WEBVTT - Will Ferrell Deeply Regrets Coming On ALL THE SMOKE

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<v Speaker 1>Welcome back to all the smoke. Jack, Welcome back to

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<v Speaker 1>to Cali. Yes, sir, happy to be back.

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<v Speaker 2>I'm sorry.

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<v Speaker 1>I followed your plan. You had a great plan. It

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<v Speaker 1>didn't play. I fucked it up. Man, we didn't really

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<v Speaker 1>fuck it up. It's just I didn't try. I wasn't

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<v Speaker 1>I didn't do my due diligence. We're gonna wear tuxtedos today,

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<v Speaker 1>and you so listen. I got up this morning because

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<v Speaker 1>I was gonna go golf early. So I'm up at

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<v Speaker 1>five thirty in the morning and I'm trying all my

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<v Speaker 1>ship on and I had a huge hole in the

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<v Speaker 1>crotch on my uh and my tux pants.

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<v Speaker 3>I'm like, fuck, did you have a tux He's still ready,

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<v Speaker 3>ready to go, Ready to go, Yeah, crotch.

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<v Speaker 1>That's not normally my game. But I foiled your plan,

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<v Speaker 1>and I apologized.

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<v Speaker 2>I'm still here.

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<v Speaker 4>I think the I think the lesson here is try

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<v Speaker 4>your tuxedo on a couple of years.

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<v Speaker 1>Right, Come on, man, do your due diligence. I mean,

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<v Speaker 1>be ahead, plan ahead. But anyway, man, one of the

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<v Speaker 1>greatest actors of his generation, one of our favorite actor

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<v Speaker 1>comedy and absolute legend, and like you said, this is

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<v Speaker 1>a year in the making, right, Welcome to the show,

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<v Speaker 1>Will Ferrell, Hey, thank you.

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<v Speaker 2>We shid it.

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<v Speaker 1>So we ran into each other at jes sweet like

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<v Speaker 1>this time last year, a year year ago, seven right right,

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<v Speaker 1>and section seven is this weekend, literally literally this weekend.

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<v Speaker 1>And I saw me. I was with CP Chris Paul

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<v Speaker 1>and when we saw Will and I'm just like, man,

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<v Speaker 1>a big fan, got to come on the show. You know,

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<v Speaker 1>I'm really busy, but we'll make some time work. And

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<v Speaker 1>then literally a year later we're here.

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<v Speaker 4>That's what That's the way it goes. Sticks about a

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<v Speaker 4>year to track me down. I get it.

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<v Speaker 1>I respect it, but but but no, that was Yeah,

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<v Speaker 1>that was super fun to get to hang a little

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<v Speaker 1>bit there and then to be here now. And then

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<v Speaker 1>also obviously we're going to get into the hawk. But

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<v Speaker 1>we have the same golf instructor and you made it for.

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<v Speaker 4>For well technical I mean yes, I tried working out

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<v Speaker 4>with him once and I fired him. Oh he didn't

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<v Speaker 4>work bad attitude.

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<v Speaker 1>Yeah, uh, James.

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<v Speaker 4>He was one of the consultants on our show or

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<v Speaker 4>helped out on the Poet project.

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<v Speaker 1>Yeah, so I was trying to schedule times. He's like,

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<v Speaker 1>I got to do this stuff with Will, Like Will,

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<v Speaker 1>who's that Will Fairro He's like he's doing a golf

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<v Speaker 1>golf shop. Really, so I had a hard time scheduling.

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<v Speaker 1>But and someone I got a chance to see the

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<v Speaker 1>new show. I'm like, oh, Ship, there's James exactly first

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<v Speaker 1>episode and graduations welcome James, go ahead that yeah, new

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<v Speaker 1>show Netflix is dropping July sixteenth.

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<v Speaker 4>The Hawk right right here.

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<v Speaker 2>This hilarious.

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<v Speaker 5>It just kills me how you have no passion for

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<v Speaker 5>your best friend after he dies and you just want

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<v Speaker 5>to go on with life.

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<v Speaker 2>But talk about it. Talk about it.

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<v Speaker 4>Yeah, Lonnie, Lonnie Hawkins, the aka the Hawk is h

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<v Speaker 4>he's very much you know, he's he's a pro golfer

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<v Speaker 4>who who can't give it up, which you guys probably

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<v Speaker 4>can relate to where you have that point in your

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<v Speaker 4>career where you're like cold, I still play. I think

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<v Speaker 4>I can, but but and then you probably you know,

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<v Speaker 4>hits like a ton of bricks of life.

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<v Speaker 5>You can still get out there.

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<v Speaker 4>And that's Lonnie. He's he's bounced around on the corn

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<v Speaker 4>Ferry Tour and uh, he's still hoping to win his final,

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<v Speaker 4>you know, get the Grand Slam. He's he's won three majors. Uh.

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<v Speaker 4>He's competing with his son, who's the next best thing

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<v Speaker 4>on the PGA tour yep, played by Jimmy tatrou And

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<v Speaker 4>uh and yeah, so Lonnie's just kind of this a

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<v Speaker 4>character I've wanted to play for a long time, very

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<v Speaker 4>much a narcissist who's you know at one point, like

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<v Speaker 4>you said, I mean spoiler alert, his longtime caddie. Uh,

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<v Speaker 4>he's had for years. Ah, there's a change that's made, right,

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<v Speaker 4>this is weird. This is the first time I talked

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<v Speaker 4>about the show, so I don't know whether to give

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<v Speaker 4>away stuff, but uh, Lonnie, Lonnie just wants to keep

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<v Speaker 4>playing on the golf course. And but that's kind of

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<v Speaker 4>what fuels him. But then he later he feels bad.

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<v Speaker 4>So he's not a bad guy, but he's just he

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<v Speaker 4>can't shut down that drive. Uh and uh and he

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<v Speaker 4>makes a lot of bad decisions in his life. And

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<v Speaker 4>but but uh, this was a blast. We got to

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<v Speaker 4>shoot all in l at this great cast with Mollie

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<v Speaker 4>Shannon from this she plays my my ex wife who's

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<v Speaker 4>still my wife, who because I won't sign the divorce papers. Uh.

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<v Speaker 4>We have Chris Parnell, Luke Wilson plays one of my rivals,

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<v Speaker 4>and uh, yeah, it's just a it was it was

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<v Speaker 4>really fun to do a show that's just kind of

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<v Speaker 4>comedy forward and uh it's kind of back to some

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<v Speaker 4>of the older things I've done.

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<v Speaker 2>Yeah, yeah, I loved it.

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<v Speaker 5>You gotta think for sports movies, Tatadlegga Knights, Blaze of Glory,

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<v Speaker 5>semi pro kicking and screaming. This to come from having

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<v Speaker 5>an athletic background. Are you just acting the movies because

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<v Speaker 5>you was trash in sports?

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<v Speaker 4>No, you're looking at the captain of the university high

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<v Speaker 4>school basketball. Oh, the captain, the captain the mean streets

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<v Speaker 4>of Irvine, California average because it was hard defense, rebound.

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<v Speaker 4>There you go, use all five fouls, Okay, old school,

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<v Speaker 4>I could set a mean screen. You need those guys.

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<v Speaker 1>Yeah right, you can't take your fouls home. You might

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<v Speaker 1>as well use them.

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<v Speaker 2>I used them. I used them.

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<v Speaker 4>But no, I I mean, I was a kid who

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<v Speaker 4>just went from whatever the season was. I played in

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<v Speaker 4>the sport and and I loved I loved team sports.

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<v Speaker 4>I loved you know, kind of that thing where you know,

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<v Speaker 4>I had as much fun scoring a basket, it is

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<v Speaker 4>much fun giving it you know, like a great assist

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<v Speaker 4>a scorn in a basket, and that that translated to

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<v Speaker 4>working in on film, which is which is a team

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<v Speaker 4>and ensemble comedy. That's what drew me to a place

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<v Speaker 4>where here in La called the Groundlings, whereas where I

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<v Speaker 4>kind of did all my training, which was sketch comedy,

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<v Speaker 4>and and my dream was always to be on SATA

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<v Speaker 4>Night Live. And I loved that ensemble. And I think

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<v Speaker 4>it all comes from team sports. And that's why a

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<v Speaker 4>lot of the comedies that have worked for me have

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<v Speaker 4>been big casts. We love casting our friends, funny people,

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<v Speaker 4>people who you know, also maybe weren't shown that they

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<v Speaker 4>could do, you know, com You know, a guy like

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<v Speaker 4>Mark Wahlberg really didn't have it started, and then we

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<v Speaker 4>thought of them for the other guys and and things

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<v Speaker 4>kind of took off for him in in a totally

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<v Speaker 4>different direction. Sou But yeah, I think I think a

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<v Speaker 4>lot of that points back to sports.

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<v Speaker 1>What do you say to people who feel comedy really

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<v Speaker 1>isn't the same as at what once was. You guys

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<v Speaker 1>kind of set the standard. A group of guys set

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<v Speaker 1>the standard in the in the two thousands, and to me,

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<v Speaker 1>it hasn't necessarily been the same. It hasn't really translated

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<v Speaker 1>on the big screen or streaming or whatever, however people

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<v Speaker 1>watch their movies these days.

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<v Speaker 4>Yeah, you know, I don't. I don't know.

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<v Speaker 2>I don't.

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<v Speaker 4>I don't really get in to the weeds of of

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<v Speaker 4>comedy analysis too much. You know, it's always a thing

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<v Speaker 4>that's gonna ebb and flow in terms of people's taste

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<v Speaker 4>and what people want to create, and I just kind

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<v Speaker 4>of do you do my thing, and hopefully you like it.

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<v Speaker 4>I don't know what to tell you. It worked out

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<v Speaker 4>for good, so you know a lot of times that

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<v Speaker 4>that's what still strikes me today is the weird stuff

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<v Speaker 4>that comes out of my brain. Somehow, A majority of

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<v Speaker 4>people thought it was funny for the most part. There

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<v Speaker 4>are definitely some things that that didn't work, which is

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<v Speaker 4>the nature of the beast. But you know that that's

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<v Speaker 4>why I think being on something like Saturday Night Live,

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<v Speaker 4>where we every week you had to come up with

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<v Speaker 4>something new and you just had to throw it against

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<v Speaker 4>the wall, and you couldn't you couldn't get wrapped up in,

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<v Speaker 4>you know, judging it too too intensely because you just

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<v Speaker 4>had to move on to the next thing. So it

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<v Speaker 4>created this muscle of like just try it, don't judge

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<v Speaker 4>it too much, trust your instincts and and kind of

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<v Speaker 4>move on. So I don't know, I'm still trying to

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<v Speaker 4>do that.

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<v Speaker 5>I think the people that go on Stata in my

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<v Speaker 5>Live like you and just stand out. That's the comedians

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<v Speaker 5>that separates themselves like Eddie did it when he went

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<v Speaker 5>on Saturday Live. When you, when you went on Saturday

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<v Speaker 5>Live like you stood out, Like It's very few people

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<v Speaker 5>and a lot of people have come through Saturday Time

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<v Speaker 5>and I watched them all.

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<v Speaker 2>There's very few that stand down and command everything.

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<v Speaker 4>You've always been a fan of comp Yes, yeah, my

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<v Speaker 4>whole life. Yeah, Matt, not so much.

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<v Speaker 1>No, I love it.

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<v Speaker 2>I love it. I'm just listening.

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<v Speaker 1>I'm excited to have you here. So I'm listening to

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<v Speaker 1>the stories.

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<v Speaker 5>He's a joker, trust me, don't he's warming up, trust me.

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<v Speaker 5>It's a whole bunch of shots of comings you get

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<v Speaker 5>ready to do.

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<v Speaker 4>But that's what that's what I love about talking to

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<v Speaker 4>athletes people in music like like they're drawn to comedy

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<v Speaker 4>as another thing, like to take your brain off of.

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<v Speaker 2>What you do. You'd definitely a get away, right, definitely

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<v Speaker 2>get away?

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<v Speaker 4>Yeah, and it goes good with camps.

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<v Speaker 1>Okay, yes, start.

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<v Speaker 4>On cannabis sativa.

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<v Speaker 1>Yeah, that in the mornings, absolutely, Yeah, I love it.

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<v Speaker 2>I can't do it if you need it.

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<v Speaker 1>The show, obviously my legs talking about it.

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<v Speaker 2>Us to start Them was in Austin.

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<v Speaker 5>Austin Power's debut in the movie How was that with

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<v Speaker 5>Austin Powers?

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<v Speaker 2>It was big for everybody.

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<v Speaker 1>I know.

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<v Speaker 2>I actually didn't like it at first.

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<v Speaker 4>Yeah, a lot of people didn't.

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<v Speaker 1>I didn't like it at first, but they had to

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<v Speaker 1>grow up. Yeah.

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<v Speaker 4>Yeah, No, I remember when the movie I'd heard about,

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<v Speaker 4>you know, uh, I'd heard that Mike Myers made the

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<v Speaker 4>Spy movie and they said it wasn't you know, industry term,

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<v Speaker 4>it wasn't tracking well, people didn't know what to make

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<v Speaker 4>of it. Yeah, and it became this cult like the

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<v Speaker 4>audience kind of slowly caught up to what was going on.

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<v Speaker 4>But yeah, that was that was you know, I was.

