1 00:00:00,960 --> 00:00:04,400 Speaker 1: This is How Men Think with Brooks Like and Gavin 2 00:00:04,440 --> 00:00:08,440 Speaker 1: to grab and I heard radio podcast. Welcome to How 3 00:00:08,520 --> 00:00:11,200 Speaker 1: Men Think Podcast. My name is Brooks Like. Coming to 4 00:00:11,240 --> 00:00:18,240 Speaker 1: you live. Yes we are. We are in Las Vegas. 5 00:00:18,239 --> 00:00:20,119 Speaker 1: That's where our whole budget went. We haven't been paid 6 00:00:20,120 --> 00:00:22,560 Speaker 1: for this show. Yeah that's right. I spent the whole 7 00:00:22,560 --> 00:00:25,680 Speaker 1: budget on this sweet here in planet Hollywood. It is sweet. 8 00:00:25,800 --> 00:00:29,640 Speaker 1: It is sweet. Is my buddy Mr Gavin to be here? Baby? Yeah? 9 00:00:29,840 --> 00:00:32,720 Speaker 1: Come on, this is your town, This is my town. 10 00:00:32,880 --> 00:00:38,159 Speaker 1: You everywhere we walk, everybody's like Covin Kevin. No, they're saying, Gavin, 11 00:00:38,400 --> 00:00:41,520 Speaker 1: get out of the way. Hey Brooks, what are you doing? 12 00:00:42,440 --> 00:00:46,199 Speaker 1: But you have a place here. Yeah, I've actually my 13 00:00:46,200 --> 00:00:48,360 Speaker 1: my thoughts on this town have changed just listening to 14 00:00:48,400 --> 00:00:51,280 Speaker 1: you talk about it, because you come here and you 15 00:00:51,280 --> 00:00:54,800 Speaker 1: think it's got such a connotation of entertainment and industry, 16 00:00:54,840 --> 00:00:58,280 Speaker 1: that kind of stuff, um, wildlife. But you actually find 17 00:00:58,320 --> 00:01:00,920 Speaker 1: a different meaning in this town. Um, you have a 18 00:01:00,960 --> 00:01:03,200 Speaker 1: place here and come here, and then so I change 19 00:01:03,200 --> 00:01:04,880 Speaker 1: your mind a little bit. You know what they call 20 00:01:04,959 --> 00:01:11,120 Speaker 1: that what manipulation? I call that friendship? You call it that. 21 00:01:11,440 --> 00:01:13,800 Speaker 1: Some would say you are the modern day Elvis is that? 22 00:01:13,840 --> 00:01:18,800 Speaker 1: What is that what they call you? Gav? I gonna 23 00:01:18,800 --> 00:01:20,560 Speaker 1: start calling you that from now and for sure you 24 00:01:20,600 --> 00:01:22,920 Speaker 1: can sing? No, no, you can. You've practiced in an 25 00:01:22,959 --> 00:01:26,800 Speaker 1: Elvis voice. These hips fly? What about Sinatra? Can you 26 00:01:26,840 --> 00:01:31,039 Speaker 1: sing Sinatra? Can you sing it tonight? Yes? Are we 27 00:01:31,040 --> 00:01:34,920 Speaker 1: gonna do karaoke tonight? No? Yes, let's do it. No. 28 00:01:35,560 --> 00:01:38,280 Speaker 1: I told you I'm not doing karaoke with a rock star. 29 00:01:38,480 --> 00:01:40,679 Speaker 1: It doesn't make sense. You are a rock star. So 30 00:01:40,720 --> 00:01:43,160 Speaker 1: we got Rick and Dmitri here with us. Dmitri, you 31 00:01:43,200 --> 00:01:47,360 Speaker 1: are a rock star yourself, not to the legitimate sense 32 00:01:47,360 --> 00:01:50,280 Speaker 1: that Gavin is. I'm not gonna like follow him on stage. 33 00:01:51,000 --> 00:01:53,280 Speaker 1: Do you want to do Islands in the Stream. I'll 34 00:01:53,280 --> 00:01:58,160 Speaker 1: do Islands in the Stream? I guess we're doing karaoke? Yeah, alright, 35 00:01:58,280 --> 00:02:00,559 Speaker 1: in case you guys can making me a butter cup. 36 00:02:01,000 --> 00:02:03,200 Speaker 1: You guys can't hear Gavin right now. He's eating peanut 37 00:02:03,240 --> 00:02:07,240 Speaker 1: butter cups, not talking into his mic peanut butter cups. 38 00:02:07,240 --> 00:02:09,840 Speaker 1: Those are the bad reviews we get on Apple on iTunes, 39 00:02:09,840 --> 00:02:12,000 Speaker 1: as were like, we can't hear the one guy, Gavin. 40 00:02:12,080 --> 00:02:14,360 Speaker 1: Haven't heard all these marble mouth recordings right now? Hitting 41 00:02:14,360 --> 00:02:20,200 Speaker 1: the top oh man, we are in Vegas, just modernizing 42 00:02:20,200 --> 00:02:22,920 Speaker 1: our podcast. Yeah. I love it that we're in Vegas. 43 00:02:23,040 --> 00:02:25,040 Speaker 1: And it's kind of funny because, like Rick, I think 44 00:02:25,040 --> 00:02:26,640 Speaker 1: didn't get the memo that we were coming to Vegas. 45 00:02:26,639 --> 00:02:28,880 Speaker 1: Because he's got pants on, he's got a T shirt, 46 00:02:28,880 --> 00:02:34,600 Speaker 1: he's got like a Chanel's sweater. I'm a little chilly. 47 00:02:34,800 --> 00:02:36,600 Speaker 1: I mean I planned ahead. I knew everything was going 48 00:02:36,680 --> 00:02:38,480 Speaker 1: to be in air condishing where we were going. Are 49 00:02:38,480 --> 00:02:40,840 Speaker 1: you going to like after this? Is that why you 50 00:02:40,840 --> 00:02:44,280 Speaker 1: have a nice sweater? A couple of yes, you do 51 00:02:44,360 --> 00:02:47,400 Speaker 1: look you do look trendy though, Rick, thank you. I 52 00:02:47,480 --> 00:02:51,280 Speaker 1: want to say all you guys looked tan too to 53 00:02:51,280 --> 00:02:56,080 Speaker 1: meet the other. To me, I think I'm just I'm 54 00:02:56,160 --> 00:02:59,120 Speaker 1: just Greek. I'm just naturally this color. You're from Canada. 55 00:02:59,320 --> 00:03:05,160 Speaker 1: You I don't know what you're hurt. You're like my pastiness. 56 00:03:05,280 --> 00:03:07,359 Speaker 1: You're from You're from New York. I look like a 57 00:03:07,400 --> 00:03:12,480 Speaker 1: bottle of Elmer's glue. You put on an orange hat. 58 00:03:12,600 --> 00:03:15,280 Speaker 1: You look exactly like. Let's get an orange hat. He's 59 00:03:15,280 --> 00:03:16,839 Speaker 1: got a blue one on right now. If he eats 60 00:03:16,840 --> 00:03:19,320 Speaker 1: any more of those beauty is. If I go to 61 00:03:19,360 --> 00:03:22,360 Speaker 1: the pool, everyone around me gets more tanned. There you go. 62 00:03:22,639 --> 00:03:25,640 Speaker 1: You're you're so kind. You're the type of person by 63 00:03:25,639 --> 00:03:28,760 Speaker 1: the pool that like moms would come over and apply 64 00:03:28,880 --> 00:03:31,200 Speaker 1: sunscreen to you because they would feel badly because like 65 00:03:31,240 --> 00:03:34,720 Speaker 1: he is going to burn that man soul has left 66 00:03:34,760 --> 00:03:38,880 Speaker 1: his body. Oh buddy, you're too hard on yourself. I 67 00:03:38,920 --> 00:03:42,080 Speaker 1: heard a rumor though, gav uh Well, Rick and Dmitri 68 00:03:42,160 --> 00:03:44,880 Speaker 1: and I and Ryan, we all heard a rumor. Did 69 00:03:44,880 --> 00:03:47,440 Speaker 1: you're not staying at the hotel with us? I'm not 70 00:03:47,600 --> 00:03:52,800 Speaker 1: because I have a house here. Oh I heard that rumor, 71 00:03:52,840 --> 00:03:55,360 Speaker 1: but I was I thought it was false because I 72 00:03:55,400 --> 00:04:00,680 Speaker 1: haven't been invited. You're you're didn't know. I mean, it's 73 00:04:00,680 --> 00:04:02,960 Speaker 1: not like a house house. It's like you know, it's 74 00:04:03,000 --> 00:04:06,640 Speaker 1: like a hotel room that I keep here at another hotel, 75 00:04:06,920 --> 00:04:11,960 Speaker 1: a different one from where you guys are. Intentionally, it's weird. 76 00:04:12,000 --> 00:04:16,680 Speaker 1: The address is called MGM grand Is it there is 77 00:04:17,760 --> 00:04:22,000 Speaker 1: in one of the casinos? No? No, yeah, yeah, you 78 00:04:22,040 --> 00:04:23,720 Speaker 1: know it damn well should be? Do you have a 79 00:04:23,839 --> 00:04:28,159 Speaker 1: driveway I live in Ah? You know, it's like a hotel. 80 00:04:29,120 --> 00:04:32,440 Speaker 1: And because I I don't. You don't like too good, 81 00:04:32,640 --> 00:04:36,560 Speaker 1: you don't like clean, worse landscaping. I don't like to. 82 00:04:37,160 --> 00:04:39,040 Speaker 1: I don't like doing that kind of work. You like 83 00:04:39,080 --> 00:04:42,359 Speaker 1: turn key, I like turn key, gotcha? I like room service. 84 00:04:42,880 --> 00:04:46,680 Speaker 1: You know, listen, I could cook for me and nearly 85 00:04:46,760 --> 00:04:49,640 Speaker 1: kill myself and everyone who lives in my building because 86 00:04:49,640 --> 00:04:51,919 Speaker 1: I'll burn the place down. Or I could, you know, 87 00:04:52,120 --> 00:04:54,720 Speaker 1: take out or go to a restaurant or whatever like that. 88 00:04:54,839 --> 00:04:57,960 Speaker 1: You know, I like to like I like hotel living. 89 00:04:58,000 --> 00:05:00,599 Speaker 1: Hotel living is nice, but is there is there like 90 00:05:00,640 --> 00:05:03,240 Speaker 1: a little you know, cocktail get together at your place 91 00:05:03,279 --> 00:05:05,880 Speaker 1: before we go out or something. If you bring over 92 00:05:05,960 --> 00:05:10,040 Speaker 1: some cocktails that idea. Well we might as well just 93 00:05:10,040 --> 00:05:11,400 Speaker 1: stay in the casino, but we have to bring our 94 00:05:11,440 --> 00:05:13,560 Speaker 1: own cocktails. I don't think you're gonna be overwhelmed with 95 00:05:13,600 --> 00:05:17,120 Speaker 1: my place. It's a very simple. It's just a gesture. 96 00:05:17,320 --> 00:05:20,200 Speaker 1: It's the gesture. You guys are welcome to come over 97 00:05:20,960 --> 00:05:27,279 Speaker 1: and clean my house. See it's the gesture. Alright. He's 98 00:05:27,320 --> 00:05:29,400 Speaker 1: downplaying it. He's like, I have a small room and 99 00:05:29,400 --> 00:05:31,680 Speaker 1: I bet you he lives next to copperfield and a 100 00:05:31,720 --> 00:05:37,080 Speaker 1: spread spread with lions and fire, and you name it. 101 00:05:37,560 --> 00:05:42,040 Speaker 1: You're driving the gate and fire goes off, Big model, man, 102 00:05:42,480 --> 00:05:44,200 Speaker 1: you should have done something else for a living. His 103 00:05:44,279 --> 00:05:46,640 Speaker 1: doorbell is like Donka Chane or whatever. That song is 104 00:05:48,080 --> 00:05:53,120 Speaker 1: Gavin's home and greets you at Gavin's house. He's right 105 00:05:53,160 --> 00:05:57,200 Speaker 1: back here. Yeah, it's not even a door. You press 106 00:05:57,240 --> 00:06:02,200 Speaker 1: the button and Wayne Newton starts singing live. You guys 107 00:06:02,240 --> 00:06:05,919 Speaker 1: are looking fresh today after I have a little little, 108 00:06:06,240 --> 00:06:08,120 Speaker 1: you know, a little slow today. But hey, that's all right. 109 00:06:08,160 --> 00:06:11,080 Speaker 1: I had a great time last night and I'm excited. 110 00:06:11,200 --> 00:06:13,680 Speaker 1: How much coffee did you have? I had like fourteen cups. 111 00:06:13,680 --> 00:06:18,680 Speaker 1: I think didn't help. Right now, we're at the I 112 00:06:18,839 --> 00:06:21,920 Speaker 1: Heart Radio Festival. So we watched some mats last night. 113 00:06:21,960 --> 00:06:23,560 Speaker 1: We watched some music. We had a great time. Watch 114 00:06:23,600 --> 00:06:26,520 Speaker 1: Whodi and the Blowfish. That was fun. Here's the problem 115 00:06:26,560 --> 00:06:28,320 Speaker 1: with that. I was like, I'm kind of excited to 116 00:06:28,360 --> 00:06:29,920 Speaker 1: see who do you in the Blowfish? And Brooks was 117 00:06:29,960 --> 00:06:31,360 Speaker 1: like me too, and I was like, yeah, there's something 118 00:06:31,400 --> 00:06:33,920 Speaker 1: nostalgic about it. He's like absolutely. I was like, man, 119 00:06:33,960 --> 00:06:36,520 Speaker 1: it reminds me of that a summer during college. He goes, oh, 120 00:06:36,560 --> 00:06:37,920 Speaker 1: I was in the sixth grade, and I was like, 121 00:06:37,920 --> 00:06:40,560 Speaker 1: you know what, it might even it might it might 122 00:06:40,600 --> 00:06:44,440 Speaker 1: have even been grade four, but man, there, Darius crushed 123 00:06:44,440 --> 00:06:48,400 Speaker 1: it last night. He was awesome. Yeah. So we also 124 00:06:48,440 --> 00:06:54,400 Speaker 1: have another very esteemed guest on this show. Yes we do, Yes, 125 00:06:54,440 --> 00:06:57,400 Speaker 1: we do. Real well before we let you introduce him. 126 00:06:57,400 --> 00:07:00,480 Speaker 1: This is a friend of the show and and he 127 00:07:00,839 --> 00:07:06,479 Speaker 1: is an athlete turned music superstar. That's right. Gives me hope. 128 00:07:06,480 --> 00:07:08,719 Speaker 1: I'm really excited to ask this. Okay, that's you know 129 00:07:08,920 --> 00:07:11,800 Speaker 1: you're going to be a supert. I'm in a pivotal 130 00:07:13,880 --> 00:07:15,800 Speaker 1: I heard you singing hold my hand last night. You're 131 00:07:15,840 --> 00:07:22,480 Speaker 1: not not that's not happening. Well maybe, Um, he has 132 00:07:22,680 --> 00:07:26,760 Speaker 1: five number one hits and he's only put out five songs. 