WEBVTT - Swords & Sandals

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<v Speaker 1>Warning.

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<v Speaker 2>This episode contains mild spoilers, but pretty concrete spoilers for

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<v Speaker 2>a variety of swords and sandals movies in film history

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<v Speaker 2>over the last fifty years, So be warned, be warned.

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<v Speaker 1>Hello, my name is Spartacus.

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<v Speaker 2>No, my name is Jason Gczepsio, and I am also Spotacus.

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<v Speaker 3>I'm also Jason Cacepsio. No, I'm merthday Night, I'm merdy Knight,

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<v Speaker 3>And welcome back to.

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<v Speaker 2>Next mention of the podcast where we dive deep into

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<v Speaker 2>your favorite shows, movies, comics, and pop culture. Coming to

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<v Speaker 2>you from My Heart podcast, where we're bringing you three

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<v Speaker 2>episodes a week every Tuesday Thursday, with extra episodes every Wednesday.

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<v Speaker 3>In today's episode, we are exploring some of the best

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<v Speaker 3>why how much fantastical Swords and Sandals movies in anticipation

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<v Speaker 3>of gladiat It's two's released this Friday, and how did

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<v Speaker 3>we pick them? Well, we're recommending the best movies to

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<v Speaker 3>watch if you like certain very specific and hilarious moments

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<v Speaker 3>from Gladiator.

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<v Speaker 2>Let's get into it first, Let's talk about what we

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<v Speaker 2>mean when we say swords and sandals. This is a

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<v Speaker 2>film genre popularized in the middle of the twentieth century,

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<v Speaker 2>and it encompasses movies that are often set in antiquity,

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<v Speaker 2>that have often biblical themes or Greco Roman hystory Jeo

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<v Speaker 2>Christian kind of basis, and they are set in the

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<v Speaker 2>ancient world, you know, the levant to Greece to anciently.

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<v Speaker 2>And there are various subgenres here and affect some of

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<v Speaker 2>our picks, kind of our picks definitely, uh, you know,

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<v Speaker 2>pushed the boundaries of the true swords and sandals mostly

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<v Speaker 2>it's yeah, yeah, I think it's mostly swords and so

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<v Speaker 2>and a lot of sandals. But the subgenres here are

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<v Speaker 2>obviously fantasy movies, swords again, historical fiction, yeah, you know,

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<v Speaker 2>things like Master and Commander, gladiators and rebelling against their rulers,

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<v Speaker 2>pirate movies, those kinds of things. Uh, they often contain

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<v Speaker 2>elements of uh, you know, man struggle for freedom, that's

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<v Speaker 2>basically it.

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<v Speaker 3>Yeah, coming up against ambitious rulers.

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<v Speaker 1>Yes, that's that's a lot of that.

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<v Speaker 3>Uh.

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<v Speaker 1>And a lot of these epics were shot in Italy.

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<v Speaker 3>Yes, it's very Spaghetti Weston in that way. Like lots

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<v Speaker 3>of original like what were essentially cheap auctions made in Italy,

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<v Speaker 3>like Cuivades or ulysses Co direct Benjamin Bava. Yeah, by

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<v Speaker 3>the way, like claszy, crazy stuff. But yeah, Helen of

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<v Speaker 3>Troy with Sergio Leone as uncredited second unit director, So

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<v Speaker 3>you can see this was kind of the proto kind

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<v Speaker 3>of wave of pre spaghetti Western.

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<v Speaker 2>Yeah, I mean, I think this was these this genre

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<v Speaker 2>and this movement to film, you know, in Italy, I

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<v Speaker 2>think was important for seating future talent from Italy and

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<v Speaker 2>in countries with opportunities that they could then take to

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<v Speaker 2>make the movies that they would then go on to

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<v Speaker 2>be famous for Bava with his various Giallo horror movies

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<v Speaker 2>and Leoni with his basically creating the Spaghetti Western genre

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<v Speaker 2>whole cloth.

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<v Speaker 1>What about the modern era?

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<v Speaker 2>Lots of examples of this in the modern Gladiator, which

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<v Speaker 2>is the most famously.

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<v Speaker 3>And successfully I think.

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<v Speaker 2>Yeah, I mean it's Oscar winning film, and it's the

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<v Speaker 2>reason we're doing this episode. Gladiator from two thousand Troy.

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<v Speaker 3>Not a good movie, no, but it was. It was

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<v Speaker 3>an attempt to capitalize on the success of Gladiator and

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<v Speaker 3>bring back this swords and sandals, space.

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<v Speaker 1>And some there's some fun action there.

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<v Speaker 2>Alexander, Oh, what about that? I Forget Don't Forget Colin.

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<v Speaker 2>Colin Ferrell's Don't Forget Colin Farles Alexander, where.

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<v Speaker 3>Angelina Jolie, who was only like three years older than him,

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<v Speaker 3>played his mom famously.

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<v Speaker 2>Very very strange. Although I will say valcam Are kind

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<v Speaker 2>of stealing the movie three hundred of course, who could probably.

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<v Speaker 3>The most culturally impactful release of that mid zero's era.

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<v Speaker 3>That kind of obviously launched the career and stylistic chops

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<v Speaker 3>of one of the most contentious but definitely successful filmmakers

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<v Speaker 3>of his era.

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<v Speaker 1>That's right.

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<v Speaker 2>And then twenty tens Clash of the Titans and it's

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<v Speaker 2>nineteen eighty eighty.

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<v Speaker 3>One, Yeah, eighty one. That's that's what I was gonna say.

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<v Speaker 3>The one thing we didn't touch on here, and they

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<v Speaker 3>are They are not as necessarily impactful now, but definitely

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<v Speaker 3>when we were growing up, the Ray Harry Housen animated

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<v Speaker 3>Clash of the.

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<v Speaker 2>Titans, Argonauts, Jason and the Argonauts, and The Golden Fleece.

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<v Speaker 3>Where you would have these kind of a fighting skeletons

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<v Speaker 3>brought to life with stop motion. I think for me,

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<v Speaker 3>those were definitely the most impactful and memorable movies, especially

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<v Speaker 3>because in England. When I was growing up, we only

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<v Speaker 3>had like four channels, Channel one, two, three and four

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<v Speaker 3>literally ITV and Channel four BBC one and two, and

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<v Speaker 3>whenever it was Christmas or Easter or Bank Holiday, they're

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<v Speaker 3>showing those Harry House.

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<v Speaker 1>I know that.

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<v Speaker 2>I know that because of National Lampoon's European vacation exactly.

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<v Speaker 3>And it's true. They were correct.

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<v Speaker 1>Okay, we've set the stage.

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<v Speaker 2>To this break and word from our sponsors, we will

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<v Speaker 2>get to our picks.

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<v Speaker 1>Yeah, and we're back.

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<v Speaker 3>We're back.

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<v Speaker 1>Here's the format.

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<v Speaker 2>We're gonna pitch these movies to you based on things

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<v Speaker 2>from Gladiator or things that you may have liked from Gladiator.

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<v Speaker 2>So for instance, you know, if you liked the action

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<v Speaker 2>and Gladiator, you will like this movie. I'll start off

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<v Speaker 2>if you liked this quote from Lucilla in Gladiator today

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<v Speaker 2>I watched a slave become more powerful than the Emperor

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<v Speaker 2>of Rome. Then you must watch Spartacus from nineteen sixty,

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<v Speaker 2>an absolute classic. It's Stanley Kubrick. It's slyly subversive for

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<v Speaker 2>a movie in nineteen sixty that deals with, you know,

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<v Speaker 2>man's struggle from up pressers and being enslaved. There's a

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<v Speaker 2>lot of winks and nods to then contemporary social struggles.

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<v Speaker 1>That were going on.

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<v Speaker 2>Here's a fun fact for you about Spartacus. This is

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<v Speaker 2>based on the life of an actual freedom fighting gladiator

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<v Speaker 2>took who basically sparked what was the last of the

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<v Speaker 2>three slave rebellions in each Rome called the surviv Wars.

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<v Speaker 2>These happened like two hundred ish years before, like you know,

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<v Speaker 2>Augustus and all these guys. It's the first one, and

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<v Speaker 2>then they happened like basically every fifty years until the

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<v Speaker 2>last one, in which Spartacus broke free of his gladiator

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<v Speaker 2>school and then just kind of rampaged across the southern

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<v Speaker 2>Italian peninsula for two years. That's the thing that people

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<v Speaker 2>don't dialize, yeah, when they watched this movie. That's important

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<v Speaker 2>to think about. Spartacus was just out there for two

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<v Speaker 2>whole years, running around freeing enslaved people and you know,

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<v Speaker 2>looking for a way off the peninsula. Further fun fact,

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<v Speaker 2>he was brought down by Marcus Lucinia's Crassis his army. Crassus,

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<v Speaker 2>then known as the richest man in Rome, was later

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<v Speaker 2>slayed by the Parthians in Syria, and like the legend

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<v Speaker 2>is that after they killed him. The Parthians, as a

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<v Speaker 2>mockery of his lust for wealth and his greed, melted

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<v Speaker 2>gold and poured it down his mouth, an echo, of course,

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<v Speaker 2>of the death of visaras Targarian in Season one of

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<v Speaker 2>Game of Thrones.

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<v Speaker 3>One of my favorite moments from this show.

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<v Speaker 2>And by the way, the I Am Spartacus, which we

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<v Speaker 2>were the I am Spartacus line, which we referenced, the

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<v Speaker 2>iconic moment from the movie in which you know, the

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<v Speaker 2>the victoriaious Roman legions promise their surviving gladiators that they

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<v Speaker 2>will be mercifully dispatched if only they will point out

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<v Speaker 2>who Spartacus is, like either his corpse or amongst those living,

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<v Speaker 2>who are you know, sitting side by side of them,

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<v Speaker 2>And just as Spartacus is about to rise up and

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<v Speaker 2>say I'm Spartacus, various other gladiers saying I am sport,

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<v Speaker 2>I am Spartan, not letting them get the satisfaction of

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<v Speaker 2>finding him. And that is a moment that retains its

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<v Speaker 2>like pop culture impact. The Office referenced it like there's

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<v Speaker 2>a million references to this despite the movie coming out

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<v Speaker 2>over half a century ago.

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<v Speaker 3>I think, to me, the one that is most unbelievable

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<v Speaker 3>and kind of showcases how you can put a moment

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<v Speaker 3>in a movie and never know where it will go.

