WEBVTT - The Leshii

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<v Speaker 1>It was near sunset when the old man looked up

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<v Speaker 1>from his labors and saw the stranger approaching from the west,

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<v Speaker 1>And though his eyes were weaker than they once were,

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<v Speaker 1>he soon saw that the stranger carried himself like a soldier,

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<v Speaker 1>though he bore no weapon that could be seen, and

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<v Speaker 1>so the old man continued scraping his hides till the

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<v Speaker 1>stranger approached close enough to greet him. Hello, grandfather, Oh,

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<v Speaker 1>please don't let me disturb your labor. I just wanted

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<v Speaker 1>to ask, is this the way to the greenwood path? Hey?

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<v Speaker 1>It is, But what business have you in the woods?

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<v Speaker 1>Not the woods, grandfather, the lands on the other side.

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<v Speaker 1>You see, I'm returned from the war and I seek

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<v Speaker 1>my family's farm. It's been five long years, and I'm

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<v Speaker 1>eager to aid them with the harvest. There's no path

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<v Speaker 1>through the green forest, at least none blazed by the

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<v Speaker 1>likes of you or me game trails. Then, well, so happens.

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<v Speaker 1>I'm a gifted tracker and can make my own way,

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<v Speaker 1>your own way. If there are any land marks, you

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<v Speaker 1>might a lurt me too, well, I'd be most gracious.

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<v Speaker 1>But the old man didn't answer right away. He looked

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<v Speaker 1>out to the woods, and instead motioned back towards his hut,

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<v Speaker 1>where the old woman would have supper ready soon enough.

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<v Speaker 1>Tell you what stay with us tonight, and I'll tell

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<v Speaker 1>you of the forest. What the young soldier lacked in

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<v Speaker 1>caution he made up for in politeness. When he had

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<v Speaker 1>finished his bowl of rabbit stew, he thanked the old

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<v Speaker 1>man and woman a half dozen times. He cleaned the

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<v Speaker 1>bowls and scrubbed the pot. He split more wood for

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<v Speaker 1>the fire, and even produced a bottle of spirits, which

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<v Speaker 1>he shared with the old man. So tell me of

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<v Speaker 1>the forest, grandfather. You'll not find your own way through

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<v Speaker 1>the green forest, not by moonlight and not by day.

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<v Speaker 1>What little of either filters down to the tree tops.

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<v Speaker 1>The animal paths won't help you either. That only winds

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<v Speaker 1>you down into greater depths. There is neither your way,

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<v Speaker 1>you nor my way in the green forest. There is

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<v Speaker 1>only the law of the woods. And there is a leshy.

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<v Speaker 1>I don't think I'll be troubled by some forest dwarf

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<v Speaker 1>tis no dwarf. The less she has always been in

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<v Speaker 1>the old forest. He was there before human tribes roamed in.

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<v Speaker 1>He was there when strange animals still range these parts

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<v Speaker 1>and he is no man nor dwarf, but a shaggy

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<v Speaker 1>figure that casts no shadow, that stares straight through the

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<v Speaker 1>forest depths with eyes that burn like green fire. He

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<v Speaker 1>passes gigantic behind the great trees and sneaks meekly behind

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<v Speaker 1>the nearest blade of grass. Like that, he is on you.

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<v Speaker 1>And he who breaks the forest law is broken. Well,

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<v Speaker 1>then tell me the forest law so that I might

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<v Speaker 1>avoid him. The forest law is not like man's lot,

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<v Speaker 1>can't be told or written down. A very nature breaks

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<v Speaker 1>it as much as our acts. But you're a trapper,

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<v Speaker 1>how do you avoid the less? She's wrath. I do

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<v Speaker 1>not trap in the woods, but at its border, And

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<v Speaker 1>for that the less she spares me, and asked, but

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<v Speaker 1>one more thing that I worn wanderer, such as yourself.

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<v Speaker 1>The young soldier nodded and smiled, but the old man

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<v Speaker 1>could tell he was only being mannerly. He did not

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<v Speaker 1>believe his tale of the leshy, and would not be

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<v Speaker 1>swayed from his shortcut through the woods. And so the

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<v Speaker 1>next morning he thanked the old man and woman yet

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<v Speaker 1>again and departed into the green forest, no doubt, thinking

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<v Speaker 1>he'd found the makings of a path, or discovered some logic,

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<v Speaker 1>and the dead leaves beneath his feet. The old man

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<v Speaker 1>went back to his traps and snares near the forest edge.

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<v Speaker 1>He flinched when he heard the first startled scream from

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<v Speaker 1>the forest depths, then the howl of the leshy as

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<v Speaker 1>it wore the young soldier limb from limb. As he

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<v Speaker 1>walked back home, his spirit sapped by the sounds, he

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<v Speaker 1>caught once more the sense of something vast and shaggy,

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<v Speaker 1>walking just behind the great tree trunks, yet tiptoeing impossibly

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<v Speaker 1>behind the smallest shrub or mushroom, not like a thing

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<v Speaker 1>that moved through the woods, but like something reflected in

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<v Speaker 1>its substance. Welcome to Stuff to Blow Your Mind production

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<v Speaker 1>of My Heart Radio. Hey, welcome to Stuff to Blow

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<v Speaker 1>your Mind. My name is Robert Lamb, and I'm Joe McCormick.

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<v Speaker 1>And hey it's still October. We are still going strong

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<v Speaker 1>with the monster stuff. And boy, I'm I'm excited about

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<v Speaker 1>today's episode. So, Rob, if it's okay with you, I

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<v Speaker 1>want to begin by reading reading a quote. You you

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<v Speaker 1>cool starting this way? Yes, let's do it. Okay. So

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<v Speaker 1>this quote is recorded in a nineteen book called Russian

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<v Speaker 1>Folk belief by a Penn State professor of Russian and

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<v Speaker 1>comparative literature named Linda j Ivantas. And this quote is

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<v Speaker 1>attributed to an old woman from the Kluga Province of

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<v Speaker 1>Russia describing what she believed to have witnessed during the

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<v Speaker 1>height of a forest fire. So she says, I looked

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<v Speaker 1>and bears and with them wolves, foxes, hairs, squirrels, elk, goats,

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<v Speaker 1>in a word, every sort of forest life, and each

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<v Speaker 1>in his own group, not mixing with the others. Thronged

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<v Speaker 1>out of the forest and passed me and the horses,

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<v Speaker 1>not even looking at us. And behind the beasts with

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<v Speaker 1>his knout over his shoulder and horn in his hands,

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<v Speaker 1>was he himself, and he was the size of a

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<v Speaker 1>bell tower. He himself tall as a bell tower, dragging

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<v Speaker 1>the horn and the nowt, and a nowt means a

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<v Speaker 1>whip or a scourge. Who is he? Who is she

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<v Speaker 1>talking about? She's talking about the leshy and awesome monster

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<v Speaker 1>of Slavic mythology, the demon of the woods, sort of

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<v Speaker 1>a malevolent trickster. NT. Yeah, I was, I was reading

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<v Speaker 1>about the leshy. I was not not really familiar with

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<v Speaker 1>it prior to our research. Here But according to Carol

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<v Speaker 1>Rose in her Excellent Spirits Fairies, lepre cons and Goblins

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<v Speaker 1>and Encyclopedia, uh, they're they're numerous different versions of the

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<v Speaker 1>spelling and and or pronunciation of the name. You see

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<v Speaker 1>it kind of like leshy but also lessovic or less

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<v Speaker 1>shak or less nor. Uh. So there are several different

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<v Speaker 1>variations on it. But just as just as the name

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<v Speaker 1>is kind of a morphous, uh, the you know, the

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<v Speaker 1>actual substance of the creature is also a fair bit

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<v Speaker 1>of morphous, to which one might expect with folklore, traditions

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<v Speaker 1>and any kind of entity that arises out of out

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<v Speaker 1>of out of old beliefs and old legends, old mythologies. Right. Yeah,

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<v Speaker 1>so the Leshy is not something that comes originally from

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<v Speaker 1>one canonical source. It it is a folk belief and

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<v Speaker 1>thus you're going to get lots of different versions of it.

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<v Speaker 1>And I think it's gonna be really fun to explore

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<v Speaker 1>where a lot of these different stories overlap and then

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<v Speaker 1>what the differences are. Yeah. So Rose points out that

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<v Speaker 1>the less She is essentially a Ussian nature spirit and

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<v Speaker 1>forest guardian. He's often described as a pale humanoid figure

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<v Speaker 1>with green eyes, green beard, and long straggly hair. He

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<v Speaker 1>wears a pair of of of boots, often made from bark,

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<v Speaker 1>which an he wears them on the wrong feet. It's

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<v Speaker 1>often said that he cast no shadow, and he's also

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<v Speaker 1>a shape shifter. And as we tried to reflect in

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<v Speaker 1>our opening, a bit of narration there a little or

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<v Speaker 1>dramatic opening. Uh. It's said that he can be as

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<v Speaker 1>tall as a great tree or as small as a

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<v Speaker 1>blade of grass. Likewise, he can mimic any sound in

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<v Speaker 1>the forest, which is a tool he might use to

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<v Speaker 1>lead humans astray. Sometimes, yes, and this is one of

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<v Speaker 1>the main threats that the less she represents that. There

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<v Speaker 1>again a number of stories, but the most common ways

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<v Speaker 1>that he represents a threat to human existence are in

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<v Speaker 1>making sounds or in laying sort of traps and tricks

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<v Speaker 1>that lead travelers off the path and get them lost

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<v Speaker 1>in the woods to wander hopelessly until they die in

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<v Speaker 1>the woods or die in a swamp. Or The other

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<v Speaker 1>thing is that he's often said to kidnap babies at

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<v Speaker 1>the edge of the forest, or to kidnap children, especially

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<v Speaker 1>unbaptized babies and children. Uh. And a lot of sources

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<v Speaker 1>mentioned this this idea of him luring wanderers off the

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<v Speaker 1>forest path by making noises. One of the sources I

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<v Speaker 1>was reading for this episode is a book by Elizabeth

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<v Speaker 1>Warner called Russian Myths from the University of Texas Press

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<v Speaker 1>in two thousand two, and Warner says, the less She

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<v Speaker 1>would quote hoot, roar, and howl, and the voices of

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<v Speaker 1>birds and beasts emit wild bursts of laughter, blood curdling shrieks,

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<v Speaker 1>and clap his hands loudly. Uh So, so it seems

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<v Speaker 1>like there are a couple of different ways that you

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<v Speaker 1>might catch the less She making sounds in the forest,

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<v Speaker 1>sometimes maybe mimicking the voice of an animal or human

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<v Speaker 1>in order to lure somebody off the path, or sometimes

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<v Speaker 1>just making a lot of noise, maybe to mess with

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<v Speaker 1>your head, kind of scare you or make you laugh.

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<v Speaker 1>Now picking up in the lessis appearance, there are several

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<v Speaker 1>sources that summarize the folklore. Again this is from Warner

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<v Speaker 1>and Russian Myths. Uh. The less She may and often

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<v Speaker 1>does look and dress like an ordinary human being. Like

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<v Speaker 1>there are some stories where the less She leaves the

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<v Speaker 1>forest and interacts with humans as if he looked like

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<v Speaker 1>any other human. But in fact, again, he is a

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<v Speaker 1>shape shifter, so he can mimic the appearance of not

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<v Speaker 1>just all the animals of the forest. Those are common

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<v Speaker 1>forms he takes, especially the form of a wolf or

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<v Speaker 1>a bear, But he can also mimic the appearance of

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<v Speaker 1>any particular person. So a child might be lured into

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<v Speaker 1>the forest by a vision of their own grandfather offering

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<v Speaker 1>them fruits and sweets. Or a person might be you know,

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<v Speaker 1>antagonized or lured off the path in the woods by

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<v Speaker 1>the shape of their own father or mother, or husband

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<v Speaker 1>or wife, or even their child. But much like the

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<v Speaker 1>succubus who appears as a seductive, beautiful woman but with

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<v Speaker 1>say a duck's foot, the less she in disguise will

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<v Speaker 1>usually have a detail out of place, and that detail

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<v Speaker 1>will be noticeable to the observant. Hero you mentioned the

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<v Speaker 1>idea that the less she might cast no shadow, or

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<v Speaker 1>have their shoes on the wrong feet or backwards. Warner

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<v Speaker 1>gives the examples that the less she might be wearing

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<v Speaker 1>a calf tan like a like a Russian traveler might wear,

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<v Speaker 1>but the calf tan would be buttoned backwards, or his

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<v Speaker 1>eyes might be extremely pale, or he might have no

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<v Speaker 1>eyebrows I like that one, or again, he might cast

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<v Speaker 1>no shadow. And and and then finally, this one seems particularly

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<v Speaker 1>relevant in his role in confusing travelers in a forest,

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<v Speaker 1>he might leave no footprints. I love how common this

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<v Speaker 1>detail is across so much different folklore, that the monster

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<v Speaker 1>or the trickster demon will have some kind of detail

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<v Speaker 1>wrong that allows you to spot it. Yeah. And it's

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<v Speaker 1>the kind of myth, that kind of legend that that

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<v Speaker 1>appeals well to our our nature, you know, because when

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<v Speaker 1>when we're just encountering people for the first time, situations

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<v Speaker 1>for the first time, the suspicious mind is always looking

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<v Speaker 1>for for some sort of a tell, right, like what's

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<v Speaker 1>weird about this person, what's weird about this place? Yeah?

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<v Speaker 1>And and it also it makes the myth more fair,

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<v Speaker 1>I mean, unlike just the less she being a a

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<v Speaker 1>power that cannot possibly be overcome, and it just takes

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<v Speaker 1>whoever it wants and does whatever it wants. The fact

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<v Speaker 1>that there's some detail often wrong with it allows the

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<v Speaker 1>observant hero, the virtuous protagonist of the story, to to

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<v Speaker 1>catch them, to be like, hey, wait a minute, there's

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<v Speaker 1>something wrong with you. It makes you It makes you

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<v Speaker 1>think that maybe if you are clever enough, if you're

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<v Speaker 1>observant enough, then you could best the leshy. Now, Warner

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<v Speaker 1>agrees with what we already talked about about the less

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<v Speaker 1>She being able to dramatically change size, and it's often

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<v Speaker 1>reported in these stories that he can become taller than

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<v Speaker 1>the tallest tree tops. Remember the story at the beginning

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<v Speaker 1>of the woman who says the less She is like

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<v Speaker 1>a bell tower. Or he can be small, small enough

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<v Speaker 1>to hide behind grass or behind a mushroom. Now in

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<v Speaker 1>his true form, Warner says that the leshies appearance betrays

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<v Speaker 1>his affinity for the vegetation of the forest. So his

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<v Speaker 1>skin might very much resemble the bark of a tree.

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<v Speaker 1>It will be rough and gnarly. And sometimes he's said

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<v Speaker 1>to be completely covered in hair, But sometimes he's just

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<v Speaker 1>got hair on his head and a beard, and in

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<v Speaker 1>those cases his hair and beard might be as green

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<v Speaker 1>as the vines and the grass. But some imagery of

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<v Speaker 1>the leshy is more classically devilish in the Christian sense,

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<v Speaker 1>or at least in the syncratistic Christian sense that that

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<v Speaker 1>combines sort of Satan with the god pan uh Warnt.

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<v Speaker 1>Warner says that many descriptions include shaggy hair, almost like moss,

0:12:50.040 --> 0:12:53.520
<v Speaker 1>but also cloven hoofs and horns on his head and

0:12:53.640 --> 0:12:56.320
<v Speaker 1>a tail like the devil's tail. And then finally she

0:12:56.400 --> 0:12:59.360
<v Speaker 1>mentions that the horns are golden in the case of

0:12:59.400 --> 0:13:03.559
<v Speaker 1>one particular killer Lessi known as the leshy Czar. Uh.

0:13:03.600 --> 0:13:07.840
<v Speaker 1>But anyway, I think this devilish appearances is interesting because

0:13:08.080 --> 0:13:11.240
<v Speaker 1>it uh, it makes sense based on something that Warner

0:13:11.559 --> 0:13:14.640
<v Speaker 1>talks about in her book, which is called the dual Faith.

0:13:15.080 --> 0:13:17.959
<v Speaker 1>This idea that after Christianity took over the Kiev and

0:13:18.040 --> 0:13:22.319
<v Speaker 1>Ruth state in the tenth century, Christianity and old pagan

0:13:22.360 --> 0:13:28.080
<v Speaker 1>practices kind of mesh together. They coexisted for hundreds of years. Yeah,

0:13:28.160 --> 0:13:31.280
<v Speaker 1>and we've discussed examples of this before with other other

0:13:31.520 --> 0:13:36.199
<v Speaker 1>legends and folklore and and even mythologies. Um where Yeah,

0:13:36.280 --> 0:13:39.120
<v Speaker 1>the new, a new faith comes along and it doesn't

0:13:39.160 --> 0:13:42.240
<v Speaker 1>just wipe out the old. It adds new wrinkles to

0:13:42.320 --> 0:13:47.560
<v Speaker 1>the old or and or exist alongside the old uh

0:13:47.600 --> 0:13:50.160
<v Speaker 1>in ways that that might not make sense if you

0:13:50.160 --> 0:13:52.600
<v Speaker 1>were to say, write them out or discuss them. You know.

