1 00:00:02,880 --> 00:00:05,960 Speaker 1: The black Market is an initiative created by eighty five 2 00:00:06,040 --> 00:00:10,200 Speaker 1: South Media to highlight, amplify, and showcase leaders, entrepreneurs, and 3 00:00:10,400 --> 00:00:13,760 Speaker 1: educators from our community. The show tapes monthly at our 4 00:00:13,760 --> 00:00:17,239 Speaker 1: studio in Atlanta, Georgia. To submit you in your organization 5 00:00:17,360 --> 00:00:20,680 Speaker 1: for a consideration caed eighty five self show dot com 6 00:00:21,000 --> 00:00:26,880 Speaker 1: factslash black Market Yo, somebody asked me to do some 7 00:00:27,840 --> 00:00:33,480 Speaker 1: for here. D J at the Swingers Parte. J Mars 8 00:00:33,760 --> 00:00:38,959 Speaker 1: he the d J at the Swingers Parte. You can 9 00:00:39,000 --> 00:00:41,239 Speaker 1: pick which one you want, because you've got to go 10 00:00:41,440 --> 00:00:44,760 Speaker 1: DJ to Night at the Swingers Parted and it's gonna 11 00:00:44,840 --> 00:00:48,159 Speaker 1: be an orgy porgy with Georgie porgy with a putting 12 00:00:48,240 --> 00:00:52,120 Speaker 1: pie out. Tell low life what you want. That's your camera. 13 00:00:54,280 --> 00:00:56,400 Speaker 1: D J mars He got a d J to night 14 00:00:56,480 --> 00:01:01,240 Speaker 1: at the Orgy. People having sex lottle room, the room. 15 00:01:01,360 --> 00:01:03,600 Speaker 1: But they need some tunes so they can know what 16 00:01:03,640 --> 00:01:07,960 Speaker 1: to do next. I heard d Jane and hear the 17 00:01:08,040 --> 00:01:16,520 Speaker 1: watching getting hit with that. Gotta need Jane tonight at 18 00:01:16,920 --> 00:01:22,479 Speaker 1: norg I gotta play a track list while people are 19 00:01:22,560 --> 00:01:26,360 Speaker 1: having sex. What songs do they want to hear? She 20 00:01:26,400 --> 00:01:29,040 Speaker 1: gotta dig in a face. She gotta dig in. I said, 21 00:01:29,200 --> 00:01:39,760 Speaker 1: what a little one ship. Yeah, we got the two 22 00:01:39,800 --> 00:01:42,880 Speaker 1: for one drinks and take a break because the room 23 00:01:42,959 --> 00:01:46,880 Speaker 1: starting to think, hold on, I want to go back 24 00:01:46,920 --> 00:01:54,640 Speaker 1: good black market is I don't think, My god, that's 25 00:01:54,640 --> 00:01:58,280 Speaker 1: how we get down over the trap. Man, it's still 26 00:01:58,360 --> 00:02:01,520 Speaker 1: the trap, even though this is Martin the Man, the 27 00:02:01,600 --> 00:02:06,280 Speaker 1: Trapper anything something that happened. Man. First of all, Welcome 28 00:02:06,480 --> 00:02:08,840 Speaker 1: to the Trap, DJ Mark. I can't believe it took 29 00:02:08,880 --> 00:02:13,480 Speaker 1: you this wrong to get over here. Man. Man, they 30 00:02:13,520 --> 00:02:16,600 Speaker 1: just knew the history and we say, Mark on the low, 31 00:02:17,280 --> 00:02:20,079 Speaker 1: we're planning the seas to make this ship happen. Bro. 32 00:02:21,200 --> 00:02:24,280 Speaker 1: They don't know that, Bro. Man, like the test episodes, 33 00:02:25,240 --> 00:02:29,720 Speaker 1: the test joint, this is my originald co host right here. 34 00:02:32,240 --> 00:02:36,160 Speaker 1: No that because without us doing that, we would have 35 00:02:36,240 --> 00:02:39,520 Speaker 1: never figured out to do this. You get what I'm saying. 36 00:02:39,880 --> 00:02:42,519 Speaker 1: It like those days were spending the studio. Man, we 37 00:02:42,600 --> 00:02:45,080 Speaker 1: knew we was on something, you just didn't know where 38 00:02:45,120 --> 00:02:48,280 Speaker 1: it was gonna end up, exact the Londo Bro. First 39 00:02:48,280 --> 00:02:52,000 Speaker 1: of all, welcome to the trap again formally. Man, we've 40 00:02:52,000 --> 00:02:53,760 Speaker 1: been over here cooking it up, and Man, we know 41 00:02:53,840 --> 00:02:56,160 Speaker 1: you in the city cooking it up and ship everywhere 42 00:02:56,160 --> 00:02:58,520 Speaker 1: cooking it up. Man, give him a brief rundown the 43 00:02:58,560 --> 00:03:02,000 Speaker 1: background first before we get to all the ship you're doing. Now, Man, 44 00:03:02,160 --> 00:03:03,840 Speaker 1: what decade you want to start? And I know that 45 00:03:03,880 --> 00:03:06,960 Speaker 1: sounds old, but you want when you're starting the eighties? No, 46 00:03:07,240 --> 00:03:09,200 Speaker 1: what was you doing in the ages? D J Mark 47 00:03:09,320 --> 00:03:11,640 Speaker 1: that started in the age. You know this is gonna 48 00:03:11,680 --> 00:03:15,840 Speaker 1: sound extremely old. I know, you know, we focused on 49 00:03:15,919 --> 00:03:20,200 Speaker 1: age and demographics. I bought my first record in two okay, 50 00:03:19,880 --> 00:03:24,440 Speaker 1: but it was playing it rock. That was the very 51 00:03:24,440 --> 00:03:27,919 Speaker 1: first round store. I bought it the main music in Springfield, Massachusetts. 