WEBVTT - OMG: Storm Warning or Snore Warning?

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<v Speaker 1>One with Jenny Garth and Tory Spelling.

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<v Speaker 2>Yeah, that's right, it was shocking.

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<v Speaker 3>Wait what episode did you guys watch?

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<v Speaker 2>Did you watch a different episode?

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<v Speaker 1>And you know the part she's referring to, Yes, I do,

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<v Speaker 1>but no, we didn't watch a different episode. So I

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<v Speaker 1>know what you mean.

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<v Speaker 3>This is storm warning, right, Yeah, your.

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<v Speaker 2>Storyline, Jenny is toys is storm warning.

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<v Speaker 1>And there's some sharks in the water and.

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<v Speaker 3>There's crazy things happening. Oh so emotional with your papa.

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<v Speaker 2>Yeah, two good storylines in this episode, and two that are.

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<v Speaker 1>I can't hear Amy saying that we're jumping the sharks soon,

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<v Speaker 1>and then that's all last episode. Then this episode, that's all.

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<v Speaker 2>It's not jumping. It's like it's just getting a little

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<v Speaker 2>too close.

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<v Speaker 1>There's some sharks in the water.

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<v Speaker 2>There's some sharks in the water.

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<v Speaker 3>Are you I only like what you said. There's two

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<v Speaker 3>good storylines. What besides the dad wind on his dad one?

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<v Speaker 3>What's the other one? So?

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<v Speaker 2>I okay, So I'm sort of intrigued by the Tracy

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<v Speaker 2>Brandon storyline, and I'm sort of intrigued by Smith Jared

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<v Speaker 2>don't know his name on the show, and and yeah, yeah,

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<v Speaker 2>those are sort of intriguing. Tory's storyline was really good Claire.

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<v Speaker 2>I mean, it is time for Claire to go because

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<v Speaker 2>they have nothing to do with her.

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<v Speaker 1>But it's not This isn't her fault. She's great, correct, not.

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<v Speaker 2>Her fault at all, But it is so bad.

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<v Speaker 1>Two back to back episodes. She's the comedy fodder. I

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<v Speaker 1>don't know, it's.

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<v Speaker 2>Just it's sort of the fodder. That's a good word.

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<v Speaker 1>For three episodes in a row, like every episode because

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<v Speaker 1>it was like dah and then it was the sexy,

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<v Speaker 1>putting glue together girl.

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<v Speaker 3>Yeah, I don't think she likes it. You can tell

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<v Speaker 3>she doesn't like what they're doing with her character.

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<v Speaker 2>Hence why she leaves the show because she's like, I'm

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<v Speaker 2>not doing anything here now.

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<v Speaker 1>If I were them, I think Claire is great. I

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<v Speaker 1>think her character is really valuable because she's different than

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<v Speaker 1>the other girls and at this point she's been a

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<v Speaker 1>main regular for a while.

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<v Speaker 3>What would you what would you think they should do

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<v Speaker 3>with her?

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<v Speaker 1>I think that they should bring in her love interest,

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<v Speaker 1>the Prince. She doesn't have to be with Steve because

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<v Speaker 1>she holds her own as a main character at this point, Well,

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<v Speaker 1>bring in someone for her and make it great.

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<v Speaker 3>They did that with the with the Prince, what about him?

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<v Speaker 3>Bring him back?

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<v Speaker 1>They could? I don't know. I just they're doing herd disservice.

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<v Speaker 1>But yeah, aka why she leaves?

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<v Speaker 3>But yeah, yeah, well we're talking about season seven, episode

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<v Speaker 3>twenty three, Storm Warning. It aired March nineteenth, nineteen ninety seven.

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<v Speaker 1>Synopsis. He may have two tickets to Hong Kong, but

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<v Speaker 1>Brandon Tracy are getting nowhere fast. Doctor Martin is on

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<v Speaker 1>the brink of death, Kelly is feeling like an empty nester,

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<v Speaker 1>Steve is feeling used, and Rob Andrews is about to

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<v Speaker 1>experience a Category four storm named Valerie.

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<v Speaker 3>Hat That's funny. That was good sorry. Directed by Bethany

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<v Speaker 3>Rooney and written by John well Blee.

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<v Speaker 2>Interesting directing. There was a couple of parts where I

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<v Speaker 2>was like, whoa, Like at the I can't remember if

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<v Speaker 2>it was like right at the hospital the camera was

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<v Speaker 2>sort of swirling a bit. There was something like where

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<v Speaker 2>I was like, WHOA, that's sort of interesting. Yeah, I

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<v Speaker 2>was like I felt frantic and I was like, oh

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<v Speaker 2>that fits.

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<v Speaker 3>Was this one of no Bethany had directed before this?

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<v Speaker 2>Right?

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<v Speaker 1>Yes? She Yeah, she did one of your best episodes.

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<v Speaker 1>Your beloved episode. Was it Perfect Mom?

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<v Speaker 3>Okay, yeah, I don't remember when she was in, but

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<v Speaker 3>that sounds right.

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<v Speaker 1>And is that different than the Fashion Show? I don't

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<v Speaker 1>think so, but that was her very first directorial debut

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<v Speaker 1>on our show was the fashion show, which was in c.

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<v Speaker 2>Fashion show with the big incident when there was like

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<v Speaker 2>a big fight and I think your mom, Dylan.

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<v Speaker 1>That wasn't called Perfect Mom. Maybe not, I'm pretty sure.

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<v Speaker 2>Yeah, yeah, oh, I'm thinking of the katillion never mind, I'm.

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<v Speaker 1>Thinking like they it was mother daughter. They walked the runway,

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<v Speaker 1>Donna walked with a different fleece.

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<v Speaker 3>Yet different mom.

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<v Speaker 2>Yeah, could we talk about the storyline that is the

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<v Speaker 2>worst in this?

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<v Speaker 3>Okay?

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<v Speaker 1>We should? Which they keep listening to get to the best?

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<v Speaker 3>No? Maybe maybe is it Joey? Is it Joey's storyline

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<v Speaker 3>or is it Claire's storyline?

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<v Speaker 2>But those are really equally Joey pretty bad, But Joey's

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<v Speaker 2>the word. It's just you've kidnapped this child. Then you

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<v Speaker 2>find the mom, you call the mom, and you're like, hey,

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<v Speaker 2>you might want to like just give the detective a call.

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<v Speaker 2>He's probably got some questions for you. Like the whole

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<v Speaker 2>thing is so ridiculous, ridiculous.

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<v Speaker 1>It's absurd, Just like that TV that's in our beach

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<v Speaker 1>apartment living room.

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<v Speaker 3>Oh my gosh, that's all we could afford.

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<v Speaker 1>Didn't we at some point have a different one?

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<v Speaker 3>I don't think so.

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<v Speaker 1>It was such a box.

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<v Speaker 3>Yeah, it's a box on like a stand. And then

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<v Speaker 3>you remember you've always been like putting videos in that

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<v Speaker 3>or like somebody's always doing something with that stupid TV.

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<v Speaker 2>Oh with that TV. My problem too, is like it's

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<v Speaker 2>almost like supposed to see how sort of bummed you

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<v Speaker 2>are that he leaves when it's like you're not his mom,

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<v Speaker 2>you're not his aunt, you're a stranger danger what is happening? Like?

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<v Speaker 2>And and all the gang is just like, oh, who's

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<v Speaker 2>your friend?

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<v Speaker 3>Yeah?

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<v Speaker 2>What?

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<v Speaker 3>Nobody's alarmed?

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<v Speaker 2>Random kid to the to a dangerous situation too, Like

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<v Speaker 2>if the storm were to come, you brought a kid.

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<v Speaker 3>To the eye of the storm. Don't you think Brandon

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<v Speaker 3>would have said something.

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<v Speaker 2>Like who is this kid?

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<v Speaker 3>Yeah, he's the voice of reason. Why isn't he reasoning

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<v Speaker 3>with her?

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<v Speaker 2>I mean, this is just a kid I basically kidnapped.

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<v Speaker 1>But are the cops not into this?

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<v Speaker 3>No, because she's decided she's just gonna find the parents,

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<v Speaker 3>the moms on our own, but.

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<v Speaker 1>Where are the authorities?

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<v Speaker 2>And it was so easy for you to find the mom,

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<v Speaker 2>Like if that was the case, why didn't the.

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<v Speaker 1>Police, Oh my god, been so worried.

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<v Speaker 3>It's like, what if she's been just sitting at home worrying.

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<v Speaker 2>Or making posters. They definitely had posters everywhere, so that

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<v Speaker 2>you were going to understand.

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<v Speaker 3>That they care that she was like milk cartons, No,

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<v Speaker 3>not even milk cartons, just posters, posters.

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<v Speaker 2>But the kid either took a bus or a plane

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<v Speaker 2>to LA there would be a record like this is

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<v Speaker 2>not what it does.

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<v Speaker 1>It doesn't make sense in any way.

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<v Speaker 3>Wait, but in the nineties things were different, you guys.

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<v Speaker 2>Yes, but still you could run away still I mean correct,

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<v Speaker 2>But I think he took a bus or a plane.

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<v Speaker 3>Yeah, no, he took a bus or he took a bus.

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<v Speaker 3>But so what you don't have.

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<v Speaker 2>To give your name when you buy a bus ticket.

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<v Speaker 3>I can give anybody's name when you buy a bus ticket.

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<v Speaker 3>But he's twelve, I guess, I guess there's that. I mean,

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<v Speaker 3>they would they'd be like, hmm, you're awfully small.

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<v Speaker 2>Right at the bus depot, They're just like, yeah, no problem,

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<v Speaker 2>here you go kid.

