WEBVTT - Icons #6: Elvis w/ Chris Crofton

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<v Speaker 1>Hello the Internet, and welcome to this spin off episode

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<v Speaker 1>of zeit Geist spin off Wish. We're calling the iconograph.

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<v Speaker 1>Instead of looking at the Zeitgeist through current events on

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<v Speaker 1>Monday mornings, we're looking at the zeitgeist through the powerful

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<v Speaker 1>pop cultural hork cruxes that are our icons. We use

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<v Speaker 1>these historical figures and famous characters to create meaning, to

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<v Speaker 1>build identity, to make our teens faint with sheer abject horniness,

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<v Speaker 1>to test the human body's capacity to withstand taking enough

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<v Speaker 1>pills to fill a large ballpit, to create a more

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<v Speaker 1>definitive way to object to something on TV, because why

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<v Speaker 1>change the channel when you can shoot the TV, as

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<v Speaker 1>our icon today did on multiple occasions our first episode

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<v Speaker 1>of the New Year.

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<v Speaker 2>Yeah, I thought, wow, okay, you shot the TV all

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<v Speaker 2>the time. That was just a thing this motherfucker did.

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<v Speaker 2>He didn't have a job, He didn't really. He also

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<v Speaker 2>recorded some of his later tracks in the jungle room

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<v Speaker 2>in his TV room, and you can like hear it

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<v Speaker 2>sounds like shit.

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<v Speaker 1>Oh no, we're talking Elvis Baby. Elvis Presley a pop

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<v Speaker 1>culture icon who became an almost religious figure in the

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<v Speaker 1>US after being the first person to invent the idea

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<v Speaker 1>that a white person could have charisma and kind of

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<v Speaker 1>go like Burger with their voice, and everyone's like, oh,

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<v Speaker 1>he fucking shit, where'd he get that idea? Not from

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<v Speaker 1>white people? We'll talk about it. No, I'm thrilled to

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<v Speaker 1>be joined as always by my co host, mister Miles Grab.

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<v Speaker 1>Oh my god, I'm just.

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<v Speaker 3>Kind of reeling from the last thing you said. Don't

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<v Speaker 3>tell me that Elvis Presley wasn't getting all of his

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<v Speaker 3>inspiration from the white Christian Jesus just came up, came.

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<v Speaker 1>Up with that whole cloth. This guy came up with

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<v Speaker 1>these songs in our third seat. Miles Hilaire be a

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<v Speaker 1>stand up comedian, actor, and musician. You can listen to

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<v Speaker 1>his podcast, Colbrew Gotila Anywhere. He's got an album that

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<v Speaker 1>received a seven point four on Pitchfork Hell, which is

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<v Speaker 1>better than two of three Elvis albums on that Pitchfork

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<v Speaker 1>has reviewed two of the three. Pitchfork has reviewed three

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<v Speaker 1>Elvis albums, two of them sub Crofton. He's got a

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<v Speaker 1>new one called I'm Your Man, available on band Camp.

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<v Speaker 1>The poetry window is open because it's Chris motherfucking Craft.

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<v Speaker 4>My question is if I have a record higher rank

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<v Speaker 4>than Elvis where is.

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<v Speaker 1>My jungle room. I have one room. I have an

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<v Speaker 1>everything room. Yeah, I have all of the different ecosystems,

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<v Speaker 1>the desert room, and then cold medicine right right, mountains

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<v Speaker 1>of tissue. Yeah yeah, I don't even have it. I

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<v Speaker 1>don't even have a TV to shoot a projector. I

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<v Speaker 1>guess I could shoot my I could shoot my phone. Yeah, don't, don't.

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<v Speaker 1>Don't do that. Don't do that. That would be one

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<v Speaker 1>of the things I wouldn't recommend from el Basically everything else.

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<v Speaker 1>He was pretty smart, pretty pretty on point. Let's get

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<v Speaker 1>into it. What was your first experience with Elvis Miles.

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<v Speaker 1>I'm gonna start with you. I don't know.

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<v Speaker 3>I mean, like ambiently, it's like a thing that you

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<v Speaker 3>I can't give a good answer.

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<v Speaker 1>It's like ambient all around you.

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<v Speaker 3>The one time I do remember vividly, my first real

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<v Speaker 3>vivid Elvis memory was when he died. I remember we

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<v Speaker 3>put our cat in like a boarding thing because we

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<v Speaker 3>went out of town, and then my cat died at

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<v Speaker 3>that boarding thing on the anniversary of Elvis' is like death.

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<v Speaker 1>Oh yeah, that's not good.

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<v Speaker 3>Yeah yeah yeah, So what was this? He died in

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<v Speaker 3>seventy seven, so this is ninety seven.

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<v Speaker 1>This is the twentieth anniversary anniversary of Elvis. Twentieth anniversary.

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<v Speaker 3>My cat is in a boarding thing because we went

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<v Speaker 3>out of town and then the fucking cat. My cat

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<v Speaker 3>was like nineteen at the time, so it was kind

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<v Speaker 3>of like, bro, if you leave me, I'm gonna die.

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<v Speaker 3>And so I forever will always just think of Elvis

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<v Speaker 3>and my wonderful cat, Casey being dead. And then my

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<v Speaker 3>dad always he did a lot of like he was

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<v Speaker 3>experimenting with a lot of art pieces, like painting Elvis

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<v Speaker 3>black and stuff like do it using early photoshop to

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<v Speaker 3>make black Elvis as like a commentary on you know, the.

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<v Speaker 1>Cultural Wait, I can't. I've done this research and I

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<v Speaker 1>can't imagine what that would be a commentary. So those

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<v Speaker 1>are mine. Yeah, I think my first was like old

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<v Speaker 1>fat Elvis as a signifier of like tag Like I

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<v Speaker 1>remember the first thing I saw with Elvis, I think

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<v Speaker 1>was a commemorative plate commercial when I was a kid

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<v Speaker 1>of like be you know, them selling old shitty looking

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<v Speaker 1>like gold plated plates with like they'd be like multiple

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<v Speaker 1>Elvis that you had the young Elvis and then old

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<v Speaker 1>kind of chunky Elvis. And I remember hearing the phrase

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<v Speaker 1>fifty million Elvis fans can't be wrong, and just it

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<v Speaker 1>was like sort of at a distance, like observing the

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<v Speaker 1>phenomenon of Elvis fandom more than it was like any

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<v Speaker 1>direct experience with Elvis. But Chris, you are a musician,

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<v Speaker 1>a troubadour, an Elvis in your own right. What was

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<v Speaker 1>your O? Man?

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<v Speaker 4>I got a story for you. So nineteen seventy seven,

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<v Speaker 4>I'm eight, you know, and I am watching watching the

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<v Speaker 4>whole world go crazy that Elvis has passed.

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<v Speaker 1>Yeah, and up until.

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<v Speaker 4>Then, my parents probably thought I was maybe kind of normal,

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<v Speaker 4>like maybe they didn't know that I needed a lot

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<v Speaker 4>of attention or maybe not. Maybe they didn't maybe they

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<v Speaker 4>didn't know I needed this much attention. But I decided that.

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<v Speaker 4>I was like, oh my god, like I'm taking this.

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<v Speaker 4>Elvis has always meant so much to me.

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<v Speaker 1>I couldn't. I wanted a piece of the action. So

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<v Speaker 1>I was like, I always loved Elvis since I was eight.

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<v Speaker 1>So my family was like, no, you have it, you

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<v Speaker 1>talk about it? How could you guy?

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<v Speaker 4>I was like, no, no, one song. The worst thing

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<v Speaker 4>has ever happened to me? Yeah, Chrim talking about and

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<v Speaker 4>I was relent. I did not give up. I was like,

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<v Speaker 4>I've always loved him. This is the hardest thing for me.

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<v Speaker 4>And and then I was like, ohso everybody's got to

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<v Speaker 4>get me Elvis albums as fast as possible.

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<v Speaker 1>To back this up.

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<v Speaker 4>You guys know I'm crazy, but not everybody else has

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<v Speaker 4>to know. So let's get some Elvis albums in this

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<v Speaker 4>house on the double.

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<v Speaker 3>Right, why am I wearing all black? Because I'm still

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<v Speaker 3>in mourning over Elvis Presle.

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<v Speaker 4>So I fucking all my friends gave me Elvis albums

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<v Speaker 4>for my birthday and then I became a huge Elvis

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<v Speaker 4>fan in reverse.

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<v Speaker 1>And I did a lot of people are with like

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<v Speaker 1>you you notice the artists like streams of artists once

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<v Speaker 1>they die, like explode. I feel like there's something in

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<v Speaker 1>us that is just like, yeah, well we'll wait until

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<v Speaker 1>they're they're gone and then we'll truly like appreciate that.

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<v Speaker 4>But now you can do that, you can just I mean,

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<v Speaker 4>as an adult, it's not as easy to find out

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<v Speaker 4>if someone really you know what I mean. Someone could

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<v Speaker 4>say like, oh, I've always loved the band, television or whatever,

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<v Speaker 4>and you have to take their word for it.

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<v Speaker 1>I mean you can't really.

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<v Speaker 4>But my as an eight year old with no car

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<v Speaker 4>and you know, no internet or anything, and you damn well,

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<v Speaker 4>I you know, I wasn't. I didn't have any big

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<v Speaker 4>relationship with Elvis, but I didn't care because I was

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<v Speaker 4>not going to miss this opportunity to get in on

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<v Speaker 4>the action.

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<v Speaker 1>So that was my first.

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<v Speaker 4>And it reminds me of like that same period when

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<v Speaker 4>I was at some girl's house, you know, visiting just

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<v Speaker 4>you know whatever, just going.

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<v Speaker 1>Visiting with a frang out. Yeah, like a hang out

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<v Speaker 1>with this third sitting or something, and like like.

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<v Speaker 4>She had horses and like my mom came to pick

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<v Speaker 4>me up, and the lady, her mother said, like when

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<v Speaker 4>when my mom pulled up, she was like, oh I

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<v Speaker 4>didn't know Chris Road. Oh I didn't know Chris rides, okay,

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<v Speaker 4>because my mom was like doesn't Yeah, like I said,

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<v Speaker 4>I had a horse. Your mom belew you up like that.

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<v Speaker 4>Oh yeah, oh my mom was.

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<v Speaker 1>She was ruthless. She was like in the car, like,

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<v Speaker 1>what the hell's the matter with you? You don't know

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<v Speaker 1>doesn't have a horse. And he also doesn't like Elvis.

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<v Speaker 1>I know he probably told you that too. He's still

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<v Speaker 1>got he still got the tags on his Elvis shirt.

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<v Speaker 4>There's nothing that makes me sadder than when I'm riding

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<v Speaker 4>at night and I think of Elvis.

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<v Speaker 1>In the moonlight lantern. This just crushes me. Another early thing,

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<v Speaker 1>and this was like real big in the nineties. It

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<v Speaker 1>was Elvis impersonators, which I do think in retrospect, like

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<v Speaker 1>I think in one hundred years, if I like looked

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<v Speaker 1>at everything that has happened in pop culture with fresh eyes,

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<v Speaker 1>that would be something I'd be like, what the fuck?

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<v Speaker 1>Why are like? Why are there? Why is there a

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<v Speaker 1>cottage industry coming up on fifty years after his death?

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<v Speaker 1>Why is there a cottage industry full of people who

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<v Speaker 1>like dress up like him and pretend to be him

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<v Speaker 1>and treat it as like a borderline religious calling. Okay,

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<v Speaker 1>my brain had just accepted that because I it was

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<v Speaker 1>like one of the first pop culture references, you know.

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<v Speaker 1>It was just like a thing that people would be like.

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<v Speaker 1>There's an episode the first time I ever saw Quentin Tarantino,

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<v Speaker 1>by the way, I didn't realize it at the time,

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<v Speaker 1>a Golden Girls episode where Sophia's wedding there's like a

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<v Speaker 1>mix up in the invites, and Sofia's wedding is like

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<v Speaker 1>inundated with Elvis impersonators and he's one of the eldest impersonators,

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<v Speaker 1>but it's just a wee like I think. I just

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<v Speaker 1>was like, yeah, that's something people do with famous people,

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<v Speaker 1>and then doing the research for this, I was like, no,

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<v Speaker 1>they don't don't do that. They do that for Elvis

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<v Speaker 1>and Santa, and that's true.

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<v Speaker 3>I feel like the people that otherwise they're like Michael jacks,

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<v Speaker 3>Marilyn Monroe, Mike Jackson and him are like so linked

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<v Speaker 3>in so many weird ways.

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<v Speaker 1>But yeah, there were impersonators when he was alive, but

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<v Speaker 1>much like a Chris Croft, and it really their affinity

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<v Speaker 1>really exploded once he passed away and everyone was just like,

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<v Speaker 1>this is my ship now, this is my whole shit.

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<v Speaker 3>I mean, it's kind of like sort of like how

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<v Speaker 3>you if you want to be like an annoying kid

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<v Speaker 3>in the nineties and you had like an ace Ventura impression,

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<v Speaker 3>like you said, to be able to do like a

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<v Speaker 3>Jim Carrey thing for like Elvis, like and you get

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<v Speaker 3>your lip or a wig and you're like, like you

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<v Speaker 3>very much JOm wan Elvis impersonator and you had a

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<v Speaker 3>fucking gig.

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<v Speaker 1>Elvis almost seems like because it is a voice that

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<v Speaker 1>he did. We're going to talk about like how he

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<v Speaker 1>was discovered and like became Elvis and he was doing

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<v Speaker 1>a bit. He was like doing a voice when he

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<v Speaker 1>like he he had two straight days of the head

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<v Speaker 1>of Sun Records being like this fucking sucks. I thought

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<v Speaker 1>this guy wouldn be good. And then he started sucking

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<v Speaker 1>around and doing a voice and they were like that,

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<v Speaker 1>and it was like it was exactly like the scene

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<v Speaker 1>and like walk the line where U or or the

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<v Speaker 1>the Bones are their money scene from I think you

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<v Speaker 1>should leave where like the guys on the guitar just

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<v Speaker 1>like immediately like come in behind him. As he's like starts.

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<v Speaker 1>He goes from like being his normal self to being

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<v Speaker 1>like and like he thinks he's doing a bit, and

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<v Speaker 1>they're like that, keep doing that, that's great. Up. I

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<v Speaker 1>didn't know that. I did not know that. I know

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<v Speaker 1>a lot about Elvis. I thought you're his biggest fan,

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<v Speaker 1>Chris oh Man. I did not no, I didn't know.

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<v Speaker 1>He was like pressed over his dad expert over here,

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<v Speaker 1>doesn't even know. I got more.

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<v Speaker 4>Interested in just like his like line, you know, and

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<v Speaker 4>the guys his entourage.

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<v Speaker 1>Yeah, I want to hear more about the Memphis Mafia.

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<v Speaker 4>But ye know that he was like that he stumbled

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<v Speaker 4>into some character in front of what's his name, Old

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<v Speaker 4>Sam Phillips.

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<v Speaker 1>Yeah, Sam Phillips. It was it was almost like the

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<v Speaker 1>Lauren You know how Lorne Michaels has that theory of

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<v Speaker 1>like the realpses of Lorne Michaels in nineteen fifty five

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<v Speaker 1>or whatever. I don't know if you did this on purpose,

0:12:16.240 --> 0:12:18.360
<v Speaker 1>but I mean he probably did because he like had

0:12:18.400 --> 0:12:22.600
<v Speaker 1>them trying to record for like two days. Phillips. Sam

0:12:22.679 --> 0:12:26.040
<v Speaker 1>Phillis is the head of Sun Records, explicitly was like,

0:12:26.320 --> 0:12:29.960
<v Speaker 1>I'm making all these records with black artists. What if

0:12:29.960 --> 0:12:32.960
<v Speaker 1>I had a white artist to do that instead? And

0:12:33.080 --> 0:12:35.320
<v Speaker 1>like that was explicitly what he was doing when he

0:12:35.760 --> 0:12:37.839
<v Speaker 1>went after Elvis. He was like, could you do some

0:12:37.880 --> 0:12:41.079
<v Speaker 1>of these records that are very popular when black artists

0:12:41.160 --> 0:12:44.160
<v Speaker 1>do them? But what if he was white? If you

0:12:44.160 --> 0:12:50.160
<v Speaker 1>make it? But anyway, he was like so hot. That

0:12:50.200 --> 0:12:52.880
<v Speaker 1>was another thing like I hadn't fully appreciated, Like I

0:12:53.440 --> 0:12:57.880
<v Speaker 1>watched for the first time, like some of the early recordings,

0:12:57.880 --> 0:13:02.040
<v Speaker 1>his first appearances on television, and it is really striking.

0:13:03.360 --> 0:13:06.480
<v Speaker 1>First of all, like every like he's introduced by these

0:13:06.520 --> 0:13:09.400
<v Speaker 1>talk show hosts who are like these fifty year old

0:13:09.559 --> 0:13:13.920
<v Speaker 1>like grotesques who are like, gone, next we have Elvis,

0:13:14.040 --> 0:13:16.839
<v Speaker 1>and like they're just like frozen and like not able

0:13:16.880 --> 0:13:19.040
<v Speaker 1>to like do anything with her. And then Elvis comes

0:13:19.040 --> 0:13:23.280
<v Speaker 1>out and it's just like he's both very like charismatic

0:13:23.320 --> 0:13:26.080
<v Speaker 1>and able to dance and move like he's backed by

0:13:26.520 --> 0:13:29.760
<v Speaker 1>white backup singers who are like doing like little side

0:13:29.760 --> 0:13:33.520
<v Speaker 1>to side things, like you know, dancing like shit. And

0:13:33.559 --> 0:13:37.520
<v Speaker 1>then he is actually, you know, he just looks fucking awesome,

0:13:37.760 --> 0:13:39.680
<v Speaker 1>but he the other thing you're struck by is he's

0:13:39.760 --> 0:13:43.839
<v Speaker 1>so fucking hot. It's crazy how hot he is. Yeah,

0:13:44.080 --> 0:13:46.000
<v Speaker 1>I mean he showed up on TV. He's probably the

0:13:46.040 --> 0:13:49.680
<v Speaker 1>hottest man ever shown on television. And that by itself

0:13:49.800 --> 0:13:51.400
<v Speaker 1>was like, I guess see it up to that point,

0:13:51.480 --> 0:13:52.320
<v Speaker 1>like who was bringing it?

0:13:52.360 --> 0:13:54.920
<v Speaker 3>Like like in terms of the white guys on TV's

0:13:54.960 --> 0:13:55.400
<v Speaker 3>that was it.

0:13:55.480 --> 0:13:58.600
<v Speaker 1>Damn Oh. They were supposed to look more like, yeah,

0:13:58.600 --> 0:13:59.880
<v Speaker 1>like Edward g. Robinson or.

0:14:01.440 --> 0:14:04.840
<v Speaker 4>See every exactly, like everybody was supposed to look like

0:14:05.320 --> 0:14:12.840
<v Speaker 4>a union boss or something back then Nowhere Cutie, because

0:14:12.880 --> 0:14:15.440
<v Speaker 4>the rock stars of the early twentieth century were union

0:14:15.760 --> 0:14:19.920
<v Speaker 4>unionizers and stuff and like listen to me go I said,

0:14:20.720 --> 0:14:22.600
<v Speaker 4>I just had a big zip of coffee. So anyway,

0:14:22.640 --> 0:14:25.560
<v Speaker 4>but yeah, so like you know, like that was the aesthetic,

0:14:25.680 --> 0:14:29.280
<v Speaker 4>like you know, like the hottest even well even fucking yeah,

0:14:29.400 --> 0:14:32.600
<v Speaker 4>hottest dock worker or whatever. And now now Elvis is

0:14:32.680 --> 0:14:35.480
<v Speaker 4>like yeah, like and his parents aren't that hot. Like

0:14:35.560 --> 0:14:37.920
<v Speaker 4>he was just like a freak of fucking nature. Even

0:14:37.920 --> 0:14:40.800
<v Speaker 4>if he was, like what if he had a regular job.

0:14:40.920 --> 0:14:43.840
<v Speaker 4>Imagine if he was, like he couldn't. There's no way

0:14:43.840 --> 0:14:46.000
<v Speaker 4>he could be as hot as Elvis and just work

0:14:46.040 --> 0:14:48.640
<v Speaker 4>at a store because someone would come and say, we

0:14:48.720 --> 0:14:50.480
<v Speaker 4>got to teach you to dance or something.

0:14:50.520 --> 0:14:52.000
<v Speaker 1>Because he's even such money.

0:14:52.680 --> 0:14:54.840
<v Speaker 3>I'm looking at a baby picture of him, and he's

0:14:55.200 --> 0:14:58.360
<v Speaker 3>he's got so much as a little baby.

