1 00:00:00,120 --> 00:00:04,640 Speaker 1: Hey rain Drops. Yes, so I finally got merch. That's right. 2 00:00:05,160 --> 00:00:10,799 Speaker 1: You can buy your Allegedly and my Boys mugs, T shirts, 3 00:00:11,080 --> 00:00:16,000 Speaker 1: rain Drops, hoodies and T shirts all on Carlos Kingshop 4 00:00:16,520 --> 00:00:17,200 Speaker 1: dot com. 5 00:00:17,520 --> 00:00:21,240 Speaker 2: That's right. Get your hoodies, your T shirts, and your. 6 00:00:21,160 --> 00:00:28,600 Speaker 1: Mugs all on Carlos Kingshop dot com. Welcome to Reality 7 00:00:28,640 --> 00:00:31,880 Speaker 1: with the King. It's me Carlos kings the King of 8 00:00:31,960 --> 00:00:35,360 Speaker 1: Reality TV and one of the most sought after executive 9 00:00:35,360 --> 00:00:40,720 Speaker 1: producers in reality television with over ten years of production experience. 10 00:00:41,040 --> 00:00:43,760 Speaker 1: Twice a week on Reality with the King, we'll sit 11 00:00:43,800 --> 00:00:47,559 Speaker 1: down with my friends across the entertainment industry, recap our 12 00:00:47,600 --> 00:00:51,760 Speaker 1: favorite reality shows, and revisit unforgettable moments that we are 13 00:00:51,800 --> 00:00:59,160 Speaker 1: still talking and tweeting about. Hey rain Drops, Yes, the 14 00:01:00,080 --> 00:01:06,160 Speaker 1: yeomen of everyone's dreams. Y'all been asking about her, wanting 15 00:01:06,319 --> 00:01:10,920 Speaker 1: to hear from her. She is my girl, She is 16 00:01:11,040 --> 00:01:14,920 Speaker 1: y'all fave, and she just so happens to be somebody 17 00:01:15,800 --> 00:01:16,679 Speaker 1: who said to me. 18 00:01:16,760 --> 00:01:19,839 Speaker 2: I want to say a year ago or closer. 19 00:01:19,400 --> 00:01:25,080 Speaker 1: To that, that she was checking out a Potomac and 20 00:01:25,160 --> 00:01:29,000 Speaker 1: she wanted the show to be centered around Candice Dillark Bassett. 21 00:01:29,560 --> 00:01:31,319 Speaker 2: So we have a lot to catch up on. 22 00:01:31,800 --> 00:01:36,520 Speaker 1: Give it up for my beautiful, gorgeous honey friend, Jasmine 23 00:01:36,640 --> 00:01:37,800 Speaker 1: Henley Brown. 24 00:01:38,880 --> 00:01:44,440 Speaker 3: Hello, Carlos Lake Jones, Raphael Povich Springer. 25 00:01:45,959 --> 00:01:50,000 Speaker 4: Walters, Yes, you are the father. 26 00:01:50,640 --> 00:01:56,000 Speaker 2: Yes, listen, I am the pause father. Yes, Hodey, there's. 27 00:01:55,840 --> 00:01:57,960 Speaker 3: Somebody who calls himself the Powfather is going to kick 28 00:01:58,000 --> 00:02:00,600 Speaker 3: your ass. I'm not going to say his name though, 29 00:02:00,880 --> 00:02:03,040 Speaker 3: because I heard he can be litigious. 30 00:02:03,840 --> 00:02:05,280 Speaker 2: Well, I don't want no smoke with him. 31 00:02:05,360 --> 00:02:07,360 Speaker 4: Oh my god, That's why I'm not saying. I'm not 32 00:02:07,400 --> 00:02:09,080 Speaker 4: saying who it is. I'm not saying who it is. 33 00:02:09,320 --> 00:02:10,040 Speaker 2: Well, it's funny. 34 00:02:10,080 --> 00:02:12,519 Speaker 1: I posted a selfie once and said the pop father, 35 00:02:12,680 --> 00:02:14,720 Speaker 1: and the girl said, that's so Assult's name. 36 00:02:14,840 --> 00:02:15,840 Speaker 2: I said, I wanted to know that. 37 00:02:15,919 --> 00:02:20,280 Speaker 1: Okay, fine, Like I'll stay with the kid in reality television. 38 00:02:20,639 --> 00:02:21,520 Speaker 2: Let me let me. 39 00:02:21,440 --> 00:02:23,240 Speaker 4: Not add anyway. 40 00:02:23,720 --> 00:02:25,320 Speaker 1: I don't want to add more to my play. But 41 00:02:25,880 --> 00:02:29,120 Speaker 1: the rain Drops have been requesting you. A few of 42 00:02:29,120 --> 00:02:31,960 Speaker 1: them tagged you recently. Have you been feeling the love 43 00:02:32,480 --> 00:02:34,720 Speaker 1: that they're like, bring Jasmine back. 44 00:02:35,720 --> 00:02:37,880 Speaker 3: I always feel the love. I feel like you have 45 00:02:38,360 --> 00:02:42,320 Speaker 3: one of the best like fan bases. The rain Drops 46 00:02:42,360 --> 00:02:45,680 Speaker 3: are so supportive. They've always been really, really nice. There 47 00:02:45,680 --> 00:02:48,000 Speaker 3: have been a couple of shady comments here and there, 48 00:02:48,040 --> 00:02:50,440 Speaker 3: but the good definitely outweighs the bad. And you know, 49 00:02:50,760 --> 00:02:53,240 Speaker 3: I'll pay a bitch dust in a second. So I'm 50 00:02:53,280 --> 00:02:56,280 Speaker 3: always you know, I'm always your love that I never 51 00:02:56,320 --> 00:02:56,840 Speaker 3: too ill. 52 00:03:00,240 --> 00:03:03,880 Speaker 2: I have missed you so much, so I'm happy, miss Listen. 53 00:03:03,880 --> 00:03:06,120 Speaker 1: It's fun because I'm like, I get to talk to 54 00:03:06,160 --> 00:03:09,359 Speaker 1: my girl and have her on the podcast and key 55 00:03:09,480 --> 00:03:12,640 Speaker 1: key and what better job can a brother ask for? 56 00:03:12,840 --> 00:03:14,800 Speaker 2: So let's get the people what they want. 57 00:03:14,880 --> 00:03:19,440 Speaker 1: And we're all wearing black because we're morning Candace Dealer Bassett. 58 00:03:19,840 --> 00:03:22,200 Speaker 4: My kangle isn't prepared, dang. 59 00:03:22,000 --> 00:03:25,399 Speaker 2: It, Oh girl, Sorry Candace. 60 00:03:25,680 --> 00:03:30,640 Speaker 1: So look, you once said to me that you felt 61 00:03:30,680 --> 00:03:36,000 Speaker 1: that the show should be centered around Candace. 62 00:03:36,320 --> 00:03:37,400 Speaker 2: And the way. 63 00:03:37,520 --> 00:03:41,360 Speaker 1: We all know where we were when OJ Simpson had 64 00:03:41,360 --> 00:03:47,839 Speaker 1: the Bronco being chased by the police rip. We all 65 00:03:47,880 --> 00:03:50,680 Speaker 1: know where we were when OJ had the Bronco. We 66 00:03:50,800 --> 00:03:53,160 Speaker 1: know where we were when the verdict of OJ came down. 67 00:03:53,680 --> 00:03:54,960 Speaker 1: We know where we were when we. 68 00:03:54,920 --> 00:03:57,720 Speaker 2: Found out Kyle and Marisia were separated. 69 00:03:58,120 --> 00:04:00,720 Speaker 1: We know where we were when we were realized we 70 00:04:00,840 --> 00:04:06,200 Speaker 1: can never buy a white refrigerator after Nini Leeg said. 71 00:04:09,160 --> 00:04:12,240 Speaker 3: Why refrigerator should stew her ass because she's single handedly 72 00:04:12,440 --> 00:04:15,720 Speaker 3: ruined everything, Like if I walk into a place with 73 00:04:15,800 --> 00:04:16,760 Speaker 3: a wire refrigerator. 74 00:04:17,320 --> 00:04:19,520 Speaker 4: Oh no, honey, what is this? 75 00:04:20,040 --> 00:04:23,320 Speaker 1: So where were you when you learned that Candace Diller 76 00:04:23,360 --> 00:04:24,640 Speaker 1: Bassett was leaving the show? 77 00:04:25,440 --> 00:04:27,000 Speaker 4: I think I was lying in my bed. 78 00:04:27,560 --> 00:04:29,599 Speaker 3: I was resting because I'm getting a lot of rest 79 00:04:29,680 --> 00:04:32,400 Speaker 3: these days. I wasn't doing much, but I remember being 80 00:04:32,440 --> 00:04:35,320 Speaker 3: so shocked, like she's leaving. But I was happy when 81 00:04:35,360 --> 00:04:37,600 Speaker 3: I read it and saw that she was leaving on 82 00:04:37,640 --> 00:04:39,479 Speaker 3: her own. She made the choice to leave. She was 83 00:04:39,560 --> 00:04:41,720 Speaker 3: not fired, because I was going to have a lot 84 00:04:41,760 --> 00:04:44,840 Speaker 3: of questions if they were letting Candace go. But I'm 85 00:04:44,880 --> 00:04:48,000 Speaker 3: actually happy Candace made the decision to leave, especially with 86 00:04:48,040 --> 00:04:52,080 Speaker 3: the news that followed about the expansion of her family. 87 00:04:52,520 --> 00:04:54,640 Speaker 4: So I am sad. 88 00:04:54,440 --> 00:04:57,479 Speaker 3: To see her go because I really think if we're 89 00:04:57,520 --> 00:04:59,120 Speaker 3: talking about a future. 90 00:04:59,040 --> 00:05:02,440 Speaker 4: Of Potomac in the show, she fits that bill. 91 00:05:03,279 --> 00:05:06,880 Speaker 3: But after watching the parts the three parts of the reunion, 92 00:05:07,520 --> 00:05:11,080 Speaker 3: Candace does not have a friend on that cast. She 93 00:05:11,200 --> 00:05:14,080 Speaker 3: does not have one friend on that cast, and that's 94 00:05:14,120 --> 00:05:15,840 Speaker 3: not an environment that you want to be in when 95 00:05:15,839 --> 00:05:17,839 Speaker 3: you're pregnant and bringing a new life into this world. 96 00:05:17,880 --> 00:05:20,840 Speaker 3: So good on you, Candy, Honey. 97 00:05:21,200 --> 00:05:22,640 Speaker 2: Let's dive right into it. 98 00:05:22,800 --> 00:05:26,840 Speaker 1: So you watch all three parts Reunion only because you 99 00:05:26,920 --> 00:05:28,839 Speaker 1: knew I was going to talk to you. So before 100 00:05:28,880 --> 00:05:33,800 Speaker 1: we get into the questionable friends that Candace doesn't have 101 00:05:34,080 --> 00:05:36,400 Speaker 1: in terms of what you think she doesn't have, how 102 00:05:36,520 --> 00:05:38,560 Speaker 1: checked out were you this past season. 