52 00:03:27,919 --> 00:03:31,520 Speaker 1: That's my hometown, Springfield, mass She stole the dollar ninety 53 00:03:31,560 --> 00:03:33,560 Speaker 1: nine or ninety nine that it costs for the record 54 00:03:33,760 --> 00:03:35,480 Speaker 1: from my mom's. You know, back in the day, moms 55 00:03:35,520 --> 00:03:37,520 Speaker 1: had a big pocketbook. You're going there, you take the 56 00:03:37,560 --> 00:03:41,560 Speaker 1: money out and never win my mom. I'm telling about this, bro, 57 00:03:42,080 --> 00:03:45,920 Speaker 1: you probably wanted the only surviving black children that is 58 00:03:45,960 --> 00:03:49,400 Speaker 1: ever safely going in their mother's pocketbood. I guess the 59 00:03:49,440 --> 00:03:53,080 Speaker 1: type of that y'all doing. Springfield, Masseter. I ain't never 60 00:03:53,120 --> 00:03:56,760 Speaker 1: even heard of living the masse. I got five dollars 61 00:03:56,760 --> 00:03:59,360 Speaker 1: winning in this room that could spell mass and chooses 62 00:03:59,400 --> 00:04:05,120 Speaker 1: out loud without looking at it. Nobody even look goddamn 63 00:04:05,200 --> 00:04:08,360 Speaker 1: mass Man's the true sets. Yeah, yeah, and that was 64 00:04:08,400 --> 00:04:10,560 Speaker 1: it like growing up in that, like as a black dude, 65 00:04:10,840 --> 00:04:13,560 Speaker 1: it was. It was cool. So when when I tell 66 00:04:13,600 --> 00:04:15,200 Speaker 1: people that's where I'm from, the first thing to say 67 00:04:15,440 --> 00:04:19,440 Speaker 1: is that black people in Massachusetts, I tell you will 68 00:04:19,480 --> 00:04:23,400 Speaker 1: get robbed quicker at Massachusetts than you would and let's 69 00:04:23,440 --> 00:04:26,040 Speaker 1: say New York. Obviously I don't know that to be 70 00:04:26,040 --> 00:04:28,240 Speaker 1: a fact, but what I'm saying is it's wild. They're 71 00:04:28,520 --> 00:04:30,520 Speaker 1: like when you got your wild pockets and then you 72 00:04:30,600 --> 00:04:33,839 Speaker 1: got your your your suburban pockets. So what it did? 73 00:04:33,839 --> 00:04:36,080 Speaker 1: It taught me a little bit about everything because you 74 00:04:36,160 --> 00:04:39,400 Speaker 1: had some friends black white whatever, who grew up rich, 75 00:04:39,480 --> 00:04:42,279 Speaker 1: and then other side you had some friends black white whoever, 76 00:04:42,279 --> 00:04:44,840 Speaker 1: who grew up poor. So you saw what the world 77 00:04:44,880 --> 00:04:49,040 Speaker 1: really was. Yeah. It was small enough so that your 78 00:04:49,040 --> 00:04:51,360 Speaker 1: parents let you out the house or you can experience, 79 00:04:51,680 --> 00:04:54,600 Speaker 1: but big enough so you saw what it did. Like 80 00:04:54,880 --> 00:04:58,320 Speaker 1: So when I say saw what it did, I grew 81 00:04:58,400 --> 00:04:59,720 Speaker 1: up And I don't even like talking about this, but 82 00:04:59,760 --> 00:05:01,719 Speaker 1: I grew up in the crack era, Like I saw 83 00:05:02,680 --> 00:05:05,680 Speaker 1: before it started, and then it swiped through my city. 84 00:05:05,720 --> 00:05:08,640 Speaker 1: I saw that. I saw a kid, Travis Best, who 85 00:05:08,839 --> 00:05:12,400 Speaker 1: graduated from my high school that went on to the NBA. 86 00:05:12,800 --> 00:05:16,839 Speaker 1: He played with Georgia Tech, with the Pacers. He retired 87 00:05:16,880 --> 00:05:20,160 Speaker 1: in the NBA. So so when I say you saw everything, 88 00:05:20,360 --> 00:05:23,160 Speaker 1: like I literally saw everything, and it made it so 89 00:05:23,279 --> 00:05:26,720 Speaker 1: that in terms of who I am um, DJ wise 90 00:05:26,760 --> 00:05:29,559 Speaker 1: and personality wise, I was well round because I saw 91 00:05:29,920 --> 00:05:32,560 Speaker 1: all shapes of getting rid of the ash, you like, 92 00:05:32,960 --> 00:05:36,120 Speaker 1: having that wide range of people and friends and stuff 93 00:05:36,160 --> 00:05:39,000 Speaker 1: around you, Like what type of music did these people 94 00:05:39,120 --> 00:05:41,280 Speaker 1: like introduce you to that you know that you might 95 00:05:41,320 --> 00:05:44,120 Speaker 1: not have got just being you know, we didn't have 96 00:05:44,360 --> 00:05:48,200 Speaker 1: a V one oh three in Massachusetts. We had w 97 00:05:48,480 --> 00:05:50,960 Speaker 1: H y N and they used to play the Doobie Brothers, 98 00:05:51,560 --> 00:05:55,520 Speaker 1: Linda Ron stat Uh Hall of Notes like, so we 99 00:05:55,560 --> 00:05:58,440 Speaker 1: had we had Hall of Notes. That's funk though, that's 100 00:05:59,240 --> 00:06:02,120 Speaker 1: white book, but that's that's what we had, right. And 101 00:06:02,160 --> 00:06:07,280 Speaker 1: then we had college radio who extremely day parted. Two 102 00:06:07,360 --> 00:06:10,800 Speaker 1: hours a day. You would hear um hip hop, but 103 00:06:10,880 --> 00:06:12,880 Speaker 1: it wouldn't be the same two hours every day. So 104 00:06:13,240 --> 00:06:16,280 Speaker 1: on Monday b two to four. On Tuesday it would 105 00:06:16,279 --> 00:06:20,600 Speaker 1: be four to six. On Wednesday would be three Am 106 00:06:20,680 --> 00:06:23,760 Speaker 1: to to five AM. It was extremely day I've been 107 00:06:23,839 --> 00:06:26,760 Speaker 1: three AM. But it was college radio. So college radio 108 00:06:26,839 --> 00:06:32,120 Speaker 1: back then was extremely organic and it was extremely experimental. 