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Speaker 1: The Laundronnarts is a production of I Heart Radio. This

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Speaker 1: is what we remember and remember. This is what it

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Speaker 1: sounded like. What we couldn't hear, we made up. The

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Speaker 1: rest of it is ultrue. Before we returned to the

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Speaker 1: laundron article of Jonica vernicle of fleet pap our children

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Speaker 1: poised as the Puma ear is at the pinnacle of

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Speaker 1: our own personal point of no return. We must first

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Speaker 1: re equate ourselves with Charlie Evans bedroom that we seem

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Speaker 1: a hons ago. You might recall that we had just

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Speaker 1: made contact with Charlie and his dream unaware we had

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Speaker 1: in fact made contact with Charlie through Hoodwink, who then

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Speaker 1: delivered our message to Jonaka send the signal we pulled

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Speaker 1: her through. At the fifteen minute mark, Charlie promptly awakened

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Speaker 1: to inform us that this Hoodwink was now in an

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Speaker 1: absential with Jonica and had some home manipulated us all

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Speaker 1: in getting there. Adding to this confuge was Roscoe and

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Speaker 1: Annabelle Evans, Charlie's parents, bounding on the bedroom door, demanded

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Speaker 1: to know what all this ruckus was about? What's all

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Speaker 1: this rock is about? Charlie Harley Evan there's no rockish

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Speaker 1: Anna bell, Charlie motionless of the window were vade. Then

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Speaker 1: he tried to unsuccessfully smother the sound of the plum

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Speaker 1: as we darted out onto the fire escape and slithered

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Speaker 1: down the ladder to the street below. Mona hesitated at

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Speaker 1: the open windows, and you chuck, I'm having a nightmare.

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Speaker 1: Go away, don't make a bust down that door. Maybe

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Speaker 1: if you pulled your butt out of bed once in

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Speaker 1: a while. Roscoe, you have to come, Charlie. We need

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Speaker 1: your head as a coagulant. Co what you lent, Charlie,

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Speaker 1: holly us let me go back to sleep. Just be there.

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Speaker 1: I will just go go. Mona ducked out the window.

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Speaker 1: We could still hear Charlie round his parents screaming at

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Speaker 1: each other as we dashed to the washing turney. Meanwhile,

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Speaker 1: in absentia, surroundered on all sides by mounting danger and

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Speaker 1: impending chaos, Jonica floated serenely in the calm waters of

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Speaker 1: her own conscience. I'm ready hoodwink for suckling, shuddered ecstatically.

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Speaker 1: Wonderful news. Please do not, Shawnica, do not do this.

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Speaker 1: I bed of you. We imprisoned cluckling struggled mightily within

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Speaker 1: his restraints. It'll be okay, quiet time piece, goodwink, whippot

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Speaker 1: the curl and squeezed more inky steel at Kink until

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Speaker 1: he was completely muffled. As you can see, my queen,

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Speaker 1: Time is of the utmost essence. I imagine sludge is

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Speaker 1: demanding entry to cataclysm at this very moment, and I

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Speaker 1: imagine Queen mcleanchar is stubbornly denying him said entry. That

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Speaker 1: standoff will not last. So I just bury myself here,

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Speaker 1: wake at the beach, just cover up to replace the

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Speaker 1: creator of my talis woman, you must bury yourself in

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Speaker 1: the deepest part of absentia, inside the heart of the matter.

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Speaker 1: Could Wink executed a quick survey of the outer show

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Speaker 1: of the heart, slithering over its many curves and concaves

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Speaker 1: and convexes until sweet Sozo, what is it? Come and see,

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Speaker 1: my queen. A door had been carved into the heart show.

