something delicious out of it. You are going to

0:28:32.880 --> 0:28:35.800
<v Speaker 1>in a shaking tin with plenty of ice, put in

0:28:36.160 --> 0:28:39.280
<v Speaker 1>a half ounce of simple syrup, a half ounce of

0:28:39.360 --> 0:28:43.080
<v Speaker 1>lemon juice, three quarters of an ounce Creme de violette,

0:28:43.840 --> 0:28:47.360
<v Speaker 1>three quarters of an ounce of low sugar apple juice,

0:28:47.880 --> 0:28:50.520
<v Speaker 1>one ounce of shambour See we're getting lots of fruit

0:28:50.520 --> 0:28:54.840
<v Speaker 1>flavors in there, one ounce of that paprika infused vodka.

0:28:54.920 --> 0:28:56.719
<v Speaker 1>And when you do it, I would say, let the

0:28:56.720 --> 0:29:00.320
<v Speaker 1>paprika settle to the bottom a little bit where you

0:29:00.320 --> 0:29:03.200
<v Speaker 1>pour it, because you don't want that particulate in there.

0:29:03.680 --> 0:29:05.800
<v Speaker 1>It's a little tricky to strain off, but we're gonna

0:29:05.800 --> 0:29:08.080
<v Speaker 1>double strain it on the pour out so you'll be okay.

0:29:08.800 --> 0:29:12.040
<v Speaker 1>And then you're gonna add to get that slightly creamy situation,

0:29:12.400 --> 0:29:15.200
<v Speaker 1>an ounce and a half of the milk of your choice.

0:29:15.280 --> 0:29:19.560
<v Speaker 1>I did oat milk and a drop of vanilla extract, okay,

0:29:19.600 --> 0:29:22.120
<v Speaker 1>because you just want to give it that bakery sensation

0:29:22.920 --> 0:29:25.360
<v Speaker 1>without getting too heavy. You are gonna shake this with

0:29:25.440 --> 0:29:28.480
<v Speaker 1>ice like crazy, and then you'll double strain it so

0:29:28.880 --> 0:29:32.720
<v Speaker 1>whatever your usual cocktail strainer is, and through a mesh

0:29:32.760 --> 0:29:36.200
<v Speaker 1>strainer that for me, got almost all the particulate out

0:29:36.360 --> 0:29:39.320
<v Speaker 1>that was coming from the paprika. And you're gonna strain

0:29:39.320 --> 0:29:42.720
<v Speaker 1>that into a pre chilled glass. And then you have

0:29:42.760 --> 0:29:48.080
<v Speaker 1>your gasoline gul which is this really fun, fruity, creamy

0:29:48.440 --> 0:29:51.600
<v Speaker 1>drink that has a lot of body to it. And

0:29:51.640 --> 0:29:54.800
<v Speaker 1>then part of your brain goes, do I smell smoke like.

0:29:55.920 --> 0:29:57.000
<v Speaker 2>That smoky paprika.

0:29:57.200 --> 0:29:59.880
<v Speaker 1>I'm like, but in a very faint background y kind

0:29:59.880 --> 0:30:01.320
<v Speaker 1>of I'm.

0:30:01.240 --> 0:30:05.920
<v Speaker 2>Very excited about the idea of paprika vodka.

0:30:06.520 --> 0:30:10.160
<v Speaker 1>If you are a bloody mary drinker I am. I'm

0:30:10.160 --> 0:30:12.880
<v Speaker 1>not really into them, but I highly recommend because it's

0:30:12.920 --> 0:30:14.960
<v Speaker 1>a fun way to make a bloody mary have a

0:30:15.000 --> 0:30:17.560
<v Speaker 1>little bit more kind of base tone to it. It

0:30:17.680 --> 0:30:20.680
<v Speaker 1>just gives it a little bit more flavor. For the

0:30:20.720 --> 0:30:23.400
<v Speaker 1>mocktail on this, it's super easy. We're just doing some

0:30:23.440 --> 0:30:26.280
<v Speaker 1>switch outs. So in lieu of krem to violette, you'll

0:30:26.280 --> 0:30:28.760
<v Speaker 1>do violet syrup, in lieu of shambour, you'll do a

0:30:28.840 --> 0:30:33.280
<v Speaker 1>raspberry syrup. And in lieu of your paprika vodka, you're

0:30:33.320 --> 0:30:37.560
<v Speaker 1>gonna do a paprika infused kim emialte. Oh so easy,

0:30:37.640 --> 0:30:38.120
<v Speaker 1>very nice.

0:30:38.280 --> 0:30:39.400
<v Speaker 2>Yeah, that makes sense.

0:30:40.000 --> 0:30:43.360
<v Speaker 1>You may want to, depending on your interest in sweetness,

0:30:43.840 --> 0:30:46.880
<v Speaker 1>dial back your simple syrup since you're using other syrups here.

0:30:47.720 --> 0:30:50.920
<v Speaker 1>That's one of those tests it in sea, but otherwise

0:30:50.960 --> 0:30:55.360
<v Speaker 1>it's pretty similar it. In my opinion, the mocktail carries

0:30:55.480 --> 0:31:00.680
<v Speaker 1>the fruitier notes a little harder, because alcohol will sometimes

0:31:00.720 --> 0:31:03.680
<v Speaker 1>undercut a fruity note if it's not the prominent ingredient

0:31:03.720 --> 0:31:07.760
<v Speaker 1>of a thing. So that is the gasoline ghoul, which

0:31:08.280 --> 0:31:11.880
<v Speaker 1>was pretty darn tasty and I'll probably make again, and

0:31:11.920 --> 0:31:15.640
<v Speaker 1>I hope. If you make it, you enjoy it. We

0:31:15.880 --> 0:31:19.479
<v Speaker 1>are very excited for this season. Ahead of fire, firefire.

0:31:21.600 --> 0:31:23.040
<v Speaker 2>Smoking, all the drinks.

0:31:23.280 --> 0:31:25.920
<v Speaker 1>Smoking all the drinks. It'll be nothing but cinnamon and smoking.

0:31:28.240 --> 0:31:31.520
<v Speaker 1>I promise, I want you that every time. Also pretty

0:31:31.520 --> 0:31:35.040
<v Speaker 1>sure it will come up. He will be right back

0:31:35.080 --> 0:31:39.920
<v Speaker 1>here again next week with another hopefully fascinating story of

0:31:40.040 --> 0:31:54.320
<v Speaker 1>arson and another hopefully yummy drink. Criminalia is a production

0:31:54.400 --> 0:31:58.680
<v Speaker 1>of Shondaland Audio in partnership with iHeartRadio. For more podcasts

0:31:58.680 --> 0:32:03.040
<v Speaker 1>from Shondaland Audio, please visit the iHeartRadio app, Apple Podcasts,

0:32:03.120 --> 0:32:05.120
<v Speaker 1>or wherever you listen to your favorite shows.