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Speaker 1: Okay, hey man, he's in my face.

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Speaker 2: I'm with your face.

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Speaker 1: It don't matter if you will by an inch, Mr Winning,

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Speaker 1: I don't have friends.

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Speaker 2: Okay, family.

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Speaker 1: Room room, and welcome to the final Fast Friends episode,

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Speaker 1: presented by the NBA. That's game. All summer long, we've

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Speaker 1: been watching and breaking down every film from the Fast

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Speaker 1: and Furious franchise, and well we've done it, guys. We

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Speaker 1: are about to cross the finish line in this quarter

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Speaker 1: mile podcast race the final movie, twenty twenty one's F nine.

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Speaker 2: I'm j. E.

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Speaker 1: Skis along with our Fast and Furious expert Trey Kirby. Hey, hey,

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Speaker 1: we've got our super producer jd.

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Speaker 3: Hello, there he is, and.

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Speaker 1: Look at this back for our final installment. You thought

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Speaker 1: we'd killed him off at the end of Fast five.

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Speaker 1: Oh no, no, no one ever dies in this series.

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Speaker 1: He is back from the dead. It's madioh Hey guys,

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Speaker 1: hey Maddio.

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Speaker 3: Thanks for coming back on, Thanks for having me back.

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Speaker 1: Did you go in? I was gonna say, did you

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Speaker 1: go and watch six, seven, eight, Hobbs and Shaw and

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Speaker 1: then of course now F nine?

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Speaker 3: Absolutely I did it, well I should. The one I

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Speaker 3: didn't watch was Hobbs and hive seen that before when

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Speaker 3: it came out on HBO, but don't really remember it.

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Speaker 3: So I didn't want to rewatch that. But because I

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Speaker 3: had basically two days to watch all these movies, not rewatch.

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Speaker 1: Been at a lab.

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Speaker 3: I've been on a binge. Not not a good binge.

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Speaker 1: No, No, I know what it was. It was a

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Speaker 1: wild ride we've been on this summer. There's no doubt

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Speaker 1: there's been a lot of movies. Watch some of them, Okay,

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Speaker 1: some of them not. But before we start breaking down

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Speaker 1: the final one, here F nine a friendly reminder that

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Speaker 1: if you've enjoyed this weird podcast series, take a second,

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Speaker 1: leave us that five star rating and review on Apple Podcasts,

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Speaker 1: and or subscribe to No Dunks on YouTube. Definitely helps

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Speaker 1: your boys out. Keep tweeting at us too at No

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Speaker 1: dunk Sinc. That's I n C or email in any

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Speaker 1: and all fast Friends questions, fast and furious questions to

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Speaker 1: No Dunks at the Athletic dot Com. Just put fast

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Speaker 1: Friends there in the subject header JD. Are you pumped

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Speaker 1: here for the final one?

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Speaker 2: Oh? So pumped. I'm so happy that this day has

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Speaker 2: finally arrived. What a relief, What a relief, I can

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Speaker 2: go back to watching regular movies again. And my family

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Speaker 2: is gonna be very happy about it too.

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Speaker 1: Like, oh, they're tired of watching these with you.

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Speaker 2: I think. So it's a lot. It's a lot, and

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Speaker 2: we watch them pretty much one after the other. So

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Speaker 2: it'll be good to have a nice quiet I gotta

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Speaker 2: watch the Downton Abby movie or something nice.

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Speaker 1: Nice change your pace, Yeah for sure. Well I have

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Speaker 1: my corona here for the final one. I am happy

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Speaker 1: about that. Cheers to the to dom into family. So

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Speaker 1: F nine TK, we're gonna get into it here. It's

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Speaker 1: also called F nine the Fast Saga, and then internationally

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Speaker 1: I guess it's just straight up known as Fast and

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Speaker 1: Furious nine, but we'll be calling it F nine here

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Speaker 1: on the pod. Just came out this summer, I mean

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Speaker 1: months ago, this thing was released. So this one's hot

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Speaker 1: off the presses. Budget two hundred million dollars, box office

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Speaker 1: seven hundred million worldwide. Just like that, not bad during

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Speaker 1: a pandemic. I gotta say, now, is that taking into

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Speaker 1: consideration us paying nineteen ninety nine on Prime to watch this?

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Speaker 1: But he's the home box office, Yeah, the home box office,

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Speaker 1: you're right, So so we kicked in at least eighty bucks. Well, no,

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Speaker 1: Maddio right before jumping on said he had an I

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Speaker 1: legal stream did I?

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Speaker 4: Yeah, what'd you do off a semi truck?

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Speaker 2: That's right.

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Speaker 3: Well, Dom starts stealing DVDs. There's no more DVDs, so

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Speaker 3: I started by stealing streams.

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Speaker 4: I heard that fund. The plot of Fast ten is

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Speaker 4: Dom is hunting down everybody that has stream of these movies.

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Speaker 3: He's uh, yeah, he's uh the guy from Metallica, angry Lars. Yeah, sorry,

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Speaker 3: I kept wanting to say Kirk Hammett, but I was like,

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Speaker 3: I think Kurt Hammett was cool. I think it was

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Speaker 3: Lars that was angry, though very angry.

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Speaker 1: So the skinny with this movie F nine, Dom and

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Speaker 1: the crew must take on an international terrorist who turns

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Speaker 1: out to be Dom and MIA's estranged brother. Stars Vin Diesel,

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Speaker 1: Michelle Rodriguez, Tyrese Ludacris, all your other regulars too, and

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Speaker 1: then the big one, the new one, John Cena. We

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Speaker 1: got another wrestler in the mix here. Yeah you can't

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Speaker 1: see me. Yeah, John Cen is the brother of me.

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Speaker 1: He's like directed once again by Justin Lynn.

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Speaker 3: He is back.

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Speaker 1: He's back in the mix after doing a lot of

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Speaker 1: the movies previously he directed, and now he's back with

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Speaker 1: this one. Okay, so we're gonna go into this movie.

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Speaker 1: See scene. We'll do the fast part, things we love,

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Speaker 1: the Furious part, things we hated. Matteo's got something special

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Speaker 1: for us. And in terms of ranking all of the

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Speaker 1: films with a little twists, though not actually on the

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Speaker 1: enjoyment or you know how great the film is, but

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Speaker 1: on something else. But then we will at the end

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Speaker 1: of it all, especially JD and Trey, because they've been

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Speaker 1: all over this, they've been on top of it. I've

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Speaker 1: let it slip a little bit. I can't remember what

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Speaker 1: I grated half of these movies anymore. But you guys

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Speaker 1: will give us your official breakdown leaderboard the best movie

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Speaker 1: from the Fast and Furious franchise and then the worst

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Speaker 1: movie from the Fast and Furious franchise and where they

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Speaker 1: fall in there, especially this one. So with that said,

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Speaker 1: everybody ready to go TK. You got your your tank

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Speaker 1: top on once again? You stay true to that look.

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Speaker 4: Tank top necklace? Oh baby, you thought them was just

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Speaker 4: one necklace? Oh my god, you're crazy if you thought

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Speaker 4: there was just one necklace. I spotted three in this movie. So, yeah,

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Speaker 4: I'm fired up. I mean, we've watched ten of these now,

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Speaker 4: and I'm honestly considering watching the animated series on Netflix.

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Speaker 4: Five seasons, Fast and Furious Speed Racers. Oh, let's get

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Speaker 4: into it.

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Speaker 1: Skeetzee. Oh, we gotta play the board game too, as

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Speaker 1: we Yeah, that's right on the last one. Yeah, we

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Speaker 1: see a necklace before any character in this movie. That's uh, yeah,

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Speaker 1: we do. How prominent this damn necklace is? Okay, So

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Speaker 1: I will say, obviously leaning on Wikipedia for sort of

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Speaker 1: the breakdown of this movie, once again, they've been fantastic.

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Speaker 1: We'll be jumping around a little bit, or I'll be

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Speaker 1: taking some scenes that might happen a little bit later

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Speaker 1: and sort of jamming them together with other scenes. It'll

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Speaker 1: make sense in a second. Because we open this movie

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Speaker 1: for a second, I thought we were watching Days of Thunder. Yeah,

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Speaker 1: where's Tom Cruise? We are back in nineteen eighty nine,

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Speaker 1: a little NASCAR racing. Jack Torretto, okay Jack, not to

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Speaker 1: Jack Toretto participating in a late model race with his

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Speaker 1: sons Dom and Jacob in his pit crew. Dom argues

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Speaker 1: with val racer Kenny Linder about dirty tactics out there

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Speaker 1: on the race. As the race resumes, Linder's car clips

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Speaker 1: Jack's bumper, causes Jack's car to hit a wall, explodes,

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Speaker 1: just boom, fireball kills him. And then here's that part

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Speaker 1: I was talking about after the crash. This comes a

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Speaker 1: little bit later, but after the crash, Dom is arrested

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Speaker 1: after nearly beating Linder to death. I actually laughed, Mattio,

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Speaker 1: because I remember when you were on Fast five you

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Speaker 1: were talking about Hobbes and like the rap sheet on Dom,

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Speaker 1: and it was so dated. You just kid, He's like

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Speaker 1: this guy nearly beat a guy with like a wrench

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Speaker 1: to to a you know, to his deathbed basically. But

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Speaker 1: he's done a lot of other things after that, but

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Speaker 1: that's the only thing everybody like sort of focused on.

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Speaker 1: So here it was. It was amazing.

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Speaker 3: At least now we know the guy he almost beat

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Speaker 3: to death is named Kenny.

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Speaker 1: I'll keep going here and then we'll go through this.

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Speaker 1: While serving his sentence a young Dom, he recalls that

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Speaker 1: Jacob had worked on Jack's car the day he died,

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Speaker 1: with help from Leo and Santas, which is where Dom,

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Speaker 1: you know, young dumb meets them in prison. So he

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Speaker 1: recalls that Jacob was working on Dad's car that day,

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Speaker 1: and he concludes that Jacob killed his father. He did

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Speaker 1: some tinkering under the hood there to make a Yeah.

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Speaker 1: Upon release, Dom confronts and challenges Jacob to a race.

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Speaker 1: Dom wins, forces his brother to just keep driving it

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Speaker 1: just like just loses and drives off into the sunset.

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Speaker 1: So again, I took a couple scenes there that sort

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Speaker 1: of happened earlier in the movie JD and sort of

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Speaker 1: patch them all together. But the point of this is

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Speaker 1: we get the backstory of what happened with Dom and

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Speaker 1: Jacob's father dying and how that happened getting Dom into jail,

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Speaker 1: and then the blow up with him and his brother

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Speaker 1: and why he's so pissed with him. What do you

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Speaker 1: think of the start of this one?

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Speaker 2: I love a flashback. I was happy to see Michael

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Speaker 2: Rooker there. Uh. They did a much better job of

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Speaker 2: look of making Michael Rooker look thirty years younger than

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Speaker 2: they did making Sean look ten years younger or whatever

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Speaker 2: it was in the last movie. Sean the guy from

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Speaker 2: Tokyo is his name, Sean, Yeah, yeah from Tokyo Drift.

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Speaker 2: Uh Oh, he looks he looks rough. Don't don't do that.

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Speaker 2: In this one, you're saying, yeah, yeah, I thought it

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Speaker 2: looked old and skinny. And I mean he's thirty nine,

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Speaker 2: so fair enough. But uh yeah, he looked he looked

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Speaker 2: like he's lived a life.

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Speaker 1: Yeah yeah, see it looks like he's been drifting a lot. Yeah, drifting.

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Speaker 1: He got a drifting in rocket science. Okay, but over

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Speaker 1: but overall the start here, like and getting the story

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Speaker 1: of what happened to their to the and why they

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Speaker 1: sort of butted heads. You were buying it here.

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Speaker 2: No, of course not God, it was like preposterous. First

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Speaker 2: of all, the scene in the prison where you know, uh,

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Speaker 2: Santos basically looks over and he's like, oh hey, watch

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Speaker 2: out for that hairline fracture in your tube or whatever.

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Speaker 2: He's across the room. It's a hairline fracture. How are

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Speaker 2: you seeing it? But okay, and then and then it's like, oh, yeah,

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Speaker 2: it's that's really dangerous if it's you know, like it's

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Speaker 2: how people throw races, but you know, if it goes wrong,

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Speaker 2: it could blow the car up. And Dom just assumes, oh,

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Speaker 2: my brother killed my father just like that, like pretty

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Speaker 2: pretty weak.

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Speaker 3: Yeah, go ahead, I'm raising my hand because I have a.

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Speaker 2: Question, Yeah, go ahead.

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Speaker 3: Why would you need to screw with the car to

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Speaker 3: throw the race? Does that ever explain? Like why couldn't

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Speaker 3: the dad just drive slower?

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Speaker 4: Or he was in first place? Everybody knew that he

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Speaker 4: came in with the lead, didn't even need to race.

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Speaker 3: Okay, okay, something, that's something, But the hairline fracture is

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Speaker 3: so dangerous there's no other Like, couldn't you just put

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Speaker 3: less gasoline in the car so you run out? I mean,

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Speaker 3: I don't know, you know, like certainly there's a better

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Speaker 3: way to throw the race than doing something that could

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Speaker 3: make the whole car explode.

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Speaker 1: But that's just that's just me.

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Speaker 2: Now that you mentioned it though, And I can't believe

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Speaker 2: I'm gonna defend this movie, but there is a line

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Speaker 2: where where Michael Rooker is saying to Jack Torretto, like,

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Speaker 2: it doesn't matter what you play, so as long as

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Speaker 2: you finish, right, okay, okay, you're gonna you're gonna end

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Speaker 2: up on top or whatever. So he had to not

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Speaker 2: finish the race, I think, like I think the car

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Speaker 2: had to literally break down. Oh okay, okay, So I

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Speaker 2: think that's why there was tampering there for him to

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Speaker 2: throw the race. I mean, it's it's so convolute, and

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Speaker 2: I can't believe that I caught that. But I think

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Speaker 2: that that's why. I think that that's why.

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Speaker 3: Okay, well, a lot of this is gonna be me

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Speaker 3: asking you to explain things to me, quite honest, because

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Speaker 3: after my fourth Fast movie in two days plus listening

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Speaker 3: to your podcasts about them, I needed a little nature's

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Speaker 3: nas to get me through this.

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Speaker 4: Ah.

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Speaker 3: And originally it was at first it was like a

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Speaker 3: performance enhancing a movie enhancing drug. But woke up this

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Speaker 3: morning did not remember very much.

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Speaker 2: Oh wow boy.

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Speaker 1: Okay, well, I wanted to ask this to everybody. We'll

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Speaker 1: start with you, Trey. What did you think of the

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Speaker 1: casting for Young Dom and young Jacob Young Dom? I

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Speaker 1: thought pretty good. Yeah.

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Speaker 4: They had similar looks, similar mannerisms, and whoever was playing

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Speaker 4: young Dom certainly got into the dominic, the old Dom

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Speaker 4: Toretto ethos of not saying a lot and kind of

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Speaker 4: mumbling through what you're going to be saying a little.

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Speaker 1: Bit too pretty, I think young Jacob was.

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Speaker 4: I didn't think that he bared too much of a

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Speaker 4: resemblance to John Cena and older Jacob. As we finally

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Speaker 4: got to see him a little bit later on. But uh,

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Speaker 4: I loved this. As soon as we saw Toronto Racing

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Speaker 4: and it pulled back and you saw that cross necklace,

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Speaker 4: I was like, this is it. We're finally seeing Dom's backstory.

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Speaker 4: We heard about this in the first movie, his dad

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Speaker 4: dying in a fireball and you could only hear the screaming,

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Speaker 4: but it was Dom screaming. I loved getting to see that.

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Speaker 4: I love getting to see the confrontation of Kenny Linder

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Speaker 4: where he smashed him up with the old wrench in

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Speaker 4: the face. I all love how they always mentioned he

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Speaker 4: nearly beat him to death. Don't worry. Dom was not

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Speaker 4: a murderer from way back. He's a recent convert to

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Speaker 4: murdering people, but he's pure at heart if you really

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Speaker 4: think about it. And then I really loved like the

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Speaker 4: throwback scene of Dom versus Jacob where we get to

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Speaker 4: see the young versions of Dom's old crew. I gotta say,

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Speaker 4: where was Leon had they not picked him up yet?

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Speaker 4: Where was Leon? I love to know where that guy is.

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Speaker 4: But I love how Jacob like steps out of his

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Speaker 4: car after winning his race. He does the Dom arms.

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Speaker 4: They eventually throw down. They get some car Nos not

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Speaker 4: Nature's nos. Dom says too soon. Apparently the guy's been

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Speaker 4: saying it for thirty years. I thought that was incredible,

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Speaker 4: so of course I was standing hard for all of

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Speaker 4: the throwback scenes.

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Speaker 1: Yeah, I'm with you too on the appearance, like you're

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Speaker 1: also in a tough spot. I think, as a casting director, hey,

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Speaker 1: go out and find me a young looking Vin Diesel

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Speaker 1: and a young looking John Sina that can act like

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Speaker 1: I can't be that many. That could sort of pass

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Speaker 1: the bill. But yeah, not bad for the Dom with

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Speaker 1: you on. Jacob looks nothing like you would imagine a

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Speaker 1: young John Cenas or Jacob is gonna is gonna look like?

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Speaker 4: But it was all the hair.

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Speaker 1: What are you gonna do?

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Speaker 4: That's all they could really do. Yeah, guy, he's got

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Speaker 4: slicked back here as an adult, so he brushed it

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Speaker 4: to the side when he was a kid.

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Speaker 1: Yeah yeah, so an interesting start here. Yeah, that little

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Speaker 1: twist I guess off the top because you're sort of

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Speaker 1: led to believe at first. Correct me if I'm wrong.

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Speaker 1: It's not telling us it's nineteen eighty nine right away.

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Speaker 2: It's like, yeah, it does does it doesn't ith It

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Speaker 2: pulls back you see the helmet and the cross, and

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Speaker 2: then we cut to the racetrack and I think it

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Speaker 2: says nineteen eighty nine.

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Speaker 1: Oh okay, right. I thought for a second, I was like, oh,

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Speaker 1: we might be led to believe it's dominic to reddle

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Speaker 1: because you saw Touretto. And then you're like, oh, right,

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Speaker 1: this is jack anyway.

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Speaker 2: Well, but honestly you knew right from the universal logo

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Speaker 2: when it comes up when they use the old, the

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Speaker 2: early nineties universal logo. Yeah, JD.

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Speaker 3: I got to say when I was on the stream

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Speaker 3: that that made me tentative. I was like, oh, is

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Speaker 3: this going to be a bad stream because it looks

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Speaker 3: like that deality didn't look as good. But then the

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Speaker 3: movie kicked it and the boy with the right bandwidth

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Speaker 3: You know, you don't know where you're.

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Speaker 1: Watching that, I didn't you, I know, I said this

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Speaker 1: sort of we had to buy this one, or like

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Speaker 1: not buy it. We had to pay a lot more

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Speaker 1: money to rent this one.

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Speaker 2: Let's put it that way.

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Speaker 1: This was a twenty bucks because it obviously recently came out.

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Speaker 1: Mine was letterbox JD like crazy, really like an insane

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Speaker 1: amount of black bars. To the point Nora is like

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Speaker 1: this can't be right. I'm like, yeah, this this is

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Speaker 1: really There is way more black bar than there is

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Speaker 1: actual movie. So I went and changed my television setting

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Speaker 1: just to like stretch it a little bit. So it

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Speaker 1: was a little bit.

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Speaker 2: That's like, no, that's how it's meant to be seen.

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Speaker 2: It's taking a photo of it is horrible. It's not horrible.

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Speaker 2: It's a panavision, that's what it is. It's a movie theater.

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Speaker 2: Your TV is a different aspect than yeah, it's fine,

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Speaker 2: it's fine. You're like an old man with that TV

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Speaker 2: turned out all the lights and zoom in. God damn it,

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Speaker 2: it was.

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Speaker 1: All black bars. I don't know what happened, but it

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Speaker 1: was fine. It was fine. We got it working, so

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Speaker 1: we get this uh this again. That's the sort of

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Speaker 1: the start, this little flashback, which hold on.

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Speaker 2: I just want to disagree for a second. What I mean, Trey.

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Speaker 2: You were saying you were eleven, and I hated seeing

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Speaker 2: all of this backstory. This has all been described to

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Speaker 2: us before. I felt like I was watching Bruce Wayne again,

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Speaker 2: like even though we've never seen it, it's all part

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Speaker 2: of the legend, and we've I feel like we've seen

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Speaker 2: nothing new other than Jacob being there, and we didn't

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Speaker 2: even get to see him beat the guy up with

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Speaker 2: the wrench. That happens off screen. That's what I'm waiting for.

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Speaker 2: How badly did he beat him up? You know, did

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Speaker 2: he nearly nearly did death? All right? But whatever?

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Speaker 4: Like I mean, yeah, I think it's completely strange now

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Speaker 4: that it almost feels like your skeets and you've been

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Speaker 4: watching this thing zoomed in, You're zoomed in on Dom

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Speaker 4: and Jack, and then you pull back, You're like, WHOA

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Speaker 4: Jacob was there the whole time? We never heard of this.

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Speaker 4: That is the craziest conceit of this entire movie is

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Speaker 4: that there has been another Tretto out there the entire

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Speaker 4: time who's been involved with like every part of Don's upbringing.

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Speaker 4: So yeah, that I mean almost invalidates all the throwbacks

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Speaker 4: in a way. But also it's like we've been hearing

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Speaker 4: about this for twenty years. I'm happy to see.

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Speaker 2: It, fair enough.

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Speaker 4: I was happy to see like how he met Leo

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Speaker 4: and Santos in jail and they just happened to all

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Speaker 4: be mechanics together working on their tuners in jail, you know,

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Speaker 4: as you do. Yeah, So yeah, I mean I was

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Speaker 4: exactly right, JD. It's one hundred percent fan service, but

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Speaker 4: a little bit different version for fan service. There's so

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Speaker 4: much in this movie. I feel like everything is self referential.

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Speaker 4: At least we got to see a different time period here.

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Speaker 2: Yeah, fair enough. But also another thing that I hated

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Speaker 2: about it was where was Mia? I think that Mia

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Speaker 2: was the saddest start girl in all the movies so

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Speaker 2: far with she starts the race with the flat the flashlight.

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Speaker 2: I think that was supposed to be Mia, because that

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Speaker 2: was I thought it was.

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Speaker 3: I thought it was La.

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Speaker 4: And Mia is the other girl that's there with them.

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Speaker 2: Why would she be so sad about the race then?

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Speaker 1: Because Dom is racing her his brother.

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Speaker 2: So Mio should be sad about it, right, Matt Letty.

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Speaker 1: I'm pretty sure that's young sweaty Letty for sure.

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Speaker 3: Right, Okay, Well, maybe she wasn't sad, she was just sweating.

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Speaker 1: Yeah, then because tears.

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Speaker 2: Where where was Mia then? And all these flashbacks because

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Speaker 2: you say.

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Speaker 1: Two girls and two boys there.

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Speaker 3: Well, but she's not in any of the sort of

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Speaker 3: racing scenes or the shop scenes, garage scenes.

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Speaker 1: No, there's no she never she never talks to anything.

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Speaker 2: It barely interacts with her other brother, the other Toretto,

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Speaker 2: I mean the other Toretto in this is Mia. Like

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Speaker 2: when she shows up halfway through, you're like, oh, yeah,

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Speaker 2: that's just sister. I don't know, it's just it was

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Speaker 2: it was just such a weird dynamic, Like the whole

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Speaker 2: fitting Jacob into it was just like it was not.

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Speaker 1: So why did they do this?

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Speaker 3: Then?

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Speaker 1: Like why did the writer do this? You think? Is

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Speaker 1: it just a we got to keep amping it up

386
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Speaker 1: after every movie you got to go to the next level.

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Speaker 1: And it's like, all this guy talks about his family

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Speaker 1: and he's taken down terrorists after terrorists, and he's battling

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Speaker 1: with everybody, and then it's like, well, what's the fun

390
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Speaker 1: Like what would be the final boss for this guy?

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Speaker 1: I know we still have movies to come, but like

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Speaker 1: what about if he took on his family, his actual family,

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Speaker 1: and then somebody's like, well, he's not gonna fight Mia.

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Speaker 3: Also, you just did that in the last movie in

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Speaker 3: Fate of the Furious, he basically takes on his family.

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Speaker 1: Yeah, yeah, yeah, you're right, Well, well yeah this is

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Speaker 1: a little different. I guess you're right. He he but

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Speaker 1: he's only doing that to save his family.

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Speaker 2: Yeah.

400
00:20:36,760 --> 00:20:40,240
Speaker 1: True, so it was actually just a long lost brother

401
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Speaker 1: or not, I mean not long loss.

402
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Speaker 2: But yeah, they wait for him, Mama Toretto to come

403
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Speaker 2: in next year for the she's gonna be in the

404
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Speaker 2: new villain.

405
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Speaker 4: Sure she can.

406
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Speaker 1: Do we know a single thing about Mama Toreto. I

407
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Speaker 1: don't think we've ever had one mention.

408
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Speaker 4: I mean, that's a great point. There's your that's probably

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Speaker 4: what's happening in Fast ten.

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Speaker 2: Yeah.

411
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Speaker 3: Wow, they have a mimosa with Helen Mirren.

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Speaker 1: Yeah.

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Speaker 2: Hey, let's be honest, there's probably three mamas, right, I mean.

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Speaker 1: Oh you oh okay. Nora was like the whole time

415
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Speaker 1: watches She's like, they're not actually blood brothers, Like they're

416
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Speaker 1: not brother brothers, are they Like they don't look anything alike.

417
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Speaker 4: Distinctive chin I believe they say about John Cena, you

418
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Speaker 4: have a distinctive chin and no.

419
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Speaker 3: Lineage or something.

420
00:21:35,720 --> 00:21:35,920
Speaker 2: Yeah.

421
00:21:36,040 --> 00:21:39,360
Speaker 1: Yeah, yeah, So okay, so they're they're half brothers, right,

422
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Speaker 1: you gotta be Let's assume we'll find out in ten.

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Speaker 4: When, Yeah, we'll find out. We'll find out.

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Speaker 1: Yeah, okay. So let's go to the present now with

425
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Speaker 1: this movie. Two years after the confrontation against cyber terrorist Cipher.

426
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Speaker 1: Dom's retired. This guy's just raising his little as Little

427
00:21:57,480 --> 00:22:01,879
Speaker 1: Brian as they keep calling him, which remember is his

428
00:22:02,119 --> 00:22:06,159
Speaker 1: son with the now deceased Nevis, who is gone. But

429
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Speaker 1: Dom is doing this of course with his wife because

430
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Speaker 1: they're married, Letty. So they're raising little Brian. They're out

431
00:22:11,600 --> 00:22:16,040
Speaker 1: on the farm, you know, just fixing tractors and water

432
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Speaker 1: heaters all day. That's what they did out there. And oh,

433
00:22:20,680 --> 00:22:24,680
Speaker 1: somebody's coming. And they do not get visitors often because

434
00:22:24,680 --> 00:22:29,760
Speaker 1: they're literally like little Brian getting the hatch and you know,

435
00:22:29,800 --> 00:22:32,000
Speaker 1: they get their guns and weapons ready. They're ready to

436
00:22:32,040 --> 00:22:33,919
Speaker 1: throw down. They don't even know who's showing up. Well

437
00:22:33,960 --> 00:22:39,560
Speaker 1: it's Roman, Tej and Ramsey who arrived with news. Why

438
00:22:39,600 --> 00:22:41,240
Speaker 1: are you throwing up a heart sign right now?

439
00:22:41,280 --> 00:22:44,080
Speaker 3: Well that's what he does with his hands out the window.

440
00:22:44,160 --> 00:22:47,120
Speaker 1: Forgot I forgot that because you love rams.

441
00:22:47,400 --> 00:22:50,359
Speaker 3: Like Okay, everyone knows this is the international symbol of friends.

442
00:22:50,359 --> 00:22:52,600
Speaker 3: I can't. I don't know where my is. I want

443
00:22:52,640 --> 00:22:54,800
Speaker 3: goddamn cameras on the top of this laptop, but I

444
00:22:54,840 --> 00:22:59,320
Speaker 3: cannot fucking figure out where it is. Sort of there, Well,

445
00:22:59,320 --> 00:23:01,040
Speaker 3: look I don't I'm not very dexterous.

446
00:23:01,480 --> 00:23:07,280
Speaker 1: Does Roman make another tanning joke too about his skin color? Yeah,

447
00:23:07,359 --> 00:23:09,720
Speaker 1: he did that fast five last time we met him.

448
00:23:09,880 --> 00:23:14,719
Speaker 1: Well it worked so well as it's strange. But they

449
00:23:14,800 --> 00:23:19,600
Speaker 1: arrive and they have news that, uh, I guess mister

450
00:23:19,760 --> 00:23:23,240
Speaker 1: Nobody was capturing Cipher, right, I think I have this

451
00:23:23,320 --> 00:23:28,680
Speaker 1: right clear. Then his plane was subsequently being attacked by

452
00:23:28,760 --> 00:23:33,240
Speaker 1: rogue agents and it crashed somewhere in Central America. That's

453
00:23:33,560 --> 00:23:36,240
Speaker 1: that's what we get up right, this iPad? Yeah, okay,

454
00:23:36,880 --> 00:23:41,359
Speaker 1: And you know, so they're like, we gotta go, we

455
00:23:41,440 --> 00:23:43,560
Speaker 1: gotta go help, right, I mean, this is this is

456
00:23:43,560 --> 00:23:46,040
Speaker 1: what we do, is an SOS transmission here from mister

457
00:23:46,119 --> 00:23:49,000
Speaker 1: Nobody's plane. We'll get we gotta go help him and

458
00:23:49,040 --> 00:23:53,400
Speaker 1: figure this out. So everybody's gun ho Like Roman Ramsey,

459
00:23:53,880 --> 00:23:57,760
Speaker 1: Letty is like in right away. She is she's tired

460
00:23:57,800 --> 00:24:00,600
Speaker 1: of this water heater not working, and she doesn't want

461
00:24:00,600 --> 00:24:01,600
Speaker 1: to be a parent at all.

462
00:24:02,200 --> 00:24:05,520
Speaker 4: Like no, no, Dom says to her, Brian and Mia

463
00:24:05,560 --> 00:24:07,399
Speaker 4: got out of the game when they became parents, and

464
00:24:07,400 --> 00:24:12,600
Speaker 4: she instantly answers back, We're not them. She's She's like,

465
00:24:12,720 --> 00:24:15,679
Speaker 4: I'm not even waiting for you, Dom, No, we just

466
00:24:15,720 --> 00:24:18,920
Speaker 4: sent our son to hide in the barn, and are

467
00:24:18,960 --> 00:24:21,240
Speaker 4: they even on the run at this point? Are Dom

468
00:24:21,280 --> 00:24:23,760
Speaker 4: and Letty on the run? I feel like the deal

469
00:24:23,800 --> 00:24:27,080
Speaker 4: at the end of Fast eight was it's all good baby, baby,

470
00:24:27,119 --> 00:24:29,600
Speaker 4: You're back in action. I mean, I guess you still

471
00:24:29,600 --> 00:24:32,920
Speaker 4: know you have enemies out there. Yeah, I forgot away end,

472
00:24:33,200 --> 00:24:38,080
Speaker 4: so you're playing it safe. But still, I mean, Letty

473
00:24:38,280 --> 00:24:41,880
Speaker 4: was ready. She's like, get me out of here, got

474
00:24:42,000 --> 00:24:44,280
Speaker 4: enough tractors, give me a motorcycle.

475
00:24:44,560 --> 00:24:45,960
Speaker 1: She leaves that night.

476
00:24:46,520 --> 00:24:48,720
Speaker 4: Yeah, She's like Dom has to like catch up to

477
00:24:48,760 --> 00:24:51,080
Speaker 4: her later. Dom's got to figure out all the plans.

478
00:24:51,119 --> 00:24:55,080
Speaker 4: Who's gonna be watching Brian, I know, yeah, I mean,

479
00:24:55,160 --> 00:24:57,359
Speaker 4: but he's like, you figure it out. Your kids see you?

480
00:24:57,640 --> 00:25:00,680
Speaker 1: Yeah, and we know the flight's not till tomorrow. It's

481
00:25:00,680 --> 00:25:03,800
Speaker 1: like eight am, they say. She's like, I'm so excited

482
00:25:03,840 --> 00:25:06,119
Speaker 1: to get the hell off this farm. I'm just gonna

483
00:25:06,119 --> 00:25:08,040
Speaker 1: go sit by the plane for a little bit overnight.

484
00:25:08,400 --> 00:25:10,280
Speaker 3: How far is that plane though? I mean, they who

485
00:25:10,359 --> 00:25:12,159
Speaker 3: knows where they live. They might have to sleep near

486
00:25:12,240 --> 00:25:13,720
Speaker 3: the It's like, we know when you got to sleep

487
00:25:13,760 --> 00:25:21,840
Speaker 3: near the airport. Do you think that Letty is angry

488
00:25:21,920 --> 00:25:25,760
Speaker 3: that she is a like a quote unquote a mother

489
00:25:25,880 --> 00:25:27,880
Speaker 3: or that it's not her child. So do you think

490
00:25:27,880 --> 00:25:31,360
Speaker 3: her reaction differs if if little Brian is actually her baby?

491
00:25:31,600 --> 00:25:34,600
Speaker 3: I think there's some there's a lot of resentment going

492
00:25:34,640 --> 00:25:37,280
Speaker 3: on here, which could have been fun to play with.

493
00:25:37,359 --> 00:25:40,119
Speaker 3: But no, we're not gonna We're just like, no, I

494
00:25:40,160 --> 00:25:46,200
Speaker 3: gotta go because of loyalty. So by Also, here's another question.

495
00:25:47,320 --> 00:25:50,880
Speaker 3: If Brian is still alive, which he is in this movie,

496
00:25:51,760 --> 00:25:54,680
Speaker 3: why does he name his kid Brian.

497
00:25:56,000 --> 00:25:57,320
Speaker 1: For us our brothers.

498
00:25:58,640 --> 00:26:00,640
Speaker 3: Well, that's weird.

499
00:26:02,920 --> 00:26:05,960
Speaker 1: Actually nailed it. I think that one's for us the audience. Yeah,

500
00:26:06,000 --> 00:26:07,240
Speaker 1: exactly exactly.

501
00:26:07,240 --> 00:26:09,960
Speaker 2: But it's caused so much, so many problems, so many

502
00:26:09,960 --> 00:26:13,359
Speaker 2: confusion problems like oh where are your kids?

503
00:26:13,880 --> 00:26:14,080
Speaker 1: Uh?

504
00:26:14,440 --> 00:26:18,000
Speaker 2: Mia there with Brian and I was like, Brian, Brian,

505
00:26:18,200 --> 00:26:23,000
Speaker 2: Brian's four, Oh Brian right right, right right? Brian is

506
00:26:23,240 --> 00:26:30,000
Speaker 2: still alive. I forgot. He's just relegated to dad mode babysitter.

507
00:26:30,080 --> 00:26:33,480
Speaker 2: It's like, guys, listen, I know you want to keep

508
00:26:33,600 --> 00:26:37,200
Speaker 2: Brian alive. And I think what they did was quite beautiful. Actually,

509
00:26:37,359 --> 00:26:40,320
Speaker 2: Trey pointed it out that you know, let's keep Paul

510
00:26:40,320 --> 00:26:43,119
Speaker 2: Walker's memory alive by keeping this character alive and let

511
00:26:43,200 --> 00:26:47,159
Speaker 2: him live out his life with his family. Great to

512
00:26:47,800 --> 00:26:51,720
Speaker 2: just say, hey, Brian and Mia decided they're living off

513
00:26:51,840 --> 00:26:55,399
Speaker 2: the grid. They don't want to contact with anybody. We

514
00:26:55,520 --> 00:26:58,240
Speaker 2: don't know where they are, and that's the end of that.

515
00:26:58,440 --> 00:27:02,679
Speaker 2: Like it's like every time you you mentioned him, or

516
00:27:02,880 --> 00:27:04,920
Speaker 2: like at the very end, when we see the car

517
00:27:04,920 --> 00:27:07,960
Speaker 2: pull up and it's like, oh good, Brian's here, it

518
00:27:08,119 --> 00:27:11,040
Speaker 2: just bums me out. It's like, am Paul Walker is dead?

519
00:27:11,240 --> 00:27:13,000
Speaker 2: God damn laugh.

520
00:27:14,640 --> 00:27:14,760
Speaker 4: No.

521
00:27:14,800 --> 00:27:17,200
Speaker 3: But but you're right because to jump to the end,

522
00:27:18,560 --> 00:27:21,199
Speaker 3: I thought that was an awful choice because now how

523
00:27:21,240 --> 00:27:23,200
Speaker 3: are they going to pay that off? Like for two

524
00:27:23,440 --> 00:27:25,720
Speaker 3: more movies? Because I think Trey, maybe I'm wrong, but

525
00:27:25,760 --> 00:27:27,320
Speaker 3: there's gonna be two more movies after this.

526
00:27:27,760 --> 00:27:31,640
Speaker 4: Dude's gonna be well, I know, I thought I read

527
00:27:31,640 --> 00:27:34,359
Speaker 4: that Vin Vin committed.