109 00:06:32,440 --> 00:06:35,839 Speaker 1: So after your hip hop show, it would be acid rock. 110 00:06:36,200 --> 00:06:39,320 Speaker 1: Before that, it would be roots reggae. So we really 111 00:06:39,360 --> 00:06:42,280 Speaker 1: grew up listening to everything, and it kind of made 112 00:06:42,279 --> 00:06:45,240 Speaker 1: me from a DJ's perspective, it made me a better DJ, 113 00:06:45,360 --> 00:06:48,400 Speaker 1: because I mean, I grew up listening to led Zeppe 114 00:06:48,720 --> 00:06:51,960 Speaker 1: led Zeppelin at the same time listening to Ultra Magnetic 115 00:06:52,000 --> 00:06:55,760 Speaker 1: and day Law Soul and Public Enemy. So all the 116 00:06:55,760 --> 00:06:57,520 Speaker 1: reason why my crates are as deep as they are 117 00:06:57,560 --> 00:06:59,800 Speaker 1: is because that's how I grew up. I didn't just 118 00:07:00,160 --> 00:07:03,760 Speaker 1: up listening to just Luth the Vangels as a kid. 119 00:07:03,760 --> 00:07:06,320 Speaker 1: I wish I did, because you know, you're fishing through 120 00:07:06,360 --> 00:07:09,240 Speaker 1: the radio for run DMC and it didn't happen. So 121 00:07:10,120 --> 00:07:13,200 Speaker 1: lost me with that whole Dance with my Father ship. Yeah, 122 00:07:13,240 --> 00:07:16,640 Speaker 1: I'm just gonna keep it. I ain't never heard said 123 00:07:16,680 --> 00:07:21,400 Speaker 1: that was one of the last albums called Dance with 124 00:07:21,520 --> 00:07:26,520 Speaker 1: My Father Like, what the fuck? God blesses that little 125 00:07:29,040 --> 00:07:32,440 Speaker 1: but I ain't gotta like everything. Yeah, that one through 126 00:07:32,520 --> 00:07:35,160 Speaker 1: me all the way up. I wouldn't even really all 127 00:07:35,200 --> 00:07:38,520 Speaker 1: the way in my adulthood, and I'm like, what, you 128 00:07:38,560 --> 00:07:40,720 Speaker 1: didn't get it. I looked at my dad like, don't 129 00:07:40,720 --> 00:07:47,120 Speaker 1: you have trying to damn type of ship? Isn't that? Yeah? 130 00:07:47,160 --> 00:07:54,680 Speaker 1: This was really funny. Yeah, man, So that's that's what 131 00:07:54,760 --> 00:07:57,320 Speaker 1: happened in the eighties. You're just discovering all this dope 132 00:07:57,360 --> 00:08:00,640 Speaker 1: ass ship. So what would led you to the DJ? 133 00:08:00,760 --> 00:08:03,240 Speaker 1: And it was a It was a neighborhood thing. So 134 00:08:03,280 --> 00:08:05,600 Speaker 1: the neighborhood that I grew up in, I felt like 135 00:08:05,640 --> 00:08:07,960 Speaker 1: it was the coolest neighborhood in the city. That's that's 136 00:08:08,000 --> 00:08:12,880 Speaker 1: just how I felt. We probably weren't, but that's legitimately. 137 00:08:12,960 --> 00:08:15,320 Speaker 1: We had one of the best kerffeiti writers in the city. 138 00:08:15,320 --> 00:08:17,760 Speaker 1: He lived he lived down the block, so I lived 139 00:08:17,800 --> 00:08:20,480 Speaker 1: on Hickory the projects in Hickory Street. He lived on 140 00:08:20,640 --> 00:08:23,720 Speaker 1: eastern half, like literally on the corner. So so you 141 00:08:23,800 --> 00:08:26,960 Speaker 1: got the best kuffee writer in the city. Um, one 142 00:08:26,960 --> 00:08:29,160 Speaker 1: of my neighbors a few houses down was a DJ. 143 00:08:29,280 --> 00:08:31,000 Speaker 1: And there was another DJ at the top of the 144 00:08:31,040 --> 00:08:33,760 Speaker 1: projects who I would stand in front of the bus 145 00:08:33,760 --> 00:08:36,920 Speaker 1: stop and he's cutting up break beats. So I felt 146 00:08:36,960 --> 00:08:40,400 Speaker 1: like that's what I was around naturally, you know what 147 00:08:40,400 --> 00:08:42,280 Speaker 1: I mean. I didn't know it was gonna beat this. 148 00:08:42,800 --> 00:08:45,880 Speaker 1: I didn't know that this was even available for people 149 00:08:45,960 --> 00:08:48,920 Speaker 1: outside of New York. Is. I legitimately thought the only 150 00:08:48,960 --> 00:08:50,800 Speaker 1: way you can get on is if you lived in 151 00:08:50,800 --> 00:08:53,480 Speaker 1: New York, because you would see run DMC, what Jim 152 00:08:53,480 --> 00:08:56,679 Speaker 1: Master J. You would see uh l O cool J 153 00:08:56,800 --> 00:08:59,560 Speaker 1: would cut creator, And so I thought that the DJ 154 00:08:59,720 --> 00:09:01,920 Speaker 1: got because he lived across the street from the rapper. 155 00:09:01,960 --> 00:09:04,760 Speaker 1: I didn't live across the street from the rapper. What 156 00:09:04,840 --> 00:09:09,320 Speaker 1: was on DJ's name creator, So you know that's I 157 00:09:09,360 --> 00:09:13,360 Speaker 1: thought that was the trajectory. Yeah, but that's dope, man. 158 00:09:13,400 --> 00:09:18,040 Speaker 1: You really got the to get whole dreams and DJ 159 00:09:18,200 --> 00:09:20,840 Speaker 1: and aspirations to a whole another level and work with 160 00:09:21,080 --> 00:09:23,640 Speaker 1: legends in the city. Man. How you how you go 161 00:09:23,800 --> 00:09:28,280 Speaker 1: from Springfield, Massachusetts to Atlanta, Georgia. Um, it was College 162 00:09:28,360 --> 00:09:31,080 Speaker 1: Clark Atlanta University. That was the That was the reason 163 00:09:31,400 --> 00:09:33,560 Speaker 1: that brought me to the A. Yeah, I was just 164 00:09:33,600 --> 00:09:37,880 Speaker 1: throwing the HBCU know we always got showed love to that. 165 00:09:38,240 --> 00:09:40,240 Speaker 1: It was honestly, that was the that was the plug. 166 00:09:40,320 --> 00:09:42,800 Speaker 1: So came down here in n to go to college. 