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Speaker 1: Oh yeah, what's something, y'all?

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Speaker 2: What's going on?

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Speaker 1: Brother drinks Radio. He's a legendary Queen's rapper. Hey, Hanks,

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Speaker 1: agree is your boy in O R E? He's a

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Speaker 1: Miami hip hop pioneer. What up his dj E f N?

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Speaker 3: Together they drink it up with some of the biggest

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Speaker 3: players in music and sports.

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Speaker 1: You know what I mean, the most.

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Speaker 4: Professional, unprofessional podcast and your number one source for drunk factors.

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Speaker 1: This is Drinks champ radder Way. Every day is New

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Speaker 1: Year's Eating.

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Speaker 4: That's right, Hey, Hank Sangria Hogusavia, this is your boy

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Speaker 4: in O R.

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Speaker 1: What up his dj E f N? This dreat chats.

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Speaker 2: And right now we've got a guy who's been.

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Speaker 4: In this game and played it honorable the whole time,

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Speaker 4: self proclaimed King of Philly been doing it.

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Speaker 1: This is a major figure days, a figure that's.

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Speaker 5: Been the boss came in the game.

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Speaker 4: Out here doing it still out here, smiling, looking good,

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Speaker 4: jury shining, you know what I mean? Necklace is heavy.

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Speaker 4: Seen this gram the other day? He was in yesterday

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Speaker 4: or today he was an open locker and he scared

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Speaker 4: the dog away.

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Speaker 2: I love it.

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Speaker 4: Right now we're talking about my homeboy, Gilly the kid

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Speaker 4: in the building, Philly, what's up, Gilly. I gotta get

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Speaker 4: straight to it, Gilly. You know Chicago looks like the

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Speaker 4: dangerous city, but Philadelphia.

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Speaker 1: Right now looks like the most out of control. Yeah, definitely,

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Speaker 1: I said, we definitely out of history.

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Speaker 4: Phies a lot of history, a lot of history. But

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Speaker 4: you know, I want to start you know, this this

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Speaker 4: off by saying, because you know nor he saying, you know,

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Speaker 4: self proclaimed King of Philly.

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Speaker 2: No, I'm the people's.

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Speaker 4: People.

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Speaker 5: Yeah, I wanted you to.

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Speaker 1: I wanted you to.

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Speaker 4: Know the people called me the King of Philly. You

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Speaker 4: feel what I'm saying. I mean, and you could go

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Speaker 4: to the internet and it's that. Is that where like

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Speaker 4: when because I think you had a King of Philly project?

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Speaker 1: Correct, King of Philly won two in three?

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Speaker 2: Okay?

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Speaker 1: Man?

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Speaker 4: Is that where like your dispute differences arrived.

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Speaker 1: With Beans or no?

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Speaker 4: Me and Beans never had no no differences over that?

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Speaker 4: I mean Beans is the Broad Street bully, right? You know,

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Speaker 4: I salute them on that never wanted to be that,

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Speaker 4: you know, I mean at the end of the day,

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Speaker 4: when you look at all the young when you look

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Speaker 4: at all the young kids that's coming up from Philadelphia

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Speaker 4: and name them.

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Speaker 2: Do you say who helped you? They're gonna say Gilly because.

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Speaker 4: You were like techn me like the first one on

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Speaker 4: with major figures, Absolutely and major figures.

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Speaker 1: That was at lives in there Dutch. Listen, Philly got

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Speaker 1: mad talent.

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Speaker 6: Absolutely is the beginning of round bars.

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Speaker 1: Absolutely, they had some the you know they was for

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Speaker 1: the era.

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Speaker 2: You know what I mean. Will had a couple of

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Speaker 2: hit records.

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Speaker 4: So take us to the in the beginning the major

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Speaker 4: figure days. You guys came out. It was six of

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Speaker 4: y'all correct, it was seven of seventh. Okay, you guys

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Speaker 4: come and how.

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Speaker 1: Did how did y'all get introduced to the game? What

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Speaker 1: label was that? Again? Uh?

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Speaker 4: Well, I signed with schwave House Dutch and Speed that

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Speaker 4: signed with unertained. Liva was out in Cali with Dre

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Speaker 4: and I had the group deal over at Warner Brothers

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Speaker 4: l Mad.

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Speaker 1: That's a lot of you gotta get to that, Chicken. Absolutely.

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Speaker 4: Was it a time of no no, no internet, so

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Speaker 4: you had to get it from the They heard about

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Speaker 4: you from the streets.

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Speaker 2: You know what I'm saying.

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Speaker 1: Now with that being said, you stick to the internet

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Speaker 1: very well.

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Speaker 4: Absolutely, like I got real niggas that I funk with

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Speaker 4: and they don't fuck on social media, but they follow you.

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Speaker 4: They up with you absolutely and everybody always they always

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Speaker 4: send me videos to you.

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Speaker 1: How did you How was it?

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Speaker 4: I wasn't a transition to know that because us being

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Speaker 4: street dudes, were kind of taught to stay away from

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Speaker 4: the camera. So but now we got to use it

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Speaker 4: to our advantage. And you were smart with you know

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Speaker 4: what I'm saying. Absolutely, So yeah, I mean you know, honestly,

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Speaker 4: you know, I always was known for, you know, talking

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Speaker 4: talking heavy on the DVDs, even back in the day.

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Speaker 4: You know what I'm saying, Take my brother got totally

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Speaker 4: disrespect to totally. I'm totally told any of your conversation,

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Speaker 4: I forgot you got to.

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Speaker 2: I got to be right now. I gotta show you

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Speaker 2: how we do it. This is how we do it.

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Speaker 1: This is called pea scene.

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Speaker 2: This is how.

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Speaker 1: How they do it in France. You know what I'm.

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Speaker 4: You gotta have it dumb, because make sure the thumb

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Speaker 4: is dead.

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Speaker 1: So it's the problem.

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Speaker 4: Yeah, I got a man yet, so we hit the

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Speaker 4: major no one listen to the internet thing.

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Speaker 1: Yeah, so you know it was no internet like that.

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Speaker 4: You know what I'm saying, So I was always known

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Speaker 4: for talking heavy on the DVDs, you know what I mean.

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Speaker 4: And then, uh, one day I get a call from Fendia.

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Speaker 1: Dirty Money find Yeah, a little kid manager right now.

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Speaker 4: Yeah, and uh, He's like, yo, man, you gotta start

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Speaker 4: talking crazy man. You know you're one of the greatest

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Speaker 4: ship talkers ever walked the face of the earth.

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Speaker 2: Man.

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Speaker 1: This music right here, I'm listening to it is incredible.

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Speaker 2: Man.

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Speaker 1: But you not being gilly something. What you talking about?

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Speaker 2: You know what I mean?

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Speaker 4: So he said, you know, you got to start talking

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Speaker 4: your ship. But you know, so I said, all right,

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Speaker 4: I'm gonna take his advice. You're talking that ship, brother,

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Speaker 4: you know what I mean. Get this, just get this,

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Speaker 4: get them drinks up.

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Speaker 1: In here, come on, let's go. Baby.

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Speaker 4: But you know, as a young and I used to

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Speaker 4: do it in a different way. So I said, you know,

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Speaker 4: I'm a little older now I can't do it in

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Speaker 4: that way. So, you know what I mean, what I'm

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Speaker 4: gonna do. Okay, this is what I'm gonna do. I'm

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Speaker 4: gonna give him some game because I'm a nigga that's

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Speaker 4: been shot, I've been locked up, you know what I'm saying.

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Speaker 2: I've been to Thailand.

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Speaker 4: I've been to London, Dubai Iris, so you know I've

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Speaker 4: seen every spectrum, you know what I mean. I've been

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Speaker 4: to college, you feel what I'm saying. So you know

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Speaker 4: I've seen pretty much everything you could see out here,

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Speaker 4: you know what i mean. And so I just figured,

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Speaker 4: you know, let me give him some game. You know,

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Speaker 4: I can go to my my DM right now, and

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Speaker 4: I can show you hundreds on top of hundreds on

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Speaker 4: top of hundreds of people that just asking questions, Well, Gilly,

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Speaker 4: my girl, was this what you think? I mean, I

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Speaker 4: can't get back to all of them. You know, I

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Speaker 4: get back to a few of them when I can.

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Speaker 4: I got a life too, you know what I'm saying.

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Speaker 2: Let me ask you a question.

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Speaker 1: What was your first reaction when you heard Meek and

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Speaker 1: Beans on the recket together for that night? It seemed

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Speaker 1: like the city was united for not?

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Speaker 4: I mean, I felt good about it, you know what

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Speaker 4: I mean. I didn't understand really with where where Beans

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Speaker 4: came in with the you know, with the game thing.

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Speaker 4: But you know I was I was like coan back,

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Speaker 4: you know what I'm saying.

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Speaker 1: But did it did the city feel like? All right?

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Speaker 2: Did it?

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Speaker 4: Did it like, I feel like, all right, niggas is

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Speaker 4: trying to get it together a little bit. But like

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Speaker 4: from the outside looking at it, it was like, Wow,

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Speaker 4: Philly is it? Probably it probably felt like that a

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Speaker 4: little bit more from the outside looking in. But in Philly,

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Speaker 4: See what in Philly, everybody pretty much fucked.

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Speaker 1: With each other.

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Speaker 4: You feel what I'm saying. I fucked with aari Ab,

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Speaker 4: I fucked with old Scheme. Oh, I fuck with Meek,

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Speaker 4: I fuck with you know what I'm saying everybody. It's

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Speaker 4: just a couple of individuals that's having problems.

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Speaker 1: But for the most part, everybody fucked with each other.

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Speaker 4: You know what I'm saying that, even the young niggas

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Speaker 4: that I got records with p and b Rock, I

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Speaker 4: got records with Core, I got records with Lights. You

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Speaker 4: feel what I'm saying. That's right here, you know what

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Speaker 4: I mean. I got records with everybody, you know what

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Speaker 4: I mean, and they all got records together.

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Speaker 1: You feel what I'm saying.

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Speaker 4: So for the most part, everybody in Philly fuck with

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Speaker 4: each other.

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Speaker 1: From the outside looking in, it.

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Speaker 4: Just looked like you thought that that was like a

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Speaker 4: dope moment. Yeah, absolutely, I thought I definitely thought it

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Speaker 4: was dope.

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Speaker 2: You know what I'm saying.

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Speaker 4: It didn't want to sound were crazy. I see you

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Speaker 4: on instagram S. Somebody gotta die.

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Speaker 1: Say listen school, you know what I mean. So when

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Speaker 1: you started calling you know people rats and.

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Speaker 4: Right, it's like whoa, It's like, hold on this ship

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Speaker 4: going somewhere else.

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Speaker 1: You feel what I'm saying.

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Speaker 4: I mean, I don't know what their situation is, but

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Speaker 4: I just know what I'm hearing and I know what's

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Speaker 4: going on.

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Speaker 2: I'm like, man, but.

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Speaker 4: But did did to your to your knowledge, did Meek

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Speaker 4: and and Beans they had like problems or No?

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Speaker 1: I never knew Meek and Beans that have any problem? Right,

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Speaker 1: So but then they got on the record together and

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Speaker 1: then it went left? How did How did the city

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Speaker 1: fel after that?

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Speaker 4: I mean, the city just felt like, you know, it

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Speaker 4: was a bunch of you know, it really should have

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Speaker 4: went that way, you know what I'm It really didn't

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Speaker 4: divide the city and none of that. You know, It's

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Speaker 4: just people just felt like it shouldn't have want we

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Speaker 4: it went, you know what I'm saying. And then you know,

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Speaker 4: some people like you know, you stand what you do.

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Speaker 4: So it was two sides of it. You know what

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Speaker 4: I'm saying, But everybody's from the outside looking at nobody

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Speaker 4: really know what would actually happen. You see what I'm saying.

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Speaker 4: So for me, I just mind my business because when

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Speaker 4: the situation went down with with Meek and Game, you know,

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Speaker 4: I talked to Game. You know what I'm saying, and

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Speaker 4: I think you know Game, I fuck with you.

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Speaker 2: Whack.

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Speaker 4: What's up, nigga? You know I already know how we

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Speaker 4: as whack. You already know you feel what I'm saying.

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Speaker 4: But you know me, I'm my business. The only time

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Speaker 4: I beef is one. It's about my niggas, indirect niggas

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Speaker 4: that hang with me every day that's gonna risk their

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Speaker 4: life for me.

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Speaker 1: Other than that, I ain't shit.

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Speaker 4: So as the people like you said, the people name

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Speaker 4: you the king, even though I do respect mine in

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Speaker 4: my business. But do you feel just a little responsibility,

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Speaker 4: like you can maybe help the situation or you feel

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Speaker 4: like situation it's too deep? You know, at the end

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Speaker 4: of the day, if it's two individuals that's arguing, you

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Speaker 4: know what I mean. I'm known for stepping in in

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Speaker 4: my city. That's what I'm known for. Like, let's get together.

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Speaker 4: What's up what's going because a lot of times niggas

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Speaker 4: don't got beef. They should be made up, and they

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Speaker 4: they get in front of each other and it's like, no, dog,

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Speaker 4: I really fuck with you.

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Speaker 7: I fuck with you too for real people, because it's like,

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Speaker 7: what the fuck what's going on?

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Speaker 4: Then if y'all fuck with each other exactly, your niggas

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Speaker 4: is goofy man man exactly wrong. Like you know what,

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Speaker 4: you know fact, Joe was my friend, Like you know

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Speaker 4: what I'm saying, My real real.

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Speaker 1: Was is your you know, just less.

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Speaker 4: I always say that right to get out of this

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Speaker 4: or something. So like when he asked, he was like, yo,

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Speaker 4: you know, he was trying to get in contact with

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Speaker 4: Jay and I had just got in contact with him.

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Speaker 4: So I felt like my responsibility. I felt responsible. I

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Speaker 4: felt like, you know what, Jay trusts me enough to

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Speaker 4: get on the phone with Joe. Joe trust me enough

250
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Speaker 4: for me to lead that way, and I did it.

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Speaker 4: You know what I'm saying, because I felt obligated.

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Speaker 1: You don't.

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Speaker 4: You don't feel like a little bit obligated now if

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Speaker 4: you're the king of Philly.

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Speaker 1: No, you know, I don't feel obligated because somebody got

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Speaker 1: hands put on.

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Speaker 4: Oh yeah, you know, once the hand put on, I

258
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Speaker 4: can't step in and say, you know, man, her nigga shit,

259
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Speaker 4: and no I can't. I mind my business wants to

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Speaker 4: get to that point. You feel what I'm saying, because

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Speaker 4: as men, you always got to give two grown men

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Speaker 4: a chance in time in space to earn their own

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Speaker 4: situation out. But then if it dragged going and okay,

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Speaker 4: hold on, well what's up? What's just really about? Is

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Speaker 4: this shit about something? Is y'all ready to shoot it out?

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Speaker 2: Bang? Bang?

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Speaker 1: If y'all not, then what we're really talking about?

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Speaker 4: This ship ain't about no money, all right, come on,

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Speaker 4: anything good. But at the end of the day, when somebody,

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Speaker 4: when hands get put on somebody, somebody gets shot, right,

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Speaker 4: some shit like that happened.

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Speaker 1: I'm on my business, you know, I understand where you're

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Speaker 1: coming from.

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Speaker 6: Man.

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Speaker 4: I just want, you know, just for the people at

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Speaker 4: Philadelphia to know, like you know, I just want you

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Speaker 4: all to get it to have it together, you know,

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Speaker 4: because you guys got.

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Speaker 1: A lot of talent.

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Speaker 4: We're all black at the end of the day, and

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Speaker 4: I hope y'all can work it out whichever way.

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Speaker 1: I don't know what it needs to be fixed.

283
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Speaker 4: But I mean, I don't really think nothing needs to

284
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Speaker 4: be fixed, you know what I mean. Shout out to

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Speaker 4: meet man, Shout out the seagull man, shout out the

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Speaker 4: beans man. Powerful more would the city be if everybody

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Speaker 4: was fucking with each other? I mean it would be

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Speaker 4: absolutely But you know, for whatever reason, see the Philly Tall.

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Speaker 4: For whatever reason, everybody ain't fucking with each other, but.

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Speaker 1: With everybody, everybody Philly Tall.

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Speaker 4: I want to invest in one night, just one night,

292
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Speaker 4: because I noticed something gonna happen out there on that tall.

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Speaker 4: You understand, You gotta understand that one time state property

294
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Speaker 4: and us was like really trying to you know what

295
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Speaker 4: I'm saying at each other, at each other, at each other,

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Speaker 4: like serious at each other.

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Speaker 1: You feel what I'm saying. And now we all good?

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Speaker 2: Right?

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Speaker 1: You feel what I'm saying. I used to like Beyonca.

300
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Speaker 1: She never gave me no play, give me no play?

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Speaker 1: Big you up, Bonca. I'm sorry. I had a moment.

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Speaker 1: Damn sorry left, But y'are good now? You here with beans?

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Speaker 2: Yeah?

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Speaker 4: Absolutely? How about he crack? Yeah, okay, I was in

305
00:14:01,760 --> 00:14:03,679
Speaker 4: the studio too, You know what I mean.

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Speaker 1: I've prayed for y'all, my brothers because you know why.

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Speaker 1: It's just I used to what y'all going with, what

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Speaker 1: the city is going through.

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Speaker 4: I went through and I realized that if I smack you,

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Speaker 4: all it's gonna do is put something bred on you.

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Speaker 1: It's gonna that's it.

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Speaker 4: But if I put my ship together and I punched you,

313
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Speaker 4: I can knock you the fuck out. So what I'm

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Speaker 4: trying to say is we always better when it's together.

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00:14:35,120 --> 00:14:38,600
Speaker 1: We're always better you stay together, you know what I mean.

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Speaker 1: But a lot of people don't know that.

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Speaker 4: A lot of people want to quick smack, right, and

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00:14:42,160 --> 00:14:44,680
Speaker 4: the smack is to have attention. Now, let's knock the

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Speaker 4: nigga out. But in order to knock we gonna be together.

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Speaker 4: That fist gotta be closed. There's some niggas can knock

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Speaker 4: you out with the SAP strong. I'm just not wanted them,

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Speaker 4: you know what I'm saying. But again, so you know,

323
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Speaker 4: I give all the love. So now major figures. Now,

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Speaker 4: was it always your plan to be a solo artist?

325
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Speaker 4: I mean yeah, absolutely absolutely. It was all our plans

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Speaker 4: to do. Like you know, as it was Space, it

327
00:15:13,400 --> 00:15:15,600
Speaker 4: was Dutch and Spade, you feel what I'm saying. I

328
00:15:15,640 --> 00:15:19,520
Speaker 4: had my solo ship. You know, Beyonta was a solo artist,

329
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Speaker 4: Bump was a solo artist, Lava was a solo artist.

330
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Speaker 1: But we was all a group.

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Speaker 2: You feel what I'm saying.

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Speaker 1: Okay, now let's get to the Cash Money days.

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Speaker 2: Baby.

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00:15:27,640 --> 00:15:31,560
Speaker 1: Oh yeah, that was some good days, some good days,

335
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Speaker 1: some good days.

336
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Speaker 4: Many signed on the Cash Money I believe something. How

337
00:15:38,280 --> 00:15:42,680
Speaker 4: did that happen? Like at the time, I was signed

338
00:15:42,680 --> 00:15:45,880
Speaker 4: with Draper Tony Draper and uh he was going through

339
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Speaker 4: whatever he was going through with UH, you know, Universal,

340
00:15:52,320 --> 00:15:56,920
Speaker 4: and Uh I wasn't able to put an album out. So

341
00:15:57,440 --> 00:16:02,360
Speaker 4: it was a concert in Philadelphia with Cash Money, and

342
00:16:02,560 --> 00:16:05,080
Speaker 4: on the show, I was coming out right before Cash Money.

343
00:16:05,600 --> 00:16:08,400
Speaker 4: So I seen Stunner backstage, and you know, he was like, Yo,

344
00:16:08,480 --> 00:16:10,760
Speaker 4: what's up? You know, you know, I fuck with you.

345
00:16:10,760 --> 00:16:12,600
Speaker 4: You know what I mean, if you get out that situation,

346
00:16:12,720 --> 00:16:15,120
Speaker 4: you and I got an s for you, you know

347
00:16:15,120 --> 00:16:17,040
Speaker 4: what I mean talking about the Cash Money piece, Man,

348
00:16:18,200 --> 00:16:20,640
Speaker 4: I'm like cool, all right? So you know, me and

349
00:16:20,720 --> 00:16:23,120
Speaker 4: Drape always been cool, you know we Me and Drape

350
00:16:23,120 --> 00:16:25,360
Speaker 4: got a different kind of relationship, you know what I mean.

351
00:16:25,440 --> 00:16:30,080
Speaker 4: Drape is a real life you know what I'm saying. Yeah,

352
00:16:30,120 --> 00:16:32,240
Speaker 4: so you know, I just called Drape up, like yo, Drape,

353
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Speaker 4: you know, I got opportunity. I was howling at you know,

354
00:16:34,360 --> 00:16:40,880
Speaker 4: stun Up. So Drape said, okay, he was just gonna

355
00:16:40,880 --> 00:16:45,320
Speaker 4: release me. But Drape gave me some real nice chicken

356
00:16:45,440 --> 00:16:48,360
Speaker 4: up front, the biggest contract he ever gave anybody. You

357
00:16:48,440 --> 00:16:50,760
Speaker 4: got a couple of big cor so I knew I

358
00:16:50,800 --> 00:16:54,760
Speaker 4: had the leverage because I knew just in the way

359
00:16:54,880 --> 00:16:58,080
Speaker 4: Stunner was looking, he wanted me to get on that team.

360
00:16:58,360 --> 00:17:00,520
Speaker 4: So you know, I worked out something with Rate. Got

361
00:17:00,560 --> 00:17:04,439
Speaker 4: shot his something, I got shot me something nice. Then

362
00:17:04,480 --> 00:17:08,159
Speaker 4: we made it happen. And now at first it was

363
00:17:08,600 --> 00:17:10,840
Speaker 4: always looked like it was having fun around them at

364
00:17:10,880 --> 00:17:14,720
Speaker 4: first me, I mean it was cash money.

365
00:17:14,760 --> 00:17:17,199
Speaker 2: Yes, it was fun. We had some fun days. You know.

366
00:17:17,720 --> 00:17:22,680
Speaker 4: I developed a lot of good relationships around cash money.

367
00:17:22,680 --> 00:17:26,240
Speaker 1: And now the way did they go south? You got

368
00:17:27,440 --> 00:17:30,200
Speaker 1: all the bisine I got, I got you, I got you,

369
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Speaker 1: you give the singing got you.

370
00:17:32,240 --> 00:17:34,600
Speaker 4: By the way, let me just explain, pissing is when

371
00:17:34,600 --> 00:17:38,720
Speaker 4: you put when you put champagne, ice in champagne in France.

372
00:17:39,000 --> 00:17:41,040
Speaker 4: In France, it is the call to make a pool.

373
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Speaker 4: But I like the way they poured a bottle. So

374
00:17:43,400 --> 00:17:45,879
Speaker 4: I took their work is in and I made it

375
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Speaker 4: my ship. So in the case, you know what I'm saying,

376
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Speaker 4: I did that was because because at one point it

377
00:17:54,160 --> 00:17:56,800
Speaker 4: was it was it was beefing with cash money. Yeah,

378
00:17:56,920 --> 00:18:02,920
Speaker 4: I mean I really wasn't beefing, you know, because cool now, okay,

379
00:18:03,480 --> 00:18:04,840
Speaker 4: but take us to those days back now.

380
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Speaker 2: You know.

381
00:18:07,920 --> 00:18:11,199
Speaker 4: Wayne had put out the problem solved, you know what

382
00:18:11,200 --> 00:18:13,320
Speaker 4: I mean, and he said, Gilly, man, I don't think

383
00:18:13,320 --> 00:18:15,720
Speaker 4: you really want to fuck with me the guns. But

384
00:18:15,800 --> 00:18:18,800
Speaker 4: I kept saying, dog, he's saying really like he's not

385
00:18:20,119 --> 00:18:23,000
Speaker 4: you know, you know my niggas wasn't trying to hear that.

386
00:18:23,560 --> 00:18:26,080
Speaker 4: Even my six year old sons at the time was

387
00:18:26,119 --> 00:18:32,119
Speaker 4: like he said, Gilly, so you know, just the competitor

388
00:18:32,160 --> 00:18:35,920
Speaker 4: and me, I said, okay, I called them, you know

389
00:18:35,920 --> 00:18:38,840
Speaker 4: what I mean, I did the honorable thing. That's a

390
00:18:38,880 --> 00:18:41,639
Speaker 4: message and no callback. So I dropped it this record,

391
00:18:42,640 --> 00:18:44,160
Speaker 4: you know what I mean, Like, Okay, you're not.

392
00:18:44,640 --> 00:18:46,520
Speaker 1: You still like orange cash money when you did that?

393
00:18:47,480 --> 00:19:04,800
Speaker 8: Yeah, got broken ship that it was the competitive and.

394
00:19:04,400 --> 00:19:08,200
Speaker 4: There was allegation because because you know, the old Drake

395
00:19:08,320 --> 00:19:14,080
Speaker 4: ghost riding things, there was an allegation that he was

396
00:19:14,080 --> 00:19:16,840
Speaker 4: writing a couple of people ship over there was that

397
00:19:16,920 --> 00:19:22,040
Speaker 4: true or and some ship happened. I'll tell you I'll

398
00:19:22,119 --> 00:19:25,760
Speaker 4: take that shipping because you know I like the one

399
00:19:25,800 --> 00:19:28,080
Speaker 4: thing I like to be is honorable, you know what

400
00:19:28,119 --> 00:19:28,560
Speaker 4: I'm saying.

401
00:19:28,640 --> 00:19:33,680
Speaker 1: And I had a party in King of Diamonds.

402
00:19:33,800 --> 00:19:36,639
Speaker 4: You know what I mean, out here in Miami, and

403
00:19:36,800 --> 00:19:40,760
Speaker 4: Stunner walked in, so you know, I really I know you,

404
00:19:40,800 --> 00:19:45,840
Speaker 4: I know him, I know everybody that's around. This was

405
00:19:46,160 --> 00:19:49,760
Speaker 4: because you were years ago, two years ago, so you

406
00:19:49,800 --> 00:19:51,400
Speaker 4: know I've seen him.

407
00:19:51,760 --> 00:19:53,520
Speaker 1: I had to approach him, you know what I mean,

408
00:19:53,560 --> 00:19:54,040
Speaker 1: what's up?

409
00:19:54,240 --> 00:19:54,320
Speaker 9: Like?

410
00:19:55,320 --> 00:19:55,520
Speaker 10: You know.

411
00:19:55,680 --> 00:19:57,480
Speaker 1: He looked in my eyes. He say, ain't got no problem.

412
00:19:57,560 --> 00:19:58,000
Speaker 2: What you will?

413
00:19:58,040 --> 00:20:01,000
Speaker 4: I see you doing your thing? I said, you you

414
00:20:01,080 --> 00:20:04,040
Speaker 4: know what I mean? All right, cool? Then all right,

415
00:20:04,560 --> 00:20:06,800
Speaker 4: it's all love. So you know, you look each other

416
00:20:06,960 --> 00:20:08,800
Speaker 4: eyes as many and we say it's all love.

417
00:20:08,920 --> 00:20:10,920
Speaker 2: Then it's all over. I leave it there. You feel

418
00:20:10,960 --> 00:20:11,400
Speaker 2: what I'm saying.

419
00:20:11,440 --> 00:20:15,359
Speaker 4: I ain't gonna never you know, short changey you know, backbite,

420
00:20:15,400 --> 00:20:16,960
Speaker 4: and none of them gonna leave all that in the past.

421
00:20:16,960 --> 00:20:18,400
Speaker 4: Because you look me in the eyes as a man,

422
00:20:18,760 --> 00:20:21,800
Speaker 4: you feel me. I felt okay, I see a soul nigga. Okay,

423
00:20:21,800 --> 00:20:26,440
Speaker 4: it ain't nothing, all right, cool, it's a business as

424
00:20:26,440 --> 00:20:28,280
Speaker 4: a person that was there, and you see, you was

425
00:20:28,320 --> 00:20:31,399
Speaker 4: there at the heyday. It was around you seem like

426
00:20:31,440 --> 00:20:33,600
Speaker 4: you said, you know them. Would you ever have thought

427
00:20:33,720 --> 00:20:37,400
Speaker 4: that they'd be here in this position?

428
00:20:38,840 --> 00:20:45,400
Speaker 1: Yes? Me. I mean you gotta look with what Juv

429
00:20:45,560 --> 00:20:46,000
Speaker 1: went through.

430
00:20:47,080 --> 00:20:50,840
Speaker 4: Ju situation. You know what I'm saying, the many fresh situations.

431
00:20:50,840 --> 00:20:53,359
Speaker 1: It's like Wayne is the person who re birthed them.

432
00:20:53,680 --> 00:20:56,800
Speaker 4: Like after the then Jewvy one and all that, and

433
00:20:56,880 --> 00:21:00,520
Speaker 4: like Wayne to go through it. You thought, Wayne, but

434
00:21:00,640 --> 00:21:04,359
Speaker 4: see one one. Never have money discrepancies with baby. Never, Okay,

435
00:21:04,400 --> 00:21:07,359
Speaker 4: because I'm up front, I have money discrepancies. One time

436
00:21:08,960 --> 00:21:13,159
Speaker 4: we're getting, we're getting, We're getting the checks. So you know,

437
00:21:13,280 --> 00:21:14,960
Speaker 4: he called me in the back of the tour bus.

438
00:21:14,960 --> 00:21:19,440
Speaker 4: He said, Jack, get my bag, pull out jack A

439
00:21:19,480 --> 00:21:23,119
Speaker 4: little Jack was yeah, LOI yeah, LOUI will you know

440
00:21:23,119 --> 00:21:27,119
Speaker 4: he said, get my bag, you know, pull out the

441
00:21:27,200 --> 00:21:27,760
Speaker 4: check book.

442
00:21:33,440 --> 00:21:35,200
Speaker 1: Mmm mmmm.

443
00:21:36,520 --> 00:21:36,800
Speaker 2: That was.

444
00:21:37,119 --> 00:21:40,920
Speaker 1: I get back to Philly. You're good. I go to

445
00:21:41,000 --> 00:21:47,879
Speaker 1: cash the motherfucking oh boy, don't tell me your.

446
00:21:51,040 --> 00:21:51,200
Speaker 2: List.

447
00:21:51,359 --> 00:21:55,919
Speaker 1: I'm not listen. I'm not talking about none of that.

