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Speaker 1: Ain't. I don't non rapping rapper. Welcome to the real

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Speaker 1: There's no need to flake to everybody want the truth,

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Speaker 1: to put it in the face you never wanted there. Well,

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Speaker 1: really like the tastes, like giving down metals, trying to

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Speaker 1: put them in the place, talking gludder from the Rats

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Speaker 1: to sports smash Mouth Radio, I can wrap the pool.

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Speaker 1: We got jamet like shut gud, we ain't like Grammy

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Speaker 1: Rats and with sopranos been on the top heavy tune

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Speaker 1: the man telling them to tune in who he played

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Speaker 1: the wind like stocks without ruping. It was cool. You've

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Speaker 1: been rocking with the rest, but now you will rocking

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Speaker 1: with the best. All right. See Iron Rapp Reports Stereo

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Speaker 1: podcast live and in prime time prime time podcasting with

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Speaker 1: the Disco Too. Today we have special guests, our guys

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Speaker 1: Portugal the Man. I got John and Zach from Portugal.

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Speaker 1: Demand the group. Motherfucker's just want a Grammy mm hmm.

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Speaker 1: Come rocking with the Iron Rapp Wars Stereo podcast. Me

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Speaker 1: the young Shooter got to sit down with these dudes.

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Speaker 1: These dudes came out of nowhere. I mean, they've been

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Speaker 1: rocking for a long time, but they came out of

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Speaker 1: nowhere small indie band. Now they are major league cross

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Speaker 1: cultural pop stars. I'm sure they don't like being referred

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Speaker 1: to as pop stars by the Greno man dingo. But

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Speaker 1: pop is good, popular music is good, and making money

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Speaker 1: is good. So we have Portugal Demand live and in primetime.

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Speaker 1: But first, me and G. Moody, whose last name rhymes

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Speaker 1: with duty, are going to discuss Air Max Day, Sick,

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Speaker 1: Fox of the Week and Gerald I got to watch

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Speaker 1: Odell Beckham workout live and in person. All that and

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Speaker 1: more on a smash mouth. This is like Rolling Stone

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Speaker 1: magazine prime time podcasting with Portugal Demand. Iron Rapports stereo

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Speaker 1: podcast Miles Jordan's let me get a fucking smacker for

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Speaker 1: these dudes. Let's go all right. My name is Michael

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Speaker 1: rapport A. Came the Greeno Mandago a k a. The

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Speaker 1: Jeff Rulings of podcasting, a k The Jake LaMotta of podcasting.

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Speaker 1: They also call me White Mike. Some people still call

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Speaker 1: me bird. Um. I'm here with G. Moody, whose last

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Speaker 1: name rhymes with duty. I have no fear. The I

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Speaker 1: Am rapp Reports stereo podcast crew is here. We are

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Speaker 1: backed up by the best producers in the world as

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Speaker 1: I told you today we'll be joined Buddy's Dude Portugal

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Speaker 1: to and I'm fans of theirs. They're fans of the

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Speaker 1: Iron Rappers stereo podcast. They're also big podcasting fans. They

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Speaker 1: know what's up with podcasting. Uh. I'm I'm gonna, you know,

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Speaker 1: hold their their feet to the fire, you know what

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Speaker 1: I mean, because uh, I want to find out. You know.

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Speaker 1: They're like, oh, we were we funk with you, Mike.

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Speaker 1: We'll see if you funk with us the most. Okay,

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Speaker 1: they got that huge big gas song. It's been in

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Speaker 1: car commercials. They played thuring the Oscars during the Super Bowl.

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Speaker 1: Feel it's still these guys are blowing up. Um, Gimo, Nettie, Uh,

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Speaker 1: did you know that the other day was air Max Day?

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Speaker 1: There was such a thing? Oh yeah, oh yeah it was.

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Speaker 1: It was. It was a huge, huge thing. I thought

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Speaker 1: you would have been on the front lines of air

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Speaker 1: Max Nike air Max Day. Um, and can you explain, um,

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Speaker 1: why there is such a day and what's the motivation

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Speaker 1: for it? I have no clue. Um, I've done some research.

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Speaker 1: My guy Toby, Toby Morris from the group H two O,

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Speaker 1: good friend of mine, friend of the show, friend of

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Speaker 1: the podcast. Good dude, the p m A king fucking guys.

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Speaker 1: I mean, if you're in a bad mood, you don't

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Speaker 1: want to be around this guy. Just fucking Mr Positivity

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Speaker 1: that they shut the funk up man, run into a

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Speaker 1: fucking wall and then come back to me. Um, he

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Speaker 1: broke it down to me. So every year, I guess

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Speaker 1: there's a thing that Nike does called air Max Day

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Speaker 1: that Max is and I guess each year they put

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Speaker 1: out a special edition, a version of the air Max

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Speaker 1: ninety five. Um. And then there's lotteries. There's giveaways. The

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Speaker 1: majority that people pay for me so you you you

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Speaker 1: there's lotteries because they don't want to give them to

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Speaker 1: everybody because they're so fucking special. Oh, so they put

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Speaker 1: the people on it like a scavenger hunt. Scavenger hunt,

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Speaker 1: that's what they should call it. Air Max Scavenger Hunt,

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Speaker 1: the annual air Max ve Scavenger Hunt. Ge Moody. That's

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Speaker 1: why I fucking like you good. I'm glad, motherfucking you

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Speaker 1: come with the fucking singers and we're gonna get to

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Speaker 1: some of the zingers. That's some of the questions from

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Speaker 1: the people. Please remind me because I'm about to go

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Speaker 1: down this air Max ninety five scavenger hunt road. And

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Speaker 1: I don't know where I'm gonna wind up at the end,

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Speaker 1: but if you can remind me, So there's a scavenger hunt.

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Speaker 1: I literally saw because I live in a part of

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Speaker 1: Los Angeles where there's all these the shops I need

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Speaker 1: to live nearby. So um, I think it was. I

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Speaker 1: don't know. It was a couple of days ago, is

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Speaker 1: a day ago, two days ago, whatever, It doesn't matter.

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Speaker 1: This this podcast is timeless. It doesn't matter it was

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Speaker 1: it was. It wasn't the day that I was filming.

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Speaker 1: It is a few days ago. So I'm driving around

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Speaker 1: in the evening, like nine o'clock, ten o'clock, I see

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Speaker 1: about ten people. The stores closed, they're they're camped the

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Speaker 1: funk out, literally, no bullshit. I saw about ten people, like,

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Speaker 1: you know, like it was nighttime. They got their fucking bags,

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Speaker 1: are out there smoking weed, they're listening to the there

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Speaker 1: like these are the hard body karate people lined up.

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Speaker 1: The next morning, I'm going to get my coffee. The

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Speaker 1: lines down the fucking block. Now, obviously everybody didn't sleep

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Speaker 1: out there. There was an Airmax pop up shop with

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Speaker 1: the undefeated, and there was something on fair Facts and

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Speaker 1: I don't know if it was that fucking Supreme by

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Speaker 1: the way, By the way, um, the sucker Ship T

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Speaker 1: shirt Part two A part two that's French is now

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Speaker 1: we restopped it, okay um, And you can get all

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Speaker 1: butter Soft Iron Wrapports, Stereo podcast t shirts, including the

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Speaker 1: sucker Shit T shirt. Uh, the hard Body Karate T shirt,

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Speaker 1: the Disruptive Behavior T shirt, all all all our ship

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Speaker 1: and they're old butter Soft. We're not We're not hustling people.

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Speaker 1: We're not making people sleep outside and selling them crap.

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Speaker 1: District Lines dot com forward slash I am wrappaport, the

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Speaker 1: entire collection. I mean, we're about to do some special colors,

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Speaker 1: special flavors with the sucker Ship T shirt. Uh, but

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Speaker 1: apparently the first edition of the black with the red

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Speaker 1: bar and the white sucker Ship it's sold out. We're

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Speaker 1: restocking all butter Soft Iron Wraport, Stereo podcast teachers, district

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Speaker 1: Lines dot com forward slash I am rappaport. So anyway,

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Speaker 1: so the next day, this motherfucker's line up down the

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Speaker 1: street on Fairfax, lined up down the street, and there's

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Speaker 1: like these signs for this special color way of air

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Speaker 1: Max ninety five, and Lebron James is, Oh, I'm gonna

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Speaker 1: I'm gonna rock some he's like wearing. He's wearing like

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Speaker 1: three different pairs of Airmax ninety five. Uh, you know,

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Speaker 1: he wore a pair to the game, and the shoot

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Speaker 1: around he wore a pair, and then after the game

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Speaker 1: he wore another pair, and then oh, I'm gonna wear

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Speaker 1: some ship that y'all never seen. And this is all

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Speaker 1: for air MAXIZI five, which, by the way, I have

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Speaker 1: to say, Um, I always like the colors of air

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Speaker 1: maxizy five, but I always thought they were not comfortable sneakers. No,

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Speaker 1: they don't care about that. They don't even wear them. No,

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Speaker 1: they don't wear them. So so my guy told me,

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Speaker 1: I was like, you need to fucking explain to me

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Speaker 1: what the funk is going on here? Why are these

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Speaker 1: Basically these are kids, they're eighteen ninety all different shapes, sizes, colors, races.

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Speaker 1: They go on this scavenger hunt. You know, there's lottery winners,

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Speaker 1: there's tickets and shipped to get these sneakers, and nobody

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Speaker 1: wears them. I looked at all these people. None of

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Speaker 1: them are athletic they're not like they're wearing them. You know,

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Speaker 1: I'm running in the Montreal Marathon. I need to wear

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Speaker 1: these these air MAXs ninety five. I don't even think

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Speaker 1: these are functional athletics sneakers anymore. They buy these fucking sneakers.

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Speaker 1: They wait outside to get these pairs of sneakers, and

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Speaker 1: I think he's gonna only get one at a time

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Speaker 1: because it's a system, you know what I mean. Otherwise,

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Speaker 1: like if you go in there first, you could buy

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Speaker 1: them all up and then sell them. So so there's

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Speaker 1: like a lottery system. They buy them solely to resell them.

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Speaker 1: And here's the question. If you're such a smart fuck,

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Speaker 1: you're such a fucking genius, why don't you get a

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Speaker 1: fucking job and do something with yourself. Oh, I'm gonna

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Speaker 1: I'm gonna sleep. You're such a hard work or you're

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Speaker 1: you're you're like, I'm gonna buy these sneakers for a

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Speaker 1: hundred and sixty dollars and I may or may not

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Speaker 1: sell them for five hundred bucks. You think that makes

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Speaker 1: you some sort of fucking businessman. Yeah? Yeah, uh. And

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Speaker 1: in their minds, you're you're such a fucking genius. Well,

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Speaker 1: why don't you take it one step further and come

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Speaker 1: up with a real long term business genius. And the

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Speaker 1: people that are rebuying them for five hundred dollars, what

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Speaker 1: do they think. Oh, I'm gonna buy them and I'm

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Speaker 1: gonna keep them on ice, and I'm gonna sell them

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Speaker 1: for six fifty. This is the way people think life work.

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Speaker 1: This is the way you think you're gonna have a

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Speaker 1: long term future. You dumb fuck. You're waiting outside you

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Speaker 1: you're you're catching hepatitis and malaria and who the funk

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Speaker 1: else knows well what you're catching sleeping on the streets.

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Speaker 1: You get a pair of sneakers that you're never gonna wear,

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Speaker 1: that aren't even functional, that you may sell, and you

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Speaker 1: may not be able to get the sneakers. You mean

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Speaker 1: you know, you may miss the lottery. You may be

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Speaker 1: the last guy online. Yeah, you may not even get

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Speaker 1: the sneakers to sell to sell them. So stupid man.

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Speaker 1: I know mother's sneaker heads and all that, but you

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Speaker 1: gotta rock them, Like I have no problem with the

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Speaker 1: sneaker heads, but like this whole thing, like this is

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Speaker 1: some sort of big business scheme and you're gonna be

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Speaker 1: the next Steve Jobs you ain't Steve Jobs, Duke, you

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Speaker 1: you you ain't. You ain't Mark Zuckerberg, Duke, You're not

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Speaker 1: the dude who created Netflix with that dumb They're like Steve,

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Speaker 1: Steve Jobs, Steve Jobs wasn't out there fucking sleeping in

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Speaker 1: the rain to get sneak Chris, Yeah, yeah, yeah, that's

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Speaker 1: crazy man, Yo, it's real. I've seen it. I was like,

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Speaker 1: it's all over Los Angeles, all over all cities, all

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Speaker 1: over the place. Nike got these guys like it's like

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Speaker 1: a pie piper got him sleeping on his sidewalks. Nike

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Speaker 1: got these guys like fucking sheep, straight sheep. Yeah, you'll

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Speaker 1: do anything for for a product. This is a fucking

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Speaker 1: a consumer maniac. Nuts. It was nuts um so bust

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Speaker 1: this ship so um the other day. Uh. Leonard four

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Speaker 1: Nett beast mode goon running back for the Jacksonville Jaguars.

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Speaker 1: He's like two three years old, looks like he's like

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Speaker 1: forty goon style fucking beast So he's a friend of

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Speaker 1: the Iron Rapports Stereo podcast. He's gonna come on, he'd

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Speaker 1: be jumping over. He's on that Earl Campbell ship. Jump over,

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Speaker 1: run through, you run past you do all that had

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Speaker 1: a very very good rookie season last year, had a

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Speaker 1: couple of injuries. Uh. But uh, he's in Los Angeles,

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Speaker 1: so we've been trying to set up a time for

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Speaker 1: him to come on the Iron Rapp Reports stereo podcast,

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Speaker 1: and uh I hit him. I was like, yeah, what's

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Speaker 1: what's up? And he was like, I'm getting ready to

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Speaker 1: go work out. And I was like, oh, ship, where

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Speaker 1: you working out at. He's like, I'm over here at

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Speaker 1: blah blah blah. Yeah, I can't give the location away,

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Speaker 1: you know what I'm saying. Um, And I'm like, dope,

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Speaker 1: I'm right down the street. I'm gonna come funk with you.

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Speaker 1: So I thought it was just gonna be him. So

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Speaker 1: I go, uh to this high school, uh Field, nice

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Speaker 1: high school. Field. I walk in there. It's like motherfucking

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Speaker 1: NFL Pro Day in there. He's in there, Marcedes Lewis

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Speaker 1: is in there. Uh a Mere Abdulah is in there

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Speaker 1: from the Detroit Lions. Motherfucking Odell Beckham is in there,

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Speaker 1: and and these dudes are in there like, you know,

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Speaker 1: doing sort of I'd call it like a maintenance workout,

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Speaker 1: Like for me if I had done what they would

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Speaker 1: have did it would have put me in the hospital.

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Speaker 1: But like you know, they're like, you know, they're they're

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Speaker 1: kind of going hard, um, you know at times. But

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Speaker 1: it's kind of like I would say, like a maintenance workout,

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Speaker 1: you know what I mean, Like it's March. I don't

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Speaker 1: need to go hard, but you know, I'm keeping in shape,

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Speaker 1: you know, keep my skills. You know. You know who

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Speaker 1: else was there? Kwan Barkley from Penn State, who I

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Speaker 1: is either going to be the first, second, third, or

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Speaker 1: fourth pick in the NFL draft. And I want to

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Speaker 1: make a public plea right now. I just watched se

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Speaker 1: Kwon Barkley work out in front of me. He just

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Speaker 1: turned twenty one. Talk about a fucking coon. Hm, Yo, homeboys,

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Speaker 1: a fucking goon. He killed it at the pro day.

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Speaker 1: They they when they when they had him out there

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Speaker 1: doing the stuff. He ran the forty and four to

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Speaker 1: he's six three, He's got legs the size of fucking

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Speaker 1: tree trunks. He was out there and Yo, homeboys, a

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Speaker 1: fucking goon. That's I ran Barkley's nephew. Yes, the great

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Speaker 1: boxer from the Boogie Down Bronx say. Kawan Barkley is

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Speaker 1: from the Bronx. He was born in New York City.

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Speaker 1: He's first of all. His name is say Kwan Barkley.

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Speaker 1: The New York Giants need to draft say Kwan Barkley.

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Speaker 1: He's a generational running back. It's like drafting Ezekiel Elliott. Yo,

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Speaker 1: this guy's a fucking beast. The New York Giants have

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Speaker 1: to draft say Kwan Barkley. I know we need to

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Speaker 1: fix up the offensive line. Do not let this kid go.

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Speaker 1: I watched this. You know he's a fucking goon. He's

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Speaker 1: a fucking guy. I couldn't believe that these guys are

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Speaker 1: in you know, they're all superheroes, They're all freaks. They

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Speaker 1: all have like superpowers. I watched Leonard Fournette, who's a

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Speaker 1: running back, throw a football with his left hand thirty

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Speaker 1: yards and he's right handed. Yeah, these guys, man, there's

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Speaker 1: super talented. Did my man catch the ball? Field Dell

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Speaker 1: catch the ball? Ge Odell? I funk with Odell. Odell

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Speaker 1: Beckham needs to come on the podcast because I think

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Speaker 1: that he's completely misunderstood. Listen, I've made videos ey yellowing him. Okay,

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Speaker 1: I know, I know, you know some of the ship

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Speaker 1: that he's done. Yo, Homeboy is like running around out

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Speaker 1: there like a fucking gazelle. Yo. He's throwing He's throwing

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Speaker 1: the ball up the field sixty yards. He's running up

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Speaker 1: the bleachers, he's catching the ball with one hand. Thing

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Speaker 1: they're running up. Yo. To watch professional athletes work out

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Speaker 1: like that in person is wild, man, because you're watching.

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Speaker 1: I mean, like I said, this was like a maintenance workout.

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Speaker 1: They weren't even going hard. To watch a mir Abdullah.

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Speaker 1: To watch these dudes, like, you know, doing all this ship,

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Speaker 1: like all these drills to keep their their skills sharp,

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Speaker 1: I have so much respect for it because this is

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Speaker 1: like the stuff that nobody sees. But like, you're watching greatness,

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Speaker 1: Like you know, I'm literally like I'm like tripping. I'm like, yeah,

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Speaker 1: I'm watching greatness. Like these guys are the best of

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Speaker 1: the best of the best, and these are some of

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Speaker 1: the best dudes in the NFL. I mean Odell Beckham,

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Speaker 1: he's running around the field like it's not He wasn't

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Speaker 1: even Homeboy, wasn't even breaking a sweat. Yeah, he's one

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Speaker 1: of a kind, But you know, the games, it's a

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Speaker 1: different story, man. Yeah, come on, many the Giants cannot

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Speaker 1: trade Odell Beckham and they must draft, say Kwan Barkley,

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Speaker 1: do not let the Jets get him. You were going

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Speaker 1: to regret it, homeboys, a fucking beast. He's twenty one

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Speaker 1: years old. The fact that his his uncle is Iran Barkley.

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Speaker 1: Look up, I ran Barkley. If you're not a boxing fan,

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Speaker 1: look up, just watch one round, Like go to the

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Speaker 1: eighth round of any Iran Barkley fight and you'll see

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Speaker 1: what we're talking about. Like even when he won fights,

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Speaker 1: they were rough fights, like he's he was a banger.

