WEBVTT - Solitary

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<v Speaker 1>Of the Law and Order franchises. SVU is considered especially watchable.

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<v Speaker 2>We are the amateur detectives who kind of investigate the

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<v Speaker 2>vicious felonies.

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<v Speaker 3>These episodes are based on. These are our stories.

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<v Speaker 1>Done done, Hello, and welcome to another episode of your

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<v Speaker 1>favorite podcast That's Messed Up, an SVU podcast. I'm one

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<v Speaker 1>of your hosts, Kara Klink, and I'm Elisa Tragger, and

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<v Speaker 1>we're pumped here.

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<v Speaker 3>We do SVU and then we.

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<v Speaker 2>Talk true crime and you know up top, we catch

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<v Speaker 2>up a little bit and we pretend we don't see

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<v Speaker 2>each other almost every day. And this will be our

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<v Speaker 2>third intro in a road talking about Halloween.

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<v Speaker 1>I'm eating Halloween candy right now, baby at nine am.

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<v Speaker 3>You lucky bitch, You lucky bitch.

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<v Speaker 2>I really had a not I mean, I went to

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<v Speaker 2>Rosie's Halloween parade.

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<v Speaker 1>That was very She was thrilled. Her teacher goes, did

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<v Speaker 1>you see her trying to go into the crowd. I go,

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<v Speaker 1>she has a friend, Like, I didn't catch that. That's

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<v Speaker 1>so cute. She went to go say hi to you,

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<v Speaker 1>and the teacher thought that Rosie was just like greeting

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<v Speaker 1>the fans like she thought that Rosie was just like

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<v Speaker 1>heading to the talking to her people.

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<v Speaker 3>I was having the time of my life.

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<v Speaker 2>I mean, Rosie as a zebra was great, but I

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<v Speaker 2>did have a favorite child, and she did win her

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<v Speaker 2>grades costume contest. And then I love the Dunkin Donuts

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<v Speaker 2>Munchkin Box girl. Yeah that was she was the star

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<v Speaker 2>for me. She was the star. The Medusa was nice,

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<v Speaker 2>the Jack Skellington brought it, but I was really feeling

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<v Speaker 2>the Munchkins Box.

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<v Speaker 1>Yeah, it was really cute. They like parade around. Everybody

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<v Speaker 1>watches they do go by grade.

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<v Speaker 3>It was cute. Well I remember our first grade.

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<v Speaker 2>You know what was so interesting seeing this Halloween in

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<v Speaker 2>La It was in the eighties and like, yeah, my

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<v Speaker 2>whole childhood.

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<v Speaker 3>It was like fuck, like what my cold? I don't

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<v Speaker 3>want it to cover my costume.

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<v Speaker 2>Yeah, and then it was like how to be warm

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<v Speaker 2>in the costume and these kids were sweating, swearhoods off,

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<v Speaker 2>like children were struggling and it's such a different experience,

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<v Speaker 2>totally totally.

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<v Speaker 3>Mom, I don't want to wear a coat. It's gonna

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<v Speaker 3>ruin the whole look.

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<v Speaker 1>And like here it's like Rosie had kids that are class, like,

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<v Speaker 1>go did they not dress up?

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<v Speaker 3>She goes, no, he's sonic.

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<v Speaker 1>He just got too hot, like you know, like people

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<v Speaker 1>just it's it was boiling and I like was out

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<v Speaker 1>in the sun for like five hours because I was

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<v Speaker 1>the chair of the Harvest Festival as an insane person.

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<v Speaker 1>And then I went straight to trick or treating and

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<v Speaker 1>I went to a street that was so wild. It's

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<v Speaker 1>like a classic La street that people love to go to.

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<v Speaker 1>And it was too crowded. I'll never go there again.

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<v Speaker 1>Could barely walk on the sidewalks. The kids had to

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<v Speaker 1>like you know, wait in line to get into certain

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<v Speaker 1>houses because the stairwalls were like flooded with children. I

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<v Speaker 1>just I'm not doing that shit again. I'm gonna go

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<v Speaker 1>my neighborhood. My neighborhood has good stuff, and I shouldn't

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<v Speaker 1>have gone to another neighborhood.

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<v Speaker 3>Yeah, you just can't say no.

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<v Speaker 2>You have an ultimate fomo and you needed to go

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<v Speaker 2>to the main street.

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<v Speaker 3>And now you learned. I learned.

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<v Speaker 1>I learned, and I'll never go back again. But she

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<v Speaker 1>got to see a bunch of her friends, and you know,

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<v Speaker 1>it was cute.

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<v Speaker 3>We ran into people. We knew it was cute, but

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<v Speaker 3>it was part of the hood. I don't know.

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<v Speaker 2>I grew up as your trigger treat where you live,

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<v Speaker 2>like even the planned and the curfews, and we're actually

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<v Speaker 2>doing it on a Sunday like that that's future shit.

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<v Speaker 3>That's like not a part of my hate.

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<v Speaker 2>Yeah, Like I feel like there are people that are like, oh,

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<v Speaker 2>we did our neighborhood does something on the weekend, or.

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<v Speaker 3>Like I don't know, yeah yeah, yeah, I mean not

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<v Speaker 3>to insult anyone.

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<v Speaker 2>Even thinking about kids, like trigger treating in an apartment

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<v Speaker 2>building is so funny to me.

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<v Speaker 3>Like in New York.

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<v Speaker 1>Yeah, I asked one girl in the class. I asked

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<v Speaker 1>her mom because I love her. Mom talked to her

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<v Speaker 1>and I was like, are you where are you guys

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<v Speaker 1>going trigger treating? Because they live around the corner from us.

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<v Speaker 1>She goes, I'm not taking her trigger treating. I was

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<v Speaker 1>like what.

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<v Speaker 3>She was like, she hasn't asked about it. I'm not

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<v Speaker 3>taking her.

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<v Speaker 1>I was like, Okay, that's amazing way she hasn't asked

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<v Speaker 1>about it. Because this woman has like two older children,

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<v Speaker 1>like I think maybe even like twenties or like late

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<v Speaker 1>late teens, and then this and then this four year old.

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<v Speaker 1>So I think she's kind of like I'm done. If

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<v Speaker 1>she asks me, I'll take her. But if she doesn't

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<v Speaker 1>mention it, I'm not doing this.

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<v Speaker 2>No. I actually so I went to a show called

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<v Speaker 2>Witches and that was really fun. I was devastated to miss.

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<v Speaker 2>But then I got home and I watched Alvira and

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<v Speaker 2>you really can tell why RuPaul loves it. You really

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<v Speaker 2>can watching it. It camp It's He's all I think about.

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<v Speaker 2>I'm like, oh my god, RuPaul probably cackled at this. Yeah,

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<v Speaker 2>oh she loved this.

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<v Speaker 3>You know. But Elvira Mistress of the Dark really ahead

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<v Speaker 3>of its time.

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<v Speaker 2>I think I've actually talked about the Vira movie on

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<v Speaker 2>this podcast before.

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<v Speaker 3>I yeah, I know, I have yay.

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<v Speaker 2>I totally remember being like it's ahead of its time

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<v Speaker 2>because she just keeps getting assaulted and harassed for the

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<v Speaker 2>moment the movie starts till the end, Like most of

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<v Speaker 2>the movie is her shutting down dudes that are trying

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<v Speaker 2>to rape her and then getting like she shows up

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<v Speaker 2>to a town and people in pitchforks are like, you're

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<v Speaker 2>a whore, and it's like all of your boyfriends are

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<v Speaker 2>trying to assault her.

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<v Speaker 3>But yeah, so it's really kind of it.

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<v Speaker 1>It's so funny because it's like I have just this

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<v Speaker 1>like general remembrance of like youth being like, oh, well, Vira,

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<v Speaker 1>she has her tits out, she's a slut. Oh Dolly Parton,

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<v Speaker 1>she has her tits out, she's a slut. Monica Lewinsky,

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<v Speaker 1>like she fucked the president. She's a slut. Like that's

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<v Speaker 1>like what was going on in my like household, I

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<v Speaker 1>think because of my Republican dad, And like when I

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<v Speaker 1>now that I look back at all that stuff, I'm like,

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<v Speaker 1>oh yeah, these were like icons and all, and I

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<v Speaker 1>had completely the wrong idea like revisionist history.

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<v Speaker 2>Yeah as a teen, Like I just know so many

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<v Speaker 2>people that are so cool now that we're teen Republicans.

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<v Speaker 3>Yeah, or I.

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<v Speaker 2>Remember you think I was grade sitting next to my

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<v Speaker 2>friend who I still keep in such within fourth grade

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<v Speaker 2>we are our desks were across from each other, and

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<v Speaker 2>I remember her being like, I don't know, el Clinton's

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<v Speaker 2>just so ugly.

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<v Speaker 3>I'm a Bob Dole girl.

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<v Speaker 2>And I was like, Bob Dole's pretty ugly too, Like

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<v Speaker 2>I remember this conversation like it was Yester. Now I'm

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<v Speaker 2>a Bob Dole girl. Is such a wild thing to

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<v Speaker 2>hear from a fourth grader.

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<v Speaker 3>She was just like, oh, because it's our parent.

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<v Speaker 2>It's like you don't even know how you're being brainwashed.

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<v Speaker 2>Like there are comedians who are obviously like so liberal

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<v Speaker 2>ahead of everything, and they were teen Republicans and I

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<v Speaker 2>know it. One of my best friends was when she

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<v Speaker 2>got to college, wrote an article about like George Bush.

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<v Speaker 2>It's like, eh, and that's why the Republicans hate college

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<v Speaker 2>because then you learn, Yeah, they would prefer you not

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<v Speaker 2>doing that because yeah, and.

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<v Speaker 1>Urban cities because that's where you meet like people with

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<v Speaker 1>different opinions and backgrounds.

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<v Speaker 3>And yeah.

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<v Speaker 2>It's just so funny how they don't get that it's

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<v Speaker 2>a self owned for them to be like, oh, college,

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<v Speaker 2>that's where you turn liberal and gay. And it's like wait, what,

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<v Speaker 2>like you mean the place to learn makes them against you,

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<v Speaker 2>Like isn't that a little inclination to.

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<v Speaker 3>Maybe you're dumb? I don't know. I don't want to

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<v Speaker 3>alienate it anybody. JK.

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<v Speaker 1>We I don't think we have Republican listeners. No, they came,

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<v Speaker 1>they left a bad review.

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<v Speaker 3>They left. You know, we had them, but they were gone.

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<v Speaker 3>They're gone now.

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<v Speaker 2>I think message almost if you are a Republican who

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<v Speaker 2>is just okay putting up with this bash, Oh well,

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<v Speaker 2>all of the Catholic apologists that message us, I have

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<v Speaker 2>a new puzzle piece to add to the Catholic puzzle

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<v Speaker 2>of mistrust. And there's name dropping as well. So really,

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<v Speaker 2>this is bait for anyone that's annoyed all.

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<v Speaker 1>Our ones to our people. If you're still hate listening,

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<v Speaker 1>get ready.

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<v Speaker 2>So I got an email from my agent and it

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<v Speaker 2>just said, Hey, Jane Fonda and Julia Louis Dreyfus are

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<v Speaker 2>hosting an event about up to have a healthy California.

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<v Speaker 2>And I'm known to care about the environment.

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<v Speaker 3>JK.

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<v Speaker 2>I mean, I'm not against it, but I don't you know.

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<v Speaker 2>I'm not on the front lines of environmentalism by any means.

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<v Speaker 2>But I am a starfucker. So I did go. I

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<v Speaker 2>went to the environment meeting. I thought it was going

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<v Speaker 2>to be in a theater. I thought I was just

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<v Speaker 2>gonna sit with a friend and watch from a distance.

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<v Speaker 2>It was in a boardroom. I set two feet away

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<v Speaker 2>from fucking Elaine Bennis like it was wild, and you

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<v Speaker 2>could tell she didn't really want to be there, but

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<v Speaker 2>Jane Fonda roped her into it. She was like, you know,

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<v Speaker 2>I told Jane I'd get involved as she needed, and

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<v Speaker 2>so here I am, but like I'm being more direct.

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<v Speaker 2>It was more like lighthearted. But but I love that.

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<v Speaker 1>It's like it's like a conference room. It's like a

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<v Speaker 1>breakout in the Santa fe room. Like they're just like

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<v Speaker 1>so few people and they're like, all right, let's get

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<v Speaker 1>down to brass tacks, the gangs all here, Liza ideas.

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<v Speaker 3>They really did.

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<v Speaker 2>We're like, okay, any questions and then but this happens.

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<v Speaker 2>This happened when we went to see friend Liebowitz at

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<v Speaker 2>the theater at the Ace, like where people with their

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<v Speaker 2>questions want to seem smarter than friendly, they want to

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<v Speaker 2>prove something.

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<v Speaker 3>They just want to be heard and seen.

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<v Speaker 2>And that happened even in a not even of course,

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<v Speaker 2>in a room of celebrities.

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<v Speaker 3>You know, it was stars studded.

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<v Speaker 2>Connie Britton's there, we have there were some svu Alum

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<v Speaker 2>so we had a Sophia Bush and a Rosanna Arquette there,

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<v Speaker 2>so that was quite thrilling. But whatever, So all these

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<v Speaker 2>celebs are there and then people that are affected, and

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<v Speaker 2>basically why the celebs were meeting was next year. So

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<v Speaker 2>basically there are just oil rigs across the street from

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<v Speaker 2>schools and children and it's so Aaron Brockovich. These kids

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<v Speaker 2>are getting bloody lungs, coughs, cancers, like they can't breathe,

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<v Speaker 2>awful issues. And a law was passed that the oil

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<v Speaker 2>rigs would have to, you know, change their shit up,

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<v Speaker 2>become better for the environment and for kids safety.

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<v Speaker 3>And this is what happened last year. What does it call?

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<v Speaker 2>Is it a referend that the big oil is coming back?

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<v Speaker 2>And it's kind of what they did with the Uber stuff.

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<v Speaker 2>But if Big Oil wins, we can never bring this

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<v Speaker 2>up into the laws again. And basically they've made all

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<v Speaker 2>the oil rigs and oil places like safer in white neighborhoods.

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<v Speaker 3>This is environmental racism.

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<v Speaker 2>And basically they have tons of money, and so the

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<v Speaker 2>celebs need to be vocal and you guys, so it's

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<v Speaker 2>like California versus Big Oil. It's happening in October twenty

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<v Speaker 2>twenty four, and it's important. And then we found out

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<v Speaker 2>so one of the good questions was, so who owns

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<v Speaker 2>the land these oil rigs are on? And we learned

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<v Speaker 2>that the oil rigs, some of them are owned by

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<v Speaker 2>the archdiocese, like that the Catholic bar are some of

0:10:54.840 --> 0:10:59.120
<v Speaker 2>the biggest landowners ever and they own all of these

0:10:59.160 --> 0:11:01.480
<v Speaker 2>things that are children.

0:11:01.440 --> 0:11:02.800
<v Speaker 3>With oil poisons.

0:11:03.520 --> 0:11:06.640
<v Speaker 2>Love thy neighbor, so fuck And this is kind of

0:11:06.640 --> 0:11:10.240
<v Speaker 2>like the NFL, Like there's better helmets, but they're using

0:11:10.320 --> 0:11:13.240
<v Speaker 2>worse helmets because of a fun deal instead of protecting

0:11:13.240 --> 0:11:15.520
<v Speaker 2>their players. And this is the same thing, like you

0:11:15.640 --> 0:11:19.439
<v Speaker 2>can make this safer, you just don't want to. And

0:11:19.520 --> 0:11:23.120
<v Speaker 2>they call these communities that live around they call them

0:11:23.360 --> 0:11:28.280
<v Speaker 2>sacrifice zones. They this is like, I don't know, it

0:11:28.320 --> 0:11:30.240
<v Speaker 2>sucks that Aaron Brockovic is the only thing I can

0:11:30.280 --> 0:11:33.520
<v Speaker 2>think of. I'm so uneducated, But listen, Jane Fonda opened

0:11:33.559 --> 0:11:37.600
<v Speaker 2>my eyes to this oil rigs situation, and we'll see

0:11:37.640 --> 0:11:42.080
<v Speaker 2>what happens October twenty twenty four. But if you see it,

0:11:42.640 --> 0:11:44.640
<v Speaker 2>if you see me on the front lines.

0:11:45.320 --> 0:11:48.520
<v Speaker 1>She's gonna be linking arms with Jane Fonda and fucking

0:11:48.679 --> 0:11:49.840
<v Speaker 1>Sophia Bush.

0:11:50.000 --> 0:11:51.160
<v Speaker 3>Say, who all was there?

0:11:51.679 --> 0:11:53.400
<v Speaker 2>I don't know, is it root? Because we weren't even

0:11:53.400 --> 0:11:55.320
<v Speaker 2>allowed to take photos. They like they were like no

0:11:55.440 --> 0:11:57.560
<v Speaker 2>cameras allowed. And then there was like art in the

0:11:57.600 --> 0:11:59.240
<v Speaker 2>lobby that I liked, and before I could take a

0:11:59.280 --> 0:12:00.920
<v Speaker 2>picture of it, someone like ran up to me and

0:12:01.040 --> 0:12:01.840
<v Speaker 2>was like no photos.

0:12:02.160 --> 0:12:04.040
<v Speaker 1>Oh, I think it's like I think, yeah, a photo

0:12:04.160 --> 0:12:06.200
<v Speaker 1>is like different, Like I think you just mentioned who's

0:12:06.240 --> 0:12:08.600
<v Speaker 1>also helping against oil, you know.

0:12:08.679 --> 0:12:10.560
<v Speaker 3>I think it's like a compliment to mention who was there?

0:12:10.840 --> 0:12:12.920
<v Speaker 2>I would love that And me and my friend noticed

0:12:13.240 --> 0:12:14.960
<v Speaker 2>not very many men showed out.

0:12:15.080 --> 0:12:18.160
<v Speaker 1>Oh weird, weird word weird ed. Begley Junior was there,

0:12:18.520 --> 0:12:19.520
<v Speaker 1>so that was exciting.

0:12:20.080 --> 0:12:23.080
<v Speaker 2>This guy, he has the most annoying name and he

0:12:23.440 --> 0:12:25.760
<v Speaker 2>I can't pull. I mean, he's working, so it's fine.

0:12:26.160 --> 0:12:29.280
<v Speaker 2>The guy from American Housewife, Like what the fuck? His

0:12:29.400 --> 0:12:31.880
<v Speaker 2>name is so hard and I'm a fan of his.

0:12:31.960 --> 0:12:36.320
<v Speaker 2>I mean, I've been watching Deandrik Bader. That's a crazy name. Yeah,

0:12:36.320 --> 0:12:38.520
<v Speaker 2>I guess I don't know what he's yeah, Deandrich Bater,

0:12:39.480 --> 0:12:41.760
<v Speaker 2>how do you know? I feel like I've been watching

0:12:41.840 --> 0:12:44.160
<v Speaker 2>him for decades and every time I'm like, who is

0:12:44.280 --> 0:12:47.040
<v Speaker 2>what is that man's name? Is that?

0:12:48.880 --> 0:12:51.240
<v Speaker 1>He is truly one of those people that I don't

0:12:51.240 --> 0:12:54.600
<v Speaker 1>think he'll ever be like a super huge star, like

0:12:55.080 --> 0:12:57.280
<v Speaker 1>obviously a household name since his name's a little hard,

0:12:57.360 --> 0:13:01.920
<v Speaker 1>but like when his memoriam runs at the Oscars in

0:13:02.040 --> 0:13:05.160
<v Speaker 1>fifty years or whatever, I will cry because he will

0:13:05.200 --> 0:13:07.280
<v Speaker 1>be like one of those actors. And I'm like, he's

0:13:07.320 --> 0:13:10.120
<v Speaker 1>in everything, Like he's in everything, that guy.

0:13:10.400 --> 0:13:13.320
<v Speaker 2>Yeah, so two hundred and thirty six credits because I

0:13:13.360 --> 0:13:15.520
<v Speaker 2>obviously went to look because I keep having to look.

0:13:15.400 --> 0:13:17.760
<v Speaker 3>For two hundred and thirty six. He's not even that old.

0:13:17.920 --> 0:13:18.760
<v Speaker 3>That's huge.

0:13:19.320 --> 0:13:23.760
<v Speaker 2>Yeah, I think he does tons of voices and yeah

0:13:23.800 --> 0:13:25.800
<v Speaker 2>he's in office space. That's where it hit me. But

0:13:25.880 --> 0:13:27.800
<v Speaker 2>he was just in the Blackening. Oh, he was in

0:13:27.880 --> 0:13:30.720
<v Speaker 2>sixteen episodes of Better Things. So Pamela Adline was there.

0:13:31.440 --> 0:13:33.439
<v Speaker 3>He takes the daughter to go get her abortion and

0:13:33.520 --> 0:13:34.160
<v Speaker 3>Better Things.

0:13:35.480 --> 0:13:37.439
<v Speaker 2>Oh my god, I don't even know if I remember that.

0:13:37.520 --> 0:13:39.000
<v Speaker 2>I should rewatch Better Things.

0:13:39.040 --> 0:13:42.400
<v Speaker 1>So great, he like takes her they drink a cold

0:13:42.440 --> 0:13:45.000
<v Speaker 1>coke in the car afterwards because she's like, nothing's better

0:13:45.080 --> 0:13:46.400
<v Speaker 1>than a cold coke and a bottle.

0:13:47.000 --> 0:13:49.400
<v Speaker 3>It's a great scene. Oh my god.

0:13:49.520 --> 0:13:52.880
<v Speaker 2>Yeah, Pamela was there, and a hat, glasses, the whole thing.

0:13:53.000 --> 0:13:57.600
<v Speaker 2>Lily Tomlin was there, MICHAELA. Watkins, Judy Greer, Rosario Dawson.

0:13:58.679 --> 0:14:02.000
<v Speaker 2>I mean it was a tiny conference room and then

0:14:02.040 --> 0:14:03.840
<v Speaker 2>I was like and then there was people that like

0:14:03.920 --> 0:14:06.840
<v Speaker 2>work within the environment in politics and government and like

0:14:07.400 --> 0:14:10.600
<v Speaker 2>important and then I do wonder how many like people

0:14:10.840 --> 0:14:13.400
<v Speaker 2>like me were there where I was like, I was like,

0:14:13.440 --> 0:14:16.600
<v Speaker 2>I'll go look at Jane Fonda and Julia Louis dreyfe as. Sure,

0:14:17.200 --> 0:14:20.360
<v Speaker 2>let's see. But now I ad I'm upset. I mean,

0:14:20.360 --> 0:14:24.480
<v Speaker 2>there's like a young woman there that truly was had

0:14:24.480 --> 0:14:26.640
<v Speaker 2>to be a witness protection program because she went against

0:14:26.640 --> 0:14:31.640
<v Speaker 2>Big Oil. It's really and like the uber thing passed

0:14:31.720 --> 0:14:35.520
<v Speaker 2>last year, Like their commercials are deceitful. There's lies, and

0:14:35.560 --> 0:14:37.880
<v Speaker 2>they have hundreds of millions of dollars they can spend

0:14:38.600 --> 0:14:40.320
<v Speaker 2>like no one can go against them. And they make

0:14:40.360 --> 0:14:46.440
<v Speaker 2>it so confusing where regular people are being tricked because

0:14:46.440 --> 0:14:48.240
<v Speaker 2>they're trying to trick you on the other side doesn't

0:14:48.240 --> 0:14:50.640
<v Speaker 2>have money. I mean, I truly sound like a nineteen

0:14:50.680 --> 0:14:52.920
<v Speaker 2>year old who just took her first sociology class. And

0:14:52.960 --> 0:14:55.680
<v Speaker 2>I apologize. I'm just like, you have you heard of

0:14:55.760 --> 0:14:57.760
<v Speaker 2>big oil? They have money.

0:14:58.640 --> 0:15:01.880
<v Speaker 1>Listen, another industry tree that needs to not be stopped

0:15:02.040 --> 0:15:05.160
<v Speaker 1>is our industry, the industry of us touring and being

0:15:05.200 --> 0:15:07.400
<v Speaker 1>on the road. I just want to take a second

0:15:07.440 --> 0:15:09.720
<v Speaker 1>to move away from big Oil and talk about how

0:15:10.280 --> 0:15:13.440
<v Speaker 1>we are going to be in New York City on

0:15:13.720 --> 0:15:17.560
<v Speaker 1>December sixteenth. I believe there's like a handful of tickets

0:15:17.640 --> 0:15:21.080
<v Speaker 1>left to the six o'clock show. We've added a nine

0:15:21.080 --> 0:15:23.440
<v Speaker 1>o'clock show. Guys, get out and get those ticks. The

0:15:23.480 --> 0:15:25.480
<v Speaker 1>holiday season. We want to spend time with you. It's

0:15:25.520 --> 0:15:28.640
<v Speaker 1>at City Winery, a beautiful venue, so it's going to

0:15:28.680 --> 0:15:31.040
<v Speaker 1>be a six o'clock show, a nine o'clock show. You know,

0:15:31.120 --> 0:15:34.640
<v Speaker 1>we meet people afterwards, we do we sell merch, so

0:15:34.680 --> 0:15:37.640
<v Speaker 1>that's tour specific, so come see us. Then the next

0:15:37.720 --> 0:15:40.600
<v Speaker 1>night we'll be in Philly on the seventeenth. We'll also

0:15:40.680 --> 0:15:43.760
<v Speaker 1>be in Sacramento on the thirteenth. Sacramento. When we came

0:15:43.840 --> 0:15:46.680
<v Speaker 1>last year, you guys made us feel like beatles. You

0:15:46.760 --> 0:15:48.960
<v Speaker 1>were the loudest crowd that cheered when we came out.

0:15:48.960 --> 0:15:50.720
<v Speaker 1>You were the best. Please come back. We're doing a

0:15:50.720 --> 0:15:54.080
<v Speaker 1>different episode and then that'll be it for twenty twenty three,

0:15:54.120 --> 0:15:56.800
<v Speaker 1>and then we'll see you on Well you'll see Lisa

0:15:56.840 --> 0:16:00.160
<v Speaker 1>to celebrate the Insurrection on January sixth at the at

0:16:00.160 --> 0:16:02.360
<v Speaker 1>the Wet City Comedy Festival. And then our podcast will

0:16:02.360 --> 0:16:04.960
<v Speaker 1>be on January seventh, and that's in Seattle, so if

0:16:04.960 --> 0:16:07.120
<v Speaker 1>you live in the Pacific Northwest, Baby get your little

0:16:07.120 --> 0:16:09.040
<v Speaker 1>booty to Seattle and come see us on the seventh

0:16:09.720 --> 0:16:11.600
<v Speaker 1>and that's that all that.

0:16:11.880 --> 0:16:15.960
<v Speaker 2>And then this is actually November eighteenth, so just this weekend,

0:16:16.000 --> 0:16:19.360
<v Speaker 2>I'll be in San Diego, so come on down. That'll

0:16:19.400 --> 0:16:23.800
<v Speaker 2>be my last date of the year. So An and Diago.

0:16:24.400 --> 0:16:26.240
<v Speaker 3>Yeah, listen.

0:16:26.320 --> 0:16:28.000
<v Speaker 2>I also was going to say I watched the Jewel

0:16:28.080 --> 0:16:31.360
<v Speaker 2>documentary about Jewel pods, not Jewel the singer.

0:16:31.680 --> 0:16:34.120
<v Speaker 1>I was telling somebody about this other day and I go, oh,

0:16:34.120 --> 0:16:36.440
<v Speaker 1>there's like a Jewel documentary. My friend goes, I'd watch that,

0:16:36.480 --> 0:16:38.080
<v Speaker 1>and I go it's about the bape and she goes, oh,

0:16:38.080 --> 0:16:39.120
<v Speaker 1>that's not what I was thinking.

0:16:39.560 --> 0:16:41.640
<v Speaker 2>Well, the person I was with that I made that

0:16:41.680 --> 0:16:44.640
<v Speaker 2>little error was like, oh, that sucks for Jewel the singer.

0:16:44.680 --> 0:16:46.280
<v Speaker 2>I go, well, no, because that's who you thought of.

0:16:46.400 --> 0:16:49.440
<v Speaker 2>So she's still the prominent person in your mind, do

0:16:49.520 --> 0:16:52.080
<v Speaker 2>you know what I mean? But Jewel Impacts are owned

0:16:52.120 --> 0:16:55.000
<v Speaker 2>by the same people I know, but I.

0:16:54.880 --> 0:16:57.800
<v Speaker 3>Didn't know that Plume. Listen.

