WEBVTT - Flew the Coop PT 1

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<v Speaker 1>I'm Kate Winkler Dawson. I'm a journalist who's spent the

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<v Speaker 1>last twenty five years writing about true crime.

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<v Speaker 2>And I'm Paul Hols, a retired cold case investigator who's

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<v Speaker 2>worked some of America's most complicated cases and solve them.

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<v Speaker 1>Each week, I present Paul with one of history's most

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<v Speaker 1>compelling true crimes.

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<v Speaker 2>And I weigh in using modern forensic techniques to bring

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<v Speaker 2>new insights to old mysteries.

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<v Speaker 1>Together, using our individual expertise, we're examining historical true crime

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<v Speaker 1>cases through a twenty first century lens.

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<v Speaker 3>Some are solved and some are cold, very cold.

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<v Speaker 1>This is buried bones.

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<v Speaker 3>Hey, Kate, how are you?

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<v Speaker 1>I'm great, Paul, how are you?

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<v Speaker 3>I am doing good? What's going on?

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<v Speaker 1>Have you done very much ancestry stuff? And I don't

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<v Speaker 1>mean Golden State killer genealogy stuff. I mean you Paul Holes.

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<v Speaker 1>Have you traced any ancestors using ancestry at all?

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<v Speaker 3>No? I definitely have.

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<v Speaker 1>Okay, did you find anything interesting?

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<v Speaker 3>Yeah?

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<v Speaker 2>You know it's as you go back in time, the

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<v Speaker 2>family spreads out, if that makes any sense. My dad's

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<v Speaker 2>side of the family. You know, the Hole's surname. When

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<v Speaker 2>you go back several centuries. We actually came from England

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<v Speaker 2>and it wasn't holes, it was whole as in singular,

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<v Speaker 2>which was interesting to me because I worked with a

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<v Speaker 2>da by the name of Bob Hole and we always

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<v Speaker 2>just kind of chuckled because you never run across people

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<v Speaker 2>with the whole surname or whole surname, and good chance

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<v Speaker 2>Bob and I are probably related. Unfortunately he passed away

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<v Speaker 2>quite a few years ago now, but you know, going

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<v Speaker 2>back on my dad's mom's side, that's a very Germanic lineage.

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<v Speaker 3>You know.

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<v Speaker 2>Also finding you know, a town in Germany where at

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<v Speaker 2>least the Wolf side of the family originated out of,

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<v Speaker 2>you know, so things like that. It's pretty cool to

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<v Speaker 2>get that kind of information about your your ancestors.

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<v Speaker 1>Have you ever uploaded your DNA or are you against that?

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<v Speaker 2>When I was trying to figure out how to do

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<v Speaker 2>the genealogy with a Golden State killer case, my parents

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<v Speaker 2>had actually tested themselves at Ancestry, and you can't upload

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<v Speaker 2>a profile from some other place into Ancestry. You have

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<v Speaker 2>to send your DNA to Ancestry to have it go

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<v Speaker 2>into Ancestry, but they allow you to download those profiles,

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<v Speaker 2>so I downloaded both my parents' profiles and put it

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<v Speaker 2>into a website called jedmatch, And jed match is the

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<v Speaker 2>one that you can upload profiles if you've been tested

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<v Speaker 2>at twenty three and meters or ancestry, et cetera. And

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<v Speaker 2>so I did that and of course got the you know,

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<v Speaker 2>the various distant relatives that share a percentage of their

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<v Speaker 2>DNA with my parents. And then ultimately I put my

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<v Speaker 2>DNA up there because I want to be able to

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<v Speaker 2>help cases, you know, And so I opted in so

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<v Speaker 2>law enforcement can use my DNA in case, you know,

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<v Speaker 2>somebody that's related to me is responsible for a crime.

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<v Speaker 1>Well, I'm relieved you're not a hypocrite. First of all,

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<v Speaker 1>jet Match is the one that law enforcement are able

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<v Speaker 1>to use directly, Right do they have to get like

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<v Speaker 1>subpoenas or anything like that.

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<v Speaker 2>So you have two websites that law enforcement can use,

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<v Speaker 2>and that is jetmatch and Jetmatch. The users have to

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<v Speaker 2>explicitly opt in to allow law enforcement to search their profiles.

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<v Speaker 2>If they don't opt in, they can still utilize jet

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<v Speaker 2>Match for genealogy purposes, and their profiles are not searchable

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<v Speaker 2>for law enforcement. The other database law enforcement uses is

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<v Speaker 2>Family tree DNA, and that's something that is now being

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<v Speaker 2>managed by my employer author. The other websites like ancestry

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<v Speaker 2>and twenty three and meters do not permit law enforcement

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<v Speaker 2>to search their databases.

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<v Speaker 1>Got it, Well, this was all a big lead up

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<v Speaker 1>to a funny story. I think it's funny, at least

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<v Speaker 1>from the listener's last viewer. Her name's Ellen, and she

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<v Speaker 1>seems lovely. She emailed me very early, or I received

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<v Speaker 1>it very early, a couple of weeks ago, and it

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<v Speaker 1>was like a I searched ancestry. I'm trying to figure

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<v Speaker 1>out what happened to my I think it was her

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<v Speaker 1>great great grandfather. He came from Sweden, went to New

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<v Speaker 1>Orleans and then sort of vanished. And the family rumor,

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<v Speaker 1>and we know all about family rumors here, the family

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<v Speaker 1>rumor was that he was murdered and then tossed off

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<v Speaker 1>a doc in New Orleans. So I said, okay, let

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<v Speaker 1>me dig around because a lot of people, you know,

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<v Speaker 1>they'll look on ancestry and they'll do the general search.

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<v Speaker 1>But I subscribe to newspapers dot Com. Huge shout out

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<v Speaker 1>to newspapers dot com. Love him, love him, love him.

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<v Speaker 1>I've been using it. For I think probably about ten years.

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<v Speaker 1>So I just hopped on and this guy's first name

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<v Speaker 1>is Axel, and then there was a middle name and

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<v Speaker 1>then a last name that were way too complicated for

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<v Speaker 1>me to even pronounce here. So I looked nothing, nothing

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<v Speaker 1>from this guy with the first and named Axel middle

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<v Speaker 1>last name in newspapers dot com, which was really unusual

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<v Speaker 1>for me. I usually can dig up something. And then

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<v Speaker 1>she said, this is when he was born, and you

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<v Speaker 1>know all of this and this is where. So what

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<v Speaker 1>she knew from ancestry was where he was born in Sweden,

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<v Speaker 1>the year and the approximate birthday, and that was basically it.

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<v Speaker 1>She couldn't find immigration papers or anything like that. So

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<v Speaker 1>from my time writing American Sherlock, I was going crazy

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<v Speaker 1>trying to figure out why my forensic scientist Oscar Heinrich

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<v Speaker 1>couldn't stand his father. He was so mad at his father,

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<v Speaker 1>and I couldn't figure out what was happening. And about

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<v Speaker 1>two weeks before my deadline to send American Sherlock to

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<v Speaker 1>my editor, I was futson around at three in the

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<v Speaker 1>morning like I do sometimes, and I misspelled his father's

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<v Speaker 1>name in newspapers dot com and up pops all this information.

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<v Speaker 1>His father took his own life because of the family finances.

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<v Speaker 1>And that's why I mean all of this, just because

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<v Speaker 1>they spelled his last name wrong. So I misspelled this

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<v Speaker 1>guy Axel's middle name, and up pops a treasure trove

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<v Speaker 1>of information. Most importantly, the first thing I saw was

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<v Speaker 1>a prison photo of this guy. Oh really, I know,

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<v Speaker 1>you said. You think that he came to America in

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<v Speaker 1>nineteen seventeen or maybe before. He was in prison in

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<v Speaker 1>Sweden in nineteen fourteen. I don't know why, but it

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<v Speaker 1>was a you know, very menacing photo. When I sent

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<v Speaker 1>it to her, and because of the last it was

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<v Speaker 1>literally one letter. It was the letter R that I changed.

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<v Speaker 1>She was able to trace everything. And she said, I

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<v Speaker 1>don't think he was tossed off a dog. I think

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<v Speaker 1>he died at sea because he served in the I

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<v Speaker 1>think she said the Navy, maybe, so all of it.

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<v Speaker 1>It was one letter that changed all of this and

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<v Speaker 1>sort of I think she was able to put together

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<v Speaker 1>some pieces about this part of the family, and the

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<v Speaker 1>family still talks about this, and this happened in you know,

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<v Speaker 1>nineteen fifteen, nineteen sixteen. So when I say it's important,

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<v Speaker 1>the work we do is important to people. Even though

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<v Speaker 1>this is generations back, the family's still talking about it

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<v Speaker 1>over Thanksgiving. They're talking about this guy. It has been

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<v Speaker 1>dead for more than one hundred years. So please to

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<v Speaker 1>the listeners. I don't do this for many people. I

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<v Speaker 1>think I was just bored this morning when I did it,

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<v Speaker 1>just like, okay, whatever, what the hell help is it?

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<v Speaker 1>But it was so funny to just see this prison photo.

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<v Speaker 1>She wasn't phased by that, but you know, I mean

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<v Speaker 1>that little bit. And I know you probably know this

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<v Speaker 1>from law enforcement too. Just you know, people when they're

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<v Speaker 1>using a different name, and man, you can be really stymied.

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<v Speaker 1>I was so frustrated. But then all of a sudden,

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<v Speaker 1>I get all of this information with just one letter,

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<v Speaker 1>which was crazy for me.

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<v Speaker 2>Well, and I've experienced that myself when I was, you know,

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<v Speaker 2>doing the genealogy and would rely on newspapers dot com

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<v Speaker 2>in order to flesh out family trees. And what what

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<v Speaker 2>I have found is, you know newspapers, you know, they

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<v Speaker 2>scan those old papers and then they optical character recognition

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<v Speaker 2>OCR and some letters or some fonts. It doesn't do

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<v Speaker 2>a good job. So I have run into the same

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<v Speaker 2>situation where now I'm trying different permutations of the spelling

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<v Speaker 2>of the name, and then we'll have success. And I

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<v Speaker 2>don't know if newspapers dot Com allows for wild card searching,

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<v Speaker 2>where you can put like the asterisk in for it

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<v Speaker 2>could be any letter at this location in the name.

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<v Speaker 2>If they don't do that, that is actually very helpful

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<v Speaker 2>because of this ocr problem that I've run across.

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<v Speaker 1>Well, it was a huge deal to me with American Sherlock,

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<v Speaker 1>because you know, it answered so many questions that were

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<v Speaker 1>important to me in the book. But I think for Ellen,

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<v Speaker 1>she was pleased to receive all less information. And I

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<v Speaker 1>knew something was wrong because everybody, even in the eighteen hundreds,

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<v Speaker 1>everybody showed up in the newspaper one way or the other.

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<v Speaker 1>And I think I found his subsequent children or grandchildren

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<v Speaker 1>or something because that exact kind of name with a

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<v Speaker 1>different middle name was popping up. But anyway, I thought

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<v Speaker 1>that was a funny story, just about searching for family members.

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<v Speaker 1>And you know, if you thought that people complain about

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<v Speaker 1>the inaccuracy of newspapers, now you should try doing what

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<v Speaker 1>I do in reading eighteen hundreds newspapers. Man, I mean,

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<v Speaker 1>just the wildest names.

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<v Speaker 2>Every no for sure, you know, but it really just underscores,

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<v Speaker 2>you know, how technology is giving access to data that

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<v Speaker 2>before you'd have to go into a library and flip

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<v Speaker 2>through paper copies of newspapers if they even had, you know,

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<v Speaker 2>the addition that you needed.

