1 00:00:01,600 --> 00:00:05,359 Speaker 1: Hello the Internet, and welcome to this spin off episode 2 00:00:05,360 --> 00:00:09,559 Speaker 1: of zeit Geist spin off Wish. We're calling the iconograph. 3 00:00:09,800 --> 00:00:12,160 Speaker 1: Instead of looking at the Zeitgeist through current events on 4 00:00:12,240 --> 00:00:16,759 Speaker 1: Monday mornings, we're looking at the zeitgeist through the powerful 5 00:00:17,320 --> 00:00:21,920 Speaker 1: pop cultural hork cruxes that are our icons. We use 6 00:00:22,000 --> 00:00:25,079 Speaker 1: these historical figures and famous characters to create meaning, to 7 00:00:25,160 --> 00:00:29,920 Speaker 1: build identity, to make our teens faint with sheer abject horniness, 8 00:00:30,600 --> 00:00:33,840 Speaker 1: to test the human body's capacity to withstand taking enough 9 00:00:33,840 --> 00:00:36,960 Speaker 1: pills to fill a large ballpit, to create a more 10 00:00:37,000 --> 00:00:40,240 Speaker 1: definitive way to object to something on TV, because why 11 00:00:40,360 --> 00:00:43,520 Speaker 1: change the channel when you can shoot the TV, as 12 00:00:43,800 --> 00:00:48,000 Speaker 1: our icon today did on multiple occasions our first episode 13 00:00:48,000 --> 00:00:48,680 Speaker 1: of the New Year. 14 00:00:49,080 --> 00:00:52,199 Speaker 2: Yeah, I thought, wow, okay, you shot the TV all 15 00:00:52,240 --> 00:00:55,520 Speaker 2: the time. That was just a thing this motherfucker did. 16 00:00:56,760 --> 00:00:59,720 Speaker 2: He didn't have a job, He didn't really. He also 17 00:00:59,800 --> 00:01:02,880 Speaker 2: recorded some of his later tracks in the jungle room 18 00:01:02,960 --> 00:01:05,679 Speaker 2: in his TV room, and you can like hear it 19 00:01:05,720 --> 00:01:06,479 Speaker 2: sounds like shit. 20 00:01:06,959 --> 00:01:11,280 Speaker 1: Oh no, we're talking Elvis Baby. Elvis Presley a pop 21 00:01:11,319 --> 00:01:15,160 Speaker 1: culture icon who became an almost religious figure in the 22 00:01:15,280 --> 00:01:18,880 Speaker 1: US after being the first person to invent the idea 23 00:01:18,959 --> 00:01:23,040 Speaker 1: that a white person could have charisma and kind of 24 00:01:23,520 --> 00:01:29,280 Speaker 1: go like Burger with their voice, and everyone's like, oh, 25 00:01:29,400 --> 00:01:33,840 Speaker 1: he fucking shit, where'd he get that idea? Not from 26 00:01:33,880 --> 00:01:37,679 Speaker 1: white people? We'll talk about it. No, I'm thrilled to 27 00:01:37,760 --> 00:01:41,920 Speaker 1: be joined as always by my co host, mister Miles Grab. 28 00:01:42,360 --> 00:01:43,840 Speaker 1: Oh my god, I'm just. 29 00:01:43,840 --> 00:01:46,000 Speaker 3: Kind of reeling from the last thing you said. Don't 30 00:01:46,120 --> 00:01:49,480 Speaker 3: tell me that Elvis Presley wasn't getting all of his 31 00:01:49,560 --> 00:01:53,240 Speaker 3: inspiration from the white Christian Jesus just came up, came. 32 00:01:53,120 --> 00:01:55,360 Speaker 1: Up with that whole cloth. This guy came up with 33 00:01:55,400 --> 00:02:00,240 Speaker 1: these songs in our third seat. Miles Hilaire be a 34 00:02:00,280 --> 00:02:04,560 Speaker 1: stand up comedian, actor, and musician. You can listen to 35 00:02:04,560 --> 00:02:08,720 Speaker 1: his podcast, Colbrew Gotila Anywhere. He's got an album that 36 00:02:08,760 --> 00:02:12,520 Speaker 1: received a seven point four on Pitchfork Hell, which is 37 00:02:12,720 --> 00:02:17,120 Speaker 1: better than two of three Elvis albums on that Pitchfork 38 00:02:17,160 --> 00:02:21,040 Speaker 1: has reviewed two of the three. Pitchfork has reviewed three 39 00:02:21,280 --> 00:02:26,040 Speaker 1: Elvis albums, two of them sub Crofton. He's got a 40 00:02:26,080 --> 00:02:28,240 Speaker 1: new one called I'm Your Man, available on band Camp. 41 00:02:28,600 --> 00:02:33,880 Speaker 1: The poetry window is open because it's Chris motherfucking Craft. 42 00:02:34,520 --> 00:02:37,880 Speaker 4: My question is if I have a record higher rank 43 00:02:37,960 --> 00:02:40,400 Speaker 4: than Elvis where is. 44 00:02:40,360 --> 00:02:46,320 Speaker 1: My jungle room. I have one room. I have an 45 00:02:46,360 --> 00:02:53,920 Speaker 1: everything room. Yeah, I have all of the different ecosystems, 46 00:02:53,919 --> 00:02:59,000 Speaker 1: the desert room, and then cold medicine right right, mountains 47 00:02:59,040 --> 00:03:02,040 Speaker 1: of tissue. Yeah yeah, I don't even have it. I 48 00:03:02,040 --> 00:03:06,120 Speaker 1: don't even have a TV to shoot a projector. I 49 00:03:06,120 --> 00:03:11,399 Speaker 1: guess I could shoot my I could shoot my phone. Yeah, don't, don't. 50 00:03:11,400 --> 00:03:13,640 Speaker 1: Don't do that. Don't do that. That would be one 51 00:03:13,680 --> 00:03:17,240 Speaker 1: of the things I wouldn't recommend from el Basically everything else. 52 00:03:17,320 --> 00:03:22,240 Speaker 1: He was pretty smart, pretty pretty on point. Let's get 53 00:03:22,240 --> 00:03:27,280 Speaker 1: into it. What was your first experience with Elvis Miles. 54 00:03:27,320 --> 00:03:29,120 Speaker 1: I'm gonna start with you. I don't know. 55 00:03:29,200 --> 00:03:31,440 Speaker 3: I mean, like ambiently, it's like a thing that you 56 00:03:32,760 --> 00:03:33,760 Speaker 3: I can't give a good answer. 57 00:03:33,840 --> 00:03:35,400 Speaker 1: It's like ambient all around you. 58 00:03:35,440 --> 00:03:38,480 Speaker 3: The one time I do remember vividly, my first real 59 00:03:38,600 --> 00:03:42,680 Speaker 3: vivid Elvis memory was when he died. I remember we 60 00:03:42,760 --> 00:03:45,840 Speaker 3: put our cat in like a boarding thing because we 61 00:03:45,880 --> 00:03:48,920 Speaker 3: went out of town, and then my cat died at 62 00:03:48,960 --> 00:03:51,920 Speaker 3: that boarding thing on the anniversary of Elvis' is like death. 63 00:03:52,720 --> 00:03:55,520 Speaker 1: Oh yeah, that's not good. 64 00:03:55,880 --> 00:03:57,720 Speaker 3: Yeah yeah yeah, So what was this? He died in 65 00:03:57,720 --> 00:03:59,160 Speaker 3: seventy seven, so this is ninety seven. 66 00:03:59,240 --> 00:04:02,840 Speaker 1: This is the twentieth anniversary anniversary of Elvis. Twentieth anniversary. 67 00:04:02,880 --> 00:04:04,960 Speaker 3: My cat is in a boarding thing because we went 68 00:04:05,000 --> 00:04:07,680 Speaker 3: out of town and then the fucking cat. My cat 69 00:04:07,760 --> 00:04:09,360 Speaker 3: was like nineteen at the time, so it was kind 70 00:04:09,400 --> 00:04:11,720 Speaker 3: of like, bro, if you leave me, I'm gonna die. 71 00:04:12,040 --> 00:04:16,240 Speaker 3: And so I forever will always just think of Elvis 72 00:04:16,400 --> 00:04:19,919 Speaker 3: and my wonderful cat, Casey being dead. And then my 73 00:04:20,000 --> 00:04:22,440 Speaker 3: dad always he did a lot of like he was 74 00:04:22,560 --> 00:04:25,240 Speaker 3: experimenting with a lot of art pieces, like painting Elvis 75 00:04:25,279 --> 00:04:28,400 Speaker 3: black and stuff like do it using early photoshop to 76 00:04:28,400 --> 00:04:31,400 Speaker 3: make black Elvis as like a commentary on you know, the. 77 00:04:31,360 --> 00:04:34,200 Speaker 1: Cultural Wait, I can't. I've done this research and I 78 00:04:34,240 --> 00:04:38,120 Speaker 1: can't imagine what that would be a commentary. So those 79 00:04:38,160 --> 00:04:40,600 Speaker 1: are mine. Yeah, I think my first was like old 80 00:04:40,600 --> 00:04:43,200 Speaker 1: fat Elvis as a signifier of like tag Like I 81 00:04:43,240 --> 00:04:46,200 Speaker 1: remember the first thing I saw with Elvis, I think 82 00:04:46,680 --> 00:04:49,880 Speaker 1: was a commemorative plate commercial when I was a kid 83 00:04:50,160 --> 00:04:54,080 Speaker 1: of like be you know, them selling old shitty looking 84 00:04:54,279 --> 00:04:58,400 Speaker 1: like gold plated plates with like they'd be like multiple 85 00:04:58,480 --> 00:05:01,920 Speaker 1: Elvis that you had the young Elvis and then old 86 00:05:02,200 --> 00:05:06,600 Speaker 1: kind of chunky Elvis. And I remember hearing the phrase 87 00:05:06,640 --> 00:05:11,080 Speaker 1: fifty million Elvis fans can't be wrong, and just it 88 00:05:11,120 --> 00:05:14,000 Speaker 1: was like sort of at a distance, like observing the 89 00:05:14,040 --> 00:05:18,760 Speaker 1: phenomenon of Elvis fandom more than it was like any 90 00:05:18,839 --> 00:05:22,720 Speaker 1: direct experience with Elvis. But Chris, you are a musician, 91 00:05:24,000 --> 00:05:28,960 Speaker 1: a troubadour, an Elvis in your own right. What was 92 00:05:29,560 --> 00:05:30,159 Speaker 1: your O? Man? 93 00:05:31,400 --> 00:05:34,719 Speaker 4: I got a story for you. So nineteen seventy seven, 94 00:05:34,760 --> 00:05:40,680 Speaker 4: I'm eight, you know, and I am watching watching the 95 00:05:40,680 --> 00:05:43,320 Speaker 4: whole world go crazy that Elvis has passed. 96 00:05:43,640 --> 00:05:45,200 Speaker 1: Yeah, and up until. 97 00:05:45,000 --> 00:05:48,120 Speaker 4: Then, my parents probably thought I was maybe kind of normal, 98 00:05:48,320 --> 00:05:50,560 Speaker 4: like maybe they didn't know that I needed a lot 99 00:05:50,560 --> 00:05:52,960 Speaker 4: of attention or maybe not. Maybe they didn't maybe they 100 00:05:52,960 --> 00:05:56,080 Speaker 4: didn't know I needed this much attention. But I decided that. 101 00:05:56,480 --> 00:05:59,440 Speaker 4: I was like, oh my god, like I'm taking this. 102 00:05:59,720 --> 00:06:03,200 Speaker 4: Elvis has always meant so much to me. 103 00:06:03,760 --> 00:06:06,479 Speaker 1: I couldn't. I wanted a piece of the action. So 104 00:06:06,520 --> 00:06:09,760 Speaker 1: I was like, I always loved Elvis since I was eight. 105 00:06:09,920 --> 00:06:12,920 Speaker 1: So my family was like, no, you have it, you 106 00:06:13,000 --> 00:06:14,520 Speaker 1: talk about it? How could you guy? 107 00:06:14,640 --> 00:06:17,840 Speaker 4: I was like, no, no, one song. The worst thing 108 00:06:17,880 --> 00:06:24,080 Speaker 4: has ever happened to me? Yeah, Chrim talking about and 109 00:06:24,160 --> 00:06:26,600 Speaker 4: I was relent. I did not give up. I was like, 110 00:06:26,920 --> 00:06:29,599 Speaker 4: I've always loved him. This is the hardest thing for me. 111 00:06:30,320 --> 00:06:33,080 Speaker 4: And and then I was like, ohso everybody's got to 112 00:06:33,080 --> 00:06:40,920 Speaker 4: get me Elvis albums as fast as possible. 113 00:06:37,400 --> 00:06:38,360 Speaker 1: To back this up. 114 00:06:38,400 --> 00:06:40,680 Speaker 4: You guys know I'm crazy, but not everybody else has 115 00:06:40,720 --> 00:06:42,719 Speaker 4: to know. So let's get some Elvis albums in this 116 00:06:42,839 --> 00:06:43,960 Speaker 4: house on the double. 117 00:06:44,320 --> 00:06:47,000 Speaker 3: Right, why am I wearing all black? Because I'm still 118 00:06:47,040 --> 00:06:48,599 Speaker 3: in mourning over Elvis Presle. 119 00:06:48,839 --> 00:06:51,640 Speaker 4: So I fucking all my friends gave me Elvis albums 120 00:06:51,640 --> 00:06:54,880 Speaker 4: for my birthday and then I became a huge Elvis 121 00:06:54,920 --> 00:06:57,200 Speaker 4: fan in reverse. 122 00:06:58,279 --> 00:07:00,800 Speaker 1: And I did a lot of people are with like 123 00:07:00,839 --> 00:07:05,160 Speaker 1: you you notice the artists like streams of artists once 124 00:07:05,240 --> 00:07:08,320 Speaker 1: they die, like explode. I feel like there's something in 125 00:07:08,400 --> 00:07:11,600 Speaker 1: us that is just like, yeah, well we'll wait until 126 00:07:11,600 --> 00:07:14,880 Speaker 1: they're they're gone and then we'll truly like appreciate that. 127 00:07:15,760 --> 00:07:18,760 Speaker 4: But now you can do that, you can just I mean, 128 00:07:18,800 --> 00:07:21,320 Speaker 4: as an adult, it's not as easy to find out 129 00:07:21,320 --> 00:07:23,680 Speaker 4: if someone really you know what I mean. Someone could 130 00:07:23,720 --> 00:07:26,280 Speaker 4: say like, oh, I've always loved the band, television or whatever, 131 00:07:26,280 --> 00:07:27,480 Speaker 4: and you have to take their word for it. 132 00:07:27,480 --> 00:07:28,280 Speaker 1: I mean you can't really. 133 00:07:28,680 --> 00:07:32,200 Speaker 4: But my as an eight year old with no car 134 00:07:33,040 --> 00:07:36,680 Speaker 4: and you know, no internet or anything, and you damn well, 135 00:07:36,760 --> 00:07:40,000 Speaker 4: I you know, I wasn't. I didn't have any big 136 00:07:40,080 --> 00:07:43,280 Speaker 4: relationship with Elvis, but I didn't care because I was 137 00:07:43,280 --> 00:07:45,440 Speaker 4: not going to miss this opportunity to get in on 138 00:07:45,480 --> 00:07:45,880 Speaker 4: the action. 139 00:07:46,680 --> 00:07:47,760 Speaker 1: So that was my first. 140 00:07:47,920 --> 00:07:50,080 Speaker 4: And it reminds me of like that same period when 141 00:07:50,400 --> 00:07:53,560 Speaker 4: I was at some girl's house, you know, visiting just 142 00:07:53,640 --> 00:07:54,760 Speaker 4: you know whatever, just going. 143 00:07:54,680 --> 00:07:57,000 Speaker 1: Visiting with a frang out. Yeah, like a hang out 144 00:07:57,040 --> 00:08:00,280 Speaker 1: with this third sitting or something, and like like. 145 00:08:00,240 --> 00:08:03,680 Speaker 4: She had horses and like my mom came to pick 146 00:08:03,760 --> 00:08:06,600 Speaker 4: me up, and the lady, her mother said, like when 147 00:08:06,760 --> 00:08:08,480 Speaker 4: when my mom pulled up, she was like, oh I 148 00:08:08,480 --> 00:08:13,560 Speaker 4: didn't know Chris Road. Oh I didn't know Chris rides, okay, 149 00:08:13,720 --> 00:08:16,600 Speaker 4: because my mom was like doesn't Yeah, like I said, 150 00:08:16,600 --> 00:08:18,760 Speaker 4: I had a horse. Your mom belew you up like that. 151 00:08:19,360 --> 00:08:20,640 Speaker 4: Oh yeah, oh my mom was. 152 00:08:21,160 --> 00:08:23,200 Speaker 1: She was ruthless. She was like in the car, like, 153 00:08:23,200 --> 00:08:24,600 Speaker 1: what the hell's the matter with you? You don't know 154 00:08:25,360 --> 00:08:27,920 Speaker 1: doesn't have a horse. And he also doesn't like Elvis. 155 00:08:28,000 --> 00:08:30,400 Speaker 1: I know he probably told you that too. He's still 156 00:08:30,440 --> 00:08:33,200 Speaker 1: got he still got the tags on his Elvis shirt. 157 00:08:33,600 --> 00:08:35,840 Speaker 4: There's nothing that makes me sadder than when I'm riding 158 00:08:35,880 --> 00:08:38,240 Speaker 4: at night and I think of Elvis. 159 00:08:40,320 --> 00:08:46,240 Speaker 1: In the moonlight lantern. This just crushes me. Another early thing, 160 00:08:46,880 --> 00:08:49,000 Speaker 1: and this was like real big in the nineties. It 161 00:08:49,120 --> 00:08:53,720 Speaker 1: was Elvis impersonators, which I do think in retrospect, like 162 00:08:54,040 --> 00:08:56,559 Speaker 1: I think in one hundred years, if I like looked 163 00:08:56,600 --> 00:09:00,640 Speaker 1: at everything that has happened in pop culture with fresh eyes, 164 00:09:01,280 --> 00:09:03,200 Speaker 1: that would be something I'd be like, what the fuck? 165 00:09:03,800 --> 00:09:06,439 Speaker 1: Why are like? Why are there? Why is there a 166 00:09:06,440 --> 00:09:09,880 Speaker 1: cottage industry coming up on fifty years after his death? 167 00:09:09,880 --> 00:09:12,320 Speaker 1: Why is there a cottage industry full of people who 168 00:09:12,400 --> 00:09:15,920 Speaker 1: like dress up like him and pretend to be him 169 00:09:16,280 --> 00:09:20,080 Speaker 1: and treat it as like a borderline religious calling. Okay, 170 00:09:20,120 --> 00:09:22,720 Speaker 1: my brain had just accepted that because I it was 171 00:09:22,760 --> 00:09:26,840 Speaker 1: like one of the first pop culture references, you know. 172 00:09:26,880 --> 00:09:29,760 Speaker 1: It was just like a thing that people would be like. 173 00:09:29,760 --> 00:09:33,360 Speaker 1: There's an episode the first time I ever saw Quentin Tarantino, 174 00:09:33,440 --> 00:09:35,800 Speaker 1: by the way, I didn't realize it at the time, 175 00:09:36,040 --> 00:09:40,000 Speaker 1: a Golden Girls episode where Sophia's wedding there's like a 176 00:09:40,040 --> 00:09:43,640 Speaker 1: mix up in the invites, and Sofia's wedding is like 177 00:09:44,000 --> 00:09:48,319 Speaker 1: inundated with Elvis impersonators and he's one of the eldest impersonators, 178 00:09:48,760 --> 00:09:51,640 Speaker 1: but it's just a wee like I think. I just 179 00:09:51,840 --> 00:09:54,440 Speaker 1: was like, yeah, that's something people do with famous people, 180 00:09:54,960 --> 00:09:57,880 Speaker 1: and then doing the research for this, I was like, no, 181 00:09:57,960 --> 00:10:01,400 Speaker 1: they don't don't do that. They do that for Elvis 182 00:10:01,520 --> 00:10:03,559 Speaker 1: and Santa, and that's true. 183 00:10:03,760 --> 00:10:07,240 Speaker 3: I feel like the people that otherwise they're like Michael jacks, 184 00:10:07,760 --> 00:10:11,520 Speaker 3: Marilyn Monroe, Mike Jackson and him are like so linked 185 00:10:11,559 --> 00:10:12,800 Speaker 3: in so many weird ways. 186 00:10:13,080 --> 00:10:15,800 Speaker 1: But yeah, there were impersonators when he was alive, but 187 00:10:15,920 --> 00:10:19,920 Speaker 1: much like a Chris Croft, and it really their affinity 188 00:10:19,960 --> 00:10:23,440 Speaker 1: really exploded once he passed away and everyone was just like, 189 00:10:23,679 --> 00:10:26,520 Speaker 1: this is my ship now, this is my whole shit. 190 00:10:26,880 --> 00:10:28,720 Speaker 3: I mean, it's kind of like sort of like how 191 00:10:28,920 --> 00:10:30,520 Speaker 3: you if you want to be like an annoying kid 192 00:10:30,559 --> 00:10:32,840 Speaker 3: in the nineties and you had like an ace Ventura impression, 193 00:10:33,040 --> 00:10:33,959 Speaker 3: like you said, to be able to do like a 194 00:10:34,000 --> 00:10:36,000 Speaker 3: Jim Carrey thing for like Elvis, like and you get 195 00:10:36,080 --> 00:10:39,240 Speaker 3: your lip or a wig and you're like, like you 196 00:10:39,320 --> 00:10:42,120 Speaker 3: very much JOm wan Elvis impersonator and you had a 197 00:10:42,160 --> 00:10:42,760 Speaker 3: fucking gig. 198 00:10:43,480 --> 00:10:46,560 Speaker 1: Elvis almost seems like because it is a voice that 199 00:10:46,640 --> 00:10:49,480 Speaker 1: he did. We're going to talk about like how he 200 00:10:49,679 --> 00:10:53,079 Speaker 1: was discovered and like became Elvis and he was doing 201 00:10:53,120 --> 00:10:56,000 Speaker 1: a bit. He was like doing a voice when he 202 00:10:56,400 --> 00:11:00,480 Speaker 1: like he he had two straight days of the head 203 00:11:00,520 --> 00:11:03,800 Speaker 1: of Sun Records being like this fucking sucks. I thought 204 00:11:03,840 --> 00:11:06,480 Speaker 1: this guy wouldn be good. And then he started sucking 205 00:11:06,520 --> 00:11:09,440 Speaker 1: around and doing a voice and they were like that, 206 00:11:10,040 --> 00:11:12,040 Speaker 1: and it was like it was exactly like the scene 207 00:11:12,120 --> 00:11:15,640 Speaker 1: and like walk the line where U or or the 208 00:11:15,640 --> 00:11:17,719 Speaker 1: the Bones are their money scene from I think you 209 00:11:17,720 --> 00:11:20,880 Speaker 1: should leave where like the guys on the guitar just 210 00:11:20,920 --> 00:11:23,760 Speaker 1: like immediately like come in behind him. As he's like starts. 