1 00:00:00,160 --> 00:00:00,440 Speaker 1: Hello. 2 00:00:00,480 --> 00:00:02,600 Speaker 2: On today's episode, there's not gonna be any spoilers. We're 3 00:00:02,640 --> 00:00:07,120 Speaker 2: just talking about news the Oscars, Star Wars, various pieces 4 00:00:07,160 --> 00:00:09,440 Speaker 2: of things that will be of interest to you and 5 00:00:09,480 --> 00:00:11,320 Speaker 2: as of interest to us. 6 00:00:12,160 --> 00:00:13,800 Speaker 1: Uh So, stay tuned. 7 00:00:29,600 --> 00:00:33,239 Speaker 2: Hello, my name is Jasconception and on Wesday Night, and 8 00:00:33,280 --> 00:00:33,839 Speaker 2: welcome back to the. 9 00:00:33,880 --> 00:00:35,920 Speaker 1: Xt revision of the podcast where we dive the video babagees. 10 00:00:37,159 --> 00:00:38,839 Speaker 1: We're coming you from our podcast. 11 00:00:38,960 --> 00:00:42,320 Speaker 2: We were bringing in three episodes a week every Tuesday, Wednesday, 12 00:00:42,360 --> 00:00:42,839 Speaker 2: and Thursday. 13 00:00:43,640 --> 00:00:46,800 Speaker 3: In today's previously on episode, we're just probably coming out 14 00:00:46,840 --> 00:00:48,479 Speaker 3: on none of those days. It is actually coming out 15 00:00:48,520 --> 00:00:52,040 Speaker 3: on Saturday. We are catching up on the biggest geek 16 00:00:52,120 --> 00:00:56,400 Speaker 3: news of the week. Brian Gosling might join the Star 17 00:00:56,440 --> 00:00:59,440 Speaker 3: Wars unibus? Is it true? Is it true? X Men 18 00:00:59,520 --> 00:01:01,360 Speaker 3: characters leek for Marvel arrivals. 19 00:01:02,320 --> 00:01:11,600 Speaker 2: That's but first news, First up. The Oscar nominees have 20 00:01:11,680 --> 00:01:15,880 Speaker 2: been released and there are some surprises there. 21 00:01:15,959 --> 00:01:17,520 Speaker 1: Let's start with first surprise. 22 00:01:17,600 --> 00:01:21,720 Speaker 2: Denzel Washington snubbed for Best Supporting Gladiator Too. 23 00:01:22,000 --> 00:01:25,480 Speaker 3: Nicole Kipman snubbed the Baby Guard snub. I love that 24 00:01:25,520 --> 00:01:27,039 Speaker 3: movie too, you know what? 25 00:01:27,240 --> 00:01:31,560 Speaker 2: And those are two snubs that don't they don't get 26 00:01:31,600 --> 00:01:33,759 Speaker 2: in my they they're not stuck in my CROs. 27 00:01:33,800 --> 00:01:36,000 Speaker 3: Is that famous famous actors. 28 00:01:35,480 --> 00:01:39,399 Speaker 2: Who they're famous, famous people who have been lauded and 29 00:01:39,480 --> 00:01:43,240 Speaker 2: will be fine. And the movies were like okay, and 30 00:01:43,400 --> 00:01:46,400 Speaker 2: though they were clearly the best part of their movies. 31 00:01:46,640 --> 00:01:50,400 Speaker 2: Next up, Cynthia Arrivo, she could got. 32 00:01:50,320 --> 00:01:52,640 Speaker 3: Yeah, she's pretty feels pretty likely. 33 00:01:53,960 --> 00:01:54,880 Speaker 1: It feels like a lock. 34 00:01:55,280 --> 00:01:59,520 Speaker 2: So she did win the Tony twenty sixteen Tony Best 35 00:01:59,520 --> 00:02:02,440 Speaker 2: Actress in a Musical for her role as Lee in 36 00:02:02,480 --> 00:02:05,200 Speaker 2: The Color Purple. She did win an Emmy. Now it's 37 00:02:05,240 --> 00:02:07,880 Speaker 2: a Daytime Emmy. How do we feel? 38 00:02:08,000 --> 00:02:08,560 Speaker 1: Does it count? 39 00:02:08,639 --> 00:02:10,520 Speaker 3: I think I think it counts, but I would like 40 00:02:10,560 --> 00:02:13,280 Speaker 3: the idea that then it becomes like a it's like 41 00:02:13,360 --> 00:02:16,640 Speaker 3: a dead go. It's like the Daytime like. 42 00:02:18,240 --> 00:02:21,240 Speaker 2: You put like a lowercase D and then and then 43 00:02:21,280 --> 00:02:23,160 Speaker 2: the rest of the egt is it off her case? 44 00:02:24,400 --> 00:02:27,160 Speaker 1: So Daytime Emmy for her performance on. 45 00:02:28,840 --> 00:02:33,520 Speaker 2: The Daytime program Today, The Today Show, also related to 46 00:02:33,600 --> 00:02:38,000 Speaker 2: The Color Purple. She won a Grammy also for The 47 00:02:38,040 --> 00:02:42,639 Speaker 2: Color Purple Best Soundtrack Musical Theater Soundtrack twenty seventeen Grammys. 48 00:02:42,720 --> 00:02:47,840 Speaker 2: It counts and here she is with her Oscar nomination 49 00:02:48,440 --> 00:02:51,440 Speaker 2: for Wicked. Let me ask you this, Rosie, which of 50 00:02:52,560 --> 00:02:56,079 Speaker 2: the awards do you think is the easiest and which 51 00:02:56,120 --> 00:02:57,119 Speaker 2: one is the hardest? 52 00:02:57,960 --> 00:02:59,400 Speaker 3: From an ego, From. 53 00:02:59,280 --> 00:03:01,480 Speaker 1: An egot perspective, which is the easiest? 