103 00:05:38,560 --> 00:05:43,080 Speaker 4: The Austin episode. I remember making a video. It might 104 00:05:43,120 --> 00:05:44,680 Speaker 4: have been the episode. 105 00:05:44,200 --> 00:05:46,920 Speaker 2: Prior it went viral, by the way, I don't even. 106 00:05:46,839 --> 00:05:48,800 Speaker 3: Know what viral means at this point, but yeah, I'll 107 00:05:48,839 --> 00:05:50,560 Speaker 3: take it. I will take it. I will take it. 108 00:05:50,640 --> 00:05:52,680 Speaker 3: I made a video about how a comfortable it was 109 00:05:52,760 --> 00:05:55,599 Speaker 3: to watch them just kind of ice Candace out and 110 00:05:56,040 --> 00:05:58,599 Speaker 3: just be not cohesive as a group. 111 00:05:58,720 --> 00:05:59,960 Speaker 4: It was really hard to watch. 112 00:06:00,200 --> 00:06:03,240 Speaker 3: I remember watching that, and I remember the Austin trip happens, 113 00:06:03,480 --> 00:06:05,839 Speaker 3: and I'm like, that's a trip that I could call 114 00:06:06,160 --> 00:06:08,200 Speaker 3: my friends up and we could take on a Wednesday. 115 00:06:08,480 --> 00:06:11,799 Speaker 3: I watched these shows because of the aspirational lifestyles, because 116 00:06:11,839 --> 00:06:14,280 Speaker 3: of the opulence of wealth, right. I watched this to 117 00:06:14,360 --> 00:06:17,560 Speaker 3: get a peek into people's lifestyles that I'm not familiar with, 118 00:06:18,120 --> 00:06:20,360 Speaker 3: and that was something that I could just do on 119 00:06:20,400 --> 00:06:24,080 Speaker 3: a regular day, and so I just felt like when 120 00:06:24,080 --> 00:06:27,159 Speaker 3: you add that to just the way that the cast 121 00:06:27,200 --> 00:06:30,640 Speaker 3: feels like, the vibe, the negativity, you know, a pair 122 00:06:30,760 --> 00:06:34,200 Speaker 3: with the trips that are just very subpar, I was like, Okay, 123 00:06:34,279 --> 00:06:36,080 Speaker 3: I don't think this is for me. I think they've 124 00:06:36,120 --> 00:06:38,600 Speaker 3: officially lost the plot. They've officially lost the plot. 125 00:06:38,800 --> 00:06:42,440 Speaker 1: No, I think it's hilarious that you and I both 126 00:06:42,560 --> 00:06:47,200 Speaker 1: stopped watching this season during the autin trip, and it's 127 00:06:47,279 --> 00:06:51,800 Speaker 1: indicative of the similarities that the audience feels. It's sort 128 00:06:51,839 --> 00:06:55,200 Speaker 1: of the breaking point that we all had at the 129 00:06:55,279 --> 00:06:57,760 Speaker 1: same time, because you and I are not alone in that. 130 00:06:58,320 --> 00:07:01,520 Speaker 1: I think the reason why our percentage of people did 131 00:07:01,600 --> 00:07:05,000 Speaker 1: check out of the show is because, look, we know, 132 00:07:05,080 --> 00:07:08,120 Speaker 1: at the end of the day, these people aren't real friends. 133 00:07:08,320 --> 00:07:12,120 Speaker 1: The conceit of now we're real friends we like hangout 134 00:07:12,160 --> 00:07:14,520 Speaker 1: off camera, we know that's not the case, and look, 135 00:07:14,800 --> 00:07:17,360 Speaker 1: I have shows where some of these people do not 136 00:07:17,400 --> 00:07:21,760 Speaker 1: hang out off camera, and so that's not even the 137 00:07:21,800 --> 00:07:24,840 Speaker 1: case because we still watch we loved Atlanta Housewives when 138 00:07:24,840 --> 00:07:27,040 Speaker 1: we knew that some of y'all don't really hang out 139 00:07:27,040 --> 00:07:27,440 Speaker 1: with each other. 140 00:07:27,520 --> 00:07:30,520 Speaker 2: But what made our favorite shows. 141 00:07:30,880 --> 00:07:34,040 Speaker 1: The favorite is because at least they all clocked in 142 00:07:34,080 --> 00:07:39,360 Speaker 1: and said, look, while we're a part of this institution 143 00:07:39,600 --> 00:07:42,040 Speaker 1: for three to four months, let's do our best to 144 00:07:42,160 --> 00:07:45,640 Speaker 1: figure things out. And I think for us it was 145 00:07:45,680 --> 00:07:47,720 Speaker 1: sort of like, you guys don't like each other. 146 00:07:48,160 --> 00:07:50,120 Speaker 2: You guys do not want to be around each other. 147 00:07:50,880 --> 00:07:56,960 Speaker 1: The isolation and the ostracization of Candice bothered me and 148 00:07:57,280 --> 00:08:01,120 Speaker 1: I and it bothered me in a way where listen, 149 00:08:01,480 --> 00:08:07,680 Speaker 1: we all or know someone who felt isolated. 150 00:08:07,080 --> 00:08:08,320 Speaker 2: When we were in school. 151 00:08:08,880 --> 00:08:11,480 Speaker 1: You know, if you had a parent that transferred you 152 00:08:11,520 --> 00:08:16,960 Speaker 1: to different schools, that's tough. I was somebody who moved. 153 00:08:17,040 --> 00:08:22,080 Speaker 1: I went to like three elementary schools, right, And I 154 00:08:22,160 --> 00:08:25,320 Speaker 1: just remember always feeling alone, like people aren't really messed 155 00:08:25,320 --> 00:08:26,720 Speaker 1: with me because I'm a new kid on the block. 156 00:08:27,080 --> 00:08:30,960 Speaker 1: And I felt that Candace represented that person, that child, 157 00:08:31,080 --> 00:08:33,600 Speaker 1: and all of us who had that experience. And I 158 00:08:33,640 --> 00:08:35,280 Speaker 1: just felt it was like, I don't want to watch 159 00:08:35,280 --> 00:08:38,840 Speaker 1: a show where this one woman is being isolated and 160 00:08:38,880 --> 00:08:41,280 Speaker 1: she's around a bunch of women who don't see it 161 00:08:41,320 --> 00:08:44,520 Speaker 1: for her. And when it comes to her friends, I 162 00:08:44,559 --> 00:08:47,280 Speaker 1: always thought Wendy was her friend in real life. Do 163 00:08:47,360 --> 00:08:50,160 Speaker 1: you not think that Wendy is Canvas's real friend. 164 00:08:51,120 --> 00:08:54,640 Speaker 3: I don't think so. No, I don't think that's her enemy. 165 00:08:54,800 --> 00:08:57,160 Speaker 3: I don't think she's her op or anything like that. 166 00:08:57,240 --> 00:08:59,920 Speaker 3: I just feel like they have a friendship of convenience 167 00:09:00,120 --> 00:09:03,520 Speaker 3: Garcel and Sutton right on Beverly Hills Real Health Tives 168 00:09:03,520 --> 00:09:06,720 Speaker 3: of Beverly Hills. I think Wendy and Candace both don't 169 00:09:06,760 --> 00:09:09,560 Speaker 3: feel super welcome within the group, and so it makes 170 00:09:09,559 --> 00:09:14,120 Speaker 3: them being friends feel like the best fit. And yeah, 171 00:09:14,160 --> 00:09:17,560 Speaker 3: that's why I say, like, Candis doesn't have a friend 172 00:09:18,640 --> 00:09:21,080 Speaker 3: on the show, And I think you're right too. Like 173 00:09:21,480 --> 00:09:25,160 Speaker 3: I was watching the reunion and like watching Candace cry 174 00:09:25,240 --> 00:09:27,720 Speaker 3: kind of like she cries a lot, right, And I 175 00:09:27,720 --> 00:09:30,760 Speaker 3: feel like I'm a very sensitive woman myself, so I 176 00:09:30,800 --> 00:09:33,319 Speaker 3: cry often. But I was feeling like, man, I think 177 00:09:33,400 --> 00:09:36,320 Speaker 3: Candace is crying and she's so sensitive with this group 178 00:09:36,440 --> 00:09:39,400 Speaker 3: because it's like she can't do anything really like right 179 00:09:39,520 --> 00:09:43,400 Speaker 3: with them, right, And it's like, yep, I don't see 180 00:09:43,440 --> 00:09:46,880 Speaker 3: her overtly trying to prove herself as you know, good 181 00:09:46,960 --> 00:09:49,040 Speaker 3: enough or to be accepted. I don't think that's how 182 00:09:49,120 --> 00:09:52,320 Speaker 3: Candace is. But I do think Candace does have all 183 00:09:52,440 --> 00:09:55,680 Speaker 3: the components that should be well accepted and she's just not. 184 00:09:56,400 --> 00:09:58,720 Speaker 3: And I think that really does bother her. But that's 185 00:09:58,760 --> 00:10:01,240 Speaker 3: also why I say, girl, you're pregnant, you're about to 186 00:10:01,240 --> 00:10:01,760 Speaker 3: have your baby. 187 00:10:01,760 --> 00:10:03,160 Speaker 4: You don't need to be around a group. 188 00:10:03,000 --> 00:10:05,560 Speaker 3: Of people who are making you feel the way that 189 00:10:05,600 --> 00:10:07,920 Speaker 3: these women seem to make you feel on a day 190 00:10:07,920 --> 00:10:08,680 Speaker 3: to day basis. 191 00:10:08,880 --> 00:10:09,679 Speaker 4: Just be done with it. 192 00:10:09,720 --> 00:10:11,480 Speaker 3: But I do I agree with you. I think Candish 193 00:10:11,520 --> 00:10:15,480 Speaker 3: just feels super ostracized from the group. She doesn't feel accepted, 194 00:10:15,520 --> 00:10:17,240 Speaker 3: and I think she does. You know, we all want 195 00:10:17,280 --> 00:10:20,000 Speaker 3: to be accepted. Like, yes, it's no shame when I 196 00:10:20,000 --> 00:10:21,880 Speaker 3: said that, we all want to be accepted, especially when 197 00:10:21,920 --> 00:10:23,760 Speaker 3: you're in a group like this on a reality TV show. 198 00:10:23,800 --> 00:10:26,600 Speaker 4: You want to be well received and well liked. 