WEBVTT - Mike Posner

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<v Speaker 1>Hello, everyone, Welcome to Inside the Studio on iHeart Radio.

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<v Speaker 1>My name is Jordan runt Dog. But enough about me now.

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<v Speaker 1>This is gonna be one of the most unique introductions

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<v Speaker 1>to this show because this is one of the most

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<v Speaker 1>unique guests we've had on this show. He's got brains

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<v Speaker 1>and musical brilliance. He started making waves as an undergrad

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<v Speaker 1>at Duke University before breaking out with hits like Cooler

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<v Speaker 1>than Me, Please Don't Go, and I Took a Pill

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<v Speaker 1>in Ibiza. He also made a name for himself as

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<v Speaker 1>a songwriter for Hire Co, writing smashes for the likes

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<v Speaker 1>of Justin Bieber and Maroon five. The back to back

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<v Speaker 1>deaths of his father and his friend of Vici led

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<v Speaker 1>him to take stock and reevaluate his life. He put

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<v Speaker 1>his career on hold to walk across the country. The

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<v Speaker 1>three thousand mile journey took a hundred and eighty six days,

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<v Speaker 1>and that doesn't include the few weeks spent recovering from

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<v Speaker 1>a rattlesnake bite that almost killed him. The literal journey

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<v Speaker 1>had a marked effect on his musical one. In December,

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<v Speaker 1>he dropped Operation Wake Up rap Up, or concept album

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<v Speaker 1>about a superstar songwriter. In the midst of a nervous breakdown.

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<v Speaker 1>But now he's back and he's all about the positive.

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<v Speaker 1>His new single, Mama always told me as a joyful

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<v Speaker 1>burst of energy in an uncertain time. I'm so happy

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<v Speaker 1>to welcome Mike Posner. Whatever, Mike, thank you so much

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<v Speaker 1>for taking the time today. Your new song, Mama always

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<v Speaker 1>told me. It's a blast of positivity and a really

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<v Speaker 1>scary and uncertain time. And you said you wrote this

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<v Speaker 1>track of ways back. What made you decide that the

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<v Speaker 1>time was right right now for it? Oh? Man? I

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<v Speaker 1>love albums, Jordan. You know I make albums like I don't.

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<v Speaker 1>No one listens to him, and so I make a

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<v Speaker 1>I'm a make an archaic art form. I'm in love

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<v Speaker 1>with it. But you know, a part of making albums

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<v Speaker 1>is real albums. For example, when I finished the songs,

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<v Speaker 1>I have at least three months more work to figure

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<v Speaker 1>out the order of the songs and the transitions between

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<v Speaker 1>them all, etcetera. So a part of making real albums

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<v Speaker 1>is sometimes you gotta make a real tough decision and go,

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<v Speaker 1>this is a great song, but it doesn't belong on

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<v Speaker 1>this album. It doesn't fit. And so I made a

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<v Speaker 1>lot of those decisions over the last five ten years,

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<v Speaker 1>and sometimes you've got some great songs that they'll fit

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<v Speaker 1>on your album, and this this is one of those

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<v Speaker 1>songs and just didn't fit on A real good Kid,

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<v Speaker 1>didn't fit on Keep Going Our Operation Wake Up. But

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<v Speaker 1>I always loved this song. It's made me want to dance,

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<v Speaker 1>so here it is. I totally agree. It's so uplifting

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<v Speaker 1>and fun. And when I first heard it, I thought

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<v Speaker 1>I heard tinges of Maroon five and the lo and

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<v Speaker 1>Behold Room five guitarist James Valentine's track, How did he

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<v Speaker 1>get involved? You guys go way back to to you

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<v Speaker 1>co writing Sugar? How did he get involved with the track?

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<v Speaker 1>James has been a friend who introduced me to James.

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<v Speaker 1>I don't know how I met James. I thank god

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<v Speaker 1>I did. I really like him. He came over my

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<v Speaker 1>house and he worked on my album at Night Alone,

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<v Speaker 1>which the album that had I took a pill bees

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<v Speaker 1>in on it, and James and I wrote a song

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<v Speaker 1>together called one hell of a Song. That was the

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<v Speaker 1>first thing we did together and just love each other.

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<v Speaker 1>Man just became friends, and um, you know this song.

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<v Speaker 1>Mom always told me that that's out Now it's really

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<v Speaker 1>a product of this house. This house that I used

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<v Speaker 1>to rent in Venice is a kind of cookie house,

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<v Speaker 1>is like a hundred years old, and it's in Venice,

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<v Speaker 1>a bike ride away from the beach from the Pacific Ocean,

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<v Speaker 1>and it became kind of a hangout house. One summer,

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<v Speaker 1>James would come over. Adam Freeman lived down the street,

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<v Speaker 1>come over all the times, one of my favorite producers,

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<v Speaker 1>and Pete Kuzma, Jacob Sasny. We all just come over,

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<v Speaker 1>hang out, We meditate, we we make music, we go

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<v Speaker 1>we see the sunset. You know, it's a lot of

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<v Speaker 1>times we take a dip in the ocean. And one

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<v Speaker 1>day James was over and he just picked up the

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<v Speaker 1>guitar started playing this riff. I just start hearing the melodies,

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<v Speaker 1>and the naj came over and saying on it, did

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<v Speaker 1>some lyrics on it. James went outside, took a break.

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<v Speaker 1>He saw her, his friend Kate, who's apparently was my neighbor,

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<v Speaker 1>and he said come over. Her and her friend came

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<v Speaker 1>over to end up singing on the hook. You know,

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<v Speaker 1>it's a group vocal take care of yo. So that's

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<v Speaker 1>just how it happens, just a product of product of

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<v Speaker 1>our friendships. You know, all these people that love each other.