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<v Speaker 1>Yeah, Mike Rafficha, I've done that many times too, and yeah,

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<v Speaker 1>so this was this was quite an experience. It was

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<v Speaker 1>another good reminder of just trying to stick with something,

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<v Speaker 1>you know, sort of the perseverance. It wasn't my family,

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<v Speaker 1>but it was fun to do.

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<v Speaker 3>No, very cool.

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<v Speaker 1>Well, talk about media, we are getting rend to step

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<v Speaker 1>into a media circus here with the story that we're

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<v Speaker 1>going to do. It's going to be a two parter

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<v Speaker 1>because it's a pretty big story and it was a

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<v Speaker 1>really big deal when it happened. Where we're heading is

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<v Speaker 1>the nineteen twenties, almost mid nineteen twenties England, which sounds

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<v Speaker 1>very romantic to me. It was not, I think at

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<v Speaker 1>this time period, certainly World War One. This story I

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<v Speaker 1>think really gets to the heart of relationships and trying

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<v Speaker 1>to sort out what happened to our victim, because it's

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<v Speaker 1>a big question mark for me right now.

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<v Speaker 3>All right, So England, that's one of your favorite.

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<v Speaker 1>Places it is, So get some tea and a crumpet

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<v Speaker 1>if you've ever had you had a crumpet before. I

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<v Speaker 1>love them, love them, No, I don't think, so I'll

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<v Speaker 1>make you some some time. Okay, let's set the scene. Okay,

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<v Speaker 1>Like I said, the case is in England and it's

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<v Speaker 1>the early nineteen twenties, and we have two main players

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<v Speaker 1>here and we have to sort out. This is a

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<v Speaker 1>I feel like the smallest cast of characters we might

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<v Speaker 1>have worked with here, but we'll see what you think.

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<v Speaker 1>And then a very very very very famous pathologist that

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<v Speaker 1>you'll recognize immediately because we've talked about them before. So

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<v Speaker 1>this is an intriguing case. So one of our main

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<v Speaker 1>people is named Norman Thorn, and in the nineteen twenties,

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<v Speaker 1>very early nineteen twenties, he meets a young woman named

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<v Speaker 1>Elsie Cameron and she's a typist. So Norman and Elsie

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<v Speaker 1>and they meet at church. They are now falling in love.

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<v Speaker 1>And Norman, just so we know about kind of ages

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<v Speaker 1>and stuff, Norman's about twenty and Elsie is about two

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<v Speaker 1>years older. So at this point, if you want to

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<v Speaker 1>go ahead and open up your photos, you can see

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<v Speaker 1>a photo of the two of them. I will say

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<v Speaker 1>I am struck by. I feel like they both look

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<v Speaker 1>a little older than twenty and twenty two.

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<v Speaker 2>Okay, so I'm looking at I'm assuming this is this

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<v Speaker 2>is a Norman and Elsie.

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<v Speaker 3>Norman is seated, Elsie is standing.

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<v Speaker 2>It's just like a typical family, you know, portrait with

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<v Speaker 2>this couple.

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<v Speaker 3>Norm's got a three.

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<v Speaker 2>Piece suit on Elsie's you know, just got a dress.

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<v Speaker 2>And yeah, I would not have expected that they were

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<v Speaker 2>as young as they are by looking at their photos.

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<v Speaker 3>They do look more mature.

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<v Speaker 2>But you know, that's what it seems like if you

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<v Speaker 2>ever look at like I look at my parents' yearbooks,

0:12:03.400 --> 0:12:05.320
<v Speaker 2>and everybody in there, even though they're.

0:12:05.200 --> 0:12:07.400
<v Speaker 3>High schoolers, look like they're in their thirties.

0:12:08.320 --> 0:12:10.199
<v Speaker 1>What do you think that was? Like just a hard

0:12:10.280 --> 0:12:11.400
<v Speaker 1>life or I.

0:12:11.320 --> 0:12:14.640
<v Speaker 3>Don't know, it seems consistent too, you know.

0:12:15.040 --> 0:12:17.719
<v Speaker 1>Yeah, absolutely. You know when we do these stories from

0:12:17.760 --> 0:12:20.559
<v Speaker 1>the eighteen hundreds, and it's always when they're on a farm,

0:12:20.720 --> 0:12:23.040
<v Speaker 1>boy they look rough, and I know it's sun exposure

0:12:23.280 --> 0:12:26.560
<v Speaker 1>and just hard work and stuff. But I sort of

0:12:26.640 --> 0:12:28.840
<v Speaker 1>picked up on that they both look a little older

0:12:28.880 --> 0:12:32.319
<v Speaker 1>than what they are. But anyway, so we've got Norman

0:12:32.520 --> 0:12:34.920
<v Speaker 1>and we've got Elsie and they meet at church they

0:12:34.920 --> 0:12:39.440
<v Speaker 1>fall in love. So in nineteen twenty one, Norman is working.

0:12:39.720 --> 0:12:42.560
<v Speaker 1>He's either an engineer or kind of an electrician in

0:12:42.640 --> 0:12:45.320
<v Speaker 1>training one or the other. But he's he has a

0:12:45.360 --> 0:12:47.760
<v Speaker 1>good job, it sounds like. But he loses that job

0:12:48.320 --> 0:12:51.560
<v Speaker 1>in nineteen twenty one and no word on why, but

0:12:51.640 --> 0:12:54.600
<v Speaker 1>it doesn't sound like anything controversial. He loses this job

0:12:54.800 --> 0:12:56.480
<v Speaker 1>so he has to get back on his feet. So

0:12:56.720 --> 0:12:58.920
<v Speaker 1>his parents want to help him out. He's close with

0:12:58.960 --> 0:13:02.240
<v Speaker 1>his parents and they give him some land in an

0:13:02.320 --> 0:13:06.880
<v Speaker 1>area called crowbro which is in East Sussex, and this

0:13:06.920 --> 0:13:10.120
<v Speaker 1>is about a train ride away from London. He is

0:13:10.160 --> 0:13:14.680
<v Speaker 1>not particularly close physically to Elsie. She's staying with her parents.

0:13:14.679 --> 0:13:17.960
<v Speaker 1>She's also remember quite young, but they're able to see

0:13:18.000 --> 0:13:21.679
<v Speaker 1>each other. So this guy who had gone from being

0:13:21.679 --> 0:13:25.440
<v Speaker 1>an engineer or an electrician now starts his life over

0:13:26.120 --> 0:13:29.600
<v Speaker 1>as a chicken farmer, which seems pretty different. Yes, So

0:13:30.200 --> 0:13:33.840
<v Speaker 1>he is living in a tiny hut on the property.

0:13:34.240 --> 0:13:37.240
<v Speaker 1>It is eighty five square feet. Oh wow, my cottage

0:13:37.960 --> 0:13:42.280
<v Speaker 1>is I think about one seventy five square feet, so

0:13:42.440 --> 0:13:44.640
<v Speaker 1>you know he's living in half the space of where

0:13:44.679 --> 0:13:47.560
<v Speaker 1>I am right now, which is very small. I was

0:13:47.600 --> 0:13:49.680
<v Speaker 1>going to ask you this. You know, I lived in

0:13:49.720 --> 0:13:51.640
<v Speaker 1>a very small space when I lived in New York.

0:13:51.720 --> 0:13:54.080
<v Speaker 1>I was in the Greenwich Village. I was, you know,

0:13:54.360 --> 0:13:59.200
<v Speaker 1>literally right on where NYU is, and my bathroom was

0:13:59.280 --> 0:14:01.560
<v Speaker 1>so small, was literally in a closet. My bathroom was

0:14:01.600 --> 0:14:05.560
<v Speaker 1>so small that you could pee and brush your teeth

0:14:05.600 --> 0:14:08.960
<v Speaker 1>at the same time because the sink was right there.

0:14:10.160 --> 0:14:12.440
<v Speaker 1>That's probably Tami. And then our kitchen was also in

0:14:12.480 --> 0:14:14.800
<v Speaker 1>a closet, and you could have your foot on the

0:14:14.800 --> 0:14:17.440
<v Speaker 1>bathtub actually in the bathtub, all at the same time

0:14:17.520 --> 0:14:19.640
<v Speaker 1>if you needed to. So have you lived in a

0:14:19.680 --> 0:14:20.680
<v Speaker 1>small space before?

0:14:21.000 --> 0:14:21.400
<v Speaker 3>You know, the.

0:14:21.360 --> 0:14:26.040
<v Speaker 2>Smallest space was when I was living in It's actually

0:14:26.240 --> 0:14:29.800
<v Speaker 2>a relatively upscale town called Wamut Creek in the East Bay.

0:14:30.000 --> 0:14:31.240
<v Speaker 1>Oh yeah, I love Walnut Creek.

0:14:31.320 --> 0:14:35.600
<v Speaker 2>Yeah, it's an amazing town. And I rented a small

0:14:35.680 --> 0:14:38.920
<v Speaker 2>studio which it did have a small kitchen. It had

0:14:39.320 --> 0:14:43.120
<v Speaker 2>just a single room that doubled as the bedroom and

0:14:43.160 --> 0:14:46.680
<v Speaker 2>then a small bathroom. Now I couldn't pee and brush

0:14:46.720 --> 0:14:49.200
<v Speaker 2>my teeth in this bathroom, nor would I want to

0:14:49.200 --> 0:14:50.080
<v Speaker 2>try to do that.

0:14:50.240 --> 0:14:53.320
<v Speaker 1>But I never tried. Paul I'm just saying that that's

0:14:53.360 --> 0:14:54.240
<v Speaker 1>how small it was.

0:14:54.840 --> 0:14:57.840
<v Speaker 2>So that's probably in terms of me individually, that's probably

0:14:57.840 --> 0:14:59.720
<v Speaker 2>the smallest space that I've personally lived in.

0:15:03.240 --> 0:15:06.720
<v Speaker 1>Norman's in a very small space, so eighty five square feet,

0:15:07.280 --> 0:15:09.560
<v Speaker 1>and I've been calling it a cottage. I don't think

0:15:09.600 --> 0:15:12.560
<v Speaker 1>it is. They're calling it the hut. He's not making

0:15:12.640 --> 0:15:14.560
<v Speaker 1>very much money as a chicken farmer. It doesn't sound

0:15:14.600 --> 0:15:17.360
<v Speaker 1>like he had that much experience to begin with, but

0:15:17.840 --> 0:15:19.680
<v Speaker 1>he's making a go of it because I don't think

0:15:19.720 --> 0:15:22.720
<v Speaker 1>he feels like he has much of a choice. Why

0:15:22.720 --> 0:15:25.800
<v Speaker 1>don't I show you what the farm looks like. So

0:15:25.880 --> 0:15:29.720
<v Speaker 1>if you scroll down past that photo of Norman and Elsie,

0:15:29.840 --> 0:15:33.080
<v Speaker 1>you'll see the farm on the second page, and you'll

0:15:33.080 --> 0:15:34.920
<v Speaker 1>see the hut. I think that's the hut. Tell me

0:15:34.960 --> 0:15:35.520
<v Speaker 1>what you see?

0:15:35.720 --> 0:15:37.200
<v Speaker 3>Yeah, you know, So this is a photo.

0:15:37.640 --> 0:15:41.520
<v Speaker 2>It looks like it's taken from the perspective of a

0:15:41.680 --> 0:15:45.280
<v Speaker 2>road and possibly just a dirt road, and then there's

0:15:45.920 --> 0:15:50.280
<v Speaker 2>a gate that in essence is in between the road

0:15:50.520 --> 0:15:55.800
<v Speaker 2>and where the structures are, and behind this gate appears

0:15:55.800 --> 0:15:59.160
<v Speaker 2>to be just a drive area that goes back to

0:15:59.280 --> 0:16:01.480
<v Speaker 2>where now I see, I mean, it looks like a

0:16:01.520 --> 0:16:04.560
<v Speaker 2>log cabin, you know, from this photo, it's it's not

0:16:04.680 --> 0:16:07.920
<v Speaker 2>more much more than that, Yeah, you know, surrounded by

0:16:07.920 --> 0:16:09.360
<v Speaker 2>some land and some equipment.

