WEBVTT - The Escherian Stairwell

0:00:05.200 --> 0:00:15.400
<v Speaker 1>Podcast, Thank you. That is it is, It's true. It's true.

0:00:15.480 --> 0:00:23.800
<v Speaker 1>Actually it could happen here listening to the podcast. That

0:00:26.680 --> 0:00:29.200
<v Speaker 1>is more or less the truth we have. We have

0:00:29.320 --> 0:00:31.960
<v Speaker 1>Dreg Robert out of bed at before their crack of

0:00:32.080 --> 0:00:35.880
<v Speaker 1>dawg at a legend forty two am. Um, and we're

0:00:35.880 --> 0:00:38.640
<v Speaker 1>gonna talk about actually something very fun. I've been I've

0:00:38.680 --> 0:00:40.360
<v Speaker 1>been wanting to talk about this for a long time

0:00:40.400 --> 0:00:42.640
<v Speaker 1>because this is one of actually one of my favorite things.

0:00:44.000 --> 0:00:47.360
<v Speaker 1>Um yeah, yeah, So I'm gonna I'm gonna tell a

0:00:47.360 --> 0:00:50.400
<v Speaker 1>bit of a bit of a little story regarding one

0:00:50.440 --> 0:00:53.520
<v Speaker 1>of my act all time favorite events and topics. So

0:00:54.120 --> 0:00:58.840
<v Speaker 1>back in like, there was this a cheesy little online

0:00:59.120 --> 0:01:03.160
<v Speaker 1>university sign show made by the Rochester Institute of Technology

0:01:03.240 --> 0:01:07.120
<v Speaker 1>called can You Imagine um. The The idea was to

0:01:07.160 --> 0:01:09.080
<v Speaker 1>highlight some of the cool and weird things at the

0:01:09.120 --> 0:01:12.280
<v Speaker 1>university UM in part to promote the Imagine r i

0:01:12.360 --> 0:01:15.600
<v Speaker 1>T Festival, which was like the school's annual like innovation

0:01:15.680 --> 0:01:20.199
<v Speaker 1>and creativity festivals think that they put on. So yeah, today,

0:01:20.240 --> 0:01:22.840
<v Speaker 1>I want to talk specifically about episode three of the

0:01:22.880 --> 0:01:27.280
<v Speaker 1>web series because the contents of which overlap with some

0:01:27.440 --> 0:01:30.319
<v Speaker 1>of my like artistic interests. UM and like just my

0:01:30.400 --> 0:01:32.959
<v Speaker 1>love of illusions and paradox and I will kind of

0:01:32.959 --> 0:01:35.200
<v Speaker 1>tie into some topics we are we always discussed in

0:01:35.240 --> 0:01:38.520
<v Speaker 1>the show. So yeah, episode three one of probably probably

0:01:38.880 --> 0:01:42.480
<v Speaker 1>the most interesting episode UM. Episode three opens with the

0:01:42.480 --> 0:01:46.440
<v Speaker 1>hosts Kevin and Steph as they like stand awkwardly in

0:01:46.440 --> 0:01:50.680
<v Speaker 1>a gloriously dated, you like university film set, like it's

0:01:50.800 --> 0:01:52.880
<v Speaker 1>it's it's it's only twenties, it's only twenty thirteen, but

0:01:52.880 --> 0:01:55.800
<v Speaker 1>it was like obviously like made in the nineties, like

0:01:55.800 --> 0:01:57.400
<v Speaker 1>like like like the set's like it's it's all it's

0:01:57.440 --> 0:02:03.360
<v Speaker 1>it's all very dated. What specific Oh, like they're they're

0:02:03.400 --> 0:02:06.520
<v Speaker 1>like they're just like weird, like like weird, like like

0:02:06.720 --> 0:02:09.840
<v Speaker 1>dadd science stuff on the walls. All the hosts of

0:02:09.960 --> 0:02:13.520
<v Speaker 1>wearing like dorky orange T shirts like like over to

0:02:13.560 --> 0:02:18.560
<v Speaker 1>over top of their regular clothes. Yeah, yeah, it's it's

0:02:18.560 --> 0:02:19.840
<v Speaker 1>it's all. It's all that kind of it's all that

0:02:19.880 --> 0:02:22.680
<v Speaker 1>kind of stuff. So like dorkey orange T shirts with

0:02:22.680 --> 0:02:25.520
<v Speaker 1>the letters r I T for Roger CRUs Sister Institute

0:02:25.520 --> 0:02:28.840
<v Speaker 1>of Technology UM. Of course, because everything in this online

0:02:28.919 --> 0:02:32.320
<v Speaker 1>video series is perfect. Kevin is wearing his shirt over

0:02:32.360 --> 0:02:35.519
<v Speaker 1>top of like a button down it's it's, it's, it's great. Um.

0:02:35.560 --> 0:02:38.160
<v Speaker 1>The first fifty seconds of the video are taken up

0:02:38.200 --> 0:02:41.919
<v Speaker 1>with like plugging the upcoming r A T Imagine Festival

0:02:42.680 --> 0:02:46.640
<v Speaker 1>with a with a co host Steph beautifully stumbling over

0:02:47.200 --> 0:02:50.200
<v Speaker 1>her lines when she says the events catchphrase, it's where

0:02:50.240 --> 0:02:53.480
<v Speaker 1>the left brain and the right brain collide. And it's great.

0:02:53.560 --> 0:02:56.240
<v Speaker 1>It's it's, it's, it's, it's it's perfect. So after all

0:02:56.280 --> 0:02:59.240
<v Speaker 1>the plugs and the vamping, the hosts get down to

0:02:59.280 --> 0:03:01.840
<v Speaker 1>the fun engineer ring feet and they'll be showing us today,

0:03:02.160 --> 0:03:05.680
<v Speaker 1>which is a neat little architectural experiment a part of

0:03:05.760 --> 0:03:08.200
<v Speaker 1>the r I T campus called the A Sharing and

0:03:08.360 --> 0:03:12.200
<v Speaker 1>Stairwell UM, of course, named after the impossible staircases depicted

0:03:12.240 --> 0:03:16.480
<v Speaker 1>in Dutch artist mc Escher's artwork. So the video cuts

0:03:16.960 --> 0:03:19.840
<v Speaker 1>two from the little like sound stage they're filming in

0:03:19.880 --> 0:03:24.160
<v Speaker 1>to this boring, white, seemingly typical stairwell. Our host Kevin

0:03:24.760 --> 0:03:28.360
<v Speaker 1>ascending a flight of the gray concrete stairs. UM explains

0:03:28.400 --> 0:03:31.400
<v Speaker 1>that what located in Building seven of the campus. The

0:03:31.440 --> 0:03:36.080
<v Speaker 1>stairwell was designed by Filipino architect Raphael Nelson Avagando and

0:03:36.200 --> 0:03:38.480
<v Speaker 1>was one of the first structures put up when our

0:03:38.520 --> 0:03:41.680
<v Speaker 1>I T moved their campus from downtown Rochester to the

0:03:41.720 --> 0:03:45.119
<v Speaker 1>more suburban Henrietta. UM when when he's taking when he's

0:03:45.120 --> 0:03:47.080
<v Speaker 1>reaching the top of the stairs, he turns the quarter

0:03:47.480 --> 0:03:49.640
<v Speaker 1>and then suddenly seems to appear at the bottom of

0:03:49.680 --> 0:03:52.120
<v Speaker 1>the lower flight of stairs, leading up to the landing

0:03:52.120 --> 0:03:54.360
<v Speaker 1>that he just left from, all while continuing to talk

0:03:54.440 --> 0:03:57.840
<v Speaker 1>about the architect behind this like kind of weird impossible

0:03:57.880 --> 0:04:00.480
<v Speaker 1>feat um. So, as Kevin walks back up the camera,

0:04:00.720 --> 0:04:03.560
<v Speaker 1>he says that the stairwell was built in the eight

0:04:03.800 --> 0:04:07.880
<v Speaker 1>and it's been wowing r I two students ever since. Um,

0:04:07.920 --> 0:04:10.520
<v Speaker 1>it's it is very cool. It's like it's like you're like, okay,

0:04:10.560 --> 0:04:13.960
<v Speaker 1>like you get you get the little like like you

0:04:13.960 --> 0:04:17.120
<v Speaker 1>get the little architectural trick that they're doing. Um, but

0:04:17.200 --> 0:04:19.000
<v Speaker 1>it's it is it is still pretty fun to see.

0:04:19.800 --> 0:04:22.520
<v Speaker 1>Before episode three of Can You Imagine aired you Can

0:04:22.680 --> 0:04:25.120
<v Speaker 1>you can already find a few articles on the school's

0:04:25.880 --> 0:04:31.080
<v Speaker 1>UH website about the issuing stairwell, along with some like

0:04:31.160 --> 0:04:35.000
<v Speaker 1>forum posts debating how the architecture in the stairwell works

0:04:35.040 --> 0:04:38.320
<v Speaker 1>to like achieve the effect. Um Also floating around on

0:04:38.360 --> 0:04:41.159
<v Speaker 1>YouTube was like a random segment of what looked like

0:04:41.200 --> 0:04:44.960
<v Speaker 1>a like a PBS style late nineties documentary about the

0:04:44.960 --> 0:04:48.440
<v Speaker 1>physics and architecture of the school and specifically the stairwell

0:04:49.000 --> 0:04:52.160
<v Speaker 1>that interviewed some like professors um and some like architects

0:04:52.200 --> 0:04:55.839
<v Speaker 1>and like a symphysicist kind of discussing what like how

0:04:55.880 --> 0:04:58.920
<v Speaker 1>to like bring paradox into the physical world. Yeah but

0:04:58.920 --> 0:05:00.360
<v Speaker 1>but but but around the time and the can You

0:05:00.400 --> 0:05:04.200
<v Speaker 1>Imagine episode aired now, like infamous r RT stairwell was

0:05:04.240 --> 0:05:08.080
<v Speaker 1>mostly unknown, so like even despite it being very interesting,

0:05:08.640 --> 0:05:10.960
<v Speaker 1>no one really knew about it until this episode of

0:05:10.960 --> 0:05:14.640
<v Speaker 1>this little web series air Um. The little web episode

0:05:14.760 --> 0:05:18.960
<v Speaker 1>dedicates around half its time to interview students, uh and

0:05:19.120 --> 0:05:21.720
<v Speaker 1>righteously random people at the university about if they even

0:05:21.760 --> 0:05:25.159
<v Speaker 1>know about the stairwell's existence um, and if they do,

0:05:25.200 --> 0:05:28.800
<v Speaker 1>what like experiences they have with like messing around with

0:05:28.800 --> 0:05:31.560
<v Speaker 1>like the looping architecture, because yeah, you can, you can

0:05:31.560 --> 0:05:33.240
<v Speaker 1>you know, you can play a lot of games with

0:05:33.279 --> 0:05:35.800
<v Speaker 1>this type of with this type of design. Uh. So

0:05:35.920 --> 0:05:37.920
<v Speaker 1>the rest of the short video like tries to demonstrate

0:05:38.160 --> 0:05:42.560
<v Speaker 1>the disorienting ascent down and descent back up via the

0:05:42.600 --> 0:05:45.160
<v Speaker 1>camera in various ways, like you know, like human chains

0:05:45.279 --> 0:05:48.919
<v Speaker 1>or holding hands around the weird like rubious loop types

0:05:49.160 --> 0:05:51.839
<v Speaker 1>staircase then like passing objects back and forth in a

0:05:51.880 --> 0:05:56.200
<v Speaker 1>circle while inside and around the enclosed stairwell. Um, there's

0:05:56.320 --> 0:05:58.960
<v Speaker 1>one where Kevin walks around with a cup to show

0:05:58.960 --> 0:06:01.800
<v Speaker 1>that the stairs aren't like clearly like heavily slanted, like

0:06:01.839 --> 0:06:04.000
<v Speaker 1>the water stays pretty pretty level as he walks all

0:06:04.000 --> 0:06:05.760
<v Speaker 1>the way through, and like we follow with him the

0:06:05.880 --> 0:06:09.280
<v Speaker 1>entire time. Um. So yeah, Like the overall like nerdy

0:06:09.320 --> 0:06:12.880
<v Speaker 1>and low fi style of the University video match with

0:06:12.960 --> 0:06:15.960
<v Speaker 1>like the insane feet of architectural illusion is a really

0:06:16.000 --> 0:06:18.000
<v Speaker 1>fun mixed like it's like it's like it's it's it

0:06:18.120 --> 0:06:21.000
<v Speaker 1>is very like surreal, but not totally on purpose, because

0:06:21.000 --> 0:06:24.960
<v Speaker 1>it's just all of these like regular college students showing

0:06:25.000 --> 0:06:28.880
<v Speaker 1>this like really cool architecture by this really good architect

0:06:29.200 --> 0:06:31.120
<v Speaker 1>and you're like, oh yeah, they're just like so chill

0:06:31.200 --> 0:06:34.839
<v Speaker 1>about it. Um, it is it is. It is pretty fun.