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<v Speaker 1>You know, we just made this one day and I

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<v Speaker 1>love it. Man. I love this song. I love the chorus.

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<v Speaker 1>I mean the positive message is just laid right out there.

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<v Speaker 1>I mean, live your life, Shine your life. All those

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<v Speaker 1>things that your mother would actually say to you tell

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<v Speaker 1>me about her. Maybe not exactly in those words. She

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<v Speaker 1>might not rhyme when she said, but yeah, basically, I

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<v Speaker 1>think my mom is My mom is a Detroit hard

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<v Speaker 1>rock you know, she's she's somebody like got it out

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<v Speaker 1>of the mud, you know, to have a lot of opportunity,

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<v Speaker 1>basically work at two three jobs during college, put herself

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<v Speaker 1>through pharmacy, owned Turtle of Pharmacy in Detroit. I mean,

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<v Speaker 1>my mom, she's amazing. Man, mom is amazing. I thought

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<v Speaker 1>it was really cool because it highlights the struggles of

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<v Speaker 1>people who are sort of dealing with with anxiety and

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<v Speaker 1>depression and mental illness. And I think that's so important

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<v Speaker 1>to talk about after the year that we've had. I mean,

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<v Speaker 1>the pandemic has been deadly, not just because of the virus,

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<v Speaker 1>but also with those struggling with with anxiety and depression

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<v Speaker 1>and substance abuse issues. And I thought that was a

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<v Speaker 1>really cool comment on that. How did that project come

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<v Speaker 1>together for you? Operation Wake Up actually another old project.

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<v Speaker 1>I made it right after I made at Night Alone.

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<v Speaker 1>I made it my dad was six, so I was

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<v Speaker 1>living back in Detroit. I made it in their basement,

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<v Speaker 1>the basement I grew up in. Just in two weeks,

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<v Speaker 1>I had this wild idea of making an album that

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<v Speaker 1>was a fictional story through day of my life. All

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<v Speaker 1>the songs connect. And it was a real challenge as

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<v Speaker 1>a writer. You know, I'm a writer. I think that's

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<v Speaker 1>the thing most people don't realized. Like I spent most

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<v Speaker 1>of my time alone in rooms writing, you know, And

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<v Speaker 1>so it was a real challenge for me as a writer.

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<v Speaker 1>Can can I put off an album that's musical as

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<v Speaker 1>choruses and and pre choruses all of these things and

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<v Speaker 1>still it sounds good, but have it have a narrative

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<v Speaker 1>arc from beginning middle end and in about forty minutes

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<v Speaker 1>and it's just a wildly dark, ridiculous, weird, twisted project.

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<v Speaker 1>It's all fiction, and which is made more disturbing that

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<v Speaker 1>I was able to make make that stuff up. But

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<v Speaker 1>jam I was really proud of the writing. But you know,

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<v Speaker 1>it's just so dark. You know, we won't give away

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<v Speaker 1>the ending, but it's just really dark project. And I

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<v Speaker 1>wasn't sure I wanted to put it out, and I

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<v Speaker 1>just realized, you know, my job is not to curate myself.

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<v Speaker 1>I am who I am, and it's certainly a hell

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<v Speaker 1>of a lot of darkness in me. In my life

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<v Speaker 1>is also a lot of light too, you know, that's

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<v Speaker 1>part of me. So I'm not supposed to write all

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<v Speaker 1>these so long and then just only put out the

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<v Speaker 1>happy one. I was supposed to put out both. When

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<v Speaker 1>a Hertzog said the poet must not avert his eyes,

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<v Speaker 1>what's that mean? That means that if you're a real poet,

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<v Speaker 1>you look at what's beautiful, and you share what's beautiful.

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<v Speaker 1>You help others to see what's beautiful about life and reality,

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<v Speaker 1>but you also very honest about was ghastly and disgusting

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<v Speaker 1>and horrible about life, because both those things are are real.

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<v Speaker 1>How How has the last year changed you? It's been

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<v Speaker 1>so transformative for all of us for so many different reasons.

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<v Speaker 1>How is it? How is one touched you? Probably in

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<v Speaker 1>in really subtle ways. I can't maybe even I don't

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<v Speaker 1>really recognize, you know, all the normal things, like you know,

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<v Speaker 1>you don't hug or touch as much. I think that

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<v Speaker 1>affects all of us. How it was a big hugger

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<v Speaker 1>all these things, you know, like I hug my friends

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<v Speaker 1>and my my family and whatnot. But so it's just

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<v Speaker 1>in those obvious ways. But you know, I think I've

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<v Speaker 1>been really bled. That's that I kind of stopped touring

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<v Speaker 1>a few years ago. You know, I walked across America

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<v Speaker 1>in twenty nineteen. I live in the mountains now, I'm

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<v Speaker 1>climbing a lot of mountains. So and in many ways,

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<v Speaker 1>you know, the pandemic hasn't affected my lifestyle that much.

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<v Speaker 1>In addition, as I touched on before, I spent a

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<v Speaker 1>lot of time alone in my life, so it's not

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<v Speaker 1>that sort of been in training for this in some respects.

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<v Speaker 1>So I'm pretty lucky, pretty blessed. I get to spend

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<v Speaker 1>a lot of time outside doing stuff. I'm definitely not

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<v Speaker 1>locked up inside the room. Um like some of my

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<v Speaker 1>friends are in l a and men I got, I

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<v Speaker 1>got no complaints. I'm just trying to, you know, keep

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<v Speaker 1>moving my life forward, become somebody I'm proud of. That's it,

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<v Speaker 1>you know. So what is the pandemic going on or not,

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<v Speaker 1>that doesn't change. I'm still every day working towards my goals.

