WEBVTT - Hugh Jackman Is “The Front Runner”

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<v Speaker 1>Hi Katie, Hi Brian. Did you have a nice Thanksgiving?

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<v Speaker 1>I had a lovely Thanksgiving. You know why why I

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<v Speaker 1>didn't cook a damp thing. We went to a restaurant

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<v Speaker 1>and ate everything from soup to nuts. How lazy am I?

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<v Speaker 1>How was your Thanksgiving? Brian? It was very good. You know,

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<v Speaker 1>my family cook so the turkey was dry, but the

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<v Speaker 1>pie was good. Old I've never had a voice turkey.

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<v Speaker 1>Actually no, I mean I think we should have like

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<v Speaker 1>a Thanksgiving ham or something. I'd like to I'd like

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<v Speaker 1>to Thanksgiving rip ros myself like a prime rib. Anyway,

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<v Speaker 1>but it is an opportunity to kind of have a

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<v Speaker 1>little time off and to give thanks in all sincerity

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<v Speaker 1>for our blessings and that our bously, our family, our

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<v Speaker 1>friends are good fortune and you Brian, and this podcast

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<v Speaker 1>and today I'm exceptionally thankful that I get to talk

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<v Speaker 1>to Hugh Jackman, Matt Bye and Jake Carson. Did they

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<v Speaker 1>sound like afterthoughts? Well? Maybe because a jack. Hugh Jackman,

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<v Speaker 1>of course, has a new movie out called The front Runner,

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<v Speaker 1>all about Gary Hart's ill fated campaign and what happened

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<v Speaker 1>to him in three weeks back in seven when it

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<v Speaker 1>looked like he was going to win his party's nomination

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<v Speaker 1>for president of the United States. But it was when

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<v Speaker 1>everything changed, not only for Gary Hart, but for the

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<v Speaker 1>media and for our country. And we should provide a

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<v Speaker 1>little bit of background. Gary Hart was a Democratic senator

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<v Speaker 1>from Colorado. He had run unsuccessfully for president once before.

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<v Speaker 1>Everybody sort of assumed he was going to be the

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<v Speaker 1>leader of the pack. But then the media started digging

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<v Speaker 1>around his personal life and that was kind of the

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<v Speaker 1>beginning of the end for his effort. I'm going to

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<v Speaker 1>show you, Senator, this is relevant. It's just that we

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<v Speaker 1>saw you leave and come back with this woman, and

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<v Speaker 1>we wouldn't see her. No one is staying in my home.

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<v Speaker 1>There's no need for that, right, I am serious, sir.

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<v Speaker 1>How long have you known this? One kind of question?

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<v Speaker 1>What kind of questions are? Is she a friend? Well,

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<v Speaker 1>I don't know why I would tell you that, Tom,

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<v Speaker 1>I am not going to you produce her to corroborate

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<v Speaker 1>what you're saying. You have to produce anything. This has

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<v Speaker 1>gone on along. We know you've made calls to this

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<v Speaker 1>woman from Kansas and New Hampson every day. I don't

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<v Speaker 1>see how I remember at your announcement speech. Okay, you said,

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<v Speaker 1>you said, we weld ourselves the highest possible standards of

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<v Speaker 1>integrity and ethics. Then why are we standing here now?

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<v Speaker 1>Hugh Jackman did not do this on his own. It's

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<v Speaker 1>based on a book written by Matt, by one of

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<v Speaker 1>our favorites. We worked together when we were both at

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<v Speaker 1>Yahoo News. Matt is still there is the National Political Columnists.

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<v Speaker 1>So this movie is based on his book called All

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<v Speaker 1>the Truth Is Out, The Weak Politics Went Tabloid. We're

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<v Speaker 1>also joined by another one of my favorites, Jay Carson.

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<v Speaker 1>Jay Carson helped adapt Matt's book into the screenplay along

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<v Speaker 1>with director Jason Rightman. James had a pretty interesting career himself.

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<v Speaker 1>He's only a senior advisor at Bloomberg Philanthropies. He's worked

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<v Speaker 1>on a lot of big political campaigns. You and I,

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<v Speaker 1>I think first got to know him ten years ago

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<v Speaker 1>when he was the traveling press secretary for Hillary Clinton.

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<v Speaker 1>That's right. Fun fact. Ryan Gosling played the character based

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<v Speaker 1>on j in the two thousand thirteen movie The Odds

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<v Speaker 1>of March As I'm looking at you, Brian, Ryan Gosling

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<v Speaker 1>could play you in the movie All About Our Podcast.

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<v Speaker 1>You know, find a nickel for every time somebody said

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<v Speaker 1>that's me, Katie, I'm you know, I'm confused for Hugh

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<v Speaker 1>or for Ryan particularly Shirt. Anyway, we decided we were

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<v Speaker 1>going to have a long conversation with them about politics,

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<v Speaker 1>the media, about Gary Hart, and how you really take

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<v Speaker 1>a story that happened in nine seven and make it

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<v Speaker 1>relevant today. So we started out by asking Matt why

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<v Speaker 1>he wanted to write a book about this chapter in

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<v Speaker 1>American politics in the first place. There are just stories.

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<v Speaker 1>I know you've had this experience, kidding, They're just stories.

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<v Speaker 1>They grab you, they don't really let you go. I'm

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<v Speaker 1>not a person who has a million ideas I want

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<v Speaker 1>to live with for a long time. In fact, this

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<v Speaker 1>might be the only one. But you know, I had

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<v Speaker 1>met Gary Hart at the end of two thousand two

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<v Speaker 1>when I was in New York Times magazine. I'd written

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<v Speaker 1>about him. I'd been found myself really compelled both by

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<v Speaker 1>him and his story and also about the things I've

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<v Speaker 1>missed about his story. I mean, the more I looked

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<v Speaker 1>into it, the more I found that some things were

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<v Speaker 1>just so misremembered about it, even things I'd repeated. Honestly,

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<v Speaker 1>they just weren't right. And I think to myself as

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<v Speaker 1>a journalist. If we've if we've just put something in

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<v Speaker 1>a box and we've we've collectively misremembered it. Why you know, what,

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<v Speaker 1>what why why do you do that? You don't do

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<v Speaker 1>that for no reason. You overlook something for a reason.

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<v Speaker 1>And I really began to look into it, decided I

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<v Speaker 1>wanted to do the book, which really people did think

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<v Speaker 1>was a crazy idea except for Jay, my wife, you

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<v Speaker 1>know people. But you know by um, you know, the

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<v Speaker 1>book came out in and you know, I should imagine

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<v Speaker 1>because we started talking about um, all of us behind

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<v Speaker 1>the movie, but you know, the driving force behind the

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<v Speaker 1>movies Jason Reitman, our director and co writer, who uh

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<v Speaker 1>you know, who heard me talking about the book on

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<v Speaker 1>a podcast and on a radio that piece and just

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<v Speaker 1>was immediately got it, you know, just was hooked. Read

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<v Speaker 1>the book immediately, you know, if you know, Jason just

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<v Speaker 1>like write the book in about twenty seconds. Uh, you know,

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<v Speaker 1>I had the movie in his head by the time

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<v Speaker 1>we all sat down, and uh and we we all

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<v Speaker 1>just had this kind of magical collaboration. Really and what

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<v Speaker 1>was it, Hugh that made you think, Gosh, I want

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<v Speaker 1>to play Gary Hart? Well, Jason was a big part

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<v Speaker 1>of it, and I didn't know a lot about the story,

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<v Speaker 1>and I was amazed when I read it all how

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<v Speaker 1>this incredible for me, incredible candidate and with an unbelievably

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<v Speaker 1>strong ideas somehow quit politics forever, like this was the

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<v Speaker 1>guy who was definitely going to be the next president.

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<v Speaker 1>Three weeks later he's out forever. And this sort of

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<v Speaker 1>mix about principles and ethics and public versus p of it.