0:14:57.880 --> 0:15:01.600
<v Speaker 1>Yeah, he has insane or Ryan Gossly looked like a

0:15:01.640 --> 0:15:05.960
<v Speaker 1>warted Yes, truly, he truly does. But I will say,

0:15:06.040 --> 0:15:07.800
<v Speaker 1>just the thing getting back to him doing it as

0:15:07.800 --> 0:15:10.040
<v Speaker 1>a bit and like this voice of like the whooo

0:15:10.360 --> 0:15:14.400
<v Speaker 1>and like just the whole Elvis vibe. Like I think

0:15:14.520 --> 0:15:18.600
<v Speaker 1>that it's almost like we talked on our Halloween episode

0:15:18.880 --> 0:15:21.520
<v Speaker 1>with Jack Wagner about like this idea of like like

0:15:21.600 --> 0:15:24.760
<v Speaker 1>I don't believe in ghosts necessarily, but like there's like

0:15:24.800 --> 0:15:27.720
<v Speaker 1>this energy that can just like get released into the

0:15:27.720 --> 0:15:30.800
<v Speaker 1>collective unconscious and like suddenly like that thing takes over.

0:15:31.200 --> 0:15:33.960
<v Speaker 1>I feel like Elvis, like the character of Elvis is

0:15:34.040 --> 0:15:36.160
<v Speaker 1>kind of like that. Like people, it's almost like a

0:15:36.200 --> 0:15:39.800
<v Speaker 1>mental illness that you can't shake. Like Kurt Russell played

0:15:39.800 --> 0:15:42.480
<v Speaker 1>Elvis when he was young in a movie and then

0:15:42.560 --> 0:15:45.760
<v Speaker 1>like couldn't shake it and like forced it into this

0:15:45.920 --> 0:15:49.600
<v Speaker 1>disastrous movie called three Thousand Miles of Grace. Lamb Austin

0:15:49.640 --> 0:15:54.920
<v Speaker 1>Butler did his press tour like you know, after wrapping

0:15:55.000 --> 0:15:57.560
<v Speaker 1>the Elvis movie and like just did the whole thing

0:15:57.600 --> 0:16:01.520
<v Speaker 1>in an Elvis accent. Like it feels like Nick Cage

0:16:01.600 --> 0:16:07.360
<v Speaker 1>had it. Like everybody Erkele when he gets super Intelligence,

0:16:07.440 --> 0:16:12.000
<v Speaker 1>one of our past icons, Erkele in Family Matters when

0:16:12.000 --> 0:16:15.160
<v Speaker 1>he gets super intelligence. They're like, this is Einstein Erkele,

0:16:15.240 --> 0:16:17.920
<v Speaker 1>but he is doing an Elvis in President Andy cos

0:16:18.880 --> 0:16:22.520
<v Speaker 1>Andy Kaufman did it while Elvis elbing. Yeah, it's not

0:16:22.680 --> 0:16:25.240
<v Speaker 1>hard and it's like fun and it's just this like

0:16:25.800 --> 0:16:29.920
<v Speaker 1>character that is just I don't know, infectious and people

0:16:30.040 --> 0:16:33.600
<v Speaker 1>just can't not do it. Yeah. Meanwhile, I was out

0:16:33.600 --> 0:16:36.440
<v Speaker 1>here acting like the mask and shit. Yeah, well I

0:16:36.440 --> 0:16:39.800
<v Speaker 1>think Jim Carrey is similar, but he wasn't like incredibly hot,

0:16:39.840 --> 0:16:41.920
<v Speaker 1>and he didn't die like at the perfect moment for

0:16:42.000 --> 0:16:42.640
<v Speaker 1>it too, Like.

0:16:42.720 --> 0:16:45.520
<v Speaker 3>He gave like an easy thing for people to tap

0:16:45.600 --> 0:16:46.800
<v Speaker 3>into and be like, you're.

0:16:46.600 --> 0:16:48.360
<v Speaker 1>Doing the thing right. Yeah.

0:16:48.440 --> 0:16:50.400
<v Speaker 4>Yeah, it was like a meme back then. I mean,

0:16:50.440 --> 0:16:53.560
<v Speaker 4>like impersonating Elvis. This is pre internet, so it was

0:16:53.600 --> 0:16:57.160
<v Speaker 4>like kind of like saying, where's the Beefer or like saying, like,

0:16:58.080 --> 0:16:59.840
<v Speaker 4>I don't know what kids say today, you know, brats

0:17:00.320 --> 0:17:02.440
<v Speaker 4>or whatever. It was like, Oh, here comes Elvis or whatever,

0:17:02.480 --> 0:17:03.720
<v Speaker 4>you know, Like, oh, what's going on?

0:17:03.760 --> 0:17:06.879
<v Speaker 1>It's boring. Somebody say brat summer. They haven't invented that.

0:17:06.960 --> 0:17:10.000
<v Speaker 4>How about we Somebody goes, hey, you're Elvis, I'm Elvis,

0:17:10.840 --> 0:17:12.400
<v Speaker 4>goes we're a good day.

0:17:13.080 --> 0:17:18.520
<v Speaker 1>Superducer Victor says that in Fallout New Vegas, people like

0:17:18.600 --> 0:17:21.680
<v Speaker 1>it's a post apocalyptic Vegas and everyone assumes Elvis was

0:17:21.720 --> 0:17:23.720
<v Speaker 1>a god and would dress up like him, and I don't.

0:17:24.040 --> 0:17:27.080
<v Speaker 1>I don't think that's far from the truth of the situation.

0:17:27.160 --> 0:17:30.400
<v Speaker 1>Like there's this whole controversy in the Lower East Side

0:17:30.400 --> 0:17:34.040
<v Speaker 1>where a chalk bust of Elvis got stolen and everyone

0:17:34.080 --> 0:17:36.960
<v Speaker 1>treated it like it was the theft of the Crown Jewels.

0:17:37.000 --> 0:17:40.600
<v Speaker 1>Like it really is, like when was that recent? That

0:17:40.760 --> 0:17:43.879
<v Speaker 1>was like a few years back. Yeah, it ended up

0:17:43.920 --> 0:17:46.800
<v Speaker 1>being like the person who had bought it years before,

0:17:46.960 --> 0:17:48.959
<v Speaker 1>and it ended up being like this whole controversy of

0:17:49.000 --> 0:17:52.440
<v Speaker 1>like gentrification and stuff like that. But it just does

0:17:52.680 --> 0:17:56.000
<v Speaker 1>feel like if you don't know who Elvis is and

0:17:56.040 --> 0:17:58.440
<v Speaker 1>you just came down and like looked at the culture fresh,

0:17:58.440 --> 0:18:01.560
<v Speaker 1>you'd be like, oh, this is like a powerful religious

0:18:01.560 --> 0:18:05.879
<v Speaker 1>figure that everybody is not admitting is a powerful religious figure.

0:18:06.080 --> 0:18:07.920
<v Speaker 1>All right, let's take a quick bray, we'll be right

0:18:07.920 --> 0:18:21.080
<v Speaker 1>path and we're back. Let's get into his biography. Born

0:18:21.119 --> 0:18:24.479
<v Speaker 1>in nineteen thirty five, I think an important part of

0:18:24.760 --> 0:18:27.600
<v Speaker 1>who he is and his appeal by the time he

0:18:27.640 --> 0:18:29.199
<v Speaker 1>came around to me is he was like this like

0:18:29.280 --> 0:18:32.720
<v Speaker 1>tacky joke is that they were very poor, Like he

0:18:32.880 --> 0:18:35.720
<v Speaker 1>they lived in a two room shack that was built

0:18:35.720 --> 0:18:38.119
<v Speaker 1>by his dad. He'd taken out a loan for one

0:18:38.200 --> 0:18:40.199
<v Speaker 1>hundred and eighty dollars to buy the materials for the

0:18:40.240 --> 0:18:43.480
<v Speaker 1>house and it was like repossessed three years later. And

0:18:43.880 --> 0:18:49.040
<v Speaker 1>I feel like there's some element where he resonated hard

0:18:49.200 --> 0:18:53.240
<v Speaker 1>with sort of low culture like that. That's like part

0:18:53.400 --> 0:18:58.160
<v Speaker 1>of his appeal was that, you know, pop culture just rigorously,

0:18:58.880 --> 0:19:02.480
<v Speaker 1>inconsistently ign or is people who aren't rich. And then

0:19:02.560 --> 0:19:07.320
<v Speaker 1>having this person who was poor and also like his

0:19:07.480 --> 0:19:12.239
<v Speaker 1>taste was kind of like packy, you know, and like

0:19:12.359 --> 0:19:16.000
<v Speaker 1>not that like high culture bullshit right that people are

0:19:16.080 --> 0:19:19.399
<v Speaker 1>used to seeing like really helped him resonate in a

0:19:19.400 --> 0:19:22.680
<v Speaker 1>way that he wouldn't have otherwise. Was he open about

0:19:22.720 --> 0:19:24.720
<v Speaker 1>being poor? I really don't know. I think he was

0:19:24.760 --> 0:19:26.639
<v Speaker 1>a big part. Yeah, that was a big part of

0:19:26.720 --> 0:19:30.920
<v Speaker 1>his story originally, was like at first, like he's this

0:19:31.119 --> 0:19:35.239
<v Speaker 1>like rags to riches guy who like came from the

0:19:35.240 --> 0:19:38.200
<v Speaker 1>middle of the South. I'm like made good.

0:19:38.280 --> 0:19:42.040
<v Speaker 4>Right, and he wasn't pretentious, he was he went straight

0:19:42.080 --> 0:19:44.840
<v Speaker 4>to things yeah, like I'm gonna get a push button phone,

0:19:45.480 --> 0:19:47.600
<v Speaker 4>like you know what I mean, like ahead of everybody,

0:19:47.640 --> 0:19:49.359
<v Speaker 4>and that's gonna be my you know, like I'm not

0:19:49.440 --> 0:19:52.040
<v Speaker 4>I want the fucking new blender with the extra button

0:19:52.040 --> 0:19:54.480
<v Speaker 4>on it. All these sort of things that were not, yeah,

0:19:54.560 --> 0:19:58.000
<v Speaker 4>not classy, but I think other people could relate other

0:19:58.280 --> 0:20:00.439
<v Speaker 4>people who didn't have that stuff. Like me growing up

0:20:00.440 --> 0:20:02.440
<v Speaker 4>without a refrigerator that has the ice come out of

0:20:02.480 --> 0:20:04.960
<v Speaker 4>the front, right, you know, you're like.

0:20:04.880 --> 0:20:06.600
<v Speaker 1>That's holy shit. Like we had cars.

0:20:06.600 --> 0:20:08.080
<v Speaker 4>He used cars when I grew up, and we didn't

0:20:08.119 --> 0:20:10.600
<v Speaker 4>have a third break light well into when cars started

0:20:10.640 --> 0:20:12.720
<v Speaker 4>having a third break light, you know, and I was like,

0:20:12.800 --> 0:20:14.960
<v Speaker 4>if I get rich, I was like sixteen, you know, yeah,

0:20:14.960 --> 0:20:16.639
<v Speaker 4>I'm gonna have a third break light, you know, and

0:20:16.680 --> 0:20:17.600
<v Speaker 4>that would sound insane.

0:20:17.960 --> 0:20:19.560
<v Speaker 1>I'm gonna wear a seat belt.

0:20:19.560 --> 0:20:21.600
<v Speaker 4>Yeah, and it's cute and it's kind of fun, you know,

0:20:21.720 --> 0:20:23.440
<v Speaker 4>like I want all the new stuff.

0:20:23.560 --> 0:20:26.560
<v Speaker 1>And he was like like the way saying not pretentious,

0:20:26.600 --> 0:20:29.679
<v Speaker 1>Like he would have Elvis impersonators like come up on

0:20:29.760 --> 0:20:32.239
<v Speaker 1>stage with him, like he thought they were cool. You know.

0:20:32.440 --> 0:20:35.240
<v Speaker 1>He was just like down for whatever he was. He

0:20:35.640 --> 0:20:38.520
<v Speaker 1>didn't really give a fuck about that stuff. Other things

0:20:38.520 --> 0:20:42.160
<v Speaker 1>from his early childhood that were important. According to biographers,

0:20:42.560 --> 0:20:46.800
<v Speaker 1>he had a twin brother who was still born. And

0:20:47.560 --> 0:20:51.520
<v Speaker 1>it's it's weird, they're they're like he was like powered

0:20:52.200 --> 0:20:55.679
<v Speaker 1>by his twin Like he had like dreams throughout his

0:20:55.720 --> 0:20:58.560
<v Speaker 1>life about his twin brother. It was like this mystical

0:20:58.640 --> 0:21:02.679
<v Speaker 1>connection where it doesn't really make sense. They were probably

0:21:02.680 --> 0:21:05.840
<v Speaker 1>wise to like edit this out of the biopic, but

0:21:06.280 --> 0:21:09.600
<v Speaker 1>like it doesn't matter how goofy the central personal myth

0:21:09.720 --> 0:21:13.800
<v Speaker 1>is to us, Like he fucking believed that he was

0:21:13.840 --> 0:21:17.240
<v Speaker 1>like powered by the ghost of the dead baby that

0:21:17.359 --> 0:21:20.360
<v Speaker 1>was in his mom's womb with him, Like he really like.

0:21:20.320 --> 0:21:22.800
<v Speaker 3>Did he say, like you would articulate that idea like

0:21:22.840 --> 0:21:25.639
<v Speaker 3>a yeah, wow, like that's giving him an edge or

0:21:25.680 --> 0:21:28.439
<v Speaker 3>he's like I draw upon the power of my brother,

0:21:28.600 --> 0:21:29.320
<v Speaker 3>my twin brother.

0:21:29.720 --> 0:21:32.400
<v Speaker 1>Yeah, And his mom was like, you survived for a reason,

0:21:32.480 --> 0:21:35.479
<v Speaker 1>and you're like doing this for Jesse. He had a

0:21:35.560 --> 0:21:38.480
<v Speaker 1>really weird relationship with his mom. They baby talked to

0:21:38.520 --> 0:21:41.919
<v Speaker 1>each other, like up through adulthood. He had like pet names.

0:21:42.000 --> 0:21:44.520
<v Speaker 1>They had pet names. Yeah, he loved her feet. He

0:21:44.560 --> 0:21:46.159
<v Speaker 1>called her feet something she hit it.

0:21:46.160 --> 0:21:48.199
<v Speaker 4>He had like a name for her feet, like little

0:21:48.560 --> 0:21:53.040
<v Speaker 4>real some like that, Like there's this little Rudy two d's.

0:21:53.400 --> 0:21:55.800
<v Speaker 1>Like early on the research he was talking about like

0:21:56.160 --> 0:21:59.359
<v Speaker 1>how at school like everybody called him a mama's boy

0:21:59.800 --> 0:22:01.760
<v Speaker 1>and that I was like, that's kind of a weirdly

0:22:01.840 --> 0:22:05.080
<v Speaker 1>specific thing to stand in the way of like this

0:22:05.400 --> 0:22:13.640
<v Speaker 1>preternaturally like hot guys stillborn baby in his backpack and

0:22:14.280 --> 0:22:18.240
<v Speaker 1>but I regret to report the school bullies were exactly right.

0:22:18.840 --> 0:22:23.000
<v Speaker 1>That was weird. Like in love with his mother, yes,

0:22:23.480 --> 0:22:25.840
<v Speaker 1>and she like wouldn't let him go anywhere without him.

0:22:26.119 --> 0:22:29.040
<v Speaker 1>And then like people think that it had a lot

0:22:29.080 --> 0:22:31.439
<v Speaker 1>to do, like she died pretty young, and it was

0:22:31.480 --> 0:22:33.840
<v Speaker 1>like once he got famous and she couldn't be around

0:22:33.920 --> 0:22:36.480
<v Speaker 1>him all the time, it like really fucked her up.

0:22:36.760 --> 0:22:38.040
<v Speaker 1>And she was like I knew he was going to

0:22:38.080 --> 0:22:40.560
<v Speaker 1>be famous, but I didn't know it would involve him

0:22:41.040 --> 0:22:45.240
<v Speaker 1>leaving the house all the damn time. Wow. One detail

0:22:45.280 --> 0:22:49.080
<v Speaker 1>from the early So he got his first guitar in

0:22:49.160 --> 0:22:53.080
<v Speaker 1>nineteen forty six cost twelve ninety five. He had wanted

0:22:53.119 --> 0:22:56.200
<v Speaker 1>a bicycle, but his parents couldn't afford it. But twelve

0:22:56.280 --> 0:22:58.399
<v Speaker 1>ninety five at that time was two hundred and twenty

0:22:58.480 --> 0:23:02.240
<v Speaker 1>dollars today. How fucking expensive where bicycles back then? I

0:23:02.240 --> 0:23:05.680
<v Speaker 1>guess like cost what a car did. Anyways, one of

0:23:05.720 --> 0:23:07.960
<v Speaker 1>the reasons we have Eldess is because.

0:23:09.440 --> 0:23:10.960
<v Speaker 5>Yeah, if they got him a bike, he could have

0:23:11.000 --> 0:23:13.800
<v Speaker 5>been You would have jumped that fucking river or whatever

0:23:13.800 --> 0:23:15.639
<v Speaker 5>that one YouTube video Chris you showed us.

0:23:15.760 --> 0:23:19.720
<v Speaker 1>Oh yeah, yeah, he would have been the hottest, like

0:23:19.800 --> 0:23:22.760
<v Speaker 1>whatever bike racer or whatever. One thing that I think

0:23:23.119 --> 0:23:27.360
<v Speaker 1>always gets cut out of the origin stories of these

0:23:27.840 --> 0:23:31.639
<v Speaker 1>you know icons, is like all the other people and

0:23:31.680 --> 0:23:34.440
<v Speaker 1>all the contributing factors, and we're going to get into

0:23:34.480 --> 0:23:39.400
<v Speaker 1>like the obvious like musical inspirations in quotes. A lot

0:23:39.400 --> 0:23:42.919
<v Speaker 1>of his early songs were covers of black artists that

0:23:42.960 --> 0:23:45.800
<v Speaker 1>had like already charted with this, but like weren't on

0:23:45.880 --> 0:23:48.520
<v Speaker 1>the pop charts. But it was also like a time

0:23:48.680 --> 0:23:53.080
<v Speaker 1>like he started practicing guitar with this guy who lived

0:23:53.080 --> 0:23:56.760
<v Speaker 1>on his street, and like him and two other guys

0:23:56.800 --> 0:24:01.480
<v Speaker 1>were like practicing with this guitar teacher, and one of

0:24:01.520 --> 0:24:06.320
<v Speaker 1>those other guys ended up becoming like a major rockabilly pioneer,

0:24:06.560 --> 0:24:09.360
<v Speaker 1>or like two of them. So like there's this teacher

0:24:09.520 --> 0:24:12.880
<v Speaker 1>who's just like creating people who are in like the

0:24:13.040 --> 0:24:15.800
<v Speaker 1>Rockabilly Hall of Fame. Who was the other one? So

0:24:15.880 --> 0:24:18.960
<v Speaker 1>the teacher's name was Lee Denson, and then there was

0:24:20.720 --> 0:24:25.240
<v Speaker 1>Johnny and Dorsey Burnett, I guess, but also at the

0:24:25.280 --> 0:24:27.280
<v Speaker 1>same he came out of Memphis at the exact same

0:24:27.280 --> 0:24:30.480
<v Speaker 1>time as Johnny Cash. So there's just like something happening

0:24:30.520 --> 0:24:34.320
<v Speaker 1>in the area with like influences, and you know that

0:24:34.760 --> 0:24:39.560
<v Speaker 1>isn't the hotspot for music at the time necessarily, but

0:24:40.200 --> 0:24:43.640
<v Speaker 1>you know, things were. We prefer the great Man theory

0:24:43.920 --> 0:24:47.240
<v Speaker 1>of things, but they are. You know, two of these

0:24:47.440 --> 0:24:50.320
<v Speaker 1>iconic musicians are coming out of the same town right

0:24:50.359 --> 0:24:53.359
<v Speaker 1>at the same time. Johnny Cash also had a like

0:24:53.440 --> 0:24:56.320
<v Speaker 1>mystical connection to a brother who died when he was younger,

0:24:56.440 --> 0:25:00.320
<v Speaker 1>which is you might have seen in his bi pick

0:25:00.400 --> 0:25:03.040
<v Speaker 1>walk the line. All right, let's get to the Sun Records,

0:25:03.119 --> 0:25:04.719
<v Speaker 1>the thing I was talking about earlier, because I do

0:25:04.760 --> 0:25:07.719
<v Speaker 1>think that's one of the most interesting parts of the story.

