1
00:00:00,120 --> 00:00:02,840
Speaker 1: Hello, and welcome back to Movie mis Movie Podcast, your

2
00:00:02,880 --> 00:00:06,040
Speaker 1: go to source for all things movies, and I'm your host,

3
00:00:06,120 --> 00:00:08,240
Speaker 1: movie Mike, and over the next few weeks leading up

4
00:00:08,280 --> 00:00:10,880
Speaker 1: to Halloween, I'm diving into a bunch of horror and

5
00:00:11,000 --> 00:00:14,960
Speaker 1: scary movie topics. So today breaking down the best PG

6
00:00:15,200 --> 00:00:18,319
Speaker 1: thirteen rated horror movies for Halloween. Some of these are

7
00:00:18,320 --> 00:00:20,480
Speaker 1: a little more scary than others, but we'll get into that.

8
00:00:20,520 --> 00:00:23,279
Speaker 1: Plus a movie review of a new Netflix movie called

9
00:00:23,320 --> 00:00:26,160
Speaker 1: The Guilty with Jake Jillen Hall. And in movie news,

10
00:00:26,160 --> 00:00:28,520
Speaker 1: i'll get into Joaquim Phoenix talking for the very first

11
00:00:28,560 --> 00:00:31,560
Speaker 1: time at a possible Joker sequel. So much to talk

12
00:00:31,600 --> 00:00:34,400
Speaker 1: about on this week's episode. Appreciate you being here being

13
00:00:34,400 --> 00:00:38,479
Speaker 1: subscribed to the podcast. Without any further ado, let's get started.

14
00:00:38,880 --> 00:00:42,000
Speaker 1: In a world where everyone and their mother has a podcast,

15
00:00:42,560 --> 00:00:46,440
Speaker 1: one man stands to infiltrate the ears of listeners like

16
00:00:46,560 --> 00:00:50,519
Speaker 1: never before in a movie podcast, A man with so

17
00:00:50,640 --> 00:00:54,840
Speaker 1: much movie knowledge, he's basically like a walking on mtvt

18
00:00:55,000 --> 00:01:03,080
Speaker 1: with classes from the Nashville Podcast Network. Movie Movie So,

19
00:01:03,200 --> 00:01:05,560
Speaker 1: I love Halloween, I love horror movies. I love the

20
00:01:05,600 --> 00:01:08,080
Speaker 1: feeling of being scared while watching a movie. And I

21
00:01:08,160 --> 00:01:11,240
Speaker 1: honestly think the horror genre is really the one that

22
00:01:11,360 --> 00:01:14,559
Speaker 1: kind of cemented my love for watching and reviewing movies,

23
00:01:14,600 --> 00:01:17,440
Speaker 1: because as a kid, there were always just something about

24
00:01:17,520 --> 00:01:19,720
Speaker 1: them that made a more cinematic, that made me want

25
00:01:19,720 --> 00:01:22,000
Speaker 1: to watch them to maybe sometimes want to go behind

26
00:01:22,000 --> 00:01:25,360
Speaker 1: my parents back to watch them. And originally, like when

27
00:01:25,400 --> 00:01:27,440
Speaker 1: I kind of wanted to be a director or a

28
00:01:27,480 --> 00:01:30,000
Speaker 1: writer as a kid for movies, I was always writing

29
00:01:30,040 --> 00:01:34,520
Speaker 1: horror movies. And as a kid, I remember the hardest

30
00:01:34,560 --> 00:01:37,319
Speaker 1: thing was being able to watch our rated horror movies.

31
00:01:37,440 --> 00:01:39,440
Speaker 1: Every movie that I wanted to watch that was a

32
00:01:39,480 --> 00:01:41,840
Speaker 1: horror movie was rated R. I would see the trailer

33
00:01:41,880 --> 00:01:44,240
Speaker 1: come on TV and be so let down at the

34
00:01:44,319 --> 00:01:46,120
Speaker 1: very end when the big movie voice comes on and

35
00:01:46,160 --> 00:01:49,360
Speaker 1: says rated are now admitted without a parent. That always

36
00:01:49,400 --> 00:01:51,840
Speaker 1: kind of like, oh man, I can't go watch that movie.

37
00:01:51,960 --> 00:01:55,000
Speaker 1: And then I remember in my small town of Watsing Hatchie,

38
00:01:55,040 --> 00:01:57,200
Speaker 1: the thing to do on Friday night was to go

39
00:01:57,320 --> 00:01:59,720
Speaker 1: to our movie theater, and the coolest thing was the

40
00:02:00,080 --> 00:02:02,360
Speaker 1: who would sneak into our rated movies and then come

41
00:02:02,360 --> 00:02:04,240
Speaker 1: back on Monday and tell us about them. And I

42
00:02:04,320 --> 00:02:06,720
Speaker 1: never got to see an R rated movie in theaters

43
00:02:06,760 --> 00:02:09,560
Speaker 1: until I was actually like seventeen years old. So that's

44
00:02:09,560 --> 00:02:12,000
Speaker 1: why I wanted to talk about the best PG thirteen

45
00:02:12,120 --> 00:02:14,720
Speaker 1: rated horror movies. That movies that are still scary and

46
00:02:14,760 --> 00:02:16,919
Speaker 1: you can watch maybe with your kids, or if you're

47
00:02:16,960 --> 00:02:19,000
Speaker 1: not really super into horror movies. It's kind of that

48
00:02:19,080 --> 00:02:21,760
Speaker 1: fine line in between. I think this is the question

49
00:02:21,800 --> 00:02:24,560
Speaker 1: I get probably the most right now, is Hey, I'm

50
00:02:24,600 --> 00:02:26,880
Speaker 1: trying to watch some movies with my kids. I want

51
00:02:26,919 --> 00:02:29,680
Speaker 1: something that's appropriate for them, but also that's genuinely a

52
00:02:29,720 --> 00:02:32,160
Speaker 1: scary movie and something we can both watch and enjoy.

53
00:02:32,240 --> 00:02:34,880
Speaker 1: So I think there's a very fine line when it

54
00:02:34,919 --> 00:02:38,280
Speaker 1: comes to PG thirteen and rated are basically what would

55
00:02:38,280 --> 00:02:40,720
Speaker 1: make a movie PG thirteen is there's a little bit

56
00:02:40,840 --> 00:02:44,240
Speaker 1: less just straight on blood and gore. Violence also has

57
00:02:44,280 --> 00:02:46,760
Speaker 1: to do with language. I think you're allowed maybe an

58
00:02:46,960 --> 00:02:50,160
Speaker 1: one F word in a PG thirteen rated movie and

59
00:02:50,200 --> 00:02:53,280
Speaker 1: a handful of S words, and of course the sexual content.

60
00:02:53,320 --> 00:02:56,560
Speaker 1: There is no nudity in a PG thirteen rated movie, obviously,

61
00:02:56,840 --> 00:03:00,320
Speaker 1: and the interesting thing about PG thirteen is it wasn't

62
00:03:00,320 --> 00:03:03,280
Speaker 1: even invented until n that's kind of when they adapted,

63
00:03:03,320 --> 00:03:06,680
Speaker 1: all right, we need a different system, and before then

64
00:03:06,800 --> 00:03:09,840
Speaker 1: it was either PG or rated R. There was no

65
00:03:09,880 --> 00:03:11,880
Speaker 1: one between. It was either you're gonna watch it with

66
00:03:11,960 --> 00:03:14,920
Speaker 1: the entire family it's okay for kids to watch, or

67
00:03:15,080 --> 00:03:17,560
Speaker 1: no kids can watch it, it's only for adults. And

68
00:03:17,639 --> 00:03:21,360
Speaker 1: it's actually credited to a couple of movies. Indiana Jones

69
00:03:21,400 --> 00:03:23,760
Speaker 1: and The Temple of Doom came out in four back

70
00:03:23,760 --> 00:03:26,720
Speaker 1: in May of that year, and even Steven Spielberg said,

71
00:03:26,960 --> 00:03:29,240
Speaker 1: you know, there's some parts of this movie that I

72
00:03:29,240 --> 00:03:32,880
Speaker 1: wouldn't really want kids to see. And then the following month,

73
00:03:32,919 --> 00:03:36,200
Speaker 1: in June, Gremlins came out and that proved to not

74
00:03:36,320 --> 00:03:39,560
Speaker 1: be as kid friendly as the PG rating would say.