167 00:09:42,880 --> 00:09:46,480 Speaker 1: I was graduated, but in school, I was a major 168 00:09:46,520 --> 00:09:50,360 Speaker 1: in communications and I wanted to create content for TV, 169 00:09:50,520 --> 00:09:53,679 Speaker 1: kind of like what your crew is doing inspired this 170 00:09:53,800 --> 00:09:55,920 Speaker 1: the number one black TV show that's not on TV, 171 00:09:56,720 --> 00:09:59,440 Speaker 1: not on TV, but it's going to be you don't 172 00:09:59,440 --> 00:10:02,840 Speaker 1: you know that? So I was inspired by Spike Lee 173 00:10:02,920 --> 00:10:05,840 Speaker 1: and Arsenio Hall or sending obviously for his late night 174 00:10:05,880 --> 00:10:08,120 Speaker 1: talk show, and then the stuff that Spike was doing 175 00:10:08,160 --> 00:10:12,000 Speaker 1: with his films. I felt like that talked to me directly, 176 00:10:12,280 --> 00:10:15,000 Speaker 1: and I knew Spike went to more House, but he 177 00:10:15,040 --> 00:10:17,640 Speaker 1: took his classes at Clark. So I was like, well, 178 00:10:18,000 --> 00:10:20,280 Speaker 1: I'll just go directly to the source. I'll take my 179 00:10:20,360 --> 00:10:22,480 Speaker 1: classes at Clark. So that's what it got me to 180 00:10:22,520 --> 00:10:25,240 Speaker 1: the eight. How you get the working when people like 181 00:10:25,400 --> 00:10:29,520 Speaker 1: Outcast and ship like that? Man, So the Outcast story 182 00:10:29,720 --> 00:10:34,040 Speaker 1: is crazy. So my man, Sean Johnson, introduced me to Outcast. 183 00:10:34,240 --> 00:10:36,160 Speaker 1: This is when they were both in high school, all right, 184 00:10:36,280 --> 00:10:39,040 Speaker 1: both of them was in high school. And one day 185 00:10:39,080 --> 00:10:41,080 Speaker 1: he picked me up. Me and so me and DJ 186 00:10:41,200 --> 00:10:44,440 Speaker 1: Trauma at the time with roommates, and he picks me up. 187 00:10:44,480 --> 00:10:46,360 Speaker 1: He's like, ye'a, I'm gonna take you over to me. 188 00:10:46,720 --> 00:10:53,360 Speaker 1: These rappers They're really dope. This is let's say three. 189 00:10:53,760 --> 00:10:56,400 Speaker 1: So he pulled up to this house, walking the house 190 00:10:56,440 --> 00:10:58,720 Speaker 1: as an older black woman in the kitchen cooking. We 191 00:10:58,760 --> 00:11:01,280 Speaker 1: say hi, and we go down stairs. So you walk 192 00:11:01,360 --> 00:11:05,360 Speaker 1: down This is God's honestly. You walk downstairs and you 193 00:11:05,400 --> 00:11:07,920 Speaker 1: see a bunch of guys are sitting over there, somebody 194 00:11:07,960 --> 00:11:10,760 Speaker 1: laying on the floor, so one over there, and then 195 00:11:10,840 --> 00:11:13,280 Speaker 1: you see the skinny dark skin cap I guess like 196 00:11:13,400 --> 00:11:18,160 Speaker 1: behind behind the booth, and it's Rico Wade. Now I 197 00:11:18,160 --> 00:11:19,800 Speaker 1: don't know who I'm looking at. This is the first 198 00:11:19,840 --> 00:11:22,400 Speaker 1: time I'm walking into the house, but it's the Dungeon, right, 199 00:11:22,760 --> 00:11:26,400 Speaker 1: So I don't remember what they were recording, but this 200 00:11:26,480 --> 00:11:30,360 Speaker 1: is Dungeon before Outcasts got signed to the face. It 201 00:11:30,440 --> 00:11:33,920 Speaker 1: was whatever that year was. So let's say for argument's sake, 202 00:11:34,000 --> 00:11:37,800 Speaker 1: let's say it's ninety three right there. Again, they're still 203 00:11:37,840 --> 00:11:43,120 Speaker 1: in high school three and the whole Dungeon is forming. Right. 204 00:11:43,440 --> 00:11:46,280 Speaker 1: So I'm sitting there talking to Rico, and Rico is 205 00:11:46,360 --> 00:11:50,800 Speaker 1: legitimately like the visionary, But I mean we we talked 206 00:11:50,880 --> 00:11:54,720 Speaker 1: hip hop for hours, and I felt like they were 207 00:11:55,960 --> 00:11:58,320 Speaker 1: they were the same as me in terms of hip 208 00:11:58,400 --> 00:12:01,920 Speaker 1: hop knowledge history, I mean we're talking everything. We're talking 209 00:12:02,000 --> 00:12:04,720 Speaker 1: break beats, we're talking Africa band Bata. These are dudes 210 00:12:04,760 --> 00:12:08,480 Speaker 1: I never met before, but that the I knew that 211 00:12:08,520 --> 00:12:12,440 Speaker 1: they knew what time it was. I don't care where, 212 00:12:12,440 --> 00:12:14,360 Speaker 1: it didn't even matter where they're from. You knew that 213 00:12:14,400 --> 00:12:16,640 Speaker 1: they knew. And then you knew that Rico was the 214 00:12:16,679 --> 00:12:20,400 Speaker 1: head because he was forming a crew like Votron. Again, 215 00:12:20,640 --> 00:12:24,560 Speaker 1: I didn't know. Let's say there's six bodies sitting over there. 216 00:12:24,559 --> 00:12:27,240 Speaker 1: I didn't know that these two outcasts and these four 217 00:12:27,240 --> 00:12:29,720 Speaker 1: were goodye mom, I just knew that they were rappers, 218 00:12:30,240 --> 00:12:36,120 Speaker 1: that this genius was putting together. So imagine seeing Dungeon 219 00:12:36,160 --> 00:12:40,040 Speaker 1: family from That's not the beginning, but this is before 220 00:12:40,040 --> 00:12:42,880 Speaker 1: Outcasts got a record deal. Like so, I've been in 221 00:12:42,880 --> 00:12:46,960 Speaker 1: that space and around Atlanta history from and let's say 222 00:12:47,000 --> 00:12:51,679 Speaker 1: that was my starting point and incredible, and then only 223 00:12:51,720 --> 00:12:54,480 Speaker 1: to find out I go home for the summer, come 224 00:12:54,520 --> 00:12:56,520 Speaker 1: back out Gays got a record deal with a face, 225 00:12:56,520 --> 00:12:58,520 Speaker 1: and I'm like, these are the cats who I used 226 00:12:58,600 --> 00:13:00,240 Speaker 1: to kick away. They used to come to our read 227 00:13:00,640 --> 00:13:03,839 Speaker 1: rhyme and um in our living room. I wish we 228 00:13:03,920 --> 00:13:08,719 Speaker 1: had social media back then because it was some real history. 