199 00:10:27,440 --> 00:10:30,320 Speaker 1: One of my rain drops said to me, and I 200 00:10:30,320 --> 00:10:31,960 Speaker 1: would love to get your point of view on this, 201 00:10:32,040 --> 00:10:35,280 Speaker 1: because I do think he has a good point. Hi 202 00:10:35,400 --> 00:10:43,760 Speaker 1: Janelle on Twitter, I call him mister Gobadi Bryant because 203 00:10:43,800 --> 00:10:47,560 Speaker 1: he is a gazelle stand and a porsious stance. So 204 00:10:47,679 --> 00:10:53,760 Speaker 1: Hi Janelle, I love him, he said on Twitter. And 205 00:10:53,800 --> 00:10:56,000 Speaker 1: I was like, this is very interesting and I would 206 00:10:56,000 --> 00:10:57,000 Speaker 1: love to get your point of view. 207 00:10:57,640 --> 00:11:00,600 Speaker 2: He said, that with Giselle being the. 208 00:11:00,640 --> 00:11:03,680 Speaker 1: Queen Bee of the show, that if we want to 209 00:11:03,679 --> 00:11:08,960 Speaker 1: break it down, Wendy and Candace want Gazelle to like them, 210 00:11:09,400 --> 00:11:14,400 Speaker 1: and the struggles in the beginning was what you said. 211 00:11:14,440 --> 00:11:15,840 Speaker 2: We all want to be accepted. 212 00:11:16,400 --> 00:11:19,480 Speaker 1: It's just it's human nature and there's not one person 213 00:11:19,480 --> 00:11:22,360 Speaker 1: in this world who has never felt that way. You 214 00:11:22,400 --> 00:11:24,920 Speaker 1: may not feel that way as much getting older, but 215 00:11:25,040 --> 00:11:27,920 Speaker 1: in every scenario that you're in one of those, you want. 216 00:11:27,760 --> 00:11:28,600 Speaker 2: To feel accepted. 217 00:11:29,320 --> 00:11:33,600 Speaker 1: He said that the girls want Gazell to accept them, 218 00:11:34,280 --> 00:11:37,600 Speaker 1: and he said that when you if you really played 219 00:11:37,600 --> 00:11:42,520 Speaker 1: close attention to the earlier seasons, he said, Wendy wanted 220 00:11:42,640 --> 00:11:48,559 Speaker 1: Gazel's approval, and that's why when Monique and Candace had 221 00:11:48,600 --> 00:11:53,960 Speaker 1: that altercation, Wendy sided with Gazelle immediately. And obviously there's 222 00:11:54,040 --> 00:11:55,960 Speaker 1: questions though who was right or wrong. We're not going 223 00:11:56,000 --> 00:12:00,800 Speaker 1: to get into that. And then Candace said recently that 224 00:12:01,679 --> 00:12:05,839 Speaker 1: the only reason why Giselle had her side during the 225 00:12:05,960 --> 00:12:09,120 Speaker 1: altercation with Monique is because she hated Monique. 226 00:12:09,200 --> 00:12:10,600 Speaker 2: She never liked Candace. 227 00:12:10,679 --> 00:12:13,880 Speaker 1: She just she wanted Monique out and she used Candace 228 00:12:13,920 --> 00:12:16,200 Speaker 1: as proxy to do it. And they all said, if 229 00:12:16,240 --> 00:12:19,439 Speaker 1: you really pay a close attention to the show. Wendy 230 00:12:19,760 --> 00:12:23,839 Speaker 1: and Candace were looking for Giselle's approval and when. 231 00:12:23,800 --> 00:12:25,560 Speaker 2: They didn't get it, and. 232 00:12:25,480 --> 00:12:31,520 Speaker 1: She was obviously so overtly, you know, not the nicest 233 00:12:31,559 --> 00:12:35,040 Speaker 1: to them that it hurt them. And when you see 234 00:12:35,160 --> 00:12:39,640 Speaker 1: Candace cry when it comes to her friendships with Robin, 235 00:12:39,760 --> 00:12:43,160 Speaker 1: even Giselle is because she really wanted their acceptance. 236 00:12:43,720 --> 00:12:46,200 Speaker 4: Absolutely. I mean we've talked about this before. 237 00:12:46,360 --> 00:12:50,640 Speaker 3: Everyone who comes into Potomach they want Giselle's acceptance. So 238 00:12:50,720 --> 00:12:53,280 Speaker 3: whether you call her the Queen Deee, the Regina George 239 00:12:53,320 --> 00:12:57,000 Speaker 3: of the group, whatever, for whatever reason, when people come 240 00:12:57,040 --> 00:12:59,600 Speaker 3: to the something, We've seen it with every newbie, they 241 00:12:59,640 --> 00:13:02,520 Speaker 3: want Zelle's acceptance. Even you know, you brought up Mommy. 242 00:13:03,040 --> 00:13:06,000 Speaker 3: You can see her money got off to a rocky start. 243 00:13:06,080 --> 00:13:09,120 Speaker 3: But the moment Gizelle kind of accepted Monique, Monique was 244 00:13:09,160 --> 00:13:12,040 Speaker 3: all in with her with that relationship, right, And it's 245 00:13:12,240 --> 00:13:14,959 Speaker 3: very obvious there's something about Gazelle that people just. 246 00:13:15,000 --> 00:13:18,280 Speaker 4: Want acceptance from, except for Karen. 247 00:13:18,280 --> 00:13:19,960 Speaker 3: I feel like Karen is the only one who's like, 248 00:13:20,000 --> 00:13:22,000 Speaker 3: I could go either way. But I think that's because 249 00:13:22,000 --> 00:13:23,760 Speaker 3: they already had a history before the show, and she 250 00:13:23,800 --> 00:13:26,960 Speaker 3: has Gazelle's number. It's like, I don't need you to 251 00:13:27,080 --> 00:13:30,160 Speaker 3: accept me, like you know, the Grand dam doesn't need anybody, 252 00:13:30,520 --> 00:13:33,400 Speaker 3: all right, But yeah, I think everybody that comes through 253 00:13:33,440 --> 00:13:38,880 Speaker 3: the show wants to be accepted by Gazelle for whatever reason. 254 00:13:39,200 --> 00:13:41,400 Speaker 3: And it's not you know, like she's a beautiful woman, 255 00:13:41,440 --> 00:13:43,400 Speaker 3: but they're all beautiful, you know what I'm saying. I 256 00:13:43,400 --> 00:13:45,480 Speaker 3: don't know if it's just Gazelle's attitude of like, I 257 00:13:46,200 --> 00:13:48,880 Speaker 3: couldn't care less about any of this. So when you 258 00:13:48,920 --> 00:13:51,079 Speaker 3: meet a person who couldn't care less about anything, the 259 00:13:51,200 --> 00:13:53,200 Speaker 3: one thing you want is for them to actually care 260 00:13:53,679 --> 00:13:54,080 Speaker 3: about you. 261 00:13:55,000 --> 00:13:58,280 Speaker 4: So maybe that's what it is. But it's something about. 262 00:13:58,040 --> 00:14:02,760 Speaker 3: That damn Giselle that people just want her acceptance, and 263 00:14:02,880 --> 00:14:05,440 Speaker 3: I understand if that could be hurtful to not have it, 264 00:14:05,520 --> 00:14:08,080 Speaker 3: especially if you go from having it and then there's 265 00:14:08,080 --> 00:14:11,000 Speaker 3: a fallout and you no longer have it. She seems 266 00:14:11,120 --> 00:14:15,600 Speaker 3: so disinterested in even trying to build anything with Candace, 267 00:14:15,960 --> 00:14:18,760 Speaker 3: and that could also be herful of Candace is on 268 00:14:18,800 --> 00:14:21,400 Speaker 3: the side of the aisle where she's like, I'm willing 269 00:14:21,440 --> 00:14:24,520 Speaker 3: to forgive her, but then Gisella is like, I don't 270 00:14:24,720 --> 00:14:25,960 Speaker 3: really care if you forgive me or not. 271 00:14:26,000 --> 00:14:28,800 Speaker 4: I don't want anything to do with you. That's hurtful. 272 00:14:29,200 --> 00:14:30,760 Speaker 4: And this is just speaking as like a human being. 273 00:14:30,800 --> 00:14:34,920 Speaker 3: It's not like Candace personally Giselle personally, Like that's hurtful 274 00:14:34,920 --> 00:14:37,440 Speaker 3: when you want someone to like you, or you know, 275 00:14:37,520 --> 00:14:39,560 Speaker 3: you want to walk in forgiveness with them and they 276 00:14:39,600 --> 00:14:40,720 Speaker 3: just don't even care about it. 277 00:14:41,000 --> 00:14:44,680 Speaker 1: No, but you listen, you are one hundred percent right 278 00:14:44,720 --> 00:14:48,240 Speaker 1: to me, because this isn't us sort of recapping the season. 