75
00:03:39,640 --> 00:03:41,560
Speaker 1: So then they finally came to the decision to make

76
00:03:41,600 --> 00:03:44,760
Speaker 1: a PG thirteen rating, and Red Dawn was the very

77
00:03:44,840 --> 00:03:47,200
Speaker 1: first PG thirteen rated movie to ever come out on

78
00:03:47,280 --> 00:03:51,240
Speaker 1: July one, four and since then we've been able to decide,

79
00:03:51,320 --> 00:03:53,520
Speaker 1: all right, is this okay for teenagers to watch? You

80
00:03:53,640 --> 00:03:55,760
Speaker 1: got the PG thirteen rated movie, and I feel like

81
00:03:55,800 --> 00:03:58,920
Speaker 1: sometimes you think, oh, it's PG thirteen, couldn't really be

82
00:03:59,000 --> 00:04:02,200
Speaker 1: that scary. So I decided to pick some movies that, yes,

83
00:04:02,240 --> 00:04:04,800
Speaker 1: they do in fact end up being that scary. They

84
00:04:04,800 --> 00:04:07,640
Speaker 1: don't need the violence, they don't need the language to

85
00:04:07,800 --> 00:04:10,400
Speaker 1: have that message come across. So I have five that

86
00:04:10,480 --> 00:04:13,960
Speaker 1: I picked that I think everybody would enjoy and they're

87
00:04:14,000 --> 00:04:17,280
Speaker 1: great to watch right now in October, right around Halloween. Also,

88
00:04:17,360 --> 00:04:19,200
Speaker 1: just have a bunch of honorable mentions because I think

89
00:04:19,200 --> 00:04:21,400
Speaker 1: there's a bunch that can make this list. So let's

90
00:04:21,440 --> 00:04:24,640
Speaker 1: start it off with number five, The Exorcism of Emily

91
00:04:24,760 --> 00:04:27,760
Speaker 1: Rose from two thousand and five. And there's something about

92
00:04:27,880 --> 00:04:32,080
Speaker 1: exorcism movies that just get me. Maybe it's because sometimes

93
00:04:32,080 --> 00:04:34,919
Speaker 1: they're based on true stories. Sometimes just the things and

94
00:04:35,000 --> 00:04:37,880
Speaker 1: images depicted are just so scary. And I remember this

95
00:04:37,920 --> 00:04:41,159
Speaker 1: movie in particular. I had nightmares after watching this movie.

96
00:04:41,160 --> 00:04:43,880
Speaker 1: And it's a PG thirteen rated movie. But the movie

97
00:04:43,960 --> 00:04:47,800
Speaker 1: is about a lawyer investigating a priest exorcism that ended

98
00:04:47,800 --> 00:04:49,640
Speaker 1: in a girl's death. That's not a spoiler, that's what

99
00:04:49,640 --> 00:04:52,360
Speaker 1: the entire movie is about. And overall there's just a

100
00:04:52,400 --> 00:04:57,080
Speaker 1: bunch of just kind of frightening, very intense scenes, very

101
00:04:57,160 --> 00:05:00,080
Speaker 1: mild swearing, So that keeps that PG thirteen rating. But

102
00:05:00,120 --> 00:05:02,320
Speaker 1: I would say the rising action is just really great

103
00:05:02,360 --> 00:05:04,360
Speaker 1: in this movie, and once it gets to that climax,

104
00:05:05,040 --> 00:05:08,000
Speaker 1: it's a very intense scene. It's a very intense moment that,

105
00:05:08,120 --> 00:05:10,400
Speaker 1: of all the horror movies I've seen in the last

106
00:05:10,440 --> 00:05:13,760
Speaker 1: twenty years, still stays with me to this day. There's

107
00:05:13,760 --> 00:05:16,839
Speaker 1: a specific phrase that Emily Rose says while she's being

108
00:05:16,880 --> 00:05:19,520
Speaker 1: possessed that'll stick in your head. You won't be able

109
00:05:19,560 --> 00:05:21,600
Speaker 1: to count to six after this movie, I'll tell you that.

110
00:05:21,760 --> 00:05:24,279
Speaker 1: So I'll put that one at number five. At number

111
00:05:24,320 --> 00:05:27,960
Speaker 1: four is a movie from called Devil and m Night.

112
00:05:27,960 --> 00:05:31,080
Speaker 1: Shamalan wrote the story for this movie. He didn't direct it,

113
00:05:31,200 --> 00:05:33,360
Speaker 1: but it's about five people who are trapped in the

114
00:05:33,480 --> 00:05:36,320
Speaker 1: elevator and one of them is the Devil. I think

115
00:05:36,320 --> 00:05:39,400
Speaker 1: that's the greatest elevator pitch for all the movies on

116
00:05:39,400 --> 00:05:42,280
Speaker 1: this list, probably because elevator is in the description to

117
00:05:42,400 --> 00:05:45,279
Speaker 1: that but played and symbol. That's what this movie is about.

118
00:05:45,320 --> 00:05:48,560
Speaker 1: They're trying to figure out who in the elevator is

119
00:05:48,600 --> 00:05:50,520
Speaker 1: the Devil. I think out of all the ones on

120
00:05:50,560 --> 00:05:54,400
Speaker 1: this list, this one probably plays with the line of PG.

121
00:05:54,560 --> 00:05:57,800
Speaker 1: Thirteen two our rating the most mainly because of the

122
00:05:57,880 --> 00:06:01,080
Speaker 1: violence in this It is pretty blood but apparently not

123
00:06:01,120 --> 00:06:03,520
Speaker 1: bloody enough to get an R rating, so all the

124
00:06:03,560 --> 00:06:06,560
Speaker 1: scenes and all the movie basically takes place entirely in

125
00:06:06,560 --> 00:06:09,000
Speaker 1: one location, so it's a good mix of horror and

126
00:06:09,040 --> 00:06:13,200
Speaker 1: also suspense and mystery. If you're into that, I think

127
00:06:13,200 --> 00:06:15,360
Speaker 1: you will enjoy this one. So I put that one

128
00:06:15,440 --> 00:06:18,440
Speaker 1: at number four. At number three. Is one of my

129
00:06:18,600 --> 00:06:21,600
Speaker 1: favorite horror movies, not even it just makes this list,

130
00:06:21,640 --> 00:06:24,080
Speaker 1: but out of all the horror movies in the last

131
00:06:24,160 --> 00:06:28,160
Speaker 1: fifteen years or so, I really loved Insidious came out

132
00:06:28,160 --> 00:06:31,320
Speaker 1: back in It's about this couple moves into a brand

133
00:06:31,360 --> 00:06:34,640
Speaker 1: new house, discovers that it's haunted, and then it appears

134
00:06:34,640 --> 00:06:37,479
Speaker 1: that their son is possessed by whatever is living in

135
00:06:37,520 --> 00:06:39,320
Speaker 1: this house. And I think this is a really great

136
00:06:39,320 --> 00:06:41,600
Speaker 1: example of how you don't really need a whole lot

137
00:06:41,600 --> 00:06:43,760
Speaker 1: of violence, you don't really need a whole lot of

138
00:06:43,760 --> 00:06:46,719
Speaker 1: blood to make something scary. There's just such great suspense

139
00:06:46,760 --> 00:06:49,279
Speaker 1: in this movie, and it does what I love when

140
00:06:49,279 --> 00:06:52,000
Speaker 1: it comes to horror movies is not revealing the monsters,

141
00:06:52,040 --> 00:06:54,760
Speaker 1: not revealing the demons too early, so you're not just

142
00:06:54,800 --> 00:06:57,680
Speaker 1: saturated with like, oh, there's these scary creatures throughout the

143
00:06:57,760 --> 00:07:00,280
Speaker 1: entire movie. They're very kind of particular way, and they

144
00:07:00,279 --> 00:07:02,320
Speaker 1: do show the demons and I think that just has

145
00:07:02,360 --> 00:07:04,880
Speaker 1: such a bigger weight to it. When you actually get

146
00:07:04,920 --> 00:07:07,640
Speaker 1: to see them, actually experienced that moment for the first

147
00:07:07,640 --> 00:07:10,960
Speaker 1: time on the screen, you're genuinely scared. There's one scene

148
00:07:11,000 --> 00:07:13,880
Speaker 1: in particular that the image kind of stays in my mind.