0:16:57.920 --> 0:17:01.960
<v Speaker 2>Basically, Jewel treated their product like a tech product, but

0:17:02.280 --> 0:17:05.720
<v Speaker 2>it's nick a team and so they got children addicted

0:17:05.760 --> 0:17:09.960
<v Speaker 2>to it and uh oh uh oh, yeah, you can

0:17:10.200 --> 0:17:13.480
<v Speaker 2>have mango flavor and fun, colorful advertisements if you're in

0:17:13.480 --> 0:17:17.640
<v Speaker 2>the space of addictive products. But they were like, we're

0:17:17.680 --> 0:17:20.960
<v Speaker 2>the iPhone of stuff, and so that was kind of

0:17:21.000 --> 0:17:23.800
<v Speaker 2>the main gist of that. If you're interested or you

0:17:23.920 --> 0:17:30.639
<v Speaker 2>liked me, you know my quick little summary, let's get.

0:17:30.520 --> 0:17:34.040
<v Speaker 3>This party started really quickly. Those dos.

0:17:34.480 --> 0:17:39.520
<v Speaker 1>No, speaking of docs, what we never talked about was

0:17:39.760 --> 0:17:42.920
<v Speaker 1>Lisa talked on this podcast about the quiz Daddy documentary

0:17:43.040 --> 0:17:45.879
<v Speaker 1>that she watched on HBO Max, and a couple of

0:17:45.920 --> 0:17:50.240
<v Speaker 1>our listeners noticed right after that episode aired that doc

0:17:50.400 --> 0:17:50.800
<v Speaker 1>is gone.

0:17:50.920 --> 0:17:53.280
<v Speaker 3>And that's not like weird they take stuff down. There's

0:17:53.359 --> 0:17:54.280
<v Speaker 3>not a mention of.

0:17:54.240 --> 0:17:56.080
<v Speaker 1>It, like you know, sometimes you'll look it up, it'll

0:17:56.200 --> 0:17:57.840
<v Speaker 1>it'll linko pop up, you click on it and it's

0:17:57.840 --> 0:17:59.400
<v Speaker 1>like no longer available at Hbmax.

0:17:59.680 --> 0:18:00.760
<v Speaker 3>It is gone.

0:18:00.960 --> 0:18:02.919
<v Speaker 1>There is no mention of it. I went on Twitter.

0:18:03.040 --> 0:18:06.200
<v Speaker 1>There's like no mentions of it on Twitter. Maybe one

0:18:06.400 --> 0:18:10.120
<v Speaker 1>mention of it, Like it's weird, Like what happened. If

0:18:10.119 --> 0:18:11.879
<v Speaker 1>you have any inside scoop on what happened to the

0:18:11.960 --> 0:18:13.480
<v Speaker 1>quiz Daddy documentary, let.

0:18:13.520 --> 0:18:17.360
<v Speaker 2>Us know, well, it was like a propaganda against the CEO,

0:18:17.880 --> 0:18:20.560
<v Speaker 2>and like I wonder if he was able to fight

0:18:20.680 --> 0:18:21.639
<v Speaker 2>back in some way.

0:18:21.800 --> 0:18:22.400
<v Speaker 3>I don't know.

0:18:22.520 --> 0:18:23.840
<v Speaker 2>I don't know why they took it off, but how

0:18:23.880 --> 0:18:25.440
<v Speaker 2>lucky that I got to see it. Well, I also

0:18:25.480 --> 0:18:26.600
<v Speaker 2>got something else taken down.

0:18:26.680 --> 0:18:30.000
<v Speaker 1>Not that I got quiz Daddy documentary, it is amazing,

0:18:30.080 --> 0:18:33.280
<v Speaker 1>but this I think I did. Okay, So Lisa and

0:18:33.359 --> 0:18:37.480
<v Speaker 1>I were talking in another forum about awe fetishes and

0:18:37.520 --> 0:18:39.880
<v Speaker 1>we were like, we went we were googling the top

0:18:39.920 --> 0:18:43.000
<v Speaker 1>fetishes and Lisa went to this one on Huffington Post

0:18:43.000 --> 0:18:45.960
<v Speaker 1>and it was listing all these pelias, you know, like

0:18:46.040 --> 0:18:48.480
<v Speaker 1>people that are turned on by bugs and whatever.

0:18:49.040 --> 0:18:51.600
<v Speaker 3>And one of them was like a felia that was

0:18:51.600 --> 0:18:52.360
<v Speaker 3>like traction.

0:18:53.119 --> 0:18:58.439
<v Speaker 1>Two of them, yeah, track was like from like like

0:18:58.600 --> 0:19:01.480
<v Speaker 1>one was like if you're a tracted to thirteen to

0:19:01.560 --> 0:19:05.000
<v Speaker 1>sixteen year olds, you're a this aphelia, and if you're

0:19:05.040 --> 0:19:08.560
<v Speaker 1>attracted to six to ten year olds, you're a dysphelia,

0:19:08.840 --> 0:19:11.880
<v Speaker 1>but not pedophilia. Like they were just like, no, that's

0:19:12.119 --> 0:19:14.320
<v Speaker 1>head of yeah, Like one of them is like you're

0:19:14.359 --> 0:19:17.840
<v Speaker 1>fetish basically. One of them was like your fetish is adolescence,

0:19:17.880 --> 0:19:19.880
<v Speaker 1>and it's like that's not a fetish, that's pedophilia.

0:19:19.920 --> 0:19:23.159
<v Speaker 3>That's a crime. And you can't like and it was

0:19:23.200 --> 0:19:23.920
<v Speaker 3>just on the list.

0:19:24.359 --> 0:19:28.440
<v Speaker 1>So Lisa like wrote, wrote in you didn't leave a comment,

0:19:28.440 --> 0:19:30.160
<v Speaker 1>you like wrote in a message to the huff Power

0:19:30.240 --> 0:19:30.520
<v Speaker 1>or something.

0:19:30.600 --> 0:19:31.199
<v Speaker 3>Yeah.

0:19:31.240 --> 0:19:33.480
<v Speaker 1>And then I was talking about it on stage last

0:19:33.560 --> 0:19:36.000
<v Speaker 1>night at my weekly stand up show in Los Angeles,

0:19:36.359 --> 0:19:38.040
<v Speaker 1>and I was like, oh, Lisa and I were talking

0:19:38.040 --> 0:19:40.680
<v Speaker 1>about this, and there's so many crazy things, and I go, oh,

0:19:40.720 --> 0:19:43.080
<v Speaker 1>how about this one where they think it's like adolescence.

0:19:43.119 --> 0:19:44.720
<v Speaker 3>And I clicked on the article for HuffPo.

0:19:44.840 --> 0:19:47.960
<v Speaker 1>It's gone. It's taken down. Lisa Tragger is the Aaron

0:19:48.000 --> 0:19:50.640
<v Speaker 1>Brockovich of the Internet. It has been taken down.

0:19:51.200 --> 0:19:54.919
<v Speaker 2>But you're forgetting the silliest part, which is it was

0:19:55.000 --> 0:20:00.160
<v Speaker 2>from twenty thirteen. Yes, Lisa's like they could have just

0:20:00.280 --> 0:20:04.920
<v Speaker 2>edited it out, like it's from twenty thirteen that we've

0:20:04.880 --> 0:20:08.520
<v Speaker 2>found there probably got this message and we're like, oh fuck, Like, oh,

0:20:08.600 --> 0:20:10.159
<v Speaker 2>I wonder if I can find it on like the

0:20:10.200 --> 0:20:11.680
<v Speaker 2>way back machine or something.

0:20:11.920 --> 0:20:15.359
<v Speaker 3>Oh my god. But so crazy because.

0:20:15.119 --> 0:20:16.880
<v Speaker 1>The link is like it still comes up in Google Search,

0:20:16.920 --> 0:20:18.399
<v Speaker 1>but when you click on it's like it's been taken

0:20:18.440 --> 0:20:22.440
<v Speaker 1>down for editorial reasons or something. And you know, we're

0:20:22.440 --> 0:20:25.639
<v Speaker 1>just doing the Lord's work and getting normalized, the normalization

0:20:25.720 --> 0:20:28.960
<v Speaker 1>of pedophilia. We're trying to combat it, but uh, let's

0:20:28.920 --> 0:20:29.960
<v Speaker 1>suddenly do so much.

0:20:30.040 --> 0:20:34.120
<v Speaker 2>I get involved, I get involved. We yeah, I did

0:20:34.160 --> 0:20:37.040
<v Speaker 2>get environment, big oil, and big pedophilia.

0:20:37.160 --> 0:20:38.760
<v Speaker 3>We're coming for you. Well.

0:20:38.880 --> 0:20:41.480
<v Speaker 2>I also wanted to quickly mention when I got called

0:20:41.600 --> 0:20:45.239
<v Speaker 2>a bitch at the airport before eight am, because I

0:20:45.240 --> 0:20:47.480
<v Speaker 2>got involved in something I shouldn't have. But I was

0:20:47.480 --> 0:20:50.359
<v Speaker 2>still pretty relaxed and calm about it. And then the

0:20:50.400 --> 0:20:54.680
<v Speaker 2>guy turned around and went, you bitch. Couldn't believe it.

0:20:54.840 --> 0:20:55.480
<v Speaker 3>I was there.

0:20:55.640 --> 0:20:59.399
<v Speaker 2>It was wild, like a seven forty eight am bitch.

0:20:59.520 --> 0:21:02.320
<v Speaker 1>I was like, I mean, maybe annoying, but like a

0:21:02.520 --> 0:21:06.760
<v Speaker 1>bitch you and Lisa goes, I'm a bitch, but I

0:21:06.760 --> 0:21:07.240
<v Speaker 1>can read.

0:21:07.440 --> 0:21:10.160
<v Speaker 2>It was awesome because the guy was like not doing

0:21:10.160 --> 0:21:12.159
<v Speaker 2>what he was supposed to be doing based on signage.

0:21:12.600 --> 0:21:15.760
<v Speaker 3>Anyway, let's get today's episode started. We've got a good

0:21:15.760 --> 0:21:16.440
<v Speaker 3>one for you.

0:21:16.800 --> 0:21:19.520
<v Speaker 2>He actually looks like a dad that was on the

0:21:19.520 --> 0:21:22.800
<v Speaker 2>first season of Wife Swap. But that's neither here nor there.

0:21:24.920 --> 0:21:27.560
<v Speaker 2>That's not a reference for all. Okay, listen, we're starting.

0:21:27.560 --> 0:21:32.760
<v Speaker 2>We're starting, We're starting, all right.

0:21:32.680 --> 0:21:35.439
<v Speaker 1>All right, Oh, I just did a podcast the other

0:21:35.480 --> 0:21:37.480
<v Speaker 1>day where I had to do a Matthew McConaughey imitation,

0:21:37.600 --> 0:21:39.520
<v Speaker 1>and I know you like my imitation, so I did,

0:21:39.640 --> 0:21:40.320
<v Speaker 1>I did do it?

0:21:40.760 --> 0:21:41.040
<v Speaker 3>I do.

0:21:41.320 --> 0:21:46.840
<v Speaker 2>I think that is your secret talent is impressious, especially

0:21:46.880 --> 0:21:50.960
<v Speaker 2>of the elderly like rich, of the elderly rich. Yes, yes,

0:21:51.240 --> 0:21:55.680
<v Speaker 2>that's that's grandmother. If anyone has seen us live, they

0:21:55.720 --> 0:21:58.200
<v Speaker 2>fucking know. Yeah, that's why you got to come to

0:21:58.200 --> 0:21:58.720
<v Speaker 2>the live shows.

0:21:58.720 --> 0:22:01.000
<v Speaker 3>Guys. I'm whipping out impressions at those live shows.

0:22:02.080 --> 0:22:06.879
<v Speaker 1>All right, So we're doing today Solitary, Season eleven, episode three,

0:22:07.440 --> 0:22:11.359
<v Speaker 1>to be confused with Solitaire, which is fun, which is fun.

0:22:11.720 --> 0:22:15.000
<v Speaker 1>Solitary way less fun, as we find out in this episode.

0:22:15.840 --> 0:22:18.960
<v Speaker 1>This episode came out October of two thousand and nine.

0:22:19.280 --> 0:22:22.000
<v Speaker 1>It's autumnal and.

0:22:21.920 --> 0:22:23.879
<v Speaker 3>And you know what, I'm going to do something that

0:22:23.920 --> 0:22:26.040
<v Speaker 3>I've never done. I'm going to bring up silence to

0:22:26.080 --> 0:22:26.600
<v Speaker 3>the lambs.

0:22:26.800 --> 0:22:30.479
<v Speaker 2>Ooh, how did he get such a nice cage with

0:22:30.600 --> 0:22:31.760
<v Speaker 2>like classical music?

0:22:31.960 --> 0:22:33.600
<v Speaker 3>How did he get such good digs?

0:22:35.000 --> 0:22:41.000
<v Speaker 1>I think those were concessions he was given for helping Clarice.

0:22:41.320 --> 0:22:44.720
<v Speaker 1>Like for helping Clarice, he gets the music. The clear

0:22:44.800 --> 0:22:47.080
<v Speaker 1>cage is because like he cannot have bars. He will

0:22:47.160 --> 0:22:49.800
<v Speaker 1>kill someone like he's too smart, so he gets the

0:22:49.840 --> 0:22:55.440
<v Speaker 1>clear cage, like because he's like terrifying. But then I believe,

0:22:55.520 --> 0:22:58.160
<v Speaker 1>if I remember correctly, the music is something he gets

0:22:58.200 --> 0:23:01.360
<v Speaker 1>because he's helping an FBI agent. She's like giving him

0:23:01.359 --> 0:23:04.960
<v Speaker 1>little crumbs. That's so funny because my friend Alice, who

0:23:05.080 --> 0:23:08.680
<v Speaker 1>is like a film profet, like she teaches film in Philadelphia,

0:23:08.800 --> 0:23:12.760
<v Speaker 1>she was just sent me yesterday an article about Jonathan

0:23:12.800 --> 0:23:15.880
<v Speaker 1>Demi and how like the production designer when he first

0:23:15.880 --> 0:23:17.760
<v Speaker 1>told her his idea for Silence of the Lambs, was like,

0:23:18.240 --> 0:23:20.240
<v Speaker 1>are you crazy? Like you want to make a movie

0:23:20.240 --> 0:23:22.399
<v Speaker 1>about a man who skins women and wears their like

0:23:22.720 --> 0:23:26.760
<v Speaker 1>kills women and wears their skin, and it swept all

0:23:26.800 --> 0:23:29.800
<v Speaker 1>the OSCAR categories And no movie has done that since,

0:23:31.040 --> 0:23:35.080
<v Speaker 1>Like no movie has I think one director, picture, actor, actress,

0:23:35.440 --> 0:23:36.480
<v Speaker 1>and screenplay.

0:23:37.320 --> 0:23:40.920
<v Speaker 3>Wow. Yeah, pretty crazy. I remember, I think I've.

0:23:40.680 --> 0:23:42.560
<v Speaker 1>Talked about it all the podcast, but I couldn't stay

0:23:42.600 --> 0:23:44.639
<v Speaker 1>up late enough to watch the Oscars that year. And

0:23:44.640 --> 0:23:46.480
<v Speaker 1>when I woke up, my dad woke me up for school,

0:23:46.480 --> 0:23:47.440
<v Speaker 1>and the first thing I said was.

0:23:47.480 --> 0:23:50.040
<v Speaker 3>Did Silence of the Lambs win? Like I was like,

0:23:51.640 --> 0:23:53.840
<v Speaker 3>why am I so obsessed with this movie.

0:23:54.040 --> 0:23:56.360
<v Speaker 1>It actually really disturbed me when I was a kid,

0:23:56.359 --> 0:24:00.760
<v Speaker 1>and I probably watched it too young. Okay, so back

0:24:00.800 --> 0:24:03.960
<v Speaker 1>to s view a different kind of disturbing. We open

0:24:04.119 --> 0:24:06.840
<v Speaker 1>on a young douche yammering on his phone on a

0:24:06.840 --> 0:24:08.680
<v Speaker 1>business call, and I can tell he's a douche because

0:24:08.720 --> 0:24:11.280
<v Speaker 1>he's wearing like a purply buttoned down and it's unbuttoned

0:24:11.359 --> 0:24:14.440
<v Speaker 1>way too far under his blazer. He's holding a bouquet

0:24:14.440 --> 0:24:18.119
<v Speaker 1>of like hot pink hydrangs. It looks like maybe, and

0:24:18.160 --> 0:24:20.440
<v Speaker 1>he tells a person on the phone. He's like, I promise, Lily,

0:24:20.480 --> 0:24:22.080
<v Speaker 1>i'd celebrate our seven month anniversary.

0:24:22.119 --> 0:24:23.320
<v Speaker 3>I can't do work right now.

0:24:23.600 --> 0:24:25.480
<v Speaker 1>And it's like, you know, we all know seven months

0:24:25.520 --> 0:24:29.760
<v Speaker 1>is an extremely important relationship milestone. And he's like, she's

0:24:29.800 --> 0:24:32.040
<v Speaker 1>a chick, you know how it is, And like, as

0:24:32.040 --> 0:24:34.520
<v Speaker 1>he's letting himself in, he tells the guy it's after ten.

0:24:34.800 --> 0:24:37.400
<v Speaker 1>I'm already late, and she's going to kill me. It's like, yeah,

0:24:37.640 --> 0:24:39.760
<v Speaker 1>to after ten on an anniversary night.

0:24:39.800 --> 0:24:41.479
<v Speaker 2>It's like you might as well not be doing anything,

0:24:41.960 --> 0:24:43.439
<v Speaker 2>so the time doesn't matter.

0:24:43.520 --> 0:24:46.320
<v Speaker 3>It's the it's the three hours that matters.

0:24:46.720 --> 0:24:47.000
<v Speaker 2>You know.

0:24:49.280 --> 0:24:52.159
<v Speaker 3>That he was supposed to be there. Yeah, three hours.

0:24:52.160 --> 0:24:54.160
<v Speaker 2>Oh I thought for some reason you met, Like ten

0:24:54.160 --> 0:24:55.959
<v Speaker 2>o'clock is too late at night, and like even if

0:24:56.000 --> 0:24:57.360
<v Speaker 2>this was in the afternoon, it would.

0:24:57.200 --> 0:24:59.280
<v Speaker 3>Be a problem. But I get what you're saying. Yeah,

0:24:59.320 --> 0:25:00.679
<v Speaker 3>Like I feel like I don't know.

0:25:00.720 --> 0:25:02.520
<v Speaker 1>He's like got to get home from my anniversary thing

0:25:02.520 --> 0:25:04.800
<v Speaker 1>and it's like it's almost time to end the night.

0:25:04.920 --> 0:25:07.760
<v Speaker 2>Like I don't know, but he's definitely a low level

0:25:08.560 --> 0:25:10.440
<v Speaker 2>trader at bear Sterns or something.

0:25:10.520 --> 0:25:14.200
<v Speaker 3>Yes, if does that, I have no idea. Yes, that's

0:25:14.240 --> 0:25:14.719
<v Speaker 3>the vibe.

0:25:14.720 --> 0:25:17.879
<v Speaker 1>And they do, and they did before they went completely bankrupt.

0:25:19.040 --> 0:25:23.040
<v Speaker 1>So he lets himself into the apartment and there's like

0:25:23.119 --> 0:25:26.080
<v Speaker 1>some slow jam music playing, and he sees clothes and

0:25:26.160 --> 0:25:29.719
<v Speaker 1>heels on the ground like a sexy, you know, little

0:25:29.800 --> 0:25:32.480
<v Speaker 1>scavenger hunt. And he's like, all right, I gotta go,

0:25:32.680 --> 0:25:34.160
<v Speaker 1>don't call me and hangs up the phone.

0:25:34.160 --> 0:25:36.720
<v Speaker 3>And this guy's ready to bone. He starts unbuttoning his shirt.

0:25:36.960 --> 0:25:39.480
<v Speaker 1>He calls out to his girlfriend and he goes ready

0:25:39.480 --> 0:25:43.080
<v Speaker 1>to party with the Parkster and yeah, this man's name

0:25:43.160 --> 0:25:45.480
<v Speaker 1>is Parker and I do hate him. And he goes,

0:25:45.600 --> 0:25:48.520
<v Speaker 1>big guy's been aching for you all day. Referring to

0:25:48.640 --> 0:25:51.359
<v Speaker 1>the little parkst I guess his penis. And when he

0:25:51.400 --> 0:25:54.960
<v Speaker 1>gets into the bedroom, the music like intensifies and the

0:25:55.000 --> 0:25:58.280
<v Speaker 1>camera starts doing these wild smash cuts, like to the bed,

0:25:58.359 --> 0:26:00.520
<v Speaker 1>there's blood on the pillow, to the mirror smashed and

0:26:00.560 --> 0:26:03.040
<v Speaker 1>there's blood on it. The window it's open, and there's

0:26:03.040 --> 0:26:05.199
<v Speaker 1>a bloody handprint on the window frame. Like it is

0:26:05.240 --> 0:26:08.439
<v Speaker 1>a lot of like wild like with the camera. And

0:26:08.480 --> 0:26:11.080
<v Speaker 1>then the guy's panics and he starts he starts panicking.

0:26:11.080 --> 0:26:12.840
<v Speaker 3>He calls nine one one. He's like, something's happened to

0:26:12.840 --> 0:26:13.440
<v Speaker 3>my girlfriend.

0:26:13.960 --> 0:26:18.239
<v Speaker 1>Cut to camera flashes photographing the bloody handprints, and the

0:26:18.240 --> 0:26:19.200
<v Speaker 1>cops are on the scene.

0:26:19.200 --> 0:26:21.680
<v Speaker 3>They're giving the low down. Lily Milton twenty three.

0:26:21.880 --> 0:26:25.320
<v Speaker 1>She lives there with her boyfriend Parker Hubbard aka the Parkstir.

0:26:25.840 --> 0:26:28.640
<v Speaker 1>Benson and Stabler are checking shit out, like it looks

0:26:28.640 --> 0:26:30.159
<v Speaker 1>like she was alive when he took her down the

0:26:30.200 --> 0:26:33.240
<v Speaker 1>fire escape, because like there's a blood trail. And when

0:26:33.400 --> 0:26:36.880
<v Speaker 1>then when Parker here's fire escape, he goes, oh, it's

0:26:36.880 --> 0:26:37.720
<v Speaker 1>got to be that PERV.

0:26:38.320 --> 0:26:40.200
<v Speaker 3>And they're like, who are you talking about?

0:26:40.200 --> 0:26:42.719
<v Speaker 1>And he's like this guy from downstairs, he lives below us,

0:26:42.720 --> 0:26:45.520
<v Speaker 1>and he's been peeping on us and the whole last month,

0:26:45.560 --> 0:26:47.160
<v Speaker 1>he's been spying on us while we have sex.

0:26:47.480 --> 0:26:49.640
<v Speaker 3>Lily called the cops. They didn't do anything, and.

0:26:49.560 --> 0:26:51.479
<v Speaker 1>Live is like, no, they're probably out looking for him,

0:26:51.520 --> 0:26:53.639
<v Speaker 1>and it's like, no, Olivia, cops are not all as

0:26:53.680 --> 0:26:56.199
<v Speaker 1>good as you like. They're just not looking. And He's like,

0:26:56.320 --> 0:26:57.760
<v Speaker 1>how can it be that hard to find him? The

0:26:57.760 --> 0:27:00.399
<v Speaker 1>guy lives downstairs. Oh so that's when we find out

0:27:00.440 --> 0:27:01.120
<v Speaker 1>he lives downstairs.

0:27:01.119 --> 0:27:01.760
<v Speaker 3>I jumped the gun.

0:27:01.920 --> 0:27:03.720
<v Speaker 1>So at first we think it's just a peeping tom

0:27:03.760 --> 0:27:05.920
<v Speaker 1>but now we find out it's a neighbor. They knock

0:27:06.000 --> 0:27:08.159
<v Speaker 1>on the downstairs apartment door and who comes to the

0:27:08.240 --> 0:27:12.440
<v Speaker 1>door but an actor named Stephen Ray. He's an Irish actor.

0:27:12.560 --> 0:27:15.320
<v Speaker 1>He's from Belfast, from Northern Ireland, I guess. And I

0:27:15.440 --> 0:27:18.679
<v Speaker 1>recognize him from The Crying Game and he got nominated

0:27:18.760 --> 0:27:21.280
<v Speaker 1>for that for an Oscar for that That's mostly where

0:27:21.320 --> 0:27:22.959
<v Speaker 1>I know him from. But when I look at his IMDb,

0:27:23.040 --> 0:27:24.720
<v Speaker 1>he's been in a ton of stuff. B for Vendetta,

0:27:24.800 --> 0:27:27.800
<v Speaker 1>interview with a Vampires.

0:27:26.680 --> 0:27:28.280
<v Speaker 2>Where I know him from because I was like, how

0:27:28.320 --> 0:27:31.160
<v Speaker 2>do I know him? Fever Fandetta did make a big

0:27:31.200 --> 0:27:31.960
<v Speaker 2>impact on me.

0:27:32.560 --> 0:27:34.439
<v Speaker 1>You know, I was just I saw that on Delta

0:27:34.480 --> 0:27:36.080
<v Speaker 1>the other day, and I go, I should watch this.

0:27:36.119 --> 0:27:38.040
<v Speaker 1>People talk about it all the time and I've never

0:27:38.040 --> 0:27:38.399
<v Speaker 1>seen it.

0:27:38.880 --> 0:27:40.720
<v Speaker 2>Well, it might be one of those things that was

0:27:40.760 --> 0:27:44.400
<v Speaker 2>really prolific to me as like a junior high high

0:27:44.440 --> 0:27:48.920
<v Speaker 2>schooler that maybe now will be like, yeah, capitalism's bad,

0:27:49.080 --> 0:27:51.000
<v Speaker 2>you know what I now?

0:27:51.000 --> 0:27:53.280
<v Speaker 1>It feels like yeah, now it feels like a Barbie

0:27:53.320 --> 0:27:54.359
<v Speaker 1>speech about feminism.

0:27:54.359 --> 0:27:56.680
<v Speaker 3>I got it. Yeah, well, I don't know, I don't know.

0:27:56.960 --> 0:28:03.840
<v Speaker 2>I hopefully maybe not, but I remember it rocked my world. Also,

0:28:03.920 --> 0:28:07.040
<v Speaker 2>like the ending was like Arlington Roade esque in terms

0:28:07.119 --> 0:28:10.840
<v Speaker 2>of like it taught me what suspense, shock, surprise.

0:28:10.640 --> 0:28:12.480
<v Speaker 3>You know what I mean? Mighty on the next Delta,

0:28:12.520 --> 0:28:15.320
<v Speaker 3>I'm gonna watch it. Maybe we'll do it together. Yeah, yeah,

0:28:15.720 --> 0:28:17.480
<v Speaker 3>I got to watch it. But he's also But it is.

0:28:17.560 --> 0:28:19.959
<v Speaker 2>Kind of like when I went to the Incubis concert.

0:28:20.080 --> 0:28:22.560
<v Speaker 2>Obviously they're so good. It was like so great I've

0:28:22.560 --> 0:28:25.560
<v Speaker 2>been I've had a resurgence. But the lyrics, like I

0:28:25.680 --> 0:28:28.760
<v Speaker 2>understand why I liked it in high school. You know,

0:28:29.160 --> 0:28:31.159
<v Speaker 2>the lyrics are like I don't want to talk to

0:28:31.160 --> 0:28:31.800
<v Speaker 2>you anymore.

0:28:32.160 --> 0:28:35.040
<v Speaker 3>Stuff like that, leave me alone. Live your life.

0:28:35.080 --> 0:28:37.199
<v Speaker 2>It might pass you by, like those are you know,

0:28:37.240 --> 0:28:40.160
<v Speaker 2>so I understand why at fifteen I was really connected.

0:28:41.240 --> 0:28:44.239
<v Speaker 1>But the other just reminds me the other day when

0:28:44.640 --> 0:28:46.760
<v Speaker 1>Ed was putting Rosie to bed, she goes, Dad, Viva

0:28:46.800 --> 0:28:48.080
<v Speaker 1>la vita, live your life?

0:28:48.720 --> 0:28:52.480
<v Speaker 3>Just right? What is she talking about?

0:28:53.680 --> 0:28:57.680
<v Speaker 1>But that that's so funny that like Crying Game like

0:28:57.920 --> 0:29:00.320
<v Speaker 1>was a huge movie when I was a kid because

0:29:00.360 --> 0:29:03.640
<v Speaker 1>it was so like, you know, just the whole I mean,

0:29:03.720 --> 0:29:07.120
<v Speaker 1>it was before anybody talked about trans identity and stuff

0:29:07.160 --> 0:29:08.760
<v Speaker 1>like that, and it was just like have you seen

0:29:08.760 --> 0:29:09.360
<v Speaker 1>the Crying Game?

0:29:09.560 --> 0:29:10.560
<v Speaker 3>Have you seen the Crying Game?

0:29:10.600 --> 0:29:12.840
<v Speaker 1>Like it was just such a like buzzy movie when

0:29:12.880 --> 0:29:15.640
<v Speaker 1>I was a kid, And like I remember being like,

0:29:15.640 --> 0:29:17.640
<v Speaker 1>I'm not allowed it's NC seventeen or like I didn't

0:29:17.680 --> 0:29:19.840
<v Speaker 1>think I was allowed to see it or whatever. But

0:29:19.920 --> 0:29:22.080
<v Speaker 1>he is, you know, that is a popular movie for

0:29:22.160 --> 0:29:24.200
<v Speaker 1>him as well. But he's in a ton of BBC stuff,

0:29:24.240 --> 0:29:26.360
<v Speaker 1>like Across the Pond and because that's where he lives.

