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Speaker 1: No wonder food. That's never Let's go round of applause

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Speaker 1: for my mother. The supporters. You know exactly who you're

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Speaker 1: in the building with. It's up. Their podcast is Big Loan.

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Speaker 1: I feel like everything is lining up right where it

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Speaker 1: needs to line up. I want to thank everybody that's

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Speaker 1: a part of my audience as it is growing. I'm

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Speaker 1: getting so many people commenting, but I want to get

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Speaker 1: right into the show right because I know everybody that's

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Speaker 1: following and listening, you're kind of picking this up so

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Speaker 1: right now. You just want to hear what I'm on,

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Speaker 1: and I want to jump right in with whatever I'm

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Speaker 1: on first, though, I do want to say video exclusively,

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Speaker 1: because I wouldn't be doing my job if not video

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Speaker 1: exclusively on Patreon dot com, it's up there, podcast or

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Speaker 1: you can get the video there. Shout out to Revote TV.

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Speaker 1: Now that everything is in place business wise, let's have

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Speaker 1: a conversation. Over the last couple of months, my podcast

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Speaker 1: has been growing so so fast that I've just been

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Speaker 1: happy to be in a position that I'm in right.

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Speaker 1: I get a lot of love from a lot of

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Speaker 1: people all across the country, and it's starting to become normal.

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Speaker 1: But With that being said, I got I gotta not

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Speaker 1: become arrogant, and I gotta not become stale, because you

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Speaker 1: can become stale in a fresh place, and you gotta

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Speaker 1: be careful not to do so. We got so much

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Speaker 1: to talk about today. Man. It's always a lot in

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Speaker 1: the culture going on, and we always an instrumental when

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Speaker 1: trying to break it down. First, I want to talk

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Speaker 1: to you guys about these new shorts that's going on.

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Speaker 1: What's interesting to me is that the way that my

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Speaker 1: old lady had come to me to talk to me

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Speaker 1: about the shorts, ever did it. There's a new thing

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Speaker 1: going on called hoochie shorts or something like that. Women

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Speaker 1: are calling them kochie shorts. I think they're doing that

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Speaker 1: to be funny. But these these shorts are called hoochie

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Speaker 1: shorts for dudes. My god, DJ is really big on

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Speaker 1: him here NFL. Dude, he got a deal. He got

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Speaker 1: them for sale, y'all gonna pick them up. Doing really

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Speaker 1: well in the space. I'm interested in how the people

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Speaker 1: that I love perceived me, right, like my mother, my children,

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Speaker 1: my woman, my people. People. I care about how they

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Speaker 1: perceive me, and sometimes how somebody comes at you tells

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Speaker 1: you how they feel about you, or just how they

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Speaker 1: feel about your mental makeup or because taking mind, anytime

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Speaker 1: somebody say something to you or they're trying to offer

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Speaker 1: you some information, they want you to accept it. So

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Speaker 1: they're trying to offer it in a way where you

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Speaker 1: will accept it, right, And so when they come to me,

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Speaker 1: whatever information they have, I'm always interested in seeing how

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Speaker 1: they come at me. So of course you don't come

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Speaker 1: at me and it's just say, don't wetty these shorts.

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Speaker 1: I'm always interested in seeing, like the dudes who they

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Speaker 1: women kind of tell them what to do, not like

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Speaker 1: it's a partnership, like it's a dictatorship. You know. She

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Speaker 1: may see something on the internet and come to him.

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Speaker 1: Don't put this on, you know. And so how she

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Speaker 1: came at me more was like, oh my god, this

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Speaker 1: looks so crazy, don't dudes you know? So it ain't

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Speaker 1: that I'm gonna tell you not to wham, but I'm

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Speaker 1: gonna shun it to let you know I don't really

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Speaker 1: care for you know, they don't really care for you.

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Speaker 1: Winn't that on, you know what I mean? And so

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Speaker 1: she operating like I don't got the information, like I've

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Speaker 1: already seen the shorts. I know what they're doing already,

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Speaker 1: not seen it, you know, And so I ain't found

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Speaker 1: my short swag yet, you know what I mean. I

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Speaker 1: know that some of them here that I ain't star

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Speaker 1: you know, because it's a different thing happening out there.

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Speaker 1: You know. I know how stupid you used to look

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Speaker 1: with them big short zone, you know, without letting material.

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Speaker 1: You know. Now the shorts look like they're trying to

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Speaker 1: say material. You know, ain't but a little piece of

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Speaker 1: material on there, you know what I mean. But you know,

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Speaker 1: I haven't really bought none. It was just funny though that,

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Speaker 1: you know, how she was trying to come with them.

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Speaker 1: They just don't look right. I don't know what they

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Speaker 1: think in nine days goodness gracious, why they're wearing them

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Speaker 1: so sure? And I'm thinking to myself, this your way

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Speaker 1: of trying to cohorse me in to not wearing them.

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Speaker 1: I might put them on, of course, I don't know

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Speaker 1: what I'm gonna do. I ain't putting them on. I

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Speaker 1: don't know what I'm gonna do short wise, but it

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Speaker 1: just will fund it. But let's start to show off

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Speaker 1: with the young with a young thug case update. Of course,

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Speaker 1: I kind of always like to give an update on

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Speaker 1: Young Thug being one of the biggest Southern artists that

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Speaker 1: we have, being in a situation facing the Rico charge

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Speaker 1: with twenty seven other individuals, and it's so much false information.

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Speaker 1: There's so many brilliant people in our culture that when

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Speaker 1: we have to talk about criminal things or court or

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Speaker 1: understanding and restraining order just some of these things, they

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Speaker 1: have no understanding. That's that's fine, it's I mean, that's

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Speaker 1: a blessing not to have any understanding of the criminal

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Speaker 1: infrastructure that America has the awful right, But there's an infrastructure,

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Speaker 1: and there's certain things that happen, and there's certain things

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Speaker 1: that come out in efforts to do things right. So

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Speaker 1: when you see things come out about yet Gaudi or

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Speaker 1: Thug or these things in the press, these things are

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Speaker 1: by design. A lot of times, let's just give it up.

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Speaker 1: They don't Thug Thug for again, those that do not

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Speaker 1: know at this point, not sure where you are, But

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Speaker 1: Thug is in jail fighting the Rico charge. He is

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Speaker 1: mentioned in two counts of the Rico Gun is also incarcerated,

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Speaker 1: mentioned in one count of that Rico charge. And they're

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Speaker 1: in a situation where it's a state led rico charge.

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Speaker 1: Which is interesting that da is the same lady that

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Speaker 1: has been cited to say that she would arrest Donald Trump.

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Speaker 1: Just the other day, Donald Trump actually tweeted at her

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Speaker 1: said that the ford in County dam is in one

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Speaker 1: of the most corrupt cities in our country and they're

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Speaker 1: misusing the rico law. Right. Of course, that didn't get

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Speaker 1: a lot of attraction. But he's shooting at you and

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Speaker 1: you ain't gonna do nothing. He's overhead in my opinion.

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Speaker 1: But as you see her reach out get Thug pulled

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Speaker 1: them away from their families. I just hate to see

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Speaker 1: it again because the whole investigation that the fizz head

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Speaker 1: is literally fueled on a beef between two guys. If

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Speaker 1: you read the paperwork, this ain't me confirming anything. This

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Speaker 1: is me reading things. And so throughout the case you've

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Speaker 1: seen Thug try to make a bond. Gunna went up

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Speaker 1: for bonn. They told him to get out of here,

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Speaker 1: come back in January for trial. This is thug second

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Speaker 1: time going up for a bond. I want to be

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Speaker 1: clear that when you're in court, you're playing a word game.

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Speaker 1: Everything is about the words in court, right, they may

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Speaker 1: can use. They can use several terms to describe what

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Speaker 1: they're saying, but when you hit him, try to say

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Speaker 1: things like the most dangerous or he's the biggest of them.

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Speaker 1: All these are terms because they're trying to target through.

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Speaker 1: They really won't thug. I think they get there. Let

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Speaker 1: anybody else going, and they won't Thull. They really won't

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Speaker 1: Young Thug. It's clear. It's clear in what they say

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Speaker 1: about him. It's clear in the role that they say

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Speaker 1: that he played in whatever criminal activity that they alleged,

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Speaker 1: that this is who they would like to see behind

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Speaker 1: balls for a long time. And but this is why

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Speaker 1: it's so important to have a part every week, you know,

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Speaker 1: or to be able to talk to your audience and

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Speaker 1: your people. It's because so many things happening. Sometimes you

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Speaker 1: get caught in the loop. Last week you heard me

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Speaker 1: report on because reports came out that Young Thugs lawyer

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Speaker 1: at some point of time had a situation where he

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Speaker 1: contacted the State of Georgia or the federal government and

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Speaker 1: did some sort of confession on someone that's involved in

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Speaker 1: the indictment. This came out last week. It was interesting.

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Speaker 1: I was like, yo, what what was that? Right? Trying

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Speaker 1: to understand that I didn't go too deep in it

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Speaker 1: because I didn't have a lot of information on it.

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Speaker 1: Come to find out that was false. Now here's the problem.

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Speaker 1: Sometimes you get to see the intent of people by

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Speaker 1: the mistakes they mate. How can you get something like

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Speaker 1: that wrong? How can you go as far to file

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Speaker 1: the paperwork and be wrong in that instant? So my

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Speaker 1: question then would be what else are you wrong about?

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Speaker 1: But again, that trick and other tricks that you see

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Speaker 1: is an attempt to get young thugs. Lawyer tooking off

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Speaker 1: the case. For a lot of people who know the

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Speaker 1: criminal atmosphere in Georgia say that he is like Michael

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Speaker 1: Jordan of that spectrum, so he is one of the

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Speaker 1: top dogs. There's a lot of high power lawyers involved

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Speaker 1: in this case, as I've seen on the internet. Someone

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Speaker 1: put it like this, this is the dream team. And

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Speaker 1: for me, I would second that I know Drewid somewhere

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Speaker 1: in there on some one side. He's known to be

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Speaker 1: high powered. A lot of these guys are high power.

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Speaker 1: They're fighting for people that's worth a lot of money free,

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Speaker 1: so I would expect that. But that was a trick

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Speaker 1: amongst others to get that lawyer off the case. But

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Speaker 1: if that's a trick to run through money, you know,

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Speaker 1: get your lawyer, fire him, get your none, fire him,

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Speaker 1: try to get that. Make you go feed and now

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Speaker 1: you got to get another lord like you know they

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Speaker 1: go to playing those look games. Say the house is

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Speaker 1: still on the table. That's where That's what That's what

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Speaker 1: would keep me up at night if I was his

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Speaker 1: lawyer or his family or something. It's like that in

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Speaker 1: the house though, because he possibly could have got a

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Speaker 1: twenty five years sentence for that rico and that sounds

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Speaker 1: like a lot. But in my time, you do thirty

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Speaker 1: percent of that, then he never been locked up, so

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Speaker 1: he might can get out earline some kind of he

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Speaker 1: might have done five six years and been home. No

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Speaker 1: I'm saying so. But but the new the new cases,

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Speaker 1: it's what's making me feel like that, bro, what is

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Speaker 1: it like? How they're gonna do this is they're gonna

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Speaker 1: try to get it to run out together so he

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Speaker 1: can just get some time or get a like I

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Speaker 1: don't know what's happening because I'm not sure if you

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Speaker 1: can beat it flat out, just beat all charges. And

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Speaker 1: so thug had this hearing and then this hearing there

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Speaker 1: was a lot of things being said. They painted Thug

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Speaker 1: is being the head of the gang, the leader of

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Speaker 1: the pack, the head, not to tell the front, not

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Speaker 1: the back. They painted Thug is some sort of gang

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Speaker 1: leader that wraps about events that So, in my opinion,

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Speaker 1: are you suggesting that if nothing would have happened, he

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Speaker 1: wouldn't been able to write raps. I just don't like

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Speaker 1: that they live in that little vague place that's not

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Speaker 1: that's not a concrete place to live at. And we're

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Speaker 1: not gonna let you trick us with that, at least

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Speaker 1: I'm not. I'm not sure about everybody else. But we're

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Speaker 1: gonna get into the hearing in a little bit. First,

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Speaker 1: I want to let you guys hear how to state

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Speaker 1: paint it, young Thumb and some of the things they said.

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Speaker 1: They're gonna read some lyrics out and we'll revisit how

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Speaker 1: we feel about them using these lyrics and the context

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Speaker 1: that they're reading to me, and let's take a look

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Speaker 1: at what happened. The next one is going to be

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Speaker 1: out sixty of the indictments, which is on three twenty five, sixteen.

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Speaker 1: It is a music video entitled Slime, and it talks

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Speaker 1: about YSL killing twelve twelve being a euphemism for police

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Speaker 1: officers a jail ship. I'm a VIP and got a

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Speaker 1: pistol on my hip again. And you know, I took

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Speaker 1: what mister Las said and I don't disagree with him.

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Speaker 1: If we have someone singing these kinds of lyrics and

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Speaker 1: isn't living this lifestyle before they sing about it, I

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Speaker 1: don't think that's a crime. That's not the case here.

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Speaker 1: We're basically singing lyrics about what they're doing. The fact

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Speaker 1: that mister Lyles isn't aware of what his business partner

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Speaker 1: is doing is the other issue in that song that

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Speaker 1: goes again the police, the judge mob life on nine

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Speaker 1: twenty four seventeen, Act sixty eight I believe sixty nine,

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Speaker 1: seventy seventy one and seventy two, your honor. This is

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Speaker 1: a act out of Brookhaven Police Department that mister Steele

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Speaker 1: spoke of where mister Kitchens and mister Williams are stopped

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Speaker 1: in a car based on a traffic violation and a

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Speaker 1: stolen weapon was found in the vehicle and meth amphetamine

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Speaker 1: with intent to distribute, hydro codone with intent to distribute,

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Speaker 1: marijuana with intend to distribute and a criminal street gang

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Speaker 1: charge arose from that. And the interesting thing on that

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Speaker 1: is when the officer asked mister Williams then intend to distribute?

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Speaker 1: Is what's interesting. These dudes probably had a large quantity

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Speaker 1: because they rich. You know, if you do weed, you

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Speaker 1: might have a pound if you wanted them kind of dudes.

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Speaker 1: If you do X, you might got a bunch of them.

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Speaker 1: If you do pers, you got a bunch of them.

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Speaker 1: We just putting context on that, and the response from

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Speaker 1: mister Williams was I'm a stupid I'm a superstar. Can't

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Speaker 1: take me to jail. We also did I think mister

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Speaker 1: Williams discovered there that that didn't work your owner? On

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Speaker 1: Act seventy three on twelve thirty seventeen, mister Williams appeared

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Speaker 1: in the video. It was called Original Slime with lyrics

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Speaker 1: murderer gang ysl to You're Dead and Pale. Act seventy

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Speaker 1: four is a music video on four twelve eighteen where

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Speaker 1: mister Williams states or sings, I never killed anybody, but

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Speaker 1: I got something to do with that body. Um as

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Speaker 1: would be our position is that as the leader of

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Speaker 1: this criminal street gang, mister Williams probably has never um

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Speaker 1: killed anybody. I don't know that to be true or not,

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Speaker 1: but he probably has others do it for him. As

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Speaker 1: as we understand the evidence, Judge, who's that Act seventy

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Speaker 1: four music videot the which one, Judge, I'm sorry. Act

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Speaker 1: seventy four was still our twelve eighteen judge, okay, And

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Speaker 1: again the way is we dressed it in our evidence, Judge,

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Speaker 1: we essentially addressed that as a confession by a party opponent.

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Speaker 1: You know in Act seventy five, Judge, which is another

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Speaker 1: It's another traffic event into Cab County. It's on five,

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Speaker 1: eighteen eighteen. In prior songs, the defendant sings that he

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Speaker 1: travels with snipers. He travels with a dangerous gang. You

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Speaker 1: can't mess with his people. In this it was a

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Speaker 1: traffic stop. Two vehicles driving speeding down the road. Officer

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Speaker 1: tried to stopped them for speeding. Mister Williams was driving

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Speaker 1: the lead car in a Porsche. I do not believe

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Speaker 1: any weapons an drugs were found in that car, and

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Speaker 1: mister Williams indicated the officer that the people behind him

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Speaker 1: worked for him. The people behind him stated that they

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Speaker 1: worked for mister Williams. In that car were four individuals,

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Speaker 1: some prior felons, and they were armed to the teeth

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Speaker 1: to include a fully loaded thirty round mag with an

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Speaker 1: AK forty seven. I do not believe mister Williams got

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Speaker 1: any charge other than a traffic ticket at that time. Again,

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Speaker 1: he no weapons were found on him and no drugs

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Speaker 1: were found on him. On Acts seventy eight from one

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Speaker 1: fifteen nineteen, it's a video called bad Boy, Now understand.

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Speaker 1: At a point, mister Williams got into a beef, if

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Speaker 1: you will, with another rapper by the name of Ray

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Speaker 1: Shawn Bennett also known as Wyeth and Lucci. At some point,

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Speaker 1: Luccie's mother was shot at, and the song comes out

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Speaker 1: with bad Boy that says, let's see you. Better watch

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Speaker 1: the way you breathe around me. For that breath be

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Speaker 1: your last. Boy Smith and Wesson forty five put a

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Speaker 1: hole in his heart. Better not play with me, killers,

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Speaker 1: stay with me. I shot at his mommy. Now he

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Speaker 1: no longer mentioned me again. We believe that mister Williams

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Speaker 1: doesn't sing about random theoretical acts. He sings about gang

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Speaker 1: acts that he's a part of or his gang participates in.

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Speaker 1: Following that, your honor in the same year Act ninety

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Speaker 1: six eight eight nineteen, mister Williams posted on Instagram a

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Speaker 1: I guess a post its will It said if or

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Speaker 1: YFN if ain't like what you do for your mother

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Speaker 1: and your kids, I would have killed you, and that

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Speaker 1: was tagging y FN Lucci. Now I'll go back and

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Speaker 1: I'll get to that later. But this year a YSL

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Speaker 1: member attempted to kill mister Rayshawn Bennett at KAYF and

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Speaker 1: Lucci at the In County jail. That's on video as well,

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Speaker 1: and we can tie that to the gang. I'll get

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Speaker 1: to that later. Just how they're reading it is important

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Speaker 1: for people who are listening. Mister Williams post a video

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Speaker 1: called just how it is. There were lyrics in that

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Speaker 1: one as well, ninety seven I'm sorry and it said

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Speaker 1: last n word tried me almost got popped at Lennox.

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Speaker 1: Asked the cops, asked the detectives. They know all the business,

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Speaker 1: asked the cops and the detective all the jurisdictions. Gave

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Speaker 1: the lawyer close to two mills. He handles all the

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Speaker 1: killings mob business. We know to kill the biggest cats

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Speaker 1: of all the kittens. Also, it should be noted that

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Speaker 1: mister it's alleged that mister Donovan Thomas was the head

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Speaker 1: of the Inglewood Family criminal street gang at the time,

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Speaker 1: and irrespective of his position that he might have had

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Speaker 1: in a gang or not in a gang, mister Thomas

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Speaker 1: didn't deserve to get gunned down in the road of

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Speaker 1: Atlanta position or Act one or two. Judge from three

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Speaker 1: twelve twenty, Mister Jeffrey Williams is in a conversation with

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Speaker 1: mister Hughey, also a defendant in this indictment. Hold on,

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Speaker 1: just listen to how they They don't have a you

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Speaker 1: hear how I talk, or some of the greats talk

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Speaker 1: right when they're well prepared. You don't hear a lot

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Speaker 1: of you hear me go oh when I'm getting into

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Speaker 1: trying to find what groove I'm gonna talk about. But

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Speaker 1: when you listen to these people talk and they're explained

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Speaker 1: in a high level reco case, they're saying, Yanna, it's

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Speaker 1: a less um this um prosecutor um. He said also

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Speaker 1: on five two, tagging like it's like, yo, you do

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Speaker 1: you have a clear understanding? Because everything I talk about

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Speaker 1: that I gotta clear understanding. I come right, listen, man,

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Speaker 1: if you're making content. What you need to do with

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Speaker 1: you need to first get you a good video camera.

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Speaker 1: Don't matter you can use your phone. If you use

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Speaker 1: your phone, make sure you get this little piece that

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Speaker 1: make the audio come through the phone. Right, I'm able

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Speaker 1: to break it down. I don't have to. That's because

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Speaker 1: I gotta clear understanding. It just seems like, and I

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Speaker 1: could be wrong as as we examine the information, but

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Speaker 1: it seems like that they're in a situation where they

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Speaker 1: don't have a stronghold on the information that they're looking at. Right,

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Speaker 1: they said Gunna was in there as a blood when

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Speaker 1: he's not a blood. You don't understand. So with certain

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Speaker 1: things where it's like they got something, but we don't

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Speaker 1: know if they got it right. Let's continue to listen

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Speaker 1: to how they paint young thug and pay close attention

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Speaker 1: audience to the choice of words that he's about to

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Speaker 1: start using. Right now, he's just kind of reading lyrics,

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Speaker 1: And I find that unfortunate. I find it unfortunate that

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Speaker 1: we can't protect black art. But simultaneously, I find it

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Speaker 1: unfortunate that we would rap about anything parallel to something

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Speaker 1: happening on the street. Both things are true, but I

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Speaker 1: find it unfortunate that they can't find a way. They

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Speaker 1: don't bring a script to the courtroom. I don't give

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Speaker 1: a if I played abusive father in Holly Ward, if

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Speaker 1: I'm abusive father at home and be and I'm charged

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Speaker 1: with domestic violence, they don't bring my script in court.

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Speaker 1: So I just for me once we're recording and it's

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Speaker 1: marking and budget and all these things behind is how

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Speaker 1: was this not viewed and protected in that way as art.

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Speaker 1: Let's look at a little bit more and you heard

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Speaker 1: part of this last time that there was a the

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Speaker 1: theft of a car by someone in the gang, mister Hughey,

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Speaker 1: and it belonged to a I believe the manager of

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Speaker 1: mister Williams. Mister Williams was upset to find out that

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Speaker 1: it was and he basically texted his folks to say

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Speaker 1: give it back, okay. Now in that he responds to

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Speaker 1: mister Hughey says if he don't take it back, he

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Speaker 1: going to die. Followed that, mister Hughey basically was begging

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Speaker 1: for his life in the conversation. It's very clear that

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Speaker 1: he believed that statement by mister Williams. That could have

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Speaker 1: simply been and let's just entertain that because we got

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Speaker 1: a podcast for those of you that don't really understand

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00:23:08,880 --> 00:23:14,200
Speaker 1: because he's choppy with his communication. He's choppy with his

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Speaker 1: explaining of what he's trying to say. But what he

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Speaker 1: said was that somebody stole Allegedly, someone stole thugs manager car.

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Speaker 1: Thug put a message out there, Yo, you don't return

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Speaker 1: the car, You're gonna die. And I continue to tell

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Speaker 1: y'all that they take these emotional outbursts and they frame

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Speaker 1: them as you are trying to further your game. Imagine

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Speaker 1: that someone stole someone's car that manages me. First of all,

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Speaker 1: let's deal with the level of detail and friendship that

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Speaker 1: a manager usually has. A superstar, I ain't time. I

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Speaker 1: wanted you little raps, this going to perform at you know,

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Speaker 1: one needs little try to win five thousand. Then you

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Speaker 1: got your little manager. You kind of moving a little

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Speaker 1: bit with a little manager. Y'all cool, and they may

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00:24:00,440 --> 00:24:03,639
Speaker 1: be a great relationship, but when it's a superstar and

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00:24:03,760 --> 00:24:09,200
Speaker 1: they make money together, them dudes that become inseparable. Batman

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Speaker 1: and robbing. The manager tends to know the artists in

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Speaker 1: a way man where he can kind of speak for

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Speaker 1: the artists, right especially when it's that much money involved.

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00:24:19,520 --> 00:24:22,120
Speaker 1: So when you still to call someone that I care

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Speaker 1: about in that amount of number one, I'm highly disappointed.

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Speaker 1: See the court do the same thing, Twitter, Do they

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Speaker 1: take your little lines or what you said on the

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00:24:31,040 --> 00:24:34,640
Speaker 1: part They put it out there without context. But it's

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Speaker 1: the same in court. It's like, Yo, I'm the head

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Speaker 1: of the family, not gang wise, but financially, I'm the

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Speaker 1: man of the family. I'm the dude that make everything

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Speaker 1: moving shape, and you stole the dude Cotts helping me

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00:24:52,080 --> 00:24:54,920
Speaker 1: make everything moving shape. I could just see one of

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Speaker 1: us what this right or wrong. It's up for discussion,

398
00:24:59,160 --> 00:25:00,720
Speaker 1: but I could just see he wanted us. Man, he

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Speaker 1: don't get that car back. Man, Hey, he don't get

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00:25:03,400 --> 00:25:05,760
Speaker 1: that carbat Man, Man, he gonna die, he don't return

401
00:25:05,880 --> 00:25:09,040
Speaker 1: that car. In the moment they got that in the

402
00:25:09,160 --> 00:25:12,439
Speaker 1: rico trying to say that why he don't deserve a bomb,

403
00:25:12,960 --> 00:25:15,040
Speaker 1: and they could have been serious, something might happen to

404
00:25:15,160 --> 00:25:19,280
Speaker 1: you for not returning that car. But I'm saying, in

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00:25:19,480 --> 00:25:23,959
Speaker 1: that moment, that emotional outburst is now framed as an

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Speaker 1: act to further the gang. According to the federal government,

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00:25:29,119 --> 00:25:32,520
Speaker 1: I'm citing that for all of the street. Dudes and

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00:25:32,760 --> 00:25:36,320
Speaker 1: entrepreneurs are people that's involved with people that's involved with people.

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Speaker 1: To understand that emotional outbursts on the phone can lead

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00:25:41,800 --> 00:25:49,760
Speaker 1: to an unfortunate statement in a rico charge. I also

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00:25:49,920 --> 00:25:52,040
Speaker 1: heard this. Not sure if he said he yet or not,

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Speaker 1: but I also heard this. If you pay attention, let

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Speaker 1: this be a PSA. I ain't given nobody, no ideas

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Speaker 1: or nothing. But when thug went off a barn, the

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00:26:07,480 --> 00:26:11,560
Speaker 1: state got up. Ben said that he would use FaceTime

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Speaker 1: because you know it can't be recorded. FaceTime can't be recorded,

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Speaker 1: said the state. Volts and County said the state. FaceTime

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00:26:22,320 --> 00:26:26,679
Speaker 1: can't be recorded, said the state. But that even speaks

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Speaker 1: to I. They don't even got much on due I

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Speaker 1: only stay time by. He ain't done. They ain't got nothing.

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Speaker 1: They ain't really got no hell of a They ain't

422
00:26:35,720 --> 00:26:38,080
Speaker 1: really got much of none but them new charges. What's

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00:26:38,080 --> 00:26:40,400
Speaker 1: gonna reilroad them? Let's listen a little bit more though,

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Speaker 1: And at one twenty seven year honor from two to

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Speaker 1: four of twenty one, mister Williams is in a conversation

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Speaker 1: with other contendents, listened on the indictment. Well, he stated

427
00:26:53,840 --> 00:26:58,840
Speaker 1: wiresl ruled the World Kid twenty four million on an

428
00:26:58,920 --> 00:27:03,320
Speaker 1: in words head, y'all just start bringing me the money. Man,

429
00:27:03,680 --> 00:27:07,800
Speaker 1: y'all stopped playing with me. That was in reference to

430
00:27:07,920 --> 00:27:13,840
Speaker 1: gang activity and basically a evidence that he is in

431
00:27:14,000 --> 00:27:17,920
Speaker 1: charge and all the money goes to and flows through

432
00:27:18,200 --> 00:27:32,640
Speaker 1: mister Williams. On Act one thirty from four to sixteen

433
00:27:32,760 --> 00:27:38,680
Speaker 1: twenty one, Judge, there's a social media post titled slatty

434
00:27:38,920 --> 00:27:42,960
Speaker 1: s l a t t y lyrics stating I killed

435
00:27:44,280 --> 00:27:48,200
Speaker 1: I killed this man in front of his mama, I

436
00:27:48,320 --> 00:27:51,679
Speaker 1: guess sister and his cousin. I shoot out, kill him,

437
00:27:51,720 --> 00:28:01,840
Speaker 1: not leave a trace. It says, you think you a gangster?

438
00:28:02,000 --> 00:28:04,480
Speaker 1: You got a pistol, Look at my trigger. My triggers

439
00:28:04,480 --> 00:28:10,280
Speaker 1: start itching. Ysl we going overboard and again ya sell

440
00:28:10,359 --> 00:28:12,800
Speaker 1: is a direct reference to young slang life the Criminal

441
00:28:12,880 --> 00:28:21,440
Speaker 1: Street Gang, Act one thirty one. On four sixteen of

442
00:28:21,520 --> 00:28:27,399
Speaker 1: twenty one, there's a video released called Ski Ski with

443
00:28:27,600 --> 00:28:33,280
Speaker 1: lyrics stating with slats slacks being basic slag life forever

444
00:28:34,040 --> 00:28:36,240
Speaker 1: we come to eat rats. I came to get some.

445
00:28:37,040 --> 00:28:40,560
Speaker 1: I came with some piranhas. I tote an f N

446
00:28:40,680 --> 00:28:44,760
Speaker 1: a reference to a handgun, and in that one which

447
00:28:44,840 --> 00:28:47,000
Speaker 1: is interesting judge, which you'll hear in the evidence of

448
00:28:47,040 --> 00:28:50,160
Speaker 1: this case is this is a hybrid gang. This gang

449
00:28:50,320 --> 00:28:56,760
Speaker 1: isn't pure bloods. There are rolling sixties in it, crips um,

450
00:28:56,960 --> 00:29:02,160
Speaker 1: there are thirty dp it's a combination of many different

451
00:29:02,320 --> 00:29:10,920
Speaker 1: games to four this game and Act one Wold Wold, Wold, World,

452
00:29:10,960 --> 00:29:14,400
Speaker 1: World War Wold. They're not so fast. If you're not

453
00:29:14,600 --> 00:29:18,080
Speaker 1: paying attention, you miss these techniques. See you just listening

454
00:29:18,160 --> 00:29:20,920
Speaker 1: to words and you're missing the technique if you listen

455
00:29:21,000 --> 00:29:24,520
Speaker 1: there he read a bunch of lyrics to insert a

456
00:29:24,640 --> 00:29:29,040
Speaker 1: outlook to the judge and the court and never explain

457
00:29:29,120 --> 00:29:32,760
Speaker 1: the lyrics and then just proceeded to move on. So

458
00:29:32,920 --> 00:29:36,360
Speaker 1: he just explained the lyrics that yanna, and let's let's

459
00:29:36,400 --> 00:29:40,360
Speaker 1: listen to it again and pay attention. Let's move it

460
00:29:40,440 --> 00:29:46,640
Speaker 1: back so by right here, all right, So pay attention

461
00:29:46,720 --> 00:29:48,960
Speaker 1: that the whole time that they're reading these lyrics, we're

462
00:29:49,000 --> 00:29:52,760
Speaker 1: not really getting any real information or any dots connected

463
00:29:53,760 --> 00:29:56,320
Speaker 1: we are. We are allowing them just to go in there,

464
00:29:56,640 --> 00:29:59,720
Speaker 1: pick out of thousands of songs, just random lines and

465
00:29:59,800 --> 00:30:04,320
Speaker 1: read him to the judge nobody. It ain't no uproar

466
00:30:04,360 --> 00:30:07,120
Speaker 1: about that, Like you just can go peek out random

467
00:30:07,200 --> 00:30:11,080
Speaker 1: lines from songs, no context, no nothing, and just read

468
00:30:11,120 --> 00:30:14,400
Speaker 1: them in court. And nobody's saying nothing. Pay attention that

469
00:30:14,600 --> 00:30:18,520
Speaker 1: he's reading lyrics and not even explaining how it connects

470
00:30:18,600 --> 00:30:25,520
Speaker 1: to the case. Pay attention, any one, it's bad. My

471
00:30:25,640 --> 00:30:31,320
Speaker 1: triggers did start itching. Ysl we going overboard and again

472
00:30:31,480 --> 00:30:33,640
Speaker 1: yu sell is a direct reference to Young Slim Life.

473
00:30:33,680 --> 00:30:36,680
Speaker 1: But what does that mean? Pay attention, y'all. Just listen.

474
00:30:37,800 --> 00:30:41,720
Speaker 1: I killed this man in front of his mama, I

475
00:30:41,800 --> 00:30:45,160
Speaker 1: guess sister, and his cousin. I shoot out, kill him,

476
00:30:45,240 --> 00:30:55,320
Speaker 1: not leave a trace. It said, you think you're a gangster,

477
00:30:55,480 --> 00:30:57,960
Speaker 1: you got a pistol, look at my trigger. My triggers

478
00:30:58,040 --> 00:31:03,400
Speaker 1: did start itching. Yus we going overboard? And again, why

479
00:31:03,440 --> 00:31:05,560
Speaker 1: a sell is a direct reference to Young Slim Life

480
00:31:05,840 --> 00:31:09,960
Speaker 1: the criminal street game. Okay, he explained nothing right there.

481
00:31:11,880 --> 00:31:16,080
Speaker 1: He explained nothing right there. I mean, why is the

482
00:31:16,200 --> 00:31:19,120
Speaker 1: judge's not saying unless I'm missing something somebody explained to

483
00:31:19,200 --> 00:31:23,480
Speaker 1: me because he's explaining lyrics. Hold on one more time, man,

484
00:31:24,240 --> 00:31:27,280
Speaker 1: this is important because I never had paid attention to

485
00:31:27,400 --> 00:31:32,080
Speaker 1: this an words head. Let's go back someone. Mister Williams

486
00:31:32,240 --> 00:31:36,880
Speaker 1: is in the conversation with other contendon's listed on the indictment.

487
00:31:37,080 --> 00:31:39,479
Speaker 1: This is a conversation, so this is a little different.

488
00:31:39,920 --> 00:31:44,000
Speaker 1: Rule the world, kid twenty four million on an N

489
00:31:44,040 --> 00:31:48,200
Speaker 1: words head, y'all just start bringing me the money, man,

490
00:31:48,600 --> 00:31:52,680
Speaker 1: y'all stopped playing with me. That was in reference to

491
00:31:52,800 --> 00:31:58,760
Speaker 1: gang activity and basically a evidence that he is in

492
00:31:58,920 --> 00:32:02,800
Speaker 1: charge and all the money goes to and flows through

493
00:32:03,120 --> 00:32:14,800
Speaker 1: mister Williams. Not that we've not not that we got

494
00:32:14,880 --> 00:32:19,760
Speaker 1: them actually bringing money, not that we've saw transaction, or

495
00:32:19,840 --> 00:32:23,600
Speaker 1: there's these bank records showing that such and such deposited

496
00:32:23,680 --> 00:32:27,920
Speaker 1: into thugs account after doing some sort I don't they're

497
00:32:27,960 --> 00:32:31,200
Speaker 1: just saying that, Yo, this is crazy to me. And

498
00:32:31,360 --> 00:32:34,800
Speaker 1: that's why I tell people out there, your conversations on

499
00:32:34,920 --> 00:32:39,120
Speaker 1: the phone can be took out of context, right. You

500
00:32:39,200 --> 00:32:41,880
Speaker 1: see how the same way that dudes is being canceled

501
00:32:41,920 --> 00:32:45,360
Speaker 1: online and you see your favorite artists go through sometimes

502
00:32:45,440 --> 00:32:47,920
Speaker 1: where they're taking a line. But you know that artists

503
00:32:47,960 --> 00:32:50,360
Speaker 1: and you've been in touch with him, and you know

504
00:32:50,520 --> 00:32:52,600
Speaker 1: he didn't mean it like that when he was rapping

505
00:32:52,680 --> 00:32:54,720
Speaker 1: that that was a part of a scheme. Y'all just

506
00:32:55,080 --> 00:32:57,880
Speaker 1: poured that one line out, so you know, oh yo,

507
00:32:57,960 --> 00:33:02,720
Speaker 1: they misrepresenting the homing you understand. So you you sitting

508
00:33:02,800 --> 00:33:05,360
Speaker 1: back like yo, that ain't what that meant. But once

509
00:33:05,400 --> 00:33:08,800
Speaker 1: his rolling is rolling, and sometimes they just want to

510
00:33:08,960 --> 00:33:12,000
Speaker 1: get it rolling. That's why we pay attention to the

511
00:33:12,120 --> 00:33:16,240
Speaker 1: technique here with young Thu. They're reading lyrics without any

512
00:33:16,360 --> 00:33:24,600
Speaker 1: context and also without any connection to anything. On act

513
00:33:24,680 --> 00:33:28,440
Speaker 1: one thirty from four to sixteen, twenty one, Judge, Um,

514
00:33:28,840 --> 00:33:33,120
Speaker 1: there's a social media UH post titled slatty s l

515
00:33:33,200 --> 00:33:38,600
Speaker 1: A t t y lyrics stating I killed I killed

516
00:33:38,640 --> 00:33:42,360
Speaker 1: this man in front of his mama. Um, I guess

517
00:33:42,400 --> 00:33:45,640
Speaker 1: sister and his cousin. I shoot out, kill him, not

518
00:33:45,840 --> 00:33:55,719
Speaker 1: leave a trace. It said, you think you're a gangster,

519
00:33:55,840 --> 00:33:58,240
Speaker 1: you got a pistol, Look at my trigger, My trigger

520
00:33:58,360 --> 00:34:01,080
Speaker 1: stood start itching, watch him just move on. Pay attention

521
00:34:01,920 --> 00:34:05,920
Speaker 1: overboard and again, not a crime committed in that, not

522
00:34:06,040 --> 00:34:09,319
Speaker 1: a connection to a crime, just a statement and we're

523
00:34:09,400 --> 00:34:15,279
Speaker 1: moving on. At one thirty one. On four sixteen of

524
00:34:15,400 --> 00:34:20,480
Speaker 1: twenty one, UM, there's a video released called Ski Ski

525
00:34:21,239 --> 00:34:26,399
Speaker 1: with lyrics stating with slats slacks being basic slang life

526
00:34:26,800 --> 00:34:30,680
Speaker 1: forever we come to eat rats. I came together and again,

527
00:34:30,840 --> 00:34:33,840
Speaker 1: pay attention. We don't deal with basically in court, we

528
00:34:34,040 --> 00:34:38,040
Speaker 1: deal with divine explanation in court, we deal with information

529
00:34:38,160 --> 00:34:41,759
Speaker 1: in court, not basically don't nobody get there the years

530
00:34:41,760 --> 00:34:44,759
Speaker 1: because basically this is what they meant. But again you

531
00:34:44,880 --> 00:34:47,880
Speaker 1: got to pay attention, bro, pay attention. They know what

532
00:34:48,000 --> 00:34:51,200
Speaker 1: they're using as a slippery slope lyrics. We pulled the

533
00:34:51,280 --> 00:34:54,719
Speaker 1: sit back and let dfolu lyrics and they gonna do it.

534
00:34:55,680 --> 00:35:01,160
Speaker 1: They gonna do it. I came with some ranas I

535
00:35:01,360 --> 00:35:05,719
Speaker 1: tote an FN a reference to a handgun. And in

536
00:35:05,840 --> 00:35:08,120
Speaker 1: that one, which is interesting, Judge, which you'll hear in

537
00:35:08,160 --> 00:35:10,719
Speaker 1: the evidence of this case is this is a hybrid gang.

538
00:35:11,360 --> 00:35:17,480
Speaker 1: This gang isn't pure bloods. There are rolling sixties in it, crips,

539
00:35:18,600 --> 00:35:23,319
Speaker 1: there are thirty d It is a combination of many

540
00:35:23,480 --> 00:35:30,160
Speaker 1: different gangs to form this gang. And Act one thirty

541
00:35:30,200 --> 00:35:34,879
Speaker 1: two from five thirteen twenty one, Judge a conversation where

542
00:35:35,719 --> 00:35:39,919
Speaker 1: Williams asks the others. In the conversation, y'all ain't beat

543
00:35:40,000 --> 00:35:44,400
Speaker 1: them up or shot them yet, y'all, and we're getting soft.

544
00:35:44,800 --> 00:35:47,120
Speaker 1: That's a bad one. And I believe that's directing the

545
00:35:47,200 --> 00:35:50,120
Speaker 1: activity of the gang. To stand up for the reputation

546
00:35:50,160 --> 00:35:53,400
Speaker 1: of the gang and not be disrespected. You want an

547
00:35:53,440 --> 00:35:57,239
Speaker 1: Act one thirty nine. But you see, I want you

548
00:35:57,360 --> 00:36:01,120
Speaker 1: to always remember what I'm telling you, and then we'll

549
00:36:01,200 --> 00:36:03,440
Speaker 1: move on. I'll just give some game about it if

550
00:36:03,480 --> 00:36:05,680
Speaker 1: I want you to really understand what I'm telling you.

551
00:36:06,080 --> 00:36:08,520
Speaker 1: You see how he put that together. That's what they

552
00:36:08,560 --> 00:36:10,920
Speaker 1: would like to do with every one of those lyrics,

553
00:36:11,280 --> 00:36:14,319
Speaker 1: But we don't see that same example. You see how

554
00:36:14,360 --> 00:36:19,120
Speaker 1: he said, yo, he told them, y'all ain't beat him

555
00:36:19,200 --> 00:36:21,640
Speaker 1: up or shot him yet, y'all must be getting soft,

556
00:36:22,040 --> 00:36:24,640
Speaker 1: And then they try to connect that to someone trying

557
00:36:24,680 --> 00:36:29,160
Speaker 1: to actually get something done. That's the formula for conviction.

558
00:36:29,520 --> 00:36:31,879
Speaker 1: So when you hit him, read lyrics and just move

559
00:36:32,000 --> 00:36:35,360
Speaker 1: on to the next lyric. To me, that should speak

560
00:36:35,520 --> 00:36:38,120
Speaker 1: volumes to the court room, But in the court they

561
00:36:38,160 --> 00:36:41,120
Speaker 1: speak a different language. They read out of a book

562
00:36:41,160 --> 00:36:43,960
Speaker 1: and it's too long for anybody to know everything in it.

563
00:36:44,239 --> 00:36:47,200
Speaker 1: So it's a weird thing happening in that courtroom that

564
00:36:47,320 --> 00:36:49,399
Speaker 1: it's a game that you gotta go in there plan

565
00:36:53,239 --> 00:37:01,919
Speaker 1: how this one thirty nine Judge Acts one fifty. Mister Huey,

566
00:37:01,960 --> 00:37:04,840
Speaker 1: which I spoke of earlier, had gotten out of jail.

567
00:37:05,239 --> 00:37:09,600
Speaker 1: He had communicated with mister Williams basically stating, uh, and

568
00:37:09,719 --> 00:37:13,240
Speaker 1: this is mister quey. You know, I'm ready to handle

569
00:37:13,360 --> 00:37:16,040
Speaker 1: the business and go sit down if I got to

570
00:37:16,160 --> 00:37:19,719
Speaker 1: about any one of y'all on my mama sit down

571
00:37:19,800 --> 00:37:21,880
Speaker 1: as a reference by the gang as I'm willing to

572
00:37:21,920 --> 00:37:23,839
Speaker 1: go to prison for you, I'm willing to do time

573
00:37:23,920 --> 00:37:30,160
Speaker 1: for you on an act one fifty five from twelve

574
00:37:30,239 --> 00:37:34,399
Speaker 1: thirty one twenty twenty one US Sorry one more Time,

575
00:37:34,480 --> 00:37:40,880
Speaker 1: I Apologize and twelve thirty one twenty one Judge, and

576
00:37:42,520 --> 00:37:45,480
Speaker 1: it's an overt act Judge. There was a photo released

577
00:37:45,480 --> 00:37:50,239
Speaker 1: by mister Williams with him wearing a YSL pendant with

578
00:37:51,960 --> 00:37:55,640
Speaker 1: basically with taking his finger under his nose like this judge,

579
00:37:57,040 --> 00:38:02,200
Speaker 1: Gang sign from YSL. That's one of the their signs with.

580
00:38:02,360 --> 00:38:04,399
Speaker 1: When we watched the videos, you'll see that a lot.

581
00:38:04,719 --> 00:38:08,000
Speaker 1: Look at him. Man, they do like this, Judge, Judge,

582
00:38:08,000 --> 00:38:13,000
Speaker 1: Pay attention, judge. They do like this, Judge, Judge. They

583
00:38:13,080 --> 00:38:17,000
Speaker 1: do like this, which means, to hell, bro, you don't

584
00:38:17,040 --> 00:38:19,080
Speaker 1: know what you're talking about. So what do white little

585
00:38:19,120 --> 00:38:23,320
Speaker 1: ball ticktok? He mean that too? Oh he's just copying somebody,

586
00:38:23,400 --> 00:38:27,080
Speaker 1: so thug, just copying somethingbody so we do believe that

587
00:38:27,239 --> 00:38:30,239
Speaker 1: people are doing this. That don't mean that they are

588
00:38:30,360 --> 00:38:33,000
Speaker 1: copying something. These are the kind of arguments you gotta

589
00:38:33,040 --> 00:38:35,279
Speaker 1: have to blow that shit up. But I know I'm

590
00:38:35,360 --> 00:38:37,680
Speaker 1: dealing with the top level of attorneys. I can't tell

591
00:38:37,760 --> 00:38:40,520
Speaker 1: them what to do. We're just having the podcast examining

592
00:38:40,560 --> 00:38:43,800
Speaker 1: the ship. But for me, Bro, it's like, yo, Judge,

593
00:38:43,920 --> 00:38:47,480
Speaker 1: pay attention, Judge, you'll see him. He posted this is

594
00:38:47,600 --> 00:38:52,960
Speaker 1: literally in court, Bro, Judge. He posted a picture doing

595
00:38:53,120 --> 00:38:56,920
Speaker 1: this seeing what a wide seal pended doing this to

596
00:38:57,080 --> 00:39:01,640
Speaker 1: his nose. This is why he don't get bond. This

597
00:39:01,840 --> 00:39:05,440
Speaker 1: is one of their signs. I tell y'all, man, you

598
00:39:05,480 --> 00:39:07,480
Speaker 1: don't see me. Man, I don't throw nothing up. I

599
00:39:07,600 --> 00:39:09,800
Speaker 1: know what kind of game they're playing, spelling when you

600
00:39:09,880 --> 00:39:13,080
Speaker 1: get that money, they can't wait to crash y'allt well,

601
00:39:13,160 --> 00:39:15,399
Speaker 1: they're trying to crash you out immediately when you get

602
00:39:15,440 --> 00:39:18,480
Speaker 1: the real paper. I know the vibration. You ain't trigging

603
00:39:18,560 --> 00:39:21,399
Speaker 1: me no more, y'all head men, when y'all head men, nay,

604
00:39:21,480 --> 00:39:26,480
Speaker 1: you ain't gabbing me, Judge. In Act one and fifty

605
00:39:26,520 --> 00:39:32,880
Speaker 1: six from one sixteen twenty two, defendant released a video

606
00:39:33,880 --> 00:39:36,920
Speaker 1: and why we think this is important, Judge. It is

607
00:39:37,000 --> 00:39:43,440
Speaker 1: because the gang signs, mostly done by mister Williams, are

608
00:39:43,800 --> 00:39:47,440
Speaker 1: YSL gang signs, young slimelfe man. They argue that it's

609
00:39:47,480 --> 00:39:53,400
Speaker 1: young stoner life. But in this video mister Williams flashed

610
00:39:53,520 --> 00:39:56,520
Speaker 1: a blood's sign. Not a video, I mean, not a

611
00:39:56,680 --> 00:40:00,480
Speaker 1: YSL sign, a blood's gang sign. His also got a

612
00:40:00,480 --> 00:40:04,080
Speaker 1: photograph where he's got a red B white about here

613
00:40:04,120 --> 00:40:07,000
Speaker 1: on his chest, Judge, which is a common blood's tattoo.