211 00:11:24,080 --> 00:11:26,680 Speaker 1: He goes from like being his normal self to being 212 00:11:26,720 --> 00:11:31,080 Speaker 1: like and like he thinks he's doing a bit, and 213 00:11:31,080 --> 00:11:34,560 Speaker 1: they're like that, keep doing that, that's great. Up. I 214 00:11:34,600 --> 00:11:36,440 Speaker 1: didn't know that. I did not know that. I know 215 00:11:36,480 --> 00:11:39,480 Speaker 1: a lot about Elvis. I thought you're his biggest fan, 216 00:11:39,559 --> 00:11:42,320 Speaker 1: Chris oh Man. I did not no, I didn't know. 217 00:11:42,360 --> 00:11:46,000 Speaker 1: He was like pressed over his dad expert over here, 218 00:11:46,480 --> 00:11:49,320 Speaker 1: doesn't even know. I got more. 219 00:11:49,200 --> 00:11:52,760 Speaker 4: Interested in just like his like line, you know, and 220 00:11:52,880 --> 00:11:54,600 Speaker 4: the guys his entourage. 221 00:11:54,880 --> 00:11:57,640 Speaker 1: Yeah, I want to hear more about the Memphis Mafia. 222 00:11:57,720 --> 00:12:01,319 Speaker 4: But ye know that he was like that he stumbled 223 00:12:01,320 --> 00:12:04,640 Speaker 4: into some character in front of what's his name, Old 224 00:12:04,679 --> 00:12:05,839 Speaker 4: Sam Phillips. 225 00:12:05,559 --> 00:12:07,360 Speaker 1: Yeah, Sam Phillips. It was it was almost like the 226 00:12:07,679 --> 00:12:10,240 Speaker 1: Lauren You know how Lorne Michaels has that theory of 227 00:12:10,800 --> 00:12:13,520 Speaker 1: like the realpses of Lorne Michaels in nineteen fifty five 228 00:12:13,640 --> 00:12:15,880 Speaker 1: or whatever. I don't know if you did this on purpose, 229 00:12:16,240 --> 00:12:18,360 Speaker 1: but I mean he probably did because he like had 230 00:12:18,400 --> 00:12:22,600 Speaker 1: them trying to record for like two days. Phillips. Sam 231 00:12:22,679 --> 00:12:26,040 Speaker 1: Phillis is the head of Sun Records, explicitly was like, 232 00:12:26,320 --> 00:12:29,960 Speaker 1: I'm making all these records with black artists. What if 233 00:12:29,960 --> 00:12:32,960 Speaker 1: I had a white artist to do that instead? And 234 00:12:33,080 --> 00:12:35,320 Speaker 1: like that was explicitly what he was doing when he 235 00:12:35,760 --> 00:12:37,839 Speaker 1: went after Elvis. He was like, could you do some 236 00:12:37,880 --> 00:12:41,079 Speaker 1: of these records that are very popular when black artists 237 00:12:41,160 --> 00:12:44,160 Speaker 1: do them? But what if he was white? If you 238 00:12:44,160 --> 00:12:50,160 Speaker 1: make it? But anyway, he was like so hot. That 239 00:12:50,200 --> 00:12:52,880 Speaker 1: was another thing like I hadn't fully appreciated, Like I 240 00:12:53,440 --> 00:12:57,880 Speaker 1: watched for the first time, like some of the early recordings, 241 00:12:57,880 --> 00:13:02,040 Speaker 1: his first appearances on television, and it is really striking. 242 00:13:03,360 --> 00:13:06,480 Speaker 1: First of all, like every like he's introduced by these 243 00:13:06,520 --> 00:13:09,400 Speaker 1: talk show hosts who are like these fifty year old 244 00:13:09,559 --> 00:13:13,920 Speaker 1: like grotesques who are like, gone, next we have Elvis, 245 00:13:14,040 --> 00:13:16,839 Speaker 1: and like they're just like frozen and like not able 246 00:13:16,880 --> 00:13:19,040 Speaker 1: to like do anything with her. And then Elvis comes 247 00:13:19,040 --> 00:13:23,280 Speaker 1: out and it's just like he's both very like charismatic 248 00:13:23,320 --> 00:13:26,080 Speaker 1: and able to dance and move like he's backed by 249 00:13:26,520 --> 00:13:29,760 Speaker 1: white backup singers who are like doing like little side 250 00:13:29,760 --> 00:13:33,520 Speaker 1: to side things, like you know, dancing like shit. And 251 00:13:33,559 --> 00:13:37,520 Speaker 1: then he is actually, you know, he just looks fucking awesome, 252 00:13:37,760 --> 00:13:39,680 Speaker 1: but he the other thing you're struck by is he's 253 00:13:39,760 --> 00:13:43,839 Speaker 1: so fucking hot. It's crazy how hot he is. Yeah, 254 00:13:44,080 --> 00:13:46,000 Speaker 1: I mean he showed up on TV. He's probably the 255 00:13:46,040 --> 00:13:49,680 Speaker 1: hottest man ever shown on television. And that by itself 256 00:13:49,800 --> 00:13:51,400 Speaker 1: was like, I guess see it up to that point, 257 00:13:51,480 --> 00:13:52,320 Speaker 1: like who was bringing it? 258 00:13:52,360 --> 00:13:54,920 Speaker 3: Like like in terms of the white guys on TV's 259 00:13:54,960 --> 00:13:55,400 Speaker 3: that was it. 260 00:13:55,480 --> 00:13:58,600 Speaker 1: Damn Oh. They were supposed to look more like, yeah, 261 00:13:58,600 --> 00:13:59,880 Speaker 1: like Edward g. Robinson or. 262 00:14:01,440 --> 00:14:04,840 Speaker 4: See every exactly, like everybody was supposed to look like 263 00:14:05,320 --> 00:14:12,840 Speaker 4: a union boss or something back then Nowhere Cutie, because 264 00:14:12,880 --> 00:14:15,440 Speaker 4: the rock stars of the early twentieth century were union 265 00:14:15,760 --> 00:14:19,920 Speaker 4: unionizers and stuff and like listen to me go I said, 266 00:14:20,720 --> 00:14:22,600 Speaker 4: I just had a big zip of coffee. So anyway, 267 00:14:22,640 --> 00:14:25,560 Speaker 4: but yeah, so like you know, like that was the aesthetic, 268 00:14:25,680 --> 00:14:29,280 Speaker 4: like you know, like the hottest even well even fucking yeah, 269 00:14:29,400 --> 00:14:32,600 Speaker 4: hottest dock worker or whatever. And now now Elvis is 270 00:14:32,680 --> 00:14:35,480 Speaker 4: like yeah, like and his parents aren't that hot. Like 271 00:14:35,560 --> 00:14:37,920 Speaker 4: he was just like a freak of fucking nature. Even 272 00:14:37,920 --> 00:14:40,800 Speaker 4: if he was, like what if he had a regular job. 273 00:14:40,920 --> 00:14:43,840 Speaker 4: Imagine if he was, like he couldn't. There's no way 274 00:14:43,840 --> 00:14:46,000 Speaker 4: he could be as hot as Elvis and just work 275 00:14:46,040 --> 00:14:48,640 Speaker 4: at a store because someone would come and say, we 276 00:14:48,720 --> 00:14:50,480 Speaker 4: got to teach you to dance or something. 277 00:14:50,520 --> 00:14:52,000 Speaker 1: Because he's even such money. 278 00:14:52,680 --> 00:14:54,840 Speaker 3: I'm looking at a baby picture of him, and he's 279 00:14:55,200 --> 00:14:58,360 Speaker 3: he's got so much as a little baby. 280 00:14:57,880 --> 00:15:01,600 Speaker 1: Yeah, he has insane or Ryan Gossly looked like a 281 00:15:01,640 --> 00:15:05,960 Speaker 1: warted Yes, truly, he truly does. But I will say, 282 00:15:06,040 --> 00:15:07,800 Speaker 1: just the thing getting back to him doing it as 283 00:15:07,800 --> 00:15:10,040 Speaker 1: a bit and like this voice of like the whooo 284 00:15:10,360 --> 00:15:14,400 Speaker 1: and like just the whole Elvis vibe. Like I think 285 00:15:14,520 --> 00:15:18,600 Speaker 1: that it's almost like we talked on our Halloween episode 286 00:15:18,880 --> 00:15:21,520 Speaker 1: with Jack Wagner about like this idea of like like 287 00:15:21,600 --> 00:15:24,760 Speaker 1: I don't believe in ghosts necessarily, but like there's like 288 00:15:24,800 --> 00:15:27,720 Speaker 1: this energy that can just like get released into the 289 00:15:27,720 --> 00:15:30,800 Speaker 1: collective unconscious and like suddenly like that thing takes over. 290 00:15:31,200 --> 00:15:33,960 Speaker 1: I feel like Elvis, like the character of Elvis is 291 00:15:34,040 --> 00:15:36,160 Speaker 1: kind of like that. Like people, it's almost like a 292 00:15:36,200 --> 00:15:39,800 Speaker 1: mental illness that you can't shake. Like Kurt Russell played 293 00:15:39,800 --> 00:15:42,480 Speaker 1: Elvis when he was young in a movie and then 294 00:15:42,560 --> 00:15:45,760 Speaker 1: like couldn't shake it and like forced it into this 295 00:15:45,920 --> 00:15:49,600 Speaker 1: disastrous movie called three Thousand Miles of Grace. Lamb Austin 296 00:15:49,640 --> 00:15:54,920 Speaker 1: Butler did his press tour like you know, after wrapping 297 00:15:55,000 --> 00:15:57,560 Speaker 1: the Elvis movie and like just did the whole thing 298 00:15:57,600 --> 00:16:01,520 Speaker 1: in an Elvis accent. Like it feels like Nick Cage 299 00:16:01,600 --> 00:16:07,360 Speaker 1: had it. Like everybody Erkele when he gets super Intelligence, 300 00:16:07,440 --> 00:16:12,000 Speaker 1: one of our past icons, Erkele in Family Matters when 301 00:16:12,000 --> 00:16:15,160 Speaker 1: he gets super intelligence. They're like, this is Einstein Erkele, 302 00:16:15,240 --> 00:16:17,920 Speaker 1: but he is doing an Elvis in President Andy cos 303 00:16:18,880 --> 00:16:22,520 Speaker 1: Andy Kaufman did it while Elvis elbing. Yeah, it's not 304 00:16:22,680 --> 00:16:25,240 Speaker 1: hard and it's like fun and it's just this like 305 00:16:25,800 --> 00:16:29,920 Speaker 1: character that is just I don't know, infectious and people 306 00:16:30,040 --> 00:16:33,600 Speaker 1: just can't not do it. Yeah. Meanwhile, I was out 307 00:16:33,600 --> 00:16:36,440 Speaker 1: here acting like the mask and shit. Yeah, well I 308 00:16:36,440 --> 00:16:39,800 Speaker 1: think Jim Carrey is similar, but he wasn't like incredibly hot, 309 00:16:39,840 --> 00:16:41,920 Speaker 1: and he didn't die like at the perfect moment for 310 00:16:42,000 --> 00:16:42,640 Speaker 1: it too, Like. 311 00:16:42,720 --> 00:16:45,520 Speaker 3: He gave like an easy thing for people to tap 312 00:16:45,600 --> 00:16:46,800 Speaker 3: into and be like, you're. 313 00:16:46,600 --> 00:16:48,360 Speaker 1: Doing the thing right. Yeah. 314 00:16:48,440 --> 00:16:50,400 Speaker 4: Yeah, it was like a meme back then. I mean, 315 00:16:50,440 --> 00:16:53,560 Speaker 4: like impersonating Elvis. This is pre internet, so it was 316 00:16:53,600 --> 00:16:57,160 Speaker 4: like kind of like saying, where's the Beefer or like saying, like, 317 00:16:58,080 --> 00:16:59,840 Speaker 4: I don't know what kids say today, you know, brats 318 00:17:00,320 --> 00:17:02,440 Speaker 4: or whatever. It was like, Oh, here comes Elvis or whatever, 319 00:17:02,480 --> 00:17:03,720 Speaker 4: you know, Like, oh, what's going on? 320 00:17:03,760 --> 00:17:06,879 Speaker 1: It's boring. Somebody say brat summer. They haven't invented that. 321 00:17:06,960 --> 00:17:10,000 Speaker 4: How about we Somebody goes, hey, you're Elvis, I'm Elvis, 322 00:17:10,840 --> 00:17:12,400 Speaker 4: goes we're a good day. 323 00:17:13,080 --> 00:17:18,520 Speaker 1: Superducer Victor says that in Fallout New Vegas, people like 324 00:17:18,600 --> 00:17:21,680 Speaker 1: it's a post apocalyptic Vegas and everyone assumes Elvis was 325 00:17:21,720 --> 00:17:23,720 Speaker 1: a god and would dress up like him, and I don't. 326 00:17:24,040 --> 00:17:27,080 Speaker 1: I don't think that's far from the truth of the situation. 327 00:17:27,160 --> 00:17:30,400 Speaker 1: Like there's this whole controversy in the Lower East Side 328 00:17:30,400 --> 00:17:34,040 Speaker 1: where a chalk bust of Elvis got stolen and everyone 329 00:17:34,080 --> 00:17:36,960 Speaker 1: treated it like it was the theft of the Crown Jewels. 330 00:17:37,000 --> 00:17:40,600 Speaker 1: Like it really is, like when was that recent? That 331 00:17:40,760 --> 00:17:43,879 Speaker 1: was like a few years back. Yeah, it ended up 332 00:17:43,920 --> 00:17:46,800 Speaker 1: being like the person who had bought it years before, 333 00:17:46,960 --> 00:17:48,959 Speaker 1: and it ended up being like this whole controversy of 334 00:17:49,000 --> 00:17:52,440 Speaker 1: like gentrification and stuff like that. But it just does 335 00:17:52,680 --> 00:17:56,000 Speaker 1: feel like if you don't know who Elvis is and 336 00:17:56,040 --> 00:17:58,440 Speaker 1: you just came down and like looked at the culture fresh, 337 00:17:58,440 --> 00:18:01,560 Speaker 1: you'd be like, oh, this is like a powerful religious 338 00:18:01,560 --> 00:18:05,879 Speaker 1: figure that everybody is not admitting is a powerful religious figure. 339 00:18:06,080 --> 00:18:07,920 Speaker 1: All right, let's take a quick bray, we'll be right 340 00:18:07,920 --> 00:18:21,080 Speaker 1: path and we're back. Let's get into his biography. Born 341 00:18:21,119 --> 00:18:24,479 Speaker 1: in nineteen thirty five, I think an important part of 342 00:18:24,760 --> 00:18:27,600 Speaker 1: who he is and his appeal by the time he 343 00:18:27,640 --> 00:18:29,199 Speaker 1: came around to me is he was like this like 344 00:18:29,280 --> 00:18:32,720 Speaker 1: tacky joke is that they were very poor, Like he 345 00:18:32,880 --> 00:18:35,720 Speaker 1: they lived in a two room shack that was built 346 00:18:35,720 --> 00:18:38,119 Speaker 1: by his dad. He'd taken out a loan for one 347 00:18:38,200 --> 00:18:40,199 Speaker 1: hundred and eighty dollars to buy the materials for the 348 00:18:40,240 --> 00:18:43,480 Speaker 1: house and it was like repossessed three years later. And 349 00:18:43,880 --> 00:18:49,040 Speaker 1: I feel like there's some element where he resonated hard 350 00:18:49,200 --> 00:18:53,240 Speaker 1: with sort of low culture like that. That's like part 351 00:18:53,400 --> 00:18:58,160 Speaker 1: of his appeal was that, you know, pop culture just rigorously, 352 00:18:58,880 --> 00:19:02,480 Speaker 1: inconsistently ign or is people who aren't rich. And then 353 00:19:02,560 --> 00:19:07,320 Speaker 1: having this person who was poor and also like his 354 00:19:07,480 --> 00:19:12,239 Speaker 1: taste was kind of like packy, you know, and like 355 00:19:12,359 --> 00:19:16,000 Speaker 1: not that like high culture bullshit right that people are 356 00:19:16,080 --> 00:19:19,399 Speaker 1: used to seeing like really helped him resonate in a 357 00:19:19,400 --> 00:19:22,680 Speaker 1: way that he wouldn't have otherwise. Was he open about 358 00:19:22,720 --> 00:19:24,720 Speaker 1: being poor? I really don't know. I think he was 359 00:19:24,760 --> 00:19:26,639 Speaker 1: a big part. Yeah, that was a big part of 360 00:19:26,720 --> 00:19:30,920 Speaker 1: his story originally, was like at first, like he's this 361 00:19:31,119 --> 00:19:35,239 Speaker 1: like rags to riches guy who like came from the 362 00:19:35,240 --> 00:19:38,200 Speaker 1: middle of the South. I'm like made good. 363 00:19:38,280 --> 00:19:42,040 Speaker 4: Right, and he wasn't pretentious, he was he went straight 364 00:19:42,080 --> 00:19:44,840 Speaker 4: to things yeah, like I'm gonna get a push button phone, 365 00:19:45,480 --> 00:19:47,600 Speaker 4: like you know what I mean, like ahead of everybody, 366 00:19:47,640 --> 00:19:49,359 Speaker 4: and that's gonna be my you know, like I'm not 367 00:19:49,440 --> 00:19:52,040 Speaker 4: I want the fucking new blender with the extra button 368 00:19:52,040 --> 00:19:54,480 Speaker 4: on it. All these sort of things that were not, yeah, 369 00:19:54,560 --> 00:19:58,000 Speaker 4: not classy, but I think other people could relate other 370 00:19:58,280 --> 00:20:00,439 Speaker 4: people who didn't have that stuff. Like me growing up 371 00:20:00,440 --> 00:20:02,440 Speaker 4: without a refrigerator that has the ice come out of 372 00:20:02,480 --> 00:20:04,960 Speaker 4: the front, right, you know, you're like. 373 00:20:04,880 --> 00:20:06,600 Speaker 1: That's holy shit. Like we had cars. 374 00:20:06,600 --> 00:20:08,080 Speaker 4: He used cars when I grew up, and we didn't 375 00:20:08,119 --> 00:20:10,600 Speaker 4: have a third break light well into when cars started 376 00:20:10,640 --> 00:20:12,720 Speaker 4: having a third break light, you know, and I was like, 377 00:20:12,800 --> 00:20:14,960 Speaker 4: if I get rich, I was like sixteen, you know, yeah, 378 00:20:14,960 --> 00:20:16,639 Speaker 4: I'm gonna have a third break light, you know, and 379 00:20:16,680 --> 00:20:17,600 Speaker 4: that would sound insane. 380 00:20:17,960 --> 00:20:19,560 Speaker 1: I'm gonna wear a seat belt. 381 00:20:19,560 --> 00:20:21,600 Speaker 4: Yeah, and it's cute and it's kind of fun, you know, 382 00:20:21,720 --> 00:20:23,440 Speaker 4: like I want all the new stuff. 