0:29:27.000 --> 0:29:29.720
<v Speaker 1>So now Stabler goes to introduce Olivia and himself. But

0:29:29.760 --> 0:29:32.520
<v Speaker 1>this guy goes Elliott Stabler. He knows exactly who he is,

0:29:32.840 --> 0:29:34.920
<v Speaker 1>and he goes then he goes and they say, lightning

0:29:34.960 --> 0:29:37.960
<v Speaker 1>never strikes twice, and Stabler's like, you know, the memory

0:29:38.040 --> 0:29:41.480
<v Speaker 1>is not memorying for him. He's like, do we know

0:29:41.520 --> 0:29:43.600
<v Speaker 1>each other? And he goes, how could you forget the

0:29:43.680 --> 0:29:45.280
<v Speaker 1>last time we met? You put me in jail for

0:29:45.400 --> 0:29:49.920
<v Speaker 1>nineteen years? Cut to a signature Stabler squint, and then

0:29:49.920 --> 0:29:53.040
<v Speaker 1>it's the credits. So now we're at the precinct and

0:29:53.360 --> 0:29:55.800
<v Speaker 1>Stabler's talking about how in nineteen eighty nine he was

0:29:55.840 --> 0:30:00.560
<v Speaker 1>just a uniform cop when Callum Donovan, who is Stephen character,

0:30:00.600 --> 0:30:03.120
<v Speaker 1>and some pals were robbing a bank and they literally

0:30:03.320 --> 0:30:05.920
<v Speaker 1>ran into Stabler. So it was like a lucky break

0:30:05.960 --> 0:30:08.600
<v Speaker 1>for him, and you know, lives like you don't even

0:30:08.600 --> 0:30:10.640
<v Speaker 1>look old enough to shave in this photo. But I

0:30:10.680 --> 0:30:13.840
<v Speaker 1>guess even though he was this like young new cop,

0:30:13.920 --> 0:30:16.480
<v Speaker 1>he got promoted quickly because the higher ups were impressed

0:30:16.480 --> 0:30:18.440
<v Speaker 1>by this bust that he didn't even really make.

0:30:18.480 --> 0:30:19.960
<v Speaker 3>He just kind of was in the right place at

0:30:20.000 --> 0:30:20.480
<v Speaker 3>the right time.

0:30:20.960 --> 0:30:23.240
<v Speaker 1>So then Craigan goes, so you made your bones on

0:30:23.320 --> 0:30:26.000
<v Speaker 1>his back, and Craigan should have a coffee table book.

0:30:26.080 --> 0:30:28.200
<v Speaker 1>Like the things that Craigan says, like his little one

0:30:28.280 --> 0:30:33.520
<v Speaker 1>liner sayings is they're so copy and like, so what

0:30:33.880 --> 0:30:35.320
<v Speaker 1>he made your bones on his back?

0:30:35.400 --> 0:30:37.560
<v Speaker 3>Like I don't even know what they mean half the time.

0:30:37.840 --> 0:30:39.640
<v Speaker 1>So they ask, oh, does he have any sex crimes

0:30:39.640 --> 0:30:42.160
<v Speaker 1>on his record? No, the robbery is this guy's only

0:30:42.240 --> 0:30:44.160
<v Speaker 1>crime and he only got out a year ago. Live

0:30:44.200 --> 0:30:46.320
<v Speaker 1>thinks it's possible that he came out with a different

0:30:46.440 --> 0:30:48.760
<v Speaker 1>mo like to almost twenty years in prison, like that

0:30:48.800 --> 0:30:52.120
<v Speaker 1>can change a person. And apparently though there's no evidence

0:30:52.120 --> 0:30:53.920
<v Speaker 1>of him in the apartment, but his prints are all

0:30:53.920 --> 0:30:56.480
<v Speaker 1>over the fire escape. The blood trail goes down to

0:30:56.560 --> 0:30:58.800
<v Speaker 1>the street and then stops at the curb. He must

0:30:58.800 --> 0:31:00.800
<v Speaker 1>have put her in a car. Doesn't have a car

0:31:00.960 --> 0:31:02.560
<v Speaker 1>registered to him, but he could have barred one or

0:31:02.600 --> 0:31:05.800
<v Speaker 1>stolen one. His apartment is totally clean, like no blood

0:31:05.880 --> 0:31:08.840
<v Speaker 1>or anything there. And Craig's like, why don't you get

0:31:08.840 --> 0:31:10.280
<v Speaker 1>in there and dance with your old pal and get

0:31:10.360 --> 0:31:12.760
<v Speaker 1>him to talk and give up where he stashed the girl.

0:31:12.800 --> 0:31:14.680
<v Speaker 1>He says, that's a stabler. So now Stabler goes in

0:31:14.680 --> 0:31:16.840
<v Speaker 1>and is like, where's the girl? And the guy's like,

0:31:16.880 --> 0:31:18.960
<v Speaker 1>I don't know, and he's like, I've only seen her

0:31:18.960 --> 0:31:20.680
<v Speaker 1>in the stairwell and the only reason I'm on the

0:31:20.680 --> 0:31:22.520
<v Speaker 1>fire escape is to get to the roof. He likes

0:31:22.520 --> 0:31:25.480
<v Speaker 1>the outdoors where he can breathe, and Stabler's running this

0:31:25.640 --> 0:31:28.000
<v Speaker 1>his like fantasy game on the guy like, nah.

0:31:27.800 --> 0:31:29.880
<v Speaker 3>You like looking at her, you like putting your hands

0:31:29.920 --> 0:31:32.160
<v Speaker 3>in your pants. You haven't had a woman in so long.

0:31:32.360 --> 0:31:34.240
<v Speaker 1>And then one day, you know whatever, he's doing his

0:31:34.240 --> 0:31:38.040
<v Speaker 1>little storytelling time, and then Donovan is not budging. He's like,

0:31:38.120 --> 0:31:40.840
<v Speaker 1>I didn't do any of this shit that Stabler is implying,

0:31:41.000 --> 0:31:43.840
<v Speaker 1>like stop. And then meanwhile liv is talking to the

0:31:43.840 --> 0:31:46.520
<v Speaker 1>Parkstar and he's pissed because he pays thirty five hundred

0:31:46.560 --> 0:31:50.080
<v Speaker 1>dollars for that apartment a month, and Donovan assaults them

0:31:50.120 --> 0:31:52.760
<v Speaker 1>and he lives like did he assault you? And he's

0:31:52.800 --> 0:31:57.120
<v Speaker 1>like with cigarette smoke, the apartment reeks and Lily is allergic.

0:31:57.440 --> 0:31:59.680
<v Speaker 1>They called the landlord and the landlord wants him out too,

0:31:59.720 --> 0:32:01.959
<v Speaker 1>because it's a rent control place. And now we're back

0:32:02.000 --> 0:32:03.800
<v Speaker 1>to Donovan and Stabler and he's lived in that apartment

0:32:03.840 --> 0:32:04.520
<v Speaker 1>since he was ten.

0:32:04.560 --> 0:32:05.560
<v Speaker 3>It's a family apartment.

0:32:05.600 --> 0:32:08.800
<v Speaker 1>I was wondering how, you know, coming out of prison,

0:32:08.880 --> 0:32:10.640
<v Speaker 1>he lived in like a nice apartment building, but it's

0:32:10.640 --> 0:32:12.800
<v Speaker 1>his family's apartment since he was ten, and he goes,

0:32:12.840 --> 0:32:14.840
<v Speaker 1>and now some Johnny come lately wants to tell me

0:32:14.880 --> 0:32:17.080
<v Speaker 1>I can't light up at home. He goes, I go

0:32:17.120 --> 0:32:20.480
<v Speaker 1>to the roof to be nice. But she's a nut.

0:32:20.520 --> 0:32:23.520
<v Speaker 1>And then we cut to she's a saint. Parkster says.

0:32:23.920 --> 0:32:27.040
<v Speaker 1>She teaches underprivileged kids, or she reads books on tape

0:32:27.080 --> 0:32:29.800
<v Speaker 1>to the blind. She just started medical school and this

0:32:29.840 --> 0:32:32.040
<v Speaker 1>guy threatened to cut her throat if she didn't stop

0:32:32.120 --> 0:32:34.880
<v Speaker 1>running her mouth. And then Donovan's like, I didn't even

0:32:34.960 --> 0:32:37.160
<v Speaker 1>hold the knife in my hand, it was on my belt.

0:32:37.200 --> 0:32:40.680
<v Speaker 1>Words or words, you know whatever. He tells Stabler. When

0:32:40.680 --> 0:32:42.920
<v Speaker 1>he was in prison, he lost his mom. He says

0:32:42.920 --> 0:32:45.160
<v Speaker 1>he sat in a cage for twenty years, and he goes,

0:32:45.160 --> 0:32:47.240
<v Speaker 1>I go to work every day. I visit my po

0:32:47.440 --> 0:32:49.360
<v Speaker 1>I pissed in a cup. I'm not giving anyone an

0:32:49.360 --> 0:32:52.200
<v Speaker 1>excuse to put me back inside. I didn't touch the girl,

0:32:52.640 --> 0:32:56.200
<v Speaker 1>and he says, sure, she was a pain in the ass.

0:32:56.320 --> 0:32:59.760
<v Speaker 3>And then right as he says that, who comes breezing

0:32:59.800 --> 0:33:00.440
<v Speaker 3>into the room.

0:33:00.440 --> 0:33:03.680
<v Speaker 1>But one of my all time fucking favorites, Jessica Walter

0:33:04.360 --> 0:33:07.520
<v Speaker 1>as defense attorney Petro gil Martin, I've thought.

0:33:07.360 --> 0:33:10.680
<v Speaker 2>In you immediately the moment I god screen and I went, oh,

0:33:10.760 --> 0:33:12.880
<v Speaker 2>this is gonna be a big moment for Kara.

0:33:13.240 --> 0:33:16.440
<v Speaker 1>I think, up until recently when I started this podcast,

0:33:16.600 --> 0:33:21.320
<v Speaker 1>my Instagram bio was a quote of hers from Arrested Development.

0:33:21.800 --> 0:33:23.840
<v Speaker 3>And I just love her so much.

0:33:23.840 --> 0:33:26.160
<v Speaker 1>And she passed away a couple of years ago, I think,

0:33:26.200 --> 0:33:29.200
<v Speaker 1>and I love her and she's so fucking funny on

0:33:29.280 --> 0:33:32.600
<v Speaker 1>Arrested Development. She's like a masterclass in comedy anyway. She

0:33:32.640 --> 0:33:34.600
<v Speaker 1>gets to be a little bit funny here but not

0:33:34.840 --> 0:33:39.320
<v Speaker 1>super super a comedic part. And she goes, so after

0:33:39.360 --> 0:33:41.719
<v Speaker 1>he goes, she's a pain in the ass. She breezes

0:33:41.720 --> 0:33:43.960
<v Speaker 1>it and goes, and so are you cal what happened?

0:33:44.360 --> 0:33:46.280
<v Speaker 1>She's there to represent him. She wants to talk to

0:33:46.280 --> 0:33:49.200
<v Speaker 1>her client alone because she says, he's like, how did

0:33:49.240 --> 0:33:51.000
<v Speaker 1>you know I was here? And she goes, Virginia called

0:33:51.000 --> 0:33:52.880
<v Speaker 1>me when you missed your date. So we'll get to

0:33:52.920 --> 0:33:55.640
<v Speaker 1>that later. And she's like, Stabler, I want to talk

0:33:55.680 --> 0:33:57.840
<v Speaker 1>to my client alone. Go do some squats in the hallway,

0:33:58.280 --> 0:34:02.600
<v Speaker 1>and then Stabler Lee. We see one of my favorites

0:34:02.600 --> 0:34:05.840
<v Speaker 1>who's controversial. No, people don't like her, but I really

0:34:05.960 --> 0:34:09.520
<v Speaker 1>like her. It's Eada, which I believe is executive Ada

0:34:09.640 --> 0:34:14.200
<v Speaker 1>or something. Sonya Paxton played by Christine Latti. She's holding

0:34:14.200 --> 0:34:16.799
<v Speaker 1>a coffee cup that is probably three quarters vodka, because

0:34:16.840 --> 0:34:19.200
<v Speaker 1>the next episode after this is Hammered, where she does

0:34:19.239 --> 0:34:23.440
<v Speaker 1>get busted for drinking on the job, and she's asking

0:34:23.520 --> 0:34:25.920
<v Speaker 1>questions immediately like the ballbuster she is, She's like, what

0:34:25.960 --> 0:34:29.200
<v Speaker 1>about the boyfriend? He's clear. Lily was last seen at

0:34:29.239 --> 0:34:30.839
<v Speaker 1>five Parker was at work till ten.

0:34:31.239 --> 0:34:33.279
<v Speaker 2>And you know why I remember, isn't she the one

0:34:33.280 --> 0:34:35.160
<v Speaker 2>that like won an Emmy or Golden Globe? But she

0:34:35.280 --> 0:34:37.359
<v Speaker 2>was in the bathroom and then had to like run

0:34:37.400 --> 0:34:40.839
<v Speaker 2>on stage or something. Yes, I was in the toilet. Yeah,

0:34:41.120 --> 0:34:44.840
<v Speaker 2>that's how I remember her. Famous Lottie. Yeah, yeah, Christine Latti,

0:34:44.880 --> 0:34:47.200
<v Speaker 2>I really love her. She's in a show called Evil

0:34:47.200 --> 0:34:48.920
<v Speaker 2>that Jared and I watch that has a lot of

0:34:49.880 --> 0:34:54.400
<v Speaker 2>former SVU people on it, and she's really great. And

0:34:54.800 --> 0:34:57.319
<v Speaker 2>so she's like, guys, you have no evidence, you have

0:34:57.400 --> 0:34:59.520
<v Speaker 2>nothing tying this guy, Like we're not you know, we

0:34:59.520 --> 0:35:03.000
<v Speaker 2>need more than this. Just then Jessica Walter like wraps

0:35:03.040 --> 0:35:05.719
<v Speaker 2>on the glass and goes charge him or come say goodbye.

0:35:06.320 --> 0:35:08.040
<v Speaker 2>So she goes next time you want to talk to

0:35:08.080 --> 0:35:11.640
<v Speaker 2>him you call me. And then Donovan, who has been

0:35:12.560 --> 0:35:15.680
<v Speaker 2>working with a pretty wild accent the whole time, goes,

0:35:16.080 --> 0:35:17.520
<v Speaker 2>if you want to find me, you can find me

0:35:17.560 --> 0:35:20.200
<v Speaker 2>at wake like he says wyke like print porky pig,

0:35:20.239 --> 0:35:23.840
<v Speaker 2>and it really made me laugh. Suddenly Parker comes flying

0:35:23.840 --> 0:35:26.600
<v Speaker 2>out of nowhere the boyfriend and starts screaming at Donovan

0:35:26.680 --> 0:35:27.440
<v Speaker 2>like where's Lily.

0:35:27.680 --> 0:35:29.600
<v Speaker 1>He goes to throw a punch. Donovan gets on his

0:35:29.680 --> 0:35:32.680
<v Speaker 1>knees and goes not resisting, not resisting, and the Parkster

0:35:32.840 --> 0:35:34.920
<v Speaker 1>still manages to kick him in the gut before the

0:35:34.960 --> 0:35:38.360
<v Speaker 1>cops get a handle on him. And then she says,

0:35:38.680 --> 0:35:40.200
<v Speaker 1>all right, I'll let this one slide, but if he

0:35:40.239 --> 0:35:42.920
<v Speaker 1>touches my client one more time, he's doing time. So

0:35:43.000 --> 0:35:45.560
<v Speaker 1>next we're at a construction site in Bayo and I

0:35:45.600 --> 0:35:49.560
<v Speaker 1>guess where Donovan wakes and they just are standing there

0:35:49.760 --> 0:35:53.480
<v Speaker 1>staring at him and watching him work from afar. And

0:35:53.480 --> 0:35:55.920
<v Speaker 1>then the boss comes up with Donovan's time card and

0:35:56.040 --> 0:35:56.640
<v Speaker 1>is like, here you go.

0:35:56.719 --> 0:35:57.960
<v Speaker 3>He clocked out at five.

0:35:58.040 --> 0:35:59.880
<v Speaker 1>And they're like, well that works with the timeline, and

0:36:00.160 --> 0:36:01.719
<v Speaker 1>there he goes, Well he didn't go home.

0:36:01.760 --> 0:36:03.480
<v Speaker 3>It was payday. We all went for drinks.

0:36:03.960 --> 0:36:06.240
<v Speaker 1>I left at seven, and Donovan was still there drinking,

0:36:06.600 --> 0:36:08.600
<v Speaker 1>and the boss is like, you know, people can change.

0:36:08.640 --> 0:36:09.759
<v Speaker 3>I don't think he's good for this.

0:36:09.680 --> 0:36:11.360
<v Speaker 1>And Live is like, well, they don't always change for

0:36:11.400 --> 0:36:13.480
<v Speaker 1>the better, and the guy in the hard hat's like,

0:36:13.520 --> 0:36:16.440
<v Speaker 1>all right, lady and just walks away. And then Stabler

0:36:16.480 --> 0:36:18.840
<v Speaker 1>wants Munch and Finn to stay on Donovan. He's like,

0:36:18.840 --> 0:36:20.360
<v Speaker 1>I don't want to be out here in the hot sun,

0:36:20.640 --> 0:36:22.440
<v Speaker 1>and he asks Olivia if he wants to go get

0:36:22.440 --> 0:36:24.600
<v Speaker 1>a cold one. I didn't realize Stabler was allowed to

0:36:24.680 --> 0:36:27.479
<v Speaker 1>like Boss, Munch and Finn around, but I guess he does,

0:36:27.840 --> 0:36:30.279
<v Speaker 1>because they go to get a beer and Munch and

0:36:30.280 --> 0:36:32.239
<v Speaker 1>Finn now have to stand. They keep talking about how

0:36:32.239 --> 0:36:34.239
<v Speaker 1>hot it is in New York at this time. So

0:36:34.360 --> 0:36:36.920
<v Speaker 1>at the bar, they're talking to the bartender about Donovan

0:36:36.960 --> 0:36:38.000
<v Speaker 1>and she's like, he didn't do it.

0:36:38.040 --> 0:36:39.160
<v Speaker 3>He was here till eight thirty.

0:36:39.440 --> 0:36:42.760
<v Speaker 1>And then Stabler clocks at the bartender seems really interested

0:36:42.800 --> 0:36:46.560
<v Speaker 1>in cal Donovan and she's like, he's like, let's talk,

0:36:46.600 --> 0:36:48.840
<v Speaker 1>and so she comes over. And this character's name is

0:36:48.840 --> 0:36:52.320
<v Speaker 1>Betty Jean, and she's played by an actress named Bernadette Quigley.

0:36:52.440 --> 0:36:54.160
<v Speaker 1>And I just like that name that sounds like a

0:36:54.160 --> 0:36:57.560
<v Speaker 1>cartoon character to me. And she's been in two other svus,

0:36:57.640 --> 0:37:01.279
<v Speaker 1>one Scourge and one in the five one hundredth episode,

0:37:01.480 --> 0:37:03.360
<v Speaker 1>which I guess as few just called the five hundred

0:37:03.360 --> 0:37:05.239
<v Speaker 1>episode because it had the right amount of letters in it.

0:37:05.800 --> 0:37:08.440
<v Speaker 1>Betty Jean or BJ as I will call her, has

0:37:08.520 --> 0:37:10.719
<v Speaker 1>known cal her entire life. It broke her heart when

0:37:10.760 --> 0:37:13.160
<v Speaker 1>he went to prison. Then one day he walks into

0:37:13.160 --> 0:37:15.520
<v Speaker 1>her bar and it's like no time has passed. She

0:37:15.640 --> 0:37:17.880
<v Speaker 1>tells them that they've been kind of trying to rekindle things,

0:37:17.920 --> 0:37:20.640
<v Speaker 1>but that night he kept begging her to go upstairs,

0:37:20.719 --> 0:37:22.680
<v Speaker 1>but he was hammered and he couldn't get it up or,

0:37:22.719 --> 0:37:25.839
<v Speaker 1>as she says, he couldn't cut the mustard, and he

0:37:25.880 --> 0:37:28.319
<v Speaker 1>called her a whore, broke a lamp, and stormed off.

0:37:28.360 --> 0:37:31.560
<v Speaker 1>So now they think this all works Like he leaves

0:37:31.560 --> 0:37:34.600
<v Speaker 1>around a thirty, he's home, he gets home, he's drunk,

0:37:34.680 --> 0:37:37.760
<v Speaker 1>he's pissed off, he sees Lily. It's a perfect storm

0:37:38.280 --> 0:37:40.839
<v Speaker 1>to attack her. And then they get, you know, the

0:37:40.840 --> 0:37:43.080
<v Speaker 1>phone call. At this moment in time, they always get

0:37:43.080 --> 0:37:45.120
<v Speaker 1>a phone call that's like we're on our way. A

0:37:45.160 --> 0:37:47.040
<v Speaker 1>body was just found in the water off the coast

0:37:47.040 --> 0:37:50.279
<v Speaker 1>of Staten Island, and the description matches Lily. When they

0:37:50.360 --> 0:37:53.960
<v Speaker 1>get there, done done, there's no body because the girl

0:37:54.040 --> 0:37:57.440
<v Speaker 1>is alive. It's another miracle on the Hudson. The EMS

0:37:57.520 --> 0:38:00.160
<v Speaker 1>guy cracks, which is a reference to Selly Sullimber or

0:38:00.239 --> 0:38:03.200
<v Speaker 1>landing a plane on the Hudson, which did happen earlier

0:38:03.239 --> 0:38:06.200
<v Speaker 1>the year that this episode came out. So they just

0:38:06.400 --> 0:38:09.480
<v Speaker 1>see Lily clinging to life in the ambulance with like

0:38:09.520 --> 0:38:11.640
<v Speaker 1>an oxygen mask, and that's the end of act one.

0:38:11.760 --> 0:38:13.879
<v Speaker 1>At the top of act two, she's being rushed into

0:38:13.920 --> 0:38:16.960
<v Speaker 1>the hospital having just been brought back from cardiac arrest.

0:38:17.000 --> 0:38:19.359
<v Speaker 3>She's wrapped in a metallic blanket. She's hypothermic.

0:38:19.400 --> 0:38:23.000
<v Speaker 1>According to blonde surfer doctor who we have commented on

0:38:23.040 --> 0:38:24.799
<v Speaker 1>many times, he does not look like he belongs in

0:38:24.800 --> 0:38:28.680
<v Speaker 1>New York City emergency room. And he's like, they go,

0:38:28.880 --> 0:38:30.279
<v Speaker 1>is she gonna make it? And he goes, she's not

0:38:30.360 --> 0:38:33.759
<v Speaker 1>dead until she's warm and dead. What I guess that's

0:38:33.800 --> 0:38:35.719
<v Speaker 1>like he needed to warm her up quickly, but it

0:38:35.800 --> 0:38:39.359
<v Speaker 1>seemed like a weird comment. The parkstre comes busting in,

0:38:39.560 --> 0:38:40.959
<v Speaker 1>Where's Lily, How's she doing?

0:38:41.040 --> 0:38:42.680
<v Speaker 3>And they're like, she's.

0:38:42.520 --> 0:38:44.920
<v Speaker 1>Alive, but whatever hanging on, and he goes, I have

0:38:44.960 --> 0:38:47.400
<v Speaker 1>to tweet this to her followers need to know, and

0:38:47.400 --> 0:38:50.279
<v Speaker 1>it's like, oh no, what is this man's issue? He

0:38:50.400 --> 0:38:53.200
<v Speaker 1>started a Twitter account called Where's Lily and he already

0:38:53.239 --> 0:38:56.440
<v Speaker 1>has over to your tenty three hundred friends. Nobody on

0:38:56.480 --> 0:38:58.560
<v Speaker 1>Twitter is your friend. And also twenty three hundreds is

0:38:58.600 --> 0:39:00.520
<v Speaker 1>not that many. If he thinks he's like some kind

0:39:00.520 --> 0:39:01.879
<v Speaker 1>of viral Twitter account in.

0:39:01.840 --> 0:39:04.240
<v Speaker 2>A day, in a couple of days, that's a lot

0:39:05.960 --> 0:39:08.279
<v Speaker 2>without a funny little tweet, that's a lot. Yeah, you're

0:39:08.360 --> 0:39:12.080
<v Speaker 2>right local, and it's local. So now we've got online.

0:39:12.120 --> 0:39:15.839
<v Speaker 1>Lookie Lou's stabler aka Clint Eastwood says he's like such

0:39:15.840 --> 0:39:16.400
<v Speaker 1>a baby.

0:39:16.960 --> 0:39:19.879
<v Speaker 2>I like, LOOKI Lou is that merch? Luky Lou is fun.

0:39:19.960 --> 0:39:23.319
<v Speaker 2>That's not the first time it's been mentioned in an episode. Yeah,

0:39:23.360 --> 0:39:25.759
<v Speaker 2>maybe just talking about look Lous all the time. Maybe

0:39:25.800 --> 0:39:27.600
<v Speaker 2>I want a friendship bracelet. That's what I want, a

0:39:27.600 --> 0:39:30.479
<v Speaker 2>friendship bracelet with the beads. I want a Lucky Lou,

0:39:30.600 --> 0:39:33.440
<v Speaker 2>A looky Lou, Yeah, looky Lou, Looky Lou.

0:39:33.680 --> 0:39:33.879
<v Speaker 3>Yeah.

0:39:33.920 --> 0:39:37.440
<v Speaker 2>Because it's like people that are peeping peeping.

0:39:37.160 --> 0:39:40.399
<v Speaker 3>Around crime scenes. So this guy the doc. Okay.

0:39:40.440 --> 0:39:43.279
<v Speaker 1>So now the doctor comes out, it's been ten full

0:39:43.320 --> 0:39:45.120
<v Speaker 1>seconds since he went in, and he's like, okay, we've

0:39:45.120 --> 0:39:48.480
<v Speaker 1>got her temperature backup, Like it's a total insane thing

0:39:48.560 --> 0:39:51.000
<v Speaker 1>that the human body temperature could like raise that quickly.

0:39:51.480 --> 0:39:55.560
<v Speaker 1>And she's conscious but showing signs of post traumatic retrograde amnesia.

0:39:55.600 --> 0:39:58.960
<v Speaker 1>And Parker's like, what does that mean, It's like memory loss, dumbass.

0:39:59.320 --> 0:40:02.279
<v Speaker 1>So the active's bargin with parkstore in tow and he

0:40:02.320 --> 0:40:04.200
<v Speaker 1>goes to her bedside, and this is the first time

0:40:04.239 --> 0:40:07.200
<v Speaker 1>we've actually really seen her. And I recognize this woman

0:40:07.280 --> 0:40:10.040
<v Speaker 1>is Deborah Ann Wall and I know her as the

0:40:10.040 --> 0:40:12.919
<v Speaker 1>baby vampire Jessica on True Blood. That is like her

0:40:13.360 --> 0:40:15.600
<v Speaker 1>claim to fame for me. But I looked up other

0:40:15.640 --> 0:40:18.160
<v Speaker 1>stuff she's done. I think she's done some like you know, CW.

0:40:18.239 --> 0:40:21.600
<v Speaker 1>Marvel stuff, but I don't. I'm not sure. She has

0:40:21.800 --> 0:40:23.880
<v Speaker 1>no idea how she got into the Hudson River. She

0:40:23.920 --> 0:40:26.680
<v Speaker 1>remembers coming home from school. It was seven o'clock, she

0:40:26.760 --> 0:40:30.120
<v Speaker 1>took a shower. She heard someone in the apartment, a man.

0:40:30.680 --> 0:40:32.919
<v Speaker 1>She thinks it was the creep from downstairs, but she's

0:40:32.920 --> 0:40:35.800
<v Speaker 1>not sure it's all a blur, there was glass breaking,

0:40:35.840 --> 0:40:38.279
<v Speaker 1>then her head hurt, she passed out. She came to

0:40:38.400 --> 0:40:40.279
<v Speaker 1>in a car, and then she was in a dark

0:40:40.400 --> 0:40:42.640
<v Speaker 1>room and it was freezing cold. The door was locked

0:40:42.640 --> 0:40:44.440
<v Speaker 1>and someone put a bag over her head and she

0:40:44.480 --> 0:40:46.960
<v Speaker 1>couldn't breathe. And now she's getting upset, and the doctor's like, everybody,

0:40:47.000 --> 0:40:49.359
<v Speaker 1>get out of here. And so Craigan's like, all right,

0:40:49.400 --> 0:40:52.400
<v Speaker 1>we got nothing, like we got her with amnesia, saying

0:40:52.440 --> 0:40:53.919
<v Speaker 1>maybe it's the downstairs guy.

