1 00:00:04,240 --> 00:00:08,400 Speaker 1: Jackie. I can't. I can't hear you. Where are you. 2 00:00:08,920 --> 00:00:09,639 Speaker 2: I'm at the beach. 3 00:00:10,119 --> 00:00:13,720 Speaker 1: You're at the beach. Are you wearing plenty of ointment? 4 00:00:15,400 --> 00:00:16,120 Speaker 3: How are you? 5 00:00:16,920 --> 00:00:20,720 Speaker 1: I'm good. I had a medical question for you. Our 6 00:00:20,800 --> 00:00:24,840 Speaker 1: audy belly buttons prefer to innis because they need less 7 00:00:24,920 --> 00:00:27,240 Speaker 1: upkeep okay, As I was talking to my dentist, and 8 00:00:27,240 --> 00:00:29,120 Speaker 1: when I pushed him on it, he says that, yes, 9 00:00:30,120 --> 00:00:31,320 Speaker 1: what I know. 10 00:00:32,840 --> 00:00:34,720 Speaker 2: What shark? 11 00:00:35,240 --> 00:00:44,400 Speaker 1: Oh my god, I'm gonna tell your picture. Baby shark. 12 00:00:44,479 --> 00:00:47,520 Speaker 1: Do do do do do do? Baby shark? Do do 13 00:00:47,520 --> 00:00:49,360 Speaker 1: do do do? Baby shark? 14 00:00:49,440 --> 00:00:50,639 Speaker 4: Do do do do? Do do do? 15 00:00:57,480 --> 00:01:03,720 Speaker 1: I'm Jonathan Goldstein and this is heavyweight. Today's episode Victor 16 00:01:03,880 --> 00:01:20,000 Speaker 1: and Mita right after the break. Depending on how you 17 00:01:20,040 --> 00:01:23,000 Speaker 1: look at it, the story of Victor in Mitay is 18 00:01:23,040 --> 00:01:25,679 Speaker 1: either a love story for the ages or not a 19 00:01:25,720 --> 00:01:29,440 Speaker 1: love story at all. Since first meeting Victor, I've been 20 00:01:29,440 --> 00:01:30,959 Speaker 1: trying to decide which it is. 21 00:01:31,480 --> 00:01:35,560 Speaker 5: When she gets into a room, it's like the sun enters, 22 00:01:35,600 --> 00:01:38,720 Speaker 5: you know, everything is nice and warm. 23 00:01:39,040 --> 00:01:41,520 Speaker 1: Victor is a painter living in New York, and he's 24 00:01:41,560 --> 00:01:45,319 Speaker 1: describing Mighty, the woman who first stole his heart thirty 25 00:01:45,360 --> 00:01:46,280 Speaker 1: five years ago. 26 00:01:46,760 --> 00:01:50,920 Speaker 5: The truth is, every time I see her, it's the 27 00:01:50,960 --> 00:01:53,440 Speaker 5: most beautiful that I have seen her in my life. 28 00:01:54,400 --> 00:01:58,960 Speaker 1: Victor paints huge, spectacular canvases. There are common motifs like 29 00:01:59,080 --> 00:02:03,880 Speaker 1: rotary phones, skulls, butterflies. But the thing that nearly every 30 00:02:03,920 --> 00:02:07,560 Speaker 1: painting has in common, the thing Victor can't stop painting, 31 00:02:08,200 --> 00:02:15,160 Speaker 1: is Mita. They first met at a party back home 32 00:02:15,200 --> 00:02:19,120 Speaker 1: in Mexico thirty five years ago. Mita was eighteen and 33 00:02:19,240 --> 00:02:23,040 Speaker 1: Victor was nineteen. All these years later and no detail 34 00:02:23,080 --> 00:02:24,040 Speaker 1: has been forgotten. 35 00:02:24,560 --> 00:02:29,920 Speaker 5: She was wearing a white lace suit which was from 36 00:02:30,080 --> 00:02:32,440 Speaker 5: her mother's, like a seventies thing from her mother. 37 00:02:33,760 --> 00:02:34,720 Speaker 4: How can you forget that? 38 00:02:36,720 --> 00:02:40,359 Speaker 1: Victor, shy by nature, said nothing to Mite at the party, 39 00:02:40,960 --> 00:02:43,160 Speaker 1: But a couple months later he ran into her at 40 00:02:43,160 --> 00:02:45,280 Speaker 1: the university they both attended. 41 00:02:45,400 --> 00:02:49,680 Speaker 5: And I asked her if she could model, and she 42 00:02:49,720 --> 00:02:53,040 Speaker 5: said yes, And that's how everything started. 43 00:02:56,320 --> 00:03:01,079 Speaker 2: He almost did not even talk that day is my day. 44 00:03:01,800 --> 00:03:06,280 Speaker 2: He just said, please sit here, and then he started painting. 45 00:03:07,880 --> 00:03:12,480 Speaker 2: The whole studio smelled of paint, of oil. I was 46 00:03:12,520 --> 00:03:16,639 Speaker 2: so nervous that I could barely think. My hands were shaking, 47 00:03:17,200 --> 00:03:21,240 Speaker 2: and I brought a book. I think it was crime 48 00:03:21,280 --> 00:03:24,600 Speaker 2: and punishment, and I was pretending that I was reading, 49 00:03:24,800 --> 00:03:28,280 Speaker 2: but I could not focus on the reading at all. 50 00:03:29,320 --> 00:03:31,600 Speaker 1: Victor already knew he was going to be an artist, 51 00:03:31,880 --> 00:03:34,200 Speaker 1: and it even begun to show his work in galleries. 52 00:03:34,840 --> 00:03:37,480 Speaker 1: His drive made him seem older than his nineteen years. 53 00:03:38,080 --> 00:03:38,720 Speaker 4: I was still. 54 00:03:38,840 --> 00:03:41,200 Speaker 2: I felt that I was in the head and the 55 00:03:41,200 --> 00:03:49,680 Speaker 2: body of a child. And here's this guy who was enormous, 56 00:03:50,640 --> 00:03:55,480 Speaker 2: enormous in what he wasn't believed and knew. I barely 57 00:03:55,520 --> 00:03:56,160 Speaker 2: knew anything. 