0:25:08.160 --> 0:25:12.080
<v Speaker 1>So the owner of Sun Records and Sun Studio is

0:25:12.960 --> 0:25:17.800
<v Speaker 1>this guy Sam Phillips, and he scouted blues acts from

0:25:17.840 --> 0:25:21.159
<v Speaker 1>the Mississippi Delta and is credited with recording arguably the

0:25:21.160 --> 0:25:23.800
<v Speaker 1>first rock and roll songs, Rocket eighty eight by Ike

0:25:23.840 --> 0:25:27.840
<v Speaker 1>Turners Kings of Rhythm, and that was two years earlier

0:25:27.840 --> 0:25:32.040
<v Speaker 1>than it was really good. Still is also at the

0:25:32.080 --> 0:25:37.200
<v Speaker 1>time Rock around the Clock was charting. So as this

0:25:37.280 --> 0:25:44.560
<v Speaker 1>is happening, like there are rock songs like song invented this.

0:25:45.000 --> 0:25:48.080
<v Speaker 1>It was like for white Elvis was the first. It

0:25:48.119 --> 0:25:51.240
<v Speaker 1>was like so strange for people at the time that

0:25:51.320 --> 0:25:54.040
<v Speaker 1>a white person would be making this music that after

0:25:54.040 --> 0:25:56.080
<v Speaker 1>the song I'm about to like talk about the creation

0:25:56.160 --> 0:25:58.879
<v Speaker 1>of the first radio station that played it. Like the

0:25:58.920 --> 0:26:01.679
<v Speaker 1>people who were calling and wouldn't believe he was white

0:26:01.800 --> 0:26:04.520
<v Speaker 1>until he told them what high school he went to,

0:26:04.800 --> 0:26:09.520
<v Speaker 1>and then they were like, oh, well that is South yeah, yeah, yeah,

0:26:09.920 --> 0:26:13.399
<v Speaker 1>so but yeah, Sam Phillips was actively looking for a

0:26:13.440 --> 0:26:15.800
<v Speaker 1>white artist to sing sped up blues and R and

0:26:15.840 --> 0:26:20.240
<v Speaker 1>B songs in the you know, same mode as like

0:26:20.320 --> 0:26:24.240
<v Speaker 1>Rocket eighty eight. Elvis steps into his recording studio, there's

0:26:24.240 --> 0:26:26.280
<v Speaker 1>like a lot of like there's a story that he

0:26:26.600 --> 0:26:31.080
<v Speaker 1>went in too, like record a couple songs for his mom,

0:26:31.200 --> 0:26:33.879
<v Speaker 1>but a thing that gets cut out a lot is like, like,

0:26:33.880 --> 0:26:38.520
<v Speaker 1>like I said, they are not succeeding for a long time.

0:26:39.480 --> 0:26:42.359
<v Speaker 1>It's I think a day and a half of like

0:26:42.480 --> 0:26:47.240
<v Speaker 1>recording and everybody being like this is shit. And then

0:26:47.720 --> 0:26:52.760
<v Speaker 1>he calls into Memphis musicians Scottie Moore, Bill Black and

0:26:53.160 --> 0:26:56.160
<v Speaker 1>on July fourth, So after a day of fucking around

0:26:56.160 --> 0:27:00.080
<v Speaker 1>and not finding anything, Elvis started quote goofing around and

0:27:00.480 --> 0:27:03.520
<v Speaker 1>broke into a fast rendition of Arthur Big Boy crowd

0:27:03.600 --> 0:27:06.919
<v Speaker 1>up song That's all right, Mama, And again they just

0:27:06.960 --> 0:27:09.359
<v Speaker 1>like fall right in and they're like doom doom, doom doom,

0:27:09.480 --> 0:27:11.320
<v Speaker 1>and he's just goofing and.

0:27:11.200 --> 0:27:13.679
<v Speaker 4>A couple of things real quick. I bet you in

0:27:13.760 --> 0:27:15.960
<v Speaker 4>that first day and a half when he was failing,

0:27:16.200 --> 0:27:18.440
<v Speaker 4>he still had sex with everybody in that building.

0:27:20.440 --> 0:27:22.280
<v Speaker 1>And they were getting mad and they were like, listen,

0:27:22.760 --> 0:27:23.200
<v Speaker 1>this guy.

0:27:23.240 --> 0:27:25.800
<v Speaker 4>If he doesn't do something, we got to get him

0:27:25.840 --> 0:27:29.600
<v Speaker 4>out of here because he's having sex with everybody, and

0:27:29.640 --> 0:27:33.600
<v Speaker 4>then and then my wife three times. He's fucked everything

0:27:33.800 --> 0:27:38.200
<v Speaker 4>he's about. He fucked elevator operator and he never fucks

0:27:38.280 --> 0:27:42.159
<v Speaker 4>anybody that elevator operator. And the other thing was, I

0:27:42.359 --> 0:27:47.520
<v Speaker 4>wonder if they brewed some coffee halfway through that second day.

0:27:47.760 --> 0:27:50.320
<v Speaker 4>I bet you hadn't discovered speed at this point, So

0:27:50.400 --> 0:27:55.960
<v Speaker 4>I wait, what do you call this drink? Here?

0:27:59.600 --> 0:28:07.120
<v Speaker 1>Health? I feel health? No weed ray, no tea, Elvis coffeel.

0:28:07.560 --> 0:28:09.679
<v Speaker 1>He said that that moment in the Sunseus was the

0:28:09.720 --> 0:28:12.720
<v Speaker 1>first time he'd ever sung in that style, fast, growling,

0:28:12.760 --> 0:28:17.080
<v Speaker 1>cocky uh and basically invented the character as a bit.

0:28:17.600 --> 0:28:22.040
<v Speaker 1>And I just I think that we found this like

0:28:22.080 --> 0:28:24.560
<v Speaker 1>when Jelil White talks about creating Arkle, he was like,

0:28:24.600 --> 0:28:27.720
<v Speaker 1>I just went out of body. Frank Oz he was

0:28:27.760 --> 0:28:31.800
<v Speaker 1>like the thing that like crystallized Miss Piggy for him

0:28:32.320 --> 0:28:34.359
<v Speaker 1>was just this thing that like he wasn't even thinking of,

0:28:34.400 --> 0:28:36.679
<v Speaker 1>but he like did a karate chop on Kermit and

0:28:36.720 --> 0:28:40.440
<v Speaker 1>then it it's like you have to our instincts are

0:28:40.520 --> 0:28:45.200
<v Speaker 1>like so our conscious instincts are like so wrong that

0:28:45.320 --> 0:28:47.400
<v Speaker 1>like you need something to like get them out of

0:28:47.400 --> 0:28:50.400
<v Speaker 1>the way to you know, we're like scared of being

0:28:50.480 --> 0:28:54.160
<v Speaker 1>humiliated and you need to either be tired. You need

0:28:54.200 --> 0:28:55.920
<v Speaker 1>to like be like, ah, what if I did something

0:28:55.960 --> 0:29:00.080
<v Speaker 1>this stupid? Right, that's pretty silly, and the people are like,

0:29:00.360 --> 0:29:04.760
<v Speaker 1>that's actually you just you're Elvis Jack. He was talking

0:29:04.760 --> 0:29:07.280
<v Speaker 1>about Rkle or is that in this document you're reading?

0:29:07.480 --> 0:29:10.560
<v Speaker 1>Or is this for you? Is the other Elvis just

0:29:11.520 --> 0:29:13.920
<v Speaker 1>was the second icon that we covered on this series,

0:29:16.480 --> 0:29:19.280
<v Speaker 1>categorized Merkle, and the same for.

0:29:21.880 --> 0:29:25.120
<v Speaker 3>When Chris is confused by the tangents the episode is taking.

0:29:26.880 --> 0:29:28.960
<v Speaker 1>Okay, Chris, you're gonna have to go back and listen

0:29:28.960 --> 0:29:31.800
<v Speaker 1>to the episode. I'm gonna listen to it right after this.

0:29:32.400 --> 0:29:34.480
<v Speaker 1>But he said, uh, I never sang that way in

0:29:34.520 --> 0:29:36.920
<v Speaker 1>my life until I made that first record. I remember

0:29:36.920 --> 0:29:39.440
<v Speaker 1>that song because I heard Arthur sing it, and I

0:29:39.480 --> 0:29:41.480
<v Speaker 1>thought I would like to try it. That was it.

0:29:42.800 --> 0:29:47.200
<v Speaker 1>M yeah, wow, must be nice, Must be nice. So

0:29:47.280 --> 0:29:50.000
<v Speaker 1>I figured I'd give that a try, and people really

0:29:50.080 --> 0:29:51.440
<v Speaker 1>liked it, almost even more.

0:29:51.640 --> 0:29:54.360
<v Speaker 3>It's crazy, And I don't know, this is during segregation

0:29:54.520 --> 0:29:56.760
<v Speaker 3>and they just used me as a conduit to get

0:29:56.760 --> 0:29:58.360
<v Speaker 3>white culture to accept black music.

0:29:58.720 --> 0:30:01.480
<v Speaker 4>Yeah, I mean they already had add an industry, I

0:30:01.520 --> 0:30:04.680
<v Speaker 4>think of white artists, you know, like I don't know

0:30:04.720 --> 0:30:07.320
<v Speaker 4>if Pat Boone was already going then yeah.

0:30:07.360 --> 0:30:11.320
<v Speaker 1>Pat Boone would take songs performed by black artists that

0:30:11.360 --> 0:30:15.400
<v Speaker 1>were popular and he would just like wipe them up,

0:30:15.520 --> 0:30:19.600
<v Speaker 1>like he would just like remove all feeling and just

0:30:19.720 --> 0:30:24.400
<v Speaker 1>boil it so there's no flavor, just boiled ass chicken breast.

0:30:25.160 --> 0:30:28.080
<v Speaker 1>But yeah, so that's what people that. That was the

0:30:28.120 --> 0:30:29.600
<v Speaker 1>formula up to that point.

0:30:29.720 --> 0:30:31.560
<v Speaker 4>So I wonder if Sam Phillips was just like no

0:30:31.600 --> 0:30:34.480
<v Speaker 4>one's ever tried this with like Little Richard or you know,

0:30:34.520 --> 0:30:36.880
<v Speaker 4>something like Pat Boone mostly did like the top hits

0:30:36.920 --> 0:30:40.400
<v Speaker 4>that were more like less you know, like a wild

0:30:40.480 --> 0:30:42.240
<v Speaker 4>than a lot of the big R and B hits

0:30:42.280 --> 0:30:43.680
<v Speaker 4>like they did. Maybe it was just he was like, oh,

0:30:43.720 --> 0:30:45.280
<v Speaker 4>why don't we do the R and b the wild

0:30:45.440 --> 0:30:47.560
<v Speaker 4>fucking dirty R and B shit the same way that

0:30:47.600 --> 0:30:51.360
<v Speaker 4>we're doing the.

0:30:50.440 --> 0:30:51.640
<v Speaker 1>Generally in American culture.

0:30:51.640 --> 0:30:54.520
<v Speaker 3>There's always a way where white American culture finds a

0:30:54.520 --> 0:30:57.280
<v Speaker 3>way to co op black culture and subsume it, right,

0:30:57.520 --> 0:31:00.440
<v Speaker 3>and then yeah, it turns into this other thing where

0:31:00.440 --> 0:31:01.600
<v Speaker 3>it's like and then this is rock.

0:31:01.480 --> 0:31:06.080
<v Speaker 1>And roll, and it was like it's rock and roll now, okay,

0:31:06.240 --> 0:31:06.680
<v Speaker 1>but it's.

0:31:06.680 --> 0:31:08.800
<v Speaker 3>I mean, the one thing I do know is like

0:31:08.840 --> 0:31:11.360
<v Speaker 3>a lot of they're like, there are black artists who

0:31:11.360 --> 0:31:13.800
<v Speaker 3>spoke highly of Elvis because they do see him as like, well,

0:31:13.840 --> 0:31:15.560
<v Speaker 3>he was open to me and he opened the door

0:31:15.840 --> 0:31:17.760
<v Speaker 3>for me. And then you have other people who are

0:31:17.760 --> 0:31:19.920
<v Speaker 3>straight up like, I mean, this is just some guy

0:31:19.960 --> 0:31:20.960
<v Speaker 3>doing our music.

0:31:21.160 --> 0:31:23.960
<v Speaker 1>And because of Ray Charles, Yeah, because of that Ray

0:31:24.000 --> 0:31:26.040
<v Speaker 1>Charles interview with Bob Costas.

0:31:26.000 --> 0:31:28.280
<v Speaker 3>Yeah yeah, yeah, yeah, yeah yeah, that's that's when I

0:31:28.320 --> 0:31:29.800
<v Speaker 3>think he was just straight up like, oh no, he's stealing.

0:31:30.000 --> 0:31:33.200
<v Speaker 4>He won't even say he's talented, like we gotta admit

0:31:33.240 --> 0:31:35.840
<v Speaker 4>his talented, and Ray Charles is like, I don't have

0:31:35.880 --> 0:31:36.640
<v Speaker 4>to really admit that.

0:31:36.760 --> 0:31:42.080
<v Speaker 3>I don't know, he's he's straight up like, yeah, I

0:31:42.160 --> 0:31:42.520
<v Speaker 3>know so.

0:31:42.560 --> 0:31:45.960
<v Speaker 4>Many people who are black or more talented than that guy.

0:31:45.880 --> 0:31:48.120
<v Speaker 3>Right, you know that's and I think that's kind of

0:31:48.160 --> 0:31:50.240
<v Speaker 3>like the underpinnings of all of that too. It's like

0:31:50.280 --> 0:31:52.360
<v Speaker 3>sort of like, oh, he was able to take this

0:31:52.600 --> 0:31:55.960
<v Speaker 3>genre and because of his the presentation of it, took

0:31:56.000 --> 0:31:57.520
<v Speaker 3>it somewhere else. I think that's why, in a way

0:31:57.600 --> 0:32:02.040
<v Speaker 3>for me, his music as isn't as icon as his presence. Yes,

0:32:02.240 --> 0:32:03.640
<v Speaker 3>if I think that's what I think.

0:32:03.640 --> 0:32:07.560
<v Speaker 1>That's like the thing that is left is definitely his

0:32:07.920 --> 0:32:11.720
<v Speaker 1>image and iconography more than his music. Although like going

0:32:11.760 --> 0:32:14.320
<v Speaker 1>back like he has he has a good voice and

0:32:14.400 --> 0:32:16.000
<v Speaker 1>like some of the songs are cool to listen to

0:32:16.120 --> 0:32:16.400
<v Speaker 1>for sure.

0:32:16.520 --> 0:32:18.640
<v Speaker 4>Yeah, and he he actually had an interest in this.

0:32:18.760 --> 0:32:20.960
<v Speaker 4>That's maybe the only thing. I mean. I would say

0:32:21.000 --> 0:32:24.120
<v Speaker 4>that Elvis was sort of an unwitting Elvis was like

0:32:24.600 --> 0:32:29.280
<v Speaker 4>seriously like a sheltered weirdo who did love black music

0:32:29.320 --> 0:32:33.560
<v Speaker 4>and apparently snuck into clubs around Memphis to learn, so

0:32:33.600 --> 0:32:36.000
<v Speaker 4>he did have I mean, I think it was more

0:32:36.080 --> 0:32:39.240
<v Speaker 4>like he got sort of pimped into this by black people.

0:32:39.400 --> 0:32:41.240
<v Speaker 1>I mean not, you know, I don't think I think

0:32:41.280 --> 0:32:42.760
<v Speaker 1>his I think he loved from what.

0:32:42.720 --> 0:32:44.840
<v Speaker 4>I understand and reading about he had in my culture,

0:32:44.840 --> 0:32:47.320
<v Speaker 4>he did not intend to capitalize on it in some

0:32:47.400 --> 0:32:49.960
<v Speaker 4>way that was he was not cynical the people around you.

0:32:50.400 --> 0:32:56.040
<v Speaker 1>And segregated like uh clubs to like listen to black music.

0:32:56.080 --> 0:32:58.920
<v Speaker 1>He was a huge fan. One of the most outspoken

0:32:58.960 --> 0:33:02.080
<v Speaker 1>people talking about the import and of like black artists

0:33:02.120 --> 0:33:06.560
<v Speaker 1>influencing his music was Elvis like he would always give credit.

0:33:07.080 --> 0:33:09.960
<v Speaker 1>But one of the big things that I feel like

0:33:10.000 --> 0:33:12.840
<v Speaker 1>gets left out of people who are like Elvis apologists

0:33:12.920 --> 0:33:16.880
<v Speaker 1>is like a lot of these artists did not make money.

0:33:16.880 --> 0:33:19.640
<v Speaker 1>You know, they were in like really shitty record contracts

0:33:20.000 --> 0:33:23.480
<v Speaker 1>with people who you know, Elvis would like make millions

0:33:23.480 --> 0:33:26.120
<v Speaker 1>and millions of dollars off of their songs. They would

0:33:26.680 --> 0:33:29.440
<v Speaker 1>you know, not have any access to the royalties. And

0:33:29.560 --> 0:33:32.480
<v Speaker 1>like there's a world where he's not just like, yeah,

0:33:32.520 --> 0:33:34.840
<v Speaker 1>I really owe them a lot, but also is like

0:33:35.000 --> 0:33:37.960
<v Speaker 1>and I'm going to use my influence to make sure

0:33:37.960 --> 0:33:39.920
<v Speaker 1>that they get paid. But he was just, you know,

0:33:40.240 --> 0:33:43.960
<v Speaker 1>not interested in that. I'm gonna shoot some TVs. Instead,

0:33:44.000 --> 0:33:47.080
<v Speaker 1>I'm gonna go over here and shoot some TVs. Yeah. Yeah,

0:33:47.160 --> 0:33:50.280
<v Speaker 1>Elvis was like he was, Yeah, he was a goofy guy.

0:33:50.640 --> 0:33:53.720
<v Speaker 1>He really has like some like child like some of

0:33:53.760 --> 0:33:57.040
<v Speaker 1>the same like child in an adult body type shit

0:33:57.120 --> 0:34:00.200
<v Speaker 1>that Michael Jackson had. He's spoken interviews that way.

0:34:00.240 --> 0:34:02.200
<v Speaker 4>I think that's another thing that endeared him to people,

0:34:02.200 --> 0:34:05.040
<v Speaker 4>as he was not pretentious in interviews as either. He

0:34:05.120 --> 0:34:08.040
<v Speaker 4>was very kind of childlike.

0:34:08.000 --> 0:34:13.319
<v Speaker 5>Yeah, excuse yeah, which doesn't excuse I mean, but but

0:34:13.400 --> 0:34:15.560
<v Speaker 5>I think if there's anything like for me after I

0:34:15.640 --> 0:34:17.279
<v Speaker 5>was like, I love Elvis Presley and then had to

0:34:17.320 --> 0:34:21.160
<v Speaker 5>start filling in the blanks like he seemed like he

0:34:21.160 --> 0:34:22.560
<v Speaker 5>seemed like he had a sense of humor.

0:34:23.040 --> 0:34:24.160
<v Speaker 1>I guess that's all I would say.

0:34:24.200 --> 0:34:25.840
<v Speaker 4>It seemed to me as a kid, like, oh, this

0:34:25.880 --> 0:34:28.840
<v Speaker 4>guy seems like kind of nice or something. But he definitely,

0:34:29.760 --> 0:34:32.400
<v Speaker 4>you know, he definitely was a guy who hoarded resources.

0:34:32.600 --> 0:34:35.280
<v Speaker 1>Yeah, oh yeah. He had about nine hundred golf carts.

0:34:36.800 --> 0:34:38.360
<v Speaker 1>Incredible golf cart collection.

0:34:38.920 --> 0:34:40.759
<v Speaker 4>So rich people do, is they just hoarde golf gut

0:34:40.920 --> 0:34:43.240
<v Speaker 4>one weird specifically golf carts.

0:34:43.320 --> 0:34:46.400
<v Speaker 1>I mean, we really do. We do have a recurring

0:34:46.400 --> 0:34:51.120
<v Speaker 1>segment on these Icon episodes Epstein List or Not on

0:34:51.160 --> 0:34:56.080
<v Speaker 1>That which in which we asked the question would this person,

0:34:56.160 --> 0:34:57.879
<v Speaker 1>had they been at the peak of their fame during

0:34:58.200 --> 0:35:01.239
<v Speaker 1>Jeffrey Epstein's reign, been on on the Epstein list, and

0:35:01.760 --> 0:35:06.279
<v Speaker 1>the answer is a definitive Yeah, oh yeah, it's Aepstein.