528
00:27:34,000 --> 00:27:36,960
Speaker 3: To these three. Yeah, this is the final saga. I've

529
00:27:37,000 --> 00:27:39,080
Speaker 3: actually also heard that the final two are going to

530
00:27:39,119 --> 00:27:41,640
Speaker 3: be like part one and part two of the same same.

531
00:27:41,960 --> 00:27:46,240
Speaker 3: But whatever, So for two more movies, we're gonna have

532
00:27:46,359 --> 00:27:49,880
Speaker 3: like either a just hear Brian reference since like he's

533
00:27:49,880 --> 00:27:53,280
Speaker 3: like poker U for for my our Canadian listeners, Oh

534
00:27:53,280 --> 00:27:55,080
Speaker 3: where was Brian. Oh he just left. Oh you just

535
00:27:55,080 --> 00:27:59,320
Speaker 3: missed Brian. Oh I'm who are you calling Brian?

536
00:28:00,240 --> 00:28:00,520
Speaker 4: Brian?

537
00:28:00,800 --> 00:28:04,600
Speaker 3: You'd be so funny on the phone, Brian. Should we

538
00:28:04,720 --> 00:28:07,560
Speaker 3: Oh you want to FaceTime? Oh your internet's actor, you

539
00:28:07,560 --> 00:28:12,239
Speaker 3: can FaceTime? Oh okay, yeah, sorry, that makes sense. Or

540
00:28:12,520 --> 00:28:14,879
Speaker 3: there's gonna be some sort of like CGI Brian like

541
00:28:15,000 --> 00:28:18,240
Speaker 3: Teapac hologram, which I think is like really fed up.

542
00:28:18,400 --> 00:28:21,679
Speaker 3: So like again, like JD is right. The only problem

543
00:28:21,680 --> 00:28:24,000
Speaker 3: with with the JD plan just saying they're off the grid,

544
00:28:24,520 --> 00:28:27,040
Speaker 3: no one knows where they are, they're raising their family.

545
00:28:27,400 --> 00:28:30,159
Speaker 3: Is then is that fair to mea or ak? Is

546
00:28:30,200 --> 00:28:31,520
Speaker 3: that fair to Jordana Brewster?

547
00:28:31,960 --> 00:28:33,439
Speaker 1: That's what it is. That's what it is.

548
00:28:33,480 --> 00:28:36,520
Speaker 4: Bringing Mia back. The problem is not having Brian and

549
00:28:36,560 --> 00:28:38,880
Speaker 4: Mia off screen. That would be fine. That's what they

550
00:28:38,880 --> 00:28:41,320
Speaker 4: didn't fascinate. And they handled it exactly like JD said.

551
00:28:41,440 --> 00:28:43,560
Speaker 4: They have that line where they're like, let's call Brian

552
00:28:43,600 --> 00:28:47,480
Speaker 4: and Mia. No we can't. That's it. But by but

553
00:28:47,680 --> 00:28:51,800
Speaker 4: then when you're going for there's another hidden Turetto. At

554
00:28:51,800 --> 00:28:54,239
Speaker 4: that point you have to bring back all the Touretto's right, right,

555
00:28:55,320 --> 00:28:59,520
Speaker 4: You can't bring back Brian O'Connor. Unfortunately, so that now

556
00:28:59,600 --> 00:29:02,920
Speaker 4: makes it super awkward to think that there's Dom out there,

557
00:29:03,240 --> 00:29:06,600
Speaker 4: Mia out there, Letty out there, New Touretto out there,

558
00:29:06,640 --> 00:29:09,440
Speaker 4: and Brian, who we know still loves to drive because

559
00:29:09,440 --> 00:29:11,080
Speaker 4: he shows up in a blue car at the end.

560
00:29:11,640 --> 00:29:12,600
Speaker 1: He's just at home.

561
00:29:12,920 --> 00:29:16,000
Speaker 4: You should have just kept Mia out, which unfortunately means

562
00:29:16,000 --> 00:29:18,560
Speaker 4: you're keeping Jordana Brewster out. And I think that that's

563
00:29:18,680 --> 00:29:20,680
Speaker 4: one hundred percent of the sticking point for Vin. He's like,

564
00:29:20,760 --> 00:29:23,520
Speaker 4: she's family, she's in. We're finding a way to bring

565
00:29:23,520 --> 00:29:23,800
Speaker 4: her back.

566
00:29:23,920 --> 00:29:26,920
Speaker 1: I like, that's exactly it. I think you nailed it there,

567
00:29:26,960 --> 00:29:30,560
Speaker 1: because this is a lot cleaner if just Mia is

568
00:29:30,600 --> 00:29:34,080
Speaker 1: not there. Yeah, but the complication is, as Trey said, well,

569
00:29:34,240 --> 00:29:37,880
Speaker 1: it's actually her brother they're trying to like track down.

570
00:29:38,120 --> 00:29:39,080
Speaker 1: I'm like, yeah, Letty.

571
00:29:39,040 --> 00:29:41,320
Speaker 4: Should have you should have called mea You definitely should

572
00:29:41,360 --> 00:29:44,440
Speaker 4: have to find out that this long lost brother is back.

573
00:29:44,480 --> 00:29:47,320
Speaker 4: But by bringing her back, it just everything. It's a

574
00:29:47,360 --> 00:29:48,960
Speaker 4: massive wrench in the story.

575
00:29:48,720 --> 00:29:51,840
Speaker 1: For so is Brian. That it's weird that even Brian

576
00:29:51,920 --> 00:29:54,320
Speaker 1: is sort of like allowing Mia like to go on.

577
00:29:54,640 --> 00:29:56,800
Speaker 1: It's like, come on, she's two kids. She's two kids.

578
00:29:56,840 --> 00:29:59,400
Speaker 3: It's literally an insane choice. I mean it's it's sort

579
00:29:59,400 --> 00:30:02,080
Speaker 3: of you could argue insane for Dom and and Letty

580
00:30:02,080 --> 00:30:02,440
Speaker 3: to go to.

581
00:30:02,600 --> 00:30:05,160
Speaker 1: But yeah, so it is little Brian with Brian.

582
00:30:05,640 --> 00:30:08,000
Speaker 3: Yes, yeah, yeah, you don't find that out for a

583
00:30:08,040 --> 00:30:08,560
Speaker 3: while though.

584
00:30:08,800 --> 00:30:09,400
Speaker 1: Yeah, that's true.

585
00:30:09,680 --> 00:30:10,960
Speaker 3: I don't think you find out towards it.

586
00:30:11,240 --> 00:30:15,200
Speaker 1: Okay, So so back to the farm, Letty gives the necklace. Yeah,

587
00:30:15,240 --> 00:30:20,160
Speaker 1: there's that necklace too, Little Brian. By the way, unless

588
00:30:20,200 --> 00:30:22,280
Speaker 1: I missed this, I thought Little Brian put it on

589
00:30:22,400 --> 00:30:24,320
Speaker 1: for like one second and then it was hanging on

590
00:30:24,360 --> 00:30:28,000
Speaker 1: his bedposts. Like the next shot, He's like, all right, thanks, mom,

591
00:30:28,080 --> 00:30:32,880
Speaker 1: I don't mom, mom My, mom, it's not even really

592
00:30:33,240 --> 00:30:36,920
Speaker 1: a true necklace. To think about it. Anyway, she took off,

593
00:30:36,920 --> 00:30:40,240
Speaker 1: like I said. But then okay, Dom takes another look

594
00:30:40,240 --> 00:30:46,880
Speaker 1: at the iPad, right, and he sees what does he see?

595
00:30:46,960 --> 00:30:51,720
Speaker 1: A nextlus progress freaking another necklace. We had three necklaces

596
00:30:51,720 --> 00:30:53,600
Speaker 1: in the first ten minutes of this movie. You're fifteen

597
00:30:53,600 --> 00:30:57,320
Speaker 1: minutes of the movie's amazing. So and he like, I

598
00:30:57,360 --> 00:30:59,400
Speaker 1: love that. He's like, there's only three of these in

599
00:30:59,440 --> 00:31:08,000
Speaker 1: the world. I reckon, right, But he suspects that it's

600
00:31:08,160 --> 00:31:11,800
Speaker 1: his brother who has one of these, and obviously he

601
00:31:11,880 --> 00:31:15,720
Speaker 1: knows is he's well, actually, here's a question, does Dom.

602
00:31:16,040 --> 00:31:19,280
Speaker 1: Does Dom know Jacob is doing all of this like

603
00:31:19,400 --> 00:31:21,640
Speaker 1: spy stuff, like that's a little unclear to me. It

604
00:31:21,680 --> 00:31:25,280
Speaker 1: feels like he doesn't. Right later he learns in the

605
00:31:25,280 --> 00:31:28,520
Speaker 1: movie yeah, okay, okay, but he thinks it's Jacob. So

606
00:31:29,240 --> 00:31:31,400
Speaker 1: he quickly calls Brian says, hey, can you swing by

607
00:31:31,440 --> 00:31:35,560
Speaker 1: pick up little Brian? I gotta go. So in the morning,

608
00:31:35,720 --> 00:31:39,440
Speaker 1: as they are boarding the plane like a real task

609
00:31:39,520 --> 00:31:44,000
Speaker 1: mellows move. He shows up one minute before it nails it.

610
00:31:44,040 --> 00:31:47,480
Speaker 1: It always nails it. Never left there on the tar back,

611
00:31:47,640 --> 00:31:53,880
Speaker 1: just perfectly executed there by domb. Okay, so I guess

612
00:31:53,880 --> 00:31:58,920
Speaker 1: we sort of go to them and this device they get.

613
00:32:00,240 --> 00:32:02,640
Speaker 1: We're in the jungle, right, We're in Central America and

614
00:32:02,880 --> 00:32:06,600
Speaker 1: Central America quinto yes, thank you, And they end up

615
00:32:06,640 --> 00:32:10,680
Speaker 1: searching the plane that went down and they find a

616
00:32:10,720 --> 00:32:14,800
Speaker 1: part of a device named Project Aris, which can hack

617
00:32:14,840 --> 00:32:19,120
Speaker 1: into any computer controlled weapons system. The team, though, is

618
00:32:19,160 --> 00:32:24,360
Speaker 1: then ambushed by a private army led by you guessed it, Jacob.

619
00:32:25,080 --> 00:32:28,280
Speaker 1: John Sina is here who steals the device.

620
00:32:28,360 --> 00:32:31,200
Speaker 2: So then is it a private Army. I thought it

621
00:32:31,240 --> 00:32:34,400
Speaker 2: was the Army, Army, Army, the Montequinto Army.

622
00:32:34,560 --> 00:32:39,080
Speaker 1: Okay, the Army Army. And and Jacob is then there.

623
00:32:40,160 --> 00:32:43,360
Speaker 4: He's there because they have that sick scene of him

624
00:32:43,440 --> 00:32:48,080
Speaker 4: watching from Afar with his necklace dangling over his shoulder.

625
00:32:48,360 --> 00:32:49,880
Speaker 4: Who wears a backwards necklace.

626
00:32:50,440 --> 00:32:52,680
Speaker 2: We just want to make sure we see that necklace.

627
00:32:53,120 --> 00:32:55,800
Speaker 2: It was like when we went out when the had

628
00:32:55,840 --> 00:32:58,440
Speaker 2: to wear the Vince Carter jersey, but we put it

629
00:32:58,480 --> 00:33:00,840
Speaker 2: on him backwards so you could see it, said Carter

630
00:33:01,600 --> 00:33:04,880
Speaker 2: on the front. It's an all director's trick.

631
00:33:06,480 --> 00:33:09,200
Speaker 1: Okay. So yeah, you're right, thank you for correcting me there.

632
00:33:09,200 --> 00:33:11,760
Speaker 1: Because they pull up to that plane crash in the

633
00:33:11,840 --> 00:33:19,000
Speaker 1: jungle again, very lost, like shout out to Locke, not

634
00:33:19,120 --> 00:33:19,960
Speaker 1: John Ryan.

635
00:33:19,800 --> 00:33:23,040
Speaker 2: Reynolds missed so much in this movie.

636
00:33:23,360 --> 00:33:28,760
Speaker 1: They find this weird device, this little uh half geometric,

637
00:33:29,040 --> 00:33:30,000
Speaker 1: don't I think?

638
00:33:30,080 --> 00:33:31,320
Speaker 2: I think it was half.

639
00:33:31,680 --> 00:33:36,600
Speaker 1: It was a coffee pod, it was a giant espresso.

640
00:33:36,960 --> 00:33:39,280
Speaker 3: It was the best eddies in the world.

641
00:33:40,720 --> 00:33:44,120
Speaker 1: So I will say Ramsey has done more in the

642
00:33:44,160 --> 00:33:47,000
Speaker 1: first twenty minutes of this movie than she did in

643
00:33:47,080 --> 00:33:49,240
Speaker 1: all of Fate. So I was happy about that. JD

644
00:33:49,280 --> 00:33:51,560
Speaker 1: because I know we were upset about that. Yeah, Ramsey

645
00:33:51,560 --> 00:33:53,680
Speaker 1: did nothing in the last one in the Fate of

646
00:33:53,680 --> 00:33:56,560
Speaker 1: the Furious, this one, she was. She was doing a

647
00:33:56,560 --> 00:33:58,600
Speaker 1: lot early and it continued through in this movie.

648
00:33:58,800 --> 00:34:02,200
Speaker 2: Yeah, Ramsey was great in this. I enjoyed Ramsey a

649
00:34:02,240 --> 00:34:04,400
Speaker 2: lot in this. I love that she can't drive and

650
00:34:04,440 --> 00:34:06,240
Speaker 2: she's in a fast and furious movie. I love it.

651
00:34:06,760 --> 00:34:08,240
Speaker 1: That's why that was funny.

652
00:34:08,960 --> 00:34:11,640
Speaker 3: It is now a good time to ask what is Aries?

653
00:34:12,800 --> 00:34:14,399
Speaker 1: Oh? Aries is the new God's Eye?

654
00:34:14,760 --> 00:34:16,480
Speaker 3: Okay, yeah, so this is my question. Let's do a

655
00:34:16,560 --> 00:34:21,120
Speaker 3: quick power rankings, Quick power rankings. Night Shade, God's Eye

656
00:34:20,560 --> 00:34:21,759
Speaker 3: a snowflake?

657
00:34:21,960 --> 00:34:22,840
Speaker 1: Isn't there a snowflake?

658
00:34:23,560 --> 00:34:23,680
Speaker 2: Ru?

659
00:34:25,080 --> 00:34:29,480
Speaker 1: Yeah? Yeah, so which one is the most deadly?

660
00:34:29,760 --> 00:34:29,960
Speaker 3: Is that?

661
00:34:30,040 --> 00:34:30,200
Speaker 2: Well?

662
00:34:30,239 --> 00:34:33,919
Speaker 3: Like what like, because weren't there two whole movies about

663
00:34:33,960 --> 00:34:37,319
Speaker 3: trying to put together night Shade or is it just one?

664
00:34:37,400 --> 00:34:38,319
Speaker 1: No, it was one?

665
00:34:38,600 --> 00:34:43,160
Speaker 4: Well, night Shade is Owen Shaw, God's Eye as most

666
00:34:43,280 --> 00:34:49,800
Speaker 4: Jaconde and deckerd Shaw, and then Project Aries is Jacob Toretto.

667
00:34:50,360 --> 00:34:52,760
Speaker 4: For me, I think God's Eye is the clear winner.

668
00:34:52,800 --> 00:34:55,040
Speaker 4: Like that's the only one that ever gets weaponized, like

669
00:34:55,080 --> 00:34:58,000
Speaker 4: they're actually using it in that last scene. Uh, you know,

670
00:34:58,080 --> 00:35:01,120
Speaker 4: to track down Ramsey when she's going all over the

671
00:35:01,160 --> 00:35:04,239
Speaker 4: city and they're able to like attach it to their

672
00:35:04,239 --> 00:35:06,759
Speaker 4: guns or whatever. So yeah, I mean God's Eye is

673
00:35:06,800 --> 00:35:10,120
Speaker 4: the only one that ever actually functions, I think, right.

674
00:35:10,160 --> 00:35:13,160
Speaker 2: And Aries is the same as Nightshade, right, only on

675
00:35:13,239 --> 00:35:15,920
Speaker 2: a larger scale as far as I could tell. Like

676
00:35:16,040 --> 00:35:19,680
Speaker 2: Nightshade you could just shut things down, I guess, and

677
00:35:19,719 --> 00:35:24,400
Speaker 2: then with Aries you could actually just shut down stuff.

678
00:35:24,400 --> 00:35:27,760
Speaker 2: Anything that was digital could be shut down or maybe control.

679
00:35:28,480 --> 00:35:30,640
Speaker 3: Are you saying anything that has a one or a zero?

680
00:35:30,840 --> 00:35:32,120
Speaker 2: Anything with the one in zero?

681
00:35:33,480 --> 00:35:37,320
Speaker 3: But I was laughing because I forget which one podcast

682
00:35:37,360 --> 00:35:40,800
Speaker 3: you were talking about how Nightshade was such a mcguffe

683
00:35:40,880 --> 00:35:43,400
Speaker 3: that they were like, well, let's just not put too

684
00:35:43,440 --> 00:35:46,080
Speaker 3: much attention on it, right, yeah yeah, and then only

685
00:35:46,120 --> 00:35:48,440
Speaker 3: to be met with Aries, which I was like, Okay, well,

686
00:35:48,480 --> 00:35:51,799
Speaker 3: I guess they didn't learn any lessons from that. They're

687
00:35:51,920 --> 00:35:55,480
Speaker 3: just like, just come up with another name of the

688
00:35:55,560 --> 00:35:56,960
Speaker 3: villain from Wonder Woman.

689
00:35:57,520 --> 00:36:01,440
Speaker 1: But uh yeah, okay, So the military shows up, like

690
00:36:01,480 --> 00:36:06,560
Speaker 1: you guys say, because Roman Roman has a scene here

691
00:36:08,280 --> 00:36:12,880
Speaker 1: where he gets shot at and somehow survives, which he

692
00:36:12,920 --> 00:36:16,319
Speaker 1: will joke about, which was sort of funny, but he

693
00:36:16,480 --> 00:36:19,920
Speaker 1: kills like twenty guys. He just goes on a rampage.

694
00:36:20,040 --> 00:36:22,320
Speaker 3: He was like Denny Savard the way he was spinning,

695
00:36:22,400 --> 00:36:23,160
Speaker 3: spinner ramming.

696
00:36:28,680 --> 00:36:31,319
Speaker 1: Was he played in the eighties? Seventies? Baby, We're how

697
00:36:31,320 --> 00:36:31,759
Speaker 1: old is he?

698
00:36:32,000 --> 00:36:32,080
Speaker 4: No?

699
00:36:32,200 --> 00:36:36,359
Speaker 3: You think of search Smart? Is Denny Simmart? Oh no, wait,

700
00:36:36,640 --> 00:36:38,600
Speaker 3: now I'm confused that Denny Smart was the younger one.

701
00:36:38,600 --> 00:36:40,799
Speaker 3: I think he played in the nineties. Okay, eighties and nine.

702
00:36:40,840 --> 00:36:45,520
Speaker 1: That was That was a Montreal Canadian's nineties reference there

703
00:36:45,560 --> 00:36:47,960
Speaker 1: for all of our listeners and watchers. Yeah, he was

704
00:36:47,960 --> 00:36:54,080
Speaker 1: spinning and and survives and again Trey jokes about it,

705
00:36:54,120 --> 00:36:57,000
Speaker 1: really and which becomes like a running gag for a

706
00:36:57,040 --> 00:36:59,480
Speaker 1: little bit in this movie of just like I don't know,

707
00:36:59,840 --> 00:37:03,160
Speaker 1: I don't know, man, we can't die. We might be invincible? Yeah?

708
00:37:03,200 --> 00:37:05,440
Speaker 4: Are we are we not? Are we are we not?

709
00:37:06,440 --> 00:37:10,880
Speaker 4: Almost everybody's invincible, it seems, except for gizl you know

710
00:37:11,040 --> 00:37:16,600
Speaker 4: Jesus then, really, except for Gizelle, everybody is invincible except

711
00:37:16,600 --> 00:37:18,160
Speaker 4: for Gizella.

712
00:37:18,120 --> 00:37:20,360
Speaker 3: Elena. Elena, to be fair, can't survive.

713
00:37:21,600 --> 00:37:24,920
Speaker 1: At least Elena got like, yeah shot probably in the

714
00:37:24,960 --> 00:37:28,080
Speaker 1: head trays right, Gizelle falls from a.

715
00:37:28,040 --> 00:37:31,600
Speaker 2: Car that was on a plane. Yeah.

716
00:37:31,640 --> 00:37:33,360
Speaker 1: I was still a little unclear how high she was.

717
00:37:34,040 --> 00:37:36,120
Speaker 2: Okay, fair enough, Okay, you're right she's.

718
00:37:36,000 --> 00:37:41,040
Speaker 1: In the air though, But so everybody falls in every

719
00:37:41,120 --> 00:37:44,640
Speaker 1: movie from Insane Heights. Her biggest problem was she didn't

720
00:37:44,719 --> 00:37:45,319
Speaker 1: land on a car.

721
00:37:46,080 --> 00:37:47,359
Speaker 3: Yeah, which is a bed.

722
00:37:47,520 --> 00:37:50,600
Speaker 2: That's true, great point. Yeah, yeah, yeah, oh in shot

723
00:37:50,880 --> 00:37:53,239
Speaker 2: made a full recovery as far as I could tell. Yeah,

724
00:37:53,239 --> 00:37:54,680
Speaker 2: he's back back.

725
00:37:54,840 --> 00:37:56,279
Speaker 1: They called him if they wanted to.

726
00:37:56,760 --> 00:37:59,960
Speaker 4: We didn't even need to you one of my sons,

727
00:38:00,200 --> 00:38:00,600
Speaker 4: Nah not.

728
00:38:00,719 --> 00:38:06,560
Speaker 1: Now maybe Owen's babysitting a little brother. He's going with babies,

729
00:38:06,840 --> 00:38:08,600
Speaker 1: Uncle Owen, that's his brother.

730
00:38:09,280 --> 00:38:11,880
Speaker 2: Oh right, yeah, it's decks.

731
00:38:13,880 --> 00:38:16,600
Speaker 1: Okay, so then we get them driving through land mines.

732
00:38:16,840 --> 00:38:18,799
Speaker 3: I do have a question about this, okay again, because

733
00:38:18,840 --> 00:38:23,000
Speaker 3: this podcast just you answer my questions. When they asked Teds,

734
00:38:23,000 --> 00:38:24,840
Speaker 3: They're like, well, what do we do? He's like, well,

735
00:38:25,200 --> 00:38:30,960
Speaker 3: just quick calculations back of an envelope with the detonation,

736
00:38:31,480 --> 00:38:34,719
Speaker 3: you know, power of a landmine plus the range that

737
00:38:34,800 --> 00:38:37,399
Speaker 3: it could go. We gotta drive eighty miles an hour,

738
00:38:37,520 --> 00:38:40,759
Speaker 3: at least eighty miles an hour. And and U Roman's like, well,

739
00:38:40,840 --> 00:38:43,840
Speaker 3: my car doesn't go that fast or whatever. Now, aren't

740
00:38:43,840 --> 00:38:46,239
Speaker 3: they always just trying to drive as fast as I know?

741
00:38:46,560 --> 00:38:47,840
Speaker 1: Why are they worried about the limits?

742
00:38:47,920 --> 00:38:50,640
Speaker 3: What is suddenly like eight miles an hour? I mean,

743
00:38:50,680 --> 00:38:54,520
Speaker 3: it's fast for a city street, but it's not that fast.

744
00:38:54,360 --> 00:38:55,840
Speaker 2: Not when you're running from an army.

745
00:38:56,160 --> 00:38:58,239
Speaker 3: I mean no, no, I mean, like, look if you're

746
00:38:58,280 --> 00:39:00,840
Speaker 3: on a highway and there's no one around on a

747
00:39:00,840 --> 00:39:04,600
Speaker 3: Sunday morning. I don't know. I'm better with kilometers, but

748
00:39:04,640 --> 00:39:06,000
Speaker 3: I don't think eighty is that fast.

749
00:39:06,760 --> 00:39:09,480
Speaker 1: Yeah, that's one and thirty.

750
00:39:09,560 --> 00:39:11,960
Speaker 3: Yeah. I think we've all driven one hundred and thirty

751
00:39:12,040 --> 00:39:14,240
Speaker 3: kilometers an hour at some point in our lives.

752
00:39:14,360 --> 00:39:15,960
Speaker 1: Oh man, yeah, you're talking to me.

753
00:39:16,040 --> 00:39:20,359
Speaker 3: I mean, I'm a I'm a conservative driver, right, even

754
00:39:20,400 --> 00:39:22,200
Speaker 3: I've hit that and gone, oh wow, I didn't realize

755
00:39:22,200 --> 00:39:23,200
Speaker 3: I was driving that fast.

756
00:39:23,280 --> 00:39:24,000
Speaker 2: Yeah, So.

757
00:39:25,480 --> 00:39:27,680
Speaker 3: Why are they so concerned about it?

758
00:39:27,840 --> 00:39:31,560
Speaker 1: I think two reasons. One hardy Harhart romans in a

759
00:39:31,640 --> 00:39:33,960
Speaker 1: vehicle that actually can't even go that speed.

760
00:39:34,160 --> 00:39:37,480
Speaker 4: Okay, look like he finally picked the right vehicle, Matt, Right,

761
00:39:37,520 --> 00:39:40,919
Speaker 4: he finally went with one that's very well protected, well

762
00:39:40,960 --> 00:39:43,919
Speaker 4: suited to the job at hand. Oh what a bank

763
00:39:43,960 --> 00:39:45,319
Speaker 4: got better to go with the Lambeau for.

764
00:39:45,320 --> 00:39:49,000
Speaker 1: The end here, and then maybe the other reason I think, yeah,

765
00:39:49,080 --> 00:39:52,520
Speaker 1: the smaller reason is just so you can say, hey,

766
00:39:52,560 --> 00:39:56,080
Speaker 1: how are they driving over mines? Yeah, to say a hundred,

767
00:39:56,080 --> 00:39:58,800
Speaker 1: but they're driving fast enough over them that it then triggers,

768
00:39:58,920 --> 00:40:00,600
Speaker 1: you know, behind the mic sited.

769
00:40:00,840 --> 00:40:05,000
Speaker 3: One hundred miles an hour, dodging minds like whoa.

770
00:40:05,280 --> 00:40:08,600
Speaker 1: It was like uh driving the driving over those land

771
00:40:08,600 --> 00:40:12,160
Speaker 1: mines was like me driving on to cab Avenue right.

772
00:40:12,480 --> 00:40:16,000
Speaker 3: Oh yeah, when when the lane changes, you know, because

773
00:40:16,040 --> 00:40:20,760
Speaker 3: sometimes it's one waythole. It's more treacherous. That's more treacherous

774
00:40:20,800 --> 00:40:22,000
Speaker 3: than driving over Oh it is.

775
00:40:22,239 --> 00:40:22,600
Speaker 1: It is.

776
00:40:24,040 --> 00:40:26,360
Speaker 4: Just throw some of those giant metal slabs over the

777
00:40:26,400 --> 00:40:26,879
Speaker 4: land mines.

778
00:40:26,920 --> 00:40:27,399
Speaker 1: You'll be fine.

779
00:40:27,400 --> 00:40:31,680
Speaker 4: That's what they do around here. Hey, giant piece of metal.

780
00:40:31,719 --> 00:40:38,200
Speaker 1: It's fixed back to Roman. At one point somebody ask him,

781
00:40:38,239 --> 00:40:43,480
Speaker 1: how in the hell are you not dead? Yeah, good question.

782
00:40:43,640 --> 00:40:46,200
Speaker 3: I've been asking that for the last you know, ten movies.

783
00:40:46,239 --> 00:40:51,200
Speaker 1: Now, Letty loses the device to John Cena. This is

784
00:40:51,239 --> 00:40:53,560
Speaker 1: all this race here, guys, is a big set piece here.

785
00:40:54,200 --> 00:40:55,800
Speaker 1: She loses the device to Jacob.

786
00:40:56,120 --> 00:40:59,080
Speaker 4: I had to laugh when she said the device.

787
00:41:02,960 --> 00:41:07,840
Speaker 1: Advice Mi espresso have I'm a monster with at my

788
00:41:08,040 --> 00:41:10,800
Speaker 1: coffee in the morning, one half of the device.

789
00:41:12,640 --> 00:41:13,680
Speaker 4: I dropped the item.

790
00:41:16,440 --> 00:41:20,480
Speaker 1: But and then here again like justice for Giselle, Like

791
00:41:20,840 --> 00:41:25,560
Speaker 1: Letty like lands on the car right like just bloom,

792
00:41:25,880 --> 00:41:29,800
Speaker 1: Dom like car catches her, Oh yeah, and like she's fine,

793
00:41:29,880 --> 00:41:32,719
Speaker 1: no problem, she landed on a car, You're okay. We

794
00:41:32,840 --> 00:41:38,960
Speaker 1: then get to the bridge and Tej is there first.

795
00:41:40,600 --> 00:41:43,480
Speaker 1: So they hit that bridge, This rickety old bridge definitely

796
00:41:43,480 --> 00:41:47,600
Speaker 1: should not be taking a car across it, but they do.

797
00:41:47,960 --> 00:41:52,799
Speaker 1: And unfortunately they probably could have just got across it

798
00:41:52,800 --> 00:41:56,200
Speaker 1: pretty easily. But the rolling vehicle that they had taken

799
00:41:56,239 --> 00:41:59,560
Speaker 1: out it actually he gets out of the bridge. It

800
00:42:00,320 --> 00:42:02,560
Speaker 1: the one end of it, and it starts like deteriorating

801
00:42:02,600 --> 00:42:06,560
Speaker 1: and falling, so it goes down. They somehow like noss

802
00:42:06,600 --> 00:42:09,759
Speaker 1: off it. I guess, you know, for us second you think,

803
00:42:09,800 --> 00:42:12,040
Speaker 1: oh boy, they're gone. You didn't really, but then they

804
00:42:12,040 --> 00:42:17,040
Speaker 1: come fly them. So there's no bridge. We've got Jacob

805
00:42:17,400 --> 00:42:20,000
Speaker 1: driving towards that no bridge. We've got, of course, Dom

806
00:42:20,120 --> 00:42:25,080
Speaker 1: and Letty driving towards that no bridge. Jacob just boom

807
00:42:25,239 --> 00:42:27,879
Speaker 1: takes off it and you're like, holy crap. I mean,

808
00:42:27,920 --> 00:42:30,680
Speaker 1: we've seen we saw Brian and Dom do this before.

809
00:42:30,760 --> 00:42:34,239
Speaker 2: It's like it's the it's the old Torretto trick of

810
00:42:34,320 --> 00:42:36,120
Speaker 2: driving on it straight off a clip.

811
00:42:36,239 --> 00:42:37,960
Speaker 1: Yeah, it works a lot of the time.

812
00:42:38,239 --> 00:42:41,280
Speaker 2: Jacob's perfected it in my mind. Yeah. Well that playing

813
00:42:41,400 --> 00:42:45,160
Speaker 2: is badass, coming in and just magnetizing in his car

814
00:42:45,239 --> 00:42:47,360
Speaker 2: and taking him off into the sunset.

815
00:42:47,400 --> 00:42:51,560
Speaker 1: Yeah, like little stealth bomber just catches them perfectly played.

816
00:42:52,880 --> 00:42:55,320
Speaker 1: And then well Dom, they don't have a stealth bomber

817
00:42:55,360 --> 00:42:57,880
Speaker 1: to to pick him up in the mid air. So

818
00:42:59,200 --> 00:43:01,600
Speaker 1: he does what I can only call like a Georgia

819
00:43:01,680 --> 00:43:03,040
Speaker 1: the Jungle like maneuver.

820
00:43:04,040 --> 00:43:07,040
Speaker 2: I'd say more Tarzan, but sure, yeah, oh wait I

821
00:43:07,160 --> 00:43:07,760
Speaker 2: met Tarzan.

822
00:43:09,320 --> 00:43:12,280
Speaker 3: George the Jungle is way more famous than Tarzan.

823
00:43:12,200 --> 00:43:13,040
Speaker 2: Really you think?

824
00:43:13,080 --> 00:43:18,120
Speaker 4: So, no is what I meant.

825
00:43:18,160 --> 00:43:21,000
Speaker 1: And he's got his jeans that works even better. And

826
00:43:21,080 --> 00:43:24,880
Speaker 1: he swings his car across the water.

827
00:43:26,760 --> 00:43:34,239
Speaker 4: Yeah well that was new. Yeah, letty so he like

828
00:43:34,640 --> 00:43:38,440
Speaker 4: it's almost like a reverse carpooning here by Dom as

829
00:43:38,480 --> 00:43:41,480
Speaker 4: well to somehow take the cable that was already there

830
00:43:41,480 --> 00:43:43,520
Speaker 4: and get it stuck on the bottom. I'm not gonna

831
00:43:43,520 --> 00:43:46,480
Speaker 4: lie though, I love the driving across the rickety bridge part,

832
00:43:46,480 --> 00:43:49,240
Speaker 4: because I mean, how many different movies have you seen

833
00:43:49,320 --> 00:43:52,080
Speaker 4: a hero run across a rickety bridge? Oh no, no, no,

834
00:43:52,120 --> 00:43:54,400
Speaker 4: it's collapsing behind me. I'm never gonna make it. They

835
00:43:54,440 --> 00:43:56,480
Speaker 4: did it with the car. I thought that was pretty smart.

836
00:43:56,520 --> 00:43:58,279
Speaker 4: I like that, And I also did like the part

837
00:43:58,840 --> 00:44:03,040
Speaker 4: when they were avoiding the land mines until the very end.

838
00:44:03,600 --> 00:44:06,920
Speaker 4: Roman gets blasted up. He gets caught in between two mountains.

839
00:44:07,080 --> 00:44:14,360
Speaker 4: I yelled, what we got a counted, I think, and.

840
00:44:14,360 --> 00:44:16,360
Speaker 3: Then and then almost falls on a land mine that

841
00:44:16,520 --> 00:44:20,560
Speaker 3: is the worst buried land mine all the time, swept

842
00:44:20,600 --> 00:44:22,120
Speaker 3: it out.

843
00:44:22,760 --> 00:44:23,839
Speaker 4: Do not stop on this.

844
00:44:25,080 --> 00:44:28,759
Speaker 3: I was getting jad did you get Indiana Jones vibes from?

845
00:44:29,840 --> 00:44:30,040
Speaker 2: Yeah?

846
00:44:30,640 --> 00:44:32,759
Speaker 3: Like I felt like it was across from that. And

847
00:44:32,840 --> 00:44:34,880
Speaker 3: now that I'm a gamer, I can say uncharged.

848
00:44:35,040 --> 00:44:37,959
Speaker 2: I was going to say that too. Yeah, really absolutely,

849
00:44:38,280 --> 00:44:42,640
Speaker 2: I was gonna say Temple Run. Yeah, a little bit,

850
00:44:43,440 --> 00:44:47,799
Speaker 2: but especially when when Roman is getting shot up, as

851
00:44:47,880 --> 00:44:50,800
Speaker 2: Keets mentioned, uh, he doesn't get hit, but he kills

852
00:44:50,880 --> 00:44:56,480
Speaker 2: fifteen sixteen guys. I've been in that situation and uncharted, sure, yeah, yeah,

853
00:44:56,880 --> 00:44:59,440
Speaker 2: you just sometimes you just got to stand there and

854
00:44:59,440 --> 00:45:02,080
Speaker 2: and got everybody down. You just flip it over to

855
00:45:02,160 --> 00:45:05,919
Speaker 2: easy mode and that's what and you're you're done right, liked.

856
00:45:06,320 --> 00:45:08,680
Speaker 3: No, you don't do that. You work hard at it.

857
00:45:09,160 --> 00:45:12,960
Speaker 3: You learn their movements, their spacing, and then you figure

858
00:45:12,960 --> 00:45:16,399
Speaker 3: out how to take them outright. You plan this too,

859
00:45:17,160 --> 00:45:18,359
Speaker 3: playing it a finished it.

860
00:45:18,400 --> 00:45:28,879
Speaker 1: Come on, okay, anything to add to this crazy, crazy

861
00:45:29,000 --> 00:45:33,000
Speaker 1: scene with all of this going on, the the Jacob

862
00:45:33,000 --> 00:45:36,799
Speaker 1: obviously showing up the plane, the Tarzan move across the water,

863
00:45:36,920 --> 00:45:43,120
Speaker 1: all that stuff with Roman and.

864
00:45:40,960 --> 00:45:42,600
Speaker 3: Actually, oh sorry, go ahead.

865
00:45:43,200 --> 00:45:46,319
Speaker 2: I was just enjoyed a little bit of karma, the

866
00:45:46,480 --> 00:45:53,160
Speaker 2: writer's karma. Karma nice, yeah, karma with it. Yes, when

867
00:45:53,600 --> 00:45:56,840
Speaker 2: mister Nobody is mentioned many many times when they're talking

868
00:45:56,880 --> 00:46:00,840
Speaker 2: about the guidance thing, you know, and it's just like, ha,

869
00:46:02,480 --> 00:46:06,120
Speaker 2: you fucked yourselves here because you named a character mister nobody,

870
00:46:06,160 --> 00:46:09,359
Speaker 2: So now you have to call them mister Nobody. Any

871
00:46:09,360 --> 00:46:11,359
Speaker 2: other character you would just call them by their last name.