0:16:09.680 --> 0:16:12.040
<v Speaker 1>Yeah, I mean it looks and you see the chicken

0:16:12.080 --> 0:16:13.840
<v Speaker 1>coops kind of around. It looks like there might be

0:16:13.840 --> 0:16:16.040
<v Speaker 1>one attached to the cabin thing.

0:16:16.080 --> 0:16:18.160
<v Speaker 3>What do you think I can see that? Yeah, I

0:16:18.160 --> 0:16:18.800
<v Speaker 3>think that's right.

0:16:19.320 --> 0:16:22.200
<v Speaker 1>Yeah, this is pretty small. So, you know, this seems

0:16:22.760 --> 0:16:25.800
<v Speaker 1>like a big difference, lifestyle difference for Norman. But like

0:16:25.840 --> 0:16:27.960
<v Speaker 1>I said, he's making a go of it. He and

0:16:28.000 --> 0:16:31.680
<v Speaker 1>Elsie are still together and actually a year after they

0:16:31.720 --> 0:16:35.560
<v Speaker 1>sort of you know, separate, physically separate, they get engaged

0:16:35.720 --> 0:16:39.640
<v Speaker 1>by nineteen twenty two. But it seems like this distance

0:16:39.760 --> 0:16:43.240
<v Speaker 1>is sort of getting to Norman and he is starting

0:16:43.240 --> 0:16:46.400
<v Speaker 1>to cool on the relationship by you know, shortly after

0:16:46.440 --> 0:16:50.120
<v Speaker 1>when they get engaged. So I think Elsie is feeling

0:16:50.200 --> 0:16:52.760
<v Speaker 1>like there's a growing disconnect between the two of them,

0:16:53.480 --> 0:16:57.680
<v Speaker 1>and it sounds like Elsie was really in love with him,

0:16:57.760 --> 0:17:00.480
<v Speaker 1>but Norman was keeping his distance alone a little bit

0:17:00.680 --> 0:17:04.040
<v Speaker 1>to keep the relationship alive. Elsie takes the train to

0:17:04.160 --> 0:17:07.560
<v Speaker 1>visit Norman much more often than he goes to visit her,

0:17:08.119 --> 0:17:11.280
<v Speaker 1>so November of nineteen twenty four. I mean, remember that

0:17:11.440 --> 0:17:13.560
<v Speaker 1>this has been a year and a half that she's

0:17:13.640 --> 0:17:17.159
<v Speaker 1>been trying to keep this relationship going because she really

0:17:17.200 --> 0:17:19.879
<v Speaker 1>loves him and they're both, you know, part of a church.

0:17:20.280 --> 0:17:23.119
<v Speaker 1>It sounded like actually that they were both Sunday school

0:17:23.119 --> 0:17:26.920
<v Speaker 1>teachers at one point, so having a relationship with him

0:17:26.960 --> 0:17:29.960
<v Speaker 1>and getting married is really important to her. In November

0:17:29.960 --> 0:17:35.320
<v Speaker 1>of nineteen twenty four, Elsie writes to Norman that she's pregnant.

0:17:35.600 --> 0:17:39.200
<v Speaker 1>So the way this would have gone in quote unquote

0:17:39.200 --> 0:17:41.960
<v Speaker 1>proper society in this time period is they would not

0:17:42.000 --> 0:17:44.600
<v Speaker 1>have had sex. Then he asked her to marry him,

0:17:44.880 --> 0:17:48.720
<v Speaker 1>and then quite possibly she said okay, because you're committing

0:17:48.760 --> 0:17:51.720
<v Speaker 1>to me. So that's how I think we get around

0:17:51.760 --> 0:17:54.479
<v Speaker 1>the whole idea that you know, she seemed devout, you know,

0:17:54.720 --> 0:17:57.359
<v Speaker 1>maybe a devout Christian. But then then, of course, this

0:17:57.440 --> 0:17:59.800
<v Speaker 1>is where we've talked about the Heartbahm lawsuits that come

0:17:59.800 --> 0:18:01.520
<v Speaker 1>out when a man says, marry me, and then they

0:18:01.520 --> 0:18:03.719
<v Speaker 1>have sex and then he's tired of her, and then

0:18:03.840 --> 0:18:07.040
<v Speaker 1>he leaves and she's sort of quote unquote ruined. So

0:18:07.080 --> 0:18:09.480
<v Speaker 1>she says that she's pregnant. I mean, I don't know

0:18:09.480 --> 0:18:11.960
<v Speaker 1>how many times I can say this that the number

0:18:11.960 --> 0:18:15.919
<v Speaker 1>one reason pregnant women die is murder and postpartum also,

0:18:16.600 --> 0:18:19.280
<v Speaker 1>so you know already, even though I haven't told you

0:18:19.320 --> 0:18:21.960
<v Speaker 1>who the victim is, we have somebody who is at risk.

0:18:22.320 --> 0:18:26.679
<v Speaker 1>He's distanced himself from her, and now he believes she's pregnant.

0:18:26.760 --> 0:18:27.920
<v Speaker 1>So what do you think so far?

0:18:28.920 --> 0:18:31.679
<v Speaker 3>Well, do you know how far along she is in

0:18:31.720 --> 0:18:32.359
<v Speaker 3>the pregnancy?

0:18:32.920 --> 0:18:35.960
<v Speaker 1>She does not tell him, but it doesn't sound like

0:18:36.200 --> 0:18:41.679
<v Speaker 1>her parents know. And I would assume that she, you know,

0:18:41.760 --> 0:18:44.720
<v Speaker 1>noticed that she wasn't getting her period anymore, and that

0:18:44.880 --> 0:18:48.120
<v Speaker 1>was the conclusion. I don't hear anything about a doctor,

0:18:48.600 --> 0:18:51.199
<v Speaker 1>her going to a doctor, and you know, confirming it

0:18:51.280 --> 0:18:55.160
<v Speaker 1>that way. So she's making some assumptions. It doesn't sound

0:18:55.200 --> 0:18:56.960
<v Speaker 1>like very far along though.

0:18:56.880 --> 0:18:58.959
<v Speaker 2>I guess, you know, some of the questions that I

0:18:59.440 --> 0:19:01.119
<v Speaker 2>pop into my mind because I know this is going

0:19:01.200 --> 0:19:05.040
<v Speaker 2>to end tragically for Elsie in all likelihood. You know,

0:19:05.200 --> 0:19:09.720
<v Speaker 2>if she's indicating to Norman that she's pregnant, does he

0:19:09.800 --> 0:19:12.920
<v Speaker 2>have concern that the child is not his? Which from

0:19:12.960 --> 0:19:16.919
<v Speaker 2>a victimology standpoint, doesn't sound like Elsie would necessarily be

0:19:17.200 --> 0:19:19.840
<v Speaker 2>having sex with some other man. You know, so that's

0:19:19.880 --> 0:19:23.600
<v Speaker 2>probably a little bit unlikely. But does Norman feel that,

0:19:24.000 --> 0:19:26.480
<v Speaker 2>you know, as he's growing more and more distance in

0:19:26.520 --> 0:19:30.000
<v Speaker 2>the relationship, is Elsie using the pregnancy sort of to

0:19:30.080 --> 0:19:30.600
<v Speaker 2>trap him?

0:19:30.640 --> 0:19:30.800
<v Speaker 3>You know?

0:19:30.840 --> 0:19:33.880
<v Speaker 2>So if Elsie ultimately ends up murdered, then of course

0:19:34.040 --> 0:19:37.720
<v Speaker 2>there's some concern about what Norman's motive may be based

0:19:37.720 --> 0:19:40.200
<v Speaker 2>off of his stance in this relationship and how he's

0:19:40.200 --> 0:19:41.160
<v Speaker 2>feeling about Elsie.

0:19:41.320 --> 0:19:44.080
<v Speaker 1>Absolutely, and you know, when you were saying if Norman's

0:19:44.119 --> 0:19:46.800
<v Speaker 1>concerned about her sleeping with somebody else, I get the

0:19:46.800 --> 0:19:50.040
<v Speaker 1>impression that he is ready to cut ties with Elsie.

0:19:50.119 --> 0:19:52.920
<v Speaker 1>He probably would have been happy if she had been

0:19:52.920 --> 0:19:55.159
<v Speaker 1>with somebody else. But I also don't know the egos

0:19:55.200 --> 0:19:57.640
<v Speaker 1>of men in the nineteen twenties. But I think you're

0:19:57.720 --> 0:20:00.439
<v Speaker 1>right kind of based on her in general. Like that

0:20:00.440 --> 0:20:02.800
<v Speaker 1>photo that I showed you look almost like a church photo,

0:20:03.040 --> 0:20:05.920
<v Speaker 1>like somebody took it posing outside of the church. I'm

0:20:05.920 --> 0:20:08.680
<v Speaker 1>not seeing Elsie sleeping around, but you're right, who knows.

0:20:09.000 --> 0:20:12.440
<v Speaker 1>So she is freaking out when she finds out she's pregnant.

0:20:12.600 --> 0:20:16.360
<v Speaker 1>She says to Norman, I want to get married as

0:20:16.359 --> 0:20:19.879
<v Speaker 1>soon as possible, which, of course makes sense because this

0:20:19.920 --> 0:20:22.359
<v Speaker 1>would not be a good thing socially for her, and

0:20:22.400 --> 0:20:25.119
<v Speaker 1>I'm assuming her parents would not approve of this, and

0:20:25.160 --> 0:20:28.520
<v Speaker 1>she lives with them. But Norman is characteristically of Norman,

0:20:28.800 --> 0:20:32.760
<v Speaker 1>very wishy washy with her, and he says that I've

0:20:32.760 --> 0:20:35.080
<v Speaker 1>got some news for you. Instead of saying this face

0:20:35.119 --> 0:20:37.720
<v Speaker 1>to face, he sends her a letter, which to me

0:20:37.840 --> 0:20:40.480
<v Speaker 1>is like a low budget text. He sends her a

0:20:40.520 --> 0:20:43.919
<v Speaker 1>letter that says, I know you say you're pregnant, but

0:20:44.080 --> 0:20:47.600
<v Speaker 1>I'm seeing another woman and her name is Elizabeth Caldecott.

0:20:48.119 --> 0:20:52.639
<v Speaker 1>He says, Elizabeth thinks I am to marry her, and

0:20:52.720 --> 0:20:57.240
<v Speaker 1>I have a strong feeling for her. So now what's happening?

0:20:57.280 --> 0:20:57.920
<v Speaker 1>What do you think?

0:20:58.200 --> 0:21:02.800
<v Speaker 2>Well, now you see where Norman is probably feeling even more.

0:21:03.480 --> 0:21:06.600
<v Speaker 2>I guess the term is trapped in terms of he's

0:21:06.960 --> 0:21:12.240
<v Speaker 2>developed feelings for Elizabeth. He's probably excited about that relationship.

0:21:12.280 --> 0:21:14.360
<v Speaker 2>And then Elsie pops up and is like, oh, I'm

0:21:14.359 --> 0:21:18.320
<v Speaker 2>pregnant and he's seeing, you know, sort of the complication

0:21:18.480 --> 0:21:19.320
<v Speaker 2>in his life.

0:21:20.359 --> 0:21:22.240
<v Speaker 3>So now how does Norman respond?