133 00:07:26,800 --> 00:07:30,400 Speaker 1: And he's only put out five songs. But I'll let 134 00:07:30,480 --> 00:07:35,160 Speaker 1: you introduce this big hands. Yes I will, Yes, I will. Alright, guys, 135 00:07:35,200 --> 00:07:38,480 Speaker 1: So I've been known this guy for a number of years. 136 00:07:38,640 --> 00:07:41,440 Speaker 1: Number of years you met, you know, kind of by happenstance, 137 00:07:41,960 --> 00:07:44,840 Speaker 1: became buddies, and uh, since then, he's become a big 138 00:07:44,920 --> 00:07:47,600 Speaker 1: superstar in the country world. But I think not just 139 00:07:47,640 --> 00:07:49,840 Speaker 1: a country world. Soon, I think it'll be bigger than 140 00:07:50,400 --> 00:07:54,040 Speaker 1: only the country world. Very very talented and awesome guy, 141 00:07:54,160 --> 00:07:58,360 Speaker 1: My good friend Mr Brett Young. Ye give it up, Thandy. 142 00:07:59,280 --> 00:08:05,840 Speaker 1: We didn't meet by happenstance. I stalked you. It's safe, 143 00:08:07,480 --> 00:08:09,200 Speaker 1: my fan girl, do you real hard for a real 144 00:08:09,280 --> 00:08:11,920 Speaker 1: long time. So let's get into this. I haven't heard 145 00:08:12,160 --> 00:08:14,840 Speaker 1: I've heard that you were you were a big fan 146 00:08:14,920 --> 00:08:16,680 Speaker 1: of his music, but I heard you guys had a 147 00:08:16,800 --> 00:08:21,280 Speaker 1: really interesting meeting, like just a happened chance. Yeah we 148 00:08:21,280 --> 00:08:26,360 Speaker 1: did what He played the Greek theater, yeah, in Los Angeles, 149 00:08:26,800 --> 00:08:29,240 Speaker 1: and uh, I had brought like my cousins and stuff, 150 00:08:29,280 --> 00:08:31,280 Speaker 1: and and Gavin does something like I don't want to 151 00:08:31,320 --> 00:08:32,560 Speaker 1: call you out for this, but you do something that 152 00:08:32,559 --> 00:08:35,199 Speaker 1: I think is pretty cool, Like when you can slip 153 00:08:35,200 --> 00:08:37,840 Speaker 1: out and listen to your openers, you do like you'll go, 154 00:08:37,920 --> 00:08:39,600 Speaker 1: you'll go find a pocket where you feel like it's 155 00:08:39,600 --> 00:08:41,280 Speaker 1: a good idea to go out there. And you and 156 00:08:41,320 --> 00:08:44,880 Speaker 1: you were doing that, uh that night, And who's the 157 00:08:44,960 --> 00:08:48,200 Speaker 1: ukulearly guy from Hawaii Jake something? Oh, I think I 158 00:08:48,200 --> 00:08:51,120 Speaker 1: know who you're talking about. Think my wife Liv's fantastic. 159 00:08:51,520 --> 00:08:53,920 Speaker 1: But Gavin's nuck out to like listen to this dude play. 160 00:08:54,040 --> 00:08:56,360 Speaker 1: And I'm walking in with my two younger female cousins 161 00:08:56,679 --> 00:08:59,440 Speaker 1: and I was like, oh, I gotta you gotta meet Gavin. Meanwhile, 162 00:08:59,440 --> 00:09:01,920 Speaker 1: I haven't met you. And I walked them over and 163 00:09:01,920 --> 00:09:04,160 Speaker 1: I give them the moment and I'm walking away going 164 00:09:04,240 --> 00:09:07,160 Speaker 1: like I've worn out three of his records. How did 165 00:09:07,240 --> 00:09:10,200 Speaker 1: I just give away this moment? I'm the bigger fan. 166 00:09:10,559 --> 00:09:12,800 Speaker 1: So fast forward end of the night. It was a 167 00:09:12,800 --> 00:09:15,240 Speaker 1: great show. And uh, I was living in l A. 168 00:09:15,320 --> 00:09:18,000 Speaker 1: We were at Mels Diner on sunset three am, like 169 00:09:18,040 --> 00:09:22,079 Speaker 1: you do, and this guy comes walking down Sunset. I 170 00:09:22,120 --> 00:09:24,000 Speaker 1: think he would just left, but out the front door 171 00:09:24,440 --> 00:09:27,160 Speaker 1: and you're walking down Sunset and I just flagged you 172 00:09:27,200 --> 00:09:29,640 Speaker 1: down and I was like, but I probably it was 173 00:09:29,679 --> 00:09:32,120 Speaker 1: probably like pretty obnoxious because I think I yelled at 174 00:09:32,120 --> 00:09:34,240 Speaker 1: you and said I quit my job to pursue music 175 00:09:34,280 --> 00:09:36,400 Speaker 1: because of you. Did you? Did you really say? It 176 00:09:36,440 --> 00:09:39,120 Speaker 1: was something along the yah. He was like on a 177 00:09:39,160 --> 00:09:40,520 Speaker 1: phone call too, and he was like, I'm gonna have 178 00:09:40,520 --> 00:09:42,520 Speaker 1: to call you back. Knowing Gavin, now, I'm surprised he 179 00:09:42,520 --> 00:09:45,040 Speaker 1: didn't like come at me feeling threatened, like ready to 180 00:09:45,080 --> 00:09:48,319 Speaker 1: throw blows because I'm screaming at at three o'clock in 181 00:09:48,360 --> 00:09:51,000 Speaker 1: the morning in l A. He probably thought the money, 182 00:09:52,520 --> 00:09:54,320 Speaker 1: let me let me get it, let me hold a dollar. 183 00:09:56,120 --> 00:09:58,560 Speaker 1: But uh, but yeah, he got off the phone, and 184 00:09:58,600 --> 00:10:00,640 Speaker 1: he actually I said, I'm about to make my first EP, 185 00:10:00,760 --> 00:10:03,600 Speaker 1: and he just lit right into twenty minutes of advice 186 00:10:03,679 --> 00:10:05,280 Speaker 1: and and twenty minutes he didn't have to give me 187 00:10:05,320 --> 00:10:07,640 Speaker 1: at three o'clock in the morning. And if you couldn't 188 00:10:07,640 --> 00:10:10,000 Speaker 1: be more of a fan than you already were, uh, 189 00:10:11,040 --> 00:10:12,920 Speaker 1: and I think it just turned into you know, next 190 00:10:12,960 --> 00:10:15,720 Speaker 1: thing I know, I'm out in Hawaii to see you 191 00:10:15,840 --> 00:10:19,120 Speaker 1: two and Green Day and Pearl Jam at the Aloha Bowl. 192 00:10:19,160 --> 00:10:22,320 Speaker 1: And it turns out he's playing. Gavin's playing uh the 193 00:10:22,360 --> 00:10:25,679 Speaker 1: Waikiki show the same weekend, So I actually snuck into 194 00:10:25,720 --> 00:10:28,480 Speaker 1: his sound check, and next thing you know, we're running 195 00:10:28,520 --> 00:10:30,560 Speaker 1: into each other at his show. He's not good at 196 00:10:30,600 --> 00:10:35,800 Speaker 1: sneaking in because because he's in board shorts with my 197 00:10:35,840 --> 00:10:38,640 Speaker 1: shirt off at noon, sitting in the front row sound check. 198 00:10:39,520 --> 00:10:41,679 Speaker 1: We made it, by the way to get kicked out 199 00:10:41,679 --> 00:10:43,120 Speaker 1: of that. But sitting next to this guy, I feel 200 00:10:43,120 --> 00:10:44,880 Speaker 1: like it's like a father's sun shot. He's so much 201 00:10:44,920 --> 00:10:46,720 Speaker 1: bigger than me. I'm just sitting on this guy like 202 00:10:47,559 --> 00:10:52,000 Speaker 1: feet are dangling off the couch except your bald But 203 00:10:52,520 --> 00:10:55,959 Speaker 1: he's sorry, come on, don't put yourself in the dangling 204 00:10:55,960 --> 00:10:59,920 Speaker 1: feet category. They're touching the ground a whole different ground. 205 00:11:00,200 --> 00:11:02,600 Speaker 1: So hold on, you said, you said you quit your job. 206 00:11:03,360 --> 00:11:05,120 Speaker 1: This is good. It was a really good job. I was. 207 00:11:05,280 --> 00:11:07,880 Speaker 1: I was. I was waiting tables at the restaurant in 208 00:11:07,920 --> 00:11:11,640 Speaker 1: the Hyatt in Century City, so I was really on 209 00:11:11,679 --> 00:11:18,120 Speaker 1: my way. But before that, you were. The height served 210 00:11:18,120 --> 00:11:23,480 Speaker 1: you very well in baseball. Yeah, Baseball was um, it 211 00:11:23,640 --> 00:11:26,280 Speaker 1: was something I thought. I'm not even thought. We were 212 00:11:26,360 --> 00:11:28,280 Speaker 1: sure that was going to be my life from the 213 00:11:28,280 --> 00:11:31,760 Speaker 1: time you're a kid. Yeah, I think. You know, baseball, basketball, 214 00:11:31,760 --> 00:11:33,160 Speaker 1: and football were part of the story all the way 215 00:11:33,200 --> 00:11:35,080 Speaker 1: up until high school. But when you started getting to 216 00:11:35,120 --> 00:11:38,360 Speaker 1: that level where you you were competitive at all of them, 217 00:11:38,360 --> 00:11:39,760 Speaker 1: you have to pick which one that might be a 218 00:11:39,800 --> 00:11:43,360 Speaker 1: future in a financial future, and it was definitely baseball. 219 00:11:43,400 --> 00:11:45,880 Speaker 1: And I don't I love baseball, but of the three, 220 00:11:45,960 --> 00:11:49,040 Speaker 1: it was probably my my second favorite. I like basketball more, 221 00:11:49,800 --> 00:11:52,120 Speaker 1: but I was throwing ninety miles an hour in high school, 222 00:11:52,160 --> 00:11:55,280 Speaker 1: so on a team that was ranked seventeen in the country, 223 00:11:55,360 --> 00:11:57,760 Speaker 1: so that would just it just seemed like that was 224 00:11:57,760 --> 00:11:59,719 Speaker 1: the obvious thing. And then we got called by the 225 00:11:59,720 --> 00:12:06,120 Speaker 1: Twin and the Devil Rays. They're now the Rays and 226 00:12:06,280 --> 00:12:09,360 Speaker 1: they're allowed to call high school students. It's a little different, 227 00:12:09,480 --> 00:12:14,000 Speaker 1: the rules different than it's also different than college baseball 228 00:12:14,360 --> 00:12:17,520 Speaker 1: that you can't there's a lot of rules that protect 229 00:12:17,520 --> 00:12:19,960 Speaker 1: how much conversation you're allowed to have pre draft and 230 00:12:20,040 --> 00:12:21,839 Speaker 1: if you're coming out of college. But in high school, 231 00:12:21,880 --> 00:12:25,120 Speaker 1: it's like you're kind of protecting the franchise from wasting 232 00:12:25,120 --> 00:12:27,839 Speaker 1: a high round pick on a guy that wants to 233 00:12:27,880 --> 00:12:30,240 Speaker 1: go to college, because then you you'll waste your pick 234 00:12:30,280 --> 00:12:32,280 Speaker 1: and he'll choose college and you just lost that pick. 235 00:12:32,840 --> 00:12:35,319 Speaker 1: So I had had multiple conversations with the Twins and 236 00:12:35,360 --> 00:12:37,040 Speaker 1: the Devil Rays, and it just never felt like enough 237 00:12:37,080 --> 00:12:41,240 Speaker 1: money to forego an education. Joke was on me though, 238 00:12:41,240 --> 00:12:44,280 Speaker 1: because that I didn't finish my education. I hurt my 239 00:12:44,320 --> 00:12:46,800 Speaker 1: elbow and never went pro after that hat that surgery, 240 00:12:46,840 --> 00:12:49,720 Speaker 1: But how old is that? That was my So I 241 00:12:49,800 --> 00:12:52,920 Speaker 1: hurt my I had transferred, I started oldness and I 242 00:12:52,960 --> 00:12:55,680 Speaker 1: had transferred at the time to Fresno State in Central California. 243 00:12:55,720 --> 00:12:57,520 Speaker 1: Just want to get back to Cali And it was 244 00:12:57,600 --> 00:13:00,640 Speaker 1: opening night my junior year. But because I had used 245 00:13:00,640 --> 00:13:04,120 Speaker 1: a transfer red shirt, I couldn't medical red shirt because 246 00:13:04,120 --> 00:13:07,040 Speaker 1: we didn't like put in for it. Soon enough because 247 00:13:07,040 --> 00:13:08,600 Speaker 1: we thought i'd be back, so I missed my junior 248 00:13:08,640 --> 00:13:12,160 Speaker 1: and senior year. So at that point it was like, dang, 249 00:13:12,280 --> 00:13:14,880 Speaker 1: so your your whole life. You're thinking because like as 250 00:13:14,920 --> 00:13:16,480 Speaker 1: a professional athlete, I know what you grow up with 251 00:13:16,520 --> 00:13:17,760 Speaker 1: and you want to be it. It's the only thing 252 00:13:17,760 --> 00:13:19,680 Speaker 1: on your mind. You're thinking, I'm going to be a 253 00:13:19,720 --> 00:13:22,800 Speaker 1: picture in the majors and your family is probably thinking 254 00:13:22,840 --> 00:13:25,160 Speaker 1: the same thing too, And then you have it. Was it, 255 00:13:25,160 --> 00:13:29,400 Speaker 1: Tommy John, Tommy John, and it completely alters the course 256 00:13:29,480 --> 00:13:31,520 Speaker 1: of your life. And then listeners don't all know what 257 00:13:31,520 --> 00:13:35,160 Speaker 1: Tommy Tommy John surgery is replacing the owner collateral ligament 258 00:13:35,240 --> 00:13:38,240 Speaker 1: in the elbow with the Palmyra's longest tendant in the 259 00:13:38,280 --> 00:13:41,320 Speaker 1: forearm that connects to skin instead of muscle, which means 260 00:13:41,360 --> 00:13:44,720 Speaker 1: it doesn't really do anything, and people don't have it. 261 00:13:44,800 --> 00:13:46,960 Speaker 1: That's some member women. Can you please give us some 262 00:13:47,000 --> 00:13:53,319 Speaker 1: details instead of just answering an answer, Come on, just 263 00:13:53,400 --> 00:13:57,920 Speaker 1: say Tommy John, honestly, it honestly is the ligament that 264 00:13:57,920 --> 00:14:01,640 Speaker 1: connects your forearm to your upper arm. It's a big, 265 00:14:01,679 --> 00:14:04,760 Speaker 1: big issue for pictures especially, It's a massive issue for pictures. 