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Speaker 1: Welcome to Stuff to Blow Your Mind, a production of iHeartRadio.

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Speaker 2: Hello, and welcome to Stuff to Blow your Mind Listener Mail.

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Speaker 2: My name is Joe McCormick. My regular co host Robert

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Speaker 2: Lamb is out on the day that I'm recording this,

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Speaker 2: so I'm going to be reading and responding to some

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Speaker 2: listener messages solo today, but Rob should be back with

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Speaker 2: me for tomorrow's episode. We read listener mail every Monday

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Speaker 2: on Stuff to Blow Your Mind. And if you would

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Speaker 2: like to get in touch but you've never done it before,

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Speaker 2: why not give it a try. You can reach us

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Speaker 2: at contact at Stuff to Blow your Mind dot com.

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Speaker 2: That's contact at Stuff to Blow your Mind dot com.

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Speaker 2: Any and all types of messages are welcome. If you

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Speaker 2: have feedback on a recent episode, want to provide a

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Speaker 2: correction or add your thoughts on something we discussed, if

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Speaker 2: you'd like to share something random that you think we

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Speaker 2: would find interesting, or if you want to suggest a

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Speaker 2: topic for us to go in the future. Even if

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Speaker 2: you just want to say hi, tell us about your

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Speaker 2: experience listening to the show, Send it on in. It's

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Speaker 2: contact at stuff to Blow your Mind dot com. Okay,

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Speaker 2: I'm going to kick things off with some responses to

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Speaker 2: our episodes on the Moons of Uranus. Let's see so.

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Speaker 2: In that series on the Moons of Uranus, we talked

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Speaker 2: about how difficult it is to come up with a

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Speaker 2: visual representation of the Solar System that faithfully communicates the

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Speaker 2: size of objects and the true scale of the distances

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Speaker 2: between them while being comprehensible all at once. You can't

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Speaker 2: really do it in say, a single page illustration in

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Speaker 2: a book, but a number of listeners got in touch

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Speaker 2: about various, often very clever ways people have tried to

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Speaker 2: demonstrate the scale of the Solar System using videos or

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Speaker 2: interactive media. So this message is from Shana. Shana says, Hello,

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Speaker 2: Robin Joe. I'm currently listening to the Moons of Earnest

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Speaker 2: part one. It felt the need to email this before

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Speaker 2: I forgot. While there are no pictures that can show

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Speaker 2: the true distance of planets in our Solar system, a

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Speaker 2: few years ago some folks created a giant scale model

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Speaker 2: in Nevada and created a short film about it. Here's

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Speaker 2: the description directly directly from them quote. On a dry

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Speaker 2: lake bed in Nevada, a group of friends built the

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Speaker 2: first scale model of the Solar system with complete planetary orbits,

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Speaker 2: a true illustration of our place in the universe. And

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Speaker 2: if folks listening want to look this up. The video

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Speaker 2: is called two Scale the Solar System and it's currently

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Speaker 2: on YouTube, at least it was when I recorded this.

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Speaker 2: Shana says, it's very cool and I think y'all would

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Speaker 2: enjoy the video. Well, yes, thank you for sending this, Shana.

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Speaker 2: I think this is totally a very excellent mini documentary.

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Speaker 2: It's by a couple of filmmakers named Wiley Overstreet and

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Speaker 2: Alex Garage, and it's definitely worth a look. So they

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Speaker 2: stage this in a place called Black Rock Desert. Again,

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Speaker 2: this is in sort of the northwest corner of the

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Speaker 2: US state of Nevada, and in order to build a

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Speaker 2: scale model of the Solar System with the Earth pegged

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Speaker 2: to the size of a marble, they figure out that

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Speaker 2: they need about seven miles of flat ground to represent

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Speaker 2: the orbital plane of the Sun and all of its

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Speaker 2: major planets. And they do this, as they say in

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Speaker 2: the description, in a dry lake bed, measuring out the

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Speaker 2: distances with what looks like surveying equipment and then marking

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Speaker 2: the orbital pathways with tire tracks. So they're out there

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Speaker 2: like driving a van around in these giant circles, around

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Speaker 2: in the sand, and in line with our original point