58 00:03:57,280 --> 00:04:03,040 Speaker 1: Sitting there, holding still pretending to Dosteyevski, mighty was falling 59 00:04:03,080 --> 00:04:11,880 Speaker 1: in love. After several hours, Victor stopped painting. He thanked Mite, 60 00:04:12,080 --> 00:04:14,880 Speaker 1: told her she could go, but before she left, he 61 00:04:14,920 --> 00:04:18,520 Speaker 1: showed her the canvas he'd been working on. As Mite recalls, 62 00:04:18,800 --> 00:04:20,720 Speaker 1: he was almost blank, and. 63 00:04:20,680 --> 00:04:24,120 Speaker 2: I was surprised that there was not much on it, 64 00:04:24,279 --> 00:04:29,880 Speaker 2: except for traces or something, but not as I had imagined. 65 00:04:30,640 --> 00:04:34,159 Speaker 5: I was to overwhelmed that this completely out of my league, 66 00:04:34,560 --> 00:04:37,479 Speaker 5: beautiful popular girl came. 67 00:04:38,600 --> 00:04:41,080 Speaker 4: I couldn't do anything. Was just like. 68 00:04:43,200 --> 00:04:48,520 Speaker 5: But in the days after, I made from memory thirty 69 00:04:48,560 --> 00:04:55,799 Speaker 5: five paintings. 70 00:04:58,000 --> 00:05:02,039 Speaker 1: After that first meeting, the two started. A couple years later, 71 00:05:02,200 --> 00:05:04,520 Speaker 1: they married and moved to New York, where they had 72 00:05:04,520 --> 00:05:07,880 Speaker 1: a daughter. Victor found success in New York. He was 73 00:05:07,920 --> 00:05:11,120 Speaker 1: discovered by a famous art dealer and began showing in Europe, 74 00:05:11,200 --> 00:05:14,960 Speaker 1: South America, and Asia. He sold enough paintings to support 75 00:05:15,000 --> 00:05:18,640 Speaker 1: his family, but as time went on, his relationship with 76 00:05:18,720 --> 00:05:20,640 Speaker 1: my Day began to deteriorate. 77 00:05:21,200 --> 00:05:26,479 Speaker 5: My nature is very depressive and more introspective and isolated, 78 00:05:27,120 --> 00:05:30,359 Speaker 5: so I never want to do anything, never want to 79 00:05:30,400 --> 00:05:33,360 Speaker 5: go to a picnic or hang with friends, or go 80 00:05:33,480 --> 00:05:36,320 Speaker 5: to roller skating Central Park, that kind of thing. 81 00:05:37,839 --> 00:05:41,400 Speaker 4: I couldn't And she was the opposite, you know. She 82 00:05:41,600 --> 00:05:44,360 Speaker 4: was like, let's do everything, Let's go out. 83 00:05:45,160 --> 00:05:49,680 Speaker 2: He was not very fond of me going out with friends, 84 00:05:50,000 --> 00:05:51,920 Speaker 2: but he didn't want to go out with friends either, 85 00:05:52,279 --> 00:05:53,760 Speaker 2: and that, you know, that was like a pain in 86 00:05:53,760 --> 00:05:57,359 Speaker 2: the ass. And I think maybe he was always possessive. 87 00:05:58,240 --> 00:06:03,400 Speaker 2: It's just that as we were growing older it felt 88 00:06:03,440 --> 00:06:04,080 Speaker 2: more intense. 89 00:06:04,960 --> 00:06:09,920 Speaker 5: Everyone falls in love with her, men and women. Everyone. 90 00:06:10,200 --> 00:06:13,920 Speaker 5: It's impossible not to. She's that kind of person. And 91 00:06:14,000 --> 00:06:17,760 Speaker 5: I mean, I dealt with that for eleven years. Then 92 00:06:17,800 --> 00:06:20,480 Speaker 5: I had to had to divorce. 93 00:06:26,520 --> 00:06:29,919 Speaker 1: In two thousand and three, Victor and miighty mutually decided 94 00:06:30,080 --> 00:06:32,360 Speaker 1: that it was in their best interests to go their 95 00:06:32,400 --> 00:06:38,159 Speaker 1: separate ways. But here's the thing, even now, twenty years 96 00:06:38,200 --> 00:06:41,839 Speaker 1: after their divorce, Mighty is still the face of his work. 97 00:06:42,279 --> 00:06:46,520 Speaker 1: The hands, the neck, the lips. Scrolling through his portfolio. 98 00:06:46,760 --> 00:06:51,000 Speaker 1: It's image after image of Mighty might a reading, Mighty, drinking, 99 00:06:51,440 --> 00:06:54,600 Speaker 1: Mighty talking on the phone. How many paintings would you 100 00:06:54,600 --> 00:06:55,480 Speaker 1: say you have of her? 101 00:06:57,200 --> 00:06:59,760 Speaker 4: I'd made more than four thousand. 102 00:07:00,000 --> 00:07:09,840 Speaker 1: Probably was there for a point after you guys had 103 00:07:09,880 --> 00:07:13,400 Speaker 1: broken up, for you made an effort to stop painting her. 104 00:07:13,640 --> 00:07:14,520 Speaker 4: Yes, of course. 105 00:07:15,560 --> 00:07:20,480 Speaker 5: When I've had girlfriends, the question always comes, are you 106 00:07:20,920 --> 00:07:23,080 Speaker 5: planning to paint her forever? 107 00:07:23,520 --> 00:07:23,720 Speaker 4: You know? 108 00:07:24,360 --> 00:07:28,160 Speaker 5: And my answer is if you have a better idea, 109 00:07:29,600 --> 00:07:31,600 Speaker 5: give me a better idea, and I might change it. 110 00:07:31,800 --> 00:07:32,640 Speaker 4: That's my answer. 111 00:07:33,640 --> 00:07:36,960 Speaker 1: And that's the only answer Victor offers, which makes me 112 00:07:37,040 --> 00:07:40,200 Speaker 1: feel like a kid who won't stop asking. But why, 113 00:07:41,280 --> 00:07:45,840 Speaker 1: but why why his ex wife? Why might? 114 00:07:46,760 --> 00:07:49,520 Speaker 5: I don't really know, But I've done experiments. I've had 115 00:07:49,560 --> 00:07:55,400 Speaker 5: other models, professional models I hire, and the result is 116 00:07:55,480 --> 00:07:59,800 Speaker 5: not the same because when I am working on those, 117 00:08:00,960 --> 00:08:04,920 Speaker 5: I am working on everything that it's not her. 118 00:08:05,960 --> 00:08:07,640 Speaker 4: I am just describing what it's not. 119 00:08:09,080 --> 00:08:10,440 Speaker 1: Is Mie your first love. 120 00:08:12,000 --> 00:08:12,520 Speaker 4: I don't know. 121 00:08:14,280 --> 00:08:17,560 Speaker 5: I had a other girlfriends. You know that I thought 122 00:08:17,560 --> 00:08:20,400 Speaker 5: that I loved. It's a there, but not like this. No, 123 00:08:20,920 --> 00:08:25,040 Speaker 5: So the answer might be yes, is. 124 00:08:25,080 --> 00:08:28,120 Speaker 1: She is she your only love? Or have you found 125 00:08:28,200 --> 00:08:29,240 Speaker 1: love since. 