0:40:54.280 --> 0:40:56.000
<v Speaker 3>They go over the timeline and.

0:40:55.960 --> 0:40:58.320
<v Speaker 1>They figure out, oh, well, maybe he hid her somewhere

0:40:58.360 --> 0:41:01.200
<v Speaker 1>like and then after we caught on to him, he

0:41:01.239 --> 0:41:03.520
<v Speaker 1>went back there and dumped her body. But Munch and

0:41:03.520 --> 0:41:05.239
<v Speaker 1>Finn had been on him all day, so like when

0:41:05.239 --> 0:41:07.560
<v Speaker 1>would he have done that? And they're like, well, he

0:41:07.600 --> 0:41:09.720
<v Speaker 1>works at the docks, a good place to dump a body,

0:41:09.719 --> 0:41:11.800
<v Speaker 1>and it's like in broad daylight with all his coworkers.

0:41:11.840 --> 0:41:13.920
<v Speaker 1>I'm confused to how they think that's like an easy

0:41:14.280 --> 0:41:15.720
<v Speaker 1>like place to dump a body.

0:41:16.000 --> 0:41:18.880
<v Speaker 2>It says when the detectives are the worst, when they

0:41:18.920 --> 0:41:21.560
<v Speaker 2>do not do detectiving, when they have their theory and

0:41:21.600 --> 0:41:24.920
<v Speaker 2>they're just like trying to find everything for the theory

0:41:25.160 --> 0:41:27.440
<v Speaker 2>is when they're the worst, Yeah, when they're the most

0:41:27.719 --> 0:41:30.760
<v Speaker 2>life yeah, or when the craigin makes fun of an addict,

0:41:30.960 --> 0:41:31.960
<v Speaker 2>like that's always.

0:41:31.719 --> 0:41:35.120
<v Speaker 1>Confusing to when they try to just, yeah, force everything

0:41:35.160 --> 0:41:36.920
<v Speaker 1>into a narrative that they've come up in their heads,

0:41:37.080 --> 0:41:39.600
<v Speaker 1>so that what they get credit for being the smartest detective.

0:41:39.600 --> 0:41:40.000
<v Speaker 3>I don't know.

0:41:40.360 --> 0:41:42.600
<v Speaker 1>But she also said she was freezing and it's been

0:41:42.600 --> 0:41:44.640
<v Speaker 1>boiling in New York City, so maybe she was in

0:41:44.719 --> 0:41:47.640
<v Speaker 1>some kind of refrigerated storage unit at the docks. Yeah,

0:41:47.640 --> 0:41:49.799
<v Speaker 1>why wouldn't there be a refrigerated storage unit down at

0:41:49.800 --> 0:41:50.680
<v Speaker 1>this construction site?

0:41:50.719 --> 0:41:51.400
<v Speaker 3>That makes sense.

0:41:51.719 --> 0:41:53.560
<v Speaker 2>So now they're down there and there is one, and

0:41:53.640 --> 0:41:54.880
<v Speaker 2>CSU is checking the fridge.

0:41:54.920 --> 0:41:57.680
<v Speaker 1>There's no sign of Lily, no hairs, no fibers or blood.

0:41:58.000 --> 0:42:02.840
<v Speaker 1>Stable shards showing her stables. Stabler starts showing her pictures

0:42:02.960 --> 0:42:05.560
<v Speaker 1>do all the workers, and Donovan's like, why don't you

0:42:05.640 --> 0:42:08.160
<v Speaker 1>just cuff me? And Finn and Munth show up and

0:42:08.200 --> 0:42:11.560
<v Speaker 1>tells Stabler they've been following Parker's tweet fest and a

0:42:11.560 --> 0:42:13.560
<v Speaker 1>lot of freaks are saying they saw her like with

0:42:13.719 --> 0:42:16.560
<v Speaker 1>aliens and then she was abducted and whatever. But then

0:42:16.600 --> 0:42:19.040
<v Speaker 1>there's one tweet from a person named Tracy who goes,

0:42:19.280 --> 0:42:22.400
<v Speaker 1>I saw her around midnight outside my store, arguing with

0:42:22.480 --> 0:42:24.920
<v Speaker 1>a dude, and I wish I had done something. And

0:42:24.960 --> 0:42:27.800
<v Speaker 1>then Donovan was in custody at midnight, so maybe Tracy

0:42:27.840 --> 0:42:30.120
<v Speaker 1>got the time wrong. So cut to a combo with

0:42:30.160 --> 0:42:32.520
<v Speaker 1>Tracy at copy Quick where she works, which is like

0:42:32.560 --> 0:42:36.399
<v Speaker 1>a Kinkos situation, and she is a woman who knows

0:42:36.400 --> 0:42:36.800
<v Speaker 1>her shit.

0:42:36.960 --> 0:42:39.759
<v Speaker 3>She is like a I love this character.

0:42:39.600 --> 0:42:44.040
<v Speaker 1>Like just like an amazing huge gold plate, necklace, pink lipstick,

0:42:44.320 --> 0:42:47.080
<v Speaker 1>like tan, just a wild New York character.

0:42:47.120 --> 0:42:48.560
<v Speaker 3>And she's like, I did not get the time wrong.

0:42:48.600 --> 0:42:52.239
<v Speaker 1>I know when my shift ends, and I saw her

0:42:52.280 --> 0:42:54.160
<v Speaker 1>and she was going at it, arguing with some guy

0:42:54.680 --> 0:42:56.920
<v Speaker 1>and it was am midnight. So then they show her

0:42:56.960 --> 0:42:58.920
<v Speaker 1>a picture of Donovan and she's like, noah, it was

0:42:58.960 --> 0:43:01.960
<v Speaker 1>this Asian guy kind of like ugly, cute and much

0:43:02.080 --> 0:43:05.560
<v Speaker 1>much younger. Did I just solve the crime? And she like,

0:43:05.719 --> 0:43:07.759
<v Speaker 1>I'm obsessed. I want her to have her own crime

0:43:07.800 --> 0:43:10.760
<v Speaker 1>solving show, and she goes, I even have the receipt,

0:43:10.800 --> 0:43:12.839
<v Speaker 1>and Stabler goes, you never said she came in here,

0:43:12.880 --> 0:43:15.480
<v Speaker 1>and she goes, I didn't. I guess I was caught

0:43:15.600 --> 0:43:17.880
<v Speaker 1>up with the fight and her being a murder victim,

0:43:18.040 --> 0:43:20.480
<v Speaker 1>and Stabler's like, she's not dead, and it's like this

0:43:20.520 --> 0:43:24.279
<v Speaker 1>girl is pure comedy. So she was like, see, look,

0:43:24.520 --> 0:43:26.520
<v Speaker 1>she came in at eleven forty three and she used

0:43:26.600 --> 0:43:29.960
<v Speaker 1>terminal five for forty six minutes and her boss has

0:43:29.960 --> 0:43:32.840
<v Speaker 1>them copy IDs in case terrorists try to use their computers.

0:43:33.160 --> 0:43:35.360
<v Speaker 3>Now Stabler looks so confused, because.

0:43:35.200 --> 0:43:37.319
<v Speaker 1>Oh my god, could it be you were wrong that

0:43:37.400 --> 0:43:39.440
<v Speaker 1>this isn't that you like, you know, you had the

0:43:39.480 --> 0:43:43.120
<v Speaker 1>wrong guy. In the hospital, Lily is asleep with a

0:43:43.120 --> 0:43:45.560
<v Speaker 1>big bandage on her head, not all the way around,

0:43:45.600 --> 0:43:49.120
<v Speaker 1>but just a big, you know, big square, and Benson

0:43:49.160 --> 0:43:52.000
<v Speaker 1>and Stabler come barging in and ask her who's Billy Chang?

0:43:52.040 --> 0:43:54.080
<v Speaker 3>And she goes, just some guy I know.

0:43:54.520 --> 0:43:56.920
<v Speaker 1>He's also in medical school and has a rap sheet

0:43:56.920 --> 0:44:00.680
<v Speaker 1>for selling crystal meth. So explain these emails, Billy? Can

0:44:00.719 --> 0:44:01.279
<v Speaker 1>you stop by?

0:44:01.440 --> 0:44:01.720
<v Speaker 3>Billy?

0:44:01.760 --> 0:44:04.000
<v Speaker 1>Where are you? You know how everyone's always emailing their

0:44:04.040 --> 0:44:07.040
<v Speaker 1>drug dealer. Obviously, Stabler has printed up the emails and

0:44:07.160 --> 0:44:09.960
<v Speaker 1>is showing them. She denies it's even her email address,

0:44:10.000 --> 0:44:11.960
<v Speaker 1>and he's like, cut the shit, CSU told us that

0:44:12.000 --> 0:44:15.080
<v Speaker 1>you created this email address on your desktop. Stop and

0:44:15.640 --> 0:44:17.879
<v Speaker 1>you're not a victim. You weren't abducted, you weren't thrown

0:44:17.920 --> 0:44:20.840
<v Speaker 1>in the river. You were online at copy Quick scoring drugs.

0:44:20.880 --> 0:44:22.880
<v Speaker 1>And she's like, you don't even understand, and they're like,

0:44:22.920 --> 0:44:25.200
<v Speaker 1>so tell us, make us understand. She goes, I had

0:44:25.239 --> 0:44:27.560
<v Speaker 1>a bad day at med school. They gave me a

0:44:27.680 --> 0:44:30.680
<v Speaker 1>gross old lady cadaver, and I was so creeped out.

0:44:30.800 --> 0:44:32.960
<v Speaker 1>It's like, oh my god, you're not cut out to

0:44:33.000 --> 0:44:34.800
<v Speaker 1>be a doctor, Like you can't.

0:44:34.840 --> 0:44:36.600
<v Speaker 3>She had to like come, She's like, I came home.

0:44:36.880 --> 0:44:38.959
<v Speaker 1>I had to shower to get the smell of death

0:44:39.000 --> 0:44:41.880
<v Speaker 1>off of me, of this disgusting, gross old lady. And

0:44:41.920 --> 0:44:44.400
<v Speaker 1>then she got pissed that Parker didn't show up because

0:44:44.440 --> 0:44:46.279
<v Speaker 1>it is ten o'clock when he's trying to come in

0:44:46.320 --> 0:44:49.080
<v Speaker 1>for their date or after ten, So she emailed Billy

0:44:49.120 --> 0:44:51.400
<v Speaker 1>to score. He said he didn't have anything, so she

0:44:51.560 --> 0:44:54.880
<v Speaker 1>trashed her apartment looking for her own stash. I guess

0:44:54.880 --> 0:44:58.360
<v Speaker 1>went into an absolute mania, banged her head on the mirror.

0:44:58.360 --> 0:44:59.560
<v Speaker 3>There was blood everywhere.

0:45:00.239 --> 0:45:02.200
<v Speaker 1>She freaked out when she looked at how bad the

0:45:02.239 --> 0:45:04.960
<v Speaker 1>scene looked, with like blood and broken shit and you

0:45:04.960 --> 0:45:09.080
<v Speaker 1>know whatever. So she heard Parker come home. He doesn't

0:45:09.080 --> 0:45:11.799
<v Speaker 1>know about her habit. She heard Parker coming home, took

0:45:11.800 --> 0:45:15.040
<v Speaker 1>off down the fire escape and went to go find Billy. Meanwhile,

0:45:15.440 --> 0:45:18.000
<v Speaker 1>she saw what Parker had been posting online with his

0:45:18.040 --> 0:45:20.799
<v Speaker 1>little Twitter account about her abduction and what was she

0:45:20.880 --> 0:45:23.360
<v Speaker 1>going to do? She couldn't like say, hey, I flipped

0:45:23.360 --> 0:45:26.040
<v Speaker 1>out because I couldn't get drugs, so she jumped into

0:45:26.080 --> 0:45:27.480
<v Speaker 1>the river. But she's like, but I didn't think it

0:45:27.480 --> 0:45:29.799
<v Speaker 1>would take you guys so long to find me. And

0:45:29.840 --> 0:45:32.279
<v Speaker 1>they're like, are you fucking And she's like, look, I

0:45:32.360 --> 0:45:36.799
<v Speaker 1>almost died, and Stabler gets set off, like he is activated.

0:45:36.840 --> 0:45:37.240
<v Speaker 3>Stabler.

0:45:37.320 --> 0:45:39.239
<v Speaker 1>He's like, you want pity from us? You were willing

0:45:39.239 --> 0:45:41.400
<v Speaker 1>to send an innocent man to prison to cover your ass.

0:45:41.760 --> 0:45:43.920
<v Speaker 1>And then Olivia cuffs her to the bed and Stabler

0:45:43.920 --> 0:45:45.400
<v Speaker 1>takes off and she's like, where are you going? And

0:45:45.440 --> 0:45:48.680
<v Speaker 1>he's like to apologize, So he's headed over to Donovan.

0:45:48.960 --> 0:45:51.799
<v Speaker 1>Now we're at Donovan's place and Stabler finds him on

0:45:51.840 --> 0:45:56.560
<v Speaker 1>the rooftop and he goes to apologize, and Donovan like

0:45:56.640 --> 0:45:59.200
<v Speaker 1>stands up and walks towards him and without saying a word,

0:45:59.560 --> 0:46:03.440
<v Speaker 1>kind of which places with him and pushes Stabler off

0:46:03.480 --> 0:46:07.200
<v Speaker 1>of the roof of this big building. We panned down

0:46:07.239 --> 0:46:10.600
<v Speaker 1>below to see Stabler's lifeless body. It has landed on

0:46:10.680 --> 0:46:13.520
<v Speaker 1>a shorter building's roof and not the street below, thankfully,

0:46:13.560 --> 0:46:16.640
<v Speaker 1>but it's not a great situation. It definitely was a

0:46:16.920 --> 0:46:20.160
<v Speaker 1>many footfall. And if you have been to our live shows,

0:46:20.719 --> 0:46:23.640
<v Speaker 1>we used to show a compilation of Stabler getting his

0:46:23.760 --> 0:46:25.920
<v Speaker 1>ass kicked and this was in it. And it is

0:46:26.040 --> 0:46:28.719
<v Speaker 1>quite a wild moment because you think he could be dead.

0:46:29.719 --> 0:46:31.959
<v Speaker 2>Well, yeah, I'm sure when people were watching it live

0:46:32.000 --> 0:46:35.520
<v Speaker 2>on NBC, they were shocked right before the commercial, you

0:46:35.520 --> 0:46:38.640
<v Speaker 2>know what I mean. Yeah, splayed out on the on whatever,

0:46:38.719 --> 0:46:40.000
<v Speaker 2>the ground roof.

0:46:40.120 --> 0:46:42.680
<v Speaker 1>Yeah, they're not on a roof, yeah, the other roof,

0:46:42.719 --> 0:46:47.240
<v Speaker 1>the adjacent roof. So now like scary, yeah, so now,

0:46:47.400 --> 0:46:49.239
<v Speaker 1>I mean it's like I was scared in Wildlife when

0:46:49.280 --> 0:46:51.080
<v Speaker 1>he got shot. I was like, oh my god, he's

0:46:51.120 --> 0:46:52.560
<v Speaker 1>gonna die, even though it's like when you think about

0:46:52.560 --> 0:46:54.440
<v Speaker 1>it's like they're not killing Elliott Stabler, you know.

0:46:54.719 --> 0:46:56.680
<v Speaker 2>Yeah, I guess this is before a Game of Thrones.

0:46:56.719 --> 0:46:59.040
<v Speaker 2>I'm trying to think if Anaan did shocking things in

0:46:59.080 --> 0:47:04.120
<v Speaker 2>television like this before Game of Thrones. Uh, yeah, there

0:47:04.160 --> 0:47:08.720
<v Speaker 2>were definitely like crazy deaths in television. Oh, who shot Jr?

0:47:08.960 --> 0:47:11.520
<v Speaker 2>That was like a big and who shot mister Burns?

0:47:12.680 --> 0:47:13.960
<v Speaker 2>Those were a big Yeah.

0:47:14.160 --> 0:47:16.000
<v Speaker 1>I feel like a lot of times that's because they're

0:47:16.040 --> 0:47:18.640
<v Speaker 1>writing a character off because of like the bad behavior,

0:47:18.800 --> 0:47:21.560
<v Speaker 1>or they got offered something else or whatever. And I

0:47:21.560 --> 0:47:23.839
<v Speaker 1>guess because I think in season twelve when he does leave,

0:47:23.880 --> 0:47:26.040
<v Speaker 1>everybody was kind of shocked at the end of season twelve,

0:47:26.080 --> 0:47:28.080
<v Speaker 1>So in season eleven, I don't know if anybody had

0:47:28.080 --> 0:47:31.920
<v Speaker 1>an inkling about that, But anyway, Stabler's eyes are open

0:47:32.120 --> 0:47:34.840
<v Speaker 1>and the top of AC three he's sitting on his back,

0:47:35.000 --> 0:47:37.320
<v Speaker 1>still on the roof, and we hear his walkie talkie

0:47:37.320 --> 0:47:40.360
<v Speaker 1>like buzzing with like ten forty three rem whatever.

0:47:40.800 --> 0:47:42.480
<v Speaker 3>He whispers into.

0:47:42.200 --> 0:47:44.560
<v Speaker 1>It, he can manages to reach for it, whispers into

0:47:44.600 --> 0:47:47.680
<v Speaker 1>it ten thirteen officer down. So now we cut to

0:47:47.760 --> 0:47:50.839
<v Speaker 1>the hospital. We got live Craigan and Sonia surrounding his

0:47:51.080 --> 0:47:53.160
<v Speaker 1>hospital bed. He's in a neck brace with like an

0:47:53.239 --> 0:47:55.200
<v Speaker 1>ice pack on his shoulder, like the kind of ice

0:47:55.239 --> 0:47:57.799
<v Speaker 1>back I just have in my freezer, And I don't know,

0:47:57.840 --> 0:47:59.600
<v Speaker 1>it's like feels like your whole body would be pretty

0:47:59.600 --> 0:48:01.600
<v Speaker 1>fucked on what one little ice pack on the shoulders

0:48:01.640 --> 0:48:04.799
<v Speaker 1>doing but Sonia's cracking a joke about him taking a

0:48:04.880 --> 0:48:07.520
<v Speaker 1>nap on the job and they don't know where Donovan is,

0:48:07.560 --> 0:48:08.520
<v Speaker 1>but they're gonna get him, and.

0:48:08.520 --> 0:48:09.839
<v Speaker 3>Stabler tries to come up. Oh.

0:48:09.880 --> 0:48:12.520
<v Speaker 1>Stable tries to get up with fully like a possible

0:48:12.560 --> 0:48:14.319
<v Speaker 1>spinal injury, Like a moron that he is.

0:48:14.360 --> 0:48:15.320
<v Speaker 3>He's like, I'm fine.

0:48:15.440 --> 0:48:17.960
<v Speaker 1>It's like, okay, truly, you fell from like twenty feet

0:48:17.960 --> 0:48:20.799
<v Speaker 1>at least, and Craigan makes him sit his ass back down,

0:48:20.840 --> 0:48:24.040
<v Speaker 1>and Sonya's like, okay, gotta go LMK when you find Donovan,

0:48:24.560 --> 0:48:27.120
<v Speaker 1>and when you do, don't touch a hair on his head.

0:48:27.520 --> 0:48:29.360
<v Speaker 3>I think they're they're scared of Jessica Walter.

0:48:29.400 --> 0:48:33.439
<v Speaker 1>At this point, Finn enters and said they've got eyes

0:48:33.520 --> 0:48:36.200
<v Speaker 1>on his job and his girlfriend's bar and there's no

0:48:36.280 --> 0:48:38.719
<v Speaker 1>sign of him so far. They dumped his phone and

0:48:38.800 --> 0:48:42.480
<v Speaker 1>his most frequent call is to Veronique Saint John, and

0:48:43.000 --> 0:48:46.720
<v Speaker 1>Craigan says that sounds like a porn star. Thanks Craigan,

0:48:46.880 --> 0:48:50.719
<v Speaker 1>and then Stable remembers no remember when the woman when

0:48:50.760 --> 0:48:54.040
<v Speaker 1>the attorney showed up, it was because someone named Veronique

0:48:54.120 --> 0:48:57.319
<v Speaker 1>had called her to say that he didn't show up.

0:48:57.320 --> 0:48:57.879
<v Speaker 3>For their date.

0:48:58.440 --> 0:49:01.759
<v Speaker 1>So now we get to this Brownstone facility or this

0:49:01.920 --> 0:49:05.120
<v Speaker 1>like you know, big door into Manhattan and Veronique Saint

0:49:05.200 --> 0:49:08.200
<v Speaker 1>John is standing there answering questions in her bathrobe in

0:49:08.239 --> 0:49:10.960
<v Speaker 1>the doorway, and she saw Donovan the night before, but

0:49:11.000 --> 0:49:12.480
<v Speaker 1>she didn't know the cops were looking for him, and

0:49:12.520 --> 0:49:15.480
<v Speaker 1>she doesn't ask her clients questions like that. Finn asks

0:49:15.480 --> 0:49:17.520
<v Speaker 1>if she's a hooker, and she takes huge offense.

0:49:17.600 --> 0:49:18.839
<v Speaker 3>She's like, the hell I am.

0:49:19.239 --> 0:49:21.959
<v Speaker 1>This is a private group home and mister Donovan's mother

0:49:22.080 --> 0:49:25.120
<v Speaker 1>is a resident here, so they're like, well, he told

0:49:25.120 --> 0:49:28.319
<v Speaker 1>Stabler that he lost his mother, and Arone clarifies, She's like,

0:49:28.360 --> 0:49:31.000
<v Speaker 1>well he did lose her to Alzheimer's. Like she's here,

0:49:31.040 --> 0:49:34.840
<v Speaker 1>but she thinks he's her husband, Tommy, who died in

0:49:34.880 --> 0:49:39.320
<v Speaker 1>World War two and really has no concept of reality

0:49:39.400 --> 0:49:41.759
<v Speaker 1>and he visits her every night. So they go to

0:49:41.800 --> 0:49:44.319
<v Speaker 1>the room of the mother and Donovan is in there

0:49:44.360 --> 0:49:46.400
<v Speaker 1>with his mom and he goes, I'll go quietly, just

0:49:46.400 --> 0:49:48.640
<v Speaker 1>don't wake her up, and Finn's like, uh, yeah, you

0:49:48.680 --> 0:49:50.319
<v Speaker 1>threw my friend off a roof, so I'm not going

0:49:50.360 --> 0:49:52.280
<v Speaker 1>to be quiet for your mom and starts like grabbing

0:49:52.360 --> 0:49:55.200
<v Speaker 1>him then the mom wakes up and he goes along

0:49:55.239 --> 0:49:57.520
<v Speaker 1>with the charade that he's his dad and goes, I

0:49:57.560 --> 0:50:01.160
<v Speaker 1>gotta go, I'm shipping out, and she's like, one more

0:50:01.239 --> 0:50:03.839
<v Speaker 1>kiss for your best girl, and he does kiss her

0:50:03.880 --> 0:50:06.120
<v Speaker 1>on the cheek. It's a really weird scene because it's

0:50:06.160 --> 0:50:08.279
<v Speaker 1>like she's looking at her son like she's in love

0:50:08.320 --> 0:50:11.840
<v Speaker 1>with him, and in a romantic way, not in a

0:50:11.880 --> 0:50:14.640
<v Speaker 1>mother son way. And they cuff Donovan and they take

0:50:14.680 --> 0:50:17.120
<v Speaker 1>him out. So when they get outside, he immediately tries

0:50:17.160 --> 0:50:19.360
<v Speaker 1>to run. He's going for suicide by cop, Like he's like,

0:50:19.360 --> 0:50:21.560
<v Speaker 1>shoot me, what are you waiting for? I killed your partner?

0:50:21.640 --> 0:50:24.759
<v Speaker 1>And Olivia is like, he's not dead. Lily lied and

0:50:24.800 --> 0:50:27.120
<v Speaker 1>Elliott was coming to apologize to you. If you had

0:50:27.120 --> 0:50:30.880
<v Speaker 1>waited another second, you'd be all good. And he looks,

0:50:31.040 --> 0:50:34.919
<v Speaker 1>you know, devastated because the truth is sinking in. Here's

0:50:34.920 --> 0:50:37.000
<v Speaker 1>the other weird thing. Isn't it weird that Lily made

0:50:37.080 --> 0:50:39.000
<v Speaker 1>up the whole thing about being in a freezing cold

0:50:39.000 --> 0:50:41.160
<v Speaker 1>place with a bag against on her head and there

0:50:41.200 --> 0:50:45.320
<v Speaker 1>happens to be a refrigerated area at Donovan's workplace. Seems

0:50:45.320 --> 0:50:48.560
<v Speaker 1>like a lot of coincidences because she really did truly

0:50:48.600 --> 0:50:51.880
<v Speaker 1>make up the whole thing. At the precinct, Donovan is

0:50:51.920 --> 0:50:56.200
<v Speaker 1>in interrogation. Sonya shows up and says, no one.

0:50:56.080 --> 0:51:01.279
<v Speaker 3>Talks to this guy will sue her. Yeah, yeah, true.

0:51:01.400 --> 0:51:03.720
<v Speaker 3>As I wonder if the couple's going to stay together.

0:51:03.960 --> 0:51:06.239
<v Speaker 1>We'll see if the Twitter account loses his followers, I

0:51:06.239 --> 0:51:09.000
<v Speaker 1>think Parker's going to bounce. So At the precinct, Donovan

0:51:09.040 --> 0:51:11.359
<v Speaker 1>is an interrogation. Sonya shows up and goes, no one

0:51:11.400 --> 0:51:14.719
<v Speaker 1>talks to him, including you. To Stabler and he's like, bitch,

0:51:14.719 --> 0:51:16.239
<v Speaker 1>I've been thrown off a roof and I'm not in

0:51:16.239 --> 0:51:17.719
<v Speaker 1>the mood to be told what to do. So he

0:51:17.719 --> 0:51:20.480
<v Speaker 1>heads right in there and she goes Stabler and he

0:51:20.520 --> 0:51:22.440
<v Speaker 1>shuts the door right in her face. And honestly, the

0:51:22.480 --> 0:51:24.520
<v Speaker 1>timing is so perfect. I'd love to talk to someone

0:51:24.600 --> 0:51:26.440
<v Speaker 1>to tell me, like how many times they had to

0:51:26.480 --> 0:51:29.480
<v Speaker 1>do that. Because he's like, whatever, goes in, she goes

0:51:29.520 --> 0:51:31.239
<v Speaker 1>Stabler smack right away the door.

0:51:31.280 --> 0:51:32.240
<v Speaker 3>It's really funny.

0:51:32.600 --> 0:51:35.040
<v Speaker 1>He tells Donovan get up, but Donovan won't get up.

0:51:35.040 --> 0:51:37.000
<v Speaker 1>He's just sitting there quiet, and so he lifts him

0:51:37.040 --> 0:51:39.279
<v Speaker 1>up by like the scruff of his neck and his

0:51:39.440 --> 0:51:42.720
<v Speaker 1>shirts or whatever, and that's when Craigan and Sonya bust

0:51:42.760 --> 0:51:44.480
<v Speaker 1>in to stop him and they take Donovan out, and

0:51:44.520 --> 0:51:47.279
<v Speaker 1>he tells Sonya, I don't work for you, and she's like, well,

0:51:47.280 --> 0:51:49.120
<v Speaker 1>I'm not gonna watch you give this guy the full

0:51:49.160 --> 0:51:51.600
<v Speaker 1>stabler And he's like, I was just trying to take

0:51:51.640 --> 0:51:54.399
<v Speaker 1>him essentral booking and stay. Sonya's like, it's not your case.

0:51:54.480 --> 0:51:57.759
<v Speaker 1>You're the victim, and she gets all sarcastic, like, oh,

0:51:57.920 --> 0:52:00.200
<v Speaker 1>just the word victim of fend big strung La. It's

0:52:00.200 --> 0:52:02.360
<v Speaker 1>stable with the tough guy. He goes, you don't know me.

0:52:02.440 --> 0:52:04.719
<v Speaker 1>She goes, I read your file. He goes, You've had

0:52:04.719 --> 0:52:06.760
<v Speaker 1>a heart on for me since the day you walked

0:52:06.760 --> 0:52:10.440
<v Speaker 1>into this squad. She laughs, and she's like, I have

0:52:10.440 --> 0:52:12.360
<v Speaker 1>problems with anyone who doesn't play by the rules.

0:52:12.360 --> 0:52:14.480
<v Speaker 2>And he's like, your rules. You act like the law

0:52:14.520 --> 0:52:16.239
<v Speaker 2>is scripture, but you don't give a damn about the law.

0:52:16.239 --> 0:52:17.200
<v Speaker 2>You just want control.

0:52:17.560 --> 0:52:18.120
<v Speaker 3>I know you.

0:52:18.160 --> 0:52:19.880
<v Speaker 1>I see perps like you every day who walk in

0:52:19.920 --> 0:52:22.080
<v Speaker 1>here and got to have control or the world far

0:52:22.280 --> 0:52:24.439
<v Speaker 1>falls apart and inside their skill.