448
00:21:55,920 --> 00:21:59,440
Speaker 1: I'm just I'm just speaking fact, not talking the truth.

449
00:22:00,160 --> 00:22:10,399
Speaker 4: What I'm saying because every artist or cat, Oh my god,

450
00:22:10,400 --> 00:22:10,840
Speaker 4: I take.

451
00:22:10,720 --> 00:22:15,960
Speaker 1: It that moment, that moment. No, really gotta listen. It's

452
00:22:15,960 --> 00:22:18,159
Speaker 1: embarrassing though, No, it's listen. You wouldn't know.

453
00:22:18,240 --> 00:22:23,720
Speaker 4: What's even more bashing, right, I don't got checks on

454
00:22:23,800 --> 00:22:27,399
Speaker 4: top of checks, like, so, what's even more embarrassing is

455
00:22:27,480 --> 00:22:31,840
Speaker 4: that I'm at the bank. I don't go to the

456
00:22:31,840 --> 00:22:34,480
Speaker 4: bank and say, what you mean is this? Ain't no

457
00:22:34,560 --> 00:22:43,520
Speaker 4: money in that account? I tell him. I was like, Pinky,

458
00:22:43,600 --> 00:22:46,359
Speaker 4: want some real ship you never seen Fridays of course?

459
00:22:46,600 --> 00:22:47,480
Speaker 4: Which what Pinky?

460
00:22:48,600 --> 00:22:49,000
Speaker 1: He said?

461
00:22:49,040 --> 00:22:57,119
Speaker 4: Which again, nigga, I'm in the fucking bank, Like what

462
00:22:58,800 --> 00:23:00,000
Speaker 4: that's cash money?

463
00:23:02,840 --> 00:23:03,240
Speaker 6: You mean?

464
00:23:03,320 --> 00:23:08,840
Speaker 11: Ain't no money in that again?

465
00:23:11,040 --> 00:23:17,600
Speaker 4: Talking about time, Well, you know when she comes back

466
00:23:18,280 --> 00:23:22,240
Speaker 4: mm hmm, she's you know, so I don't want to

467
00:23:22,280 --> 00:23:24,320
Speaker 4: have to call the police to get you up out

468
00:23:24,359 --> 00:23:26,200
Speaker 4: of head. But it ain't no God there, buddy, And

469
00:23:26,280 --> 00:23:29,000
Speaker 4: that's the count. So you know, I live out the bank,

470
00:23:29,240 --> 00:23:31,760
Speaker 4: you know, I called stunned and said, oh, bron, I'll

471
00:23:31,800 --> 00:23:34,440
Speaker 4: go to the month for the bank. Bitch in the

472
00:23:34,600 --> 00:23:38,280
Speaker 4: bank talking about it, ain't no money in that account.

473
00:23:38,280 --> 00:23:39,280
Speaker 1: I'm still offended.

474
00:23:40,560 --> 00:23:40,960
Speaker 2: What's up?

475
00:23:43,040 --> 00:23:48,720
Speaker 4: Say what won't.

476
00:23:46,320 --> 00:23:47,560
Speaker 2: Call your line the war?

477
00:23:49,400 --> 00:23:52,600
Speaker 1: Your liners? Who broke the cash money check? Oh wow?

478
00:23:53,000 --> 00:23:56,879
Speaker 4: So then I look out my she said, Brian Williams, Ship, No,

479
00:23:57,040 --> 00:23:58,360
Speaker 4: won't take this no more?

480
00:23:58,720 --> 00:24:01,320
Speaker 2: Or I should just say that's your money, all right?

481
00:24:01,880 --> 00:24:05,960
Speaker 2: So yeah, I went through that before one time. This deep.

482
00:24:07,080 --> 00:24:08,680
Speaker 1: I mean, I'm just speaking the truth, man.

483
00:24:08,760 --> 00:24:10,560
Speaker 4: But you know, probably it's probably a lot of regular

484
00:24:10,600 --> 00:24:15,680
Speaker 4: labels that artists that don't want through that ship. I've

485
00:24:15,720 --> 00:24:18,560
Speaker 4: never got a bounced check for a record label. Nigga Na,

486
00:24:18,920 --> 00:24:19,920
Speaker 4: I'm gonna keep it a hunt.

487
00:24:20,359 --> 00:24:22,480
Speaker 1: But he said it wasn't taking me the regulation. It wasn't.

488
00:24:23,840 --> 00:24:25,680
Speaker 1: That's that's where I get it.

489
00:24:25,760 --> 00:24:27,880
Speaker 4: I get I get stunted the benefit of this down.

490
00:24:27,960 --> 00:24:30,399
Speaker 4: He might have had five six accounts, you know what

491
00:24:30,400 --> 00:24:32,440
Speaker 4: I mean, he might have gave me one, but just.

492
00:24:32,400 --> 00:24:37,000
Speaker 1: Seeing them beefing, that's like, that's not that's not goney

493
00:24:37,040 --> 00:24:38,679
Speaker 1: gave me the bad one by mistake.

494
00:24:38,760 --> 00:24:38,879
Speaker 2: Man.

495
00:24:38,920 --> 00:24:41,359
Speaker 4: I ain't gonna put that but only once. But you

496
00:24:41,480 --> 00:24:45,440
Speaker 4: heard Nigga ship, I was only gonna take once, not

497
00:24:45,600 --> 00:24:50,320
Speaker 4: on duty. You know that means not on duty. But

498
00:24:50,880 --> 00:24:52,520
Speaker 4: I was only gonna take one of them joints, and

499
00:24:52,720 --> 00:24:54,480
Speaker 4: from now on, I should got to say, you know

500
00:24:54,480 --> 00:24:56,640
Speaker 4: what I mean, you asked me one of them joints?

501
00:24:57,760 --> 00:24:58,320
Speaker 1: Is this man?

502
00:24:58,600 --> 00:24:59,240
Speaker 2: You kidding me?

503
00:24:59,520 --> 00:25:02,040
Speaker 1: That's what out there? To let me find out what

504
00:25:02,119 --> 00:25:02,480
Speaker 1: we're doing.

505
00:25:02,520 --> 00:25:05,159
Speaker 4: And Baggy out there, Shaggy come in, let's get this

506
00:25:05,200 --> 00:25:06,280
Speaker 4: awkward more going on.

507
00:25:09,160 --> 00:25:11,720
Speaker 1: He still got bread. It's like it's like the third

508
00:25:11,800 --> 00:25:15,840
Speaker 1: beinge that pulled up. Yeah here, rich one.

509
00:25:16,359 --> 00:25:24,280
Speaker 4: What I'm saying Shaggy out here doing it was to.

510
00:25:24,280 --> 00:25:26,520
Speaker 1: Get that that record playing in my head all day

511
00:25:26,520 --> 00:25:26,840
Speaker 1: that and.

512
00:25:27,040 --> 00:25:29,920
Speaker 4: They let me tell you something though, right, I met

513
00:25:29,960 --> 00:25:33,280
Speaker 4: you because you know I knew this nigga.

514
00:25:33,040 --> 00:25:34,520
Speaker 1: For a long time.

515
00:25:35,359 --> 00:25:39,480
Speaker 4: Niggay Metric you Ron you killed something nigga on sixteenth

516
00:25:39,520 --> 00:25:42,480
Speaker 4: and just hand some nigga someth nigga.

517
00:25:42,520 --> 00:25:46,000
Speaker 1: But listen, Gilly been nice with the boss forever.

518
00:25:46,600 --> 00:25:49,360
Speaker 4: Well I'm on the street, I think, and I think

519
00:25:49,760 --> 00:25:53,359
Speaker 4: what what had just came out? And they start, they start,

520
00:25:53,400 --> 00:25:54,280
Speaker 4: and Gilly.

521
00:25:54,040 --> 00:25:56,280
Speaker 1: Just he just tear this nigga up in a cipher.

522
00:25:56,840 --> 00:26:02,160
Speaker 1: You destroyed this? How did the balls? Yeah?

523
00:26:02,200 --> 00:26:05,439
Speaker 4: I mean you got ball You like being in this

524
00:26:05,480 --> 00:26:07,879
Speaker 4: new generation because you got balls. Your balls are flying

525
00:26:07,880 --> 00:26:10,760
Speaker 4: over niggas has I mean, young niggas is slipping lean

526
00:26:11,640 --> 00:26:14,840
Speaker 4: popping the slip and lean. They are way too stupid

527
00:26:14,880 --> 00:26:17,800
Speaker 4: and understand what the fuck you said? Like, I mean,

528
00:26:17,880 --> 00:26:19,600
Speaker 4: I think you gotta dumb it down a little bit.

529
00:26:19,640 --> 00:26:22,800
Speaker 4: I gotta dumb it down, absolutely absolutely. But let me

530
00:26:22,840 --> 00:26:26,159
Speaker 4: finish telling you about this guy right here. He was

531
00:26:26,200 --> 00:26:28,320
Speaker 4: a savage before savage was the word.

532
00:26:28,400 --> 00:26:31,320
Speaker 1: Let's get to it, my man. He probably don't even

533
00:26:31,440 --> 00:26:32,000
Speaker 1: remember this.

534
00:26:32,160 --> 00:26:32,360
Speaker 2: Right.

535
00:26:32,720 --> 00:26:37,000
Speaker 1: One night, were in the club, right right. It's me,

536
00:26:37,800 --> 00:26:40,359
Speaker 1: my homie, Titlor, a couple other people.

537
00:26:40,359 --> 00:26:44,159
Speaker 4: You remember Tittor till I think so keep going dark skinned, okay,

538
00:26:44,280 --> 00:26:48,199
Speaker 4: go ahead, all right? He said, you know, you know

539
00:26:48,240 --> 00:26:54,479
Speaker 4: my guy twenty years think so? You club popping, you know, Laurie,

540
00:26:54,480 --> 00:26:58,680
Speaker 4: Come here, we chopping it up, all right, sofa, everybody

541
00:26:58,760 --> 00:27:02,480
Speaker 4: leaving out music call were standing there chopping it my

542
00:27:02,560 --> 00:27:05,760
Speaker 4: some nigga was something.

543
00:27:04,920 --> 00:27:10,600
Speaker 2: I didn't know. They cleaning up the club, trying to go.

544
00:27:10,560 --> 00:27:13,600
Speaker 4: To funk home, right, I think I remember this, yes,

545
00:27:15,080 --> 00:27:20,240
Speaker 4: Then one of the workers start sweeping by my man feet.

546
00:27:21,720 --> 00:27:26,959
Speaker 4: This nigga lost his fucking in mind. I didn't at

547
00:27:27,000 --> 00:27:27,320
Speaker 4: the time.

548
00:27:27,359 --> 00:27:27,960
Speaker 2: I didn't know that.

549
00:27:28,040 --> 00:27:34,040
Speaker 1: I didn't understand what he said, What the fuck is

550
00:27:35,640 --> 00:27:39,160
Speaker 1: I'm very superstiked. I can't, we can't.

551
00:27:39,760 --> 00:27:42,080
Speaker 4: He grabbed him and said, I knock you the fuck

552
00:27:42,119 --> 00:27:43,000
Speaker 4: out here.

553
00:27:43,280 --> 00:27:44,880
Speaker 1: You want me to knock this nigga over?

554
00:27:46,920 --> 00:27:54,360
Speaker 12: The worker was scared the fucking death. I'm sorry, I'm

555
00:27:54,400 --> 00:27:59,840
Speaker 12: looking like I ain't that I didn't know that was

556
00:28:00,040 --> 00:28:02,320
Speaker 12: this ship at the time. When I clip my toe.

557
00:28:02,440 --> 00:28:04,720
Speaker 4: My nails and my toe nails, I make if I

558
00:28:04,720 --> 00:28:13,560
Speaker 4: go get America, I make sure I leave with my ship. Yeah, like,

559
00:28:13,560 --> 00:28:15,080
Speaker 4: when you know you get you get, you get your

560
00:28:15,080 --> 00:28:20,200
Speaker 4: ship done. Make sure I take this to the end, right.

561
00:28:20,359 --> 00:28:22,920
Speaker 4: That's exactly what I think they're gonna do that. I

562
00:28:22,960 --> 00:28:25,280
Speaker 4: don't cut poles. If you're walking down the street, cut

563
00:28:27,240 --> 00:28:28,720
Speaker 4: like I see the dude, I'm gonna tell you why.

564
00:28:28,720 --> 00:28:31,960
Speaker 4: I'm superstitious. My man, ro I'm so sorry I was

565
00:28:31,960 --> 00:28:32,280
Speaker 4: telling this.

566
00:28:32,359 --> 00:28:33,880
Speaker 2: Sorry, Rache, but.

567
00:28:33,920 --> 00:28:38,960
Speaker 4: This is Halloween. We you know, we kids. So we

568
00:28:39,000 --> 00:28:41,840
Speaker 4: walked down the street. The nigga cut the poles. Anybody like,

569
00:28:41,960 --> 00:28:44,120
Speaker 4: why you cut the pole? He's like, man, fuck that shit.

570
00:28:44,120 --> 00:28:46,280
Speaker 4: I don't believe none of that stupid ship. I'm a child.

571
00:28:47,040 --> 00:28:50,000
Speaker 4: We rushed, We rushed the supermarket, you know, it's Halloween,

572
00:28:50,040 --> 00:28:50,920
Speaker 4: were taking all the ship.

573
00:28:51,760 --> 00:28:54,480
Speaker 1: Chinese nigga turned around, he swung one kick.

574
00:28:55,080 --> 00:28:58,800
Speaker 4: The only kick he got off was Rae Rochet went

575
00:28:59,080 --> 00:29:04,240
Speaker 4: through the window. This nigga dick got cut off. My god,

576
00:29:04,760 --> 00:29:08,600
Speaker 4: my nigga. From that day forward, I believe in superstitions.

577
00:29:08,760 --> 00:29:08,840
Speaker 6: Me.

578
00:29:09,000 --> 00:29:10,760
Speaker 2: You know what I'm saying. I say, my bad, my brother,

579
00:29:10,800 --> 00:29:11,600
Speaker 2: but you know this is true.

580
00:29:11,640 --> 00:29:14,120
Speaker 1: This is ill. And I was terrified as a kid.

581
00:29:14,160 --> 00:29:18,120
Speaker 4: I think I'm like nine, So since then everything be

582
00:29:18,240 --> 00:29:21,160
Speaker 4: superstition and then yeah, they still. My grandmother used to

583
00:29:21,200 --> 00:29:23,640
Speaker 4: tell me, when you cut your nails, you make sure

584
00:29:23,680 --> 00:29:25,680
Speaker 4: that nobody don't don't take them.

585
00:29:26,360 --> 00:29:30,440
Speaker 1: So I still do that. You so you walked out there,

586
00:29:30,480 --> 00:29:32,000
Speaker 1: join with your toe death. No, I.

587
00:29:34,120 --> 00:29:34,720
Speaker 2: Saw my way.

588
00:29:34,960 --> 00:29:38,760
Speaker 9: That's wanting to set my grandmother, my grandmother.

589
00:29:38,800 --> 00:29:42,920
Speaker 1: That is some people's give him nothing, believe in something.

590
00:29:43,040 --> 00:29:45,960
Speaker 4: Niggas sore that shit in you. That's why being Spanish

591
00:29:46,080 --> 00:29:48,520
Speaker 4: is ill. Like I always loved that I could go

592
00:29:48,760 --> 00:29:50,800
Speaker 4: be a nigga one day and go be aspect the

593
00:29:50,800 --> 00:29:54,640
Speaker 4: next day, and the two coaches would collide and they

594
00:29:54,680 --> 00:29:56,800
Speaker 4: would fuck with me, and I had to learn how

595
00:29:56,800 --> 00:29:59,400
Speaker 4: to maintain both. I had to learn how to be like,

596
00:29:59,440 --> 00:30:01,640
Speaker 4: you know what, I could be Spanish. You know what

597
00:30:01,680 --> 00:30:03,800
Speaker 4: I'm saying, Like drop me off in l A and

598
00:30:03,880 --> 00:30:05,600
Speaker 4: East LA, and I'm gonna relate to one of these

599
00:30:05,640 --> 00:30:07,800
Speaker 4: Mexican niggas. You know what I'm saying, And the same

600
00:30:07,920 --> 00:30:11,840
Speaker 4: ray you dropped me off and motherfucking North Philly, somebody.

601
00:30:11,560 --> 00:30:14,440
Speaker 1: Gonna relate to It got weird. But I'm very substitious.

602
00:30:14,480 --> 00:30:16,320
Speaker 4: So that's that's why why you thought I was crazy

603
00:30:16,320 --> 00:30:18,680
Speaker 4: as fun but probably it's still a little crazy.

604
00:30:18,920 --> 00:30:22,520
Speaker 2: But but you was going off in that month.

605
00:30:22,720 --> 00:30:24,920
Speaker 4: But yo, Gilly man, I'm very proud of you, my brother.

606
00:30:24,960 --> 00:30:28,920
Speaker 4: You know why I'm proud of you. It's it's something.

607
00:30:29,040 --> 00:30:32,240
Speaker 4: It's something that Puff said to me one day. Poff

608
00:30:32,320 --> 00:30:35,280
Speaker 4: said to me when we were about to announce something

609
00:30:35,280 --> 00:30:35,959
Speaker 4: that we got with him.

610
00:30:35,960 --> 00:30:41,280
Speaker 1: By the time this comes out already, but it's something

611
00:30:41,280 --> 00:30:41,840
Speaker 1: he said.

612
00:30:41,600 --> 00:30:45,360
Speaker 4: To me, said, every time I see you, you'll be smiling.

613
00:30:46,840 --> 00:30:50,800
Speaker 1: Like smiling is important. Your hate his hate. When you

614
00:30:50,840 --> 00:30:56,000
Speaker 1: smile and you're always smiling. You always come in.

615
00:30:56,600 --> 00:30:57,840
Speaker 2: Yeah what are you doing?

616
00:30:58,560 --> 00:30:59,600
Speaker 11: Ye come in?

617
00:30:59,840 --> 00:31:02,720
Speaker 1: But you're always smiling? Why what? What?

618
00:31:02,720 --> 00:31:02,800
Speaker 2: What?

619
00:31:02,960 --> 00:31:04,400
Speaker 1: Why are you not a hater? Gilly? I?

620
00:31:04,840 --> 00:31:06,680
Speaker 2: I refuse to ship.

621
00:31:06,880 --> 00:31:08,760
Speaker 1: Certain niggas that just want to hate.

622
00:31:08,960 --> 00:31:15,080
Speaker 4: They just you know, but you know it's genetics. You know,

623
00:31:15,160 --> 00:31:18,120
Speaker 4: a nigga daddy was a hater a nigga great granddaddy

624
00:31:18,240 --> 00:31:22,160
Speaker 4: was a hater nigga nigga. His great granddaddy was hating

625
00:31:22,160 --> 00:31:24,200
Speaker 4: on Martin Luther Kingingdom niggas back in the day.

626
00:31:24,200 --> 00:31:26,520
Speaker 1: That shit a long line. You know, this is the jeans.

627
00:31:26,640 --> 00:31:30,000
Speaker 1: You feel what I'm saying. Yeah, Shack, you still got

628
00:31:30,000 --> 00:31:31,360
Speaker 1: a lot of money. Man, you still.

629
00:31:31,120 --> 00:31:35,240
Speaker 11: Got you ain't seen you like yo, Yo, you're looking

630
00:31:35,360 --> 00:31:37,240
Speaker 11: like that's Jim.

631
00:31:37,400 --> 00:31:38,840
Speaker 1: The kids get.

632
00:31:40,280 --> 00:31:43,240
Speaker 13: This is this is two different legends from two different things.

633
00:31:43,800 --> 00:31:50,080
Speaker 1: Mister double master brother, what's going on? You've been brother? Yeah?

634
00:31:50,720 --> 00:31:52,880
Speaker 1: I know other Okay you love who never really meant?

635
00:31:52,960 --> 00:31:55,480
Speaker 2: Okay, what I'm saying, how you met brother good Man?

636
00:31:55,800 --> 00:31:57,600
Speaker 1: You had to show with Miami to a couple of

637
00:31:57,600 --> 00:32:01,080
Speaker 1: them and live out here. Used to do I used to.

638
00:32:01,200 --> 00:32:03,880
Speaker 2: I used to have a house in corn Gables, So

639
00:32:03,920 --> 00:32:06,040
Speaker 2: I live down here for a minute. I stud it

640
00:32:06,080 --> 00:32:10,680
Speaker 2: for a minute for like, no live in Kingston.

641
00:32:10,840 --> 00:32:13,920
Speaker 1: Kingston is Jamaica getting gentified.

642
00:32:14,720 --> 00:32:18,760
Speaker 2: Jamaica is is the best place to live period for

643
00:32:19,360 --> 00:32:22,840
Speaker 2: right and Why I say that is because where I

644
00:32:22,880 --> 00:32:26,200
Speaker 2: live in Kingston is five minutes. Everywhere is five minutes.

645
00:32:26,800 --> 00:32:28,520
Speaker 2: You know what I'm saying, because I'm spoiled when I'm here,

646
00:32:28,640 --> 00:32:30,600
Speaker 2: when I'm in Florida, I gotta like drive.

647
00:32:31,800 --> 00:32:32,760
Speaker 1: I gotta like drive.

648
00:32:32,960 --> 00:32:37,240
Speaker 2: If I'm gonna go holler somebody and say for Laudadale,

649
00:32:37,920 --> 00:32:41,760
Speaker 2: that's an event. It depends on what time they're driving.

650
00:32:42,080 --> 00:32:44,240
Speaker 2: That's an event. You got sitting in that traffic.

651
00:32:44,320 --> 00:32:47,760
Speaker 14: So you killing the whole day in Kingston?

652
00:32:47,880 --> 00:32:50,920
Speaker 1: Those if I get killing, come on.

653
00:32:52,480 --> 00:32:54,560
Speaker 15: You know, you know what's my favorite place in Kingston?

654
00:32:56,000 --> 00:33:00,200
Speaker 15: Damn man, tipically got it. It's the worst, but they

655
00:33:00,240 --> 00:33:05,600
Speaker 15: got the best. Lead got the high grade. You gotta

656
00:33:05,640 --> 00:33:08,560
Speaker 15: go to the you you pumped up.

657
00:33:08,840 --> 00:33:11,520
Speaker 1: You know when Tika Bay is turned up? Now are

658
00:33:11,520 --> 00:33:12,400
Speaker 1: you watching news out?

659
00:33:12,960 --> 00:33:15,840
Speaker 2: It's all the scammers of that, the scammers of all

660
00:33:15,840 --> 00:33:19,400
Speaker 2: the scamming. If you look the national news, we got

661
00:33:19,440 --> 00:33:20,760
Speaker 2: to get you, but I got something else.

662
00:33:20,640 --> 00:33:22,600
Speaker 1: For you to hung.

663
00:33:24,000 --> 00:33:27,920
Speaker 16: Ship like this, that's my ship. Now hold up, now,

664
00:33:27,960 --> 00:33:32,440
Speaker 16: this is the first. That's a sexy bottle too. They

665
00:33:32,440 --> 00:33:34,800
Speaker 16: look especially that ship looked like a cologne.

666
00:33:36,920 --> 00:33:42,360
Speaker 10: Hold on coconut cocaine coconut because I'm the biggest fucking coconut.

667
00:33:41,960 --> 00:33:44,240
Speaker 2: Dis You know what I'm saying now is the coca

668
00:33:44,320 --> 00:33:45,200
Speaker 2: yack coko yak.

669
00:33:45,280 --> 00:33:49,400
Speaker 1: So that's the first coconut kanyak. Ship. I'm gonna keep it.

670
00:33:49,760 --> 00:33:52,320
Speaker 1: Take his home, taking home. We're gonna break your door.

671
00:33:52,760 --> 00:33:54,240
Speaker 1: Joe gave me this change. He thought he's gonna get

672
00:33:54,240 --> 00:33:58,920
Speaker 1: it back. He's But that's the first coconut kanyak.

673
00:33:59,280 --> 00:34:03,000
Speaker 2: You know what I'm saying. And uh, and it's it's uh, it's.

674
00:34:02,960 --> 00:34:05,440
Speaker 1: It smells so good because it smelled like a vacation.

675
00:34:07,200 --> 00:34:09,640
Speaker 2: You smell now this this type of thing, because it's

676
00:34:09,680 --> 00:34:10,560
Speaker 2: like a perfume bottles.

677
00:34:10,600 --> 00:34:12,360
Speaker 1: Chicks gonna want to eat you.

678
00:34:12,360 --> 00:34:12,560
Speaker 2: You can.

679
00:34:12,840 --> 00:34:13,640
Speaker 1: You can just rub up in.

680
00:34:15,600 --> 00:34:16,080
Speaker 9: That you smell.

681
00:34:16,480 --> 00:34:18,240
Speaker 17: You just rub over in that ship. You know that's

682
00:34:19,520 --> 00:34:21,360
Speaker 17: ain't bullship where you want to go. You know what

683
00:34:21,360 --> 00:34:24,360
Speaker 17: I'm saying, This is good right now? Now you shot

684
00:34:24,400 --> 00:34:29,000
Speaker 17: that motherfucker right now, let's do it all. Tell me

685
00:34:29,040 --> 00:34:30,480
Speaker 17: to come here and drunk, and that you all want

686
00:34:30,480 --> 00:34:31,120
Speaker 17: to drink.

687
00:34:31,200 --> 00:34:31,680
Speaker 6: I got.

688
00:34:34,480 --> 00:34:38,399
Speaker 4: Then, is that I feel like I feel like I'm sweat.

689
00:34:38,440 --> 00:34:41,200
Speaker 1: It's immediately soon as I take this shot. So this

690
00:34:41,239 --> 00:34:43,400
Speaker 1: is a cognact that you will shoot like this, you

691
00:34:43,440 --> 00:34:44,399
Speaker 1: can take a shot of it.

692
00:34:44,800 --> 00:34:45,799
Speaker 2: Well, you know you.

693
00:34:45,760 --> 00:34:48,000
Speaker 1: Don't have a little shot than that. Come on, God damn,

694
00:34:48,120 --> 00:34:52,400
Speaker 1: but but I feel it. He deserves to a shot.

695
00:34:52,719 --> 00:34:58,000
Speaker 4: Right, give me that ship right there?

696
00:34:58,000 --> 00:34:59,279
Speaker 1: Can you pass that class? Right there?

697
00:34:59,440 --> 00:34:59,640
Speaker 2: Yeah?

698
00:35:00,120 --> 00:35:03,040
Speaker 1: Okay, go both get throwing me. Look, come on, we

699
00:35:03,160 --> 00:35:05,800
Speaker 1: both came from them.

700
00:35:07,840 --> 00:35:08,960
Speaker 2: You talk all kind of ship.

701
00:35:09,120 --> 00:35:11,640
Speaker 18: I watching show the ship. It's now you want to

702
00:35:11,680 --> 00:35:18,480
Speaker 18: be like ship. I'm gonna sew you. I can't take

703
00:35:18,480 --> 00:35:23,359
Speaker 18: a shower, all right, look, so shoot it down.

704
00:35:25,560 --> 00:35:29,720
Speaker 1: Oh it's smooth, of course it is coca front steel,

705
00:35:29,719 --> 00:35:30,280
Speaker 1: the coconut.

706
00:35:30,800 --> 00:35:31,080
Speaker 6: That ship.

707
00:35:31,120 --> 00:35:35,120
Speaker 1: It's strong, but it's smooth. Is good? Now to think

708
00:35:35,120 --> 00:35:37,240
Speaker 1: about this? Now you eat that. A couple of times

709
00:35:37,600 --> 00:35:38,600
Speaker 1: you asked side.

710
00:35:49,719 --> 00:35:52,080
Speaker 4: And now, Shaggy, I heard a rumor that that what

711
00:35:52,200 --> 00:35:57,160
Speaker 4: you had negotiated your album. Okay, you negotiated to get

712
00:35:57,360 --> 00:35:59,759
Speaker 4: six or seven dollars the album.

713
00:35:59,560 --> 00:36:02,320
Speaker 6: After the million, right, that's true.

714
00:36:01,480 --> 00:36:06,480
Speaker 2: That The thing about it is, I'm the artist that

715
00:36:06,560 --> 00:36:07,680
Speaker 2: nobody ever see coming.

716
00:36:08,840 --> 00:36:12,520
Speaker 1: So when we did Hotshot, which which sold.

717
00:36:12,280 --> 00:36:14,120
Speaker 2: Angel and wasn't me the one we did Diamond on

718
00:36:16,040 --> 00:36:17,400
Speaker 2: it was a bidding one. I did a record with

719
00:36:17,480 --> 00:36:20,439
Speaker 2: Janet Jackson for How Stella Got Her Groove battle Boy,

720
00:36:20,480 --> 00:36:22,919
Speaker 2: I Love You. So that record right now, it wasn't

721
00:36:22,960 --> 00:36:25,680
Speaker 2: supposed to be a single on the album Mary J.

722
00:36:25,800 --> 00:36:30,120
Speaker 2: Blair because because the soundtrack came out on the soundtrack

723
00:36:30,200 --> 00:36:33,759
Speaker 2: came out on m c A and Mary at that.

724
00:36:33,760 --> 00:36:35,960
Speaker 1: Time was the darling of m c A.

725
00:36:36,480 --> 00:36:39,160
Speaker 2: So they put her record as the single for the

726
00:36:39,200 --> 00:36:41,880
Speaker 2: movie to come out. So the movie came out, so

727
00:36:41,960 --> 00:36:45,000
Speaker 2: the album had to come out, but her record wasn't

728
00:36:45,040 --> 00:36:47,440
Speaker 2: doing well at radio. I had done this record with

729
00:36:47,520 --> 00:36:49,960
Speaker 2: Janet Jackson. I never met Janet Jackson. We ain't done

730
00:36:49,960 --> 00:36:53,000
Speaker 2: it together. Jimmy Janet Terror Lewis hollowed at me.

731
00:36:53,440 --> 00:36:55,120
Speaker 1: Apparently that was in the studio.

732
00:36:55,200 --> 00:36:56,680
Speaker 2: No no, no, no, hold, I'll tell you. I'll tell you

733
00:36:56,760 --> 00:36:59,240
Speaker 2: how we ended up doing the doing that record together.

734
00:37:00,920 --> 00:37:04,880
Speaker 2: What's what's the name. Terry McMillan. Terry McMillan, who wrote

735
00:37:05,200 --> 00:37:06,160
Speaker 2: She's the one.

736
00:37:06,239 --> 00:37:09,680
Speaker 4: The story was about Stella's out.