54 00:03:01,520 --> 00:03:05,880 Speaker 3: Which is I think that the hardest is a Grammy 55 00:03:06,480 --> 00:03:09,480 Speaker 3: because if you can't sing, you can't sing. If you 56 00:03:09,520 --> 00:03:12,160 Speaker 3: can't do it, you just can't do it. Like the 57 00:03:12,200 --> 00:03:15,359 Speaker 3: color the music best musical with the album, you do 58 00:03:15,400 --> 00:03:18,880 Speaker 3: feel like is that a little bit of like is 59 00:03:18,880 --> 00:03:21,560 Speaker 3: that a cheat? It's not specifically you, but actually no, 60 00:03:21,639 --> 00:03:25,480 Speaker 3: you have to get into a musical that it's good 61 00:03:25,560 --> 00:03:28,639 Speaker 3: enough to have a full cast recording, aka, you need 62 00:03:28,680 --> 00:03:32,120 Speaker 3: to be talented. I think Grammy is hardest. I'm saying 63 00:03:32,240 --> 00:03:34,800 Speaker 3: Emmy is easiest only because she won it for singing 64 00:03:34,800 --> 00:03:35,920 Speaker 3: a song on the Today. 65 00:03:35,720 --> 00:03:39,560 Speaker 2: Show, because I haven't, honestly, because the fact that I 66 00:03:39,680 --> 00:03:42,000 Speaker 2: have one lets you know that it's easiest. 67 00:03:42,040 --> 00:03:43,480 Speaker 1: There's several you. 68 00:03:43,360 --> 00:03:47,080 Speaker 2: Know, there's daytime, there's sports, there's a lot of easy 69 00:03:47,400 --> 00:03:48,400 Speaker 2: you are Here's. 70 00:03:48,240 --> 00:03:50,880 Speaker 3: Why I say closer to an ego though, Jason. 71 00:03:50,840 --> 00:03:54,200 Speaker 2: That's right here. Here is my hot take. Here is 72 00:03:54,240 --> 00:03:57,760 Speaker 2: my second easiest. I think the Oscar is pretty. 73 00:03:57,480 --> 00:04:02,080 Speaker 3: Well if you sorically the kind of rolls of one 74 00:04:02,160 --> 00:04:06,520 Speaker 3: an Oscar. I would agree, especially so recently there's been 75 00:04:06,520 --> 00:04:09,640 Speaker 3: a trend for like a Best Supporting Actor that's. 76 00:04:09,320 --> 00:04:13,000 Speaker 2: Only seemed like a little but you're thinking it's you're 77 00:04:13,040 --> 00:04:16,320 Speaker 2: still thinking hard version thinking. I think, I think, Oscar, 78 00:04:16,400 --> 00:04:20,680 Speaker 2: you can sneak in on a technical or short in 79 00:04:20,760 --> 00:04:22,839 Speaker 2: the back door, one of the technicals or one of 80 00:04:22,839 --> 00:04:26,920 Speaker 2: the shorts, as a producer, as a direct, like as 81 00:04:26,960 --> 00:04:29,159 Speaker 2: a team, not necessarily even the person. 82 00:04:29,200 --> 00:04:31,480 Speaker 3: I think you can say, I like that. So with 83 00:04:31,560 --> 00:04:33,960 Speaker 3: the US, you're gonna get your Oscar for your ego 84 00:04:34,120 --> 00:04:37,120 Speaker 3: from doing like hair and makeup. You're gonna thud like. 85 00:04:37,360 --> 00:04:40,400 Speaker 2: Or like producing being like a producer on something I 86 00:04:40,400 --> 00:04:41,320 Speaker 2: didn't even do anything. 87 00:04:41,520 --> 00:04:44,280 Speaker 3: You just got some money. I think, Yeah, I. 88 00:04:44,240 --> 00:04:46,440 Speaker 1: Think you can sneak in there. But I agree with you. 89 00:04:46,520 --> 00:04:48,400 Speaker 1: Grammy is like, that's the hardest. 90 00:04:48,560 --> 00:04:49,400 Speaker 3: You can't fake it. 91 00:04:49,520 --> 00:04:50,640 Speaker 1: Yeah, you can't freak it. 92 00:05:04,960 --> 00:05:09,440 Speaker 2: Other surprise news in what feels like a green Book situation, 93 00:05:10,120 --> 00:05:13,160 Speaker 2: Amelia Prez leading with thirteen nominations. 94 00:05:13,240 --> 00:05:15,920 Speaker 3: Now, yes, definitely taking the green Books. 95 00:05:15,880 --> 00:05:20,359 Speaker 2: Law particular example is coming to mind right now, But 96 00:05:20,480 --> 00:05:25,599 Speaker 2: there are there have been many times in which some 97 00:05:26,400 --> 00:05:31,160 Speaker 2: particular feature has led with nominations and hasn't gotten like 98 00:05:31,400 --> 00:05:34,359 Speaker 2: Stoned but didn't but one one of the you know, 99 00:05:34,400 --> 00:05:37,480 Speaker 2: one like Best Adapted or something like, did not come through, 100 00:05:37,680 --> 00:05:38,280 Speaker 2: so we'll see. 101 00:05:38,440 --> 00:05:42,400 Speaker 3: I feel like last year as well. There's definitely been 102 00:05:42,480 --> 00:05:45,560 Speaker 3: times when like a movie, a big a movie has 103 00:05:45,880 --> 00:05:48,440 Speaker 3: been nominated a lot. I think like Steven Spielkes The 104 00:05:48,480 --> 00:05:50,560 Speaker 3: Fableman's was probably no. I think that was one of 105 00:05:50,560 --> 00:05:52,479 Speaker 3: the ones that was nominated a lot that didn't win. 106 00:05:52,839 --> 00:05:55,760 Speaker 3: So you know, I'm hoping this doesn't win anything, even 107 00:05:55,800 --> 00:05:59,520 Speaker 3: though you know, I am very disappointed specifically in this 108 00:05:59,600 --> 00:06:04,440 Speaker 3: movie because the director many years ago made an absolutely 109 00:06:04,560 --> 00:06:08,520 Speaker 3: incredible French crime film called a Prophet, and it is 110 00:06:09,560 --> 00:06:14,760 Speaker 3: absolutely one of the best, most interesting, complex, thoughtful portrayals 111 00:06:14,800 --> 00:06:18,160 Speaker 3: of people in prison, of the idea of like what 112 00:06:18,360 --> 00:06:21,599 Speaker 3: is crime? How do people survive? And I just think 113 00:06:21,640 --> 00:06:24,479 Speaker 3: it's such a sad route for him to go, to 114 00:06:24,520 --> 00:06:28,080 Speaker 3: make such a thoughtless movie that many of my trans 115 00:06:28,160 --> 00:06:31,760 Speaker 3: friends and trans loved ones say is absolute trash. So 116 00:06:31,800 --> 00:06:36,520 Speaker 3: I'm hoping no nominate, no wins. Familia Perez. I don't 117 00:06:36,520 --> 00:06:37,919 Speaker 3: want to see it, I don't want to hear it. 118 00:06:37,960 --> 00:06:40,240 Speaker 3: I don't want to win in any Best Song situation, 119 00:06:40,760 --> 00:06:43,040 Speaker 3: the fact that it won Best Musical at the Golden Globes. 