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<v Speaker 1>I want to know who created the storyline. I want

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<v Speaker 1>to know who did the research on this storyline, because

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<v Speaker 1>sometimes while John Welpley Welpley was the main writer, as

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<v Speaker 1>Jenna and I have said, they did it up in

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<v Speaker 1>the writer's room. So b storyline, you write this and

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<v Speaker 1>then they make it cohesively. He does it, But who

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<v Speaker 1>had this story.

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<v Speaker 2>Totally Craig crag, who did it?

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<v Speaker 3>I don't know. How do we find out? Let's catch somebody.

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<v Speaker 2>Each part crazier than the part before. Like it was

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<v Speaker 2>crazy enough that you found this kid on your porch

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<v Speaker 2>and you're like, come on in, let me make you

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<v Speaker 2>a sandwich. And then you finally call the police they

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<v Speaker 2>lose him. So that's totally nuts. He just walked out,

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<v Speaker 2>finds you, and comes back, and you decide to keep him.

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<v Speaker 2>Then you take him into the storm. Nobody is even

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<v Speaker 2>the slightest bit flummoxed by the fact that you now

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<v Speaker 2>have like a kid with you. Then you're super saddy.

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<v Speaker 1>I mean it's just like, I feel like you need

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<v Speaker 1>to talk to somebody about this. Something's going on, like

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<v Speaker 1>I mean crazy.

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<v Speaker 2>Like, well, we think she's pregnant.

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<v Speaker 3>We got a glimpse into like Kelly's like going through

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<v Speaker 3>something at the end of the way she stares at

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<v Speaker 3>That was cool, though I was feeling lonely too lost perhaps.

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<v Speaker 2>Yeah, that was good face acting and very good ending there.

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<v Speaker 3>Thanks for the face acting comments.

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<v Speaker 2>Really good.

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<v Speaker 3>Yeah.

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<v Speaker 1>You know what I love in the first scene with

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<v Speaker 1>you and Claire, the the you know soe the blinds

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<v Speaker 1>from outside that you looked so beautiful. It's just like

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<v Speaker 1>and it's like cool lighting.

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<v Speaker 3>There's a plus. It makes it worth watching something. AnyWho, Well,

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<v Speaker 3>I'm happy. I'm pretty sure that kid's gone. He's not

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<v Speaker 3>going to be coming running back.

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<v Speaker 2>No, I think we're now done with it.

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<v Speaker 3>Yeah, okay, good and now we definitely see hell he

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<v Speaker 3>is pining for a brand though, totally and but but

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<v Speaker 3>he just I squealed at the TV, you know, like

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<v Speaker 3>when you're watching Pretty the Summura I turned pretty and

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<v Speaker 3>then they eat the peaches. That moment, like I screamed.

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<v Speaker 3>All the girls in my house were screaming at the TV.

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<v Speaker 3>This is the moment I was screaming at the TV, like, no, Brandon.

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<v Speaker 1>Don't ask her to go to Hawaii.

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<v Speaker 3>Or no, where are they going Hong Kong Kong. Don't

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<v Speaker 3>go to Hong Kong. Don't take her. He doesn't want

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<v Speaker 3>to take her, but he gets no.

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<v Speaker 2>I know. It's like right, it's so, how.

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<v Speaker 1>Come there's no? First of all, Jason Priestley, he was

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<v Speaker 1>very happy this episode.

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<v Speaker 2>He looked good. He looked good.

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<v Speaker 1>Actually, yeah, but you know the episode sometimes where he's

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<v Speaker 1>always a great actor, but it looks more serious the

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<v Speaker 1>lines where he delivers them, and then there's the ones

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<v Speaker 1>where he's like snacky. He was very do you know

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<v Speaker 1>what I'm talking about.

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<v Speaker 3>Yeah, I think he was snappier in this one.

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<v Speaker 1>Like in the first scene with Valerie. Oh yeah, and

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<v Speaker 1>with Steve like he was.

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<v Speaker 3>On it felt like he was.

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<v Speaker 2>I thought he had a little bit of bad acting though,

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<v Speaker 2>when sorry in the kitchen, when she says, you know,

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<v Speaker 2>Valerie messes it up, Oh what's you doing with that

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<v Speaker 2>other ticket? That was just crazy, and then she says

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<v Speaker 2>what about the what about this other ticket? And then

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<v Speaker 2>he sort of throws the whatever he's holding. Oh, and it.

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<v Speaker 3>Was just like.

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<v Speaker 1>Miss I was too focused on her terry cloth robe

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<v Speaker 1>with a collar. It looked like a trench coat meets

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<v Speaker 1>terry cloth rope.

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<v Speaker 2>Oh yeah, I didn't like that pink shirt she had.

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<v Speaker 2>That was like, not great for me.

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<v Speaker 1>Pink shirt.

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<v Speaker 2>She was wearing sort of a pink flannelly buttoned down.

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<v Speaker 2>It wasn't great.

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<v Speaker 3>Valor Tracy, Tracy. I'm talking about Tracy much.

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<v Speaker 1>I'm talking about val in the kitchen with Brandon. I'm

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<v Speaker 1>talking about the terry cloth robe because he told us

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<v Speaker 1>that it was cream colored and it had trench, like

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<v Speaker 1>a trench like a point.

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<v Speaker 2>I missed that.

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<v Speaker 3>But also, I don't think I've ever seen an outfit

0:12:19.600 --> 0:12:21.320
<v Speaker 3>that they put Tracy and that made me go, oh

0:12:21.400 --> 0:12:22.560
<v Speaker 3>my god, I love her outfit.

0:12:23.080 --> 0:12:25.160
<v Speaker 1>I'm gonna I love her this episode.

0:12:25.360 --> 0:12:28.319
<v Speaker 3>Tracy's with the little Yeah, she did.

0:12:28.160 --> 0:12:31.400
<v Speaker 2>Have some nice swoops. Yeah, there was some swoops I liked.

0:12:32.640 --> 0:12:35.120
<v Speaker 3>I don't know. I just I can't take that much longer.

0:12:35.240 --> 0:12:37.520
<v Speaker 2>Honestly, I can't take Valerie much longer.

0:12:37.600 --> 0:12:40.600
<v Speaker 1>Once again, yes, that much longer.

0:12:41.280 --> 0:12:44.480
<v Speaker 2>Okay, we have like a few episodes. Oh sorry and Tracy,

0:12:44.600 --> 0:12:45.000
<v Speaker 2>same thing.

0:12:45.120 --> 0:12:48.720
<v Speaker 3>Sorry, okay, something So she's not going to go to

0:12:48.760 --> 0:12:49.200
<v Speaker 3>Hong Kong.

0:12:49.280 --> 0:12:52.760
<v Speaker 2>You guys, there is a Hong Kong episode.

0:12:53.120 --> 0:12:54.400
<v Speaker 3>We think of Hong Kong.

0:12:54.880 --> 0:12:57.680
<v Speaker 2>I think only mister Walsh is like I'm trying to remember,

0:12:57.679 --> 0:12:59.920
<v Speaker 2>but I feel like there is there's something.

0:13:00.840 --> 0:13:04.480
<v Speaker 1>How come he doesn't mention like Brenda's going to be there, Brenda,

0:13:04.720 --> 0:13:07.520
<v Speaker 1>your other I know someone, but your other kid hello.

0:13:08.640 --> 0:13:08.920
<v Speaker 2>I know.

0:13:09.200 --> 0:13:11.040
<v Speaker 3>It's so it's so fragmented.

0:13:11.120 --> 0:13:15.560
<v Speaker 2>And also the photo album, when your kid is looking

0:13:15.600 --> 0:13:17.720
<v Speaker 2>through the photo album, it's clearly a picture of you

0:13:17.800 --> 0:13:22.520
<v Speaker 2>in that dress with the bow. But then you say like, oh, yeah,

0:13:22.520 --> 0:13:25.600
<v Speaker 2>that's one of my stepdads, and I'm like, no, he's

0:13:25.600 --> 0:13:28.960
<v Speaker 2>not in that photo. Did you guys notice.

0:13:28.720 --> 0:13:29.800
<v Speaker 3>That I didn't even notice.

0:13:29.840 --> 0:13:33.520
<v Speaker 2>No, No, somebody go back with eagle eyes, because it

0:13:33.600 --> 0:13:36.760
<v Speaker 2>literally was the black dress with the white bow. Do

0:13:36.800 --> 0:13:37.840
<v Speaker 2>you know what I'm talking about?

0:13:38.679 --> 0:13:41.680
<v Speaker 3>Yes, like an iconic dress, the spring princess dress.

0:13:41.760 --> 0:13:44.160
<v Speaker 2>Yeah, and you can clearly see it in the photo.

0:13:44.960 --> 0:13:47.439
<v Speaker 2>And then you say, yeah, that's one of my stepdads.

0:13:47.600 --> 0:13:49.920
<v Speaker 2>And I'm like, no, I thought you were literally going

0:13:49.960 --> 0:13:53.880
<v Speaker 2>to say, yeah, that's my friend Brenda, because but then

0:13:53.920 --> 0:13:56.760
<v Speaker 2>you'd say stepdad. I'm like, huh, that was weird.

0:13:56.960 --> 0:13:58.760
<v Speaker 3>It's so weird. They don't talk about her.

0:13:58.800 --> 0:14:03.680
<v Speaker 1>We're being told by the Great Oz that when Brandon goes,

0:14:03.880 --> 0:14:07.400
<v Speaker 1>only Jim is in Hong Kong because Cindy traveled to

0:14:07.520 --> 0:14:09.200
<v Speaker 1>London because Brenda has.

0:14:09.200 --> 0:14:12.880
<v Speaker 3>Oh that makes perfect Okay.