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<v Speaker 4>That was kind of the first big film set I

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<v Speaker 4>was on, and uh yeah, pretty scary. Uh yeah, a

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<v Speaker 4>lot of improv and uh but you know, I don't know,

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<v Speaker 4>I I I was very lucky and looking back to

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<v Speaker 4>having some of these small campmeo roles early in my

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<v Speaker 4>career to where I didn't have to worry about having

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<v Speaker 4>a whole movie right on my shoulders, And it was

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<v Speaker 4>a way to just kind of get out and leave

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<v Speaker 4>them wanted more and so and yeah, so I I

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<v Speaker 4>really owe Mike and Jay Roach a lot for cast.

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<v Speaker 1>Me in that go down memory lane and and and

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<v Speaker 1>talk about some of your best work and play a

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<v Speaker 1>game called fact or fiction. Oh, okay, is it true

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<v Speaker 1>you performed stand up for the O J. Simpson jury?

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<v Speaker 4>Not stand up, but we did. We did sketches. Okay,

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<v Speaker 4>So this place I'd mentioned in LA called the Groundlings,

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<v Speaker 4>we were doing our sketch show at the time, which

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<v Speaker 4>was when the o J. Jury was sequestered, and we

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<v Speaker 4>felt so bad for you know, this group of people

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<v Speaker 4>that just went from their hotel to the courtroom that

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<v Speaker 4>we performed right in the comedy in the courtroom, not

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<v Speaker 4>in the courtroom, but a court room. And uh yeah,

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<v Speaker 4>very surreal experience, but a very sweet group of people

0:12:07.400 --> 0:12:11.559
<v Speaker 4>who just were like, you know, there we were in

0:12:11.679 --> 0:12:15.240
<v Speaker 4>our wigs and funny costumes, trying to get him to

0:12:15.320 --> 0:12:18.120
<v Speaker 4>laugh in a badly fluorescent lit court.

0:12:18.240 --> 0:12:22.360
<v Speaker 1>Oh factor fiction, you have a you got a fake

0:12:22.440 --> 0:12:25.280
<v Speaker 1>pair of balls from step brothers in the trophy case.

0:12:26.240 --> 0:12:29.880
<v Speaker 4>Fact, yes, guess how much they caught.

0:12:29.920 --> 0:12:30.360
<v Speaker 1>I guess.

0:12:33.400 --> 0:12:38.360
<v Speaker 4>More like ten thousand, yeah five per ball five that

0:12:38.559 --> 0:12:42.640
<v Speaker 4>was the going rate early, Yeah, two thousand and six,

0:12:42.720 --> 0:12:46.440
<v Speaker 4>that's the going rate for ball. Probably we're twenty Yeah,

0:12:46.880 --> 0:12:47.760
<v Speaker 4>probably we're twenty now.

0:12:47.880 --> 0:12:54.920
<v Speaker 1>Inflation's crazy, but they are very, very realistically. I should

0:12:54.960 --> 0:12:57.559
<v Speaker 1>have brought them today. Should we should have gave you

0:12:57.600 --> 0:13:02.760
<v Speaker 1>a heads up. That's our fault. Oh semi pro factor fishing.

0:13:02.840 --> 0:13:05.440
<v Speaker 1>The bear that you wrestled in the movie later killed its.

0:13:05.320 --> 0:13:14.200
<v Speaker 4>Trainer, not because of that movie, but yes, yeah I did.

0:13:14.960 --> 0:13:18.120
<v Speaker 4>It did even though I didn't wrestle the real real bear.

0:13:19.320 --> 0:13:22.520
<v Speaker 4>We we switched, I got I wasn't about to. Yeah,

0:13:23.679 --> 0:13:24.440
<v Speaker 4>but yeah, that's nuts.

0:13:24.440 --> 0:13:26.160
<v Speaker 1>You would pretty much do anything for that team, though

0:13:27.000 --> 0:13:29.240
<v Speaker 1>Jackie would do anything, anything for anything.

0:13:29.559 --> 0:13:31.720
<v Speaker 2>Yeah, ship.

0:13:33.720 --> 0:13:35.240
<v Speaker 1>Was the jive turkey line.

0:13:35.600 --> 0:13:39.640
<v Speaker 4>I think that bear is out of the business when

0:13:39.679 --> 0:13:40.640
<v Speaker 4>you kill your trainer.

0:13:41.559 --> 0:13:47.360
<v Speaker 1>I wonder if that eliminates us for one K thought, Yeah,

0:13:47.360 --> 0:13:52.480
<v Speaker 1>it's still getting should something just leave hanging? Is the

0:13:52.600 --> 0:13:55.559
<v Speaker 1>jive turkey line improvised or in the script?

0:13:55.880 --> 0:14:00.000
<v Speaker 4>Oh jive jive turkey was was a scene we showed

0:14:00.320 --> 0:14:02.400
<v Speaker 4>later and that's all scripted.

0:14:02.720 --> 0:14:05.920
<v Speaker 1>Okay. Yeah, Coffee Black character played Boy one hundred three thousand.

0:14:06.360 --> 0:14:08.400
<v Speaker 1>What was it like working this is Not Nothing A

0:14:08.520 --> 0:14:11.560
<v Speaker 1>Factor fiction? What was it like working with Andre?

0:14:11.840 --> 0:14:12.199
<v Speaker 2>Was about?

0:14:12.280 --> 0:14:17.600
<v Speaker 4>He he's probably like the you know, whether it's intentional

0:14:17.679 --> 0:14:21.960
<v Speaker 4>or not, the coolest human being just the way life. Yeah,

0:14:22.640 --> 0:14:25.040
<v Speaker 4>coolest guy ever, the hell of a title to half Yeah,

0:14:25.840 --> 0:14:27.640
<v Speaker 4>and I don't even think he tried to be cool,

0:14:27.680 --> 0:14:32.880
<v Speaker 4>but he was just always cool. Yeah, and yeah, I

0:14:33.000 --> 0:14:36.040
<v Speaker 4>think I mean, he's only done a couple of movies,

0:14:36.800 --> 0:14:41.040
<v Speaker 4>isn't But he was just so charismatic when we auditioned him, and.

0:14:42.560 --> 0:14:45.480
<v Speaker 5>Yeah, he became Coffee Black. He's real picky about what

0:14:45.560 --> 0:14:47.560
<v Speaker 5>he does and what he attaches his stuff to. Sure,

0:14:49.280 --> 0:14:52.120
<v Speaker 5>fact to fiction in old School. In the streaking scene,

0:14:52.800 --> 0:14:55.480
<v Speaker 5>you actually ran naked by a public gym and freadmills

0:14:55.880 --> 0:14:56.720
<v Speaker 5>up against the window.

0:14:56.960 --> 0:15:03.360
<v Speaker 4>Fact, Yeah, that's right out here. And uh, Montrose, anyone

0:15:03.440 --> 0:15:08.520
<v Speaker 4>live in Montrose's out?

0:15:08.920 --> 0:15:09.080
<v Speaker 1>Is that?

0:15:09.480 --> 0:15:10.040
<v Speaker 2>Through the quad?

0:15:11.280 --> 0:15:11.320
<v Speaker 3>That?

0:15:11.440 --> 0:15:11.600
<v Speaker 2>Well?

0:15:11.640 --> 0:15:14.480
<v Speaker 4>That was we were just it's it's kind of this

0:15:14.600 --> 0:15:18.680
<v Speaker 4>little town up near Pasadena. The street that that looks

0:15:18.760 --> 0:15:21.200
<v Speaker 4>like like has kind of an East Coast look to it,

0:15:22.160 --> 0:15:26.480
<v Speaker 4>And we were rehearsing. We were waiting for the sun

0:15:26.720 --> 0:15:28.760
<v Speaker 4>to go down, so we were just kind of rehearsing

0:15:29.240 --> 0:15:35.400
<v Speaker 4>the camera move for for that scene. And uh, and

0:15:35.560 --> 0:15:38.240
<v Speaker 4>I noticed there's like a restaurant, there's all these shops,

0:15:38.960 --> 0:15:42.360
<v Speaker 4>and there was this gym with with with all all

0:15:42.440 --> 0:15:47.960
<v Speaker 4>these treadmills and all these housewives jogging on the treadmill.

0:15:48.000 --> 0:15:50.760
<v Speaker 4>And I said to one of the crew people, like,

0:15:51.480 --> 0:15:53.480
<v Speaker 4>do these people know what's about to be filmed here?

0:15:53.520 --> 0:15:56.480
<v Speaker 4>Because I'm in a robe and there, and someone was like, oh,

0:15:56.560 --> 0:16:00.760
<v Speaker 4>I don't know anyway, action and then I start running

0:16:01.360 --> 0:16:03.280
<v Speaker 4>and we're doing the scene and I can literally hear

0:16:03.400 --> 0:16:13.120
<v Speaker 4>off camera whoa, And then we do. By the third take,

0:16:13.280 --> 0:16:16.800
<v Speaker 4>the gym was cleared out. Everyone had left. They didn't

0:16:16.880 --> 0:16:19.480
<v Speaker 4>They weren't excited to see me run naked.

0:16:19.640 --> 0:16:20.760
<v Speaker 1>No heads up, huh.

0:16:21.280 --> 0:16:23.440
<v Speaker 2>What's the backstore? You gotta fucking dart and your nick.

0:16:23.600 --> 0:16:26.240
<v Speaker 4>See that was just it was just in the script,

0:16:27.400 --> 0:16:34.240
<v Speaker 4>and I just remember thinking, oh, this is funny. I

0:16:35.840 --> 0:16:38.440
<v Speaker 4>didn't know that when I saw it when the audience,

0:16:38.480 --> 0:16:43.200
<v Speaker 4>that it would play that that crazy. And but it

0:16:43.320 --> 0:16:46.360
<v Speaker 4>was my idea to like, once I'm hit with a tranquilizer,

0:16:46.440 --> 0:16:48.080
<v Speaker 4>dart and we knew I was gonna fall in the pool.

0:16:48.200 --> 0:16:50.560
<v Speaker 4>I was like, can we get some can we get

0:16:50.640 --> 0:16:52.520
<v Speaker 4>like a stunt kid? We have like a kid who

0:16:52.560 --> 0:16:55.400
<v Speaker 4>I can shove to the ground. And they're like we

0:16:55.560 --> 0:16:58.200
<v Speaker 4>actually we were hoping we have this kid's a stunt kid.

0:16:59.240 --> 0:17:01.600
<v Speaker 4>You can throw down, you can do whatever you want.

0:17:02.160 --> 0:17:05.720
<v Speaker 4>So that's why that's why I'm like ship knocking everyone through.

0:17:05.760 --> 0:17:07.840
<v Speaker 4>But yeah, that was That was Todd phillips whole plan

0:17:07.960 --> 0:17:11.480
<v Speaker 4>of like the juxtaposition of a guy hit with a

0:17:11.560 --> 0:17:14.520
<v Speaker 4>trank dart walking through a kid's birthday party.

0:17:15.520 --> 0:17:15.720
<v Speaker 2>Yeah.

0:17:17.800 --> 0:17:24.199
<v Speaker 5>Yeah, back to fiction and wedding crashes doing the right

0:17:24.480 --> 0:17:27.400
<v Speaker 5>The camera actually shakes because the camera man laughs so hard.

0:17:27.560 --> 0:17:30.119
<v Speaker 4>Oh, I don't know. I don't know about that.

0:17:30.840 --> 0:17:33.960
<v Speaker 1>Okay, maybe we did too good at research on this. Really. Yeah,

0:17:34.000 --> 0:17:35.159
<v Speaker 1>they didn't even let you know about it.

0:17:35.280 --> 0:17:40.600
<v Speaker 2>Yeah that's how good we all here, but we see

0:17:40.640 --> 0:17:41.040
<v Speaker 2>the cameras.

0:17:41.160 --> 0:17:43.600
<v Speaker 4>But that was that was a lot of that stuff.

0:17:43.720 --> 0:17:45.560
<v Speaker 4>The whole meat loft thing was all I just that

0:17:45.680 --> 0:17:46.440
<v Speaker 4>was all improvised.

0:17:46.720 --> 0:17:48.520
<v Speaker 1>Yeah, I know what she's doing back there.

0:17:48.600 --> 0:17:51.120
<v Speaker 4>Yeah, that was all because I because it was making

0:17:51.160 --> 0:17:53.800
<v Speaker 4>me laugh at this this. I could hear her back

0:17:53.840 --> 0:17:58.480
<v Speaker 4>there the actress, what's up? But I know that in

0:17:59.840 --> 0:18:04.200
<v Speaker 4>I know that in Talladega Knights when we're doing the

0:18:06.200 --> 0:18:10.320
<v Speaker 4>the baby Jesus scene and then we're we're having the

0:18:10.359 --> 0:18:16.159
<v Speaker 4>debate about and the kids were like making fun of

0:18:16.240 --> 0:18:18.359
<v Speaker 4>the grandfather, like I'll come out you chip, like the

0:18:20.000 --> 0:18:24.480
<v Speaker 4>exactly we kept feeding them where the camera guy he

0:18:24.800 --> 0:18:28.080
<v Speaker 4>was like hugely shaking so far he was and he

0:18:28.160 --> 0:18:31.480
<v Speaker 4>kept apologizing. He's like, I'm so sorry, I can't stop laughing.

0:18:33.200 --> 0:18:36.639
<v Speaker 1>Those kids are sucking animals. Yeah, they were, Well, you

0:18:36.680 --> 0:18:37.040
<v Speaker 1>find the.