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Speaker 1: You just saw I ran in the Bronx right, Hell yeah,

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Speaker 1: hell yeah at the Pine restaurant. So it was it

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Speaker 1: was cool man like. So so shout out to uh

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Speaker 1: for Net for inviting me to it. I just thought

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Speaker 1: he was gonna be out. I was gonna say what something.

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Speaker 1: I was like, I couldn't believe what I was seeing.

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Speaker 1: These dudes are doing all kinds of crazy ship man,

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Speaker 1: and like when they do like that fast fancy footwork

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Speaker 1: ship and you're watching it up close and I'm like yo,

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Speaker 1: I was like, yo, this this guy's this guy's are

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Speaker 1: no joke man. So that was that was a cool experience.

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Speaker 1: It got me. It was like when fantasy becomes reality.

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Speaker 1: Because Leonard four, Nett, Amir Abdullah, and O'Dell Will all

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Speaker 1: part of my various fantasy football teams last year, and

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Speaker 1: to sit there watch them right in front of me.

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Speaker 1: Marcedes Lewis too. I was tripping off these guys. All

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Speaker 1: the emails, we got all of them. I'm not gonna

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Speaker 1: go over all the emails today. Um, but we got

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Speaker 1: all the emails. Continue sending us request things you like,

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Speaker 1: things you don't like. Concerns about gm Dy. They're coming in.

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Speaker 1: They're all they're coming in. They're coming here. Concerns about

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Speaker 1: Gene Moody. People are concerned. What's up with g Moody? Uh.

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Speaker 1: One person said it's okay that he roots for the Cavaliers. Um,

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Speaker 1: and if he supports Trump that's also okay. But God,

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Speaker 1: please help me. How can he support them both? Um?

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Speaker 1: I wanted to One kid sent us an email. He's

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Speaker 1: very upset. He loves us, he's big fans. He said

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Speaker 1: it hurts his heart when we ship on new hip hop.

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Speaker 1: There's a lot of good new hip hop. Please send

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Speaker 1: it to us. What are we missing out on? It's

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Speaker 1: not like we're just sitting in the weeds listening to

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Speaker 1: KRS one. Gerald's got a kid. He talks about it

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Speaker 1: all the time. I have kids. We listen to the ship.

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Speaker 1: If we're missing out on some new hip hop. We

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Speaker 1: know some of it's good. Please send it to us.

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Speaker 1: Huh wouldn't they have played it already? Yeah? Yeah, yeah,

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Speaker 1: it's not bush Man, um, but please send us emails.

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Speaker 1: Things you like, things you don't like, shoutouts, whatever you want. Um.

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Speaker 1: I am Rappaport Podcast at gmail dot com. I am

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Speaker 1: Rappaport Podcast at gmail dot com. There's been a lot

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Speaker 1: of talk. People are are up in arms about this

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Speaker 1: Facebook and the privacy and your information is being shared

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Speaker 1: on Facebook. I'm gonna tell you something. If you're on Facebook, Instagram,

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Speaker 1: if you have a cell phone, if you have a

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Speaker 1: cable built, if you have a home mortgage, if you

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Speaker 1: have any kind of you're not private, duke. If you're

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Speaker 1: on Facebook, you ain't private. Yeah wait wait wait what

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Speaker 1: did you think if you're on Instagram, uh, Snapchat, any

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Speaker 1: at that you're not private? Duke? Yeah, you open to

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Speaker 1: the world. And and if they could find Osama bin

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Speaker 1: Lad and they can find your punk ask everybody's oh

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Speaker 1: my privacy is being jeopardized. Nobody gives a funk about you.

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Speaker 1: If you want to be so private and all that ship,

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00:20:05,600 --> 00:20:09,520
Speaker 1: don't have a cell phone, don't have any you know,

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Speaker 1: bills to your name, and lay low. What the funk

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Speaker 1: are you hiding? This is two thousand eighteen. Nobody gives

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00:20:17,240 --> 00:20:23,400
Speaker 1: a funk about you, my man, everybody, Oh my privacy.

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Speaker 1: They they have information on me. That's that's part of it.

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00:20:27,200 --> 00:20:30,400
Speaker 1: That the cyber world we're living in. Nobody cares. Nobody's

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00:20:30,480 --> 00:20:34,520
Speaker 1: checking for you. Oh complain, What what are they gonna

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00:20:34,560 --> 00:20:37,399
Speaker 1: do with the information? Nobody cares about you. What are

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00:20:37,440 --> 00:20:40,879
Speaker 1: you hiding? If you're on the lamb, if you're on

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Speaker 1: some Henry Hill ship, Henry Hill, he don't have Facebook.

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Speaker 1: If you're a real crook son, you don't have Facebook,

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Speaker 1: you don't have social media, you don't have bills coming

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Speaker 1: to your name. Other than that, shut the funk up.

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Speaker 1: If they want to find you, they want information on you,

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00:20:57,600 --> 00:21:00,280
Speaker 1: they could track your ass down. Go off the rid.

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00:21:01,800 --> 00:21:04,600
Speaker 1: Don't have any sort of connection to any social media.

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00:21:04,920 --> 00:21:08,200
Speaker 1: Don't have a cell phone, don't give your name out,

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00:21:08,440 --> 00:21:11,399
Speaker 1: no bills to your name, no PayPal accounts, no nothing,

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00:21:11,400 --> 00:21:16,159
Speaker 1: no email, and then maybe possibly somehow, some way that they,

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Speaker 1: the big quote unquote they that you're hiding from, won't

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Speaker 1: be able to find you as far as just like

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Speaker 1: you know, my privacy is jeopardized. Yo, that's part of

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Speaker 1: the dude, the world we're living in today. I don't

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Speaker 1: give a funk, Like I try to lay low and

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Speaker 1: be private. But but at the end of the day, YO,

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Speaker 1: as long as that they don't, they're not like videotaping

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Speaker 1: me in my house picking my nose and scratching my balls.

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Speaker 1: Other than that, Other than like your your private space

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Speaker 1: in your crib, motherfucker's know what you're doing, they know

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Speaker 1: where you're at, and they know where to find you.

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Speaker 1: It'd be all precious and high like like you're so special.

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Speaker 1: Nobody's checking for you, nobody's looking for you. You said,

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Speaker 1: it leaves motherfucker's alone. You know what I'm saying. Everybody's

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00:22:01,040 --> 00:22:03,800
Speaker 1: been out of shape about this Facebook ship, Like, yeah,

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Speaker 1: it's funked up that that might have swayed the election somehow.

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Speaker 1: I mean it's I've listened to different podcasts. I watched

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Speaker 1: sixty minutes, I watched this. I still don't know I

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Speaker 1: understand exactly how that whole uh Cambridge media guy. I

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Speaker 1: I don't quite understand that. I know something was jeopardized,

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Speaker 1: but at the end of the day, motherfucker's voted who

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Speaker 1: for who they voted for, and they could find you

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Speaker 1: if they want to find you. Other than that, zip it.

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Speaker 1: I don't want to hear about your privacy and all

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00:22:31,080 --> 00:22:33,680
Speaker 1: that of the bullshit. Go on some Henry Hill ship,

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00:22:34,040 --> 00:22:38,080
Speaker 1: go underground, go to Arizona, go on some El Choppo ship,

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00:22:38,359 --> 00:22:41,639
Speaker 1: and even El Choppo they found. You'll think, oh, Don

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00:22:41,800 --> 00:22:45,400
Speaker 1: Smith from Jersey, they can't find you, but they found

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Speaker 1: El Chapo. They found El Chapo. They're gonna find your

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00:22:48,320 --> 00:22:52,960
Speaker 1: blumass in Jersey. Also, this has some connection with the election.

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00:22:53,320 --> 00:22:56,040
Speaker 1: This is something where Facebook did something with the election.

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00:22:56,240 --> 00:22:58,920
Speaker 1: It's all tied together. But that I understand and and

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Speaker 1: I can't. I've tried to really understand how it was

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00:23:02,000 --> 00:23:04,959
Speaker 1: connected to the election. But but the reality of it

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00:23:05,000 --> 00:23:07,199
Speaker 1: is people voted for who they voted for. It. You know,

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Speaker 1: it's hard for me to speak on it because I

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00:23:09,320 --> 00:23:12,320
Speaker 1: don't quite understand it. I do quite understand that people

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Speaker 1: are all bent out of shape about their fucking precious privacy.

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Speaker 1: And I'm saying nobody's check up for you, duke. Listen.

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Speaker 1: It's prime time podcasting, Okay, that's what we call it.

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Speaker 1: This episode is dropping in prime time. Okay, it's worthy

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Speaker 1: of dropping in prime time okay. And and we're not

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Speaker 1: gonna do a Portugal demand episode. These guys are real fans. Okay.

399
00:23:40,040 --> 00:23:43,840
Speaker 1: We're not gonna do any prime time podcasting without the

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Speaker 1: coveted award winning sick Fuck of the Week Myles Jordan's

401
00:23:50,800 --> 00:23:56,040
Speaker 1: please cue the theme music. This award is earned, not given.

402
00:23:56,119 --> 00:23:59,520
Speaker 1: It's called the sick fucking a Week. This guy is

403
00:23:59,560 --> 00:24:02,879
Speaker 1: really lock him up? How could you do it? Don't

404
00:24:03,480 --> 00:24:06,800
Speaker 1: let him out? Damn? Who fuck the door? You want

405
00:24:07,040 --> 00:24:09,359
Speaker 1: to fuck the door? Why would you fuck the dog?

406
00:24:10,000 --> 00:24:13,919
Speaker 1: Why would you fuck your girlfriend's dog? What sick fuck?

407
00:24:14,040 --> 00:24:18,399
Speaker 1: The sick funck of the week. It's earned, earned, not giving.

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00:24:18,480 --> 00:24:29,240
Speaker 1: You didn't what? No, no, no, all right, Yes, that's

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00:24:29,280 --> 00:24:33,600
Speaker 1: the sick fuck of the Week theme music. You know

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Speaker 1: what it is. You know what it is? The sick

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00:24:37,000 --> 00:24:39,760
Speaker 1: fuck of the Week as an award winning segment where

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00:24:39,760 --> 00:24:44,000
Speaker 1: we acknowledge some of the sickest of the sick fox

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00:24:44,440 --> 00:24:49,560
Speaker 1: every episode on this podcast. It'll culminate into the year

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00:24:49,720 --> 00:24:53,440
Speaker 1: end sick fuck of the Year award. But we are

415
00:24:53,480 --> 00:24:57,199
Speaker 1: nowhere near that place. Right now, now is where the

416
00:24:57,240 --> 00:25:00,280
Speaker 1: grunt work happens. Now is where we find and some

417
00:25:00,320 --> 00:25:02,760
Speaker 1: of the best of the best and the sickest of

418
00:25:02,840 --> 00:25:08,280
Speaker 1: the sickest at a restaurant called the Peter Pit. Okay,

419
00:25:08,320 --> 00:25:09,920
Speaker 1: it's like where they serve a little like a little

420
00:25:09,920 --> 00:25:12,439
Speaker 1: Greek food, you know, Peter's you could get you know,

421
00:25:12,480 --> 00:25:15,080
Speaker 1: oh you get a little pea food. Unemployee was caught

422
00:25:15,119 --> 00:25:24,840
Speaker 1: on videotape spitting, spitting and the customers sandwich. You fucking dog,

423
00:25:24,920 --> 00:25:29,480
Speaker 1: you fucking animal. This happened in Missoula, Montana. You're spitting

424
00:25:29,520 --> 00:25:32,720
Speaker 1: in the thing in the food, and she's smiling when

425
00:25:32,720 --> 00:25:35,680
Speaker 1: people are looking. You think that's funny, you sick animal.

426
00:25:35,760 --> 00:25:41,160
Speaker 1: You oh man, imagine the subway to get your sandwich.

427
00:25:41,200 --> 00:25:46,439
Speaker 1: You go to the Peter Pit and Missoula, Montana, the

428
00:25:46,560 --> 00:25:50,080
Speaker 1: Peter spit That's why is this? That's why the three

429
00:25:50,080 --> 00:25:54,159
Speaker 1: times cos of the year. Damn, that's why is the

430
00:25:54,240 --> 00:25:58,560
Speaker 1: three time cos of the year fucked up? I mean,

431
00:25:58,680 --> 00:26:03,240
Speaker 1: right on video. You don't know that they're videotaping you man.

432
00:26:03,240 --> 00:26:05,800
Speaker 1: There should be there should be some jail time for

433
00:26:05,840 --> 00:26:14,760
Speaker 1: that maybe a week. Um, Pauline Elizabeth Martin, do you

434
00:26:14,760 --> 00:26:19,399
Speaker 1: know that is Gerald? Uh? Nope? Okay, Well she's the

435
00:26:19,480 --> 00:26:21,720
Speaker 1: next sick funk of the week. And if you look

436
00:26:21,800 --> 00:26:27,560
Speaker 1: up Pauline Elizabeth Martin, she looks like a sick fuck. Um.

437
00:26:27,640 --> 00:26:33,359
Speaker 1: She is a Florida woman in a romantic relationship with

438
00:26:33,400 --> 00:26:40,600
Speaker 1: her brother. She was arrested arrested after giving birth to

439
00:26:41,480 --> 00:26:49,439
Speaker 1: his baby. A brother and sister. Not only are they,

440
00:26:49,480 --> 00:26:52,160
Speaker 1: I don't know why the where's the brother? I don't

441
00:26:52,160 --> 00:26:53,879
Speaker 1: know where the brother is. I don't know why she's

442
00:26:53,920 --> 00:26:58,240
Speaker 1: the only one that's being arrested. Um, this is so

443
00:26:58,280 --> 00:27:04,120
Speaker 1: sick on so many levels because obviously, when you do that,

444
00:27:04,200 --> 00:27:09,440
Speaker 1: the baby is compromised. You can't genetically mix and match that.

445
00:27:09,640 --> 00:27:12,639
Speaker 1: It's not even funny. I don't know where the brother

446
00:27:12,800 --> 00:27:17,320
Speaker 1: is Pauline Elizabeth Martin's brother. But Pauline was arrested after

447
00:27:17,359 --> 00:27:20,000
Speaker 1: she gave birth to the baby. Did the child obviously

448
00:27:20,040 --> 00:27:23,080
Speaker 1: has been taken away. He's in special care. Um, God

449
00:27:23,080 --> 00:27:25,360
Speaker 1: bless this child. I hope he can live a lot

450
00:27:25,359 --> 00:27:29,800
Speaker 1: a lot of problems. Obviously, these people are truly sick,

451
00:27:30,160 --> 00:27:32,760
Speaker 1: and they they were probably on what would you suspect

452
00:27:32,800 --> 00:27:35,080
Speaker 1: the kind of drugs they were on. G Oh, man,

453
00:27:35,119 --> 00:27:37,479
Speaker 1: it had to be on that Ui. When you do

454
00:27:37,520 --> 00:27:39,600
Speaker 1: beat when it behaviors like that, you start looking at

455
00:27:39,600 --> 00:27:42,159
Speaker 1: your sibling. You're gonna hit it and all that. You

456
00:27:42,280 --> 00:27:44,920
Speaker 1: gotta be. You gotta be on something some uh u

457
00:27:45,000 --> 00:27:50,480
Speaker 1: we gotta be. Yeah, those Gray Skies maybe Maurice Jerome

458
00:27:50,880 --> 00:27:58,760
Speaker 1: all at Jesus Christ. Shit, that's that's some crazy ship, man.

459
00:27:58,800 --> 00:28:01,560
Speaker 1: I mean what keeps say? Well, I don't even have words, man,

460
00:28:01,600 --> 00:28:05,320
Speaker 1: I just but that that should be a jail for Oh, yeah,

461
00:28:05,359 --> 00:28:07,800
Speaker 1: you're not coming out of jail. You're not coming out.

462
00:28:08,280 --> 00:28:10,080
Speaker 1: How do you come out? And if you come out

463
00:28:10,119 --> 00:28:11,760
Speaker 1: of jail, let's say they put her in jail for

464
00:28:11,800 --> 00:28:13,919
Speaker 1: fifteen and she's like, oh, I'm trying to get my

465
00:28:13,960 --> 00:28:17,919
Speaker 1: life together. Well what did you do? Yeah? And then

466
00:28:17,920 --> 00:28:20,080
Speaker 1: you got a you got a kid. And you know

467
00:28:20,200 --> 00:28:23,240
Speaker 1: they say, oh, you shouldn't judge, Yes, yes, sick Fox

468
00:28:23,280 --> 00:28:26,040
Speaker 1: of the week, you should judge them. You know, they say, like,

469
00:28:26,080 --> 00:28:29,720
Speaker 1: don't judge people. I'm judging them. We're ranging them, the

470
00:28:29,760 --> 00:28:33,240
Speaker 1: sick Fox of the week. We judge behavior. We don't

471
00:28:33,320 --> 00:28:38,400
Speaker 1: judge the people. I'm judging the people And the fucking behavior.

472
00:28:38,400 --> 00:28:41,440
Speaker 1: It's one in the scene. You judge the behavior. I'm

473
00:28:41,480 --> 00:28:45,000
Speaker 1: I'm I'm the fucking judging jury here, h Miles. You

474
00:28:45,160 --> 00:28:47,480
Speaker 1: the goddamn sick fucking week music again. Do you hear

475
00:28:47,480 --> 00:28:50,880
Speaker 1: the theme song? You hear that, you hear it, you

476
00:28:51,080 --> 00:28:54,400
Speaker 1: created it. We're judging these fucking animals as as as

477
00:28:54,640 --> 00:28:58,960
Speaker 1: as very as we should. I'm with it. I'm saying behavior,

478
00:28:59,080 --> 00:29:03,760
Speaker 1: I judge, behave yock, That's what it's about. Pennsylvania girl

479
00:29:03,800 --> 00:29:07,720
Speaker 1: who went missing a couple of weeks ago was found

480
00:29:07,800 --> 00:29:11,880
Speaker 1: in Mexico with a forty five year old man. I'm

481
00:29:11,880 --> 00:29:16,360
Speaker 1: not done yet. She was found in Mexico with a

482
00:29:16,400 --> 00:29:19,720
Speaker 1: forty five year old man. The forty five year old

483
00:29:19,760 --> 00:29:30,760
Speaker 1: man Gerald mm hmm was her best friend's father, Kevin Esterlee.

484
00:29:33,120 --> 00:29:37,959
Speaker 1: Kevin Esterlee essentially kidnapped a young girl sixteen, took her

485
00:29:37,960 --> 00:29:42,440
Speaker 1: to Mexico to do god knows what, you sick animals.

486
00:29:44,000 --> 00:29:48,400
Speaker 1: You ruined this young girl's life. His daughter's best friend.

487
00:29:48,720 --> 00:29:53,280
Speaker 1: He he took her down to Mexico ship. I mean,

488
00:29:53,760 --> 00:29:57,320
Speaker 1: what the fuck is going on out here? He had

489
00:29:57,360 --> 00:30:01,560
Speaker 1: his eye on his daughter's best friends. You sick dog damn.

490
00:30:02,040 --> 00:30:07,040
Speaker 1: And then he bounced with her. What about the wife? Man?