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<v Speaker 1>There was so much about it that fascinated me, and

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<v Speaker 1>I was in probably twenty pages into the script. I

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<v Speaker 1>thought the writing was so smart. I loved being part

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<v Speaker 1>of a movie that wasn't heroes and villains. It was

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<v Speaker 1>just a whole bunch of characters. I love the way

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<v Speaker 1>that women were portrayed in the movie, and it really

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<v Speaker 1>made me think, which ultimately is great thing if you're

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<v Speaker 1>going to see a movie, and if you're going to

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<v Speaker 1>be in a movie and you're gonna dedicate six nine

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<v Speaker 1>months to be alive. He wanted to be something that's

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<v Speaker 1>really going to grab you. Jay. There were very few

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<v Speaker 1>negatives on Heart, but one was the sort of undefined

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<v Speaker 1>sense that he was a little bit flaky. He had

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<v Speaker 1>changed his last name he had changed his signature, he

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<v Speaker 1>had even changed his birthdate at one point. But the

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<v Speaker 1>other was Heart's reputation as a womanizer. And of course

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<v Speaker 1>before reporters didn't look at the private lives of candidate's

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<v Speaker 1>pretty much. Ever, why do you think this changed? Why

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<v Speaker 1>do you think the Heart campaign was the moment that

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<v Speaker 1>this shifted. I mean, there's a confluence of events that

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<v Speaker 1>happened around eight um that lead to this moment shifting,

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<v Speaker 1>and it shifts in it and it never returns. But

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<v Speaker 1>there is a rule pre ad eight, which is that

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<v Speaker 1>someone's personal life is never relevant. Um. The rule post

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<v Speaker 1>is that it's always relevant. What we're arguing for in

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<v Speaker 1>this movie is some judgment on the part on on

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<v Speaker 1>all of our parts, the voters, the journalists, the candidates.

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<v Speaker 1>Certainly there were times pre a eight where it was

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<v Speaker 1>relevant we should have known what was going on behind

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<v Speaker 1>closed doors. Certainly there have been times post eight eight

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<v Speaker 1>where we don't need to know. And that's that's sort

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<v Speaker 1>of what we're trying to start that conversation, UM, because

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<v Speaker 1>I think that absolute rules, whether they are ideology or

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<v Speaker 1>something like always and never are they're just lazy on

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<v Speaker 1>all of our parts. So what Was it about the

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<v Speaker 1>atmosphere though then and the environment Matt that this confluence

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<v Speaker 1>that Jave referred to, that was it increased competition? Was it,

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<v Speaker 1>you know, the US weeklies of the world coming into play.

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<v Speaker 1>I mean, you know, I remember because I had worked

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<v Speaker 1>at w TVJ in Miami and I was big admirer

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<v Speaker 1>of Tom Fieedler's But yeah, he's from the Miami Herald

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<v Speaker 1>that was really involved in in breaking this story. Right,

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<v Speaker 1>What was happening that caused this? There are moments in

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<v Speaker 1>time where things come together in a way that changes

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<v Speaker 1>and it's not just politics, changes the culture. And I think,

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<v Speaker 1>you know, in retrospect, what's easier to see now than

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<v Speaker 1>at that moment in the mid nineties, you had a

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<v Speaker 1>bunch of things going on. You're about a decade after Watergate,

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<v Speaker 1>which changes journalism in a couple of profound ways. It changes, yes,

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<v Speaker 1>in a sort of based career ambition way. Right, if

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<v Speaker 1>you can take down a politician, now you can get

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<v Speaker 1>rich and famous. But also quite quite rightly, I think

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<v Speaker 1>puts the focus on moral character of our leaders more

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<v Speaker 1>than it had been. And because it was embarrassing for

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<v Speaker 1>the media to have missed that about Richard Nixon. You

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<v Speaker 1>had the rise of feminism on the left, which changed

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<v Speaker 1>attitudes about adult three, you had the rise of the

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<v Speaker 1>moral majority on the right, which also put personal behavior

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<v Speaker 1>much more in the realm of political discussion. And then

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<v Speaker 1>you have the birth that you know better than I do,

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<v Speaker 1>the birth of to like television right, CNN launches in

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<v Speaker 1>the early nineteen eighties, flyaway satellite dishes. Right. Suddenly you

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<v Speaker 1>have this moment where you can broadcast live anything from anywhere,

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<v Speaker 1>and you've got to keep people in their seats, and

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<v Speaker 1>the definition of news changes when it's an hour to

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<v Speaker 1>hour sort of keep the ratings up, uh issue, And

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<v Speaker 1>so all of these things come together, I think in

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<v Speaker 1>that moment, and as a result, what happens is that

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<v Speaker 1>we begin from that moment to treat our candidate's much

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<v Speaker 1>more like we treat our celebrities. And I would submit

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<v Speaker 1>that when you treat politicians like celebrities and create a

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<v Speaker 1>process that demands celebrity, you will get celebrities as politicians

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<v Speaker 1>and wanting to enter the process. And I think that's

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<v Speaker 1>been the direct line that you can follow from that

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<v Speaker 1>moment to the one in which we find ourselves, frankly

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<v Speaker 1>more relevant than we thought writing the script. We we

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<v Speaker 1>had the script done before thee election, but I think

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<v Speaker 1>I think events have just made it so unsettlingly timely

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<v Speaker 1>in some ways. You know, I think you accomplished something

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<v Speaker 1>that I thought was impossible. You made Hugh Jackman actually

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<v Speaker 1>unappealing to one. Thing that struck me, you know, because

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<v Speaker 1>I remember Gary hard. I think I've interviewed him on

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<v Speaker 1>a number of occasions, and of course I remember the

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<v Speaker 1>story well. Even though I was in local news when

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<v Speaker 1>this this story happened. Um, you know, I kept thinking, God,

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<v Speaker 1>he's so humorless, and he's so lacking in Christmas. He's

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<v Speaker 1>so obnoxiously earnest. That's what I thought when I watched

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<v Speaker 1>this movie. Did you set out to make him that way?

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<v Speaker 1>This is the least amount of acting I've ever done.

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<v Speaker 1>I know he is, I know you. He's the antithesis

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<v Speaker 1>of everything you are. I mean, did you just have

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<v Speaker 1>to like try to sublimate any personality? No, I have

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<v Speaker 1>a different perspective from meeting him and spending time with him.

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<v Speaker 1>I find him very mercurial in a way. Like I

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<v Speaker 1>actually jokingly said to him, have you ever thought about

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<v Speaker 1>being an actor? Because when I'm around a lot of actors,

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<v Speaker 1>I always feel like any adjective could work with that actor,

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<v Speaker 1>Like actors have to chop and change so much that

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<v Speaker 1>they can to time to be grumpy or earnest or funny.

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<v Speaker 1>And I found him maybe because of everything I'd heard

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<v Speaker 1>or read. I was surprisingly warm, funny, very inviting, very

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<v Speaker 1>very hospitable. He was quite serious and brief in what

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<v Speaker 1>he did, and people were even his own campaign team

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<v Speaker 1>at important moments, were on eggshells at times around him

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<v Speaker 1>because he was very serious and he wasn't mucking around.

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<v Speaker 1>But I I my job was to bring you close enough,

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<v Speaker 1>but never let you in. That's what I felt, and

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<v Speaker 1>Jason I talked about that a lot, because he is

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<v Speaker 1>a very private person, and a lot of people I

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<v Speaker 1>spoke to even to this day, once it's been years

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<v Speaker 1>around it was like I couldn't quite grab onto who

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<v Speaker 1>he is. So I'm a little even hearing you now,

0:11:57.120 --> 0:11:59.800
<v Speaker 1>I'm like, maybe I didn't quite work. I was hoping

0:12:00.280 --> 0:12:02.280
<v Speaker 1>for a bit like I think I've got it, but

0:12:02.280 --> 0:12:06.319
<v Speaker 1>I'm not sure like that, I mean, I mean, I

0:12:06.559 --> 0:12:11.360
<v Speaker 1>felt he was almost contemptuous of the People magazine culture.