737
00:37:10,760 --> 00:37:13,160
Speaker 2: She was the one in Jamaica and did the Jamaican

738
00:37:13,239 --> 00:37:15,560
Speaker 2: dude was courting her and all of this ship. Then

739
00:37:15,600 --> 00:37:17,640
Speaker 2: he turned up being gay afterwards and all that ship.

740
00:37:17,920 --> 00:37:21,560
Speaker 2: But that dude apparently when he was courting her. The

741
00:37:21,600 --> 00:37:24,799
Speaker 2: record that they used to fuck it was bombastic, so

742
00:37:24,840 --> 00:37:29,040
Speaker 2: she exactly, So what was happening now, she says, Jimmy

743
00:37:29,120 --> 00:37:31,239
Speaker 2: jam and Terry Lewis, no matter what shock, you gotta

744
00:37:31,280 --> 00:37:31,920
Speaker 2: be on that record.

745
00:37:32,920 --> 00:37:35,120
Speaker 1: So they hollered at me and I did this record.

746
00:37:35,520 --> 00:37:37,120
Speaker 1: I heard the hook, who boy, I love you? I

747
00:37:37,120 --> 00:37:39,760
Speaker 1: said what you want? He said, Mariah or Janet?

748
00:37:40,480 --> 00:37:41,719
Speaker 2: I said, anyone that worked for me?

749
00:37:44,719 --> 00:37:44,879
Speaker 17: Yeah?

750
00:37:45,600 --> 00:37:46,319
Speaker 1: He just fo on.

751
00:37:50,360 --> 00:37:50,480
Speaker 2: Up.

752
00:37:50,719 --> 00:37:56,839
Speaker 1: It wasn't my choice, my choice, he said, both of them.

753
00:37:56,920 --> 00:37:59,880
Speaker 1: I'm like at that time, I'm excited. Reggae dude, I did.

754
00:38:00,080 --> 00:38:01,400
Speaker 1: I've never even met any of these people.

755
00:38:02,080 --> 00:38:06,400
Speaker 2: It ended up being Janet Strong story short. When Mary

756
00:38:06,480 --> 00:38:09,120
Speaker 2: record didn't work, radio just started playing that. The record

757
00:38:09,200 --> 00:38:11,600
Speaker 2: went to number one with me and Janet. So now

758
00:38:11,640 --> 00:38:14,759
Speaker 2: I got a bidding war. My man, Craig Kalman was

759
00:38:14,760 --> 00:38:18,040
Speaker 2: trying to sign me. Yeah, okay, he was going hard

760
00:38:18,960 --> 00:38:22,400
Speaker 2: and there was a bidding war also between MCA and

761
00:38:22,480 --> 00:38:25,080
Speaker 2: Craig Kalman. The money kept going up. The money kept

762
00:38:25,080 --> 00:38:27,520
Speaker 2: going up, right, we had about a half a million,

763
00:38:28,239 --> 00:38:31,319
Speaker 2: six or six hundred thousand or some shit like that.

764
00:38:32,000 --> 00:38:34,000
Speaker 2: Craig Calman at that time wasn't ahead of it. He

765
00:38:34,080 --> 00:38:35,719
Speaker 2: was like the president of a guy called Roger am

766
00:38:35,920 --> 00:38:37,400
Speaker 2: Was was his boss.

767
00:38:37,840 --> 00:38:39,400
Speaker 1: So he had a cap about a half a million.

768
00:38:39,440 --> 00:38:40,040
Speaker 1: He couldn't go over.

769
00:38:40,480 --> 00:38:42,319
Speaker 2: He went to Roger am Be like, yo, I listened

770
00:38:42,320 --> 00:38:45,680
Speaker 2: to Shaggy album. You gotta let me sign him. MCA's

771
00:38:46,080 --> 00:38:49,640
Speaker 2: just got me up there. I'm maxed out. Roger Ames says,

772
00:38:49,680 --> 00:38:53,440
Speaker 2: true story. He says, that's reggae. He'll never make your

773
00:38:53,480 --> 00:38:56,240
Speaker 2: money back. Showed me a reggae record that an album

774
00:38:56,239 --> 00:38:58,399
Speaker 2: that has sold over a million records, You're not gonna

775
00:38:58,400 --> 00:39:01,440
Speaker 2: make your money back and said no. So I went

776
00:39:01,480 --> 00:39:04,040
Speaker 2: with m c A now and doing that. Part of

777
00:39:04,080 --> 00:39:07,440
Speaker 2: the deal I did was I did escalation for m

778
00:39:07,480 --> 00:39:12,080
Speaker 2: c A. I did an escalation on every million, so

779
00:39:12,160 --> 00:39:15,920
Speaker 2: there's a half a point escalation on every million. And

780
00:39:15,960 --> 00:39:17,480
Speaker 2: they went with it because they didn't want to give

781
00:39:17,480 --> 00:39:21,040
Speaker 2: me no more upfront money. They capped out of maybe

782
00:39:21,080 --> 00:39:22,960
Speaker 2: a million. He said, okay, how we gonna beat. I

783
00:39:23,040 --> 00:39:26,200
Speaker 2: won't beat. I was gonna beat on Atlantic. We'll give

784
00:39:26,200 --> 00:39:27,759
Speaker 2: you a half a point escalation. And he's said to

785
00:39:27,800 --> 00:39:30,439
Speaker 2: a boy, say you reggae, ain't no reggae or soul

786
00:39:30,520 --> 00:39:31,360
Speaker 2: over a fucking million.

787
00:39:31,400 --> 00:39:33,640
Speaker 1: Fuck that give him a half a million, the half

788
00:39:33,640 --> 00:39:34,480
Speaker 1: a point escalation.

789
00:39:34,560 --> 00:39:36,680
Speaker 2: Fuck that he'll only sell a million, a million and a

790
00:39:36,680 --> 00:39:47,280
Speaker 2: half the most fucked out. Well we sold ten million. Gilly,

791
00:39:47,280 --> 00:39:49,279
Speaker 2: Where was you at when you heard it wasn't me?

792
00:39:49,880 --> 00:39:50,680
Speaker 2: Where was you at?

793
00:39:51,360 --> 00:39:52,960
Speaker 1: Ship? I was in Philly.

794
00:39:55,800 --> 00:39:56,000
Speaker 9: Nine.

795
00:39:56,560 --> 00:40:04,880
Speaker 4: Yeah, listen your song. You could use for everything.

796
00:40:04,520 --> 00:40:05,040
Speaker 1: For anything.

797
00:40:05,520 --> 00:40:06,880
Speaker 2: I told the kids they could use it for the

798
00:40:06,960 --> 00:40:09,120
Speaker 2: mom said, man, wasn't in a cookie job.

799
00:40:09,160 --> 00:40:13,480
Speaker 1: It wasn't me. How did you think of making these?

800
00:40:14,040 --> 00:40:15,759
Speaker 1: When you made these records? You thought it was gonna

801
00:40:15,760 --> 00:40:17,719
Speaker 1: be globe war. You just was doing you To.

802
00:40:17,640 --> 00:40:19,560
Speaker 2: Be honest with you, some records you knew its special.

803
00:40:20,040 --> 00:40:23,239
Speaker 2: There's also another story to that same it wasn't me.

804
00:40:24,120 --> 00:40:27,360
Speaker 2: What if I told you that I believed in the

805
00:40:27,360 --> 00:40:29,560
Speaker 2: record so much when I did it, But the record

806
00:40:29,600 --> 00:40:31,719
Speaker 2: company didn't want it, and my current my ex, my

807
00:40:31,800 --> 00:40:34,760
Speaker 2: ex manager at the time didn't want the record either,

808
00:40:35,200 --> 00:40:37,040
Speaker 2: so we all I tried giving the record away, so

809
00:40:37,120 --> 00:40:42,280
Speaker 2: you know too and Davante Everyone Fall which Tory Relations

810
00:40:43,400 --> 00:40:45,680
Speaker 2: they had that record at that time. Tony Kelly produced

811
00:40:45,680 --> 00:40:46,080
Speaker 2: that record.

812
00:40:46,680 --> 00:40:49,719
Speaker 1: It wasn't me. No, they had Everyone Falls in Love

813
00:40:49,760 --> 00:40:51,359
Speaker 1: as a big record. I called this.

814
00:40:51,400 --> 00:40:54,320
Speaker 2: Dude called Braddy Kappan, who was the uh the A

815
00:40:54,480 --> 00:40:55,719
Speaker 2: and R sony at the time.

816
00:40:56,360 --> 00:40:59,680
Speaker 1: I gave them that record. I said, I said, Yo.

817
00:41:00,000 --> 00:41:01,719
Speaker 2: This is a record. I think it's be a good

818
00:41:01,760 --> 00:41:05,520
Speaker 2: follow up after everyone falls in love. The dude said,

819
00:41:05,719 --> 00:41:07,360
Speaker 2: I don't think it's a hit, and he played another

820
00:41:07,440 --> 00:41:14,560
Speaker 2: record called yea said Bryan Stuff, which is produced by

821
00:41:14,760 --> 00:41:18,759
Speaker 2: and I'm like, yeah, I'm right on that too, but

822
00:41:18,800 --> 00:41:22,000
Speaker 2: I'm saying this is a record I actually voiced, tunked

823
00:41:22,040 --> 00:41:24,520
Speaker 2: on Davante and gave it. Gave the record to them,

824
00:41:24,560 --> 00:41:26,000
Speaker 2: and the n R turned it down.

825
00:41:26,000 --> 00:41:26,799
Speaker 1: I think it wasn't a hit.

826
00:41:26,880 --> 00:41:28,480
Speaker 2: Then I gave it to a kick called Notch from

827
00:41:28,480 --> 00:41:29,680
Speaker 2: the Borings Americans.

828
00:41:30,040 --> 00:41:33,400
Speaker 1: Oh, I know, I know, not exactly.

829
00:41:33,840 --> 00:41:35,960
Speaker 2: He came back to the student after he cut the

830
00:41:35,960 --> 00:41:38,640
Speaker 2: record and says he got a vision from God that

831
00:41:38,719 --> 00:41:40,520
Speaker 2: he is supposed to do these kind of records.

832
00:41:41,200 --> 00:41:44,440
Speaker 1: Fuck me, I mean, like God gave him the wrong vision.

833
00:41:46,000 --> 00:41:48,920
Speaker 2: Him up though, So I ended up it ended up

834
00:41:48,920 --> 00:41:51,319
Speaker 2: that this this white dude came we got a new

835
00:41:51,360 --> 00:41:53,160
Speaker 2: an R because you know it was my.

836
00:41:53,280 --> 00:41:53,960
Speaker 1: N R at that time.

837
00:41:54,040 --> 00:41:57,200
Speaker 2: Too Old Boy from What's Old Boy from American idol

838
00:41:58,640 --> 00:42:00,960
Speaker 2: black guy Randy Jackson.

839
00:42:01,000 --> 00:42:03,920
Speaker 1: Randy Jackson was my a and r this nigga Shaggy

840
00:42:04,000 --> 00:42:11,120
Speaker 1: over here shooting Jackson. But Randy Jackson was making a

841
00:42:11,120 --> 00:42:11,560
Speaker 1: lot of hits.

842
00:42:11,560 --> 00:42:14,000
Speaker 2: So they brought this white boy in German, German dude

843
00:42:14,000 --> 00:42:16,640
Speaker 2: by the name of Hans Heado. He came to my

844
00:42:16,719 --> 00:42:21,040
Speaker 2: house and long hour. At that time, it was close

845
00:42:21,080 --> 00:42:23,200
Speaker 2: by you over there, queens, because I'm right at the border.

846
00:42:23,920 --> 00:42:25,960
Speaker 2: So he came over there and he walked in with

847
00:42:26,000 --> 00:42:29,520
Speaker 2: a bag of fucking weed. He came in and he's like, yeah, yeah.

848
00:42:29,440 --> 00:42:31,480
Speaker 1: Yeah, I'm in New A n R.

849
00:42:31,760 --> 00:42:34,160
Speaker 2: I'm like, I'm small. Wow.

850
00:42:34,920 --> 00:42:36,600
Speaker 1: He go back on the phone and call his bosses.

851
00:42:36,800 --> 00:42:41,239
Speaker 1: He was being racist. He thought he probably tomorrow's racist.

852
00:42:41,520 --> 00:42:42,120
Speaker 1: He was racist.

853
00:42:42,239 --> 00:42:42,640
Speaker 2: He called me.

854
00:42:42,680 --> 00:42:44,799
Speaker 1: He was like, he called his boss. I hear him

855
00:42:44,800 --> 00:42:46,080
Speaker 1: on the phone talking due to his boss.

856
00:42:46,080 --> 00:42:47,759
Speaker 2: It's like, what the fuck do I do with a

857
00:42:47,760 --> 00:42:51,320
Speaker 2: bunch of Jamaican when they don't smoke weed? So walking

858
00:42:51,320 --> 00:42:53,160
Speaker 2: by it, I said, I said, we come down, says,

859
00:42:53,160 --> 00:42:53,640
Speaker 2: come listen to.

860
00:42:53,640 --> 00:42:56,040
Speaker 1: Some fucking music, motherfucker. Let's get this ship going. And

861
00:42:56,080 --> 00:42:58,719
Speaker 1: you're born in Jamaica, born and raised in Kingston. I

862
00:42:58,760 --> 00:43:00,880
Speaker 1: came to the United States and it was in the military, right,

863
00:43:01,040 --> 00:43:03,680
Speaker 1: the military, the Marines. Did you do the first goal?

864
00:43:03,760 --> 00:43:06,560
Speaker 1: For the first go for? And then Carolina was during

865
00:43:06,560 --> 00:43:09,359
Speaker 1: while you was you remember you remember that time we

866
00:43:09,360 --> 00:43:10,279
Speaker 1: was doing big up, big up.

867
00:43:10,400 --> 00:43:12,279
Speaker 2: It's been big, big up all them joints on the

868
00:43:12,400 --> 00:43:14,480
Speaker 2: dance hall, Big up, big up, Old Carolina.

869
00:43:14,760 --> 00:43:16,239
Speaker 1: Was you still in the service at that time.

870
00:43:16,360 --> 00:43:18,360
Speaker 2: Yeah. I used to drive from North Carolina to New

871
00:43:18,440 --> 00:43:20,920
Speaker 2: York every weekend just to go do records and go

872
00:43:21,000 --> 00:43:21,319
Speaker 2: right back.

873
00:43:21,400 --> 00:43:24,919
Speaker 1: Really, you ain't. You ain't never been to the Jamaican parties. Yeah,

874
00:43:25,040 --> 00:43:26,560
Speaker 1: you gotta go to the Jamaica's gotta be.

875
00:43:26,719 --> 00:43:29,040
Speaker 4: In Jamaica though, like where they pulled they pulled a

876
00:43:29,120 --> 00:43:31,160
Speaker 4: truck up right, you'd be like, you're we're the club

877
00:43:31,160 --> 00:43:32,920
Speaker 4: at and they'll pull the club.

878
00:43:32,920 --> 00:43:34,680
Speaker 2: You're in the club, you outside.

879
00:43:34,640 --> 00:43:38,560
Speaker 1: The club because there's always there's always war.

880
00:43:38,680 --> 00:43:40,840
Speaker 2: Because if you have a nightclub, you're competing with the

881
00:43:40,840 --> 00:43:43,400
Speaker 2: street dances. So in the nightclub, you gotta have a

882
00:43:43,520 --> 00:43:46,640
Speaker 2: c's on. You gotta have security. You got street dance.

883
00:43:48,040 --> 00:43:51,040
Speaker 2: Motherfuckers was coming there. You know, you buy some white roam,

884
00:43:51,120 --> 00:43:53,239
Speaker 2: put the stuff, you know, stole little string off.

885
00:43:53,239 --> 00:43:59,879
Speaker 1: I have you're good. Yeah, what part of Jamaica.

886
00:43:59,600 --> 00:44:03,920
Speaker 9: Went went to Kingston, Montego Bay, uh Rios went to

887
00:44:03,960 --> 00:44:04,840
Speaker 9: Tipicy Gardens.

888
00:44:05,239 --> 00:44:08,759
Speaker 1: Actually I was Edie Giggs. Actually I was shooting the video.

889
00:44:08,760 --> 00:44:10,840
Speaker 1: I was scared to death my figure that I used to.

890
00:44:10,840 --> 00:44:12,840
Speaker 2: Live on the other side of ma just lean and

891
00:44:13,320 --> 00:44:16,000
Speaker 2: this view I want to view the god the.

892
00:44:15,920 --> 00:44:16,880
Speaker 1: Gods that's strip.

893
00:44:19,600 --> 00:44:22,680
Speaker 2: Because of because that street is is.

894
00:44:22,600 --> 00:44:26,439
Speaker 19: A body line between the board political parts, which is foul.

895
00:44:26,520 --> 00:44:29,319
Speaker 19: The political yeahs, so you should go back, you go

896
00:44:29,360 --> 00:44:32,360
Speaker 19: down there depends so when when you've got political turmoil,

897
00:44:32,400 --> 00:44:34,560
Speaker 19: that road is a rough, rough, rough road.

898
00:44:34,600 --> 00:44:37,160
Speaker 2: But things kind of cool down now. Man, your people

899
00:44:37,160 --> 00:44:40,319
Speaker 2: have gotten civilized. Now man, there's social media people, you know,

900
00:44:40,760 --> 00:44:44,960
Speaker 2: people get niggas the moon that Jamaica people commute. You're

901
00:44:44,960 --> 00:44:47,480
Speaker 2: gonna run for it. Sound like you're running for sting Man.

902
00:44:47,640 --> 00:44:49,400
Speaker 2: Any amount of taxes that you're paying over to the

903
00:44:49,560 --> 00:44:52,760
Speaker 2: Uncle Sam and it's crazy that's about to get probably

904
00:44:52,760 --> 00:44:53,760
Speaker 2: be your president tonight.

905
00:44:53,920 --> 00:44:55,800
Speaker 1: Oh man, you know what I'm saying. Any one of

906
00:44:55,840 --> 00:44:58,200
Speaker 1: these great and it is crazy come to Jamaica and

907
00:44:58,239 --> 00:45:00,440
Speaker 1: I know you'll like the one crazy. Hey, y'all, I'll

908
00:45:00,480 --> 00:45:02,400
Speaker 1: be knocking on my door if that motherfucker win is

909
00:45:02,400 --> 00:45:06,040
Speaker 1: about two minutes right now. I'm in Jamaica, but like, hey,

910
00:45:06,719 --> 00:45:08,480
Speaker 1: that's goofy. Yeah I know that mother, but he could

911
00:45:08,480 --> 00:45:10,160
Speaker 1: come that one. I do know you.

912
00:45:12,280 --> 00:45:15,560
Speaker 4: This is so terrible you're having this conversation because it's

913
00:45:15,560 --> 00:45:17,440
Speaker 4: like scary.

914
00:45:16,200 --> 00:45:17,759
Speaker 10: It is.

915
00:45:18,000 --> 00:45:20,680
Speaker 2: It is scary, man, I said, I.

916
00:45:20,680 --> 00:45:26,160
Speaker 4: Watched but the one good thing they passed the Wheedlaw

917
00:45:26,239 --> 00:45:26,720
Speaker 4: of Florida.

918
00:45:26,840 --> 00:45:32,120
Speaker 1: That's what were they said. Yes, so it's cool, yeah,

919
00:45:32,120 --> 00:45:34,280
Speaker 1: I mean not an.

920
00:45:35,400 --> 00:45:37,759
Speaker 4: Yeah, I mean that's cool that we passed the week,

921
00:45:38,840 --> 00:45:41,160
Speaker 4: but it's not cool if.

922
00:45:41,000 --> 00:45:43,520
Speaker 1: This guy went we don't need this. Yeah, I know,

923
00:45:43,600 --> 00:45:44,080
Speaker 1: I'm saying.

924
00:45:44,280 --> 00:45:46,040
Speaker 2: So you know what, I'm watching it all day and

925
00:45:46,080 --> 00:45:48,520
Speaker 2: it's been it's it's up and down. So you want

926
00:45:48,560 --> 00:45:49,239
Speaker 2: to you want to?

927
00:45:49,400 --> 00:45:51,319
Speaker 20: I mean I think they designed us to keep it

928
00:45:51,480 --> 00:45:54,120
Speaker 20: for the ratings, for the ratings, keep your ass on

929
00:45:54,200 --> 00:45:55,920
Speaker 20: the seat right supporting events.

930
00:45:56,640 --> 00:45:58,920
Speaker 1: This is a serious for them, right yeah, yeah, yeah,

931
00:45:58,920 --> 00:46:01,000
Speaker 1: they got to get paid. And Gilly, you ever been

932
00:46:01,040 --> 00:46:03,799
Speaker 1: to Jamaica. No, you never come down.

933
00:46:03,840 --> 00:46:07,120
Speaker 4: You got that's one place as soon as you land.

934
00:46:07,120 --> 00:46:08,680
Speaker 4: And so it's gonna be a lady, she's gonna run

935
00:46:08,719 --> 00:46:13,680
Speaker 4: over your car with your foot. She's not gonna say sorry.

936
00:46:14,360 --> 00:46:16,560
Speaker 1: That's how you know you're in Jamaica. Last time you've

937
00:46:16,560 --> 00:46:19,520
Speaker 1: been there, like a year and a half, two years ago.

938
00:46:21,480 --> 00:46:23,600
Speaker 1: Like the old ladies, they just wump into you and

939
00:46:23,640 --> 00:46:24,520
Speaker 1: they won't say sorry.

940
00:46:24,520 --> 00:46:28,200
Speaker 4: They're like and then they look at you thank come by.

941
00:46:28,440 --> 00:46:31,319
Speaker 1: They'd be like, we got there. They know you're not

942
00:46:31,360 --> 00:46:34,800
Speaker 1: from there, like yeah, gamar yah.

943
00:46:34,680 --> 00:46:39,280
Speaker 4: Cooby, Like at first you're taking personal the oh ship,

944
00:46:39,360 --> 00:46:40,600
Speaker 4: this is this is their style.

945
00:46:40,680 --> 00:46:41,759
Speaker 1: You gotta just go with it.

946
00:46:42,160 --> 00:46:45,640
Speaker 4: And the crazy ship they got Chinese Jamaicans, those niggas

947
00:46:45,680 --> 00:46:47,640
Speaker 4: is hell.

948
00:46:48,239 --> 00:46:50,439
Speaker 2: You remember you remember the voice you see the voice

949
00:46:50,440 --> 00:46:52,520
Speaker 2: of Chinese girl that was on there to sanchoz Oh, I.

950
00:46:52,440 --> 00:46:55,879
Speaker 1: Didn't see that one. Well she think there's mad mad

951
00:46:55,960 --> 00:46:57,400
Speaker 1: Chinese no more without us.

952
00:46:57,440 --> 00:47:03,239
Speaker 9: Roger, he said, you change Jamaica's amen in my life,

953
00:47:03,320 --> 00:47:04,000
Speaker 9: or change Jamaica.

954
00:47:04,080 --> 00:47:08,399
Speaker 1: Yeah. Shout to Waggy Tea out here like yo yo

955
00:47:08,480 --> 00:47:11,080
Speaker 1: yo jump. He's like, why I called me yo?

956
00:47:11,200 --> 00:47:12,560
Speaker 2: What you got that?

957
00:47:13,000 --> 00:47:13,880
Speaker 1: You're crazy?

958
00:47:14,200 --> 00:47:17,120
Speaker 2: When you see like when you see whacks and the

959
00:47:17,280 --> 00:47:20,239
Speaker 2: white Jamaicas because the modo Jamaica is out of many

960
00:47:20,280 --> 00:47:22,759
Speaker 2: one people, right, some moody you're black and white.

961
00:47:22,800 --> 00:47:23,520
Speaker 1: You're trying to the.

962
00:47:23,480 --> 00:47:27,400
Speaker 2: Roman, Jamaicans, the India. But my grandmother is is white,

963
00:47:27,920 --> 00:47:29,839
Speaker 2: you know what I'm saying. So you know, and and

964
00:47:29,960 --> 00:47:32,479
Speaker 2: you know my wife is Irish. You know what I'm saying.

965
00:47:32,480 --> 00:47:34,799
Speaker 2: In Jamaica's it's all, it's all mixed up.

966
00:47:34,920 --> 00:47:40,920
Speaker 4: What's worse Shaggy Jamaica off Philly, Philly?

967
00:47:41,600 --> 00:47:44,279
Speaker 2: A little part of all. It does depends on what.

968
00:47:44,440 --> 00:47:46,680
Speaker 2: Because I've had some great fun in Philly too, So yeah,

969
00:47:46,960 --> 00:47:50,319
Speaker 2: it all depends on where. Because it's no there's a

970
00:47:50,400 --> 00:47:51,440
Speaker 2: war zone in Philly.

971
00:47:51,520 --> 00:47:53,360
Speaker 1: Man. That's the fact. They said, if you live.

972
00:47:53,239 --> 00:47:57,239
Speaker 4: In Southwest and you're from the age of fourteen to

973
00:47:57,360 --> 00:47:59,759
Speaker 4: twenty five, you got a twenty four percent chance of

974
00:47:59,800 --> 00:48:00,440
Speaker 4: being shot.

975
00:48:00,920 --> 00:48:02,560
Speaker 1: God bless God, blessed Philly.

976
00:48:02,600 --> 00:48:05,800
Speaker 4: You feel what I'm saying, shofy man, We need to

977
00:48:05,840 --> 00:48:07,600
Speaker 4: get it together in the black community.

978
00:48:07,680 --> 00:48:10,759
Speaker 2: So what is worse, Philly or shy Town?

979
00:48:11,560 --> 00:48:13,839
Speaker 1: Who is worse? At this point?

980
00:48:14,440 --> 00:48:17,759
Speaker 4: See, with Philly, we always at the top in murders

981
00:48:17,960 --> 00:48:23,399
Speaker 4: because we don't when you look at you talk about

982
00:48:23,520 --> 00:48:27,880
Speaker 4: total crimes like you know, rapes and car jackens, and

983
00:48:28,000 --> 00:48:31,560
Speaker 4: we really not into that. Our youngins is in there.

984
00:48:31,800 --> 00:48:34,520
Speaker 4: We're gonna shoot you like, that's what That's just what

985
00:48:34,560 --> 00:48:35,160
Speaker 4: they're into.

986
00:48:35,280 --> 00:48:39,720
Speaker 2: You know what I mean say this in any bad way,

987
00:48:39,920 --> 00:48:44,120
Speaker 2: but you know, I'm just kind of happy, uh that

988
00:48:44,239 --> 00:48:45,560
Speaker 2: somebody else is taking that record.

989
00:48:45,600 --> 00:48:46,680
Speaker 1: Jamaica had that spot for you.

990
00:48:46,840 --> 00:48:52,200
Speaker 4: Absolutely absolutely, I mean in Shintown feeling ship.

991
00:48:52,239 --> 00:48:53,759
Speaker 1: We ran that ship for years.

992
00:48:53,560 --> 00:48:57,560
Speaker 2: At least somebody take the spotlight the way we got coconuts,

993
00:48:58,440 --> 00:49:02,120
Speaker 2: you know, beaches that I'm trying to change a whole

994
00:49:02,160 --> 00:49:02,919
Speaker 2: new leave man.

995
00:49:03,480 --> 00:49:05,560
Speaker 4: That's how we feel. We feel like, man, you gotta

996
00:49:05,560 --> 00:49:06,960
Speaker 4: switch it up. Enough is enough?

997
00:49:07,440 --> 00:49:07,920
Speaker 1: Switch it up?

998
00:49:07,920 --> 00:49:08,080
Speaker 6: Man?

999
00:49:08,800 --> 00:49:09,719
Speaker 1: Yeah, we gotta, we gotta.

1000
00:49:09,760 --> 00:49:11,560
Speaker 4: We got it because you know what, you know, us

1001
00:49:11,560 --> 00:49:14,759
Speaker 4: as black people were blessed to have an audience that

1002
00:49:14,840 --> 00:49:16,879
Speaker 4: we could speak to people, you know what I mean.

1003
00:49:16,960 --> 00:49:18,719
Speaker 4: And you know, I was a part of that dumb

1004
00:49:18,719 --> 00:49:21,719
Speaker 4: ship for so many years, so many and you know,

1005
00:49:21,960 --> 00:49:23,799
Speaker 4: I've been I've been got over it. But it was

1006
00:49:23,840 --> 00:49:26,680
Speaker 4: one thing that really messed me up. It was this

1007
00:49:27,160 --> 00:49:30,239
Speaker 4: documentary I watch Score the Thirteen. His niggas ain't pay

1008
00:49:30,280 --> 00:49:33,319
Speaker 4: me no money for this. This is awful. And when

1009
00:49:33,320 --> 00:49:35,879
Speaker 4: I seen that, I was like, if you're black at

1010
00:49:35,880 --> 00:49:38,719
Speaker 4: this point and you can hurt another black man like

1011
00:49:38,840 --> 00:49:40,799
Speaker 4: and I mean, you know, I mean when I say

1012
00:49:40,840 --> 00:49:42,320
Speaker 4: black include the Latino.

1013
00:49:42,440 --> 00:49:45,640
Speaker 1: You know what I'm saying. And I just want us

1014
00:49:45,640 --> 00:49:46,320
Speaker 1: to get it together.

1015
00:49:46,400 --> 00:49:47,759
Speaker 4: I just want us to know that you know, we

1016
00:49:47,960 --> 00:49:51,000
Speaker 4: better than you know what the hell people think that

1017
00:49:51,040 --> 00:49:53,239
Speaker 4: we do, and like that ship is whack, like you

1018
00:49:53,280 --> 00:49:55,160
Speaker 4: know what I'm saying, like at this point, hurting each other.

1019
00:49:55,280 --> 00:49:56,280
Speaker 1: Let's just get this shit together.

1020
00:49:58,400 --> 00:50:01,759
Speaker 2: Age is a motherfucker because you just said, as you

1021
00:50:01,840 --> 00:50:04,000
Speaker 2: got older, you see things in a whole different life.

1022
00:50:04,000 --> 00:50:09,000
Speaker 1: Exactly. You're a young if I if I you know.

1023
00:50:08,160 --> 00:50:09,799
Speaker 2: The ship that I used to do when I was

1024
00:50:09,800 --> 00:50:12,000
Speaker 2: as young was because I see these young ns now

1025
00:50:12,040 --> 00:50:13,799
Speaker 2: out and I'm like, you know, I got kids on

1026
00:50:13,800 --> 00:50:15,640
Speaker 2: my own. I got two sons every you know that

1027
00:50:15,640 --> 00:50:16,240
Speaker 2: that are.

1028
00:50:16,560 --> 00:50:17,799
Speaker 1: One of them is the old rapper too.