0:52:24.800 --> 0:52:27.960
<v Speaker 2>You slipped in such sharp and fart in this episode. Already, Yeah,

0:52:27.960 --> 0:52:30.240
<v Speaker 2>what did I say? Falls at fart?

0:52:32.080 --> 0:52:34.720
<v Speaker 1>He goes the purpse like you have to have control

0:52:34.800 --> 0:52:37.360
<v Speaker 1>or the world falls apart, and inside they're scared, weak

0:52:37.440 --> 0:52:40.600
<v Speaker 1>and damage. And she's like, you could tell while he's

0:52:40.600 --> 0:52:42.719
<v Speaker 1>saying these words to her, it's like hitting, Like her

0:52:42.760 --> 0:52:45.880
<v Speaker 1>face is like she's not like tough girl Sonya anymore.

0:52:46.200 --> 0:52:49.200
<v Speaker 1>And then she slaps Elliott across the face and he

0:52:49.280 --> 0:52:52.440
<v Speaker 1>like shakes it for a second, a millisecond, and then

0:52:52.520 --> 0:52:55.200
<v Speaker 1>grins at her, and she looks like a frightened little child,

0:52:55.280 --> 0:52:57.600
<v Speaker 1>like she's like, I just smacked somebody.

0:52:57.960 --> 0:52:58.480
<v Speaker 3>Oh God.

0:52:59.480 --> 0:53:02.520
<v Speaker 1>But also the guy has my number, so he walks out.

0:53:03.000 --> 0:53:05.680
<v Speaker 1>She looks frightened. She's like, oh no, I might lose

0:53:05.719 --> 0:53:09.440
<v Speaker 1>my job now. At arraignment, Donovan pleads not guilty. Sonya

0:53:09.440 --> 0:53:11.960
<v Speaker 1>asks for remand Donovan thought he was about to be

0:53:12.040 --> 0:53:13.920
<v Speaker 1>arrested for a crime he did not commit. He's not

0:53:14.000 --> 0:53:16.879
<v Speaker 1>responsible for the crime that he did commit, and they're

0:53:16.920 --> 0:53:20.279
<v Speaker 1>going for a psychiatric defense, and Sonya says he has

0:53:20.320 --> 0:53:22.400
<v Speaker 1>no history of mental illness in his prison records, and

0:53:22.480 --> 0:53:25.320
<v Speaker 1>Jessica Walter's like, yeah, prisons aren't really great at documenting

0:53:25.320 --> 0:53:28.160
<v Speaker 1>stuff like that. Andy spent the majority of his sentence

0:53:28.200 --> 0:53:31.800
<v Speaker 1>in solitary confinement, he was isolated with no human contact

0:53:31.800 --> 0:53:34.520
<v Speaker 1>and it's made him psychotic. And they were like, he's

0:53:34.560 --> 0:53:36.279
<v Speaker 1>been out for a year and had no issues, and

0:53:36.760 --> 0:53:40.520
<v Speaker 1>she says, Jessica Walter goes, he regressed under the thought

0:53:40.680 --> 0:53:45.480
<v Speaker 1>of reincarceration. So Petrowski is there our dearly departed Joanna Merlin,

0:53:45.520 --> 0:53:48.440
<v Speaker 1>who has recently passed away and who is a legend

0:53:48.560 --> 0:53:51.560
<v Speaker 1>in her own time in the SVU universe. She agrees

0:53:51.640 --> 0:53:53.239
<v Speaker 1>it sounds like there's issues here that need to be

0:53:53.320 --> 0:53:55.320
<v Speaker 1>laid out for the jury, but she also agrees to

0:53:55.360 --> 0:53:58.399
<v Speaker 1>the remand and he begs, he's like, please don't put

0:53:58.400 --> 0:54:01.200
<v Speaker 1>me back, and his lawyer if the judge can order

0:54:01.200 --> 0:54:03.319
<v Speaker 1>that he'll be placed in gen Pop. But she's like,

0:54:03.320 --> 0:54:05.640
<v Speaker 1>that's really not my job or my jurisdiction, Like I

0:54:05.680 --> 0:54:09.279
<v Speaker 1>can't really control the Department of Corrections. And he rants

0:54:09.320 --> 0:54:12.319
<v Speaker 1>about how yeah pass the buck all you you you

0:54:12.320 --> 0:54:14.480
<v Speaker 1>you all throw people in prison and then walk away.

0:54:14.520 --> 0:54:17.279
<v Speaker 1>You turn a blind eye to torture, and Sonya's like, oh,

0:54:17.360 --> 0:54:19.319
<v Speaker 1>were you beaten? Were you waterboarded? And he was like,

0:54:19.360 --> 0:54:21.640
<v Speaker 1>it's just as bad what they did to him. And

0:54:21.680 --> 0:54:25.440
<v Speaker 1>then and then whatever they care, they take him out

0:54:25.480 --> 0:54:30.040
<v Speaker 1>and then Stabler and Sonya kind of have a brief

0:54:30.080 --> 0:54:32.439
<v Speaker 1>look and then he saunters out of court like real

0:54:32.560 --> 0:54:35.720
<v Speaker 1>Lexa daisical. He's halfway down the court steps when Sonya

0:54:35.800 --> 0:54:37.320
<v Speaker 1>runs after him, and we think there's going to be

0:54:37.360 --> 0:54:39.640
<v Speaker 1>a big apology, and she goes, Stabler, I've got to

0:54:39.640 --> 0:54:42.000
<v Speaker 1>talk to you. And then when he stops and talk

0:54:42.040 --> 0:54:44.640
<v Speaker 1>to her, she goes, I mean, this Donovan defense is bullshit,

0:54:44.719 --> 0:54:46.440
<v Speaker 1>and he's like, that's what you had to tell me.

0:54:46.840 --> 0:54:48.440
<v Speaker 1>She's like, I mean, you and I can see through it,

0:54:48.440 --> 0:54:50.560
<v Speaker 1>but the jury might buy it on the stand. I

0:54:50.600 --> 0:54:53.120
<v Speaker 1>want you to really stare down Donovan, make him look

0:54:53.160 --> 0:54:55.359
<v Speaker 1>you in the eye when he excuses pushing you off

0:54:55.400 --> 0:54:57.480
<v Speaker 1>of a roof. And then he goes, I got to

0:54:57.520 --> 0:54:59.000
<v Speaker 1>hand it to you, Sonya. You really know how to

0:54:59.000 --> 0:55:03.080
<v Speaker 1>get under people's skin. And she goes, oh, right, the

0:55:03.120 --> 0:55:05.520
<v Speaker 1>little thing that happened yesterday with the slap, can we

0:55:05.600 --> 0:55:07.200
<v Speaker 1>just call it a truce? And she puts out her

0:55:07.200 --> 0:55:09.600
<v Speaker 1>hand and he does not shake her hand, but he

0:55:09.680 --> 0:55:12.160
<v Speaker 1>like smot gives her like a half smile and goes truce.

0:55:13.280 --> 0:55:16.040
<v Speaker 1>So now top of act four, back at the precinct,

0:55:16.080 --> 0:55:18.200
<v Speaker 1>we've got munch on a rant but this time I

0:55:18.200 --> 0:55:20.799
<v Speaker 1>agree with his rant. He's talking about how humans are

0:55:20.800 --> 0:55:24.920
<v Speaker 1>social creatures and prolonged isolation warps our humanity. The Brits

0:55:25.000 --> 0:55:28.680
<v Speaker 1>actually studied it and said that a solitary confinement causes psychosis,

0:55:28.719 --> 0:55:31.400
<v Speaker 1>and they stopped using it, and when they did, inmate

0:55:31.440 --> 0:55:34.960
<v Speaker 1>violence actually goes down. Finn's not really buying the argument

0:55:35.000 --> 0:55:38.000
<v Speaker 1>that solitary equals torture, even though he's like, yeah, if

0:55:38.040 --> 0:55:40.360
<v Speaker 1>you treat criminals like actual people, it is better. But

0:55:40.600 --> 0:55:43.840
<v Speaker 1>I don't know if solitary is torture. And then he's like,

0:55:44.120 --> 0:55:47.040
<v Speaker 1>why would you not think that? They use it in Iran,

0:55:47.120 --> 0:55:49.279
<v Speaker 1>They use it in Abu Gray Prisoners of War, like

0:55:49.360 --> 0:55:52.799
<v Speaker 1>all kinds of places use solitary confinement as one of

0:55:52.800 --> 0:55:55.560
<v Speaker 1>their methods of torture. And then Munch goes the mind

0:55:55.640 --> 0:55:58.280
<v Speaker 1>can survive prison, but we aren't wired to be alone,

0:55:58.560 --> 0:56:00.880
<v Speaker 1>and then live pipes in and goes, well, when I

0:56:00.920 --> 0:56:03.320
<v Speaker 1>was in prison, the worst part was never being alone,

0:56:03.360 --> 0:56:05.920
<v Speaker 1>Like I had no privacy, no quiet, even on the toilet.

0:56:05.960 --> 0:56:07.600
<v Speaker 1>I would have killed to do a stint in the hole.

0:56:07.640 --> 0:56:10.200
<v Speaker 1>And it's like, Olivia, you're on the wrong side of this.

0:56:10.280 --> 0:56:13.760
<v Speaker 1>Here Munch points out that people prefer free range chickens

0:56:13.760 --> 0:56:16.000
<v Speaker 1>to chickens that have been kept in cages, and he goes,

0:56:16.040 --> 0:56:18.880
<v Speaker 1>we treat poultry better than humans, and Stabler's like, he

0:56:18.960 --> 0:56:21.719
<v Speaker 1>threw me off a roof, and live thinks that this

0:56:21.800 --> 0:56:26.120
<v Speaker 1>whole insanity solitary confinement thing is a smoke screen. So

0:56:26.200 --> 0:56:29.200
<v Speaker 1>now at trial, Jessica Walter asked Donovan why he got

0:56:29.200 --> 0:56:31.600
<v Speaker 1>put in solitary confinement, and he explains his story because

0:56:31.600 --> 0:56:33.040
<v Speaker 1>at first I was like, why did you Why were

0:56:33.080 --> 0:56:35.560
<v Speaker 1>you in solitary for the majority of nineteen years when

0:56:35.960 --> 0:56:37.120
<v Speaker 1>all you did was rob a bank?

0:56:37.200 --> 0:56:40.320
<v Speaker 3>That's like a nonviolent offense, Like what you know, what happened?

0:56:40.640 --> 0:56:44.439
<v Speaker 1>So apparently when he got there, the Aryan Brotherhood tried

0:56:44.480 --> 0:56:46.880
<v Speaker 1>to recruit him. He said, no fucking way, and then

0:56:46.920 --> 0:56:48.240
<v Speaker 1>they tried to jump him in the shower.

0:56:48.360 --> 0:56:50.640
<v Speaker 3>He shived them. One guy never walked again.

0:56:50.719 --> 0:56:52.799
<v Speaker 1>So we got put in solitary in nineteen ninety three

0:56:53.400 --> 0:56:55.959
<v Speaker 1>and then he it wasn't until two thousand and seven

0:56:56.000 --> 0:56:59.880
<v Speaker 1>that he was really out of solitary. And there She's like,

0:57:00.120 --> 0:57:05.960
<v Speaker 1>fucking imagine so fucking insane, like the fact that he's

0:57:06.000 --> 0:57:10.520
<v Speaker 1>not just like shaking and talking to himself constantly is

0:57:10.840 --> 0:57:14.880
<v Speaker 1>He's a miracle of science to me, and his lawyer

0:57:14.920 --> 0:57:17.280
<v Speaker 1>is like, wow, fourteen years in solitary for a fight,

0:57:17.360 --> 0:57:19.520
<v Speaker 1>and he's like, well, whenever the guards would come to

0:57:19.560 --> 0:57:21.560
<v Speaker 1>get me, I was paranoid they were coming to kill me,

0:57:21.640 --> 0:57:23.160
<v Speaker 1>so I would fight back, and then they would just

0:57:23.240 --> 0:57:25.800
<v Speaker 1>tack on more time and solitary. So it just kept

0:57:25.840 --> 0:57:27.760
<v Speaker 1>happening and happening, and then in the end they just

0:57:27.840 --> 0:57:30.440
<v Speaker 1>left me there. He said, it was like death, except

0:57:30.480 --> 0:57:34.800
<v Speaker 1>you're still breathing. All you hear is your breath, days, months, years.

0:57:35.120 --> 0:57:37.760
<v Speaker 1>At first, you sleep twelve to fourteen hours at a time,

0:57:37.960 --> 0:57:40.880
<v Speaker 1>then you can't sleep anymore. He'd watch his shadow till

0:57:40.880 --> 0:57:43.439
<v Speaker 1>it came alive and started talking to him. He knew

0:57:43.480 --> 0:57:45.320
<v Speaker 1>the voices were in his head, but he couldn't shut

0:57:45.320 --> 0:57:47.560
<v Speaker 1>them out. And now there's all these they're playing these

0:57:47.600 --> 0:57:50.200
<v Speaker 1>whispering sound effects on the show and it's really creepy,

0:57:50.320 --> 0:57:55.320
<v Speaker 1>like it's really scary, and he's like, the voices are

0:57:55.320 --> 0:57:57.320
<v Speaker 1>telling me, you know, pluck your eyes out, chew off

0:57:57.320 --> 0:57:59.640
<v Speaker 1>your hands, all this stuff, and he still hears the voices.

0:57:59.640 --> 0:58:03.520
<v Speaker 1>When he alone, he copes, he says, by working walking

0:58:03.560 --> 0:58:04.640
<v Speaker 1>for hours on end.

0:58:04.480 --> 0:58:05.480
<v Speaker 3>He's afraid to sleep.

0:58:05.760 --> 0:58:07.919
<v Speaker 1>He sits on the roof all night because he wants

0:58:07.920 --> 0:58:09.560
<v Speaker 1>to just hear the sounds of the city, anything that

0:58:09.600 --> 0:58:12.919
<v Speaker 1>will block out the voices. So when Stabler came onto

0:58:12.960 --> 0:58:15.000
<v Speaker 1>the roof, he heard the voice again, and the voice

0:58:15.040 --> 0:58:17.320
<v Speaker 1>was laughing at him and pulling him back into the

0:58:17.320 --> 0:58:21.280
<v Speaker 1>hole of solitary confinement. And he tells Stabler, you'll never

0:58:21.320 --> 0:58:23.760
<v Speaker 1>know what it's like to be truly alone, endless days

0:58:23.760 --> 0:58:26.000
<v Speaker 1>without seeing a face or hearing a voice. You can't

0:58:26.000 --> 0:58:28.480
<v Speaker 1>imagine it unless you wind up there yourself. And then

0:58:28.480 --> 0:58:32.000
<v Speaker 1>we get more squinty Stabler, Like, you know, Sabler squints

0:58:32.040 --> 0:58:35.880
<v Speaker 1>when he's something's making him think. So now Stabler is

0:58:35.880 --> 0:58:39.120
<v Speaker 1>at sink sing and he's got a corrections officer who's

0:58:39.160 --> 0:58:42.080
<v Speaker 1>his pal checking out Donovan Cell, taking him to see

0:58:42.120 --> 0:58:45.240
<v Speaker 1>Donovan Cell. And he's like, you owe me, and the

0:58:45.240 --> 0:58:47.280
<v Speaker 1>guy's like, okay, well this is you know, this is

0:58:47.320 --> 0:58:50.919
<v Speaker 1>the favor consider our debt paid. So Stabler steps into

0:58:50.920 --> 0:58:53.360
<v Speaker 1>the cell and the guy goes, don't do anything stupid,

0:58:53.400 --> 0:58:55.880
<v Speaker 1>and he shuts the door. And the guy who's playing

0:58:56.160 --> 0:58:59.360
<v Speaker 1>this corrections officer is named Glenn Fleschler, and he's been

0:58:59.360 --> 0:59:02.240
<v Speaker 1>in the episode Angels. He was in the episode Intent

0:59:02.920 --> 0:59:05.880
<v Speaker 1>that we covered. He was the shitty lawyer that I

0:59:05.960 --> 0:59:09.200
<v Speaker 1>think called the girl when she was trying to the

0:59:09.240 --> 0:59:10.400
<v Speaker 1>social media influencer.

0:59:11.080 --> 0:59:14.919
<v Speaker 3>And then he's also in two recent episodes as well.

0:59:15.920 --> 0:59:22.080
<v Speaker 3>He came onto the scene for me True Detective. Oh wow,

0:59:22.480 --> 0:59:26.200
<v Speaker 3>is he the guy? Yeah? Yeah, oh wow? Yeah yeah.

0:59:26.200 --> 0:59:31.760
<v Speaker 2>And he's also he is the Hasidic jew that Charlotte

0:59:32.400 --> 0:59:35.000
<v Speaker 2>has sex with in Sex and the City in the

0:59:35.040 --> 0:59:36.720
<v Speaker 2>episode Secret Sex.

0:59:37.440 --> 0:59:40.560
<v Speaker 1>Oh my gosh, Well this guy is prolific.

0:59:41.120 --> 0:59:43.080
<v Speaker 3>Yeah, he's been working. No, he has so many credit.

0:59:43.160 --> 0:59:45.280
<v Speaker 2>But True Detective, I feel, is like for me, what

0:59:45.360 --> 0:59:46.200
<v Speaker 2>put him on the map?

0:59:47.400 --> 0:59:49.560
<v Speaker 1>Yes, I knew I recognized him when I saw him

0:59:49.560 --> 0:59:52.200
<v Speaker 1>and then I looked up his sv like past only

0:59:52.440 --> 0:59:55.320
<v Speaker 1>and but I do remember him as that shitty lawyer.

0:59:55.360 --> 0:59:56.920
<v Speaker 3>But yes, True Detective for sure.

0:59:57.200 --> 1:00:00.480
<v Speaker 1>That season had me by the neck, Like I was

1:00:00.480 --> 1:00:01.560
<v Speaker 1>obsessed with that show.

1:00:01.640 --> 1:00:05.240
<v Speaker 2>Oh my god, Season one of True Detective change, Like

1:00:05.440 --> 1:00:08.080
<v Speaker 2>it was a huge moment, so crazy.

1:00:08.720 --> 1:00:10.240
<v Speaker 3>I think it was one of the first like.

1:00:10.280 --> 1:00:13.880
<v Speaker 2>Mini series in that way that was like you know,

1:00:14.080 --> 1:00:16.840
<v Speaker 2>scene as like a cinematic.

1:00:16.800 --> 1:00:18.280
<v Speaker 3>Yeah, like a movie.

1:00:18.400 --> 1:00:21.400
<v Speaker 2>Yeah, yeah, yeah, people really liked it. But he's in Billions.

1:00:22.200 --> 1:00:24.920
<v Speaker 2>Oh okay, He's like, I don't either. He's in thirty

1:00:24.960 --> 1:00:27.240
<v Speaker 2>six episodes. Oh okay, so he's one of the major

1:00:27.280 --> 1:00:29.680
<v Speaker 2>Billions people. He was in the thing about Pam.

1:00:30.640 --> 1:00:34.040
<v Speaker 1>Oh my gosh, I wonder who he plays. I never

1:00:34.080 --> 1:00:36.440
<v Speaker 1>saw that. I just listened to the Dateline podcast of it.

1:00:36.960 --> 1:00:38.960
<v Speaker 2>I didn't either, but I want to wait. I want

1:00:38.960 --> 1:00:41.240
<v Speaker 2>to listen. I want to know the thing about Pam.

1:00:41.640 --> 1:00:43.880
<v Speaker 1>The podcast is so funny because, first of all, it's

1:00:43.920 --> 1:00:45.840
<v Speaker 1>only six episodes. It's so quick to listen to. But

1:00:45.960 --> 1:00:49.560
<v Speaker 1>Keith Morrison listening to his voice is amazing, Like to

1:00:49.600 --> 1:00:51.439
<v Speaker 1>listen to him on a podcast He's like and then

1:00:51.600 --> 1:00:55.919
<v Speaker 1>Pam like, it's so good. Okay, I'm obsessed. I don't listen.

1:00:55.960 --> 1:00:57.560
<v Speaker 2>I haven't listened to anything else, to be honest, on

1:00:57.600 --> 1:00:58.800
<v Speaker 2>the Dateline podcast since.

1:00:58.840 --> 1:01:02.280
<v Speaker 3>But I liked the Pam one a lot. It's unhinged.

1:01:02.840 --> 1:01:06.280
<v Speaker 1>So anyway, we have come to believe that now Stabler

1:01:06.360 --> 1:01:09.200
<v Speaker 1>is putting himself in solitary confinement for some amount of

1:01:09.200 --> 1:01:12.760
<v Speaker 1>time to understand what it's like, and this man will truly.

1:01:12.440 --> 1:01:14.800
<v Speaker 3>Do anything to get away from his wife and kids.

1:01:15.200 --> 1:01:18.880
<v Speaker 1>We see him doing sit ups, push ups, then he's

1:01:18.880 --> 1:01:21.680
<v Speaker 1>sleeping getting food, but whenever they bring him the food,

1:01:21.680 --> 1:01:22.960
<v Speaker 1>he's like, what time is it? And they won't tell

1:01:23.000 --> 1:01:25.680
<v Speaker 1>him the time, So that's part of it. Like it

1:01:25.720 --> 1:01:28.520
<v Speaker 1>is truly wild, how Like I know this is such

1:01:28.520 --> 1:01:31.880
<v Speaker 1>a small example comparatively, but like the subway in New York,

1:01:31.960 --> 1:01:34.400
<v Speaker 1>now that they have the counters that tell you how

1:01:34.400 --> 1:01:37.360
<v Speaker 1>long you have to wait, it makes it like so

1:01:37.520 --> 1:01:39.880
<v Speaker 1>much more bearable. Like even if the thing says fifteen

1:01:39.880 --> 1:01:41.840
<v Speaker 1>minutes till your next train twenty minutes you're next train

1:01:42.040 --> 1:01:44.240
<v Speaker 1>when you don't know and you're just standing there and

1:01:44.240 --> 1:01:46.360
<v Speaker 1>you have no idea how much time something is taking.

1:01:46.880 --> 1:01:49.400
<v Speaker 1>It truly is like nothing moves more slowly than that.

1:01:49.600 --> 1:01:52.000
<v Speaker 1>And so I think that's what they're trying to illustrate here,

1:01:52.120 --> 1:01:53.880
<v Speaker 1>Like if someone would just tell him, oh, it's twelve

1:01:53.880 --> 1:01:56.640
<v Speaker 1>o'clock or whatever, he could figure out, you know, where

1:01:56.640 --> 1:01:59.280
<v Speaker 1>he is in time. But to just be suspended in

1:01:59.280 --> 1:02:02.760
<v Speaker 1>time like that is then there's more working out. This

1:02:02.800 --> 1:02:06.880
<v Speaker 1>is truly my nightmare, Like I I like, I'm so

1:02:06.880 --> 1:02:07.760
<v Speaker 1>solitary combinement.

1:02:07.760 --> 1:02:09.360
<v Speaker 3>This is my nightmare and being buried alive.

1:02:10.120 --> 1:02:12.640
<v Speaker 1>Stabler also starts to hear the little whispers they start

1:02:12.640 --> 1:02:14.960
<v Speaker 1>putting a little whisper sound effect on. He wakes up,

1:02:14.960 --> 1:02:17.480
<v Speaker 1>he thinks he hears shit. There's all these like jolt

1:02:17.520 --> 1:02:20.320
<v Speaker 1>him getting jolted awake, more sit ups, but now he's

1:02:20.360 --> 1:02:23.800
<v Speaker 1>screaming while he does his situps. He's going crazy and

1:02:23.840 --> 1:02:26.640
<v Speaker 1>I yeah, he's like going crazy. And then there's like

1:02:26.640 --> 1:02:29.200
<v Speaker 1>a cockroach crawling on his food tray. He starts playing

1:02:29.240 --> 1:02:31.440
<v Speaker 1>with the cockroachs with like a big smile on his face,

1:02:31.480 --> 1:02:34.000
<v Speaker 1>like it's really gross, and he's really starting to break down,

1:02:34.040 --> 1:02:36.720
<v Speaker 1>like they just keep showing him jolting awake, talking to himself.

1:02:37.040 --> 1:02:40.520
<v Speaker 1>The door opens and his friend is there, the true

1:02:40.560 --> 1:02:42.760
<v Speaker 1>detective guy, and he goes, you, son of a bitch,

1:02:42.800 --> 1:02:44.919
<v Speaker 1>I said three days, not a week. And the guy goes,

1:02:45.040 --> 1:02:48.160
<v Speaker 1>it was three days. It took three days for Stabler

1:02:48.200 --> 1:02:52.520
<v Speaker 1>to absolutely unravel and adopt a pet cockroach. So imagine

1:02:52.520 --> 1:02:56.920
<v Speaker 1>these people that are in there for weeks, months, years,

1:02:57.200 --> 1:02:59.040
<v Speaker 1>Like it's so inhumane.

1:02:59.080 --> 1:03:00.560
<v Speaker 3>In my opinion, it is.

1:03:00.720 --> 1:03:03.560
<v Speaker 2>I do wonder if it's a little excessive that it

1:03:03.600 --> 1:03:05.240
<v Speaker 2>was only three days.

1:03:05.800 --> 1:03:09.040
<v Speaker 3>Would you really have a pet crockerroach in three days?

1:03:09.480 --> 1:03:11.400
<v Speaker 1>I don't know, I don't know what the studies are

1:03:11.440 --> 1:03:13.920
<v Speaker 1>I'm sure they've done studies on people in isolation for

1:03:13.960 --> 1:03:16.480
<v Speaker 1>three days and what happens, you know, Like, I'm sure

1:03:16.520 --> 1:03:18.720
<v Speaker 1>the show is dramatizing it, but like like.

1:03:18.720 --> 1:03:23.640
<v Speaker 2>He was in the military, right, yeah, you're you should be.

1:03:23.720 --> 1:03:24.160
<v Speaker 3>I don't know.

1:03:24.240 --> 1:03:28.720
<v Speaker 2>I just a full pet cockerroach in three days is wild?

1:03:29.080 --> 1:03:32.320
<v Speaker 2>But you know what, do I know? Maybe we should

1:03:32.320 --> 1:03:33.960
<v Speaker 2>do that. Maybe this will be a fun thing for

1:03:34.680 --> 1:03:36.280
<v Speaker 2>Oh my god, Like, I don't think I would last

1:03:36.320 --> 1:03:37.960
<v Speaker 2>two hours. I really don't. I think I would go

1:03:38.000 --> 1:03:40.360
<v Speaker 2>crazy in two hours. Like this isn't that unbelievable for me?

1:03:40.400 --> 1:03:43.040
<v Speaker 2>Because I really, you know, I like don't really do

1:03:43.120 --> 1:03:45.760
<v Speaker 2>alone time, Like I thrive off being around other people.

1:03:46.240 --> 1:03:48.600
<v Speaker 2>So to be by myself for like three full fucking

1:03:48.680 --> 1:03:52.720
<v Speaker 2>days with just concrete walls around me, I don't know.

1:03:53.280 --> 1:03:55.600
<v Speaker 2>I can't say I would have survived not having a TV.

1:03:55.760 --> 1:03:56.360
<v Speaker 2>That's hard.

1:03:56.840 --> 1:03:57.200
<v Speaker 3>Yeah.

1:03:58.320 --> 1:04:02.200
<v Speaker 1>So now Stabler is walking into Sonya's office, who's just

1:04:02.360 --> 1:04:04.760
<v Speaker 1>smoking a cigarette in her office in two thousand and nine,

1:04:04.800 --> 1:04:06.720
<v Speaker 1>I guess that's like right at the cusp of when

1:04:06.800 --> 1:04:08.560
<v Speaker 1>they started saying that you're not allowed.

1:04:08.360 --> 1:04:10.600
<v Speaker 3>To do this anymore. And she's like, where the hell

1:04:10.640 --> 1:04:11.080
<v Speaker 3>have you been?

1:04:11.160 --> 1:04:13.360
<v Speaker 1>And he's like the hole and then he goes, I

1:04:13.400 --> 1:04:15.200
<v Speaker 1>want to drop the charges, and she goes, don't be

1:04:15.240 --> 1:04:17.840
<v Speaker 1>a woof stabler. She's like, well, glad you had a

1:04:17.840 --> 1:04:20.240
<v Speaker 1>fun little trip and found yourself or whatever, but I'm

1:04:20.280 --> 1:04:23.200
<v Speaker 1>here to put wannabe cop killers away. And if Donovan walks,

1:04:23.240 --> 1:04:25.520
<v Speaker 1>it's open season on cops for anyone who's served a

1:04:25.560 --> 1:04:27.760
<v Speaker 1>day in solitary. They're all going to say, oh, it

1:04:27.800 --> 1:04:30.240
<v Speaker 1>made us crazy. And he's like, well, okay, don't make

1:04:30.240 --> 1:04:31.840
<v Speaker 1>an example out of him, but cut him a deal.