0:06:35.520 --> 0:06:39.200
<v Speaker 1>It's pretty fun. Um. After the third episode of the

0:06:39.240 --> 0:06:43.800
<v Speaker 1>Imagine Our i T video was posted, finally the mind

0:06:43.839 --> 0:06:47.800
<v Speaker 1>boggling looping staircase of building seven in of our T

0:06:47.960 --> 0:06:51.920
<v Speaker 1>started to gain a lot of confused appreciation. UM and

0:06:51.960 --> 0:06:55.440
<v Speaker 1>the dorky University Science show went vital. People started traveling

0:06:55.480 --> 0:06:58.279
<v Speaker 1>from out of state even other countries to see the

0:06:58.279 --> 0:07:03.159
<v Speaker 1>Asherian stairwell themselves of and film videos on social media

0:07:03.240 --> 0:07:05.280
<v Speaker 1>as as they walked through it. There this this one

0:07:05.400 --> 0:07:07.599
<v Speaker 1>video of like people traveling to a different country and

0:07:07.600 --> 0:07:10.120
<v Speaker 1>they're like harassing like the school staff to try to

0:07:10.120 --> 0:07:11.760
<v Speaker 1>like tell them where it is, and they're like, oh

0:07:11.800 --> 0:07:14.200
<v Speaker 1>my god, you're still doing this because it was like

0:07:14.200 --> 0:07:16.000
<v Speaker 1>because like this film was this video is like like

0:07:16.200 --> 0:07:18.800
<v Speaker 1>years old, but it's it still happens. People still travel

0:07:18.840 --> 0:07:22.400
<v Speaker 1>there to to specifically see it. Um. There is like

0:07:22.480 --> 0:07:26.200
<v Speaker 1>tense online discussion and debate on how the Filipino architect

0:07:26.440 --> 0:07:29.160
<v Speaker 1>Raphael Avugando was able to achieve the effect and what

0:07:29.280 --> 0:07:32.160
<v Speaker 1>kind of other bizarre architectural experiments he may have worked on,

0:07:32.800 --> 0:07:34.880
<v Speaker 1>because you can find his Facebook page and you can

0:07:34.920 --> 0:07:37.240
<v Speaker 1>find some stuff about him, but he has not really

0:07:37.240 --> 0:07:39.760
<v Speaker 1>because like this this steroile was built in the late sixties,

0:07:40.000 --> 0:07:42.120
<v Speaker 1>but you haven't you, So he even though he has

0:07:42.160 --> 0:07:44.320
<v Speaker 1>an online presence, he's like he's like he's not like active,

0:07:44.680 --> 0:07:49.400
<v Speaker 1>so it's unclear like what else he's actually been doing. Um,

0:07:49.440 --> 0:07:51.240
<v Speaker 1>but I would I would, I would love to learn

0:07:51.240 --> 0:07:53.880
<v Speaker 1>more about this architect and what else he's done because

0:07:54.040 --> 0:07:56.400
<v Speaker 1>this it is it is really rare to have these

0:07:56.560 --> 0:08:01.840
<v Speaker 1>very small, condensed but like high effort type like type builds,

0:08:02.680 --> 0:08:05.760
<v Speaker 1>and like the the existence of the whole thing. Posted

0:08:05.800 --> 0:08:09.920
<v Speaker 1>some really interesting questions around how extremely clever paradoxical design

0:08:10.120 --> 0:08:12.600
<v Speaker 1>can push the boundary of how we make assumptions about

0:08:12.640 --> 0:08:15.680
<v Speaker 1>spatial physics UM, and how we visually and physically demonstrate

0:08:15.720 --> 0:08:18.280
<v Speaker 1>things that we usually can only depict in two dimensions,

0:08:18.400 --> 0:08:20.280
<v Speaker 1>right like you can you can easily depict the the

0:08:20.280 --> 0:08:22.920
<v Speaker 1>issuing in stairwell in two dimensions, but when you're scaling

0:08:22.920 --> 0:08:26.080
<v Speaker 1>that up to three dimensions, it's obviously more works like

0:08:26.080 --> 0:08:28.880
<v Speaker 1>like that. That is that is part of the paradox um.

0:08:29.000 --> 0:08:31.400
<v Speaker 1>Plus you know, it also demonstrates the importance of art

0:08:31.520 --> 0:08:34.840
<v Speaker 1>and how ideas once thought impossible or merely optical illusions

0:08:35.080 --> 0:08:39.120
<v Speaker 1>can actually, with enough datacat effort, break into our real reality. Uh.

0:08:39.160 --> 0:08:41.520
<v Speaker 1>If a brilliant architect can manage to build this physically

0:08:41.520 --> 0:08:44.760
<v Speaker 1>and like logically impossible structure, what other types of things

0:08:44.760 --> 0:08:47.760
<v Speaker 1>can we actually view as possible? Um? The video now

0:08:47.800 --> 0:08:50.400
<v Speaker 1>has like over a million views on its original upload.

0:08:50.920 --> 0:08:53.640
<v Speaker 1>UM and videos about the r I t stairwell have

0:08:53.800 --> 0:08:55.920
<v Speaker 1>ranked up as many as like twenty five million views.

0:08:56.960 --> 0:09:01.160
<v Speaker 1>Yeah it's pretty cool. Yeah. You know what else demonstrates

0:09:01.200 --> 0:09:05.199
<v Speaker 1>the looping nature of time. Having to listen to all

0:09:05.360 --> 0:09:19.240
<v Speaker 1>these ads that we do, ye do we we are

0:09:19.360 --> 0:09:22.200
<v Speaker 1>we are back. I've I've rounded the corner and we

0:09:22.240 --> 0:09:26.040
<v Speaker 1>are back where we came from. Um because of the

0:09:26.600 --> 0:09:32.839
<v Speaker 1>fun paradox of architecture. Um. The one the one other

0:09:32.920 --> 0:09:35.560
<v Speaker 1>thing I should mention it before we continue on this

0:09:35.600 --> 0:09:38.600
<v Speaker 1>episode is that the entire thing is fake. It's false.

0:09:38.920 --> 0:09:43.000
<v Speaker 1>No way, not this time. We created it. Not this time, no,

0:09:43.320 --> 0:09:46.680
<v Speaker 1>not this time. It's totally made up. Because of course

0:09:46.880 --> 0:09:49.800
<v Speaker 1>it's it's a staircase that breaks the basic girls of

0:09:49.880 --> 0:09:53.600
<v Speaker 1>movement in physics. Kevin walks up the stairs and teleports

0:09:53.600 --> 0:09:56.400
<v Speaker 1>to the lower stairwell. Belief them this this that's not

0:09:56.480 --> 0:09:59.520
<v Speaker 1>that's that's not an architectural allusion. It's called a good video.

0:09:59.520 --> 0:10:04.520
<v Speaker 1>And the day and adobe after effects like no, you're

0:10:04.559 --> 0:10:07.599
<v Speaker 1>you're really gonna believe a video on the Internet and

0:10:07.760 --> 0:10:11.280
<v Speaker 1>some well placed, falsified Internet posts over the very basic

0:10:11.400 --> 0:10:15.640
<v Speaker 1>rules that governed our universe. But like, oh boy, did

0:10:15.640 --> 0:10:18.920
<v Speaker 1>it fool millions of people? Uh? And if I played

0:10:18.960 --> 0:10:21.200
<v Speaker 1>my cards right, I hope most of our listeners until

0:10:21.240 --> 0:10:26.040
<v Speaker 1>the last few seconds. Um yeah, and uh so the

0:10:26.080 --> 0:10:30.000
<v Speaker 1>whole the whole thing was a was a student like

0:10:30.120 --> 0:10:34.600
<v Speaker 1>film and art project around around building a modern myth.

0:10:35.720 --> 0:10:38.960
<v Speaker 1>Um the it's because it's sure, It's sure is interesting

0:10:39.240 --> 0:10:44.640
<v Speaker 1>how good storytelling can overrule obvious logical processes. The tale

0:10:44.640 --> 0:10:46.959
<v Speaker 1>of the is Sharian Stairwell is one of my favorite

0:10:46.960 --> 0:10:50.360
<v Speaker 1>case studies and how disinprobation spreads and it's believed while

0:10:50.440 --> 0:10:53.000
<v Speaker 1>all in defiance of the basic rules of reality, because

0:10:53.040 --> 0:10:55.160
<v Speaker 1>it's not a matter of what facts are true, it's

0:10:55.160 --> 0:10:57.800
<v Speaker 1>about what facts are compelling. And the idea of a

0:10:57.840 --> 0:11:02.600
<v Speaker 1>logically impossible staircase being built by a brilliant Philippino architect

0:11:02.800 --> 0:11:06.880
<v Speaker 1>is more interesting than it being someone's weird and disinformation

0:11:06.960 --> 0:11:12.000
<v Speaker 1>art project. Um there. So yeah, Like I want to say,

0:11:12.000 --> 0:11:14.520
<v Speaker 1>like how what what were you guys thinking as I

0:11:14.559 --> 0:11:17.920
<v Speaker 1>was explaining the Asurian stairwell, Like where did you see

0:11:17.920 --> 0:11:20.040
<v Speaker 1>this going? Okay, so I had in the back of

0:11:20.080 --> 0:11:23.880
<v Speaker 1>my head, Okay, we should we should mention this. Garrison

0:11:23.880 --> 0:11:28.200
<v Speaker 1>has been hyping up this episode for like I don't

0:11:28.200 --> 0:11:34.480
<v Speaker 1>even a pretty amount of time nothing, Yeah, and there's

0:11:34.480 --> 0:11:38.440
<v Speaker 1>a staircase, and I'm like what what? I was like,

0:11:39.000 --> 0:11:41.520
<v Speaker 1>my my brain my brain started going because he said

0:11:42.280 --> 0:11:47.200
<v Speaker 1>and I was like my like my encountering surgency brain

0:11:47.280 --> 0:11:50.640
<v Speaker 1>flicked on and I was like, wait a second, hold time,

0:11:50.760 --> 0:11:55.000
<v Speaker 1>is this like some kind of like weird like we've

0:11:55.000 --> 0:11:58.200
<v Speaker 1>redesigned the college campuses so they stop people stopped taking

0:11:58.200 --> 0:12:02.079
<v Speaker 1>the dean hostage, a thing that used to happen constantly

0:12:02.120 --> 0:12:05.120
<v Speaker 1>and with all my favorite party about this would happen constantly,

0:12:05.160 --> 0:12:11.840
<v Speaker 1>and you'd get New York Times articles calling it non violent. Great. Yeah,

0:12:12.000 --> 0:12:15.240
<v Speaker 1>so yeah it was that was that was. Yeah. I

0:12:15.240 --> 0:12:17.200
<v Speaker 1>spent more mental energy that I probably should have tried

0:12:17.280 --> 0:12:19.319
<v Speaker 1>to figure out how it worked out. Was like, I

0:12:19.320 --> 0:12:21.560
<v Speaker 1>don't know, maybe they just made it, Like if they

0:12:21.600 --> 0:12:25.719
<v Speaker 1>just made it Acus Razor, it's obviously yeah. I mean

0:12:25.880 --> 0:12:27.400
<v Speaker 1>I was. I was in the like I was in

0:12:27.440 --> 0:12:29.400
<v Speaker 1>the like okay, so they built a staircase, they built

0:12:29.440 --> 0:12:33.280
<v Speaker 1>another the viewers cannot see my fingers and it was like,

0:12:33.640 --> 0:12:36.800
<v Speaker 1>it's a staircase. It doesn't tell it. It was like

0:12:36.840 --> 0:12:39.520
<v Speaker 1>it was like, but you can't find videos of people

0:12:39.520 --> 0:12:41.960
<v Speaker 1>traveling to the school to see if it's real. And

0:12:42.000 --> 0:12:44.520
<v Speaker 1>they try it and they're so disappointed. They're like, oh, yeah,

0:12:44.559 --> 0:12:48.080
<v Speaker 1>it's it's no, it's just stairs. It doesn't it doesn't. Yeah,

0:12:48.040 --> 0:12:49.720
<v Speaker 1>it's disappointed in a lot of ways because it's it's

0:12:49.760 --> 0:12:51.480
<v Speaker 1>not even like a thing where like there's like another

0:12:51.520 --> 0:12:54.400
<v Speaker 1>back staircase that you walked down. Then again it's just

0:12:54.440 --> 0:12:57.280
<v Speaker 1>it's just nothing. It's just stas I was hoping there

0:12:57.360 --> 0:13:01.040
<v Speaker 1>was like, actually clever thing is No, it's just it's

0:13:01.080 --> 0:13:07.360
<v Speaker 1>not really it's it's it's just. It was that meme

0:13:07.640 --> 0:13:10.360
<v Speaker 1>where all the math doesn't add up in the person

0:13:11.360 --> 0:13:14.599
<v Speaker 1>what is happening? I was like, all right, Garrison, you

0:13:14.720 --> 0:13:17.600
<v Speaker 1>got us here. You made Robert get up before noon.