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<v Speaker 3>In the fantastic Netflix series Sex Education, there is a

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<v Speaker 3>episode at wonderful series does an episode where somebody shas

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<v Speaker 3>nudes and people are mocking it, and there it's of

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<v Speaker 3>an intimate part of somebody's body, and then it's causing

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<v Speaker 3>a big problem in the school. And then all the

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<v Speaker 3>girls stand up and do an I Am Spartacus saying

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<v Speaker 3>it's their nude so that the girl won't get in

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<v Speaker 3>trouble and so that people will stop, you know, mocking

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<v Speaker 3>this intimate part of her body. And I remember watching

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<v Speaker 3>that and thinking, like, Stanley Kubrick just never knew, but

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<v Speaker 3>you know what you would Actually, you would probably have

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<v Speaker 3>loved this, Stanley Kubrick, Actually this specific version of it,

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<v Speaker 3>I think you would have been into it. But yeah,

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<v Speaker 3>like the way that you could never imagine that you

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<v Speaker 3>would have a bunch of teenage girls referencing I Am

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<v Speaker 3>Spartacus about revenge porn. Sixty years later you're like, Okay,

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<v Speaker 3>but that's the power of the I Am Spartacus moment

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<v Speaker 3>and that kind of coming together of oppressed people to

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<v Speaker 3>protect each other in the face of tyranny.

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<v Speaker 2>You know we were talking about before we turned on

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<v Speaker 2>the mics doing a episode about they had it coming scenes,

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<v Speaker 2>And I'll just say the escape moment in Spartacus is

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<v Speaker 2>one of the great things had it coming moments in film.

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<v Speaker 1>What's your pick? What's your first pick?

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<v Speaker 3>Okay? I love that I get to do this one.

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<v Speaker 3>So if you like the opening battle scene and gladiator,

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<v Speaker 3>which I do think is often forgotten about compared to

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<v Speaker 3>the rest of the movie, is very different in tone

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<v Speaker 3>in which the Romans squared off against the Germanic tribes,

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<v Speaker 3>watch The Thirteenth Warrior. I was so happy when you

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<v Speaker 3>picked this one, Jason, because this is such an enjoyable,

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<v Speaker 3>fun movie, but forgotten and forgotten and great. It was

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<v Speaker 3>a crushing bomb, the biggest flop of the box office

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<v Speaker 3>year of nineteen ninety nine. The Thirteenth Warrior is a

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<v Speaker 3>fun movie, and as Jason points out in this fantastic

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<v Speaker 3>little note that he wrote a fantastic pedigree of cast

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<v Speaker 3>stories by Michael Crichton, the novelist who gave us Jurassic Parks.

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<v Speaker 1>Ever heard of It?

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<v Speaker 3>Ever Heard of It? And director John McTiernan predator Diehard

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<v Speaker 3>hunt for any One of all time, and the story

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<v Speaker 3>is a kind of like a medieval tinge our Arab

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<v Speaker 3>academic in the tenth century AD who finds himself attached

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<v Speaker 3>to a band of Viking mercenaries who go north to

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<v Speaker 3>fight an evil army of bear men. The film is

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<v Speaker 3>thirty three percent on rot On Tomorrow's, which.

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<v Speaker 1>Is really I think that's it's very unfair.

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<v Speaker 3>Very unfair. It's actually very good and very fun and

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<v Speaker 3>a complete riot to watch. I just actually think it

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<v Speaker 3>was a bit ahead of its time. I think because

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<v Speaker 3>tonally it is more akin to kind of the action

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<v Speaker 3>adventure weird vibes of movies that would be made like

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<v Speaker 3>ten years later rather than the late nineties.

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<v Speaker 2>I completely agree with you. It kind of just doesn't

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<v Speaker 2>fit anything. I see why it bombed. It's definitely the

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<v Speaker 2>type of movie where we've talked about these type of

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<v Speaker 2>movies the Friday night like blockbuster movies. Yes, yes, this

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<v Speaker 2>would have excelled as a Friday night uh, you know,

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<v Speaker 2>blockbuster movie.

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<v Speaker 1>And it's absolute worth your time.

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<v Speaker 2>Mc tiernan is a wonderful action director of the His

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<v Speaker 2>camera moves in war wonderful ways. There's like this great

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<v Speaker 2>shot of these like evil the evil army of bear men,

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<v Speaker 2>which is a little bit of a spoiler, sorry about that,

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<v Speaker 2>Like riding shoulder to shoulder on their like grim looking

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<v Speaker 2>war stallions, like towards the cameras, the cameras like I guess,

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<v Speaker 2>like on a jeeper the back of a jeep or something,

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<v Speaker 2>and it's just like awesome, awesome battle scenes. One of

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<v Speaker 2>the great like noble deaths in recent action history.

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<v Speaker 3>And Antonio Bandera, who at this time was just playing

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<v Speaker 3>so many outrageous historical characters he shouldn't have been playing,

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<v Speaker 3>but he was doing a great job at every point.

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<v Speaker 2>Here is my one, and I agree with you he

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<v Speaker 2>is playing an Arab man in this.

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<v Speaker 1>Yeah, here's the here is the here is my one.

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<v Speaker 2>Maybe it works, yes, yeah, the you know, the Arab

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<v Speaker 2>conquest of Spain was complete by this time, and it

0:13:53.800 --> 0:13:56.679
<v Speaker 2>was kind of like the pinnacle of as as this

0:13:56.800 --> 0:14:04.439
<v Speaker 2>movie makes a lot of hay about. Yeah the tenth century, uh,

0:14:05.080 --> 0:14:10.520
<v Speaker 2>you know, Arabs were much more scientifically, medically advanced.

0:14:10.520 --> 0:14:13.199
<v Speaker 3>And another reason I think this movie didn't do well

0:14:13.240 --> 0:14:13.760
<v Speaker 3>because I don't.

0:14:13.840 --> 0:14:17.719
<v Speaker 2>I think that's a great point, because you know, it's

0:14:18.200 --> 0:14:21.240
<v Speaker 2>it's it's it's a lot like you know, the Kevin

0:14:21.320 --> 0:14:23.280
<v Speaker 2>Costner Robin Hood.

0:14:23.320 --> 0:14:24.800
<v Speaker 1>But that was like a side plot.

0:14:24.920 --> 0:14:28.080
<v Speaker 2>Like this is the main character is the more advanced guy,

0:14:28.160 --> 0:14:30.720
<v Speaker 2>and he's looking at these Europeans like, you guys are savages?

0:14:30.760 --> 0:14:33.240
<v Speaker 1>What the fuck is going on? Good point? I think

0:14:33.240 --> 0:14:33.840
<v Speaker 1>that is why.

0:14:34.000 --> 0:14:38.560
<v Speaker 2>Yeah, exactly, I think it is possible that like a

0:14:38.640 --> 0:14:44.200
<v Speaker 2>guy from Spain could be and like any.

0:14:43.800 --> 0:14:45.840
<v Speaker 3>And also, you know what else, at least they didn't

0:14:45.840 --> 0:14:47.920
<v Speaker 3>cost Sean Connery.

0:14:51.040 --> 0:14:55.080
<v Speaker 1>Okay, up next. If you love the bros.

0:14:54.760 --> 0:14:57.960
<v Speaker 3>Being rose energy, my favorite, my favorite.

0:14:57.600 --> 0:15:02.720
<v Speaker 2>Of Maximus, Juba and Hey from Gladiator just bonding over

0:15:02.800 --> 0:15:06.080
<v Speaker 2>their shared trauma and learning how to how to be

0:15:06.120 --> 0:15:11.960
<v Speaker 2>a team, then you're gonna love oh Rome, which aired

0:15:11.960 --> 0:15:13.960
<v Speaker 2>from two thousand and five to two thousand and seven

0:15:14.040 --> 0:15:15.880
<v Speaker 2>and is currently streaming on HBO and.

0:15:15.800 --> 0:15:16.760
<v Speaker 3>Oh my God.

0:15:17.480 --> 0:15:21.960
<v Speaker 2>In the days before Game of Thrones, folks, Little Old

0:15:22.080 --> 0:15:27.280
<v Speaker 2>Rome was the most expensive show in the history of television.

0:15:27.400 --> 0:15:30.840
<v Speaker 3>I'm telling you, if this show hadn't been made, there

0:15:30.840 --> 0:15:34.480
<v Speaker 3>would be no Game of Thrones, no question. This show

0:15:34.520 --> 0:15:38.920
<v Speaker 3>is so underrated. I'm just sotterly fantastic. Like every time

0:15:38.960 --> 0:15:42.320
<v Speaker 3>somebody actually takes the time to listen to our advice

0:15:42.360 --> 0:15:44.520
<v Speaker 3>and sit down and watch this show. They always come

0:15:44.560 --> 0:15:46.960
<v Speaker 3>back going, oh my god, how did I not know

0:15:47.080 --> 0:15:49.640
<v Speaker 3>this existed? It's so so good.

0:15:50.560 --> 0:15:51.800
<v Speaker 1>You will get sucked in.

0:15:52.360 --> 0:15:55.120
<v Speaker 2>If you like Gladiator, and if you like the Extra

0:15:55.160 --> 0:15:59.000
<v Speaker 2>Division podcast program, you'll likely like Rome.

0:15:59.280 --> 0:16:02.440
<v Speaker 1>Yeah, and you've probably heard us talk about it. It's wonderful.

0:16:02.520 --> 0:16:04.360
<v Speaker 1>It costs a million zillion bucks.

0:16:04.400 --> 0:16:09.040
<v Speaker 2>They built these wonderful sets to, you know, create this

0:16:09.120 --> 0:16:11.880
<v Speaker 2>immersive feel that you are in ancient Romes. You watch

0:16:11.960 --> 0:16:14.160
<v Speaker 2>characters move through the streets to the forum.

0:16:13.840 --> 0:16:14.320
<v Speaker 1>Et cetera.

0:16:15.680 --> 0:16:18.760
<v Speaker 2>Bruno Heller, the co creator of the show, talked about

0:16:18.880 --> 0:16:21.560
<v Speaker 2>it being canceled after two seasons. He said this quote,

0:16:21.760 --> 0:16:23.880
<v Speaker 2>I discovered halfway through writing the second season, and the

0:16:23.920 --> 0:16:26.440
<v Speaker 2>show is going to end. The second was going to

0:16:26.520 --> 0:16:28.720
<v Speaker 2>end with the death of Brutus, Third and fourth would

0:16:28.720 --> 0:16:31.040
<v Speaker 2>be set in Egypt. Fifth was going to be the

0:16:31.120 --> 0:16:34.200
<v Speaker 2>Rise of the Messiah in Palestine. But because we got

0:16:34.240 --> 0:16:35.920
<v Speaker 2>the heads up that the second season would be it,

0:16:36.280 --> 0:16:39.680
<v Speaker 2>I telescope the third and fourth season into the second season,

0:16:39.720 --> 0:16:42.560
<v Speaker 2>which accounts for the blazing speed which which we go

0:16:42.640 --> 0:16:45.280
<v Speaker 2>through history near the end. So that's true by season

0:16:45.520 --> 0:16:49.960
<v Speaker 2>Season one ends on the most absurd high point.