0:13:52.640 --> 0:13:56.320
<v Speaker 1>It's it's always fascinating how even as modern humans, the

0:13:56.440 --> 0:14:00.440
<v Speaker 1>various conflicting worldviews and ideas of the natural and the

0:14:00.480 --> 0:14:05.160
<v Speaker 1>supernatural that can simultaneously exist in our minds. It can

0:14:05.200 --> 0:14:08.480
<v Speaker 1>be hard to enforce the borders of one supernatural picture

0:14:08.480 --> 0:14:10.840
<v Speaker 1>of the world, Like it can be hard to sort

0:14:10.840 --> 0:14:12.920
<v Speaker 1>of like beat into people like no, no, no, like

0:14:13.280 --> 0:14:17.160
<v Speaker 1>this part these supernatural beliefs are acceptable. But these other

0:14:17.240 --> 0:14:21.040
<v Speaker 1>ones that your grandparents believed and their grandparents before them,

0:14:21.240 --> 0:14:24.240
<v Speaker 1>you can't believe those anymore. Yeah, Like, I remember, when

0:14:24.280 --> 0:14:25.880
<v Speaker 1>I was younger, there was a time when I was

0:14:26.160 --> 0:14:29.360
<v Speaker 1>at least a bit afraid of the prospect of both

0:14:29.800 --> 0:14:33.720
<v Speaker 1>aliens and ghosts, which rationally, it seems like, you know,

0:14:33.800 --> 0:14:35.840
<v Speaker 1>now I'm looking back and like, well, surely I should

0:14:35.840 --> 0:14:37.520
<v Speaker 1>have just picked one or the other, like one would

0:14:37.560 --> 0:14:39.400
<v Speaker 1>seem more likely than the other, and that should be

0:14:39.400 --> 0:14:41.880
<v Speaker 1>the one to be afraid of. I can't be, you know,

0:14:41.920 --> 0:14:44.920
<v Speaker 1>I can't just be afraid of everything that's on Unsolved Mysteries.

0:14:44.960 --> 0:14:47.440
<v Speaker 1>I have to pick, you know, like obviously be afraid

0:14:47.440 --> 0:14:50.520
<v Speaker 1>of the criminals, but then choose aliens or ghosts Like

0:14:50.720 --> 0:14:53.360
<v Speaker 1>I shouldn't have to, I shouldn't take both on. But no.

0:14:53.560 --> 0:14:56.680
<v Speaker 1>Unsolved Mysteries presents a perfect synchrotistic view of the world,

0:14:56.720 --> 0:15:01.560
<v Speaker 1>where all paranormal phenomena exists simultaneously now. Additionally, as Rose

0:15:01.560 --> 0:15:04.120
<v Speaker 1>points out, each forest is said to have its own leshy,

0:15:04.400 --> 0:15:06.600
<v Speaker 1>unless it's a very large forest, and then then you

0:15:06.600 --> 0:15:08.120
<v Speaker 1>can have more than one lessie. I guess it just

0:15:08.160 --> 0:15:10.440
<v Speaker 1>comes down to It's kind of like having park rangers, right,

0:15:10.480 --> 0:15:13.000
<v Speaker 1>depends just how big the park is, right. They gotta

0:15:13.080 --> 0:15:16.840
<v Speaker 1>like a range a territory, right. Furthermore, the less she

0:15:16.960 --> 0:15:20.720
<v Speaker 1>may have a wife in some traditions, which is a lessovica.

0:15:21.160 --> 0:15:25.240
<v Speaker 1>And then there are sometimes leshy children or l shunky.

0:15:25.680 --> 0:15:29.400
<v Speaker 1>And there's also a variety of leshy sometimes described as

0:15:29.440 --> 0:15:33.000
<v Speaker 1>a as a zoi, a bots schnick that takes on

0:15:33.040 --> 0:15:36.400
<v Speaker 1>the guys and sound of a baby gurgling in the treetops.

0:15:36.440 --> 0:15:39.760
<v Speaker 1>So in that in that case, a quality that is

0:15:39.800 --> 0:15:45.400
<v Speaker 1>sometimes ascribed to the leshy in general is sometimes pulled

0:15:45.440 --> 0:15:48.120
<v Speaker 1>out and made its own particular thing. Yeah, and I

0:15:48.120 --> 0:15:50.920
<v Speaker 1>think it's interesting the idea of giving a leshia family

0:15:51.840 --> 0:15:55.200
<v Speaker 1>allows you to to sort of add in more dynamics

0:15:55.240 --> 0:15:58.960
<v Speaker 1>that would explain natural phenomenon potentially, Like, for example, one

0:15:59.000 --> 0:16:01.600
<v Speaker 1>of our sources was saying that if you saw a whirlwind,

0:16:01.720 --> 0:16:04.440
<v Speaker 1>I think mean you know, whirlwind or even a tornado,

0:16:04.560 --> 0:16:08.360
<v Speaker 1>that was the leshy dancing with his wife, so adding

0:16:08.400 --> 0:16:10.880
<v Speaker 1>the wife in you know, they're twirling through the forest.

0:16:11.400 --> 0:16:15.360
<v Speaker 1>But this dovetails with another interesting belief, which is that

0:16:15.480 --> 0:16:18.840
<v Speaker 1>sometimes fallen trees found in the forest were said to

0:16:18.880 --> 0:16:23.080
<v Speaker 1>have been knocked over by fights between leshies. But you know,

0:16:23.240 --> 0:16:25.760
<v Speaker 1>you put those two things together kind of dovetails into

0:16:25.800 --> 0:16:28.640
<v Speaker 1>this interesting idea that I wonder if people at some

0:16:28.680 --> 0:16:32.400
<v Speaker 1>point maybe came across the path that a tornado or

0:16:32.480 --> 0:16:36.080
<v Speaker 1>whirlwind had cut through a forest, and you know, it

0:16:36.120 --> 0:16:38.480
<v Speaker 1>looks like something is just like come through and mode

0:16:38.600 --> 0:16:41.360
<v Speaker 1>this this shaved line out through the middle of the woods,

0:16:41.800 --> 0:16:44.320
<v Speaker 1>and what happened here? What was less She's fighting or

0:16:44.320 --> 0:16:47.280
<v Speaker 1>it was less she's dancing. Yeah, because there are no tracks,

0:16:47.920 --> 0:16:50.280
<v Speaker 1>and you know, there's no there's no sign that animals

0:16:50.280 --> 0:16:54.120
<v Speaker 1>did this, and yet something large has has trampled the

0:16:54.160 --> 0:16:58.800
<v Speaker 1>woods now like the forest itself. You know, at least

0:16:58.800 --> 0:17:01.880
<v Speaker 1>from a folkloric standpoint, the less she is said to

0:17:02.000 --> 0:17:05.720
<v Speaker 1>die with the advent of winter and then emerge from

0:17:05.840 --> 0:17:08.600
<v Speaker 1>his winter death in the spring. And it's during this

0:17:08.680 --> 0:17:11.760
<v Speaker 1>time and once the lessies have come back that has

0:17:11.800 --> 0:17:14.760
<v Speaker 1>said that the that the leshies of the forest rage

0:17:14.880 --> 0:17:19.160
<v Speaker 1>over their autumn deaths. They realize that they had died previously.

0:17:19.240 --> 0:17:22.679
<v Speaker 1>Now they're mad about it, and this raging produces storms

0:17:22.720 --> 0:17:25.440
<v Speaker 1>and floods in the process, but then all that settles

0:17:25.480 --> 0:17:27.159
<v Speaker 1>down again. So here we see an idea of the

0:17:27.240 --> 0:17:31.119
<v Speaker 1>leshy is a way to explain not only specific storm

0:17:31.240 --> 0:17:35.879
<v Speaker 1>damage but also just the general pattern of like spring storms.

0:17:36.359 --> 0:17:38.040
<v Speaker 1>On top of that, the the lesh she is a

0:17:38.080 --> 0:17:40.880
<v Speaker 1>bit of a bit of a trickster again, sometimes calling

0:17:40.880 --> 0:17:42.960
<v Speaker 1>out to human travelers with the sounds of the forest

0:17:43.000 --> 0:17:45.560
<v Speaker 1>to lead them astray, even taking the form of a

0:17:45.600 --> 0:17:49.520
<v Speaker 1>fellow traveler to give them bad advice or guidance, disappearing

0:17:49.520 --> 0:17:51.760
<v Speaker 1>and laughing once they managed to get them lost in

0:17:51.760 --> 0:17:55.840
<v Speaker 1>a bog or worse. Um, and uh, you'll have other

0:17:55.920 --> 0:17:58.639
<v Speaker 1>individuals though, that are wise to the ways of the leshy,

0:17:59.000 --> 0:18:01.000
<v Speaker 1>that they'll know how to out smart them or and

0:18:01.000 --> 0:18:02.760
<v Speaker 1>we'll get into an example of that. It's smart them

0:18:02.800 --> 0:18:05.360
<v Speaker 1>in a bit, but also making offerings to them such

0:18:05.400 --> 0:18:09.040
<v Speaker 1>as salt and bread. Yeah, Elizabeth Warner points out how

0:18:09.080 --> 0:18:12.400
<v Speaker 1>there was some kind of division. Like She starts by

0:18:12.440 --> 0:18:16.160
<v Speaker 1>saying that, of course, you know, for many Russian people

0:18:16.240 --> 0:18:19.560
<v Speaker 1>living at the edge of the forest, the forest was

0:18:19.720 --> 0:18:23.080
<v Speaker 1>itself an image of of great bounty but also great

0:18:23.200 --> 0:18:26.359
<v Speaker 1>chaos and great danger, and that is of course true,

0:18:26.400 --> 0:18:28.480
<v Speaker 1>Like you know, becoming lost in the forest, you can

0:18:28.600 --> 0:18:30.760
<v Speaker 1>quite easily die. This is something I think a lot

0:18:30.800 --> 0:18:33.840
<v Speaker 1>of people don't really remember these days. Maybe they go

0:18:33.880 --> 0:18:37.560
<v Speaker 1>out and experience the forest in say nature trails that

0:18:37.600 --> 0:18:40.440
<v Speaker 1>have forged paths that you can follow, but like, it's

0:18:40.560 --> 0:18:42.879
<v Speaker 1>really easy to get lost and die in the woods.

0:18:42.920 --> 0:18:44.560
<v Speaker 1>And I want to talk more about the science of

0:18:44.640 --> 0:18:48.360
<v Speaker 1>that later on. But but then there are these professions

0:18:48.760 --> 0:18:50.919
<v Speaker 1>where people would have to go into the woods in

0:18:51.040 --> 0:18:53.800
<v Speaker 1>order to make a living, for example, and there would

0:18:53.840 --> 0:18:57.400
<v Speaker 1>be herdsman and hunters like you mentioned, and herdsman very

0:18:57.440 --> 0:19:00.399
<v Speaker 1>often in medieval Russia would not graze their cattle in

0:19:00.520 --> 0:19:03.239
<v Speaker 1>open pastures, but would graze them through the woods. They

0:19:03.240 --> 0:19:06.040
<v Speaker 1>would have to find, you know, like little patches and

0:19:06.119 --> 0:19:09.960
<v Speaker 1>openings throughout the trees, and so it would require them

0:19:09.960 --> 0:19:12.119
<v Speaker 1>to go into the domain of the leshy and and

0:19:12.280 --> 0:19:16.119
<v Speaker 1>risk risk all these dangers. And so Warner writes, quote,

0:19:16.119 --> 0:19:19.840
<v Speaker 1>protective measures could be taken against the leshy, making the

0:19:19.880 --> 0:19:22.879
<v Speaker 1>sign of the cross, uttering a prayer or spell, and

0:19:23.000 --> 0:19:27.679
<v Speaker 1>more interestingly, reversing one's clothing or retracing one's steps backwards

0:19:27.680 --> 0:19:31.480
<v Speaker 1>out of the forest, reversal of the normal back to frontness,

0:19:31.640 --> 0:19:35.359
<v Speaker 1>upside downness, left as opposed to right. We're all signs

0:19:35.400 --> 0:19:39.719
<v Speaker 1>of the supernatural and Russian tradition. Yes, I I absolutely

0:19:39.760 --> 0:19:42.640
<v Speaker 1>love this. Uh this example, the idea of wearing your

0:19:42.640 --> 0:19:46.199
<v Speaker 1>clothes backwards or walking backwards as a way to to

0:19:46.320 --> 0:19:51.159
<v Speaker 1>outsmart the leshy um and we see we see versions

0:19:51.160 --> 0:19:54.800
<v Speaker 1>of this pop up in other traditions as well. For instance, Uh,

0:19:55.119 --> 0:19:57.760
<v Speaker 1>I read that you see this in Irish folklore, sometimes

0:19:57.800 --> 0:20:04.040
<v Speaker 1>concerning encounters or potential encounters with dangerous varieties of fairy um. Uh.

0:20:04.160 --> 0:20:07.240
<v Speaker 1>And the idea here, it seems, and this is gonna vary.

0:20:07.320 --> 0:20:09.560
<v Speaker 1>There's not like you know, anybody wrote wrote this down

0:20:09.600 --> 0:20:12.719
<v Speaker 1>and came up with necessarily a straightforward reason that this works.

0:20:12.760 --> 0:20:16.480
<v Speaker 1>But one one interpretation is that it's just about confusing

0:20:16.520 --> 0:20:18.919
<v Speaker 1>the spirit. Like the spirits like, oh, I'm gonna I'm

0:20:18.960 --> 0:20:23.240
<v Speaker 1>gonna get this woodsman now, and then he realizes, oh

0:20:23.280 --> 0:20:25.439
<v Speaker 1>that what's going on here? His clothes are on backwards.

0:20:25.440 --> 0:20:26.600
<v Speaker 1>I don't know what to do. I guess I'll just

0:20:26.600 --> 0:20:30.040
<v Speaker 1>watch him for a bit. Or it tricks the spirit

0:20:30.200 --> 0:20:33.080
<v Speaker 1>or fairy or leshy in this case, into thinking you're

0:20:33.240 --> 0:20:37.160
<v Speaker 1>leaving rather than arriving. And I love the twisted logic

0:20:37.200 --> 0:20:39.240
<v Speaker 1>of this, where it's like the lest She shows up,

0:20:39.280 --> 0:20:41.440
<v Speaker 1>it's like, all right, it's time to time to to

0:20:41.880 --> 0:20:44.480
<v Speaker 1>to unleash some havoc. Well, look at this guy coming

0:20:44.520 --> 0:20:48.040
<v Speaker 1>into my far Wait. Oh, the way they're clothes are

0:20:48.240 --> 0:20:50.000
<v Speaker 1>or are based. I can tell it looks like he's

0:20:50.040 --> 0:20:52.600
<v Speaker 1>walking away. All right, He's good, he's leaving. Carry on.

0:20:53.160 --> 0:20:55.879
<v Speaker 1>You know, it's just fabulous. This is really funny because

0:20:55.880 --> 0:20:58.040
<v Speaker 1>it kind of connects to the idea of wearing eye

0:20:58.040 --> 0:21:02.040
<v Speaker 1>spots on your back to deter preditors in the forest. Yeah, yeah,

0:21:02.119 --> 0:21:04.680
<v Speaker 1>which is which is something that has been been done.

0:21:05.040 --> 0:21:07.040
<v Speaker 1>We've discussed this in the show before too, with varying

0:21:07.040 --> 0:21:10.400
<v Speaker 1>degrees of success with both humans and also putting eye

0:21:10.400 --> 0:21:13.000
<v Speaker 1>spots on the back of cattle to deter lion attacks

0:21:13.040 --> 0:21:16.800
<v Speaker 1>and in parts of Africa. Now, as Rose points out

0:21:16.840 --> 0:21:19.919
<v Speaker 1>that the lest She can be very generally classified as

0:21:19.920 --> 0:21:22.880
<v Speaker 1>a guardian spirit, which we see in various and far

0:21:22.960 --> 0:21:26.360
<v Speaker 1>flung cultures. Many versions of this revolve around the protection

0:21:26.440 --> 0:21:30.359
<v Speaker 1>of individuals, uh, and these should be pretty familiar with

0:21:30.400 --> 0:21:31.800
<v Speaker 1>a lot to a lot of people. You have like

0:21:31.840 --> 0:21:35.439
<v Speaker 1>the guardian angels of Latin, Greek and Russian, Orthodox and

0:21:35.560 --> 0:21:39.040
<v Speaker 1>Anglican churches. These are assigned from the hour of an

0:21:39.080 --> 0:21:44.320
<v Speaker 1>individual's birth. Uh. Interestingly, one that Rose describes in her

0:21:44.320 --> 0:21:47.400
<v Speaker 1>book is the grind a gin of in the folklore

0:21:47.440 --> 0:21:51.480
<v Speaker 1>of Morocco. That's described as kind of inhabiting a parallel world.