0:13:17.840 --> 0:13:21.920
<v Speaker 1>What is happening? Well, the reason, the real reason I

0:13:21.960 --> 0:13:24.440
<v Speaker 1>got up before I got Robert up before noon is

0:13:24.480 --> 0:13:28.800
<v Speaker 1>because I actually, um have scheduled an interview with the

0:13:28.960 --> 0:13:31.920
<v Speaker 1>creator of the Assarian Stairwell, the actual one be like

0:13:32.559 --> 0:13:37.960
<v Speaker 1>the online art project and building a modern myth idea um,

0:13:37.960 --> 0:13:41.400
<v Speaker 1>which we are now going to segue into. So yeah,

0:13:42.000 --> 0:13:46.400
<v Speaker 1>what what follows is us talking with the creator of

0:13:46.559 --> 0:14:01.080
<v Speaker 1>the Assarian Stairwell project. Hello, we are we are back

0:14:01.160 --> 0:14:04.839
<v Speaker 1>from our probably very very brief break um and with

0:14:04.880 --> 0:14:10.360
<v Speaker 1>me along with Robert and Chris and Sophie is Uh Michael,

0:14:10.520 --> 0:14:15.640
<v Speaker 1>the creator of the Sharian Stairwell Project and the Building

0:14:15.920 --> 0:14:22.560
<v Speaker 1>the Modern Myths Project. Hello greetings, Thank you so much

0:14:22.600 --> 0:14:26.080
<v Speaker 1>for joining us to talk about one of my one

0:14:26.120 --> 0:14:29.200
<v Speaker 1>of my favorite things actually is which is here a

0:14:29.200 --> 0:14:33.240
<v Speaker 1>little to us to project? Um yeah, I've been a

0:14:33.240 --> 0:14:35.120
<v Speaker 1>fan of this for a long time and found it

0:14:35.200 --> 0:14:39.000
<v Speaker 1>to be really compelling and interesting. Um and I so

0:14:39.080 --> 0:14:43.640
<v Speaker 1>I just walked through Robert and Chris and Sophie what

0:14:43.640 --> 0:14:46.280
<v Speaker 1>what it what it was, but from the perspective of

0:14:46.320 --> 0:14:50.000
<v Speaker 1>it being true for like for the good fifteen minutes,

0:14:50.120 --> 0:14:52.280
<v Speaker 1>I was I was episode was going, I was going

0:14:52.320 --> 0:14:55.480
<v Speaker 1>through talking about it as if it were completely real,

0:14:56.120 --> 0:15:02.240
<v Speaker 1>but curious that it was. It was slightly baffling because

0:15:02.680 --> 0:15:05.360
<v Speaker 1>again we were told nothing, and then what we got

0:15:05.400 --> 0:15:07.720
<v Speaker 1>is Garrison is talking about a YouTube video about an

0:15:07.800 --> 0:15:15.160
<v Speaker 1>architecture thing and I was like what here? Yeah, and

0:15:15.200 --> 0:15:18.000
<v Speaker 1>then and then then talking about how oh yeah, and

0:15:18.080 --> 0:15:20.120
<v Speaker 1>I guess one more thing is that it's actually fake.

0:15:20.640 --> 0:15:22.720
<v Speaker 1>Um and it's part of this whole this whole thing.

0:15:23.040 --> 0:15:25.960
<v Speaker 1>So yeah, I would I would love to talk to

0:15:26.000 --> 0:15:29.240
<v Speaker 1>you about both, like how how you like logistically like

0:15:29.280 --> 0:15:32.760
<v Speaker 1>made the project, but also like the underlying you're wondering

0:15:32.880 --> 0:15:35.640
<v Speaker 1>thought thoughts that like inspired you to do in the

0:15:35.640 --> 0:15:38.520
<v Speaker 1>first place, and then like retrospected now almost like ten

0:15:38.600 --> 0:15:40.840
<v Speaker 1>years later, like how do you view the project as

0:15:40.880 --> 0:15:43.440
<v Speaker 1>like happening you know, right before like the peak of

0:15:43.480 --> 0:15:49.080
<v Speaker 1>online disinformation? Um? Right, So but first of all, I

0:15:49.240 --> 0:15:51.240
<v Speaker 1>just think we should would probably start start at the beginning,

0:15:51.240 --> 0:15:53.800
<v Speaker 1>like what what was your inspirations for this type of

0:15:53.840 --> 0:15:56.800
<v Speaker 1>like online like very because it seems it seems it

0:15:56.800 --> 0:16:01.520
<v Speaker 1>seems built to go viral in a lot of ways. Yes, exactly.

0:16:01.560 --> 0:16:05.680
<v Speaker 1>So this was around twenty eleven, I guess was when

0:16:05.680 --> 0:16:09.680
<v Speaker 1>I first got the idea. It was for my master's thesis,

0:16:09.800 --> 0:16:13.520
<v Speaker 1>my m f A for film at Rochester r I

0:16:13.600 --> 0:16:19.200
<v Speaker 1>t and UM. The idea actually began from this like

0:16:19.400 --> 0:16:26.200
<v Speaker 1>deep anxiety about how to discern fact from fiction? Um.

0:16:26.240 --> 0:16:29.560
<v Speaker 1>At the time, like I came into film school like

0:16:29.640 --> 0:16:34.200
<v Speaker 1>really into like realism in films like Romanian new Wave

0:16:34.640 --> 0:16:38.120
<v Speaker 1>mckel hanaka dar Dan Brothers. Like these are filmmakers who

0:16:38.120 --> 0:16:40.920
<v Speaker 1>are like they're sort of like the modern day version

0:16:41.000 --> 0:16:44.560
<v Speaker 1>of Italian nero neo realism, and they're trying to like

0:16:44.640 --> 0:16:48.040
<v Speaker 1>depict like these um, reality as it is. I wanted

0:16:48.080 --> 0:16:52.160
<v Speaker 1>to like learn how to make those types of films. UM.

0:16:52.160 --> 0:16:54.520
<v Speaker 1>So over like with each year, that's what I tried

0:16:54.560 --> 0:16:57.880
<v Speaker 1>to get better at. And the more I tried to

0:16:58.200 --> 0:17:02.440
<v Speaker 1>do that, UM well, like a number of things were

0:17:02.440 --> 0:17:05.800
<v Speaker 1>happening around that time. Right in class, they showed us

0:17:05.840 --> 0:17:09.359
<v Speaker 1>that these mockumentaries called No Lies, which was made in

0:17:09.480 --> 0:17:13.040
<v Speaker 1>nineteen seventy three by this guy called Mitchell Black actually

0:17:13.040 --> 0:17:17.080
<v Speaker 1>won a student oscar at the time, and uh Delusions

0:17:17.080 --> 0:17:20.320
<v Speaker 1>and Modern Primitivism two thousand one by this guy named

0:17:20.400 --> 0:17:25.240
<v Speaker 1>Daniel Laughlin, UM, and these Like I was like floored

0:17:25.359 --> 0:17:31.600
<v Speaker 1>because I thought they were real, like real documentaries and um,

0:17:31.800 --> 0:17:35.880
<v Speaker 1>and it bothered me, like our teachers still this afterwards

0:17:35.880 --> 0:17:38.439
<v Speaker 1>that these were actually scripted works of fiction with like

0:17:38.640 --> 0:17:42.160
<v Speaker 1>really really good actors, and it like I went into

0:17:42.240 --> 0:17:46.199
<v Speaker 1>kind of like existential crisis mode afterwards, like how do

0:17:46.240 --> 0:17:49.119
<v Speaker 1>I even discern what's true from what's not if I

0:17:49.160 --> 0:17:52.879
<v Speaker 1>got fooled by these things, especially like that's like my concentration,

0:17:53.160 --> 0:17:55.600
<v Speaker 1>that's what I've been studying for years, and even I

0:17:55.640 --> 0:17:58.760
<v Speaker 1>was not even able to tell that they were fake. Right,

0:17:59.440 --> 0:18:02.280
<v Speaker 1>There was that going on, and then there was like

0:18:02.600 --> 0:18:05.159
<v Speaker 1>smartphones were becoming a thing, Like I just looked it up.

0:18:05.600 --> 0:18:10.840
<v Speaker 1>Smartphones didn't start out out selling flip phones still, so

0:18:10.880 --> 0:18:13.560
<v Speaker 1>around this time, like it was becoming a thing where

0:18:13.640 --> 0:18:16.159
<v Speaker 1>everyone would have the Internet in their pockets. So I

0:18:16.160 --> 0:18:21.399
<v Speaker 1>guess there was that anxiety going on trying to think about, um, um,

0:18:21.520 --> 0:18:26.480
<v Speaker 1>how we're starting to function and how we're how I

0:18:26.520 --> 0:18:29.960
<v Speaker 1>remember when I proposed my thesis, did the thesis committee,

0:18:29.960 --> 0:18:35.199
<v Speaker 1>I um, one of the things that I was telling

0:18:35.240 --> 0:18:39.639
<v Speaker 1>them was, um, I have this worry about how reliant

0:18:39.720 --> 0:18:43.200
<v Speaker 1>we are on the Internet to determine what's true and

0:18:43.240 --> 0:18:46.240
<v Speaker 1>what's not. And this is like like my professors found

0:18:46.320 --> 0:18:49.680
<v Speaker 1>my concerns like really abstract and theoretical, like why do

0:18:49.800 --> 0:18:53.720
<v Speaker 1>you even care? Because this right, Like why did you

0:18:54.000 --> 0:18:56.679
<v Speaker 1>about fact and ficture? It wasn't like fake news. That

0:18:56.760 --> 0:19:00.040
<v Speaker 1>wasn't even an It wasn't It didn't become part of

0:19:00.119 --> 0:19:03.760
<v Speaker 1>the everyday lexicon, like you said, until six when Trump

0:19:03.840 --> 0:19:07.560
<v Speaker 1>started throwing that term around and suddenly we hear about

0:19:07.600 --> 0:19:10.679
<v Speaker 1>it every day. Um, So there was that going on.

0:19:10.840 --> 0:19:13.680
<v Speaker 1>Trayvon Martin was a thing, and for the first time,

0:19:13.760 --> 0:19:19.439
<v Speaker 1>like nationally, you could see like disinformation like on you know,

0:19:19.560 --> 0:19:23.919
<v Speaker 1>just like exaggerated versions of different different accounts from like

0:19:24.000 --> 0:19:29.160
<v Speaker 1>polarizing sides. So all that was going on, and so

0:19:29.280 --> 0:19:33.360
<v Speaker 1>I I wanted to it was it was like this

0:19:33.440 --> 0:19:38.320
<v Speaker 1>film project was about um trying to take something that

0:19:38.560 --> 0:19:41.879
<v Speaker 1>was Are you familiar with with the difference between like

0:19:42.000 --> 0:19:47.280
<v Speaker 1>a priori knowledge and a posteriori knowledge? Yeah? Okay, so

0:19:48.280 --> 0:19:51.040
<v Speaker 1>so so like you know, for for anyone who might

0:19:51.080 --> 0:19:54.480
<v Speaker 1>be listening that doesn't really know the exact difference. A

0:19:54.880 --> 0:19:58.560
<v Speaker 1>priori knowledge is the type of knowledge that you can

0:19:58.800 --> 0:20:02.919
<v Speaker 1>have without needing to make observations or conduct experiments or

0:20:03.000 --> 0:20:05.920
<v Speaker 1>look at surveys or do any research of any any kind.

0:20:06.160 --> 0:20:09.040
<v Speaker 1>Is a sort of knowledge you can know just by

0:20:09.280 --> 0:20:12.800
<v Speaker 1>reasoning it out, but just by sitting in a room

0:20:12.880 --> 0:20:16.040
<v Speaker 1>by yourself in the dark, you could figure things out.

0:20:16.119 --> 0:20:19.160
<v Speaker 1>This is the sort This is a priori knowledge um.

0:20:19.240 --> 0:20:21.639
<v Speaker 1>So for an example of that is like knowing that

0:20:21.760 --> 0:20:26.320
<v Speaker 1>all bachelor's are unmarried, right, or all triangles of three sides,

0:20:26.720 --> 0:20:30.800
<v Speaker 1>that's a priori knowledge. An example of oppos stereori knowledge

0:20:31.280 --> 0:20:36.360
<v Speaker 1>um is something that you find out through observation or

0:20:36.680 --> 0:20:39.760
<v Speaker 1>you need using one or more of your five senses, right,

0:20:40.200 --> 0:20:44.720
<v Speaker 1>Like Joe Biden is the President of the United States. Um,

0:20:44.760 --> 0:20:47.320
<v Speaker 1>the masses of Mars is six point four one seven

0:20:47.359 --> 0:20:50.159
<v Speaker 1>one times ten to the twys. You actually have to

0:20:50.200 --> 0:20:53.600
<v Speaker 1>go out into the world and conduct surveys or do research.

0:20:53.680 --> 0:20:56.680
<v Speaker 1>So that's oppos stereo knowledge. So the idea was to

0:20:56.760 --> 0:21:02.359
<v Speaker 1>take something that was a priori as something that could

0:21:02.680 --> 0:21:07.639
<v Speaker 1>that could um be disproven by reason alone, Like you

0:21:07.680 --> 0:21:10.879
<v Speaker 1>wouldn't have You wouldn't need to do any research in

0:21:11.040 --> 0:21:13.439
<v Speaker 1>order to to know that it was false. You'd simply

0:21:13.440 --> 0:21:18.520
<v Speaker 1>had to reflect on it and um think about it. Uh.

0:21:18.560 --> 0:21:20.840
<v Speaker 1>So we could have picked anything, right, we could have.