266 00:14:04,800 --> 00:14:06,640 Speaker 1: So then after that, did you kind of give up 267 00:14:06,679 --> 00:14:08,679 Speaker 1: hope of baseball or do you still try because I'm 268 00:14:08,720 --> 00:14:10,360 Speaker 1: trying to figure out how you got from that to 269 00:14:10,520 --> 00:14:13,640 Speaker 1: now being a massive country music star because I'm looking 270 00:14:13,640 --> 00:14:17,640 Speaker 1: for a second career here by the way, quite a fallback, 271 00:14:17,920 --> 00:14:19,600 Speaker 1: you know, no more baseball, all right, I'll just be 272 00:14:19,640 --> 00:14:23,120 Speaker 1: a music superstar. Did you have? Was music in you 273 00:14:23,200 --> 00:14:24,840 Speaker 1: as a kid? Like all through this year? So my 274 00:14:24,920 --> 00:14:28,320 Speaker 1: dad's a pastor. I grew up in the church. You know. 275 00:14:28,360 --> 00:14:32,040 Speaker 1: I think there's like every school is different because every 276 00:14:32,040 --> 00:14:34,200 Speaker 1: community is different, and the whole thing, like there's always 277 00:14:34,240 --> 00:14:37,600 Speaker 1: like a thing that all the guys do. And at 278 00:14:37,600 --> 00:14:39,680 Speaker 1: my school there were two, but none of them were 279 00:14:39,720 --> 00:14:42,200 Speaker 1: like sports was like like third. It was like a 280 00:14:42,280 --> 00:14:46,080 Speaker 1: tertiary thing. It was like, uh, the surf team. It 281 00:14:46,120 --> 00:14:49,120 Speaker 1: was really good. And everybody learned guitar so they could 282 00:14:49,120 --> 00:14:52,560 Speaker 1: play worship songs. Wow, and uh. I got thrown into 283 00:14:52,640 --> 00:14:54,680 Speaker 1: leading worship in high school way before I ever thought 284 00:14:54,680 --> 00:14:57,600 Speaker 1: I would pursue it as anything else than leading worship. 285 00:14:57,920 --> 00:15:02,640 Speaker 1: So um, I played guitar and sang just thinking I 286 00:15:02,680 --> 00:15:04,560 Speaker 1: was like kind of serving the church in the high 287 00:15:04,560 --> 00:15:06,600 Speaker 1: school and the whole thing. And then I went to 288 00:15:06,600 --> 00:15:08,480 Speaker 1: college to play baseball and I didn't even my freshman 289 00:15:08,520 --> 00:15:09,600 Speaker 1: year when I went to Old Miss, I did not 290 00:15:09,600 --> 00:15:12,640 Speaker 1: bring my guitar with me to college. I said, if 291 00:15:12,640 --> 00:15:14,880 Speaker 1: I'm if I'm doing this, I'll turn down the twins 292 00:15:14,880 --> 00:15:17,080 Speaker 1: and the Devil raising the whole thing. I'm gonna commit 293 00:15:17,200 --> 00:15:21,040 Speaker 1: to do one baseball. I'm gonna I got three years 294 00:15:21,080 --> 00:15:24,240 Speaker 1: to get more money and make this a thing. And 295 00:15:24,320 --> 00:15:27,280 Speaker 1: so and then and then I left Old Miss after 296 00:15:27,320 --> 00:15:28,640 Speaker 1: my freshman year because I was like, I want to 297 00:15:28,640 --> 00:15:31,680 Speaker 1: be back at the beach. And when I came back 298 00:15:31,720 --> 00:15:34,480 Speaker 1: to the beach, I brought my guitar with me and 299 00:15:34,720 --> 00:15:38,440 Speaker 1: I started playing again. And then I hurt myself. And uh, 300 00:15:38,560 --> 00:15:41,000 Speaker 1: the kind of the kind of the Gavin story where 301 00:15:41,040 --> 00:15:43,480 Speaker 1: you where you came in for me was when I 302 00:15:43,560 --> 00:15:49,720 Speaker 1: hurt myself. I started just playing guitar, no singing, and 303 00:15:49,760 --> 00:15:52,120 Speaker 1: I was learning a butt like all the Dave Matthews records, 304 00:15:52,520 --> 00:15:55,160 Speaker 1: Dave Dave, like Dave has his own way of playing 305 00:15:55,640 --> 00:16:00,320 Speaker 1: like chords and like he self taught himself. Like if 306 00:16:00,360 --> 00:16:02,680 Speaker 1: you watch him play Satellite, his hand is spread out 307 00:16:02,680 --> 00:16:04,280 Speaker 1: all the way across the fret board and he's playing 308 00:16:04,280 --> 00:16:06,920 Speaker 1: an e that takes up two friends, like he has 309 00:16:06,920 --> 00:16:08,800 Speaker 1: the voicings he has on the guitar, and it's like, 310 00:16:08,920 --> 00:16:11,520 Speaker 1: so I was like, well, for dexterity and stuff, I'll 311 00:16:11,520 --> 00:16:13,120 Speaker 1: just learn the way he plays everything. I don't care 312 00:16:13,160 --> 00:16:14,920 Speaker 1: that it's wrong or right. I'm gonna like learn to 313 00:16:14,920 --> 00:16:17,840 Speaker 1: do difficult things. And in the middle of that, I 314 00:16:17,880 --> 00:16:20,360 Speaker 1: heard Chariot the whole record for the first time. I 315 00:16:20,400 --> 00:16:22,080 Speaker 1: was watching One Tree Hill and I heard I Don't 316 00:16:22,080 --> 00:16:24,400 Speaker 1: Want to Be and and I went, I went, well, 317 00:16:24,480 --> 00:16:26,760 Speaker 1: that's cool. And then I went and bought the record 318 00:16:26,760 --> 00:16:28,200 Speaker 1: and then I wore it out three times, and then 319 00:16:28,320 --> 00:16:31,000 Speaker 1: Chariot strip came out and I just, uh, what what? 320 00:16:31,000 --> 00:16:33,840 Speaker 1: What was that? Like? What? What was cool? What intrigue? 321 00:16:33,880 --> 00:16:35,800 Speaker 1: Because you probably heard a lot of songs at that time, 322 00:16:35,840 --> 00:16:39,000 Speaker 1: but why did that one stick and resonate with you? Gavin? 323 00:16:39,080 --> 00:16:41,840 Speaker 1: Gavin's riding is is different than anybody's I've ever heard. 324 00:16:41,840 --> 00:16:46,240 Speaker 1: He has a way of saying something that um very 325 00:16:46,320 --> 00:16:49,440 Speaker 1: like a very common concept in a way that nobody's 326 00:16:49,480 --> 00:16:52,120 Speaker 1: ever said it before. So you can relate because you've 327 00:16:52,160 --> 00:16:54,840 Speaker 1: been through it, but you've never heard it said that way. Um. 328 00:16:54,920 --> 00:16:56,840 Speaker 1: It's something that I fight to do as a songwriter 329 00:16:56,920 --> 00:16:59,800 Speaker 1: all the time. Is like like it's it's in the 330 00:16:59,800 --> 00:17:01,640 Speaker 1: same way that we're not going to like recreate a 331 00:17:01,720 --> 00:17:04,280 Speaker 1: chord progression or write a new chord. We're not going 332 00:17:04,320 --> 00:17:05,639 Speaker 1: to do that. We're not going to come up with 333 00:17:05,640 --> 00:17:08,080 Speaker 1: a concept that's touching the people that hasn't been talked 334 00:17:08,080 --> 00:17:10,320 Speaker 1: about before. But can we say it different? Can we 335 00:17:10,359 --> 00:17:12,280 Speaker 1: come at it from a different angle? And so I 336 00:17:12,280 --> 00:17:17,800 Speaker 1: remember listening to that going like like this is making 337 00:17:17,800 --> 00:17:20,080 Speaker 1: me feel something, and I'm not even quite sure why, 338 00:17:20,160 --> 00:17:21,520 Speaker 1: Like I want to meet this guy and talk to 339 00:17:21,600 --> 00:17:25,399 Speaker 1: him about like what his experience was within this that 340 00:17:25,440 --> 00:17:27,240 Speaker 1: made him say it this way, because it's still making 341 00:17:27,280 --> 00:17:30,240 Speaker 1: me feel something. But like I remember, like years later, 342 00:17:30,240 --> 00:17:31,919 Speaker 1: You've got to tell me the story about Chariot and 343 00:17:31,920 --> 00:17:33,440 Speaker 1: going back home to visit and you're sitting in that 344 00:17:33,520 --> 00:17:36,119 Speaker 1: church when you had that idea for that song, Like 345 00:17:36,280 --> 00:17:38,600 Speaker 1: I would have never known that was it, But without 346 00:17:38,680 --> 00:17:40,600 Speaker 1: knowing that was it, I was still feeling something. I 347 00:17:40,640 --> 00:17:43,040 Speaker 1: was still connecting to it, and I just thought that 348 00:17:43,080 --> 00:17:45,240 Speaker 1: was like that that was what made me want to 349 00:17:46,280 --> 00:17:49,959 Speaker 1: write my own songs, because I think like the beauty 350 00:17:49,960 --> 00:17:52,760 Speaker 1: of music is making other people feel connected to your story. 351 00:17:54,000 --> 00:17:56,320 Speaker 1: And if you just keep telling the same story, everybody's 352 00:17:56,320 --> 00:17:59,359 Speaker 1: been telling like it just becomes white noise, you know, 353 00:17:59,440 --> 00:18:02,199 Speaker 1: And so it was it was fresh and different. Mhm. 354 00:18:02,640 --> 00:18:04,960 Speaker 1: Thanks for the compliment, man, How does that feel to 355 00:18:05,000 --> 00:18:07,679 Speaker 1: hear him? Is that for me? Is that like an 356 00:18:07,760 --> 00:18:10,679 Speaker 1: ultimate compliment as an artist when somebody describes your music 357 00:18:10,720 --> 00:18:14,400 Speaker 1: like that, it's the ultimate compliment. Um. You know, when 358 00:18:14,400 --> 00:18:17,320 Speaker 1: you're right when you When you're an artist, it's one thing. 359 00:18:17,359 --> 00:18:22,400 Speaker 1: When you're a writer, it's a it's another thing. So UM, 360 00:18:22,600 --> 00:18:28,520 Speaker 1: artists are more their their performers, their interpreters, you know, 361 00:18:29,040 --> 00:18:36,480 Speaker 1: like like actors. UM. Writers are creators UM more so 362 00:18:36,720 --> 00:18:41,240 Speaker 1: than than necessarily performers or interpreters. And so that when 363 00:18:41,280 --> 00:18:45,800 Speaker 1: you're a creator and and someone who is also a 364 00:18:45,840 --> 00:18:51,520 Speaker 1: creator is listening to your stuff and and and um 365 00:18:52,320 --> 00:18:56,359 Speaker 1: thinking about it and honoring the way that you are 366 00:18:56,359 --> 00:18:59,600 Speaker 1: creating and and impressed with the way you're creating or 367 00:18:59,680 --> 00:19:01,840 Speaker 1: saying hey, I like what they're doing, then it's a 368 00:19:01,840 --> 00:19:05,800 Speaker 1: different thing than UM. And artists simply covering a song, 369 00:19:06,400 --> 00:19:09,320 Speaker 1: but they're if they're covering it as a writer, going 370 00:19:09,520 --> 00:19:12,000 Speaker 1: I do this song because as a writer, I connect 371 00:19:12,040 --> 00:19:14,480 Speaker 1: with this thing. You know, It's different, it's a different 372 00:19:14,920 --> 00:19:18,119 Speaker 1: type of thing. Um, it would be it would be 373 00:19:18,200 --> 00:19:22,960 Speaker 1: like if Tarantino recreated someone else's film. You know, it's 374 00:19:23,040 --> 00:19:26,240 Speaker 1: it's almost seems like the ultimate compliment. It's the ultimate 375 00:19:26,280 --> 00:19:29,400 Speaker 1: compliment as a songwriters, the ultimate compliment really and uh, 376 00:19:30,000 --> 00:19:34,080 Speaker 1: because when you you know, when you commit to any craft, um, 377 00:19:34,119 --> 00:19:36,320 Speaker 1: it's not it's not a hobby, you know, it's it's 378 00:19:36,359 --> 00:19:38,920 Speaker 1: really your life. You know, you go to bed thinking 379 00:19:38,960 --> 00:19:45,120 Speaker 1: about what you're and you dream about music. I do, 380 00:19:45,400 --> 00:19:49,119 Speaker 1: and then, um, I dream songs. And when I remember 381 00:19:49,160 --> 00:19:53,679 Speaker 1: my dreams, it's music. I hear music and um, and 382 00:19:53,720 --> 00:19:56,800 Speaker 1: I'll wake up and I'll hear music. Um. And so 383 00:19:56,840 --> 00:20:00,840 Speaker 1: it's really just forget to turn off the radio person. Actually, yeah, 384 00:20:01,280 --> 00:20:07,320 Speaker 1: music music always. I'll wake up with the fears, like 385 00:20:07,400 --> 00:20:09,480 Speaker 1: I'll have music dreams where I feel like I blew 386 00:20:09,480 --> 00:20:13,320 Speaker 1: a show but I'm singing a song that I've never 387 00:20:13,359 --> 00:20:16,560 Speaker 1: heard before in my life. And yeah, and then maybe 388 00:20:16,560 --> 00:20:18,080 Speaker 1: it's a song idea or maybe it's like maybe you 389 00:20:18,080 --> 00:20:21,719 Speaker 1: don't ever do this, but I dream dream of music too, Yeah, 390 00:20:22,040 --> 00:20:24,640 Speaker 1: which is an amazing thing. And so that that's more 391 00:20:24,720 --> 00:20:28,520 Speaker 1: proof that that's your, in my opinion, your true destiny. 