0:21:22.520 --> 0:21:25.280
<v Speaker 2>You know, he is, I guess in some ways, you know,

0:21:25.359 --> 0:21:28.040
<v Speaker 2>even though it's an indirect method using the letter, but

0:21:28.520 --> 0:21:32.159
<v Speaker 2>he's being upfront. But it's also possibly Norman's way of

0:21:32.240 --> 0:21:35.080
<v Speaker 2>just trying to push Elsie away, you know, hoping that well,

0:21:35.119 --> 0:21:37.359
<v Speaker 2>she'll just go away on herself, you know, by herself,

0:21:37.720 --> 0:21:41.280
<v Speaker 2>and he can, you know, continue to pursue the relationship.

0:21:40.640 --> 0:21:44.080
<v Speaker 1>With Elizabeth m And in some ways this made me

0:21:44.119 --> 0:21:47.040
<v Speaker 1>think that Norman is as good a chance of being

0:21:47.040 --> 0:21:50.360
<v Speaker 1>a victim as Elsie is, because this would have put her,

0:21:50.520 --> 0:21:53.720
<v Speaker 1>that news would have put her in a pretty desperate situation.

0:21:54.359 --> 0:21:57.199
<v Speaker 1>You know, not only has she had premarital sex with

0:21:57.280 --> 0:22:00.960
<v Speaker 1>this man, who it sounds like is breaking all the engagement,

0:22:01.520 --> 0:22:06.160
<v Speaker 1>but being pregnant, she could have terminated the pregnancy many times.

0:22:06.200 --> 0:22:09.359
<v Speaker 1>That was dangerous and this is probably not something Elsie

0:22:09.359 --> 0:22:12.800
<v Speaker 1>would have done. Anyway, She's living with her parents, and

0:22:12.840 --> 0:22:16.000
<v Speaker 1>Norman is not near his parents. He is on his

0:22:16.080 --> 0:22:19.760
<v Speaker 1>own island as a chicken farmer, and I think Elizabeth

0:22:19.800 --> 0:22:22.640
<v Speaker 1>is close by. And you'll see why in a little bit.

0:22:22.800 --> 0:22:26.600
<v Speaker 1>So he has a woman right here versus Elsie who

0:22:26.680 --> 0:22:30.119
<v Speaker 1>lives a long train ride away, and now she's saying,

0:22:30.160 --> 0:22:34.720
<v Speaker 1>I'm pregnant and at age somewhere between twenty and twenty two.

0:22:34.760 --> 0:22:37.159
<v Speaker 1>Even though men in that time period, many of them

0:22:37.200 --> 0:22:39.800
<v Speaker 1>did take responsibility. I mean, they understood this is you know,

0:22:40.040 --> 0:22:42.680
<v Speaker 1>now I'm going to get married and this is kind

0:22:42.720 --> 0:22:45.600
<v Speaker 1>of what society expects of me. Of course, an equal

0:22:45.640 --> 0:22:49.320
<v Speaker 1>amount were deadbeat dads. So I don't know where Norman

0:22:49.400 --> 0:22:53.920
<v Speaker 1>stands right now, but Elsie seems to be really getting

0:22:54.160 --> 0:22:55.560
<v Speaker 1>upset over all of this.

0:22:56.040 --> 0:22:57.520
<v Speaker 2>Yeah, you know, in some ways, I think I made

0:22:57.560 --> 0:23:00.560
<v Speaker 2>an assumption that Elsie was going to be the victim.

0:23:00.800 --> 0:23:03.320
<v Speaker 2>You know, right now, with the details that you've told

0:23:03.359 --> 0:23:06.879
<v Speaker 2>in the story, you could see where Elsie would be

0:23:06.960 --> 0:23:10.600
<v Speaker 2>jealous of Elizabeth, you know, and Elsie could strike out

0:23:10.640 --> 0:23:14.960
<v Speaker 2>either at you know, Elizabeth, or could strike out at Norman. Yeah,

0:23:15.320 --> 0:23:18.000
<v Speaker 2>I could see it going either direction. And then you

0:23:18.119 --> 0:23:22.800
<v Speaker 2>got Elizabeth Elizabeth. You know, Norman's telling Elizabeth, hey, Elsie

0:23:22.840 --> 0:23:26.560
<v Speaker 2>is pregnant, and Elizabeth is seeing that jeopardizing her relationship

0:23:26.560 --> 0:23:27.000
<v Speaker 2>with Norman.

0:23:27.080 --> 0:23:30.600
<v Speaker 3>So could Elizabeth go and take Elsie out? Yeah?

0:23:30.640 --> 0:23:34.199
<v Speaker 2>So you know, right now we have classic triangle going on,

0:23:34.320 --> 0:23:38.680
<v Speaker 2>lover's triangle, and you know, each point of the triangles

0:23:38.880 --> 0:23:41.919
<v Speaker 2>are the individuals, and I can't tell you right now

0:23:42.400 --> 0:23:44.680
<v Speaker 2>who ends up being the victim, So this will be interesting.

0:23:45.160 --> 0:23:48.320
<v Speaker 1>Yeah, and remember this is Elsie is not nine months pregnant.

0:23:48.560 --> 0:23:50.920
<v Speaker 1>She is, you know, maybe a month or two pregnant.

0:23:50.920 --> 0:23:54.520
<v Speaker 1>I'm assuming she came up with this conclusion again because

0:23:54.560 --> 0:23:57.360
<v Speaker 1>she missed a period or two. So you know, she's

0:23:57.400 --> 0:24:01.440
<v Speaker 1>perfectly capable of doing anything physical. And we know women

0:24:01.520 --> 0:24:05.200
<v Speaker 1>can be just as murderous as men. So we'll see.

0:24:07.800 --> 0:24:10.600
<v Speaker 1>We have an outside observer who I think is very interesting.

0:24:10.640 --> 0:24:12.520
<v Speaker 1>I could do a whole episode on this woman. Her

0:24:12.640 --> 0:24:16.800
<v Speaker 1>name was Helena Normanton and she was the very first

0:24:16.920 --> 0:24:21.560
<v Speaker 1>female barrister in the United Kingdom. And a barrister, I mean, well,

0:24:21.600 --> 0:24:23.639
<v Speaker 1>do you know the difference between like a lawyer and

0:24:23.720 --> 0:24:25.960
<v Speaker 1>a barrister and any other category?

0:24:26.000 --> 0:24:30.560
<v Speaker 3>Probably not to look at it, that would be a

0:24:30.560 --> 0:24:31.679
<v Speaker 3>Wikipedia search for me.

0:24:33.600 --> 0:24:37.480
<v Speaker 1>So a barrister my understanding, and certainly when I lived

0:24:37.480 --> 0:24:39.800
<v Speaker 1>in London, I asked this question quite a lot too,

0:24:39.800 --> 0:24:41.520
<v Speaker 1>because I was trying to make sure I understood. A

0:24:41.520 --> 0:24:45.200
<v Speaker 1>barrister doesn't have as much contact with clients necessarily they

0:24:45.200 --> 0:24:49.119
<v Speaker 1>are a trial attorney, litigator. So very very famous woman,

0:24:49.480 --> 0:24:53.680
<v Speaker 1>so she picked up on cases that she wasn't involved

0:24:53.680 --> 0:24:56.600
<v Speaker 1>when she didn't represent anybody in this case, but she

0:24:57.080 --> 0:24:59.760
<v Speaker 1>was really interested in it because of Elsie. I think.

0:25:00.080 --> 0:25:03.919
<v Speaker 1>Helena said that it appeared from everything that she was

0:25:03.960 --> 0:25:07.240
<v Speaker 1>reading and studying that Elsie really seemed to be struggling

0:25:07.280 --> 0:25:10.080
<v Speaker 1>with mental health issues. So this is what she said,

0:25:10.119 --> 0:25:12.199
<v Speaker 1>and you can tell me what you think, because you know,

0:25:12.240 --> 0:25:16.320
<v Speaker 1>we are considering Elsie to be an offender, not necessarily

0:25:16.359 --> 0:25:20.960
<v Speaker 1>a victim. So Helena said between January and June of

0:25:21.040 --> 0:25:25.960
<v Speaker 1>nineteen twenty three. So this is a year before she

0:25:26.200 --> 0:25:28.680
<v Speaker 1>says she's getting pregnant, right, because that was November of

0:25:28.800 --> 0:25:31.879
<v Speaker 1>nineteen twenty four, she said. The year before Elsie was

0:25:31.960 --> 0:25:36.040
<v Speaker 1>under continuous medical treatment for I'm going to butcher this

0:25:36.400 --> 0:25:38.639
<v Speaker 1>ner asthenia. Have you heard of that before?

0:25:39.040 --> 0:25:41.160
<v Speaker 3>No, that's not ringing a bill at all.

0:25:41.320 --> 0:25:46.040
<v Speaker 1>A condition characterized by chronic fatigue, weakness, and other symptoms.

0:25:46.400 --> 0:25:50.639
<v Speaker 1>And this was a very nineteenth century term. So you know, irritability.

0:25:51.200 --> 0:25:53.679
<v Speaker 1>If she were pregnant, I'd say, well, welcome to my world.

0:25:53.760 --> 0:25:56.680
<v Speaker 1>I had a really hard pregnancy. But they said that

0:25:56.760 --> 0:26:01.399
<v Speaker 1>she had this sort of this listlessness, irritability, depression, loss

0:26:01.400 --> 0:26:05.640
<v Speaker 1>of energy, lack of self confidence, and failure in concentration.

0:26:06.040 --> 0:26:08.800
<v Speaker 1>Does any of that line up to you about either

0:26:09.040 --> 0:26:12.280
<v Speaker 1>as victimology, as Elsie as a victim or as a

0:26:12.280 --> 0:26:15.160
<v Speaker 1>potential offender in this case, well, at least.

0:26:14.920 --> 0:26:18.520
<v Speaker 2>With the symptoms that Elsie is being described as having.

0:26:18.920 --> 0:26:21.960
<v Speaker 2>You know, it sounds like she's depressed. There's definitely nothing

0:26:22.000 --> 0:26:24.439
<v Speaker 2>that's really alarming me at this point, like there's a

0:26:24.440 --> 0:26:28.920
<v Speaker 2>psychosis going on. You know, she starting to trend towards

0:26:29.000 --> 0:26:33.240
<v Speaker 2>maybe a form of schizophrenia. You know, at her age,

0:26:33.600 --> 0:26:36.720
<v Speaker 2>you know, she's twenty two. You know, she could be

0:26:36.800 --> 0:26:40.480
<v Speaker 2>on the front of maybe some developing mental health issue.

0:26:40.480 --> 0:26:43.680
<v Speaker 2>But I'm not sure with those particular symptoms that it's

0:26:43.720 --> 0:26:48.400
<v Speaker 2>really diagnostic as to something that would contribute to her

0:26:49.000 --> 0:26:51.919
<v Speaker 2>striking out, you know, And this is it's kind of

0:26:51.960 --> 0:26:56.240
<v Speaker 2>a it's almost the opposite, you know, but yeah, let's

0:26:56.280 --> 0:26:57.440
<v Speaker 2>let's see how this develops.

0:26:57.920 --> 0:27:00.560
<v Speaker 1>Yeah, and this is the time period this January to

0:27:00.680 --> 0:27:04.360
<v Speaker 1>June is a time period of when you know, Norman

0:27:04.440 --> 0:27:06.560
<v Speaker 1>is on the chicken farm. At this point, they're not together,

0:27:06.720 --> 0:27:09.280
<v Speaker 1>and she's traveling back and forth to see him, and

0:27:09.359 --> 0:27:13.600
<v Speaker 1>he's creating some distance. So if she had something already

0:27:13.680 --> 0:27:16.720
<v Speaker 1>happening chemically, this would have made it worse. You know,

0:27:16.800 --> 0:27:20.240
<v Speaker 1>she's invested in this guy. This is probably her first boyfriend,

0:27:20.320 --> 0:27:24.040
<v Speaker 1>maybe her first relationship, and you know, now he's you know,

0:27:24.040 --> 0:27:27.840
<v Speaker 1>putting his arm out to her. So she gets this news.