614
00:40:12,560 --> 00:40:22,880
Speaker 1: On three nine, m William's post for a photograph with

615
00:40:23,040 --> 00:40:29,240
Speaker 1: the caption slat business YSL four L four Life. Judge.

616
00:40:34,480 --> 00:40:40,960
Speaker 1: We have proffers that from gang members and some on

617
00:40:41,080 --> 00:40:45,560
Speaker 1: the indictment. Some n that mister Williams is the leader

618
00:40:45,560 --> 00:40:49,520
Speaker 1: of the gang. He directs the gang activity. This gang.

619
00:40:49,680 --> 00:40:55,880
Speaker 1: As you can see through the indictment, there are numerous murders.

620
00:40:55,960 --> 00:40:59,360
Speaker 1: There are numerous arm robberies. All right. So as you

621
00:40:59,480 --> 00:41:02,440
Speaker 1: hear some born in the nineteen for to try to

622
00:41:02,520 --> 00:41:06,880
Speaker 1: explain lyrics in the courtroom with black people's lives on

623
00:41:07,000 --> 00:41:11,520
Speaker 1: the line, it's just an unfortunate series of events. When

624
00:41:11,560 --> 00:41:13,840
Speaker 1: I see it, I say, yo, this is so, so,

625
00:41:14,200 --> 00:41:17,480
Speaker 1: so wrong on so many levels. Right, but me not

626
00:41:17,680 --> 00:41:21,279
Speaker 1: having the power to really influence any outcome that could

627
00:41:21,320 --> 00:41:24,719
Speaker 1: be instrumental in anyone to seeing the fixed right then

628
00:41:24,840 --> 00:41:28,000
Speaker 1: and there is slim the nuns. So I keep that

629
00:41:28,200 --> 00:41:31,839
Speaker 1: in perspective. And also there's only so far I can

630
00:41:31,960 --> 00:41:34,680
Speaker 1: go because I'm involved with things that need to be

631
00:41:35,560 --> 00:41:38,120
Speaker 1: respected in the market in a certain way. But when

632
00:41:38,160 --> 00:41:42,720
Speaker 1: I look at it, I instantly say, don yo, respectfully,

633
00:41:43,520 --> 00:41:46,640
Speaker 1: an old white man can't read lyrics from my culture.

634
00:41:46,960 --> 00:41:50,560
Speaker 1: And that's what I all do, respect white sauce. You

635
00:41:50,760 --> 00:41:53,560
Speaker 1: up there reading lyrics from my coachure that ain't that

636
00:41:53,719 --> 00:41:56,960
Speaker 1: ain't pe my number. You know what I'm saying, because

637
00:41:57,920 --> 00:42:03,280
Speaker 1: ya your jurisdiction. You don't even understand what you're saying.

638
00:42:03,360 --> 00:42:08,680
Speaker 1: You sounding stuttery up there, you know, folting counting, y'all

639
00:42:08,800 --> 00:42:11,960
Speaker 1: your jurisdiction. When you're reading lyrics like that, you sound

640
00:42:12,080 --> 00:42:15,719
Speaker 1: horrible and without context. All these lyrics gonna sound a

641
00:42:15,840 --> 00:42:19,160
Speaker 1: certain way. But that ain't your bag. That ain't and

642
00:42:19,239 --> 00:42:22,439
Speaker 1: it ain't right. It's wrong on so many levels. It's

643
00:42:22,480 --> 00:42:25,759
Speaker 1: just it's wrong not to protect the fact that I'm

644
00:42:25,840 --> 00:42:29,360
Speaker 1: in a booth recording with a multimillion dollar budget and

645
00:42:29,520 --> 00:42:31,879
Speaker 1: y'all able to use it the same way. Y'all use

646
00:42:32,000 --> 00:42:34,160
Speaker 1: got it talking on the phone to one of the henchmen.

647
00:42:34,280 --> 00:42:37,160
Speaker 1: Y'all using them same things in the same way, and

648
00:42:37,320 --> 00:42:40,800
Speaker 1: don't see and y'all don't see that that's weird. Listen again,

649
00:42:41,080 --> 00:42:43,800
Speaker 1: I don't endure self snitching. And if you're rapping about

650
00:42:43,840 --> 00:42:46,960
Speaker 1: something that you can really be indicated in, I'm always

651
00:42:47,040 --> 00:42:49,520
Speaker 1: say you in the wrong. I gotta say that because

652
00:42:49,560 --> 00:42:51,719
Speaker 1: I got kids growing up in this world that I

653
00:42:51,800 --> 00:42:54,360
Speaker 1: don't need to make them kind of mistakes. If you

654
00:42:54,480 --> 00:42:57,759
Speaker 1: take that personal, will deal with that then. But unfortunately

655
00:42:57,960 --> 00:43:00,720
Speaker 1: for you, I gotta lead this place with more information

656
00:43:00,800 --> 00:43:03,480
Speaker 1: and I found it with and anybody that want to

657
00:43:03,520 --> 00:43:05,440
Speaker 1: go to war with me about that, I just have

658
00:43:05,600 --> 00:43:07,440
Speaker 1: to face that on my way up or on my

659
00:43:07,600 --> 00:43:10,600
Speaker 1: way down. But either way up or down, I'm gonna

660
00:43:10,600 --> 00:43:15,640
Speaker 1: continue to give information period. But white man, you out

661
00:43:15,680 --> 00:43:20,239
Speaker 1: your jurisdiction. Read these lyrics. When I hear you read

662
00:43:20,560 --> 00:43:24,520
Speaker 1: Yana section T seventeen from Sess, that's your bag. You

663
00:43:24,600 --> 00:43:27,400
Speaker 1: ain't stuttering one bit. You ain't got to read that

664
00:43:27,600 --> 00:43:30,920
Speaker 1: long and take them long pausies. It clearly shows that

665
00:43:31,040 --> 00:43:34,480
Speaker 1: you don't understand what you're reading. I don't care if

666
00:43:34,520 --> 00:43:36,920
Speaker 1: you never read this section of law, if it just

667
00:43:37,120 --> 00:43:39,440
Speaker 1: popped up in court. If you got to read it

668
00:43:39,520 --> 00:43:42,440
Speaker 1: and it comes from that section of law, some section

669
00:43:42,520 --> 00:43:44,719
Speaker 1: out that law book, you're gonna read it with way

670
00:43:44,880 --> 00:43:49,680
Speaker 1: more conviction than that, with way more rhythm than that.

671
00:43:50,800 --> 00:43:54,440
Speaker 1: You're reading something that you clearly don't understand. And it's

672
00:43:54,480 --> 00:43:56,680
Speaker 1: bigger than words. I know. They want to deal with

673
00:43:56,800 --> 00:43:59,520
Speaker 1: it like it's words, because that's the trick. Deal with

674
00:43:59,640 --> 00:44:01,680
Speaker 1: it like words, and then we can take the beat

675
00:44:01,800 --> 00:44:04,840
Speaker 1: from around it. He got reverb on it, out old tune,

676
00:44:04,880 --> 00:44:07,000
Speaker 1: he got all kind of on it. And they're dealing

677
00:44:07,080 --> 00:44:09,560
Speaker 1: with it like it's just word. But that's the game.

678
00:44:09,680 --> 00:44:11,560
Speaker 1: So you want to deal with it like it's words.

679
00:44:11,840 --> 00:44:15,600
Speaker 1: But now you gotta wrap it around culture because it's music.

680
00:44:17,440 --> 00:44:20,239
Speaker 1: Although it's words, it's music. And then music for us,

681
00:44:20,280 --> 00:44:23,719
Speaker 1: it's culture. What's culture? For us, it's expression. What's expression?

682
00:44:23,760 --> 00:44:27,920
Speaker 1: It's art, like there's it's you don't respect it because

683
00:44:27,920 --> 00:44:31,120
Speaker 1: it comes from us. But I don't say nothing. When

684
00:44:31,200 --> 00:44:34,759
Speaker 1: it's forty degrees outside and y'all got shorts on, or

685
00:44:34,840 --> 00:44:39,120
Speaker 1: y'all playing this golf, you know, I let y'all do y'all.

686
00:44:39,200 --> 00:44:42,200
Speaker 1: This's y'all coach. I ain't got no business somewhere reading

687
00:44:42,239 --> 00:44:46,399
Speaker 1: about this golf or someone reading about winning shorts when

688
00:44:46,480 --> 00:44:51,160
Speaker 1: it for the degrees, respectfully, that's y'all thing. That's y'all culture,

689
00:44:52,760 --> 00:44:56,319
Speaker 1: amongst other things that I don't understand. But I will

690
00:44:56,400 --> 00:44:59,359
Speaker 1: be wrong to say yo, because they weren't shorts on them.

691
00:44:59,360 --> 00:45:05,120
Speaker 1: Whinner Man, Listen, this dude is insane just because you

692
00:45:05,239 --> 00:45:07,759
Speaker 1: adapt in a way where you want to be you.

693
00:45:08,000 --> 00:45:10,279
Speaker 1: You may be cold, you may be hot. I don't

694
00:45:10,320 --> 00:45:12,839
Speaker 1: know what the word what's going on with the short thing,

695
00:45:13,560 --> 00:45:16,000
Speaker 1: but it ain't for me to know. It's your culture.

696
00:45:17,000 --> 00:45:20,000
Speaker 1: But I don't take that and wrap around that what

697
00:45:20,160 --> 00:45:23,440
Speaker 1: I would think if I had no context around it. Right,

698
00:45:23,520 --> 00:45:26,800
Speaker 1: So if I just grabbed that information and say, Yanna,

699
00:45:27,560 --> 00:45:32,200
Speaker 1: this dude was known to be a peep in tom

700
00:45:34,040 --> 00:45:37,360
Speaker 1: and we think his mental capacity is in question a

701
00:45:37,480 --> 00:45:40,200
Speaker 1: reason being Yanna, it was thirty eight degrees and he

702
00:45:40,400 --> 00:45:44,600
Speaker 1: was seeing outside of Walmart with shorts and flip flops on.

703
00:45:45,480 --> 00:45:48,600
Speaker 1: We would think that that's concurrent with being right. There'll

704
00:45:48,640 --> 00:45:53,279
Speaker 1: be a misrepresentation of the situation. Although I would be

705
00:45:53,400 --> 00:45:56,920
Speaker 1: able to do that based on the information without context

706
00:45:58,800 --> 00:46:02,600
Speaker 1: and so on the other side, Thug and whoever. And

707
00:46:02,760 --> 00:46:05,040
Speaker 1: that's why we really talk about this, not only for

708
00:46:05,239 --> 00:46:08,720
Speaker 1: Thug or to update the fans and in our coach

709
00:46:08,800 --> 00:46:11,160
Speaker 1: on the case and what's happening, how they're using lyrics.

710
00:46:11,360 --> 00:46:13,839
Speaker 1: We also do it because the people that's currently out

711
00:46:13,880 --> 00:46:17,320
Speaker 1: there just to learn and we learning from it real time.

712
00:46:17,800 --> 00:46:20,560
Speaker 1: You know, I think bird christ and the cool but

713
00:46:20,680 --> 00:46:23,120
Speaker 1: when he say he sho win the pool, I don't

714
00:46:23,200 --> 00:46:25,920
Speaker 1: get that. But I don't take that and say he insane.

715
00:46:26,000 --> 00:46:30,480
Speaker 1: That's the culture for them. That's his thing, right, So yeah,

716
00:46:30,600 --> 00:46:32,880
Speaker 1: you see me cock my hat sideway. That don't mean

717
00:46:33,000 --> 00:46:35,680
Speaker 1: I'm fit to steal. I just think that more flied

718
00:46:35,719 --> 00:46:39,719
Speaker 1: than going straight with it. That's my that's my thing.

719
00:46:40,680 --> 00:46:43,560
Speaker 1: But if you remove context, that hat wasn't made for

720
00:46:43,680 --> 00:46:45,560
Speaker 1: it to be backwards. He has to be a been

721
00:46:45,560 --> 00:46:47,719
Speaker 1: in the back. We think his mental capacity is in

722
00:46:47,880 --> 00:46:51,360
Speaker 1: quite like, come on, let's be serious, like you know

723
00:46:51,400 --> 00:46:55,600
Speaker 1: what I'm saying. So again, to take our lyrics, which

724
00:46:57,000 --> 00:47:00,840
Speaker 1: derive from our coach and in our culture and for

725
00:47:01,000 --> 00:47:03,800
Speaker 1: our culture, to take him outside of that ram without

726
00:47:03,880 --> 00:47:08,000
Speaker 1: any protection, it's dangerous. If I had to view the

727
00:47:08,160 --> 00:47:10,000
Speaker 1: mind or some of the people that wrote some of

728
00:47:10,040 --> 00:47:14,080
Speaker 1: these scared removes outside of those cameras being there, outside

729
00:47:14,120 --> 00:47:17,200
Speaker 1: of the set being made up, right, But just the

730
00:47:17,320 --> 00:47:21,680
Speaker 1: ability for you to even think that way, Right, Do

731
00:47:21,800 --> 00:47:24,719
Speaker 1: I take him and drag him into court because of

732
00:47:24,840 --> 00:47:27,760
Speaker 1: something and bring some of those scripts that he's written

733
00:47:27,800 --> 00:47:30,120
Speaker 1: and say, right, I just don't see them doing that

734
00:47:30,239 --> 00:47:33,840
Speaker 1: for anything outside of rappers. Let's pay attention to just

735
00:47:34,040 --> 00:47:37,200
Speaker 1: a little bit more, because at this point he's become

736
00:47:37,360 --> 00:47:40,480
Speaker 1: desperate in my opinion, when you look at what he's

737
00:47:40,520 --> 00:47:43,279
Speaker 1: laid out for the judge to look at when he's

738
00:47:43,280 --> 00:47:47,719
Speaker 1: speaking about Bond, he don't think it's enough. So here

739
00:47:47,840 --> 00:47:50,120
Speaker 1: to tail in, he has to say we have proctors,

740
00:47:50,160 --> 00:47:55,520
Speaker 1: which our statements sometimes cooperation is involved with a proctor.

741
00:47:55,960 --> 00:47:58,640
Speaker 1: But what he didn't say is that we have any

742
00:47:58,800 --> 00:48:02,720
Speaker 1: pendent agreements or arrangements, we have any deals in place.

743
00:48:03,560 --> 00:48:06,719
Speaker 1: I do believe somebody's telling I don't know who it is.

744
00:48:06,840 --> 00:48:08,719
Speaker 1: I know they brought out that it was yet gott

745
00:48:08,760 --> 00:48:10,919
Speaker 1: it that turned out not to be true. I'm gonna

746
00:48:10,960 --> 00:48:14,640
Speaker 1: let lawyers for workers break that down and then we'll

747
00:48:14,680 --> 00:48:16,600
Speaker 1: get some game about that. But let's listen to a

748
00:48:16,680 --> 00:48:18,799
Speaker 1: little bit bore it this and then we'll see how

749
00:48:18,920 --> 00:48:21,840
Speaker 1: thug lawyer he's so smooth and watch his understanding and

750
00:48:21,960 --> 00:48:25,480
Speaker 1: his talking so look different in this choppiness that you're

751
00:48:25,520 --> 00:48:30,239
Speaker 1: dealing with on the state side for numerous attempted murderers shootings.

752
00:48:32,120 --> 00:48:34,440
Speaker 1: You know, just like again I spoke about the goddis,

753
00:48:34,480 --> 00:48:38,319
Speaker 1: about the criminal gang mafia families out of New York.

754
00:48:39,080 --> 00:48:43,400
Speaker 1: The bosses themselves never got their hands. Really, the position

755
00:48:43,520 --> 00:48:50,080
Speaker 1: here is, Judge, is mister Williams directs and has directed

756
00:48:50,840 --> 00:48:56,400
Speaker 1: all of these individuals such and he recruits people continuously. Judge,

757
00:48:56,960 --> 00:49:01,480
Speaker 1: we have a proffer Judge, even from the mother proper

758
00:49:02,200 --> 00:49:06,080
Speaker 1: of one of the defendants in this indictment, who told

759
00:49:06,200 --> 00:49:11,160
Speaker 1: us that mister Williams does the community events in order

760
00:49:11,200 --> 00:49:18,520
Speaker 1: to recruit more people, that her son was recruited by money, shoes,

761
00:49:19,400 --> 00:49:24,160
Speaker 1: clothes because they didn't have anything. And now her sons,

762
00:49:25,360 --> 00:49:27,880
Speaker 1: by her statement, is in jail for the rest of

763
00:49:27,960 --> 00:49:30,920
Speaker 1: his life. And that's one of the mother from one

764
00:49:30,960 --> 00:49:36,920
Speaker 1: of the defendants on this case, Jeff. Mister Williams essentially

765
00:49:37,080 --> 00:49:40,600
Speaker 1: is YSL. Everybody else is a follower. There are leaders

766
00:49:40,840 --> 00:49:44,480
Speaker 1: who said mister Kitchens, mister Greer, They are also leaders.

767
00:49:44,760 --> 00:49:49,000
Speaker 1: But the leader, the top dog, the dangerous, the most

768
00:49:49,120 --> 00:49:53,440
Speaker 1: dangerous man here is Jeffrey Williams because he doesn't have

769
00:49:53,640 --> 00:49:56,040
Speaker 1: to get his hands dirty. He has others to do

770
00:49:56,160 --> 00:50:04,160
Speaker 1: his business. Judge, analogy. You found the others danger to

771
00:50:04,200 --> 00:50:08,040
Speaker 1: the community, danger to commit additional feelings, and I would

772
00:50:08,080 --> 00:50:13,160
Speaker 1: say of the least of them, you found them dangerous.

773
00:50:14,040 --> 00:50:17,759
Speaker 1: This is the most of them. This is the one

774
00:50:19,400 --> 00:50:22,279
Speaker 1: that you see the shadow in the back of the room.

775
00:50:22,719 --> 00:50:25,560
Speaker 1: He's the one directing traffic. He is the one they're

776
00:50:25,560 --> 00:50:31,600
Speaker 1: all afraid of. He's the one that's king slime. He's

777
00:50:31,640 --> 00:50:36,120
Speaker 1: pulling the shots. He is the most dangerous of the

778
00:50:36,200 --> 00:50:42,200
Speaker 1: twenty eight, Judge, and I imploy not to grant him

779
00:50:42,239 --> 00:50:45,440
Speaker 1: a bond. He is dangerous. The setup they've given to

780
00:50:45,600 --> 00:50:51,399
Speaker 1: you is actually going to be less controlled more if

781
00:50:51,440 --> 00:50:53,680
Speaker 1: he gets a burner. Judge, and the court may know this.

782
00:50:54,600 --> 00:50:57,239
Speaker 1: A lot of the communications that mister Williams is on

783
00:50:57,840 --> 00:51:01,600
Speaker 1: is on face time because it's not traceable, it's not trackable,

784
00:51:02,880 --> 00:51:05,759
Speaker 1: and we know that to be their m he gets

785
00:51:05,760 --> 00:51:08,480
Speaker 1: a burner, he gets in there, he runs his gang

786
00:51:08,600 --> 00:51:11,080
Speaker 1: from inside, and he won't get that. And no one's

787
00:51:11,120 --> 00:51:14,359
Speaker 1: going to throw his cell. I know what the investigator said,

788
00:51:14,400 --> 00:51:18,560
Speaker 1: with all due respect, that's not the jail. That's their job.

789
00:51:18,680 --> 00:51:22,040
Speaker 1: It's not the job of twenty four officers being paid

790
00:51:22,160 --> 00:51:26,560
Speaker 1: by mister Williams. That's not their job. The job is

791
00:51:26,680 --> 00:51:30,480
Speaker 1: the sheriff of Fulton County or any other sheriff where

792
00:51:30,680 --> 00:51:33,719
Speaker 1: our sheriff decides to put mister Williams, that's their job.

793
00:51:34,360 --> 00:51:40,800
Speaker 1: He is dangerous and I normally don't do this, but

794
00:51:40,920 --> 00:51:44,759
Speaker 1: I don't hesitate in this case. Respectfully, Judge, I believe

795
00:51:44,800 --> 00:51:46,840
Speaker 1: if you give him a bond, we're going to have

796
00:51:46,920 --> 00:51:49,120
Speaker 1: more witnesses in danger or going to be missing. I

797
00:51:49,239 --> 00:51:54,359
Speaker 1: believe he's that dangerous Judge, thank you. But again, man,

798
00:51:54,440 --> 00:51:58,439
Speaker 1: this dude is clear in his painting of young thug.

799
00:51:58,600 --> 00:52:02,200
Speaker 1: He's trying to paint a clip picture and give a description.

800
00:52:02,840 --> 00:52:05,880
Speaker 1: But the thing about it is, in my opinion, description

801
00:52:06,000 --> 00:52:10,080
Speaker 1: doesn't have any thing tangible a test to it. There's

802
00:52:10,120 --> 00:52:13,600
Speaker 1: no evidence a thug being involved in anything outside of

803
00:52:15,360 --> 00:52:17,839
Speaker 1: you know, those two conversations that they have with men

804
00:52:17,920 --> 00:52:20,560
Speaker 1: and things like that. But he's not being seen to

805
00:52:20,719 --> 00:52:24,920
Speaker 1: being threatened anyone. So he's this big dangerous dude, But

806
00:52:25,040 --> 00:52:27,200
Speaker 1: we can't prove he's dangerous. We just want you to

807
00:52:27,320 --> 00:52:33,600
Speaker 1: use your imagination, judge and John Gotti and use your imagination, judge,

808
00:52:33,680 --> 00:52:36,120
Speaker 1: just like it's a weird game they play. And so

809
00:52:36,320 --> 00:52:38,040
Speaker 1: for those of you that's not from the street and

810
00:52:38,080 --> 00:52:40,799
Speaker 1: don't understand what these people are doing. Right so, because

811
00:52:40,840 --> 00:52:45,640
Speaker 1: we're about to get into Kevin Lyles, which is CEO Music,

812
00:52:45,760 --> 00:52:52,240
Speaker 1: exact legendary person in the industry. Some people are button pushers.

813
00:52:52,920 --> 00:52:56,440
Speaker 1: He's an engine starter, you know, he's one of the guys.

814
00:52:56,560 --> 00:53:01,520
Speaker 1: So m for those of you that don't understand what's happening.

815
00:53:01,880 --> 00:53:06,279
Speaker 1: He's having a situation where people are called in the

816
00:53:06,400 --> 00:53:11,360
Speaker 1: courtroom on behalf of his credibility or someone that speaks

817
00:53:11,440 --> 00:53:15,400
Speaker 1: to his character, you know what kind of person he is,

818
00:53:15,480 --> 00:53:17,680
Speaker 1: because he's trying to get a bond. The stage job

819
00:53:17,760 --> 00:53:21,960
Speaker 1: in these circumstances is to convince the judge why they

820
00:53:22,040 --> 00:53:24,880
Speaker 1: don't believe, if they're not in the grids, why they

821
00:53:24,960 --> 00:53:27,759
Speaker 1: don't believe he needs a bond, and lay out a

822
00:53:27,840 --> 00:53:30,960
Speaker 1: list of reasons why not. So you'll see Kevin Lyle's

823
00:53:31,000 --> 00:53:33,759
Speaker 1: coming on his behalf. They said all his children were there,

824
00:53:34,440 --> 00:53:36,640
Speaker 1: his family was there. There was all kinds of people

825
00:53:36,680 --> 00:53:39,040
Speaker 1: that thugs gonna have support at a high level. He's

826
00:53:39,080 --> 00:53:41,880
Speaker 1: been earning in this business for a long time, so

827
00:53:42,000 --> 00:53:45,960
Speaker 1: he's gonna have some support. So what they're doing here

828
00:53:46,120 --> 00:53:48,440
Speaker 1: is they're trying to both plead to the judge, like, look,

829
00:53:48,520 --> 00:53:53,640
Speaker 1: Thug wouldn't go anywhere. We'll employed twenty five officers right

830
00:53:53,719 --> 00:53:56,319
Speaker 1: to sit there every day just to watch him, right,

831
00:53:56,440 --> 00:53:58,720
Speaker 1: and then we'll take that off the back of the state.

832
00:53:59,160 --> 00:54:02,800
Speaker 1: He'll be confined into his home, no cell phones, no nothing,

833
00:54:03,400 --> 00:54:07,520
Speaker 1: And they're trying to present a rollout that should be acceptable.

834
00:54:08,280 --> 00:54:10,799
Speaker 1: The state's position is, no, don't let him out. He's

835
00:54:10,800 --> 00:54:12,920
Speaker 1: a big dog. He's a shot caller, so if you

836
00:54:13,040 --> 00:54:16,400
Speaker 1: let him out, he gonna get some witnesses whacked. This

837
00:54:16,560 --> 00:54:19,160
Speaker 1: is what they're saying. And so after they went on

838
00:54:19,320 --> 00:54:22,440
Speaker 1: that long soliloquy about how they felt about Thug, now

839
00:54:22,520 --> 00:54:25,440
Speaker 1: with Thug's turn, so they bring people up. You see

840
00:54:25,560 --> 00:54:28,439
Speaker 1: Thug bring up people like Kevin Lyles. If you don't

841
00:54:28,520 --> 00:54:32,560
Speaker 1: know who, Kevin Lyles is, instrumental in Deaf Jam, instrumental

842
00:54:32,640 --> 00:54:35,840
Speaker 1: in Rockefeller. And in my opinion, why Sale was his

843
00:54:36,000 --> 00:54:41,000
Speaker 1: new baby. Thug was his new age thing. He had

844
00:54:41,120 --> 00:54:43,759
Speaker 1: gone on because he's been instrumental in each phase of

845
00:54:43,880 --> 00:54:47,640
Speaker 1: hip hop, and he's grabbed hold to some people who's

846
00:54:47,719 --> 00:54:54,000
Speaker 1: been those guys right, who's been like the next wave

847
00:54:54,120 --> 00:54:56,719
Speaker 1: of people he's been. He's always been there when those

848
00:54:56,840 --> 00:55:00,600
Speaker 1: people have been in question right or up to plate.

849
00:55:00,760 --> 00:55:05,400
Speaker 1: He's always been somewhere on the team. And some of

850
00:55:05,480 --> 00:55:07,400
Speaker 1: you may know what him and Dame kind of went

851
00:55:07,520 --> 00:55:10,400
Speaker 1: at it, but he is a staple in this business

852
00:55:10,520 --> 00:55:14,520
Speaker 1: and a more than a legendary person in this game.

853
00:55:14,680 --> 00:55:21,120
Speaker 1: In my opinion, Kevin Lyles very prestigious guy, one of

854
00:55:21,160 --> 00:55:24,000
Speaker 1: the most sound minds I think we have in music,

855
00:55:25,160 --> 00:55:28,680
Speaker 1: and I think he gives opportunities in times that other

856
00:55:28,760 --> 00:55:33,080
Speaker 1: people see turbulence. And him to work with the U,

857
00:55:33,480 --> 00:55:37,680
Speaker 1: I always knew. I remember being in atl when they

858
00:55:37,760 --> 00:55:40,960
Speaker 1: grabbed the U and there were some people that's like, man,

859
00:55:41,000 --> 00:55:43,759
Speaker 1: he gonna need like tipping him. No, I said, man,

860
00:55:43,920 --> 00:55:48,640
Speaker 1: tipping him ain't till my ship. He needs Kevin Lyles

861
00:55:48,880 --> 00:55:53,400
Speaker 1: and Leo Cohin. He used to call Leo Cohen his daddy.

862
00:55:53,520 --> 00:55:56,560
Speaker 1: He need Leo Coin them to come through and Kevin

863
00:55:56,920 --> 00:56:00,640
Speaker 1: Day there. So you can't do number. Respect Kevin Lyles

864
00:56:00,680 --> 00:56:03,120
Speaker 1: for doing what it is he's doing for on behalf

865
00:56:03,160 --> 00:56:05,520
Speaker 1: of Thug, seeing that he made so much money off

866
00:56:05,600 --> 00:56:07,839
Speaker 1: of him. But I don't even think it's about the money.

867
00:56:07,840 --> 00:56:09,960
Speaker 1: I think you really got a certain love for thug

868
00:56:10,120 --> 00:56:13,320
Speaker 1: and that's just what it is. So let's listen to

869
00:56:13,440 --> 00:56:17,880
Speaker 1: Kevin Lyles being brought to um, being brought to the

870
00:56:18,000 --> 00:56:20,560
Speaker 1: staying on behalf of Young Thugs care he being a

871
00:56:20,680 --> 00:56:23,759
Speaker 1: character witness on behalf of Young Thug an attempt to

872
00:56:23,840 --> 00:56:28,279
Speaker 1: get him a bond. Y'all right, Next is um. He's

873
00:56:28,320 --> 00:56:32,320
Speaker 1: a witness here, mister Kevin Lyles, which is l I

874
00:56:32,760 --> 00:56:37,719
Speaker 1: l Es and he has known mister Williams since mister

875
00:56:37,760 --> 00:56:44,080
Speaker 1: Williams has been Um. Um, just just an adult and

876
00:56:44,400 --> 00:56:46,640
Speaker 1: we'd like him to come and talk about the factors

877
00:56:47,080 --> 00:56:50,000
Speaker 1: for a bond. He is with the record label Your honor,

878
00:56:50,680 --> 00:56:54,920
Speaker 1: and he has come here to give testimony on behalf

879
00:56:55,080 --> 00:56:59,279
Speaker 1: of mister Williams. And he's flew here from he was

880
00:56:59,320 --> 00:57:00,880
Speaker 1: out of state. He lives in New York, but I

881
00:57:00,880 --> 00:57:03,680
Speaker 1: don't know where he flew here from our witness. He

882
00:57:03,880 --> 00:57:07,440
Speaker 1: is right here. You're honors, good name, sir. If you

883
00:57:07,560 --> 00:57:09,680
Speaker 1: please approach witness stand once you get there, produce a

884
00:57:09,760 --> 00:57:14,240
Speaker 1: kind of turned face after talking the Swans witness Kevin Lyles,

885
00:57:14,400 --> 00:57:19,080
Speaker 1: k EBI n L I L S. Good afternoon, sir,

886
00:57:19,280 --> 00:57:22,760
Speaker 1: heness is still I'll let you know. Can you do

887
00:57:22,880 --> 00:57:25,920
Speaker 1: me a favor and give the Somber Court educate the

888
00:57:25,960 --> 00:57:28,040
Speaker 1: Somber court on who you are. Your background the court

889
00:57:28,080 --> 00:57:30,680
Speaker 1: may not be familiar. Um. You know, and I'm a

890
00:57:30,720 --> 00:57:34,880
Speaker 1: fifty four year old father fourth. Um, I'm kind of

891
00:57:34,920 --> 00:57:41,800
Speaker 1: emotional because how good this guy is. M I have

892
00:57:43,640 --> 00:57:49,720
Speaker 1: UM Morgan State University. I build a stadium and my

893
00:57:49,960 --> 00:57:52,640
Speaker 1: goal school. I have a street named after me. I

894
00:57:52,760 --> 00:57:56,160
Speaker 1: have all kind of auto ate doctorates. Um, I'm slaying

895
00:57:56,320 --> 00:58:00,919
Speaker 1: probably five thousand people. Um. I was president and CEO.

896
00:58:01,120 --> 00:58:03,920
Speaker 1: Deaf to him. I've been in this music called hip

897
00:58:03,960 --> 00:58:08,680
Speaker 1: hop for thirty eight years, and for the life of me,

898
00:58:08,960 --> 00:58:14,080
Speaker 1: I don't understand why I have to testify. I'm the

899
00:58:14,240 --> 00:58:19,640
Speaker 1: good that hip hop has done around the world. I've

900
00:58:19,760 --> 00:58:24,360
Speaker 1: also started a company with Jeffrey called Young Stone in Life,

901
00:58:24,960 --> 00:58:28,920
Speaker 1: and I remember what he said to me, We're not

902
00:58:29,040 --> 00:58:32,840
Speaker 1: just starting a company, We're gonna change some lives. And

903
00:58:32,960 --> 00:58:38,880
Speaker 1: that's what he's done, and he's definitely changed mine. Mister Lyles,

904
00:58:39,920 --> 00:58:43,680
Speaker 1: how long have you known, mister Williams for while I

905
00:58:43,800 --> 00:58:47,160
Speaker 1: was a fan for probably twelve years, but I personally

906
00:58:47,200 --> 00:58:53,200
Speaker 1: got the normal the last ten years. Okay, and have

907
00:58:53,400 --> 00:58:58,160
Speaker 1: you signed to your company? Signed mister Williams. Let me

908
00:58:58,280 --> 00:59:02,400
Speaker 1: just speak on this. It's it's heart wrenching right to

909
00:59:02,560 --> 00:59:07,080
Speaker 1: see Kevin up the emotional about Thug. I've always thought

910
00:59:07,160 --> 00:59:13,120
Speaker 1: that they cared about Thug, you know, from a different place.

911
00:59:13,200 --> 00:59:15,520
Speaker 1: But I know our love and to get all a

912
00:59:15,600 --> 00:59:18,960
Speaker 1: different love, right, so I know Thug come from where

913
00:59:19,040 --> 00:59:22,080
Speaker 1: we come from. So he probably showed a certain kind

914
00:59:22,160 --> 00:59:26,080
Speaker 1: of gratitude to them people for saving his life, for

915
00:59:26,240 --> 00:59:29,640
Speaker 1: reaching down in the pool and getting him out the pool. Right.

916
00:59:29,920 --> 00:59:33,720
Speaker 1: Them dudes was lifeguards to Thug, So he probably gave

917
00:59:33,800 --> 00:59:37,480
Speaker 1: them a certain energy just because they've been so instrumental

918
00:59:37,560 --> 00:59:41,000
Speaker 1: in uplifting him that they just felt something for him.

919
00:59:41,040 --> 00:59:43,760
Speaker 1: And I've always felt that. But him being emotional up

920
00:59:43,840 --> 00:59:47,320
Speaker 1: there says that to me as well. He don't have

921
00:59:47,480 --> 00:59:50,160
Speaker 1: to do that. Let me be clear with people about

922
00:59:50,280 --> 00:59:54,840
Speaker 1: Kevin Lyles and his availability. It's limited, slim, the nun

923
00:59:55,000 --> 00:59:58,800
Speaker 1: availability Kevin Lyles has, so he will put things to

924
00:59:58,920 --> 01:00:01,920
Speaker 1: the side to be their for the better known as

925
01:00:02,000 --> 01:00:04,800
Speaker 1: Jeffrey to those people, but he would do that, and

926
01:00:04,960 --> 01:00:09,000
Speaker 1: we gotta applaud black men to stand by us when

927
01:00:09,120 --> 01:00:12,160
Speaker 1: we are involved in turbulence. I just wanted to speak

928
01:00:12,200 --> 01:00:14,680
Speaker 1: on him being emotional right there because he just hit

929
01:00:14,840 --> 01:00:19,960
Speaker 1: me in a different way. He signed to us, and

930
01:00:20,040 --> 01:00:22,400
Speaker 1: I hate he's saying that he's sanitized because it's my partner.

931
01:00:22,840 --> 01:00:25,160
Speaker 1: But we have a we have two deals. One deal

932
01:00:25,440 --> 01:00:27,919
Speaker 1: is a deal for him as an artist, solo artist,

933
01:00:27,960 --> 01:00:29,720
Speaker 1: and the other deal is for young soul in life.

934
01:00:30,680 --> 01:00:37,920
Speaker 1: And I know this is personal, but financially there's been

935
01:00:38,000 --> 01:00:40,480
Speaker 1: testimony that if this trial, and I'm not saying the

936
01:00:40,600 --> 01:00:42,520
Speaker 1: court will allow it, but if it doesn't take place

937
01:00:43,240 --> 01:00:45,400
Speaker 1: for a year, there deals are a million dollars in

938
01:00:45,520 --> 01:00:52,160
Speaker 1: expenses just for twenty four hour security of police officers,

939
01:00:52,240 --> 01:00:55,680
Speaker 1: to ensure authority, police officers second jobs, to ensure mister

940
01:00:55,760 --> 01:01:00,040
Speaker 1: Williams does not flee, does not get types of I

941
01:01:00,120 --> 01:01:02,920
Speaker 1: think the witness it's not a danger to your community

942
01:01:02,960 --> 01:01:05,680
Speaker 1: property in the community. Can he afford and your from

943
01:01:05,720 --> 01:01:08,720
Speaker 1: your personal knowledge and how much money he earns, can

944
01:01:08,800 --> 01:01:12,040
Speaker 1: you afford that type of undertaking? Jeffrey can't afford it,

945
01:01:12,240 --> 01:01:14,360
Speaker 1: and I can't afford it. So we will be paid

946
01:01:14,400 --> 01:01:16,640
Speaker 1: for and you were willing to back him as well.

947
01:01:16,760 --> 01:01:22,000
Speaker 1: I'm going to back him personally and professionally. Okay, man

948
01:01:22,600 --> 01:01:26,680
Speaker 1: explain if you can and discuss and that's and that's

949
01:01:26,760 --> 01:01:29,120
Speaker 1: major game. And I was gonna move by, but that

950
01:01:29,280 --> 01:01:33,080
Speaker 1: taught me right there a separate personal and professional right

951
01:01:33,160 --> 01:01:35,080
Speaker 1: you see. I told him I do both because I

952
01:01:35,480 --> 01:01:39,480
Speaker 1: go on my stage about dude. That's really what he's saying.

953
01:01:39,560 --> 01:01:41,480
Speaker 1: For those of you in the street that don't know

954
01:01:41,600 --> 01:01:44,280
Speaker 1: what he means when he say I beg young thug

955
01:01:44,440 --> 01:01:47,640
Speaker 1: personally and professionally, he's saying, I'm going in that money

956
01:01:47,720 --> 01:01:49,680
Speaker 1: that I really don't want to touch a back, dude.

957
01:01:50,640 --> 01:01:53,560
Speaker 1: If the business go under, I'm going in that money

958
01:01:53,800 --> 01:01:56,919
Speaker 1: that I ain't really like to touch about due That's

959
01:01:57,000 --> 01:02:01,960
Speaker 1: what he's saying. And that's even important Outward Live because

960
01:02:02,040 --> 01:02:05,640
Speaker 1: we've been criticized in Hip hopful when Nick get took

961
01:02:05,680 --> 01:02:08,680
Speaker 1: in that courtroom that everybody that was with him fall back.

962
01:02:10,320 --> 01:02:12,360
Speaker 1: I remember the time when they tried to say Jay

963
01:02:12,480 --> 01:02:15,439
Speaker 1: has said, I can't guarantee nothing about nothing day time.

964
01:02:15,480 --> 01:02:18,200
Speaker 1: But he was young then I can't nine. I can't

965
01:02:18,240 --> 01:02:22,920
Speaker 1: put my you understand, because that's a big thing to

966
01:02:23,040 --> 01:02:25,440
Speaker 1: do just I want you to know powerful that's a

967
01:02:25,520 --> 01:02:28,400
Speaker 1: big thing to do. What Kevin lives is saying personally

968
01:02:28,400 --> 01:02:32,040
Speaker 1: and professionally bagging him and he can afford it, and

969
01:02:32,280 --> 01:02:34,200
Speaker 1: he got love from a lot of me now as

970
01:02:34,240 --> 01:02:36,200
Speaker 1: the money ain't gonna be a problem at least, I

971
01:02:36,240 --> 01:02:40,720
Speaker 1: don't think so. How your life intersected with mister Williams life.

972
01:02:41,840 --> 01:02:48,440
Speaker 1: My job is to seek out talented people, and I

973
01:02:48,520 --> 01:02:51,080
Speaker 1: think God brought us together in a very weird way,

974
01:02:51,680 --> 01:02:58,000
Speaker 1: but I think we were meant to be together. Jeffrey

975
01:02:58,200 --> 01:03:03,120
Speaker 1: is not just the artists. He's an influencer. He is

976
01:03:03,600 --> 01:03:08,240
Speaker 1: a person that I think was put here to change

977
01:03:09,280 --> 01:03:14,040
Speaker 1: the people around him. And he's so talented. He's a creative,

978
01:03:14,280 --> 01:03:19,720
Speaker 1: he's innovative, and he's feeless. He's a ristaker and those

979
01:03:19,840 --> 01:03:24,400
Speaker 1: kind of people. I call him change agents. I'm not

980
01:03:24,640 --> 01:03:27,840
Speaker 1: signing this artist. I'm raising a young man. He looks

981
01:03:27,840 --> 01:03:34,200
Speaker 1: at me as a father finger He's not like I said,

982
01:03:34,560 --> 01:03:38,320
Speaker 1: we can't limit it to just his lyrics or his music.

983
01:03:39,640 --> 01:03:41,800
Speaker 1: He's a young man and he would be a contributing

984
01:03:41,880 --> 01:03:45,520
Speaker 1: citizen to this world. And that's what I invested, and

985
01:03:45,680 --> 01:03:50,240
Speaker 1: I truly believe this whole thing that people are talking about.

986
01:03:50,720 --> 01:03:54,600
Speaker 1: It's not him. Did Jeffrianno di Geffreyanno give me clothes

987
01:03:54,640 --> 01:03:57,440
Speaker 1: off his back? Did jeff Rianno I can give my kids,

988
01:03:57,480 --> 01:04:01,600
Speaker 1: he'd give me his kids? That said Jeffrianno. You mentioned lyrics.

989
01:04:01,840 --> 01:04:06,360
Speaker 1: There's been a lot of um argument by the prosecution

990
01:04:06,360 --> 01:04:11,720
Speaker 1: about their lyrics and songs. Can you explain, did you

991
01:04:11,840 --> 01:04:19,240
Speaker 1: see what is selling bro rap industry dealing with the

992
01:04:19,360 --> 01:04:21,600
Speaker 1: lyrics and why are they being promoted and why are

993
01:04:21,680 --> 01:04:26,240
Speaker 1: people wanting it? You know you you've I don't know

994
01:04:26,360 --> 01:04:31,680
Speaker 1: how old you are there, so I've been fighting this

995
01:04:31,840 --> 01:04:38,120
Speaker 1: battle for over forty years. Um, it's not it's not new,

996
01:04:38,800 --> 01:04:40,760
Speaker 1: and it's funny how we the number one music in

997
01:04:40,840 --> 01:04:44,840
Speaker 1: the world now and able to bring this back up now.

998
01:04:45,760 --> 01:04:49,840
Speaker 1: We don't argue about any of the web in the

999
01:04:50,280 --> 01:04:54,560
Speaker 1: movies or other genres of music that talk about a

1000
01:04:54,720 --> 01:04:59,200
Speaker 1: random over in my truck or I got had, I

1001
01:04:59,320 --> 01:05:02,000
Speaker 1: got drunk and I went and shotting. We don't. We

1002
01:05:02,080 --> 01:05:05,760
Speaker 1: don't bring those things to court. But quote unquote our music.

1003
01:05:06,560 --> 01:05:10,040
Speaker 1: We've been on trial and we constantly on trial about

1004
01:05:10,080 --> 01:05:12,560
Speaker 1: who we are, what we are about, and nobody gave

1005
01:05:12,640 --> 01:05:20,360
Speaker 1: us nothing we sit here talk, we talk about lyrics. Lyrics.

1006
01:05:21,440 --> 01:05:23,880
Speaker 1: I don't understand the thing, but I would be here

1007
01:05:23,920 --> 01:05:26,160
Speaker 1: and I'm gonna keep fighting for it because I believe

1008
01:05:26,680 --> 01:05:32,040
Speaker 1: self expression and I believe we should protect black art. Hello,

1009
01:05:32,560 --> 01:05:36,840
Speaker 1: we should protect black art. And I'm gonna trial for lyrics.

1010
01:05:37,600 --> 01:05:41,240
Speaker 1: Cool man. With regards to mister Williams, and the court

1011
01:05:41,320 --> 01:05:45,800
Speaker 1: may not be familiar, where does he rank in Um,

1012
01:05:46,720 --> 01:05:50,920
Speaker 1: if there is such a ranking in the music industry. Yes,

1013
01:05:51,280 --> 01:05:56,960
Speaker 1: that's not relevant to anything truly, his employment status. It's

1014
01:05:57,000 --> 01:05:59,760
Speaker 1: part of the alla factors and whether the record company's

1015
01:05:59,800 --> 01:06:01,880
Speaker 1: gonna continued to back him. But I think you've already

1016
01:06:01,920 --> 01:06:11,880
Speaker 1: stablished that to witness needs to thank you. Yeah, alternative police, Okay, Um,

1017
01:06:12,080 --> 01:06:18,640
Speaker 1: you understand that mister Williams was charged in twenty eighteen

1018
01:06:18,760 --> 01:06:23,440
Speaker 1: in Decayed County with a offense of involving He was

1019
01:06:23,560 --> 01:06:27,040
Speaker 1: riding in a car with two other people. Um, and

1020
01:06:27,200 --> 01:06:30,960
Speaker 1: there was a gun and um, it's a small amount

1021
01:06:30,960 --> 01:06:33,200
Speaker 1: of drugs in the car. Are you familiar I'm talking

1022
01:06:33,240 --> 01:06:37,520
Speaker 1: about Yes, Okay, and you know that case. It's still pending,

1023
01:06:37,640 --> 01:06:39,120
Speaker 1: believe it or not, but it went up to the

1024
01:06:39,200 --> 01:06:41,800
Speaker 1: appellate court. I don't know Are you familiar with all that? Yes,

1025
01:06:42,120 --> 01:06:45,959
Speaker 1: everything was suppressed by the honorable uh Superior Court judge

1026
01:06:45,960 --> 01:06:48,720
Speaker 1: in another county, and then the state appeal got reversed

1027
01:06:48,760 --> 01:06:52,320
Speaker 1: and it's pending. You're aware about it. Okay. So mister

1028
01:06:52,400 --> 01:06:55,520
Speaker 1: Williams is actually on bond for that case. Okay. The

1029
01:06:55,600 --> 01:07:00,520
Speaker 1: allegation also entails the fact that when miss Williams was

1030
01:07:00,640 --> 01:07:05,960
Speaker 1: arrested at the home here in Atlanta, a search warrant

1031
01:07:06,120 --> 01:07:11,120
Speaker 1: was then executed at that home and there were multiple firearms.

1032
01:07:11,600 --> 01:07:16,960
Speaker 1: One firearms allegedly illegal, it turned into like a machine gun,

1033
01:07:17,520 --> 01:07:21,600
Speaker 1: and there were supposedly about two pounds of marijuana and

1034
01:07:23,400 --> 01:07:27,720
Speaker 1: some items in looks like like an energy drink, but

1035
01:07:27,800 --> 01:07:32,800
Speaker 1: it supposedly contains either Schedule two three or four drugs

1036
01:07:32,880 --> 01:07:37,160
Speaker 1: in it coding. Supposedly you're familiar with that, I read it, Okay.

1037
01:07:38,760 --> 01:07:41,919
Speaker 1: Understanding all those facts that the Camp Canton case, current

1038
01:07:42,000 --> 01:07:44,600
Speaker 1: bond and the search of the home, you're also aware

1039
01:07:44,640 --> 01:07:46,680
Speaker 1: that many other people were in that house at the

1040
01:07:46,760 --> 01:07:50,400
Speaker 1: time of the search warrant, right, Okay. I'd like to

1041
01:07:50,480 --> 01:07:56,040
Speaker 1: ask you the following questions. In addition to the fact

1042
01:07:56,080 --> 01:07:58,280
Speaker 1: that we are charging two counts in this current indictment.

1043
01:07:58,320 --> 01:08:01,760
Speaker 1: You're familiar with the Rico conspiracy a gang. Yeah, okay,

1044
01:08:04,200 --> 01:08:08,760
Speaker 1: the judge is not even paying attention. Would you back

1045
01:08:08,840 --> 01:08:13,120
Speaker 1: with your own personal property and wealth or as well

1046
01:08:13,120 --> 01:08:16,000
Speaker 1: as your own company's personal property of wealth the bond

1047
01:08:16,280 --> 01:08:19,280
Speaker 1: for mister Williams if the Somber court wanted a high bond.