0:35:06.440 --> 0:35:10.319
<v Speaker 1>It's a Epstein. On this one. I knew that he

0:35:10.400 --> 0:35:14.000
<v Speaker 1>met Priscilla Boulie. I don't know how you pronounced her

0:35:14.120 --> 0:35:17.160
<v Speaker 1>maiden name by a lot of owls and then be

0:35:17.239 --> 0:35:20.080
<v Speaker 1>in and out. But when she was fourteen years old,

0:35:20.160 --> 0:35:22.240
<v Speaker 1>when he was in the army, and he was twenty

0:35:22.280 --> 0:35:24.560
<v Speaker 1>four and I didn't realize that at the time of

0:35:24.600 --> 0:35:27.520
<v Speaker 1>his death at forty two years old. Spoiler alerts, his

0:35:27.560 --> 0:35:32.960
<v Speaker 1>fiance was twenty just al the one after persona one

0:35:33.040 --> 0:35:37.719
<v Speaker 1>after Priscilla Jesus was at her oldest during their relationship,

0:35:37.840 --> 0:35:41.719
<v Speaker 1>twenty years old when he was in his forties. But

0:35:42.160 --> 0:35:46.640
<v Speaker 1>his sexual energy was kind of a weird transition. But

0:35:46.680 --> 0:35:49.920
<v Speaker 1>I do just want to So he makes these records.

0:35:50.000 --> 0:35:55.480
<v Speaker 1>They take off, are selling more than anything ever up

0:35:55.520 --> 0:36:00.120
<v Speaker 1>to that point in history, just incredible chart topping. And

0:36:00.360 --> 0:36:03.400
<v Speaker 1>he starts going on TV and there becomes this massive

0:36:03.480 --> 0:36:08.560
<v Speaker 1>controversy about how horny he's making everybody. So he makes

0:36:08.600 --> 0:36:12.640
<v Speaker 1>his first appearance on the Milton Burrel Show and he's like,

0:36:12.680 --> 0:36:16.200
<v Speaker 1>the people have revised it to be that a thing

0:36:16.239 --> 0:36:18.160
<v Speaker 1>where like they had to shoot him from the waist

0:36:18.239 --> 0:36:21.600
<v Speaker 1>up because if you showed his dick, like everybody's heads

0:36:21.600 --> 0:36:24.719
<v Speaker 1>would explode. That's not exactly true. Like when you go

0:36:24.760 --> 0:36:27.680
<v Speaker 1>back and watch the clips, like they're they're definitely like

0:36:27.800 --> 0:36:32.520
<v Speaker 1>cutting away at key moments, but there are parts, I

0:36:32.560 --> 0:36:34.719
<v Speaker 1>mean they just like don't know what to do with him.

0:36:34.800 --> 0:36:37.600
<v Speaker 1>Like one of his first appearances is like on an

0:36:37.640 --> 0:36:42.200
<v Speaker 1>aircraft carrier performing to a bunch of sailors, and every

0:36:42.239 --> 0:36:44.880
<v Speaker 1>time he like does a dance move that you can

0:36:44.920 --> 0:36:50.200
<v Speaker 1>hear the sailors being like, oh, like scoffing at him. Oh,

0:36:50.239 --> 0:36:52.640
<v Speaker 1>I thought you meant like having orgasms. I mean they

0:36:52.719 --> 0:36:56.400
<v Speaker 1>might have been covering their orgasms by like giving dry

0:36:56.440 --> 0:37:01.520
<v Speaker 1>coughs and like stuff they used to do. But people

0:37:01.880 --> 0:37:05.080
<v Speaker 1>once he starts appearing on TV, as mentioned, she's like

0:37:05.160 --> 0:37:08.160
<v Speaker 1>the hottest person who's ever been on TV, and people

0:37:08.280 --> 0:37:12.200
<v Speaker 1>just like fucking flip their shit. His first appearance on

0:37:12.880 --> 0:37:16.040
<v Speaker 1>The Ed Sullivan Show is one of the most watched

0:37:16.080 --> 0:37:18.440
<v Speaker 1>events in the history of television. I think eighty two

0:37:18.560 --> 0:37:22.719
<v Speaker 1>percent of all televisions were tuned in watching it. Like

0:37:22.880 --> 0:37:26.600
<v Speaker 1>in that moment, it's the moon landing. That and the

0:37:26.640 --> 0:37:29.560
<v Speaker 1>Beatles are like the three thing the three most like

0:37:29.560 --> 0:37:33.000
<v Speaker 1>when they came to America. Yeah, the three most watched

0:37:33.080 --> 0:37:38.719
<v Speaker 1>like moments in the history of television. Obviously modo culture. Man,

0:37:38.760 --> 0:37:40.560
<v Speaker 1>nothing beats monoculture. Yeah.

0:37:40.600 --> 0:37:42.960
<v Speaker 4>Well, also it was like, you know, it was a

0:37:43.000 --> 0:37:46.000
<v Speaker 4>bad moment for those of us who aren't the hottest

0:37:46.040 --> 0:37:49.759
<v Speaker 4>people in the fucking world, because you know, like like

0:37:51.080 --> 0:37:53.400
<v Speaker 4>Ed Sullivan, Man, look at that guy. You think they

0:37:53.400 --> 0:37:55.239
<v Speaker 4>ever going to hire a host. It looks like that

0:37:55.480 --> 0:38:00.440
<v Speaker 4>after Elmos, No, they realized, wait a minute, get we

0:38:00.480 --> 0:38:03.000
<v Speaker 4>need to get hot people to do every job. Yeah,

0:38:03.080 --> 0:38:03.920
<v Speaker 4>he's just it is.

0:38:04.080 --> 0:38:07.120
<v Speaker 1>It is wild to watch again, Like, go back and

0:38:07.160 --> 0:38:10.279
<v Speaker 1>watch his first Ed Sullivan appearance. Ed Sullivan had been

0:38:10.280 --> 0:38:13.080
<v Speaker 1>in a car accident, and like there's this other actor

0:38:13.400 --> 0:38:17.200
<v Speaker 1>on who's like hosting the show, and he's just like

0:38:17.560 --> 0:38:21.359
<v Speaker 1>somebody would just never ever be on television in our

0:38:21.480 --> 0:38:24.680
<v Speaker 1>modern era, right, and then Elvis just like saunters out

0:38:24.719 --> 0:38:28.720
<v Speaker 1>and starts fucking you through the television screen and everyone

0:38:30.960 --> 0:38:33.320
<v Speaker 1>looking at a clip of it. Who is this dude

0:38:33.520 --> 0:38:35.920
<v Speaker 1>that's the guy introducing him? Basically, yes, yeah, the guy

0:38:35.960 --> 0:38:40.799
<v Speaker 1>introducing him. He's like these things behind me. Oh no.

0:38:40.920 --> 0:38:43.319
<v Speaker 1>Ed Sullivant had been in a car accident, and he's like,

0:38:43.360 --> 0:38:46.400
<v Speaker 1>these things are called gold Records, and we're going to

0:38:46.480 --> 0:38:54.520
<v Speaker 1>Hollywood to see And then and then Elvis comes out.

0:38:54.960 --> 0:38:59.440
<v Speaker 3>The juxtaposition of that host who there's probably fifty given

0:38:59.480 --> 0:38:59.839
<v Speaker 3>the era.

0:39:00.120 --> 0:39:03.160
<v Speaker 1>Yeah, he's like a less hot Alfred Hitchcock. He looks

0:39:03.200 --> 0:39:05.799
<v Speaker 1>like mister potato head. Yeah yeah, yeah yeah.

0:39:05.840 --> 0:39:09.960
<v Speaker 3>And then you have old palmyde with a drinking come out,

0:39:10.160 --> 0:39:12.320
<v Speaker 3>like rides his dick out onto stage.

0:39:12.600 --> 0:39:16.759
<v Speaker 4>And then right just and at that moment, they were like,

0:39:16.920 --> 0:39:18.960
<v Speaker 4>after they saw the ratings, they were like, we're not

0:39:19.080 --> 0:39:24.799
<v Speaker 4>given any more like furnace operators hosting jobs right on TV, Like, well,

0:39:24.840 --> 0:39:27.080
<v Speaker 4>you're gonna have everybody on TV be hot, because why

0:39:27.120 --> 0:39:30.080
<v Speaker 4>not give us even if the music's bad. It's better

0:39:30.120 --> 0:39:31.960
<v Speaker 4>to have a hot person playing bad music than an

0:39:32.000 --> 0:39:34.040
<v Speaker 4>ugly person playing good music. I really feel like that

0:39:34.120 --> 0:39:35.840
<v Speaker 4>was the beginning, and you can trace it directly to

0:39:35.880 --> 0:39:36.960
<v Speaker 4>Gavin Rossdale and now.

0:39:36.960 --> 0:39:42.000
<v Speaker 1>Do a lipa. But I do just want to talk

0:39:42.000 --> 0:39:46.239
<v Speaker 1>about like how much like The New York Times TV

0:39:46.360 --> 0:39:51.160
<v Speaker 1>critic wrote, mister Presley's one specialty is nick accented movement

0:39:51.200 --> 0:39:54.480
<v Speaker 1>of the body that heretofore had been primarily identified with

0:39:54.560 --> 0:39:58.360
<v Speaker 1>the repertoire of the Blonde Bombshells or the burlesque runway.

0:39:58.800 --> 0:40:01.080
<v Speaker 1>The gyration never had anything to do with the world

0:40:01.080 --> 0:40:06.040
<v Speaker 1>of popular music and still doesn't, mark my words.

0:40:06.239 --> 0:40:11.520
<v Speaker 4>Right boy, this guy on the TV, now that's not

0:40:11.640 --> 0:40:12.600
<v Speaker 4>the popular opinion.

0:40:13.280 --> 0:40:16.960
<v Speaker 1>A juvenile court judge presented Elvis with an unsighed Warrens

0:40:17.000 --> 0:40:20.160
<v Speaker 1>for his arrest on charges of impairing the morals of miners.

0:40:20.480 --> 0:40:24.000
<v Speaker 1>Man talked about a hater and specifically said that Elvis

0:40:24.040 --> 0:40:28.040
<v Speaker 1>could wiggle side to side, but no back and forth motions. Oh,

0:40:28.200 --> 0:40:30.960
<v Speaker 1>no pumping, No, no pumping, just wiggling. Yeah, don't be

0:40:31.000 --> 0:40:32.400
<v Speaker 1>pumping now. That's because every.

0:40:32.200 --> 0:40:33.920
<v Speaker 4>Person who didn't have to dance knew they were out

0:40:33.920 --> 0:40:36.440
<v Speaker 4>of business at that moment too. Every dude who had

0:40:36.480 --> 0:40:38.920
<v Speaker 4>just gotten away with being ugly and wearing some pressed

0:40:38.960 --> 0:40:42.440
<v Speaker 4>slacks and getting laid was out of business. Now you

0:40:42.520 --> 0:40:44.520
<v Speaker 4>need new skill, and that's why they were like, we

0:40:44.600 --> 0:40:47.120
<v Speaker 4>have to outlaw people wiggling immediately.

0:40:47.640 --> 0:40:51.439
<v Speaker 3>That's too much swag man wile. The host that day

0:40:51.560 --> 0:40:53.160
<v Speaker 3>was British actor Charles Lott.

0:40:53.400 --> 0:40:58.439
<v Speaker 1>Charles Lotton, that's right, ship that was that furnace operator. Yeah, yeah, yeah,

0:40:58.440 --> 0:40:59.920
<v Speaker 1>God damn that four n four.

0:41:00.000 --> 0:41:04.120
<v Speaker 3>It's a man to have to be juxtapost It's jarring, truly,

0:41:04.200 --> 0:41:06.239
<v Speaker 3>like especially in the context of what you're talking about,

0:41:06.239 --> 0:41:09.560
<v Speaker 3>because it really does feel like the bar was raised

0:41:09.680 --> 0:41:13.240
<v Speaker 3>for being like if you you must be this hot

0:41:13.320 --> 0:41:16.640
<v Speaker 3>to appear in public, right, like hoot and holler at you.

0:41:17.320 --> 0:41:20.560
<v Speaker 1>I remember though, like looking back at serial commercials in

0:41:20.600 --> 0:41:24.160
<v Speaker 1>the seventies, like back my time at Cracked and noticing

0:41:24.760 --> 0:41:27.319
<v Speaker 1>like it's been a subtle like they they did not

0:41:27.440 --> 0:41:30.160
<v Speaker 1>learn that lesson all at once. There's a Raisin brand

0:41:30.160 --> 0:41:34.440
<v Speaker 1>commercial where like a group of actors played Raisins and

0:41:34.760 --> 0:41:37.439
<v Speaker 1>it was just like a bunch of like guys who

0:41:37.719 --> 0:41:42.440
<v Speaker 1>would only be on TV to play butchers, you know,

0:41:42.640 --> 0:41:45.879
<v Speaker 1>like it today they would only be on to in

0:41:45.960 --> 0:41:48.600
<v Speaker 1>like a weight loss commercial that would be their only

0:41:48.719 --> 0:41:50.520
<v Speaker 1>but they were just there because they were part of

0:41:50.520 --> 0:41:54.040
<v Speaker 1>an acting troop. Like it did take them a while

0:41:54.320 --> 0:41:59.320
<v Speaker 1>and into into that world steps Elvis Presley, so Ed

0:41:59.400 --> 0:42:02.120
<v Speaker 1>Sullivan refuse to have a mom for a long time.

0:42:02.520 --> 0:42:04.960
<v Speaker 1>He watched his performance on The Milton Burl Show and

0:42:05.120 --> 0:42:09.719
<v Speaker 1>was specifically started like watching his dick and I'm just

0:42:09.760 --> 0:42:12.960
<v Speaker 1>gonna this is from the Wikipedia page watching clips of

0:42:12.960 --> 0:42:15.680
<v Speaker 1>the Allen and Burroll Show. Sullivan had opined that Presley

0:42:15.960 --> 0:42:19.200
<v Speaker 1>quote got some kind of device hanging down below the

0:42:19.200 --> 0:42:21.920
<v Speaker 1>crotch of his pants, so when he moves his legs

0:42:21.960 --> 0:42:24.240
<v Speaker 1>back and forth, you can see the outline of his cock.

0:42:24.440 --> 0:42:26.560
<v Speaker 1>I think it's a coke bottle. We just can't have

0:42:26.680 --> 0:42:29.040
<v Speaker 1>this on a Sunday night. This is a family show.

0:42:31.800 --> 0:42:34.600
<v Speaker 1>As for his gyrations, the whole thing can be controlled

0:42:34.600 --> 0:42:37.520
<v Speaker 1>with camera shots. Oh my, yes, some kind of a

0:42:37.680 --> 0:42:39.240
<v Speaker 1>device is so funny.

0:42:39.320 --> 0:42:42.240
<v Speaker 4>You had a device, like a device that like showed

0:42:42.320 --> 0:42:45.359
<v Speaker 4>off his dick like a device in addition to like

0:42:45.400 --> 0:42:47.520
<v Speaker 4>somehow he had a device down there.

0:42:47.480 --> 0:42:52.640
<v Speaker 1>So unfamiliar with like gyrating and just like dancing with

0:42:52.800 --> 0:43:00.239
<v Speaker 1>a flavorless shit. Du he got some kind of When

0:43:00.280 --> 0:43:02.319
<v Speaker 1>I wiggle, you can't see my dick. So he must

0:43:02.400 --> 0:43:04.479
<v Speaker 1>have some sort of coke bottle propping it up.

0:43:04.400 --> 0:43:06.640
<v Speaker 4>With some kind of his cock a coke bottle, or

0:43:06.880 --> 0:43:08.760
<v Speaker 4>have a bunch of pulleys attached to his ass.

0:43:08.800 --> 0:43:15.400
<v Speaker 3>Hold my, I just love that our gade technology, like

0:43:15.800 --> 0:43:16.880
<v Speaker 3>get a pully system.

0:43:17.000 --> 0:43:18.960
<v Speaker 4>No, I think maybe he just has a decent sized

0:43:19.000 --> 0:43:22.160
<v Speaker 4>dick adad and he's wiggling and he's like good dancing, not.

0:43:22.239 --> 0:43:23.520
<v Speaker 1>That can't be what I'm looking at.

0:43:23.920 --> 0:43:26.080
<v Speaker 4>It has to a device that looks like a damn

0:43:26.120 --> 0:43:27.920
<v Speaker 4>file cabinet tangling down there.

0:43:29.200 --> 0:43:33.240
<v Speaker 1>I'll say, somebody refuses to date anyone who's not a teenager.

0:43:33.280 --> 0:43:35.439
<v Speaker 1>Probably didn't have a huge dick. But I have no idea.

0:43:35.480 --> 0:43:39.480
<v Speaker 1>I didn't get into and he didn't find any research

0:43:39.520 --> 0:43:40.279
<v Speaker 1>one way or the other.

0:43:41.400 --> 0:43:43.719
<v Speaker 4>Well, maybe it was a coke bottle, then you could

0:43:43.719 --> 0:43:46.000
<v Speaker 4>be Jack says it was. Jack's like, you know what,

0:43:46.040 --> 0:43:46.400
<v Speaker 4>I think you.

0:43:46.440 --> 0:43:49.000
<v Speaker 1>Have seen some weird coke bottle that sold, is right,

0:43:49.040 --> 0:43:51.279
<v Speaker 1>It was some kind of contraption, I think, So all right,

0:43:51.360 --> 0:44:03.120
<v Speaker 1>let's take it quick. Ray, We'll be right back, and

0:44:03.280 --> 0:44:05.600
<v Speaker 1>we're back, all right. I didn't realize it at twenty

0:44:05.640 --> 0:44:09.480
<v Speaker 1>two years old. So he's sold all those records. Is

0:44:09.520 --> 0:44:14.160
<v Speaker 1>when he buys Graceland and from then on. This is

0:44:14.200 --> 0:44:17.960
<v Speaker 1>always an interesting moment. I feel like it's usually a

0:44:17.960 --> 0:44:20.000
<v Speaker 1>bad thing for the long term sanity of an artist

0:44:20.080 --> 0:44:23.439
<v Speaker 1>when they get their own like Disneyland that they live

0:44:23.480 --> 0:44:27.239
<v Speaker 1>inside of and it's like only them and people who

0:44:27.280 --> 0:44:28.480
<v Speaker 1>are hired to buy them.

0:44:28.800 --> 0:44:31.200
<v Speaker 4>Take it from me, I was, you know, I lived

0:44:31.200 --> 0:44:36.400
<v Speaker 4>at col Brew Acres for many years, and yeah, it

0:44:36.520 --> 0:44:39.919
<v Speaker 4>was it was, it got out of hand, he went

0:44:39.960 --> 0:44:40.880
<v Speaker 4>a little crazy.

0:44:41.840 --> 0:44:43.800
<v Speaker 1>I just what One of the things that's on display

0:44:43.800 --> 0:44:46.160
<v Speaker 1>at Graceland is a TV that he shot out, And

0:44:46.160 --> 0:44:49.200
<v Speaker 1>I just want to read a story from PBS about that.

0:44:49.640 --> 0:44:53.000
<v Speaker 1>The story goes that as he watched singer Robert Goolay

0:44:53.120 --> 0:44:56.160
<v Speaker 1>performing on television one night, he shot out the screen

0:44:56.200 --> 0:45:00.080
<v Speaker 1>of his twenty five inch RCATV. There's nothing Elvis ha

0:45:00.120 --> 0:45:03.520
<v Speaker 1>against Robert Gulay. They were friends, Kevin Kern, a spokesman

0:45:03.600 --> 0:45:06.680
<v Speaker 1>for Presley's home and museum Graceland in Memphis, Tennessee, told

0:45:06.680 --> 0:45:09.680
<v Speaker 1>the Associated Press. But Elvis just shot out things on

0:45:09.719 --> 0:45:18.680
<v Speaker 1>a random basis, just shot out things on a Do

0:45:18.719 --> 0:45:21.280
<v Speaker 1>we have any other things that have been shot by Elvis?

0:45:21.360 --> 0:45:23.439
<v Speaker 1>Just because? What? Did he always just have a gun

0:45:23.480 --> 0:45:26.080
<v Speaker 1>on him? He really liked guns.

0:45:25.880 --> 0:45:27.640
<v Speaker 3>But I mean like to shoot it in your home,

0:45:27.800 --> 0:45:31.160
<v Speaker 3>like you have to quite literally have that thang on you.

0:45:31.120 --> 0:45:33.600
<v Speaker 1>While you're watching TV. Right. I think he kept that

0:45:34.520 --> 0:45:35.840
<v Speaker 1>him all the time.

0:45:36.120 --> 0:45:39.879
<v Speaker 6>He developed a lot of problems. Miles, oh Man, this

0:45:39.960 --> 0:45:42.680
<v Speaker 6>was a lot. So I'm learning a lot about it. Look,

0:45:43.440 --> 0:45:45.680
<v Speaker 6>I've always viewed Elvis at a distance. I knew that

0:45:45.880 --> 0:45:47.560
<v Speaker 6>he was taking black music.

0:45:47.719 --> 0:45:50.840
<v Speaker 3>I knew that he like met Priscilla Press, who was fourteen.

0:45:50.880 --> 0:45:52.640
<v Speaker 1>Other than that, I'm like, and I think he shot

0:45:52.680 --> 0:45:55.680
<v Speaker 1>some shit. Yeah, well, my god shot a lot of things.