0:14:13.040 --> 0:14:18.559
<v Speaker 1>They didn't want to pay to.

0:14:15.679 --> 0:14:22.040
<v Speaker 2>The amazing detail that she has mono because that's so nineties, Like,

0:14:22.120 --> 0:14:23.320
<v Speaker 2>oh my god, you have mono?

0:14:23.920 --> 0:14:26.560
<v Speaker 3>Yeah, that was a big nineties Did you guys ever

0:14:26.600 --> 0:14:27.720
<v Speaker 3>have mono in the nineties.

0:14:27.920 --> 0:14:31.160
<v Speaker 2>I never got it, Never fear remember I had it.

0:14:31.240 --> 0:14:33.240
<v Speaker 3>I like just lived with it for a long time.

0:14:33.520 --> 0:14:34.600
<v Speaker 2>People, I don't make out.

0:14:34.840 --> 0:14:37.240
<v Speaker 1>He's gonna don't scare you. It's the kissing disease.

0:14:37.520 --> 0:14:40.640
<v Speaker 3>Yeah, one of my kids recently had it. It's back.

0:14:41.040 --> 0:14:42.440
<v Speaker 2>It's is it kind of like pneumonia.

0:14:42.640 --> 0:14:45.120
<v Speaker 1>One of my kids had it too, and it lasts

0:14:45.120 --> 0:14:51.040
<v Speaker 1>like kissing. I'm like, no, it's not just that, yike se.

0:14:51.120 --> 0:15:09.400
<v Speaker 3>I can't guarantee mine didn't kiss anyone. But let's get

0:15:09.400 --> 0:15:13.800
<v Speaker 3>on to another storyline. For the love of Brandon Walsh,

0:15:13.960 --> 0:15:16.960
<v Speaker 3>I want to talk about Claire and Steve at all

0:15:17.120 --> 0:15:18.240
<v Speaker 3>or did we already cover it?

0:15:18.600 --> 0:15:20.800
<v Speaker 2>No. At first, when she's eating the burger, I was like,

0:15:20.960 --> 0:15:23.760
<v Speaker 2>it's happening. I sort of liked her. Actually, at first,

0:15:23.760 --> 0:15:26.320
<v Speaker 2>I was like I like this girl, and then I.

0:15:26.480 --> 0:15:28.120
<v Speaker 3>Like testosterone Claire.

0:15:28.280 --> 0:15:30.840
<v Speaker 2>Yeah, and then I liked it that they.

0:15:30.720 --> 0:15:33.240
<v Speaker 3>Were talking about like hormone levels. I was like, hey,

0:15:33.880 --> 0:15:35.160
<v Speaker 3>this is cutting out.

0:15:35.240 --> 0:15:37.600
<v Speaker 2>I was in the nineties. Yeah, I was like, and

0:15:37.640 --> 0:15:39.600
<v Speaker 2>they sort of didn't totally get it, but they were

0:15:39.680 --> 0:15:43.440
<v Speaker 2>kind of trying. But I also was like, I even.

0:15:43.320 --> 0:15:46.840
<v Speaker 1>Know they helped people's hormones in the nineties, especially young girls.

0:15:46.880 --> 0:15:50.560
<v Speaker 3>That she takes it one she takes it one morning,

0:15:50.680 --> 0:15:53.360
<v Speaker 3>and then by the evening she's a totally different person.

0:15:54.240 --> 0:15:57.360
<v Speaker 3>And he's he's referencing how he can't stand it. She's

0:15:57.400 --> 0:16:00.640
<v Speaker 3>so messy, she eats like a pig, like she like

0:16:00.720 --> 0:16:04.240
<v Speaker 3>all these things. But it's been literally like four or

0:16:04.240 --> 0:16:05.560
<v Speaker 3>five hours that they've been together.

0:16:05.800 --> 0:16:08.400
<v Speaker 2>It's just the whole thing is a bit ridiculous.

0:16:08.800 --> 0:16:10.960
<v Speaker 1>Wa wait, I misunderstood it.

0:16:11.000 --> 0:16:11.160
<v Speaker 2>Then.

0:16:11.280 --> 0:16:14.400
<v Speaker 1>I know she said I'm gonna give him a taste

0:16:14.440 --> 0:16:15.560
<v Speaker 1>of his own medicine.

0:16:15.680 --> 0:16:18.040
<v Speaker 2>When did we see that part? That's the part that

0:16:18.120 --> 0:16:18.960
<v Speaker 2>I miss.

0:16:18.880 --> 0:16:22.320
<v Speaker 3>In the apartment with Kelly. Okay, Yes, she says I

0:16:22.360 --> 0:16:23.320
<v Speaker 3>know what to want.

0:16:23.200 --> 0:16:26.600
<v Speaker 1>Sex all the time, Yeah, you know, and then she's like, Eh,

0:16:26.600 --> 0:16:28.520
<v Speaker 1>I'm go give him a dose of his own medicine

0:16:28.600 --> 0:16:30.880
<v Speaker 1>or whatever. So I thought it wasn't real.

0:16:31.240 --> 0:16:33.920
<v Speaker 2>I knew it wasn't real quickly too, but she sold

0:16:33.960 --> 0:16:34.680
<v Speaker 2>it pretty well.

0:16:35.080 --> 0:16:37.440
<v Speaker 3>Yeah, it was obvious that it wasn't real, but.

0:16:37.520 --> 0:16:40.280
<v Speaker 2>Right, they're not just giving Okay, okay, teenage, I.

0:16:40.280 --> 0:16:42.880
<v Speaker 1>Thought you were saying, like, how come like that quickly

0:16:42.960 --> 0:16:44.000
<v Speaker 1>she's turned into.

0:16:44.200 --> 0:16:47.720
<v Speaker 3>I was just saying, like how fast that storyline progressed?

0:16:48.000 --> 0:16:49.920
<v Speaker 2>And also that Steve believed in.

0:16:51.400 --> 0:16:56.560
<v Speaker 3>Well, he's not the brightest fred on the string lights there.

0:16:59.080 --> 0:17:06.240
<v Speaker 2>Sorry anyway, so absurd though, that was just another just yeah, ridiculous.

0:17:06.400 --> 0:17:07.359
<v Speaker 2>It was funnier.

0:17:07.760 --> 0:17:10.679
<v Speaker 3>But he has like a realization that that's what he's like.

0:17:10.880 --> 0:17:13.840
<v Speaker 3>So maybe he's gonna be softer and more gentle now,

0:17:13.920 --> 0:17:14.280
<v Speaker 3>I don't know.

0:17:14.480 --> 0:17:17.280
<v Speaker 1>I hope not. I don't want to do.

0:17:20.320 --> 0:17:23.040
<v Speaker 3>I don't want to see that. Nobody wants to see that.

0:17:23.720 --> 0:17:26.280
<v Speaker 2>And then she immediately goes back to like, let's go

0:17:26.400 --> 0:17:29.960
<v Speaker 2>collect sea shells. I'm just like, this is just too

0:17:30.080 --> 0:17:30.720
<v Speaker 2>much for me.

0:17:31.160 --> 0:17:34.600
<v Speaker 1>When she said this line in the show, I didn't

0:17:34.640 --> 0:17:37.200
<v Speaker 1>understand it, but now it just hit me what it means,

0:17:37.320 --> 0:17:43.159
<v Speaker 1>which lie Claire, Oh, she doesn't say he says it.

0:17:43.400 --> 0:17:47.399
<v Speaker 1>Uh no, Claire, what's wrong? Is it puffy? Mean and

0:17:47.480 --> 0:17:48.320
<v Speaker 1>snappy time?

0:17:49.160 --> 0:17:49.520
<v Speaker 3>Yeah?

0:17:49.960 --> 0:17:51.879
<v Speaker 2>Oh, he's talking about being on her period.

0:17:52.119 --> 0:17:58.040
<v Speaker 3>No PMS, puffy mean oh and sappy nappy.

0:17:58.560 --> 0:18:01.560
<v Speaker 1>Yeah, so I took it. It is like it was

0:18:01.600 --> 0:18:04.719
<v Speaker 1>like some slang like puffy mean and snappy time. Like

0:18:04.800 --> 0:18:09.960
<v Speaker 1>I didn't understand he meant puffy mean and snappy time

0:18:10.119 --> 0:18:11.000
<v Speaker 1>PM mess.

0:18:11.119 --> 0:18:13.600
<v Speaker 2>Yeah. I did not get that either until just now

0:18:13.600 --> 0:18:15.360
<v Speaker 2>when you two.

0:18:15.960 --> 0:18:19.000
<v Speaker 3>And also like the reference to the fact that guys,

0:18:19.840 --> 0:18:25.719
<v Speaker 3>especially back then but probably still really do kind of

0:18:27.480 --> 0:18:31.720
<v Speaker 3>when women are on their periods. They have this like

0:18:31.840 --> 0:18:36.520
<v Speaker 3>whole perception of them and that gives them the liberty

0:18:36.560 --> 0:18:40.520
<v Speaker 3>to make fun of them or you know, say negative

0:18:40.520 --> 0:18:42.520
<v Speaker 3>things about them. And I think it's so messed up.

0:18:42.600 --> 0:18:47.040
<v Speaker 3>It gets me angry. You try being on having PMS,

0:18:47.080 --> 0:18:50.600
<v Speaker 3>You try having a period, let me a single month

0:18:50.720 --> 0:18:52.360
<v Speaker 3>for the rest of your life until you're may.

0:18:52.440 --> 0:18:56.199
<v Speaker 2>I just, on a whim say that host menopause is

0:18:56.240 --> 0:19:02.600
<v Speaker 2>worse than Perry menopause because my symptoms are like way wackier.