0:16:50.160 --> 0:16:52.760
<v Speaker 3>Yeah. Yeah, it's so so crazy.

0:16:52.680 --> 0:16:53.240
<v Speaker 1>So good.

0:16:53.280 --> 0:16:57.000
<v Speaker 2>Season two moves you through like twenty five years of

0:16:57.080 --> 0:17:01.400
<v Speaker 2>Roman history and civil war in ten episod that said,

0:17:02.640 --> 0:17:06.080
<v Speaker 2>and basically it ends with the rise of Augustus to emperor.

0:17:06.080 --> 0:17:08.440
<v Speaker 1>That said, well worth your time.

0:17:09.119 --> 0:17:11.639
<v Speaker 3>Casting in that is still to this day some of

0:17:11.640 --> 0:17:15.680
<v Speaker 3>the best TV casting. I also think it established the

0:17:15.720 --> 0:17:19.960
<v Speaker 3>notion of almost like a crossover between British historical fiction TV,

0:17:21.000 --> 0:17:23.639
<v Speaker 3>like you know The Tudors, which was really big at

0:17:23.680 --> 0:17:25.439
<v Speaker 3>this time too. That's a great point where it's this

0:17:25.560 --> 0:17:30.640
<v Speaker 3>kind of like conversational chamber drama, a little bit scandalous,

0:17:30.680 --> 0:17:35.520
<v Speaker 3>a little bit interpersonal, mixed with the huge Spartacus esque

0:17:36.160 --> 0:17:39.600
<v Speaker 3>set pieces and incredible and that obviously became the pre

0:17:39.680 --> 0:17:41.800
<v Speaker 3>cast to Game of Thrones. But this was definitely like,

0:17:42.040 --> 0:17:45.840
<v Speaker 3>my mum loves historical fiction, she loved The Tudors, and

0:17:45.880 --> 0:17:47.359
<v Speaker 3>I got her a box set of this and this

0:17:47.520 --> 0:17:49.600
<v Speaker 3>was definitely one of those shows where I don't think

0:17:49.600 --> 0:17:51.480
<v Speaker 3>she thought she was gonna like it, but it ended

0:17:51.560 --> 0:17:52.440
<v Speaker 3>up becoming a fave.

0:17:52.880 --> 0:17:57.360
<v Speaker 2>To your point, I believe that Bruno Heller was the

0:17:57.359 --> 0:18:02.640
<v Speaker 2>producer of a series of of BBC programs that were

0:18:02.680 --> 0:18:08.520
<v Speaker 2>like historical, uh dramatic reenactments of various moments throughout and

0:18:08.600 --> 0:18:12.080
<v Speaker 2>he has Roman history and then they basically just turned

0:18:12.119 --> 0:18:17.520
<v Speaker 2>that into this HBO show. And those reenactments and I

0:18:17.520 --> 0:18:19.640
<v Speaker 2>forget which with the name of them are, but they

0:18:19.640 --> 0:18:23.760
<v Speaker 2>cover various things, including like the Gracchis brothers and other

0:18:23.880 --> 0:18:27.199
<v Speaker 2>moments ancient Roman history are really cool too. You can

0:18:27.200 --> 0:18:30.240
<v Speaker 2>watch those on on YouTube probably. But to your point

0:18:30.240 --> 0:18:34.480
<v Speaker 2>about the casting, I mean in Dera varba is niobi.

0:18:36.280 --> 0:18:37.440
<v Speaker 1>Oh, I love her.

0:18:37.640 --> 0:18:42.000
<v Speaker 2>Kevin McKidd who as Lucius Verinus, you know him from

0:18:42.000 --> 0:18:45.720
<v Speaker 2>Gray's of Anatomy and many other things. The late and

0:18:45.960 --> 0:18:49.720
<v Speaker 2>wonderful Ray Stevenson as Titus.

0:18:48.760 --> 0:18:51.600
<v Speaker 3>Vernon maybe one of the best time.

0:18:51.720 --> 0:18:57.200
<v Speaker 1>He's just truly wonderful. The always nude, full frontal nude.

0:18:57.280 --> 0:18:58.359
<v Speaker 1>James Purfoy.

0:19:00.000 --> 0:19:03.639
<v Speaker 3>I love him. I love so much this guys.

0:19:03.480 --> 0:19:06.800
<v Speaker 1>Loves to show the meat in every role.

0:19:07.320 --> 0:19:10.240
<v Speaker 3>He is such a blessing. And guys, I'm gonna tell

0:19:10.280 --> 0:19:12.879
<v Speaker 3>you there's a James Perfoy show that you may be

0:19:12.960 --> 0:19:15.080
<v Speaker 3>never seen. It's not in the context of this. If

0:19:15.080 --> 0:19:18.320
<v Speaker 3>this is also only the first James Perfoy is gonna

0:19:18.320 --> 0:19:20.680
<v Speaker 3>show up again, just in this episode in this list,

0:19:20.960 --> 0:19:23.960
<v Speaker 3>but I will say it's off it's off topic, but

0:19:24.000 --> 0:19:25.840
<v Speaker 3>go watch it. I'm not gonna tell you anything about it.

0:19:25.920 --> 0:19:29.000
<v Speaker 3>There is a Kevin Bacon James Perfoy show called The Following,

0:19:29.320 --> 0:19:32.439
<v Speaker 3>and you will watch the whole show in like twenty

0:19:32.440 --> 0:19:35.159
<v Speaker 3>four hours. Everyone has ever said it again, nude in it?

0:19:35.200 --> 0:19:37.879
<v Speaker 3>You know what? There are many near nude scenes. I

0:19:37.880 --> 0:19:40.159
<v Speaker 3>believe it was actually I believe it was not like

0:19:40.160 --> 0:19:43.359
<v Speaker 3>an HBO production and was instead a like broadcast TV production.

0:19:43.560 --> 0:19:46.119
<v Speaker 3>But still he does get to be sexy and evil,

0:19:46.119 --> 0:19:47.880
<v Speaker 3>which is what he loves to do most.

0:19:48.200 --> 0:19:53.000
<v Speaker 2>James Perfoy is the villain in the recent adaptation Netflix

0:19:53.040 --> 0:19:58.240
<v Speaker 2>adptation of Ultra Carbon Hyper Violent UH Future dystopian story

0:19:58.280 --> 0:20:00.000
<v Speaker 2>and guess what, James before gets nude in it.

0:20:00.880 --> 0:20:03.040
<v Speaker 1>I think he's just gonna get nude and everything.

0:20:03.200 --> 0:20:05.560
<v Speaker 3>He's like, I can do it, baby. It's like it's

0:20:05.640 --> 0:20:08.840
<v Speaker 3>like you know what us Love's James buffact is full

0:20:08.840 --> 0:20:11.920
<v Speaker 3>frontal and the beautiful, very tall six foot lee pace.

0:20:12.080 --> 0:20:15.800
<v Speaker 3>You know, he he doesn't wow, you know what. You know,

0:20:16.200 --> 0:20:18.960
<v Speaker 3>that's just the Internet. You know, that's just the internet.

0:20:19.640 --> 0:20:24.960
<v Speaker 2>Other wonderful folks in this Rome television program Kuren Hines,

0:20:25.000 --> 0:20:27.760
<v Speaker 2>who's gone by to do a million things and to

0:20:27.840 --> 0:20:31.439
<v Speaker 2>Bias Menzies as brutus, like, it's just great. If you

0:20:31.560 --> 0:20:34.080
<v Speaker 2>haven't watched it, you're in.

0:20:34.040 --> 0:20:35.440
<v Speaker 1>For a treat. You're gonna like it.

0:20:35.680 --> 0:20:38.639
<v Speaker 2>Yeah, and you're gonna like this word from our sponsors.

0:20:38.680 --> 0:20:55.800
<v Speaker 1>We'll go right back by the work and we're back. Wow.

0:20:56.240 --> 0:20:59.040
<v Speaker 3>And I've been blessed because the next pick is one

0:20:59.040 --> 0:21:00.879
<v Speaker 3>of the best movies ever made. People might not have

0:21:00.920 --> 0:21:03.520
<v Speaker 3>got it at the time, but we get it, we

0:21:03.760 --> 0:21:06.280
<v Speaker 3>get it, and now you know it's a masterpiece. So

0:21:06.400 --> 0:21:08.639
<v Speaker 3>if you like the fact that Gladiator is actually a

0:21:08.680 --> 0:21:14.040
<v Speaker 3>sports movie, which it is, lots lots of sporting men competitionally,

0:21:14.440 --> 0:21:17.960
<v Speaker 3>it's lagitmily sports movie, then you've got to watch a

0:21:18.080 --> 0:21:22.000
<v Speaker 3>Night's Tale, which I do think if we're pushed, I

0:21:22.000 --> 0:21:24.959
<v Speaker 3>think this is pushing swords and sandals. We are more

0:21:25.040 --> 0:21:28.440
<v Speaker 3>into that medieval space. But it's but they are. There

0:21:28.480 --> 0:21:30.920
<v Speaker 3>are both swords and sandals, So I think we're doing it.

0:21:31.359 --> 0:21:35.080
<v Speaker 3>We're saying it's it, and it is. So this movie

0:21:35.119 --> 0:21:37.560
<v Speaker 3>is so great. Summer two thousand and one, very much

0:21:37.600 --> 0:21:40.199
<v Speaker 3>in the era of like a post kind of you know,

0:21:40.480 --> 0:21:44.600
<v Speaker 3>she's all that like the teen movie Craze Ten Things

0:21:44.640 --> 0:21:48.159
<v Speaker 3>I Hate About You, and we get Heath Ledgers William

0:21:48.160 --> 0:21:51.480
<v Speaker 3>who's a peasant pretending to be a knight, and then

0:21:51.640 --> 0:21:53.520
<v Speaker 3>you think, oh, well, you know he's hunky. I love

0:21:53.600 --> 0:21:56.879
<v Speaker 3>Heath Ledger. I'll watch it for that. No, you're gonna

0:21:56.920 --> 0:22:01.880
<v Speaker 3>stay because you have Paul Bethany Stealings as Jeffrey Chaucer.

0:22:01.720 --> 0:22:04.400
<v Speaker 1>A gambling addicted Jeffrey Chaucer.