149
00:07:14,040 --> 00:07:16,720
Speaker 1: It reminds me of when I first saw Signs in theaters,

150
00:07:16,760 --> 00:07:19,280
Speaker 1: which I don't really consider a horror movie, but there's

151
00:07:19,320 --> 00:07:21,720
Speaker 1: a moment where the alien walks across for the very

152
00:07:21,760 --> 00:07:24,360
Speaker 1: first time you see them, and even now to this day,

153
00:07:24,400 --> 00:07:27,320
Speaker 1: I remember the feeling that I had while watching that

154
00:07:27,360 --> 00:07:29,880
Speaker 1: in a theater and how scary that was. I think

155
00:07:29,880 --> 00:07:32,080
Speaker 1: Insidious was the next movie to kind of do that

156
00:07:32,120 --> 00:07:34,280
Speaker 1: to me. So this one has some mild gore, not

157
00:07:34,320 --> 00:07:37,880
Speaker 1: a whole lot of blood, moderate profanity, but overall, what

158
00:07:37,960 --> 00:07:40,200
Speaker 1: I think gives it the rating of a PG three

159
00:07:40,200 --> 00:07:42,680
Speaker 1: teen movie is it just pretty intense and just kind

160
00:07:42,680 --> 00:07:45,640
Speaker 1: of disturbing because it is dealing with demons. So I'd

161
00:07:45,640 --> 00:07:47,760
Speaker 1: say it feels more like a kind of a classic

162
00:07:48,000 --> 00:07:51,240
Speaker 1: R rated movie without the gore. At Number two is

163
00:07:51,280 --> 00:07:54,320
Speaker 1: a more recent movie from that. I feel like a

164
00:07:54,320 --> 00:07:56,640
Speaker 1: lot of people have probably watched, and some people kind

165
00:07:56,640 --> 00:07:59,120
Speaker 1: of debate whether or not this is a horror movie

166
00:07:59,280 --> 00:08:01,280
Speaker 1: or not. I'd it has a little bit less of

167
00:08:01,320 --> 00:08:04,080
Speaker 1: a horror movie feel, more just of a monster movie feel,

168
00:08:04,640 --> 00:08:07,680
Speaker 1: But when it comes to the amount of suspense that

169
00:08:07,720 --> 00:08:10,560
Speaker 1: it's able to create through the tension, through the acting,

170
00:08:10,840 --> 00:08:14,680
Speaker 1: and through the basically no other sound than just movements

171
00:08:14,720 --> 00:08:18,120
Speaker 1: and gestures in this movie, I myself do consider this

172
00:08:18,200 --> 00:08:21,120
Speaker 1: a horror movie. I think it's a modern day classic.

173
00:08:21,280 --> 00:08:23,520
Speaker 1: And the movie I'm talking about is A Quiet Place

174
00:08:23,520 --> 00:08:26,960
Speaker 1: from if you haven't seen it, it's a movie about

175
00:08:27,800 --> 00:08:31,640
Speaker 1: these creatures who are hunting humans and they pray by sound,

176
00:08:31,920 --> 00:08:34,520
Speaker 1: so this family is forced to live their entire life

177
00:08:34,559 --> 00:08:37,200
Speaker 1: in silence, and out of all the movies on this list,

178
00:08:37,280 --> 00:08:41,319
Speaker 1: it's the only one without any sex scenes, no nudity

179
00:08:41,520 --> 00:08:44,840
Speaker 1: or no swearing. Just straight up big monsters, big action,

180
00:08:44,920 --> 00:08:47,480
Speaker 1: intense scenes. That's what you get out of this movie.

181
00:08:47,600 --> 00:08:50,400
Speaker 1: Just kind of a classic monster movie feel, but done

182
00:08:50,400 --> 00:08:52,280
Speaker 1: in a way that I felt hasn't been done before,

183
00:08:52,640 --> 00:08:54,800
Speaker 1: and was able to make a pretty good formula out

184
00:08:54,800 --> 00:08:56,880
Speaker 1: of a movie. So much so that A Quiet Place

185
00:08:56,920 --> 00:09:00,720
Speaker 1: to basically took what A Quiet Place One was and

186
00:09:00,800 --> 00:09:03,520
Speaker 1: kind of did it again. So I didn't love that

187
00:09:03,559 --> 00:09:05,840
Speaker 1: one as much. But if you end up watching A

188
00:09:05,880 --> 00:09:08,920
Speaker 1: Quiet Place that you haven't seen it yet, I think

189
00:09:08,920 --> 00:09:10,760
Speaker 1: you could go on to watch a Quiet Place too

190
00:09:10,800 --> 00:09:12,600
Speaker 1: and get a lot of the same, a little bit

191
00:09:12,640 --> 00:09:15,280
Speaker 1: more ramped up action, in a little bit more violence,

192
00:09:15,280 --> 00:09:19,200
Speaker 1: I would say, But it's basically takes place right after

193
00:09:19,240 --> 00:09:21,920
Speaker 1: the first one, goes into the second one, and kind

194
00:09:21,920 --> 00:09:24,400
Speaker 1: of followed the same plot. So that's not a bad

195
00:09:24,440 --> 00:09:26,960
Speaker 1: thing because you're already taking a great movie and kind

196
00:09:27,000 --> 00:09:29,280
Speaker 1: of doing it again. Even though I didn't love it

197
00:09:29,320 --> 00:09:32,280
Speaker 1: as much, it's still a much better movie than a

198
00:09:32,280 --> 00:09:34,520
Speaker 1: lot of other horror movies right now, and definitely a

199
00:09:34,559 --> 00:09:36,679
Speaker 1: movie you would not feel awkward watching it with your

200
00:09:36,800 --> 00:09:39,360
Speaker 1: entire family, which is always hard for horror movies. I

201
00:09:39,360 --> 00:09:41,559
Speaker 1: think that's mainly the reason I wanted to do this

202
00:09:41,600 --> 00:09:45,160
Speaker 1: list is because as a kid, I remember watching like

203
00:09:45,320 --> 00:09:48,400
Speaker 1: sometimes my parents would let me watch an R rated

204
00:09:48,440 --> 00:09:52,120
Speaker 1: movie because I had an older brother, older sister. They

205
00:09:52,120 --> 00:09:54,480
Speaker 1: were teenagers and already watching them no matter what, and

206
00:09:54,520 --> 00:09:56,680
Speaker 1: for me I would the youngest. So I kind of

207
00:09:56,720 --> 00:09:59,559
Speaker 1: got lucky to be able to do that. But when

208
00:09:59,600 --> 00:10:02,800
Speaker 1: you watch to horror movie with your entire family, you're

209
00:10:02,840 --> 00:10:05,640
Speaker 1: always waiting for that new scene, that sex scene, you're like,

210
00:10:05,679 --> 00:10:07,520
Speaker 1: oh my gosh, it's gonna be self hawker. This is

211
00:10:07,520 --> 00:10:09,719
Speaker 1: gonna be so weird. So the great thing about a

212
00:10:09,800 --> 00:10:12,640
Speaker 1: quiet place, you won't have to worry about that at all.

213
00:10:13,120 --> 00:10:15,600
Speaker 1: Before I get to number one, I do have a

214
00:10:15,640 --> 00:10:19,079
Speaker 1: bunch of honorable mentions. My first one is The Others,

215
00:10:19,120 --> 00:10:21,920
Speaker 1: which was pretty close to making this list with Nicole Kidman.

216
00:10:22,800 --> 00:10:26,000
Speaker 1: It's her living in basically this remote mansion with their

217
00:10:26,040 --> 00:10:29,319
Speaker 1: two children. They suffer from this rare disease and they

218
00:10:29,360 --> 00:10:32,000
Speaker 1: soon kind of discovered these others that are with them

219
00:10:32,040 --> 00:10:35,920
Speaker 1: as well. Mild profanity, no gore, and an implied sex scene.

220
00:10:35,960 --> 00:10:38,640
Speaker 1: But I think when I was talking earlier about movie trailers,

221
00:10:38,800 --> 00:10:41,800
Speaker 1: there's a scene where Nicole Kidman goes up to what's

222
00:10:41,800 --> 00:10:44,040
Speaker 1: supposed to be your daughter. She thinks it's not her daughter.