392 00:20:29,040 --> 00:20:33,359 Speaker 1: You know, if you're dreaming song. You're dreaming music, that's 393 00:20:33,359 --> 00:20:37,199 Speaker 1: your that's your destiny, you know. Um. I mean, if 394 00:20:37,240 --> 00:20:40,879 Speaker 1: that's what's the majority of those those fantasies, those dreams, 395 00:20:40,920 --> 00:20:43,920 Speaker 1: I feel like that's your heart speaking to your to you, 396 00:20:43,920 --> 00:20:47,560 Speaker 1: you know, and that's your that's your that's your fate, 397 00:20:48,200 --> 00:20:51,840 Speaker 1: you know constantly, you know, knocking on your door saying 398 00:20:51,880 --> 00:20:54,480 Speaker 1: this is you know, this is the path. Um. That's 399 00:20:54,480 --> 00:20:56,600 Speaker 1: a beautiful thing that was in your family too, that 400 00:20:56,760 --> 00:20:59,160 Speaker 1: like that, that didn't start with you. I remember sitting 401 00:20:59,200 --> 00:21:01,159 Speaker 1: in the in the in the that coffee shop in 402 00:21:01,240 --> 00:21:05,239 Speaker 1: Honolulu with your mom and dad, and you and your 403 00:21:05,280 --> 00:21:08,320 Speaker 1: dad were going back and forth about like old soul 404 00:21:08,560 --> 00:21:11,480 Speaker 1: R and B songs, and they started singing their favorite 405 00:21:11,480 --> 00:21:13,840 Speaker 1: songs capella and the coffee shop, back and forth at 406 00:21:13,840 --> 00:21:16,520 Speaker 1: each other. We got kicked out. We did. We were 407 00:21:16,560 --> 00:21:20,520 Speaker 1: too out. We did just playing. We didn't show. We 408 00:21:20,560 --> 00:21:22,200 Speaker 1: got kicked out of a coffe shop the next morning 409 00:21:22,200 --> 00:21:27,440 Speaker 1: because they were singing a cappella. Because you guys, when 410 00:21:27,480 --> 00:21:31,760 Speaker 1: your dad talking music got so passionate about music, you 411 00:21:31,800 --> 00:21:34,480 Speaker 1: went back. You were going back forty fifty years of music, 412 00:21:34,840 --> 00:21:37,800 Speaker 1: singing verse chorus at a time, and I was like, oh, man, 413 00:21:37,840 --> 00:21:40,080 Speaker 1: I mean, I didn't even I didn't. I'm jealous of 414 00:21:40,119 --> 00:21:42,880 Speaker 1: that upbringing because my parents loved music and they brought 415 00:21:42,920 --> 00:21:44,760 Speaker 1: me up on R and B. But like it was 416 00:21:44,840 --> 00:21:47,680 Speaker 1: in your blood, man, you didn't You didn't even have choice. Yeah, 417 00:21:47,680 --> 00:21:49,439 Speaker 1: I didn't really have a choice. There was so much 418 00:21:49,520 --> 00:21:52,000 Speaker 1: music in the house growing up, you know. And uh 419 00:21:52,080 --> 00:21:54,440 Speaker 1: it's interesting when my dad sings. It's funny. I don't 420 00:21:54,440 --> 00:21:56,240 Speaker 1: know if you noticed it or not, but when my 421 00:21:56,359 --> 00:22:01,840 Speaker 1: dad sings, he cries. His eyes war and uh so, 422 00:22:02,119 --> 00:22:04,200 Speaker 1: and he had always been that way. And one day, 423 00:22:05,080 --> 00:22:06,800 Speaker 1: a handful of years ago, I said, Dad, why do 424 00:22:06,840 --> 00:22:09,320 Speaker 1: you Why do you cry when he's saying is it um? 425 00:22:09,400 --> 00:22:13,520 Speaker 1: Is it because of however the however you're getting the 426 00:22:13,560 --> 00:22:16,399 Speaker 1: notes out. It's making your eyes water less, having this 427 00:22:16,520 --> 00:22:19,280 Speaker 1: a physical effect that you can't help. Or is it emotional? 428 00:22:20,000 --> 00:22:23,280 Speaker 1: He said, it's emotional for me, probably everything. Every time 429 00:22:23,400 --> 00:22:28,600 Speaker 1: I saying I weep, I just get so emotional. You know. 430 00:22:29,600 --> 00:22:31,800 Speaker 1: I love you. I love listening to you guys talk 431 00:22:31,840 --> 00:22:34,359 Speaker 1: about music. I want to get more into this, more 432 00:22:34,400 --> 00:22:36,080 Speaker 1: into your story. Brett. We gotta take a quick break 433 00:22:36,119 --> 00:22:47,159 Speaker 1: and then we'll dive more into that backro break we 434 00:22:47,240 --> 00:22:52,879 Speaker 1: have Mr Brett Young in the house. This guy, this 435 00:22:52,960 --> 00:22:55,040 Speaker 1: guy is inspiring, really inspiring for me because I'm in 436 00:22:55,040 --> 00:22:57,280 Speaker 1: a big transition point of my life, and so I 437 00:22:57,280 --> 00:22:59,880 Speaker 1: want to get your story. I want to learn from 438 00:22:59,880 --> 00:23:02,000 Speaker 1: you how you switch. You're gonna be a pro athlete. 439 00:23:02,240 --> 00:23:04,720 Speaker 1: Then you switched to like playing guitar again just because 440 00:23:04,720 --> 00:23:06,840 Speaker 1: you wanted to. You said, work on dexterity and just 441 00:23:07,240 --> 00:23:09,960 Speaker 1: a little different change in your life. At what point 442 00:23:10,000 --> 00:23:12,199 Speaker 1: did it come to like, Okay, now I want to 443 00:23:12,200 --> 00:23:14,919 Speaker 1: write music to make this a career or did you 444 00:23:14,960 --> 00:23:17,600 Speaker 1: just want to write music to express yourself. Like I mentioned, 445 00:23:17,600 --> 00:23:19,639 Speaker 1: you talked about I need to make more money in baseball. 446 00:23:19,680 --> 00:23:20,959 Speaker 1: I want to get in a better position to make 447 00:23:21,000 --> 00:23:24,000 Speaker 1: more money in baseball. Did you approach music like that 448 00:23:24,119 --> 00:23:25,439 Speaker 1: or is it just like I want to do this 449 00:23:25,480 --> 00:23:29,680 Speaker 1: to express myself. Yeah, I think I think with baseball, 450 00:23:29,720 --> 00:23:31,600 Speaker 1: it wasn't that I want to make more money. It 451 00:23:31,640 --> 00:23:34,040 Speaker 1: was just that I saw the value in a college education, 452 00:23:34,080 --> 00:23:36,560 Speaker 1: and it was like, there is a there is a 453 00:23:36,880 --> 00:23:39,080 Speaker 1: a number that you would have to offer me to 454 00:23:39,240 --> 00:23:43,000 Speaker 1: make me see the value in skipping college education, um 455 00:23:43,119 --> 00:23:45,040 Speaker 1: and so and so That's what it was. And then 456 00:23:45,080 --> 00:23:48,000 Speaker 1: once I made that decision. It was like, Okay, you 457 00:23:48,040 --> 00:23:50,359 Speaker 1: have three years because in base in college baseball, if 458 00:23:50,359 --> 00:23:52,720 Speaker 1: you played D one, you're not draft eligible again until 459 00:23:52,760 --> 00:23:55,639 Speaker 1: your junior year. So you have three years now to 460 00:23:55,720 --> 00:23:58,119 Speaker 1: become the best that you can be before your draft 461 00:23:58,160 --> 00:24:00,960 Speaker 1: years stocks high draft. So and so that was it. 462 00:24:01,040 --> 00:24:07,399 Speaker 1: And with music, I mean I wanted to write songs. 463 00:24:07,800 --> 00:24:10,520 Speaker 1: When I heard Chariot, I mean, that was it, right, 464 00:24:10,640 --> 00:24:12,760 Speaker 1: But I still didn't know that I wanted to pursue 465 00:24:12,760 --> 00:24:14,919 Speaker 1: it as a career. I just knew that, you know, 466 00:24:15,960 --> 00:24:17,919 Speaker 1: it's a strange thing, like I don't know if all 467 00:24:17,960 --> 00:24:20,480 Speaker 1: baseball players think of baseball like this, but as a pitcher, 468 00:24:21,119 --> 00:24:23,199 Speaker 1: it was a creative outlet for me because you like 469 00:24:23,359 --> 00:24:26,640 Speaker 1: study hitters and you like learn what pictures to throw 470 00:24:26,680 --> 00:24:29,199 Speaker 1: and what counts, and and that the part of my 471 00:24:29,240 --> 00:24:30,919 Speaker 1: mind that we were talking about that like wakes me 472 00:24:31,000 --> 00:24:33,359 Speaker 1: up thinking about music at the time, would wake me 473 00:24:33,440 --> 00:24:36,680 Speaker 1: up thinking about three two counts against a left handed hitter. 474 00:24:36,720 --> 00:24:39,320 Speaker 1: I mean like that. And I didn't know that was 475 00:24:39,359 --> 00:24:41,480 Speaker 1: a creative outlet for me until I lost it and 476 00:24:41,520 --> 00:24:43,479 Speaker 1: didn't have it anymore, and I didn't have a creative 477 00:24:43,480 --> 00:24:48,439 Speaker 1: outlet and so powerful it sounds weird. I mean, it 478 00:24:48,440 --> 00:24:50,760 Speaker 1: sounds like baseball doesn't sound like it would be a 479 00:24:50,760 --> 00:24:55,040 Speaker 1: creative thing. It's definitely a physical outlet um. But when 480 00:24:55,119 --> 00:24:57,119 Speaker 1: I heard Chariot and started writing, I was not writing 481 00:24:57,160 --> 00:24:59,880 Speaker 1: thinking I'm gonna be a songwriter artist. It just made 482 00:24:59,880 --> 00:25:02,359 Speaker 1: me want to write things down, and I immediately realized 483 00:25:02,560 --> 00:25:04,320 Speaker 1: whether I liked the song or not, it was a 484 00:25:04,359 --> 00:25:07,280 Speaker 1: creative outlet for me, and it was like filling that 485 00:25:07,400 --> 00:25:12,480 Speaker 1: void that baseball took away. And so how cool is amazing? 486 00:25:13,040 --> 00:25:15,399 Speaker 1: When I met Gavin, I had written six songs. He 487 00:25:15,480 --> 00:25:18,080 Speaker 1: gave me advice and we cut all of the six 488 00:25:18,080 --> 00:25:20,440 Speaker 1: songs I had written was my first DP. We actually 489 00:25:20,520 --> 00:25:23,520 Speaker 1: dropped one off because we used it for it. The 490 00:25:23,560 --> 00:25:27,440 Speaker 1: one that we dropped ended up being used on Kim 491 00:25:27,480 --> 00:25:30,159 Speaker 1: and Courtney take New York. When you said so I 492 00:25:30,160 --> 00:25:33,200 Speaker 1: got a placement on a TV show with the one 493 00:25:33,359 --> 00:25:35,280 Speaker 1: of the six that we didn't put on the EP. 494 00:25:35,680 --> 00:25:38,240 Speaker 1: And when you say we cut you and Gavin, no, no, no. 495 00:25:38,600 --> 00:25:40,960 Speaker 1: Gavin gave me all the advice, but the best advice 496 00:25:41,000 --> 00:25:43,000 Speaker 1: you gave me. You gave me a ton of great advice. 497 00:25:43,000 --> 00:25:45,159 Speaker 1: But you said, do you have a good microphone? I 498 00:25:45,240 --> 00:25:47,120 Speaker 1: was like, I don't know what it is. And you said, 499 00:25:47,240 --> 00:25:49,600 Speaker 1: even if you have to rent it, make sure it 500 00:25:49,680 --> 00:25:51,960 Speaker 1: is the right microphone for your voice and people can 501 00:25:51,960 --> 00:25:54,240 Speaker 1: hear your voice. You had never heard my voice before. 502 00:25:54,720 --> 00:25:57,040 Speaker 1: But um you said that. We ended up going out 503 00:25:57,040 --> 00:26:00,479 Speaker 1: and like renting the annoyman Ate seven and then and 504 00:26:00,480 --> 00:26:04,600 Speaker 1: then I'm gonna closet in a second bedroom closet, door shut, 505 00:26:04,880 --> 00:26:08,360 Speaker 1: holding the U eight seven with a down comforter over 506 00:26:08,400 --> 00:26:11,280 Speaker 1: my head as a as a dampening shield, Like that's 507 00:26:11,280 --> 00:26:14,040 Speaker 1: how we cut it. And I still listen back and 508 00:26:14,080 --> 00:26:16,359 Speaker 1: I'm like, the best sounding thing on this record is 509 00:26:16,400 --> 00:26:20,439 Speaker 1: the vocal quality. That is. But a guy on like 510 00:26:20,480 --> 00:26:22,800 Speaker 1: a massive stage where you are today to know that 511 00:26:22,920 --> 00:26:25,359 Speaker 1: you started in a closet with a down comfort over 512 00:26:25,400 --> 00:26:29,800 Speaker 1: your head with rental so that in the summer, that 513 00:26:31,200 --> 00:26:33,119 Speaker 1: nobody will ever hear that music. By the way, I 514 00:26:33,200 --> 00:26:36,760 Speaker 1: love that man, But but that I think that's a 515 00:26:37,160 --> 00:26:41,320 Speaker 1: that's another representation of what it takes to make dreams 516 00:26:41,359 --> 00:26:46,320 Speaker 1: come true. It takes it takes lack of of comfort, 517 00:26:46,800 --> 00:26:48,639 Speaker 1: you know what I mean. You're not going to always 518 00:26:48,680 --> 00:26:50,840 Speaker 1: walk into the studio of your dreams. You get to 519 00:26:50,840 --> 00:26:53,880 Speaker 1: cut your record, you know you're gonna be in a closet. 