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<v Speaker 1>And well a lot of people are making sour dough

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<v Speaker 1>bread and uh and banana bread. You you climbed No no, no, no, no,

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<v Speaker 1>no no no no, no no no. I just went

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<v Speaker 1>to base went to base camp. Excuse me with the

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<v Speaker 1>base camp a K too, which is still incredibly impressive

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<v Speaker 1>and cool. Though, what tell me, tell me more about

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<v Speaker 1>that experience, for it is very cool experience. For me,

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<v Speaker 1>I probably will never climb K two is much too dangerous.

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<v Speaker 1>I think, you know where my personal risk assessment is

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<v Speaker 1>for myself, too risky for me, especially where my skill

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<v Speaker 1>set is now. But it was cool. I was around,

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<v Speaker 1>you know, nobody had climbed K two in the winter before.

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<v Speaker 1>I was around some of the best climbers in the

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<v Speaker 1>world and the most beautiful mountains in the world. I

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<v Speaker 1>was there three days. It was also like really really horrible,

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<v Speaker 1>really tragical. You know, five of the people that I

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<v Speaker 1>met was there with they die. So it's just really

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<v Speaker 1>messed up. You know, obviously you're doing something really dangerous,

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<v Speaker 1>but it's still like really sad. No matter what. Wait, wait,

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<v Speaker 1>you couldn't, so my love, my heart just go up

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<v Speaker 1>to the US and stuff. Something that you do that's

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<v Speaker 1>just I think it's just so inspiring is that you

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<v Speaker 1>are always challenging yourself and pushing yourself. And I mean

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<v Speaker 1>your walk across the country is just so incredibly inspiring.

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<v Speaker 1>I'm sure you're sick of talking about it, but it's

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<v Speaker 1>so touching us, so many, myself included. And I think

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<v Speaker 1>it's it's so important to say that. You know, it's

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<v Speaker 1>easy for a lot of people to think, oh, well,

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<v Speaker 1>you know, he he's in shape. It must he makes

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<v Speaker 1>it look so easy. It must be easy for him.

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<v Speaker 1>He must wake up at four in the morning and

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<v Speaker 1>feel rare and ready to go. And I think it's

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<v Speaker 1>important to say, I imagine it wasn't easy for you.

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<v Speaker 1>It must have been hard every single day. And I

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<v Speaker 1>think that's important for people to know that that, you know,

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<v Speaker 1>if you can do it, they can do it too.

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<v Speaker 1>It's horror. It was horrible, you know. And people love

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<v Speaker 1>to give themselves excuse the way out, so they put

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<v Speaker 1>labels on other people, say he's different. You know. The

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<v Speaker 1>biggest one out here is oh, you you're rich. It

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<v Speaker 1>must be nice for you to walk across America. I

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<v Speaker 1>want to do something, but you're rich. I never do that.

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<v Speaker 1>I was just like, it made me laugh so hard,

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<v Speaker 1>because you know, it's a real small community people that

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<v Speaker 1>walk or run across America. They estimated about ten or

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<v Speaker 1>fifteen people do it every year, and it's a small amount.

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<v Speaker 1>It's a small group, so you you find out about

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<v Speaker 1>each other, you know. So I was in contact with

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<v Speaker 1>seven eight people that were running or walking the same

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<v Speaker 1>time as me. We all try to kind of support

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<v Speaker 1>each other, send each other positive messages, etcetera. None of

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<v Speaker 1>those people were rich. Man, those people have no money.

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<v Speaker 1>They're taking money to walk across America. It's very easy

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<v Speaker 1>for us to make excuses for ourselves and not saying

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<v Speaker 1>your goal should be to walk across America, because it

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<v Speaker 1>shouldn't be unless that's your goal. But the thought pattern

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<v Speaker 1>of it must be easy for him or must be

0:11:45.480 --> 0:11:48.960
<v Speaker 1>easy for him or her, that's poison. You should never

0:11:49.040 --> 0:11:51.800
<v Speaker 1>think that. You should never think that, because what you

0:11:51.840 --> 0:11:55.240
<v Speaker 1>should think is exactly what you said. Oh they did that,

0:11:55.240 --> 0:11:58.160
<v Speaker 1>that's possible. I could do it too. They're a man

0:11:58.320 --> 0:12:02.040
<v Speaker 1>or a woman or whatever the pronoun is, just like me,

0:12:02.520 --> 0:12:04.600
<v Speaker 1>you know, they got blood just like me as human,

0:12:05.240 --> 0:12:06.840
<v Speaker 1>and so if they could do what I can't do,

0:12:06.920 --> 0:12:09.760
<v Speaker 1>that's a healthier way of thinking. You take a take

0:12:09.760 --> 0:12:12.640
<v Speaker 1>a hard look at your reasons, man, take a hard

0:12:12.640 --> 0:12:15.360
<v Speaker 1>look at your reasons, because because nine times out of

0:12:15.400 --> 0:12:19.640
<v Speaker 1>ten our reasons are are excuses wearing pretty clothes. Yeah,

0:12:19.640 --> 0:12:22.640
<v Speaker 1>I mean, it's it's your mantra keep going that applies

0:12:22.679 --> 0:12:27.560
<v Speaker 1>to anyone no matter what you're doing, keep going, keep going.