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Speaker 2: in the episode, it is shocking to see suddenly how

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Speaker 2: far out they have to drive after Saturn. Of course,

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Speaker 2: the distances increase as you go out from Earth in

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Speaker 2: Mars to Jupiter and Saturn. After Saturn to mark the

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Speaker 2: orbit of Uranus and then of Neptune, the distances are gargantuan,

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Speaker 2: and in the end, the radius of the orbit of

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Speaker 2: the little ball representing the planet Neptune is five point

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Speaker 2: six kilometers or three point five miles, so the full

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Speaker 2: diameter of the model is about seven miles and absolutely

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Speaker 2: no disrespect at all to what they did here, which

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Speaker 2: again is excellent, but I think it still sort of

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Speaker 2: fails to capture both the scale of the distance and

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Speaker 2: the scale of the objects all at once, because when

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Speaker 2: you zoom out enough to see the full orbit of Neptune,

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Speaker 2: the differences in size between the objects and the model

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Speaker 2: become impossible to detect. In fact, they're impossible to zoomed

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Speaker 2: much further in than that. They're all just points of

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Speaker 2: light traveling around in ellipses in the distance. So I

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Speaker 2: certainly don't think this is a failure on the part

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Speaker 2: of the filmmakers. I suspect that there is just like

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Speaker 2: literally no way to do this given the resolution human vision.

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Speaker 2: Another message on this subject from Brian. Brian says, greetings,

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Speaker 2: I recently enjoyed your Moons of Urines podcasts, and my

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Speaker 2: memory was pricked by one of the comments you made

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Speaker 2: during the first episode. You were talking about how difficult

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Speaker 2: it is to accurately represent both size and distance for

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Speaker 2: depictions of the Solar System. I've seen several videos of

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Speaker 2: various attempts, and then I think he's referring to the

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Speaker 2: one I just described with a beach ball sized Sun

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Speaker 2: leading to a neptune multiple miles away. But there is

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Speaker 2: one easy to access source that blew my mind, and

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Speaker 2: for a brief description, Brian provides a link here. This

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Speaker 2: is a website by a designer named Josh Wirth, and

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Speaker 2: it's called If the Moon Were Only One Pixel, a

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Speaker 2: tediously accurate map of the Solar System, and it begins

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Speaker 2: with a sort of palm of the hand sized representation

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Speaker 2: of the Sun and then to scroll a horizontal scroll

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Speaker 2: through space at accurate scale distances until you reach accurate

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Speaker 2: scale illustrations of the planets, and as the title indicates,

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Speaker 2: Earth's moon is one pixel. If you actually do this,

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Speaker 2: the amount of scrolling required is ludicrous. You will go plaid.

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Speaker 2: Brian continues, this site does a fantastic job at really

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Speaker 2: demonstrating the space between worlds. It's almost impossible to not

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Speaker 2: fast click the scroll bar, even though you skip over

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Speaker 2: some of the author's commentary, just because there is so

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Speaker 2: much empty space. After scrolling and scrolling through endless amounts

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Speaker 2: of space, you finally get to Jupiter and then look

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Speaker 2: at the scroll bar and realize you've not even gone

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Speaker 2: one quarter of the way through. This site goes out

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Speaker 2: to Pluto for your reference. There are lots of informative,

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Speaker 2: pithy and imaginative comments along the way, but I challenge

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Speaker 2: anyone to just scroll using the aero button. You won't

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Speaker 2: be able to do it. This site really slams home

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Speaker 2: how much of space is well space. Even in our neighborhood,

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Speaker 2: things are so far apart as to be unreachable, and

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Speaker 2: that's just our solar system. The end of the scroll

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Speaker 2: slaps you in the face with the fact that after

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Speaker 2: all that, to get to the next checkpoint, meaning the

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Speaker 2: next star, the closest star to our solar system, you'd

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Speaker 2: need to repeat the entire scroll six seven hundred and

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Speaker 2: seventy one more times. I'd highly encourage you to play

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Speaker 2: around for a bit on this site. It's very instructive

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Speaker 2: and fun. Brian, Thank you Brian once again. Yeah, I

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Speaker 2: think this is an excellent model, but of course it

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Speaker 2: still does not allow you to take it in all