0:21:51.640 --> 0:21:54.159
<v Speaker 1>So it's not that they're assigned to an individual, but

0:21:54.280 --> 0:21:57.440
<v Speaker 1>they're they're born at the same moment in this other world,

0:21:57.480 --> 0:22:00.439
<v Speaker 1>and so there's this bond between the two. Likewise, you

0:22:00.480 --> 0:22:03.560
<v Speaker 1>also have just Damon's and lend Lars, you know, getting

0:22:03.600 --> 0:22:06.600
<v Speaker 1>into ancient Greek and Roman tradition, and one also sees

0:22:06.600 --> 0:22:09.440
<v Speaker 1>this concept in the traditions of say Uh in Native

0:22:09.480 --> 0:22:14.119
<v Speaker 1>American tribes, Native Australian cultures as well. There there are

0:22:14.160 --> 0:22:16.520
<v Speaker 1>a lot of these to list, and she has a

0:22:16.560 --> 0:22:18.640
<v Speaker 1>lot a lot of them in the book, ranging from

0:22:18.680 --> 0:22:21.560
<v Speaker 1>the ab gal to the zoa. But then as an

0:22:21.560 --> 0:22:24.560
<v Speaker 1>extension of this, there's the idea of a protector spirit

0:22:24.880 --> 0:22:30.159
<v Speaker 1>that looks after particular places such as standing stones or mounds,

0:22:30.280 --> 0:22:34.520
<v Speaker 1>or certain natural places and or animals. And so clearly

0:22:34.520 --> 0:22:36.720
<v Speaker 1>this is going to be the kind of guardian or protector,

0:22:36.760 --> 0:22:38.800
<v Speaker 1>that the lesti is not of a person, but of

0:22:38.840 --> 0:22:42.800
<v Speaker 1>a place, which is the woods. Right, Yeah, the protector

0:22:42.920 --> 0:22:46.200
<v Speaker 1>of the forest very very much in keeping with such

0:22:46.240 --> 0:22:51.040
<v Speaker 1>woodland or vegetation spirits as the Gandharva's of India, which

0:22:51.040 --> 0:22:54.119
<v Speaker 1>are described as being like shaggy half animal beings and

0:22:54.200 --> 0:22:58.320
<v Speaker 1>some tellings, or the green Man of ancient European traditions,

0:22:58.400 --> 0:23:02.200
<v Speaker 1>a quote pagan image of a grotesque severed head with

0:23:02.480 --> 0:23:07.240
<v Speaker 1>emergent foliage from the mouth, beard, and hairline. We find

0:23:07.320 --> 0:23:10.520
<v Speaker 1>him in Christian churches from the sixth century onward. He's

0:23:10.560 --> 0:23:13.040
<v Speaker 1>a he's a wild man of the woods, a guardian

0:23:13.119 --> 0:23:16.240
<v Speaker 1>spirit of the forest, and like the leshy, is prone

0:23:16.560 --> 0:23:19.000
<v Speaker 1>uh you know to two tricks and meanness in the

0:23:19.000 --> 0:23:22.119
<v Speaker 1>woods and you know, leading people astray, etcetera. He is

0:23:22.440 --> 0:23:25.960
<v Speaker 1>also the genesis of both the Green Knight of Authoritian

0:23:26.080 --> 0:23:29.639
<v Speaker 1>legend and of Robin Hood. Yeah. I think one traditional

0:23:29.760 --> 0:23:32.240
<v Speaker 1>interpretation of the story of Sir Gawain and the Green

0:23:32.400 --> 0:23:37.200
<v Speaker 1>Night is of a conflict between the Christian chivalric virtues

0:23:37.280 --> 0:23:40.960
<v Speaker 1>represented by the Arthurian Chord and by Sir Gawain, and

0:23:41.000 --> 0:23:44.000
<v Speaker 1>then on the other hand, the sort of pagan embodiment

0:23:44.119 --> 0:23:46.960
<v Speaker 1>of nature and the wilderness, that is the Green Knight

0:23:47.119 --> 0:23:49.679
<v Speaker 1>a k a. The Green Man. Now, of course, we

0:23:49.720 --> 0:23:52.520
<v Speaker 1>have various modern versions of this tale as well, the

0:23:52.560 --> 0:23:55.119
<v Speaker 1>most the most obvious, at least to me, being the

0:23:55.200 --> 0:23:58.920
<v Speaker 1>character swamp Thing UH, which is very much a guardian

0:23:58.960 --> 0:24:00.840
<v Speaker 1>spirit and the tradition of the green Man and the

0:24:00.920 --> 0:24:03.480
<v Speaker 1>Leshy the more of a noble twist as a pure

0:24:03.840 --> 0:24:07.320
<v Speaker 1>protector as opposed to a trickster. And this is especially

0:24:07.320 --> 0:24:10.000
<v Speaker 1>the case and the Alan Moore run of the character

0:24:10.440 --> 0:24:12.639
<v Speaker 1>UH in the comic books, but you also see it

0:24:12.680 --> 0:24:17.639
<v Speaker 1>in most UH cinematic and TV incarnations like that. I

0:24:17.720 --> 0:24:20.000
<v Speaker 1>kept thinking back this time and time again reading about

0:24:20.000 --> 0:24:23.439
<v Speaker 1>the Leshy Uh. The nine nineties TV show version of

0:24:23.480 --> 0:24:27.919
<v Speaker 1>Swamp Thing had this um, this catchphrase that that the

0:24:27.960 --> 0:24:30.320
<v Speaker 1>swamp Thing would always say at the end of the

0:24:30.359 --> 0:24:33.000
<v Speaker 1>intro to the TV episode. It was do not bring

0:24:33.000 --> 0:24:37.040
<v Speaker 1>your evil here. What was the evil? It was like

0:24:37.080 --> 0:24:40.840
<v Speaker 1>a like a polluting factory or something. Oh yeah, polluting factory,

0:24:41.080 --> 0:24:45.040
<v Speaker 1>just general mad science from Dr Anton Arcane, you know

0:24:45.119 --> 0:24:48.439
<v Speaker 1>that sort of thing. Um. But but yeah, the swamp

0:24:48.440 --> 0:24:50.760
<v Speaker 1>Thing is very much in line with this tradition. I

0:24:50.800 --> 0:24:52.960
<v Speaker 1>think one of the interesting things if you start thinking

0:24:53.000 --> 0:24:58.600
<v Speaker 1>about modern standards versus um versus these more archaic versions

0:24:58.600 --> 0:25:00.560
<v Speaker 1>of the myth. And this is something I tried to

0:25:00.560 --> 0:25:03.840
<v Speaker 1>just sort of get at in that dramatic opening, the

0:25:03.960 --> 0:25:08.080
<v Speaker 1>idea of to what extent humans can understand the law

0:25:08.240 --> 0:25:12.080
<v Speaker 1>of the forest. And I think these these more recent versions,

0:25:12.119 --> 0:25:14.480
<v Speaker 1>like swamp thing, they tend to imply they kind of

0:25:14.520 --> 0:25:17.120
<v Speaker 1>take on, I think this environmental message of like, yes,

0:25:17.600 --> 0:25:19.760
<v Speaker 1>we can understand the law of the forest at least

0:25:19.800 --> 0:25:23.520
<v Speaker 1>to some extent, and we can do good for the forest.

0:25:23.920 --> 0:25:26.119
<v Speaker 1>And and I and I believe I agree with that.

0:25:26.200 --> 0:25:28.679
<v Speaker 1>I think that is part of our responsibility to the

0:25:28.720 --> 0:25:32.000
<v Speaker 1>forest as as protectors. We are kind of we have

0:25:32.080 --> 0:25:34.240
<v Speaker 1>to take on the mantle of the swamp thing and

0:25:34.280 --> 0:25:37.000
<v Speaker 1>the leshy and the green man, but the are I

0:25:37.000 --> 0:25:40.200
<v Speaker 1>think the more archaic version of this is again, like

0:25:40.240 --> 0:25:42.879
<v Speaker 1>you said, the forest is a place of chaos. If

0:25:42.960 --> 0:25:44.600
<v Speaker 1>it has a law, it is a law that we

0:25:44.680 --> 0:25:47.760
<v Speaker 1>cannot really understand, and it's a law that is not

0:25:47.840 --> 0:25:50.480
<v Speaker 1>written and maybe you know, it can't even be comprehended

0:25:50.520 --> 0:25:53.679
<v Speaker 1>by us, and therefore there's even more danger in running

0:25:53.680 --> 0:25:57.320
<v Speaker 1>a foul of it, because you you can't really comprehend

0:25:57.359 --> 0:25:59.920
<v Speaker 1>all the details of that law. Yeah. I think it's

0:26:00.040 --> 0:26:02.320
<v Speaker 1>kind of like the law of the hidden folk. It's

0:26:02.400 --> 0:26:06.760
<v Speaker 1>the law of the other world, and these uh, these laws,

0:26:07.160 --> 0:26:09.880
<v Speaker 1>I think sometimes in a lot of folk traditions can

0:26:09.920 --> 0:26:14.480
<v Speaker 1>be understood by but only by certain special kinds of people,

0:26:14.560 --> 0:26:18.119
<v Speaker 1>people who have a often people who are in some

0:26:18.200 --> 0:26:22.560
<v Speaker 1>way considered otherwise not normal. Yeah. Like another modern take

0:26:22.640 --> 0:26:27.120
<v Speaker 1>that gets into this is um Miyazaki's My Neighbor Totoro,

0:26:27.200 --> 0:26:30.240
<v Speaker 1>which of course is inspired by Japanese and Shinto traditions,

0:26:30.280 --> 0:26:33.760
<v Speaker 1>but the totoro that we encounter, they're very much forest

0:26:33.800 --> 0:26:38.359
<v Speaker 1>guardian spirits, and in Miyazaki's version of this, the only

0:26:38.400 --> 0:26:40.760
<v Speaker 1>ones who can really who can certainly see them and

0:26:40.760 --> 0:26:44.160
<v Speaker 1>to a certain extent understand them, are children. Like children

0:26:44.200 --> 0:26:48.439
<v Speaker 1>have that privileged insight into the rules and laws and

0:26:48.520 --> 0:26:51.399
<v Speaker 1>existence of this other world. It's almost like we're born

0:26:51.520 --> 0:26:53.760
<v Speaker 1>with an understanding of the law of the forest, but

0:26:53.840 --> 0:26:58.359
<v Speaker 1>the process of socialization and maturing beats it out of us. Yes,

0:26:59.280 --> 0:27:01.719
<v Speaker 1>uh yeah, So this is one of the reasons at

0:27:01.720 --> 0:27:03.920
<v Speaker 1>the beginning I said that the less she is kind

0:27:03.920 --> 0:27:06.800
<v Speaker 1>of like a malevolent trickster. Int It's like if the

0:27:06.960 --> 0:27:09.600
<v Speaker 1>nt were a demon, because it makes me think of

0:27:09.680 --> 0:27:12.480
<v Speaker 1>the scenes in Lord of the Rings where the orcs

0:27:12.480 --> 0:27:15.679
<v Speaker 1>are punished for hacking down the trees of Fangorn Forest.

0:27:15.800 --> 0:27:18.960
<v Speaker 1>You know, the the trees get revenge and the ants

0:27:19.000 --> 0:27:22.280
<v Speaker 1>get very angry to see their forests destroyed. This is

0:27:22.320 --> 0:27:24.280
<v Speaker 1>something that that does come through in some of the

0:27:24.280 --> 0:27:27.959
<v Speaker 1>folk tales. For example, Warner talks about how there were

0:27:28.000 --> 0:27:30.880
<v Speaker 1>certain things you could do in the forest or near

0:27:30.920 --> 0:27:34.960
<v Speaker 1>the forest to really especially bring on the leshies wrath.

0:27:35.280 --> 0:27:40.920
<v Speaker 1>And these things might involve whistling, swearing, making a noise,

0:27:41.240 --> 0:27:45.639
<v Speaker 1>willful damage of flowers or trees, or hunting on certain

0:27:45.760 --> 0:27:49.879
<v Speaker 1>church festivals, which that last one seems kind of incongruous

0:27:49.920 --> 0:27:51.960
<v Speaker 1>with the other, isn't. Maybe it's tacked on a bit

0:27:52.040 --> 0:27:54.840
<v Speaker 1>by the by the by the priests. I agree with

0:27:54.880 --> 0:27:56.520
<v Speaker 1>all of those go ahead and going on a lot

0:27:56.520 --> 0:28:00.119
<v Speaker 1>of nature hikes these days. I feel like, I like

0:28:00.160 --> 0:28:02.840
<v Speaker 1>we need a leshy enforcing all of those rules plus

0:28:02.920 --> 0:28:07.440
<v Speaker 1>social distancing norms. Yeah, but that's just me. No. I

0:28:07.480 --> 0:28:09.720
<v Speaker 1>wonder if I ever needed to get another job, could

0:28:09.720 --> 0:28:11.560
<v Speaker 1>I get a job as a kind of leshy, like

0:28:11.600 --> 0:28:13.840
<v Speaker 1>in a state park or something. I just wander around

0:28:13.840 --> 0:28:16.240
<v Speaker 1>the forest. If I find somebody carving their name into

0:28:16.240 --> 0:28:18.600
<v Speaker 1>a tree or some you know, littering or whatever, I

0:28:18.640 --> 0:28:22.080
<v Speaker 1>make them wander off the path into a bog, you know.

0:28:22.160 --> 0:28:25.320
<v Speaker 1>I had my family actually had a very recent experience

0:28:25.359 --> 0:28:27.760
<v Speaker 1>on a hike which kind of felt akin to running

0:28:27.760 --> 0:28:30.399
<v Speaker 1>a foul of the forest. We never got off of

0:28:30.440 --> 0:28:32.680
<v Speaker 1>a paved path because it had just been a very

0:28:32.760 --> 0:28:36.119
<v Speaker 1>rainy weekend and uh, and so we knew that, you know,

0:28:36.160 --> 0:28:38.120
<v Speaker 1>we needed to get like a paved path to walk on.

0:28:38.400 --> 0:28:41.000
<v Speaker 1>But we still on this one particular road, we encountered

0:28:41.040 --> 0:28:44.040
<v Speaker 1>first a stretch of the road where mud had washed

0:28:44.080 --> 0:28:47.240
<v Speaker 1>over everything, so suddenly we were tramping through mud. And

0:28:47.280 --> 0:28:50.800
<v Speaker 1>then immediately we were set up on by by by

0:28:50.800 --> 0:28:53.840
<v Speaker 1>a whole cloud of mosquitoes, despite being kind of late

0:28:53.920 --> 0:28:56.360
<v Speaker 1>in the year, and I could you not. At the

0:28:56.480 --> 0:28:59.560
<v Speaker 1>very same moment, two deer showed up and a snake

0:28:59.640 --> 0:29:02.240
<v Speaker 1>crossed the road in front of us, like very close

0:29:02.280 --> 0:29:04.520
<v Speaker 1>to us, so like suddenly it just felt like like

0:29:04.560 --> 0:29:07.800
<v Speaker 1>the woods were opening up and speaking to us and

0:29:07.840 --> 0:29:10.480
<v Speaker 1>saying that we should not proceed any further, and in fact,

0:29:10.600 --> 0:29:13.320
<v Speaker 1>we turned back. He's about to come out in belltower

0:29:13.360 --> 0:29:17.360
<v Speaker 1>form with the nowt over his shoulder. Yeah, leave this place.

0:29:17.520 --> 0:29:21.960
<v Speaker 1>Do not bring your evil here. All right, Well, I

0:29:21.960 --> 0:29:23.320
<v Speaker 1>think we need to take a break, but when we

0:29:23.360 --> 0:29:29.320
<v Speaker 1>come back, let's talk about Grandfather Mushroom. Thank thank, thank, Alright,

0:29:29.320 --> 0:29:32.960
<v Speaker 1>we're back. So we know as usual that the listeners

0:29:33.080 --> 0:29:35.880
<v Speaker 1>to our episodes, you know, are far flung, and some

0:29:35.920 --> 0:29:37.880
<v Speaker 1>of you are going to have a great deal of

0:29:37.880 --> 0:29:43.360
<v Speaker 1>familiarity with these various Russian folk tales that were discussing here.

0:29:43.800 --> 0:29:46.320
<v Speaker 1>For for others of you, though, you might only be

0:29:46.640 --> 0:29:50.640
<v Speaker 1>familiar with them through some of the more popular, you know,

0:29:50.880 --> 0:29:53.720
<v Speaker 1>mainstream Western treatments. Like one thing that comes to mind

0:29:54.040 --> 0:29:58.240
<v Speaker 1>is once Again Jim Hinson's Storyteller series. The first season

0:29:58.240 --> 0:30:01.600
<v Speaker 1>of that relied heavily on and folk tales. I actually

0:30:01.640 --> 0:30:04.120
<v Speaker 1>haven't seen that first season. I've only watched some of

0:30:04.120 --> 0:30:06.160
<v Speaker 1>the Greek episodes, so maybe I should go back check

0:30:06.200 --> 0:30:10.040
<v Speaker 1>that out. It's like it's like Slavic folklore. Yeah yeah there, um,

0:30:10.120 --> 0:30:12.440
<v Speaker 1>you know, the czar shows up in one of them.

0:30:12.480 --> 0:30:15.400
<v Speaker 1>So there's several really good good tales in there, like

0:30:15.440 --> 0:30:17.840
<v Speaker 1>that whole season is worth watching. But there are some

0:30:17.920 --> 0:30:20.920
<v Speaker 1>really good ones like The Soldier and Death is a

0:30:20.960 --> 0:30:23.920
<v Speaker 1>great one. That that one in particular is wonderful. But

0:30:24.040 --> 0:30:26.680
<v Speaker 1>another place that a lot of you might be familiar

0:30:26.720 --> 0:30:31.520
<v Speaker 1>with Russian folklore is from a particular nineteen sixty five

0:30:31.600 --> 0:30:37.320
<v Speaker 1>film titled Moral's Goal or Jack Frost. And there's a

0:30:37.400 --> 0:30:40.920
<v Speaker 1>very good chance you're familiar with this film because Mystery

0:30:40.920 --> 0:30:44.600
<v Speaker 1>Science Theater three thousand famously featured it in one of

0:30:44.640 --> 0:30:47.720
<v Speaker 1>their episodes. So this is how it's certainly how I

0:30:47.800 --> 0:30:51.400
<v Speaker 1>discovered it, but I've I've had conversations with people like

0:30:51.440 --> 0:30:53.600
<v Speaker 1>I was this is years and years ago. I was

0:30:53.600 --> 0:30:56.360
<v Speaker 1>talking to someone from the Czech Republic and they pointed out, oh, yeah,

0:30:56.360 --> 0:30:58.880
<v Speaker 1>they would show that every year for Christmas. That was

0:30:58.920 --> 0:31:01.320
<v Speaker 1>our Christmas film, Like is that is a part of

0:31:01.360 --> 0:31:05.000
<v Speaker 1>our holiday culture? And uh and and and and at

0:31:05.000 --> 0:31:06.920
<v Speaker 1>this point I would say Jack Frost is also part

0:31:06.920 --> 0:31:10.360
<v Speaker 1>of my holiday culture. I rewatch it every year. But

0:31:10.440 --> 0:31:12.160
<v Speaker 1>you know, it's it's it's a little bit different coming

0:31:12.240 --> 0:31:16.240
<v Speaker 1>at it from this lampooning direction, but it is a

0:31:16.600 --> 0:31:20.160
<v Speaker 1>very beautiful film. And if you've only seen, like, you

0:31:20.160 --> 0:31:23.960
<v Speaker 1>know this this really degraded quality version of it as

0:31:23.960 --> 0:31:26.440
<v Speaker 1>far as like the video quality goes on Mystery Science

0:31:26.480 --> 0:31:30.120
<v Speaker 1>three Mystery Science Theater three thousand. I I challenge everyone

0:31:30.120 --> 0:31:32.560
<v Speaker 1>out there to check out a pristine cut of this.