0:18:39.240 --> 0:18:40.160
<v Speaker 2>Kids funny ship.

0:18:40.800 --> 0:18:44.160
<v Speaker 1>Anchorman is the movie that's near and dear to your heart.

0:18:44.440 --> 0:18:48.440
<v Speaker 4>Factor fiction, I would say fact. I think that that

0:18:48.920 --> 0:18:55.160
<v Speaker 4>is uh uh, that was you know it. It's it's

0:18:55.200 --> 0:18:59.600
<v Speaker 4>a cliche Hollywood story you hear about movies where you know,

0:18:59.720 --> 0:19:02.600
<v Speaker 4>no no one wanted to make them, no one really understood,

0:19:02.600 --> 0:19:05.080
<v Speaker 4>And that was kind of our version of that.

0:19:05.359 --> 0:19:05.639
<v Speaker 2>It was.

0:19:06.119 --> 0:19:12.080
<v Speaker 4>I think when we first we were going out to

0:19:12.160 --> 0:19:15.560
<v Speaker 4>studios and finance, I think over the course of a

0:19:15.640 --> 0:19:17.560
<v Speaker 4>two week period of time, I think we had twenty

0:19:17.680 --> 0:19:23.159
<v Speaker 4>rejections of like I said, either people with financing or

0:19:23.200 --> 0:19:29.399
<v Speaker 4>studios themselves who just didn't get why that would be funny,

0:19:29.400 --> 0:19:31.440
<v Speaker 4>and we were trying to use the Austin Powers model

0:19:31.640 --> 0:19:35.320
<v Speaker 4>of you know, well, no one thought a spy genre

0:19:35.440 --> 0:19:38.280
<v Speaker 4>would be translate to comedy. This is the same for like,

0:19:39.000 --> 0:19:41.760
<v Speaker 4>you know a bunch of news people who you know,

0:19:41.960 --> 0:19:44.919
<v Speaker 4>and it's not trust me, it's these characters are going

0:19:45.000 --> 0:19:45.560
<v Speaker 4>to be crazy.

0:19:46.240 --> 0:19:46.480
<v Speaker 2>It's not.

0:19:47.600 --> 0:19:50.960
<v Speaker 4>It's not a you know, a narrative about the news.

0:19:53.400 --> 0:19:54.560
<v Speaker 2>And so that was.

0:19:56.400 --> 0:20:00.000
<v Speaker 4>When we finally got to it's funny. The one student

0:20:00.080 --> 0:20:04.040
<v Speaker 4>you where it was at Old School came out and

0:20:04.280 --> 0:20:06.320
<v Speaker 4>that was at the same that was at dream Works

0:20:08.200 --> 0:20:11.679
<v Speaker 4>and Anchorman was just sitting on the shelf. So then

0:20:11.800 --> 0:20:15.360
<v Speaker 4>Old School came out became a big hit, and they're like, wait,

0:20:15.400 --> 0:20:23.119
<v Speaker 4>we always liked Anchorman, but but that was you know,

0:20:23.200 --> 0:20:26.080
<v Speaker 4>I was really you talk about Stephen, you're talking about

0:20:26.119 --> 0:20:28.399
<v Speaker 4>leaving Saturn Night Live, and it's not necessarily I think

0:20:28.440 --> 0:20:32.000
<v Speaker 4>people view it as like an automatic launching pad to

0:20:32.400 --> 0:20:36.119
<v Speaker 4>a career, and it's not necessarily the case. It's it's uh,

0:20:37.520 --> 0:20:40.240
<v Speaker 4>it is harder than you think to leave that show

0:20:40.400 --> 0:20:45.040
<v Speaker 4>and find success afterwards. So and when I left the show,

0:20:45.080 --> 0:20:47.479
<v Speaker 4>I really didn't have it just felt like the right

0:20:47.600 --> 0:20:50.960
<v Speaker 4>time to go and test the waters. But but I

0:20:51.040 --> 0:20:54.800
<v Speaker 4>got lucky in that the first three projects after Saturday

0:20:54.880 --> 0:21:02.119
<v Speaker 4>Night Live were Old School Elf and Anchorman, So it's.

0:21:01.960 --> 0:21:02.760
<v Speaker 1>A nice three piece.

0:21:04.320 --> 0:21:05.720
<v Speaker 2>You have a massive heart.

0:21:11.520 --> 0:21:15.679
<v Speaker 1>Fleets funny too when we first started.

0:21:15.520 --> 0:21:17.280
<v Speaker 4>By the way, that the hard on was not ten

0:21:17.320 --> 0:21:23.240
<v Speaker 4>thousand dollars. That was just literally a the end of

0:21:23.359 --> 0:21:31.000
<v Speaker 4>a paper towel roll in my pants, So fact not fiction,

0:21:31.800 --> 0:21:37.720
<v Speaker 4>pure fact, pure fact. Depletes did accentuate it's deplete.

0:21:39.160 --> 0:21:42.200
<v Speaker 1>He caught it at the right angle. Yeah, when we

0:21:42.320 --> 0:21:45.520
<v Speaker 1>first started doing this, Jack would literally read anything on

0:21:45.600 --> 0:21:47.560
<v Speaker 1>the prompter, so his nickname. For the longest time with

0:21:47.680 --> 0:21:51.240
<v Speaker 1>ron Berg, we were horrible doing ads. When we first started,

0:21:52.000 --> 0:21:55.879
<v Speaker 1>Jack would just fucking read anything on for the heads.

0:21:58.280 --> 0:21:58.800
<v Speaker 2>San Diego.

0:22:01.040 --> 0:22:02.840
<v Speaker 4>When we were when we were writing the script, we

0:22:02.920 --> 0:22:05.840
<v Speaker 4>were like, Okay, this guy has to be such an

0:22:05.880 --> 0:22:08.240
<v Speaker 4>idiot that he and then we were like, what could

0:22:08.240 --> 0:22:11.200
<v Speaker 4>be the worst thing he could say that would ruin

0:22:11.240 --> 0:22:13.840
<v Speaker 4>his career And we're like, Oh, tell an entire city

0:22:13.920 --> 0:22:18.200
<v Speaker 4>to go fucking and go fuck yourself, San Diego, and

0:22:18.280 --> 0:22:20.560
<v Speaker 4>then deny that he said it.

0:22:22.480 --> 0:22:24.080
<v Speaker 1>I just want to punch you in the face that

0:22:24.640 --> 0:22:28.520
<v Speaker 1>those Taladiga Knights did. Sasha Baron Cone true factor fiction

0:22:28.720 --> 0:22:30.719
<v Speaker 1>really improve the kiss at the end.

0:22:31.000 --> 0:22:31.920
<v Speaker 4>I think that was scripted.

0:22:31.960 --> 0:22:33.680
<v Speaker 1>Oh, you guys just weren't in the moment in the

0:22:33.760 --> 0:22:34.159
<v Speaker 1>kind of justs.

0:22:34.280 --> 0:22:38.760
<v Speaker 4>I mean, he does have gorgeous eyes. Uh no, that

0:22:39.240 --> 0:22:41.280
<v Speaker 4>was Yeah, that was in the script.

0:22:41.480 --> 0:22:45.200
<v Speaker 1>John c Riley, you guys have some amazing on screen chemistry.

0:22:45.520 --> 0:22:48.040
<v Speaker 1>How did all that map out? And how did the

0:22:48.119 --> 0:22:49.480
<v Speaker 1>NASCAR feel about that movie?

0:22:49.640 --> 0:22:49.840
<v Speaker 2>Well?

0:22:50.240 --> 0:22:55.000
<v Speaker 4>Uh, John and I met, Uh, John and I met

0:22:55.040 --> 0:22:58.640
<v Speaker 4>through Molly Shannon. I was still on Certain I Live.

0:22:58.880 --> 0:23:00.720
<v Speaker 4>She had just done a movie. FIMS like you need

0:23:00.800 --> 0:23:02.399
<v Speaker 4>to meet this guy, John cy Riley. I'm like, oh,

0:23:02.400 --> 0:23:07.280
<v Speaker 4>I'm a huge fan. And and and we started, you know,

0:23:07.400 --> 0:23:11.760
<v Speaker 4>seeing each other here and there, and ah, we originally

0:23:11.960 --> 0:23:15.480
<v Speaker 4>wanted wanted him to be an anchorman, but he was

0:23:15.720 --> 0:23:20.920
<v Speaker 4>uh he was too busy shooting Gangs of New York

0:23:21.240 --> 0:23:25.280
<v Speaker 4>with Scorsese. Uh so he was unavailable. And but but

0:23:26.640 --> 0:23:32.600
<v Speaker 4>we kept uh uh Danny d Lewis great movie. And

0:23:32.840 --> 0:23:35.040
<v Speaker 4>then we just kept we just kept thinking, God, John

0:23:35.040 --> 0:23:38.600
<v Speaker 4>would just be great because he he always was very

0:23:38.640 --> 0:23:40.920
<v Speaker 4>comedic in a lot of the Paul Thomas Anderson movies.

0:23:41.080 --> 0:23:47.159
<v Speaker 4>And and so when we started thinking of of a

0:23:47.280 --> 0:23:50.200
<v Speaker 4>NASCAR movie. We thought, oh, John would be perfect to play,

0:23:50.359 --> 0:23:53.000
<v Speaker 4>so we got we got him to play Coununt Junior

0:23:54.880 --> 0:23:59.840
<v Speaker 4>and he's, you know, arguably one of the best things

0:24:00.880 --> 0:24:03.639
<v Speaker 4>in that movie. And then it was John. It was

0:24:03.720 --> 0:24:06.080
<v Speaker 4>John who really pushed us to do Step Brothers as well,

0:24:06.160 --> 0:24:10.680
<v Speaker 4>because he was like, look, we this doesn't happen, this

0:24:10.880 --> 0:24:14.240
<v Speaker 4>kind of chemistry, this kind of we both think the

0:24:14.280 --> 0:24:16.320
<v Speaker 4>same things are funny, and like we gotta like, let's

0:24:16.400 --> 0:24:20.160
<v Speaker 4>run it back. And and that's when we were kicking

0:24:20.160 --> 0:24:22.879
<v Speaker 4>around ideas. And that's when Adam McKay came up with

0:24:22.920 --> 0:24:25.359
<v Speaker 4>the idea of like, what if you're just two guys

0:24:25.440 --> 0:24:29.240
<v Speaker 4>in their forties who still live at home with their parents. Yeah,

0:24:29.840 --> 0:24:35.040
<v Speaker 4>and we're like, that's it. But in terms of Nascar,

0:24:35.160 --> 0:24:41.800
<v Speaker 4>they they were they couldn't have been cool. They were like, Okay,

0:24:42.400 --> 0:24:45.080
<v Speaker 4>we're into it. Just make sure the driving looks realistic.

0:24:46.040 --> 0:24:49.919
<v Speaker 4>Were like done, we want that. And and they were

0:24:50.080 --> 0:24:54.280
<v Speaker 4>afraid about the title Talladega Knights at first. They didn't

0:24:54.320 --> 0:24:57.040
<v Speaker 4>want it because they thought they thought the movie was

0:24:57.119 --> 0:25:00.520
<v Speaker 4>going to be about Talladega Motor Speedway, which is the

0:25:00.680 --> 0:25:04.639
<v Speaker 4>only it's the only racetrack in NASCAR that has its

0:25:04.640 --> 0:25:09.720
<v Speaker 4>own jail. Yeah, and people when they go that they party,

0:25:09.880 --> 0:25:12.440
<v Speaker 4>they party hard, and they were afraid it was about

0:25:12.480 --> 0:25:15.200
<v Speaker 4>the culture of how crazy it gets there. We're like,

0:25:15.240 --> 0:25:17.680
<v Speaker 4>oh no, no, we just we didn't even know all that.

0:25:17.840 --> 0:25:20.600
<v Speaker 4>Thank you for letting us know. No, we were just like,

0:25:20.680 --> 0:25:23.720
<v Speaker 4>we just loved that title and and they were like,

0:25:24.720 --> 0:25:27.960
<v Speaker 4>they were like, go do your thing and gave us

0:25:28.600 --> 0:25:35.600
<v Speaker 4>amazing access. And but I think the combination of our comedy,

0:25:35.760 --> 0:25:39.960
<v Speaker 4>our silliness with how real and how but that movie

0:25:40.040 --> 0:25:46.840
<v Speaker 4>is so interesting because NASCAR fans are like they I've

0:25:46.920 --> 0:25:49.200
<v Speaker 4>never been a part of a movie where two sides

0:25:49.240 --> 0:25:53.359
<v Speaker 4>of the comedy spectrum. You had people who said, how'd

0:25:53.359 --> 0:25:57.000
<v Speaker 4>you get away with making that movie? It's so funny

0:25:57.040 --> 0:26:00.359
<v Speaker 4>what you did. You're making fun of Nascar, and NASCAR

0:26:00.440 --> 0:26:03.680
<v Speaker 4>farans were like, thank you for being true to the sport.

0:26:05.800 --> 0:26:11.160
<v Speaker 4>So we somehow like threaded that needle and both both

0:26:11.240 --> 0:26:13.440
<v Speaker 4>audiences loved it. So that's great.

0:26:13.560 --> 0:26:16.840
<v Speaker 2>Yeah, going back to step Bus when he came in

0:26:16.880 --> 0:26:19.119
<v Speaker 2>the house and he was like, why are you sweating?

