WEBVTT - Can Romance Novels Heal Us?

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<v Speaker 1>Are you recording?

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<v Speaker 2>Hi?

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<v Speaker 3>Everyone?

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<v Speaker 1>What are we doing today? We're walking into the ripped bodice.

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<v Speaker 1>It's so cute. It's pink, it's perfect pink. It's got

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<v Speaker 1>books with a big heart underneath. The snow outside is

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<v Speaker 1>looking perfect.

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<v Speaker 4>What are we gonna be talking about today?

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<v Speaker 1>We're gonna be talking about romance novels. Romance novels have

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<v Speaker 1>been around forever, but they're really having a moment. Maybe

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<v Speaker 1>you've heard of some little shows called Heated Rivalry or Bridgerton.

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<v Speaker 1>But here's the thing. Even though I'm a person addicted

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<v Speaker 1>to dating, romance as a genre isn't really my thing.

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<v Speaker 1>Reading novels isn't even quite my thing. So cute tiny Fighter,

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<v Speaker 1>I'm into that. But there's something Girl on Girl author

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<v Speaker 1>Sophie Gilbert told me in our episode last year that

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<v Speaker 1>made me think, maybe, just maybe I should look into

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<v Speaker 1>this whole romance thing.

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<v Speaker 2>The thing about romantic fiction, I'd say, more than any

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<v Speaker 2>other genre of culture, is that it's always put women first.

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<v Speaker 2>It's always put women in the center, it's always focused

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<v Speaker 2>on the female gaze. It's always thought about what women

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<v Speaker 2>want and what women deserve, and it's been kind of

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<v Speaker 2>unapologetic about that throughout its history.

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<v Speaker 1>Unapologetically connecting with what I really want is exactly what

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<v Speaker 1>I need this year. And sure, I need to heal

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<v Speaker 1>my relationship to dating insects, but I also need to

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<v Speaker 1>heal my relationship to romance itself. Could romance novels heal me?

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<v Speaker 1>Could they heal all of us? Yeah? I'm doing it. Yeah,

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<v Speaker 1>I'm diving in. I'm hopewordered and welcome to boys over

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<v Speaker 1>a space where we're learning and on learning all the

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<v Speaker 1>myths we're taught about love and relationships. So, as I said,

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<v Speaker 1>I'm new to the romance genre, I'm open to trying,

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<v Speaker 1>but I'm a complete beginner. To start my romance journey,

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<v Speaker 1>my producer Emily took me to The Ripped Bodice, a

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<v Speaker 1>bookstore in Brooklyn that specializes in romance novels. It's so

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<v Speaker 1>cute to hear the books. Oh my god. The Ripped

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<v Speaker 1>Bodice is absolutely adorable. There are open books decorated all

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<v Speaker 1>over the walls, The floor is painted a fun pink design,

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<v Speaker 1>and there are displays of staff picks, book club picks,

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<v Speaker 1>and really cute branded merchandise. It feels like a cozy

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<v Speaker 1>bookstore and a welcoming community space. We were greeted by

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<v Speaker 1>one of the shop's employees as soon as we walked in.

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<v Speaker 5>My name is Joe, I'm a bookseller here. The robotis

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<v Speaker 5>I've been here since we opened about two and a

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<v Speaker 5>half years ago.

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<v Speaker 1>Josie showed us around the store, and immediately I realized

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<v Speaker 1>I didn't actually know what a romance novel was. Sure,

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<v Speaker 1>there are novels that have romance in them, and there's

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<v Speaker 1>nonfiction about love and romance, but books classified as romance

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<v Speaker 1>novels are their own separate thing. They're full of tropes

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<v Speaker 1>you see in rome comms, and usually features some amount

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<v Speaker 1>of sex. But beyond that, it can get hard to

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<v Speaker 1>define because there are so many subgenres that can be

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<v Speaker 1>really niche.

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<v Speaker 5>A lesbian book about a wedding photographer, a stem fake dating,

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<v Speaker 5>romance and erotica book that is a Hades and Persephone

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<v Speaker 5>retelling historical female Sherlock Holmes. There's a good amount of

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<v Speaker 5>ex's dad or ex's mom. We really cater to like

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<v Speaker 5>very niche specific interests, so people will come in with

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<v Speaker 5>anything that want at any time of the year.

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<v Speaker 1>The most important thing, the thing that really makes something

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<v Speaker 1>count as a romance novel is.

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<v Speaker 5>In order for a romance novel to be classified as

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<v Speaker 5>a romance novel, it has to have a happy ending.

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<v Speaker 5>Really yeah wow, So there are books that, like you

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<v Speaker 5>might think are a romance novel because there's love stories,

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<v Speaker 5>but if they don't end up together, it's not a

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<v Speaker 5>romance novel.

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<v Speaker 1>This information was fascinating to me, and if I'm being

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<v Speaker 1>really honest, it made me immediately skeptical if I could

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<v Speaker 1>really get into the genre. A perfectly curated happy ending

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<v Speaker 1>just feels unrealistic to me? Aren't we perpetuating the same

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<v Speaker 1>lies about romance that are at movies and TV shows?

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<v Speaker 1>How could that be helpful? But Josie had a different take.

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<v Speaker 5>I think there are parts of romance novels that obviously

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<v Speaker 5>can feel unrealistic. I personally find that really enjoyable. I

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<v Speaker 5>love the ridiculousness of like you would never like pretend

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<v Speaker 5>to be my boyfriend for five minutes and then it

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<v Speaker 5>turns out to be your soulmate, Like, obviously there's something

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<v Speaker 5>unrealistic about that, But if you go beyond just like

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<v Speaker 5>what the trope or the premise is necessarily, I think

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<v Speaker 5>it does show really great examples of communication. And relationships

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<v Speaker 5>around like sex and your feelings and a progression of

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<v Speaker 5>you as a person as well. Like a lot of

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<v Speaker 5>these romance books, like yes, I love the sex and

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<v Speaker 5>the romance between them, but my favorites will always be

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<v Speaker 5>ones where the characters also have this like really remarkable

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<v Speaker 5>journey and they kind of come to like a better

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<v Speaker 5>place in themselves, in their career, in their relationship with

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<v Speaker 5>their family, like things like that, and that is realistic.

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<v Speaker 5>You know, obviously not everyone's going to do it in

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<v Speaker 5>four hundred pages, but it is still real people in

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<v Speaker 5>real life.

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<v Speaker 1>It also became clear to us as we were talking

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<v Speaker 1>to Josie that reading all of these different kinds of

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<v Speaker 1>romance novels can be a good way to explore what

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<v Speaker 1>you want, not just in love and a partner, but

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<v Speaker 1>specifically in sex.

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<v Speaker 5>I had this one customer who came in like multiple

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<v Speaker 5>times and she was just making her way through the

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<v Speaker 5>erotica section. But it was really great because she would

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<v Speaker 5>come back and be like, I really enjoyed, Like I

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<v Speaker 5>gave her a book called Praise, which is a really

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<v Speaker 5>great book, and she was like, I didn't know that,

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<v Speaker 5>like I might have a praisekink and reading this showed

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<v Speaker 5>that to me, and so then she'd be like, I

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<v Speaker 5>think I want to try like another book where like

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<v Speaker 5>maybe there's like three people involved. And then she came

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<v Speaker 5>back and she was like, actually I want to stick

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<v Speaker 5>to two people, Like I think it's like that was

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<v Speaker 5>a really nice thing.

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<v Speaker 6>And she would come in and.

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<v Speaker 5>I'd be like, all right, here we go, like we know,

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<v Speaker 5>like we knew each other, so that was really fun.

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<v Speaker 4>I'd like in just coming on, that's such an intimate

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<v Speaker 4>role for you to have as a bookseller. I went

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<v Speaker 4>guiding someone through that process.

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<v Speaker 5>Yeah, I would say that being a bookseller here, I

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<v Speaker 5>think it's the most special and the most unique.

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<v Speaker 1>Like you, I know.

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<v Speaker 5>So much about the people that I talk to, and

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<v Speaker 5>that's awesome because like I'm happy to just help you

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<v Speaker 5>out with whatever you're looking for, so judgment involved, like

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<v Speaker 5>there's no anything.

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<v Speaker 1>I feel like this world can really be so healing

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<v Speaker 1>and in such an intimate way and in kind of

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<v Speaker 1>in a sneaky way too.

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<v Speaker 5>It'll sneak up on you like you wouldn't really know.

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<v Speaker 5>I think, especially like you just pick up a romance

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<v Speaker 5>book You're like, ah, this is so fun.