0:19:03.240 --> 0:19:06.480
<v Speaker 2>I don't know everybody perry menopause is having such a

0:19:06.520 --> 0:19:09.200
<v Speaker 2>moment and I'm like, can we dig into post because

0:19:09.200 --> 0:19:11.280
<v Speaker 2>this is a wreck anyway.

0:19:12.040 --> 0:19:15.159
<v Speaker 3>Yeah, I don't honestly know that much about postmenopause, come

0:19:15.200 --> 0:19:15.920
<v Speaker 3>to think about.

0:19:15.720 --> 0:19:20.359
<v Speaker 2>It, are you not post menopause? Are you just living

0:19:20.400 --> 0:19:22.800
<v Speaker 2>your best life? Like I feel kind of crappy.

0:19:22.880 --> 0:19:27.399
<v Speaker 3>Every day it comes and goes. It's like a roller coaster.

0:19:29.200 --> 0:19:31.960
<v Speaker 1>So tell me, I know, Amy, you've told me this before,

0:19:32.200 --> 0:19:34.760
<v Speaker 1>or Gen tell me Perry is before.

0:19:35.880 --> 0:19:38.400
<v Speaker 2>So it's like the years leading up, right, So you're

0:19:38.400 --> 0:19:39.040
<v Speaker 2>still like getting a.

0:19:39.000 --> 0:19:40.640
<v Speaker 1>PIM what are you while you're in it?

0:19:40.840 --> 0:19:45.040
<v Speaker 2>Just wellnopa, menopause is just one day. There's just the

0:19:45.119 --> 0:19:50.600
<v Speaker 2>one day where you are now not Perry and you're

0:19:50.600 --> 0:19:52.520
<v Speaker 2>not post and then the day after.

0:19:52.320 --> 0:19:57.800
<v Speaker 1>That your post And how do they determine this one year?

0:19:58.119 --> 0:20:01.320
<v Speaker 2>So say you didn't have a period and then you

0:20:01.480 --> 0:20:04.600
<v Speaker 2>never had one for a year. That day, whatever that

0:20:04.680 --> 0:20:09.080
<v Speaker 2>mystery day is, is the menopause day. And then the

0:20:09.160 --> 0:20:13.800
<v Speaker 2>day after that you're post menopause or you're in menopause. Interest,

0:20:14.040 --> 0:20:16.120
<v Speaker 2>I don't know, I don't.

0:20:15.960 --> 0:20:18.360
<v Speaker 1>Know, I don't know.

0:20:18.480 --> 0:20:19.840
<v Speaker 2>I mean, we could do a whole show on this

0:20:24.880 --> 0:20:27.560
<v Speaker 2>key way, but on this show they're really leaning into.

0:20:27.359 --> 0:20:29.439
<v Speaker 1>The pm I was trying to think of a title.

0:20:30.720 --> 0:20:32.919
<v Speaker 2>They're really leaning into the PMS of it.

0:20:33.160 --> 0:20:36.120
<v Speaker 3>Yeah, it's weird that you know, it's still it has

0:20:36.160 --> 0:20:38.560
<v Speaker 3>like such a stigma and women have to deal with it.

0:20:38.560 --> 0:20:39.840
<v Speaker 3>It's so annoying.

0:20:40.240 --> 0:20:42.960
<v Speaker 2>At least the show's sort of addressing it, and they're

0:20:43.040 --> 0:20:46.360
<v Speaker 2>sort of putting it, putting him in his place, rather

0:20:46.440 --> 0:20:48.919
<v Speaker 2>than just leaning into the full stereotype. I mean, they

0:20:48.920 --> 0:20:54.040
<v Speaker 2>went very stereotypical, because suddenly she's the stereotypical man. But

0:20:54.200 --> 0:20:57.720
<v Speaker 2>yet at least they're trying. There's sort of a weird

0:20:57.800 --> 0:20:59.200
<v Speaker 2>nineties attempt happening.

0:21:00.800 --> 0:21:04.920
<v Speaker 1>What's comparable men, the men's version, Like we have menopause

0:21:05.000 --> 0:21:06.240
<v Speaker 1>and there's a stigma on that.

0:21:06.480 --> 0:21:10.240
<v Speaker 3>It's so like maybe that they need maybe they need viagra.

0:21:14.400 --> 0:21:16.639
<v Speaker 3>I don't know. I don't know if there's hormones or

0:21:16.640 --> 0:21:20.639
<v Speaker 3>brain chemicals involved in that, but that can really do

0:21:20.680 --> 0:21:23.600
<v Speaker 3>a number on guys for sure. I mean some don't

0:21:23.600 --> 0:21:25.280
<v Speaker 3>get it, but some do get it.

0:21:26.119 --> 0:21:27.880
<v Speaker 1>Yeah, some women get it, But.

0:21:27.880 --> 0:21:29.480
<v Speaker 3>I don't really think it has anything to do with

0:21:29.520 --> 0:21:32.600
<v Speaker 3>anything medical. Yah're biological.

0:21:32.760 --> 0:21:37.040
<v Speaker 1>I think maybe you're right. They start to lose hair.

0:21:37.760 --> 0:21:41.320
<v Speaker 1>I was going to say, well we are, we already

0:21:41.440 --> 0:21:44.240
<v Speaker 1>dealt with this in an episode, but what dick dies,

0:21:45.160 --> 0:21:45.960
<v Speaker 1>That's all I'm saying.

0:21:47.480 --> 0:21:49.879
<v Speaker 3>You mean they you think they lose sperm count?

0:21:50.320 --> 0:21:53.640
<v Speaker 1>No, they can't get it off. Yeah, they have problems

0:21:53.800 --> 0:21:55.639
<v Speaker 1>like that happens at a certain age.

0:21:55.800 --> 0:21:57.800
<v Speaker 3>Correct, Yeah, that's why they have viagra.

0:21:58.200 --> 0:22:00.679
<v Speaker 1>I don't think is that there for version of like

0:22:00.800 --> 0:22:03.239
<v Speaker 1>kind of layers of stigma on it and they feel they

0:22:03.240 --> 0:22:04.119
<v Speaker 1>could feel shamed.

0:22:04.160 --> 0:22:07.840
<v Speaker 3>Yes, but also they've been provided with insurance covered medication

0:22:08.560 --> 0:22:14.680
<v Speaker 3>for many years, whilst women have suffered in silence, and

0:22:14.720 --> 0:22:19.240
<v Speaker 3>there are no medications or research to support this transition

0:22:19.400 --> 0:22:22.520
<v Speaker 3>in a woman's life. So don't get me started.

0:22:24.000 --> 0:22:26.040
<v Speaker 1>I just got so turned on. I love when you

0:22:26.119 --> 0:22:27.320
<v Speaker 1>talk smart and medical.

0:22:29.800 --> 0:22:31.800
<v Speaker 3>But things are changing because did you see how much

0:22:31.840 --> 0:22:35.840
<v Speaker 3>money Uh? I think Melinda Gates got out of old Bill.

0:22:37.080 --> 0:22:39.359
<v Speaker 3>Oh yeah, or he did it himself. I don't know,

0:22:39.400 --> 0:22:41.399
<v Speaker 3>but I really don't know how that happened. But I

0:22:41.680 --> 0:22:45.240
<v Speaker 3>did read something about there's a big number going towards

0:22:45.280 --> 0:22:47.800
<v Speaker 3>women's medical mm hmm.

0:22:49.040 --> 0:22:50.720
<v Speaker 2>It's great, need needed.

0:22:52.160 --> 0:22:54.800
<v Speaker 3>Let's talk about yes, please, Valerie.

0:22:54.440 --> 0:22:57.399
<v Speaker 2>Smith Jared yep, I will call him Smith Jared.

0:22:57.520 --> 0:22:58.080
<v Speaker 1>Who's Smith?

0:22:58.160 --> 0:22:59.520
<v Speaker 3>Jared Smith?

0:22:59.560 --> 0:23:00.200
<v Speaker 2>And Jared.

0:23:01.840 --> 0:23:04.359
<v Speaker 3>Like Smith? Jared Smith?

0:23:04.560 --> 0:23:08.080
<v Speaker 2>Jared Smith. Jared is his name from Sex in the City.

0:23:08.440 --> 0:23:09.760
<v Speaker 3>That is not his name on the show.

0:23:10.000 --> 0:23:14.800
<v Speaker 1>No, he's Rob on this Rob Andrews. Wait. Jen isn't

0:23:15.000 --> 0:23:19.760
<v Speaker 1>Rob Andrews. Wasn't he one of our Fox executives?

0:23:20.080 --> 0:23:22.600
<v Speaker 3>I don't, I don't know.

0:23:23.920 --> 0:23:28.360
<v Speaker 2>I don't know. There is a Rob now at Fox?

0:23:28.560 --> 0:23:31.320
<v Speaker 3>But are you typing on a computer? Is that? What's

0:23:31.320 --> 0:23:32.760
<v Speaker 3>happening to your love there?

0:23:32.960 --> 0:23:35.479
<v Speaker 2>But it's not Rob Andrews. It's Rob Wade.

0:23:35.800 --> 0:23:40.440
<v Speaker 3>Oh it's like where are you? It literally like you

0:23:40.520 --> 0:23:42.520
<v Speaker 3>were like, let me check that out and look into

0:23:42.520 --> 0:23:45.120
<v Speaker 3>my computer database? Right?

0:23:45.600 --> 0:23:48.440
<v Speaker 2>You know I'm not text There was a Rob Andrews, Lorraine.