0:27:27.880 --> 0:27:31.640
<v Speaker 1>So remember this is November of nineteen twenty four when

0:27:31.680 --> 0:27:35.960
<v Speaker 1>she says, I'm pregnant and he writes back, and he says, well,

0:27:36.080 --> 0:27:39.080
<v Speaker 1>this is you know, the issue. I'm with Elizabeth and

0:27:39.160 --> 0:27:42.520
<v Speaker 1>I'm really interested in her. This is what Elsie says.

0:27:42.560 --> 0:27:44.800
<v Speaker 1>This is her reply. She writes in a letter. This

0:27:44.840 --> 0:27:49.120
<v Speaker 1>is quote. You have absolutely broken my heart. I never

0:27:49.200 --> 0:27:53.560
<v Speaker 1>thought you were capable of such deception. Your duty is

0:27:53.600 --> 0:27:57.359
<v Speaker 1>to marry me. I have first claim on you. I

0:27:57.440 --> 0:28:00.679
<v Speaker 1>expect you to marry me as soon as possible. My

0:28:00.800 --> 0:28:04.040
<v Speaker 1>baby must have a name and another thing. I love

0:28:04.080 --> 0:28:07.160
<v Speaker 1>you in spite of all. That's a lot of demands,

0:28:07.160 --> 0:28:08.439
<v Speaker 1>don't you think it.

0:28:08.520 --> 0:28:09.400
<v Speaker 3>Is a lot of demands.

0:28:09.400 --> 0:28:12.280
<v Speaker 2>But it's also I think from this timeframe, this is

0:28:12.320 --> 0:28:14.480
<v Speaker 2>what would be expected, you know.

0:28:14.560 --> 0:28:15.879
<v Speaker 3>And Enorma has got to.

0:28:15.920 --> 0:28:19.359
<v Speaker 2>Know this, you know, he's out there in his hut

0:28:19.400 --> 0:28:22.520
<v Speaker 2>and he's you know, got this relationship with Elizabeth. As

0:28:22.600 --> 0:28:26.479
<v Speaker 2>soon as he finds out that Elsie is pregnant, he knows, Okay,

0:28:26.560 --> 0:28:31.760
<v Speaker 2>there's a level of expectation of commitment to Elsie and

0:28:31.960 --> 0:28:36.080
<v Speaker 2>his child. That's probably going to jeopardize the relationship with

0:28:36.240 --> 0:28:37.720
<v Speaker 2>Elizabeth moving forward.

0:28:38.120 --> 0:28:41.080
<v Speaker 1>Yeah, you know, I wonder. I'm assuming he's not telling

0:28:41.120 --> 0:28:44.400
<v Speaker 1>Elizabeth any of this stuff. I think in at least

0:28:44.440 --> 0:28:48.080
<v Speaker 1>some cases now the man might disclose this and say

0:28:48.440 --> 0:28:51.160
<v Speaker 1>these days and say this is what's happening. We can't

0:28:51.160 --> 0:28:53.840
<v Speaker 1>believe this woman. It's probably not my child, you know.

0:28:54.000 --> 0:28:57.280
<v Speaker 1>But he, I'm assuming kept his mouth shut to Elizabeth.

0:28:57.320 --> 0:28:59.800
<v Speaker 1>We don't end up hearing from Elizabeth regarding any of

0:28:59.800 --> 0:29:00.440
<v Speaker 1>this stuff.

0:29:00.680 --> 0:29:03.560
<v Speaker 3>So well, this is definitely an no shit moment for Norman.

0:29:03.920 --> 0:29:07.440
<v Speaker 1>Yeah, oh yeah, big time. And she's not here, you know,

0:29:07.560 --> 0:29:10.920
<v Speaker 1>for him to gauge. So she sends this letter and

0:29:11.000 --> 0:29:14.800
<v Speaker 1>it doesn't sound like he has time to respond, because

0:29:14.840 --> 0:29:18.200
<v Speaker 1>then she sends another letter in early December of nineteen

0:29:18.240 --> 0:29:21.480
<v Speaker 1>twenty four, and she says to him, talk about an

0:29:21.480 --> 0:29:25.160
<v Speaker 1>no shit moment. I'm coming December sixth. We're going to

0:29:25.200 --> 0:29:27.920
<v Speaker 1>hash this out in person. Again. He has no time

0:29:27.960 --> 0:29:31.680
<v Speaker 1>to respond or any way to get a hold of her, really,

0:29:31.760 --> 0:29:35.000
<v Speaker 1>and I'm assuming he does not have a phone, otherwise,

0:29:35.720 --> 0:29:37.800
<v Speaker 1>you know, she would have been calling him. So this

0:29:37.880 --> 0:29:40.920
<v Speaker 1>is all snail mail. She says, I'll be there December sixth.

0:29:41.360 --> 0:29:44.720
<v Speaker 1>Here's the issue also with Norman. She actually comes a

0:29:44.800 --> 0:29:48.280
<v Speaker 1>day early, so she packs up a suitcase which includes

0:29:48.480 --> 0:29:52.600
<v Speaker 1>infant sized dresses, and sets out for the chicken farm

0:29:52.920 --> 0:29:56.480
<v Speaker 1>to find him in his hut and to basically say,

0:29:56.560 --> 0:29:59.520
<v Speaker 1>we are doing this. You have done this to me,

0:30:00.280 --> 0:30:02.720
<v Speaker 1>and now you have a responsibility to fulfill.

0:30:03.120 --> 0:30:05.560
<v Speaker 2>Well, it's interesting that she writes that she'll be out

0:30:05.600 --> 0:30:08.400
<v Speaker 2>there December sixth and comes a day early. You know,

0:30:08.760 --> 0:30:12.000
<v Speaker 2>it was that a planned thing on her part, possibly

0:30:12.480 --> 0:30:16.800
<v Speaker 2>to have that arrival be unexpected to better assess or

0:30:16.800 --> 0:30:21.200
<v Speaker 2>even catch Norman doing things that she would be upset about.

0:30:21.600 --> 0:30:25.000
<v Speaker 1>And I had wondered why number one she even gave

0:30:25.040 --> 0:30:28.400
<v Speaker 1>him a warning, and number two if she was afraid

0:30:28.760 --> 0:30:30.920
<v Speaker 1>that he was going to jet you know, and his

0:30:31.040 --> 0:30:33.160
<v Speaker 1>hut will be empty when she shows up and she's

0:30:33.160 --> 0:30:36.280
<v Speaker 1>trying to catch him. But I think that shows her

0:30:36.560 --> 0:30:40.640
<v Speaker 1>level of desperation. I don't think she's told her parents

0:30:40.640 --> 0:30:43.360
<v Speaker 1>that she's pregnant. They do know that she's going to

0:30:43.440 --> 0:30:46.000
<v Speaker 1>visit him. This has been a common thing for the

0:30:46.000 --> 0:30:48.080
<v Speaker 1>past year and a half or however long it was.

0:30:48.920 --> 0:30:51.520
<v Speaker 1>So she says to her parents, I'm leaving, I'm going

0:30:51.600 --> 0:30:54.760
<v Speaker 1>to go visit him. I don't think she's disclosed anything

0:30:54.760 --> 0:30:58.560
<v Speaker 1>about Elizabeth to them. She certainly has not said I

0:30:58.560 --> 0:31:02.360
<v Speaker 1>think he's calling off this, And so everybody's hiding stuff

0:31:02.440 --> 0:31:05.760
<v Speaker 1>from different people, which doesn't surprise me now or in

0:31:05.800 --> 0:31:08.440
<v Speaker 1>the nineteen twenties, but it makes this case a little

0:31:08.480 --> 0:31:12.280
<v Speaker 1>bit more complicated coming up. So now, who are you

0:31:12.360 --> 0:31:16.960
<v Speaker 1>thinking as far as offender victim knowing the situation here,

0:31:17.040 --> 0:31:19.040
<v Speaker 1>because they're both in bad situations right.

0:31:18.920 --> 0:31:20.800
<v Speaker 3>Now, you know, right now, I think it could go

0:31:20.840 --> 0:31:21.760
<v Speaker 3>either way.

0:31:21.800 --> 0:31:26.400
<v Speaker 2>But Elizabeth is definitely taking a more aggressive approach to

0:31:27.040 --> 0:31:27.960
<v Speaker 2>the relationship.

0:31:28.240 --> 0:31:30.680
<v Speaker 3>But she also has the bigger burden.

0:31:30.800 --> 0:31:33.880
<v Speaker 2>Yeah, you know, she's pregnant, She has the future to

0:31:33.920 --> 0:31:38.960
<v Speaker 2>think about, and Norman is in many ways trying to

0:31:39.520 --> 0:31:43.480
<v Speaker 2>move away from Elsie, you know, So she's coming out

0:31:43.840 --> 0:31:47.120
<v Speaker 2>right now. All that does is it puts Norman and

0:31:47.280 --> 0:31:52.440
<v Speaker 2>Elsie and Elizabeth at least within the same geography, and

0:31:52.480 --> 0:31:54.840
<v Speaker 2>so that's where I think it's going to be interesting

0:31:54.920 --> 0:31:55.840
<v Speaker 2>to see what happens.

0:31:56.360 --> 0:31:59.960
<v Speaker 1>So we don't know yet when she arrives how it went.

0:32:00.080 --> 0:32:05.240
<v Speaker 1>And what we do know is that Elsie's parents expect

0:32:05.560 --> 0:32:08.280
<v Speaker 1>that they are going to hear from her via a letter,

0:32:08.360 --> 0:32:12.040
<v Speaker 1>snail mail letter, but two days past after she's supposed

0:32:12.040 --> 0:32:15.560
<v Speaker 1>to be there and nothing back home. Yeah, they're in London,

0:32:16.200 --> 0:32:19.680
<v Speaker 1>so they don't hear anything from her, and they said,

0:32:19.680 --> 0:32:22.320
<v Speaker 1>this is incredibly unusual. They live together and of course

0:32:22.320 --> 0:32:25.920
<v Speaker 1>they're very close, so they got this must have been awful, Paul.

0:32:26.080 --> 0:32:28.480
<v Speaker 1>It's all telegraphs and snail mail.

0:32:28.800 --> 0:32:29.040
<v Speaker 3>Sure.

0:32:29.360 --> 0:32:32.040
<v Speaker 2>I'm kind of curious as to why they didn't go

0:32:32.160 --> 0:32:33.760
<v Speaker 2>out to where Norman.

0:32:34.280 --> 0:32:36.240
<v Speaker 3>Was that just to see or where's our daughter?

0:32:36.600 --> 0:32:39.280
<v Speaker 1>I had wondered. I don't think propriety is the right word.

0:32:39.400 --> 0:32:42.680
<v Speaker 1>But they didn't want to panic anybody, and I don't

0:32:42.680 --> 0:32:45.920
<v Speaker 1>think they wanted to come to any conclusions. Maybe there

0:32:45.960 --> 0:32:48.000
<v Speaker 1>was a delay in the mail. I don't know. But

0:32:48.320 --> 0:32:51.200
<v Speaker 1>also I don't think they know about all of the

0:32:51.240 --> 0:32:55.880
<v Speaker 1>problems between Elsie and Norman. They are very aware, of course,

0:32:55.920 --> 0:32:58.600
<v Speaker 1>of oh the emotional turmoil that she's been going through.