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<v Speaker 6>Like they pretend to date for a month and like

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<v Speaker 6>la la la, and then you get into.

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<v Speaker 5>It and you meet these characters and she's like, I've

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<v Speaker 5>never had an orgasm before, and I don't know how

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<v Speaker 5>to tell my partner like what I want in bed

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<v Speaker 5>or like I've always like had text, but I hadn't

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<v Speaker 5>been enjoyed it and I don't know why. And like

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<v Speaker 5>now you can explore that in a safe way, and

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<v Speaker 5>like you can explore that also in a safe way

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<v Speaker 5>reading it.

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<v Speaker 1>How do you feel about like the romantic real world

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<v Speaker 1>right now? Like I feel like people are drawn to

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<v Speaker 1>romance right now because people have such a hard time

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<v Speaker 1>like finding what they want.

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<v Speaker 5>Yeah, I think dating right now is obviously difficult in

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<v Speaker 5>that like obviously with dating apps, like they suck, and

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<v Speaker 5>I think the hardest thing with them to me is

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<v Speaker 5>that like people are on them, but they don't really

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<v Speaker 5>actually want.

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<v Speaker 6>To be in a relationship.

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<v Speaker 5>And in comparison to what I read, it's just so

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<v Speaker 5>easy or it's just like you're so.

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<v Speaker 6>Mature, but the characters not the people in real life.

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<v Speaker 3>No, I don't.

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<v Speaker 5>I don't want to say that it's like unrealistic expectations

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<v Speaker 5>because I have examples in my real life of like

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<v Speaker 5>relationships that I can see around me, or even ones

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<v Speaker 5>that like I've been in that I'm like, yeah, you're

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<v Speaker 5>capable of.

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<v Speaker 6>Like doing this. And that's why I also think you'll

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<v Speaker 6>see a lot of things that are like my book

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<v Speaker 6>boyfriend would never like I've never heard this thing. It's

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<v Speaker 6>just like you're favorite guy from a book, and it's like.

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<v Speaker 1>It's like loving a celebrity crush.

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<v Speaker 5>And you can point to like amazing things that they

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<v Speaker 5>say and it's like, oh, you can say, like what

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<v Speaker 5>are you doing later? But like Alex Nielsen and people

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<v Speaker 5>even on vacation said, sometimes I feel like I didn't

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<v Speaker 5>exist before you, like you invented me.

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<v Speaker 6>And I'm like, so, like that's actually but that should

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<v Speaker 6>be the standard.

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<v Speaker 5>Yeah, I don't think that that's asking for too much.

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<v Speaker 5>I think that you should just like adore the woman

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<v Speaker 5>that you're with.

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<v Speaker 1>Josie wasn't alone and loving the way romance novels show

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<v Speaker 1>us such positive depictions of romance. When we talk to

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<v Speaker 1>customers in the store, many who had pulled books from

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<v Speaker 1>the heated rivalry shelf, they talked about this too well.

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<v Speaker 7>I also, like I saw even Connor and Hudson that

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<v Speaker 7>stars of the show talk.

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<v Speaker 1>About In Case You Live under a Rock, that's Connor's

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<v Speaker 1>story and Hudson Williams, the stars of the Heated Rivalry

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<v Speaker 1>TV show.

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<v Speaker 7>I saw even Connor and Hudson that stars of the

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<v Speaker 7>show talk about why they think a lot of straight

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<v Speaker 7>women read a lot of male male romances or watch

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<v Speaker 7>Heated Rivalry or watch you know, consume that kind of content.

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<v Speaker 7>It's because it's a safe space where when there's a

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<v Speaker 7>woman involved, there's always a underlying a violence or a

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<v Speaker 7>threat of violence because you can never really know where

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<v Speaker 7>it's two men. You can kind of remove yourself from

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<v Speaker 7>the situation and then just get invested in the love story.

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<v Speaker 7>And like I loved hearing that from them, as presumably

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<v Speaker 7>straight men hearing that, Like, that's why women gravitate towards

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<v Speaker 7>stories that technically don't involve them is because they are

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<v Speaker 7>able to reap the positive benefits of it without the

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<v Speaker 7>fear of violence, sexual or otherwise.

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<v Speaker 1>And maybe see men interacting in a relationship with someone

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<v Speaker 1>who they like, truly see as they're equal in some

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<v Speaker 1>ways exactly.

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<v Speaker 7>Like any sort of hetero relationship, whether you're conscious of

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<v Speaker 7>it or not, Like we as women are like you

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<v Speaker 7>never one hundred percent trust that something bad's not going

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<v Speaker 7>to happen, whether it's your emotional or your physical safety.

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<v Speaker 7>And so that's one of the things that I like

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<v Speaker 7>about male male romances, or even lesbian romances too, because

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<v Speaker 7>again it's two women who see themselves as equal to

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<v Speaker 7>each other in a certain way and then they're then

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<v Speaker 7>they just have to do the rest of the relationship part.

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<v Speaker 1>But all of this was starting to convince me that

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<v Speaker 1>maybe some of my issues related to love and romance

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<v Speaker 1>could be solved by a book. So I asked Josie

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<v Speaker 1>if she had any recommendations. Can ask you a question,

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<v Speaker 1>maybe a suggestion on a book for me and my

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<v Speaker 1>personal sexual world and the things I struggle with, and

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<v Speaker 1>then you can tell me maybe what I should read.

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<v Speaker 1>Hopefully it's like there's a book that can go along

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<v Speaker 1>with this, maybe a romance novel for women who sleep

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<v Speaker 1>with men but kind of hate men and are trying

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<v Speaker 1>trying to heal that. I was a little scared that

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<v Speaker 1>I had stumped Josie with my specific personal issues, but

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<v Speaker 1>as we started walking around the store, she kept bringing

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<v Speaker 1>me option after option after option.

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<v Speaker 6>You asked me a question and then and then the okay.

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<v Speaker 1>The book she brought me was called Well actually by

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<v Speaker 1>Mazy Eddings. I've adored this book.

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<v Speaker 5>It's like chicken Shop fan fiction basically, but the premise

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<v Speaker 5>of this one is that she is the host obviously,

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<v Speaker 5>and her ex from college hosts to podcasts. It's all

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<v Speaker 5>about like breaking down masculinity and like teaching men to

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<v Speaker 5>be better.

0:12:38.520 --> 0:12:40.760
<v Speaker 6>In relationships and like is this like great guy?

0:12:41.400 --> 0:12:44.720
<v Speaker 5>And she gots drunk one night and posts online and

0:12:44.880 --> 0:12:48.120
<v Speaker 5>is like, oh, it's so funny that like you say

0:12:48.120 --> 0:12:50.080
<v Speaker 5>all these things, but like you couldn't even make me

0:12:50.160 --> 0:12:53.160
<v Speaker 5>come and like you ghosted me and all this stuff.

0:12:53.800 --> 0:12:56.480
<v Speaker 5>So his people reach out to her people, and he's like,

0:12:57.520 --> 0:12:58.800
<v Speaker 5>let me show you that I've changed.

0:12:58.920 --> 0:12:59.760
<v Speaker 1>Let me show you that, like.

0:12:59.760 --> 0:13:03.840
<v Speaker 5>I have improved big, like I hate all men. She's

0:13:03.840 --> 0:13:08.360
<v Speaker 5>also pant sexual and he's awesome.

0:13:08.800 --> 0:13:14.040
<v Speaker 1>So I bought it me a devoted non fiction girly

0:13:14.280 --> 0:13:21.439
<v Speaker 1>bought a romance novel every day. When we left the

0:13:21.520 --> 0:13:24.640
<v Speaker 1>Ripped Bodice, I was genuinely excited to read the book.

0:13:25.440 --> 0:13:31.320
<v Speaker 4>Oh God, how do you feel has your perspective change

0:13:29.960 --> 0:13:30.240
<v Speaker 4>at all?

0:13:31.559 --> 0:13:38.040
<v Speaker 1>You know? I like see, but things did not go

0:13:38.120 --> 0:14:00.400
<v Speaker 1>as planned. So let me be honest, I could not

0:14:00.480 --> 0:14:03.200
<v Speaker 1>bring myself to read the romance novel that Josie had

0:14:03.320 --> 0:14:07.280
<v Speaker 1>so carefully and sweetly picked out for me. I needed

0:14:07.320 --> 0:14:10.640
<v Speaker 1>to talk through my feelings about why. So I came

0:14:10.720 --> 0:14:13.200
<v Speaker 1>clean to Emily when we met up a week later

0:14:13.600 --> 0:14:18.640
<v Speaker 1>in the studio. We bought the fiction novel that I've

0:14:18.679 --> 0:14:20.800
<v Speaker 1>meant to have read for the past week, and I

0:14:21.000 --> 0:14:22.840
<v Speaker 1>can't crack it open. It's just like sitting on my

0:14:22.920 --> 0:14:26.440
<v Speaker 1>table and I cannot bring myself to open it.