223
00:10:44,240 --> 00:10:47,080
Speaker 1: The daughter applies, but I am your daughter. That moment

224
00:10:47,120 --> 00:10:49,240
Speaker 1: still freaks me out. And if a movie trailer is

225
00:10:49,320 --> 00:10:51,280
Speaker 1: able to give you that feeling, it's probably gonna be

226
00:10:51,320 --> 00:10:53,520
Speaker 1: a pretty good scary movie. So that one's back for

227
00:10:53,559 --> 00:10:55,599
Speaker 1: out from two thousand and one. You also have The

228
00:10:55,640 --> 00:10:59,040
Speaker 1: Six Cents, from which I think is a classic child

229
00:10:59,120 --> 00:11:02,720
Speaker 1: psychologist aid by none other than Bruce Willis trying to

230
00:11:02,720 --> 00:11:05,560
Speaker 1: treat this eight year old boy. That one's PG thirteen

231
00:11:05,600 --> 00:11:09,160
Speaker 1: basically because of some violence and occasional profanity. And then

232
00:11:09,160 --> 00:11:11,320
Speaker 1: you also have some other classics, and like I was

233
00:11:11,320 --> 00:11:14,480
Speaker 1: talking about earlier, that PG thirteen came to be in

234
00:11:15,160 --> 00:11:19,080
Speaker 1: four and before that, Jaws has a PG rating, which

235
00:11:19,120 --> 00:11:21,360
Speaker 1: is kind of crazy to see, but that's a classic.

236
00:11:21,600 --> 00:11:24,760
Speaker 1: And along those same lines, Poulter Guys has a PG rating,

237
00:11:25,120 --> 00:11:29,240
Speaker 1: another Halloween horror classic. Watch the original, though don't watch

238
00:11:29,240 --> 00:11:33,240
Speaker 1: the remake. And then Grimlin's also rated PG, and even

239
00:11:33,240 --> 00:11:35,560
Speaker 1: though it is set around Christmas, I still feel like

240
00:11:35,600 --> 00:11:38,360
Speaker 1: it has that horror movie Halloween vibe. I'd rather watch

241
00:11:38,400 --> 00:11:40,800
Speaker 1: that one around Halloween that I would Christmas. You also

242
00:11:40,800 --> 00:11:44,480
Speaker 1: have the original Tremors from nine, which is rated PG thirteen.

243
00:11:44,960 --> 00:11:47,600
Speaker 1: And there's a movie on Netflix called a Lie which

244
00:11:47,640 --> 00:11:50,199
Speaker 1: came out last year, and it's a zombie movie from

245
00:11:50,240 --> 00:11:53,520
Speaker 1: South Korea. And even though on Netflix it doesn't have

246
00:11:53,559 --> 00:11:55,959
Speaker 1: a rating, I feel like that one. It's no more

247
00:11:56,000 --> 00:11:58,720
Speaker 1: intense violence that you would find on like The Walking Dead,

248
00:11:59,000 --> 00:12:01,640
Speaker 1: even less severe than Game of Thrones. Basically, if you

249
00:12:01,720 --> 00:12:06,920
Speaker 1: think you can handle zombie violence and zombies eating humans

250
00:12:06,960 --> 00:12:09,319
Speaker 1: and people getting torn apart. I think you would be

251
00:12:09,360 --> 00:12:11,240
Speaker 1: fine with that one, and I really enjoyed that one.

252
00:12:11,520 --> 00:12:14,920
Speaker 1: So those are the honorable mentions, and at number one.

253
00:12:15,600 --> 00:12:18,080
Speaker 1: I feel like this was the scariest movie that came

254
00:12:18,080 --> 00:12:21,000
Speaker 1: out when I was a kid, from two thousand Into

255
00:12:21,400 --> 00:12:24,240
Speaker 1: the Ring. Several reasons why I put this movie at

256
00:12:24,320 --> 00:12:27,480
Speaker 1: number one. I think the first reason is because when

257
00:12:27,520 --> 00:12:30,000
Speaker 1: this movie came out, it had such a pop culture

258
00:12:30,080 --> 00:12:33,960
Speaker 1: impact where everybody knew the plot of this movie. And

259
00:12:34,559 --> 00:12:38,040
Speaker 1: a thing that's great about horror movies is when you're

260
00:12:38,080 --> 00:12:41,120
Speaker 1: able to pull apart elements from a horror movie and

261
00:12:41,200 --> 00:12:43,680
Speaker 1: just be scared by it. And the thing in this

262
00:12:43,760 --> 00:12:45,719
Speaker 1: movie is you watch a tape and then you get

263
00:12:45,720 --> 00:12:47,880
Speaker 1: a phone call that you have seven days to live.

264
00:12:47,920 --> 00:12:50,640
Speaker 1: And I think everybody remembers that part of it. And

265
00:12:50,679 --> 00:12:54,520
Speaker 1: after you watch this movie, your heart probably sank every

266
00:12:54,520 --> 00:12:57,320
Speaker 1: single time your phone ring, especially people like right after

267
00:12:57,360 --> 00:12:59,839
Speaker 1: you're watching the movie or during you were watching the

268
00:12:59,880 --> 00:13:02,480
Speaker 1: MOVI movie. I think we all kind of remember that

269
00:13:02,520 --> 00:13:05,560
Speaker 1: from this movie. The second reason is because it's just

270
00:13:05,600 --> 00:13:09,280
Speaker 1: a great mystery movie, and it's one of the movies

271
00:13:09,320 --> 00:13:12,480
Speaker 1: while you're watching it, while you're watching the main character

272
00:13:12,520 --> 00:13:15,320
Speaker 1: in this try to figure out, you know, the mysterious

273
00:13:15,480 --> 00:13:18,840
Speaker 1: reason behind the tape. It's a movie that while you

274
00:13:18,920 --> 00:13:20,720
Speaker 1: watch it, you're yelling at the screen. You're like, why

275
00:13:20,760 --> 00:13:22,440
Speaker 1: are you doing that? Like why are you trying to

276
00:13:22,480 --> 00:13:25,400
Speaker 1: do this? Get out of their stop? And I think

277
00:13:25,440 --> 00:13:28,319
Speaker 1: that's the other great element of this movie is when

278
00:13:28,360 --> 00:13:31,959
Speaker 1: you feel involved with it invokes an emotion while you're

279
00:13:31,960 --> 00:13:33,880
Speaker 1: watching it, especially if you're able to see this in

280
00:13:33,880 --> 00:13:36,199
Speaker 1: the theater, which I wasn't, but I think that's totally

281
00:13:36,320 --> 00:13:40,240
Speaker 1: captured this period of time. And the third reason is

282
00:13:40,280 --> 00:13:43,040
Speaker 1: I just think it has a very iconic and memorable

283
00:13:43,120 --> 00:13:46,720
Speaker 1: moment that was not only parodied later in Scary Movie,

284
00:13:46,880 --> 00:13:49,480
Speaker 1: but I think the scene that we all remember is

285
00:13:49,520 --> 00:13:52,800
Speaker 1: when the girl from the film actually walks out of

286
00:13:52,840 --> 00:13:56,400
Speaker 1: that TV screen, and it's just a great intense moment,

287
00:13:56,920 --> 00:14:00,400
Speaker 1: great visual effects, and with a PG thirteen ray eating,

288
00:14:00,520 --> 00:14:04,160
Speaker 1: it was able to scare so many people without the

289
00:14:04,200 --> 00:14:06,680
Speaker 1: need of all the violence. It's mainly just terror that

290
00:14:06,800 --> 00:14:09,720
Speaker 1: it invokes in you, the fear of this could actually

291
00:14:09,720 --> 00:14:11,439
Speaker 1: happen in real life. And I think we all kind

292
00:14:11,480 --> 00:14:13,800
Speaker 1: of questioned after we watched this movie, like what you

293
00:14:13,800 --> 00:14:16,160
Speaker 1: would do if you watch that tape. And this movie

294
00:14:16,200 --> 00:14:19,360
Speaker 1: is also going on twenty years old, so I think

295
00:14:19,400 --> 00:14:21,200
Speaker 1: maybe it's a movie that some people forget about. We

296
00:14:21,240 --> 00:14:23,120
Speaker 1: all kind of remember it, but maybe haven't seen it

297
00:14:23,160 --> 00:14:24,960
Speaker 1: in a while. So I think it's a movie I'm

298
00:14:24,960 --> 00:14:27,560
Speaker 1: going to revisit now that it's Halloween time, and it's

299
00:14:27,560 --> 00:14:30,320
Speaker 1: a movie that I think if your kids are wanting

300
00:14:30,320 --> 00:14:34,160
Speaker 1: to watch something scary, like really be scared, I think

301
00:14:34,160 --> 00:14:36,280
Speaker 1: this is a great one. So I put that one

302
00:14:36,360 --> 00:14:40,760
Speaker 1: at number one, the scariest PG thirteen rated movie. There

303
00:14:40,760 --> 00:14:54,080
Speaker 1: you go. Time now for a spoiler free movie review.