383 00:20:23,560 --> 00:20:26,560 Speaker 1: And he was like like the way saying not pretentious, 384 00:20:26,600 --> 00:20:29,679 Speaker 1: Like he would have Elvis impersonators like come up on 385 00:20:29,760 --> 00:20:32,239 Speaker 1: stage with him, like he thought they were cool. You know. 386 00:20:32,440 --> 00:20:35,240 Speaker 1: He was just like down for whatever he was. He 387 00:20:35,640 --> 00:20:38,520 Speaker 1: didn't really give a fuck about that stuff. Other things 388 00:20:38,520 --> 00:20:42,160 Speaker 1: from his early childhood that were important. According to biographers, 389 00:20:42,560 --> 00:20:46,800 Speaker 1: he had a twin brother who was still born. And 390 00:20:47,560 --> 00:20:51,520 Speaker 1: it's it's weird, they're they're like he was like powered 391 00:20:52,200 --> 00:20:55,679 Speaker 1: by his twin Like he had like dreams throughout his 392 00:20:55,720 --> 00:20:58,560 Speaker 1: life about his twin brother. It was like this mystical 393 00:20:58,640 --> 00:21:02,679 Speaker 1: connection where it doesn't really make sense. They were probably 394 00:21:02,680 --> 00:21:05,840 Speaker 1: wise to like edit this out of the biopic, but 395 00:21:06,280 --> 00:21:09,600 Speaker 1: like it doesn't matter how goofy the central personal myth 396 00:21:09,720 --> 00:21:13,800 Speaker 1: is to us, Like he fucking believed that he was 397 00:21:13,840 --> 00:21:17,240 Speaker 1: like powered by the ghost of the dead baby that 398 00:21:17,359 --> 00:21:20,360 Speaker 1: was in his mom's womb with him, Like he really like. 399 00:21:20,320 --> 00:21:22,800 Speaker 3: Did he say, like you would articulate that idea like 400 00:21:22,840 --> 00:21:25,639 Speaker 3: a yeah, wow, like that's giving him an edge or 401 00:21:25,680 --> 00:21:28,439 Speaker 3: he's like I draw upon the power of my brother, 402 00:21:28,600 --> 00:21:29,320 Speaker 3: my twin brother. 403 00:21:29,720 --> 00:21:32,400 Speaker 1: Yeah, And his mom was like, you survived for a reason, 404 00:21:32,480 --> 00:21:35,479 Speaker 1: and you're like doing this for Jesse. He had a 405 00:21:35,560 --> 00:21:38,480 Speaker 1: really weird relationship with his mom. They baby talked to 406 00:21:38,520 --> 00:21:41,919 Speaker 1: each other, like up through adulthood. He had like pet names. 407 00:21:42,000 --> 00:21:44,520 Speaker 1: They had pet names. Yeah, he loved her feet. He 408 00:21:44,560 --> 00:21:46,159 Speaker 1: called her feet something she hit it. 409 00:21:46,160 --> 00:21:48,199 Speaker 4: He had like a name for her feet, like little 410 00:21:48,560 --> 00:21:53,040 Speaker 4: real some like that, Like there's this little Rudy two d's. 411 00:21:53,400 --> 00:21:55,800 Speaker 1: Like early on the research he was talking about like 412 00:21:56,160 --> 00:21:59,359 Speaker 1: how at school like everybody called him a mama's boy 413 00:21:59,800 --> 00:22:01,760 Speaker 1: and that I was like, that's kind of a weirdly 414 00:22:01,840 --> 00:22:05,080 Speaker 1: specific thing to stand in the way of like this 415 00:22:05,400 --> 00:22:13,640 Speaker 1: preternaturally like hot guys stillborn baby in his backpack and 416 00:22:14,280 --> 00:22:18,240 Speaker 1: but I regret to report the school bullies were exactly right. 417 00:22:18,840 --> 00:22:23,000 Speaker 1: That was weird. Like in love with his mother, yes, 418 00:22:23,480 --> 00:22:25,840 Speaker 1: and she like wouldn't let him go anywhere without him. 419 00:22:26,119 --> 00:22:29,040 Speaker 1: And then like people think that it had a lot 420 00:22:29,080 --> 00:22:31,439 Speaker 1: to do, like she died pretty young, and it was 421 00:22:31,480 --> 00:22:33,840 Speaker 1: like once he got famous and she couldn't be around 422 00:22:33,920 --> 00:22:36,480 Speaker 1: him all the time, it like really fucked her up. 423 00:22:36,760 --> 00:22:38,040 Speaker 1: And she was like I knew he was going to 424 00:22:38,080 --> 00:22:40,560 Speaker 1: be famous, but I didn't know it would involve him 425 00:22:41,040 --> 00:22:45,240 Speaker 1: leaving the house all the damn time. Wow. One detail 426 00:22:45,280 --> 00:22:49,080 Speaker 1: from the early So he got his first guitar in 427 00:22:49,160 --> 00:22:53,080 Speaker 1: nineteen forty six cost twelve ninety five. He had wanted 428 00:22:53,119 --> 00:22:56,200 Speaker 1: a bicycle, but his parents couldn't afford it. But twelve 429 00:22:56,280 --> 00:22:58,399 Speaker 1: ninety five at that time was two hundred and twenty 430 00:22:58,480 --> 00:23:02,240 Speaker 1: dollars today. How fucking expensive where bicycles back then? I 431 00:23:02,240 --> 00:23:05,680 Speaker 1: guess like cost what a car did. Anyways, one of 432 00:23:05,720 --> 00:23:07,960 Speaker 1: the reasons we have Eldess is because. 433 00:23:09,440 --> 00:23:10,960 Speaker 5: Yeah, if they got him a bike, he could have 434 00:23:11,000 --> 00:23:13,800 Speaker 5: been You would have jumped that fucking river or whatever 435 00:23:13,800 --> 00:23:15,639 Speaker 5: that one YouTube video Chris you showed us. 436 00:23:15,760 --> 00:23:19,720 Speaker 1: Oh yeah, yeah, he would have been the hottest, like 437 00:23:19,800 --> 00:23:22,760 Speaker 1: whatever bike racer or whatever. One thing that I think 438 00:23:23,119 --> 00:23:27,360 Speaker 1: always gets cut out of the origin stories of these 439 00:23:27,840 --> 00:23:31,639 Speaker 1: you know icons, is like all the other people and 440 00:23:31,680 --> 00:23:34,440 Speaker 1: all the contributing factors, and we're going to get into 441 00:23:34,480 --> 00:23:39,400 Speaker 1: like the obvious like musical inspirations in quotes. A lot 442 00:23:39,400 --> 00:23:42,919 Speaker 1: of his early songs were covers of black artists that 443 00:23:42,960 --> 00:23:45,800 Speaker 1: had like already charted with this, but like weren't on 444 00:23:45,880 --> 00:23:48,520 Speaker 1: the pop charts. But it was also like a time 445 00:23:48,680 --> 00:23:53,080 Speaker 1: like he started practicing guitar with this guy who lived 446 00:23:53,080 --> 00:23:56,760 Speaker 1: on his street, and like him and two other guys 447 00:23:56,800 --> 00:24:01,480 Speaker 1: were like practicing with this guitar teacher, and one of 448 00:24:01,520 --> 00:24:06,320 Speaker 1: those other guys ended up becoming like a major rockabilly pioneer, 449 00:24:06,560 --> 00:24:09,360 Speaker 1: or like two of them. So like there's this teacher 450 00:24:09,520 --> 00:24:12,880 Speaker 1: who's just like creating people who are in like the 451 00:24:13,040 --> 00:24:15,800 Speaker 1: Rockabilly Hall of Fame. Who was the other one? So 452 00:24:15,880 --> 00:24:18,960 Speaker 1: the teacher's name was Lee Denson, and then there was 453 00:24:20,720 --> 00:24:25,240 Speaker 1: Johnny and Dorsey Burnett, I guess, but also at the 454 00:24:25,280 --> 00:24:27,280 Speaker 1: same he came out of Memphis at the exact same 455 00:24:27,280 --> 00:24:30,480 Speaker 1: time as Johnny Cash. So there's just like something happening 456 00:24:30,520 --> 00:24:34,320 Speaker 1: in the area with like influences, and you know that 457 00:24:34,760 --> 00:24:39,560 Speaker 1: isn't the hotspot for music at the time necessarily, but 458 00:24:40,200 --> 00:24:43,640 Speaker 1: you know, things were. We prefer the great Man theory 459 00:24:43,920 --> 00:24:47,240 Speaker 1: of things, but they are. You know, two of these 460 00:24:47,440 --> 00:24:50,320 Speaker 1: iconic musicians are coming out of the same town right 461 00:24:50,359 --> 00:24:53,359 Speaker 1: at the same time. Johnny Cash also had a like 462 00:24:53,440 --> 00:24:56,320 Speaker 1: mystical connection to a brother who died when he was younger, 463 00:24:56,440 --> 00:25:00,320 Speaker 1: which is you might have seen in his bi pick 464 00:25:00,400 --> 00:25:03,040 Speaker 1: walk the line. All right, let's get to the Sun Records, 465 00:25:03,119 --> 00:25:04,719 Speaker 1: the thing I was talking about earlier, because I do 466 00:25:04,760 --> 00:25:07,719 Speaker 1: think that's one of the most interesting parts of the story. 467 00:25:08,160 --> 00:25:12,080 Speaker 1: So the owner of Sun Records and Sun Studio is 468 00:25:12,960 --> 00:25:17,800 Speaker 1: this guy Sam Phillips, and he scouted blues acts from 469 00:25:17,840 --> 00:25:21,159 Speaker 1: the Mississippi Delta and is credited with recording arguably the 470 00:25:21,160 --> 00:25:23,800 Speaker 1: first rock and roll songs, Rocket eighty eight by Ike 471 00:25:23,840 --> 00:25:27,840 Speaker 1: Turners Kings of Rhythm, and that was two years earlier 472 00:25:27,840 --> 00:25:32,040 Speaker 1: than it was really good. Still is also at the 473 00:25:32,080 --> 00:25:37,200 Speaker 1: time Rock around the Clock was charting. So as this 474 00:25:37,280 --> 00:25:44,560 Speaker 1: is happening, like there are rock songs like song invented this. 475 00:25:45,000 --> 00:25:48,080 Speaker 1: It was like for white Elvis was the first. It 476 00:25:48,119 --> 00:25:51,240 Speaker 1: was like so strange for people at the time that 477 00:25:51,320 --> 00:25:54,040 Speaker 1: a white person would be making this music that after 478 00:25:54,040 --> 00:25:56,080 Speaker 1: the song I'm about to like talk about the creation 479 00:25:56,160 --> 00:25:58,879 Speaker 1: of the first radio station that played it. Like the 480 00:25:58,920 --> 00:26:01,679 Speaker 1: people who were calling and wouldn't believe he was white 481 00:26:01,800 --> 00:26:04,520 Speaker 1: until he told them what high school he went to, 482 00:26:04,800 --> 00:26:09,520 Speaker 1: and then they were like, oh, well that is South yeah, yeah, yeah, 483 00:26:09,920 --> 00:26:13,399 Speaker 1: so but yeah, Sam Phillips was actively looking for a 484 00:26:13,440 --> 00:26:15,800 Speaker 1: white artist to sing sped up blues and R and 485 00:26:15,840 --> 00:26:20,240 Speaker 1: B songs in the you know, same mode as like 486 00:26:20,320 --> 00:26:24,240 Speaker 1: Rocket eighty eight. Elvis steps into his recording studio, there's 487 00:26:24,240 --> 00:26:26,280 Speaker 1: like a lot of like there's a story that he 488 00:26:26,600 --> 00:26:31,080 Speaker 1: went in too, like record a couple songs for his mom, 489 00:26:31,200 --> 00:26:33,879 Speaker 1: but a thing that gets cut out a lot is like, like, 490 00:26:33,880 --> 00:26:38,520 Speaker 1: like I said, they are not succeeding for a long time. 491 00:26:39,480 --> 00:26:42,359 Speaker 1: It's I think a day and a half of like 492 00:26:42,480 --> 00:26:47,240 Speaker 1: recording and everybody being like this is shit. And then 493 00:26:47,720 --> 00:26:52,760 Speaker 1: he calls into Memphis musicians Scottie Moore, Bill Black and 494 00:26:53,160 --> 00:26:56,160 Speaker 1: on July fourth, So after a day of fucking around 495 00:26:56,160 --> 00:27:00,080 Speaker 1: and not finding anything, Elvis started quote goofing around and 496 00:27:00,480 --> 00:27:03,520 Speaker 1: broke into a fast rendition of Arthur Big Boy crowd 497 00:27:03,600 --> 00:27:06,919 Speaker 1: up song That's all right, Mama, And again they just 498 00:27:06,960 --> 00:27:09,359 Speaker 1: like fall right in and they're like doom doom, doom doom, 499 00:27:09,480 --> 00:27:11,320 Speaker 1: and he's just goofing and. 500 00:27:11,200 --> 00:27:13,679 Speaker 4: A couple of things real quick. I bet you in 501 00:27:13,760 --> 00:27:15,960 Speaker 4: that first day and a half when he was failing, 502 00:27:16,200 --> 00:27:18,440 Speaker 4: he still had sex with everybody in that building. 503 00:27:20,440 --> 00:27:22,280 Speaker 1: And they were getting mad and they were like, listen, 504 00:27:22,760 --> 00:27:23,200 Speaker 1: this guy. 505 00:27:23,240 --> 00:27:25,800 Speaker 4: If he doesn't do something, we got to get him 506 00:27:25,840 --> 00:27:29,600 Speaker 4: out of here because he's having sex with everybody, and 507 00:27:29,640 --> 00:27:33,600 Speaker 4: then and then my wife three times. He's fucked everything 508 00:27:33,800 --> 00:27:38,200 Speaker 4: he's about. He fucked elevator operator and he never fucks 509 00:27:38,280 --> 00:27:42,159 Speaker 4: anybody that elevator operator. And the other thing was, I 510 00:27:42,359 --> 00:27:47,520 Speaker 4: wonder if they brewed some coffee halfway through that second day. 511 00:27:47,760 --> 00:27:50,320 Speaker 4: I bet you hadn't discovered speed at this point, So 512 00:27:50,400 --> 00:27:55,960 Speaker 4: I wait, what do you call this drink? Here? 513 00:27:59,600 --> 00:28:07,120 Speaker 1: Health? I feel health? No weed ray, no tea, Elvis coffeel. 514 00:28:07,560 --> 00:28:09,679 Speaker 1: He said that that moment in the Sunseus was the 515 00:28:09,720 --> 00:28:12,720 Speaker 1: first time he'd ever sung in that style, fast, growling, 516 00:28:12,760 --> 00:28:17,080 Speaker 1: cocky uh and basically invented the character as a bit. 517 00:28:17,600 --> 00:28:22,040 Speaker 1: And I just I think that we found this like 518 00:28:22,080 --> 00:28:24,560 Speaker 1: when Jelil White talks about creating Arkle, he was like, 519 00:28:24,600 --> 00:28:27,720 Speaker 1: I just went out of body. Frank Oz he was 520 00:28:27,760 --> 00:28:31,800 Speaker 1: like the thing that like crystallized Miss Piggy for him 521 00:28:32,320 --> 00:28:34,359 Speaker 1: was just this thing that like he wasn't even thinking of, 522 00:28:34,400 --> 00:28:36,679 Speaker 1: but he like did a karate chop on Kermit and 523 00:28:36,720 --> 00:28:40,440 Speaker 1: then it it's like you have to our instincts are 524 00:28:40,520 --> 00:28:45,200 Speaker 1: like so our conscious instincts are like so wrong that 525 00:28:45,320 --> 00:28:47,400 Speaker 1: like you need something to like get them out of 526 00:28:47,400 --> 00:28:50,400 Speaker 1: the way to you know, we're like scared of being 527 00:28:50,480 --> 00:28:54,160 Speaker 1: humiliated and you need to either be tired. You need 528 00:28:54,200 --> 00:28:55,920 Speaker 1: to like be like, ah, what if I did something 529 00:28:55,960 --> 00:29:00,080 Speaker 1: this stupid? Right, that's pretty silly, and the people are like, 530 00:29:00,360 --> 00:29:04,760 Speaker 1: that's actually you just you're Elvis Jack. He was talking 531 00:29:04,760 --> 00:29:07,280 Speaker 1: about Rkle or is that in this document you're reading? 532 00:29:07,480 --> 00:29:10,560 Speaker 1: Or is this for you? Is the other Elvis just 533 00:29:11,520 --> 00:29:13,920 Speaker 1: was the second icon that we covered on this series, 534 00:29:16,480 --> 00:29:19,280 Speaker 1: categorized Merkle, and the same for. 535 00:29:21,880 --> 00:29:25,120 Speaker 3: When Chris is confused by the tangents the episode is taking. 536 00:29:26,880 --> 00:29:28,960 Speaker 1: Okay, Chris, you're gonna have to go back and listen 537 00:29:28,960 --> 00:29:31,800 Speaker 1: to the episode. I'm gonna listen to it right after this. 538 00:29:32,400 --> 00:29:34,480 Speaker 1: But he said, uh, I never sang that way in 539 00:29:34,520 --> 00:29:36,920 Speaker 1: my life until I made that first record. I remember 540 00:29:36,920 --> 00:29:39,440 Speaker 1: that song because I heard Arthur sing it, and I 541 00:29:39,480 --> 00:29:41,480 Speaker 1: thought I would like to try it. That was it. 542 00:29:42,800 --> 00:29:47,200 Speaker 1: M yeah, wow, must be nice, Must be nice. So 543 00:29:47,280 --> 00:29:50,000 Speaker 1: I figured I'd give that a try, and people really 544 00:29:50,080 --> 00:29:51,440 Speaker 1: liked it, almost even more. 545 00:29:51,640 --> 00:29:54,360 Speaker 3: It's crazy, And I don't know, this is during segregation 546 00:29:54,520 --> 00:29:56,760 Speaker 3: and they just used me as a conduit to get 547 00:29:56,760 --> 00:29:58,360 Speaker 3: white culture to accept black music. 548 00:29:58,720 --> 00:30:01,480 Speaker 4: Yeah, I mean they already had add an industry, I 549 00:30:01,520 --> 00:30:04,680 Speaker 4: think of white artists, you know, like I don't know 550 00:30:04,720 --> 00:30:07,320 Speaker 4: if Pat Boone was already going then yeah. 551 00:30:07,360 --> 00:30:11,320 Speaker 1: Pat Boone would take songs performed by black artists that 552 00:30:11,360 --> 00:30:15,400 Speaker 1: were popular and he would just like wipe them up, 553 00:30:15,520 --> 00:30:19,600 Speaker 1: like he would just like remove all feeling and just 554 00:30:19,720 --> 00:30:24,400 Speaker 1: boil it so there's no flavor, just boiled ass chicken breast. 555 00:30:25,160 --> 00:30:28,080 Speaker 1: But yeah, so that's what people that. That was the 556 00:30:28,120 --> 00:30:29,600 Speaker 1: formula up to that point. 557 00:30:29,720 --> 00:30:31,560 Speaker 4: So I wonder if Sam Phillips was just like no 558 00:30:31,600 --> 00:30:34,480 Speaker 4: one's ever tried this with like Little Richard or you know, 559 00:30:34,520 --> 00:30:36,880 Speaker 4: something like Pat Boone mostly did like the top hits 560 00:30:36,920 --> 00:30:40,400 Speaker 4: that were more like less you know, like a wild 561 00:30:40,480 --> 00:30:42,240 Speaker 4: than a lot of the big R and B hits 562 00:30:42,280 --> 00:30:43,680 Speaker 4: like they did. Maybe it was just he was like, oh, 563 00:30:43,720 --> 00:30:45,280 Speaker 4: why don't we do the R and b the wild 564 00:30:45,440 --> 00:30:47,560 Speaker 4: fucking dirty R and B shit the same way that 565 00:30:47,600 --> 00:30:51,360 Speaker 4: we're doing the. 566 00:30:50,440 --> 00:30:51,640 Speaker 1: Generally in American culture. 567 00:30:51,640 --> 00:30:54,520 Speaker 3: There's always a way where white American culture finds a 568 00:30:54,520 --> 00:30:57,280 Speaker 3: way to co op black culture and subsume it, right, 569 00:30:57,520 --> 00:31:00,440 Speaker 3: and then yeah, it turns into this other thing where 570 00:31:00,440 --> 00:31:01,600 Speaker 3: it's like and then this is rock. 571 00:31:01,480 --> 00:31:06,080 Speaker 1: And roll, and it was like it's rock and roll now, okay, 572 00:31:06,240 --> 00:31:06,680 Speaker 1: but it's. 573 00:31:06,680 --> 00:31:08,800 Speaker 3: I mean, the one thing I do know is like 574 00:31:08,840 --> 00:31:11,360 Speaker 3: a lot of they're like, there are black artists who 575 00:31:11,360 --> 00:31:13,800 Speaker 3: spoke highly of Elvis because they do see him as like, well, 576 00:31:13,840 --> 00:31:15,560 Speaker 3: he was open to me and he opened the door 577 00:31:15,840 --> 00:31:17,760 Speaker 3: for me. And then you have other people who are 578 00:31:17,760 --> 00:31:19,920 Speaker 3: straight up like, I mean, this is just some guy 579 00:31:19,960 --> 00:31:20,960 Speaker 3: doing our music. 580 00:31:21,160 --> 00:31:23,960 Speaker 1: And because of Ray Charles, Yeah, because of that Ray 581 00:31:24,000 --> 00:31:26,040 Speaker 1: Charles interview with Bob Costas. 