0:12:28.520 --> 0:12:31.320
<v Speaker 1>I mean, I imagine you can't be the same having

0:12:31.360 --> 0:12:36.600
<v Speaker 1>done something so just so transformative of walking across the

0:12:36.800 --> 0:12:40.080
<v Speaker 1>entire continent. How how has that changed your perspective on

0:12:40.160 --> 0:12:42.280
<v Speaker 1>everyday life now that you've that, now that you've had

0:12:42.720 --> 0:12:44.880
<v Speaker 1>what about a year and a half to get reacclimated, Like,

0:12:44.920 --> 0:12:47.280
<v Speaker 1>how did that experience change your your outlook to it

0:12:47.400 --> 0:12:50.640
<v Speaker 1>just sort of your normal everyday life. I never reacclimated.

0:12:51.160 --> 0:12:53.920
<v Speaker 1>I had no interest in going back like it wasn't

0:12:54.120 --> 0:12:57.120
<v Speaker 1>I didn't go on vacation and I'm going back like

0:12:57.640 --> 0:13:00.000
<v Speaker 1>I didn't have a house. You know, I wasn't going

0:13:00.200 --> 0:13:04.160
<v Speaker 1>back to anything. I was moving forward and I'm still

0:13:04.200 --> 0:13:05.960
<v Speaker 1>moving forward in a lot of ways. I'm still on

0:13:06.000 --> 0:13:07.960
<v Speaker 1>the walk. I never went I never went to a

0:13:08.000 --> 0:13:11.679
<v Speaker 1>house and unpacked my stuff. I started climbing mountains two

0:13:11.720 --> 0:13:15.160
<v Speaker 1>weeks later. When I'm working on now and I just go,

0:13:15.840 --> 0:13:18.360
<v Speaker 1>I just keep going forward. In fact, you know, the

0:13:18.440 --> 0:13:21.600
<v Speaker 1>most the most important day, I think, after you, the

0:13:21.600 --> 0:13:25.080
<v Speaker 1>most important day during the goal of the project. I

0:13:25.120 --> 0:13:27.880
<v Speaker 1>think it's the day after the day after we're gonna

0:13:27.920 --> 0:13:30.840
<v Speaker 1>do the day after you're gonna you're gonna go party

0:13:30.920 --> 0:13:34.280
<v Speaker 1>with your friends. You're gonna get messed up. I wanted

0:13:34.360 --> 0:13:38.600
<v Speaker 1>my body, in my mind, my spirit to know when

0:13:38.640 --> 0:13:41.680
<v Speaker 1>I was walking across America that I was not done.

0:13:41.960 --> 0:13:44.600
<v Speaker 1>So I jumped in the Atlantic Ocean. My my walk

0:13:44.720 --> 0:13:47.520
<v Speaker 1>was over, but I was not over. I was not done.

0:13:47.760 --> 0:13:51.480
<v Speaker 1>So you know, as you imagine, my body was pretty

0:13:51.520 --> 0:13:54.400
<v Speaker 1>messed up at the time. My feet really really hurt.

0:13:54.600 --> 0:13:57.840
<v Speaker 1>I stand up like I'm eight years old, like it.

0:13:57.840 --> 0:14:01.679
<v Speaker 1>It hurt, and you us two thousand, eight hundred fifty

0:14:01.679 --> 0:14:06.000
<v Speaker 1>one miles the same motion. It hurt. But what I

0:14:06.040 --> 0:14:09.480
<v Speaker 1>did was I have is a little boxing gym, a

0:14:09.520 --> 0:14:13.680
<v Speaker 1>little hardcore boxing gym called CMC Boxing in Venice. It's

0:14:13.679 --> 0:14:16.319
<v Speaker 1>not like soccer, mom, Jim. It's like a gym. They

0:14:16.320 --> 0:14:20.480
<v Speaker 1>played Black Sabath. You walking you're gonna get work. And

0:14:20.880 --> 0:14:23.560
<v Speaker 1>I called Mark coach Marcello. I said, look, I know

0:14:23.600 --> 0:14:25.960
<v Speaker 1>this might sound crazy. Can you meet me there at

0:14:26.000 --> 0:14:28.960
<v Speaker 1>four thirty am tomorrow? He said, yes, Boxer, I can.

0:14:29.080 --> 0:14:31.920
<v Speaker 1>So the next day I was at that gym for

0:14:32.200 --> 0:14:35.840
<v Speaker 1>thirty I just needed needed to let myself know you're

0:14:35.840 --> 0:14:39.400
<v Speaker 1>not done. You're not done like Rocket, and so I

0:14:39.600 --> 0:14:42.960
<v Speaker 1>just moving forward. But to answer your question and like,

0:14:43.000 --> 0:14:45.080
<v Speaker 1>what what did it change for me? Because that's really

0:14:45.120 --> 0:14:47.320
<v Speaker 1>the essence to your question. I kind of made a

0:14:47.400 --> 0:14:51.000
<v Speaker 1>separate point. I apologize for that. But the thing I

0:14:51.080 --> 0:14:53.800
<v Speaker 1>take with me is is I did something hard. I

0:14:53.800 --> 0:14:56.160
<v Speaker 1>did something hard. You get you get good at doing

0:14:56.200 --> 0:14:58.760
<v Speaker 1>hard things, and you have a courage to do more

0:14:58.800 --> 0:15:02.280
<v Speaker 1>hard things by doing hard period. So I did other

0:15:02.320 --> 0:15:06.440
<v Speaker 1>hard things before that. Incrementally they'll tell you harder. So

0:15:07.000 --> 0:15:09.520
<v Speaker 1>if I have a big goal now or something crazy

0:15:09.680 --> 0:15:12.000
<v Speaker 1>not crazy with some I want to do that. Maybe

0:15:12.000 --> 0:15:14.840
<v Speaker 1>other people think it's crazy. I know I could do it.