229 00:13:09,120 --> 00:13:12,200 Speaker 1: One of them died their hair blonde, and I don't 230 00:13:12,240 --> 00:13:14,120 Speaker 1: remember who, so I don't want to mess up the story. 231 00:13:14,120 --> 00:13:16,040 Speaker 1: One of them died the heir blond, and their mom's 232 00:13:16,120 --> 00:13:19,560 Speaker 1: kicked them out the house. I've I've picked up whoever 233 00:13:19,600 --> 00:13:21,280 Speaker 1: the one was. I picked up the other one to 234 00:13:21,280 --> 00:13:23,120 Speaker 1: pick up the one who got kicked out the crib, 235 00:13:23,200 --> 00:13:25,320 Speaker 1: to bring them to the other one's house. Like, So 236 00:13:25,840 --> 00:13:29,560 Speaker 1: seeing them from that vantage point, from day one, you 237 00:13:29,640 --> 00:13:32,560 Speaker 1: knew they were nice on a hip hop level. From like, 238 00:13:32,920 --> 00:13:35,480 Speaker 1: there was no marketing plan though, these two high school 239 00:13:35,520 --> 00:13:40,000 Speaker 1: kids was bananas with it. So you know, that's the 240 00:13:40,400 --> 00:13:43,640 Speaker 1: genesis of my history of hip hop in here in Atlanta. Man, 241 00:13:43,720 --> 00:13:46,440 Speaker 1: You've got a lot of history. Though in the history 242 00:13:46,440 --> 00:13:48,560 Speaker 1: of Atlanta, I hadn't heard a few people shout you 243 00:13:48,600 --> 00:13:52,360 Speaker 1: out it they versus and ship like that. Recently we 244 00:13:52,400 --> 00:13:55,440 Speaker 1: did um the Monica versus, which was crazy. I think 245 00:13:55,720 --> 00:13:59,160 Speaker 1: to this day, I think that's top five highest rated 246 00:13:59,360 --> 00:14:02,679 Speaker 1: versus of of all of them, which is bananas because 247 00:14:02,920 --> 00:14:05,040 Speaker 1: you're in a room like this, right and you're not 248 00:14:05,240 --> 00:14:08,640 Speaker 1: you're not knowing that the that the numbers are going 249 00:14:08,640 --> 00:14:12,320 Speaker 1: through the roof, and we were let's say through the 250 00:14:12,360 --> 00:14:15,280 Speaker 1: show and the producer came over. It's like, yo, y'all 251 00:14:15,280 --> 00:14:18,559 Speaker 1: broken record and I literally were in a room like this. 252 00:14:19,040 --> 00:14:21,000 Speaker 1: You don't know that the record is being broken. You're 253 00:14:21,000 --> 00:14:23,200 Speaker 1: not even pay I'm just making sure that we saw 254 00:14:23,320 --> 00:14:25,320 Speaker 1: Monica's records on point there. He's like, no, no, no, 255 00:14:25,360 --> 00:14:28,040 Speaker 1: you're at I'm paraphrase in the numbers. I don't remember. 256 00:14:28,160 --> 00:14:31,160 Speaker 1: Let's say, he's like, we're almost at two million. I 257 00:14:31,280 --> 00:14:37,640 Speaker 1: was in there crazy. It's in the comments talking so 258 00:14:37,720 --> 00:14:41,120 Speaker 1: much what you're talking about, but you know, the comments 259 00:14:41,160 --> 00:14:43,200 Speaker 1: was going crazy because Monica had them booths on and 260 00:14:43,280 --> 00:14:54,440 Speaker 1: looked like prosthetic legs. That was one of the best ones. Like, man, 261 00:14:54,520 --> 00:14:57,360 Speaker 1: people love to see, you know how stars finally getting 262 00:14:57,360 --> 00:15:00,320 Speaker 1: their flowers. You know what I'm saying, Yeah, man, I 263 00:15:00,800 --> 00:15:04,600 Speaker 1: love I feel like um Atlanta has been on top 264 00:15:04,920 --> 00:15:07,000 Speaker 1: longer than any other city has been on and you've 265 00:15:07,040 --> 00:15:08,960 Speaker 1: been here the whole time. Bro. That's gonna have to 266 00:15:09,000 --> 00:15:11,240 Speaker 1: take us like five episodes. We get all the ship 267 00:15:12,080 --> 00:15:16,440 Speaker 1: who my shirts the shirt man, that's how gates that 268 00:15:16,560 --> 00:15:19,680 Speaker 1: we are in this motherfucker man fu switching. We're just 269 00:15:19,720 --> 00:15:22,000 Speaker 1: gonna keep the cameras on until we leave it more 270 00:15:23,040 --> 00:15:25,120 Speaker 1: So what you got going on right now? Man, I 271 00:15:25,240 --> 00:15:27,320 Speaker 1: know you've been going crazy with the cars. I gotta 272 00:15:27,320 --> 00:15:29,240 Speaker 1: I want to skip straight to that point and that's 273 00:15:29,280 --> 00:15:33,040 Speaker 1: my favorite car. And you have, uh ship, we don't 274 00:15:33,200 --> 00:15:36,360 Speaker 1: we don't say numbers and things like we gotta, we 275 00:15:36,520 --> 00:15:40,720 Speaker 1: gotta gotta. We'll never be walking. I've never be walking. 276 00:15:41,160 --> 00:15:48,280 Speaker 1: I'm never walk anywhere. So I got the Uptown Car Club. Uh, 277 00:15:48,280 --> 00:15:50,320 Speaker 1: it's really what I gotta have to be in the 278 00:15:50,400 --> 00:15:53,360 Speaker 1: Uptown Car Club. So the Uptown Car Club focuses on 279 00:15:54,400 --> 00:15:58,040 Speaker 1: cars primarily from the eighties and nineties. Obviously, you know 280 00:15:58,040 --> 00:16:00,520 Speaker 1: we're gonna stretch it out because you know, just moving on. 281 00:16:00,640 --> 00:16:04,840 Speaker 1: But eighties and nineties European style whips for the most part. 282 00:16:04,880 --> 00:16:07,120 Speaker 1: I'm about to get something then. I've been wanting to 283 00:16:07,120 --> 00:16:09,400 Speaker 1: give me all the five speed in anyone. If you 284 00:16:09,440 --> 00:16:13,120 Speaker 1: know anybody got an M three com annual, coach k 285 00:16:13,320 --> 00:16:18,280 Speaker 1: got coach coach sh it is coach got some ship 286 00:16:18,720 --> 00:16:21,320 Speaker 1: that's making it. I remember because his birthday they got 287 00:16:21,360 --> 00:16:26,000 Speaker 1: them that cold as BMW man me go spotted for right. 