0:23:48.960 --> 0:23:51.600
<v Speaker 1>Yeah, I'm telling you you guys, and and Jen we

0:23:51.640 --> 0:23:56.400
<v Speaker 1>worked with him again for Am I wrong? I can

0:23:56.440 --> 0:23:56.800
<v Speaker 1>be wrong?

0:23:57.080 --> 0:23:59.120
<v Speaker 3>I don't Yeah, I don't think you're wrong. I think

0:23:59.119 --> 0:23:59.520
<v Speaker 3>you're right.

0:24:00.680 --> 0:24:08.359
<v Speaker 1>Who is Rob Andrews at Fox Network? And airy O,

0:24:08.440 --> 0:24:12.679
<v Speaker 1>my god, Dorri? This is fun trivia? Who?

0:24:12.920 --> 0:24:13.840
<v Speaker 3>Why is this fun?

0:24:14.880 --> 0:24:14.960
<v Speaker 2>No?

0:24:15.000 --> 0:24:15.160
<v Speaker 1>One?

0:24:15.800 --> 0:24:19.119
<v Speaker 2>People listening are like, we stayed with you during the

0:24:19.160 --> 0:24:22.640
<v Speaker 2>menopause talk, but we don't care if you're googling who

0:24:22.680 --> 0:24:24.480
<v Speaker 2>the Fox executive.

0:24:24.080 --> 0:24:26.520
<v Speaker 3>Was anyway, because they copied his name.

0:24:26.600 --> 0:24:27.440
<v Speaker 1>They used his name.

0:24:27.840 --> 0:24:30.919
<v Speaker 2>Dude is so hot and he's so nice and he

0:24:31.000 --> 0:24:33.520
<v Speaker 2>really likes her and respects her, and yet once aga

0:24:33.840 --> 0:24:37.040
<v Speaker 2>a mirror and she's up to her Shenanigans. I can't.

0:24:37.160 --> 0:24:40.320
<v Speaker 1>Yeah, I gotta say, oh man, last week, I wasn't

0:24:40.600 --> 0:24:42.560
<v Speaker 1>that into him. This week, I'm like.

0:24:42.720 --> 0:24:45.879
<v Speaker 3>Okay, yeah, he's cute and if he can make a

0:24:45.920 --> 0:24:49.040
<v Speaker 3>handcard mirror like that, seriously, I knop him around.

0:24:49.920 --> 0:24:51.960
<v Speaker 2>And yet she's taking the bribe.

0:24:52.200 --> 0:24:54.800
<v Speaker 3>You think she is taking it? I don't know yet.

0:24:54.960 --> 0:24:55.679
<v Speaker 3>I can't remember.

0:24:55.680 --> 0:24:57.920
<v Speaker 1>I don't think she's going to remember. But here's my question,

0:24:57.960 --> 0:25:02.080
<v Speaker 1>you guys. They always say, like, energetically we bring the

0:25:02.119 --> 0:25:05.960
<v Speaker 1>same patterns into our life. How many times, whether she

0:25:06.000 --> 0:25:09.840
<v Speaker 1>takes it or not, somebody is offerware her money a

0:25:09.920 --> 0:25:13.200
<v Speaker 1>bribe awareness, Why does this keep happening?

0:25:13.520 --> 0:25:16.840
<v Speaker 3>She likes the cash, you guys, and.

0:25:16.880 --> 0:25:20.040
<v Speaker 1>She never eluded that she would take money for it.

0:25:20.080 --> 0:25:22.240
<v Speaker 1>And he's just like, I think I can make it,

0:25:22.280 --> 0:25:22.480
<v Speaker 1>you know.

0:25:22.920 --> 0:25:24.240
<v Speaker 2>Yeah, It's just so weird.

0:25:24.400 --> 0:25:25.240
<v Speaker 1>People just do this.

0:25:25.520 --> 0:25:28.879
<v Speaker 3>It's like when she sees cash, she can't control herself.

0:25:29.280 --> 0:25:30.639
<v Speaker 3>Don't they call this a trope?

0:25:31.119 --> 0:25:34.439
<v Speaker 2>Like the writers are just going for the same thing.

0:25:34.800 --> 0:25:36.800
<v Speaker 2>I'm gonna be mad at the writers because it's like,

0:25:36.840 --> 0:25:38.000
<v Speaker 2>stop writing the story.

0:25:38.040 --> 0:25:39.879
<v Speaker 3>I think she's really going to take the money, and

0:25:39.920 --> 0:25:41.960
<v Speaker 3>that's going to ruin their relationship. Though I know she

0:25:42.040 --> 0:25:44.400
<v Speaker 3>going to be like, you know what, never mind, I'm not.

0:25:44.320 --> 0:25:47.240
<v Speaker 1>Going to do this because I don't remember how much

0:25:47.359 --> 0:25:49.320
<v Speaker 1>was it or they didn't say ten grand.

0:25:49.359 --> 0:25:52.080
<v Speaker 2>I think yeah, and there's another ten grand in it

0:25:52.119 --> 0:25:56.080
<v Speaker 2>for her when he signs or something. I don't know's

0:25:56.240 --> 0:25:59.359
<v Speaker 2>he only does like a handful of episodes, and so

0:25:59.520 --> 0:26:01.720
<v Speaker 2>I have a feeling that she takes the money and

0:26:01.760 --> 0:26:02.679
<v Speaker 2>he brings up a tho.

0:26:03.880 --> 0:26:05.040
<v Speaker 3>That's what I'm I don't know.

0:26:05.200 --> 0:26:07.959
<v Speaker 2>I mean, that's my I don't remember, but I'm just

0:26:08.000 --> 0:26:10.480
<v Speaker 2>saying I know that he's only around for a certain

0:26:10.560 --> 0:26:11.600
<v Speaker 2>number of episodes.

0:26:12.240 --> 0:26:16.199
<v Speaker 1>Well, first of all, it was a little extreme that

0:26:16.240 --> 0:26:18.800
<v Speaker 1>she didn't like it, and this is why. And if

0:26:18.800 --> 0:26:21.639
<v Speaker 1>he wants to play a bastard on in a film,

0:26:21.680 --> 0:26:23.280
<v Speaker 1>it's like he's an actor.

0:26:23.480 --> 0:26:28.119
<v Speaker 3>Why isn't Who's he listening to his brand new girlfriend

0:26:28.240 --> 0:26:30.840
<v Speaker 3>that he isn't even that nice too when she comes

0:26:30.840 --> 0:26:33.600
<v Speaker 3>over to see him, and then like.

0:26:33.640 --> 0:26:35.880
<v Speaker 1>What's how great he was? Yeah?

0:26:35.920 --> 0:26:39.720
<v Speaker 3>He is, but I don't think that there's enough of

0:26:39.760 --> 0:26:42.320
<v Speaker 3>a substance of a relationship there to start taking career

0:26:42.800 --> 0:26:44.080
<v Speaker 3>advice from somebody.

0:26:45.280 --> 0:26:47.720
<v Speaker 2>Correct, And he's I just looked it up. He's only

0:26:47.760 --> 0:26:50.240
<v Speaker 2>in four episodes and we've done two, so we only

0:26:50.240 --> 0:26:51.160
<v Speaker 2>have two left with the guy.

0:26:51.760 --> 0:26:54.680
<v Speaker 1>Oh, so she takes the money or she.

0:26:54.680 --> 0:26:56.680
<v Speaker 3>Doesn't take the money and he goes off and does

0:26:56.680 --> 0:27:01.320
<v Speaker 3>the film. I think Jen just nailed it, and then

0:27:01.359 --> 0:27:02.320
<v Speaker 3>we never see him again.

0:27:02.359 --> 0:27:08.720
<v Speaker 2>We'll find out. I don't even though understand, I'm gonna

0:27:08.760 --> 0:27:11.959
<v Speaker 2>have to wait and see because a lot happens in

0:27:12.000 --> 0:27:16.480
<v Speaker 2>the four episodes and the timeline's not adding up to me.

0:27:17.000 --> 0:27:18.680
<v Speaker 2>I just peeked at what happened.

0:27:21.119 --> 0:27:23.880
<v Speaker 1>A window? Is it good? Is it juicy? Wait?

0:27:24.640 --> 0:27:27.920
<v Speaker 2>It's just very Valerie and it's just the same, Like God,

0:27:28.560 --> 0:27:34.080
<v Speaker 2>it's the same. It's just the same old thing ginger

0:27:34.160 --> 0:27:36.680
<v Speaker 2>lea Monica had to do with the money and Valerie

0:27:36.680 --> 0:27:41.399
<v Speaker 2>giving her money. Then there is the baby fake baby daddy,

0:27:41.560 --> 0:27:45.159
<v Speaker 2>and that might it's just like then even David Silver

0:27:45.320 --> 0:27:47.080
<v Speaker 2>has the money. It's all just like, so.

0:27:47.560 --> 0:27:51.240
<v Speaker 1>Wait, why don't I remember something? And also what happened

0:27:51.280 --> 0:27:54.359
<v Speaker 1>with Steve's dad?

0:27:54.359 --> 0:27:55.360
<v Speaker 3>She take money from him?

0:27:56.040 --> 0:27:58.960
<v Speaker 1>M no, she just tried to like remember to the

0:27:58.960 --> 0:28:00.520
<v Speaker 1>hotel room and he.

0:28:00.560 --> 0:28:03.200
<v Speaker 2>Said no, but there was some Why was he coming?

0:28:03.840 --> 0:28:06.239
<v Speaker 2>It was the money? He was doing a deal with

0:28:06.280 --> 0:28:06.720
<v Speaker 2>her too.

0:28:07.000 --> 0:28:10.359
<v Speaker 3>Yes, it's just and then they remember that other guy?

