1 00:00:05,680 --> 00:00:09,320 Speaker 1: Still the Place with Laura Layton, Courtney thorn Smith. 2 00:00:09,360 --> 00:00:12,400 Speaker 2: And Daphney's Aniga an iHeartRadio podcast. 3 00:00:15,160 --> 00:00:18,360 Speaker 3: Hey everyone, so this is our Melrose Minute. 4 00:00:18,520 --> 00:00:20,919 Speaker 2: It's a little different because Laura and I are here 5 00:00:21,720 --> 00:00:24,040 Speaker 2: in the middle of these La fires. We really want 6 00:00:24,079 --> 00:00:27,480 Speaker 2: to jump on and respond to our listeners. People are 7 00:00:27,480 --> 00:00:30,520 Speaker 2: sending out love from all around the world. I've really 8 00:00:30,560 --> 00:00:33,760 Speaker 2: been impacted by it and it reminded me that, you know, 9 00:00:33,880 --> 00:00:37,879 Speaker 2: we're all so connected. And we'll answer some fan questions, 10 00:00:37,920 --> 00:00:42,479 Speaker 2: but just FYI were all evacuated out of our homes. 11 00:00:43,040 --> 00:00:45,559 Speaker 2: I'm waiting to hear about my home. Courtney's waiting to 12 00:00:45,600 --> 00:00:48,760 Speaker 2: hear about her home. Laura and her whole family have 13 00:00:48,880 --> 00:00:51,680 Speaker 2: moved out of there, so you know, we're really going 14 00:00:51,680 --> 00:00:52,080 Speaker 2: through it. 15 00:00:53,040 --> 00:00:55,560 Speaker 4: Yeah, it's it's quite a time in La and we 16 00:00:55,640 --> 00:00:59,720 Speaker 4: know that by the time you're listening things may have changed, 17 00:00:59,760 --> 00:01:03,800 Speaker 4: and really hoping that by that time they will be much. 18 00:01:03,600 --> 00:01:06,560 Speaker 1: More peace in the city and the fires will be 19 00:01:06,600 --> 00:01:07,319 Speaker 1: more contained. 20 00:01:07,360 --> 00:01:08,280 Speaker 3: So pray for us. 21 00:01:08,400 --> 00:01:11,720 Speaker 4: We wanted to be here to also just really express 22 00:01:11,720 --> 00:01:14,640 Speaker 4: our gratitude for so many people who've reached out and 23 00:01:14,800 --> 00:01:18,280 Speaker 4: expressing your concern and your thoughts, and we wanted to 24 00:01:18,360 --> 00:01:21,920 Speaker 4: let you know how important you as listeners continue. 25 00:01:21,520 --> 00:01:22,959 Speaker 3: To be for us. 26 00:01:23,080 --> 00:01:25,040 Speaker 4: So this will be a little bit of a different 27 00:01:25,080 --> 00:01:27,520 Speaker 4: episode today. We're not going to do a recap or 28 00:01:27,680 --> 00:01:32,319 Speaker 4: regular content. We're really just here to express our gratitude, 29 00:01:32,400 --> 00:01:33,640 Speaker 4: share our thoughts, and. 30 00:01:33,640 --> 00:01:36,680 Speaker 2: Also connect with you guys on a real level. Right, 31 00:01:36,760 --> 00:01:39,280 Speaker 2: Like this is a podcast, it's a rewatch, but we're 32 00:01:39,319 --> 00:01:43,759 Speaker 2: also Laura and Courtney and I really care about each other. 33 00:01:43,880 --> 00:01:45,920 Speaker 2: We care about you guys as our listeners, and we're 34 00:01:45,920 --> 00:01:48,120 Speaker 2: telling you what is happening in real life now. 35 00:01:48,200 --> 00:01:51,720 Speaker 3: So that's important to us to connect with you. We 36 00:01:51,760 --> 00:01:52,720 Speaker 3: see your questions. 37 00:01:52,760 --> 00:01:56,320 Speaker 2: You guys, DM are still the place on Instagram. We 38 00:01:56,360 --> 00:01:58,520 Speaker 2: get tons of questions, and so here we are just 39 00:01:58,560 --> 00:02:00,400 Speaker 2: we're relating to you as people. 40 00:02:01,280 --> 00:02:03,640 Speaker 3: Yes, so let's do a couple of questions. 41 00:02:04,120 --> 00:02:06,320 Speaker 2: Okay, ones we get all the time, or what are 42 00:02:06,320 --> 00:02:10,760 Speaker 2: our favorite storylines? And what are our worst? So you 43 00:02:10,919 --> 00:02:15,359 Speaker 2: had so many of Sydney, what were yours? 44 00:02:15,400 --> 00:02:15,840 Speaker 3: Do you have that? 45 00:02:15,919 --> 00:02:20,840 Speaker 4: Yeah? It is okay, very strange to shift gears in 46 00:02:20,880 --> 00:02:22,480 Speaker 4: this moment, but maybe it's a good distraction. 