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Speaker 2: at once, which just might not be a thing humans

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Speaker 2: can do. All right, Getting a little bit away from

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Speaker 2: the scale question. Just to other topics raised in our

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Speaker 2: Moons of Urinus series. This is from Jim. Jim says, Hi, guys,

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Speaker 2: guy love the new series. Early in the episode, Joe

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Speaker 2: was talking about planetary distances. I was curious if you've

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Speaker 2: ever discussed the Titious Bode law. That spelled titi Us

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Speaker 2: and then Bode is bode. I don't know if that's

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Speaker 2: a bode or boda. I'm just gonna say bode, And

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Speaker 2: Jim says, which is a mathematical formula that predicts planetary

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Speaker 2: distances from the Sun. Jim, yes, we actually have discussed

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Speaker 2: the Titius Bode law before. I think it came up

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Speaker 2: in our series on hypothetical Solar System objects that either

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Speaker 2: don't exist because they never existed, or maybe once existed

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Speaker 2: but no longer exist. That series was called The Lost

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Speaker 2: Daughters of aten at e n. If you want a

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Speaker 2: deeper treatment, you can go check out those episodes. But

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Speaker 2: the short version is that the titious Bode is a

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Speaker 2: peculiar observation that you can predict the approximate mean orbital

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Speaker 2: distance of all the planets out to Uranus with a

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Speaker 2: simple mathematical formula. It's got a few variables based on

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Speaker 2: planet order and the distance of an astronomical unit. And

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Speaker 2: this was written about in the eighteenth century by two

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Speaker 2: German astronomers named Johan Daniel Tischius and Johann elert Bode.

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Speaker 2: The two Johans and this formula. Yeah, it is a

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Speaker 2: really interesting observation. So it gets very close to predicting

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Speaker 2: the orbital distances of Mercury, Venus, Earth, Mars, Jupiter, and Saturn.

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Speaker 2: There are some cases where it's a little bit off,

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Speaker 2: but it's very close. And at the time of its

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Speaker 2: original publication there was an interesting complication, which was that

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Speaker 2: the prediction seemed to break down because it predicted a

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Speaker 2: planet orbiting at two point eight astronomical unit, so two

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Speaker 2: point eight times the distance between the Earth and the Sun,

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Speaker 2: and that would be between the orbits of Mars and Jupiter,

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Speaker 2: where no planet was known at the time. However, this

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Speaker 2: failure was reversed with the discovery of the dwarf Planet

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Speaker 2: Series in eighteen oh one, which we now know to

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Speaker 2: be the largest object in the asteroid belt. So series

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Speaker 2: and the asteroid belt roughly correspond to the gap in

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Speaker 2: the predicted sequence between Jupiter and Mars. Tisitius Bode then

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Speaker 2: also racked up a victory when Uranus was discovered. This

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Speaker 2: was actually earlier, this was in the late eighteenth century,

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Speaker 2: but Tisiu's boat had a victory with the discovery of

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Speaker 2: Uranus because what do you know, it was very close

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Speaker 2: again to what the formula predicted for the next planet

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Speaker 2: after Saturn. But despite this really impressive record, and despite

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Speaker 2: the unfortunate use of the word law sometimes in its

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Speaker 2: name people say the Titius Bode law. Other people just say,

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Speaker 2: like the Titius Bode rule or Titius Bode or something.

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Speaker 2: It is not a law of nature. It totally fails

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Speaker 2: to predict the orbit of Neptune. And as best I

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Speaker 2: can tell, last time I looked into this. Experts in

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Speaker 2: astrophysics are not aware of any reason this formula had

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Speaker 2: to be true or had to hold true, meaning it

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Speaker 2: is not derived from any fundamental facts about how solar

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Speaker 2: systems generally form, or any laws of physics that would

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Speaker 2: apply to all planets and stars in the galaxy. It's

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Speaker 2: probably just a really strange, fascinating coincidence that you can

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Speaker 2: put together a mathematical formula that happens to tell you

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Speaker 2: where most, but not all, of the big things in

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Speaker 2: our solar system are. So maybe the two Johanns were

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Speaker 2: kind of doing the number twenty three, but in space,