0:21:21.160 --> 0:21:23.760
<v Speaker 1>We could have said made up like a fake news

0:21:23.800 --> 0:21:28.520
<v Speaker 1>report that Lee's mathematicians that m I T having invented

0:21:28.560 --> 0:21:32.920
<v Speaker 1>like a square with five sides something like that. You know, Um,

0:21:33.040 --> 0:21:35.640
<v Speaker 1>I remember that weekend up there in sm now had

0:21:35.680 --> 0:21:39.960
<v Speaker 1>this sketch. I think it was like, um, forget who

0:21:39.960 --> 0:21:42.080
<v Speaker 1>it was. It might have been Kevin Nealon or something

0:21:42.119 --> 0:21:46.159
<v Speaker 1>like that. The report was like scientists and mathematicians have

0:21:46.280 --> 0:21:50.159
<v Speaker 1>discovered the new number. The number exists between five and six,

0:21:50.200 --> 0:21:52.560
<v Speaker 1>and they're calling it the numbers spleen, you know, something

0:21:52.640 --> 0:21:58.040
<v Speaker 1>like that, which is like just impossible. So, um, so

0:21:58.160 --> 0:22:01.560
<v Speaker 1>come up with something that could be disproven by reason alone,

0:22:02.000 --> 0:22:05.320
<v Speaker 1>and at the same time surrounded with this wealth of

0:22:05.440 --> 0:22:11.359
<v Speaker 1>online information UM supporting its veracity. So like you know,

0:22:11.400 --> 0:22:14.159
<v Speaker 1>it was kind of a social experiment. So I was like,

0:22:14.240 --> 0:22:18.119
<v Speaker 1>have we are we so far beyond rational thinking that

0:22:18.400 --> 0:22:23.080
<v Speaker 1>even something that can be disproven a priori people would

0:22:23.080 --> 0:22:25.439
<v Speaker 1>believe And it was like, we didn't really know the

0:22:25.480 --> 0:22:27.840
<v Speaker 1>answer to that, but we were going to commit to

0:22:28.000 --> 0:22:31.560
<v Speaker 1>creating this thing as though it was real and but

0:22:31.720 --> 0:22:34.919
<v Speaker 1>which was like logically impossible. So in a way it

0:22:35.000 --> 0:22:40.480
<v Speaker 1>anticipated the age of like this information because it wasn't

0:22:40.520 --> 0:22:43.320
<v Speaker 1>just Yeah. The thing I kind of alluded to in

0:22:43.359 --> 0:22:45.480
<v Speaker 1>my little scripted portion is that like, yeah, it wasn't

0:22:45.520 --> 0:22:47.639
<v Speaker 1>just the YouTube video. There was also this extra online

0:22:47.680 --> 0:22:52.240
<v Speaker 1>content that was created, um, some of which articles, So yeah, yes,

0:22:52.400 --> 0:22:54.480
<v Speaker 1>like there was you can find like articles, forum posts,

0:22:54.680 --> 0:22:56.840
<v Speaker 1>all this kind of stuff, like like like if yeah,

0:22:56.880 --> 0:22:58.520
<v Speaker 1>like so if you could look into it more and

0:22:58.640 --> 0:23:01.359
<v Speaker 1>find these other things, but it's still contradicts the basic

0:23:01.440 --> 0:23:05.040
<v Speaker 1>logical processes that we can use to discern what is

0:23:05.080 --> 0:23:08.199
<v Speaker 1>real what is not ums, Like yeah, in terms of

0:23:08.200 --> 0:23:10.520
<v Speaker 1>like believing in a five seed square, like no, that's

0:23:10.560 --> 0:23:13.560
<v Speaker 1>not what that that that's not how like physics and

0:23:13.680 --> 0:23:18.400
<v Speaker 1>like spatial like the spatial dimensions work. Um. So yeah,

0:23:18.480 --> 0:23:20.960
<v Speaker 1>and then in terms of all the extra material you

0:23:21.040 --> 0:23:23.199
<v Speaker 1>filmed for it, because there was like there was like

0:23:23.240 --> 0:23:26.640
<v Speaker 1>I think I read around like nine hours of documentary footage.

0:23:27.000 --> 0:23:30.280
<v Speaker 1>Was also a lot like a lot of footage, but

0:23:30.359 --> 0:23:34.880
<v Speaker 1>it was only made into like probably a thirty minute thing. Um.

0:23:34.960 --> 0:23:37.520
<v Speaker 1>We got our friends, like at the very very beginning,

0:23:37.560 --> 0:23:39.240
<v Speaker 1>we got our friends to play along with it. Like

0:23:39.280 --> 0:23:41.760
<v Speaker 1>so whenever you see posts about this, just comment like

0:23:41.920 --> 0:23:44.160
<v Speaker 1>it's real, Like, yeah, I was there. It was really great.

0:23:44.840 --> 0:23:49.520
<v Speaker 1>And um, eventually people would actually start visiting the stairwell,

0:23:49.760 --> 0:23:53.440
<v Speaker 1>like from all over, like from Canada. They crossed the

0:23:53.480 --> 0:23:57.040
<v Speaker 1>border to get there because it's in upstate New York, right, Um.

0:23:57.240 --> 0:24:00.600
<v Speaker 1>And I actually ran into a couple from Indie, uh

0:24:00.720 --> 0:24:03.159
<v Speaker 1>who happened to be visiting visiting New York, and they

0:24:03.160 --> 0:24:04.960
<v Speaker 1>were like, since we're here, we'd like to see this

0:24:05.040 --> 0:24:09.399
<v Speaker 1>stare well that sort of thing. Um. Oh no, I know.

0:24:09.520 --> 0:24:11.879
<v Speaker 1>I felt really bad for a lot of the visitors,

0:24:11.920 --> 0:24:14.520
<v Speaker 1>so we actually had to come up with souvenirs so

0:24:14.560 --> 0:24:17.240
<v Speaker 1>that they wouldn't leave empty handed, right, So we made

0:24:17.240 --> 0:24:20.040
<v Speaker 1>fake We made postcards like saying I've been to the

0:24:20.119 --> 0:24:23.920
<v Speaker 1>Share and stareile and stuff like that program good and

0:24:24.160 --> 0:24:27.320
<v Speaker 1>um what happened and the way we explained it. So

0:24:27.359 --> 0:24:29.720
<v Speaker 1>a lot of people were really mad actually you know,

0:24:29.760 --> 0:24:33.680
<v Speaker 1>as you can imagine when they got there. But after um,

0:24:33.880 --> 0:24:36.840
<v Speaker 1>we would explain what we were doing to them with

0:24:36.920 --> 0:24:39.760
<v Speaker 1>the project. Like a lot of them actually like started

0:24:39.760 --> 0:24:41.800
<v Speaker 1>playing along and thought was really cool, and they went

0:24:41.880 --> 0:24:44.800
<v Speaker 1>home with their souvenirs and told their friends that they

0:24:44.880 --> 0:24:47.080
<v Speaker 1>just saw this amazing thing. So you know, it kind

0:24:47.080 --> 0:24:49.480
<v Speaker 1>of built that way for a little bit. I mean yeah,

0:24:49.520 --> 0:24:53.200
<v Speaker 1>because it's it's like telling kids that Santa isn't real exactly,

0:24:53.520 --> 0:24:55.400
<v Speaker 1>and then some of them will be like play along

0:24:55.400 --> 0:24:57.200
<v Speaker 1>with like okay, cool, this means I can play along

0:24:57.240 --> 0:24:59.639
<v Speaker 1>with the myth to help you other kids happy. And

0:24:59.760 --> 0:25:02.640
<v Speaker 1>some of will be like, what, oh no, my entire

0:25:02.720 --> 0:25:07.880
<v Speaker 1>reality is broken. And when you find out it's your

0:25:07.920 --> 0:25:11.239
<v Speaker 1>trying to like pass it on exactly that. So a

0:25:11.240 --> 0:25:15.240
<v Speaker 1>lot of that was going on, Like Shack the Basketball

0:25:15.240 --> 0:25:17.880
<v Speaker 1>Player posted about it at some point, Joe Rogan talked

0:25:17.920 --> 0:25:21.280
<v Speaker 1>about it on his podcast They Got kind of Crazy.

0:25:21.920 --> 0:25:26.919
<v Speaker 1>Wait wait, did Joe Rogan know it wasn't real? Um,

0:25:26.960 --> 0:25:29.000
<v Speaker 1>it's funny. You should see the clip of him doing it,

0:25:29.040 --> 0:25:30.879
<v Speaker 1>because he was like it was him, and who's the

0:25:30.920 --> 0:25:34.320
<v Speaker 1>other guy, Bert Kreiser or something. Anyway, they were arguing

0:25:34.320 --> 0:25:36.240
<v Speaker 1>about whether or not was really. The other guy was like, no,

0:25:36.320 --> 0:25:39.560
<v Speaker 1>it's real, it's so real. Rogan was like, all you

0:25:39.600 --> 0:25:42.280
<v Speaker 1>guys are fucking idiots. You're all idiots. Let's google it

0:25:42.400 --> 0:25:45.360
<v Speaker 1>right now. They google it and they look up an

0:25:45.440 --> 0:25:49.000
<v Speaker 1>article and Joe Joe Rogan's like, Okay, yeah, alright, it's

0:25:49.000 --> 0:25:51.639
<v Speaker 1>still fucking stupid. The guy who built it is fucking

0:25:51.960 --> 0:25:58.000
<v Speaker 1>you know. I you have You have no idea how

0:25:58.000 --> 0:26:00.600
<v Speaker 1>happy you have faced it because I in my in

0:26:00.680 --> 0:26:03.359
<v Speaker 1>my research, but like I have like read your thesis.

0:26:03.400 --> 0:26:06.080
<v Speaker 1>I read all the lots of articles about this. I

0:26:06.119 --> 0:26:10.680
<v Speaker 1>did not come across the rug clip, but I would, right.

0:26:11.320 --> 0:26:14.200
<v Speaker 1>Um it's like way back right, it's like ten years ago,

0:26:14.240 --> 0:26:15.960
<v Speaker 1>and it's like a lot of stuff to dig through

0:26:16.040 --> 0:26:20.119
<v Speaker 1>and I found it though. Again, um, so I'd like

0:26:20.160 --> 0:26:21.760
<v Speaker 1>to kind of go into like the logistics of like

0:26:21.800 --> 0:26:23.800
<v Speaker 1>actually doing this in terms of like creating all the

0:26:23.800 --> 0:26:27.200
<v Speaker 1>fake like web content, but also like you know, dreaming

0:26:27.280 --> 0:26:30.639
<v Speaker 1>up this like family friendly science show that's made by

0:26:30.640 --> 0:26:32.679
<v Speaker 1>our I t and like how like you know the

0:26:32.720 --> 0:26:35.359
<v Speaker 1>thing between like naturalism and realism and making it like

0:26:35.720 --> 0:26:39.760
<v Speaker 1>playing not trying to replicate reality, but playing as if

0:26:39.760 --> 0:26:44.560
<v Speaker 1>it were reality, and how those those are two different things. Um. Yeah,

0:26:44.600 --> 0:26:47.920
<v Speaker 1>well what we wanted to make it as real as possible,

0:26:48.000 --> 0:26:51.760
<v Speaker 1>and like that's what I was I'd been studying anyway,

0:26:51.760 --> 0:26:57.400
<v Speaker 1>but in like a dramatic context, like making narrative films. Um.

0:26:57.600 --> 0:27:01.440
<v Speaker 1>And the idea was to, um, there's this event at

0:27:01.560 --> 0:27:03.720
<v Speaker 1>r I t every year which gets a lot of people,

0:27:03.840 --> 0:27:06.840
<v Speaker 1>like thirty thousand people a year go to the campus

0:27:06.880 --> 0:27:11.240
<v Speaker 1>and look at like, um, these uh whatever the students

0:27:11.280 --> 0:27:13.280
<v Speaker 1>are working on. It's kind of like a mini like

0:27:13.480 --> 0:27:16.560
<v Speaker 1>festival type of thing. Well, not many is pretty big.

0:27:16.680 --> 0:27:18.800
<v Speaker 1>So we just we wanted to make a video for

0:27:18.880 --> 0:27:22.480
<v Speaker 1>that event. Um. As though we were promoting the event, Hey,

0:27:22.480 --> 0:27:25.119
<v Speaker 1>come see the Assarian stairwell when you get your r

0:27:25.200 --> 0:27:28.680
<v Speaker 1>I T UM and you know you normally for these

0:27:28.720 --> 0:27:31.399
<v Speaker 1>like for these for these events, if you have a

0:27:31.400 --> 0:27:33.960
<v Speaker 1>booth or something, you'll see reservations and you'll see like

0:27:34.000 --> 0:27:37.240
<v Speaker 1>four people reserve fifteen people. Like we were like started

0:27:37.240 --> 0:27:40.240
<v Speaker 1>getting nervous and we found out we got a sense

0:27:40.280 --> 0:27:42.679
<v Speaker 1>that this was gonna be big because like when I

0:27:42.720 --> 0:27:46.440
<v Speaker 1>looked at like the reservations for like our non existent

0:27:46.560 --> 0:27:53.600
<v Speaker 1>starewell they were like one thousand plus visitors. Um yeah,

0:27:53.880 --> 0:27:56.720
<v Speaker 1>I still remember like going to campus that day at

0:27:56.720 --> 0:28:00.440
<v Speaker 1>the festival Saturday, and like my friend Ira like comes

0:28:00.520 --> 0:28:03.120
<v Speaker 1>up to me, is like, Mike, people want to kill you,

0:28:03.240 --> 0:28:05.480
<v Speaker 1>like cover get over here, and I was like trying

0:28:05.560 --> 0:28:09.880
<v Speaker 1>to not show my face anyway. Yeah that's what. So

0:28:09.920 --> 0:28:12.919
<v Speaker 1>what the way, Like a lot of the legs of

0:28:12.920 --> 0:28:15.359
<v Speaker 1>the project was just like word of mouth, I guess,

0:28:15.560 --> 0:28:18.840
<v Speaker 1>and we actually ran out of money. Um, we didn't

0:28:18.920 --> 0:28:21.959
<v Speaker 1>get to do like the web stuff on the scale

0:28:22.040 --> 0:28:24.480
<v Speaker 1>that we wanted to, but it turned out that we

0:28:24.520 --> 0:28:27.760
<v Speaker 1>didn't even have to. In fact, like within a few

0:28:27.840 --> 0:28:31.440
<v Speaker 1>days or maybe a week or something after the original

0:28:31.560 --> 0:28:35.520
<v Speaker 1>video came out, I posted a video explaining that it's

0:28:35.560 --> 0:28:37.720
<v Speaker 1>a myth. Like I posted it and I was like,

0:28:37.760 --> 0:28:39.720
<v Speaker 1>all right, that was a fun ride. Now I was

0:28:39.800 --> 0:28:45.320
<v Speaker 1>gonna be over because here's a video of me explaining everything, right,

0:28:45.640 --> 0:28:48.239
<v Speaker 1>And people still didn't believe it. People were saying that

0:28:48.320 --> 0:28:51.800
<v Speaker 1>my my video explaining was fake, that was a conspiracy.