0:31:32.680 --> 0:31:34.960
<v Speaker 1>Either I think there's a version as of this recording

0:31:35.080 --> 0:31:38.280
<v Speaker 1>available on Amazon Prime, or you can also sometimes find

0:31:38.680 --> 0:31:41.160
<v Speaker 1>uh you know, versions of it on YouTube that have

0:31:41.320 --> 0:31:44.080
<v Speaker 1>just the full glorious quality of the film. It is

0:31:44.120 --> 0:31:48.080
<v Speaker 1>a beautiful movie and even without the riffing, extremely watchable

0:31:48.080 --> 0:31:51.840
<v Speaker 1>and extremely enjoyable. This is why I've never thought about

0:31:51.880 --> 0:31:55.400
<v Speaker 1>the idea that this was a commonly viewed Christmas film

0:31:55.480 --> 0:31:58.200
<v Speaker 1>for lots of people. So like here in America we've

0:31:58.200 --> 0:32:02.320
<v Speaker 1>got bumbles balance, and then maybe throughout Eastern Europe they've

0:32:02.320 --> 0:32:04.720
<v Speaker 1>got we will rob them. We won't rob them, we

0:32:04.760 --> 0:32:08.000
<v Speaker 1>will beat them. We will be beaten. Yes, yeah, I

0:32:08.000 --> 0:32:11.200
<v Speaker 1>mean really, it's it's not fair because we have like

0:32:11.280 --> 0:32:15.280
<v Speaker 1>Charlie Brown Christmas, which is awful, but but they have

0:32:15.520 --> 0:32:18.640
<v Speaker 1>Jack Frost, which is wonder Oh man, we're we're going

0:32:18.680 --> 0:32:22.480
<v Speaker 1>to get hate mail now. It's it's fine, I risk

0:32:22.680 --> 0:32:25.360
<v Speaker 1>it's it's it's it's perfectly okay. It's just not my thing.

0:32:26.600 --> 0:32:28.800
<v Speaker 1>I mean no, this is a wonderful movie. It's got

0:32:28.960 --> 0:32:32.480
<v Speaker 1>it's it's so imaginative. I love when Ivan gets the bearhead.

0:32:32.560 --> 0:32:36.080
<v Speaker 1>I love Grandfather Mushroom, I love the bandits, I love

0:32:36.200 --> 0:32:41.040
<v Speaker 1>the the creepy girl. It's it's fantastic, Yeah, it's it

0:32:41.080 --> 0:32:43.960
<v Speaker 1>has so many It actually has so many wonderful elements

0:32:44.040 --> 0:32:47.040
<v Speaker 1>of Russian folk tales, so just straight out of Russian

0:32:47.040 --> 0:32:49.640
<v Speaker 1>folk tales that really you could you could watch that

0:32:49.680 --> 0:32:51.880
<v Speaker 1>film and you already are in a great place to

0:32:51.960 --> 0:32:56.360
<v Speaker 1>begin reading more Russian tales and exploring them from yourself,

0:32:56.400 --> 0:32:58.320
<v Speaker 1>because it has you know, you have the the you

0:32:58.400 --> 0:33:01.680
<v Speaker 1>have Ivan Tsarovich is the you know, the blonde guy

0:33:01.680 --> 0:33:03.520
<v Speaker 1>who gets his head turned into a bear in the film.

0:33:03.560 --> 0:33:06.800
<v Speaker 1>He is a staple of Russian folk tales. You have

0:33:06.880 --> 0:33:11.800
<v Speaker 1>Boba Yaga, the the evil woodland witch. Again, just a staple,

0:33:11.800 --> 0:33:16.040
<v Speaker 1>the easy time and time again. Now you might be wondering, Okay, well,

0:33:16.040 --> 0:33:20.320
<v Speaker 1>where's where's the leshie in Jack Frost and I don't

0:33:20.480 --> 0:33:23.080
<v Speaker 1>We don't have a direct leshie, and we'll get into

0:33:23.160 --> 0:33:25.080
<v Speaker 1>some of the reasons for this, but we do have

0:33:25.160 --> 0:33:27.560
<v Speaker 1>an interesting character that pops up that I instantly thought

0:33:27.600 --> 0:33:30.760
<v Speaker 1>about in reading all of that this, and that is, uh,

0:33:30.840 --> 0:33:35.600
<v Speaker 1>the little grandfather Mushroom Father Mushroom character, the little diminutive

0:33:35.640 --> 0:33:39.320
<v Speaker 1>old man with a mushroom cap that shows up and

0:33:39.480 --> 0:33:41.840
<v Speaker 1>uh has a little bit of mischief in him and

0:33:41.920 --> 0:33:46.160
<v Speaker 1>teaches Ivan a lesson. Yeah, he is portrayed as sort

0:33:46.160 --> 0:33:48.520
<v Speaker 1>of a wise figure, a figure of the force, but

0:33:48.640 --> 0:33:52.560
<v Speaker 1>also like the less a trickster. You know, he's playing,

0:33:52.640 --> 0:33:55.880
<v Speaker 1>he's like doing, he's disappearing, playing hide and seek, sort

0:33:55.880 --> 0:33:59.360
<v Speaker 1>of taunting Ivan. Um. I don't know if we said

0:33:59.400 --> 0:34:02.440
<v Speaker 1>his his Russian name. I guess in Russian he's known

0:34:02.440 --> 0:34:05.960
<v Speaker 1>as Starry Chalk Borovia Chalk. Yes, that's what I've read

0:34:06.000 --> 0:34:09.239
<v Speaker 1>as well, you know, father grandfather mushroom. Uh. And and

0:34:09.280 --> 0:34:12.920
<v Speaker 1>again he has a very memorable um appearance in that film. Now,

0:34:12.960 --> 0:34:14.759
<v Speaker 1>one of the lingering questions that I'll get back to

0:34:14.840 --> 0:34:18.560
<v Speaker 1>again is I was never able to determine if he

0:34:18.640 --> 0:34:22.080
<v Speaker 1>has an existence outside of this film, like if he

0:34:22.160 --> 0:34:25.120
<v Speaker 1>if he pre existed as part of Russian folklore. I

0:34:25.160 --> 0:34:28.080
<v Speaker 1>did not run across him in any of the stories

0:34:28.120 --> 0:34:30.960
<v Speaker 1>I read, though I did not read all written accounts

0:34:30.960 --> 0:34:34.200
<v Speaker 1>of Russian folklore. And I didn't find him mentioned in

0:34:34.239 --> 0:34:36.600
<v Speaker 1>any of the academic papers we were looking at. But

0:34:36.719 --> 0:34:40.040
<v Speaker 1>that that doesn't mean anything either. Uh. And certainly that

0:34:40.080 --> 0:34:43.680
<v Speaker 1>film was such a big part of of several cultures

0:34:43.920 --> 0:34:47.360
<v Speaker 1>in sixty five of hints that you look and you

0:34:47.400 --> 0:34:50.960
<v Speaker 1>find like countless Christmas ornaments of him. So like now,

0:34:51.000 --> 0:34:54.040
<v Speaker 1>he is definitely a part of of our understanding of

0:34:54.160 --> 0:34:56.759
<v Speaker 1>Russian folklore to a certain extent. But I wasn't. I

0:34:56.800 --> 0:34:59.840
<v Speaker 1>was never sure if he was authentically something that existed.

0:34:59.880 --> 0:35:02.320
<v Speaker 1>But for that film, you know, there are some interesting

0:35:02.360 --> 0:35:05.880
<v Speaker 1>connections I was thinking about between this, this mushroomy character

0:35:06.120 --> 0:35:08.200
<v Speaker 1>and the leshy. Beyond just the fact that he is

0:35:08.239 --> 0:35:10.960
<v Speaker 1>sort of a a trickster guardian of the forest in

0:35:10.960 --> 0:35:14.360
<v Speaker 1>a way, uh, there are some other things. Like for example,

0:35:14.960 --> 0:35:16.920
<v Speaker 1>I was reading in one of our sources that the

0:35:16.960 --> 0:35:20.040
<v Speaker 1>wrinkles on a mushroom are often said to be the

0:35:20.120 --> 0:35:23.120
<v Speaker 1>marks of the Leshy's whip, remember the less she carries

0:35:23.160 --> 0:35:26.120
<v Speaker 1>the now it or the whip to show his dominion

0:35:26.280 --> 0:35:28.400
<v Speaker 1>over the forest. You know, it's like the I'm the

0:35:28.440 --> 0:35:32.279
<v Speaker 1>Boss stick. But apparently the all the little ribs and

0:35:32.320 --> 0:35:35.680
<v Speaker 1>wrinkles on the mushrooms are from him flicking the lash. Yeah.

0:35:35.719 --> 0:35:39.160
<v Speaker 1>I ran across that as well. Um, that that's that's interesting,

0:35:39.200 --> 0:35:41.000
<v Speaker 1>that that seems to be the that was the only, like,

0:35:41.400 --> 0:35:44.360
<v Speaker 1>I think, one of the only true leshy mushroom connections

0:35:44.360 --> 0:35:47.279
<v Speaker 1>I came across, but I was reading a fung Guy

0:35:47.400 --> 0:35:50.600
<v Speaker 1>folk Ways and Fairy Tales, Mushrooms and Nildews and Stories,

0:35:50.680 --> 0:35:55.120
<v Speaker 1>Remedies and Rituals from Oberon to the Internet by Frank M. Duggan,

0:35:55.560 --> 0:35:58.200
<v Speaker 1>which was published in North American Fun Guy in two

0:35:58.239 --> 0:36:02.200
<v Speaker 1>thousand eight, and Duggan rights that Eastern Europe and Russia

0:36:02.400 --> 0:36:06.200
<v Speaker 1>are generally microphilic in nature. Again going back to we

0:36:06.239 --> 0:36:10.000
<v Speaker 1>discussed this in a previous episode. How broadly speaking, some

0:36:10.080 --> 0:36:13.640
<v Speaker 1>cultures are microphilic and some are microphobic, and this is

0:36:13.680 --> 0:36:17.880
<v Speaker 1>often based just in how they describe and broadly view mushrooms.

0:36:18.239 --> 0:36:21.400
<v Speaker 1>Um uh and uh, and certainly listen to our Mushroom

0:36:21.480 --> 0:36:24.680
<v Speaker 1>Foraging episode for more insight on that. But yes, uh,

0:36:24.800 --> 0:36:27.759
<v Speaker 1>Slavic culture is Eastern Europe, from you know, Poland, through

0:36:27.800 --> 0:36:31.480
<v Speaker 1>Russia and Finland. I think it's widely viewed as uh

0:36:31.520 --> 0:36:35.040
<v Speaker 1>as a totally common and desirable thing to go out

0:36:35.120 --> 0:36:38.360
<v Speaker 1>in the forest looking for mushrooms. And yet at the

0:36:38.400 --> 0:36:40.800
<v Speaker 1>same time Dugan points out that there were there was

0:36:40.840 --> 0:36:44.360
<v Speaker 1>still often a taboo against speaking about certain kinds of

0:36:44.440 --> 0:36:49.680
<v Speaker 1>mushrooms due to sexual connotations associated with them. Huh. Likewise,

0:36:49.800 --> 0:36:54.759
<v Speaker 1>some sorts of mushrooms were also heavily associated with Baba Yaga.

0:36:54.840 --> 0:36:59.400
<v Speaker 1>That uh that that evil m haggish um which that

0:36:59.480 --> 0:37:03.120
<v Speaker 1>lives in the would uh in that that fabulous hut

0:37:03.120 --> 0:37:06.680
<v Speaker 1>with the chicken leg. There's a story about her hunting

0:37:06.719 --> 0:37:09.919
<v Speaker 1>for mushrooms and running into a hedgehog that was doing

0:37:09.960 --> 0:37:12.920
<v Speaker 1>the same thing. So the Bobby Yaga and the hedgehog,

0:37:12.960 --> 0:37:15.560
<v Speaker 1>they reach an understanding, and she later turns him into

0:37:15.560 --> 0:37:19.160
<v Speaker 1>a boy hero. And then there's also this really interesting

0:37:19.400 --> 0:37:23.400
<v Speaker 1>bit in light of mysilia. Quote Baba Yaga, he's also

0:37:23.480 --> 0:37:28.400
<v Speaker 1>an associate of magic and benevolent spirits who dwell under mushrooms.

0:37:28.520 --> 0:37:31.640
<v Speaker 1>Under mushrooms. Well, so you mentioned the massilia. Yeah, the

0:37:31.880 --> 0:37:35.480
<v Speaker 1>fibers that stretch out underneath the soil that are in

0:37:35.520 --> 0:37:39.880
<v Speaker 1>many ways the actual body of the the fungus, whereas

0:37:39.880 --> 0:37:42.319
<v Speaker 1>the mushroom part is just the fruiting body is the

0:37:42.360 --> 0:37:45.440
<v Speaker 1>reproductive part. Yeah. So I can't help but wonder if

0:37:45.440 --> 0:37:49.480
<v Speaker 1>that little nugget of folkloric wisdom is is touching on

0:37:49.520 --> 0:37:52.560
<v Speaker 1>this understanding that there's a you know, this is vast

0:37:52.600 --> 0:37:57.440
<v Speaker 1>network beneath the visible mushroom. I don't know. Now, speaking

0:37:57.480 --> 0:38:00.880
<v Speaker 1>of of Bobby Yaga, according to Andrea's John in Baba

0:38:00.960 --> 0:38:04.680
<v Speaker 1>Yaga the Ambiguous Mother and Which of the Russian folk tale.

0:38:05.040 --> 0:38:09.640
<v Speaker 1>In various Slavic languages and dialects, Baba derived words serve

0:38:09.719 --> 0:38:14.840
<v Speaker 1>as names for the butterfly, cake, types of cake, pears,

0:38:15.120 --> 0:38:18.360
<v Speaker 1>and certain kinds of mushrooms, as well as the pelican,

0:38:19.480 --> 0:38:23.000
<v Speaker 1>and she is sometimes associated with the Leshi. The author

0:38:23.040 --> 0:38:26.040
<v Speaker 1>points out that in the Mezen region, the less She's

0:38:26.120 --> 0:38:30.040
<v Speaker 1>wife is often said to be the yaga Baba. Wait,

0:38:30.160 --> 0:38:32.480
<v Speaker 1>did you mean to say baba or well, it was

0:38:32.520 --> 0:38:35.600
<v Speaker 1>written as jaga baba, so I'm not entirely sure if

0:38:35.640 --> 0:38:38.120
<v Speaker 1>we're I mean it's it seems very close. We either

0:38:38.400 --> 0:38:41.680
<v Speaker 1>either dealing directly with Bobba Yaga or some regional twist

0:38:41.719 --> 0:38:46.560
<v Speaker 1>on it. I'm imagining the inverted Baba Yaga. Yeah. John's rights.

0:38:46.680 --> 0:38:50.640
<v Speaker 1>Uh Melantinski, referring to an author and his colleagues feel

0:38:50.680 --> 0:38:54.040
<v Speaker 1>that Babba Yaga became associated with a forest hut later

0:38:54.600 --> 0:38:58.919
<v Speaker 1>than figures such as the forest spirit or the bear. Presumably,

0:38:59.000 --> 0:39:02.400
<v Speaker 1>Baba Yaga is a later kind of forest demon because

0:39:02.440 --> 0:39:06.799
<v Speaker 1>of her anthropomorphic and therefore less archaic form, whether or

0:39:06.840 --> 0:39:09.960
<v Speaker 1>not she is the original owner. Baba Yaga is probably

0:39:10.000 --> 0:39:13.040
<v Speaker 1>the most frequent and popular inhabitant of the forest hut

0:39:13.080 --> 0:39:16.440
<v Speaker 1>in Eastern Slavic fairy tales, so in that you know

0:39:16.480 --> 0:39:18.839
<v Speaker 1>the author is talking about like forest huts, and now

0:39:18.880 --> 0:39:22.440
<v Speaker 1>they factor into these various folk tales. But it also

0:39:22.560 --> 0:39:26.160
<v Speaker 1>points to this idea that that that you have the

0:39:26.200 --> 0:39:30.840
<v Speaker 1>Bobba Yaga coming along after pre existing ideas of forest spirits,

0:39:30.840 --> 0:39:33.040
<v Speaker 1>because she's very much a forest spirit. She's very much

0:39:33.320 --> 0:39:36.000
<v Speaker 1>an encounter you have when you go into the magical

0:39:36.239 --> 0:39:38.920
<v Speaker 1>Russian forest. But there seems to be this idea that

0:39:38.960 --> 0:39:43.200
<v Speaker 1>the leshy is in essence something more archaic, and perhaps

0:39:44.000 --> 0:39:47.320
<v Speaker 1>I see this reflected in other sources, perhaps less story shaped,

0:39:47.400 --> 0:39:51.319
<v Speaker 1>less less fitting for a proper narrative, and therefore you

0:39:51.400 --> 0:39:55.960
<v Speaker 1>actually see less leshy than you might think in in

0:39:56.120 --> 0:39:59.719
<v Speaker 1>at least known and recorded Russian tales. Maybe the less

0:39:59.760 --> 0:40:03.479
<v Speaker 1>she more often a figure than a character. Yeah, yeah,

0:40:03.520 --> 0:40:06.080
<v Speaker 1>you do see see him pop up, but less as

0:40:06.200 --> 0:40:09.080
<v Speaker 1>like a key antagonist. But we will touch on some

0:40:09.160 --> 0:40:11.640
<v Speaker 1>examples here in a debt. Now. I also looked around

0:40:11.640 --> 0:40:14.960
<v Speaker 1>for tales concerning Ivan Tsarevich, the hero in Jack Frost,

0:40:15.320 --> 0:40:18.440
<v Speaker 1>and a traditional Russian character, and I did find a

0:40:18.480 --> 0:40:23.080
<v Speaker 1>tale concerning concerning Ivan and the leshy. Yeah yeah, and

0:40:23.360 --> 0:40:27.400
<v Speaker 1>this is collected in a fabulous collection titled an Anthology

0:40:27.400 --> 0:40:31.279
<v Speaker 1>of Russian Folk Tales by Jack V. Hainey. Okay, let's

0:40:31.280 --> 0:40:34.440
<v Speaker 1>hear it all right. So the story mainly concerns Ivan

0:40:34.920 --> 0:40:40.480
<v Speaker 1>and the immortal antagonist uh Cosha, the deathless who's this

0:40:40.960 --> 0:40:44.080
<v Speaker 1>this like evils are like being that is encountered in

0:40:44.120 --> 0:40:45.920
<v Speaker 1>a lot of these tales, Like he's he's kind of

0:40:45.920 --> 0:40:50.919
<v Speaker 1>the big bad. For instance, Boba Yaga is sometimes sometimes

0:40:50.960 --> 0:40:53.239
<v Speaker 1>like you know, more of the primary villain, but she's

0:40:53.239 --> 0:40:56.560
<v Speaker 1>often just this weird character you encounter on the way.