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Speaker 2: all right. This next message about moons of Uranus is

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Speaker 2: from Eric. Eric says, Hi, Robin Joe, thanks for the

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Speaker 2: episodes about Uranus and its moons. I've been meaning to

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Speaker 2: read A Midsummer Night's Dream but haven't gotten around to

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Speaker 2: it yet, So I didn't know any thing about the

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Speaker 2: characters for whom many of the moons are named, but

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Speaker 2: it shed some light on an urban fantasy book series

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Speaker 2: that I love, called The Dresden Files. The author borrows

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Speaker 2: mythology from nearly everywhere on the internal principle that all

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Speaker 2: mythology is actually true. Some of the Midsommer characters, including

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Speaker 2: Mab and Titania, feature prominently. Then Eric says, you mentioned

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Speaker 2: Messier and his comet addiction in the first episode, and

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Speaker 2: to refresh, Yeah, this is referring to the French astronomer

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Speaker 2: Charles Messier, one of the people William Herschel wrote to

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Speaker 2: in seventeen eighty one about his discovery of Uranus. At first,

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Speaker 2: William Herschel thought that it wasn't a planet but a

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Speaker 2: comet or something. And Messier was so famous for finding

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Speaker 2: comets that he was nicknamed the Ferret of comets by

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Speaker 2: the French King Louis the fifteenth But back to Eric's message,

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Speaker 2: Eric writes, comics were kind of a big deal in

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Speaker 2: the eighteenth and nineteen century, in that weird period in

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Speaker 2: which people understood that heavenly bodies obeyed natural laws, but

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Speaker 2: they still kind of liked astrology. After Halley, people realized

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Speaker 2: that more of the fuzzy blobs they spotted were comets,

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Speaker 2: so there was kind of a rush to be the

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Speaker 2: first to spot the next comet. Charles Messier was one

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Speaker 2: of those, and he created the Messia catalog, which includes

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Speaker 2: Andromeda M thirty one, the crab Nebula M one, and

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Speaker 2: over one hundred other objects. Interestingly, he cataloged these objects

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Speaker 2: not because he thought them interesting, but because they weren't comets.

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Speaker 2: It was basically his oops list, so he wouldn't waste

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Speaker 2: time looking at fuzzy blob number thirty one night after

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Speaker 2: night in the hope that it would turn out to

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Speaker 2: be a comet. It's ironic that today amateur astronomers typically

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Speaker 2: spend far more time looking at the things on his

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Speaker 2: list than searching for comets. In fact, there are certain

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Speaker 2: times of year when some amateur astronomers will try to

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Speaker 2: complete a Messia marathon, in which they tried to spot

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Speaker 2: each of the one hundred and ten Messia objects in

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Speaker 2: a single night. I've never done it because I'm a very,

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Speaker 2: very lazy amateur astronomer. Thanks for the great episodes. While

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Speaker 2: I would be perfectly happy to have you put out

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Speaker 2: episodes on space objects every week, I think it's better

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Speaker 2: for all of your other listeners to space out pun

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Speaker 2: unintended these types of episodes. Hope you were all well, Eric,

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Speaker 2: Thank you Eric. Okay, this next message comes from Constantine

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Speaker 2: and it concerns our episodes. On the beaver, and also

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Speaker 2: a little bit on the moons of Uranus. Constantine says, gents,

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Speaker 2: thank you for reading my email last week. I have

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Speaker 2: gained tremendous cool points in my household after that. Mind you,

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Speaker 2: those points are self assigned, but they are valued just

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Speaker 2: the same. Yeah. As a reminder, Constantine wrote us a

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Speaker 2: really excellent, highly detailed message about Greek pronunciation in English,

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Speaker 2: especially as it applies to the names of planets. Constantine says,

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Speaker 2: I didn't think I would be writing in so soon again,

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Speaker 2: but I have a small complaint to register with the authorities.