288 00:16:26,040 --> 00:16:30,440 Speaker 1: Maybe the label maybe Q see somebody somebody had the label. 289 00:16:30,480 --> 00:16:33,240 Speaker 1: Make sure that because I remember them when they shipped 290 00:16:33,320 --> 00:16:36,040 Speaker 1: to Atlanta because I got the call a couple of 291 00:16:36,040 --> 00:16:38,680 Speaker 1: times before they found actual one like loads you've got 292 00:16:38,680 --> 00:16:42,840 Speaker 1: Oneman was like, hell, do you not much that? Yeah? Yeah, man, 293 00:16:43,360 --> 00:16:46,400 Speaker 1: you know. So the cool thing about cars, you know, 294 00:16:46,440 --> 00:16:48,960 Speaker 1: the way we're doing the car thing is you don't 295 00:16:48,960 --> 00:16:52,520 Speaker 1: got the coaches level is another levels. Been killing it 296 00:16:52,560 --> 00:16:55,520 Speaker 1: for so long on the lower. He liked him with 297 00:16:55,600 --> 00:16:57,800 Speaker 1: none of that. A lot of people won't even know 298 00:16:57,920 --> 00:17:00,720 Speaker 1: coach if they walked past. He's has been. He's so 299 00:17:00,840 --> 00:17:02,880 Speaker 1: low key with the ship. So his is like you 300 00:17:02,920 --> 00:17:04,919 Speaker 1: got to get him left, you gotta get him up here. 301 00:17:05,400 --> 00:17:08,280 Speaker 1: Definitely not. And then but you can enter the old 302 00:17:08,320 --> 00:17:11,240 Speaker 1: school car game with like five thousand dollars and I'm 303 00:17:11,280 --> 00:17:16,679 Speaker 1: not saying a little bit of money and you can't can't, 304 00:17:17,080 --> 00:17:20,000 Speaker 1: you can't know you can't you can you can you 305 00:17:20,119 --> 00:17:22,399 Speaker 1: can own it for that, but you ain't going nowhere. 306 00:17:24,080 --> 00:17:27,320 Speaker 1: Come Look. See that's why people end up with all 307 00:17:27,359 --> 00:17:30,320 Speaker 1: these fucking cars and broken dreams because you don't really 308 00:17:30,400 --> 00:17:34,720 Speaker 1: believe that ship. No, if you buy an old car, 309 00:17:34,920 --> 00:17:36,960 Speaker 1: you need enough money to make that bitch of a 310 00:17:37,000 --> 00:17:40,400 Speaker 1: new car. Yeah, I'm saying to buying the car. Yeah, 311 00:17:40,440 --> 00:17:41,960 Speaker 1: you can own it, you go on it, you canet 312 00:17:42,000 --> 00:17:43,639 Speaker 1: on it so you can get in it. You can 313 00:17:43,720 --> 00:17:47,840 Speaker 1: find you a nice late model nineties era benz Or 314 00:17:48,400 --> 00:17:50,680 Speaker 1: with some turbot. Want to forget you right, you could, 315 00:17:50,920 --> 00:17:53,200 Speaker 1: but see it's an investment. You gotta put it into you. 316 00:17:53,280 --> 00:17:55,320 Speaker 1: Gotta put it into you, gotta you gotta love right 317 00:17:55,359 --> 00:17:56,920 Speaker 1: with you. I'm gonna get me something. It's gotta be 318 00:17:57,000 --> 00:17:59,639 Speaker 1: a fast peder Yee, I don't. I don't like driving 319 00:17:59,680 --> 00:18:03,560 Speaker 1: six automatic. I'm not a speech ster. I'm not a 320 00:18:03,640 --> 00:18:06,119 Speaker 1: speech so I'm not on the highway going to million 321 00:18:06,200 --> 00:18:12,760 Speaker 1: miles an hour now, this fucking guy. I'm about to 322 00:18:12,800 --> 00:18:15,080 Speaker 1: start a class just teaching people how to draft stick. 323 00:18:16,359 --> 00:18:19,159 Speaker 1: My first car was at eighty six Dodge Lancer. That 324 00:18:19,200 --> 00:18:24,720 Speaker 1: was my very Dodge Lancer turbo at that automatic. Greg. 325 00:18:25,640 --> 00:18:27,480 Speaker 1: The turble didn't make it go faster because it was 326 00:18:27,480 --> 00:18:29,359 Speaker 1: already old when I got it. But it was an 327 00:18:29,400 --> 00:18:33,840 Speaker 1: eighty six Dodge Lancer turle. But from auction for dollars. 328 00:18:34,560 --> 00:18:36,399 Speaker 1: You know, it's crazy. I had a car just like that, 329 00:18:36,560 --> 00:18:38,320 Speaker 1: but I had you know, Dodge Planet. They made the 330 00:18:38,359 --> 00:18:41,280 Speaker 1: same ship. I had the Planet Laser, which is the 331 00:18:41,359 --> 00:18:45,520 Speaker 1: same call. Essentially, mine was a big gass brick. Mine 332 00:18:45,680 --> 00:18:50,760 Speaker 1: was my ship was probably a but when I bought it, 333 00:18:50,840 --> 00:18:55,040 Speaker 1: it was so low malages, so I can't even had 334 00:18:55,359 --> 00:18:57,160 Speaker 1: I was so mad when I first got it because 335 00:18:57,200 --> 00:18:59,760 Speaker 1: I came home and I was like, because I was 336 00:19:00,000 --> 00:19:02,320 Speaker 1: even up to buying cars and the car had it 337 00:19:02,400 --> 00:19:04,360 Speaker 1: like in my mind, and then I got this one, 338 00:19:05,240 --> 00:19:08,399 Speaker 1: but like it wasn't. I didn't pick it. So I'm like, 339 00:19:08,440 --> 00:19:10,639 Speaker 1: all right, I drive whatever. I'm just trying to roll. 340 00:19:10,760 --> 00:19:13,359 Speaker 1: At this point, I go out there and I started, 341 00:19:13,480 --> 00:19:16,560 Speaker 1: I'm looking about the start like I'm like funk. I 342 00:19:16,680 --> 00:19:18,440 Speaker 1: went in the house. I was like, ship, I'm not 343 00:19:18,480 --> 00:19:20,840 Speaker 1: gonna do this. I was like, you'll figure out. So 344 00:19:20,920 --> 00:19:23,800 Speaker 1: I went back outside this same night, throw that bitch. 