1029
00:50:17,920 --> 00:50:19,440
Speaker 2: Yeah you know what I mean that that that are

1030
00:50:20,080 --> 00:50:22,319
Speaker 2: and they do dumb shit. Is sitting there trying to

1031
00:50:22,320 --> 00:50:24,200
Speaker 2: be like yo, you know what I mean. And I

1032
00:50:24,480 --> 00:50:26,120
Speaker 2: got to put myself in that shoe and be like,

1033
00:50:26,120 --> 00:50:28,279
Speaker 2: all right, I got to approach it from a sensitive.

1034
00:50:28,320 --> 00:50:30,879
Speaker 1: You know what drink though. Come on, yeah, I'm telling

1035
00:50:30,920 --> 00:50:35,960
Speaker 1: you man, come on, I'm drinking. Respect that but told

1036
00:50:35,960 --> 00:50:36,560
Speaker 1: me to get you this.

1037
00:50:37,120 --> 00:50:40,959
Speaker 2: No, no, no, you see, bring this down. We're coming

1038
00:50:41,080 --> 00:50:44,000
Speaker 2: we're coming out back with this now. So this is

1039
00:50:44,040 --> 00:50:47,000
Speaker 2: not available again until this year. We're going to relaunch.

1040
00:50:47,080 --> 00:50:47,359
Speaker 2: We had.

1041
00:50:47,400 --> 00:50:49,360
Speaker 1: We came out with about uh I.

1042
00:50:49,360 --> 00:50:51,719
Speaker 2: Would say about like two hundred.

1043
00:50:51,560 --> 00:50:54,080
Speaker 1: Cases or something like that we came with and we

1044
00:50:54,120 --> 00:50:56,040
Speaker 1: sold out. How many can you saw that bottle for that?

1045
00:50:56,080 --> 00:50:59,080
Speaker 1: Look about about sixty? Bring us like two or three

1046
00:50:59,080 --> 00:50:59,799
Speaker 1: so we can have them here.

1047
00:51:00,280 --> 00:51:02,840
Speaker 2: There's only one I got here because you know, we

1048
00:51:02,880 --> 00:51:04,680
Speaker 2: were supposed to do this in the New York something

1049
00:51:04,680 --> 00:51:04,880
Speaker 2: like that.

1050
00:51:04,960 --> 00:51:07,160
Speaker 1: That's right. I forgot and and and and we ended

1051
00:51:07,200 --> 00:51:09,200
Speaker 1: up doing so. You know, this my man's tenth bottle.

1052
00:51:09,800 --> 00:51:10,520
Speaker 1: You know I took his.

1053
00:51:11,160 --> 00:51:15,160
Speaker 4: You gotta try to look like an oversized travel yet.

1054
00:51:15,280 --> 00:51:18,239
Speaker 21: Cologne good cologne smells like.

1055
00:51:20,360 --> 00:51:21,120
Speaker 5: I still want to.

1056
00:51:21,320 --> 00:51:23,279
Speaker 1: Said, when you get drunk, you gonna smell good the

1057
00:51:23,320 --> 00:51:29,719
Speaker 1: next day. Oh it smell like Coco. But exactly that's nice.

1058
00:51:29,920 --> 00:51:32,520
Speaker 1: Look at our engineer, our engineer want to drink to that. Yeah,

1059
00:51:32,880 --> 00:51:36,160
Speaker 1: this is sounds crazy. Get your cups. You know, I

1060
00:51:36,520 --> 00:51:38,319
Speaker 1: want to try to try the only bottle.

1061
00:51:38,440 --> 00:51:40,520
Speaker 4: Bro Let's drink that whole little bit, right, you know,

1062
00:51:41,160 --> 00:51:46,240
Speaker 4: don't drink it all right, We're twin twin Smell it, twins,

1063
00:51:46,320 --> 00:51:46,719
Speaker 4: smell it.

1064
00:51:47,200 --> 00:51:49,000
Speaker 1: Oh man, you see shot your head.

1065
00:51:49,560 --> 00:51:52,560
Speaker 4: You see Gilly motherfucking Dawn the King, and we gotta

1066
00:51:52,600 --> 00:51:53,239
Speaker 4: you know what we gotta do.

1067
00:51:53,239 --> 00:51:57,080
Speaker 9: We gotta shout out Philly because Phillyhill Drink supported the

1068
00:51:57,840 --> 00:52:00,279
Speaker 9: absolutely young cat that hit me up all on the

1069
00:52:00,320 --> 00:52:03,120
Speaker 9: time on Twitter, Kate Walker Young rapping.

1070
00:52:02,920 --> 00:52:05,640
Speaker 1: From Walker Homi is Hungry.

1071
00:52:06,360 --> 00:52:11,280
Speaker 4: I learned about y'all from You might know Rugs on.

1072
00:52:11,160 --> 00:52:15,680
Speaker 1: The back case studio back cave. Big let me on

1073
00:52:15,760 --> 00:52:17,960
Speaker 1: a little while back. He said, you don't be listening.

1074
00:52:18,840 --> 00:52:20,960
Speaker 1: This is the that's the first time.

1075
00:52:20,960 --> 00:52:24,840
Speaker 4: Artists is running brothers.

1076
00:52:24,840 --> 00:52:26,000
Speaker 1: It's the first time artists is.

1077
00:52:26,040 --> 00:52:31,600
Speaker 4: Running media and and DJ artists rapper DJ fall on.

1078
00:52:32,200 --> 00:52:36,000
Speaker 1: Yeah, I came upon give them a rock ca ast.

1079
00:52:36,080 --> 00:52:38,239
Speaker 4: So we big up all legends because in this game,

1080
00:52:38,400 --> 00:52:42,440
Speaker 4: every time the person get old, they disrespect you, they

1081
00:52:42,480 --> 00:52:43,280
Speaker 4: say it's.

1082
00:52:43,120 --> 00:52:43,719
Speaker 2: Over for you.

1083
00:52:43,880 --> 00:52:46,359
Speaker 1: That's not what we do here. The older you.

1084
00:52:46,320 --> 00:52:48,080
Speaker 4: Get, the more time you put it in this game,

1085
00:52:48,120 --> 00:52:49,600
Speaker 4: we want to big up see thatgends.

1086
00:52:49,600 --> 00:52:51,640
Speaker 1: Absolutely, we want our legends to be legends.

1087
00:52:51,640 --> 00:52:53,799
Speaker 4: That's what I want, and you know that's what we

1088
00:52:53,840 --> 00:52:56,520
Speaker 4: want excuse me how I'm sorry Sometimes I say, I

1089
00:52:56,560 --> 00:52:59,920
Speaker 4: mean absolutely, but we want to big up all legends

1090
00:53:00,040 --> 00:53:03,200
Speaker 4: and you know, keep our culture alive and rock and roll.

1091
00:53:03,239 --> 00:53:06,920
Speaker 4: When you get old, you get better hip hop, you

1092
00:53:06,920 --> 00:53:07,839
Speaker 4: get old, they say you.

1093
00:53:07,800 --> 00:53:11,400
Speaker 1: Won't you in rock and roll? They washed up?

1094
00:53:11,400 --> 00:53:13,279
Speaker 4: That's what they say. We ain't doing that over here

1095
00:53:13,520 --> 00:53:15,360
Speaker 4: over head. You know what I'm saying. You know what

1096
00:53:15,400 --> 00:53:18,439
Speaker 4: I'm saying, Shaggy picking it up on drink.

1097
00:53:19,480 --> 00:53:26,720
Speaker 1: You're here, I ain't gonna fill up. Not everybody said, that's.

1098
00:53:26,560 --> 00:53:27,480
Speaker 3: What you gotta hear.

1099
00:53:28,200 --> 00:53:30,399
Speaker 1: You gotta hear that's right?

1100
00:53:30,719 --> 00:53:31,000
Speaker 4: What is it?

1101
00:53:31,440 --> 00:53:33,919
Speaker 1: Yeah? Yeah, clone.

1102
00:53:35,719 --> 00:53:37,439
Speaker 2: Not the craziest thing what what what you all gonna

1103
00:53:37,480 --> 00:53:39,640
Speaker 2: know is the guy that partnered with this on Those

1104
00:53:39,680 --> 00:53:43,719
Speaker 2: are the creators of great goops, right, uh, that's all

1105
00:53:44,200 --> 00:53:49,600
Speaker 2: Sehn Frank again man John Frank who uh hemmersoney Frank,

1106
00:53:49,640 --> 00:53:50,680
Speaker 2: and they created great goose.

1107
00:53:50,719 --> 00:53:55,000
Speaker 1: They also had Jager maister tell me that me. I like,

1108
00:53:55,080 --> 00:53:56,120
Speaker 1: yeer mister, that's yeah.

1109
00:53:56,160 --> 00:53:58,520
Speaker 2: Well, you know they're just so great.

1110
00:53:59,800 --> 00:54:02,399
Speaker 1: You know that white bud. Oh yeah, that's cool.

1111
00:54:02,440 --> 00:54:08,120
Speaker 5: When I with my white friend, ye boss, get.

1112
00:54:12,440 --> 00:54:14,200
Speaker 1: Really really, no black man.

1113
00:54:14,160 --> 00:54:18,759
Speaker 2: Really, just take your white friends to the ball and

1114
00:54:18,880 --> 00:54:19,520
Speaker 2: older Yeager.

1115
00:54:19,560 --> 00:54:20,880
Speaker 1: I bet you're gonna be like this.

1116
00:54:21,239 --> 00:54:24,319
Speaker 4: See my high school days. She was some high school ship.

1117
00:54:24,320 --> 00:54:26,520
Speaker 4: I'll tell her, you bring them back, but Jega brings

1118
00:54:26,560 --> 00:54:30,000
Speaker 4: them back. Bring them back, dude, every white friend you

1119
00:54:30,120 --> 00:54:32,920
Speaker 4: have to all you gotta do is give him a

1120
00:54:32,960 --> 00:54:33,600
Speaker 4: shot of Yega.

1121
00:54:33,800 --> 00:54:36,400
Speaker 1: You take the yabomb. You start talking, just like Joe.

1122
00:54:36,480 --> 00:54:36,960
Speaker 2: I got your.

1123
00:54:38,560 --> 00:54:40,520
Speaker 1: This is what I cant high school. They always see

1124
00:54:40,840 --> 00:54:41,040
Speaker 1: on you.

1125
00:54:41,120 --> 00:54:45,080
Speaker 4: This is what I did in high schooling.

1126
00:54:43,560 --> 00:54:47,040
Speaker 1: In there, man, I tell you like going down. So

1127
00:54:47,120 --> 00:54:49,440
Speaker 1: what does goslager do? The people go slager?

1128
00:54:49,640 --> 00:54:50,200
Speaker 22: Is that you know?

1129
00:54:50,280 --> 00:54:53,040
Speaker 1: That was the first drink Compona over. Jega started drinking

1130
00:54:53,760 --> 00:54:57,000
Speaker 1: the Faith now marble with the gold mettle chips for

1131
00:54:57,080 --> 00:55:01,320
Speaker 1: the even sound. That was some bull ship.

1132
00:55:01,880 --> 00:55:02,680
Speaker 5: We got it.

1133
00:55:02,760 --> 00:55:07,279
Speaker 13: Tastes like tastes like a Let me tell you how

1134
00:55:07,320 --> 00:55:09,080
Speaker 13: they caught us. Faith knewman. She was the A and

1135
00:55:09,239 --> 00:55:13,680
Speaker 13: R Sony Records, and you know, so she had signed

1136
00:55:13,760 --> 00:55:14,680
Speaker 13: nos that's who signed.

1137
00:55:15,200 --> 00:55:18,239
Speaker 4: She was trying to sign us after and went to

1138
00:55:18,320 --> 00:55:19,840
Speaker 4: the studio one night and she had it.

1139
00:55:20,440 --> 00:55:22,320
Speaker 1: So we drank the ship and we thought it was

1140
00:55:22,400 --> 00:55:24,640
Speaker 1: some fly ship, but it was it was. It didn't

1141
00:55:24,640 --> 00:55:26,600
Speaker 1: look good we didn't think. We don't think. We didn't

1142
00:55:26,800 --> 00:55:27,360
Speaker 1: want to make it.

1143
00:55:27,600 --> 00:55:31,880
Speaker 5: We did with the person that it was so flying.

1144
00:55:31,960 --> 00:55:34,400
Speaker 1: We was like, oh, ship, did you know niggas got

1145
00:55:34,440 --> 00:55:37,800
Speaker 1: money and realized, oh that was a regular. But for

1146
00:55:37,920 --> 00:55:39,799
Speaker 1: that time it was crazy. You know what I'm saying.

1147
00:55:40,320 --> 00:55:42,759
Speaker 1: So for your per grade at that time, it was good. Yes,

1148
00:55:42,840 --> 00:55:44,280
Speaker 1: that's fact, It's exactly shaggy.

1149
00:55:44,520 --> 00:55:49,279
Speaker 2: Yeah, I think do you think Drake is getting over

1150
00:55:49,360 --> 00:55:50,160
Speaker 2: your pussy right now?

1151
00:55:50,280 --> 00:55:53,640
Speaker 1: Excuse me? I think that What do you think that

1152
00:55:53,760 --> 00:55:54,640
Speaker 1: Drake is getting over her?

1153
00:55:54,840 --> 00:55:58,479
Speaker 4: Because he's kind of doing like your ship man, Drake,

1154
00:55:58,560 --> 00:56:01,239
Speaker 4: and I'm looking at you, I'm like, drinking Drake, bed

1155
00:56:01,320 --> 00:56:03,799
Speaker 4: looks like your ship to drink drinking.

1156
00:56:04,480 --> 00:56:06,640
Speaker 1: Drink is drinking drink, is living it right now. And

1157
00:56:06,760 --> 00:56:09,319
Speaker 1: he actually sounds good doing reggae, do you.

1158
00:56:09,560 --> 00:56:12,240
Speaker 4: He just I like to know you like the records

1159
00:56:12,480 --> 00:56:16,080
Speaker 4: actually keeping Shaggy, but you got about a couple of

1160
00:56:16,200 --> 00:56:19,800
Speaker 4: undred thousand, keep it real, Shaggy like yo, he's smashing

1161
00:56:19,800 --> 00:56:24,280
Speaker 4: a lot of my bitches, keep it Oh yeah.

1162
00:56:24,280 --> 00:56:30,200
Speaker 5: But but you know he was, Yeah, but you know,

1163
00:56:32,760 --> 00:56:34,399
Speaker 5: do you like controller man?

1164
00:56:34,440 --> 00:56:35,480
Speaker 1: This nigga fucking.

1165
00:56:37,600 --> 00:56:40,640
Speaker 2: You know what? Man, let's get to it.

1166
00:56:46,120 --> 00:56:49,160
Speaker 1: I know it wasn't me that you know it was

1167
00:56:49,920 --> 00:56:52,799
Speaker 1: telling you in my time I got off a super doug. Yeah,

1168
00:56:52,920 --> 00:56:56,239
Speaker 1: I'm not nowhere near it wasn't but yeah, you know

1169
00:56:56,560 --> 00:56:59,200
Speaker 1: you are. That was throwing into his head.

1170
00:56:59,400 --> 00:57:01,839
Speaker 2: But he walked out back.

1171
00:57:01,960 --> 00:57:02,320
Speaker 10: Just keep it.

1172
00:57:02,760 --> 00:57:09,200
Speaker 20: Ain't gonna lie about after Well that only pussy's got

1173
00:57:09,280 --> 00:57:14,160
Speaker 20: They got that passport. Pussy with Visus and all that international.

1174
00:57:15,160 --> 00:57:16,520
Speaker 1: Your GasPort gotta be crazy.

1175
00:57:17,120 --> 00:57:17,720
Speaker 2: You know what I gotta.

1176
00:57:17,800 --> 00:57:20,280
Speaker 1: I got a little Bible because I can't get them

1177
00:57:20,320 --> 00:57:20,840
Speaker 1: little pages.

1178
00:57:20,840 --> 00:57:23,840
Speaker 2: I gotta. You know, hey man, I'm blessed because at

1179
00:57:23,840 --> 00:57:27,400
Speaker 2: the end of the day, these records still take me around.

1180
00:57:27,200 --> 00:57:30,240
Speaker 4: The niggers up my passion kind of crazy to the

1181
00:57:30,960 --> 00:57:33,440
Speaker 4: crazy crazy. I ain't got concident on that.

1182
00:57:33,880 --> 00:57:39,640
Speaker 1: And change that ain't JR. Baker.

1183
00:57:40,920 --> 00:57:43,320
Speaker 4: Now you know why you can't even claim take something

1184
00:57:43,400 --> 00:57:44,320
Speaker 4: if you never visited.

1185
00:57:44,480 --> 00:57:46,840
Speaker 1: This is how you know you visited Jamaica. You gotta

1186
00:57:46,880 --> 00:57:49,880
Speaker 1: be scared at some point, right you don't feel scared.

1187
00:57:49,920 --> 00:57:50,520
Speaker 1: You ain't visit.

1188
00:57:51,480 --> 00:57:54,160
Speaker 7: Why you can't claim the beat was I went to

1189
00:57:54,200 --> 00:57:56,880
Speaker 7: a stripple like just till dawn, like turn that on

1190
00:57:57,000 --> 00:58:00,240
Speaker 7: for us? What we went to striple up in the

1191
00:58:00,240 --> 00:58:02,560
Speaker 7: middle of the day. They turned them off on for us.

1192
00:58:04,000 --> 00:58:07,160
Speaker 2: Like I was in the day.

1193
00:58:08,800 --> 00:58:09,440
Speaker 1: Where were we at?

1194
00:58:11,120 --> 00:58:11,600
Speaker 2: We went to.

1195
00:58:11,640 --> 00:58:13,760
Speaker 9: Somewhere like a tourist spot, but we said, we don't want.

1196
00:58:13,640 --> 00:58:15,560
Speaker 1: To be the tourist spot. We said, take us to

1197
00:58:15,640 --> 00:58:18,000
Speaker 1: the hood, so a strip club, and they went they

1198
00:58:18,160 --> 00:58:20,080
Speaker 1: not the girl said it.

1199
00:58:21,400 --> 00:58:23,000
Speaker 4: They opened the up and they turned that.

1200
00:58:23,600 --> 00:58:25,560
Speaker 1: I was like the still dub. The chicks started dancing

1201
00:58:25,640 --> 00:58:34,960
Speaker 1: on the ship. The bart it was not right to Jamaica.

1202
00:58:35,120 --> 00:58:36,920
Speaker 1: He was a drunk. Was hilarious.

1203
00:58:40,000 --> 00:58:42,400
Speaker 4: Bugget you got. You gotta go to Jamaica and have

1204
00:58:42,480 --> 00:58:45,040
Speaker 4: somebody go old Jamaica's do that when.

1205
00:58:44,960 --> 00:58:45,560
Speaker 2: They're mad.

1206
00:58:47,440 --> 00:58:50,240
Speaker 4: And kiss them teeth. They kiss me tie like showing

1207
00:58:50,280 --> 00:58:51,840
Speaker 4: you the old lady. As soon as I land there,

1208
00:58:52,120 --> 00:58:53,880
Speaker 4: it was three times. I went back to back to

1209
00:58:54,000 --> 00:58:56,120
Speaker 4: back and it was like the same old ladies ran

1210
00:58:56,200 --> 00:58:58,520
Speaker 4: over my foot and I was just.

1211
00:58:58,600 --> 00:59:00,840
Speaker 1: Like, I was like, excuse me, and she was like,

1212
00:59:01,560 --> 00:59:06,000
Speaker 1: and then you gotta go to the hood.

1213
00:59:06,600 --> 00:59:08,320
Speaker 4: I'll tell you people, I'm gona tell you this funny story.

1214
00:59:08,360 --> 00:59:12,040
Speaker 4: You won't keep it real right, keeping it real right now.

1215
00:59:12,320 --> 00:59:12,840
Speaker 2: I shot a.

1216
00:59:12,920 --> 00:59:18,600
Speaker 4: Video well Lexus and Wayne Wonder and it goes, so

1217
00:59:19,880 --> 00:59:20,440
Speaker 4: what happens.

1218
00:59:20,480 --> 00:59:23,800
Speaker 1: That is we in Jamaica. This poem I did poem,

1219
00:59:23,920 --> 00:59:27,000
Speaker 1: say poone go to tipical gardens. He's like, yo, you

1220
00:59:27,120 --> 00:59:29,080
Speaker 1: go the best weed out there. He never tells me

1221
00:59:29,120 --> 00:59:31,440
Speaker 1: it's the worst hood ever. Right, I don't know this,

1222
00:59:32,280 --> 00:59:34,720
Speaker 1: but I'm this is my nigga. It's his idea. Let

1223
00:59:34,760 --> 00:59:39,160
Speaker 1: me go for it. We go out there, Yo, my nigga.

1224
00:59:40,240 --> 00:59:41,120
Speaker 1: Does God do this?

1225
00:59:41,880 --> 00:59:46,560
Speaker 2: You know, like this nigga is huge.

1226
00:59:47,040 --> 00:59:49,480
Speaker 1: She can't go to the hood without you got the

1227
00:59:49,600 --> 00:59:53,720
Speaker 1: holler at. You ain't gonna feel inside there either unless you.

1228
00:59:54,120 --> 00:59:56,240
Speaker 2: You know what it is.

1229
00:59:57,880 --> 01:00:02,600
Speaker 1: Whatever you want the word this I met the nigga

1230
01:00:02,680 --> 01:00:08,200
Speaker 1: coolni great guy, very un assuming guy. Guy, little stock

1231
01:00:08,880 --> 01:00:09,800
Speaker 1: but very unassuming.

1232
01:00:09,800 --> 01:00:12,440
Speaker 2: You not think that that guy is the guy I

1233
01:00:12,480 --> 01:00:12,720
Speaker 2: got you?

1234
01:00:13,080 --> 01:00:15,880
Speaker 1: Damn there. I met this again like a cave. He

1235
01:00:15,920 --> 01:00:18,160
Speaker 1: had like a he hors in a cave.

1236
01:00:18,680 --> 01:00:18,880
Speaker 11: Was the.

1237
01:00:22,600 --> 01:00:25,560
Speaker 1: Guy I ain't even trying to listen, keeping it on it,

1238
01:00:26,480 --> 01:00:26,680
Speaker 1: you know?

1239
01:00:27,160 --> 01:00:28,000
Speaker 2: You know you know that.

1240
01:00:30,240 --> 01:00:34,000
Speaker 1: All right, listen. He was demanding them. That's what they

1241
01:00:34,080 --> 01:00:38,200
Speaker 1: call it. The the mond them don't meet in public.

1242
01:00:38,680 --> 01:00:41,439
Speaker 1: Met him in some male place and playing god nigga. Yeah,

1243
01:00:41,640 --> 01:00:45,760
Speaker 1: she was never seen no ship like but anyway, so

1244
01:00:46,040 --> 01:00:48,600
Speaker 1: we we you know, we got the past, and when

1245
01:00:48,640 --> 01:00:50,440
Speaker 1: the spot and.

1246
01:00:51,920 --> 01:00:55,520
Speaker 4: Rooster built bigger rooster, that was his like guy who

1247
01:00:55,600 --> 01:00:59,560
Speaker 4: was controlling it there. So we kept filming it, and

1248
01:00:59,640 --> 01:01:03,480
Speaker 4: so we succumbs to us, and it says, he goes, yo,

1249
01:01:03,600 --> 01:01:05,760
Speaker 4: you know, when you gots finished filming, you don't got.

1250
01:01:05,720 --> 01:01:08,920
Speaker 1: To go in the trailer. So I knew exactly what

1251
01:01:09,040 --> 01:01:11,440
Speaker 1: the nigga was trying to say. Your niggas look a

1252
01:01:11,520 --> 01:01:17,120
Speaker 1: little soft, look a little soul. He ain't say that,

1253
01:01:17,280 --> 01:01:20,680
Speaker 1: but I'm reading. I'm a street nigga. I'm reading. You know,

1254
01:01:20,840 --> 01:01:23,080
Speaker 1: I tell you a film. You know, y'all don't gotta go.

1255
01:01:24,000 --> 01:01:27,120
Speaker 4: I was like, oh ship, so I film next scene

1256
01:01:27,360 --> 01:01:31,560
Speaker 4: right standing there. For some reason, I'm dope. I don't

1257
01:01:31,600 --> 01:01:35,760
Speaker 4: know how my niggas stay in the trailer. Tough niggas

1258
01:01:35,760 --> 01:01:38,600
Speaker 4: I got with me, by the way, real killers in

1259
01:01:38,680 --> 01:01:40,800
Speaker 4: the streets. But they were just sleeping.

1260
01:01:41,320 --> 01:01:43,920
Speaker 1: They're sitting there smoking, niggas not paying attention.

1261
01:01:45,240 --> 01:01:49,000
Speaker 5: The god goes, you got, yeah, I got a little.

1262
01:01:48,880 --> 01:01:50,400
Speaker 1: Song, my nigga.

1263
01:01:50,480 --> 01:01:54,080
Speaker 23: This nigga hand me a bag. Oh we like, damn

1264
01:01:54,160 --> 01:01:59,440
Speaker 23: near the size of this table like that. So now

1265
01:01:59,560 --> 01:02:02,840
Speaker 23: this this is crazy ship. They just told me, Yo,

1266
01:02:02,920 --> 01:02:04,160
Speaker 23: don't go back in the trailer.

1267
01:02:04,680 --> 01:02:09,600
Speaker 24: My homies the trailer. But I just remember what he said,

1268
01:02:10,840 --> 01:02:14,000
Speaker 24: so I stood there. I said, you gotta take it

1269
01:02:14,120 --> 01:02:17,800
Speaker 24: nor so many wild. You're making niggas with swords on

1270
01:02:17,960 --> 01:02:18,440
Speaker 24: the face.

1271
01:02:20,280 --> 01:02:23,480
Speaker 4: Niggas got this, you know, I let steak these niggas.

1272
01:02:24,080 --> 01:02:27,360
Speaker 4: These niggas is looking at me like, no, I'm I'm

1273
01:02:27,360 --> 01:02:28,200
Speaker 4: a real nigga.

1274
01:02:28,320 --> 01:02:30,160
Speaker 1: But now I got a bag of weed.

1275
01:02:30,400 --> 01:02:35,480
Speaker 4: There's nowhere, so I'm trying to.

1276
01:02:37,600 --> 01:02:39,000
Speaker 1: Trail like somebody.

1277
01:02:38,720 --> 01:02:44,360
Speaker 4: Comes back, look like from but I'm protected. But still

1278
01:02:44,640 --> 01:02:47,800
Speaker 4: these niggas is looking at me like I'm steak. I'm American.

1279
01:02:48,520 --> 01:02:51,640
Speaker 4: They a't never seen you know what I'm saying. I

1280
01:02:51,760 --> 01:02:54,040
Speaker 4: stood there, so now none of my niggas is catching on.

1281
01:02:54,920 --> 01:02:56,400
Speaker 1: The cigards is in the trailer.

1282
01:02:57,240 --> 01:02:58,200
Speaker 2: So I walk.

1283
01:03:01,000 --> 01:03:03,120
Speaker 1: And you know, it's always one guy.

1284
01:03:03,760 --> 01:03:08,080
Speaker 25: There's always one guy always, and the one guy goes

1285
01:03:08,760 --> 01:03:17,440
Speaker 25: and give me a swiff, and there's no respect.

1286
01:03:17,520 --> 01:03:20,360
Speaker 1: By the way, Oh there was no love with that nigga.

1287
01:03:20,400 --> 01:03:23,880
Speaker 1: Just say, yo, give me a swift. I thought to myself.

1288
01:03:23,920 --> 01:03:27,040
Speaker 4: I said, Shrine, you've been in jail, but you did

1289
01:03:27,160 --> 01:03:30,240
Speaker 4: open up this bad You open up this bag.

1290
01:03:30,520 --> 01:03:31,400
Speaker 1: The whole hood is.

1291
01:03:31,760 --> 01:03:37,800
Speaker 4: You know they I'm fool at this. So I got

1292
01:03:37,880 --> 01:03:39,880
Speaker 4: every bit of courage. No no, I don't got no

1293
01:03:39,960 --> 01:03:43,360
Speaker 4: wins just in case they gonna kill him. They're gonna

1294
01:03:43,440 --> 01:03:45,400
Speaker 4: kill him, but just for now, I just might not

1295
01:03:45,520 --> 01:03:48,760
Speaker 4: have to win right now. So I look at the nigga,

1296
01:03:48,760 --> 01:03:55,960
Speaker 4: I say, listen, relax, because I'm gonna give you.

1297
01:03:56,200 --> 01:03:58,520
Speaker 1: I'll give you a boy. I'm just not doing it

1298
01:03:58,680 --> 01:03:59,000
Speaker 1: right here.

1299
01:03:59,560 --> 01:04:00,160
Speaker 2: And the way you.

1300
01:04:00,200 --> 01:04:04,200
Speaker 1: Approaching me, it's just not going not right now. The

1301
01:04:04,320 --> 01:04:16,560
Speaker 1: nigga follows me. I don't say ship like homie ship.

1302
01:04:17,920 --> 01:04:19,920
Speaker 1: I go on the trailer. I want to flip on

1303
01:04:19,960 --> 01:04:24,880
Speaker 1: my niggas. First thing. Put the nigga knocks on the door.

1304
01:04:25,000 --> 01:04:28,280
Speaker 1: So I'm like a like now it's cool. I pulled

1305
01:04:28,320 --> 01:04:31,280
Speaker 1: out a little. They hit this nigga. Yo, these ja

1306
01:04:31,360 --> 01:04:32,960
Speaker 1: make your niggas came out to go.

1307
01:04:34,000 --> 01:04:36,160
Speaker 5: We tell you, you know, one touch on.

1308
01:04:37,280 --> 01:04:40,080
Speaker 4: These niggas had the biggest knives. I don't know where

1309
01:04:40,120 --> 01:04:42,200
Speaker 4: these much shaties came from, my nigga. This look like

1310
01:04:42,200 --> 01:04:46,080
Speaker 4: they were chopping trees somewhere. These niggas can't. No one

1311
01:04:46,200 --> 01:04:49,120
Speaker 4: touched that y. No one asked the Yankee they made.

1312
01:04:49,120 --> 01:04:52,720
Speaker 4: They had so much ship to this nigga ship. Yo,

1313
01:04:53,240 --> 01:04:57,520
Speaker 4: apologize to them your mind. I mean I was like, Yo,

1314
01:04:58,320 --> 01:04:59,840
Speaker 4: these niggas were so serious.

1315
01:05:00,480 --> 01:05:02,200
Speaker 1: Listen, we don't got a hood in America. I'm gonna

1316
01:05:02,280 --> 01:05:02,840
Speaker 1: keep it a hunted.

