1 00:00:09,160 --> 00:00:14,320 Speaker 1: What do you remember about Taylor Swift dating Connor Kennedy. 2 00:00:14,800 --> 00:00:16,639 Speaker 2: What I remember at the time because I was, I 3 00:00:16,640 --> 00:00:20,200 Speaker 2: guess in my early twenties, was her buying the house 4 00:00:20,400 --> 00:00:22,440 Speaker 2: next to the Kennedy compound, and we were all like 5 00:00:22,520 --> 00:00:26,439 Speaker 2: the anitted but also we've all done crazy things. But 6 00:00:26,560 --> 00:00:30,400 Speaker 2: also the age gap thing, I didn't even clock until 7 00:00:30,400 --> 00:00:32,159 Speaker 2: I was older, and then realizing that he. 8 00:00:32,040 --> 00:00:34,840 Speaker 3: Was eighteen when they first started dating was like kind 9 00:00:34,840 --> 00:00:35,560 Speaker 3: of worrisome. 10 00:00:35,800 --> 00:00:38,960 Speaker 2: I also didn't realize until a couple of months ago 11 00:00:39,080 --> 00:00:39,680 Speaker 2: that he's. 12 00:00:39,560 --> 00:00:42,440 Speaker 3: RFK junior son. I didn't clock that at the time. 13 00:00:42,680 --> 00:00:44,840 Speaker 3: That's absolutely insane to learn about. 14 00:00:44,960 --> 00:00:47,120 Speaker 2: Yet I do remember them going to the grave site, 15 00:00:47,159 --> 00:00:50,040 Speaker 2: and I just remember the paparazzi photos and people being like, 16 00:00:50,040 --> 00:00:51,000 Speaker 2: why was she there? 17 00:00:51,280 --> 00:00:53,360 Speaker 3: This is kind of weird. I'm pretty sure she died 18 00:00:53,400 --> 00:00:56,840 Speaker 3: by suicide if I remember correctly, so kind of a 19 00:00:56,880 --> 00:00:58,000 Speaker 3: weird time for sure. 20 00:01:06,680 --> 00:01:10,640 Speaker 4: I'm George Severes, I'm Lyra Smith, and this is United 21 00:01:10,680 --> 00:01:14,319 Speaker 4: States of Kennedy, a podcast about our cultural fascination with 22 00:01:14,360 --> 00:01:17,600 Speaker 4: the Kennedy Dynasty. Every week we go into one aspect 23 00:01:17,640 --> 00:01:20,600 Speaker 4: of the Kennedy story, and today we are talking about 24 00:01:20,640 --> 00:01:22,560 Speaker 4: the Taylor Swift Kennedy era. 25 00:01:22,920 --> 00:01:25,880 Speaker 1: Yes, an era a lot of people may have forgotten about, 26 00:01:26,040 --> 00:01:28,120 Speaker 1: but a Swifty never forgets. 27 00:01:28,240 --> 00:01:31,000 Speaker 4: That is correct. When we say Taylor Swift's Kennedy era, 28 00:01:31,160 --> 00:01:34,880 Speaker 4: we mean her documented obsession with the Kennedys around twenty 29 00:01:34,880 --> 00:01:38,360 Speaker 4: eleven twenty twelve, which culminated in her writing a song 30 00:01:38,400 --> 00:01:42,880 Speaker 4: about rfk's widow, Ethel Kennedy and then briefly dating RFK 31 00:01:43,080 --> 00:01:46,160 Speaker 4: Junior's son, Connor Kennedy in the summer of twenty twelve. 32 00:01:46,360 --> 00:01:49,280 Speaker 1: It's a modern instance where the Kennedy clan is once 33 00:01:49,320 --> 00:01:52,280 Speaker 1: again at the center of pop culture, and not just 34 00:01:52,320 --> 00:01:55,559 Speaker 1: because a Kennedy dated a major pop star. The various 35 00:01:55,640 --> 00:01:59,320 Speaker 1: dramas that surrounded Taylor Swift's relationship with the Kennedy family 36 00:01:59,400 --> 00:02:02,040 Speaker 1: at that time I played out in the tabloids and 37 00:02:02,240 --> 00:02:06,160 Speaker 1: online message boards, and even Kathy Lee Gifford became involved. 38 00:02:06,440 --> 00:02:08,799 Speaker 1: As a bonus, it was also the first time Patrick 39 00:02:08,800 --> 00:02:11,040 Speaker 1: Schwarzenegger entered the cultural conversation. 40 00:02:11,400 --> 00:02:13,560 Speaker 4: So to break it all down today, we are talking 41 00:02:13,600 --> 00:02:16,680 Speaker 4: to my favorite Swift, Ye Fran Houffner. She's a senior 42 00:02:16,720 --> 00:02:19,960 Speaker 4: newswriter at Vulture. She writes the newsletter Fran Magazine and 43 00:02:20,040 --> 00:02:23,119 Speaker 4: most importantly, she's one of the great Taylor Swift historians 44 00:02:23,120 --> 00:02:26,080 Speaker 4: of our time. Fran Welcome to the United States of Kennedy. 45 00:02:26,280 --> 00:02:27,280 Speaker 3: Thank you for having me. 46 00:02:27,760 --> 00:02:30,560 Speaker 4: So let's get right down to brass tacks. Tell us 47 00:02:30,639 --> 00:02:32,639 Speaker 4: about your relationship to Taylor Swift. 48 00:02:33,200 --> 00:02:38,640 Speaker 5: I got into Taylor Swift late in college, around twenty 49 00:02:38,720 --> 00:02:40,840 Speaker 5: eleven twenty twelve. 50 00:02:40,560 --> 00:02:42,680 Speaker 3: Sort of proto red era. 51 00:02:43,080 --> 00:02:45,600 Speaker 5: I had no interest in her as like a country 52 00:02:46,040 --> 00:02:49,240 Speaker 5: teen star. I felt both like too disconnected from that 53 00:02:49,320 --> 00:02:54,920 Speaker 5: music world and too disinterested in following up blonde teenager's career. 54 00:02:55,600 --> 00:02:59,959 Speaker 5: But when she started shifting to pop, and to be honest, 55 00:03:00,160 --> 00:03:03,639 Speaker 5: when she started dating at Kennedy, I became very interested 56 00:03:03,760 --> 00:03:06,000 Speaker 5: via a really good friend of mine in college who 57 00:03:06,080 --> 00:03:08,320 Speaker 5: was like, now's a great time to get in on 58 00:03:08,360 --> 00:03:11,520 Speaker 5: whatever the hell is going on with her, and I've 59 00:03:11,520 --> 00:03:14,240 Speaker 5: stuck with her mostly thick and than ever since. 60 00:03:14,800 --> 00:03:17,720 Speaker 1: I do think, even as somebody who's not a Swifty, 61 00:03:18,040 --> 00:03:20,800 Speaker 1: I would say I have some real solid background because 62 00:03:20,800 --> 00:03:23,000 Speaker 1: I'm from Nashville, Oh sure. 63 00:03:23,120 --> 00:03:25,079 Speaker 3: And I actually booked. 64 00:03:24,760 --> 00:03:27,400 Speaker 1: Her on a benefit show for the Young Democrats Clubs 65 00:03:27,400 --> 00:03:30,760 Speaker 1: WOW in freshman year, and she canceled, but luckily there 66 00:03:30,760 --> 00:03:34,800 Speaker 1: were multiple Grammy Winners as dads and moms that filled 67 00:03:34,840 --> 00:03:36,200 Speaker 1: in because it's Nashville. 68 00:03:36,320 --> 00:03:37,520 Speaker 3: I do think, out of. 69 00:03:37,520 --> 00:03:42,360 Speaker 1: All of her dating stories, rumors, etc. Like to me, 70 00:03:42,480 --> 00:03:45,120 Speaker 1: this one is the kookiest and the most fun. 71 00:03:45,480 --> 00:03:48,160 Speaker 5: Definitely, and it's the one that I think creates a 72 00:03:48,240 --> 00:03:52,360 Speaker 5: kind of lasting impact in her identity for a while 73 00:03:52,760 --> 00:03:54,920 Speaker 5: up until Joe Alwin, which I guess is not that 74 00:03:55,040 --> 00:03:59,440 Speaker 5: long in years, but it certainly ripples throughout her general esthetic. 75 00:04:00,080 --> 00:04:03,880 Speaker 4: Well, it's the only one I know of or especially 76 00:04:03,960 --> 00:04:06,720 Speaker 4: in that era, that isn't like an A list Hollywood 77 00:04:06,760 --> 00:04:09,240 Speaker 4: actor or an A list musician, because I think of 78 00:04:09,600 --> 00:04:12,920 Speaker 4: that era of Taylor as like, I mean, right after 79 00:04:12,960 --> 00:04:14,760 Speaker 4: Connor Kennedy. Correct me if I'm wrong. I think Harry 80 00:04:14,760 --> 00:04:17,520 Speaker 4: Styles was right after Connor Kennedy. And so yeah, that's 81 00:04:17,560 --> 00:04:20,680 Speaker 4: obviously the one that, you know, if I was writing 82 00:04:20,720 --> 00:04:22,880 Speaker 4: fan fiction, that's the one I would pick as someone 83 00:04:22,880 --> 00:04:25,360 Speaker 4: who is, you know, orchestrating industry plans. Obviously, I want, 84 00:04:25,400 --> 00:04:27,120 Speaker 4: like the most popular female singer to date, the most 85 00:04:27,160 --> 00:04:29,920 Speaker 4: popular male singer. And then people kept trying to attach 86 00:04:29,960 --> 00:04:32,840 Speaker 4: her to you know, Jake, Jillenhall, John Mayer, like all 87 00:04:32,880 --> 00:04:36,080 Speaker 4: these A list stars, and this one almost feels like 88 00:04:36,400 --> 00:04:39,600 Speaker 4: a peek into what she actually wants to sound like 89 00:04:39,640 --> 00:04:42,600 Speaker 4: a crazy stam And I think that's maybe why people 90 00:04:42,680 --> 00:04:45,800 Speaker 4: are obsessed with it. It's because it reveals something deeper 91 00:04:46,000 --> 00:04:49,640 Speaker 4: about her that then was sort of never explored again 92 00:04:49,680 --> 00:04:52,359 Speaker 4: in her dating history. So you said that part of 93 00:04:52,400 --> 00:04:54,320 Speaker 4: what drew you to her is the fact that she 94 00:04:54,400 --> 00:04:58,039 Speaker 4: dated to Kennedy. Were you independently interested in Kennedy lore 95 00:04:58,279 --> 00:05:01,200 Speaker 4: or was it just a funny, you know, tabloid story. 96 00:05:01,760 --> 00:05:06,520 Speaker 5: I was studying history in college, and I think the 97 00:05:06,600 --> 00:05:09,880 Speaker 5: Kennedys are a great sort of subject for a college 98 00:05:09,960 --> 00:05:15,720 Speaker 5: student because they're hot and weird and vaguely cursed, and 99 00:05:15,880 --> 00:05:17,120 Speaker 5: there are a lot of different. 