1048
01:08:19,880 --> 01:08:23,639
Speaker 1: Jack's answer, he's all the witness. Actually he's only stated

1049
01:08:25,120 --> 01:08:27,720
Speaker 1: city they did put up in his own and his

1050
01:08:27,840 --> 01:08:31,200
Speaker 1: company sounded. I saw how the Jews moved that he

1051
01:08:31,360 --> 01:08:34,599
Speaker 1: was going say something about that. Would you be willing? Okay,

1052
01:08:34,600 --> 01:08:37,560
Speaker 1: if it's the same question, just I apologize, but I

1053
01:08:37,600 --> 01:08:39,880
Speaker 1: thought it's a different question. You have to understand that

1054
01:08:39,960 --> 01:08:42,760
Speaker 1: you would if the court wanted to, you would lose

1055
01:08:42,920 --> 01:08:46,160
Speaker 1: that wealth if mister Williams violated condition to bond. I

1056
01:08:46,200 --> 01:08:48,760
Speaker 1: mean it's not just going bond with mister Williams and

1057
01:08:48,800 --> 01:08:52,200
Speaker 1: custody your release. The court could have you signed as

1058
01:08:52,200 --> 01:08:55,080
Speaker 1: a co signer on that bond and you would actually

1059
01:08:55,280 --> 01:08:58,640
Speaker 1: have a lean against your wealth if mister Williams by

1060
01:08:58,720 --> 01:09:00,360
Speaker 1: the condition of bond. And you still going to do

1061
01:09:00,479 --> 01:09:04,080
Speaker 1: that like a sudden to me, yes, okay, without hesitation

1062
01:09:04,120 --> 01:09:07,280
Speaker 1: out without hesitation, all right? Do you believe that if

1063
01:09:07,920 --> 01:09:10,839
Speaker 1: granted bond on your oath, mister Williams would intimidate any witness,

1064
01:09:12,240 --> 01:09:16,599
Speaker 1: nah obstruct the administration of justice. No, be a danger

1065
01:09:16,680 --> 01:09:19,280
Speaker 1: to the community or proper in your community, not at all,

1066
01:09:20,080 --> 01:09:24,360
Speaker 1: and a risk to commit a crime. While Adam bond,

1067
01:09:24,680 --> 01:09:27,360
Speaker 1: No not. He has too much respect for me, into

1068
01:09:27,400 --> 01:09:29,599
Speaker 1: a respect for the company that we building, and too

1069
01:09:29,600 --> 01:09:32,880
Speaker 1: many people that depend on him. It's not about Jeffrey's so,

1070
01:09:33,920 --> 01:09:35,640
Speaker 1: it's about the family, It's about the community. You know,

1071
01:09:35,760 --> 01:09:41,400
Speaker 1: he understands he's um inspiring the world right now, there's

1072
01:09:41,439 --> 01:09:44,560
Speaker 1: a kid that he changed their life every day. I

1073
01:09:44,680 --> 01:09:47,640
Speaker 1: really believe that for the better, for the better. I

1074
01:09:47,760 --> 01:09:56,560
Speaker 1: have one last question for you. If he's on the

1075
01:09:56,680 --> 01:10:01,800
Speaker 1: court granted bond, but it was very, very restrictive. Mister

1076
01:10:01,840 --> 01:10:06,479
Speaker 1: Williams is not coming out to studios, he's not doing videos.

1077
01:10:07,920 --> 01:10:11,920
Speaker 1: Speaking with him may be curtailed. Is your record label

1078
01:10:12,000 --> 01:10:15,120
Speaker 1: still willing to keep him as a vibrant member of

1079
01:10:15,200 --> 01:10:22,920
Speaker 1: sin that's my partner, and just for the court certification,

1080
01:10:22,960 --> 01:10:24,640
Speaker 1: I think you just said. But mister Williams not only

1081
01:10:24,680 --> 01:10:27,320
Speaker 1: an artist, he's an owner of the company. Right, He's

1082
01:10:27,360 --> 01:10:30,720
Speaker 1: a businessman. I told him hip hop has given him

1083
01:10:31,360 --> 01:10:34,760
Speaker 1: away of the entrepreneur, a way to empower people, a

1084
01:10:34,840 --> 01:10:37,920
Speaker 1: way to educate people, and he has a responsibility. He

1085
01:10:38,000 --> 01:10:41,920
Speaker 1: knows that with the success comes responsibility. And we made

1086
01:10:41,920 --> 01:10:43,400
Speaker 1: a commitment to each other that we're going to do

1087
01:10:43,439 --> 01:10:47,160
Speaker 1: it for the rest of our life. Man. That's that's heavy.

1088
01:10:48,040 --> 01:10:51,320
Speaker 1: It's heavy, man, it's heavy. Great to see an exact

1089
01:10:51,479 --> 01:10:55,120
Speaker 1: step down, big guy, the company step down for one

1090
01:10:55,160 --> 01:10:59,439
Speaker 1: of our guys unfortunate circumstances. Man. But a lot of

1091
01:10:59,520 --> 01:11:03,920
Speaker 1: times it's where you get to prove yourself, you know. Um.

1092
01:11:04,000 --> 01:11:07,560
Speaker 1: It's the same thing with with people. And sometimes I

1093
01:11:07,680 --> 01:11:10,880
Speaker 1: get chills talking about it, but it's the same thing

1094
01:11:11,000 --> 01:11:13,960
Speaker 1: with people like on their way up. It's nothing more

1095
01:11:15,160 --> 01:11:20,280
Speaker 1: fulfilling than to change somebody's life than to put somebody

1096
01:11:20,320 --> 01:11:23,320
Speaker 1: in position. That's why I don't be understanding these selfish

1097
01:11:23,439 --> 01:11:27,840
Speaker 1: dudes like you don't get us. You don't get that feeling, man,

1098
01:11:27,960 --> 01:11:32,280
Speaker 1: Like that feeling of really being able to really get

1099
01:11:32,360 --> 01:11:39,400
Speaker 1: with somebody and change the whole situation. Man, Man, Man, Man.

1100
01:11:39,560 --> 01:11:44,800
Speaker 1: But Kevin Laos, like I said, I want to hip

1101
01:11:44,920 --> 01:11:48,400
Speaker 1: hop scholars one of the best we got the offer.

1102
01:11:49,920 --> 01:11:52,880
Speaker 1: Um did it with Rockefeller did it, did it, did it,

1103
01:11:52,960 --> 01:11:54,720
Speaker 1: and this is his new baby. I hate to see

1104
01:11:54,800 --> 01:11:57,320
Speaker 1: him go through that. Hate to see Thug in that situation.

1105
01:11:58,479 --> 01:12:01,040
Speaker 1: I think the company will continue to bagh And so

1106
01:12:01,280 --> 01:12:03,439
Speaker 1: Kevin lis came out and will speed this up and

1107
01:12:03,479 --> 01:12:05,639
Speaker 1: get to the rest of the show. Kevin Liws did

1108
01:12:05,720 --> 01:12:08,599
Speaker 1: this thing. I went up and spoke for Young Thug again,

1109
01:12:08,720 --> 01:12:11,200
Speaker 1: honorable one of the guys that has his honor in

1110
01:12:11,320 --> 01:12:14,680
Speaker 1: tech and will appreciate Kevin Lyles. Now, shortly after that,

1111
01:12:14,840 --> 01:12:18,040
Speaker 1: paperwork came out from some of these low level blogs

1112
01:12:18,520 --> 01:12:22,120
Speaker 1: saying that Yak Gotti was telling on Young Thug and

1113
01:12:22,240 --> 01:12:27,080
Speaker 1: also that because they alleged they have proffers from people

1114
01:12:27,280 --> 01:12:30,479
Speaker 1: that Young Thug Gang is telling on him, they ain't

1115
01:12:30,520 --> 01:12:32,680
Speaker 1: even at that part in the case yet. But as

1116
01:12:32,720 --> 01:12:34,960
Speaker 1: you see the internet, it's the Internet. So people go

1117
01:12:35,120 --> 01:12:38,040
Speaker 1: having all kind of conversations about Yak telling and this,

1118
01:12:38,200 --> 01:12:43,240
Speaker 1: and if you read the paperwork, that's false information. Again

1119
01:12:43,400 --> 01:12:47,560
Speaker 1: when he said that they're not giving you any details.

1120
01:12:48,080 --> 01:12:50,920
Speaker 1: They play word games, and y'all ain't caught on yet

1121
01:12:50,920 --> 01:12:53,360
Speaker 1: because y'all must ain't never been in court. They play

1122
01:12:53,439 --> 01:12:56,120
Speaker 1: word games. You gotta really aze, what does that really mean?

1123
01:12:56,200 --> 01:12:59,040
Speaker 1: What you just said, and who said that? Bring them in?

1124
01:12:59,200 --> 01:13:02,400
Speaker 1: We want to see them them. Oh, people say he's dangerous.

1125
01:13:02,439 --> 01:13:04,840
Speaker 1: Who bring them in? We want to ask them why

1126
01:13:04,920 --> 01:13:07,160
Speaker 1: would they say that? Oh, you're facing a life sining.

1127
01:13:07,320 --> 01:13:10,240
Speaker 1: Oh you killed three people and you're trying to get

1128
01:13:10,280 --> 01:13:12,719
Speaker 1: a little let you know what I'm saying. So again,

1129
01:13:12,920 --> 01:13:16,519
Speaker 1: y'all just be talking. I got this right now. Now,

1130
01:13:17,160 --> 01:13:19,960
Speaker 1: I got three folk nigga doing more than ten right

1131
01:13:20,120 --> 01:13:23,080
Speaker 1: name jail. So again, as they go, I gotta nig

1132
01:13:23,280 --> 01:13:25,680
Speaker 1: right now facing the fizz and we talk about this

1133
01:13:25,800 --> 01:13:29,280
Speaker 1: case since every day. So again I understand some of

1134
01:13:29,360 --> 01:13:32,040
Speaker 1: the things they playing games in that courtroom. We gotta

1135
01:13:32,080 --> 01:13:34,640
Speaker 1: pay attention to how media paints certain things and how

1136
01:13:34,760 --> 01:13:37,680
Speaker 1: they present it, because how they present it tells you

1137
01:13:37,760 --> 01:13:40,080
Speaker 1: how they wanted to be received. And if you can

1138
01:13:40,160 --> 01:13:43,080
Speaker 1: deal with that little bitter because it's a split second

1139
01:13:43,120 --> 01:13:46,680
Speaker 1: worth information, but it's very valuable information. If you can

1140
01:13:46,840 --> 01:13:50,200
Speaker 1: figure out why person is saying this to you that way,

1141
01:13:50,720 --> 01:13:52,360
Speaker 1: then you can figure out what they're trying to do.

1142
01:13:52,520 --> 01:13:55,120
Speaker 1: Like I was speaking last week about the labels, they

1143
01:13:55,280 --> 01:13:57,600
Speaker 1: never telling a high paying artist, this is what you

1144
01:13:57,680 --> 01:14:00,280
Speaker 1: gotta do. They've just been like yo, you know, we

1145
01:14:00,360 --> 01:14:02,960
Speaker 1: just got some new data. In the data says if

1146
01:14:03,000 --> 01:14:04,560
Speaker 1: you go say this and says them do this and

1147
01:14:04,640 --> 01:14:06,400
Speaker 1: do that and do that, that you or your seals

1148
01:14:06,400 --> 01:14:08,679
Speaker 1: will go up thirty percent and that means more money.

1149
01:14:09,560 --> 01:14:11,479
Speaker 1: They know the end goal for you and what makes

1150
01:14:11,560 --> 01:14:15,720
Speaker 1: your eyes do like that it's money. Yeah, they know

1151
01:14:15,960 --> 01:14:20,519
Speaker 1: that you understand. So that's a third case update. Will

1152
01:14:20,600 --> 01:14:22,280
Speaker 1: get to the rest of the show. You know. I

1153
01:14:22,360 --> 01:14:25,360
Speaker 1: want to tell y'all something that happened to me. And

1154
01:14:25,560 --> 01:14:29,479
Speaker 1: you know I always be going through. I was talking

1155
01:14:29,520 --> 01:14:35,240
Speaker 1: to my home boy because sometimes me and are men, right,

1156
01:14:35,560 --> 01:14:37,479
Speaker 1: So you get around dudes and they want to have

1157
01:14:37,640 --> 01:14:41,200
Speaker 1: a bravado outum. And it's a weird thing that happens

1158
01:14:41,240 --> 01:14:45,840
Speaker 1: when you got a big body when you're born tall. Look,

1159
01:14:46,280 --> 01:14:48,960
Speaker 1: you know swoll or something. You know, you kind of big,

1160
01:14:49,120 --> 01:14:51,960
Speaker 1: like it's something happens to you, you know. So I

1161
01:14:52,080 --> 01:14:54,080
Speaker 1: had to run in with a guy who won them

1162
01:14:54,160 --> 01:14:56,840
Speaker 1: big you know kind of big dudes, and I didn't

1163
01:14:56,880 --> 01:14:59,479
Speaker 1: respect it's pimping, you know, I knew he won them.

1164
01:14:59,520 --> 01:15:01,760
Speaker 1: Big dude was this big for none, trip over his

1165
01:15:01,880 --> 01:15:05,280
Speaker 1: own feet kind of guys. So I know both big dudes.

1166
01:15:05,439 --> 01:15:07,920
Speaker 1: I know the big Teddy Bell, and I know the

1167
01:15:08,040 --> 01:15:12,439
Speaker 1: big the big tornado, you know what I'm saying. But

1168
01:15:12,560 --> 01:15:15,280
Speaker 1: see the problem is is that if you don't know,

1169
01:15:15,600 --> 01:15:18,280
Speaker 1: you think just because they're big, they're the big tornado.

1170
01:15:18,400 --> 01:15:20,760
Speaker 1: But some of them, the big Teddy Bell, some of

1171
01:15:20,800 --> 01:15:23,080
Speaker 1: them just dealing with genetics. Yo. With your dadd it

1172
01:15:23,200 --> 01:15:26,479
Speaker 1: was big. You you just big because he was big.

1173
01:15:26,600 --> 01:15:31,040
Speaker 1: He ain't done nothing to earn that body, you know. So, um,

1174
01:15:31,320 --> 01:15:33,280
Speaker 1: the dude give me a certain kind of vibe. And

1175
01:15:33,360 --> 01:15:35,639
Speaker 1: I'm an energy guy. So if I don't like an energy,

1176
01:15:35,720 --> 01:15:37,640
Speaker 1: I'm gonna just tige. I ain't gonna tell you, I'm

1177
01:15:37,640 --> 01:15:39,880
Speaker 1: gonna try to get away from you. But now I'm

1178
01:15:39,920 --> 01:15:42,920
Speaker 1: getting to a point where everybody that's bumping and too

1179
01:15:43,040 --> 01:15:45,080
Speaker 1: me want to tell me about the part and how

1180
01:15:45,200 --> 01:15:47,760
Speaker 1: cold it is and how I can add this and that.

1181
01:15:47,880 --> 01:15:50,240
Speaker 1: And I wasn't trying to hear all that. When I

1182
01:15:50,280 --> 01:15:52,320
Speaker 1: ain't on the part, I don't really be trying to

1183
01:15:52,400 --> 01:15:56,120
Speaker 1: hear all that. So you know, he come with the

1184
01:15:56,280 --> 01:15:58,920
Speaker 1: he come with the podcast game and take him. Man,

1185
01:15:59,080 --> 01:16:01,880
Speaker 1: he had guy that don't got a podcast. He not

1186
01:16:02,040 --> 01:16:05,160
Speaker 1: somebody that send the business or somebody got some of

1187
01:16:05,240 --> 01:16:08,040
Speaker 1: the brightest ideas. If you were to ask him, so

1188
01:16:08,240 --> 01:16:11,439
Speaker 1: I shut him down with the podcast talk. See old

1189
01:16:11,520 --> 01:16:16,080
Speaker 1: Big ain't never been shut down before. Old Big take

1190
01:16:16,120 --> 01:16:18,600
Speaker 1: it personally. You're telling Brian trying to talk about that

1191
01:16:18,720 --> 01:16:21,560
Speaker 1: he think he too big for me to tell him anything.

1192
01:16:22,160 --> 01:16:24,960
Speaker 1: But that way he got it wrong. So I tell

1193
01:16:25,080 --> 01:16:26,920
Speaker 1: him I don't he yo, bro, I don't really want

1194
01:16:26,920 --> 01:16:29,439
Speaker 1: to talk about the part, like I'm I'm over here

1195
01:16:29,520 --> 01:16:31,439
Speaker 1: just chilling. I don't really want to get into no

1196
01:16:31,640 --> 01:16:33,840
Speaker 1: deep you know, you keep trying to pull him into

1197
01:16:33,880 --> 01:16:36,639
Speaker 1: the side and have a deep podcast because I don't

1198
01:16:36,680 --> 01:16:40,160
Speaker 1: really want to do that respectfully to the situation like

1199
01:16:40,360 --> 01:16:42,800
Speaker 1: everybody is here, like I come to see everybody and

1200
01:16:42,920 --> 01:16:45,479
Speaker 1: not just talk to you about a part or how

1201
01:16:45,600 --> 01:16:47,439
Speaker 1: I'm cooking it. And now I don't want us to

1202
01:16:47,520 --> 01:16:52,200
Speaker 1: do that soever. Did he take it disrespectful? But see,

1203
01:16:52,240 --> 01:16:54,880
Speaker 1: he don't even know that when he comes talking to

1204
01:16:55,120 --> 01:16:58,439
Speaker 1: me some five steps ahead of it. So he talking

1205
01:16:58,479 --> 01:17:00,639
Speaker 1: to me, I know my next move is to tell

1206
01:17:00,800 --> 01:17:04,000
Speaker 1: him that I don't want to hit this. So I'm

1207
01:17:04,080 --> 01:17:06,640
Speaker 1: already thinking how he gonna respond to it, So I

1208
01:17:06,800 --> 01:17:09,840
Speaker 1: not already sized him up in my brain, thinking Okay,

1209
01:17:10,280 --> 01:17:13,800
Speaker 1: I might can handle what he will and awful, you

1210
01:17:13,960 --> 01:17:16,439
Speaker 1: understand in regards to a one on one, because he

1211
01:17:16,520 --> 01:17:19,439
Speaker 1: don't seem like he can, you know, I Javante David

1212
01:17:19,520 --> 01:17:22,280
Speaker 1: hit that got out of that. He don't seem like

1213
01:17:22,320 --> 01:17:24,960
Speaker 1: he can stand boom bam, and getting out of there

1214
01:17:25,080 --> 01:17:27,280
Speaker 1: seemed like he needs you to be still to whoop

1215
01:17:27,360 --> 01:17:30,160
Speaker 1: on you, and thank you. You're gonna whoop on me,

1216
01:17:30,240 --> 01:17:32,240
Speaker 1: and I'm gonna be still. You in for a rude

1217
01:17:32,280 --> 01:17:35,680
Speaker 1: awaken it. So I anstuantly think I'm gonna beat on

1218
01:17:35,840 --> 01:17:38,120
Speaker 1: him if he tried, even though he bigger. And plus

1219
01:17:38,200 --> 01:17:41,240
Speaker 1: I keep something in my pocket that are even the odds,

1220
01:17:41,840 --> 01:17:44,400
Speaker 1: whether Andy's I ain't. I keep some women don't make

1221
01:17:44,520 --> 01:17:47,280
Speaker 1: no noise. It's gonna even the odd you know. So

1222
01:17:48,400 --> 01:17:51,280
Speaker 1: I'm already there with it. So I tell him it

1223
01:17:51,439 --> 01:17:53,680
Speaker 1: seemed like it didn't click right then, So I tell

1224
01:17:53,800 --> 01:17:55,960
Speaker 1: him we break up for a second, like I go

1225
01:17:56,080 --> 01:17:58,880
Speaker 1: this way, he go that way, don't you know? He

1226
01:17:59,160 --> 01:18:02,760
Speaker 1: looking away in the counter. He in the ConA with

1227
01:18:02,880 --> 01:18:04,720
Speaker 1: the screw face, so he looked like one of the

1228
01:18:04,840 --> 01:18:08,640
Speaker 1: dangerous in America. Over I said, damn, this can't be

1229
01:18:08,720 --> 01:18:12,240
Speaker 1: the guy just told to shut up, and now he

1230
01:18:12,360 --> 01:18:14,680
Speaker 1: in the ConA the dangerous in America. But I know

1231
01:18:14,800 --> 01:18:17,400
Speaker 1: what's happening because it doesn't happen to me. Before you

1232
01:18:17,520 --> 01:18:20,439
Speaker 1: get over in that corner, you get the thinking man

1233
01:18:20,520 --> 01:18:24,200
Speaker 1: that you don't want Trump who that thing? I am

1234
01:18:24,360 --> 01:18:27,080
Speaker 1: so he going through that over there. But in my

1235
01:18:27,280 --> 01:18:31,080
Speaker 1: mind I'm already knowing because earlier that night I had

1236
01:18:31,160 --> 01:18:34,280
Speaker 1: asked him, you know, playing and again you gotta watch

1237
01:18:34,360 --> 01:18:37,599
Speaker 1: it like me with a saving mine because I come

1238
01:18:37,720 --> 01:18:41,320
Speaker 1: in playing, but I'm really getting into I see the big,

1239
01:18:41,840 --> 01:18:46,160
Speaker 1: big old boy. You boy, you ain't never boy, you ain't.

1240
01:18:46,320 --> 01:18:48,439
Speaker 1: He ain't got no scars or nothing on you, so

1241
01:18:48,600 --> 01:18:51,599
Speaker 1: you ain't been through nothing. Oh big like you. If

1242
01:18:51,640 --> 01:18:56,000
Speaker 1: you ain't being shot, you ain't tough. And that's bad

1243
01:18:56,120 --> 01:18:59,840
Speaker 1: to say. And I'm a comedian. I want to say

1244
01:18:59,880 --> 01:19:01,880
Speaker 1: that because I don't want to be canceled, and this

1245
01:19:02,080 --> 01:19:06,000
Speaker 1: is for comedic relief. But boy, if you're a big man,

1246
01:19:06,120 --> 01:19:10,519
Speaker 1: you ain't being shot. You ain't no tough big because

1247
01:19:10,520 --> 01:19:13,479
Speaker 1: a big gonna keep pushing the line to somebody to

1248
01:19:13,560 --> 01:19:16,920
Speaker 1: shoot him. See when you big at twelve, you'r grab

1249
01:19:17,280 --> 01:19:19,280
Speaker 1: give him a wedge. You would keep giving him a

1250
01:19:19,360 --> 01:19:23,519
Speaker 1: wedge to somebody to stop you. And can't stop your hands.

1251
01:19:23,920 --> 01:19:27,439
Speaker 1: You two big you grown man inside you see so

1252
01:19:27,560 --> 01:19:30,360
Speaker 1: that is usually or order and he with a brick

1253
01:19:30,520 --> 01:19:33,200
Speaker 1: or something. You have a scott. Something happened the most

1254
01:19:33,280 --> 01:19:36,320
Speaker 1: big name I see old big Nick, old pretty boy

1255
01:19:36,439 --> 01:19:41,080
Speaker 1: big yeah yeah yeah you yeah, you faking your mama.

1256
01:19:41,080 --> 01:19:43,479
Speaker 1: And then with jet big are you taking printed plenty

1257
01:19:43,600 --> 01:19:46,920
Speaker 1: plenty of protein? And then another thing. A lot of

1258
01:19:46,960 --> 01:19:50,560
Speaker 1: you big dudes ain't never had to fight because everybody's

1259
01:19:50,560 --> 01:19:53,519
Speaker 1: scared of the bill. See you built like the Bendlett truck.

1260
01:19:53,920 --> 01:19:57,920
Speaker 1: So don't everybody's scared you in your mouth you might

1261
01:19:58,040 --> 01:20:01,519
Speaker 1: not got nothing strong. Keep may give you trump getting

1262
01:20:01,520 --> 01:20:03,639
Speaker 1: out of there. You keep you know what I'm saying.

1263
01:20:03,720 --> 01:20:06,400
Speaker 1: So now, man, But I was just thinking like man,

1264
01:20:06,880 --> 01:20:08,840
Speaker 1: and it made me think that if you were a

1265
01:20:08,960 --> 01:20:13,040
Speaker 1: big dude like wanting Big six eight, you want the

1266
01:20:13,160 --> 01:20:17,200
Speaker 1: Big six album six eight, and you ain't never been shot,

1267
01:20:17,320 --> 01:20:20,280
Speaker 1: stabbed to hit with a brick or something. You ain't tough,

1268
01:20:20,320 --> 01:20:22,160
Speaker 1: So don't be trying to look tough, because if you

1269
01:20:22,200 --> 01:20:24,599
Speaker 1: were really tough, because every big man I know from

1270
01:20:24,640 --> 01:20:27,800
Speaker 1: my hood, the big man timing that would big as

1271
01:20:27,840 --> 01:20:31,120
Speaker 1: a young they all been shot because they don't know

1272
01:20:31,200 --> 01:20:34,000
Speaker 1: how to stop. They're gonna keep bullying and keep pushing

1273
01:20:34,080 --> 01:20:37,759
Speaker 1: the line to somebody to do something. So that's a PSA.

1274
01:20:37,880 --> 01:20:39,760
Speaker 1: Big men, donna be out there acting like you're tough.

1275
01:20:40,840 --> 01:20:43,920
Speaker 1: Ain't nobody never done nothing to you. Also, let me

1276
01:20:44,040 --> 01:20:46,240
Speaker 1: say this, there was a point in time, and I

1277
01:20:46,320 --> 01:20:49,560
Speaker 1: want people to pay attention to this because there was

1278
01:20:49,600 --> 01:20:51,720
Speaker 1: a point in time. Taking mind, I want to put

1279
01:20:51,840 --> 01:20:55,080
Speaker 1: context around what we're talking about. Young Thug was in

1280
01:20:55,280 --> 01:20:58,719
Speaker 1: a bond hearing. This hearing last for almost ten hours

1281
01:20:59,760 --> 01:21:02,360
Speaker 1: at they went through case at the case, and reference

1282
01:21:02,400 --> 01:21:06,320
Speaker 1: at the reference, and witness at the witness, and circumstance

1283
01:21:06,439 --> 01:21:09,160
Speaker 1: at the circumstance trying to get Young Thug a bond

1284
01:21:09,600 --> 01:21:12,120
Speaker 1: while the state is trying to present a case to

1285
01:21:12,280 --> 01:21:15,679
Speaker 1: deny bond. It was nine hours that came a time

1286
01:21:15,760 --> 01:21:21,879
Speaker 1: where Young Thug humbly said, Yanna need to use the restroom.

1287
01:21:21,960 --> 01:21:27,320
Speaker 1: I've been holding it for a while in the courtroom

1288
01:21:27,479 --> 01:21:32,599
Speaker 1: laughed in that instance. I didn't see what were funny,

1289
01:21:34,120 --> 01:21:38,080
Speaker 1: But I know what's funny they laughing because he made

1290
01:21:38,160 --> 01:21:40,479
Speaker 1: it out and we got him back in the cage.

1291
01:21:44,560 --> 01:21:47,160
Speaker 1: The bird got out the fly and it was just

1292
01:21:47,360 --> 01:21:49,320
Speaker 1: in there. It was and we get We got him

1293
01:21:49,320 --> 01:21:53,000
Speaker 1: back and put him in the cage. And they think

1294
01:21:53,080 --> 01:21:55,480
Speaker 1: it's funny that you gotta ask to use the bathroom,

1295
01:21:55,520 --> 01:22:02,040
Speaker 1: mister rich man, mister rich black man, who we don't

1296
01:22:02,160 --> 01:22:05,480
Speaker 1: understand when you say things and we thank you dangerous

1297
01:22:05,560 --> 01:22:07,400
Speaker 1: or we want to paint you as dangerous when we

1298
01:22:07,560 --> 01:22:12,280
Speaker 1: know as much more dangerous people in America. The young thug,

1299
01:22:12,560 --> 01:22:17,200
Speaker 1: but he's the most dangerous, he's the rank Yanna. When

1300
01:22:17,280 --> 01:22:21,879
Speaker 1: they do this, Yanna, then what the nigga would doing? Yanna?

1301
01:22:22,479 --> 01:22:25,840
Speaker 1: Look Yanna? When they do this, this often is a

1302
01:22:26,000 --> 01:22:31,240
Speaker 1: sign sign of what sign of what? What does it mean? Sir?

1303
01:22:32,160 --> 01:22:34,320
Speaker 1: But again this saint. They don't gotta say what it

1304
01:22:34,439 --> 01:22:38,040
Speaker 1: means if don't nobody ass All they gotta say is yanna.

1305
01:22:38,280 --> 01:22:41,760
Speaker 1: Often gang terms. When they put their hand under their nose.

1306
01:22:41,880 --> 01:22:44,320
Speaker 1: This is an often gang term. So I'm gonna bring

1307
01:22:44,400 --> 01:22:46,720
Speaker 1: you a thousand videos a little white boys doing it.

1308
01:22:46,840 --> 01:22:51,240
Speaker 1: What is that is they is they committing murders too?

1309
01:22:51,360 --> 01:22:57,120
Speaker 1: Or they they influenced by something they're influenced by, young thug,

1310
01:22:57,320 --> 01:22:59,559
Speaker 1: is what they'll say. Now, all we gotta do is say, well,

1311
01:22:59,720 --> 01:23:04,800
Speaker 1: through didn't invent slime, Actually Nora did Yanna? Let's talk

1312
01:23:04,840 --> 01:23:10,160
Speaker 1: about it. Let's talk about it. See, nobody got the information.

1313
01:23:10,280 --> 01:23:12,719
Speaker 1: Loom got that. Why they can't talk like this, Yanna

1314
01:23:13,320 --> 01:23:18,479
Speaker 1: Thug didn't even Thug didn't even start slime. Nora from

1315
01:23:18,560 --> 01:23:24,479
Speaker 1: Dream Champs the Legend round of apostle Nora for starting slime. No,

1316
01:23:24,640 --> 01:23:26,960
Speaker 1: it's a bad time to give you your credit, my boy,

1317
01:23:28,680 --> 01:23:30,519
Speaker 1: But I think it's a good time for them to

1318
01:23:30,600 --> 01:23:33,040
Speaker 1: be aware that some people are influenced by the things

1319
01:23:33,120 --> 01:23:37,040
Speaker 1: that they say. And oftentimes, when you're dealing with some

1320
01:23:37,120 --> 01:23:40,920
Speaker 1: of these hands symbols, especially when they derive in hip hop,

1321
01:23:41,040 --> 01:23:42,840
Speaker 1: when you're dealing with some of these hands symbols and

1322
01:23:42,920 --> 01:23:47,840
Speaker 1: some of these things being said, sometimes they represent things

1323
01:23:47,920 --> 01:23:53,920
Speaker 1: that shouldn't be represented. But oftentimes it's influenced you dealing

1324
01:23:54,000 --> 01:23:59,080
Speaker 1: with how is Thug king slim? When Nora started slime,

1325
01:24:01,240 --> 01:24:05,120
Speaker 1: Howard slime and slime and slime and he's the biggest

1326
01:24:05,160 --> 01:24:08,920
Speaker 1: slime And Norris started slime and how you're gonna tell

1327
01:24:09,040 --> 01:24:10,840
Speaker 1: nor what it means? Do we need to get Nori?

1328
01:24:10,960 --> 01:24:13,160
Speaker 1: And then Nori tell him, slim mean to live the

1329
01:24:13,240 --> 01:24:15,559
Speaker 1: best life you can live and try to chase your dreams.

1330
01:24:15,640 --> 01:24:18,200
Speaker 1: Let them know what slime really mean, you're the originator.

1331
01:24:18,680 --> 01:24:20,800
Speaker 1: And so if we're gonna deal with samanthis, let's deal

1332
01:24:20,840 --> 01:24:25,720
Speaker 1: with the Samanthes thug. Then start slime Nori did. But see,

1333
01:24:25,800 --> 01:24:28,200
Speaker 1: this is the trick they planned. But you gotta play

1334
01:24:28,240 --> 01:24:30,720
Speaker 1: the trick back, even with the lawyer thing at three

1335
01:24:30,800 --> 01:24:33,800
Speaker 1: points seven that they filed, like yo, that's what that way? Yo? Yo?

1336
01:24:34,400 --> 01:24:36,840
Speaker 1: You mean it, timmy, you got that wrong. You said

1337
01:24:36,880 --> 01:24:39,519
Speaker 1: the lawyer told on somebody, and you didn't have it

1338
01:24:39,640 --> 01:24:43,800
Speaker 1: on tape. We poled that. Take y'all, worry, y'all take

1339
01:24:43,840 --> 01:24:46,719
Speaker 1: it this take our words or too far, folding County.

1340
01:24:47,800 --> 01:24:50,720
Speaker 1: Then you're gonna say the lawyer told on her and

1341
01:24:50,840 --> 01:24:54,800
Speaker 1: then double back and say we had it wrong. You

1342
01:24:54,960 --> 01:24:57,519
Speaker 1: can't have something like that wrong. They could possibly even

1343
01:24:57,560 --> 01:25:02,120
Speaker 1: get that man kill to anything. You can't have it

1344
01:25:02,439 --> 01:25:05,080
Speaker 1: like that wrong. But again, I can't see what was

1345
01:25:05,120 --> 01:25:07,160
Speaker 1: funny about them having to use the bathroom at the

1346
01:25:07,280 --> 01:25:09,560
Speaker 1: nine hours. But it wasn't funny that you had to

1347
01:25:09,640 --> 01:25:11,759
Speaker 1: use the bathroom. It was funny you had the ass.

1348
01:25:13,240 --> 01:25:15,840
Speaker 1: It's funny that you're a multimillion dollar dude and you

1349
01:25:15,960 --> 01:25:18,880
Speaker 1: had the ass. That's how you know they're playing that.

1350
01:25:19,200 --> 01:25:22,880
Speaker 1: It's faked up like had they been a white boy

1351
01:25:23,040 --> 01:25:26,320
Speaker 1: right there school shooter, that wouldn't have been funny. That's

1352
01:25:26,360 --> 01:25:29,840
Speaker 1: a rapper, so it's funny. I don't second. I don't

1353
01:25:29,880 --> 01:25:34,080
Speaker 1: play the game you play like. I verify what be

1354
01:25:34,160 --> 01:25:36,280
Speaker 1: happening and I see what they're doing. I don't play

1355
01:25:36,360 --> 01:25:39,680
Speaker 1: the same game. My thing is to deal with the information.

1356
01:25:39,960 --> 01:25:42,760
Speaker 1: We don't We're not emotionally attached to it. I'm telling

1357
01:25:42,760 --> 01:25:46,240
Speaker 1: you what's happening. I'm telling you what's happening. You gotta

1358
01:25:46,320 --> 01:25:48,160
Speaker 1: deal with how you feel about it. I gotta deal

1359
01:25:48,200 --> 01:25:50,200
Speaker 1: with how I feel about it. But what's happening don't

1360
01:25:50,280 --> 01:25:53,000
Speaker 1: change then, folk laughing that somebody got to use the

1361
01:25:53,040 --> 01:25:56,200
Speaker 1: bathroom at the nine ten hours who ain't even been convicted.

1362
01:25:58,000 --> 01:26:00,800
Speaker 1: Half the evidence that they are all friend ain't even

1363
01:26:00,880 --> 01:26:03,920
Speaker 1: connected to anything. The lyrics that were allowing them to

1364
01:26:04,080 --> 01:26:07,120
Speaker 1: use in court against young thug ain't even connected the crimes.

1365
01:26:07,160 --> 01:26:10,439
Speaker 1: In most cases they got maybe one or two that

1366
01:26:10,560 --> 01:26:13,000
Speaker 1: they allege are connected the crime, but most of the

1367
01:26:13,479 --> 01:26:19,080
Speaker 1: they read it's just random lyrics because it comes from

1368
01:26:19,200 --> 01:26:22,160
Speaker 1: us and need to be viewed away. Let's talk about

1369
01:26:22,280 --> 01:26:26,840
Speaker 1: Monique DL hugely for those of you underwear Monique and

1370
01:26:27,040 --> 01:26:30,120
Speaker 1: dil Hugely have been having a riff over the past

1371
01:26:30,200 --> 01:26:33,639
Speaker 1: couple of days in which Monique felt this though there

1372
01:26:33,760 --> 01:26:37,320
Speaker 1: was a contract dispute in which she was supposed to

1373
01:26:37,400 --> 01:26:42,320
Speaker 1: be the headline of deal. Hugely, in her words, had

1374
01:26:42,439 --> 01:26:45,160
Speaker 1: some sort of fit to make it where she could

1375
01:26:45,240 --> 01:26:48,360
Speaker 1: not be the Headlina. And you know how the climate

1376
01:26:48,600 --> 01:26:51,680
Speaker 1: is in which black women need to be amplified, and

1377
01:26:51,800 --> 01:26:55,960
Speaker 1: of course we don't want them being trampled by anyone

1378
01:26:56,760 --> 01:27:00,679
Speaker 1: in the space. So again that's a very sensitive of subject.

1379
01:27:02,040 --> 01:27:07,240
Speaker 1: Right now, Monique says that her understanding coming into this event,

1380
01:27:07,320 --> 01:27:09,960
Speaker 1: and for those on the weel, they were in Detroit,

1381
01:27:10,080 --> 01:27:12,360
Speaker 1: there was an event where it was Dear Huglan, Monique

1382
01:27:12,400 --> 01:27:15,440
Speaker 1: and a bunch of other comics. Monique says her understanding

1383
01:27:15,600 --> 01:27:20,600
Speaker 1: coming into the event is that she was the headliner

1384
01:27:20,920 --> 01:27:25,200
Speaker 1: of this show. She even uploaded her contract. But before

1385
01:27:25,280 --> 01:27:27,360
Speaker 1: we go there, I want to show the video in

1386
01:27:27,439 --> 01:27:34,360
Speaker 1: which Monique, prior to Dear Hugli coming out, sent and

1387
01:27:34,600 --> 01:27:36,439
Speaker 1: went off on him on stage. Let's take a look

1388
01:27:36,439 --> 01:27:40,720
Speaker 1: at that video right now. Baby, when I tell you

1389
01:27:40,880 --> 01:27:44,599
Speaker 1: my heart said, because I'm so proud, I'm so fond

1390
01:27:44,920 --> 01:28:12,479
Speaker 1: to be standing in front of you, real understand sane, happy,

1391
01:28:17,840 --> 01:28:34,479
Speaker 1: right shame when they called me to come play Detroit

1392
01:28:36,200 --> 01:28:39,680
Speaker 1: and come play the Fox Theater and I played the

1393
01:28:39,760 --> 01:28:46,320
Speaker 1: Fox Theater and over twenty mother call. I was so

1394
01:28:46,600 --> 01:28:51,479
Speaker 1: got excited. I was so mother fighting shited because I said,

1395
01:28:51,520 --> 01:28:54,439
Speaker 1: old bus going back. I was going back to the

1396
01:28:54,560 --> 01:28:58,000
Speaker 1: Fox Theater and motherfucked Detroit. When I tell you, Detroit,

1397
01:28:58,280 --> 01:29:00,880
Speaker 1: y'all don't understand what the po to go through to

1398
01:29:01,040 --> 01:29:03,360
Speaker 1: stand in front of you, beautiful mother holes to night.

1399
01:29:03,600 --> 01:29:06,439
Speaker 1: Y'all don't understand the fuck I had to go through

1400
01:29:06,640 --> 01:29:09,120
Speaker 1: to stand in front of y'all tonight. Y'all don't understand.

1401
01:29:09,120 --> 01:29:11,000
Speaker 1: I was afraid to walk the fuck out of head,

1402
01:29:11,200 --> 01:29:13,080
Speaker 1: but I said, I can't let the people dawn. My

1403
01:29:13,200 --> 01:29:15,880
Speaker 1: mother had the joy because the promoters if very and

1404
01:29:16,000 --> 01:29:26,519
Speaker 1: the mother. I don't put nobody. I take pride enough

1405
01:29:26,800 --> 01:29:29,639
Speaker 1: for nobody, but if you for me, we're gonna dance.

1406
01:29:30,320 --> 01:29:39,799
Speaker 1: We're gonna give a two step. See. I take pride

1407
01:29:39,920 --> 01:29:43,800
Speaker 1: there and my whole motherfuck career. Can't nobody tell you

1408
01:29:43,880 --> 01:29:45,960
Speaker 1: I ever started no show with them. That ain't what

1409
01:29:46,080 --> 01:29:48,240
Speaker 1: the fun I do. My heart will hurt if I

1410
01:29:48,360 --> 01:29:51,479
Speaker 1: tried to bully a mother fa well startsome mother. But

1411
01:29:51,640 --> 01:29:53,960
Speaker 1: what you tend to understand about me? I ain't for

1412
01:29:54,040 --> 01:29:57,240
Speaker 1: that Hollywood bullshit. If you cross the mother behind go bro,

1413
01:29:57,479 --> 01:30:00,040
Speaker 1: if you cross them my mohind Tomer, I don't you,

1414
01:30:00,360 --> 01:30:08,839
Speaker 1: Oh Mama, come on a cold train. Now that niggas

1415
01:30:08,880 --> 01:30:18,800
Speaker 1: told me, mom me, let go and let go, let

1416
01:30:18,920 --> 01:30:22,240
Speaker 1: go and let God. They have tortens to be so

1417
01:30:22,400 --> 01:30:24,640
Speaker 1: mother fearful and just give her the guard. Let go

1418
01:30:24,760 --> 01:30:27,120
Speaker 1: and let gard that's I. I kept hearing the show.

1419
01:30:27,320 --> 01:30:29,000
Speaker 1: Oh they know wing over again. So I said, well,

1420
01:30:29,040 --> 01:30:30,640
Speaker 1: let me let the show and let me give it

1421
01:30:30,720 --> 01:30:33,920
Speaker 1: the God. And you know, my God, he gave me

1422
01:30:34,040 --> 01:30:37,080
Speaker 1: like the back he said, I give you everything you

1423
01:30:37,200 --> 01:30:41,719
Speaker 1: need to deal with these MoMA phones. Steve Harding deal himling.

1424
01:30:43,160 --> 01:30:45,400
Speaker 1: I can't do everything you need to deal with these

1425
01:30:45,520 --> 01:30:49,000
Speaker 1: mama fuck phones. I don't fin out nobody. See tonight,

1426
01:30:50,000 --> 01:30:51,600
Speaker 1: I'm gonna tell you how what the fuck is going on?

1427
01:30:51,600 --> 01:30:53,760
Speaker 1: Because y'all know one thing about me. I'm gonna do

1428
01:30:57,080 --> 01:30:58,759
Speaker 1: that's my name, like this is a little girl because

1429
01:30:58,760 --> 01:31:02,040
Speaker 1: I'm Anna Town. I'm gonna tell you that kissing pity

1430
01:31:02,120 --> 01:31:05,200
Speaker 1: on the playground, you nasty way in the third grade,

1431
01:31:05,479 --> 01:31:08,960
Speaker 1: I'm going to down. Yes, he put me, but now

1432
01:31:09,000 --> 01:31:15,920
Speaker 1: the saw it. I want to tell see a comer contracts,

1433
01:31:17,080 --> 01:31:19,920
Speaker 1: that's like, I got a problem with me. If you

1434
01:31:20,080 --> 01:31:24,439
Speaker 1: signed the motherfuck contract, that's what the fucking is. But

1435
01:31:24,600 --> 01:31:27,400
Speaker 1: then so used to sucking around with the contract and

1436
01:31:27,520 --> 01:31:30,040
Speaker 1: being nervous because they might lose an opportunity or a

1437
01:31:30,120 --> 01:31:33,240
Speaker 1: motherfucking chance, so they won't read you the contract. I'm

1438
01:31:33,280 --> 01:31:35,280
Speaker 1: not about. It's gonna read to the contract. If you

1439
01:31:35,400 --> 01:31:39,320
Speaker 1: signed the motherfucker, that's what the mother had so to see,

1440
01:31:39,320 --> 01:31:40,840
Speaker 1: I'm gonna tell you, I'm gonna breaking down from the

1441
01:31:40,920 --> 01:31:42,720
Speaker 1: Detroit because I would still messed at a mother for

1442
01:31:42,880 --> 01:31:44,519
Speaker 1: a woman if I didn't let y'all know what this

1443
01:31:44,880 --> 01:31:47,080
Speaker 1: was going on on this stage right now. So if

1444
01:31:47,120 --> 01:31:50,240
Speaker 1: my energy it's a little different. Nigge, they got me, dude,

1445
01:31:53,800 --> 01:32:03,920
Speaker 1: that got me. That got me. So the contract, oh,

1446
01:32:10,320 --> 01:32:19,400
Speaker 1: the mother contract said that is the headliner, the heading lighter.

1447
01:32:20,320 --> 01:32:23,640
Speaker 1: Let me say it again, the headed lighter. That's what

1448
01:32:23,800 --> 01:32:28,000
Speaker 1: the motherfucking contract says. Monique is to be the last

1449
01:32:28,120 --> 01:32:32,760
Speaker 1: mother person on the goddamn stage. She is the headliner.

1450
01:32:33,080 --> 01:32:35,920
Speaker 1: That's when I signed the four I'm thirty plus. She

1451
01:32:36,040 --> 01:32:38,320
Speaker 1: is in this motherfucking business, and I don't open for

1452
01:32:38,439 --> 01:32:42,760
Speaker 1: no goddam body. The contract said the headliner. The contract

1453
01:32:42,840 --> 01:32:47,200
Speaker 1: said the headliner, the contract for the headliner, but the nadel.

1454
01:32:47,280 --> 01:32:49,800
Speaker 1: He returned into a bench and said, I won't go forward,

1455
01:32:49,800 --> 01:32:55,080
Speaker 1: and if she ain't, I won't go out if she

1456
01:32:55,360 --> 01:32:57,880
Speaker 1: does that, are you open for the kings of comedy?

1457
01:32:57,960 --> 01:33:04,320
Speaker 1: I called for the queens of comedy? And you think

1458
01:33:04,360 --> 01:33:14,120
Speaker 1: I don't have a ain't my position? So when I

1459
01:33:14,280 --> 01:33:21,599
Speaker 1: leave this mother the head matter has left. I don't

1460
01:33:22,120 --> 01:33:26,280
Speaker 1: nobody shout. I don't with no mother fucking body. But

1461
01:33:26,400 --> 01:33:28,920
Speaker 1: when you crossed the line with me, you have crossed

1462
01:33:29,000 --> 01:33:32,960
Speaker 1: the mother the line. And that has crossed the mother line.

1463
01:33:33,080 --> 01:33:35,599
Speaker 1: See if we got our history, we got a history

1464
01:33:35,840 --> 01:33:40,280
Speaker 1: that on a tour talking about fall Monique wasn't. You

1465
01:33:40,400 --> 01:33:43,280
Speaker 1: can google it right now, del human one Monday phone.

1466
01:33:43,320 --> 01:33:46,120
Speaker 1: I wasn't what I wasn't worth all of this bullshit,

1467
01:33:46,320 --> 01:33:49,760
Speaker 1: and you put your feet under my fucking table. So

1468
01:33:49,960 --> 01:33:53,240
Speaker 1: you came to my home and you put your feet

1469
01:33:53,920 --> 01:33:56,840
Speaker 1: under my mother fucking table. I don't get damn like

1470
01:33:56,960 --> 01:34:00,519
Speaker 1: that guy. You gotta prom you talk about younger because

1471
01:34:00,560 --> 01:34:02,720
Speaker 1: of their names. The name is Dan Hell what the

1472
01:34:02,800 --> 01:34:09,200
Speaker 1: fucker stand for? How far you've beending over the dell?