120 00:06:43,080 --> 00:06:46,920 Speaker 3: Have you heard the music? It's no wicked, guys, as 121 00:06:46,920 --> 00:06:50,479 Speaker 3: the Wicked Lover. Wicked did get surprise ten nominations, though 122 00:06:50,600 --> 00:06:52,920 Speaker 3: I was not expecting it tied. 123 00:06:52,720 --> 00:06:57,560 Speaker 2: With Is a Brutalist, the four hour long historical biopic. Yeah, 124 00:06:57,720 --> 00:07:00,000 Speaker 2: and it's a weird It has been a weird year 125 00:07:00,080 --> 00:07:04,239 Speaker 2: in movies, as many have noted, and it's everybody's thinking, 126 00:07:04,600 --> 00:07:05,719 Speaker 2: we'll see where this goes. 127 00:07:06,120 --> 00:07:07,120 Speaker 1: This could go anywhere. 128 00:07:07,120 --> 00:07:10,800 Speaker 3: Oh, actually we should also mention huge moment here is 129 00:07:11,160 --> 00:07:13,720 Speaker 3: Demi More getting her first ever Oscar nomination for the 130 00:07:13,760 --> 00:07:17,560 Speaker 3: Substance Best Leading Role. Big snub Margaret Quali, who plays 131 00:07:18,080 --> 00:07:20,040 Speaker 3: a very important role in that movie if you haven't 132 00:07:20,080 --> 00:07:23,320 Speaker 3: seen it, She was not nominated for Best Supporting, but 133 00:07:23,360 --> 00:07:27,440 Speaker 3: the movie was nominated for Best Picture, and Cora Lee 134 00:07:27,440 --> 00:07:31,160 Speaker 3: faire Ja, the director, was nominated for Best Director. Very 135 00:07:31,240 --> 00:07:34,200 Speaker 3: very rare for such an outrageous horror movie to come 136 00:07:34,280 --> 00:07:37,120 Speaker 3: even close to that Like that is a very gory, 137 00:07:37,360 --> 00:07:43,040 Speaker 3: very wild, very kind of old school B movie, visual 138 00:07:43,240 --> 00:07:46,240 Speaker 3: horror movie that is not more aligned with the horror 139 00:07:46,320 --> 00:07:49,720 Speaker 3: movies that usually get recognized, like Silence of the Lambs 140 00:07:49,840 --> 00:07:51,840 Speaker 3: is the biggest horror movie we've ever had get out 141 00:07:51,880 --> 00:07:54,840 Speaker 3: obviously more akin to that kind of elevated idea of 142 00:07:54,840 --> 00:07:57,160 Speaker 3: horror that people have. I'm not saying elevated horror. I'm 143 00:07:57,160 --> 00:08:01,240 Speaker 3: saying elevated idea of horror that is accept to the Oscars. 144 00:08:01,240 --> 00:08:03,840 Speaker 3: It didn't win enough in my opinion, but yeah, interesting 145 00:08:03,880 --> 00:08:08,520 Speaker 3: to see that big horror movie kind of come. I think, Jason, 146 00:08:08,600 --> 00:08:10,200 Speaker 3: I think we can take this as that we were right, 147 00:08:10,320 --> 00:08:13,720 Speaker 3: because I do think that once the mean More gave 148 00:08:13,840 --> 00:08:16,400 Speaker 3: that speech, I think so at the Golden Globe, she 149 00:08:16,560 --> 00:08:19,440 Speaker 3: was an absolute lock for this, and I do think 150 00:08:19,520 --> 00:08:22,400 Speaker 3: she is now the biggest competition for Cynthia. 151 00:08:22,520 --> 00:08:25,200 Speaker 2: It felt like an Oscar speech. I feel like she's 152 00:08:25,240 --> 00:08:31,080 Speaker 2: the front runner. Next up Ai Boo. It's doing stuff. 153 00:08:31,200 --> 00:08:36,200 Speaker 2: It's doing stuff. In Award movies, The Brutalist and Amelia 154 00:08:36,280 --> 00:08:41,080 Speaker 2: Perez have both, you know, various people with the productions 155 00:08:41,080 --> 00:08:50,760 Speaker 2: have admitted that they used AI both to enhance the accents. 156 00:08:49,600 --> 00:08:52,120 Speaker 1: Of their characters. 157 00:08:52,880 --> 00:09:00,040 Speaker 2: Amelia Perez in Spanish, the Brutalists in Hungarian and what 158 00:09:00,200 --> 00:09:04,200 Speaker 2: we think about this brutal structer Brady Corbett has said. 159 00:09:04,600 --> 00:09:09,880 Speaker 2: Brady Korbett has said, quote Adrian and Felicity Adrian Brody 160 00:09:09,920 --> 00:09:14,200 Speaker 2: and Felicity Jones. Adrian and Felicity's performances are completely their own. 161 00:09:14,240 --> 00:09:17,280 Speaker 2: They work with They work for months with dialect coach 162 00:09:17,320 --> 00:09:22,560 Speaker 2: to Nara Marshall, to their accents. Innovative respeech or technology 163 00:09:23,240 --> 00:09:28,920 Speaker 2: was used in Hungarian language dialogue editing only specifically to 164 00:09:28,960 --> 00:09:31,319 Speaker 2: refine certain vowels and letters for accuracy. 165 00:09:31,400 --> 00:09:33,199 Speaker 1: No English language was changed. 