0:12:11.480 --> 0:12:15.360
<v Speaker 1>We were moving towards definitely think it's a discomfort more

0:12:15.360 --> 0:12:16.839
<v Speaker 1>than anything I think, And I think that's what he

0:12:16.960 --> 0:12:20.480
<v Speaker 1>brings across so brilliantly. I do think he is absolutely

0:12:20.480 --> 0:12:22.319
<v Speaker 1>brilliant this film. I think we all do, and and

0:12:22.320 --> 0:12:25.720
<v Speaker 1>and part of it is is telegraphing something that's very

0:12:25.800 --> 0:12:28.440
<v Speaker 1>hard to telegraph with your face, with your emotions, with

0:12:28.480 --> 0:12:33.840
<v Speaker 1>your emotions. Is this this discomfort with the arena is

0:12:33.880 --> 0:12:38.200
<v Speaker 1>not being able to feel yourself, with feeling always under

0:12:38.200 --> 0:12:41.400
<v Speaker 1>a microscope and and feeling the ground shifting underneath you,

0:12:41.440 --> 0:12:43.120
<v Speaker 1>and not being able to adapt to it. It's a

0:12:43.120 --> 0:12:45.560
<v Speaker 1>hard thing to get across with somebody who doesn't deliver

0:12:45.679 --> 0:12:49.120
<v Speaker 1>long soliloquies, which is and I think you did a

0:12:49.160 --> 0:12:51.559
<v Speaker 1>great job. Don't get me wrong. I just didn't find

0:12:51.600 --> 0:12:55.520
<v Speaker 1>Gary Hart very appealing for me because I think he

0:12:55.640 --> 0:13:00.440
<v Speaker 1>was so intent upon maintaining this zone of privacy. As

0:13:00.520 --> 0:13:03.440
<v Speaker 1>somebody who watched the movie, I you know, I just

0:13:03.480 --> 0:13:05.760
<v Speaker 1>wanted to mess up his hair and slap him around

0:13:05.840 --> 0:13:09.880
<v Speaker 1>and get him drunk. Right by the way he got

0:13:09.880 --> 0:13:13.080
<v Speaker 1>mad drunk. He makes a main mountainy when I said

0:13:13.080 --> 0:13:16.120
<v Speaker 1>in his house, oh yeah, no, no he can, he

0:13:16.160 --> 0:13:19.240
<v Speaker 1>can throw him back, but he yeah, No, it's it's

0:13:19.800 --> 0:13:21.800
<v Speaker 1>it's interesting because I think it was. I DAS was

0:13:21.880 --> 0:13:24.720
<v Speaker 1>so important to him, and he spent hours on them.

0:13:24.760 --> 0:13:28.560
<v Speaker 1>And so when he was doing a speech on economics

0:13:28.679 --> 0:13:31.240
<v Speaker 1>or in anything, it had been years of working things

0:13:31.280 --> 0:13:35.640
<v Speaker 1>out before he ran. He had been to every country,

0:13:35.760 --> 0:13:38.000
<v Speaker 1>met with not just the leader but the opposition leader.

0:13:38.080 --> 0:13:41.280
<v Speaker 1>So he knew, like his detail on how he could

0:13:41.320 --> 0:13:45.080
<v Speaker 1>possibly lead the country very well overnight year period was incredible.

0:13:45.320 --> 0:13:49.320
<v Speaker 1>Did he have enough EQ for this current environment and

0:13:49.440 --> 0:13:53.080
<v Speaker 1>for mass media? And you know when they say people

0:13:53.160 --> 0:13:55.560
<v Speaker 1>vote for the guy or gal they want to have

0:13:55.600 --> 0:13:58.720
<v Speaker 1>a beer with, Like I mean, he just didn't seem

0:13:58.720 --> 0:14:02.719
<v Speaker 1>to have any of those. Hey, let's let's hang out qualities.

0:14:02.960 --> 0:14:05.160
<v Speaker 1>I know what you mean. And I think I find

0:14:05.200 --> 0:14:08.360
<v Speaker 1>myself in the same place sometimes scolding myself for needing

0:14:08.360 --> 0:14:11.080
<v Speaker 1>the person to have the right EQ. And and I

0:14:11.160 --> 0:14:14.480
<v Speaker 1>have through the process of writing and doing this movie,

0:14:15.200 --> 0:14:17.680
<v Speaker 1>I wanted to flip that around in my head and

0:14:17.760 --> 0:14:20.360
<v Speaker 1>wonder why we put so much stress on that. Right,

0:14:20.400 --> 0:14:22.880
<v Speaker 1>We're watching someone who's clearly brilliant, who's clearly thought the

0:14:22.920 --> 0:14:24.680
<v Speaker 1>job through, but we don't like them enough. And this

0:14:24.800 --> 0:14:26.440
<v Speaker 1>is weird thing where like we would never cheat our

0:14:26.440 --> 0:14:28.720
<v Speaker 1>airline pilot that way. I mean, I flew through a

0:14:28.720 --> 0:14:30.480
<v Speaker 1>lot of turbulence to get here last night, and I

0:14:30.520 --> 0:14:32.760
<v Speaker 1>wasn't thinking as I was laying there trying to to

0:14:32.880 --> 0:14:35.120
<v Speaker 1>sleep through the through the bouncing around, like do I

0:14:35.200 --> 0:14:37.800
<v Speaker 1>like my pilot? Is he nice enough? I'm like, I

0:14:37.840 --> 0:14:39.840
<v Speaker 1>want him to be able to fly the goddamn plane

0:14:39.880 --> 0:14:43.120
<v Speaker 1>and landed and we flipped it around with President, which

0:14:43.120 --> 0:14:45.440
<v Speaker 1>is much more serious than flying just two hundred of

0:14:45.480 --> 0:14:49.720
<v Speaker 1>us across the country. I personally want to pilot chat

0:14:52.080 --> 0:14:54.400
<v Speaker 1>and they do both right. They're funny and they can fly.

0:14:54.520 --> 0:14:57.560
<v Speaker 1>But like, I'll take flying over funny and likable every day.

0:14:57.560 --> 0:14:59.200
<v Speaker 1>But we have I do it too, Like I would

0:14:59.240 --> 0:15:01.160
<v Speaker 1>pick candidates I would work for based on do I

0:15:01.200 --> 0:15:02.760
<v Speaker 1>like them? Do I want to be around them all

0:15:02.800 --> 0:15:05.920
<v Speaker 1>the time? That's not the right prioritization. Don't they have

0:15:06.000 --> 0:15:08.800
<v Speaker 1>to be great communicators though, Isn't that? Part of Donald

0:15:08.840 --> 0:15:12.440
<v Speaker 1>Trump's problem is that he just doesn't know how to

0:15:12.520 --> 0:15:15.200
<v Speaker 1>heal the nation and times of duress. He doesn't know

0:15:15.280 --> 0:15:18.160
<v Speaker 1>how to inspire anyone. All he knows is how to

0:15:18.720 --> 0:15:22.000
<v Speaker 1>you know, hate on people really and and to me,

0:15:22.840 --> 0:15:27.760
<v Speaker 1>communicating and setting a tone is as important as having

0:15:27.800 --> 0:15:30.880
<v Speaker 1>the cerebral qualities of coming up with the best policies.

0:15:31.080 --> 0:15:33.400
<v Speaker 1>But let me just add another little thing into that mix,

0:15:33.600 --> 0:15:36.560
<v Speaker 1>in that there's a great documentary about his eighty four

0:15:36.640 --> 0:15:40.120
<v Speaker 1>run and he's on camera saying, I'm I'm often called

0:15:40.320 --> 0:15:43.720
<v Speaker 1>cool and aloof that when we win that first primary,

0:15:43.760 --> 0:15:46.960
<v Speaker 1>everyone will call me enigmatic and he and and that's

0:15:47.000 --> 0:15:49.560
<v Speaker 1>exactly what happened. So he wins in a landslide. If

0:15:49.640 --> 0:15:51.840
<v Speaker 1>anyone's like, who's this guy out of nowhere? And Heart

0:15:51.840 --> 0:15:56.000
<v Speaker 1>and all of a sudden, people seem in this different prison.

0:15:56.120 --> 0:15:58.880
<v Speaker 1>So if we cut to seven, let's say he wins

0:15:58.880 --> 0:16:00.960
<v Speaker 1>the first four or five pa these twenty points, they

0:16:01.040 --> 0:16:03.720
<v Speaker 1>hit a bush. People seeing him in a whole different light.

0:16:04.080 --> 0:16:06.640
<v Speaker 1>He probably carries himself in a different light. He doesn't

0:16:06.640 --> 0:16:08.640
<v Speaker 1>have to work so like it would might have fit

0:16:08.760 --> 0:16:11.320
<v Speaker 1>perfectly with his character and we would have just gone, ah,

0:16:11.360 --> 0:16:13.160
<v Speaker 1>a lot of this guy. He's got great He doesn't

0:16:13.200 --> 0:16:15.800
<v Speaker 1>have to talk on and on like I think it's

0:16:15.880 --> 0:16:18.600
<v Speaker 1>it's just interesting that he did have an understanding of

0:16:18.680 --> 0:16:21.800
<v Speaker 1>human nature. And maybe it was events as much as anything. Well,

0:16:21.800 --> 0:16:25.720
<v Speaker 1>I'm front runners are covered differently. Heart was supposed by

0:16:25.720 --> 0:16:28.040
<v Speaker 1>everyone to be the next president United States, and so

0:16:28.120 --> 0:16:30.680
<v Speaker 1>he generated a lot of extra scrutiny. But I'm going

0:16:30.760 --> 0:16:34.120
<v Speaker 1>to ask you about how much the rules actually changed.