1473
01:34:13,920 --> 01:34:24,439
Speaker 1: That's my family. I'm home. I'm at home, y'all. I

1474
01:34:24,560 --> 01:34:27,320
Speaker 1: go on like that for Coco and the mother lounge

1475
01:34:27,520 --> 01:34:30,280
Speaker 1: in the back of the call. Whenever the mother this,

1476
01:34:30,920 --> 01:34:36,320
Speaker 1: that's me. That's make the truth. I'm in the cover

1477
01:34:36,800 --> 01:34:40,160
Speaker 1: Black women? What ryding of real worm? Is that? That's

1478
01:34:40,200 --> 01:34:45,439
Speaker 1: a that's a what kind of realness of a text

1479
01:34:45,560 --> 01:34:50,200
Speaker 1: of God? Black woman? I feel sorry for del humans family.

1480
01:34:50,400 --> 01:34:52,680
Speaker 1: I feel sorry for his mother life because how do

1481
01:34:52,720 --> 01:35:06,439
Speaker 1: you something of a coward? I tried to play fan,

1482
01:35:06,560 --> 01:35:09,120
Speaker 1: because I tried to play fan. I tried to play fan.

1483
01:35:09,200 --> 01:35:15,960
Speaker 1: Were gonna countdown at ten nine? A champ chip? See,

1484
01:35:16,960 --> 01:35:23,720
Speaker 1: I don't with nobody, and as an entertainer, families off

1485
01:35:23,840 --> 01:35:31,719
Speaker 1: limits as entertainers were gonna with each other's families, because

1486
01:35:31,840 --> 01:35:34,560
Speaker 1: for me, that is crossing the last I want to

1487
01:35:34,560 --> 01:35:38,879
Speaker 1: give you all the history so you understand a position.

1488
01:35:39,920 --> 01:35:43,200
Speaker 1: I want to give you the history, mama, so you understand.

1489
01:35:44,120 --> 01:35:46,360
Speaker 1: See when I look at my wife's assistance and she

1490
01:35:46,479 --> 01:35:49,240
Speaker 1: looked at me like this, get that, thank you, mama.

1491
01:35:51,320 --> 01:35:55,320
Speaker 1: See I did this radio show one time, right because

1492
01:35:55,360 --> 01:35:59,840
Speaker 1: I'm thinking this is my boy. This minute hand on

1493
01:36:00,800 --> 01:36:06,840
Speaker 1: the right is my mother. So we were on the

1494
01:36:07,000 --> 01:36:09,960
Speaker 1: radio show and when we get to the gain of

1495
01:36:10,080 --> 01:36:16,120
Speaker 1: the mother, programmer said, your program, I have Danna rob.

1496
01:36:17,160 --> 01:36:20,200
Speaker 1: When we get to the end of the program, oh,

1497
01:36:21,000 --> 01:36:24,680
Speaker 1: they say, only would you like to play a game? Well?

1498
01:36:24,840 --> 01:36:29,240
Speaker 1: I like to play games, so I said, sure, let's

1499
01:36:29,320 --> 01:36:32,320
Speaker 1: play a game. And it's a game called put you Rather?

1500
01:36:34,200 --> 01:36:38,760
Speaker 1: Would you rather? I said? Listen more? And then the

1501
01:36:38,880 --> 01:36:44,920
Speaker 1: sister Jasmin says, when you rather your husband Colley Daniels

1502
01:36:45,120 --> 01:36:49,000
Speaker 1: without a condo or to run Stephens with done? I

1503
01:36:49,080 --> 01:36:51,760
Speaker 1: want to try to hear him trying to put me

1504
01:36:51,880 --> 01:36:55,920
Speaker 1: through y'all? Would your rather your husband? Like? What kind

1505
01:36:55,960 --> 01:36:59,439
Speaker 1: of are you putting over the heir to your mother? Listeners,

1506
01:36:59,600 --> 01:37:12,439
Speaker 1: that's so and you can't get all right, so you

1507
01:37:12,560 --> 01:37:15,600
Speaker 1: just listen to Monique come on stage. And this is

1508
01:37:15,640 --> 01:37:19,400
Speaker 1: a unique situation because as a comic you have to

1509
01:37:19,479 --> 01:37:22,080
Speaker 1: go up after that. She kind of put him in

1510
01:37:22,320 --> 01:37:24,720
Speaker 1: in a place right there, um and he had to

1511
01:37:24,800 --> 01:37:29,439
Speaker 1: dig his way out unfortunate. Now, a couple of interesting

1512
01:37:29,560 --> 01:37:32,920
Speaker 1: things happened here. She said there was a contract dispute

1513
01:37:34,400 --> 01:37:37,160
Speaker 1: and if her husband is a manager, that would mean

1514
01:37:37,240 --> 01:37:39,519
Speaker 1: he writes the contracts, So how could there be a

1515
01:37:39,600 --> 01:37:42,200
Speaker 1: contract dispute if your husband is at the hymn, which

1516
01:37:42,280 --> 01:37:45,080
Speaker 1: is the guy who should have the knowledge to know

1517
01:37:45,160 --> 01:37:47,800
Speaker 1: how to put those things together. That's one now that

1518
01:37:47,880 --> 01:37:50,080
Speaker 1: could have been a slip up, but I don't see

1519
01:37:50,120 --> 01:37:53,439
Speaker 1: how that is the case. After this, they started to

1520
01:37:53,479 --> 01:37:56,920
Speaker 1: put deal memos up, and they started to put contracts up.

1521
01:37:57,000 --> 01:38:00,519
Speaker 1: For those of you in the business, they're a difference

1522
01:38:00,560 --> 01:38:03,040
Speaker 1: between a deal memo and a contract. And they got

1523
01:38:03,120 --> 01:38:05,519
Speaker 1: into this big fight where they were kind of trying

1524
01:38:05,520 --> 01:38:09,840
Speaker 1: to explain both each other's side. She said that Deal

1525
01:38:09,960 --> 01:38:12,879
Speaker 1: hugely spoke about her before, so she had some disdain

1526
01:38:13,040 --> 01:38:18,440
Speaker 1: for him. Steve Harvey also caught a stray. It's unfortunate

1527
01:38:18,560 --> 01:38:22,880
Speaker 1: because I think that Monique is placing herself in a

1528
01:38:23,000 --> 01:38:28,639
Speaker 1: situation where it just it's received bad and everything ain't

1529
01:38:28,640 --> 01:38:31,240
Speaker 1: about what you've done or where you didn't do. Sometimes

1530
01:38:31,320 --> 01:38:39,000
Speaker 1: things about all right, that's received wrong. And I look

1531
01:38:39,080 --> 01:38:41,120
Speaker 1: at her and I get Mama energy, So I always

1532
01:38:41,160 --> 01:38:42,840
Speaker 1: give a grace. But if I got to deal with

1533
01:38:42,920 --> 01:38:47,120
Speaker 1: it on paper, it's like, yo, now you got what

1534
01:38:47,360 --> 01:38:52,760
Speaker 1: Tyler Perry, Yes, Charlemagne, you got Oprah, you got Lee Daniels.

1535
01:38:53,280 --> 01:38:57,599
Speaker 1: You got Steve Harvey, you got Deale hugely, you got

1536
01:38:58,840 --> 01:39:00,840
Speaker 1: And she cited that a lot of these beefs sore

1537
01:39:00,880 --> 01:39:03,320
Speaker 1: because she has a husband in the business with her.

1538
01:39:03,720 --> 01:39:06,360
Speaker 1: And while I'll find that true, that it could be

1539
01:39:06,560 --> 01:39:09,240
Speaker 1: more difficult for a black woman to move into business

1540
01:39:09,320 --> 01:39:11,840
Speaker 1: with a black man, and she kind of lets him

1541
01:39:11,960 --> 01:39:13,760
Speaker 1: lead in a way that may or may not be

1542
01:39:13,960 --> 01:39:17,320
Speaker 1: traditional in the space. I can see how they can

1543
01:39:17,520 --> 01:39:20,960
Speaker 1: cause some turbulence, but also I can see how you

1544
01:39:21,000 --> 01:39:23,639
Speaker 1: want to ride with that. You know, as a black woman,

1545
01:39:23,720 --> 01:39:25,120
Speaker 1: you would want to have a man. But I don't

1546
01:39:25,160 --> 01:39:28,080
Speaker 1: see that being some people hate on you know what

1547
01:39:28,120 --> 01:39:30,120
Speaker 1: I'm saying. I don't know, because I don't. I guess

1548
01:39:30,200 --> 01:39:32,360
Speaker 1: haven't made it to that weird level where you hate.

1549
01:39:32,400 --> 01:39:34,760
Speaker 1: If you're like, yo, she got a black man with her,

1550
01:39:34,880 --> 01:39:37,200
Speaker 1: I'm hating and I'm a black man. I just don't

1551
01:39:37,240 --> 01:39:39,559
Speaker 1: know where you get that where we you know where

1552
01:39:39,640 --> 01:39:42,479
Speaker 1: that space is, all right? So you see her put

1553
01:39:42,560 --> 01:39:49,200
Speaker 1: him in that situation. Now, her original circumstances for doing it,

1554
01:39:49,320 --> 01:39:52,519
Speaker 1: as you heard explain on stage, was yo, I was

1555
01:39:52,560 --> 01:39:54,760
Speaker 1: supposed to be the headliner. He said he wouldn't come

1556
01:39:54,760 --> 01:39:57,200
Speaker 1: out if I was closing the show, and that ain't

1557
01:39:57,240 --> 01:40:00,160
Speaker 1: what we signed. Respect your deal. You're trying to step

1558
01:40:00,280 --> 01:40:02,360
Speaker 1: on black women and all of that, and so after

1559
01:40:02,479 --> 01:40:06,480
Speaker 1: that they started to post what they thought were the agreements,

1560
01:40:06,520 --> 01:40:10,080
Speaker 1: and so the show was over and Dea Hughley posted

1561
01:40:10,160 --> 01:40:15,000
Speaker 1: this picture of Monique. All you have to do is

1562
01:40:15,120 --> 01:40:17,200
Speaker 1: checked the order of the names on the ticket stuff

1563
01:40:17,200 --> 01:40:20,080
Speaker 1: from last night, and you'll see who's confused against my

1564
01:40:20,240 --> 01:40:23,639
Speaker 1: better judgment, over the objections of my team and four

1565
01:40:23,760 --> 01:40:26,439
Speaker 1: other occasions, why I said no, I decided to take

1566
01:40:26,479 --> 01:40:29,519
Speaker 1: a chance and work with Monique. Oprah was the problem.

1567
01:40:29,640 --> 01:40:32,840
Speaker 1: Tyler was the problem. Charlemagne was the problem. Steve Harvey

1568
01:40:32,960 --> 01:40:35,080
Speaker 1: was the problem. Lee Daniel who was the problem? Net

1569
01:40:35,160 --> 01:40:38,320
Speaker 1: Felix was the problem. Now it's my turn. At some

1570
01:40:38,560 --> 01:40:42,360
Speaker 1: point it can't be everyone else. It's you, less and learn.

1571
01:40:42,520 --> 01:40:46,439
Speaker 1: I didn't have anything personal against Monique. People paid a

1572
01:40:46,479 --> 01:40:49,200
Speaker 1: lot of money to laugh. Not here about your contract.

1573
01:40:49,640 --> 01:40:53,160
Speaker 1: Apparently the role you played in Precious turned out to

1574
01:40:53,240 --> 01:40:57,080
Speaker 1: be an autobiography. I wonder who's next? And then he

1575
01:40:57,600 --> 01:41:01,920
Speaker 1: cited Dear Hugley, which is of course his again, so

1576
01:41:02,120 --> 01:41:05,000
Speaker 1: that's him responding to her initial claims that there was

1577
01:41:05,040 --> 01:41:10,040
Speaker 1: a contract mix up, and so he then went on

1578
01:41:10,240 --> 01:41:15,080
Speaker 1: to explain that tweet from d L hugely after this,

1579
01:41:15,200 --> 01:41:17,040
Speaker 1: I don't want to hear no more about this. Here

1580
01:41:17,080 --> 01:41:19,080
Speaker 1: it is in black and white. The only thing blacked

1581
01:41:19,080 --> 01:41:22,960
Speaker 1: out is personal and bank info. Pay attention to headliner,

1582
01:41:23,080 --> 01:41:26,439
Speaker 1: high paid, highest paid artists on the show. Artists to

1583
01:41:26,680 --> 01:41:30,559
Speaker 1: have approval of lineup. Lineup of the show del hugely

1584
01:41:30,680 --> 01:41:34,000
Speaker 1: closed it receipts over opinions. I got everything that was

1585
01:41:34,040 --> 01:41:36,840
Speaker 1: stated in my contract everything, but let's say I didn't.

1586
01:41:37,240 --> 01:41:39,720
Speaker 1: My beef wouldn't be with anyone but the promoter end

1587
01:41:39,800 --> 01:41:42,160
Speaker 1: on my team, and I damn sure wouldn't make it personal.

1588
01:41:42,400 --> 01:41:44,640
Speaker 1: If you had a problem, take it up with management,

1589
01:41:46,000 --> 01:41:50,200
Speaker 1: and by that I mean yours d L. I don't know, man,

1590
01:41:50,560 --> 01:41:54,880
Speaker 1: I mean that's that's that's a legitimate statement, because if

1591
01:41:54,960 --> 01:41:58,800
Speaker 1: your situation was contract, then you would approached that in

1592
01:41:58,880 --> 01:42:01,880
Speaker 1: a different manner. But we later went on to find

1593
01:42:01,920 --> 01:42:05,400
Speaker 1: out that it wasn't contract, that it was a circumstance

1594
01:42:05,479 --> 01:42:08,760
Speaker 1: that she had already had. So she mentioned on stage, Joe,

1595
01:42:09,000 --> 01:42:11,120
Speaker 1: they asked me a weird question when I was there,

1596
01:42:12,840 --> 01:42:16,120
Speaker 1: asked me a weird question about my husband, Dear Hughly did,

1597
01:42:16,160 --> 01:42:17,519
Speaker 1: and so I ain't no way in the world I'm

1598
01:42:17,560 --> 01:42:19,519
Speaker 1: gonna let him get away with that who we think

1599
01:42:19,600 --> 01:42:23,679
Speaker 1: I am. And I couldn't help but ask myself none,

1600
01:42:23,720 --> 01:42:26,160
Speaker 1: what are we doing in our culture? And I came

1601
01:42:26,240 --> 01:42:29,640
Speaker 1: to the conclusion that Monique is the woman version of

1602
01:42:29,800 --> 01:42:35,439
Speaker 1: Will Smith. Everything that we saw Will Smith do, everything

1603
01:42:35,520 --> 01:42:38,200
Speaker 1: that we saw him put on the line, was at

1604
01:42:38,240 --> 01:42:41,360
Speaker 1: the hands of someone that he married because of highest

1605
01:42:41,400 --> 01:42:43,560
Speaker 1: woman felt or how you made this woman feel. And

1606
01:42:43,640 --> 01:42:46,080
Speaker 1: we see the same thing with Monique. Right when you

1607
01:42:46,200 --> 01:42:48,320
Speaker 1: get yourself back in the door, right when you start

1608
01:42:48,400 --> 01:42:50,439
Speaker 1: to get a little more traction and people you and

1609
01:42:50,560 --> 01:42:53,559
Speaker 1: Lee Daniel's makeup and he possibly working on the tiler

1610
01:42:53,960 --> 01:42:57,240
Speaker 1: in Oprah relationship, and you double back and go back

1611
01:42:57,320 --> 01:43:02,320
Speaker 1: down their role because they offended your husband. And we know,

1612
01:43:02,520 --> 01:43:04,960
Speaker 1: don't nobody love like a black woman. We know that,

1613
01:43:05,920 --> 01:43:09,040
Speaker 1: But that doesn't negate what I'm saying. I think she

1614
01:43:09,439 --> 01:43:12,240
Speaker 1: is the female version of Will Smith in regards to

1615
01:43:12,479 --> 01:43:17,040
Speaker 1: how they handle scrutiny to their partners in the public eye.

1616
01:43:18,280 --> 01:43:21,200
Speaker 1: She just doesn't have the luxury that Will Smith has

1617
01:43:21,280 --> 01:43:24,320
Speaker 1: in regards to in regards to run Away or just

1618
01:43:24,560 --> 01:43:29,360
Speaker 1: movies or just legacy in the business, you know, and

1619
01:43:29,479 --> 01:43:32,599
Speaker 1: so dlle starts to talk to talk as you hear

1620
01:43:32,720 --> 01:43:36,200
Speaker 1: some of podcasts speak about whose name is first, or

1621
01:43:36,240 --> 01:43:38,800
Speaker 1: who has the biggest find on the flyer and things

1622
01:43:38,920 --> 01:43:41,719
Speaker 1: like that that is in accordance to who's paid the most.

1623
01:43:42,160 --> 01:43:46,120
Speaker 1: The closer usually is who's paid the most, right, because

1624
01:43:46,280 --> 01:43:48,559
Speaker 1: you want to keep the fan as long as possible,

1625
01:43:48,760 --> 01:43:51,760
Speaker 1: which makes them buy more drinks, buy more food, right,

1626
01:43:51,840 --> 01:43:55,160
Speaker 1: It just it's better to keep them in the place

1627
01:43:55,240 --> 01:43:59,719
Speaker 1: for longer, so the closer usually goes lass. I also

1628
01:44:00,280 --> 01:44:01,720
Speaker 1: think though, it takes a lot of enough for a

1629
01:44:01,800 --> 01:44:04,880
Speaker 1: woman and come on stage and say that, right, to

1630
01:44:05,000 --> 01:44:06,920
Speaker 1: come on stage and be like, yo, y'all got me,

1631
01:44:07,040 --> 01:44:09,080
Speaker 1: mister who they think? And they're doing this and that

1632
01:44:09,200 --> 01:44:11,200
Speaker 1: and they wrong and they ain't gonna keep stepping on me,

1633
01:44:11,680 --> 01:44:13,560
Speaker 1: you know. Even though I'm not sure that it was

1634
01:44:13,600 --> 01:44:17,040
Speaker 1: a contract problem, but I do know that it takes

1635
01:44:17,080 --> 01:44:22,640
Speaker 1: a lot of cohonas to do something like that, you know.

1636
01:44:23,240 --> 01:44:26,840
Speaker 1: And it's something to be said about black women having

1637
01:44:27,880 --> 01:44:31,840
Speaker 1: that level of viciousness in them in the marketplace, right, um.

1638
01:44:33,240 --> 01:44:36,640
Speaker 1: And so after she posted her contract, I'm sorry, And

1639
01:44:36,800 --> 01:44:40,680
Speaker 1: so after dl posted that, she ended up posted what

1640
01:44:40,880 --> 01:44:43,000
Speaker 1: she had as a deal memo. Let's take a look.

1641
01:44:43,479 --> 01:44:45,240
Speaker 1: As you see on the screen, this is the rest

1642
01:44:45,320 --> 01:44:48,600
Speaker 1: of DL Hugh Lee's agreement. As you see at the

1643
01:44:48,680 --> 01:44:52,000
Speaker 1: top he is signed the UTA, which is the same

1644
01:44:52,160 --> 01:44:56,320
Speaker 1: that they're active also in podcasting in all Talent and

1645
01:44:56,800 --> 01:44:59,160
Speaker 1: right here he shows the show schedule and again it

1646
01:44:59,240 --> 01:45:04,080
Speaker 1: says Dell Hugh at the bottom. Closing, Also he shows

1647
01:45:04,280 --> 01:45:09,679
Speaker 1: a flyer Kiss FM persisted Common Explosion starring Dear Hugeley

1648
01:45:09,840 --> 01:45:12,559
Speaker 1: and Monique, which she was second on that Dear Hugely

1649
01:45:12,680 --> 01:45:17,200
Speaker 1: and Monique shows him being being the bigger one there,

1650
01:45:18,400 --> 01:45:22,360
Speaker 1: so just a unique situation. Now after that, here is

1651
01:45:22,479 --> 01:45:25,479
Speaker 1: her posting in response to that. And again it's just

1652
01:45:25,640 --> 01:45:29,000
Speaker 1: interesting to get into this because this is again contract disputes.

1653
01:45:29,280 --> 01:45:32,560
Speaker 1: This is deeper than just these two people going at it.

1654
01:45:32,840 --> 01:45:36,639
Speaker 1: This shows you a This gives you insight into doing

1655
01:45:36,840 --> 01:45:39,280
Speaker 1: business on a high level, like right, so when you

1656
01:45:39,400 --> 01:45:41,280
Speaker 1: go and sit at the theater, you don't know all

1657
01:45:41,320 --> 01:45:44,040
Speaker 1: this is going on the back end, right, So I

1658
01:45:44,120 --> 01:45:46,679
Speaker 1: think it's interesting to see it even and then even

1659
01:45:47,040 --> 01:45:50,880
Speaker 1: the fights that artists and comedians and boxes and people

1660
01:45:50,960 --> 01:45:53,080
Speaker 1: have when they think they're side a or when they

1661
01:45:53,160 --> 01:45:56,479
Speaker 1: think they're leverages who's bringing the most people and things

1662
01:45:56,560 --> 01:45:58,400
Speaker 1: like that. We heard Joe and mar and him go

1663
01:45:58,520 --> 01:46:00,920
Speaker 1: through it. What Joe said something them all cording to

1664
01:46:01,000 --> 01:46:03,560
Speaker 1: mall that Yo, I got these people wrapped around in

1665
01:46:03,560 --> 01:46:06,920
Speaker 1: the corner, right. It's that that makes a person feel away,

1666
01:46:07,040 --> 01:46:10,320
Speaker 1: because it's a whole different vibration when you in that

1667
01:46:11,080 --> 01:46:14,040
Speaker 1: show arena. It's a different thing that happens. So you

1668
01:46:14,880 --> 01:46:19,360
Speaker 1: so Monique tag deal hugely at deal hugely, there were

1669
01:46:19,479 --> 01:46:22,439
Speaker 1: some of you who were fooled by the smoking mirrors

1670
01:46:22,479 --> 01:46:27,320
Speaker 1: that Dill posted with his deal memo in quotation malls

1671
01:46:27,920 --> 01:46:32,000
Speaker 1: versus his performance agreement. Here's my performance agreement and here

1672
01:46:32,000 --> 01:46:35,720
Speaker 1: are emails in text confirment that as per usual, I'm

1673
01:46:35,760 --> 01:46:38,120
Speaker 1: always going to keep it really honest with my people.

1674
01:46:38,160 --> 01:46:41,320
Speaker 1: If you noticed, MIND has signature and DL does not.

1675
01:46:41,520 --> 01:46:44,840
Speaker 1: What type of ironclad agreement doesn't have the signatures of

1676
01:46:44,920 --> 01:46:49,200
Speaker 1: the participants involved? Parently, dils l Ol. Now you told

1677
01:46:49,240 --> 01:46:51,360
Speaker 1: me to check with my management, and this is what

1678
01:46:51,520 --> 01:46:53,920
Speaker 1: I came up with. So how did I do? Perhaps

1679
01:46:54,000 --> 01:46:56,559
Speaker 1: you shouldn't have taken your own advice, because I'm sure

1680
01:46:56,640 --> 01:46:59,880
Speaker 1: your team would advise you. It gets trying to pass

1681
01:47:00,160 --> 01:47:03,840
Speaker 1: a deal memo off as a contract to those out

1682
01:47:03,880 --> 01:47:07,080
Speaker 1: there who thought a deal memo was the same as

1683
01:47:07,160 --> 01:47:12,600
Speaker 1: a performance agreement, then she puts in parentheses, especially some

1684
01:47:12,800 --> 01:47:16,440
Speaker 1: of the comedians, this is how we're constantly taking advantage

1685
01:47:16,439 --> 01:47:19,040
Speaker 1: of by the business. And just so you know, the

1686
01:47:19,160 --> 01:47:21,680
Speaker 1: promoter already told my team before the show that you

1687
01:47:21,840 --> 01:47:24,360
Speaker 1: didn't have a signed agreement. That's why I'm not surprised

1688
01:47:24,400 --> 01:47:28,479
Speaker 1: you're using a deal memo that says maybe they lied

1689
01:47:28,680 --> 01:47:31,360
Speaker 1: and you actually have a contract. If so, the promoters

1690
01:47:31,400 --> 01:47:34,439
Speaker 1: have put themselves in a terrible position to have more

1691
01:47:34,600 --> 01:47:41,599
Speaker 1: legal action taken against them beyond malicious concealment for breaking

1692
01:47:41,640 --> 01:47:45,560
Speaker 1: the contract at the last second that said, DL, we

1693
01:47:45,800 --> 01:47:49,759
Speaker 1: the people will be waiting for your signed agreement number

1694
01:47:49,800 --> 01:47:53,200
Speaker 1: one of my contracts. Signed email with PDF of run

1695
01:47:53,280 --> 01:47:56,120
Speaker 1: of show, run of show, additional email WI run of

1696
01:47:56,200 --> 01:47:59,760
Speaker 1: show what I walked into minutes after arriving. Can you

1697
01:48:00,040 --> 01:48:03,800
Speaker 1: say receives to my people who refuse to fall for

1698
01:48:03,920 --> 01:48:06,280
Speaker 1: the Oki doke and even knows they do. I love

1699
01:48:06,360 --> 01:48:09,760
Speaker 1: y'all for life. So she then posted this, which is

1700
01:48:11,800 --> 01:48:20,040
Speaker 1: her performance agreement and it does show her closing, which

1701
01:48:20,120 --> 01:48:24,520
Speaker 1: is crazy. So again this was just a missing situation.

1702
01:48:24,640 --> 01:48:26,679
Speaker 1: These people going back and forth. How do I feel

1703
01:48:26,680 --> 01:48:29,320
Speaker 1: about it? I don't know. I hate to see Monique

1704
01:48:29,360 --> 01:48:31,719
Speaker 1: keep digging herself in the hole again. I think she's

1705
01:48:31,760 --> 01:48:36,880
Speaker 1: the female Will Smith. You know. That's why, That's why

1706
01:48:36,960 --> 01:48:39,479
Speaker 1: who you attach yourself with it so important, because we're

1707
01:48:39,479 --> 01:48:41,360
Speaker 1: gonna go all the way for whoever we love. And

1708
01:48:41,400 --> 01:48:43,720
Speaker 1: I'm not saying this right or wrong. I'm just identifying

1709
01:48:43,800 --> 01:48:48,400
Speaker 1: that your movement in the marketplace mirrors that of Will Smith. Right,

1710
01:48:48,560 --> 01:48:53,360
Speaker 1: No disrespect. I don't disrespect women, elderly women in anyway.

1711
01:48:53,840 --> 01:48:57,080
Speaker 1: My mother wouldn't allow that, so I'm not being disrespectful him.

1712
01:48:57,120 --> 01:49:01,840
Speaker 1: I might identifying what's happening now. Monique didn't stop there.

1713
01:49:02,560 --> 01:49:06,240
Speaker 1: She came out with her husband, who she calls Daddy. Outwardly,

1714
01:49:06,400 --> 01:49:09,639
Speaker 1: people seem to think that's funny, that's their business, will

1715
01:49:09,760 --> 01:49:12,600
Speaker 1: move on. She came out with him to continue to

1716
01:49:12,800 --> 01:49:16,360
Speaker 1: explain some of what happened, and in my opinion, this

1717
01:49:16,600 --> 01:49:19,479
Speaker 1: is where we get a real insight as to what

1718
01:49:19,720 --> 01:49:22,200
Speaker 1: could have took place. Let's take a listen to just

1719
01:49:22,400 --> 01:49:25,040
Speaker 1: a little bit, and then we'll talk about it. He

1720
01:49:25,200 --> 01:49:27,640
Speaker 1: still has this radio show and they caught me to

1721
01:49:27,720 --> 01:49:30,719
Speaker 1: do an interview. I don't want to do the interview.

1722
01:49:30,880 --> 01:49:33,640
Speaker 1: And I'm getting an interview by the sister Jasmine, and

1723
01:49:33,760 --> 01:49:36,519
Speaker 1: I can't remember the other gentleman that were in the room.

1724
01:49:36,600 --> 01:49:38,679
Speaker 1: It was one of his producers, and it was another

1725
01:49:38,720 --> 01:49:41,599
Speaker 1: gentleman on the radio, and please forgive me, I can't

1726
01:49:41,640 --> 01:49:45,040
Speaker 1: remember their names. So we're having a great time during

1727
01:49:45,120 --> 01:49:48,280
Speaker 1: this interview. Well, when we get to the end of

1728
01:49:48,439 --> 01:49:54,080
Speaker 1: the interview, the sister Jasmine says, Hey, Monique, would you

1729
01:49:54,240 --> 01:49:58,120
Speaker 1: like to play a game? And I said, okay, Sis,

1730
01:49:58,640 --> 01:50:02,679
Speaker 1: let's play the game. Well, when she said the game

1731
01:50:02,840 --> 01:50:07,840
Speaker 1: is called would you rather? So, I said, okay, I'm

1732
01:50:07,920 --> 01:50:11,120
Speaker 1: down for it. And then the sister says to me,

1733
01:50:11,920 --> 01:50:17,600
Speaker 1: would you rather your husband sleeps with Lee Daniels with

1734
01:50:17,800 --> 01:50:25,160
Speaker 1: a condom or Corinne Stephens without one? Breathe that in

1735
01:50:25,280 --> 01:50:30,800
Speaker 1: for a second. Now, for those of you who didn't

1736
01:50:30,840 --> 01:50:32,479
Speaker 1: hear it, and you might just have joined the room,

1737
01:50:32,800 --> 01:50:36,160
Speaker 1: I want to take you back to that moment. This sister,

1738
01:50:36,360 --> 01:50:40,280
Speaker 1: a black woman, asks me when they were playing this

1739
01:50:40,439 --> 01:50:44,800
Speaker 1: game called would you rather, Hey, Monique, would you rather

1740
01:50:45,360 --> 01:50:50,280
Speaker 1: your husband sleeps with Lee Daniels with a condom or

1741
01:50:50,439 --> 01:50:55,439
Speaker 1: Corinne Stephens without one? Now, the question that I would

1742
01:50:55,479 --> 01:50:59,600
Speaker 1: ask anybody that's listening, is that offensive? Is that in

1743
01:50:59,720 --> 01:51:06,360
Speaker 1: Soul Team? Is that going too far? And how when

1744
01:51:06,439 --> 01:51:09,719
Speaker 1: you are pro black or portray yourself as a pro

1745
01:51:09,920 --> 01:51:14,760
Speaker 1: black man, how is that helpful to the community to

1746
01:51:16,360 --> 01:51:20,559
Speaker 1: ask would you sleep with Lee Daniels whether condom? Would

1747
01:51:20,560 --> 01:51:23,799
Speaker 1: you prefer your husbands sleep with Lee Daniels, whether condom

1748
01:51:24,560 --> 01:51:29,600
Speaker 1: or current Stephans without Because any way Monique speaks on it,

1749
01:51:30,840 --> 01:51:36,600
Speaker 1: what happens, you're downgrading the other person. And despite the

1750
01:51:36,760 --> 01:51:40,960
Speaker 1: fact that Monique and Lee were having a rift at

1751
01:51:41,000 --> 01:51:45,439
Speaker 1: the time, she refused to say anything negatively against them

1752
01:51:45,479 --> 01:51:48,200
Speaker 1: in that regard. She wasn't going to play that. But

1753
01:51:48,360 --> 01:51:52,160
Speaker 1: to your point, then what happened. So DL was not

1754
01:51:52,400 --> 01:51:57,880
Speaker 1: there that day. I said to his team, let me

1755
01:51:58,080 --> 01:52:01,120
Speaker 1: call DL hugely, because that's what I know is that

1756
01:52:01,360 --> 01:52:04,320
Speaker 1: brother ain't down like that. He gonna have a problem.

1757
01:52:04,600 --> 01:52:08,280
Speaker 1: What y'all saying that kind of foolishness. So I get

1758
01:52:08,360 --> 01:52:13,080
Speaker 1: Dido Hubley's telephone number and I called DL Hughley and

1759
01:52:13,240 --> 01:52:15,600
Speaker 1: I said, hey, man, I just did an interview with

1760
01:52:15,720 --> 01:52:18,719
Speaker 1: your people, and this is what they're trying to run

1761
01:52:18,960 --> 01:52:21,559
Speaker 1: like it's the game they're trying to play, And Dil's

1762
01:52:21,600 --> 01:52:24,560
Speaker 1: response was, that's just how we do, and that's what

1763
01:52:24,720 --> 01:52:31,160
Speaker 1: it is. I said, really, brother, so we attack families now,

1764
01:52:31,360 --> 01:52:34,360
Speaker 1: like what you're doing. Like I said, that's just how

1765
01:52:34,439 --> 01:52:37,840
Speaker 1: we do. I said, Dill, I would suggest you don't

1766
01:52:37,880 --> 01:52:40,479
Speaker 1: air that because I don't think it's gonna make you

1767
01:52:40,640 --> 01:52:43,840
Speaker 1: look good to the community. Now, if y'all noticed, that

1768
01:52:44,040 --> 01:52:48,719
Speaker 1: never got aired, and I never said anything. Through the years,

1769
01:52:48,880 --> 01:52:52,639
Speaker 1: I never said anything. I kept it to myself because

1770
01:52:52,760 --> 01:52:55,880
Speaker 1: what I knew was that I was gonna see DL

1771
01:52:56,000 --> 01:53:00,680
Speaker 1: Hughley again. Now after that situation happened, let me know,

1772
01:53:00,840 --> 01:53:03,800
Speaker 1: for whatever reason, Dio Hughley was not cool with me

1773
01:53:04,479 --> 01:53:08,439
Speaker 1: for whatever reason then through the years, and I want

1774
01:53:08,520 --> 01:53:12,040
Speaker 1: you all to hear me, please, through the years, I've

1775
01:53:12,160 --> 01:53:15,320
Speaker 1: listened to this man talk about all that I'm not

1776
01:53:16,160 --> 01:53:20,479
Speaker 1: what I didn't deserve. I was mentally ill, I was bitter.

1777
01:53:21,040 --> 01:53:24,720
Speaker 1: Me and my husband did poor business. I was selfish,

1778
01:53:25,600 --> 01:53:30,479
Speaker 1: I was fanatic, I was psychotic. Now, don't take my word. Please,

1779
01:53:31,360 --> 01:53:34,920
Speaker 1: you can google it for yourself, YouTube it for yourself.

1780
01:53:35,320 --> 01:53:39,639
Speaker 1: Dio Hugley speaks on Monique and through the years, my babies,

1781
01:53:40,200 --> 01:53:44,080
Speaker 1: I said nothing because I knew the day would come

1782
01:53:44,600 --> 01:53:48,879
Speaker 1: that I would see Dio hugely now for every interview

1783
01:53:48,960 --> 01:53:51,720
Speaker 1: he's done, I didn't get it from nobody else's mouth.

1784
01:53:52,280 --> 01:53:56,000
Speaker 1: I watched it for myself. And I watched this brother

1785
01:53:56,120 --> 01:54:00,840
Speaker 1: sit down with that white cat lad and tell this

1786
01:54:01,040 --> 01:54:03,640
Speaker 1: white man all that I wasn't as the white man

1787
01:54:03,760 --> 01:54:06,720
Speaker 1: told him all the men my husband wasn't. And I

1788
01:54:06,880 --> 01:54:09,760
Speaker 1: watched Deo Hughughley go in Now it ain't because he

1789
01:54:09,840 --> 01:54:13,599
Speaker 1: just goes in on me. Dio Hugley has a habit

1790
01:54:13,920 --> 01:54:16,479
Speaker 1: of saying freely, what's he wants, what he wants to

1791
01:54:16,560 --> 01:54:24,880
Speaker 1: say about anybody. Come on, come on, Kanye West, like

1792
01:54:25,240 --> 01:54:29,639
Speaker 1: the Young Ribs, the Young Babies, the rappers, Young Thug

1793
01:54:29,760 --> 01:54:32,520
Speaker 1: and Gunna See. And let me tell you y'all what

1794
01:54:32,800 --> 01:54:35,560
Speaker 1: I made that joke about you, Dil Hugley. I didn't

1795
01:54:35,560 --> 01:54:38,680
Speaker 1: think you would get tender in your feelings because you

1796
01:54:38,880 --> 01:54:41,720
Speaker 1: made to come in about the baby stage names and

1797
01:54:41,880 --> 01:54:44,280
Speaker 1: you said was names like that. Don't you think they

1798
01:54:44,360 --> 01:54:46,960
Speaker 1: would wind up in jail? Well, if that's what you said,

1799
01:54:47,280 --> 01:54:49,960
Speaker 1: well I thought I was coming back being clever, making

1800
01:54:50,000 --> 01:54:51,600
Speaker 1: a joke because you know, back in the day when

1801
01:54:51,640 --> 01:54:53,880
Speaker 1: somebody was in the d L, you know what they were.

1802
01:54:54,280 --> 01:54:57,120
Speaker 1: I don't think you're a homosexual man, dil. I was

1803
01:54:57,240 --> 01:54:59,760
Speaker 1: making a joke, and I can't believe you got tender.

1804
01:55:00,640 --> 01:55:04,440
Speaker 1: See you got tender after you've talked for years. So

1805
01:55:04,680 --> 01:55:08,000
Speaker 1: let me be cleared to you babies watching Saturday Night.

1806
01:55:08,160 --> 01:55:10,520
Speaker 1: I don't care where I went up on that stage.

1807
01:55:10,880 --> 01:55:15,520
Speaker 1: I was going to hand Deo hugely his because through

1808
01:55:15,640 --> 01:55:20,120
Speaker 1: the years I listened to this man speak so freely

1809
01:55:20,280 --> 01:55:24,280
Speaker 1: about my poor decisions, my life choices, and he spoke

1810
01:55:24,320 --> 01:55:27,880
Speaker 1: as if we had a conversation sitting down talking. Now,

1811
01:55:28,640 --> 01:55:32,400
Speaker 1: please tell the good people out there what it is

1812
01:55:33,080 --> 01:55:38,160
Speaker 1: that made you go on his show to be blindsided

1813
01:55:38,280 --> 01:55:41,960
Speaker 1: by that question in the first place. What was it

1814
01:55:42,040 --> 01:55:45,560
Speaker 1: about your relationship that made you think he was a

1815
01:55:45,640 --> 01:55:50,800
Speaker 1: comrade and comedy See, y'all, I'm one of them old

1816
01:55:50,880 --> 01:55:54,200
Speaker 1: school kind of girls. I'm one of them old school.

1817
01:55:56,600 --> 01:56:00,640
Speaker 1: Let me say this. I find it interesting. She says that,

1818
01:56:00,800 --> 01:56:03,040
Speaker 1: no matter what, he would get it that night. What

1819
01:56:03,200 --> 01:56:06,000
Speaker 1: that tells me is that if I know I'm going

1820
01:56:06,120 --> 01:56:08,440
Speaker 1: on stage with someone that I'm gonna do that too.

1821
01:56:08,560 --> 01:56:12,920
Speaker 1: I don't prepare, I won't I won't write any jokes

1822
01:56:12,960 --> 01:56:14,800
Speaker 1: because I know what I'm gonna do. I'm gonna say this, that,

1823
01:56:14,920 --> 01:56:17,240
Speaker 1: and the third about him, and that's gonna take half

1824
01:56:17,320 --> 01:56:20,240
Speaker 1: the time, and then I'll roll into whatever I'm doing. Now,

1825
01:56:20,360 --> 01:56:25,360
Speaker 1: let's say that, Let's say you did prepare jokes, because

1826
01:56:25,440 --> 01:56:28,360
Speaker 1: I don't want to assume anything, right, but I'm just

1827
01:56:28,520 --> 01:56:31,440
Speaker 1: dealing with the information. It almost seems like that that

1828
01:56:31,600 --> 01:56:36,640
Speaker 1: was a filler because it wasn't a contract thing in

1829
01:56:36,760 --> 01:56:39,160
Speaker 1: her words right now, I mean, according to her now,

1830
01:56:39,200 --> 01:56:42,080
Speaker 1: it ain't a contract thing. It's a disrespect thing. I'm

1831
01:56:42,120 --> 01:56:46,960
Speaker 1: will I'm like Will Smith. He said something to keep

1832
01:56:47,120 --> 01:56:53,160
Speaker 1: my husband name out. You're getting mouth. That's all like

1833
01:56:53,320 --> 01:56:56,320
Speaker 1: any vision when I hear that, because of all I

1834
01:56:56,360 --> 01:56:58,520
Speaker 1: can keep saying is loone. You don't fix a contract

1835
01:56:58,600 --> 01:57:00,600
Speaker 1: on stage. So when I say all that, I'm like,

1836
01:57:00,720 --> 01:57:02,960
Speaker 1: it ain't a contract thing because you don't fix it

1837
01:57:03,080 --> 01:57:09,680
Speaker 1: on stage. Right now, she said, loan, they lord, they

1838
01:57:09,840 --> 01:57:12,200
Speaker 1: lord my husband, and they lured me into a question

1839
01:57:12,280 --> 01:57:15,520
Speaker 1: where they disrespect my husband and family is off limits.

1840
01:57:15,560 --> 01:57:17,880
Speaker 1: Then he did smoking mirrors with the contract. I think

1841
01:57:17,960 --> 01:57:21,600
Speaker 1: his contract, their contract disputed something I don't. I can't

1842
01:57:21,840 --> 01:57:25,200
Speaker 1: validate who's right in regards to that. Now I can

1843
01:57:25,320 --> 01:57:28,360
Speaker 1: validate if I have to deal with the results because

1844
01:57:28,400 --> 01:57:31,520
Speaker 1: the results say that the headliner goes last, and he

1845
01:57:31,680 --> 01:57:34,800
Speaker 1: went last, So just dealing with sure results, we would

1846
01:57:34,800 --> 01:57:38,120
Speaker 1: have to say Dale was the headliner. I also find

1847
01:57:38,160 --> 01:57:41,280
Speaker 1: it fun in how him and her be communicating. If

1848
01:57:41,360 --> 01:57:44,240
Speaker 1: you're hear him, you know, his sister and brother. Then

1849
01:57:44,360 --> 01:57:47,360
Speaker 1: old schools say, brother say some of the most elation

1850
01:57:47,640 --> 01:57:52,360
Speaker 1: in the world. You know, brother Richard tends to steal.

1851
01:57:52,560 --> 01:57:59,280
Speaker 1: I wouldn't leave brother Cathy at your house by said brother, Brother,

1852
01:57:59,600 --> 01:58:03,800
Speaker 1: brother Kevin go into your cabinets and and he is

1853
01:58:03,840 --> 01:58:08,040
Speaker 1: steal everything you have. And sister Tilly will sit there

1854
01:58:08,080 --> 01:58:10,440
Speaker 1: and watch him. You know, they don't really have no

1855
01:58:10,920 --> 01:58:13,320
Speaker 1: that brother and sister make it seem it's like it's

1856
01:58:13,360 --> 01:58:16,360
Speaker 1: coming solved, but it's sometimes still gonna be coming rough

1857
01:58:16,440 --> 01:58:19,840
Speaker 1: at you. Okay, So just to kind of summarize what

1858
01:58:20,000 --> 01:58:23,600
Speaker 1: we're at right now, Monique went on stage had a

1859
01:58:23,640 --> 01:58:27,280
Speaker 1: show with Dell Hugely. She went on stage in Detroit

1860
01:58:27,760 --> 01:58:32,280
Speaker 1: and proceeded to call dear Hugely out. At that point

1861
01:58:32,320 --> 01:58:35,880
Speaker 1: in time, she cited that contract dispute was the reason

1862
01:58:36,000 --> 01:58:42,320
Speaker 1: for the outbursts on stage, and that deal Hugely had

1863
01:58:42,480 --> 01:58:46,000
Speaker 1: some sort of disdain for a black woman or a

1864
01:58:46,120 --> 01:58:50,600
Speaker 1: woman being the headliner of said show. So again I

1865
01:58:50,720 --> 01:58:53,080
Speaker 1: look at that, I say, all right, so a contract

1866
01:58:53,160 --> 01:58:58,440
Speaker 1: dispute doesn't get resolved on stage, but get yourself because

1867
01:58:58,920 --> 01:59:01,400
Speaker 1: I do know that we do need to be provided

1868
01:59:01,480 --> 01:59:04,800
Speaker 1: some kind of runway to get your shelf now. After that,

1869
01:59:05,400 --> 01:59:08,400
Speaker 1: they then go online and start to upload what we've

1870
01:59:08,480 --> 01:59:11,560
Speaker 1: looked at, which was tweets and contracts and deal memos

1871
01:59:11,600 --> 01:59:16,720
Speaker 1: and things like that. Moving out of that, Monique went

1872
01:59:16,760 --> 01:59:18,680
Speaker 1: on Live with her husband, which we just took a

1873
01:59:18,760 --> 01:59:21,360
Speaker 1: look at. I know, I said that Monique is kind

1874
01:59:21,400 --> 01:59:25,080
Speaker 1: of like the female version of Will Smith in this situation,

1875
01:59:25,240 --> 01:59:29,200
Speaker 1: just in regards to how she reacted to what had

1876
01:59:29,320 --> 01:59:32,200
Speaker 1: happened to her loved one or her mate, her spouse,

1877
01:59:32,640 --> 01:59:36,000
Speaker 1: the person that she puts all of her attention and

1878
01:59:36,120 --> 01:59:39,280
Speaker 1: love on. When something happened to that person, she reacted

1879
01:59:39,320 --> 01:59:42,600
Speaker 1: in a way that could could not affect her career

1880
01:59:42,680 --> 01:59:45,000
Speaker 1: in the same way that Will Smith did. As much

1881
01:59:45,040 --> 01:59:50,160
Speaker 1: as I cite that, I didn say, she's kind of

1882
01:59:50,280 --> 01:59:52,960
Speaker 1: different because she had to work her way back even

1883
01:59:53,040 --> 01:59:57,080
Speaker 1: into grace. Will Smith failed from grace. He's been in

1884
01:59:57,200 --> 02:00:00,560
Speaker 1: grace for a while. He failed from grace. He didn't

1885
02:00:00,560 --> 02:00:03,240
Speaker 1: work his way back in and then then blow the

1886
02:00:03,360 --> 02:00:07,040
Speaker 1: shot again. Right. So for me, when I see Monique

1887
02:00:07,080 --> 02:00:09,800
Speaker 1: do that, I know she's stuck in between a rocket

1888
02:00:09,800 --> 02:00:12,200
Speaker 1: and hard place, But I do want to site that.

1889
02:00:12,400 --> 02:00:19,040
Speaker 1: We don't want to get tricked into defending unnecessary jargon.

1890
02:00:20,000 --> 02:00:23,160
Speaker 1: You know, people talking online they say they call me

1891
02:00:23,280 --> 02:00:25,640
Speaker 1: all kind of wrapped nigga's names, and I look like

1892
02:00:25,800 --> 02:00:27,920
Speaker 1: this dude and that dude. I don't care what they're

1893
02:00:27,920 --> 02:00:30,600
Speaker 1: saying because it don't matter no way. It don't matter

1894
02:00:30,800 --> 02:00:33,720
Speaker 1: one way or the other, you understand. So we can't

1895
02:00:33,800 --> 02:00:37,200
Speaker 1: file victims, especially when we know who we are, right.