279 00:14:48,320 --> 00:14:52,480 Speaker 1: It's more so about the psychology of Potomac. And the 280 00:14:52,520 --> 00:14:56,560 Speaker 1: only thing I can say to you is two things. First, 281 00:14:57,040 --> 00:15:00,320 Speaker 1: when you met Giselle when you were my EP the 282 00:15:00,360 --> 00:15:04,960 Speaker 1: podcast and we did a zoom interview, you even said 283 00:15:05,120 --> 00:15:07,440 Speaker 1: to her and to me, I don't want I don't 284 00:15:07,440 --> 00:15:09,240 Speaker 1: wanna speak for you, so just say what you said. 285 00:15:10,080 --> 00:15:14,760 Speaker 4: No, Giselle was so nice, like she was so cool. 286 00:15:14,920 --> 00:15:17,520 Speaker 3: She was cracking jokes, like she was being like the 287 00:15:17,600 --> 00:15:19,360 Speaker 3: Giselle that we see her be on the show. 288 00:15:19,400 --> 00:15:22,840 Speaker 4: That's who she was when we had her on Reality 289 00:15:22,880 --> 00:15:23,320 Speaker 4: with the King. 290 00:15:23,440 --> 00:15:26,120 Speaker 3: And I always say this stuff because people ask me, like, 291 00:15:26,240 --> 00:15:28,840 Speaker 3: when you know they see that you have certain house fives, 292 00:15:28,840 --> 00:15:31,320 Speaker 3: their reality starts was such and such mean or how 293 00:15:31,320 --> 00:15:33,840 Speaker 3: were they I'm like, everybody was nice to me. But 294 00:15:33,880 --> 00:15:37,200 Speaker 3: I also recognize I'm in a specific position when I 295 00:15:37,240 --> 00:15:39,760 Speaker 3: was their EP. They're coming into the show and I'm 296 00:15:39,800 --> 00:15:44,600 Speaker 3: your EP. No one's gonna be rude to the executive producer, 297 00:15:44,640 --> 00:15:46,560 Speaker 3: you know, like the of the host of the show 298 00:15:46,680 --> 00:15:47,480 Speaker 3: right or of the show. 299 00:15:48,160 --> 00:15:50,240 Speaker 4: So I do recognize that there was. 300 00:15:50,200 --> 00:15:52,880 Speaker 3: Almost like a privileged position that I was sitting in 301 00:15:52,920 --> 00:15:55,440 Speaker 3: to meet these women. But maybe they were nicer to 302 00:15:55,480 --> 00:15:57,200 Speaker 3: me than they would normally be if I was just 303 00:15:57,280 --> 00:15:59,280 Speaker 3: you know, Joe Schmoe on the street, or if I 304 00:15:59,320 --> 00:16:02,440 Speaker 3: were one of their cats. I have found it harder 305 00:16:02,920 --> 00:16:06,480 Speaker 3: to jump on the hate train of Giselle because I 306 00:16:06,520 --> 00:16:11,440 Speaker 3: have met her and she wasn't this awful evil person 307 00:16:12,080 --> 00:16:12,760 Speaker 3: that she's. 308 00:16:12,600 --> 00:16:15,520 Speaker 4: Made up to be. I'm not saying she's a great person. 309 00:16:15,520 --> 00:16:15,800 Speaker 4: I don't. 310 00:16:15,800 --> 00:16:18,000 Speaker 3: I'm not saying I agree with her actions and the 311 00:16:18,040 --> 00:16:20,280 Speaker 3: thing she displayed because I thought her laughing at Candace 312 00:16:20,320 --> 00:16:22,840 Speaker 3: crying was terribly juvenile. 313 00:16:23,400 --> 00:16:25,000 Speaker 4: But I haven't. 314 00:16:24,720 --> 00:16:27,520 Speaker 3: Experienced her personally to be a bad person. But that's 315 00:16:27,560 --> 00:16:31,080 Speaker 3: also why I'm teen Candace, because I've experienced Candicce more 316 00:16:31,120 --> 00:16:35,000 Speaker 3: times than i've met Gazelle, and she's so sweet, so lovable, 317 00:16:35,360 --> 00:16:38,440 Speaker 3: so supportive of just like black women doing anything that 318 00:16:38,640 --> 00:16:41,360 Speaker 3: I am all often taken it back by the hate 319 00:16:41,400 --> 00:16:42,840 Speaker 3: that she gets from other black women. So I'm like, 320 00:16:42,880 --> 00:16:46,640 Speaker 3: if y'all knew this woman, she is, she is rooting 321 00:16:46,680 --> 00:16:49,680 Speaker 3: for whatever you're doing. Like, she is such a supporter 322 00:16:49,800 --> 00:16:53,000 Speaker 3: of black women. So it's always like it's a tangled 323 00:16:53,040 --> 00:16:55,840 Speaker 3: web of like being in proximity with these people and 324 00:16:55,880 --> 00:16:59,080 Speaker 3: then like witnessing how they are treated based on the show. 325 00:16:59,440 --> 00:17:01,000 Speaker 4: It's often disconnected to me. 326 00:17:01,480 --> 00:17:03,000 Speaker 2: Yeah, no, it is, it is. It is. 327 00:17:03,040 --> 00:17:06,679 Speaker 1: And obviously I have been around Gazelle. We have a 328 00:17:06,720 --> 00:17:10,960 Speaker 1: great rapport and that's the reason why last week I said, 329 00:17:11,000 --> 00:17:14,600 Speaker 1: well the real Gazelle Brian stand up, because the Gazelle 330 00:17:14,640 --> 00:17:17,639 Speaker 1: I see on the show is not the Gizelle I 331 00:17:17,680 --> 00:17:21,600 Speaker 1: met in person and been around. Those are two different people, 332 00:17:22,200 --> 00:17:25,840 Speaker 1: and it's interesting to know that there is a side 333 00:17:25,920 --> 00:17:28,560 Speaker 1: of her that I do see on the show that 334 00:17:28,720 --> 00:17:33,760 Speaker 1: I don't understand. And I agree with you that in 335 00:17:33,800 --> 00:17:37,280 Speaker 1: any sort of situation, whether you're at a work or 336 00:17:37,440 --> 00:17:41,159 Speaker 1: amongst your friend group, you do want to be able 337 00:17:41,280 --> 00:17:46,560 Speaker 1: to have the sort of leader like you and at 338 00:17:46,560 --> 00:17:49,760 Speaker 1: the end of the day, Gizelle is that leader. But 339 00:17:50,240 --> 00:17:53,679 Speaker 1: when it comes to the psychology of the show that 340 00:17:53,720 --> 00:17:56,720 Speaker 1: we're seeing, and I want to get your thoughts. 341 00:17:56,720 --> 00:17:59,680 Speaker 2: After watching the three part reunion the cast. 342 00:18:00,480 --> 00:18:03,960 Speaker 1: It's so disjointed that you can tell that they were 343 00:18:04,000 --> 00:18:06,679 Speaker 1: told like try to get along and make amends. And 344 00:18:06,720 --> 00:18:10,960 Speaker 1: even Candace said that she was told to hold back. 345 00:18:11,400 --> 00:18:13,360 Speaker 4: I don't know when I read it. I didn't read 346 00:18:13,400 --> 00:18:15,040 Speaker 4: it like as a quote from Candace. 347 00:18:15,119 --> 00:18:17,399 Speaker 3: I read it as like someone saying that that's what 348 00:18:17,440 --> 00:18:17,920 Speaker 3: they heard. 349 00:18:18,200 --> 00:18:19,720 Speaker 4: So I was like, I don't know how true this is, 350 00:18:19,720 --> 00:18:22,199 Speaker 4: but that is official. Like Candace said that out of 351 00:18:22,240 --> 00:18:22,640 Speaker 4: her mouth. 352 00:18:22,840 --> 00:18:25,040 Speaker 1: Yeah, she said she was told to like pretty much 353 00:18:25,080 --> 00:18:29,440 Speaker 1: hold back. Because obviously if you look at the reunion, 354 00:18:29,440 --> 00:18:32,720 Speaker 1: and I believe this was part three, when she sort 355 00:18:32,720 --> 00:18:34,760 Speaker 1: of looked off camera said y'all want me to make 356 00:18:34,840 --> 00:18:38,000 Speaker 1: up with this? You know that sort of gave an 357 00:18:38,000 --> 00:18:41,880 Speaker 1: idea that, yeah, and it's what you said too, let's 358 00:18:41,880 --> 00:18:42,840 Speaker 1: have a real conversation. 359 00:18:43,160 --> 00:18:44,440 Speaker 2: I want this show to do well. 360 00:18:44,880 --> 00:18:51,680 Speaker 1: However, I am afraid of the future because I too 361 00:18:52,119 --> 00:18:57,040 Speaker 1: felt that Candace was the future. And one thing I 362 00:18:57,080 --> 00:19:01,440 Speaker 1: know about producing reality shows is when you have somebody 363 00:19:02,200 --> 00:19:07,960 Speaker 1: who we saw all these milestones. The wedding happened, the 364 00:19:08,000 --> 00:19:10,359 Speaker 1: first time she was a home buyer, you know, we 365 00:19:10,400 --> 00:19:13,679 Speaker 1: saw that happen. We saw glimpses of her being a 366 00:19:13,720 --> 00:19:17,280 Speaker 1: step mom, and we saw this journey of her wanting 367 00:19:17,280 --> 00:19:21,680 Speaker 1: to have a baby, and now that she's having a baby, 368 00:19:21,960 --> 00:19:25,720 Speaker 1: and I believe she is at this point fourteen weeks pregnant. 369 00:19:26,359 --> 00:19:29,439 Speaker 1: The fact that we're not able to see that, it's 370 00:19:29,560 --> 00:19:34,280 Speaker 1: equivalent to us not being able to see Kenya Moore 371 00:19:34,400 --> 00:19:37,480 Speaker 1: have a baby. Like there's just certain things where you're like, 372 00:19:39,160 --> 00:19:41,160 Speaker 1: we were on this journey and we want to see 373 00:19:41,200 --> 00:19:46,760 Speaker 1: this payoff, and it's unfortunate that this woman who has 374 00:19:46,800 --> 00:19:48,919 Speaker 1: all this story is gone. 375 00:19:49,600 --> 00:19:52,119 Speaker 2: But we have to deal with Ashley. 376 00:19:51,760 --> 00:19:55,199 Speaker 4: Darby, which is the biggest fumble for me. 377 00:19:55,560 --> 00:19:59,800 Speaker 3: Like you guys like Candice walk Away when she's about 378 00:19:59,840 --> 00:20:04,160 Speaker 3: to to have a baby, but you're keeping Ashley, who's 379 00:20:04,200 --> 00:20:06,879 Speaker 3: not gonna give us anything more than she's given us. 380 00:20:07,240 --> 00:20:10,560 Speaker 3: If she really is dating someone, she may she might 381 00:20:10,640 --> 00:20:13,160 Speaker 3: want to give a dating storyline, but that doesn't even 382 00:20:13,200 --> 00:20:16,000 Speaker 3: seem to be true, right, Like Ashley just doesn't seem 383 00:20:16,000 --> 00:20:16,760 Speaker 3: to be very. 384 00:20:16,640 --> 00:20:19,960 Speaker 4: Forthcoming, and I'm like, you're keeping her you're. 385 00:20:19,880 --> 00:20:23,000 Speaker 3: Keeping Giselle, who, like I have said multiple times, is 386 00:20:23,040 --> 00:20:25,120 Speaker 3: not going to give us more than what she gave us. 387 00:20:24,880 --> 00:20:28,440 Speaker 4: That boy she was playing with last season. 388 00:20:28,440 --> 00:20:30,639 Speaker 2: He was dating some girl the whole time allegedly. 