166 00:09:33,240 --> 00:09:35,959 Speaker 3: Well isn't the movie for best editing, which I think 167 00:09:36,040 --> 00:09:37,079 Speaker 3: is really funny as well. 168 00:09:37,200 --> 00:09:39,880 Speaker 2: This was a manual process done by our sound team 169 00:09:40,000 --> 00:09:42,839 Speaker 2: and respeecher in post production. The aim was to preserve 170 00:09:42,880 --> 00:09:45,640 Speaker 2: the authenticity of Adrian Felicity's performance is another language, not 171 00:09:45,720 --> 00:09:48,160 Speaker 2: to replace Our all to them and done with almost 172 00:09:49,200 --> 00:09:51,480 Speaker 2: utmost respect for their craft. 173 00:09:51,960 --> 00:09:54,720 Speaker 1: Now listen bully for them. 174 00:09:54,800 --> 00:09:57,560 Speaker 2: I haven't seen the movie, although everyone who I know 175 00:09:57,600 --> 00:10:00,520 Speaker 2: who has seen it it's four hours long, has Despite 176 00:10:00,559 --> 00:10:05,160 Speaker 2: the four hours, they were blown away. It's amazing obviously 177 00:10:05,200 --> 00:10:08,559 Speaker 2: that this should be taken into account when you're thinking 178 00:10:08,600 --> 00:10:09,400 Speaker 2: about awards. 179 00:10:09,640 --> 00:10:10,600 Speaker 1: Now do I care? 180 00:10:12,080 --> 00:10:17,240 Speaker 2: It's a It's an interesting question because they're here, you're 181 00:10:17,280 --> 00:10:20,400 Speaker 2: here as a creator as a movie maker, to make 182 00:10:20,440 --> 00:10:22,679 Speaker 2: a great movie, to make a great piece of art. 183 00:10:22,840 --> 00:10:27,480 Speaker 2: The awards stuff is secondary to me. Obviously it should be. 184 00:10:27,679 --> 00:10:31,360 Speaker 2: You should consider that AI was used to ref I 185 00:10:31,400 --> 00:10:33,800 Speaker 2: don't care what they say here, all this gobblaigoogy used 186 00:10:33,800 --> 00:10:37,680 Speaker 2: it to make the performances better, right, that's what you did. 187 00:10:38,480 --> 00:10:41,240 Speaker 2: Do I care as in terms of the piece of art? No, 188 00:10:41,360 --> 00:10:43,520 Speaker 2: do I care for awards? Yes, I think that it 189 00:10:43,559 --> 00:10:44,720 Speaker 2: should be thought of. 190 00:10:44,920 --> 00:10:47,679 Speaker 3: Also, I do think that specifically in the case of 191 00:10:47,720 --> 00:10:50,360 Speaker 3: the Brute List, they are using the fact that they 192 00:10:50,400 --> 00:10:53,800 Speaker 3: obviously use the voice AI whatever stuff, they did that 193 00:10:54,679 --> 00:10:59,360 Speaker 3: much more because actually they also use generative AI for 194 00:10:59,400 --> 00:11:01,880 Speaker 3: the r that was at the end of the movie, 195 00:11:01,920 --> 00:11:02,600 Speaker 3: And that to me. 196 00:11:02,600 --> 00:11:03,839 Speaker 1: Is what they say manual p. 197 00:11:04,160 --> 00:11:06,640 Speaker 3: Yeah, well they say they use generative AI for a 198 00:11:06,640 --> 00:11:08,600 Speaker 3: sequence at the end of the film as part of 199 00:11:08,640 --> 00:11:12,120 Speaker 3: the inspiration for a series of architectural drawings and finished 200 00:11:12,120 --> 00:11:17,080 Speaker 3: buildings supposedly designed by Brodie's character, the fictional architect laslow Top. 201 00:11:17,440 --> 00:11:20,120 Speaker 3: But I'm like, guys, just hire a production designer to 202 00:11:20,120 --> 00:11:22,080 Speaker 3: do that. You don't need to inspire you, just just 203 00:11:22,120 --> 00:11:25,000 Speaker 3: somebody who's in production can look at some art and 204 00:11:25,320 --> 00:11:28,160 Speaker 3: some old building blueprints and draw it. Also, I just 205 00:11:28,160 --> 00:11:30,480 Speaker 3: want to say, you know what, I recently found out 206 00:11:30,559 --> 00:11:33,760 Speaker 3: in the joom pod chat that Brady Koorbert, the director 207 00:11:33,800 --> 00:11:36,000 Speaker 3: of this movie, is from one of my favorite remakes 208 00:11:36,000 --> 00:11:39,440 Speaker 3: of all time, the Larson Trier remake of his own 209 00:11:39,480 --> 00:11:44,800 Speaker 3: movie Funny Games. And I absolutely love that movie. That 210 00:11:44,880 --> 00:11:48,160 Speaker 3: American version of it is very fantastic. It's not Larson Trier, 211 00:11:48,160 --> 00:11:50,280 Speaker 3: it's Michael Hannake, thank you. I just my own brain 212 00:11:50,320 --> 00:11:52,839 Speaker 3: messing me about that movie is so grim, sober. And 213 00:11:52,880 --> 00:11:55,160 Speaker 3: I found out that Brady Korbut is the non Michael 214 00:11:55,200 --> 00:11:57,800 Speaker 3: Pitt character from that movie. I'm disappointed in you, Bro, 215 00:11:58,160 --> 00:12:00,760 Speaker 3: I'm glad that you went this far. It's okay. But 216 00:12:00,880 --> 00:12:03,760 Speaker 3: I do think in but too, Oscar Winnez, I think 217 00:12:03,760 --> 00:12:04,320 Speaker 3: it's okay. 218 00:12:04,600 --> 00:12:07,760 Speaker 2: I think here's the thing. Don't get outed, come out 219 00:12:07,800 --> 00:12:11,640 Speaker 2: and say we used it. Don't let us find out. 220 00:12:11,559 --> 00:12:12,280 Speaker 1: You used it. 221 00:12:12,360 --> 00:12:13,800 Speaker 3: Be honest from the jump. 222 00:12:14,040 --> 00:12:19,200 Speaker 2: Be honest from jump, and we're in a different situation. 