126 00:08:30,760 --> 00:08:36,640 Speaker 4: I fell in love since? But something dyed? 127 00:08:38,400 --> 00:08:41,720 Speaker 5: I don't want to be, you know, dramatic, but it's 128 00:08:42,080 --> 00:08:45,559 Speaker 5: the innocence. I don't think it can be replicated. 129 00:08:46,960 --> 00:08:49,960 Speaker 1: Victor broke up with Mighty as a husband, and yet 130 00:08:50,000 --> 00:08:52,520 Speaker 1: he can't break up with her as an artist. But 131 00:08:52,600 --> 00:08:56,280 Speaker 1: can the two things be separated? To me, it seems impossible. 132 00:08:56,920 --> 00:08:59,679 Speaker 1: But on this point, Victory is clear. He is an 133 00:08:59,760 --> 00:09:03,720 Speaker 1: artist pursuing his inspiration, not a man pursuing a woman. 134 00:09:04,160 --> 00:09:06,640 Speaker 4: No, no, no, I'm. 135 00:09:06,440 --> 00:09:09,360 Speaker 5: Not trying to conquer her heart and to make her 136 00:09:09,440 --> 00:09:15,120 Speaker 5: think that I love for No, No, absolutely. 137 00:09:14,160 --> 00:09:14,720 Speaker 4: Nothing at all. 138 00:09:14,800 --> 00:09:18,000 Speaker 1: So for you, it's not pining. 139 00:09:18,800 --> 00:09:18,959 Speaker 4: No. 140 00:09:25,480 --> 00:09:28,880 Speaker 5: In my Latin American markets, this is like a full 141 00:09:28,960 --> 00:09:32,560 Speaker 5: on telenovela where I have old ladies come to me 142 00:09:32,720 --> 00:09:36,240 Speaker 5: crying telling me that I will get her in the end, 143 00:09:36,400 --> 00:09:40,640 Speaker 5: and everyone sees the art and uses her as a 144 00:09:40,720 --> 00:09:43,040 Speaker 5: mirror to tell themselves a story. 145 00:09:44,320 --> 00:09:47,840 Speaker 1: I've been telling myself the very same story that boy 146 00:09:47,880 --> 00:09:51,640 Speaker 1: wins girl, boy loses girl, and boy wins girl back 147 00:09:51,760 --> 00:09:55,760 Speaker 1: by making thousands of paintings. Am I no different than 148 00:09:55,760 --> 00:09:59,000 Speaker 1: the old ladies of the Latin American markets? Or do 149 00:09:59,080 --> 00:10:01,839 Speaker 1: I see something about Victor that he himself does not. 150 00:10:08,320 --> 00:10:12,880 Speaker 1: Eventually Mite got remarried, started a new family, and Victor 151 00:10:13,000 --> 00:10:16,720 Speaker 1: kept his distance. Respecting the fact that Mite had moved on. 152 00:10:17,760 --> 00:10:20,800 Speaker 1: He continued to paint her, though using old photographs as 153 00:10:20,800 --> 00:10:25,040 Speaker 1: a reference. But then Mite got divorced. 154 00:10:25,200 --> 00:10:28,520 Speaker 4: And I ask her can I take some pictures? 155 00:10:29,080 --> 00:10:32,520 Speaker 1: Then she said yes, which is how Victor and Mite 156 00:10:32,559 --> 00:10:35,480 Speaker 1: came up with an unusual arrangement, one that I've been 157 00:10:35,520 --> 00:10:39,760 Speaker 1: trying to understand. One day each year, Mite goes to 158 00:10:39,840 --> 00:10:42,760 Speaker 1: Victor's studio, just like she did when they were teenagers, 159 00:10:43,360 --> 00:10:46,040 Speaker 1: and for this one day, she gives herself over to 160 00:10:46,080 --> 00:10:50,240 Speaker 1: his art. She dons the costumes he chooses and holds 161 00:10:50,240 --> 00:10:53,280 Speaker 1: the props he hands her. She sits still as he 162 00:10:53,320 --> 00:10:56,200 Speaker 1: paints her face with makeup, and allows herself to be 163 00:10:56,320 --> 00:10:59,959 Speaker 1: posed in the exact ways Victor wishes. After a couple 164 00:11:00,160 --> 00:11:02,360 Speaker 1: of hours, he pays her as he would any model. 165 00:11:03,080 --> 00:11:06,400 Speaker 1: Then Mite leaves and Victor spends the rest of the 166 00:11:06,480 --> 00:11:13,560 Speaker 1: year painting her image. In the Greek myth of Persephone, 167 00:11:13,679 --> 00:11:17,280 Speaker 1: Persephone marries Hades but is unhappy living in the underworld, 168 00:11:17,760 --> 00:11:20,160 Speaker 1: so Hades agrees to release her to the world above 169 00:11:20,559 --> 00:11:23,360 Speaker 1: if she promises to return to him once a year. 170 00:11:24,440 --> 00:11:28,640 Speaker 1: Over time, however, Persephonie falls in love with Hades. I 171 00:11:28,679 --> 00:11:32,000 Speaker 1: can't help wondering if Victor carries a shred of Hades's 172 00:11:32,040 --> 00:11:38,120 Speaker 1: hope in his heart too. I'll read to you something 173 00:11:38,120 --> 00:11:43,560 Speaker 1: that he said here in talking about you. I think 174 00:11:43,600 --> 00:11:48,160 Speaker 1: the physical is not even her most attractive quality. I mean, 175 00:11:48,240 --> 00:11:52,080 Speaker 1: of course she's super beautiful, but her personality is incredible, 176 00:11:52,360 --> 00:11:55,640 Speaker 1: like a nuclear bomb of charisma. When she gets into 177 00:11:55,640 --> 00:12:00,000 Speaker 1: a room, it's like the sun enters. Everything is nice 178 00:12:00,200 --> 