0:45:56.600 --> 0:45:58.640
<v Speaker 4>I only know because there was this book about the

0:45:58.680 --> 0:46:02.880
<v Speaker 4>Memphis Mafia that I read or skimmed or whatever. But

0:46:02.920 --> 0:46:05.160
<v Speaker 4>then I got deep into Memphis Mafia stuff, which is

0:46:05.200 --> 0:46:08.759
<v Speaker 4>his entourage, and they just told like his life became

0:46:08.800 --> 0:46:11.000
<v Speaker 4>completely pathetic. I mean, he just had he just had

0:46:11.040 --> 0:46:14.000
<v Speaker 4>no he had no job. He couldn't go tour Europe

0:46:14.080 --> 0:46:16.360
<v Speaker 4>because Colonel Tom Parker was afraid he was going to

0:46:16.400 --> 0:46:19.840
<v Speaker 4>get deported because Colonel Tom Parker didn't have citizenship, so

0:46:19.840 --> 0:46:23.759
<v Speaker 4>he'd never wanted Elvis. So Elvis never toured outside of America. Yeah,

0:46:24.120 --> 0:46:27.480
<v Speaker 4>and Elvis was sad he had nothing to do. So

0:46:27.520 --> 0:46:29.920
<v Speaker 4>he was just in Memphis taking karate classes and he

0:46:30.000 --> 0:46:32.799
<v Speaker 4>was on all these massive bill doses and and it

0:46:32.840 --> 0:46:35.640
<v Speaker 4>all became very It's very funny and interesting to see

0:46:35.680 --> 0:46:39.920
<v Speaker 4>a man do karate on pills and stuff, but yeah.

0:46:39.719 --> 0:46:42.920
<v Speaker 1>It's kind of great ate. Yeah, but yeah, he was.

0:46:42.960 --> 0:46:45.320
<v Speaker 4>He became like he was heavily armed in his bedroom

0:46:45.360 --> 0:46:47.680
<v Speaker 4>on pills, watching two TVs at once.

0:46:47.760 --> 0:46:49.320
<v Speaker 1>He had like a couple of TVs. You know, he

0:46:49.360 --> 0:46:53.879
<v Speaker 1>would have Liken TVs going at once because President did that,

0:46:54.000 --> 0:46:56.080
<v Speaker 1>and so he can ring a bell and get a

0:46:56.080 --> 0:46:58.319
<v Speaker 1>peanut butter sandwich, you know what I mean. But I

0:46:58.400 --> 0:47:01.640
<v Speaker 1>just love it, just shot out saying on a random basis,

0:47:01.800 --> 0:47:06.160
<v Speaker 1>is such a great line diminishing what is objectively terrifying

0:47:06.280 --> 0:47:10.160
<v Speaker 1>the psychotic behavior. Yeah, but there was just a king man.

0:47:10.280 --> 0:47:12.520
<v Speaker 3>That's just funny because I only learned that reference from

0:47:12.520 --> 0:47:13.160
<v Speaker 3>the Simpsons.

0:47:13.480 --> 0:47:15.280
<v Speaker 1>Yeah, I think there's a lot of what I know

0:47:15.680 --> 0:47:19.960
<v Speaker 1>from the Simpsons. The controller, I know that that's what

0:47:20.000 --> 0:47:22.880
<v Speaker 1>he had instead of a remote control back then. You

0:47:23.000 --> 0:47:27.040
<v Speaker 1>just shot the TV to not even like be mad

0:47:27.080 --> 0:47:31.720
<v Speaker 1>at Robert Goulay, just shoot the TV because he don't

0:47:31.840 --> 0:47:34.560
<v Speaker 1>like his performance. He probably thought it was an intruder

0:47:34.920 --> 0:47:43.640
<v Speaker 1>coming in the window. The window he just shot Robert Gulay,

0:47:43.920 --> 0:47:47.280
<v Speaker 1>that wasn't the window. Around this time, he gets drafted

0:47:47.280 --> 0:47:50.640
<v Speaker 1>into the army. Colonel Tom Parker steps in and says,

0:47:50.640 --> 0:47:52.840
<v Speaker 1>like he's not allowed to perform while he's over there,

0:47:53.560 --> 0:47:55.880
<v Speaker 1>because I think he just didn't want to like have

0:47:55.920 --> 0:47:59.600
<v Speaker 1>a bunch of free Elvis records floating around out there.

0:47:59.680 --> 0:48:04.000
<v Speaker 1>But Colonel Tom Parker's a crazy, like interesting figure that

0:48:04.040 --> 0:48:06.480
<v Speaker 1>he was able to like the you think the Army

0:48:06.520 --> 0:48:10.920
<v Speaker 1>didn't want to use like Elvis performances you know during

0:48:10.960 --> 0:48:13.880
<v Speaker 1>the Cold War. Oh sure, but like just like drove

0:48:13.920 --> 0:48:16.560
<v Speaker 1>a jeep while he was over there. That's when he

0:48:16.600 --> 0:48:21.120
<v Speaker 1>discovers amphetamines. That's one of the crazy details of his

0:48:21.200 --> 0:48:24.919
<v Speaker 1>relationship with Priscilla is like he immediately like she comes

0:48:25.000 --> 0:48:28.239
<v Speaker 1>to live with him in Memphis and he's like just

0:48:28.280 --> 0:48:30.680
<v Speaker 1>giving her all the pills that he takes. At one point,

0:48:30.760 --> 0:48:34.799
<v Speaker 1>she sleeps for like two days straight. I'm sure that

0:48:34.800 --> 0:48:38.560
<v Speaker 1>that's nothing good. It is why like the movie, uh,

0:48:38.640 --> 0:48:42.880
<v Speaker 1>the Sophia Coppola movie Priscilla just kind of they portray

0:48:42.920 --> 0:48:46.680
<v Speaker 1>it as like her having strict parents but like that

0:48:47.520 --> 0:48:50.200
<v Speaker 1>she was sixteen and they let her live in Memphis

0:48:50.200 --> 0:48:53.520
<v Speaker 1>with Elvis while they lived Like what the fuck was

0:48:53.520 --> 0:48:56.239
<v Speaker 1>her mom doing that was so important in Germany that

0:48:56.280 --> 0:49:00.800
<v Speaker 1>she wouldn't come live there? But anyway, time, man, yeah,

0:49:00.880 --> 0:49:04.760
<v Speaker 1>I guess so, but slept two days on his tranquilizers.

0:49:05.440 --> 0:49:11.600
<v Speaker 1>She ends up having an affair with a Karate Instrucles Wallace. Yes, Mike,

0:49:13.120 --> 0:49:16.440
<v Speaker 1>Mike Stone, I think is the guy who maybe maybe

0:49:16.680 --> 0:49:20.160
<v Speaker 1>multiple karate. I know she had an affair with Bill

0:49:20.320 --> 0:49:22.799
<v Speaker 1>Superfoot Wallace, I know it. But it's funny because his

0:49:23.040 --> 0:49:27.480
<v Speaker 1>like weird, childlike obsession with karate comes in like boomerangs,

0:49:27.560 --> 0:49:30.880
<v Speaker 1>and she like to get his attention, starts learning karate.

0:49:31.280 --> 0:49:34.759
<v Speaker 1>Like at one point when she's pregnant, he like is like,

0:49:34.800 --> 0:49:38.440
<v Speaker 1>I think we need to separate baby, having having some

0:49:38.480 --> 0:49:42.720
<v Speaker 1>second thoughts because he just like didn't like pregnant women.

0:49:42.800 --> 0:49:45.840
<v Speaker 1>He also like wouldn't have sex with her after she

0:49:46.200 --> 0:49:49.120
<v Speaker 1>had their child because he quote had never been able

0:49:49.160 --> 0:49:51.360
<v Speaker 1>to make love to a woman who had a child.

0:49:52.680 --> 0:49:56.919
<v Speaker 1>So good. Huh uh, that's just wild.

0:49:57.000 --> 0:49:59.880
<v Speaker 3>The motherfuckers were saying shit like that, yeah, putting that

0:50:00.120 --> 0:50:02.160
<v Speaker 3>wax ye like.

0:50:02.160 --> 0:50:03.880
<v Speaker 1>Nodding their heads when he said it too, And he

0:50:03.960 --> 0:50:06.839
<v Speaker 1>came right about that man, right king, right king, very

0:50:06.880 --> 0:50:09.319
<v Speaker 1>similar to there's a lot of similar Trump did that thing.

0:50:09.520 --> 0:50:12.560
<v Speaker 1>He tweeted a picture of him side by side with

0:50:12.640 --> 0:50:14.960
<v Speaker 1>Elvis and was like, huh, what do you think? And

0:50:15.400 --> 0:50:18.200
<v Speaker 1>I do. There's like a lot First of all, Elvis,

0:50:18.239 --> 0:50:22.040
<v Speaker 1>like late Elvis looks like a human being designed by

0:50:22.520 --> 0:50:26.800
<v Speaker 1>Trump's interior decorating sensibility. But there's a lot of times

0:50:26.880 --> 0:50:30.200
<v Speaker 1>during this that I thought about Trump, like and just

0:50:30.880 --> 0:50:35.120
<v Speaker 1>being cocooned in a weird place that is just full

0:50:35.120 --> 0:50:38.759
<v Speaker 1>of yes men. It's just an echo chamber of all

0:50:38.800 --> 0:50:41.759
<v Speaker 1>of your ideas and people saying how smart they are,

0:50:42.600 --> 0:50:45.640
<v Speaker 1>and just the idea that like the crazy shit that

0:50:45.680 --> 0:50:48.360
<v Speaker 1>Elvis got up to, like that's who's running the fucking

0:50:48.400 --> 0:50:49.799
<v Speaker 1>country at this point.

0:50:50.200 --> 0:50:53.120
<v Speaker 3>Yeah, so okay, tell me about the martial arts shit,

0:50:53.160 --> 0:50:55.520
<v Speaker 3>because I'm always fascinated when I see this guy like

0:50:55.800 --> 0:50:57.640
<v Speaker 3>wearing his fucking.

0:50:57.360 --> 0:50:59.880
<v Speaker 1>Aviators in like a full gee. It was a fad,

0:51:00.280 --> 0:51:03.600
<v Speaker 1>then it was a fad. He got real into it.

0:51:03.800 --> 0:51:06.400
<v Speaker 1>He told everyone he was a seventh degree black belt.

0:51:06.520 --> 0:51:08.880
<v Speaker 1>The way he became a seventh degree black belt was

0:51:09.120 --> 0:51:13.720
<v Speaker 1>that he was into numerology as all like famous crazy

0:51:13.760 --> 0:51:16.040
<v Speaker 1>people get to at a certain point, and was like,

0:51:16.120 --> 0:51:18.040
<v Speaker 1>seventh perfect number. Man, I got to be a seventh

0:51:18.080 --> 0:51:23.080
<v Speaker 1>degree black belt, and his sense was like I'm only

0:51:23.120 --> 0:51:26.000
<v Speaker 1>a sixth and he's like make it happen, man, And

0:51:26.080 --> 0:51:29.160
<v Speaker 1>so they like created some weird system where he got

0:51:29.200 --> 0:51:31.080
<v Speaker 1>to be an eighth degree black belt so that Elvis

0:51:31.120 --> 0:51:34.640
<v Speaker 1>could get bumped up to being a seventh degree black belt.

0:51:35.080 --> 0:51:39.240
<v Speaker 1>He wore cowboy boots. To the dojo for self defense drills.

0:51:39.280 --> 0:51:44.000
<v Speaker 1>He insisted on using real firearms, not prop guns like

0:51:44.200 --> 0:51:51.000
<v Speaker 1>loaded firearms. Yeah no, right, yeah, okay. In June nineteen

0:51:51.080 --> 0:51:52.960
<v Speaker 1>seventy seven, a few months before his death, he was

0:51:52.960 --> 0:51:56.920
<v Speaker 1>in Madison, Wisconsin for a concert, and he ordered his

0:51:57.000 --> 0:51:59.359
<v Speaker 1>limo to stop because he saw at a gas station

0:51:59.480 --> 0:52:02.680
<v Speaker 1>two teenage had pinned the attendant to the ground and

0:52:02.719 --> 0:52:05.000
<v Speaker 1>we're punching and kicking him. This is according to him.

0:52:05.280 --> 0:52:07.759
<v Speaker 1>Elvis hopped out of the limousine and started kicking and

0:52:07.800 --> 0:52:10.840
<v Speaker 1>punching the air like it was a karate demonstration, and

0:52:10.880 --> 0:52:13.799
<v Speaker 1>then like struck a badass pose and was like, I'll

0:52:13.800 --> 0:52:17.239
<v Speaker 1>take you on. And the teens were just like, holy shit,

0:52:17.360 --> 0:52:20.440
<v Speaker 1>it's Elvis, and they just started laughing and shook his

0:52:20.560 --> 0:52:23.439
<v Speaker 1>hand and he was like, is everything settled now? And

0:52:24.000 --> 0:52:29.759
<v Speaker 1>they were like, yeah, man, we're good. What the fuck Elvis? Yeah,

0:52:29.800 --> 0:52:32.600
<v Speaker 1>He's like, that's right. They saw my karate child. But

0:52:33.120 --> 0:52:39.319
<v Speaker 1>he yeah, he was just the strangest. Yeah, he was.

0:52:39.440 --> 0:52:41.919
<v Speaker 1>He was a child. He was obsessed factor. He says,

0:52:41.960 --> 0:52:46.120
<v Speaker 1>imagine witnessing this from the attendance as kicked, Elvis comes

0:52:46.120 --> 0:52:50.600
<v Speaker 1>out like I could have sworn I just got rescued

0:52:50.600 --> 0:52:54.400
<v Speaker 1>by Elvis Presley. Right, A lot of his late career

0:52:54.440 --> 0:52:59.440
<v Speaker 1>shit like seems like a hallucination to me. The Elvis impersonators,

0:52:59.600 --> 0:53:01.880
<v Speaker 1>like all all of the karate stuff, all of his

0:53:01.960 --> 0:53:05.880
<v Speaker 1>performances just feel like weird, like fever dreams. This is

0:53:05.920 --> 0:53:09.600
<v Speaker 1>another karate story. Alice Cooper was invited to Elvis's Las

0:53:09.680 --> 0:53:13.640
<v Speaker 1>Vegas penthouse. He showed up with lizaman Elli and Linda

0:53:13.680 --> 0:53:18.359
<v Speaker 1>Lovelas and Elvis immediately handed him a loaded revolver and

0:53:18.400 --> 0:53:20.680
<v Speaker 1>told him to put it to his head and then

0:53:20.880 --> 0:53:23.239
<v Speaker 1>he did a flying karate kick, knocked the gun out

0:53:23.239 --> 0:53:25.640
<v Speaker 1>of Cooper's hand, tripped Cooper, pinned him to the ground

0:53:25.719 --> 0:53:27.719
<v Speaker 1>by his neck. So that's how you stop a man

0:53:27.760 --> 0:53:30.280
<v Speaker 1>with a gun. Oh my god, dude.

0:53:30.320 --> 0:53:32.560
<v Speaker 4>Right, And if you look at the old miles, if

0:53:32.560 --> 0:53:35.320
<v Speaker 4>you are interested, and I can point you to a

0:53:35.320 --> 0:53:37.600
<v Speaker 4>little site that I'm aware of, you Tube.

0:53:37.719 --> 0:53:38.680
<v Speaker 1>Hell yeah, brother.

0:53:39.080 --> 0:53:44.239
<v Speaker 4>On YouTube, you can see the footage of Elvis doing

0:53:44.280 --> 0:53:47.120
<v Speaker 4>his karate moves and like sick of fants, like you know,

0:53:47.160 --> 0:53:49.080
<v Speaker 4>he touches them on the nose and they do four

0:53:49.120 --> 0:53:51.680
<v Speaker 4>flips and fall through the you know, go through the wall.

0:53:53.880 --> 0:53:56.319
<v Speaker 4>You can see his karate because he was. They were like,

0:53:56.400 --> 0:53:58.400
<v Speaker 4>we got to give this guy an degree black belt.

0:53:58.440 --> 0:54:02.680
<v Speaker 1>So he's on les what the fuld on? By the way,

0:54:02.719 --> 0:54:04.759
<v Speaker 1>that man right there, that man with the beard is

0:54:04.760 --> 0:54:06.840
<v Speaker 1>my friend's dad. Who's your fame with the beard is

0:54:06.840 --> 0:54:09.520
<v Speaker 1>my friend's dad. Who is that guy? Brandis Hulcomb. He

0:54:09.640 --> 0:54:11.359
<v Speaker 1>used to be in my band. That's his dad.

0:54:11.600 --> 0:54:12.120
<v Speaker 4>Wow.

0:54:12.200 --> 0:54:13.719
<v Speaker 1>And he was a karate He was like a he.

0:54:15.080 --> 0:54:17.200
<v Speaker 4>Was also he was a karate instructor for Elvis. He

0:54:17.239 --> 0:54:18.920
<v Speaker 4>was also Clint East's bodyguard.

0:54:19.440 --> 0:54:24.239
<v Speaker 3>Look at the back of Elvis' geed that's orientalists and

0:54:24.440 --> 0:54:26.120
<v Speaker 3>orientalist font.

0:54:26.239 --> 0:54:30.879
<v Speaker 1>Wow, dude, this is he really remember his dad's name.

0:54:30.920 --> 0:54:32.800
<v Speaker 4>His dad's name was Hulcom is his last name, but

0:54:32.800 --> 0:54:35.200
<v Speaker 4>I can't remember his first name anyway, shout out brandis

0:54:36.040 --> 0:54:36.960
<v Speaker 4>but true.

0:54:36.760 --> 0:54:39.120
<v Speaker 1>It does look like a child doing a karate demons

0:54:39.320 --> 0:54:41.040
<v Speaker 1>right because they had Oh my god, this is not

0:54:41.480 --> 0:54:43.080
<v Speaker 1>this is his bullshit. Man.

0:54:43.160 --> 0:54:46.720
<v Speaker 3>Fuck bro, Elvis is taking both my motherfucking cultures Black

0:54:46.800 --> 0:54:49.919
<v Speaker 3>and Japanese, where you ain't no fucking karate man, you fuck.

0:54:49.960 --> 0:54:55.040
<v Speaker 4>That was also two am. He used to go wait am, Yes,

0:54:55.120 --> 0:54:57.560
<v Speaker 4>he would get everybody had to go on his schedule,

0:54:57.640 --> 0:55:00.360
<v Speaker 4>so he often would be like, we're going to the dojo,

0:55:00.440 --> 0:55:02.799
<v Speaker 4>and they'd be like, everybody's asleep, and he would make

0:55:02.840 --> 0:55:05.080
<v Speaker 4>them all get up and then do his like little

0:55:05.080 --> 0:55:07.440
<v Speaker 4>moves and they all have to like they got you know,

0:55:07.560 --> 0:55:09.239
<v Speaker 4>sent through the you know, they'd all have to go

0:55:09.320 --> 0:55:12.600
<v Speaker 4>flying when he just like, you know, it was all

0:55:12.680 --> 0:55:14.279
<v Speaker 4>I just think I have a corrupt, like.

0:55:16.080 --> 0:55:18.520
<v Speaker 1>Funny the Steven Sagall thing where he's doing a karate

0:55:18.560 --> 0:55:21.000
<v Speaker 1>demonstration of the people are like jumping out of the

0:55:21.040 --> 0:55:24.359
<v Speaker 1>way and acting like he just like flipped them over. Oh,

0:55:24.880 --> 0:55:27.279
<v Speaker 1>Brandis's dad, that's Brandi's dad. I had it wrong. That's

0:55:27.280 --> 0:55:29.879
<v Speaker 1>Brandis's dad right there. That's that's it. Black guy's doing real.

0:55:32.280 --> 0:55:34.239
<v Speaker 1>It's the same guy. These are different videos. This is

0:55:34.280 --> 0:55:36.040
<v Speaker 1>I think this is only when Elvis was a third

0:55:36.120 --> 0:55:41.239
<v Speaker 1>degree black belt. Holy ship, dude, it is wild though.

0:55:41.280 --> 0:55:44.000
<v Speaker 1>That Priscilla then is like, do you do you want

0:55:44.040 --> 0:55:46.359
<v Speaker 1>me to do karate? I could do karate, And then

0:55:47.080 --> 0:55:50.360
<v Speaker 1>that he's just like so pathetic. He really becomes like

0:55:50.400 --> 0:55:51.920
<v Speaker 1>such a pathetic character.

0:55:52.160 --> 0:55:54.879
<v Speaker 3>It's funny because this is actually so much more fascinating

0:55:55.400 --> 0:55:58.720
<v Speaker 3>than like the Heyday. It's sort of like this weird

0:55:58.920 --> 0:56:02.160
<v Speaker 3>spiraling of like heak fame and having sycophants around and

0:56:02.280 --> 0:56:06.120
<v Speaker 3>unlimited resources and like just creating like a similarchrum of

0:56:06.200 --> 0:56:09.320
<v Speaker 3>like this thing where you're like a karate master and baller.