491
00:30:07,520 --> 00:30:13,560
Speaker 1: Oh damn, they go with anybody now. Man, It's like,

492
00:30:15,480 --> 00:30:18,120
Speaker 1: how are you gonna come back home? You're not you

493
00:30:18,160 --> 00:30:20,240
Speaker 1: know where, You're not going back home. You're going to

494
00:30:20,320 --> 00:30:23,680
Speaker 1: jail for kidnapping. You sick animal? What do you What

495
00:30:23,920 --> 00:30:26,320
Speaker 1: do you tell your wife? How do you explain that

496
00:30:28,800 --> 00:30:34,200
Speaker 1: that's crazy? Man? Um? Follow up? Remember this sick fuck?

497
00:30:34,360 --> 00:30:39,560
Speaker 1: Does the name ze hang feg Oh? I think I

498
00:30:39,600 --> 00:30:43,040
Speaker 1: think it's a It rings a bell, Zie hangg Fan?

499
00:30:43,480 --> 00:30:48,200
Speaker 1: Remember Mr Fang? Yeah? Yeah, you remember your man Fang.

500
00:30:48,360 --> 00:30:51,920
Speaker 1: He's a two thousand, seventeen six Funk of the Week

501
00:30:52,640 --> 00:30:57,920
Speaker 1: from New York City. Uh. He was arrested. He fatally

502
00:30:58,080 --> 00:31:05,360
Speaker 1: stabbed his girlfriend's golden doodle dog. Ye remember fing Yeah,

503
00:31:05,560 --> 00:31:07,280
Speaker 1: he won the sick Funk of the week. This is

504
00:31:07,320 --> 00:31:09,160
Speaker 1: a follow up on a sick fuck. You know, we

505
00:31:09,200 --> 00:31:11,560
Speaker 1: can't just you know, talk about these guys and not,

506
00:31:11,720 --> 00:31:15,400
Speaker 1: you know, try to hopefully give some closure on these animals.

507
00:31:15,840 --> 00:31:19,920
Speaker 1: This piece of ship was slapped with thirty days in jail.

508
00:31:21,400 --> 00:31:24,960
Speaker 1: That's all he got you. He stabbed his girlfriend's golden

509
00:31:25,000 --> 00:31:29,160
Speaker 1: doodle dog. Golden doodles are cute little dogs. Stabbed the

510
00:31:29,240 --> 00:31:33,240
Speaker 1: dog to death and this piece of ship zang Fing.

511
00:31:34,040 --> 00:31:36,000
Speaker 1: I know I'm saying his name wrong, but you know what,

512
00:31:36,240 --> 00:31:39,120
Speaker 1: You're not worthy of me getting the proper pronunciation of

513
00:31:39,160 --> 00:31:44,160
Speaker 1: your name. You sick fuck? Am I wrong? Right? Yo?

514
00:31:44,280 --> 00:31:48,880
Speaker 1: I would say if your girl shows more affection for

515
00:31:48,920 --> 00:31:51,040
Speaker 1: the dog, because these are these are this is why

516
00:31:51,080 --> 00:31:54,080
Speaker 1: these things happen. They show more attention to the dog,

517
00:31:54,160 --> 00:31:56,640
Speaker 1: and the guys get bent out of shape. Just leave

518
00:31:56,840 --> 00:32:01,240
Speaker 1: the chick altogether, find a girl. Don't hurt the innocent

519
00:32:01,360 --> 00:32:03,800
Speaker 1: dog to try and get back at it. The dog

520
00:32:03,880 --> 00:32:09,560
Speaker 1: has nothing to do with this ship man um. Finally,

521
00:32:09,600 --> 00:32:12,120
Speaker 1: with the sick fox. We we talked about this the

522
00:32:12,160 --> 00:32:14,800
Speaker 1: other day and I was watching Real Housewives of Beverly

523
00:32:14,880 --> 00:32:17,640
Speaker 1: Hills and one of the housewives, Lisa vander Pump, did

524
00:32:17,640 --> 00:32:19,560
Speaker 1: a documentary on this and it was I had to

525
00:32:19,600 --> 00:32:22,040
Speaker 1: I had to fast forward, and you know, housewives are

526
00:32:22,080 --> 00:32:24,640
Speaker 1: my favorite. Joe. By the way, this Sunday, gimon Eddie

527
00:32:25,360 --> 00:32:27,160
Speaker 1: coming to New York City. I'm gonna be on Watch

528
00:32:27,240 --> 00:32:31,800
Speaker 1: What Happens Live? Oh all right, okay with Andy Cohen

529
00:32:31,880 --> 00:32:38,640
Speaker 1: This Sunday, April one, April Fool's Day in Vietnam. More

530
00:32:38,720 --> 00:32:46,640
Speaker 1: footage was captured people, kidnapped dogs, hundreds of dogs they

531
00:32:46,640 --> 00:32:48,720
Speaker 1: had him. I you can't even look at the footage.

532
00:32:48,720 --> 00:32:50,560
Speaker 1: Whether you're you're a dog person or not, you can't

533
00:32:50,560 --> 00:32:54,520
Speaker 1: even look at the footage. They captured the dogs. Apparently

534
00:32:54,680 --> 00:32:59,120
Speaker 1: the less they feed them, the better than meat taste

535
00:32:59,120 --> 00:33:02,640
Speaker 1: to these sick animals that eat this ship. You can't

536
00:33:02,640 --> 00:33:09,720
Speaker 1: call them sick. Man. It's another culture. People do things

537
00:33:09,720 --> 00:33:15,480
Speaker 1: in other part that you may not understand, and that's fine. Dog,

538
00:33:15,560 --> 00:33:19,280
Speaker 1: they kidnapped the door. You put your fucking nose and

539
00:33:19,400 --> 00:33:22,760
Speaker 1: another man's culture and judging it when that's not fair.

540
00:33:23,000 --> 00:33:26,680
Speaker 1: They eat dogs and we eat beef and all kinds

541
00:33:26,680 --> 00:33:28,640
Speaker 1: of other ship that they look say, yo, why would

542
00:33:28,640 --> 00:33:32,120
Speaker 1: they eat that? So if they eat dogs, it's repulsive

543
00:33:32,200 --> 00:33:36,680
Speaker 1: to us, but in Southeast Asia it may be a delicacy.

544
00:33:37,120 --> 00:33:40,040
Speaker 1: A man, man, let me tell you something. This is

545
00:33:40,120 --> 00:33:41,640
Speaker 1: going back to what we were just talking. I'm not

546
00:33:41,800 --> 00:33:45,320
Speaker 1: just judging the actions. I'm judging the person straight up.

547
00:33:45,360 --> 00:33:47,760
Speaker 1: I have no problem with it. I'm the judge and jury.

548
00:33:48,120 --> 00:33:51,800
Speaker 1: This is the sick Funk of the Week Award. Hundreds

549
00:33:51,880 --> 00:33:55,200
Speaker 1: of dogs were rescued, but I mean hundreds of have

550
00:33:55,320 --> 00:33:57,400
Speaker 1: gotten away. This goes on for you. And they had

551
00:33:57,440 --> 00:34:01,000
Speaker 1: footage on Real Housewives of Beverly Hills. They kidnaped dogs.

552
00:34:01,040 --> 00:34:03,400
Speaker 1: They they will run up on the dog, take the dog.

553
00:34:04,840 --> 00:34:08,040
Speaker 1: You're not taking Wheezy do You're not eating my fucking

554
00:34:08,120 --> 00:34:12,279
Speaker 1: dog money. You're not eating a dog. You eat my

555
00:34:12,360 --> 00:34:15,759
Speaker 1: Fucker's on a crusade to save the dogs and ship. Listen,

556
00:34:17,239 --> 00:34:20,680
Speaker 1: you know you you fucking easy. They're not running up

557
00:34:20,719 --> 00:34:23,400
Speaker 1: on Wheezy or some fly ship. Yo. You don't know that.

558
00:34:24,640 --> 00:34:27,239
Speaker 1: He ain't like he gonna do. Ain't like he's gonna

559
00:34:27,280 --> 00:34:31,320
Speaker 1: do something, and like he's gonna bite these motherfucker's. You

560
00:34:31,440 --> 00:34:33,480
Speaker 1: don't know. I don't keep him out there like that.

561
00:34:33,600 --> 00:34:36,880
Speaker 1: You're not running up on me taking Wheezy funk all that.

562
00:34:37,800 --> 00:34:39,400
Speaker 1: That's what they want to do. They see like a

563
00:34:39,480 --> 00:34:42,879
Speaker 1: dog like Wheezy Wheezy. He's got a little weight on him.

564
00:34:44,400 --> 00:34:46,799
Speaker 1: He's a little fat. I'm not gonna lie my dog

565
00:34:46,920 --> 00:34:48,680
Speaker 1: is a little fat. You know, I wanted to have

566
00:34:48,800 --> 00:34:52,440
Speaker 1: a good life. We exercise a little fat, you know

567
00:34:52,440 --> 00:34:54,959
Speaker 1: what I mean? Like a fat baseball player, like what's money,

568
00:34:55,120 --> 00:34:57,040
Speaker 1: Like Big Poppy on the Boston Red Sox. He's like

569
00:34:57,080 --> 00:34:58,719
Speaker 1: one of them do like big. You know, he's like

570
00:34:59,040 --> 00:35:02,160
Speaker 1: like a plump athlete. At it tight. You're not running

571
00:35:02,239 --> 00:35:06,200
Speaker 1: up on my dog. Dude, you don't know casses casing

572
00:35:06,480 --> 00:35:09,120
Speaker 1: the joint. They probably they might looking at you running

573
00:35:09,160 --> 00:35:12,400
Speaker 1: with the dog and next thing you know, skill it

574
00:35:14,360 --> 00:35:16,839
Speaker 1: all right. Listen, we came, we saw, we conquered. It's

575
00:35:16,880 --> 00:35:21,640
Speaker 1: prime Time podcast. They're coming up next. Dudes are blowing up.

576
00:35:21,719 --> 00:35:25,759
Speaker 1: I'm happy for them. Good dudes. Okay, Portugal the Man,

577
00:35:26,640 --> 00:35:30,600
Speaker 1: two of the dudes, ship talkers of the group, Zack John,

578
00:35:31,160 --> 00:35:35,239
Speaker 1: Iron Wrap Coors Stereo Podcast. Prime Time Podcasting with Motherfucking

579
00:35:35,320 --> 00:35:38,319
Speaker 1: Portugal the Man, Me and the Young Shooter. We sit down,

580
00:35:38,400 --> 00:35:40,640
Speaker 1: We break down the hits, We break down the Grammys,

581
00:35:40,719 --> 00:35:43,480
Speaker 1: what it's really like to play the Grammys. Who you

582
00:35:43,560 --> 00:35:46,760
Speaker 1: saw at the Grammys? Playing the Ellen Show, Worldwide Shows,

583
00:35:46,840 --> 00:35:49,640
Speaker 1: Worldwide tours. They're also hip hop heads. Let's get into

584
00:35:49,719 --> 00:35:52,759
Speaker 1: it with Portugal Demand Iron Wrap Coors Stereo Podcast. Let's

585
00:35:52,760 --> 00:36:04,920
Speaker 1: go in. The girl with eyes like where she was.

586
00:36:05,920 --> 00:36:14,640
Speaker 1: I'm not alone, but I'm still only when I was young,

587
00:36:16,120 --> 00:36:22,200
Speaker 1: I always go be the midnight s those days are done.

588
00:36:23,239 --> 00:36:35,280
Speaker 1: But she go, oh yeah, all come back summer part

589
00:36:38,680 --> 00:36:51,840
Speaker 1: when I let the Moon go back summer that so

590
00:36:52,480 --> 00:37:02,319
Speaker 1: so check check check check too. Am I good, good, good,

591
00:37:02,600 --> 00:37:10,520
Speaker 1: good good everybody there? Alright, alright, alright, alright, this is it.

592
00:37:12,400 --> 00:37:16,560
Speaker 1: This is fucking it. I am wrapped ports Stereo podcast

593
00:37:16,680 --> 00:37:23,400
Speaker 1: with Portugal the Man. So your Portugal, Michael. That No,

594
00:37:23,840 --> 00:37:27,320
Speaker 1: that's John. That's John, and he's We've like been through this.

595
00:37:27,560 --> 00:37:29,759
Speaker 1: No one's name Portugal. It's just it's the name of

596
00:37:29,800 --> 00:37:34,400
Speaker 1: the band. Who you're the man? Uh sort of? You know,

597
00:37:34,960 --> 00:37:38,000
Speaker 1: I didn't tell you who the fund is Portugal? What

598
00:37:38,120 --> 00:37:40,720
Speaker 1: are we doing here, man, Michael? I we we've already

599
00:37:40,719 --> 00:37:42,520
Speaker 1: had this conversation. I don't know why you're like surprised,

600
00:37:42,560 --> 00:37:44,600
Speaker 1: like who's Portugal? Who's Portugal? Like I told you his

601
00:37:44,680 --> 00:37:50,080
Speaker 1: name is John, Zach. Come on, okay, let's start. Let's

602
00:37:50,120 --> 00:37:54,040
Speaker 1: just started again. Started again? Okay, fuck it, that's an

603
00:37:54,040 --> 00:37:57,600
Speaker 1: embarrassing opening to the start. The goddamn shy. We'll just

604
00:37:57,640 --> 00:37:59,080
Speaker 1: start it again. You want me to start it or

605
00:37:59,200 --> 00:38:02,040
Speaker 1: I got it? I fucking got it. Just started again?

606
00:38:04,320 --> 00:38:07,239
Speaker 1: All right. So we're here with Portugal Demand and you're John,

607
00:38:08,400 --> 00:38:13,480
Speaker 1: I'm Zack and you're John clearly and you're Zach. Listen,

608
00:38:13,560 --> 00:38:16,759
Speaker 1: you guys, I appreciate you coming through Portugal. De man um,

609
00:38:16,840 --> 00:38:18,800
Speaker 1: I don't want to do the life and Times. You know,

610
00:38:19,400 --> 00:38:21,759
Speaker 1: I've been a fan of your guys. I actually have

611
00:38:21,840 --> 00:38:23,759
Speaker 1: to give it credit to to my guy Dean here

612
00:38:24,480 --> 00:38:27,840
Speaker 1: and um, you know, I appreciate you coming through. I

613
00:38:27,920 --> 00:38:31,839
Speaker 1: know you guys are podcast heads, right, you're on tour,

614
00:38:33,000 --> 00:38:35,759
Speaker 1: You're you're Iron Reports, stereo podcast fans. What what other

615
00:38:35,840 --> 00:38:37,680
Speaker 1: podcasts are you into? Because you guys, I see you

616
00:38:37,719 --> 00:38:40,680
Speaker 1: tweet about different podcasts, and I'm gonna be totally fucking honest.

617
00:38:41,680 --> 00:38:44,640
Speaker 1: You give us love. But when I see you guys

618
00:38:44,680 --> 00:38:47,080
Speaker 1: give other people love and tweets, I get a little jealous,

619
00:38:47,480 --> 00:38:49,359
Speaker 1: Like I'm like, I thought these were just our guys,

620
00:38:49,400 --> 00:38:51,640
Speaker 1: Like I didn't know you were like fucking horn yourself surround.

621
00:38:51,880 --> 00:38:56,719
Speaker 1: So what are your on podast? We listened to a

622
00:38:56,800 --> 00:38:59,960
Speaker 1: lot of stuff that that's kind of um, like Malcolm Gladwell,

623
00:39:00,120 --> 00:39:03,279
Speaker 1: we listen to that stuff. Revisionist history that's such great,

624
00:39:03,960 --> 00:39:07,120
Speaker 1: A lot of comedy podcasts. Okay, so like what are you?

625
00:39:07,160 --> 00:39:09,120
Speaker 1: What are you are the ones? Because I like, you know,

626
00:39:09,200 --> 00:39:11,920
Speaker 1: we're competitive podcasting, but we love all the other podcasts

627
00:39:12,000 --> 00:39:13,239
Speaker 1: and I know you guys got good taste. So what

628
00:39:13,320 --> 00:39:16,600
Speaker 1: are your other podcasts that you funk with? Norm McDonald? Okay,

629
00:39:17,040 --> 00:39:21,640
Speaker 1: McDonald's my favorite, that's listens your favorite? I mean, but

630
00:39:22,680 --> 00:39:25,680
Speaker 1: your favorite? Nobody? Is he your favorite? Besides I am

631
00:39:25,680 --> 00:39:27,920
Speaker 1: wrapped part? Is he your favorite? And then like I

632
00:39:28,000 --> 00:39:30,719
Speaker 1: am Rapp warters below that? Well, let's see. I uh,

633
00:39:31,120 --> 00:39:32,880
Speaker 1: I mean just like you got you said it's his favorite?

634
00:39:33,960 --> 00:39:39,440
Speaker 1: All right, okay, next question, so listen. My first question

635
00:39:39,520 --> 00:39:42,120
Speaker 1: is you guys, did you even imagine in your wildest

636
00:39:42,200 --> 00:39:46,040
Speaker 1: dreams that Portugal Demand would like cross from this small

637
00:39:46,640 --> 00:39:51,320
Speaker 1: indie band with this indie sound too, like a fucking

638
00:39:51,560 --> 00:39:53,839
Speaker 1: pop band that's kicking as And when I say pop,

639
00:39:53,880 --> 00:39:55,600
Speaker 1: I don't mean it in any disrespectful way. I think

640
00:39:55,600 --> 00:39:58,320
Speaker 1: pop is good pop. You know, pop is pop his

641
00:39:58,440 --> 00:40:00,160
Speaker 1: money And in this day and age, I don't even

642
00:40:00,239 --> 00:40:02,879
Speaker 1: think there's categories of music. So in your wildest dreams,

643
00:40:02,920 --> 00:40:04,919
Speaker 1: did you guys even have ever imagined that you would

644
00:40:04,920 --> 00:40:07,239
Speaker 1: have this kind of success? No? Man, this ship is

645
00:40:07,600 --> 00:40:10,040
Speaker 1: pretty crazy. Yeah, we didn't think we would go to

646
00:40:10,239 --> 00:40:13,360
Speaker 1: Europe or play New York Like. We just started playing

647
00:40:13,480 --> 00:40:16,040
Speaker 1: because we realized that you could play for gas money.

648
00:40:16,400 --> 00:40:18,759
Speaker 1: I mean, we were seeing like three dollar shows in

649
00:40:18,880 --> 00:40:21,839
Speaker 1: Portland and band selling shirts for five bucks, like things

650
00:40:21,880 --> 00:40:25,000
Speaker 1: that we had listened to growing up. We're seeing shows

651
00:40:25,080 --> 00:40:27,680
Speaker 1: with twenty other people in the room, and I think

652
00:40:27,719 --> 00:40:29,640
Speaker 1: it was this realization that we could just go out

653
00:40:29,719 --> 00:40:32,520
Speaker 1: and play music and make enough money to get a

654
00:40:32,600 --> 00:40:35,280
Speaker 1: little bit of food and get to the next city.