0:22:04.160 --> 0:22:07.200
<v Speaker 3>Who's like a crew as crude and crazy as you

0:22:07.200 --> 0:22:09.080
<v Speaker 3>would think. The man who were at the Canterbury Tales

0:22:09.240 --> 0:22:12.800
<v Speaker 3>was Mark Addie Game of Throne Zone Bobby b. We

0:22:12.840 --> 0:22:14.680
<v Speaker 3>also have Alan Tudick.

0:22:14.359 --> 0:22:17.080
<v Speaker 1>Doing we Gotta talk about This.

0:22:18.840 --> 0:22:21.600
<v Speaker 3>One of the worst English accents of all time, which

0:22:21.680 --> 0:22:23.440
<v Speaker 3>I think was the point, because this is a man

0:22:23.440 --> 0:22:25.480
<v Speaker 3>who can do a great accent. I think he was

0:22:25.520 --> 0:22:28.600
<v Speaker 3>doing it for fun. Laura Fraser from Breaking Bad and

0:22:29.200 --> 0:22:35.639
<v Speaker 3>my own personal very seminal teen crush, Shannon Sosserman, who

0:22:36.040 --> 0:22:39.439
<v Speaker 3>she's so underrated, her in this and her in Forty

0:22:39.520 --> 0:22:42.840
<v Speaker 3>Days of Night, The Really Weird Forty Days and Forty Nights,

0:22:42.880 --> 0:22:47.400
<v Speaker 3>The Really Weird Celibacy, Josh hartnet teen Romance. I don't

0:22:47.400 --> 0:22:49.120
<v Speaker 3>know what that was about, but she was very hot

0:22:49.160 --> 0:22:52.840
<v Speaker 3>in that and actor and former drummer in the La

0:22:52.960 --> 0:22:56.479
<v Speaker 3>band Warpaint, and also one of my favorites who were

0:22:56.480 --> 0:22:58.480
<v Speaker 3>about to bring up who is kind of on that

0:22:59.040 --> 0:23:02.719
<v Speaker 3>Perfoy vibe. They're always evil looking rufus Sewell, who's been

0:23:02.760 --> 0:23:05.800
<v Speaker 3>in like every kind of movie looking evil.

0:23:06.080 --> 0:23:08.560
<v Speaker 1>This is like, he's just got an evil look.

0:23:09.080 --> 0:23:11.320
<v Speaker 3>He's just got an evil vibe. He just loves to

0:23:11.359 --> 0:23:13.600
<v Speaker 3>be vibing and being a little bit evil, and he's

0:23:13.600 --> 0:23:16.479
<v Speaker 3>always in a great B movie. This is so funny

0:23:16.480 --> 0:23:19.080
<v Speaker 3>because if you were really like, what is this movie about,

0:23:19.119 --> 0:23:24.080
<v Speaker 3>you'd be like, Okay, it's a historical jousting drama that's

0:23:24.119 --> 0:23:28.959
<v Speaker 3>also a comedy that is also an achronistic, like musical right,

0:23:29.200 --> 0:23:34.560
<v Speaker 3>because they use contemporaneous They use contemporaneous music something like

0:23:34.560 --> 0:23:37.200
<v Speaker 3>the movie opens with them singing like we will rock.

0:23:37.080 --> 0:23:40.800
<v Speaker 1>You, so you stadium rock they throughout this movie.

0:23:40.920 --> 0:23:43.399
<v Speaker 3>The costuming in this movie is fantastic, which I think

0:23:43.440 --> 0:23:47.600
<v Speaker 3>you will appreciate if you enjoyed Gladiator. It is definitely

0:23:47.760 --> 0:23:50.520
<v Speaker 3>more of that anachronistic style, like they're wearing clothes that

0:23:50.520 --> 0:23:52.960
<v Speaker 3>are a little bit more fashion to the day. But

0:23:53.080 --> 0:23:57.359
<v Speaker 3>I do think that the the sports nature of it,

0:23:57.520 --> 0:24:01.760
<v Speaker 3>the interesting way that they bring jousting to life. The

0:24:01.880 --> 0:24:09.200
<v Speaker 3>core intrigue is very gladiaty. Who is gonna get married to? Who?

0:24:09.280 --> 0:24:12.000
<v Speaker 3>The Can you be a peasant and rise to your station?

0:24:12.119 --> 0:24:14.520
<v Speaker 3>It's very similar to Gladiator. This is just such a

0:24:14.520 --> 0:24:16.919
<v Speaker 3>fun movie. Every time I'm like some I'm just like

0:24:17.040 --> 0:24:21.040
<v Speaker 3>check it out again, guys. This is like a delightful watch.

0:24:21.600 --> 0:24:22.320
<v Speaker 1>It's so true.

0:24:22.320 --> 0:24:24.560
<v Speaker 2>One of the things I thought while rewatching this was

0:24:24.600 --> 0:24:28.359
<v Speaker 2>one how everything on TV looks better than this, Like

0:24:28.400 --> 0:24:30.760
<v Speaker 2>this looks like if you were to throw this on

0:24:30.920 --> 0:24:35.439
<v Speaker 2>now you your immediate reaction maybe that this looks like

0:24:35.480 --> 0:24:38.639
<v Speaker 2>a Nickelodeon movie from c.

0:24:40.440 --> 0:24:40.960
<v Speaker 1>W or a.

0:24:40.960 --> 0:24:46.600
<v Speaker 2>Disney Channel movie. That said, the writing is so good

0:24:46.920 --> 0:24:51.160
<v Speaker 2>and so witty, and all of these very talented actors

0:24:51.160 --> 0:24:56.119
<v Speaker 2>are just going forward in wonderful ways, like ye Bettany is.

0:24:56.200 --> 0:24:58.639
<v Speaker 1>Jeff Chaucer absolutely.

0:24:58.240 --> 0:25:02.520
<v Speaker 2>Steals scenes because he gets to have these monologues in

0:25:02.560 --> 0:25:07.120
<v Speaker 2>which he's like pumping up William and William's ability as

0:25:07.160 --> 0:25:10.040
<v Speaker 2>a knight. William is pretending to be this night from

0:25:10.080 --> 0:25:13.959
<v Speaker 2>like somewhere in Germany, and all of the characters have

0:25:14.119 --> 0:25:16.640
<v Speaker 2>these like little scenes like that mark Addy has these

0:25:16.680 --> 0:25:20.359
<v Speaker 2>wonderful moments where he's like he's leading high with his

0:25:20.680 --> 0:25:23.040
<v Speaker 2>coaching William through stuff like oh, you know, if you

0:25:23.400 --> 0:25:25.119
<v Speaker 2>turn your shoulder at the last moment and you'll be

0:25:25.119 --> 0:25:27.879
<v Speaker 2>able to do this. Laura Frasier is wonderful as like

0:25:27.920 --> 0:25:32.640
<v Speaker 2>this female armorer who's not respected in the world of armors.

0:25:32.680 --> 0:25:37.560
<v Speaker 2>Just a great movie and way better than you think

0:25:37.600 --> 0:25:38.280
<v Speaker 2>it is.

0:25:38.720 --> 0:25:40.800
<v Speaker 1>Just are looking at a still from this movie.

0:25:40.920 --> 0:25:43.480
<v Speaker 3>I think another thing that makes it really enjoyable and

0:25:43.720 --> 0:25:45.879
<v Speaker 3>a reason why I think people will like it if

0:25:45.920 --> 0:25:50.359
<v Speaker 3>they enjoy Gladia, is it has a similar kind of

0:25:50.680 --> 0:25:53.320
<v Speaker 3>framing of like, oh, well, this is a fictional character

0:25:53.480 --> 0:25:57.840
<v Speaker 3>meeting real historical people. Like it's the name is taken

0:25:57.880 --> 0:26:01.400
<v Speaker 3>from The Knight's Tale from Chace as Canterbury Tales. They

0:26:01.560 --> 0:26:03.600
<v Speaker 3>you know, James Perfuy is in it, as Edward the

0:26:03.640 --> 0:26:06.800
<v Speaker 3>Black Prince. Obviously Chaucer is in it.

0:26:06.840 --> 0:26:08.080
<v Speaker 1>Does not get nude in this On.

0:26:10.240 --> 0:26:13.040
<v Speaker 3>To Our Hopes and Dreams because it's pg. Thirteen, But

0:26:13.160 --> 0:26:16.119
<v Speaker 3>like it has that fun nature of like, well, what

0:26:16.240 --> 0:26:18.280
<v Speaker 3>if I was just in this time and I could

0:26:18.320 --> 0:26:20.920
<v Speaker 3>meet some famous people, you know, but not in that

0:26:21.359 --> 0:26:25.080
<v Speaker 3>over the overwhelming forest Gump he did everything that was

0:26:25.119 --> 0:26:27.479
<v Speaker 3>ever important in history, way more in that kind of

0:26:27.520 --> 0:26:29.600
<v Speaker 3>If you're into the Canterby Tales, if you ever had

0:26:29.600 --> 0:26:31.760
<v Speaker 3>to study it, if you're somebody who likes British history,

0:26:32.040 --> 0:26:35.119
<v Speaker 3>you'll likely catch some fun historical nods. I just I

0:26:35.160 --> 0:26:36.800
<v Speaker 3>really love this movie. I feel like I didn't even

0:26:36.920 --> 0:26:38.960
<v Speaker 3>love it that much when it came out, but now

0:26:39.000 --> 0:26:41.200
<v Speaker 3>I'm like, I am a big proponent of this movie.

0:26:41.200 --> 0:26:43.800
<v Speaker 3>So I'm very glad, and you're a big proponent of

0:26:43.880 --> 0:26:44.680
<v Speaker 3>the next movie.

0:26:45.080 --> 0:26:50.840
<v Speaker 2>Oh, I am specific Kingdom. If if you liked the

0:26:50.920 --> 0:26:53.639
<v Speaker 2>Will They Won't They? Between Maximus?

0:26:53.640 --> 0:26:54.800
<v Speaker 3>Who do that?

0:26:55.840 --> 0:26:59.120
<v Speaker 2>And and you like that, you know, kind of buried

0:26:59.240 --> 0:27:06.159
<v Speaker 2>in a action epic, then you will love Kingdom of Heaven.

0:27:06.480 --> 0:27:12.000
<v Speaker 2>The director's cut, Ridley Scott Director's Cut. Let's take you

0:27:12.080 --> 0:27:16.240
<v Speaker 2>back to the post nine to eleven aughts, in which

0:27:16.840 --> 0:27:22.959
<v Speaker 2>far and entertainment would struggle in trying to make sense

0:27:23.359 --> 0:27:26.320
<v Speaker 2>of the era that it found itself in in which

0:27:26.720 --> 0:27:28.760
<v Speaker 2>Islamic extremists apparently had a.