47 00:02:22,560 --> 00:02:25,240 Speaker 1: I think to talk about Melrose like this. 48 00:02:25,440 --> 00:02:30,519 Speaker 4: All right, So my character got to do a lot 49 00:02:30,560 --> 00:02:35,079 Speaker 4: of wacky things. Yeah, and I felt like it was 50 00:02:35,840 --> 00:02:38,040 Speaker 4: super fun to just sort of lean into that and 51 00:02:38,160 --> 00:02:42,280 Speaker 4: have a blast, like the ones that made me have 52 00:02:42,320 --> 00:02:45,000 Speaker 4: an opportunity to like dress the part or whatever, like 53 00:02:45,040 --> 00:02:47,680 Speaker 4: if Sydney was being a secretary, which I think was 54 00:02:47,760 --> 00:02:49,760 Speaker 4: one of my favorite eras is when she was working 55 00:02:49,800 --> 00:02:55,600 Speaker 4: in the burns Mancini Yeah, medical office, and she's like, oh, 56 00:02:55,600 --> 00:02:57,600 Speaker 4: I'm a secretary, a better dress like one, And so 57 00:02:57,800 --> 00:03:00,440 Speaker 4: that was super fun for me And also just like 58 00:03:00,520 --> 00:03:05,160 Speaker 4: playing with those actors and having that sort. 59 00:03:04,960 --> 00:03:06,079 Speaker 3: Of back in Thomas. 60 00:03:06,200 --> 00:03:08,440 Speaker 2: You know, you had a lot of comedy in your 61 00:03:08,560 --> 00:03:11,000 Speaker 2: character as Sydney. I didn't have a lot of I 62 00:03:11,040 --> 00:03:14,920 Speaker 2: had zero comedy as Joe. So your storylines like that 63 00:03:15,000 --> 00:03:18,720 Speaker 2: when you were the secretary hilarious, And it could have 64 00:03:18,720 --> 00:03:20,480 Speaker 2: been another show. It could have been like this trio. 65 00:03:20,520 --> 00:03:21,800 Speaker 2: You guys were all so funny. 66 00:03:22,200 --> 00:03:24,600 Speaker 1: We were on a little bit of a different show, 67 00:03:24,720 --> 00:03:25,680 Speaker 1: Like yeahy. 68 00:03:25,400 --> 00:03:27,800 Speaker 3: Now tune into this episode. But then how was it 69 00:03:27,919 --> 00:03:29,839 Speaker 3: Laura to play the other parts? You did some very 70 00:03:29,880 --> 00:03:30,640 Speaker 3: serious things. 71 00:03:30,720 --> 00:03:33,200 Speaker 2: You were a stripper, you were a callgoer, you had 72 00:03:33,280 --> 00:03:34,960 Speaker 2: men taken advantage of you. 73 00:03:34,960 --> 00:03:36,640 Speaker 3: You had all that, which Joe. 74 00:03:36,480 --> 00:03:41,760 Speaker 2: Had a biz tons of bazillion men taken advantage of her. 75 00:03:41,840 --> 00:03:45,559 Speaker 3: And but did you prefer the doing the lighter. 76 00:03:45,280 --> 00:03:48,920 Speaker 2: Comedic stuff as Sydney or the dramatic stuff for both? 77 00:03:49,400 --> 00:03:52,600 Speaker 4: Well, I think it's obviously it's more fun to play 78 00:03:52,600 --> 00:03:55,560 Speaker 4: the comedy, and I loved that I had the character 79 00:03:55,680 --> 00:03:57,400 Speaker 4: that gave me the opportunity to do that. 80 00:03:57,520 --> 00:04:00,000 Speaker 1: But I thought it was also really important that. 81 00:04:01,720 --> 00:04:06,320 Speaker 4: Sydney had like a heart and like to see a 82 00:04:06,360 --> 00:04:09,839 Speaker 4: fully rounded person in the context of the show as well, 83 00:04:09,880 --> 00:04:13,920 Speaker 4: Like she was constantly in search of herself and trying 84 00:04:13,960 --> 00:04:18,599 Speaker 4: to you know, compete with her sister. And we're about 85 00:04:18,640 --> 00:04:22,000 Speaker 4: to finally have Sydney's first appearance on the show, and 86 00:04:22,279 --> 00:04:24,960 Speaker 4: we lay the groundwork for seeing that really what drives 87 00:04:24,960 --> 00:04:27,839 Speaker 4: her is her insecurity and her you know, trying to 88 00:04:27,880 --> 00:04:30,600 Speaker 4: live up to her expectations of herself and trying to 89 00:04:30,600 --> 00:04:32,520 Speaker 4: be like her sister or like at least figure out 90 00:04:32,520 --> 00:04:34,560 Speaker 4: who she is as a person. So like, having that 91 00:04:34,640 --> 00:04:37,719 Speaker 4: through line, I thought was, you know, always needed to 92 00:04:37,760 --> 00:04:42,000 Speaker 4: be a consistent thread, and sometimes it's dramatic, but I 93 00:04:42,040 --> 00:04:44,680 Speaker 4: also loved that she got to just be a little 94 00:04:44,680 --> 00:04:47,560 Speaker 4: bit like well, her quirkiness gets to come out in 95 00:04:47,600 --> 00:04:50,320 Speaker 4: this way, like in search of herself. She's always trying 96 00:04:50,360 --> 00:04:54,200 Speaker 4: something new on. Yeah, so yeah, having both I thought 97 00:04:54,279 --> 00:04:55,279 Speaker 4: was an important balance. 