389 00:20:30,680 --> 00:20:33,080 Speaker 3: Well I never bought that they were dating for real anyway, 390 00:20:33,320 --> 00:20:36,960 Speaker 3: Like stop playing about your pace. Okay, that's the extent though, 391 00:20:37,000 --> 00:20:40,119 Speaker 3: that we're gonna ever get of Gizelle's like dating life, 392 00:20:40,320 --> 00:20:42,199 Speaker 3: you know what I'm saying, Like the stuff with her 393 00:20:42,400 --> 00:20:45,400 Speaker 3: her daughters, that's always going to be like really good TV. 394 00:20:45,520 --> 00:20:48,040 Speaker 4: But Gizelle just isn't willing to give us as much. 395 00:20:48,160 --> 00:20:51,240 Speaker 3: Like we've seen candases like strain relationship with her mother, 396 00:20:51,560 --> 00:20:53,840 Speaker 3: you know what I'm saying. We've seen like how that 397 00:20:53,960 --> 00:20:55,760 Speaker 3: has gone back and forth and seems to be like 398 00:20:55,840 --> 00:20:58,239 Speaker 3: on the up and up. Right, She's shown us so 399 00:20:58,359 --> 00:21:00,720 Speaker 3: much more, and I feel like she is at the 400 00:21:00,760 --> 00:21:02,520 Speaker 3: point of her life she would still be ready to 401 00:21:02,600 --> 00:21:05,119 Speaker 3: give and we're not gonna be able to see it. 402 00:21:05,160 --> 00:21:08,119 Speaker 3: But we're stuck kind of with these sagnant storylines and 403 00:21:08,160 --> 00:21:10,520 Speaker 3: people who are just gonna wait until they get new 404 00:21:10,560 --> 00:21:13,280 Speaker 3: cast members and kind of dig deeply into their lives 405 00:21:13,280 --> 00:21:16,240 Speaker 3: and try to make things hell for them, and that's 406 00:21:16,240 --> 00:21:19,080 Speaker 3: gonna be the cycle and that's not good for the 407 00:21:19,160 --> 00:21:20,639 Speaker 3: future of Potomacs. 408 00:21:21,280 --> 00:21:24,200 Speaker 2: What are your thoughts on the future of Doctor Wendy. 409 00:21:24,440 --> 00:21:27,920 Speaker 3: I'll say this, I think that Doctor Wendy's not beating 410 00:21:27,960 --> 00:21:32,040 Speaker 3: the allegations of not wanting another like Nigerian girl on 411 00:21:32,080 --> 00:21:35,920 Speaker 3: the show, because as I sat and watched the reunion, 412 00:21:37,240 --> 00:21:41,080 Speaker 3: I said, I actually, I'm actually buying into that theory 413 00:21:41,119 --> 00:21:43,159 Speaker 3: now because she's see the way in the way that 414 00:21:43,240 --> 00:21:47,240 Speaker 3: Giselle is so disinterested in building any feeling Candice. Wendy 415 00:21:47,320 --> 00:21:50,480 Speaker 3: seems the same way with Mecca, like there's no room 416 00:21:50,560 --> 00:21:53,680 Speaker 3: for resolve, like I have no desire to be cool 417 00:21:53,720 --> 00:21:56,439 Speaker 3: with these very dismissive of her, just kind of like 418 00:21:56,480 --> 00:21:59,359 Speaker 3: paying her the I mean, the three times that Nika 419 00:21:59,359 --> 00:22:03,200 Speaker 3: did say something in the reunion, Wendy paid it okay, 420 00:22:03,640 --> 00:22:08,000 Speaker 3: And I'm like, when we found out she was froking Wisconsin, 421 00:22:08,040 --> 00:22:13,120 Speaker 3: I'm promost talking to but yeah, it was it was 422 00:22:13,240 --> 00:22:17,119 Speaker 3: very much like I have no desire to be friends 423 00:22:17,119 --> 00:22:20,120 Speaker 3: with this person. And I think for that reason, I 424 00:22:20,160 --> 00:22:21,840 Speaker 3: was like, I don't know if I don't want to see. 425 00:22:21,720 --> 00:22:24,280 Speaker 4: Anything else from Wendy, because that just felt achy to me. 426 00:22:24,440 --> 00:22:26,479 Speaker 3: Like Mekka brought it up like we could have been 427 00:22:26,480 --> 00:22:28,840 Speaker 3: the first two, like Nigerian sisters. 428 00:22:29,240 --> 00:22:32,040 Speaker 4: They could have taken it and Wendy was not interested 429 00:22:32,080 --> 00:22:33,679 Speaker 4: in doing that. It never was. 430 00:22:34,280 --> 00:22:36,919 Speaker 1: But would YouTube and somebody say your mama was a 431 00:22:36,960 --> 00:22:42,000 Speaker 1: witch and practices witchcraft. I just don't listen, No shade, 432 00:22:42,480 --> 00:22:45,400 Speaker 1: you talked about my mama being a witch and does 433 00:22:45,480 --> 00:22:47,680 Speaker 1: the seance and all that. 434 00:22:48,119 --> 00:22:49,560 Speaker 2: I don't know if I could be friends with you, though, 435 00:22:49,640 --> 00:22:51,720 Speaker 2: Jazz Cluche. 436 00:22:51,440 --> 00:22:54,480 Speaker 4: If you talk about mama biscuits, we might have to. 437 00:22:57,320 --> 00:22:59,359 Speaker 4: You're you're right, but I do like, I don't know. 438 00:22:59,640 --> 00:23:01,200 Speaker 4: I think you just watching the interaction. 439 00:23:01,280 --> 00:23:02,640 Speaker 3: You know, when you get to a point and watch 440 00:23:02,680 --> 00:23:05,800 Speaker 3: the reality TV for so long, you start to just 441 00:23:05,960 --> 00:23:08,320 Speaker 3: we were talking about the psychology of everything. You start 442 00:23:08,359 --> 00:23:10,760 Speaker 3: to just watch people like body language and their actions 443 00:23:10,800 --> 00:23:14,119 Speaker 3: and like, yeah, the aftermath of what Neka did, you 444 00:23:14,160 --> 00:23:17,040 Speaker 3: shouldn't fuck with her, but I do. But like I said, 445 00:23:17,040 --> 00:23:19,200 Speaker 3: she's not beating the allegations that she just didn't want 446 00:23:19,280 --> 00:23:23,160 Speaker 3: another Nigerian person on their period. Maybe it was personally 447 00:23:23,440 --> 00:23:26,760 Speaker 3: personal about Mecca, but she's not beating those allegations. 448 00:23:26,760 --> 00:23:28,960 Speaker 4: In my mind, I got your remember Wendy. 449 00:23:29,160 --> 00:23:32,320 Speaker 2: Oh Lord Jesus, this is interesting. I will say this. 450 00:23:33,359 --> 00:23:35,600 Speaker 1: I feel bad for Mekka, and I'm gonna tell you 451 00:23:35,640 --> 00:23:38,639 Speaker 1: why to have a three part reunion and you are 452 00:23:38,680 --> 00:23:43,479 Speaker 1: a housewife and you only spoke three times and listen, listen. 453 00:23:44,280 --> 00:23:45,720 Speaker 2: That Neca versus. 454 00:23:45,359 --> 00:23:50,200 Speaker 1: Wendy was honestly the biggest drama of the entire season. 455 00:23:50,800 --> 00:23:53,440 Speaker 1: So the fact that it was reduced to a ten 456 00:23:53,560 --> 00:23:58,080 Speaker 1: minute if that conversation, we had three hours of television 457 00:23:58,600 --> 00:24:01,080 Speaker 1: and the biggest drama this season that was reduced to 458 00:24:01,200 --> 00:24:05,840 Speaker 1: ten minutes. I felt bad for Neka because I'm like, 459 00:24:06,600 --> 00:24:10,080 Speaker 1: I don't know anything about you, Sis, I know nothing 460 00:24:10,600 --> 00:24:18,000 Speaker 1: about you. And I was like, because of that, I 461 00:24:18,080 --> 00:24:20,920 Speaker 1: want you to come back only because I'm like, let's 462 00:24:20,960 --> 00:24:22,280 Speaker 1: give you another chance. 463 00:24:22,440 --> 00:24:22,880 Speaker 2: Maybe. 464 00:24:23,200 --> 00:24:26,760 Speaker 1: But to your point, look, one thing I love about 465 00:24:26,760 --> 00:24:33,320 Speaker 1: doctor Wendy is you never have to worry about how 466 00:24:33,359 --> 00:24:36,400 Speaker 1: she's feeling about you. So when she very much threw 467 00:24:36,440 --> 00:24:39,240 Speaker 1: Ashley under the bus and said, how about you explain. 468 00:24:38,960 --> 00:24:40,960 Speaker 2: It because you brought it up, I did. 469 00:24:41,359 --> 00:24:44,840 Speaker 1: Yeah, Now you know it actually goes to the Sesame school, 470 00:24:45,000 --> 00:24:46,240 Speaker 1: you know, Sesame Street school. 471 00:24:46,320 --> 00:24:49,240 Speaker 2: Child, I actually don't know anything but Barney and. 472 00:24:51,160 --> 00:24:54,960 Speaker 1: You know how to be a TikTok influencer, Like she 473 00:24:55,000 --> 00:24:59,719 Speaker 1: doesn't have the level of you know, intelligence to explain 474 00:24:59,800 --> 00:25:00,440 Speaker 1: that for us. 475 00:25:00,520 --> 00:25:03,000 Speaker 2: Right, So when she clocked. 476 00:25:02,600 --> 00:25:06,240 Speaker 1: That, and when she pretty much told Andy about Mecca, 477 00:25:06,680 --> 00:25:11,320 Speaker 1: not once, but twice, I can coexist with her if 478 00:25:11,320 --> 00:25:14,919 Speaker 1: that wasn't a nanny leak's phrase. When it came to 479 00:25:15,680 --> 00:25:18,800 Speaker 1: how she used to feel about the girl's honey, I 480 00:25:18,840 --> 00:25:20,879 Speaker 1: said hi because need even walking. 481 00:25:21,000 --> 00:25:28,040 Speaker 2: Remember in a group scene, Hi, dath. 482 00:25:27,920 --> 00:25:30,879 Speaker 1: Man, she would do this what Paul and do and 483 00:25:31,000 --> 00:25:34,480 Speaker 1: running across so she could say, I said hi to everybody. 