0:15:15.160 --> 0:15:17.760
<v Speaker 1>I know it's not gonna be easy, but but I

0:15:17.800 --> 0:15:19.440
<v Speaker 1>know it's gonna be hard. But that's what I do.

0:15:19.560 --> 0:15:22.520
<v Speaker 1>I do hard things. So that's that's that's the gift

0:15:22.560 --> 0:15:25.000
<v Speaker 1>I get from it. No one understand that it's not

0:15:25.080 --> 0:15:28.960
<v Speaker 1>an outside trophy, that's an inside trophy, internal trophy. Well,

0:15:29.000 --> 0:15:32.000
<v Speaker 1>you're you're pushing yourself physically walking across the country and

0:15:32.040 --> 0:15:35.600
<v Speaker 1>climbing mountains. You're pushing yourself musically with writing big, longer

0:15:35.680 --> 0:15:39.040
<v Speaker 1>narrative pieces like Operation Wake Up. How are you pushing yourself? Now?

0:15:39.160 --> 0:15:41.920
<v Speaker 1>What's what's next for you? I haven't announced my next

0:15:41.920 --> 0:15:44.960
<v Speaker 1>for like big it's big to me. I'm also big

0:15:45.000 --> 0:15:49.520
<v Speaker 1>to you. Big athletic project I'm working on and I

0:15:49.560 --> 0:15:51.960
<v Speaker 1>started working on training for it about a year ago,

0:15:52.040 --> 0:15:53.920
<v Speaker 1>like I said, two weeks after my walk, So I'll

0:15:53.920 --> 0:15:56.600
<v Speaker 1>be announcing that soon. I'm really excited to kind of

0:15:56.640 --> 0:16:00.320
<v Speaker 1>like tell everyone what I've been working on. And then

0:16:00.400 --> 0:16:04.240
<v Speaker 1>as far as music, that's constant, that's constant, just digging

0:16:04.880 --> 0:16:09.200
<v Speaker 1>deeper and deeper as a human, increasing your my skills,

0:16:09.640 --> 0:16:11.240
<v Speaker 1>you know, because I'm somebody I have a have a

0:16:11.320 --> 0:16:14.640
<v Speaker 1>hip hop background. I started rapping when I was writing

0:16:14.760 --> 0:16:17.400
<v Speaker 1>my own songs and start making beats when I was

0:16:17.520 --> 0:16:20.160
<v Speaker 1>I think twelve or thirteen. I didn't start singing till

0:16:20.160 --> 0:16:22.680
<v Speaker 1>I was twenty. I didn't start playing guitar until twenty

0:16:22.680 --> 0:16:25.800
<v Speaker 1>four and start playing piano really tells twenty four. I'm

0:16:25.840 --> 0:16:29.600
<v Speaker 1>just increasing my skills, learning about music, theories, just just

0:16:30.120 --> 0:16:33.640
<v Speaker 1>all these kind of things you practice and they add

0:16:33.680 --> 0:16:36.160
<v Speaker 1>more colors to your palette. So when I sit down

0:16:36.160 --> 0:16:38.960
<v Speaker 1>to paint metaphorically speaking, and I sit down to paint,

0:16:39.320 --> 0:16:41.840
<v Speaker 1>I can do more things now, so many more things

0:16:41.880 --> 0:16:45.000
<v Speaker 1>than I could when I was, you know, fifteen. This

0:16:45.200 --> 0:16:48.360
<v Speaker 1>is how deep can you go? How how how beautiful

0:16:48.480 --> 0:16:50.760
<v Speaker 1>a piece of art can you make? You know, just

0:16:50.800 --> 0:16:54.840
<v Speaker 1>trying to make make beautiful things really musically. But it's

0:16:54.840 --> 0:16:58.000
<v Speaker 1>all tied. It's all. It's all one thing. You know,

0:16:58.200 --> 0:16:59.720
<v Speaker 1>whether I go to the top of the mountain, I

0:16:59.720 --> 0:17:02.760
<v Speaker 1>walk across America and I'm listening to the birds in

0:17:02.840 --> 0:17:07.200
<v Speaker 1>Illinois and recording MyPhone or you know, all these things.

0:17:07.440 --> 0:17:09.600
<v Speaker 1>It changed who you are, changed the place where you

0:17:09.800 --> 0:17:12.240
<v Speaker 1>that you right from, and change the artists you are.

0:17:12.560 --> 0:17:15.480
<v Speaker 1>So they all mixed together. Yeah, you know, the sort

0:17:15.480 --> 0:17:18.960
<v Speaker 1>of projects outside the studio and inside. Was there a

0:17:18.960 --> 0:17:21.760
<v Speaker 1>moment when you knew that that music would be such

0:17:21.800 --> 0:17:23.760
<v Speaker 1>a huge part of your life and would be such

0:17:23.760 --> 0:17:26.800
<v Speaker 1>a huge part of your gift to to the world. Yeah,

0:17:26.880 --> 0:17:29.399
<v Speaker 1>there was a moment. I think we were in seventh

0:17:29.480 --> 0:17:33.080
<v Speaker 1>or eighth grade and I was with my my homies

0:17:33.440 --> 0:17:39.639
<v Speaker 1>Aaron Webster and Ronnie Posey recipes, and we used to start,

0:17:39.800 --> 0:17:43.119
<v Speaker 1>we say, we're gonna freestyle tonight, you know, because we