1:04:32.120 --> 1:04:33.880
<v Speaker 1>She goes, he'd be out in five and then what

1:04:34.000 --> 1:04:36.240
<v Speaker 1>he runs down A cop who pulls him over. Can't

1:04:36.280 --> 1:04:39.760
<v Speaker 1>take the chance. He threatens to report her for assault.

1:04:39.920 --> 1:04:42.000
<v Speaker 1>He pulls out the only card he's got on her

1:04:42.200 --> 1:04:44.720
<v Speaker 1>and he goes, the DA will suspend you. She doesn't

1:04:44.720 --> 1:04:48.080
<v Speaker 1>even flinch. She goes go ahead, and then he doesn't

1:04:48.080 --> 1:04:50.800
<v Speaker 1>do anything, and she goes thoughts, so you may have

1:04:50.840 --> 1:04:53.360
<v Speaker 1>lost your balls in lock up, but I've still got mine.

1:04:53.400 --> 1:04:55.080
<v Speaker 1>And I can see why a lot of people hate her,

1:04:55.160 --> 1:04:57.120
<v Speaker 1>I really can, But for some reason, I like her

1:04:57.160 --> 1:05:00.800
<v Speaker 1>and I hate the way she spoiler alert dies, So

1:05:01.200 --> 1:05:04.680
<v Speaker 1>cut to the verdict attempted murder in the first degree.

1:05:04.760 --> 1:05:05.520
<v Speaker 3>He's found.

1:05:06.080 --> 1:05:09.240
<v Speaker 1>Now here's what I don't understand about it being first degree.

1:05:09.360 --> 1:05:13.040
<v Speaker 1>First degree is premeditation. Stabler just showed up on that

1:05:13.200 --> 1:05:17.640
<v Speaker 1>roof and he pushed him. That's not premeditated, No, not

1:05:17.760 --> 1:05:20.720
<v Speaker 1>at all. It's the cop of it all. Yeah, that's

1:05:20.800 --> 1:05:24.480
<v Speaker 1>like not that's I don't know. That feels like barely second.

1:05:24.520 --> 1:05:27.120
<v Speaker 1>I don't know because also it's not there's no deadly weapon.

1:05:27.320 --> 1:05:31.640
<v Speaker 1>He just you know, it was a push. So anyway,

1:05:32.040 --> 1:05:33.480
<v Speaker 1>he's found guilty by the jury.

1:05:33.680 --> 1:05:38.400
<v Speaker 2>Yeah, Stabler came to his roof. Yeah, yeah, no, no,

1:05:38.920 --> 1:05:41.720
<v Speaker 2>that is that is weird. I actually am just noticing that.

1:05:41.720 --> 1:05:43.480
<v Speaker 2>I don't think I noticed when I actually watched. But

1:05:44.320 --> 1:05:46.400
<v Speaker 2>so they find Donovan guilty.

1:05:46.720 --> 1:05:48.960
<v Speaker 1>He slowly puts his head on the table and starts

1:05:49.000 --> 1:05:51.480
<v Speaker 1>banging his head, and then he starts begging for them

1:05:51.480 --> 1:05:53.680
<v Speaker 1>to just give him the needle. He's like kill me,

1:05:53.840 --> 1:05:56.120
<v Speaker 1>Like it's really dramatic and this guy is a great actor,

1:05:56.200 --> 1:05:57.960
<v Speaker 1>Like it's really really horrible.

1:05:58.320 --> 1:05:59.200
<v Speaker 3>They drag him out.

1:05:59.280 --> 1:06:01.400
<v Speaker 1>He's just pleading over and over again, please don't do this,

1:06:01.440 --> 1:06:03.760
<v Speaker 1>Please don't do this. And Stabler looks fucked up over it,

1:06:03.840 --> 1:06:06.320
<v Speaker 1>like he's so now he's at a bar having a

1:06:06.400 --> 1:06:09.000
<v Speaker 1>drink and Sonya sidles up next to him and is like,

1:06:09.040 --> 1:06:11.680
<v Speaker 1>oh hey, Stabler, let me buy you around. And then

1:06:11.680 --> 1:06:13.720
<v Speaker 1>she tries to toast to a good day for the

1:06:13.760 --> 1:06:17.240
<v Speaker 1>people and he's like, bitch, not happening. She says she

1:06:17.360 --> 1:06:19.640
<v Speaker 1>does feel She's like, you don't think I feel sorry

1:06:19.720 --> 1:06:21.680
<v Speaker 1>for Donovan, and he goes, good for you. You had

1:06:21.680 --> 1:06:23.320
<v Speaker 1>a shot to do the right thing and you didn't,

1:06:23.360 --> 1:06:25.360
<v Speaker 1>and then he walks out, leaving her with her little

1:06:25.400 --> 1:06:27.600
<v Speaker 1>round of drinks that she's probably gonna drink both of

1:06:27.680 --> 1:06:31.600
<v Speaker 1>to be honest, So now it sings saying. Stabler opens

1:06:31.640 --> 1:06:35.640
<v Speaker 1>the slot of Donovan's cell and he's in there and

1:06:35.680 --> 1:06:37.520
<v Speaker 1>he's been beaten up pretty bad, it looks like, and

1:06:37.520 --> 1:06:41.160
<v Speaker 1>he's drugged on haldall and he's like, well, who tuned

1:06:41.240 --> 1:06:43.200
<v Speaker 1>him up? And the guy goes, he did it to himself.

1:06:43.240 --> 1:06:45.840
<v Speaker 1>He smashed his head against the wall until we drugged him.

1:06:46.120 --> 1:06:49.640
<v Speaker 1>And then the guy, the corrections officer, wakes him up

1:06:49.640 --> 1:06:52.880
<v Speaker 1>to take him to the medical unit and he's like

1:06:53.160 --> 1:06:55.480
<v Speaker 1>confused and they're like, oh yeah. After he's stable, he

1:06:55.480 --> 1:06:58.400
<v Speaker 1>gets to go to Gen Pop and Donovan thanks Stabler,

1:06:58.560 --> 1:07:02.280
<v Speaker 1>but he's like it wasn't me. And then Stabler goes,

1:07:02.320 --> 1:07:04.080
<v Speaker 1>did the warden see the light? And he goes not

1:07:04.160 --> 1:07:06.680
<v Speaker 1>until the DA shined it in his eyes. She would

1:07:06.680 --> 1:07:09.080
<v Speaker 1>not take no for an answer, So we find out

1:07:09.160 --> 1:07:10.720
<v Speaker 1>Sonya is the one that arranged for him to get

1:07:10.720 --> 1:07:13.120
<v Speaker 1>into Gen Pop and he tells Donovan to say goodbye

1:07:13.200 --> 1:07:16.160
<v Speaker 1>to the hole and he just stares at Stabler and

1:07:16.200 --> 1:07:21.000
<v Speaker 1>then he gets walked away. And that's dick wolf my Bambino's.

1:07:21.440 --> 1:07:25.480
<v Speaker 2>I just want that girl to get years. I am like,

1:07:25.880 --> 1:07:28.640
<v Speaker 2>she fucked this guy over. I mean, he made the decision,

1:07:28.800 --> 1:07:32.440
<v Speaker 2>you know, to shove and you know, hopefully five years

1:07:32.440 --> 1:07:33.320
<v Speaker 2>he can make it out.

1:07:33.360 --> 1:07:35.240
<v Speaker 3>But it's like, are you fucking kidding me?

1:07:35.680 --> 1:07:38.640
<v Speaker 1>Because she truly could have just said it was a guy.

1:07:39.440 --> 1:07:42.360
<v Speaker 1>I didn't see his face, like they didn't like ing

1:07:42.480 --> 1:07:44.760
<v Speaker 1>it was him, Yeah, they didn't like him.

1:07:45.160 --> 1:07:46.920
<v Speaker 3>Yeah.

1:07:47.320 --> 1:07:51.560
<v Speaker 1>That just makes it feel like it's more like in

1:07:51.840 --> 1:07:55.680
<v Speaker 1>like terrible, you know, than what her original crime was.

1:07:56.480 --> 1:08:01.960
<v Speaker 1>But that's that up, and I can't wait to hear

1:08:02.000 --> 1:08:03.400
<v Speaker 1>what crimes you have to tell me about.

1:08:03.840 --> 1:08:22.800
<v Speaker 2>There's so many stay tuned, buckle up, guys. Okay, so

1:08:24.200 --> 1:08:26.760
<v Speaker 2>there's a few crimes and each of them are like

1:08:26.880 --> 1:08:29.080
<v Speaker 2>a kind of a piece of each of the episodes,

1:08:29.120 --> 1:08:32.240
<v Speaker 2>and none of them actually fit at all. Okay, So

1:08:32.479 --> 1:08:36.920
<v Speaker 2>the first one is the case of Mary Rogers, and

1:08:36.960 --> 1:08:39.519
<v Speaker 2>this is connected to like the water of it all

1:08:39.880 --> 1:08:44.680
<v Speaker 2>the yeah, just the water, okay, So and this is

1:08:44.760 --> 1:08:49.759
<v Speaker 2>yeah eighteen forty one July twenty eighth, eighteen forty one, guys,

1:08:50.720 --> 1:08:54.920
<v Speaker 2>two New Yorkers were wandering the Hoboken shoreline near the

1:08:55.000 --> 1:08:58.559
<v Speaker 2>spring at Sibyl's Cave, which is a popular tourist attraction

1:08:58.640 --> 1:09:01.400
<v Speaker 2>at the time. Since it is the eighteen hundreds, like,

1:09:02.160 --> 1:09:04.040
<v Speaker 2>I can't imagine how.

1:09:03.880 --> 1:09:05.519
<v Speaker 3>Boring their tourist attractions were.

1:09:06.080 --> 1:09:09.080
<v Speaker 2>So they spotted a body bobbing two hundred yards out

1:09:09.080 --> 1:09:11.639
<v Speaker 2>in the Hudson River, And while they waited on shore

1:09:11.680 --> 1:09:14.559
<v Speaker 2>for the coroner to arrive, a man approached that, how

1:09:14.560 --> 1:09:16.480
<v Speaker 2>do you even contact the authorities?

1:09:16.680 --> 1:09:18.000
<v Speaker 3>It's the eighteen hundreds.

1:09:18.040 --> 1:09:20.680
<v Speaker 2>You're on a dock, Like I know, everything is so

1:09:20.800 --> 1:09:24.200
<v Speaker 2>hard for me to picture here. But a man approached

1:09:24.240 --> 1:09:27.400
<v Speaker 2>them and said, oh, I recognized her from her clothing,

1:09:27.560 --> 1:09:32.559
<v Speaker 2>and that is Mary Cecilia Rogers. Records are heard, but

1:09:33.920 --> 1:09:35.880
<v Speaker 2>like because it's so old, but they believe she was

1:09:35.880 --> 1:09:41.040
<v Speaker 2>born in eighteen twenty in Lime, Connecticut. I didn't realize

1:09:41.400 --> 1:09:43.519
<v Speaker 2>not only lime disease was big in Connecticut.

1:09:43.520 --> 1:09:46.760
<v Speaker 1>I didn't realize Lime was a town. Yeah, that's where

1:09:46.760 --> 1:09:49.240
<v Speaker 1>it comes from. That's where the name comes from. Why

1:09:49.280 --> 1:09:53.400
<v Speaker 1>that's wild. Yeah, because the town of Connecticut, of Lime, Connecticut,

1:09:53.439 --> 1:09:56.120
<v Speaker 1>I think, is where like it was first I don't know,

1:09:56.160 --> 1:09:57.240
<v Speaker 1>discovered or whatever.

1:09:57.720 --> 1:10:01.840
<v Speaker 2>It must suck to be. You know, your town is

1:10:01.880 --> 1:10:07.719
<v Speaker 2>a disease, now that you've caused. Her and her widowed

1:10:07.880 --> 1:10:12.400
<v Speaker 2>mom moved to Manhattan in the eighteen thirties and they

1:10:12.479 --> 1:10:15.400
<v Speaker 2>ended up getting some single, working class girl jobs. So

1:10:15.600 --> 1:10:19.120
<v Speaker 2>Mary was a salesgirl at a tobacco emporium, and then

1:10:19.360 --> 1:10:23.559
<v Speaker 2>her mother opened a boarding house, and so you know,

1:10:23.600 --> 1:10:26.080
<v Speaker 2>Mary was working at Anderson's tobacco imporium.

1:10:26.320 --> 1:10:27.360
<v Speaker 3>She was super cool.

1:10:27.439 --> 1:10:31.160
<v Speaker 2>There was an emerging social scene and young men came

1:10:31.200 --> 1:10:34.719
<v Speaker 2>by local writers, and even though people came for the tobacco,

1:10:34.960 --> 1:10:37.519
<v Speaker 2>Mary was a huge attraction. She was known in the

1:10:37.560 --> 1:10:41.360
<v Speaker 2>press as the beautiful cigar girl. She became a huge

1:10:41.360 --> 1:10:44.400
<v Speaker 2>celebrity in Manhattan. So she eventually returned home to help

1:10:44.400 --> 1:10:47.320
<v Speaker 2>her mother, but was still like the center of mail attention.

1:10:47.439 --> 1:10:50.559
<v Speaker 2>Everyone was kind of obsessed with her and one person

1:10:50.600 --> 1:10:53.080
<v Speaker 2>that was super obsessed was a man named Daniel Payne,

1:10:53.520 --> 1:10:56.720
<v Speaker 2>and he was a cork cutter, and he also was

1:10:56.760 --> 1:11:03.360
<v Speaker 2>a boarder cut corks who was a border and who

1:11:03.439 --> 1:11:06.720
<v Speaker 2>got engaged in the summer of eighteen forty one. So

1:11:06.760 --> 1:11:09.520
<v Speaker 2>Mary and Daniel Payne are engaged in eighteen forty one.

1:11:09.680 --> 1:11:12.040
<v Speaker 2>He is also the last man to have seen her live.

1:11:13.080 --> 1:11:15.880
<v Speaker 2>So the morning of July twenty fifth, Mary left the

1:11:16.000 --> 1:11:18.519
<v Speaker 2>Rogers boarding house and said she was gonna go visit

1:11:18.560 --> 1:11:21.720
<v Speaker 2>on Aunt up Town and after that, nobody knows what's

1:11:21.720 --> 1:11:25.120
<v Speaker 2>happened to her. And so then this a man named

1:11:25.240 --> 1:11:29.599
<v Speaker 2>Arthur Chromelian who is Mary's ex saw the articles written

1:11:29.600 --> 1:11:32.720
<v Speaker 2>about her missing and took the fairy to Hoboken to

1:11:32.760 --> 1:11:35.960
<v Speaker 2>search for her. And that's when he arrived as the

1:11:36.000 --> 1:11:38.479
<v Speaker 2>witnesses were there and as they were recovering her body,

1:11:39.360 --> 1:11:44.599
<v Speaker 2>and so that the timing is wild, very wild, and

1:11:44.640 --> 1:11:47.160
<v Speaker 2>the cops didn't find him creepy enough, so they just

1:11:47.520 --> 1:11:49.120
<v Speaker 2>moved on from the investigation.

1:11:49.280 --> 1:11:50.120
<v Speaker 3>They were like, ah, this.

1:11:50.080 --> 1:11:54.080
<v Speaker 2>Guy seems chill, okay, But so they turned their attention

1:11:54.160 --> 1:11:56.320
<v Speaker 2>to pain but his alibi checked out and then no

1:11:56.400 --> 1:11:59.160
<v Speaker 2>more leads came in until September, there was a break

1:11:59.200 --> 1:12:03.360
<v Speaker 2>in the case. A group a group a group, A

1:12:03.400 --> 1:12:06.280
<v Speaker 2>group of local boys playing in a field found bundles

1:12:06.280 --> 1:12:09.439
<v Speaker 2>of bloody clothing in the bushes and their mother alerted

1:12:09.479 --> 1:12:13.959
<v Speaker 2>the police. And their mother was named uh Fredrika Loss,

1:12:14.640 --> 1:12:17.599
<v Speaker 2>and she operated a place called the nick Moore House

1:12:17.680 --> 1:12:20.479
<v Speaker 2>and Pub. And she revealed to the cops that Mary

1:12:20.520 --> 1:12:22.960
<v Speaker 2>had checked into the nick Moore House on the night

1:12:23.040 --> 1:12:27.160
<v Speaker 2>she disappeared with an unknown man. The pair went out

1:12:27.200 --> 1:12:30.760
<v Speaker 2>and never returned. She also said she heard screams in

1:12:30.800 --> 1:12:33.679
<v Speaker 2>the night from the woods but didn't think much of it.

1:12:34.840 --> 1:12:38.680
<v Speaker 3>Huh okay, I don't understand. I don't get it.

1:12:39.520 --> 1:12:42.120
<v Speaker 2>But I also uh, A few bars are doing it now.

1:12:42.160 --> 1:12:44.360
<v Speaker 2>But I do really like a bar that has a

1:12:44.360 --> 1:12:49.720
<v Speaker 2>hotel in it. Oh yeah, gold Diggers does that Barvel

1:12:49.960 --> 1:12:52.760
<v Speaker 2>in Los Felis has like it's a great wine bar,

1:12:52.920 --> 1:12:55.800
<v Speaker 2>and then right above our like beautiful rooms, like really

1:12:55.840 --> 1:12:59.760
<v Speaker 2>cool bi Boutiqui rooms. I'm into it. I really love it.

1:12:59.840 --> 1:13:03.439
<v Speaker 2>But at the gold Digger bar, they like there's signs

1:13:03.439 --> 1:13:06.160
<v Speaker 2>in the bar that's like need a room, ask a bartender.

1:13:06.800 --> 1:13:09.400
<v Speaker 3>So it's more I don't know.

1:13:09.600 --> 1:13:12.160
<v Speaker 2>I think people are doing creepy shit, but I'm into Yeah,

1:13:12.200 --> 1:13:12.880
<v Speaker 2>I'm into it.

1:13:12.960 --> 1:13:13.280
<v Speaker 3>Okay.

1:13:13.400 --> 1:13:16.680
<v Speaker 2>So she didn't think anything of the screams. And then

1:13:16.720 --> 1:13:21.840
<v Speaker 2>October seventh, pain. You know, her fiance was really, really sad,

1:13:22.200 --> 1:13:24.240
<v Speaker 2>and so he went to go to the place where

1:13:24.240 --> 1:13:27.480
<v Speaker 2>her clothing was found, and he drank a bottle of Laudanam,

1:13:27.680 --> 1:13:31.920
<v Speaker 2>which is a tincture of opium and alcohol. He overdosed

1:13:31.960 --> 1:13:34.080
<v Speaker 2>and he was later found a few hundred yards from

1:13:34.120 --> 1:13:35.880
<v Speaker 2>where Mary's body was found.

1:13:36.760 --> 1:13:38.040
<v Speaker 3>The end that he had a note in his.

1:13:37.960 --> 1:13:40.400
<v Speaker 2>Pocket and it read, to the world, here I am

1:13:40.520 --> 1:13:43.439
<v Speaker 2>on the spot. God forgive me for my misfortune in

1:13:43.560 --> 1:13:44.960
<v Speaker 2>my misspent time.

1:13:46.040 --> 1:13:46.920
<v Speaker 3>Huh.

1:13:47.040 --> 1:13:49.559
<v Speaker 2>Edgar Allan Poe became obsessed with the case and published

1:13:49.560 --> 1:13:52.960
<v Speaker 2>The Mystery of Mary Roguette and a sequel, Murders at

1:13:53.000 --> 1:13:56.320
<v Speaker 2>the Room Morgue. And I don't know, there's a lot

1:13:56.320 --> 1:13:58.840
<v Speaker 2>of information about how Edgar Allan Poe was just kind

1:13:58.880 --> 1:14:01.160
<v Speaker 2>of really into this case. But you know, I like

1:14:01.200 --> 1:14:05.120
<v Speaker 2>the famous famous creep creepiness lover, famous creator of creep.

1:14:05.200 --> 1:14:05.559
<v Speaker 3>Yeah.

1:14:05.600 --> 1:14:11.480
<v Speaker 2>So, November sixth, eighteen forty two, Frederica Loss was accidentally

1:14:11.520 --> 1:14:14.960
<v Speaker 2>shot by one of her sons. The next ten days,

1:14:14.960 --> 1:14:18.040
<v Speaker 2>she was in pain. She was babbling, hallucinating, and she

1:14:18.240 --> 1:14:22.120
<v Speaker 2>claimed that a young woman was tormenting her. And then

1:14:22.160 --> 1:14:25.880
<v Speaker 2>she finally made a final confession. She said that Mary

1:14:25.960 --> 1:14:28.759
<v Speaker 2>came to Hoboken to get an abortion in the company

1:14:28.880 --> 1:14:32.080
<v Speaker 2>of this young physician, but she died in the operation

1:14:32.280 --> 1:14:35.599
<v Speaker 2>and lost a ton of blood. And so Loss's sons

1:14:35.800 --> 1:14:38.360
<v Speaker 2>dumped the body in the river and scattered her clothing.

1:14:38.920 --> 1:14:41.840
<v Speaker 2>And in later years it's even suspected that Loss was

1:14:41.880 --> 1:14:47.480
<v Speaker 2>working as an assistant to the notorious Hoboken abortionist Madame Costello,

1:14:48.400 --> 1:14:53.040
<v Speaker 2>whoa Right after the mother's death, two of her older

1:14:53.080 --> 1:14:55.720
<v Speaker 2>sons were briefly charged in connection to the murder, but

1:14:55.840 --> 1:14:59.800
<v Speaker 2>there was lack of heart evidence or witnesses, and you know,

1:14:59.840 --> 1:15:02.880
<v Speaker 2>the condition of the mother during the confession, so the

1:15:02.920 --> 1:15:08.720
<v Speaker 2>case does remain unsolved and no one knows. But wow,

1:15:09.479 --> 1:15:12.280
<v Speaker 2>a body in the river. Okay, So the next one.

1:15:12.320 --> 1:15:17.240
<v Speaker 2>Do you know about this Margo Kidder's disappearance. Yeah, I

1:15:17.479 --> 1:15:19.720
<v Speaker 2>remember reading about this a long time ago. I don't

1:15:19.760 --> 1:15:22.559
<v Speaker 2>know the details, but I remember that she was having

1:15:22.600 --> 1:15:25.280
<v Speaker 2>some thought. I think she was having some mental health issues.

1:15:25.320 --> 1:15:29.080
<v Speaker 2>But yeah, so this is so Margo Kidder, for those

1:15:29.160 --> 1:15:32.240
<v Speaker 2>who don't know, was Lois Lane. In the Superman movies

1:15:32.680 --> 1:15:36.280
<v Speaker 2>and famously for US she was Chadlow's mother, slash abuser,

1:15:36.400 --> 1:15:39.240
<v Speaker 2>slash lover and then murder victim on that episode Peak,

1:15:40.320 --> 1:15:43.479
<v Speaker 2>which was a very good episode, and her.

1:15:43.320 --> 1:15:47.800
<v Speaker 3>Performance in that episode is killer. It's so good. I

1:15:47.840 --> 1:15:50.240
<v Speaker 3>don't like. I don't like something she goes.

1:15:50.280 --> 1:15:54.800
<v Speaker 1>It requires a prevaricating nature that I did. I despise, Like,

1:15:54.840 --> 1:15:57.200
<v Speaker 1>she just has a great like line delivery.

1:15:58.200 --> 1:16:00.559
<v Speaker 2>Yeah, one of the rich moms, but the yea yeah,

1:16:00.600 --> 1:16:03.240
<v Speaker 2>Benson's like, so if you're so rich, was there only

1:16:03.240 --> 1:16:04.000
<v Speaker 2>one bedroom here?

1:16:04.120 --> 1:16:06.400
<v Speaker 3>Okay? So her career went from.

1:16:06.280 --> 1:16:09.839
<v Speaker 2>So this is I think, quote unquote like the hoax

1:16:09.960 --> 1:16:13.280
<v Speaker 2>part of it, not the hoax, because something was going

1:16:13.320 --> 1:16:15.760
<v Speaker 2>on with Margo and with that woman. I mean, that

1:16:15.840 --> 1:16:19.880
<v Speaker 2>woman in the episode is an addict with some issues.

1:16:19.960 --> 1:16:25.559
<v Speaker 2>You know, Margo did not affect a fucking other person's life,

1:16:25.600 --> 1:16:26.840
<v Speaker 2>which the character did.

1:16:27.439 --> 1:16:28.880
<v Speaker 3>So a little bit about Margo.

1:16:28.960 --> 1:16:32.120
<v Speaker 2>Her career went from stardom to addiction, to bankruptcy and

1:16:32.160 --> 1:16:35.719
<v Speaker 2>then finally this disappearance. At the height of her fame,

1:16:35.840 --> 1:16:40.000
<v Speaker 2>she was you know, Superman Blockbusters with Christopher Reeves and

1:16:40.080 --> 1:16:42.800
<v Speaker 2>was known as the best paid Canadian performer in the US.

1:16:43.840 --> 1:16:47.320
<v Speaker 2>So she showed up to lax on Saturday night, April twentieth,

1:16:47.400 --> 1:16:50.080
<v Speaker 2>nineteen ninety six, for a flight to Phoenix on her

1:16:50.120 --> 1:16:54.040
<v Speaker 2>way to teach an acting class at an Eastern Arizona College.

1:16:54.400 --> 1:16:57.040
<v Speaker 2>But her flight was actually not till Sunday, so she

1:16:57.160 --> 1:16:59.800
<v Speaker 2>wandered the airport for several hours and then at three

1:16:59.800 --> 1:17:02.320
<v Speaker 2>as she noticed a man named Ted Hall and he

1:17:02.439 --> 1:17:05.280
<v Speaker 2>was a television reporter from Tennessee, and she saw the

1:17:05.280 --> 1:17:07.479
<v Speaker 2>cameras and everything, so she asked, oh, are you from

1:17:07.520 --> 1:17:09.920
<v Speaker 2>the media, and can I hang out with you guys?

1:17:10.360 --> 1:17:12.719
<v Speaker 2>And she told them she was being stalked by several

1:17:12.760 --> 1:17:16.120
<v Speaker 2>men hired by her ex husband to kill her, and

1:17:16.720 --> 1:17:18.719
<v Speaker 2>she would tell that. She told them that he makes

1:17:18.800 --> 1:17:20.799
<v Speaker 2>Oj Simpson look like Alan Alda.

1:17:21.640 --> 1:17:24.280
<v Speaker 3>I love that. I do too, That's a great line.

1:17:25.240 --> 1:17:27.719
<v Speaker 2>She pointed to one man and said that's him, that's

1:17:27.760 --> 1:17:30.479
<v Speaker 2>the guy. But the journalists actually remembered him from the

1:17:30.520 --> 1:17:33.719
<v Speaker 2>flight from Atlanta, so he realized something was off.

1:17:34.240 --> 1:17:35.679
<v Speaker 3>She did not want to call the police.

1:17:36.200 --> 1:17:39.280
<v Speaker 2>Instead, she asked for a disguise or just switched jackets

1:17:39.320 --> 1:17:43.080
<v Speaker 2>because hers was bugged. She eventually left the airport at

1:17:43.120 --> 1:17:45.920
<v Speaker 2>four point thirty in the morning. The taxi driver did

1:17:46.000 --> 1:17:48.000
<v Speaker 2>kick her out because she was broke, and so for

1:17:48.040 --> 1:17:51.280
<v Speaker 2>two days she wandered for miles on foot and hid

1:17:51.360 --> 1:17:55.320
<v Speaker 2>from like these phantom stalkers, She approached some people on

1:17:55.360 --> 1:17:57.439
<v Speaker 2>the street who believed that she was homeless, so they

1:17:57.439 --> 1:17:59.439
<v Speaker 2>gave her a ride to Glendale and offered to help

1:17:59.439 --> 1:18:01.839
<v Speaker 2>her find a place to sleep, but all the shelters

1:18:01.840 --> 1:18:03.880
<v Speaker 2>were full, so they paid thirty three dollars for a

1:18:03.960 --> 1:18:07.160
<v Speaker 2>room at the Bell Motor Motel at eleven pm Monday.

1:18:07.920 --> 1:18:10.080
<v Speaker 2>She appeared at the front desk the next morning, wrapped

1:18:10.120 --> 1:18:12.040
<v Speaker 2>in a bed sheet and asked for scissors to cut

1:18:12.040 --> 1:18:16.080
<v Speaker 2>her hair, like things aren't good, and then finally at

1:18:16.120 --> 1:18:18.200
<v Speaker 2>six pm, the cops got a call from a homeowner

1:18:18.240 --> 1:18:21.240
<v Speaker 2>when they found her behind a bush. April of nineteen

1:18:21.320 --> 1:18:24.600
<v Speaker 2>ninety six, she was found in Glendale, California, in this backyard.

1:18:24.640 --> 1:18:26.880
<v Speaker 2>She was dazed and cowering, and she was taken to

1:18:26.920 --> 1:18:29.880
<v Speaker 2>a psych ward. There was no evidence of foul play.