484 00:25:34,840 --> 00:25:38,160 Speaker 2: So when doctor Wendy said that this is no shade 485 00:25:39,160 --> 00:25:39,760 Speaker 2: I lack. 486 00:25:39,600 --> 00:25:42,600 Speaker 1: And I said, doctor, to your point and her body language, 487 00:25:42,680 --> 00:25:46,320 Speaker 1: Doctor Wendy wants no parts of Mecca. It is rumored 488 00:25:47,160 --> 00:25:51,480 Speaker 1: that Mekka has been fired. Do you think that's fair? 489 00:25:52,080 --> 00:25:57,520 Speaker 3: Yes, because I'm very indifferent on Mecca, Like I don't 490 00:25:57,640 --> 00:26:00,439 Speaker 3: care about her as like a housewife, not as a person. 491 00:26:01,560 --> 00:26:03,480 Speaker 3: I feel like I always have to give that disclaimer 492 00:26:03,520 --> 00:26:06,000 Speaker 3: because it sounds harsh, like I'm sure these people are 493 00:26:06,040 --> 00:26:09,320 Speaker 3: fine in real life, but as a housewife, she did 494 00:26:09,400 --> 00:26:13,480 Speaker 3: nothing for me, Like I was so disappointed in her reunion, 495 00:26:14,960 --> 00:26:17,400 Speaker 3: like her performance at the reunion, because there was even 496 00:26:17,440 --> 00:26:19,760 Speaker 3: a point where they show her backstage and she was saying, 497 00:26:19,760 --> 00:26:21,800 Speaker 3: I gotta say something. Somebody's like, you need to you 498 00:26:21,840 --> 00:26:24,880 Speaker 3: need to say more. Otherwise it looks like you're just watching, Sweetie. 499 00:26:25,119 --> 00:26:27,720 Speaker 3: You were meet, We were the same, We both just 500 00:26:27,760 --> 00:26:31,119 Speaker 3: sitting there spectating, watching the girls go back and forth. 501 00:26:31,280 --> 00:26:35,359 Speaker 3: I've probably talked more to my television. Van Eka talked 502 00:26:35,440 --> 00:26:38,440 Speaker 3: to these girls at the reunion. It was a flop 503 00:26:38,640 --> 00:26:41,840 Speaker 3: of a reunion performance. And if she got fired for that, 504 00:26:41,840 --> 00:26:44,119 Speaker 3: that is just the way the cookie crumbles. That was 505 00:26:44,160 --> 00:26:48,520 Speaker 3: your time to really show up and you you you 506 00:26:48,600 --> 00:26:52,000 Speaker 3: didn't and I have not. I'm here for entertainment. You 507 00:26:52,040 --> 00:26:54,520 Speaker 3: didn't entertain me. We could move on to the next. 508 00:26:56,359 --> 00:26:57,680 Speaker 4: Beautiful gowns though. 509 00:26:58,600 --> 00:26:59,320 Speaker 2: Not a reason. 510 00:27:01,040 --> 00:27:05,960 Speaker 4: Oh that was my girl? Okay, ree, what's my girl? 511 00:27:06,480 --> 00:27:06,800 Speaker 2: Ree? 512 00:27:06,800 --> 00:27:08,680 Speaker 4: What's my girl? Rest in peace to that queen? 513 00:27:08,920 --> 00:27:12,160 Speaker 2: Yes, oh r I p to the queen Utie, Yes, yes, 514 00:27:12,240 --> 00:27:12,720 Speaker 2: yes yes. 515 00:27:14,080 --> 00:27:17,760 Speaker 1: How do you feel about Robin being fired? Smart decision 516 00:27:17,920 --> 00:27:18,679 Speaker 1: or bad one? 517 00:27:18,960 --> 00:27:21,920 Speaker 3: I saw it coming with the whole like putting her 518 00:27:22,320 --> 00:27:26,320 Speaker 3: story about wine behind the paywall. Smarter or bad decision? 519 00:27:26,359 --> 00:27:29,560 Speaker 3: Though that's hard for me, you know, I've historically called 520 00:27:29,600 --> 00:27:34,040 Speaker 3: her Robin paint Jay Dixon because in the beginning I 521 00:27:34,080 --> 00:27:37,000 Speaker 3: felt like she like she just didn't do it for me. 522 00:27:37,480 --> 00:27:42,760 Speaker 3: But I will say though, her relationship dynamic with Wine 523 00:27:42,960 --> 00:27:46,359 Speaker 3: is so interesting that like that's always gonna be like 524 00:27:46,440 --> 00:27:49,680 Speaker 3: a source of entertainment. I do think though, if her 525 00:27:49,680 --> 00:27:52,399 Speaker 3: and Wine are really serious about being married, it was 526 00:27:52,400 --> 00:27:54,760 Speaker 3: probably a good thing for their relationship because he was 527 00:27:54,800 --> 00:27:55,560 Speaker 3: so checked out. 528 00:27:56,160 --> 00:27:58,880 Speaker 4: But I don't know. I don't know the juries out. 529 00:27:59,000 --> 00:28:00,119 Speaker 4: The jury's out on that. 530 00:28:00,119 --> 00:28:05,240 Speaker 3: Because I think if Giselle doesn't have a Robin next season, 531 00:28:05,880 --> 00:28:08,399 Speaker 3: it's either going to be really really good or really 532 00:28:08,440 --> 00:28:12,320 Speaker 3: really bad because they play so well off of each other. 533 00:28:12,400 --> 00:28:16,119 Speaker 3: So like, is it good for Robin as Robin the individual? 534 00:28:16,240 --> 00:28:18,600 Speaker 3: Probably the best thing? Is it good for the show 535 00:28:18,680 --> 00:28:19,639 Speaker 3: if they're keeping Gazelle. 536 00:28:19,880 --> 00:28:20,920 Speaker 4: I don't know. Jerry's out. 537 00:28:21,280 --> 00:28:24,879 Speaker 1: Yeah, I just said I think Robin being gone is 538 00:28:25,160 --> 00:28:28,479 Speaker 1: going to be a wake up call to Giselle in 539 00:28:28,600 --> 00:28:32,560 Speaker 1: terms of you have to foster some relationships. 540 00:28:32,920 --> 00:28:33,320 Speaker 2: I can. 541 00:28:33,600 --> 00:28:36,840 Speaker 1: I can't go another season of having her and Wendy 542 00:28:36,920 --> 00:28:39,560 Speaker 1: not speak to each other. I just I just can't 543 00:28:39,600 --> 00:28:39,920 Speaker 1: do that. 544 00:28:40,880 --> 00:28:43,240 Speaker 4: So Wendy is coming back because there was a rumor 545 00:28:43,280 --> 00:28:44,520 Speaker 4: that she was not coming back. 546 00:28:44,880 --> 00:28:46,040 Speaker 2: No, she's coming back. 547 00:28:46,160 --> 00:28:51,440 Speaker 3: Okay, I mean Giselle, Wendy, MIA's coming back for sure, 548 00:28:52,040 --> 00:28:55,040 Speaker 3: Ashley Darby Yep, those are the. 549 00:28:55,000 --> 00:28:56,320 Speaker 4: Only four confirmed so far. 550 00:28:56,960 --> 00:28:59,800 Speaker 3: Oh, I mean, let me tell you something about I 551 00:28:59,800 --> 00:29:03,880 Speaker 3: can't Baren. Karen is what they with the network. I 552 00:29:03,880 --> 00:29:07,400 Speaker 3: think in the production company wants Gizelle to be like 553 00:29:07,520 --> 00:29:11,280 Speaker 3: Karen is when I think of Potomac and if you're 554 00:29:11,280 --> 00:29:14,360 Speaker 3: going to anchor someone on the show called The Real 555 00:29:14,400 --> 00:29:15,600 Speaker 3: Housewives of Potomac. 556 00:29:16,240 --> 00:29:20,000 Speaker 4: Karen has the connections, she has the intact marriage. I 557 00:29:20,040 --> 00:29:21,840 Speaker 4: mean the institution. My bad. 558 00:29:22,160 --> 00:29:25,720 Speaker 3: She has the institution, she has the grown children that 559 00:29:25,840 --> 00:29:29,000 Speaker 3: are doing pretty well in life. Like she is what 560 00:29:29,080 --> 00:29:31,560 Speaker 3: I think of when I think about Potomac, and like, 561 00:29:31,640 --> 00:29:34,920 Speaker 3: I'm just so shocked at how much Gizelle has become 562 00:29:35,360 --> 00:29:40,640 Speaker 3: the face of the show and not Karen but Karen, Gizzel, Mio, Wendy, Ashley. 563 00:29:40,800 --> 00:29:44,840 Speaker 4: Yes, Okay, that's weird. 564 00:29:45,440 --> 00:29:47,720 Speaker 2: I was gonna say to say, Oh my god, I 565 00:29:48,800 --> 00:29:49,760 Speaker 2: go ahead, you. 566 00:29:51,080 --> 00:29:54,280 Speaker 3: Got That's that's that's really weird to me because we 567 00:29:54,360 --> 00:29:57,080 Speaker 3: know that Giselle and Ashley are locked in. They literally 568 00:29:57,080 --> 00:30:03,080 Speaker 3: have a business together Wendy is on an island along. 569 00:30:03,480 --> 00:30:07,120 Speaker 2: You know, they get they get along. They're not friends, 570 00:30:07,360 --> 00:30:08,440 Speaker 2: they get along. 