872
00:46:11,520 --> 00:46:15,040
Speaker 2: Hobbs said this. Hobb said that Hobbs can't find me.

873
00:46:15,160 --> 00:46:19,400
Speaker 2: But now it's like actual lines are like Roman, uh,

874
00:46:19,520 --> 00:46:22,280
Speaker 2: not a soul in sight, no sign of mister nobody.

875
00:46:22,719 --> 00:46:25,040
Speaker 2: If you don't say mister, then it's no sign of nobody.

876
00:46:25,280 --> 00:46:30,920
Speaker 2: Right or or or or Don says, whatever it is,

877
00:46:31,239 --> 00:46:34,880
Speaker 2: mister nobody wanted us to find it. Otherwise it's whatever

878
00:46:34,920 --> 00:46:40,120
Speaker 2: it is nobody wanted. So they always always have to say,

879
00:46:40,160 --> 00:46:43,920
Speaker 2: mister nobody. So you did it to yourselves, writers, you

880
00:46:43,960 --> 00:46:44,920
Speaker 2: did it to yourselves.

881
00:46:45,000 --> 00:46:47,399
Speaker 3: Oh. I couldn't agree more because to me, every time

882
00:46:47,440 --> 00:46:49,600
Speaker 3: they said it, it sounded like what are those books

883
00:46:49,600 --> 00:46:51,920
Speaker 3: called with those circular people, And it's like, mister.

884
00:46:51,719 --> 00:46:54,920
Speaker 2: Moody, mister hay, mister grumpy.

885
00:46:55,000 --> 00:46:58,600
Speaker 3: He sounds so dumb. And the only other note I

886
00:46:58,640 --> 00:47:01,400
Speaker 3: had was I thought that the revel of John Cena

887
00:47:01,480 --> 00:47:05,160
Speaker 3: was pretty lame, like because you see old you know,

888
00:47:05,239 --> 00:47:07,840
Speaker 3: quote unquote John Cena in the flashbacks, and then you

889
00:47:07,880 --> 00:47:10,120
Speaker 3: see him looking over the bridge, but you see just

890
00:47:10,200 --> 00:47:12,000
Speaker 3: the chain. So the first time you see his face,

891
00:47:12,040 --> 00:47:14,600
Speaker 3: I believe, is when he speeds up in the car

892
00:47:14,800 --> 00:47:19,680
Speaker 3: parallel to Dom and h picks up the device and

893
00:47:19,760 --> 00:47:21,839
Speaker 3: you just that's like you just seem kind of see

894
00:47:21,920 --> 00:47:24,040
Speaker 3: him through the car window and he looks at him,

895
00:47:24,040 --> 00:47:27,000
Speaker 3: and like I was like, that's the reveal for like

896
00:47:27,520 --> 00:47:30,320
Speaker 3: this huge action star jumping into this franchise, And I

897
00:47:30,360 --> 00:47:31,120
Speaker 3: thought it was pretty lame.

898
00:47:31,200 --> 00:47:34,239
Speaker 1: Yeah, they love nothing more in this series though, than

899
00:47:34,280 --> 00:47:38,399
Speaker 1: a than a window through window, a car window through

900
00:47:38,440 --> 00:47:41,520
Speaker 1: car window, glance at each other. It just it says

901
00:47:41,560 --> 00:47:42,399
Speaker 1: so much more than.

902
00:47:42,360 --> 00:47:45,080
Speaker 3: Words, right, so then you could talk in your normal

903
00:47:45,160 --> 00:47:46,879
Speaker 3: voice in the person behind the glass in the other

904
00:47:46,920 --> 00:47:48,440
Speaker 3: car can hear you perfect of course?

905
00:47:48,840 --> 00:47:53,960
Speaker 2: Of course, yeah, to that point, Matt, like, let's talk

906
00:47:54,000 --> 00:47:57,760
Speaker 2: about it now, like John Cena, totally wasted and waste.

907
00:47:59,760 --> 00:47:59,960
Speaker 1: Agree.

908
00:48:00,520 --> 00:48:03,040
Speaker 2: I love the I mean I've seen I don't I'm

909
00:48:03,080 --> 00:48:05,520
Speaker 2: not a wrestling fan, as you know, but the two

910
00:48:05,520 --> 00:48:09,080
Speaker 2: things i've seen him in uh uh uh train Wreck

911
00:48:09,760 --> 00:48:12,279
Speaker 2: and Blockers. He was in train Wreck as well.

912
00:48:12,719 --> 00:48:13,200
Speaker 4: Uh.

913
00:48:13,239 --> 00:48:17,440
Speaker 2: And he's amazing, hilarious, And I think to Matt's point,

914
00:48:18,000 --> 00:48:21,279
Speaker 2: this is Vin Diesel saying, uh oh, we're bringing in

915
00:48:21,320 --> 00:48:26,080
Speaker 2: another charismatic, hilarious wrestler. Uh huh. First of all, number one,

916
00:48:26,320 --> 00:48:30,759
Speaker 2: we're making him a torretto gloomy as fuck, never like

917
00:48:31,120 --> 00:48:35,200
Speaker 2: sad and moody. And he doesn't emote at all. Okay,

918
00:48:35,320 --> 00:48:40,000
Speaker 2: that's number one. Number two, no heroic reveal, like we're

919
00:48:40,000 --> 00:48:42,680
Speaker 2: not we're not gonna see he's gonna see me through

920
00:48:42,719 --> 00:48:46,240
Speaker 2: a car window. And that's it on equal equal playing grounds,

921
00:48:46,280 --> 00:48:48,520
Speaker 2: you know what I mean. And and otherwise and then

922
00:48:48,640 --> 00:48:51,000
Speaker 2: otherwise we're just gonna we're gonna neuter him. We're gonna

923
00:48:51,000 --> 00:48:54,000
Speaker 2: take everything that everybody loves about John Cena and take

924
00:48:54,280 --> 00:48:56,560
Speaker 2: take it out of this character. And that way he's

925
00:48:56,560 --> 00:48:59,160
Speaker 2: not gonna outschie me. That's that's my that's one of

926
00:48:59,160 --> 00:49:00,680
Speaker 2: my big complaints of this movie.

927
00:49:00,719 --> 00:49:03,560
Speaker 3: Well, fine, let's talk about it now. Vin Diesel ruined

928
00:49:03,560 --> 00:49:07,799
Speaker 3: this fucking movie. He made this movie garbage because, like

929
00:49:07,840 --> 00:49:11,200
Speaker 3: you guys were saying, he took out the the cut

930
00:49:11,239 --> 00:49:13,759
Speaker 3: scene and the credits of the last movie. He did

931
00:49:13,760 --> 00:49:16,960
Speaker 3: not want Hobbs and Shaw to be you know, credited

932
00:49:17,080 --> 00:49:18,680
Speaker 3: or be seen as a big thing. Then you have

933
00:49:18,719 --> 00:49:21,040
Speaker 3: Hobbs and Shaw, which, for whatever you think about it,

934
00:49:21,120 --> 00:49:24,759
Speaker 3: is a way more fun movie than this. Yeah, and

935
00:49:25,520 --> 00:49:29,399
Speaker 3: uses this sort of humor that the Rock can pull

936
00:49:29,440 --> 00:49:33,759
Speaker 3: off and that very clearly John Cena can pull off.

937
00:49:33,920 --> 00:49:36,560
Speaker 3: And this movie is begging for the more of that

938
00:49:36,680 --> 00:49:40,400
Speaker 3: kind of vibes. But it's so self serious. It is

939
00:49:40,440 --> 00:49:43,440
Speaker 3: the worst of all the fast and furious tendencies to

940
00:49:43,560 --> 00:49:46,319
Speaker 3: be like brooding when this is supposed to be a

941
00:49:46,360 --> 00:49:50,440
Speaker 3: fun and ridiculous romp and you have this person's cable

942
00:49:50,480 --> 00:49:52,839
Speaker 3: pulling it off, and Vin Diesel basically says, no, Now,

943
00:49:52,920 --> 00:49:56,960
Speaker 3: what happened to the rock and and Decker in this

944
00:49:57,600 --> 00:50:01,080
Speaker 3: was it? Did Vin say the Rock's not allowed in

945
00:50:01,080 --> 00:50:01,439
Speaker 3: this one?

946
00:50:01,680 --> 00:50:04,240
Speaker 1: Yeah, we wouldn't. It's it's insane.

947
00:50:04,400 --> 00:50:07,520
Speaker 4: Yeah, Tyree said, if the Rock is going to be

948
00:50:07,520 --> 00:50:09,960
Speaker 4: in Fast and Furious nine, I'm not gonna be in it.

949
00:50:11,040 --> 00:50:13,440
Speaker 1: And yeah, Tyree.

950
00:50:13,200 --> 00:50:17,560
Speaker 4: Said that Diesel took tyresee over the rock. I guess

951
00:50:17,600 --> 00:50:21,160
Speaker 4: probably because he was there first and he hadn't, you know,

952
00:50:21,200 --> 00:50:24,160
Speaker 4: in Vin's view, gone behind his back to make Hobbson's job.

953
00:50:24,200 --> 00:50:25,680
Speaker 1: But I mean, it's one hundred percent right.

954
00:50:25,719 --> 00:50:29,040
Speaker 4: This movie is dying for somebody to be the funny guy,

955
00:50:29,040 --> 00:50:32,080
Speaker 4: because like the only jokes at this point are tajin

956
00:50:32,200 --> 00:50:35,279
Speaker 4: Roman going back and forth joking about what we've seen

957
00:50:35,320 --> 00:50:37,000
Speaker 4: for the past five movies. Those are like the only

958
00:50:37,080 --> 00:50:39,040
Speaker 4: jokes because Vin's not going to be doing it. He's

959
00:50:39,040 --> 00:50:41,680
Speaker 4: not going to be yucking it up on screen. It

960
00:50:41,719 --> 00:50:43,919
Speaker 4: could have been Seena. They could have definitely given him

961
00:50:43,920 --> 00:50:47,920
Speaker 4: more personality rather than just you know, this random Turetto

962
00:50:47,960 --> 00:50:51,240
Speaker 4: who is angry and he's the villain, a major misuse

963
00:50:51,239 --> 00:50:51,839
Speaker 4: of John Cena.

964
00:50:52,000 --> 00:50:54,000
Speaker 1: Yeah, it's it's a great point why didn't they make

965
00:50:54,080 --> 00:50:57,040
Speaker 1: him such an opposite Toretto, like such like a like

966
00:50:57,080 --> 00:51:01,880
Speaker 1: a wise cracking like Sillier, like you know, not as discipline,

967
00:51:01,920 --> 00:51:03,920
Speaker 1: maybe even as dom or whatever. You could still have

968
00:51:03,960 --> 00:51:06,040
Speaker 1: all this weird story with what was going on with

969
00:51:06,080 --> 00:51:10,040
Speaker 1: his dad, but like, yeah, make him fun and maybe

970
00:51:10,080 --> 00:51:12,200
Speaker 1: and that actually would make it almost more believable that

971
00:51:12,200 --> 00:51:14,760
Speaker 1: they've like they butted heads and they went their separate

972
00:51:14,760 --> 00:51:16,840
Speaker 1: ways and stuff like that. Like it's still his brothers,

973
00:51:16,880 --> 00:51:19,880
Speaker 1: so he's still gonna love him. But yeah, he's so

974
00:51:20,440 --> 00:51:22,440
Speaker 1: I'm with you guys that John Cena is like it

975
00:51:22,480 --> 00:51:24,160
Speaker 1: could have been anybody playing this.

976
00:51:24,520 --> 00:51:27,000
Speaker 3: Yeah, but that's it's like the inmates are running the

977
00:51:27,040 --> 00:51:30,200
Speaker 3: asylum at this point. Like fine, I understand dom is

978
00:51:30,600 --> 00:51:32,839
Speaker 3: the center of the movie, but like find a way

979
00:51:32,880 --> 00:51:35,000
Speaker 3: to if to write him out, like write a great

980
00:51:35,040 --> 00:51:37,440
Speaker 3: script with him not involved. And I guarantee you it's

981
00:51:37,440 --> 00:51:39,439
Speaker 3: gonna be a better movie with John Cena, the Rock

982
00:51:39,520 --> 00:51:41,719
Speaker 3: and Jason Stathan. Yeah, I mean, he.

983
00:51:41,760 --> 00:51:43,760
Speaker 1: Is the clearly the worst of those four.

984
00:51:44,200 --> 00:51:45,040
Speaker 3: So why is.

985
00:51:45,080 --> 00:51:48,839
Speaker 1: That's not happening? Man, He's convinced. Diesel's convinced himself he's

986
00:51:48,880 --> 00:51:49,720
Speaker 1: Dominic Toretto.

987
00:51:49,920 --> 00:51:53,120
Speaker 3: Like I understand that this movie. I mean, well, like,

988
00:51:53,239 --> 00:51:55,000
Speaker 3: we haven't gotten to the end yet, but are we

989
00:51:55,040 --> 00:51:57,000
Speaker 3: all agreeing this is one of the worst movies of

990
00:51:57,040 --> 00:51:58,040
Speaker 3: the of.

991
00:51:57,960 --> 00:52:00,680
Speaker 1: The d This is worse than Too Fast Furious.

992
00:52:00,680 --> 00:52:02,000
Speaker 3: Okay, there you go.

993
00:52:02,160 --> 00:52:03,360
Speaker 1: I hated this movie.

994
00:52:03,800 --> 00:52:05,719
Speaker 3: I hate this movie too, so.

995
00:52:06,920 --> 00:52:14,319
Speaker 4: I think this movie is Okay, taking a ship on

996
00:52:14,360 --> 00:52:19,160
Speaker 4: this movie. I still like it better than Too Fast Okay, barely.

997
00:52:19,280 --> 00:52:20,120
Speaker 1: Sorry you're saying that.

998
00:52:20,840 --> 00:52:23,000
Speaker 3: No, I mean that's just that's so upsetting. It's like

999
00:52:23,040 --> 00:52:25,960
Speaker 3: you have the tools, but you don't you don't take

1000
00:52:26,040 --> 00:52:29,160
Speaker 3: them out of the toolshit. Yeah, I mean, like you

1001
00:52:29,239 --> 00:52:32,600
Speaker 3: have the Rock, you have Statham, and now you have

1002
00:52:32,680 --> 00:52:36,839
Speaker 3: Sena and at the behest of one crazy man who

1003
00:52:36,880 --> 00:52:42,680
Speaker 3: believes he is a street racer exactly, you're making the

1004
00:52:42,680 --> 00:52:46,560
Speaker 3: movie actively worse and and and that's what what made

1005
00:52:46,600 --> 00:52:48,600
Speaker 3: me so angry watching it. Was like, not just this

1006
00:52:48,719 --> 00:52:50,799
Speaker 3: is a bad movie, but this could so easily be

1007
00:52:51,280 --> 00:52:54,960
Speaker 3: a way better movie just by making personnel choices, the

1008
00:52:55,040 --> 00:52:58,560
Speaker 3: personnel you already have in this franchise. Yeah, and again,

1009
00:52:58,600 --> 00:53:02,160
Speaker 3: at the behest of a of a true madman, you're

1010
00:53:02,400 --> 00:53:05,920
Speaker 3: you're screwing it up and then you're just thrown in

1011
00:53:06,080 --> 00:53:07,680
Speaker 3: Cardi b as I that's.

1012
00:53:09,640 --> 00:53:13,239
Speaker 1: Jeez, who was Cardi B.

1013
00:53:13,600 --> 00:53:14,600
Speaker 3: There's another question I have.

1014
00:53:15,640 --> 00:53:18,880
Speaker 1: We're not there yet. We're not there yet.

1015
00:53:19,320 --> 00:53:23,800
Speaker 4: I know we got they just rolled the opening credits.

1016
00:53:24,040 --> 00:53:27,040
Speaker 1: The team rendezvous with Stasziak.

1017
00:53:27,400 --> 00:53:29,480
Speaker 4: All right, he's got.

1018
00:53:29,280 --> 00:53:35,480
Speaker 1: The busted nose still, so they talk with him on

1019
00:53:35,560 --> 00:53:37,759
Speaker 1: way to the safe house. This is where Dom's sister

1020
00:53:37,840 --> 00:53:42,160
Speaker 1: Mia arrives to help, and Dom, I guess, reluctantly allows

1021
00:53:42,200 --> 00:53:45,960
Speaker 1: her to join them. Yeah. Sure. The team then learns

1022
00:53:45,960 --> 00:53:50,520
Speaker 1: that Han is connected to aries this project, and Letty

1023
00:53:50,600 --> 00:53:54,440
Speaker 1: and Mia decide, well, we're gonna go to Tokyo to investigate. Meanwhile,

1024
00:53:55,080 --> 00:54:04,560
Speaker 1: Jacob meets with Auto of his associate. Cipher is being

1025
00:54:04,600 --> 00:54:08,520
Speaker 1: held at their base, and after failing to sort of sway,

1026
00:54:08,640 --> 00:54:12,560
Speaker 1: Jacob tells him the other half of Aris is in Edinburgh.

1027
00:54:12,719 --> 00:54:15,520
Speaker 1: Is that right? I think so. I think I was

1028
00:54:15,560 --> 00:54:17,480
Speaker 1: confused with the Cipher part, with what was going on

1029
00:54:17,520 --> 00:54:19,640
Speaker 1: and who was in control and why she was sort

1030
00:54:19,680 --> 00:54:24,720
Speaker 1: of in a jail, and what their relationship was between Auto,

1031
00:54:24,960 --> 00:54:26,880
Speaker 1: Cipher and Jacob trade.

1032
00:54:27,640 --> 00:54:31,320
Speaker 4: I only got it like probably fifteen minutes ago, because

1033
00:54:31,360 --> 00:54:35,360
Speaker 4: you mentioned that mister Nobody's plane was attacked by a

1034
00:54:35,440 --> 00:54:39,400
Speaker 4: rogue agent, which therefore is Jacob who was trying to

1035
00:54:39,640 --> 00:54:43,680
Speaker 4: break Cipher out or I guess, you know, take custody

1036
00:54:43,680 --> 00:54:46,799
Speaker 4: of Cipher because they have her in like a fish tank.

1037
00:54:47,880 --> 00:54:50,520
Speaker 4: He's around it for whatever reason. And I guess Otto

1038
00:54:50,600 --> 00:54:53,839
Speaker 4: at one point he says he's the financier, so he's

1039
00:54:53,880 --> 00:54:57,040
Speaker 4: paying for Jacob to go and get aries, and they

1040
00:54:57,080 --> 00:55:00,359
Speaker 4: need Cipher to get aries. So I I think it's

1041
00:55:00,360 --> 00:55:02,880
Speaker 4: just Auto's funding this entire thing and Jacob's the one

1042
00:55:02,920 --> 00:55:05,279
Speaker 4: who's really they're gonna go and get it done.

1043
00:55:05,560 --> 00:55:10,120
Speaker 1: Yeah, Cipher's got a fascinating look Charlie thero On tour

1044
00:55:10,160 --> 00:55:12,719
Speaker 1: in this one. For my NFT lovers out there and

1045
00:55:12,760 --> 00:55:16,880
Speaker 1: for everybody watching on YouTube, Cipher is basically a pudgy penguin,

1046
00:55:19,520 --> 00:55:24,320
Speaker 1: got the Beatles bangs. What a classic look she's rocking.

1047
00:55:25,200 --> 00:55:27,640
Speaker 1: I don't know, it looks rare, So yeah, that's a

1048
00:55:28,160 --> 00:55:31,000
Speaker 1: Cipher's a bowl cut look there for you listeners to

1049
00:55:31,080 --> 00:55:34,160
Speaker 1: the podcast. But that's what's what's going on. We get

1050
00:55:34,160 --> 00:55:38,680
Speaker 1: the Han reveal, and then we get I guess, making

1051
00:55:38,719 --> 00:55:41,520
Speaker 1: a little more sense of what the heck this relationship

1052
00:55:41,520 --> 00:55:44,279
Speaker 1: between Cipher, Auto and Jacob is.

1053
00:55:44,640 --> 00:55:47,439
Speaker 3: Thoughts Madio well, I mean you call it a Han

1054
00:55:47,480 --> 00:55:49,799
Speaker 3: revealed Han's on the poster of this movie.

1055
00:55:49,880 --> 00:55:52,520
Speaker 1: Yeah, yeah, well they do that a lot in this Yeah,

1056
00:55:52,719 --> 00:55:54,319
Speaker 1: this series. That's nothing new man.

1057
00:55:54,760 --> 00:55:56,360
Speaker 3: Yeah, I don't really have much to say about it

1058
00:55:56,360 --> 00:55:59,880
Speaker 3: except why do they capture Cipher so they could make

1059
00:56:00,040 --> 00:56:02,800
Speaker 3: Charlie's there and spend another movie where she cannot interact

1060
00:56:02,840 --> 00:56:03,680
Speaker 3: with another human?

1061
00:56:05,640 --> 00:56:09,840
Speaker 1: Yeah? No, but you're right she talks to Jacob at

1062
00:56:09,920 --> 00:56:15,240
Speaker 1: least in this one through a thick glass I guess,

1063
00:56:15,360 --> 00:56:20,239
Speaker 1: or plexiglass wall. But yeah, never face to face with

1064
00:56:20,280 --> 00:56:22,759
Speaker 1: any of the heroes in this movie, right.

1065
00:56:23,440 --> 00:56:23,520
Speaker 4: No.

1066
00:56:24,000 --> 00:56:26,160
Speaker 1: In fact, the one time you think she's actually there

1067
00:56:26,560 --> 00:56:30,440
Speaker 1: at the end, No, it's playing a video game.

1068
00:56:32,080 --> 00:56:37,720
Speaker 2: Lost again, Maddia. How many days do you think Charlie's

1069
00:56:37,760 --> 00:56:40,879
Speaker 2: worked on this? I mean, well, is that one day

1070
00:56:40,920 --> 00:56:41,360
Speaker 2: of work?

1071
00:56:41,760 --> 00:56:45,440
Speaker 3: No? No, really, feel I think maybe three?

1072
00:56:45,880 --> 00:56:49,399
Speaker 2: Oh? Really okay a lot?

1073
00:56:50,120 --> 00:56:54,920
Speaker 3: Yeah, I guess she's really not in that many scenes really, No,

1074
00:56:55,080 --> 00:56:55,719
Speaker 3: not really at all.

1075
00:56:56,560 --> 00:57:00,399
Speaker 1: She's in not many locations, yeah, two or three? Sorry?

1076
00:57:00,760 --> 00:57:02,520
Speaker 3: Well, I guess so at least a day to get

1077
00:57:02,520 --> 00:57:06,759
Speaker 3: in and get that that haircut. Yeah, hopefully that was

1078
00:57:06,800 --> 00:57:12,360
Speaker 3: a wig because yikes, you didn't like it, Well, just

1079
00:57:12,480 --> 00:57:14,160
Speaker 3: you got to walk around with that haircut. You know,

1080
00:57:14,280 --> 00:57:16,000
Speaker 3: there's not many other things you could do with it.

1081
00:57:16,040 --> 00:57:18,680
Speaker 3: Once your hair is cut into a bowl, it's.

1082
00:57:18,600 --> 00:57:21,800
Speaker 1: Sort of like, oh my god, I'm drawing a blank.

1083
00:57:21,960 --> 00:57:26,800
Speaker 1: Uh the dumb and dumber. Yeah, like Lloyd's haircut a

1084
00:57:26,840 --> 00:57:32,360
Speaker 1: little bit. So, Okay, what did you think j D.

1085
00:57:32,640 --> 00:57:35,040
Speaker 1: Matt's right Han on the poster heading into this, I

1086
00:57:35,040 --> 00:57:37,760
Speaker 1: mean I said it. I said it podcasts Ago. Actually,

1087
00:57:37,760 --> 00:57:40,360
Speaker 1: like we know Han's coming back. Yeah, I've seen the

1088
00:57:40,400 --> 00:57:42,880
Speaker 1: poster that he's here, But what did you think about

1089
00:57:43,080 --> 00:57:45,560
Speaker 1: the whole and we're going to get to Tokyo here

1090
00:57:45,560 --> 00:57:47,920
Speaker 1: in the rundown, but like just this whole Haunt angle

1091
00:57:48,160 --> 00:57:50,320
Speaker 1: and the move they pulled off.

1092
00:57:51,720 --> 00:57:54,520
Speaker 2: The move is in terms of his getting it, like

1093
00:57:54,640 --> 00:57:58,840
Speaker 2: his reveal that happens later or the fact that connected

1094
00:57:58,960 --> 00:58:03,680
Speaker 2: to this coming back, I thought, I mean, okay, sure

1095
00:58:05,120 --> 00:58:08,160
Speaker 2: I read after that this is basically the reason Justin

1096
00:58:08,240 --> 00:58:10,120
Speaker 2: Lynn wanted to come back and do this movie, or

1097
00:58:10,120 --> 00:58:12,280
Speaker 2: at least that's what he said. It was one of

1098
00:58:12,280 --> 00:58:16,960
Speaker 2: the reasons justice for Han, right right? You know he

1099
00:58:17,520 --> 00:58:22,080
Speaker 2: did get done dirty with Statham joining the team, right So,

1100
00:58:22,800 --> 00:58:24,840
Speaker 2: and then the cut scene at the very end shows,

1101
00:58:24,840 --> 00:58:28,320
Speaker 2: We're going to finally get some payback or something. Yeah,

1102
00:58:29,720 --> 00:58:33,720
Speaker 2: Shaw's going to pay his due his debt to us

1103
00:58:33,720 --> 00:58:37,240
Speaker 2: fans for for you know, joining the team. It wasn't

1104
00:58:37,240 --> 00:58:41,000
Speaker 2: even really his fault. He's like getting revenge for his brother,

1105
00:58:41,160 --> 00:58:44,640
Speaker 2: and then they this very team that he was getting

1106
00:58:44,680 --> 00:58:46,360
Speaker 2: revenge on, asked him to join the team. What else

1107
00:58:46,400 --> 00:58:47,120
Speaker 2: was he supposed to do?

1108
00:58:47,720 --> 00:58:51,920
Speaker 3: But isn't it? Isn't it implied that Decord killing Han

1109
00:58:52,120 --> 00:58:55,600
Speaker 3: was it was part of mister Nobody's plan to make

1110
00:58:55,680 --> 00:58:56,360
Speaker 3: him disappear.

1111
00:58:56,760 --> 00:59:00,080
Speaker 2: It was, but but Deckard wasn't in on it as

1112
00:59:00,120 --> 00:59:01,440
Speaker 2: far as I could tell.

1113
00:59:01,520 --> 00:59:04,280
Speaker 4: Right, I don't think he was a mister Nobody operative

1114
00:59:04,320 --> 00:59:04,880
Speaker 4: at that point.

1115
00:59:05,080 --> 00:59:07,440
Speaker 1: No, I don't think so. But a lot of people

1116
00:59:07,480 --> 00:59:08,320
Speaker 1: were apparently.

1117
00:59:08,560 --> 00:59:10,760
Speaker 4: That's the crazy thing to me is that this scene

1118
00:59:10,760 --> 00:59:14,480
Speaker 4: has now been double retconned. It's like we saw Hande

1119
00:59:15,120 --> 00:59:18,280
Speaker 4: in Tokyo Drift, and then we pulled back a little

1120
00:59:18,280 --> 00:59:21,040
Speaker 4: bit more and oh wait, Jason Statham is there actually

1121
00:59:21,080 --> 00:59:23,440
Speaker 4: was Deckard Shaw who made that explode.

1122
00:59:23,520 --> 00:59:25,600
Speaker 1: Oh wait, we're gonna pull back even more.

1123
00:59:26,360 --> 00:59:29,400
Speaker 4: Yeah, Deckard did that, but mister Nobody knew it was

1124
00:59:29,440 --> 00:59:32,280
Speaker 4: gonna happen and had a plan in place right away

1125
00:59:32,680 --> 00:59:37,720
Speaker 4: to be able to squirrel him away into the Tokyo underground. Luckily, though,

1126
00:59:38,480 --> 00:59:41,440
Speaker 4: he had mentioned that he viewed Tokyo as his Mexico

1127
00:59:41,680 --> 00:59:44,640
Speaker 4: at some point to Letty, so that if she happened

1128
00:59:44,640 --> 00:59:48,000
Speaker 4: to be in Tokyo and saw a Mexican flag anywhere,

1129
00:59:48,880 --> 00:59:52,120
Speaker 4: it's likely to be Han. They're like, uh, remember that

1130
00:59:52,280 --> 00:59:56,080
Speaker 4: time Hans said that he would treat Tokyo like Mexico.

1131
00:59:56,440 --> 00:59:59,400
Speaker 4: Did you notice that the parents are flat out there?

1132
00:59:59,520 --> 01:00:00,120
Speaker 1: It's got.

1133
01:00:01,880 --> 01:00:05,280
Speaker 3: Oh hi, We're in one of the literally biggest cities

1134
01:00:05,280 --> 01:00:07,240
Speaker 3: in the world. That's when I couldn't figure out like

1135
01:00:08,840 --> 01:00:10,600
Speaker 3: these movies, like you kind of like look away for

1136
01:00:10,640 --> 01:00:13,200
Speaker 3: a second, and then you're like, did they explain, like,

1137
01:00:13,280 --> 01:00:15,040
Speaker 3: is it a coincidence that they happened to be eating

1138
01:00:15,080 --> 01:00:19,560
Speaker 3: dinner Alfresco in front of this flag that's in a

1139
01:00:19,600 --> 01:00:21,800
Speaker 3: window or did they say they went to this restaurant

1140
01:00:21,840 --> 01:00:23,560
Speaker 3: because it was near where he used to live or.

1141
01:00:23,480 --> 01:00:26,520
Speaker 2: I mean that was my assumption that they were there.

1142
01:00:26,560 --> 01:00:29,880
Speaker 2: They were in that area because the clues had led

1143
01:00:29,920 --> 01:00:34,360
Speaker 2: them there. But did they say anything about that? I

1144
01:00:34,400 --> 01:00:37,400
Speaker 2: have no idea. I don't remember them saying like that,

1145
01:00:37,520 --> 01:00:38,640
Speaker 2: but I don't think.

1146
01:00:38,480 --> 01:00:41,440
Speaker 1: So okay, yeah, well there was one scene in between

1147
01:00:41,600 --> 01:00:45,200
Speaker 1: Letty and me actually finding Han still alive along with

1148
01:00:45,240 --> 01:00:50,560
Speaker 1: his ward. But and this scene is, and I don't

1149
01:00:50,560 --> 01:00:52,320
Speaker 1: think we need to take a long time on it. It's Dawn,

1150
01:00:52,400 --> 01:00:56,520
Speaker 1: meaning his father's former mechanic Buddy.

1151
01:00:56,480 --> 01:00:59,840
Speaker 2: Who took another placeholder thanks Buddy.

1152
01:01:00,160 --> 01:01:04,160
Speaker 1: Took Jacob in after his exile, and learns that Jacob

1153
01:01:04,400 --> 01:01:08,040
Speaker 1: is in London. So Dom, yeah, Dom goes and sees Buddy.

1154
01:01:08,960 --> 01:01:12,040
Speaker 1: I was gonna say they share a corona, but the

1155
01:01:12,320 --> 01:01:16,400
Speaker 1: don never takes a sip. And that's how you know

1156
01:01:16,480 --> 01:01:19,480
Speaker 1: this guy means business. I think it's like he's not

1157
01:01:19,760 --> 01:01:23,920
Speaker 1: even taking one little drink of this corona that he's

1158
01:01:23,960 --> 01:01:27,320
Speaker 1: been handed by natally that did his best to warm

1159
01:01:27,400 --> 01:01:28,160
Speaker 1: that beer up.

1160
01:01:28,200 --> 01:01:33,720
Speaker 2: He has the full neck and yeah, but he was

1161
01:01:33,760 --> 01:01:39,040
Speaker 2: holding it like that, gripping like oh my god, like

1162
01:01:39,160 --> 01:01:41,080
Speaker 2: I'm glad that he put it down, because if he

1163
01:01:41,160 --> 01:01:44,120
Speaker 2: had any intention of actually drinking that beer, I would

1164
01:01:44,160 --> 01:01:45,280
Speaker 2: have been furious.

1165
01:01:46,000 --> 01:01:48,880
Speaker 1: And he gets him, I have that right. He just

1166
01:01:48,920 --> 01:01:51,200
Speaker 1: gets information that Jacob's probably in London, right.

1167
01:01:51,360 --> 01:01:53,520
Speaker 2: That's it. That's the only piece of information that he

1168
01:01:53,560 --> 01:01:56,360
Speaker 2: gets other than I don't know what buddy's Buddy says

1169
01:01:56,400 --> 01:02:00,640
Speaker 2: something like, uh, tried my best, my best another, but

1170
01:02:02,240 --> 01:02:04,800
Speaker 2: you know, what are you gonna do? My Michael records

1171
01:02:04,840 --> 01:02:07,760
Speaker 2: great there anytime he's on screen. I love seeing him.

1172
01:02:07,760 --> 01:02:11,520
Speaker 3: But that said, we keep it touch constantly through Facebook

1173
01:02:11,520 --> 01:02:14,560
Speaker 3: and other social media apps. And even though I haven't

1174
01:02:14,560 --> 01:02:16,280
Speaker 3: seen him for a while, I think I saw a

1175
01:02:16,280 --> 01:02:23,000
Speaker 3: picture of him on the London Eye Ferris Wheel. He

1176
01:02:23,040 --> 01:02:28,480
Speaker 3: was he was sitting next to Chris Middleton. All right,

1177
01:02:29,080 --> 01:02:30,160
Speaker 3: So back to Tokyo.

1178
01:02:31,200 --> 01:02:33,200
Speaker 1: Yeah, we get this finding out that Haunt is alive

1179
01:02:33,240 --> 01:02:35,120
Speaker 1: because of the whole Mexican flag in a window.

1180
01:02:37,280 --> 01:02:37,880
Speaker 2: Will they get me?

1181
01:02:37,920 --> 01:02:39,960
Speaker 1: And telling Letdy that she stayed in touch with Jacob

1182
01:02:40,040 --> 01:02:42,960
Speaker 1: a year after the death of their father, and then

1183
01:02:43,040 --> 01:02:45,520
Speaker 1: somebody I think it's Letty. So it's funny how we

1184
01:02:45,560 --> 01:02:46,440
Speaker 1: all have secrets.

1185
01:02:47,960 --> 01:02:48,520
Speaker 2: Yeah yeah.

1186
01:02:48,600 --> 01:02:51,480
Speaker 4: Mia also says I broke into a police archive.

1187
01:02:51,600 --> 01:02:52,760
Speaker 2: Oh yeah, yeah right.

1188
01:02:53,280 --> 01:02:55,960
Speaker 3: Actually we kind of glossed over that, but it was

1189
01:02:56,240 --> 01:02:59,360
Speaker 3: jarring in a way. That's kind of bad to see.

1190
01:02:59,520 --> 01:03:02,640
Speaker 3: Uh and Mia just have their own scene, like have

1191
01:03:02,720 --> 01:03:05,600
Speaker 3: dinner together and just talk to each other, and so

1192
01:03:05,800 --> 01:03:08,480
Speaker 3: jarring in the sense that like it should really not

1193
01:03:08,560 --> 01:03:10,200
Speaker 3: be that jarring. For them to do it, but just

1194
01:03:10,280 --> 01:03:12,080
Speaker 3: evidence that that is not the kind of thing that

1195
01:03:12,120 --> 01:03:14,240
Speaker 3: can happen in these movies. So it was nice. I

1196
01:03:14,320 --> 01:03:16,120
Speaker 3: mean again, Mia should not be in this movie, but

1197
01:03:16,160 --> 01:03:18,080
Speaker 3: it was nice that they gave them a scene together.

1198
01:03:18,200 --> 01:03:21,800
Speaker 1: Okay, well you didn't love the Jacob reveal with John Cena.

1199
01:03:21,880 --> 01:03:23,880
Speaker 1: How did you feel Matt in this movie about the

1200
01:03:23,960 --> 01:03:28,760
Speaker 1: Han reveal? Like, there's the huge action scene between the

1201
01:03:28,800 --> 01:03:32,240
Speaker 1: three women and a bunch of hm bad guys that's

1202
01:03:32,240 --> 01:03:35,200
Speaker 1: happening in the apartment. Letty eventually makes her way outside

1203
01:03:36,280 --> 01:03:41,160
Speaker 1: and boom there's a sniper like taken down. Yeah, some guys,

1204
01:03:41,280 --> 01:03:44,720
Speaker 1: And then do we see Han right there?

1205
01:03:45,280 --> 01:03:50,320
Speaker 2: Yeah? After the slowest camera moves of all time. It's

1206
01:03:50,400 --> 01:03:54,160
Speaker 2: just like we all know he's in the movie, just

1207
01:03:54,320 --> 01:03:57,960
Speaker 2: reveal him already, God damn it. And then you start

1208
01:03:58,000 --> 01:04:00,360
Speaker 2: to see him walk away from the hes. He he

1209
01:04:00,440 --> 01:04:03,680
Speaker 2: comes away from the sniper and I almost didn't recognize

1210
01:04:03,720 --> 01:04:05,080
Speaker 2: him because he had this blue light up.