520 00:26:54,160 --> 00:26:57,960 Speaker 1: We're in a blanket over your head to dampen the 521 00:26:58,080 --> 00:27:01,800 Speaker 1: sound singing into a microphone that smells like somebody else's breath. 522 00:27:01,800 --> 00:27:04,400 Speaker 1: Who would rent it before you? You know what I mean? 523 00:27:06,760 --> 00:27:09,360 Speaker 1: You know what I mean? And and it's you know, 524 00:27:09,520 --> 00:27:12,119 Speaker 1: and you're told, look, we got we got four hours. 525 00:27:12,119 --> 00:27:14,520 Speaker 1: We only have a budget for four hours with this engineer, 526 00:27:14,600 --> 00:27:17,600 Speaker 1: So like, make it happen. Or you said something to 527 00:27:17,640 --> 00:27:20,439 Speaker 1: me and you just kind of touched on it, and 528 00:27:20,440 --> 00:27:21,639 Speaker 1: I don't want to get it wrong, but it was 529 00:27:21,680 --> 00:27:23,560 Speaker 1: something along the lines of and this was part of 530 00:27:23,560 --> 00:27:25,840 Speaker 1: that first conversation we talked. It was like if you've 531 00:27:25,880 --> 00:27:29,000 Speaker 1: never been hungry, you've never wanted it enough, or something 532 00:27:29,080 --> 00:27:31,480 Speaker 1: along those lines, and it always stuck with me. And 533 00:27:31,520 --> 00:27:35,760 Speaker 1: what's funny is it applies all the time in different ways, 534 00:27:36,840 --> 00:27:38,760 Speaker 1: like if you if you've never been hungry, like if 535 00:27:38,760 --> 00:27:41,280 Speaker 1: you've never been the starving artist, then you've never fought 536 00:27:41,280 --> 00:27:43,480 Speaker 1: hard enough for it. But also like if you've never 537 00:27:43,520 --> 00:27:46,399 Speaker 1: wanted it that bad being hungry, how healthy it is 538 00:27:46,480 --> 00:27:49,520 Speaker 1: to be hungry for it? You know, it's okay to suffer. 539 00:27:49,720 --> 00:27:52,320 Speaker 1: If you, if you, if you, if you're suffering, you 540 00:27:52,359 --> 00:27:55,200 Speaker 1: have something to draw from, you know. And you get 541 00:27:55,200 --> 00:27:57,120 Speaker 1: a lot of these people coming up, and they all 542 00:27:57,160 --> 00:27:59,199 Speaker 1: want to be superstars, and you know a lot of 543 00:27:59,200 --> 00:28:01,800 Speaker 1: their family members might have the money to help them 544 00:28:01,800 --> 00:28:04,199 Speaker 1: out and stuff like that, you know, and the you know, 545 00:28:04,280 --> 00:28:06,520 Speaker 1: the winlow spend all the money on their kids to 546 00:28:06,600 --> 00:28:08,639 Speaker 1: get him in, to get him in the studio. But 547 00:28:08,680 --> 00:28:10,560 Speaker 1: the kids don't want it bad enough because they don't 548 00:28:10,560 --> 00:28:14,200 Speaker 1: need it. They never struggled. There's a sense of entitlement 549 00:28:14,240 --> 00:28:17,440 Speaker 1: that comes with that. And this requires hard work. Yeah, 550 00:28:17,480 --> 00:28:19,520 Speaker 1: and I think I think all those things that you 551 00:28:19,520 --> 00:28:21,920 Speaker 1: want to help people with, things like you know, when 552 00:28:21,960 --> 00:28:24,080 Speaker 1: you who we spoke you and I one time we 553 00:28:24,080 --> 00:28:26,520 Speaker 1: were talking about just being hard to make a truck payment, 554 00:28:26,920 --> 00:28:28,600 Speaker 1: you know what I mean, to pay for your pickup, 555 00:28:29,160 --> 00:28:31,440 Speaker 1: and you know, yeah, it would be nice if someone 556 00:28:31,480 --> 00:28:34,119 Speaker 1: just said, hey, man, here's the extra few hundred bucks 557 00:28:34,200 --> 00:28:36,479 Speaker 1: this month, and here's an extra few hundred for the 558 00:28:36,520 --> 00:28:39,720 Speaker 1: next next month and next month. Yeah, thanks for the help. 559 00:28:40,000 --> 00:28:41,680 Speaker 1: But at the same time, that help is going to 560 00:28:41,760 --> 00:28:43,200 Speaker 1: take away a bit of a little bit of that 561 00:28:43,280 --> 00:28:46,680 Speaker 1: desperation that drive required to get to the next level. 562 00:28:46,960 --> 00:28:49,360 Speaker 1: You know. Sometimes the broken ladder is a good one 563 00:28:49,400 --> 00:28:51,160 Speaker 1: because it will teach you how to get that much 564 00:28:51,200 --> 00:28:55,360 Speaker 1: stronger to skip arong, you know. So, so that's that 565 00:28:55,560 --> 00:28:58,080 Speaker 1: is also necessary in my opinion. Well yeah, and that 566 00:28:58,160 --> 00:28:59,800 Speaker 1: that truck payment is the thing that puts you in 567 00:28:59,840 --> 00:29:02,120 Speaker 1: the position to have to take that cover gig that 568 00:29:02,120 --> 00:29:05,920 Speaker 1: you probably don't want, like I did. I mean you did. 569 00:29:05,920 --> 00:29:07,440 Speaker 1: You did it in New York. I did in l A. 570 00:29:07,800 --> 00:29:10,560 Speaker 1: I played other people's songs for people that didn't care 571 00:29:10,640 --> 00:29:14,000 Speaker 1: for a really long time. Um, but that's because I 572 00:29:14,040 --> 00:29:16,160 Speaker 1: had a truck payment, not because that's where my my 573 00:29:16,200 --> 00:29:18,680 Speaker 1: heart and soul was, but because I was getting to 574 00:29:18,760 --> 00:29:22,280 Speaker 1: do something I loved for people that didn't care, and 575 00:29:22,320 --> 00:29:24,360 Speaker 1: that still felt better than taking a job that was 576 00:29:24,360 --> 00:29:26,360 Speaker 1: gonna suck my soul. Yeah, I agree. Now I got 577 00:29:26,400 --> 00:29:29,640 Speaker 1: a question, So I got a question gave what was 578 00:29:29,680 --> 00:29:31,840 Speaker 1: it about? Because I'm sure other people have approached you, 579 00:29:32,120 --> 00:29:33,480 Speaker 1: right and being like, oh, can I ask you? I 580 00:29:33,480 --> 00:29:36,000 Speaker 1: want to be a songwriter? It what was it that that? 581 00:29:36,200 --> 00:29:38,520 Speaker 1: Because you obviously give a lot of advice and took 582 00:29:38,560 --> 00:29:41,480 Speaker 1: some time, and you're obviously you're a nice guy, but 583 00:29:41,840 --> 00:29:43,880 Speaker 1: it sounds like you went above and beyond with Brett. Now, 584 00:29:43,920 --> 00:29:46,320 Speaker 1: what was it about did you recognize something? I thought 585 00:29:46,360 --> 00:29:49,760 Speaker 1: he was sincere. You know, Brett was sincere. He you 586 00:29:49,760 --> 00:29:51,520 Speaker 1: know when you when you meet Brett, when you hang 587 00:29:51,560 --> 00:29:53,680 Speaker 1: with Brett, I think you can tell when Brett approaches 588 00:29:53,720 --> 00:29:58,640 Speaker 1: you that it's it's from It's always a respectable place, sorry, 589 00:29:58,680 --> 00:30:02,600 Speaker 1: a respectful place. And he has a humble uh demeanor 590 00:30:02,680 --> 00:30:05,200 Speaker 1: about him. You know, he is confidence, but he has 591 00:30:05,240 --> 00:30:08,840 Speaker 1: a nice humble demeanor and respectful demeanor. He's a likable guy, 592 00:30:09,440 --> 00:30:12,680 Speaker 1: you know. And so when he when he engaged me, 593 00:30:13,400 --> 00:30:18,760 Speaker 1: I believed him and I saw myself in him. Of 594 00:30:19,120 --> 00:30:22,080 Speaker 1: I know the position he's in. He wants, he has 595 00:30:22,080 --> 00:30:25,560 Speaker 1: a dream, he has a goal. He's asking questions in 596 00:30:25,560 --> 00:30:28,840 Speaker 1: a respectful way. That that I felt like if I 597 00:30:28,880 --> 00:30:32,080 Speaker 1: had an opportunity to meet somebody, um, I would have 598 00:30:32,720 --> 00:30:35,680 Speaker 1: done a similar type of thing or said similar types 599 00:30:35,760 --> 00:30:38,240 Speaker 1: of things, you know. And it sounded when he when 600 00:30:38,280 --> 00:30:40,960 Speaker 1: he asked me these questions, they sounded like they're coming 601 00:30:41,000 --> 00:30:44,719 Speaker 1: from a real place. They weren't just It wasn't just 602 00:30:44,880 --> 00:30:47,400 Speaker 1: a little quiz and an interview. It was someone who 603 00:30:47,480 --> 00:30:50,360 Speaker 1: was who had a goal and had a dream and 604 00:30:50,400 --> 00:30:56,160 Speaker 1: wanted real insight into how how how do I get there, 605 00:30:56,200 --> 00:30:58,800 Speaker 1: you know. Um. And so that's where I liked about it. 606 00:30:58,800 --> 00:31:01,520 Speaker 1: It wasn't just somebody being cozy. Hey, bro, so what's 607 00:31:01,520 --> 00:31:03,800 Speaker 1: it like on the first you know, with the U 608 00:31:04,520 --> 00:31:06,720 Speaker 1: and the uh you know what I'm saying. Bro, You know, 609 00:31:06,760 --> 00:31:08,480 Speaker 1: it wasn't like that. You know, It's a different thing. 610 00:31:08,560 --> 00:31:11,239 Speaker 1: And I really I believed him when he So if 611 00:31:11,240 --> 00:31:12,920 Speaker 1: he had come up and said, hey, I bet you 612 00:31:12,960 --> 00:31:14,720 Speaker 1: get a lot of girls playing music, then you would 613 00:31:14,720 --> 00:31:18,120 Speaker 1: have been like, yeah, thanks buddy, Yeah exactly exactly. But 614 00:31:18,240 --> 00:31:20,719 Speaker 1: maybe if I hadn't yelled at him obnoxiously, it wouldn't 615 00:31:20,760 --> 00:31:26,160 Speaker 1: worked either. That was the gold moment. Brett. Maybe you 616 00:31:26,200 --> 00:31:28,720 Speaker 1: knew him better. Maybe you're like, hey, yeah, if you 617 00:31:28,720 --> 00:31:32,600 Speaker 1: want to get a steak, and he's like yes, Like okay, 618 00:31:32,760 --> 00:31:36,560 Speaker 1: just answer anything you want if you're kicking up a steak. Well, 619 00:31:36,560 --> 00:31:38,560 Speaker 1: you know, it's funny. It's funny because when he first 620 00:31:38,640 --> 00:31:41,720 Speaker 1: called called to me on the street, I was like, 621 00:31:41,760 --> 00:31:46,000 Speaker 1: oh no, I'm about to get like harassed, heckled whatever, 622 00:31:46,560 --> 00:31:48,800 Speaker 1: you know, And because I was out for a walk. 623 00:31:48,960 --> 00:31:50,640 Speaker 1: I was just going for a walking. It was the 624 00:31:50,640 --> 00:31:53,000 Speaker 1: middle of the night, I was alone. And then you 625 00:31:53,040 --> 00:32:00,320 Speaker 1: look at he's enormous, and you're like, exactly your spread, 626 00:32:00,360 --> 00:32:05,600 Speaker 1: exactly exactly. He was sitting down and still the the 627 00:32:05,720 --> 00:32:08,120 Speaker 1: giant table looked like an airplane tray in front of vent, 628 00:32:10,760 --> 00:32:13,640 Speaker 1: you know what I mean. I was like, oh man, 629 00:32:13,720 --> 00:32:15,800 Speaker 1: what's this guy? What's this guy? One? I was like, 630 00:32:16,040 --> 00:32:18,960 Speaker 1: it's kind of big, damn. So I was like, you're 631 00:32:18,960 --> 00:32:23,720 Speaker 1: looking for improvised weapon. I swear, knowing what I know 632 00:32:23,760 --> 00:32:26,040 Speaker 1: about you, now, I can picture the way you got 633 00:32:26,040 --> 00:32:29,000 Speaker 1: off your phone call. You were like ready just in 634 00:32:29,080 --> 00:32:31,600 Speaker 1: case I was going to get aggressive. Never know where 635 00:32:31,680 --> 00:32:35,000 Speaker 1: you put your phone away, like preparing yourself for something terrible. 