304
00:14:54,520 --> 00:14:56,680
Speaker 1: This has been the number one movie on Netflix for

305
00:14:56,680 --> 00:14:58,720
Speaker 1: a while, maybe falling out of the top spot now,

306
00:14:58,800 --> 00:15:01,320
Speaker 1: but a movie I've been wanting to talk about, and

307
00:15:01,360 --> 00:15:03,920
Speaker 1: I think last week with kind of the overshadow of

308
00:15:04,000 --> 00:15:06,680
Speaker 1: Squid Game on Netflix, I think now is the time

309
00:15:06,720 --> 00:15:08,640
Speaker 1: to check out this movie if you haven't seen it yet.

310
00:15:08,760 --> 00:15:11,720
Speaker 1: It's called The Guilty with Jake Jillen Home. He plays

311
00:15:11,720 --> 00:15:14,280
Speaker 1: a police detective who has been demoted to working in

312
00:15:14,320 --> 00:15:19,320
Speaker 1: the operating center because of its troubled past. That's the

313
00:15:19,480 --> 00:15:22,560
Speaker 1: overall plot of this movie. I'll get into my feelings

314
00:15:22,560 --> 00:15:25,680
Speaker 1: about it very unique concept for a movie. It is

315
00:15:25,720 --> 00:15:29,440
Speaker 1: a remake, so don't be fooled by that. Before I

316
00:15:29,440 --> 00:15:31,560
Speaker 1: get into the review, here's just a little bit of

317
00:15:31,600 --> 00:15:35,960
Speaker 1: the trailer with you. Is the person would know you

318
00:15:36,000 --> 00:15:39,960
Speaker 1: called us? What do they think you called? Job? Does

319
00:15:40,000 --> 00:15:42,520
Speaker 1: the person who with have a weapon? Yes? I need

320
00:15:42,560 --> 00:15:43,880
Speaker 1: the color of the car? Okay? When I say the

321
00:15:43,960 --> 00:15:50,720
Speaker 1: right one, say it's fine? Right? White? Is it a car? No? Man? No?

322
00:15:50,800 --> 00:15:56,840
Speaker 1: Just yes or no? Just yes or no? Answers. I'm sorry,

323
00:15:53,720 --> 00:16:02,320
Speaker 1: I have a woman who's been abducted. What are we

324
00:16:02,400 --> 00:16:05,240
Speaker 1: looking for? A white van? That's not enough? Come on.

325
00:16:06,920 --> 00:16:10,480
Speaker 1: So Jake Jillenhall plays this character that you're learning about

326
00:16:10,520 --> 00:16:12,720
Speaker 1: why you watch the movie, And I really like when

327
00:16:12,800 --> 00:16:16,000
Speaker 1: movies do this, when they don't put everything up front

328
00:16:16,040 --> 00:16:17,840
Speaker 1: at the start of the movie, like, oh, here's why

329
00:16:17,880 --> 00:16:21,160
Speaker 1: he's in this situation. You learn it as it goes alone.

330
00:16:21,280 --> 00:16:25,280
Speaker 1: You learn the backstory and the most captivating thing about

331
00:16:25,280 --> 00:16:27,560
Speaker 1: this movie that you want to know before going into it,

332
00:16:27,800 --> 00:16:30,120
Speaker 1: and the reason it is so different is that this

333
00:16:30,160 --> 00:16:34,120
Speaker 1: movie takes place entirely in one location. It's what's known

334
00:16:34,160 --> 00:16:37,200
Speaker 1: as a bottle movie. Sometimes you hear this reference on

335
00:16:37,240 --> 00:16:40,680
Speaker 1: TV episodes where it's called a bottle episode where they

336
00:16:40,680 --> 00:16:43,760
Speaker 1: try to keep all the main characters into one location.

337
00:16:44,000 --> 00:16:46,880
Speaker 1: And this type of episode is usually done to save money.

338
00:16:47,360 --> 00:16:48,920
Speaker 1: It's at a point of the season where they can't

339
00:16:48,920 --> 00:16:51,240
Speaker 1: really stretch out with the budget. They don't have all

340
00:16:51,800 --> 00:16:53,960
Speaker 1: the expenses to be put towards a bunch of different

341
00:16:53,960 --> 00:16:56,200
Speaker 1: sets and location, so they're like, all right, let's write

342
00:16:56,200 --> 00:16:59,240
Speaker 1: a plot where everything can take place in this one

343
00:16:59,240 --> 00:17:01,960
Speaker 1: single room. And you've seen other movies like this before,

344
00:17:02,040 --> 00:17:04,919
Speaker 1: maybe something like Phone Booth or even earlier I was

345
00:17:04,960 --> 00:17:07,880
Speaker 1: talking about Devil. It's all in one location. And why

346
00:17:07,920 --> 00:17:10,760
Speaker 1: that is important to know is that it's basically just

347
00:17:10,920 --> 00:17:14,639
Speaker 1: Jake Jillen Hall's face throughout the entire movie. It's him

348
00:17:14,680 --> 00:17:19,320
Speaker 1: at a computer with a headset on taking calls. So

349
00:17:19,400 --> 00:17:21,880
Speaker 1: I think what I really kind of took away from

350
00:17:21,920 --> 00:17:24,320
Speaker 1: this movie is that Jake Jillen Hall can really act.

351
00:17:24,560 --> 00:17:27,880
Speaker 1: I feel like he's a very underrated actor, and this

352
00:17:27,920 --> 00:17:31,000
Speaker 1: movie really puts on display just how good his acting

353
00:17:31,000 --> 00:17:33,760
Speaker 1: abilities are. Because when you're just one actor on the

354
00:17:33,760 --> 00:17:36,920
Speaker 1: screen the entire time, really have no interactions with any

355
00:17:36,920 --> 00:17:41,119
Speaker 1: other characters. There's a few like side basically extras in

356
00:17:41,160 --> 00:17:43,240
Speaker 1: the room around him that have maybe a few lines,

357
00:17:43,560 --> 00:17:47,760
Speaker 1: but everybody he interacts with his voice acting, they're all

358
00:17:47,800 --> 00:17:50,320
Speaker 1: phone calls that come in. You don't see them at all.

359
00:17:50,800 --> 00:17:53,399
Speaker 1: You only see Jake Jillen Hall and hear their voice.

360
00:17:53,960 --> 00:17:59,320
Speaker 1: So for it to be so captivating and entertaining, there

361
00:17:59,359 --> 00:18:00,800
Speaker 1: was a lot of things is going into this. It

362
00:18:00,920 --> 00:18:02,879
Speaker 1: just had a really great story, which it is a

363
00:18:02,920 --> 00:18:07,280
Speaker 1: remake of eighteen Danish film with the same name, So

364
00:18:07,440 --> 00:18:10,359
Speaker 1: they took that great story and just made basically an

365
00:18:10,359 --> 00:18:13,480
Speaker 1: American version of it. I'm okay with that. I feel

366
00:18:13,480 --> 00:18:16,680
Speaker 1: like some people have problems with that of why will

367
00:18:16,760 --> 00:18:19,119
Speaker 1: we take a movie that was successful in another country,

368
00:18:19,160 --> 00:18:22,240
Speaker 1: in another language and just americanize it, Like, go watch

369
00:18:22,359 --> 00:18:24,879
Speaker 1: that version. But I think in this version it really works.

370
00:18:25,160 --> 00:18:27,760
Speaker 1: And if you ended up watching this one and you

371
00:18:27,800 --> 00:18:30,080
Speaker 1: really like it, go back and watch the original. I

372
00:18:30,080 --> 00:18:32,359
Speaker 1: think that's the kind of attention that should bring. I

373
00:18:32,359 --> 00:18:34,320
Speaker 1: think when something is so good and you want to

374
00:18:34,320 --> 00:18:36,400
Speaker 1: buy the rights to it and make your own version

375
00:18:36,400 --> 00:18:38,919
Speaker 1: of it, why not. I would rather see this than just,

376
00:18:39,200 --> 00:18:42,120
Speaker 1: you know, an American movie getting remade twenty years later.