582 00:31:26,000 --> 00:31:28,280 Speaker 3: Yeah yeah, yeah, yeah, yeah yeah, that's that's when I 583 00:31:28,320 --> 00:31:29,800 Speaker 3: think he was just straight up like, oh no, he's stealing. 584 00:31:30,000 --> 00:31:33,200 Speaker 4: He won't even say he's talented, like we gotta admit 585 00:31:33,240 --> 00:31:35,840 Speaker 4: his talented, and Ray Charles is like, I don't have 586 00:31:35,880 --> 00:31:36,640 Speaker 4: to really admit that. 587 00:31:36,760 --> 00:31:42,080 Speaker 3: I don't know, he's he's straight up like, yeah, I 588 00:31:42,160 --> 00:31:42,520 Speaker 3: know so. 589 00:31:42,560 --> 00:31:45,960 Speaker 4: Many people who are black or more talented than that guy. 590 00:31:45,880 --> 00:31:48,120 Speaker 3: Right, you know that's and I think that's kind of 591 00:31:48,160 --> 00:31:50,240 Speaker 3: like the underpinnings of all of that too. It's like 592 00:31:50,280 --> 00:31:52,360 Speaker 3: sort of like, oh, he was able to take this 593 00:31:52,600 --> 00:31:55,960 Speaker 3: genre and because of his the presentation of it, took 594 00:31:56,000 --> 00:31:57,520 Speaker 3: it somewhere else. I think that's why, in a way 595 00:31:57,600 --> 00:32:02,040 Speaker 3: for me, his music as isn't as icon as his presence. Yes, 596 00:32:02,240 --> 00:32:03,640 Speaker 3: if I think that's what I think. 597 00:32:03,640 --> 00:32:07,560 Speaker 1: That's like the thing that is left is definitely his 598 00:32:07,920 --> 00:32:11,720 Speaker 1: image and iconography more than his music. Although like going 599 00:32:11,760 --> 00:32:14,320 Speaker 1: back like he has he has a good voice and 600 00:32:14,400 --> 00:32:16,000 Speaker 1: like some of the songs are cool to listen to 601 00:32:16,120 --> 00:32:16,400 Speaker 1: for sure. 602 00:32:16,520 --> 00:32:18,640 Speaker 4: Yeah, and he he actually had an interest in this. 603 00:32:18,760 --> 00:32:20,960 Speaker 4: That's maybe the only thing. I mean. I would say 604 00:32:21,000 --> 00:32:24,120 Speaker 4: that Elvis was sort of an unwitting Elvis was like 605 00:32:24,600 --> 00:32:29,280 Speaker 4: seriously like a sheltered weirdo who did love black music 606 00:32:29,320 --> 00:32:33,560 Speaker 4: and apparently snuck into clubs around Memphis to learn, so 607 00:32:33,600 --> 00:32:36,000 Speaker 4: he did have I mean, I think it was more 608 00:32:36,080 --> 00:32:39,240 Speaker 4: like he got sort of pimped into this by black people. 609 00:32:39,400 --> 00:32:41,240 Speaker 1: I mean not, you know, I don't think I think 610 00:32:41,280 --> 00:32:42,760 Speaker 1: his I think he loved from what. 611 00:32:42,720 --> 00:32:44,840 Speaker 4: I understand and reading about he had in my culture, 612 00:32:44,840 --> 00:32:47,320 Speaker 4: he did not intend to capitalize on it in some 613 00:32:47,400 --> 00:32:49,960 Speaker 4: way that was he was not cynical the people around you. 614 00:32:50,400 --> 00:32:56,040 Speaker 1: And segregated like uh clubs to like listen to black music. 615 00:32:56,080 --> 00:32:58,920 Speaker 1: He was a huge fan. One of the most outspoken 616 00:32:58,960 --> 00:33:02,080 Speaker 1: people talking about the import and of like black artists 617 00:33:02,120 --> 00:33:06,560 Speaker 1: influencing his music was Elvis like he would always give credit. 618 00:33:07,080 --> 00:33:09,960 Speaker 1: But one of the big things that I feel like 619 00:33:10,000 --> 00:33:12,840 Speaker 1: gets left out of people who are like Elvis apologists 620 00:33:12,920 --> 00:33:16,880 Speaker 1: is like a lot of these artists did not make money. 621 00:33:16,880 --> 00:33:19,640 Speaker 1: You know, they were in like really shitty record contracts 622 00:33:20,000 --> 00:33:23,480 Speaker 1: with people who you know, Elvis would like make millions 623 00:33:23,480 --> 00:33:26,120 Speaker 1: and millions of dollars off of their songs. They would 624 00:33:26,680 --> 00:33:29,440 Speaker 1: you know, not have any access to the royalties. And 625 00:33:29,560 --> 00:33:32,480 Speaker 1: like there's a world where he's not just like, yeah, 626 00:33:32,520 --> 00:33:34,840 Speaker 1: I really owe them a lot, but also is like 627 00:33:35,000 --> 00:33:37,960 Speaker 1: and I'm going to use my influence to make sure 628 00:33:37,960 --> 00:33:39,920 Speaker 1: that they get paid. But he was just, you know, 629 00:33:40,240 --> 00:33:43,960 Speaker 1: not interested in that. I'm gonna shoot some TVs. Instead, 630 00:33:44,000 --> 00:33:47,080 Speaker 1: I'm gonna go over here and shoot some TVs. Yeah. Yeah, 631 00:33:47,160 --> 00:33:50,280 Speaker 1: Elvis was like he was, Yeah, he was a goofy guy. 632 00:33:50,640 --> 00:33:53,720 Speaker 1: He really has like some like child like some of 633 00:33:53,760 --> 00:33:57,040 Speaker 1: the same like child in an adult body type shit 634 00:33:57,120 --> 00:34:00,200 Speaker 1: that Michael Jackson had. He's spoken interviews that way. 635 00:34:00,240 --> 00:34:02,200 Speaker 4: I think that's another thing that endeared him to people, 636 00:34:02,200 --> 00:34:05,040 Speaker 4: as he was not pretentious in interviews as either. He 637 00:34:05,120 --> 00:34:08,040 Speaker 4: was very kind of childlike. 638 00:34:08,000 --> 00:34:13,319 Speaker 5: Yeah, excuse yeah, which doesn't excuse I mean, but but 639 00:34:13,400 --> 00:34:15,560 Speaker 5: I think if there's anything like for me after I 640 00:34:15,640 --> 00:34:17,279 Speaker 5: was like, I love Elvis Presley and then had to 641 00:34:17,320 --> 00:34:21,160 Speaker 5: start filling in the blanks like he seemed like he 642 00:34:21,160 --> 00:34:22,560 Speaker 5: seemed like he had a sense of humor. 643 00:34:23,040 --> 00:34:24,160 Speaker 1: I guess that's all I would say. 644 00:34:24,200 --> 00:34:25,840 Speaker 4: It seemed to me as a kid, like, oh, this 645 00:34:25,880 --> 00:34:28,840 Speaker 4: guy seems like kind of nice or something. But he definitely, 646 00:34:29,760 --> 00:34:32,400 Speaker 4: you know, he definitely was a guy who hoarded resources. 647 00:34:32,600 --> 00:34:35,280 Speaker 1: Yeah, oh yeah. He had about nine hundred golf carts. 648 00:34:36,800 --> 00:34:38,360 Speaker 1: Incredible golf cart collection. 649 00:34:38,920 --> 00:34:40,759 Speaker 4: So rich people do, is they just hoarde golf gut 650 00:34:40,920 --> 00:34:43,240 Speaker 4: one weird specifically golf carts. 651 00:34:43,320 --> 00:34:46,400 Speaker 1: I mean, we really do. We do have a recurring 652 00:34:46,400 --> 00:34:51,120 Speaker 1: segment on these Icon episodes Epstein List or Not on 653 00:34:51,160 --> 00:34:56,080 Speaker 1: That which in which we asked the question would this person, 654 00:34:56,160 --> 00:34:57,879 Speaker 1: had they been at the peak of their fame during 655 00:34:58,200 --> 00:35:01,239 Speaker 1: Jeffrey Epstein's reign, been on on the Epstein list, and 656 00:35:01,760 --> 00:35:06,279 Speaker 1: the answer is a definitive Yeah, oh yeah, it's Aepstein. 657 00:35:06,440 --> 00:35:10,319 Speaker 1: It's a Epstein. On this one. I knew that he 658 00:35:10,400 --> 00:35:14,000 Speaker 1: met Priscilla Boulie. I don't know how you pronounced her 659 00:35:14,120 --> 00:35:17,160 Speaker 1: maiden name by a lot of owls and then be 660 00:35:17,239 --> 00:35:20,080 Speaker 1: in and out. But when she was fourteen years old, 661 00:35:20,160 --> 00:35:22,240 Speaker 1: when he was in the army, and he was twenty 662 00:35:22,280 --> 00:35:24,560 Speaker 1: four and I didn't realize that at the time of 663 00:35:24,600 --> 00:35:27,520 Speaker 1: his death at forty two years old. Spoiler alerts, his 664 00:35:27,560 --> 00:35:32,960 Speaker 1: fiance was twenty just al the one after persona one 665 00:35:33,040 --> 00:35:37,719 Speaker 1: after Priscilla Jesus was at her oldest during their relationship, 666 00:35:37,840 --> 00:35:41,719 Speaker 1: twenty years old when he was in his forties. But 667 00:35:42,160 --> 00:35:46,640 Speaker 1: his sexual energy was kind of a weird transition. But 668 00:35:46,680 --> 00:35:49,920 Speaker 1: I do just want to So he makes these records. 669 00:35:50,000 --> 00:35:55,480 Speaker 1: They take off, are selling more than anything ever up 670 00:35:55,520 --> 00:36:00,120 Speaker 1: to that point in history, just incredible chart topping. And 671 00:36:00,360 --> 00:36:03,400 Speaker 1: he starts going on TV and there becomes this massive 672 00:36:03,480 --> 00:36:08,560 Speaker 1: controversy about how horny he's making everybody. So he makes 673 00:36:08,600 --> 00:36:12,640 Speaker 1: his first appearance on the Milton Burrel Show and he's like, 674 00:36:12,680 --> 00:36:16,200 Speaker 1: the people have revised it to be that a thing 675 00:36:16,239 --> 00:36:18,160 Speaker 1: where like they had to shoot him from the waist 676 00:36:18,239 --> 00:36:21,600 Speaker 1: up because if you showed his dick, like everybody's heads 677 00:36:21,600 --> 00:36:24,719 Speaker 1: would explode. That's not exactly true. Like when you go 678 00:36:24,760 --> 00:36:27,680 Speaker 1: back and watch the clips, like they're they're definitely like 679 00:36:27,800 --> 00:36:32,520 Speaker 1: cutting away at key moments, but there are parts, I 680 00:36:32,560 --> 00:36:34,719 Speaker 1: mean they just like don't know what to do with him. 681 00:36:34,800 --> 00:36:37,600 Speaker 1: Like one of his first appearances is like on an 682 00:36:37,640 --> 00:36:42,200 Speaker 1: aircraft carrier performing to a bunch of sailors, and every 683 00:36:42,239 --> 00:36:44,880 Speaker 1: time he like does a dance move that you can 684 00:36:44,920 --> 00:36:50,200 Speaker 1: hear the sailors being like, oh, like scoffing at him. Oh, 685 00:36:50,239 --> 00:36:52,640 Speaker 1: I thought you meant like having orgasms. I mean they 686 00:36:52,719 --> 00:36:56,400 Speaker 1: might have been covering their orgasms by like giving dry 687 00:36:56,440 --> 00:37:01,520 Speaker 1: coughs and like stuff they used to do. But people 688 00:37:01,880 --> 00:37:05,080 Speaker 1: once he starts appearing on TV, as mentioned, she's like 689 00:37:05,160 --> 00:37:08,160 Speaker 1: the hottest person who's ever been on TV, and people 690 00:37:08,280 --> 00:37:12,200 Speaker 1: just like fucking flip their shit. His first appearance on 691 00:37:12,880 --> 00:37:16,040 Speaker 1: The Ed Sullivan Show is one of the most watched 692 00:37:16,080 --> 00:37:18,440 Speaker 1: events in the history of television. I think eighty two 693 00:37:18,560 --> 00:37:22,719 Speaker 1: percent of all televisions were tuned in watching it. Like 694 00:37:22,880 --> 00:37:26,600 Speaker 1: in that moment, it's the moon landing. That and the 695 00:37:26,640 --> 00:37:29,560 Speaker 1: Beatles are like the three thing the three most like 696 00:37:29,560 --> 00:37:33,000 Speaker 1: when they came to America. Yeah, the three most watched 697 00:37:33,080 --> 00:37:38,719 Speaker 1: like moments in the history of television. Obviously modo culture. Man, 698 00:37:38,760 --> 00:37:40,560 Speaker 1: nothing beats monoculture. Yeah. 699 00:37:40,600 --> 00:37:42,960 Speaker 4: Well, also it was like, you know, it was a 700 00:37:43,000 --> 00:37:46,000 Speaker 4: bad moment for those of us who aren't the hottest 701 00:37:46,040 --> 00:37:49,759 Speaker 4: people in the fucking world, because you know, like like 702 00:37:51,080 --> 00:37:53,400 Speaker 4: Ed Sullivan, Man, look at that guy. You think they 703 00:37:53,400 --> 00:37:55,239 Speaker 4: ever going to hire a host. It looks like that 704 00:37:55,480 --> 00:38:00,440 Speaker 4: after Elmos, No, they realized, wait a minute, get we 705 00:38:00,480 --> 00:38:03,000 Speaker 4: need to get hot people to do every job. Yeah, 706 00:38:03,080 --> 00:38:03,920 Speaker 4: he's just it is. 707 00:38:04,080 --> 00:38:07,120 Speaker 1: It is wild to watch again, Like, go back and 708 00:38:07,160 --> 00:38:10,279 Speaker 1: watch his first Ed Sullivan appearance. Ed Sullivan had been 709 00:38:10,280 --> 00:38:13,080 Speaker 1: in a car accident, and like there's this other actor 710 00:38:13,400 --> 00:38:17,200 Speaker 1: on who's like hosting the show, and he's just like 711 00:38:17,560 --> 00:38:21,359 Speaker 1: somebody would just never ever be on television in our 712 00:38:21,480 --> 00:38:24,680 Speaker 1: modern era, right, and then Elvis just like saunters out 713 00:38:24,719 --> 00:38:28,720 Speaker 1: and starts fucking you through the television screen and everyone 714 00:38:30,960 --> 00:38:33,320 Speaker 1: looking at a clip of it. Who is this dude 715 00:38:33,520 --> 00:38:35,920 Speaker 1: that's the guy introducing him? Basically, yes, yeah, the guy 716 00:38:35,960 --> 00:38:40,799 Speaker 1: introducing him. He's like these things behind me. Oh no. 717 00:38:40,920 --> 00:38:43,319 Speaker 1: Ed Sullivant had been in a car accident, and he's like, 718 00:38:43,360 --> 00:38:46,400 Speaker 1: these things are called gold Records, and we're going to 719 00:38:46,480 --> 00:38:54,520 Speaker 1: Hollywood to see And then and then Elvis comes out. 720 00:38:54,960 --> 00:38:59,440 Speaker 3: The juxtaposition of that host who there's probably fifty given 721 00:38:59,480 --> 00:38:59,839 Speaker 3: the era. 722 00:39:00,120 --> 00:39:03,160 Speaker 1: Yeah, he's like a less hot Alfred Hitchcock. He looks 723 00:39:03,200 --> 00:39:05,799 Speaker 1: like mister potato head. Yeah yeah, yeah yeah. 724 00:39:05,840 --> 00:39:09,960 Speaker 3: And then you have old palmyde with a drinking come out, 725 00:39:10,160 --> 00:39:12,320 Speaker 3: like rides his dick out onto stage. 726 00:39:12,600 --> 00:39:16,759 Speaker 4: And then right just and at that moment, they were like, 727 00:39:16,920 --> 00:39:18,960 Speaker 4: after they saw the ratings, they were like, we're not 728 00:39:19,080 --> 00:39:24,799 Speaker 4: given any more like furnace operators hosting jobs right on TV, Like, well, 729 00:39:24,840 --> 00:39:27,080 Speaker 4: you're gonna have everybody on TV be hot, because why 730 00:39:27,120 --> 00:39:30,080 Speaker 4: not give us even if the music's bad. It's better 731 00:39:30,120 --> 00:39:31,960 Speaker 4: to have a hot person playing bad music than an 732 00:39:32,000 --> 00:39:34,040 Speaker 4: ugly person playing good music. I really feel like that 733 00:39:34,120 --> 00:39:35,840 Speaker 4: was the beginning, and you can trace it directly to 734 00:39:35,880 --> 00:39:36,960 Speaker 4: Gavin Rossdale and now. 735 00:39:36,960 --> 00:39:42,000 Speaker 1: Do a lipa. But I do just want to talk 736 00:39:42,000 --> 00:39:46,239 Speaker 1: about like how much like The New York Times TV 737 00:39:46,360 --> 00:39:51,160 Speaker 1: critic wrote, mister Presley's one specialty is nick accented movement 738 00:39:51,200 --> 00:39:54,480 Speaker 1: of the body that heretofore had been primarily identified with 739 00:39:54,560 --> 00:39:58,360 Speaker 1: the repertoire of the Blonde Bombshells or the burlesque runway. 740 00:39:58,800 --> 00:40:01,080 Speaker 1: The gyration never had anything to do with the world 741 00:40:01,080 --> 00:40:06,040 Speaker 1: of popular music and still doesn't, mark my words. 742 00:40:06,239 --> 00:40:11,520 Speaker 4: Right boy, this guy on the TV, now that's not 743 00:40:11,640 --> 00:40:12,600 Speaker 4: the popular opinion. 744 00:40:13,280 --> 00:40:16,960 Speaker 1: A juvenile court judge presented Elvis with an unsighed Warrens 745 00:40:17,000 --> 00:40:20,160 Speaker 1: for his arrest on charges of impairing the morals of miners. 746 00:40:20,480 --> 00:40:24,000 Speaker 1: Man talked about a hater and specifically said that Elvis 747 00:40:24,040 --> 00:40:28,040 Speaker 1: could wiggle side to side, but no back and forth motions. Oh, 748 00:40:28,200 --> 00:40:30,960 Speaker 1: no pumping, No, no pumping, just wiggling. Yeah, don't be 749 00:40:31,000 --> 00:40:32,400 Speaker 1: pumping now. That's because every. 750 00:40:32,200 --> 00:40:33,920 Speaker 4: Person who didn't have to dance knew they were out 751 00:40:33,920 --> 00:40:36,440 Speaker 4: of business at that moment too. Every dude who had 752 00:40:36,480 --> 00:40:38,920 Speaker 4: just gotten away with being ugly and wearing some pressed 753 00:40:38,960 --> 00:40:42,440 Speaker 4: slacks and getting laid was out of business. Now you 754 00:40:42,520 --> 00:40:44,520 Speaker 4: need new skill, and that's why they were like, we 755 00:40:44,600 --> 00:40:47,120 Speaker 4: have to outlaw people wiggling immediately. 756 00:40:47,640 --> 00:40:51,439 Speaker 3: That's too much swag man wile. The host that day 757 00:40:51,560 --> 00:40:53,160 Speaker 3: was British actor Charles Lott. 758 00:40:53,400 --> 00:40:58,439 Speaker 1: Charles Lotton, that's right, ship that was that furnace operator. Yeah, yeah, yeah, 759 00:40:58,440 --> 00:40:59,920 Speaker 1: God damn that four n four. 760 00:41:00,000 --> 00:41:04,120 Speaker 3: It's a man to have to be juxtapost It's jarring, truly, 761 00:41:04,200 --> 00:41:06,239 Speaker 3: like especially in the context of what you're talking about, 762 00:41:06,239 --> 00:41:09,560 Speaker 3: because it really does feel like the bar was raised 763 00:41:09,680 --> 00:41:13,240 Speaker 3: for being like if you you must be this hot 764 00:41:13,320 --> 00:41:16,640 Speaker 3: to appear in public, right, like hoot and holler at you. 765 00:41:17,320 --> 00:41:20,560 Speaker 1: I remember though, like looking back at serial commercials in 766 00:41:20,600 --> 00:41:24,160 Speaker 1: the seventies, like back my time at Cracked and noticing 767 00:41:24,760 --> 00:41:27,319 Speaker 1: like it's been a subtle like they they did not 768 00:41:27,440 --> 00:41:30,160 Speaker 1: learn that lesson all at once. There's a Raisin brand 769 00:41:30,160 --> 00:41:34,440 Speaker 1: commercial where like a group of actors played Raisins and 770 00:41:34,760 --> 00:41:37,439 Speaker 1: it was just like a bunch of like guys who 771 00:41:37,719 --> 00:41:42,440 Speaker 1: would only be on TV to play butchers, you know, 772 00:41:42,640 --> 00:41:45,879 Speaker 1: like it today they would only be on to in 773 00:41:45,960 --> 00:41:48,600 Speaker 1: like a weight loss commercial that would be their only 774 00:41:48,719 --> 00:41:50,520 Speaker 1: but they were just there because they were part of 775 00:41:50,520 --> 00:41:54,040 Speaker 1: an acting troop. Like it did take them a while 776 00:41:54,320 --> 00:41:59,320 Speaker 1: and into into that world steps Elvis Presley, so Ed 777 00:41:59,400 --> 00:42:02,120 Speaker 1: Sullivan refuse to have a mom for a long time. 778 00:42:02,520 --> 00:42:04,960 Speaker 1: He watched his performance on The Milton Burl Show and 779 00:42:05,120 --> 00:42:09,719 Speaker 1: was specifically started like watching his dick and I'm just 780 00:42:09,760 --> 00:42:12,960 Speaker 1: gonna this is from the Wikipedia page watching clips of 781 00:42:12,960 --> 00:42:15,680 Speaker 1: the Allen and Burroll Show. Sullivan had opined that Presley 782 00:42:15,960 --> 00:42:19,200 Speaker 1: quote got some kind of device hanging down below the 783 00:42:19,200 --> 00:42:21,920 Speaker 1: crotch of his pants, so when he moves his legs 784 00:42:21,960 --> 00:42:24,240 Speaker 1: back and forth, you can see the outline of his cock. 785 00:42:24,440 --> 00:42:26,560 Speaker 1: I think it's a coke bottle. We just can't have 786 00:42:26,680 --> 00:42:29,040 Speaker 1: this on a Sunday night. This is a family show. 787 00:42:31,800 --> 00:42:34,600 Speaker 1: As for his gyrations, the whole thing can be controlled 788 00:42:34,600 --> 00:42:37,520 Speaker 1: with camera shots. Oh my, yes, some kind of a 789 00:42:37,680 --> 00:42:39,240 Speaker 1: device is so funny. 