655
00:40:35,760 --> 00:40:38,240
Speaker 1: It's so bizarre that we've been a band for fourteen

656
00:40:38,320 --> 00:40:41,960
Speaker 1: years and cross over at thirty six years old. Yeah,

657
00:40:42,040 --> 00:40:44,839
Speaker 1: we never expected any of this. We just didn't really

658
00:40:44,960 --> 00:40:48,520
Speaker 1: stop and we just kind of we didn't play any

659
00:40:48,560 --> 00:40:50,399
Speaker 1: of it. We have no fucking clue what we're doing.

660
00:40:50,800 --> 00:40:55,360
Speaker 1: So Portugal demand has been fourteen years. Yeah, so, I

661
00:40:55,480 --> 00:40:57,879
Speaker 1: mean you guys could rattle them back back and forth

662
00:40:57,920 --> 00:41:00,320
Speaker 1: because you both experienced them. Give me your top five, Like,

663
00:41:00,480 --> 00:41:04,320
Speaker 1: what the funk are we doing here? Craziest moments, like

664
00:41:04,520 --> 00:41:06,960
Speaker 1: we're part of the party. We're no longer on the outside,

665
00:41:07,200 --> 00:41:09,399
Speaker 1: like smoking a joint, trying to just get in. Give

666
00:41:09,400 --> 00:41:11,040
Speaker 1: me You're like, you're just you don't have to like

667
00:41:11,160 --> 00:41:14,080
Speaker 1: just rattle them off. Playing playing with weird Al Yankovic.

668
00:41:14,520 --> 00:41:17,560
Speaker 1: Oh yeah, number one, that was huge. We want to

669
00:41:17,600 --> 00:41:21,279
Speaker 1: fucking Grammy. That was pretty insane. We beat Desposito for

670
00:41:21,360 --> 00:41:27,560
Speaker 1: a Grammy. So beating Desposito. Uh, that was a lifelong

671
00:41:27,640 --> 00:41:31,400
Speaker 1: dream to beat, like specifically, like if we're gonna win

672
00:41:31,480 --> 00:41:33,680
Speaker 1: a Grammy. Ever since I was a child, I've been

673
00:41:33,760 --> 00:41:37,000
Speaker 1: training and practicing every day to beat Desposito. Yeah, there's

674
00:41:37,040 --> 00:41:40,600
Speaker 1: so many moments. It's Mike Dy. We worked with Mike

675
00:41:40,680 --> 00:41:43,040
Speaker 1: d and we worked with Danger Mounts. I mean just

676
00:41:43,880 --> 00:41:47,560
Speaker 1: the stuff we've done in the studio has been just

677
00:41:47,880 --> 00:41:51,000
Speaker 1: so exciting and fun. And I mean we're just dipshits

678
00:41:51,120 --> 00:41:57,840
Speaker 1: from Alaska. I mean we're still from Alaska and no

679
00:41:58,000 --> 00:42:10,640
Speaker 1: fact checking. But ship a break time, the funk out time,

680
00:42:10,719 --> 00:42:15,120
Speaker 1: the funk out So okay, wait finished, Wait a second, Yeah,

681
00:42:15,160 --> 00:42:17,400
Speaker 1: that is the if you guys are called port warn't

682
00:42:17,400 --> 00:42:20,080
Speaker 1: you called Alaska? The man I thought you guys were Portland.

683
00:42:21,360 --> 00:42:26,160
Speaker 1: This interview is going terrible. You're both from Alaska? What so?

684
00:42:26,280 --> 00:42:28,520
Speaker 1: What the fund is that? Like outside of a band?

685
00:42:28,600 --> 00:42:30,960
Speaker 1: Like do you guys like like I mean, he's like,

686
00:42:31,160 --> 00:42:33,320
Speaker 1: you want to bring you to Alaska, like specifically the

687
00:42:33,400 --> 00:42:35,759
Speaker 1: mug Shot. I want to go drinking with you at

688
00:42:35,800 --> 00:42:38,600
Speaker 1: the mug Shot Saloon. We would have fun. Well, what

689
00:42:38,760 --> 00:42:41,080
Speaker 1: is it like growing up you guys grew up in Alaska.

690
00:42:41,320 --> 00:42:43,560
Speaker 1: It's pretty it's pretty weird. Let me ask you this

691
00:42:43,800 --> 00:42:46,400
Speaker 1: in Alaska right now, no bullshit in your town or

692
00:42:46,480 --> 00:42:48,320
Speaker 1: your city. I don't know what the fox in Alaska?

693
00:42:49,040 --> 00:42:52,759
Speaker 1: Like how far away is the furthest or closest Starbucks?

694
00:42:53,360 --> 00:42:54,880
Speaker 1: Like what do we gotta do to get a Starbucks

695
00:42:54,920 --> 00:42:57,399
Speaker 1: in Alaska? I'm actually pretty close to town. I live

696
00:42:57,800 --> 00:42:59,839
Speaker 1: right at the city limits, so it's not that far

697
00:43:00,000 --> 00:43:04,759
Speaker 1: are from is there a fucking yeah, it's by the target. Well,

698
00:43:05,120 --> 00:43:07,440
Speaker 1: all of this has come in after Portugal. Man, we've

699
00:43:07,480 --> 00:43:09,960
Speaker 1: brought all of this to Alaska. We've brought the real

700
00:43:10,080 --> 00:43:12,920
Speaker 1: world back there. Yeah. I got a fucking red Robin.

701
00:43:13,360 --> 00:43:16,720
Speaker 1: But yeah, dude, I grew up in uh Cooper Landing.

702
00:43:17,040 --> 00:43:19,680
Speaker 1: If two other kids in my grade, like the whole

703
00:43:19,880 --> 00:43:23,120
Speaker 1: school is in one school house. Yeah, I mean I've

704
00:43:23,239 --> 00:43:26,239
Speaker 1: I've like my pants were dog sled mushers. They ran

705
00:43:26,280 --> 00:43:30,440
Speaker 1: the Iddarad and Yukon Quest and into the wild, right,

706
00:43:30,480 --> 00:43:32,120
Speaker 1: you know, like the van where the guy went, and

707
00:43:33,239 --> 00:43:37,239
Speaker 1: so John grew up like five ten miles from that man. Yeah, yeah,

708
00:43:37,280 --> 00:43:38,840
Speaker 1: that's where his houses. That's where you grew up. So

709
00:43:39,120 --> 00:43:41,479
Speaker 1: we picture like it's pretty in the middle of nowhere,

710
00:43:41,600 --> 00:43:44,719
Speaker 1: that actual town where that story took place. Yeah, heally, So,

711
00:43:44,960 --> 00:43:48,200
Speaker 1: so when you're from there and then you you start

712
00:43:48,320 --> 00:43:50,200
Speaker 1: this band and you're doing it for like, you know,

713
00:43:50,520 --> 00:43:53,600
Speaker 1: like your goals are just general sort of like gas money,

714
00:43:53,960 --> 00:43:55,920
Speaker 1: maybe we can make a few bucks, and like this

715
00:43:56,040 --> 00:43:57,719
Speaker 1: could be a side gig. And then you're at the

716
00:43:57,760 --> 00:44:00,719
Speaker 1: Grammys and like Rihanna's there and jay Z here are

717
00:44:00,800 --> 00:44:05,120
Speaker 1: you guys? Like what the fuck? Yep, yeah it was

718
00:44:05,200 --> 00:44:08,839
Speaker 1: what then we weren't expecting to win anything. We were

719
00:44:08,920 --> 00:44:11,839
Speaker 1: just i mean just even being asked to come out there.

720
00:44:12,200 --> 00:44:14,239
Speaker 1: It's it's kind of a weird thing. I mean, you

721
00:44:14,800 --> 00:44:16,880
Speaker 1: want to act like you're cool and you expected it,

722
00:44:17,120 --> 00:44:20,640
Speaker 1: and you know, you want to fit in with everybody else. Actually,

723
00:44:20,680 --> 00:44:23,800
Speaker 1: Mike the had the best advice. We were asking like

724
00:44:24,239 --> 00:44:26,640
Speaker 1: we've never done anything like this. We're going to the Grammys.

725
00:44:27,080 --> 00:44:29,320
Speaker 1: We gotta think about outfits. The labels asking us to

726
00:44:29,320 --> 00:44:31,600
Speaker 1: think about outfits, like what are we gonna wear? So

727
00:44:31,680 --> 00:44:34,040
Speaker 1: I call him Mike because BC Boys did it, I

728
00:44:34,080 --> 00:44:37,680
Speaker 1: mean they did it better than anybody else. And I

729
00:44:37,800 --> 00:44:40,759
Speaker 1: call him up with the advice and he says, well,

730
00:44:40,840 --> 00:44:43,160
Speaker 1: you know what, John the first thing we would do

731
00:44:43,800 --> 00:44:46,839
Speaker 1: is not ask anybody else for advice. That's the first

732
00:44:46,880 --> 00:44:49,920
Speaker 1: thing we would do. Second thing, your background at a

733
00:44:50,000 --> 00:44:52,600
Speaker 1: fashion show, you're you're on the bench. You do not

734
00:44:52,760 --> 00:44:55,880
Speaker 1: want to try to compete with Bieber or Halsey or

735
00:44:55,920 --> 00:44:58,640
Speaker 1: anybody else out there. And I thought that was just

736
00:44:58,840 --> 00:45:02,120
Speaker 1: the best way we could walk into that scenario. Yeah,

737
00:45:02,200 --> 00:45:04,800
Speaker 1: nobody cares about us. We're just We're just here. And

738
00:45:04,960 --> 00:45:09,160
Speaker 1: what's been the the biggest tour moment, Like where you're

739
00:45:09,200 --> 00:45:11,879
Speaker 1: on stage like the most amount of people who played

740
00:45:12,040 --> 00:45:15,080
Speaker 1: for and they're like singing your fucking song like they're

741
00:45:15,120 --> 00:45:20,719
Speaker 1: anticipating your music like that. Ship is crazy that It's

742
00:45:20,760 --> 00:45:25,640
Speaker 1: always been everything, honestly the entire career of our band.

743
00:45:25,920 --> 00:45:28,920
Speaker 1: Every every couple of weeks we hit this milestone where

744
00:45:28,920 --> 00:45:31,040
Speaker 1: it's like, like, oh, ship we made it. Was the

745
00:45:31,080 --> 00:45:34,000
Speaker 1: first time the first time we went to New York City,

746
00:45:34,040 --> 00:45:36,080
Speaker 1: I've never been there before, and we we played a

747
00:45:36,120 --> 00:45:38,799
Speaker 1: show and I see people singing our words back as

748
00:45:38,880 --> 00:45:40,360
Speaker 1: I'm like, funk, we made it. The first time I

749
00:45:40,400 --> 00:45:42,719
Speaker 1: went to Europe and played a show, like Ship we

750
00:45:42,840 --> 00:45:45,600
Speaker 1: made it. There's a there's a million little things that

751
00:45:45,719 --> 00:45:49,000
Speaker 1: just keeps on, keeps on going and keep just want

752
00:45:49,040 --> 00:45:50,920
Speaker 1: to do. That's kind of what keeps you going is

753
00:45:51,000 --> 00:45:53,080
Speaker 1: like you you kind of have to be competitive. I

754
00:45:53,160 --> 00:45:56,520
Speaker 1: feel like in music especially like and everything, you've gotta

755
00:45:56,560 --> 00:45:58,840
Speaker 1: be competitive. You gotta say like, oh, we made it

756
00:45:58,920 --> 00:46:01,440
Speaker 1: to New York City, it's next, we got we went

757
00:46:01,480 --> 00:46:03,600
Speaker 1: to Europe? What's next? What are we gonna do? I

758
00:46:03,640 --> 00:46:06,880
Speaker 1: mean that's the kind of the the double edged. So

759
00:46:07,239 --> 00:46:09,279
Speaker 1: like you you win when a Grammy, like what are

760
00:46:09,320 --> 00:46:11,760
Speaker 1: we gonna do? We gotta try to win another Grammy?

761
00:46:12,160 --> 00:46:14,440
Speaker 1: Like we gotta beat that now, So so what do

762
00:46:14,520 --> 00:46:16,440
Speaker 1: you do with that? Like you had such a huge

763
00:46:16,960 --> 00:46:21,919
Speaker 1: success with the song. It played in the Oscars commercial. Yeah,

764
00:46:22,160 --> 00:46:25,240
Speaker 1: when I was watching the Oscars live in the moment

765
00:46:25,440 --> 00:46:29,920
Speaker 1: was in that what Acapella Street like March and then

766
00:46:30,280 --> 00:46:32,520
Speaker 1: the next what was was a T mobile commercial or

767
00:46:32,520 --> 00:46:34,960
Speaker 1: something like that, and then the next fucking commercial comes

768
00:46:35,040 --> 00:46:37,560
Speaker 1: on and feel It stills on that commercial And I

769
00:46:37,680 --> 00:46:40,080
Speaker 1: was just sitting there with my friends like damn, like

770
00:46:40,680 --> 00:46:43,280
Speaker 1: talking about you know you made it when you fucking

771
00:46:43,360 --> 00:46:47,840
Speaker 1: two different songs that you've made the version, And my

772
00:46:48,000 --> 00:46:50,360
Speaker 1: question is like how much should we make for that? Like?

773
00:46:50,520 --> 00:46:53,239
Speaker 1: Like what was that? Weird question? To fucking what are

774
00:46:53,280 --> 00:46:56,440
Speaker 1: you ten years old? How much? How much your songs

775
00:46:56,480 --> 00:47:02,719
Speaker 1: in the Oscars and made one know, but like how

776
00:47:02,800 --> 00:47:05,200
Speaker 1: does that like do you know those commercials are being made?

777
00:47:05,200 --> 00:47:07,239
Speaker 1: They're like do you know they're doing like an acapella version?

778
00:47:07,280 --> 00:47:08,839
Speaker 1: Like does that go through the record label? Or they

779
00:47:08,920 --> 00:47:11,120
Speaker 1: calling you guys up and like are you like sitting

780
00:47:11,160 --> 00:47:14,160
Speaker 1: there going what the funk? Like? I mean the Oscars

781
00:47:14,200 --> 00:47:18,040
Speaker 1: in the super Bowl probably the two biggest advertising moments

782
00:47:18,360 --> 00:47:20,400
Speaker 1: of the year. Do you know this is like these

783
00:47:20,440 --> 00:47:23,279
Speaker 1: commercials are gonna come on during that time? Yeah, I

784
00:47:23,320 --> 00:47:26,520
Speaker 1: mean so we're we're in Portland. We have wide Nick

785
00:47:26,600 --> 00:47:29,560
Speaker 1: Kennedy out there, Nike, Adidas, like, we have all these

786
00:47:29,960 --> 00:47:33,279
Speaker 1: friends that work in advertising. And it's something that growing

787
00:47:33,360 --> 00:47:36,160
Speaker 1: up in Alaska we didn't have record stores, like we

788
00:47:36,600 --> 00:47:41,560
Speaker 1: found music through commercials, through movies, through TV shows. This

789
00:47:41,719 --> 00:47:44,040
Speaker 1: is how we found music. And this is why, like

790
00:47:44,200 --> 00:47:47,560
Speaker 1: the whole sellout argument is so ridiculous to us, Like

791
00:47:48,239 --> 00:47:51,439
Speaker 1: any way we can show kids music is rad Having

792
00:47:51,520 --> 00:47:54,560
Speaker 1: friends and advertising is even better because we can actually

793
00:47:55,280 --> 00:47:58,399
Speaker 1: kind of be involved in the process and say hell yeah,

794
00:47:58,440 --> 00:48:01,399
Speaker 1: you're gonna make a marching and version of of living

795
00:48:01,440 --> 00:48:05,000
Speaker 1: the moment. Yeah, we want to do that like Catallact

796
00:48:05,000 --> 00:48:08,040
Speaker 1: commercial shadow, like referencing the Jet sins and back to

797
00:48:08,120 --> 00:48:10,640
Speaker 1: the future. That's everything we grew up with. Hell yeah,

798
00:48:10,680 --> 00:48:12,759
Speaker 1: we'll do that. How do you say no to I mean, like,

799
00:48:12,920 --> 00:48:14,800
Speaker 1: why would you say no to that? And did this

800
00:48:14,960 --> 00:48:17,439
Speaker 1: sellout idea? Because you guys have had fans. I'm sure

801
00:48:17,480 --> 00:48:19,960
Speaker 1: you've had like there's like an incubation of you know,

802
00:48:20,719 --> 00:48:23,080
Speaker 1: Day one fans, and they're probably like you sold out,

803
00:48:23,120 --> 00:48:26,680
Speaker 1: you sold and and I'm like, I mean personally, I'm like, motherfucker,

804
00:48:26,719 --> 00:48:29,439
Speaker 1: I didn't do this ship to just have like bad

805
00:48:29,520 --> 00:48:32,400
Speaker 1: Ham and cheese. Like this is my fucking job, you

806
00:48:32,480 --> 00:48:34,200
Speaker 1: know what I mean, just like anybody else's job, whether

807
00:48:34,239 --> 00:48:37,160
Speaker 1: you're working in the fucking Starbucks, the gas station, you're

808
00:48:37,200 --> 00:48:39,279
Speaker 1: looking for the come up, Where do you work? What

809
00:48:39,360 --> 00:48:42,560
Speaker 1: do you what do you do exactly? What you would

810
00:48:42,560 --> 00:48:44,040
Speaker 1: you rather? Like, you know, you want me to eat

811
00:48:44,080 --> 00:48:45,560
Speaker 1: bad ham and cheese. You want me to like be

812
00:48:45,560 --> 00:48:47,920
Speaker 1: eat some like some fly vegan ship in Beverly Eels.

813
00:48:48,120 --> 00:48:49,879
Speaker 1: So how do you guys deal with that? In terms

814
00:48:49,920 --> 00:48:52,680
Speaker 1: of your rationale? And because your your goal was to

815
00:48:52,840 --> 00:48:56,000
Speaker 1: never have this, you know, crazy success like your the

816
00:48:56,120 --> 00:48:59,000
Speaker 1: sound of your early music is it's dirty. You know,

817
00:48:59,080 --> 00:49:01,360
Speaker 1: it's indie, it's the band. How do you sort of

818
00:49:01,400 --> 00:49:03,800
Speaker 1: wrap your head around that? And the second part of it,

819
00:49:04,120 --> 00:49:06,040
Speaker 1: if you could remember, and I'll try to remember, is

820
00:49:06,080 --> 00:49:09,520
Speaker 1: like where do we go? Where do you go from here? When?

821
00:49:09,640 --> 00:49:12,360
Speaker 1: When the bar has been set so fucking high down,

822
00:49:13,160 --> 00:49:15,759
Speaker 1: it's just a fucking slick bottom. We know where we're

823
00:49:15,760 --> 00:49:19,759
Speaker 1: gonna end up every single day. It's well, I guess

824
00:49:19,880 --> 00:49:22,040
Speaker 1: that's it. Yeah, that's it. We're just gonna try to

825
00:49:22,200 --> 00:49:26,160
Speaker 1: keep hanging on. Uh No, man, it's um when it

826
00:49:26,200 --> 00:49:28,920
Speaker 1: comes to the sellad bullshit. I I always say it's

827
00:49:28,960 --> 00:49:31,760
Speaker 1: working weird when somebody gets piste off at that because

828
00:49:32,120 --> 00:49:34,719
Speaker 1: they're clearly watching it, and they'll say, I saw you

829
00:49:34,760 --> 00:49:38,040
Speaker 1: on this commercial. Boo, you're clearly watching the game or

830
00:49:38,080 --> 00:49:40,360
Speaker 1: doing whatever. I'm like, I always ask, what would you

831
00:49:40,560 --> 00:49:42,680
Speaker 1: rather hear? Are you saying you would rather hear something

832
00:49:42,760 --> 00:49:45,160
Speaker 1: that you don't like? That makes no sense to me?