0:32:59.320 --> 0:33:02.960
<v Speaker 1>So they decide to send Norman a telegraph asking if

0:33:03.000 --> 0:33:06.280
<v Speaker 1>Elsie is there. This is his response, and I don't

0:33:06.320 --> 0:33:09.800
<v Speaker 1>quite understand part of it. He says not here open

0:33:10.280 --> 0:33:15.200
<v Speaker 1>letters with a period at the end. Open letters, can't understand.

0:33:15.840 --> 0:33:19.440
<v Speaker 1>So I don't know if she has sent him letters.

0:33:19.880 --> 0:33:22.360
<v Speaker 1>He is saying, she sent me letters and I've opened them,

0:33:22.400 --> 0:33:25.360
<v Speaker 1>but it's all garble. I don't know what he's saying there,

0:33:25.400 --> 0:33:27.720
<v Speaker 1>but they seemed confused. Also, what do you think?

0:33:28.040 --> 0:33:32.440
<v Speaker 2>Yeah, that's very cryptic and Norman, you know, based off

0:33:32.480 --> 0:33:36.240
<v Speaker 2>of his you know, mechanical or electrical engineering job. I

0:33:36.240 --> 0:33:40.240
<v Speaker 2>mean he's, i'm assuming, fairly well educated and can articulate

0:33:40.320 --> 0:33:43.720
<v Speaker 2>and write well. So why is he being so cryptic

0:33:43.760 --> 0:33:44.040
<v Speaker 2>with that?

0:33:45.280 --> 0:33:47.640
<v Speaker 3>Yeah? I really don't have a guess right now.

0:33:48.120 --> 0:33:51.000
<v Speaker 1>Okay, well let's go through the timeline just real quick.

0:33:51.120 --> 0:33:53.720
<v Speaker 1>So Elsie was supposed to go on the sixth, according

0:33:53.720 --> 0:33:56.280
<v Speaker 1>to her letters, she went on the fifth, So three

0:33:56.440 --> 0:33:59.400
<v Speaker 1>days after she was last seen by her parents in

0:33:59.440 --> 0:34:02.360
<v Speaker 1>London getting on this train to go to the chicken farm,

0:34:02.800 --> 0:34:05.680
<v Speaker 1>they get two letters that show up and they're from

0:34:05.800 --> 0:34:10.480
<v Speaker 1>Norman and they're addressed to Elsie. So she was supposed

0:34:10.520 --> 0:34:12.920
<v Speaker 1>to be there on the sixth, She left on the fifth.

0:34:13.560 --> 0:34:17.560
<v Speaker 1>They call him on the seventh, the eighth, these letters

0:34:17.560 --> 0:34:21.120
<v Speaker 1>show up and he says in these letters to Elsie,

0:34:21.239 --> 0:34:25.279
<v Speaker 1>where did you get to yesterday? You did not turn up?

0:34:26.239 --> 0:34:29.720
<v Speaker 1>And they were written and sent after Elsie was slated

0:34:29.760 --> 0:34:32.879
<v Speaker 1>to arrive at Norman's farm, which is concerned. Of course

0:34:32.920 --> 0:34:35.399
<v Speaker 1>it's concerning. I mean, her parents are freaking out about this.

0:34:35.960 --> 0:34:37.879
<v Speaker 3>All right. We still don't know.

0:34:38.080 --> 0:34:40.600
<v Speaker 2>You haven't told me anything about where Elsie is at

0:34:40.680 --> 0:34:42.960
<v Speaker 2>or what has happened to Elsie, you know. So it's

0:34:43.040 --> 0:34:45.480
<v Speaker 2>it's entirely possible that she never even made it to

0:34:45.520 --> 0:34:49.080
<v Speaker 2>Norman's place, right, But assuming that she did make it

0:34:49.120 --> 0:34:53.040
<v Speaker 2>to Norman's place and he has caused Elsie some harm,

0:34:53.719 --> 0:34:58.240
<v Speaker 2>these letters sound like he's staging. He is trying to

0:34:58.320 --> 0:35:01.760
<v Speaker 2>make it look like she's left left, you know, the farm,

0:35:02.640 --> 0:35:05.080
<v Speaker 2>and she was supposed to meet up with them, and

0:35:05.280 --> 0:35:08.600
<v Speaker 2>she hasn't arrived, and now Norman is sending these letters.

0:35:08.800 --> 0:35:12.160
<v Speaker 2>It's almost like you know, grabbing the victim's phone or

0:35:12.320 --> 0:35:14.720
<v Speaker 2>and sending a text, you know, to make it seem

0:35:14.760 --> 0:35:16.759
<v Speaker 2>like they're still alive. Yeah, you know, it's just it's

0:35:16.760 --> 0:35:19.520
<v Speaker 2>a form of staging. But again, don't know what has

0:35:19.560 --> 0:35:22.400
<v Speaker 2>happened to Elsie, so I'll just kind of tuck that away.

0:35:22.520 --> 0:35:25.239
<v Speaker 1>I can't believe how many people have been caught with

0:35:25.280 --> 0:35:28.680
<v Speaker 1>the texting thing because they call a parent the wrong name,

0:35:29.480 --> 0:35:31.919
<v Speaker 1>or they misspelled I mean, I just think I don't

0:35:31.920 --> 0:35:33.560
<v Speaker 1>want to give people hints, But why would you not

0:35:33.640 --> 0:35:35.840
<v Speaker 1>go back and at least read the way all of

0:35:35.880 --> 0:35:38.040
<v Speaker 1>these people were addressed, the way they spelled their names,

0:35:38.080 --> 0:35:40.799
<v Speaker 1>like copy their style at least. But I feel like

0:35:40.840 --> 0:35:43.480
<v Speaker 1>I've read about five or six different cases where the

0:35:43.560 --> 0:35:46.440
<v Speaker 1>offender just sort of winged it, and it seems like

0:35:46.440 --> 0:35:48.320
<v Speaker 1>a bad idea if you're trying to set up a murderer.

0:35:48.840 --> 0:35:51.560
<v Speaker 2>Yeah, and of course the people who are familiar with,

0:35:51.800 --> 0:35:54.040
<v Speaker 2>let's say the victim, they're going that does not sound

0:35:54.160 --> 0:35:56.200
<v Speaker 2>like our daughter or our son or whatever.

0:35:56.760 --> 0:36:00.760
<v Speaker 1>So Elsie's parents, of course, are incredibly suspicious and very nervous.

0:36:00.880 --> 0:36:04.440
<v Speaker 1>They report her missing to the police, but the police

0:36:04.560 --> 0:36:07.960
<v Speaker 1>out there, not the London police, because they believe that

0:36:08.000 --> 0:36:11.040
<v Speaker 1>she's out there. I believe the police don't act with

0:36:11.200 --> 0:36:14.640
<v Speaker 1>very much urgency at all. I don't know why. I

0:36:14.680 --> 0:36:18.040
<v Speaker 1>think it's because when they talk to Norman, he says

0:36:18.680 --> 0:36:22.440
<v Speaker 1>she was crazy, she was mentally unstable. Talk to her parents.

0:36:22.480 --> 0:36:25.640
<v Speaker 1>She's been having problems for a very long time. He

0:36:25.719 --> 0:36:27.959
<v Speaker 1>has no idea what happened to her. She never showed

0:36:28.040 --> 0:36:30.840
<v Speaker 1>up when she was supposed to, and the police seemed

0:36:30.880 --> 0:36:35.040
<v Speaker 1>to generally accept this. So you know, what do you

0:36:35.080 --> 0:36:37.640
<v Speaker 1>think about that? I know the police have to make

0:36:37.719 --> 0:36:40.319
<v Speaker 1>judgment calls all the time. That's why I'm not a

0:36:40.360 --> 0:36:42.480
<v Speaker 1>police officer. That would scare me. I mean, you are

0:36:42.480 --> 0:36:46.200
<v Speaker 1>making judgment calls all the time that put people's lives

0:36:46.239 --> 0:36:48.919
<v Speaker 1>at risks, save their lives, all of that, and they

0:36:49.000 --> 0:36:52.200
<v Speaker 1>have decided in this case to believe this man who

0:36:52.280 --> 0:36:56.520
<v Speaker 1>said my fiance was having a really hard time. She

0:36:56.560 --> 0:36:58.520
<v Speaker 1>was supposed to show up. She never did. I don't

0:36:58.560 --> 0:37:00.759
<v Speaker 1>know where she is. You can look at if you want,

0:37:00.960 --> 0:37:01.839
<v Speaker 1>and they believed him.

0:37:02.120 --> 0:37:04.400
<v Speaker 2>Yeah, you know, I think with the facts upfront that

0:37:04.480 --> 0:37:07.680
<v Speaker 2>law enforcement would have been assessing you are dealing with

0:37:07.719 --> 0:37:08.240
<v Speaker 2>an adult.

0:37:08.280 --> 0:37:08.800
<v Speaker 3>With Elsie.

0:37:09.280 --> 0:37:12.520
<v Speaker 2>She has freedom of movement, she doesn't have to show

0:37:12.600 --> 0:37:17.400
<v Speaker 2>up at any particular location, and there's nothing about the

0:37:17.440 --> 0:37:21.560
<v Speaker 2>circumstances that would suggest that she's endangered outside of her

0:37:21.600 --> 0:37:24.040
<v Speaker 2>parents were expecting to be back home by a certain

0:37:24.480 --> 0:37:28.560
<v Speaker 2>day and she doesn't arrive. And maybe the only thing

0:37:28.600 --> 0:37:30.960
<v Speaker 2>that might be of concern are the letters from Norman

0:37:31.080 --> 0:37:36.200
<v Speaker 2>where he's writing to Elsie saying where are you?

0:37:36.520 --> 0:37:37.160
<v Speaker 3>Where were you?

0:37:37.160 --> 0:37:39.600
<v Speaker 2>You know, So now you have both the parents of

0:37:39.640 --> 0:37:44.359
<v Speaker 2>Norman saying this Elsie has disappeared. Yeah, but again, she's

0:37:44.400 --> 0:37:46.200
<v Speaker 2>twenty two years old or older.

0:37:46.320 --> 0:37:48.000
<v Speaker 3>At this point, she's in her mid twenties.

0:37:48.280 --> 0:37:51.520
<v Speaker 2>You know, she could have just decided to go somewhere

0:37:51.600 --> 0:37:54.680
<v Speaker 2>and cool down after finding out that Norman is having

0:37:54.920 --> 0:37:57.239
<v Speaker 2>a relationship with this Elizabeth.

0:37:56.960 --> 0:37:59.239
<v Speaker 1>Yeah, pulled herself together to figure out what she was

0:37:59.280 --> 0:38:01.879
<v Speaker 1>going to do. If she actually doesn't show up, then

0:38:01.880 --> 0:38:04.040
<v Speaker 1>his letters make sense. He's saying, you were supposed to

0:38:04.080 --> 0:38:05.839
<v Speaker 1>be here on the sixth. I don't know where you are,

0:38:06.239 --> 0:38:08.560
<v Speaker 1>and the only place he can send them to is London,

0:38:08.680 --> 0:38:12.239
<v Speaker 1>her parents' house. So let's continue on. The police know

0:38:12.360 --> 0:38:15.160
<v Speaker 1>about this, and they still don't act. There are two

0:38:15.200 --> 0:38:20.040
<v Speaker 1>gardeners who see an unfamiliar woman in Crowbro, which is

0:38:20.160 --> 0:38:23.000
<v Speaker 1>apparently a small village or a small town. She is

0:38:23.040 --> 0:38:25.960
<v Speaker 1>carrying a suitcase in the town, not on his farm,

0:38:26.320 --> 0:38:29.120
<v Speaker 1>but in the town. She's carrying a suitcase that her

0:38:29.160 --> 0:38:34.399
<v Speaker 1>parents say matches the description of Elsie's own suitcase. This

0:38:34.480 --> 0:38:36.759
<v Speaker 1>is on December fifth, when she's supposed to be there.