0:40:57.600 --> 0:41:01.320
<v Speaker 1>But but the death List is just all evil and

0:41:01.320 --> 0:41:03.920
<v Speaker 1>and and terror and uh and and it's just you know,

0:41:03.960 --> 0:41:06.239
<v Speaker 1>the ultimate bad is he's sort of sort of a

0:41:06.280 --> 0:41:09.479
<v Speaker 1>low pan sort of yeah, just you know, he can't die,

0:41:09.600 --> 0:41:12.400
<v Speaker 1>but there's some sort of secret to his immortality that

0:41:12.440 --> 0:41:14.160
<v Speaker 1>the hero has to figure out, and in this case,

0:41:14.200 --> 0:41:16.440
<v Speaker 1>that's what Ivan is doing, trying to figure out how

0:41:16.440 --> 0:41:19.839
<v Speaker 1>he can deal with this deathless enemy. But in one

0:41:19.840 --> 0:41:23.239
<v Speaker 1>part of the story, Ivan and basically Ivan goes into

0:41:23.280 --> 0:41:26.560
<v Speaker 1>the forest and his typical in Russian tales, has encounters

0:41:26.560 --> 0:41:29.920
<v Speaker 1>in the forest that help and hinder. So in the forest,

0:41:30.040 --> 0:41:32.920
<v Speaker 1>Ivan encounters three leshy in the woods who are searching

0:41:33.200 --> 0:41:37.400
<v Speaker 1>for their grandfather's buried treasure. And these three treasures are

0:41:37.400 --> 0:41:39.759
<v Speaker 1>an animate fighting club. So it's like a club and

0:41:39.800 --> 0:41:41.359
<v Speaker 1>you say, hey, go hit that guy over the head,

0:41:41.360 --> 0:41:43.600
<v Speaker 1>and the club goes and does it. Um there's a

0:41:43.600 --> 0:41:46.479
<v Speaker 1>hat of invisibility, which I don't have to describe because

0:41:46.480 --> 0:41:50.360
<v Speaker 1>we have versions of this in every folk lord tradition

0:41:50.400 --> 0:41:53.920
<v Speaker 1>I believe. And then you have the fabulous self laying

0:41:54.000 --> 0:41:57.799
<v Speaker 1>table cloth that seems not as good as the other two,

0:41:58.800 --> 0:42:01.239
<v Speaker 1>and yet it's it's amazing thing, especially I guess if

0:42:01.239 --> 0:42:04.439
<v Speaker 1>your dungeon master is very particular about making sure you're

0:42:04.480 --> 0:42:07.800
<v Speaker 1>you're you're eating properly, because the self laying table cloth

0:42:07.920 --> 0:42:10.880
<v Speaker 1>is a table cloth that you whip out and spread

0:42:10.880 --> 0:42:14.320
<v Speaker 1>on the ground and it is instantly set with food

0:42:14.480 --> 0:42:16.400
<v Speaker 1>and beverage. Oh so it's it's kind of like a

0:42:16.480 --> 0:42:21.120
<v Speaker 1>Loaves and Fishes multiplayer absolutely. So the less she are

0:42:21.239 --> 0:42:24.680
<v Speaker 1>fighting over the rights to these treasures, which Ivan has

0:42:24.719 --> 0:42:28.160
<v Speaker 1>already found, by the way, and and Ivan tricks them

0:42:28.200 --> 0:42:31.400
<v Speaker 1>into running a foot race instead of fighting. He says, hey,

0:42:31.600 --> 0:42:34.040
<v Speaker 1>don't fight each other over this, Why don't you run

0:42:34.120 --> 0:42:36.160
<v Speaker 1>from here to that? See that far tree that you

0:42:36.160 --> 0:42:39.279
<v Speaker 1>can barely see over there and mid the horizon, go

0:42:39.440 --> 0:42:42.080
<v Speaker 1>run at that. Whoever gets to that first wins and

0:42:42.120 --> 0:42:44.160
<v Speaker 1>the less you're like, that's great, let's do it, And

0:42:44.160 --> 0:42:46.800
<v Speaker 1>they go off to run the race, and so Ivan

0:42:46.920 --> 0:42:50.399
<v Speaker 1>slips away while they're far away from him. From there,

0:42:50.440 --> 0:42:53.799
<v Speaker 1>he encounters the Baba Yaga at her hut, who he

0:42:54.000 --> 0:42:58.279
<v Speaker 1>who's seeking for answers on how to achieve cos the

0:42:58.280 --> 0:43:01.680
<v Speaker 1>deathless how to achieve death? And of course the the

0:43:01.719 --> 0:43:03.720
<v Speaker 1>answer ends up that there's an egg in a box

0:43:03.800 --> 0:43:07.200
<v Speaker 1>hidden under a mountain that he has to gain access too.

0:43:07.600 --> 0:43:10.400
<v Speaker 1>So anyway, this is a fun encounter in and of itself,

0:43:10.440 --> 0:43:12.760
<v Speaker 1>but it also makes me think back to the Jack

0:43:12.760 --> 0:43:16.600
<v Speaker 1>Frost film and remember the sort of dwarf like bandits

0:43:16.640 --> 0:43:20.399
<v Speaker 1>that Ivan encounters and I can't help but wonder if

0:43:20.440 --> 0:43:23.240
<v Speaker 1>they are sort of serving as a version of Leshi

0:43:23.560 --> 0:43:27.759
<v Speaker 1>in that regard. Yeah, like a dangerous chaotic force in

0:43:27.800 --> 0:43:31.080
<v Speaker 1>the forest that that Ivan has to interact with. And

0:43:31.120 --> 0:43:34.760
<v Speaker 1>Trick I can't remember in the movie, doesn't he Arthur

0:43:34.920 --> 0:43:37.239
<v Speaker 1>clubs in their scenes as well? Like they have to

0:43:37.239 --> 0:43:39.520
<v Speaker 1>they end up throwing clubs up in the air and

0:43:39.560 --> 0:43:43.200
<v Speaker 1>then later the clubs come back down and hit them. Yes,

0:43:43.280 --> 0:43:46.839
<v Speaker 1>they do. That seems to connect to like the automatic

0:43:46.880 --> 0:43:50.120
<v Speaker 1>fighting club that the less she was arguing over. Yeah,

0:43:50.160 --> 0:43:53.399
<v Speaker 1>I was, I was wondering the same thing. Um now

0:43:53.440 --> 0:43:55.680
<v Speaker 1>now again this this. I read this in the Anthology

0:43:55.680 --> 0:43:58.520
<v Speaker 1>of Russian Folk Tales by Jack V. Haney, who I

0:43:58.560 --> 0:44:02.360
<v Speaker 1>believe that this particular volume has ninety nine different folk tales,

0:44:02.760 --> 0:44:05.359
<v Speaker 1>some very small, someome a little bit longer, and also

0:44:05.400 --> 0:44:07.920
<v Speaker 1>commentary on them, and it's it's a wonderful read. I

0:44:08.440 --> 0:44:13.200
<v Speaker 1>recommend it. But he also had like several volumes on

0:44:13.280 --> 0:44:15.319
<v Speaker 1>top of this that he had compiled and these were

0:44:15.360 --> 0:44:18.680
<v Speaker 1>just like the best or most, you know, helpful to

0:44:18.960 --> 0:44:23.520
<v Speaker 1>share with readers. But he adds later in in this

0:44:23.560 --> 0:44:27.279
<v Speaker 1>particular volumes, his stories featuring the forest speech, spirit, the

0:44:27.360 --> 0:44:30.719
<v Speaker 1>leshy are uncommon, and perhaps this again speaks to the

0:44:30.760 --> 0:44:33.960
<v Speaker 1>more archaic take on this being a more archaic take

0:44:33.960 --> 0:44:36.840
<v Speaker 1>on spirits of the forest, which are less narrative compared

0:44:36.880 --> 0:44:40.520
<v Speaker 1>to other embodiments of the forest and wildness, such as

0:44:40.520 --> 0:44:45.280
<v Speaker 1>Baba Yaga or even you know, Father Frost Morosco himself,

0:44:45.320 --> 0:44:47.880
<v Speaker 1>you know, who's very much an embodiment of of the

0:44:47.920 --> 0:44:50.600
<v Speaker 1>winds of winter. So it seems that maybe the less

0:44:50.640 --> 0:44:52.920
<v Speaker 1>She and these stories are less going to be like

0:44:53.040 --> 0:44:56.120
<v Speaker 1>the main villain of the story and more kind of

0:44:56.160 --> 0:44:58.960
<v Speaker 1>an environmental threat. I mean, the less She might be

0:44:59.040 --> 0:45:03.120
<v Speaker 1>something kind of like a like a particular monster encountered

0:45:03.120 --> 0:45:05.239
<v Speaker 1>along the way, or almost like a like a pit

0:45:05.280 --> 0:45:08.040
<v Speaker 1>of quicksand like just something that you've got to worry

0:45:08.080 --> 0:45:11.680
<v Speaker 1>about in the in the wild environment. Yeah, yeah, I

0:45:11.680 --> 0:45:14.360
<v Speaker 1>think so. Now I want to share some other points

0:45:14.400 --> 0:45:17.160
<v Speaker 1>that that Haney makes about Russian folk tales in general,

0:45:17.160 --> 0:45:20.320
<v Speaker 1>because I think these can help us understand Russian folklore

0:45:20.320 --> 0:45:22.560
<v Speaker 1>a bit more and also understand the less She's place

0:45:22.640 --> 0:45:27.160
<v Speaker 1>in these tales. So Haney contends that there are there

0:45:27.160 --> 0:45:30.520
<v Speaker 1>are more folk tales that may have emerged out of

0:45:30.520 --> 0:45:33.520
<v Speaker 1>the Russian people than any other. He says, due in

0:45:33.640 --> 0:45:36.280
<v Speaker 1>part to the fact that well into the twentieth century,

0:45:36.560 --> 0:45:40.399
<v Speaker 1>Russia quote remained in illiterate and basically peasant country where

0:45:40.400 --> 0:45:44.480
<v Speaker 1>folk traditions were strong and carefully maintained. Okay, so is

0:45:44.520 --> 0:45:47.960
<v Speaker 1>the idea that if the culture was more literate, the

0:45:48.080 --> 0:45:53.279
<v Speaker 1>folk tales would have been less less retold. Um Well,

0:45:53.840 --> 0:45:56.160
<v Speaker 1>I guess the idea is like, once you start writing

0:45:56.200 --> 0:45:58.560
<v Speaker 1>them down right, then you have like a total a

0:45:58.600 --> 0:46:02.239
<v Speaker 1>different energy takeover regarding the folk tales, and then you

0:46:02.280 --> 0:46:04.920
<v Speaker 1>also have different influences on the shape of those tales.

0:46:05.400 --> 0:46:09.200
<v Speaker 1>But in Russia, he's arguing that they remained um like

0:46:09.280 --> 0:46:13.680
<v Speaker 1>the property of of the common Russian people, and they

0:46:13.719 --> 0:46:16.239
<v Speaker 1>were speaking of this sort of Russian existence that had

0:46:16.280 --> 0:46:21.160
<v Speaker 1>not changed a whole lot, you know, throughout their history.

0:46:21.200 --> 0:46:23.200
<v Speaker 1>But then he points out that the twentieth century comes

0:46:23.200 --> 0:46:25.719
<v Speaker 1>along and this is an exceedingly hard time on the

0:46:25.760 --> 0:46:29.400
<v Speaker 1>Russian people and it ends up disrupting their storytelling traditions.

0:46:29.880 --> 0:46:32.520
<v Speaker 1>He also points out that Russia has the second largest

0:46:32.600 --> 0:46:36.760
<v Speaker 1>number of tale types according to the International Classification System

0:46:36.840 --> 0:46:39.600
<v Speaker 1>for Folk Tales UH. And this gets you know, when

0:46:39.600 --> 0:46:43.400
<v Speaker 1>you get into the the scholarly study of folk tales,

0:46:43.440 --> 0:46:44.920
<v Speaker 1>you find it, ye other, there are all these different

0:46:45.080 --> 0:46:48.640
<v Speaker 1>classifications for the different types of tales you encounter in

0:46:48.760 --> 0:46:51.239
<v Speaker 1>cultures around the world. He points out that there are

0:46:51.239 --> 0:46:54.360
<v Speaker 1>a lot of animal tales. UH. The frequent villains you

0:46:54.480 --> 0:46:58.520
<v Speaker 1>encounter are, of course the Baba Yaga, which is nasty dwarves,

0:46:59.000 --> 0:47:02.960
<v Speaker 1>shape shifting the shins. However, Bobby Yaga is also sometimes

0:47:03.000 --> 0:47:06.520
<v Speaker 1>a donor or helper. Frequent characters in general, you have

0:47:06.600 --> 0:47:09.840
<v Speaker 1>Bobby Yaga and or Hut, you have the Firebird, the

0:47:09.880 --> 0:47:14.160
<v Speaker 1>deathless Prince, Ivan's are of Itch. We already mentioned Princess Elena,

0:47:14.440 --> 0:47:18.839
<v Speaker 1>and of course generic Czar is often involved as well. Uh,

0:47:19.000 --> 0:47:21.400
<v Speaker 1>you know, the king that is. And I believe that

0:47:21.400 --> 0:47:24.320
<v Speaker 1>the exact nature the king depends, uh, you know, sometimes

0:47:24.360 --> 0:47:25.960
<v Speaker 1>a little more on the cruel side, sometimes a little

0:47:26.000 --> 0:47:27.879
<v Speaker 1>more in the bedevolent side, kind of like just sort

0:47:27.920 --> 0:47:33.399
<v Speaker 1>of the generic king you encounter in other folkloric traditions. Now,

0:47:33.440 --> 0:47:36.120
<v Speaker 1>it does seem that a huge number of these tales

0:47:36.280 --> 0:47:41.160
<v Speaker 1>do involve having to travel through the forest, right, absolutely

0:47:41.200 --> 0:47:44.399
<v Speaker 1>that the hero frequently wanders through the woods and at

0:47:44.440 --> 0:47:47.360
<v Speaker 1>some point receives help in his quest from an animal

0:47:47.480 --> 0:47:51.360
<v Speaker 1>or some other sort of supernatural aid. And uh, and

0:47:51.480 --> 0:47:55.320
<v Speaker 1>sometimes the charactery encounters is a devil or the devil

0:47:55.560 --> 0:47:59.440
<v Speaker 1>or the devil's offspring. Uh. This this was interesting. Um,

0:48:00.160 --> 0:48:03.200
<v Speaker 1>this is a whole category of tale. Ivan the fool

0:48:03.480 --> 0:48:06.200
<v Speaker 1>versus the devil or the devil's offspring. And it's not

0:48:06.239 --> 0:48:08.759
<v Speaker 1>really Ivan as a fool, but Ivan. I think it's more.

0:48:09.120 --> 0:48:11.640
<v Speaker 1>You know, he's clever, but in kind of a a

0:48:11.800 --> 0:48:16.400
<v Speaker 1>roguish way. And in these tales, Hainey writes, it's important

0:48:16.400 --> 0:48:20.279
<v Speaker 1>to recognize first the satire, but then also that the

0:48:20.360 --> 0:48:23.680
<v Speaker 1>devil is not really a Christian devil, but quote rather

0:48:23.800 --> 0:48:28.080
<v Speaker 1>a figure derived from the various malevolent spirits that inhabited

0:48:28.080 --> 0:48:32.759
<v Speaker 1>the Russian peasants universe, the forest spirit or Leshy, the

0:48:32.880 --> 0:48:37.480
<v Speaker 1>water spirit or Vodiana, and others too numerous to mention.

0:48:38.120 --> 0:48:40.319
<v Speaker 1>So again the idea of the devil comes along and

0:48:40.360 --> 0:48:43.719
<v Speaker 1>it ends up kind of absorbing these other ideas of

0:48:43.800 --> 0:48:46.960
<v Speaker 1>evil things in the wild wood. This is just another

0:48:47.000 --> 0:48:49.960
<v Speaker 1>one of the many interesting ways that the concept of

0:48:50.000 --> 0:48:52.920
<v Speaker 1>Satan or the devil has evolved over the centuries. I mean,

0:48:53.000 --> 0:48:55.840
<v Speaker 1>like if you go back to the earliest versions of Satan,

0:48:56.160 --> 0:48:59.719
<v Speaker 1>even like in the in the Jewish tradition, Satan then

0:48:59.800 --> 0:49:03.200
<v Speaker 1>is not even presented as as monstrous or evil, like

0:49:03.239 --> 0:49:05.319
<v Speaker 1>in the Book of Jobs. Seems to be one of

0:49:05.320 --> 0:49:08.480
<v Speaker 1>the earliest references to Satan. Satan is like one of

0:49:08.600 --> 0:49:11.359
<v Speaker 1>God's angels, you know, he kind of works for him.

0:49:11.440 --> 0:49:15.279
<v Speaker 1>He he's sort of like a prosecutor or a like

0:49:15.320 --> 0:49:19.400
<v Speaker 1>a detective doing you know, trying to sniff out disloyalty.