0:27:28.680 --> 0:27:29.399
<v Speaker 1>Beef with America.

0:27:29.440 --> 0:27:32.320
<v Speaker 2>You got always know why you got all these movies

0:27:32.359 --> 0:27:35.239
<v Speaker 2>trying to unpack that, and the result was movies like

0:27:35.760 --> 0:27:40.359
<v Speaker 2>the George Clooney vehicle Siriana, which is this very naughty,

0:27:41.840 --> 0:27:48.040
<v Speaker 2>complex kind of bad film that has interesting elements to

0:27:48.119 --> 0:27:50.800
<v Speaker 2>it and will we be feeling depressed? You have an

0:27:50.840 --> 0:27:56.040
<v Speaker 2>absolute like propagandistic movie like The Kingdom that says, so,

0:27:56.480 --> 0:28:00.119
<v Speaker 2>you know, if only we could all join forces, uh,

0:28:00.359 --> 0:28:04.480
<v Speaker 2>you know, the Islamic world and uh and US imperialists

0:28:04.520 --> 0:28:07.440
<v Speaker 2>side by side could take care of this problem. Bad

0:28:07.480 --> 0:28:10.439
<v Speaker 2>movie with several good shootouts. And then you've got a

0:28:10.480 --> 0:28:14.760
<v Speaker 2>movie like Kingdom of Heaven that tried that is Ridley

0:28:14.800 --> 0:28:18.560
<v Speaker 2>Scott basically saying, let's go back to the beginning.

0:28:18.800 --> 0:28:19.520
<v Speaker 1>Let's go back to it.

0:28:19.920 --> 0:28:23.439
<v Speaker 2>Yeah, let's go let's go back to the Crusades and

0:28:23.480 --> 0:28:28.199
<v Speaker 2>see where this problem started. Now, of those movies I

0:28:28.240 --> 0:28:30.479
<v Speaker 2>just mentioned, only one is worth your time, and it's

0:28:30.560 --> 0:28:32.640
<v Speaker 2>Kingdom of Heaven. And only one version of that movie

0:28:32.680 --> 0:28:35.600
<v Speaker 2>is worth your time is the director's cut. It's just

0:28:35.640 --> 0:28:41.320
<v Speaker 2>a fantastic, uh action set piece, historical drama. You have

0:28:41.880 --> 0:28:46.080
<v Speaker 2>Edward Norton in one of his most underrated roles as

0:28:46.160 --> 0:28:49.000
<v Speaker 2>the leper King of Jerusalem. And then you have two

0:28:49.480 --> 0:28:52.800
<v Speaker 2>people who should have been stars, Rosie.

0:28:53.000 --> 0:28:55.680
<v Speaker 3>Oh, let's talk about it, because this was we actually

0:28:55.840 --> 0:28:58.480
<v Speaker 3>did it. We started recording maybe half an hour later

0:28:58.520 --> 0:29:00.280
<v Speaker 3>that we were supposed to because we were, yeah, being

0:29:00.520 --> 0:29:03.200
<v Speaker 3>about the potential of these stars.

0:29:03.640 --> 0:29:07.920
<v Speaker 1>First will be Eva Green, Well, we'll mention her first

0:29:07.960 --> 0:29:08.800
<v Speaker 1>because we can move all.

0:29:09.320 --> 0:29:14.880
<v Speaker 3>You know, I've seen The Dreamers. I know that movie

0:29:14.960 --> 0:29:17.920
<v Speaker 3>was I yes, she should they made her a bone girl.

0:29:18.040 --> 0:29:20.080
<v Speaker 3>They killed her. She's a bonde girl, but like she

0:29:20.200 --> 0:29:23.160
<v Speaker 3>should have been bigger, she should have been having and

0:29:23.200 --> 0:29:27.080
<v Speaker 3>she had many missed opportunities, the Missus Pereguin's Home for

0:29:27.840 --> 0:29:29.880
<v Speaker 3>Odd Children, that was obviously meant to be a franchise

0:29:29.960 --> 0:29:32.360
<v Speaker 3>for her. She just never got the role she was

0:29:32.360 --> 0:29:35.200
<v Speaker 3>supposed to. And I'm a huge stan I'll watch Jenna

0:29:35.240 --> 0:29:37.440
<v Speaker 3>think she's in, but she still hasn't had that breakout

0:29:37.480 --> 0:29:40.120
<v Speaker 3>moment and it was definitely supposed to be post this.

0:29:41.160 --> 0:29:44.000
<v Speaker 1>Next is Wow Orlando Bloom.

0:29:44.160 --> 0:29:49.880
<v Speaker 2>Now here is I unveiled my my hair dependency theory.

0:29:50.040 --> 0:29:51.880
<v Speaker 3>Let's talk about it to.

0:29:51.880 --> 0:29:53.120
<v Speaker 1>The production team this weekend.

0:29:53.160 --> 0:29:55.800
<v Speaker 2>And here's my theory on what went wrong with Orlando

0:29:55.840 --> 0:29:58.320
<v Speaker 2>Bloom's career. Not that he's not had a nice career.

0:29:58.440 --> 0:30:02.520
<v Speaker 3>He's married Katy Perry, so he's a great friend.

0:30:03.080 --> 0:30:08.480
<v Speaker 2>So very clearly after Lord of the Rings, the guy

0:30:08.560 --> 0:30:11.960
<v Speaker 2>that everybody was betting on to be the star coming

0:30:11.960 --> 0:30:13.959
<v Speaker 2>out of Lord of the Rings was Orlando Bloom.

0:30:14.040 --> 0:30:15.880
<v Speaker 3>Now, the teens loved him.

0:30:15.960 --> 0:30:19.000
<v Speaker 2>The teams loved him. Unfortunately, I think Orlando Bloom made

0:30:20.840 --> 0:30:24.480
<v Speaker 2>one key mistake, and that is he kept taking notable

0:30:24.560 --> 0:30:26.440
<v Speaker 2>roles in which he had to have his hair long.

0:30:26.880 --> 0:30:28.920
<v Speaker 2>Of course, Lord of the Rings you get three movies

0:30:28.960 --> 0:30:32.360
<v Speaker 2>in which, as Legolis, he's got that beautiful long flowing locks.

0:30:32.840 --> 0:30:36.040
<v Speaker 2>He then follows that up with Pirates of the Caribbean,

0:30:36.440 --> 0:30:39.320
<v Speaker 2>in which he's got to have the long flowing locks.

0:30:39.400 --> 0:30:40.920
<v Speaker 1>Then comes Troy, a.

0:30:40.920 --> 0:30:44.080
<v Speaker 3>Movie with long flowing locks.

0:30:44.480 --> 0:30:47.680
<v Speaker 2>And then uh, you know, very sadly comes this movie

0:30:47.760 --> 0:30:51.080
<v Speaker 2>Kingdom of Heaven, long flowing locks. Not to mention the

0:30:51.160 --> 0:30:54.400
<v Speaker 2>various Pirates of the Caribbean sequels, long flowing locks, and

0:30:54.440 --> 0:30:55.040
<v Speaker 2>what happened?

0:30:55.080 --> 0:30:56.320
<v Speaker 1>What happened to Orlando Bloom.

0:30:57.120 --> 0:31:00.280
<v Speaker 2>We reached a point where like Tom Selleck, like a

0:31:00.320 --> 0:31:03.840
<v Speaker 2>clean shaven Tom Selleck or a clean shaven Sam Elliott,

0:31:04.040 --> 0:31:06.000
<v Speaker 2>nobody wants to see it. We only want to see

0:31:06.080 --> 0:31:09.160
<v Speaker 2>Orlando Bloom with long hair. And it continues he deals

0:31:09.160 --> 0:31:11.160
<v Speaker 2>with to this day blowing hair.

0:31:11.240 --> 0:31:13.640
<v Speaker 3>It really is, you know what we need? I think

0:31:13.680 --> 0:31:18.160
<v Speaker 3>for Lana Bloom to get his you know, respect, to

0:31:18.200 --> 0:31:21.800
<v Speaker 3>get his chops, to get recognized, that he to maybe

0:31:21.880 --> 0:31:23.840
<v Speaker 3>let him know he has the juice. He's going to

0:31:23.960 --> 0:31:26.800
<v Speaker 3>do like an Ariasta movie or something. I feel like

0:31:26.800 --> 0:31:28.840
<v Speaker 3>he's got to be like he's going to short hair,

0:31:28.880 --> 0:31:31.560
<v Speaker 3>but Pattenson route and do like a good time but

0:31:31.640 --> 0:31:32.560
<v Speaker 3>with a shaved head.

0:31:32.960 --> 0:31:35.120
<v Speaker 2>Oh my god, you know, I forgot one. I forgot

0:31:35.240 --> 0:31:39.680
<v Speaker 2>in this whole run twenty eleven's the Three Musketeers.

0:31:39.640 --> 0:31:42.000
<v Speaker 3>Long flowing locks locks.

0:31:42.600 --> 0:31:46.640
<v Speaker 2>I just think, you know, when you look at Robert

0:31:46.680 --> 0:31:50.160
<v Speaker 2>Pattinson is somebody who I think he did this significently.

0:31:50.440 --> 0:31:54.000
<v Speaker 2>Trap trapped by Brad pitt also who showed up in

0:31:54.080 --> 0:31:57.760
<v Speaker 2>Film and Louise with the with the wonderful like you know,

0:31:57.920 --> 0:32:00.720
<v Speaker 2>abs and hair, Legends of the Fall, grew it all out,

0:32:00.760 --> 0:32:04.640
<v Speaker 2>then shaved it for you know, seven switched it.

0:32:04.800 --> 0:32:08.280
<v Speaker 3>He had a different look. Even Leonardo DiCaprio, you know,

0:32:08.280 --> 0:32:11.040
<v Speaker 3>because he is he was somebody who had the He

0:32:11.080 --> 0:32:13.120
<v Speaker 3>had the curtains right, and that was like, you've got

0:32:13.200 --> 0:32:15.400
<v Speaker 3>to have them. He has it in Romeo and Juliet,

0:32:15.400 --> 0:32:18.080
<v Speaker 3>he has it in Titanic, but then he does Man

0:32:18.080 --> 0:32:19.960
<v Speaker 3>in the Iron mask, and he has a long flowing

0:32:20.000 --> 0:32:22.800
<v Speaker 3>locks wig, but his other character's short hair, and suddenly

0:32:22.840 --> 0:32:27.840
<v Speaker 3>he's mixed out. He's not stuck anymore smart the Curtains lifestyle.