1896
02:00:37,280 --> 02:00:39,920
Speaker 1: I know, I come to the game to put podcasts down,

1897
02:00:40,000 --> 02:00:42,360
Speaker 1: and you know whatever that is that is now? She

1898
02:00:42,560 --> 02:00:45,360
Speaker 1: know I come up here to do comedy. Yeah, I

1899
02:00:45,440 --> 02:00:47,320
Speaker 1: come up here with some of the funniest jokes they

1900
02:00:47,400 --> 02:00:49,040
Speaker 1: ever hear it in their life. Ain't no way they

1901
02:00:49,080 --> 02:00:50,960
Speaker 1: can deny this. Now you want to fight about the

1902
02:00:51,000 --> 02:00:54,720
Speaker 1: headline of cool, I go out there, smother year joke

1903
02:00:54,800 --> 02:00:57,000
Speaker 1: on top of joke, on top of fire, fire, fire,

1904
02:00:57,160 --> 02:00:59,360
Speaker 1: fire joke, joke, joke, Now come up out of that,

1905
02:00:59,560 --> 02:01:05,440
Speaker 1: mister headliner, right, and that's when you just you remember

1906
02:01:05,520 --> 02:01:08,240
Speaker 1: who you are. You understand but her having to work

1907
02:01:08,320 --> 02:01:13,000
Speaker 1: herself into that position and then seeming to seeming to

1908
02:01:13,400 --> 02:01:18,640
Speaker 1: publicly affect her perception just seems counterintuitive to me. And

1909
02:01:18,800 --> 02:01:21,360
Speaker 1: in the same instance, I made the mistake with Will

1910
02:01:21,440 --> 02:01:24,760
Speaker 1: and say, yeah, man, you should have reacted like that, right,

1911
02:01:24,800 --> 02:01:26,960
Speaker 1: because I know how much I love my love ones

1912
02:01:27,000 --> 02:01:30,880
Speaker 1: and any disrespect gonna calls for a demonstration. So I

1913
02:01:31,080 --> 02:01:33,960
Speaker 1: understand the thinking. But then I had to pull back

1914
02:01:34,040 --> 02:01:36,400
Speaker 1: some and say, now alone, you don't go in the

1915
02:01:36,480 --> 02:01:39,800
Speaker 1: trick bag the same way Will winning the trick bag,

1916
02:01:40,080 --> 02:01:43,680
Speaker 1: Monique winning the trick bag, and for me, I don't.

1917
02:01:43,840 --> 02:01:46,960
Speaker 1: I'm not trying to hold disrespect for full fire year.

1918
02:01:47,720 --> 02:01:49,920
Speaker 1: You know, I need to handle you know, if that's

1919
02:01:49,960 --> 02:01:52,200
Speaker 1: something that was said that I need to address, I

1920
02:01:52,320 --> 02:01:54,720
Speaker 1: kind of want to do that prompt I want to

1921
02:01:54,760 --> 02:01:57,720
Speaker 1: get right to that. Ain't no sensing me going the

1922
02:01:57,880 --> 02:02:01,360
Speaker 1: whole bunch of days with that on the backburn, you know.

1923
02:02:01,480 --> 02:02:03,160
Speaker 1: But I'm not a woman, So I can't tell a

1924
02:02:03,240 --> 02:02:07,320
Speaker 1: woman how to react to an issue or a problem

1925
02:02:07,440 --> 02:02:09,800
Speaker 1: that has her involved in it, you know. But what

1926
02:02:09,920 --> 02:02:12,959
Speaker 1: I can say is that had she knew the contract

1927
02:02:13,120 --> 02:02:17,640
Speaker 1: was messed up, what had meant that the promoters was liable,

1928
02:02:19,840 --> 02:02:22,640
Speaker 1: and as I age and get older, I understand that

1929
02:02:23,120 --> 02:02:26,800
Speaker 1: peace is knowing right. So if I know I got

1930
02:02:26,880 --> 02:02:30,640
Speaker 1: you on a contract doing something outside of what you're doing,

1931
02:02:31,040 --> 02:02:33,240
Speaker 1: I know that to be the case. Ain't no sensing

1932
02:02:33,320 --> 02:02:37,520
Speaker 1: me hooping in Holland. My new slogan to people is

1933
02:02:37,640 --> 02:02:42,600
Speaker 1: lawyer tone and strengthen your argument. Yeah, lawyer tone, strengthen

1934
02:02:42,680 --> 02:02:47,280
Speaker 1: your argument because oftentimes, like we get emotional about things

1935
02:02:47,320 --> 02:02:50,120
Speaker 1: and so we talk about them from a standpoint of passion.

1936
02:02:51,320 --> 02:02:54,360
Speaker 1: And me I have a unique ability to be passionate

1937
02:02:54,720 --> 02:02:58,880
Speaker 1: and also informative. But sometimes people are passionate with no

1938
02:02:59,000 --> 02:03:01,960
Speaker 1: information to take to it, and because of the passion,

1939
02:03:02,440 --> 02:03:04,760
Speaker 1: it can be it can come off like they're right.

1940
02:03:05,160 --> 02:03:08,200
Speaker 1: And that's a slippery slope. But had you been on

1941
02:03:08,360 --> 02:03:11,440
Speaker 1: stage knowing that you had a rabbit in the hat,

1942
02:03:12,520 --> 02:03:15,240
Speaker 1: knowing that there, you know, because you want to please

1943
02:03:15,280 --> 02:03:16,880
Speaker 1: your fans and come out and say, Yo, we're not

1944
02:03:17,000 --> 02:03:19,120
Speaker 1: just leaving the fans like that, so we're gonna do this.

1945
02:03:19,320 --> 02:03:22,480
Speaker 1: But I got you, dudes, you dudes, you know I

1946
02:03:22,560 --> 02:03:25,400
Speaker 1: got the contract stating X, Y and Z. You know.

1947
02:03:25,720 --> 02:03:32,040
Speaker 1: But again, I would hate to believe that she didn't

1948
02:03:32,080 --> 02:03:36,280
Speaker 1: prepare and that she literally came up there and was

1949
02:03:36,400 --> 02:03:40,000
Speaker 1: watching the time, like, I got forty five minutes up here,

1950
02:03:40,120 --> 02:03:42,840
Speaker 1: so I'm gonna waste by eighteen minutes doing this and

1951
02:03:42,920 --> 02:03:45,040
Speaker 1: then going to my twenty eight minutes that I got

1952
02:03:45,160 --> 02:03:48,200
Speaker 1: or whatever's left, Like I would hate to believe that

1953
02:03:48,520 --> 02:03:50,960
Speaker 1: her being a veteran, and I don't want to make

1954
02:03:51,000 --> 02:03:54,400
Speaker 1: those assumptions, But I don't know how to answer the

1955
02:03:54,480 --> 02:03:57,280
Speaker 1: people that's saying that, because you would hate to be

1956
02:03:57,440 --> 02:03:59,560
Speaker 1: viewed like you was trying to steal the lines from

1957
02:03:59,600 --> 02:04:02,160
Speaker 1: the League roll. You know what I'm saying. You don't

1958
02:04:02,200 --> 02:04:05,400
Speaker 1: never want nobody to because you want people to understand

1959
02:04:05,440 --> 02:04:08,600
Speaker 1: that you understand the business. And tonight you fall here

1960
02:04:09,080 --> 02:04:11,680
Speaker 1: and that's what it is. Tomorrow you fall up there.

1961
02:04:11,960 --> 02:04:14,000
Speaker 1: But either way, you're making a living and you're still

1962
02:04:14,120 --> 02:04:16,200
Speaker 1: proud and happy that you've made a living in this

1963
02:04:16,360 --> 02:04:19,040
Speaker 1: business for so long, because we still remember what it's

1964
02:04:19,080 --> 02:04:22,000
Speaker 1: like for comics to come in, sell out this, sell

1965
02:04:22,040 --> 02:04:24,200
Speaker 1: out there, and go down, for rappers to come in,

1966
02:04:24,600 --> 02:04:26,560
Speaker 1: go all the way up with that one single and

1967
02:04:26,680 --> 02:04:28,920
Speaker 1: come down and no longer in the game. So we

1968
02:04:29,040 --> 02:04:34,600
Speaker 1: still have an appreciation for longevity. We don't disrespect history.

1969
02:04:35,640 --> 02:04:38,960
Speaker 1: History shows us that it's hard to maintain in the

1970
02:04:39,120 --> 02:04:42,680
Speaker 1: turbulence in this business. So if we've been able to

1971
02:04:42,800 --> 02:04:45,280
Speaker 1: do so, we need to make sure that we stay

1972
02:04:45,360 --> 02:04:47,960
Speaker 1: prison in the moment and be grateful what it is

1973
02:04:48,040 --> 02:04:52,640
Speaker 1: that we have. Sometimes we get lost by whose name

1974
02:04:52,840 --> 02:04:56,280
Speaker 1: is big on the flyer, by who the lads to

1975
02:04:56,480 --> 02:04:59,760
Speaker 1: come out? We forgot that this is the probably sixty

1976
02:04:59,800 --> 02:05:02,080
Speaker 1: per sending this crowd rappers. They would love to be

1977
02:05:02,200 --> 02:05:05,920
Speaker 1: on stage no matter where they come in. That we

1978
02:05:06,080 --> 02:05:08,840
Speaker 1: forgot that this eighty percent of comics not being paid.

1979
02:05:08,920 --> 02:05:11,120
Speaker 1: So eighty percent of people a love to come out

1980
02:05:11,200 --> 02:05:13,400
Speaker 1: no matter where they come in. Right, So sometimes we

1981
02:05:13,600 --> 02:05:17,320
Speaker 1: move from what our original goal was was to set

1982
02:05:17,360 --> 02:05:20,280
Speaker 1: out to do something we enjoy to do, make money

1983
02:05:20,360 --> 02:05:23,840
Speaker 1: from it, and provide from my family. Everything else is extra,

1984
02:05:25,600 --> 02:05:28,480
Speaker 1: Everything else is extra. But sometimes we get caught in that.

1985
02:05:30,120 --> 02:05:32,680
Speaker 1: You know they ain't because sometimes I be fitting out.

1986
02:05:32,760 --> 02:05:35,960
Speaker 1: They don't want to post. Oh they didn't post that.

1987
02:05:36,080 --> 02:05:39,760
Speaker 1: Oh they ain't sure they are. Nah, we gotta be

1988
02:05:39,880 --> 02:05:43,000
Speaker 1: grateful listening. Loan you you in where you're in there,

1989
02:05:43,160 --> 02:05:45,240
Speaker 1: You come in with some paper, you can move around

1990
02:05:45,280 --> 02:05:48,120
Speaker 1: how you want to move around. You've partnered with some people,

1991
02:05:48,520 --> 02:05:51,200
Speaker 1: you got a real opportunity. It's on you. Let's figure

1992
02:05:51,240 --> 02:05:54,880
Speaker 1: it out, you know. But the first goal was to

1993
02:05:55,000 --> 02:05:57,440
Speaker 1: be in this position, so I need to celebrate that

1994
02:05:58,000 --> 02:06:04,200
Speaker 1: while I'm still working towards the next goal. But it

1995
02:06:04,360 --> 02:06:06,760
Speaker 1: just seemed like Monique Man forgot what it felt like

1996
02:06:06,880 --> 02:06:10,880
Speaker 1: to be locked out the industry. Not that that should

1997
02:06:10,960 --> 02:06:15,000
Speaker 1: cause you to shut up when you're right, but that

1998
02:06:15,160 --> 02:06:18,440
Speaker 1: should make you a well of what's at state. You

1999
02:06:18,560 --> 02:06:21,000
Speaker 1: don't walk on hot coals and not expect your feet

2000
02:06:21,080 --> 02:06:24,440
Speaker 1: not to get burned. You don't go out in the

2001
02:06:24,560 --> 02:06:27,000
Speaker 1: rain and expect not to get wet. You prepare for

2002
02:06:27,160 --> 02:06:30,120
Speaker 1: what you're about to head through. You understand. So you

2003
02:06:30,160 --> 02:06:34,000
Speaker 1: don't put yourself in a situation where you just frivous,

2004
02:06:34,280 --> 02:06:36,240
Speaker 1: you know, you where you just come out of a

2005
02:06:36,360 --> 02:06:40,040
Speaker 1: situation where you, let's say you will misrepresent it. Let's

2006
02:06:40,040 --> 02:06:42,360
Speaker 1: say you were black ball and all of these things.

2007
02:06:43,920 --> 02:06:46,120
Speaker 1: You work your way back in and you place yourself

2008
02:06:46,160 --> 02:06:48,200
Speaker 1: in a situation to be able to actually have a

2009
02:06:48,280 --> 02:06:52,000
Speaker 1: shot at it. Make yourself powerful. And then if you

2010
02:06:52,080 --> 02:06:54,800
Speaker 1: got something to say, say something. But you keep saying

2011
02:06:54,880 --> 02:06:59,200
Speaker 1: something for they even't pitch the ball, you keep you

2012
02:06:59,400 --> 02:07:05,160
Speaker 1: keep showing the play. You keep falling for the two minutes.

2013
02:07:05,360 --> 02:07:06,920
Speaker 1: They let you get our way up to the line

2014
02:07:06,960 --> 02:07:09,120
Speaker 1: and see what play you're running and call a time out,

2015
02:07:09,200 --> 02:07:11,560
Speaker 1: and then we call a defense for that play. You

2016
02:07:11,760 --> 02:07:15,600
Speaker 1: keep doing that, and at some point we gotta know,

2017
02:07:16,720 --> 02:07:22,680
Speaker 1: based on our experiences worth our engagement. Right, if there

2018
02:07:22,760 --> 02:07:24,960
Speaker 1: was a contract dispute, there's a way to handle that.

2019
02:07:25,120 --> 02:07:28,320
Speaker 1: But we know it ain't a contract dispute because I

2020
02:07:28,480 --> 02:07:32,280
Speaker 1: wonderful system Monique came out and said it ain't a

2021
02:07:32,360 --> 02:07:34,760
Speaker 1: contract dispute. I was gonna hand him his ass no

2022
02:07:34,920 --> 02:07:37,560
Speaker 1: matter where it was. But when I called him on stage,

2023
02:07:37,600 --> 02:07:39,400
Speaker 1: I wanted him to be that when I spoke to

2024
02:07:39,560 --> 02:07:42,240
Speaker 1: him that way, And so why did we start off

2025
02:07:42,280 --> 02:07:44,800
Speaker 1: with the contract thing. Nonetheless, let's listen to what DL

2026
02:07:44,920 --> 02:07:49,600
Speaker 1: hugely responded with and then we'll move on. All right,

2027
02:07:49,680 --> 02:07:52,680
Speaker 1: That was college talker. I worked very hard to control

2028
02:07:52,720 --> 02:07:55,440
Speaker 1: the environment I work in commedic I only work where

2029
02:07:55,480 --> 02:07:57,680
Speaker 1: I want to work and who I want to work

2030
02:07:57,720 --> 02:08:00,480
Speaker 1: for I want to work with. I don't work because

2031
02:08:00,600 --> 02:08:03,240
Speaker 1: that is a very precious place to me. I've been

2032
02:08:03,320 --> 02:08:06,720
Speaker 1: offered a gig, a couple of gigs, three or four

2033
02:08:06,800 --> 02:08:12,240
Speaker 1: gigs to work with Monika in La in Brooklyn, in Houston,

2034
02:08:12,320 --> 02:08:14,960
Speaker 1: and I turned them down because I just I didn't

2035
02:08:15,080 --> 02:08:18,520
Speaker 1: think it would work. So after talking to a lot

2036
02:08:18,560 --> 02:08:21,680
Speaker 1: of people and one of the very people in this

2037
02:08:21,840 --> 02:08:24,720
Speaker 1: room about how things are different, two of the very

2038
02:08:24,760 --> 02:08:26,160
Speaker 1: people in this room is a better fact, and how

2039
02:08:26,240 --> 02:08:28,720
Speaker 1: things are different and look at you know, how things

2040
02:08:28,760 --> 02:08:30,960
Speaker 1: are coming around. I decided it would be wrong for

2041
02:08:31,080 --> 02:08:33,200
Speaker 1: me not to give somebody a chance based on things

2042
02:08:33,560 --> 02:08:35,560
Speaker 1: that they've never done to me. That would have been

2043
02:08:35,600 --> 02:08:37,760
Speaker 1: wrong to me. And when she talks if she goes

2044
02:08:37,800 --> 02:08:39,320
Speaker 1: on on the dive tribe, but she talks about me

2045
02:08:39,480 --> 02:08:42,760
Speaker 1: having my feet under her table. That was at her invitation.

2046
02:08:43,400 --> 02:08:45,520
Speaker 1: I'll have was doing a gig in Greenbelt, Maryland. She

2047
02:08:45,640 --> 02:08:47,960
Speaker 1: lived in Baltimore. She was having a fight party. It

2048
02:08:48,160 --> 02:08:51,680
Speaker 1: was I think Evander Holliford and Mike Tyson, and sure

2049
02:08:51,800 --> 02:08:54,120
Speaker 1: enough I came through our table at her invitation and

2050
02:08:54,200 --> 02:08:55,680
Speaker 1: it was a wonderful time. As a matter of fact,

2051
02:08:55,680 --> 02:08:58,200
Speaker 1: it was based on that interaction, along with talking to people,

2052
02:08:58,360 --> 02:09:00,400
Speaker 1: I decided that I would do these gigs. I decided

2053
02:09:00,400 --> 02:09:03,400
Speaker 1: I would do it. And now I know with Tyler

2054
02:09:03,480 --> 02:09:06,040
Speaker 1: Perry knows, I know, with Lee Daniels knows, I knows

2055
02:09:06,080 --> 02:09:08,600
Speaker 1: what Oprah knows. I know what Steve Harvey knows. I

2056
02:09:08,720 --> 02:09:11,520
Speaker 1: know what Charlotmagne the God knows. I know what Necklick knows.

2057
02:09:12,040 --> 02:09:17,800
Speaker 1: Saying yes to Monique is an occupational hazard. Now we

2058
02:09:17,960 --> 02:09:21,880
Speaker 1: go to We're playing a gig in Detroit this weekend.

2059
02:09:24,520 --> 02:09:26,160
Speaker 1: I know I'm going on at nine forty five, I

2060
02:09:26,320 --> 02:09:29,840
Speaker 1: leave the hotel. I get there around nine. Monique had

2061
02:09:29,920 --> 02:09:31,840
Speaker 1: just gotten that she's supposed to be there. There at

2062
02:09:31,880 --> 02:09:34,840
Speaker 1: a forty she had just gotten there, gone at eight four.

2063
02:09:34,960 --> 02:09:37,240
Speaker 1: She got there at eight thirty eight. What Monique was

2064
02:09:37,320 --> 02:09:39,080
Speaker 1: trying to do with the slow walk the show she

2065
02:09:39,120 --> 02:09:41,040
Speaker 1: didn't get end up getting on for thirty minute. The

2066
02:09:41,080 --> 02:09:43,360
Speaker 1: oldest trick in the world is if I want to

2067
02:09:43,440 --> 02:09:45,720
Speaker 1: change the order and I don't have merit, I'll try

2068
02:09:45,760 --> 02:09:48,240
Speaker 1: to make people wait so long that everybody gets nervous

2069
02:09:48,240 --> 02:09:49,960
Speaker 1: to go. Please just just go on for we can

2070
02:09:50,000 --> 02:09:52,520
Speaker 1: avoid a conflict that didn't happen. Monique got on stage.

2071
02:09:52,640 --> 02:09:56,040
Speaker 1: Monique actually felt like she had marrit. She would have

2072
02:09:56,120 --> 02:09:58,160
Speaker 1: done one or three things. Either she would have took

2073
02:09:58,160 --> 02:09:59,320
Speaker 1: it up with the promoter, and she did in the

2074
02:09:59,360 --> 02:10:02,000
Speaker 1: promoters with going on and whether you're going or not

2075
02:10:02,160 --> 02:10:04,280
Speaker 1: that's a different thing. You would have not done it.

2076
02:10:04,360 --> 02:10:05,920
Speaker 1: But she knew she had to get on stage or

2077
02:10:06,000 --> 02:10:08,240
Speaker 1: she would have been breach of contract, or she would

2078
02:10:08,240 --> 02:10:11,280
Speaker 1: have come to talk to me. She didn't ever, and

2079
02:10:11,400 --> 02:10:15,680
Speaker 1: I emphatically emphasize this, she never once talked to me.

2080
02:10:15,760 --> 02:10:18,080
Speaker 1: I haven't seen Monique in years. I didn't see her

2081
02:10:18,080 --> 02:10:20,760
Speaker 1: at the venue before, after, or doing I haven't spoken

2082
02:10:20,880 --> 02:10:23,400
Speaker 1: or seen Monique. So if you really thought that you

2083
02:10:23,560 --> 02:10:27,560
Speaker 1: had a legitimate contract dispute, you would have come to

2084
02:10:27,640 --> 02:10:30,800
Speaker 1: me and said, hey, I have this contractor you had discussion. Notice,

2085
02:10:30,880 --> 02:10:33,320
Speaker 1: not one thing on that contract, not one person she

2086
02:10:33,400 --> 02:10:35,680
Speaker 1: has on that contract. That one thing happened to do

2087
02:10:35,760 --> 02:10:38,440
Speaker 1: you know why because it wasn't legitimate. And she goes

2088
02:10:38,520 --> 02:10:43,760
Speaker 1: on stage and she proceeds to eviscerate me, not just me,

2089
02:10:43,920 --> 02:10:48,480
Speaker 1: but Steve Harvey, the sexual, my wife, my dog. Later

2090
02:10:48,560 --> 02:10:51,440
Speaker 1: on a subsequent conversation, let me ask you something, What

2091
02:10:51,600 --> 02:10:53,960
Speaker 1: did any of that have to do with a large

2092
02:10:54,040 --> 02:10:56,920
Speaker 1: contract dispute? What does Steve Harvey have to do with

2093
02:10:57,000 --> 02:10:59,520
Speaker 1: your contract? What did I have to do with your contract?

2094
02:10:59,560 --> 02:11:01,400
Speaker 1: What did my dog have to do with your contract?

2095
02:11:01,480 --> 02:11:03,680
Speaker 1: What does my wife have to do with your contract?

2096
02:11:04,440 --> 02:11:06,960
Speaker 1: You wrote your contract, You and your daddy. You. You

2097
02:11:07,480 --> 02:11:11,120
Speaker 1: proceeded to say things that were so paddling insulting that

2098
02:11:12,200 --> 02:11:17,440
Speaker 1: it was galling. It was galling. You asked in subsequent conversations,

2099
02:11:17,520 --> 02:11:19,600
Speaker 1: why I have a dog, a support dog? What kind

2100
02:11:19,600 --> 02:11:22,120
Speaker 1: of person has a support dog? I have that dog

2101
02:11:22,520 --> 02:11:26,760
Speaker 1: because my father died. My children and family decided they

2102
02:11:26,800 --> 02:11:28,600
Speaker 1: would get a dog from where he was from, and

2103
02:11:28,720 --> 02:11:30,960
Speaker 1: I named the dog after my father. I don't have

2104
02:11:31,080 --> 02:11:33,160
Speaker 1: a dog to keep people away from me. I have

2105
02:11:33,240 --> 02:11:35,120
Speaker 1: a dog so I have my father with me all

2106
02:11:35,200 --> 02:11:37,040
Speaker 1: the time. That is an act of love, which you

2107
02:11:37,120 --> 02:11:42,320
Speaker 1: know very little about. You proceeded to assault my sexuality.

2108
02:11:42,680 --> 02:11:46,280
Speaker 1: You have the temerity to assault someone sexuality a man sexuality,

2109
02:11:46,440 --> 02:11:50,000
Speaker 1: given who you lay next to. None of that had

2110
02:11:50,080 --> 02:11:53,680
Speaker 1: anything to do with alleged contract attracted you. You could

2111
02:11:53,720 --> 02:11:55,280
Speaker 1: have taken that up with a lawyer. You would have

2112
02:11:55,320 --> 02:11:57,360
Speaker 1: gotten out, You could have not gotten gone on stage.

2113
02:11:57,400 --> 02:11:59,360
Speaker 1: But you knew you didn't have a valid contract, and

2114
02:11:59,480 --> 02:12:01,800
Speaker 1: you do with you always have done. You tried to

2115
02:12:01,920 --> 02:12:05,520
Speaker 1: weaponize black femininity. You tried to turn that audience against me.

2116
02:12:05,760 --> 02:12:09,480
Speaker 1: You tried to burn everything down like you do all

2117
02:12:09,520 --> 02:12:11,760
Speaker 1: the time. Who calls Netflix and thinks I can get

2118
02:12:11,800 --> 02:12:13,600
Speaker 1: ten million dollars because I did the Queens of Comedy.

2119
02:12:13,720 --> 02:12:15,760
Speaker 1: Who thinks you can get on stage and still live

2120
02:12:15,840 --> 02:12:17,880
Speaker 1: off that I was a king of Commy. You never

2121
02:12:17,960 --> 02:12:20,280
Speaker 1: hear me talking about it, because in this business, like

2122
02:12:20,400 --> 02:12:22,360
Speaker 1: any other, it isn't what you have done, is what

2123
02:12:22,480 --> 02:12:26,840
Speaker 1: you do. That show was when I signed on to do.

2124
02:12:27,160 --> 02:12:30,440
Speaker 1: I made the quintessential mistake, the horrible mistake that like

2125
02:12:30,600 --> 02:12:33,960
Speaker 1: Tyler Perry, like Lee Daniels, like Oprah, like all these people,

2126
02:12:34,000 --> 02:12:37,000
Speaker 1: of saying yes to you, and it is an occupational hazard.

2127
02:12:37,160 --> 02:12:41,200
Speaker 1: It is my fault. I have learned my lesson. You

2128
02:12:41,280 --> 02:12:43,320
Speaker 1: didn't just And the thing that bothers me the most

2129
02:12:43,880 --> 02:12:45,960
Speaker 1: isn't the things that you said. Because I know who

2130
02:12:46,000 --> 02:12:47,880
Speaker 1: I am and I know what I do, and I

2131
02:12:48,000 --> 02:12:50,480
Speaker 1: have a pristine reputation, and everybody who knows me know

2132
02:12:50,560 --> 02:12:54,160
Speaker 1: what what I'm about. It's this whole my dear, my babies,

2133
02:12:54,200 --> 02:12:56,720
Speaker 1: I love you for real, which is so transparently false,

2134
02:12:56,920 --> 02:13:00,880
Speaker 1: it is ridiculous. But the thing that was the most annoying,

2135
02:13:00,920 --> 02:13:03,040
Speaker 1: the thing that was really the most bothersome, is after

2136
02:13:03,640 --> 02:13:05,920
Speaker 1: a terrible couple of weeks where people were been slain

2137
02:13:06,040 --> 02:13:09,080
Speaker 1: in Buffalo, where people being kids against slaying in the school,

2138
02:13:09,160 --> 02:13:11,120
Speaker 1: and people had come to a comedy show to get

2139
02:13:11,120 --> 02:13:14,720
Speaker 1: away from all of their problems. You besiege them with yours.

2140
02:13:16,040 --> 02:13:18,800
Speaker 1: The one contract that isn't in dispute is the one

2141
02:13:19,000 --> 02:13:21,480
Speaker 1: that the audience had with us to entertain them. But

2142
02:13:21,680 --> 02:13:24,200
Speaker 1: every single time, more and more, you spend half of

2143
02:13:24,280 --> 02:13:26,840
Speaker 1: your time talking about your grievous and what you didn't

2144
02:13:26,840 --> 02:13:31,200
Speaker 1: get and who did this to you. Listen when you

2145
02:13:31,360 --> 02:13:34,320
Speaker 1: burn things up and you sit back to watch the

2146
02:13:34,440 --> 02:13:38,280
Speaker 1: results of them. She's literally set that stage on fire,

2147
02:13:38,520 --> 02:13:40,920
Speaker 1: said the most incendiary things ever. And I had to

2148
02:13:40,960 --> 02:13:42,600
Speaker 1: go on stage, and she hasn't to marry, had called

2149
02:13:42,640 --> 02:13:45,680
Speaker 1: me a coward, I coward would have left. I tired,

2150
02:13:45,760 --> 02:13:47,480
Speaker 1: would have said I can't go. You didn't even want

2151
02:13:47,480 --> 02:13:49,080
Speaker 1: to go on when you had a contract that you

2152
02:13:49,160 --> 02:13:51,080
Speaker 1: knew that not to be true. You made up this

2153
02:13:51,160 --> 02:13:53,200
Speaker 1: whole narrative that you knew not to be true, and

2154
02:13:53,320 --> 02:13:54,920
Speaker 1: you played that out in front of the audience. And

2155
02:13:54,960 --> 02:13:56,520
Speaker 1: then I had to go on behind you. And you

2156
02:13:56,600 --> 02:13:58,840
Speaker 1: know what you did. You set back and you tried

2157
02:13:58,920 --> 02:14:01,760
Speaker 1: to watch your damn You set the stage on fire,

2158
02:14:01,880 --> 02:14:04,920
Speaker 1: and you watched what you've done. You know who does that?

2159
02:14:05,720 --> 02:14:09,440
Speaker 1: Arsonists do that. Arsonists set shit on fire and try

2160
02:14:09,520 --> 02:14:12,840
Speaker 1: to see the damage it drives. But I blame myself

2161
02:14:12,880 --> 02:14:15,720
Speaker 1: because I know now what I didn't before, saying yes

2162
02:14:15,800 --> 02:14:18,720
Speaker 1: to you as an occupational hazard when I will not repeat.

2163
02:14:19,120 --> 02:14:21,440
Speaker 1: I don't blame you. I wish you well. But when

2164
02:14:21,480 --> 02:14:23,720
Speaker 1: you do the things you do when everything's about you,

2165
02:14:23,800 --> 02:14:25,760
Speaker 1: when you're bittery, like when you have all these fights

2166
02:14:25,800 --> 02:14:28,640
Speaker 1: from all of these entities, it is you. Precious was

2167
02:14:28,720 --> 02:14:31,600
Speaker 1: not a movie. Precious was an autobiography. That is who

2168
02:14:31,640 --> 02:14:36,240
Speaker 1: you are. Literally, you're mad at the contract you and

2169
02:14:36,520 --> 02:14:39,120
Speaker 1: Daddy wrote, your daddy and I don't know why you

2170
02:14:39,200 --> 02:14:41,040
Speaker 1: call a man daddy and you pay for him. That's

2171
02:14:41,080 --> 02:14:45,760
Speaker 1: a son. Let's be clear. I'm not angry with you.

2172
02:14:45,960 --> 02:14:48,000
Speaker 1: I'm angry with me. I did what I knew not

2173
02:14:48,160 --> 02:14:50,560
Speaker 1: to be true. But I'm going to tell you something.

2174
02:14:50,800 --> 02:14:53,320
Speaker 1: When you burn and you destroy it and you wreck,

2175
02:14:54,000 --> 02:14:56,160
Speaker 1: you are not a queen of comedy. You're a queen

2176
02:14:56,240 --> 02:14:59,680
Speaker 1: of ashes. Now while you I'm gonna go back to

2177
02:14:59,760 --> 02:15:02,440
Speaker 1: work and you get back to your kingdom of smoke.

2178
02:15:02,720 --> 02:15:04,400
Speaker 1: That's a little note from the gd Sex. We got

2179
02:15:04,440 --> 02:15:07,520
Speaker 1: the jazzyport coming up for fifteen minutes. Ladies and gentlemen,

2180
02:15:07,600 --> 02:15:12,040
Speaker 1: I've always spoke to you about comics their ability to communicate.

2181
02:15:12,080 --> 02:15:14,480
Speaker 1: As you've seen, he crafted that, he thought about that,

2182
02:15:14,640 --> 02:15:18,680
Speaker 1: well thought out what I say, And let me just

2183
02:15:18,840 --> 02:15:24,760
Speaker 1: spend some time on their ability, on their ability to communicate,

2184
02:15:24,840 --> 02:15:28,080
Speaker 1: control of crowd and tell a story and things like that.

2185
02:15:28,280 --> 02:15:30,560
Speaker 1: That's why I always watched two comics when they go

2186
02:15:30,720 --> 02:15:34,320
Speaker 1: at it, because it's gonna be the communication. It's gonna

2187
02:15:34,360 --> 02:15:39,080
Speaker 1: be right, the framing of things, the metaphors, the examples,

2188
02:15:39,160 --> 02:15:41,760
Speaker 1: it's gonna be some dancing going on. And so, dear

2189
02:15:41,920 --> 02:15:47,360
Speaker 1: Hughley is not short of vocabulary, right, so he's able

2190
02:15:47,400 --> 02:15:48,960
Speaker 1: to get it in and get some shou out. So

2191
02:15:49,560 --> 02:15:54,000
Speaker 1: but you hear, and most comics are not short of vocabulary.

2192
02:15:54,080 --> 02:15:55,840
Speaker 1: Just to be clear, But you hear something, and I

2193
02:15:55,880 --> 02:15:59,680
Speaker 1: want y'all to pay attention to it. In our community,

2194
02:15:59,720 --> 02:16:05,240
Speaker 1: we we know little about corporate jargon. We know little

2195
02:16:05,280 --> 02:16:08,200
Speaker 1: about the way they frame things for it to be

2196
02:16:08,320 --> 02:16:11,240
Speaker 1: effective when they're talking to their people. You can't talk

2197
02:16:11,320 --> 02:16:13,400
Speaker 1: to the investors on Wall Street the same way you

2198
02:16:13,480 --> 02:16:16,600
Speaker 1: talk to your homeboard from the street. That's investor. They

2199
02:16:16,680 --> 02:16:20,200
Speaker 1: got a little paper it's a different language they take

2200
02:16:20,240 --> 02:16:23,440
Speaker 1: to move them. I explained last week how they don't

2201
02:16:23,520 --> 02:16:27,000
Speaker 1: tell powerful artists and people what to do. They know

2202
02:16:27,120 --> 02:16:29,919
Speaker 1: how to influence them by bringing them data that matches

2203
02:16:30,200 --> 02:16:33,320
Speaker 1: the outcome that they're looking for. It's high level jiu

2204
02:16:33,360 --> 02:16:38,040
Speaker 1: jitsu mind games going on, right. So you gotta know jargon.

2205
02:16:38,160 --> 02:16:40,880
Speaker 1: You gotta know whether what the kind of Just like

2206
02:16:41,000 --> 02:16:43,640
Speaker 1: if you're in a car, the car don't say door open,

2207
02:16:43,720 --> 02:16:46,520
Speaker 1: it says door a jar. I don't know why it

2208
02:16:46,680 --> 02:16:50,280
Speaker 1: does that. Open is the same amount of words. There's

2209
02:16:50,320 --> 02:16:53,080
Speaker 1: literally no reason it doesn't say open, but it says

2210
02:16:53,080 --> 02:16:56,920
Speaker 1: a jar. Because that's the language in the automotive industry.

2211
02:16:57,040 --> 02:16:59,720
Speaker 1: That's the language right there. And if you speak outside

2212
02:16:59,720 --> 02:17:02,720
Speaker 1: of that, and then you're doing something unusual and it

2213
02:17:02,879 --> 02:17:05,480
Speaker 1: may or may not be effective. So that's the same

2214
02:17:05,600 --> 02:17:08,320
Speaker 1: thing when you come into court or you deal with

2215
02:17:08,440 --> 02:17:10,400
Speaker 1: some of these people. When you hear him keep saying

2216
02:17:11,080 --> 02:17:18,200
Speaker 1: occupational hazard, that's a shock word to corporate America, to

2217
02:17:18,400 --> 02:17:21,920
Speaker 1: invest us, to people that's cutting checks for comedy for shows.

2218
02:17:22,040 --> 02:17:27,279
Speaker 1: That's an attempt to frame his experience in two words.

2219
02:17:29,120 --> 02:17:32,000
Speaker 1: And those two words are powerful in that space to

2220
02:17:32,520 --> 02:17:35,360
Speaker 1: people who look who don't operate in corporate that may

2221
02:17:35,440 --> 02:17:38,440
Speaker 1: just be like, okay, I heard him reiterate that, I

2222
02:17:38,520 --> 02:17:40,920
Speaker 1: really don't know what it. But for people who are saying,

2223
02:17:41,280 --> 02:17:43,120
Speaker 1: all right, we got a comedy show in July, we

2224
02:17:43,200 --> 02:17:45,360
Speaker 1: got one in September, we got one in December. We

2225
02:17:45,480 --> 02:17:49,519
Speaker 1: need comedicis who do we get them? People understand occupational

2226
02:17:49,640 --> 02:17:55,120
Speaker 1: hazard in our community, we have very little understanding and

2227
02:17:55,240 --> 02:17:57,800
Speaker 1: other tricks that's being played. But as Dave Chappelle, what

2228
02:17:57,879 --> 02:18:00,520
Speaker 1: a press release look like. When you won't your freedom,

2229
02:18:00,560 --> 02:18:04,640
Speaker 1: when you won't your your your ip, ask Kanye West

2230
02:18:04,720 --> 02:18:07,920
Speaker 1: what it's like to go up against corporate jargon. Kanye

2231
02:18:08,040 --> 02:18:13,240
Speaker 1: West was on Instagram using culture jargon. They took it

2232
02:18:13,360 --> 02:18:17,960
Speaker 1: and framed it like folding County. So they took what

2233
02:18:18,160 --> 02:18:22,000
Speaker 1: Kanye were doing online and framed it as if right,

2234
02:18:22,800 --> 02:18:25,080
Speaker 1: it's a threat he's and he was saying some that

2235
02:18:25,280 --> 02:18:27,400
Speaker 1: was but a lot of that was tongue in cheek,

2236
02:18:27,680 --> 02:18:30,160
Speaker 1: but they didn't take it that way because of his position,

2237
02:18:30,360 --> 02:18:32,800
Speaker 1: and he had people trying to frame it a way,

2238
02:18:33,120 --> 02:18:35,120
Speaker 1: but he had to deal with corporate jargon when they

2239
02:18:35,160 --> 02:18:37,320
Speaker 1: got to say afraid for our life and it's been

2240
02:18:37,400 --> 02:18:40,240
Speaker 1: threats on our life and we're afraid, and we're scared,

2241
02:18:40,320 --> 02:18:43,280
Speaker 1: and he's bullying. And when you start to hear those words,

2242
02:18:43,360 --> 02:18:45,800
Speaker 1: that's the jargon to get you out of here. Because

2243
02:18:45,959 --> 02:18:50,880
Speaker 1: invest us add people, you know, high level corporate people

2244
02:18:51,000 --> 02:18:55,400
Speaker 1: don't like them kind of words. Right, it becomes radioactive.

2245
02:18:56,879 --> 02:18:59,680
Speaker 1: And believe me, the money ain't just floating around like

2246
02:18:59,760 --> 02:19:02,600
Speaker 1: they say it's floating around. He got some instruction, It

2247
02:19:02,720 --> 02:19:05,240
Speaker 1: got some direction on the money that's in this industry.

2248
02:19:05,959 --> 02:19:09,280
Speaker 1: It ain't just floating around like they're saying. They make

2249
02:19:09,360 --> 02:19:12,080
Speaker 1: you believe you can just come get some money. No, sir,

2250
02:19:12,800 --> 02:19:14,920
Speaker 1: you saying the wrong thing. You can have as many

2251
02:19:15,040 --> 02:19:18,920
Speaker 1: views as you want. Nobody won't attest to that. I

2252
02:19:19,080 --> 02:19:21,600
Speaker 1: remember somebody that's popping right now. I have a trying

2253
02:19:21,640 --> 02:19:23,680
Speaker 1: to tell him on the way up, don't make that mistake.

2254
02:19:23,760 --> 02:19:30,040
Speaker 1: You too talented, right, But I understood him because people

2255
02:19:30,080 --> 02:19:32,600
Speaker 1: with our kind of talent that can communicate the way

2256
02:19:32,640 --> 02:19:37,080
Speaker 1: we can communicate, it's fast and easier us, easier for

2257
02:19:37,240 --> 02:19:40,240
Speaker 1: us just to grab someone that's ahead of us and

2258
02:19:40,400 --> 02:19:43,040
Speaker 1: just rip them apart and barrass and make them look

2259
02:19:43,120 --> 02:19:46,160
Speaker 1: bad and just take the audience. But I said, now,

2260
02:19:46,200 --> 02:19:48,080
Speaker 1: I don't do that, just build it because you that

2261
02:19:48,240 --> 02:19:51,120
Speaker 1: talented and you got longevity. When you do it that way,

2262
02:19:51,440 --> 02:19:55,280
Speaker 1: you make yourself radioactive. No matter your views, Bro, they're

2263
02:19:55,320 --> 02:19:58,840
Speaker 1: not gonna let you get no real paper. It's just

2264
02:19:59,000 --> 02:20:02,080
Speaker 1: how this game is. Instructions on this, And so when

2265
02:20:02,120 --> 02:20:05,200
Speaker 1: they started to say certain things, they let me know

2266
02:20:05,360 --> 02:20:10,200
Speaker 1: that they're trying to interrupt the money. When they win that,

2267
02:20:10,320 --> 02:20:12,480
Speaker 1: Kanye like that, when they win that Dave. I think

2268
02:20:12,600 --> 02:20:16,959
Speaker 1: Joe even went through it a little bit Charlemagne. They're

2269
02:20:17,000 --> 02:20:19,280
Speaker 1: trying to interrupt the money when they start to say

2270
02:20:19,360 --> 02:20:21,760
Speaker 1: little things and put it out their little press releases

2271
02:20:21,760 --> 02:20:27,120
Speaker 1: popping up here and this popping up there. They're trying

2272
02:20:27,160 --> 02:20:31,560
Speaker 1: to fix the natural order things. But the illusion of

2273
02:20:31,640 --> 02:20:33,880
Speaker 1: the entertainment industry, because you can spend a lot of

2274
02:20:33,920 --> 02:20:36,280
Speaker 1: money in the entertainment industry, the illusion is you can

2275
02:20:36,360 --> 02:20:38,480
Speaker 1: just come in and get you some money. Boy, Cadillac

2276
02:20:38,520 --> 02:20:42,080
Speaker 1: ain't putting no ads on certain things, and the company

2277
02:20:42,160 --> 02:20:45,480
Speaker 1: that's plugged with Cadillac ain't taking Cadillac certain things because

2278
02:20:45,520 --> 02:20:50,599
Speaker 1: they're scared of their relationship being severed. So it's it's instructions.

2279
02:20:50,760 --> 02:20:52,920
Speaker 1: It's instructions on how the money go. That's how you

2280
02:20:53,000 --> 02:20:55,600
Speaker 1: get cancel, not that you got to stop doing your

2281
02:20:55,640 --> 02:20:59,480
Speaker 1: little gig you're doing. Yeah, they fire you off this show,

2282
02:20:59,760 --> 02:21:02,440
Speaker 1: you go and cut your camera on. But they're gonna

2283
02:21:02,480 --> 02:21:05,080
Speaker 1: take the ads. The ad companies, they ain't gonna miss,

2284
02:21:05,160 --> 02:21:07,520
Speaker 1: which it's gonna be rough for you move around. The

2285
02:21:07,680 --> 02:21:11,480
Speaker 1: way the business instructure, it's a certain level of continuity

2286
02:21:11,959 --> 02:21:16,120
Speaker 1: or how the money is distributed in this business. You

2287
02:21:16,280 --> 02:21:19,200
Speaker 1: understand and to make yourself eligible. It's almost just like

2288
02:21:19,320 --> 02:21:22,440
Speaker 1: a free agent in the NFL. It's certain boxes you

2289
02:21:22,520 --> 02:21:24,960
Speaker 1: gotta have checked off to even be eligible for a

2290
02:21:25,080 --> 02:21:27,880
Speaker 1: bag in this business. But nobody don't tell y'all that.

2291
02:21:28,000 --> 02:21:30,600
Speaker 1: They just saying boys bags and this business. Yeah, but

2292
02:21:30,680 --> 02:21:32,840
Speaker 1: it's they ain't telling you. Man, you got to hear.

2293
02:21:33,040 --> 02:21:35,040
Speaker 1: It's you're like a free agent? Are you really a

2294
02:21:35,160 --> 02:21:37,600
Speaker 1: free agent? Are you just a nick balling at the center?

2295
02:21:39,800 --> 02:21:41,600
Speaker 1: Is you really? Can I look at the stats? Where

2296
02:21:41,600 --> 02:21:43,840
Speaker 1: can I? I need the bear to see some game tape,

2297
02:21:43,879 --> 02:21:46,320
Speaker 1: some stats? What we're doing? Is you really free agent?

2298
02:21:46,560 --> 02:21:48,840
Speaker 1: Or you just they at the center saying that you

2299
02:21:48,959 --> 02:21:52,400
Speaker 1: can ball because we signed free agents. You ain't even

2300
02:21:52,440 --> 02:21:55,280
Speaker 1: eligible to be eligible to be signed. But boy, you

2301
02:21:55,360 --> 02:21:58,000
Speaker 1: got but but you talk good. But you ain't eligible

2302
02:21:58,240 --> 02:21:59,880
Speaker 1: boy to be signed because you ain't got your B.

2303
02:22:00,040 --> 02:22:02,120
Speaker 1: And it's none of that in the order. But you

2304
02:22:02,240 --> 02:22:05,240
Speaker 1: gotta again understand corporate jar and you gotta know how

2305
02:22:05,280 --> 02:22:07,640
Speaker 1: to talk to the people right when you're dealing with

2306
02:22:07,760 --> 02:22:09,280
Speaker 1: some of these And and I learned some of that

2307
02:22:09,360 --> 02:22:11,560
Speaker 1: is from being Marshal by being with him. You know,

2308
02:22:11,640 --> 02:22:14,240
Speaker 1: when you talk to an ad company, it's certain language

2309
02:22:14,280 --> 02:22:18,279
Speaker 1: you gotta use because you needn't sound like you begging

2310
02:22:18,400 --> 02:22:20,880
Speaker 1: in there. Man, Well we really just we really need

2311
02:22:20,959 --> 02:22:23,480
Speaker 1: to check. We need some money. You know, we need

2312
02:22:23,560 --> 02:22:26,320
Speaker 1: some money. We need some money for the show. You

2313
02:22:26,520 --> 02:22:29,600
Speaker 1: understand you can't when you're talking to an AD company.

2314
02:22:29,640 --> 02:22:34,199
Speaker 1: That ain't how you told we need a presenting sponsor.

2315
02:22:34,959 --> 02:22:37,560
Speaker 1: And these are the benefits of what we right. So

2316
02:22:37,800 --> 02:22:40,400
Speaker 1: just knowing how to frame it in the arena that

2317
02:22:40,520 --> 02:22:42,760
Speaker 1: you win. And that's how they started that. They don't

2318
02:22:42,840 --> 02:22:47,160
Speaker 1: ran Kanye Alpha Instagram. That's how they started getting at it. YO.

2319
02:22:47,320 --> 02:22:50,080
Speaker 1: Start framing some of these things and say that not

2320
02:22:50,240 --> 02:22:53,360
Speaker 1: even say, let's just say that something is happening, because

2321
02:22:53,400 --> 02:22:55,200
Speaker 1: I'm not there, so I don't say whether or not

2322
02:22:55,360 --> 02:22:57,720
Speaker 1: things are true or not. But let's say Pete is

2323
02:22:57,800 --> 02:23:01,160
Speaker 1: getting threatened and things like that. All right, let's frame

2324
02:23:01,280 --> 02:23:03,640
Speaker 1: that press, release that out there because of what Kanye

2325
02:23:03,800 --> 02:23:06,119
Speaker 1: is saying, such and sudden, sudden and such and sudden

2326
02:23:06,360 --> 02:23:09,200
Speaker 1: and we're scared and he's bullying her and that ain't right.

2327
02:23:09,280 --> 02:23:12,359
Speaker 1: And then d L he ain't a ball of criticism

2328
02:23:12,480 --> 02:23:16,200
Speaker 1: either from the coach. There was some you know things

2329
02:23:16,280 --> 02:23:19,320
Speaker 1: he was saying about that situation, right Kanye and Kim,

2330
02:23:19,480 --> 02:23:21,960
Speaker 1: and he had to retract it, and he got in

2331
02:23:22,080 --> 02:23:25,920
Speaker 1: some other things. And again, everybody has an opinion. I

2332
02:23:26,160 --> 02:23:28,480
Speaker 1: shared the world with all these people, and I'm in

2333
02:23:28,520 --> 02:23:31,320
Speaker 1: a position to say everybody had your opinion. Some people

2334
02:23:31,440 --> 02:23:34,160
Speaker 1: do it better than others. Some people have a better understanding.