100 00:05:16,880 --> 00:05:17,880 Speaker 3: Routes you can go down. 101 00:05:18,120 --> 00:05:20,520 Speaker 5: I didn't, like, specifically have a Kennedy thing, but I 102 00:05:20,600 --> 00:05:24,000 Speaker 5: have friends who were really obsessed with the Kennedys, and 103 00:05:24,520 --> 00:05:27,160 Speaker 5: it just sort of played into the interests of everyone 104 00:05:27,480 --> 00:05:30,800 Speaker 5: I was hanging out with at the time. And it 105 00:05:30,920 --> 00:05:33,839 Speaker 5: also felt to me like it was the first time 106 00:05:33,880 --> 00:05:37,240 Speaker 5: Swift was making decisions for herself in a way that 107 00:05:37,640 --> 00:05:40,480 Speaker 5: now we reckon with constantly. But it felt as though 108 00:05:40,560 --> 00:05:44,320 Speaker 5: up to that point she was very much being managed 109 00:05:44,560 --> 00:05:48,240 Speaker 5: versus the manager of her own deal totally. 110 00:05:48,279 --> 00:05:51,760 Speaker 1: Just a little give a little context on who was 111 00:05:51,839 --> 00:05:53,960 Speaker 1: Taylor Swift at twenty two years old. 112 00:05:54,560 --> 00:05:59,680 Speaker 5: She's like coming out of her ingenue status. She's pivoting 113 00:05:59,720 --> 00:06:04,360 Speaker 5: away from country music. Read is kind of the country 114 00:06:04,400 --> 00:06:09,680 Speaker 5: pop hybrid album that eventually cascades into her working with 115 00:06:09,800 --> 00:06:13,400 Speaker 5: Jack Antonoff on nineteen eighty nine, which sets forward like 116 00:06:13,520 --> 00:06:17,880 Speaker 5: pop Taylor. But this is maybe also the last era 117 00:06:18,040 --> 00:06:22,039 Speaker 5: where she is as approachable as she is in terms 118 00:06:22,040 --> 00:06:24,360 Speaker 5: of like she can show up at a party and 119 00:06:24,400 --> 00:06:27,120 Speaker 5: it maybe not make the news, at least not immediately, 120 00:06:27,600 --> 00:06:31,520 Speaker 5: but also when I was reading, reminding myself, refreshing my memory, 121 00:06:31,600 --> 00:06:35,680 Speaker 5: like she first broaches her pet interest in the Kennedys 122 00:06:35,720 --> 00:06:37,880 Speaker 5: in a New Yorker interview, and I was like, she'll 123 00:06:37,880 --> 00:06:38,960 Speaker 5: never speak to the New Yorker. 124 00:06:39,120 --> 00:06:41,800 Speaker 3: But the idea that someone would sort of very easily 125 00:06:41,839 --> 00:06:42,320 Speaker 3: be able to. 126 00:06:42,240 --> 00:06:44,039 Speaker 5: Get a hold of her, to talk with her, or 127 00:06:44,080 --> 00:06:46,360 Speaker 5: to ride around in a car with her is like 128 00:06:46,480 --> 00:06:50,280 Speaker 5: virtually non existent now or reserved only for her friends. 129 00:06:50,000 --> 00:06:51,600 Speaker 3: Who just so happened to be writers. 130 00:06:51,960 --> 00:06:55,400 Speaker 5: But this is the point at which she's making kind 131 00:06:55,480 --> 00:06:59,719 Speaker 5: of a legitimacy play as an adult artist and singer 132 00:06:59,800 --> 00:07:00,240 Speaker 5: song writer. 133 00:07:00,720 --> 00:07:02,599 Speaker 4: Yeah, it seems like it was the last time she 134 00:07:02,680 --> 00:07:04,960 Speaker 4: needed the media more than the media needed her in 135 00:07:05,000 --> 00:07:07,560 Speaker 4: a sense, And you could sort of track a similar 136 00:07:07,640 --> 00:07:10,560 Speaker 4: path with someone like Beyonce too, Like the Red era, 137 00:07:10,640 --> 00:07:13,240 Speaker 4: from what I understand is like when she went from 138 00:07:13,400 --> 00:07:16,880 Speaker 4: kind of novelty, you know, like sort of a charming 139 00:07:17,200 --> 00:07:21,120 Speaker 4: young woman that was like kid friendly to like wanting 140 00:07:21,160 --> 00:07:23,480 Speaker 4: to be a major pop star. So the New Yorker 141 00:07:23,520 --> 00:07:26,880 Speaker 4: profile is interesting. We had our in our very comprehensive 142 00:07:26,880 --> 00:07:28,480 Speaker 4: research dock that we have in front of us. There's 143 00:07:28,520 --> 00:07:31,080 Speaker 4: an excerpt from it where she says, I'm just so 144 00:07:31,200 --> 00:07:34,360 Speaker 4: obsessed with the whole history of JFK and RFK, she said. 145 00:07:34,600 --> 00:07:37,080 Speaker 4: She recently announced that she had completed a nine hundred 146 00:07:37,080 --> 00:07:39,800 Speaker 4: page book called The Kennedy Women. So what do you 147 00:07:39,840 --> 00:07:41,960 Speaker 4: make of her alleged Kennedy obsession. 148 00:07:42,360 --> 00:07:45,640 Speaker 5: I think it's kind of the bridge out of her 149 00:07:45,680 --> 00:07:48,960 Speaker 5: country Americana stuff into her pop Americana stuff. 150 00:07:48,960 --> 00:07:51,400 Speaker 3: Like the Kennedy's are so pop music. 151 00:07:51,600 --> 00:07:55,360 Speaker 5: They're hot, they're maybe bisexual, you know, they're catholic. And 152 00:07:56,080 --> 00:07:59,880 Speaker 5: when she goes pop at first, she goes into this 153 00:08:00,000 --> 00:08:05,360 Speaker 5: it's like fifties, sixties Kennedy esque stripe bathing suit, big 154 00:08:05,400 --> 00:08:07,680 Speaker 5: wide brim hat type of thing out of the like 155 00:08:07,840 --> 00:08:11,840 Speaker 5: country music, thick strap, tank top guitar vibes. So it's 156 00:08:11,880 --> 00:08:15,560 Speaker 5: like the most image friendly ideal for her, and a 157 00:08:15,640 --> 00:08:18,840 Speaker 5: latch onto where she doesn't lose her country fans but 158 00:08:19,160 --> 00:08:23,880 Speaker 5: is a lot American. She's staying American, just hopping over, 159 00:08:24,320 --> 00:08:26,920 Speaker 5: taking a couple steps towards the middle. 160 00:08:27,200 --> 00:08:29,000 Speaker 3: I guess, yeah, absolutely. 161 00:08:29,000 --> 00:08:31,640 Speaker 5: I always think about some old SNL sketch from like 162 00:08:31,720 --> 00:08:33,480 Speaker 5: a little later than this, where they're like Taylor Swift 163 00:08:33,480 --> 00:08:35,560 Speaker 5: who's always in a nineteen fifties bathing suit, and I 164 00:08:35,559 --> 00:08:38,920 Speaker 5: feel like that's when like this part of Taylor comes 165 00:08:38,920 --> 00:08:39,480 Speaker 5: to fruition. 166 00:08:40,000 --> 00:08:43,520 Speaker 3: It's like Tumblr Taylor, Yeah it is. It's try. It's 167 00:08:43,600 --> 00:08:46,040 Speaker 3: try sugar Cookie era Taylor. 168 00:08:46,080 --> 00:08:48,560 Speaker 5: We're like, yeah, there was a world in which you 169 00:08:48,600 --> 00:08:51,440 Speaker 5: could respond to Taylor Swift on Tumblr and she might 170 00:08:51,640 --> 00:08:55,160 Speaker 5: then respond to you back, which now basically doesn't happen 171 00:08:55,240 --> 00:08:57,960 Speaker 5: unless tree Pain says it's okay for her to like 172 00:08:58,040 --> 00:08:59,080 Speaker 5: comment on a TikTok. 173 00:08:59,160 --> 00:09:02,240 Speaker 4: See, I didn't even know. My Swifty knowledge is very 174 00:09:02,360 --> 00:09:06,240 Speaker 4: era specific. It's like I'm into reputation era. I will 175 00:09:06,240 --> 00:09:08,720 Speaker 4: occasionally check in and see what she's up to. But 176 00:09:09,000 --> 00:09:10,840 Speaker 4: I didn't even know she was on Tumblr. Sorry to 177 00:09:10,880 --> 00:09:13,240 Speaker 4: any swifties. That was like a whole era, and she 178 00:09:13,480 --> 00:09:14,600 Speaker 4: was like active on it. 179 00:09:14,640 --> 00:09:17,560 Speaker 5: Yeah, and she was posting recipes, she was responding to comments, 180 00:09:17,600 --> 00:09:19,880 Speaker 5: she was like sharing memes. It was when I really 181 00:09:19,880 --> 00:09:21,640 Speaker 5: started to like her because I was on tumble her 182 00:09:21,640 --> 00:09:23,480 Speaker 5: and I was like, maybe she's kind of like me, 183 00:09:23,600 --> 00:09:25,440 Speaker 5: And now I understand her to be nothing like me, 184 00:09:25,559 --> 00:09:27,120 Speaker 5: though I still think we could really vibe. 185 00:09:27,240 --> 00:09:29,040 Speaker 4: I definitely think you could. I guess I had never 186 00:09:29,040 --> 00:09:31,400 Speaker 4: made that connection. But to sort of fetishize the Kennedy's 187 00:09:31,520 --> 00:09:34,840 Speaker 4: is a very Tumblr instinct because there's such a big 188 00:09:34,880 --> 00:09:38,760 Speaker 4: part of American mythology and there are so many iconic 189 00:09:39,200 --> 00:09:41,680 Speaker 4: images associated with the Kennedy's, and of course Tumblr is 190 00:09:41,720 --> 00:09:45,400 Speaker 4: an image based platform, like I could see someone being 191 00:09:45,520 --> 00:09:50,840 Speaker 4: super into Kennedy's fashion or different Kennedy's moments. So Taylor, 192 00:09:51,200 --> 00:09:53,120 Speaker 4: the way that she gets in contact with the Kennedy's 193 00:09:53,280 --> 00:09:56,920 Speaker 4: is that Rory Kennedy, who is one of Bobby's daughters, 194 00:09:57,320 --> 00:10:00,920 Speaker 4: one of RFK and Ethel Kennedy's daughters, and meaning she's 195 00:10:00,960 --> 00:10:04,720 Speaker 4: also RFK Junior's sister reaches out because she apparently reads 196 00:10:04,760 --> 00:10:08,680 Speaker 4: the New Yorker profile and asks Taylor for concert tickets 197 00:10:08,679 --> 00:10:10,839 Speaker 4: for her daughters, and then that sort of develops the 198 00:10:10,920 --> 00:10:14,200 Speaker 4: Kennedy connection. Then she's invited to hannah Sport. That's where 199 00:10:14,240 --> 00:10:17,360 Speaker 4: she meets Connor Kennedy, who is famously seventeen at the time, 200 00:10:17,400 --> 00:10:20,040 Speaker 4: but then turns eighteen three weeks after they meet. Even 201 00:10:20,080 --> 00:10:23,400 Speaker 4: though to this day, I guess many more dramatic members 202 00:10:23,400 --> 00:10:25,560 Speaker 4: of this fifty community say that she dated. 