98 00:04:55,680 --> 00:04:56,480 Speaker 3: Yeah, and it was cool. 99 00:04:56,520 --> 00:04:58,680 Speaker 2: It's cool to see you do both. I've told you 100 00:04:58,720 --> 00:05:02,000 Speaker 2: that before. Cool to see do the wacky, funny stuff. 101 00:05:02,040 --> 00:05:05,360 Speaker 2: But then also you were so real and heartbreaking and 102 00:05:05,400 --> 00:05:07,359 Speaker 2: some of that other stuff as the vulnerable. 103 00:05:07,760 --> 00:05:10,440 Speaker 4: Well thanks, And you of course know that the drama 104 00:05:10,520 --> 00:05:14,440 Speaker 4: is exhausting, and it's exhausting too. I just you know, 105 00:05:14,600 --> 00:05:18,520 Speaker 4: had had nothing but on camera, you know, emotion and drama. 106 00:05:18,560 --> 00:05:20,080 Speaker 4: It's just as exhausting as an actor. 107 00:05:20,240 --> 00:05:23,120 Speaker 3: So yeah, that's funny because you know I was. 108 00:05:23,360 --> 00:05:27,000 Speaker 2: I was exhausted, and yet I also a lot of 109 00:05:27,040 --> 00:05:29,640 Speaker 2: my training, well I did. I started out doing comedy, 110 00:05:29,680 --> 00:05:33,240 Speaker 2: that's the irony, but I really did get into the 111 00:05:33,320 --> 00:05:36,400 Speaker 2: drama of it. So, like my favorite stories were I 112 00:05:36,440 --> 00:05:38,839 Speaker 2: loved falling in love, so I had a lot of 113 00:05:38,839 --> 00:05:41,480 Speaker 2: love stories on there. You know, Joe was such a 114 00:05:41,600 --> 00:05:45,040 Speaker 2: dummy to leave Jake and then go for his brother Jess, 115 00:05:45,080 --> 00:05:47,279 Speaker 2: who you know, beat Joe up. 116 00:05:47,320 --> 00:05:48,880 Speaker 3: That was all very difficult for me. 117 00:05:49,279 --> 00:05:51,599 Speaker 1: But you needed the drama, so you had to leave him. 118 00:05:51,800 --> 00:05:52,880 Speaker 3: But I needed the. 119 00:05:52,880 --> 00:05:56,960 Speaker 2: Trauma and then you know, getting pregnant with Reed's baby 120 00:05:57,120 --> 00:05:57,800 Speaker 2: and all of that. 121 00:05:57,960 --> 00:06:00,240 Speaker 3: I mean, that was fun to do. The drama. So 122 00:06:00,320 --> 00:06:01,360 Speaker 3: I had a fight with him. 123 00:06:01,480 --> 00:06:04,640 Speaker 2: He hits me and you know, puts Gaffer's tape on 124 00:06:04,680 --> 00:06:06,520 Speaker 2: me and throws me at the bottom of the boat 125 00:06:07,160 --> 00:06:10,320 Speaker 2: in this hole, and then I fight my way out 126 00:06:10,360 --> 00:06:13,080 Speaker 2: and I you know, blow him up on the boat. 127 00:06:13,120 --> 00:06:16,680 Speaker 2: And so I loved having physical and emotional stuff to 128 00:06:16,760 --> 00:06:17,440 Speaker 2: do on camera. 129 00:06:17,560 --> 00:06:21,080 Speaker 3: I just am so comfortable with that. But yes, it's exhausting. 130 00:06:21,160 --> 00:06:24,159 Speaker 2: I did enjoy that storyline, and then having to go 131 00:06:24,440 --> 00:06:27,400 Speaker 2: to his parents and then Kimberly steals my baby and 132 00:06:27,440 --> 00:06:29,279 Speaker 2: tries to breastfeed the damn baby. 133 00:06:29,320 --> 00:06:33,200 Speaker 4: Give me, you're giving it all away for I keep 134 00:06:33,279 --> 00:06:36,640 Speaker 4: finding people who are like, I'm listening to your podcast 135 00:06:36,680 --> 00:06:39,080 Speaker 4: and I'm listening or I'm watching the episodes for the 136 00:06:39,080 --> 00:06:41,160 Speaker 4: first time, and I just love that people are are 137 00:06:41,279 --> 00:06:45,039 