833
00:49:45,680 --> 00:49:49,480
Speaker 1: I want I would like everything to be cool, every commercial,

834
00:49:49,560 --> 00:49:52,960
Speaker 1: every radio station to play good music. And so it's

835
00:49:53,000 --> 00:49:55,799
Speaker 1: our part. It's not making us look shittier, it's making

836
00:49:55,840 --> 00:49:59,680
Speaker 1: whatever we're doing cooler. Let's make fucking TV cool. Let's

837
00:49:59,680 --> 00:50:02,600
Speaker 1: make video cool. I would love for the mainstream to

838
00:50:02,719 --> 00:50:06,600
Speaker 1: be fucking dope. Everything is that the mainstream is, you know,

839
00:50:06,680 --> 00:50:09,400
Speaker 1: ship and some of the stuff definitely is. And so

840
00:50:09,800 --> 00:50:12,600
Speaker 1: but it it's all good, that'd be fucking rad And

841
00:50:12,840 --> 00:50:15,600
Speaker 1: and what about going forward with these two big I mean,

842
00:50:15,640 --> 00:50:17,719
Speaker 1: I remember I think I d M do some when

843
00:50:17,719 --> 00:50:19,440
Speaker 1: I saw it during the football game. I was doing

844
00:50:19,520 --> 00:50:21,960
Speaker 1: something for football because I'm a senior fantasy football, and

845
00:50:22,320 --> 00:50:25,800
Speaker 1: I was like, oh shit, like I was tripping that,

846
00:50:25,960 --> 00:50:29,080
Speaker 1: Like it was like during the NFL are the expectations

847
00:50:29,239 --> 00:50:31,960
Speaker 1: of your of your record label, like what's going to

848
00:50:32,040 --> 00:50:33,719
Speaker 1: be the next hit? How do you even like sort

849
00:50:33,719 --> 00:50:35,680
Speaker 1: of wrap your head around sort of matching that, because

850
00:50:35,680 --> 00:50:38,719
Speaker 1: it's it's hard to fucking do you know, it's hard

851
00:50:38,800 --> 00:50:41,359
Speaker 1: to like catch lightning in a bottle? Oh, it's it's

852
00:50:41,440 --> 00:50:43,800
Speaker 1: it's impossible. I mean, we know so many people that

853
00:50:44,680 --> 00:50:47,520
Speaker 1: we've worked with, songwriters, we've we've done on that, and

854
00:50:48,040 --> 00:50:51,439
Speaker 1: just watching the way they work, you cannot predict something

855
00:50:51,560 --> 00:50:55,239
Speaker 1: like this. If these idiots US could come up and

856
00:50:55,880 --> 00:50:59,040
Speaker 1: take number one at pop radio, then the pop producers

857
00:50:59,080 --> 00:51:01,840
Speaker 1: have no clue what's happen? Thing I mean, you cannot

858
00:51:01,960 --> 00:51:05,480
Speaker 1: predict it, and that's kind of where we're at right now.

859
00:51:05,560 --> 00:51:08,560
Speaker 1: It's fun. Yeah, we're gonna try. I mean, that's that's

860
00:51:08,560 --> 00:51:10,840
Speaker 1: all you could do, is just try harder. And I

861
00:51:10,920 --> 00:51:13,480
Speaker 1: want to go into the studio with people that we respect.

862
00:51:13,560 --> 00:51:15,719
Speaker 1: I mean, that's that's the whole goal at the end

863
00:51:15,719 --> 00:51:18,600
Speaker 1: of the day, is I want to take this opportunity

864
00:51:18,680 --> 00:51:20,960
Speaker 1: to work with people that we like and we respect,

865
00:51:21,320 --> 00:51:23,520
Speaker 1: and not just because you had a hit, not just

866
00:51:23,640 --> 00:51:26,160
Speaker 1: because you can write those songs. We want to work

867
00:51:26,200 --> 00:51:28,440
Speaker 1: with people that we want to be around. Tell me

868
00:51:28,560 --> 00:51:31,279
Speaker 1: how that song came about? Feel it? Like? Still, how

869
00:51:31,360 --> 00:51:33,880
Speaker 1: did it come about? Like was it a chord? Is

870
00:51:33,920 --> 00:51:36,400
Speaker 1: it a riff? Because I can't write ship? You know,

871
00:51:36,520 --> 00:51:38,719
Speaker 1: I'm not musical at all. I love music, Like does

872
00:51:38,760 --> 00:51:41,520
Speaker 1: it's walk me through that the process of the song.

873
00:51:41,600 --> 00:51:43,160
Speaker 1: I don't really want to say it was an accident,

874
00:51:43,920 --> 00:51:46,080
Speaker 1: but sort of it was. We were actually working on

875
00:51:46,080 --> 00:51:47,840
Speaker 1: another song. We were working on Living the Moment. We

876
00:51:47,920 --> 00:51:50,000
Speaker 1: were doing a different mix and or a different editor

877
00:51:50,080 --> 00:51:52,399
Speaker 1: Living the Moment, and John's kind of took a break

878
00:51:52,440 --> 00:51:54,360
Speaker 1: and picked up a baseline like in the Lounge and

879
00:51:54,400 --> 00:51:55,759
Speaker 1: the in the Couch in a different room in the

880
00:51:55,840 --> 00:51:58,320
Speaker 1: studio and he started like kind of sucking around and

881
00:51:58,360 --> 00:52:01,759
Speaker 1: playing that baseline, and then our butt Acedony from from

882
00:52:01,800 --> 00:52:04,880
Speaker 1: Electric Guest who was also there working on his own stuff.

883
00:52:05,840 --> 00:52:07,200
Speaker 1: He's kind of came up and he was like, hey,

884
00:52:07,280 --> 00:52:08,759
Speaker 1: let me throw a mike on the bass ample, let

885
00:52:08,800 --> 00:52:11,960
Speaker 1: me let me track that real quick. And then he

886
00:52:12,080 --> 00:52:14,439
Speaker 1: started just kind of he was like, yeah, I guess

887
00:52:14,440 --> 00:52:16,719
Speaker 1: some Cornetita has get some lyric ideas. He's just like, hey,

888
00:52:16,800 --> 00:52:19,080
Speaker 1: let's write a song. It was almost annoying at first,

889
00:52:19,160 --> 00:52:21,960
Speaker 1: like yeah, yeah, cute, but we're actually, yeah, we're still

890
00:52:21,960 --> 00:52:24,359
Speaker 1: working on this on this track, you know, the last

891
00:52:24,400 --> 00:52:26,080
Speaker 1: thing we need right now is another song. We had

892
00:52:26,120 --> 00:52:30,480
Speaker 1: like fucking sixty five songs for this that we're stacking up.

893
00:52:30,520 --> 00:52:32,000
Speaker 1: The last thing we need to do is write another one.

894
00:52:32,080 --> 00:52:35,720
Speaker 1: But it was He's made it really fun. We started,

895
00:52:35,800 --> 00:52:37,680
Speaker 1: we started writing off the top of the head like

896
00:52:37,760 --> 00:52:39,759
Speaker 1: it doesn't We would't even write any lyrics down. I

897
00:52:39,800 --> 00:52:42,360
Speaker 1: was just like we kind of hit record. Yeah, we

898
00:52:42,719 --> 00:52:44,920
Speaker 1: The whole thing happened about forty five minutes or an hour.

899
00:52:45,239 --> 00:52:47,600
Speaker 1: That song was made that fast. And you always hear that,

900
00:52:47,680 --> 00:52:50,279
Speaker 1: you know, with like incredible songs they're they're done in

901
00:52:50,360 --> 00:52:52,759
Speaker 1: fifteen minutes or it fucking came to me in a

902
00:52:52,880 --> 00:52:55,399
Speaker 1: dream or whatever it is, and like that's usually the case.

903
00:52:55,600 --> 00:52:58,279
Speaker 1: But no, right, no writing down, like you're just sort

904
00:52:58,320 --> 00:53:04,200
Speaker 1: of doing it jazy minute, I got it. You hear

905
00:53:04,239 --> 00:53:10,080
Speaker 1: the beat like, no, it's funny, man. Just the way

906
00:53:10,160 --> 00:53:12,920
Speaker 1: the whole thing came about was this this guy Asa,

907
00:53:13,280 --> 00:53:15,279
Speaker 1: who is that h He plays in a band called

908
00:53:15,320 --> 00:53:19,680
Speaker 1: Electric Guests, and um, he's he's just like a really positive,

909
00:53:19,840 --> 00:53:23,640
Speaker 1: fun dude. He makes really great music. I mean, it's

910
00:53:23,680 --> 00:53:25,320
Speaker 1: a weird thing when you're in the studio and another

911
00:53:25,480 --> 00:53:29,480
Speaker 1: artist overhears what you're doing and steps over and says, yo, Jake,

912
00:53:29,520 --> 00:53:31,480
Speaker 1: can I can I record that real quick? Can you

913
00:53:31,520 --> 00:53:33,600
Speaker 1: play something for the bridge? So we were just kind

914
00:53:33,640 --> 00:53:35,319
Speaker 1: of like ripping off of each other, and he handed

915
00:53:35,320 --> 00:53:38,000
Speaker 1: me a mic and said, sing something. And what's the

916
00:53:38,080 --> 00:53:40,719
Speaker 1: first thing you saying? It was, I can't keep my

917
00:53:40,800 --> 00:53:47,040
Speaker 1: hands to myself, keep my hands on myself. He felt

918
00:53:47,080 --> 00:53:51,160
Speaker 1: just the move foot on that show. He's a little

919
00:53:51,200 --> 00:53:55,719
Speaker 1: bitby girl, listen to me, I'm not coming. I was

920
00:53:55,760 --> 00:53:58,960
Speaker 1: thinking about my daughter. I was thinking about like raising

921
00:53:59,040 --> 00:54:02,239
Speaker 1: my daughter, and then that led me to well, what

922
00:54:02,520 --> 00:54:04,959
Speaker 1: what is this whole thing? Like, weren't we like punk

923
00:54:05,080 --> 00:54:07,200
Speaker 1: rock kids? And we were punk rock kids at one point?

924
00:54:07,719 --> 00:54:09,239
Speaker 1: And it kind of brought me back to this lyric

925
00:54:09,280 --> 00:54:11,600
Speaker 1: that I had written with Mike actually, like Mike d

926
00:54:12,280 --> 00:54:14,840
Speaker 1: the rebel just for kicks. I had this live for

927
00:54:14,920 --> 00:54:17,480
Speaker 1: like five years and it had just been sitting there

928
00:54:17,520 --> 00:54:19,319
Speaker 1: like we had thrown it at things it didn't work,

929
00:54:19,800 --> 00:54:22,000
Speaker 1: And I threw that out there and it reminded me

930
00:54:22,120 --> 00:54:27,400
Speaker 1: like George Carlin's whole, like his take on politics and religion.

931
00:54:27,600 --> 00:54:29,520
Speaker 1: He'll like give you this whole, like he'll break down

932
00:54:29,840 --> 00:54:31,800
Speaker 1: everything that you need to know about politics and the

933
00:54:31,840 --> 00:54:34,840
Speaker 1: way it works and the way money works, where religion works.

934
00:54:35,080 --> 00:54:37,080
Speaker 1: And then he'll end his whole bit with yeah, but

935
00:54:37,120 --> 00:54:39,719
Speaker 1: I'm not I don't vote, you know, he doesn't vote.

936
00:54:39,840 --> 00:54:42,520
Speaker 1: He's just he is that rebel just for kicks. I mean,

937
00:54:42,600 --> 00:54:52,840
Speaker 1: that is that thing. Oh my rebels kicks sixty feelings

938
00:55:00,000 --> 00:55:07,279
Speaker 1: thinking it's not easy, still feeling step and just the

939
00:55:07,320 --> 00:55:10,040
Speaker 1: way everything was flowing. It just felt like that's kind

940
00:55:10,080 --> 00:55:12,200
Speaker 1: of what we're doing. Like I'm raising a kid at home,

941
00:55:12,360 --> 00:55:14,360
Speaker 1: I gotta go out on tour, Like when am I

942
00:55:14,400 --> 00:55:16,040
Speaker 1: going to see you? Again, I just gotta go and

943
00:55:16,120 --> 00:55:17,560
Speaker 1: do this and then I gotta go back to being

944
00:55:17,600 --> 00:55:22,440
Speaker 1: a dad. So yeah, it was just everything was flowing

945
00:55:22,480 --> 00:55:25,000
Speaker 1: off the top of the head. My favorite part though,

946
00:55:25,080 --> 00:55:28,800
Speaker 1: is ass part in the bridge is the is it coming? Like?

947
00:55:29,160 --> 00:55:32,800
Speaker 1: Is it coming? When he did that, he was literally

948
00:55:32,920 --> 00:55:35,200
Speaker 1: sitting in front of my face trying to get me

949
00:55:35,280 --> 00:55:42,400
Speaker 1: to write lyrics for the broke? Is it dancing in

950
00:55:42,520 --> 00:55:47,040
Speaker 1: my face? When you guys finished that, then what happens

951
00:55:47,120 --> 00:55:49,600
Speaker 1: like with a song, like you're like, this is pretty good,

952
00:55:50,000 --> 00:55:52,160
Speaker 1: Then what happens You take what you recorded in this

953
00:55:52,360 --> 00:55:54,600
Speaker 1: hour hour and a half, let's say hour hour and

954
00:55:54,640 --> 00:55:57,239
Speaker 1: a half ninety minutes, and then what happens? Then we

955
00:55:57,360 --> 00:56:01,320
Speaker 1: overthink everything for about three months, change absolutely everything about it,

956
00:56:01,440 --> 00:56:04,640
Speaker 1: redo all this ship, and then once we've exhausted every

957
00:56:04,760 --> 00:56:07,560
Speaker 1: possible option, we go. We go back to just what

958
00:56:07,640 --> 00:56:09,480
Speaker 1: it was in the first place, pretty much. And then

959
00:56:09,520 --> 00:56:12,200
Speaker 1: you're like, this is a good fucking song? Is it

960
00:56:12,320 --> 00:56:14,640
Speaker 1: our best song? Like this is gonna be dope? This

961
00:56:14,800 --> 00:56:17,120
Speaker 1: is like, now I don't know all your work? Is this?

962
00:56:17,360 --> 00:56:21,279
Speaker 1: How much different is that song from your first good song?

963
00:56:21,520 --> 00:56:24,239
Speaker 1: Like the sound of it, it wasn't that we knew

964
00:56:24,280 --> 00:56:27,840
Speaker 1: we had something good. You knew it was good, but

965
00:56:27,920 --> 00:56:29,400
Speaker 1: I thought, I was like, I bet this will do

966
00:56:29,520 --> 00:56:33,080
Speaker 1: pretty well at alternative radio. No clue when they we

967
00:56:33,239 --> 00:56:35,480
Speaker 1: met a whole different side of our record label where

968
00:56:35,680 --> 00:56:37,800
Speaker 1: people came out of a different there's a different building,

969
00:56:37,840 --> 00:56:41,279
Speaker 1: there's a whole different floor of Yeah, the people that

970
00:56:41,360 --> 00:56:43,239
Speaker 1: work with the successful people. We never thought we were

971
00:56:43,239 --> 00:56:45,680
Speaker 1: gonna meet you, guys, we're super tight. They all came

972
00:56:45,719 --> 00:56:47,960
Speaker 1: into like this is the pop side. We're gonna We're

973
00:56:47,960 --> 00:56:50,759
Speaker 1: gonna try to take you to top forty radio. And

974
00:56:50,840 --> 00:56:53,799
Speaker 1: I was like, I'm thirty, we're thirty six. Were from

975
00:56:53,840 --> 00:56:57,920
Speaker 1: WASI Alaska? I know this audio. I don't for anybody listening.

976
00:56:58,120 --> 00:57:01,360
Speaker 1: I don't look like a conventional pop star, you know.

977
00:57:01,600 --> 00:57:03,759
Speaker 1: And people could see that say it again, Yes, yes,

978
00:57:04,320 --> 00:57:08,680
Speaker 1: I I am a pop star to star this guys,

979
00:57:09,520 --> 00:57:12,280
Speaker 1: I gotta no socker ruling guys, where by being forced

980
00:57:12,480 --> 00:57:15,920
Speaker 1: to wear sneakers, that happen we're sneakers. It's like they

981
00:57:15,960 --> 00:57:17,360
Speaker 1: told us that we're gonna do that. I was like,

982
00:57:17,520 --> 00:57:19,920
Speaker 1: I just kept thinking about Tommy Boys. It's like selling

983
00:57:19,960 --> 00:57:22,240
Speaker 1: a catchup popsicle to a woman in white gloves kind

984
00:57:22,280 --> 00:57:25,320
Speaker 1: of ship. It was like you're taking us to pop radio,

985
00:57:26,240 --> 00:57:28,880
Speaker 1: have fun, like good luck turns out they're really good

986
00:57:28,920 --> 00:57:31,840
Speaker 1: at their job and people yeah yeah and uh and

987
00:57:32,120 --> 00:57:36,680
Speaker 1: it took off and we just couldn't. It is fucking awesome.

988
00:57:36,720 --> 00:57:38,000
Speaker 1: It was fun. We've been having a lot of fun

989
00:57:38,040 --> 00:57:40,160
Speaker 1: with it, with the with the lyrics of that song,

990
00:57:40,360 --> 00:57:45,200
Speaker 1: like how crazy are you with changing lyrics? Like are

991
00:57:45,520 --> 00:57:48,280
Speaker 1: like it could come out in a week there? Like okay,

992
00:57:48,360 --> 00:57:49,680
Speaker 1: that song is coming out in a week from now.

993
00:57:49,880 --> 00:57:53,240
Speaker 1: Are you still like neurotic and working on those lyrics?

994
00:57:53,280 --> 00:57:55,640
Speaker 1: Are you like the type of person that's like, all right,

995
00:57:55,680 --> 00:57:59,200
Speaker 1: I've written the lyrics. That's done, and that's that's final. Well,

996
00:57:59,280 --> 00:58:02,320
Speaker 1: that's the way rock it's it's really strange to me,

997
00:58:02,400 --> 00:58:06,160
Speaker 1: like the way rock and roll works versus like hip hop.