377
00:18:42,280 --> 00:18:44,240
Speaker 1: I have no problem with that concept. And the other

378
00:18:44,280 --> 00:18:46,400
Speaker 1: thing I loved about this that I was talking about

379
00:18:46,440 --> 00:18:49,960
Speaker 1: just a moment ago, is that you learned the backstory

380
00:18:50,000 --> 00:18:52,439
Speaker 1: of his character and kind of the dark past that

381
00:18:52,560 --> 00:18:56,280
Speaker 1: keeps coming up again and again, and you are really

382
00:18:56,320 --> 00:18:58,520
Speaker 1: kind of put in the center of the action, being

383
00:18:58,560 --> 00:19:00,640
Speaker 1: there and you're seeing all the things go down and

384
00:19:00,680 --> 00:19:04,240
Speaker 1: hearing it. It was just such a unique perspective as

385
00:19:04,280 --> 00:19:07,880
Speaker 1: a viewer to enjoy and I like when movies do this.

386
00:19:08,200 --> 00:19:11,160
Speaker 1: I think, when done right, it's a really powerful way

387
00:19:11,200 --> 00:19:13,400
Speaker 1: to make a movie. It's also a very cheap way

388
00:19:13,400 --> 00:19:16,119
Speaker 1: to make a movie. Netflix one who paid thirty million

389
00:19:16,160 --> 00:19:18,119
Speaker 1: dollars for the rights of this movie to put it

390
00:19:18,160 --> 00:19:20,520
Speaker 1: on their streaming service. And the other great thing about

391
00:19:20,600 --> 00:19:22,840
Speaker 1: this one it was made during the pandemic back in

392
00:19:24,040 --> 00:19:27,879
Speaker 1: with such a small cast, such a small need for production.

393
00:19:28,760 --> 00:19:31,919
Speaker 1: It really lent itself to being made during that time.

394
00:19:32,200 --> 00:19:34,520
Speaker 1: And I think I even read that the director was

395
00:19:34,760 --> 00:19:38,000
Speaker 1: exposed to somebody with COVID before going into film this movie,

396
00:19:38,600 --> 00:19:42,480
Speaker 1: so the director was in a van outside of the location,

397
00:19:42,760 --> 00:19:46,320
Speaker 1: looking at screens and directing from a van. So so

398
00:19:46,359 --> 00:19:48,639
Speaker 1: many cool things about this movie, how it was made,

399
00:19:49,240 --> 00:19:51,040
Speaker 1: and I just love when a movie with such a

400
00:19:51,040 --> 00:19:53,840
Speaker 1: low budget is able to make something so much bigger

401
00:19:54,200 --> 00:19:56,320
Speaker 1: because of the concept, and I think that's exactly what

402
00:19:56,359 --> 00:19:59,119
Speaker 1: this movie does, and that's greatly due to the story

403
00:19:59,160 --> 00:20:02,160
Speaker 1: already being gray. But really the Jake Jillen Hall too

404
00:20:03,400 --> 00:20:07,680
Speaker 1: be able to be fully on display interacting with these calls,

405
00:20:07,720 --> 00:20:09,639
Speaker 1: which I bet was a pretty hard task to do

406
00:20:09,760 --> 00:20:12,120
Speaker 1: as an actor. You're not seeing anybody face to face,

407
00:20:12,160 --> 00:20:16,480
Speaker 1: you're not interacting with anybody. He's only being fed these

408
00:20:16,520 --> 00:20:19,080
Speaker 1: lines of dialogue that he needs to react to, and

409
00:20:19,119 --> 00:20:22,160
Speaker 1: that's what acting is, it's reacting. So I think all

410
00:20:22,200 --> 00:20:25,679
Speaker 1: the voice acting for that reason was very important, and

411
00:20:25,720 --> 00:20:28,679
Speaker 1: you'll hear some other famous voices to Ethan Hawk, Bill Burr,

412
00:20:29,160 --> 00:20:33,080
Speaker 1: Paul Dano, Peter scars Guard all played characters on the

413
00:20:33,080 --> 00:20:36,359
Speaker 1: other lines of these conversations, some pretty intense moments, and

414
00:20:36,359 --> 00:20:39,000
Speaker 1: you really just see Jake Jillen Hall get rattled and

415
00:20:39,040 --> 00:20:41,760
Speaker 1: get more and more intense. So if you're looking for

416
00:20:41,800 --> 00:20:46,800
Speaker 1: a great crime drama thriller movie, I think it's the

417
00:20:46,840 --> 00:20:50,240
Speaker 1: perfect thing to watch on Netflix right now. I give

418
00:20:50,240 --> 00:20:53,840
Speaker 1: it four out of five calls. Watch it, let me

419
00:20:53,840 --> 00:20:56,480
Speaker 1: know what you think. It is. Rated are no crazy

420
00:20:56,560 --> 00:20:58,960
Speaker 1: violence in it. It's mainly due because of language and

421
00:20:59,000 --> 00:21:01,280
Speaker 1: the beautiful thing about it. It's only an hour and

422
00:21:01,320 --> 00:21:04,280
Speaker 1: a half ninety minutes, greatly due to the reason that

423
00:21:04,359 --> 00:21:07,280
Speaker 1: it takes place in one location and the plot really

424
00:21:07,320 --> 00:21:10,119
Speaker 1: doesn't lend itself to be able to be explored into

425
00:21:10,200 --> 00:21:13,200
Speaker 1: anything more than ninety minutes. This is the second movie

426
00:21:13,240 --> 00:21:15,159
Speaker 1: I've seen in the last two weeks that have been

427
00:21:15,200 --> 00:21:17,080
Speaker 1: at that ninety minute mark, and I'm really kind of

428
00:21:17,119 --> 00:21:19,280
Speaker 1: loving it right now. I think when you're able to

429
00:21:20,080 --> 00:21:23,639
Speaker 1: trim all the fat, take out all those unnecessary extra scenes,

430
00:21:23,680 --> 00:21:27,000
Speaker 1: take out any unnecessary backstory, and get straight into it,

431
00:21:27,400 --> 00:21:29,840
Speaker 1: the movie itself has more power to it. And I

432
00:21:29,840 --> 00:21:31,920
Speaker 1: think that's what this one did. So that's what I

433
00:21:31,960 --> 00:21:39,080
Speaker 1: think about The Guilty on Netflix all right, about to

434
00:21:39,080 --> 00:21:40,960
Speaker 1: get him do some movie news. I was just thinking

435
00:21:41,040 --> 00:21:44,400
Speaker 1: listening to that Jake Jillenhall trailer though, for the movie

436
00:21:44,400 --> 00:21:47,760
Speaker 1: that Guilty is. I really like it in trailers when

437
00:21:47,760 --> 00:21:50,520
Speaker 1: they use that big, like drone sound effect to make

438
00:21:50,520 --> 00:21:54,280
Speaker 1: it seem more cinematic, you know that that sound. I

439
00:21:54,320 --> 00:21:55,880
Speaker 1: feel like if I could have that in real life

440
00:21:55,880 --> 00:21:58,120
Speaker 1: to make things seem more intense, just the normal things

441
00:21:58,119 --> 00:22:02,959
Speaker 1: in life, if I could just hit that, It's like, well,

442
00:22:03,000 --> 00:22:05,399
Speaker 1: I was thinking of going to the grocery store, but

443
00:22:05,480 --> 00:22:09,600
Speaker 1: I can't find my keys. I don't know. I just

444
00:22:09,680 --> 00:22:12,639
Speaker 1: feel like sound effects and movie trailers can be a

445
00:22:12,680 --> 00:22:15,320
Speaker 1: little bit misleading. I feel like that I don't know

446
00:22:15,560 --> 00:22:18,520
Speaker 1: something about when I watch a movie trailer, I don't

447
00:22:18,680 --> 00:22:22,440
Speaker 1: love when it keeps that same exact formula when it has,

448
00:22:22,520 --> 00:22:26,040
Speaker 1: you know, the big stages to make everything seem just

449
00:22:26,080 --> 00:22:30,399
Speaker 1: more dramatic. But also this whole trend of like taking

450
00:22:30,400 --> 00:22:34,280
Speaker 1: a popular like nineties pop song or nineties alternative song,

451
00:22:34,400 --> 00:22:37,840
Speaker 1: or just a random pop song and doing a dramatic,

452
00:22:37,960 --> 00:22:41,840
Speaker 1: slowed down version of it. Some reason, all movie trailers