0:38:36.960 --> 0:38:39.399
<v Speaker 1>If this is Elsie, this puts her in the town,

0:38:39.600 --> 0:38:42.160
<v Speaker 1>not at the farm yet, but in the town, So

0:38:42.239 --> 0:38:44.239
<v Speaker 1>that gives us a little bit more information. Nobody killed

0:38:44.280 --> 0:38:45.080
<v Speaker 1>her on the train.

0:38:44.880 --> 0:38:48.719
<v Speaker 2>Apparently, Okay, because earlier you said that Elsie arrived a

0:38:48.800 --> 0:38:51.759
<v Speaker 2>day earlier. Is that's why they know she was there

0:38:51.800 --> 0:38:54.439
<v Speaker 2>on December fifth versus the sixth? Mm hmm.

0:38:54.760 --> 0:38:57.200
<v Speaker 1>Her parents knew that she was leaving on the fifth, Okay,

0:38:57.200 --> 0:38:59.160
<v Speaker 1>that's true. Yeah, so they were the last ones to

0:38:59.200 --> 0:39:02.680
<v Speaker 1>see her. So now we've got her in the town.

0:39:02.960 --> 0:39:04.680
<v Speaker 1>And you know, you and I talk about this the

0:39:04.719 --> 0:39:07.759
<v Speaker 1>timeline and where people are, and you often ask me,

0:39:07.840 --> 0:39:10.520
<v Speaker 1>especially when we're dealing with trains and trolleys and you know,

0:39:10.840 --> 0:39:13.440
<v Speaker 1>passenger cars and stuff like that, did people see them

0:39:13.480 --> 0:39:15.399
<v Speaker 1>on the train? Where did we last see or did

0:39:15.440 --> 0:39:18.000
<v Speaker 1>she step off the train? And did we have a

0:39:18.040 --> 0:39:20.920
<v Speaker 1>witness that's our at the train station. So if we

0:39:21.000 --> 0:39:24.239
<v Speaker 1>believe this, and this would have been I would think legitimate.

0:39:24.360 --> 0:39:26.360
<v Speaker 1>If this is a small village or a small town,

0:39:26.480 --> 0:39:29.240
<v Speaker 1>she probably would have stood out, especially if she's carrying

0:39:29.239 --> 0:39:31.880
<v Speaker 1>a suitcase. If this is Elsie, she's in the town

0:39:32.000 --> 0:39:33.480
<v Speaker 1>now where Norman is.

0:39:33.920 --> 0:39:35.759
<v Speaker 3>I have no reason to doubt these witnesses.

0:39:36.160 --> 0:39:39.520
<v Speaker 1>Police still don't act on this. Make me understand why

0:39:39.719 --> 0:39:42.799
<v Speaker 1>they wouldn't act on this? Is it yet? Again? You know,

0:39:43.040 --> 0:39:46.680
<v Speaker 1>maybe she showed up Norman wasn't home, changed her mind

0:39:46.880 --> 0:39:49.680
<v Speaker 1>and you know, went off on walk about somewhere or what.

0:39:50.640 --> 0:39:53.880
<v Speaker 2>Yeah, I mean, there wasn't anything that these witnesses saw

0:39:54.160 --> 0:39:55.120
<v Speaker 2>that's concerning.

0:39:55.360 --> 0:39:57.719
<v Speaker 3>Yeah, well she's in town with a suitcase.

0:39:58.080 --> 0:40:02.520
<v Speaker 2>Yeah, And so it doesn't change anything from law enforcements perspective.

0:40:02.640 --> 0:40:04.840
<v Speaker 2>It's just said, Okay, well she arrived, yeah, you know,

0:40:05.120 --> 0:40:07.880
<v Speaker 2>and where is she? Well, she could have left the town.

0:40:08.480 --> 0:40:11.120
<v Speaker 2>She could have found, you know, some other place.

0:40:10.960 --> 0:40:11.600
<v Speaker 3>To hold up in.

0:40:12.080 --> 0:40:15.560
<v Speaker 1>And I think reasonable doubt here will be sort of

0:40:15.600 --> 0:40:18.440
<v Speaker 1>my mindset moving forward. We're looking for reasonable doubt in

0:40:18.440 --> 0:40:22.280
<v Speaker 1>this case. So a few weeks later, her poor parents,

0:40:22.640 --> 0:40:25.760
<v Speaker 1>they are not getting any information. Four weeks the police

0:40:25.800 --> 0:40:29.799
<v Speaker 1>get a tip. It's from one of Norman's neighbors, you know,

0:40:30.040 --> 0:40:31.799
<v Speaker 1>on one side or the other of the chicken farm.

0:40:32.239 --> 0:40:35.640
<v Speaker 1>They say that they have seen a young woman with

0:40:35.680 --> 0:40:40.400
<v Speaker 1>a suitcase walking onto his chicken farm on December fifth.

0:40:40.600 --> 0:40:42.480
<v Speaker 1>Who knows why the neighbor took so long. I mean,

0:40:42.520 --> 0:40:44.640
<v Speaker 1>you know, I don't think it was anything nefarious. I

0:40:44.640 --> 0:40:47.360
<v Speaker 1>think people don't want to get involved sometimes with this story.

0:40:47.480 --> 0:40:48.719
<v Speaker 1>Maybe they hadn't heard about it yet.

0:40:48.719 --> 0:40:52.640
<v Speaker 2>Who knows, Yeah, you know, but that's it's several weeks later.

0:40:53.200 --> 0:40:56.360
<v Speaker 2>I mean, with a small town, you know, the rumor

0:40:56.400 --> 0:40:58.520
<v Speaker 2>mill is going to be going rampant, you know, So

0:40:58.680 --> 0:41:01.520
<v Speaker 2>is this just somebody who's decided and you know, they

0:41:01.560 --> 0:41:04.000
<v Speaker 2>may just be trying to be helpful, but how accurate

0:41:04.239 --> 0:41:08.360
<v Speaker 2>is this bit of information? Are they just inserting themselves

0:41:08.360 --> 0:41:11.440
<v Speaker 2>into the investigation because we know those types of people exist,

0:41:12.120 --> 0:41:16.480
<v Speaker 2>So it's kind of hard to really to truly assess

0:41:16.640 --> 0:41:20.880
<v Speaker 2>the veracity of information just based off of the statements.

0:41:20.920 --> 0:41:23.399
<v Speaker 2>It's like, Okay, where's the witness saying that they what

0:41:23.480 --> 0:41:26.600
<v Speaker 2>was their visual perspective of this woman on the suitcase?

0:41:26.800 --> 0:41:30.600
<v Speaker 2>You know, is this something that they're able to describe

0:41:31.000 --> 0:41:34.759
<v Speaker 2>aspects about this woman, her dress, the details about the suitcase.

0:41:35.239 --> 0:41:39.480
<v Speaker 2>That really kind of enhances the likelihood that these witnesses

0:41:39.520 --> 0:41:42.680
<v Speaker 2>actually saw Elsie and is placing Elsie on Norman's property.

0:41:42.880 --> 0:41:45.680
<v Speaker 1>And nobody's saying she's in distress or anything like that.

0:41:46.000 --> 0:41:49.200
<v Speaker 1>So it seems very matter of fact. The police are

0:41:49.200 --> 0:41:52.000
<v Speaker 1>finally alarmed. I think her parents are staying on top

0:41:52.040 --> 0:41:54.440
<v Speaker 1>of them about this and saying this is unusual. He

0:41:54.560 --> 0:41:56.480
<v Speaker 1>told us she never showed up. Now you have a

0:41:56.480 --> 0:41:59.640
<v Speaker 1>witness who says, she's on this farm. They go to

0:41:59.680 --> 0:42:02.960
<v Speaker 1>normal and they say, let's clear this all up. Let us

0:42:02.960 --> 0:42:06.759
<v Speaker 1>search the farm, the chicken farm. He says. Okay. When

0:42:06.800 --> 0:42:09.640
<v Speaker 1>they're looking, they find and they don't tell me if

0:42:09.640 --> 0:42:13.080
<v Speaker 1>it's buried or not, but they find a tin with

0:42:13.320 --> 0:42:18.760
<v Speaker 1>Elsie's jewelry and watch inside. Okay, and that's bad news.

0:42:18.800 --> 0:42:22.160
<v Speaker 1>Her parents later confirmed that she was wearing these pieces

0:42:22.160 --> 0:42:25.520
<v Speaker 1>of jewelry and this watch when she left London to

0:42:25.600 --> 0:42:29.480
<v Speaker 1>go to the chicken farm. So that's bad news already.

0:42:29.480 --> 0:42:30.520
<v Speaker 1>It's on the property.

0:42:31.040 --> 0:42:34.239
<v Speaker 2>Yeah, and this tin, is this something that Elsie took

0:42:34.320 --> 0:42:37.000
<v Speaker 2>with her that she would naturally put her jewelry in,

0:42:37.200 --> 0:42:40.560
<v Speaker 2>like when she's going to go to bed or is

0:42:40.600 --> 0:42:45.280
<v Speaker 2>this Norman's tin? And you know, now, for whatever reason,

0:42:45.360 --> 0:42:48.960
<v Speaker 2>Elsie has been relieved of her jewelry. And of course

0:42:49.320 --> 0:42:52.040
<v Speaker 2>it'd be very interesting to know exactly where this tin

0:42:52.160 --> 0:42:55.080
<v Speaker 2>was located at was it secreted away, because that would

0:42:55.080 --> 0:42:58.400
<v Speaker 2>be a harbinger of really bad news.

0:42:58.680 --> 0:43:01.520
<v Speaker 1>Yeah, I don't know that. I think the ten is his,

0:43:02.200 --> 0:43:04.400
<v Speaker 1>but I don't know where it was. But in a second,

0:43:04.440 --> 0:43:08.439
<v Speaker 1>it's not going to matter. Sorry to tell you that

0:43:08.680 --> 0:43:13.480
<v Speaker 1>they keep searching. They're most excited about an area on

0:43:13.680 --> 0:43:18.640
<v Speaker 1>the potato patch that appears to have been freshly dug up,

0:43:19.040 --> 0:43:23.480
<v Speaker 1>and they dig up Elsie's suitcase. So now we have

0:43:23.560 --> 0:43:27.040
<v Speaker 1>confirmation the jewelry and the suitcase. Before you ask about

0:43:27.040 --> 0:43:29.879
<v Speaker 1>the suitcase, look at the photos. Look at those two

0:43:29.880 --> 0:43:33.400
<v Speaker 1>photos that I sent you. It just shows an overwhelming

0:43:33.440 --> 0:43:36.360
<v Speaker 1>amount of material that they had to dig through. This

0:43:36.480 --> 0:43:37.560
<v Speaker 1>is not a small farm.

0:43:38.000 --> 0:43:41.640
<v Speaker 2>So the next photo after the photo from the road

0:43:42.160 --> 0:43:47.160
<v Speaker 2>is I'm seeing a photo where there's three men. You know,

0:43:47.480 --> 0:43:50.880
<v Speaker 2>they're dressed in very heavy looking trench coats.

0:43:51.239 --> 0:43:52.239
<v Speaker 1>It looks foggy to me.

0:43:52.880 --> 0:43:55.000
<v Speaker 2>Yeah, it's foggy, and it's cool. It looks like it's

0:43:55.000 --> 0:43:59.440
<v Speaker 2>probably very very cool temperatures. It looks like the land

0:44:00.000 --> 0:44:02.640
<v Speaker 2>where these men are at. I can't quite tell in

0:44:02.680 --> 0:44:05.440
<v Speaker 2>the photo if it's been dug up or overturned, but

0:44:05.480 --> 0:44:09.560
<v Speaker 2>I'm assuming this is probably the maybe the potato patch area.