0:14:26.680 --> 0:14:29.760
<v Speaker 4>I want to get into that because you have this

0:14:30.440 --> 0:14:34.040
<v Speaker 4>stigma just against fiction in general. I feel like this

0:14:34.080 --> 0:14:36.240
<v Speaker 4>is one of the hotter takes from you.

0:14:36.560 --> 0:14:43.520
<v Speaker 1>Ah, my stigma against fiction, maybe my resistance, maybe my

0:14:43.840 --> 0:14:45.280
<v Speaker 1>hesitance towards fiction.

0:14:45.520 --> 0:14:48.280
<v Speaker 4>I think romance novels have a stigma against them that

0:14:48.320 --> 0:14:52.080
<v Speaker 4>adds another layer onto that because a lot of historically

0:14:52.080 --> 0:14:54.200
<v Speaker 4>it's like these are silly books for girls. And I

0:14:54.240 --> 0:14:56.040
<v Speaker 4>think we are in a moment right now with like

0:14:56.240 --> 0:15:00.560
<v Speaker 4>Bridgerton heated rivalry of like these stories are power. People

0:15:00.600 --> 0:15:03.480
<v Speaker 4>are flocking to them. They've been popular forever, but now

0:15:03.600 --> 0:15:07.240
<v Speaker 4>they're becoming mainstream and what are people seeing in them?

0:15:07.360 --> 0:15:10.800
<v Speaker 4>Why are they so appealing to people? And like you

0:15:11.400 --> 0:15:13.680
<v Speaker 4>have not been flocking to them, So what is your

0:15:13.720 --> 0:15:14.680
<v Speaker 4>resistance to it?

0:15:16.000 --> 0:15:19.280
<v Speaker 1>Yeah, I have realized about myself in the past week

0:15:19.400 --> 0:15:24.680
<v Speaker 1>or so that I am such a pessimist about love

0:15:24.760 --> 0:15:27.880
<v Speaker 1>and romance, Like I have a really hard time even

0:15:27.920 --> 0:15:29.640
<v Speaker 1>though I interact with it a lot and on a

0:15:29.640 --> 0:15:32.440
<v Speaker 1>personal level, the reality sort of is is that I

0:15:32.440 --> 0:15:36.200
<v Speaker 1>don't believe in it. To mention it quickly, like realizing

0:15:36.240 --> 0:15:38.360
<v Speaker 1>that the last time I read a fiction novel about

0:15:38.440 --> 0:15:40.920
<v Speaker 1>romance was while my parents were getting a divorce. I

0:15:41.000 --> 0:15:43.880
<v Speaker 1>was like, oh, I think we just unlocked something here.

0:15:45.160 --> 0:15:47.400
<v Speaker 1>There might have been, Oh, there might have been something

0:15:47.440 --> 0:15:50.800
<v Speaker 1>to that, Like surely it was just timing. And my

0:15:50.840 --> 0:15:53.640
<v Speaker 1>best friend Atlanta and her mom were like also reading Twilight,

0:15:53.720 --> 0:15:55.840
<v Speaker 1>so there was a big like sort of community piece

0:15:56.200 --> 0:15:58.680
<v Speaker 1>to it and zeitgeist piece to it.

0:15:58.680 --> 0:15:59.800
<v Speaker 4>It was Twilight that you were reading.

0:15:59.800 --> 0:16:02.560
<v Speaker 1>It was twil Okay, Yeah, I'm like seventh grade and

0:16:02.600 --> 0:16:05.440
<v Speaker 1>I was just like I was so depressed and just

0:16:05.560 --> 0:16:08.280
<v Speaker 1>was like reading Twilight and just feeling so angsty as fuck,

0:16:08.360 --> 0:16:11.560
<v Speaker 1>and I'm like, oh, my parents were like all seventh grade.

0:16:11.600 --> 0:16:14.200
<v Speaker 4>Also, if I may make the connection, that was when

0:16:14.280 --> 0:16:18.000
<v Speaker 4>you had your first boyfriend, right, Yeah, like real experience

0:16:18.080 --> 0:16:19.120
<v Speaker 4>of a relationship.

0:16:19.200 --> 0:16:21.120
<v Speaker 1>Yeah, when I was like having like full blown sex

0:16:21.160 --> 0:16:26.040
<v Speaker 1>and secret bleep. But yeah, when I was like really

0:16:26.520 --> 0:16:32.160
<v Speaker 1>in an extremely intimate relationship with someone who I trusted

0:16:32.320 --> 0:16:34.520
<v Speaker 1>in a lot of ways, but at the same time

0:16:34.760 --> 0:16:38.560
<v Speaker 1>was like probably too young for what was happening in

0:16:38.640 --> 0:16:41.520
<v Speaker 1>sort of like the lack of supervision that we had

0:16:41.640 --> 0:16:46.240
<v Speaker 1>in our relationship with something I probably subconsciously felt a

0:16:46.880 --> 0:16:50.000
<v Speaker 1>little out of control of, you know, right, and a

0:16:50.040 --> 0:16:50.960
<v Speaker 1>little bit sad about.

0:16:51.600 --> 0:16:54.680
<v Speaker 4>Yeah, signs are pointing to me like it is these

0:16:54.760 --> 0:16:57.880
<v Speaker 4>tightly a romance novel The conception of them being like

0:16:57.920 --> 0:17:01.800
<v Speaker 4>a tightly packaged kind of easy story with a happy

0:17:01.920 --> 0:17:06.760
<v Speaker 4>ending feels so opposite to your experience and your formative years, would.

0:17:06.560 --> 0:17:10.960
<v Speaker 1>You read, Yeah, of course, Yeah, like being raised with

0:17:11.119 --> 0:17:14.439
<v Speaker 1>parents who just like undoubtedly never should have been together.

0:17:15.119 --> 0:17:17.359
<v Speaker 1>I mean the truth is, like I think they both

0:17:17.359 --> 0:17:21.000
<v Speaker 1>have happy endings. Like my mom is with Joe and

0:17:21.040 --> 0:17:23.800
<v Speaker 1>my dad is with his girlfriend, and I think they're

0:17:23.880 --> 0:17:26.200
<v Speaker 1>much better suited. And like I see my mom and

0:17:26.640 --> 0:17:29.160
<v Speaker 1>Joe and I'm like, oh my gosh, that's a model

0:17:29.160 --> 0:17:32.120
<v Speaker 1>relationship to me. And I think that like something that

0:17:32.240 --> 0:17:36.720
<v Speaker 1>holds me back in my personal love life is truly

0:17:36.800 --> 0:17:40.040
<v Speaker 1>the fear of getting divorced, you know, is like really

0:17:40.119 --> 0:17:42.720
<v Speaker 1>truth child of divorce here too, I know what I mean,

0:17:42.760 --> 0:17:43.920
<v Speaker 1>Like that's my biggest fear.

0:17:44.160 --> 0:17:47.000
<v Speaker 4>But then I think, what these like this romance stuff

0:17:47.040 --> 0:17:49.240
<v Speaker 4>is showing us is like what if you gave yourself

0:17:49.280 --> 0:17:50.719
<v Speaker 4>the room to think that it could altern out?

0:17:50.760 --> 0:17:57.600
<v Speaker 1>Okay, ah, God, Okay. So this is becoming more therapy

0:17:57.680 --> 0:18:01.840
<v Speaker 1>session than romance novel exploration, but it's seeming more and

0:18:01.920 --> 0:18:05.000
<v Speaker 1>more like the two are linked, which is why I

0:18:05.040 --> 0:18:07.480
<v Speaker 1>wanted to talk with someone else to get an even

0:18:07.560 --> 0:18:10.680
<v Speaker 1>deeper understanding of these issues and how they show up

0:18:10.760 --> 0:18:14.560
<v Speaker 1>when people open themselves up to the wide world of

0:18:14.680 --> 0:18:20.679
<v Speaker 1>romance novels. Thankfully we found the perfect person to speak with,

0:18:23.600 --> 0:18:26.879
<v Speaker 1>sange Welcome to boy Sober, Thank you, thank you.

0:18:27.000 --> 0:18:27.840
<v Speaker 3>I'm excited to be here.

0:18:28.040 --> 0:18:31.320
<v Speaker 1>SANJAA. Basker is both a clinical psychologist and.