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Speaker 1: No locks were visible, just a simple door. A drawing

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Speaker 1: from my knowledge of the human anatomy. You will need

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Speaker 1: to find the crossroads where the ventricle chambers meet the

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Speaker 1: aortic and pulmonary arteries. One can go no deeper than

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Speaker 1: that in the heart, what will be doing hiding? It's

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Speaker 1: when I do best give me the care. You won't

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Speaker 1: meet it, my mistress. Are you my obedient servant? Or

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Speaker 1: aren't you hoodwink coiled curtly, it is clearly not chuffed

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Speaker 1: at being ordered about. Then he slowly produced the carrot,

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Speaker 1: bowing low like a twig in the wind. As you wish,

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Speaker 1: oh celestial one, I will hang on to its twin,

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Speaker 1: if you don't mind, purely as a safe door, of course,

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Speaker 1: Jonica slid the carrot into her knapsack and faced the

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Speaker 1: door everything. She flung a open and stepped across the

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Speaker 1: threshold into the very heart of the heart of the matter,

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Speaker 1: and found herself in the attic of a great Granny

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Speaker 1: Manny's house, the neumatic attic, the once most glorious attic

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Speaker 1: Jonaka had ever seen, now second only to the ecstatic

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Speaker 1: attic of the city of what the Yes, she was

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Speaker 1: there be shold as always tending to her orchards. Near

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Speaker 1: the cracked, dusty, cob webbed window that was always cracked,

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Speaker 1: dusty and cobwebbed. The morning sun beamed into the refracting glass,

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Speaker 1: illuminating the dancing dust mites in the air. Are you

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Speaker 1: sure you're not slug? Yes? Should be chird perhaps, but

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Speaker 1: sloge never a y. He miss you so much. A

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Speaker 1: monsieur to love. We embraced Jonaica could feel Granny Money

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Speaker 1: was solid and warm. How I didn't have the answers myshere,

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Speaker 1: just the questions. You and the other hands have all

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Speaker 1: of the answers, none of the questions. I don't understand.

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Speaker 1: I'm not supposed to help j D. Should I just

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Speaker 1: run for it? It's holding lyne. I wasn't even supposed

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Speaker 1: to be here, and you have been so very brave

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Speaker 1: and resilient, like an ally cat a poma, actually even better.

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Speaker 1: How do you know what I've been doing? You're just

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Speaker 1: a memory, it seems here in absentia even memories have memories.

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Speaker 1: Do you still have my luck? Of course? I never

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Speaker 1: take it off. Why did you put a photo of

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Speaker 1: my mother in there? Granny Minnie? I asked for a

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Speaker 1: picture of you. I wanted you to see your mother

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Speaker 1: as she once was, pumpkin, young, strong, full of life,

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Speaker 1: like you, She's nothing like me. Life can wear us

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Speaker 1: doing I can't if I don't understand it, cannot live

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Speaker 1: life fully until you learn to love life fully, my darling,

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Speaker 1: all of it, the bad, the ugly, the beautiful. Only

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Speaker 1: then will you ever truly live. I never learned any

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Speaker 1: of that stuff. It's not something you learned, see, it's

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Speaker 1: something you're unlearned. I need to get to the crossroads.

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Speaker 1: So focused and the resuliant, Come, dear, look good my window.

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Speaker 1: Johonnica joined her at the cracked, dusty cup with window.

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Speaker 1: It was as if they were inside and diving down,

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Speaker 1: submerged in some strange dream. Outside was a labyrinth of

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Speaker 1: tunnels and valves, opening and closing, aqua blue water coursing everywhere,

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Speaker 1: a pulse something the walls throbbing and vibrating. That the

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Speaker 1: need soon over there, until you get to the pulmonary artery. Hello,

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Speaker 1: the current of the pulmonary artery to carry you to

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Speaker 1: the chambers of atria. There you will find the crossroads.

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Speaker 1: Wherever you do, darl And to not go into either

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Speaker 1: of the ventrical chambers, why not, you will be summarily

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Speaker 1: redistributed into the DNA of abstincia. Is that a bad thing?

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Speaker 1: Let's certain less? Thuds painful? Where were you as near

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Speaker 1: as your looking? Oh, the embrace Granny Manna and the

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Speaker 1: confines of her attic dissolved away, and Jonica was standing

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Speaker 1: in the veiny tunnel in shallow aqua blue water. The

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Speaker 1: walls of the tunnel inhaled and exhaled, pulsing with absentious power.

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Speaker 1: Follow the cannot get the ponary artery, Jonica dashed down

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Speaker 1: the tunnel, her feet splashing in the stream. The rumble

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Speaker 1: of a large river grew louder with each twist and turn.

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Speaker 1: The tunnel narrowed began to slope down. Jonica lost her

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Speaker 1: footing fell started to slide face forward. She was suddenly

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Speaker 1: launched into the air, then splashed into a seething lagoon below.