0:28:11.800 --> 0:28:15.960
<v Speaker 3>Was she Washy or what is his Nameky? Is that

0:28:16.640 --> 0:28:24.639
<v Speaker 3>I can't remember? Thanky mcgeeh, keep going, Luke Dylan's friend,

0:28:24.760 --> 0:28:28.920
<v Speaker 3>the oh yeah, yeah, yeah yeah, Tricky Tracky, she took money,

0:28:29.080 --> 0:28:33.720
<v Speaker 3>Jones Jonesy. Yeah, it's only one name, Jonesy Jonesy.

0:28:33.760 --> 0:28:36.160
<v Speaker 1>Listen, you know what? They never did this to Heather

0:28:36.240 --> 0:28:40.920
<v Speaker 1>Locklear Mel's. It's the same type of character, but they

0:28:40.960 --> 0:28:43.120
<v Speaker 1>did so many different things with her.

0:28:43.600 --> 0:28:45.680
<v Speaker 3>I mean, wait, I have a question. Okay, So if

0:28:45.680 --> 0:28:47.719
<v Speaker 3>they keep doing this over and over for her character,

0:28:48.160 --> 0:28:51.200
<v Speaker 3>similar to what they're doing to Claire's character, and Claire

0:28:51.280 --> 0:28:53.920
<v Speaker 3>ends up leaving the show, does Valori end up leaving

0:28:53.920 --> 0:28:54.800
<v Speaker 3>the show at some point?

0:28:55.480 --> 0:28:59.440
<v Speaker 1>I'm not talking to you right now. I can't do

0:28:59.480 --> 0:29:01.200
<v Speaker 1>this with you.

0:29:01.680 --> 0:29:05.280
<v Speaker 3>Yeah, I can't do this podcast with you anymore.

0:29:05.680 --> 0:29:06.440
<v Speaker 1>I didn't.

0:29:10.320 --> 0:29:10.560
<v Speaker 2>You know.

0:29:10.680 --> 0:29:14.040
<v Speaker 3>I'm actually honestly asking though. That's the worst part.

0:29:14.640 --> 0:29:20.600
<v Speaker 1>Amy. Let's tell her something. So Valerie leaves at the

0:29:20.680 --> 0:29:23.520
<v Speaker 1>end of season eight. Where did she go? No?

0:29:23.840 --> 0:29:28.200
<v Speaker 2>I thought it was a little later, No, she I

0:29:28.200 --> 0:29:30.040
<v Speaker 2>thought we went through this because I thought it was

0:29:30.080 --> 0:29:32.480
<v Speaker 2>then too, And everyone raw yelled at me.

0:29:33.160 --> 0:29:37.800
<v Speaker 1>You don't remember Valerie leaves Alyssa Milano comes in, Melissa Milano,

0:29:37.920 --> 0:29:40.360
<v Speaker 1>she went todmaid at the wedding.

0:29:40.880 --> 0:29:45.160
<v Speaker 3>What I think you're just making that something is wrong?

0:29:45.400 --> 0:29:48.200
<v Speaker 3>She joins, melrose Place, you're messing with me.

0:29:48.680 --> 0:29:49.720
<v Speaker 2>You're just joking.

0:29:50.000 --> 0:29:51.880
<v Speaker 1>And then Lisa Renna came in season ten.

0:29:52.040 --> 0:29:54.520
<v Speaker 2>Ah, that's melrose Place, you freak.

0:29:55.000 --> 0:29:56.400
<v Speaker 3>I would definitely remember this.

0:29:57.000 --> 0:30:00.800
<v Speaker 1>Valerie doesn't leave for a bit, and then Melissa Joonhart, Oh.

0:30:00.640 --> 0:30:03.400
<v Speaker 2>My god, don't listen to Tori, you guys.

0:30:04.240 --> 0:30:06.360
<v Speaker 3>Let's talk about the good storyline. Please.

0:30:06.440 --> 0:30:08.520
<v Speaker 1>Valery never leave. She stays to the bitter end.

0:30:08.600 --> 0:30:11.040
<v Speaker 2>No she doesn't. She does leave towards the end.

0:30:12.040 --> 0:30:14.880
<v Speaker 3>What where did she go? I thought she was at

0:30:14.880 --> 0:30:19.000
<v Speaker 3>my wedding. Somebody doesn't remember. I can't do this with

0:30:19.040 --> 0:30:25.800
<v Speaker 3>you anymore. Week she leaves, she comes to the wedding,

0:30:25.840 --> 0:30:27.320
<v Speaker 3>though she leaves.

0:30:28.480 --> 0:30:30.200
<v Speaker 1>Doesn't leave, you, guys.

0:30:30.120 --> 0:30:32.240
<v Speaker 2>He does. She leaves a few episodes early.

0:30:33.920 --> 0:30:36.480
<v Speaker 3>It says that she leaves in season nine, episode eight.

0:30:36.560 --> 0:30:38.840
<v Speaker 3>That's not a few episodes earlier. That's like the whole Yeah,

0:30:38.840 --> 0:30:39.840
<v Speaker 3>it's like a big season.

0:30:39.880 --> 0:30:40.760
<v Speaker 1>Why did she leave?

0:30:40.920 --> 0:30:41.800
<v Speaker 3>She liked us.

0:30:43.080 --> 0:30:45.320
<v Speaker 2>They do fifty million weird things to her before then

0:30:45.360 --> 0:30:46.080
<v Speaker 2>it's crazy.

0:30:46.400 --> 0:30:48.960
<v Speaker 1>Oh boy, where was she going that she left?

0:30:49.400 --> 0:30:50.960
<v Speaker 3>Amy doesn't remember look at her.

0:30:51.080 --> 0:31:03.280
<v Speaker 1>Everybody leaves Jen, we never leave. No, we never left.

0:31:07.880 --> 0:31:09.560
<v Speaker 3>We still just to talk about Brandon and giving the

0:31:09.560 --> 0:31:12.880
<v Speaker 3>tickets to Tracy. He should have listened to his instinct.

0:31:12.920 --> 0:31:14.560
<v Speaker 3>He doesn't know give them to her.

0:31:15.000 --> 0:31:17.720
<v Speaker 2>No, And then suddenly he acts like he does. He's

0:31:17.800 --> 0:31:18.880
<v Speaker 2>wishy washy.

0:31:19.040 --> 0:31:21.440
<v Speaker 1>He's not into her, So why does he do it?

0:31:21.760 --> 0:31:22.880
<v Speaker 2>I don't understand.

0:31:23.560 --> 0:31:24.760
<v Speaker 1>You see it on his face.

0:31:24.920 --> 0:31:27.760
<v Speaker 2>Here's my problem with her, And she's so mad. Then

0:31:27.800 --> 0:31:31.000
<v Speaker 2>she storms out, but then she goes to Malibu. Then

0:31:31.040 --> 0:31:32.640
<v Speaker 2>she's sort of cold to him.

0:31:32.960 --> 0:31:36.000
<v Speaker 1>Then she's me thought she said, stormed out and goes

0:31:36.040 --> 0:31:37.840
<v Speaker 1>to Malibu because we're dealing with the storm.

0:31:38.080 --> 0:31:40.000
<v Speaker 2>And then he asks her again do you want to go?

0:31:40.040 --> 0:31:41.000
<v Speaker 2>And she says I would love to.

0:31:41.200 --> 0:31:45.520
<v Speaker 3>Like it's just like she says, I'm sorry, I know,

0:31:45.680 --> 0:31:49.200
<v Speaker 3>but really, this girl needs to really get garner up

0:31:49.240 --> 0:31:51.840
<v Speaker 3>some more self worth because she's kind of being dicked

0:31:51.840 --> 0:31:52.400
<v Speaker 3>around by.

0:31:52.360 --> 0:31:55.160
<v Speaker 2>Ours or realized she's been dating this guy. She's in

0:31:55.280 --> 0:31:57.520
<v Speaker 2>college and she's been dating this guy for only a

0:31:57.520 --> 0:31:58.360
<v Speaker 2>handful of months.

0:31:58.880 --> 0:32:01.200
<v Speaker 3>Chill out, like it's a little aggressive.

0:32:01.400 --> 0:32:03.040
<v Speaker 2>Yeah, you don't have to go to Hong Kong with

0:32:03.120 --> 0:32:06.680
<v Speaker 2>a guy that you've just been dating in college. It's

0:32:06.720 --> 0:32:07.720
<v Speaker 2>just like crazy.

0:32:07.840 --> 0:32:09.360
<v Speaker 3>Also, they look old.

0:32:09.440 --> 0:32:11.680
<v Speaker 2>I'm not gonna lie. They do not look like they're

0:32:11.720 --> 0:32:14.760
<v Speaker 2>seniors in college. Four both of them look like they're thirty.

0:32:15.200 --> 0:32:17.520
<v Speaker 1>How dare you? How do we look?

0:32:19.040 --> 0:32:20.440
<v Speaker 3>Do we look like we're in college?

0:32:21.840 --> 0:32:25.080
<v Speaker 2>In the show? Yeah, you look more so accurate?

0:32:25.360 --> 0:32:27.320
<v Speaker 3>We were the right age.

0:32:27.360 --> 0:32:32.080
<v Speaker 1>Honestly we actually were. Yeah, yeah, okay, they look older.

0:32:32.760 --> 0:32:35.840
<v Speaker 1>Just guys go back to like your first love and

0:32:35.880 --> 0:32:40.360
<v Speaker 1>like you're dating someone. Let's say she's totally in love

0:32:40.400 --> 0:32:43.160
<v Speaker 1>with him, he gets invited by First of all, I

0:32:43.200 --> 0:32:47.400
<v Speaker 1>cannot believe he admits to her that his parents do

0:32:47.560 --> 0:32:50.680
<v Speaker 1>know about her, but you don't know what I know?