0:28:51.880 --> 0:28:57.160
<v Speaker 1>Like people were you know, like invested the into the

0:28:57.200 --> 0:28:59.480
<v Speaker 1>actual myth of it. Yeah, because it is it is

0:28:59.520 --> 0:29:02.200
<v Speaker 1>so much for a lot of people, they've thought that

0:29:02.320 --> 0:29:05.040
<v Speaker 1>is more compelling than the idea that is this like

0:29:05.120 --> 0:29:07.920
<v Speaker 1>you know, project around what is real and what's not.

0:29:08.080 --> 0:29:10.280
<v Speaker 1>They've got so invested in the reality of it that

0:29:11.120 --> 0:29:18.080
<v Speaker 1>they'll explain away every other explanation, right right, um, exactly

0:29:19.120 --> 0:29:22.200
<v Speaker 1>Like my I had a teacher at Rutger's where I

0:29:22.200 --> 0:29:24.920
<v Speaker 1>did my undergrad to Maudlin. He used to say that,

0:29:25.480 --> 0:29:28.320
<v Speaker 1>you know, there's two types of thinking. There's reasoning and

0:29:28.360 --> 0:29:32.280
<v Speaker 1>there's rationalizing. Reasoning is when when you start from a

0:29:32.320 --> 0:29:35.720
<v Speaker 1>place of ignorance and you um, look at the best

0:29:35.800 --> 0:29:39.160
<v Speaker 1>evidence and the best arguments you can find and follow

0:29:39.240 --> 0:29:43.680
<v Speaker 1>that through to the you know, the rational conclusion. Rationalizing

0:29:43.760 --> 0:29:46.840
<v Speaker 1>is when you start from what you want to believe

0:29:47.360 --> 0:29:52.800
<v Speaker 1>and working backwards and looking for you confirmation, right, looking

0:29:52.840 --> 0:29:55.520
<v Speaker 1>for the arguments that are already support what you're saying. There.

0:29:55.560 --> 0:29:58.840
<v Speaker 1>There was a lot of a lot of rationalizing going on.

0:29:59.120 --> 0:30:05.400
<v Speaker 1>I guess people wanted to believe it. Yeah, for for

0:30:05.480 --> 0:30:08.040
<v Speaker 1>the how much how many people in this because they

0:30:08.040 --> 0:30:09.960
<v Speaker 1>assume for all of like the filming, like like everyone

0:30:10.040 --> 0:30:11.840
<v Speaker 1>was all like in on it. But yeah, you know,

0:30:11.840 --> 0:30:13.440
<v Speaker 1>there's whole bunch of great stuff around like all of

0:30:13.480 --> 0:30:15.360
<v Speaker 1>like the men on the street segments are are are

0:30:15.480 --> 0:30:18.360
<v Speaker 1>like perfectly done in terms of like people like just

0:30:18.640 --> 0:30:22.720
<v Speaker 1>acting like regular university students, like talking about the stairwell

0:30:22.840 --> 0:30:24.880
<v Speaker 1>and like how they've got like lost, and then they're

0:30:24.920 --> 0:30:27.800
<v Speaker 1>like looping around in a circle. Um. And all the

0:30:27.840 --> 0:30:31.040
<v Speaker 1>segments with you with um like inside the stairwell with

0:30:31.080 --> 0:30:32.960
<v Speaker 1>all like the very like the very clever end of thing.

0:30:33.200 --> 0:30:36.880
<v Speaker 1>I assume you're using stuff like Adobe after effects. Um,

0:30:36.960 --> 0:30:40.480
<v Speaker 1>and yeah, it's it is played. It's played so well

0:30:40.520 --> 0:30:42.240
<v Speaker 1>like it's it's I think part of the part of

0:30:42.240 --> 0:30:45.200
<v Speaker 1>why it's so successful is that it's not filmed like

0:30:45.320 --> 0:30:48.080
<v Speaker 1>you would film something too high like like like for

0:30:48.120 --> 0:30:49.760
<v Speaker 1>a lot of films when they want to do like

0:30:49.760 --> 0:30:52.360
<v Speaker 1>like you know, like like ah the term is like

0:30:52.400 --> 0:30:54.120
<v Speaker 1>a wonner where they had like one long shot and

0:30:54.120 --> 0:30:56.719
<v Speaker 1>then they like hide the transitions in between. You can

0:30:56.760 --> 0:30:58.640
<v Speaker 1>you can obviously tell like they're filming it to make

0:30:58.680 --> 0:31:01.560
<v Speaker 1>these transitions work versus the way you film. This is

0:31:01.760 --> 0:31:04.600
<v Speaker 1>just how people would film it if they were filming

0:31:04.600 --> 0:31:08.000
<v Speaker 1>this four reel um. And they tell that, and it's

0:31:08.120 --> 0:31:12.239
<v Speaker 1>it is so carefully done because it's not trying to

0:31:12.320 --> 0:31:14.920
<v Speaker 1>be something it is. It is just being the thing

0:31:15.040 --> 0:31:18.160
<v Speaker 1>so earnestly in terms of like how how the actors

0:31:18.200 --> 0:31:21.760
<v Speaker 1>like stumble over their lines and the like the opening segment, um,

0:31:21.880 --> 0:31:24.080
<v Speaker 1>like the aesthetics of like all of like the title

0:31:24.160 --> 0:31:27.240
<v Speaker 1>cards and everything is just so it has this has

0:31:27.280 --> 0:31:30.560
<v Speaker 1>this like aura of earnestness, which I think helps sells

0:31:30.600 --> 0:31:35.560
<v Speaker 1>the whole project so so much. Yeah. Yeah, actually speaking

0:31:35.560 --> 0:31:38.560
<v Speaker 1>of the show and like the cheesy title cards and stuff,

0:31:39.080 --> 0:31:41.920
<v Speaker 1>my girlfriend at the time was a producer for this

0:31:42.000 --> 0:31:46.440
<v Speaker 1>show called this local show called Homework Cloudline and where

0:31:46.520 --> 0:31:48.560
<v Speaker 1>kids call in with their homework and they answer the

0:31:48.920 --> 0:31:52.320
<v Speaker 1>questions about it. I studied the ship out of that show,

0:31:52.600 --> 0:31:55.479
<v Speaker 1>just looking at how they built the sets and how

0:31:55.640 --> 0:31:59.240
<v Speaker 1>cheesy and how awkward like the host store, because a

0:31:59.240 --> 0:32:01.480
<v Speaker 1>lot of it was like a lot of the realism

0:32:01.480 --> 0:32:04.800
<v Speaker 1>I think of it is just um yeah, the awkwardness

0:32:04.960 --> 0:32:08.680
<v Speaker 1>of the people. How it's not um, it's not really

0:32:08.720 --> 0:32:12.040
<v Speaker 1>meant to be and and like like the best the

0:32:12.080 --> 0:32:17.280
<v Speaker 1>most convincing untruths, right, is a combination of fact and fiction. Yeah,

0:32:17.360 --> 0:32:20.200
<v Speaker 1>and you know a lot of and blending in the

0:32:20.280 --> 0:32:24.400
<v Speaker 1>actors with real people, you know, in in in the

0:32:24.520 --> 0:32:27.680
<v Speaker 1>in the actual video stuff like that. It's like, yeah,

0:32:27.720 --> 0:32:33.440
<v Speaker 1>like it comes goes pretty viral. Um, you like pretty

0:32:33.520 --> 0:32:36.600
<v Speaker 1>quick create a very easy explanation for No, it's not

0:32:36.680 --> 0:32:38.520
<v Speaker 1>it's not real. It's part of this project. People still

0:32:38.520 --> 0:32:40.960
<v Speaker 1>believe it for years and years. Um. As kind of

0:32:40.960 --> 0:32:44.800
<v Speaker 1>the decade progresses, we go into like the era of disinformation,

0:32:44.880 --> 0:32:47.480
<v Speaker 1>everyone starts getting shown into their pockets. Everyone has Facebook

0:32:47.480 --> 0:32:49.200
<v Speaker 1>with them wherever they go, everyone has Twitter with them

0:32:49.200 --> 0:32:51.480
<v Speaker 1>wherever they go. How is kind of your views on

0:32:51.600 --> 0:32:54.720
<v Speaker 1>like the ethics of the project and what it demonstrates

0:32:54.840 --> 0:32:56.440
<v Speaker 1>in terms of like a case study and like a

0:32:56.480 --> 0:32:58.680
<v Speaker 1>social experiment, Like how has that changed over the years

0:32:58.760 --> 0:33:00.920
<v Speaker 1>from like you like ten years ago when you're drimming

0:33:00.920 --> 0:33:04.200
<v Speaker 1>this up to you now after you know, we've had

0:33:04.240 --> 0:33:07.160
<v Speaker 1>stuff like you know like January six and chew and on.

0:33:07.400 --> 0:33:09.360
<v Speaker 1>You know, all these types of things which I feel

0:33:09.400 --> 0:33:11.479
<v Speaker 1>like if are almost like foreshadowed in this in this

0:33:11.520 --> 0:33:16.160
<v Speaker 1>weird way by showing how successful your little project is. Yeah,

0:33:16.520 --> 0:33:21.040
<v Speaker 1>I'm so a lot of a lot of the criticisms

0:33:21.360 --> 0:33:25.280
<v Speaker 1>that it was faced from the get go, like from

0:33:25.400 --> 0:33:28.600
<v Speaker 1>R I. T. Professors even it's still facing right now,

0:33:28.880 --> 0:33:31.600
<v Speaker 1>Like it's still the type of thing people bring up,

0:33:31.640 --> 0:33:36.239
<v Speaker 1>which is essentially that, hey, there's so much disinformation out there.

0:33:36.280 --> 0:33:40.320
<v Speaker 1>At the time, we weren't even using those terms disinformation, right,

0:33:40.600 --> 0:33:44.040
<v Speaker 1>but basically people were. We're bringing up the same complaints,

0:33:44.080 --> 0:33:48.440
<v Speaker 1>which is, there's so much disinformation out there, you're basically

0:33:48.480 --> 0:33:51.000
<v Speaker 1>just adding to it. What what are you even doing?

0:33:51.040 --> 0:33:55.200
<v Speaker 1>So I guess the idea is that, and you know,

0:33:55.280 --> 0:33:59.840
<v Speaker 1>it's a very noble idea, which is what sort of

0:34:00.040 --> 0:34:03.480
<v Speaker 1>ponds to disinformation? Right, we should I guess the idea

0:34:03.560 --> 0:34:05.880
<v Speaker 1>is we should call out every instance of it when

0:34:05.880 --> 0:34:10.280
<v Speaker 1>we can flag posts, UM, report posts that violate community

0:34:10.280 --> 0:34:15.000
<v Speaker 1>community standards, you know, speak out, um, provide counter evidence

0:34:15.040 --> 0:34:17.160
<v Speaker 1>when you see fake news, that sort of thing, And

0:34:17.200 --> 0:34:22.000
<v Speaker 1>I think that's great, that's a good thing, UM. But disinformation,

0:34:23.040 --> 0:34:26.200
<v Speaker 1>the problem of disinformation is at the time, this is

0:34:26.400 --> 0:34:28.279
<v Speaker 1>kind of how I explained that, like ten years ago,

0:34:28.320 --> 0:34:33.239
<v Speaker 1>I I described it as a pen as an epidemic, yeah, right,

0:34:33.520 --> 0:34:36.520
<v Speaker 1>or or like a cockroach infestation, like every time you

0:34:36.640 --> 0:34:40.399
<v Speaker 1>kill one, ten more spring up and v this this

0:34:40.480 --> 0:34:44.239
<v Speaker 1>notion of like we gotta call out every instance of

0:34:44.280 --> 0:34:48.480
<v Speaker 1>disinformation and stomp it away is like it's great, but

0:34:48.520 --> 0:34:52.160
<v Speaker 1>you're focused on killing cockroaches. Yeah, it's like addressing the symptoms,

0:34:52.200 --> 0:34:54.279
<v Speaker 1>not the actual problem, right, I want to get to

0:34:54.320 --> 0:34:58.440
<v Speaker 1>the cockroach's nest. Right, And whenever whenever I give talks

0:34:58.520 --> 0:35:03.440
<v Speaker 1>about this um this project, people always approach me afterwards,

0:35:03.960 --> 0:35:06.640
<v Speaker 1>you know, like wanting me to kind of because we

0:35:06.640 --> 0:35:08.720
<v Speaker 1>we don't just talk about this project. We talked about

0:35:08.719 --> 0:35:12.200
<v Speaker 1>like deep fake stuff, like we show speeches of Obama,

0:35:12.320 --> 0:35:15.680
<v Speaker 1>like looking like the real Obama, but it's like completely fake, right,

0:35:16.239 --> 0:35:18.480
<v Speaker 1>And people start to realize the holy sh it, like

0:35:18.520 --> 0:35:21.000
<v Speaker 1>I don't even know what's real or not anymore, Like

0:35:21.080 --> 0:35:24.319
<v Speaker 1>what can I trust? And they approach me expecting me

0:35:24.400 --> 0:35:27.280
<v Speaker 1>to ease their anxiety somehow and kind of like guide

0:35:27.280 --> 0:35:29.839
<v Speaker 1>them through how to discern what's true from what's not,

0:35:30.040 --> 0:35:34.200
<v Speaker 1>as though my project was about finding some sort of solution.