0:26:19.920 --> 0:26:24.000
<v Speaker 2>Watch the cops? Do you know that?

0:26:24.160 --> 0:26:27.760
<v Speaker 4>I was That's that's one of That's one of my

0:26:27.800 --> 0:26:32.440
<v Speaker 4>favorite stories of uh. I like to tell about because

0:26:32.440 --> 0:26:34.520
<v Speaker 4>I'll have people who come up and repeat lines from

0:26:34.560 --> 0:26:37.960
<v Speaker 4>movies and I forget that I've said them, and they

0:26:38.040 --> 0:26:42.040
<v Speaker 4>get really mad at me. And I was I was

0:26:42.119 --> 0:26:45.720
<v Speaker 4>somewhere once and I was in my car and this

0:26:46.400 --> 0:26:48.440
<v Speaker 4>this woman pulled up and she was like, hey, Will,

0:26:49.200 --> 0:26:54.480
<v Speaker 4>and she's like, why are you so sweaty? And I

0:26:54.640 --> 0:26:56.679
<v Speaker 4>literally had just i'd been on a bike riding like, oh,

0:26:56.680 --> 0:26:58.440
<v Speaker 4>because I was riding on my bike. She's like, no,

0:26:59.760 --> 0:27:05.800
<v Speaker 4>from step Brothers. She got so mad at me. You

0:27:05.840 --> 0:27:08.680
<v Speaker 4>were watching Cops. I'm like, oh, that's right, Yeah, never mind.

0:27:11.440 --> 0:27:16.000
<v Speaker 4>I lost a fan there. But people own the ownership

0:27:16.040 --> 0:27:19.200
<v Speaker 4>of these movies, which is amazing, is sometimes intense, and

0:27:19.359 --> 0:27:21.920
<v Speaker 4>they get really mad if I don't know the line

0:27:21.960 --> 0:27:24.840
<v Speaker 4>right away. But now I know that one. If you

0:27:25.000 --> 0:27:28.720
<v Speaker 4>if anyone who comes up and says, I'll say.

0:27:31.119 --> 0:27:38.000
<v Speaker 1>Old Milwaukee Beer, you were once the face helped helped Okay, yeah,

0:27:38.400 --> 0:27:41.360
<v Speaker 1>some people say those commercials, you know, kind of helped

0:27:41.359 --> 0:27:43.800
<v Speaker 1>save the company maybe for like a.

0:27:43.800 --> 0:27:48.440
<v Speaker 4>Half a second. No, we were pitched. We were pitched

0:27:48.440 --> 0:27:50.760
<v Speaker 4>by Old Millon whatever. The parent company was like, we're

0:27:50.800 --> 0:27:53.200
<v Speaker 4>about to get rid of this brand, and if you

0:27:53.280 --> 0:27:56.600
<v Speaker 4>want to just go shoot crazy commercials. We'll give you

0:27:56.720 --> 0:27:59.920
<v Speaker 4>percentage of the sales. And so we went and gorillas

0:28:00.040 --> 0:28:02.639
<v Speaker 4>I shot these crazy old old school commercials. That that

0:28:02.720 --> 0:28:07.240
<v Speaker 4>makes it even better that Uh, let's just say I

0:28:07.280 --> 0:28:11.640
<v Speaker 4>got a check for five thousand dollars Old Milwaukee.

0:28:11.800 --> 0:28:16.280
<v Speaker 1>Yes, it sounds like it's a terrible, terrible Yes, I'm

0:28:16.320 --> 0:28:17.280
<v Speaker 1>sorry anyone.

0:28:17.359 --> 0:28:18.639
<v Speaker 4>I don't even know if it still exists.

0:28:19.200 --> 0:28:21.639
<v Speaker 2>I doubt it. I doubt it.

0:28:22.000 --> 0:28:23.240
<v Speaker 4>It's no PBR.

0:28:23.280 --> 0:28:26.240
<v Speaker 2>Characters have iconic names. Do you personally name them your stuff?

0:28:26.480 --> 0:28:27.080
<v Speaker 1>Yeah, a lot of them.

0:28:27.119 --> 0:28:29.320
<v Speaker 4>A lot of times we would start, we wouldn't write

0:28:29.400 --> 0:28:30.480
<v Speaker 4>until we thought of the name.

0:28:30.760 --> 0:28:35.160
<v Speaker 6>Ricky Bobby yep, Ricky Bobby, ron Ron Burgundy, Jackie Moon,

0:28:35.760 --> 0:28:36.320
<v Speaker 6>Jackie Moon.

0:28:36.520 --> 0:28:39.960
<v Speaker 4>Yeah, break the take. Nope, I didn't come up with that,

0:28:40.360 --> 0:28:46.600
<v Speaker 4>you take. I came up with Gator Gater, we don't play. Yeah,

0:28:49.280 --> 0:28:52.120
<v Speaker 4>we came up with uh Dale and Brennan.

0:28:53.040 --> 0:28:53.840
<v Speaker 2>Oh my god.

0:28:54.120 --> 0:28:56.640
<v Speaker 1>Yeah, that's such perfect name.

0:28:57.920 --> 0:29:00.960
<v Speaker 4>But Yeah, for some reason, I don't know why. It's

0:29:01.000 --> 0:29:03.760
<v Speaker 4>almost like if you come up with the name, it automatically,

0:29:04.000 --> 0:29:07.760
<v Speaker 4>you've already started thinking about the background and the structure

0:29:07.760 --> 0:29:09.520
<v Speaker 4>of who that person is. I don't know why the

0:29:09.640 --> 0:29:10.960
<v Speaker 4>name sets it off.

0:29:11.120 --> 0:29:11.880
<v Speaker 2>But it starts.

0:29:12.520 --> 0:29:15.520
<v Speaker 4>It starts the storytelling and uh and then you could

0:29:16.200 --> 0:29:17.320
<v Speaker 4>you begin writing from there?

0:29:17.920 --> 0:29:19.080
<v Speaker 1>Is there anybody.

0:29:19.000 --> 0:29:23.960
<v Speaker 4>Lonnie Hawk, Lonnie Hawkins? We started kicking names around. They

0:29:24.000 --> 0:29:27.160
<v Speaker 4>were like, oh, Lonnie, what about something Hawkins? Lonnie Hawkins. Oh,

0:29:27.240 --> 0:29:30.560
<v Speaker 4>and he's got to call himself the Hawk and that

0:29:31.640 --> 0:29:35.400
<v Speaker 4>that also just set the attitude, you know, and that's

0:29:35.640 --> 0:29:38.360
<v Speaker 4>in the show. I'm I'm hardly eighty percent of the show.

0:29:38.480 --> 0:29:41.400
<v Speaker 4>I wear this this visor, yea to remind you because

0:29:41.400 --> 0:29:43.440
<v Speaker 4>he's a guy who's so afraid that you're not going

0:29:43.520 --> 0:29:48.680
<v Speaker 4>to know who he is, so he always wears his visor,

0:29:49.200 --> 0:29:51.640
<v Speaker 4>which is so dirty too, and it's.

0:29:51.600 --> 0:29:52.080
<v Speaker 2>Very I broke.

0:29:52.200 --> 0:29:53.920
<v Speaker 4>I brought the clean one, I can tell I was,

0:29:56.040 --> 0:29:58.720
<v Speaker 4>but yeah, I wear this, Yeah, that dirty visor the

0:29:58.760 --> 0:30:01.400
<v Speaker 4>whole show. But it just started making us laugh. A

0:30:01.480 --> 0:30:04.280
<v Speaker 4>guy who's so insecure, who plays cocky, but he's so

0:30:04.440 --> 0:30:06.320
<v Speaker 4>insecure that he has to wear a visor with his

0:30:06.480 --> 0:30:07.800
<v Speaker 4>nickname on it all the time.

0:30:09.520 --> 0:30:11.360
<v Speaker 1>Is there a chance that before you leave today you

0:30:11.400 --> 0:30:14.240
<v Speaker 1>can give me a jack of nickname? Absolutely awesome, Just

0:30:14.280 --> 0:30:18.120
<v Speaker 1>think about that, No pressure. Okay, what do you like

0:30:18.200 --> 0:30:23.160
<v Speaker 1>about playing the villain? Zoolanders? Bound Down Lego Movies he's

0:30:23.320 --> 0:30:27.400
<v Speaker 1>bounding down. Holy shit, I binge watched that a lot.

0:30:29.440 --> 0:30:35.360
<v Speaker 4>Ashley Schaeffer Ashley Shaffer bmw uh, I mean everyone like

0:30:35.480 --> 0:30:39.920
<v Speaker 4>a villain. Villains are fun, you know, because they you

0:30:40.000 --> 0:30:43.200
<v Speaker 4>know it. I don't know it gets to to get

0:30:43.280 --> 0:30:48.200
<v Speaker 4>to be mean, even though I my villains are always comedic.

0:30:48.680 --> 0:30:51.280
<v Speaker 4>You're never you're never really afraid of funny.

0:30:52.120 --> 0:30:52.360
<v Speaker 1>Yeah.

0:30:52.720 --> 0:30:55.600
<v Speaker 4>Yeah, but it's just a it's just a different a

0:30:55.680 --> 0:30:57.680
<v Speaker 4>different kind of move. It's fun to play.

0:30:57.880 --> 0:31:03.560
<v Speaker 1>Not a social media guy, know, no good thing. Yeah,

0:31:03.760 --> 0:31:06.080
<v Speaker 1>he stepped away. I was on I was on Twitter

0:31:06.200 --> 0:31:07.000
<v Speaker 1>for four days.

0:31:07.120 --> 0:31:07.560
<v Speaker 2>You retire?

0:31:07.680 --> 0:31:09.880
<v Speaker 1>Yeah, yeah, they said you hung it up. Just not something.

0:31:11.680 --> 0:31:14.720
<v Speaker 4>It just kind of it kind of just made my

0:31:14.840 --> 0:31:20.440
<v Speaker 4>head explode in a way that it uh, it couldn't.

0:31:21.120 --> 0:31:23.240
<v Speaker 4>I just knew it was a thing that if I

0:31:23.400 --> 0:31:26.080
<v Speaker 4>was going to be a part of it, I wanted

0:31:26.120 --> 0:31:28.760
<v Speaker 4>to contribute to it and control.

0:31:28.440 --> 0:31:29.040
<v Speaker 2>It and.

0:31:30.760 --> 0:31:33.080
<v Speaker 4>You know it, even though I know you can be

0:31:33.200 --> 0:31:35.120
<v Speaker 4>on social as much or as little as you want,

0:31:35.320 --> 0:31:39.440
<v Speaker 4>but I didn't want the burden of having.

0:31:39.200 --> 0:31:41.360
<v Speaker 1>To keep up, keep up. So that's safe to say

0:31:41.360 --> 0:31:42.520
<v Speaker 1>you don't have any burner accounts.

0:31:43.280 --> 0:31:44.520
<v Speaker 4>I don't have any burner accounts.

0:31:44.600 --> 0:31:45.480
<v Speaker 1>He's not on there, guys.

0:31:45.920 --> 0:31:52.560
<v Speaker 4>I'm sorry, I'm sorry, that's not too disappointing.

0:31:53.680 --> 0:31:55.880
<v Speaker 1>We have a person like I feel like there's a.

0:31:56.000 --> 0:31:59.440
<v Speaker 4>Pall in the room. Yeah, you got to be a person, right,

0:32:00.360 --> 0:32:02.840
<v Speaker 4>Even though I do have thoughts that so oh that'd

0:32:02.840 --> 0:32:05.560
<v Speaker 4>be funny on social media, but I would I would

0:32:05.560 --> 0:32:08.680
<v Speaker 4>probably turn it into such something so annoying just to

0:32:08.760 --> 0:32:11.920
<v Speaker 4>mess with people Like I just take a picture of

0:32:12.000 --> 0:32:14.920
<v Speaker 4>a sandwich every day. That's it. That's all you get.

0:32:16.520 --> 0:32:17.240
<v Speaker 4>Tune a sandwich.

0:32:17.680 --> 0:32:20.120
<v Speaker 1>But somehow that ship would be funny and jelly find

0:32:20.160 --> 0:32:20.920
<v Speaker 1>a way to be funny.

0:32:21.360 --> 0:32:24.680
<v Speaker 4>I would just drive I would drive people crazy that

0:32:25.200 --> 0:32:30.120
<v Speaker 4>so I'd use it more as a punishment. Now I'm

0:32:30.160 --> 0:32:33.000
<v Speaker 4>feeling like I maybe I should get on social media, right,

0:32:35.360 --> 0:32:35.760
<v Speaker 4>we can.

0:32:35.680 --> 0:32:36.120
<v Speaker 2>Work it out.

0:32:36.280 --> 0:32:38.120
<v Speaker 5>I got off the wall question for you sat in

0:32:38.200 --> 0:32:41.600
<v Speaker 5>my life. Let's get with you and Eddie Murphy and Keenan.

0:32:42.160 --> 0:32:43.800
<v Speaker 2>Oh yeah did you do?

0:32:44.960 --> 0:32:45.080
<v Speaker 1>Yes?

0:32:45.960 --> 0:32:46.200
<v Speaker 2>Was all you?

0:32:46.440 --> 0:32:49.760
<v Speaker 4>I told Keenan, like, I'm what, what do you want

0:32:49.800 --> 0:32:51.280
<v Speaker 4>me to do? He's like, just go for it. Be

0:32:51.880 --> 0:32:54.680
<v Speaker 4>just whatever you want to do. I'm like, okay, but

0:32:54.840 --> 0:33:01.000
<v Speaker 4>that that is like that's on the hype breakat Eddie Murphy.