0:32:50.760 --> 0:32:52.360
<v Speaker 1>That so embarrassed.

0:32:52.440 --> 0:32:53.400
<v Speaker 2>That was just weird.

0:32:53.640 --> 0:32:57.240
<v Speaker 1>That was just so weird. But imagine your boyfriend. You're

0:32:57.280 --> 0:32:59.640
<v Speaker 1>in love with him, this is real to you. Let's

0:32:59.640 --> 0:33:01.840
<v Speaker 1>say it's and even six months. You fall hard at

0:33:01.840 --> 0:33:05.480
<v Speaker 1>that age, and he has two tickets and he's going

0:33:05.480 --> 0:33:08.160
<v Speaker 1>to visit on Spring Bay his parents. Why would you

0:33:09.120 --> 0:33:10.840
<v Speaker 1>not be crushed if it wasn't you.

0:33:11.280 --> 0:33:12.280
<v Speaker 3>Yeah, you would want to go.

0:33:12.720 --> 0:33:15.480
<v Speaker 1>Think about we're all old and cynical now, but think

0:33:15.520 --> 0:33:18.840
<v Speaker 1>about when you're in your twenties and you think every

0:33:18.840 --> 0:33:21.200
<v Speaker 1>guy is going to be the one, the one for

0:33:21.240 --> 0:33:23.440
<v Speaker 1>the rest of your life. Like she in her mind

0:33:23.560 --> 0:33:26.640
<v Speaker 1>she's gonna marry Brandon Walsh. This is the first time

0:33:26.640 --> 0:33:29.160
<v Speaker 1>to go meet his parents. I'd be pissed if I

0:33:29.160 --> 0:33:31.520
<v Speaker 1>if he's had two tickets and he wasn't taking me.

0:33:32.160 --> 0:33:32.440
<v Speaker 3>That's what.

0:33:32.640 --> 0:33:35.720
<v Speaker 1>Yeah, she was mad, right, And do he feel guilty

0:33:35.960 --> 0:33:36.520
<v Speaker 1>for it now?

0:33:36.720 --> 0:33:36.880
<v Speaker 2>No?

0:33:36.920 --> 0:33:37.760
<v Speaker 3>But I still don't care.

0:33:37.840 --> 0:33:38.240
<v Speaker 1>Why what?

0:33:38.920 --> 0:33:41.640
<v Speaker 3>Because I don't want Brandon to take her? Plain and simple.

0:33:42.280 --> 0:33:43.440
<v Speaker 2>Yeah, I think it's weird too.

0:33:43.560 --> 0:33:47.040
<v Speaker 1>Listen, Kelly, Taylor's because you want him.

0:33:47.640 --> 0:33:51.720
<v Speaker 3>Take yourself out of it. I'm sorry, I can't it

0:33:51.800 --> 0:33:52.240
<v Speaker 3>will not.

0:33:53.880 --> 0:33:55.560
<v Speaker 1>Wait he ended up taking Kelly?

0:33:55.600 --> 0:33:55.719
<v Speaker 2>Wait?

0:33:55.760 --> 0:33:56.800
<v Speaker 1>Wait, wait, who is he taking?

0:33:56.840 --> 0:33:59.400
<v Speaker 3>Don't tell me if you know?

0:34:00.000 --> 0:34:02.080
<v Speaker 2>Sure, I don't remember. I'm not going to I actually

0:34:02.120 --> 0:34:02.720
<v Speaker 2>don't remember.

0:34:03.040 --> 0:34:04.520
<v Speaker 3>Okay, let's please go.

0:34:04.560 --> 0:34:06.920
<v Speaker 2>But the next thing is weird. It's like, no, I

0:34:06.920 --> 0:34:09.360
<v Speaker 2>think we were like kind of finished up the show,

0:34:09.520 --> 0:34:12.320
<v Speaker 2>like it's just sort of a mess, Like this episode

0:34:12.400 --> 0:34:15.520
<v Speaker 2>is just kind of like messy. And once again we

0:34:15.600 --> 0:34:18.200
<v Speaker 2>just have so many disjointed storylines. Oh wait, we haven't

0:34:18.200 --> 0:34:20.160
<v Speaker 2>talked about you though, Tori Donna.

0:34:20.280 --> 0:34:21.880
<v Speaker 3>That's what I was saying, Oh, so.

0:34:22.040 --> 0:34:26.840
<v Speaker 2>Sorry, that's a good storyline.

0:34:27.239 --> 0:34:30.480
<v Speaker 3>Donna's dad has a stroke oo awful, and it was

0:34:30.520 --> 0:34:35.040
<v Speaker 3>so like David watched. David was there and then you

0:34:35.200 --> 0:34:39.600
<v Speaker 3>turn man, you turned on him in the hospital. You

0:34:39.640 --> 0:34:41.600
<v Speaker 3>were like, it's your fault that he's here.

0:34:41.520 --> 0:34:45.080
<v Speaker 1>At a moment, I know. And I was so excited

0:34:45.120 --> 0:34:48.160
<v Speaker 1>when this storyline started because I was like, oh, look

0:34:48.200 --> 0:34:51.040
<v Speaker 1>at them, They're not just back like after the last

0:34:51.120 --> 0:34:55.000
<v Speaker 1>day with Donna's grandmother and David. I was like really like,

0:34:55.120 --> 0:34:58.040
<v Speaker 1>oh my god, this is the Donna David energy. Yes,

0:34:58.160 --> 0:35:00.560
<v Speaker 1>that is so like makes my heart as a fan.

0:35:02.239 --> 0:35:05.360
<v Speaker 1>Even though she was wearing high heels and at school,

0:35:05.480 --> 0:35:07.640
<v Speaker 1>does anyone do that they wear high heels?

0:35:08.080 --> 0:35:10.160
<v Speaker 3>I don't think anymore. I don't think anymore.

0:35:10.239 --> 0:35:10.879
<v Speaker 1>No, they did.

0:35:11.160 --> 0:35:13.520
<v Speaker 3>I used to wear high heels to go to grade school.

0:35:13.640 --> 0:35:17.480
<v Speaker 3>So yeah, what I used to wear high heels in

0:35:17.600 --> 0:35:20.520
<v Speaker 3>sixth grade because I thought I was the.

0:35:20.560 --> 0:35:24.160
<v Speaker 1>Shot define high heels, like just like a little.

0:35:24.680 --> 0:35:27.560
<v Speaker 3>Like I thought I was Madonna, Like like it was

0:35:27.600 --> 0:35:30.000
<v Speaker 3>a close toe pump a pump.

0:35:31.160 --> 0:35:31.520
<v Speaker 2>Whoa.

0:35:31.760 --> 0:35:34.359
<v Speaker 3>That would have been probably two or three inches for sure.

0:35:35.239 --> 0:35:37.800
<v Speaker 3>Three I'm gonna go three because I never did anything

0:35:37.840 --> 0:35:40.839
<v Speaker 3>like half ass. So I started dressing for Donna when

0:35:40.880 --> 0:35:44.560
<v Speaker 3>I was in sixth grade. Yeah, oh my god.

0:35:46.640 --> 0:35:49.200
<v Speaker 1>Very hard to like navigate a campus and get to

0:35:49.239 --> 0:35:53.160
<v Speaker 1>class and live me. That's me. That's why I have

0:35:53.320 --> 0:35:57.800
<v Speaker 1>varicos or spider babies now because Donna just always running

0:35:57.800 --> 0:35:58.320
<v Speaker 1>in heels.

0:35:58.520 --> 0:36:00.400
<v Speaker 3>That's so true.

0:36:01.160 --> 0:36:03.720
<v Speaker 1>The scene with David and doctor Martin.

0:36:05.080 --> 0:36:07.520
<v Speaker 2>Good acting because at first when he listened to his tie,

0:36:07.560 --> 0:36:10.120
<v Speaker 2>I was like, oh no, this is it, this is it,

0:36:10.160 --> 0:36:11.600
<v Speaker 2>and it came back to me and then I was like,

0:36:11.640 --> 0:36:15.319
<v Speaker 2>oh no, maybe he's just relaxed. Nope, good acting by

0:36:15.320 --> 0:36:18.160
<v Speaker 2>that guy. That guy is really good. Good acting in

0:36:18.200 --> 0:36:19.560
<v Speaker 2>the hospital. I mean, that's hard.

0:36:20.080 --> 0:36:27.640
<v Speaker 1>Michael Darrell, this was hard for me to watch because sorry,

0:36:27.680 --> 0:36:30.080
<v Speaker 1>I'm not going to make it all sad sad. Please

0:36:30.160 --> 0:36:32.959
<v Speaker 1>do tell what your folk. My real life dad died

0:36:33.000 --> 0:36:33.680
<v Speaker 1>from a stroke.

0:36:34.040 --> 0:36:37.760
<v Speaker 3>So it's but later after the show.

0:36:38.120 --> 0:36:45.080
<v Speaker 1>Wait, yes, yes, in two thousand and six. But this

0:36:45.200 --> 0:36:49.520
<v Speaker 1>show has a way of like, it's not like they

0:36:49.560 --> 0:36:52.279
<v Speaker 1>predicted the future. It's not like foreshadowing. No one could

0:36:52.320 --> 0:36:56.920
<v Speaker 1>have knowd But it's heartbreaking to think when the character

0:36:57.000 --> 0:37:01.600
<v Speaker 1>Brenda had a lump in her breast and Shannon went

0:37:01.640 --> 0:37:05.080
<v Speaker 1>on to have cancer. And I don't know if there's

0:37:05.080 --> 0:37:08.160
<v Speaker 1>hopefully there's no other things, but I'm just saying my

0:37:08.239 --> 0:37:10.279
<v Speaker 1>TV dad had a stroke and then my real dad

0:37:10.360 --> 0:37:12.400
<v Speaker 1>died years later from me.