453
00:22:41,880 --> 00:22:44,280
Speaker 1: do that a couple of reasons. I know why. One

454
00:22:44,400 --> 00:22:46,879
Speaker 1: because it's cheaper to get the rights to a cover

455
00:22:47,080 --> 00:22:50,080
Speaker 1: than it is to the original song. But I think

456
00:22:50,080 --> 00:22:52,240
Speaker 1: it just became this kind of fat and this kind

457
00:22:52,240 --> 00:22:55,080
Speaker 1: of trend of like, okay, to make our movies seem

458
00:22:55,320 --> 00:22:58,400
Speaker 1: better than it is, we get a song everybody knows,

459
00:22:58,480 --> 00:23:02,080
Speaker 1: but it's sung really low. It's like a little bit

460
00:23:02,119 --> 00:23:06,159
Speaker 1: of Monica in my life, a little bit of you

461
00:23:06,400 --> 00:23:09,440
Speaker 1: makes me, oh man Like, for some reason, all movie

462
00:23:09,440 --> 00:23:13,359
Speaker 1: trailers to do that when they're big cinematic, blockbuster movies,

463
00:23:13,400 --> 00:23:15,600
Speaker 1: so let's get away from that trend. Anyway. I was

464
00:23:15,600 --> 00:23:17,680
Speaker 1: getting into movie news when I got distracted by that.

465
00:23:17,960 --> 00:23:20,920
Speaker 1: But first up in movie news is what Keen Phoenix

466
00:23:21,000 --> 00:23:23,560
Speaker 1: talked about a possible Joker sequel, And this is really

467
00:23:23,560 --> 00:23:26,080
Speaker 1: the first time I've ever heard him talk about it

468
00:23:26,160 --> 00:23:29,320
Speaker 1: to where he was actually interested in the idea. He

469
00:23:29,440 --> 00:23:32,639
Speaker 1: was doing an interview, and he didn't say like that

470
00:23:32,720 --> 00:23:35,440
Speaker 1: they're working on one, or any clues as to win

471
00:23:35,520 --> 00:23:38,399
Speaker 1: it would happen. He said, quote, there are some things

472
00:23:38,440 --> 00:23:40,879
Speaker 1: we could do with this guy and could explore further.

473
00:23:41,240 --> 00:23:44,080
Speaker 1: But as to whether we actually will, I don't know.

474
00:23:44,600 --> 00:23:47,280
Speaker 1: I really think he does want to do another Joker movie.

475
00:23:47,359 --> 00:23:50,760
Speaker 1: I think one because he want to freak an Oscar

476
00:23:50,800 --> 00:23:54,520
Speaker 1: for it, But too I think he genuinely thinks there

477
00:23:54,600 --> 00:23:57,280
Speaker 1: was more story there to dive into. There's more parts

478
00:23:57,320 --> 00:24:00,360
Speaker 1: of the Joker's brain. I think he's willing to explore.

479
00:24:00,880 --> 00:24:02,639
Speaker 1: For me, as a fan of the first one, I

480
00:24:02,640 --> 00:24:05,680
Speaker 1: think it's a perfect movie, and I almost wouldn't want

481
00:24:05,680 --> 00:24:08,720
Speaker 1: to diminish that value of having such a perfect movie

482
00:24:08,760 --> 00:24:11,640
Speaker 1: for me loving that one so much. But I do

483
00:24:11,760 --> 00:24:14,280
Speaker 1: think if they had Todd Phillips back directing it, what

484
00:24:14,480 --> 00:24:18,040
Speaker 1: Keen Phoenix back, and they really just take place right

485
00:24:18,040 --> 00:24:20,399
Speaker 1: after the first one ends and get right into it.

486
00:24:20,480 --> 00:24:22,680
Speaker 1: I think a joke or two could be very successful.

487
00:24:22,840 --> 00:24:26,639
Speaker 1: I always worry about sequels, though, because sometimes they just

488
00:24:26,720 --> 00:24:28,960
Speaker 1: take away from a movie that you love and you'd

489
00:24:29,040 --> 00:24:31,399
Speaker 1: rather it, you know, just not be done than it

490
00:24:31,600 --> 00:24:33,879
Speaker 1: kind of diminished that, or just not do any justice

491
00:24:33,920 --> 00:24:36,720
Speaker 1: to the first one. But I think creating such a

492
00:24:36,760 --> 00:24:39,440
Speaker 1: great world that the Joker movie lives in, to see

493
00:24:39,480 --> 00:24:41,919
Speaker 1: that go even further, you get even more intense. You

494
00:24:41,920 --> 00:24:44,280
Speaker 1: don't need any backstory on them anymore. You just get

495
00:24:44,359 --> 00:24:46,960
Speaker 1: right into the action. I actually think would be amazing

496
00:24:47,000 --> 00:24:48,639
Speaker 1: and I would love to see it next. Up in

497
00:24:48,720 --> 00:24:51,159
Speaker 1: movie dues, if you have Disney Plus and you haven't noticed,

498
00:24:51,560 --> 00:24:54,240
Speaker 1: Black Widow is on there now. The movie Black Widow

499
00:24:54,280 --> 00:24:56,680
Speaker 1: is available now on Disney Plus. You don't need to

500
00:24:56,680 --> 00:24:58,480
Speaker 1: pay the thirty bucks for it, is just up there

501
00:24:58,480 --> 00:25:00,359
Speaker 1: for free if you want to watch it. Because when

502
00:25:00,359 --> 00:25:03,280
Speaker 1: it first hit theaters and Disney Plus back in July,

503
00:25:03,960 --> 00:25:05,760
Speaker 1: it was that hybrid release of you either had to

504
00:25:05,800 --> 00:25:07,680
Speaker 1: go see it in theaters or pay thirty bucks at home.

505
00:25:08,119 --> 00:25:11,280
Speaker 1: Now it's available for free, which I really liked. Black Widow.

506
00:25:11,600 --> 00:25:13,879
Speaker 1: I felt like it was worth the weight where it

507
00:25:13,960 --> 00:25:16,240
Speaker 1: rings up on my favorite Marvel movies. I don't think

508
00:25:16,240 --> 00:25:18,040
Speaker 1: it's one of my favorite of all time, but I

509
00:25:18,040 --> 00:25:20,080
Speaker 1: think it was the last good little piece kind of

510
00:25:20,119 --> 00:25:22,679
Speaker 1: closing out that chapter of Marvel in a way. So

511
00:25:22,720 --> 00:25:24,840
Speaker 1: if you haven't seen that one yet, it's available for

512
00:25:24,840 --> 00:25:28,080
Speaker 1: free now on Disney Plus. Also in Marvel News, Michael B.

513
00:25:28,240 --> 00:25:31,000
Speaker 1: Jordan's is back as kill Monger in Black Panther Too.

514
00:25:31,200 --> 00:25:33,639
Speaker 1: And how is that happening exactly? Well, they don't really know.

515
00:25:33,840 --> 00:25:35,679
Speaker 1: They think it will either be a rebirth of the

516
00:25:35,760 --> 00:25:38,600
Speaker 1: character or some kind of flashbacks or maybe something else.

517
00:25:38,680 --> 00:25:41,240
Speaker 1: But I'm excited to see how they pull that one off.

518
00:25:41,680 --> 00:25:44,680
Speaker 1: And then, finally, in movie news, Netflix dropped a trailer

519
00:25:44,720 --> 00:25:48,480
Speaker 1: for a new lin Manuel Miranda movie, making his directorial

520
00:25:48,600 --> 00:25:51,760
Speaker 1: debut in a movie called Tick Take Boom. It stars

521
00:25:51,800 --> 00:25:55,520
Speaker 1: Andrew Garfield and he's playing the Rent creator Jonathan Larson.

522
00:25:55,600 --> 00:25:57,480
Speaker 1: Here's a little bit of that trailer that I have

523
00:25:57,520 --> 00:26:01,160
Speaker 1: spent the last eight years of my life. He's getting out,

524
00:26:01,400 --> 00:26:08,000
Speaker 1: You're going to be rich and famous and rewriting and rewriting.

525
00:26:08,240 --> 00:26:14,520
Speaker 1: Can I hear it any day? Now? Eight years and

526
00:26:14,680 --> 00:26:19,639
Speaker 1: the time keeps taking you need to ask are you

527
00:26:19,720 --> 00:26:25,800
Speaker 1: letting yourself be led by fear or by love? Fear fear?