0:17:43.320 --> 0:17:47.120
<v Speaker 1>heard about wrapping, free styling and stuff like I don't

0:17:47.119 --> 0:17:50.240
<v Speaker 1>know where for a TV whatnot, and so we what

0:17:50.440 --> 0:17:53.200
<v Speaker 1>we all we all found like little albums and stuff

0:17:53.240 --> 0:17:56.480
<v Speaker 1>that had instrumental sections to them that we could wrap

0:17:56.560 --> 0:17:59.920
<v Speaker 1>to put them on and start rap, trying to make

0:18:00.119 --> 0:18:03.280
<v Speaker 1>up the things as we go freestyling. And I remember

0:18:03.359 --> 0:18:05.520
<v Speaker 1>they started we did it, and they sort of felt

0:18:05.560 --> 0:18:08.120
<v Speaker 1>like that was fun, that was cool. And I remember

0:18:08.200 --> 0:18:10.720
<v Speaker 1>this feeling like I'm going to get great at that.

0:18:10.920 --> 0:18:13.120
<v Speaker 1>I'm never gonna I'm not gonna stop doing I'm gonna

0:18:13.160 --> 0:18:15.919
<v Speaker 1>get really good at that. And that's I never stopped.

0:18:16.040 --> 0:18:20.160
<v Speaker 1>Still doing it. That was probably eighteen years ago, still

0:18:20.200 --> 0:18:23.400
<v Speaker 1>doing it. I'm always curious with people who are are

0:18:23.520 --> 0:18:25.760
<v Speaker 1>able and sort of blessed with the ability to to

0:18:25.840 --> 0:18:28.360
<v Speaker 1>write music. What do you do when you're sitting down

0:18:28.400 --> 0:18:31.399
<v Speaker 1>to write and it's just not happening, like you're you know,

0:18:31.480 --> 0:18:34.760
<v Speaker 1>you're you're on your metaphorical walk and you're you take

0:18:34.760 --> 0:18:37.520
<v Speaker 1>a stumble and you just how do you do you

0:18:37.560 --> 0:18:40.600
<v Speaker 1>just try to press forward through pure force of creative

0:18:40.600 --> 0:18:42.960
<v Speaker 1>will do you take a step back and go meditate

0:18:43.040 --> 0:18:44.920
<v Speaker 1>or go do something else and hope that that kind

0:18:44.920 --> 0:18:47.639
<v Speaker 1>of primes your imagination, your creative pump. Like, what do

0:18:47.720 --> 0:18:50.800
<v Speaker 1>you do when you're having trouble finishing something? Well, that's

0:18:50.840 --> 0:18:54.680
<v Speaker 1>two different things, finishing or starting. So but but if

0:18:54.720 --> 0:18:58.160
<v Speaker 1>it's starting, I can always come up with something. But

0:18:59.240 --> 0:19:02.480
<v Speaker 1>most days it's not something I actually like. That's another

0:19:02.720 --> 0:19:06.880
<v Speaker 1>people realize it's like I've made eleven albums, but that's

0:19:06.920 --> 0:19:09.000
<v Speaker 1>only ten percent of the music I may. That's like

0:19:09.040 --> 0:19:11.960
<v Speaker 1>the timbers of music I made actually like the rest

0:19:12.040 --> 0:19:15.000
<v Speaker 1>of it, I don't like that much. And so there's

0:19:15.000 --> 0:19:18.960
<v Speaker 1>so much failure involved, man, so much failure, Like when

0:19:18.960 --> 0:19:22.119
<v Speaker 1>you're trying to do something great by your own standards great,

0:19:22.280 --> 0:19:25.640
<v Speaker 1>Like I'm not interested in anything good. I don't care

0:19:25.640 --> 0:19:28.040
<v Speaker 1>about anything good. But most of the time, when I

0:19:28.080 --> 0:19:30.240
<v Speaker 1>sit down to ray, it's just good. You know, it's

0:19:30.280 --> 0:19:34.280
<v Speaker 1>just good. I don't care, and I fail. So anyway,

0:19:34.280 --> 0:19:36.280
<v Speaker 1>that's that's not your question. Question is what I do

0:19:36.560 --> 0:19:38.720
<v Speaker 1>when I when you kind of feel blocked or you're

0:19:38.760 --> 0:19:41.480
<v Speaker 1>just only coming up with good stuff and you don't

0:19:41.480 --> 0:19:44.560
<v Speaker 1>really care. Or maybe in the fields is like derivative

0:19:44.600 --> 0:19:46.800
<v Speaker 1>of stuff you've already done that happens a lot to you,

0:19:46.920 --> 0:19:49.480
<v Speaker 1>Like I already wrote this song like this is that

0:19:49.600 --> 0:19:52.440
<v Speaker 1>this is part of version. This is like a worst

0:19:52.560 --> 0:19:55.560
<v Speaker 1>version of something I've already done. So one thing I

0:19:55.640 --> 0:19:58.320
<v Speaker 1>do is I change while I'm working with If I'm

0:19:58.359 --> 0:20:00.879
<v Speaker 1>working alone, which I do you a lot, I might

0:20:00.920 --> 0:20:02.960
<v Speaker 1>go right with my friend Adam, or I might go

0:20:03.080 --> 0:20:05.800
<v Speaker 1>right with James Valentine. You know I switched that up.