1211
01:04:05,040 --> 01:04:07,960
Speaker 3: Totally and he has a haircut too. He got a

1212
01:04:07,960 --> 01:04:09,840
Speaker 3: ha and a haircut, so same same.

1213
01:04:10,000 --> 01:04:10,280
Speaker 2: Uh.

1214
01:04:11,080 --> 01:04:14,200
Speaker 1: Unfortunately did look like Yeah, I was gonna say a

1215
01:04:14,200 --> 01:04:18,680
Speaker 1: little bit great, Yeah, it just uh, you know, I

1216
01:04:18,720 --> 01:04:20,600
Speaker 1: think I I think I really we were like, hey,

1217
01:04:20,600 --> 01:04:22,439
Speaker 1: we need an action scene. We haven't had an action

1218
01:04:22,560 --> 01:04:24,920
Speaker 1: scene here a little bit where guys are guys or

1219
01:04:24,960 --> 01:04:28,360
Speaker 1: women are fighting, So let's put it right here in

1220
01:04:28,440 --> 01:04:32,640
Speaker 1: this uh, in this I don't know room small room.

1221
01:04:32,680 --> 01:04:35,080
Speaker 1: I was confused actually sort of who these people were.

1222
01:04:36,640 --> 01:04:41,160
Speaker 2: Ye, I think that they were part of Jacob's crew, right.

1223
01:04:41,080 --> 01:04:45,560
Speaker 1: Okay, so they're just trying to what get trying to.

1224
01:04:45,480 --> 01:04:48,080
Speaker 4: Get Well the point they mentioned that, like Hans, DNA

1225
01:04:48,240 --> 01:04:51,000
Speaker 4: is encoded into this weapon, right, and that's kind of

1226
01:04:51,040 --> 01:04:53,200
Speaker 4: why they go to Tokyo in the first place, because

1227
01:04:53,240 --> 01:04:57,720
Speaker 4: I think dom Dom shows Letty and Mia the postcard

1228
01:04:57,760 --> 01:05:04,720
Speaker 4: that Hans sent of Mexico from Tokyo. That's their tiniest

1229
01:05:04,720 --> 01:05:09,040
Speaker 4: of breadcrumbs that at least gets them to Tokyo. But

1230
01:05:09,200 --> 01:05:14,000
Speaker 4: I think at that point Jacob must have similar information

1231
01:05:14,080 --> 01:05:15,840
Speaker 4: that we got to go to Tokyo to figure out

1232
01:05:16,120 --> 01:05:18,720
Speaker 4: some somehow how to get this other half of the

1233
01:05:18,760 --> 01:05:19,919
Speaker 4: device and how to get it open.

1234
01:05:20,040 --> 01:05:22,320
Speaker 1: Right, But no, they don't know l is the key

1235
01:05:22,400 --> 01:05:23,360
Speaker 1: at this point, I don't think.

1236
01:05:23,400 --> 01:05:25,760
Speaker 2: So I just say that I don't think anybody knows

1237
01:05:26,120 --> 01:05:29,360
Speaker 2: except for Han. Yeah, and by the way, that fight

1238
01:05:29,400 --> 01:05:34,480
Speaker 2: in the apartment was atrocious, like very bad. Again in

1239
01:05:34,640 --> 01:05:39,600
Speaker 2: video game mode, hired stuntmen to literally just take punches, right,

1240
01:05:39,840 --> 01:05:44,400
Speaker 2: I mean, there's it was actually justin Lynn saves a

1241
01:05:44,480 --> 01:05:47,200
Speaker 2: little with editing because he's cutting back to Letty and

1242
01:05:47,240 --> 01:05:50,080
Speaker 2: Mia and Letty and me and Mia. But if you

1243
01:05:50,160 --> 01:05:53,480
Speaker 2: go back and watch that scene, which I did, it's

1244
01:05:53,520 --> 01:05:56,680
Speaker 2: just the guys are just basically stunned by a pot

1245
01:05:57,320 --> 01:06:03,120
Speaker 2: stand there and then just waiting to get punched, you know,

1246
01:06:03,280 --> 01:06:06,000
Speaker 2: waiting to get knocked out. And then you know, there's

1247
01:06:06,000 --> 01:06:09,440
Speaker 2: a cool stunt where Letty flies out the window with

1248
01:06:09,480 --> 01:06:12,280
Speaker 2: the guy. But other than that, I mean, and they

1249
01:06:12,280 --> 01:06:14,120
Speaker 2: do that stunt a couple of times in the movie.

1250
01:06:14,440 --> 01:06:17,440
Speaker 2: Roman does it to a guy, tackles him front first,

1251
01:06:17,560 --> 01:06:21,400
Speaker 2: lands you know, about ten or fifteen feet underneath, and

1252
01:06:21,440 --> 01:06:24,280
Speaker 2: then Letty does it again and then that's when Han

1253
01:06:24,360 --> 01:06:27,640
Speaker 2: shows up. But oh god, this movie is so tedious,

1254
01:06:27,680 --> 01:06:30,840
Speaker 2: like all the action scenes even are just I was

1255
01:06:30,880 --> 01:06:33,200
Speaker 2: just like, oh my god, just get it, just get

1256
01:06:33,800 --> 01:06:36,000
Speaker 2: get to the quiet parts. When you're saying that in

1257
01:06:36,040 --> 01:06:38,880
Speaker 2: a fast and furious movie, that's a bad time. It's

1258
01:06:38,920 --> 01:06:41,000
Speaker 2: just like, can we go back to the dialogue please?

1259
01:06:41,680 --> 01:06:47,400
Speaker 1: This guy wanted slow and serious not okay, Well, it's

1260
01:06:47,400 --> 01:06:49,320
Speaker 1: going to get even weirder. If you asked me if

1261
01:06:49,360 --> 01:06:53,360
Speaker 1: you thought that scene was bad in Tokyo, suddenly were

1262
01:06:53,400 --> 01:07:00,919
Speaker 1: in Cologne, Germany and Sean you brought him up earlier

1263
01:07:01,000 --> 01:07:04,720
Speaker 1: Jade Sean Boswell from Tokyo Drift, Twinkie from Tokyo Drift,

1264
01:07:04,760 --> 01:07:06,479
Speaker 1: Little Bow. Wow, a new guy?

1265
01:07:06,600 --> 01:07:06,960
Speaker 4: Earl?

1266
01:07:10,480 --> 01:07:11,280
Speaker 3: Oh who's he?

1267
01:07:11,920 --> 01:07:12,240
Speaker 2: Earl?

1268
01:07:13,360 --> 01:07:16,160
Speaker 1: Yeah, don't remember him?

1269
01:07:17,080 --> 01:07:17,760
Speaker 3: What did he do?

1270
01:07:18,280 --> 01:07:21,840
Speaker 2: He was an associate of DK? Was he not? Was

1271
01:07:21,840 --> 01:07:25,320
Speaker 2: he not in DK's gang? Or is he?

1272
01:07:25,680 --> 01:07:28,800
Speaker 4: I think he's I thought he was an associate of Twinkie.

1273
01:07:29,040 --> 01:07:32,640
Speaker 2: Yeah, yeah, yeah, but I thought there was some crossover there.

1274
01:07:32,680 --> 01:07:34,160
Speaker 2: But anyway, he like.

1275
01:07:34,160 --> 01:07:37,080
Speaker 1: Helped him like pedal, like Jordan's at school.

1276
01:07:37,520 --> 01:07:41,520
Speaker 2: Maybe they definitely went to school together, right, let me,

1277
01:07:43,880 --> 01:07:46,240
Speaker 2: I do I remember that guy, Jason Tobin. He's actually

1278
01:07:46,240 --> 01:07:47,080
Speaker 2: a pretty good actor.

1279
01:07:47,160 --> 01:07:49,760
Speaker 1: Yeah, okay, I thought he was a new guy. Like,

1280
01:07:49,800 --> 01:07:52,800
Speaker 1: this's a weird decision just to throwing a new guy.

1281
01:07:52,840 --> 01:07:55,120
Speaker 1: But then I was like, that's almost more believable. It's

1282
01:07:55,120 --> 01:07:57,160
Speaker 1: been a long time. You're gonna pick up some new friends.

1283
01:07:57,360 --> 01:08:00,560
Speaker 1: But okay, Roman and Ted show up to recruit. They're

1284
01:08:00,600 --> 01:08:05,440
Speaker 1: working on a rocket car. Mm hmm, somebody says in

1285
01:08:05,480 --> 01:08:07,720
Speaker 1: this scene, I'm confused.

1286
01:08:10,960 --> 01:08:13,160
Speaker 2: Yeah, I mean that was the voice of the audience.

1287
01:08:13,720 --> 01:08:16,280
Speaker 2: It was Nora sitting next to you. No, I'm confused.

1288
01:08:16,479 --> 01:08:20,240
Speaker 1: It was Roman. But I was confused, Matt. This whole

1289
01:08:20,360 --> 01:08:25,200
Speaker 1: rocket stuff was so strange, and these are the Tokyo

1290
01:08:25,280 --> 01:08:28,520
Speaker 1: Drift guys, like, and well, okay, did I miss an explanation?

1291
01:08:28,840 --> 01:08:32,880
Speaker 2: Well, Dom does say, Hey, Tez, Roman, I got to

1292
01:08:33,040 --> 01:08:36,240
Speaker 2: I got some guys in in Germany who can get

1293
01:08:36,280 --> 01:08:39,559
Speaker 2: you whatever you need. And they say on it all right,

1294
01:08:40,040 --> 01:08:40,840
Speaker 2: and then they go.

1295
01:08:41,040 --> 01:08:42,679
Speaker 1: So we just have to take the leap of faith

1296
01:08:42,760 --> 01:08:47,519
Speaker 1: that these guys and they're drifting have now been exploring

1297
01:08:47,560 --> 01:08:48,679
Speaker 1: building a rocket car.

1298
01:08:49,840 --> 01:08:52,040
Speaker 2: Right. But the but the problem with the scene is

1299
01:08:52,080 --> 01:08:55,040
Speaker 2: that there's no shopping list that Roman and Tej have

1300
01:08:55,280 --> 01:08:58,600
Speaker 2: or anything. They're not there to ask for anything specific.

1301
01:08:58,640 --> 01:09:00,720
Speaker 2: They're just like, oh, hey, let's go meet up with

1302
01:09:00,760 --> 01:09:03,880
Speaker 2: these guys, and they happen to be working on a

1303
01:09:03,960 --> 01:09:06,880
Speaker 2: rocket car, right, like there's no other reason, like, yeah,

1304
01:09:07,000 --> 01:09:08,240
Speaker 2: why are they otherwise?

1305
01:09:08,320 --> 01:09:11,640
Speaker 3: Even funnier than that, though, is they go up, they

1306
01:09:11,680 --> 01:09:14,519
Speaker 3: have the whole conversation about the rocket car, then cut

1307
01:09:14,560 --> 01:09:17,200
Speaker 3: to you see that, they show them the rocket car racing.

1308
01:09:18,680 --> 01:09:21,679
Speaker 3: They explained that they usually blow us up, and then

1309
01:09:21,840 --> 01:09:24,439
Speaker 3: at the end of all that, they go, hey, we're

1310
01:09:24,439 --> 01:09:27,519
Speaker 3: here to we heard you know, where to get some cars,

1311
01:09:27,800 --> 01:09:29,800
Speaker 3: and they're and the guys like basically tells him to

1312
01:09:29,880 --> 01:09:32,000
Speaker 3: f off, and he's like, yeah, there's a Honda dealership

1313
01:09:32,360 --> 01:09:35,800
Speaker 3: thirty miles down the road or whatever. And then he's like, well,

1314
01:09:35,960 --> 01:09:40,320
Speaker 3: Dominic Touretto sent us. And then they're like, oh, man.

1315
01:09:40,120 --> 01:09:41,000
Speaker 1: So here's my question.

1316
01:09:41,040 --> 01:09:45,599
Speaker 3: If you're working on a secret rocket project, like, why

1317
01:09:45,600 --> 01:09:47,639
Speaker 3: would you be willing to show someone your secret rocket

1318
01:09:47,640 --> 01:09:52,680
Speaker 3: projects but not tell them where to get a car? Yeah,

1319
01:09:52,880 --> 01:09:57,320
Speaker 3: that's yeah, I guess what Also, well, I we'll get

1320
01:09:57,320 --> 01:09:59,040
Speaker 3: to that in the space the space portion of it.

1321
01:09:59,080 --> 01:10:01,920
Speaker 3: But I my only know from this is I haven't seen.

1322
01:10:02,600 --> 01:10:05,000
Speaker 3: As I explained on the last podcast, I hadn't seen

1323
01:10:05,000 --> 01:10:06,960
Speaker 3: Tokyo Drift since basically it came out. I did not

1324
01:10:07,000 --> 01:10:13,439
Speaker 3: rewatch it. Did they make the Sean Way more Yokalley

1325
01:10:13,560 --> 01:10:14,439
Speaker 3: in this version?

1326
01:10:17,520 --> 01:10:21,200
Speaker 1: Yok Yeah, he's always been a little Yeah, he's a

1327
01:10:21,200 --> 01:10:22,559
Speaker 1: bit y, yeah, but.

1328
01:10:22,560 --> 01:10:25,840
Speaker 3: He's a cartoonishly yokally like he was like, well, the

1329
01:10:25,920 --> 01:10:30,200
Speaker 3: hell I'll do, I say, like Foghorn, Leghorning.

1330
01:10:30,560 --> 01:10:33,639
Speaker 1: Yeah, yeah, they I just think they amped it up.

1331
01:10:34,160 --> 01:10:37,000
Speaker 1: And yeah, JD you said he looked quite different in

1332
01:10:37,080 --> 01:10:41,160
Speaker 1: his parents. A little bow Wow nuts a little either anymore?

1333
01:10:42,280 --> 01:10:44,360
Speaker 1: Just wow, just bow wow, which I think is what

1334
01:10:44,360 --> 01:10:44,920
Speaker 1: he's going why.

1335
01:10:45,280 --> 01:10:47,760
Speaker 4: Yeah, I mean a little meta commentary there when they're like,

1336
01:10:48,800 --> 01:10:50,400
Speaker 4: you used to go buy the name Twinkie.

1337
01:10:50,640 --> 01:10:52,040
Speaker 1: I don't go by that name anymore.

1338
01:10:52,400 --> 01:10:54,280
Speaker 4: And then you see in the credits he's listed as

1339
01:10:54,320 --> 01:10:56,680
Speaker 4: Shad Moss rather than bow Wow or a little bow.

1340
01:10:57,000 --> 01:10:58,320
Speaker 1: I liked that, but.

1341
01:10:58,240 --> 01:11:01,799
Speaker 4: Uh, crazy to think, Sean. You know, a high school

1342
01:11:01,960 --> 01:11:05,280
Speaker 4: dropout had to lead the United States and now he's

1343
01:11:05,320 --> 01:11:07,680
Speaker 4: building a rocket.

1344
01:11:06,840 --> 01:11:09,639
Speaker 1: The guy's building a rocket in Germany.

1345
01:11:10,040 --> 01:11:11,720
Speaker 2: Well he didn't drop out of school, did he?

1346
01:11:12,640 --> 01:11:12,800
Speaker 1: Well?

1347
01:11:12,880 --> 01:11:14,840
Speaker 4: I mean, do you think he went back to school

1348
01:11:14,840 --> 01:11:16,720
Speaker 4: after becoming named the Drift King?

1349
01:11:17,200 --> 01:11:17,920
Speaker 2: I would hope.

1350
01:11:17,960 --> 01:11:18,040
Speaker 1: So.

1351
01:11:20,120 --> 01:11:22,599
Speaker 4: I guess Marimoto was still going to high school when

1352
01:11:22,640 --> 01:11:25,360
Speaker 4: he was hanging with DK the original. I think that

1353
01:11:25,400 --> 01:11:27,920
Speaker 4: one had graduated. But yeah, maybe he got his.

1354
01:11:28,320 --> 01:11:31,320
Speaker 2: M he's a rocket science and a scientist and a pilot.

1355
01:11:31,400 --> 01:11:33,439
Speaker 2: Now he's he definitely went back to school.

1356
01:11:33,479 --> 01:11:35,920
Speaker 3: Okay, you think he got his PhD so he could

1357
01:11:35,960 --> 01:11:36,839
Speaker 3: be doctor drift.

1358
01:11:36,720 --> 01:11:45,400
Speaker 1: King in London. We're back to London. Dom meets Queeny

1359
01:11:45,479 --> 01:11:50,519
Speaker 1: Shaw Helemire and who gives him Jacob's location. She's stealing

1360
01:11:50,600 --> 01:11:54,679
Speaker 1: jewels and cars and there's some backward driving in this JD.

1361
01:11:56,240 --> 01:12:00,519
Speaker 1: There's some weird music in this too, Yeah, horns horns.

1362
01:12:01,000 --> 01:12:03,400
Speaker 1: That was just a.

1363
01:12:02,560 --> 01:12:05,000
Speaker 2: Strange during the during the chase.

1364
01:12:05,000 --> 01:12:08,880
Speaker 1: During the the hell and Murran with the Dom scene,

1365
01:12:09,080 --> 01:12:12,479
Speaker 1: the music gets all like like circusy and I don't know,

1366
01:12:12,520 --> 01:12:16,479
Speaker 1: it's not to explain, but a little jarring, I thought

1367
01:12:16,520 --> 01:12:21,559
Speaker 1: to me. But she takes them to this party. It's

1368
01:12:21,680 --> 01:12:23,719
Speaker 1: a weird party.

1369
01:12:23,800 --> 01:12:26,880
Speaker 2: Hold on, was it a party? Like, I don't know.

1370
01:12:26,920 --> 01:12:31,360
Speaker 2: You have a bunch of hired women let's call them dancers,

1371
01:12:31,439 --> 01:12:34,640
Speaker 2: I guess, to dance around on the front lawn of

1372
01:12:34,680 --> 01:12:38,400
Speaker 2: your house. There's no party happening. There's nothing happening.

1373
01:12:39,080 --> 01:12:41,360
Speaker 1: That's a that's a yard party. That's almost like a

1374
01:12:41,400 --> 01:12:41,960
Speaker 1: block party.

1375
01:12:42,320 --> 01:12:45,519
Speaker 2: But there's no guests there. There's just girls who have

1376
01:12:45,560 --> 01:12:48,400
Speaker 2: been hired to hang out in front of the house.

1377
01:12:48,520 --> 01:12:51,559
Speaker 1: Right, And it's definitely like, I guess it's a white party.

1378
01:12:51,560 --> 01:12:54,240
Speaker 1: You had to wear white. Nobody's wearing white. Yeah, Christiam

1379
01:12:54,240 --> 01:12:56,240
Speaker 1: could have shown up in his white belt fit right

1380
01:12:56,280 --> 01:12:59,160
Speaker 1: in Now You're right, it's a strange party. Cars and

1381
01:12:59,200 --> 01:13:01,759
Speaker 1: women just dancing out front.

1382
01:13:02,400 --> 01:13:05,400
Speaker 3: Show show me a normal looking party in the fast verse.

1383
01:13:05,280 --> 01:13:05,960
Speaker 2: You can't find it.

1384
01:13:06,400 --> 01:13:08,599
Speaker 1: You're right, was missing.

1385
01:13:09,040 --> 01:13:11,120
Speaker 4: They needed somebody there just wailing on guitar.

1386
01:13:15,160 --> 01:13:17,639
Speaker 1: That and then like somebody with a with a bucket

1387
01:13:17,680 --> 01:13:18,840
Speaker 1: full of rats.

1388
01:13:22,960 --> 01:13:25,559
Speaker 3: Eleven movies when they're like He's like, I'm looking for

1389
01:13:25,680 --> 01:13:27,919
Speaker 3: Jake and he's like, oh, he's inside, you know, inside

1390
01:13:27,960 --> 01:13:31,880
Speaker 3: this giant mansion, like the giant I wass like thirty

1391
01:13:31,880 --> 01:13:35,519
Speaker 3: deleted scenes where like Dom walks through me like, hey man,

1392
01:13:35,720 --> 01:13:37,800
Speaker 3: oh sorry, I thought my strange brother was in here.

1393
01:13:37,840 --> 01:13:41,080
Speaker 3: I never mind carry on next scene, Hey what I do?

1394
01:13:41,240 --> 01:13:44,080
Speaker 3: Oh no, sorry, yeah, I thought my brother was in here.

1395
01:13:44,600 --> 01:13:47,960
Speaker 3: Do you know where he's Okay, He's walks right into

1396
01:13:48,040 --> 01:13:48,760
Speaker 3: the correct room.

1397
01:13:49,080 --> 01:13:54,479
Speaker 1: Hello, Well, I mean Auto is outside JD. Yeah. Because

1398
01:13:54,680 --> 01:13:57,040
Speaker 1: Dom meets him at the door, He's like, you know,

1399
01:13:57,120 --> 01:14:00,639
Speaker 1: are you on the guest list here? Dom's like, parties outside?

1400
01:14:00,680 --> 01:14:03,639
Speaker 1: Why would I have to go? I guess he meets

1401
01:14:03,640 --> 01:14:06,439
Speaker 1: a giant henchman too. You know, of course he's gonna

1402
01:14:06,680 --> 01:14:08,400
Speaker 1: come into play a little bit later, but yeah, he

1403
01:14:08,439 --> 01:14:10,960
Speaker 1: got he gets inside Matt's righty, he finds his brother,

1404
01:14:11,360 --> 01:14:14,839
Speaker 1: who's just at a bar. There's no bartender, there's nobody

1405
01:14:14,880 --> 01:14:18,599
Speaker 1: else in this mansion, and you know, they they come

1406
01:14:18,680 --> 01:14:22,280
Speaker 1: face to face and I laughed out loud at dom yelling,

1407
01:14:22,360 --> 01:14:27,160
Speaker 1: I showed you mercy, ye and then so they have

1408
01:14:27,240 --> 01:14:31,880
Speaker 1: their thing, and then Interpol arrests him because he's at

1409
01:14:31,880 --> 01:14:40,040
Speaker 1: an embassy. Yeah yep, yeah, and then he's then he's

1410
01:14:40,080 --> 01:14:42,479
Speaker 1: in jail, and then you know, we already slipped it

1411
01:14:42,479 --> 01:14:45,160
Speaker 1: in there, but it's a big what the actual fuck?

1412
01:14:45,240 --> 01:14:50,200
Speaker 1: Why is Cardi b here? Who is she? And why

1413
01:14:50,280 --> 01:14:52,639
Speaker 1: is she helping Dom escape? And it is like she

1414
01:14:52,680 --> 01:14:55,000
Speaker 1: gets a she gets literally a three minute scene. I

1415
01:14:55,000 --> 01:14:59,360
Speaker 1: don't even know what's the three minutes, maybe less than that.

1416
01:15:00,439 --> 01:15:03,600
Speaker 2: I can't. I can't make sense at the end of it. Yeah,

1417
01:15:03,800 --> 01:15:06,720
Speaker 2: you know that something's well. I was like out right

1418
01:15:06,760 --> 01:15:09,680
Speaker 2: away when the Dancing girls, cause I you know, I

1419
01:15:10,560 --> 01:15:13,840
Speaker 2: had another look at this. I scrubbed through because I

1420
01:15:13,920 --> 01:15:17,679
Speaker 2: was I was like, I don't want to come into

1421
01:15:17,800 --> 01:15:20,559
Speaker 2: today's show and be the poison pill. And everyone's gonna

1422
01:15:20,600 --> 01:15:22,240
Speaker 2: love this movie and I'm gonna be the one that

1423
01:15:22,600 --> 01:15:25,120
Speaker 2: hates it, and you know, and I didn't want to

1424
01:15:25,160 --> 01:15:27,840
Speaker 2: be that. So I put on my sound editor hat

1425
01:15:27,880 --> 01:15:29,320
Speaker 2: and I was like, Okay, I'm gonna watch this through

1426
01:15:29,320 --> 01:15:31,519
Speaker 2: a sound editing because the sound is great in this movie.

1427
01:15:31,960 --> 01:15:34,960
Speaker 2: And so but when I see the girls dancing out

1428
01:15:35,000 --> 01:15:36,720
Speaker 2: in front of I'm like, what are they doing there?

1429
01:15:36,720 --> 01:15:38,759
Speaker 2: Why are they hired there? And I know that they're

1430
01:15:39,040 --> 01:15:41,519
Speaker 2: moving and dancing to nothing, right, like when you shoot

1431
01:15:41,520 --> 01:15:44,320
Speaker 2: a movie that you're not hearing any music, and it

1432
01:15:44,360 --> 01:15:47,040
Speaker 2: looks like that, right. So then we go up and

1433
01:15:47,320 --> 01:15:49,680
Speaker 2: they had their confrontation and then Inner Poll comes in

1434
01:15:49,880 --> 01:15:52,320
Speaker 2: and you know something's off right away because they're all

1435
01:15:52,439 --> 01:15:56,439
Speaker 2: totally masked up and they come in so fucking weird,

1436
01:15:56,600 --> 01:16:02,480
Speaker 2: like the way they tip basically tiptoe, and they're arresting.

1437
01:16:03,040 --> 01:16:08,200
Speaker 2: They're arresting Dominic, but they go in a semicircle behind Dominic,

1438
01:16:08,439 --> 01:16:12,599
Speaker 2: who's still pointing his gun at Jacob. It's like, why

1439
01:16:12,600 --> 01:16:15,320
Speaker 2: wouldn't you go on the side of Jacob, you know, like,

1440
01:16:16,120 --> 01:16:19,599
Speaker 2: and they just all I'm like, these aren't Interpol. They

1441
01:16:19,600 --> 01:16:22,360
Speaker 2: can't be. They can't this. This is somebody else for.

1442
01:16:22,360 --> 01:16:24,639
Speaker 1: Sure, right, you sensed it.

1443
01:16:24,920 --> 01:16:29,439
Speaker 2: I sensed that something was way off, and uh yeah,

1444
01:16:29,439 --> 01:16:32,040
Speaker 2: and then we get to the van and was it

1445
01:16:32,120 --> 01:16:36,920
Speaker 2: was it implied that they were dancing girls who changed

1446
01:16:37,000 --> 01:16:41,640
Speaker 2: into yes, yes, interpal because she says you should have

1447
01:16:41,680 --> 01:16:44,439
Speaker 2: seen me in that that or did you see me

1448
01:16:44,520 --> 01:16:48,920
Speaker 2: in my dress? It's like, okay, well we probably should

1449
01:16:48,920 --> 01:16:51,800
Speaker 2: have seen her in her dress right as the audience right, like.

1450
01:16:53,280 --> 01:16:56,360
Speaker 1: I guess, but we were like card that's card B.

1451
01:16:56,880 --> 01:16:59,720
Speaker 2: That's fine. But that's fine. It's like, oh there's Cardi B.

1452
01:17:00,040 --> 01:17:02,320
Speaker 2: Oh there she is again, paints DJA.

1453
01:17:04,080 --> 01:17:08,920
Speaker 1: Yeah so but I'm still so confused. Dom sets this,

1454
01:17:10,240 --> 01:17:13,760
Speaker 1: who set this up? Who's party be up to? Then?

1455
01:17:14,200 --> 01:17:17,360
Speaker 1: But say, gotta be mister Nobody? Yeah?

1456
01:17:17,360 --> 01:17:22,320
Speaker 4: Probably okay, because she shows up and not only does

1457
01:17:22,400 --> 01:17:25,320
Speaker 4: she break Dom out, she also gives them a gun.

1458
01:17:25,360 --> 01:17:26,960
Speaker 1: That's basically like, as soon as I.

1459
01:17:26,920 --> 01:17:28,759
Speaker 4: Hand you this, you're gonna be able to find Jacob

1460
01:17:28,960 --> 01:17:30,120
Speaker 4: very very easily.

1461
01:17:30,360 --> 01:17:33,799
Speaker 3: So even though you also just found him very very easily.

1462
01:17:33,920 --> 01:17:36,720
Speaker 4: Yeah, you were just talking to him, you were just

1463
01:17:36,840 --> 01:17:38,920
Speaker 4: in his house. But this will make it even easier

1464
01:17:38,960 --> 01:17:42,560
Speaker 4: if he's in a big crowd. Uh so yeah, basically,

1465
01:17:42,680 --> 01:17:45,439
Speaker 4: anytime mister Nobody shows up, he just tells you the

1466
01:17:45,439 --> 01:17:47,800
Speaker 4: next thing is gonna happen in the movie. So she's

1467
01:17:47,800 --> 01:17:50,360
Speaker 4: a little bit of a mister Nobody substitute. My guess,

1468
01:17:51,160 --> 01:17:54,120
Speaker 4: yet another operative everybody, if you don't know their motivations,

1469
01:17:54,120 --> 01:17:57,440
Speaker 4: they're probably working for mister Nobody at this point, I guess.

1470
01:17:57,439 --> 01:18:02,280
Speaker 1: Hold on, does Cardi B say something though about the

1471
01:18:02,320 --> 01:18:03,280
Speaker 1: Dominican Republic?

1472
01:18:03,760 --> 01:18:04,160
Speaker 2: Yes?

1473
01:18:04,280 --> 01:18:11,880
Speaker 1: And gas? Right, so it's like, you know, a little

1474
01:18:11,920 --> 01:18:15,040
Speaker 1: thank you, I guess for that time you took those tankers.

1475
01:18:15,080 --> 01:18:16,759
Speaker 1: We got our answer to that, JD. We were always

1476
01:18:16,760 --> 01:18:18,920
Speaker 1: wondering did they just keep the gas for their cars?

1477
01:18:18,920 --> 01:18:21,599
Speaker 2: But I'm so happy to hear that they shared some

1478
01:18:21,680 --> 01:18:22,519
Speaker 2: of it with Cardi B.

1479
01:18:22,760 --> 01:18:26,160
Speaker 1: Yes, yes, okay, So Tez, Roman and Ramsey joined dom

1480
01:18:26,720 --> 01:18:30,960
Speaker 1: in Scotland where Jacob is using an electro magnet to

1481
01:18:31,080 --> 01:18:36,680
Speaker 1: steal the second Aris device. Magnets are gonna play prominently

1482
01:18:36,760 --> 01:18:39,479
Speaker 1: here from from here on out, I should say this movie.

1483
01:18:39,640 --> 01:18:42,880
Speaker 1: So Tees and Roman find the truck containing the electro

1484
01:18:42,960 --> 01:18:47,840
Speaker 1: magnet as they fight Auto's men. You know, they think

1485
01:18:48,000 --> 01:18:49,639
Speaker 1: it looks like they got it and they're in the clear,

1486
01:18:49,720 --> 01:18:52,720
Speaker 1: but then whoops, Nope. But Ramsey, who doesn't know how

1487
01:18:52,720 --> 01:18:55,519
Speaker 1: to drive like JD said, she commandeers the truck to

1488
01:18:55,800 --> 01:19:00,200
Speaker 1: chase after Auto dom intercepts Jacob, who is getting the

1489
01:19:00,240 --> 01:19:04,519
Speaker 1: second part of the espresso pod uh to brew the

1490
01:19:04,560 --> 01:19:09,719
Speaker 1: perfect cup, and he is like, you know, ziplining through

1491
01:19:09,720 --> 01:19:14,080
Speaker 1: the city. They all fight throughout the city before Auto

1492
01:19:14,160 --> 01:19:17,840
Speaker 1: can extract Jacob. Ramsey runs his car off of the road,

1493
01:19:18,120 --> 01:19:24,320
Speaker 1: and then they used the electro magnet to capture Jacob. Magnets.

1494
01:19:24,600 --> 01:19:33,919
Speaker 4: How do they turn it one way? They're flying tortum

1495
01:19:34,280 --> 01:19:34,840
Speaker 4: the other way?

1496
01:19:35,080 --> 01:19:39,719
Speaker 1: Daddy, Okay, okay, I will say, pretty damn silly, pretty stupid.

1497
01:19:40,000 --> 01:19:44,640
Speaker 1: But anytime the magnets were used, like to suck a

1498
01:19:44,720 --> 01:19:48,400
Speaker 1: car or suck something else, I thought it looked cool JD.

1499
01:19:49,320 --> 01:19:51,439
Speaker 1: Cars flying, and none of it ever really made a

1500
01:19:51,479 --> 01:19:54,400
Speaker 1: whole lot of sense, because like, why isn't that other

1501
01:19:54,479 --> 01:19:57,599
Speaker 1: item also being sucked up? But if you just forgot

1502
01:19:57,600 --> 01:20:01,920
Speaker 1: about that, you know, cars being sort of sucked under

1503
01:20:01,960 --> 01:20:04,960
Speaker 1: other cars because of the magnets were pushed away or whatever.

1504
01:20:05,040 --> 01:20:05,800
Speaker 1: I thought looked cool.

1505
01:20:05,920 --> 01:20:07,760
Speaker 2: I thought, for a lot of the time, Sure, yeah,

1506
01:20:07,800 --> 01:20:09,880
Speaker 2: I mean this is what they're good at. It better

1507
01:20:09,960 --> 01:20:15,960
Speaker 2: look good. Yeah, But like Trey says, I mean, it's

1508
01:20:16,120 --> 01:20:20,160
Speaker 2: just there only work the way they're needed to work,

1509
01:20:20,200 --> 01:20:24,679
Speaker 2: and that's it. There's no other real collateral other than

1510
01:20:25,040 --> 01:20:27,280
Speaker 2: you know, what they want to happen. It's just the

1511
01:20:27,479 --> 01:20:31,280
Speaker 2: selective physics again with this franchise, which is fine, but

1512
01:20:31,760 --> 01:20:34,599
Speaker 2: I was so far gone, like out of this movie

1513
01:20:34,640 --> 01:20:36,720
Speaker 2: at this point. I was just like, come on, like,

1514
01:20:37,400 --> 01:20:41,920
Speaker 2: you know, fine, magnets great, but I didn't I mean,

1515
01:20:41,960 --> 01:20:44,280
Speaker 2: I didn't love it, but but.

1516
01:20:44,320 --> 01:20:46,040
Speaker 1: You like the Ramsey truck part.

1517
01:20:46,439 --> 01:20:49,800
Speaker 2: I liked that she couldn't drive, although you know, there's

1518
01:20:49,800 --> 01:20:51,680
Speaker 2: no way that she's getting that truck moving if you

1519
01:20:51,720 --> 01:20:54,559
Speaker 2: don't know how to drive at all, right and you're

1520
01:20:54,560 --> 01:20:59,479
Speaker 2: in Scotland, there's no way that that's an automatic transition truck.

1521
01:20:59,560 --> 01:21:02,120
Speaker 2: In fact, they even they show the gas pedal in

1522
01:21:02,160 --> 01:21:05,800
Speaker 2: the brake, which is the square brake that means there's

1523
01:21:05,800 --> 01:21:09,439
Speaker 2: a clutch. They purposefully blocked the clutch. But they did

1524
01:21:09,439 --> 01:21:12,840
Speaker 2: show her shifting gears, but she's not getting Like, all

1525
01:21:12,920 --> 01:21:16,160
Speaker 2: due respect to Ramsey, it's not that easy to get

1526
01:21:16,160 --> 01:21:18,920
Speaker 2: a car if you have if you don't know anything

1527
01:21:18,960 --> 01:21:21,880
Speaker 2: about driving a stick, you're not getting that car moving.

1528
01:21:21,960 --> 01:21:25,680
Speaker 2: It's not moving at all. So you know, that kind

1529
01:21:25,680 --> 01:21:27,000
Speaker 2: of takes me out of it. But I did love

1530
01:21:27,080 --> 01:21:30,360
Speaker 2: the bit that she was she couldn't drive, so it

1531
01:21:30,439 --> 01:21:32,640
Speaker 2: was funny that part of it was was kind of

1532
01:21:32,640 --> 01:21:36,280
Speaker 2: funny and her like behind the wheel, like apologizing and

1533
01:21:36,320 --> 01:21:38,320
Speaker 2: then that was your fault, that was my fault. I

1534
01:21:38,400 --> 01:21:39,800
Speaker 2: kind of bought into that a little bit.

1535
01:21:39,880 --> 01:21:44,559
Speaker 1: Were those prescription sunglasses on her? Because if you've never

1536
01:21:44,720 --> 01:21:48,880
Speaker 1: driven before, I don't think you should be driving in sunglasses? Nah, Trey,

1537
01:21:49,080 --> 01:21:49,600
Speaker 1: that's just me.

1538
01:21:51,520 --> 01:21:53,680
Speaker 4: You think that should be one of the requirements. Like,

1539
01:21:53,760 --> 01:21:56,439
Speaker 4: so you gotta get you gotta be Maybe you gotta

1540
01:21:56,479 --> 01:21:59,200
Speaker 4: be sixteen to be able to drive with regular glasses.

1541
01:22:00,160 --> 01:22:02,400
Speaker 4: To drive with sunglasses on it a little harder. What

1542
01:22:02,439 --> 01:22:04,400
Speaker 4: about the glare though? You know you also wouldn't want

1543
01:22:04,400 --> 01:22:06,200
Speaker 4: glare behind the wheel.

1544
01:22:06,800 --> 01:22:08,760
Speaker 1: There were shots where it was very cloudy. It was

1545
01:22:08,800 --> 01:22:10,320
Speaker 1: incoh that's definitely true.