528
00:26:26,119 --> 00:26:29,000
Speaker 1: So that movie comes out in theaters and on Netflix

529
00:26:29,040 --> 00:26:31,320
Speaker 1: on November nineteen. I think if you're a fan of Rent,

530
00:26:31,359 --> 00:26:33,480
Speaker 1: if you're a fan of musicals, you'll probably love this movie.

531
00:26:33,920 --> 00:26:37,760
Speaker 1: The trailer alone doesn't really get me interested in wanting

532
00:26:37,760 --> 00:26:41,200
Speaker 1: to watch that one. I have trouble with musicals, and

533
00:26:41,560 --> 00:26:44,560
Speaker 1: I really loved the film adaptation of Hamilton's, which is

534
00:26:44,600 --> 00:26:47,640
Speaker 1: basically just taking the play and putting it into kind

535
00:26:47,640 --> 00:26:49,760
Speaker 1: of a movie format. I still consider that one to

536
00:26:49,800 --> 00:26:52,159
Speaker 1: be a movie. I like Lynn Manuel Mirando when it

537
00:26:52,160 --> 00:26:55,480
Speaker 1: comes to him making music for movies. I really like Mowanna.

538
00:26:55,800 --> 00:26:57,960
Speaker 1: I didn't really get a whole lot into In the

539
00:26:58,000 --> 00:27:00,320
Speaker 1: Heights when it came out earlier this year. For me,

540
00:27:00,359 --> 00:27:03,679
Speaker 1: when it comes to just like big Broadway style musicals,

541
00:27:04,040 --> 00:27:05,960
Speaker 1: there's something about it. It just takes me a little

542
00:27:05,960 --> 00:27:07,520
Speaker 1: bit out of it because I'm not really able to

543
00:27:07,520 --> 00:27:09,400
Speaker 1: get into the plot as much when it's all being

544
00:27:09,440 --> 00:27:11,840
Speaker 1: sung to me just me personally. But I think if

545
00:27:11,840 --> 00:27:14,960
Speaker 1: you're into those kind of movies, I am interested to

546
00:27:15,000 --> 00:27:17,960
Speaker 1: see how Andrew Garfield kind of plays into that, because

547
00:27:18,160 --> 00:27:21,280
Speaker 1: he's a really great actor, and I think he's the

548
00:27:21,280 --> 00:27:23,399
Speaker 1: main thing that would make me want to watch this movie.

549
00:27:23,680 --> 00:27:26,000
Speaker 1: And the fact that it's also coming out in theaters

550
00:27:26,040 --> 00:27:28,680
Speaker 1: and on Netflix. I think they're probably chasing some kind

551
00:27:28,680 --> 00:27:31,720
Speaker 1: of Oscar here for either Andrew Garfield or just for

552
00:27:31,760 --> 00:27:34,320
Speaker 1: the movie to be nominated, because to be nominated for

553
00:27:34,359 --> 00:27:36,080
Speaker 1: an Oscar you do have to have at least a

554
00:27:36,160 --> 00:27:39,600
Speaker 1: limited theater run. So there you go. That's your movie news.

555
00:27:39,640 --> 00:27:41,440
Speaker 1: And before I hop out of here, every single week

556
00:27:41,440 --> 00:27:42,800
Speaker 1: I give a shout out to one of you guys

557
00:27:42,840 --> 00:27:45,359
Speaker 1: who sends me a d M on Instagram, tweets me

558
00:27:45,400 --> 00:27:48,280
Speaker 1: at Mike Destro, comments over on my Facebook page, which

559
00:27:48,320 --> 00:27:51,240
Speaker 1: is just Facebook dot com slash Mike Destro. But this

560
00:27:51,280 --> 00:27:53,920
Speaker 1: one this week is coming to me for my emails

561
00:27:54,080 --> 00:27:56,919
Speaker 1: movie Mike d at gmail dot com. And it was

562
00:27:57,000 --> 00:28:00,119
Speaker 1: actually one of the inspirations behind this entire top. Like

563
00:28:00,160 --> 00:28:03,040
Speaker 1: this week PG thirteen Rated horror movies, I got an

564
00:28:03,040 --> 00:28:06,359
Speaker 1: email from someone who signs it clueless and p A said, Mike,

565
00:28:06,400 --> 00:28:08,879
Speaker 1: I recently just started listening to your movie podcast and

566
00:28:08,880 --> 00:28:10,600
Speaker 1: I love it. Hoping you can help me. My eleven

567
00:28:10,680 --> 00:28:13,160
Speaker 1: year old daughter is interested in watching horror movies. Neither

568
00:28:13,200 --> 00:28:15,520
Speaker 1: my husband nor I like those type of movies. I

569
00:28:15,560 --> 00:28:18,680
Speaker 1: don't want to discourage her, but I'm not sure what

570
00:28:18,760 --> 00:28:20,800
Speaker 1: I should let her watch or not let her watch.

571
00:28:21,160 --> 00:28:23,159
Speaker 1: She said she had watch Hush with her cousin and

572
00:28:23,200 --> 00:28:26,320
Speaker 1: she loved it. Please help me navigate this movie world

573
00:28:26,480 --> 00:28:29,960
Speaker 1: with my daughter. Sincerely, clueless in p A, so coolest

574
00:28:30,000 --> 00:28:32,159
Speaker 1: in p A. I think you have five solid picks

575
00:28:32,200 --> 00:28:35,040
Speaker 1: to pick from to watch with your daughter again. They

576
00:28:35,080 --> 00:28:38,120
Speaker 1: are rated PG thirteen. I feel like those lines are

577
00:28:38,200 --> 00:28:40,560
Speaker 1: kind of more based on your discretion, based on how

578
00:28:40,600 --> 00:28:43,000
Speaker 1: I described those movies, what you think would be appropriate

579
00:28:43,000 --> 00:28:45,480
Speaker 1: for your kids. But if she already watched the movie Hush,

580
00:28:45,520 --> 00:28:48,920
Speaker 1: which is rated R, I felt like those probably won't

581
00:28:48,920 --> 00:28:50,560
Speaker 1: be much of a stretch from that. Hush It is

582
00:28:50,600 --> 00:28:53,240
Speaker 1: actually a really great horror movie. It's about this deaf

583
00:28:53,320 --> 00:28:56,320
Speaker 1: writer who lives out in the woods and then this

584
00:28:56,400 --> 00:28:59,040
Speaker 1: mass killer dude appears at her window. I think why

585
00:28:59,160 --> 00:29:01,320
Speaker 1: that movie is so scary is it because it's something

586
00:29:01,360 --> 00:29:04,320
Speaker 1: we all kind of worry about of being home alone

587
00:29:04,360 --> 00:29:06,800
Speaker 1: and somebody coming to mess with us or invade our house.

588
00:29:07,520 --> 00:29:10,920
Speaker 1: Kind of along the same lines of the Strangers. So

589
00:29:11,040 --> 00:29:13,240
Speaker 1: it's a movie you probably don't want to watch alone

590
00:29:13,280 --> 00:29:15,320
Speaker 1: at night and then go to sleep, because that one

591
00:29:15,320 --> 00:29:17,680
Speaker 1: will probably make you turn every light on in the

592
00:29:17,680 --> 00:29:20,120
Speaker 1: house and question every single movement going on at night.

593
00:29:20,200 --> 00:29:22,320
Speaker 1: But if you're eleven year old daughter watched that movie

594
00:29:22,400 --> 00:29:24,160
Speaker 1: was able to sleep at night, I think you should

595
00:29:24,160 --> 00:29:25,960
Speaker 1: have no problem with all the other movies on the

596
00:29:25,960 --> 00:29:29,760
Speaker 1: list this week. So appreciate that email. Appreciate everybody for listening.

597
00:29:29,840 --> 00:29:32,040
Speaker 1: I love all the messages that you guys send me

598
00:29:32,080 --> 00:29:34,320
Speaker 1: throughout the week, especially if you listen on Monday, which

599
00:29:34,360 --> 00:29:37,240
Speaker 1: is released or the podcast that's the Monday Movie Crew.

600
00:29:37,320 --> 00:29:39,480
Speaker 1: Love all you guys. I hope you have a great

601
00:29:39,560 --> 00:29:41,960
Speaker 1: rest of your week and until next week will continue

602
00:29:42,000 --> 00:29:44,800
Speaker 1: the horror theme. I will talk to you all later