790 00:42:39,320 --> 00:42:42,240 Speaker 4: You had a device, like a device that like showed 791 00:42:42,320 --> 00:42:45,359 Speaker 4: off his dick like a device in addition to like 792 00:42:45,400 --> 00:42:47,520 Speaker 4: somehow he had a device down there. 793 00:42:47,480 --> 00:42:52,640 Speaker 1: So unfamiliar with like gyrating and just like dancing with 794 00:42:52,800 --> 00:43:00,239 Speaker 1: a flavorless shit. Du he got some kind of When 795 00:43:00,280 --> 00:43:02,319 Speaker 1: I wiggle, you can't see my dick. So he must 796 00:43:02,400 --> 00:43:04,479 Speaker 1: have some sort of coke bottle propping it up. 797 00:43:04,400 --> 00:43:06,640 Speaker 4: With some kind of his cock a coke bottle, or 798 00:43:06,880 --> 00:43:08,760 Speaker 4: have a bunch of pulleys attached to his ass. 799 00:43:08,800 --> 00:43:15,400 Speaker 3: Hold my, I just love that our gade technology, like 800 00:43:15,800 --> 00:43:16,880 Speaker 3: get a pully system. 801 00:43:17,000 --> 00:43:18,960 Speaker 4: No, I think maybe he just has a decent sized 802 00:43:19,000 --> 00:43:22,160 Speaker 4: dick adad and he's wiggling and he's like good dancing, not. 803 00:43:22,239 --> 00:43:23,520 Speaker 1: That can't be what I'm looking at. 804 00:43:23,920 --> 00:43:26,080 Speaker 4: It has to a device that looks like a damn 805 00:43:26,120 --> 00:43:27,920 Speaker 4: file cabinet tangling down there. 806 00:43:29,200 --> 00:43:33,240 Speaker 1: I'll say, somebody refuses to date anyone who's not a teenager. 807 00:43:33,280 --> 00:43:35,439 Speaker 1: Probably didn't have a huge dick. But I have no idea. 808 00:43:35,480 --> 00:43:39,480 Speaker 1: I didn't get into and he didn't find any research 809 00:43:39,520 --> 00:43:40,279 Speaker 1: one way or the other. 810 00:43:41,400 --> 00:43:43,719 Speaker 4: Well, maybe it was a coke bottle, then you could 811 00:43:43,719 --> 00:43:46,000 Speaker 4: be Jack says it was. Jack's like, you know what, 812 00:43:46,040 --> 00:43:46,400 Speaker 4: I think you. 813 00:43:46,440 --> 00:43:49,000 Speaker 1: Have seen some weird coke bottle that sold, is right, 814 00:43:49,040 --> 00:43:51,279 Speaker 1: It was some kind of contraption, I think, So all right, 815 00:43:51,360 --> 00:44:03,120 Speaker 1: let's take it quick. Ray, We'll be right back, and 816 00:44:03,280 --> 00:44:05,600 Speaker 1: we're back, all right. I didn't realize it at twenty 817 00:44:05,640 --> 00:44:09,480 Speaker 1: two years old. So he's sold all those records. Is 818 00:44:09,520 --> 00:44:14,160 Speaker 1: when he buys Graceland and from then on. This is 819 00:44:14,200 --> 00:44:17,960 Speaker 1: always an interesting moment. I feel like it's usually a 820 00:44:17,960 --> 00:44:20,000 Speaker 1: bad thing for the long term sanity of an artist 821 00:44:20,080 --> 00:44:23,439 Speaker 1: when they get their own like Disneyland that they live 822 00:44:23,480 --> 00:44:27,239 Speaker 1: inside of and it's like only them and people who 823 00:44:27,280 --> 00:44:28,480 Speaker 1: are hired to buy them. 824 00:44:28,800 --> 00:44:31,200 Speaker 4: Take it from me, I was, you know, I lived 825 00:44:31,200 --> 00:44:36,400 Speaker 4: at col Brew Acres for many years, and yeah, it 826 00:44:36,520 --> 00:44:39,919 Speaker 4: was it was, it got out of hand, he went 827 00:44:39,960 --> 00:44:40,880 Speaker 4: a little crazy. 828 00:44:41,840 --> 00:44:43,800 Speaker 1: I just what One of the things that's on display 829 00:44:43,800 --> 00:44:46,160 Speaker 1: at Graceland is a TV that he shot out, And 830 00:44:46,160 --> 00:44:49,200 Speaker 1: I just want to read a story from PBS about that. 831 00:44:49,640 --> 00:44:53,000 Speaker 1: The story goes that as he watched singer Robert Goolay 832 00:44:53,120 --> 00:44:56,160 Speaker 1: performing on television one night, he shot out the screen 833 00:44:56,200 --> 00:45:00,080 Speaker 1: of his twenty five inch RCATV. There's nothing Elvis ha 834 00:45:00,120 --> 00:45:03,520 Speaker 1: against Robert Gulay. They were friends, Kevin Kern, a spokesman 835 00:45:03,600 --> 00:45:06,680 Speaker 1: for Presley's home and museum Graceland in Memphis, Tennessee, told 836 00:45:06,680 --> 00:45:09,680 Speaker 1: the Associated Press. But Elvis just shot out things on 837 00:45:09,719 --> 00:45:18,680 Speaker 1: a random basis, just shot out things on a Do 838 00:45:18,719 --> 00:45:21,280 Speaker 1: we have any other things that have been shot by Elvis? 839 00:45:21,360 --> 00:45:23,439 Speaker 1: Just because? What? Did he always just have a gun 840 00:45:23,480 --> 00:45:26,080 Speaker 1: on him? He really liked guns. 841 00:45:25,880 --> 00:45:27,640 Speaker 3: But I mean like to shoot it in your home, 842 00:45:27,800 --> 00:45:31,160 Speaker 3: like you have to quite literally have that thang on you. 843 00:45:31,120 --> 00:45:33,600 Speaker 1: While you're watching TV. Right. I think he kept that 844 00:45:34,520 --> 00:45:35,840 Speaker 1: him all the time. 845 00:45:36,120 --> 00:45:39,879 Speaker 6: He developed a lot of problems. Miles, oh Man, this 846 00:45:39,960 --> 00:45:42,680 Speaker 6: was a lot. So I'm learning a lot about it. Look, 847 00:45:43,440 --> 00:45:45,680 Speaker 6: I've always viewed Elvis at a distance. I knew that 848 00:45:45,880 --> 00:45:47,560 Speaker 6: he was taking black music. 849 00:45:47,719 --> 00:45:50,840 Speaker 3: I knew that he like met Priscilla Press, who was fourteen. 850 00:45:50,880 --> 00:45:52,640 Speaker 1: Other than that, I'm like, and I think he shot 851 00:45:52,680 --> 00:45:55,680 Speaker 1: some shit. Yeah, well, my god shot a lot of things. 852 00:45:56,600 --> 00:45:58,640 Speaker 4: I only know because there was this book about the 853 00:45:58,680 --> 00:46:02,880 Speaker 4: Memphis Mafia that I read or skimmed or whatever. But 854 00:46:02,920 --> 00:46:05,160 Speaker 4: then I got deep into Memphis Mafia stuff, which is 855 00:46:05,200 --> 00:46:08,759 Speaker 4: his entourage, and they just told like his life became 856 00:46:08,800 --> 00:46:11,000 Speaker 4: completely pathetic. I mean, he just had he just had 857 00:46:11,040 --> 00:46:14,000 Speaker 4: no he had no job. He couldn't go tour Europe 858 00:46:14,080 --> 00:46:16,360 Speaker 4: because Colonel Tom Parker was afraid he was going to 859 00:46:16,400 --> 00:46:19,840 Speaker 4: get deported because Colonel Tom Parker didn't have citizenship, so 860 00:46:19,840 --> 00:46:23,759 Speaker 4: he'd never wanted Elvis. So Elvis never toured outside of America. Yeah, 861 00:46:24,120 --> 00:46:27,480 Speaker 4: and Elvis was sad he had nothing to do. So 862 00:46:27,520 --> 00:46:29,920 Speaker 4: he was just in Memphis taking karate classes and he 863 00:46:30,000 --> 00:46:32,799 Speaker 4: was on all these massive bill doses and and it 864 00:46:32,840 --> 00:46:35,640 Speaker 4: all became very It's very funny and interesting to see 865 00:46:35,680 --> 00:46:39,920 Speaker 4: a man do karate on pills and stuff, but yeah. 866 00:46:39,719 --> 00:46:42,920 Speaker 1: It's kind of great ate. Yeah, but yeah, he was. 867 00:46:42,960 --> 00:46:45,320 Speaker 4: He became like he was heavily armed in his bedroom 868 00:46:45,360 --> 00:46:47,680 Speaker 4: on pills, watching two TVs at once. 869 00:46:47,760 --> 00:46:49,320 Speaker 1: He had like a couple of TVs. You know, he 870 00:46:49,360 --> 00:46:53,879 Speaker 1: would have Liken TVs going at once because President did that, 871 00:46:54,000 --> 00:46:56,080 Speaker 1: and so he can ring a bell and get a 872 00:46:56,080 --> 00:46:58,319 Speaker 1: peanut butter sandwich, you know what I mean. But I 873 00:46:58,400 --> 00:47:01,640 Speaker 1: just love it, just shot out saying on a random basis, 874 00:47:01,800 --> 00:47:06,160 Speaker 1: is such a great line diminishing what is objectively terrifying 875 00:47:06,280 --> 00:47:10,160 Speaker 1: the psychotic behavior. Yeah, but there was just a king man. 876 00:47:10,280 --> 00:47:12,520 Speaker 3: That's just funny because I only learned that reference from 877 00:47:12,520 --> 00:47:13,160 Speaker 3: the Simpsons. 878 00:47:13,480 --> 00:47:15,280 Speaker 1: Yeah, I think there's a lot of what I know 879 00:47:15,680 --> 00:47:19,960 Speaker 1: from the Simpsons. The controller, I know that that's what 880 00:47:20,000 --> 00:47:22,880 Speaker 1: he had instead of a remote control back then. You 881 00:47:23,000 --> 00:47:27,040 Speaker 1: just shot the TV to not even like be mad 882 00:47:27,080 --> 00:47:31,720 Speaker 1: at Robert Goulay, just shoot the TV because he don't 883 00:47:31,840 --> 00:47:34,560 Speaker 1: like his performance. He probably thought it was an intruder 884 00:47:34,920 --> 00:47:43,640 Speaker 1: coming in the window. The window he just shot Robert Gulay, 885 00:47:43,920 --> 00:47:47,280 Speaker 1: that wasn't the window. Around this time, he gets drafted 886 00:47:47,280 --> 00:47:50,640 Speaker 1: into the army. Colonel Tom Parker steps in and says, 887 00:47:50,640 --> 00:47:52,840 Speaker 1: like he's not allowed to perform while he's over there, 888 00:47:53,560 --> 00:47:55,880 Speaker 1: because I think he just didn't want to like have 889 00:47:55,920 --> 00:47:59,600 Speaker 1: a bunch of free Elvis records floating around out there. 890 00:47:59,680 --> 00:48:04,000 Speaker 1: But Colonel Tom Parker's a crazy, like interesting figure that 891 00:48:04,040 --> 00:48:06,480 Speaker 1: he was able to like the you think the Army 892 00:48:06,520 --> 00:48:10,920 Speaker 1: didn't want to use like Elvis performances you know during 893 00:48:10,960 --> 00:48:13,880 Speaker 1: the Cold War. Oh sure, but like just like drove 894 00:48:13,920 --> 00:48:16,560 Speaker 1: a jeep while he was over there. That's when he 895 00:48:16,600 --> 00:48:21,120 Speaker 1: discovers amphetamines. That's one of the crazy details of his 896 00:48:21,200 --> 00:48:24,919 Speaker 1: relationship with Priscilla is like he immediately like she comes 897 00:48:25,000 --> 00:48:28,239 Speaker 1: to live with him in Memphis and he's like just 898 00:48:28,280 --> 00:48:30,680 Speaker 1: giving her all the pills that he takes. At one point, 899 00:48:30,760 --> 00:48:34,799 Speaker 1: she sleeps for like two days straight. I'm sure that 900 00:48:34,800 --> 00:48:38,560 Speaker 1: that's nothing good. It is why like the movie, uh, 901 00:48:38,640 --> 00:48:42,880 Speaker 1: the Sophia Coppola movie Priscilla just kind of they portray 902 00:48:42,920 --> 00:48:46,680 Speaker 1: it as like her having strict parents but like that 903 00:48:47,520 --> 00:48:50,200 Speaker 1: she was sixteen and they let her live in Memphis 904 00:48:50,200 --> 00:48:53,520 Speaker 1: with Elvis while they lived Like what the fuck was 905 00:48:53,520 --> 00:48:56,239 Speaker 1: her mom doing that was so important in Germany that 906 00:48:56,280 --> 00:49:00,800 Speaker 1: she wouldn't come live there? But anyway, time, man, yeah, 907 00:49:00,880 --> 00:49:04,760 Speaker 1: I guess so, but slept two days on his tranquilizers. 908 00:49:05,440 --> 00:49:11,600 Speaker 1: She ends up having an affair with a Karate Instrucles Wallace. Yes, Mike, 909 00:49:13,120 --> 00:49:16,440 Speaker 1: Mike Stone, I think is the guy who maybe maybe 910 00:49:16,680 --> 00:49:20,160 Speaker 1: multiple karate. I know she had an affair with Bill 911 00:49:20,320 --> 00:49:22,799 Speaker 1: Superfoot Wallace, I know it. But it's funny because his 912 00:49:23,040 --> 00:49:27,480 Speaker 1: like weird, childlike obsession with karate comes in like boomerangs, 913 00:49:27,560 --> 00:49:30,880 Speaker 1: and she like to get his attention, starts learning karate. 914 00:49:31,280 --> 00:49:34,759 Speaker 1: Like at one point when she's pregnant, he like is like, 915 00:49:34,800 --> 00:49:38,440 Speaker 1: I think we need to separate baby, having having some 916 00:49:38,480 --> 00:49:42,720 Speaker 1: second thoughts because he just like didn't like pregnant women. 917 00:49:42,800 --> 00:49:45,840 Speaker 1: He also like wouldn't have sex with her after she 918 00:49:46,200 --> 00:49:49,120 Speaker 1: had their child because he quote had never been able 919 00:49:49,160 --> 00:49:51,360 Speaker 1: to make love to a woman who had a child. 920 00:49:52,680 --> 00:49:56,919 Speaker 1: So good. Huh uh, that's just wild. 921 00:49:57,000 --> 00:49:59,880 Speaker 3: The motherfuckers were saying shit like that, yeah, putting that 922 00:50:00,120 --> 00:50:02,160 Speaker 3: wax ye like. 923 00:50:02,160 --> 00:50:03,880 Speaker 1: Nodding their heads when he said it too, And he 924 00:50:03,960 --> 00:50:06,839 Speaker 1: came right about that man, right king, right king, very 925 00:50:06,880 --> 00:50:09,319 Speaker 1: similar to there's a lot of similar Trump did that thing. 926 00:50:09,520 --> 00:50:12,560 Speaker 1: He tweeted a picture of him side by side with 927 00:50:12,640 --> 00:50:14,960 Speaker 1: Elvis and was like, huh, what do you think? And 928 00:50:15,400 --> 00:50:18,200 Speaker 1: I do. There's like a lot First of all, Elvis, 929 00:50:18,239 --> 00:50:22,040 Speaker 1: like late Elvis looks like a human being designed by 930 00:50:22,520 --> 00:50:26,800 Speaker 1: Trump's interior decorating sensibility. But there's a lot of times 931 00:50:26,880 --> 00:50:30,200 Speaker 1: during this that I thought about Trump, like and just 932 00:50:30,880 --> 00:50:35,120 Speaker 1: being cocooned in a weird place that is just full 933 00:50:35,120 --> 00:50:38,759 Speaker 1: of yes men. It's just an echo chamber of all 934 00:50:38,800 --> 00:50:41,759 Speaker 1: of your ideas and people saying how smart they are, 935 00:50:42,600 --> 00:50:45,640 Speaker 1: and just the idea that like the crazy shit that 936 00:50:45,680 --> 00:50:48,360 Speaker 1: Elvis got up to, like that's who's running the fucking 937 00:50:48,400 --> 00:50:49,799 Speaker 1: country at this point. 938 00:50:50,200 --> 00:50:53,120 Speaker 3: Yeah, so okay, tell me about the martial arts shit, 939 00:50:53,160 --> 00:50:55,520 Speaker 3: because I'm always fascinated when I see this guy like 940 00:50:55,800 --> 00:50:57,640 Speaker 3: wearing his fucking. 941 00:50:57,360 --> 00:50:59,880 Speaker 1: Aviators in like a full gee. It was a fad, 942 00:51:00,280 --> 00:51:03,600 Speaker 1: then it was a fad. He got real into it. 943 00:51:03,800 --> 00:51:06,400 Speaker 1: He told everyone he was a seventh degree black belt. 944 00:51:06,520 --> 00:51:08,880 Speaker 1: The way he became a seventh degree black belt was 945 00:51:09,120 --> 00:51:13,720 Speaker 1: that he was into numerology as all like famous crazy 946 00:51:13,760 --> 00:51:16,040 Speaker 1: people get to at a certain point, and was like, 947 00:51:16,120 --> 00:51:18,040 Speaker 1: seventh perfect number. Man, I got to be a seventh 948 00:51:18,080 --> 00:51:23,080 Speaker 1: degree black belt, and his sense was like I'm only 949 00:51:23,120 --> 00:51:26,000 Speaker 1: a sixth and he's like make it happen, man, And 950 00:51:26,080 --> 00:51:29,160 Speaker 1: so they like created some weird system where he got 951 00:51:29,200 --> 00:51:31,080 Speaker 1: to be an eighth degree black belt so that Elvis 952 00:51:31,120 --> 00:51:34,640 Speaker 1: could get bumped up to being a seventh degree black belt. 953 00:51:35,080 --> 00:51:39,240 Speaker 1: He wore cowboy boots. To the dojo for self defense drills. 