1546
01:22:11,040 --> 01:22:13,720
Speaker 4: I'm with JD on this one. I loved her explaining

1547
01:22:13,840 --> 01:22:17,000
Speaker 4: like why she couldn't drive, especially considering in the last.

1548
01:22:16,760 --> 01:22:20,080
Speaker 1: Movie, or like hey let her drive, why should she should.

1549
01:22:19,880 --> 01:22:22,240
Speaker 4: Be driving as well? So they gave her something to

1550
01:22:22,280 --> 01:22:24,599
Speaker 4: do from a driving standpoint. She was doing more hacking

1551
01:22:24,600 --> 01:22:26,200
Speaker 4: in this one, like we were talking about early. I

1552
01:22:26,240 --> 01:22:28,360
Speaker 4: thought this was a great movie. For Ramsey, and also

1553
01:22:28,520 --> 01:22:33,280
Speaker 4: a couple of hilarious moments during this set piece. For me,

1554
01:22:33,600 --> 01:22:37,439
Speaker 4: anytime they showed Jacob on the six or seven block

1555
01:22:37,520 --> 01:22:43,120
Speaker 4: long zip line hanging by one hand, I laughed every

1556
01:22:43,160 --> 01:22:45,600
Speaker 4: single time. I was like, what is idiot using a

1557
01:22:45,640 --> 01:22:47,840
Speaker 4: harpoon the way you're supposed to use it shooting at

1558
01:22:47,840 --> 01:22:52,040
Speaker 4: a card dummy? And then when Ramsey like sucks him

1559
01:22:52,479 --> 01:22:57,000
Speaker 4: through an entire store his vehicle, I thought that was

1560
01:22:57,040 --> 01:22:59,160
Speaker 4: really funny too. So there were a couple of over

1561
01:22:59,160 --> 01:23:00,720
Speaker 4: the top parts that I liked, and I thought the

1562
01:23:00,960 --> 01:23:02,839
Speaker 4: character worked for Ramsey was really nice.

1563
01:23:03,320 --> 01:23:05,599
Speaker 1: Matt thoughts on the whole Magnet scene here.

1564
01:23:06,520 --> 01:23:08,679
Speaker 3: The only thing I have to contribute is when Tej

1565
01:23:08,760 --> 01:23:12,400
Speaker 3: and Roman are in that square looking and they're talking

1566
01:23:12,400 --> 01:23:14,479
Speaker 3: to Ramsey, I guess in their ears, and one of

1567
01:23:14,520 --> 01:23:16,040
Speaker 3: them makes a comment about like, oh, this is like

1568
01:23:16,120 --> 01:23:19,439
Speaker 3: where's Waldo something something. I swear to god, there's a

1569
01:23:19,479 --> 01:23:22,880
Speaker 3: guy in the background that looks exactly like Waldough. Yeah,

1570
01:23:22,920 --> 01:23:25,440
Speaker 3: but he's wearing blue stripes instead of red stripes.

1571
01:23:25,680 --> 01:23:27,720
Speaker 1: I noticed that too. I was like, is this like

1572
01:23:27,760 --> 01:23:29,880
Speaker 1: a costume party or something like going on here? For

1573
01:23:29,920 --> 01:23:31,479
Speaker 1: a second, but everybody else is dressed normal.

1574
01:23:31,600 --> 01:23:33,240
Speaker 3: Yeah, they don't really allude to it, but I was.

1575
01:23:33,360 --> 01:23:35,479
Speaker 3: I think that's it. I think that's what an easter

1576
01:23:35,520 --> 01:23:35,920
Speaker 3: egg is.

1577
01:23:35,960 --> 01:23:38,720
Speaker 2: Oh totally yeah, I think so. I think you're totally right.

1578
01:23:38,960 --> 01:23:42,000
Speaker 2: But that scene also bugged me because Roman, who at

1579
01:23:42,000 --> 01:23:45,559
Speaker 2: this point, he's been around the world a couple of times, right,

1580
01:23:46,360 --> 01:23:49,519
Speaker 2: but Scotland is giving him the creeps, Like He's like,

1581
01:23:49,920 --> 01:23:53,559
Speaker 2: this place is creepy. It's like Harry Potter, I'm getting

1582
01:23:53,560 --> 01:23:57,759
Speaker 2: the creeps over here. There's two women wearing seventeen hundred

1583
01:23:57,840 --> 01:24:01,280
Speaker 2: wigs over here. It's just like, now, he he'd be

1584
01:24:01,840 --> 01:24:05,320
Speaker 2: he'd be fine with it. I think he's better again

1585
01:24:05,680 --> 01:24:08,800
Speaker 2: a world traveler at this point. It's not that weird,

1586
01:24:08,960 --> 01:24:12,320
Speaker 2: Like I don't know, why why are you on the

1587
01:24:12,360 --> 01:24:13,639
Speaker 2: Scottish you know, like.

1588
01:24:15,040 --> 01:24:18,120
Speaker 3: You by the way, one of the most beautiful days

1589
01:24:18,120 --> 01:24:21,160
Speaker 3: in edinbrah I've ever seen. Yeah, yeah, the weather in

1590
01:24:21,200 --> 01:24:24,040
Speaker 3: this one bright sunny day. Yeah, it's hard. If you've

1591
01:24:24,040 --> 01:24:25,840
Speaker 3: ever been there, it's it's always raining.

1592
01:24:26,200 --> 01:24:33,400
Speaker 1: Oh yeah. Well. Auto then recruits Cipher and at the

1593
01:24:33,439 --> 01:24:36,120
Speaker 1: safe house, Han reveals that he was assigned to protect

1594
01:24:36,439 --> 01:24:40,360
Speaker 1: l and aries as l's DNA is its final component.

1595
01:24:40,439 --> 01:24:43,760
Speaker 1: This is where we get a flashback again the Hawn

1596
01:24:43,840 --> 01:24:47,040
Speaker 1: reveal of what's going on with him and why he's

1597
01:24:47,040 --> 01:24:50,559
Speaker 1: all right, you know, roped up in this aries thing.

1598
01:24:50,600 --> 01:24:53,799
Speaker 1: It's it's this l tray, it's this uh again who

1599
01:24:54,120 --> 01:24:56,479
Speaker 1: he ends up, you know, Religi believe of course, like

1600
01:24:56,560 --> 01:25:00,479
Speaker 1: taking under his wing after what goes on in him

1601
01:25:00,680 --> 01:25:06,360
Speaker 1: stealing the device and knowing that she's linked. She's the key.

1602
01:25:07,360 --> 01:25:10,880
Speaker 4: Yeah, we find out she's the key, which I'm just

1603
01:25:10,880 --> 01:25:13,720
Speaker 4: happy they brought somebody new into the franchise and somebody young,

1604
01:25:13,720 --> 01:25:15,800
Speaker 4: because i mean, one of the things that sticks out

1605
01:25:15,800 --> 01:25:17,360
Speaker 4: to me in this is that we need a little

1606
01:25:17,360 --> 01:25:19,599
Speaker 4: bit of new blood here are on the Fast and

1607
01:25:19,640 --> 01:25:22,680
Speaker 4: Furious crew. They don't give Elle a whole bunch to do,

1608
01:25:22,760 --> 01:25:24,920
Speaker 4: but that's kind of how it's gone in these movies.

1609
01:25:25,000 --> 01:25:26,840
Speaker 4: The first time you make an appearance, you're doing some

1610
01:25:27,080 --> 01:25:29,280
Speaker 4: light action work, you get a couple of lines, and

1611
01:25:29,280 --> 01:25:30,360
Speaker 4: then they blow your role out.

1612
01:25:30,600 --> 01:25:33,280
Speaker 1: Hopefully that happens for her going forward.

1613
01:25:33,360 --> 01:25:36,479
Speaker 4: But I was happy in this scene that they finally

1614
01:25:36,560 --> 01:25:41,280
Speaker 4: mentioned Giselle, you know, for the first time in ages especially,

1615
01:25:41,320 --> 01:25:44,080
Speaker 4: you know, they've been talking about being invincible the entire time.

1616
01:25:44,080 --> 01:25:47,639
Speaker 4: I'm like Jizell wasn't invincible? Could we ever just mention

1617
01:25:47,800 --> 01:25:48,360
Speaker 4: her once?

1618
01:25:48,640 --> 01:25:48,840
Speaker 1: Right?

1619
01:25:49,560 --> 01:25:53,120
Speaker 4: Well, apparently she was working with mister Nobody, as was Han.

1620
01:25:53,680 --> 01:25:58,439
Speaker 4: Mister Nobody also faked Han's death, and Jacob also was

1621
01:25:58,479 --> 01:26:01,760
Speaker 4: working for mister Nobody. I was like, wow, man, this guy,

1622
01:26:02,840 --> 01:26:06,839
Speaker 4: this guy is busy. He has talked to every operative,

1623
01:26:06,840 --> 01:26:10,360
Speaker 4: but you could possibly imagine. I gotta laugh when Jacob

1624
01:26:10,400 --> 01:26:13,240
Speaker 4: says to Dom, don't you wonder how mister Nobody found you?

1625
01:26:13,680 --> 01:26:16,519
Speaker 4: I'm like, man, that's a really good point. It's a

1626
01:26:16,520 --> 01:26:18,760
Speaker 4: great point by Jacob. Why in the world would you

1627
01:26:18,800 --> 01:26:22,360
Speaker 4: target the DVD stealer to me the guy who was

1628
01:26:22,400 --> 01:26:26,160
Speaker 4: stealing your nuclear launch codes? Eventually, but there's always another

1629
01:26:26,240 --> 01:26:28,559
Speaker 4: level and fast and furious, and that was what this

1630
01:26:28,880 --> 01:26:32,240
Speaker 4: scene to me was like, pulling back, pulling back, pulling back,

1631
01:26:32,320 --> 01:26:34,560
Speaker 4: Like how far can we possibly go back? Are we

1632
01:26:34,600 --> 01:26:38,120
Speaker 4: gonna get to the scene with uh, you think mister

1633
01:26:38,160 --> 01:26:40,880
Speaker 4: Nobody faked Han's death? But we pull back and somebody

1634
01:26:40,920 --> 01:26:43,040
Speaker 4: has a gun to the head of mister Nobody. It's like,

1635
01:26:43,240 --> 01:26:46,120
Speaker 4: you know the Planets meme, was it always a fake death?

1636
01:26:46,360 --> 01:26:49,880
Speaker 4: Always has been? Actually it was me, Actually it was me?

1637
01:26:50,439 --> 01:26:54,160
Speaker 1: Yeah, yeah, yeah, I like to hug it out for Han.

1638
01:26:54,240 --> 01:26:57,200
Speaker 1: I liked everybody hugging Han. That was that was fun

1639
01:26:57,200 --> 01:26:59,400
Speaker 1: when he did show up to UH to see everybody.

1640
01:26:59,439 --> 01:27:03,559
Speaker 1: And then back to the Auto recruiting Cipher part there too. JD.

1641
01:27:04,439 --> 01:27:06,280
Speaker 1: You must have been loving this scene. There was like

1642
01:27:06,439 --> 01:27:10,320
Speaker 1: three Star Wars references, four Star Wars references between Auto

1643
01:27:10,439 --> 01:27:12,720
Speaker 1: and Cipher. It was crazy how many there were.

1644
01:27:13,320 --> 01:27:16,160
Speaker 2: Yeah, there was. The whole conversation was about Star Wars.

1645
01:27:16,240 --> 01:27:19,439
Speaker 2: And then Cipher rips his heart out by ruining his

1646
01:27:19,600 --> 01:27:23,600
Speaker 2: childhood by revealing that Yoda is actually just a puppet.

1647
01:27:23,920 --> 01:27:26,439
Speaker 2: You know, it's great. I liked when he was he

1648
01:27:26,560 --> 01:27:29,120
Speaker 2: was he was in a fury and he comes into

1649
01:27:29,160 --> 01:27:31,479
Speaker 2: the base and he's like, get me x Wing Fighters,

1650
01:27:31,520 --> 01:27:35,200
Speaker 2: get me this, get me Chewbacca. It's like, how about

1651
01:27:35,200 --> 01:27:38,720
Speaker 2: an actual order, Like tell me something I actually can do,

1652
01:27:38,960 --> 01:27:42,599
Speaker 2: like get me Chabacca if you can afford him.

1653
01:27:43,360 --> 01:27:44,719
Speaker 4: Okay, very weird.

1654
01:27:45,160 --> 01:27:49,360
Speaker 2: It's such a strange bit of dialogue. I mean played

1655
01:27:49,400 --> 01:27:54,320
Speaker 2: for comedy obviously, but yeah, yeah, it's good, Stuffy.

1656
01:27:54,280 --> 01:27:57,880
Speaker 3: You didn't want to nerd out and go. Actually, since

1657
01:27:57,920 --> 01:28:01,040
Speaker 3: the George Lucas prequels dead, Yoda is not actually a puppet.

1658
01:28:01,080 --> 01:28:01,920
Speaker 3: He's a CG.

1659
01:28:03,120 --> 01:28:07,960
Speaker 2: That's exactly what I did. Excuse me. Yoda is a

1660
01:28:08,080 --> 01:28:11,599
Speaker 2: Jedi master, and like this guy was a huge dork

1661
01:28:11,680 --> 01:28:14,240
Speaker 2: about Star Wars. He would he wouldn't like come to

1662
01:28:14,320 --> 01:28:17,840
Speaker 2: that suddenly. He would be like is it immediately like, oh,

1663
01:28:17,880 --> 01:28:19,519
Speaker 2: the little green guy. He would never say that. He

1664
01:28:19,520 --> 01:28:21,920
Speaker 2: would say, well, thank you very much. You're talking about

1665
01:28:21,920 --> 01:28:23,320
Speaker 2: the most powerful Jedi in then.

1666
01:28:27,160 --> 01:28:32,240
Speaker 1: It's the greatest compliment you could give him. Yeah, that's nice.

1667
01:28:33,520 --> 01:28:36,320
Speaker 3: Why would Han go steal the thing while everyone's home?

1668
01:28:36,479 --> 01:28:36,840
Speaker 3: Did that?

1669
01:28:36,920 --> 01:28:40,920
Speaker 2: Not that they were well, they were on their way.

1670
01:28:40,800 --> 01:28:43,400
Speaker 3: Out, okay, but that means to get into the house.

1671
01:28:43,479 --> 01:28:45,559
Speaker 3: He got in while they were all there, because then

1672
01:28:45,600 --> 01:28:47,799
Speaker 3: he sees them leave from the top window, where.

1673
01:28:47,640 --> 01:28:49,639
Speaker 2: He yeah, right, you're right.

1674
01:28:49,760 --> 01:28:52,200
Speaker 3: And then and then I also like in the in

1675
01:28:52,240 --> 01:28:54,760
Speaker 3: the sort of backstory about like Han dying, but he

1676
01:28:54,800 --> 01:28:58,000
Speaker 3: didn't really die. There's another moment that we've never seen

1677
01:28:58,040 --> 01:29:01,760
Speaker 3: where he looks like he dies shot like four times?

1678
01:29:01,880 --> 01:29:06,120
Speaker 3: Does he not? Oh yeah, I mean and he's and

1679
01:29:06,160 --> 01:29:08,240
Speaker 3: he's on the floor, looks like he's dying. And he

1680
01:29:08,280 --> 01:29:12,320
Speaker 3: looks over at l and she's like and then you know,

1681
01:29:12,560 --> 01:29:16,240
Speaker 3: Han protected me, And I'm like, but he didn't you

1682
01:29:16,280 --> 01:29:18,160
Speaker 3: probably take him out of there and fix him up

1683
01:29:18,160 --> 01:29:19,840
Speaker 3: and take him to a hospital or is I think

1684
01:29:19,960 --> 01:29:26,040
Speaker 3: you should pat yourself on the back. Also completely insane

1685
01:29:26,080 --> 01:29:28,320
Speaker 3: of her parents to make her the key to unlock

1686
01:29:28,400 --> 01:29:32,519
Speaker 3: this deadly device. Like you you think that's keeping the

1687
01:29:32,560 --> 01:29:34,800
Speaker 3: device safe, Well, it's putting your daughter in a lot

1688
01:29:34,840 --> 01:29:39,240
Speaker 3: of danger. So they didn't think that you.

1689
01:29:39,200 --> 01:29:46,639
Speaker 1: Know too much, So we'll keep going here. Auto attacks

1690
01:29:46,680 --> 01:29:50,439
Speaker 1: the safe house and freeze Jacob, who reveals that Jack

1691
01:29:51,320 --> 01:29:55,160
Speaker 1: that's Dad Toretto, remember, wanting to escape his debts, instructed

1692
01:29:55,240 --> 01:29:57,919
Speaker 1: Jacob to tamper with his car so he can intentionally

1693
01:29:57,960 --> 01:30:00,280
Speaker 1: throw the race. This is this is bring and us

1694
01:30:00,280 --> 01:30:01,880
Speaker 1: back to the beginning of this podcast when we were

1695
01:30:01,880 --> 01:30:06,320
Speaker 1: talking about all that the plan failed due to Lender's interference,

1696
01:30:07,200 --> 01:30:10,760
Speaker 1: and Jacob and Auto then kidnap l and take the

1697
01:30:10,920 --> 01:30:16,280
Speaker 1: second aries device, so they've they've got it all. Now

1698
01:30:16,280 --> 01:30:18,840
Speaker 1: they've got all the pieces at this point, they've got

1699
01:30:18,840 --> 01:30:22,120
Speaker 1: the two devices as we call them, and the key,

1700
01:30:22,160 --> 01:30:26,040
Speaker 1: which is l Anything from this scene here and like

1701
01:30:26,160 --> 01:30:28,720
Speaker 1: just the reveal, Yeah, no, not a lot. Not he's

1702
01:30:28,720 --> 01:30:31,360
Speaker 1: shaking his head. Try anything you want to, Dad, I

1703
01:30:31,400 --> 01:30:33,639
Speaker 1: don't think so, Okay, good. I don't keep going because

1704
01:30:33,680 --> 01:30:39,080
Speaker 1: Auto launches a satellite into orbit. Yeah okay, well Jacob

1705
01:30:39,320 --> 01:30:43,639
Speaker 1: has l activate aries. She is the key. Remember they

1706
01:30:43,680 --> 01:30:46,920
Speaker 1: begin uploading uploading times in this world in Fast and

1707
01:30:46,960 --> 01:30:50,920
Speaker 1: Furious franchise. It's not that fast. They I don't know

1708
01:30:50,960 --> 01:30:53,840
Speaker 1: what operating system they're working with here, but it's they

1709
01:30:53,840 --> 01:30:56,080
Speaker 1: need an upgrade. It's a little too slow. But they

1710
01:30:56,120 --> 01:31:00,360
Speaker 1: begin uploading aries to the satellite moving through. We're in Orge,

1711
01:31:00,439 --> 01:31:04,880
Speaker 1: I think, right, the country, not the steak here in

1712
01:31:04,920 --> 01:31:10,240
Speaker 1: an armored truck. Why are they moving? Yeah, I mean

1713
01:31:10,280 --> 01:31:12,120
Speaker 1: I know why for the movie so we can have

1714
01:31:12,200 --> 01:31:14,840
Speaker 1: another car scene.

1715
01:31:14,920 --> 01:31:17,800
Speaker 2: But my impression was that they were trying to get

1716
01:31:17,800 --> 01:31:19,720
Speaker 2: away because he says this place is going to be

1717
01:31:19,920 --> 01:31:23,280
Speaker 2: crawling with cops soon because of something to do with

1718
01:31:23,320 --> 01:31:28,120
Speaker 2: the rocket, which was that the satellite being launched into space.

1719
01:31:28,360 --> 01:31:32,040
Speaker 2: Oh yeah, because then it seemed like the satellite was

1720
01:31:32,080 --> 01:31:34,760
Speaker 2: already in space, so I'm not sure what that rocket was.

1721
01:31:35,120 --> 01:31:38,720
Speaker 1: I thought about that, Yeah.

1722
01:31:37,760 --> 01:31:39,879
Speaker 4: That's got to be the it's got to be the satellite.

1723
01:31:40,240 --> 01:31:40,879
Speaker 4: I think.

1724
01:31:41,640 --> 01:31:45,000
Speaker 2: I guess it got deployed pretty quick for for Roman

1725
01:31:45,000 --> 01:31:48,040
Speaker 2: and Tege to get there. But yeah, okay, but I

1726
01:31:48,080 --> 01:31:51,880
Speaker 2: think I had the same questions skeets, And my only

1727
01:31:52,040 --> 01:31:55,840
Speaker 2: answer to myself is that they're getting away from the cops,

1728
01:31:55,920 --> 01:31:59,440
Speaker 2: right like, they're making their escape, and the most conspicuous

1729
01:31:59,520 --> 01:32:02,880
Speaker 2: vehicle there is, Like, there's no more conspicuous.

1730
01:32:03,640 --> 01:32:04,920
Speaker 1: This thing is huge.

1731
01:32:05,000 --> 01:32:08,760
Speaker 2: Yeah. By going back to the base, he skipped over

1732
01:32:08,840 --> 01:32:14,680
Speaker 2: the part where Dom takes on all the goons, right like, inexplicably,

1733
01:32:14,720 --> 01:32:16,160
Speaker 2: they're making their mistake.

1734
01:32:16,439 --> 01:32:18,400
Speaker 3: Yeah, the dream sequence.

1735
01:32:18,000 --> 01:32:21,719
Speaker 2: So yeah, yeah, so they are making their escape forgot,

1736
01:32:21,840 --> 01:32:25,760
Speaker 2: and he says, go tell Brian, tell Brian, I'm here,

1737
01:32:26,439 --> 01:32:31,879
Speaker 2: and Letty's like, which Brian? But then she she closes

1738
01:32:31,920 --> 01:32:33,640
Speaker 2: the door, and then he takes that. He's like a

1739
01:32:33,760 --> 01:32:37,559
Speaker 2: herculean effort to keep these goons away. She doesn't have

1740
01:32:37,640 --> 01:32:40,719
Speaker 2: the courtesy to run away, right like. She just watches

1741
01:32:40,760 --> 01:32:45,080
Speaker 2: all of this and then he then he drowns basically

1742
01:32:45,160 --> 01:32:48,280
Speaker 2: right like, and then we get the dream sequence of

1743
01:32:48,320 --> 01:32:52,360
Speaker 2: where everything becomes clear. I don't know why didn't why

1744
01:32:52,400 --> 01:32:55,240
Speaker 2: didn't he just escape? I don't I didn't understand the

1745
01:32:55,320 --> 01:32:58,120
Speaker 2: motivation there, Like does anybody know?

1746
01:33:00,479 --> 01:33:02,120
Speaker 3: To be honest, I have no answers for the next

1747
01:33:02,160 --> 01:33:05,800
Speaker 3: four paragraphs that are on this rundow. You mean, why

1748
01:33:05,840 --> 01:33:09,200
Speaker 3: wouldn't he Why would a natural knas really start kicking in?

1749
01:33:10,040 --> 01:33:12,320
Speaker 2: Yeah, I mean why why didn't Why didn't he just

1750
01:33:12,400 --> 01:33:15,520
Speaker 2: go through that door, close it barricaded from the inside,

1751
01:33:15,520 --> 01:33:18,519
Speaker 2: and then they make their escape, right Like did okay?

1752
01:33:18,600 --> 01:33:18,800
Speaker 2: I do?

1753
01:33:19,080 --> 01:33:21,920
Speaker 1: Maybe is it possible that door that Letty was hiding

1754
01:33:21,960 --> 01:33:26,120
Speaker 1: behind watching Dom kick ass that it didn't go anywhere?

1755
01:33:26,479 --> 01:33:28,320
Speaker 1: I thought it was just the room. It's just like

1756
01:33:28,360 --> 01:33:32,599
Speaker 1: a yeah, oh so she like, actually she actually can't

1757
01:33:32,640 --> 01:33:35,519
Speaker 1: even go anywhere right there. Hence why he wouldn't get

1758
01:33:35,520 --> 01:33:37,759
Speaker 1: in there too, because they would just come and open

1759
01:33:37,800 --> 01:33:41,920
Speaker 1: the door. I guess, Yeah, that's what I thought was too.

1760
01:33:42,000 --> 01:33:44,120
Speaker 4: But I thought he was trying to protect her, like here,

1761
01:33:44,160 --> 01:33:46,479
Speaker 4: I'm gonna go fight thirty guys. Yeah right, and you

1762
01:33:46,600 --> 01:33:49,639
Speaker 4: get away here Yeah but yeah, I.

1763
01:33:49,600 --> 01:33:51,959
Speaker 1: Mean, but get away after I take out everybody.

1764
01:33:52,040 --> 01:33:54,519
Speaker 4: Yeah yeah, yeah.

1765
01:33:54,560 --> 01:33:56,080
Speaker 1: It's a high risk plan for sure.

1766
01:33:56,680 --> 01:33:59,200
Speaker 2: Okay, but then got the whole gang is in there.

1767
01:33:59,240 --> 01:34:02,880
Speaker 2: They could go out and help him, right or I

1768
01:34:02,880 --> 01:34:05,240
Speaker 2: don't know anyways, that's just a question I had.

1769
01:34:06,400 --> 01:34:09,439
Speaker 1: But the whole, basically the whole I don't know where

1770
01:34:09,479 --> 01:34:11,720
Speaker 1: where are they They're in a silo of some sort,

1771
01:34:12,040 --> 01:34:15,800
Speaker 1: yeah something, and it all starts to you know, fall

1772
01:34:15,840 --> 01:34:18,360
Speaker 1: down and because he's got all these guys wrapped up

1773
01:34:18,400 --> 01:34:20,280
Speaker 1: in chains and he's killing them left the night, throwing

1774
01:34:20,320 --> 01:34:22,360
Speaker 1: them over. But then yeah, down goes Dom and we

1775
01:34:22,400 --> 01:34:26,439
Speaker 1: get Letty. Oh no, and uh yeah the dream sequence tray,

1776
01:34:26,520 --> 01:34:28,320
Speaker 1: what do you think about that where Dom is, Uh,

1777
01:34:29,479 --> 01:34:31,640
Speaker 1: Dom's taking an l here at least he's like on

1778
01:34:31,720 --> 01:34:32,639
Speaker 1: the verge of death.

1779
01:34:32,680 --> 01:34:35,000
Speaker 4: I guess, Oh yeah, I totally thought he was gone

1780
01:34:35,080 --> 01:34:35,679
Speaker 4: for good here.

1781
01:34:37,800 --> 01:34:38,920
Speaker 1: Because somebody was.

1782
01:34:40,200 --> 01:34:43,880
Speaker 4: I wrote down major lolls for this entire sequence because

1783
01:34:43,920 --> 01:34:46,920
Speaker 4: to me, it just shows us once again. Dom is

1784
01:34:47,000 --> 01:34:50,559
Speaker 4: usually pretty gung ho on trusting his instincts. He thought

1785
01:34:50,600 --> 01:34:53,760
Speaker 4: he visualized seeing Letty die just because he went and

1786
01:34:53,800 --> 01:34:57,880
Speaker 4: saw the paint scratches and the tire burns on the road.

1787
01:34:58,320 --> 01:35:00,360
Speaker 1: Completely botched that one.

1788
01:35:00,880 --> 01:35:04,719
Speaker 4: So now he's convinced that his brother murdered his dad

1789
01:35:05,080 --> 01:35:08,200
Speaker 4: because he gave him a weird look for the last day

1790
01:35:08,400 --> 01:35:12,120
Speaker 4: they saw him together. As it turns out, his brother

1791
01:35:12,439 --> 01:35:14,040
Speaker 4: was in on it, but it was his dad who

1792
01:35:14,160 --> 01:35:17,800
Speaker 4: was a little bit of a nefarious character. So personally,

1793
01:35:18,000 --> 01:35:20,920
Speaker 4: I came away from this thinking, Dom, you need to

1794
01:35:20,920 --> 01:35:24,280
Speaker 4: slow down, buddy. You don't need to immediately go head

1795
01:35:24,320 --> 01:35:26,800
Speaker 4: on into the plan here. If you take a second

1796
01:35:26,840 --> 01:35:29,400
Speaker 4: and just think things through, you'll probably come to the

1797
01:35:29,439 --> 01:35:33,599
Speaker 4: right answer eventually. But his first instincts don't usually seem

1798
01:35:33,640 --> 01:35:36,400
Speaker 4: to be right. Like, for instance, Vince tells him, don't

1799
01:35:36,439 --> 01:35:38,960
Speaker 4: take in Brian, He's like, no way, I'm rolling with

1800
01:35:39,000 --> 01:35:41,759
Speaker 4: this guy. No way, he's a cop. He was a cop.

1801
01:35:42,400 --> 01:35:45,120
Speaker 4: So I would love a list of just things that

1802
01:35:45,200 --> 01:35:48,439
Speaker 4: Dom misinterpreted the first time he ever saw it and

1803
01:35:48,479 --> 01:35:51,000
Speaker 4: pushed all of his chips in because like, it's like

1804
01:35:51,080 --> 01:35:54,479
Speaker 4: this exact same thing. If Letty's in a room, He's like,

1805
01:35:54,479 --> 01:35:58,880
Speaker 4: the only way out of this is one on thirty right, Hey,

1806
01:35:58,960 --> 01:36:01,680
Speaker 4: wait a second, man, I know you love to improvise.

1807
01:36:02,000 --> 01:36:04,599
Speaker 4: Take a set, think it through. What about two? I'm

1808
01:36:04,600 --> 01:36:05,760
Speaker 4: thirty that might be better.

1809
01:36:05,960 --> 01:36:09,360
Speaker 1: Yeah, for Dom's I think we were talking about this

1810
01:36:09,400 --> 01:36:11,400
Speaker 1: on Fast five, Matt, the last time you were on.

1811
01:36:13,120 --> 01:36:13,960
Speaker 1: Can Dom swim?

1812
01:36:15,880 --> 01:36:16,439
Speaker 3: Well? I guess not.

1813
01:36:17,040 --> 01:36:19,400
Speaker 1: I know, I think it really drives it home. No,

1814
01:36:19,479 --> 01:36:21,519
Speaker 1: I felt and he felt from a pretty you know,

1815
01:36:21,600 --> 01:36:24,360
Speaker 1: high height, and he's done that before and he's managed

1816
01:36:24,360 --> 01:36:25,640
Speaker 1: to get out of the water though he usually get

1817
01:36:25,680 --> 01:36:30,840
Speaker 1: some help. But I'm I'm all in on Dom can't swim.

1818
01:36:31,200 --> 01:36:35,360
Speaker 1: I would like to run with that, It's very possible. Well,

1819
01:36:35,400 --> 01:36:39,480
Speaker 1: they're like, he's always got big combat boots on too.

1820
01:36:40,160 --> 01:36:42,000
Speaker 3: Make sure I'm unconscious when I hit the water, so

1821
01:36:42,000 --> 01:36:43,560
Speaker 3: I don't even have to try to swim out of

1822
01:36:43,600 --> 01:36:44,320
Speaker 3: this silo.

1823
01:36:45,240 --> 01:36:49,040
Speaker 1: Letty saves them, brings them back from the afterlife or

1824
01:36:49,160 --> 01:36:51,920
Speaker 1: him crossing over whatever his dream sequel was there, and

1825
01:36:51,960 --> 01:36:55,080
Speaker 1: they're okay, he doesn't need long to recover, that's for sure.

1826
01:36:55,120 --> 01:36:59,320
Speaker 1: Because we get Dom, Letty, Mia, Ramsey, and Han giving

1827
01:36:59,400 --> 01:37:04,040
Speaker 1: Chase to stop this upload to this gigantic armored truck

1828
01:37:04,760 --> 01:37:09,840
Speaker 1: that has a l on it right as well as

1829
01:37:09,920 --> 01:37:14,719
Speaker 1: Mia and Han try to breach the truck, Auto betrays Jacob,

1830
01:37:15,920 --> 01:37:18,360
Speaker 1: throwing him off of the truck. Yeah, he sends up

1831
01:37:18,400 --> 01:37:21,439
Speaker 1: his his crazy like giant henchman there.

1832
01:37:21,880 --> 01:37:24,080
Speaker 3: Well, man, this this hits so hard because Auto was

1833
01:37:24,120 --> 01:37:27,280
Speaker 3: such a well thought out, well drawn character, and I

1834
01:37:27,320 --> 01:37:32,599
Speaker 3: was like, oh no, they betrayed each other. Uh no,

1835
01:37:32,720 --> 01:37:35,519
Speaker 3: just kidding. I was like, who's that? That guy sucks.

1836
01:37:35,880 --> 01:37:39,960
Speaker 3: This guy is the most boring. I actually won't even

1837
01:37:39,960 --> 01:37:41,800
Speaker 3: give him the satisfaction of saying he was like a

1838
01:37:41,840 --> 01:37:44,360
Speaker 3: stock villain because he wasn't even that he was worse

1839
01:37:44,400 --> 01:37:45,280
Speaker 3: than a stock villain.

1840
01:37:45,600 --> 01:37:46,479
Speaker 1: You're talking about Auto?

1841
01:37:47,120 --> 01:37:48,759
Speaker 2: Was there a villain in this movie?

1842
01:37:48,960 --> 01:37:53,200
Speaker 3: Really great question, Jade. Well, see who is the villain?

1843
01:37:53,240 --> 01:37:57,320
Speaker 3: Is it Cipher? Is it mister nobody?

1844
01:37:57,720 --> 01:38:01,400
Speaker 2: I mean it's a great question. I mean I only

1845
01:38:01,439 --> 01:38:04,000
Speaker 2: felt pity for Jacob the whole time. If he was

1846
01:38:04,040 --> 01:38:07,240
Speaker 2: the main villain, they didn't do a good job. Like

1847
01:38:07,280 --> 01:38:10,479
Speaker 2: he wasn't menacing in any way. He was just like

1848
01:38:10,600 --> 01:38:14,400
Speaker 2: this this lost little boy who was always in his

1849
01:38:15,080 --> 01:38:19,080
Speaker 2: brother's shadow, as if as if you know, Cipher confronts

1850
01:38:19,160 --> 01:38:22,120
Speaker 2: him about that earlier in the movie, like always living

1851
01:38:22,240 --> 01:38:27,400
Speaker 2: in your brother's shadow. You know, it's just like, well

1852
01:38:27,439 --> 01:38:29,639
Speaker 2: how would you know that? A? And B? Like what,

1853
01:38:30,000 --> 01:38:32,599
Speaker 2: he's a grown man now, he hasn't seen his brother

1854
01:38:32,680 --> 01:38:37,720
Speaker 2: in years, like thirty years, right, So anyways, I just

1855
01:38:37,760 --> 01:38:41,760
Speaker 2: thought the motivation for John Cena's character is it just

1856
01:38:41,840 --> 01:38:45,680
Speaker 2: doesn't really make him a villain to me, Cipher is

1857
01:38:45,720 --> 01:38:50,559
Speaker 2: barely in it. Auto is just a caricature of a

1858
01:38:50,680 --> 01:38:54,920
Speaker 2: rich prick, as he calls himself. So you know, who's

1859
01:38:54,960 --> 01:38:58,519
Speaker 2: the villains? Who are we fighting here? The Auto's dad

1860
01:38:58,560 --> 01:38:59,479
Speaker 2: who we never meet.

1861
01:39:02,160 --> 01:39:06,080
Speaker 1: Yeah, Well, like I said, Jacob got thrown off the truck.

1862
01:39:06,120 --> 01:39:09,800
Speaker 1: But don't worry, domb dumb caughtum all he does. He's

1863
01:39:09,920 --> 01:39:12,360
Speaker 1: goddamn good of that, Dom and me. I guess Jacob, yeah,

1864
01:39:12,400 --> 01:39:16,320
Speaker 1: and then he helps Dom. Jacob does access the truck.

1865
01:39:18,000 --> 01:39:20,880
Speaker 4: Uh, did this to you count as an under the

1866
01:39:20,920 --> 01:39:26,120
Speaker 4: semi move? Because they're kind of underneath this gigantic semi

1867
01:39:26,120 --> 01:39:29,960
Speaker 4: like transport and they flip it over, right, somehow they

1868
01:39:29,960 --> 01:39:34,160
Speaker 4: flip it over, So they go into the into the

1869
01:39:34,200 --> 01:39:37,920
Speaker 4: transport the semi from the bottom, but it's really the top.

1870
01:39:39,400 --> 01:39:40,680
Speaker 4: Is this a under the semi move?

1871
01:39:41,120 --> 01:39:41,759
Speaker 1: Does it count?

1872
01:39:41,880 --> 01:39:43,200
Speaker 2: Now? It doesn't?

1873
01:39:43,439 --> 01:39:44,599
Speaker 4: Disqualified tough.

1874
01:39:44,840 --> 01:39:47,719
Speaker 2: The only thing that sort of comes close is when

1875
01:39:47,880 --> 01:39:52,920
Speaker 2: the semi or the transport is flipping over. Uh. Dom

1876
01:39:53,000 --> 01:39:58,400
Speaker 2: has to go under it while it's falling to rescue Jacob.

1877
01:39:59,280 --> 01:40:02,240
Speaker 2: I mean I would count that almost more than going

1878
01:40:02,320 --> 01:40:03,360
Speaker 2: from the reverse.

1879
01:40:03,840 --> 01:40:04,800
Speaker 4: Okay, But.