345 00:19:23,920 --> 00:19:27,040 Speaker 1: I got stuck for like minutes, but I got stuck 346 00:19:27,080 --> 00:19:29,960 Speaker 1: for like fifteen minutes, and then I figured that ship 347 00:19:30,040 --> 00:19:32,920 Speaker 1: out and then like I did that ship maybe two 348 00:19:33,000 --> 00:19:35,920 Speaker 1: more nights just driving, and I got home, throw that 349 00:19:36,000 --> 00:19:41,040 Speaker 1: bitch to school, and I was, man, good money, good money, yeah, 350 00:19:41,119 --> 00:19:45,800 Speaker 1: man myself. The car thing is every man needs that thing, right, 351 00:19:45,920 --> 00:19:48,399 Speaker 1: every man needs are things. So for some you know, 352 00:19:48,760 --> 00:19:53,919 Speaker 1: I do sneakers, I do firearms, cars and in bikes. 353 00:19:54,080 --> 00:19:56,199 Speaker 1: We all you need a hobby when you come off 354 00:19:56,240 --> 00:19:58,640 Speaker 1: the road, you need something to take you away from 355 00:19:58,760 --> 00:20:01,600 Speaker 1: this to you know, to You've got a lot of habbites. Man, 356 00:20:01,920 --> 00:20:05,680 Speaker 1: you do cars, firearms, and you build bikes. Yeah, that's 357 00:20:05,720 --> 00:20:09,080 Speaker 1: crazy when you find time to mix it all up 358 00:20:09,760 --> 00:20:11,520 Speaker 1: the days that I'm not in the clubs or it's 359 00:20:11,560 --> 00:20:14,720 Speaker 1: not on the road, like really it's my relaxation to 360 00:20:15,320 --> 00:20:17,840 Speaker 1: you know what I mean to get away from. They 361 00:20:17,840 --> 00:20:20,280 Speaker 1: didn't know he was a gun enthusiast like that. Bro, 362 00:20:20,600 --> 00:20:24,120 Speaker 1: it's the South. You gotta protect yourself. Yeah, I got 363 00:20:24,240 --> 00:20:28,159 Speaker 1: to even before the nonsense with the last president, Like 364 00:20:28,280 --> 00:20:31,240 Speaker 1: I was on that heavy like one thing they love 365 00:20:31,320 --> 00:20:34,680 Speaker 1: in the South though. Man, that's some good. It's some Jesus. 366 00:20:37,240 --> 00:20:40,400 Speaker 1: They take turns. It depends on you. It's the same situation. 367 00:20:40,600 --> 00:20:43,760 Speaker 1: So so on the tip of the bikes, you know, 368 00:20:44,119 --> 00:20:47,600 Speaker 1: that's my newest public venture. It is made by mars 369 00:20:47,840 --> 00:20:51,040 Speaker 1: um so I customized bikes for for people. So you know, 370 00:20:51,680 --> 00:20:54,360 Speaker 1: you can either buy a factory bike. We got one 371 00:20:54,480 --> 00:20:57,840 Speaker 1: that got a bike. We got some man, let me 372 00:20:57,880 --> 00:20:59,760 Speaker 1: see it. I'm looking at Mars. I want to get 373 00:20:59,760 --> 00:21:02,680 Speaker 1: in some same. We had another guy come who built 374 00:21:02,760 --> 00:21:05,840 Speaker 1: bike's black dude entrepreneurs. So we got a little what's 375 00:21:05,840 --> 00:21:13,720 Speaker 1: his name, goddamnit, Marsques, but I will get his name, 376 00:21:13,800 --> 00:21:16,160 Speaker 1: but he's fret. We're gonna get him to finish devil 377 00:21:16,560 --> 00:21:19,600 Speaker 1: right now. We just got it. This life art. We're 378 00:21:19,600 --> 00:21:21,560 Speaker 1: gonna get him to completed. We gotta get him dj 379 00:21:21,680 --> 00:21:26,360 Speaker 1: Mars bight south thing that that that colorway, the black 380 00:21:26,400 --> 00:21:29,399 Speaker 1: of the orange and the blue. We'll go. We'll go 381 00:21:30,880 --> 00:21:34,560 Speaker 1: very right and right move. Yeah, dope, we need one. 382 00:21:35,080 --> 00:21:39,720 Speaker 1: The bike thing I started at UM. I was diagnosed 383 00:21:39,760 --> 00:21:42,119 Speaker 1: with diabetes, let's say about eight years ago. So the 384 00:21:42,200 --> 00:21:44,600 Speaker 1: doctor was like, yo, you gotta lose some weight. So 385 00:21:45,200 --> 00:21:46,800 Speaker 1: I'm not a gym person, not going to be in 386 00:21:46,840 --> 00:21:50,080 Speaker 1: the gym, left in running, so I figured I needed 387 00:21:50,119 --> 00:21:52,760 Speaker 1: to do something to to get some exercise and check 388 00:21:52,840 --> 00:21:58,239 Speaker 1: that out. Super light frame too. Who's gonna write there 389 00:21:59,119 --> 00:22:04,439 Speaker 1: is my ship? Nice? Nice? Yeah, yeah ship. I got 390 00:22:04,560 --> 00:22:06,040 Speaker 1: to get back in touch with him. He got the 391 00:22:06,080 --> 00:22:07,639 Speaker 1: rest of the parts to finish it. They just got 392 00:22:07,720 --> 00:22:09,240 Speaker 1: to come up here and do it. So I like, 393 00:22:09,400 --> 00:22:12,480 Speaker 1: I like obviously the Atlanta theme with the can they 394 00:22:12,480 --> 00:22:15,120 Speaker 1: see it on this side the peach? Obviously the eighty 395 00:22:15,200 --> 00:22:17,600 Speaker 1: five South This is We're all fire. You see the 396 00:22:17,640 --> 00:22:22,080 Speaker 1: smoke in the flames. Got our goons right here. The killers, Yeah, 397 00:22:22,080 --> 00:22:23,680 Speaker 1: we got the killers on that bitch. We got the 398 00:22:23,720 --> 00:22:27,280 Speaker 1: a town dope. Come on, man, dope dope touching ship 399 00:22:27,440 --> 00:22:29,760 Speaker 1: you see leaving alone. You know you're down there on 400 00:22:29,800 --> 00:22:34,040 Speaker 1: the chain all the time too. And it was just 401 00:22:34,200 --> 00:22:37,840 Speaker 1: right here, that's his name, j R. Asked custom body, 402 00:22:39,200 --> 00:22:41,240 Speaker 1: shout out to my dog. We're gonna get you up 403 00:22:41,280 --> 00:22:44,520 Speaker 1: here to finish this from me. So yeah, it was 404 00:22:44,800 --> 00:22:49,800 Speaker 1: really born out of necessity. I needed. I needed to 405 00:22:49,880 --> 00:22:53,600 Speaker 1: lose weight, so I just started riding bikes um around 406 00:22:53,640 --> 00:22:56,480 Speaker 1: the city. I saw Jay Reid and the dope paddlers. 