223 00:12:19,559 --> 00:12:19,760 Speaker 1: You know. 224 00:12:19,880 --> 00:12:22,920 Speaker 2: Again, I don't care for the movie per se. I 225 00:12:22,960 --> 00:12:26,480 Speaker 2: do think for awards, you need to think about it. Yeah, 226 00:12:26,559 --> 00:12:32,480 Speaker 2: the AI in Amelia Perez was used to tweak the 227 00:12:32,520 --> 00:12:36,240 Speaker 2: singing was to hance the singing voice of Carla Sophia Gascon. 228 00:12:38,400 --> 00:12:44,360 Speaker 2: It was apparently necessary, the film's mixer, Cyril Holt said, 229 00:12:44,920 --> 00:12:47,719 Speaker 2: to increase the range of Gascon's vocal register, and that 230 00:12:47,800 --> 00:12:50,600 Speaker 2: the production utilized respeechure to blend their singing with that 231 00:12:50,720 --> 00:12:54,880 Speaker 2: of French pop star Camille, who wrote the film score. Essentially, 232 00:12:57,040 --> 00:13:00,240 Speaker 2: Carla didn't have the vocal range to do the do 233 00:13:00,320 --> 00:13:01,600 Speaker 2: the performance, and. 234 00:13:01,520 --> 00:13:04,160 Speaker 1: So these ai. 235 00:13:04,600 --> 00:13:07,920 Speaker 2: I think this clearly feels like a more extensive use 236 00:13:07,920 --> 00:13:10,160 Speaker 2: of a high But I think again, in terms of 237 00:13:10,200 --> 00:13:13,480 Speaker 2: the movie, this is a movie I don't like, But 238 00:13:14,240 --> 00:13:16,920 Speaker 2: in terms of using it to enhance a performance in 239 00:13:16,920 --> 00:13:19,480 Speaker 2: a movie, do I care? No, I want a good movie. 240 00:13:19,600 --> 00:13:21,520 Speaker 2: Do I care when you're going up for awards? 241 00:13:21,600 --> 00:13:21,800 Speaker 1: Yes? 242 00:13:21,880 --> 00:13:24,320 Speaker 2: Obviously I think that this should be. This is a 243 00:13:24,360 --> 00:13:25,120 Speaker 2: thing that should be. 244 00:13:25,480 --> 00:13:28,000 Speaker 3: And both of these were things that other people call 245 00:13:28,520 --> 00:13:30,360 Speaker 3: and other people found it out, and I think you're 246 00:13:30,440 --> 00:13:33,200 Speaker 3: right need to just come out and say, especially with 247 00:13:33,360 --> 00:13:35,839 Speaker 3: the Brutalist, which for so long people were like, how 248 00:13:35,840 --> 00:13:38,240 Speaker 3: did you make a movie like this for ten million dollars? 249 00:13:38,280 --> 00:13:40,200 Speaker 3: How did you save all this money? How did you 250 00:13:40,240 --> 00:13:42,800 Speaker 3: do this incredible thing? And you've got to say well, 251 00:13:42,800 --> 00:13:45,199 Speaker 3: part of it was AI because that is a conversation 252 00:13:45,240 --> 00:13:47,560 Speaker 3: and we're going to be having these conversations for more 253 00:13:47,600 --> 00:13:51,240 Speaker 3: and more. And also it is you know, I think 254 00:13:51,240 --> 00:13:55,600 Speaker 3: it's right for people to be like upset, alarmed, not 255 00:13:55,760 --> 00:13:58,800 Speaker 3: care whatever your feeling is about it, because this has 256 00:13:59,160 --> 00:14:03,080 Speaker 3: become the norm in Hollywood so quickly. You know, a 257 00:14:03,120 --> 00:14:04,920 Speaker 3: couple a year ago, me and you were just talking 258 00:14:04,960 --> 00:14:07,440 Speaker 3: about like, are people gonna use AI, Like what's it 259 00:14:07,480 --> 00:14:10,000 Speaker 3: gonna look like? And now we're in a situation where 260 00:14:10,000 --> 00:14:12,480 Speaker 3: two of the biggest oscar contenders have used it, So 261 00:14:12,520 --> 00:14:14,200 Speaker 3: I think you're right. It's the same with that David 262 00:14:14,240 --> 00:14:18,000 Speaker 3: Dustmalchen movie Night with the Devil, which people loved, but 263 00:14:18,120 --> 00:14:21,240 Speaker 3: at the same time is like he didn't you know, 264 00:14:21,320 --> 00:14:23,520 Speaker 3: they didn't announce that they used AI for some of 265 00:14:23,520 --> 00:14:25,680 Speaker 3: the interstitials, and then when people found it out, they 266 00:14:25,680 --> 00:14:27,880 Speaker 3: were more upset than I think if you'd have just said, hey, 267 00:14:29,280 --> 00:14:31,200 Speaker 3: we are gonna use AI for this, and somebody would 268 00:14:31,200 --> 00:14:33,360 Speaker 3: have probably said, I can draw that for you, don't worry, 269 00:14:33,560 --> 00:14:34,760 Speaker 3: but you know what it is? 270 00:14:34,760 --> 00:14:35,200 Speaker 2: What it is. 271 00:14:35,240 --> 00:14:35,520 Speaker 1: Listen. 