0:35:34.920 --> 0:35:38.440
<v Speaker 1>And I tell them that, like, my project wasn't about

0:35:38.480 --> 0:35:42.120
<v Speaker 1>solving the problem. It was about seeing the problem, right,

0:35:42.160 --> 0:35:45.200
<v Speaker 1>It's about it's about trying to get to the heart

0:35:45.280 --> 0:35:48.080
<v Speaker 1>of the matter. And it's like to me, I think,

0:35:48.120 --> 0:35:50.600
<v Speaker 1>like the heart of the matter, like the cockroach's nest

0:35:50.840 --> 0:35:56.319
<v Speaker 1>is the I don't know you. There are different ways

0:35:56.320 --> 0:36:00.120
<v Speaker 1>to say, but basically, the the lack of critical thinking

0:36:00.160 --> 0:36:03.320
<v Speaker 1>in individuals and like in this society we shaped together

0:36:03.960 --> 0:36:08.000
<v Speaker 1>or um or lack of a willingness to think through

0:36:08.080 --> 0:36:13.360
<v Speaker 1>things carefully. Maybe that's that's um. That's like, if we

0:36:13.440 --> 0:36:16.120
<v Speaker 1>had a society of critical thinkers, this wouldn't be much

0:36:16.120 --> 0:36:18.240
<v Speaker 1>of a problem. I think it's because so many people

0:36:18.320 --> 0:36:20.880
<v Speaker 1>come at a lot of information from like when you

0:36:20.880 --> 0:36:24.080
<v Speaker 1>would say the rational viewpoint of like they're trying to

0:36:24.200 --> 0:36:26.240
<v Speaker 1>use reason and stuff, like they're trying to think critically,

0:36:26.239 --> 0:36:28.799
<v Speaker 1>they're trying to think logically, but they come at it

0:36:28.880 --> 0:36:32.399
<v Speaker 1>in the terms of rationalizing stuff they already believe. Um.

0:36:32.520 --> 0:36:35.800
<v Speaker 1>And I think that's a very prevailing type of idea

0:36:35.840 --> 0:36:37.759
<v Speaker 1>in terms of like, yes, I'm gonna believe in this thing,

0:36:37.840 --> 0:36:41.640
<v Speaker 1>so I'm gonna find evidence to support it. Um, which

0:36:41.680 --> 0:36:44.319
<v Speaker 1>isn't critical thinking. I don't think. I'm not really know

0:36:44.360 --> 0:36:47.360
<v Speaker 1>what it is that is itself a logical fallacy. But

0:36:47.440 --> 0:36:49.440
<v Speaker 1>that is so calm, especially on the Internet, because the

0:36:49.480 --> 0:36:52.520
<v Speaker 1>Internet encourages the backfire effects. You know, whenever someone calls

0:36:52.560 --> 0:36:55.359
<v Speaker 1>it on something, you want to be right. So you're

0:36:55.360 --> 0:36:57.640
<v Speaker 1>gonna it's as soon as soon as someone callses something,

0:36:57.680 --> 0:37:00.239
<v Speaker 1>you're going to backfire. You're going to like be come

0:37:00.440 --> 0:37:04.120
<v Speaker 1>even more entrenched in what you believe. Um when you know,

0:37:04.200 --> 0:37:06.680
<v Speaker 1>when when you explain to someone that know, Hillary Clinton

0:37:06.840 --> 0:37:09.600
<v Speaker 1>is bad, but she doesn't eat the blood of children, like, no,

0:37:09.880 --> 0:37:12.200
<v Speaker 1>she does. I saw all this thing. I have to

0:37:12.200 --> 0:37:14.239
<v Speaker 1>believe it because like all of the things are tied

0:37:14.320 --> 0:37:16.560
<v Speaker 1>up in what makes you a person. And now all

0:37:16.600 --> 0:37:19.120
<v Speaker 1>of these ideas that have that where used to be

0:37:19.120 --> 0:37:20.920
<v Speaker 1>just be conspiracy theories that you could believe in for fun,

0:37:20.960 --> 0:37:24.600
<v Speaker 1>are now so a part of like what people's sense

0:37:24.640 --> 0:37:27.000
<v Speaker 1>of being are and how they have their entire world

0:37:27.080 --> 0:37:30.960
<v Speaker 1>view that there's so much more because the Internet is

0:37:31.000 --> 0:37:32.759
<v Speaker 1>such a bigger part of their lives. Everything on the

0:37:32.800 --> 0:37:35.080
<v Speaker 1>Internet is a bigger part of the lives for each person.

0:37:35.320 --> 0:37:37.319
<v Speaker 1>So it is more of an ontological threat because these

0:37:37.320 --> 0:37:39.360
<v Speaker 1>things are so closer together now, right, They used to

0:37:39.360 --> 0:37:41.720
<v Speaker 1>be much more distinction between the Internet and you because

0:37:41.719 --> 0:37:43.520
<v Speaker 1>you can only ask the computer every once in a while.

0:37:43.680 --> 0:37:45.880
<v Speaker 1>We can now carry on a supercomputer wherever you go,

0:37:46.160 --> 0:37:47.440
<v Speaker 1>so it is like a part of you, Like you

0:37:47.480 --> 0:37:49.840
<v Speaker 1>bring it with you almost everywhere. It's always in your pocket.

0:37:50.440 --> 0:37:54.480
<v Speaker 1>So these things are so like stitched together that prying

0:37:54.520 --> 0:37:57.040
<v Speaker 1>them apart and telling people know this thing you would

0:37:57.040 --> 0:37:59.640
<v Speaker 1>carry around Actually probably most don't you see on it

0:37:59.719 --> 0:38:03.160
<v Speaker 1>isn't isn't actually true, like there is people can like

0:38:03.680 --> 0:38:07.320
<v Speaker 1>believe that in their heads but don't actually don't Actually

0:38:07.719 --> 0:38:09.560
<v Speaker 1>the belief hasn't actually impact them because like we all

0:38:09.560 --> 0:38:11.960
<v Speaker 1>know that there's like we all know that people can

0:38:12.000 --> 0:38:13.600
<v Speaker 1>just go on the internet and lie, right, that is

0:38:13.600 --> 0:38:16.799
<v Speaker 1>like part of the joke, but we still don't act

0:38:16.840 --> 0:38:19.480
<v Speaker 1>like it. Like oftentimes we get so we get so

0:38:21.040 --> 0:38:23.880
<v Speaker 1>like encased into the stories that we tell ourselves. Right,

0:38:24.080 --> 0:38:25.600
<v Speaker 1>the part of our the is sharing stairwell is so

0:38:25.640 --> 0:38:27.720
<v Speaker 1>good is that it's such a it's such a compelling

0:38:27.760 --> 0:38:29.680
<v Speaker 1>story like that, Like the idea of like a brilliant

0:38:29.719 --> 0:38:33.719
<v Speaker 1>architect bringing like you know, building this paradox in the

0:38:33.800 --> 0:38:37.839
<v Speaker 1>real world is like is so much more fun than

0:38:37.880 --> 0:38:39.960
<v Speaker 1>being like, yeah, some dude just knows how to use

0:38:40.080 --> 0:38:43.840
<v Speaker 1>Adobe after effects. Like right, So you get so entrenched

0:38:43.880 --> 0:38:48.480
<v Speaker 1>into storytelling because the story of like politicians eating up

0:38:48.480 --> 0:38:50.840
<v Speaker 1>eating the blood of children is so much more interesting

0:38:51.120 --> 0:38:55.359
<v Speaker 1>than no, politicians just don't care about you, like, and

0:38:55.520 --> 0:38:57.439
<v Speaker 1>getting to the heart of that problem is so much

0:38:57.480 --> 0:39:00.959
<v Speaker 1>more difficult than just you know, debunk king things because

0:39:01.000 --> 0:39:05.680
<v Speaker 1>you can debunk things all day and does that actually matter? Yeah,

0:39:05.920 --> 0:39:08.080
<v Speaker 1>I think there there's there's a secondary problem that, like,

0:39:08.200 --> 0:39:10.680
<v Speaker 1>you know, there's another like another level of it, which

0:39:10.719 --> 0:39:12.919
<v Speaker 1>is that, yeah, like everyone knows that there's this information now,

0:39:13.640 --> 0:39:15.880
<v Speaker 1>like everyone does. But but that just makes it worse

0:39:15.920 --> 0:39:18.160
<v Speaker 1>because now if you want to do this information, what

0:39:18.280 --> 0:39:19.680
<v Speaker 1>you can claim is like, oh, hey, look at all

0:39:19.719 --> 0:39:21.799
<v Speaker 1>these other times that all the stuff has been fake.

0:39:21.840 --> 0:39:23.080
<v Speaker 1>And then you know, and this is how you get

0:39:23.160 --> 0:39:26.200
<v Speaker 1>everyone like doing frame by frame analysis of like a

0:39:26.280 --> 0:39:29.120
<v Speaker 1>bombing and going oh, these are all crisis actors, and

0:39:29.160 --> 0:39:30.960
<v Speaker 1>it's like you know, and you talk, you talk to

0:39:30.960 --> 0:39:33.839
<v Speaker 1>these people and they're like, oh, yeah, no, I did.

0:39:33.920 --> 0:39:35.680
<v Speaker 1>I did the research. Look I like I saw through

0:39:35.680 --> 0:39:38.319
<v Speaker 1>the lives. It's like, no, You've just completely made this

0:39:38.360 --> 0:39:40.920
<v Speaker 1>thing up in your head. You can see the green

0:39:41.040 --> 0:39:44.440
<v Speaker 1>screen compression and like, no, it's just regular video compression.

0:39:44.440 --> 0:39:47.000
<v Speaker 1>And it's like, yeah, like everyone can be a detective now,

0:39:47.280 --> 0:39:49.800
<v Speaker 1>so everyone can be so convinced to their own conclusions

0:39:49.880 --> 0:39:52.960
<v Speaker 1>even when the conclusions turned out to be not true. Right,

0:39:55.200 --> 0:39:57.880
<v Speaker 1>it's a problem. If there wasn't exy solution, we wouldn't

0:39:57.880 --> 0:40:00.239
<v Speaker 1>have the problem, right, it's one of those things. It's

0:40:00.320 --> 0:40:02.600
<v Speaker 1>like your project is a very good example of like

0:40:03.320 --> 0:40:05.799
<v Speaker 1>it's it's it's it's a very demonstrative thing. You can

0:40:05.840 --> 0:40:08.960
<v Speaker 1>like you you take someone along this journey and demonstrate, hey,

0:40:09.080 --> 0:40:11.080
<v Speaker 1>this can happen to you, so you should watch out

0:40:11.080 --> 0:40:13.480
<v Speaker 1>for us. Right, look look at the story I crafted.

0:40:13.719 --> 0:40:16.040
<v Speaker 1>Look how you become convinced it for these six minutes

0:40:16.360 --> 0:40:19.920
<v Speaker 1>and then you think, oh, wait, no, you can't teleport

0:40:19.960 --> 0:40:23.400
<v Speaker 1>to a bottom stairwell. That's not that's not how that works. Um.

0:40:23.440 --> 0:40:25.719
<v Speaker 1>But because you take them on that journey, it's a

0:40:25.800 --> 0:40:27.440
<v Speaker 1>very it's a I love it so much as like

0:40:27.480 --> 0:40:31.759
<v Speaker 1>a demonstrative process, being like like this can happen, so

0:40:31.840 --> 0:40:33.759
<v Speaker 1>watch out for it in the future. I think is

0:40:33.800 --> 0:40:39.319
<v Speaker 1>honestly more useful than just debunking somebody because you can

0:40:39.600 --> 0:40:41.360
<v Speaker 1>you can debunk all day, you can have the backfire

0:40:41.400 --> 0:40:45.120
<v Speaker 1>effect and stuff. And you're right about the demonstrative stuff,

0:40:45.120 --> 0:40:48.400
<v Speaker 1>because it's like if a bunch of film students and

0:40:48.520 --> 0:40:52.439
<v Speaker 1>volunteers with no connections and no resources pulled this off

0:40:52.480 --> 0:40:55.360
<v Speaker 1>like we did, like a tally of all the videos

0:40:55.960 --> 0:40:59.000
<v Speaker 1>at the end of the year of um, you know,

0:40:59.040 --> 0:41:01.200
<v Speaker 1>all the videos that ripped it off and posted on

0:41:01.239 --> 0:41:03.880
<v Speaker 1>their own channels and all that. Um, it was like

0:41:03.960 --> 0:41:06.600
<v Speaker 1>fifty million, right, So if if a bunch of film

0:41:06.640 --> 0:41:10.640
<v Speaker 1>students like had that much influence, what more can like

0:41:10.760 --> 0:41:17.279
<v Speaker 1>people who are actually fund like and resources, right, what

0:41:17.320 --> 0:41:20.160
<v Speaker 1>could they do? And we were just doing and ours

0:41:20.239 --> 0:41:23.960
<v Speaker 1>was about like this innocuous, silly Stairwell, it wasn't about

0:41:23.960 --> 0:41:27.920
<v Speaker 1>anything that would cause you know, anyone's death or anything

0:41:27.960 --> 0:41:31.960
<v Speaker 1>like that or and like you know, something like in

0:41:32.160 --> 0:41:37.160
<v Speaker 1>Me and Mar where the ME and Mar military basically

0:41:37.200 --> 0:41:43.720
<v Speaker 1>systemically systematically created fake articles and fake photos to create

0:41:43.840 --> 0:41:47.560
<v Speaker 1>like to arouse this dame for the row hinge of

0:41:47.560 --> 0:41:52.480
<v Speaker 1>people and basically they incited a genocide through Facebook, just

0:41:52.520 --> 0:41:55.000
<v Speaker 1>through fake news right in the Philippines where I live

0:41:55.120 --> 0:42:00.480
<v Speaker 1>right now, um, which a lot of commentators call like

0:42:00.640 --> 0:42:07.520
<v Speaker 1>the patient zero of disinformation because this guy called was

0:42:07.560 --> 0:42:12.680
<v Speaker 1>elected president basically ran running his entire campaign on disinformation,

0:42:13.480 --> 0:42:16.120
<v Speaker 1>and after him was Brexit like a month later, and

0:42:16.239 --> 0:42:20.000
<v Speaker 1>after that was Trump got the nomination. So like what's

0:42:20.000 --> 0:42:23.279
<v Speaker 1>her name, Kate Katie Barth Barth or or something like that.