1880
01:40:06,400 --> 01:40:09,320
Speaker 2: Back in backing up a bit, Han blows up a

1881
01:40:09,360 --> 01:40:15,840
Speaker 2: guy who is inexplicably wearing a parachute, like was he

1882
01:40:15,920 --> 01:40:16,960
Speaker 2: wearing that parashute?

1883
01:40:17,080 --> 01:40:17,160
Speaker 3: Like?

1884
01:40:17,280 --> 01:40:17,519
Speaker 2: Was that?

1885
01:40:17,880 --> 01:40:18,480
Speaker 1: Yeah?

1886
01:40:18,680 --> 01:40:20,000
Speaker 2: And if so, why.

1887
01:40:21,560 --> 01:40:24,599
Speaker 1: Just looks cool? I guess, yeah, yeah, you're you're talking

1888
01:40:24,640 --> 01:40:28,760
Speaker 1: about the magnet part right When we're on the truck.

1889
01:40:29,120 --> 01:40:29,719
Speaker 1: I can't remember.

1890
01:40:29,760 --> 01:40:36,120
Speaker 2: Actually, yeah, you broke skeets here, hold on, hold on?

1891
01:40:36,200 --> 01:40:38,920
Speaker 1: Who opened like who opened a truck at one point

1892
01:40:39,000 --> 01:40:42,200
Speaker 1: and because of the parachute, I thought it was gets

1893
01:40:42,400 --> 01:40:44,800
Speaker 1: like sucked out and he a bomb attached to him

1894
01:40:44,840 --> 01:40:48,760
Speaker 1: or something that's hot. That's this is happening here, okay, yeah, yeah.

1895
01:40:48,800 --> 01:40:51,080
Speaker 1: But also there was a bunch of magnets involved when

1896
01:40:51,200 --> 01:40:53,599
Speaker 1: Ramsey was driving the truck and Roman and Teje are

1897
01:40:53,600 --> 01:40:56,000
Speaker 1: fighting in the back. Yeah.

1898
01:40:56,040 --> 01:40:59,000
Speaker 4: I think at that point they have the giant magnets

1899
01:40:59,000 --> 01:41:02,080
Speaker 4: in the back of ramsey truck and eventually they take

1900
01:41:02,120 --> 01:41:08,160
Speaker 4: those magnets and put it in to their cars, right yeah, okay.

1901
01:41:07,720 --> 01:41:10,080
Speaker 2: So but that's a good question though. The magnets that

1902
01:41:10,120 --> 01:41:12,960
Speaker 2: are affecting the fight with Han and l and the

1903
01:41:13,000 --> 01:41:17,040
Speaker 2: guy with the parachute, that magnet is coming from hans car,

1904
01:41:17,120 --> 01:41:20,480
Speaker 2: is that right, that's holding the cars.

1905
01:41:19,640 --> 01:41:20,439
Speaker 1: Like sucked under?

1906
01:41:20,520 --> 01:41:21,679
Speaker 3: Yeah, right backwards.

1907
01:41:22,439 --> 01:41:24,920
Speaker 2: And then Hans turns into butterfingers because he grabs a

1908
01:41:24,960 --> 01:41:29,360
Speaker 2: knife and but's gone, and he grabs a gun that's gone. Yeah,

1909
01:41:29,400 --> 01:41:32,719
Speaker 2: and then he manages to get the the bomb to stick,

1910
01:41:32,840 --> 01:41:37,120
Speaker 2: and then the parachute he hits the door parachute deployed.

1911
01:41:37,560 --> 01:41:43,040
Speaker 2: Guy blows up spectacular looking, but why did why? Why

1912
01:41:43,120 --> 01:41:44,960
Speaker 2: is there a parachute safety first?

1913
01:41:45,360 --> 01:41:47,320
Speaker 1: And then that's the car. Is that the car that

1914
01:41:47,400 --> 01:41:48,280
Speaker 1: Jacob gets into.

1915
01:41:49,200 --> 01:41:51,479
Speaker 2: Yes, yes it is, yeah.

1916
01:41:52,320 --> 01:41:54,760
Speaker 1: Yeah, which was a funny scene, Like they showed us

1917
01:41:54,760 --> 01:41:57,120
Speaker 1: a lot of how the guy got in the car. Yeah,

1918
01:41:57,200 --> 01:42:01,080
Speaker 1: it was extended. I noticed that step here to here,

1919
01:42:01,280 --> 01:42:03,360
Speaker 1: and like it felt like me, like anytime I go

1920
01:42:03,400 --> 01:42:05,360
Speaker 1: on like a kid's playground, I love to see if

1921
01:42:05,400 --> 01:42:07,840
Speaker 1: I can not touch the bottom like that where you

1922
01:42:07,840 --> 01:42:10,559
Speaker 1: should step on a playground, but like try and like

1923
01:42:10,760 --> 01:42:13,280
Speaker 1: just keep yourself that's the best way to say it,

1924
01:42:13,320 --> 01:42:17,800
Speaker 1: like sort of in the air. Yea, yeah, that's yeah,

1925
01:42:17,920 --> 01:42:19,479
Speaker 1: that's sort of what he's doing here. And they really

1926
01:42:19,479 --> 01:42:20,120
Speaker 1: showed it to us.

1927
01:42:20,479 --> 01:42:23,240
Speaker 2: Yeah maybe because it was John Cena right, like he

1928
01:42:23,360 --> 01:42:25,400
Speaker 2: was actually doing the stunt. I guess, so.

1929
01:42:26,960 --> 01:42:28,360
Speaker 1: Yeah maybe, I guess.

1930
01:42:28,560 --> 01:42:30,680
Speaker 2: I don't know, And it was I did notice that

1931
01:42:30,680 --> 01:42:33,240
Speaker 2: shot too, where it's just lingering on him forever. It's

1932
01:42:33,360 --> 01:42:37,160
Speaker 2: just like gingerly making his way into the car in

1933
01:42:37,200 --> 01:42:40,160
Speaker 2: the back. So weird, very weird.

1934
01:42:41,360 --> 01:42:45,439
Speaker 1: Back to Tejan Roman, Uh, back to the rocket car.

1935
01:42:46,680 --> 01:42:53,160
Speaker 1: They're on it. They are entering orbit and they destroy

1936
01:42:53,240 --> 01:42:55,240
Speaker 1: a satellite to stop the upload.

1937
01:42:57,120 --> 01:43:00,320
Speaker 2: Yeah.

1938
01:43:00,360 --> 01:43:03,160
Speaker 1: Wow, some of the all time great bread crumbs here.

1939
01:43:03,439 --> 01:43:08,360
Speaker 1: What are we gonna do? Put rockets on her back? Yeah?

1940
01:43:08,360 --> 01:43:10,880
Speaker 4: Maybe because there was a line earlier in the movie.

1941
01:43:12,040 --> 01:43:13,559
Speaker 4: Is that a rocket on the back of that car?

1942
01:43:15,640 --> 01:43:19,680
Speaker 1: So smooth, so smooth man, so smooth. Yeah, if you

1943
01:43:19,760 --> 01:43:22,840
Speaker 1: were not already out on this movie by this point.

1944
01:43:24,320 --> 01:43:27,040
Speaker 1: As actually as as funny sort of I think, and

1945
01:43:27,400 --> 01:43:29,320
Speaker 1: as charismatic as the two of them are, like they

1946
01:43:29,360 --> 01:43:31,120
Speaker 1: have grown at me a little bit, the two of

1947
01:43:31,160 --> 01:43:33,760
Speaker 1: their their I'm talking about obviously Ludicris and Tyrese, like

1948
01:43:33,800 --> 01:43:38,200
Speaker 1: they're they're they're you know, antoid chemistry, yeah, banter.

1949
01:43:38,240 --> 01:43:40,400
Speaker 3: It's like it's not that they've gotten better, they've gotten better.

1950
01:43:40,479 --> 01:43:43,080
Speaker 1: Yeah yeah, but it's just of course, like trying to

1951
01:43:43,240 --> 01:43:47,559
Speaker 1: like believe this is at all possible is amazing. And

1952
01:43:47,640 --> 01:43:50,639
Speaker 1: like the suits they're in, and there is a little

1953
01:43:50,680 --> 01:43:52,840
Speaker 1: throwaway line to one of them, probably test is like,

1954
01:43:53,960 --> 01:43:56,080
Speaker 1: you know, don't well, we should be okay, we might

1955
01:43:56,160 --> 01:43:58,280
Speaker 1: blow up a little bit, like we might balloon up

1956
01:43:58,320 --> 01:44:00,519
Speaker 1: and then yeah, of course that's the pay off. Once

1957
01:44:00,520 --> 01:44:04,640
Speaker 1: they stumble upon the International Space Station.

1958
01:44:05,400 --> 01:44:09,240
Speaker 2: That's the lamest payoff in in the movie, I think

1959
01:44:09,360 --> 01:44:12,320
Speaker 2: is just like, Okay, cool, we're gonna get a little

1960
01:44:12,400 --> 01:44:14,240
Speaker 2: space walk here. I thought they were gonna get out

1961
01:44:14,240 --> 01:44:17,599
Speaker 2: of the car and like hack the satellite or whatever

1962
01:44:17,800 --> 01:44:18,920
Speaker 2: or do something.

1963
01:44:18,600 --> 01:44:23,000
Speaker 1: To it through it, right, which they're like, we might

1964
01:44:23,040 --> 01:44:25,439
Speaker 1: blow up, Like this could be it.

1965
01:44:25,400 --> 01:44:29,559
Speaker 2: For us, I guess. But in zero gravity, wouldn't them

1966
01:44:29,760 --> 01:44:32,920
Speaker 2: bumping into it just bump it off of orbit, like

1967
01:44:33,560 --> 01:44:35,320
Speaker 2: just like there's nothing.

1968
01:44:37,240 --> 01:44:37,479
Speaker 4: I know.

1969
01:44:37,600 --> 01:44:40,639
Speaker 2: But still I don't think they would just crash through

1970
01:44:40,680 --> 01:44:44,519
Speaker 2: it like that. It was like a brick wall. I

1971
01:44:44,520 --> 01:44:46,760
Speaker 2: don't know, Man, I'm wrong. Maybe I'm wrong.

1972
01:44:46,960 --> 01:44:48,639
Speaker 1: I stopped taking notes at this point.

1973
01:44:48,960 --> 01:44:51,080
Speaker 3: Yeah, I mean, but so from what I've heard, like

1974
01:44:51,280 --> 01:44:54,479
Speaker 3: this is just a big joke that since the franchise started,

1975
01:44:54,520 --> 01:44:56,680
Speaker 3: or I guess since it started getting crazy, people were like, oh,

1976
01:44:56,720 --> 01:44:58,439
Speaker 3: you got to send them to space next, because you know,

1977
01:44:58,520 --> 01:45:02,719
Speaker 3: like we've been talking about how it's been a tank

1978
01:45:02,840 --> 01:45:07,880
Speaker 3: and then skydiving cars, and then like submarine, it gets

1979
01:45:07,960 --> 01:45:09,320
Speaker 3: ratchet up like oh you should go to space, you

1980
01:45:09,360 --> 01:45:11,400
Speaker 3: should go to space. So I can't figure out if

1981
01:45:11,439 --> 01:45:16,759
Speaker 3: I'm just like like, is it just badly executed because

1982
01:45:17,080 --> 01:45:19,960
Speaker 3: or is it just a dumb idea to start with,

1983
01:45:20,400 --> 01:45:23,360
Speaker 3: or what's happening here? Am I just?

1984
01:45:23,560 --> 01:45:26,960
Speaker 1: I mean it's in the movie because it's a dumb idea,

1985
01:45:27,080 --> 01:45:29,240
Speaker 1: and it's like going to get some laughs, and like

1986
01:45:29,280 --> 01:45:30,840
Speaker 1: you said, they just have to keep going to the

1987
01:45:30,840 --> 01:45:32,360
Speaker 1: next level, next level, but come on.

1988
01:45:32,400 --> 01:45:34,160
Speaker 3: But it didn't feel like going to the next level

1989
01:45:34,160 --> 01:45:37,120
Speaker 3: because it was so lame once, Like the the execution

1990
01:45:37,240 --> 01:45:38,559
Speaker 3: of that and what they had to do was so

1991
01:45:39,360 --> 01:45:41,640
Speaker 3: it was way lamer than a submarine coming up out

1992
01:45:41,680 --> 01:45:45,760
Speaker 3: of the ice or tank or or trying to bring

1993
01:45:45,800 --> 01:45:47,559
Speaker 3: down a plane with cars. I mean, it was It

1994
01:45:47,600 --> 01:45:48,680
Speaker 3: was lame, wasn't it.

1995
01:45:48,960 --> 01:45:55,080
Speaker 1: Yeah, that's but they're the heroes and they're up there

1996
01:45:55,120 --> 01:46:00,479
Speaker 1: flying around in space. Meanwhile, Cipher, remotely flying a jet,

1997
01:46:01,600 --> 01:46:06,760
Speaker 1: bombs the truck right killing Auto in an attempt to

1998
01:46:06,840 --> 01:46:13,320
Speaker 1: kill Dom, but Dom uses the rolling, ricocheting truck to

1999
01:46:13,360 --> 01:46:18,040
Speaker 1: destroy Cipher's plane. We then, of course learned it Cifer's

2000
01:46:18,040 --> 01:46:21,360
Speaker 1: not actually in the plane. She's she's just playing, yes,

2001
01:46:21,400 --> 01:46:27,160
Speaker 1: and she just steps out and walks away. Wow, Wow,

2002
01:46:28,040 --> 01:46:29,520
Speaker 1: you have no notes, you said.

2003
01:46:29,439 --> 01:46:34,880
Speaker 2: I got no notes here other than when they flip

2004
01:46:35,000 --> 01:46:39,840
Speaker 2: the truck, when they flip the transport, it actually goes faster, right,

2005
01:46:39,960 --> 01:46:42,519
Speaker 2: you think that it's gonna stop, like, let's stop this thing.

2006
01:46:42,840 --> 01:46:46,519
Speaker 2: What can we do, Let's flip it, flip it. Then

2007
01:46:46,560 --> 01:46:50,200
Speaker 2: it goes faster like it literally, to be fair, it

2008
01:46:50,240 --> 01:46:54,400
Speaker 2: starts sliding down a mountain or whatever. Yeah, but it's

2009
01:46:54,439 --> 01:46:58,080
Speaker 2: just like, Okay, I was hoping it was over at

2010
01:46:58,080 --> 01:46:59,320
Speaker 2: the flip, but it wasn't.

2011
01:47:01,120 --> 01:47:03,960
Speaker 1: It was no, nope, and he set it up perfectly

2012
01:47:04,000 --> 01:47:05,919
Speaker 1: try to take out that plane.

2013
01:47:07,840 --> 01:47:09,920
Speaker 4: Incredible bit of driving right there to be able to

2014
01:47:09,960 --> 01:47:13,360
Speaker 4: scorpion that bad boy right into the drone. I'll say

2015
01:47:13,400 --> 01:47:16,960
Speaker 4: I liked this drone better than the previous drone. I

2016
01:47:17,000 --> 01:47:20,599
Speaker 4: think it's because you don't know it until the end

2017
01:47:20,600 --> 01:47:22,840
Speaker 4: of the scene that it is a drone, Right, You're like,

2018
01:47:22,880 --> 01:47:26,200
Speaker 4: oh wow, Cipher's actually there battling Dom, and it looks

2019
01:47:26,240 --> 01:47:28,960
Speaker 4: like she's got the drop on him because now he's

2020
01:47:28,960 --> 01:47:31,519
Speaker 4: having to avoid these missiles that are launching at him.

2021
01:47:31,520 --> 01:47:34,439
Speaker 4: But obviously Dom finds a way to wriggle his way

2022
01:47:34,439 --> 01:47:36,360
Speaker 4: out of it. And it turns out Cipher was just

2023
01:47:36,400 --> 01:47:40,720
Speaker 4: hanging out in an empty garage all by herself, like

2024
01:47:40,920 --> 01:47:44,200
Speaker 4: she's just hanging around for this, Like apparently Otto's henchmen

2025
01:47:44,200 --> 01:47:47,000
Speaker 4: are gone, but she still wants to finish the mission here,

2026
01:47:47,040 --> 01:47:50,439
Speaker 4: I guess because it looks like a very fun video game.

2027
01:47:50,520 --> 01:47:52,800
Speaker 4: To be protest like that would be awesome to be doing,

2028
01:47:52,840 --> 01:47:56,680
Speaker 4: I suppose. But also you were just getting hunted down

2029
01:47:56,680 --> 01:47:59,040
Speaker 4: by mister nobody. To begin this movie, you had to

2030
01:47:59,080 --> 01:48:02,439
Speaker 4: have Jacob Toretto come and break you out of a

2031
01:48:02,479 --> 01:48:06,200
Speaker 4: midair heist. Here, just go underground. Maybe you don't go

2032
01:48:06,200 --> 01:48:08,479
Speaker 4: get another haircut, play it cool. I know you want

2033
01:48:08,479 --> 01:48:10,719
Speaker 4: to get your revenge on Dom, but there's more movies.

2034
01:48:10,760 --> 01:48:13,519
Speaker 4: Come and save it.

2035
01:48:12,880 --> 01:48:15,760
Speaker 3: I did laugh at the set decoration of when she

2036
01:48:15,760 --> 01:48:17,679
Speaker 3: gets out of the plane. It's just like a tiny,

2037
01:48:17,920 --> 01:48:21,080
Speaker 3: flimsy set of stairs right next to an empty room,

2038
01:48:21,640 --> 01:48:25,639
Speaker 3: like the Saddest Everyone the Saddest walk down the Saddest Stairs.

2039
01:48:26,400 --> 01:48:26,679
Speaker 2: Well.

2040
01:48:26,800 --> 01:48:31,519
Speaker 1: Dom and Mia reconcile with Jacob, their brother, and Dom

2041
01:48:31,560 --> 01:48:37,120
Speaker 1: allows him to escape in his car, just like what

2042
01:48:37,320 --> 01:48:42,400
Speaker 1: happened in the first movie the uh Brian, allowing Don

2043
01:48:42,479 --> 01:48:45,040
Speaker 1: to escape though the old ten second car. Here you go,

2044
01:48:45,360 --> 01:48:49,280
Speaker 1: so he lets them take it off, goes Jacob. Like

2045
01:48:49,320 --> 01:48:52,439
Speaker 1: I said, Tejan Roman reached the International Space Station. They

2046
01:48:52,439 --> 01:48:55,880
Speaker 1: are safely returned to Earth and we start wrapping this

2047
01:48:56,040 --> 01:48:59,320
Speaker 1: up with the only way the Toretto's know how to do.

2048
01:49:00,080 --> 01:49:02,439
Speaker 1: Have a bit of a little feast at the end.

2049
01:49:03,080 --> 01:49:07,800
Speaker 1: They're they're they're rebuilt the house, rebuilding the house, which

2050
01:49:07,840 --> 01:49:10,439
Speaker 1: is nice to know that Maddie Oa can run over

2051
01:49:10,479 --> 01:49:13,280
Speaker 1: there and take another photo in the future. Yeah, they

2052
01:49:13,280 --> 01:49:16,639
Speaker 1: celebrate their success here at the Barbecue Dom's house, and

2053
01:49:19,080 --> 01:49:24,200
Speaker 1: we're gonna make little Brian do grace this time. Yeah yeah, yeah, yeah, yeah, yeah,

2054
01:49:24,200 --> 01:49:29,240
Speaker 1: that's right. And lo and behold who pulls up in

2055
01:49:29,280 --> 01:49:33,200
Speaker 1: the driveway. This is uh led to believe. Yeah that

2056
01:49:33,240 --> 01:49:36,639
Speaker 1: it's Big Brian, Big Brian O'Connor arriving in his blue car.

2057
01:49:36,680 --> 01:49:38,640
Speaker 1: There as he pulls up into the driveway, never of

2058
01:49:38,680 --> 01:49:42,040
Speaker 1: course see him. We do have a mid credit scene.

2059
01:49:42,080 --> 01:49:45,000
Speaker 1: Is there anything to talk about with the barbecue that?

2060
01:49:45,120 --> 01:49:48,320
Speaker 1: I just can't believe how many times we've done this

2061
01:49:48,400 --> 01:49:52,439
Speaker 1: in this franchise, like has even keeping track. It's gotta

2062
01:49:52,479 --> 01:49:56,320
Speaker 1: be the fifth one at least. Yeah. I know, not

2063
01:49:56,520 --> 01:50:00,519
Speaker 1: everyone ended like this, but so many have ended with

2064
01:50:00,600 --> 01:50:03,840
Speaker 1: the let's sit down or a family Well, you know,

2065
01:50:04,400 --> 01:50:07,840
Speaker 1: everybody's good, everybody can catch up, everyone can get a

2066
01:50:07,880 --> 01:50:11,519
Speaker 1: little couple of funny lines in if you're a comedic

2067
01:50:11,640 --> 01:50:14,160
Speaker 1: character and then let's do grace. I mean, it's five

2068
01:50:14,240 --> 01:50:17,080
Speaker 1: at least, I think anyway, JD. What we're gonna.

2069
01:50:16,840 --> 01:50:21,080
Speaker 2: Say, Well, I agree that it's happened almost every time.

2070
01:50:21,680 --> 01:50:24,559
Speaker 2: One thing that I did, like, I liked the reunion

2071
01:50:24,640 --> 01:50:28,200
Speaker 2: between Sean and Han, like just the first time they've

2072
01:50:28,280 --> 01:50:30,280
Speaker 2: seen each other. And I was like, Okay, this is

2073
01:50:30,360 --> 01:50:35,000
Speaker 2: nice because I loved Tokyo Drift and you know it

2074
01:50:35,080 --> 01:50:37,519
Speaker 2: was not I was in spite of myself. I was

2075
01:50:37,560 --> 01:50:42,880
Speaker 2: happy to see Sean and Twinkie and Jason and Earl

2076
01:50:43,360 --> 01:50:44,439
Speaker 2: even though you don't remember.

2077
01:50:46,400 --> 01:50:49,720
Speaker 1: There's gonna be a justice for Earl trending after this

2078
01:50:49,840 --> 01:50:54,040
Speaker 1: podcast me forgetting about him. I'm to j I loved it.

2079
01:50:54,040 --> 01:50:57,880
Speaker 1: It was way more like a way more emotional scene yea,

2080
01:50:58,560 --> 01:51:02,840
Speaker 1: Sean and Han seeing you than anything involving Doman Hans.

2081
01:51:02,960 --> 01:51:05,439
Speaker 2: Totally. Yeah, absolutely, that's a good point.

2082
01:51:05,479 --> 01:51:07,080
Speaker 4: And I think kind of at that point, like I

2083
01:51:07,120 --> 01:51:09,320
Speaker 4: don't know, for me, I was like, oh, yeah, they haven't.

2084
01:51:09,479 --> 01:51:12,439
Speaker 4: They've kind of been sort of both around in the

2085
01:51:12,560 --> 01:51:16,600
Speaker 4: universe for since the third movie. I mean not so

2086
01:51:16,720 --> 01:51:18,960
Speaker 4: much for uh Sean, but I mean he's been around

2087
01:51:18,960 --> 01:51:20,920
Speaker 4: now this is his second time coming back, but they

2088
01:51:21,000 --> 01:51:24,120
Speaker 4: haven't actually interacted together. So yeah, I was like, oh cool,

2089
01:51:24,280 --> 01:51:26,599
Speaker 4: this is a great to actually see them together, seeing

2090
01:51:26,600 --> 01:51:27,040
Speaker 4: each other.

2091
01:51:27,080 --> 01:51:27,280
Speaker 1: You know.

2092
01:51:27,760 --> 01:51:31,080
Speaker 4: I guess in movie time, it's probably like five years.

2093
01:51:31,560 --> 01:51:34,559
Speaker 4: In real life it's like fifteen years obviously, And I

2094
01:51:34,680 --> 01:51:37,280
Speaker 4: like how they get around, Like, we don't need to

2095
01:51:37,320 --> 01:51:39,519
Speaker 4: hear Han explain how he died and came back to

2096
01:51:39,560 --> 01:51:41,840
Speaker 4: life once again, so he just says to him, it's

2097
01:51:41,880 --> 01:51:44,640
Speaker 4: a long story. Yeah, let's just enjoy the moment. I

2098
01:51:44,680 --> 01:51:47,000
Speaker 4: was like, I'm with you. I'm with you on this one.

2099
01:51:47,040 --> 01:51:51,360
Speaker 1: Han, Matt anything to add, no notes? No notes?

2100
01:51:51,360 --> 01:51:53,880
Speaker 3: Okay, Well, who's who's living in that house? Actually that's

2101
01:51:53,880 --> 01:51:54,559
Speaker 3: my one question.

2102
01:51:54,640 --> 01:51:57,439
Speaker 2: Yeah, that's a good point, like why they're there, but

2103
01:51:57,840 --> 01:51:59,519
Speaker 2: there's no interior of that house?

2104
01:51:59,600 --> 01:52:03,280
Speaker 3: Yeah kid, no, no, But I mean, weren't weren't Brian

2105
01:52:03,400 --> 01:52:06,240
Speaker 3: and Mia living in that house when it got blown up?

2106
01:52:06,720 --> 01:52:09,640
Speaker 3: And wasn't Dom living there with them? Because remember he

2107
01:52:09,720 --> 01:52:12,160
Speaker 3: comes out of the house and he's like, go package

2108
01:52:12,160 --> 01:52:15,840
Speaker 3: from Han, Right, Yeah, you're right, So they were they

2109
01:52:15,920 --> 01:52:18,360
Speaker 3: all living there together and then it when it blew up,

2110
01:52:18,600 --> 01:52:22,160
Speaker 3: Dom and let he moved out to the country and

2111
01:52:22,200 --> 01:52:24,640
Speaker 3: then Brian and Mia moved to the wherever it is

2112
01:52:24,680 --> 01:52:28,360
Speaker 3: they live and now and now I guess they're going

2113
01:52:28,400 --> 01:52:30,679
Speaker 3: to rebuild it, and they're all at least at least

2114
01:52:31,240 --> 01:52:33,720
Speaker 3: Dom and me. Why did I even ask this question.

2115
01:52:35,200 --> 01:52:38,479
Speaker 4: The commissioner. But I think that Dom has the deed.

2116
01:52:38,760 --> 01:52:41,040
Speaker 4: He got it when he said his price was thirteen

2117
01:52:41,040 --> 01:52:42,200
Speaker 4: to twenty right right.

2118
01:52:42,840 --> 01:52:45,200
Speaker 1: Yeah, fast and furious. Ten will be Dom and Jacob

2119
01:52:45,240 --> 01:52:53,639
Speaker 1: and Mia arguing over. Actually we got one mid credit scene.

2120
01:52:53,920 --> 01:52:57,960
Speaker 1: It is DECKERD who's U doing some work on the

2121
01:52:57,960 --> 01:53:00,400
Speaker 1: punching bag. There's a guy in it.

2122
01:53:00,960 --> 01:53:03,200
Speaker 2: Just just straight up torturing again.

2123
01:53:04,680 --> 01:53:05,719
Speaker 3: A little, a little.

2124
01:53:05,520 --> 01:53:09,600
Speaker 1: Weird, but knock on the door and yes, Han arrives

2125
01:53:10,040 --> 01:53:12,800
Speaker 1: at the door and they have a little quick just

2126
01:53:12,800 --> 01:53:15,000
Speaker 1: just face to face, and that's the cliffhanger JD. So

2127
01:53:16,040 --> 01:53:19,360
Speaker 1: what will this mean? My gut says, Han is not

2128
01:53:19,439 --> 01:53:22,040
Speaker 1: going to be, you know, come and looking for trouble.

2129
01:53:22,280 --> 01:53:25,800
Speaker 1: I don't think, No, I don't know, but we need

2130
01:53:25,840 --> 01:53:26,719
Speaker 1: to settle the score.

2131
01:53:26,800 --> 01:53:30,360
Speaker 2: I guess I think that Han is there to to

2132
01:53:30,800 --> 01:53:36,479
Speaker 2: recruit Shah into doing something. You owe me man, and

2133
01:53:36,520 --> 01:53:38,640
Speaker 2: Shah even said in Hobbs and Shaw, I have a

2134
01:53:38,640 --> 01:53:41,360
Speaker 2: lot to atone for or I have a lot to

2135
01:53:41,520 --> 01:53:44,639
Speaker 2: make up for. There's things that I regret. Is basically

2136
01:53:44,720 --> 01:53:48,439
Speaker 2: what he's said in the past. So and I think that, well,

2137
01:53:48,520 --> 01:53:52,600
Speaker 2: we know that that's specifically referring to killing Han what

2138
01:53:52,760 --> 01:53:56,559
Speaker 2: he thought was killing Han. So I think it's gonna

2139
01:53:56,600 --> 01:53:58,880
Speaker 2: He's just gonna be like, I need you for something,

2140
01:53:58,920 --> 01:54:02,559
Speaker 2: and then Shaw's gonna be like, I'm in, let's do this,

2141
01:54:03,560 --> 01:54:07,080
Speaker 2: leaves guy in the bag dies, I guess or whatever.

2142
01:54:07,360 --> 01:54:09,080
Speaker 4: Hold on, I ever go and sit this guy real

2143
01:54:09,160 --> 01:54:10,599
Speaker 4: quick before we get down to business.

2144
01:54:11,000 --> 01:54:14,200
Speaker 2: Yeah, but yeah, I thought, I'm hoping that's what it

2145
01:54:14,280 --> 01:54:17,519
Speaker 2: is because I would love to see Shaw and Han

2146
01:54:17,640 --> 01:54:21,360
Speaker 2: working together because I love those two characters, and I

2147
01:54:21,400 --> 01:54:25,520
Speaker 2: don't want to hold him for a not Abs. Yeah.

2148
01:54:25,160 --> 01:54:29,360
Speaker 2: Well yeah, or Han in Hobs and Shaw or something.

2149
01:54:29,439 --> 01:54:31,840
Speaker 2: I mean, I don't know, Yeah.

2150
01:54:31,760 --> 01:54:36,520
Speaker 1: Han and Dix ex Han all right, Yeah, no, No,

2151
01:54:36,600 --> 01:54:39,200
Speaker 1: you're probably right. I think that's where we're gonna This

2152
01:54:39,240 --> 01:54:41,720
Speaker 1: will pay off, I guess is what you're getting where

2153
01:54:41,760 --> 01:54:44,800
Speaker 1: either yeah, Decker will owe him something or they'll just

2154
01:54:44,840 --> 01:54:47,080
Speaker 1: work together or whatever and we'll be off and running.

2155
01:54:47,680 --> 01:54:50,080
Speaker 1: Anything to add to that mid credit scene there, Trey.

2156
01:54:50,880 --> 01:54:53,040
Speaker 4: If Han is gonna somehow make his way into the

2157
01:54:53,040 --> 01:54:54,280
Speaker 4: Hobbs and Shaw universe.

2158
01:54:54,480 --> 01:54:55,840
Speaker 1: Sign me up.

2159
01:54:57,440 --> 01:54:59,760
Speaker 4: I was feeling the exact same way. You know, there's

2160
01:54:59,800 --> 01:55:01,960
Speaker 4: the like Jad mentions in Hobbs and Shaw that he's

2161
01:55:01,960 --> 01:55:04,720
Speaker 4: saying he has to atone for it, like Matt is

2162
01:55:04,720 --> 01:55:08,400
Speaker 4: saying Han's return was a big part of Justin Lynn

2163
01:55:08,480 --> 01:55:11,600
Speaker 4: coming back. The guy loves making movies with his buddy

2164
01:55:11,600 --> 01:55:16,520
Speaker 4: Han apparently, so yeah, it seems that you know the

2165
01:55:16,560 --> 01:55:20,320
Speaker 4: Fast and Furious fandom, and the director wants some sort

2166
01:55:20,360 --> 01:55:22,839
Speaker 4: of revenge for Han. But as we know now, Shaw's

2167
01:55:22,920 --> 01:55:24,280
Speaker 4: kind of on the team. How are they going to

2168
01:55:24,320 --> 01:55:26,480
Speaker 4: go about it? If it takes place in a Hobbs

2169
01:55:26,520 --> 01:55:29,160
Speaker 4: and Shaw movie, that would be incredible. I don't think

2170
01:55:29,200 --> 01:55:31,880
Speaker 4: that's going to be the case. But uh, even if

2171
01:55:31,880 --> 01:55:34,520
Speaker 4: it's in Fast ten sure, I mean getting Han to

2172
01:55:34,560 --> 01:55:36,760
Speaker 4: interact with these characters that he doesn't really know much

2173
01:55:36,800 --> 01:55:38,960
Speaker 4: at all, Like Deckard and him haven't shared a scene

2174
01:55:38,960 --> 01:55:40,440
Speaker 4: together except for a fake scene.

2175
01:55:40,240 --> 01:55:43,240
Speaker 1: So let's see what happens. Han needs to grow his

2176
01:55:43,280 --> 01:55:45,720
Speaker 1: hair out again, though, like a better long and he

2177
01:55:45,880 --> 01:55:47,800
Speaker 1: looks so much cooler with.

2178
01:55:47,760 --> 01:55:50,360
Speaker 2: The long hair to me. Agreed, Yeah, I agree.

2179
01:55:50,280 --> 01:55:55,320
Speaker 1: Yeah, so please do that. Okay, that's the movie. Let's

2180
01:55:55,320 --> 01:55:59,120
Speaker 1: do the fast furious things. He liked Jad you get

2181
01:55:59,200 --> 01:56:01,000
Speaker 1: it started. What would you like the most about this movie?

2182
01:56:01,080 --> 01:56:05,200
Speaker 2: Oh, not a lot, if I'm being honest, Like I said,

2183
01:56:05,280 --> 01:56:09,160
Speaker 2: I liked Han and Sean reuniting at the end. When

2184
01:56:09,200 --> 01:56:12,240
Speaker 2: I scrubbed through this morning with my sound editing hat on,

2185
01:56:12,600 --> 01:56:15,640
Speaker 2: I enjoyed the sound in this movie. The sound effects

2186
01:56:15,640 --> 01:56:16,040
Speaker 2: are cool.

2187
01:56:17,080 --> 01:56:19,200
Speaker 3: We're scraping the bottom of the barrel.

2188
01:56:19,360 --> 01:56:23,600
Speaker 2: Well, hey, you know, it is pretty amazing when you

2189
01:56:23,680 --> 01:56:27,720
Speaker 2: think that the only sound that they can use on

2190
01:56:27,960 --> 01:56:31,040
Speaker 2: set is what there is the dialogue, right, that's all

2191
01:56:31,080 --> 01:56:34,880
Speaker 2: the only sound that is used from the actual set.

2192
01:56:35,000 --> 01:56:38,120
Speaker 2: So you watch some of these action sequences and this

2193
01:56:38,360 --> 01:56:41,080
Speaker 2: the sound effects are amazing, like like they do such

2194
01:56:41,080 --> 01:56:44,360
Speaker 2: a great job of just bringing bringing it to life.

2195
01:56:44,400 --> 01:56:47,120
Speaker 2: I mean, just turn just mute it and watch it.

2196
01:56:47,600 --> 01:56:50,280
Speaker 2: That's what they're That's what they're looking at half the time.

2197
01:56:50,360 --> 01:56:53,480
Speaker 2: You know, uh, the sound editors and the mixers and stuff,

2198
01:56:53,480 --> 01:56:55,040
Speaker 2: and I think they do it do a great job.

2199
01:56:55,080 --> 01:56:57,800
Speaker 2: But this is the case with every movie. So you know,

2200
01:56:58,040 --> 01:56:59,280
Speaker 2: tip of the cap to.

2201
01:56:59,320 --> 01:57:02,880
Speaker 3: The ually made it sound like you made it sound

2202
01:57:02,920 --> 01:57:04,600
Speaker 3: like they had to do it differently than every other.

2203
01:57:04,840 --> 01:57:07,840
Speaker 2: No, they don't. It's but I'm just just you know,

2204
01:57:07,960 --> 01:57:11,880
Speaker 2: scraping the barrel here like that. And I enjoyed the

2205
01:57:11,880 --> 01:57:15,520
Speaker 2: Star Wars references. Yes, you mentioned them. Uh, there was

2206
01:57:15,560 --> 01:57:18,440
Speaker 2: actually in speaking of sound, there is definitely some some

2207
01:57:18,520 --> 01:57:22,560
Speaker 2: sound effects from Star Wars in the movie. Uh there's

2208
01:57:22,680 --> 01:57:26,880
Speaker 2: the Millennium Falcon shutting down or like breaking down in

2209
01:57:26,960 --> 01:57:30,160
Speaker 2: one of the scenes. There's I'm pretty sure there's a

2210
01:57:30,200 --> 01:57:34,360
Speaker 2: tie Fighter blaster shot. There's a Willhelm scream, which is

2211
01:57:34,400 --> 01:57:38,680
Speaker 2: in a lot of movies, but there's definitely one hidden

2212
01:57:38,720 --> 01:57:41,360
Speaker 2: in there. So that was pretty cool, you know. But

2213
01:57:41,640 --> 01:57:43,640
Speaker 2: other than that, I don't I don't really I don't

2214
01:57:43,680 --> 01:57:45,920
Speaker 2: have a favorite scene or anything. I don't have a

2215
01:57:46,040 --> 01:57:47,200
Speaker 2: favorite quote, none of it.