272 00:14:35,560 --> 00:14:38,280 Speaker 2: One of the one of the things around the Brutalists 273 00:14:38,280 --> 00:14:40,680 Speaker 2: that folks are talking about all my friends who have 274 00:14:40,720 --> 00:14:42,200 Speaker 2: seen it are like, man, how do they do this 275 00:14:42,240 --> 00:14:45,200 Speaker 2: for ten million? It looks incredible. Here's one of the ways. Obviously, 276 00:14:45,200 --> 00:14:49,120 Speaker 2: you film in Budapest in places where it's super super 277 00:14:49,160 --> 00:14:51,600 Speaker 2: super super cheap to do it. In other ways is 278 00:14:51,640 --> 00:14:55,480 Speaker 2: he use AI to generate other things that you would 279 00:14:55,480 --> 00:14:59,240 Speaker 2: have had technical people help people, your doctors with or 280 00:14:59,360 --> 00:15:03,280 Speaker 2: in the back end with. So yeah, to be continued, 281 00:15:03,600 --> 00:15:07,400 Speaker 2: next up, Star Wars, Here it comes. Sean Levy has 282 00:15:07,400 --> 00:15:10,320 Speaker 2: been developing his Star Wars feature since twenty twenty two, 283 00:15:10,360 --> 00:15:15,920 Speaker 2: and according to Vulture, it's gonna be in it. 284 00:15:16,600 --> 00:15:18,240 Speaker 1: Ryan Gosling attached. 285 00:15:18,640 --> 00:15:21,600 Speaker 3: Uh huh. Apparently. The very interesting thing about this is 286 00:15:21,640 --> 00:15:24,800 Speaker 3: this has kind of been floating around in Hollywood for 287 00:15:24,800 --> 00:15:28,040 Speaker 3: those last couple of years, and it's been unclear whether 288 00:15:28,120 --> 00:15:31,200 Speaker 3: that would be Levy's next project. He obviously most recently 289 00:15:31,360 --> 00:15:37,320 Speaker 3: directed and worked on Depor Versus Wolverine with Hugh Jackman 290 00:15:37,360 --> 00:15:41,520 Speaker 3: and Ryan Reynolds, and had allegedly, interestingly in pouring around this, 291 00:15:41,640 --> 00:15:45,800 Speaker 3: been working on a boy band comedy movie that would 292 00:15:45,800 --> 00:15:47,480 Speaker 3: have starred the two of them that was meant to 293 00:15:47,480 --> 00:15:51,000 Speaker 3: be his next project, but apparently, once Ryan Gosling started 294 00:15:51,040 --> 00:15:54,480 Speaker 3: snipping around and was like, Hey, I'm gonna be I'm 295 00:15:54,520 --> 00:15:57,960 Speaker 3: the Gods. I'm I'm here. I'm ken Like. He was like, 296 00:15:58,080 --> 00:15:59,720 Speaker 3: I'm gonna be here. I want to be in your 297 00:15:59,720 --> 00:16:02,760 Speaker 3: style movie. This is the one for me. Allegedly not 298 00:16:02,760 --> 00:16:06,400 Speaker 3: connected to the Skywalker saga. Hollywood Reporter claims it is 299 00:16:06,440 --> 00:16:09,000 Speaker 3: meant to be a standalone movie, and apparently that got 300 00:16:09,040 --> 00:16:11,120 Speaker 3: the heads at Disney being like, we haven't put out 301 00:16:11,120 --> 00:16:13,760 Speaker 3: a movie for a long time, and we're gonna put 302 00:16:13,800 --> 00:16:16,160 Speaker 3: Ryan Gosling in this movie, and you're gonna make this movie. 303 00:16:16,240 --> 00:16:18,120 Speaker 3: I would like to see it. I like Ryan Gosling. 304 00:16:18,160 --> 00:16:19,640 Speaker 1: I would like to see it. I would like to 305 00:16:19,680 --> 00:16:21,200 Speaker 1: see a Star Wars movie. 306 00:16:21,520 --> 00:16:23,880 Speaker 3: I would hear it. How long has it been said 307 00:16:24,320 --> 00:16:28,760 Speaker 3: since the Rise of Skywalker? That's the last seven years? 308 00:16:29,000 --> 00:16:29,720 Speaker 3: Seven years. 309 00:16:29,720 --> 00:16:31,120 Speaker 1: I'm guessing. I'm like guessing. 310 00:16:31,240 --> 00:16:34,800 Speaker 3: Just I mean, it really feels like it's been a 311 00:16:34,880 --> 00:16:35,480 Speaker 3: long time. 312 00:16:36,720 --> 00:16:40,600 Speaker 2: Well, we'll be back after a very short time, and 313 00:16:40,680 --> 00:16:59,280 Speaker 2: this word from our spots, and we're back. Next up 314 00:16:59,320 --> 00:17:04,480 Speaker 2: in news, Robert Eggers of The Northmen, of various other movies, 315 00:17:05,119 --> 00:17:07,960 Speaker 2: of the recent Nosferatu. 316 00:17:07,560 --> 00:17:08,680 Speaker 3: Which was a very big hit. 317 00:17:08,800 --> 00:17:12,840 Speaker 2: He saw Lee Wanald's The Wolfman and said, now, let 318 00:17:12,920 --> 00:17:13,600 Speaker 2: me make a wolf man. 319 00:17:13,880 --> 00:17:15,840 Speaker 1: Right, He's making a movie Fields. 320 00:17:16,280 --> 00:17:19,439 Speaker 3: It's gonna be called were Wolf, and it will be 321 00:17:19,680 --> 00:17:23,639 Speaker 3: set in the thirteenth century, and it's gonna be spelt 322 00:17:23,640 --> 00:17:28,320 Speaker 3: were wolf w e r e w u lf because 323 00:17:28,320 --> 00:17:33,680 Speaker 3: he's extra and he loves to set a movie well 324 00:17:33,760 --> 00:17:37,320 Speaker 3: the time that was only white people. That's like he 325 00:17:37,520 --> 00:17:40,080 Speaker 3: loves to say that. He will say this is which 326 00:17:40,119 --> 00:17:43,480 Speaker 3: is not true, Like it's not true, like vikings were 327 00:17:43,480 --> 00:17:46,280 Speaker 3: actually very diverse. I've talked about this before north Man. 328 00:17:46,440 --> 00:17:50,160 Speaker 3: But yeah, anyway, so that's a Robert Eggers one bit 329 00:17:50,200 --> 00:17:52,679 Speaker 3: of news. But there's a Robert Eggers double headed hair 330 00:17:53,119 --> 00:17:55,840 Speaker 3: for those who love Robert Eggers, and that is that 331 00:17:55,880 --> 00:17:59,920 Speaker 3: at TriStar Eggers has been greenlit to direct Elabyrinth sequel. 