Speaker 4: good coming back to Melrose by discovering the podcast first 138 00:06:45,040 --> 00:06:46,720 Speaker 4: and then going now I want to watch the show. 139 00:06:46,760 --> 00:06:49,200 Speaker 1: So I love that. And so there are some people 140 00:06:49,240 --> 00:06:50,920 Speaker 1: out there who some of these stories might be. 141 00:06:50,920 --> 00:06:53,160 Speaker 3: I don't care, Laura. I want them to see me. 142 00:06:53,480 --> 00:06:56,600 Speaker 2: I want them to go get a paramount plus subscription 143 00:06:56,800 --> 00:06:59,720 Speaker 2: and see me throw a chair through the sliding glass, 144 00:07:00,160 --> 00:07:01,480 Speaker 2: mashing the window. 145 00:07:01,440 --> 00:07:04,680 Speaker 3: As I go after Kimberly, who as my baby. I mean, 146 00:07:04,760 --> 00:07:08,320 Speaker 3: it's all coming. I love that storyline too. You know, 147 00:07:09,000 --> 00:07:10,239 Speaker 3: we had such drama. 148 00:07:10,320 --> 00:07:13,920 Speaker 2: But I have to say, having said all that, when 149 00:07:13,920 --> 00:07:17,640 Speaker 2: we would get our scripts that didn't come very far 150 00:07:17,640 --> 00:07:20,600 Speaker 2: in advance. I remember being in the makeup trailer or 151 00:07:21,040 --> 00:07:24,880 Speaker 2: or you're exhausted shooting your day and then you go 152 00:07:24,920 --> 00:07:26,840 Speaker 2: back to your own trailer and there was that Manila 153 00:07:26,960 --> 00:07:30,160 Speaker 2: envelope and that was next week's script and it was. 154 00:07:30,720 --> 00:07:34,000 Speaker 3: A few days away. You know, I was very excited. 155 00:07:34,000 --> 00:07:37,080 Speaker 2: I always would like, say, what's my exciting dramatic stuff, 156 00:07:37,520 --> 00:07:39,960 Speaker 2: And yet towards the end, to be I'm gonna be 157 00:07:40,080 --> 00:07:43,400 Speaker 2: very honest here, towards the end, you know, things started 158 00:07:43,440 --> 00:07:46,480 Speaker 2: to really repeat. I mean, just scene after seeing it 159 00:07:46,520 --> 00:07:48,440 Speaker 2: was like I had another guy come in, a bad guy, 160 00:07:48,520 --> 00:07:51,560 Speaker 2: taken advantage and threatening me. And I don't know how 161 00:07:51,600 --> 00:07:54,280 Speaker 2: you felt, but there were times when I thought, oh god, 162 00:07:54,360 --> 00:07:56,440 Speaker 2: it just feels too familiar. 163 00:07:56,760 --> 00:07:58,840 Speaker 4: Do you have a recollection of your would you say 164 00:07:59,240 --> 00:08:00,680 Speaker 4: your least favorite storyline? 165 00:08:00,720 --> 00:08:03,640 Speaker 3: Then I don't have any story on specific enjoy doing. 166 00:08:03,800 --> 00:08:07,200 Speaker 2: I have to tell you it's true, but but I do. 167 00:08:07,360 --> 00:08:10,960 Speaker 2: The least favorite part of it is later in season three. 168 00:08:11,000 --> 00:08:13,440 Speaker 2: I did four years, so in season four, for sure, 169 00:08:13,600 --> 00:08:16,680 Speaker 2: Season three was wild and crazy and wonderful for all 170 00:08:16,680 --> 00:08:19,400 Speaker 2: of us. I think that was our big year. And 171 00:08:19,440 --> 00:08:21,480 Speaker 2: then season four for me is when it got kind 172 00:08:21,520 --> 00:08:24,840 Speaker 2: of repetitive and I'm like. 173 00:08:24,960 --> 00:08:25,960 Speaker 3: Oh, can't you know? 174 00:08:26,000 --> 00:08:28,080 Speaker 2: And I think I was thinking, can't they give me 175 00:08:28,120 --> 00:08:30,920 Speaker 2: some humor too? And every job since I've done, like 176 00:08:30,920 --> 00:08:32,719 Speaker 2: on Lantree Hill, I'd be like, can you please make 177 00:08:32,720 --> 00:08:34,520 Speaker 2: me drunk in the middle of the afternoon, as I say, 178 00:08:34,679 --> 00:08:36,480 Speaker 2: can I please be a little tipsy here and. 179 00:08:36,520 --> 00:08:38,160 Speaker 3: Have some humor, have some fun. 180 00:08:38,480 --> 00:08:40,560 Speaker 2: I always want to add a little humor now, you know, 181 00:08:40,640 --> 00:08:41,720 Speaker 2: even if it's dramatic. 