636 00:32:36,000 --> 00:32:37,680 Speaker 1: He just cracks a chair over your head. You're like, 637 00:32:37,720 --> 00:32:42,160 Speaker 1: I just want to ask a tell me about Hey, Bret, 638 00:32:43,920 --> 00:32:46,520 Speaker 1: Bret Brett. I had a quick question. Is there was 639 00:32:46,520 --> 00:32:49,840 Speaker 1: there a period after when you realized baseball was sort 640 00:32:49,880 --> 00:32:52,240 Speaker 1: of coming to an end that you went down kind 641 00:32:52,280 --> 00:32:56,520 Speaker 1: of a a dark place or dark path, absolutely not 642 00:32:56,600 --> 00:32:59,400 Speaker 1: knowing that your singing career would take off. Yeah. Absolutely no, 643 00:32:59,600 --> 00:33:03,840 Speaker 1: before I even found Chariot, before I even saw that 644 00:33:03,880 --> 00:33:08,120 Speaker 1: as some sort of path or outlet for me. Um, 645 00:33:08,160 --> 00:33:12,400 Speaker 1: this is totally full circle because tomorrow I'm actually playing 646 00:33:12,400 --> 00:33:14,720 Speaker 1: a show at a casino in Fresno, and at the 647 00:33:14,720 --> 00:33:16,840 Speaker 1: time I was at Fresno State and the last turn 648 00:33:16,880 --> 00:33:19,560 Speaker 1: off before you get this casino was a lookout over 649 00:33:19,880 --> 00:33:23,640 Speaker 1: It's called Militant Lake and Fresno. And when the injury happened, 650 00:33:23,680 --> 00:33:28,080 Speaker 1: it was it was full blown depression. Yeah, I hadn't 651 00:33:28,280 --> 00:33:30,640 Speaker 1: had no drive at all. I didn't want to do anything, 652 00:33:32,360 --> 00:33:35,560 Speaker 1: but I still wanted to listen to music. And UM, 653 00:33:35,640 --> 00:33:37,960 Speaker 1: that first weekend after I found out I had to 654 00:33:38,000 --> 00:33:41,200 Speaker 1: have surgery, which was the weekend before I had surgery. UM, 655 00:33:41,320 --> 00:33:43,640 Speaker 1: Dave matthews Man was playing three nights in a row 656 00:33:43,800 --> 00:33:48,320 Speaker 1: at it was called Concorde Pavilion in Northern and we 657 00:33:48,360 --> 00:33:51,760 Speaker 1: went to all three and then I came back and 658 00:33:51,840 --> 00:33:53,960 Speaker 1: that whole week, every night we would drive up parking 659 00:33:54,000 --> 00:33:56,320 Speaker 1: that lookout and we're bringing like, you know, a case 660 00:33:56,360 --> 00:33:58,280 Speaker 1: of beer, and they'll be like four of us with guitars, 661 00:33:58,480 --> 00:34:02,680 Speaker 1: all terrible guitar players were just designated driver. Of course, yeah, 662 00:34:02,920 --> 00:34:06,720 Speaker 1: of course, what what what case of beer lasts for 663 00:34:06,800 --> 00:34:09,120 Speaker 1: four guys? Of course, it's only for three guys exactly, 664 00:34:09,840 --> 00:34:17,120 Speaker 1: so two guys to designated and we would literally just 665 00:34:17,120 --> 00:34:19,799 Speaker 1: try to dissect what is Dave doing here? This doesn't 666 00:34:19,800 --> 00:34:21,040 Speaker 1: make sense. And we were trying to learn how to 667 00:34:21,040 --> 00:34:23,759 Speaker 1: play guitar, and it was the only when I was 668 00:34:23,800 --> 00:34:27,680 Speaker 1: sitting there by the leg playing guitar, trying to learn 669 00:34:28,200 --> 00:34:30,760 Speaker 1: Dave Matthew songs, the only time I wasn't feeling depressed 670 00:34:30,800 --> 00:34:34,040 Speaker 1: about baseball. So that was already happening. And then I 671 00:34:34,080 --> 00:34:36,600 Speaker 1: went back to l A to have my surgery, thinking 672 00:34:36,640 --> 00:34:40,359 Speaker 1: I'd come back and play my senior m HM. And 673 00:34:40,680 --> 00:34:44,480 Speaker 1: through the rehab processes, like the beginning was going really well, 674 00:34:44,520 --> 00:34:46,320 Speaker 1: and so the depression was leaving a little bit, and 675 00:34:46,320 --> 00:34:48,439 Speaker 1: I'm like, I'm gonna press my senior year. This is great, 676 00:34:48,920 --> 00:34:53,200 Speaker 1: and then uh, I got basically tendonitis and attendant that 677 00:34:53,600 --> 00:34:55,680 Speaker 1: wasn't designed to be in an elbow was designed to 678 00:34:55,719 --> 00:34:58,040 Speaker 1: be in a forearm, and that's a weird thing. And 679 00:34:58,080 --> 00:35:00,040 Speaker 1: so I had broke through all the scar too a 680 00:35:00,040 --> 00:35:01,400 Speaker 1: shoe and I could straighten my arm out and I 681 00:35:01,400 --> 00:35:03,040 Speaker 1: could throw. But once I got up on a mound 682 00:35:03,080 --> 00:35:06,400 Speaker 1: throwing downhill, I was feeling like this pain that felt 683 00:35:06,400 --> 00:35:08,960 Speaker 1: like the injury. But there then the m riot again 684 00:35:08,960 --> 00:35:11,600 Speaker 1: and they're like, no, it's actually totally healthy. You just 685 00:35:11,640 --> 00:35:14,719 Speaker 1: have a little bit of information or tendonitis in the 686 00:35:14,760 --> 00:35:17,640 Speaker 1: tendon um, in this whole thing, and I just sunk 687 00:35:17,760 --> 00:35:20,719 Speaker 1: right back into it. And it got the worst when 688 00:35:20,800 --> 00:35:23,040 Speaker 1: season came around and I was still at like sevent 689 00:35:23,600 --> 00:35:25,439 Speaker 1: and they're like, if this doesn't clear up, you won't 690 00:35:25,440 --> 00:35:28,920 Speaker 1: pitch your senior either, and I just went, you know, 691 00:35:28,960 --> 00:35:31,480 Speaker 1: I think God gives you open and closed doors, you know. 692 00:35:31,600 --> 00:35:34,520 Speaker 1: And at baseball, I had been beating my head against 693 00:35:34,600 --> 00:35:37,200 Speaker 1: that door for a long time. List didn't work out. 694 00:35:37,360 --> 00:35:39,839 Speaker 1: It was all these didn't work out stories, and again 695 00:35:39,880 --> 00:35:41,759 Speaker 1: here's another one, and I finally went, you know what, 696 00:35:42,040 --> 00:35:44,880 Speaker 1: I don't want to fight the fight of my life 697 00:35:45,160 --> 00:35:47,759 Speaker 1: to maybe get healthy in time for playoffs that we 698 00:35:47,840 --> 00:35:51,279 Speaker 1: might not make senior year. Like I think this is 699 00:35:51,560 --> 00:35:54,560 Speaker 1: it's a very clear picture for me. And so I 700 00:35:54,600 --> 00:35:56,960 Speaker 1: was when I had to make that decision, I was 701 00:35:57,080 --> 00:36:01,040 Speaker 1: down and out. And that's when I heard Chariot. So 702 00:36:01,400 --> 00:36:03,600 Speaker 1: you know what, nine months before, it was let's learn 703 00:36:03,600 --> 00:36:06,560 Speaker 1: a Dave matthews Man's song, and I'm depressed because I 704 00:36:06,640 --> 00:36:09,040 Speaker 1: hurt my arm, and then nine months later it's I 705 00:36:09,040 --> 00:36:11,359 Speaker 1: think I'm gonna walk away from the sport. And then 706 00:36:11,400 --> 00:36:13,359 Speaker 1: I heard that and it was Chariot, and I was like, 707 00:36:13,840 --> 00:36:15,560 Speaker 1: I want to write my own music. I don't want 708 00:36:15,600 --> 00:36:17,239 Speaker 1: to just play on people's music. It was part of 709 00:36:17,239 --> 00:36:20,080 Speaker 1: you relieved to obviously you didn't want it and you 710 00:36:20,120 --> 00:36:21,759 Speaker 1: were fighting for baseboll continue. It was part of you 711 00:36:21,800 --> 00:36:24,000 Speaker 1: relieved when you finally made that decision. You said, and 712 00:36:24,000 --> 00:36:26,200 Speaker 1: you and you heard Jerry and he said, I found 713 00:36:26,239 --> 00:36:28,080 Speaker 1: a new path. You know, I could move on and 714 00:36:28,120 --> 00:36:30,239 Speaker 1: I'm not struggling with the baseball thing because yeah, but 715 00:36:30,280 --> 00:36:33,160 Speaker 1: also way more scared, because like baseball was something that 716 00:36:33,560 --> 00:36:35,520 Speaker 1: I mean, I I turned down money out of high school. 717 00:36:35,520 --> 00:36:37,960 Speaker 1: I could have bought a house, an eighteen year old 718 00:36:38,000 --> 00:36:41,360 Speaker 1: owning a home, and now I'm a twenty to almost 719 00:36:42,160 --> 00:36:44,800 Speaker 1: one year old a month before twenty second birthday, going 720 00:36:45,800 --> 00:36:50,920 Speaker 1: I'm gonna chase down something even less predictable at two 721 00:36:51,000 --> 00:36:55,000 Speaker 1: years old and start over. Um it was it was, yeah, 722 00:36:55,080 --> 00:36:57,160 Speaker 1: I didn't. It didn't make any sense to me at all. 723 00:36:57,200 --> 00:37:01,040 Speaker 1: But all I knew was like I I don't have 724 00:37:01,080 --> 00:37:03,280 Speaker 1: the capacity to sit behind a desk Monday through Friday 725 00:37:03,320 --> 00:37:05,480 Speaker 1: nine to five. And no I don't have it. No 726 00:37:05,680 --> 00:37:07,480 Speaker 1: I can't be good at it. I could be good 727 00:37:07,520 --> 00:37:11,719 Speaker 1: at it for like two hours a day. I want 728 00:37:11,719 --> 00:37:13,359 Speaker 1: to do it, and I want to do it, but 729 00:37:13,440 --> 00:37:15,799 Speaker 1: I can't. Like I can't what they call it working 730 00:37:15,840 --> 00:37:17,839 Speaker 1: for the man. I can't work for the man. I can't. 731 00:37:17,840 --> 00:37:20,480 Speaker 1: I just can't. It's my attention span. I can't do it. 732 00:37:20,719 --> 00:37:22,439 Speaker 1: I have to do something. If I don't care, I can't. 733 00:37:22,520 --> 00:37:25,359 Speaker 1: That's why I can't read. There's not There's never been 734 00:37:25,400 --> 00:37:29,279 Speaker 1: a book in the history of the world. That's why 735 00:37:29,280 --> 00:37:32,520 Speaker 1: you guys are buddies that you finished. Even if the 736 00:37:32,560 --> 00:37:35,560 Speaker 1: book is amazing, every single one has a dead spot. 737 00:37:35,800 --> 00:37:37,480 Speaker 1: And that's when I put it down and never pick 738 00:37:37,480 --> 00:37:40,640 Speaker 1: it up. You know, it's funny about reading. When I 739 00:37:40,680 --> 00:37:49,480 Speaker 1: read every word, says Ambien, I'm gonna say something that's 740 00:37:49,480 --> 00:37:52,200 Speaker 1: gonna make me sounds right sleep, I go, I'm gonna agree. 741 00:37:52,200 --> 00:37:54,760 Speaker 1: I'm gonna agree with you right now. If the book 742 00:37:54,800 --> 00:37:58,080 Speaker 1: was good enough, they'll make it a movie. There go, there, 743 00:37:58,080 --> 00:38:08,239 Speaker 1: you go. Okay, in the world the time to kill unforgiven. 744 00:38:08,440 --> 00:38:10,799 Speaker 1: I am a wait for the movie guy myself. And 745 00:38:10,840 --> 00:38:12,640 Speaker 1: that's why when I was in elementary school and we 746 00:38:12,680 --> 00:38:14,439 Speaker 1: had to do book reports, I would pick a choose 747 00:38:14,480 --> 00:38:17,080 Speaker 1: your own adventure that the teacher. I knew the teacher 748 00:38:17,120 --> 00:38:18,439 Speaker 1: had read, so I didn't have to read the book. 749 00:38:18,440 --> 00:38:21,160 Speaker 1: I just make it up. You know what I want 750 00:38:21,160 --> 00:38:23,239 Speaker 1: to touch on on your story there that I that 751 00:38:23,360 --> 00:38:26,080 Speaker 1: I absolutely loved and I resonate when I heard you 752 00:38:26,120 --> 00:38:29,600 Speaker 1: say it. I resonate personally with it is that sometimes 753 00:38:29,640 --> 00:38:34,960 Speaker 1: the gifts in our life are completely disguised as trauma 754 00:38:35,320 --> 00:38:37,319 Speaker 1: or what we think is the worst possible thing that 755 00:38:37,360 --> 00:38:40,959 Speaker 1: could happen to us. Like that injury that you experienced, 756 00:38:41,280 --> 00:38:43,879 Speaker 1: you might not be. You wouldn't be Let's be honest, 757 00:38:43,880 --> 00:38:45,759 Speaker 1: you probably wouldn't be a country music store where you 758 00:38:45,760 --> 00:38:49,000 Speaker 1: are today, even have met your wife, Like all of 759 00:38:49,040 --> 00:38:53,440 Speaker 1: this stuff might not have happened if that injury didn't occur, 760 00:38:53,640 --> 00:38:56,719 Speaker 1: which you thought was drove you into depression, you know, 761 00:38:56,760 --> 00:38:58,400 Speaker 1: like I wouldn't have I wouldn't have met all of 762 00:38:58,440 --> 00:39:00,560 Speaker 1: you guys in this room had I not been released 763 00:39:00,560 --> 00:39:03,239 Speaker 1: from the l A Kings. You're very lucky and that 764 00:39:03,280 --> 00:39:10,319 Speaker 1: you have met us what those days, buddy, I will 765 00:39:10,360 --> 00:39:15,440 Speaker 1: say it's a gift, but it is it is for me, 766 00:39:15,560 --> 00:39:17,440 Speaker 1: Like I think of how my life has been blest 767 00:39:17,520 --> 00:39:19,839 Speaker 1: from what I deemed to be possibly the worst news 768 00:39:19,920 --> 00:39:22,640 Speaker 1: that I'd ever received, and how yours is the same 769 00:39:22,800 --> 00:39:24,439 Speaker 1: To hear that from you is amazing. I think about 770 00:39:24,440 --> 00:39:27,400 Speaker 1: our listeners. Oh there anybody else that's received news that 771 00:39:27,440 --> 00:39:30,759 Speaker 1: they think is just terrible. That's it could be the 772 00:39:30,760 --> 00:39:33,759 Speaker 1: biggest gift that you received. Could be absolutely correct. It 773 00:39:33,840 --> 00:39:36,920 Speaker 1: was for me, absolutely and you you know. The other 774 00:39:36,960 --> 00:39:39,880 Speaker 1: thing I really like about about what you guys are 775 00:39:39,920 --> 00:39:42,919 Speaker 1: saying and something that Brett said about being sort of 776 00:39:43,160 --> 00:39:46,000 Speaker 1: you know, forced out of the sport or how God 777 00:39:46,480 --> 00:39:52,399 Speaker 1: you know, opens and closes doors. Um, the beauty is, yes, 778 00:39:52,480 --> 00:39:57,160 Speaker 1: you left a sport that is really designed for youth, 779 00:39:58,760 --> 00:40:02,720 Speaker 1: but now you're now you're playing the ultimate lifetime sport, 780 00:40:02,760 --> 00:40:07,600 Speaker 1: which is music. Which is I mean Willie Nelson is 781 00:40:07,600 --> 00:40:10,279 Speaker 1: still on tour, you know what I mean? You your 782 00:40:10,760 --> 00:40:13,920 Speaker 1: longevity is a completely different word in music than it 783 00:40:14,000 --> 00:40:17,240 Speaker 1: isn't sports. You can you control your legacy. You decide 784 00:40:17,280 --> 00:40:20,520 Speaker 1: how long you're relevant. In baseball, when your body shuts down, 785 00:40:20,520 --> 00:40:24,440 Speaker 1: you're just not even before that, somebody else makes a decision, right, 786 00:40:24,640 --> 00:40:27,560 Speaker 1: my body didn't. God made a decision for me. Two 787 00:40:27,600 --> 00:40:30,520 Speaker 1: years old. God, God finally took my elbow away. And 788 00:40:30,560 --> 00:40:33,239 Speaker 1: I'm a picture. I mean, it's it's there, you know. 789 00:40:33,560 --> 00:40:37,120 Speaker 1: I guess there's a few things that you could lose 790 00:40:37,120 --> 00:40:39,839 Speaker 1: your voice. But even then you don't have to stop 791 00:40:39,880 --> 00:40:42,200 Speaker 1: being a songwriter. I mean, there are so many like you. 792 00:40:42,200 --> 00:40:44,200 Speaker 1: You can live out your legacy as long as as 793 00:40:44,200 --> 00:40:54,359 Speaker 1: a musician. Beethoven lost his hearing incredibly. So you've made 794 00:40:54,360 --> 00:40:56,880 Speaker 1: this transition from sport, you've started write songs. You know 795 00:40:57,000 --> 00:41:01,839 Speaker 1: you want to continue to write songs. Now what comes where? 