954 00:51:39,280 --> 00:51:44,000 Speaker 1: He insisted on using real firearms, not prop guns like 955 00:51:44,200 --> 00:51:51,000 Speaker 1: loaded firearms. Yeah no, right, yeah, okay. In June nineteen 956 00:51:51,080 --> 00:51:52,960 Speaker 1: seventy seven, a few months before his death, he was 957 00:51:52,960 --> 00:51:56,920 Speaker 1: in Madison, Wisconsin for a concert, and he ordered his 958 00:51:57,000 --> 00:51:59,359 Speaker 1: limo to stop because he saw at a gas station 959 00:51:59,480 --> 00:52:02,680 Speaker 1: two teenage had pinned the attendant to the ground and 960 00:52:02,719 --> 00:52:05,000 Speaker 1: we're punching and kicking him. This is according to him. 961 00:52:05,280 --> 00:52:07,759 Speaker 1: Elvis hopped out of the limousine and started kicking and 962 00:52:07,800 --> 00:52:10,840 Speaker 1: punching the air like it was a karate demonstration, and 963 00:52:10,880 --> 00:52:13,799 Speaker 1: then like struck a badass pose and was like, I'll 964 00:52:13,800 --> 00:52:17,239 Speaker 1: take you on. And the teens were just like, holy shit, 965 00:52:17,360 --> 00:52:20,440 Speaker 1: it's Elvis, and they just started laughing and shook his 966 00:52:20,560 --> 00:52:23,439 Speaker 1: hand and he was like, is everything settled now? And 967 00:52:24,000 --> 00:52:29,759 Speaker 1: they were like, yeah, man, we're good. What the fuck Elvis? Yeah, 968 00:52:29,800 --> 00:52:32,600 Speaker 1: He's like, that's right. They saw my karate child. But 969 00:52:33,120 --> 00:52:39,319 Speaker 1: he yeah, he was just the strangest. Yeah, he was. 970 00:52:39,440 --> 00:52:41,919 Speaker 1: He was a child. He was obsessed factor. He says, 971 00:52:41,960 --> 00:52:46,120 Speaker 1: imagine witnessing this from the attendance as kicked, Elvis comes 972 00:52:46,120 --> 00:52:50,600 Speaker 1: out like I could have sworn I just got rescued 973 00:52:50,600 --> 00:52:54,400 Speaker 1: by Elvis Presley. Right, A lot of his late career 974 00:52:54,440 --> 00:52:59,440 Speaker 1: shit like seems like a hallucination to me. The Elvis impersonators, 975 00:52:59,600 --> 00:53:01,880 Speaker 1: like all all of the karate stuff, all of his 976 00:53:01,960 --> 00:53:05,880 Speaker 1: performances just feel like weird, like fever dreams. This is 977 00:53:05,920 --> 00:53:09,600 Speaker 1: another karate story. Alice Cooper was invited to Elvis's Las 978 00:53:09,680 --> 00:53:13,640 Speaker 1: Vegas penthouse. He showed up with lizaman Elli and Linda 979 00:53:13,680 --> 00:53:18,359 Speaker 1: Lovelas and Elvis immediately handed him a loaded revolver and 980 00:53:18,400 --> 00:53:20,680 Speaker 1: told him to put it to his head and then 981 00:53:20,880 --> 00:53:23,239 Speaker 1: he did a flying karate kick, knocked the gun out 982 00:53:23,239 --> 00:53:25,640 Speaker 1: of Cooper's hand, tripped Cooper, pinned him to the ground 983 00:53:25,719 --> 00:53:27,719 Speaker 1: by his neck. So that's how you stop a man 984 00:53:27,760 --> 00:53:30,280 Speaker 1: with a gun. Oh my god, dude. 985 00:53:30,320 --> 00:53:32,560 Speaker 4: Right, And if you look at the old miles, if 986 00:53:32,560 --> 00:53:35,320 Speaker 4: you are interested, and I can point you to a 987 00:53:35,320 --> 00:53:37,600 Speaker 4: little site that I'm aware of, you Tube. 988 00:53:37,719 --> 00:53:38,680 Speaker 1: Hell yeah, brother. 989 00:53:39,080 --> 00:53:44,239 Speaker 4: On YouTube, you can see the footage of Elvis doing 990 00:53:44,280 --> 00:53:47,120 Speaker 4: his karate moves and like sick of fants, like you know, 991 00:53:47,160 --> 00:53:49,080 Speaker 4: he touches them on the nose and they do four 992 00:53:49,120 --> 00:53:51,680 Speaker 4: flips and fall through the you know, go through the wall. 993 00:53:53,880 --> 00:53:56,319 Speaker 4: You can see his karate because he was. They were like, 994 00:53:56,400 --> 00:53:58,400 Speaker 4: we got to give this guy an degree black belt. 995 00:53:58,440 --> 00:54:02,680 Speaker 1: So he's on les what the fuld on? By the way, 996 00:54:02,719 --> 00:54:04,759 Speaker 1: that man right there, that man with the beard is 997 00:54:04,760 --> 00:54:06,840 Speaker 1: my friend's dad. Who's your fame with the beard is 998 00:54:06,840 --> 00:54:09,520 Speaker 1: my friend's dad. Who is that guy? Brandis Hulcomb. He 999 00:54:09,640 --> 00:54:11,359 Speaker 1: used to be in my band. That's his dad. 1000 00:54:11,600 --> 00:54:12,120 Speaker 4: Wow. 1001 00:54:12,200 --> 00:54:13,719 Speaker 1: And he was a karate He was like a he. 1002 00:54:15,080 --> 00:54:17,200 Speaker 4: Was also he was a karate instructor for Elvis. He 1003 00:54:17,239 --> 00:54:18,920 Speaker 4: was also Clint East's bodyguard. 1004 00:54:19,440 --> 00:54:24,239 Speaker 3: Look at the back of Elvis' geed that's orientalists and 1005 00:54:24,440 --> 00:54:26,120 Speaker 3: orientalist font. 1006 00:54:26,239 --> 00:54:30,879 Speaker 1: Wow, dude, this is he really remember his dad's name. 1007 00:54:30,920 --> 00:54:32,800 Speaker 4: His dad's name was Hulcom is his last name, but 1008 00:54:32,800 --> 00:54:35,200 Speaker 4: I can't remember his first name anyway, shout out brandis 1009 00:54:36,040 --> 00:54:36,960 Speaker 4: but true. 1010 00:54:36,760 --> 00:54:39,120 Speaker 1: It does look like a child doing a karate demons 1011 00:54:39,320 --> 00:54:41,040 Speaker 1: right because they had Oh my god, this is not 1012 00:54:41,480 --> 00:54:43,080 Speaker 1: this is his bullshit. Man. 1013 00:54:43,160 --> 00:54:46,720 Speaker 3: Fuck bro, Elvis is taking both my motherfucking cultures Black 1014 00:54:46,800 --> 00:54:49,919 Speaker 3: and Japanese, where you ain't no fucking karate man, you fuck. 1015 00:54:49,960 --> 00:54:55,040 Speaker 4: That was also two am. He used to go wait am, Yes, 1016 00:54:55,120 --> 00:54:57,560 Speaker 4: he would get everybody had to go on his schedule, 1017 00:54:57,640 --> 00:55:00,360 Speaker 4: so he often would be like, we're going to the dojo, 1018 00:55:00,440 --> 00:55:02,799 Speaker 4: and they'd be like, everybody's asleep, and he would make 1019 00:55:02,840 --> 00:55:05,080 Speaker 4: them all get up and then do his like little 1020 00:55:05,080 --> 00:55:07,440 Speaker 4: moves and they all have to like they got you know, 1021 00:55:07,560 --> 00:55:09,239 Speaker 4: sent through the you know, they'd all have to go 1022 00:55:09,320 --> 00:55:12,600 Speaker 4: flying when he just like, you know, it was all 1023 00:55:12,680 --> 00:55:14,279 Speaker 4: I just think I have a corrupt, like. 1024 00:55:16,080 --> 00:55:18,520 Speaker 1: Funny the Steven Sagall thing where he's doing a karate 1025 00:55:18,560 --> 00:55:21,000 Speaker 1: demonstration of the people are like jumping out of the 1026 00:55:21,040 --> 00:55:24,359 Speaker 1: way and acting like he just like flipped them over. Oh, 1027 00:55:24,880 --> 00:55:27,279 Speaker 1: Brandis's dad, that's Brandi's dad. I had it wrong. That's 1028 00:55:27,280 --> 00:55:29,879 Speaker 1: Brandis's dad right there. That's that's it. Black guy's doing real. 1029 00:55:32,280 --> 00:55:34,239 Speaker 1: It's the same guy. These are different videos. This is 1030 00:55:34,280 --> 00:55:36,040 Speaker 1: I think this is only when Elvis was a third 1031 00:55:36,120 --> 00:55:41,239 Speaker 1: degree black belt. Holy ship, dude, it is wild though. 1032 00:55:41,280 --> 00:55:44,000 Speaker 1: That Priscilla then is like, do you do you want 1033 00:55:44,040 --> 00:55:46,359 Speaker 1: me to do karate? I could do karate, And then 1034 00:55:47,080 --> 00:55:50,360 Speaker 1: that he's just like so pathetic. He really becomes like 1035 00:55:50,400 --> 00:55:51,920 Speaker 1: such a pathetic character. 1036 00:55:52,160 --> 00:55:54,879 Speaker 3: It's funny because this is actually so much more fascinating 1037 00:55:55,400 --> 00:55:58,720 Speaker 3: than like the Heyday. It's sort of like this weird 1038 00:55:58,920 --> 00:56:02,160 Speaker 3: spiraling of like heak fame and having sycophants around and 1039 00:56:02,280 --> 00:56:06,120 Speaker 3: unlimited resources and like just creating like a similarchrum of 1040 00:56:06,200 --> 00:56:09,320 Speaker 3: like this thing where you're like a karate master and baller. 1041 00:56:10,200 --> 00:56:14,279 Speaker 4: Wow, wow, forty watt club in Memphis? Is it the 1042 00:56:14,320 --> 00:56:16,440 Speaker 4: forty watt the high tone? Sorry, the high Tone in 1043 00:56:16,480 --> 00:56:19,480 Speaker 4: Memphis which moved locations, but I did perform there once 1044 00:56:20,200 --> 00:56:21,920 Speaker 4: was the location of that dojo. 1045 00:56:22,160 --> 00:56:24,200 Speaker 1: Oh wow, yeah, the high tone move, but that was 1046 00:56:24,239 --> 00:56:26,879 Speaker 1: that dojo. It was in like a strip mall right. Right, 1047 00:56:27,160 --> 00:56:29,960 Speaker 1: you say what you want about amphetamines, their proponents and 1048 00:56:30,480 --> 00:56:32,720 Speaker 1: people who don't think they're great, But like you really 1049 00:56:32,760 --> 00:56:36,319 Speaker 1: can just see like a dividing line of his careers, right. 1050 00:56:37,120 --> 00:56:42,200 Speaker 1: He has this like Stratospheric Rise, goes away to the 1051 00:56:42,320 --> 00:56:45,720 Speaker 1: army for two years, comes back and everything's just starts 1052 00:56:45,760 --> 00:56:49,000 Speaker 1: doing like all those movies that like people think suck 1053 00:56:49,080 --> 00:56:52,400 Speaker 1: shit and like has doesn't really he has some good 1054 00:56:53,200 --> 00:56:56,080 Speaker 1: later stuff, for sure, some of the recordings, but a 1055 00:56:56,120 --> 00:56:59,000 Speaker 1: lot of it is just you're like, oh, he recorded 1056 00:56:59,000 --> 00:57:01,799 Speaker 1: this like on his back in a lounge chair. But 1057 00:57:02,160 --> 00:57:05,560 Speaker 1: famous things about the Elvis Sandwich, people say the only 1058 00:57:05,600 --> 00:57:08,080 Speaker 1: thing in life he got any enjoyment out of was eating. 1059 00:57:08,480 --> 00:57:11,520 Speaker 1: In his twenties, he could eat eight cheeseburgers, two BLTs, 1060 00:57:11,560 --> 00:57:14,279 Speaker 1: and three milkshakes in a single sitting. And then his 1061 00:57:14,280 --> 00:57:18,200 Speaker 1: favorite sandwich was fried peanut butter and banana sandwiches, and 1062 00:57:18,240 --> 00:57:21,840 Speaker 1: sometimes there would be bacon thrown in. And then at 1063 00:57:21,880 --> 00:57:24,960 Speaker 1: one point while they were performing in Colorado, they went 1064 00:57:25,000 --> 00:57:28,720 Speaker 1: to this restaurant where they were introduced to the Fool's 1065 00:57:28,800 --> 00:57:32,480 Speaker 1: Gold Loaf, which is an entire loaf of Italian bread 1066 00:57:32,520 --> 00:57:35,600 Speaker 1: hollowed out and stuffed full of jars of peanut butter 1067 00:57:35,640 --> 00:57:39,040 Speaker 1: and jelly, plus a pound of bacon. And he would 1068 00:57:39,200 --> 00:57:41,520 Speaker 1: be able to take one of those down by himself. 1069 00:57:41,600 --> 00:57:43,800 Speaker 1: And one time they just like flew there. They were 1070 00:57:43,840 --> 00:57:46,320 Speaker 1: like bored and were like, let's fly, let's fly out there. 1071 00:57:46,360 --> 00:57:50,080 Speaker 1: They were always bored. Yeah, this is the most shit ever. 1072 00:57:51,160 --> 00:57:55,040 Speaker 1: Holy shit. You guys know about the Nixon photo where 1073 00:57:55,080 --> 00:57:59,680 Speaker 1: he's showed up to the White House with a revolver 1074 00:58:00,280 --> 00:58:02,240 Speaker 1: and was basically like, I want to be your drugs 1075 00:58:02,240 --> 00:58:03,400 Speaker 1: are he was on drugs? 1076 00:58:03,400 --> 00:58:06,720 Speaker 4: And yeah, made flying out of one. It was made 1077 00:58:06,720 --> 00:58:10,240 Speaker 4: an honorary dea agent while he was on you. 1078 00:58:10,160 --> 00:58:12,320 Speaker 1: And you get to bring a gun into the White House. 1079 00:58:14,000 --> 00:58:17,040 Speaker 1: I don't know what's Elvis bro. Priscilla plains that Elvis 1080 00:58:17,080 --> 00:58:19,280 Speaker 1: wasn't really applying to become a nark. He wanted a 1081 00:58:19,320 --> 00:58:23,400 Speaker 1: badge from the Federal Bureau of Narcotics and Dangerous Drugs, 1082 00:58:23,480 --> 00:58:25,600 Speaker 1: which is the predecessor of the ATF, so that he 1083 00:58:25,640 --> 00:58:29,080 Speaker 1: could legally enter any country both wearing guns and carrying 1084 00:58:29,080 --> 00:58:32,800 Speaker 1: any drugs he wished. The way he went about it 1085 00:58:32,920 --> 00:58:35,959 Speaker 1: not great. He was like, I'm gonna I'll fucking spy 1086 00:58:36,080 --> 00:58:38,440 Speaker 1: on I don't give a fuck. I'll spy on the Beatles, 1087 00:58:38,520 --> 00:58:41,479 Speaker 1: I'll spy on the Black Panthers. Dude, just just get 1088 00:58:41,560 --> 00:58:42,360 Speaker 1: me in there. 1089 00:58:43,560 --> 00:58:46,560 Speaker 3: And you're back to being in your shipthead Era was okay, 1090 00:58:46,680 --> 00:58:49,080 Speaker 3: I just like that's just so funny. It's so transparent, Like, Bro, 1091 00:58:49,160 --> 00:58:50,520 Speaker 3: I need to get this badge so I can keep 1092 00:58:50,520 --> 00:58:52,320 Speaker 3: a gun on me in drugs and then you pull 1093 00:58:52,400 --> 00:58:55,920 Speaker 3: up sweating to the white Wait, drugs are man? 1094 00:58:56,000 --> 00:58:59,880 Speaker 1: Yeah, okay, Like the most famous version of the picture 1095 00:59:00,200 --> 00:59:04,120 Speaker 1: is black and white. But he was like that outfit 1096 00:59:04,240 --> 00:59:06,760 Speaker 1: was purple is bright, purple cape. 1097 00:59:06,920 --> 00:59:09,320 Speaker 4: Part of this was written off by Elvis, like people 1098 00:59:09,360 --> 00:59:12,680 Speaker 4: wrote people were like Elvis because he was not educated. 1099 00:59:12,920 --> 00:59:16,280 Speaker 4: He thought truly that he was not on drugs because 1100 00:59:16,400 --> 00:59:19,680 Speaker 4: they were prescribing our prescription. He truly the whole time 1101 00:59:19,720 --> 00:59:22,240 Speaker 4: he was doing those drugs, drump, they were not drugs, 1102 00:59:22,240 --> 00:59:24,840 Speaker 4: even though he was like doing karate at two o'clock 1103 00:59:24,880 --> 00:59:25,680 Speaker 4: in the morning. 1104 00:59:25,400 --> 00:59:28,280 Speaker 1: Another Trump parallel, Yeah, yeah, and like shooting TVs. He 1105 00:59:28,360 --> 00:59:30,040 Speaker 1: was still like, you can't be the drugs because these 1106 00:59:30,080 --> 00:59:33,480 Speaker 1: are legal drugs. I'm on right, So that picture also 1107 00:59:33,560 --> 00:59:36,640 Speaker 1: he like still looks all right, you know, like he's 1108 00:59:36,720 --> 00:59:39,360 Speaker 1: not full swollen Elvis. That so that meeting happened in 1109 00:59:39,440 --> 00:59:43,880 Speaker 1: nineteen seventy. By nineteen seventy seven the Jimmy Carter administration, 1110 00:59:44,280 --> 00:59:46,600 Speaker 1: Carter said that Elvis called the White House a lot 1111 00:59:46,720 --> 00:59:49,080 Speaker 1: during the last years of his life. He only spoke 1112 00:59:49,120 --> 00:59:52,120 Speaker 1: to him once and described Presley as totally stoned and 1113 00:59:52,160 --> 00:59:56,080 Speaker 1: almost incoherent. But he just call the White House. 1114 00:59:56,120 --> 00:59:59,800 Speaker 4: So think about that. Nineteen seventy he was like thirty 1115 00:59:59,840 --> 01:00:04,040 Speaker 4: eight years old, right something, No, less, he was thirty five. 1116 01:00:04,400 --> 01:00:07,160 Speaker 1: He was thirty five. Yeah, it looks like he looks 1117 01:00:07,160 --> 01:00:09,840 Speaker 1: like he's fifty five. Yeah, he looked horrible. All right, 1118 01:00:09,920 --> 01:00:13,400 Speaker 1: Let's talk about his death. You know, he got into 1119 01:00:13,480 --> 01:00:17,080 Speaker 1: amphetamines in the Army, then opioids in the sixties. Found 1120 01:00:17,080 --> 01:00:20,800 Speaker 1: this guy, doctor Nick, who gets a lot of, you know, 1121 01:00:21,240 --> 01:00:26,880 Speaker 1: the attention for having prescribed him with insane amounts of drugs. 1122 01:00:27,120 --> 01:00:30,440 Speaker 1: He traveled with three suitcases full of drugs for himself 1123 01:00:30,440 --> 01:00:33,000 Speaker 1: and his entourage. Doctor Nick described the drug regimen that 1124 01:00:33,040 --> 01:00:36,160 Speaker 1: Elvis followed a week before a concert, which included six 1125 01:00:36,280 --> 01:00:40,280 Speaker 1: hundred and eighty pills twenty cubic centimeters of central nervous 1126 01:00:40,320 --> 01:00:46,320 Speaker 1: system depressants, stimulants, and painkillers. Twice during nineteen seventy three, 1127 01:00:46,320 --> 01:00:49,240 Speaker 1: this is four years before he died, He overdosed on barbituates, 1128 01:00:49,880 --> 01:00:52,680 Speaker 1: spent three days in a coma in his hotel suite. 