1:18:30.320 --> 1:18:33.000
<v Speaker 2>She was missing for three days and then she was

1:18:33.160 --> 1:18:36.519
<v Speaker 2>just really scared, paranoid. It was obvious mental distress. According

1:18:36.560 --> 1:18:39.280
<v Speaker 2>to the police Sergeant Rick Young. She claimed to have

1:18:39.320 --> 1:18:41.519
<v Speaker 2>been followed and assaulted, but they did not think a

1:18:41.560 --> 1:18:44.760
<v Speaker 2>crime took place. No alcohol or drugs were found in

1:18:44.800 --> 1:18:48.120
<v Speaker 2>her system at the time, so this is a true

1:18:48.120 --> 1:18:51.759
<v Speaker 2>mental kind of collapse. There was no alcohol or drugs involved.

1:18:52.120 --> 1:18:54.920
<v Speaker 2>And before this incident in nineteen ninety, she got into

1:18:54.960 --> 1:18:57.240
<v Speaker 2>a bad car accident and that's what kind of started

1:18:57.240 --> 1:18:59.679
<v Speaker 2>off her spiral. She was not able to work, which

1:18:59.680 --> 1:19:01.680
<v Speaker 2>put her into debt, and she was going through a

1:19:01.680 --> 1:19:04.320
<v Speaker 2>lot before this breakdown even happened. And then they found out,

1:19:04.360 --> 1:19:08.200
<v Speaker 2>you know, she had bipolar disorder. She also became addicted

1:19:08.240 --> 1:19:10.919
<v Speaker 2>to pain pills after the surgery from the car accident,

1:19:11.360 --> 1:19:14.600
<v Speaker 2>and she was just in constant pain. She finally had surgery,

1:19:15.439 --> 1:19:18.840
<v Speaker 2>but then her insurance wouldn't pay for it, and then

1:19:18.840 --> 1:19:22.479
<v Speaker 2>the production company also rejected the insurance's claims, and so

1:19:22.640 --> 1:19:25.639
<v Speaker 2>she like wasn't but she did get injured on set

1:19:25.680 --> 1:19:30.200
<v Speaker 2>in Vancouver. She was filming the Nancy Drew Mysteries or whatever,

1:19:30.760 --> 1:19:33.800
<v Speaker 2>and so insurance would But it's Canada. What the fuck

1:19:35.520 --> 1:19:41.000
<v Speaker 2>is Canada's medical system? Knew I thought everyone just gets stuff,

1:19:41.160 --> 1:19:45.320
<v Speaker 2>so whatever, or maybe because maybe she was a citizen

1:19:45.680 --> 1:19:48.400
<v Speaker 2>here or had a visa, it's all America stuff. But

1:19:48.400 --> 1:19:51.759
<v Speaker 2>it happened in Vancouver, very confusing, But it just seems

1:19:51.800 --> 1:19:53.920
<v Speaker 2>like every turn people were fucking are over. So she

1:19:54.040 --> 1:19:56.840
<v Speaker 2>lost her home and went bankrupt, and during the three

1:19:56.920 --> 1:19:58.960
<v Speaker 2>days she was wandering the street, she was like dirty

1:19:59.000 --> 1:20:04.799
<v Speaker 2>and penniless, delu and very alone, wrote The Washington Post. Sadly,

1:20:04.840 --> 1:20:07.959
<v Speaker 2>she did die in twenty eighteen, and the Park Coroner's

1:20:08.000 --> 1:20:12.360
<v Speaker 2>Office in Montana revealed that the cause was suicide, self

1:20:12.400 --> 1:20:16.759
<v Speaker 2>inflicted drug and alcohol use. And a month after she passed,

1:20:16.760 --> 1:20:19.479
<v Speaker 2>both Kate Spade and Anthony Bourdain took their own lives.

1:20:19.520 --> 1:20:21.599
<v Speaker 2>And it really showed that there needs to be more

1:20:21.600 --> 1:20:26.400
<v Speaker 2>conversations and how it's a really national public health crisis.

1:20:27.280 --> 1:20:32.760
<v Speaker 2>And I had no idea about Marco Kidder. Yeah, this

1:20:32.840 --> 1:20:36.599
<v Speaker 2>sounds also like the Anne Hash thing, you know. Yeah,

1:20:37.880 --> 1:20:42.559
<v Speaker 2>just so sad. So those two cases are just like

1:20:42.680 --> 1:20:45.759
<v Speaker 2>in connection with the woman in the beginning.

1:20:45.880 --> 1:20:47.840
<v Speaker 3>So now we're going to get into.

1:20:48.000 --> 1:20:52.799
<v Speaker 2>Sentences, parole, crime, solitary, all of that. So this third

1:20:53.600 --> 1:20:56.840
<v Speaker 2>case we're going to touch on is about Herman Bell.

1:20:57.520 --> 1:21:01.000
<v Speaker 2>So basically, two cops were shot in New York City

1:21:01.040 --> 1:21:05.080
<v Speaker 2>in Harlem in nineteen seventy one. The Black Liberation Party,

1:21:05.080 --> 1:21:07.439
<v Speaker 2>which is an offshoot of the Black Panther Party took

1:21:07.439 --> 1:21:11.559
<v Speaker 2>credit for the killings of Joseph A. Pa Gentini and

1:21:11.640 --> 1:21:12.400
<v Speaker 2>Waverley M.

1:21:12.520 --> 1:21:12.920
<v Speaker 3>Jones.

1:21:13.520 --> 1:21:16.719
<v Speaker 2>Yet Bell was captured in nineteen seventy three in New Orleans,

1:21:16.720 --> 1:21:18.840
<v Speaker 2>more than two years after the cops were killed, which

1:21:18.880 --> 1:21:22.599
<v Speaker 2>is kind of wild. A jury convicted three men, Herman Bell,

1:21:22.720 --> 1:21:25.839
<v Speaker 2>Anthony Bottam, and Albert Washington. They each got a sentence

1:21:25.880 --> 1:21:29.080
<v Speaker 2>of twenty five to life. So Herman Bell served four

1:21:29.120 --> 1:21:31.960
<v Speaker 2>decades in prison starting in nineteen seventy nine, and then

1:21:32.040 --> 1:21:35.759
<v Speaker 2>was granted parole in March of twenty eighteen. And against

1:21:35.840 --> 1:21:39.200
<v Speaker 2>all odds, people were hell bent on keeping him in there.

1:21:39.280 --> 1:21:41.920
<v Speaker 2>They did not want him out, like cop killers are

1:21:42.160 --> 1:21:45.800
<v Speaker 2>the worst. Like I don't know, because a lot of

1:21:45.800 --> 1:21:48.479
<v Speaker 2>these cases, like even Colleen stan we talk about them.

1:21:48.479 --> 1:21:50.599
<v Speaker 2>I'm like, that man cannot be paroled and he needs

1:21:50.640 --> 1:21:52.679
<v Speaker 2>to be in jail forever. And then when I read

1:21:52.720 --> 1:21:55.800
<v Speaker 2>something like this, I go forty years in prison is

1:21:55.840 --> 1:21:59.720
<v Speaker 2>a lot, I think it's okay, And so it is.

1:22:00.000 --> 1:22:04.360
<v Speaker 2>It's like really hard because it's not it's not across

1:22:04.400 --> 1:22:08.120
<v Speaker 2>the board. It's really hard to kind of discuss these things.

1:22:08.760 --> 1:22:11.360
<v Speaker 2>So it was the eighth time for him in front

1:22:11.360 --> 1:22:16.559
<v Speaker 2>of the Pearl Board and the Patrolman's Benevolent Association, and

1:22:16.600 --> 1:22:19.280
<v Speaker 2>the letter from Mayor Bill de Blasio urged the state

1:22:19.320 --> 1:22:23.240
<v Speaker 2>Board to reconsider. Deblasio said that murdering a police officer

1:22:23.280 --> 1:22:25.760
<v Speaker 2>in cold blood is a crime beyond the frontiers of

1:22:25.800 --> 1:22:27.320
<v Speaker 2>rehabilitation or redemption.

1:22:27.439 --> 1:22:29.280
<v Speaker 3>According to The New York Times.

1:22:29.080 --> 1:22:31.040
<v Speaker 2>I agree with you in the sense that, like, I

1:22:31.080 --> 1:22:32.960
<v Speaker 2>don't know how much. I don't know if forty years

1:22:33.000 --> 1:22:33.519
<v Speaker 2>is enough time.

1:22:33.560 --> 1:22:35.519
<v Speaker 1>If you're a member of a person's family and they

1:22:35.600 --> 1:22:38.719
<v Speaker 1>took them away from you, whatever, Why is a cop

1:22:38.800 --> 1:22:41.920
<v Speaker 1>more important than a sex worker? You know? Why is

1:22:41.960 --> 1:22:45.160
<v Speaker 1>a cop more important than another person? Like, that's what

1:22:45.240 --> 1:22:48.000
<v Speaker 1>I kind of don't It's like, if you're going to

1:22:48.120 --> 1:22:50.760
<v Speaker 1>just say this is what the cost of murdering a

1:22:50.800 --> 1:22:53.519
<v Speaker 1>person is, then that's it. Like to say, murdering a

1:22:53.560 --> 1:22:56.760
<v Speaker 1>cop in blood, murdering a cop is worse.

1:22:56.520 --> 1:22:59.080
<v Speaker 3>Than murdering anyone else. I don't know if I really.

1:23:00.320 --> 1:23:04.479
<v Speaker 2>No, that's bullshit because actually, as a cop, you put

1:23:04.520 --> 1:23:05.599
<v Speaker 2>your life in danger.

1:23:05.720 --> 1:23:06.639
<v Speaker 3>That is part of your life.

1:23:06.840 --> 1:23:08.160
<v Speaker 1>And if that's how we're going to do it, then

1:23:08.160 --> 1:23:11.120
<v Speaker 1>when cops commit crimes, they should get quadruple the punishment,

1:23:11.400 --> 1:23:14.920
<v Speaker 1>Like when they abuse their power and sexually assault people,

1:23:15.280 --> 1:23:18.080
<v Speaker 1>and you know, take like we're about to do another

1:23:18.120 --> 1:23:21.559
<v Speaker 1>episode where cops did shady shit, like then they should get,

1:23:21.680 --> 1:23:25.080
<v Speaker 1>you know, quadruple the crime. If you get quadruple the

1:23:25.080 --> 1:23:27.320
<v Speaker 1>punishment for hurting them, they should get quadruple to punishment

1:23:27.320 --> 1:23:28.160
<v Speaker 1>for hurting other people.

1:23:29.280 --> 1:23:32.960
<v Speaker 2>Oh yeah, and well yeah, and they should also have

1:23:33.000 --> 1:23:34.720
<v Speaker 2>to pay their own settlements.

1:23:35.280 --> 1:23:35.759
<v Speaker 3>Yeah.

1:23:36.040 --> 1:23:38.280
<v Speaker 2>I think a lot of them would maybe behave if

1:23:38.280 --> 1:23:40.719
<v Speaker 2>they didn't, if they is coming out of their own pockets.

1:23:40.760 --> 1:23:40.960
<v Speaker 3>Yeah.

1:23:41.000 --> 1:23:44.560
<v Speaker 2>I think for these people like the Banilla Benevolent Association

1:23:44.720 --> 1:23:46.360
<v Speaker 2>and the mayor and stuff like, to them, it's like

1:23:46.360 --> 1:23:49.800
<v Speaker 2>they're setting them up like you're a hero already and

1:23:49.880 --> 1:23:53.240
<v Speaker 2>so killing a hero. But it's like there's a complicated

1:23:54.560 --> 1:23:57.479
<v Speaker 2>everything with cops. There are certainly cop heroes. There are

1:23:57.520 --> 1:24:02.439
<v Speaker 2>certainly very unherly unhear own cops. Yeah, but I don't

1:24:02.600 --> 1:24:05.800
<v Speaker 2>I think for them, it's like they're immediately on a pedestal,

1:24:05.880 --> 1:24:07.599
<v Speaker 2>So killing them is worse than anything.

1:24:08.320 --> 1:24:08.519
<v Speaker 3>Yeah.

1:24:08.520 --> 1:24:11.040
<v Speaker 2>And when you're just like very young and depending where

1:24:11.080 --> 1:24:13.479
<v Speaker 2>you grow up from and like the fact of the

1:24:13.520 --> 1:24:15.360
<v Speaker 2>matter is, murderer is wrong. But if you are part

1:24:15.360 --> 1:24:17.320
<v Speaker 2>of this liberation and you feel like cops are an

1:24:17.320 --> 1:24:18.200
<v Speaker 2>agent of.

1:24:19.960 --> 1:24:23.040
<v Speaker 3>The system, then it is sol layered.

1:24:23.760 --> 1:24:25.640
<v Speaker 2>Yeah, but anyways, even with the pearole, he's gonna be

1:24:25.680 --> 1:24:28.160
<v Speaker 2>supervised for life. And the parole board concluded that he

1:24:28.280 --> 1:24:31.320
<v Speaker 2>matured and expressed remorse, and they took in a few

1:24:31.320 --> 1:24:35.080
<v Speaker 2>factors such as his age, his limited disciplinary history, and

1:24:35.200 --> 1:24:38.200
<v Speaker 2>network of supporters, and said that the state has prepared

1:24:38.240 --> 1:24:41.840
<v Speaker 2>him for his release. Albert Washington, the other person, died

1:24:41.840 --> 1:24:45.200
<v Speaker 2>in prison in April two thousand and then Anthony Bottom

1:24:45.280 --> 1:24:47.799
<v Speaker 2>was granted parole at sixty eight years old in twenty

1:24:47.880 --> 1:24:52.400
<v Speaker 2>twenty and released, you know, in October of twenty twenty.

1:24:53.120 --> 1:24:55.800
<v Speaker 2>I understand the families of victims being upset, but the

1:24:55.880 --> 1:25:00.840
<v Speaker 2>language is kind of insane, you know. The president of

1:25:00.880 --> 1:25:05.160
<v Speaker 2>the association, the Police Benelevents Association, Pat Lynch, said cop

1:25:05.240 --> 1:25:08.240
<v Speaker 2>killers should never be returned to society. And it's like,

1:25:10.120 --> 1:25:13.040
<v Speaker 2>I don't know, I don't know, what about the cops

1:25:13.080 --> 1:25:15.640
<v Speaker 2>that kill their wives? Can they be returned to society?

1:25:16.160 --> 1:25:19.479
<v Speaker 2>It's just so fucking annoying. Did we even ever find

1:25:19.479 --> 1:25:22.160
<v Speaker 2>out what happened to that cops wife who was like

1:25:22.439 --> 1:25:24.720
<v Speaker 2>boiled to death in the car that he locked her in?

1:25:25.240 --> 1:25:29.200
<v Speaker 2>What This was like a couple of years ago, a

1:25:29.280 --> 1:25:31.679
<v Speaker 2>CoP's wife was found in the back of a police

1:25:31.720 --> 1:25:33.280
<v Speaker 2>car and was like a hot day. He put her

1:25:33.280 --> 1:25:35.840
<v Speaker 2>in there and she boiled because you can't get out

1:25:35.840 --> 1:25:36.759
<v Speaker 2>and it was hot as fuck.

1:25:36.880 --> 1:25:39.200
<v Speaker 3>And I don't think anything ever happened.

1:25:39.720 --> 1:25:44.479
<v Speaker 1>Miami police officer, Yeah, twenty twenty dies after she gets

1:25:44.479 --> 1:25:46.639
<v Speaker 1>trapped for hours in the back of his work vehicle.

1:25:47.120 --> 1:25:50.840
<v Speaker 1>Cause of death had not been released. Really feels like

1:25:50.960 --> 1:25:52.280
<v Speaker 1>we know what happened.

1:25:52.840 --> 1:25:55.400
<v Speaker 2>But he's acting like she got in the back of

1:25:55.400 --> 1:25:58.200
<v Speaker 2>the car or something like that. He came home from work,

1:25:58.320 --> 1:26:01.600
<v Speaker 2>went to bed. Yeah, and she didn't know where she was.

1:26:01.880 --> 1:26:02.160
<v Speaker 3>Sure.

1:26:03.320 --> 1:26:07.400
<v Speaker 1>Yeah, it's it's unknown why she went inside her husband's

1:26:07.439 --> 1:26:09.240
<v Speaker 1>vehicle without her cell phone.

1:26:09.439 --> 1:26:12.320
<v Speaker 2>This is according to CNN. Yeah, and I don't know.

1:26:12.439 --> 1:26:14.519
<v Speaker 2>I don't think there. It sounds like there's not even

1:26:14.560 --> 1:26:18.160
<v Speaker 2>gonna be an investigation into it from what I'm looking at. Nope,

1:26:18.240 --> 1:26:20.680
<v Speaker 2>that was it. Nothing about it since October of three

1:26:20.760 --> 1:26:24.439
<v Speaker 2>years ago. Wow, all right, So that's what I mean.

1:26:24.560 --> 1:26:26.960
<v Speaker 2>It's just like, obviously, a life is a life. These

1:26:27.000 --> 1:26:30.680
<v Speaker 2>cops had full families, people who loved them, like absolutely,

1:26:30.720 --> 1:26:33.479
<v Speaker 2>but the language of all these people is such bullshit.

1:26:33.800 --> 1:26:35.320
<v Speaker 3>It's like their lives don't matter.

1:26:35.479 --> 1:26:38.559
<v Speaker 1>Ranking people in society, yeah, like ranking people as more

1:26:38.600 --> 1:26:40.200
<v Speaker 1>important than other people is not.

1:26:40.800 --> 1:26:41.320
<v Speaker 3>Yeah.

1:26:41.520 --> 1:26:43.200
<v Speaker 2>Yeah, it makes me be like you have released all

1:26:43.240 --> 1:26:44.920
<v Speaker 2>of the cop killers, you know what I mean. It's

1:26:45.000 --> 1:26:48.720
<v Speaker 2>just like the language actually does the opposite. According to

1:26:48.840 --> 1:26:52.719
<v Speaker 2>CBS News in September twenty twenty, it said that sixteen

1:26:52.760 --> 1:26:55.599
<v Speaker 2>cop killers in New York have gone free in three years,

1:26:56.720 --> 1:26:59.519
<v Speaker 2>you know, in this time. But then an adjoint statement

1:26:59.560 --> 1:27:04.080
<v Speaker 2>from the Release Aging People in Prisons Campaign, very specific

1:27:04.200 --> 1:27:08.519
<v Speaker 2>name exactly what they're doing. The Parole Preparation Project and

1:27:08.600 --> 1:27:12.519
<v Speaker 2>the Brooklyn Defender's Officer and Legal Aid Society and Support

1:27:12.560 --> 1:27:16.640
<v Speaker 2>of the Parole Board's decision released this, and really I

1:27:16.720 --> 1:27:19.280
<v Speaker 2>like what they said. The purpose of parole is to

1:27:19.360 --> 1:27:22.519
<v Speaker 2>evaluate people for release based on who they are today,

1:27:23.200 --> 1:27:25.720
<v Speaker 2>not to extend sentences into perpetuity.

1:27:27.680 --> 1:27:28.560
<v Speaker 3>And I like that.

1:27:29.920 --> 1:27:33.280
<v Speaker 2>Okay, this final case that I'm going to touch on

1:27:34.600 --> 1:27:40.160
<v Speaker 2>is again about like parole. I don't know why none

1:27:40.200 --> 1:27:45.280
<v Speaker 2>of the crimes on the wikier were about solitary confinement

1:27:45.320 --> 1:27:48.760
<v Speaker 2>in all honesty. But here's another This is very interesting.

1:27:49.200 --> 1:27:53.040
<v Speaker 2>Do you know about this about Norman Mahler and Jack rabbit. Okay,

1:27:53.240 --> 1:27:57.000
<v Speaker 2>I think you're gonna be enticed. It's kind of wild. So.

1:27:57.920 --> 1:28:01.960
<v Speaker 2>Jack Henry Abbott is a best selling author and convicted

1:28:02.040 --> 1:28:04.600
<v Speaker 2>killer who was paroled in nineteen eighty one with the

1:28:04.640 --> 1:28:09.759
<v Speaker 2>support of novelist Norman Mailer. So six weeks later after

1:28:09.800 --> 1:28:12.880
<v Speaker 2>he was paroled, he killed a waiter in cold blood

1:28:12.960 --> 1:28:16.640
<v Speaker 2>and then was sentenced to fifteen years to life for manslaughter,

1:28:17.520 --> 1:28:19.800
<v Speaker 2>and while in prison, he did take his own life

1:28:19.840 --> 1:28:22.360
<v Speaker 2>with a bedsheet and a shoelace at his maximum security

1:28:22.360 --> 1:28:25.720
<v Speaker 2>prison in two thousand and two. His lawyer, Michael Kuzma,

1:28:25.800 --> 1:28:27.800
<v Speaker 2>has doubts that he took his own life because he

1:28:27.840 --> 1:28:30.320
<v Speaker 2>had been voicing fears for his safety in recent weeks,

1:28:30.680 --> 1:28:33.160
<v Speaker 2>but a note was found, even if the contents had

1:28:33.160 --> 1:28:36.920
<v Speaker 2>not been released, so we're not really sure. This case

1:28:37.000 --> 1:28:39.519
<v Speaker 2>drew a lot of national headlines and spurred a debate

1:28:39.520 --> 1:28:42.679
<v Speaker 2>about whether the parole system was too lenient, and also

1:28:42.720 --> 1:28:45.040
<v Speaker 2>brought a ton of criticism to Norman Mahler, who was

1:28:45.080 --> 1:28:48.639
<v Speaker 2>obsessed with Abbot and just focused on his literary gifts

1:28:48.720 --> 1:28:52.040
<v Speaker 2>and not the capacity for violence because he's a fucking idiot,

1:28:52.360 --> 1:28:55.760
<v Speaker 2>even though he went to Harvard wrote novels essays, nonfiction

1:28:56.000 --> 1:29:00.840
<v Speaker 2>journalism biographies won Politzer Prizes National Book of WS and

1:29:00.920 --> 1:29:02.799
<v Speaker 2>of course was married six times.

1:29:03.400 --> 1:29:04.320
<v Speaker 3>One of those wives.

1:29:04.320 --> 1:29:07.799
<v Speaker 2>In nineteen sixty he stabbed in the abdomen after a party.

1:29:08.840 --> 1:29:14.320
<v Speaker 2>So Norman Mailer go, fuck yourself, Like this is classic

1:29:14.360 --> 1:29:15.800
<v Speaker 2>when men are like, I don't know. He was like

1:29:15.920 --> 1:29:17.840
<v Speaker 2>so nice and chill, and it's like you could tell

1:29:17.840 --> 1:29:18.720
<v Speaker 2>from a mile away this.

1:29:18.680 --> 1:29:19.400
<v Speaker 3>Is a psychopath.

1:29:20.000 --> 1:29:22.280
<v Speaker 2>But anyways, but to be able to go to Harvard

1:29:22.360 --> 1:29:27.360
<v Speaker 2>and still not under like, it's just something about people

1:29:27.400 --> 1:29:31.200
<v Speaker 2>who think they're intelligent or like BookSmart or literary, or

1:29:31.240 --> 1:29:33.519
<v Speaker 2>like the gifts are above everything else, Like you are

1:29:33.600 --> 1:29:35.000
<v Speaker 2>blinded to true humanity.

1:29:35.040 --> 1:29:35.360
<v Speaker 3>I think.

1:29:36.360 --> 1:29:38.840
<v Speaker 2>So Abbot was in prison to begin with for just

1:29:38.880 --> 1:29:43.960
<v Speaker 2>like writing bad checks. But then he murdered another inmate

1:29:44.400 --> 1:29:48.240
<v Speaker 2>and that is what extended his sentence and put him

1:29:48.240 --> 1:29:52.320
<v Speaker 2>into solitary and stuff like that. So Abbot began sending

1:29:52.320 --> 1:29:55.600
<v Speaker 2>Mailer letters from prison in the late seventies, and with

1:29:55.680 --> 1:29:58.600
<v Speaker 2>the help of Mailer like who wrote an intro. He

1:29:58.680 --> 1:30:01.760
<v Speaker 2>published all these letters in a book called In the

1:30:01.760 --> 1:30:06.000
<v Speaker 2>Belly of the Beast in nineteen eighty one, and in

1:30:06.200 --> 1:30:09.160
<v Speaker 2>the intro, Mailer wrote that the boldness of the juvenile

1:30:09.200 --> 1:30:13.320
<v Speaker 2>delinquent grows into the audacity of the self made intellectual,

1:30:13.680 --> 1:30:14.519
<v Speaker 2>which is wishful.

1:30:14.680 --> 1:30:17.439
<v Speaker 1>Hope honestly likes a bad boy. Norman Mahler likes a

1:30:17.479 --> 1:30:17.920
<v Speaker 1>bad boy.

1:30:18.360 --> 1:30:22.240
<v Speaker 2>Yeah, and so like, you know, he was just hoping

1:30:22.280 --> 1:30:25.240
<v Speaker 2>it's not crime and punishment, but crime punishment and redemption

1:30:25.920 --> 1:30:28.599
<v Speaker 2>and that talent, I guess redeems you in some way.

1:30:28.640 --> 1:30:30.200
<v Speaker 3>And we see that time and time again.

1:30:30.320 --> 1:30:33.759
<v Speaker 2>I mean, people are still happily listening to r Kelly,

1:30:34.280 --> 1:30:36.400
<v Speaker 2>you know what I mean, because whenever someone is bad,

1:30:36.439 --> 1:30:40.519
<v Speaker 2>it's like, well, innocent until proven guilty, and then when

1:30:40.520 --> 1:30:45.640
<v Speaker 2>they're proven guilty, their stance doesn't change. Like he R

1:30:45.720 --> 1:30:48.160
<v Speaker 2>Kelly's in prison. Why are you still listening to him?

1:30:48.320 --> 1:30:50.400
<v Speaker 2>But okay, so, yeah, he just thought that the act

1:30:50.439 --> 1:30:53.320
<v Speaker 2>of writing can transform a violent person into just a

1:30:53.320 --> 1:30:57.400
<v Speaker 2>philosopher of violence. But like, honey, it's not just a theory,

1:30:57.640 --> 1:30:59.360
<v Speaker 2>you know what I mean, Like, if someone lives by

1:30:59.400 --> 1:31:03.839
<v Speaker 2>these princess that they're writing, it's not just an idea

1:31:04.000 --> 1:31:08.439
<v Speaker 2>or philosophy. And this person, you know, Abbott has been

1:31:08.920 --> 1:31:11.200
<v Speaker 2>since the age of twelve, spent all but nine and

1:31:11.200 --> 1:31:15.240
<v Speaker 2>a half months in prison, and fifteen of those years

1:31:15.280 --> 1:31:19.320
<v Speaker 2>were in solitary confinement. Mailer wrote to the Utah Board

1:31:19.320 --> 1:31:21.960
<v Speaker 2>of Corrections that mister Abbott has the making of a

1:31:22.000 --> 1:31:25.280
<v Speaker 2>powerful and important American writer and promised him a job

1:31:25.320 --> 1:31:27.880
<v Speaker 2>as a research assistant at one hundred and fifty dollars

1:31:27.920 --> 1:31:31.080
<v Speaker 2>a week. And when he was released, he was treated

1:31:31.120 --> 1:31:33.240
<v Speaker 2>like a literary celebrity.

1:31:33.960 --> 1:31:34.160
<v Speaker 1>You know.

1:31:34.200 --> 1:31:37.920
<v Speaker 2>He was on Good Morning America, Good Reviews, Fancy Dinners,

1:31:38.560 --> 1:31:42.600
<v Speaker 2>People Magazine, interviews, SOHO News, he was doing assignments for

1:31:42.640 --> 1:31:45.560
<v Speaker 2>the New York Review of Books in the Atlanta Journal Constitution.

1:31:46.120 --> 1:31:47.719
<v Speaker 3>He signed with an agent.

1:31:48.320 --> 1:31:51.840
<v Speaker 2>People loved the book, and they compared his jail time

1:31:51.880 --> 1:31:56.519
<v Speaker 2>to like political prisoners, which is not the same and

1:31:56.600 --> 1:31:59.080
<v Speaker 2>in two weeks, because that's the whole thing. They're like

1:31:59.120 --> 1:32:03.200
<v Speaker 2>comparing so much of him to like Russian authors and

1:32:03.200 --> 1:32:06.240
<v Speaker 2>stuff like that, Like and I don't know.

1:32:06.160 --> 1:32:08.200
<v Speaker 3>People that were persecuted, but it's like this guy real

1:32:08.280 --> 1:32:09.440
<v Speaker 3>bad checks.

1:32:09.479 --> 1:32:12.080
<v Speaker 1>Like it's like Teresa Judye, I'm sorry you have to

1:32:12.080 --> 1:32:14.320
<v Speaker 1>go to jail, but you guys did do mail fraud,

1:32:14.439 --> 1:32:17.000
<v Speaker 1>like you did steal money, Like I'm not paid taxes

1:32:17.120 --> 1:32:17.519
<v Speaker 1>or whatever.