571 00:30:08,400 --> 00:30:11,880 Speaker 3: And your expert Attenion go ahead. As an executive reality 572 00:30:11,960 --> 00:30:15,200 Speaker 3: television producer, how do you round out this cast? You 573 00:30:15,280 --> 00:30:18,120 Speaker 3: have Karen who's like the motherly, the matriarch, you have 574 00:30:18,200 --> 00:30:22,120 Speaker 3: Giselle who's the bone collector, you have Ashley who's bone 575 00:30:22,120 --> 00:30:27,400 Speaker 3: collector junior, and you have Wendy who is just there 576 00:30:27,520 --> 00:30:29,720 Speaker 3: kind of on an island. I think, I think when 577 00:30:29,760 --> 00:30:32,760 Speaker 3: these professional life is really interesting. If we're going to 578 00:30:32,800 --> 00:30:34,560 Speaker 3: get to see her go to the White House at 579 00:30:34,560 --> 00:30:37,280 Speaker 3: some point, let's we should we should see more of that. 580 00:30:37,480 --> 00:30:38,440 Speaker 4: And then you have Mia. 581 00:30:38,600 --> 00:30:41,040 Speaker 3: I think going into next season, if they add no more, 582 00:30:41,200 --> 00:30:43,640 Speaker 3: like let's say they cut this four or five, Mia 583 00:30:43,840 --> 00:30:48,280 Speaker 3: is the most interesting storyline going into the next season period. No. 584 00:30:48,680 --> 00:30:50,720 Speaker 2: I've said this last year. 585 00:30:51,640 --> 00:30:53,560 Speaker 1: I told them last year to build the show around 586 00:30:53,560 --> 00:30:59,920 Speaker 1: Mia because last season, Jasmine I saw some very into 587 00:31:00,120 --> 00:31:03,960 Speaker 1: resting moments in MIA's life, not this past season. Last season, 588 00:31:04,000 --> 00:31:07,840 Speaker 1: the season where she threw the drink on Wendy and 589 00:31:07,880 --> 00:31:12,400 Speaker 1: I once again I told Mia courtesy of the podcast 590 00:31:12,480 --> 00:31:16,280 Speaker 1: how wrong she was, but it was more so about 591 00:31:16,280 --> 00:31:20,160 Speaker 1: her friendship with Jacqueline and her relationship with Gordon, and 592 00:31:20,240 --> 00:31:22,760 Speaker 1: that to me was like, no center the show around her. 593 00:31:23,040 --> 00:31:26,800 Speaker 1: Because we love personal story. I want this show to 594 00:31:26,840 --> 00:31:31,240 Speaker 1: be centered around Mia. I agree that the network and 595 00:31:31,280 --> 00:31:35,400 Speaker 1: the production company probably want Gazelle to give what Karen gives, 596 00:31:35,600 --> 00:31:38,960 Speaker 1: because at the end of the day, Karen does give 597 00:31:39,040 --> 00:31:41,680 Speaker 1: off the impression that she wants things to be cohesive, 598 00:31:42,800 --> 00:31:46,440 Speaker 1: and Giselle, as beautiful as she is and as funny 599 00:31:46,480 --> 00:31:50,560 Speaker 1: and witty as she is in Shady Right, was missing 600 00:31:50,600 --> 00:31:56,000 Speaker 1: from the Ninnie Leeks University of Reality television is at 601 00:31:56,000 --> 00:31:58,680 Speaker 1: the end of the day, you have to be somebody 602 00:31:58,720 --> 00:31:59,800 Speaker 1: to rally the troops. 603 00:32:00,040 --> 00:32:01,040 Speaker 2: You're the face of the show. 604 00:32:01,600 --> 00:32:03,479 Speaker 1: You have to be you have to be somebody who 605 00:32:03,480 --> 00:32:05,480 Speaker 1: could come in and try to do it the way 606 00:32:05,560 --> 00:32:09,360 Speaker 1: Kyle Richards does it right on Beverly Hills. She gets 607 00:32:09,360 --> 00:32:12,360 Speaker 1: into with the girls, but fundamentally she tries to get 608 00:32:12,360 --> 00:32:17,920 Speaker 1: all the girls together. And having this cast of Ashley, Giselle, Wendy, 609 00:32:18,040 --> 00:32:23,000 Speaker 1: Karen and Mia is weird is really bad. Ashley should 610 00:32:23,000 --> 00:32:27,040 Speaker 1: be dropped. Ashley is a great person. I'm not judging 611 00:32:27,080 --> 00:32:29,680 Speaker 1: these women as human beings. I'm judging them. What you 612 00:32:29,800 --> 00:32:33,200 Speaker 1: said off of being a reality star. And I want 613 00:32:33,200 --> 00:32:35,800 Speaker 1: people to understand that I'm judging you off of being 614 00:32:35,840 --> 00:32:39,320 Speaker 1: a reality star, like we judge actors for their acting 615 00:32:39,440 --> 00:32:42,680 Speaker 1: role now what we do at home on a Tuesday 616 00:32:42,720 --> 00:32:45,720 Speaker 1: watching Steve Harvey Show, Like we're judging you based on 617 00:32:46,120 --> 00:32:50,200 Speaker 1: your performance. And I don't want to see Wendy and 618 00:32:50,240 --> 00:32:53,720 Speaker 1: Gazelle not speak. I think the only way this trend 619 00:32:53,720 --> 00:32:56,800 Speaker 1: can move forward we have to see Wendy and Giselle 620 00:32:57,320 --> 00:32:58,360 Speaker 1: have a conversation. 621 00:32:59,200 --> 00:33:02,400 Speaker 2: Did it. I just don't think Giselle. 622 00:33:02,200 --> 00:33:05,840 Speaker 1: Has the reach to have a real conversation with Wendy 623 00:33:06,520 --> 00:33:10,960 Speaker 1: that means something. We saw her try to deal with Monique, 624 00:33:11,400 --> 00:33:14,240 Speaker 1: and I remember thinking to myself, this is so fake. 625 00:33:14,400 --> 00:33:18,640 Speaker 1: And the moment they have Monique and Kansas had that altercation, 626 00:33:19,560 --> 00:33:23,120 Speaker 1: that was the one thing Gazelle said, Baby, that's all 627 00:33:23,120 --> 00:33:25,360 Speaker 1: it took for me to go back and not messing 628 00:33:25,400 --> 00:33:25,640 Speaker 1: with you. 629 00:33:25,920 --> 00:33:28,360 Speaker 2: And I'm gonna drive this bus all the way over. 630 00:33:28,160 --> 00:33:29,200 Speaker 4: Your ass again. 631 00:33:29,280 --> 00:33:34,680 Speaker 3: The remaining Housewives, the Jury, Salona, whoever they decide to 632 00:33:34,680 --> 00:33:38,320 Speaker 3: cast to round them out, the remaining five is really 633 00:33:38,360 --> 00:33:41,040 Speaker 3: a testament to like what I have been feeling is 634 00:33:41,080 --> 00:33:44,840 Speaker 3: that Potomac has lost the plot of like what it 635 00:33:44,920 --> 00:33:48,040 Speaker 3: was originally supposed to be. I think they either go 636 00:33:48,160 --> 00:33:51,840 Speaker 3: all in with women who are like Karen, closer to 637 00:33:51,920 --> 00:33:54,520 Speaker 3: Karen and Giselle's age like kind of in that same 638 00:33:54,640 --> 00:33:59,200 Speaker 3: like life experience, or they just go they skew around 639 00:33:59,200 --> 00:34:01,240 Speaker 3: like the Ashley and the Canvases. 640 00:34:01,360 --> 00:34:01,479 Speaker 4: Right. 641 00:34:01,800 --> 00:34:06,120 Speaker 3: For some reason, this city in particular has not done 642 00:34:06,120 --> 00:34:11,480 Speaker 3: a good job at just like meshing those two like 643 00:34:11,600 --> 00:34:12,960 Speaker 3: kind of age groups together. 644 00:34:13,120 --> 00:34:13,279 Speaker 4: Right. 645 00:34:13,280 --> 00:34:17,279 Speaker 3: It feels like actually and Candace Nekka at her in 646 00:34:17,320 --> 00:34:21,600 Speaker 3: there like they are great housewives. Well, Candace is a 647 00:34:21,640 --> 00:34:24,520 Speaker 3: great housewife, but they also haven't had like a whole 648 00:34:24,560 --> 00:34:27,200 Speaker 3: lot of life experience, for it's to ftill genuine when 649 00:34:27,239 --> 00:34:30,200 Speaker 3: they are with like a Karen or a Gazelle, right, 650 00:34:30,239 --> 00:34:33,080 Speaker 3: which is why Karen often is coming off as more 651 00:34:34,440 --> 00:34:37,880 Speaker 3: like the mother to these women as opposed to just 652 00:34:37,920 --> 00:34:39,600 Speaker 3: like we're all cast members. 653 00:34:39,719 --> 00:34:39,879 Speaker 4: Right. 654 00:34:40,160 --> 00:34:42,560 Speaker 3: Giselle comes off like the really mean big sister that 655 00:34:42,640 --> 00:34:45,640 Speaker 3: everybody like, it's like my sister, my big sister is 656 00:34:45,680 --> 00:34:46,080 Speaker 3: so mean. 657 00:34:46,120 --> 00:34:47,879 Speaker 4: I just want her to like, let me go hang 658 00:34:47,920 --> 00:34:48,239 Speaker 4: out with. 659 00:34:48,200 --> 00:34:50,799 Speaker 3: You and your friends, right, Mama said you gotta take 660 00:34:50,840 --> 00:34:54,520 Speaker 3: me too, right, you know what I'm saying, Like it 661 00:34:54,560 --> 00:34:57,759 Speaker 3: feels like that because they just haven't found like a 662 00:34:57,840 --> 00:35:01,680 Speaker 3: natural way to like blend these worlds together. And I 663 00:35:01,719 --> 00:35:05,680 Speaker 3: just don't see them recovering or becoming like a really 664 00:35:05,719 --> 00:35:08,960 Speaker 3: good show next season with this core five. And I 665 00:35:08,960 --> 00:35:10,719 Speaker 3: don't know if it even matters who they used to 666 00:35:10,760 --> 00:35:13,719 Speaker 3: round it out. There's something about this cast that just 667 00:35:13,920 --> 00:35:18,480 Speaker 3: isn't connecting, Like there's something about them and there. I say, 668 00:35:18,840 --> 00:35:21,879 Speaker 3: let them do a season without Giselle and see if 669 00:35:21,880 --> 00:35:22,719 Speaker 3: things change. 670 00:35:22,920 --> 00:35:23,799 Speaker 4: Maybe Giselle is. 671 00:35:23,800 --> 00:35:26,960 Speaker 1: The reason no, And I think that's a fair question 672 00:35:27,080 --> 00:35:30,919 Speaker 1: to ask. Is Giselle holding the show back? I think 673 00:35:30,960 --> 00:35:34,080 Speaker 1: that's a fair question to ask. I will say this 674 00:35:34,760 --> 00:35:40,160 Speaker 1: without her having her sidekick with her, it's going to 675 00:35:40,200 --> 00:35:43,520 Speaker 1: be a big test to see what I saw. 676 00:35:43,320 --> 00:35:46,120 Speaker 2: In this three part reunion is what you saw too. 677 00:35:46,360 --> 00:35:51,279 Speaker 1: And she could care less about these girls, you know. 678 00:35:51,400 --> 00:35:53,520 Speaker 1: I think when it comes to Karen is a history there, 679 00:35:53,840 --> 00:35:55,000 Speaker 1: and they listen. 