182 00:08:42,000 --> 00:08:44,600 Speaker 4: Well, and like you know, we had chippeys On and 183 00:08:44,640 --> 00:08:49,080 Speaker 4: he commented that it's really kind of a universal theme 184 00:08:49,160 --> 00:08:52,319 Speaker 4: that years two and three are the best for the 185 00:08:52,360 --> 00:08:54,599 Speaker 4: writers as well. But like once you get into the 186 00:08:54,640 --> 00:08:57,600 Speaker 4: season four show, it becomes hard for everyone to come 187 00:08:57,679 --> 00:08:59,040 Speaker 4: up with new and creative stories. 188 00:08:59,080 --> 00:08:59,600 Speaker 1: And it's hard. 189 00:08:59,800 --> 00:09:02,440 Speaker 4: It's a wonderful thing that we all went for so 190 00:09:02,480 --> 00:09:05,200 Speaker 4: many years on the show, but it does the evolution 191 00:09:05,320 --> 00:09:07,160 Speaker 4: of the seasons will have an ebb and flow to them, 192 00:09:07,160 --> 00:09:11,960 Speaker 4: and certainly after that, you know, initial explosion of wonderful scenes. 193 00:09:12,080 --> 00:09:13,800 Speaker 4: It's it is hard to come up with stuff that's 194 00:09:13,800 --> 00:09:16,319 Speaker 4: fresh for every single character, and you know. 195 00:09:16,360 --> 00:09:20,520 Speaker 2: And also for the because it's an ensemble, certain characters 196 00:09:20,559 --> 00:09:23,520 Speaker 2: have to be storyline heavy and then other ones have 197 00:09:23,600 --> 00:09:26,320 Speaker 2: to be like lighter, and then they switch around and 198 00:09:26,320 --> 00:09:28,839 Speaker 2: then you won't see so much of this couple over 199 00:09:28,880 --> 00:09:30,480 Speaker 2: here or this, and then you'll see a lot of 200 00:09:30,520 --> 00:09:32,240 Speaker 2: you know, the Joe and the baby, and then you 201 00:09:32,320 --> 00:09:33,640 Speaker 2: see a lot of they. 202 00:09:33,480 --> 00:09:34,839 Speaker 3: Can't keep it all up high. 203 00:09:34,920 --> 00:09:37,400 Speaker 2: They have to, which I which it gave us a 204 00:09:37,400 --> 00:09:40,880 Speaker 2: little break, you know, when you in between. 205 00:09:42,000 --> 00:09:43,000 Speaker 1: And what else we've got. 206 00:09:43,000 --> 00:09:46,400 Speaker 4: We've got some other fan questions here. We just appreciate 207 00:09:46,480 --> 00:09:51,840 Speaker 4: you guys sending these questions in and we sometimes we 208 00:09:52,040 --> 00:09:54,800 Speaker 4: just sort of accidentally answer what you're asking, but we 209 00:09:54,840 --> 00:09:56,880 Speaker 4: want you to know that we're hearing you when you're 210 00:09:56,920 --> 00:10:01,120 Speaker 4: reaching out, and we do love it when you ask questions. 211 00:10:01,320 --> 00:10:05,640 Speaker 4: The Daphne, i think, even addressed another fan question when 212 00:10:05,640 --> 00:10:07,319 Speaker 4: she said that we don't get our scripts very far 213 00:10:07,360 --> 00:10:10,640 Speaker 4: in advance. Someone wanted to know how much notice we 214 00:10:10,720 --> 00:10:12,880 Speaker 4: got with our scripts how far in advance, and like 215 00:10:12,880 --> 00:10:15,920 Speaker 4: like she said, we'd get our script in an envelope 216 00:10:15,960 --> 00:10:18,559 Speaker 4: only a few days before we had to start shooting it. 217 00:10:18,600 --> 00:10:22,000 Speaker 4: But that still gave the editors and everything plenty of 218 00:10:22,000 --> 00:10:23,920 Speaker 4: time to do post production before it needed to hit 219 00:10:23,920 --> 00:10:26,400 Speaker 4: the air. But in terms of our turnaround, we were 220 00:10:26,480 --> 00:10:28,520 Speaker 4: kind of just going right in a row and we 221 00:10:28,520 --> 00:10:29,360 Speaker 4: were wrapping. 222 00:10:29,080 --> 00:10:29,800 Speaker 1: Up one episode. 223 00:10:29,800 --> 00:10:32,600 Speaker 4: We had to read the envelope and they didn't come 224 00:10:32,640 --> 00:10:35,280 Speaker 4: in an email at that time. But then we were 225 00:10:35,360 --> 00:10:37,280 Speaker 4: right into the next one, and it was I think 226 00:10:37,280 --> 00:10:39,160 Speaker 4: it was the same for all of us. We couldn't 227 00:10:39,160 --> 00:10:41,720 Speaker 4: wait to open that envelope and see how it's gonna happen. 