2335
02:23:34,440 --> 02:23:37,520
Speaker 1: I know what opinions. The value and coming in a

2336
02:23:37,640 --> 02:23:41,120
Speaker 1: new age, this is what we gotta separate and hear

2337
02:23:41,240 --> 02:23:45,000
Speaker 1: some part talking some industry content, creative tone for my

2338
02:23:45,160 --> 02:23:49,480
Speaker 1: love ones out there, It's about to be everybody doing

2339
02:23:49,560 --> 02:23:53,680
Speaker 1: the same thing. You gotta create value in the market.

2340
02:23:55,879 --> 02:24:00,200
Speaker 1: You gotta know who conversations the value. You gotta know

2341
02:24:00,520 --> 02:24:02,960
Speaker 1: who to go to for the sports talk, who to

2342
02:24:03,080 --> 02:24:05,800
Speaker 1: go to for the this talk, that talk. You gotta

2343
02:24:05,879 --> 02:24:08,560
Speaker 1: know what you're doing. And then for me and people

2344
02:24:08,640 --> 02:24:11,280
Speaker 1: on my side. We gotta make it obvious. This is

2345
02:24:11,320 --> 02:24:14,400
Speaker 1: where you come get the game. Man, Listen, this is

2346
02:24:14,560 --> 02:24:18,200
Speaker 1: Royal Wrestling Federation or the NBA, and that's like the

2347
02:24:18,360 --> 02:24:21,039
Speaker 1: D League. And I need that line to be clear

2348
02:24:21,120 --> 02:24:25,160
Speaker 1: to the to the market, and not because I'm better

2349
02:24:25,240 --> 02:24:28,000
Speaker 1: than them as an individual, because I put more work

2350
02:24:28,080 --> 02:24:29,760
Speaker 1: in in them. I don't go to sleep till they

2351
02:24:29,840 --> 02:24:34,280
Speaker 1: go to Oh man, listen, I'm up when they when

2352
02:24:34,320 --> 02:24:38,160
Speaker 1: they go to sleep, I'm up. And when they up,

2353
02:24:38,200 --> 02:24:42,160
Speaker 1: I'm up. They can't miss me. I'm working on this

2354
02:24:42,360 --> 02:24:44,640
Speaker 1: thing more than they're working on whatever they're working on.

2355
02:24:44,760 --> 02:24:47,760
Speaker 1: I don't care who your name. But when he continued

2356
02:24:47,840 --> 02:24:51,640
Speaker 1: to reiterate that she's an occupational hazard, there's a reason

2357
02:24:51,720 --> 02:24:53,720
Speaker 1: that that world was used. I want to be clear.

2358
02:24:55,640 --> 02:24:59,720
Speaker 1: And again, a lot of us don't understand how to

2359
02:25:00,000 --> 02:25:02,720
Speaker 1: a lot of times, like you got a business, you

2360
02:25:02,800 --> 02:25:04,640
Speaker 1: got a bright idea, but you don't know how to

2361
02:25:04,720 --> 02:25:10,360
Speaker 1: get funding. So therefore your ideas sit around long enough,

2362
02:25:10,920 --> 02:25:13,760
Speaker 1: and you gotta just enough fame to where something body

2363
02:25:13,800 --> 02:25:16,680
Speaker 1: ahead of you caught that idea, took it, framed it,

2364
02:25:17,000 --> 02:25:19,720
Speaker 1: when it got funding. For now they are they got

2365
02:25:19,879 --> 02:25:21,960
Speaker 1: more and more and more now they got more money

2366
02:25:22,040 --> 02:25:25,080
Speaker 1: based on the idea that they discovered and didn't create.

2367
02:25:26,480 --> 02:25:29,440
Speaker 1: But part of it is your fault for knowing how

2368
02:25:29,480 --> 02:25:32,359
Speaker 1: to go get the information and then how to get funded,

2369
02:25:32,959 --> 02:25:35,199
Speaker 1: because in this world, there's a way to get funding,

2370
02:25:35,720 --> 02:25:38,320
Speaker 1: and a world there's a way to communicate the investors

2371
02:25:38,600 --> 02:25:43,040
Speaker 1: to where you can explain how they're gonna get their

2372
02:25:43,080 --> 02:25:45,640
Speaker 1: money back, what they all looked like, how we investing,

2373
02:25:45,720 --> 02:25:48,120
Speaker 1: where we invest in, what it should do, what the

2374
02:25:48,280 --> 02:25:52,120
Speaker 1: expectations are, if bare minimum, this should be the result

2375
02:25:52,200 --> 02:25:55,400
Speaker 1: if nothing else. YouTube brings this in right. You gotta

2376
02:25:55,400 --> 02:25:57,840
Speaker 1: be able to explain some of these things. But a

2377
02:25:57,959 --> 02:26:00,200
Speaker 1: lot of people don't know that. A lot of us

2378
02:26:00,240 --> 02:26:02,080
Speaker 1: to go to court with. Do you know what I'm saying.

2379
02:26:02,879 --> 02:26:06,160
Speaker 1: You know what I'm saying, A lot of being caught yan.

2380
02:26:06,280 --> 02:26:08,320
Speaker 1: I ain't gonna hold you there, homies. I ain't got

2381
02:26:08,400 --> 02:26:10,879
Speaker 1: nothing to do with that. It's like yo, yo, lord,

2382
02:26:10,920 --> 02:26:13,080
Speaker 1: you got the yo. That ain't how you talking here?

2383
02:26:13,160 --> 02:26:16,520
Speaker 1: That ain't even affective. You could be in that scream

2384
02:26:16,560 --> 02:26:19,640
Speaker 1: and I didn't do it. God, I wasn't even lord,

2385
02:26:19,720 --> 02:26:21,920
Speaker 1: I wasn't. You could be telling the truth, but if

2386
02:26:22,000 --> 02:26:25,520
Speaker 1: it ain't framed right, if it ain't said right, or

2387
02:26:25,560 --> 02:26:29,160
Speaker 1: if this right paperwork ain't filed, its ineffective. A lot

2388
02:26:29,200 --> 02:26:33,040
Speaker 1: of times, the truth live outside the courtroom. A lot

2389
02:26:33,120 --> 02:26:35,520
Speaker 1: of times in the courtroom, it ain't even about the truth,

2390
02:26:35,600 --> 02:26:39,640
Speaker 1: It's about what made it in the courtroom, right, because

2391
02:26:39,720 --> 02:26:42,480
Speaker 1: if we let lyrics make it in the courtroom, then

2392
02:26:42,600 --> 02:26:45,080
Speaker 1: they take lyrics as evidence because if it makes it

2393
02:26:45,200 --> 02:26:50,200
Speaker 1: in the courtroom, therefore it's evidence. So that's why I'm

2394
02:26:50,280 --> 02:26:53,840
Speaker 1: saying it need to be proactive going on about lyrics.

2395
02:26:54,120 --> 02:26:56,800
Speaker 1: And it's unfortunate for us because they don't teach you

2396
02:26:56,879 --> 02:26:59,320
Speaker 1: how to communicate in court. They don't teach you how

2397
02:26:59,360 --> 02:27:02,120
Speaker 1: to communicate on the interview, they don't teach you how

2398
02:27:02,200 --> 02:27:05,840
Speaker 1: to go up. I remember meeting the Tabio, which is

2399
02:27:05,879 --> 02:27:09,280
Speaker 1: the CEO a revolt and trying to explain to him

2400
02:27:09,320 --> 02:27:11,920
Speaker 1: in a short moment what I do and it's like

2401
02:27:12,280 --> 02:27:15,480
Speaker 1: that had kept me up at night. It's like, Loan,

2402
02:27:15,560 --> 02:27:18,959
Speaker 1: how do you explain what it is you do to people?

2403
02:27:19,560 --> 02:27:24,119
Speaker 1: That's actually the button pushes because you can't just come

2404
02:27:24,160 --> 02:27:27,520
Speaker 1: to them like yo, I do a pard It's like

2405
02:27:27,600 --> 02:27:31,200
Speaker 1: excuse me. But that's how a lot of us is

2406
02:27:31,240 --> 02:27:34,400
Speaker 1: coming at each other, and they calling that culture, and

2407
02:27:34,520 --> 02:27:37,080
Speaker 1: they blaming people for saying you ain't part of the

2408
02:27:37,160 --> 02:27:39,200
Speaker 1: culture because you ain't see me on my come up.

2409
02:27:39,240 --> 02:27:41,520
Speaker 1: I had came up to you and told you, yo,

2410
02:27:41,680 --> 02:27:46,320
Speaker 1: I got a part, and you missed it. And that's

2411
02:27:46,400 --> 02:27:49,160
Speaker 1: the problem because at first I even believe that I

2412
02:27:49,240 --> 02:27:51,920
Speaker 1: tear rashard from earning your leaders all the time, I'm like, yo,

2413
02:27:52,280 --> 02:27:55,200
Speaker 1: I thought it would be much harder. But I thought

2414
02:27:55,200 --> 02:27:58,000
Speaker 1: it would be much harder because I didn't understand that

2415
02:27:58,120 --> 02:28:02,480
Speaker 1: it's about how affect and efficient and proficient are you

2416
02:28:02,600 --> 02:28:08,080
Speaker 1: in what you do in your communication? Right, So now

2417
02:28:08,480 --> 02:28:11,320
Speaker 1: I gotta explain the aid companies. I gotta be on

2418
02:28:11,400 --> 02:28:13,520
Speaker 1: the phone with some of the biggest aids in the world. Listen,

2419
02:28:13,640 --> 02:28:16,280
Speaker 1: this is what it's up. That podcast we also bring.

2420
02:28:16,560 --> 02:28:20,080
Speaker 1: We bring the culture conversations. We also um UM have

2421
02:28:20,200 --> 02:28:23,440
Speaker 1: an outreach company that goes into the community and teach

2422
02:28:23,560 --> 02:28:26,920
Speaker 1: the importance of communication to children and that, you know,

2423
02:28:26,959 --> 02:28:29,320
Speaker 1: I gotta lay it out to them exactly what I'm doing,

2424
02:28:29,480 --> 02:28:31,800
Speaker 1: because I can't just coming like, man, I gotta part.

2425
02:28:31,879 --> 02:28:34,360
Speaker 1: It's dope, man, I'm telling you, it's really man. The

2426
02:28:34,480 --> 02:28:38,400
Speaker 1: who are really the streets? Man, the streets It's like

2427
02:28:39,520 --> 02:28:44,400
Speaker 1: that jargon. They don't stick. It's just like it just

2428
02:28:44,600 --> 02:28:47,720
Speaker 1: don't stick, you know what I mean. And so again,

2429
02:28:47,840 --> 02:28:53,120
Speaker 1: in court, the truth usually lives outside of them, you understand,

2430
02:28:53,240 --> 02:28:57,520
Speaker 1: but maybe you can't explain it right. That's why it's

2431
02:28:57,600 --> 02:28:59,920
Speaker 1: important the questions they ask you, man. That's why something

2432
02:29:00,000 --> 02:29:03,840
Speaker 1: times I watch lawyers talk. I watch him prosecute, not prosecute,

2433
02:29:03,879 --> 02:29:07,720
Speaker 1: but I watch him. I watch testimonies and cross examinations

2434
02:29:07,760 --> 02:29:11,000
Speaker 1: and things like that, because sometimes it's interesting how they

2435
02:29:11,080 --> 02:29:15,800
Speaker 1: frame these things. You see thug lawyer Berdin his one too.

2436
02:29:15,840 --> 02:29:17,960
Speaker 1: He wanted the best at it. But to be clear

2437
02:29:18,000 --> 02:29:20,200
Speaker 1: again on this up there podcast, we just deal with

2438
02:29:20,280 --> 02:29:23,280
Speaker 1: the information. Monique deal hugely. Hopefully they'll get over there

2439
02:29:23,320 --> 02:29:26,160
Speaker 1: at some point. Me I want to see Monique work

2440
02:29:26,280 --> 02:29:29,800
Speaker 1: herself back into a position where she's viewed as the

2441
02:29:30,000 --> 02:29:33,879
Speaker 1: funny woman, you know what I'm saying, the funny female comic,

2442
02:29:34,040 --> 02:29:39,000
Speaker 1: because it's almost like she's pigeonhole in herself in my opinion,

2443
02:29:39,160 --> 02:29:41,600
Speaker 1: my humble opinion, because again I have a high level

2444
02:29:41,640 --> 02:29:46,920
Speaker 1: of respect for women, Black women of her age. My

2445
02:29:47,280 --> 02:29:50,560
Speaker 1: mother wouldn't allow for her son to operate like Dan

2446
02:29:50,600 --> 02:29:52,360
Speaker 1: and I'm a gangster, but I got a high level

2447
02:29:52,440 --> 02:29:55,440
Speaker 1: of respect for what Mama look like in public, right,

2448
02:29:55,560 --> 02:29:58,680
Speaker 1: So I'm not disrespecting beloved. But what I am saying

2449
02:29:59,360 --> 02:30:02,760
Speaker 1: is that you know, you work your way back into

2450
02:30:02,879 --> 02:30:07,680
Speaker 1: the to the office, you understand, and you just want

2451
02:30:07,720 --> 02:30:10,119
Speaker 1: to make sure that like you really get a real

2452
02:30:10,240 --> 02:30:12,400
Speaker 1: shot and put some money up and then when you

2453
02:30:12,520 --> 02:30:14,880
Speaker 1: come back out saying, man, I went through hell the

2454
02:30:15,000 --> 02:30:17,360
Speaker 1: last two years by running up twenty men. But let

2455
02:30:17,440 --> 02:30:21,800
Speaker 1: me tell y'all such and such and not that I

2456
02:30:21,879 --> 02:30:24,040
Speaker 1: would do that, but I'm just saying, you don't go

2457
02:30:24,160 --> 02:30:28,520
Speaker 1: in the trick bag and sacrifice, especially right at the wheel.

2458
02:30:28,920 --> 02:30:32,240
Speaker 1: And I'm I'm guaranteeing you nobody's gonna make the point

2459
02:30:32,280 --> 02:30:35,800
Speaker 1: that I just made about Monique being like Will Smith.

2460
02:30:35,920 --> 02:30:38,240
Speaker 1: I don't know if it's something with comics brain or what.

2461
02:30:38,480 --> 02:30:41,240
Speaker 1: I don't know, but she's the female Will Smith in

2462
02:30:41,360 --> 02:30:47,400
Speaker 1: this situation right here. Everything that she has reacted on

2463
02:30:48,920 --> 02:30:52,760
Speaker 1: in the last maybe years has been something that had

2464
02:30:52,840 --> 02:30:57,720
Speaker 1: to do with her husband being involved. Right, Let's say

2465
02:30:57,800 --> 02:31:00,560
Speaker 1: that my old lady is with me and I've made

2466
02:31:00,600 --> 02:31:02,560
Speaker 1: her manager because I want her to get some money

2467
02:31:02,640 --> 02:31:04,800
Speaker 1: with me, and we a spoon coon and were family.

2468
02:31:04,920 --> 02:31:07,920
Speaker 1: So we in this together where they're never separate this thing.

2469
02:31:09,120 --> 02:31:12,280
Speaker 1: But let's just say year one, we were making ten

2470
02:31:12,400 --> 02:31:15,440
Speaker 1: million a year, we put you at the head, were

2471
02:31:15,480 --> 02:31:18,520
Speaker 1: at teen, we're looking to go to twining, but next

2472
02:31:18,600 --> 02:31:21,600
Speaker 1: year we went to six. We got to take a

2473
02:31:21,680 --> 02:31:26,000
Speaker 1: look at Okay, So now you what's happening. So maybe

2474
02:31:26,040 --> 02:31:28,560
Speaker 1: you're operating it in the way that's losing equity. Not

2475
02:31:28,720 --> 02:31:31,200
Speaker 1: that you right or wrong, and your principle may be

2476
02:31:31,360 --> 02:31:37,680
Speaker 1: in tech, but our progress is in jeopardy, right, so

2477
02:31:37,879 --> 02:31:40,119
Speaker 1: you view it and then you say damn. Then next

2478
02:31:40,200 --> 02:31:42,320
Speaker 1: year you go down to fold million. Then hold up

2479
02:31:42,920 --> 02:31:45,400
Speaker 1: me being the head not to tell the boss. So

2480
02:31:45,560 --> 02:31:48,520
Speaker 1: the family. I got to tell beloved, you gotta get

2481
02:31:48,560 --> 02:31:51,160
Speaker 1: out this spot because we don't lost money the last

2482
02:31:51,200 --> 02:31:54,920
Speaker 1: two years. So something we're doing, whether it's in our negotiation,

2483
02:31:55,320 --> 02:31:58,120
Speaker 1: where this in our approach, where this in the framing

2484
02:31:58,200 --> 02:32:02,439
Speaker 1: of my accolades, where send me understanding the market, something's

2485
02:32:02,480 --> 02:32:06,120
Speaker 1: off and we gotta shuffle the deck. Right. But love

2486
02:32:06,200 --> 02:32:10,480
Speaker 1: will make you hold on to that feeling business because

2487
02:32:10,560 --> 02:32:14,400
Speaker 1: you went into it what your love on, right, you

2488
02:32:14,440 --> 02:32:17,240
Speaker 1: should have shuffled that deck in my opinion a while back,

2489
02:32:17,320 --> 02:32:21,840
Speaker 1: because the results with indicating we need more rehearsal. Some

2490
02:32:22,240 --> 02:32:26,640
Speaker 1: is happening with the contracts. Some is happening. We losing

2491
02:32:26,760 --> 02:32:29,520
Speaker 1: money every year we came in. She was on top,

2492
02:32:31,320 --> 02:32:37,720
Speaker 1: not on top, but one of the most requested comics

2493
02:32:37,879 --> 02:32:41,520
Speaker 1: female comics when she first I believe got married to

2494
02:32:42,240 --> 02:32:45,440
Speaker 1: hone you know, respectfully to him, I don't know his name,

2495
02:32:45,560 --> 02:32:50,200
Speaker 1: but married to bro. And if I'm losing money every

2496
02:32:50,280 --> 02:32:52,280
Speaker 1: year with you at the head, that don't speak to

2497
02:32:52,400 --> 02:32:55,880
Speaker 1: your manhood, and that shows that you insecure if you

2498
02:32:56,000 --> 02:32:59,400
Speaker 1: gotta be the head of my business, even though it's

2499
02:32:59,480 --> 02:33:02,440
Speaker 1: feeling just to feel like that makes you my man

2500
02:33:02,640 --> 02:33:05,040
Speaker 1: now man like yo, let go or the weir we

2501
02:33:05,240 --> 02:33:10,440
Speaker 1: as crashing right respectfully to our love relationship, like I

2502
02:33:10,640 --> 02:33:12,680
Speaker 1: love you, but I ain't letting you crash the whip.

2503
02:33:12,680 --> 02:33:17,680
Speaker 1: I worked on this prior to you, respectfully. And if

2504
02:33:17,760 --> 02:33:20,440
Speaker 1: he standing on principle, like a lot of us standing

2505
02:33:20,440 --> 02:33:22,760
Speaker 1: on principle, he looked at the results and say, Babe,

2506
02:33:23,000 --> 02:33:26,280
Speaker 1: that makes sense. Let's put somebody there. But let's put

2507
02:33:26,360 --> 02:33:29,520
Speaker 1: somebody there that you like, that we trust, and that

2508
02:33:29,720 --> 02:33:32,680
Speaker 1: maybe I can at least talk to sometime. If you,

2509
02:33:32,840 --> 02:33:35,560
Speaker 1: just as a man, feel like you need to be involved.

2510
02:33:35,600 --> 02:33:39,959
Speaker 1: But to me, that's toxic energy. Let that woman blossom

2511
02:33:40,120 --> 02:33:42,520
Speaker 1: in the space. She has more accolades than a lot

2512
02:33:42,560 --> 02:33:45,959
Speaker 1: of the female comics. It's no reason for her contract

2513
02:33:46,040 --> 02:33:49,439
Speaker 1: disputes and things to be at the forefront. My opinion,

2514
02:33:50,040 --> 02:33:52,520
Speaker 1: it needs to be a shuffle of the deck. Too

2515
02:33:52,600 --> 02:34:01,800
Speaker 1: many times we let love dictate our direction. I'm not

2516
02:34:01,959 --> 02:34:04,160
Speaker 1: gonna be a prisoner to your love. I love you

2517
02:34:04,320 --> 02:34:08,000
Speaker 1: like a mother, but if you I can't let you

2518
02:34:08,120 --> 02:34:11,720
Speaker 1: set the house on fire, that mean I burned up too.

2519
02:34:13,680 --> 02:34:16,440
Speaker 1: But see, women is willing to go down with the ship.

2520
02:34:17,800 --> 02:34:20,720
Speaker 1: Had that been a man and a woman as his

2521
02:34:21,000 --> 02:34:26,679
Speaker 1: manager and the money dwindling year after year, because respectfully,

2522
02:34:26,800 --> 02:34:29,360
Speaker 1: she can't tell me that she didn't lose money for

2523
02:34:29,440 --> 02:34:31,880
Speaker 1: those years because she went into a slump, because the

2524
02:34:32,000 --> 02:34:36,920
Speaker 1: industry stopped calling her phone. A lot of it was

2525
02:34:36,920 --> 02:34:40,000
Speaker 1: because she came out and talked about whatever needed to

2526
02:34:40,080 --> 02:34:43,520
Speaker 1: be talked about. But in my opinion, that was at

2527
02:34:43,560 --> 02:34:48,840
Speaker 1: the direction and because of the encouragement of what her

2528
02:34:48,959 --> 02:34:50,960
Speaker 1: man was telling her to dude, which he may have

2529
02:34:51,040 --> 02:34:53,080
Speaker 1: felt it was right in that time. I don't know,

2530
02:34:53,320 --> 02:34:59,800
Speaker 1: but I'm telling people that if you are in a situation,

2531
02:35:00,040 --> 02:35:02,520
Speaker 1: if I'm in a situation if you're not dealing with

2532
02:35:02,640 --> 02:35:05,400
Speaker 1: the information and you're dealing with your emotions, and your

2533
02:35:05,480 --> 02:35:09,000
Speaker 1: emotions is driving the vehicle, no matter the circumstances, no

2534
02:35:09,120 --> 02:35:12,160
Speaker 1: matter the outcome, no matter what's that state, You've placed

2535
02:35:12,240 --> 02:35:16,960
Speaker 1: yourself at a disadvantage. It's only so much talent can

2536
02:35:17,040 --> 02:35:21,040
Speaker 1: do so Only so much talent can endure. Talent can

2537
02:35:21,160 --> 02:35:24,440
Speaker 1: only sustain, but so much business acumen gotta come in

2538
02:35:24,600 --> 02:35:27,680
Speaker 1: and kick in, and at some point that's what's gonna

2539
02:35:27,720 --> 02:35:31,320
Speaker 1: take over. Talent becomes a thing of the past. Now

2540
02:35:31,400 --> 02:35:34,680
Speaker 1: it becomes celebrity. You're dealing with. See, first you come

2541
02:35:34,720 --> 02:35:36,959
Speaker 1: in the game, then don't nobody get this game? Now,

2542
02:35:37,080 --> 02:35:39,800
Speaker 1: first you came I'm freestyling. First you come in the

2543
02:35:39,879 --> 02:35:43,200
Speaker 1: game dealing with talent. That evolves, Then you start to

2544
02:35:43,280 --> 02:35:45,920
Speaker 1: deal with celebrity, Then you start to deal with legacy.

2545
02:35:47,320 --> 02:35:49,720
Speaker 1: Where you at in that process, you gotta know that

2546
02:35:50,000 --> 02:35:53,560
Speaker 1: look alive and stay WHOA. I was telling my home

2547
02:35:53,640 --> 02:35:58,039
Speaker 1: it's important to have your woman's mind. And that's important,

2548
02:35:58,120 --> 02:35:59,800
Speaker 1: but a lot of dudes know how to miss you

2549
02:36:00,240 --> 02:36:05,320
Speaker 1: that because if you have your woman's mind, she's put

2550
02:36:05,440 --> 02:36:08,160
Speaker 1: herself in a position the way it's detrimental for her

2551
02:36:08,240 --> 02:36:14,680
Speaker 1: to do something that jeopardize y'all situation, and it can

2552
02:36:14,760 --> 02:36:18,040
Speaker 1: appear that I can have your mind when I'm wrecking

2553
02:36:18,160 --> 02:36:20,800
Speaker 1: your business or not even wrecking it, just as it's

2554
02:36:20,879 --> 02:36:24,840
Speaker 1: going down, right, the numbers are decreasing. If that's the case,

2555
02:36:25,640 --> 02:36:27,959
Speaker 1: somebody got to make an adjustment. And if a man

2556
02:36:28,160 --> 02:36:30,440
Speaker 1: was in the flip role and his woman was doing that,

2557
02:36:30,640 --> 02:36:33,920
Speaker 1: I just believe that we would have nothing to talk about.

2558
02:36:34,240 --> 02:36:36,720
Speaker 1: That there will be a shuffle of the day. Shout

2559
02:36:36,760 --> 02:36:40,760
Speaker 1: out the Monique and d L hugely. Again. We just

2560
02:36:40,920 --> 02:36:43,280
Speaker 1: deal with information on this up there podcast and we

2561
02:36:43,440 --> 02:36:48,160
Speaker 1: find we find it interesting and our audience loves it.

2562
02:36:48,240 --> 02:36:50,400
Speaker 1: So shout out to our audience. All right, let's speak

2563
02:36:50,440 --> 02:36:55,560
Speaker 1: on this a QCP head of Quality control. Artists on

2564
02:36:55,800 --> 02:36:59,920
Speaker 1: that label me Goal City Girls, Live Baby, list of

2565
02:37:00,160 --> 02:37:04,000
Speaker 1: other names. Many they've been influential, little YadA, shout out YadA.

2566
02:37:04,280 --> 02:37:07,560
Speaker 1: A lot of people's been um, they've been influential in

2567
02:37:07,640 --> 02:37:10,120
Speaker 1: the market and it's been powerhouse in the South. They

2568
02:37:10,280 --> 02:37:13,600
Speaker 1: roared to in the South. He had a birthday party.

2569
02:37:13,720 --> 02:37:17,520
Speaker 1: A list of rappers that just going be. They also

2570
02:37:17,640 --> 02:37:21,119
Speaker 1: have breast out the films they branched out two movies.

2571
02:37:21,480 --> 02:37:26,000
Speaker 1: They're doing a lot over there media right, Um, powerhouse

2572
02:37:26,080 --> 02:37:31,119
Speaker 1: in the space right. Um, he had a birthday party

2573
02:37:32,680 --> 02:37:34,800
Speaker 1: in the South. We know how to party. It's just

2574
02:37:35,000 --> 02:37:38,400
Speaker 1: that on that right, I'm always watching these parties, man,

2575
02:37:38,560 --> 02:37:42,880
Speaker 1: And for slew reasons, right number one, you know, waiting

2576
02:37:42,920 --> 02:37:45,960
Speaker 1: to be in attendance with that shit on, you understand me.

2577
02:37:46,080 --> 02:37:49,920
Speaker 1: But for number two, just to see how people navigate

2578
02:37:49,959 --> 02:37:52,920
Speaker 1: around each other. How do we interact with each other?

2579
02:37:53,080 --> 02:37:56,160
Speaker 1: Right when we are celebrating someone like Pete and you

2580
02:37:56,240 --> 02:37:59,160
Speaker 1: got did in the building. You got trouble in the building.

2581
02:37:59,200 --> 02:38:02,080
Speaker 1: You got all these different people RP trouble that just

2582
02:38:02,240 --> 02:38:04,440
Speaker 1: came out. That's why you know my mind They said

2583
02:38:04,480 --> 02:38:07,800
Speaker 1: he just passed away. But um, and you got so

2584
02:38:07,959 --> 02:38:11,160
Speaker 1: many people in the building. And everybody bosses in their

2585
02:38:11,240 --> 02:38:16,160
Speaker 1: own right, everybody kings of their own castle, everybody sailors

2586
02:38:16,200 --> 02:38:20,520
Speaker 1: of their own ship. Right. So I've always like to

2587
02:38:20,600 --> 02:38:22,760
Speaker 1: watch that because we are some of the most interesting

2588
02:38:22,840 --> 02:38:25,640
Speaker 1: people man, like when he comes to joking, like, I

2589
02:38:25,760 --> 02:38:28,360
Speaker 1: like to see them comedians together. Sometimes I watch Little

2590
02:38:28,400 --> 02:38:32,400
Speaker 1: Duval and DC Young Flying Carlos Mill and Chicobeon and

2591
02:38:32,840 --> 02:38:35,440
Speaker 1: and d Ray Davis and how them be together, and

2592
02:38:35,480 --> 02:38:38,040
Speaker 1: I'll be watching. Okay, I see because I always talk

2593
02:38:38,080 --> 02:38:40,000
Speaker 1: about how roguing them do it, so I do need

2594
02:38:40,040 --> 02:38:42,760
Speaker 1: the champion Duvall over there doing this one too, because

2595
02:38:42,840 --> 02:38:47,720
Speaker 1: Duvalla push it together with no hayting involved. Duval, little Duval,

2596
02:38:48,160 --> 02:38:50,680
Speaker 1: He's seeming to be a real one if you ask me,

2597
02:38:51,200 --> 02:38:53,199
Speaker 1: you know, I'm saying I ain't never seen him hate

2598
02:38:53,240 --> 02:38:56,320
Speaker 1: no nobody. I ain't never seen him really you know, pushing,

2599
02:38:56,440 --> 02:38:58,800
Speaker 1: pulling or dragon nobody threw the mud, you know what

2600
02:38:58,840 --> 02:39:01,400
Speaker 1: I'm saying. I've seen him fond the things, but he'd

2601
02:39:01,440 --> 02:39:04,840
Speaker 1: be for the most part dealing with information, be joyful

2602
02:39:04,840 --> 02:39:07,040
Speaker 1: and trying to get some paper that be what that

2603
02:39:07,200 --> 02:39:10,560
Speaker 1: be about. So that be gangster. But I like to

2604
02:39:10,640 --> 02:39:14,320
Speaker 1: see that in them big boy parties. They had tigers,

2605
02:39:14,360 --> 02:39:16,879
Speaker 1: and I can't thank a shouted name. I'm so disappointed

2606
02:39:16,920 --> 02:39:18,920
Speaker 1: because she the gold were putting them events together. I

2607
02:39:19,000 --> 02:39:21,440
Speaker 1: wanted to shout out. I just had met her down

2608
02:39:21,520 --> 02:39:23,600
Speaker 1: and slimming Huski is doing ben at the butcher thing,

2609
02:39:23,680 --> 02:39:26,800
Speaker 1: but she is the goat. If y'all don't follow hub

2610
02:39:26,879 --> 02:39:28,760
Speaker 1: Man or y'all tapped in the hut to get y'all

2611
02:39:28,800 --> 02:39:31,720
Speaker 1: events done by you sleeping at the wheeling you headed

2612
02:39:31,760 --> 02:39:35,160
Speaker 1: toward the brick wall. You understand me. But peace was

2613
02:39:35,200 --> 02:39:37,080
Speaker 1: off the chain. Let's see if we can find a

2614
02:39:37,200 --> 02:39:40,400
Speaker 1: video with just some of the just footage, because I

2615
02:39:40,480 --> 02:39:42,119
Speaker 1: just want to show people what it is, what it's

2616
02:39:42,120 --> 02:39:44,120
Speaker 1: like in the South. I mean, you know, my listenership

2617
02:39:44,240 --> 02:39:54,200
Speaker 1: is pretty wild. We got did aheaded there. It's up.

2618
02:39:54,680 --> 02:39:56,199
Speaker 1: You know, I'm coming to fuck with you for sure.

2619
02:39:56,959 --> 02:39:59,400
Speaker 1: So this just his story. You know, he was sending

2620
02:39:59,440 --> 02:40:20,720
Speaker 1: out in with Jason. He did it big man. The

2621
02:40:20,840 --> 02:40:24,360
Speaker 1: boys had police escorts. The boys is doing it big.

2622
02:40:24,520 --> 02:40:26,720
Speaker 1: You know. I like to see every everybody had this

2623
02:40:26,840 --> 02:40:29,200
Speaker 1: show man. I've seen some of the best outfits I

2624
02:40:29,320 --> 02:40:31,880
Speaker 1: ever want to see in the world. I said, boy,

2625
02:40:31,959 --> 02:40:34,000
Speaker 1: black people don't know how to do nothing. They know

2626
02:40:34,160 --> 02:40:37,600
Speaker 1: how to dress. I mean it all kind of yeah.

2627
02:40:38,040 --> 02:40:39,960
Speaker 1: I'm telling me. They had it on in there in

2628
02:40:40,040 --> 02:40:43,640
Speaker 1: the QCP party. The thing. I also seen what one

2629
02:40:43,800 --> 02:40:47,320
Speaker 1: the pair of regular tief no where in now now

2630
02:40:47,520 --> 02:40:49,680
Speaker 1: some of them had no regular tief had to be

2631
02:40:49,879 --> 02:40:54,760
Speaker 1: sixteen thousand pair veneers and that mother one thing about it.

2632
02:40:54,920 --> 02:40:56,920
Speaker 1: That's how you know you had the top note part

2633
02:40:57,000 --> 02:41:01,000
Speaker 1: ain't no regular tief in. Now everybody got them fake ones,

2634
02:41:01,520 --> 02:41:05,800
Speaker 1: pyerless hidden hall. Now I'm talking about everybody running around

2635
02:41:05,840 --> 02:41:09,920
Speaker 1: with Vania smiling. You can't stop him. I ain't nobody. Yeah, man,

2636
02:41:10,040 --> 02:41:12,960
Speaker 1: cause everybody getting paper. But I like it to see that.

2637
02:41:13,200 --> 02:41:16,240
Speaker 1: But you know when I said, man, when black people

2638
02:41:16,320 --> 02:41:20,119
Speaker 1: get money, nowadays, the first symbol if you got man,

2639
02:41:20,200 --> 02:41:23,240
Speaker 1: they're going to get them some tea speed the day

2640
02:41:23,240 --> 02:41:27,480
Speaker 1: in the entertainment industry, every sum in that party had

2641
02:41:27,640 --> 02:41:31,840
Speaker 1: Vania and they wanted them cheap teeth. That's embarrassing them

2642
02:41:32,040 --> 02:41:35,760
Speaker 1: a little baby betimee. Nah nah. They wanted them sheets,

2643
02:41:35,800 --> 02:41:40,440
Speaker 1: some paper in the mount it was them real teeth. Yeah,

2644
02:41:40,480 --> 02:41:45,680
Speaker 1: them porcelain off. They want them compositories or whatever the is.

2645
02:41:45,720 --> 02:41:48,480
Speaker 1: Then mother knows them them. It wanted them four hundred

2646
02:41:48,520 --> 02:41:53,000
Speaker 1: dollars Peace joints. It was them joints. But yeah, everybody ahead,

2647
02:41:53,080 --> 02:41:55,840
Speaker 1: v Niel's in them. Before I get to anything else,

2648
02:41:55,920 --> 02:41:58,960
Speaker 1: let's get to Nick Cannon and Joe Button. For those

2649
02:41:59,000 --> 02:42:02,480
Speaker 1: of you underwear. Nick Cannon just went on Joe Bunning's podcast,

2650
02:42:02,879 --> 02:42:04,520
Speaker 1: and I was gonna save it for the end of

2651
02:42:04,600 --> 02:42:06,520
Speaker 1: the show to kind of speak about it because I

2652
02:42:06,600 --> 02:42:08,360
Speaker 1: don't know what I want to say about it, but

2653
02:42:08,480 --> 02:42:10,200
Speaker 1: let's listen to a little bit of it and have

2654
02:42:10,320 --> 02:42:12,760
Speaker 1: a conversation about some of it. Now. I do, in

2655
02:42:12,879 --> 02:42:16,160
Speaker 1: particular want to speak about this. Nick Cannon spoke about

2656
02:42:16,320 --> 02:42:20,240
Speaker 1: him being in a position to own his brand and

2657
02:42:20,520 --> 02:42:23,400
Speaker 1: because of the negligence of the company that he was

2658
02:42:23,480 --> 02:42:27,000
Speaker 1: attached to, because they had all of their eggs and

2659
02:42:27,160 --> 02:42:29,800
Speaker 1: other baskets, he was able to blossom in a way

2660
02:42:30,200 --> 02:42:33,200
Speaker 1: that now causes him to be wealthy. Then a lot

2661
02:42:33,280 --> 02:42:36,200
Speaker 1: of people on the Forbes list, see how I deal

2662
02:42:36,240 --> 02:42:38,720
Speaker 1: with that information and give it to you. Ain't but

2663
02:42:38,840 --> 02:42:41,160
Speaker 1: a few dude can do that. But he was able

2664
02:42:41,240 --> 02:42:45,400
Speaker 1: to speak about how he was even able to still

2665
02:42:45,640 --> 02:42:49,800
Speaker 1: own a big portion of Wilding Out. At the time

2666
02:42:49,920 --> 02:42:52,440
Speaker 1: of people saying that he was canceled or going to

2667
02:42:52,520 --> 02:42:54,560
Speaker 1: be canceled off the show, he was still owner of

2668
02:42:54,680 --> 02:42:58,640
Speaker 1: the show. But again it's about press release. Ask Nick

2669
02:42:58,720 --> 02:43:01,760
Speaker 1: Cannon about the corporate Joe Argain when they started to

2670
02:43:01,840 --> 02:43:04,600
Speaker 1: frame in a certain way, no matter what the truth feel,

2671
02:43:05,560 --> 02:43:07,760
Speaker 1: what can they get out there and spread quick into

2672
02:43:07,800 --> 02:43:10,520
Speaker 1: the masses Because Shady Room don't answer for the truth,

2673
02:43:10,959 --> 02:43:14,800
Speaker 1: they answer for the people. They got relationships with academics

2674
02:43:14,840 --> 02:43:17,160
Speaker 1: don't answer for the truth. He answered for the people.

2675
02:43:17,200 --> 02:43:20,480
Speaker 1: He got relationships with its own site, Neighborhood Talk. Some

2676
02:43:20,640 --> 02:43:23,520
Speaker 1: of these blogs do answer for the truth, but most

2677
02:43:23,600 --> 02:43:28,359
Speaker 1: of them it's a business to post. It's a business.

2678
02:43:28,920 --> 02:43:30,600
Speaker 1: I got this amount of followers, I get you in

2679
02:43:30,680 --> 02:43:32,959
Speaker 1: front of this amount of people for this number, though,

2680
02:43:34,920 --> 02:43:37,160
Speaker 1: So how the truth gonna help? How the truth? What

2681
02:43:37,320 --> 02:43:39,320
Speaker 1: the truth talking about? When they're giving me twenty two

2682
02:43:39,360 --> 02:43:42,120
Speaker 1: thousand and four a post and I can erase it

2683
02:43:42,200 --> 02:43:45,240
Speaker 1: in two days. They ain't even requine it to stay

2684
02:43:45,360 --> 02:43:48,280
Speaker 1: up for twenty two thousand and you're saying, post the

2685
02:43:48,360 --> 02:43:55,680
Speaker 1: truth right now, I wait on that, yeah, without dropping

2686
02:43:55,720 --> 02:44:00,960
Speaker 1: the names. And MTV loved it. And from that, for

2687
02:44:01,120 --> 02:44:05,080
Speaker 1: whatever reason, I'm great lawyers, great attorneys. I was able

2688
02:44:05,120 --> 02:44:08,840
Speaker 1: to keep my brand and have ownership over this throughout

2689
02:44:08,959 --> 02:44:15,280
Speaker 1: the years. So, you know, by the time time goes around,

2690
02:44:15,400 --> 02:44:17,440
Speaker 1: this long story short, by the time we get to

2691
02:44:18,280 --> 02:44:23,200
Speaker 1: twenty seventeen, they're they're like, yo, and I'm I'm we

2692
02:44:23,400 --> 02:44:26,440
Speaker 1: on tour now, I got restaurants, you know what I mean?

2693
02:44:26,879 --> 02:44:30,320
Speaker 1: They looked Vicom looks something like, we don't own this.

2694
02:44:31,480 --> 02:44:35,160
Speaker 1: You know, like all these years later, all because if

2695
02:44:35,240 --> 02:44:38,320
Speaker 1: you notice, and I feel like when Wilding Out first

2696
02:44:38,400 --> 02:44:43,840
Speaker 1: came out, my competition was pumped. It was me and

2697
02:44:43,920 --> 02:44:47,119
Speaker 1: Ashton Kutcher, and that was the one that they held

2698
02:44:47,200 --> 02:44:49,160
Speaker 1: up and they embraced him, so they like, let Nick

2699
02:44:49,240 --> 02:44:52,840
Speaker 1: do his little thing. We got pumped and what Nick's

2700
02:44:52,879 --> 02:44:55,200
Speaker 1: doing over there with the hip hop guys, and then

2701
02:44:55,240 --> 02:44:58,960
Speaker 1: you outlasted them and then outlasted them. Then they got

2702
02:44:59,000 --> 02:45:01,000
Speaker 1: another guy that they I got really excited about. I

2703
02:45:01,000 --> 02:45:04,840
Speaker 1: was like, oh, we got ridiculous, Like they had another one.

2704
02:45:06,920 --> 02:45:10,879
Speaker 1: That's cool. But the whole time, I'm over here quiet grinding,

2705
02:45:11,200 --> 02:45:14,959
Speaker 1: you know, like yeah yeah. But then they look back

2706
02:45:14,959 --> 02:45:17,400
Speaker 1: and see the numbers, the totality, and they're like and

2707
02:45:17,480 --> 02:45:19,600
Speaker 1: then they look up and it's a billion dollar brand

2708
02:45:19,720 --> 02:45:27,600
Speaker 1: that has many verticals from touring, from brick and mortar, merchandise, gaming,

2709
02:45:28,160 --> 02:45:33,240
Speaker 1: restaurant like, so none of their other brands have done that.

2710
02:45:33,480 --> 02:45:35,960
Speaker 1: Still their number one digital brand to this day is

2711
02:45:36,000 --> 02:45:38,000
Speaker 1: Wilding Out. If you look at the numbers and everything

2712
02:45:38,080 --> 02:45:40,200
Speaker 1: that it does, and they have to pay attention to

2713
02:45:40,280 --> 02:45:42,440
Speaker 1: it now. So in twenty seventeen, they're like, Okay, we

2714
02:45:42,480 --> 02:45:44,680
Speaker 1: got to be your partner because like we can't allow this,

2715
02:45:44,800 --> 02:45:48,720
Speaker 1: we look crazy to our shareholders. You own all of

2716
02:45:48,760 --> 02:45:52,080
Speaker 1: this on our network, so you know there's some quiet

2717
02:45:52,160 --> 02:45:56,120
Speaker 1: deals and that got me real comfortable in order to

2718
02:45:56,240 --> 02:45:59,880
Speaker 1: give up half of what I want. And I say

2719
02:46:00,000 --> 02:46:03,000
Speaker 1: this to anybody who's watching this. To have one hundred

2720
02:46:03,080 --> 02:46:07,520
Speaker 1: percent of nothing something that's not worth anything is bullshit.

2721
02:46:08,120 --> 02:46:10,760
Speaker 1: So all people want to own their masters and all

2722
02:46:10,840 --> 02:46:14,119
Speaker 1: of that bullshit. If ain't nobody listening to your fucking masters,

2723
02:46:14,160 --> 02:46:17,560
Speaker 1: it's worth nothing. But if you have fifty percent with

2724
02:46:17,720 --> 02:46:20,240
Speaker 1: the conglomerate, with a partner who will push you to

2725
02:46:20,360 --> 02:46:23,280
Speaker 1: the next level, that's worth more than one hundred percent

2726
02:46:23,360 --> 02:46:26,800
Speaker 1: of nothing. So in that sense, I sat down on

2727
02:46:26,920 --> 02:46:29,360
Speaker 1: my team, is like, if you enhance this this way,

2728
02:46:29,400 --> 02:46:31,800
Speaker 1: if you support it, if you invest that, that's what

2729
02:46:31,920 --> 02:46:34,520
Speaker 1: investing is. That's how you put these financial groups together.

2730
02:46:34,560 --> 02:46:36,400
Speaker 1: You get a bunch of people with money and say,

2731
02:46:36,480 --> 02:46:39,880
Speaker 1: now we own this together, and now it's worth this.

2732
02:46:40,120 --> 02:46:43,039
Speaker 1: So that's what I pretty much did with viacommon Paramount,

2733
02:46:43,200 --> 02:46:45,760
Speaker 1: and now that we're partners, the touring has gone to

2734
02:46:45,840 --> 02:46:47,520
Speaker 1: the next level. Now I was torn on my own,

2735
02:46:47,560 --> 02:46:53,400
Speaker 1: Now we torn with Live Nations. Slow it down, buddy,

2736
02:46:53,840 --> 02:46:56,160
Speaker 1: putting a lot of information out there, and I want

2737
02:46:56,200 --> 02:46:58,920
Speaker 1: to pause into some of this. Well, if they felt

2738
02:46:59,000 --> 02:47:02,240
Speaker 1: like that, why did it appear to be a campaign

2739
02:47:02,440 --> 02:47:06,920
Speaker 1: to disassociate you from the brand? Great question, But let

2740
02:47:07,000 --> 02:47:11,520
Speaker 1: me let me give some game as too. The arena

2741
02:47:11,640 --> 02:47:14,560
Speaker 1: that we're in right now, and why it's important that

2742
02:47:14,640 --> 02:47:18,320
Speaker 1: people pay attention. We're dealing with Joe Budden and Nick Cannon,

2743
02:47:18,400 --> 02:47:20,880
Speaker 1: and respectful that Nick Cannon is on a different level

2744
02:47:20,920 --> 02:47:26,120
Speaker 1: than Joe, but Joe had an opportunity to basically do

2745
02:47:26,440 --> 02:47:29,360
Speaker 1: something like what Nick Cannon had to do with Wilding

2746
02:47:29,440 --> 02:47:32,800
Speaker 1: Out for it to continue to be what it is today.

2747
02:47:33,320 --> 02:47:35,280
Speaker 1: So if we took Wilding Out out of the pitch

2748
02:47:35,320 --> 02:47:38,480
Speaker 1: and put Joe buddon podcast there, that's basically when they

2749
02:47:38,600 --> 02:47:40,959
Speaker 1: come with that kind of deal. That's basically Joe saying

2750
02:47:41,040 --> 02:47:46,680
Speaker 1: no right for the Spotify thing. But and I won't

2751
02:47:46,680 --> 02:47:50,160
Speaker 1: say the deal that Viacom was given Nick would be

2752
02:47:50,240 --> 02:47:53,160
Speaker 1: the same as what Spotify was given Joe, but with

2753
02:47:53,360 --> 02:47:58,240
Speaker 1: dealing with it from a standpoint of opportunity wise right

2754
02:47:58,480 --> 02:48:02,119
Speaker 1: investing on the other side, meaning having that network, having

2755
02:48:02,160 --> 02:48:05,960
Speaker 1: that corporate conglomerate that now has a real interest in

2756
02:48:06,200 --> 02:48:12,480
Speaker 1: this product being prime time placement and really, you know,

2757
02:48:12,640 --> 02:48:14,880
Speaker 1: pushing the buttons on everything in every way that they

2758
02:48:15,000 --> 02:48:17,280
Speaker 1: know how to do. Now, why it's important these two

2759
02:48:17,360 --> 02:48:19,920
Speaker 1: guys are talking it is because what Nick Cannon just

2760
02:48:20,160 --> 02:48:23,760
Speaker 1: explain it's the opposite of what Joe Budden did. So

2761
02:48:24,040 --> 02:48:26,200
Speaker 1: Joe Budden, it's important for him to try to get

2762
02:48:26,280 --> 02:48:28,680
Speaker 1: in there and refute some of it. I think it's

2763
02:48:28,720 --> 02:48:32,480
Speaker 1: more conversation to be had by those two guys surrounding

2764
02:48:32,560 --> 02:48:37,160
Speaker 1: that subject because there's so much information in those two ways,

2765
02:48:37,440 --> 02:48:40,400
Speaker 1: two different ways of thinking. Joe Budden just kind of

2766
02:48:40,480 --> 02:48:43,240
Speaker 1: conceded to what he said, but I think that he

2767
02:48:43,360 --> 02:48:47,440
Speaker 1: has some ideas that may go against the selling of

2768
02:48:47,560 --> 02:48:50,520
Speaker 1: half your rights or the selling of half your show.