0:32:28.120 --> 0:32:31.080
<v Speaker 3>I do believe the Orlando Bloom has been hampered by

0:32:31.080 --> 0:32:33.160
<v Speaker 3>his long flowing locks. And I say this because I

0:32:33.200 --> 0:32:35.600
<v Speaker 3>am a Tom Selik Stan I love magnum p I.

0:32:35.920 --> 0:32:39.320
<v Speaker 3>But you're right. Nobody's nobody wants and nobody wanted to

0:32:39.320 --> 0:32:41.120
<v Speaker 3>see Indiana Jones with a mustache.

0:32:41.320 --> 0:32:44.280
<v Speaker 1>Nobody wanted to see that. And he was trapped man.

0:32:44.400 --> 0:32:47.040
<v Speaker 2>Sadly, Selik was, could not, you know, do anything. The

0:32:47.080 --> 0:32:51.160
<v Speaker 2>only like quickly down Under is like an Australian Western

0:32:51.200 --> 0:32:53.800
<v Speaker 2>where he's able to have the mustache is like the

0:32:53.840 --> 0:32:55.000
<v Speaker 2>only hey he could make.

0:32:55.280 --> 0:32:57.560
<v Speaker 3>It's like Chicago Fire where he can.

0:32:57.520 --> 0:33:01.960
<v Speaker 1>He looks years of twenty years of blue Bloods.

0:33:01.600 --> 0:33:04.400
<v Speaker 3>Because cops can have mustaches, Jason, And guess what we know,

0:33:04.720 --> 0:33:07.840
<v Speaker 3>still rocking that thing, still rocking it, baby. And you

0:33:07.880 --> 0:33:10.120
<v Speaker 3>know what, the aunties, the grannies, they still love him.

0:33:10.400 --> 0:33:13.320
<v Speaker 3>They do maybe and maybe in the future Orlando Bloom

0:33:13.320 --> 0:33:15.760
<v Speaker 3>will be on a long time procedural with long flowing locks,

0:33:15.760 --> 0:33:17.400
<v Speaker 3>and we'll be eating our words. Because he'll be getting

0:33:17.400 --> 0:33:19.400
<v Speaker 3>two hundred and fifty thousand dollars an episode.

0:33:19.840 --> 0:33:22.800
<v Speaker 2>Look at the stills. If you haven't seen the movie

0:33:23.560 --> 0:33:26.880
<v Speaker 2>Grand Turismo, Oh twenty twenty three.

0:33:27.160 --> 0:33:29.080
<v Speaker 3>Look at based on a true story.

0:33:29.480 --> 0:33:32.280
<v Speaker 1>Look at Orlando Bloom in that movie with the with

0:33:32.400 --> 0:33:37.320
<v Speaker 1>the below the ears hair that clearly they were like,

0:33:37.800 --> 0:33:41.680
<v Speaker 1>he listen, Orlando, don't do that locks.

0:33:42.120 --> 0:33:43.720
<v Speaker 3>Don't you dare show.

0:33:43.520 --> 0:33:47.080
<v Speaker 2>Up as his film without your co star the long

0:33:47.240 --> 0:33:49.040
<v Speaker 2>flowing line looks.

0:33:48.680 --> 0:33:52.800
<v Speaker 3>They were like even in this driving movie Grand Tarismo

0:33:53.520 --> 0:33:56.160
<v Speaker 3>based on a true story, which is a full and

0:33:56.200 --> 0:33:58.520
<v Speaker 3>me and my friends were assessed with the fact that

0:33:58.640 --> 0:34:02.000
<v Speaker 3>was the full title from a real story based on

0:34:02.080 --> 0:34:05.160
<v Speaker 3>a guy who was a videot professional video gamer who

0:34:05.200 --> 0:34:10.640
<v Speaker 3>then got to race in real racing. Unbelievably strange turn

0:34:10.680 --> 0:34:13.120
<v Speaker 3>of events to make that your official Grand Tarismo movie.

0:34:13.239 --> 0:34:16.240
<v Speaker 3>But yes, Orlana Bloom was there with his long flowing locks.

0:34:16.520 --> 0:34:18.959
<v Speaker 2>He could have been a star. If the only cut

0:34:18.960 --> 0:34:20.200
<v Speaker 2>his hair cut off that hair.

0:34:20.480 --> 0:34:24.319
<v Speaker 3>He could have better stuff. Yeah. Maybe when the new

0:34:24.360 --> 0:34:27.040
<v Speaker 3>Peter Jackson movies come, maybe he's gonna be brought brackets

0:34:27.080 --> 0:34:29.520
<v Speaker 3>legal us. He's looking youngster. They maybe they're gonna put

0:34:29.560 --> 0:34:31.440
<v Speaker 3>him back in those long flowing locks wigs and it

0:34:31.520 --> 0:34:35.680
<v Speaker 3>will will be in our words next Okay, So this

0:34:35.719 --> 0:34:37.719
<v Speaker 3>one is very close to my heart because I am

0:34:37.760 --> 0:34:40.440
<v Speaker 3>a big fan of this director. If you liked the

0:34:40.680 --> 0:34:46.440
<v Speaker 3>overstylized cinematography and like beautiful theatricality of like the rose

0:34:46.480 --> 0:34:49.200
<v Speaker 3>petals falling in the final battle, which always kind of

0:34:49.360 --> 0:34:52.840
<v Speaker 3>takes my breath away because it's very unrealistic and just fantastic.

0:34:52.880 --> 0:34:55.799
<v Speaker 3>And from what we've heard about Gladiator too is continued

0:34:55.840 --> 0:34:57.759
<v Speaker 3>over in the new movie, So very excited for that.

0:34:57.920 --> 0:35:01.799
<v Speaker 3>You got to check out Immortal by Tarsem Singh. Now,

0:35:01.840 --> 0:35:05.759
<v Speaker 3>this is definitely a Vibes movie because Tarsem is a

0:35:05.880 --> 0:35:11.600
<v Speaker 3>Vibes director, after his two thousand horror classic The Cell

0:35:11.719 --> 0:35:14.520
<v Speaker 3>starring Jennifer Lopez and his two thousand and six masterpiece

0:35:14.680 --> 0:35:17.239
<v Speaker 3>The Fall, which I have to say is currently in

0:35:17.280 --> 0:35:19.440
<v Speaker 3>theaters for the first time in like twenty years. So

0:35:20.000 --> 0:35:21.480
<v Speaker 3>just go and see it. You don't need to know

0:35:21.520 --> 0:35:23.399
<v Speaker 3>what it's about. It's got Lee pace in it. It's

0:35:23.480 --> 0:35:25.960
<v Speaker 3>one of the best movies ever made. Tarsem then was

0:35:26.000 --> 0:35:28.759
<v Speaker 3>like successful enough to kind of go for Hollywood with

0:35:28.840 --> 0:35:33.880
<v Speaker 3>a high budget fantasy take on Grecian Roman mythology. It

0:35:33.920 --> 0:35:36.840
<v Speaker 3>has like an unbelievably stacked cast, so you know that

0:35:37.360 --> 0:35:39.720
<v Speaker 3>they thought that this was going to be super popular.

0:35:39.920 --> 0:35:43.360
<v Speaker 3>Henry Carvill, Luke Evans, one of my favorites, John Hurt,

0:35:43.520 --> 0:35:48.560
<v Speaker 3>Kellen Lutz, FRIEDA. Pinto, and Mickey Watt. Also Stephen Dorf,

0:35:48.880 --> 0:35:51.360
<v Speaker 3>who look, you might be like, oh Stephendorf, but that

0:35:51.520 --> 0:35:54.319
<v Speaker 3>man was in Blade, which really launched the MCU, so

0:35:54.360 --> 0:35:56.600
<v Speaker 3>he always gets an extra shout out for me. They

0:35:56.600 --> 0:36:01.560
<v Speaker 3>did Short Steve Short, King Loves Steven. This movie is

0:36:03.239 --> 0:36:08.680
<v Speaker 3>not Sing's masterpiece by any realm of experience, because his

0:36:08.760 --> 0:36:11.600
<v Speaker 3>other films have so much more freedom and strangeness. But

0:36:12.160 --> 0:36:16.239
<v Speaker 3>if you like vibe visuals and you just want to

0:36:16.280 --> 0:36:19.719
<v Speaker 3>like watch a movie where you're gonna see unexpectedly beautiful,

0:36:19.920 --> 0:36:24.600
<v Speaker 3>strange cinematography and unbelievable use of color, fantastic production, besignd,

0:36:24.880 --> 0:36:27.360
<v Speaker 3>this is the movie to watch in this realm.

0:36:28.000 --> 0:36:31.040
<v Speaker 2>When I think of Tarzan Sing, I think, of course,

0:36:31.120 --> 0:36:37.799
<v Speaker 2>those extremely trippy, melty, unforgettable visuals, and I also think

0:36:37.840 --> 0:36:40.560
<v Speaker 2>of like the color palette, which is yeah, is it

0:36:40.760 --> 0:36:44.560
<v Speaker 2>feels like this is obviously going to be an oversavment

0:36:44.600 --> 0:36:46.839
<v Speaker 2>what I'm about to say, But it feels like you're

0:36:46.880 --> 0:36:54.040
<v Speaker 2>looking at a epic painting. The colors are where the

0:36:54.040 --> 0:36:57.160
<v Speaker 2>colors are so saturated and kind of on the darker

0:36:57.280 --> 0:36:58.480
<v Speaker 2>side of the luminescence.

0:36:58.480 --> 0:37:00.759
<v Speaker 1>The blacks are so black.

0:37:00.680 --> 0:37:04.600
<v Speaker 2>And everything feels there's a depth to it, but it

0:37:04.640 --> 0:37:07.560
<v Speaker 2>feels like you're watching something in two D. You're watching

0:37:07.920 --> 0:37:12.960
<v Speaker 2>flat action like a painting. I just love the way

0:37:13.000 --> 0:37:13.919
<v Speaker 2>his films.