0:49:19.840 --> 0:49:23.279
<v Speaker 1>But later on you incorporate more and more into this

0:49:23.600 --> 0:49:27.319
<v Speaker 1>adversary figure of the monstrous, of the evil, of the

0:49:27.400 --> 0:49:30.400
<v Speaker 1>all that's wrong with the world. And I think this

0:49:30.480 --> 0:49:34.960
<v Speaker 1>is one of the reasons that the devil figure accumulates

0:49:34.960 --> 0:49:38.880
<v Speaker 1>the monstrosity of every particular location and every culture that

0:49:38.960 --> 0:49:42.120
<v Speaker 1>absorbs him. Now hany does have some some other stories

0:49:42.120 --> 0:49:45.560
<v Speaker 1>with Leshy popping up. One of them that that was

0:49:45.600 --> 0:49:48.280
<v Speaker 1>really good is a story called A Prince and his Uncle,

0:49:48.719 --> 0:49:51.200
<v Speaker 1>which features an old trapper in the woods who serves

0:49:51.280 --> 0:49:54.640
<v Speaker 1>the farest spirit or leshy. When a greedy king shows

0:49:54.719 --> 0:49:57.200
<v Speaker 1>up looking to squeeze more money out of the commoners,

0:49:57.280 --> 0:49:59.960
<v Speaker 1>he asked the old man how he catches his beasts,

0:50:00.120 --> 0:50:02.479
<v Speaker 1>and the old man says, well, the forest spirit sets

0:50:02.480 --> 0:50:05.240
<v Speaker 1>out snares and the beast is stupid and gets caught.

0:50:05.880 --> 0:50:08.240
<v Speaker 1>So the king hears this and he gets an idea.

0:50:08.640 --> 0:50:11.200
<v Speaker 1>He bribes the old man with wine and money for

0:50:11.239 --> 0:50:14.040
<v Speaker 1>the location of these snares that again were set by

0:50:14.120 --> 0:50:16.759
<v Speaker 1>the leshy, and then the king orders the less she

0:50:16.880 --> 0:50:20.840
<v Speaker 1>caught and fettered to an iron post. Meanwhile, the prince

0:50:20.920 --> 0:50:22.920
<v Speaker 1>is a decent lad and listens to the less She's

0:50:22.960 --> 0:50:26.000
<v Speaker 1>please for release. He instructs the prince in how to

0:50:26.080 --> 0:50:29.799
<v Speaker 1>obtain the key to his irons and distracts the others

0:50:29.920 --> 0:50:33.520
<v Speaker 1>uh while he's being released. Afterwards, the king is enraged

0:50:33.520 --> 0:50:35.600
<v Speaker 1>and sends the Prince out on an excursion into the

0:50:35.600 --> 0:50:38.080
<v Speaker 1>far corners of the world his punishment, and he sends

0:50:38.120 --> 0:50:41.359
<v Speaker 1>his old uncle with him to guide him. This uncle

0:50:41.440 --> 0:50:43.880
<v Speaker 1>figure who it's always in quotations, so it's like not

0:50:43.960 --> 0:50:47.280
<v Speaker 1>really his uncle, um, but then again it's not super

0:50:47.320 --> 0:50:50.600
<v Speaker 1>important to the story. Seemingly, eventually, the prince and the

0:50:50.680 --> 0:50:54.160
<v Speaker 1>uncle switched places, and at one point the less She

0:50:54.280 --> 0:50:57.080
<v Speaker 1>meets the prince again and gives him some magical items,

0:50:57.320 --> 0:51:00.400
<v Speaker 1>which include once more the self setting table cloth, but

0:51:00.440 --> 0:51:02.799
<v Speaker 1>also a magic mirror that shows you whatever you want

0:51:02.800 --> 0:51:05.799
<v Speaker 1>to see and a magical musical instrument that kind of

0:51:05.840 --> 0:51:08.719
<v Speaker 1>plays on demand. And then he later provides him with

0:51:08.760 --> 0:51:11.960
<v Speaker 1>a horse and magical vodka to give him strength against

0:51:12.000 --> 0:51:15.200
<v Speaker 1>a terrible monster. Now, sadly the story doesn't really involve

0:51:15.239 --> 0:51:17.640
<v Speaker 1>the less she Be on this point, but we see

0:51:17.680 --> 0:51:20.759
<v Speaker 1>the less She kind of serving this role uh in

0:51:20.800 --> 0:51:23.880
<v Speaker 1>the later portions of the story as this magical forest

0:51:23.920 --> 0:51:28.200
<v Speaker 1>creature that shows up and provides assistance to the hero.

0:51:28.719 --> 0:51:30.799
<v Speaker 1>But then he goes on to share what I think

0:51:30.880 --> 0:51:34.680
<v Speaker 1>is my favorite leshy story that I read um Hain.

0:51:34.760 --> 0:51:38.800
<v Speaker 1>He shares this story titled The Forest Spirit, which hinges

0:51:38.840 --> 0:51:42.040
<v Speaker 1>on this notion that you have a leshy or some

0:51:42.360 --> 0:51:44.839
<v Speaker 1>or various other creatures like a like a coldn which

0:51:44.880 --> 0:51:47.040
<v Speaker 1>is a type of male sorcerer. If you if they

0:51:47.040 --> 0:51:50.080
<v Speaker 1>are not invited to your wedding, they may show up

0:51:50.120 --> 0:51:53.200
<v Speaker 1>anyway and find some way to spoil it. Wait, so

0:51:53.360 --> 0:51:56.960
<v Speaker 1>you are supposed to invite them, apparently, that's that's one tradition,

0:51:57.200 --> 0:51:59.279
<v Speaker 1>is go ahead and invite the leshy. It's it would

0:51:59.280 --> 0:52:02.280
<v Speaker 1>be rude not to because if you don't invite the leshy,

0:52:03.120 --> 0:52:05.279
<v Speaker 1>he will show up and he might cause chaos. But

0:52:05.320 --> 0:52:07.160
<v Speaker 1>I guess if you do invite him, he won't show

0:52:07.239 --> 0:52:12.680
<v Speaker 1>up there. You know, they're fickle, chaotic creatures. It's reverse psychology.

0:52:13.680 --> 0:52:16.040
<v Speaker 1>So this, this The Forest Spirit, is a fun little tail.

0:52:16.120 --> 0:52:17.719
<v Speaker 1>There's not much to it, but this is how it

0:52:17.760 --> 0:52:20.920
<v Speaker 1>goes down. Basically, So there's an old peasant who grows

0:52:21.000 --> 0:52:24.000
<v Speaker 1>and threshes grain, but then he suddenly keeps coming into

0:52:24.000 --> 0:52:26.200
<v Speaker 1>the drawing shed to find that the grain he just

0:52:26.320 --> 0:52:30.080
<v Speaker 1>harvested is already threshed. Now, basically this means somebody is

0:52:30.120 --> 0:52:33.000
<v Speaker 1>doing half his work for him for free. But you

0:52:33.040 --> 0:52:35.840
<v Speaker 1>know he's he's he's an old cadger, you know, probably

0:52:35.880 --> 0:52:37.960
<v Speaker 1>a bit grumpy about things. He wants to get to

0:52:37.960 --> 0:52:40.960
<v Speaker 1>the bottom of this. He doesn't want unexplained threshing going

0:52:41.040 --> 0:52:43.839
<v Speaker 1>on and his his his drawing shed. So he asked

0:52:43.840 --> 0:52:45.879
<v Speaker 1>an old woman for help, and she says, well, I'm

0:52:45.920 --> 0:52:47.919
<v Speaker 1>just an old woman. I can't help you. You're gonna

0:52:47.920 --> 0:52:50.000
<v Speaker 1>have to go ask the local witch. So he goes

0:52:50.000 --> 0:52:52.520
<v Speaker 1>to the local witch and she says, well, look, it's

0:52:52.520 --> 0:52:55.440
<v Speaker 1>a leshie that's doing this. Uh, but if you want

0:52:55.440 --> 0:52:57.319
<v Speaker 1>to stop him, you want to catch the leshie. This

0:52:57.360 --> 0:52:59.480
<v Speaker 1>is what you do. Stake out your shed and then

0:52:59.480 --> 0:53:02.080
<v Speaker 1>you sneak up on him and you loop a necklace

0:53:02.120 --> 0:53:04.960
<v Speaker 1>with a cross around on it around his neck and

0:53:05.000 --> 0:53:08.719
<v Speaker 1>that'll capture him, making him your servant. And so the

0:53:08.760 --> 0:53:11.920
<v Speaker 1>old man does just that. Uh. The lessie, of course

0:53:11.960 --> 0:53:14.640
<v Speaker 1>immediately asked for release and offers to help the old

0:53:14.719 --> 0:53:17.360
<v Speaker 1>man build a new slip to haul grain on in

0:53:17.440 --> 0:53:21.520
<v Speaker 1>exchange for his freedom. The old man agrees, but then

0:53:21.600 --> 0:53:24.480
<v Speaker 1>keeps asking for more work in exchange for the less

0:53:24.520 --> 0:53:27.880
<v Speaker 1>she's release. So he's like, yeah, well I need some firewood.

0:53:27.960 --> 0:53:30.560
<v Speaker 1>Maybe after you get me some firewood. And he's like, well,

0:53:30.600 --> 0:53:32.680
<v Speaker 1>you know I need the firewood chopped up as well.

0:53:33.600 --> 0:53:37.279
<v Speaker 1>I am altering the deal. Pray I alter it no further, right,

0:53:38.360 --> 0:53:41.399
<v Speaker 1>But then finally he says, you know, Lee, she says,

0:53:41.400 --> 0:53:42.960
<v Speaker 1>all right, how about now can I go free? I've

0:53:43.000 --> 0:53:45.839
<v Speaker 1>chopped your wood. I made you this slip. You know what,

0:53:45.840 --> 0:53:47.880
<v Speaker 1>what else do you want? He's like, no, my niece

0:53:47.960 --> 0:53:50.480
<v Speaker 1>is getting married next week and you're coming to the

0:53:50.520 --> 0:53:55.920
<v Speaker 1>wedding with me. So the old man is just straight

0:53:56.000 --> 0:53:59.040
<v Speaker 1>up taking the less she to a family wedding as

0:53:59.080 --> 0:54:02.800
<v Speaker 1>his plus one. Does it explain why he wants the

0:54:02.920 --> 0:54:04.440
<v Speaker 1>less she to go to the wedding? Is he just

0:54:04.480 --> 0:54:07.520
<v Speaker 1>trying to like pad out the attendants. I don't know,

0:54:07.719 --> 0:54:11.520
<v Speaker 1>Like he doesn't expressly say in this book, or doesn't

0:54:11.600 --> 0:54:13.680
<v Speaker 1>you know, interpret it expressly in this book. So I

0:54:13.719 --> 0:54:15.880
<v Speaker 1>don't know if it's a sense where like I'm supposed

0:54:15.880 --> 0:54:17.640
<v Speaker 1>you're supposed to invite unless you to the wedding, So

0:54:17.760 --> 0:54:20.520
<v Speaker 1>I will I'll just straight up bring him Like maybe

0:54:20.560 --> 0:54:23.640
<v Speaker 1>he is misinterpreting the tradition being an old man who

0:54:23.680 --> 0:54:27.520
<v Speaker 1>lives in the woods or um or maybe maybe he's lonely.

0:54:27.600 --> 0:54:30.080
<v Speaker 1>I'm not sure. I kind of like the idea that

0:54:30.360 --> 0:54:32.480
<v Speaker 1>he's lonely, and it's just like he's spending so much

0:54:32.480 --> 0:54:35.960
<v Speaker 1>time with the less She's like, now, I'm come to

0:54:36.000 --> 0:54:39.879
<v Speaker 1>this wedding with me. Come hang out. I may need

0:54:39.920 --> 0:54:44.640
<v Speaker 1>you to chop some wood during the ceremony. Yeah. So, anyway,

0:54:44.760 --> 0:54:47.719
<v Speaker 1>they attend. The less she seems at first to be

0:54:47.800 --> 0:54:50.480
<v Speaker 1>standing back and minding his own business in the corner

0:54:50.480 --> 0:54:52.839
<v Speaker 1>of the room, standing by the doors, out of sight,

0:54:53.200 --> 0:54:56.239
<v Speaker 1>not even partaking of the food in the drink. But

0:54:56.320 --> 0:54:58.959
<v Speaker 1>then the less she sees a pretty maid bringing out

0:54:59.120 --> 0:55:02.200
<v Speaker 1>the soured milk the cup, which, by the context of

0:55:02.200 --> 0:55:04.360
<v Speaker 1>the story seems to be just part of the ceremony.

0:55:05.120 --> 0:55:09.360
<v Speaker 1>So the less she immediately takes her, spins her around,

0:55:09.680 --> 0:55:12.040
<v Speaker 1>and then she falls down, spilling the milk all over

0:55:12.080 --> 0:55:14.640
<v Speaker 1>the place. And unless she begins to clap and laugh

0:55:14.680 --> 0:55:18.560
<v Speaker 1>at this loudly so everybody hears it, the guests do

0:55:18.640 --> 0:55:21.520
<v Speaker 1>not find this amusing at all, and they chastise the

0:55:21.560 --> 0:55:24.000
<v Speaker 1>old man for bringing such a guest with him to

0:55:24.160 --> 0:55:26.560
<v Speaker 1>the event. Oh so this is the first time they've

0:55:26.600 --> 0:55:29.040
<v Speaker 1>noticed there's a Lessi here at the wedding. Well, yeah,

0:55:29.080 --> 0:55:32.320
<v Speaker 1>he's standing over there by the door. Nobody noticed until

0:55:32.400 --> 0:55:35.440
<v Speaker 1>he started, you know, making a spectacle and spoiling the wedding.

0:55:36.360 --> 0:55:40.239
<v Speaker 1>So everyone is displeased, and they curse him and all

0:55:40.320 --> 0:55:43.240
<v Speaker 1>and cuss at him. Uh, the old man and unless

0:55:43.280 --> 0:55:45.880
<v Speaker 1>she go home the less she asked once more for

0:55:46.000 --> 0:55:48.759
<v Speaker 1>his release, and the old man grants it to him.

0:55:48.800 --> 0:55:52.839
<v Speaker 1>And I love the way that Haney winds this up. Uh.

0:55:52.920 --> 0:55:55.319
<v Speaker 1>He attributes this tale the telling him this tale to

0:55:55.320 --> 0:55:58.000
<v Speaker 1>a sixty two year old peasant who related it in

0:55:58.080 --> 0:56:01.239
<v Speaker 1>n and the The final quote at the end of

0:56:01.280 --> 0:56:04.480
<v Speaker 1>the tale is in olden times, they believe this, but

0:56:04.600 --> 0:56:09.960
<v Speaker 1>now they don't believe anything. Those darned kids no longer

0:56:10.000 --> 0:56:12.839
<v Speaker 1>believe in the leshy. Yeah, I just yeah, I love

0:56:12.880 --> 0:56:15.799
<v Speaker 1>the the grumpiness of the tale, like the tale that like,

0:56:16.160 --> 0:56:18.319
<v Speaker 1>I'm going to tell you this story. Kids don't believe

0:56:18.360 --> 0:56:21.239
<v Speaker 1>it anymore, but it happened. This is actually similar to

0:56:21.600 --> 0:56:25.160
<v Speaker 1>another tale that I was reading, at least summarized in

0:56:25.160 --> 0:56:26.880
<v Speaker 1>in one of the sources we were looking at for

0:56:26.920 --> 0:56:29.840
<v Speaker 1>this episode, which is the Encyclopedia of Russian and Slavic

0:56:29.920 --> 0:56:33.920
<v Speaker 1>myth and legend by Mike Dixon Kennedy. And in this

0:56:34.120 --> 0:56:37.359
<v Speaker 1>entry there was a story where there's a there's an

0:56:37.360 --> 0:56:40.120
<v Speaker 1>old man who lives by the forest, and one day

0:56:40.120 --> 0:56:43.040
<v Speaker 1>a traveler appears and asks if he can rest in

0:56:43.120 --> 0:56:45.840
<v Speaker 1>his hut, and the old man says, yeah, sure, you

0:56:45.840 --> 0:56:48.000
<v Speaker 1>can rest in my hut. Now, the old man is

0:56:48.000 --> 0:56:50.160
<v Speaker 1>a is a cattle herdsman who has to, you know,

0:56:50.239 --> 0:56:52.560
<v Speaker 1>take his herd of cattle through the forest to graze.

0:56:53.120 --> 0:56:57.360
<v Speaker 1>And after giving the traveler a good night's rest in

0:56:57.440 --> 0:57:00.319
<v Speaker 1>his home, he is told it's like review old that

0:57:00.360 --> 0:57:03.120
<v Speaker 1>the traveler was a leshy and was like, you know what,

0:57:03.200 --> 0:57:05.520
<v Speaker 1>You're not going to have to worry about your cattle anymore.