203 00:10:25,360 --> 00:10:28,559 Speaker 5: A minor of course, Well, with that back to back 204 00:10:28,559 --> 00:10:31,000 Speaker 5: with Harry Styles, they were very upset with her. 205 00:10:30,960 --> 00:10:32,760 Speaker 4: At that time, and she's twenty two, we should say 206 00:10:32,760 --> 00:10:36,439 Speaker 4: at the time. I think, yeah, So basically she starts 207 00:10:36,640 --> 00:10:40,800 Speaker 4: developing some sort of friendship relationship with Connor in twenty twelve. 208 00:10:41,400 --> 00:10:43,720 Speaker 4: How is that received in the fandom? 209 00:10:44,000 --> 00:10:46,280 Speaker 5: Well, I think what's interesting, first of all, is in 210 00:10:46,320 --> 00:10:48,720 Speaker 5: that like three week period in her sort of initial 211 00:10:48,800 --> 00:10:52,680 Speaker 5: trying to like break into the Kennedy's world, there's also 212 00:10:52,720 --> 00:10:55,120 Speaker 5: a brief period where it looks like maybe she has 213 00:10:55,160 --> 00:10:57,839 Speaker 5: a thing going with Patrick Schwarzenegger, right, who is also 214 00:10:58,120 --> 00:11:01,720 Speaker 5: Kennedy in his own way, but that kind of different flavor, 215 00:11:01,840 --> 00:11:05,559 Speaker 5: shall we say of Kennedy because of the Arnold Schwarzenegger 216 00:11:05,600 --> 00:11:05,880 Speaker 5: of it. 217 00:11:05,800 --> 00:11:07,880 Speaker 3: All, but that winds up not happening. 218 00:11:08,120 --> 00:11:11,080 Speaker 5: I believe this is before he dates Miley then, but 219 00:11:11,120 --> 00:11:13,440 Speaker 5: it's interesting to think of the paths diverging. 220 00:11:13,760 --> 00:11:15,880 Speaker 4: Yeah, and he's eighteen at the time, I believe, And 221 00:11:15,920 --> 00:11:18,440 Speaker 4: for anyone who doesn't know, his parents are Maria Schreiver 222 00:11:18,600 --> 00:11:21,560 Speaker 4: and Arnold Schwarzenegger. And at the time, he was very 223 00:11:21,640 --> 00:11:25,360 Speaker 4: much like an aspiring hot actor slash model. There was 224 00:11:25,440 --> 00:11:29,560 Speaker 4: no pristige, you know, model slash actor model slash Okay, 225 00:11:29,600 --> 00:11:31,560 Speaker 4: so there were rumors about Patrick. 226 00:11:31,880 --> 00:11:34,199 Speaker 3: Rumors about Patrick. I think he's a better actor than model. 227 00:11:34,440 --> 00:11:36,800 Speaker 4: Well now and now we all of course do because 228 00:11:36,800 --> 00:11:37,520 Speaker 4: of the white lotus. 229 00:11:37,800 --> 00:11:41,040 Speaker 5: Now, yeah, we never could have known. How did the 230 00:11:41,040 --> 00:11:43,280 Speaker 5: swifty community react to this? I can really only talk 231 00:11:43,280 --> 00:11:48,199 Speaker 5: about my localized Swifty community, which to us, this was hilarious, 232 00:11:48,440 --> 00:11:51,719 Speaker 5: This was funny, And this is almost like before her 233 00:11:51,840 --> 00:11:55,160 Speaker 5: relationships become like a total punchline. But I think it 234 00:11:55,200 --> 00:11:59,240 Speaker 5: actually kind of kicks off that whole part of her 235 00:11:59,280 --> 00:12:01,160 Speaker 5: star persona because of. 236 00:12:01,080 --> 00:12:04,440 Speaker 3: How all in she goes on the Kennedys. 237 00:12:03,960 --> 00:12:06,920 Speaker 5: Such that it really seems like dating Connor is a 238 00:12:06,960 --> 00:12:09,120 Speaker 5: means to an end for her to become part of 239 00:12:09,160 --> 00:12:14,079 Speaker 5: this family versus an actual romantic interest. It never seems 240 00:12:14,160 --> 00:12:16,920 Speaker 5: like something built out of genuine love so much as 241 00:12:16,960 --> 00:12:20,440 Speaker 5: it does a brand pivot, a sincere brand pivot, but 242 00:12:20,960 --> 00:12:22,720 Speaker 5: nonetheless well in. 243 00:12:22,559 --> 00:12:27,559 Speaker 1: Trying to give it the kindest eyes at the age difference, 244 00:12:28,120 --> 00:12:31,320 Speaker 1: it's kind of like a senior in college dating a 245 00:12:31,360 --> 00:12:34,959 Speaker 1: freshman in college, but the first month of college, and 246 00:12:35,000 --> 00:12:38,839 Speaker 1: it's like, when I had friends that did things like that, 247 00:12:39,000 --> 00:12:39,600 Speaker 1: it was weird. 248 00:12:40,120 --> 00:12:42,400 Speaker 5: Yeah, we all had friends, I think who had like 249 00:12:42,440 --> 00:12:45,439 Speaker 5: a slightly older partner where it's like your partner's sort 250 00:12:45,440 --> 00:12:47,440 Speaker 5: of generous for that age time where we were like, 251 00:12:47,480 --> 00:12:50,800 Speaker 5: it's not bad, but it's not great either. But I 252 00:12:50,800 --> 00:12:53,240 Speaker 5: also think she at that point has a kind of 253 00:12:53,800 --> 00:12:57,120 Speaker 5: arrested development that she reckons with for the next several 254 00:12:57,200 --> 00:12:59,880 Speaker 5: years where she's like, am I young or am I old? 255 00:13:00,080 --> 00:13:00,360 Speaker 4: Totally? 256 00:13:00,400 --> 00:13:03,959 Speaker 5: And you see that in the wildly oscillating between Connor 257 00:13:04,040 --> 00:13:07,240 Speaker 5: Kennedy and Harry styles versus like John Mayer and Jake Jillenhall. 258 00:13:07,720 --> 00:13:10,640 Speaker 4: Yeah, and I think that you could so easily argue 259 00:13:10,640 --> 00:13:13,240 Speaker 4: that the narrative around the Connor Kennedy relationship which is like, 260 00:13:13,480 --> 00:13:16,800 Speaker 4: she's desperate to be a Kennedy and she just wanted 261 00:13:16,840 --> 00:13:18,360 Speaker 4: to date any Kennedy and this was the one that 262 00:13:18,400 --> 00:13:19,840 Speaker 4: was right in front of her. You could argue that 263 00:13:19,840 --> 00:13:22,599 Speaker 4: that is, you know, a little unfair to her, but unfortunately, 264 00:13:22,600 --> 00:13:25,839 Speaker 4: she's not doing herself any favors by first expressing her 265 00:13:25,880 --> 00:13:29,640 Speaker 4: obsession with the Kennedy family in multiple platforms and then 266 00:13:29,920 --> 00:13:44,600 Speaker 4: within months announcing that she is dating someone. 267 00:13:48,720 --> 00:13:51,480 Speaker 1: Okay, the other thing about this a little bit of 268 00:13:51,679 --> 00:13:54,120 Speaker 1: exposition before Taylor shows up. 269 00:13:54,480 --> 00:13:56,559 Speaker 3: She meets them all on July fourth, right. 270 00:13:56,440 --> 00:14:00,440 Speaker 1: July fourth, at the Kennedy Compound. Okay, two months before this, 271 00:14:00,600 --> 00:14:04,880 Speaker 1: Connor's mom has committed suicide, and I feel like that 272 00:14:05,160 --> 00:14:09,040 Speaker 1: takes away maybe my ability to give her the benefit 273 00:14:09,120 --> 00:14:11,120 Speaker 1: of the doubt, just in terms of this is a 274 00:14:11,160 --> 00:14:14,439 Speaker 1: young person who's just lost their mother in a really 275 00:14:14,480 --> 00:14:17,559 Speaker 1: traumatic way, and it seems like not a great idea 276 00:14:17,960 --> 00:14:21,600 Speaker 1: for an older person to be approaching them for romantic relationship. 277 00:14:21,880 --> 00:14:24,440 Speaker 4: But the family is, you know, to play devil's advocate. 278 00:14:24,920 --> 00:14:28,920 Speaker 4: The family is embracing Taylor. She was invited by the 279 00:14:28,920 --> 00:14:32,160 Speaker 4: family to the compound as she didn't show up crazed 280 00:14:32,320 --> 00:14:34,080 Speaker 4: and ready to be a predator totally. 281 00:14:34,160 --> 00:14:37,280 Speaker 5: I get the sense that her initial presence is welcome 282 00:14:37,480 --> 00:14:41,400 Speaker 5: and a nice distraction, perhaps from all that they have 283 00:14:41,520 --> 00:14:42,280 Speaker 5: been dealing with. 284 00:14:43,080 --> 00:14:45,080 Speaker 4: And again they read I mean Ry reached out to 285 00:14:45,120 --> 00:14:47,280 Speaker 4: her because her daughters were fans and they were so 286 00:14:47,360 --> 00:14:49,600 Speaker 4: sort of like starstruck by her. It really was a 287 00:14:49,680 --> 00:14:53,240 Speaker 4: kind of mutual attraction. And I think for Taylor it 288 00:14:53,280 --> 00:14:55,080 Speaker 4: was so impressive to be around the Kennedys, And then 289 00:14:55,080 --> 00:14:57,520 Speaker 4: for the Kennedys, they were like, this is the biggest 290 00:14:57,600 --> 00:14:59,440 Speaker 4: up and coming pop star, and it's so fun that 291 00:14:59,480 --> 00:15:01,680 Speaker 4: she wants to spend time with us and the Kennedy's, 292 00:15:01,680 --> 00:15:03,720 Speaker 4: you know, as we as we know, have a long 293 00:15:03,840 --> 00:15:07,440 Speaker 4: history of involving the celebs of their time in their 294 00:15:07,640 --> 00:15:11,640 Speaker 4: public and private lives. My favorite story about Taylor at 295 00:15:11,640 --> 00:15:14,760 Speaker 4: the Kennedy compound is that she decided to play her 296 00:15:14,960 --> 00:15:19,200 Speaker 4: song Starlight for Ethyl and the whole family, and Frank, 297 00:15:19,240 --> 00:15:20,920 Speaker 4: can you tell us what Starlight is about? 298 00:15:21,320 --> 00:15:24,240 Speaker 3: Starlight is about Ethyl, of course, and it is. 299 00:15:24,160 --> 00:15:27,840 Speaker 4: A fictionalized account of her love story with Bobby. 300 00:15:28,560 --> 00:15:30,600 Speaker 3: I think loosely fictionalized. 301 00:15:30,640 --> 00:15:32,840 Speaker 5: I think she's pulling from the nine hundred page book 302 00:15:32,840 --> 00:15:35,640 Speaker 5: that for the record, I believe she read all of correct. Yeah, 303 00:15:35,760 --> 00:15:39,000 Speaker 5: because she's always kind of doing shit like this. But yeah, 304 00:15:39,000 --> 00:15:42,120 Speaker 5: she writes the song Starlight from the point of view 305 00:15:42,480 --> 00:15:46,520 Speaker 5: of Ethyl and sings it to Ethyl and family, and 306 00:15:47,000 --> 00:15:49,800 Speaker 5: the response I believe is not like check out this freak. 