0:37:13.600 --> 0:37:16.680
<v Speaker 3>Look in The Fall, which is at least partially Swords

0:37:16.680 --> 0:37:18.920
<v Speaker 3>and Sandals inspired, so I would say we can. But

0:37:19.040 --> 0:37:21.759
<v Speaker 3>in that I mean the joke used to be that

0:37:21.800 --> 0:37:23.279
<v Speaker 3>if you were lucky enough to have a copy of

0:37:23.280 --> 0:37:25.399
<v Speaker 3>the DVD, which was out of print for many many

0:37:25.480 --> 0:37:27.800
<v Speaker 3>years but is now streaming on movie and I'm sure

0:37:27.920 --> 0:37:29.719
<v Speaker 3>with a new four K restoration there will be a

0:37:29.719 --> 0:37:33.000
<v Speaker 3>physical release, you could pause it at any moment and

0:37:33.040 --> 0:37:34.560
<v Speaker 3>it looked like you were watching a paint. You were

0:37:34.560 --> 0:37:37.959
<v Speaker 3>looking at a painting. Like his work on his color work,

0:37:38.040 --> 0:37:41.759
<v Speaker 3>his cinematography. He is truly I think a master, and

0:37:42.160 --> 0:37:48.040
<v Speaker 3>Immortals is like a very interesting space of what happens

0:37:48.040 --> 0:37:50.080
<v Speaker 3>when you take someone like that and you put them

0:37:50.080 --> 0:37:52.600
<v Speaker 3>in the Hollywood system rather than just letting them kind

0:37:52.640 --> 0:37:55.600
<v Speaker 3>of fight it out on their own, but yeah, great

0:37:56.360 --> 0:38:00.200
<v Speaker 3>weird addition and definitely I think a very fun to

0:38:00.200 --> 0:38:04.560
<v Speaker 3>see an entry to the swords and sandals genre, which

0:38:04.560 --> 0:38:08.759
<v Speaker 3>I was gonna say, Jason, what are the other underrated

0:38:08.880 --> 0:38:11.600
<v Speaker 3>or notable swords and sandals movies that we didn't hit

0:38:11.640 --> 0:38:13.640
<v Speaker 3>on here because they didn't fit into our kind of

0:38:13.920 --> 0:38:15.440
<v Speaker 3>hilarious way of putting this together.

0:38:15.520 --> 0:38:17.640
<v Speaker 2>Yeah, I think if if you're listening to this, you're

0:38:17.880 --> 0:38:22.160
<v Speaker 2>you're you might be saying, hey, what about this movie?

0:38:22.440 --> 0:38:24.400
<v Speaker 2>First of all, I think we wanted to pick movies

0:38:24.440 --> 0:38:28.000
<v Speaker 2>that maybe maybe you haven't seen. Maybe you haven't seen

0:38:28.040 --> 0:38:31.480
<v Speaker 2>this movie, like why didn't we talk about three hundred?

0:38:31.800 --> 0:38:33.360
<v Speaker 1>Three hundred was a massive hit.

0:38:33.600 --> 0:38:35.760
<v Speaker 3>Yeah, and change the belief for a lot of people,

0:38:35.800 --> 0:38:37.000
<v Speaker 3>and you've changed the game.

0:38:37.239 --> 0:38:41.799
<v Speaker 2>You've probably seen it. I will say that I kind

0:38:41.800 --> 0:38:47.720
<v Speaker 2>of like three hundred except for the the the the bad,

0:38:48.520 --> 0:38:51.719
<v Speaker 2>like racial politics of this movie, where like all the

0:38:51.719 --> 0:38:54.080
<v Speaker 2>good guys are white and all the bad guys are brown.

0:38:54.320 --> 0:38:58.120
<v Speaker 3>Not realistic, but you know what, g butts, we love him.

0:38:58.160 --> 0:39:01.239
<v Speaker 3>And also as well, it's very homo erotic, so that's

0:39:01.239 --> 0:39:03.640
<v Speaker 3>like it's not a mean is it's not amazing.

0:39:03.360 --> 0:39:06.720
<v Speaker 2>The most homo erotic action movie that has been released

0:39:06.719 --> 0:39:07.719
<v Speaker 2>in the last twenty years.

0:39:08.200 --> 0:39:10.320
<v Speaker 3>To me, I'm like, I'm not I'm not a three hundred.

0:39:10.440 --> 0:39:13.160
<v Speaker 3>I'm not three hundred super fan. But if somebody is like,

0:39:13.400 --> 0:39:15.439
<v Speaker 3>let's watch three hundred, I'll be like, I can look

0:39:15.440 --> 0:39:19.439
<v Speaker 3>through the problematic aspects because it's Gerald Butler and it's

0:39:20.200 --> 0:39:22.160
<v Speaker 3>homo erotic, which to me is to.

0:39:22.480 --> 0:39:25.160
<v Speaker 2>This guys getting greased up and like doing it up,

0:39:25.719 --> 0:39:28.560
<v Speaker 2>like do it like crunches all the time.

0:39:29.600 --> 0:39:33.600
<v Speaker 3>The way that it avoids the realities of Spartan men

0:39:33.680 --> 0:39:36.399
<v Speaker 3>being gay, which is like a very obvious historical thing

0:39:36.440 --> 0:39:39.000
<v Speaker 3>that's been you know, looked at for many hundreds of

0:39:39.080 --> 0:39:41.440
<v Speaker 3>years and thousands of years in history, it makes it

0:39:41.520 --> 0:39:46.120
<v Speaker 3>more gay, which is like repression, and the homo eroticism

0:39:46.200 --> 0:39:48.160
<v Speaker 3>is there. So you know what, we didn't talk about it,

0:39:48.200 --> 0:39:49.920
<v Speaker 3>but that's because you've already seen it and it was

0:39:49.920 --> 0:39:52.279
<v Speaker 3>a huge success and it launched that exit his career,

0:39:52.360 --> 0:39:53.040
<v Speaker 3>so good for him.

0:39:53.400 --> 0:39:56.799
<v Speaker 2>The same with Braveheart, which is directed which is a

0:39:56.960 --> 0:39:59.480
<v Speaker 2>I think a really good movie that you've probably seen

0:39:59.520 --> 0:40:03.760
<v Speaker 2>that's direct by a person that is terrible Style Gibson

0:40:04.560 --> 0:40:07.440
<v Speaker 2>and starring a person's terrible and you've seen the movie

0:40:07.480 --> 0:40:11.120
<v Speaker 2>probably which contains some of I think the greatest medieval

0:40:11.160 --> 0:40:14.200
<v Speaker 2>action scenes that you'll ever see in a movie directed

0:40:14.200 --> 0:40:17.320
<v Speaker 2>by a terrible person. Yeah, why didn't you talk about

0:40:17.360 --> 0:40:19.080
<v Speaker 2>ben her Good?

0:40:19.160 --> 0:40:22.279
<v Speaker 1>This is a notable one. Why are we talking?

0:40:22.360 --> 0:40:26.320
<v Speaker 2>I've just never been whether it's the the more recent

0:40:26.400 --> 0:40:29.759
<v Speaker 2>remake or the classic original, which I think is from

0:40:30.200 --> 0:40:33.520
<v Speaker 2>sixty or fifty nine or something starring Charlton Heston.

0:40:33.960 --> 0:40:36.960
<v Speaker 1>It's just too overtly.

0:40:38.400 --> 0:40:43.600
<v Speaker 3>Jesusy for me, like very religi, big religious overtones in

0:40:43.600 --> 0:40:44.160
<v Speaker 3>that movie, and.

0:40:44.200 --> 0:40:46.640
<v Speaker 2>I've never been The chariot scenes are great, but like,

0:40:46.680 --> 0:40:47.879
<v Speaker 2>I've never been a ben her guy.

0:40:48.000 --> 0:40:51.960
<v Speaker 3>I also feel like, if you're our age like it was,

0:40:52.480 --> 0:40:55.600
<v Speaker 3>ben HAIs one of those oversaturated movies that they always

0:40:55.640 --> 0:40:58.440
<v Speaker 3>tell you to watch, that like if it's a faster times,

0:40:58.600 --> 0:41:00.640
<v Speaker 3>always on a time that if you film, they're like,

0:41:00.680 --> 0:41:03.120
<v Speaker 3>you gotta watch it. Action's great, True, but you guys

0:41:03.160 --> 0:41:04.759
<v Speaker 3>have already had about it. You already knew about it.

0:41:04.800 --> 0:41:07.640
<v Speaker 3>That's why we're out here recommending the Weirdow choices.

0:41:08.280 --> 0:41:12.640
<v Speaker 2>Why didn't you pick if okay, okay, Rosie and Jason

0:41:12.960 --> 0:41:16.880
<v Speaker 2>Weirdo picks, then why didn't you pick the Channing Tatum

0:41:17.000 --> 0:41:18.920
<v Speaker 2>vehicle from twenty eleven, The Eagle.

0:41:19.120 --> 0:41:21.000
<v Speaker 3>This is a great question. I will say that's a

0:41:21.040 --> 0:41:24.359
<v Speaker 3>good movie. Actually did this one almost made the list,

0:41:24.360 --> 0:41:26.560
<v Speaker 3>So Jason List talk about The Eagle momentarily.

0:41:27.520 --> 0:41:32.440
<v Speaker 2>Twenty eleven The Eagle. Channing Tatum is a Roman centurion

0:41:32.600 --> 0:41:35.960
<v Speaker 2>posted on Hadrian's Wall at the edge of the empire.

0:41:36.280 --> 0:41:37.799
<v Speaker 1>It's at the border of you.

0:41:37.719 --> 0:41:40.320
<v Speaker 2>Know, England and Scotland, although those nations did not exist

0:41:40.360 --> 0:41:42.440
<v Speaker 2>at the time, and he's having a deal with this

0:41:42.680 --> 0:41:46.680
<v Speaker 2>influx of Pictish warriors who have stolen his eagle and ambushed.

0:41:46.680 --> 0:41:52.080
<v Speaker 2>This meant and I'll say this, Janitatum. When I saw

0:41:52.080 --> 0:41:54.759
<v Speaker 2>this movie in twenty eleven when it came out, surprised

0:41:54.760 --> 0:41:56.799
<v Speaker 2>me with this movie because I was like.

0:41:56.800 --> 0:41:59.239
<v Speaker 3>Oh, Chanitatum, he's like a good acta.

0:41:59.480 --> 0:42:02.520
<v Speaker 2>Yeah, like his accent is passable, his acting is really

0:42:02.520 --> 0:42:04.640
<v Speaker 2>good and this the action is wonderful.

0:42:04.880 --> 0:42:05.960
<v Speaker 1>This is a good movie.

0:42:06.440 --> 0:42:08.319
<v Speaker 2>And I'm sorry he didn't make the list, but we

0:42:08.400 --> 0:42:09.640
<v Speaker 2>liked the other ones better for it.

0:42:09.680 --> 0:42:11.000
<v Speaker 1>But that's a good movie. The Eagle.