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Speaker 1: The rapids churned in front, tossing Jonica about, but she

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Speaker 1: managed to break the surface using her knapsack at the

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Speaker 1: floating device. She was moving with a new, more powerful

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Speaker 1: curve into a large duck tunnel. The pulmonary order the

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Speaker 1: ductor swallowed her. The water settled into an eerie calm m. Hello, Hello,

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Speaker 1: is someone else here? Hello? Hoodrink? Is that you? Oh

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Speaker 1: it's me Granny, Yes, Love, there's someone else here. They

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Speaker 1: are three help me. I cannot then, what good are you?

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Speaker 1: You got the pain. I got the boom, she got

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Speaker 1: the pain. We got the boom. Can advise, I can come, sir,

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Speaker 1: I can take her and tosser like your thought. Gay

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Speaker 1: means the consiences for your easilis there just your stud

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Speaker 1: I forgot c back of LOI it's a god like

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Speaker 1: god an she got the bank I got you stonished

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Speaker 1: sished bo. Jonica awakened from our musical reverie to find

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Speaker 1: herself alone, lying on dry land. To her right and

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Speaker 1: left were cathedral like chambers whistling wildly with wind. The

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Speaker 1: ventricle chambers behind her, and before her were long tunnels

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Speaker 1: with slimy walls, pounding with power and purpose. They are

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Speaker 1: taken pulmonary pathways. Jonica stood and looked down at her feet.

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Speaker 1: The soil of absentia wafted over her shoes like a sandkerchief.

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Speaker 1: This is the place, her voice echoed in the cavernous crossroads.

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Speaker 1: She took off Granny Manny's lucket. Opened it took out

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Speaker 1: the photo of her mother as a teenage girl, healthy, spry, fearless,

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Speaker 1: performing a hand standard top a galloping horse. Nothing like

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Speaker 1: the grim husk. Jonica wheeled around San Francisco every day

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Speaker 1: the narrowed knitter of other people's socks, sad forlorn, always chastising,

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Speaker 1: always sowing seeds of diminishment and doubt. I don't want

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Speaker 1: to know what happened to me and where I hope

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Speaker 1: you don't mind, do you, Miniology. Jonica buried the luckets

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Speaker 1: and photograph in the soil and stepped back from the

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Speaker 1: ground sprung a flowering bush, pink tohition dancer. Jonica spun

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Speaker 1: it was the teenage girl from the photo, the acrobat, smiling,

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Speaker 1: standing on two good legs. Mamma, I never wanted to

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Speaker 1: book the tide rope or sweet on the topees. Mother

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Speaker 1: the fleet plucked a pair of tow shoes from the

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Speaker 1: pink bush and tried them on. They fit perfectly. She

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Speaker 1: began to dance gracefully. Papa was having none of it.

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Speaker 1: So the Fleet family belongs to the silk v artists.

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Speaker 1: Your father has the same fire, demanding, disciplined, stubbing the hearing.

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Speaker 1: But it was nothing like your Colbert. Your father was

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Speaker 1: a hoard, a liar. As soon as I walked my

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Speaker 1: back from the fall, he was gone with the horse

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Speaker 1: Tiger's daughter. No he's holding He sounds like a horrible man,

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Speaker 1: and glad I don't remember him. No, every six Jake.

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Speaker 1: There was a as steadfast as the sea. Everything's Jake.

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Speaker 1: He was a fisherman on the board when we stowed

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Speaker 1: away to America. You wouldn't remember him, knew were just

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Speaker 1: a baby. He discovered us hiding and double clad allowed

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Speaker 1: your crying. But he didn't he tells the captain or

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Speaker 1: the rest of the cool. He kept us hidden, spared us,

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Speaker 1: kept us safe. He gave me money and his coat

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Speaker 1: when we arrived in New York, an everlin mother and

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Speaker 1: her awful What about everything else? Jake. Let's what he'd

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Speaker 1: say when I was asking questions or despair. Everything's Jakes, sweetheart,

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Speaker 1: Everything's Jake. He the whole ways was what happened to him.

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Speaker 1: He told me he would come and find me when

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Speaker 1: he had his own boat, when he was his own captain.