228 00:10:41,800 --> 00:10:44,000 Speaker 2: Yeah, and then it's funny because you start to learn 229 00:10:44,040 --> 00:10:44,360 Speaker 2: your lines. 230 00:10:44,400 --> 00:10:45,640 Speaker 3: You have to start to learn and run away. 231 00:10:45,679 --> 00:10:48,199 Speaker 2: But then they have, you know, new pages, and every 232 00:10:48,240 --> 00:10:50,240 Speaker 2: time there's a new as a rewrite, there's like a 233 00:10:50,280 --> 00:10:53,720 Speaker 2: new color set of pages, and sometimes your your lines 234 00:10:53,760 --> 00:10:55,800 Speaker 2: would change, so you're like, you know, you have to 235 00:10:56,640 --> 00:10:59,640 Speaker 2: learn those changes. And sometimes I mean by the end 236 00:10:59,679 --> 00:11:03,920 Speaker 2: we'd have rainbow of our script would be tied together 237 00:11:03,960 --> 00:11:08,240 Speaker 2: with those brass you know, those little tab brads. It's 238 00:11:08,280 --> 00:11:12,280 Speaker 2: up they're called brads, and different colors, like six different 239 00:11:12,320 --> 00:11:17,760 Speaker 2: colors in there. Sometimes visions revisions, like when the revision 240 00:11:17,800 --> 00:11:19,520 Speaker 2: was made, they changed the color of the pages, so 241 00:11:19,559 --> 00:11:22,679 Speaker 2: you know, like he was more recent than pink and stuff. 242 00:11:22,760 --> 00:11:25,120 Speaker 3: Golden Rod, Remember Golden Rod, Golden Rod. 243 00:11:25,240 --> 00:11:27,920 Speaker 1: Yeah, it was a very colorful script. 244 00:11:33,120 --> 00:11:35,280 Speaker 3: Here's one question. What was it like shooting the Rolling 245 00:11:35,320 --> 00:11:41,160 Speaker 3: Stone photo shoot cover? We shot a lot that day. 246 00:11:41,200 --> 00:11:43,680 Speaker 2: Do you remember across from Paramount in that little I 247 00:11:43,679 --> 00:11:45,240 Speaker 2: forget the name of the bar sidebar? 248 00:11:45,360 --> 00:11:49,800 Speaker 4: Maybe yeah, And we should answer this one when we 249 00:11:49,880 --> 00:11:51,840 Speaker 4: have more of our cast to weigh in, because we 250 00:11:51,840 --> 00:11:53,679 Speaker 4: were all there for that. It was like, I think 251 00:11:53,679 --> 00:11:56,160 Speaker 4: it was one of our major magazine covers that were 252 00:11:56,200 --> 00:11:57,800 Speaker 4: all really proud to have been a part of bute 253 00:11:57,960 --> 00:12:01,400 Speaker 4: like no small feet, to have all those minim in 254 00:12:01,400 --> 00:12:03,040 Speaker 4: the height of our and this says the cover here. 255 00:12:03,080 --> 00:12:05,720 Speaker 2: We also did five others setups, so all get on 256 00:12:05,760 --> 00:12:08,719 Speaker 2: the inside. Well, they can cut this, our editor can 257 00:12:08,720 --> 00:12:10,520 Speaker 2: cut this out, or they can leave it on and 258 00:12:10,559 --> 00:12:13,480 Speaker 2: maybe we'll do a tease for next Melrose minute. 259 00:12:13,520 --> 00:12:15,400 Speaker 1: They'll be pieces of it that will. 260 00:12:15,280 --> 00:12:15,679 Speaker 3: Trust me. 261 00:12:15,760 --> 00:12:18,280 Speaker 2: There's many Melrose minutes to talk about to come. 262 00:12:19,040 --> 00:12:20,960 Speaker 1: But also There's another fan question. 263 00:12:22,160 --> 00:12:24,640 Speaker 4: Someone asked, what is the storyline your character was involved 264 00:12:24,679 --> 00:12:26,960 Speaker 4: in that Your first thought was, wow, this is over 265 00:12:27,040 --> 00:12:30,600 Speaker 4: the top, even for Melrose, which. 266 00:12:30,920 --> 00:12:34,000 Speaker 1: I will say we all thought of at some point. 267 00:12:34,080 --> 00:12:36,719 Speaker 4: You're right, it wasn't just the audience going wow, this 268 00:12:36,760 --> 00:12:38,040 Speaker 4: is over the top, even for Malurs. 