998
00:58:06,560 --> 00:58:08,880
Speaker 1: Like hip hop artists will put out they'll change it

999
00:58:09,120 --> 00:58:11,840
Speaker 1: up until the day it comes out, Like they'll write

1000
00:58:11,880 --> 00:58:14,400
Speaker 1: a song tonight and put it out tomorrow morning. And

1001
00:58:14,480 --> 00:58:17,040
Speaker 1: I think that is the way music should work. I mean,

1002
00:58:17,160 --> 00:58:20,200
Speaker 1: music should be very much in the moment, and it

1003
00:58:20,240 --> 00:58:22,919
Speaker 1: should be of today. If you put it out six

1004
00:58:22,960 --> 00:58:27,560
Speaker 1: months from now, it's relevant, irrelevant. Typically the label and

1005
00:58:27,800 --> 00:58:30,160
Speaker 1: the way you market things, they would want an album,

1006
00:58:30,600 --> 00:58:32,800
Speaker 1: you know, six months in advance, three months in advance,

1007
00:58:32,880 --> 00:58:35,000
Speaker 1: they could do the promo and and like hype it

1008
00:58:35,120 --> 00:58:38,880
Speaker 1: up and everything. With this this record, We're really lucky

1009
00:58:39,040 --> 00:58:42,640
Speaker 1: to be tight with Craig Common and Julie Greenwald who

1010
00:58:42,760 --> 00:58:46,720
Speaker 1: is that, uh, the heads of Atlantic Records, and they're

1011
00:58:46,760 --> 00:58:50,960
Speaker 1: just really really fucking good people, and they let us

1012
00:58:51,080 --> 00:58:52,880
Speaker 1: do what we wanted, and what we wanted to do

1013
00:58:53,240 --> 00:58:56,280
Speaker 1: was right up until the record came out. It doesn't

1014
00:58:56,320 --> 00:58:59,760
Speaker 1: make any sense to be like, right, it's good. I mean,

1015
00:58:59,800 --> 00:59:01,840
Speaker 1: you have so many afterthoughts. How many artists have like

1016
00:59:01,920 --> 00:59:04,800
Speaker 1: afterthoughts when you put ship together, You're like, man, I

1017
00:59:04,840 --> 00:59:06,760
Speaker 1: wish I had changed that guitar. I wish I had

1018
00:59:06,840 --> 00:59:09,000
Speaker 1: changed that lyric the time. And when you're done with

1019
00:59:09,080 --> 00:59:12,800
Speaker 1: an album and then waiting for it to actually release,

1020
00:59:13,560 --> 00:59:17,640
Speaker 1: we turn into fucking psychopaths. It's horrible because and and

1021
00:59:17,880 --> 00:59:19,400
Speaker 1: so you just need to put it out. What it's like.

1022
00:59:19,480 --> 00:59:21,280
Speaker 1: If let's say we did a song right here, right

1023
00:59:21,320 --> 00:59:23,640
Speaker 1: like we came up with the next banger. We just

1024
00:59:23,760 --> 00:59:26,680
Speaker 1: fucking do it. I'm rhyming. You guys are doing it.

1025
00:59:26,840 --> 00:59:30,320
Speaker 1: Dean's on the fucking lead vocals. You're playing the fucking bass.

1026
00:59:31,480 --> 00:59:34,400
Speaker 1: How long does it take to get a song mixed,

1027
00:59:34,480 --> 00:59:36,560
Speaker 1: whatever the funk you do to it and get it out,

1028
00:59:37,920 --> 00:59:40,120
Speaker 1: like literally, can we get it out tomorrow? People will

1029
00:59:40,160 --> 00:59:42,400
Speaker 1: try to tell you that it takes months, but it doesn't.

1030
00:59:42,520 --> 00:59:44,000
Speaker 1: It could just just do what you want to put

1031
00:59:44,040 --> 00:59:46,959
Speaker 1: it out. The problem is vinyl takes like four months,

1032
00:59:47,360 --> 00:59:49,960
Speaker 1: lakes forever, and so that's the problem. Do you wait

1033
00:59:50,040 --> 00:59:52,520
Speaker 1: up for vinyl if you have something, especially we always

1034
00:59:52,560 --> 00:59:54,480
Speaker 1: we always had, but on this, on this one, we

1035
00:59:54,560 --> 00:59:56,360
Speaker 1: just needed to put it out. We were changing things

1036
00:59:56,400 --> 00:59:58,520
Speaker 1: and riding up until the last minute, so we didn't.

1037
00:59:58,520 --> 01:00:00,960
Speaker 1: Actually John had a pretty good idea. We actually put

1038
01:00:01,000 --> 01:00:04,520
Speaker 1: out a a no vinyl special edition. We made like

1039
01:00:04,680 --> 01:00:07,800
Speaker 1: the the sleeve, the artwork, it just didn't actually have

1040
01:00:08,960 --> 01:00:11,840
Speaker 1: record in it. And it came that's some fucking hustle.

1041
01:00:12,960 --> 01:00:15,600
Speaker 1: We're gonna sell you a record with no record, asshole.

1042
01:00:15,640 --> 01:00:17,680
Speaker 1: It was pretty It was pretty good because we wanted

1043
01:00:17,800 --> 01:00:20,640
Speaker 1: Obviously our fans love, we love putting out a vital

1044
01:00:20,680 --> 01:00:23,240
Speaker 1: We're very into it. But we just it's either that

1045
01:00:23,360 --> 01:00:26,960
Speaker 1: either wait four months or so. I thought that was

1046
01:00:26,960 --> 01:00:29,920
Speaker 1: a pretty funny idea, and it came with the download

1047
01:00:29,920 --> 01:00:32,920
Speaker 1: code and ship. You just buy the cover and then

1048
01:00:33,000 --> 01:00:34,520
Speaker 1: we're like, it's gonna be a couple of months in

1049
01:00:34,520 --> 01:00:36,360
Speaker 1: the actual vitle. Sorry, but we just want to put

1050
01:00:36,360 --> 01:00:38,200
Speaker 1: out this music so well, it's good to like put

1051
01:00:38,240 --> 01:00:40,680
Speaker 1: it out, you know, while you're hot on it, while

1052
01:00:40,720 --> 01:00:42,720
Speaker 1: it's got the momentum, because if you sit on it

1053
01:00:42,840 --> 01:00:45,560
Speaker 1: for so long, that's another thing, like how much did

1054
01:00:45,640 --> 01:00:49,000
Speaker 1: you lose perspective on feel it's still especially with that

1055
01:00:49,080 --> 01:00:51,160
Speaker 1: song where it's like this is a fucking dope song.

1056
01:00:51,280 --> 01:00:53,920
Speaker 1: Everyone's everyone's hot on this song, the band likes it,

1057
01:00:54,240 --> 01:00:56,080
Speaker 1: and then months go buy and you're changing things and

1058
01:00:56,120 --> 01:00:58,120
Speaker 1: you start losing perspective like is this a good song?

1059
01:00:58,240 --> 01:01:00,760
Speaker 1: Like like do you hate it? After? You always question

1060
01:01:00,800 --> 01:01:02,920
Speaker 1: because you just hear it so many times exactly. You know,

1061
01:01:03,000 --> 01:01:05,440
Speaker 1: you could stare at anything, you know, you could um,

1062
01:01:06,360 --> 01:01:09,480
Speaker 1: you could stare at the most beautiful painting, and after

1063
01:01:09,520 --> 01:01:12,000
Speaker 1: a while it just becomes a gray, emotional less blob

1064
01:01:12,120 --> 01:01:15,120
Speaker 1: to you, and so you completely lose perspective while we're

1065
01:01:15,160 --> 01:01:17,360
Speaker 1: in it. We've just heard everything so many times, we've

1066
01:01:17,400 --> 01:01:20,480
Speaker 1: tried everything, and you're always doubt yourself, like is this

1067
01:01:20,680 --> 01:01:23,520
Speaker 1: even good? Is this ship? And you show people that

1068
01:01:23,680 --> 01:01:26,000
Speaker 1: no man, this is this is good. Come on, really,

1069
01:01:26,240 --> 01:01:28,520
Speaker 1: I've heard the sing a thousand times. I just want

1070
01:01:28,560 --> 01:01:32,800
Speaker 1: to sucking gouge, like just stick wanted to my ears. Yeah,

1071
01:01:33,040 --> 01:01:41,280
Speaker 1: but it's uh, it's it's Mr Postman. That is I

1072
01:01:41,320 --> 01:01:43,760
Speaker 1: didn't I didn't hear that at all until you mentioned that.

1073
01:01:44,320 --> 01:01:46,760
Speaker 1: Talk speak on that, because I heard you talk about that. Yeah.

1074
01:01:46,800 --> 01:01:50,080
Speaker 1: So the melody in the chorus is the marvel tts

1075
01:01:50,160 --> 01:01:53,080
Speaker 1: Mr Postman. And this this to me, this is where

1076
01:01:53,320 --> 01:01:56,560
Speaker 1: music comes from, like like folk songs like people like

1077
01:01:57,240 --> 01:02:00,680
Speaker 1: Pete Seeger, Bob Dylan, Uh what he got Red? Like

1078
01:02:00,880 --> 01:02:03,440
Speaker 1: all these folk artists where where a lot of this started,

1079
01:02:03,560 --> 01:02:07,080
Speaker 1: and and blues artists lead belly. It's it's all about storytelling.

1080
01:02:07,160 --> 01:02:10,040
Speaker 1: It's about It's why all the progressions are the same too,

1081
01:02:10,160 --> 01:02:13,360
Speaker 1: Like it was people traveling across the country telling stories

1082
01:02:13,360 --> 01:02:17,040
Speaker 1: about their lives and then handing that melody off to whoever,

1083
01:02:17,320 --> 01:02:20,320
Speaker 1: like you know, Billy and in Idaho Falls. They give

1084
01:02:20,360 --> 01:02:22,320
Speaker 1: it to somebody else and they write a new verse

1085
01:02:22,760 --> 01:02:26,440
Speaker 1: and and it becomes something new to me. That's that's

1086
01:02:26,440 --> 01:02:28,800
Speaker 1: something that's kind of gotten lost to music. Everybody likes

1087
01:02:28,840 --> 01:02:31,840
Speaker 1: to act like they're fully original and like they I

1088
01:02:31,960 --> 01:02:33,960
Speaker 1: wrote this out of no way. It came from my head.

1089
01:02:34,480 --> 01:02:37,360
Speaker 1: It's it all comes from somewhere. And with with the

1090
01:02:37,400 --> 01:02:40,400
Speaker 1: marvel Ettes, with Mr Postman, it was this, this melody

1091
01:02:40,440 --> 01:02:43,800
Speaker 1: that's always just come with me everywhere I've gone. It's

1092
01:02:44,000 --> 01:02:46,800
Speaker 1: uh riding with my parents to get groceries. We grew

1093
01:02:46,880 --> 01:02:49,800
Speaker 1: up in Alaska, two hours to get groceries. I remember

1094
01:02:49,880 --> 01:02:53,000
Speaker 1: singing along with Mr Postman on the way to get groceries.

1095
01:02:53,320 --> 01:02:56,560
Speaker 1: And there's nothing cooler than being able to first of

1096
01:02:56,560 --> 01:02:58,920
Speaker 1: all clear it. With the marvel Etts, that's not easy

1097
01:02:59,240 --> 01:03:02,680
Speaker 1: like that gotta beta pay. Somebody got into something with

1098
01:03:03,520 --> 01:03:06,800
Speaker 1: that being similar to the Marveltte So we went straight

1099
01:03:06,840 --> 01:03:10,920
Speaker 1: to them before before as as you should. I mean,

1100
01:03:11,040 --> 01:03:13,160
Speaker 1: so many eyts. Again, you try to act like you

1101
01:03:13,320 --> 01:03:16,000
Speaker 1: just wrote that ship. I'm not gonna try to try

1102
01:03:16,040 --> 01:03:18,320
Speaker 1: to do that. And either way, I want to say

1103
01:03:18,440 --> 01:03:20,520
Speaker 1: thank you to the marvel Etts. I want to say

1104
01:03:20,600 --> 01:03:23,320
Speaker 1: thank you to their families for for writing such a

1105
01:03:23,400 --> 01:03:26,520
Speaker 1: brilliant song and a song that today we can give

1106
01:03:26,640 --> 01:03:28,600
Speaker 1: to kids in a new way, in a fresh way.

1107
01:03:29,240 --> 01:03:32,919
Speaker 1: It doesn't sound like the Marvelette. Something new. That's cool

1108
01:03:32,960 --> 01:03:35,400
Speaker 1: because it could be a you know, a Bitter Sweet

1109
01:03:35,440 --> 01:03:38,920
Speaker 1: Symphony Robin Thick song where they I mean, I heard

1110
01:03:38,960 --> 01:03:41,040
Speaker 1: that ship. I was like, this is obviously and I

1111
01:03:41,160 --> 01:03:44,640
Speaker 1: funk with more Farrell's my guy, that's my fucking dude.

1112
01:03:44,880 --> 01:03:48,000
Speaker 1: But I was like, this is Marvin. Yeah, yeah, I

1113
01:03:48,040 --> 01:03:50,640
Speaker 1: think it was blurred lines. I was like, this is Marvin.

1114
01:03:50,840 --> 01:03:52,200
Speaker 1: Like the first time I heard I thought they were

1115
01:03:52,240 --> 01:03:54,840
Speaker 1: like all the trouble for that. And I feel like

1116
01:03:54,920 --> 01:03:57,520
Speaker 1: that the king of just taking everybody's money and is

1117
01:03:57,840 --> 01:04:00,600
Speaker 1: Tom Petty like everyone rips off Tom Petty. I feel

1118
01:04:00,640 --> 01:04:04,000
Speaker 1: like he's he's gotten into so many different lawsuits when

1119
01:04:04,080 --> 01:04:07,160
Speaker 1: you know he was live. But I had a thousand songs, yeah,

1120
01:04:07,600 --> 01:04:09,800
Speaker 1: exactly something. But I think that's cool that you guys

1121
01:04:09,880 --> 01:04:12,440
Speaker 1: like even went to them before that was even a thing,

1122
01:04:12,600 --> 01:04:16,920
Speaker 1: because there's I mean, and it's not like, yeah, the

1123
01:04:17,040 --> 01:04:19,640
Speaker 1: respected It's not like I heard you hear that song

1124
01:04:19,760 --> 01:04:22,760
Speaker 1: and you're like Mr Postman like that's I didn't you know.

1125
01:04:22,880 --> 01:04:25,400
Speaker 1: I'm like really good about hearing stuff like that, but

1126
01:04:25,560 --> 01:04:27,560
Speaker 1: I didn't. I didn't hear it until I heard it's

1127
01:04:27,600 --> 01:04:31,280
Speaker 1: its own thing. Um, all right, hip hop? You got

1128
01:04:31,320 --> 01:04:34,280
Speaker 1: the woo Tang tat, you got the Woo Tang chain, Um,

1129
01:04:35,280 --> 01:04:37,160
Speaker 1: what are your influences? You guys are in a hip

1130
01:04:37,160 --> 01:04:38,920
Speaker 1: hop group, but you know, I see you on Twitter

1131
01:04:39,440 --> 01:04:42,920
Speaker 1: and okay, so so like and you're in Alaska. You're

1132
01:04:43,000 --> 01:04:46,880
Speaker 1: up there with Sean Penn into the Wild. Another question, seriously,

1133
01:04:46,880 --> 01:04:49,320
Speaker 1: cause you guys are from Alaska. Have you ever met

1134
01:04:49,400 --> 01:04:54,000
Speaker 1: Sarah Palin? Oh? Yeah, she does not like me for real. Yeah.

1135
01:04:54,160 --> 01:04:56,800
Speaker 1: Well they battled it out. Zach got a skate park

1136
01:04:56,960 --> 01:04:59,160
Speaker 1: built in our city. And I'll let him tell the stories.

1137
01:04:59,240 --> 01:05:03,320
Speaker 1: That's he did. So. Yeah. So I'm from West of Alaska,

1138
01:05:03,360 --> 01:05:05,520
Speaker 1: which is the town. She was mayor before governor and

1139
01:05:05,560 --> 01:05:09,040
Speaker 1: then before everything else, and I was very I was

1140
01:05:09,360 --> 01:05:11,320
Speaker 1: I was kind of I was kind of punk rock

1141
01:05:11,440 --> 01:05:13,240
Speaker 1: and very kind of active in the community. Is game.

1142
01:05:13,280 --> 01:05:15,080
Speaker 1: We needed a place to skate, so I started going

1143
01:05:15,120 --> 01:05:18,480
Speaker 1: to city council meetings and started the a committee. Me

1144
01:05:18,520 --> 01:05:20,440
Speaker 1: and a couple of friends and our parents got together

1145
01:05:20,920 --> 01:05:23,200
Speaker 1: and we started going to city council meetings and trying

1146
01:05:23,240 --> 01:05:25,640
Speaker 1: to get a skate park. And after about a year

1147
01:05:25,920 --> 01:05:29,000
Speaker 1: or so of arguing with her um, she finally agreed

1148
01:05:29,040 --> 01:05:31,640
Speaker 1: to kind of split in the cost if we raised

1149
01:05:31,640 --> 01:05:33,840
Speaker 1: a certain amount of money and somewhere around like seventy

1150
01:05:34,240 --> 01:05:37,560
Speaker 1: dollars um the city would would match it. We'd get

1151
01:05:37,600 --> 01:05:39,920
Speaker 1: a we get a skate park built. So we went

1152
01:05:39,960 --> 01:05:42,200
Speaker 1: out like my shitty high school band, played a bunch

1153
01:05:42,240 --> 01:05:44,880
Speaker 1: of benefit shows. We got a car, washes, bake sales,

1154
01:05:44,920 --> 01:05:48,040
Speaker 1: all the digital ship and we got it. Was really rad.

1155
01:05:48,080 --> 01:05:50,960
Speaker 1: The community was awesome. All the people that all the

1156
01:05:51,040 --> 01:05:53,040
Speaker 1: businesses that would kick us out and call the cops

1157
01:05:53,120 --> 01:05:56,040
Speaker 1: on us for skating their stairs and their handrails, whatever

1158
01:05:56,160 --> 01:05:58,640
Speaker 1: they did, they would donate to us, like all right,

1159
01:05:58,720 --> 01:06:01,680
Speaker 1: yeah we sell you four wheelers and snow machines, will

1160
01:06:01,760 --> 01:06:04,640
Speaker 1: donate to for a for a raffle and then get

1161
01:06:04,680 --> 01:06:08,120
Speaker 1: a park built and don't fucking skate my stairs anymore.

1162
01:06:08,120 --> 01:06:10,200
Speaker 1: And it was awesome. It's really cool. So we raised

1163
01:06:10,240 --> 01:06:12,760
Speaker 1: the money super fast, and we went back. We had

1164
01:06:12,800 --> 01:06:15,280
Speaker 1: the giant thermometer in city hall and ship. We went back.