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Speaker 1: I think that's what he said. That's like you can

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Speaker 1: where you down to the warf every day and look

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Speaker 1: for you on a bo sometimes dreaming. It's every since Jake,

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Speaker 1: finally coming from me, but the devils because there is

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Speaker 1: no print charm in my love. I don't need a prince, Mama.

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Speaker 1: Everyone needs a prince or a princess feet it's intuible.

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Speaker 1: I'm not afraid, Mama, you should be. Why why do

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Speaker 1: you teach me to be afraid of everything? Why do

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Speaker 1: you teach me to doubt myself? Hid my talents, follow

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Speaker 1: her people. I don't want you to be calm like me.

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Speaker 1: She melted into a bubbling puddle of tar, and slowly

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Speaker 1: we shaped into the motherless fleet of today, old bent,

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Speaker 1: a piece of gnarled cold, mounted in a chair with wheels.

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Speaker 1: Is this what you want? It doesn't have to be

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Speaker 1: like that. Life is good. Life wants us to be happy.

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Speaker 1: I want us to live and hate got me. You're

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Speaker 1: not listening. You never listen to me. Jonica met her

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Speaker 1: other's eyes. They were lifeless, cool like I. You're not

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Speaker 1: my mother. No, you're the militancy. You're the sickness that's

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Speaker 1: somet to g D. You're the one I heard splashing.

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Speaker 1: It takes one to know. Her mother melted away into

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Speaker 1: the puddle of tar and began slushing and slushing about

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Speaker 1: the chamber. There ain't no sinningen, so they speaking again,

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Speaker 1: speaking again on alignancy, just a whisper. It's so very

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Speaker 1: hard to see, Professor listen. I'm alignancy girl. Don't Joe

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Speaker 1: see it? Watching wait so patiently, heavily. I'm a laten

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Speaker 1: see spice, spice, sp Spice've gotten the spice? Spicy? Jonnica

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Speaker 1: o her parch of cinnamon. She had forgotten all about it.

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Speaker 1: She stuck her finger inside and brought it to her

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Speaker 1: tongue her buds when bunga spine, singing splut space to

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Speaker 1: give games. I'm a lign same what you go, It's

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Speaker 1: what I need that stop. I'm a lagos nay who

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Speaker 1: flung me to uskin again. I'm alignance. What you got

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Speaker 1: is what I spakin again. Jonakan force the maligtancy out

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Speaker 1: of the crush, back through the pulmonic artery, back back back.

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Speaker 1: Goddess is the podest that we're going to keep it

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Speaker 1: honest because they're gonna be astonishing without so much admonishing, abolishing, demolishing,

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Speaker 1: and polishing. Where am I hello? Catch you? Jonica had

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Speaker 1: pushed the malignancy into one of the ventricle chambers Granny Man.

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Speaker 1: His words echoed some early redistributed into the DNA of obstination.

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Speaker 1: Jonica was listed off her feet and sucked towards one

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Speaker 1: of the valves. She caught a corpuscle hanging from the

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Speaker 1: ceilings and held on tight. The vacuum tugged at her.

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Speaker 1: The malignancy oozed out of the chamber, staying low, avoiding

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Speaker 1: the clutches of the vacuum. School I'm caring it again.

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Speaker 1: It was gone. Who are you? But Granny Money was

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Speaker 1: nowhere to be found. Janka had buried her with the luck.

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Speaker 1: She was on her own. She searched for the plug,

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Speaker 1: It too was gone. She took a long, deep breath,

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Speaker 1: bowed down to the now, and let go of the corpuscle.

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Speaker 1: She was instantly sucked out to the yawning mall of

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Speaker 1: the vow actually described it later. I went, I was

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Speaker 1: pushed up through cataclysmia. I saw everything worh past me,

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Speaker 1: the piectings and wheels and gears and mcclinker sarge in

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Speaker 1: the grumblers. Then I was in soft mountain, pushing upwards,

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Speaker 1: up to the current of socks came down. Pressure was

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Speaker 1: so strong I thought I was going to explode. I

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Speaker 1: erupted out the mouth of the mountain and it was

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Speaker 1: me again. It was a bright flash, and and on

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Speaker 1: that resounding no children. We pivot back to San Francisco,

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Speaker 1: where our crew had just arrived at the washer, ury

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Speaker 1: and breathless and bedraggled, but barely a minute to spare,

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Speaker 1: and no Charlie Evans in sight. Where's Jolie? Well turned

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Speaker 1: the monor, the instigator of our helpless plan. He if

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Speaker 1: he'd be here. Well, he's not. What's the time, I asked?