0:18:31.280 --> 0:18:33.400
<v Speaker 3>In my third year of my PhD, but my peer

0:18:33.480 --> 0:18:39.360
<v Speaker 3>graduation counseling psychic cool yeah like health bodies, sex, gender.

0:18:39.160 --> 0:18:42.679
<v Speaker 1>The full opefully, and a romance connoisseur.

0:18:42.840 --> 0:18:45.159
<v Speaker 3>I started reading romance novels in twenty nineteen, which is

0:18:45.160 --> 0:18:47.119
<v Speaker 3>actually quite recent in the grand scheme of things. Like

0:18:47.480 --> 0:18:50.000
<v Speaker 3>I read close to five hundred romance novels, like between

0:18:50.000 --> 0:18:52.000
<v Speaker 3>five hundred one thousand romance novels in my first year.

0:18:52.160 --> 0:18:55.720
<v Speaker 1>Like, oh my gosh, I would say. Sang also makes

0:18:55.760 --> 0:18:59.280
<v Speaker 1>book talk videos about romance novels. She is a deep

0:18:59.520 --> 0:19:03.280
<v Speaker 1>well of knowledge on this topic and specializes in genres

0:19:03.440 --> 0:19:07.919
<v Speaker 1>you might not even know existed, like monster romance, and

0:19:07.960 --> 0:19:10.199
<v Speaker 1>you may or may not be surprised to hear that

0:19:10.240 --> 0:19:13.320
<v Speaker 1>her PhD work comes up a lot when she talks

0:19:13.359 --> 0:19:15.320
<v Speaker 1>about these different worlds of romance.

0:19:16.200 --> 0:19:19.200
<v Speaker 3>There have been weirdly convergences with my romance reading interests

0:19:19.240 --> 0:19:22.520
<v Speaker 3>in recent years. So I think the better I've become

0:19:22.520 --> 0:19:28.520
<v Speaker 3>as a therapist, the more I've seen links with reading romance.

0:19:28.760 --> 0:19:30.560
<v Speaker 1>Yeah, any links that come to mind.

0:19:31.280 --> 0:19:33.720
<v Speaker 3>I was talking to someone recently about like the concept

0:19:33.720 --> 0:19:36.840
<v Speaker 3>of yearning, yes, like the sort of need for a

0:19:36.920 --> 0:19:41.159
<v Speaker 3>romance novel to capture yearning as this like endless process,

0:19:41.960 --> 0:19:45.640
<v Speaker 3>like you never really want full satisfaction in a romance novel,

0:19:45.760 --> 0:19:47.960
<v Speaker 3>or you do you want Catharsis, like you want like

0:19:48.359 --> 0:19:51.760
<v Speaker 3>the happily ever after, You want it to be sellable

0:19:51.840 --> 0:19:53.600
<v Speaker 3>in the way of like, yeah, we believe that these

0:19:53.640 --> 0:19:56.199
<v Speaker 3>people will stay together forever. We don't want them to

0:19:56.200 --> 0:19:59.399
<v Speaker 3>become boring. Like a really good romance novel means like

0:19:59.560 --> 0:20:02.000
<v Speaker 3>you are sad when they leave the page because you

0:20:02.080 --> 0:20:04.560
<v Speaker 3>know that their lives are going to be interesting in

0:20:04.600 --> 0:20:06.920
<v Speaker 3>the ever after. And I think about that a lot

0:20:06.960 --> 0:20:10.000
<v Speaker 3>in the context of therapy too, where like we get

0:20:10.040 --> 0:20:12.520
<v Speaker 3>people for a tiny slice of their life and we

0:20:12.560 --> 0:20:15.600
<v Speaker 3>have the opportunity to like make an impression on them

0:20:15.600 --> 0:20:17.240
<v Speaker 3>in their lives and then send them off into the

0:20:17.280 --> 0:20:20.280
<v Speaker 3>world and like hope that they will be like happily

0:20:20.320 --> 0:20:23.119
<v Speaker 3>ever after, but you can't ever quite know.

0:20:23.920 --> 0:20:26.280
<v Speaker 1>So what do you think romance novels kind of do

0:20:26.440 --> 0:20:28.720
<v Speaker 1>for you? And if you had one that you could

0:20:28.720 --> 0:20:31.440
<v Speaker 1>pick out specifically that kind of like speaks to how

0:20:31.480 --> 0:20:36.200
<v Speaker 1>people really love? Does one come to mind? Oh my god,

0:20:36.400 --> 0:20:38.840
<v Speaker 1>just one? I guess.

0:20:38.880 --> 0:20:41.200
<v Speaker 3>I'm also curious if you've read a lot of romance.

0:20:41.280 --> 0:20:42.760
<v Speaker 3>I am not here you knew to the genre.

0:20:43.000 --> 0:20:44.080
<v Speaker 1>I'm not a fiction girl.

0:20:44.560 --> 0:20:45.520
<v Speaker 3>Is it the same for TV?

0:20:45.640 --> 0:20:45.720
<v Speaker 6>Like?

0:20:45.760 --> 0:20:48.280
<v Speaker 3>Are you also knowledging?

0:20:48.440 --> 0:20:50.480
<v Speaker 1>I haven't watched Heated Rivalry? What do you think about

0:20:50.520 --> 0:20:51.159
<v Speaker 1>Heated Rivalry?

0:20:51.280 --> 0:20:55.239
<v Speaker 3>What was your Obviously I fucking love it, like it

0:20:55.280 --> 0:20:57.480
<v Speaker 3>consumed me mind, body, and soul for the better part

0:20:57.520 --> 0:20:59.520
<v Speaker 3>of two months, and it's still in the background.

0:20:59.560 --> 0:21:01.320
<v Speaker 1>You get it. I am trying to rein it in

0:21:01.400 --> 0:21:02.359
<v Speaker 1>and be chill and.

0:21:02.280 --> 0:21:05.560
<v Speaker 3>Be cool, but I actually cannot, Like I just can't.

0:21:05.800 --> 0:21:08.000
<v Speaker 3>It's like the kind of romance media that we never

0:21:08.200 --> 0:21:09.600
<v Speaker 3>we never fucking get anymore.

0:21:09.680 --> 0:21:10.800
<v Speaker 1>Like what do you mean by that? What do you

0:21:10.800 --> 0:21:12.160
<v Speaker 1>mean we never get a romance like.

0:21:12.119 --> 0:21:15.800
<v Speaker 3>This because we never get romance that like actually sees

0:21:15.920 --> 0:21:20.199
<v Speaker 3>romance's plot, Like, say more, Bridgerton is so preoccupied with

0:21:20.240 --> 0:21:22.560
<v Speaker 3>all of these side plots with side characters about their

0:21:22.560 --> 0:21:25.280
<v Speaker 3>financial circumstances and impressing the queen and this and that

0:21:25.400 --> 0:21:27.440
<v Speaker 3>and That's not the work of the romance is these

0:21:27.600 --> 0:21:30.320
<v Speaker 3>two or more people who are falling in love, and

0:21:30.440 --> 0:21:33.600
<v Speaker 3>yet in Bridgerton they get shockingly little screen time. But

0:21:33.680 --> 0:21:37.360
<v Speaker 3>like so many film and TV adaptations of romance that

0:21:37.440 --> 0:21:42.679
<v Speaker 3>are like beyond hallmark quality, do not like actually writing

0:21:42.720 --> 0:21:45.960
<v Speaker 3>dialogue and action between two main characters, because trying to

0:21:46.000 --> 0:21:49.399
<v Speaker 3>convey intimate stakes on screen is really fucking hard. But

0:21:49.440 --> 0:21:53.800
<v Speaker 3>heated rivalry is relentlessly about two people on screen, with

0:21:53.960 --> 0:21:57.160
<v Speaker 3>the like glaring exception of episode three, which is another

0:21:57.240 --> 0:22:00.919
<v Speaker 3>couple who you are laser focused on the intimate stakes

0:22:00.920 --> 0:22:05.160
<v Speaker 3>are all there are? Like everything is internal, everything is interior.

0:22:05.200 --> 0:22:08.240
<v Speaker 3>And first, that's incredibly hard to write, Like it's hard

0:22:08.240 --> 0:22:11.080
<v Speaker 3>to write when you have a book. It is exceptionally hard.

0:22:11.080 --> 0:22:12.960
<v Speaker 3>When you were writing it for TV.

0:22:13.760 --> 0:22:15.639
<v Speaker 1>Were you're reading Twilight and like middle school?

0:22:15.640 --> 0:22:15.760
<v Speaker 2>Oh?