2769
02:48:50,959 --> 02:48:53,600
Speaker 1: I understand what Nick is saying because the business is

2770
02:48:53,640 --> 02:48:56,680
Speaker 1: the business, right. I'm with a network, so I understand it,

2771
02:48:57,000 --> 02:48:59,320
Speaker 1: and I'm sure Joe understands it. But he looks at

2772
02:48:59,360 --> 02:49:02,560
Speaker 1: it like he has a unique amount of leverage, so

2773
02:49:02,760 --> 02:49:06,160
Speaker 1: he views things a little skewed then some other people

2774
02:49:06,240 --> 02:49:08,600
Speaker 1: in the market. He looks at it just a little different.

2775
02:49:08,640 --> 02:49:11,200
Speaker 1: And I'm not sure how long he'll have that stronghold

2776
02:49:11,280 --> 02:49:14,240
Speaker 1: on his audience, but right now he's able to have

2777
02:49:14,480 --> 02:49:18,240
Speaker 1: that luxury. He basically owned his show, ran it up.

2778
02:49:18,360 --> 02:49:20,600
Speaker 1: It was on Viacom. They didn't know that he had

2779
02:49:20,760 --> 02:49:23,240
Speaker 1: ran it up like that. By the time they found out,

2780
02:49:23,400 --> 02:49:26,119
Speaker 1: it was time for them to cut an extreme check

2781
02:49:26,680 --> 02:49:29,240
Speaker 1: for him to even keep it in that current position,

2782
02:49:29,720 --> 02:49:34,200
Speaker 1: and they did so. All right, So again, this what

2783
02:49:34,440 --> 02:49:38,600
Speaker 1: he's explaining. What's different than what Joe did. But Joe

2784
02:49:38,840 --> 02:49:41,920
Speaker 1: advanced the conversation and went into which is a good question,

2785
02:49:42,240 --> 02:49:44,800
Speaker 1: why would they look to cancel you? If that's the case,

2786
02:49:45,240 --> 02:49:47,880
Speaker 1: We're gonna speak on that after we let him explain

2787
02:49:47,959 --> 02:49:51,960
Speaker 1: a short part of it. Then the will get to that.

2788
02:49:52,280 --> 02:49:55,560
Speaker 1: So because because this is this is twenty seventeen, and

2789
02:49:55,640 --> 02:49:58,480
Speaker 1: I'm still like, you gotta admit like a golden boy

2790
02:49:58,520 --> 02:50:01,360
Speaker 1: at Viacom is like, not only did I have MTV

2791
02:50:01,480 --> 02:50:04,880
Speaker 1: on like I had Nickelodeon on from two thousand and

2792
02:50:05,760 --> 02:50:08,800
Speaker 1: eight or two thousand and eight nine to twenty eighteen,

2793
02:50:09,480 --> 02:50:13,160
Speaker 1: I was the chairman and head executive of the Team

2794
02:50:13,240 --> 02:50:16,360
Speaker 1: division of Nickelodeon. So I was a chairman like So

2795
02:50:16,720 --> 02:50:20,000
Speaker 1: I went from being seventeen on the channel, the youngest

2796
02:50:20,640 --> 02:50:24,600
Speaker 1: writer and all of that to running it I had.

2797
02:50:27,400 --> 02:50:31,560
Speaker 1: I was I had the same office size as the CEO.

2798
02:50:31,840 --> 02:50:33,400
Speaker 1: You know what I mean I was. I was on

2799
02:50:33,480 --> 02:50:35,280
Speaker 1: the forty and flour. He was on the fifty four flour,

2800
02:50:35,480 --> 02:50:38,800
Speaker 1: same layout over in Times Square, Like I was that

2801
02:50:39,000 --> 02:50:41,440
Speaker 1: guy for I was just Nickelodeon, not to I had

2802
02:50:41,480 --> 02:50:44,120
Speaker 1: another office on the MTV floor. I didn't even get

2803
02:50:44,160 --> 02:50:48,080
Speaker 1: the Fox yet where I got there yet. Crazy, But

2804
02:50:48,840 --> 02:50:50,720
Speaker 1: this is just vic. I mean I pursed, Like once

2805
02:50:50,760 --> 02:50:52,440
Speaker 1: I got married with my Rida, I threw the suits on.

2806
02:50:52,560 --> 02:50:53,800
Speaker 1: I was like, I want to be a corporate for

2807
02:50:53,920 --> 02:50:56,600
Speaker 1: a minute. So I literally went in and got a

2808
02:50:56,720 --> 02:50:59,680
Speaker 1: corporate job. I became. I got a job at Death Jam.

2809
02:50:59,760 --> 02:51:01,920
Speaker 1: I was under La Read. I ran the team division

2810
02:51:02,000 --> 02:51:04,519
Speaker 1: of Island and I ran the team division of Nickelodeon

2811
02:51:04,600 --> 02:51:08,840
Speaker 1: at the same time. And that's where we developed Justin

2812
02:51:08,959 --> 02:51:11,640
Speaker 1: Bieber that he came out of that. Like there's so

2813
02:51:11,760 --> 02:51:14,600
Speaker 1: many other problems, Like it was projects that I was

2814
02:51:14,800 --> 02:51:20,000
Speaker 1: quiet on that Tuesday document. They was handing out millions too,

2815
02:51:20,360 --> 02:51:23,280
Speaker 1: they called holding deals. And this was the time of

2816
02:51:23,360 --> 02:51:28,080
Speaker 1: like upn the WB and so every black comedian that

2817
02:51:28,200 --> 02:51:31,320
Speaker 1: you saw on Deaf Jam or at that Tuesday, a

2818
02:51:31,480 --> 02:51:33,640
Speaker 1: white agent would come in and say half a million

2819
02:51:33,680 --> 02:51:38,920
Speaker 1: dollars and they were just so. Before I was eighteen

2820
02:51:39,000 --> 02:51:42,080
Speaker 1: years old, I had met my first holding. Did what happened?

2821
02:51:42,400 --> 02:51:47,080
Speaker 1: Jamie Fox had this uh festival called Laugh of Pulozer

2822
02:51:47,160 --> 02:51:49,959
Speaker 1: that he did in Atlanta, And I was the youngest

2823
02:51:50,040 --> 02:51:54,800
Speaker 1: kid that ever rocked that joint. Anytime something going on

2824
02:51:54,879 --> 02:52:05,080
Speaker 1: to black person, he's trying buy NBCLA right, I'm gonna

2825
02:52:05,160 --> 02:52:07,200
Speaker 1: keep it as stack though, And even with that whole thing,

2826
02:52:07,280 --> 02:52:09,119
Speaker 1: I mean, let's let's keep it as stacked that that's

2827
02:52:09,120 --> 02:52:14,640
Speaker 1: a publicly traded company. It's very difficult to you. But

2828
02:52:14,879 --> 02:52:16,680
Speaker 1: he was getting a whole lot of money, and in

2829
02:52:16,800 --> 02:52:20,800
Speaker 1: that sense, um, the NBC opportunity for me was one

2830
02:52:20,840 --> 02:52:23,800
Speaker 1: of a pivotal point in my career as well, because

2831
02:52:24,520 --> 02:52:26,280
Speaker 1: I didn't see it, you know what I mean. I

2832
02:52:26,480 --> 02:52:28,640
Speaker 1: was too busy trying to be an executive and didn't

2833
02:52:28,720 --> 02:52:32,600
Speaker 1: want to host. Actually don't really like hosting, you know

2834
02:52:32,640 --> 02:52:35,280
Speaker 1: what I mean. I'm good at it, yeah, but it's

2835
02:52:35,320 --> 02:52:37,280
Speaker 1: like to me, I'd rather be an artist, you know.

2836
02:52:37,520 --> 02:52:40,439
Speaker 1: And so if you I've turned down every hosting opportunity,

2837
02:52:41,480 --> 02:52:43,680
Speaker 1: did you say, that's when the depression thinks in. I

2838
02:52:43,760 --> 02:52:45,680
Speaker 1: can understand that. Being a dark time in a dark

2839
02:52:45,720 --> 02:52:47,760
Speaker 1: place and feeling a little you're feeling alone in that

2840
02:52:47,879 --> 02:52:52,040
Speaker 1: like nobody's rocking. But in that guy in that do

2841
02:52:52,160 --> 02:52:56,800
Speaker 1: you go through the phase where you say, ain't no guys, Oh,

2842
02:52:56,920 --> 02:53:00,280
Speaker 1: that's how you're all on it. I worry about me

2843
02:53:00,360 --> 02:53:04,080
Speaker 1: and the money. Then that's that's sometimes how you get

2844
02:53:04,160 --> 02:53:06,960
Speaker 1: up out of that that funk. That's that's all you

2845
02:53:07,000 --> 02:53:12,520
Speaker 1: can self preservation. The world is against me. I gotta say, y'all,

2846
02:53:12,560 --> 02:53:15,840
Speaker 1: if you said me, know what I mean, Like, so,

2847
02:53:16,200 --> 02:53:17,800
Speaker 1: that's the only way I can get out because otherwise

2848
02:53:17,920 --> 02:53:20,280
Speaker 1: all of that low frequency is gonna drown me. It's

2849
02:53:20,280 --> 02:53:23,080
Speaker 1: gonna kill me, because y'all not even when I'm saying

2850
02:53:23,560 --> 02:53:27,960
Speaker 1: help me, y'all saying so I know I'm gonna I

2851
02:53:28,120 --> 02:53:30,440
Speaker 1: know the cycle I can swim to. Yeah, I know

2852
02:53:30,480 --> 02:53:32,560
Speaker 1: I'm gonna come back. And now I see who was

2853
02:53:32,600 --> 02:53:34,800
Speaker 1: working with me and who wasn't. I watched how each

2854
02:53:34,840 --> 02:53:38,240
Speaker 1: and every person moved throughout that, from from my agents

2855
02:53:38,760 --> 02:53:43,120
Speaker 1: to to the people like I learned so much, from

2856
02:53:43,440 --> 02:53:45,520
Speaker 1: from the comics to the agents to the mothers who

2857
02:53:45,600 --> 02:53:48,360
Speaker 1: really make my money count to have no effect on

2858
02:53:48,480 --> 02:53:51,840
Speaker 1: my money. I saw how everybody shifted, and it was

2859
02:53:52,040 --> 02:53:54,720
Speaker 1: an eye opener. It was always said, it was it

2860
02:53:54,879 --> 02:53:57,879
Speaker 1: was a uh. I think this is a time where

2861
02:53:57,920 --> 02:54:04,080
Speaker 1: we must pay attention, pay attention to Joe Budden. A

2862
02:54:04,160 --> 02:54:06,400
Speaker 1: lot of those feelers that you him speak about again,

2863
02:54:06,440 --> 02:54:09,360
Speaker 1: and that's why I think this was interesting and I

2864
02:54:09,440 --> 02:54:12,119
Speaker 1: wanted to cite it on the part, it's because Nick

2865
02:54:12,200 --> 02:54:15,119
Speaker 1: Cannon and Joe share some of that. When Joe didn't

2866
02:54:15,120 --> 02:54:18,560
Speaker 1: take that Spotify deal and the guy's left, it was

2867
02:54:18,720 --> 02:54:21,640
Speaker 1: dog over there, because it was that. Then it was

2868
02:54:21,720 --> 02:54:25,320
Speaker 1: the man dead and them girls wanted to leave. First

2869
02:54:25,360 --> 02:54:27,840
Speaker 1: it was the other girl saying something like he got

2870
02:54:28,000 --> 02:54:30,880
Speaker 1: dog over there. So I know that he knows, and

2871
02:54:31,000 --> 02:54:33,880
Speaker 1: I've always spoke about how I feel Joe has been

2872
02:54:34,000 --> 02:54:38,240
Speaker 1: hurt by his experience in the industry. Whether that been

2873
02:54:38,320 --> 02:54:43,039
Speaker 1: self inflicted, whether he's contributed to some of those outcomes

2874
02:54:43,400 --> 02:54:47,440
Speaker 1: will be left for debate. What I do think continues

2875
02:54:47,480 --> 02:54:54,679
Speaker 1: to ring true is the fact that he is extremely traumatized.

2876
02:54:55,440 --> 02:54:57,480
Speaker 1: And so I think it's interesting with him and Nick

2877
02:54:57,600 --> 02:55:02,480
Speaker 1: speaking about this, Let's see how he responded. A character kaleidoscope.

2878
02:55:02,520 --> 02:55:05,880
Speaker 1: I saw everybody's true colors form in today and it

2879
02:55:06,040 --> 02:55:09,440
Speaker 1: just can't hurt. Yeah, some of them are the closet

2880
02:55:09,480 --> 02:55:11,200
Speaker 1: to see some of the people, I'm like, Oh, you

2881
02:55:11,400 --> 02:55:13,600
Speaker 1: was just in it for the money. Oh you don't

2882
02:55:13,640 --> 02:55:17,120
Speaker 1: think I'm as strong as I actually am. Oh you

2883
02:55:17,280 --> 02:55:22,120
Speaker 1: actually believe with these forever, I got to hurt. And

2884
02:55:22,280 --> 02:55:23,960
Speaker 1: that's the thing where you gotta step back and you

2885
02:55:24,160 --> 02:55:26,840
Speaker 1: like and it's family members, it's it's people in there,

2886
02:55:27,000 --> 02:55:29,720
Speaker 1: and really what it takes you just like everybody cognitively

2887
02:55:30,120 --> 02:55:32,720
Speaker 1: are not at the same space to where it's like

2888
02:55:32,879 --> 02:55:37,480
Speaker 1: they just don't know how how to process what's going on.

2889
02:55:37,959 --> 02:55:39,920
Speaker 1: They just hear, they see a headline, they see Don

2890
02:55:40,040 --> 02:55:42,680
Speaker 1: Lemon talking shit about it like you spit my motherfucking man.

2891
02:55:43,200 --> 02:55:45,600
Speaker 1: But you don't know that somebody wrote that copy for him,

2892
02:55:45,600 --> 02:55:47,320
Speaker 1: you know, as a producer that put that. So then

2893
02:55:47,360 --> 02:55:49,879
Speaker 1: when I sit down and say, yo, you see him, damn,

2894
02:55:49,920 --> 02:55:51,640
Speaker 1: why are you kicking me? You know what I mean?

2895
02:55:51,720 --> 02:55:54,240
Speaker 1: Are you whoever that person is? But you also see,

2896
02:55:54,760 --> 02:55:59,360
Speaker 1: you see you see people who stand firm and don't

2897
02:55:59,360 --> 02:56:01,160
Speaker 1: give a fuck about This is why I act like

2898
02:56:01,280 --> 02:56:07,160
Speaker 1: this when when Joe's talk, I don't feel a way

2899
02:56:07,200 --> 02:56:09,320
Speaker 1: when they do it to me, they do it is

2900
02:56:09,440 --> 02:56:12,160
Speaker 1: that they should not do it to as her MTV

2901
02:56:12,360 --> 02:56:17,520
Speaker 1: during the debacle offered your guys to take and that's

2902
02:56:17,560 --> 02:56:19,880
Speaker 1: the thing. And I think, I think fly and we

2903
02:56:20,000 --> 02:56:21,879
Speaker 1: talk about this all the time because you know, we're

2904
02:56:21,920 --> 02:56:24,280
Speaker 1: on the tour right now. He's going crazy and we

2905
02:56:24,400 --> 02:56:28,760
Speaker 1: even talked about it last night. Um to where it's

2906
02:56:28,879 --> 02:56:30,960
Speaker 1: interesting how they played. I think I forgot. I don't

2907
02:56:30,959 --> 02:56:32,360
Speaker 1: know if he was on his podcast the way he

2908
02:56:32,400 --> 02:56:35,480
Speaker 1: put it, he said, there was never a direct offer

2909
02:56:36,560 --> 02:56:41,040
Speaker 1: of you know, they allow scenarios and media to say

2910
02:56:41,120 --> 02:56:44,200
Speaker 1: things like, hey, would you ever think about doing this? Floated,

2911
02:56:44,360 --> 02:56:47,400
Speaker 1: you know what I mean, and they tested the water

2912
02:56:48,080 --> 02:56:50,080
Speaker 1: to see, but I don't think there was ever a

2913
02:56:50,240 --> 02:56:54,680
Speaker 1: full conversation. Again, corporate games. Corporate games. He's speaking about

2914
02:56:55,080 --> 02:56:59,560
Speaker 1: when he was in a situation to face cancelation. He

2915
02:56:59,760 --> 02:57:03,440
Speaker 1: was placed in front of his own home boys, and

2916
02:57:03,560 --> 02:57:06,640
Speaker 1: they were putting out in the media that they may

2917
02:57:06,720 --> 02:57:10,040
Speaker 1: be taking over. At that time, I knew that wouldn't

2918
02:57:10,080 --> 02:57:11,960
Speaker 1: be the case because that wouldn't be a real move.

2919
02:57:12,680 --> 02:57:16,560
Speaker 1: But the internet reacted in several different ways. Then DC

2920
02:57:16,720 --> 02:57:18,280
Speaker 1: and them came out and said that it ain't know

2921
02:57:18,360 --> 02:57:20,080
Speaker 1: where in the world will do Nick like that. He

2922
02:57:20,160 --> 02:57:22,960
Speaker 1: gave us the opportunity so they can't be gangster in

2923
02:57:23,080 --> 02:57:27,160
Speaker 1: that sense. Again, I just wanted to cite that conversation.

2924
02:57:27,920 --> 02:57:30,120
Speaker 1: Let's move on. What else we got to talk about today?

2925
02:57:31,520 --> 02:57:35,119
Speaker 1: All right, let's talk about this. I was thinking to myself.

2926
02:57:35,760 --> 02:57:37,960
Speaker 1: I was telling my homeboy, you know, because we were

2927
02:57:38,000 --> 02:57:41,199
Speaker 1: talking about some people trying to you know, what would

2928
02:57:41,240 --> 02:57:44,440
Speaker 1: it take for people to be extremely motivated and hyper focus,

2929
02:57:44,520 --> 02:57:46,320
Speaker 1: and whether it take for them to just stand on

2930
02:57:46,440 --> 02:57:49,520
Speaker 1: what they believe in and really chase their dreams or

2931
02:57:50,120 --> 02:57:55,199
Speaker 1: drop the the drug habit, or pick up the book

2932
02:57:55,280 --> 02:57:57,680
Speaker 1: that they need to read, or go to the gym

2933
02:57:57,760 --> 02:58:00,240
Speaker 1: and exercise whatever it is that they need to. Dude,

2934
02:58:00,240 --> 02:58:02,520
Speaker 1: we were talking about what would make someone do it.

2935
02:58:02,600 --> 02:58:06,360
Speaker 1: In particular, we were speaking about someone that was on drugs,

2936
02:58:06,480 --> 02:58:10,480
Speaker 1: and you know, me being from the street, I know

2937
02:58:10,760 --> 02:58:14,080
Speaker 1: kind of how some of the behavior of an attic

2938
02:58:14,360 --> 02:58:17,120
Speaker 1: is and kind of how they may think because they

2939
02:58:17,240 --> 02:58:22,480
Speaker 1: become desperate. And my friend was telling me Lane, I think, man,

2940
02:58:22,520 --> 02:58:24,760
Speaker 1: I just think that person got to hit rock bottom.

2941
02:58:26,720 --> 02:58:29,120
Speaker 1: And I said, damn, it made me think about yo,

2942
02:58:29,280 --> 02:58:35,200
Speaker 1: rock Bottom ain't rock bottom no more, meaning that when

2943
02:58:35,280 --> 02:58:38,320
Speaker 1: we was coming up or the people but ahead of us,

2944
02:58:39,480 --> 02:58:44,240
Speaker 1: rock Bottom was when you didn't have noning. You was

2945
02:58:44,520 --> 02:58:46,840
Speaker 1: down in your lads, and you might have been sleeping

2946
02:58:46,879 --> 02:58:49,959
Speaker 1: in your car, and that was rock bottom for you. Right,

2947
02:58:50,080 --> 02:58:55,000
Speaker 1: you become desperate, you understand. I remember I was watching

2948
02:58:55,040 --> 02:58:57,160
Speaker 1: earn your leads and shout out to them. Damn Dad

2949
02:58:57,280 --> 02:59:00,440
Speaker 1: said on there. When you broke, you can justify anything.

2950
02:59:01,600 --> 02:59:05,440
Speaker 1: So you become desperate when you used to hit what

2951
02:59:05,680 --> 02:59:08,840
Speaker 1: was called rock bottom. In my opinion, in the new age,

2952
02:59:09,040 --> 02:59:12,000
Speaker 1: there is no rock bottom. The new rock bottom is deaf.

2953
02:59:12,600 --> 02:59:15,320
Speaker 1: And the reason is is because the drugs ain't no good.

2954
02:59:16,080 --> 02:59:19,760
Speaker 1: And what happens with someone that becomes engulfed in their addiction,

2955
02:59:20,440 --> 02:59:24,800
Speaker 1: they become desperate. They become desperate, so they become to us.

2956
02:59:25,080 --> 02:59:27,360
Speaker 1: They get in a situation where they start to buy

2957
02:59:27,480 --> 02:59:31,320
Speaker 1: things for a cheaper price. And now we're just playing

2958
02:59:31,360 --> 02:59:33,879
Speaker 1: a numbers game, a waiting game, because if you're bad

2959
02:59:33,959 --> 02:59:36,600
Speaker 1: from anybody, if the number is right, you're just waiting

2960
02:59:36,720 --> 02:59:39,400
Speaker 1: on you to get a bad batch, for you to

2961
02:59:40,040 --> 02:59:45,480
Speaker 1: end up in a bad situation. Because doing drugs and

2962
02:59:45,600 --> 02:59:48,879
Speaker 1: being desperate for drugs ain't even rock bottom. It's headed

2963
02:59:48,920 --> 02:59:53,280
Speaker 1: towards rock bottom, but that ain't even rock bottom. That's

2964
02:59:53,360 --> 02:59:56,240
Speaker 1: part of where you're going when you get to rock bottom.

2965
02:59:56,360 --> 02:59:58,560
Speaker 1: A lot of people won't even make it the rock bottom.

2966
02:59:58,600 --> 03:00:01,160
Speaker 1: It's because when they start to dodge with those drugs

2967
03:00:01,240 --> 03:00:05,680
Speaker 1: and the potency level of the fitting all in the

2968
03:00:05,840 --> 03:00:10,920
Speaker 1: drugs nowadays will leave you lying on your steering wheel

2969
03:00:12,120 --> 03:00:15,040
Speaker 1: in a matter of two seconds. So it's not a

2970
03:00:15,160 --> 03:00:18,039
Speaker 1: situation where you get to indulge desperately and you get

2971
03:00:18,080 --> 03:00:21,199
Speaker 1: to steal and trade stuff in for you know, because

2972
03:00:21,320 --> 03:00:24,440
Speaker 1: what happens is if you're a dope fiend and I'm

2973
03:00:24,520 --> 03:00:27,400
Speaker 1: your guy, and you steal something from me, you can't

2974
03:00:27,440 --> 03:00:29,280
Speaker 1: sell it to me, so you gotta go on the

2975
03:00:29,360 --> 03:00:31,560
Speaker 1: other side of the town. And nowadays you're go on

2976
03:00:31,640 --> 03:00:33,800
Speaker 1: the other side of the town selling whatever you stole

2977
03:00:33,879 --> 03:00:35,800
Speaker 1: from this side of town. And then you get over

2978
03:00:35,879 --> 03:00:38,560
Speaker 1: there and get something that ain't no good and then boom,

2979
03:00:38,680 --> 03:00:41,680
Speaker 1: there you have it. But it's a thing because it's

2980
03:00:41,800 --> 03:00:45,920
Speaker 1: only a matter of time before you get something bad.

2981
03:00:46,360 --> 03:00:50,600
Speaker 1: So hey, I tell people, chase your dreams, get up

2982
03:00:50,640 --> 03:00:53,960
Speaker 1: every day and work towards something, be about something for

2983
03:00:54,080 --> 03:00:57,120
Speaker 1: those of you are to wear Nipsey Hustle, legendary rapper

2984
03:00:57,240 --> 03:00:59,600
Speaker 1: from the West Coast being dead I think about three

2985
03:00:59,680 --> 03:01:04,960
Speaker 1: years was gunned down by the hands of another gang member.

2986
03:01:06,320 --> 03:01:13,760
Speaker 1: Um legendary act, legendary soul hustler. When you talk about

2987
03:01:13,879 --> 03:01:16,040
Speaker 1: me or you get my respect, it ain't because you

2988
03:01:16,160 --> 03:01:19,440
Speaker 1: got the biggest chain. I don't respect you because you

2989
03:01:19,520 --> 03:01:22,960
Speaker 1: got the new bit lip bow Tager, because you got

2990
03:01:23,080 --> 03:01:25,640
Speaker 1: the bent lit the new bit. I don't respect you

2991
03:01:25,640 --> 03:01:28,760
Speaker 1: because you got the new bit lit ben Tager, because

2992
03:01:28,800 --> 03:01:31,080
Speaker 1: you got the latest pair of bowl Tagers and you

2993
03:01:31,280 --> 03:01:35,120
Speaker 1: rocking findy Gucci, Lui and Prada, and your old lady

2994
03:01:35,200 --> 03:01:41,240
Speaker 1: got the new AMG. That's cute. But I respect hustle.

2995
03:01:42,360 --> 03:01:44,760
Speaker 1: Sometimes a lot of y'all running around with a whole

2996
03:01:44,840 --> 03:01:48,800
Speaker 1: bunch of gifts. You understand things that's been given to

2997
03:01:48,920 --> 03:01:52,680
Speaker 1: you because of the situation that you're in, whether that

2998
03:01:52,840 --> 03:01:55,280
Speaker 1: be and that listen, ain't no shade, ain't no hate

2999
03:01:55,320 --> 03:01:58,360
Speaker 1: on that. But mine come off the backs of meat, right.

3000
03:01:58,440 --> 03:02:00,200
Speaker 1: I had to switch to get mine. I had the

3001
03:02:00,280 --> 03:02:03,200
Speaker 1: poor man from up under the ground. So it's a

3002
03:02:03,280 --> 03:02:05,280
Speaker 1: little different when I talk about it. It's a little

3003
03:02:05,360 --> 03:02:07,400
Speaker 1: different how I feel about it. It's a little different

3004
03:02:07,440 --> 03:02:10,760
Speaker 1: how I approach it. You understand, I hold it with

3005
03:02:10,920 --> 03:02:13,600
Speaker 1: a little more. I hold it with a high level

3006
03:02:13,680 --> 03:02:16,960
Speaker 1: of importance right when I deal with the culture or

3007
03:02:17,160 --> 03:02:20,160
Speaker 1: ability to move around it. But Nipsey was one of

3008
03:02:20,240 --> 03:02:24,600
Speaker 1: those guys. After he died, there was a surge of

3009
03:02:24,800 --> 03:02:28,320
Speaker 1: discovery for Nipsey, So a lot of people that heard

3010
03:02:28,360 --> 03:02:32,440
Speaker 1: about him after his demise and what they were in

3011
03:02:32,600 --> 03:02:35,360
Speaker 1: for a treat because they felt like, Yo, we found

3012
03:02:35,440 --> 03:02:38,960
Speaker 1: this dude. Damn bro, this dude was kicking this. You

3013
03:02:39,040 --> 03:02:41,280
Speaker 1: know what I'm saying. That's one of my fields. I behaving.

3014
03:02:41,280 --> 03:02:42,920
Speaker 1: I don't want nothing to happen to me. Then the

3015
03:02:43,000 --> 03:02:46,280
Speaker 1: world found me because the rid is gonna post it

3016
03:02:46,840 --> 03:02:49,200
Speaker 1: and then everybody will be like, Yo, this dude was

3017
03:02:49,280 --> 03:02:51,800
Speaker 1: out there the whole time like a b I think

3018
03:02:51,840 --> 03:02:57,920
Speaker 1: about man. Unfortunately, but his homeboy came out and had

3019
03:02:57,959 --> 03:03:00,840
Speaker 1: an interview with No Jumper. He addressed his last moments.

3020
03:03:01,480 --> 03:03:04,880
Speaker 1: He also addressed how Nipsey had to feel to try

3021
03:03:04,920 --> 03:03:07,600
Speaker 1: to fit in with the gang because they didn't respect him.

3022
03:03:07,600 --> 03:03:10,160
Speaker 1: See how our wish it's a totally different thing. The

3023
03:03:10,280 --> 03:03:14,880
Speaker 1: game banging coaches really that it's a culture. So you

3024
03:03:14,959 --> 03:03:18,080
Speaker 1: could be the famous rapper with all the money, but

3025
03:03:18,200 --> 03:03:22,039
Speaker 1: you ain't really from the hood. You ain't really from

3026
03:03:22,080 --> 03:03:25,040
Speaker 1: the hood, so you don't really get that right. So Nipsey,

3027
03:03:25,160 --> 03:03:28,400
Speaker 1: even being as prolific as he was, as intelligent, the

3028
03:03:28,480 --> 03:03:31,480
Speaker 1: information he had, the way he moved around, the things

3029
03:03:31,560 --> 03:03:33,800
Speaker 1: he knew, that wasn't enough to get him a green

3030
03:03:33,920 --> 03:03:35,760
Speaker 1: light in the hood. He had to be from the

3031
03:03:35,959 --> 03:03:38,880
Speaker 1: crib set from the hood to be really accepted in

3032
03:03:38,959 --> 03:03:43,640
Speaker 1: the hood. And so when he got down in the hood,

3033
03:03:45,080 --> 03:03:47,560
Speaker 1: according to his homeboy and then one nothing else that

3034
03:03:47,680 --> 03:03:51,360
Speaker 1: they can say, because that was the last little bit

3035
03:03:51,440 --> 03:03:54,480
Speaker 1: of that was the last badge he needed on his

3036
03:03:54,600 --> 03:03:59,959
Speaker 1: suit to make him a five star general. It's unfortunate

3037
03:04:00,200 --> 03:04:04,360
Speaker 1: that we wrap our mind around things in that way, right,

3038
03:04:05,360 --> 03:04:07,720
Speaker 1: we don't even respect the intellect of a man, but

3039
03:04:07,840 --> 03:04:10,440
Speaker 1: we'll respect the fact that he has the courage to

3040
03:04:10,520 --> 03:04:14,800
Speaker 1: get into a fight and gang bang or get down

3041
03:04:14,920 --> 03:04:17,240
Speaker 1: with some people who are a part of some things.

3042
03:04:17,320 --> 03:04:20,440
Speaker 1: It's it's just we have to do some readjustment, realigning,

3043
03:04:20,640 --> 03:04:25,840
Speaker 1: reassessment and how we view life and interact with each other.

3044
03:04:27,280 --> 03:04:29,880
Speaker 1: But it was interesting to hear how he spoke about

3045
03:04:29,959 --> 03:04:33,360
Speaker 1: how the homies looked at Nipsy and how we had

3046
03:04:33,440 --> 03:04:36,960
Speaker 1: to fight through that because it's a lot of y'all.

3047
03:04:37,440 --> 03:04:41,040
Speaker 1: It's prolific and a click full of people that don't

3048
03:04:41,080 --> 03:04:44,119
Speaker 1: really understand the things that you're trying to explain to him.

3049
03:04:44,840 --> 03:04:47,520
Speaker 1: They don't respect the future, so they don't see the vision.

3050
03:04:49,040 --> 03:04:53,320
Speaker 1: They're dealing with short vision. So you're in a situation

3051
03:04:53,400 --> 03:04:56,000
Speaker 1: where you're trying to plead your case, but they saying, look,

3052
03:04:56,040 --> 03:05:00,200
Speaker 1: if you ain't hustling, no maween listening to you, Yeah,

3053
03:05:00,200 --> 03:05:02,520
Speaker 1: and then you don't even got the sagnal maween listening

3054
03:05:02,520 --> 03:05:06,120
Speaker 1: to them. Bro. You know what I'm saying, If you're

3055
03:05:06,120 --> 03:05:09,320
Speaker 1: not indulging in the in the underworld, then they don't

3056
03:05:09,360 --> 03:05:13,119
Speaker 1: respect you no more. It's basically what people get from

3057
03:05:13,160 --> 03:05:16,680
Speaker 1: that now. He also spoke about homies killing homies out

3058
03:05:16,720 --> 03:05:18,920
Speaker 1: there on the West Coast, and these his politics, that's

3059
03:05:18,959 --> 03:05:21,320
Speaker 1: why they can speak on it. What I've noticed from

3060
03:05:21,360 --> 03:05:24,400
Speaker 1: the outside is that there's a high level of black

3061
03:05:24,520 --> 03:05:26,880
Speaker 1: on black crime and all of our culture, but in

3062
03:05:27,040 --> 03:05:31,400
Speaker 1: particular it seems to be an issue even in my

3063
03:05:31,600 --> 03:05:36,400
Speaker 1: city with gang members killing gang members. I think a

3064
03:05:36,600 --> 03:05:40,760
Speaker 1: murder is probably seventy percent intel. So the let's intel

3065
03:05:40,879 --> 03:05:45,400
Speaker 1: people got on you, the higher probability you have of

3066
03:05:45,520 --> 03:05:48,040
Speaker 1: surviving or maybe not going through that. And when you

3067
03:05:48,120 --> 03:05:52,119
Speaker 1: make yourself a part of a gang, you adopt this brotherhood.

3068
03:05:52,280 --> 03:05:55,840
Speaker 1: That could be all to that any minute, because he

3069
03:05:55,920 --> 03:05:58,520
Speaker 1: can choose to go to another gang. And now everything

3070
03:05:58,640 --> 03:06:01,000
Speaker 1: he knows about this gang is in his mind. It

3071
03:06:01,120 --> 03:06:03,720
Speaker 1: don't even race like, it's just certain things. I really

3072
03:06:03,800 --> 03:06:07,120
Speaker 1: didn't get understand all the spots y'all went to and

3073
03:06:07,320 --> 03:06:11,080
Speaker 1: was that he's in another game. Now they gotta know

3074
03:06:11,200 --> 03:06:13,240
Speaker 1: about that because he know it, like I just I

3075
03:06:13,320 --> 03:06:17,080
Speaker 1: couldn't never, I couldn't couldn't really understand it. But he

3076
03:06:17,280 --> 03:06:23,080
Speaker 1: spoke about factors being killed by homies, and what that

3077
03:06:23,240 --> 03:06:25,320
Speaker 1: means for people who are not from the hood is

3078
03:06:25,360 --> 03:06:27,800
Speaker 1: like big homies in the hood, or people that actually

3079
03:06:27,920 --> 03:06:31,560
Speaker 1: meant something to the organization or to the conglomerate, people

3080
03:06:31,640 --> 03:06:36,000
Speaker 1: that had big feet in the circle. He ended up

3081
03:06:36,040 --> 03:06:38,600
Speaker 1: getting killed by other people in the circle. I don't

3082
03:06:38,640 --> 03:06:41,280
Speaker 1: batter now at that. I know that that happens. It's

3083
03:06:41,720 --> 03:06:46,120
Speaker 1: why I don't trust anything. I'm paranoia, and it ain't

3084
03:06:46,160 --> 03:06:50,080
Speaker 1: because I'm scary. It's because I'm aware of circumstances. See,

3085
03:06:50,120 --> 03:06:54,120
Speaker 1: it's a difference between being scared and being aware. You

3086
03:06:54,240 --> 03:06:56,240
Speaker 1: catch me in the wards that night, you call it

3087
03:06:56,320 --> 03:06:58,160
Speaker 1: what you want. I need my gun out in a

3088
03:06:58,280 --> 03:07:00,760
Speaker 1: flash like whatever you call it don't matter, because what

3089
03:07:00,959 --> 03:07:07,320
Speaker 1: matters is survival. And then the hood people are demographically unfortunate,

3090
03:07:08,160 --> 03:07:11,200
Speaker 1: they gotta still well where they at. Let's listen to

3091
03:07:11,280 --> 03:07:13,520
Speaker 1: a little bit of the cowboy, which is Nipsy Hustle

3092
03:07:13,560 --> 03:07:15,800
Speaker 1: Home an interview on No Jump. You know what I mean.

3093
03:07:15,879 --> 03:07:17,480
Speaker 1: He's going out of town, going to do a show

3094
03:07:17,600 --> 03:07:19,960
Speaker 1: or something, and that was it. Other than that, I'd

3095
03:07:20,000 --> 03:07:22,720
Speaker 1: be sweeping the parking lot in the morning. Nipper come

3096
03:07:22,800 --> 03:07:25,400
Speaker 1: from Marina del Rey. I've seen him slide by the shop,

3097
03:07:25,520 --> 03:07:27,120
Speaker 1: me a chunk the hood up. He got him and

3098
03:07:27,200 --> 03:07:29,040
Speaker 1: his daughter in the car. They go drop him off

3099
03:07:29,080 --> 03:07:31,400
Speaker 1: at granny house. He'd come back, pull up on me

3100
03:07:31,920 --> 03:07:33,800
Speaker 1: parking and he say, hey, man, read this book or

3101
03:07:33,920 --> 03:07:36,120
Speaker 1: drink this tea or something. I might get that ship.

3102
03:07:36,360 --> 03:07:38,240
Speaker 1: And I said, where are you going today? Home in

3103
03:07:38,280 --> 03:07:40,480
Speaker 1: the studio, about to go to the And then he'd

3104
03:07:40,480 --> 03:07:43,000
Speaker 1: go by this day, you know, the next morning be

3105
03:07:43,040 --> 03:07:44,959
Speaker 1: the same routine. And if he was out of town,

3106
03:07:45,400 --> 03:07:47,760
Speaker 1: he's doing his thing. You know, he'd come back in town.

3107
03:07:47,800 --> 03:07:52,520
Speaker 1: I've been a parking lot. But Nip when when it

3108
03:07:52,640 --> 03:07:55,039
Speaker 1: went down the whole time, you know, the whole time,

3109
03:07:55,080 --> 03:07:58,680
Speaker 1: I was holding my food right there. And the thing

3110
03:07:58,760 --> 03:08:02,160
Speaker 1: that's stick in my mind that always harmed me. It

3111
03:08:02,240 --> 03:08:05,600
Speaker 1: is like when when the dumb when the dumb weird mother,

3112
03:08:06,040 --> 03:08:10,680
Speaker 1: Eric pulled up and and Nimp Nimp looked at Rampa

3113
03:08:10,800 --> 03:08:14,120
Speaker 1: and he say, uh that Eric, and then rampat like yeah,

3114
03:08:14,879 --> 03:08:19,200
Speaker 1: And I distinctly looked at Nipping and I heard him

3115
03:08:19,320 --> 03:08:22,000
Speaker 1: saying to himself, I wonder how this is gonna unfold?

3116
03:08:23,160 --> 03:08:27,120
Speaker 1: And that you know, and that me up all right,

3117
03:08:27,160 --> 03:08:30,640
Speaker 1: So you guys pay attention. What he's saying is is

3118
03:08:30,720 --> 03:08:33,600
Speaker 1: that when he when Nip scene dude pull up, he

3119
03:08:33,720 --> 03:08:36,320
Speaker 1: already knew the vibe gonna be off. So he said

3120
03:08:36,400 --> 03:08:38,440
Speaker 1: to them, look at what damn I wonder how this

3121
03:08:38,480 --> 03:08:40,560
Speaker 1: is gonna unfold. This is probably fit to be ugly.

3122
03:08:42,000 --> 03:08:44,120
Speaker 1: And at one point in time while Eric was talking

3123
03:08:44,240 --> 03:08:48,400
Speaker 1: to him, Nip never never disrespected that man. Nip never

3124
03:08:48,520 --> 03:08:51,920
Speaker 1: caught that man of stitch a snitch. I was right there.

3125
03:08:51,959 --> 03:08:54,760
Speaker 1: I listened to the whole conversation. So that wasn't true.

3126
03:08:54,800 --> 03:08:58,320
Speaker 1: Everybody got that wrong. Let's a million times. Nipp never

3127
03:08:58,480 --> 03:09:03,080
Speaker 1: caught that man of snitch Nip. Nip said, look, Nip said, man,

3128
03:09:03,280 --> 03:09:05,840
Speaker 1: they got the paperwork on you. I haven't read it,

3129
03:09:06,280 --> 03:09:08,200
Speaker 1: you know what I mean? You know in the hood,

3130
03:09:08,280 --> 03:09:10,840
Speaker 1: take care of nipples more or less looking out for him. Like, look, bro,

3131
03:09:11,200 --> 03:09:12,960
Speaker 1: you know they got some paperwork on you. You need

3132
03:09:13,000 --> 03:09:15,080
Speaker 1: to take care of that more or less that like

3133
03:09:15,120 --> 03:09:17,760
Speaker 1: we ain't seen you, awhile you know they got some paperwork,

3134
03:09:18,200 --> 03:09:21,120
Speaker 1: you need to take care of it. And this high

3135
03:09:23,600 --> 03:09:25,320
Speaker 1: I used to get high while I know you can't

3136
03:09:25,360 --> 03:09:30,160
Speaker 1: pull it on me highs. You know, I'm not sure

3137
03:09:30,240 --> 03:09:34,240
Speaker 1: that that's I'm not sure that that is smart to

3138
03:09:34,440 --> 03:09:38,560
Speaker 1: say respectfully to the home because it's his business. But

3139
03:09:38,680 --> 03:09:40,960
Speaker 1: I'm dealing with information, So I'm just trying to figure

3140
03:09:40,959 --> 03:09:46,879
Speaker 1: out if the other guy's lawyer uses that what you're

3141
03:09:46,920 --> 03:09:49,840
Speaker 1: basically saying that he was not in this right state

3142
03:09:49,879 --> 03:09:53,039
Speaker 1: of mind when he committed that act. I'm not sure

3143
03:09:53,080 --> 03:09:56,160
Speaker 1: that that helps whatever case they have in place. And

3144
03:09:56,320 --> 03:09:59,920
Speaker 1: I'm not sure y'all won't you know or whoever won't

3145
03:10:00,879 --> 03:10:05,760
Speaker 1: for the legal system to hold anyone accountable. But I'm

3146
03:10:05,800 --> 03:10:08,800
Speaker 1: just saying in saying that even though that, I mean,

3147
03:10:08,879 --> 03:10:11,360
Speaker 1: of course, so really speak the truth. So it's probably

3148
03:10:11,440 --> 03:10:14,320
Speaker 1: just the truth. Like, look, he will bullet this heard

3149
03:10:14,400 --> 03:10:16,879
Speaker 1: that and took it as disrespect. He probably was already

3150
03:10:16,879 --> 03:10:18,680
Speaker 1: I hate a nip and he took it that way.

3151
03:10:19,000 --> 03:10:22,000
Speaker 1: That's basically how he feeling like. He never said nothing

3152
03:10:22,040 --> 03:10:25,760
Speaker 1: like that. Dude kind of took it that way. But again,

3153
03:10:26,000 --> 03:10:28,760
Speaker 1: if that is took from that clip and played in

3154
03:10:28,879 --> 03:10:32,480
Speaker 1: court on behalf of the dude that killed Nipsey, I'm

3155
03:10:32,560 --> 03:10:37,000
Speaker 1: not sure that that helps in convicting the guy that

3156
03:10:37,160 --> 03:10:39,280
Speaker 1: committed that. I just wanted to point that out. Letten,

3157
03:10:39,280 --> 03:10:42,440
Speaker 1: listen to a little more. We hate on me. They

3158
03:10:42,520 --> 03:10:46,720
Speaker 1: be hating on me, so a couple of times I

3159
03:10:47,520 --> 03:10:50,480
Speaker 1: turned my back on that. We've been out a couple

3160
03:10:50,520 --> 03:10:53,080
Speaker 1: too long. I turned my back on this. I mean

3161
03:10:53,120 --> 03:10:55,400
Speaker 1: our back turned on like even med conversation. I put

3162
03:10:55,480 --> 03:10:59,000
Speaker 1: my back on this food, like like you know, uh

3163
03:11:00,080 --> 03:11:02,000
Speaker 1: the food, Go get his food, come back, shake and

3164
03:11:02,080 --> 03:11:06,120
Speaker 1: shake hand, shook my hand, shook nip hand. Judging by

3165
03:11:06,160 --> 03:11:08,280
Speaker 1: the conversation, ain't nowhere in the world. I would have

3166
03:11:08,360 --> 03:11:10,920
Speaker 1: suspected that I was gonna do what he did. If

3167
03:11:11,040 --> 03:11:14,200
Speaker 1: Nip would have been like, oh oh yo, just snatched,

3168
03:11:14,520 --> 03:11:16,680
Speaker 1: I would have snapped him up and took him. Nip.

3169
03:11:16,760 --> 03:11:19,240
Speaker 1: Ain't gonna do nothing, never matter. If Nip would have

3170
03:11:19,280 --> 03:11:22,480
Speaker 1: had any words with anybody, I'm gonna grab him. Come on,

3171
03:11:22,560 --> 03:11:24,600
Speaker 1: it's talking you to go. Bro. If a fan come

3172
03:11:24,720 --> 03:11:26,440
Speaker 1: up and he drunk and he really need to come on,

3173
03:11:26,480 --> 03:11:28,360
Speaker 1: you gotta go, I'm gonna snatch. So he's saying that

3174
03:11:28,480 --> 03:11:31,680
Speaker 1: if Nip would have approached dude, because let me clear

3175
03:11:31,720 --> 03:11:33,959
Speaker 1: up what's happening and put some context around it. There

3176
03:11:34,040 --> 03:11:36,480
Speaker 1: was a lot of rumors going around and Nip told

3177
03:11:36,520 --> 03:11:38,960
Speaker 1: him or you're a rat, you gotta go, and a

3178
03:11:39,040 --> 03:11:42,880
Speaker 1: lot of people spoke from that standpoint, even me. I

3179
03:11:43,040 --> 03:11:45,600
Speaker 1: heard that, I spoke from that standpoint like they said

3180
03:11:45,720 --> 03:11:51,200
Speaker 1: that Nip said, Yo, you're a rat. You can't be

3181
03:11:51,320 --> 03:11:56,120
Speaker 1: up here, and didn't do reacted like that. Kyleboy is

3182
03:11:56,200 --> 03:11:59,760
Speaker 1: saying that, hey, if anybody had an issue with Nip

3183
03:12:00,160 --> 03:12:04,160
Speaker 1: was instantly on that. Immediately, I was willing. My life

3184
03:12:04,280 --> 03:12:06,760
Speaker 1: was on the line about that in an instant. It

3185
03:12:06,959 --> 03:12:09,800
Speaker 1: wasn't no argument. If it was an argument, how you

3186
03:12:09,920 --> 03:12:12,960
Speaker 1: just get to walk off like that, it wouldn't have happened.