2216
01:57:47,800 --> 01:57:50,000
Speaker 1: Just like, do you think it's possible GD that we

2217
01:57:50,000 --> 01:57:54,160
Speaker 1: get a crossover movie Star Wars and Fast and Furious.

2218
01:57:55,120 --> 01:57:59,600
Speaker 2: Anything's possible, Anything's possible. Disney has to buy Fast and Furious.

2219
01:57:59,640 --> 01:58:02,360
Speaker 2: That's what I to happen. And then and then we're

2220
01:58:02,360 --> 01:58:05,520
Speaker 2: gonna get Fast and Furious and Avengers Fast and Furious,

2221
01:58:05,520 --> 01:58:11,520
Speaker 2: Star Wars, Fast Furious. The possibilities are endless.

2222
01:58:11,560 --> 01:58:13,760
Speaker 1: Can't wait? Okay, Maddie, I will go to you next

2223
01:58:14,440 --> 01:58:16,640
Speaker 1: the fast part of the podcast. Things you liked.

2224
01:58:17,560 --> 01:58:21,680
Speaker 3: I'll say the first set piece in Central America was

2225
01:58:21,680 --> 01:58:26,120
Speaker 3: was my favorite, mostly by process of elimination. Not a

2226
01:58:26,160 --> 01:58:28,960
Speaker 3: phantom magnet is great. It's great to hear Roman say

2227
01:58:29,000 --> 01:58:33,600
Speaker 3: my ass is in fueg. And something I really like,

2228
01:58:33,760 --> 01:58:37,320
Speaker 3: very small thing. I love the way that Helen Muren

2229
01:58:37,360 --> 01:58:48,400
Speaker 3: says Dominic Toretto. Dominic Toretto. You that sums it up

2230
01:58:48,800 --> 01:58:49,200
Speaker 3: all right.

2231
01:58:51,080 --> 01:58:53,920
Speaker 1: Wow, so far we were talking about Helen Murean saying

2232
01:58:53,920 --> 01:58:56,040
Speaker 1: Toretto as the sound guys.

2233
01:58:56,320 --> 01:58:58,440
Speaker 2: Oh wow. One more thing that I liked. I liked

2234
01:58:58,520 --> 01:59:02,120
Speaker 2: Roman started being the voice of the meta voice of

2235
01:59:02,160 --> 01:59:05,680
Speaker 2: the audience, especially when Han is like this, Han sets

2236
01:59:05,680 --> 01:59:09,480
Speaker 2: down to get to his flashbackstory and explain how he's there,

2237
01:59:09,800 --> 01:59:13,320
Speaker 2: and he's he's Roman is literally saying what I'm saying

2238
01:59:13,320 --> 01:59:15,840
Speaker 2: out loud, just get to the part where you didn't

2239
01:59:15,840 --> 01:59:18,720
Speaker 2: blow up, right, Like, that's all we really care about

2240
01:59:18,840 --> 01:59:23,080
Speaker 2: is tell us how you're alive. Right. But then the

2241
01:59:23,120 --> 01:59:26,240
Speaker 2: whole thing of uh, you know, I thought there was

2242
01:59:26,280 --> 01:59:28,640
Speaker 2: a bit of a blown out opportunity where he's just

2243
01:59:28,680 --> 01:59:31,920
Speaker 2: having this sort of this crisis of conscience or whatever

2244
01:59:31,960 --> 01:59:34,440
Speaker 2: it is where he's like, are we invincible? Like, is

2245
01:59:34,480 --> 01:59:38,839
Speaker 2: it possible that we're invincible? Oh, it's possible, or as possible.

2246
01:59:38,880 --> 01:59:41,720
Speaker 2: You're a dumb ass wack any whack any whack you know,

2247
01:59:41,920 --> 01:59:48,880
Speaker 2: Like I don't know what, but I think the score

2248
01:59:48,960 --> 01:59:50,000
Speaker 2: literally does that that.

2249
01:59:51,720 --> 01:59:55,280
Speaker 3: On the next Okay, Trey, what about you?

2250
01:59:55,320 --> 01:59:56,200
Speaker 1: What'd you like about this?

2251
01:59:56,320 --> 01:59:59,440
Speaker 4: Oh? I liked many things. I did like young Dom

2252
01:59:59,480 --> 02:00:02,440
Speaker 4: and Jacob. I love seeing the crew as they would

2253
02:00:02,480 --> 02:00:05,320
Speaker 4: have been like forming, even though they left out Leon

2254
02:00:05,440 --> 02:00:07,360
Speaker 4: but fair enough, he didn't really do much in the

2255
02:00:07,360 --> 02:00:09,919
Speaker 4: first movie. I thought it was a great movie for Ramsey.

2256
02:00:10,080 --> 02:00:13,200
Speaker 4: Like Matt, I also loved the jungle scene. I thought

2257
02:00:13,200 --> 02:00:14,840
Speaker 4: it was a nice little play on the trope of

2258
02:00:14,880 --> 02:00:16,400
Speaker 4: going across the rickety bridge.

2259
02:00:16,680 --> 02:00:17,960
Speaker 1: Now we're doing it with cars.

2260
02:00:18,440 --> 02:00:21,720
Speaker 4: That was good for me. As for a scene, the

2261
02:00:22,000 --> 02:00:25,040
Speaker 4: scene that I most wish I had seen in theaters

2262
02:00:25,400 --> 02:00:29,800
Speaker 4: is when they go and meet Sean, Earl and Twinkie

2263
02:00:30,320 --> 02:00:32,360
Speaker 4: and they're talking and you know, at the very end,

2264
02:00:32,880 --> 02:00:36,120
Speaker 4: Roman and Teje say Dominic Tretto sent us and they're

2265
02:00:36,120 --> 02:00:38,760
Speaker 4: all like, oh, and then Earl says.

2266
02:00:39,120 --> 02:00:40,320
Speaker 1: Who's Dominic Toretto?

2267
02:00:41,160 --> 02:00:41,400
Speaker 2: Right?

2268
02:00:41,920 --> 02:00:44,520
Speaker 4: That to me would have absolutely.

2269
02:00:44,040 --> 02:00:44,880
Speaker 1: Killed in the theater.

2270
02:00:45,120 --> 02:00:47,400
Speaker 4: Oh, I would have been loving to yuck it up

2271
02:00:47,400 --> 02:00:49,560
Speaker 4: for that one. And that was the single best joke

2272
02:00:49,600 --> 02:00:52,040
Speaker 4: in this to me, and not a surprise that it

2273
02:00:52,080 --> 02:00:54,960
Speaker 4: comes from somebody who's kind of like, oh, this guy

2274
02:00:55,040 --> 02:00:58,320
Speaker 4: is part of the universe. Okay, great us certainly add

2275
02:00:58,360 --> 02:01:02,640
Speaker 4: of a move. So yeah, uh, less things I liked

2276
02:01:02,640 --> 02:01:05,600
Speaker 4: in this than in a general fast and Furious and

2277
02:01:06,200 --> 02:01:08,680
Speaker 4: I don't know, I feel like it's an early Peaker

2278
02:01:08,760 --> 02:01:10,959
Speaker 4: as well, and that's a that's bad.

2279
02:01:10,760 --> 02:01:13,800
Speaker 1: For me when it comes to scoring. Yeah, and again,

2280
02:01:13,960 --> 02:01:18,160
Speaker 1: apologies to Earle. I forgot about you, so I can't

2281
02:01:18,200 --> 02:01:21,640
Speaker 1: believe you were in fat you adrift? I don't remember, okay,

2282
02:01:21,920 --> 02:01:25,520
Speaker 1: the furious part, what made you angry? Or the dumbest scene.

2283
02:01:25,560 --> 02:01:27,600
Speaker 1: I mean, you can throw in any random observations if

2284
02:01:27,600 --> 02:01:29,240
Speaker 1: you want to. Matt will start with you.

2285
02:01:30,760 --> 02:01:32,600
Speaker 3: Well, you know, I was nervous when you asked me

2286
02:01:32,640 --> 02:01:34,080
Speaker 3: to come on for the first one. That I was

2287
02:01:34,280 --> 02:01:35,760
Speaker 3: because I didn't want to come on and talk about

2288
02:01:35,760 --> 02:01:37,040
Speaker 3: it if I hated it, and I thought I was

2289
02:01:37,080 --> 02:01:38,200
Speaker 3: gonna hate it. But I was like, you know what,

2290
02:01:38,240 --> 02:01:41,720
Speaker 3: this is a perfectly good action movie. Unfortunately, yeah's five

2291
02:01:41,800 --> 02:01:44,920
Speaker 3: this one I really hated because they ruined it, like

2292
02:01:45,200 --> 02:01:49,880
Speaker 3: John Cena sucks. Auto sucks. Like there's a scene when

2293
02:01:49,960 --> 02:01:53,320
Speaker 3: the scene when Dom goes see Helen Mirren. I'm sorry,

2294
02:01:53,360 --> 02:01:55,080
Speaker 3: I never remember what Helen Mirren's name is in this

2295
02:01:55,480 --> 02:01:58,760
Speaker 3: and she's like Queenie and she's like, are you looking

2296
02:01:58,760 --> 02:02:01,560
Speaker 3: for my son? And like and I'm like, oh, yeah,

2297
02:02:01,640 --> 02:02:03,520
Speaker 3: be looking for her son. Be looking for her son.

2298
02:02:03,560 --> 02:02:05,080
Speaker 3: And he's like no, I'm.

2299
02:02:04,880 --> 02:02:06,520
Speaker 1: Like, oh god, damn it.

2300
02:02:09,280 --> 02:02:13,120
Speaker 3: Sina sucks. Auto sucks. Where's the rock? Where's Statham? I

2301
02:02:13,160 --> 02:02:17,040
Speaker 3: hate the Han flashback, like this idea that they were like, geez,

2302
02:02:17,040 --> 02:02:18,880
Speaker 3: we gotta keep having Han in these movies. So they

2303
02:02:19,000 --> 02:02:23,280
Speaker 3: rewrite the whole timeline of the franchise to keep having Han,

2304
02:02:23,400 --> 02:02:26,000
Speaker 3: keep having Han, till finally they're like, they got to

2305
02:02:26,000 --> 02:02:28,000
Speaker 3: deliver on this promise of him saying, well, I gotta

2306
02:02:28,040 --> 02:02:30,840
Speaker 3: go to Tokyo. I gotta go to Tokyo. So now

2307
02:02:31,000 --> 02:02:33,800
Speaker 3: they're like, well, okay, now we gotta explain the whole thing,

2308
02:02:34,160 --> 02:02:34,919
Speaker 3: and that.

2309
02:02:34,920 --> 02:02:36,160
Speaker 1: Was what you came up with.

2310
02:02:36,200 --> 02:02:39,040
Speaker 3: It's like, mister nobody works some magic. What's the magic?

2311
02:02:39,400 --> 02:02:39,920
Speaker 3: Who knows?

2312
02:02:40,040 --> 02:02:43,160
Speaker 1: So it's always the why why did it's? Mister nobody

2313
02:02:43,280 --> 02:02:44,800
Speaker 1: can be the answer for anything.

2314
02:02:45,000 --> 02:02:50,680
Speaker 3: It's like, yeah, anyways, so I really did not like

2315
02:02:50,760 --> 02:02:53,280
Speaker 3: this and all, and then another movie of Cipher in a.

2316
02:02:53,240 --> 02:02:57,840
Speaker 1: Cage not down with it? Okay, Trey, we'll go to you.

2317
02:02:58,120 --> 02:02:59,000
Speaker 1: What made you furious?

2318
02:02:59,200 --> 02:03:02,000
Speaker 4: They don't even mention Hobbs in this movie. His name

2319
02:03:02,080 --> 02:03:06,440
Speaker 4: doesn't even come up. That's crazy to me. Wow, Like,

2320
02:03:06,800 --> 02:03:09,920
Speaker 4: I mean, even if you don't like him, he's still

2321
02:03:09,960 --> 02:03:12,720
Speaker 4: a part of the world. Yeah, he's gonna be coming back,

2322
02:03:12,840 --> 02:03:15,360
Speaker 4: Like The Rock has said, Yeah, I'm in for Fast ten.

2323
02:03:15,840 --> 02:03:18,640
Speaker 4: Probably just had to let you know, tensions cool down

2324
02:03:18,680 --> 02:03:19,440
Speaker 4: for a little bit here.

2325
02:03:19,480 --> 02:03:21,520
Speaker 2: But he's gonna I don't think he is. I don't

2326
02:03:21,520 --> 02:03:26,120
Speaker 2: think he'll last. I think there was any article in

2327
02:03:26,480 --> 02:03:31,040
Speaker 2: Entertainment Weekly the last month saying I'm not coming back,

2328
02:03:31,080 --> 02:03:33,080
Speaker 2: he says. He says he's not coming.

2329
02:03:32,800 --> 02:03:35,880
Speaker 3: Back, But will he do another Hobbs and Job.

2330
02:03:36,120 --> 02:03:38,520
Speaker 2: Yes, I believe he is in for Hobbs and Child,

2331
02:03:38,560 --> 02:03:40,600
Speaker 2: but he's not coming back to Fast and Furious.

2332
02:03:40,800 --> 02:03:42,560
Speaker 3: So that means we're getting two more of these movies

2333
02:03:42,600 --> 02:03:44,520
Speaker 3: at least that are not having the Rock in it.

2334
02:03:45,360 --> 02:03:47,760
Speaker 4: They got to bring him back, They're bringing him back,

2335
02:03:48,120 --> 02:03:51,320
Speaker 4: he says. No Vinn says, no, he's coming back. He's

2336
02:03:51,360 --> 02:03:54,720
Speaker 4: got to. They're missing him big time. They're missing him.

2337
02:03:55,040 --> 02:03:59,640
Speaker 4: They're missing Jason Statham, like you're saying Matt Ryan Reynolds,

2338
02:03:59,680 --> 02:04:03,000
Speaker 4: like he has no relation to this franchise yet at all,

2339
02:04:03,040 --> 02:04:05,280
Speaker 4: but like he would have been a huge help here.

2340
02:04:05,680 --> 02:04:09,600
Speaker 4: It's just so serious the entire movie, except for when

2341
02:04:09,640 --> 02:04:12,560
Speaker 4: it's Roman and Tege, and to me, they're just explaining

2342
02:04:12,560 --> 02:04:15,840
Speaker 4: what's happening, like, isn't this crazy what we're doing? Where

2343
02:04:15,880 --> 02:04:19,240
Speaker 4: really it should be us who're watching this and be like, wow,

2344
02:04:19,400 --> 02:04:21,600
Speaker 4: this is crazy what they're doing, because that's what it's like.

2345
02:04:21,640 --> 02:04:24,320
Speaker 4: When you're watching Fast five and they're driving with the

2346
02:04:24,360 --> 02:04:26,920
Speaker 4: safe behind and they're smashing into everything, you're like, wow,

2347
02:04:27,240 --> 02:04:29,240
Speaker 4: I had never thought about that as a stunt for

2348
02:04:29,320 --> 02:04:32,000
Speaker 4: them to do. And this it's more like, huh, wouldn't

2349
02:04:32,000 --> 02:04:34,240
Speaker 4: that be funny if they go to space? Oh they're

2350
02:04:34,280 --> 02:04:36,320
Speaker 4: in space talking about how it's funny that they went

2351
02:04:36,360 --> 02:04:36,760
Speaker 4: to space.

2352
02:04:36,840 --> 02:04:38,760
Speaker 1: Yeah, yeah, you know. And that's what it is.

2353
02:04:38,800 --> 02:04:43,400
Speaker 4: To me. It's just they're trying to do everything that

2354
02:04:43,440 --> 02:04:46,560
Speaker 4: everybody's been talking about for twenty years. The stuff that works,

2355
02:04:46,640 --> 02:04:49,600
Speaker 4: I think works when like that's why I like the

2356
02:04:49,680 --> 02:04:52,720
Speaker 4: going back in time stuff. It's like, oh, that's something

2357
02:04:52,760 --> 02:04:54,760
Speaker 4: that you have been talking about and people are kind

2358
02:04:54,800 --> 02:04:57,640
Speaker 4: of curious about. Let's see what it would look like.

2359
02:04:57,720 --> 02:05:00,480
Speaker 4: That hit to me, But you know the others, it's

2360
02:05:00,520 --> 02:05:03,520
Speaker 4: just like, oh, yo, chill out, Vin Diesels. We're trying

2361
02:05:03,520 --> 02:05:05,400
Speaker 4: to have fun here and you're trying to make a

2362
02:05:05,440 --> 02:05:08,800
Speaker 4: serious thing. And it's like you can tell what's going

2363
02:05:08,840 --> 02:05:11,200
Speaker 4: on when you call the movie the saga. This should

2364
02:05:11,240 --> 02:05:14,000
Speaker 4: not be a saga. This is like a romp or

2365
02:05:14,040 --> 02:05:17,920
Speaker 4: an adventure, like it's supposed to be a fun popcorn movie,

2366
02:05:18,040 --> 02:05:20,560
Speaker 4: not with like these heavy themes of saviors and death.

2367
02:05:20,600 --> 02:05:22,800
Speaker 4: I don't think it's just like, chill out a little bit,

2368
02:05:22,920 --> 02:05:25,280
Speaker 4: have some fun. Your head's just a little bit up

2369
02:05:25,280 --> 02:05:26,320
Speaker 4: your ass at this point.

2370
02:05:27,040 --> 02:05:30,160
Speaker 1: JD, can you pick just one thing that made you furious?

2371
02:05:30,800 --> 02:05:33,880
Speaker 2: No, And Matt and Tray pretty much summed it up.

2372
02:05:33,920 --> 02:05:39,560
Speaker 2: It's just they want to service everybody. You can't please everybody.

2373
02:05:40,920 --> 02:05:43,600
Speaker 2: And then, at the same time Matt said it earlier,

2374
02:05:43,720 --> 02:05:46,880
Speaker 2: you're letting a maniac dictate who is and who isn't

2375
02:05:46,920 --> 02:05:49,120
Speaker 2: in this movie, and who shines and who doesn't shine

2376
02:05:49,160 --> 02:05:53,480
Speaker 2: in the movie. And then you're also trying to stay

2377
02:05:54,040 --> 02:05:59,720
Speaker 2: meta but also keep a character who the actor has

2378
02:05:59,760 --> 02:06:04,240
Speaker 2: act passed away alive. Right, you can't have it both ways, right,

2379
02:06:04,320 --> 02:06:09,160
Speaker 2: Like the audience knows that that Paul Walker has passed away, Brian,

2380
02:06:09,680 --> 02:06:12,000
Speaker 2: we know, we know he's never coming back. It's just

2381
02:06:12,160 --> 02:06:16,560
Speaker 2: such a huge wrench in the operation, as Trey said earlier,

2382
02:06:17,040 --> 02:06:20,760
Speaker 2: And it's just it's it's just a disaster, I think

2383
02:06:21,520 --> 02:06:25,320
Speaker 2: in writing and uh and the coming off of Hobsonschaw,

2384
02:06:25,360 --> 02:06:27,840
Speaker 2: which I loved and I gave it ten uh two.

2385
02:06:29,080 --> 02:06:32,640
Speaker 2: This is just god, what a what a what a

2386
02:06:32,760 --> 02:06:35,520
Speaker 2: chore to watch this? And I know that sounds ridiculous,

2387
02:06:35,600 --> 02:06:38,080
Speaker 2: and you know, I had to remind myself, you know what,

2388
02:06:38,120 --> 02:06:39,840
Speaker 2: I'm kind I'm kind of getting paid to do this,

2389
02:06:40,000 --> 02:06:42,920
Speaker 2: So I'm getting paid to watch this movie sort of.

2390
02:06:43,280 --> 02:06:44,960
Speaker 2: I'm not that they didn't hire me to do this,

2391
02:06:45,040 --> 02:06:46,000
Speaker 2: but this is what I'm doing.

2392
02:06:48,160 --> 02:06:51,000
Speaker 1: Well, that's what's so disappointing that this is our last

2393
02:06:51,040 --> 02:06:54,160
Speaker 1: one here of this epics all summer long watch here.

2394
02:06:54,320 --> 02:06:57,760
Speaker 1: Of all the movies from the franchise, like this one

2395
02:06:57,840 --> 02:07:00,960
Speaker 1: is is one of the worst ending on such a

2396
02:07:01,040 --> 02:07:05,560
Speaker 1: like a boy that was actually horrible and there's not

2397
02:07:05,600 --> 02:07:07,120
Speaker 1: a lot of great things to say about it, and

2398
02:07:07,160 --> 02:07:09,400
Speaker 1: it wasn't even like all that funny, like Tray said,

2399
02:07:09,400 --> 02:07:11,480
Speaker 1: it's a little too serious. It's just a bummer. I

2400
02:07:11,480 --> 02:07:14,440
Speaker 1: wish uh, I wish it was fast five ending us here,

2401
02:07:15,240 --> 02:07:17,640
Speaker 1: but it's not. So we'll get to ranking it here.

2402
02:07:18,080 --> 02:07:20,520
Speaker 3: Well, look when you when when the next two come out,

2403
02:07:20,560 --> 02:07:22,640
Speaker 3: you're gonna do them and do a podcast on them

2404
02:07:22,680 --> 02:07:23,520
Speaker 3: and ever, yeah.

2405
02:07:23,400 --> 02:07:24,200
Speaker 1: I guess we sort of have.

2406
02:07:24,440 --> 02:07:26,400
Speaker 3: So you got two more bites of the apple. Yeah,

2407
02:07:26,400 --> 02:07:30,280
Speaker 3: you're right, right, it's important that then eleven ends. Well

2408
02:07:30,320 --> 02:07:31,200
Speaker 3: that's what you really want.

2409
02:07:31,240 --> 02:07:34,160
Speaker 1: Oh yeah, right, Well, then there's another Shaw for sure,

2410
02:07:34,200 --> 02:07:36,920
Speaker 1: and then there's a Hant and Shaw coming, and then

2411
02:07:36,920 --> 02:07:41,720
Speaker 1: there's a little a little Brian and Brian and Jael

2412
02:07:42,080 --> 02:07:46,560
Speaker 1: or something. Yeah, Brian and Jack you'll laugh. Now that'll

2413
02:07:46,600 --> 02:07:51,040
Speaker 1: be around in two years for sure. Okay, so we're

2414
02:07:51,040 --> 02:07:53,280
Speaker 1: gonna we're gonna rate this and then we'll do our

2415
02:07:53,320 --> 02:07:57,680
Speaker 1: official sort of final leaderboard with all these movies. But Matt,

2416
02:07:57,720 --> 02:08:00,200
Speaker 1: you have something a little different because you've only been

2417
02:08:00,240 --> 02:08:01,840
Speaker 1: on two of our podcast. I don't know if you've

2418
02:08:01,840 --> 02:08:04,400
Speaker 1: actually been keeping score of a or ranking all of

2419
02:08:04,400 --> 02:08:07,200
Speaker 1: your movies as you've watched them here in very fast succession,

2420
02:08:07,440 --> 02:08:09,800
Speaker 1: but you had something else before we get to actually

2421
02:08:10,720 --> 02:08:13,120
Speaker 1: slotting F nine into where we think it falls. What

2422
02:08:13,480 --> 02:08:13,800
Speaker 1: is this?

2423
02:08:14,040 --> 02:08:16,080
Speaker 3: Well, before we get to that JD.

2424
02:08:18,760 --> 02:08:19,400
Speaker 1: F nine F.

2425
02:08:19,400 --> 02:08:24,480
Speaker 3: Nine f nine the greatest keyboard key of all time

2426
02:08:26,400 --> 02:08:28,760
Speaker 3: F nine F nine F nine.

2427
02:08:30,040 --> 02:08:31,880
Speaker 1: Oh yeah, F nine.

2428
02:08:32,400 --> 02:08:37,400
Speaker 3: So that's that's Drake. That was Drake, right, Yeah, that's

2429
02:08:37,440 --> 02:08:38,800
Speaker 3: that's a certified lover boy.

2430
02:08:38,880 --> 02:08:40,040
Speaker 1: Yeah, that's on his new album.

2431
02:08:40,280 --> 02:08:41,680
Speaker 3: Oh okay, cool, it is good.

2432
02:08:41,680 --> 02:08:42,600
Speaker 1: It's really quick.

2433
02:08:43,080 --> 02:08:45,040
Speaker 3: Uh So, like you said, we're or you guys are

2434
02:08:45,040 --> 02:08:46,440
Speaker 3: going to rank the movies in terms of how much

2435
02:08:46,480 --> 02:08:48,920
Speaker 3: you enjoyed them. But first I'm going to rank them

2436
02:08:48,920 --> 02:08:52,640
Speaker 3: by title. Oh so, to be clear, this has nothing

2437
02:08:52,680 --> 02:08:54,080
Speaker 3: to do with how good or bad the movie is.

2438
02:08:54,120 --> 02:08:57,520
Speaker 3: This is based on the title of the movie alone. Okay, okay,

2439
02:08:57,760 --> 02:09:02,440
Speaker 3: and I welcome your suggestions and comments. All right, number

2440
02:09:02,520 --> 02:09:05,720
Speaker 3: nine so not like ly ellis, number nine is the

2441
02:09:05,720 --> 02:09:09,080
Speaker 3: worst one, going to number one? Okay, Fast and Furious?

2442
02:09:10,160 --> 02:09:13,400
Speaker 1: Oh as in the fourth movie, the fourth movie?

2443
02:09:15,640 --> 02:09:18,480
Speaker 3: Yeah yeah, okay, you start with like a big, bombastic

2444
02:09:18,520 --> 02:09:22,080
Speaker 3: title like The Fast and the Furious, and then three

2445
02:09:22,120 --> 02:09:24,120
Speaker 3: more movies go by, and then you come up with one,

2446
02:09:24,120 --> 02:09:25,800
Speaker 3: and you pair it down to just fast and furious,

2447
02:09:25,800 --> 02:09:27,280
Speaker 3: trying to make it sound sleek, trying to make it

2448
02:09:27,280 --> 02:09:29,080
Speaker 3: sound cool. I know it was like sort of like

2449
02:09:29,480 --> 02:09:34,680
Speaker 3: a reset in a way, but it feels like it

2450
02:09:34,760 --> 02:09:37,720
Speaker 3: just feels worse in the original title. And it's also confusing.

2451
02:09:37,960 --> 02:09:42,280
Speaker 3: And it's also the name of a botched government operation. Yeah,

2452
02:09:42,440 --> 02:09:45,920
Speaker 3: this Fast and Furious scandal. Yeah, involving the ATF That's

2453
02:09:45,960 --> 02:09:47,120
Speaker 3: all I know. I do with you.

2454
02:09:47,160 --> 02:09:48,720
Speaker 1: I'm with you on this being one of the worst.

2455
02:09:48,720 --> 02:09:51,680
Speaker 1: It's very confusing, for sure. And you have a number

2456
02:09:52,040 --> 02:09:54,120
Speaker 1: that has an F like five, like you got four

2457
02:09:54,200 --> 02:09:56,720
Speaker 1: to play with there, like you can get creative.

2458
02:09:56,760 --> 02:10:00,760
Speaker 3: But it's a missed opportunity number eight, eight, Fast and

2459
02:10:00,800 --> 02:10:06,240
Speaker 3: Furious six, just because it's like you've named them all

2460
02:10:06,280 --> 02:10:09,600
Speaker 3: like different things, and it's just you're adding a six

2461
02:10:10,360 --> 02:10:12,920
Speaker 3: to it's again not the Fast and Furious, just you're

2462
02:10:12,960 --> 02:10:15,800
Speaker 3: taking the worst title and just adding a six. And

2463
02:10:15,880 --> 02:10:18,720
Speaker 3: I saw that even they thought this was a bad

2464
02:10:18,760 --> 02:10:21,480
Speaker 3: title because they tried to call it furious six. But

2465
02:10:21,560 --> 02:10:24,320
Speaker 3: by the time the movie came out, everyone was calling

2466
02:10:24,400 --> 02:10:26,480
Speaker 3: it Fast and Furious six. They were like, Okay, forget it,

2467
02:10:26,520 --> 02:10:28,520
Speaker 3: we'll just do then we'll just call the next one

2468
02:10:28,560 --> 02:10:33,760
Speaker 3: Furious seven. So number seven the Fate of the Furious

2469
02:10:34,320 --> 02:10:37,680
Speaker 3: now here here. It's like, okay, I like the absurd titles,

2470
02:10:37,680 --> 02:10:39,680
Speaker 3: and you're trying to do something with it, which I respect,

2471
02:10:39,840 --> 02:10:43,840
Speaker 3: but these are this is a tortured phrase, the Fate

2472
02:10:43,920 --> 02:10:47,360
Speaker 3: of the Furious. I just this a bit of a mouthful.

2473
02:10:48,000 --> 02:10:50,640
Speaker 1: You don't You don't enjoy that fate rhymes with eight.

2474
02:10:53,200 --> 02:10:53,920
Speaker 3: You don't enjoy that?

2475
02:10:55,160 --> 02:10:55,760
Speaker 4: You don't like that?

2476
02:10:56,240 --> 02:10:57,160
Speaker 3: Is it the eighth movie?

2477
02:10:57,200 --> 02:10:57,440
Speaker 1: Though?

2478
02:10:57,800 --> 02:10:58,480
Speaker 4: Yeah it is?

2479
02:10:59,600 --> 02:11:01,160
Speaker 1: It comes Furious seven?

2480
02:11:01,440 --> 02:11:05,480
Speaker 3: Yeah, oh it's f a okay, yeah, this one is

2481
02:11:05,520 --> 02:11:05,760
Speaker 3: this one?

2482
02:11:06,040 --> 02:11:06,800
Speaker 2: The eight?

2483
02:11:07,520 --> 02:11:07,680
Speaker 3: Is that?

2484
02:11:08,320 --> 02:11:09,640
Speaker 1: Yeah? The eight of.

2485
02:11:09,640 --> 02:11:11,920
Speaker 2: But did they but did they like that?

2486
02:11:12,320 --> 02:11:13,120
Speaker 3: They did not style?

2487
02:11:13,320 --> 02:11:15,720
Speaker 1: Why did they say? Shut up? That's really good like

2488
02:11:15,800 --> 02:11:17,040
Speaker 1: skate like skater boy.

2489
02:11:17,440 --> 02:11:18,280
Speaker 2: Yeah exactly.

2490
02:11:18,280 --> 02:11:21,160
Speaker 3: Okay, well, I mean that's that. They could have been

2491
02:11:21,240 --> 02:11:24,160
Speaker 3: higher on my list, but they bought it. Number six

2492
02:11:24,640 --> 02:11:26,760
Speaker 3: f nine. I like, you get to the point where

2493
02:11:26,880 --> 02:11:30,240
Speaker 3: just a letter and a number, that's it. Everyone knows

2494
02:11:30,240 --> 02:11:30,680
Speaker 3: what it is.

2495
02:11:30,960 --> 02:11:33,280
Speaker 1: Here's the question. Does it stand for Fast nine or

2496
02:11:33,320 --> 02:11:34,000
Speaker 1: Furious nine?

2497
02:11:35,160 --> 02:11:35,680
Speaker 3: Fast nine?

2498
02:11:36,560 --> 02:11:37,040
Speaker 1: Oh wow?

2499
02:11:37,320 --> 02:11:40,320
Speaker 3: Yeah, well unless it's Furious nine the Fast saga, because

2500
02:11:40,320 --> 02:11:44,320
Speaker 3: it would be weird if Fast. Either way, it's pretty

2501
02:11:44,320 --> 02:11:45,520
Speaker 3: cool when you if you get to the point you

2502
02:11:45,560 --> 02:11:48,360
Speaker 3: can just name your movie, like realistically, they could have

2503
02:11:48,360 --> 02:11:53,120
Speaker 3: just named it f or f f uh number five,

2504
02:11:53,560 --> 02:11:58,320
Speaker 3: Furious seven, you know, probably pretty gutsy to go away

2505
02:11:58,320 --> 02:12:00,800
Speaker 3: from the fast, go straight to the fear. And I

2506
02:12:00,840 --> 02:12:03,200
Speaker 3: also like the way it's like the Furious seven like

2507
02:12:03,240 --> 02:12:05,600
Speaker 3: the Dirty Dozen. I thought it would trying to sound

2508
02:12:05,720 --> 02:12:08,760
Speaker 3: like are they seven? But I don't know who to count,

2509
02:12:08,840 --> 02:12:11,440
Speaker 3: so I couldn't tell ye, like, does the Furious seven

2510
02:12:11,480 --> 02:12:14,160
Speaker 3: refer to a group of the seven characters? Probably probably not.

2511
02:12:15,480 --> 02:12:17,800
Speaker 4: I like it In that movie is the one where

2512
02:12:17,840 --> 02:12:20,080
Speaker 4: you get the line from Dom where he says, this

2513
02:12:20,200 --> 02:12:22,960
Speaker 4: time it ain't just about being fast. It could only

2514
02:12:22,960 --> 02:12:24,640
Speaker 4: happen in a movie called Furious.

2515
02:12:26,720 --> 02:12:29,240
Speaker 3: Okay, So we're getting to the upper tier here. So

2516
02:12:29,680 --> 02:12:33,360
Speaker 3: at number four, the Fast and the Furious Tokyo drift.

2517
02:12:33,600 --> 02:12:36,120
Speaker 3: Because I remember hearing this title for the first time

2518
02:12:36,160 --> 02:12:40,240
Speaker 3: and laughing, right, I mean, it's an absurdly long title.

2519
02:12:40,800 --> 02:12:44,040
Speaker 3: It tells you exactly what it is. They're like, we

2520
02:12:44,120 --> 02:12:47,240
Speaker 3: can't just like we're we're not gonna say like we

2521
02:12:47,280 --> 02:12:50,520
Speaker 3: could just call the Fast and the Furious three could

2522
02:12:50,560 --> 02:12:52,640
Speaker 3: just call it Tokyo Drift, since it's like basically a

2523
02:12:52,680 --> 02:12:55,640
Speaker 3: whole reset. No, we got to use all of it.

2524
02:12:56,240 --> 02:12:58,840
Speaker 3: And I think it's like one of those kind of

2525
02:13:01,200 --> 02:13:04,960
Speaker 3: Mimi titles for lack of a better word, like just long,

2526
02:13:05,080 --> 02:13:09,280
Speaker 3: and it's just it's just amusing. It's in a franchise

2527
02:13:09,280 --> 02:13:12,200
Speaker 3: that's going to be getting more and more insane. I

2528
02:13:12,280 --> 02:13:14,120
Speaker 3: just like that they just went big for the for

2529
02:13:14,200 --> 02:13:20,600
Speaker 3: the title number three fast five alliteration sounds that's that's

2530
02:13:20,640 --> 02:13:23,800
Speaker 3: the reason there. The name itself sounds fast. Don't you agree?

2531
02:13:24,560 --> 02:13:24,960
Speaker 3: That's five?

2532
02:13:25,000 --> 02:13:25,400
Speaker 1: That's five?

2533
02:13:26,080 --> 02:13:28,080
Speaker 3: Five, Yes, it's one word. It could be said as

2534
02:13:28,080 --> 02:13:33,360
Speaker 3: one word. Yeah, it's five. That's that's fine. Number two,

2535
02:13:33,640 --> 02:13:36,840
Speaker 3: The Fast and the Furious, the og the title that

2536
02:13:36,960 --> 02:13:40,560
Speaker 3: started at all? You could say, uh, I don't think

2537
02:13:40,560 --> 02:13:42,720
Speaker 3: that you could separate these movies from their titles. Like,

2538
02:13:43,280 --> 02:13:45,560
Speaker 3: for instance, did you know that this movie was supposed

2539
02:13:45,560 --> 02:13:47,120
Speaker 3: to be called Redline?

2540
02:13:48,400 --> 02:13:48,640
Speaker 2: Yes?

2541
02:13:49,400 --> 02:13:53,920
Speaker 3: Oh okay, what.

2542
02:13:53,800 --> 02:13:55,520
Speaker 1: Did you think when you found it out? Though?

2543
02:13:55,800 --> 02:13:59,040
Speaker 3: Would you also agree that if you had these crazy movies,

2544
02:13:59,160 --> 02:14:01,320
Speaker 3: I know, they were just called red Line, red Line two,

2545
02:14:01,360 --> 02:14:05,120
Speaker 3: red Line three? Like, I think the titles kind of

2546
02:14:05,160 --> 02:14:09,520
Speaker 3: gave it some of its movement in folks to be.

2547
02:14:09,920 --> 02:14:12,400
Speaker 1: I think JD said that back on our first podcast.

2548
02:14:12,760 --> 02:14:14,320
Speaker 3: Okay, good, oh yeah.

2549
02:14:14,240 --> 02:14:16,520
Speaker 2: I love that. I think that should be number one.

2550
02:14:16,560 --> 02:14:19,360
Speaker 2: I know you got Too Fast, Too Furious? Is your

2551
02:14:19,440 --> 02:14:24,560
Speaker 2: number one? Here spoiler alert, Yeah, but yeah, The Fast

2552
02:14:24,600 --> 02:14:27,000
Speaker 2: and the Furious is such a great name and uh

2553
02:14:27,440 --> 02:14:30,440
Speaker 2: totally worth it to Uh what did they got it

2554
02:14:30,480 --> 02:14:33,480
Speaker 2: from Roger Corman? Because he had a movie back in

2555
02:14:33,520 --> 02:14:38,720
Speaker 2: the day and somehow what was it? Uh, Corman got

2556
02:14:38,760 --> 02:14:40,120
Speaker 2: something in return. I can't remember.