0:33:01.080 --> 0:33:05.000
<v Speaker 4>Laugh is like I could retire right there. It was

0:33:05.240 --> 0:33:08.480
<v Speaker 4>very like that is like one of the highest achievements

0:33:08.560 --> 0:33:12.560
<v Speaker 4>ever for me, And that was like a thrill. That

0:33:12.680 --> 0:33:17.960
<v Speaker 4>was amazing. Yeah, and Eddie, Eddie. It's funny because Eddie

0:33:18.880 --> 0:33:22.440
<v Speaker 4>he's like he's game face, you know, when we're rehearsing,

0:33:22.520 --> 0:33:25.840
<v Speaker 4>he's like he's It was fascinating to watch him work

0:33:26.200 --> 0:33:32.520
<v Speaker 4>because he is so precise, so he really wanted to know,

0:33:32.680 --> 0:33:34.520
<v Speaker 4>now where do you want me at this line? And

0:33:34.760 --> 0:33:40.160
<v Speaker 4>walking like very serious about his comedy, which I totally

0:33:40.200 --> 0:33:42.920
<v Speaker 4>respect because I sometimes get in the same way and

0:33:43.760 --> 0:33:45.920
<v Speaker 4>then of course when the camera goes on, it's the

0:33:46.000 --> 0:33:48.680
<v Speaker 4>best of all time. But yeah, to get to be

0:33:48.760 --> 0:33:51.840
<v Speaker 4>in that sketch and to get him to laugh forget it,

0:33:52.320 --> 0:33:54.440
<v Speaker 4>that was That's one of my favorite one too.

0:33:55.680 --> 0:33:57.560
<v Speaker 2>Has will Ferer ever dealt with self doubt?

0:34:00.760 --> 0:34:03.400
<v Speaker 4>Well, right now, I'm I have a lot of self

0:34:03.440 --> 0:34:05.200
<v Speaker 4>doubt as to whether I should have done this podcast

0:34:05.320 --> 0:34:11.800
<v Speaker 4>or not because we don't have enough cameras exet it

0:34:11.840 --> 0:34:12.400
<v Speaker 4>from the beginning.

0:34:14.000 --> 0:34:26.000
<v Speaker 7>Uh No, Yeah, of course, that's that's always Uh that's

0:34:26.160 --> 0:34:31.000
<v Speaker 7>always part of any sort of journey, whether it's creative

0:34:31.400 --> 0:34:34.719
<v Speaker 7>or whether it's you know, pursuing athletics.

0:34:34.800 --> 0:34:39.960
<v Speaker 4>What like, I mean, you guys probably felt faced self doubt.

0:34:40.760 --> 0:34:43.080
<v Speaker 1>I don't know, maybe though a little healthy fear, little

0:34:43.120 --> 0:34:46.480
<v Speaker 1>health right, or maybe you guys were you just had

0:34:46.560 --> 0:34:48.920
<v Speaker 1>that thing where you're like, no, I know I'm going

0:34:48.960 --> 0:34:55.520
<v Speaker 1>to succeed being cut as crazy, right, even you're in

0:34:55.680 --> 0:34:59.839
<v Speaker 1>the NBA, you're still getting cut, like like yet you're

0:34:59.840 --> 0:35:02.840
<v Speaker 1>a the height of what anyone could do in that profession.

0:35:03.040 --> 0:35:04.960
<v Speaker 4>And then you're still like, wait, what's going on?

0:35:05.200 --> 0:35:08.359
<v Speaker 5>Because some getting there is just not some people's goal, right,

0:35:08.560 --> 0:35:10.840
<v Speaker 5>Some people go be successful to stay in there, have

0:35:10.920 --> 0:35:11.640
<v Speaker 5>a career at it.

0:35:12.239 --> 0:35:12.400
<v Speaker 1>You know.

0:35:12.480 --> 0:35:16.719
<v Speaker 4>Yeah, but I you know I had I think I

0:35:16.800 --> 0:35:21.320
<v Speaker 4>had like the best thing to happen to me in

0:35:21.480 --> 0:35:25.640
<v Speaker 4>my first show. On my first show, my first season

0:35:25.680 --> 0:35:29.279
<v Speaker 4>of Satura at Live, these reviews came out and they

0:35:29.320 --> 0:35:34.719
<v Speaker 4>were they were pretty scathing towards I had won some

0:35:35.320 --> 0:35:38.520
<v Speaker 4>some magazine or whatever that wrote like they were analyzing

0:35:38.600 --> 0:35:40.600
<v Speaker 4>this new cast because we were pretty much a brand

0:35:40.640 --> 0:35:45.800
<v Speaker 4>new cast and they singled me out by name. You know,

0:35:45.920 --> 0:35:47.719
<v Speaker 4>that was a good news. The bad news was like

0:35:47.880 --> 0:35:53.480
<v Speaker 4>most annoying newcomer. Yeah, right away after my first show.

0:35:54.080 --> 0:35:56.719
<v Speaker 4>So I'm like looking at this, and I thought, well,

0:35:58.160 --> 0:36:02.040
<v Speaker 4>you know, this is I'm already at a crossroads right

0:36:02.080 --> 0:36:05.480
<v Speaker 4>out of the gate. So I can either listen to it,

0:36:05.960 --> 0:36:08.520
<v Speaker 4>sit and cry. And so what I did was, I mean,

0:36:09.120 --> 0:36:12.160
<v Speaker 4>I you know, you talk about bulletin board materia. I

0:36:12.280 --> 0:36:14.320
<v Speaker 4>just put it up on the on the wall my

0:36:14.440 --> 0:36:19.560
<v Speaker 4>office and just clipped it out, and I was like, Okay,

0:36:20.120 --> 0:36:23.440
<v Speaker 4>you want to see annoying, I'm going to be I'm

0:36:23.440 --> 0:36:27.800
<v Speaker 4>going to be even more annoying. And that's you know,

0:36:28.760 --> 0:36:32.000
<v Speaker 4>I had always kind of made a commitment to because

0:36:32.000 --> 0:36:35.120
<v Speaker 4>there's so many you know, there's so many funny people

0:36:35.200 --> 0:36:36.560
<v Speaker 4>out there. I was like, I'm going to see people

0:36:36.600 --> 0:36:40.360
<v Speaker 4>that I know are funnier than I am, but I'm not.

0:36:40.680 --> 0:36:43.120
<v Speaker 4>They're not going to out commit me. I'm going to

0:36:43.160 --> 0:36:46.279
<v Speaker 4>be the guy who streaks in old school. I'm going

0:36:46.320 --> 0:36:48.720
<v Speaker 4>to be the guy who goes gives like one hundred

0:36:48.719 --> 0:36:51.480
<v Speaker 4>and ten percent wall. Yeah, in terms of my commitment,

0:36:51.520 --> 0:36:53.799
<v Speaker 4>So I thought, that's what I'm going to lean into

0:36:54.120 --> 0:36:58.640
<v Speaker 4>and that will get me through and you'll find me

0:36:58.719 --> 0:37:03.120
<v Speaker 4>annoying maybe, but but if I break through that then

0:37:03.560 --> 0:37:06.440
<v Speaker 4>I'll be fine. So so yeah, I just use it

0:37:06.520 --> 0:37:11.200
<v Speaker 4>as a motivation belongs you being you you yeah, yeah, right,

0:37:11.400 --> 0:37:14.319
<v Speaker 4>and then and then and then if it still doesn't work,

0:37:14.560 --> 0:37:16.759
<v Speaker 4>then you know you tried it on your terms, right,

0:37:16.800 --> 0:37:21.719
<v Speaker 4>And because you know a lot of people would try

0:37:21.760 --> 0:37:26.040
<v Speaker 4>to like approach things as to what what joke will

0:37:26.120 --> 0:37:28.680
<v Speaker 4>work as opposed to what do you think is funny?

0:37:28.960 --> 0:37:31.680
<v Speaker 4>And and so I don't, I don't. I wouldn't know

0:37:31.840 --> 0:37:34.640
<v Speaker 4>how to do it any other way.

0:37:34.760 --> 0:37:38.080
<v Speaker 5>When are you at your most most creative spot, like

0:37:38.160 --> 0:37:39.520
<v Speaker 5>when you come up with your best ideas.

0:37:39.800 --> 0:37:46.239
<v Speaker 4>Probably in the bathtub with my fake testicles. I just

0:37:46.480 --> 0:37:50.399
<v Speaker 4>looked deeply into their eyes, and I just get hit

0:37:50.480 --> 0:37:51.600
<v Speaker 4>with divine inspiration.

0:37:51.920 --> 0:37:54.040
<v Speaker 1>You know, if they help you, they definitely got to be,

0:37:56.520 --> 0:37:57.880
<v Speaker 1>got to be way more than ten than you.

0:37:57.960 --> 0:38:00.960
<v Speaker 4>Got to have the value I dream, I dream, I

0:38:01.080 --> 0:38:01.759
<v Speaker 4>dream about him.

0:38:02.000 --> 0:38:05.239
<v Speaker 2>What did they say? They talk to you, They say,

0:38:06.640 --> 0:38:07.000
<v Speaker 2>how are you?

0:38:07.000 --> 0:38:09.680
<v Speaker 4>If you had a good sandwich lately, you should get it.

0:38:09.719 --> 0:38:11.080
<v Speaker 4>You should get back on social media.

0:38:13.760 --> 0:38:16.399
<v Speaker 1>So they're not lying to you, they're not. They tell

0:38:16.400 --> 0:38:16.919
<v Speaker 1>you the truth.

0:38:17.040 --> 0:38:23.200
<v Speaker 4>They also tell me what stocks to invest in. Yeah, yeah,

0:38:24.640 --> 0:38:31.960
<v Speaker 4>uh so there's that. I mean, it's usually when I'm

0:38:32.040 --> 0:38:34.960
<v Speaker 4>doing when I'm not trying to think of anything, when

0:38:34.960 --> 0:38:36.960
<v Speaker 4>I'm just organically right.

0:38:37.440 --> 0:38:40.000
<v Speaker 5>What is the secret of being able to make people

0:38:40.160 --> 0:38:41.879
<v Speaker 5>of all backgrounds land?

0:38:41.960 --> 0:38:45.480
<v Speaker 4>Well, actually, I don't know. I mean, that's kind of

0:38:45.920 --> 0:38:48.359
<v Speaker 4>That's that's why a lot of times I sit back

0:38:48.400 --> 0:38:51.000
<v Speaker 4>and go, oh, this is kind of crazy that I've

0:38:51.600 --> 0:38:53.320
<v Speaker 4>a lot of these movies have hit kind of a

0:38:53.400 --> 0:38:56.440
<v Speaker 4>wide spectrum of people, because it's not like like I

0:38:56.600 --> 0:38:59.040
<v Speaker 4>set out to, Oh, this, this will be something that

0:38:59.200 --> 0:39:05.840
<v Speaker 4>everyone will like h or or a wide audience.

0:39:05.960 --> 0:39:08.160
<v Speaker 2>So you had to know everybody was going to dig

0:39:08.239 --> 0:39:08.919
<v Speaker 2>that gator ship.

0:39:09.200 --> 0:39:11.400
<v Speaker 4>No, I had no idea. We just thought it was

0:39:11.480 --> 0:39:15.120
<v Speaker 4>a weird move. Like, we're like, this guy should have

0:39:15.200 --> 0:39:17.719
<v Speaker 4>a crazy background. What's the crazy Okay, he was a pimp.

0:39:17.960 --> 0:39:22.840
<v Speaker 4>He was a pimp in college. Yeah, but he doesn't

0:39:23.560 --> 0:39:24.480
<v Speaker 4>realize that's.

0:39:24.360 --> 0:39:24.920
<v Speaker 2>What he was.

0:39:25.120 --> 0:39:29.040
<v Speaker 4>He's like, No, I wasn't a pimp. Yeah yeah, yeah,

0:39:29.880 --> 0:39:34.360
<v Speaker 4>it's like, no, what you're describing is a pimp. But no,

0:39:34.560 --> 0:39:37.320
<v Speaker 4>we I don't know. We just we just would follow,

0:39:38.320 --> 0:39:40.800
<v Speaker 4>you know. I think I think maybe some of that

0:39:41.000 --> 0:39:44.720
<v Speaker 4>success is is just what is something that people haven't

0:39:44.800 --> 0:39:50.840
<v Speaker 4>seen in a comedy before, and and and being authentic

0:39:50.920 --> 0:39:52.520
<v Speaker 4>to that has led.

0:39:52.320 --> 0:39:55.280
<v Speaker 2>To everybody a good reaction yeah.

0:39:55.960 --> 0:40:01.239
<v Speaker 1>Big Laker fan. The best Staples Center memory when they

0:40:01.360 --> 0:40:06.640
<v Speaker 1>change it to crypto, that's why I love. I was like,

0:40:06.719 --> 0:40:09.120
<v Speaker 1>why is it called stables? I wish it was called

0:40:12.239 --> 0:40:17.760
<v Speaker 1>Can I slightly change for However, my best Laker memory

0:40:17.920 --> 0:40:21.600
<v Speaker 1>is actually a forum. Get back a little bit because

0:40:21.880 --> 0:40:25.600
<v Speaker 1>in junior high I went with a buddy and we

0:40:25.760 --> 0:40:30.080
<v Speaker 1>were at the initial game where Magic.