0:16:34.200 --> 0:16:38.600
<v Speaker 1>Because after Heart, Bill Clinton and Frankly, our current president

0:16:38.680 --> 0:16:42.840
<v Speaker 1>have gotten away with extramarital affairs. Why do you think

0:16:43.200 --> 0:16:46.000
<v Speaker 1>they were able to get through these controversies? But Heart

0:16:46.120 --> 0:16:49.880
<v Speaker 1>was I mean, Brian, it's it's exactly what I was saying.

0:16:50.280 --> 0:16:51.720
<v Speaker 1>You know, It's just what I was saying a moment ago.

0:16:51.760 --> 0:16:55.080
<v Speaker 1>Because you create a process that rewards a certain amount

0:16:55.120 --> 0:16:58.480
<v Speaker 1>of shamelessness and evasion and the willingness to drag your

0:16:58.480 --> 0:17:01.760
<v Speaker 1>family uh in one of the cameras and uh and

0:17:01.840 --> 0:17:05.080
<v Speaker 1>Frankly to be dishonest and uh, you know. I mean

0:17:05.119 --> 0:17:07.800
<v Speaker 1>you can look at it and say, well, Bill Clinton survived.

0:17:07.800 --> 0:17:09.199
<v Speaker 1>Now I look at Donald Trump and he's got all

0:17:09.240 --> 0:17:11.160
<v Speaker 1>this checker stuff and he just says whatever he wants

0:17:11.160 --> 0:17:14.080
<v Speaker 1>and sales through. Okay, But but I would look at it,

0:17:14.119 --> 0:17:16.800
<v Speaker 1>I would suggest that it's very different, which is, you

0:17:17.119 --> 0:17:20.720
<v Speaker 1>created a process that rewards an entirely different set of qualities.

0:17:20.760 --> 0:17:22.520
<v Speaker 1>What we think of his leadership now is not what

0:17:22.560 --> 0:17:25.719
<v Speaker 1>we thought of his leadership prior to. It's not about ideas.

0:17:25.760 --> 0:17:27.760
<v Speaker 1>It's not about intellect, it's not about even a certain

0:17:27.760 --> 0:17:30.480
<v Speaker 1>amount of reserve, which people generally expected in their leaders.

0:17:30.840 --> 0:17:33.920
<v Speaker 1>It's now about how well how well can you evade

0:17:33.920 --> 0:17:36.439
<v Speaker 1>the traps, how well can you emode on que how

0:17:36.600 --> 0:17:39.000
<v Speaker 1>much of us? How much are you willing to share? What?

0:17:39.200 --> 0:17:42.520
<v Speaker 1>How much can you humanize yourself? Uh? And and and

0:17:42.560 --> 0:17:45.119
<v Speaker 1>how you know, can you lie effectively to get around

0:17:45.200 --> 0:17:47.399
<v Speaker 1>the things about yourself that would be that would be

0:17:47.440 --> 0:17:50.200
<v Speaker 1>morally damaging. I think when you create, when you change

0:17:50.240 --> 0:17:53.520
<v Speaker 1>the definition of what makes a great candidate, you you

0:17:53.520 --> 0:17:56.000
<v Speaker 1>you you get the candidates who meet those qualifications and

0:17:56.320 --> 0:18:01.640
<v Speaker 1>a pretty good candidate instant. It ends up being incidental.

0:18:01.880 --> 0:18:03.639
<v Speaker 1>You know, you may have someone who knows how to

0:18:03.680 --> 0:18:06.400
<v Speaker 1>do the job, but that's their performing ability that we're

0:18:06.400 --> 0:18:08.119
<v Speaker 1>looking at first. It's just what I was saying. It's

0:18:08.200 --> 0:18:10.520
<v Speaker 1>it's not can they fly the plane, it's it's their

0:18:10.560 --> 0:18:12.879
<v Speaker 1>performance ability. And oh, incidentally, they may have gone to

0:18:12.920 --> 0:18:15.080
<v Speaker 1>flight school. But we're not really asking those questions first.

0:18:15.119 --> 0:18:17.679
<v Speaker 1>That we have a process that rewards shamelessness. Is it

0:18:17.760 --> 0:18:21.919
<v Speaker 1>because there's no marketplace of ideas? I mean, is it

0:18:21.960 --> 0:18:25.919
<v Speaker 1>because of our modern media culture that emphasizes sort of

0:18:25.960 --> 0:18:30.800
<v Speaker 1>the quick uh, you know, dramatic theatrical aspect of a

0:18:30.880 --> 0:18:34.639
<v Speaker 1>candidate or a president. I mean, why did it all change?

0:18:34.680 --> 0:18:38.320
<v Speaker 1>I mean, are we just stupid? I mean, what is it? Well?

0:18:38.320 --> 0:18:40.640
<v Speaker 1>I think that's that's a chicken and egg question, right,

0:18:40.680 --> 0:18:43.800
<v Speaker 1>is it is it? Does the process dumbed down the

0:18:43.840 --> 0:18:48.199
<v Speaker 1>dialogue and and bleed bleeded of ideas or or does

0:18:48.240 --> 0:18:50.280
<v Speaker 1>a lack of ideas create a more vapid process. And

0:18:50.280 --> 0:18:52.159
<v Speaker 1>that's part of the conversation. I think people can debate,

0:18:52.200 --> 0:18:54.080
<v Speaker 1>you know, when they when they think about these issues.

0:18:54.119 --> 0:18:55.760
<v Speaker 1>To your point B about Presdental Bomba, which is a

0:18:55.840 --> 0:18:58.159
<v Speaker 1>very interesting case and I think very actually quite similar

0:18:58.280 --> 0:19:01.399
<v Speaker 1>to Center Heart in some ways in terms personality. I

0:19:01.480 --> 0:19:05.080
<v Speaker 1>would actually argue that while President Obama is different than

0:19:05.119 --> 0:19:08.600
<v Speaker 1>the other people we talked about, his mere existence as

0:19:08.640 --> 0:19:11.199
<v Speaker 1>a candidate and president would not have been possible in

0:19:11.240 --> 0:19:13.119
<v Speaker 1>a process that we're not dominated by a kind of

0:19:13.240 --> 0:19:15.720
<v Speaker 1>entertainment narrative. He was the star of a drama. You know,

0:19:15.760 --> 0:19:18.400
<v Speaker 1>we call him no Drama Obama. The truth is he

0:19:18.560 --> 0:19:21.560
<v Speaker 1>had very little experience, very little qualification, had thought through

0:19:21.680 --> 0:19:24.760
<v Speaker 1>very little about governing the country. But he was a story.

0:19:24.840 --> 0:19:27.399
<v Speaker 1>There was a great story, arc and a great character

0:19:27.480 --> 0:19:29.359
<v Speaker 1>to what he sold the country. And I don't I

0:19:29.400 --> 0:19:31.320
<v Speaker 1>don't know, I know him, and I don't argue he

0:19:31.359 --> 0:19:34.200
<v Speaker 1>wasn't a good president. I'm simply saying he is part

0:19:34.240 --> 0:19:37.719
<v Speaker 1>and parcel of of an euro where entertainment has become

0:19:38.000 --> 0:19:41.320
<v Speaker 1>intertwined and inseparable from politics. And I think this is

0:19:41.359 --> 0:19:43.280
<v Speaker 1>what we're looking at. Here is a genesis moment. It's

0:19:43.280 --> 0:19:44.879
<v Speaker 1>a moment, you know. What we're trying to show people

0:19:45.000 --> 0:19:47.760
<v Speaker 1>is a moment where it shifted so they can leave

0:19:47.840 --> 0:19:50.920
<v Speaker 1>and reflect and argue about how it got here, whether

0:19:50.960 --> 0:19:53.119
<v Speaker 1>it should have been different, and where the responsibility laws.