332 00:18:01,000 --> 00:18:02,359 Speaker 3: I don't know how I feel about that. I'm a 333 00:18:02,440 --> 00:18:06,159 Speaker 3: Jim Henson superstan. I love the original Labyrinth, but I 334 00:18:06,200 --> 00:18:11,000 Speaker 3: do feel like Afta Nosferatu made young people all over 335 00:18:11,040 --> 00:18:13,920 Speaker 3: the world twenty. He's probably a good pick because Labyrinth 336 00:18:13,960 --> 00:18:15,040 Speaker 3: is a very horny movie. 337 00:18:15,520 --> 00:18:19,560 Speaker 2: I will say, so sequel. Does this mean Jennifer Connelly 338 00:18:19,600 --> 00:18:21,720 Speaker 2: is in the sequel. She comes back and like her. 339 00:18:21,680 --> 00:18:25,080 Speaker 3: Daughter saying, is it like a legacy the Labyrinth. Please 340 00:18:25,119 --> 00:18:27,880 Speaker 3: don't bring David Bowie back by some kind of horrible 341 00:18:28,200 --> 00:18:28,680 Speaker 3: about one. 342 00:18:28,560 --> 00:18:30,040 Speaker 1: Of David Bowie's kids. 343 00:18:31,200 --> 00:18:38,600 Speaker 2: He's like, they are the god Duncan Joe movies and 344 00:18:38,760 --> 00:18:43,080 Speaker 2: get in there and be your dad's I will say, 345 00:18:43,280 --> 00:18:48,360 Speaker 2: I am Eggers. I like his movies. I do wonder 346 00:18:48,520 --> 00:18:51,119 Speaker 2: if he has the panache. 347 00:18:51,119 --> 00:18:52,680 Speaker 3: Though I don't know if he has the vis the. 348 00:18:52,640 --> 00:18:57,320 Speaker 2: Feeling like there's I except for oh my god, why 349 00:18:57,359 --> 00:19:02,119 Speaker 2: am I blanking on the two Handers house, except for 350 00:19:02,160 --> 00:19:06,440 Speaker 2: the lighthouse that's got pash, There's not a ton of 351 00:19:06,680 --> 00:19:11,960 Speaker 2: fun and color in the world of Eggers Lambyard's a 352 00:19:12,320 --> 00:19:18,480 Speaker 2: very colorful, very fun, very whimsical, fantastical movie with some 353 00:19:18,720 --> 00:19:22,560 Speaker 2: with some gravitas a lah like a wrinkle in time 354 00:19:22,680 --> 00:19:25,640 Speaker 2: that kind of like ominous but for kids. 355 00:19:25,680 --> 00:19:26,080 Speaker 1: Feeling. 356 00:19:26,920 --> 00:19:33,159 Speaker 2: Yeah, I do wonder if what it will look like, 357 00:19:33,280 --> 00:19:37,600 Speaker 2: just because you know, based on his oove, I've I 358 00:19:37,600 --> 00:19:39,960 Speaker 2: don't think I've seen anything that really comports with the 359 00:19:40,000 --> 00:19:42,320 Speaker 2: feeling of the Jim Henson classic. 360 00:19:42,720 --> 00:19:44,320 Speaker 1: But I'll be there. 361 00:19:44,640 --> 00:19:47,760 Speaker 3: Yeah, I'll watch you. I'm also interested because one of 362 00:19:47,800 --> 00:19:50,120 Speaker 3: our super producers popped in this quote, which is him 363 00:19:50,119 --> 00:19:53,000 Speaker 3: saying the idea of having to photograph a car makes 364 00:19:53,040 --> 00:19:55,679 Speaker 3: me ill. Eggs told Rotten Tomorrows when I asked if 365 00:19:55,680 --> 00:19:58,240 Speaker 3: he would make a contemporary movie, and the idea of 366 00:19:58,240 --> 00:20:01,159 Speaker 3: photographing a cell phone is death. And to make a 367 00:20:01,200 --> 00:20:04,200 Speaker 3: contemporary story, you have to photograph a cell phone. It's 368 00:20:04,280 --> 00:20:06,520 Speaker 3: just how life is. So no, he will never make 369 00:20:06,560 --> 00:20:09,600 Speaker 3: a contemporary movie, that's what he says. Okay, that's fine. 370 00:20:09,720 --> 00:20:11,159 Speaker 3: When is the sequel to Laborn? 371 00:20:11,480 --> 00:20:12,120 Speaker 1: I don't hate it. 372 00:20:12,400 --> 00:20:15,120 Speaker 3: I don't hate it, like I get it. I get that. 373 00:20:15,119 --> 00:20:18,080 Speaker 3: That's his reasoning when people are critiquing him about when 374 00:20:18,080 --> 00:20:19,760 Speaker 3: he sets his movies. But how do you do a 375 00:20:19,760 --> 00:20:20,680 Speaker 3: sequel to Labyrinth? 376 00:20:20,720 --> 00:20:20,840 Speaker 2: Then? 377 00:20:20,960 --> 00:20:23,399 Speaker 3: Is it directly just set still in the eighties, like 378 00:20:23,480 --> 00:20:27,639 Speaker 3: it's the next day? Like I'm intrigue Gode in that case, 379 00:20:28,240 --> 00:20:28,560 Speaker 3: I am. 380 00:20:28,800 --> 00:20:33,560 Speaker 2: I am intrigude about you know a guy who uses 381 00:20:33,800 --> 00:20:37,760 Speaker 2: like a Sony red Dragon six K camera and all 382 00:20:37,840 --> 00:20:41,520 Speaker 2: the various lighting rigs to film stuff from two hundred 383 00:20:41,600 --> 00:20:46,840 Speaker 2: years ago. And it's very interesting to me that the mindset. 384 00:20:46,920 --> 00:20:49,760 Speaker 2: But I will be there next up Marvel Rivals news, 385 00:20:50,320 --> 00:20:53,440 Speaker 2: more characters are coming. First of all, Nettie's has said 386 00:20:53,480 --> 00:20:56,280 Speaker 2: that they're gonna drop a new character about every month 387 00:20:56,320 --> 00:20:59,280 Speaker 2: and a half. That's what they're gonna do, which, considering 388 00:20:59,400 --> 00:21:06,399 Speaker 2: the the depth of Marvel's stable of characters, that means 389 00:21:06,400 --> 00:21:09,719 Speaker 2: new content for approximately two hundred and seventy five years. 