0:40:29.880 --> 0:40:32.600
<v Speaker 4>And Bird played each other as late as rookies in

0:40:32.719 --> 0:40:37.000
<v Speaker 4>their rookie year. So we sat way up in the noseblee.

0:40:37.080 --> 0:40:41.160
<v Speaker 4>And to be at the forum watching these two like,

0:40:41.560 --> 0:40:45.040
<v Speaker 4>you could feel that, oh, basketball is about to change.

0:40:45.800 --> 0:40:50.319
<v Speaker 4>And even sitting in the at thirteen, way up at

0:40:50.360 --> 0:40:54.480
<v Speaker 4>the top, you could see these two players move differently.

0:40:54.920 --> 0:40:57.800
<v Speaker 4>They they not only shoot the ball, but they passed

0:40:57.840 --> 0:41:00.919
<v Speaker 4>the ball there there. They just have a different flow

0:41:01.640 --> 0:41:05.759
<v Speaker 4>and I've never seen anything like it, and and so

0:41:05.920 --> 0:41:12.680
<v Speaker 4>that that was huge. You remember, I don't yeah, I'm

0:41:12.680 --> 0:41:15.120
<v Speaker 4>gonna say laters, but yeah.

0:41:16.120 --> 0:41:18.560
<v Speaker 5>Yeah, could you could you imagine me and you sitting

0:41:18.600 --> 0:41:21.440
<v Speaker 5>here being on the Hawks podcast and him on us?

0:41:22.920 --> 0:41:31.600
<v Speaker 8>Awesome? Pretty awesome? What made you decide to do an

0:41:31.760 --> 0:41:34.719
<v Speaker 8>A B A movie in Sydney.

0:41:34.400 --> 0:41:39.000
<v Speaker 4>Bro, There's this amazing book called uh not a joke

0:41:39.080 --> 0:41:42.920
<v Speaker 4>title Loose Balls. I think it's called loose Balls anyway.

0:41:43.680 --> 0:41:48.759
<v Speaker 4>It chronicles the A, B A and and it's a

0:41:48.880 --> 0:41:53.719
<v Speaker 4>fascinating book about this fledging league that was trying to

0:41:53.760 --> 0:41:56.239
<v Speaker 4>go up, go up against the NBA and all the

0:41:57.600 --> 0:42:02.080
<v Speaker 4>the the personality character you know, all the different characters,

0:42:02.239 --> 0:42:05.120
<v Speaker 4>all the all the different type of gimmicks they were

0:42:05.200 --> 0:42:12.080
<v Speaker 4>trying to do, which later the NBA incorporated. You know,

0:42:12.360 --> 0:42:16.839
<v Speaker 4>like the the Showtime Lakers that was all taken from

0:42:17.719 --> 0:42:22.279
<v Speaker 4>ABA teams who had cheerleaders and did shows. The three

0:42:22.320 --> 0:42:23.920
<v Speaker 4>point line that's taken from the ABA.

0:42:24.120 --> 0:42:25.919
<v Speaker 1>They had a lot of talent, and they.

0:42:25.840 --> 0:42:30.000
<v Speaker 4>Had a ton of talent. Amazing all these players who

0:42:30.160 --> 0:42:33.240
<v Speaker 4>first probably had five, six, seven years with the ABA,

0:42:34.640 --> 0:42:38.480
<v Speaker 4>you know, like you know, everyone from doctor j to

0:42:38.600 --> 0:42:41.960
<v Speaker 4>artists Fillmore, all these guys who by the time they

0:42:42.000 --> 0:42:45.040
<v Speaker 4>got the NBA, they I mean, if they had NBA numbers,

0:42:45.680 --> 0:42:50.279
<v Speaker 4>yeah yeah, but how they let that style of play

0:42:50.480 --> 0:42:54.920
<v Speaker 4>was more creative, But it just became it was it

0:42:55.040 --> 0:42:59.120
<v Speaker 4>was more about so many of these teams were living

0:42:59.239 --> 0:43:03.320
<v Speaker 4>on like a shoe string budget, and and so it

0:43:03.480 --> 0:43:05.080
<v Speaker 4>just it was like, God, this could be a funny

0:43:05.120 --> 0:43:10.000
<v Speaker 4>place for a comedy of a player, owner, coach who

0:43:10.120 --> 0:43:14.000
<v Speaker 4>is scrambling to keep his team alive in Flint, Michigan.

0:43:14.920 --> 0:43:20.040
<v Speaker 4>And and of course they're the Tropics, which makes no sense,

0:43:20.680 --> 0:43:22.360
<v Speaker 4>but what makes sense in an A B A world?

0:43:23.320 --> 0:43:26.719
<v Speaker 4>And uh, we just thought, oh, it's it's such a

0:43:27.040 --> 0:43:30.960
<v Speaker 4>it's such a cool world to have a fun different

0:43:31.000 --> 0:43:37.520
<v Speaker 4>array of characters. And and you know, there's only four

0:43:37.600 --> 0:43:40.759
<v Speaker 4>teams that are A B A teams that made in

0:43:40.800 --> 0:43:41.200
<v Speaker 4>the NBA.

0:43:41.560 --> 0:43:42.000
<v Speaker 2>They are.

0:43:43.400 --> 0:43:45.400
<v Speaker 1>You guys, Oh, you guys missed the Murders San Antonio.

0:43:45.719 --> 0:43:47.480
<v Speaker 4>You play you played on one, you played for one

0:43:47.520 --> 0:43:47.719
<v Speaker 4>of them.

0:43:47.800 --> 0:43:54.399
<v Speaker 1>I wish you did a no no, the former Abas.

0:43:55.400 --> 0:44:01.839
<v Speaker 4>Oh he played for two pacers, Ah didn't. The other

0:44:01.920 --> 0:44:09.160
<v Speaker 4>two are Denver Nuggets and uh nuts.

0:44:09.560 --> 0:44:09.680
<v Speaker 2>Yes.

0:44:12.440 --> 0:44:14.319
<v Speaker 4>But the fact that the Tropics are trying to make

0:44:14.360 --> 0:44:16.880
<v Speaker 4>it and then they the.

0:44:16.880 --> 0:44:21.239
<v Speaker 2>Tropics, and that it is training like a basketball training

0:44:21.280 --> 0:44:21.799
<v Speaker 2>where you should move.

0:44:21.920 --> 0:44:23.360
<v Speaker 4>Yeah, we had we had an whole training camp and

0:44:24.200 --> 0:44:26.040
<v Speaker 4>I'm open, I'm open everything.

0:44:28.880 --> 0:44:29.080
<v Speaker 2>Camp.

0:44:29.480 --> 0:44:31.680
<v Speaker 4>Whole training camp it was, which was the most fun

0:44:31.719 --> 0:44:34.680
<v Speaker 4>part we had played in those terrible old school shows.

0:44:36.000 --> 0:44:38.880
<v Speaker 4>We played on a floor we played that that was

0:44:39.000 --> 0:44:42.480
<v Speaker 4>just literally wood on concrete. So there was no, it

0:44:42.640 --> 0:44:46.800
<v Speaker 4>was bad. But I just remember like, wait, why is

0:44:46.880 --> 0:44:50.799
<v Speaker 4>Pouh Richardson here? And uh, He's like, oh, he's gonna

0:44:50.800 --> 0:44:52.319
<v Speaker 4>play He's going to play on one of the teams.

0:44:52.360 --> 0:44:55.560
<v Speaker 4>So he played on the Spurs in the movie, and

0:44:56.400 --> 0:44:59.279
<v Speaker 4>we had we had a couple x like a lot

0:44:59.320 --> 0:45:04.040
<v Speaker 4>of ex college players and anyway, it was. It was

0:45:04.200 --> 0:45:06.239
<v Speaker 4>the most fun movie to shoot because we got to

0:45:06.280 --> 0:45:08.680
<v Speaker 4>play ball almost every day.

0:45:09.320 --> 0:45:12.120
<v Speaker 1>And then sometimes those movies are tricky because again, how

0:45:12.239 --> 0:45:14.920
<v Speaker 1>NASCAR wanted it to appear real, You want basketball to

0:45:14.960 --> 0:45:17.879
<v Speaker 1>appear real. But yeah, you guys made that work. Yeah, yeah,

0:45:18.040 --> 0:45:20.800
<v Speaker 1>probably because you're playing center here. But we couldn't selfish.

0:45:20.920 --> 0:45:25.520
<v Speaker 1>We could unselfish center. Yeah, and that was my real

0:45:25.600 --> 0:45:28.759
<v Speaker 1>hair too. They're Alone was wondering fact.

0:45:30.400 --> 0:45:30.600
<v Speaker 2>Back.

0:45:31.680 --> 0:45:32.800
<v Speaker 1>Tough one but it was.

0:45:32.960 --> 0:45:35.800
<v Speaker 4>But but like the ABA we had, we had trouble

0:45:36.520 --> 0:45:41.280
<v Speaker 4>getting enough extra background people to be in the crowd scenes,

0:45:41.880 --> 0:45:46.520
<v Speaker 4>so we had to move them around the arena. Okay,

0:45:46.560 --> 0:45:49.200
<v Speaker 4>now everyone move over here, Now change your your now

0:45:49.280 --> 0:45:50.560
<v Speaker 4>your fans of this team.

0:45:51.560 --> 0:45:55.200
<v Speaker 1>And so that was what city did you guys shooting?

0:45:55.280 --> 0:45:55.640
<v Speaker 2>We shot it.

0:45:55.680 --> 0:45:58.680
<v Speaker 4>We shot it all here. We shot three or four

0:45:58.760 --> 0:45:59.640
<v Speaker 4>days in Flint.

0:45:59.680 --> 0:46:03.200
<v Speaker 1>Okay, that's basically what they're doing in arcade games. Everybody

0:46:05.960 --> 0:46:08.359
<v Speaker 1>gotta make it work. You got these Shack and Kobe

0:46:08.440 --> 0:46:10.560
<v Speaker 1>memories or stories being court sided.

0:46:10.840 --> 0:46:15.239
<v Speaker 4>Actually that's one of my favorite Staples memories. Okay, So

0:46:15.760 --> 0:46:21.000
<v Speaker 4>I had friends of mine who got we would always

0:46:21.040 --> 0:46:25.000
<v Speaker 4>get ourselves joke gifts for birthday. Got me a full

0:46:25.160 --> 0:46:29.840
<v Speaker 4>Staples Center security that's outfit. I remember that the Reds

0:46:29.920 --> 0:46:32.680
<v Speaker 4>when they used to wear the red jackets. In fact,

0:46:32.719 --> 0:46:35.680
<v Speaker 4>I should have worn that today. You imagine if you

0:46:35.680 --> 0:46:38.560
<v Speaker 4>guys had your tuxedos. I address is full Staples.

0:46:38.600 --> 0:46:40.759
<v Speaker 1>It would have been over. We just take pictures all day.

0:46:40.760 --> 0:46:41.640
<v Speaker 1>We probably woudn't even talk.

0:46:41.719 --> 0:46:43.960
<v Speaker 4>And guess what my name is. They got my name

0:46:44.080 --> 0:46:49.000
<v Speaker 4>as a security person, Ted Vagina that was on Sports

0:46:49.040 --> 0:46:49.640
<v Speaker 4>Center and everything.

0:46:49.719 --> 0:46:51.200
<v Speaker 1>How long ago was that because I remember it was

0:46:51.239 --> 0:46:52.879
<v Speaker 1>that like this ten years ago, seven years ago.

0:46:53.040 --> 0:46:56.759
<v Speaker 4>Yeah, And so I snuck it in and then during

0:46:56.840 --> 0:46:59.239
<v Speaker 4>one of the breaks, I stood up next to and

0:46:59.320 --> 0:47:02.080
<v Speaker 4>pretended to be security, and it it became like this

0:47:02.239 --> 0:47:05.000
<v Speaker 4>bier people in the crowd started but I kept a

0:47:05.080 --> 0:47:07.200
<v Speaker 4>serious face and I just because you know how they

0:47:07.280 --> 0:47:10.600
<v Speaker 4>just stand there like you have no expression. Next thing,

0:47:10.600 --> 0:47:12.920
<v Speaker 4>you know, I sat back down. People started. I get

0:47:12.960 --> 0:47:16.440
<v Speaker 4>a tap on the shoulder. There's a guy's like, you know,

0:47:16.640 --> 0:47:20.520
<v Speaker 4>Shack's here. He's he's on the baseline, just down over there.

0:47:20.560 --> 0:47:24.040
<v Speaker 4>I'm with Shack. He's like, he thinks it's do you

0:47:24.120 --> 0:47:26.880
<v Speaker 4>want to throw him out of the game because he's

0:47:26.920 --> 0:47:29.040
<v Speaker 4>about to leave. It's like in the fourth court he's

0:47:29.080 --> 0:47:32.440
<v Speaker 4>gonna probably leave. And I'm like yes, So I get

0:47:32.520 --> 0:47:34.640
<v Speaker 4>back at my stuff. I stand up during the commercial

0:47:34.680 --> 0:47:38.560
<v Speaker 4>break and I start looking on them and I'm like, hey,

0:47:38.719 --> 0:47:42.240
<v Speaker 4>cut it out. And he's like what. I'm like, stop

0:47:42.320 --> 0:47:46.320
<v Speaker 4>it you. I'm just like motioning, and then he's going what.