1317
01:05:06,480 --> 01:05:11,640
Speaker 2: The thing is that is arguably that the hood in

1318
01:05:11,760 --> 01:05:14,200
Speaker 2: Jamaica is actually run better with the Dons than.

1319
01:05:14,120 --> 01:05:17,440
Speaker 1: Without, because it was happening with Chicago was there was

1320
01:05:17,480 --> 01:05:20,160
Speaker 1: a more O g s. There's there's an order.

1321
01:05:20,400 --> 01:05:23,280
Speaker 2: There's an order you gotta follow, follow the d and

1322
01:05:23,360 --> 01:05:26,760
Speaker 2: that once it comes though, you know, most of these guys,

1323
01:05:26,800 --> 01:05:29,439
Speaker 2: as much as hear about ours, are sorry these guys.

1324
01:05:29,560 --> 01:05:32,600
Speaker 2: These guys did a lot of things for their communities.

1325
01:05:32,880 --> 01:05:36,760
Speaker 1: You know, like, yeah, kids that couldn't come out after.

1326
01:05:36,680 --> 01:05:38,880
Speaker 2: Night, my man spanky out there on the weeknight, on

1327
01:05:39,000 --> 01:05:40,800
Speaker 2: school night, they couldn't come out, you know what I'm saying.

1328
01:05:40,840 --> 01:05:43,680
Speaker 2: And if the kid didn't come over to they'd have

1329
01:05:43,760 --> 01:05:46,120
Speaker 2: a conversation with the parents. It wasn't gonna mean no

1330
01:05:46,240 --> 01:05:48,400
Speaker 2: nice conversation either, you know what I mean. That they

1331
01:05:48,440 --> 01:05:51,240
Speaker 2: provided us cool books and you know what I mean, uh,

1332
01:05:52,200 --> 01:05:55,240
Speaker 2: you know bags, you know, whatever they needed and helped.

1333
01:05:56,680 --> 01:05:59,920
Speaker 2: So you know when those when you got those dons

1334
01:06:00,160 --> 01:06:02,640
Speaker 2: in the neighborhood. You know what I mean, things is running.

1335
01:06:02,640 --> 01:06:04,840
Speaker 2: Once those guys are out of there, there was chaos,

1336
01:06:05,680 --> 01:06:07,160
Speaker 2: you know what I'm saying. And then so you have

1337
01:06:07,920 --> 01:06:10,720
Speaker 2: this order so to speak, you know what I'm saying,

1338
01:06:10,880 --> 01:06:16,200
Speaker 2: and there's always that that it's almost like an unspoken respect.

1339
01:06:16,720 --> 01:06:19,640
Speaker 2: I did a concert in the General Penitentiary because I'm

1340
01:06:19,680 --> 01:06:21,880
Speaker 2: from Rayton. I was born in Rayton, right on the seaside,

1341
01:06:23,080 --> 01:06:25,440
Speaker 2: So right there you got that person. So I went

1342
01:06:25,480 --> 01:06:27,120
Speaker 2: into the prison and played a concert. I was one

1343
01:06:27,120 --> 01:06:28,720
Speaker 2: of the only person that ever did that for me.

1344
01:06:29,000 --> 01:06:32,360
Speaker 2: And I brought Slian Robbie Originals and we went in

1345
01:06:32,440 --> 01:06:35,760
Speaker 2: there and played. Now, this is a prison that's got

1346
01:06:37,360 --> 01:06:41,600
Speaker 2: super overcrowded, probably toast about two thousand people in their convicts.

1347
01:06:42,240 --> 01:06:44,000
Speaker 2: You walk in there, they take everything away from you,

1348
01:06:44,040 --> 01:06:46,680
Speaker 2: including your cell phone. I ain't the think, I ain't

1349
01:06:46,680 --> 01:06:49,760
Speaker 2: see no God of the gun. So you probably got

1350
01:06:49,880 --> 01:06:55,200
Speaker 2: like twenty god in two thousand inmates and were on

1351
01:06:55,280 --> 01:06:59,160
Speaker 2: the concert plane. So I'm playing everything string up boom.

1352
01:07:00,040 --> 01:07:00,160
Speaker 26: You know.

1353
01:07:00,240 --> 01:07:01,560
Speaker 1: First of all, I started think about it.

1354
01:07:01,640 --> 01:07:03,760
Speaker 2: I got a prison full of dudes, and all my

1355
01:07:03,880 --> 01:07:07,000
Speaker 2: songs are chick songs and I'm like.

1356
01:07:07,240 --> 01:07:11,200
Speaker 1: I'm all singing girl on my angels all you know

1357
01:07:11,240 --> 01:07:14,120
Speaker 1: what I'm saying. Try to switch it up and say, yeah,

1358
01:07:14,400 --> 01:07:16,040
Speaker 1: anyone on over on the money and the money I

1359
01:07:16,080 --> 01:07:21,240
Speaker 1: cared food Sunday, girl, You're mine, and they just they

1360
01:07:21,360 --> 01:07:21,880
Speaker 1: just rock with it.

1361
01:07:22,400 --> 01:07:25,040
Speaker 2: But the funniest, the craziest part about it was there

1362
01:07:25,120 --> 01:07:27,480
Speaker 2: was a line they stood in all the all the convicts,

1363
01:07:27,520 --> 01:07:30,680
Speaker 2: they were all all the inmates were all out on

1364
01:07:30,800 --> 01:07:33,560
Speaker 2: the line and there was there was no There was

1365
01:07:33,600 --> 01:07:36,640
Speaker 2: one guard with the with a baton and another guard

1366
01:07:36,720 --> 01:07:39,200
Speaker 2: the the other and with a baton, and they stood

1367
01:07:39,280 --> 01:07:41,880
Speaker 2: like this and they actually wasn't even looking.

1368
01:07:41,920 --> 01:07:44,959
Speaker 1: They just watching the show. There was not a rope,

1369
01:07:45,240 --> 01:07:47,320
Speaker 1: there was not a barrier, there was not a barricade.

1370
01:07:47,520 --> 01:07:48,680
Speaker 1: They all just stood in a line.

1371
01:07:50,280 --> 01:07:54,840
Speaker 2: And when when I dropped the tune, and it's like

1372
01:07:54,920 --> 01:07:57,040
Speaker 2: an imaginary line, and if one dude would go over,

1373
01:07:57,080 --> 01:07:59,680
Speaker 2: another dude look at him and he pulled. That was it.

1374
01:08:00,160 --> 01:08:01,920
Speaker 1: So I looked at the guard afterwards, I was like,

1375
01:08:03,200 --> 01:08:05,080
Speaker 1: how you control all these guys? And I mean, it's

1376
01:08:05,080 --> 01:08:07,840
Speaker 1: just Kingston. You know what I'm saying. You got two

1377
01:08:07,920 --> 01:08:08,600
Speaker 1: thousand inmates.

1378
01:08:08,680 --> 01:08:13,280
Speaker 2: You you look heavily outnumbered, and he said, they ain't

1379
01:08:13,360 --> 01:08:16,479
Speaker 2: really scared of us, They're scared of the next in

1380
01:08:16,600 --> 01:08:19,720
Speaker 2: me because one dude step out of line. Fuck it

1381
01:08:19,800 --> 01:08:21,920
Speaker 2: up for everybody, like the house man. You know, you

1382
01:08:22,000 --> 01:08:24,320
Speaker 2: know what I'm saying. So it's that, it's that that

1383
01:08:24,520 --> 01:08:27,479
Speaker 2: mentality that they're have in the head of that say, oh, listen,

1384
01:08:28,320 --> 01:08:33,080
Speaker 2: you know there's an order that is wrung. Right, Hey, Shoggy,

1385
01:08:33,200 --> 01:08:35,360
Speaker 2: come in here, gonna play a concert. We don't see

1386
01:08:35,439 --> 01:08:37,800
Speaker 2: concerts once we're done with the whole thing. I was

1387
01:08:37,840 --> 01:08:47,439
Speaker 2: all there here, I might say, I shot it for you.

1388
01:08:47,520 --> 01:08:50,519
Speaker 4: Didn't didn't describe that ten million dollar pussy when you

1389
01:08:50,880 --> 01:08:51,880
Speaker 4: you sold ten million?

1390
01:08:52,000 --> 01:08:54,920
Speaker 1: You because like I sold a million, right enough, like

1391
01:08:55,439 --> 01:08:58,160
Speaker 1: like that that was it? But ten million, Like I

1392
01:08:58,280 --> 01:08:59,599
Speaker 1: know what I was getting thrown at.

1393
01:09:00,080 --> 01:09:02,760
Speaker 5: How was it? At the height, at the height of it?

1394
01:09:04,520 --> 01:09:10,879
Speaker 1: Unbelievable? Pump the shaggy shaggy as right, Let's keep it real, yeah.

1395
01:09:10,760 --> 01:09:15,920
Speaker 27: You Jamaica, you can listen, bounce listening, listen, man, anybody

1396
01:09:16,000 --> 01:09:18,920
Speaker 27: with that amount I don't take get the brown books

1397
01:09:18,920 --> 01:09:21,439
Speaker 27: and stopped at the pink say big cham.

1398
01:09:23,280 --> 01:09:24,040
Speaker 1: Anybody with that.

1399
01:09:24,120 --> 01:09:26,200
Speaker 2: Amount of success shouldn't have a pussy problem.

1400
01:09:27,000 --> 01:09:28,599
Speaker 1: But how is it though, you know what I'm saying.

1401
01:09:29,520 --> 01:09:33,200
Speaker 1: Of course it has to be great bro listening. You

1402
01:09:33,240 --> 01:09:38,519
Speaker 1: know what I'm saying, We've got. The thing is that

1403
01:09:38,640 --> 01:09:39,719
Speaker 1: I was never used.

1404
01:09:39,760 --> 01:09:41,800
Speaker 2: I'm never new to these months because if you haven't

1405
01:09:41,800 --> 01:09:43,559
Speaker 2: from o Carolina there was another global hit.

1406
01:09:43,640 --> 01:09:44,600
Speaker 1: So I've been getting blow and.

1407
01:09:44,600 --> 01:09:45,439
Speaker 2: Snatched all my life.

1408
01:09:46,760 --> 01:09:50,960
Speaker 1: You know what I'm saying. That's like, you know, he

1409
01:09:51,400 --> 01:09:52,160
Speaker 1: taking down?

1410
01:09:54,120 --> 01:09:56,679
Speaker 2: You know what I mean, Like God damn, you gotta

1411
01:09:56,720 --> 01:09:59,040
Speaker 2: be used to that from from day one, from from

1412
01:09:59,080 --> 01:10:01,439
Speaker 2: in school. You I was in the middle matter of fact,

1413
01:10:01,439 --> 01:10:04,639
Speaker 2: I was in the war. I probably was probably only

1414
01:10:04,680 --> 01:10:07,200
Speaker 2: few people in in in the middle of the desert that.

1415
01:10:07,280 --> 01:10:15,320
Speaker 1: Got he got, Ye, he got. He got some desert. Yes,

1416
01:10:16,280 --> 01:10:24,599
Speaker 1: according Now he's out there and war he gets. There's

1417
01:10:24,600 --> 01:10:27,799
Speaker 1: a couple of jobs you got in the military.

1418
01:10:27,840 --> 01:10:31,280
Speaker 2: I was a cannon there, which is known as it

1419
01:10:31,439 --> 01:10:36,240
Speaker 2: was almost as artillery. I fired one five five howses

1420
01:10:36,280 --> 01:10:39,960
Speaker 2: and the ship lands indirect fire of some fucking grits

1421
01:10:40,000 --> 01:10:41,280
Speaker 2: care and blow some motherfuckers up.

1422
01:10:45,479 --> 01:10:53,880
Speaker 1: I fired hard. So while we was there, how you

1423
01:10:54,040 --> 01:10:54,920
Speaker 1: body niggas and.

1424
01:10:56,920 --> 01:10:57,160
Speaker 2: The war?

1425
01:10:57,280 --> 01:11:00,400
Speaker 1: Yeah, he was in the war first first afore it's

1426
01:11:01,040 --> 01:11:02,200
Speaker 1: a record. That's what it was.

1427
01:11:02,280 --> 01:11:04,160
Speaker 2: Behind started.

1428
01:11:04,320 --> 01:11:06,760
Speaker 1: There's one from first to your niggas, the singing to

1429
01:11:06,880 --> 01:11:07,519
Speaker 1: the chill.

1430
01:11:08,880 --> 01:11:16,400
Speaker 4: Shot okay, shot, but the serame job and hit them

1431
01:11:16,439 --> 01:11:17,519
Speaker 4: from eight miles away.

1432
01:11:19,360 --> 01:11:23,200
Speaker 1: It's old. It's old, but there's certain jobs in there

1433
01:11:23,240 --> 01:11:24,760
Speaker 1: that you get. So I used to I used to be.

1434
01:11:24,960 --> 01:11:28,160
Speaker 2: I'm a skater what they call the military skater simple

1435
01:11:28,240 --> 01:11:30,080
Speaker 2: means I you know, I ain't going around saying who

1436
01:11:30,200 --> 01:11:30,839
Speaker 2: rah hohorrah.

1437
01:11:31,439 --> 01:11:32,080
Speaker 1: You know what I'm saying.

1438
01:11:32,680 --> 01:11:34,559
Speaker 2: If I could park my jeep and put my foot

1439
01:11:34,600 --> 01:11:38,320
Speaker 2: up and chill, I'm gonna do it. You ain't gonna

1440
01:11:38,320 --> 01:11:39,640
Speaker 2: see me running around trying to.

1441
01:11:39,680 --> 01:11:43,120
Speaker 1: Be yes CEO. And that's the military. And I'm gonna

1442
01:11:43,120 --> 01:11:47,479
Speaker 1: get this US US Marine go Simber five. You know

1443
01:11:47,520 --> 01:11:48,880
Speaker 1: what I'm saying, Do or die?

1444
01:11:49,040 --> 01:11:57,680
Speaker 2: First of BOLLI Bush, first book Bush. That's why the.

1445
01:11:59,640 --> 01:12:04,439
Speaker 1: Right white eyes was up in another bush. I'm like

1446
01:12:04,960 --> 01:12:07,200
Speaker 1: the point I was trying to be. I used to

1447
01:12:07,280 --> 01:12:08,519
Speaker 1: drive and go for the child truck.

1448
01:12:08,720 --> 01:12:10,799
Speaker 2: I'm the guy. Now you see all. You got navigation

1449
01:12:10,880 --> 01:12:12,320
Speaker 2: system in your car right now. We used to drive

1450
01:12:12,360 --> 01:12:16,200
Speaker 2: them home, vis them big old flat ones. But they

1451
01:12:16,280 --> 01:12:19,640
Speaker 2: had these big ass navigations, a big white thing. And

1452
01:12:19,800 --> 01:12:22,160
Speaker 2: that's that was how we used to drive to find

1453
01:12:22,200 --> 01:12:24,320
Speaker 2: a way to the to the to the main base

1454
01:12:24,439 --> 01:12:26,280
Speaker 2: to pick up the child. Now, when you're picking up

1455
01:12:26,360 --> 01:12:28,639
Speaker 2: child and stuff like that child was actually the breakfast

1456
01:12:28,680 --> 01:12:31,760
Speaker 2: and the food. You go down there, they give you five,

1457
01:12:32,080 --> 01:12:33,840
Speaker 2: you know, five low for bread. I put one under

1458
01:12:33,880 --> 01:12:37,080
Speaker 2: my seat. You get six feedup butters, I put one

1459
01:12:37,120 --> 01:12:37,679
Speaker 2: under my seat.

1460
01:12:38,920 --> 01:12:40,879
Speaker 1: So I'm you know, I'm the mad. You know, everybody

1461
01:12:40,960 --> 01:12:43,160
Speaker 1: wants something, y'all. You know, I pick up the mail.

1462
01:12:43,360 --> 01:12:45,360
Speaker 1: Motherfucker's glad to see me because I got the mail.

1463
01:12:45,920 --> 01:12:48,840
Speaker 1: You know, myfuckers is glad to see me because you

1464
01:12:48,920 --> 01:12:51,720
Speaker 1: know I come in there. I got cigarettes. It is

1465
01:12:51,800 --> 01:12:53,560
Speaker 1: what it is, you know. So me and everybody on

1466
01:12:53,760 --> 01:12:57,320
Speaker 1: the opportunities in the battery. His friend. How does Janet

1467
01:12:57,400 --> 01:13:00,320
Speaker 1: Jackson smell? I never met her? Remember, I told you

1468
01:13:00,680 --> 01:13:02,759
Speaker 1: thought you I thought you did. We did the record together.

1469
01:13:03,160 --> 01:13:05,240
Speaker 2: She was never in my video. Oh no, no, no no.

1470
01:13:06,120 --> 01:13:09,040
Speaker 1: I took it to number one though. Good. She didn't.

1471
01:13:09,840 --> 01:13:11,040
Speaker 1: She don't want to do nothing with the record. But

1472
01:13:11,120 --> 01:13:12,479
Speaker 1: I took it all the way, so it's all good.

1473
01:13:12,520 --> 01:13:13,200
Speaker 2: I'm not mad.

1474
01:13:13,720 --> 01:13:17,080
Speaker 1: I but I went back when I went down to

1475
01:13:17,400 --> 01:13:20,880
Speaker 1: the main base. They had women marines, and they would

1476
01:13:21,840 --> 01:13:23,760
Speaker 1: because theyre one giving you the food and giving your

1477
01:13:23,800 --> 01:13:25,000
Speaker 1: mail and all that admin.

1478
01:13:25,120 --> 01:13:25,400
Speaker 2: Girls.

1479
01:13:25,520 --> 01:13:28,560
Speaker 1: I mean, you gotta make yourself.

1480
01:13:28,400 --> 01:13:28,519
Speaker 4: You know.

1481
01:13:31,680 --> 01:13:34,559
Speaker 2: But you met Mariah carry before, you know what I did.

1482
01:13:35,960 --> 01:13:37,400
Speaker 1: I didn't meet Mariah, but you met her too, So

1483
01:13:37,479 --> 01:13:44,880
Speaker 1: stopping you're trying to home. Yeah, Maria Mariah in this relationship,

1484
01:13:44,960 --> 01:13:45,439
Speaker 1: I forgot.

1485
01:13:45,640 --> 01:13:49,360
Speaker 4: I don't have no famous relationship. I'm doing you, all right, Relax,

1486
01:13:49,520 --> 01:13:54,000
Speaker 4: I don't what famous bitch.

1487
01:13:54,120 --> 01:13:57,080
Speaker 2: I'm knocked down a lot of famous bitches, but no,

1488
01:13:57,320 --> 01:14:01,080
Speaker 2: but no, but none of them that you know. I

1489
01:14:01,120 --> 01:14:01,920
Speaker 2: ain't out there like that.

1490
01:14:03,479 --> 01:14:05,400
Speaker 1: I like that, you know what I'm saying. I respect

1491
01:14:05,439 --> 01:14:08,720
Speaker 1: how you put it. But that's what that was, pre

1492
01:14:08,840 --> 01:14:12,400
Speaker 1: social media. Like right now, y'all gonna fuck with that ship.

1493
01:14:13,840 --> 01:14:15,599
Speaker 2: That's what earlier.

1494
01:14:15,640 --> 01:14:17,519
Speaker 1: It's a good time show. You're walking straight right now

1495
01:14:17,560 --> 01:14:19,880
Speaker 1: because I know you walk straight right now. You good dude.

1496
01:14:19,960 --> 01:14:20,840
Speaker 1: Right now, you're a great guy.

1497
01:14:21,240 --> 01:14:24,080
Speaker 2: You know, your father, your husband and all that ship. Yeah,

1498
01:14:24,120 --> 01:14:26,320
Speaker 2: you can't work in this time with the environment, dhair,

1499
01:14:26,680 --> 01:14:27,599
Speaker 2: you gotta put all that down.

1500
01:14:27,720 --> 01:14:28,439
Speaker 1: Just put them youngest.

1501
01:14:28,479 --> 01:14:28,920
Speaker 2: They see now.

1502
01:14:28,960 --> 01:14:31,120
Speaker 1: They want they want to put everything out then me

1503
01:14:31,200 --> 01:14:33,000
Speaker 1: and you we got problems like that. Yeah, yeah, man,

1504
01:14:33,000 --> 01:14:34,800
Speaker 1: I can't. I'm keeping it up. Yeah, we catch why.

1505
01:14:35,200 --> 01:14:37,120
Speaker 1: I know at one point you was a wild nigga.

1506
01:14:38,040 --> 01:14:40,280
Speaker 1: I know I've been that my whole life. Like you

1507
01:14:40,360 --> 01:14:47,519
Speaker 1: sold ten million. This makes no noise for that, you

1508
01:14:47,560 --> 01:14:52,200
Speaker 1: know what? And but you know what is that you

1509
01:14:52,280 --> 01:14:54,519
Speaker 1: know you sold ten million? It was a global though.

1510
01:14:54,600 --> 01:14:57,280
Speaker 1: It was a global you make global music.

1511
01:14:57,360 --> 01:15:00,280
Speaker 4: You made music that transmitted, like when I made super

1512
01:15:00,400 --> 01:15:04,719
Speaker 4: Dog or home Boy, like the even God these records

1513
01:15:04,760 --> 01:15:06,360
Speaker 4: that one hundred played.

1514
01:15:07,520 --> 01:15:08,880
Speaker 1: It was always balked out to me.

1515
01:15:09,760 --> 01:15:12,519
Speaker 4: Yeah, like being that's a whole new audience, you see it,

1516
01:15:12,760 --> 01:15:15,160
Speaker 4: whole Disney audience didn't even look at you like he's

1517
01:15:15,200 --> 01:15:16,479
Speaker 4: one of our Caucasians like it.

1518
01:15:17,760 --> 01:15:20,400
Speaker 1: That's why I discovered my style. I mean I was

1519
01:15:20,439 --> 01:15:24,599
Speaker 1: a little as much as you sold.

1520
01:15:25,640 --> 01:15:29,000
Speaker 2: I'm the only other person that sold diamond is is

1521
01:15:29,040 --> 01:15:30,479
Speaker 2: Bob Martin Wow?

1522
01:15:30,760 --> 01:15:37,080
Speaker 1: So not even gold wow as gold, but we I'm

1523
01:15:37,120 --> 01:15:41,719
Speaker 1: the only one that is has a has a diamond album.

1524
01:15:42,640 --> 01:15:45,000
Speaker 1: And the first you're gonna tell you, Murdercy wrote is

1525
01:15:45,040 --> 01:15:46,160
Speaker 1: it didn't even make it that.

1526
01:15:46,200 --> 01:15:48,400
Speaker 2: Way, nah, that it was an I think it was

1527
01:15:48,439 --> 01:15:52,960
Speaker 2: the number one, but the first dancehall number one with

1528
01:15:53,120 --> 01:15:55,840
Speaker 2: Old Caroline and the British Shart record at the first

1529
01:15:56,840 --> 01:15:59,720
Speaker 2: the first dancehall record to actually debut with number one

1530
01:15:59,720 --> 01:16:01,360
Speaker 2: in the This shot was mister Boombastik.

1531
01:16:01,400 --> 01:16:04,240
Speaker 1: We we did the three times, mister Boombastic Angel, wasn't me?

1532
01:16:04,640 --> 01:16:06,000
Speaker 1: So you always brushed over there?

1533
01:16:06,200 --> 01:16:08,760
Speaker 2: Yeah no no, But I'm saying when you come, you

1534
01:16:08,800 --> 01:16:10,320
Speaker 2: know the British shot, when you come out in the charts,

1535
01:16:10,520 --> 01:16:12,599
Speaker 2: you gotta climb the charts. I debuted at number one,

1536
01:16:13,320 --> 01:16:15,519
Speaker 2: right and then I'm the only dance ald artist with

1537
01:16:15,600 --> 01:16:19,600
Speaker 2: a number one album, which is Hot Shot. And you know,

1538
01:16:19,760 --> 01:16:21,559
Speaker 2: they took us off the number one spot. I remember

1539
01:16:21,760 --> 01:16:23,280
Speaker 2: jay Loo came in, took us off, and we took

1540
01:16:23,320 --> 01:16:25,479
Speaker 2: her back off and it was just one of them situation.

1541
01:16:25,560 --> 01:16:27,320
Speaker 2: And we've been consistent, and look at this, this is

1542
01:16:27,439 --> 01:16:30,439
Speaker 2: twenty sixteen. I'm forty eight years old and I was

1543
01:16:30,600 --> 01:16:32,280
Speaker 2: you know, I had a top twenty hit last year

1544
01:16:32,320 --> 01:16:34,760
Speaker 2: with them I Need You Love. We back up on

1545
01:16:34,800 --> 01:16:35,360
Speaker 2: the charts again.

1546
01:16:35,400 --> 01:16:42,639
Speaker 1: We're in the top twenty right now. Still still blessed

1547
01:16:42,640 --> 01:16:44,920
Speaker 1: to still be doing that. What about Jayo? I met her,

1548
01:16:44,960 --> 01:16:49,320
Speaker 1: She's one of my favorite. She's actually great, great. She

1549
01:16:49,400 --> 01:16:52,400
Speaker 1: smells like his Coco yoo. Yeah great.

1550
01:16:53,080 --> 01:16:54,519
Speaker 2: You know you know what I gotta I gotta give

1551
01:16:54,560 --> 01:16:57,720
Speaker 2: it up the JAILO about you see all these young

1552
01:16:57,880 --> 01:17:01,320
Speaker 2: chicks now that's coming up, all the young chicks, and.

1553
01:17:01,479 --> 01:17:03,720
Speaker 1: Jelo is like an o g and you see her

1554
01:17:03,760 --> 01:17:04,559
Speaker 1: on that red coffee.

1555
01:17:04,640 --> 01:17:06,040
Speaker 2: She made them bitches look like they.

1556
01:17:08,240 --> 01:17:11,160
Speaker 1: All these chicks look like they're not trying me. When

1557
01:17:11,200 --> 01:17:14,120
Speaker 1: I met up, you know, I'm scared. I was scared.

1558
01:17:14,479 --> 01:17:15,000
Speaker 1: I was scared.

1559
01:17:15,120 --> 01:17:18,400
Speaker 4: Folded clean on Puerto Rican. Different for me, that's like

1560
01:17:18,439 --> 01:17:20,840
Speaker 4: a queen, you know what I mean in Puerto Rican,

1561
01:17:21,560 --> 01:17:23,040
Speaker 4: like a queen. And then when I seen that she

1562
01:17:23,120 --> 01:17:24,040
Speaker 4: was with Mark Anthony, I.

1563
01:17:24,960 --> 01:17:27,439
Speaker 1: Was I was like, I walked in. I just Froz

1564
01:17:27,520 --> 01:17:33,960
Speaker 1: was like, oh ship, oh my god. Well I went

1565
01:17:34,000 --> 01:17:35,720
Speaker 1: to the bar. I was just like, damn, I don't know,

1566
01:17:36,160 --> 01:17:38,439
Speaker 1: like I don't I feel like I'm like this is crooky,

1567
01:17:38,920 --> 01:17:40,840
Speaker 1: like I feel like it. But I really want to

1568
01:17:40,920 --> 01:17:46,160
Speaker 1: be a group. I want to know Anthony. For her

1569
01:17:46,320 --> 01:17:50,680
Speaker 1: it's good though, it's cool. It's why it's crazy. That's

1570
01:17:50,720 --> 01:17:53,280
Speaker 1: why it was over. Let me this why it was awkward.

1571
01:17:53,600 --> 01:17:55,479
Speaker 1: Because I went to the bar I tried to get smooth.

1572
01:17:55,560 --> 01:17:59,120
Speaker 1: I said, get your life together. You know you I'm

1573
01:17:59,160 --> 01:18:01,040
Speaker 1: startingtro These are boat I'm Puerto Rican. You know what

1574
01:18:01,080 --> 01:18:05,120
Speaker 1: I'm saying. There's a two icons to me. So I

1575
01:18:05,200 --> 01:18:07,639
Speaker 1: got there and I started drinking and then I looked

1576
01:18:07,680 --> 01:18:10,559
Speaker 1: and it looked like they were arguing. I said, it's over.

1577
01:18:12,040 --> 01:18:15,040
Speaker 1: I'm not walking over there. Then they look like they

1578
01:18:15,200 --> 01:18:17,760
Speaker 1: arguing it. I don't see no security. It's just j

1579
01:18:18,000 --> 01:18:18,360
Speaker 1: Loo and.

1580
01:18:19,960 --> 01:18:20,360
Speaker 2: I left.

1581
01:18:21,400 --> 01:18:21,800
Speaker 1: I left.

1582
01:18:22,880 --> 01:18:23,200
Speaker 26: I met.

1583
01:18:24,160 --> 01:18:27,679
Speaker 1: I met Jalo years back at at a Puff studio.

1584
01:18:28,200 --> 01:18:30,720
Speaker 1: She's super nice. But one time I asked you how

1585
01:18:30,800 --> 01:18:34,960
Speaker 1: she smelled to I didn't smell her, but then she looked, Yeah,

1586
01:18:35,320 --> 01:18:37,080
Speaker 1: you can't be in the room with Jalo and I

1587
01:18:37,200 --> 01:18:40,320
Speaker 1: smell her. But listen, that's supposed to be on purpose.

1588
01:18:40,439 --> 01:18:42,040
Speaker 1: That's the first thing you to do. But this was

1589
01:18:42,280 --> 01:18:43,559
Speaker 1: this was this was back.

1590
01:18:43,720 --> 01:18:46,840
Speaker 4: I'm talking about way back bro when well she was

1591
01:18:47,600 --> 01:18:49,400
Speaker 4: this was like ninety nine.

1592
01:18:49,560 --> 01:18:55,439
Speaker 1: She was dating Puff. Yes they're talking about I don't

1593
01:18:55,479 --> 01:18:58,840
Speaker 1: know she was there. I didn't know what and she

1594
01:18:58,920 --> 01:19:01,160
Speaker 1: don't down listen. I didn't know event.

1595
01:19:01,640 --> 01:19:02,120
Speaker 2: I just know.

1596
01:19:02,320 --> 01:19:06,360
Speaker 4: You know me Tony Draper walking Teino Liva and you

1597
01:19:06,439 --> 01:19:08,559
Speaker 4: know she's sitting there and we just looking like God

1598
01:19:09,120 --> 01:19:12,599
Speaker 4: damn it, you know, like you know, then it turns

1599
01:19:12,640 --> 01:19:15,479
Speaker 4: into something else, you know, puffing up betting twenty five

1600
01:19:15,600 --> 01:19:21,200
Speaker 4: thousand on look my song, my song, Drake bet twenty

1601
01:19:21,240 --> 01:19:22,639
Speaker 4: five thousand on me took.