269 00:12:38,040 --> 00:12:41,160 Speaker 1: I think there were Honestly, I thought that. 270 00:12:41,080 --> 00:12:43,640 Speaker 4: Sydney often had the oh, you want to do something like, 271 00:12:43,840 --> 00:12:46,360 Speaker 4: let's give it to Sydney, and so I would read 272 00:12:46,400 --> 00:12:49,720 Speaker 4: the script and go, really, I was being a stripper 273 00:12:49,760 --> 00:12:51,960 Speaker 4: first to a cult and like being a madam. I 274 00:12:52,000 --> 00:12:55,719 Speaker 4: went from being a call girl out of desperation and 275 00:12:55,760 --> 00:12:57,960 Speaker 4: then not just that she tries to, you know, take 276 00:12:58,000 --> 00:13:01,920 Speaker 4: over being a madam whatever souper fun. But a lot 277 00:13:01,960 --> 00:13:04,320 Speaker 4: of the times I would ask myself, oh, my gosh, 278 00:13:04,440 --> 00:13:06,679 Speaker 4: really is this I mean, is this over the top? 279 00:13:06,720 --> 00:13:09,559 Speaker 4: And then somehow it managed to be exactly what the 280 00:13:09,600 --> 00:13:13,160 Speaker 4: audience wanted and it was super fun, and it was 281 00:13:13,280 --> 00:13:15,360 Speaker 4: just kind of a challenge to go, all right, how 282 00:13:15,400 --> 00:13:17,920 Speaker 4: do we take this over the top, And even the 283 00:13:17,960 --> 00:13:20,679 Speaker 4: building blowing up, we were oh, yeah, this is going 284 00:13:20,720 --> 00:13:23,640 Speaker 4: to be spectacular, but it felt like a bit of 285 00:13:23,679 --> 00:13:25,880 Speaker 4: a shark and so We just jumped it. 286 00:13:25,760 --> 00:13:27,960 Speaker 1: And like all right, let's go and let's do it 287 00:13:28,000 --> 00:13:28,920 Speaker 1: as well as well. 288 00:13:29,000 --> 00:13:31,079 Speaker 2: We didn't have to say, you know, we just had 289 00:13:31,080 --> 00:13:32,439 Speaker 2: to read it and make it work. 290 00:13:32,480 --> 00:13:33,280 Speaker 3: That was our job. 291 00:13:33,559 --> 00:13:36,079 Speaker 2: So it was like, okay, and it's like I again, 292 00:13:36,360 --> 00:13:38,720 Speaker 2: season three, you start to go season two and three, 293 00:13:38,760 --> 00:13:40,120 Speaker 2: you were like, oh, this is going to be over 294 00:13:40,120 --> 00:13:42,200 Speaker 2: the top, more and more and more and more. But 295 00:13:42,280 --> 00:13:45,400 Speaker 2: it's you know, and well working or not, you have 296 00:13:45,480 --> 00:13:47,440 Speaker 2: to make it work. We had no say, we couldn't 297 00:13:47,520 --> 00:13:50,520 Speaker 2: change any lines, you guys. So you know the thing 298 00:13:50,559 --> 00:13:54,480 Speaker 2: about Joe's baby, Joe's has a baby, then it's kidnapped. 299 00:13:55,040 --> 00:13:56,719 Speaker 2: I mean I was on David Letterman once and I 300 00:13:56,720 --> 00:13:58,920 Speaker 2: couldn't keep up with where the baby went. It was 301 00:13:59,000 --> 00:14:00,920 Speaker 2: like then it was kidnapp then I got him back, 302 00:14:01,000 --> 00:14:03,560 Speaker 2: then he was stolen again, then it was you know, 303 00:14:03,640 --> 00:14:05,200 Speaker 2: and then finally gave him up in the end, and 304 00:14:05,280 --> 00:14:07,200 Speaker 2: it was like that was over the top, you know, 305 00:14:07,400 --> 00:14:12,440 Speaker 2: But again, I enjoy the drama. But this is when 306 00:14:12,559 --> 00:14:15,920 Speaker 2: the world loved the show, when it was so over 307 00:14:15,960 --> 00:14:19,520 Speaker 2: the top, you know, they loved it. They talk about all. 308 00:14:19,360 --> 00:14:22,000 Speaker 4: Of that, and I think I'd be remiss if I 309 00:14:22,040 --> 00:14:27,840 Speaker 4: didn't mention the fact that Jane and Sydney buried Richard alive. 310 00:14:28,120 --> 00:14:30,080 Speaker 4: So that was a big spoiler people, for those of 311 00:14:30,120 --> 00:14:32,840 Speaker 4: you who haven't watched Melrose yet, that's coming. 312 00:14:33,480 --> 00:14:35,080 Speaker 1: Yeah, to bury a guy alive. 313 00:14:35,200 --> 00:14:39,360 Speaker 4: But and then what happened, and then what happened when 314 00:14:39,400 --> 00:14:41,720 Speaker 4: more over the top thing happens. 315 00:14:41,120 --> 00:14:44,080 Speaker 3: Alive being the key word, right, Laura alive. 