796 00:41:01,880 --> 00:41:06,480 Speaker 1: What's the next break where you now become what is it? 797 00:41:06,480 --> 00:41:09,000 Speaker 1: What's your first single? You've had five number one singles? 798 00:41:09,000 --> 00:41:11,720 Speaker 1: Take us through the now the professional journey. So Gavin 799 00:41:11,800 --> 00:41:14,520 Speaker 1: said this earlier today, but like it's it's ten years 800 00:41:14,520 --> 00:41:17,720 Speaker 1: plus that we've known each other, which means like that EP, 801 00:41:18,239 --> 00:41:20,680 Speaker 1: that's why that doesn't live anywhere anymore. Like that that 802 00:41:20,840 --> 00:41:23,640 Speaker 1: was like that was that was me testing the waters um. 803 00:41:23,680 --> 00:41:26,640 Speaker 1: I then went into the bar and restaurant gig scene 804 00:41:26,760 --> 00:41:30,120 Speaker 1: for ten years in Orange County in l a um 805 00:41:30,160 --> 00:41:31,920 Speaker 1: and I never got I mean, I love to tell 806 00:41:31,920 --> 00:41:34,760 Speaker 1: this story. I never got a meeting. I was playing 807 00:41:34,800 --> 00:41:37,640 Speaker 1: four to five nights a week for ten years, making 808 00:41:37,640 --> 00:41:40,839 Speaker 1: a living and never got a meeting. And finally, you know, 809 00:41:40,960 --> 00:41:43,480 Speaker 1: I was thirty one, almost thirty two, I had met 810 00:41:43,520 --> 00:41:45,200 Speaker 1: an investor that wanted to work with me, but he 811 00:41:45,239 --> 00:41:48,120 Speaker 1: was out of Atlanta and he had connections in Nashville, 812 00:41:48,160 --> 00:41:49,920 Speaker 1: and I finally just went, all right, I'm out. And 813 00:41:49,960 --> 00:41:52,360 Speaker 1: at the time, my wife and I had been together 814 00:41:52,360 --> 00:41:54,120 Speaker 1: for six years and had broken up, and so I 815 00:41:54,160 --> 00:41:56,200 Speaker 1: was like, I'm going, I'm just gonna go, and I 816 00:41:56,239 --> 00:41:59,200 Speaker 1: was chasing down the songwriting side of things. Wait a second, 817 00:41:59,239 --> 00:42:02,960 Speaker 1: So that's even an other interesting thing of being a 818 00:42:03,040 --> 00:42:05,760 Speaker 1: bad thing turning into a good thing. You and your 819 00:42:06,000 --> 00:42:08,080 Speaker 1: wife had broken up at the time. Now, if you 820 00:42:08,120 --> 00:42:10,000 Speaker 1: were still together, you might not have packed up your 821 00:42:10,000 --> 00:42:12,279 Speaker 1: things and headed to Nashville. Yeah, you know what I mean. 822 00:42:12,320 --> 00:42:14,399 Speaker 1: Like I was lastie. I mean, she knew, she knew 823 00:42:14,400 --> 00:42:16,400 Speaker 1: she wasn't ready for what I wanted, and that it 824 00:42:16,400 --> 00:42:18,640 Speaker 1: would be good for me to go there. Like she 825 00:42:19,200 --> 00:42:22,480 Speaker 1: even even in us breaking up, she was trying to 826 00:42:22,520 --> 00:42:25,439 Speaker 1: take care of me. Now, were you married or dating 827 00:42:25,440 --> 00:42:27,359 Speaker 1: at the time? Dating? We had dated for six years 828 00:42:27,360 --> 00:42:30,759 Speaker 1: and and Nashville broke us up. Um, and it was 829 00:42:30,880 --> 00:42:32,400 Speaker 1: I mean, we we got I mean, I know that 830 00:42:32,400 --> 00:42:34,279 Speaker 1: wasn't the question. We got back together two years later 831 00:42:34,280 --> 00:42:36,160 Speaker 1: by accident. We're married with the baby on the way. 832 00:42:36,360 --> 00:42:38,560 Speaker 1: Our Stories eleven years, our stories as long as me 833 00:42:38,600 --> 00:42:42,200 Speaker 1: and Gavin's eleven years. Imagine what our baby would look 834 00:42:42,280 --> 00:42:44,480 Speaker 1: like you and me, bro Dude, I hope it looked 835 00:42:44,520 --> 00:42:48,640 Speaker 1: like brat, what a baby are you? Are you offended 836 00:42:48,680 --> 00:42:56,360 Speaker 1: if I don't want to imagine that? So then what 837 00:42:56,520 --> 00:42:58,640 Speaker 1: was the first hit single that really put you on 838 00:42:58,680 --> 00:43:02,879 Speaker 1: the map? So that I didn't have an opinion about 839 00:43:02,880 --> 00:43:05,000 Speaker 1: the first single, I just knew that as a new artist, 840 00:43:05,000 --> 00:43:07,000 Speaker 1: I was watching what everybody was doing, and I knew 841 00:43:07,320 --> 00:43:10,440 Speaker 1: that I was being given an opportunity later in life. 842 00:43:10,960 --> 00:43:13,600 Speaker 1: I just wanted to make sure, like I'm I would 843 00:43:13,640 --> 00:43:15,520 Speaker 1: if left to my own devices, give me a bottle 844 00:43:15,520 --> 00:43:17,720 Speaker 1: of whiskey, guitar and I right ballads and love songs 845 00:43:17,719 --> 00:43:20,600 Speaker 1: and breakup songs all day every day. That's who I 846 00:43:20,640 --> 00:43:23,400 Speaker 1: am as an artist. But I knew that wasn't the 847 00:43:23,480 --> 00:43:25,759 Speaker 1: right way to introduce myself to the world. And I 848 00:43:25,800 --> 00:43:28,320 Speaker 1: only had three up tempo tempo songs in the first record, 849 00:43:28,680 --> 00:43:30,319 Speaker 1: and one of them I had written about my mom 850 00:43:30,360 --> 00:43:33,680 Speaker 1: and dad and their relationship, and so I went, well, 851 00:43:33,719 --> 00:43:35,920 Speaker 1: I still want I still want to mean it and 852 00:43:35,960 --> 00:43:38,600 Speaker 1: have it be important to me. So we went with 853 00:43:38,640 --> 00:43:43,560 Speaker 1: Sleep Without You, because um My senior year in high school. Um, 854 00:43:43,560 --> 00:43:47,560 Speaker 1: my curfew was always ten except four on game days 855 00:43:48,200 --> 00:43:51,120 Speaker 1: basketball season game days because the game would end around ten, 856 00:43:51,200 --> 00:43:53,200 Speaker 1: I was allowed to go eat with the with the 857 00:43:53,239 --> 00:43:57,399 Speaker 1: team before, so I had twelve on Friday game days. 858 00:43:58,000 --> 00:44:03,800 Speaker 1: We played every Tuesday and Friday. And uh, this one weekend, 859 00:44:05,120 --> 00:44:08,440 Speaker 1: my dad's like, a he's a pastor, he's early to 860 00:44:08,520 --> 00:44:12,239 Speaker 1: bed guy. Um, and this one week and my mom 861 00:44:12,280 --> 00:44:14,040 Speaker 1: was away on a women's retreat with the church. And 862 00:44:14,080 --> 00:44:16,640 Speaker 1: I came in Friday at curfew at twelve, and my 863 00:44:16,680 --> 00:44:20,080 Speaker 1: dad's like, and he's sitting up at midnight when I 864 00:44:20,080 --> 00:44:22,879 Speaker 1: walk in watching Sports Center. If you know sports that's 865 00:44:22,880 --> 00:44:29,400 Speaker 1: an hour program, so if you're watching at midnight. And 866 00:44:29,440 --> 00:44:31,120 Speaker 1: I walked in, I said, Dad, what are you doing? 867 00:44:31,640 --> 00:44:33,719 Speaker 1: And he's like, it's just still hard to sleep in 868 00:44:33,760 --> 00:44:36,400 Speaker 1: our bed when mom's not here. And that stuck with me. 869 00:44:36,440 --> 00:44:38,480 Speaker 1: I wasn't writing songs yet. I was eighteen. I mean, 870 00:44:38,480 --> 00:44:40,600 Speaker 1: it was a long time ago. And uh, it was 871 00:44:40,640 --> 00:44:42,440 Speaker 1: a title that I wrote down. You know, it was 872 00:44:42,480 --> 00:44:44,239 Speaker 1: this title that woke me up. You know we're talking 873 00:44:44,280 --> 00:44:46,960 Speaker 1: about me. I woke up, wrote it down, and went 874 00:44:46,960 --> 00:44:48,759 Speaker 1: back to sleep, and then I got home with a 875 00:44:48,800 --> 00:44:51,200 Speaker 1: couple of guys and we wrote this song about like 876 00:44:51,320 --> 00:44:53,759 Speaker 1: years later, like how this is our bed together, so 877 00:44:53,800 --> 00:44:55,200 Speaker 1: when you're not here, it's hard for me to go 878 00:44:55,200 --> 00:44:57,719 Speaker 1: to sleep. I'm living it now. When I wrote it, 879 00:44:57,760 --> 00:44:59,440 Speaker 1: I wasn't living it. I live it now. It's it's 880 00:44:59,480 --> 00:45:02,759 Speaker 1: really bus art and I have my wife next to me. Um. 881 00:45:02,800 --> 00:45:05,400 Speaker 1: But when I was picking a single, I knew I 882 00:45:05,400 --> 00:45:07,400 Speaker 1: wanted up tempo and that was the only one that 883 00:45:07,480 --> 00:45:09,239 Speaker 1: was that personal to me, and so that's why we 884 00:45:09,280 --> 00:45:12,759 Speaker 1: picked it. I love that authenticity. Man, Yeah, kudos to you. 885 00:45:13,600 --> 00:45:19,560 Speaker 1: Thanks good guess that's awesome. I love hearing like musical 886 00:45:19,640 --> 00:45:21,560 Speaker 1: journeys like this was not a part of my life 887 00:45:21,560 --> 00:45:24,239 Speaker 1: as an athlete. Now hearing this, it's a beautiful art. 888 00:45:24,239 --> 00:45:26,480 Speaker 1: It's I learned through you, I learned through your friends, 889 00:45:26,719 --> 00:45:29,520 Speaker 1: people that come on the show. It's an absolutely beautiful craft. 