680 00:35:55,040 --> 00:35:56,200 Speaker 2: They're both in on the joke. 681 00:35:56,680 --> 00:36:00,719 Speaker 1: Like the audience likes us our playful nature, so we'll 682 00:36:00,719 --> 00:36:05,319 Speaker 1: give you that. But I think what's missing is the 683 00:36:05,440 --> 00:36:10,879 Speaker 1: depthness of their friendship. And that's what's missing we saw 684 00:36:10,960 --> 00:36:16,440 Speaker 1: with Nini and Cynthia, right Niini and Portia Nini and Kenya, 685 00:36:17,160 --> 00:36:20,760 Speaker 1: you know. And I hate keep bringing up you know, Atlanta, 686 00:36:20,880 --> 00:36:23,480 Speaker 1: but I'm only bringing it up to say, it's what 687 00:36:23,520 --> 00:36:28,360 Speaker 1: you said. Has Potomac lost the plot? Is Giselle holding 688 00:36:28,360 --> 00:36:31,920 Speaker 1: the show back? And I think those are fair questions 689 00:36:31,920 --> 00:36:35,239 Speaker 1: to ask, So rain Drops let me and Jasmine know 690 00:36:36,320 --> 00:36:41,480 Speaker 1: y'all can read her, Honey, you can, you can't. 691 00:36:41,520 --> 00:36:44,000 Speaker 4: You can't read me because I'm in such a confused place. 692 00:36:44,040 --> 00:36:46,600 Speaker 4: I want to say that, right, like some of some 693 00:36:46,680 --> 00:36:46,960 Speaker 4: of the. 694 00:36:46,960 --> 00:36:50,840 Speaker 3: Things I've said have like contradicted like my feelings in 695 00:36:50,880 --> 00:36:54,000 Speaker 3: the past. But it's because I am just as confused 696 00:36:54,040 --> 00:36:56,160 Speaker 3: as I feel like the network and production are with 697 00:36:56,239 --> 00:36:58,200 Speaker 3: where to go with this show. Like I'm confused as 698 00:36:58,200 --> 00:37:00,319 Speaker 3: a dealer. So I'm like, I don't know how to 699 00:37:00,320 --> 00:37:03,680 Speaker 3: feel now. I'm not excited about the next season. I 700 00:37:03,719 --> 00:37:06,520 Speaker 3: stop watching this season, I stop watching last season. Right, 701 00:37:06,520 --> 00:37:09,560 Speaker 3: It's like they always get me, like I will come 702 00:37:09,600 --> 00:37:12,560 Speaker 3: back for the first first couple of episodes and there's 703 00:37:12,560 --> 00:37:13,560 Speaker 3: somewhere where I'm. 704 00:37:13,440 --> 00:37:16,120 Speaker 4: Just like, I don't like this, and that is that 705 00:37:16,239 --> 00:37:18,439 Speaker 4: is how it's remained for me for like the last 706 00:37:18,440 --> 00:37:19,320 Speaker 4: two or three seasons. 707 00:37:19,320 --> 00:37:21,080 Speaker 3: I get to a point, and I'm like, I actually 708 00:37:21,080 --> 00:37:25,200 Speaker 3: don't like what I'm seeing on TV is not entertaining 709 00:37:25,320 --> 00:37:29,000 Speaker 3: to me anymore. It's maddening at some point, like it's 710 00:37:29,040 --> 00:37:32,000 Speaker 3: triggering for some people, right Like it's just not a 711 00:37:32,160 --> 00:37:36,759 Speaker 3: good entertaining show. Like I'm watching Summerhouse my Visvinyard right now, 712 00:37:36,960 --> 00:37:39,040 Speaker 3: like they have petty drama too. 713 00:37:39,000 --> 00:37:39,880 Speaker 4: But something about it. 714 00:37:39,960 --> 00:37:42,239 Speaker 3: I'm just like it doesn't feel so deep, Like it 715 00:37:42,239 --> 00:37:44,600 Speaker 3: doesn't feel so deep that like at the end of 716 00:37:44,640 --> 00:37:47,080 Speaker 3: this they will never speak to each other again, and 717 00:37:47,120 --> 00:37:49,000 Speaker 3: it's on site when I see each other, like I 718 00:37:49,040 --> 00:37:51,799 Speaker 3: feel like with Potomacs, like there are relationships there that 719 00:37:51,880 --> 00:37:54,640 Speaker 3: can never ever be repaired, like you see them, and 720 00:37:54,680 --> 00:37:57,319 Speaker 3: it's two ships passing in the night, right Like, it 721 00:37:57,400 --> 00:37:59,960 Speaker 3: just feels not it doesn't feel good. 722 00:38:00,120 --> 00:38:02,040 Speaker 4: It's not feel good TV. I don't like it. I'm 723 00:38:02,080 --> 00:38:02,840 Speaker 4: not I don't know. 724 00:38:03,200 --> 00:38:05,240 Speaker 1: Yeah, No, I think what you brought up with Summer 725 00:38:05,280 --> 00:38:08,120 Speaker 1: House Martha's being here is true because even when you 726 00:38:08,160 --> 00:38:11,239 Speaker 1: see like Preston and Bria have a moment or Jasmine 727 00:38:12,160 --> 00:38:17,480 Speaker 1: and the girls on that show, it's lighthearted. And even 728 00:38:17,520 --> 00:38:20,080 Speaker 1: the whole thing with Nick and is he is he weird? 729 00:38:20,239 --> 00:38:23,000 Speaker 1: Is he a creep is he touching. It's like real 730 00:38:23,080 --> 00:38:27,080 Speaker 1: healthy conversations, but they're able to move past it because 731 00:38:27,120 --> 00:38:29,799 Speaker 1: it's not that deep. And I think, listen, I think 732 00:38:29,840 --> 00:38:34,400 Speaker 1: some of those girls in Potomac are too busy trying. 733 00:38:34,120 --> 00:38:37,279 Speaker 2: To make TV instead of just be themselves. 734 00:38:37,640 --> 00:38:40,640 Speaker 1: But if the girls, honey, want to support you anything 735 00:38:40,680 --> 00:38:43,439 Speaker 1: you're doing or follow you on social media, let them 736 00:38:43,480 --> 00:38:45,240 Speaker 1: know how and where. 737 00:38:46,640 --> 00:38:49,080 Speaker 3: There's two ways you can supppart me that would be 738 00:38:49,280 --> 00:38:54,360 Speaker 3: huge and mean so much. One, I am developing a 739 00:38:55,400 --> 00:39:00,200 Speaker 3: series me and my Emmy winning friends Antenna. We're developing 740 00:39:00,239 --> 00:39:03,359 Speaker 3: a show called Camp Inner Child, and it is all 741 00:39:03,400 --> 00:39:06,879 Speaker 3: about a group of burned out thirty somethings, your old women. 742 00:39:06,920 --> 00:39:08,439 Speaker 3: We're gonna send them a camp for a week. See 743 00:39:08,480 --> 00:39:11,160 Speaker 3: they can reconnect with their inner child. We're doing some 744 00:39:11,239 --> 00:39:13,040 Speaker 3: focus groups, so if you want to be a part 745 00:39:13,080 --> 00:39:15,560 Speaker 3: of the focus group, go to Campinnerchild dot com and 746 00:39:15,560 --> 00:39:17,160 Speaker 3: then you can like sign up for the email list. 747 00:39:17,400 --> 00:39:19,279 Speaker 3: We'll send out emails when we're going to do the 748 00:39:19,320 --> 00:39:22,160 Speaker 3: focus groups. And it's amazing. The second thing is a 749 00:39:22,160 --> 00:39:24,480 Speaker 3: personal project. It's a book that I wrote. I'm all 750 00:39:24,600 --> 00:39:26,640 Speaker 3: like it needs to be edited, but it's gonna come 751 00:39:26,680 --> 00:39:28,840 Speaker 3: out at some point this year. It's called This Box 752 00:39:28,960 --> 00:39:32,400 Speaker 3: is Too Small, and it's all about the multi hyphened journey. 753 00:39:32,680 --> 00:39:35,000 Speaker 3: Matter of fact, I'm gonna send Wendy, I'm gonna send 754 00:39:35,040 --> 00:39:37,560 Speaker 3: you a book because it's all about people who just 755 00:39:37,560 --> 00:39:39,919 Speaker 3: have multiple passions. And it's called this Box is Too Small. 756 00:39:39,920 --> 00:39:42,359 Speaker 3: So if you really want to cop the book when 757 00:39:42,400 --> 00:39:44,200 Speaker 3: it comes out, you want to just join the community 758 00:39:44,200 --> 00:39:47,000 Speaker 3: of multipiping its, go to this Box is Too Small 759 00:39:47,040 --> 00:39:48,920 Speaker 3: dot com and then you can also find up for 760 00:39:49,200 --> 00:39:50,399 Speaker 3: the email list there. 761 00:39:50,560 --> 00:39:51,520 Speaker 4: And those are my two things. 762 00:39:51,560 --> 00:39:54,160 Speaker 3: And I'm on all socialists ja Henley Brown, but I'm 763 00:39:54,160 --> 00:39:57,560 Speaker 3: private on the socials right now because that's just where 764 00:39:57,600 --> 00:40:01,879 Speaker 3: I am with my life right now. 765 00:40:02,320 --> 00:40:04,560 Speaker 2: Thank you for listening to Reality with the King. 766 00:40:05,000 --> 00:40:10,640 Speaker 1: New episodes drop on Tuesdays and Thursdays. Share, comment, follow, 767 00:40:10,800 --> 00:40:14,399 Speaker 1: and subscribe to Reality with the King wherever you get 768 00:40:14,480 --> 00:40:18,840 Speaker 1: your podcast, visit Reality withthe King dot com and be 769 00:40:18,920 --> 00:40:24,040 Speaker 1: sure to follow me at the Carlos King Underscore on Instagram, Twitter, 770 00:40:24,280 --> 00:40:27,799 Speaker 1: TikTok and yes, Baby, my YouTube channel where you could 771 00:40:27,800 --> 00:40:31,840 Speaker 1: get all of my visuals, baby, my expressions yet and 772 00:40:31,920 --> 00:40:35,320 Speaker 1: don't forget tweet me your thoughts and hot takes about 773 00:40:35,360 --> 00:40:39,560 Speaker 1: this episode using the hashtag Reality. 774 00:40:39,239 --> 00:40:39,799 Speaker 2: With the King. 775 00:40:40,600 --> 00:40:44,680 Speaker 1: Reality with the King is a production of Kingdom Reign Entertainment. 776 00:40:45,480 --> 00:40:49,840 Speaker 1: It is produced by Sierra Spragley rix An executive produced 777 00:40:49,960 --> 00:41:04,040 Speaker 1: by me Carlos King, king Domraing Entertainment, Baby