0:22:15.800 --> 0:22:18.760
<v Speaker 1>Absolutely, yeah, I was tuned in. Oh my gosh, I think,

0:22:18.800 --> 0:22:21.600
<v Speaker 1>did you? Or yeah, I did that. I think about it.

0:22:21.760 --> 0:22:25.560
<v Speaker 1>Twilight got me by the throat. Yeah yeah, it had me.

0:22:25.640 --> 0:22:28.240
<v Speaker 1>It had me in its grasp. My parents were going

0:22:28.280 --> 0:22:31.359
<v Speaker 1>through a divorce. I was diving in. I was loving

0:22:31.400 --> 0:22:34.240
<v Speaker 1>it the prospect of immortal love. But I don't think

0:22:34.320 --> 0:22:37.560
<v Speaker 1>i've like fallen in love with a fictional love story

0:22:37.680 --> 0:22:43.000
<v Speaker 1>like that. Maybe since I just I don't know, I

0:22:43.040 --> 0:22:45.000
<v Speaker 1>haven't been able to give it my attention.

0:22:45.880 --> 0:22:49.320
<v Speaker 3>I do have kind of a theory about how that happens, though,

0:22:49.400 --> 0:22:52.480
<v Speaker 3>I do think like reading Romance made me a more

0:22:52.520 --> 0:22:55.919
<v Speaker 3>earnest and sincere person. Like I think it made me

0:22:56.640 --> 0:22:59.040
<v Speaker 3>tolerate stuff that I previously would have regarded as like

0:22:59.600 --> 0:23:02.360
<v Speaker 3>corny or overly sincere.

0:23:02.520 --> 0:23:03.480
<v Speaker 1>Like sickly sweet.

0:23:03.560 --> 0:23:08.280
<v Speaker 3>In a way, I think in order to read Romance,

0:23:08.359 --> 0:23:10.640
<v Speaker 3>you need to be able to access that place.

0:23:11.440 --> 0:23:14.000
<v Speaker 1>Like for yourself and some Yeah, maybe I have too

0:23:14.080 --> 0:23:19.240
<v Speaker 1>much judgment about romance. I was surprised to find out

0:23:19.400 --> 0:23:23.280
<v Speaker 1>that all romance novels have to end with a happy ending. Absolutely,

0:23:23.280 --> 0:23:25.760
<v Speaker 1>I was shocked about that. What's your take on that?

0:23:25.800 --> 0:23:26.920
<v Speaker 1>Do you think that's for the best?

0:23:27.960 --> 0:23:30.199
<v Speaker 3>I think it's a genre convention, you know, in the

0:23:30.200 --> 0:23:33.320
<v Speaker 3>way that like a murder mystery needs a murderer, like

0:23:33.800 --> 0:23:36.880
<v Speaker 3>horror needs some jump scares, like it feels I think

0:23:38.280 --> 0:23:41.719
<v Speaker 3>essential in that if you know where you are going,

0:23:42.280 --> 0:23:48.040
<v Speaker 3>then the real work happens in process, like bring therapy

0:23:48.080 --> 0:23:51.000
<v Speaker 3>speak back into it. When clinicians are always talking about

0:23:51.359 --> 0:23:53.159
<v Speaker 3>the difference between the content of a session and the

0:23:53.200 --> 0:23:56.240
<v Speaker 3>process of a session, so like the content and substance

0:23:56.280 --> 0:23:59.320
<v Speaker 3>of what a client says versus the process of how

0:23:59.320 --> 0:24:01.720
<v Speaker 3>it is being so at what point in what way?

0:24:02.560 --> 0:24:05.760
<v Speaker 3>Like it's not enough when a client is like, yeah,

0:24:05.800 --> 0:24:08.360
<v Speaker 3>and my parents divorced, when X, Y and Z happened,

0:24:08.560 --> 0:24:11.680
<v Speaker 3>it's why tell me in our fifth session? Why tell

0:24:11.760 --> 0:24:15.159
<v Speaker 3>me in this way? Why be so flippant about it?

0:24:15.560 --> 0:24:19.439
<v Speaker 3>Why keep pushing right past it? Like that's process In

0:24:19.520 --> 0:24:22.520
<v Speaker 3>that same way when reading a romance novel, because you

0:24:22.600 --> 0:24:26.600
<v Speaker 3>know the destination of this like finite container. You're paying

0:24:26.600 --> 0:24:30.520
<v Speaker 3>attention not just to oh there is only one bed happening,

0:24:30.720 --> 0:24:33.240
<v Speaker 3>or X, Y and Z trope is at work. You

0:24:33.280 --> 0:24:36.679
<v Speaker 3>are looking at like the real minutia of delivery. So

0:24:36.720 --> 0:24:38.800
<v Speaker 3>it becomes like a reorientation of like what you are

0:24:38.840 --> 0:24:43.040
<v Speaker 3>looking at and what you're driving towards. Arguably, in any reading,

0:24:43.200 --> 0:24:45.320
<v Speaker 3>you should be paying attention to the journey and not

0:24:45.359 --> 0:24:46.040
<v Speaker 3>just the destination.

0:24:46.680 --> 0:24:51.640
<v Speaker 1>I'm guilty of that. I want to show. I'll fast forward, yeah,

0:24:51.720 --> 0:24:55.000
<v Speaker 1>I'll scoot really yeah sometimes and sometimes I'll get pages

0:24:55.040 --> 0:24:58.879
<v Speaker 1>in books. Okay, yeah, okay.

0:24:58.920 --> 0:25:00.399
<v Speaker 3>Are you one of the people who like read the

0:25:00.480 --> 0:25:02.400
<v Speaker 3>last chapter and then No, I've.

0:25:02.240 --> 0:25:04.800
<v Speaker 1>Never read the last chapter first and then gone back.

0:25:04.840 --> 0:25:07.280
<v Speaker 1>But like, I'm definitely not a processed person. I'm a

0:25:07.280 --> 0:25:12.120
<v Speaker 1>destinations interesting like it, you know, kind of shows something

0:25:12.160 --> 0:25:14.200
<v Speaker 1>about my personal life too.

0:25:14.560 --> 0:25:17.000
<v Speaker 3>Is it that you avoid the friction of process? Like

0:25:17.440 --> 0:25:19.480
<v Speaker 3>is it the friction of like what happens before we

0:25:19.480 --> 0:25:21.879
<v Speaker 3>get to resolution that you're like circumventing.

0:25:22.160 --> 0:25:24.640
<v Speaker 1>Yeah, there's like a feeling of discomfort that I can't

0:25:24.720 --> 0:25:27.959
<v Speaker 1>quite overcome, and I just have to sort of like

0:25:28.359 --> 0:25:32.560
<v Speaker 1>opt out otherwise, Like you know, but this is something

0:25:32.600 --> 0:25:50.359
<v Speaker 1>I could totally work on. What do you think women

0:25:50.400 --> 0:25:53.280
<v Speaker 1>are looking to get out of the romance they're falling

0:25:53.320 --> 0:25:54.320
<v Speaker 1>in love with now?

0:25:55.400 --> 0:25:58.000
<v Speaker 3>I think surging into the pandemic, people had a lot

0:25:58.040 --> 0:26:01.800
<v Speaker 3>of time to pick up books of all kinds, And

0:26:01.840 --> 0:26:05.520
<v Speaker 3>it's entirely possible that, like the teenage to twenties demographic

0:26:05.680 --> 0:26:07.840
<v Speaker 3>that was like at home with their parents, all of

0:26:07.880 --> 0:26:11.040
<v Speaker 3>a sudden, we're like, well, seems like romance might be

0:26:11.080 --> 0:26:13.760
<v Speaker 3>a fun escapist big air quotes.

0:26:14.400 --> 0:26:17.040
<v Speaker 1>Why the big air quotes around escapist?

0:26:17.320 --> 0:26:20.040
<v Speaker 3>I think escapism is a big way that people formulate

0:26:20.040 --> 0:26:23.800
<v Speaker 3>their relationship to romance. Yeah, but I personally struggle with that,

0:26:24.520 --> 0:26:29.320
<v Speaker 3>where like, romance has never been about escaping something, it

0:26:29.320 --> 0:26:32.240
<v Speaker 3>has been an entry point into something else. When people

0:26:32.240 --> 0:26:33.959
<v Speaker 3>say escapist, I'm like, where are you going?

0:26:34.080 --> 0:26:34.159
<v Speaker 1>Like?

0:26:34.320 --> 0:26:38.359
<v Speaker 3>Is it that like postgender, post racial, post political world?