1602
01:19:22,640 --> 01:19:25,920
Speaker 1: Us some big, some rich nigga ship doing rich nigga's totally.

1603
01:19:27,520 --> 01:19:31,200
Speaker 1: He was doing some rich nigga ship battles. We're doing

1604
01:19:31,280 --> 01:19:32,519
Speaker 1: rich niggas ship for a long team.

1605
01:19:32,560 --> 01:19:33,559
Speaker 2: It was looking good, man.

1606
01:19:33,840 --> 01:19:35,759
Speaker 1: I mean, why shing he be doing some rich niggas

1607
01:19:35,800 --> 01:19:41,680
Speaker 1: hripf for no, he's doing rich nigga ship. He's doing

1608
01:19:41,840 --> 01:19:45,120
Speaker 1: rich wealthy Niggashit.

1609
01:19:47,360 --> 01:19:50,000
Speaker 4: Me like the thing about the thing about music is

1610
01:19:50,800 --> 01:19:53,599
Speaker 4: the best thing about music is when it transcends, when

1611
01:19:53,640 --> 01:19:57,160
Speaker 4: it goes from like and I'm telling you this what

1612
01:19:57,320 --> 01:19:59,000
Speaker 4: the War Report, the War report on it so far

1613
01:19:59,120 --> 01:20:02,040
Speaker 4: hundred thousand, So don't got no type of success when

1614
01:20:02,080 --> 01:20:04,280
Speaker 4: it get bards to him. But War Report was only

1615
01:20:04,400 --> 01:20:08,040
Speaker 4: made for queens. We didn't know any world. If you

1616
01:20:08,120 --> 01:20:10,880
Speaker 4: listen to the Worryport album, it's so great, but it's

1617
01:20:10,960 --> 01:20:14,200
Speaker 4: so also like you can tell we never forgot on

1618
01:20:14,320 --> 01:20:15,160
Speaker 4: the plane.

1619
01:20:17,439 --> 01:20:17,599
Speaker 2: Day.

1620
01:20:18,000 --> 01:20:23,240
Speaker 1: I'm saying all the roots nah seven you know, shoot

1621
01:20:23,320 --> 01:20:26,360
Speaker 1: you in your face. You know what I'm saying. Section two,

1622
01:20:26,800 --> 01:20:30,559
Speaker 1: Like it's thrill like.

1623
01:20:31,000 --> 01:20:35,640
Speaker 4: Because my creativity, it couldn't it couldn't go because and

1624
01:20:35,720 --> 01:20:36,400
Speaker 4: I didn't make it.

1625
01:20:36,600 --> 01:20:38,439
Speaker 1: That's for just that.

1626
01:20:38,960 --> 01:20:41,080
Speaker 5: And when the world like to this day, like I

1627
01:20:41,160 --> 01:20:42,360
Speaker 5: swear to God, we'll go and.

1628
01:20:42,360 --> 01:20:45,839
Speaker 4: We'll performing the word report and it'd be performed songs

1629
01:20:45,920 --> 01:20:48,200
Speaker 4: and it'd be people in the front in Europe and

1630
01:20:48,280 --> 01:20:49,720
Speaker 4: they'd be people just saying.

1631
01:20:49,960 --> 01:20:52,760
Speaker 1: War report, looking at the magga like your whole love

1632
01:20:53,720 --> 01:20:55,599
Speaker 1: relaxed one.

1633
01:20:55,600 --> 01:21:02,519
Speaker 4: Relax, I'm getting there. You're staying there, War reported. Listen,

1634
01:21:04,360 --> 01:21:07,160
Speaker 4: relax and then you get to do the war report.

1635
01:21:07,200 --> 01:21:08,120
Speaker 2: That's what they're there for.

1636
01:21:08,400 --> 01:21:10,400
Speaker 1: But you didn't do it for that.

1637
01:21:10,600 --> 01:21:15,280
Speaker 4: And when it transitions your music, it was, you know

1638
01:21:15,439 --> 01:21:16,879
Speaker 4: worldwide from the beginning.

1639
01:21:16,960 --> 01:21:19,559
Speaker 1: That's beautiful. Like me and Gilly, you know we make

1640
01:21:20,160 --> 01:21:20,960
Speaker 1: the hood music.

1641
01:21:21,439 --> 01:21:23,320
Speaker 2: We do that. And you started like that though because

1642
01:21:23,320 --> 01:21:26,920
Speaker 2: you remember like big up Mompy. See all those records

1643
01:21:26,960 --> 01:21:29,639
Speaker 2: were like a little because I'm living in a flat bush,

1644
01:21:30,479 --> 01:21:35,400
Speaker 2: you know what I'm saying. So all of that, you know, Starlight, Ballroom,

1645
01:21:35,880 --> 01:21:39,800
Speaker 2: built More Ballroom, Dynasty, the whole that that was a

1646
01:21:39,880 --> 01:21:42,240
Speaker 2: whole stomping ground that we used to go back in

1647
01:21:42,280 --> 01:21:46,519
Speaker 2: the days, mean super Cat, Red Fox, Batger, Dread.

1648
01:21:47,040 --> 01:21:49,080
Speaker 1: You know what I'm saying, All those all those dance all.

1649
01:21:51,320 --> 01:21:52,680
Speaker 2: We had, we had a thing called we had a

1650
01:21:52,720 --> 01:21:55,600
Speaker 2: thing called a Rough Entry Crew and we just you know,

1651
01:21:55,640 --> 01:21:57,599
Speaker 2: we just hit me on the ground at the time.

1652
01:21:57,600 --> 01:21:59,920
Speaker 1: With dvid Levy and stinging all.

1653
01:22:00,200 --> 01:22:03,639
Speaker 2: You know, Bobby Connor is all the people become Yeah,

1654
01:22:03,680 --> 01:22:05,519
Speaker 2: big of Bobby, you know what I mean. There's those

1655
01:22:05,520 --> 01:22:07,880
Speaker 2: are real. There's just real dudes that I that I

1656
01:22:08,280 --> 01:22:10,960
Speaker 2: you know, used to just roll it back in the days.

1657
01:22:10,960 --> 01:22:12,360
Speaker 2: You know what I mean When you talk when Louis

1658
01:22:12,400 --> 01:22:14,759
Speaker 2: Ron can come and type right, you know what I'm.

1659
01:22:14,640 --> 01:22:17,960
Speaker 1: Saying, All them days my daddy and the old vibe

1660
01:22:18,000 --> 01:22:20,080
Speaker 1: from coming up. You know, in that time we used

1661
01:22:20,080 --> 01:22:24,720
Speaker 1: to roll with heavy d. So I want to question

1662
01:22:25,200 --> 01:22:29,840
Speaker 1: for y'all, what's your favorite year in music? Favorite? Yeah?

1663
01:22:30,160 --> 01:22:30,360
Speaker 2: Yeah?

1664
01:22:30,760 --> 01:22:32,400
Speaker 1: Do you mean like an error an era?

1665
01:22:32,600 --> 01:22:32,680
Speaker 2: All?

1666
01:22:32,800 --> 01:22:36,240
Speaker 4: Yeah, whatever you have era, I would have all you say, Honestly,

1667
01:22:36,439 --> 01:22:38,800
Speaker 4: the whole Biggie.

1668
01:22:38,520 --> 01:22:41,720
Speaker 2: Two Pop era I would agree to. I would agree to.

1669
01:22:42,080 --> 01:22:46,720
Speaker 1: That was my favorite prior to the beef though. I mean, no, man,

1670
01:22:46,840 --> 01:22:49,200
Speaker 1: I'm just even just the whole.

1671
01:22:49,439 --> 01:22:50,200
Speaker 2: That's that's.

1672
01:22:51,840 --> 01:22:54,280
Speaker 4: I like it, right, I'd say, prior to the beef,

1673
01:22:54,479 --> 01:22:57,760
Speaker 4: well with big and pop beef that I know what

1674
01:22:58,120 --> 01:23:00,280
Speaker 4: l A l A all right, so well you're part

1675
01:23:00,320 --> 01:23:01,400
Speaker 4: of and.

1676
01:23:08,320 --> 01:23:09,760
Speaker 1: It's funny. I just forgot.

1677
01:23:12,400 --> 01:23:15,680
Speaker 9: It was you know.

1678
01:23:18,320 --> 01:23:20,240
Speaker 1: How you're gonna lie When we did l l A.

1679
01:23:20,360 --> 01:23:23,720
Speaker 1: We never even been to la never never seemed I never,

1680
01:23:23,920 --> 01:23:25,439
Speaker 1: I mean, but it was. It was.

1681
01:23:25,640 --> 01:23:29,040
Speaker 4: It was just looked upon like, oh, there's some real motherfuckers.

1682
01:23:29,080 --> 01:23:32,080
Speaker 4: They standing up for their city. You know, That's how

1683
01:23:32,080 --> 01:23:34,240
Speaker 4: I was looked at. You know, I know from Philly.

1684
01:23:34,280 --> 01:23:36,080
Speaker 1: That's I was a young leger like, I mean, that

1685
01:23:36,320 --> 01:23:36,519
Speaker 1: was it.

1686
01:23:36,840 --> 01:23:37,400
Speaker 2: That was it.

1687
01:23:37,600 --> 01:23:39,639
Speaker 1: But you know it was great.

1688
01:23:40,240 --> 01:23:45,120
Speaker 4: Uh it was ironic that you know, I went down,

1689
01:23:45,240 --> 01:23:46,719
Speaker 4: but you know l A is one of my favorite

1690
01:23:46,720 --> 01:23:49,320
Speaker 4: places to go. L A a number two market and

1691
01:23:49,479 --> 01:23:50,080
Speaker 4: drink champs.

1692
01:23:50,120 --> 01:23:50,880
Speaker 1: I was a kid.

1693
01:23:52,479 --> 01:23:55,240
Speaker 4: With my heart felt that they forgave me. I forgave them.

1694
01:23:55,840 --> 01:23:58,000
Speaker 4: We lived on. But you know, ship really you know

1695
01:23:58,320 --> 01:24:01,519
Speaker 4: that music was real. So do you think this era

1696
01:24:01,680 --> 01:24:05,599
Speaker 4: of music like you think it's gonna stand this testa time?

1697
01:24:05,880 --> 01:24:09,160
Speaker 4: Never the music no disrespect. But I just think I mean,

1698
01:24:09,280 --> 01:24:13,560
Speaker 4: some artists are but the music as a whole. Like

1699
01:24:14,720 --> 01:24:20,760
Speaker 4: when you compare that's a sound, right, exactly, good point,

1700
01:24:20,800 --> 01:24:23,719
Speaker 4: even though it's a sound. If you got that sound,

1701
01:24:23,840 --> 01:24:28,120
Speaker 4: but you got timeless music, then it can stretch. But

1702
01:24:28,240 --> 01:24:30,960
Speaker 4: if it's not timeless, you know what I mean, Like

1703
01:24:32,479 --> 01:24:36,400
Speaker 4: those rappers made timeless music out there.

1704
01:24:36,360 --> 01:24:39,759
Speaker 1: Mama, you know what I mean. Those are timeless records.

1705
01:24:39,880 --> 01:24:47,240
Speaker 1: Like you. I always think that the the the flavor

1706
01:24:48,439 --> 01:24:49,400
Speaker 1: or the secret I.

1707
01:24:49,360 --> 01:24:53,280
Speaker 2: Would say to making timeless music is actually doing it

1708
01:24:53,360 --> 01:24:57,160
Speaker 2: with timeless instruments, because it's like, for instance, you might

1709
01:24:57,240 --> 01:25:00,439
Speaker 2: hear a certain sound on record that.

1710
01:25:00,439 --> 01:25:02,639
Speaker 1: You could just know, oh that was in the eighties.

1711
01:25:02,680 --> 01:25:04,240
Speaker 2: You could know the era from the sound.

1712
01:25:04,080 --> 01:25:07,000
Speaker 1: Or the keyboard sound. Did the snare sound like like

1713
01:25:07,080 --> 01:25:07,880
Speaker 1: that must have clapped?

1714
01:25:07,920 --> 01:25:08,640
Speaker 2: You just don't know that.

1715
01:25:09,240 --> 01:25:10,240
Speaker 1: Oh yeah, that's that era.

1716
01:25:10,400 --> 01:25:13,360
Speaker 2: You know what I'm saying. You know when you got

1717
01:25:13,479 --> 01:25:15,800
Speaker 2: like DJ Mustard, Yeah, yeah, you know when when you

1718
01:25:15,880 --> 01:25:19,560
Speaker 2: get when you get like, what what's what's that? That

1719
01:25:20,080 --> 01:25:25,200
Speaker 2: that whole tropical house sound. Once you hear that that

1720
01:25:25,520 --> 01:25:27,479
Speaker 2: keyboard sound, you know what era it is. You know

1721
01:25:27,479 --> 01:25:29,400
Speaker 2: what I mean, there's a certain type of music when

1722
01:25:29,479 --> 01:25:32,160
Speaker 2: you hear that, that music Okay, I remember.

1723
01:25:31,920 --> 01:25:33,040
Speaker 1: That all the eighties sound.

1724
01:25:33,479 --> 01:25:35,360
Speaker 2: I think if you're gonna make when you're making classics,

1725
01:25:36,360 --> 01:25:38,960
Speaker 2: you gotta make it with There's certain instruments that never change.

1726
01:25:38,960 --> 01:25:42,000
Speaker 2: Your classic keyboard, your classic piano sound, never change. Your

1727
01:25:42,000 --> 01:25:45,519
Speaker 2: classic rock guitar never changed. Your classical acoustic guitar never played.

1728
01:25:45,720 --> 01:25:47,400
Speaker 2: You know what I mean. You're big, Yeah, you know

1729
01:25:47,400 --> 01:25:49,439
Speaker 2: what I mean. So if you keep it, you put

1730
01:25:49,479 --> 01:25:52,439
Speaker 2: those elements in it and throw that around it. You know,

1731
01:25:52,560 --> 01:25:54,400
Speaker 2: a classic record when you hear it, you know what

1732
01:25:54,400 --> 01:25:55,800
Speaker 2: I mean, when you got it, you was asking me,

1733
01:25:56,120 --> 01:25:57,880
Speaker 2: did I know that wasn't me an Angel was gonna

1734
01:25:57,880 --> 01:26:00,479
Speaker 2: be big? I knew those records were special, Like when

1735
01:26:00,479 --> 01:26:03,120
Speaker 2: I did Mister Bombastic. The minute we did it, I

1736
01:26:03,240 --> 01:26:04,920
Speaker 2: was like, okay, this this is some different ship. I

1737
01:26:04,960 --> 01:26:05,800
Speaker 2: just knew this ship was.

1738
01:26:05,880 --> 01:26:06,640
Speaker 1: You know, you knew it.

1739
01:26:07,240 --> 01:26:10,559
Speaker 2: My problem is always convincing another motherfucker like record niggas,

1740
01:26:10,600 --> 01:26:12,880
Speaker 2: and your motherfucker'll be like, yo, well you know it

1741
01:26:12,920 --> 01:26:15,040
Speaker 2: does sound shaggy enough. I'm like, I'm shaggy. I'm what

1742
01:26:15,120 --> 01:26:15,880
Speaker 2: the fuck I sound like?

1743
01:26:15,960 --> 01:26:17,719
Speaker 1: You regard?

1744
01:26:17,840 --> 01:26:18,000
Speaker 4: Yeah?

1745
01:26:18,080 --> 01:26:20,720
Speaker 2: Ither fucking I mean, you know it don't sound shaggy? Well,

1746
01:26:20,840 --> 01:26:23,160
Speaker 2: you know, I don't think that's a shaggy record, you know,

1747
01:26:23,200 --> 01:26:25,640
Speaker 2: because they sit there and they overanalyze the ship, you

1748
01:26:25,640 --> 01:26:27,439
Speaker 2: know what I mean, and it's a cookie cut and ship.

1749
01:26:27,560 --> 01:26:29,839
Speaker 2: It was like, well, you know he did Old Carolina,

1750
01:26:29,920 --> 01:26:32,439
Speaker 2: would like to do another Old Carolina? I get. I'm like, yeah,

1751
01:26:32,479 --> 01:26:34,760
Speaker 2: but I'm my musically, I ain't there. I'm on some

1752
01:26:34,880 --> 01:26:36,800
Speaker 2: other ship. Well, you know, I think you should do

1753
01:26:36,840 --> 01:26:38,880
Speaker 2: Old Carolina. So I refuse to do it, and then

1754
01:26:39,439 --> 01:26:43,640
Speaker 2: chacka dimas implies did you know, twist and shout and

1755
01:26:43,720 --> 01:26:45,839
Speaker 2: tease me, which was kind of the same as Old Carolina.

1756
01:26:45,920 --> 01:26:49,040
Speaker 1: Then Apachi Indian did Boomshok a lot.

1757
01:26:50,760 --> 01:26:53,160
Speaker 2: Because it was so huge, they started doing that and

1758
01:26:53,320 --> 01:26:55,200
Speaker 2: they told me, well, you know, he's a want it wonder.

1759
01:26:55,240 --> 01:26:56,000
Speaker 1: I'll never gonna go out.

1760
01:26:56,040 --> 01:26:58,320
Speaker 2: So I came back with Boombastic, which was totally fucking different.

1761
01:26:58,960 --> 01:27:02,320
Speaker 2: But it's you standing up to that. And that's what

1762
01:27:02,520 --> 01:27:04,519
Speaker 2: being young like. Now you you're older than I, you're

1763
01:27:04,520 --> 01:27:07,360
Speaker 2: gonna be sit down and analyzing ship. It was like, well,

1764
01:27:07,400 --> 01:27:08,639
Speaker 2: you know, I really don't want to piss the record

1765
01:27:08,680 --> 01:27:10,400
Speaker 2: coverany but when you're a young bucket, you don't give

1766
01:27:10,400 --> 01:27:11,920
Speaker 2: a fuck. I just add money and I bought a

1767
01:27:12,000 --> 01:27:13,080
Speaker 2: car and I was getting pussy.

1768
01:27:13,200 --> 01:27:15,080
Speaker 1: I came, man, I could give a ship, saying fuck

1769
01:27:15,120 --> 01:27:18,240
Speaker 1: the record company. I'm gonna be because you're young. You're

1770
01:27:18,240 --> 01:27:20,080
Speaker 1: young when you're young. But that was my whole thing.

1771
01:27:20,160 --> 01:27:23,000
Speaker 1: At that point. They caught me difficult. I was like, Yo,

1772
01:27:23,120 --> 01:27:25,760
Speaker 1: fuck you. I was gonna go to the beam.

1773
01:27:26,240 --> 01:27:29,640
Speaker 4: I'm always difficult, don't want to win difficult If I

1774
01:27:29,720 --> 01:27:32,120
Speaker 4: want to win, yeah, you and you would disagree with that,

1775
01:27:32,280 --> 01:27:32,960
Speaker 4: win right.

1776
01:27:33,360 --> 01:27:37,519
Speaker 1: I'm always difficult. I accept that. But my thing is patterns.

1777
01:27:37,560 --> 01:27:38,880
Speaker 1: If you see a pattern, go down.

1778
01:27:39,400 --> 01:27:41,000
Speaker 2: If you got to check that toll fuck to you

1779
01:27:41,120 --> 01:27:43,320
Speaker 2: all the time from every fuck that every man she

1780
01:27:43,479 --> 01:27:46,080
Speaker 2: been with, and then she comes and say, you know,

1781
01:27:46,600 --> 01:27:48,360
Speaker 2: I don't know fucking all my five guys, but you

1782
01:27:48,479 --> 01:27:52,120
Speaker 2: a special chances all she's gonna fuck on you too.

1783
01:27:52,240 --> 01:27:54,200
Speaker 2: That's a pattern, you know what I mean. They got

1784
01:27:54,320 --> 01:27:56,519
Speaker 2: to do it in my record company that every record

1785
01:27:56,600 --> 01:27:58,240
Speaker 2: they touch fail and they still want to call you.

1786
01:27:59,479 --> 01:28:06,760
Speaker 1: You know what I'm saying that No, man, I'm gonna

1787
01:28:06,800 --> 01:28:09,840
Speaker 1: take a piss break. You tell the story really over

1788
01:28:10,000 --> 01:28:11,920
Speaker 1: the story, man, and you tell the story wrong. On

1789
01:28:12,040 --> 01:28:16,719
Speaker 1: top of that, fans love the way it's the wrong story.

1790
01:28:16,920 --> 01:28:22,560
Speaker 1: Changes every time. A great fun myself. If this is

1791
01:28:22,640 --> 01:28:24,080
Speaker 1: drunk history, the story just.

1792
01:28:24,160 --> 01:28:29,559
Speaker 4: Changed every time, acted out differently, is fucking awesome. Also,

1793
01:28:29,880 --> 01:28:32,640
Speaker 4: hold on, I'm gonna tell a story. So well, you

1794
01:28:32,720 --> 01:28:34,960
Speaker 4: got something, you got something we want to get take

1795
01:28:35,000 --> 01:28:39,400
Speaker 4: a pitchdamn, hold on, come on, we got about five

1796
01:28:39,800 --> 01:28:40,439
Speaker 4: ten more minutes.

1797
01:28:40,479 --> 01:28:42,760
Speaker 1: We wait, right, everybody good, unless you want to keep going,

1798
01:28:42,760 --> 01:28:44,599
Speaker 1: we keep going. It's good.

1799
01:28:44,800 --> 01:28:50,520
Speaker 2: I'm already in my other points.

1800
01:28:50,560 --> 01:28:53,200
Speaker 1: Gilly, the kids, Still do you love rap?

1801
01:28:53,360 --> 01:28:55,040
Speaker 2: Still you still love rap?

1802
01:28:55,200 --> 01:28:57,120
Speaker 4: You can tell man, you can tell man. I just

1803
01:28:57,320 --> 01:28:59,920
Speaker 4: you know, I just understand that it's now rap is up.

1804
01:29:00,080 --> 01:29:02,760
Speaker 4: It's about a wave, you know what I mean. It's

1805
01:29:02,800 --> 01:29:03,240
Speaker 4: the wave.

1806
01:29:03,439 --> 01:29:03,760
Speaker 1: It's the.

1807
01:29:05,680 --> 01:29:08,880
Speaker 4: You know what I'm saying, more than more than you know,

1808
01:29:10,640 --> 01:29:13,320
Speaker 4: the talent, it's the wave. But it's kind of coming

1809
01:29:13,400 --> 01:29:19,360
Speaker 4: back around to rap now with like Davs, right, But

1810
01:29:19,520 --> 01:29:21,320
Speaker 4: you know, that's what they do, you know what I mean,

1811
01:29:21,400 --> 01:29:24,240
Speaker 4: That's what artists who not a lot of artists don't

1812
01:29:24,280 --> 01:29:24,960
Speaker 4: know who they are.

1813
01:29:25,479 --> 01:29:27,280
Speaker 2: They trying to figure out who they are. A lot

1814
01:29:27,360 --> 01:29:28,080
Speaker 2: of young artists.

1815
01:29:28,120 --> 01:29:28,800
Speaker 1: So its that.

1816
01:29:28,840 --> 01:29:31,160
Speaker 9: Hip hop is getting old enough now that it can

1817
01:29:31,240 --> 01:29:32,440
Speaker 9: fall in its own categories.

1818
01:29:32,479 --> 01:29:34,519
Speaker 1: It's gonna be the youth hip hop, it's gonna be

1819
01:29:34,600 --> 01:29:35,320
Speaker 1: the others.

1820
01:29:35,880 --> 01:29:39,120
Speaker 2: Absolutely, you really can't be an artist this day unless

1821
01:29:39,160 --> 01:29:41,840
Speaker 2: you're a celebrity. See back in the days, you could

1822
01:29:41,880 --> 01:29:43,799
Speaker 2: have been an artist without being a celebrity.

1823
01:29:43,880 --> 01:29:44,479
Speaker 1: You know what I'm saying.

1824
01:29:44,520 --> 01:29:48,400
Speaker 2: Now you are now something. Now you now you gotta

1825
01:29:48,439 --> 01:29:51,600
Speaker 2: be a celebrity. You know what I'm saying. Like you

1826
01:29:51,840 --> 01:29:53,960
Speaker 2: hear by Shaggy one time when when you got a

1827
01:29:54,000 --> 01:29:56,639
Speaker 2: hot record, I was in your red copet, Dude, that's

1828
01:29:56,640 --> 01:30:00,200
Speaker 2: why you ain't got no tabloid information that you trying

1829
01:30:00,240 --> 01:30:00,800
Speaker 2: to dig up on you.

1830
01:30:00,880 --> 01:30:02,799
Speaker 1: You're trying to figure out you knocked down.

1831
01:30:05,040 --> 01:30:07,400
Speaker 2: Down what I'm saying, it was like you know, you

1832
01:30:07,439 --> 01:30:07,760
Speaker 2: know what I mean.

1833
01:30:10,640 --> 01:30:13,320
Speaker 1: The thing is it was lucky Hollywood. Was he down.

1834
01:30:15,040 --> 01:30:17,439
Speaker 1: It's okay, I get all of that. It was one.

1835
01:30:17,520 --> 01:30:20,120
Speaker 1: Give us one. But the point is, the point is

1836
01:30:20,280 --> 01:30:24,519
Speaker 1: tell us one, right. The point is I'm saying to

1837
01:30:24,560 --> 01:30:28,960
Speaker 1: you nor it wasn't me. It's my story and I'm

1838
01:30:29,000 --> 01:30:34,400
Speaker 1: sticking this. But but everybody got to be a celebrity

1839
01:30:34,439 --> 01:30:34,640
Speaker 1: on it.

1840
01:30:34,720 --> 01:30:37,080
Speaker 2: And it's almost as if you gotta you gotta air

1841
01:30:37,160 --> 01:30:42,559
Speaker 2: your laundry out to get your music played because it's

1842
01:30:42,560 --> 01:30:45,840
Speaker 2: about It's a numbers game. It's about followers, right, ain't

1843
01:30:45,920 --> 01:30:48,400
Speaker 2: about whether or not these people who never had a hit,

1844
01:30:49,080 --> 01:30:51,200
Speaker 2: but they got mad fans that sing every line to

1845
01:30:51,280 --> 01:30:54,439
Speaker 2: a record that they do because they got numbers, you

1846
01:30:54,479 --> 01:30:54,840
Speaker 2: know what I mean.

1847
01:30:55,080 --> 01:30:59,160
Speaker 1: And I think people are making disposable music nowadays. I

1848
01:30:59,200 --> 01:31:01,640
Speaker 1: don't think it's probably disposable to you and me.

1849
01:31:01,840 --> 01:31:02,200
Speaker 2: I mean not.

1850
01:31:02,400 --> 01:31:08,720
Speaker 9: Everybody always made disposable music always.

1851
01:31:08,360 --> 01:31:12,280
Speaker 4: But now it's more of it because now it's like

1852
01:31:12,920 --> 01:31:15,519
Speaker 4: the record labels just looking for Oh, this is a

1853
01:31:15,560 --> 01:31:18,320
Speaker 4: hot record. This is all we care about. We don't

1854
01:31:18,360 --> 01:31:20,600
Speaker 4: care what you got lined up next. Before it was

1855
01:31:20,680 --> 01:31:22,560
Speaker 4: like hold on, but what we're going to follow this

1856
01:31:22,800 --> 01:31:24,960
Speaker 4: up with, you know what I mean? And then what

1857
01:31:25,080 --> 01:31:27,560
Speaker 4: we're going to follow that up with? And now it

1858
01:31:27,680 --> 01:31:32,080
Speaker 4: was like we could sell lists, you know, say his

1859
01:31:32,200 --> 01:31:32,679
Speaker 4: own ship.

1860
01:31:34,560 --> 01:31:42,360
Speaker 1: You think that was just you think I'm taking you

1861
01:31:42,439 --> 01:31:42,920
Speaker 1: really drink?

1862
01:31:43,000 --> 01:31:52,120
Speaker 21: You smell like Coco, But people Coco related to me immediately,

1863
01:31:52,760 --> 01:31:56,200
Speaker 21: and I don't. I don't drink Kanyac. You drink this,

1864
01:31:56,280 --> 01:31:58,479
Speaker 21: though I drink that. I wasn't even Kanye drink it.

1865
01:31:58,560 --> 01:32:00,800
Speaker 1: But I fun with this. That what I'm saying. These

1866
01:32:00,840 --> 01:32:02,479
Speaker 1: boys know what they do with the Coco.

1867
01:32:04,080 --> 01:32:04,639
Speaker 2: That's what I'm saying.

1868
01:32:04,680 --> 01:32:07,960
Speaker 1: You got a massage, chicken, you get a drunkn massage

1869
01:32:07,960 --> 01:32:12,280
Speaker 1: at the same hit this. I definitely still want to

1870
01:32:12,320 --> 01:32:16,000
Speaker 1: wipe my like this is so how did you get

1871
01:32:16,040 --> 01:32:16,560
Speaker 1: involved with this?

1872
01:32:18,400 --> 01:32:21,160
Speaker 2: Well, I meant, uh, the guys that do Gray Goose,

1873
01:32:22,280 --> 01:32:24,600
Speaker 2: uh Fello by the name of John John Frank and

1874
01:32:24,640 --> 01:32:25,799
Speaker 2: his wife Andrea.

1875
01:32:26,560 --> 01:32:28,599
Speaker 1: Uh, they were like really big shaggy fans.

1876
01:32:28,920 --> 01:32:31,519
Speaker 2: Actually played a birthday party for them, and we just

1877
01:32:31,600 --> 01:32:35,360
Speaker 2: became friends and uh, you know, I just played. I

1878
01:32:35,360 --> 01:32:37,280
Speaker 2: didn't really know who the guy was, and you know,

1879
01:32:37,360 --> 01:32:39,120
Speaker 2: we just kind of kicked it off and then realized

1880
01:32:39,160 --> 01:32:42,840
Speaker 2: that you know, I think Greg Goose was sold for

1881
01:32:42,920 --> 01:32:44,960
Speaker 2: like three billion or something like that. You know, so

1882
01:32:46,160 --> 01:32:49,000
Speaker 2: at the end of the day. Yeah, so that at

1883
01:32:49,040 --> 01:32:52,800
Speaker 2: that point he started to you know, during our French

1884
01:32:52,840 --> 01:32:54,640
Speaker 2: just started telling me about the liquor business, let me,

1885
01:32:54,840 --> 01:32:57,640
Speaker 2: let me understand it a lot more, and realized.

1886
01:32:58,920 --> 01:33:00,800
Speaker 1: The opportunities that were there. You know what I'm saying.

1887
01:33:00,840 --> 01:33:02,240
Speaker 1: Of course you did a wonderful job.