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Speaker 2: How can you have not one, but two beaver episodes

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Speaker 2: and not mention that this mighty, mighty rodent is the

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Speaker 2: national animal of Canada. The beaver even appears on our

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Speaker 2: nickel see attached. All right, so I am looking at

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Speaker 2: a picture of the beaver side the beaver face I

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Speaker 2: guess of the Canadian nickel. This one is minted nineteen

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Speaker 2: sixty five, and I'm going to put on my art

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Speaker 2: critic hat for the Canadian nickel. I have to say

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Speaker 2: I sense a lot of pathos in this beaver. This

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Speaker 2: beaver looks far less whimsical and substantially more aggressive than most.

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Speaker 2: So it is head down, ears, back muscles tensed, four

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Speaker 2: paws in advance, with claws digging into the wet log below.

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Speaker 2: The beaver, I would say, on the nickel looks not

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Speaker 2: like a herbivorous rodent, but like a predator preparing to strike.

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Speaker 2: But it's a beaver, so what is it going to strike?

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Speaker 2: Like a willow stump? And then there's another layer of

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Speaker 2: emotion underneath the predatory pose. There is a thwarted, frustrated

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Speaker 2: sadness in its posture. It even made me think of

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Speaker 2: the Rilka poem The Panther, which is about a panther

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Speaker 2: kept in a zoo in Paris, and in the translation

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Speaker 2: by Stephen Mitchell, the poem begins his vision from the

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Speaker 2: constantly passing bars has grown so weary that it cannot

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Speaker 2: hold anything else. It seems to him there are a

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Speaker 2: thousand bars, and behind the bars no world. So I

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Speaker 2: was thinking about this, and finally it hit me. I

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Speaker 2: think the beaver inside the nickel wants to break out

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Speaker 2: everywhere it goes. Maybe it hears the sound of water running,

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Speaker 2: the trickling sound that that drives the beaver mad, and

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Speaker 2: it knows it must find and plug the leak. But

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Speaker 2: to do that it has to escape the confines of

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Speaker 2: the coin, and maybe one day it will. So back

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Speaker 2: to Constantine's message, sure, America has its eagle and the

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Speaker 2: UK has its lion, but we knooks wear the best smile,

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Speaker 2: with debucktoothed beaver as our national animal of choice, so

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Speaker 2: beware lest you upset us, and we wave our sticks

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Speaker 2: at you. Ah. Very nice. Despite this regal creature being

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Speaker 2: part of everyday Canadian life, I was shocked to learn

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Speaker 2: that the beaver has a cloaca. Even my wife, the veterinarian,

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Speaker 2: was surprised that that detail did not make it into

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Speaker 2: her curriculum at VET school. And now I work this

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Speaker 2: fact into every conversation I have with folks back in

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Speaker 2: our maple leaf land. By the way, I forgot to

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Speaker 2: mention in my email on Uranus that in Greek we

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Speaker 2: call the eight planets of the Solar system by the

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Speaker 2: Greek god names. So it is Hermes that would be Mercury, Aphrodite,

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Speaker 2: that would be Venus, Gaya that would be Earth. Though

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Speaker 2: Constantine us last time that in Greek Gaya is pronounced

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Speaker 2: ye Ares, which is Mars, Zeus, which is Jupiter Chronos

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Speaker 2: which is Saturn Uranus and Poseidon, which is Neptune. Take

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Speaker 2: that Romans. As for the planet Pluto planet in quotation marks,

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Speaker 2: I guess because of Pluto no longer being considered a

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Speaker 2: major planet for whatever reason, it went rogue and goes

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Speaker 2: by both Hades and Pluto in Greek, and that is

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Speaker 2: the real reason that the Greek illuminati had Pluto acted

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Speaker 2: from the pantheon of planets. I'm just saying, don't cross us.

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Speaker 2: Things happen, stay groovy. Cheers regards Constantine. All right, thank you, Constantine.

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Speaker 2: All right, I'm going to do a little bit of

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Speaker 2: weird house cinema response. This is about our episode on

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Speaker 2: The Super Mario Brothers nineteen ninety three. It is from

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Speaker 2: Andrew says, Hi, Robert and Joe love the show. Thank

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Speaker 2: you for all your hard work and making it happen.