0:26:38.600 --> 0:26:40.160
<v Speaker 3>Like is that where you think you are going?

0:26:40.240 --> 0:26:42.680
<v Speaker 1>A very safe world? Right? Right?

0:26:42.880 --> 0:26:44.880
<v Speaker 3>And in that case, I'm like, are you paying attention?

0:26:45.240 --> 0:26:48.879
<v Speaker 3>Like That's that's sort of my question because romance novels,

0:26:48.880 --> 0:26:51.040
<v Speaker 3>even when they are ostensibly all of those things, are

0:26:51.080 --> 0:26:52.560
<v Speaker 3>really not well.

0:26:52.440 --> 0:26:54.640
<v Speaker 1>Because they're close enough, there has to be some kind

0:26:54.680 --> 0:26:57.920
<v Speaker 1>of risk otherwise who cares like you don't want to

0:26:57.960 --> 0:27:00.720
<v Speaker 1>read a story where there's like no nothing like you

0:27:00.800 --> 0:27:02.359
<v Speaker 1>got worrying see.

0:27:02.400 --> 0:27:04.200
<v Speaker 3>Part of the reason why this is tricky is because

0:27:04.240 --> 0:27:06.320
<v Speaker 3>I think that the things people want from romance and

0:27:06.359 --> 0:27:08.400
<v Speaker 3>what they say they want from romance or two different things.

0:27:09.520 --> 0:27:14.119
<v Speaker 3>Like I think a lot of people are making what

0:27:14.160 --> 0:27:18.080
<v Speaker 3>they see as like politically aligned statements about their desire

0:27:18.160 --> 0:27:23.679
<v Speaker 3>for like holy mutualistic, like unencumbered by power relationships. A

0:27:23.680 --> 0:27:27.600
<v Speaker 3>lot of contemporary romance traffics in like a distinctly post racial,

0:27:27.640 --> 0:27:31.520
<v Speaker 3>post gender, post power world where like everyone is equitable

0:27:31.600 --> 0:27:34.399
<v Speaker 3>and no one is held apart by like structures of

0:27:34.440 --> 0:27:36.480
<v Speaker 3>suffering or power or oppression.

0:27:36.720 --> 0:27:38.800
<v Speaker 1>And you think that's something we sort of like claim

0:27:38.920 --> 0:27:41.600
<v Speaker 1>to want. Sure we do, we claim it, But what

0:27:41.640 --> 0:27:44.399
<v Speaker 1>do you think maybe is our reality for what we want.

0:27:45.000 --> 0:27:48.960
<v Speaker 3>I think that when we're looking to feel something by

0:27:49.000 --> 0:27:51.399
<v Speaker 3>reading something, power has to be a part of the

0:27:51.440 --> 0:27:56.960
<v Speaker 3>equation and the explosive exploration of power, both in like

0:27:57.320 --> 0:28:00.560
<v Speaker 3>productive and counterproductive ways. I think is it's sssari for

0:28:00.600 --> 0:28:05.080
<v Speaker 3>a story to be interesting, so be treated by Emily

0:28:05.119 --> 0:28:08.360
<v Speaker 3>Henry like one of the most like iconic twenty twenties

0:28:08.680 --> 0:28:11.920
<v Speaker 3>romance novels like Change the Game, right, Like it is

0:28:12.440 --> 0:28:16.040
<v Speaker 3>between a romance writer and a literary fiction writer who

0:28:16.119 --> 0:28:19.200
<v Speaker 3>knew each other in college meet up because they're in

0:28:19.440 --> 0:28:22.639
<v Speaker 3>neighboring lake houses. Later in adulthood, both of them are

0:28:22.680 --> 0:28:25.040
<v Speaker 3>dealing with like big personal loss, and in a lot

0:28:25.040 --> 0:28:27.360
<v Speaker 3>of ways, it's a book that I think is that

0:28:27.400 --> 0:28:31.080
<v Speaker 3>like post race, postgender world, where like they're on an

0:28:31.119 --> 0:28:34.879
<v Speaker 3>even playing field, and they are so fixated on like

0:28:34.920 --> 0:28:37.639
<v Speaker 3>how do I maintain my own independence while falling in love,

0:28:37.840 --> 0:28:39.480
<v Speaker 3>like the kind of thing that a lot of contemporary

0:28:39.480 --> 0:28:40.160
<v Speaker 3>stories are about.

0:28:40.280 --> 0:28:43.480
<v Speaker 1>Even hearing this story, I'm like, oh my gosh, imagining

0:28:44.000 --> 0:28:46.400
<v Speaker 1>just the ease of letting yourself kind of fall in

0:28:46.440 --> 0:28:48.240
<v Speaker 1>love is something like so delicious.

0:28:48.600 --> 0:28:51.720
<v Speaker 3>Yeah, And I mean it's not easy for them though, right,

0:28:52.160 --> 0:28:55.000
<v Speaker 3>like we'd think it is, like the setup is there.

0:28:55.360 --> 0:28:57.280
<v Speaker 3>But a friend pointed out to me recently, like this

0:28:57.320 --> 0:29:00.400
<v Speaker 3>tweet that was like, we can't expect characters to know

0:29:00.480 --> 0:29:03.520
<v Speaker 3>what genre they're in, so they're not like oriented towards

0:29:03.520 --> 0:29:05.160
<v Speaker 3>the idea that everything is going to be okay the

0:29:05.200 --> 0:29:08.840
<v Speaker 3>way that the reader is, and so their interpersonal distress

0:29:08.880 --> 0:29:11.880
<v Speaker 3>is still like a huge part of the story. And

0:29:12.080 --> 0:29:16.000
<v Speaker 3>ultimately there are issues around gender and power in their relationship,

0:29:16.360 --> 0:29:18.160
<v Speaker 3>and those are like real opticals, like what does it

0:29:18.200 --> 0:29:21.000
<v Speaker 3>mean to be in a relationship with someone who wields

0:29:21.000 --> 0:29:24.680
<v Speaker 3>considerable power over you, considerable social capital over you. The

0:29:24.720 --> 0:29:28.680
<v Speaker 3>reality is that, like the structures aren't going away totally,

0:29:28.760 --> 0:29:31.440
<v Speaker 3>Like it's kind of like the nature of being a person,

0:29:31.600 --> 0:29:33.320
<v Speaker 3>being a human yea, So how do we figure out

0:29:33.360 --> 0:29:36.120
<v Speaker 3>how to be with each other in spite of and

0:29:36.160 --> 0:29:36.840
<v Speaker 3>because of that?

0:29:37.080 --> 0:29:41.280
<v Speaker 1>There are so many genres in romance? Why is monster

0:29:41.440 --> 0:29:43.680
<v Speaker 1>romance a part of your research? Yeah?

0:29:43.960 --> 0:29:46.560
<v Speaker 3>Yeah, This actually was like kind of a fun passion

0:29:46.560 --> 0:29:48.640
<v Speaker 3>project because I was taking a really great gender studies

0:29:48.640 --> 0:29:52.440
<v Speaker 3>class during my master's program. At the same time, I'd

0:29:52.480 --> 0:29:56.840
<v Speaker 3>been really heavily recommended Morning Glory Milking Farm by cmnis Costa,

0:29:57.320 --> 0:29:59.800
<v Speaker 3>which is a romance between a menotaur and a human woman,

0:30:00.080 --> 0:30:03.560
<v Speaker 3>and I was reading that alongside like all of this

0:30:03.680 --> 0:30:08.640
<v Speaker 3>really intense critical gender theory, and I was like, hmm,

0:30:08.880 --> 0:30:12.480
<v Speaker 3>seems like there's something here, which is where my research

0:30:12.520 --> 0:30:15.680
<v Speaker 3>came from, was like a desire to understand why the

0:30:15.720 --> 0:30:19.280
<v Speaker 3>monster is like an interesting sexual subject. And I think

0:30:19.320 --> 0:30:24.200
<v Speaker 3>I'm interested in monsters generally because they are transgressors. Like

0:30:25.160 --> 0:30:29.520
<v Speaker 3>in literature, in philosophy, the monster is the capital other,

0:30:29.720 --> 0:30:32.520
<v Speaker 3>this figure that like shows us the boundaries of acceptable

0:30:32.560 --> 0:30:36.040
<v Speaker 3>society by being right on the boundary between what isn't

0:30:36.160 --> 0:30:39.239
<v Speaker 3>isn't acceptable. And there are these like creatures that have

0:30:39.360 --> 0:30:43.959
<v Speaker 3>unknown origins and unknown relation to others in the world,

0:30:44.120 --> 0:30:47.800
<v Speaker 3>and yet are so magnetic and compelling. And the reality

0:30:47.840 --> 0:30:50.680
<v Speaker 3>is also that like the woman has also been constructed

0:30:50.680 --> 0:30:53.360
<v Speaker 3>in philosophy as the other, and so there's kinship to

0:30:53.360 --> 0:30:57.880
<v Speaker 3>be found. I think between women and monsters broadly, I

0:30:57.960 --> 0:31:00.840
<v Speaker 3>think something that's really interesting in that that, like, monsters

0:31:00.840 --> 0:31:06.040
<v Speaker 3>have permission to be abject, to be disgusting, filthy, gross,

0:31:06.360 --> 0:31:12.520
<v Speaker 3>leaking fluids, hairy, undesirable in some traditional normative sense. I mean,

0:31:12.560 --> 0:31:15.240
<v Speaker 3>they might be large and muscular, but they are still

0:31:16.160 --> 0:31:19.080
<v Speaker 3>out of the ordinary. They have like freakish bodies. That

0:31:19.120 --> 0:31:21.239
<v Speaker 3>is the nature of a monster, as opposed to like

0:31:21.360 --> 0:31:25.080
<v Speaker 3>a vampire, a were wolf, a witch, which is more paranormal.