316 00:14:46,280 --> 00:14:47,800 Speaker 1: It was fun to take the audience along for the 317 00:14:47,880 --> 00:14:48,720 Speaker 1: ride before we go. 318 00:14:48,840 --> 00:14:50,880 Speaker 2: I just want to mention we all talked about how 319 00:14:51,080 --> 00:14:56,080 Speaker 2: popular Chips episode was, and we loved talking to Chip 320 00:14:56,360 --> 00:15:00,120 Speaker 2: and he We all agree it was too short and 321 00:15:00,160 --> 00:15:02,360 Speaker 2: all the fans were saying it was too short. So 322 00:15:02,560 --> 00:15:05,040 Speaker 2: we definitely will have Chip Hays on again. We are 323 00:15:05,800 --> 00:15:09,040 Speaker 2: starts with Darren and we're going to reach out to 324 00:15:09,080 --> 00:15:12,200 Speaker 2: the other writers. You know, we've talked to our other castmates, 325 00:15:12,240 --> 00:15:16,120 Speaker 2: but we're going to have him on again and other people. 326 00:15:16,240 --> 00:15:18,120 Speaker 2: And don't you worry, it's all coming. 327 00:15:18,320 --> 00:15:18,480 Speaker 1: You know. 328 00:15:18,760 --> 00:15:20,960 Speaker 3: There's so many stories that we don't even know about 329 00:15:21,000 --> 00:15:21,800 Speaker 3: behind the scenes. 330 00:15:22,160 --> 00:15:25,360 Speaker 4: So I think that's that's about all we can manage 331 00:15:25,480 --> 00:15:29,520 Speaker 4: for this time, a little mini episode for today, but 332 00:15:29,720 --> 00:15:33,200 Speaker 4: just know that we really appreciate everybody and your continued 333 00:15:33,200 --> 00:15:35,280 Speaker 4: support and your continued thoughts about where we are in 334 00:15:35,320 --> 00:15:37,640 Speaker 4: the world and in the city of La which you know, 335 00:15:37,680 --> 00:15:38,960 Speaker 4: all three of you are Still the Place. 336 00:15:39,800 --> 00:15:42,560 Speaker 3: You know, there's there's drama La Laura. 337 00:15:42,560 --> 00:15:45,240 Speaker 2: It's just making me think there's drama in fiction and 338 00:15:45,280 --> 00:15:50,360 Speaker 2: then real life drama, you know, and uh, it's I mean, 339 00:15:50,400 --> 00:15:52,960 Speaker 2: it's just really intense. 340 00:15:53,680 --> 00:15:55,000 Speaker 3: Because we're layering the two. 341 00:15:55,480 --> 00:15:58,880 Speaker 2: I just want to remind everyone to please write us 342 00:15:58,920 --> 00:16:02,320 Speaker 2: reviews on our our actual podcast, you know, give us 343 00:16:02,360 --> 00:16:06,800 Speaker 2: a rating and follow that and download those. That's really important. 344 00:16:06,800 --> 00:16:09,560 Speaker 2: And of course you can find Still the Place on Instagram, 345 00:16:09,640 --> 00:16:13,840 Speaker 2: TikTok and Facebook at Still the Place. I'm on social 346 00:16:13,920 --> 00:16:18,680 Speaker 2: media on Instagram and Red's and Laura, you're on Instagram 347 00:16:18,680 --> 00:16:20,280 Speaker 2: that you Laura Layton for real. 348 00:16:20,600 --> 00:16:23,640 Speaker 4: Yeah, Laura Layton for real and yeah, just most of all, 349 00:16:23,800 --> 00:16:26,800 Speaker 4: like we just appreciate you subscribing to the podcast and 350 00:16:27,440 --> 00:16:31,320 Speaker 4: continuing to listen. We do have an extra special episode 351 00:16:31,560 --> 00:16:32,440 Speaker 4: coming up this week. 352 00:16:32,440 --> 00:16:33,880 Speaker 1: We're gonna drop it on Wednesday. 353 00:16:33,920 --> 00:16:37,080 Speaker 4: We do a pod swap with pod meets World and 354 00:16:37,080 --> 00:16:38,600 Speaker 4: that will be coming up on Wednesday. 355 00:16:38,600 --> 00:16:39,680 Speaker 1: That was pre recorded. 356 00:16:40,280 --> 00:16:41,880 Speaker 3: Yeah, so thank you so much. 357 00:16:41,920 --> 00:16:44,120 Speaker 1: Fun. We're continuing to be here for. 358 00:16:44,080 --> 00:16:47,040 Speaker 3: Us and we want to love you guys, here for you. 359 00:16:47,360 --> 00:16:49,360 Speaker 1: So thanks for coming to still the place and we 360 00:16:49,440 --> 00:16:52,480 Speaker 1: are still in La. It is still the place. 361 00:16:52,720 --> 00:16:54,000 Speaker 3: Love you, Bye bye bye