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Speaker 2: But after the most recent weird house I had to

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Speaker 2: leap to the defense of a film that, if not

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Speaker 2: great or even really good, was one of my favorites

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Speaker 2: of all time. I loved the Super Mario Brothers movie

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Speaker 2: when I was a kid. It's hard to overstate just

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Speaker 2: how cool and grown up it felt to my seven

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Speaker 2: year old brain. I saw it in the theater with

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Speaker 2: my best friend at the time, and it became regular

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Speaker 2: viewing for me after my father rented it on VHS

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Speaker 2: and copied it to our Beta Max. A few years ago,

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Speaker 2: it was available to stream and I watched it again

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Speaker 2: with my kids, and yeah, it's not good. There's still

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Speaker 2: a lot to love, the chemistry between John Leguizamo and

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Speaker 2: Bob Hoskins, despite both allegedly being drunk for much of

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Speaker 2: the production, all the stoogely antics of Iggy and Spike,

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Speaker 2: the big dopey grin, all the goombas have, But yeah,

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Speaker 2: it's a mess. You talked in the podcast about what

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Speaker 2: a challenge it would have been to develop a plot

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Speaker 2: around something as narratively thin as a Mario game. However,

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Speaker 2: to place the film in context, there were already at

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Speaker 2: least three separate Super Mario cartoons available for Saturday morning

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Speaker 2: viewing on cable at the time of its release. Those

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Speaker 2: of us who watched them were already accustomed to these

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Speaker 2: characterizations and stories in Mario's world. The film just gave

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Speaker 2: us an edgier take on everything, which fit perfectly with

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Speaker 2: the zeitgeist of the early nineties. You know, off, Mike

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Speaker 2: Rob and I were discussing other adaptations of Super Mario

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Speaker 2: Brothers to different media, and he shared with me something

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Speaker 2: that I think somebody sent him on the discord. So

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Speaker 2: I don't actually remember at this point what the media was,

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Speaker 2: but it was a Super Mario Brothers cartoon that may

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Speaker 2: have been from Japan that I think predates the live

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Speaker 2: action movie, and I just watched a clip from part

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Speaker 2: of it. It is the Super Mario Brothers hiking through

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Speaker 2: the desert with some kind of blue pet, like a

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Speaker 2: blue dog like creature at their side, and there's a

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Speaker 2: musical number and the lyrics in translation include lines like

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Speaker 2: don't cry any more, baby, I'm right here for you.

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Speaker 2: We are super, but I don't know. We're super, but

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Speaker 2: what to do with my love?

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Speaker 1: Now?

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Speaker 2: If only the live action movie had had more of

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Speaker 2: that painful, yearning emotional core to it. You know, I

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Speaker 2: can almost hear Bob Hoskins saying it, We're super, but

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Speaker 2: I don't know what to do with my love Anyway.

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Speaker 2: Back to Andrew's message, Andrews says the film also gave

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Speaker 2: me one of my first cultural Easter egg hunts. There

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Speaker 2: were the big obvious references to the game franchise, like

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Speaker 2: pipe travel, the red and green coveralls, the mushrooms, jump boots, etc.

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Speaker 2: But there were also a number of more subtle nods

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Speaker 2: as well. The cartridges they load into their boots have

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00:21:52,800 --> 00:21:58,080
Speaker 2: faces painted on them like bullet bills. The brutalist architecture

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Speaker 2: inside Koopa's tower invokes blocks that make up the fortress

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Speaker 2: levels in Super Mario Brothers three, and the lady in

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Speaker 2: red in the movie is called big Bertha, like the

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Speaker 2: large angry fish that tries to swallow you whole in

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Speaker 2: some of the water levels. Some of these references seem

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Speaker 2: a little lazy in retrospect, but I can still remember

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Speaker 2: how exciting it seemed for me as a child to

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Speaker 2: keep noticing these details. So yeah, it's definitely not a

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Speaker 2: great film, But contrary to your assessment, I think there

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Speaker 2: was a lot there for children of the decade to

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Speaker 2: latch onto, particularly at a time when there was a

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Speaker 2: very different standard for what was appropriate for kids to see.