0:19:53.119 --> 0:19:55.199
<v Speaker 1>On the other hand, I was frustrated because ja I

0:19:55.280 --> 0:19:57.320
<v Speaker 1>kept thinking, why couldn't Gary Heart just keep it in

0:19:57.359 --> 0:20:01.960
<v Speaker 1>his pants? What the hell was wrong with him? I mean, look,

0:20:02.000 --> 0:20:04.840
<v Speaker 1>I mean, I mean, is it too much to expect?

0:20:05.000 --> 0:20:09.760
<v Speaker 1>Maybe I'm just not idealistic and naive, but I kind

0:20:09.800 --> 0:20:15.920
<v Speaker 1>of want my president to be faithful? Is that weird? Matt?

0:20:16.000 --> 0:20:18.639
<v Speaker 1>You want to notice that Teddy White said that of

0:20:18.680 --> 0:20:22.080
<v Speaker 1>all the candidates he covered in half a century for president,

0:20:22.200 --> 0:20:26.440
<v Speaker 1>only three Harry Truman, George Romney and Jimmy Carter had

0:20:26.520 --> 0:20:30.080
<v Speaker 1>not enjoyed the pleasure of quote casual partners, which is

0:20:30.119 --> 0:20:31.920
<v Speaker 1>kind of unbelievable. We could have I guess we could

0:20:31.920 --> 0:20:34.760
<v Speaker 1>have twenty Carter administrations if that's what you want. But uh,

0:20:35.119 --> 0:20:39.040
<v Speaker 1>you know, what should should I not care? You know?

0:20:39.359 --> 0:20:41.760
<v Speaker 1>You should care? I mean I think that, you know,

0:20:41.760 --> 0:20:43.520
<v Speaker 1>part of what we're arguing this movie is that like,

0:20:43.560 --> 0:20:45.439
<v Speaker 1>it's okay for you to care, that you and a

0:20:45.480 --> 0:20:48.520
<v Speaker 1>big block of voters do care, and that's that's just fine.

0:20:48.560 --> 0:20:51.120
<v Speaker 1>It's not we're not arguing to go backward. No no,

0:20:51.119 --> 0:20:54.120
<v Speaker 1>no, no no no. But everyone everyone may not care, um,

0:20:54.160 --> 0:20:56.800
<v Speaker 1>but it's absolutely if that's on your if that's you know,

0:20:56.800 --> 0:20:58.919
<v Speaker 1>if that's if they didn't care about Bill Clinton and

0:20:58.960 --> 0:21:03.280
<v Speaker 1>suddenly now they care again because of Montica Lewinsky. M hmm.

0:21:03.960 --> 0:21:05.600
<v Speaker 1>But I mean to bring it back to the movie

0:21:05.680 --> 0:21:08.639
<v Speaker 1>The Clinton Cases. The Clinton case is an interesting one

0:21:08.640 --> 0:21:10.600
<v Speaker 1>because it goes back to what we're talking about. There's

0:21:10.640 --> 0:21:13.919
<v Speaker 1>a the performative skills and the and the willingness to

0:21:14.160 --> 0:21:17.639
<v Speaker 1>do anything to get through a scandal leads to you know,

0:21:17.680 --> 0:21:19.640
<v Speaker 1>he takes a number of steps that Gary Hart wasn't

0:21:19.640 --> 0:21:23.560
<v Speaker 1>willing to take. A eight you know, if you'll the

0:21:23.600 --> 0:21:26.160
<v Speaker 1>sixty minutes interview to start right, you know, I mean,

0:21:26.200 --> 0:21:28.000
<v Speaker 1>heart was like, I am not going to force my

0:21:28.040 --> 0:21:31.000
<v Speaker 1>wife to sit next to me and and do an

0:21:31.040 --> 0:21:33.600
<v Speaker 1>interview about this. I'm just not going to do it.

0:21:35.080 --> 0:21:37.959
<v Speaker 1>And you know, other other candidates, they all had us.

0:21:38.040 --> 0:21:40.680
<v Speaker 1>They also had seemed to have a super weird relationship.

0:21:40.880 --> 0:21:46.160
<v Speaker 1>To me, I'm okay. First of all, the assumption that

0:21:46.200 --> 0:21:49.320
<v Speaker 1>all that happened with Gary is not a given. Uh

0:21:49.520 --> 0:21:55.640
<v Speaker 1>so that's not deny it actually, and he has been

0:21:55.640 --> 0:21:58.119
<v Speaker 1>on record to saying they had two separations to maybe

0:21:58.119 --> 0:22:01.520
<v Speaker 1>three during they just celebrated sixt winning anniversary and I

0:22:01.520 --> 0:22:03.919
<v Speaker 1>stayed with him at their house and Gary as she

0:22:04.080 --> 0:22:06.640
<v Speaker 1>was recovering from elective hip surgery. And Gary, at six

0:22:06.640 --> 0:22:08.359
<v Speaker 1>o'clock in the morning, we had the tray with the

0:22:08.400 --> 0:22:11.840
<v Speaker 1>folded napkin and her pills for the thing and taking

0:22:11.880 --> 0:22:15.280
<v Speaker 1>the breakfast to her, and I saw nothing but love

0:22:15.359 --> 0:22:19.200
<v Speaker 1>and devotion and family and come on you sixty years

0:22:19.440 --> 0:22:21.439
<v Speaker 1>it's never it's not going to be all right. But

0:22:22.520 --> 0:22:24.800
<v Speaker 1>the point of the movie is not did he or

0:22:24.840 --> 0:22:29.359
<v Speaker 1>didn't he? Even if he did, is that disqualifying? But

0:22:29.440 --> 0:22:31.240
<v Speaker 1>I just feel I'm sitting here going I have to

0:22:31.240 --> 0:22:33.480
<v Speaker 1>stand up with Gary because I know if Gary's he

0:22:33.560 --> 0:22:35.679
<v Speaker 1>was like, well hang on his sex stop assuming that

0:22:35.800 --> 0:22:40.040
<v Speaker 1>I'm one of those presidents, but you know who or

0:22:40.160 --> 0:22:45.479
<v Speaker 1>presidential candidates who did or didn't. We're talking to Hugh Jackman,

0:22:45.560 --> 0:22:48.320
<v Speaker 1>j Carson, and Matt By about their movie The front Runner.

0:22:48.359 --> 0:22:50.800
<v Speaker 1>Will be back with Moore right after this quick break.

0:22:59.400 --> 0:23:01.879
<v Speaker 1>Now back to Hugh jack and Jake Carson and that

0:23:02.040 --> 0:23:06.239
<v Speaker 1>by Q. There's a famous moment that's covered in the

0:23:06.240 --> 0:23:09.320
<v Speaker 1>film when your character is asked by a reporter who's

0:23:09.320 --> 0:23:12.880
<v Speaker 1>e J. Dion in real life about his womanizing reputation.

0:23:13.280 --> 0:23:15.800
<v Speaker 1>God sick. Just ask whatever it is you came here

0:23:15.840 --> 0:23:19.200
<v Speaker 1>to ask. Whatever you're read. I told you to ask me.

0:23:20.119 --> 0:23:24.439
<v Speaker 1>This is beneath you. Okay, m do you feel like

0:23:24.440 --> 0:23:33.439
<v Speaker 1>you have a traditional marriage? Yeah? You want to know

0:23:33.440 --> 0:23:35.200
<v Speaker 1>what I'm doing all my spare time. AJ is that

0:23:35.320 --> 0:23:37.639
<v Speaker 1>it follow me around, put a tail on me, be

0:23:37.720 --> 0:23:40.400
<v Speaker 1>very bored. A couple of points on that heart. Didn't

0:23:40.440 --> 0:23:44.119
<v Speaker 1>think anybody would actually do it, and the Miami Herald

0:23:44.160 --> 0:23:48.440
<v Speaker 1>reporters were already part They used that post facto as

0:23:48.440 --> 0:23:52.400
<v Speaker 1>a justification. Yeah. I think I think Matt's book for Gary,

0:23:52.560 --> 0:23:55.560
<v Speaker 1>one great takeaway for him was that Finally, I mean

0:23:55.760 --> 0:23:58.680
<v Speaker 1>for probably the smartest politician that may have ever been

0:23:59.200 --> 0:24:02.359
<v Speaker 1>in American one the smartest to be known as doing

0:24:02.440 --> 0:24:05.040
<v Speaker 1>the dumbest thing. Well, I think to him was one

0:24:05.080 --> 0:24:07.960
<v Speaker 1>of one of those great injustices, as Matt Book put

0:24:08.000 --> 0:24:10.359
<v Speaker 1>that to right, so that it was a throwaway comment.