0:57:05.560 --> 0:57:07.799
<v Speaker 1>You don't have to follow them around. You just let

0:57:07.880 --> 0:57:09.719
<v Speaker 1>him go out and roam in the morning, and then

0:57:09.760 --> 0:57:11.960
<v Speaker 1>they'll come back full of and and give plenty of

0:57:12.000 --> 0:57:14.760
<v Speaker 1>milk at the end of the day. And this happens

0:57:14.800 --> 0:57:17.680
<v Speaker 1>for a while until the traveler gets curious about what's

0:57:17.720 --> 0:57:20.760
<v Speaker 1>happening during the day, so he follows his cattle out

0:57:20.920 --> 0:57:24.680
<v Speaker 1>and then finds that they are being shepherded in in

0:57:24.920 --> 0:57:26.520
<v Speaker 1>or I guess not shepherded. I don't know. What the

0:57:26.640 --> 0:57:28.800
<v Speaker 1>term for a person who heards cattle would be a

0:57:28.840 --> 0:57:32.479
<v Speaker 1>cat cattle herded by some old crone. I guess the

0:57:32.480 --> 0:57:34.760
<v Speaker 1>the ideas that she's a witch or a helper of

0:57:34.840 --> 0:57:37.600
<v Speaker 1>some kind of the leshy and when he finds her

0:57:37.640 --> 0:57:40.160
<v Speaker 1>and tries to speak to her in the forest, she vanishes,

0:57:40.600 --> 0:57:43.600
<v Speaker 1>and then the basically the blessing is lifted and he

0:57:43.640 --> 0:57:46.120
<v Speaker 1>has to keep toiling with his cattle again after that,

0:57:46.160 --> 0:57:49.160
<v Speaker 1>like they're no longer self servicing cattle. Uh, and so

0:57:49.280 --> 0:57:54.000
<v Speaker 1>his curiosity breaks the leshies goodwill. Yeah, yeah, that does

0:57:54.040 --> 0:57:56.120
<v Speaker 1>seem a very similar story that I did. The let

0:57:56.200 --> 0:57:59.840
<v Speaker 1>she might just spontaneously start helping you. You out, but

0:58:00.120 --> 0:58:02.520
<v Speaker 1>if you get too greedy about it, Uh, then it's

0:58:02.560 --> 0:58:06.480
<v Speaker 1>going to backfire on you too greedy or too curious. Yeah, well,

0:58:06.480 --> 0:58:08.760
<v Speaker 1>I mean, ultimately, I guess one way you could take

0:58:08.800 --> 0:58:10.920
<v Speaker 1>the moral of that story is just like, don't go

0:58:10.960 --> 0:58:12.960
<v Speaker 1>in there, don't look too close at what's happening in

0:58:13.040 --> 0:58:15.880
<v Speaker 1>the woods, don't inquire about the law of the woods.

0:58:15.960 --> 0:58:19.600
<v Speaker 1>Just let the woods do its thing. Yeah. Alright, on

0:58:19.640 --> 0:58:22.240
<v Speaker 1>that note, we're going to take another break, but we'll

0:58:22.280 --> 0:58:28.360
<v Speaker 1>be right back. Than alright, we're back, so clearly a

0:58:28.400 --> 0:58:31.600
<v Speaker 1>lot of the folk tales about the leshy come from

0:58:32.040 --> 0:58:35.440
<v Speaker 1>anxieties people have about the idea of getting lost in

0:58:35.480 --> 0:58:38.360
<v Speaker 1>the woods. Again, remember one of the main threats that

0:58:38.480 --> 0:58:42.440
<v Speaker 1>the the leshy and his demon or monster form uh

0:58:42.520 --> 0:58:44.960
<v Speaker 1>you know, represents threats in a couple of different ways.

0:58:44.960 --> 0:58:48.120
<v Speaker 1>One by like kidnapping children or unbaptized babies at the

0:58:48.160 --> 0:58:52.360
<v Speaker 1>forest's edge, but also by causing people to become lost

0:58:52.400 --> 0:58:54.400
<v Speaker 1>in the woods. You're traveling through the woods, maybe you're

0:58:54.440 --> 0:58:56.440
<v Speaker 1>trying to stick to the path, but then you're lured

0:58:56.520 --> 0:58:59.680
<v Speaker 1>off the path by the call of the leshy, or

0:58:59.680 --> 0:59:02.200
<v Speaker 1>by the she pretending to be somebody you know or

0:59:02.280 --> 0:59:05.120
<v Speaker 1>you know, or or mimicking the sound of a distressed child,

0:59:05.600 --> 0:59:07.760
<v Speaker 1>and then you get lost in the woods. You you

0:59:07.800 --> 0:59:10.280
<v Speaker 1>can't find your way home, and you perish out among

0:59:10.360 --> 0:59:13.360
<v Speaker 1>the trees. I wanted to talk about an article that

0:59:13.400 --> 0:59:16.520
<v Speaker 1>I was reading about the real life sort of like

0:59:16.560 --> 0:59:19.680
<v Speaker 1>science and history of people getting lost in the woods. Uh.

0:59:19.720 --> 0:59:22.560
<v Speaker 1>This is an exerpt adapted from a book called From

0:59:22.600 --> 0:59:25.080
<v Speaker 1>Here to There, The Art and Science of Finding and

0:59:25.120 --> 0:59:29.400
<v Speaker 1>Losing Our Way by Michael Bond, published by Harvard University Press.

0:59:29.440 --> 0:59:32.040
<v Speaker 1>This excerpt was published and wired and I thought this

0:59:32.120 --> 0:59:35.760
<v Speaker 1>was really interesting. So a lot of the article focuses

0:59:35.880 --> 0:59:39.760
<v Speaker 1>on the story of Geraldine Larkay, who was a sixty

0:59:39.840 --> 0:59:43.280
<v Speaker 1>six year old retired nurse from Tennessee who died in

0:59:43.320 --> 0:59:46.720
<v Speaker 1>the forest after becoming lost just off of the Appalachian

0:59:46.760 --> 0:59:52.040
<v Speaker 1>Trail in and once her body was discovered, details from

0:59:52.080 --> 0:59:55.560
<v Speaker 1>her diary and her phone clarified what happened. She had

0:59:55.600 --> 0:59:59.600
<v Speaker 1>been hiking the Appalachian Trail and she moved just slightly

0:59:59.680 --> 1:00:01.960
<v Speaker 1>off the path in order to go to the bathroom.

1:00:02.040 --> 1:00:04.080
<v Speaker 1>It was that she wrote that she went no more

1:00:04.120 --> 1:00:08.000
<v Speaker 1>than eighty paces off the path, but then afterwards was

1:00:08.200 --> 1:00:12.520
<v Speaker 1>nevertheless unable to find the trail again. She survived for

1:00:12.640 --> 1:00:17.000
<v Speaker 1>nineteen days before dying of the effects of exposure and starvation,

1:00:17.120 --> 1:00:20.400
<v Speaker 1>and when her campsite was discovered, it became clear that

1:00:20.440 --> 1:00:22.920
<v Speaker 1>she was actually less than half a mile from the

1:00:22.960 --> 1:00:26.520
<v Speaker 1>trail as the crow flies, and that search and rescue

1:00:26.520 --> 1:00:30.080
<v Speaker 1>teams with dogs had passed within a hundred yards of

1:00:30.120 --> 1:00:33.720
<v Speaker 1>her campsite while she was still alive. She was also

1:00:33.880 --> 1:00:36.439
<v Speaker 1>really close to some railroad tracks that could have led

1:00:36.480 --> 1:00:39.520
<v Speaker 1>her out of the forest if she had known about them.

1:00:39.600 --> 1:00:43.320
<v Speaker 1>And in this case and others like it. There are

1:00:43.120 --> 1:00:46.720
<v Speaker 1>there's some really kind of like cruel and unsympathetic and

1:00:46.720 --> 1:00:49.440
<v Speaker 1>and and dumb ways that people react to this by

1:00:49.480 --> 1:00:52.120
<v Speaker 1>saying like, oh, how could you know? How dumb? How

1:00:52.280 --> 1:00:54.200
<v Speaker 1>you know she could have survived? How could you get

1:00:54.240 --> 1:00:57.840
<v Speaker 1>lost when you're that close to the trail? But Bond

1:00:57.920 --> 1:01:01.840
<v Speaker 1>points out that experienced hiker don't talk like this because

1:01:02.400 --> 1:01:05.360
<v Speaker 1>most of them know actually how easy it is to

1:01:05.440 --> 1:01:09.440
<v Speaker 1>become hopelessly lost in a forest, and how powerful is

1:01:09.480 --> 1:01:12.920
<v Speaker 1>the urge to do all of the just exactly the

1:01:13.000 --> 1:01:17.080
<v Speaker 1>wrong things in that scenario. For example, one common piece

1:01:17.120 --> 1:01:19.360
<v Speaker 1>of advice is if you're lost in the woods, you

1:01:19.360 --> 1:01:22.480
<v Speaker 1>should immediately stop moving, Like, as soon as you realize

1:01:22.480 --> 1:01:24.280
<v Speaker 1>that you don't know where you are and you don't

1:01:24.280 --> 1:01:26.960
<v Speaker 1>know how to get back where you came from, immediately

1:01:27.200 --> 1:01:30.960
<v Speaker 1>stop moving. Stay in place, and you're more likely to survive.

1:01:31.720 --> 1:01:33.680
<v Speaker 1>While you're in place, you can come up with a

1:01:33.720 --> 1:01:36.920
<v Speaker 1>plan if you need to, and not exhaust yourself moving

1:01:36.920 --> 1:01:40.000
<v Speaker 1>around or getting more lost in the process. You can

1:01:40.080 --> 1:01:43.360
<v Speaker 1>wait for rescue without worth without wandering further and further

1:01:43.440 --> 1:01:47.560
<v Speaker 1>away from where you were. However, the stop and wait plan,

1:01:47.680 --> 1:01:53.880
<v Speaker 1>while actually very good advice, is extremely difficult to actually follow. Uh.

1:01:53.920 --> 1:01:57.360
<v Speaker 1>What people with experience report is that the moment you

1:01:57.440 --> 1:02:01.520
<v Speaker 1>realize you're lost in the woods, you are overcome with

1:02:01.600 --> 1:02:05.720
<v Speaker 1>a powerful sense of panic that compels you to keep moving,

1:02:06.120 --> 1:02:09.400
<v Speaker 1>in fact, to start running all over the place. Bond

1:02:09.480 --> 1:02:13.439
<v Speaker 1>quotes a British psychologist named Hugo Spears from another work

1:02:13.480 --> 1:02:17.160
<v Speaker 1>about his experience of becoming temporarily lost in the rainforest

1:02:17.200 --> 1:02:21.479
<v Speaker 1>in Peru. So Spears writes, quote, so I didn't go far,

1:02:21.720 --> 1:02:25.160
<v Speaker 1>but it's the jungle, and ten meters into the jungle

1:02:25.320 --> 1:02:29.040
<v Speaker 1>is enough to be completely disoriented. I was lost in

1:02:29.080 --> 1:02:32.200
<v Speaker 1>this jungle for two hours. They sent a dog out

1:02:32.240 --> 1:02:34.560
<v Speaker 1>to find me. I wasn't the first person to have

1:02:34.600 --> 1:02:38.240
<v Speaker 1>a dog sent out. It was terrifying. My brain just

1:02:38.360 --> 1:02:43.000
<v Speaker 1>wanted me to run, just run, just keep moving. I

1:02:43.040 --> 1:02:45.680
<v Speaker 1>was very aware that that was not the right strategy.

1:02:46.000 --> 1:02:48.400
<v Speaker 1>Keeping moving in the jungle is not going to save

1:02:48.440 --> 1:02:50.919
<v Speaker 1>your life. So I tried to calm down and think

1:02:50.960 --> 1:02:53.760
<v Speaker 1>carefully and not react at high speed, and look at

1:02:53.800 --> 1:02:57.560
<v Speaker 1>my environment. And I realized I was going in circles

1:02:57.600 --> 1:03:01.120
<v Speaker 1>exactly like in the movies. I is using a machete

1:03:01.120 --> 1:03:04.120
<v Speaker 1>to mark big trees, laying down a thread to know

1:03:04.160 --> 1:03:07.040
<v Speaker 1>if i'd come that way before that was starting to work,

1:03:07.200 --> 1:03:09.760
<v Speaker 1>I'd mark a tree with three slashes, and if I

1:03:09.880 --> 1:03:12.439
<v Speaker 1>ended up back at that tree, I knew I'd gone

1:03:12.440 --> 1:03:15.040
<v Speaker 1>in a circle. I was nearly back at the camp

1:03:15.080 --> 1:03:16.800
<v Speaker 1>when they sent the dog out, but it was a

1:03:16.880 --> 1:03:19.880
<v Speaker 1>huge relief. It just made me very aware that being

1:03:20.000 --> 1:03:23.440
<v Speaker 1>really really lost is quite terrifying. It is not a

1:03:23.520 --> 1:03:28.120
<v Speaker 1>normal thing. I think being lost in the woods is

1:03:28.200 --> 1:03:32.600
<v Speaker 1>one of those types of scenarios where your imagination of

1:03:32.640 --> 1:03:36.400
<v Speaker 1>it really does not capture what the experience would be like.

1:03:36.680 --> 1:03:40.120
<v Speaker 1>People imagine they're like, Okay, you know, I've I've I've

1:03:40.200 --> 1:03:43.560
<v Speaker 1>gotten turned around disoriented before, maybe you know, in a

1:03:43.640 --> 1:03:45.760
<v Speaker 1>in a in a city or in a neighborhood or something.

1:03:45.800 --> 1:03:47.680
<v Speaker 1>You don't know exactly where you're going, but it's pretty

1:03:47.720 --> 1:03:49.880
<v Speaker 1>easy to find your way back when there are roads

1:03:49.920 --> 1:03:54.240
<v Speaker 1>and sidewalks and landmarks. Oh yeah, there's that house. Being

1:03:54.320 --> 1:03:57.320
<v Speaker 1>lost in the woods is not like that. Being lost

1:03:57.320 --> 1:03:59.920
<v Speaker 1>in the woods, I think could it could be argued

1:04:00.040 --> 1:04:02.160
<v Speaker 1>that it is a form of an altered state of

1:04:02.200 --> 1:04:07.040
<v Speaker 1>consciousness that is terrifying and completely short circuits your better

1:04:07.160 --> 1:04:11.240
<v Speaker 1>judgment in multiple ways. Oh absolutely, And you know I

1:04:11.040 --> 1:04:14.200
<v Speaker 1>I have my friends who have been lost in the

1:04:14.240 --> 1:04:19.200
<v Speaker 1>forest before, and they were not like as lost as

1:04:19.240 --> 1:04:22.080
<v Speaker 1>like one can truly become lost in the forest, or

1:04:22.120 --> 1:04:24.760
<v Speaker 1>certainly as lost as one could in the times of

1:04:24.800 --> 1:04:27.320
<v Speaker 1>these folk tales, because they at least had not lost

1:04:27.360 --> 1:04:30.200
<v Speaker 1>cell coverage for their phone and we're able to to

1:04:30.360 --> 1:04:33.040
<v Speaker 1>use that. You know, they were still tethered to the

1:04:33.120 --> 1:04:35.720
<v Speaker 1>into the civilized world via their their device, and it

1:04:35.760 --> 1:04:38.960
<v Speaker 1>was still a terrifying experience. Yeah. Absolutely, I mean, try

1:04:39.000 --> 1:04:43.240
<v Speaker 1>to imagine it without those devices, without even a compass. Again,

1:04:43.640 --> 1:04:47.200
<v Speaker 1>this is there are so many ways that imagining what

1:04:47.320 --> 1:04:49.080
<v Speaker 1>it would be like to be lost in the forest

1:04:49.200 --> 1:04:51.840
<v Speaker 1>does not really cut it. Like, you're not likely to

1:04:51.880 --> 1:04:53.960
<v Speaker 1>predict a lot of the ways that your normal powers

1:04:53.960 --> 1:04:58.760
<v Speaker 1>of navigation fail. For example, of course, now, uh, if

1:04:58.800 --> 1:05:01.200
<v Speaker 1>you are lost in the woods, it is generally advised

1:05:01.200 --> 1:05:04.480
<v Speaker 1>that you should just stop and wait for rescue. But

1:05:04.760 --> 1:05:06.640
<v Speaker 1>if you are going to walk, you need to have

1:05:06.680 --> 1:05:09.320
<v Speaker 1>a good idea where you're going and try to travel

1:05:09.360 --> 1:05:12.240
<v Speaker 1>in a straight line. You might think that going straight

1:05:12.320 --> 1:05:14.360
<v Speaker 1>is easy, right, I can walk a straight line. We all,

1:05:14.520 --> 1:05:17.080
<v Speaker 1>you know, we walk straight lines all day, But actually

1:05:17.120 --> 1:05:20.680
<v Speaker 1>it is not easy without landmarks, without trails or a

1:05:20.720 --> 1:05:24.560
<v Speaker 1>compass lost people really do, and this is proven by research.

1:05:24.640 --> 1:05:28.840
<v Speaker 1>They just walk in circles. There was research in two

1:05:28.840 --> 1:05:34.040
<v Speaker 1>thousand nine by by Jan Suman who used GPS monitors

1:05:34.080 --> 1:05:37.200
<v Speaker 1>to track volunteers while they tried to navigate in a

1:05:37.280 --> 1:05:40.000
<v Speaker 1>straight line through a couple of natural environments without the

1:05:40.040 --> 1:05:43.920
<v Speaker 1>aid of external landmarks or signs. This was the Sahara

1:05:44.000 --> 1:05:47.480
<v Speaker 1>Desert and Germany's buy and Walled forest, and it did

1:05:47.520 --> 1:05:51.080
<v Speaker 1>not go well. When they couldn't see the sun, people

1:05:51.160 --> 1:05:53.920
<v Speaker 1>could not travel in a straight line at all. Small

1:05:54.000 --> 1:05:58.400
<v Speaker 1>initial errors in orientation would just quickly grow wider as

1:05:58.400 --> 1:06:02.360
<v Speaker 1>they piled upon themselves. And people actually truly did just

1:06:02.560 --> 1:06:05.280
<v Speaker 1>walk in circles. I know, it sounds like that wouldn't happen.

1:06:05.360 --> 1:06:06.840
<v Speaker 1>You're like, no, no, no, I could. I could go

1:06:06.920 --> 1:06:10.000
<v Speaker 1>into straight line, but you probably couldn't. You just go

1:06:10.080 --> 1:06:13.240
<v Speaker 1>in circles. Uh. And to read from the article quote,

1:06:13.400 --> 1:06:16.960
<v Speaker 1>Sumon concluded that with no external cues to help them,

1:06:16.960 --> 1:06:20.440
<v Speaker 1>people will not travel more than around a hundred meters

1:06:20.480 --> 1:06:24.360
<v Speaker 1>from their starting position, regardless of how long they walk for.