890 00:45:30,880 --> 00:45:33,080 Speaker 1: I know that it's coming across in this conversation like 891 00:45:33,160 --> 00:45:36,520 Speaker 1: I'm anywhere near like I live music anywhere near as 892 00:45:36,560 --> 00:45:39,240 Speaker 1: much as Gavin. I've never met anybody that lives music 893 00:45:39,440 --> 00:45:41,799 Speaker 1: more than Gavin. To grow literally, I'm not just saying 894 00:45:41,840 --> 00:45:46,239 Speaker 1: that to like like fluff you up. I will if 895 00:45:46,239 --> 00:45:51,439 Speaker 1: you need me to do. We'll talk about no. But 896 00:45:51,440 --> 00:45:54,359 Speaker 1: but but I'm I'm being serious. It takes me back 897 00:45:54,360 --> 00:45:57,000 Speaker 1: to Hawaii, not just like a coffee shop thing. But 898 00:45:57,080 --> 00:46:00,200 Speaker 1: I remember we were walking through that international marketplace in 899 00:46:00,280 --> 00:46:03,000 Speaker 1: Honolulu on that trip and you were like you walk 900 00:46:03,080 --> 00:46:07,680 Speaker 1: through and you like touched and awning as we were 901 00:46:07,680 --> 00:46:10,280 Speaker 1: walking through, but you like, we're walking ahead by yourself, 902 00:46:10,840 --> 00:46:12,560 Speaker 1: and I was like, and then you did it again, 903 00:46:12,600 --> 00:46:15,359 Speaker 1: but you put both hands up. And I didn't know 904 00:46:15,400 --> 00:46:17,319 Speaker 1: you well at all at the time, and I was like, 905 00:46:17,640 --> 00:46:20,520 Speaker 1: like this guy us and I walked up and I 906 00:46:20,520 --> 00:46:22,279 Speaker 1: asked you. I remember asking you. We were about to 907 00:46:22,280 --> 00:46:24,360 Speaker 1: walk into a little bar with your band, me, you 908 00:46:24,400 --> 00:46:27,359 Speaker 1: and Liver, and I walked up to you and I 909 00:46:27,360 --> 00:46:29,399 Speaker 1: was like, were you measuring something? And you were like what? 910 00:46:29,440 --> 00:46:31,759 Speaker 1: And I explained this whole what I was talking about, 911 00:46:31,760 --> 00:46:33,359 Speaker 1: Like you you had your hands and you were like, 912 00:46:33,600 --> 00:46:35,000 Speaker 1: oh no, I don't know what I was doing. But 913 00:46:35,040 --> 00:46:37,400 Speaker 1: I had a song idea, you said to me just 914 00:46:37,480 --> 00:46:40,360 Speaker 1: coming out through you were you were having like song 915 00:46:40,440 --> 00:46:42,640 Speaker 1: ideas as we were all walking together to go to 916 00:46:42,680 --> 00:46:44,759 Speaker 1: a bar and hang out. And I remember thinking like, 917 00:46:45,920 --> 00:46:52,080 Speaker 1: I'm bad at this. Well, no ideas like that that 918 00:46:52,160 --> 00:46:55,000 Speaker 1: often this is crazy, but that song Awning never came out, 919 00:46:55,040 --> 00:47:03,040 Speaker 1: so it was Cannopy's Oh man, I love this gets 920 00:47:03,040 --> 00:47:04,640 Speaker 1: you in your head. You know the music you can't 921 00:47:04,680 --> 00:47:07,440 Speaker 1: shut it off. I'm there comes out of your body 922 00:47:07,520 --> 00:47:10,719 Speaker 1: and you know, people be talking to you and you 923 00:47:10,880 --> 00:47:14,560 Speaker 1: just you go somewhere else, you know. Yeah, well that's 924 00:47:14,600 --> 00:47:16,800 Speaker 1: that's right. Can you imagine how people you have to 925 00:47:16,800 --> 00:47:18,799 Speaker 1: give a songwriting credit to if you let them know 926 00:47:18,840 --> 00:47:20,480 Speaker 1: that something they said out loud you wrote down and 927 00:47:20,480 --> 00:47:25,759 Speaker 1: wrote the song. That's amazing. Hold on your right. I'm 928 00:47:25,760 --> 00:47:28,080 Speaker 1: gonna get I'm gonna get a transcript of all our 929 00:47:28,120 --> 00:47:30,600 Speaker 1: podcasts and see if like one line ends up in 930 00:47:30,600 --> 00:47:33,680 Speaker 1: one of your songs, and then I'm getting royalty. I 931 00:47:33,800 --> 00:47:38,200 Speaker 1: just put sorry. Brooks is like, does this song on 932 00:47:38,239 --> 00:47:42,400 Speaker 1: the ice have anything to do with my hot? So 933 00:47:42,480 --> 00:47:44,640 Speaker 1: you had one hit single? Then when did the second 934 00:47:44,640 --> 00:47:48,400 Speaker 1: one come out? When did the next number one come? Uh? Next? 935 00:47:50,760 --> 00:47:54,560 Speaker 1: This gig is easy, Hey, that baseball gig is easy. 936 00:47:54,680 --> 00:47:57,200 Speaker 1: Let me ask you a question, just because from from 937 00:47:57,239 --> 00:48:01,439 Speaker 1: the artists perspective of something, when you had your first hit, 938 00:48:02,360 --> 00:48:07,000 Speaker 1: were you feeling cool now I'll have another hit? Great? 939 00:48:07,080 --> 00:48:10,000 Speaker 1: Let me ride the wave or were you thinking, no, 940 00:48:10,280 --> 00:48:15,879 Speaker 1: terrified more responsibility? Yes wa wa yeah because one hit 941 00:48:15,920 --> 00:48:19,960 Speaker 1: wonder is nobody wants that. Uh you know, like I'm 942 00:48:19,960 --> 00:48:21,279 Speaker 1: not going to name a name, but you and I 943 00:48:21,360 --> 00:48:23,479 Speaker 1: went and had like a late night breakfast with somebody 944 00:48:23,480 --> 00:48:24,960 Speaker 1: in l A that I'm a big fan of. But 945 00:48:25,040 --> 00:48:29,239 Speaker 1: they were one and done. You know who I'm talking about. Like, 946 00:48:29,520 --> 00:48:33,839 Speaker 1: it doesn't lessen your talent or but like if you 947 00:48:34,280 --> 00:48:37,160 Speaker 1: get put in that category, you are done. Damn Like 948 00:48:37,200 --> 00:48:40,440 Speaker 1: you're it's almost as bad as sophomore slump on the 949 00:48:40,480 --> 00:48:44,799 Speaker 1: second record. It's like everybody said, you, so you got 950 00:48:44,840 --> 00:48:47,600 Speaker 1: one under your belt. You feel uncomfortable now. I was like, 951 00:48:47,920 --> 00:48:51,480 Speaker 1: absolutely not. I wrote three d songs from my second record. 952 00:48:52,400 --> 00:48:56,160 Speaker 1: I brought writers on every single run we did. They 953 00:48:56,160 --> 00:48:58,560 Speaker 1: were I had riders on the bus for all fifty 954 00:48:58,600 --> 00:49:02,200 Speaker 1: three Lady Annabellum date. When while my first record was 955 00:49:02,239 --> 00:49:05,520 Speaker 1: out there, it was not it was pedal to the metal, 956 00:49:05,600 --> 00:49:07,880 Speaker 1: let's go, I love this. This is this is the 957 00:49:07,960 --> 00:49:10,359 Speaker 1: kind of hustle honestly that people don't get to see. 958 00:49:10,560 --> 00:49:12,920 Speaker 1: They see your success, but they don't see this. But 959 00:49:12,920 --> 00:49:17,239 Speaker 1: but also it's I think the nineteen year old kid 960 00:49:17,360 --> 00:49:20,000 Speaker 1: that's entitled that's given a record deal too young, or 961 00:49:20,080 --> 00:49:24,200 Speaker 1: took the wrong record deal and spent the money. They're 962 00:49:24,200 --> 00:49:26,640 Speaker 1: sleeping on somebody's couch with no bills, no over Like 963 00:49:26,680 --> 00:49:28,360 Speaker 1: I mean, I had a I had a life to 964 00:49:28,400 --> 00:49:31,360 Speaker 1: afford when I like almost and you have this story 965 00:49:31,440 --> 00:49:34,440 Speaker 1: you turned down record deals like it has to be 966 00:49:34,560 --> 00:49:36,480 Speaker 1: right for you in your life at the time. And 967 00:49:36,520 --> 00:49:38,960 Speaker 1: these kids that have no skin in the game, had 968 00:49:38,960 --> 00:49:42,440 Speaker 1: no bills and nothing to take care of. It's easy 969 00:49:42,480 --> 00:49:46,040 Speaker 1: to piss it away. So for me, it's like, I 970 00:49:46,120 --> 00:49:48,279 Speaker 1: know that I started this late. I know I'm very 971 00:49:48,360 --> 00:49:49,839 Speaker 1: blessed to have it. I know it could go away 972 00:49:49,880 --> 00:49:52,239 Speaker 1: at any time. It's my job to keep it here 973 00:49:52,640 --> 00:49:56,359 Speaker 1: longevity as long as I can. So it's it's you know, 974 00:49:56,440 --> 00:49:59,840 Speaker 1: as an athlete, you understand this. You get out what 975 00:50:00,040 --> 00:50:03,320 Speaker 1: you put in. Yeah, and I think athletes are successful 976 00:50:03,320 --> 00:50:06,120 Speaker 1: in music because of that that work ethic. You have it, 977 00:50:06,480 --> 00:50:11,000 Speaker 1: you never turn it off. It's but that's that's that 978 00:50:11,080 --> 00:50:17,600 Speaker 1: just doesn't telling me I have a chance a million. 979 00:50:19,160 --> 00:50:23,839 Speaker 1: That's what I took from that. Yeah, man, we've ever 980 00:50:23,920 --> 00:50:27,080 Speaker 1: done right there. It's a good title to Yeah, I 981 00:50:27,200 --> 00:50:30,319 Speaker 1: gotta Eastern. If one of these microphones go missing, don't 982 00:50:30,320 --> 00:50:36,120 Speaker 1: worry about it and the comforter practice. Right before we 983 00:50:36,160 --> 00:50:38,160 Speaker 1: say goodbye to you, we got to send a massive 984 00:50:38,200 --> 00:50:42,560 Speaker 1: shout out to Planet Hollywood absolutely for this great, great 985 00:50:42,600 --> 00:50:45,320 Speaker 1: great We've had a ball and the food has been delicious, 986 00:50:45,520 --> 00:50:48,160 Speaker 1: amazing food. They hooked us up. Got a great place, 987 00:50:48,320 --> 00:50:51,840 Speaker 1: nice couch, even enough room for all this fantastic circular 988 00:50:51,880 --> 00:50:53,719 Speaker 1: couch works well for the podcast. I think we'll have 989 00:50:53,760 --> 00:50:56,760 Speaker 1: to come back to podcasts here again. Also shake Shack. 990 00:50:57,160 --> 00:50:59,680 Speaker 1: We had shake Shack last night. That was fun. Yeah, 991 00:50:59,680 --> 00:51:02,520 Speaker 1: we went there after the concert. So shout out to 992 00:51:03,400 --> 00:51:06,680 Speaker 1: Shape And if you are looking for a shake Shack location, 993 00:51:06,800 --> 00:51:10,800 Speaker 1: go to shake shack dot com or the shack app. 994 00:51:11,480 --> 00:51:13,879 Speaker 1: Did you know that you find yourself a shake Shack 995 00:51:13,920 --> 00:51:16,960 Speaker 1: wherever you go. So thank you Plan in Hollywood, Thank 996 00:51:17,000 --> 00:51:20,120 Speaker 1: you shake Shack. Uh Brett, I love your story, dude, 997 00:51:20,120 --> 00:51:21,640 Speaker 1: Thank you so much for coming to share with. Where 998 00:51:21,640 --> 00:51:23,399 Speaker 1: can people find you? Where can you have a new 999 00:51:23,520 --> 00:51:26,880 Speaker 1: album coming out? Where? Obviously on iTunes everything We actually 1000 00:51:27,000 --> 00:51:30,120 Speaker 1: we actually did just put out a new acoustic project, 1001 00:51:30,880 --> 00:51:35,000 Speaker 1: uh that Gavin sang on with our song Chapters played 1002 00:51:35,000 --> 00:51:38,040 Speaker 1: and sang and it's such a special song. Um and 1003 00:51:38,239 --> 00:51:42,040 Speaker 1: uh there's some new stuff that you'll be hearing about 1004 00:51:42,120 --> 00:51:43,759 Speaker 1: kind of soon. We might kind of break the album 1005 00:51:43,800 --> 00:51:45,800 Speaker 1: cycle for a minute to put out I've written a 1006 00:51:45,840 --> 00:51:48,000 Speaker 1: song about my daughter that I'm really proud of, and 1007 00:51:48,080 --> 00:51:50,320 Speaker 1: we might we might put that out early just to 1008 00:51:50,600 --> 00:51:53,520 Speaker 1: to give people more content. But great, I will always 1009 00:51:53,560 --> 00:51:56,720 Speaker 1: be putting things out. And then online do you engage 1010 00:51:56,719 --> 00:51:59,400 Speaker 1: with people online? Bretton music dot com and all the 1011 00:51:59,440 --> 00:52:03,400 Speaker 1: socials are outbrighting music and yes, absolutely, I'm very active 1012 00:52:03,440 --> 00:52:08,279 Speaker 1: on socials. My wife, Taylor Mills Young is also she's 1013 00:52:08,320 --> 00:52:10,120 Speaker 1: better than me, so if you want to go check 1014 00:52:10,120 --> 00:52:12,880 Speaker 1: her out too. She's always uh, she's better at talking 1015 00:52:12,920 --> 00:52:15,480 Speaker 1: about what I'm doing than I am, so you can 1016 00:52:15,520 --> 00:52:17,759 Speaker 1: get even more content from her socials. But yeah, we're 1017 00:52:17,840 --> 00:52:21,120 Speaker 1: we're active and we want to be connected to the community. Awesome. 1018 00:52:21,160 --> 00:52:23,640 Speaker 1: And then baby on the way for you guys. We're 1019 00:52:23,640 --> 00:52:27,719 Speaker 1: about three weeks away first beautiful little girl. So we're 1020 00:52:27,719 --> 00:52:29,400 Speaker 1: so excited. Well, we should get you out of here 1021 00:52:29,400 --> 00:52:31,080 Speaker 1: so you can catch that plane and head back home. 1022 00:52:31,239 --> 00:52:33,560 Speaker 1: Thank you, look after that, lady, Thank you guys for 1023 00:52:33,600 --> 00:52:35,719 Speaker 1: having me. This is a this is a blast. I 1024 00:52:35,760 --> 00:52:38,799 Speaker 1: hope I hope like that. People don't listen to us 1025 00:52:38,800 --> 00:52:41,439 Speaker 1: and then think that like this is actually how men think. 1026 00:52:45,000 --> 00:52:54,920 Speaker 1: I'm just I'm just kidding. We're the best. Thank you 1027 00:52:54,960 --> 00:52:57,960 Speaker 1: having an egg sandwich and let's take a break. Thank 1028 00:52:57,960 --> 00:52:59,799 Speaker 1: you Buddy so much for sharing your story, for coming 1029 00:52:59,800 --> 00:53:03,040 Speaker 1: in a friend of the show. Thanks Gavin for hooking 1030 00:53:03,080 --> 00:53:06,280 Speaker 1: this up, and thank you everybody for listening Brett stories. 1031 00:53:06,320 --> 00:53:09,279 Speaker 1: Incredible people out there listening. Um I say this all 1032 00:53:09,280 --> 00:53:11,920 Speaker 1: the time. Everything is an opportunity and that's how you 1033 00:53:12,000 --> 00:53:13,960 Speaker 1: worked at that injury and you've taken it and created 1034 00:53:13,960 --> 00:53:17,120 Speaker 1: an amazing life. So uh, that's it for today until 1035 00:53:17,200 --> 00:53:19,640 Speaker 1: next week. Take care of one another, love one another, 1036 00:53:19,719 --> 00:53:22,080 Speaker 1: and we'll see you back here on How Men Thinks. 1037 00:53:22,160 --> 00:53:24,040 Speaker 1: Great job man, Thanks