00:12:14,120 Speaker 1: and warm. 179 00:12:14,160 --> 00:12:23,320 Speaker 2: Yeah, that's I mean, that's very nice. I I. 180 00:12:27,679 --> 00:12:28,880 Speaker 1: Don't really know what to say. 181 00:12:30,920 --> 00:12:35,040 Speaker 2: I mean, I I worry about him. I worry about 182 00:12:35,080 --> 00:12:37,480 Speaker 2: how you know his state of mind or heart, and 183 00:12:40,400 --> 00:12:43,480 Speaker 2: I want him to be fine and happy and find joy. 184 00:12:45,200 --> 00:12:48,120 Speaker 2: What do you think? How do you see this? 185 00:12:49,679 --> 00:12:52,480 Speaker 1: I'm not sure how I see this. My day doesn't 186 00:12:52,480 --> 00:12:54,720 Speaker 1: think Victor is in love with her, but enough people 187 00:12:54,760 --> 00:12:57,840 Speaker 1: have asked her to raise some doubts. It is not 188 00:12:58,000 --> 00:13:02,320 Speaker 1: easy to differentiate. We're enjoying ends Curator Gonzala or take 189 00:13:02,360 --> 00:13:06,440 Speaker 1: a writes of Victor's work and where an obsessive fixation begins. 190 00:13:07,280 --> 00:13:10,280 Speaker 1: It's this kind of thing. It's people like me that 191 00:13:10,400 --> 00:13:12,000 Speaker 1: make Mighty question herself. 192 00:13:12,559 --> 00:13:16,680 Speaker 2: Do you do you think that I'm if you said, 193 00:13:16,720 --> 00:13:19,520 Speaker 2: I mean, if someone says to me, this looks like 194 00:13:19,600 --> 00:13:25,079 Speaker 2: you're hurting him, then I would do things differently. 195 00:13:29,600 --> 00:13:32,200 Speaker 1: Having talked to Victor about it at length, I don't 196 00:13:32,240 --> 00:13:35,680 Speaker 1: think my ya is hurting him, but seen from the outside, 197 00:13:35,840 --> 00:13:37,640 Speaker 1: the arrangement is unconventional. 198 00:13:38,160 --> 00:13:38,800 Speaker 4: If I try to. 199 00:13:38,720 --> 00:13:43,560 Speaker 2: Give it too much thought, I could go crazy a 200 00:13:43,559 --> 00:13:44,000 Speaker 2: little bit. 201 00:13:44,160 --> 00:13:45,480 Speaker 4: Yeah. Yeah, So. 202 00:13:46,880 --> 00:13:50,640 Speaker 2: When I have doubts, it's important to know what Mikhaila thinks, 203 00:13:51,120 --> 00:13:52,880 Speaker 2: and I feel that she can be my compass. 204 00:13:54,200 --> 00:13:57,720 Speaker 6: I think it really was for me normal that my 205 00:13:57,840 --> 00:13:59,400 Speaker 6: dad painted my mom. 206 00:13:59,760 --> 00:14:03,600 Speaker 1: This is Victor in my Tay's daughter, Mikayla. She's twenty five, 207 00:14:03,880 --> 00:14:06,400 Speaker 1: but was just five years old when her parents divorced. 208 00:14:07,120 --> 00:14:11,160 Speaker 6: I do remember one moment in high school friend of 209 00:14:11,200 --> 00:14:14,200 Speaker 6: mine asked me, oh, your dad still paints your mom, 210 00:14:14,320 --> 00:14:18,560 Speaker 6: and I said yeah, he does, yeah, and my friend said, well, 211 00:14:18,600 --> 00:14:20,800 Speaker 6: he's still in love with her. Then right, he must 212 00:14:20,800 --> 00:14:23,160 Speaker 6: still be in love with her, and I guess I 213 00:14:23,200 --> 00:14:26,480 Speaker 6: did pause. I didn't really know what to say, and 214 00:14:26,560 --> 00:14:28,360 Speaker 6: I think there was a moment of is he. 215 00:14:29,800 --> 00:14:30,280 Speaker 4: Could he be? 216 00:14:31,080 --> 00:14:32,200 Speaker 6: Maybe I should ask him? 217 00:14:32,400 --> 00:14:33,840 Speaker 1: And so I did. I asked him. 218 00:14:34,600 --> 00:14:35,240 Speaker 4: What did he say? 219 00:14:36,120 --> 00:14:36,680 Speaker 6: He said no. 220 00:14:38,280 --> 00:14:41,280 Speaker 1: Like any kid, Mikayla likes to see her parents getting along, 221 00:14:41,880 --> 00:14:44,000 Speaker 1: so when her mom asks her if she's okay with 222 00:14:44,040 --> 00:14:49,080 Speaker 1: her modeling, she's always said yes. But like me, Mikayla 223 00:14:49,160 --> 00:14:50,360 Speaker 1: still has questions. 224 00:14:50,640 --> 00:14:53,960 Speaker 6: I'd be curious to learn more about my mom, what's 225 00:14:54,000 --> 00:14:55,920 Speaker 6: going on through her mind, what she feels when she's 226 00:14:55,920 --> 00:14:56,320 Speaker 6: doing it. 227 00:14:57,040 --> 00:14:59,520 Speaker 1: Talking to my Day, I got the impression that she 228 00:14:59,600 --> 00:15:01,840 Speaker 1: might read to help Victor out of a sense of 229 00:15:01,880 --> 00:15:05,720 Speaker 1: responsibility or even worry. But is that enough to keep 230 00:15:05,760 --> 00:15:09,120 Speaker 1: someone returning to their ex husband over and over year 231 00:15:09,200 --> 00:15:13,600 Speaker 1: after year. Now, along with my question about why Victor 232 00:15:13,640 --> 00:15:17,320 Speaker 1: continues to paint my ta and only my ta, I 233 00:15:17,360 --> 00:15:22,120 Speaker 1: have a new one, why does myte model? Have you 234 00:15:22,160 --> 00:15:25,200 Speaker 1: ever stopped to imagine what it would be like to 235 00:15:25,280 --> 00:15:27,920 Speaker 1: be on the receiving end of such attention, like what 236 00:15:27,960 --> 00:15:29,000 Speaker 1: it's like for her? 237 00:15:30,560 --> 00:15:34,120 Speaker 5: Yes, I have thought how it must feel for her, 238 00:15:34,880 --> 00:15:37,400 Speaker 5: and I have told her the date that you don't 239 00:15:37,480 --> 00:15:40,600 Speaker 5: want me to do these things, I'll stop, and