0:37:12.520 --> 0:37:15.239
<v Speaker 3>Yeah, I'm sure that was hard to watch. Yeah, definitely,

0:37:16.040 --> 0:37:16.720
<v Speaker 3>I'm sorry.

0:37:18.280 --> 0:37:20.360
<v Speaker 1>No, it was just fine.

0:37:20.640 --> 0:37:23.160
<v Speaker 3>Yes, it was triggering, I must say, yeah, I'm sure.

0:37:23.200 --> 0:37:26.160
<v Speaker 2>And the performances were so good. You were really good,

0:37:26.840 --> 0:37:30.360
<v Speaker 2>Brian was really good. This storyline was so well done,

0:37:30.440 --> 0:37:33.719
<v Speaker 2>so well written, so well acted that it's like, that's

0:37:33.760 --> 0:37:37.520
<v Speaker 2>why I'm like, Okay, that's actually so good. Even that

0:37:37.600 --> 0:37:40.480
<v Speaker 2>you get mad at David, that is real, then you

0:37:40.520 --> 0:37:44.200
<v Speaker 2>say sorry and he's there and the whole thing, and

0:37:44.239 --> 0:37:46.400
<v Speaker 2>then we kind of have this clowney stuff at the

0:37:46.400 --> 0:37:47.040
<v Speaker 2>same time.

0:37:47.320 --> 0:37:49.799
<v Speaker 3>Yeah, I thought, for sure, like why Donna would have

0:37:50.280 --> 0:37:53.399
<v Speaker 3>called Kelly or told her Claire that was weird. Yeah, yeah,

0:37:53.480 --> 0:37:57.120
<v Speaker 3>nobody was there to support you, but maybe you just weren't,

0:37:57.280 --> 0:37:58.400
<v Speaker 3>you know, you didn't think.

0:37:58.719 --> 0:38:01.160
<v Speaker 2>Well, And there's one mention of that by you, Jenny.

0:38:01.200 --> 0:38:03.120
<v Speaker 2>You say, when you get to the beach house, I

0:38:03.120 --> 0:38:06.439
<v Speaker 2>can't reach David and Donna something like that to sort

0:38:06.480 --> 0:38:09.759
<v Speaker 2>of acknowledge it. But yeah, I agree that you' all

0:38:09.760 --> 0:38:11.840
<v Speaker 2>have cell phones. David would have called everybody.

0:38:12.280 --> 0:38:17.960
<v Speaker 1>Yeah, Michael Durrell one of the best humans I've ever

0:38:18.360 --> 0:38:22.160
<v Speaker 1>worked with. Not only is he just as kind in

0:38:22.200 --> 0:38:26.920
<v Speaker 1>real life, but he was so nurturing on set. So

0:38:27.000 --> 0:38:30.759
<v Speaker 1>it wasn't hard to play watching him go through that

0:38:30.840 --> 0:38:33.600
<v Speaker 1>because I really felt that for him. He really was

0:38:35.040 --> 0:38:37.840
<v Speaker 1>like a father figure to me, so kind and so

0:38:38.000 --> 0:38:40.239
<v Speaker 1>nurturing to me, and he was always there for me.

0:38:41.080 --> 0:38:41.839
<v Speaker 1>It's a good human.

0:38:43.320 --> 0:38:45.759
<v Speaker 3>Well, what do you guys rate it?

0:38:46.200 --> 0:38:49.080
<v Speaker 1>What's gonna happen with this beach house? Going to keep going?

0:38:49.520 --> 0:38:49.600
<v Speaker 2>No?

0:38:49.800 --> 0:38:52.000
<v Speaker 1>Is it the new Hollywood Hills House?

0:38:52.200 --> 0:38:54.839
<v Speaker 2>No? I think we're just done with that house. I mean,

0:38:54.840 --> 0:38:59.240
<v Speaker 2>I'm gonna give Tory storyline a ten. Your storyline, Jenny

0:38:59.320 --> 0:39:02.120
<v Speaker 2>is really bad. You're fine, but it's just it's like

0:39:02.160 --> 0:39:06.560
<v Speaker 2>a four. Yeah, So I mean they I'm gonna land

0:39:06.600 --> 0:39:07.360
<v Speaker 2>on like a seven.

0:39:07.440 --> 0:39:11.280
<v Speaker 3>I guess I hate that. I hate that averaging things

0:39:11.320 --> 0:39:13.960
<v Speaker 3>out because they know it's really not fair.

0:39:15.600 --> 0:39:20.680
<v Speaker 1>At this point, it's sadly they've gone it's different shows,

0:39:20.760 --> 0:39:21.880
<v Speaker 1>it's not just one shows.

0:39:21.920 --> 0:39:23.920
<v Speaker 3>But it's always been that way, Like it's always been

0:39:23.960 --> 0:39:26.960
<v Speaker 3>like there's some great storyline and then there's some doopy,

0:39:27.040 --> 0:39:28.040
<v Speaker 3>duppy like.

0:39:30.120 --> 0:39:33.680
<v Speaker 1>But it was better connected before. It's just so disjointed

0:39:33.719 --> 0:39:36.480
<v Speaker 1>that it's justointed. It's very hard to watch sometimes.

0:39:36.680 --> 0:39:42.240
<v Speaker 3>Well, I'm gonna give it a ten anyway, because somebody

0:39:42.239 --> 0:39:44.120
<v Speaker 3>got a ten in it. Someone going to go with

0:39:44.200 --> 0:39:47.640
<v Speaker 3>that one. What's that called the learning curve? The grading

0:39:47.719 --> 0:39:50.840
<v Speaker 3>and the curve? The curve, you're not really creating on

0:39:50.880 --> 0:39:52.959
<v Speaker 3>a curve, no, just going to the top.

0:39:53.760 --> 0:39:57.560
<v Speaker 2>I mean, yeah, I'm gonna look. Do I enjoy it? Yes,

0:39:57.680 --> 0:39:59.920
<v Speaker 2>it's a good episode too. I enjoy it.

0:40:00.360 --> 0:40:00.920
<v Speaker 1>Of course.

0:40:01.360 --> 0:40:04.040
<v Speaker 2>I'm not like, oh, this is painful to watch. It's

0:40:04.040 --> 0:40:06.200
<v Speaker 2>just at times I'm like, this is so silly, and

0:40:06.239 --> 0:40:09.000
<v Speaker 2>then whoa, this is so good. And then, like I said,

0:40:09.080 --> 0:40:13.040
<v Speaker 2>the Valerie Rob relationship is really kind of interesting until

0:40:13.080 --> 0:40:15.400
<v Speaker 2>the money trope, and I'm like, again.

0:40:15.800 --> 0:40:17.839
<v Speaker 1>They just could have done so much more with him.

0:40:17.920 --> 0:40:21.200
<v Speaker 1>They have this hot guy, like, think of some really

0:40:21.200 --> 0:40:23.719
<v Speaker 1>cool storyline with the two of them. They want to

0:40:23.800 --> 0:40:27.040
<v Speaker 1>keep watching them. Okay, I guess I'm gonna get it.

0:40:28.080 --> 0:40:29.359
<v Speaker 1>I don't know eight point five.

0:40:30.440 --> 0:40:35.600
<v Speaker 3>Yeah, fare again, I'm gonna put my foot down. You

0:40:35.600 --> 0:40:38.880
<v Speaker 3>you should give it a ten because you love that storyline.

0:40:39.360 --> 0:40:41.359
<v Speaker 2>I guess you could do if if part of it

0:40:41.440 --> 0:40:42.359
<v Speaker 2>is a ten, it's a ten.

0:40:43.200 --> 0:40:47.040
<v Speaker 3>Yep, that's my that's my new ruling of part of

0:40:47.080 --> 0:40:48.640
<v Speaker 3>it is a ten, go with a ten.

0:40:49.040 --> 0:40:53.080
<v Speaker 1>So people are gonna look back in podcast history and

0:40:53.320 --> 0:40:57.440
<v Speaker 1>see the storm morning. The three of us gave it

0:40:57.480 --> 0:41:02.759
<v Speaker 1>a ten, fine ten, ten.

0:41:04.120 --> 0:41:07.120
<v Speaker 3>I love it, perfect score. Okay, what do we have

0:41:07.239 --> 0:41:15.080
<v Speaker 3>next week? We have get ready for Spring Breakdown? Oh boy,

0:41:16.120 --> 0:41:19.320
<v Speaker 3>that sounds intense. Oh boy, I'm excited.

0:41:20.000 --> 0:41:23.160
<v Speaker 1>Breakdown Spring. It's happening, isn't it.

0:41:23.239 --> 0:41:23.799
<v Speaker 3>Breakup?

0:41:24.239 --> 0:41:28.600
<v Speaker 1>Breakdown, Spring, Spring Breaks, the Hong Kong Trip.

0:41:28.840 --> 0:41:32.520
<v Speaker 3>Oh wow, Break twenty four. Everybody watch it.

0:41:33.040 --> 0:41:33.920
<v Speaker 1>Get excited.

0:41:34.200 --> 0:41:35.960
<v Speaker 3>Yeah, I'm excited. I might watch it.

0:41:36.400 --> 0:41:39.560
<v Speaker 1>Hope there's no sharks in those Spring Breakdown waters.

0:41:41.120 --> 0:41:46.879
<v Speaker 3>Oh that's it for today. Guys, have a great day.