390 00:21:09,800 --> 00:21:11,920 Speaker 1: But so the latest leaks according. 391 00:21:11,480 --> 00:21:15,919 Speaker 2: To xox Leak, so your mileage may vary, are that 392 00:21:16,080 --> 00:21:21,959 Speaker 2: the next six heroes to appear or you know sometime 393 00:21:22,000 --> 00:21:24,800 Speaker 2: in the future are Gambit x Men's Gambit who will 394 00:21:24,800 --> 00:21:27,960 Speaker 2: be a duelist that makes sense, Rogue who will be 395 00:21:28,160 --> 00:21:31,919 Speaker 2: a strategist, Metched aka a healer. I love a flying healer. 396 00:21:31,960 --> 00:21:34,399 Speaker 2: We don't have what except for Rocket, we don't have 397 00:21:34,440 --> 00:21:36,400 Speaker 2: one of those yet. I think Ultron will be the 398 00:21:36,440 --> 00:21:38,399 Speaker 2: first flying healer. 399 00:21:39,160 --> 00:21:40,200 Speaker 1: Jubilee unknown. 400 00:21:40,600 --> 00:21:41,359 Speaker 3: What's your guests? 401 00:21:42,400 --> 00:21:42,880 Speaker 1: Hopefully? 402 00:21:43,440 --> 00:21:46,840 Speaker 2: I think we need more strategists, we need more vanguards. Really, 403 00:21:47,000 --> 00:21:49,399 Speaker 2: I think it's I've heard that the tank character, the 404 00:21:49,480 --> 00:21:50,480 Speaker 2: vanguard character. 405 00:21:50,240 --> 00:21:52,240 Speaker 1: Is the least popular to be. 406 00:21:52,200 --> 00:21:54,919 Speaker 2: Played, but also like very important. Magneto has become very 407 00:21:54,920 --> 00:21:56,000 Speaker 2: important recently. 408 00:21:58,160 --> 00:21:58,520 Speaker 1: Beast. 409 00:21:58,720 --> 00:22:02,240 Speaker 2: I'm gonna guess like some kind of like highly mobile vanguard. 410 00:22:02,480 --> 00:22:05,200 Speaker 3: I can't say it feels like a vanguard like a tank, 411 00:22:05,320 --> 00:22:06,560 Speaker 3: but you can jump around. 412 00:22:06,840 --> 00:22:09,520 Speaker 2: Yeah, Nightcrawler is a duellist, which would be super fun 413 00:22:09,560 --> 00:22:13,040 Speaker 2: like that, and the Hood Shocker the Hood what as 414 00:22:13,080 --> 00:22:14,240 Speaker 2: a vanguard That. 415 00:22:14,400 --> 00:22:16,720 Speaker 3: Rby Williams show is coming out and you are gonna 416 00:22:16,760 --> 00:22:17,680 Speaker 3: know who the Hood is. 417 00:22:18,119 --> 00:22:21,080 Speaker 1: That's very that's very very true. But I've seen the 418 00:22:21,160 --> 00:22:22,680 Speaker 1: other leaks have included like. 419 00:22:24,440 --> 00:22:29,080 Speaker 2: The Trapster aka paste Pot Pete, the fact that they're 420 00:22:29,160 --> 00:22:29,800 Speaker 2: going deep. 421 00:22:29,880 --> 00:22:33,359 Speaker 3: They are definitely going like really deep, really deep. 422 00:22:33,440 --> 00:22:36,960 Speaker 2: They go like paste Pot Pete aka the Trapster for 423 00:22:37,000 --> 00:22:38,520 Speaker 2: those of you not in the know, is a character 424 00:22:38,520 --> 00:22:41,480 Speaker 2: who has like two glue guns yea and just glues 425 00:22:41,520 --> 00:22:42,480 Speaker 2: people to stuff. 426 00:22:43,040 --> 00:22:47,160 Speaker 1: Yeah, so very excited. It's a game. 427 00:22:47,160 --> 00:22:49,280 Speaker 2: I'm playing a lot to deal with stress, which is 428 00:22:49,320 --> 00:22:51,359 Speaker 2: not healthy. But like I've been playing a lot, so 429 00:22:51,359 --> 00:22:52,760 Speaker 2: I'm excited to know what got to be done. 430 00:22:52,880 --> 00:22:57,320 Speaker 1: I'm excited to I'm excited to play it. That's it 431 00:22:57,400 --> 00:22:58,120 Speaker 1: for News this week. 432 00:22:58,160 --> 00:23:00,439 Speaker 2: Next week on Extra Vision, we're diving in to our 433 00:23:00,520 --> 00:23:05,000 Speaker 2: David Lynch retrospective and the current state of Winter TV. 434 00:23:05,160 --> 00:23:07,919 Speaker 1: What are we watching? What do we like? That's in 435 00:23:08,000 --> 00:23:08,680 Speaker 1: for this episode? 436 00:23:08,760 --> 00:23:17,320 Speaker 2: Next for us Saying bye x Ray Vision is hosted 437 00:23:17,359 --> 00:23:19,959 Speaker 2: by Jason Sepcion and Rosie Knight. And is a production 438 00:23:20,040 --> 00:23:21,240 Speaker 2: of iHeart Podcasts. 439 00:23:21,440 --> 00:23:25,000 Speaker 3: Our executive producers are Joel Monique and Aaron Kaufman. 440 00:23:25,240 --> 00:23:27,280 Speaker 1: Our supervising producer is Abu Zafar. 441 00:23:27,680 --> 00:23:31,640 Speaker 3: Our producers are Common, Laurent Dean Jonathan and Fay Wag. 442 00:23:31,720 --> 00:23:34,520 Speaker 2: Our theme song is by Brian Vasquez, with alternate theme 443 00:23:34,560 --> 00:23:35,840 Speaker 2: songs by Aaron Kaufman. 444 00:23:36,040 --> 00:23:39,800 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman and Heidi. 445 00:23:40,080 --> 00:23:41,320 Speaker 3: Our disc called moderate, though