307 00:15:49,840 --> 00:15:52,240 Speaker 5: It's sort of like that's nice, like good for them. 308 00:15:52,400 --> 00:15:55,480 Speaker 4: Yeah, and somehow it's funny. I was expect cause I 309 00:15:55,480 --> 00:15:58,280 Speaker 4: think people I don't know, I'm tabloids that wrote about 310 00:15:58,320 --> 00:16:00,160 Speaker 4: it of course made her out to be like a psycho. 311 00:16:00,240 --> 00:16:04,160 Speaker 4: But then it appears that months later, after the Connor relationship, 312 00:16:04,240 --> 00:16:07,600 Speaker 4: she in fact received some sort of award at the 313 00:16:07,760 --> 00:16:10,400 Speaker 4: RFK Ripple of Hope gala in New York City and 314 00:16:10,440 --> 00:16:13,440 Speaker 4: performed Starlight live in front of the Kennedys. So they 315 00:16:13,520 --> 00:16:14,800 Speaker 4: must have liked it to some extent. 316 00:16:14,960 --> 00:16:17,200 Speaker 5: Yeah, I think that song's fine. I've no bone to 317 00:16:17,200 --> 00:16:19,240 Speaker 5: pick with that song. But I also think at that 318 00:16:19,400 --> 00:16:21,960 Speaker 5: point in time, the marvel of her as a singer 319 00:16:22,000 --> 00:16:24,480 Speaker 5: songwriter has yet to wear off, where it's like, yeah, 320 00:16:24,520 --> 00:16:26,880 Speaker 5: she writes all her own stuff, and that's really impressive, 321 00:16:26,960 --> 00:16:29,520 Speaker 5: and that she would deign to write about even just 322 00:16:29,560 --> 00:16:32,960 Speaker 5: a really famous entity feels really novel and really like 323 00:16:33,000 --> 00:16:34,160 Speaker 5: oh like special. 324 00:16:34,320 --> 00:16:37,960 Speaker 1: Even so, then it seems like there's a bit of 325 00:16:38,000 --> 00:16:42,640 Speaker 1: a turn with her relationship with the family. And when 326 00:16:42,680 --> 00:16:45,040 Speaker 1: she and Connor show up to a wedding that they're 327 00:16:45,080 --> 00:16:47,760 Speaker 1: not supposed to do, could you tell us that story. 328 00:16:47,440 --> 00:16:50,640 Speaker 3: They crash they well, they may or may not have 329 00:16:50,960 --> 00:16:53,680 Speaker 3: crashed a wedding. I need to pull up who got married. 330 00:16:53,880 --> 00:16:57,080 Speaker 4: It was Liam Kerr and Kyle Kennedy, right, Okay, And 331 00:16:57,200 --> 00:17:00,440 Speaker 4: Kyle is Connor's cousin. She's the daughter of Michael Kennedy, 332 00:17:00,760 --> 00:17:03,280 Speaker 4: a brother of RFK Junior, who died in a skiing 333 00:17:03,320 --> 00:17:04,840 Speaker 4: accident in nineteen ninety seven. 334 00:17:05,160 --> 00:17:08,920 Speaker 5: Right, So they crash this wedding. Connor, I believe I'm 335 00:17:08,920 --> 00:17:12,000 Speaker 5: putting this on Connor. No offense to Connor. Connor I 336 00:17:12,040 --> 00:17:14,920 Speaker 5: believe is not invited, or at least Taylor is not invited. 337 00:17:15,200 --> 00:17:18,240 Speaker 5: But he tells Taylor it's fine, we can go, which 338 00:17:18,240 --> 00:17:20,200 Speaker 5: I don't think is a crazy thing for an eighteen 339 00:17:20,280 --> 00:17:22,800 Speaker 5: year old to think about a wedding in his family. 340 00:17:23,160 --> 00:17:27,400 Speaker 5: But they show up together and it is seen as 341 00:17:27,440 --> 00:17:31,560 Speaker 5: a kind of upstaging of the wedding itself, and Vicki, 342 00:17:31,760 --> 00:17:35,200 Speaker 5: who is the mother of the bride, gets pretty pissed 343 00:17:35,240 --> 00:17:39,040 Speaker 5: off about this, and and Gab's hard about the crashing 344 00:17:39,160 --> 00:17:42,040 Speaker 5: of the wedding and makes it look as though Taylor 345 00:17:42,200 --> 00:17:44,720 Speaker 5: is kind of sucking the life force out of the 346 00:17:44,800 --> 00:17:46,520 Speaker 5: Kennedys for a kind of attention. 347 00:17:46,920 --> 00:17:49,520 Speaker 4: And then Taylor, from what I understand, maintains that she 348 00:17:49,760 --> 00:17:50,360 Speaker 4: was invited. 349 00:17:50,720 --> 00:17:54,080 Speaker 3: She more maintains that she never would have crashed. 350 00:17:53,680 --> 00:17:55,560 Speaker 4: Away that she was told she could go. 351 00:17:55,720 --> 00:17:58,160 Speaker 5: She's like, I would not have just like done this, 352 00:17:58,520 --> 00:17:59,720 Speaker 5: which also feels correct. 353 00:17:59,760 --> 00:18:02,160 Speaker 3: I think she's not lying yeah about. 354 00:18:01,840 --> 00:18:05,040 Speaker 5: This, and they were probably truly under the impression that 355 00:18:05,119 --> 00:18:07,359 Speaker 5: it was no big deal, which also feels like an 356 00:18:07,440 --> 00:18:11,960 Speaker 5: early reckoning with how famous she is, where she also 357 00:18:12,040 --> 00:18:15,040 Speaker 5: may not have processed that her presence at an event 358 00:18:15,119 --> 00:18:17,359 Speaker 5: like this with a family that is so famous in 359 00:18:17,400 --> 00:18:20,600 Speaker 5: her mind could be upstaged by her, because I think 360 00:18:20,680 --> 00:18:23,440 Speaker 5: she really does feel like she's taking a back seat 361 00:18:23,480 --> 00:18:26,520 Speaker 5: to all of their dramas and romances and stuff like that. 362 00:18:26,920 --> 00:18:31,320 Speaker 1: We do have another person weighing in on the context 363 00:18:31,560 --> 00:18:33,760 Speaker 1: later on, which is Kathy Lee Giffert. 364 00:18:34,160 --> 00:18:35,520 Speaker 4: What did Kathy Lee Gifford say? 365 00:18:35,640 --> 00:18:36,960 Speaker 3: She said that they crashed. 366 00:18:37,960 --> 00:18:39,880 Speaker 4: She was like, it was a crash, and she said 367 00:18:39,920 --> 00:18:43,320 Speaker 4: that like to the press or on TV. Okay, I 368 00:18:43,359 --> 00:18:45,520 Speaker 4: think she said it on TV, and then was that 369 00:18:45,640 --> 00:18:48,800 Speaker 4: what sort of got the story going and got everyone 370 00:18:48,840 --> 00:18:49,439 Speaker 4: talking about it. 371 00:18:49,640 --> 00:18:52,280 Speaker 5: I believe that is how it okay sort of then 372 00:18:52,359 --> 00:18:53,320 Speaker 5: really catches fire. 373 00:18:53,640 --> 00:18:55,240 Speaker 4: And I do want to say, you mentioned that the 374 00:18:55,280 --> 00:18:58,320 Speaker 4: mother of the bride like really was yapping all about town, 375 00:18:58,560 --> 00:19:01,120 Speaker 4: and it really was, like she said to the Boston 376 00:19:01,160 --> 00:19:04,040 Speaker 4: Harold she said, I responded with a very clear please 377 00:19:04,119 --> 00:19:07,199 Speaker 4: do not come. They came anyway. I personally went up 378 00:19:07,240 --> 00:19:10,720 Speaker 4: to Miss Swift, whose entrance distracted the entire event, politely 379 00:19:10,720 --> 00:19:13,359 Speaker 4: introduced myself to her and asked her as nicely as 380 00:19:13,400 --> 00:19:15,919 Speaker 4: I could to leave. It was like talking to a ghost. 381 00:19:16,160 --> 00:19:18,600 Speaker 4: She seemed to look right past me, which is so 382 00:19:18,960 --> 00:19:21,960 Speaker 4: crazy because the Kennedys are not I mean, of course 383 00:19:22,000 --> 00:19:23,960 Speaker 4: they have a complicated relationship with the press, but they 384 00:19:24,000 --> 00:19:28,119 Speaker 4: generally are not giving, like, you know, controversial quotes like 385 00:19:28,160 --> 00:19:31,520 Speaker 4: that about celebrities. It really feels very out of character. 386 00:19:32,119 --> 00:19:34,280 Speaker 5: Yes, and it feels out of character as a description 387 00:19:34,359 --> 00:19:37,560 Speaker 5: of Taylor, which is not to say that it's not true. 388 00:19:37,640 --> 00:19:40,919 Speaker 5: I don't know that I totally buy it, but her 389 00:19:41,280 --> 00:19:45,560 Speaker 5: image is really controlled even back then, and she rarely, 390 00:19:45,600 --> 00:19:50,960 Speaker 5: if ever, appears as someone disinterested or rude, like if 391 00:19:50,960 --> 00:19:53,800 Speaker 5: nothing else, like, she's always crazy, polite and that's. 392 00:19:53,640 --> 00:19:55,360 Speaker 3: All anyone ever has to say about her. 393 00:19:55,440 --> 00:19:59,760 Speaker 5: So this both like shatters and perpetuates an image that 394 00:19:59,800 --> 00:20:03,439 Speaker 5: she like constantly working and fighting against, both in just 395 00:20:03,480 --> 00:20:05,800 Speaker 5: like how she seems to be out and about in 396 00:20:05,840 --> 00:20:09,520 Speaker 5: the world, and in the sort of bigger brand of 397 00:20:09,560 --> 00:20:10,399 Speaker 5: her star. 398 00:20:10,920 --> 00:20:13,160 Speaker 1: Yeah, this is kind of the point, like you were 399 00:20:13,200 --> 00:20:16,480 Speaker 1: saying before, she needs the media more than the media 400 00:20:16,520 --> 00:20:20,960 Speaker 1: needs her. There's also this very same weekend of the wedding, 401 00:20:21,280 --> 00:20:24,680 Speaker 1: she and Connor go to visit his mother's grave site 402 00:20:24,760 --> 00:20:27,680 Speaker 1: as she is committed suicide just two months earlier. 403 00:20:28,040 --> 00:20:30,960 Speaker 5: This is the actual egregious thing I think in this 404 00:20:31,080 --> 00:20:35,760 Speaker 5: relationship is the paparazzi visit to Connor's mother's grave just 405 00:20:35,840 --> 00:20:39,680 Speaker 5: because I am a paparazzi skeptic, where I never believe 406 00:20:39,760 --> 00:20:43,200 Speaker 5: the paparazzi just happened to be anywhere, let alone say 407 00:20:43,200 --> 00:20:48,159 Speaker 5: a cemetery, such that I find this quite craven. 