0:47:46.600 --> 0:47:48.680
<v Speaker 4>I'm like, that's it. So I throw him out of

0:47:48.760 --> 0:47:52.720
<v Speaker 4>the game. And it gets this big round of applause.

0:47:54.000 --> 0:47:55.160
<v Speaker 4>But it was all Shack's idea.

0:47:55.400 --> 0:47:56.400
<v Speaker 1>It's always saxcited.

0:47:56.480 --> 0:48:02.160
<v Speaker 4>Then he's got good idea he does, and then he

0:48:02.320 --> 0:48:08.480
<v Speaker 4>was People were just laughing and and he was like,

0:48:08.560 --> 0:48:13.000
<v Speaker 4>I'm proud of you, man. I'm like, for what, no,

0:48:13.360 --> 0:48:15.000
<v Speaker 4>just where your career is done, I'm proud of you.

0:48:15.360 --> 0:48:18.120
<v Speaker 4>And I'm like, this is one of the funniest things

0:48:18.200 --> 0:48:18.799
<v Speaker 4>I've ever done.

0:48:18.840 --> 0:48:21.319
<v Speaker 2>He stands memes at least two memes a day.

0:48:21.400 --> 0:48:24.080
<v Speaker 4>To my phone really yes, Yeah, he's just a big

0:48:24.120 --> 0:48:26.560
<v Speaker 4>old kid. Yeah right, And then we did we did

0:48:26.600 --> 0:48:28.560
<v Speaker 4>a sketch one. He came on Saturday Night Live once,

0:48:28.719 --> 0:48:31.360
<v Speaker 4>not as the host, but as like a just sketch,

0:48:31.440 --> 0:48:33.240
<v Speaker 4>you know, shacks around. He wants to be in sketches,

0:48:33.920 --> 0:48:36.600
<v Speaker 4>and they wrote a sketch that was so funny that

0:48:36.760 --> 0:48:38.640
<v Speaker 4>got cut, but I think you can still find it

0:48:38.760 --> 0:48:43.960
<v Speaker 4>online where I'm like dressed in like little kids booty

0:48:44.080 --> 0:48:47.160
<v Speaker 4>pajamas and the cast is pick picking on me, they're

0:48:47.200 --> 0:48:48.880
<v Speaker 4>making fun of me, and then Shaq shows up. He's like,

0:48:48.920 --> 0:48:51.680
<v Speaker 4>what's going on? Like, I'm like shack, the cast is

0:48:51.760 --> 0:48:53.560
<v Speaker 4>making fun of me. He's like, come over here, and

0:48:53.640 --> 0:48:56.360
<v Speaker 4>he picks me up in his arms like a baby,

0:48:56.840 --> 0:49:00.400
<v Speaker 4>and he proceeds to sing a song called no One's

0:49:00.520 --> 0:49:05.120
<v Speaker 4>Gone to Hurt my little Man, and we sing a

0:49:05.239 --> 0:49:09.719
<v Speaker 4>duet together about how no One's gonna hurt while I'm

0:49:09.760 --> 0:49:16.839
<v Speaker 4>in his arm yes, and I'm six three spelt two

0:49:17.160 --> 0:49:20.280
<v Speaker 4>d and twenty pounds and he picked me up no problem,

0:49:20.640 --> 0:49:24.120
<v Speaker 4>and we sang and I was like, you're funny, You're

0:49:24.320 --> 0:49:27.800
<v Speaker 4>that's hilarious. But he had a funnier show than the host.

0:49:28.960 --> 0:49:30.800
<v Speaker 1>At least he had clothes on, because he does it

0:49:30.920 --> 0:49:33.280
<v Speaker 1>like that sometimes while he's naked. Oh he really.

0:49:36.000 --> 0:49:37.680
<v Speaker 4>Anyway, that's why we get along.

0:49:37.840 --> 0:49:40.920
<v Speaker 1>There you go. Yeah, you guys, you guys chest here

0:49:41.000 --> 0:49:49.280
<v Speaker 1>can touch Yeah. Usc USC basketball is in good hands

0:49:49.320 --> 0:49:51.920
<v Speaker 1>right now with Juju returning from injury. A friend of

0:49:52.000 --> 0:49:54.000
<v Speaker 1>a program, Elijah or renas, do you get a chance

0:49:54.040 --> 0:49:55.920
<v Speaker 1>to catch SD sports at all?

0:49:56.000 --> 0:50:00.839
<v Speaker 4>Aby or I've I've gone to a couple the women's game,

0:50:01.280 --> 0:50:04.719
<v Speaker 4>not as much as I I thought. I go to

0:50:04.880 --> 0:50:08.279
<v Speaker 4>USC football games here and there, but I like to

0:50:08.320 --> 0:50:09.680
<v Speaker 4>go to more of the basketball all.

0:50:09.600 --> 0:50:13.759
<v Speaker 1>Right before quick hitters? H Dad, How important is you

0:50:13.920 --> 0:50:18.280
<v Speaker 1>to be present kids? Family? A thriving career? This lasted

0:50:18.320 --> 0:50:20.040
<v Speaker 1>a very long time. How important is you to be

0:50:20.120 --> 0:50:21.760
<v Speaker 1>present for your family and your kids? In particular?

0:50:21.920 --> 0:50:25.480
<v Speaker 4>Children are overrated. I'm annoyed by that. I don't even

0:50:25.520 --> 0:50:29.400
<v Speaker 4>know why we had kids. They eat your food, they're

0:50:29.560 --> 0:50:34.319
<v Speaker 4>they're money and time stuck. Piss all exactly, piss them

0:50:34.360 --> 0:50:36.759
<v Speaker 4>for that. They don't empty the dishwasher, take out the trash,

0:50:36.840 --> 0:50:37.360
<v Speaker 4>or do anything.

0:50:37.560 --> 0:50:37.600
<v Speaker 2>No.

0:50:37.719 --> 0:50:43.600
<v Speaker 4>I've always tried. I've I've always tried to as much

0:50:43.640 --> 0:50:46.799
<v Speaker 4>as I've worked, I've always tried to set a big

0:50:46.920 --> 0:50:49.480
<v Speaker 4>chunk of time, usually in the summer, for us to

0:50:49.640 --> 0:50:55.120
<v Speaker 4>just be a family and uh, and we've always kind

0:50:55.160 --> 0:50:58.440
<v Speaker 4>of talked about we've always kind of tried to impart

0:50:59.000 --> 0:51:01.040
<v Speaker 4>with our boys that like, Okay, you're going to grow

0:51:01.120 --> 0:51:02.680
<v Speaker 4>up in Hollywood, You're going to grow up in la

0:51:02.880 --> 0:51:05.600
<v Speaker 4>and that's just a part of it. But you know,

0:51:06.360 --> 0:51:13.040
<v Speaker 4>you don't just try. You can't come off as as

0:51:13.840 --> 0:51:15.239
<v Speaker 4>you know, you have to say please and thank you

0:51:15.320 --> 0:51:16.560
<v Speaker 4>have to look people in the eye, you have to

0:51:16.600 --> 0:51:20.960
<v Speaker 4>shake their hand and exactly and that everything I've achieved,

0:51:21.280 --> 0:51:26.600
<v Speaker 4>like it's always you know, it's a really thin margin

0:51:26.719 --> 0:51:29.520
<v Speaker 4>between everything can go away really quickly because a lot

0:51:29.600 --> 0:51:33.440
<v Speaker 4>of it is chance and luck and opportunity. And so

0:51:33.600 --> 0:51:36.360
<v Speaker 4>you just have to you can't take anything for granted

0:51:36.480 --> 0:51:41.439
<v Speaker 4>and and use that approach in your day to day life.

0:51:41.800 --> 0:51:47.440
<v Speaker 4>And people will be surprised and impressed that you're, you know,

0:51:47.800 --> 0:51:50.040
<v Speaker 4>not some kid who just stares at his phone, and

0:51:50.120 --> 0:51:53.080
<v Speaker 4>that you're actually present and engaged. And so that's all

0:51:53.120 --> 0:51:53.959
<v Speaker 4>we've ever talked about.

0:51:54.120 --> 0:51:56.640
<v Speaker 1>You had kids to play sports, you ever attempted the

0:51:56.680 --> 0:51:58.640
<v Speaker 1>cuss refs out or yell at rests or you just

0:51:58.719 --> 0:51:59.359
<v Speaker 1>kind of sit back.

0:51:59.640 --> 0:52:02.360
<v Speaker 4>No, I'm I leave the refs alone.

0:52:02.480 --> 0:52:02.760
<v Speaker 1>Okay.

0:52:03.560 --> 0:52:07.080
<v Speaker 4>As my own experience as a as a volunteer referee,

0:52:08.239 --> 0:52:14.720
<v Speaker 4>mostly in soccer, okay, watching parents lose their minds, right, I'm.

0:52:14.600 --> 0:52:17.759
<v Speaker 1>A coach and yeah he lost his mind?

0:52:18.440 --> 0:52:20.640
<v Speaker 4>Have you as a parent or as a coach. Both

0:52:21.680 --> 0:52:25.680
<v Speaker 4>my kids are on the coach so so I'm curious

0:52:25.680 --> 0:52:30.600
<v Speaker 4>about that. When yeah, when you where their moment are

0:52:30.640 --> 0:52:33.640
<v Speaker 4>you usually like, guy, why did I do that? Or

0:52:33.680 --> 0:52:34.920
<v Speaker 4>you're like, no, they deserved it.

0:52:35.719 --> 0:52:38.520
<v Speaker 1>Probably more on the that they deserved the side because

0:52:38.560 --> 0:52:40.399
<v Speaker 1>that's coming from a good place. Yeah, it's coming from

0:52:40.400 --> 0:52:42.960
<v Speaker 1>a genuine place. Yeah, it's it's it's interesting because I

0:52:42.960 --> 0:52:45.359
<v Speaker 1>coach my kids. I have twin boys, and I feel

0:52:45.440 --> 0:52:48.520
<v Speaker 1>like sometimes like when I first started coaching kids, we

0:52:48.680 --> 0:52:50.840
<v Speaker 1>get the our team would get the bad end the

0:52:50.840 --> 0:52:52.560
<v Speaker 1>stick because of who their dad was, you know what

0:52:52.600 --> 0:52:54.160
<v Speaker 1>I mean. So they'd been trying to show out or

0:52:54.520 --> 0:52:56.920
<v Speaker 1>not trying to show so, you know, sometimes I just

0:52:57.000 --> 0:52:58.520
<v Speaker 1>had to throw a few polite words their way just

0:52:58.600 --> 0:53:00.360
<v Speaker 1>to make them know they were here and right right

0:53:00.440 --> 0:53:01.240
<v Speaker 1>right stop.

0:53:01.360 --> 0:53:04.440
<v Speaker 4>But you're an ex NBA player, I don't feel like

0:53:04.560 --> 0:53:05.839
<v Speaker 4>I can yell a run.

0:53:05.920 --> 0:53:08.239
<v Speaker 1>A movie star though, I don't much rather hear you

0:53:08.360 --> 0:53:08.840
<v Speaker 1>yelled than me.

0:53:09.040 --> 0:53:09.239
<v Speaker 2>Yeah.

0:53:09.600 --> 0:53:12.840
<v Speaker 4>Oh and so I've been to I've been too polite

0:53:12.880 --> 0:53:14.080
<v Speaker 4>this whole time, all time.

0:53:14.160 --> 0:53:15.439
<v Speaker 1>Definitely, you still got time.

0:53:16.000 --> 0:53:17.839
<v Speaker 4>That was a terrible call. Do you know how much

0:53:17.960 --> 0:53:21.640
<v Speaker 4>my movies have made? There we go, there we go,

0:53:22.680 --> 0:53:27.760
<v Speaker 4>we combined? You call that a travel?

0:53:30.880 --> 0:53:32.680
<v Speaker 2>That was a go with that wash?

0:53:32.960 --> 0:53:34.400
<v Speaker 1>That's a no.

0:53:34.680 --> 0:53:38.200
<v Speaker 4>I'm I'm always like because I just see we see

0:53:38.239 --> 0:53:42.120
<v Speaker 4>these videos of parents losing their minds against and yes,

0:53:43.280 --> 0:53:47.040
<v Speaker 4>you sports referee, it's gonna be very inconsistent.

0:53:47.360 --> 0:53:48.359
<v Speaker 1>Paid twenty dollars a game.

0:53:48.520 --> 0:53:51.600
<v Speaker 4>Yeah, so yeah, I usually lay back.

0:53:52.040 --> 0:53:53.200
<v Speaker 2>Is that Willie Nelson's line?

0:53:54.640 --> 0:53:58.040
<v Speaker 4>Uh No, this is a but it is a It

0:53:58.200 --> 0:54:02.520
<v Speaker 4>is a company in text us based out of Austin, Okay.

0:54:03.960 --> 0:54:04.280
<v Speaker 2>Cricket?

0:54:05.840 --> 0:54:07.399
<v Speaker 4>Yeah that's yeah, yeah yeah.

0:54:07.560 --> 0:54:07.759
<v Speaker 2>Yeah.

0:54:09.280 --> 0:54:10.400
<v Speaker 4>Has Willy been? Has Willy been?

0:54:10.880 --> 0:54:11.080
<v Speaker 5>Have not?