1129 01:00:53,040 --> 01:00:56,560 Speaker 1: At one point wow, and you know, just like standard 1130 01:00:56,560 --> 01:00:58,960 Speaker 1: famous people shit, but like the people around him were 1131 01:00:59,000 --> 01:01:01,320 Speaker 1: both like, fuck, we don't want this to come out, 1132 01:01:01,520 --> 01:01:03,760 Speaker 1: but also like you push back on him at all 1133 01:01:03,800 --> 01:01:06,400 Speaker 1: and he's like, well, then you're fired, and they're like, ah, 1134 01:01:06,520 --> 01:01:07,400 Speaker 1: I'm just kidding. Man. 1135 01:01:07,680 --> 01:01:10,520 Speaker 4: During that overdose, Colonel Tom Parker just had them fucking 1136 01:01:10,960 --> 01:01:12,960 Speaker 4: dunking his head in ice water and saying he had 1137 01:01:12,960 --> 01:01:15,040 Speaker 4: to be on stage by Tuesday or whatever. It was 1138 01:01:15,120 --> 01:01:18,360 Speaker 4: like they, especially Colonel Tom Parker, did not give a 1139 01:01:18,720 --> 01:01:21,760 Speaker 4: shit whether he was well. 1140 01:01:21,440 --> 01:01:23,000 Speaker 1: He just just one of them. 1141 01:01:23,080 --> 01:01:25,920 Speaker 4: Colonel Tom Parker did not like music. He did not 1142 01:01:26,440 --> 01:01:29,240 Speaker 4: like what Elvis did. He said he had no idea 1143 01:01:29,280 --> 01:01:31,520 Speaker 4: whether it was good or bad. He just knew from 1144 01:01:31,560 --> 01:01:34,520 Speaker 4: the reaction when he first met him that he had 1145 01:01:34,520 --> 01:01:38,160 Speaker 4: to get involved, right, which looked at the audience. Yeah, 1146 01:01:38,200 --> 01:01:40,240 Speaker 4: he actually said, I have no idea whether what he 1147 01:01:40,280 --> 01:01:43,400 Speaker 4: does is good or bad. I just saw the potential 1148 01:01:43,640 --> 01:01:44,240 Speaker 4: for a draw. 1149 01:01:44,600 --> 01:01:48,400 Speaker 1: I just blew me away. His career does like go 1150 01:01:49,080 --> 01:01:52,120 Speaker 1: wildly off the rails once you know, he gets back 1151 01:01:52,120 --> 01:01:54,400 Speaker 1: from the army and is on drugs and like Colonel 1152 01:01:54,480 --> 01:01:57,080 Speaker 1: Tom Parker, by the way, not a colonel in any 1153 01:01:57,160 --> 01:01:58,840 Speaker 1: sense of the way. He just like was given a 1154 01:01:59,360 --> 01:02:04,280 Speaker 1: the Southern States will give you that that moniker, and 1155 01:02:04,320 --> 01:02:05,840 Speaker 1: he was just like, I kind of like that. I'm 1156 01:02:05,840 --> 01:02:07,360 Speaker 1: gonna sign my name is that. 1157 01:02:07,440 --> 01:02:10,800 Speaker 3: But also that doctor Nick from the Simpsons is named 1158 01:02:10,800 --> 01:02:11,840 Speaker 3: after shit. 1159 01:02:11,920 --> 01:02:12,880 Speaker 1: I never thought of that. 1160 01:02:13,120 --> 01:02:15,720 Speaker 3: Just looked that up because there's my god, that Elvis 1161 01:02:15,720 --> 01:02:18,080 Speaker 3: shooting the TV like it was at no good and 1162 01:02:18,320 --> 01:02:19,040 Speaker 3: now doctor Nick. 1163 01:02:19,080 --> 01:02:20,120 Speaker 1: I was like doctor Nick. 1164 01:02:20,200 --> 01:02:23,040 Speaker 3: Simpsons Elvis are like, yeah, it's funny evening, Yep, it's 1165 01:02:23,080 --> 01:02:26,080 Speaker 3: after George nic Nicopolis doctor Nick. 1166 01:02:26,240 --> 01:02:30,320 Speaker 1: So he eventually doctor Nick, after Elvis died, was put 1167 01:02:30,360 --> 01:02:33,720 Speaker 1: on trial. Prosecutors showed that doctor Nick had prescribed Elvis 1168 01:02:33,760 --> 01:02:37,920 Speaker 1: more than nineteen thousand doses of narcotics, sedatives, and stimulants 1169 01:02:37,920 --> 01:02:40,240 Speaker 1: in the two years two and a half years before 1170 01:02:40,280 --> 01:02:43,560 Speaker 1: he died in nineteen seventy seven, and also worth noting 1171 01:02:44,040 --> 01:02:47,280 Speaker 1: he wasn't his only supplier. Like the day before he died, 1172 01:02:47,760 --> 01:02:52,360 Speaker 1: he went to the dentist with a toothache, but so 1173 01:02:52,440 --> 01:02:55,400 Speaker 1: his last twenty four hours alive because Chrisy mentioned earlier 1174 01:02:55,440 --> 01:02:57,360 Speaker 1: that like you would do karate demonstrations at two in 1175 01:02:57,400 --> 01:02:59,640 Speaker 1: the morning, I just want to read a couple of 1176 01:02:59,640 --> 01:03:02,400 Speaker 1: other things. Doctor Nick drops off just like a hockey 1177 01:03:02,400 --> 01:03:05,920 Speaker 1: bag full of drugs. He goes to the dentist to 1178 01:03:05,960 --> 01:03:09,360 Speaker 1: get more drugs. From the dentist. At four am, he 1179 01:03:09,480 --> 01:03:13,680 Speaker 1: called his cousin and his cousin's wife come play racquetball 1180 01:03:13,760 --> 01:03:17,120 Speaker 1: with him. Yeah, they played racquetball from four am to 1181 01:03:17,200 --> 01:03:19,800 Speaker 1: like five am. At seven am, he and his twenty 1182 01:03:19,840 --> 01:03:21,880 Speaker 1: year old fiance go to bed. At nine thirty he 1183 01:03:21,920 --> 01:03:24,320 Speaker 1: gets up to go to the bathroom, and then at 1184 01:03:24,320 --> 01:03:27,479 Speaker 1: two pm she finally wakes up and finds him face 1185 01:03:27,560 --> 01:03:31,920 Speaker 1: down in the shag carpet in his bathroom, which is 1186 01:03:32,360 --> 01:03:36,200 Speaker 1: fucking gross that there's a carpet, shag carpet in his 1187 01:03:36,240 --> 01:03:38,640 Speaker 1: bathroom that's not near the toilet, is it. Yeah, you 1188 01:03:38,640 --> 01:03:40,400 Speaker 1: shouldn't have carpet in your bathroom. 1189 01:03:40,600 --> 01:03:45,320 Speaker 3: Shag carpet, shag carpet, no less, just roughly towel for her. 1190 01:03:46,200 --> 01:03:48,080 Speaker 1: I think one of the first things I knew about 1191 01:03:48,160 --> 01:03:50,800 Speaker 1: him was like that he died on the toilet, right right, 1192 01:03:50,880 --> 01:03:55,360 Speaker 1: So that is true. The theory went that he just 1193 01:03:55,400 --> 01:03:58,160 Speaker 1: died of a heart attack. Then once people found out 1194 01:03:58,200 --> 01:03:59,720 Speaker 1: how many drugs he was on, they were like, he 1195 01:03:59,760 --> 01:04:02,160 Speaker 1: did a drug overdose. There's also a theory that like 1196 01:04:02,240 --> 01:04:04,400 Speaker 1: the dentist had given him codeine I think, and he 1197 01:04:04,560 --> 01:04:06,480 Speaker 1: was like allergic to that, so that might have happened. 1198 01:04:06,520 --> 01:04:09,880 Speaker 1: But I think the medical consensus at this point is 1199 01:04:09,920 --> 01:04:14,520 Speaker 1: that he died of a heart attack due to basically 1200 01:04:15,160 --> 01:04:18,480 Speaker 1: have you ever seen one of those commercials for like 1201 01:04:18,560 --> 01:04:21,720 Speaker 1: the drugs they give people on opioids to be able 1202 01:04:21,760 --> 01:04:25,080 Speaker 1: to shit, Like, It'll show it'll show somebody like looking 1203 01:04:25,080 --> 01:04:27,160 Speaker 1: at like a soft serve machine. 1204 01:04:26,760 --> 01:04:29,440 Speaker 4: With envy cause constipation. 1205 01:04:29,520 --> 01:04:32,400 Speaker 1: Wait, there's a there's a commercial for this, Yeah, there's 1206 01:04:32,400 --> 01:04:34,600 Speaker 1: a commercial. I just remember being like, why are there 1207 01:04:34,640 --> 01:04:37,080 Speaker 1: suddenly all these commercials for like constipation? It was like 1208 01:04:37,200 --> 01:04:41,480 Speaker 1: during the opioid crisis, and it was it's because opioids 1209 01:04:41,520 --> 01:04:46,160 Speaker 1: caused massive constipation, and so he had been abusing opioids 1210 01:04:46,200 --> 01:04:49,440 Speaker 1: for years and years and years and years. So the 1211 01:04:49,480 --> 01:04:54,160 Speaker 1: assumption is he had like just savage constipation and he 1212 01:04:55,120 --> 01:04:58,960 Speaker 1: was on the toilet straining so hard that it put 1213 01:04:59,040 --> 01:05:01,400 Speaker 1: pressure on his heart and a were to and trigger 1214 01:05:01,440 --> 01:05:04,360 Speaker 1: the heart attack that killed him. So he did, which 1215 01:05:04,400 --> 01:05:07,080 Speaker 1: is I think back to what I originally had heard. 1216 01:05:07,440 --> 01:05:09,640 Speaker 1: The first version was the like he's strained too hard 1217 01:05:09,640 --> 01:05:13,000 Speaker 1: while he's taking a ship. That is, you know, it 1218 01:05:13,160 --> 01:05:15,800 Speaker 1: was related to years and years of drug abuse, but 1219 01:05:16,040 --> 01:05:20,480 Speaker 1: that he was so constipated that he died. We need folks, Yeah, 1220 01:05:20,520 --> 01:05:22,800 Speaker 1: you know, you need fiber not to be on. Don't 1221 01:05:22,800 --> 01:05:27,760 Speaker 1: push too hard. I pushed it fucking pools of opioids 1222 01:05:27,800 --> 01:05:29,640 Speaker 1: for years and years and years. You'll end up in 1223 01:05:29,680 --> 01:05:31,600 Speaker 1: the shack. Don't want to end up in the shack. 1224 01:05:31,680 --> 01:05:34,680 Speaker 1: Don't push too hard. No, no, and then just in death. 1225 01:05:34,760 --> 01:05:38,120 Speaker 1: I think this is another thing that is true of 1226 01:05:38,160 --> 01:05:41,120 Speaker 1: other celebrities, but like nobody as much as Elvis is 1227 01:05:41,200 --> 01:05:44,280 Speaker 1: just that like they're not allowed to stay dead. Like 1228 01:05:44,360 --> 01:05:49,800 Speaker 1: everybody was immediately like, no, he's not dead. There became 1229 01:05:50,000 --> 01:05:53,080 Speaker 1: like a cottage industry of people coming up with conspiracy 1230 01:05:53,120 --> 01:05:57,160 Speaker 1: theories about him basically still being alive. There was a 1231 01:05:57,200 --> 01:05:59,880 Speaker 1: woman who like created a recording career for this guy 1232 01:06:00,080 --> 01:06:06,160 Speaker 1: O'Ryan kind of looked like Elvis, and then like he 1233 01:06:06,280 --> 01:06:09,600 Speaker 1: released an album on the same day that she released 1234 01:06:09,640 --> 01:06:13,640 Speaker 1: a you know, conspiracy conspiracy theory book about like Elvis 1235 01:06:13,680 --> 01:06:17,400 Speaker 1: still being alive, and people kind of point out that again, 1236 01:06:17,480 --> 01:06:20,120 Speaker 1: this is another way that like Elvis is connected to 1237 01:06:20,440 --> 01:06:23,960 Speaker 1: MAGA in like the whole QAnon thing where they just 1238 01:06:24,000 --> 01:06:26,920 Speaker 1: like wouldn't let where they would be like JFK Junior 1239 01:06:27,040 --> 01:06:29,360 Speaker 1: is coming back, and like they were kind of obsessed 1240 01:06:29,360 --> 01:06:33,160 Speaker 1: with that. It does all like seem to be linked 1241 01:06:33,200 --> 01:06:35,280 Speaker 1: in a weird way, right right. 1242 01:06:35,800 --> 01:06:37,600 Speaker 3: I love how people are like, I don't know, dude, 1243 01:06:37,680 --> 01:06:40,000 Speaker 3: I just saw him seeing Unchained Melody and he seemed 1244 01:06:40,040 --> 01:06:40,560 Speaker 3: pretty good. 1245 01:06:41,880 --> 01:06:42,440 Speaker 1: Because that's like. 1246 01:06:42,440 --> 01:06:44,480 Speaker 3: The one thing that's like the one Elvis performance I 1247 01:06:44,520 --> 01:06:46,320 Speaker 3: have looked at because I remember even my dad was 1248 01:06:46,360 --> 01:06:48,840 Speaker 3: like that was some wild shit. Like the last Elvis 1249 01:06:48,840 --> 01:06:50,880 Speaker 3: performance of Unchained Melody where he's. 1250 01:06:50,720 --> 01:06:53,880 Speaker 1: Just drenched in sweat singing Unshaan Melody and. 1251 01:06:53,800 --> 01:06:57,360 Speaker 3: Like kind of Swan song in a way where you're like, oh, 1252 01:06:57,520 --> 01:06:59,760 Speaker 3: like you're it feels I don't know, in this weird 1253 01:06:59,760 --> 01:07:01,920 Speaker 3: way when I saw it, even not really knowing anything 1254 01:07:01,920 --> 01:07:05,280 Speaker 3: about him, like oh, this feels like someone's final performance, right, 1255 01:07:05,320 --> 01:07:07,680 Speaker 3: like in this weird way where it's like it seemed tragic, 1256 01:07:07,720 --> 01:07:10,200 Speaker 3: but also like he was giving it everything. 1257 01:07:10,560 --> 01:07:13,080 Speaker 4: Yeah, he looked like psychotic and that I mean he was. 1258 01:07:13,480 --> 01:07:16,360 Speaker 4: He was singing so hard. I mean, I think Elvis 1259 01:07:16,480 --> 01:07:19,080 Speaker 4: was like, you know, he was doing his best in 1260 01:07:19,120 --> 01:07:22,360 Speaker 4: some horrible you know, he's things had gone completely off 1261 01:07:22,400 --> 01:07:24,760 Speaker 4: the rails, but he considered like his performance to be 1262 01:07:24,800 --> 01:07:27,120 Speaker 4: his thing, like he was still trying to. 1263 01:07:27,600 --> 01:07:30,560 Speaker 1: Yeah, da all he would like still perform as he 1264 01:07:30,600 --> 01:07:32,280 Speaker 1: was like dying. Yeah, he felt like. 1265 01:07:32,200 --> 01:07:34,640 Speaker 4: He was trying to give people their money's worth. He 1266 01:07:34,640 --> 01:07:36,360 Speaker 4: didn't have anything else, you know. I mean it was 1267 01:07:36,360 --> 01:07:38,200 Speaker 4: like that was the only thing left for him, Like 1268 01:07:38,240 --> 01:07:40,840 Speaker 4: that was like a traceable thing for him, probably of 1269 01:07:40,920 --> 01:07:43,240 Speaker 4: his self worth. I mean he's like, why is this happening? 1270 01:07:43,280 --> 01:07:45,920 Speaker 4: It's like the only thing I used to it's connected 1271 01:07:45,960 --> 01:07:48,440 Speaker 4: to singing. I guess, so that last performance he's just 1272 01:07:48,480 --> 01:07:51,880 Speaker 4: going off, like in a way where it's like you're 1273 01:07:51,920 --> 01:07:54,560 Speaker 4: not supposed to even be getting that much meaning. Even 1274 01:07:54,560 --> 01:07:56,360 Speaker 4: a good singer doesn't go off, you know what I mean. 1275 01:07:56,400 --> 01:07:58,080 Speaker 4: Like he was just like trying to get as much 1276 01:07:58,120 --> 01:08:01,280 Speaker 4: meaning out of unschained melody too much. 1277 01:08:02,160 --> 01:08:06,280 Speaker 1: Yeah, right, tried too much. Close to the son, he 1278 01:08:06,800 --> 01:08:09,680 Speaker 1: so sad. Yeah, he looked so sad and desperate. 1279 01:08:09,720 --> 01:08:11,280 Speaker 3: You know, I'm just reading a quote from like in 1280 01:08:11,320 --> 01:08:13,240 Speaker 3: a documentary of Priscilla, Presley said that quote. 1281 01:08:13,280 --> 01:08:15,240 Speaker 1: Those last shows were not the most memorable as far 1282 01:08:15,280 --> 01:08:17,200 Speaker 1: as performance. Sometimes you didn't get through a song. I 1283 01:08:17,200 --> 01:08:18,760 Speaker 1: think the last year he was pretty much over. I 1284 01:08:18,800 --> 01:08:20,519 Speaker 1: don't even know why he went on stage. They're just 1285 01:08:20,520 --> 01:08:23,360 Speaker 1: hard to watch sometimes. I think it was maybe this 1286 01:08:23,520 --> 01:08:27,440 Speaker 1: song have You Ever Been to Spain? Which is actually. 1287 01:08:27,160 --> 01:08:32,000 Speaker 4: A Hoyd Axton song, but Hoyd actual wrote Joy to 1288 01:08:32,040 --> 01:08:35,920 Speaker 4: the World that Jeremiah was a Bullfrog song for Three 1289 01:08:35,920 --> 01:08:37,840 Speaker 4: Dog Night. He wrote a bunch of hits for Three 1290 01:08:37,840 --> 01:08:39,640 Speaker 4: Dog Night and three Dog Knight had a hit with 1291 01:08:40,040 --> 01:08:42,479 Speaker 4: had Never Been to Spain? But Elvis's version of I've 1292 01:08:42,520 --> 01:08:44,000 Speaker 4: Never Been to Spain, which is on like all the 1293 01:08:44,000 --> 01:08:47,120 Speaker 4: streaming services shows that. You know, he had a great 1294 01:08:47,160 --> 01:08:49,439 Speaker 4: band and stuff and and and and and there were 1295 01:08:49,479 --> 01:08:52,040 Speaker 4: moments where I think he had some artistic value. 1296 01:08:52,240 --> 01:08:55,400 Speaker 1: Yeah, you know, I mean that the Suspicious Minds song 1297 01:08:55,760 --> 01:08:58,759 Speaker 1: is fucking good, and that's from like after It's from 1298 01:08:58,800 --> 01:09:00,840 Speaker 1: like kind of the later part of his was just 1299 01:09:00,880 --> 01:09:03,920 Speaker 1: like so a nova baby, I recommend. Yeah, there's some 1300 01:09:03,960 --> 01:09:06,080 Speaker 1: good stuff from later in the career. He had a 1301 01:09:06,120 --> 01:09:08,519 Speaker 1: really great voice, but he was also just like, you know, 1302 01:09:09,520 --> 01:09:13,479 Speaker 1: didn't really have anyone overall like taking care of like 1303 01:09:13,520 --> 01:09:16,200 Speaker 1: the vision for his career at that point, other than 1304 01:09:16,280 --> 01:09:21,320 Speaker 1: Colonel Tom Parker, who was, yeah, Colonel Tom Parker. 1305 01:09:21,360 --> 01:09:24,600 Speaker 4: Man. He was like I was looking at these interviews 1306 01:09:24,760 --> 01:09:28,920 Speaker 4: on YouTube of his entourage talking about Colonel Tom Parker, 1307 01:09:29,240 --> 01:09:31,479 Speaker 4: and they're very sad because the entourage, as much as 1308 01:09:31,479 --> 01:09:33,240 Speaker 4: they knew he was gonna die sort of, they all 1309 01:09:33,320 --> 01:09:33,800 Speaker 4: loved him. 1310 01:09:33,880 --> 01:09:36,519 Speaker 1: I mean, they lived twenty four hours a day with him. 1311 01:09:36,560 --> 01:09:38,000 Speaker 4: They got up out of bed when he wanted to 1312 01:09:38,040 --> 01:09:40,320 Speaker 4: do karate, They rode around in his stupid golf cart. 1313 01:09:40,479 --> 01:09:42,240 Speaker 4: I mean, of course they were all like just basically 1314 01:09:42,280 --> 01:09:45,519 Speaker 4: sex criminals around for the that's why they were there. 1315 01:09:45,600 --> 01:09:47,760 Speaker 4: That's why they were there. But they were so sad 1316 01:09:47,840 --> 01:09:49,920 Speaker 4: when he went away for a bunch of reasons, including 1317 01:09:49,920 --> 01:09:52,920 Speaker 4: no more sex for them. But they said Colonel Tom Parker, 1318 01:09:53,000 --> 01:09:55,559 Speaker 4: they just talk about how what a nightmare person he 1319 01:09:55,680 --> 01:09:57,439 Speaker 4: was all around. And one of the things that they say, 1320 01:09:57,520 --> 01:09:59,519 Speaker 4: that's so fucking funny, which I know isn't Elvis, But 1321 01:09:59,560 --> 01:10:01,040 Speaker 4: I just when I was thinking about this show and 1322 01:10:01,080 --> 01:10:02,280 Speaker 4: you guys asked me to do the show, I was like, 1323 01:10:02,320 --> 01:10:05,040 Speaker 4: I gotta tell his stories. It's so fucking funny. Carl 1324 01:10:05,080 --> 01:10:09,200 Speaker 4: Tom Parker was addicted to gambling. Addicted, he gambled. All 1325 01:10:09,240 --> 01:10:11,880 Speaker 4: he did was he basically just put Elvis on stage. 1326 01:10:11,920 --> 01:10:13,640 Speaker 4: As soon as he got the money, he would just 1327 01:10:13,680 --> 01:10:16,120 Speaker 4: go directly to the gaming table. So that's why he 1328 01:10:16,160 --> 01:10:18,200 Speaker 4: liked him performing in Las Vegas too, where he didn't 1329 01:10:18,200 --> 01:10:19,560 Speaker 4: like him a tour because he wanted to be in 1330 01:10:19,640 --> 01:10:22,800 Speaker 4: Las Vegas. Colonel Tom Parker lived to gamble, and so 1331 01:10:23,160 --> 01:10:25,120 Speaker 4: one of the Entourage guys was like the thing with 1332 01:10:25,200 --> 01:10:27,439 Speaker 4: Tom Parker is I just got to tell you guys, 1333 01:10:27,600 --> 01:10:29,640 Speaker 4: And I don't know if I've ever told anybody this, 1334 01:10:29,720 --> 01:10:32,120 Speaker 4: but I don't think he understood how to even gamble. 1335 01:10:32,439 --> 01:10:36,800 Speaker 4: He's like, I would go downstairs. So he's like, I 1336 01:10:36,840 --> 01:10:39,120 Speaker 4: went down I went downstairs at two in the morning. 1337 01:10:39,160 --> 01:10:41,719 Speaker 4: He's got he's at the Wheel of Fortune. He's like, which, 1338 01:10:41,720 --> 01:10:43,839 Speaker 4: first of all is the worst odds in the whole casino. 1339 01:10:43,880 --> 01:10:46,960 Speaker 4: And that was Colonel Tom Parker's favorite game. But he 1340 01:10:47,040 --> 01:10:52,120 Speaker 4: had a bet on every number and then he would win. 1341 01:10:53,120 --> 01:10:57,320 Speaker 1: And we lost every other bet. 1342 01:10:57,439 --> 01:10:59,600 Speaker 4: And he was like, I don't think he even understood 1343 01:10:59,600 --> 01:11:01,679 Speaker 4: how to amble, and it was all he did. 1344 01:11:02,000 --> 01:11:05,240 Speaker 1: Oh, so he would just spread it out across every poss. 1345 01:11:05,240 --> 01:11:07,679 Speaker 4: Entire stand that you didn't win if you have money 1346 01:11:07,720 --> 01:11:08,639 Speaker 4: on every number. 1347 01:11:08,720 --> 01:11:11,000 Speaker 1: So he goes to the thing he's a roulette table, 1348 01:11:11,160 --> 01:11:12,000 Speaker 1: red and black. 