408 00:20:48,600 --> 00:20:51,919 Speaker 4: So the accusation, of course, is that Taylor called the 409 00:20:51,960 --> 00:20:55,960 Speaker 4: paparazzi to take photos of her and Connor visiting Connor's 410 00:20:56,000 --> 00:20:58,840 Speaker 4: mother's grave two months after she had passed. 411 00:20:59,000 --> 00:21:02,200 Speaker 3: That's right, and he's looking very sad. 412 00:21:02,320 --> 00:21:06,240 Speaker 4: And she helped clear some overgrown brush from around the gravestone. 413 00:21:06,320 --> 00:21:09,760 Speaker 4: It's like she's really participating in the performance. 414 00:21:09,880 --> 00:21:13,600 Speaker 5: She's in like a little sun dress, her lipstick. She's 415 00:21:13,760 --> 00:21:16,520 Speaker 5: in like Taylor Swift costume basically. 416 00:21:16,960 --> 00:21:17,639 Speaker 3: And this isn'ting. 417 00:21:17,640 --> 00:21:21,280 Speaker 1: We'll definitely talk about when we get to RFK Junior. 418 00:21:21,480 --> 00:21:24,000 Speaker 1: But a little bit of context too on this grave 419 00:21:24,080 --> 00:21:28,280 Speaker 1: site is that after her funeral and initial burial at 420 00:21:28,280 --> 00:21:31,640 Speaker 1: the Kennedy Graveyard, he in the middle of the night 421 00:21:31,760 --> 00:21:36,040 Speaker 1: has her coffin dug up and moved with no headstone 422 00:21:36,280 --> 00:21:39,320 Speaker 1: facing the highway eighty yards away or something. And so 423 00:21:39,480 --> 00:21:42,199 Speaker 1: that's why there's overgrown like he put her in an 424 00:21:42,280 --> 00:21:43,000 Speaker 1: unmarked grave. 425 00:21:43,240 --> 00:21:44,240 Speaker 4: Why did he do that. 426 00:21:44,119 --> 00:21:46,720 Speaker 1: Well, because he tortured her for many years, and he 427 00:21:46,760 --> 00:21:50,200 Speaker 1: said after the burial, he said that he didn't realize 428 00:21:50,280 --> 00:21:53,679 Speaker 1: how crowded the Kennedy Graveyard was, so he had to 429 00:21:53,680 --> 00:21:56,399 Speaker 1: make more room. So he just got her up in 430 00:21:56,400 --> 00:21:58,360 Speaker 1: the middle of the night and pushed her out. It's 431 00:21:58,520 --> 00:22:02,080 Speaker 1: very strange and all this going on, and their eighteen 432 00:22:02,160 --> 00:22:04,120 Speaker 1: year old son is dating a twenty two year old 433 00:22:04,200 --> 00:22:07,480 Speaker 1: pop star and they're taking paparazzi photos at this grave 434 00:22:07,600 --> 00:22:10,560 Speaker 1: site that's barely a grave site right now. It's a 435 00:22:10,600 --> 00:22:15,600 Speaker 1: pretty wild situation when you think about the full Kennedy context. 436 00:22:15,920 --> 00:22:19,520 Speaker 4: So to me, the sort of trifecta of controversies with 437 00:22:19,640 --> 00:22:23,720 Speaker 4: the Connor Kennedy era are crashing the wedding paparazzi at 438 00:22:23,720 --> 00:22:26,520 Speaker 4: the gravestone, and then the third one, to me, which 439 00:22:26,560 --> 00:22:29,600 Speaker 4: is kind of my favorite, is her buying a house 440 00:22:29,800 --> 00:22:32,760 Speaker 4: across from the Kennedy compound. So, Fran, what is the 441 00:22:32,800 --> 00:22:33,240 Speaker 4: deal with that? 442 00:22:33,640 --> 00:22:37,240 Speaker 5: There's a sort of cul de sac in Massachusetts where 443 00:22:37,840 --> 00:22:40,280 Speaker 5: several of the houses in this cul de sac belonged 444 00:22:40,320 --> 00:22:42,639 Speaker 5: to the Kennedys, and one of the houses that just 445 00:22:42,640 --> 00:22:46,200 Speaker 5: so happens to be available gets snatched up by Taylor Swift. 446 00:22:46,280 --> 00:22:48,159 Speaker 5: And in the way that kind of like all the 447 00:22:48,240 --> 00:22:51,000 Speaker 5: Kardashians live down the block from each other, so they 448 00:22:51,040 --> 00:22:53,800 Speaker 5: can just drift in and out of each other's sparse mansions. 449 00:22:54,080 --> 00:22:57,000 Speaker 3: She moves in like no joke across the. 450 00:22:56,920 --> 00:23:01,600 Speaker 5: Street from the Kennedy compound could wave from a window, 451 00:23:01,720 --> 00:23:05,160 Speaker 5: not a metaphorical across the street or five minute walk away, 452 00:23:05,240 --> 00:23:09,600 Speaker 5: like truly across the way as if to basically be like, yeah, 453 00:23:09,720 --> 00:23:12,800 Speaker 5: I'm thinking I'm staying here for a little while, and 454 00:23:12,880 --> 00:23:16,119 Speaker 5: also seems to be like a pretty early flex of 455 00:23:16,160 --> 00:23:20,400 Speaker 5: wealth on her behalf that she's, you know, twenty two 456 00:23:20,520 --> 00:23:24,080 Speaker 5: at this point and can afford this giant house in 457 00:23:24,160 --> 00:23:27,760 Speaker 5: a state that she is not sort of using as 458 00:23:27,800 --> 00:23:30,359 Speaker 5: like a vehicle for fame. It's not Nashville, it's not 459 00:23:30,480 --> 00:23:32,360 Speaker 5: la it's not New York. It's a place she really 460 00:23:32,440 --> 00:23:35,160 Speaker 5: does not have to be except for her Kennedy thing, 461 00:23:35,359 --> 00:23:38,320 Speaker 5: and she plants herself there and she's I mean, the 462 00:23:38,359 --> 00:23:38,960 Speaker 5: other thing. 463 00:23:38,840 --> 00:23:43,440 Speaker 1: About Taylor Swift today is like her real estate portfolio 464 00:23:43,880 --> 00:23:47,000 Speaker 1: on its own is like rivals. 465 00:23:47,000 --> 00:23:49,439 Speaker 3: People's entire lives are devoted to. 466 00:23:49,640 --> 00:23:51,320 Speaker 4: Yeah, she's a regular Ellen DeGeneres. 467 00:23:51,600 --> 00:23:54,880 Speaker 1: Yeah, and this is like purchased through a shell company. 468 00:23:55,240 --> 00:23:59,280 Speaker 1: And her argument, or the argument of maybe, like the 469 00:23:59,320 --> 00:24:02,159 Speaker 1: people around her at the time, was like she was 470 00:24:02,200 --> 00:24:05,159 Speaker 1: looking at lots of investment properties and she had been 471 00:24:05,200 --> 00:24:07,040 Speaker 1: looking at this one for a while. But it is 472 00:24:07,200 --> 00:24:10,959 Speaker 1: very odd timing she buys it while they're dating, Like 473 00:24:11,359 --> 00:24:14,600 Speaker 1: the short, short, short period of time that they're dating 474 00:24:14,800 --> 00:24:17,600 Speaker 1: is when she closes on the house and it's a 475 00:24:17,640 --> 00:24:19,080 Speaker 1: four and a half million dollar house. 476 00:24:19,359 --> 00:24:22,560 Speaker 5: It's not a quick process necessarily to buy a house either, 477 00:24:22,760 --> 00:24:25,240 Speaker 5: unless you pay cash, which I have to imagine she 478 00:24:25,359 --> 00:24:26,280 Speaker 5: did for this house. 479 00:24:27,200 --> 00:24:28,800 Speaker 4: And her side of the story, I guess, or her 480 00:24:28,840 --> 00:24:30,679 Speaker 4: team side of the story, as Lyra said, is that 481 00:24:30,760 --> 00:24:33,119 Speaker 4: she just wanted to buy an investment property, and in fact, 482 00:24:33,280 --> 00:24:37,800 Speaker 4: allegedly it was recommended to her by Rory Kennedy, which 483 00:24:37,840 --> 00:24:40,280 Speaker 4: makes it a little more believable. It's like Rory knew 484 00:24:40,320 --> 00:24:43,160 Speaker 4: that there were these properties available in that area because 485 00:24:43,200 --> 00:24:45,800 Speaker 4: she knows the area, and then Taylor went ahead and 486 00:24:45,840 --> 00:24:47,680 Speaker 4: bought it. I should also say, you know, the story 487 00:24:47,680 --> 00:24:49,720 Speaker 4: has a really happy ending because she actually sold the 488 00:24:49,720 --> 00:24:52,120 Speaker 4: house in March of twenty thirteen for five point six 489 00:24:52,160 --> 00:24:55,280 Speaker 4: million dollars and collected a nice check from flipping the property. 490 00:24:55,359 --> 00:24:56,880 Speaker 4: So all's while it ends, well. 491 00:24:57,680 --> 00:24:59,679 Speaker 5: Yeah, I'm so glad she winds up getting a big 492 00:24:59,680 --> 00:25:02,520 Speaker 5: house in Rhode Island. It is still very essential to 493 00:25:02,600 --> 00:25:05,800 Speaker 5: her persona and her personality and her sort of infamous 494 00:25:05,960 --> 00:25:09,120 Speaker 5: Fourth of July Rhode Island house party that I think 495 00:25:09,200 --> 00:25:12,280 Speaker 5: is born out of having attended the Kennedy one and 496 00:25:12,359 --> 00:25:14,240 Speaker 5: her being like, well, I'm gonna do my version of 497 00:25:14,240 --> 00:25:16,159 Speaker 5: that every year, but with Lively. 498 00:25:15,880 --> 00:25:19,520 Speaker 1: And Selena Gomez totally, Tom Hidleston and Tom Hddleston. 499 00:25:19,600 --> 00:25:22,639 Speaker 3: I love ts shirts heard. I remember these things. 500 00:25:22,880 --> 00:25:25,879 Speaker 1: I was not, you know, I was following the celebrity 501 00:25:26,000 --> 00:25:27,280 Speaker 1: gossip blogs. 