0:42:24.160 --> 0:42:26.799
<v Speaker 1>One of the executives of Facebook referred to the Philippines

0:42:26.880 --> 0:42:33.200
<v Speaker 1>as Patient zero. In the era of disinformation because like um,

0:42:33.280 --> 0:42:38.040
<v Speaker 1>and the thing that the president here right now was

0:42:38.160 --> 0:42:41.800
<v Speaker 1>running on was basically like the same sort of um

0:42:42.640 --> 0:42:45.680
<v Speaker 1>bothering and scapegoating of a certain group. And he said

0:42:45.719 --> 0:42:48.799
<v Speaker 1>basically he's the guy who said like, basically, if you're

0:42:48.800 --> 0:42:51.200
<v Speaker 1>a drug user or a drug dealer, it should be

0:42:51.239 --> 0:42:54.240
<v Speaker 1>okay to murder you and kill you. And that's what happened.

0:42:54.239 --> 0:42:57.239
<v Speaker 1>That's exactly what happened, because they were posting all these

0:42:57.280 --> 0:43:01.960
<v Speaker 1>stories about um, you know, the same sorts of stories

0:43:01.960 --> 0:43:04.400
<v Speaker 1>that you that that we saw in the US and

0:43:04.440 --> 0:43:08.680
<v Speaker 1>twenties sixteen about undocumented immigrants or Muslims or something like that.

0:43:08.960 --> 0:43:11.920
<v Speaker 1>This like oh this undocumented immigrant rate the five year

0:43:11.960 --> 0:43:15.400
<v Speaker 1>old girl, you know that sort of thing. And he

0:43:15.480 --> 0:43:20.960
<v Speaker 1>would the the the organized campaign UM making up stories

0:43:21.000 --> 0:43:26.600
<v Speaker 1>about drug addicts like murdering and raping people. Basically like

0:43:26.800 --> 0:43:30.920
<v Speaker 1>got an entire nation too, well not an entire nation,

0:43:30.960 --> 0:43:35.319
<v Speaker 1>but basically this guy won the election. And you know,

0:43:35.880 --> 0:43:40.480
<v Speaker 1>we have a country right now that basically lived through

0:43:41.000 --> 0:43:45.359
<v Speaker 1>just atrocities the last five six years, you know, and

0:43:45.400 --> 0:43:48.080
<v Speaker 1>like the double edged sort of this, like Chris mentioned,

0:43:48.120 --> 0:43:51.960
<v Speaker 1>is like, yeah, this type same type of thing, because

0:43:52.000 --> 0:43:55.520
<v Speaker 1>it exists. People also like retractively apply it to like

0:43:55.760 --> 0:43:58.960
<v Speaker 1>you know, like Sandy Hook was staged or like even

0:43:59.000 --> 0:44:01.799
<v Speaker 1>stuff now with like you know, the pandemic, right, people

0:44:02.000 --> 0:44:04.319
<v Speaker 1>like what what? What is the pandemic is a real?

0:44:04.400 --> 0:44:07.040
<v Speaker 1>What if all these people have just you know, conjured

0:44:07.040 --> 0:44:10.640
<v Speaker 1>this thing into being and it's all a giant insufferation campaign, right,

0:44:10.680 --> 0:44:12.919
<v Speaker 1>So it has this dual it has this double edged

0:44:12.920 --> 0:44:17.440
<v Speaker 1>sword nature um which makes combat and disformation so challenging.

0:44:17.560 --> 0:44:19.759
<v Speaker 1>It's like disiforation to combat its information to comment the

0:44:19.760 --> 0:44:23.719
<v Speaker 1>idea of disinformation, and there's so many layers of it.

0:44:23.760 --> 0:44:27.600
<v Speaker 1>Now there's this this it's just yeah, it makes it,

0:44:27.600 --> 0:44:29.239
<v Speaker 1>it makes actually get into the heart of it so

0:44:29.320 --> 0:44:32.480
<v Speaker 1>much more challenging. It's been abstracted so many times. And

0:44:32.520 --> 0:44:35.120
<v Speaker 1>one of the things what didn't didn't the New York

0:44:35.160 --> 0:44:36.640
<v Speaker 1>Times weren't it the first people to come up with

0:44:36.640 --> 0:44:38.480
<v Speaker 1>the term fake news? And then Trump started using it

0:44:38.520 --> 0:44:42.440
<v Speaker 1>after Like we was watching plotificate which newspaper was but

0:44:42.680 --> 0:44:44.200
<v Speaker 1>my memory if it was like it was, it was

0:44:44.239 --> 0:44:45.759
<v Speaker 1>it was the media that came up with fake news

0:44:45.800 --> 0:44:48.880
<v Speaker 1>and then like Trump just took it and it became

0:44:48.960 --> 0:44:52.200
<v Speaker 1>this like this just like demon they absolutely could not

0:44:52.239 --> 0:44:55.520
<v Speaker 1>control and was just turned on them. Do you do

0:44:55.560 --> 0:44:58.680
<v Speaker 1>you remember the context in which they used it. They

0:44:58.680 --> 0:45:01.960
<v Speaker 1>were like they were I think they were calling like

0:45:02.200 --> 0:45:06.319
<v Speaker 1>stuff that Trump said fake news. Mmm, I am. I'm

0:45:06.400 --> 0:45:10.840
<v Speaker 1>unsure at the moment who specifically coined that term. But

0:45:10.880 --> 0:45:13.600
<v Speaker 1>I mean we definitely see terms like even in terms

0:45:13.600 --> 0:45:16.200
<v Speaker 1>like desipiration, which you used to be more tied to,

0:45:16.280 --> 0:45:19.720
<v Speaker 1>like a discording in philosophy, breaking like in like even

0:45:19.719 --> 0:45:21.880
<v Speaker 1>even back even as back far as like the eighties,

0:45:22.320 --> 0:45:25.160
<v Speaker 1>getting you know, turned into an actual like political term

0:45:25.480 --> 0:45:29.800
<v Speaker 1>that everybody uses. It was actually somebody from buzz Speed.

0:45:30.080 --> 0:45:33.080
<v Speaker 1>An editor at buzz Speed was one of that makes sense,

0:45:35.080 --> 0:45:40.200
<v Speaker 1>is one of the ones who first popularized it. Was Yeah,

0:45:40.560 --> 0:45:43.960
<v Speaker 1>but there could be there could be you know, several

0:45:44.000 --> 0:45:46.480
<v Speaker 1>other people that say that they coined it. I don't know.

0:45:47.200 --> 0:45:51.000
<v Speaker 1>I mean, I even there's even h an illustration from

0:45:51.120 --> 0:45:56.120
<v Speaker 1>eighteen ninety four by by Frederick Offer with reporters carrying

0:45:56.120 --> 0:46:00.799
<v Speaker 1>newspapers labeled humble news, cheap sensation, and fake news. So

0:46:01.360 --> 0:46:02.880
<v Speaker 1>it's I mean, in terms of in terms of just

0:46:02.920 --> 0:46:05.080
<v Speaker 1>mashing words together. I'm sure it has has had a

0:46:05.120 --> 0:46:07.680
<v Speaker 1>decent history, but definitely Trump is the one that like

0:46:08.239 --> 0:46:15.280
<v Speaker 1>launched it into the Zeitgeist right right, right, Let's see, Robert,

0:46:15.320 --> 0:46:17.160
<v Speaker 1>you've been pretty quiet. I know it's pretty early in

0:46:17.200 --> 0:46:18.840
<v Speaker 1>the morning for you. Do you have any do you

0:46:18.880 --> 0:46:21.120
<v Speaker 1>have any kind of thoughts to help us kind of

0:46:21.360 --> 0:46:24.160
<v Speaker 1>generally start closing us out, not not not like super immediately,

0:46:24.239 --> 0:46:26.919
<v Speaker 1>but generally having that direction. I mean no, not really

0:46:27.000 --> 0:46:31.239
<v Speaker 1>kind of brought uct everything. I would say, all right,

0:46:31.360 --> 0:46:38.120
<v Speaker 1>all right, it's ah, yeah, I guess. Uh, Mike, what

0:46:38.280 --> 0:46:42.080
<v Speaker 1>have How is this project impacted how you approach film

0:46:42.280 --> 0:46:44.440
<v Speaker 1>and just the like, how you how you use the

0:46:44.440 --> 0:46:50.840
<v Speaker 1>internet yourself in the past decade? M hm, Well, I

0:46:50.840 --> 0:46:57.160
<v Speaker 1>I'm fully aware of what we did. Every time I'm

0:46:57.239 --> 0:46:59.399
<v Speaker 1>like looking at something, I'm like they had done that,

0:47:00.000 --> 0:47:01.959
<v Speaker 1>they have done this and that, you know that sort

0:47:02.000 --> 0:47:08.960
<v Speaker 1>of thing. Um, I don't know if it's if yeah,

0:47:09.000 --> 0:47:11.240
<v Speaker 1>I don't I'm not sure how it's how this project

0:47:11.280 --> 0:47:17.839
<v Speaker 1>specifically had impacted me, other than just trying to think

0:47:17.840 --> 0:47:21.680
<v Speaker 1>through things a bit more carefully, trying to go through

0:47:21.760 --> 0:47:27.200
<v Speaker 1>things like, um, I mean, like, so we we basically

0:47:27.760 --> 0:47:31.839
<v Speaker 1>came up with this idea of what eventually became troll farms, right,

0:47:31.920 --> 0:47:36.200
<v Speaker 1>like me and like my classmates would hey, we even

0:47:36.239 --> 0:47:40.280
<v Speaker 1>make fake accounts and like talk about the stairwell and

0:47:40.520 --> 0:47:44.919
<v Speaker 1>um so, I don't know, like a few years later,

0:47:45.000 --> 0:47:48.000
<v Speaker 1>people we we learned that people were actually doing this

0:47:48.160 --> 0:47:52.480
<v Speaker 1>like to influence like elections around the world, and a

0:47:52.560 --> 0:47:56.520
<v Speaker 1>lot of the strategy of like the Russian troll farms

0:47:56.520 --> 0:48:03.080
<v Speaker 1>and stuff, um was basically create caricature versions right of

0:48:03.200 --> 0:48:07.839
<v Speaker 1>arguments from whatever side, like you know, whether they might

0:48:07.880 --> 0:48:11.160
<v Speaker 1>present an argument from like the left or the right,

0:48:11.200 --> 0:48:14.839
<v Speaker 1>but in like a caricaturized version of it. And um

0:48:14.880 --> 0:48:17.680
<v Speaker 1>so what people would see when they see that, they'd

0:48:17.680 --> 0:48:20.120
<v Speaker 1>see an argument coming from the other side, and they'd

0:48:20.200 --> 0:48:23.040
<v Speaker 1>ridicule it, like look at these people who just seem

0:48:23.160 --> 0:48:27.600
<v Speaker 1>crazy espousing this whatever view, you know, or they might

0:48:27.640 --> 0:48:31.320
<v Speaker 1>say things like um, like yeah, if you're a Democrat,

0:48:31.400 --> 0:48:34.120
<v Speaker 1>you want to abort babies that like the ninth month

0:48:34.239 --> 0:48:37.160
<v Speaker 1>or something like that, which no reasonable person actually argued.

0:48:37.360 --> 0:48:41.480
<v Speaker 1>So what happens is like, um people talk about how

0:48:41.640 --> 0:48:45.960
<v Speaker 1>the goal of Russia was to like polarize, you know, um,

0:48:46.120 --> 0:48:51.080
<v Speaker 1>polarize the political spectrum. I think like the bigger goal

0:48:51.520 --> 0:48:55.799
<v Speaker 1>in the the goal that we're gonna be untangling for

0:48:55.880 --> 0:49:01.320
<v Speaker 1>many many years, and the more um, the more difficult

0:49:01.680 --> 0:49:06.360
<v Speaker 1>problem to deal with was that they oversimple they successfully

0:49:06.400 --> 0:49:10.600
<v Speaker 1>oversimplified discourse, you know what I'm saying, Like they found

0:49:10.640 --> 0:49:14.759
<v Speaker 1>a way to like oversimplify the type of discourse we're

0:49:14.800 --> 0:49:20.200
<v Speaker 1>having because everyone's like arguing with such simplist thick I'm

0:49:20.239 --> 0:49:22.200
<v Speaker 1>not sure if I'm making sense. It's like it's like

0:49:22.320 --> 0:49:25.760
<v Speaker 1>it's like the term I use is like politics as fandom,

0:49:26.719 --> 0:49:30.160
<v Speaker 1>right right, And that's I think that like intersect not

0:49:30.280 --> 0:49:32.960
<v Speaker 1>not exactly what you're saying, but like intersects with that

0:49:33.000 --> 0:49:36.839
<v Speaker 1>type of idea of like condensing down actual discussions on

0:49:36.960 --> 0:49:40.880
<v Speaker 1>like what you believe in, um and what politics you

0:49:40.960 --> 0:49:42.960
<v Speaker 1>want and how you want to put the world into

0:49:42.960 --> 0:49:45.200
<v Speaker 1>this weird fandom lens of like this team versus this

0:49:45.239 --> 0:49:47.279
<v Speaker 1>team which we we we we we we we. We've

0:49:47.280 --> 0:49:49.120
<v Speaker 1>had a degree of that for a long long time.