3187
03:12:13,080 --> 03:12:15,480
Speaker 1: That's what he's saying, just to be clicked and put

3188
03:12:15,560 --> 03:12:18,640
Speaker 1: context around what's happening. Because when Nipsey died, it was

3189
03:12:18,720 --> 03:12:21,240
Speaker 1: said that he said that dude was able to walk

3190
03:12:21,280 --> 03:12:25,280
Speaker 1: off and then just come back. Look, the conversation was

3191
03:12:25,400 --> 03:12:28,600
Speaker 1: nothing like that. So basically there was no reason the

3192
03:12:28,720 --> 03:12:30,920
Speaker 1: nip would have expected what was to happen now, yea.

3193
03:12:31,040 --> 03:12:33,560
Speaker 1: So even if he's seen because coming up behind him

3194
03:12:33,760 --> 03:12:38,760
Speaker 1: or whatever, he gonna look and because the nature of

3195
03:12:38,800 --> 03:12:41,640
Speaker 1: the conversation, you would have never expected that. The only

3196
03:12:41,680 --> 03:12:43,400
Speaker 1: thing I could think of he was so high off

3197
03:12:43,879 --> 03:12:46,760
Speaker 1: from crystal and he hallucinating or something. That's the only

3198
03:12:46,800 --> 03:12:48,280
Speaker 1: thing I could think of. I can't, I can't, I

3199
03:12:48,360 --> 03:12:52,080
Speaker 1: can't think of. No, did not disrespect that man, not

3200
03:12:52,280 --> 03:12:55,039
Speaker 1: one time, you know what I mean. So I, judging

3201
03:12:55,080 --> 03:12:57,560
Speaker 1: by the nature of that conversation, I would have never

3202
03:12:57,720 --> 03:13:00,840
Speaker 1: expected that, never in a million years, you know. And

3203
03:13:01,080 --> 03:13:05,040
Speaker 1: but when he walked up, I don't know if it

3204
03:13:05,160 --> 03:13:07,240
Speaker 1: was God or not, but for something, you know, right

3205
03:13:07,240 --> 03:13:09,520
Speaker 1: before you get at a punch of motherface that split second,

3206
03:13:09,520 --> 03:13:11,959
Speaker 1: like I'm about to suck this mother for some reason.

3207
03:13:12,040 --> 03:13:14,280
Speaker 1: Then I asked, like, damn, why do I want to sock?

3208
03:13:14,680 --> 03:13:16,600
Speaker 1: Like why? You know what I mean? Like like someone

3209
03:13:16,640 --> 03:13:18,000
Speaker 1: was telling me like this, you know what I mean,

3210
03:13:18,160 --> 03:13:20,680
Speaker 1: just sucked it, you know what I mean? Like instant

3211
03:13:21,360 --> 03:13:23,280
Speaker 1: instinct and I think never felt it when he said,

3212
03:13:23,280 --> 03:13:25,200
Speaker 1: I wonder how this is gonna play. But you know

3213
03:13:25,320 --> 03:13:27,240
Speaker 1: this is later after the fact, you know what I mean,

3214
03:13:27,400 --> 03:13:29,040
Speaker 1: Like then, why did I think that? Why did I

3215
03:13:29,120 --> 03:13:30,960
Speaker 1: think I should have just sucked? So you know what

3216
03:13:31,040 --> 03:13:37,080
Speaker 1: I mean, Like I said, that's after the fact. But

3217
03:13:38,440 --> 03:13:43,120
Speaker 1: here's the marathon store right here. Then there's a door

3218
03:13:43,240 --> 03:13:45,680
Speaker 1: right here. Then there's a door right here. That's the

3219
03:13:45,760 --> 03:13:48,560
Speaker 1: break room. So I'm in the breakroom eating my food

3220
03:13:48,640 --> 03:13:50,640
Speaker 1: when I went the gunshots. I break through this door,

3221
03:13:50,959 --> 03:13:53,040
Speaker 1: I break through that door, I break through the front door.

3222
03:13:53,160 --> 03:13:57,680
Speaker 1: I'm the first, nimp. Nimp. So anybody think that I'm

3223
03:13:57,760 --> 03:14:01,080
Speaker 1: looking out something window that I'm broketting shot Nick stupid?

3224
03:14:01,520 --> 03:14:03,560
Speaker 1: Like I said, I ran through three doors, and I'm

3225
03:14:03,600 --> 03:14:07,360
Speaker 1: the first. At cus body put he had a bullet

3226
03:14:07,440 --> 03:14:09,400
Speaker 1: right hole right here. I'm touching right here, and I'm

3227
03:14:09,440 --> 03:14:11,840
Speaker 1: praying for because the whole time he's breathing, the whole time,

3228
03:14:12,600 --> 03:14:14,320
Speaker 1: he feeled me. The whole time, he's breathing all the

3229
03:14:14,320 --> 03:14:16,040
Speaker 1: way till he got an ambulance. When they put the

3230
03:14:16,080 --> 03:14:17,959
Speaker 1: thing in his mouth, he was still breathing getting into

3231
03:14:17,959 --> 03:14:21,440
Speaker 1: the ambulance, right, you feel me? So I ran from

3232
03:14:21,440 --> 03:14:25,520
Speaker 1: the from the third store, and I was the first

3233
03:14:25,560 --> 03:14:29,920
Speaker 1: one to bro so right, you know, So I mean,

3234
03:14:30,040 --> 03:14:34,440
Speaker 1: what is even the wonder anybody else out there for

3235
03:14:34,600 --> 03:14:36,520
Speaker 1: him to be the first one to him and three

3236
03:14:36,560 --> 03:14:39,279
Speaker 1: stores away? Was anybody else out there? Why they wouldn't

3237
03:14:39,879 --> 03:14:41,880
Speaker 1: up their own him? I wanted them life like, like,

3238
03:14:41,959 --> 03:14:44,520
Speaker 1: how would you describe it? Because it's it must have

3239
03:14:44,600 --> 03:14:46,480
Speaker 1: been so overwhelming in so many ways. You have the

3240
03:14:46,520 --> 03:14:49,800
Speaker 1: parking lot flooding with fans and supporters, like all of

3241
03:14:49,879 --> 03:14:52,800
Speaker 1: a sudden, it's everywhere on the news. Everybody wants to

3242
03:14:52,879 --> 03:14:55,280
Speaker 1: talk to you. I mean, how do you describe that?

3243
03:14:56,280 --> 03:14:59,600
Speaker 1: Late out there happened? You know, they took the body.

3244
03:14:59,680 --> 03:15:02,960
Speaker 1: He was gone, so the family everybody rushed to go

3245
03:15:03,080 --> 03:15:05,320
Speaker 1: see them. So I'm still there with the property. You

3246
03:15:05,400 --> 03:15:08,720
Speaker 1: gotta lock this and all these floods of people right there.

3247
03:15:08,840 --> 03:15:12,120
Speaker 1: So uh and then the police taped it off. So

3248
03:15:12,480 --> 03:15:16,480
Speaker 1: they taped it off so many hours, you know. I actually,

3249
03:15:17,120 --> 03:15:19,240
Speaker 1: I actually I was in the in the shop, locked

3250
03:15:19,280 --> 03:15:21,840
Speaker 1: in the shop. I actually gave the police office or

3251
03:15:22,160 --> 03:15:24,160
Speaker 1: some bread. He gave it to the Honger and they

3252
03:15:24,200 --> 03:15:27,720
Speaker 1: gave me a bottle of honey. I'm sipping on the honey, like, man,

3253
03:15:27,720 --> 03:15:29,920
Speaker 1: I need to drink, folks you're talking about, because you

3254
03:15:29,920 --> 03:15:31,400
Speaker 1: don't get me a drink, I'm about to come hop

3255
03:15:31,440 --> 03:15:33,600
Speaker 1: through your berry. I'm out of here with you talking about.

3256
03:15:33,680 --> 03:15:35,240
Speaker 1: So they got me a drink. So I drank that

3257
03:15:35,320 --> 03:15:38,040
Speaker 1: first fifth. I drank that first fifth. So by the

3258
03:15:38,120 --> 03:15:41,360
Speaker 1: time they shut the parking lot down, they opened it up.

3259
03:15:41,440 --> 03:15:45,400
Speaker 1: So now all these people are there. Uh, and I

3260
03:15:45,560 --> 03:15:48,920
Speaker 1: was sitting in the car and uh, little nick to

3261
03:15:48,959 --> 03:15:51,000
Speaker 1: sweat one of the little homies and some ship that

3262
03:15:51,160 --> 03:15:53,200
Speaker 1: jumped out of the car and knocked out phoning. I

3263
03:15:53,280 --> 03:15:56,320
Speaker 1: went to jail. And so that was immediately after a

3264
03:15:56,440 --> 03:15:58,480
Speaker 1: few hours after it it was some hours, it was

3265
03:15:58,560 --> 03:16:00,600
Speaker 1: it was hours, it was hours. I went to jail

3266
03:16:00,680 --> 03:16:02,879
Speaker 1: that night, you know. It was after the second fifth.

3267
03:16:03,080 --> 03:16:05,640
Speaker 1: I thought, I drank that second fifth. I don't know what.

3268
03:16:05,760 --> 03:16:09,879
Speaker 1: The little youngsters was tripping on my far what at

3269
03:16:09,920 --> 03:16:12,760
Speaker 1: that time it wasn't appropriate. And them just die. You

3270
03:16:12,840 --> 03:16:15,480
Speaker 1: don't ask nobody nothing about nothing, where they from, or

3271
03:16:15,520 --> 03:16:17,040
Speaker 1: none of that ship, you know what I mean. So

3272
03:16:17,879 --> 03:16:20,440
Speaker 1: I blacked out, Like to the day, my voice would

3273
03:16:20,480 --> 03:16:22,360
Speaker 1: never be the same. I lost it that night, you know.

3274
03:16:23,520 --> 03:16:28,600
Speaker 1: So he continued to speak about the night the following

3275
03:16:28,760 --> 03:16:31,560
Speaker 1: nights after Nipsey Hustle died and kind of the atmosphere

3276
03:16:31,560 --> 03:16:33,720
Speaker 1: and things like that, And it was interesting to hear

3277
03:16:34,280 --> 03:16:37,360
Speaker 1: about how everybody was on edge. Of course, man, when

3278
03:16:37,440 --> 03:16:41,200
Speaker 1: Nipsey passed. Man, that was a Nipsey was a unique individual.

3279
03:16:41,280 --> 03:16:43,480
Speaker 1: Even when you heard him talk the things he said,

3280
03:16:43,680 --> 03:16:46,800
Speaker 1: you know he was. He was just always on point.

3281
03:16:46,840 --> 03:16:49,160
Speaker 1: And you know, for me doing what I do, how

3282
03:16:49,280 --> 03:16:51,280
Speaker 1: I speak, I got a lot of respect for dudes

3283
03:16:51,320 --> 03:16:53,600
Speaker 1: that I always put game down when they camera in

3284
03:16:53,680 --> 03:16:56,400
Speaker 1: their face, you know what I mean. He always put

3285
03:16:56,480 --> 03:17:00,240
Speaker 1: some game down when they camera show up. He always man, listen, man, way,

3286
03:17:00,240 --> 03:17:02,440
Speaker 1: believe in yourself. It might start slow, but then you

3287
03:17:02,560 --> 03:17:04,680
Speaker 1: go get your business. You get you He would always

3288
03:17:04,760 --> 03:17:08,920
Speaker 1: try to give direction, and we need more of those people. Um.

3289
03:17:09,160 --> 03:17:14,080
Speaker 1: But he continued to explain how he went and got

3290
03:17:14,160 --> 03:17:18,920
Speaker 1: itself locked up to make sure that the dude that

3291
03:17:19,120 --> 03:17:21,680
Speaker 1: killed Nipsey wasn't just living in there like it's cool.

3292
03:17:21,760 --> 03:17:23,840
Speaker 1: He wanted to make sure that he was in the suffering.

3293
03:17:23,920 --> 03:17:26,080
Speaker 1: Let's listen to him explain that, Joel. You know, I

3294
03:17:26,200 --> 03:17:29,520
Speaker 1: went to jail a couple of times since after he passed, too,

3295
03:17:30,560 --> 03:17:35,240
Speaker 1: and to get some clarity on I went to jail,

3296
03:17:35,440 --> 03:17:40,800
Speaker 1: not you know, not intentionally, but to see the conditions

3297
03:17:40,920 --> 03:17:43,360
Speaker 1: on where the closer I got to where Eric was

3298
03:17:44,640 --> 03:17:48,320
Speaker 1: in the psycho wards and to see the condition it

3299
03:17:48,400 --> 03:17:52,240
Speaker 1: made me smile, you know, just as when I got

3300
03:17:52,280 --> 03:17:58,360
Speaker 1: there and I seeing transvestites with face mask on so

3301
03:17:58,440 --> 03:18:00,920
Speaker 1: they can't spit on you, and they in the bed

3302
03:18:01,240 --> 03:18:04,440
Speaker 1: and they handcuffed to the bed, and just to know

3303
03:18:04,600 --> 03:18:06,119
Speaker 1: that you in your cell up there and you gotta

3304
03:18:06,120 --> 03:18:08,600
Speaker 1: look down and see this every day and one of

3305
03:18:08,680 --> 03:18:11,080
Speaker 1: these motherfucker's right here gonna get loose. And that's who

3306
03:18:11,120 --> 03:18:13,800
Speaker 1: gonna get your one of these mother So I had

3307
03:18:13,800 --> 03:18:16,640
Speaker 1: a chance to talk to trustees. So yeah, we'd be

3308
03:18:16,720 --> 03:18:18,600
Speaker 1: going over there. Yeah, we'd be spitting in his food.

3309
03:18:18,720 --> 03:18:22,880
Speaker 1: We're doing who while whatever, you know. Uh So it

3310
03:18:23,080 --> 03:18:25,480
Speaker 1: was good to get an update, you know, because even

3311
03:18:25,560 --> 03:18:27,760
Speaker 1: I listened to some of these rumors and I had

3312
03:18:27,840 --> 03:18:31,400
Speaker 1: to I literally when I went to jail, I could

3313
03:18:31,440 --> 03:18:35,080
Speaker 1: have billed out immediately. You know, I'm smiling like, man,

3314
03:18:35,120 --> 03:18:37,200
Speaker 1: I'm going up and here, Yeah, I need my mads.

3315
03:18:37,280 --> 03:18:39,280
Speaker 1: I'm trying to get upstairs, you know what I mean.

3316
03:18:39,800 --> 03:18:42,200
Speaker 1: Let me get upstairs and uh as soon as I

3317
03:18:42,280 --> 03:18:44,640
Speaker 1: got there, os Jada. You know, they snatched me up

3318
03:18:44,720 --> 03:18:49,800
Speaker 1: like na never you know. But then every time he

3319
03:18:50,000 --> 03:18:54,640
Speaker 1: walks around, you got you got uh five sergeants and

3320
03:18:54,720 --> 03:18:58,000
Speaker 1: a lieutenant surrounded them, and they got the camera on him. Wow,

3321
03:18:58,240 --> 03:19:00,440
Speaker 1: you know what I mean. They got a little suit.

3322
03:19:00,480 --> 03:19:03,760
Speaker 1: It's called like a sub zero suit. So your whole

3323
03:19:03,840 --> 03:19:06,400
Speaker 1: sides are you so naked, but you got this little

3324
03:19:06,400 --> 03:19:08,840
Speaker 1: blanket thing around your neck and come down you cuff

3325
03:19:08,959 --> 03:19:13,320
Speaker 1: like this. So now because he ain't high, he got

3326
03:19:13,400 --> 03:19:16,920
Speaker 1: on this like it in that cold cell and they're

3327
03:19:16,959 --> 03:19:19,520
Speaker 1: spitting in his food. Now you're looking real stupid right now.

3328
03:19:19,840 --> 03:19:23,640
Speaker 1: So that's what he deserved. You know. I feel good now,

3329
03:19:23,760 --> 03:19:25,320
Speaker 1: you know, knowing that you and they're suffering, you know,

3330
03:19:25,440 --> 03:19:27,160
Speaker 1: just for you to die. That's too easy, you know

3331
03:19:27,160 --> 03:19:29,879
Speaker 1: what I mean. Sit back there every day every day,

3332
03:19:30,000 --> 03:19:32,320
Speaker 1: wat us up every day and just look out that

3333
03:19:32,440 --> 03:19:35,560
Speaker 1: cell and look at it. One of these weird motherfuck

3334
03:19:35,800 --> 03:19:38,880
Speaker 1: don't get you. So there you hear cowboy explain the

3335
03:19:38,959 --> 03:19:41,480
Speaker 1: way that he says, Eric Holder, which is the guy

3336
03:19:41,520 --> 03:19:45,760
Speaker 1: to kill Nipsey Hustles, lived in jail. When you kill

3337
03:19:45,840 --> 03:19:48,760
Speaker 1: a general, sometimes you had to deal with that and

3338
03:19:48,879 --> 03:19:51,880
Speaker 1: I've also seen dudes killed generals and take their power.

3339
03:19:52,600 --> 03:19:55,600
Speaker 1: So it's interesting to hear that, Yo, they're standing on

3340
03:19:55,760 --> 03:19:58,240
Speaker 1: that you did that and they holding that accountable in

3341
03:19:58,320 --> 03:20:01,360
Speaker 1: regards to hey man, you don't just take his power

3342
03:20:01,560 --> 03:20:04,160
Speaker 1: now like we don't, because sometimes you can, like I

3343
03:20:04,240 --> 03:20:06,520
Speaker 1: can beat the bullet up and now they give me

3344
03:20:06,680 --> 03:20:10,960
Speaker 1: all of his rep Sometimes a weird thing happens in

3345
03:20:11,040 --> 03:20:15,720
Speaker 1: the streets where they do that. According to Cowboy, they're

3346
03:20:15,720 --> 03:20:18,400
Speaker 1: treating them bad, spitting in his food, all kinds of things.

3347
03:20:18,520 --> 03:20:22,440
Speaker 1: He I would say, when Nipsey died, I'm really having

3348
03:20:22,600 --> 03:20:26,000
Speaker 1: sold our culture react that way for anyone else. It's

3349
03:20:26,080 --> 03:20:29,000
Speaker 1: been very few people that our culture really has been

3350
03:20:29,200 --> 03:20:34,200
Speaker 1: mortified and tormented by their passing. And Nipsey has to

3351
03:20:34,280 --> 03:20:38,000
Speaker 1: be high on that list. I would put definitely Pock

3352
03:20:38,120 --> 03:20:43,240
Speaker 1: on that list, big on that list. Of course, Nipsey

3353
03:20:43,320 --> 03:20:48,600
Speaker 1: on that list, Kobe's on that list, and I'm sure

3354
03:20:48,640 --> 03:20:51,160
Speaker 1: I'm missing people. That's y'all are screaming at the screen.

3355
03:20:51,280 --> 03:20:53,920
Speaker 1: Who else is on that list and which our culture really?

3356
03:20:54,360 --> 03:20:59,280
Speaker 1: Of course Mike wit knees on that list, but I

3357
03:20:59,320 --> 03:21:02,400
Speaker 1: would even what Dempsey. I don't know, man, that's to

3358
03:21:02,480 --> 03:21:05,800
Speaker 1: see that's a good conversation, who who was, who is

3359
03:21:06,720 --> 03:21:10,840
Speaker 1: more celebrated in their passing, Who had the biggest impact.

3360
03:21:13,000 --> 03:21:15,200
Speaker 1: I might take that on Patreon. I do need that.

3361
03:21:15,360 --> 03:21:17,080
Speaker 1: This is a prime time for me to announce what

3362
03:21:17,160 --> 03:21:20,480
Speaker 1: I'm doing Patreon. We have a new show, Round of

3363
03:21:20,480 --> 03:21:26,760
Speaker 1: applause for our new show. It's called ATC. It is

3364
03:21:26,920 --> 03:21:30,119
Speaker 1: a show that we will be producing twice a month.

3365
03:21:30,640 --> 03:21:33,080
Speaker 1: What we will be taking over the Patreon. What we

3366
03:21:33,280 --> 03:21:38,360
Speaker 1: do is we break down two individuals in their relationship

3367
03:21:38,440 --> 03:21:44,640
Speaker 1: and their encounters in business, in entertainment or personal amongst

3368
03:21:44,800 --> 03:21:47,760
Speaker 1: the life of whatever time period we're looking over. So

3369
03:21:47,879 --> 03:21:49,840
Speaker 1: what we'll do is like I first want to be

3370
03:21:50,000 --> 03:21:53,879
Speaker 1: Joe Budden and DJ Academics. So again, head to Patreon

3371
03:21:54,040 --> 03:21:57,160
Speaker 1: right now. It won't not come out anywhere else because

3372
03:21:57,280 --> 03:21:59,400
Speaker 1: this is the real part. This is gonna be the

3373
03:21:59,800 --> 03:22:02,119
Speaker 1: I'm able to just to lay it all out there,

3374
03:22:02,200 --> 03:22:06,000
Speaker 1: talk about the secrets and everything. But heads to patreon

3375
03:22:06,240 --> 03:22:09,680
Speaker 1: dot com. It's up there. Podcast. The first one will

3376
03:22:09,800 --> 03:22:15,200
Speaker 1: be June the fifteenth, DJ Academics versus Joe Button. We

3377
03:22:15,320 --> 03:22:19,400
Speaker 1: will go through their past, their president, their history because

3378
03:22:19,440 --> 03:22:22,440
Speaker 1: as you know, I would like to believe that Academics

3379
03:22:22,520 --> 03:22:25,960
Speaker 1: hates Joe Button. I use hate very loosely. I know

3380
03:22:26,080 --> 03:22:29,000
Speaker 1: he has respect for him, and it may be a friendship. There,

3381
03:22:29,520 --> 03:22:32,240
Speaker 1: I'm gonna go over it and comb through it with

3382
03:22:32,360 --> 03:22:36,360
Speaker 1: a fine tooth comb and show you why I say

3383
03:22:36,760 --> 03:22:39,640
Speaker 1: that there has to be some disdain there. Number one,

3384
03:22:39,760 --> 03:22:44,040
Speaker 1: number two. At some point I'm gonna go over all

3385
03:22:44,120 --> 03:22:46,480
Speaker 1: of the things that act said to him and where

3386
03:22:46,560 --> 03:22:48,720
Speaker 1: those came from, the sources of that. So again, the

3387
03:22:48,800 --> 03:22:52,840
Speaker 1: first show June the fifteenth, DJ Academics Versus Joe Button.

3388
03:22:53,200 --> 03:22:57,280
Speaker 1: The second one after that will be thank you let

3389
03:22:57,360 --> 03:23:00,879
Speaker 1: me see. The second show after that will be Jay

3390
03:23:01,000 --> 03:23:06,920
Speaker 1: Z versus bird Man. So what we'll do again, we'll

3391
03:23:07,000 --> 03:23:11,240
Speaker 1: examine both careers, entertaining personally, how to intertwine, how it

3392
03:23:11,320 --> 03:23:14,040
Speaker 1: affected didn't affect each other. Was it beef there? Was

3393
03:23:14,120 --> 03:23:17,000
Speaker 1: it just by coincidence? What happened? What was some of

3394
03:23:17,040 --> 03:23:19,600
Speaker 1: the slick shots? Right? So our second show would be

3395
03:23:19,680 --> 03:23:22,320
Speaker 1: bird Man versus Jay Z and then the rest to

3396
03:23:22,440 --> 03:23:28,200
Speaker 1: be to be determined exclusively only on Patreon. Again atcum

3397
03:23:28,320 --> 03:23:33,800
Speaker 1: all things considered, new show alert. But I think you know,

3398
03:23:33,920 --> 03:23:36,200
Speaker 1: we may can take something like that, some form of

3399
03:23:36,320 --> 03:23:38,240
Speaker 1: that over there tool where It's like who was more

3400
03:23:38,360 --> 03:23:41,680
Speaker 1: celebrated than death? Because that could be a sticky subject

3401
03:23:41,760 --> 03:23:44,320
Speaker 1: that we may only want to have behind a paywall

3402
03:23:44,840 --> 03:23:47,120
Speaker 1: because people kind of when you go to talking about

3403
03:23:47,160 --> 03:23:50,160
Speaker 1: who was more Nipsey a tulparc. You know, some older

3404
03:23:50,200 --> 03:23:53,560
Speaker 1: people gonna argue Parking. Then when somebody presents something, now Nipsey,

3405
03:23:54,320 --> 03:23:57,560
Speaker 1: because well, park got the most people tattooed on him.

3406
03:23:57,760 --> 03:23:59,600
Speaker 1: Nipsey got the most. You know what I'm saying. So

3407
03:23:59,720 --> 03:24:01,640
Speaker 1: we'll get into that over there and make that fun.

3408
03:24:01,720 --> 03:24:04,600
Speaker 1: That'll be a definitely a new thing we're gonna kick off,

3409
03:24:04,640 --> 03:24:08,160
Speaker 1: So sponsors, reach out, get ahead of the curve. ATC

3410
03:24:08,360 --> 03:24:10,280
Speaker 1: will be blowing up the same way I did this

3411
03:24:10,440 --> 03:24:15,160
Speaker 1: up there podcast, so make sure you do that. Let's

3412
03:24:15,200 --> 03:24:17,560
Speaker 1: talk about this before I move on to something's going

3413
03:24:17,600 --> 03:24:19,840
Speaker 1: on with Boots in real time and this sun we're

3414
03:24:19,879 --> 03:24:23,160
Speaker 1: about to cover that in real time. Let's talk about

3415
03:24:23,200 --> 03:24:27,959
Speaker 1: Amber Gager and Johnny Depp's case. I always tell y'all

3416
03:24:28,080 --> 03:24:30,160
Speaker 1: watch the whole field. This is not just a hip

3417
03:24:30,240 --> 03:24:34,000
Speaker 1: hop show. This is society, music and culture. Hip Hop

3418
03:24:34,280 --> 03:24:36,320
Speaker 1: is my baby, is part of what I am, but

3419
03:24:36,400 --> 03:24:39,440
Speaker 1: it's not all that that I am. So again we

3420
03:24:40,120 --> 03:24:42,800
Speaker 1: like to spread our wings and fly. Information is all

3421
03:24:42,879 --> 03:24:45,880
Speaker 1: around the world, and we will not be marginalized in

3422
03:24:46,000 --> 03:24:48,520
Speaker 1: any way, shape, form or fashion. Let the truth say

3423
03:24:48,600 --> 03:24:53,760
Speaker 1: A man and Amber and Johnny Depp man, this right

3424
03:24:53,879 --> 03:24:58,720
Speaker 1: here was better than television. If you were watching this,

3425
03:24:59,520 --> 03:25:01,959
Speaker 1: and you will the adult, they kind of understood what's

3426
03:25:02,000 --> 03:25:05,320
Speaker 1: happening here. You're like, yo, this is a crazy thing

3427
03:25:05,400 --> 03:25:08,680
Speaker 1: because this is a dude who fell in love with

3428
03:25:08,840 --> 03:25:12,240
Speaker 1: a girl and he kind of liked that wild behavior

3429
03:25:12,360 --> 03:25:15,480
Speaker 1: that she had. She kind of had this wild type

3430
03:25:15,480 --> 03:25:18,760
Speaker 1: of thing about it, whether they had six and wild places.

3431
03:25:18,800 --> 03:25:23,000
Speaker 1: And I'm telling y'all the importance. And I'll be honest

3432
03:25:23,200 --> 03:25:29,400
Speaker 1: with women. You're a great cook, you know, and you're faithful,

3433
03:25:29,480 --> 03:25:35,200
Speaker 1: and your job pays your excellent salary, and you'll raise

3434
03:25:35,320 --> 03:25:37,360
Speaker 1: the kids in this world to be some of the

3435
03:25:37,480 --> 03:25:42,760
Speaker 1: best adults that this world has the offer. But if

3436
03:25:42,800 --> 03:25:46,160
Speaker 1: that sex ain't hidden, right, you might not see me again.

3437
03:25:47,360 --> 03:25:50,360
Speaker 1: That's unfortunate. There's so much hangs on sex like that,

3438
03:25:50,640 --> 03:25:54,240
Speaker 1: especially for the young, right for a lot of young

3439
03:25:54,480 --> 03:25:57,680
Speaker 1: dudes in particular. Women can deal with it because they

3440
03:25:57,760 --> 03:26:02,280
Speaker 1: have so many toys. That's just it ain't even fair.

3441
03:26:03,040 --> 03:26:05,320
Speaker 1: The level of toys that they have the level of

3442
03:26:05,640 --> 03:26:08,200
Speaker 1: they have to be able to help them reach some

3443
03:26:08,320 --> 03:26:10,720
Speaker 1: sort of climax. It's not even a fair fight at

3444
03:26:10,800 --> 03:26:16,480
Speaker 1: this point. What they're doing to their private areas shouldn't

3445
03:26:16,520 --> 03:26:19,200
Speaker 1: even be something that they are able to do. In

3446
03:26:19,320 --> 03:26:21,440
Speaker 1: my opinion, that should be against the law. And some

3447
03:26:21,520 --> 03:26:24,040
Speaker 1: of them little things moving that fast, doing that much

3448
03:26:24,520 --> 03:26:28,680
Speaker 1: it going on. I can't nah, I don't lost respect

3449
03:26:28,760 --> 03:26:32,280
Speaker 1: for your pool, Nanna, you're putting that show you're pulling. Na.

3450
03:26:32,360 --> 03:26:35,760
Speaker 1: I don't lost respect for your pool. Nanna, you don't

3451
03:26:35,800 --> 03:26:39,560
Speaker 1: put some sh now, I can charge my car with nah. Man.

3452
03:26:39,680 --> 03:26:43,400
Speaker 1: Hell ain't nothing na na now. But anyway, Johnny Depp

3453
03:26:43,520 --> 03:26:46,320
Speaker 1: was in a situation where he kind of failed for

3454
03:26:46,440 --> 03:26:48,320
Speaker 1: this girl and it was on the set of a movie.

3455
03:26:48,360 --> 03:26:50,279
Speaker 1: They met on the set of a movie and actually

3456
03:26:50,360 --> 03:26:54,800
Speaker 1: fell in love. Weird thing. I said, damn, it's cool

3457
03:26:54,840 --> 03:26:56,680
Speaker 1: to fall in love. But when he went and married,

3458
03:26:56,879 --> 03:27:01,000
Speaker 1: I said, oh, he is really good, gotta be a man.

3459
03:27:01,080 --> 03:27:03,959
Speaker 1: He married off the scribble. He he is worth millions.

3460
03:27:04,760 --> 03:27:08,320
Speaker 1: So then all hell breaks loose. These are two people

3461
03:27:08,400 --> 03:27:10,560
Speaker 1: fell in love, but the whole time they were in love,

3462
03:27:10,640 --> 03:27:14,120
Speaker 1: they were secretly recording each other you're that drunk on

3463
03:27:14,240 --> 03:27:16,640
Speaker 1: your got a camera right here, look at the stupid

3464
03:27:16,680 --> 03:27:19,440
Speaker 1: mother that's dad, And they're like, I know I'm gonna

3465
03:27:19,560 --> 03:27:23,480
Speaker 1: leave you. Why the hell I'm recording you and we together?

3466
03:27:24,080 --> 03:27:27,120
Speaker 1: That don't don't to me. Something ain't don't sit right

3467
03:27:27,200 --> 03:27:30,000
Speaker 1: with me about that. That kind of mean. But both

3468
03:27:30,080 --> 03:27:33,160
Speaker 1: of them was doing it, so you can't realize. It's like, damn,

3469
03:27:33,200 --> 03:27:37,000
Speaker 1: what kind of weird relationship was they living? But nonetheless,

3470
03:27:37,360 --> 03:27:40,200
Speaker 1: he ended up taking her to court for defamation because

3471
03:27:40,240 --> 03:27:42,680
Speaker 1: he lost a lot of roles and they told him

3472
03:27:42,720 --> 03:27:44,480
Speaker 1: they wouldn't hire him on this and I think it

3473
03:27:44,600 --> 03:27:47,160
Speaker 1: was Pirates of the Caribbean and they would not give

3474
03:27:47,280 --> 03:27:50,400
Speaker 1: him another opportunity based on certain things she said. She

3475
03:27:50,600 --> 03:27:54,120
Speaker 1: also alleged that she didn't want anything from the marriage,

3476
03:27:54,440 --> 03:27:59,160
Speaker 1: although she was awarded I believe seven million dollars after

3477
03:27:59,320 --> 03:28:02,680
Speaker 1: the splits, so she said that she would donate all

3478
03:28:02,800 --> 03:28:05,320
Speaker 1: of that seven million as she wanted nothing to do

3479
03:28:05,920 --> 03:28:10,080
Speaker 1: or no profit from that horrible experience with Johnny Depp.

3480
03:28:10,600 --> 03:28:15,279
Speaker 1: It was discovered in court that even though she alleged

3481
03:28:15,360 --> 03:28:19,200
Speaker 1: that she wanted to pledge or donate that money, that

3482
03:28:19,360 --> 03:28:22,560
Speaker 1: she did not in fact donate that money after having

3483
03:28:23,440 --> 03:28:26,840
Speaker 1: access to that money for over or a little under

3484
03:28:26,959 --> 03:28:30,840
Speaker 1: a year's time and just holding that money. She alleged

3485
03:28:31,000 --> 03:28:33,800
Speaker 1: that the reason she did that is because she was

3486
03:28:33,840 --> 03:28:38,320
Speaker 1: sued by Johnny Depp. They present the other side and say,

3487
03:28:38,400 --> 03:28:40,640
Speaker 1: you had ample amount of time to get that money

3488
03:28:40,680 --> 03:28:43,280
Speaker 1: out of your hand. You did not because you did

3489
03:28:43,360 --> 03:28:45,880
Speaker 1: not want to. You just wanted to be viewed as

3490
03:28:46,000 --> 03:28:48,880
Speaker 1: charitable and a stand up kind of individual. So you

3491
03:28:49,080 --> 03:28:53,640
Speaker 1: use public perception to do some consumer facing and say, hey,

3492
03:28:54,640 --> 03:28:57,720
Speaker 1: I'm not taking anything from a relationship with a man

3493
03:28:57,840 --> 03:29:00,680
Speaker 1: treating you this way, and we deserve power and donate

3494
03:29:00,760 --> 03:29:04,959
Speaker 1: this money. And this is just a little bit of it. Again,

3495
03:29:05,000 --> 03:29:07,760
Speaker 1: I'm telling you this was better than TV. This was laya,

3496
03:29:07,920 --> 03:29:09,680
Speaker 1: but that was just a little bit of a layer

3497
03:29:09,800 --> 03:29:12,400
Speaker 1: of it. So we'll speed up take you to the verdict.

3498
03:29:12,440 --> 03:29:14,840
Speaker 1: At this point, we don't know who wins. We want

3499
03:29:14,879 --> 03:29:17,760
Speaker 1: to take a look at the jury, read the verdict,

3500
03:29:17,800 --> 03:29:20,160
Speaker 1: and come back with a little game about what we're

3501
03:29:20,240 --> 03:29:23,080
Speaker 1: looking at and what just took place. Turds abuse, hoax

3502
03:29:23,280 --> 03:29:27,560
Speaker 1: against Johnny Depp end quote. Do you find that misheard

3503
03:29:27,640 --> 03:29:34,920
Speaker 1: has proven all the elements of defamation? Answer no? As

3504
03:29:35,000 --> 03:29:38,680
Speaker 1: against John C. Depth. The second we the jury award

3505
03:29:38,760 --> 03:29:42,959
Speaker 1: compensatory damages in the amount of two million dollars as

3506
03:29:43,000 --> 03:29:46,760
Speaker 1: against John C. Depp. The second we the jury award

3507
03:29:46,800 --> 03:29:52,120
Speaker 1: punitive damages in the amount of zero dollars. Just either

3508
03:29:52,160 --> 03:29:55,520
Speaker 1: side wish to have the jury pulled. Yes, your honor jimmy,

3509
03:29:57,320 --> 03:30:00,320
Speaker 1: Members of the jury, If this is your verdict, please

3510
03:30:00,400 --> 03:30:04,240
Speaker 1: answer yes. If this is not your verdict, please answer no.

3511
03:30:05,640 --> 03:30:13,920
Speaker 1: Juror number six, Juror number ten, Juror number fifteen, Juror

3512
03:30:14,040 --> 03:30:22,000
Speaker 1: number sixteen, Juror number twenty two, Yeah, Jured number twenty seven,

3513
03:30:23,520 --> 03:30:27,480
Speaker 1: Jared number twenty nine. Yes, I do find that the

3514
03:30:27,640 --> 03:30:31,000
Speaker 1: jury's verdict is unanimous. Ladies and gentlemen. This concludes your

3515
03:30:31,120 --> 03:30:33,400
Speaker 1: service in this case. I want to thank you again

3516
03:30:33,480 --> 03:30:35,840
Speaker 1: for your dedication and your hard work during this trial.

3517
03:30:35,959 --> 03:30:40,840
Speaker 1: I know I speak for everybody see appreciate, appreciate your

3518
03:30:40,879 --> 03:30:44,480
Speaker 1: sacrifices and your time and your public service in this matter. Okay,

3519
03:30:44,920 --> 03:30:46,160
Speaker 1: So I'm going to have you go back to the

3520
03:30:46,240 --> 03:30:49,440
Speaker 1: jury deliberation room for one more time and then we'll

3521
03:30:49,480 --> 03:31:04,160
Speaker 1: release you from there. Okay, all right, thank you. All right,

3522
03:31:04,240 --> 03:31:07,160
Speaker 1: So what you just saw there was was like like

3523
03:31:07,320 --> 03:31:09,800
Speaker 1: the person that just said like a split ruling, and

3524
03:31:09,920 --> 03:31:13,160
Speaker 1: these things get complicated, especially for us. But I'll try

3525
03:31:13,200 --> 03:31:17,040
Speaker 1: to explain a little bit based on my understanding, it

3526
03:31:17,240 --> 03:31:20,560
Speaker 1: was actually awarded on both sides. The trick of it is,

3527
03:31:20,680 --> 03:31:26,720
Speaker 1: it was awarded Johnny Depp was awarded fifteen million and

3528
03:31:26,879 --> 03:31:30,199
Speaker 1: she was awarded two million, So it's thirteen million at state.

3529
03:31:30,760 --> 03:31:34,840
Speaker 1: He was found to have deformated her character and she

3530
03:31:35,000 --> 03:31:38,199
Speaker 1: was awarded two million. She was found to had defamated

3531
03:31:38,320 --> 03:31:41,880
Speaker 1: his character and acted with actual malice, and he was

3532
03:31:41,920 --> 03:31:45,960
Speaker 1: awarded fifteen million dollars. So there's a thirteen million dollar settlement. Dude.

3533
03:31:46,000 --> 03:31:48,920
Speaker 1: There Now a lot of people take that as a win,

3534
03:31:49,000 --> 03:31:50,760
Speaker 1: and it is a win, but it's a short win

3535
03:31:50,920 --> 03:31:54,200
Speaker 1: because when you dial again, it's always rules, it's always

3536
03:31:54,200 --> 03:31:56,640
Speaker 1: about language, it's always about knowing what you're doing. So

3537
03:31:56,720 --> 03:31:59,640
Speaker 1: it's all kinds of things to get out of a lawsuit.

3538
03:32:00,040 --> 03:32:01,960
Speaker 1: Not get out of it, but move around it, work

3539
03:32:02,040 --> 03:32:05,640
Speaker 1: around it. What I expect to see versus an appeal.

3540
03:32:06,200 --> 03:32:08,320
Speaker 1: So even though he won, he doesn't. It's it's not

3541
03:32:08,520 --> 03:32:10,680
Speaker 1: like he wakes up tomorrow and get that money. There's

3542
03:32:10,720 --> 03:32:14,400
Speaker 1: a process, so I expect them to a pillet Number

3543
03:32:14,440 --> 03:32:17,959
Speaker 1: one on grounds to first of all, see if there's

3544
03:32:17,959 --> 03:32:21,800
Speaker 1: any caps in that state, because for those of you unaware,

3545
03:32:21,879 --> 03:32:25,560
Speaker 1: if you sue someone for certain things, in certain states,

3546
03:32:26,560 --> 03:32:29,120
Speaker 1: there's a cap on how much you can even be awarded,

3547
03:32:29,240 --> 03:32:31,920
Speaker 1: no matter how much money the people got, no matter

3548
03:32:32,000 --> 03:32:35,280
Speaker 1: the circumstances or the damages, there's some sort of cap

3549
03:32:35,440 --> 03:32:37,920
Speaker 1: on certain lawsuits. So I expect her to a pillet

3550
03:32:38,000 --> 03:32:42,039
Speaker 1: to the pellet courts to get a reduction. In Va, right,

3551
03:32:42,200 --> 03:32:44,880
Speaker 1: you can also a pillot to try to get it

3552
03:32:44,959 --> 03:32:47,400
Speaker 1: reduced like fifteen million. Hold on, man, I don't have that.

3553
03:32:47,440 --> 03:32:49,280
Speaker 1: I can't do that like whe da da da da,

3554
03:32:49,480 --> 03:32:51,440
Speaker 1: and you can get it reduced. So that's another thing

3555
03:32:51,560 --> 03:32:54,480
Speaker 1: that she can do. I remember when oj lost his

3556
03:32:57,400 --> 03:32:59,760
Speaker 1: he won his criminal suit but lost his civil sue,

3557
03:33:00,560 --> 03:33:02,960
Speaker 1: and so people didn't peep the trick that he did

3558
03:33:03,040 --> 03:33:05,080
Speaker 1: when he lost his civil suit. First thing he did

3559
03:33:05,240 --> 03:33:08,039
Speaker 1: was moved to Florida. He did that because it's something

3560
03:33:08,120 --> 03:33:12,080
Speaker 1: called the Homestead Act that in Florida. I think if

3561
03:33:12,120 --> 03:33:15,680
Speaker 1: you have a house in Florida, there's some stipulations on

3562
03:33:15,760 --> 03:33:18,080
Speaker 1: you getting your money, on how you're able to go

3563
03:33:18,280 --> 03:33:21,360
Speaker 1: after the money. So I expect her to do something

3564
03:33:21,440 --> 03:33:23,440
Speaker 1: like that maybe she moves to Florida and file the

3565
03:33:23,520 --> 03:33:26,800
Speaker 1: same thing, oh J file like there's in the United States.

3566
03:33:26,879 --> 03:33:30,360
Speaker 1: There are workarounds. Man, There's things that can happen that

3567
03:33:30,560 --> 03:33:34,280
Speaker 1: makes your situation being depending on who you are, depending

3568
03:33:34,320 --> 03:33:37,880
Speaker 1: on what information you have. But this particular trial, I

3569
03:33:38,040 --> 03:33:40,360
Speaker 1: want to go over it in its full extent. It's

3570
03:33:40,400 --> 03:33:42,440
Speaker 1: just so long and we got so much going on

3571
03:33:42,640 --> 03:33:44,840
Speaker 1: in the world that I want to spread out what

3572
03:33:44,959 --> 03:33:48,840
Speaker 1: I speak about. But this case in particular was a

3573
03:33:49,760 --> 03:33:52,160
Speaker 1: situation you can look into to learn about love, to

3574
03:33:52,320 --> 03:33:55,720
Speaker 1: learn about working close to someone and falling in love

3575
03:33:55,800 --> 03:33:58,720
Speaker 1: with them when maybe that shouldn't be someone you should

3576
03:33:58,760 --> 03:34:01,000
Speaker 1: interact with, because a lot of us know that, Like

3577
03:34:01,120 --> 03:34:03,720
Speaker 1: you can be working with somebody that you wouldn't probably

3578
03:34:03,760 --> 03:34:06,440
Speaker 1: really date if you had not been working with them,

3579
03:34:06,520 --> 03:34:08,120
Speaker 1: Like had they tried to come up to you in

3580
03:34:08,200 --> 03:34:10,280
Speaker 1: the store and talk to you, you wouldn't go. But

3581
03:34:10,440 --> 03:34:12,560
Speaker 1: you saw them every day for the hours a week

3582
03:34:12,640 --> 03:34:15,200
Speaker 1: for three years, and come to find out, he kind

3583
03:34:15,240 --> 03:34:17,720
Speaker 1: of funny and he looked out for me, and he's

3584
03:34:17,760 --> 03:34:20,560
Speaker 1: cool and we talk every day and I've built the relationship.

3585
03:34:20,879 --> 03:34:23,200
Speaker 1: I always think love can be learned, like you can

3586
03:34:23,320 --> 03:34:25,520
Speaker 1: learn to love someone. I don't think it's all about

3587
03:34:25,560 --> 03:34:28,200
Speaker 1: the physical. Oh my god, you're so cute. Like you

3588
03:34:28,280 --> 03:34:30,920
Speaker 1: can learn to love someone if it's if they give

3589
03:34:30,959 --> 03:34:34,160
Speaker 1: you confirmation, if you're comfortable around them, you know, if

3590
03:34:34,200 --> 03:34:36,360
Speaker 1: they seem to be committed. You know what I'm saying.

3591
03:34:36,400 --> 03:34:39,200
Speaker 1: All these kinds of things can kind of get you

3592
03:34:39,320 --> 03:34:42,040
Speaker 1: in a situation where you want to be involved with

3593
03:34:42,160 --> 03:34:46,240
Speaker 1: that person. Because again, looks may not be hound everyone's list,

3594
03:34:46,680 --> 03:34:48,960
Speaker 1: but I expect some tricks on trying to get out

3595
03:34:49,000 --> 03:34:52,400
Speaker 1: of this. Johnny Deb's rich, super mega rich. He didn't

3596
03:34:52,400 --> 03:34:54,840
Speaker 1: even show up. He knew he had it in the can.

3597
03:34:56,800 --> 03:35:00,240
Speaker 1: But be on the lookout for the appeals. Again. Man,

3598
03:35:00,320 --> 03:35:02,920
Speaker 1: we'll watch a little bit more this next week. I'm

3599
03:35:02,959 --> 03:35:06,320
Speaker 1: gonna do a little bit of research as to exactly

3600
03:35:06,400 --> 03:35:08,840
Speaker 1: what's happening. And I just wanted because he just came out,

3601
03:35:09,320 --> 03:35:11,440
Speaker 1: I wanted to speak about it. Man. Again, Thank you

3602
03:35:11,560 --> 03:35:14,520
Speaker 1: guys for listening to another episode. Audience right now, if

3603
03:35:14,600 --> 03:35:19,320
Speaker 1: you're listening, come to Patreon. We have a new series,

3604
03:35:19,440 --> 03:35:22,880
Speaker 1: a new show we're doing atc All things consider. We

3605
03:35:23,080 --> 03:35:27,920
Speaker 1: look at two individuals, or maybe two groups, two situations,

3606
03:35:28,240 --> 03:35:30,760
Speaker 1: we bring those together. We look at him from an

3607
03:35:30,879 --> 03:35:34,800
Speaker 1: entertainment standpoint of personal business, and we try to see

3608
03:35:35,000 --> 03:35:39,199
Speaker 1: if there's any hate, if there's any love, if it's business,

3609
03:35:39,280 --> 03:35:44,880
Speaker 1: if it's personal, how those careers intertwined right, Who may

3610
03:35:44,959 --> 03:35:47,960
Speaker 1: have stepped on who, what may have happened, what slick

3611
03:35:48,080 --> 03:35:50,040
Speaker 1: stuff was saying. We just kind of go into it

3612
03:35:50,120 --> 03:35:54,920
Speaker 1: and we dive in deep. Our first show, DJ Academics

3613
03:35:55,040 --> 03:35:59,160
Speaker 1: Versus Joe Button June the fifteenth on Patreon, Meet us there.

3614
03:36:00,160 --> 03:36:03,000
Speaker 1: Another episode of the fast growing podcast on the world,

3615
03:36:03,080 --> 03:36:06,560
Speaker 1: Revolt TV, is up. That podcast, you are dealing with

3616
03:36:07,120 --> 03:36:09,840
Speaker 1: the biggest homing for Shigga. There