502 00:25:26,920 --> 00:25:27,600 Speaker 3: At this time. 503 00:25:27,840 --> 00:25:30,600 Speaker 1: And I think that that is maybe my sole understanding 504 00:25:30,600 --> 00:25:33,159 Speaker 1: of Taylor Swift at this period of time for the 505 00:25:33,200 --> 00:25:34,520 Speaker 1: next like probably like five. 506 00:25:34,400 --> 00:25:37,359 Speaker 4: Yearsn't it's a nostalgic time because it was you know, 507 00:25:37,440 --> 00:25:39,440 Speaker 4: it was before she was too big to fail. You 508 00:25:39,520 --> 00:25:43,159 Speaker 4: really got the sense that she was still in progress, 509 00:25:43,240 --> 00:25:45,199 Speaker 4: like she hadn't decided where she was landing as a 510 00:25:45,200 --> 00:25:47,919 Speaker 4: public figure. I also feel like there's this thing that 511 00:25:48,040 --> 00:25:50,840 Speaker 4: Taylor does, and friend, I would love your take on this, 512 00:25:50,880 --> 00:25:54,520 Speaker 4: which is like intentionally fanning rumors about her love life 513 00:25:54,560 --> 00:25:58,280 Speaker 4: and then being defensive about the sort of offensive coverage 514 00:25:58,440 --> 00:26:01,159 Speaker 4: of it. So she's like totally writing songs about different 515 00:26:01,160 --> 00:26:04,280 Speaker 4: famous guys or like being seen with them clearly intentionally 516 00:26:04,280 --> 00:26:07,560 Speaker 4: in public. Then she'll see a story on US Weekly 517 00:26:07,600 --> 00:26:09,960 Speaker 4: that's like, wow, Taylor Swift has eated seven guys in 518 00:26:09,960 --> 00:26:11,879 Speaker 4: one year, and then she'll be like, here comes the 519 00:26:11,920 --> 00:26:14,600 Speaker 4: sexist media again, trying to make me out to be 520 00:26:14,720 --> 00:26:18,000 Speaker 4: this promiscuous like gall about town, like for example, with 521 00:26:18,119 --> 00:26:20,920 Speaker 4: this house thing. Apparently she told Vanity Fair people say 522 00:26:20,920 --> 00:26:23,520 Speaker 4: that about me that I apparently buy houses near every boy. 523 00:26:23,560 --> 00:26:25,919 Speaker 4: I like, that's the thing I apparently do. If I 524 00:26:26,000 --> 00:26:27,960 Speaker 4: like you, I will apparently buy up the real estate 525 00:26:28,000 --> 00:26:29,840 Speaker 4: market just to freak you out so you leave me, 526 00:26:30,000 --> 00:26:32,919 Speaker 4: Which is like attacking them for covering this. But in 527 00:26:32,960 --> 00:26:34,000 Speaker 4: fact she did do that. 528 00:26:34,440 --> 00:26:37,360 Speaker 5: Yeah, no, completely, this is yes, she does this all 529 00:26:37,400 --> 00:26:39,360 Speaker 5: the time. I always think about when she got mad 530 00:26:39,400 --> 00:26:42,640 Speaker 5: at Ginny and Georgia, a Netflix show that no one 531 00:26:42,640 --> 00:26:45,280 Speaker 5: I know has ever watched but is seemingly extremely popular, 532 00:26:45,600 --> 00:26:47,680 Speaker 5: where I think they made a joke of like more 533 00:26:47,800 --> 00:26:51,120 Speaker 5: this than Boyfriends of Taylor Swift, and she did one 534 00:26:51,119 --> 00:26:54,600 Speaker 5: of her rare tweets where she dug in not necessarily 535 00:26:54,600 --> 00:26:57,200 Speaker 5: to Giny and Georgia, but to Netflix the company, as 536 00:26:57,200 --> 00:27:00,000 Speaker 5: though Netflix the company. This was like a statement from 537 00:27:00,000 --> 00:27:03,880 Speaker 5: Netflix the company because her documentary Miss Americana was also 538 00:27:03,880 --> 00:27:06,560 Speaker 5: a Netflix release, and I think she positioned it more 539 00:27:06,680 --> 00:27:10,040 Speaker 5: like as like a personal betrayal from one corporation to another. 540 00:27:10,520 --> 00:27:13,640 Speaker 5: All considered, but the Ginny and Georgia joke is both 541 00:27:13,720 --> 00:27:18,320 Speaker 5: like observed and completely toothless, but she will take any 542 00:27:18,560 --> 00:27:21,879 Speaker 5: opportunity to garner a kind of sympathy. 543 00:27:22,040 --> 00:27:24,360 Speaker 1: I thought you were going to say the Tina Fey 544 00:27:24,359 --> 00:27:27,119 Speaker 1: Amy Poehler joke where she said there's a special place 545 00:27:27,160 --> 00:27:29,359 Speaker 1: in hell for women to make fun of other women. 546 00:27:29,440 --> 00:27:32,240 Speaker 1: It's like they're hosting an award show. They're making fun 547 00:27:32,280 --> 00:27:36,679 Speaker 1: of everybody. It was not a shocking thing, right In 548 00:27:36,800 --> 00:27:39,960 Speaker 1: sort of her relationship to the media, she proves kind. 549 00:27:39,720 --> 00:27:42,240 Speaker 5: Of over and over again a lack of a sense 550 00:27:42,240 --> 00:27:45,520 Speaker 5: of humor. But then when her friends get interviewed, the 551 00:27:45,600 --> 00:27:50,280 Speaker 5: Hymes and Lord and Selena Gomezler whoever, they're always like 552 00:27:50,359 --> 00:27:52,520 Speaker 5: and Taylor is the funniest person of all time, and 553 00:27:52,520 --> 00:27:53,320 Speaker 5: it's like, well, that. 554 00:27:53,240 --> 00:27:54,040 Speaker 3: Can't be true. 555 00:27:54,119 --> 00:27:56,280 Speaker 5: I'm willing to believe that she's fun to hang out with, 556 00:27:56,480 --> 00:27:58,600 Speaker 5: but I will not believe that this is one of 557 00:27:58,600 --> 00:28:02,040 Speaker 5: the funniest people, because you really cannot take a joke 558 00:28:02,080 --> 00:28:04,399 Speaker 5: about this aspect of her life. But I also wonder 559 00:28:04,840 --> 00:28:09,520 Speaker 5: if that's changing for her post Poets Department, because that 560 00:28:09,680 --> 00:28:13,480 Speaker 5: was a sort of strangely self aware and self kind 561 00:28:13,520 --> 00:28:17,399 Speaker 5: of derisive album about her many manias, where she seemed 562 00:28:17,400 --> 00:28:19,719 Speaker 5: to be actually like reckoning with the parts of herself 563 00:28:19,720 --> 00:28:22,720 Speaker 5: that she doesn't like more than blaming other people. 564 00:28:23,400 --> 00:28:24,879 Speaker 3: I mean to be fair. 565 00:28:25,040 --> 00:28:27,800 Speaker 1: To be a fourteen year old girl when you get 566 00:28:27,840 --> 00:28:31,800 Speaker 1: started and be under the microscope like that for a 567 00:28:31,880 --> 00:28:34,959 Speaker 1: decade plus before you get to the point where you 568 00:28:35,040 --> 00:28:37,080 Speaker 1: can laugh about it. Yeah, I don't know, I've never 569 00:28:37,160 --> 00:28:39,520 Speaker 1: been there. Maybe it does take that long, but it 570 00:28:39,600 --> 00:28:40,480 Speaker 1: is shocking. 571 00:28:40,800 --> 00:28:41,160 Speaker 3: I don't know. 572 00:28:41,360 --> 00:28:44,240 Speaker 1: I just think I'm always surprised when a person who 573 00:28:44,280 --> 00:28:47,600 Speaker 1: is in attendance at an award show, a person who 574 00:28:47,680 --> 00:28:52,280 Speaker 1: is that privileged and accomplished and you know, fortunate, then 575 00:28:52,400 --> 00:28:55,520 Speaker 1: is offended that there was like a one liner thrown 576 00:28:55,520 --> 00:28:56,240 Speaker 1: in their direction. 577 00:28:56,800 --> 00:28:58,080 Speaker 3: Is just kind of shocking to me. 578 00:28:58,200 --> 00:29:00,600 Speaker 4: I know. But it led to the slap, so it's like, 579 00:29:00,800 --> 00:29:03,360 Speaker 4: all again, all's well, that ends well, Taylor Swift made 580 00:29:03,360 --> 00:29:06,160 Speaker 4: a profit from selling the house and we got the slap, 581 00:29:06,240 --> 00:29:24,280 Speaker 4: So what more? Does everyone want to close the loop 582 00:29:24,280 --> 00:29:26,840 Speaker 4: on Connor though, fran I want you to tell us 583 00:29:26,880 --> 00:29:28,600 Speaker 4: how long did this relationship last? 584 00:29:28,880 --> 00:29:29,960 Speaker 3: Two and a half months? 585 00:29:29,960 --> 00:29:33,040 Speaker 4: Correct? So all of this everything we're saying happened in 586 00:29:33,040 --> 00:29:35,560 Speaker 4: the span of two and a half months, including the 587 00:29:35,560 --> 00:29:39,520 Speaker 4: paparazzi photos, crashing the wedding, like her buying a house, 588 00:29:39,600 --> 00:29:43,040 Speaker 4: her giving multiple statements to Vanity Fair. All of this 589 00:29:43,200 --> 00:29:44,800 Speaker 4: was in the span of two and a half months, 590 00:29:44,800 --> 00:29:47,280 Speaker 4: and then I believe, you know, sort of going through 591 00:29:47,280 --> 00:29:49,440 Speaker 4: the timeline in my head in real time if they 592 00:29:49,520 --> 00:29:52,440 Speaker 4: met July fourth, it sort of lasted through like August, 593 00:29:52,520 --> 00:29:55,440 Speaker 4: maybe September, and then apparently she started dating Harry Styles 594 00:29:55,480 --> 00:29:57,520 Speaker 4: in December of twenty twelve of that year. 595 00:29:57,800 --> 00:30:01,000 Speaker 5: Yeah, well, because they have the winter romance reflected upon 596 00:30:01,160 --> 00:30:04,720 Speaker 5: in nineteen eighty nine, so Rebel that's the cold Weather 597 00:30:04,800 --> 00:30:07,160 Speaker 5: album and then read as sort of a summer album. 598 00:30:07,280 --> 00:30:08,160 Speaker 4: Oh interesting. 599 00:30:08,400 --> 00:30:10,720 Speaker 5: This is also I guess like twenty twelve to twenty 600 00:30:10,720 --> 00:30:14,080 Speaker 5: sixteen is the last good era of Taylor Swift paparazzi photos, 601 00:30:14,120 --> 00:30:17,800 Speaker 5: because there's the gray paparazzi photos with Connor. There's like 602 00:30:17,840 --> 00:30:20,280 Speaker 5: when Harry Styles left her on a boat. Her sitting 603 00:30:20,280 --> 00:30:20,560 Speaker 5: on the. 604 00:30:20,480 --> 00:30:22,360 Speaker 3: Boat alone is a great photo. 605 00:30:22,680 --> 00:30:24,280 Speaker 5: And then it sort of culminates with like all the 606 00:30:24,280 --> 00:30:27,040 Speaker 5: Tom Hidleston stuff. Most notably to me, not the Fourth 607 00:30:27,080 --> 00:30:29,000 Speaker 5: of July party, but when they're on like a hike 608 00:30:29,080 --> 00:30:31,640 Speaker 5: on the rocks and she's dressed like a grandmother who 609 00:30:31,720 --> 00:30:33,960 Speaker 5: has to be like helped along, but now she'll just 610 00:30:34,000 --> 00:30:35,560 Speaker 5: go out to dinner for the rest of her life. 611 00:30:35,600 --> 00:30:37,160 Speaker 3: There's no funny paparazzi photos. 