0:49:49.800 --> 0:49:52.520
<v Speaker 1>But with the Internet and how how discussions on the

0:49:52.560 --> 0:49:55.120
<v Speaker 1>Internet are designed to work, right, how algorithms want to

0:49:55.160 --> 0:49:57.960
<v Speaker 1>boost content, how there's always these short snippets they just

0:49:58.080 --> 0:50:00.880
<v Speaker 1>in mirrors the way people discussed like what Star Wars

0:50:00.920 --> 0:50:05.040
<v Speaker 1>character is their favorite? It's just that. But for politics, um,

0:50:05.160 --> 0:50:08.719
<v Speaker 1>so it's it's just this like what if politics is

0:50:08.760 --> 0:50:11.319
<v Speaker 1>just this idea of fandom, and you can debate what

0:50:11.440 --> 0:50:13.799
<v Speaker 1>fandom is more valid than the other. Right, I like

0:50:13.920 --> 0:50:16.560
<v Speaker 1>the last Jedi more you like Rise of Skywalker. This

0:50:16.600 --> 0:50:19.000
<v Speaker 1>means your version of reality is less good than mine.

0:50:19.280 --> 0:50:26.839
<v Speaker 1>So when that which is, which is but that it's

0:50:26.880 --> 0:50:30.440
<v Speaker 1>that same idea but for how we like make social

0:50:30.480 --> 0:50:33.080
<v Speaker 1>programs and how we address racism, and how we like

0:50:33.480 --> 0:50:36.240
<v Speaker 1>give food to poor people, and how we do affordable

0:50:36.280 --> 0:50:39.239
<v Speaker 1>housing and how we handle the police. So it's that

0:50:39.280 --> 0:50:45.400
<v Speaker 1>type of idea which is just the disinformation kind of

0:50:45.440 --> 0:50:49.120
<v Speaker 1>impacts this in part because when you flood the zone

0:50:49.360 --> 0:50:53.319
<v Speaker 1>with so much conflicting information that people can't really get

0:50:53.320 --> 0:50:56.480
<v Speaker 1>a handle on or easily sort of like when there

0:50:56.520 --> 0:51:00.040
<v Speaker 1>when when you when you put that much confusion in

0:51:00.080 --> 0:51:03.000
<v Speaker 1>to the air, um, it makes people more likely to

0:51:03.080 --> 0:51:06.200
<v Speaker 1>just kind of grasp its sides because everything coming out

0:51:06.280 --> 0:51:08.959
<v Speaker 1>is way too complicated and messy, and it's it takes

0:51:08.960 --> 0:51:12.520
<v Speaker 1>too much work what's actually true. So holding to some

0:51:12.600 --> 0:51:15.719
<v Speaker 1>lubric of well, I believe this, So that means these

0:51:15.719 --> 0:51:17.960
<v Speaker 1>are the good guys, these are the bad guys, and

0:51:18.040 --> 0:51:20.799
<v Speaker 1>I don't have to analyze it any deeper than that.

0:51:20.880 --> 0:51:23.319
<v Speaker 1>I can reject information that comes from this group. Where

0:51:23.320 --> 0:51:27.000
<v Speaker 1>I can reject information that says this, um, because I

0:51:27.680 --> 0:51:32.720
<v Speaker 1>just category categorically reject you know, anything that that fits

0:51:32.719 --> 0:51:35.359
<v Speaker 1>in with that, Like, that's the benefit of disinformation for

0:51:35.800 --> 0:51:38.719
<v Speaker 1>authoritarians of all stripes. You're seeing in Ukraine right now,

0:51:38.760 --> 0:51:43.280
<v Speaker 1>where Um, you've got all of these different authoritarian powers.

0:51:43.280 --> 0:51:46.120
<v Speaker 1>You've got Turkey, you've got Russia, you've got um, you know,

0:51:46.280 --> 0:51:49.239
<v Speaker 1>sucking the United States at least to the extent that

0:51:49.280 --> 0:51:53.040
<v Speaker 1>like we impact a lot of things internationally. Um. And

0:51:53.080 --> 0:51:55.840
<v Speaker 1>you've got them all coming down on different sides of

0:51:56.320 --> 0:51:59.440
<v Speaker 1>this issue and of what's happening in Ukraine. And because

0:51:59.440 --> 0:52:03.640
<v Speaker 1>there's so much disinformation and misinformation about what's going on,

0:52:04.080 --> 0:52:07.600
<v Speaker 1>people just kind of grasp at whatever side I'm have

0:52:07.760 --> 0:52:11.360
<v Speaker 1>been more sympathetic to recently, I'm just going to believe

0:52:11.440 --> 0:52:14.960
<v Speaker 1>whatever they say because it's way too complicated to actually

0:52:14.960 --> 0:52:17.840
<v Speaker 1>analyze what's going on. Yeah, And this was this was

0:52:17.880 --> 0:52:20.200
<v Speaker 1>the thing that I mean, this was explicit on the left.

0:52:20.320 --> 0:52:24.680
<v Speaker 1>I remember this. There was this around um sheen. There

0:52:24.760 --> 0:52:27.200
<v Speaker 1>was a whole thing about how like people people like

0:52:27.200 --> 0:52:30.240
<v Speaker 1>talking about anti imperialism would would literally say like nuance

0:52:30.280 --> 0:52:34.880
<v Speaker 1>nuances liberalism. I don't like nuances liberalism don't don't research this,

0:52:34.960 --> 0:52:38.680
<v Speaker 1>don't think about this because nuances how liberals like you know,

0:52:38.880 --> 0:52:41.160
<v Speaker 1>spread sort of pro promising and change proplicanda, Like I

0:52:41.160 --> 0:52:43.160
<v Speaker 1>remember those people like Ember Frost just just straight up

0:52:43.200 --> 0:52:45.520
<v Speaker 1>said this and this was a huge and you know,

0:52:45.560 --> 0:52:47.040
<v Speaker 1>like I I got a lot of shift for this

0:52:47.080 --> 0:52:49.520
<v Speaker 1>because you know, like I remember when when when the

0:52:49.520 --> 0:52:52.040
<v Speaker 1>Coon Bolivia happened, Like I made a giant thread that

0:52:52.080 --> 0:52:53.759
<v Speaker 1>was trying to that was like, Okay, we need to

0:52:53.760 --> 0:52:57.120
<v Speaker 1>figure out like how specifically the CIA was involved in this,

0:52:57.200 --> 0:52:59.120
<v Speaker 1>Like okay, so did they plan the whole thing? Was

0:52:59.120 --> 0:53:01.560
<v Speaker 1>it like we're they're working with local partners. Wasn't a

0:53:01.560 --> 0:53:03.319
<v Speaker 1>thing where someone else planned it and they signed off

0:53:03.320 --> 0:53:05.719
<v Speaker 1>on it? And like to this day, people think that

0:53:05.760 --> 0:53:08.120
<v Speaker 1>I supported the coup because I was like we should

0:53:08.120 --> 0:53:09.960
<v Speaker 1>figure out who was who the actors were in the

0:53:09.960 --> 0:53:12.640
<v Speaker 1>ground because no one like this. This this, this this

0:53:12.760 --> 0:53:16.680
<v Speaker 1>became like a like like like a tenant, like like

0:53:16.680 --> 0:53:19.719
<v Speaker 1>an actual sort of like like political tenants of of

0:53:19.719 --> 0:53:22.320
<v Speaker 1>how a lot of antimpurialism, like in the American left worked.

0:53:22.400 --> 0:53:25.319
<v Speaker 1>Was you you were not supposed to do nuanced, You

0:53:25.360 --> 0:53:27.400
<v Speaker 1>were not supposed to look at who was like you

0:53:27.440 --> 0:53:29.560
<v Speaker 1>know if if if you spent too long looking at

0:53:29.560 --> 0:53:31.239
<v Speaker 1>what was going on in the ground, people would be

0:53:31.280 --> 0:53:34.920
<v Speaker 1>like you worked for the CIA and that you know,

0:53:34.960 --> 0:53:37.240
<v Speaker 1>I think like we we've we've finally seen that basically

0:53:37.239 --> 0:53:39.640
<v Speaker 1>blow up in their faces because you know, oh, hey,

0:53:39.680 --> 0:53:41.600
<v Speaker 1>look how many of these people just like wound up

0:53:41.600 --> 0:53:44.920
<v Speaker 1>supporting Russia and then spent like three months saying that

0:53:45.000 --> 0:53:47.719
<v Speaker 1>Russia would never invade Ukraine. That this happens. But it's

0:53:47.800 --> 0:53:51.640
<v Speaker 1>I don't know, it's it's it's it's extremely depressing how

0:53:51.680 --> 0:53:55.399
<v Speaker 1>people who otherwise are you know, like in a lot

0:53:55.440 --> 0:53:57.320
<v Speaker 1>of ways, like I've spent a lot of their time

0:53:58.480 --> 0:54:02.160
<v Speaker 1>like trying to filter out stuff from the media that's

0:54:02.160 --> 0:54:06.319
<v Speaker 1>false just go into this because they just do not

0:54:06.600 --> 0:54:11.839
<v Speaker 1>want to deal with the complexity of reality. Yeah, just

0:54:11.880 --> 0:54:14.840
<v Speaker 1>easier not to. Again, if there was a simple problem,

0:54:14.960 --> 0:54:16.720
<v Speaker 1>we wouldn't I mean, if there was a simple solution,

0:54:16.760 --> 0:54:20.480
<v Speaker 1>we wouldn't need to discuss the problem. Yeah. Yeah, So

0:54:20.520 --> 0:54:24.520
<v Speaker 1>I guess basically, like just to like, um, answer that

0:54:24.600 --> 0:54:28.239
<v Speaker 1>question about how it I guess at the time, I'd say,

0:54:28.280 --> 0:54:31.000
<v Speaker 1>like we got an up close look at how things

0:54:31.040 --> 0:54:33.239
<v Speaker 1>were going to be, Like, you know, with with all

0:54:33.360 --> 0:54:37.160
<v Speaker 1>these things we we kind of anticipated the next few years.

0:54:37.960 --> 0:54:43.120
<v Speaker 1>Um so yeah, that's basically what happened. Um, sorry to

0:54:43.200 --> 0:54:49.080
<v Speaker 1>interrupt your clothing, but no, no, no, it's the it's

0:54:49.120 --> 0:54:52.280
<v Speaker 1>the best note that that we can go. Um, Michael,

0:54:52.400 --> 0:54:54.640
<v Speaker 1>do you where can people find you online? And if

0:54:54.640 --> 0:54:56.880
<v Speaker 1>people want to look into some of your other projects,

0:54:57.840 --> 0:55:01.160
<v Speaker 1>I mean you found me, Like, if they want to

0:55:01.200 --> 0:55:03.200
<v Speaker 1>find me, they'll find me, right, I don't know. I

0:55:03.239 --> 0:55:05.920
<v Speaker 1>still don't know. You got my email, but Garrison is

0:55:05.920 --> 0:55:09.200
<v Speaker 1>extremely good about this to any people, and I could

0:55:10.560 --> 0:55:13.160
<v Speaker 1>uh yeah, well they can check out the YouTube channel

0:55:13.400 --> 0:55:17.200
<v Speaker 1>like I'm gonna be posting some new films this year probably,

0:55:17.800 --> 0:55:21.400
<v Speaker 1>Um so my name Michael Luck can allow or just

0:55:21.520 --> 0:55:25.759
<v Speaker 1>search the Assarians there. I guess that's a way. Yeah, yeah,

0:55:26.160 --> 0:55:29.919
<v Speaker 1>I'll add your YouTube channel to to the description. Yeah.

0:55:29.960 --> 0:55:31.600
<v Speaker 1>I just want to thank you so much for coming

0:55:31.600 --> 0:55:36.160
<v Speaker 1>on to talk about your your project. Yeah, thanks for

0:55:36.200 --> 0:55:39.800
<v Speaker 1>having me. All right, Well, that that does it for

0:55:39.920 --> 0:55:43.080
<v Speaker 1>us today. You can follow us on the internet for

0:55:43.120 --> 0:55:46.239
<v Speaker 1>some reason, um on Twitter, Instagram, that happened here pod

0:55:46.280 --> 0:55:51.759
<v Speaker 1>and cool some media and yeah, go go create a

0:55:51.880 --> 0:55:54.759
<v Speaker 1>myth that people will believe and travel from out of

0:55:54.760 --> 0:55:58.160
<v Speaker 1>country to walk over some stairs because that sounds like fun.

0:55:58.239 --> 0:56:05.040
<v Speaker 1>Go to something like that for funzies. All right, bye bye,

0:56:06.840 --> 0:56:09.200
<v Speaker 1>Except happen here as a production of cool Zone Media.

0:56:09.560 --> 0:56:12.120
<v Speaker 1>Or more podcasts from cool Zone Media, visit our website

0:56:12.160 --> 0:56:14.279
<v Speaker 1>cool zone media dot com or check us out on

0:56:14.320 --> 0:56:16.880
<v Speaker 1>the I Heart Radio app, Apple Podcasts, or wherever you

0:56:16.920 --> 0:56:19.719
<v Speaker 1>listen to podcasts. You can find sources for It could

0:56:19.719 --> 0:56:22.680
<v Speaker 1>happen here, updated monthly at cool zone media dot com

0:56:22.760 --> 0:56:24.680
<v Speaker 1>slash sources. Thanks for listening.