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Speaker 1: One minute, I'll go find him. No, there's no time, Perry.

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Speaker 1: We stay together. He'll be here. Come on, Charlie, day down?

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Speaker 1: Did I miss anything? Where have you been? I had

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Speaker 1: to check my parents and walking themselves in the bathroom,

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Speaker 1: and then I had to stopped for some ice. Get

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Speaker 1: in the machine? What? Get in the umbo? Now? Have

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Speaker 1: to use your head as a coagulant. No one's touching

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Speaker 1: my head. There was no time for argument. We left

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Speaker 1: on Charlie and rustled him to the jumbo tar and

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Speaker 1: he pushed us home. All right, all right, back away

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Speaker 1: and climbed into the machine and sat awkwardly in the

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Speaker 1: soapy water. Now what we all turned them on? I

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Speaker 1: don't know. Great, he's not collagulating. Maybe he needs to

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Speaker 1: be asleep. Go to sleep, Charlie, what well? I don't

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Speaker 1: know something about his dreams. I'll finish my bedtime story.

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Speaker 1: We don't have time for that, Nick, Are you people nuts?

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Speaker 1: Do you want me to all of a sudden fall

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Speaker 1: asleep again in a washing machine? Yes, you know what,

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Speaker 1: forget it? I tried. I'm done. Charlie started to climb

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Speaker 1: out of the machine, but then he stepped forward and

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Speaker 1: Cole cocked him in the jar. Charlie crumbled like an

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Speaker 1: old card table, and it was out like the proverbial

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Speaker 1: nightlight in wanting to do that for a long time. Wow, Gang,

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Speaker 1: and the new heavyweight champion of the world is Benjamin

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Speaker 1: Franklin came in? How can he suddenly be so comfortable?

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Speaker 1: I asked, a disbelief, No conscience, remember, keep his head

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Speaker 1: out of the water. Seconds I repositioned Charlie safely inside

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Speaker 1: the machine. We backed away and locked into our diamond formation.

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Speaker 1: The water bubbled, his a wind swirled, Yes, she comes.

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Speaker 1: Shades everyone, Everyone slipped on the sunglasses. We had water

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Speaker 1: along for the occasion the blinding flash. Then Jonica and

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Speaker 1: Charlie came rocketing out like two bubbling bowling holes. Oh

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Speaker 1: it's okay, Jonica, you have to send me back let

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Speaker 1: I didn't send the signal. Jonica pushed us away and

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Speaker 1: jumped to her feet, Her eyes searched for something none

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Speaker 1: of us could see. I had it? What the malignancy? Who? Jonica?

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Speaker 1: It's us, your home. It's okay, you're safe. I didn't

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Speaker 1: send the signal. What are you talking about? Somebody? Did

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Speaker 1: I have to go back? She tried to leap inside

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Speaker 1: the jumbo to again. Perry and Benny grabbed her and

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Speaker 1: pulled her back. Jonica struggled madly. Jonica, calm down, you

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Speaker 1: will kill him. What what do you talking about? Hey guys,

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Speaker 1: we're a little business. Perhaps you'd like to help Charlie,

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Speaker 1: he said, waking up? What he's not waking up? Benny

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Speaker 1: and Mona darted back to Nick and Charlie, leaving Perry

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Speaker 1: to wressel with Jonica alone. Help where are you going,

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Speaker 1: Manny gave Charlie, and not so gentle prod with his shoes.

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Speaker 1: Charlie's slumber remained undisturbed, missing round Charlie. I don't think

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Speaker 1: he's missing, Benny me, somebody help, please, Mona. Mona turned

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Speaker 1: back to Perry. Get up Charlie, Mona. Mona turned back

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Speaker 1: to Nick and Benny, I have to go back Mona.