0:20:06.080 --> 0:20:09.040
<v Speaker 1>That's one that's like, that's easy. I think way bring

0:20:09.160 --> 0:20:12.639
<v Speaker 1>someone another humans energy into it. Or if it's the opposite,

0:20:12.760 --> 0:20:15.359
<v Speaker 1>I'm working with somebody else and you feel stuck, I

0:20:15.440 --> 0:20:18.600
<v Speaker 1>might go work alone, might go work alone. The thing

0:20:18.680 --> 0:20:21.199
<v Speaker 1>is me, I don't. I don't really, I don't you

0:20:21.240 --> 0:20:23.400
<v Speaker 1>ask me when I sit down to write. I don't

0:20:23.440 --> 0:20:26.159
<v Speaker 1>really sit down to write that much anymore. Maybe I

0:20:26.200 --> 0:20:29.200
<v Speaker 1>should a little bit more, but I mostly wait till

0:20:29.240 --> 0:20:32.399
<v Speaker 1>the thing just pop starts talking to me and I

0:20:32.520 --> 0:20:36.080
<v Speaker 1>just repeat, repeat what it says. You know. That being said,

0:20:36.640 --> 0:20:38.840
<v Speaker 1>there are many years where I wrote some right rose

0:20:38.960 --> 0:20:41.520
<v Speaker 1>song every single day, you know, so you couldn't get

0:20:41.520 --> 0:20:44.720
<v Speaker 1>those ten thousand hours but um, I don't know that

0:20:56.119 --> 0:20:58.280
<v Speaker 1>it's funny. I mean you were saying, how you know

0:20:58.320 --> 0:21:00.800
<v Speaker 1>you sometimes you sit down and you think only writing

0:21:00.920 --> 0:21:03.640
<v Speaker 1>something that's good, and I feel like that's what separates

0:21:03.640 --> 0:21:05.720
<v Speaker 1>you for most people. Most people will be thrilled to

0:21:05.760 --> 0:21:08.200
<v Speaker 1>sit down and write something that's just good, but you're

0:21:08.240 --> 0:21:13.080
<v Speaker 1>you're aiming for something better, for something more. No, I promise,

0:21:13.800 --> 0:21:17.000
<v Speaker 1>it's just Look, it's not that part. I don't think

0:21:17.000 --> 0:21:19.119
<v Speaker 1>it's that special about me. It's just I've been doing

0:21:19.119 --> 0:21:21.800
<v Speaker 1>this a long time, been I started. I started writing.

0:21:21.840 --> 0:21:24.520
<v Speaker 1>I was eight and thirty three, so what that's twenty

0:21:24.520 --> 0:21:27.680
<v Speaker 1>five years crazy, you know. And most of the people

0:21:27.680 --> 0:21:30.399
<v Speaker 1>I work with, they don't write. They not gonna sound right,

0:21:30.480 --> 0:21:32.920
<v Speaker 1>something that hurts your ear, you know. It sounds like

0:21:33.119 --> 0:21:36.320
<v Speaker 1>a coffin. Like we all like this is what we

0:21:36.400 --> 0:21:39.680
<v Speaker 1>do for our job professional. So it's it's always good.

0:21:39.800 --> 0:21:42.280
<v Speaker 1>We're not writing like horrible stuff, you know what I mean,

0:21:42.400 --> 0:21:45.720
<v Speaker 1>that's all it is. So it's always listenable, you know,

0:21:46.080 --> 0:21:49.600
<v Speaker 1>but it's not great most of the day's you know,

0:21:50.000 --> 0:21:54.320
<v Speaker 1>and great is by definition rare. So that's what that's

0:21:54.359 --> 0:21:57.480
<v Speaker 1>what we're interested in every day, and most days we fail.

0:21:57.600 --> 0:21:59.560
<v Speaker 1>It's gonna keep keep showing up. You never know what's

0:21:59.600 --> 0:22:02.920
<v Speaker 1>day you're write something great. Man. Another thing is, I'd

0:22:03.000 --> 0:22:07.600
<v Speaker 1>rather have one great song than ten thousand good songs.

0:22:07.920 --> 0:22:10.080
<v Speaker 1>Sometimes you gotta write ten thousand good songs to get

0:22:10.080 --> 0:22:16.359
<v Speaker 1>one great one. Thow. That's the rub you said when

0:22:16.960 --> 0:22:19.840
<v Speaker 1>when we first started talking that year. You're an album's guy,

0:22:19.880 --> 0:22:22.040
<v Speaker 1>you're working in albums. Did you have any on the

0:22:22.080 --> 0:22:25.280
<v Speaker 1>horizon fans can look forward to in the uh nuts

0:22:25.400 --> 0:22:28.520
<v Speaker 1>to distant future. I think I actually gonna drop a

0:22:28.520 --> 0:22:33.160
<v Speaker 1>little EP first. And the reason is that's like sometimes yeah,

0:22:33.760 --> 0:22:36.280
<v Speaker 1>like sometimes you gotta take songs off. So you've got

0:22:36.320 --> 0:22:39.200
<v Speaker 1>some songs that just never fit on an album. But

0:22:39.240 --> 0:22:41.720
<v Speaker 1>the great freaking great songs, you know, it's like you

0:22:41.800 --> 0:22:44.600
<v Speaker 1>gotta share this stuff means you can't just leave it

0:22:44.640 --> 0:22:49.200
<v Speaker 1>on your laptop. Uh. But I am working. I'm always

0:22:49.200 --> 0:22:52.200
<v Speaker 1>working on the next thing. I'm always working the next thing.