1888
01:33:02,400 --> 01:33:03,280
Speaker 2: So yeah he did.

1889
01:33:03,439 --> 01:33:08,640
Speaker 1: He did a wonder fifty them over here. But uh,

1890
01:33:10,720 --> 01:33:12,800
Speaker 1: it's it's a big business. You know, it's a business

1891
01:33:12,800 --> 01:33:13,200
Speaker 1: with a lot of.

1892
01:33:13,240 --> 01:33:15,960
Speaker 2: Restrictions, so it was already created. Well, no, he was

1893
01:33:16,000 --> 01:33:18,200
Speaker 2: just telling me about it and and then he came

1894
01:33:18,280 --> 01:33:20,640
Speaker 2: up with the idea of doing it. And what what

1895
01:33:20,760 --> 01:33:22,280
Speaker 2: he said to me was like, we're going to be

1896
01:33:22,360 --> 01:33:24,200
Speaker 2: first to market because there's not a kanyac.

1897
01:33:24,320 --> 01:33:27,760
Speaker 1: There's flavored vodka, but it's not a flavored kanya.

1898
01:33:27,560 --> 01:33:29,439
Speaker 4: Because like I saw, you know, I've seen some rock

1899
01:33:29,560 --> 01:33:33,040
Speaker 4: before right before got involved with his drinks a rock

1900
01:33:33,520 --> 01:33:35,000
Speaker 4: in France back in the day.

1901
01:33:35,560 --> 01:33:41,479
Speaker 1: Yeah, and puff came seeing it right so it's coming yea.

1902
01:33:41,640 --> 01:33:43,840
Speaker 1: And he just brought into coming up with flavor like

1903
01:33:43,880 --> 01:33:44,800
Speaker 1: a flavored.

1904
01:33:44,479 --> 01:33:46,400
Speaker 2: Kanyac and a coconut flavor kanya.

1905
01:33:46,800 --> 01:33:48,880
Speaker 4: When you know he brought it that's actually good. Yeah,

1906
01:33:49,040 --> 01:33:51,920
Speaker 4: but what he ain't saying this because you hear is

1907
01:33:52,160 --> 01:33:55,320
Speaker 4: good and it was good. It does go down smooth,

1908
01:33:55,439 --> 01:33:58,000
Speaker 4: but it sucks you up. But the good yea fat.

1909
01:33:59,280 --> 01:34:02,040
Speaker 1: But the thing about it to what was genius about him?

1910
01:34:02,080 --> 01:34:02,320
Speaker 1: He says.

1911
01:34:02,400 --> 01:34:04,640
Speaker 2: He says, one of the biggest selling industry is the

1912
01:34:04,640 --> 01:34:05,439
Speaker 2: perfume industry.

1913
01:34:06,120 --> 01:34:09,800
Speaker 1: People perfect like a cologne, the colone industry. And when

1914
01:34:09,840 --> 01:34:12,840
Speaker 1: you think about the cologne industry about to the cologne looking,

1915
01:34:12,960 --> 01:34:15,080
Speaker 1: I'm telling you, but with the cologne industry. The thing

1916
01:34:15,160 --> 01:34:16,120
Speaker 1: about the Coloone.

1917
01:34:15,840 --> 01:34:20,200
Speaker 4: Industry, keep talking that ship shaggy, actually actual Colone itself

1918
01:34:20,640 --> 01:34:22,200
Speaker 4: is not what's expensive.

1919
01:34:22,320 --> 01:34:25,400
Speaker 1: It's the fucking bottle. And what sells it is the bottle.

1920
01:34:25,439 --> 01:34:27,200
Speaker 2: No matter how dope the bottle is, that's what the

1921
01:34:27,240 --> 01:34:29,599
Speaker 2: fuck you buy. You know what I'm saying, Great goose

1922
01:34:29,640 --> 01:34:31,839
Speaker 2: sold because of that fucking bottle and then fucking gooses

1923
01:34:31,880 --> 01:34:33,400
Speaker 2: in the back and ship and the ship look good,

1924
01:34:34,360 --> 01:34:36,559
Speaker 2: and from the bottle is is like that. You look

1925
01:34:36,600 --> 01:34:38,400
Speaker 2: at that ship, even though I'm doing it, this ship,

1926
01:34:38,400 --> 01:34:40,120
Speaker 2: you probably gonna take the bottle and and be like, Okay,

1927
01:34:40,120 --> 01:34:41,160
Speaker 2: I'm gonna put this on my stands.

1928
01:34:41,880 --> 01:34:49,760
Speaker 1: More bottles I got you talk about about it, that's right.

1929
01:34:50,920 --> 01:34:53,840
Speaker 2: So so you know I get into everything now, man,

1930
01:34:53,880 --> 01:34:55,639
Speaker 2: that's a that's a different eraror now. Back in the days,

1931
01:34:55,680 --> 01:34:57,599
Speaker 2: we just sold records and made the money and drop off.

1932
01:34:58,160 --> 01:34:59,519
Speaker 2: You gotta be you gotta do too much.

1933
01:34:59,600 --> 01:35:01,559
Speaker 1: Now now you know you got your brand. You gotta

1934
01:35:01,560 --> 01:35:03,000
Speaker 1: be your brand. You know this is why you're doing

1935
01:35:03,040 --> 01:35:03,320
Speaker 1: doing it?

1936
01:35:03,439 --> 01:35:05,439
Speaker 4: Yeah, and you give me happy doing it? If you

1937
01:35:05,560 --> 01:35:07,240
Speaker 4: got to be happy at life, you gotta be happy.

1938
01:35:07,280 --> 01:35:09,240
Speaker 4: So why did they tell me that that's what you drink?

1939
01:35:09,280 --> 01:35:11,120
Speaker 2: I don't know because I can't get that this is

1940
01:35:11,160 --> 01:35:13,120
Speaker 2: what I drink when I don't have that, You know

1941
01:35:13,160 --> 01:35:14,639
Speaker 2: what I'm saying. But I'm not going to have break

1942
01:35:14,720 --> 01:35:17,280
Speaker 2: that down fall. I'm not gonna have this here and

1943
01:35:17,360 --> 01:35:20,439
Speaker 2: go drink that sam a gin and tonic. Dude, you

1944
01:35:20,520 --> 01:35:21,960
Speaker 2: know geninic can see it.

1945
01:35:22,520 --> 01:35:26,400
Speaker 28: By the way, it's hendricks gin because but who's ever

1946
01:35:26,479 --> 01:35:28,720
Speaker 28: told you this? I don't see the tonic water? Yeah,

1947
01:35:29,600 --> 01:35:33,840
Speaker 28: you ain't tell us. There's no there's no cucumbers, any

1948
01:35:33,920 --> 01:35:34,720
Speaker 28: cucumbers for it.

1949
01:35:36,640 --> 01:35:40,320
Speaker 1: Because I'm saying I ain't gonna drink are myself. I'm

1950
01:35:40,320 --> 01:35:41,439
Speaker 1: saying to drink.

1951
01:35:41,960 --> 01:35:44,759
Speaker 4: He's usually a club soda guy, but I totally forgot

1952
01:35:44,920 --> 01:35:47,639
Speaker 4: Remember who we're pop all at pop.

1953
01:35:48,400 --> 01:35:50,360
Speaker 1: I say, I think I should get what are the

1954
01:35:50,400 --> 01:35:53,360
Speaker 1: people drink? And juice? But I wouldn't have got the

1955
01:35:53,439 --> 01:35:56,680
Speaker 1: tonic no time I would think that. But I you

1956
01:35:56,720 --> 01:36:00,560
Speaker 1: could probably drink that. You got your own liquor. We

1957
01:36:00,960 --> 01:36:02,280
Speaker 1: support that, you know what I.

1958
01:36:02,360 --> 01:36:04,720
Speaker 2: Mean, smell like cocoa butter.

1959
01:36:05,840 --> 01:36:09,720
Speaker 1: You can't say that to you. No, it's good man,

1960
01:36:09,760 --> 01:36:12,680
Speaker 1: and you know we're definitely. We definitely will help with that.

1961
01:36:12,920 --> 01:36:16,400
Speaker 1: Trust me. You know what I'm saying because I see it. Man,

1962
01:36:17,439 --> 01:36:19,320
Speaker 1: it's been hissing when fifty was hit last time.

1963
01:36:19,520 --> 01:36:23,200
Speaker 4: Yeah yeah still huh he just loaded up Yeah yeah

1964
01:36:23,280 --> 01:36:24,840
Speaker 4: yeah make me look bad.

1965
01:36:25,000 --> 01:36:31,680
Speaker 1: Yeah yeah yeah man, all if we knowing it in

1966
01:36:31,760 --> 01:36:32,640
Speaker 1: New York's got you.

1967
01:36:32,920 --> 01:36:33,080
Speaker 2: Yeah.

1968
01:36:33,160 --> 01:36:35,200
Speaker 1: Let's notice that's big up. That's big up some rock.

1969
01:36:35,240 --> 01:36:36,080
Speaker 1: That's big up effient.

1970
01:36:36,120 --> 01:36:36,559
Speaker 2: That's bigger.

1971
01:36:36,720 --> 01:36:38,120
Speaker 1: I'm trying to get. I'm trying to get to it.

1972
01:36:38,760 --> 01:36:41,400
Speaker 4: That's big up dust go popping to and Dame dash bottles,

1973
01:36:41,439 --> 01:36:41,799
Speaker 4: the big.

1974
01:36:41,720 --> 01:36:42,439
Speaker 1: Bottles over there.

1975
01:36:42,479 --> 01:36:43,479
Speaker 2: We get you.

1976
01:36:45,280 --> 01:36:49,400
Speaker 1: Yeah, Dame ship ship, well you can't miss I want

1977
01:36:49,439 --> 01:36:51,559
Speaker 1: to have it. It's just you can't miss this ship.

1978
01:36:51,800 --> 01:36:52,240
Speaker 1: Just wrap on.

1979
01:36:52,600 --> 01:36:53,200
Speaker 2: That's how I want to.

1980
01:36:53,160 --> 01:36:55,040
Speaker 1: Add the whole table. Just wrapp on liquor.

1981
01:36:55,280 --> 01:36:59,680
Speaker 4: It's just un you know, it's things unless you know

1982
01:37:01,000 --> 01:37:04,519
Speaker 4: listen zeroes on the I would like to just support.

1983
01:37:04,960 --> 01:37:07,240
Speaker 4: When I say rap, I mean industry, like you know,

1984
01:37:07,680 --> 01:37:09,760
Speaker 4: just are people just you know, just music people.

1985
01:37:09,800 --> 01:37:11,559
Speaker 1: That's what I want that, you know what I mean.

1986
01:37:11,840 --> 01:37:15,400
Speaker 1: There's noum be one here. Yeah you're sucking up, okay,

1987
01:37:16,840 --> 01:37:17,400
Speaker 1: tag a bomb.

1988
01:37:17,600 --> 01:37:21,320
Speaker 4: I don't want to shout a tack a bombs.

1989
01:37:25,280 --> 01:37:28,439
Speaker 1: Hold hold like you you seen it.

1990
01:37:28,640 --> 01:37:30,880
Speaker 2: But you know you know the tager bomb that they

1991
01:37:31,160 --> 01:37:32,639
Speaker 2: used to rub you up with when.

1992
01:37:32,520 --> 01:37:34,880
Speaker 1: You get sick. Yeah, yeah, but this is tiger bomb.

1993
01:37:35,000 --> 01:37:35,200
Speaker 2: This is.

1994
01:37:36,760 --> 01:37:38,120
Speaker 1: Just sold another Jamaican shops.

1995
01:37:39,240 --> 01:37:39,800
Speaker 18: You look like.

1996
01:37:42,080 --> 01:37:47,120
Speaker 1: That's my brother, the male male and hensman. I want

1997
01:37:47,160 --> 01:37:50,920
Speaker 1: not to make you dick that just then you know

1998
01:37:51,000 --> 01:37:51,559
Speaker 1: I'm Jamaican.

1999
01:37:51,760 --> 01:37:52,720
Speaker 2: Yeah you're not.

2000
01:37:52,800 --> 01:37:55,160
Speaker 1: You're gonna sell. You know you can sell through Jamaica

2001
01:37:55,160 --> 01:37:58,320
Speaker 1: and they're gonna make your dig This ship is gonna die.

2002
01:37:58,439 --> 01:38:00,840
Speaker 1: Then take this up for a little shots.

2003
01:38:00,920 --> 01:38:01,080
Speaker 2: One.

2004
01:38:01,400 --> 01:38:06,799
Speaker 1: We drinking soy sauce. That's what eighteen Chinese secrets. But really, well,

2005
01:38:09,920 --> 01:38:14,120
Speaker 1: real niggas do it. We're drinking soy sauce. Nigga drink, drink, drink.

2006
01:38:13,960 --> 01:38:16,960
Speaker 4: A little shot of soy sauce. Get your life right.

2007
01:38:18,080 --> 01:38:20,200
Speaker 4: We've got some fortified rights to go with that. She's

2008
01:38:20,240 --> 01:38:21,920
Speaker 4: won't help everybody in the long run.

2009
01:38:22,560 --> 01:38:24,320
Speaker 1: I really didn't want to. I don't want to make

2010
01:38:24,360 --> 01:38:25,719
Speaker 1: sure the taste. Oh you got me a new cups?

2011
01:38:26,560 --> 01:38:32,040
Speaker 6: The businesses here right here. Really listen, we saving a shot. No,

2012
01:38:34,520 --> 01:38:39,120
Speaker 6: you should even smell it, just smelling man, this.

2013
01:38:39,240 --> 01:38:45,120
Speaker 1: Ship strueven.

2014
01:38:44,560 --> 01:38:45,120
Speaker 6: Is going on.

2015
01:38:47,479 --> 01:38:53,600
Speaker 1: When you're drinking, you say it wasn't me listen Holds

2016
01:38:53,920 --> 01:38:59,839
Speaker 1: ninety three Ultra. I think it's been fermenting since eighteen

2017
01:39:00,520 --> 01:39:08,160
Speaker 1: Like wolf Pussy, I got you, I got you, I

2018
01:39:08,200 --> 01:39:14,280
Speaker 1: got you. Connected with the challenge right now, a big

2019
01:39:14,320 --> 01:39:32,280
Speaker 1: mom reputation. What you're doing, twins, you take another one,

2020
01:39:32,760 --> 01:39:38,599
Speaker 1: Swiss crad you got issues. Fuck he's still I tell

2021
01:39:38,600 --> 01:39:41,120
Speaker 1: you from that for thirty seconds. That ship tastes like medicine.

2022
01:39:41,160 --> 01:39:45,679
Speaker 1: Bro that one to fucking hell. Let's put that away. Yeah,

2023
01:39:46,160 --> 01:39:51,000
Speaker 1: they used to make it a black so imagine they

2024
01:39:51,080 --> 01:39:52,719
Speaker 1: had to replace real cygle bo.

2025
01:39:54,600 --> 01:39:57,519
Speaker 2: That ship. That ship, that ship is not.

2026
01:39:57,600 --> 01:40:02,040
Speaker 1: The best one they will you mindred like as the

2027
01:40:02,120 --> 01:40:06,200
Speaker 1: one that brother. I never see that Jamaica lived no one.

2028
01:40:07,640 --> 01:40:07,960
Speaker 10: Where do you.

2029
01:40:11,280 --> 01:40:13,840
Speaker 1: You never see that jama A lot of pumps and

2030
01:40:14,160 --> 01:40:18,000
Speaker 1: read it. Just read see exactly Chinese, exactly, that's what

2031
01:40:18,120 --> 01:40:21,040
Speaker 1: we just drank. That you're a big bomb.

2032
01:40:23,000 --> 01:40:26,200
Speaker 2: Drinking saying that real and that should burn your chest,

2033
01:40:26,320 --> 01:40:28,639
Speaker 2: going down to pause pause.

2034
01:40:28,720 --> 01:40:30,519
Speaker 4: I usually give it to guests, you know, to bring

2035
01:40:30,600 --> 01:40:33,160
Speaker 4: it alohore, but your niggas is already an open book.

2036
01:40:33,200 --> 01:40:35,040
Speaker 1: So it's like it's kind of foul. So I gotta

2037
01:40:35,120 --> 01:40:39,560
Speaker 1: tell y'all, but this is it. You looking at me

2038
01:40:39,720 --> 01:40:43,720
Speaker 1: like that's want to tell you the truth your life.

2039
01:40:43,800 --> 01:40:44,040
Speaker 2: I like.

2040
01:40:45,800 --> 01:40:48,200
Speaker 1: Having the wrong change your life right now. You know

2041
01:40:48,320 --> 01:40:50,519
Speaker 1: it's gonna change your life. You're gonna look at life

2042
01:40:50,760 --> 01:40:54,680
Speaker 1: said that's in the future. This is was rrible. Now

2043
01:40:54,880 --> 01:41:03,920
Speaker 1: you made that a recyclable herbal tigers. This smet fucking hell?

2044
01:41:04,000 --> 01:41:11,000
Speaker 1: What was that brove? Is it called tiger bombs? Originally?

2045
01:41:11,400 --> 01:41:13,080
Speaker 1: Originally it was like a viagra.

2046
01:41:13,439 --> 01:41:15,760
Speaker 4: Originally it was like a Now it could still be

2047
01:41:15,840 --> 01:41:18,200
Speaker 4: a viagara, but it's not gonna walk around you know

2048
01:41:18,360 --> 01:41:18,799
Speaker 4: the world.

2049
01:41:19,720 --> 01:41:21,360
Speaker 1: But if you happen to get in, you happen to

2050
01:41:21,479 --> 01:41:22,240
Speaker 1: play the.

2051
01:41:22,400 --> 01:41:26,680
Speaker 4: Game tonight, you're gonna, oh, you're gonna knock it out

2052
01:41:26,720 --> 01:41:27,360
Speaker 4: the park.

2053
01:41:29,960 --> 01:41:31,519
Speaker 1: Park. But see you ain't.

2054
01:41:32,040 --> 01:41:34,599
Speaker 4: But the this is while fucks with this, you can

2055
01:41:34,720 --> 01:41:37,120
Speaker 4: hit it and then you can live a normal life.

2056
01:41:37,160 --> 01:41:37,479
Speaker 2: And what.

2057
01:41:40,040 --> 01:41:42,720
Speaker 1: Where you hit some viagra ship? You know, I'm thirty nine,

2058
01:41:43,600 --> 01:41:45,040
Speaker 1: I'm one year and it's the forty.

2059
01:41:45,200 --> 01:41:45,600
Speaker 2: I don't know.

2060
01:41:45,720 --> 01:41:48,479
Speaker 4: I ain't never had to use a viagara because I'm

2061
01:41:48,520 --> 01:41:54,680
Speaker 4: a tiger bone. Guys, tell the story before which one

2062
01:41:54,960 --> 01:41:55,280
Speaker 4: while I.

2063
01:41:55,320 --> 01:41:57,560
Speaker 1: Started drinking tager ball. No, because I don't even know

2064
01:41:57,680 --> 01:42:00,280
Speaker 1: why the fuck it just popped up. So you actually

2065
01:42:00,400 --> 01:42:04,160
Speaker 1: drinking though I thought it was because like one day.

2066
01:42:05,800 --> 01:42:09,439
Speaker 4: For years, I went for years, this old man came

2067
01:42:10,200 --> 01:42:13,599
Speaker 4: and he hugged the guy and the way he hugged

2068
01:42:13,680 --> 01:42:16,719
Speaker 4: him like tears came out of his car his eyes.

2069
01:42:17,200 --> 01:42:20,519
Speaker 4: But it wasn't no like, no, no pussy ship like.

2070
01:42:20,640 --> 01:42:24,760
Speaker 4: This man grabbed me, hugged him, and I stood there.

2071
01:42:24,800 --> 01:42:28,120
Speaker 4: I seen a grown man, sixty year old nigga hogged.

2072
01:42:28,240 --> 01:42:33,960
Speaker 4: Niggas saved my life. So I stood there. I waited

2073
01:42:34,000 --> 01:42:37,000
Speaker 4: in my turn and I asked the old nigga, I say, yo,

2074
01:42:38,360 --> 01:42:41,519
Speaker 4: what was that about? He said, I couldn't fuck my

2075
01:42:41,680 --> 01:42:47,400
Speaker 4: wife For two years. I couldn't get up. Nothing worked.

2076
01:42:48,280 --> 01:42:53,320
Speaker 4: I told my wife to fuck other man. She didn't

2077
01:42:53,400 --> 01:42:56,599
Speaker 4: do it, so I kept.

2078
01:42:57,520 --> 01:42:59,679
Speaker 1: You know, I did all the white man drugs.

2079
01:43:00,400 --> 01:43:00,760
Speaker 2: He said.

2080
01:43:00,800 --> 01:43:03,840
Speaker 1: He walked in, and the nigga said he gave him some.

2081
01:43:04,000 --> 01:43:10,679
Speaker 4: Pills, some wheat grass and tiger bone, and that man

2082
01:43:10,880 --> 01:43:17,400
Speaker 4: fucked shout out his wife. Hold on, man, this nigga, no,

2083
01:43:17,760 --> 01:43:23,080
Speaker 4: hold on man, you got me drinking tiger bowl because

2084
01:43:23,080 --> 01:43:23,559
Speaker 4: the nigga.

2085
01:43:23,680 --> 01:43:30,120
Speaker 11: Dick was brooke that you went store twenty years ago ago.

2086
01:43:30,520 --> 01:43:34,639
Speaker 11: He was sixty. He shot his fucking rud. This dick

2087
01:43:34,760 --> 01:43:37,160
Speaker 11: should have been brooke when.

2088
01:43:37,080 --> 01:43:38,240
Speaker 1: He bruking back to life.

2089
01:43:38,240 --> 01:43:42,760
Speaker 4: You gotta me drinking this nasty ship because old head

2090
01:43:42,960 --> 01:43:44,759
Speaker 4: in the store and Dick was broken.

2091
01:43:44,840 --> 01:43:50,000
Speaker 1: Yeah, it's really, man's really you den bad for that.

2092
01:43:50,160 --> 01:43:51,559
Speaker 1: Don't not fucking she does.

2093
01:43:51,960 --> 01:43:55,560
Speaker 4: Listen, this is a miracle to certain people, and this

2094
01:43:56,479 --> 01:43:59,639
Speaker 4: mad sense to people like, listen, this is a Chinese nerve.

2095
01:44:00,160 --> 01:44:04,000
Speaker 1: This ain't no, this ain't no, this is this is so.

2096
01:44:04,280 --> 01:44:04,960
Speaker 2: I want to do.

2097
01:44:07,880 --> 01:44:15,160
Speaker 1: You go from drinking this is definitely saying what's going

2098
01:44:15,240 --> 01:44:15,719
Speaker 1: on right.

2099
01:44:17,400 --> 01:44:18,280
Speaker 2: From this to that is.

2100
01:44:21,240 --> 01:44:22,759
Speaker 1: It's just some tiger pits.

2101
01:44:22,840 --> 01:44:23,000
Speaker 14: Man.

2102
01:44:23,840 --> 01:44:26,280
Speaker 1: But we'll all due respect. I'm gonna keep it a

2103
01:44:26,360 --> 01:44:30,200
Speaker 1: honeyed with y'all. Puff sat here and made a drink.

2104
01:44:30,960 --> 01:44:32,280
Speaker 1: I didn't everything joint up?

2105
01:44:32,479 --> 01:44:35,600
Speaker 4: Remember, Yeah, of everything port everything into Ill tell you

2106
01:44:35,680 --> 01:44:38,240
Speaker 4: what we're having more park that ship I've got here.

2107
01:44:38,400 --> 01:44:40,040
Speaker 1: I don't even know if that's really gonna get out

2108
01:44:40,040 --> 01:44:46,439
Speaker 1: of that. True story's true, It's okay. He give different

2109
01:44:46,640 --> 01:44:49,200
Speaker 1: versions of his defense like no, this is this is real.

2110
01:44:50,000 --> 01:44:53,560
Speaker 1: It was real, it was an epic fun gets it

2111
01:44:53,800 --> 01:44:57,919
Speaker 1: he says. He says, you know we asked funny questions.

2112
01:44:58,120 --> 01:45:01,240
Speaker 4: We actually if we asked, say like that, right, we

2113
01:45:01,360 --> 01:45:05,280
Speaker 4: actually asked you said no already I remember that respect.

2114
01:45:05,640 --> 01:45:08,760
Speaker 2: I don't go too far.

2115
01:45:09,479 --> 01:45:13,559
Speaker 1: You're too far down right, Sorry, I got to the far.

2116
01:45:13,800 --> 01:45:21,720
Speaker 1: I don't know too far the ships and you know

2117
01:45:22,040 --> 01:45:27,840
Speaker 1: I'm gonna say too far. It's the fact sold ten million,

2118
01:45:28,000 --> 01:45:35,560
Speaker 1: know something. You get back to your don't know what

2119
01:45:35,640 --> 01:45:39,040
Speaker 1: you're trying to go too far. I don't know what

2120
01:45:39,160 --> 01:45:43,120
Speaker 1: the fun you're gonna say came in came in. Yeah,

2121
01:45:43,400 --> 01:45:47,920
Speaker 1: so he comes in. I forget what he him and say,

2122
01:45:48,200 --> 01:45:52,120
Speaker 1: man say something. We were at it me and put

2123
01:45:52,200 --> 01:45:57,000
Speaker 1: real right like but just go is this one I

2124
01:45:57,240 --> 01:45:57,759
Speaker 1: just bought?

2125
01:45:59,040 --> 01:46:01,360
Speaker 4: And we said relaxed, like boy your checking and clear

2126
01:46:01,520 --> 01:46:05,320
Speaker 4: yet oh yeah, because he said he he's blacks.

2127
01:46:06,680 --> 01:46:10,240
Speaker 2: Then we said Jake low smile.

2128
01:46:11,880 --> 01:46:18,439
Speaker 1: It was all he was out order what he's saying,

2129
01:46:19,800 --> 01:46:25,720
Speaker 1: mind you and ladies, here he goes, you don't have

2130
01:46:25,760 --> 01:46:32,240
Speaker 1: to whisper. Man was in this. So Cassi was looking like,

2131
01:46:32,439 --> 01:46:46,920
Speaker 1: as you ask about the right, that's my homie. The

2132
01:46:47,080 --> 01:46:48,640
Speaker 1: way the way you said that, I feel like you

2133
01:46:48,720 --> 01:46:51,679
Speaker 1: did that work man, You didn't know what she knows?

2134
01:46:51,720 --> 01:46:56,360
Speaker 1: She was nobody sawry. Sorry, so he goes, we didn't know.

2135
01:46:56,520 --> 01:46:59,599
Speaker 1: We said it was a surprise to us. Cass.

2136
01:46:59,680 --> 01:47:06,479
Speaker 22: Yes, if you got to be on schedule to eat

2137
01:47:06,720 --> 01:47:12,679
Speaker 22: that ass Monday before seven, you know it's crazy.

2138
01:47:15,560 --> 01:47:17,320
Speaker 2: And then I say, you don't eat.

2139
01:47:17,160 --> 01:47:24,120
Speaker 1: Cast Hey whispered talking? Can you talk right here? I

2140
01:47:24,200 --> 01:47:28,759
Speaker 1: know niggas right now, you got to repeat that story.

2141
01:47:31,680 --> 01:47:33,599
Speaker 4: That is a point you said it out?

2142
01:47:34,160 --> 01:47:37,040
Speaker 1: Edie wonks did did you say security?

2143
01:47:38,120 --> 01:47:38,640
Speaker 2: I don't want this.

2144
01:47:38,680 --> 01:47:45,200
Speaker 1: Thig about it? I got no perfect for him. If

2145
01:47:45,240 --> 01:47:49,880
Speaker 1: he would have been here to that that that's just

2146
01:47:49,960 --> 01:47:52,640
Speaker 1: his staff. He ate a point of glass on on

2147
01:47:53,160 --> 01:47:55,880
Speaker 1: our other old. Seriously we.

2148
01:48:00,080 --> 01:48:05,800
Speaker 2: Say that. Listen, listen, listen, pray with the nigga because

2149
01:48:05,840 --> 01:48:07,639
Speaker 2: this is girl I'm saying.

2150
01:48:08,520 --> 01:48:10,720
Speaker 1: I said my nigga with you asked right now?

2151
01:48:10,800 --> 01:48:14,000
Speaker 4: His name is Eddie to ask either, but I just say, like,

2152
01:48:14,160 --> 01:48:17,519
Speaker 4: like Eddie, just come say hi, you're foul foul.

2153
01:48:17,640 --> 01:48:21,360
Speaker 1: I don't like the way this guy is fucking me up.

2154
01:48:22,479 --> 01:48:24,080
Speaker 2: I don't know why.

2155
01:48:24,160 --> 01:48:24,720
Speaker 1: I'm telling you.

2156
01:48:24,840 --> 01:48:25,479
Speaker 2: He was right.

2157
01:48:25,560 --> 01:48:26,280
Speaker 1: Tell me what happened?

2158
01:48:26,640 --> 01:48:27,040
Speaker 26: You said?

2159
01:48:27,320 --> 01:48:29,040
Speaker 1: And he asked you what he asks right now. I

2160
01:48:29,120 --> 01:48:29,560
Speaker 1: did say that.

2161
01:48:31,360 --> 01:48:32,400
Speaker 2: I didn't mean it like that.

2162
01:48:33,400 --> 01:48:37,720
Speaker 1: He didn't mean it like that. I'm she here now

2163
01:48:37,840 --> 01:48:44,879
Speaker 1: she's there. She's right, that's some ship. But that's my homegirl.

2164
01:48:45,040 --> 01:48:47,719
Speaker 4: But that's some ship. But look no, no, but Buff

2165
01:48:49,040 --> 01:48:52,280
Speaker 4: my wife right there. So Buff, you know, I'm Unembarrassedble.

2166
01:48:52,280 --> 01:48:54,120
Speaker 4: I don't know if you ever noticed that, but me,

2167
01:48:54,479 --> 01:48:57,320
Speaker 4: I'm unf I rether sent for the ugly niggas old

2168
01:48:57,439 --> 01:49:03,280
Speaker 4: Foster my white there, so it goes to my white

2169
01:49:03,320 --> 01:49:05,479
Speaker 4: come ahead, and then she comes over.

2170
01:49:05,760 --> 01:49:06,720
Speaker 1: What's the there?

2171
01:49:06,720 --> 01:49:11,479
Speaker 4: He goes, Oh ship, that's okay. This is this episode

2172
01:49:11,479 --> 01:49:14,680
Speaker 4: should be out maybe by the time it is. Oh yeah,

2173
01:49:14,920 --> 01:49:16,880
Speaker 4: I guess it would be about pink pong.