0:31:25.160 --> 0:31:28.040
<v Speaker 3>I would say, so, I think I was really interested

0:31:28.080 --> 0:31:31.200
<v Speaker 3>in that of like when someone's embody met is not

0:31:32.240 --> 0:31:37.840
<v Speaker 3>tidy and neat and clean and recognizable and familiar, Like,

0:31:38.320 --> 0:31:40.640
<v Speaker 3>how is it that desire is a much more complicated

0:31:40.680 --> 0:31:45.960
<v Speaker 3>experience than purely attempting to recreate hetero sexual relations as

0:31:45.960 --> 0:31:49.520
<v Speaker 3>we know it, Like, how is it possible that people

0:31:49.600 --> 0:31:53.320
<v Speaker 3>can experience desires for creatures they've never seen, like want

0:31:53.440 --> 0:31:56.120
<v Speaker 3>for things that they will never encounter? Like how is

0:31:56.200 --> 0:31:59.440
<v Speaker 3>desire and experience that really isn't necessarily about another person?

0:32:00.120 --> 0:32:02.959
<v Speaker 3>Is the thing that you grant to yourself? And like

0:32:03.560 --> 0:32:05.920
<v Speaker 3>how can monster romance be an exploration of that? Was

0:32:05.960 --> 0:32:08.200
<v Speaker 3>all stuff that I was interested in. I think it's

0:32:08.200 --> 0:32:08.960
<v Speaker 3>complicated though.

0:32:09.280 --> 0:32:11.680
<v Speaker 1>Well. My last question for you, and this is something

0:32:11.720 --> 0:32:14.800
<v Speaker 1>we ask everybody. What is one thing you've had to

0:32:14.880 --> 0:32:15.920
<v Speaker 1>unlearn about love?

0:32:16.200 --> 0:32:21.400
<v Speaker 3>I've learned that heteropessimism doesn't serve me. I was writing

0:32:21.400 --> 0:32:23.680
<v Speaker 3>about heteropessimism last year, and I think it helped me

0:32:23.760 --> 0:32:26.680
<v Speaker 3>distill the way that romance had played a part in

0:32:26.920 --> 0:32:31.760
<v Speaker 3>undoing my own heteropessimism. Is so tharescan queer theorist. He

0:32:31.800 --> 0:32:36.760
<v Speaker 3>wrote this essay on heteropessimism, basically talking about how feminism

0:32:36.800 --> 0:32:41.280
<v Speaker 3>has failed to theorize heterosexuality meaningfully and interestingly, like it

0:32:41.400 --> 0:32:43.360
<v Speaker 3>is the sort of feminist position that it is like

0:32:43.920 --> 0:32:49.560
<v Speaker 3>tackylame and stupid, completely anti productive for the self to

0:32:49.640 --> 0:32:52.360
<v Speaker 3>be attracted to men given the violence that they enact.

0:32:52.920 --> 0:32:55.480
<v Speaker 1>Yeah, speak a little bit more to that, like sort

0:32:55.480 --> 0:32:57.520
<v Speaker 1>of healing that experience.

0:32:58.160 --> 0:33:01.920
<v Speaker 3>Well Sirescen's essay like articulates the point of heteropessimism and

0:33:01.960 --> 0:33:04.600
<v Speaker 3>then goes through deconstructing all the ways that it's not helpful,

0:33:05.240 --> 0:33:08.320
<v Speaker 3>first of which is the population of women who are

0:33:08.320 --> 0:33:11.000
<v Speaker 3>attracted to men are not going away totally. Like the

0:33:11.040 --> 0:33:13.600
<v Speaker 3>experience of desire for men, no matter how begrudging we

0:33:13.640 --> 0:33:15.960
<v Speaker 3>are about it, no matter how like self loathing we

0:33:16.000 --> 0:33:18.440
<v Speaker 3>are about it doesn't go away. But it does end

0:33:18.560 --> 0:33:22.280
<v Speaker 3>up sort of inadvertently making women feel like their desire

0:33:22.640 --> 0:33:25.479
<v Speaker 3>is silly, stupid, frivolous.

0:33:24.920 --> 0:33:26.480
<v Speaker 1>Something to be ashamed about.

0:33:26.280 --> 0:33:28.360
<v Speaker 3>Something to be ashamed about. So this thing that is

0:33:28.400 --> 0:33:31.680
<v Speaker 3>ostensibly like, look what a rational position it is, ends

0:33:31.800 --> 0:33:34.000
<v Speaker 3>up circling back on women.

0:33:33.840 --> 0:33:37.160
<v Speaker 1>Again totally what's that about?

0:33:37.920 --> 0:33:41.520
<v Speaker 3>And then he also makes the point that, like heteropessimism

0:33:41.600 --> 0:33:44.640
<v Speaker 3>forecloses the degree to which attero sexuality is an institution

0:33:44.840 --> 0:33:48.400
<v Speaker 3>is changeable, Like when we have decided in this like

0:33:48.480 --> 0:33:51.640
<v Speaker 3>nihilistic way that it is like without meaning and without

0:33:51.680 --> 0:33:54.000
<v Speaker 3>the potential for change. I don't say that, like he

0:33:54.040 --> 0:33:56.960
<v Speaker 3>doesn't say that to be like flippant about sexual violence

0:33:57.240 --> 0:34:00.600
<v Speaker 3>by any means, like it is actually the narrative that

0:34:00.640 --> 0:34:04.520
<v Speaker 3>something must change, and we can only do that by

0:34:04.640 --> 0:34:08.480
<v Speaker 3>acknowledging the merits of the institution and figuring out what

0:34:08.640 --> 0:34:13.799
<v Speaker 3>is working for people who are in heterosexual relationships. And

0:34:14.280 --> 0:34:17.280
<v Speaker 3>I think romance novels helped me understand how like being

0:34:17.320 --> 0:34:20.960
<v Speaker 3>in relation with people who have different positions of power

0:34:21.320 --> 0:34:26.040
<v Speaker 3>can actually be personally transformative, right, Like how is it

0:34:26.080 --> 0:34:28.319
<v Speaker 3>that when you see yourself filtered through the eyes of

0:34:28.320 --> 0:34:31.360
<v Speaker 3>someone who has more like cultural capital than you, that

0:34:31.440 --> 0:34:33.520
<v Speaker 3>you might be able to see yourself with more kindness,

0:34:33.560 --> 0:34:37.680
<v Speaker 3>with more generosity? Like how is it that the confidence

0:34:37.760 --> 0:34:40.360
<v Speaker 3>or the authority of a male partner in a romance

0:34:40.440 --> 0:34:44.799
<v Speaker 3>novel is something that like rubs off on a female protagonist?

0:34:45.440 --> 0:34:49.280
<v Speaker 3>Like how is it that the loving gaze of someone

0:34:49.360 --> 0:34:52.520
<v Speaker 3>else is a thing that transforms how we view ourselves?

0:34:52.920 --> 0:34:56.320
<v Speaker 3>Like I think those were all things that romance novels

0:34:56.360 --> 0:34:57.680
<v Speaker 3>like brought life.

0:34:57.440 --> 0:35:01.319
<v Speaker 1>To for me. When you mentioned like loving gaze, it's

0:35:01.360 --> 0:35:03.239
<v Speaker 1>so interesting because I guess we're talking about it in

0:35:03.280 --> 0:35:04.720
<v Speaker 1>the context of the male gaze.