0:56:10.200 --> 0:56:14.279
<v Speaker 4>Wow, wow, forty watt club in Memphis? Is it the

0:56:14.320 --> 0:56:16.440
<v Speaker 4>forty watt the high tone? Sorry, the high Tone in

0:56:16.480 --> 0:56:19.480
<v Speaker 4>Memphis which moved locations, but I did perform there once

0:56:20.200 --> 0:56:21.920
<v Speaker 4>was the location of that dojo.

0:56:22.160 --> 0:56:24.200
<v Speaker 1>Oh wow, yeah, the high tone move, but that was

0:56:24.239 --> 0:56:26.879
<v Speaker 1>that dojo. It was in like a strip mall right. Right,

0:56:27.160 --> 0:56:29.960
<v Speaker 1>you say what you want about amphetamines, their proponents and

0:56:30.480 --> 0:56:32.720
<v Speaker 1>people who don't think they're great, But like you really

0:56:32.760 --> 0:56:36.319
<v Speaker 1>can just see like a dividing line of his careers, right.

0:56:37.120 --> 0:56:42.200
<v Speaker 1>He has this like Stratospheric Rise, goes away to the

0:56:42.320 --> 0:56:45.720
<v Speaker 1>army for two years, comes back and everything's just starts

0:56:45.760 --> 0:56:49.000
<v Speaker 1>doing like all those movies that like people think suck

0:56:49.080 --> 0:56:52.400
<v Speaker 1>shit and like has doesn't really he has some good

0:56:53.200 --> 0:56:56.080
<v Speaker 1>later stuff, for sure, some of the recordings, but a

0:56:56.120 --> 0:56:59.000
<v Speaker 1>lot of it is just you're like, oh, he recorded

0:56:59.000 --> 0:57:01.799
<v Speaker 1>this like on his back in a lounge chair. But

0:57:02.160 --> 0:57:05.560
<v Speaker 1>famous things about the Elvis Sandwich, people say the only

0:57:05.600 --> 0:57:08.080
<v Speaker 1>thing in life he got any enjoyment out of was eating.

0:57:08.480 --> 0:57:11.520
<v Speaker 1>In his twenties, he could eat eight cheeseburgers, two BLTs,

0:57:11.560 --> 0:57:14.279
<v Speaker 1>and three milkshakes in a single sitting. And then his

0:57:14.280 --> 0:57:18.200
<v Speaker 1>favorite sandwich was fried peanut butter and banana sandwiches, and

0:57:18.240 --> 0:57:21.840
<v Speaker 1>sometimes there would be bacon thrown in. And then at

0:57:21.880 --> 0:57:24.960
<v Speaker 1>one point while they were performing in Colorado, they went

0:57:25.000 --> 0:57:28.720
<v Speaker 1>to this restaurant where they were introduced to the Fool's

0:57:28.800 --> 0:57:32.480
<v Speaker 1>Gold Loaf, which is an entire loaf of Italian bread

0:57:32.520 --> 0:57:35.600
<v Speaker 1>hollowed out and stuffed full of jars of peanut butter

0:57:35.640 --> 0:57:39.040
<v Speaker 1>and jelly, plus a pound of bacon. And he would

0:57:39.200 --> 0:57:41.520
<v Speaker 1>be able to take one of those down by himself.

0:57:41.600 --> 0:57:43.800
<v Speaker 1>And one time they just like flew there. They were

0:57:43.840 --> 0:57:46.320
<v Speaker 1>like bored and were like, let's fly, let's fly out there.

0:57:46.360 --> 0:57:50.080
<v Speaker 1>They were always bored. Yeah, this is the most shit ever.

0:57:51.160 --> 0:57:55.040
<v Speaker 1>Holy shit. You guys know about the Nixon photo where

0:57:55.080 --> 0:57:59.680
<v Speaker 1>he's showed up to the White House with a revolver

0:58:00.280 --> 0:58:02.240
<v Speaker 1>and was basically like, I want to be your drugs

0:58:02.240 --> 0:58:03.400
<v Speaker 1>are he was on drugs?

0:58:03.400 --> 0:58:06.720
<v Speaker 4>And yeah, made flying out of one. It was made

0:58:06.720 --> 0:58:10.240
<v Speaker 4>an honorary dea agent while he was on you.

0:58:10.160 --> 0:58:12.320
<v Speaker 1>And you get to bring a gun into the White House.

0:58:14.000 --> 0:58:17.040
<v Speaker 1>I don't know what's Elvis bro. Priscilla plains that Elvis

0:58:17.080 --> 0:58:19.280
<v Speaker 1>wasn't really applying to become a nark. He wanted a

0:58:19.320 --> 0:58:23.400
<v Speaker 1>badge from the Federal Bureau of Narcotics and Dangerous Drugs,

0:58:23.480 --> 0:58:25.600
<v Speaker 1>which is the predecessor of the ATF, so that he

0:58:25.640 --> 0:58:29.080
<v Speaker 1>could legally enter any country both wearing guns and carrying

0:58:29.080 --> 0:58:32.800
<v Speaker 1>any drugs he wished. The way he went about it

0:58:32.920 --> 0:58:35.959
<v Speaker 1>not great. He was like, I'm gonna I'll fucking spy

0:58:36.080 --> 0:58:38.440
<v Speaker 1>on I don't give a fuck. I'll spy on the Beatles,

0:58:38.520 --> 0:58:41.479
<v Speaker 1>I'll spy on the Black Panthers. Dude, just just get

0:58:41.560 --> 0:58:42.360
<v Speaker 1>me in there.

0:58:43.560 --> 0:58:46.560
<v Speaker 3>And you're back to being in your shipthead Era was okay,

0:58:46.680 --> 0:58:49.080
<v Speaker 3>I just like that's just so funny. It's so transparent, Like, Bro,

0:58:49.160 --> 0:58:50.520
<v Speaker 3>I need to get this badge so I can keep

0:58:50.520 --> 0:58:52.320
<v Speaker 3>a gun on me in drugs and then you pull

0:58:52.400 --> 0:58:55.920
<v Speaker 3>up sweating to the white Wait, drugs are man?

0:58:56.000 --> 0:58:59.880
<v Speaker 1>Yeah, okay, Like the most famous version of the picture

0:59:00.200 --> 0:59:04.120
<v Speaker 1>is black and white. But he was like that outfit

0:59:04.240 --> 0:59:06.760
<v Speaker 1>was purple is bright, purple cape.

0:59:06.920 --> 0:59:09.320
<v Speaker 4>Part of this was written off by Elvis, like people

0:59:09.360 --> 0:59:12.680
<v Speaker 4>wrote people were like Elvis because he was not educated.

0:59:12.920 --> 0:59:16.280
<v Speaker 4>He thought truly that he was not on drugs because

0:59:16.400 --> 0:59:19.680
<v Speaker 4>they were prescribing our prescription. He truly the whole time

0:59:19.720 --> 0:59:22.240
<v Speaker 4>he was doing those drugs, drump, they were not drugs,

0:59:22.240 --> 0:59:24.840
<v Speaker 4>even though he was like doing karate at two o'clock

0:59:24.880 --> 0:59:25.680
<v Speaker 4>in the morning.

0:59:25.400 --> 0:59:28.280
<v Speaker 1>Another Trump parallel, Yeah, yeah, and like shooting TVs. He

0:59:28.360 --> 0:59:30.040
<v Speaker 1>was still like, you can't be the drugs because these

0:59:30.080 --> 0:59:33.480
<v Speaker 1>are legal drugs. I'm on right, So that picture also

0:59:33.560 --> 0:59:36.640
<v Speaker 1>he like still looks all right, you know, like he's

0:59:36.720 --> 0:59:39.360
<v Speaker 1>not full swollen Elvis. That so that meeting happened in

0:59:39.440 --> 0:59:43.880
<v Speaker 1>nineteen seventy. By nineteen seventy seven the Jimmy Carter administration,

0:59:44.280 --> 0:59:46.600
<v Speaker 1>Carter said that Elvis called the White House a lot

0:59:46.720 --> 0:59:49.080
<v Speaker 1>during the last years of his life. He only spoke

0:59:49.120 --> 0:59:52.120
<v Speaker 1>to him once and described Presley as totally stoned and

0:59:52.160 --> 0:59:56.080
<v Speaker 1>almost incoherent. But he just call the White House.

0:59:56.120 --> 0:59:59.800
<v Speaker 4>So think about that. Nineteen seventy he was like thirty

0:59:59.840 --> 1:00:04.040
<v Speaker 4>eight years old, right something, No, less, he was thirty five.

1:00:04.400 --> 1:00:07.160
<v Speaker 1>He was thirty five. Yeah, it looks like he looks

1:00:07.160 --> 1:00:09.840
<v Speaker 1>like he's fifty five. Yeah, he looked horrible. All right,

1:00:09.920 --> 1:00:13.400
<v Speaker 1>Let's talk about his death. You know, he got into

1:00:13.480 --> 1:00:17.080
<v Speaker 1>amphetamines in the Army, then opioids in the sixties. Found

1:00:17.080 --> 1:00:20.800
<v Speaker 1>this guy, doctor Nick, who gets a lot of, you know,

1:00:21.240 --> 1:00:26.880
<v Speaker 1>the attention for having prescribed him with insane amounts of drugs.

1:00:27.120 --> 1:00:30.440
<v Speaker 1>He traveled with three suitcases full of drugs for himself

1:00:30.440 --> 1:00:33.000
<v Speaker 1>and his entourage. Doctor Nick described the drug regimen that

1:00:33.040 --> 1:00:36.160
<v Speaker 1>Elvis followed a week before a concert, which included six

1:00:36.280 --> 1:00:40.280
<v Speaker 1>hundred and eighty pills twenty cubic centimeters of central nervous

1:00:40.320 --> 1:00:46.320
<v Speaker 1>system depressants, stimulants, and painkillers. Twice during nineteen seventy three,

1:00:46.320 --> 1:00:49.240
<v Speaker 1>this is four years before he died, He overdosed on barbituates,

1:00:49.880 --> 1:00:52.680
<v Speaker 1>spent three days in a coma in his hotel suite.

1:00:53.040 --> 1:00:56.560
<v Speaker 1>At one point wow, and you know, just like standard

1:00:56.560 --> 1:00:58.960
<v Speaker 1>famous people shit, but like the people around him were

1:00:59.000 --> 1:01:01.320
<v Speaker 1>both like, fuck, we don't want this to come out,

1:01:01.520 --> 1:01:03.760
<v Speaker 1>but also like you push back on him at all

1:01:03.800 --> 1:01:06.400
<v Speaker 1>and he's like, well, then you're fired, and they're like, ah,

1:01:06.520 --> 1:01:07.400
<v Speaker 1>I'm just kidding. Man.

1:01:07.680 --> 1:01:10.520
<v Speaker 4>During that overdose, Colonel Tom Parker just had them fucking

1:01:10.960 --> 1:01:12.960
<v Speaker 4>dunking his head in ice water and saying he had

1:01:12.960 --> 1:01:15.040
<v Speaker 4>to be on stage by Tuesday or whatever. It was

1:01:15.120 --> 1:01:18.360
<v Speaker 4>like they, especially Colonel Tom Parker, did not give a

1:01:18.720 --> 1:01:21.760
<v Speaker 4>shit whether he was well.

1:01:21.440 --> 1:01:23.000
<v Speaker 1>He just just one of them.

1:01:23.080 --> 1:01:25.920
<v Speaker 4>Colonel Tom Parker did not like music. He did not

1:01:26.440 --> 1:01:29.240
<v Speaker 4>like what Elvis did. He said he had no idea

1:01:29.280 --> 1:01:31.520
<v Speaker 4>whether it was good or bad. He just knew from

1:01:31.560 --> 1:01:34.520
<v Speaker 4>the reaction when he first met him that he had

1:01:34.520 --> 1:01:38.160
<v Speaker 4>to get involved, right, which looked at the audience. Yeah,

1:01:38.200 --> 1:01:40.240
<v Speaker 4>he actually said, I have no idea whether what he

1:01:40.280 --> 1:01:43.400
<v Speaker 4>does is good or bad. I just saw the potential

1:01:43.640 --> 1:01:44.240
<v Speaker 4>for a draw.

1:01:44.600 --> 1:01:48.400
<v Speaker 1>I just blew me away. His career does like go

1:01:49.080 --> 1:01:52.120
<v Speaker 1>wildly off the rails once you know, he gets back

1:01:52.120 --> 1:01:54.400
<v Speaker 1>from the army and is on drugs and like Colonel

1:01:54.480 --> 1:01:57.080
<v Speaker 1>Tom Parker, by the way, not a colonel in any

1:01:57.160 --> 1:01:58.840
<v Speaker 1>sense of the way. He just like was given a

1:01:59.360 --> 1:02:04.280
<v Speaker 1>the Southern States will give you that that moniker, and

1:02:04.320 --> 1:02:05.840
<v Speaker 1>he was just like, I kind of like that. I'm

1:02:05.840 --> 1:02:07.360
<v Speaker 1>gonna sign my name is that.

1:02:07.440 --> 1:02:10.800
<v Speaker 3>But also that doctor Nick from the Simpsons is named

1:02:10.800 --> 1:02:11.840
<v Speaker 3>after shit.

1:02:11.920 --> 1:02:12.880
<v Speaker 1>I never thought of that.

1:02:13.120 --> 1:02:15.720
<v Speaker 3>Just looked that up because there's my god, that Elvis

1:02:15.720 --> 1:02:18.080
<v Speaker 3>shooting the TV like it was at no good and

1:02:18.320 --> 1:02:19.040
<v Speaker 3>now doctor Nick.

1:02:19.080 --> 1:02:20.120
<v Speaker 1>I was like doctor Nick.

1:02:20.200 --> 1:02:23.040
<v Speaker 3>Simpsons Elvis are like, yeah, it's funny evening, Yep, it's

1:02:23.080 --> 1:02:26.080
<v Speaker 3>after George nic Nicopolis doctor Nick.

1:02:26.240 --> 1:02:30.320
<v Speaker 1>So he eventually doctor Nick, after Elvis died, was put

1:02:30.360 --> 1:02:33.720
<v Speaker 1>on trial. Prosecutors showed that doctor Nick had prescribed Elvis

1:02:33.760 --> 1:02:37.920
<v Speaker 1>more than nineteen thousand doses of narcotics, sedatives, and stimulants

1:02:37.920 --> 1:02:40.240
<v Speaker 1>in the two years two and a half years before

1:02:40.280 --> 1:02:43.560
<v Speaker 1>he died in nineteen seventy seven, and also worth noting

1:02:44.040 --> 1:02:47.280
<v Speaker 1>he wasn't his only supplier. Like the day before he died,

1:02:47.760 --> 1:02:52.360
<v Speaker 1>he went to the dentist with a toothache, but so

1:02:52.440 --> 1:02:55.400
<v Speaker 1>his last twenty four hours alive because Chrisy mentioned earlier

1:02:55.440 --> 1:02:57.360
<v Speaker 1>that like you would do karate demonstrations at two in

1:02:57.400 --> 1:02:59.640
<v Speaker 1>the morning, I just want to read a couple of

1:02:59.640 --> 1:03:02.400
<v Speaker 1>other things. Doctor Nick drops off just like a hockey

1:03:02.400 --> 1:03:05.920
<v Speaker 1>bag full of drugs. He goes to the dentist to

1:03:05.960 --> 1:03:09.360
<v Speaker 1>get more drugs. From the dentist. At four am, he

1:03:09.480 --> 1:03:13.680
<v Speaker 1>called his cousin and his cousin's wife come play racquetball

1:03:13.760 --> 1:03:17.120
<v Speaker 1>with him. Yeah, they played racquetball from four am to

1:03:17.200 --> 1:03:19.800
<v Speaker 1>like five am. At seven am, he and his twenty

1:03:19.840 --> 1:03:21.880
<v Speaker 1>year old fiance go to bed. At nine thirty he

1:03:21.920 --> 1:03:24.320
<v Speaker 1>gets up to go to the bathroom, and then at

1:03:24.320 --> 1:03:27.479
<v Speaker 1>two pm she finally wakes up and finds him face

1:03:27.560 --> 1:03:31.920
<v Speaker 1>down in the shag carpet in his bathroom, which is

1:03:32.360 --> 1:03:36.200
<v Speaker 1>fucking gross that there's a carpet, shag carpet in his

1:03:36.240 --> 1:03:38.640
<v Speaker 1>bathroom that's not near the toilet, is it. Yeah, you

1:03:38.640 --> 1:03:40.400
<v Speaker 1>shouldn't have carpet in your bathroom.

1:03:40.600 --> 1:03:45.320
<v Speaker 3>Shag carpet, shag carpet, no less, just roughly towel for her.

1:03:46.200 --> 1:03:48.080
<v Speaker 1>I think one of the first things I knew about

1:03:48.160 --> 1:03:50.800
<v Speaker 1>him was like that he died on the toilet, right right,

1:03:50.880 --> 1:03:55.360
<v Speaker 1>So that is true. The theory went that he just

1:03:55.400 --> 1:03:58.160
<v Speaker 1>died of a heart attack. Then once people found out

1:03:58.200 --> 1:03:59.720
<v Speaker 1>how many drugs he was on, they were like, he

1:03:59.760 --> 1:04:02.160
<v Speaker 1>did a drug overdose. There's also a theory that like

1:04:02.240 --> 1:04:04.400
<v Speaker 1>the dentist had given him codeine I think, and he

1:04:04.560 --> 1:04:06.480
<v Speaker 1>was like allergic to that, so that might have happened.

1:04:06.520 --> 1:04:09.880
<v Speaker 1>But I think the medical consensus at this point is

1:04:09.920 --> 1:04:14.520
<v Speaker 1>that he died of a heart attack due to basically

1:04:15.160 --> 1:04:18.480
<v Speaker 1>have you ever seen one of those commercials for like

1:04:18.560 --> 1:04:21.720
<v Speaker 1>the drugs they give people on opioids to be able

1:04:21.760 --> 1:04:25.080
<v Speaker 1>to shit, Like, It'll show it'll show somebody like looking

1:04:25.080 --> 1:04:27.160
<v Speaker 1>at like a soft serve machine.

1:04:26.760 --> 1:04:29.440
<v Speaker 4>With envy cause constipation.

1:04:29.520 --> 1:04:32.400
<v Speaker 1>Wait, there's a there's a commercial for this, Yeah, there's

1:04:32.400 --> 1:04:34.600
<v Speaker 1>a commercial. I just remember being like, why are there

1:04:34.640 --> 1:04:37.080
<v Speaker 1>suddenly all these commercials for like constipation? It was like

1:04:37.200 --> 1:04:41.480
<v Speaker 1>during the opioid crisis, and it was it's because opioids

1:04:41.520 --> 1:04:46.160
<v Speaker 1>caused massive constipation, and so he had been abusing opioids

1:04:46.200 --> 1:04:49.440
<v Speaker 1>for years and years and years and years. So the

1:04:49.480 --> 1:04:54.160
<v Speaker 1>assumption is he had like just savage constipation and he

1:04:55.120 --> 1:04:58.960
<v Speaker 1>was on the toilet straining so hard that it put

1:04:59.040 --> 1:05:01.400
<v Speaker 1>pressure on his heart and a were to and trigger

1:05:01.440 --> 1:05:04.360
<v Speaker 1>the heart attack that killed him. So he did, which

1:05:04.400 --> 1:05:07.080
<v Speaker 1>is I think back to what I originally had heard.

1:05:07.440 --> 1:05:09.640
<v Speaker 1>The first version was the like he's strained too hard

1:05:09.640 --> 1:05:13.000
<v Speaker 1>while he's taking a ship. That is, you know, it

1:05:13.160 --> 1:05:15.800
<v Speaker 1>was related to years and years of drug abuse, but

1:05:16.040 --> 1:05:20.480
<v Speaker 1>that he was so constipated that he died. We need folks, Yeah,

1:05:20.520 --> 1:05:22.800
<v Speaker 1>you know, you need fiber not to be on. Don't

1:05:22.800 --> 1:05:27.760
<v Speaker 1>push too hard. I pushed it fucking pools of opioids

1:05:27.800 --> 1:05:29.640
<v Speaker 1>for years and years and years. You'll end up in

1:05:29.680 --> 1:05:31.600
<v Speaker 1>the shack. Don't want to end up in the shack.

1:05:31.680 --> 1:05:34.680
<v Speaker 1>Don't push too hard. No, no, and then just in death.