1:06:25.560 --> 1:06:28.760
<v Speaker 1>That's so hard to believe, but apparently it's true. Yeah,

1:06:28.800 --> 1:06:31.880
<v Speaker 1>that the path in the forest is not just a

1:06:31.920 --> 1:06:35.520
<v Speaker 1>suggestion you know it is. It is a lifeline. But

1:06:35.800 --> 1:06:39.360
<v Speaker 1>another big part of this article, Bond talks about how

1:06:39.800 --> 1:06:42.360
<v Speaker 1>being lost in the forest it doesn't just make it

1:06:42.440 --> 1:06:45.400
<v Speaker 1>hard to navigate. It does that, but it also affects

1:06:45.480 --> 1:06:48.360
<v Speaker 1>the way we reason. He says being lost as a

1:06:48.440 --> 1:06:51.880
<v Speaker 1>cognitive state in that the woods make it extremely difficult,

1:06:51.920 --> 1:06:54.880
<v Speaker 1>sometimes basically impossible, to form a mental map of your

1:06:54.920 --> 1:06:57.720
<v Speaker 1>surroundings because woods just kind of look like woods if

1:06:57.720 --> 1:07:00.000
<v Speaker 1>you're if you're not used to being in them, uh,

1:07:00.120 --> 1:07:02.920
<v Speaker 1>he says, quote, nothing in your spatial memory matches what

1:07:03.000 --> 1:07:06.840
<v Speaker 1>you see. Your normal mental equipment for navigation becomes close

1:07:06.880 --> 1:07:10.560
<v Speaker 1>to useless. But even more so, Bond argues that being

1:07:10.640 --> 1:07:14.960
<v Speaker 1>lost is an emotional state. Quote it delivers a psychic

1:07:15.040 --> 1:07:18.160
<v Speaker 1>double whammy. Not only are you stricken with fear, you

1:07:18.240 --> 1:07:22.160
<v Speaker 1>also lose your ability to reason. You suffer what neuroscientists

1:07:22.200 --> 1:07:26.560
<v Speaker 1>Joseph LaDou calls a hostile takeover of consciousness by emotion.

1:07:28.200 --> 1:07:30.880
<v Speaker 1>Of people make things a lot worse for themselves when

1:07:30.880 --> 1:07:34.720
<v Speaker 1>they realize they are lost by running, for instance, because

1:07:34.760 --> 1:07:37.720
<v Speaker 1>they're afraid they can't solve problems or figure out what

1:07:37.800 --> 1:07:40.600
<v Speaker 1>to do, they fail to notice landmarks or fail to

1:07:40.640 --> 1:07:43.600
<v Speaker 1>remember them. They lose track of how far they've traveled.

1:07:43.760 --> 1:07:47.000
<v Speaker 1>They feel claustrophobic, as if their surroundings are closing in

1:07:47.080 --> 1:07:49.880
<v Speaker 1>on them. Uh And Bond also says that there are

1:07:49.960 --> 1:07:53.280
<v Speaker 1>chemical signatures of this lost in the woods panic. He

1:07:53.360 --> 1:07:57.280
<v Speaker 1>quotes a search and rescue specialist named Robert Kester who

1:07:57.400 --> 1:08:00.400
<v Speaker 1>argues that being lost is in terms of neuro by allergy,

1:08:00.480 --> 1:08:04.240
<v Speaker 1>similar to a panic attack. The body floods with catechola

1:08:04.280 --> 1:08:08.320
<v Speaker 1>means and the standard fight or flight behavior patterns get triggered.

1:08:08.680 --> 1:08:10.960
<v Speaker 1>So in a subjective sense, it often feels kind of

1:08:11.000 --> 1:08:13.240
<v Speaker 1>like a break with reality. You know, you're you're just

1:08:13.320 --> 1:08:16.320
<v Speaker 1>kind of you feel like you're losing your mind. And

1:08:16.400 --> 1:08:19.720
<v Speaker 1>this can even last after a person gets out of

1:08:19.760 --> 1:08:23.400
<v Speaker 1>the state. He also quotes Ed Cornell, who's a psychologist

1:08:23.400 --> 1:08:26.120
<v Speaker 1>who studies the behavior of people who get lost. And

1:08:26.120 --> 1:08:28.160
<v Speaker 1>and Cornell says that it can be really difficult to

1:08:28.200 --> 1:08:31.519
<v Speaker 1>get information out of a person who's been lost. They

1:08:31.520 --> 1:08:35.719
<v Speaker 1>often have trouble communicating their experience and can't remember quite

1:08:35.720 --> 1:08:39.400
<v Speaker 1>what happened to them. And uh And and the type

1:08:39.439 --> 1:08:42.519
<v Speaker 1>of disorientation and panic and stress that's brought on by

1:08:42.600 --> 1:08:46.120
<v Speaker 1>being lost in the woods causes people sometimes to experience

1:08:46.200 --> 1:08:50.559
<v Speaker 1>delusions and hallucinations. Even in otherwise healthy people or seemingly

1:08:50.600 --> 1:08:54.840
<v Speaker 1>otherwise healthy people. They will sometimes report hallucinating interactions with

1:08:54.880 --> 1:08:57.640
<v Speaker 1>people in the forest. And given all this, it's not

1:08:57.720 --> 1:09:00.360
<v Speaker 1>hard at all to see where stories and other oldly

1:09:00.479 --> 1:09:03.320
<v Speaker 1>demon who lives in the forest and lures people into

1:09:03.360 --> 1:09:06.080
<v Speaker 1>becoming lost where they would come from. You know, you

1:09:06.120 --> 1:09:10.439
<v Speaker 1>can easily imagine somebody becoming lost in the forest in

1:09:10.560 --> 1:09:14.360
<v Speaker 1>medieval Russia and then by chance they managed to find

1:09:14.360 --> 1:09:17.680
<v Speaker 1>their way back or get rescued somehow, and what is

1:09:17.720 --> 1:09:19.639
<v Speaker 1>their experience. It might be kind of hard for them

1:09:19.680 --> 1:09:22.840
<v Speaker 1>to remember what happened, that's strange, and they may be

1:09:22.960 --> 1:09:26.200
<v Speaker 1>experienced like stress based hallucinations while they were out there,

1:09:26.240 --> 1:09:30.599
<v Speaker 1>hearing voices or hearing sounds, maybe even seeing people who

1:09:30.720 --> 1:09:34.080
<v Speaker 1>were taunting them or luring them this way and that, Uh,

1:09:34.960 --> 1:09:37.920
<v Speaker 1>it becomes quite clear how stories like this could come

1:09:37.920 --> 1:09:42.240
<v Speaker 1>out of real experiences. Yeah, and I think it's also

1:09:42.560 --> 1:09:45.160
<v Speaker 1>interesting how you know, we can compare this to the

1:09:45.240 --> 1:09:47.760
<v Speaker 1>leshy and the idea of the leshy being both gigantic

1:09:47.800 --> 1:09:51.479
<v Speaker 1>and small, hiding behind blades of glad grass, and also

1:09:51.520 --> 1:09:53.920
<v Speaker 1>being the another size of a bell tower. There's this

1:09:54.000 --> 1:09:57.080
<v Speaker 1>kind of this idea of the nature of the leshy

1:09:57.240 --> 1:10:00.759
<v Speaker 1>warps physical space in a way that's ms to line

1:10:00.840 --> 1:10:05.960
<v Speaker 1>up well with this um that the experiences we're describing here. Yeah. Absolutely,

1:10:06.360 --> 1:10:09.880
<v Speaker 1>I mean, I gotta say researching this episode has has

1:10:09.920 --> 1:10:12.559
<v Speaker 1>made me think kind of differently. I mean, I'm somebody

1:10:12.560 --> 1:10:14.840
<v Speaker 1>who I love to go hiking in the woods on

1:10:14.880 --> 1:10:17.599
<v Speaker 1>a on a path of course, and in the past

1:10:17.720 --> 1:10:20.639
<v Speaker 1>I think I might have been, i don't know, more

1:10:20.720 --> 1:10:23.200
<v Speaker 1>likely to to say, like, oh, there's something that looks

1:10:23.240 --> 1:10:25.320
<v Speaker 1>cool over there, maybe I'll go off the path. I

1:10:25.640 --> 1:10:28.800
<v Speaker 1>think that's something people should genuinely be cautious about, Like

1:10:29.160 --> 1:10:31.840
<v Speaker 1>it is much easier to lose the path and lose

1:10:31.880 --> 1:10:34.679
<v Speaker 1>your way in the woods than you might think. Yeah,

1:10:34.800 --> 1:10:37.800
<v Speaker 1>certainly keep in mind for anybody who listened to our

1:10:37.840 --> 1:10:40.559
<v Speaker 1>episode on mushroom foraging and decides to get into it,

1:10:40.600 --> 1:10:43.200
<v Speaker 1>because you know, often is the case that you you

1:10:43.240 --> 1:10:46.519
<v Speaker 1>spot the you know, the the tempting Chanterrell's just a

1:10:46.560 --> 1:10:48.840
<v Speaker 1>little off the path, and you may go out to

1:10:48.880 --> 1:10:51.519
<v Speaker 1>them and and may that may work out just fine, uh,

1:10:51.600 --> 1:10:54.919
<v Speaker 1>you know, for you, but it also might not, especially

1:10:54.960 --> 1:10:57.479
<v Speaker 1>if you then see the next patch of Chanterelle's or

1:10:57.479 --> 1:11:00.719
<v Speaker 1>what might be Chanterrell's, but also might be just some

1:11:00.720 --> 1:11:03.599
<v Speaker 1>some you know, orange ish colored leaves on the ground,

1:11:04.000 --> 1:11:06.240
<v Speaker 1>and then before you know it, uh, the lesh she

1:11:06.360 --> 1:11:09.280
<v Speaker 1>has led you astray. We will eat them. We won't

1:11:09.280 --> 1:11:11.960
<v Speaker 1>eat them, we will saute them in butter. We will

1:11:12.000 --> 1:11:16.599
<v Speaker 1>be saute in butter. I I do you know again,

1:11:16.640 --> 1:11:18.840
<v Speaker 1>I have to to really recommend that that Haney book

1:11:18.840 --> 1:11:20.680
<v Speaker 1>for anyone who wants to read Russian folk tales. But

1:11:20.720 --> 1:11:23.559
<v Speaker 1>I have to drive home again just how good that

1:11:23.840 --> 1:11:26.120
<v Speaker 1>sixty Jack Frost film. You know, it's not only in

1:11:26.240 --> 1:11:29.200
<v Speaker 1>terms of just what a beautiful production it is, but

1:11:29.320 --> 1:11:32.639
<v Speaker 1>it seems to really capture the nature of those Russian

1:11:32.640 --> 1:11:38.120
<v Speaker 1>folk tales, because there's this like whimsy and danger and magic, uh,

1:11:38.160 --> 1:11:40.280
<v Speaker 1>that is inherent in a lot of these beings, like

1:11:40.320 --> 1:11:44.639
<v Speaker 1>for instance, the Baba Yaga herself is in the tails

1:11:44.760 --> 1:11:47.680
<v Speaker 1>often described you know, is being you know, having these

1:11:47.720 --> 1:11:51.360
<v Speaker 1>qual qualities of of a woodland monster spirit, but also

1:11:51.520 --> 1:11:54.960
<v Speaker 1>of just like a ridiculous, farting old woman, you know,

1:11:55.400 --> 1:11:58.160
<v Speaker 1>and and all that I think is reflected very well.

1:11:58.160 --> 1:12:01.479
<v Speaker 1>And that whimsical performance in the sixty five film. Yes,

1:12:01.560 --> 1:12:05.120
<v Speaker 1>Tom petty riffs society. It is haunted by peasant genius.

1:12:04.800 --> 1:12:08.000
<v Speaker 1>It really is. You know. Another interesting point than Haney

1:12:08.320 --> 1:12:11.240
<v Speaker 1>made in his overview of Russian folk tales is that,

1:12:11.800 --> 1:12:15.599
<v Speaker 1>aside from the fact that the hero very frequently goes

1:12:15.640 --> 1:12:19.160
<v Speaker 1>into the forest and has an encounter, also the hero

1:12:19.800 --> 1:12:23.639
<v Speaker 1>always prevails, Like Haney really underlined that, like that the

1:12:23.640 --> 1:12:27.040
<v Speaker 1>hero is going to win in these stories. So again

1:12:27.080 --> 1:12:29.160
<v Speaker 1>we can think back to so many of these tales

1:12:29.280 --> 1:12:31.879
<v Speaker 1>dealing with like the the chaotic nature of the woods

1:12:32.280 --> 1:12:36.320
<v Speaker 1>and it being they being stories about how humans can

1:12:36.479 --> 1:12:40.320
<v Speaker 1>and do overcome the chaos of the wilds. Though it's

1:12:40.320 --> 1:12:44.240
<v Speaker 1>funny because the story is also uh, they don't encourage

1:12:44.240 --> 1:12:46.360
<v Speaker 1>what in the modern day at least is generally the

1:12:46.400 --> 1:12:48.720
<v Speaker 1>best behavior if you become lost in the woods, like

1:12:48.760 --> 1:12:52.280
<v Speaker 1>the you know, Ivan Sarovitch does not sit down and

1:12:52.320 --> 1:12:54.880
<v Speaker 1>wait for rescue. He does not hug a tree, which

1:12:55.000 --> 1:12:57.000
<v Speaker 1>is actually the smartest thing to do if you get lost.

1:12:57.040 --> 1:13:01.320
<v Speaker 1>He's like, no, forge ahead, Yeah, it always works out

1:13:01.360 --> 1:13:04.960
<v Speaker 1>for him eventually. If you get lost, don't be like Ivan.

1:13:06.160 --> 1:13:08.400
<v Speaker 1>I guess unless you've got a self setting table cloth,

1:13:08.479 --> 1:13:10.559
<v Speaker 1>then you might be okay. Oh yeah, I mean, if

1:13:10.560 --> 1:13:13.160
<v Speaker 1>you've got a self setting table cloth. That's really gonna

1:13:13.680 --> 1:13:15.320
<v Speaker 1>help you out in the long run. I mean that

1:13:15.320 --> 1:13:17.000
<v Speaker 1>that means you don't have to worry about food and water.

1:13:17.320 --> 1:13:19.240
<v Speaker 1>Do you think the food from the self setting table

1:13:19.240 --> 1:13:21.519
<v Speaker 1>cloth was good or was it just like you know,

1:13:21.640 --> 1:13:24.880
<v Speaker 1>kind of yeah, you know, it's bread or whatever. Is

1:13:24.880 --> 1:13:28.720
<v Speaker 1>it like really nice scourmet stuff? Um? I mean I'm

1:13:28.760 --> 1:13:35.000
<v Speaker 1>assuming it was probably like basic like everyday food. Uh.

1:13:35.120 --> 1:13:37.360
<v Speaker 1>I guess it was pretty good. I mean, there's a

1:13:37.400 --> 1:13:40.640
<v Speaker 1>section where where Ivan's dining from it. Um, And I

1:13:40.680 --> 1:13:42.320
<v Speaker 1>don't know, it's just not I don't think it was

1:13:42.360 --> 1:13:45.320
<v Speaker 1>mentioned in that particular retelling of the tale, but I

1:13:45.320 --> 1:13:49.599
<v Speaker 1>imagine it as being like typical like typical Russian people's

1:13:49.600 --> 1:13:53.760
<v Speaker 1>food borshed in morals. Yeah, I guess. So you know,

1:13:54.479 --> 1:13:56.760
<v Speaker 1>all right, we're gonna go ahead and close this out here.

1:13:56.800 --> 1:13:59.559
<v Speaker 1>Obviously there there's there's so many other things we could

1:13:59.560 --> 1:14:03.639
<v Speaker 1>talk about with Russian folklore, a tremendous amount of material

1:14:03.760 --> 1:14:06.040
<v Speaker 1>out there. You know, who knows if if you all

1:14:06.160 --> 1:14:08.559
<v Speaker 1>enjoyed listening to this episode, perhaps we could return in

1:14:08.600 --> 1:14:11.559
<v Speaker 1>the future, but we would love to hear from you

1:14:11.720 --> 1:14:14.800
<v Speaker 1>in the meantime. Some of the key questions, Um, I

1:14:15.000 --> 1:14:18.080
<v Speaker 1>would regard, of course, did you grow up watching Jack Frost.

1:14:18.640 --> 1:14:21.400
<v Speaker 1>If so, tell us about that and it's impact on

1:14:21.439 --> 1:14:24.200
<v Speaker 1>your you know, your your your holidays, or your just

1:14:24.240 --> 1:14:26.880
<v Speaker 1>a sort of appreciation of cinema in general. I understand

1:14:26.920 --> 1:14:29.880
<v Speaker 1>it was quite influential on some filmmakers. By the way,

1:14:30.640 --> 1:14:34.639
<v Speaker 1>I also am interested if anybody has any definite answers

1:14:34.680 --> 1:14:38.959
<v Speaker 1>regarding father or grandfather Mushroom. Does he have an existence

1:14:38.960 --> 1:14:43.040
<v Speaker 1>in Russian Russian folklore prior to that nine film? I

1:14:43.080 --> 1:14:46.280
<v Speaker 1>would I would love to have some clarity on that question.

1:14:46.800 --> 1:14:50.799
<v Speaker 1>And of course, if you have been lost in the woods,

1:14:50.800 --> 1:14:54.120
<v Speaker 1>either just a little bit lost or like majorly lost

1:14:54.160 --> 1:14:57.320
<v Speaker 1>in the woods, if you would like to share your

1:14:57.479 --> 1:14:59.719
<v Speaker 1>your experience with us and tell us how it relates

1:14:59.760 --> 1:15:02.519
<v Speaker 1>to both the you know, the studies that Joe mentioned

1:15:02.520 --> 1:15:05.200
<v Speaker 1>and also the folklore we've discussed here. We would love

1:15:05.240 --> 1:15:07.840
<v Speaker 1>to hear from you totally. In the meantime, if you

1:15:07.840 --> 1:15:09.560
<v Speaker 1>would like to check out other episodes of Stuff to

1:15:09.560 --> 1:15:12.040
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1:15:12.080 --> 1:15:14.920
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1:15:33.120 --> 1:15:36.559
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