407 00:22:57,119 --> 00:23:00,639 Speaker 1: Their crew is ridiculous, and then I started crew. Then 408 00:23:00,720 --> 00:23:03,639 Speaker 1: I bought um a second bike and was like, let 409 00:23:03,720 --> 00:23:05,600 Speaker 1: me flip you know his hip hop. We don't like 410 00:23:05,760 --> 00:23:09,159 Speaker 1: things to stay stationary. We remix it into our own thing. 411 00:23:09,640 --> 00:23:12,320 Speaker 1: And I didn't my bike and I didn't. I did 412 00:23:12,560 --> 00:23:14,639 Speaker 1: that bike, and then I did two more for myself 413 00:23:14,760 --> 00:23:16,959 Speaker 1: and posted a picture of it and his kid from 414 00:23:17,119 --> 00:23:20,560 Speaker 1: England said he wanted to buy it. Just word to 415 00:23:20,640 --> 00:23:24,440 Speaker 1: my son. I named him a price. He wired the money. 416 00:23:25,200 --> 00:23:27,040 Speaker 1: I shipped him the bike two weeks later he had 417 00:23:27,040 --> 00:23:29,880 Speaker 1: a bike he posted and someone else was like, who 418 00:23:29,960 --> 00:23:31,760 Speaker 1: did that bike? I want to buy one from him too, 419 00:23:32,080 --> 00:23:34,920 Speaker 1: And that's legitimately how the business started. That's what's something 420 00:23:34,920 --> 00:23:38,760 Speaker 1: man um Timmy about the gun classes and the handguns. 421 00:23:40,200 --> 00:23:46,360 Speaker 1: So vaugh A t. L Um really just about understanding, uh, 422 00:23:46,480 --> 00:23:50,080 Speaker 1: the importance of gun safety and education. That's before you 423 00:23:50,160 --> 00:23:51,840 Speaker 1: get a gun, you need to know how to use it. 424 00:23:51,960 --> 00:23:54,760 Speaker 1: That that when I projected out and that bullet comes out, 425 00:23:54,800 --> 00:23:57,920 Speaker 1: that thing. It's another conversation. A lot of us around 426 00:23:57,960 --> 00:24:00,159 Speaker 1: the way have guns, but we don't know how to 427 00:24:00,400 --> 00:24:04,680 Speaker 1: use them. So you know, we put ourselves in bad situations. 428 00:24:05,359 --> 00:24:08,920 Speaker 1: We may carry a gun a situation. Someone may approach 429 00:24:08,960 --> 00:24:11,080 Speaker 1: you at a gas station and if he turns around, 430 00:24:11,160 --> 00:24:14,920 Speaker 1: you shoot him while he's turning around. Now you're at fault. 431 00:24:15,160 --> 00:24:17,680 Speaker 1: So what were you just trying to teach gun education 432 00:24:17,840 --> 00:24:20,240 Speaker 1: so that when we're in a situation we make the 433 00:24:20,320 --> 00:24:23,240 Speaker 1: proper decisions. A lot of times we put ourselves in 434 00:24:23,320 --> 00:24:26,840 Speaker 1: these predicaments and we don't do the legal thing. We 435 00:24:27,000 --> 00:24:29,440 Speaker 1: do what our emotions are telling us. We can't move 436 00:24:29,560 --> 00:24:32,200 Speaker 1: like that anyway. So Vault is about making sure we 437 00:24:32,280 --> 00:24:36,000 Speaker 1: know what time it is. I'm coming. I'm coming, well, 438 00:24:36,040 --> 00:24:39,280 Speaker 1: ship man, drop me social media DJs where they can 439 00:24:39,320 --> 00:24:41,480 Speaker 1: find you at man d J mars full for on 440 00:24:41,680 --> 00:24:45,840 Speaker 1: Instagram and Mars Hall on Facebook. Do me a favor, though, 441 00:24:45,920 --> 00:24:48,600 Speaker 1: but make me a promise. Don't let this be the 442 00:24:48,680 --> 00:24:50,800 Speaker 1: last time you stopped through here. Oh no, no, no, 443 00:24:51,280 --> 00:24:53,760 Speaker 1: I mean your team know how to find me. We've 444 00:24:53,800 --> 00:24:58,119 Speaker 1: been talking about getting schedules, schedules. I'm so glad we 445 00:24:58,200 --> 00:24:59,879 Speaker 1: were able to do this today. So if they need 446 00:25:00,040 --> 00:25:05,120 Speaker 1: more information about the bikes, the guns, the DJ and everything. 447 00:25:05,400 --> 00:25:09,359 Speaker 1: I mean, jim My general pages at DJ mars for 448 00:25:09,560 --> 00:25:14,520 Speaker 1: For I post everything that cars, bikes, firearms, everything right there, parties, tours, 449 00:25:14,600 --> 00:25:17,480 Speaker 1: all of that. Well there you had in folks. I 450 00:25:17,560 --> 00:25:21,920 Speaker 1: hope everyone who's watching knows and understands that the black 451 00:25:22,000 --> 00:25:26,760 Speaker 1: market is open. The black market is open. My bad, 452 00:25:26,800 --> 00:25:29,600 Speaker 1: I got to sight DJ markets. Sorry, this ship makes 453 00:25:29,640 --> 00:25:32,240 Speaker 1: me hand to DJ Mars he man. We got DJ 454 00:25:32,359 --> 00:25:36,760 Speaker 1: Mars in the building whatever today Basel black Market. We 455 00:25:36,920 --> 00:25:40,200 Speaker 1: out of him, my dog. I didn't realize that was 456 00:25:40,240 --> 00:25:43,800 Speaker 1: your intro. I know you just wrapping in the beginning. 457 00:25:43,840 --> 00:25:44,200 Speaker 1: That's how we