0:24:10.520 --> 0:24:14.600
<v Speaker 1>And yeah, and they were already following him around, you know.

0:24:14.800 --> 0:24:18.480
<v Speaker 1>But I encourage people to, Okay, so view the movie

0:24:18.600 --> 0:24:22.359
<v Speaker 1>and his this whole three weeks from the idea that

0:24:22.440 --> 0:24:24.200
<v Speaker 1>he did it right. Okay, so he did it, and

0:24:24.640 --> 0:24:26.439
<v Speaker 1>then view it from the prison that maybe there was

0:24:26.560 --> 0:24:29.720
<v Speaker 1>nothing we donn right, maybe nothing that he meant. Maybe

0:24:29.920 --> 0:24:32.040
<v Speaker 1>there's there's this whole story in the Atlantic that Lee

0:24:32.040 --> 0:24:34.480
<v Speaker 1>Atwater had set the whole thing up, And okay, take

0:24:34.560 --> 0:24:36.879
<v Speaker 1>that as a and view it from that prison, and

0:24:36.920 --> 0:24:41.440
<v Speaker 1>then watch a man who did not made it every time, right,

0:24:41.920 --> 0:24:45.720
<v Speaker 1>but buy a ticket every time. You just mentioned that.

0:24:45.760 --> 0:24:48.720
<v Speaker 1>It's kind of an aside that Jim Fallows piece in

0:24:48.720 --> 0:24:53.360
<v Speaker 1>the Atlantic was pretty fascinating, man, I'm curious your view

0:24:53.400 --> 0:24:57.159
<v Speaker 1>on this, since you're the world's expert. Basically, Fallows spoke

0:24:57.280 --> 0:25:00.000
<v Speaker 1>to a very famous media guy, Ray Struther, who were

0:25:00.119 --> 0:25:03.360
<v Speaker 1>for Heart, who had like a deathbed conversation with Lee Atwater,

0:25:03.400 --> 0:25:07.040
<v Speaker 1>George Bush's strategist, who told him that the monkey business,

0:25:07.119 --> 0:25:09.520
<v Speaker 1>the images, the whole thing was sort of set up

0:25:09.560 --> 0:25:12.920
<v Speaker 1>by Bush's campaign. Do you buy that? I don't know, Brian,

0:25:13.000 --> 0:25:15.240
<v Speaker 1>I mean, you know, I'm like you. I find it fascinating.

0:25:15.359 --> 0:25:17.880
<v Speaker 1>I think here's what I know. I I think it's

0:25:17.880 --> 0:25:20.320
<v Speaker 1>perfectly plausible that the Republicans would have set out to

0:25:20.320 --> 0:25:23.600
<v Speaker 1>do Harden at that point. Uh. I also think that

0:25:23.720 --> 0:25:26.680
<v Speaker 1>so many decisions were made by people who I known

0:25:26.800 --> 0:25:29.760
<v Speaker 1>were not part of a plot that week that you know,

0:25:29.800 --> 0:25:32.439
<v Speaker 1>I don't think you could construct a Rube Goldberg machine

0:25:32.520 --> 0:25:36.040
<v Speaker 1>quite that intricate, right, people used judgment and bad judgment often,

0:25:36.080 --> 0:25:40.160
<v Speaker 1>and so I think, uh, it's possible both things were

0:25:40.160 --> 0:25:43.160
<v Speaker 1>going on. I don't think you could any conspiracy could

0:25:43.160 --> 0:25:45.200
<v Speaker 1>account for all the things that happened that week or

0:25:45.240 --> 0:25:48.000
<v Speaker 1>how it unfolded. But ultimately, for us, you know, where

0:25:48.080 --> 0:25:50.119
<v Speaker 1>it's it's just interesting. I mean, we're more interested in

0:25:50.119 --> 0:25:52.160
<v Speaker 1>the forces that set it all in motion and how

0:25:52.200 --> 0:25:54.399
<v Speaker 1>it changed the industry. I mean, we regardless of what

0:25:54.520 --> 0:25:57.040
<v Speaker 1>set that in motion. Um, So I'm fascinating. I've talked

0:25:57.040 --> 0:25:59.439
<v Speaker 1>to Jim Follows about it, and I've given him new

0:25:59.440 --> 0:26:01.640
<v Speaker 1>paths to down and I hope he keeps looking at

0:26:01.640 --> 0:26:04.000
<v Speaker 1>it because I think it's a fun thing to speculate about.

0:26:04.000 --> 0:26:07.359
<v Speaker 1>But it is just really expect relevant if if it happened,

0:26:07.400 --> 0:26:10.240
<v Speaker 1>is it still is that like maybe for you that

0:26:10.400 --> 0:26:13.399
<v Speaker 1>is that that disqualifies someone as a candidate. But I

0:26:13.440 --> 0:26:16.000
<v Speaker 1>don't know. I don't know if it does or not. Honestly,

0:26:16.160 --> 0:26:21.359
<v Speaker 1>I think sometimes it's a reaction to it um that

0:26:21.359 --> 0:26:23.920
<v Speaker 1>that if he had said I don't know if I

0:26:23.920 --> 0:26:27.160
<v Speaker 1>if we can go back to seven and say, well,

0:26:27.160 --> 0:26:29.240
<v Speaker 1>what should he have done? What could he have done?

0:26:29.359 --> 0:26:33.240
<v Speaker 1>Could he have somehow gotten out of this for the

0:26:33.240 --> 0:26:36.560
<v Speaker 1>good of the country to to push forward his idea?

0:26:38.040 --> 0:26:40.880
<v Speaker 1>I think that I'm watching it. I was like, if

0:26:40.880 --> 0:26:43.439
<v Speaker 1>Gary was only interested in political survival, I have no

0:26:43.480 --> 0:26:46.480
<v Speaker 1>doubt he could have got out of that in a seconds.

0:26:46.520 --> 0:26:51.120
<v Speaker 1>What we have done here, I've been I've been for starters.

0:26:51.200 --> 0:26:53.719
<v Speaker 1>I've been on record. You know, my wife and I

0:26:53.760 --> 0:26:55.879
<v Speaker 1>have been married for thirty years. We've had two or

0:26:55.920 --> 0:26:58.560
<v Speaker 1>three separations, but we're together, we're working on it, and

0:26:58.640 --> 0:27:01.639
<v Speaker 1>like any couple, we committed to doing our best. Anyway.

0:27:01.640 --> 0:27:04.200
<v Speaker 1>Can we move on to economic like moving on, like

0:27:04.880 --> 0:27:08.760
<v Speaker 1>so in the moment, because that's what I'm saying. If

0:27:08.760 --> 0:27:11.440
<v Speaker 1>you view from the prison, Let's say nothing happened right

0:27:11.560 --> 0:27:14.320
<v Speaker 1>with that situation, and then you've got a man whose

0:27:14.359 --> 0:27:18.040
<v Speaker 1>principle is the first thing is I'm going to protect

0:27:18.160 --> 0:27:20.440
<v Speaker 1>my wife and children. So every time I get asked

0:27:20.440 --> 0:27:23.840
<v Speaker 1>a question, my now grown up children are listening to

0:27:23.880 --> 0:27:27.200
<v Speaker 1>this about their mom and dad. My wife is hearing

0:27:27.240 --> 0:27:30.119
<v Speaker 1>me talk about this right, and he was against that.

0:27:30.119 --> 0:27:33.760
<v Speaker 1>That's like, that's a betrayal to them. And it's not

0:27:33.840 --> 0:27:36.680
<v Speaker 1>my right to just talk about our private life as

0:27:36.680 --> 0:27:39.440
<v Speaker 1>well as the political process. Like every time I answer

0:27:39.480 --> 0:27:42.080
<v Speaker 1>that question, every time I answer the question boxes or

0:27:42.080 --> 0:27:45.480
<v Speaker 1>briefs or what's my dog's name, I am draining down

0:27:45.560 --> 0:27:48.840
<v Speaker 1>the i Q of this political process. So he refused

0:27:48.880 --> 0:27:51.400
<v Speaker 1>to do it. So let's say he's innocent, he can

0:27:51.560 --> 0:27:55.040
<v Speaker 1>save himself politically, but he opts, you know what, I'm not,

0:27:55.280 --> 0:27:57.359
<v Speaker 1>that's not a question I'm going to answer. Then he

0:27:57.440 --> 0:28:00.439
<v Speaker 1>becomes almost like a marter, you know. So that's what

0:28:00.520 --> 0:28:03.240
<v Speaker 1>I find is interesting about this process, you know. But

0:28:03.760 --> 0:28:07.560
<v Speaker 1>I think everyone just vieuses from the perspective of personal survival.