0:54:11.440 --> 0:54:13.799
<v Speaker 1>We'd love to you got to track Willie down When

0:54:14.600 --> 0:54:15.440
<v Speaker 1>I want to burn one with.

0:54:15.640 --> 0:54:18.000
<v Speaker 4>You, You're gonna have to. You have to go on

0:54:18.080 --> 0:54:19.920
<v Speaker 4>the road. Probably, I'm fine with that.

0:54:21.040 --> 0:54:21.279
<v Speaker 2>Willy.

0:54:21.360 --> 0:54:21.920
<v Speaker 4>Are you watching this?

0:54:23.760 --> 0:54:24.560
<v Speaker 2>These guys.

0:54:26.080 --> 0:54:30.080
<v Speaker 4>Will when when when's the next tour, Scott, They'll go

0:54:30.200 --> 0:54:30.360
<v Speaker 4>to you.

0:54:33.080 --> 0:54:36.520
<v Speaker 2>Yeah, yeah, they'll they'll get you infuse drinks. Infuse drinks.

0:54:36.680 --> 0:54:41.480
<v Speaker 4>Yea, man, they'll come on your bus. They probably, they

0:54:41.520 --> 0:54:42.400
<v Speaker 4>probably won't leave, and.

0:54:42.480 --> 0:54:44.480
<v Speaker 2>We'll find down Nelson, which is making a big old

0:54:44.560 --> 0:54:45.000
<v Speaker 2>pow wow.

0:54:45.480 --> 0:54:46.560
<v Speaker 4>Oh, good old Donnie.

0:54:47.840 --> 0:54:50.000
<v Speaker 1>First thing to come to mind. Let us know a

0:54:50.160 --> 0:54:54.759
<v Speaker 1>movie you see in theaters recently that you loved. Do

0:54:54.840 --> 0:54:55.560
<v Speaker 1>you go to theaters?

0:54:55.800 --> 0:54:57.439
<v Speaker 4>When was the last time I was in a theater?

0:54:57.880 --> 0:55:00.440
<v Speaker 4>I shouldn't say that you have to go the theater.

0:55:00.800 --> 0:55:05.520
<v Speaker 4>Support support movies in theaters, please.

0:55:07.800 --> 0:55:09.839
<v Speaker 2>Michael Jackson? Was the last time was last night? Really?

0:55:10.040 --> 0:55:11.080
<v Speaker 1>I haven't seen Michael Jackson.

0:55:11.239 --> 0:55:12.920
<v Speaker 4>And that's that's a that's a movie you have to

0:55:12.960 --> 0:55:13.640
<v Speaker 4>see in the theater.

0:55:13.880 --> 0:55:14.680
<v Speaker 2>Yes, you have to.

0:55:14.840 --> 0:55:16.320
<v Speaker 1>I saw Goat with the kids.

0:55:17.680 --> 0:55:20.680
<v Speaker 2>You have a munchy snack, probably.

0:55:23.440 --> 0:55:26.360
<v Speaker 5>Popcorn? Sorry that flame? Yeah you could have kept that

0:55:26.520 --> 0:55:34.760
<v Speaker 5>all right, that's the worst heard he puts the honey

0:55:34.800 --> 0:55:39.440
<v Speaker 5>bun and some ship ding dongs skittles.

0:55:40.080 --> 0:55:45.279
<v Speaker 4>Yeah, how about like Swedish fish?

0:55:46.080 --> 0:55:47.640
<v Speaker 2>You gross?

0:55:49.080 --> 0:55:54.600
<v Speaker 4>Gross, no sugar, but there's sure there are no sugar.

0:55:55.120 --> 0:55:57.120
<v Speaker 2>You're not. You're not.

0:55:57.640 --> 0:55:59.840
<v Speaker 4>I need to get you some good Sweedish fish.

0:56:00.400 --> 0:56:00.640
<v Speaker 1>You're not.

0:56:01.360 --> 0:56:02.640
<v Speaker 4>I don't know where you're getting your fish?

0:56:02.760 --> 0:56:05.239
<v Speaker 2>Right? Yeah? I don't know where you get your fish from.

0:56:05.560 --> 0:56:10.480
<v Speaker 1>Yeah, how do you unwind other than time with your

0:56:10.600 --> 0:56:11.360
<v Speaker 1>fake testicles?

0:56:16.080 --> 0:56:22.160
<v Speaker 4>Let's see? Probably I just uh, you know what, I

0:56:22.320 --> 0:56:27.320
<v Speaker 4>really love lighting a fire in my backyard, not like

0:56:27.440 --> 0:56:29.879
<v Speaker 4>a you know, in a fireplace. I'm not crazy person.

0:56:30.719 --> 0:56:37.360
<v Speaker 6>Uh and yeah, sunset relaxing, Yeah, exactly, a glass of

0:56:37.440 --> 0:56:38.600
<v Speaker 6>wine exactly.

0:56:38.680 --> 0:56:42.040
<v Speaker 2>Okay, you're not the only one that get caught staring

0:56:42.080 --> 0:56:45.080
<v Speaker 2>at the fireplace. Oh I do. I'll do that.

0:56:45.320 --> 0:56:46.040
<v Speaker 4>It's mesmerizing.

0:56:46.120 --> 0:56:46.680
<v Speaker 1>But you're on drug.

0:56:47.160 --> 0:56:50.960
<v Speaker 2>Yeah, I'm definitely when I Yeah. One album you can

0:56:51.000 --> 0:56:53.440
<v Speaker 2>listen to and repeat Kenny log Probably.

0:56:55.840 --> 0:56:58.600
<v Speaker 1>Log is probably you know Kenny Logs is.

0:57:00.239 --> 0:57:00.520
<v Speaker 2>Kidding?

0:57:00.880 --> 0:57:01.080
<v Speaker 1>Is here?

0:57:02.000 --> 0:57:02.560
<v Speaker 2>This is it?

0:57:03.680 --> 0:57:14.240
<v Speaker 4>Magus one of them I could listen to on repeat.

0:57:16.760 --> 0:57:18.880
<v Speaker 2>He was straight to the note to He was straight

0:57:18.960 --> 0:57:19.640
<v Speaker 2>to the note.

0:57:19.800 --> 0:57:21.840
<v Speaker 4>About peaches Nerds.

0:57:22.920 --> 0:57:23.120
<v Speaker 2>You go.

0:57:26.040 --> 0:57:32.600
<v Speaker 1>Five dinner guests, dead are alive? You plus five? I

0:57:33.040 --> 0:57:35.840
<v Speaker 1>was trying to pull I was trying to pull this off,

0:57:37.040 --> 0:57:41.280
<v Speaker 1>but couldn't. They couldn't come to U U plus five

0:57:41.520 --> 0:57:46.840
<v Speaker 1>dead or alive dinner dinner dinner. Guess Matt Barnes, you're

0:57:47.040 --> 0:57:49.160
<v Speaker 1>probably the second person is invited to dinner. So thank

0:57:49.200 --> 0:57:51.480
<v Speaker 1>you and we asked that question like three times. So

0:57:51.640 --> 0:57:51.880
<v Speaker 1>thank you.

0:57:52.080 --> 0:58:03.000
<v Speaker 4>Kenny Loggins. Hey, Peaches and herb and we're and we're

0:58:03.120 --> 0:58:05.160
<v Speaker 4>on Willingnesson's tour bus at six.

0:58:05.680 --> 0:58:10.400
<v Speaker 2>That's nice. That's nice. That's nice. I like that Shahood Crush.

0:58:10.880 --> 0:58:13.680
<v Speaker 4>Well, I'm like, I'm like a kid of seventies TV.

0:58:15.200 --> 0:58:26.840
<v Speaker 4>So fair yeah, fair face. Uh, Christie Tigu's I really

0:58:26.960 --> 0:58:28.720
<v Speaker 4>like Julie McCoy on the Love Boat.

0:58:29.080 --> 0:58:31.600
<v Speaker 1>Okay, these were all in your bank bank.

0:58:33.680 --> 0:58:38.360
<v Speaker 4>Sank bank probably yeah, probably?

0:58:40.600 --> 0:58:41.760
<v Speaker 1>Uh? Who else?

0:58:43.360 --> 0:58:45.080
<v Speaker 4>Oh no, not quite?

0:58:45.240 --> 0:58:45.800
<v Speaker 2>I like her.

0:58:50.520 --> 0:58:55.280
<v Speaker 4>Who is who? I kind of like the other threes company. Yeah,

0:58:55.680 --> 0:58:56.400
<v Speaker 4>like the other woman.

0:58:58.080 --> 0:59:01.720
<v Speaker 9>No, no, no, jam it's more of a Janet, really

0:59:02.880 --> 0:59:09.800
<v Speaker 9>interesting Janet, not so much some weird ladies.

0:59:09.920 --> 0:59:13.760
<v Speaker 1>Right, yeah, all right, I'm giving you, gonna give you

0:59:13.800 --> 0:59:18.680
<v Speaker 1>three players. Put them in your order. Michael Jordan, Kobe Bryant, Lebron,

0:59:18.800 --> 0:59:19.520
<v Speaker 1>James Wrinkham.

0:59:19.920 --> 0:59:24.200
<v Speaker 4>Well, okay, it's got to be and and whoever's third?

0:59:24.840 --> 0:59:25.320
<v Speaker 2>Still great.

0:59:25.440 --> 0:59:29.280
<v Speaker 4>They're so mad, but they're they're they're still great.

0:59:29.560 --> 0:59:29.800
<v Speaker 1>Yeah.

0:59:31.880 --> 0:59:34.080
<v Speaker 4>And I have this argument all the time with my kids.

0:59:34.400 --> 0:59:38.520
<v Speaker 4>There you go that it's got to be Michael, uh,

0:59:38.960 --> 0:59:45.840
<v Speaker 4>because everyone forgets he was always all defensive NBA First

0:59:45.880 --> 0:59:49.200
<v Speaker 4>Team in addition to what he did offensively nine times,

0:59:49.480 --> 0:59:57.200
<v Speaker 4>nine times. And then I think, I think I'll have

0:59:57.320 --> 1:00:02.479
<v Speaker 4>to just as a Laker fan, go Kobe second, Lebron third.

1:00:03.400 --> 1:00:05.640
<v Speaker 2>Wrong with that, That's how that's how I look at it.

1:00:06.040 --> 1:00:08.880
<v Speaker 1>I agree, But but you can have anyone.

1:00:09.120 --> 1:00:14.560
<v Speaker 4>But do you know who are the most satisfied Olympic

1:00:14.760 --> 1:00:20.160
<v Speaker 4>medal winners? When they did a survey, mm hmm, So

1:00:21.080 --> 1:00:25.680
<v Speaker 4>they interviewed gold medal, silver, bronze. Who's the happiest of

1:00:25.760 --> 1:00:31.480
<v Speaker 4>the three. Yes, because they didn't expect to win, So

1:00:31.680 --> 1:00:34.640
<v Speaker 4>Lebron be happy with bronze. He's going to be so happy.

1:00:35.680 --> 1:00:39.560
<v Speaker 4>It's good reasoning because the gold medal winners there was

1:00:39.600 --> 1:00:42.320
<v Speaker 4>so much pressure. They were like, thank god, I just

1:00:42.400 --> 1:00:45.320
<v Speaker 4>want because they probably expected to win the silver. They're

1:00:45.440 --> 1:00:49.360
<v Speaker 4>mad they thought. The Brons are like, I don't even

1:00:49.680 --> 1:00:51.120
<v Speaker 4>I didn't even plan to come to the party.

1:00:51.520 --> 1:00:54.080
<v Speaker 1>Yes, this last minute, if you could see one guest

1:00:54.200 --> 1:00:56.080
<v Speaker 1>on our show, who could it be?

1:00:56.680 --> 1:00:59.320
<v Speaker 2>But you have to help us get your answer on

1:00:59.440 --> 1:00:59.760
<v Speaker 2>the show.

1:01:00.040 --> 1:01:01.800
<v Speaker 4>We I don't know how to help, but it sounds

1:01:01.840 --> 1:01:03.800
<v Speaker 4>like you need to get Willy on the show.

1:01:05.080 --> 1:01:05.400
<v Speaker 2>I have to.

1:01:05.560 --> 1:01:08.200
<v Speaker 1>I have to be a part of this, you have

1:01:08.320 --> 1:01:09.720
<v Speaker 1>to say shut your mouth.

1:01:09.920 --> 1:01:26.160
<v Speaker 4>Oh oh, pan pan pan Panda, shut your mouth.

1:01:30.040 --> 1:01:33.760
<v Speaker 1>That was good, That was good. Well, thank you very much, man,

1:01:33.840 --> 1:01:37.480
<v Speaker 1>it was an honor with you you guys coming out

1:01:37.520 --> 1:01:43.120
<v Speaker 1>on Netflix sixteenth. Make sure you catch my birthday is

1:01:43.240 --> 1:01:48.640
<v Speaker 1>around my birthday, you know what, I don't almost spoil

1:01:48.680 --> 1:01:55.680
<v Speaker 1>it in their mind. Okay, thank your honor. That's all right.

1:01:55.840 --> 1:01:58.480
<v Speaker 1>Well you cast us on all the Smoke Production YouTube

1:01:58.520 --> 1:02:01.640
<v Speaker 1>and the draft king nets work. Coming out on Netflix

1:02:02.120 --> 1:02:03.200
<v Speaker 1>July sixteenth.

1:02:03.920 --> 1:02:07.640
<v Speaker 4>H Jeda Christian Oh