she hasn't. 240 00:15:40,640 --> 00:15:41,800 Speaker 1: She hasn't so far. 241 00:15:42,800 --> 00:15:48,600 Speaker 5: No, why do you think she comes to your studio? I, Jonathan, 242 00:15:48,680 --> 00:15:51,000 Speaker 5: I truly have no idea. 243 00:15:51,960 --> 00:15:58,840 Speaker 1: Hmmm, I wonder. In a few weeks, Victor and Mite 244 00:15:59,080 --> 00:16:03,120 Speaker 1: are planning their annual will photoshoot in Victor's studio. Perhaps 245 00:16:03,160 --> 00:16:06,560 Speaker 1: the only way to truly understand why Persephone returns to 246 00:16:06,600 --> 00:16:09,640 Speaker 1: Hades is to follow her down to the underworld and 247 00:16:09,720 --> 00:16:41,880 Speaker 1: see firsthand after the break Victor Studio Victor, Oh, Hello, hi. 248 00:16:43,960 --> 00:16:44,200 Speaker 4: Wow. 249 00:16:44,920 --> 00:16:47,920 Speaker 1: On a warm Friday in May, I arrived at Victor's studio, 250 00:16:48,280 --> 00:16:51,040 Speaker 1: a loft space with high ceilings and a concrete floor. 251 00:16:51,840 --> 00:16:55,360 Speaker 1: Victor is dressed in black, black leather leggings, black boots, 252 00:16:55,400 --> 00:16:58,760 Speaker 1: and thick black glasses. There are paintings and photos of 253 00:16:58,840 --> 00:17:02,320 Speaker 1: my day everywhere. On one shelf, I noticed a photo 254 00:17:02,440 --> 00:17:06,080 Speaker 1: of two feet raised on tiptoes. That is that my 255 00:17:06,119 --> 00:17:06,680 Speaker 1: taste feet? 256 00:17:06,800 --> 00:17:10,200 Speaker 4: Yeah, m coming. 257 00:17:10,600 --> 00:17:14,160 Speaker 1: You can hear her voice, You can hear the footsteps, okay? 258 00:17:14,920 --> 00:17:17,400 Speaker 1: Can you can you distinguish her footsteps from other footstep? 259 00:17:21,200 --> 00:17:24,720 Speaker 1: As my taste steps grow louder, Victor turns to me suddenly, 260 00:17:25,600 --> 00:17:27,160 Speaker 1: but yes, yes, I can. 261 00:17:34,240 --> 00:17:34,880 Speaker 4: Go with us. 262 00:17:35,440 --> 00:17:37,920 Speaker 1: My Tay arrives in a T shirt, knee length black 263 00:17:37,960 --> 00:17:42,480 Speaker 1: skirts and cowboy boots. She's objectively striking. She and Victor 264 00:17:42,520 --> 00:17:45,080 Speaker 1: both are. It's the first time I've ever been with 265 00:17:45,160 --> 00:17:47,840 Speaker 1: them together, and it's like they go together, like Jack 266 00:17:47,880 --> 00:17:51,199 Speaker 1: and Meg White or ant Man in the Wasp. I 267 00:17:51,240 --> 00:17:53,720 Speaker 1: watch them as they watch each other, but of course 268 00:17:53,760 --> 00:17:56,360 Speaker 1: I cannot see what Victor is seeing, and I cannot 269 00:17:56,359 --> 00:18:07,080 Speaker 1: feel what either of them is feeling. During the photo shoot, 270 00:18:07,359 --> 00:18:11,119 Speaker 1: Victor poses Mite beside a greco bust. He poses her 271 00:18:11,160 --> 00:18:14,440 Speaker 1: against the stack of books. He poses her talking into 272 00:18:14,440 --> 00:18:17,440 Speaker 1: an old fashioned rotary telephone, and with a handful of 273 00:18:17,480 --> 00:18:21,480 Speaker 1: rubber superballs. He poses her lying atop a keyboard that 274 00:18:21,520 --> 00:18:24,600 Speaker 1: he bought especially for the shoot. He poses her looking 275 00:18:24,640 --> 00:18:27,600 Speaker 1: soulfully into the eyes of a cookie monster hand puppet. 276 00:18:28,119 --> 00:18:30,000 Speaker 4: I should have bought some coises. 277 00:18:36,680 --> 00:18:39,240 Speaker 1: In spite of the surreal edge to the props, the 278 00:18:39,280 --> 00:18:44,040 Speaker 1: shoot is surprisingly casual and relaxed. It has the mood 279 00:18:44,119 --> 00:18:49,200 Speaker 1: of two old friends out for coffee. Sometimes Victor gives 280 00:18:49,240 --> 00:18:50,360 Speaker 1: Mite direction. 281 00:18:50,560 --> 00:18:54,040 Speaker 4: Now that must sight I except. 282 00:18:54,920 --> 00:18:56,960 Speaker 1: But mostly he doesn't say anything. 283 00:18:58,359 --> 00:19:00,720 Speaker 4: She said natural it's incredible. 284 00:19:00,840 --> 00:19:04,400 Speaker 1: I don't do anything up until now. Myte has been 285 00:19:04,440 --> 00:19:08,080 Speaker 1: reserved from the moment we met her body language betrayed 286 00:19:08,080 --> 00:19:11,760 Speaker 1: someone who doesn't like attention. Yet as soon as the 287 00:19:11,800 --> 00:19:19,399 Speaker 1: camera starts clicking, something happens. She comes alive. At one point, 288 00:19:19,520 --> 00:19:22,760 Speaker 1: Victor compares Mite to Audrey Hepburn, who he says, is 289 00:19:22,920 --> 00:19:24,680 Speaker 1: quote not as pretty. 290 00:19:24,880 --> 00:19:28,120 Speaker 4: Not not even close, but in the same style. Well 291 00:19:28,400 --> 00:19:29,520 Speaker 4: that's so excessive. 