0:28:07.600 --> 0:28:10.560
<v Speaker 1>And he could have saved himself, but he may have

0:28:10.600 --> 0:28:14.000
<v Speaker 1>had more at stake, I guess, but he really fell

0:28:14.040 --> 0:28:16.760
<v Speaker 1>on his sword, right, And Donna Rice was just sort of,

0:28:17.359 --> 0:28:23.159
<v Speaker 1>you know, just one instance. And I mean maybe I'm wrong,

0:28:23.280 --> 0:28:27.080
<v Speaker 1>but weren't there a lot of other Daly? I mean,

0:28:27.080 --> 0:28:29.200
<v Speaker 1>he been, he been, as you know, you have separated

0:28:29.240 --> 0:28:31.760
<v Speaker 1>twice for a long periods of time, so it's it's hard. Yeah, yeah,

0:28:31.800 --> 0:28:35.800
<v Speaker 1>I mean the candidates do not hang out with Warren Beatty.

0:28:37.119 --> 0:28:39.000
<v Speaker 1>There's still a close friend in the film. You know,

0:28:39.080 --> 0:28:41.840
<v Speaker 1>you see, you know, the evidence of another diet. But

0:28:41.880 --> 0:28:44.360
<v Speaker 1>since you raised Donna Rice, can we talk about that

0:28:44.400 --> 0:28:48.880
<v Speaker 1>from it, because because that was really, um, really important

0:28:48.920 --> 0:28:52.040
<v Speaker 1>to us, both and Donna Rice. You know, somebody who

0:28:52.080 --> 0:28:54.080
<v Speaker 1>went through this kind of modern scandal as the other

0:28:54.160 --> 0:28:56.000
<v Speaker 1>woman for the first time really gets reduced to a

0:28:56.040 --> 0:28:59.239
<v Speaker 1>punch line is just as defined by this and and

0:28:59.280 --> 0:29:02.200
<v Speaker 1>made justice to dimensional as hard was, and then you know,

0:29:02.400 --> 0:29:04.120
<v Speaker 1>expanding that to all the other women you see in

0:29:04.160 --> 0:29:06.000
<v Speaker 1>the film. You know, we really it was very important

0:29:06.040 --> 0:29:07.360
<v Speaker 1>to us. You know, obviously I talked to Don a

0:29:07.400 --> 0:29:09.239
<v Speaker 1>lot for the book. This is very important for us

0:29:09.240 --> 0:29:14.000
<v Speaker 1>to make sure that that perspective was not just expressed

0:29:14.040 --> 0:29:16.000
<v Speaker 1>and not like in a token way, but actually like

0:29:16.080 --> 0:29:18.120
<v Speaker 1>that we had three dimensional cares that Donna Rice was

0:29:18.160 --> 0:29:20.840
<v Speaker 1>shown to be a very real human being with potential

0:29:20.840 --> 0:29:24.040
<v Speaker 1>and emotions and she's bright and she's principled. And you know,

0:29:24.080 --> 0:29:26.360
<v Speaker 1>we worked very hard at Helen Esterbrook, our producer. You know,

0:29:26.640 --> 0:29:30.080
<v Speaker 1>everyone writing the script were guys, obviously, and Helen our producer,

0:29:30.120 --> 0:29:33.600
<v Speaker 1>who was so brilliant and kept you know, with every draft, uh,

0:29:34.120 --> 0:29:37.360
<v Speaker 1>you know, pushing us on, you know, what was complicated enough,

0:29:37.440 --> 0:29:39.560
<v Speaker 1>what was important to understand about a woman's bit of

0:29:39.600 --> 0:29:42.120
<v Speaker 1>how women in these situations get burdened with speaking for

0:29:42.160 --> 0:29:44.000
<v Speaker 1>their entire gender. You know, I have to stand in.

0:29:44.320 --> 0:29:45.720
<v Speaker 1>We really worked hard at it, and I think it's

0:29:45.720 --> 0:29:47.160
<v Speaker 1>one of the things we're all really proud of. And

0:29:47.240 --> 0:29:51.280
<v Speaker 1>the performances women in the film gives Sarah Packson chief

0:29:51.280 --> 0:29:54.040
<v Speaker 1>among them. I just think it's um and and very famiga.

0:29:54.080 --> 0:29:57.560
<v Speaker 1>Of course, it is amazing. Just I just you know,

0:29:57.560 --> 0:30:00.000
<v Speaker 1>she brings you to tears, and I just think that's

0:30:00.160 --> 0:30:01.960
<v Speaker 1>an aspect of the film. We've worked for a hard

0:30:01.960 --> 0:30:04.000
<v Speaker 1>one and we're very, very proud. I really liked the

0:30:04.040 --> 0:30:07.200
<v Speaker 1>line by the Washington Was that the Washington Post I

0:30:07.240 --> 0:30:09.520
<v Speaker 1>couldn't quite figure out she had a big job at

0:30:09.520 --> 0:30:17.480
<v Speaker 1>the yeah yeah, and she said a line about power, Uh,

0:30:17.640 --> 0:30:23.240
<v Speaker 1>he's a man. A man with power has opportunity and

0:30:23.640 --> 0:30:29.280
<v Speaker 1>take responsibility. For me that that line really resonated because

0:30:29.320 --> 0:30:32.800
<v Speaker 1>as I wrestled myself watching this like doesn't matter? Should

0:30:32.800 --> 0:30:35.320
<v Speaker 1>it matter? I felt like she was channeling the me

0:30:35.480 --> 0:30:40.160
<v Speaker 1>too movement? And this is we wrote it before that

0:30:40.480 --> 0:30:44.680
<v Speaker 1>and right the moment when the Donna Rice character says

0:30:44.760 --> 0:30:47.840
<v Speaker 1>to the female heart aid, I've worked my entire life

0:30:48.200 --> 0:30:50.680
<v Speaker 1>so that people like you wouldn't look at a person

0:30:50.800 --> 0:30:54.560
<v Speaker 1>like me the way you are right now. Very powerful. Really,

0:30:54.920 --> 0:30:57.240
<v Speaker 1>we tried to show everyone in this as as three

0:30:57.280 --> 0:31:00.880
<v Speaker 1>dimensional human beings, the journalists, the women, and the candidates,

0:31:00.920 --> 0:31:04.160
<v Speaker 1>the voters, um, you know, and show their their struggle

0:31:04.200 --> 0:31:07.160
<v Speaker 1>and their pain as they go through this crazy process

0:31:07.200 --> 0:31:09.320
<v Speaker 1>that no one had ever faced before. Now, you guys,

0:31:09.360 --> 0:31:11.440
<v Speaker 1>I know, want this to be relevant and you want

0:31:11.600 --> 0:31:14.040
<v Speaker 1>this to spur conversation. I mean, what do you hope

0:31:14.320 --> 0:31:17.880
<v Speaker 1>that are some of the issues that people will be

0:31:18.000 --> 0:31:21.800
<v Speaker 1>grappling with long after they leave this movie, in terms

0:31:21.840 --> 0:31:24.600
<v Speaker 1>of the role of the press and the responsibility of

0:31:24.600 --> 0:31:28.360
<v Speaker 1>our leaders and the climate and what we need to

0:31:28.400 --> 0:31:30.800
<v Speaker 1>care about, etcetera, etcetera. I mean, what are you hoping

0:31:30.880 --> 0:31:33.400
<v Speaker 1>people will think of? Certainly all of these questions and

0:31:33.680 --> 0:31:36.080
<v Speaker 1>hats off to both of you guys and Jackson, which

0:31:36.120 --> 0:31:39.600
<v Speaker 1>it's a script really without answers, And it would have

0:31:39.600 --> 0:31:41.760
<v Speaker 1>been easy to give answers. You guys know that world

0:31:42.000 --> 0:31:44.320
<v Speaker 1>inside and out. It would have been easy to give that,

0:31:44.480 --> 0:31:46.840
<v Speaker 1>but you don't. And in the end, for what that

0:31:46.880 --> 0:31:48.600
<v Speaker 1>does for me and I hope perhaps it does for

0:31:48.640 --> 0:31:51.960
<v Speaker 1>everyone else, is what's my personal responsibility? Now I'm actually

0:31:51.960 --> 0:31:56.720
<v Speaker 1>a historian, but of course you still wear responsibility. It's

0:31:56.760 --> 0:32:01.480
<v Speaker 1>my fault. But we do in our choices of how

0:32:01.520 --> 0:32:04.480
<v Speaker 1>we consume news, of how we vote. Are we what

0:32:04.680 --> 0:32:07.520
<v Speaker 1>is our civic duty? Rather, you know what, how are

0:32:07.520 --> 0:32:10.760
<v Speaker 1>we participating in the process? What is important to me?