0:22:53.000 --> 0:22:55.720
<v Speaker 1>I'm old fashioned though. Man. I'll sit there right. I

0:22:55.800 --> 0:22:59.320
<v Speaker 1>like to write a lot of songs first. Yeah, maybe

0:22:59.359 --> 0:23:02.440
<v Speaker 1>for a year too, Maybe for a year or two, right, right,

0:23:02.520 --> 0:23:06.080
<v Speaker 1>fifty seventy five songs and sit down, sit down and

0:23:06.119 --> 0:23:09.840
<v Speaker 1>pick the best fifteen finished those and produced those and

0:23:09.880 --> 0:23:12.320
<v Speaker 1>then pick the best ten out of those, you know.

0:23:12.480 --> 0:23:16.280
<v Speaker 1>And so I'm still writing. I'm still writing for the

0:23:16.320 --> 0:23:20.480
<v Speaker 1>next thing, but I got I've written maybe I'm not sure.

0:23:20.640 --> 0:23:26.159
<v Speaker 1>I haven't counted songs, and probably like twenty closer twenty

0:23:26.280 --> 0:23:30.359
<v Speaker 1>songs for the next actual album, and I like like

0:23:30.440 --> 0:23:33.080
<v Speaker 1>six of them, like six of one, and I think

0:23:33.119 --> 0:23:35.520
<v Speaker 1>you're cool. So we'll see, we'll see. But you're just

0:23:35.560 --> 0:23:37.840
<v Speaker 1>gonna try to beat those, you know. This is the

0:23:37.840 --> 0:23:41.720
<v Speaker 1>harvesting process. This is the culling process that everything it's

0:23:41.760 --> 0:23:44.640
<v Speaker 1>growing now and then well the harvest soon. That's right,

0:23:45.160 --> 0:23:48.200
<v Speaker 1>that's right. My my last question, and my I've been

0:23:48.800 --> 0:23:51.159
<v Speaker 1>asking everybody's been talking to this, and it's been so

0:23:51.240 --> 0:23:54.000
<v Speaker 1>interesting to hear everybody's different takes on this. If you

0:23:54.000 --> 0:23:57.120
<v Speaker 1>could snap your fingers and have everything go back to normal,

0:23:57.359 --> 0:24:00.639
<v Speaker 1>normal and quotes whatever your definition of normal is pre pandemic,

0:24:00.760 --> 0:24:03.399
<v Speaker 1>all that's out the window, What would be the first

0:24:03.440 --> 0:24:05.840
<v Speaker 1>thing that you would do? Trips, you would take people,

0:24:05.880 --> 0:24:08.520
<v Speaker 1>you'd hug, restaurants you'd go to or something like that.

0:24:08.720 --> 0:24:11.119
<v Speaker 1>Right to note, one thing, man, I like to take uh,

0:24:11.520 --> 0:24:15.240
<v Speaker 1>I like to go to moto yoga on Labreya in

0:24:15.480 --> 0:24:18.000
<v Speaker 1>l a I'll miss that place, but I don't even

0:24:18.040 --> 0:24:19.920
<v Speaker 1>live in that CD, so I'm not sure I would

0:24:19.960 --> 0:24:22.680
<v Speaker 1>be there anyways. But I guess that's the number one thing,

0:24:22.840 --> 0:24:25.639
<v Speaker 1>or that hot yoga class. I think that's the first

0:24:25.640 --> 0:24:27.520
<v Speaker 1>time we've heard a hot yoga. That's a good one.

0:24:27.560 --> 0:24:30.840
<v Speaker 1>Are you get a lot of song ideas in shivasana?

0:24:30.880 --> 0:24:33.040
<v Speaker 1>And there? Man, I'll tell you what we'll get you.

0:24:33.160 --> 0:24:37.000
<v Speaker 1>We'll get you back there soon, hopefully. Fingers crossed. Oh Man, Mike,

0:24:37.119 --> 0:24:39.400
<v Speaker 1>thank you so much for your time today. I really

0:24:39.440 --> 0:24:41.639
<v Speaker 1>appreciate it. Oh Man, you got it. Thank you for

0:24:41.680 --> 0:24:44.959
<v Speaker 1>having me your answers. Thank you for being so just

0:24:45.119 --> 0:24:47.720
<v Speaker 1>open and kind and generous with not only your music

0:24:47.760 --> 0:24:49.960
<v Speaker 1>but your spirit today. It was just so great talking

0:24:50.000 --> 0:24:52.000
<v Speaker 1>to you. It really was a pleasure. Thank you. I

0:24:52.000 --> 0:24:54.600
<v Speaker 1>appreciate you. Jordan's I could tell it. I could tell

0:24:55.440 --> 0:24:58.560
<v Speaker 1>you take your job seriously, and I felt like you've

0:24:58.560 --> 0:25:01.720
<v Speaker 1>really seen like who I am. You under took time

0:25:01.760 --> 0:25:04.359
<v Speaker 1>to understand that. It was a blessing to me. So

0:25:04.359 --> 0:25:07.280
<v Speaker 1>I appreciate you. Buddy. Thank you right back. Hatcher Man,

0:25:07.480 --> 0:25:09.879
<v Speaker 1>Well you stay safe and um and you have a

0:25:09.920 --> 0:25:13.400
<v Speaker 1>wonderful rest of your day. Keep good right right back,

0:25:13.640 --> 0:25:26.040
<v Speaker 1>good peace. We hope you enjoyed this episode of Inside

0:25:26.040 --> 0:25:29.400
<v Speaker 1>the Studio, a production of I Heart Radio. For more

0:25:29.440 --> 0:25:32.720
<v Speaker 1>episodes of Inside the Studio or other fantastic shows, check

0:25:32.760 --> 0:25:35.359
<v Speaker 1>out the I heart Radio app, Apple podcast, or wherever

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<v Speaker 1>you listen to your favorite podcasts.