1:05:34.760 --> 1:05:38.120
<v Speaker 1>I think this is another thing that is true of

1:05:38.160 --> 1:05:41.120
<v Speaker 1>other celebrities, but like nobody as much as Elvis is

1:05:41.200 --> 1:05:44.280
<v Speaker 1>just that like they're not allowed to stay dead. Like

1:05:44.360 --> 1:05:49.800
<v Speaker 1>everybody was immediately like, no, he's not dead. There became

1:05:50.000 --> 1:05:53.080
<v Speaker 1>like a cottage industry of people coming up with conspiracy

1:05:53.120 --> 1:05:57.160
<v Speaker 1>theories about him basically still being alive. There was a

1:05:57.200 --> 1:05:59.880
<v Speaker 1>woman who like created a recording career for this guy

1:06:00.080 --> 1:06:06.160
<v Speaker 1>O'Ryan kind of looked like Elvis, and then like he

1:06:06.280 --> 1:06:09.600
<v Speaker 1>released an album on the same day that she released

1:06:09.640 --> 1:06:13.640
<v Speaker 1>a you know, conspiracy conspiracy theory book about like Elvis

1:06:13.680 --> 1:06:17.400
<v Speaker 1>still being alive, and people kind of point out that again,

1:06:17.480 --> 1:06:20.120
<v Speaker 1>this is another way that like Elvis is connected to

1:06:20.440 --> 1:06:23.960
<v Speaker 1>MAGA in like the whole QAnon thing where they just

1:06:24.000 --> 1:06:26.920
<v Speaker 1>like wouldn't let where they would be like JFK Junior

1:06:27.040 --> 1:06:29.360
<v Speaker 1>is coming back, and like they were kind of obsessed

1:06:29.360 --> 1:06:33.160
<v Speaker 1>with that. It does all like seem to be linked

1:06:33.200 --> 1:06:35.280
<v Speaker 1>in a weird way, right right.

1:06:35.800 --> 1:06:37.600
<v Speaker 3>I love how people are like, I don't know, dude,

1:06:37.680 --> 1:06:40.000
<v Speaker 3>I just saw him seeing Unchained Melody and he seemed

1:06:40.040 --> 1:06:40.560
<v Speaker 3>pretty good.

1:06:41.880 --> 1:06:42.440
<v Speaker 1>Because that's like.

1:06:42.440 --> 1:06:44.480
<v Speaker 3>The one thing that's like the one Elvis performance I

1:06:44.520 --> 1:06:46.320
<v Speaker 3>have looked at because I remember even my dad was

1:06:46.360 --> 1:06:48.840
<v Speaker 3>like that was some wild shit. Like the last Elvis

1:06:48.840 --> 1:06:50.880
<v Speaker 3>performance of Unchained Melody where he's.

1:06:50.720 --> 1:06:53.880
<v Speaker 1>Just drenched in sweat singing Unshaan Melody and.

1:06:53.800 --> 1:06:57.360
<v Speaker 3>Like kind of Swan song in a way where you're like, oh,

1:06:57.520 --> 1:06:59.760
<v Speaker 3>like you're it feels I don't know, in this weird

1:06:59.760 --> 1:07:01.920
<v Speaker 3>way when I saw it, even not really knowing anything

1:07:01.920 --> 1:07:05.280
<v Speaker 3>about him, like oh, this feels like someone's final performance, right,

1:07:05.320 --> 1:07:07.680
<v Speaker 3>like in this weird way where it's like it seemed tragic,

1:07:07.720 --> 1:07:10.200
<v Speaker 3>but also like he was giving it everything.

1:07:10.560 --> 1:07:13.080
<v Speaker 4>Yeah, he looked like psychotic and that I mean he was.

1:07:13.480 --> 1:07:16.360
<v Speaker 4>He was singing so hard. I mean, I think Elvis

1:07:16.480 --> 1:07:19.080
<v Speaker 4>was like, you know, he was doing his best in

1:07:19.120 --> 1:07:22.360
<v Speaker 4>some horrible you know, he's things had gone completely off

1:07:22.400 --> 1:07:24.760
<v Speaker 4>the rails, but he considered like his performance to be

1:07:24.800 --> 1:07:27.120
<v Speaker 4>his thing, like he was still trying to.

1:07:27.600 --> 1:07:30.560
<v Speaker 1>Yeah, da all he would like still perform as he

1:07:30.600 --> 1:07:32.280
<v Speaker 1>was like dying. Yeah, he felt like.

1:07:32.200 --> 1:07:34.640
<v Speaker 4>He was trying to give people their money's worth. He

1:07:34.640 --> 1:07:36.360
<v Speaker 4>didn't have anything else, you know. I mean it was

1:07:36.360 --> 1:07:38.200
<v Speaker 4>like that was the only thing left for him, Like

1:07:38.240 --> 1:07:40.840
<v Speaker 4>that was like a traceable thing for him, probably of

1:07:40.920 --> 1:07:43.240
<v Speaker 4>his self worth. I mean he's like, why is this happening?

1:07:43.280 --> 1:07:45.920
<v Speaker 4>It's like the only thing I used to it's connected

1:07:45.960 --> 1:07:48.440
<v Speaker 4>to singing. I guess, so that last performance he's just

1:07:48.480 --> 1:07:51.880
<v Speaker 4>going off, like in a way where it's like you're

1:07:51.920 --> 1:07:54.560
<v Speaker 4>not supposed to even be getting that much meaning. Even

1:07:54.560 --> 1:07:56.360
<v Speaker 4>a good singer doesn't go off, you know what I mean.

1:07:56.400 --> 1:07:58.080
<v Speaker 4>Like he was just like trying to get as much

1:07:58.120 --> 1:08:01.280
<v Speaker 4>meaning out of unschained melody too much.

1:08:02.160 --> 1:08:06.280
<v Speaker 1>Yeah, right, tried too much. Close to the son, he

1:08:06.800 --> 1:08:09.680
<v Speaker 1>so sad. Yeah, he looked so sad and desperate.

1:08:09.720 --> 1:08:11.280
<v Speaker 3>You know, I'm just reading a quote from like in

1:08:11.320 --> 1:08:13.240
<v Speaker 3>a documentary of Priscilla, Presley said that quote.

1:08:13.280 --> 1:08:15.240
<v Speaker 1>Those last shows were not the most memorable as far

1:08:15.280 --> 1:08:17.200
<v Speaker 1>as performance. Sometimes you didn't get through a song. I

1:08:17.200 --> 1:08:18.760
<v Speaker 1>think the last year he was pretty much over. I

1:08:18.800 --> 1:08:20.519
<v Speaker 1>don't even know why he went on stage. They're just

1:08:20.520 --> 1:08:23.360
<v Speaker 1>hard to watch sometimes. I think it was maybe this

1:08:23.520 --> 1:08:27.440
<v Speaker 1>song have You Ever Been to Spain? Which is actually.

1:08:27.160 --> 1:08:32.000
<v Speaker 4>A Hoyd Axton song, but Hoyd actual wrote Joy to

1:08:32.040 --> 1:08:35.920
<v Speaker 4>the World that Jeremiah was a Bullfrog song for Three

1:08:35.920 --> 1:08:37.840
<v Speaker 4>Dog Night. He wrote a bunch of hits for Three

1:08:37.840 --> 1:08:39.640
<v Speaker 4>Dog Night and three Dog Knight had a hit with

1:08:40.040 --> 1:08:42.479
<v Speaker 4>had Never Been to Spain? But Elvis's version of I've

1:08:42.520 --> 1:08:44.000
<v Speaker 4>Never Been to Spain, which is on like all the

1:08:44.000 --> 1:08:47.120
<v Speaker 4>streaming services shows that. You know, he had a great

1:08:47.160 --> 1:08:49.439
<v Speaker 4>band and stuff and and and and and there were

1:08:49.479 --> 1:08:52.040
<v Speaker 4>moments where I think he had some artistic value.

1:08:52.240 --> 1:08:55.400
<v Speaker 1>Yeah, you know, I mean that the Suspicious Minds song

1:08:55.760 --> 1:08:58.759
<v Speaker 1>is fucking good, and that's from like after It's from

1:08:58.800 --> 1:09:00.840
<v Speaker 1>like kind of the later part of his was just

1:09:00.880 --> 1:09:03.920
<v Speaker 1>like so a nova baby, I recommend. Yeah, there's some

1:09:03.960 --> 1:09:06.080
<v Speaker 1>good stuff from later in the career. He had a

1:09:06.120 --> 1:09:08.519
<v Speaker 1>really great voice, but he was also just like, you know,

1:09:09.520 --> 1:09:13.479
<v Speaker 1>didn't really have anyone overall like taking care of like

1:09:13.520 --> 1:09:16.200
<v Speaker 1>the vision for his career at that point, other than

1:09:16.280 --> 1:09:21.320
<v Speaker 1>Colonel Tom Parker, who was, yeah, Colonel Tom Parker.

1:09:21.360 --> 1:09:24.600
<v Speaker 4>Man. He was like I was looking at these interviews

1:09:24.760 --> 1:09:28.920
<v Speaker 4>on YouTube of his entourage talking about Colonel Tom Parker,

1:09:29.240 --> 1:09:31.479
<v Speaker 4>and they're very sad because the entourage, as much as

1:09:31.479 --> 1:09:33.240
<v Speaker 4>they knew he was gonna die sort of, they all

1:09:33.320 --> 1:09:33.800
<v Speaker 4>loved him.

1:09:33.880 --> 1:09:36.519
<v Speaker 1>I mean, they lived twenty four hours a day with him.

1:09:36.560 --> 1:09:38.000
<v Speaker 4>They got up out of bed when he wanted to

1:09:38.040 --> 1:09:40.320
<v Speaker 4>do karate, They rode around in his stupid golf cart.

1:09:40.479 --> 1:09:42.240
<v Speaker 4>I mean, of course they were all like just basically

1:09:42.280 --> 1:09:45.519
<v Speaker 4>sex criminals around for the that's why they were there.

1:09:45.600 --> 1:09:47.760
<v Speaker 4>That's why they were there. But they were so sad

1:09:47.840 --> 1:09:49.920
<v Speaker 4>when he went away for a bunch of reasons, including

1:09:49.920 --> 1:09:52.920
<v Speaker 4>no more sex for them. But they said Colonel Tom Parker,

1:09:53.000 --> 1:09:55.559
<v Speaker 4>they just talk about how what a nightmare person he

1:09:55.680 --> 1:09:57.439
<v Speaker 4>was all around. And one of the things that they say,

1:09:57.520 --> 1:09:59.519
<v Speaker 4>that's so fucking funny, which I know isn't Elvis, But

1:09:59.560 --> 1:10:01.040
<v Speaker 4>I just when I was thinking about this show and

1:10:01.080 --> 1:10:02.280
<v Speaker 4>you guys asked me to do the show, I was like,

1:10:02.320 --> 1:10:05.040
<v Speaker 4>I gotta tell his stories. It's so fucking funny. Carl

1:10:05.080 --> 1:10:09.200
<v Speaker 4>Tom Parker was addicted to gambling. Addicted, he gambled. All

1:10:09.240 --> 1:10:11.880
<v Speaker 4>he did was he basically just put Elvis on stage.

1:10:11.920 --> 1:10:13.640
<v Speaker 4>As soon as he got the money, he would just

1:10:13.680 --> 1:10:16.120
<v Speaker 4>go directly to the gaming table. So that's why he

1:10:16.160 --> 1:10:18.200
<v Speaker 4>liked him performing in Las Vegas too, where he didn't

1:10:18.200 --> 1:10:19.560
<v Speaker 4>like him a tour because he wanted to be in

1:10:19.640 --> 1:10:22.800
<v Speaker 4>Las Vegas. Colonel Tom Parker lived to gamble, and so

1:10:23.160 --> 1:10:25.120
<v Speaker 4>one of the Entourage guys was like the thing with

1:10:25.200 --> 1:10:27.439
<v Speaker 4>Tom Parker is I just got to tell you guys,

1:10:27.600 --> 1:10:29.640
<v Speaker 4>And I don't know if I've ever told anybody this,

1:10:29.720 --> 1:10:32.120
<v Speaker 4>but I don't think he understood how to even gamble.

1:10:32.439 --> 1:10:36.800
<v Speaker 4>He's like, I would go downstairs. So he's like, I

1:10:36.840 --> 1:10:39.120
<v Speaker 4>went down I went downstairs at two in the morning.

1:10:39.160 --> 1:10:41.719
<v Speaker 4>He's got he's at the Wheel of Fortune. He's like, which,

1:10:41.720 --> 1:10:43.839
<v Speaker 4>first of all is the worst odds in the whole casino.

1:10:43.880 --> 1:10:46.960
<v Speaker 4>And that was Colonel Tom Parker's favorite game. But he

1:10:47.040 --> 1:10:52.120
<v Speaker 4>had a bet on every number and then he would win.

1:10:53.120 --> 1:10:57.320
<v Speaker 1>And we lost every other bet.

1:10:57.439 --> 1:10:59.600
<v Speaker 4>And he was like, I don't think he even understood

1:10:59.600 --> 1:11:01.679
<v Speaker 4>how to amble, and it was all he did.

1:11:02.000 --> 1:11:05.240
<v Speaker 1>Oh, so he would just spread it out across every poss.

1:11:05.240 --> 1:11:07.679
<v Speaker 4>Entire stand that you didn't win if you have money

1:11:07.720 --> 1:11:08.639
<v Speaker 4>on every number.

1:11:08.720 --> 1:11:11.000
<v Speaker 1>So he goes to the thing he's a roulette table,

1:11:11.160 --> 1:11:12.000
<v Speaker 1>red and black.

1:11:12.200 --> 1:11:14.080
<v Speaker 4>Yeah, it was just incredible because he's like, you know,

1:11:14.120 --> 1:11:16.160
<v Speaker 4>he kind of told every story about Colonel Tom Parker

1:11:16.160 --> 1:11:17.559
<v Speaker 4>and then he was just like, oh, and I forgot

1:11:17.560 --> 1:11:18.000
<v Speaker 4>one thing.

1:11:18.240 --> 1:11:21.320
<v Speaker 1>A guy lived to gamble and he didn't even know how. Yeah.

1:11:22.200 --> 1:11:23.280
<v Speaker 1>I just thought that was incredible.

1:11:23.320 --> 1:11:24.640
<v Speaker 4>I mean, there was no limit to how much that

1:11:24.800 --> 1:11:28.000
<v Speaker 4>they hated Tom Parker because he gambled away all his money.

1:11:28.000 --> 1:11:31.000
<v Speaker 1>And he also, you know, he didn't give a shit

1:11:31.040 --> 1:11:32.800
<v Speaker 1>if Elvis was alive or dead.

1:11:32.840 --> 1:11:35.080
<v Speaker 4>Really, he wanted him alive for money, but he didn't

1:11:35.120 --> 1:11:37.000
<v Speaker 4>care about personally about Elvis at all.

1:11:37.720 --> 1:11:40.599
<v Speaker 1>I will say I said that he wasn't in the military.

1:11:40.640 --> 1:11:42.639
<v Speaker 1>He did have a short stint in the military. Colonel

1:11:42.680 --> 1:11:45.160
<v Speaker 1>Tom Parker briefly went a wall and was thrown into

1:11:45.200 --> 1:11:47.760
<v Speaker 1>prison and spent time on Walter Reed Medical Center under

1:11:47.800 --> 1:11:52.400
<v Speaker 1>psychiatric care for being a quote psychopath. Oh yeah, yeah,

1:11:52.400 --> 1:11:53.400
<v Speaker 1>he was from Norway.

1:11:53.479 --> 1:11:56.040
<v Speaker 4>He allegedly killed the person in his home town and

1:11:56.080 --> 1:11:57.280
<v Speaker 4>like fled to America.

1:11:57.680 --> 1:12:01.719
<v Speaker 1>And that's why they're Dutch. Yeah, one of those where'd

1:12:01.720 --> 1:12:03.640
<v Speaker 1>I say it was from Norway? We can't have this

1:12:03.880 --> 1:12:07.040
<v Speaker 1>episode be so American? Was he from Norland? Listen? That's

1:12:07.160 --> 1:12:11.120
<v Speaker 1>I take responsibility for that. I'm the American. I feel

1:12:11.160 --> 1:12:13.240
<v Speaker 1>like that that is a thing you see with like

1:12:13.640 --> 1:12:20.400
<v Speaker 1>genuinely talented people then like have one certifiable psycho around

1:12:20.479 --> 1:12:22.799
<v Speaker 1>them to like cut through the business side of things,

1:12:23.479 --> 1:12:27.519
<v Speaker 1>but then you know, they end up fucking fucking up

1:12:27.880 --> 1:12:28.679
<v Speaker 1>entire careers.

1:12:28.960 --> 1:12:32.519
<v Speaker 4>And last thing one mile from me, one mile from

1:12:32.560 --> 1:12:36.640
<v Speaker 4>me right now up Gallatin Road in Nashville, Tennessee, is

1:12:36.680 --> 1:12:40.000
<v Speaker 4>a car wash that sits on the site of Colonel

1:12:40.000 --> 1:12:44.679
<v Speaker 4>Tom Parker's house, which was this like very middle class

1:12:44.720 --> 1:12:48.120
<v Speaker 4>looking house right on this like major thoroughfare in East Nashville,

1:12:48.920 --> 1:12:50.960
<v Speaker 4>in Madison, Tennessee, actually, but just right up.

1:12:51.160 --> 1:12:51.679
<v Speaker 1>Up the road.

1:12:52.040 --> 1:12:55.559
<v Speaker 4>And uh, anyway, he ran he created the Elvis Empire

1:12:55.960 --> 1:12:58.960
<v Speaker 4>out of a finished basement below that house with a

1:12:59.000 --> 1:13:04.160
<v Speaker 4>phone him a rolodex, and he ran the merch out

1:13:04.200 --> 1:13:08.080
<v Speaker 4>of a shed in the backyard. And that building's gone now,

1:13:08.200 --> 1:13:10.880
<v Speaker 4>got torn down like ten years ago, and some guy

1:13:10.920 --> 1:13:13.360
<v Speaker 4>tore out the whole basement like to try and build

1:13:13.400 --> 1:13:15.200
<v Speaker 4>a museum out of it, like out of the paneling.

1:13:15.240 --> 1:13:17.040
<v Speaker 1>But I haven't heard word on that. But I'll get

1:13:17.040 --> 1:13:20.200
<v Speaker 1>back to you guys. Yeah, yeah, check back in the reporting.

1:13:20.400 --> 1:13:21.320
<v Speaker 1>I'm not kidding either.

1:13:21.400 --> 1:13:23.320
<v Speaker 4>Some guy like bought the basement. He's like, you guys

1:13:23.320 --> 1:13:26.160
<v Speaker 4>are tearing down Colonel Tom Parker's house. That basement is historic.

1:13:26.160 --> 1:13:28.480
<v Speaker 4>That's where he made all the phone calls, right and

1:13:28.560 --> 1:13:30.680
<v Speaker 4>took all the But then I haven't heard where he's

1:13:30.680 --> 1:13:32.559
<v Speaker 4>put the basement. I think it's probably just in a pile.

1:13:32.640 --> 1:13:34.240
<v Speaker 4>You know, everybody makes plans.

1:13:34.080 --> 1:13:36.880
<v Speaker 1>It's at his psychopath alter that he's created. Yeah. Yeah,

1:13:36.920 --> 1:13:39.759
<v Speaker 1>his wife's like, what the fuck is this pile of shit?

1:13:40.360 --> 1:13:44.000
<v Speaker 1>That's Colonel Tom Parker's basement paneling. This is what this

1:13:44.040 --> 1:13:45.040
<v Speaker 1>is goodwood paneling.

1:13:45.080 --> 1:13:48.280
<v Speaker 4>Babe, I'm getting a divorce. Get the fuck out of

1:13:48.360 --> 1:13:51.000
<v Speaker 4>my house. Take your whatever that is with you.

1:13:51.240 --> 1:13:53.200
<v Speaker 1>Oh great, Like I got all the material I need

1:13:53.200 --> 1:13:55.479
<v Speaker 1>to build a new house. No matter, I'll just build them.

1:13:55.640 --> 1:13:59.600
<v Speaker 1>I'll live in this museum. Also, just going back to

1:13:59.840 --> 1:14:03.280
<v Speaker 1>the last episode that we recorded together, one of the

1:14:03.320 --> 1:14:07.600
<v Speaker 1>most famous Elvis is Still Alive rumors was that he

1:14:07.680 --> 1:14:10.599
<v Speaker 1>appeared in the background of Home Alone. There's a guy

1:14:10.760 --> 1:14:14.120
<v Speaker 1>in the background when she's like got fighting to get

1:14:14.160 --> 1:14:16.200
<v Speaker 1>on a plane. There's a guy in a turtleneck who

1:14:16.280 --> 1:14:21.040
<v Speaker 1>looks kind of like a older Elvis, And everyone was like, see, yeah,

1:14:21.080 --> 1:14:23.599
<v Speaker 1>he's got to still be alive. It's that in orson

1:14:23.640 --> 1:14:26.960
<v Speaker 1>wells Ish. I don't know who that is, but yeah, okay, they.