0:44:10.280 --> 0:44:14.320
<v Speaker 2>There's also brushes and trees in the backdrop, you know,

0:44:14.360 --> 0:44:18.719
<v Speaker 2>but this isn't you know, anytime you're doing a search outdoors,

0:44:19.040 --> 0:44:21.560
<v Speaker 2>even if you have let's say a small yard surrounded

0:44:21.560 --> 0:44:24.680
<v Speaker 2>by a fence, it's a lot of work unless there's

0:44:24.680 --> 0:44:28.560
<v Speaker 2>something really obvious and of course the larger the property gets,

0:44:29.160 --> 0:44:32.000
<v Speaker 2>you know, you hope for something like freshly turned over

0:44:32.120 --> 0:44:36.600
<v Speaker 2>dirt or disturbances in the botanical material, so you go, Okay,

0:44:36.600 --> 0:44:38.960
<v Speaker 2>there's a spot that I want to key in on.

0:44:39.719 --> 0:44:42.600
<v Speaker 2>But because of these outdoor type scenes, this is why

0:44:42.400 --> 0:44:47.320
<v Speaker 2>we've tried to utilize different technologies to focus our efforts,

0:44:47.520 --> 0:44:51.040
<v Speaker 2>like ground penetrating radar or having the dogs get out

0:44:51.080 --> 0:44:54.080
<v Speaker 2>there and have them alert on whatever they're trained to

0:44:54.120 --> 0:44:58.840
<v Speaker 2>alert on, such as decomp dogs. Because it is I've

0:44:58.920 --> 0:45:04.000
<v Speaker 2>been involved in multiple searches, most notably Phil Gurrito's property,

0:45:04.000 --> 0:45:06.239
<v Speaker 2>who was the abductor of jaz Do Guard and he

0:45:06.320 --> 0:45:09.399
<v Speaker 2>had two acres of basically a junk yard and we

0:45:09.400 --> 0:45:12.400
<v Speaker 2>were trying to find evidence of other victims or evidence

0:45:12.440 --> 0:45:16.799
<v Speaker 2>associated with the crimes against Jace and it took what

0:45:16.960 --> 0:45:19.839
<v Speaker 2>I was out there for several weeks with multiple different agencies.

0:45:20.360 --> 0:45:23.400
<v Speaker 1>Well, the first book that I wrote, which was about

0:45:23.400 --> 0:45:26.359
<v Speaker 1>the London smog of nineteen fifty two and a serial killer,

0:45:26.440 --> 0:45:29.480
<v Speaker 1>John Reginald Christy, to me illustrated that he had a

0:45:29.560 --> 0:45:32.200
<v Speaker 1>very small backyard and he had a place in London.

0:45:32.360 --> 0:45:36.719
<v Speaker 1>He buried two women there and it was totally junked out.

0:45:36.760 --> 0:45:39.440
<v Speaker 1>He had garden and stuff, but there were tools everywhere.

0:45:39.520 --> 0:45:42.719
<v Speaker 1>The weeds were really high, and the police were not

0:45:42.920 --> 0:45:46.440
<v Speaker 1>searching for buried women. They were searching for a mother

0:45:46.680 --> 0:45:49.640
<v Speaker 1>and her baby. And they went straight to kind of

0:45:49.680 --> 0:45:52.840
<v Speaker 1>an outdoor lavatory, and so, you know, they did not

0:45:53.000 --> 0:45:56.080
<v Speaker 1>know that there were women buried under the ground. They

0:45:56.080 --> 0:45:59.440
<v Speaker 1>were looking specifically in this laboratory, which is where they

0:45:59.560 --> 0:46:03.480
<v Speaker 1>found the mother and the child dead. What they did

0:46:03.520 --> 0:46:06.520
<v Speaker 1>not see, which I think people thought at the time

0:46:06.640 --> 0:46:11.000
<v Speaker 1>was just inexplicable, was Christie's dog had dug up a

0:46:11.040 --> 0:46:13.600
<v Speaker 1>femur bone of one of the women a couple of

0:46:13.640 --> 0:46:17.080
<v Speaker 1>years earlier. His fence was falling down. He strapped the

0:46:17.239 --> 0:46:20.520
<v Speaker 1>femur bone to the fence to hold up the fence,

0:46:20.880 --> 0:46:23.520
<v Speaker 1>and they walked right past it. And people criticized for him.

0:46:23.600 --> 0:46:26.520
<v Speaker 1>You know, I call it Keystone cops sometimes, But then

0:46:26.560 --> 0:46:29.840
<v Speaker 1>when you look at photos it is so trashed. I

0:46:29.920 --> 0:46:33.040
<v Speaker 1>totally understand how they missed a bone, you know, that

0:46:33.160 --> 0:46:35.640
<v Speaker 1>is holding up part of the fence. I mean, forget

0:46:35.640 --> 0:46:38.239
<v Speaker 1>about the psychology behind Christy doing something like that to

0:46:38.320 --> 0:46:41.160
<v Speaker 1>begin with, but I think people think it must be

0:46:41.280 --> 0:46:44.520
<v Speaker 1>easy to do his search from a small backyard. But

0:46:44.840 --> 0:46:47.239
<v Speaker 1>depending on the circumstances and what you're looking for, it

0:46:47.239 --> 0:46:48.400
<v Speaker 1>can be a big challenge.

0:46:48.600 --> 0:46:50.719
<v Speaker 2>Yeah, and it's it's what your eyes can see. I

0:46:50.840 --> 0:46:54.080
<v Speaker 2>have photos of whole bodies that are on the surface,

0:46:54.600 --> 0:46:57.560
<v Speaker 2>and most people would never be able to pick the

0:46:57.600 --> 0:47:01.399
<v Speaker 2>bodies because of the other debris, you know, the branches

0:47:01.480 --> 0:47:04.960
<v Speaker 2>and the vegetation, you know. And in this case, like

0:47:05.000 --> 0:47:08.760
<v Speaker 2>with Christy with this sphemur, I mean, how many people

0:47:08.800 --> 0:47:11.640
<v Speaker 2>I've run across, like in law enforcement, that do not

0:47:11.840 --> 0:47:14.840
<v Speaker 2>know human anatomy. You know, they may not even recognize

0:47:14.880 --> 0:47:17.080
<v Speaker 2>that they're dealing with a bone, let alone, you know,

0:47:17.200 --> 0:47:20.399
<v Speaker 2>a significant bone out of a person's leg.

0:47:21.200 --> 0:47:23.480
<v Speaker 3>So it is it's always a challenge.

0:47:23.680 --> 0:47:27.200
<v Speaker 2>And that's where again, you know, here law enforcement is

0:47:27.880 --> 0:47:30.279
<v Speaker 2>they've got a suitcase, They've got a tin full of

0:47:30.280 --> 0:47:31.280
<v Speaker 2>Elsie's jewelry.

0:47:31.760 --> 0:47:34.239
<v Speaker 3>Now it's where is Elsie? Yep?

0:47:35.120 --> 0:47:39.520
<v Speaker 1>So the suitcase is buried, nothing inside the ten has

0:47:39.560 --> 0:47:42.920
<v Speaker 1>the jewelry in it. Not long after, in a totally

0:47:42.920 --> 0:47:45.560
<v Speaker 1>different part of the farm, these cops, Boy, this was

0:47:45.600 --> 0:47:50.520
<v Speaker 1>a lot of work. They discover a human Torso there's

0:47:50.680 --> 0:47:53.839
<v Speaker 1>a lot of decomposition happening. Because remember this has been

0:47:54.440 --> 0:47:58.160
<v Speaker 1>two or three weeks since she went missing. They waited

0:47:58.200 --> 0:48:00.680
<v Speaker 1>a long time with the neighbor's tip and everything, and

0:48:00.760 --> 0:48:03.279
<v Speaker 1>now did you giz up? They say to Norman, you've

0:48:03.280 --> 0:48:07.239
<v Speaker 1>got a human torso buried. We believe it's Elsie. And

0:48:07.719 --> 0:48:11.480
<v Speaker 1>he says, okay, I'll tell you where her other parts are,

0:48:12.000 --> 0:48:14.360
<v Speaker 1>so he takes her to other spots on the property.

0:48:14.560 --> 0:48:18.879
<v Speaker 1>They find her severed arms and legs, as well as

0:48:18.880 --> 0:48:24.080
<v Speaker 1>her head. This is where Norman's story becomes very interesting.

0:48:24.680 --> 0:48:28.640
<v Speaker 1>He readily admits that he dismembered her and buried her

0:48:28.800 --> 0:48:31.719
<v Speaker 1>and covered all the stuff up, but he says, I'm

0:48:31.760 --> 0:48:33.680
<v Speaker 1>not the one who did it. And now I'm going

0:48:33.760 --> 0:48:36.879
<v Speaker 1>to have to leave you hanging for part two. This

0:48:36.960 --> 0:48:39.920
<v Speaker 1>I told you, this chicken farm, this chicken farm, and

0:48:40.040 --> 0:48:42.520
<v Speaker 1>this poor woman, this poor young woman, you know. And

0:48:42.560 --> 0:48:45.160
<v Speaker 1>now we will in the second part talk a lot

0:48:45.160 --> 0:48:47.920
<v Speaker 1>about medical stuff because now we have to determine exactly

0:48:47.920 --> 0:48:48.600
<v Speaker 1>what happened to.

0:48:48.560 --> 0:48:52.239
<v Speaker 2>Elsie, and depending on the state of her body, it

0:48:52.239 --> 0:48:53.360
<v Speaker 2>can be very difficult.

0:48:53.719 --> 0:48:56.960
<v Speaker 1>Yep, okay, I will see you next week.

0:48:57.520 --> 0:48:58.120
<v Speaker 3>Sounds good.

0:49:02.520 --> 0:49:05.200
<v Speaker 1>This has been an exactly right production for.

0:49:05.200 --> 0:49:08.600
<v Speaker 2>Our sources and show notes go to Exactlyrightmedia Dot com

0:49:08.640 --> 0:49:10.400
<v Speaker 2>slash Buried Bones sources.

0:49:10.640 --> 0:49:13.000
<v Speaker 1>Our senior producer is Alexis Emirosi.

0:49:13.320 --> 0:49:17.520
<v Speaker 2>Research by Maren mcclashan, Ali Elkin and Kate Winkler Dawson.

0:49:17.800 --> 0:49:20.080
<v Speaker 1>Our mixing engineer is Ben Tolliday.

0:49:20.360 --> 0:49:22.680
<v Speaker 3>Our theme song is by Tom Bryfogel.

0:49:22.920 --> 0:49:24.960
<v Speaker 1>Our artwork is by Vanessa Lilac.

0:49:25.200 --> 0:49:29.360
<v Speaker 2>Executive produced by Karen Kilgarriff, Georgia hart Stark and Danielle Kramer.

0:49:29.600 --> 0:49:33.000
<v Speaker 1>You can follow Buried Bones on Instagram and Facebook at

0:49:33.080 --> 0:49:34.240
<v Speaker 1>Baried Bones Pod.

0:49:34.680 --> 0:49:37.240
<v Speaker 2>Kate's most recent book, All That Is Wicked, a Gilded

0:49:37.280 --> 0:49:39.279
<v Speaker 2>Age story of murder and the race to decode the

0:49:39.280 --> 0:49:41.520
<v Speaker 2>criminal mind, is available now, and

0:49:41.640 --> 0:49:45.919
<v Speaker 1>Paul's best selling memoir Unmasked, My life Solving America's Cold

0:49:45.960 --> 0:49:47.759
<v Speaker 1>Cases is also available now