1:32:18.000 --> 1:32:19.960
<v Speaker 2>Yeah, I mean them being like, oh, they've been through

1:32:20.000 --> 1:32:22.120
<v Speaker 2>a lot it's like, no, no, your parents are criminals.

1:32:22.240 --> 1:32:24.760
<v Speaker 2>You still got to keep your house many people do not,

1:32:25.080 --> 1:32:27.960
<v Speaker 2>and your kids, and you got to like stagger or

1:32:28.000 --> 1:32:29.160
<v Speaker 2>set like your time.

1:32:29.280 --> 1:32:29.920
<v Speaker 3>Yeah.

1:32:30.040 --> 1:32:32.559
<v Speaker 2>I just obviously you can have a hard time within

1:32:32.600 --> 1:32:34.800
<v Speaker 2>your family and struggle, but to try to get like

1:32:34.880 --> 1:32:39.639
<v Speaker 2>empathy from others when you're a slumlord, go fuck yourself.

1:32:40.640 --> 1:32:43.680
<v Speaker 2>So two weeks later, after all these dinners and all

1:32:43.720 --> 1:32:47.360
<v Speaker 2>this fun and all this attention, he stabbed Richard Aden

1:32:47.880 --> 1:32:51.479
<v Speaker 2>twenty two, an aspiring actor and playwright, to death outside

1:32:51.479 --> 1:32:53.679
<v Speaker 2>of an East Village restaurant where he worked as a waiter.

1:32:54.280 --> 1:32:56.439
<v Speaker 2>There was a month long manhunt, and he was found

1:32:56.479 --> 1:33:00.720
<v Speaker 2>in Louisiana. Again, Louisiana. Why are people all fleeing to Louisiana?

1:33:00.720 --> 1:33:01.160
<v Speaker 3>I wonder.

1:33:01.920 --> 1:33:05.560
<v Speaker 2>January nineteen eighty two, he was convicted of first degree manslaughter.

1:33:06.240 --> 1:33:06.719
<v Speaker 3>Wildly.

1:33:06.800 --> 1:33:11.840
<v Speaker 2>Mailer did say he felt a very large responsibility. He said,

1:33:11.840 --> 1:33:14.320
<v Speaker 2>never thought Abbot was close to killing and that's why

1:33:14.360 --> 1:33:16.120
<v Speaker 2>I have to sit in judgment on myself.

1:33:16.520 --> 1:33:19.160
<v Speaker 3>I just was not sensitive to that fact.

1:33:19.880 --> 1:33:24.000
<v Speaker 2>Okay, classic dude stuff, and oh my god, so wild

1:33:24.120 --> 1:33:27.360
<v Speaker 2>the trial was happening for this, you know, murder. Abbot

1:33:27.360 --> 1:33:31.160
<v Speaker 2>represented himself at one point and told Adam's widow, ricci

1:33:31.439 --> 1:33:34.639
<v Speaker 2>Aden that her husband's life was in quote, not worth

1:33:34.680 --> 1:33:38.960
<v Speaker 2>a dime. They just let the psycho represent himself at

1:33:38.960 --> 1:33:39.799
<v Speaker 2>the civil trial.

1:33:39.920 --> 1:33:40.519
<v Speaker 3>Oh my god.

1:33:41.000 --> 1:33:42.800
<v Speaker 2>And yet this is what I mean with this, like

1:33:43.600 --> 1:33:47.840
<v Speaker 2>upper crust people, it's like, oh, well, I think you're good.

1:33:48.520 --> 1:33:51.200
<v Speaker 2>I see your humanity, so you must be you know

1:33:51.240 --> 1:33:54.680
<v Speaker 2>what I mean? Like this dude is clearly fucked up,

1:33:54.680 --> 1:33:59.040
<v Speaker 2>but so is Norman Mailer. Yeah, And the even wilder

1:33:59.160 --> 1:34:01.280
<v Speaker 2>is that Abbot knew the whole time that Mailer's view

1:34:01.320 --> 1:34:03.200
<v Speaker 2>of him was wrong and he was not the person

1:34:03.280 --> 1:34:06.000
<v Speaker 2>his literary mentor made him out to be. He wrote

1:34:06.040 --> 1:34:08.120
<v Speaker 2>to Mailer in one of the letters in the seventies,

1:34:08.160 --> 1:34:10.599
<v Speaker 2>my life is not a saga, and I resent your

1:34:10.760 --> 1:34:11.760
<v Speaker 2>using the term like that.

1:34:11.960 --> 1:34:15.320
<v Speaker 3>I do not feel heroic. And that's that.

1:34:15.880 --> 1:34:17.600
<v Speaker 1>I do think there is something to be said for

1:34:17.680 --> 1:34:20.160
<v Speaker 1>like looking into this guy Abbott's like past, like he's

1:34:20.160 --> 1:34:22.519
<v Speaker 1>in jail from twelve years old, Like nine and a

1:34:22.560 --> 1:34:24.879
<v Speaker 1>half months of his life have ever been spent in freedom?

1:34:25.240 --> 1:34:26.439
<v Speaker 1>Like I do think that's a little bit one of

1:34:26.479 --> 1:34:30.160
<v Speaker 1>the what the episode is talking about. It's fucked up

1:34:30.200 --> 1:34:32.680
<v Speaker 1>that Norman Mayler was like, I'm gonna bestow you with

1:34:32.720 --> 1:34:35.439
<v Speaker 1>my privilege and decide that you're the chosen one. But

1:34:35.479 --> 1:34:37.760
<v Speaker 1>at the same time, like this guy seems like he's

1:34:37.800 --> 1:34:41.720
<v Speaker 1>a product of the incarceration system and like being in

1:34:41.800 --> 1:34:43.680
<v Speaker 1>jail for most of his fucking life and then he

1:34:43.800 --> 1:34:47.960
<v Speaker 1>just randomly murders waiters and has no value for their lives,

1:34:48.120 --> 1:34:48.400
<v Speaker 1>you know.

1:34:48.560 --> 1:34:51.519
<v Speaker 2>Like no, And this New York Times article talks about

1:34:51.560 --> 1:34:57.519
<v Speaker 2>like usually, you know, even with herman, it's like you

1:34:57.520 --> 1:35:00.240
<v Speaker 2>you leave jail and you're going to parole meetings and

1:35:00.280 --> 1:35:03.719
<v Speaker 2>a halfway how like you're being supervised, there's check ins.

1:35:04.120 --> 1:35:06.840
<v Speaker 2>This guy just went into hanging out with the glitterati

1:35:06.880 --> 1:35:11.960
<v Speaker 2>of the literary Manhattan community being celebrated. So I don't

1:35:12.240 --> 1:35:14.559
<v Speaker 2>I don't even understand how he didn't have parole meetings

1:35:14.600 --> 1:35:17.680
<v Speaker 2>to go to, how he wasn't being monitored, that he

1:35:17.840 --> 1:35:20.200
<v Speaker 2>just got to be on the news and celebrated and

1:35:20.280 --> 1:35:21.360
<v Speaker 2>drink champagne.

1:35:22.120 --> 1:35:23.559
<v Speaker 3>Like that also fucks with you.

1:35:23.640 --> 1:35:26.720
<v Speaker 2>It's like this this admiration and people are obsessed with you,

1:35:27.280 --> 1:35:31.960
<v Speaker 2>and I'm sure that's like such a hard departure from

1:35:32.080 --> 1:35:34.559
<v Speaker 2>what he normally know. The good news is in nineteen

1:35:34.640 --> 1:35:37.000
<v Speaker 2>ninety a Manhattan jury did award seven point five to

1:35:37.080 --> 1:35:40.120
<v Speaker 2>seven million in damages to Adam's widow, Ricci.

1:35:40.439 --> 1:35:43.840
<v Speaker 3>So oh because they gave him parole and then he

1:35:43.960 --> 1:35:45.040
<v Speaker 3>killed Yeah.

1:35:45.640 --> 1:35:48.280
<v Speaker 2>Yeah, and you know, all the money from this book

1:35:48.360 --> 1:35:51.760
<v Speaker 2>goes to him, to her to like make this oh yeah,

1:35:51.800 --> 1:35:53.519
<v Speaker 2>because he can't profit off of his crimes.

1:35:53.840 --> 1:35:56.360
<v Speaker 3>Yeah. Oh my gosh.

1:35:56.400 --> 1:35:58.800
<v Speaker 2>Wow, because I think you heard of the Belly of

1:35:58.840 --> 1:36:00.799
<v Speaker 2>the Beast, Like I've heard that before.

1:36:01.000 --> 1:36:03.280
<v Speaker 3>I think I've heard of that too. Yeah.

1:36:03.360 --> 1:36:05.320
<v Speaker 2>So yeah, I mean I think this is like a

1:36:05.439 --> 1:36:10.800
<v Speaker 2>weird collection of kisses that all kind of fit like

1:36:10.840 --> 1:36:14.840
<v Speaker 2>little pieces into what we watched, but definitely not as

1:36:14.880 --> 1:36:17.560
<v Speaker 2>clear cut as a lot of our other episodes.

1:36:18.240 --> 1:36:22.880
<v Speaker 1>Yeah, and it did interesting, yes, and it didn't like

1:36:23.600 --> 1:36:28.400
<v Speaker 1>focus on any specific like stories of solitary confinement.

1:36:29.040 --> 1:36:30.880
<v Speaker 3>But we're going to get into that a little bit.

1:36:31.439 --> 1:36:32.640
<v Speaker 3>And what would sister Peg do?

1:36:32.880 --> 1:36:35.600
<v Speaker 1>So let's just jump into our post mortem since we

1:36:35.680 --> 1:36:36.559
<v Speaker 1>don't have a guest.

1:36:41.000 --> 1:36:44.080
<v Speaker 3>All right, post mortem time? What did we look?

1:36:44.160 --> 1:36:46.439
<v Speaker 1>I mean, I don't know, I don't really agree with

1:36:47.040 --> 1:36:49.680
<v Speaker 1>solitary confinement. I don't know what the answer is, like

1:36:49.680 --> 1:36:51.400
<v Speaker 1>what we're supposed to do with people that are like

1:36:51.439 --> 1:36:53.759
<v Speaker 1>super violent and can't be around the rest of the

1:36:53.800 --> 1:36:55.960
<v Speaker 1>population of the jail. But I do just feel like

1:36:56.040 --> 1:36:57.160
<v Speaker 1>it's making things worse.

1:36:57.360 --> 1:36:59.640
<v Speaker 2>Can't they be in cells that are like in a

1:36:59.720 --> 1:37:03.599
<v Speaker 2>surpal so they can at least like see each other

1:37:03.720 --> 1:37:08.160
<v Speaker 2>sometimes or pass no have a conversation. Yeah, but the

1:37:08.200 --> 1:37:10.040
<v Speaker 2>way they can't have them having ideas. You know, we

1:37:10.080 --> 1:37:14.360
<v Speaker 2>did watch con Air. I finally showed you con Air. Sure, sure,

1:37:15.080 --> 1:37:19.160
<v Speaker 2>we can't have them hatching up too many plans. You're right,

1:37:19.280 --> 1:37:21.800
<v Speaker 2>it's it's tough. It's like you know it's wrong, but

1:37:21.880 --> 1:37:25.080
<v Speaker 2>you don't have the answer. Yeah, because for death penalty

1:37:25.080 --> 1:37:28.080
<v Speaker 2>being against it, there is an answer, but I think

1:37:28.080 --> 1:37:29.400
<v Speaker 2>that's solitary confinement.

1:37:29.880 --> 1:37:33.200
<v Speaker 3>So like I don't know, well not, I don't know

1:37:33.240 --> 1:37:34.280
<v Speaker 3>the people on death row.

1:37:34.280 --> 1:37:38.679
<v Speaker 1>I don't necessarily think are are are in solitary Are.

1:37:38.520 --> 1:37:42.000
<v Speaker 2>They Maybe I think they could just do zooms or something,

1:37:42.200 --> 1:37:44.320
<v Speaker 2>but they don't want them to have any technolo like

1:37:44.560 --> 1:37:46.280
<v Speaker 2>they're trying to punish them, but.

1:37:46.200 --> 1:37:49.240
<v Speaker 1>Where they're being punished, but like no outside, no air

1:37:49.280 --> 1:37:50.040
<v Speaker 1>and not a window.

1:37:50.240 --> 1:37:52.160
<v Speaker 3>Like it's too much. I think it's too much.

1:37:52.280 --> 1:37:54.760
<v Speaker 2>I think it's too much punishment. I just feel if

1:37:54.800 --> 1:37:58.800
<v Speaker 2>you're there forever alone. You should get some books, like

1:37:58.840 --> 1:38:03.600
<v Speaker 2>you should get stuff. They just don't trust them. I

1:38:03.600 --> 1:38:06.040
<v Speaker 2>don't know. It is fucked. You're right, we don't have

1:38:06.080 --> 1:38:08.680
<v Speaker 2>the answers. If you have the answer and think this

1:38:08.840 --> 1:38:12.720
<v Speaker 2>is super simple, let us know. Yeah, maybe I have

1:38:12.800 --> 1:38:14.759
<v Speaker 2>the people online that have all the answers.

1:38:15.400 --> 1:38:19.760
<v Speaker 1>I do appreciate the show having Christopher Maloney do like,

1:38:19.880 --> 1:38:22.200
<v Speaker 1>you know, solitary confinement cause play and be in there

1:38:22.240 --> 1:38:25.040
<v Speaker 1>for three days and go absolutely crazy to a pat cockroach.

1:38:25.120 --> 1:38:26.920
<v Speaker 2>So when they brought in the cockroach, do you think

1:38:26.920 --> 1:38:29.559
<v Speaker 2>he was like, yeah, I'm ready. Was he like oh god,

1:38:29.680 --> 1:38:32.840
<v Speaker 2>damn it, or like I've been waiting for this soulm

1:38:32.920 --> 1:38:35.040
<v Speaker 2>oh wait, hold on. We have a friend. I watched

1:38:35.080 --> 1:38:38.559
<v Speaker 2>him do stand up last night and he had a

1:38:38.640 --> 1:38:41.760
<v Speaker 2>really funny joke. I don't want to ruined the joke,

1:38:42.520 --> 1:38:44.880
<v Speaker 2>but I want to not give credit, you know what

1:38:44.920 --> 1:38:48.639
<v Speaker 2>I mean. But it's Mosha Kasher and he was saying

1:38:48.680 --> 1:38:52.280
<v Speaker 2>how he has like violent, violent rat traps and he

1:38:52.280 --> 1:38:54.439
<v Speaker 2>heard a rat get stuck in one of the traps,

1:38:54.479 --> 1:38:58.559
<v Speaker 2>but it wasn't dead, and so he was just like, fuck,

1:38:58.720 --> 1:38:59.920
<v Speaker 2>you know, I have to put it out of it.

1:39:00.000 --> 1:39:02.240
<v Speaker 2>It's misery, Like what I've learned from life, is like

1:39:02.280 --> 1:39:05.040
<v Speaker 2>you don't let an animal suffer. But then his daughter

1:39:05.200 --> 1:39:08.280
<v Speaker 2>was like, well, can I come, And so he in

1:39:08.320 --> 1:39:10.280
<v Speaker 2>his head was like, I guess this is a teachable moment.

1:39:10.320 --> 1:39:13.800
<v Speaker 2>Well I'll teach her to like, you know, you gotta

1:39:13.800 --> 1:39:15.519
<v Speaker 2>put animals out of their misery.

1:39:15.760 --> 1:39:18.840
<v Speaker 3>You can't let them be in pain. So they went downstairs.

1:39:18.880 --> 1:39:21.680
<v Speaker 2>But like he said that, like, so he took a

1:39:21.720 --> 1:39:24.439
<v Speaker 2>golf club and hit it on the head, but instead

1:39:24.439 --> 1:39:27.479
<v Speaker 2>of dying, it became stronger, and then he just had

1:39:27.520 --> 1:39:30.280
<v Speaker 2>to keep hitting it and it went into like ten

1:39:30.560 --> 1:39:35.200
<v Speaker 2>fifteen hits. It started pissing itself. The rat is pissing itself.

1:39:35.320 --> 1:39:38.800
<v Speaker 2>It's like screaming. And then he's and then it hits

1:39:38.840 --> 1:39:41.360
<v Speaker 2>him that his daughter's in the room and she's five,

1:39:41.479 --> 1:39:43.920
<v Speaker 2>and so he's like turning around to be like, oh,

1:39:43.920 --> 1:39:46.040
<v Speaker 2>I'm sorry, I fucked up, like go upstairs, but she

1:39:46.240 --> 1:39:47.520
<v Speaker 2>was there with like bloodlust.

1:39:47.600 --> 1:39:50.360
<v Speaker 3>She was like, yeah, I get him, fucking kill it,

1:39:50.800 --> 1:39:51.240
<v Speaker 3>kill it.

1:39:51.360 --> 1:39:55.439
<v Speaker 2>Like she was just super aggressive, like she was in

1:39:55.479 --> 1:39:58.439
<v Speaker 2>a colisseum in Rome and just like screaming for this

1:39:58.720 --> 1:40:02.479
<v Speaker 2>rat's death. And so he thought he traumatized her, but

1:40:02.520 --> 1:40:05.240
<v Speaker 2>really he found out she could be a sociopath, Like,

1:40:05.360 --> 1:40:05.920
<v Speaker 2>we don't know.

1:40:07.960 --> 1:40:10.280
<v Speaker 1>I just saw them last week, the whole fam at

1:40:10.280 --> 1:40:13.120
<v Speaker 1>a pizza place, and she's the sweetest little thing.

1:40:13.240 --> 1:40:14.719
<v Speaker 3>And that's really wild.

1:40:16.320 --> 1:40:20.040
<v Speaker 2>And his joke is just so fun I honestly, last

1:40:20.120 --> 1:40:22.240
<v Speaker 2>night I went up first on this show. I had

1:40:22.280 --> 1:40:26.800
<v Speaker 2>a great time, and then I stayed and watched three comics.

1:40:27.400 --> 1:40:30.280
<v Speaker 2>I was loving it. I was like having the time

1:40:30.320 --> 1:40:33.799
<v Speaker 2>of my life. Everyone was so funny. I've really one person.

1:40:33.840 --> 1:40:36.040
<v Speaker 2>I was kind of annoyed that I found him funny,

1:40:36.240 --> 1:40:39.200
<v Speaker 2>to be honest, but I was into it.

1:40:39.360 --> 1:40:42.040
<v Speaker 3>Wow, it was a Halloween miracle. Yeah. And then.

1:40:43.760 --> 1:40:47.080
<v Speaker 2>Who had a joke about like why is pepper spray

1:40:47.120 --> 1:40:49.639
<v Speaker 2>only for women? He's like, I need to protect myself too,

1:40:49.840 --> 1:40:52.240
<v Speaker 2>and then he goes into like probably a eight minute

1:40:52.280 --> 1:40:55.479
<v Speaker 2>joke about pepper spray that he's pepper sprayed six people,

1:40:55.760 --> 1:40:59.200
<v Speaker 2>how to pepper spray, Like how to get away? And

1:40:59.240 --> 1:41:01.640
<v Speaker 2>then he's like, pepper spray, you gotta run because the

1:41:01.640 --> 1:41:04.000
<v Speaker 2>first time I got cocky, it was like, yeah, take

1:41:04.040 --> 1:41:06.559
<v Speaker 2>that pepper spray, bitch, and it goes, but it blows back,

1:41:06.640 --> 1:41:07.400
<v Speaker 2>it blows back.

1:41:10.520 --> 1:41:14.479
<v Speaker 3>Oh my god. That rat story is really terrifying. I

1:41:14.520 --> 1:41:16.720
<v Speaker 3>know she was just like get it her, daddy, get it,

1:41:16.800 --> 1:41:17.040
<v Speaker 3>you know.

1:41:18.080 --> 1:41:21.439
<v Speaker 2>So and the rat death, Like I hate rats, but

1:41:21.479 --> 1:41:23.720
<v Speaker 2>I don't like hearing about how this rat was being

1:41:23.760 --> 1:41:26.800
<v Speaker 2>growing stronger and pissing. No, they should have left the

1:41:26.840 --> 1:41:28.800
<v Speaker 2>house and let it die slowly on its own, like

1:41:28.840 --> 1:41:31.240
<v Speaker 2>I don't know the answer, or like get better poison,

1:41:31.360 --> 1:41:34.320
<v Speaker 2>Like obviously it's not a good trap, like get poison. Yeah,

1:41:34.560 --> 1:41:36.640
<v Speaker 2>I don't think it needs a metal You don't need

1:41:36.680 --> 1:41:39.240
<v Speaker 2>to be snapping its like backbone.

1:41:39.400 --> 1:41:41.320
<v Speaker 3>But that's what they say is the most humane.

1:41:41.320 --> 1:41:43.240
<v Speaker 1>The snap traps are the most humane because it just,

1:41:43.439 --> 1:41:46.240
<v Speaker 1>at least for mice, it just kills them the quickest.

1:41:46.560 --> 1:41:49.360
<v Speaker 3>This was a super rat. It sounds like this rat

1:41:49.400 --> 1:41:52.639
<v Speaker 3>was on roids. No, the pissing itself is the level

1:41:52.680 --> 1:41:53.360
<v Speaker 3>where it's.

1:41:53.240 --> 1:41:57.360
<v Speaker 1>Like, uh fuck and the five year old, I, oh

1:41:57.400 --> 1:41:58.600
<v Speaker 1>my god, Okay, we got it.

1:41:58.800 --> 1:42:03.800
<v Speaker 3>We gotta move on this week.

1:42:03.840 --> 1:42:05.800
<v Speaker 1>You know our segment what would mister Peg Do, where

1:42:05.800 --> 1:42:08.720
<v Speaker 1>we direct you guys towards like a resource, an organization

1:42:08.800 --> 1:42:11.360
<v Speaker 1>and articles, something that gives you more information about the

1:42:11.360 --> 1:42:18.000
<v Speaker 1>episode you saw today. And this episode came out before

1:42:18.400 --> 1:42:21.080
<v Speaker 1>the death of Khalif Browder, which I considered to be

1:42:21.160 --> 1:42:25.519
<v Speaker 1>one of the most tragic, unjust tragedies of modern times.

1:42:26.080 --> 1:42:28.599
<v Speaker 1>He was a black teen from the Bronx who spent

1:42:28.680 --> 1:42:31.479
<v Speaker 1>three years in jail just never being convicted of a

1:42:31.479 --> 1:42:34.479
<v Speaker 1>crime for stealing a backpack. It was not him, and

1:42:35.800 --> 1:42:38.120
<v Speaker 1>it's just a horrible case of how he was kept

1:42:38.160 --> 1:42:43.680
<v Speaker 1>in solitary and later his solitary because of things that

1:42:43.720 --> 1:42:46.680
<v Speaker 1>happened in jail, like what happens in this episode, Like

1:42:47.040 --> 1:42:49.160
<v Speaker 1>he went in for a crime that wasn't that bad,

1:42:49.160 --> 1:42:51.559
<v Speaker 1>but then it's like you defend yourself in jail, you fight,

1:42:51.680 --> 1:42:53.080
<v Speaker 1>and then you get put into solitary.

1:42:53.720 --> 1:42:56.760
<v Speaker 3>So this this all happened when I was living in

1:42:56.800 --> 1:42:57.759
<v Speaker 3>New York. It's horrible.

1:42:57.960 --> 1:43:02.000
<v Speaker 1>And there's a great docum series called Time The Khalif

1:43:02.120 --> 1:43:06.120
<v Speaker 1>Brouder Story. It is on Netflix, and it covers Kalif's

1:43:06.200 --> 1:43:09.559
<v Speaker 1>entire case, and you know, his tragic death and his

1:43:09.840 --> 1:43:13.280
<v Speaker 1>uh subsequent mental health issues after being imprisoned, and the

1:43:13.360 --> 1:43:17.160
<v Speaker 1>legacy after his death. So if you're interested in learning

1:43:17.160 --> 1:43:20.360
<v Speaker 1>a little bit more about solitary confinement and Khalif's Prouder story,

1:43:20.400 --> 1:43:23.200
<v Speaker 1>then please check that out and that will be posted

1:43:23.360 --> 1:43:26.240
<v Speaker 1>in our stories the day that this episode comes out

1:43:26.240 --> 1:43:28.840
<v Speaker 1>and saved forever in our what would Sister Peg do?

1:43:29.280 --> 1:43:32.519
<v Speaker 3>Highlight? Wow, that is so fucking sad.

1:43:33.120 --> 1:43:36.519
<v Speaker 2>Yeah, and next week please join us, we'll be doing

1:43:36.560 --> 1:43:40.400
<v Speaker 2>Manhattan Vigil Season fourteen, episode five.

1:43:40.720 --> 1:43:44.040
<v Speaker 3>We're obsessed with all of you. We love meeting all

1:43:44.080 --> 1:43:44.280
<v Speaker 3>of you.

1:43:44.560 --> 1:43:47.479
<v Speaker 2>Thanks for all our cute Taylor Swift style friendship brace

1:43:47.520 --> 1:43:51.640
<v Speaker 2>I can't believe she's takes like it's just beaded bracelets,

1:43:51.640 --> 1:43:53.760
<v Speaker 2>but now they're Taylor Swift bracelets, you know what I mean?

1:43:53.800 --> 1:43:56.320
<v Speaker 1>And that's friendship bracelets have been around forever and now

1:43:56.320 --> 1:43:58.280
<v Speaker 1>it's like their tailor's they're arrows bracelets.

1:43:58.560 --> 1:44:00.160
<v Speaker 2>Because now when I just see some of the so

1:44:00.280 --> 1:44:01.760
<v Speaker 2>I'm like, oh, did you go to Taylor Swift? And

1:44:01.800 --> 1:44:03.639
<v Speaker 2>it's like, no, they went to That's messed up Live.

1:44:03.720 --> 1:44:07.400
<v Speaker 2>That's what they fucking did. I'm obsessed with. Yeah, we're

1:44:07.560 --> 1:44:09.040
<v Speaker 2>just so lucky you guys.

1:44:09.120 --> 1:44:14.960
<v Speaker 3>Listen. God, this Khaliff Browner things really gonna ruin my day.

1:44:15.000 --> 1:44:17.920
<v Speaker 3>I think, I know. No, I'm glad you brought it up.

1:44:17.920 --> 1:44:19.200
<v Speaker 3>I have to watch this. That's so.

1:44:19.640 --> 1:44:22.800
<v Speaker 2>I remember hearing about the backpack and spending three years.

1:44:22.840 --> 1:44:24.080
<v Speaker 2>I didn't realize.

1:44:25.200 --> 1:44:27.479
<v Speaker 3>That he like that. He died.

1:44:28.160 --> 1:44:32.680
<v Speaker 1>Yeah, but we will see you guys next week for

1:44:33.680 --> 1:44:37.880
<v Speaker 1>more lightness and darkness as usual on our podcast, Bye guys.

1:44:46.760 --> 1:44:48.960
<v Speaker 2>That's Messed Up as an Exactly Right production.

1:44:49.400 --> 1:44:51.439
<v Speaker 1>If you have compliments you'd like to give us or

1:44:51.560 --> 1:44:53.759
<v Speaker 1>episodes you'd like us to cover, shoot us an email

1:44:53.840 --> 1:44:56.360
<v Speaker 1>it That's Messed uppod at gmail dot com.

1:44:56.760 --> 1:44:59.840
<v Speaker 2>Follow the podcast on Instagram at That's Messed Up Pod

1:45:00.120 --> 1:45:02.960
<v Speaker 2>and on Twitter at messed Up Pod, and follow us

1:45:03.040 --> 1:45:04.840
<v Speaker 2>personally at Kara Klank and.

1:45:05.040 --> 1:45:05.960
<v Speaker 3>At glitter Cheese.

1:45:06.400 --> 1:45:09.040
<v Speaker 1>As always, please see our show notes for sources and

1:45:09.120 --> 1:45:09.719
<v Speaker 1>more information.

1:45:10.200 --> 1:45:12.880
<v Speaker 2>Thank you so much to our producer Kasey O'Brien and

1:45:13.000 --> 1:45:15.040
<v Speaker 2>our associate producer Christina.

1:45:14.720 --> 1:45:17.599
<v Speaker 1>Chamberlain, and to our mixer John Bradley and our guest

1:45:17.680 --> 1:45:19.200
<v Speaker 1>booker Patrick Cottner, and.

1:45:19.320 --> 1:45:23.000
<v Speaker 2>To Henry Kaperski for our theme song and Carly Geen Andrews.

1:45:22.680 --> 1:45:23.400
<v Speaker 3>For our artwork.

1:45:23.720 --> 1:45:27.520
<v Speaker 1>Thank you to our executive producers Georgia hard Start, Karen Kilgarriff,

1:45:27.560 --> 1:45:30.160
<v Speaker 1>Daniel Kramer, and everybody at Exactly Right Media.

1:45:31.600 --> 1:45:32.200
<v Speaker 2>Dun Dun