0:35:04.960 --> 0:35:08.960
<v Speaker 3>Yeah, Iris Murdoch, the philosopher come forward, with it really

0:35:09.360 --> 0:35:11.479
<v Speaker 3>justin loving gaze, that's what you call them.

0:35:11.520 --> 0:35:14.360
<v Speaker 1>What's her name again, Iris Murdoc, Iris Murdoch. I have

0:35:14.400 --> 0:35:16.560
<v Speaker 1>so much reading to do. I'm gonna need you to

0:35:16.600 --> 0:35:19.680
<v Speaker 1>text me a the lit. Absolutely well, thank you so much,

0:35:20.200 --> 0:35:22.520
<v Speaker 1>thank you for coming on, thank you, thank you.

0:35:22.480 --> 0:35:22.839
<v Speaker 2>Thank you.

0:35:23.000 --> 0:35:23.959
<v Speaker 3>I just have to be here.

0:35:29.520 --> 0:35:34.080
<v Speaker 1>Hey, Hi, Hope, Hi Emily.

0:35:35.120 --> 0:35:37.799
<v Speaker 4>So I'm giving you a little call to check in

0:35:37.880 --> 0:35:40.160
<v Speaker 4>and see if you've read any of that book.

0:35:41.160 --> 0:35:46.200
<v Speaker 1>I have read some of the book. I'm on chapter three, okay, yes,

0:35:46.400 --> 0:35:53.839
<v Speaker 1>and it's very cute. It starts out a little tumultuous. Yes,

0:35:53.920 --> 0:35:56.880
<v Speaker 1>I'm finding myself coming across like the same sort of

0:35:57.520 --> 0:36:00.680
<v Speaker 1>like difficulty I have with fiction. Yes, my my brain

0:36:00.760 --> 0:36:04.200
<v Speaker 1>is wandering a little while I read. And that's the

0:36:04.239 --> 0:36:07.120
<v Speaker 1>ADHD and me and I'm working on that. But the

0:36:07.200 --> 0:36:09.839
<v Speaker 1>story is really cute, and I'm excited to see how

0:36:09.880 --> 0:36:12.240
<v Speaker 1>they fall in love, because right, they kind of start

0:36:12.239 --> 0:36:17.960
<v Speaker 1>at it's an enemy's to lover's story, right, So I'm

0:36:18.000 --> 0:36:19.799
<v Speaker 1>excited to see how they fall in love.

0:36:20.520 --> 0:36:22.279
<v Speaker 4>So you're enjoying the journey so far.

0:36:22.880 --> 0:36:26.120
<v Speaker 1>I'm enjoying the journey, and like we sort of have

0:36:26.280 --> 0:36:31.239
<v Speaker 1>talked about, I'm like trying to apply I can fall

0:36:31.280 --> 0:36:34.959
<v Speaker 1>in love to my own life right now. M m yeah,

0:36:35.200 --> 0:36:40.400
<v Speaker 1>because I don't know if I have let myself be

0:36:40.600 --> 0:36:43.879
<v Speaker 1>in that headspace since like high school, is that great?

0:36:43.920 --> 0:36:45.080
<v Speaker 1>Right that?

0:36:45.480 --> 0:36:49.280
<v Speaker 4>I mean, it's hard. The more experience you have, really

0:36:49.320 --> 0:36:51.640
<v Speaker 4>the heart it can be, because more shit happens to you.

0:36:52.320 --> 0:36:55.200
<v Speaker 1>I've been thinking recently how I would love to be

0:36:55.320 --> 0:37:00.440
<v Speaker 1>able to let myself fall into someone. But I in

0:37:01.000 --> 0:37:03.680
<v Speaker 1>s L A A the other day and they said,

0:37:03.719 --> 0:37:09.439
<v Speaker 1>don't fall in love, crawl into love. As I'm saying

0:37:09.480 --> 0:37:11.680
<v Speaker 1>it out loud, I'm like, do we like that?

0:37:12.360 --> 0:37:16.439
<v Speaker 4>I do like that, like that I identify as more

0:37:16.440 --> 0:37:19.760
<v Speaker 4>of a crawler, but I don't.

0:37:19.640 --> 0:37:22.000
<v Speaker 1>Want to We don't want to crawl, like that's kind

0:37:22.000 --> 0:37:23.920
<v Speaker 1>of a vulnerable position. I'm thinking about it. I'm like,

0:37:23.920 --> 0:37:25.160
<v Speaker 1>I know, we don't want to be on our hands

0:37:25.160 --> 0:37:28.479
<v Speaker 1>and knees, but maybe we like baby step into love?

0:37:28.640 --> 0:37:34.239
<v Speaker 1>Yeah you Wade, Wade until yes, Wade love. I like Wade. Yes.

0:37:34.560 --> 0:37:38.759
<v Speaker 4>Have you thought about anything more after our conversation with sand.

0:37:38.640 --> 0:37:42.040
<v Speaker 1>Oh my gosh, well, I've been thinking about monster romance

0:37:42.040 --> 0:37:45.160
<v Speaker 1>because after our conversation, you know, I think I mentioned

0:37:45.680 --> 0:37:47.759
<v Speaker 1>if not in the conversation with her, but with you.

0:37:48.400 --> 0:37:50.960
<v Speaker 1>I love A Shape of Water. It's in my top

0:37:51.000 --> 0:37:53.920
<v Speaker 1>four on letterbox, Like, I love that movie. I was

0:37:53.960 --> 0:37:57.160
<v Speaker 1>rewatching it the other day and I thought like, oh, wow,

0:37:57.239 --> 0:38:00.360
<v Speaker 1>if you think about it through the lens that Sandra

0:38:00.440 --> 0:38:03.319
<v Speaker 1>was sort of talking about, like just falling in love

0:38:03.360 --> 0:38:06.600
<v Speaker 1>with someone who may be like a bit of an outcast,

0:38:06.719 --> 0:38:08.720
<v Speaker 1>or you're not allowed to fall in love with somebody

0:38:08.760 --> 0:38:11.640
<v Speaker 1>who's a bit of an other, like, you know, somebody

0:38:11.680 --> 0:38:15.680
<v Speaker 1>like and I don't know. I just sort of saw

0:38:15.719 --> 0:38:18.920
<v Speaker 1>that movie in a completely new light and it made

0:38:18.960 --> 0:38:23.240
<v Speaker 1>me think about, like, yeah, how romance novels can really

0:38:24.000 --> 0:38:28.320
<v Speaker 1>be a mirror to what we're all sort of doing

0:38:28.560 --> 0:38:30.359
<v Speaker 1>in our day to day lives and things that we're

0:38:30.440 --> 0:38:31.920
<v Speaker 1>navigating culturally.

0:38:32.600 --> 0:38:34.399
<v Speaker 4>I think this has been a little bit healing, would

0:38:34.400 --> 0:38:34.680
<v Speaker 4>you say?

0:38:34.719 --> 0:38:34.799
<v Speaker 2>So?

0:38:35.440 --> 0:38:39.040
<v Speaker 1>This has been a great project. This has been so

0:38:39.200 --> 0:38:46.040
<v Speaker 1>much fun. Thank you so much to Sane, to everyone

0:38:46.120 --> 0:38:49.160
<v Speaker 1>at the Ripped Bodice for letting us poke around, and

0:38:49.239 --> 0:38:51.960
<v Speaker 1>thanks for the romance novels out there for showing us

0:38:52.000 --> 0:38:56.040
<v Speaker 1>there can always be a happy ending. Thank y'all for listening,

0:38:56.120 --> 0:39:10.560
<v Speaker 1>and we'll talk next week. Boy Sover is a production

0:39:10.719 --> 0:39:15.800
<v Speaker 1>of iHeart Podcasts, I'm your Host Hopewordard. Our executive producers

0:39:15.800 --> 0:39:20.080
<v Speaker 1>are Christina Everett and Julie Pinero. Our supervising producer is

0:39:20.120 --> 0:39:25.680
<v Speaker 1>Emily Meronoff. Our assistant producer is Logan Palau. Engineering by

0:39:25.800 --> 0:39:31.359
<v Speaker 1>Bahid Fraser and mixing and mastering by Abu Zafar. If

0:39:31.360 --> 0:39:34.319
<v Speaker 1>you liked this episode, please tell a friend and don't

0:39:34.320 --> 0:39:37.360
<v Speaker 1>forget to rate, review, and subscribe to Boys Sober on

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<v Speaker 1>the iHeartRadio app, Apple Podcasts, and wherever you get your

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<v Speaker 1>favorite shows.