612 00:30:37,200 --> 00:30:39,520 Speaker 4: Yeah, No, it's just via Corona every single night with 613 00:30:39,560 --> 00:30:42,600 Speaker 4: Blake Lively and we better be satisfied with what we're getting. 614 00:30:42,800 --> 00:30:43,080 Speaker 3: Yeah. 615 00:30:43,120 --> 00:30:46,320 Speaker 1: And I was standing behind her and Jake Jillenhall in 616 00:30:46,400 --> 00:30:49,880 Speaker 1: line getting coffee in Nashville, and I had no idea 617 00:30:50,320 --> 00:30:52,360 Speaker 1: the check that was standing right in front of me. 618 00:30:52,400 --> 00:30:54,640 Speaker 1: If I could have gotten a photo, it sold it 619 00:30:54,800 --> 00:30:56,160 Speaker 1: to the gossip blog. 620 00:30:56,280 --> 00:30:57,280 Speaker 3: Well was there vibe? 621 00:30:57,560 --> 00:30:57,880 Speaker 4: Oh? 622 00:30:58,160 --> 00:31:00,680 Speaker 1: First, I didn't recognize her at all. She just looked 623 00:31:00,720 --> 00:31:03,680 Speaker 1: like a regular college girl in Nashville. And this was 624 00:31:03,800 --> 00:31:05,560 Speaker 1: really our college coffee shop. 625 00:31:05,600 --> 00:31:07,640 Speaker 3: And I know it's Jake Jillenhall because he's Jake jillen Hall. 626 00:31:07,920 --> 00:31:10,880 Speaker 1: Also, I'm just realizing that my other celebrity sting at 627 00:31:10,880 --> 00:31:12,360 Speaker 1: that coffee shop was cursed and dunst. 628 00:31:12,800 --> 00:31:15,080 Speaker 3: Wow, now there's a Miss Americana. 629 00:31:15,280 --> 00:31:17,400 Speaker 4: I know. I got to visit that coffee shop. And 630 00:31:17,440 --> 00:31:19,360 Speaker 4: actually there's another person that dated Jake jill in Hall. 631 00:31:19,440 --> 00:31:21,160 Speaker 1: Yeah, that's what I was saying, Like, it's like, well, 632 00:31:21,320 --> 00:31:23,640 Speaker 1: you know, they have a lot of things in common. 633 00:31:24,080 --> 00:31:25,520 Speaker 3: This is so besides the point. 634 00:31:25,520 --> 00:31:28,080 Speaker 5: But my friend Doo teaches high school, took his students 635 00:31:28,160 --> 00:31:30,880 Speaker 5: to see the Denzel Washington Jake jilln hall Othello, because 636 00:31:30,880 --> 00:31:32,920 Speaker 5: there were like the student tickets. And I was like, 637 00:31:32,920 --> 00:31:34,800 Speaker 5: do your high school students like know who Jake Jillen 638 00:31:34,800 --> 00:31:36,720 Speaker 5: Hall is? And he was like, no, they have no 639 00:31:36,760 --> 00:31:39,000 Speaker 5: idea who this is, Like he's not famous to them. 640 00:31:39,040 --> 00:31:39,920 Speaker 3: I was like, that's crazy. 641 00:31:40,200 --> 00:31:41,960 Speaker 4: This is why we have to do this podcast about 642 00:31:41,960 --> 00:31:44,920 Speaker 4: the Kennedys, because the only monoculture left is the Kennedys. 643 00:31:45,000 --> 00:31:47,959 Speaker 4: It is the only thing everyone at least can recognize 644 00:31:48,000 --> 00:31:50,400 Speaker 4: as a name. Absolutely, I do want to say, you know, 645 00:31:50,600 --> 00:31:53,880 Speaker 4: talking about all these people again. In twenty thirteen in 646 00:31:53,960 --> 00:31:58,400 Speaker 4: Vanity Fair, Taylor basically said I've dated exactly two people 647 00:31:58,440 --> 00:32:03,240 Speaker 4: since twenty ten, meaning Connor Kennedy and Harry Styles. So 648 00:32:03,360 --> 00:32:06,120 Speaker 4: basically she sort of is implying that, like all these 649 00:32:06,160 --> 00:32:08,040 Speaker 4: other ones are like people she had coffee with once 650 00:32:08,200 --> 00:32:10,520 Speaker 4: or like was seen with ones, and she thinks it's 651 00:32:10,560 --> 00:32:13,240 Speaker 4: offensive that there are these carousels with her with various 652 00:32:13,240 --> 00:32:16,320 Speaker 4: men because she only needed two people between twenty ten 653 00:32:16,360 --> 00:32:17,120 Speaker 4: and twenty thirteen. 654 00:32:17,240 --> 00:32:19,200 Speaker 5: I do think the culture was much meaner about her 655 00:32:19,240 --> 00:32:21,520 Speaker 5: having a multiple boyfriends. I think if she was a 656 00:32:21,560 --> 00:32:25,520 Speaker 5: sort of Sabrina carpenterish figure, people would care much less 657 00:32:25,600 --> 00:32:27,880 Speaker 5: or it would be like good for you, girly. But 658 00:32:28,240 --> 00:32:31,360 Speaker 5: it does become this sticking point that she doesn't drop 659 00:32:31,520 --> 00:32:34,720 Speaker 5: even when the culture changes, because it did happen to 660 00:32:34,720 --> 00:32:37,360 Speaker 5: her in that moment. But I also think like celebrities 661 00:32:37,360 --> 00:32:40,000 Speaker 5: get frozen in the time in which they become famous, 662 00:32:40,080 --> 00:32:42,320 Speaker 5: and which is why there is always perpetually kind of 663 00:32:42,440 --> 00:32:45,960 Speaker 5: cringe twenty tennis to her. That makes people a specific 664 00:32:46,080 --> 00:32:47,160 Speaker 5: kind of insane. 665 00:32:47,280 --> 00:32:48,920 Speaker 4: Well, and I also you were talking about her sense 666 00:32:48,960 --> 00:32:50,800 Speaker 4: of humor, and I think her sense of humor to 667 00:32:50,840 --> 00:32:53,640 Speaker 4: me comes out so well in you Know I'm the problem. 668 00:32:53,680 --> 00:32:56,320 Speaker 4: It's me in that song, which is called what Antihero? 669 00:32:56,480 --> 00:32:59,040 Speaker 4: Anti Hero? Yeah, and the humor which, by the way, 670 00:32:59,120 --> 00:33:02,320 Speaker 4: that song, I am only slightly ashamed to say, was 671 00:33:02,320 --> 00:33:04,360 Speaker 4: my number one most played song that year on Spotify, 672 00:33:04,640 --> 00:33:06,719 Speaker 4: So I know the lyrics very well, but the humor 673 00:33:06,720 --> 00:33:10,960 Speaker 4: in that song is so twenty tens millennial Blurg you 674 00:33:11,000 --> 00:33:13,560 Speaker 4: know has rewatched you know, the Office in thirty rock. 675 00:33:13,880 --> 00:33:16,200 Speaker 4: And I'm in no way implying thirty rock as cringe. 676 00:33:16,240 --> 00:33:18,640 Speaker 4: It is literally my favorite comedy on television, but it 677 00:33:18,720 --> 00:33:21,000 Speaker 4: is you know, the references are sort of like twenty 678 00:33:21,040 --> 00:33:24,200 Speaker 4: tens references in this very kind of like funny way. 679 00:33:24,320 --> 00:33:27,600 Speaker 4: And I actually think even more than that, something that 680 00:33:27,800 --> 00:33:31,320 Speaker 4: is both frustrating and also charming about Taylor is that 681 00:33:31,440 --> 00:33:34,440 Speaker 4: sort of all her references are dated, even her album covers. 682 00:33:34,440 --> 00:33:37,200 Speaker 4: The aesthetics of them are always like one sort of 683 00:33:37,280 --> 00:33:40,080 Speaker 4: three year period too late, like that nineteen eighty nine 684 00:33:40,080 --> 00:33:42,920 Speaker 4: is this like polaroid photo that was already washed at 685 00:33:42,960 --> 00:33:45,040 Speaker 4: the time. That's like hipstomatic prints. 686 00:33:45,360 --> 00:33:47,840 Speaker 5: I know, I personally love it about her because it 687 00:33:47,920 --> 00:33:50,560 Speaker 5: sort of reflects I think she's sort of very open 688 00:33:50,800 --> 00:33:53,000 Speaker 5: about it and would not claim to be up on anything, 689 00:33:53,000 --> 00:33:55,800 Speaker 5: and sometimes she feigns this sort of like mind just 690 00:33:55,840 --> 00:33:57,120 Speaker 5: an old woman deep down, and. 691 00:33:57,080 --> 00:33:59,760 Speaker 3: That's where I'm like, yeah, you are exactly. 692 00:33:59,360 --> 00:34:02,560 Speaker 4: Even her thing about being a cat lady, like she's 693 00:34:03,000 --> 00:34:06,080 Speaker 4: that's another kind of like millennial tinged trope. 694 00:34:06,440 --> 00:34:09,400 Speaker 5: Yeah, Like, there's a lot of pop stars and I 695 00:34:09,440 --> 00:34:12,440 Speaker 5: think celebrities who are just gonna be feeling like the 696 00:34:12,520 --> 00:34:15,160 Speaker 5: Long Tale of Bratt, where Bratt will have like kind 697 00:34:15,200 --> 00:34:18,479 Speaker 5: of fucked up their next five years comparatively, we don't 698 00:34:18,520 --> 00:34:20,320 Speaker 5: have to worry about that with Taylor at all. Taylor's 699 00:34:20,360 --> 00:34:23,800 Speaker 5: identity is clear, It's been clear. It might be very mockable, 700 00:34:24,160 --> 00:34:25,360 Speaker 5: but it is consistent. 701 00:34:25,520 --> 00:34:26,920 Speaker 4: I do want to see. The closest she's gotten to 702 00:34:26,960 --> 00:34:29,719 Speaker 4: Brett is Reputation, which is my favorite era, and you know, 703 00:34:29,800 --> 00:34:32,200 Speaker 4: she's no Charlie xx, but some of those songs really 704 00:34:32,320 --> 00:34:33,240 Speaker 4: really still slap. 705 00:34:33,640 --> 00:34:33,879 Speaker 3: Yeah. 706 00:34:33,920 --> 00:34:36,440 Speaker 5: Well, I think her with the Taylor's versions being like 707 00:34:36,760 --> 00:34:40,640 Speaker 5: I actually don't want to touch Reputation was a fascinating 708 00:34:40,880 --> 00:34:43,280 Speaker 5: and I think ultimately correct play. 709 00:34:43,480 --> 00:34:45,600 Speaker 3: Yes. The one thing I wanted to add that we missed. 710 00:34:45,840 --> 00:34:49,080 Speaker 1: Ethel Kennedy is asked, do you think they're going to 711 00:34:49,120 --> 00:34:49,720 Speaker 1: get married? 712 00:34:50,360 --> 00:34:52,240 Speaker 3: As we know in so many words? 