292 00:19:32,280 --> 00:19:35,960 Speaker 1: Observing the day, one thing seems clear. In answer to 293 00:19:36,000 --> 00:19:39,560 Speaker 1: Michayla's question about why her mother does it, maybe it's 294 00:19:39,600 --> 00:19:41,760 Speaker 1: for the simple reason she enjoys it. 295 00:19:53,960 --> 00:19:57,000 Speaker 4: I think we're gone. Okay, I think we're gone. 296 00:19:57,760 --> 00:20:00,919 Speaker 1: After about an hour, the photo shoot is over. Victor 297 00:20:00,960 --> 00:20:03,800 Speaker 1: thanks my Tay and insists on calling her a car. 298 00:20:04,480 --> 00:20:07,600 Speaker 1: She's teaching a Spanish class this afternoon. She has a 299 00:20:07,600 --> 00:20:08,520 Speaker 1: life to get back to. 300 00:20:08,920 --> 00:20:09,720 Speaker 4: Thank you very much. 301 00:20:09,760 --> 00:20:10,280 Speaker 2: I'll be back. 302 00:20:13,040 --> 00:20:16,480 Speaker 1: My Tay walks out, leaving me and Victor alone. Victor 303 00:20:16,520 --> 00:20:19,840 Speaker 1: seems tired, and that way introverts get after expending a 304 00:20:19,840 --> 00:20:23,640 Speaker 1: lot of social energy. After watching the shoot, I'm still 305 00:20:23,680 --> 00:20:26,160 Speaker 1: not sure what to think. I was hoping that seeing 306 00:20:26,240 --> 00:20:29,000 Speaker 1: Victor and my Tay together would answer all my questions, 307 00:20:29,440 --> 00:20:32,360 Speaker 1: but it hasn't. I ask Victor how the shoot went, 308 00:20:32,640 --> 00:20:36,159 Speaker 1: and he says he's pleased, But he says, I always 309 00:20:36,200 --> 00:20:39,520 Speaker 1: want more. You know, I can't tell if he means 310 00:20:39,560 --> 00:20:42,800 Speaker 1: more material or more time with my Tay. Is he 311 00:20:42,840 --> 00:20:45,240 Speaker 1: already counting the months until he can see her again? 312 00:20:46,400 --> 00:20:49,800 Speaker 1: This time? When my Ta walked through the door, did 313 00:20:49,800 --> 00:20:52,720 Speaker 1: you feel again that feeling of like she's more beautiful 314 00:20:52,760 --> 00:20:53,680 Speaker 1: than the last time. 315 00:20:55,840 --> 00:20:58,600 Speaker 4: Multiplied by one hundred? You know? 316 00:20:58,680 --> 00:21:03,800 Speaker 5: I find with her that her beauty or her type 317 00:21:03,840 --> 00:21:07,560 Speaker 5: of uh, I don't know what to call it can be. 318 00:21:10,200 --> 00:21:11,119 Speaker 4: I'm sure. 319 00:21:12,800 --> 00:21:16,200 Speaker 5: Once she had a tooth extracted when we were married, 320 00:21:16,200 --> 00:21:18,080 Speaker 5: and the dentist were it to me, and it had 321 00:21:18,119 --> 00:21:21,520 Speaker 5: a certain shape, and that shape was exactly the same 322 00:21:21,600 --> 00:21:22,960 Speaker 5: type of beauty. 323 00:21:23,520 --> 00:21:28,080 Speaker 1: It's like the park contains the whole in micro and 324 00:21:28,200 --> 00:21:34,320 Speaker 1: in macro. Okay, let's take it a step further. I mean, 325 00:21:34,320 --> 00:21:37,080 Speaker 1: do you think you would be if you replaced ten 326 00:21:37,160 --> 00:21:40,040 Speaker 1: teeth for some different people, you would be able to 327 00:21:40,080 --> 00:21:41,040 Speaker 1: identify her tooth. 328 00:21:41,680 --> 00:21:46,359 Speaker 5: I'll go further. If you put ten thyroid glands. I 329 00:21:46,400 --> 00:21:52,240 Speaker 5: think I have a good chance of guessing. Why listen, 330 00:21:52,280 --> 00:21:53,879 Speaker 5: I don't know, And that's why I that's. 331 00:21:55,359 --> 00:21:59,040 Speaker 4: I know. This sounds like this is mad, This is crazy. 332 00:21:59,040 --> 00:21:59,680 Speaker 4: I understand. 333 00:21:59,800 --> 00:22:03,040 Speaker 5: I know if I present my portfolio in an institution, 334 00:22:03,160 --> 00:22:05,359 Speaker 5: mental institution, they will welcome me. 335 00:22:05,400 --> 00:22:07,520 Speaker 4: It's like, hey, do you belong here? Man? 336 00:22:12,280 --> 00:22:14,960 Speaker 1: Victor has insisted since the moment we met that he 337 00:22:15,040 --> 00:22:17,240 Speaker 1: is not in love with my Day, and I want 338 00:22:17,280 --> 00:22:19,840 Speaker 1: to believe him. But when he starts talking about how 339 00:22:19,880 --> 00:22:22,040 Speaker 1: he can pick her thyroid gland out of a lineup, 340 00:22:22,440 --> 00:22:26,160 Speaker 1: I find it hard to If that's not love, albeit 341 00:22:26,240 --> 00:22:30,080 Speaker 1: a love bordering on obsession, then what is it. The 342 00:22:30,080 --> 00:22:34,160 Speaker 1: force of your admiration doesn't seem like it's the right 343 00:22:34,200 --> 00:22:38,400 Speaker 1: word of your I don't know what do you think 344 00:22:38,440 --> 00:22:40,240 Speaker 1: is the right word? Is adoration? 345 00:22:40,400 --> 00:22:40,480 Speaker 4: Not? 346 00:22:40,560 --> 00:22:42,640 Speaker 1: The right word is no? 347 00:22:42,880 --> 00:22:49,080 Speaker 5: Uh, it's because you're trying to avoid the L word, 348 00:22:49,160 --> 00:22:58,560 Speaker 5: which is love. Right, Victor pauses, I do feel love for. 349 00:22:58,440 --> 00:23:02,320 Speaker 1: Her, but as quickly as he admits it, he returns 350 00:23:02,320 --> 00:23:03,359 Speaker 1: to the same old saw. 351 00:23:03,760 --> 00:23:05,840 Speaker 5: But to me, the only thing that matters is the 352 00:23:05,920 --> 00:23:07,879 Speaker 5: final art product and painting. 353 00:23:09,119 --> 00:23:11,760 Speaker 1: This time, though, after having spent the day with them, 354 00:23:12,119 --> 00:23:14,359 Speaker 1: after seeing the way he looks at my tay, the 355 00:23:14,359 --> 00:23:17,000 Speaker 1: way that he hangs on her every move, I push 356 00:23:17,080 --> 00:23:20,320 Speaker 1: back but you ever feel like it flows backwards. Also, 357 00:23:20,520 --> 00:23:22,200 Speaker 1: you know what I mean that the that the art 358 00:23:22,240 --> 00:23:27,080 Speaker 1: work is also a means of, you know, having a 359 00:23:27,240 --> 00:23:32,640 Speaker 1: having a relationship where your love is permissible. Victor needs 360 00:23:32,720 --> 00:23:36,320 Speaker 1: Miighty to make art. But might Victor's art in some 361 00:23:36,400 --> 00:23:39,080 Speaker 1: ways be in service to spending time with Mighty? 