2174
01:49:17,000 --> 01:49:24,559
Speaker 1: Baby. You know what I'm saying. Here's something you all right?

2175
01:49:25,880 --> 01:49:28,479
Speaker 4: All right, what we're talking about? It okay matter, we're

2176
01:49:28,680 --> 01:49:33,120
Speaker 4: having fun. We hear a salute Black excellette, but that

2177
01:49:33,200 --> 01:49:39,400
Speaker 4: motherfuckers my wife and then got my brother got it

2178
01:49:39,479 --> 01:49:40,200
Speaker 4: was amazing.

2179
01:49:40,320 --> 01:49:40,519
Speaker 1: Black.

2180
01:49:41,479 --> 01:49:43,840
Speaker 4: We sat you sat here, and you are Jamaican and

2181
01:49:43,880 --> 01:49:47,519
Speaker 4: don't smoke, and he was born in Jamaica, is born.

2182
01:49:48,320 --> 01:49:50,639
Speaker 1: You lived in every hood since you make one hundred

2183
01:49:50,680 --> 01:49:53,640
Speaker 1: percent one hundred never smoked, No I didn't say never.

2184
01:49:54,960 --> 01:49:57,679
Speaker 1: I don't say that I don't smoke. I just don't

2185
01:49:57,680 --> 01:50:02,040
Speaker 1: get it. Ha it for breakfast. That's the difference. We

2186
01:50:02,240 --> 01:50:05,560
Speaker 1: understand I'm a vaca if I'm a vacation with my

2187
01:50:05,680 --> 01:50:06,519
Speaker 1: wife or whatever.

2188
01:50:06,640 --> 01:50:09,799
Speaker 2: Yeah, you know it's good because almost everybody in my family,

2189
01:50:10,200 --> 01:50:12,439
Speaker 2: for my uncles, they all, they all everybody in my

2190
01:50:12,520 --> 01:50:13,000
Speaker 2: whole band.

2191
01:50:13,160 --> 01:50:17,560
Speaker 1: That you're making everybody my whole basketball You mean that

2192
01:50:17,800 --> 01:50:25,800
Speaker 1: just goes with not really, it's a whole There's a

2193
01:50:25,880 --> 01:50:27,040
Speaker 1: lot of Jamaicans.

2194
01:50:34,160 --> 01:50:36,840
Speaker 2: Now, Jamaicans on small just like a lot of.

2195
01:50:36,880 --> 01:50:40,880
Speaker 1: Jamaicans are not dreadlocks. Absolutely, you know what I'm saying. Listen,

2196
01:50:41,200 --> 01:50:42,439
Speaker 1: I've got none of it because.

2197
01:50:42,200 --> 01:50:44,120
Speaker 4: All my hands is when I hang out with my

2198
01:50:44,200 --> 01:50:47,639
Speaker 4: wife friends, we drink yeager for old times sake.

2199
01:50:47,680 --> 01:50:50,120
Speaker 1: They don't drink ye They'll tell you these niggas they

2200
01:50:50,200 --> 01:50:54,439
Speaker 1: rich niggas while we're doing then and then they hit

2201
01:50:54,479 --> 01:50:55,320
Speaker 1: the yego with me and.

2202
01:50:55,320 --> 01:50:59,920
Speaker 2: They be like, but you know in high school how

2203
01:51:00,160 --> 01:51:00,479
Speaker 2: the word?

2204
01:51:00,640 --> 01:51:03,439
Speaker 4: Yeah, when I hang out with my roster mon, yeah,

2205
01:51:03,800 --> 01:51:09,760
Speaker 4: rost them once hit one one pool chealous No not

2206
01:51:10,000 --> 01:51:10,759
Speaker 4: touched Charlie.

2207
01:51:11,240 --> 01:51:21,680
Speaker 1: Your pats was impeccable. One of course, rule have it

2208
01:51:21,720 --> 01:51:25,800
Speaker 1: from the smoke and he ain't smoking five years one pool.

2209
01:51:25,840 --> 01:51:28,800
Speaker 1: One's a rule. Respect everything.

2210
01:51:28,920 --> 01:51:32,120
Speaker 2: Christmas character and Chris Friday freaking.

2211
01:51:31,880 --> 01:51:37,360
Speaker 6: Seeds now for smoke when nobody else ruled.

2212
01:51:37,600 --> 01:51:40,120
Speaker 1: Okay, all right, it's okay, I am all right. So

2213
01:51:40,200 --> 01:51:42,080
Speaker 1: what is it? You don't know nobody.

2214
01:51:42,120 --> 01:51:45,040
Speaker 2: You're not supposed to smoke anything that somebody else ruled.

2215
01:51:45,200 --> 01:51:52,760
Speaker 1: You know what these young niggas eating, Yeah, the whole bag.

2216
01:51:54,800 --> 01:51:57,880
Speaker 1: You're good for the roost and cultures. It's all about

2217
01:51:57,920 --> 01:51:59,760
Speaker 1: what you might put in. The motherfucker. I don't even

2218
01:51:59,800 --> 01:52:02,320
Speaker 1: think about that. Ship gets dirty?

2219
01:52:04,560 --> 01:52:05,080
Speaker 2: What what?

2220
01:52:05,400 --> 01:52:22,720
Speaker 1: What? Shoggy smoking a clock? I love what we're doing.

2221
01:52:23,000 --> 01:52:29,960
Speaker 1: Some good ship, too good good ship, all right, playing around.

2222
01:52:29,760 --> 01:52:32,040
Speaker 4: Life be too good, right, they'd be good to be

2223
01:52:32,120 --> 01:52:36,800
Speaker 4: bullshit smoke Resie Miller want no Reggie, that's what Boris is.

2224
01:52:36,840 --> 01:52:37,200
Speaker 2: My friend.

2225
01:52:37,240 --> 01:52:41,920
Speaker 1: He brings Reggie Miller sometimes understand why he brings it.

2226
01:52:42,320 --> 01:52:43,280
Speaker 2: I'll be like, yo, you're my.

2227
01:52:43,360 --> 01:52:45,439
Speaker 1: Friend, like we're friends.

2228
01:52:46,040 --> 01:52:51,120
Speaker 4: It's okay, I got the connect. Go see Jose who know?

2229
01:52:51,600 --> 01:52:55,439
Speaker 4: And Momsey you feel them niggas that got it right,

2230
01:52:55,760 --> 01:52:58,200
Speaker 4: And it's from Thustic Boombo.

2231
01:53:01,120 --> 01:53:01,280
Speaker 10: Man.

2232
01:53:01,760 --> 01:53:02,880
Speaker 1: Yo, you know what again.

2233
01:53:03,240 --> 01:53:05,560
Speaker 9: Like I said, K, let's just say drink. Champs is

2234
01:53:05,640 --> 01:53:08,160
Speaker 9: the only place you're gonna have shaggy and guilty the

2235
01:53:08,240 --> 01:53:11,320
Speaker 9: kid on the same table. And it makes a lot

2236
01:53:11,360 --> 01:53:11,719
Speaker 9: of sense.

2237
01:53:11,760 --> 01:53:15,720
Speaker 4: And it makes sense because because we celebrate our culture here.

2238
01:53:15,880 --> 01:53:17,960
Speaker 2: You know what celebrating think about it is this for

2239
01:53:18,040 --> 01:53:22,840
Speaker 2: people have understanding like we we we as we as

2240
01:53:24,200 --> 01:53:27,840
Speaker 2: as black people have more in common than than It

2241
01:53:27,880 --> 01:53:31,000
Speaker 2: doesn't matter about your your cultural background.

2242
01:53:33,840 --> 01:53:37,120
Speaker 1: There's a lot we have in common as black people.

2243
01:53:37,160 --> 01:53:39,639
Speaker 2: You know what it is. The struggle doesn't matter where

2244
01:53:39,640 --> 01:53:42,120
Speaker 2: you are. Watch you you know how want you make

2245
01:53:42,200 --> 01:53:44,720
Speaker 2: our where it is. Once you sit here and have

2246
01:53:44,840 --> 01:53:48,160
Speaker 2: the conversation, it all comes out. That's why we drink.

2247
01:53:48,200 --> 01:53:52,280
Speaker 2: We're on the same plane. Right, we're gonna celebrate.

2248
01:53:54,479 --> 01:54:00,320
Speaker 1: French. You're gonna get some shaggy ass out here. Shaggy

2249
01:54:00,439 --> 01:54:01,240
Speaker 1: fans gonna.

2250
01:54:01,000 --> 01:54:04,160
Speaker 4: Be like, you're gonna be some shaggy right, and when

2251
01:54:04,280 --> 01:54:10,639
Speaker 4: when I'm getting that shaggy ass. Not on duty, Yeah, Philly,

2252
01:54:10,720 --> 01:54:14,599
Speaker 4: we say, not on duty. Make y'all down a little

2253
01:54:14,840 --> 01:54:24,280
Speaker 4: Welcome to gild right now, open the phil health here.

2254
01:54:25,160 --> 01:54:29,240
Speaker 4: Shout out like them, Shout out Philly, shout out Jamaica,

2255
01:54:30,160 --> 01:54:34,200
Speaker 4: Shaggy Kingston, respect Kingston, you know, typical artists.

2256
01:54:34,240 --> 01:54:35,360
Speaker 1: Like I said, it's my favorite place.

2257
01:54:35,400 --> 01:54:36,960
Speaker 2: Big up the rooster, just do this.

2258
01:54:37,360 --> 01:54:39,280
Speaker 1: You know what I'm saying. I know that's that's what

2259
01:54:39,320 --> 01:54:39,680
Speaker 1: I'm saying.

2260
01:54:39,800 --> 01:54:42,000
Speaker 4: That's real Jamaican ship. You know what I'm saying, Big

2261
01:54:42,120 --> 01:54:45,520
Speaker 4: up to the yard mind and we had listen.

2262
01:54:45,600 --> 01:54:46,600
Speaker 2: This is what we do over here.

2263
01:54:46,680 --> 01:54:47,920
Speaker 1: We celebrate our legends.

2264
01:54:48,120 --> 01:54:51,040
Speaker 4: We want to continue to support people who put it

2265
01:54:51,080 --> 01:54:54,600
Speaker 4: in that work and it's out here having fun, smiling,

2266
01:54:55,000 --> 01:54:57,160
Speaker 4: you know what I'm saying. We live a great life

2267
01:54:57,200 --> 01:54:59,879
Speaker 4: and we just want to continue to support people who

2268
01:55:00,200 --> 01:55:02,400
Speaker 4: been doing it for years. A lot of people always

2269
01:55:02,480 --> 01:55:04,800
Speaker 4: ask me, whore's the new artist, And we're gonna get

2270
01:55:04,840 --> 01:55:05,640
Speaker 4: to the new artists and.

2271
01:55:05,640 --> 01:55:06,160
Speaker 1: We're gonna do it.

2272
01:55:06,240 --> 01:55:08,400
Speaker 4: But right now, our ship is about people who's been

2273
01:55:08,440 --> 01:55:10,920
Speaker 4: in the game, who's been a part of the game.

2274
01:55:11,320 --> 01:55:13,600
Speaker 1: We want to we want to respect them because everybody

2275
01:55:13,640 --> 01:55:16,600
Speaker 1: else they got these other outlets and it's wonderful for them,

2276
01:55:16,640 --> 01:55:17,960
Speaker 1: and we don't mind who you see.

2277
01:55:18,240 --> 01:55:20,880
Speaker 4: We want to keep supporting the other podcasts that's out there,

2278
01:55:21,000 --> 01:55:23,160
Speaker 4: like tax Stone and you know, rap.

2279
01:55:23,160 --> 01:55:29,040
Speaker 1: Radarar and Combat Jack and one scene and our name.

2280
01:55:29,000 --> 01:55:33,200
Speaker 4: This podcast Later Joe Buttons and Rory he broke to stop. Stop,

2281
01:55:34,200 --> 01:55:36,920
Speaker 4: we don't when we chest don't be looking at our numbers.

2282
01:55:36,960 --> 01:55:41,880
Speaker 1: Stop. Oh yeah, respected our numbers, man, my friend. We

2283
01:55:42,120 --> 01:55:44,680
Speaker 1: like you now. I like that me and you got

2284
01:55:44,760 --> 01:55:46,880
Speaker 1: numbers beef. It's got nothing to do with Joe Buttons

2285
01:55:47,000 --> 01:55:50,200
Speaker 1: is not you got number beef right now. I like it.

2286
01:55:50,280 --> 01:55:51,720
Speaker 1: I like when he came. He came.

2287
01:55:52,200 --> 01:55:55,920
Speaker 4: He came to the CBS just putting these numbers together. Man, Fox,

2288
01:55:56,040 --> 01:55:59,520
Speaker 4: CBS gonna get from making up numbers. What we're gonna get,

2289
01:56:00,040 --> 01:56:03,320
Speaker 4: How we're gonna get more ad money if the numbers

2290
01:56:03,400 --> 01:56:04,200
Speaker 4: is fitted today.

2291
01:56:04,920 --> 01:56:09,760
Speaker 1: That's not slimings. We've had a different and food gears

2292
01:56:12,480 --> 01:56:12,840
Speaker 1: we don't do.

2293
01:56:13,520 --> 01:56:15,000
Speaker 4: But that's how you know that he had a little

2294
01:56:15,040 --> 01:56:17,600
Speaker 4: bit of hating his blood. I respect it though. I

2295
01:56:17,760 --> 01:56:21,000
Speaker 4: respect it when you smashing the nigga and he's standing

2296
01:56:21,080 --> 01:56:23,440
Speaker 4: across from you. We were actually yeah, I'm so mad

2297
01:56:23,480 --> 01:56:24,760
Speaker 4: that you was sitting this chair.

2298
01:56:24,840 --> 01:56:27,520
Speaker 2: But he was dead. He was dead.

2299
01:56:27,680 --> 01:56:28,440
Speaker 1: I looked at him.

2300
01:56:28,480 --> 01:56:31,680
Speaker 4: I see, you know, it's hating it. Its a little hate.

2301
01:56:32,520 --> 01:56:34,560
Speaker 4: Some queen's a white guy like him.

2302
01:56:34,960 --> 01:56:42,600
Speaker 1: Irish, but he was mad at our numbers. Salty man, salty.

2303
01:56:43,240 --> 01:56:48,040
Speaker 1: But you know what, with different people, we enjoy the hate.

2304
01:56:48,960 --> 01:56:51,440
Speaker 1: We have to embrace you got to hate them. We

2305
01:56:51,480 --> 01:56:56,640
Speaker 1: don't make the numbers. We don't want the numbers. Listening,

2306
01:56:56,800 --> 01:56:59,680
Speaker 1: listen man, only people make the numbers up as the dogship.

2307
01:57:04,800 --> 01:57:05,600
Speaker 1: It's still real.

2308
01:57:05,480 --> 01:57:09,120
Speaker 2: Because for us to be doing this for that amount

2309
01:57:09,120 --> 01:57:13,440
Speaker 2: of years and still being here and still making papers,

2310
01:57:13,440 --> 01:57:16,240
Speaker 2: still being a force to be reckoned with. You know,

2311
01:57:16,240 --> 01:57:18,240
Speaker 2: I've been counted out so many times in this game,

2312
01:57:18,440 --> 01:57:20,400
Speaker 2: you know what I mean, And they counted us all

2313
01:57:20,480 --> 01:57:23,600
Speaker 2: out right, and you're still here fall out, so you

2314
01:57:23,720 --> 01:57:24,080
Speaker 2: know what I mean.

2315
01:57:24,120 --> 01:57:24,880
Speaker 1: I'm blessed.

2316
01:57:24,920 --> 01:57:25,080
Speaker 2: Man.

2317
01:57:25,920 --> 01:57:29,000
Speaker 1: Just show your back. We're still here. Let's celebrate it,

2318
01:57:29,640 --> 01:57:30,760
Speaker 1: ye shot, get any.

2319
01:57:30,640 --> 01:57:33,680
Speaker 2: Time with someone you want to come back, We'll celebrate.

2320
01:57:33,640 --> 01:57:37,640
Speaker 1: Right now to ship anytime you know it don't matter,

2321
01:57:37,760 --> 01:57:39,120
Speaker 1: come back with us.

2322
01:57:39,120 --> 01:57:41,360
Speaker 4: Were gonna get you drunk or this time we want

2323
01:57:41,640 --> 01:57:43,360
Speaker 4: we want to keep you on point the way you

2324
01:57:43,440 --> 01:57:44,200
Speaker 4: looking up.

2325
01:57:44,240 --> 01:57:48,360
Speaker 1: I'm bringing a case next time. Cases right here and

2326
01:57:48,480 --> 01:57:49,520
Speaker 1: need to get retired.

2327
01:57:52,120 --> 01:57:58,600
Speaker 3: Look like a fireworks fires trust me, like that ship

2328
01:57:59,200 --> 01:58:04,040
Speaker 3: ship right yeah, this show whenever we had and the

2329
01:58:04,120 --> 01:58:05,560
Speaker 3: guy you know, damn point.

2330
01:58:05,960 --> 01:58:09,560
Speaker 1: That's that's how the interview changed. But y'all resume, they

2331
01:58:09,560 --> 01:58:13,960
Speaker 1: are open and you close out with another shot. I mean, yeah,

2332
01:58:13,960 --> 01:58:16,560
Speaker 1: I don't know. I mean, I mean, I know what.

2333
01:58:17,160 --> 01:58:20,120
Speaker 1: It was a mad idea. But ship, that's right, that's right.

2334
01:58:20,200 --> 01:58:25,000
Speaker 1: We gotta celebrate what we gotta celebrate. Celebrate us, us celebrate.

2335
01:58:27,400 --> 01:58:30,040
Speaker 1: We got somebody? Are you gonna mid sent this?

2336
01:58:30,160 --> 01:58:32,280
Speaker 5: I was like, I don't know what you're doing right now.

2337
01:58:32,720 --> 01:58:36,200
Speaker 1: But I never think in a million years I will

2338
01:58:36,280 --> 01:58:44,000
Speaker 1: be drinking Suey sauce with sweet sauce with shock.

2339
01:58:48,840 --> 01:58:50,680
Speaker 2: Man, it's too much.

2340
01:58:52,000 --> 01:58:55,040
Speaker 1: Yeah, he's supposed to go. You can ride right, let's

2341
01:58:55,040 --> 01:58:59,880
Speaker 1: be dragging y'all get the same ship. Don't think I'm

2342
01:58:59,880 --> 01:59:02,360
Speaker 1: the only one that's gonna have you too much. Get

2343
01:59:02,440 --> 01:59:05,600
Speaker 1: him with your ship. You're going around, don't go round

2344
01:59:05,640 --> 01:59:05,840
Speaker 1: the ship.

2345
01:59:06,480 --> 01:59:10,560
Speaker 4: It's a cruises dry by right now, ship short shank,

2346
01:59:11,760 --> 01:59:12,640
Speaker 4: just a spectrol shot.

2347
01:59:13,440 --> 01:59:20,200
Speaker 1: Just wait, hold up, holmember, he's the getting me nigga

2348
01:59:24,720 --> 01:59:38,000
Speaker 1: shot fire shop. Yeah, you got he gets better.

2349
01:59:41,320 --> 01:59:42,120
Speaker 4: It gets better than the.

2350
01:59:42,160 --> 01:59:42,840
Speaker 1: Second time.

2351
01:59:46,040 --> 01:59:49,680
Speaker 6: You have the thing against this ship builds conference in

2352
01:59:49,760 --> 01:59:53,120
Speaker 6: your life.

2353
02:00:00,400 --> 02:00:01,680
Speaker 5: Fucking lit supposed to be.

2354
02:00:01,800 --> 02:00:04,080
Speaker 1: Busting ship that fuck you. If you got a cool

2355
02:00:04,160 --> 02:00:05,640
Speaker 1: that ship has gone here, it's gone.

2356
02:00:05,800 --> 02:00:09,040
Speaker 6: No, don't get you.

2357
02:00:10,440 --> 02:00:13,280
Speaker 1: That's okay. This is an earth. I gotta say that

2358
02:00:13,400 --> 02:00:19,520
Speaker 1: before this ship from fucking up from ships like goo away.

2359
02:00:19,560 --> 02:00:21,800
Speaker 1: We're closing out, yo. Hold on, We're gonna do a

2360
02:00:21,840 --> 02:00:24,320
Speaker 1: picture in the drop. Hold on, good way to close

2361
02:00:24,360 --> 02:00:27,440
Speaker 1: it out, yo, shop what I'm saying, I got you.

2362
02:00:30,400 --> 02:00:32,080
Speaker 2: I want to thank you for being a part of.

2363
02:00:32,040 --> 02:00:39,320
Speaker 1: The drink champs. We got drunk wait drinking swing sauce

2364
02:00:39,400 --> 02:00:45,720
Speaker 1: and alcohol. Yet understand I don't drink. Man. Next ship

2365
02:00:46,000 --> 02:00:50,680
Speaker 1: is strong those in nineteen eighty six. It takes a

2366
02:00:50,760 --> 02:00:52,800
Speaker 1: while to wear off to that ship burn.

2367
02:00:53,440 --> 02:01:20,440
Speaker 29: That's just per mental, yo, thank you, right, no, no, no,

2368
02:01:22,160 --> 02:01:28,040
Speaker 29: I was fucking with Shaggy, so he suggested shot.

2369
02:01:29,360 --> 02:01:36,160
Speaker 1: Shaggy Shaggy he shot fight shot fin Bro when going

2370
02:01:36,680 --> 02:01:38,440
Speaker 1: to let me tell you something, man, I admit that's

2371
02:01:38,440 --> 02:01:43,240
Speaker 1: a bad idea. You want to get time. I see

2372
02:01:43,280 --> 02:01:45,760
Speaker 1: the worst idea. There is the best way to go

2373
02:01:45,920 --> 02:01:46,160
Speaker 1: with bro?

2374
02:01:46,640 --> 02:01:51,360
Speaker 4: Is my looking very listen, listen, I go through here man,

2375
02:01:51,520 --> 02:01:54,880
Speaker 4: fifty de four, fifty to four.

2376
02:01:55,000 --> 02:02:00,120
Speaker 11: So I'm like nau fat, Yeah, how would.

2377
02:01:59,880 --> 02:02:05,720
Speaker 4: You is puffin? He took no puffing, don't know fifty

2378
02:02:05,800 --> 02:02:07,040
Speaker 4: did four fifty good?

2379
02:02:07,120 --> 02:02:09,680
Speaker 1: Four fifty. Don't even drink that much, dude, you don't drink.

2380
02:02:10,120 --> 02:02:13,400
Speaker 1: You don't drink. Three three Now we have to do

2381
02:02:13,480 --> 02:02:20,760
Speaker 1: three disability extra muscles. So that ship, sweet kettle might

2382
02:02:20,840 --> 02:02:22,960
Speaker 1: be president. Let's do it your bamm. No, only he

2383
02:02:23,040 --> 02:02:25,960
Speaker 1: took him and his drinker says eighty six. I was

2384
02:02:26,000 --> 02:02:28,400
Speaker 1: a god with that was a goal with drinking, making

2385
02:02:28,400 --> 02:02:30,840
Speaker 1: a little Is he win his silk?

2386
02:02:31,600 --> 02:02:34,760
Speaker 14: Trump is up? He's up, Trump is up. You tell

2387
02:02:35,240 --> 02:02:39,160
Speaker 14: shot to take a shot. It's marge, the mood of Jamaica.

2388
02:02:39,800 --> 02:02:43,040
Speaker 14: Shot your mo mother's small shots.

2389
02:02:44,480 --> 02:02:47,360
Speaker 1: I'm up, fucking I'm a build a wall. You all

2390
02:02:47,400 --> 02:02:51,400
Speaker 1: niggas ain't coming to Jamaica. That I'm a build a

2391
02:02:51,480 --> 02:02:56,000
Speaker 1: fucking wall for y'all motherfuckers. Y'all ain't coming one wall.

2392
02:02:56,280 --> 02:02:58,120
Speaker 1: Of course, how many times you are trying to stop

2393
02:02:58,280 --> 02:03:00,680
Speaker 1: us to come to the States. But that ship probably

2394
02:03:00,800 --> 02:03:04,440
Speaker 1: been along for your motherfuckers. Trump ship, that's it.

2395
02:03:04,680 --> 02:03:05,880
Speaker 2: That's what you get him like.

2396
02:03:12,960 --> 02:03:15,360
Speaker 1: He saw said alcohol you.

2397
02:03:18,640 --> 02:03:19,080
Speaker 2: Like you don't.

2398
02:03:19,400 --> 02:03:22,160
Speaker 1: This is a fire. I want everybody so fire dad

2399
02:03:22,280 --> 02:03:24,680
Speaker 1: you here you went, shock you man. I was I

2400
02:03:24,760 --> 02:03:26,480
Speaker 1: was heavy because you saw that I was heaving the

2401
02:03:26,560 --> 02:03:29,920
Speaker 1: last time. Come on, even in the ship out using

2402
02:03:30,680 --> 02:03:32,440
Speaker 1: I can't depay this is gonna be. You know how

2403
02:03:32,520 --> 02:03:35,800
Speaker 1: legendary this this episode is. It is pretty.

2404
02:03:37,080 --> 02:03:42,720
Speaker 30: Apologize, my brother, legend I apologize if there was ever

2405
02:03:42,800 --> 02:03:44,880
Speaker 30: a place, no way, if there ever was a face

2406
02:03:45,200 --> 02:03:47,520
Speaker 30: to go with the word of fuddle Gilly has.

2407
02:03:49,760 --> 02:03:55,440
Speaker 26: Has he like Yo, this ship rost here roster for

2408
02:03:55,760 --> 02:04:01,080
Speaker 26: we don't watch this ship. They don't understand that, brother, Yeah,

2409
02:04:01,440 --> 02:04:01,960
Speaker 26: I don't think.

2410
02:04:02,200 --> 02:04:02,520
Speaker 1: I don't.

2411
02:04:02,600 --> 02:04:05,000
Speaker 2: I don't think the fans could appreciate it unless they

2412
02:04:05,040 --> 02:04:08,320
Speaker 2: taste this motherfucker think they think me bullshit, the.

2413
02:04:08,440 --> 02:04:12,520
Speaker 1: Nasty as fuck. Come on, take off time with this

2414
02:04:13,080 --> 02:04:16,320
Speaker 1: He a fucking freak. He drinking ship like it's like

2415
02:04:16,400 --> 02:04:20,040
Speaker 1: twenty two years old. This ship though, you know he

2416
02:04:20,200 --> 02:04:22,400
Speaker 1: loves this ship though, first of all, you're too young

2417
02:04:22,520 --> 02:04:23,200
Speaker 1: to be drinking.

2418
02:04:23,360 --> 02:04:27,240
Speaker 4: Ye never don't give out and I have brot out

2419
02:04:27,240 --> 02:04:28,920
Speaker 4: of cards.

2420
02:04:29,800 --> 02:04:31,600
Speaker 1: He's something want to hospital, get it? You know, I

2421
02:04:31,760 --> 02:04:34,640
Speaker 1: drink bottles and this ship that's not something that I

2422
02:04:34,760 --> 02:04:37,800
Speaker 1: drink a whole box and set me to. You're good,

2423
02:04:37,840 --> 02:04:40,440
Speaker 1: you're good, three, three, you're good. Look discuss me.

2424
02:04:42,400 --> 02:04:42,480
Speaker 9: All.

2425
02:04:42,720 --> 02:04:44,480
Speaker 1: Come on, you ain't never had to look at. He's

2426
02:04:44,600 --> 02:04:45,480
Speaker 1: always have one.

2427
02:04:47,280 --> 02:04:50,320
Speaker 2: The show, don't you know?

2428
02:04:50,480 --> 02:04:51,080
Speaker 1: We gotta do it.

2429
02:04:51,240 --> 02:04:53,680
Speaker 4: I can't blame you that, y'all. This ship tastes like ship.

2430
02:04:54,680 --> 02:04:56,600
Speaker 4: I'm fucked up. I don't drink like that.

2431
02:04:57,440 --> 02:04:58,160
Speaker 2: It's okay.

2432
02:04:59,760 --> 02:05:11,000
Speaker 1: Hair, Wait the god, this ship, he's like, he took it,

2433
02:05:12,400 --> 02:05:15,280
Speaker 1: he took it, he took he did. Real niggas, real niggas.

2434
02:05:15,280 --> 02:05:15,400
Speaker 2: Shi.

2435
02:05:15,480 --> 02:05:19,080
Speaker 1: Come on, let's celebrated. Lot, you go test, let's go

2436
02:05:19,360 --> 02:05:22,320
Speaker 1: learn your call. You gonna do that, But I want

2437
02:05:22,360 --> 02:05:31,120
Speaker 1: to say that I already did make it on fuck up,

2438
02:05:31,160 --> 02:05:31,880
Speaker 1: I have bank pall.

2439
02:05:32,320 --> 02:05:34,920
Speaker 10: I am need some water and I ain't got no

2440
02:05:35,320 --> 02:05:47,240
Speaker 10: water to shout right now. Don't make this man no

2441
02:05:47,360 --> 02:05:48,640
Speaker 10: more than shout tire man.

2442
02:05:51,800 --> 02:05:59,360
Speaker 9: Here's Drink Champs is a Drink Champs ll C production

2443
02:05:59,680 --> 02:06:02,920
Speaker 9: host and executive producers n O r E and dj

2444
02:06:03,120 --> 02:06:08,960
Speaker 9: e FN. Listen to Drink Champs on Apple, Podcast, Amazon Music, Spotify,

2445
02:06:09,240 --> 02:06:12,880
Speaker 9: or wherever you get your podcasts. Thanks for joining us

2446
02:06:12,920 --> 02:06:15,520
Speaker 9: for another episode of Drink Champs hosted by Yours truly,

2447
02:06:15,680 --> 02:06:18,400
Speaker 9: dj e FN and n O r E. Please make

2448
02:06:18,400 --> 02:06:20,640
Speaker 9: sure to follow us on all our socials That's at

2449
02:06:20,720 --> 02:06:24,440
Speaker 9: drink Champs across all platforms at the Real Noriagon, ig

2450
02:06:25,160 --> 02:06:28,280
Speaker 9: at Noriega on Twitter, mine is at Who's Crazy on

2451
02:06:28,440 --> 02:06:32,320
Speaker 9: ig at dj e f N on Twitter, and most importantly,

2452
02:06:32,360 --> 02:06:33,600
Speaker 9: stay up to date with the latest

2453
02:06:33,640 --> 02:06:37,360
Speaker 1: Releases, news and merch by going to drink Champs dot

2454
02:06:37,480 --> 02:06:37,640
Speaker 1: com