0:32:10.840 --> 0:32:14.040
<v Speaker 1>Have I really thought this through? Do I actually know what? What? Sorry?

0:32:14.120 --> 0:32:16.720
<v Speaker 1>I know about the boat and the girl? What will

0:32:16.760 --> 0:32:19.480
<v Speaker 1>Gary huts policies? Again? Like you know what I mean?

0:32:19.520 --> 0:32:22.320
<v Speaker 1>Like when we pick up our phone, and we all

0:32:22.360 --> 0:32:24.320
<v Speaker 1>have the phone, it gives us four stories right the

0:32:24.360 --> 0:32:26.000
<v Speaker 1>moment you wake up, and two of them one of

0:32:26.200 --> 0:32:29.800
<v Speaker 1>Ariana Grande and Pete Davidson. And do we click on

0:32:29.880 --> 0:32:33.400
<v Speaker 1>that one. You know what, are we actively working out

0:32:33.440 --> 0:32:37.680
<v Speaker 1>what is important over what is entertaining or interesting? And

0:32:37.720 --> 0:32:39.920
<v Speaker 1>I think that's the question I hope people end up

0:32:40.200 --> 0:32:43.920
<v Speaker 1>grappling with. Now, that's that's really well said from my prospect.

0:32:43.960 --> 0:32:46.800
<v Speaker 1>Drum mean and we we we deliberately made a film

0:32:46.800 --> 0:32:49.080
<v Speaker 1>that we hope gets people thinking and debating among themselves.

0:32:49.120 --> 0:32:50.800
<v Speaker 1>We we we hope and it's been our experience that

0:32:50.840 --> 0:32:52.800
<v Speaker 1>people walk out of the theater actually having an argument

0:32:52.800 --> 0:32:55.480
<v Speaker 1>about it because we don't have the answers, as Jason

0:32:55.520 --> 0:32:57.240
<v Speaker 1>always says, and it really resonates with me as a

0:32:57.280 --> 0:32:59.880
<v Speaker 1>journalist because it's always been my journalistic impulse as well.

0:33:00.080 --> 0:33:02.440
<v Speaker 1>He starts a story with a question and that he

0:33:02.480 --> 0:33:04.440
<v Speaker 1>wants to ask, not with an answer. And this is

0:33:04.480 --> 0:33:06.200
<v Speaker 1>not a film that gives you answers. If you're looking

0:33:06.200 --> 0:33:07.840
<v Speaker 1>for them, you might be disappointed. I think this is

0:33:07.840 --> 0:33:09.600
<v Speaker 1>a This is a This is a film that that

0:33:09.640 --> 0:33:12.280
<v Speaker 1>shows you a moment that you may not have known existed,

0:33:12.600 --> 0:33:15.600
<v Speaker 1>where it set us on a path, and and asks

0:33:15.640 --> 0:33:19.480
<v Speaker 1>everybody involved, including you sitting in there watching it, to

0:33:19.600 --> 0:33:22.960
<v Speaker 1>reflect on on where what the consequences of those decisions are,

0:33:23.080 --> 0:33:24.880
<v Speaker 1>Whether you would have made the same decisions, and I

0:33:24.880 --> 0:33:27.600
<v Speaker 1>think it's a for that reason, it's a very personal experience.

0:33:27.640 --> 0:33:30.480
<v Speaker 1>I think watching it, we could use a little less

0:33:30.480 --> 0:33:33.640
<v Speaker 1>relevance with this movie. And honestly, yeah, we started writing it,

0:33:33.680 --> 0:33:35.640
<v Speaker 1>like you know, during the Obama administration, and all of

0:33:35.680 --> 0:33:37.360
<v Speaker 1>a sudden, it felt like the world was catching up

0:33:37.400 --> 0:33:39.640
<v Speaker 1>to the movie in terms of two thousand and sixteen

0:33:39.640 --> 0:33:42.880
<v Speaker 1>election and me too, and um, it's really a question

0:33:42.880 --> 0:33:45.320
<v Speaker 1>of what's what's relevant and what's important, and the movie

0:33:45.400 --> 0:33:47.640
<v Speaker 1>actually asks that of you. From the first shot to

0:33:47.680 --> 0:33:49.800
<v Speaker 1>the last, and that first two and a half minute

0:33:49.800 --> 0:33:52.680
<v Speaker 1>one or which is our Hollywood speak for it's just

0:33:52.720 --> 0:33:56.080
<v Speaker 1>a single shot uncut, you're tracking through different conversations. You're

0:33:56.080 --> 0:33:57.720
<v Speaker 1>trying to figure out what's going on, and you're trying

0:33:57.720 --> 0:33:59.160
<v Speaker 1>to do I want to listen to the guys talk

0:33:59.200 --> 0:34:00.960
<v Speaker 1>about how to jump at a golf cart? Or do

0:34:01.000 --> 0:34:02.280
<v Speaker 1>I want to watch this? Do I want to watch

0:34:02.360 --> 0:34:04.440
<v Speaker 1>Walter Mondale on TV? Do I want to watch Gary Hart?

0:34:04.480 --> 0:34:06.240
<v Speaker 1>Do I want You're trying to catch up to the

0:34:06.360 --> 0:34:09.520
<v Speaker 1>last scene where you have a marriage trying to hold

0:34:09.560 --> 0:34:11.120
<v Speaker 1>on on the left side of the screen and Gary

0:34:11.120 --> 0:34:12.879
<v Speaker 1>Heart giving a speech on the right side, and We're

0:34:12.880 --> 0:34:14.920
<v Speaker 1>just literally asking the audience for the entire time, for

0:34:15.000 --> 0:34:18.120
<v Speaker 1>the entire time, to grapple with what's relevant and what's important. Well,

0:34:18.120 --> 0:34:21.840
<v Speaker 1>it's really timely despite the fact everything happened in nine seven.

0:34:21.920 --> 0:34:24.359
<v Speaker 1>I can't think of a better dream team to bring

0:34:24.400 --> 0:34:27.080
<v Speaker 1>this story to life than the three really three of

0:34:27.120 --> 0:34:32.200
<v Speaker 1>my favorite people all around the table and YouTube. Brian

0:34:32.920 --> 0:34:38.480
<v Speaker 1>really really appreciate it and love to see you all.

0:34:44.440 --> 0:34:47.439
<v Speaker 1>The front Runner, starring Hugh Jackman is in theaters now

0:34:47.560 --> 0:34:49.640
<v Speaker 1>and that's all we got for you today. The crack

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<v Speaker 1>team that made this show is producer Emma Morgan Stern,

0:34:52.400 --> 0:34:56.560
<v Speaker 1>associate producer Nora Richie, and audio engineer Jared O'Connell, and

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<v Speaker 1>is always a big thank you to Julia Lewis who

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<v Speaker 1>helps with my so social media, Jim Brown who helps

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<v Speaker 1>us book guests, and Beth Demas my assistant. Jared Arnold

0:35:05.640 --> 0:35:08.160
<v Speaker 1>composed our theme music. You can find me on Twitter

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<v Speaker 1>under at Goldsmith b and Katie is breaking the Internet

0:35:11.920 --> 0:35:16.320
<v Speaker 1>every day while keeping her clothes on on Instagram, Facebook

0:35:16.360 --> 0:35:19.719
<v Speaker 1>and Twitter as what else k K. Most most days

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<v Speaker 1>I'm keeping my clothes on. If you have thoughts about

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<v Speaker 1>the show, our questions for us please reach out. Our

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<v Speaker 1>email address is comments at currect podcast dot com, or

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<v Speaker 1>you can leave us a voicemail by calling nine to

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<v Speaker 1>four four six three seven. As always, thanks so much

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<v Speaker 1>for listening. We so appreciate your support and we'll see

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<v Speaker 1>you next week