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Speaker 1: Mona started to speak when could only manage a shake

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Speaker 1: of her head. It was the first time we could

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Speaker 1: have remember Ramona Verona rays aka the owl being at

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Speaker 1: a loss for words. No, the return of reason and

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Speaker 1: the rise always so horribly on time. Oh you won't

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Speaker 1: they and often comes from a more southerly climb. Was

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Speaker 1: it that the end of John? Yes, that was indeed

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Speaker 1: the chaotic conclusion of the Cuma Goddess's adventure. And while

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Speaker 1: there is still much to unpack, it must be left

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Speaker 1: for our next meeting. Until then, Stittlings, your next long

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Speaker 1: door not challenge is thus capture a moment of wonder.

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Speaker 1: Bring it to me, unspoiled and intact, a moment of wonder.

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Speaker 1: How does one do that? Sir? I hold your hand

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Speaker 1: at every turn, child, look to it. Yes, sir, the

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Speaker 1: wrong clothes? How do you pick the wrong clothes? Did

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Speaker 1: they did the clothes? Perhaps pick them? Madam? Here strange man, Indeed,

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Speaker 1: I'll be running along woman, madam. Just let me gather

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Speaker 1: my wherewith holes and here too fall. No, you don't

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Speaker 1: need to, that's not I don't mean to. Yes, the

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Speaker 1: building they are selling it all of it, shoes up, barber,

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Speaker 1: crazy watchmaker, been in family for a long time. All listen.

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Speaker 1: No every year, they asked, But no, you know times

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Speaker 1: are very more, Dah won't be until after holidays. They

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Speaker 1: will probably turned on and make ugly condo minimums. Wanted

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Speaker 1: to tell you because just because nothing lasts, madam, neither

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Speaker 1: is the pain of the pleasure. I enjoy and and

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Speaker 1: you are both in equal measure. And so I bet

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Speaker 1: you were fund and warm. You can sleep in supplies

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Speaker 1: it excuse me out back supplies it very cluttered, but warm.

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Speaker 1: Here's I go to inventory fornight, I leave key. If

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Speaker 1: key gone, then I returned. We have understanding that Dah

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Speaker 1: the key to kindness. It's much like a blindness. What

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Speaker 1: you love is what you'll see. What you hate is

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Speaker 1: what you'll be. The door of insight, it's just a

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Speaker 1: window in the half light, the wall of chances, just

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Speaker 1: the type of passing glance. That's did you see a

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Speaker 1: moment of wonder? Madam? Nothing more, nothing less. I thank

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Speaker 1: you for your kind nurse, and good night study's ma'am.

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Speaker 1: The Laundronauts are potentially untre tale based on actual events, conceived,

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00:29:48,120 --> 00:29:52,600
Speaker 1: written and directed by Colin Mackenzie Mitchell. Original music, sound

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00:29:52,640 --> 00:29:56,959
Speaker 1: design and editing by Dave McKeever. Produced by Monica Michlas

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Speaker 1: and Dave McKeever. Script supervision and editorial assistants by Christina Bryan.

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Speaker 1: Casting by Mary Claire Sweeters. Executive producers John Cameron Mitchell,

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Speaker 1: ed Asner and Calling Mackenzie Mitchell, starring an order of appearance,

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Speaker 1: Isaac Robinson Smith as the Man Everything's Jake and Roscoe Evans,

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Speaker 1: Alison Fraser as the Woman Great Granny Manny and Madame Russia.

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Speaker 1: Ed Asner as the Narrator, Kate Prendergast as Annabelle Evans

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Speaker 1: and Mother of Fleet, Noah Bentley as Charlie, Lily Resto

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Speaker 1: as Mona blue Bell, Saracino as Jonica, Stephen Kieran as Hoodwink,

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Speaker 1: Trent Mills as Kenkle and the Malignancy, John Cameron Mitchell

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Speaker 1: as Absentia London, Johnson as Benny, Nirvan Pau as Nick,

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Speaker 1: Trevor Bernardino as Perry, Evan Took as the sister, Max

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Speaker 1: Mitchell as the Brother. The Laundronats is a collaboration between

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Speaker 1: I Heart Media and Little Brother Sam Productions. For more

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00:31:16,240 --> 00:31:19,680
Speaker 1: podcasts from my heart radio, Visit the i heart Radio app,

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00:31:19,880 --> 00:31:24,640
Speaker 1: Apple Podcasts, or wherever you get your podcasts. The Laundronats

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00:31:24,760 --> 00:31:26,840
Speaker 1: is a production of I heart Radio.