2557
02:14:40,160 --> 02:14:44,880
Speaker 1: It was like they had they had a race, you

2558
02:14:44,920 --> 02:14:46,080
Speaker 1: owe me, You owe me?

2559
02:14:46,160 --> 02:14:54,720
Speaker 3: A five word title, okay, and the number one I

2560
02:14:54,720 --> 02:14:56,880
Speaker 3: think probably the worst movie, or at least second worse

2561
02:14:56,920 --> 02:14:58,880
Speaker 3: with you, but I think it's the best title, Too Fast,

2562
02:14:58,920 --> 02:15:02,120
Speaker 3: Too Furious, because wow, we're really going for this. We

2563
02:15:02,520 --> 02:15:04,760
Speaker 3: it's obvious, like the natural thing would just be to

2564
02:15:04,800 --> 02:15:08,000
Speaker 3: call The Fast and the Furious two. Yeah, but they

2565
02:15:08,040 --> 02:15:11,160
Speaker 3: put twos in instead of the uzz and boy is

2566
02:15:11,200 --> 02:15:11,680
Speaker 3: at a winner.

2567
02:15:11,880 --> 02:15:14,440
Speaker 1: But in a weird way, there's two two's does it

2568
02:15:14,480 --> 02:15:15,080
Speaker 1: make it four?

2569
02:15:17,080 --> 02:15:20,080
Speaker 2: It's so interesting? Well, they bring it back for twenty

2570
02:15:20,120 --> 02:15:25,720
Speaker 2: two Fast twenty two twenty two Fast.

2571
02:15:25,640 --> 02:15:29,640
Speaker 1: Twenty shots with Brian Little Brian and Jack.

2572
02:15:31,880 --> 02:15:34,960
Speaker 3: Anyways, this is number it's big, it's crazy, it's dumb,

2573
02:15:34,960 --> 02:15:37,440
Speaker 3: it's in your face, and just like this movie franchise,

2574
02:15:37,480 --> 02:15:39,200
Speaker 3: so too Fast, too furious.

2575
02:15:39,200 --> 02:15:41,520
Speaker 1: All right, a pretty good list. I don't have many

2576
02:15:41,560 --> 02:15:42,400
Speaker 1: problems with that list.

2577
02:15:42,560 --> 02:15:46,720
Speaker 2: Yeah I would switch number one and number two, but yeah,

2578
02:15:46,800 --> 02:15:49,440
Speaker 2: I think it nailed it. If the fade of the

2579
02:15:49,480 --> 02:15:53,200
Speaker 2: furious was used the letter eight ooh, that would have

2580
02:15:53,320 --> 02:15:56,080
Speaker 2: that would have shot it up. I think almost to

2581
02:15:56,160 --> 02:15:58,240
Speaker 2: number three or number four. Maybe.

2582
02:15:58,680 --> 02:16:00,600
Speaker 3: Does anyone have a prediction what the next one will

2583
02:16:00,640 --> 02:16:01,000
Speaker 3: be called?

2584
02:16:02,000 --> 02:16:04,120
Speaker 1: Fast? Ten year seat belts?

2585
02:16:05,560 --> 02:16:07,240
Speaker 2: What about? What about fast X?

2586
02:16:07,320 --> 02:16:08,120
Speaker 1: Yeah?

2587
02:16:09,080 --> 02:16:13,880
Speaker 2: Okay, fast X yeah, fast Roman numerals?

2588
02:16:14,040 --> 02:16:17,200
Speaker 3: What about FX? Oh there's already movie already movie, there's

2589
02:16:17,200 --> 02:16:22,640
Speaker 3: already movie called effects. It was zero No, yeah, F

2590
02:16:22,720 --> 02:16:24,040
Speaker 3: one dash zero.

2591
02:16:24,040 --> 02:16:27,560
Speaker 2: That's okay, And they do formula one in this one.

2592
02:16:27,680 --> 02:16:30,600
Speaker 2: That would be cool. Wow? Interesting?

2593
02:16:30,840 --> 02:16:32,160
Speaker 1: F one zero video game.

2594
02:16:32,440 --> 02:16:36,200
Speaker 3: F zero is a video zero Hawaii five one?

2595
02:16:36,320 --> 02:16:36,560
Speaker 2: Oh?

2596
02:16:37,800 --> 02:16:38,120
Speaker 3: All right?

2597
02:16:38,280 --> 02:16:41,240
Speaker 1: I like that question for everybody watching and listening still

2598
02:16:41,360 --> 02:16:44,120
Speaker 1: over two hours in once again? Uh, what are they

2599
02:16:44,160 --> 02:16:47,720
Speaker 1: going to be calling the tenth? I mean, it's really

2600
02:16:47,760 --> 02:16:49,600
Speaker 1: this is the weird thing. I mean, I don't know.

2601
02:16:49,800 --> 02:16:52,000
Speaker 1: I guess hobbs and Shaw, it's in there, but it's not.

2602
02:16:52,120 --> 02:16:54,160
Speaker 1: So Yeah, the tenth Fast and Furious Movie, what do

2603
02:16:54,160 --> 02:16:56,280
Speaker 1: you want to call it? To your suggestions tweet outus

2604
02:16:56,280 --> 02:16:58,160
Speaker 1: two at No dunk Sinc. And you can email in

2605
02:16:58,200 --> 02:16:59,160
Speaker 1: your suggestions as well.

2606
02:16:59,200 --> 02:17:02,519
Speaker 2: The Hobbs and Enough well too, right because it's uh,

2607
02:17:02,720 --> 02:17:07,840
Speaker 2: The Fast and the Furious presents Hobbs. Yeah but come on, yeah, yeah,

2608
02:17:08,120 --> 02:17:08,520
Speaker 2: never heard.

2609
02:17:08,560 --> 02:17:10,160
Speaker 1: It's like Tokyo draft at this point.

2610
02:17:10,320 --> 02:17:11,520
Speaker 2: Yes, you're just saying it.

2611
02:17:11,959 --> 02:17:14,240
Speaker 1: Okay, I like it. So let's go back to the

2612
02:17:14,280 --> 02:17:16,200
Speaker 1: actual movie that we just watched, Deef nine. We just

2613
02:17:16,240 --> 02:17:19,960
Speaker 1: talked about we weren't loving JD. I want you to

2614
02:17:20,120 --> 02:17:22,680
Speaker 1: rank it or rate it one out of ten and

2615
02:17:22,720 --> 02:17:27,080
Speaker 1: then give us your final you know, leaderboard for this franchise.

2616
02:17:27,120 --> 02:17:28,680
Speaker 1: And I think you said on the last one you

2617
02:17:28,720 --> 02:17:32,040
Speaker 1: were you were changing scores, you were all the other movies.

2618
02:17:32,120 --> 02:17:34,720
Speaker 2: I did, and I went back and I subtracted three

2619
02:17:34,760 --> 02:17:38,440
Speaker 2: points from all it so far.

2620
02:17:38,640 --> 02:17:40,800
Speaker 1: Okay, okay, So this one though, quickly.

2621
02:17:40,680 --> 02:17:43,280
Speaker 2: So this one, uh, you said to rate it one

2622
02:17:43,320 --> 02:17:48,440
Speaker 2: to ten, I'm giving it a zero. Oh wow, I

2623
02:17:48,520 --> 02:17:52,880
Speaker 2: just I can't. There is for two hundred million dollars,

2624
02:17:53,200 --> 02:17:55,400
Speaker 2: this is what we got. We we got the return

2625
02:17:55,520 --> 02:17:58,760
Speaker 2: of Justin Lynn, the return of Han, and it was

2626
02:17:58,920 --> 02:18:02,280
Speaker 2: such a dis appointment. I will admit that I went

2627
02:18:02,320 --> 02:18:04,160
Speaker 2: in with a bit of a bad attitude because I

2628
02:18:04,280 --> 02:18:06,560
Speaker 2: just was I knew that the rock wasn't in it,

2629
02:18:06,959 --> 02:18:09,640
Speaker 2: and I was just I was on such a high

2630
02:18:09,680 --> 02:18:12,320
Speaker 2: from Hobs and Shaw and I just and I mentioned it.

2631
02:18:12,400 --> 02:18:16,640
Speaker 2: I saw the poster and with with Dom staring through

2632
02:18:16,680 --> 02:18:20,800
Speaker 2: my soul, you know we're gonna this is gonna be brutal.

2633
02:18:20,920 --> 02:18:21,280
Speaker 3: And then.

2634
02:18:23,120 --> 02:18:26,960
Speaker 2: Yeah, but you know what, fine, I mean, the people

2635
02:18:27,000 --> 02:18:31,080
Speaker 2: got to get paid, so sure. So anyways, I'm gonna

2636
02:18:31,080 --> 02:18:32,880
Speaker 2: give a zero. I gotta go let my son in,

2637
02:18:32,959 --> 02:18:35,360
Speaker 2: so I'm gonna rank. I'm gonna rank when I come

2638
02:18:35,440 --> 02:18:38,840
Speaker 2: right back. Okay, I'm sorry, excited, I'll be I'll be

2639
02:18:38,959 --> 02:18:39,400
Speaker 2: right back.

2640
02:18:39,680 --> 02:18:42,320
Speaker 1: Okay, you go get him, So we'll go to you here, Trey.

2641
02:18:42,480 --> 02:18:45,039
Speaker 1: You uh you rate this one. You ranked this one,

2642
02:18:45,480 --> 02:18:47,279
Speaker 1: and then give us your rundown.

2643
02:18:47,920 --> 02:18:48,320
Speaker 2: All right.

2644
02:18:48,360 --> 02:18:51,280
Speaker 4: Well, I love the backstory stuff in this. I love

2645
02:18:51,360 --> 02:18:55,760
Speaker 4: the bridge stunt and the monte Quinto entire scene. I

2646
02:18:55,760 --> 02:18:58,480
Speaker 4: thought that was probably the best scene. I did like

2647
02:18:58,520 --> 02:19:01,720
Speaker 4: the magnet weapon and who cares about the physics. It

2648
02:19:01,760 --> 02:19:04,200
Speaker 4: looked awesome when the cars are flying and just you know,

2649
02:19:04,320 --> 02:19:07,720
Speaker 4: like almost like zombies. Just I'll join it up. I

2650
02:19:07,760 --> 02:19:12,760
Speaker 4: love that, but it is tough going from the tonal

2651
02:19:12,879 --> 02:19:15,959
Speaker 4: qualities of Hobbs and Shaw to those of Fast nine.

2652
02:19:16,040 --> 02:19:19,640
Speaker 4: It's just like it feels so dour to me that

2653
02:19:19,720 --> 02:19:21,959
Speaker 4: it has to fall into the OK tier. I'm giving

2654
02:19:21,959 --> 02:19:24,879
Speaker 4: it a six, which is just okay. So for me,

2655
02:19:25,000 --> 02:19:28,040
Speaker 4: I ended up with four tiers here, Tier one, Perfection,

2656
02:19:29,520 --> 02:19:32,680
Speaker 4: Fast five, the first one, and number seven. If I

2657
02:19:32,680 --> 02:19:34,800
Speaker 4: were going to tell people that don't want to actually

2658
02:19:34,800 --> 02:19:38,000
Speaker 4: watch ten movies, I'd say, watch number five, or watch

2659
02:19:38,080 --> 02:19:41,240
Speaker 4: number one. Watch number five, watch number seven, you get

2660
02:19:41,240 --> 02:19:44,280
Speaker 4: the whole story of the first part of the saga.

2661
02:19:44,320 --> 02:19:47,480
Speaker 4: Tier two great. I love these ones. We'll rewatch them

2662
02:19:47,480 --> 02:19:52,080
Speaker 4: a lot, four, three, six, and Hobbs and Shaw. I

2663
02:19:52,120 --> 02:19:54,560
Speaker 4: bumped up number six here I was feeling bad. I

2664
02:19:54,600 --> 02:19:58,879
Speaker 4: had Fast six in the six ok tier. Having now

2665
02:19:58,920 --> 02:20:01,120
Speaker 4: watched all of them, I feel like I undervalued that

2666
02:20:01,160 --> 02:20:02,920
Speaker 4: one a little bit, so I'm bumping up number six.

2667
02:20:03,000 --> 02:20:06,680
Speaker 4: So those are the next tier movies my okay, you

2668
02:20:06,720 --> 02:20:09,840
Speaker 4: know these are fast and furious movies. Eight and nine

2669
02:20:10,879 --> 02:20:13,920
Speaker 4: almost feel like the movie franchise has gotten a little

2670
02:20:13,920 --> 02:20:16,200
Speaker 4: bit too big for itself and my only one and

2671
02:20:16,280 --> 02:20:19,320
Speaker 4: tier number four, the no thanks tier will be too fast,

2672
02:20:19,360 --> 02:20:20,279
Speaker 4: too furious.

2673
02:20:20,560 --> 02:20:24,200
Speaker 1: Okay. So Trey taking us through his tiers there J D. Jackson,

2674
02:20:24,320 --> 02:20:25,400
Speaker 1: the house's okay.

2675
02:20:25,280 --> 02:20:27,520
Speaker 2: Now he made it. Yeah it was he didn't have

2676
02:20:27,560 --> 02:20:29,880
Speaker 2: his key and I've been looking at this front door

2677
02:20:29,959 --> 02:20:34,400
Speaker 2: on my my my phone here, so and then.

2678
02:20:34,680 --> 02:20:38,959
Speaker 1: Hold on, you could have cipher could have hacked door somehow.

2679
02:20:39,200 --> 02:20:39,879
Speaker 2: God's all right.

2680
02:20:40,320 --> 02:20:43,640
Speaker 1: So yeah, Trey had us with tears, this one and

2681
02:20:44,040 --> 02:20:46,600
Speaker 1: the three at the top, just so you know, we're

2682
02:20:46,760 --> 02:20:49,039
Speaker 1: the first one fast five and furious.

2683
02:20:48,680 --> 02:20:50,160
Speaker 2: Seven okay, okay.

2684
02:20:50,280 --> 02:20:52,080
Speaker 1: And there was a lot in the second tier. Then

2685
02:20:52,080 --> 02:20:54,680
Speaker 1: there was eight and nine down in the okay, talking

2686
02:20:54,720 --> 02:20:57,120
Speaker 1: about obviously the Fate of the Furious and f nine.

2687
02:20:57,400 --> 02:20:59,840
Speaker 1: Then too Fast, too Furious was like, no thanks.

2688
02:21:00,040 --> 02:21:04,520
Speaker 2: Wreck Okay, I guess I sort of have tears as well.

2689
02:21:04,640 --> 02:21:07,879
Speaker 2: I'm just going based on my my scores that I

2690
02:21:07,959 --> 02:21:12,600
Speaker 2: gave them. So number one is Hobs Andshaw. That was

2691
02:21:12,600 --> 02:21:13,400
Speaker 2: a ten out of ten.

2692
02:21:13,560 --> 02:21:14,959
Speaker 1: This is where we strongly disagree.

2693
02:21:15,000 --> 02:21:19,320
Speaker 2: But yeah, I know, but you know, uh, then there's

2694
02:21:19,360 --> 02:21:22,039
Speaker 2: the Fate of the Furious that that got a nine

2695
02:21:22,080 --> 02:21:25,520
Speaker 2: point five originally. Now it's down to a six point five.

2696
02:21:25,560 --> 02:21:29,360
Speaker 2: Oh okay, yeah right, which I think is good. I

2697
02:21:29,400 --> 02:21:30,320
Speaker 2: think that's where.

2698
02:21:30,240 --> 02:21:32,160
Speaker 3: You're You're w reck conning more than the Fast and.

2699
02:21:32,120 --> 02:21:36,879
Speaker 2: The Period, Yeah am I though. Furious six is next

2700
02:21:37,280 --> 02:21:39,760
Speaker 2: that got his that got a nine. Originally it's down

2701
02:21:39,800 --> 02:21:42,800
Speaker 2: to a six. Tokyo Drift, which was my favorite for

2702
02:21:42,840 --> 02:21:45,600
Speaker 2: a long time before these other ones came in. I

2703
02:21:45,640 --> 02:21:48,600
Speaker 2: loved it, but I only gave it a seven. That's weird.

2704
02:21:48,800 --> 02:21:50,879
Speaker 2: I think maybe I was holding back. I was holding

2705
02:21:50,879 --> 02:21:53,800
Speaker 2: back some love because it was early and I knew

2706
02:21:53,840 --> 02:21:56,040
Speaker 2: some spy shit was coming and I love that stuff.

2707
02:21:56,120 --> 02:21:59,119
Speaker 2: So but seven fine, But now it's down to a four.

2708
02:22:00,120 --> 02:22:03,640
Speaker 2: Know what? Uh yeah, let's keep it at four for

2709
02:22:03,720 --> 02:22:06,120
Speaker 2: now because it's going to be too complicated. Then comes

2710
02:22:06,160 --> 02:22:08,360
Speaker 2: Fast five. Also gave it a seven, So that's a

2711
02:22:08,400 --> 02:22:16,039
Speaker 2: four furious seven, very complicated furious seven. Uh it was.

2712
02:22:16,360 --> 02:22:20,400
Speaker 2: It's had a two point five now Fast, the Fast

2713
02:22:20,440 --> 02:22:22,760
Speaker 2: and the Furious the o G. I originally gave it

2714
02:22:22,800 --> 02:22:25,199
Speaker 2: a five, down to it two and I'm still fine

2715
02:22:25,200 --> 02:22:29,879
Speaker 2: with that. Fast and persent. Furious is next, that is

2716
02:22:29,920 --> 02:22:34,920
Speaker 2: at a one. Now that one tied with two Fast

2717
02:22:34,959 --> 02:22:39,480
Speaker 2: too Furious and then the final worst movie of the

2718
02:22:39,520 --> 02:22:42,160
Speaker 2: franchise is f nine, which I.

2719
02:22:42,320 --> 02:22:45,160
Speaker 3: Just gave a zero so minus three.

2720
02:22:45,240 --> 02:22:50,720
Speaker 2: Wow, now, well yeah, sure, right as well, it doesn't matter.

2721
02:22:50,959 --> 02:22:52,760
Speaker 1: At the bottom, I'm with you. I agree with you.

2722
02:22:53,520 --> 02:22:56,279
Speaker 1: I think this is the worst movie. Yeah, of the bunch,

2723
02:22:56,520 --> 02:22:59,520
Speaker 1: I do. And it's like it gets a little my

2724
02:22:59,560 --> 02:23:01,760
Speaker 1: memories a little hazy, of like trying to remember what

2725
02:23:01,840 --> 02:23:04,039
Speaker 1: actually was happening in Two Fast, Too Furious, Like I

2726
02:23:04,080 --> 02:23:07,640
Speaker 1: know one that we didn't like, but this one, man,

2727
02:23:07,959 --> 02:23:10,720
Speaker 1: I was not a fan, and for all the reasons

2728
02:23:10,720 --> 02:23:12,840
Speaker 1: we talked about. So I won't go over them. I've

2729
02:23:12,879 --> 02:23:14,640
Speaker 1: got just this at the bottom. I think it's the

2730
02:23:14,640 --> 02:23:17,280
Speaker 1: worst F nine and then Too Fast Two Furious is

2731
02:23:17,600 --> 02:23:21,640
Speaker 1: right there. A lot of them are very average. I

2732
02:23:22,000 --> 02:23:24,959
Speaker 1: gave out a lot of like four to six's. I

2733
02:23:25,000 --> 02:23:27,240
Speaker 1: feel like when we did this whole podcast series, and

2734
02:23:27,280 --> 02:23:30,600
Speaker 1: I feel pretty good about that. They're all good movies.

2735
02:23:30,640 --> 02:23:32,560
Speaker 1: They're not the greatest things you've ever seen, but they're

2736
02:23:32,600 --> 02:23:34,560
Speaker 1: not bad, and they were more enjoyable than I thought

2737
02:23:34,560 --> 02:23:36,080
Speaker 1: they were going to be. And I've said that a

2738
02:23:36,080 --> 02:23:38,760
Speaker 1: couple of times. I was pleasantly surprised with a lot

2739
02:23:38,800 --> 02:23:40,760
Speaker 1: of these movies. Though it's gonna be way worse somehow,

2740
02:23:41,240 --> 02:23:43,120
Speaker 1: But I love the three you have at the top.

2741
02:23:43,360 --> 02:23:45,600
Speaker 1: I'm with you, Trey. I don't care the order really

2742
02:23:45,600 --> 02:23:48,199
Speaker 1: all that much. I think Fast five is probably my favorite,

2743
02:23:48,680 --> 02:23:51,720
Speaker 1: but the first one, you know, the Fast and the Furious,

2744
02:23:51,720 --> 02:23:54,680
Speaker 1: and then Furious seven there with what happens and how

2745
02:23:54,720 --> 02:23:57,280
Speaker 1: they you know, tied up loose ends and stuff like that,

2746
02:23:57,320 --> 02:23:59,120
Speaker 1: with the tragedy that happened. I think those are the

2747
02:23:59,120 --> 02:24:01,480
Speaker 1: three best ones, and then everything else is in the middle.

2748
02:24:02,600 --> 02:24:04,720
Speaker 1: Matt anything to you don't need to take us through

2749
02:24:04,760 --> 02:24:07,240
Speaker 1: all of them. But are we in the ballpark with

2750
02:24:07,400 --> 02:24:08,360
Speaker 1: sort of your rankings.

2751
02:24:08,520 --> 02:24:11,320
Speaker 3: Yeah, my top tier is just Fast five and Furious seven,

2752
02:24:11,360 --> 02:24:13,960
Speaker 3: and the Fast and Furious is that is probably the

2753
02:24:14,000 --> 02:24:16,080
Speaker 3: next best one, but it's still it's in my tier two.

2754
02:24:16,120 --> 02:24:19,600
Speaker 1: Okay, okay, all right, that's it. Guys.

2755
02:24:19,959 --> 02:24:20,520
Speaker 2: We did it.

2756
02:24:20,800 --> 02:24:23,800
Speaker 1: We somehow did it. It took all summer long, thanks

2757
02:24:23,800 --> 02:24:26,520
Speaker 1: to Maddie over jumping in a couple of times. I

2758
02:24:26,640 --> 02:24:29,520
Speaker 1: like that you jumped into the best one, arguably Fast five,

2759
02:24:29,560 --> 02:24:34,000
Speaker 1: and well the worst one, I mean, the worst, but

2760
02:24:34,040 --> 02:24:36,600
Speaker 1: one of the most disappointing ones. It's it's perfect in

2761
02:24:36,640 --> 02:24:39,240
Speaker 1: a way. Let us know what you guys think. Tweet

2762
02:24:39,280 --> 02:24:42,360
Speaker 1: at us at no dunksinc email in your rankings if

2763
02:24:42,400 --> 02:24:44,879
Speaker 1: you want to no dunks at the Athletic dot Com

2764
02:24:44,879 --> 02:24:47,760
Speaker 1: put fast friends in the subject header makes life easier

2765
02:24:47,800 --> 02:24:51,240
Speaker 1: for us. Any final thoughts, I mean, let's just end

2766
02:24:51,240 --> 02:24:53,680
Speaker 1: with that, JD. How do you sum up this, uh,

2767
02:24:54,920 --> 02:24:57,760
Speaker 1: this weird idea that we decided to pull off. I

2768
02:24:57,800 --> 02:25:00,400
Speaker 1: think it was success, that's full.

2769
02:25:00,760 --> 02:25:04,720
Speaker 2: I enjoyed it. I mean, you know, it's fun to

2770
02:25:04,720 --> 02:25:08,840
Speaker 2: get on the mics and shoot shit about movies. It's

2771
02:25:08,920 --> 02:25:10,840
Speaker 2: you know, it's kind of like hanging out and getting

2772
02:25:10,840 --> 02:25:16,360
Speaker 2: paid for it, you know. So, uh, cheers, Hey, come

2773
02:25:16,400 --> 02:25:16,960
Speaker 2: out of mine?

2774
02:25:17,360 --> 02:25:19,800
Speaker 1: Is it warm? I hope it's not warm. Cheers to

2775
02:25:19,840 --> 02:25:23,400
Speaker 1: that Trey. Final thoughts here, twenty.

2776
02:25:23,160 --> 02:25:26,040
Speaker 4: Years of my life has been devoted to Fast and Furious,

2777
02:25:27,040 --> 02:25:30,840
Speaker 4: and now it feels like it's finally paying off. I'm

2778
02:25:30,879 --> 02:25:34,120
Speaker 4: in for another twenty This was super fun for me.

2779
02:25:34,280 --> 02:25:36,560
Speaker 4: It started literally back in high school with my high

2780
02:25:36,600 --> 02:25:39,560
Speaker 4: school friends. I feel like Don Touretto because I've gone

2781
02:25:40,080 --> 02:25:43,520
Speaker 4: you know, up and down North America making friends, watching

2782
02:25:43,600 --> 02:25:47,200
Speaker 4: Fast and Furious and oddly enough with y'all is like

2783
02:25:47,240 --> 02:25:49,200
Speaker 4: if the group of friends that I haven't yet watched

2784
02:25:49,200 --> 02:25:51,560
Speaker 4: these Fast Infurious movies with, so I thought that was

2785
02:25:51,560 --> 02:25:53,920
Speaker 4: really fun. I can't wait to see what goes on

2786
02:25:53,959 --> 02:25:57,760
Speaker 4: in these next couple of movies here, because there's not

2787
02:25:57,879 --> 02:26:00,680
Speaker 4: much backstory to tell at this point. There's not a

2788
02:26:00,720 --> 02:26:04,080
Speaker 4: lot of like crazier locations you can go to. They've

2789
02:26:04,080 --> 02:26:08,280
Speaker 4: done underwater, they've done outer space, Like what else is there?

2790
02:26:08,520 --> 02:26:09,840
Speaker 1: Yeah? Underground.

2791
02:26:09,959 --> 02:26:12,720
Speaker 4: I suppose maybe the one thing they have left to

2792
02:26:12,760 --> 02:26:15,240
Speaker 4: do is kill dominic Uretto. And I think if Justin

2793
02:26:15,320 --> 02:26:19,280
Speaker 4: Lynn comes out and kills dom in either Fast ten

2794
02:26:19,400 --> 02:26:22,160
Speaker 4: or Fast eleven, that's the way it's got to end.

2795
02:26:22,160 --> 02:26:25,640
Speaker 4: To me, Like he's got to finally actually die, saving

2796
02:26:25,680 --> 02:26:29,360
Speaker 4: his family somehow. So if they've got the guts to

2797
02:26:29,400 --> 02:26:32,720
Speaker 4: do it, this could be an epic epic ending and

2798
02:26:32,760 --> 02:26:34,440
Speaker 4: then you know what, bring him back for Fast twelve.

2799
02:26:34,480 --> 02:26:37,879
Speaker 1: Yeah, of course, act we know that that necklace would

2800
02:26:37,879 --> 02:26:41,520
Speaker 1: show up, We would see it. I do wonder with

2801
02:26:41,600 --> 02:26:45,080
Speaker 1: this franchise, it's sort of like to compare it to

2802
02:26:45,160 --> 02:26:48,800
Speaker 1: Survivor JD. I think it's at the crossroads here because

2803
02:26:48,840 --> 02:26:53,720
Speaker 1: I think it's obviously been terribly successful, just like Survivor was,

2804
02:26:53,840 --> 02:26:56,520
Speaker 1: you know, started with the bang and then continue to

2805
02:26:56,560 --> 02:26:58,560
Speaker 1: go and then you have that all star season, which

2806
02:26:58,600 --> 02:27:01,760
Speaker 1: we sort of had here in this franchise. I would

2807
02:27:01,760 --> 02:27:03,360
Speaker 1: say when you're just like, oh, get that, Oh I

2808
02:27:03,360 --> 02:27:05,800
Speaker 1: love that character, We'll bring that character back. Had that character.

2809
02:27:05,840 --> 02:27:07,440
Speaker 1: I mean, we saw that happen in the sort of

2810
02:27:07,680 --> 02:27:10,880
Speaker 1: earlier years or first ten years of Survivor, but then

2811
02:27:11,160 --> 02:27:14,120
Speaker 1: it hit like a real lull and it continued Survivor

2812
02:27:14,120 --> 02:27:17,160
Speaker 1: did Are there enough fans that are probably listening to

2813
02:27:17,240 --> 02:27:20,440
Speaker 1: this podcast that will just watch anything with fast or

2814
02:27:20,480 --> 02:27:23,720
Speaker 1: Furious in the title, no matter how good or bad

2815
02:27:23,760 --> 02:27:26,400
Speaker 1: it is. That That's what I'm curious to see. And

2816
02:27:26,480 --> 02:27:29,959
Speaker 1: will this just go on for another you know, ten movies?

2817
02:27:30,120 --> 02:27:32,600
Speaker 1: Or is this like near the end? Is it one

2818
02:27:32,680 --> 02:27:35,000
Speaker 1: or two left and then or is there the spinoff

2819
02:27:35,080 --> 02:27:37,440
Speaker 1: of like Okay, now it's a Hobbs and Shot thing

2820
02:27:37,440 --> 02:27:39,320
Speaker 1: and we run with that for a while. I can't

2821
02:27:39,320 --> 02:27:41,400
Speaker 1: wait to see it. Feels like there's enough fans that

2822
02:27:41,480 --> 02:27:44,640
Speaker 1: will go and watch these things. It still does well totally.

2823
02:27:44,680 --> 02:27:47,760
Speaker 2: I mean, it made seven hundred million dollars or something.

2824
02:27:47,520 --> 02:27:49,119
Speaker 1: All right, and we said it's the worst one.

2825
02:27:49,480 --> 02:27:54,080
Speaker 2: Yeah, So I think some of that is I think

2826
02:27:54,120 --> 02:27:57,360
Speaker 2: this was a lot of people's first foray back to

2827
02:27:57,400 --> 02:28:00,280
Speaker 2: the theater after the pandemic as well, So I think

2828
02:28:00,320 --> 02:28:04,640
Speaker 2: that contributed to it, maybe and maybe, but what is

2829
02:28:04,640 --> 02:28:07,879
Speaker 2: it rated on? Rotten tomatoes? Is it fresh? Or it

2830
02:28:07,959 --> 02:28:08,720
Speaker 2: can't be right?

2831
02:28:08,879 --> 02:28:10,680
Speaker 1: I don't think so. I think it's wrong, But I

2832
02:28:10,680 --> 02:28:12,480
Speaker 1: think the audience obviously likes it.

2833
02:28:12,520 --> 02:28:15,000
Speaker 4: I think, right, yeah, So.

2834
02:28:15,520 --> 02:28:18,880
Speaker 2: You know, I mean, yeah, people are gonna people are

2835
02:28:18,879 --> 02:28:22,200
Speaker 2: gonna love it. I guess, I I hope. I mean,

2836
02:28:22,520 --> 02:28:29,040
Speaker 2: I wish this series well, I you know, which I

2837
02:28:29,160 --> 02:28:33,120
Speaker 2: was struck, like I was reminded of things that have

2838
02:28:33,280 --> 02:28:36,560
Speaker 2: come back. You know, this it's twenty years old now,

2839
02:28:37,760 --> 02:28:40,800
Speaker 2: Like Michelle Rodriguez is a full on adult, you know,

2840
02:28:40,959 --> 02:28:44,000
Speaker 2: like she seems they all seem old to me. Han

2841
02:28:44,080 --> 02:28:47,320
Speaker 2: looked particularly old to me, and of course, of course

2842
02:28:47,600 --> 02:28:51,039
Speaker 2: Lucas Black looked, you know, ancient compared to what his

2843
02:28:51,120 --> 02:28:53,720
Speaker 2: character is supposed to be. So, you know, it's sort

2844
02:28:53,720 --> 02:28:56,040
Speaker 2: of reminded me of like Star Trek, when the original

2845
02:28:56,080 --> 02:28:59,320
Speaker 2: cast kept doing movies and they kept coming back, and

2846
02:28:59,360 --> 02:29:02,600
Speaker 2: it was just like at least they were aware, like

2847
02:29:02,640 --> 02:29:05,240
Speaker 2: they made reference to it. It's like, oh, James Kirk

2848
02:29:05,320 --> 02:29:07,800
Speaker 2: is coming out of retirement. You know, to do one

2849
02:29:08,000 --> 02:29:10,960
Speaker 2: last kick at the can, We're going out one more

2850
02:29:11,080 --> 02:29:14,200
Speaker 2: time kind of thing. They have to start doing that, or,

2851
02:29:14,200 --> 02:29:16,640
Speaker 2: as Trey said, let's get some new blood in there. Yeah,

2852
02:29:17,200 --> 02:29:21,720
Speaker 2: because it's it's now become it has already become a

2853
02:29:21,760 --> 02:29:25,119
Speaker 2: parody of itself, you know. And and I think they

2854
02:29:25,160 --> 02:29:27,959
Speaker 2: need to take a real real dose of Hobbs and

2855
02:29:28,000 --> 02:29:30,400
Speaker 2: Shaw and stick it back into the main franchise again,

2856
02:29:30,440 --> 02:29:34,920
Speaker 2: because wow, like what a bummer this movie was for us?

2857
02:29:35,480 --> 02:29:35,880
Speaker 2: I guess.

2858
02:29:35,920 --> 02:29:41,800
Speaker 1: So, yeah, Matt, any any final thoughts as we wrap

2859
02:29:41,840 --> 02:29:42,200
Speaker 1: this up?

2860
02:29:42,840 --> 02:29:45,680
Speaker 3: Yes, I too would like to wish this movie franchise.

2861
02:29:49,959 --> 02:29:54,120
Speaker 1: Will you be back when we do the Inevitable Hobbs

2862
02:29:54,120 --> 02:29:58,480
Speaker 1: and Shaw too? Or Fast and Furious ten FX.

2863
02:29:58,520 --> 02:30:00,960
Speaker 3: Whatever, if you'll if you'll have me, all right, I'll

2864
02:30:00,959 --> 02:30:04,520
Speaker 3: come back anytime. I think the fans would if we could,

2865
02:30:04,520 --> 02:30:06,760
Speaker 3: If we could do the board game on zoom, I'm

2866
02:30:06,760 --> 02:30:09,840
Speaker 3: there too. I don't know about I don't know about

2867
02:30:09,840 --> 02:30:12,680
Speaker 3: flying back to play the Fast and Furious.

2868
02:30:12,800 --> 02:30:14,760
Speaker 1: Do you guys want to all dress up as Dominic

2869
02:30:14,800 --> 02:30:15,720
Speaker 1: Toretto for Halloween?

2870
02:30:16,360 --> 02:30:18,280
Speaker 3: I gotta work on my arms if that's the case.

2871
02:30:18,320 --> 02:30:20,360
Speaker 1: Yeah, yeah, alright, Well.

2872
02:30:20,280 --> 02:30:22,000
Speaker 3: We got a couple of months to, you know, get

2873
02:30:22,000 --> 02:30:24,360
Speaker 3: in the gym to get some Toretto.

2874
02:30:24,720 --> 02:30:26,200
Speaker 1: Talking about we got like a month all right.

2875
02:30:27,120 --> 02:30:31,359
Speaker 4: Last thing I googled before we started this episode dominic

2876
02:30:31,480 --> 02:30:32,640
Speaker 4: Toretto necklace.

2877
02:30:32,920 --> 02:30:34,600
Speaker 1: You can find them pretty easily.

2878
02:30:35,360 --> 02:30:37,720
Speaker 4: Might need to check the mail pretty soon.

2879
02:30:38,680 --> 02:30:40,000
Speaker 3: You have to pay extra to get the one with

2880
02:30:40,000 --> 02:30:40,760
Speaker 3: the tracker in it.

2881
02:30:42,080 --> 02:30:44,000
Speaker 4: Yeah, that's a good question. Do you think Jacob's had

2882
02:30:44,040 --> 02:30:47,360
Speaker 4: a tracker? Should have just activated that pretty early in

2883
02:30:47,400 --> 02:30:50,240
Speaker 4: the movie. I'll check on me over. Oh, I fought

2884
02:30:50,280 --> 02:30:50,680
Speaker 4: my brother.

2885
02:30:51,080 --> 02:30:52,400
Speaker 1: It's been around the whole time.

2886
02:30:52,879 --> 02:30:55,320
Speaker 4: But yeah, be on the lookout for necklaces coming soon.

2887
02:30:55,440 --> 02:30:58,280
Speaker 1: Oh my god. Well then that means everybody be on

2888
02:30:58,320 --> 02:31:01,120
Speaker 1: the lookout for our Instagram and litter accounts, where we'll

2889
02:31:01,120 --> 02:31:04,720
Speaker 1: be all wearing that damn necklace that showed up time

2890
02:31:04,800 --> 02:31:08,840
Speaker 1: after time. This franchise had made me more furious every

2891
02:31:08,879 --> 02:31:11,000
Speaker 1: single time. Maybe that's why it's called it all right, guys,

2892
02:31:11,000 --> 02:31:13,160
Speaker 1: thanks so much, Maddio, thanks for joining us. We'll talk

2893
02:31:13,200 --> 02:31:13,560
Speaker 1: to you soon.