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Speaker 2: In spite of all its shortcomings, Super Mario Brothers nineteen

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Speaker 2: ninety three is easily one of my favorite films just

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Speaker 2: in terms of how much enjoyment I got out of

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Speaker 2: it when I was young and remember, this was considered

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Speaker 2: to be the first ever game to film adaptation, and

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Speaker 2: none of us had any idea what that was supposed

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Speaker 2: to look like. There was no formula for a feature

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Speaker 2: like this, so the filmmakers chucked us into a bizarre,

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Speaker 2: violent world with sticky reptilian sexuality and alternately gross and

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Speaker 2: imposing locales. That's a huge swing, and even if it

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00:23:11,600 --> 00:23:15,399
Speaker 2: didn't totally connect, it's still infinitely more interesting than almost

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Speaker 2: any video game movie that came after. Finally, I'm convinced

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Speaker 2: there is a deep bonus joke hidden behind the layers

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Speaker 2: of membranous fungus and garbage. You remarked on how all

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Speaker 2: the cars have mad Max spikes and shoot sparks and

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00:23:31,400 --> 00:23:35,320
Speaker 2: have old skeletons hanging off of their grills. You probably

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00:23:35,400 --> 00:23:38,800
Speaker 2: also notice that they all have electrical leads that contact

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Speaker 2: metal cages above the streets like bumper cars, and that

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Speaker 2: the police car that Mario and Luigi Steele loses power

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Speaker 2: once they exit the city. It would seem that the

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Speaker 2: people of dino Hattan are pioneering the electric car, presumably

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Speaker 2: because the descendants of dinosaurs would be reluctant to develop

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Speaker 2: fossil fuel sources parentheses. You and I know that oil

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00:24:02,960 --> 00:24:06,280
Speaker 2: is the remains of oceanic plants, animals, and bacteria. But

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Speaker 2: I'll bet the filmmakers didn't. Thank you again for all

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Speaker 2: you do to make my work days more bearable and

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00:24:12,440 --> 00:24:16,320
Speaker 2: educate me on subjects I had never even heard of. Andrew, Well,

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Speaker 2: thank you so much, Andrew, I point taken. You know,

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Speaker 2: whatever the film's shortcomings, I think I hope it came

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Speaker 2: through at least that it was worthy of a deep,

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Speaker 2: deep look. And I still stand by my comment that

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Speaker 2: I would read a book length work going into the

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Speaker 2: making and significance of Super Mario Brothers. The movie. It is,

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Speaker 2: if nothing else, and absolutely fascinating. How did this happen? Artifact? Okay,

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Speaker 2: I think we're going to call it there for today.

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Speaker 2: We will have more listener mail to feature next Monday.

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Speaker 2: On Tuesdays and Thursdays of each week we do our

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Speaker 2: core stuff to blow your mind episodes, which are most

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Speaker 2: often about science and culture in some way. On Wednesdays

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Speaker 2: we do a short feature called The Art Fact or

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Speaker 2: the Monster Fact, and on Fridays we do our series

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Speaker 2: called Weird House Cinema that's a more relaxed atmosphere where

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00:25:08,680 --> 00:25:11,399
Speaker 2: each week we just watch and discuss a strange film,

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00:25:11,800 --> 00:25:14,840
Speaker 2: good or bad, well known or obscure, as long as

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Speaker 2: it's weird. And on Saturdays we run an episode from

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Speaker 2: the vault. If you are not subscribed to the show,

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Speaker 2: do it, do it now. We're called Stuff to Blow

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Speaker 2: Your Mind and you can find us wherever you get

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Speaker 2: your podcasts. Look us up, hit subscribe, keep getting us

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00:25:30,200 --> 00:25:35,480
Speaker 2: in your feet huge thanks to our excellent audio producer,

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Speaker 2: JJ Posway. If you would like to get in touch

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00:25:38,520 --> 00:25:41,160
Speaker 2: with us with feedback on this episode or any other,

425
00:25:41,280 --> 00:25:43,840
Speaker 2: to suggest a topic for the future, or even just

426
00:25:43,840 --> 00:25:46,920
Speaker 2: to say hello, you can email us at contact at

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00:25:47,000 --> 00:25:55,160
Speaker 2: stuff to Blow your Mind dot com.

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Speaker 1: Stuff to Blow Your Mind is production of iHeartRadio. For

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Speaker 1: more podcasts, my Heart Radio to the iHeartRadio app, Apple Podcasts,

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Speaker 1: or wherever you listen to your favorite shows.