0:42:11.440 --> 0:42:16.920
<v Speaker 3>Incredible cast to Jamie Bell, Donald Sutherland, Jamie Strong, Tier

0:42:17.040 --> 0:42:19.239
<v Speaker 3>Ryan who I love who is in this incredible movie

0:42:19.320 --> 0:42:22.560
<v Speaker 3>called The prophet also in Madam Ware Hilariously that was

0:42:22.560 --> 0:42:24.520
<v Speaker 3>a strange choice for him, But yeah, this is a

0:42:24.560 --> 0:42:30.160
<v Speaker 3>fantastic cast, also very practical movie. That's actually why I

0:42:30.239 --> 0:42:32.600
<v Speaker 3>went to see it, because there's this kind of march

0:42:32.640 --> 0:42:34.680
<v Speaker 3>that they do. They had lots and lots of extras,

0:42:35.040 --> 0:42:37.719
<v Speaker 3>and yeah, this is a weirder choice. Also what was

0:42:37.760 --> 0:42:40.959
<v Speaker 3>going on in twenty eleven that they had this and

0:42:41.320 --> 0:42:45.520
<v Speaker 3>immortals at the same time. That's very very deep impact

0:42:45.640 --> 0:42:46.800
<v Speaker 3>armageddon of them.

0:42:49.520 --> 0:42:52.200
<v Speaker 2>Them And then you might say, okay, what about The

0:42:52.280 --> 0:42:56.280
<v Speaker 2>King twenty nineteen for Netflix, story thing.

0:42:56.239 --> 0:42:58.800
<v Speaker 3>From Pattinson and Timmy Chamalay.

0:42:59.040 --> 0:43:01.640
<v Speaker 1>Into wonderful roles by.

0:43:01.440 --> 0:43:04.000
<v Speaker 3>The Australia some weird stuff.

0:43:04.040 --> 0:43:07.520
<v Speaker 2>Yeah, by the hardcore Australian director David Michaude, who I

0:43:07.560 --> 0:43:11.280
<v Speaker 2>love Ben Mendelsson seemingly in every single DA showed movie

0:43:11.440 --> 0:43:15.600
<v Speaker 2>that said, Uh, I like The King. I think that Chalomey.

0:43:16.800 --> 0:43:19.080
<v Speaker 2>You know, I'm a schalome fan. I think he's good.

0:43:19.880 --> 0:43:22.759
<v Speaker 2>I liked him in almost everything he's done, whether or

0:43:22.800 --> 0:43:25.279
<v Speaker 2>not I like the movie, and I think that to

0:43:25.320 --> 0:43:30.840
<v Speaker 2>your point, Pattinson as the French King, the French Prince,

0:43:31.040 --> 0:43:34.000
<v Speaker 2>I forget. Yeah, he's the French air to the throne

0:43:34.080 --> 0:43:37.400
<v Speaker 2>whatever the case is so good and weird in this,

0:43:37.640 --> 0:43:41.520
<v Speaker 2>Like there's various points where the French king and Chalomey

0:43:41.760 --> 0:43:44.920
<v Speaker 2>like have these like head to head like but like

0:43:45.160 --> 0:43:47.440
<v Speaker 2>meetings where they talk about it you surrender me no,

0:43:47.520 --> 0:43:52.359
<v Speaker 2>you know, And it's just Patterson is so good as

0:43:52.400 --> 0:43:53.359
<v Speaker 2>the bad guy in this.

0:43:53.640 --> 0:43:55.759
<v Speaker 1>I can't recommend that highly enough. You know.

0:43:56.920 --> 0:44:00.960
<v Speaker 3>It's mostly a political intrigue movie, yes, or like a

0:44:01.080 --> 0:44:03.120
<v Speaker 3>royal intrigue movie. So I think that was why it

0:44:03.120 --> 0:44:03.840
<v Speaker 3>didn't fully make it.

0:44:03.880 --> 0:44:06.799
<v Speaker 2>Also, I will say, and we would, we would only

0:44:06.840 --> 0:44:08.880
<v Speaker 2>we could only put like one medieval thing in there.

0:44:08.920 --> 0:44:11.719
<v Speaker 3>Okay, So I want to say, what it speaking of hair,

0:44:12.719 --> 0:44:17.080
<v Speaker 3>what are the over unders on Timmy shallow May's future

0:44:17.360 --> 0:44:23.080
<v Speaker 3>because he does always have the curly locks, and in

0:44:23.840 --> 0:44:26.000
<v Speaker 3>the new movie that he's in where he is playing

0:44:26.000 --> 0:44:28.120
<v Speaker 3>Bob Dylan, I feel like they were like, he's gotta

0:44:28.160 --> 0:44:30.360
<v Speaker 3>have curly locks, so let's have him play Bob Dylan.

0:44:31.120 --> 0:44:33.120
<v Speaker 3>So I'm like, is he gonna be trapped in the

0:44:33.200 --> 0:44:37.319
<v Speaker 3>curly locks? Even Willy Wonka is Willy want had curly locks? Like,

0:44:37.440 --> 0:44:40.200
<v Speaker 3>is he gonna keep them or is he gonna veer

0:44:40.280 --> 0:44:42.080
<v Speaker 3>to what Is he gonna get like a shaved head?

0:44:42.160 --> 0:44:44.160
<v Speaker 3>Is he gonna try and break out of curly locks?

0:44:44.160 --> 0:44:44.759
<v Speaker 3>What do you think?

0:44:45.080 --> 0:44:47.319
<v Speaker 2>I think it's a good note. And I'll say this,

0:44:47.840 --> 0:44:50.040
<v Speaker 2>Chalmy's got to have a beard in a movie soon.

0:44:51.080 --> 0:44:51.839
<v Speaker 3>Can he grow a bit?

0:44:52.640 --> 0:44:54.920
<v Speaker 1>We got to see we can we can paste something.

0:44:57.120 --> 0:44:59.560
<v Speaker 2>Little spirit gum on there. But I think we need

0:44:59.560 --> 0:45:03.120
<v Speaker 2>that big. I do think that we're we're almost at

0:45:03.160 --> 0:45:08.360
<v Speaker 2>like full saturation of Timmy face card like in popular culture.

0:45:08.360 --> 0:45:11.080
<v Speaker 2>I think to your point, the hair is the hair

0:45:11.080 --> 0:45:14.319
<v Speaker 2>in the face together. We might need to patent sit

0:45:14.400 --> 0:45:17.880
<v Speaker 2>it up, switch it up a little bit, because I

0:45:17.920 --> 0:45:21.800
<v Speaker 2>do think we might be getting there with Tim who again,

0:45:21.840 --> 0:45:22.640
<v Speaker 2>I am a fan.

0:45:22.520 --> 0:45:23.560
<v Speaker 3>Of me too, big fan.

0:45:23.640 --> 0:45:26.319
<v Speaker 2>It was great And since you mentioned the Bob Dylan thing,

0:45:27.680 --> 0:45:28.800
<v Speaker 2>that looks fucking bad.

0:45:29.000 --> 0:45:29.719
<v Speaker 1>I don't know that.

0:45:31.280 --> 0:45:36.120
<v Speaker 2>Trailer felt like SNL like one of his appearances on SNL.

0:45:36.160 --> 0:45:38.239
<v Speaker 1>I was a little concerned me too.

0:45:38.320 --> 0:45:42.719
<v Speaker 3>I'm shocked because I feel like Bob Dylan, Timothy shallow May.

0:45:42.840 --> 0:45:45.120
<v Speaker 3>I feel like that feels like it should be a

0:45:45.200 --> 0:45:49.520
<v Speaker 3>kind of Indie Dolling Can movie. But I will also say, guys,

0:45:49.800 --> 0:45:55.400
<v Speaker 3>Bob Dylan, we've had the perennial Bob Dylan like biopic

0:45:55.480 --> 0:45:58.320
<v Speaker 3>already done with like ten of the most famous actors

0:45:58.320 --> 0:46:00.640
<v Speaker 3>of all time. It was a game change are in

0:46:00.680 --> 0:46:02.440
<v Speaker 3>the way movies were made. I don't know if you

0:46:02.440 --> 0:46:04.160
<v Speaker 3>need to do it again, but you know what, good

0:46:04.280 --> 0:46:07.480
<v Speaker 3>luck to me because I think you're always making me laugh.

0:46:07.520 --> 0:46:10.000
<v Speaker 3>I love that you showed up to your own lookalike competition.

0:46:10.320 --> 0:46:13.759
<v Speaker 3>You got good humor and honestly, like, I'm sure you'll

0:46:13.760 --> 0:46:14.120
<v Speaker 3>be fine.

0:46:14.160 --> 0:46:16.160
<v Speaker 2>I wish, I wish, I wish you, I wish you

0:46:16.200 --> 0:46:19.640
<v Speaker 2>the best, and I wish our audience the best. As

0:46:19.880 --> 0:46:23.320
<v Speaker 2>as we wrap up this culmination of Sword and Sandel's

0:46:23.320 --> 0:46:27.239
<v Speaker 2>movie recommendations that have been inspired by Gladiator, on the

0:46:27.320 --> 0:46:30.560
<v Speaker 2>next episode of x ray Vision, we're diving into Gladiator two.

0:46:31.080 --> 0:46:32.200
<v Speaker 1>Here and go, Here we go.

0:46:32.600 --> 0:46:34.680
<v Speaker 3>I want to see the Sharks in the coliseum.

0:46:34.920 --> 0:46:38.480
<v Speaker 2>Show me the Sharks. Wrigley Scott, you crazy man crazy.

0:46:38.480 --> 0:46:43.480
<v Speaker 2>And Tuesday we're doing our Canes series final. It's already

0:46:44.360 --> 0:46:49.200
<v Speaker 2>it's already over, folks. And Wednesday it's Dune Prophecy episode two.

0:46:49.400 --> 0:46:51.200
<v Speaker 1>That's it for this episode. Thanks for listening.

0:46:51.760 --> 0:46:55.800
<v Speaker 3>Bye.

0:46:59.360 --> 0:47:02.920
<v Speaker 2>X ray Vision hosted by Jason Consumpsion and Rosie Knight

0:47:03.640 --> 0:47:07.440
<v Speaker 2>and is a production of iHeart Podcasts. Our executive producers

0:47:07.440 --> 0:47:11.719
<v Speaker 2>are Joelle Smith and Aaron Kaufman. Our supervising producer is

0:47:12.000 --> 0:47:15.920
<v Speaker 2>a Boo Zafar. Our producers are Carmen Laurent.

0:47:16.280 --> 0:47:19.920
<v Speaker 1>And Mia Taylor. Our theme song is by Brian Basquez.

0:47:20.400 --> 0:47:24.680
<v Speaker 3>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

0:47:25.040 --> 0:47:30.000
<v Speaker 3>and Heidi. Our disco moderata