362 00:23:39,320 --> 00:23:39,639 Speaker 4: Also? 363 00:23:40,720 --> 00:23:53,440 Speaker 5: Uh huh, Yeah, the answer is yes. Real love, real 364 00:23:53,440 --> 00:23:59,199 Speaker 5: love is doesn't stop right, you know, it doesn't. It 365 00:23:59,400 --> 00:24:06,960 Speaker 5: continues existing, It transforms itself, it moves in different ways. 366 00:24:08,600 --> 00:24:11,200 Speaker 1: So you're saying that this is real love. 367 00:24:13,480 --> 00:24:20,920 Speaker 4: Yeah. 368 00:24:20,960 --> 00:24:24,600 Speaker 1: For Victor, real love doesn't require wooing and rings and 369 00:24:24,640 --> 00:24:28,439 Speaker 1: shared health insurance. Real love is simply delighting in the 370 00:24:28,480 --> 00:24:32,479 Speaker 1: object of his affection. But Mite has a different idea 371 00:24:32,600 --> 00:24:36,760 Speaker 1: of what real love is and what it isn't. I'm 372 00:24:36,760 --> 00:24:39,280 Speaker 1: reminded of something she said the first time we spoke. 373 00:24:39,960 --> 00:24:42,520 Speaker 1: She told me that even though Victor was always looking 374 00:24:42,560 --> 00:24:44,399 Speaker 1: at her, she didn't feel seen. 375 00:24:45,320 --> 00:24:49,840 Speaker 2: It's easier to see someone from afar and idealize the 376 00:24:49,920 --> 00:24:53,800 Speaker 2: person than to be in the every day and just 377 00:24:54,000 --> 00:24:55,520 Speaker 2: dealing with the juggling of life. 378 00:24:56,000 --> 00:24:57,800 Speaker 1: But he was with the every day, you know, for 379 00:24:58,280 --> 00:25:01,600 Speaker 1: many years. I mean, so it's it's not like he. 380 00:25:02,480 --> 00:25:05,719 Speaker 2: Yes, But I think I think that even then I 381 00:25:05,760 --> 00:25:06,919 Speaker 2: was kind of an hologram. 382 00:25:07,080 --> 00:25:11,400 Speaker 1: It was like the ideal mite has a point. Real 383 00:25:11,440 --> 00:25:15,040 Speaker 1: love isn't about the ideal. It's hard work and requires 384 00:25:15,040 --> 00:25:19,719 Speaker 1: seeing a person in their entirety, imperfections and all. But 385 00:25:19,760 --> 00:25:22,440 Speaker 1: then Victor tells me a story from after the divorce 386 00:25:22,800 --> 00:25:25,080 Speaker 1: that makes me think he sees more than perhaps my 387 00:25:25,240 --> 00:25:29,720 Speaker 1: day knows. If he cannot exactly see her imperfections, he 388 00:25:29,760 --> 00:25:30,920 Speaker 1: can at least see his own. 389 00:25:32,640 --> 00:25:36,199 Speaker 5: One day, I was going back home in Manouver in 390 00:25:36,200 --> 00:25:39,680 Speaker 5: a taxi and I saw her with her boyfriend and 391 00:25:39,760 --> 00:25:43,040 Speaker 5: friends in a sitting outside the table in a restaurant 392 00:25:43,119 --> 00:25:46,840 Speaker 5: or bar, and they were all super happy, you know, 393 00:25:47,119 --> 00:25:48,200 Speaker 5: having a great time. 394 00:25:48,920 --> 00:25:52,720 Speaker 1: Victor had spent the whole day in his studio doing. 395 00:25:52,920 --> 00:25:57,000 Speaker 5: Like a very realistic depiction of her all day long. 396 00:25:58,920 --> 00:26:02,600 Speaker 5: But there she is sitting down with those guys having 397 00:26:02,600 --> 00:26:08,560 Speaker 5: a beer and talking about whatever and enjoying the day. 398 00:26:09,160 --> 00:26:15,560 Speaker 5: And I thought I couldn't provide her with that happiness 399 00:26:15,640 --> 00:26:20,119 Speaker 5: or like that regular normal, just enjoyment of life. 400 00:26:21,800 --> 00:26:30,879 Speaker 4: That was my feeling as a husband. You know what 401 00:26:30,920 --> 00:26:31,560 Speaker 4: I'm thinking about? 402 00:26:31,720 --> 00:26:37,480 Speaker 5: In cave paintings like from fifty thousand years ago. They 403 00:26:37,520 --> 00:26:40,800 Speaker 5: were the people there in the cave went to hunt 404 00:26:41,280 --> 00:26:44,119 Speaker 5: for a bison or something, and there was always a 405 00:26:44,200 --> 00:26:46,000 Speaker 5: dude who stayed behind. 406 00:26:47,280 --> 00:26:53,160 Speaker 4: To depict what happened. And sometimes I think that's my job. 407 00:26:54,800 --> 00:26:59,320 Speaker 5: I don't go out and have a experience, but I'm 408 00:26:59,320 --> 00:26:59,919 Speaker 5: okay with it. 409 00:27:01,680 --> 00:27:04,600 Speaker 4: I'm a different thing, yeah, yeah, a different thing. 410 00:27:07,040 --> 00:27:09,560 Speaker 6: In college, I didn't really know how to be alone 411 00:27:09,600 --> 00:27:11,359 Speaker 6: without feeling lonely. 412 00:27:11,440 --> 00:27:14,119 Speaker 1: This is Victor and my Day's daughter, Mikayla again. 413 00:27:14,720 --> 00:27:16,480 Speaker 6: Every time I was alone, I felt like I was 414 00:27:16,520 --> 00:27:19,200 Speaker 6: doing something wrong or that, you know, I felt a 415 00:27:19,240 --> 00:27:20,520 Speaker 6: little ashamed. 