1165
01:06:15,400 --> 01:06:17,280
Speaker 1: We finally had the money and then she said no,

1166
01:06:17,720 --> 01:06:20,400
Speaker 1: it wasn't in the budget anymore. So I was sixteen,

1167
01:06:20,600 --> 01:06:22,880
Speaker 1: like seventy dollars, like what the what do I do

1168
01:06:23,000 --> 01:06:25,720
Speaker 1: with this? That's sucked up? So I just started arguing

1169
01:06:25,840 --> 01:06:28,160
Speaker 1: more and uh, it was we must have looked like

1170
01:06:28,240 --> 01:06:30,800
Speaker 1: such assholes. I kept bringing all my my shitty friends

1171
01:06:30,840 --> 01:06:33,600
Speaker 1: with you know, mohawks and Liberty spikes, and uh I

1172
01:06:33,680 --> 01:06:37,120
Speaker 1: was like, yeah, totally yeah, Mattyeter and Ship was just

1173
01:06:37,240 --> 01:06:40,720
Speaker 1: like like missing his two front teeth and Ship from skating,

1174
01:06:40,960 --> 01:06:44,400
Speaker 1: and like everybody just like come in, smell like beer,

1175
01:06:44,520 --> 01:06:47,280
Speaker 1: smell like cigarettes, and just be fucking annoying at city

1176
01:06:47,320 --> 01:06:49,520
Speaker 1: council meetings. And they were trying to get like real

1177
01:06:49,520 --> 01:06:51,840
Speaker 1: ship done. I'm sure for roads and schools and stuff.

1178
01:06:52,000 --> 01:06:54,840
Speaker 1: Meanwhile I'm just bringing in like forty fucking asshole kids

1179
01:06:54,960 --> 01:06:57,960
Speaker 1: just be like, hey, so over here. Remember we're supposed

1180
01:06:57,960 --> 01:07:01,200
Speaker 1: to do this. But finally, after about two years or so,

1181
01:07:01,440 --> 01:07:03,840
Speaker 1: two and a half years, we got a skate park belt.

1182
01:07:04,000 --> 01:07:08,640
Speaker 1: That's fucking So when she says you could see Russia

1183
01:07:08,720 --> 01:07:12,720
Speaker 1: from Alaska, is that true? You can't see Russia from Alaska.

1184
01:07:13,440 --> 01:07:15,600
Speaker 1: She did say that, correct, She said that. She did

1185
01:07:15,680 --> 01:07:18,040
Speaker 1: say that. She did say it's a bee fair. You know,

1186
01:07:18,320 --> 01:07:20,480
Speaker 1: I know everybody likes to play bull side to this.

1187
01:07:20,920 --> 01:07:23,520
Speaker 1: It's it's one of us say yeah. People obviously like

1188
01:07:23,600 --> 01:07:26,440
Speaker 1: the left twisted her words. Yeah, I don't agree with that.

1189
01:07:26,560 --> 01:07:29,400
Speaker 1: I I mean, she's dumb as fucked, but she obviously

1190
01:07:29,480 --> 01:07:32,640
Speaker 1: didn't clearly didn't mean she could see Russia, all right.

1191
01:07:32,680 --> 01:07:35,040
Speaker 1: So going back to hip hop in Alaska, when you

1192
01:07:35,080 --> 01:07:38,320
Speaker 1: guys are kids, you're and this is you know, twenty

1193
01:07:38,400 --> 01:07:41,600
Speaker 1: years ago. You know Alaska, there's no rectors. How are

1194
01:07:41,640 --> 01:07:43,840
Speaker 1: you getting exposed to hip hop up there? Like you know?

1195
01:07:43,960 --> 01:07:47,040
Speaker 1: And how are you how are you finding it? Generally?

1196
01:07:47,120 --> 01:07:50,560
Speaker 1: A big part of it was, um was skate movies

1197
01:07:50,600 --> 01:07:53,560
Speaker 1: and snowboard movies because I was very that's uh, snowboarding

1198
01:07:53,560 --> 01:07:56,200
Speaker 1: and skateboards, like very deep in the culture, especially for us,

1199
01:07:56,360 --> 01:07:58,960
Speaker 1: and so that's how we found almost everything. But it

1200
01:07:59,040 --> 01:08:01,840
Speaker 1: was also like somebody would take a trip. The general

1201
01:08:01,960 --> 01:08:04,080
Speaker 1: rules were before the internet and ship. It was like

1202
01:08:04,200 --> 01:08:06,880
Speaker 1: it was cool in California about eight years later it

1203
01:08:06,920 --> 01:08:08,760
Speaker 1: was cool in Alaska. So when I was going to

1204
01:08:08,880 --> 01:08:10,720
Speaker 1: high school, I was listening to you know, late eighties

1205
01:08:10,800 --> 01:08:13,720
Speaker 1: punk rock and ship like that, talking about Reagan and stuff,

1206
01:08:13,720 --> 01:08:15,919
Speaker 1: and I'm like, I'm like that administration was totally gone,

1207
01:08:16,080 --> 01:08:18,120
Speaker 1: but that's all this ship that I'm I'm singing. And

1208
01:08:18,280 --> 01:08:20,960
Speaker 1: so people would go take a trip to California to

1209
01:08:21,080 --> 01:08:24,639
Speaker 1: visit their cousin or something, and they'd come back like Onyx,

1210
01:08:24,880 --> 01:08:28,160
Speaker 1: I remember my cousin came back like Onyx backed the

1211
01:08:28,200 --> 01:08:29,960
Speaker 1: funk up and I was just like, what this awesome?

1212
01:08:30,000 --> 01:08:33,320
Speaker 1: My parents took it. I was like eleven and uh

1213
01:08:33,720 --> 01:08:35,600
Speaker 1: and so then I just had people making tapes on

1214
01:08:35,720 --> 01:08:37,960
Speaker 1: just label at something else. I was like, I don't

1215
01:08:38,000 --> 01:08:41,640
Speaker 1: know the moms in the papas and yeah, and so

1216
01:08:42,080 --> 01:08:43,240
Speaker 1: it was a lot of that, but it was it

1217
01:08:43,360 --> 01:08:47,080
Speaker 1: was really fun and yeah, I don't remember. It's just

1218
01:08:47,160 --> 01:08:50,479
Speaker 1: like people would word got around. It was just people traveling,

1219
01:08:50,560 --> 01:08:52,720
Speaker 1: like you go and visit your your you know, your

1220
01:08:52,720 --> 01:08:55,120
Speaker 1: family in Michigan and you come back with the record,

1221
01:08:55,479 --> 01:08:57,360
Speaker 1: and that's that's how we would find stuff. It was

1222
01:08:57,360 --> 01:09:00,680
Speaker 1: all word of mouth. There was just coming across the stuff. Though.

1223
01:09:00,720 --> 01:09:04,679
Speaker 1: I do remember seeing Wu Tang on the box because

1224
01:09:04,800 --> 01:09:07,960
Speaker 1: I mean I just like, I think I remember the

1225
01:09:08,000 --> 01:09:11,840
Speaker 1: same method man on there. And the thing about Wou Tang,

1226
01:09:11,920 --> 01:09:14,479
Speaker 1: like the reason the reason I really got into music

1227
01:09:14,720 --> 01:09:18,000
Speaker 1: was I wasn't super musical. I mean I could play

1228
01:09:18,400 --> 01:09:20,839
Speaker 1: I play guitar the way you pack at a keyboard

1229
01:09:20,920 --> 01:09:22,920
Speaker 1: or or type on a you know, somebody who doesn't

1230
01:09:22,960 --> 01:09:27,320
Speaker 1: type types on a computer. And it was hearing hearing

1231
01:09:27,400 --> 01:09:30,160
Speaker 1: Wu Tang for the first time. They did something. Rizzar

1232
01:09:30,240 --> 01:09:33,519
Speaker 1: did something really amazing that I mean, I I've talked

1233
01:09:33,560 --> 01:09:37,439
Speaker 1: to him about it since, and it's just the coolest

1234
01:09:37,479 --> 01:09:40,120
Speaker 1: thing about Wu Tang is he was sampling this era

1235
01:09:40,600 --> 01:09:44,240
Speaker 1: where the mic selection was so small and the guitar

1236
01:09:44,360 --> 01:09:47,240
Speaker 1: selection was so small, the amps everything they were doing

1237
01:09:47,760 --> 01:09:49,960
Speaker 1: was you you don't need to know the song that

1238
01:09:50,080 --> 01:09:53,200
Speaker 1: he's sampling because you know the sound of that piano,

1239
01:09:53,720 --> 01:09:55,479
Speaker 1: you know the sound of that guitar, you know the

1240
01:09:55,520 --> 01:09:58,120
Speaker 1: sound of those drums, because it's all like the same

1241
01:09:58,160 --> 01:10:00,880
Speaker 1: miking techniques, like recording tech thus were so like it

1242
01:10:01,000 --> 01:10:03,679
Speaker 1: was so simple at the time, and he did something

1243
01:10:03,760 --> 01:10:06,960
Speaker 1: where he was taking these these four bar loops and

1244
01:10:07,080 --> 01:10:09,800
Speaker 1: eight bar loops and like these these little pieces and

1245
01:10:10,000 --> 01:10:13,280
Speaker 1: he was putting it out there and it's just in

1246
01:10:13,320 --> 01:10:15,920
Speaker 1: a way it was connecting with all of us who

1247
01:10:15,960 --> 01:10:17,840
Speaker 1: grew up listening to all these radio like all of

1248
01:10:17,920 --> 01:10:20,280
Speaker 1: our parents music, and it's and he's also doing with

1249
01:10:20,320 --> 01:10:22,680
Speaker 1: the new and fresh with it. And again this this

1250
01:10:22,760 --> 01:10:25,280
Speaker 1: comes back to like he was taking something that he

1251
01:10:25,439 --> 01:10:29,400
Speaker 1: loved and he was recreating something it was just completely new.

1252
01:10:29,840 --> 01:10:33,040
Speaker 1: It's not the same, and it's like that's what made

1253
01:10:33,040 --> 01:10:35,559
Speaker 1: me want to play music. It was if I could

1254
01:10:35,640 --> 01:10:37,880
Speaker 1: hear this, like maybe we could create these loops, Maybe

1255
01:10:37,920 --> 01:10:40,720
Speaker 1: we could create some of this stuff. And like our

1256
01:10:40,760 --> 01:10:43,960
Speaker 1: first few records are pretty much to me pecking at

1257
01:10:44,000 --> 01:10:47,160
Speaker 1: guitar and pecking at piano and trying to find a

1258
01:10:47,280 --> 01:10:50,200
Speaker 1: line and then looping that. I mean that was like

1259
01:10:50,360 --> 01:10:52,479
Speaker 1: really how he got into it was because of hip hop.

1260
01:10:52,760 --> 01:10:55,280
Speaker 1: Was hearing hearing like these loops and just saying saying

1261
01:10:55,320 --> 01:10:57,760
Speaker 1: like maybe we can recreate a beat. Yeah, it was something.

1262
01:10:57,800 --> 01:10:59,880
Speaker 1: It was something so familiar and so new at this

1263
01:11:00,040 --> 01:11:04,240
Speaker 1: same time, and just that how fucking cool it was

1264
01:11:04,720 --> 01:11:07,240
Speaker 1: growing up and wants solol asking like here and the

1265
01:11:07,280 --> 01:11:09,120
Speaker 1: ship that they were talking about, but then also thrown in,

1266
01:11:09,360 --> 01:11:11,800
Speaker 1: you know, a bunch of fucking Kung Fu samples, which

1267
01:11:11,800 --> 01:11:15,560
Speaker 1: were obviously huge into anyway. So I was like, this

1268
01:11:15,760 --> 01:11:17,640
Speaker 1: is the this is the Rabbi ship I've ever heard? Oh,

1269
01:11:17,720 --> 01:11:19,720
Speaker 1: that reminds me so that you turned us onto that

1270
01:11:20,040 --> 01:11:26,000
Speaker 1: Sean Price record. Yeah, so good. The Michael Judakov, Yeah,

1271
01:11:26,080 --> 01:11:29,080
Speaker 1: the American in JA four reference. I was like, fun, yeah,

1272
01:11:30,360 --> 01:11:33,400
Speaker 1: references and sense of humor and like and his flows

1273
01:11:33,600 --> 01:11:36,360
Speaker 1: and I mean he's such you know, it's such a

1274
01:11:36,439 --> 01:11:39,519
Speaker 1: loss because he to me, he was like really one

1275
01:11:39,600 --> 01:11:41,599
Speaker 1: of the last of a dying breed of a true

1276
01:11:42,640 --> 01:11:46,800
Speaker 1: Brooklyn and MC who was hard but also has such

1277
01:11:46,840 --> 01:11:49,960
Speaker 1: a good sense of humor. And then you know the

1278
01:11:50,080 --> 01:11:52,360
Speaker 1: thing about showing price, Like he loved to rhyme, like

1279
01:11:52,479 --> 01:11:54,559
Speaker 1: he he would send me ship like I'd be like, yo,

1280
01:11:54,680 --> 01:11:56,639
Speaker 1: you you should rhyme over a trial or he'd say

1281
01:11:56,680 --> 01:11:58,840
Speaker 1: something about tribal you should rhum over a tribe ship,

1282
01:11:59,120 --> 01:12:02,240
Speaker 1: and I'd get a tech of like, you know, seventy

1283
01:12:02,280 --> 01:12:04,840
Speaker 1: seconds of him rhyming over you know, a trib drivers

1284
01:12:04,880 --> 01:12:06,320
Speaker 1: like what you know, he would just do it, you know,

1285
01:12:06,400 --> 01:12:08,880
Speaker 1: but like you're like, he's flowing over that ship. So

1286
01:12:09,720 --> 01:12:12,040
Speaker 1: you know, I mean, I that guy. It's a big

1287
01:12:12,160 --> 01:12:15,559
Speaker 1: loss if you would you guys ever consider like doing

1288
01:12:15,680 --> 01:12:18,800
Speaker 1: stuff with a hip hop, like having somebody rhyme on

1289
01:12:18,880 --> 01:12:20,920
Speaker 1: a song, like because now like sort of the world

1290
01:12:21,080 --> 01:12:22,640
Speaker 1: is I don't want to, you know, overstated, but the

1291
01:12:22,760 --> 01:12:25,120
Speaker 1: Rold is your oyster, And since you love it so much,

1292
01:12:25,200 --> 01:12:27,519
Speaker 1: would you ever consider having somebody rock on your joint?

1293
01:12:27,520 --> 01:12:30,640
Speaker 1: Because it's sort of something that's not being done. Um,

1294
01:12:30,680 --> 01:12:33,920
Speaker 1: obviously there was good, bad and everything in between with it. Um,

1295
01:12:34,439 --> 01:12:37,200
Speaker 1: you know, uh, with Lincoln Park, killed it with jay Z.

1296
01:12:37,400 --> 01:12:39,879
Speaker 1: There's all sorts of examples, and then there's the mashups

1297
01:12:39,920 --> 01:12:42,880
Speaker 1: where just DJ's flipped like I mean, there was that

1298
01:12:43,000 --> 01:12:45,719
Speaker 1: one with I think fifty cent and I mean somebody

1299
01:12:45,800 --> 01:12:48,320
Speaker 1: did some crazy shit, uh and they just flipped it

1300
01:12:48,360 --> 01:12:50,080
Speaker 1: with all sorts of old of would you guys consider

1301
01:12:50,120 --> 01:12:51,920
Speaker 1: doing that? And like what would be your dream? Like

1302
01:12:52,120 --> 01:12:54,160
Speaker 1: two or three? Dude, you'd be like, yo, that would

1303
01:12:54,200 --> 01:12:56,559
Speaker 1: make sense, you know, that would make sense, Like Yo,

1304
01:12:56,640 --> 01:12:58,519
Speaker 1: this would fit with our ship, Like we can make

1305
01:12:58,560 --> 01:13:01,479
Speaker 1: a song with so and so. Yeah. See, that's the

1306
01:13:01,560 --> 01:13:05,639
Speaker 1: difficult thing. It's funny being around having been around rappers

1307
01:13:05,880 --> 01:13:08,320
Speaker 1: and I mean rock arts, Like every rock artist wants

1308
01:13:08,320 --> 01:13:10,479
Speaker 1: to be accepted by hip hop and every hip hop

1309
01:13:10,600 --> 01:13:13,000
Speaker 1: artist wants to be accepted by rock. It's just like

1310
01:13:13,160 --> 01:13:15,320
Speaker 1: the way it is. It's the grass is always greener.

1311
01:13:15,600 --> 01:13:18,920
Speaker 1: You always want to see that. Um. For me, we

1312
01:13:19,600 --> 01:13:21,720
Speaker 1: this is what we do. And I think that's what

1313
01:13:21,840 --> 01:13:24,200
Speaker 1: everybody should remember, is like I I can do this

1314
01:13:24,400 --> 01:13:27,200
Speaker 1: really well. I don't know if I could create a

1315
01:13:27,280 --> 01:13:29,600
Speaker 1: hip hop track that would work. I mean, if we

1316
01:13:29,680 --> 01:13:31,720
Speaker 1: could work with people though, it's I mean, it's the

1317
01:13:31,840 --> 01:13:34,160
Speaker 1: things that we grew up listening to it and high

1318
01:13:34,200 --> 01:13:37,000
Speaker 1: school it's Missy Elliott. I mean, I love Missy. Missy

1319
01:13:37,160 --> 01:13:39,559
Speaker 1: is like one of my favorites of all time. Uh

1320
01:13:40,560 --> 01:13:45,000
Speaker 1: outcast Andre like it. I mean there there's there's so

1321
01:13:45,080 --> 01:13:48,400
Speaker 1: many people that would work well doing that Buster. I mean,

1322
01:13:48,880 --> 01:13:52,200
Speaker 1: of course he makes everything fucking work. It's all that

1323
01:13:52,600 --> 01:13:55,679
Speaker 1: really does that motherfucker's I mean he's somebody who gets

1324
01:13:55,720 --> 01:14:01,320
Speaker 1: so overlooked. He's stupid good. How crazy is that he's

1325
01:14:01,360 --> 01:14:03,000
Speaker 1: never on the top five, And then when you see

1326
01:14:03,080 --> 01:14:06,639
Speaker 1: him performing like this motherfucker it's got jam after jam

1327
01:14:06,760 --> 01:14:09,639
Speaker 1: after jam and and seeing him perform and like all

1328
01:14:09,680 --> 01:14:12,960
Speaker 1: that staccato fashion. When you see it live, there's no

1329
01:14:13,120 --> 01:14:16,719
Speaker 1: mumble rapping. You could hear every like do you remember

1330
01:14:16,720 --> 01:14:19,120
Speaker 1: the track like him and mystical, like do you remember

1331
01:14:19,160 --> 01:14:21,680
Speaker 1: that going back and forth and just like every time

1332
01:14:21,720 --> 01:14:23,760
Speaker 1: it's like you can't go faster than that. Then they

1333
01:14:23,840 --> 01:14:25,800
Speaker 1: go fast and you can hear every word everywhere, And

1334
01:14:25,840 --> 01:14:27,240
Speaker 1: when you see him do it live, you could hear

1335
01:14:27,280 --> 01:14:29,240
Speaker 1: I mean that should he did jump around. He did

1336
01:14:29,320 --> 01:14:31,720
Speaker 1: the jump around joint. Um him and M and M

1337
01:14:32,479 --> 01:14:35,479
Speaker 1: to me last year was um, I forgot what the

1338
01:14:35,520 --> 01:14:37,360
Speaker 1: fucking name that I always talk about. It was it's

1339
01:14:37,439 --> 01:14:40,559
Speaker 1: him and eminem on that jump around House of Pain beat.