713 00:34:52,520 --> 00:34:55,919 Speaker 1: And Ethel Kennedy says, we would be so lucky, which 714 00:34:55,960 --> 00:34:59,399 Speaker 1: is a it's, you know, a very nice thing to say. 715 00:35:00,239 --> 00:35:04,320 Speaker 1: So we're talking about children here. Basically, it's very strange 716 00:35:04,480 --> 00:35:06,800 Speaker 1: that that would even be a question. They've been dating 717 00:35:06,840 --> 00:35:10,240 Speaker 1: for like, let's say three weeks at that point, one month. 718 00:35:10,480 --> 00:35:14,080 Speaker 3: Maybe they're Catholics, like that's when they started thinking about that. 719 00:35:14,480 --> 00:35:16,799 Speaker 4: Yeah, no, they're like the clack is ticking. No, And 720 00:35:16,840 --> 00:35:19,120 Speaker 4: I again, this is like a recurring thing. All the 721 00:35:19,200 --> 00:35:22,160 Speaker 4: Kennedys loved her, Like the only one that, of course 722 00:35:22,360 --> 00:35:24,280 Speaker 4: did not is the mother of the bride at the wedding. 723 00:35:24,520 --> 00:35:26,880 Speaker 4: Who is you know, going around town saying that Taylor 724 00:35:27,280 --> 00:35:29,040 Speaker 4: is dead behind the eyes and it's like talking to 725 00:35:29,040 --> 00:35:31,719 Speaker 4: a ghost. But all the other ones, I mean, you know, again, 726 00:35:31,840 --> 00:35:35,640 Speaker 4: she was invited to perform at that RFK Junior gala. 727 00:35:35,719 --> 00:35:38,120 Speaker 4: You know, this was before he went maga. One thing 728 00:35:38,239 --> 00:35:42,319 Speaker 4: I'm realizing only in having this conversation is what is 729 00:35:42,360 --> 00:35:45,600 Speaker 4: the deal with we're now skipping many years ahead the 730 00:35:45,680 --> 00:35:48,120 Speaker 4: last great American dynasty because that song is about the 731 00:35:48,160 --> 00:35:49,759 Speaker 4: Kennedy's right sort of. 732 00:35:49,880 --> 00:35:53,719 Speaker 5: Okay, is sort of is my understanding? I mean yes, 733 00:35:53,840 --> 00:35:58,399 Speaker 5: but I think about like her in there. She's sort 734 00:35:58,440 --> 00:36:02,160 Speaker 5: of taking the concept of like Kennedy iconography, but with 735 00:36:02,239 --> 00:36:05,160 Speaker 5: like a sort of like fictionalized version of herself. Like 736 00:36:05,200 --> 00:36:08,439 Speaker 5: that album is more about like versions of Taylor more 737 00:36:08,480 --> 00:36:10,920 Speaker 5: so than she's like casting out or like reflecting on 738 00:36:11,040 --> 00:36:13,880 Speaker 5: like ethel or I don't know, JK. 739 00:36:14,000 --> 00:36:15,399 Speaker 3: Junior or anything like that. 740 00:36:15,680 --> 00:36:17,720 Speaker 5: And it's you know, it's about a sort of preppy 741 00:36:18,040 --> 00:36:21,680 Speaker 5: Rhode Island woman who sort of got a whole thing 742 00:36:22,040 --> 00:36:24,320 Speaker 5: going on and being like air to a lot of money, 743 00:36:24,320 --> 00:36:26,680 Speaker 5: but the one to ones with Kennedy's like, don't really 744 00:36:26,920 --> 00:36:29,000 Speaker 5: got line up. I think she's just sort of conceptually 745 00:36:29,040 --> 00:36:32,000 Speaker 5: taking the idea of American dynasty, which she got from 746 00:36:32,000 --> 00:36:34,040 Speaker 5: the Kennedy's and reapplying it. 747 00:36:34,120 --> 00:36:36,480 Speaker 3: But so much of that album is a kind of 748 00:36:36,640 --> 00:36:38,200 Speaker 3: like auto fiction. 749 00:36:38,400 --> 00:36:41,160 Speaker 4: Project, because there's that line she had a marvelous time 750 00:36:41,239 --> 00:36:44,080 Speaker 4: ruining everything, and I it obviously without having done any 751 00:36:44,120 --> 00:36:47,360 Speaker 4: research about it. I thought, maybe that's referencing this trope 752 00:36:47,360 --> 00:36:51,279 Speaker 4: of Taylor going into Hyanna support and wreaking havoc or 753 00:36:51,280 --> 00:36:53,040 Speaker 4: even crashing the wedding or whatever. 754 00:36:53,360 --> 00:36:55,399 Speaker 5: Yeah, I think it's sort of drawing from like all 755 00:36:55,440 --> 00:36:57,719 Speaker 5: this stuff that era to me always feels like because 756 00:36:57,719 --> 00:36:59,839 Speaker 5: she's like deep in the Joe all In relationship. I 757 00:36:59,880 --> 00:37:02,640 Speaker 5: was like, and of course she's pulling from Joanna Hogg's 758 00:37:02,680 --> 00:37:06,319 Speaker 5: souvenir films by expounding auto fictionally about her life. But 759 00:37:06,360 --> 00:37:09,680 Speaker 5: it does feel like that and evermore are harder to 760 00:37:09,800 --> 00:37:11,880 Speaker 5: nail down to like one thing. 761 00:37:12,239 --> 00:37:14,640 Speaker 4: Before we end, I do want to say, friend, you 762 00:37:14,800 --> 00:37:17,920 Speaker 4: I think are the person that told me Connor Kennedy 763 00:37:18,080 --> 00:37:19,360 Speaker 4: went to fight in Ukraine. 764 00:37:19,560 --> 00:37:22,280 Speaker 5: That's right, that's the last I heard about him, because 765 00:37:22,400 --> 00:37:26,160 Speaker 5: I had felt and this is like not so so recent. 766 00:37:26,520 --> 00:37:29,839 Speaker 5: I believe it was twenty twenty two, Yes, where I 767 00:37:29,880 --> 00:37:31,880 Speaker 5: feel like none of us had heard about him post 768 00:37:32,040 --> 00:37:32,960 Speaker 5: Taylor Swift breakup. 769 00:37:33,000 --> 00:37:33,439 Speaker 3: That's fine. 770 00:37:33,480 --> 00:37:35,280 Speaker 5: Maybe he wants to be as much of a civilian 771 00:37:35,320 --> 00:37:37,759 Speaker 5: as a Kennedy can be a civilian. But he sort 772 00:37:37,760 --> 00:37:40,480 Speaker 5: of re emerges in fall of twenty twenty two to 773 00:37:40,520 --> 00:37:42,840 Speaker 5: just be like, by the way, I went to Ukraine 774 00:37:42,840 --> 00:37:46,279 Speaker 5: to like fight in Ukraine, and it's like, what you did? 775 00:37:46,560 --> 00:37:50,839 Speaker 5: And he has this like long Instagram post where he 776 00:37:50,880 --> 00:37:53,319 Speaker 5: basically says he went there like kind of anonymously, like 777 00:37:53,360 --> 00:37:55,400 Speaker 5: he didn't really tell a lot of family and friends. 778 00:37:55,719 --> 00:37:57,880 Speaker 5: He didn't tell people they are like who he was 779 00:37:57,920 --> 00:38:00,719 Speaker 5: related to, and how he felt like it was a 780 00:38:00,760 --> 00:38:01,720 Speaker 5: cause he. 781 00:38:01,640 --> 00:38:04,240 Speaker 3: Really had to get behind. 782 00:38:04,480 --> 00:38:07,239 Speaker 5: He says this war will shape the fate of democracy 783 00:38:07,400 --> 00:38:10,600 Speaker 5: in this century, and it's like, maybe, but I didn't 784 00:38:10,640 --> 00:38:13,560 Speaker 5: know that's something this guy cared about. Wow, And now 785 00:38:13,600 --> 00:38:16,960 Speaker 5: he's just like engaged and Backstateside. 786 00:38:17,160 --> 00:38:18,920 Speaker 3: Yeah to a singer songwriter. 787 00:38:18,680 --> 00:38:20,840 Speaker 4: Yes, a Brazilian singer songwriter, Julia b. 788 00:38:21,239 --> 00:38:23,280 Speaker 1: We might be seeing him on the ballot someday. 789 00:38:23,560 --> 00:38:26,000 Speaker 4: Yeah, he is really the dark horse of the Kennedy's 790 00:38:26,040 --> 00:38:28,080 Speaker 4: because we just did a whole episode about Jack Schlossberg, 791 00:38:28,120 --> 00:38:30,920 Speaker 4: who I think is now carrying the mantle of the 792 00:38:31,080 --> 00:38:34,440 Speaker 4: quintessential millennial Kennedy. But you know, at any point, Connor 793 00:38:34,480 --> 00:38:37,080 Speaker 4: could enter the arena again, and in fact, you know, 794 00:38:37,239 --> 00:38:40,400 Speaker 4: use his experience in Ukraine as kind of something that 795 00:38:40,440 --> 00:38:41,120 Speaker 4: sets him apart. 796 00:38:41,280 --> 00:38:44,560 Speaker 1: I mean, that's quite a bit more experience in politics 797 00:38:44,800 --> 00:38:48,719 Speaker 1: than Vogue's political consultant for four weeks. 798 00:38:49,080 --> 00:38:51,239 Speaker 4: Yes, exactly. All right, So well, I just want to 799 00:38:51,239 --> 00:38:53,319 Speaker 4: say we hear at United States of Kennedy will be 800 00:38:53,400 --> 00:38:56,560 Speaker 4: keeping an eye out for all these millennial Kennedys, and 801 00:38:56,600 --> 00:39:00,520 Speaker 4: we will be doing an official ranking at some point. Fran, 802 00:39:00,640 --> 00:39:03,320 Speaker 4: thank you so much for chatting with us about Taylor 803 00:39:03,320 --> 00:39:06,000 Speaker 4: Swift and Connor Kennedy. I'm honestly now really in the 804 00:39:06,040 --> 00:39:07,960 Speaker 4: mood to go and listen to Red to Taylor's version. 805 00:39:08,320 --> 00:39:11,120 Speaker 3: It's good, It's really good. It's the best Taylor's version. 806 00:39:11,160 --> 00:39:11,520 Speaker 3: I think. 807 00:39:11,600 --> 00:39:13,239 Speaker 4: There you have it. All right, thanks so much for 808 00:39:13,400 --> 00:39:14,480 Speaker 4: v Thank you. 809 00:39:15,120 --> 00:39:16,719 Speaker 3: That's it for this week's episode. 810 00:39:16,920 --> 00:39:19,320 Speaker 4: Coming up this season, we will be talking about Bobby 811 00:39:19,360 --> 00:39:23,560 Speaker 4: Kennedy taking on Jimmy Hoffa, the iconic documentary Gray Gardens, 812 00:39:23,640 --> 00:39:26,680 Speaker 4: the many faces of RFK Junior, and the heyday of 813 00:39:26,760 --> 00:39:27,719 Speaker 4: George Magazine. 814 00:39:27,880 --> 00:39:31,319 Speaker 1: So subscribe and follow United States of Kennedy for all 815 00:39:31,360 --> 00:39:34,600 Speaker 1: things Kennedy every week