416 00:27:20,840 --> 00:27:24,600 Speaker 1: As it happens. Mikayla is a social psychology doctoral student, 417 00:27:25,000 --> 00:27:28,560 Speaker 1: and her work focuses on, of all things, the study 418 00:27:28,680 --> 00:27:32,639 Speaker 1: of loneliness. A little bit, it feels like she's dedicated 419 00:27:32,640 --> 00:27:34,919 Speaker 1: her life to trying to understand her dad. 420 00:27:35,680 --> 00:27:38,840 Speaker 6: There was a moment my sophomore year of college when 421 00:27:39,119 --> 00:27:43,240 Speaker 6: I was feeling really alone and very lonely, and I 422 00:27:43,280 --> 00:27:46,239 Speaker 6: called my dad and we talked for a while, and 423 00:27:46,280 --> 00:27:48,760 Speaker 6: he told me something that has stuck with me to 424 00:27:48,800 --> 00:27:53,760 Speaker 6: this day. He said, being alone does not mean being lonely. 425 00:27:55,680 --> 00:27:56,879 Speaker 6: It really struck me. 426 00:27:57,920 --> 00:27:59,960 Speaker 1: And do you think your dad was talking about himself. 427 00:28:01,520 --> 00:28:04,760 Speaker 6: Yeah, I think of him as someone who really enjoys 428 00:28:04,760 --> 00:28:09,640 Speaker 6: his solitude. Yeah, if he wanted to have a significant other, 429 00:28:09,680 --> 00:28:12,040 Speaker 6: if he wanted to have a big group of friends, 430 00:28:12,160 --> 00:28:15,600 Speaker 6: he totally could. But he doesn't want to, and he 431 00:28:15,640 --> 00:28:19,040 Speaker 6: knows that's a choice. So he's making a choice, which 432 00:28:19,040 --> 00:28:21,040 Speaker 6: I think is hard for some people to understand. 433 00:28:22,520 --> 00:28:26,520 Speaker 1: Victor's alone, but not lonely. He's not with somebody, and 434 00:28:26,640 --> 00:28:31,520 Speaker 1: yet he is sort of Finally, I think I understand 435 00:28:33,240 --> 00:28:36,320 Speaker 1: Victor couldn't handle being with Mita in her three dimensions, 436 00:28:36,840 --> 00:28:39,280 Speaker 1: but with this arrangement, he only has to be with 437 00:28:39,320 --> 00:28:42,800 Speaker 1: her in two. Victor can worship Mite as he did 438 00:28:42,840 --> 00:28:45,280 Speaker 1: that first time he laid eyes on her as a teenager, 439 00:28:46,080 --> 00:28:50,400 Speaker 1: and then he lets her leave. For Mite's part, she 440 00:28:50,520 --> 00:28:54,120 Speaker 1: loves Victor two, but she needed something more. So if 441 00:28:54,160 --> 00:28:58,480 Speaker 1: Victor expresses his love by letting Mitey go, Mite expresses 442 00:28:58,520 --> 00:29:01,520 Speaker 1: her love by allowing him for one day at least 443 00:29:02,120 --> 00:29:11,959 Speaker 1: to keep her. It's Friday, and so before parting, I 444 00:29:12,000 --> 00:29:15,360 Speaker 1: ask Victor what I always ask people on Fridays. Do 445 00:29:15,400 --> 00:29:16,360 Speaker 1: you have weekend plans? 446 00:29:17,120 --> 00:29:22,920 Speaker 5: You know what I don't. I don't have anything to do. 447 00:29:23,480 --> 00:29:24,920 Speaker 5: All I do is computer and work. 448 00:29:26,440 --> 00:29:30,560 Speaker 4: You'll be here working. Yeah. 449 00:29:31,320 --> 00:29:34,160 Speaker 1: Victor then tells me he's looking forward to the weekend, 450 00:29:35,400 --> 00:30:45,760 Speaker 1: and I believe him. 451 00:30:10,960 --> 00:30:20,480 Speaker 3: Now that the furnitures returning to its goodwill home, now 452 00:30:20,520 --> 00:30:25,320 Speaker 3: that the last month's rent is scheming with the damage 453 00:30:25,400 --> 00:30:29,000 Speaker 3: to take this moment to deserve. 454 00:30:31,120 --> 00:30:32,920 Speaker 4: If we meant it, if we. 455 00:30:32,880 --> 00:30:41,920 Speaker 3: Trust but felt around for far too from things that accidentally. 456 00:30:47,120 --> 00:30:50,440 Speaker 1: This episode of Heavyweight was produced by supervising producer Stevie 457 00:30:50,520 --> 00:30:54,120 Speaker 1: Lane and me Jonathan Goldstein, along with Phoebe Flanagan. Our 458 00:30:54,160 --> 00:30:58,040 Speaker 1: senior producer is Khalila Holt. Production assistance by Moheey mcgauker, 459 00:30:58,240 --> 00:31:01,960 Speaker 1: the editorial guidance from Emily con Special thanks to Lauren Silverman, 460 00:31:02,120 --> 00:31:06,560 Speaker 1: Neil Drumming, mime O'Donnell, Anya Schultz, Jackie Cohen, and Jessica Basheer, 461 00:31:06,760 --> 00:31:10,320 Speaker 1: who directed a short documentary about Victor's art called Heroin 462 00:31:10,520 --> 00:31:12,760 Speaker 1: which is where I first learned about Victor and Mitay. 463 00:31:13,240 --> 00:31:16,440 Speaker 1: Bobby Lord mixed the episode with original music by Christine Fellows, 464 00:31:16,520 --> 00:31:20,080 Speaker 1: John K. Sampson, Blue Dot Sessions, Michael Hurst, and Bobby Lord. 465 00:31:20,280 --> 00:31:23,440 Speaker 1: Additional music credits can be found on our website, Gimbletmedia 466 00:31:23,480 --> 00:31:26,560 Speaker 1: dot com slash Heavyweight. Our theme song is by The 467 00:31:26,560 --> 00:31:30,320 Speaker 1: Weaker Thans, courtesy of Epitaph Records. Heavyweight is a Spotify 468 00:31:30,400 --> 00:31:34,400 Speaker 1: original podcast. Follow us on Twitter at Heavyweight, on Instagram 469 00:31:34,440 --> 00:31:38,480 Speaker 1: at Heavyweight podcast, or email us at Heavyweight at gimletmedia 470 00:31:38,520 --> 00:31:41,480 Speaker 1: dot com. You can also follow our show on Spotify 471 00:31:41,640 --> 00:31:45,400 Speaker 1: and tap the bell to receive notifications when new episodes drop. 472 00:31:45,720 --> 00:31:55,560 Speaker 1: We'll be back in two weeks time with a new episode.