1340
01:14:41,439 --> 01:14:43,560
Speaker 1: It's literally should be they should put it in the

1341
01:14:43,640 --> 01:14:47,080
Speaker 1: Smithsonian now because they're both killing and Buster is just

1342
01:14:47,200 --> 01:14:50,240
Speaker 1: like I mean, they're both just like going and he's

1343
01:14:50,280 --> 01:14:53,280
Speaker 1: somebody if you say top five, you just forget him. Yeah,

1344
01:14:53,320 --> 01:14:56,720
Speaker 1: you don't think about it. But then he was so ridiculous,

1345
01:14:56,920 --> 01:14:58,880
Speaker 1: and that still is. I don't think he was. I

1346
01:14:58,920 --> 01:15:00,760
Speaker 1: think he'll he'll put out a joint like this year.

1347
01:15:00,800 --> 01:15:03,040
Speaker 1: You'll be like, what the fund is? I agree, we

1348
01:15:03,160 --> 01:15:04,760
Speaker 1: heard some ship that he did just that, like the

1349
01:15:04,840 --> 01:15:06,960
Speaker 1: last year and a couple of years ago. Yeah, he

1350
01:15:07,120 --> 01:15:09,200
Speaker 1: is a great all right, I'm gonna let you guys

1351
01:15:09,240 --> 01:15:11,120
Speaker 1: go my final question and then Dean if you've got

1352
01:15:11,160 --> 01:15:14,439
Speaker 1: to find a question, because you know sound, you like Vinyl,

1353
01:15:15,080 --> 01:15:16,880
Speaker 1: you know Miles and Jordan, the Dust Brothers. You know,

1354
01:15:17,000 --> 01:15:19,000
Speaker 1: he's refer to them. We have the best sound. And

1355
01:15:19,120 --> 01:15:21,479
Speaker 1: you know Norm McDonald, no disrespect. His sound isn't as

1356
01:15:21,520 --> 01:15:24,200
Speaker 1: good as the Iron Reports stereo podcast, you know, and

1357
01:15:24,520 --> 01:15:28,080
Speaker 1: so much music is compressed. Um, I can't tell the difference,

1358
01:15:28,120 --> 01:15:30,479
Speaker 1: but I will say that the title High five, I

1359
01:15:30,640 --> 01:15:33,400
Speaker 1: hear things and songs that I've loved that I've never

1360
01:15:33,800 --> 01:15:37,280
Speaker 1: heard before. How how important is that to you guys?

1361
01:15:37,560 --> 01:15:40,280
Speaker 1: And is it really even something that musicians should care

1362
01:15:40,320 --> 01:15:41,600
Speaker 1: about at this point because at the end of the

1363
01:15:41,680 --> 01:15:44,280
Speaker 1: day they might grab that ship off YouTube and it's

1364
01:15:44,320 --> 01:15:47,040
Speaker 1: like gonna be like the little ting tings you put

1365
01:15:47,080 --> 01:15:48,800
Speaker 1: in there. You might spend an hour trying to do.

1366
01:15:49,280 --> 01:15:51,560
Speaker 1: It's ear candy for us because it's uh and and

1367
01:15:51,600 --> 01:15:53,840
Speaker 1: for some people everybody listening to music differently, And you

1368
01:15:53,880 --> 01:15:56,760
Speaker 1: gotta forget is that once you write it and once

1369
01:15:56,800 --> 01:15:58,080
Speaker 1: you put it out, we write it for us. We

1370
01:15:58,160 --> 01:16:00,080
Speaker 1: write because once it's something we want to hear, the

1371
01:16:00,160 --> 01:16:03,040
Speaker 1: once we put out in the world, arts is about

1372
01:16:03,120 --> 01:16:05,760
Speaker 1: context and it's about connection. So that's the listener. A

1373
01:16:05,840 --> 01:16:07,680
Speaker 1: lot of people just listen to their iPhones like this.

1374
01:16:08,120 --> 01:16:11,360
Speaker 1: A lot of people, you know, just have bad speakers

1375
01:16:11,360 --> 01:16:14,120
Speaker 1: in the car. Some people love. I'm a headphone guy,

1376
01:16:14,200 --> 01:16:18,120
Speaker 1: so I like all that little stuff. What's your headphones choice? Actually,

1377
01:16:18,240 --> 01:16:21,000
Speaker 1: I I go, I go back and forth. I just

1378
01:16:21,040 --> 01:16:23,760
Speaker 1: can't stop buying headphones right now. My last ones I'm on.

1379
01:16:23,920 --> 01:16:26,120
Speaker 1: I really like the Master in Dynamics, what what what

1380
01:16:26,240 --> 01:16:28,640
Speaker 1: brand is it? Master in dynamics. Okay, how much of

1381
01:16:28,720 --> 01:16:33,479
Speaker 1: those uh they're I think they're like fish. But I

1382
01:16:33,520 --> 01:16:37,000
Speaker 1: mean it's like it's car commercial show. It's like well also,

1383
01:16:37,240 --> 01:16:40,639
Speaker 1: but to be fair, I don't really pay for headphones,

1384
01:16:42,040 --> 01:16:45,800
Speaker 1: to be fair, just like somebody knows. There's like they're like, oh,

1385
01:16:45,880 --> 01:16:47,800
Speaker 1: you're a man, of course you need good headphones, you know,

1386
01:16:48,160 --> 01:16:52,280
Speaker 1: so they'll give us headphones and so, but I'm always

1387
01:16:52,880 --> 01:16:56,000
Speaker 1: wanting more. Yeah, there's a weird thing that's happened. I

1388
01:16:56,080 --> 01:16:58,680
Speaker 1: mean it's it's not just recently in music. You were

1389
01:16:58,680 --> 01:17:01,160
Speaker 1: talking about music being compress and just I mean with

1390
01:17:01,320 --> 01:17:03,519
Speaker 1: the internet, everything that you can get now, like it's

1391
01:17:03,560 --> 01:17:06,479
Speaker 1: all MP three's or I mean just yeah, things off

1392
01:17:06,520 --> 01:17:09,200
Speaker 1: the YouTube is how they sample. The way music is

1393
01:17:09,240 --> 01:17:12,280
Speaker 1: made today is it's all just kind of pushed to ten,

1394
01:17:12,479 --> 01:17:15,000
Speaker 1: Like it's all just fucking loud. And the thing that

1395
01:17:15,080 --> 01:17:18,719
Speaker 1: I miss in music is hearing the dynamics. Is hearing

1396
01:17:18,760 --> 01:17:22,280
Speaker 1: those those low lows, so the chorus could be high

1397
01:17:22,479 --> 01:17:24,920
Speaker 1: like you wanted to be hot there a little bit

1398
01:17:24,920 --> 01:17:29,320
Speaker 1: soft to like like I want to dip down, like

1399
01:17:29,520 --> 01:17:32,800
Speaker 1: listen closer, listen closer, and then have it exploded your face,

1400
01:17:32,920 --> 01:17:35,439
Speaker 1: you know, like well that was a portraits of words.

1401
01:17:35,560 --> 01:17:38,240
Speaker 1: I got you. Okay, No, that that makes sense. So

1402
01:17:38,600 --> 01:17:41,120
Speaker 1: what what other headphones? Because I'm into that ship too,

1403
01:17:41,160 --> 01:17:42,960
Speaker 1: and I'm like, I'm tripping. I'm like, is this just

1404
01:17:43,040 --> 01:17:45,680
Speaker 1: because I spent three d fifty dollars. I'm you think

1405
01:17:45,720 --> 01:17:48,120
Speaker 1: you're tricking myself? Like I hear I heard that piano key.

1406
01:17:48,160 --> 01:17:49,920
Speaker 1: I never heard that. I've been listening to this for

1407
01:17:50,000 --> 01:17:52,800
Speaker 1: twenty years totally. I always love to hear those little

1408
01:17:52,880 --> 01:17:56,200
Speaker 1: things in music. It depends. It's like what's comfortable? Uh

1409
01:17:56,800 --> 01:18:00,120
Speaker 1: odyssees that? Like those those are like the nicest go

1410
01:18:00,240 --> 01:18:02,759
Speaker 1: on your head? Yeah? Yeah, I like over the ear headphones.

1411
01:18:02,840 --> 01:18:04,639
Speaker 1: But it's it's just kind of like, but I always

1412
01:18:04,720 --> 01:18:06,080
Speaker 1: you know, I'm like, I'm like I can lay on

1413
01:18:06,160 --> 01:18:09,440
Speaker 1: my side, Like there's so many different things, and now Bluetooth,

1414
01:18:09,479 --> 01:18:11,920
Speaker 1: I'm was like, fucking wires. I feel like, God damn

1415
01:18:12,040 --> 01:18:15,639
Speaker 1: cave Man. Bluetooth kind of change the I mean, that's

1416
01:18:15,720 --> 01:18:17,840
Speaker 1: my one. It makes it good or not, it doesn't

1417
01:18:17,880 --> 01:18:20,400
Speaker 1: make it. But you need the convenience, so you need

1418
01:18:20,439 --> 01:18:22,479
Speaker 1: the both. That's why I like, can I like the both?

1419
01:18:22,920 --> 01:18:25,760
Speaker 1: Bose Quiet Comfort honestly does a really good does you

1420
01:18:25,760 --> 01:18:28,479
Speaker 1: don't think they're good. No, they're very good. Plug or

1421
01:18:28,520 --> 01:18:32,639
Speaker 1: not the Bluetooth bluetooth, but yeah, the Bluetooth changes. That's

1422
01:18:32,640 --> 01:18:35,479
Speaker 1: why I kind of like it takes you think it

1423
01:18:35,560 --> 01:18:39,800
Speaker 1: takes the quality fun. I've really been fucking lyne to myself, man.

1424
01:18:40,320 --> 01:18:43,240
Speaker 1: But there is a thing about convenience, and I know

1425
01:18:43,960 --> 01:18:46,360
Speaker 1: it's like, really, do you really? I swear to god,

1426
01:18:46,360 --> 01:18:48,639
Speaker 1: I don't know this title high Fire that maybe it's

1427
01:18:48,640 --> 01:18:50,920
Speaker 1: because I'm paying twenty one dollars a month. I swear

1428
01:18:50,960 --> 01:18:53,720
Speaker 1: I think I'm hearing ship in the music. I'm like, yeah,

1429
01:18:53,800 --> 01:18:56,560
Speaker 1: there is, there is a difference. There completely is a

1430
01:18:56,600 --> 01:18:58,560
Speaker 1: difference and you can hear it. Um, is there a

1431
01:18:58,640 --> 01:19:02,160
Speaker 1: difference with it with with vinyl? Is your differences like

1432
01:19:02,400 --> 01:19:05,559
Speaker 1: this is something like Gary Delbont, it's more of a vibe,

1433
01:19:05,600 --> 01:19:07,599
Speaker 1: But it depends on what you're listening to. If you're

1434
01:19:07,640 --> 01:19:10,719
Speaker 1: listening through ten speakers, you can totally hear the difference.

1435
01:19:10,920 --> 01:19:12,960
Speaker 1: If you're not, if you're just listening, it ain't the record.

1436
01:19:13,200 --> 01:19:17,200
Speaker 1: Yeah it's not. I mean there is, but it's also uh,

1437
01:19:17,320 --> 01:19:18,920
Speaker 1: it's also worse. But you get the vibe. You can

1438
01:19:19,040 --> 01:19:21,400
Speaker 1: hear the vinyl and you get that and there's something

1439
01:19:21,439 --> 01:19:24,639
Speaker 1: about the feeling like I listen. I listened to Vinyl

1440
01:19:24,760 --> 01:19:27,160
Speaker 1: every morning when I'm at home, and it's just because

1441
01:19:27,200 --> 01:19:29,200
Speaker 1: I can, because there's so many times where I can't

1442
01:19:29,400 --> 01:19:31,760
Speaker 1: I listen to. I listened to Ship on YouTube, and

1443
01:19:31,800 --> 01:19:33,439
Speaker 1: I listened to a bunch of compressed stuff all the time.

1444
01:19:33,479 --> 01:19:35,240
Speaker 1: I kind of do you everything. When I'm at home

1445
01:19:35,280 --> 01:19:37,600
Speaker 1: and I have the chance, make some coffee and I

1446
01:19:37,720 --> 01:19:40,280
Speaker 1: go like, put vioyl on just because it makes me happy.

1447
01:19:40,640 --> 01:19:42,760
Speaker 1: But it's more about I'm not really doing that for

1448
01:19:42,960 --> 01:19:46,840
Speaker 1: the audio. Really, it's like the process dust, you know,

1449
01:19:46,920 --> 01:19:49,720
Speaker 1: when you're watching film versus digital. I got you. I

1450
01:19:49,840 --> 01:19:51,479
Speaker 1: just don't have the ear. I I don't know. I

1451
01:19:51,560 --> 01:19:53,920
Speaker 1: can't figure it out. All right, Listen, I said I

1452
01:19:54,000 --> 01:19:56,080
Speaker 1: wasn't gonna do the Portugal Man life, and times I

1453
01:19:56,120 --> 01:19:58,360
Speaker 1: didn't want to do Portugal Man lifetimes. I want to

1454
01:19:58,400 --> 01:20:01,320
Speaker 1: tell you guys, first of all, congratulations on all the

1455
01:20:01,439 --> 01:20:05,320
Speaker 1: fucking success. I think it's dope. Um, I think it's

1456
01:20:05,360 --> 01:20:07,519
Speaker 1: a great story. I want you guys continue to make

1457
01:20:07,640 --> 01:20:11,519
Speaker 1: fucking huge, big pop songs. Uh. Tell the early fans listen,

1458
01:20:11,600 --> 01:20:13,960
Speaker 1: you come along with the for the ride or you know,

1459
01:20:14,400 --> 01:20:18,160
Speaker 1: funk off um, the more money, more problems. Second of all,

1460
01:20:18,160 --> 01:20:20,360
Speaker 1: I appreciate all the support for the Iron Wrap pors

1461
01:20:20,360 --> 01:20:23,360
Speaker 1: Stereo podcast. You're the first band although the whole crew

1462
01:20:23,479 --> 01:20:24,880
Speaker 1: is in here to come on the Iron Wrap pors

1463
01:20:24,880 --> 01:20:28,439
Speaker 1: Stereo podcasts. No, yeah, I mean this is like the

1464
01:20:28,479 --> 01:20:30,280
Speaker 1: most people we've had on in one show. We had

1465
01:20:30,320 --> 01:20:32,320
Speaker 1: to like you know that with four mix. This is

1466
01:20:32,360 --> 01:20:35,160
Speaker 1: a special special is the first band you've ever had,

1467
01:20:35,200 --> 01:20:40,000
Speaker 1: the first Portugal demand and also did another perk court

1468
01:20:40,080 --> 01:20:43,040
Speaker 1: side seats at the fucking Trailblazers. Yeah, no, big dude,

1469
01:20:43,920 --> 01:20:49,040
Speaker 1: I just whenever Paul Allen's not in town, we just yeah,

1470
01:20:49,640 --> 01:20:52,120
Speaker 1: they're literally you can't get on the wood to sit

1471
01:20:52,200 --> 01:20:55,479
Speaker 1: down there yet. I mean they would Me and me

1472
01:20:55,560 --> 01:20:57,479
Speaker 1: and a couple of other guys are and still really

1473
01:20:57,520 --> 01:21:00,960
Speaker 1: good seats. But yeah, anytime that all Allen isn't there,

1474
01:21:01,680 --> 01:21:03,200
Speaker 1: John straight up gets his seat. When you look at

1475
01:21:03,200 --> 01:21:07,080
Speaker 1: the ticket, serious like row A A C, zero one

1476
01:21:07,240 --> 01:21:12,240
Speaker 1: and zero two n you can't get that. I want

1477
01:21:12,240 --> 01:21:14,679
Speaker 1: to go up there. We got Evan on the podcast

1478
01:21:14,840 --> 01:21:16,720
Speaker 1: coming up, we had Dame Dollar all right, Portugal the

1479
01:21:16,760 --> 01:21:19,679
Speaker 1: fucking man. Thank you for rock and continue to kick ass.

1480
01:21:19,880 --> 01:21:21,640
Speaker 1: Tell Ellen, I said, what's up? Did you guys have

1481
01:21:21,720 --> 01:21:25,040
Speaker 1: to dance when you went on Ellen because you performed?

1482
01:21:25,080 --> 01:21:26,760
Speaker 1: Did you perform and then get interviewed? Or now we

1483
01:21:26,760 --> 01:21:28,640
Speaker 1: didn't get interviewed, but okay, because you know, if you

1484
01:21:28,720 --> 01:21:30,960
Speaker 1: get interview you got a dad. And I didn't dance

1485
01:21:31,000 --> 01:21:34,759
Speaker 1: the first time and I haven't been invited back Portugal

1486
01:21:34,840 --> 01:21:36,800
Speaker 1: to man Yo. Keep kicking as you guys, and thank you,

1487
01:21:37,200 --> 01:21:43,840
Speaker 1: thank you, what I tell you? What did I tell you?

1488
01:21:43,920 --> 01:21:48,519
Speaker 1: It's prime time podcast and Gimo Nettie, Yep, we did

1489
01:21:48,600 --> 01:21:51,680
Speaker 1: the damn thing. I want to thank these guys for

1490
01:21:51,760 --> 01:21:55,200
Speaker 1: coming through. Continued success, continue doing your thing, continue the

1491
01:21:55,240 --> 01:21:59,519
Speaker 1: world tours, continue making the hits. Dudes are from Alaska.

1492
01:21:59,520 --> 01:22:01,479
Speaker 1: I don't even know they're from Alaska, but they were

1493
01:22:01,479 --> 01:22:05,400
Speaker 1: from fucking Portland's so what shoot me? Okay, so what

1494
01:22:06,320 --> 01:22:08,920
Speaker 1: you know what we don't fact check? Go with my gut.

1495
01:22:09,439 --> 01:22:11,719
Speaker 1: I didn't know they were from Alaska from this guy's

1496
01:22:11,840 --> 01:22:15,280
Speaker 1: from the middle of nowhere. Yeah, bring some crab legs

1497
01:22:15,320 --> 01:22:18,720
Speaker 1: next time you come back, bro huh. I wrap Coors

1498
01:22:18,760 --> 01:22:22,439
Speaker 1: Stereo podcast, GM Nettie g movie. Last name rhymes with duty.

1499
01:22:22,640 --> 01:22:26,240
Speaker 1: I am Michael Rappaport, the Jake Lamoto podcasting, The Dust Brothers,

1500
01:22:26,320 --> 01:22:29,400
Speaker 1: Moles Jordan's take us out of Here with a banger

1501
01:22:29,560 --> 01:22:31,680
Speaker 1: with a smacker, you know what it is. We'll be

1502
01:22:31,840 --> 01:22:34,040
Speaker 1: back with more and more hits on the next night.

1503
01:22:34,200 --> 01:23:11,880
Speaker 1: Wrappers stereo podcast I'm Out Fire, the A I P.

1504
01:23:15,320 --> 01:23:21,720
Speaker 1: A Y, the