1:14:26.840 --> 1:14:29.400
<v Speaker 4>Did that with Jim Morrison. To remember, Jim Morrison was

1:14:29.439 --> 1:14:30.639
<v Speaker 4>supposed to have gone to Africa.

1:14:31.479 --> 1:14:34.200
<v Speaker 1>Oh yeah, wait, wait, there's pictures of Jim Morrison. Like

1:14:34.240 --> 1:14:36.080
<v Speaker 1>they found some guy like it's Jim Morrison.

1:14:36.439 --> 1:14:38.040
<v Speaker 4>They just said he faked his death and he was

1:14:38.040 --> 1:14:40.519
<v Speaker 4>living in Africa, like, and they were saying that was

1:14:40.560 --> 1:14:42.400
<v Speaker 4>like a whole there was just a big industry, and

1:14:42.400 --> 1:14:44.680
<v Speaker 4>then they'd sell paperback books off of it. So I

1:14:44.720 --> 1:14:47.880
<v Speaker 4>went to this place called McKay's in Nashville to look

1:14:47.920 --> 1:14:52.080
<v Speaker 4>for Christmas presents, and they have all those old paperbacks

1:14:52.080 --> 1:14:53.799
<v Speaker 4>and one of them was the Elvis Tapes.

1:14:54.280 --> 1:14:55.040
<v Speaker 1>And it was this.

1:14:55.280 --> 1:14:57.600
<v Speaker 4>Paperback book that you could buy at the supermarket that

1:14:57.720 --> 1:15:00.280
<v Speaker 4>was like, we have a tape that Elvis. It was

1:15:00.320 --> 1:15:03.240
<v Speaker 4>a book that transcribed the tape. That's what you could sell,

1:15:03.400 --> 1:15:05.439
<v Speaker 4>a transcription of an audio tape.

1:15:05.479 --> 1:15:07.760
<v Speaker 1>It was allegedly of Elvis. You could sell that as

1:15:07.800 --> 1:15:08.120
<v Speaker 1>a book.

1:15:08.160 --> 1:15:10.439
<v Speaker 4>And that's why I'm broke, because you can't do shit

1:15:10.560 --> 1:15:12.960
<v Speaker 4>like that anymore, I know. And I want to buy

1:15:12.960 --> 1:15:15.280
<v Speaker 4>that book, the Elvis Tapes for somebody, but I realized

1:15:15.680 --> 1:15:16.519
<v Speaker 4>nobody wants that.

1:15:17.400 --> 1:15:19.719
<v Speaker 1>Was it like supposed to be a recording of Elvis

1:15:19.840 --> 1:15:23.960
<v Speaker 1>after his death. Yeah, there was a transcription of it.

1:15:23.960 --> 1:15:26.880
<v Speaker 1>You couldn't use. You like to see some of the

1:15:26.920 --> 1:15:30.720
<v Speaker 1>early like post truth shit in the Elvis thing, like

1:15:30.840 --> 1:15:34.040
<v Speaker 1>Herado Rivera did a twenty twenty called the Elvis cover Up,

1:15:34.240 --> 1:15:35.960
<v Speaker 1>but it was just about the like cover up of

1:15:35.960 --> 1:15:38.800
<v Speaker 1>all the prescription drugs that he was abusing. But the

1:15:38.880 --> 1:15:41.759
<v Speaker 1>people who were still making money off the Elvis lifts

1:15:41.800 --> 1:15:46.320
<v Speaker 1>industry started claiming that that show was about evidence that

1:15:46.439 --> 1:15:48.720
<v Speaker 1>his death was faked and covered up, and it's just

1:15:48.760 --> 1:15:52.040
<v Speaker 1>like this infuriating like Herado Rivera will like have them

1:15:52.040 --> 1:15:53.799
<v Speaker 1>on a show later and was like, what the fucking

1:15:53.880 --> 1:15:57.120
<v Speaker 1>talk Like, it's clearly not about that, but they just

1:15:57.200 --> 1:16:01.879
<v Speaker 1>kept sending on like Oprah and Larry King and.

1:16:02.360 --> 1:16:04.519
<v Speaker 4>Yeah, sh it used to be cute before it was

1:16:04.520 --> 1:16:09.520
<v Speaker 4>about stolen elections, right well, I miss those cute conspiracy

1:16:09.520 --> 1:16:10.360
<v Speaker 4>theory theories.

1:16:10.400 --> 1:16:14.360
<v Speaker 1>God, I miss them, don't we That's that's been Elvis guys.

1:16:14.400 --> 1:16:17.160
<v Speaker 1>Anything anything to add I don't know. I mean, I dude,

1:16:17.200 --> 1:16:18.599
<v Speaker 1>I just found Thank you, Chris.

1:16:18.680 --> 1:16:21.960
<v Speaker 3>I found a fucking fifty minute video of Elvis doing

1:16:22.000 --> 1:16:24.960
<v Speaker 3>karate in nineteen seventy four, and I am going to

1:16:25.000 --> 1:16:27.280
<v Speaker 3>watch the full Welcome this because it's.

1:16:27.120 --> 1:16:29.240
<v Speaker 1>You're welcome, my apologies to your wife. That's a great

1:16:29.280 --> 1:16:33.120
<v Speaker 1>thing to have on. Just like in the background, it's freaking.

1:16:32.680 --> 1:16:36.000
<v Speaker 4>Me out, dude, Like, if you want a nineteen seventies divorce,

1:16:36.240 --> 1:16:39.280
<v Speaker 4>I can help you. The screaming and the scream is

1:16:39.280 --> 1:16:42.600
<v Speaker 4>what we call a kiyok It's a way of generating

1:16:42.640 --> 1:16:43.680
<v Speaker 4>more power.

1:16:43.760 --> 1:16:46.679
<v Speaker 1>Just hearing these voices tell me about Elvis.

1:16:47.600 --> 1:16:50.000
<v Speaker 4>Elvis standing there in a stupor while this guy fake

1:16:50.080 --> 1:16:55.320
<v Speaker 4>punches him, and Elvis like, Elvis, yeah, artist thing, Yeah

1:16:55.600 --> 1:16:58.320
<v Speaker 4>totally probably was hard from all the ship that was

1:16:58.360 --> 1:17:04.360
<v Speaker 4>in there. Eventually, God, Elvis is so lucky at that

1:17:04.400 --> 1:17:06.519
<v Speaker 4>gas station that those guys were impressed, because if he

1:17:06.560 --> 1:17:08.519
<v Speaker 4>actually had to fight, he would have had a rude awakening.

1:17:08.680 --> 1:17:11.120
<v Speaker 1>Could you imagine like that would have been so amazing

1:17:11.160 --> 1:17:12.479
<v Speaker 1>if he ever got into a fight.

1:17:13.880 --> 1:17:18.479
<v Speaker 4>Yes, And then he goes home and he's like, have

1:17:18.520 --> 1:17:19.960
<v Speaker 4>you guys been fucking lying to me?

1:17:20.040 --> 1:17:22.200
<v Speaker 1>I tried all that ship and no one went flying.

1:17:22.280 --> 1:17:25.200
<v Speaker 1>Everyone just stood there. I said, Katti, chop the gas pumping.

1:17:25.200 --> 1:17:27.400
<v Speaker 1>I pushed me in the stomach and it actually hurt,

1:17:27.600 --> 1:17:28.320
<v Speaker 1>fucking hurt.

1:17:28.400 --> 1:17:31.519
<v Speaker 4>I was like, this guy's got fucking brass knuckles on her.

1:17:31.600 --> 1:17:33.720
<v Speaker 4>I was karate chopping the fence, try and break off

1:17:33.720 --> 1:17:35.599
<v Speaker 4>a piece to attack them with, and I broke.

1:17:35.400 --> 1:17:37.400
<v Speaker 1>My fucking hand right away.

1:17:38.280 --> 1:17:40.920
<v Speaker 4>How do I break the fences at the at Graceland

1:17:40.960 --> 1:17:41.479
<v Speaker 4>so easily?

1:17:42.720 --> 1:17:48.360
<v Speaker 1>Well, they're made of crackers. King Well, Chris Croft is

1:17:48.400 --> 1:17:50.439
<v Speaker 1>such a pleasure having you as always. Where can people

1:17:50.439 --> 1:17:52.200
<v Speaker 1>find you follow you all that can.

1:17:52.360 --> 1:17:55.360
<v Speaker 4>I'm going to get things restarted on Holbrew got me

1:17:55.439 --> 1:17:57.519
<v Speaker 4>like I really have had I'm sorry you guys. I've

1:17:57.520 --> 1:18:00.280
<v Speaker 4>had a had a rough fall, I really have, and

1:18:00.360 --> 1:18:01.760
<v Speaker 4>I just got overwhelmed.

1:18:01.880 --> 1:18:03.479
<v Speaker 1>So I just took a break. I had to. I

1:18:03.560 --> 1:18:04.240
<v Speaker 1>just couldn't do it.

1:18:04.320 --> 1:18:06.559
<v Speaker 4>So so we've had a couple of months off, but

1:18:06.640 --> 1:18:09.000
<v Speaker 4>we'll be back and you can in the meantime, you

1:18:09.080 --> 1:18:13.080
<v Speaker 4>can you can read my Advice King column at Nashville

1:18:13.120 --> 1:18:13.920
<v Speaker 4>Scene dot com.

1:18:14.040 --> 1:18:18.800
<v Speaker 1>Or you can just follow my Instagram or whatever. You know.

1:18:18.840 --> 1:18:20.560
<v Speaker 1>It's follow my Instagram. That's where I put most of

1:18:20.560 --> 1:18:25.280
<v Speaker 1>my stuff. Tennessee's very own. Thank you, Thank you, Miles.

1:18:25.320 --> 1:18:28.719
<v Speaker 1>We can people find you Haley's Eitgeist. Ain't a footing

1:18:30.600 --> 1:18:34.120
<v Speaker 1>those the other check those out. All right? That is

1:18:34.680 --> 1:18:37.960
<v Speaker 1>gonna do it. I will be back after this with

1:18:38.080 --> 1:18:40.200
<v Speaker 1>some final thoughts and my no no, no, no no

1:18:40.640 --> 1:18:42.800
<v Speaker 1>book dump, and I will talk to you all in

1:18:42.840 --> 1:18:50.280
<v Speaker 1>a minute. All right. That was my conversation with Miles

1:18:50.320 --> 1:18:55.120
<v Speaker 1>and Chris Crofton about Elvis Presley. Thanks to Dave Ruse

1:18:55.160 --> 1:18:58.120
<v Speaker 1>for the research on this one. And here's some stuff

1:18:58.120 --> 1:19:01.160
<v Speaker 1>I missed. This is my no no, no no note book,

1:19:01.280 --> 1:19:06.599
<v Speaker 1>don't We mentioned Priscilla's affair with her karate instructor, Mike Stone,

1:19:07.280 --> 1:19:09.120
<v Speaker 1>which I should be clear by the way, Elvis was

1:19:09.320 --> 1:19:13.599
<v Speaker 1>constantly having affairs during their relationship, affairs that were written

1:19:13.640 --> 1:19:16.840
<v Speaker 1>about in the papers, and she was just stuck back

1:19:16.880 --> 1:19:20.639
<v Speaker 1>at Graceland just like reading about all these famous women

1:19:20.760 --> 1:19:24.160
<v Speaker 1>he was fucking, essentially, so she took karate because she

1:19:24.240 --> 1:19:28.719
<v Speaker 1>saw I was impressive to this like manchild, and eventually

1:19:28.840 --> 1:19:34.120
<v Speaker 1>found herself impressed by her instructor, who could presumably actually

1:19:34.280 --> 1:19:37.560
<v Speaker 1>do karate again. Go back and look at some of

1:19:37.600 --> 1:19:42.040
<v Speaker 1>the videos of Elvis as karate displays, and you might

1:19:42.280 --> 1:19:46.000
<v Speaker 1>see a contrast with that concept. But there's a story

1:19:46.320 --> 1:19:48.960
<v Speaker 1>from around this time that I really wish I hadn't

1:19:48.960 --> 1:19:53.360
<v Speaker 1>forgotten to tell Miles and Chris about when Elvis was

1:19:53.600 --> 1:19:56.639
<v Speaker 1>on stage out of his mind, lost in the has sauce,

1:19:57.280 --> 1:20:01.880
<v Speaker 1>and some fans rushed the stage and he became convinced

1:20:02.560 --> 1:20:07.839
<v Speaker 1>that those fans were contracted hitmen sent by Mike Stone.

1:20:08.000 --> 1:20:11.920
<v Speaker 1>Elvis was up for like three days straight just in

1:20:12.040 --> 1:20:14.839
<v Speaker 1>a rage, to the point that one of his entourage,

1:20:14.880 --> 1:20:19.400
<v Speaker 1>one of the Memphis Mafia, eventually looked into putting out

1:20:19.439 --> 1:20:23.280
<v Speaker 1>a hit on Mike Stone and like came to him

1:20:23.320 --> 1:20:26.640
<v Speaker 1>and was like, all right, I found the guy. But

1:20:26.760 --> 1:20:29.960
<v Speaker 1>by the time he got to that stage, Elvis had

1:20:30.080 --> 1:20:35.040
<v Speaker 1>like kind of calmed down and said, maybe it's a

1:20:35.080 --> 1:20:39.519
<v Speaker 1>little heavy. Let us hit for a while, which that

1:20:39.640 --> 1:20:43.320
<v Speaker 1>part kind of reminded me of the person the Graceland

1:20:43.960 --> 1:20:48.080
<v Speaker 1>Museum curator saying he shot out things on a random basis,

1:20:48.200 --> 1:20:50.679
<v Speaker 1>Like he wasn't like it turns out I was wrong

1:20:50.840 --> 1:20:55.200
<v Speaker 1>about those fans who rushed the stage being ninja assassins.

1:20:55.240 --> 1:20:57.479
<v Speaker 1>He was just like, I don't know if it's exactly

1:20:57.640 --> 1:21:02.479
<v Speaker 1>my vibe to strike back against those ninja assassins who

1:21:02.560 --> 1:21:07.479
<v Speaker 1>came after me. So just amazing, amazing testament to just

1:21:07.560 --> 1:21:12.479
<v Speaker 1>this weird psychological experiment of being the most famous person

1:21:12.680 --> 1:21:17.960
<v Speaker 1>on earth and never interacting with anybody who wasn't, you know,

1:21:18.280 --> 1:21:21.000
<v Speaker 1>part of your entourage for like years and years and years.

1:21:21.560 --> 1:21:25.160
<v Speaker 1>On the Nixon encounter, there's this joke by Jack Handy

1:21:25.840 --> 1:21:28.960
<v Speaker 1>that I think a good gift for the President would

1:21:29.000 --> 1:21:32.080
<v Speaker 1>be a chocolate revolver, and since he's so busy, you'd

1:21:32.120 --> 1:21:34.200
<v Speaker 1>probably have to run up real quick and hand it

1:21:34.280 --> 1:21:38.280
<v Speaker 1>to him. And that's essentially what Elvis did, but with

1:21:38.439 --> 1:21:41.800
<v Speaker 1>a real gun, and he got away with it while

1:21:41.840 --> 1:21:45.680
<v Speaker 1>wearing a big purple cape. The Ray Charles interview that

1:21:45.880 --> 1:21:48.760
<v Speaker 1>Chris brought up is great worth watching Ray Charles and

1:21:48.880 --> 1:21:51.840
<v Speaker 1>Bob Costas talking about Elvis. Ray Charles points out that

1:21:52.360 --> 1:21:56.120
<v Speaker 1>you know, black artists had been doing the dancing and

1:21:56.240 --> 1:21:58.679
<v Speaker 1>the type of music Elvis had been doing for years.

1:21:59.120 --> 1:22:03.160
<v Speaker 1>And I will say Elvis came by the influences. Honestly.

1:22:04.040 --> 1:22:06.880
<v Speaker 1>He grew up so poor that he grew up around

1:22:07.320 --> 1:22:11.639
<v Speaker 1>black families. He went to integrated churches. But I think

1:22:11.680 --> 1:22:17.600
<v Speaker 1>that double standard also applies to the sexual charisma we

1:22:17.640 --> 1:22:21.639
<v Speaker 1>spent spent a lot of time talking about especially applies

1:22:21.800 --> 1:22:24.800
<v Speaker 1>to the sexual charisma. Even I don't know that Ray

1:22:24.920 --> 1:22:28.040
<v Speaker 1>Charles was in the best position to appreciate just how

1:22:28.360 --> 1:22:32.320
<v Speaker 1>hot Elvis was being blind, but in the interview he

1:22:32.800 --> 1:22:35.680
<v Speaker 1>points out. Ray Charles points out that he was like

1:22:35.840 --> 1:22:39.439
<v Speaker 1>Elvis made people swoon, and so did Nat King Cole,

1:22:39.720 --> 1:22:43.599
<v Speaker 1>and they kicked him out of Alabama for making women swoon.

1:22:44.000 --> 1:22:47.920
<v Speaker 1>And I think that was an important part of like

1:22:48.120 --> 1:22:51.400
<v Speaker 1>Elvis being able to get away with what he got

1:22:51.439 --> 1:22:55.839
<v Speaker 1>away with. I was watching a performance by Little Richard

1:22:56.520 --> 1:22:59.920
<v Speaker 1>that I think was before Elvis broke, where little rich

1:23:00.320 --> 1:23:03.920
<v Speaker 1>like playing the piano and dancing. There's a bunch of

1:23:04.240 --> 1:23:09.240
<v Speaker 1>goofy white teenagers dancing like absolute shit behind him. But

1:23:09.520 --> 1:23:11.720
<v Speaker 1>little Richard at one point puts his leg up on

1:23:11.800 --> 1:23:14.120
<v Speaker 1>his piano and is like playing the piano, well, just

1:23:14.280 --> 1:23:18.280
<v Speaker 1>like showing off his stroke game. And I feel like

1:23:18.920 --> 1:23:22.639
<v Speaker 1>white people must have seen that, seen a black artist

1:23:22.720 --> 1:23:26.439
<v Speaker 1>displaying unrestrained sexuality, and just been like, all right, well

1:23:26.920 --> 1:23:29.760
<v Speaker 1>we'll let a white one do it, you know, Like

1:23:30.040 --> 1:23:33.320
<v Speaker 1>I don't think it was a plan, but it was

1:23:33.680 --> 1:23:37.479
<v Speaker 1>just the dynamic that Elvis by default took advantage of.

1:23:37.920 --> 1:23:40.599
<v Speaker 1>Like he was dangerous, but he was a safer version

1:23:40.840 --> 1:23:45.439
<v Speaker 1>of dangerous for a white supremacist. Leave it to beaver

1:23:45.600 --> 1:23:49.280
<v Speaker 1>ass country, safer as long as you weren't a girl

1:23:50.240 --> 1:23:54.040
<v Speaker 1>in ninth grade, I guess. And then just with all

1:23:54.080 --> 1:23:57.040
<v Speaker 1>the echoes of Trump in this episode, it did make

1:23:57.160 --> 1:24:01.800
<v Speaker 1>me kind of wish that though white working class version

1:24:01.880 --> 1:24:08.000
<v Speaker 1>of masculinity had incorporated more of the early Elvis, because like,

1:24:08.120 --> 1:24:12.240
<v Speaker 1>I don't know, you compare that to their current god,

1:24:12.600 --> 1:24:16.679
<v Speaker 1>Donald Trump, where you know, the stereotypical Trump Trump supporter

1:24:16.920 --> 1:24:22.759
<v Speaker 1>is this sort of depressing, depressed in cell type person.

1:24:23.120 --> 1:24:26.560
<v Speaker 1>Not all Trump supporters, but you know, that's kind of

1:24:26.800 --> 1:24:29.680
<v Speaker 1>what the general vibe is there. And it's kind of

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<v Speaker 1>surreal to see this off ramp where they could have

1:24:35.520 --> 1:24:38.479
<v Speaker 1>gotten over themselves and just like learned to dance with

1:24:38.600 --> 1:24:42.320
<v Speaker 1>some goddamn honey in their hips, to quote Miles. Anyways,

1:24:43.360 --> 1:24:47.160
<v Speaker 1>interesting episode, that's going to be it. We're off next week,

1:24:47.240 --> 1:24:51.200
<v Speaker 1>but the following Monday, we are going from Elvis, someone

1:24:51.280 --> 1:24:54.800
<v Speaker 1>who by the way, was blonde and dyed his hair

1:24:54.960 --> 1:24:58.320
<v Speaker 1>jet black, to someone who was a brunette and turned

1:24:58.360 --> 1:25:01.720
<v Speaker 1>themselves into the Quintus Central Blonde. We're looking at the

1:25:01.800 --> 1:25:05.720
<v Speaker 1>amazing life the mysterious death of Marilyn Mama, and we

1:25:05.840 --> 1:25:09.439
<v Speaker 1>will talk to y'all in a couple of weeks. Bye.