1349 01:11:12,200 --> 01:11:14,080 Speaker 4: Yeah, it was just incredible because he's like, you know, 1350 01:11:14,120 --> 01:11:16,160 Speaker 4: he kind of told every story about Colonel Tom Parker 1351 01:11:16,160 --> 01:11:17,559 Speaker 4: and then he was just like, oh, and I forgot 1352 01:11:17,560 --> 01:11:18,000 Speaker 4: one thing. 1353 01:11:18,240 --> 01:11:21,320 Speaker 1: A guy lived to gamble and he didn't even know how. Yeah. 1354 01:11:22,200 --> 01:11:23,280 Speaker 1: I just thought that was incredible. 1355 01:11:23,320 --> 01:11:24,640 Speaker 4: I mean, there was no limit to how much that 1356 01:11:24,800 --> 01:11:28,000 Speaker 4: they hated Tom Parker because he gambled away all his money. 1357 01:11:28,000 --> 01:11:31,000 Speaker 1: And he also, you know, he didn't give a shit 1358 01:11:31,040 --> 01:11:32,800 Speaker 1: if Elvis was alive or dead. 1359 01:11:32,840 --> 01:11:35,080 Speaker 4: Really, he wanted him alive for money, but he didn't 1360 01:11:35,120 --> 01:11:37,000 Speaker 4: care about personally about Elvis at all. 1361 01:11:37,720 --> 01:11:40,599 Speaker 1: I will say I said that he wasn't in the military. 1362 01:11:40,640 --> 01:11:42,639 Speaker 1: He did have a short stint in the military. Colonel 1363 01:11:42,680 --> 01:11:45,160 Speaker 1: Tom Parker briefly went a wall and was thrown into 1364 01:11:45,200 --> 01:11:47,760 Speaker 1: prison and spent time on Walter Reed Medical Center under 1365 01:11:47,800 --> 01:11:52,400 Speaker 1: psychiatric care for being a quote psychopath. Oh yeah, yeah, 1366 01:11:52,400 --> 01:11:53,400 Speaker 1: he was from Norway. 1367 01:11:53,479 --> 01:11:56,040 Speaker 4: He allegedly killed the person in his home town and 1368 01:11:56,080 --> 01:11:57,280 Speaker 4: like fled to America. 1369 01:11:57,680 --> 01:12:01,719 Speaker 1: And that's why they're Dutch. Yeah, one of those where'd 1370 01:12:01,720 --> 01:12:03,640 Speaker 1: I say it was from Norway? We can't have this 1371 01:12:03,880 --> 01:12:07,040 Speaker 1: episode be so American? Was he from Norland? Listen? That's 1372 01:12:07,160 --> 01:12:11,120 Speaker 1: I take responsibility for that. I'm the American. I feel 1373 01:12:11,160 --> 01:12:13,240 Speaker 1: like that that is a thing you see with like 1374 01:12:13,640 --> 01:12:20,400 Speaker 1: genuinely talented people then like have one certifiable psycho around 1375 01:12:20,479 --> 01:12:22,799 Speaker 1: them to like cut through the business side of things, 1376 01:12:23,479 --> 01:12:27,519 Speaker 1: but then you know, they end up fucking fucking up 1377 01:12:27,880 --> 01:12:28,679 Speaker 1: entire careers. 1378 01:12:28,960 --> 01:12:32,519 Speaker 4: And last thing one mile from me, one mile from 1379 01:12:32,560 --> 01:12:36,640 Speaker 4: me right now up Gallatin Road in Nashville, Tennessee, is 1380 01:12:36,680 --> 01:12:40,000 Speaker 4: a car wash that sits on the site of Colonel 1381 01:12:40,000 --> 01:12:44,679 Speaker 4: Tom Parker's house, which was this like very middle class 1382 01:12:44,720 --> 01:12:48,120 Speaker 4: looking house right on this like major thoroughfare in East Nashville, 1383 01:12:48,920 --> 01:12:50,960 Speaker 4: in Madison, Tennessee, actually, but just right up. 1384 01:12:51,160 --> 01:12:51,679 Speaker 1: Up the road. 1385 01:12:52,040 --> 01:12:55,559 Speaker 4: And uh, anyway, he ran he created the Elvis Empire 1386 01:12:55,960 --> 01:12:58,960 Speaker 4: out of a finished basement below that house with a 1387 01:12:59,000 --> 01:13:04,160 Speaker 4: phone him a rolodex, and he ran the merch out 1388 01:13:04,200 --> 01:13:08,080 Speaker 4: of a shed in the backyard. And that building's gone now, 1389 01:13:08,200 --> 01:13:10,880 Speaker 4: got torn down like ten years ago, and some guy 1390 01:13:10,920 --> 01:13:13,360 Speaker 4: tore out the whole basement like to try and build 1391 01:13:13,400 --> 01:13:15,200 Speaker 4: a museum out of it, like out of the paneling. 1392 01:13:15,240 --> 01:13:17,040 Speaker 1: But I haven't heard word on that. But I'll get 1393 01:13:17,040 --> 01:13:20,200 Speaker 1: back to you guys. Yeah, yeah, check back in the reporting. 1394 01:13:20,400 --> 01:13:21,320 Speaker 1: I'm not kidding either. 1395 01:13:21,400 --> 01:13:23,320 Speaker 4: Some guy like bought the basement. He's like, you guys 1396 01:13:23,320 --> 01:13:26,160 Speaker 4: are tearing down Colonel Tom Parker's house. That basement is historic. 1397 01:13:26,160 --> 01:13:28,480 Speaker 4: That's where he made all the phone calls, right and 1398 01:13:28,560 --> 01:13:30,680 Speaker 4: took all the But then I haven't heard where he's 1399 01:13:30,680 --> 01:13:32,559 Speaker 4: put the basement. I think it's probably just in a pile. 1400 01:13:32,640 --> 01:13:34,240 Speaker 4: You know, everybody makes plans. 1401 01:13:34,080 --> 01:13:36,880 Speaker 1: It's at his psychopath alter that he's created. Yeah. Yeah, 1402 01:13:36,920 --> 01:13:39,759 Speaker 1: his wife's like, what the fuck is this pile of shit? 1403 01:13:40,360 --> 01:13:44,000 Speaker 1: That's Colonel Tom Parker's basement paneling. This is what this 1404 01:13:44,040 --> 01:13:45,040 Speaker 1: is goodwood paneling. 1405 01:13:45,080 --> 01:13:48,280 Speaker 4: Babe, I'm getting a divorce. Get the fuck out of 1406 01:13:48,360 --> 01:13:51,000 Speaker 4: my house. Take your whatever that is with you. 1407 01:13:51,240 --> 01:13:53,200 Speaker 1: Oh great, Like I got all the material I need 1408 01:13:53,200 --> 01:13:55,479 Speaker 1: to build a new house. No matter, I'll just build them. 1409 01:13:55,640 --> 01:13:59,600 Speaker 1: I'll live in this museum. Also, just going back to 1410 01:13:59,840 --> 01:14:03,280 Speaker 1: the last episode that we recorded together, one of the 1411 01:14:03,320 --> 01:14:07,600 Speaker 1: most famous Elvis is Still Alive rumors was that he 1412 01:14:07,680 --> 01:14:10,599 Speaker 1: appeared in the background of Home Alone. There's a guy 1413 01:14:10,760 --> 01:14:14,120 Speaker 1: in the background when she's like got fighting to get 1414 01:14:14,160 --> 01:14:16,200 Speaker 1: on a plane. There's a guy in a turtleneck who 1415 01:14:16,280 --> 01:14:21,040 Speaker 1: looks kind of like a older Elvis, And everyone was like, see, yeah, 1416 01:14:21,080 --> 01:14:23,599 Speaker 1: he's got to still be alive. It's that in orson 1417 01:14:23,640 --> 01:14:26,960 Speaker 1: wells Ish. I don't know who that is, but yeah, okay, they. 1418 01:14:26,840 --> 01:14:29,400 Speaker 4: Did that with Jim Morrison. To remember, Jim Morrison was 1419 01:14:29,439 --> 01:14:30,639 Speaker 4: supposed to have gone to Africa. 1420 01:14:31,479 --> 01:14:34,200 Speaker 1: Oh yeah, wait, wait, there's pictures of Jim Morrison. Like 1421 01:14:34,240 --> 01:14:36,080 Speaker 1: they found some guy like it's Jim Morrison. 1422 01:14:36,439 --> 01:14:38,040 Speaker 4: They just said he faked his death and he was 1423 01:14:38,040 --> 01:14:40,519 Speaker 4: living in Africa, like, and they were saying that was 1424 01:14:40,560 --> 01:14:42,400 Speaker 4: like a whole there was just a big industry, and 1425 01:14:42,400 --> 01:14:44,680 Speaker 4: then they'd sell paperback books off of it. So I 1426 01:14:44,720 --> 01:14:47,880 Speaker 4: went to this place called McKay's in Nashville to look 1427 01:14:47,920 --> 01:14:52,080 Speaker 4: for Christmas presents, and they have all those old paperbacks 1428 01:14:52,080 --> 01:14:53,799 Speaker 4: and one of them was the Elvis Tapes. 1429 01:14:54,280 --> 01:14:55,040 Speaker 1: And it was this. 1430 01:14:55,280 --> 01:14:57,600 Speaker 4: Paperback book that you could buy at the supermarket that 1431 01:14:57,720 --> 01:15:00,280 Speaker 4: was like, we have a tape that Elvis. It was 1432 01:15:00,320 --> 01:15:03,240 Speaker 4: a book that transcribed the tape. That's what you could sell, 1433 01:15:03,400 --> 01:15:05,439 Speaker 4: a transcription of an audio tape. 1434 01:15:05,479 --> 01:15:07,760 Speaker 1: It was allegedly of Elvis. You could sell that as 1435 01:15:07,800 --> 01:15:08,120 Speaker 1: a book. 1436 01:15:08,160 --> 01:15:10,439 Speaker 4: And that's why I'm broke, because you can't do shit 1437 01:15:10,560 --> 01:15:12,960 Speaker 4: like that anymore, I know. And I want to buy 1438 01:15:12,960 --> 01:15:15,280 Speaker 4: that book, the Elvis Tapes for somebody, but I realized 1439 01:15:15,680 --> 01:15:16,519 Speaker 4: nobody wants that. 1440 01:15:17,400 --> 01:15:19,719 Speaker 1: Was it like supposed to be a recording of Elvis 1441 01:15:19,840 --> 01:15:23,960 Speaker 1: after his death. Yeah, there was a transcription of it. 1442 01:15:23,960 --> 01:15:26,880 Speaker 1: You couldn't use. You like to see some of the 1443 01:15:26,920 --> 01:15:30,720 Speaker 1: early like post truth shit in the Elvis thing, like 1444 01:15:30,840 --> 01:15:34,040 Speaker 1: Herado Rivera did a twenty twenty called the Elvis cover Up, 1445 01:15:34,240 --> 01:15:35,960 Speaker 1: but it was just about the like cover up of 1446 01:15:35,960 --> 01:15:38,800 Speaker 1: all the prescription drugs that he was abusing. But the 1447 01:15:38,880 --> 01:15:41,759 Speaker 1: people who were still making money off the Elvis lifts 1448 01:15:41,800 --> 01:15:46,320 Speaker 1: industry started claiming that that show was about evidence that 1449 01:15:46,439 --> 01:15:48,720 Speaker 1: his death was faked and covered up, and it's just 1450 01:15:48,760 --> 01:15:52,040 Speaker 1: like this infuriating like Herado Rivera will like have them 1451 01:15:52,040 --> 01:15:53,799 Speaker 1: on a show later and was like, what the fucking 1452 01:15:53,880 --> 01:15:57,120 Speaker 1: talk Like, it's clearly not about that, but they just 1453 01:15:57,200 --> 01:16:01,879 Speaker 1: kept sending on like Oprah and Larry King and. 1454 01:16:02,360 --> 01:16:04,519 Speaker 4: Yeah, sh it used to be cute before it was 1455 01:16:04,520 --> 01:16:09,520 Speaker 4: about stolen elections, right well, I miss those cute conspiracy 1456 01:16:09,520 --> 01:16:10,360 Speaker 4: theory theories. 1457 01:16:10,400 --> 01:16:14,360 Speaker 1: God, I miss them, don't we That's that's been Elvis guys. 1458 01:16:14,400 --> 01:16:17,160 Speaker 1: Anything anything to add I don't know. I mean, I dude, 1459 01:16:17,200 --> 01:16:18,599 Speaker 1: I just found Thank you, Chris. 1460 01:16:18,680 --> 01:16:21,960 Speaker 3: I found a fucking fifty minute video of Elvis doing 1461 01:16:22,000 --> 01:16:24,960 Speaker 3: karate in nineteen seventy four, and I am going to 1462 01:16:25,000 --> 01:16:27,280 Speaker 3: watch the full Welcome this because it's. 1463 01:16:27,120 --> 01:16:29,240 Speaker 1: You're welcome, my apologies to your wife. That's a great 1464 01:16:29,280 --> 01:16:33,120 Speaker 1: thing to have on. Just like in the background, it's freaking. 1465 01:16:32,680 --> 01:16:36,000 Speaker 4: Me out, dude, Like, if you want a nineteen seventies divorce, 1466 01:16:36,240 --> 01:16:39,280 Speaker 4: I can help you. The screaming and the scream is 1467 01:16:39,280 --> 01:16:42,600 Speaker 4: what we call a kiyok It's a way of generating 1468 01:16:42,640 --> 01:16:43,680 Speaker 4: more power. 1469 01:16:43,760 --> 01:16:46,679 Speaker 1: Just hearing these voices tell me about Elvis. 1470 01:16:47,600 --> 01:16:50,000 Speaker 4: Elvis standing there in a stupor while this guy fake 1471 01:16:50,080 --> 01:16:55,320 Speaker 4: punches him, and Elvis like, Elvis, yeah, artist thing, Yeah 1472 01:16:55,600 --> 01:16:58,320 Speaker 4: totally probably was hard from all the ship that was 1473 01:16:58,360 --> 01:17:04,360 Speaker 4: in there. Eventually, God, Elvis is so lucky at that 1474 01:17:04,400 --> 01:17:06,519 Speaker 4: gas station that those guys were impressed, because if he 1475 01:17:06,560 --> 01:17:08,519 Speaker 4: actually had to fight, he would have had a rude awakening. 1476 01:17:08,680 --> 01:17:11,120 Speaker 1: Could you imagine like that would have been so amazing 1477 01:17:11,160 --> 01:17:12,479 Speaker 1: if he ever got into a fight. 1478 01:17:13,880 --> 01:17:18,479 Speaker 4: Yes, And then he goes home and he's like, have 1479 01:17:18,520 --> 01:17:19,960 Speaker 4: you guys been fucking lying to me? 1480 01:17:20,040 --> 01:17:22,200 Speaker 1: I tried all that ship and no one went flying. 1481 01:17:22,280 --> 01:17:25,200 Speaker 1: Everyone just stood there. I said, Katti, chop the gas pumping. 1482 01:17:25,200 --> 01:17:27,400 Speaker 1: I pushed me in the stomach and it actually hurt, 1483 01:17:27,600 --> 01:17:28,320 Speaker 1: fucking hurt. 1484 01:17:28,400 --> 01:17:31,519 Speaker 4: I was like, this guy's got fucking brass knuckles on her. 1485 01:17:31,600 --> 01:17:33,720 Speaker 4: I was karate chopping the fence, try and break off 1486 01:17:33,720 --> 01:17:35,599 Speaker 4: a piece to attack them with, and I broke. 1487 01:17:35,400 --> 01:17:37,400 Speaker 1: My fucking hand right away. 1488 01:17:38,280 --> 01:17:40,920 Speaker 4: How do I break the fences at the at Graceland 1489 01:17:40,960 --> 01:17:41,479 Speaker 4: so easily? 1490 01:17:42,720 --> 01:17:48,360 Speaker 1: Well, they're made of crackers. King Well, Chris Croft is 1491 01:17:48,400 --> 01:17:50,439 Speaker 1: such a pleasure having you as always. Where can people 1492 01:17:50,439 --> 01:17:52,200 Speaker 1: find you follow you all that can. 1493 01:17:52,360 --> 01:17:55,360 Speaker 4: I'm going to get things restarted on Holbrew got me 1494 01:17:55,439 --> 01:17:57,519 Speaker 4: like I really have had I'm sorry you guys. I've 1495 01:17:57,520 --> 01:18:00,280 Speaker 4: had a had a rough fall, I really have, and 1496 01:18:00,360 --> 01:18:01,760 Speaker 4: I just got overwhelmed. 1497 01:18:01,880 --> 01:18:03,479 Speaker 1: So I just took a break. I had to. I 1498 01:18:03,560 --> 01:18:04,240 Speaker 1: just couldn't do it. 1499 01:18:04,320 --> 01:18:06,559 Speaker 4: So so we've had a couple of months off, but 1500 01:18:06,640 --> 01:18:09,000 Speaker 4: we'll be back and you can in the meantime, you 1501 01:18:09,080 --> 01:18:13,080 Speaker 4: can you can read my Advice King column at Nashville 1502 01:18:13,120 --> 01:18:13,920 Speaker 4: Scene dot com. 1503 01:18:14,040 --> 01:18:18,800 Speaker 1: Or you can just follow my Instagram or whatever. You know. 1504 01:18:18,840 --> 01:18:20,560 Speaker 1: It's follow my Instagram. That's where I put most of 1505 01:18:20,560 --> 01:18:25,280 Speaker 1: my stuff. Tennessee's very own. Thank you, Thank you, Miles. 1506 01:18:25,320 --> 01:18:28,719 Speaker 1: We can people find you Haley's Eitgeist. Ain't a footing 1507 01:18:30,600 --> 01:18:34,120 Speaker 1: those the other check those out. All right? That is 1508 01:18:34,680 --> 01:18:37,960 Speaker 1: gonna do it. I will be back after this with 1509 01:18:38,080 --> 01:18:40,200 Speaker 1: some final thoughts and my no no, no, no no 1510 01:18:40,640 --> 01:18:42,800 Speaker 1: book dump, and I will talk to you all in 1511 01:18:42,840 --> 01:18:50,280 Speaker 1: a minute. All right. That was my conversation with Miles 1512 01:18:50,320 --> 01:18:55,120 Speaker 1: and Chris Crofton about Elvis Presley. Thanks to Dave Ruse 1513 01:18:55,160 --> 01:18:58,120 Speaker 1: for the research on this one. And here's some stuff 1514 01:18:58,120 --> 01:19:01,160 Speaker 1: I missed. This is my no no, no no note book, 1515 01:19:01,280 --> 01:19:06,599 Speaker 1: don't We mentioned Priscilla's affair with her karate instructor, Mike Stone, 1516 01:19:07,280 --> 01:19:09,120 Speaker 1: which I should be clear by the way, Elvis was 1517 01:19:09,320 --> 01:19:13,599 Speaker 1: constantly having affairs during their relationship, affairs that were written 1518 01:19:13,640 --> 01:19:16,840 Speaker 1: about in the papers, and she was just stuck back 1519 01:19:16,880 --> 01:19:20,639 Speaker 1: at Graceland just like reading about all these famous women 1520 01:19:20,760 --> 01:19:24,160 Speaker 1: he was fucking, essentially, so she took karate because she 1521 01:19:24,240 --> 01:19:28,719 Speaker 1: saw I was impressive to this like manchild, and eventually 1522 01:19:28,840 --> 01:19:34,120 Speaker 1: found herself impressed by her instructor, who could presumably actually 1523 01:19:34,280 --> 01:19:37,560 Speaker 1: do karate again. Go back and look at some of 1524 01:19:37,600 --> 01:19:42,040 Speaker 1: the videos of Elvis as karate displays, and you might 1525 01:19:42,280 --> 01:19:46,000 Speaker 1: see a contrast with that concept. But there's a story 1526 01:19:46,320 --> 01:19:48,960 Speaker 1: from around this time that I really wish I hadn't 1527 01:19:48,960 --> 01:19:53,360 Speaker 1: forgotten to tell Miles and Chris about when Elvis was 1528 01:19:53,600 --> 01:19:56,639 Speaker 1: on stage out of his mind, lost in the has sauce, 1529 01:19:57,280 --> 01:20:01,880 Speaker 1: and some fans rushed the stage and he became convinced 1530 01:20:02,560 --> 01:20:07,839 Speaker 1: that those fans were contracted hitmen sent by Mike Stone. 1531 01:20:08,000 --> 01:20:11,920 Speaker 1: Elvis was up for like three days straight just in 1532 01:20:12,040 --> 01:20:14,839 Speaker 1: a rage, to the point that one of his entourage, 1533 01:20:14,880 --> 01:20:19,400 Speaker 1: one of the Memphis Mafia, eventually looked into putting out 1534 01:20:19,439 --> 01:20:23,280 Speaker 1: a hit on Mike Stone and like came to him 1535 01:20:23,320 --> 01:20:26,640 Speaker 1: and was like, all right, I found the guy. But 1536 01:20:26,760 --> 01:20:29,960 Speaker 1: by the time he got to that stage, Elvis had 1537 01:20:30,080 --> 01:20:35,040 Speaker 1: like kind of calmed down and said, maybe it's a 1538 01:20:35,080 --> 01:20:39,519 Speaker 1: little heavy. Let us hit for a while, which that 1539 01:20:39,640 --> 01:20:43,320 Speaker 1: part kind of reminded me of the person the Graceland 1540 01:20:43,960 --> 01:20:48,080 Speaker 1: Museum curator saying he shot out things on a random basis, 1541 01:20:48,200 --> 01:20:50,679 Speaker 1: Like he wasn't like it turns out I was wrong 1542 01:20:50,840 --> 01:20:55,200 Speaker 1: about those fans who rushed the stage being ninja assassins. 1543 01:20:55,240 --> 01:20:57,479 Speaker 1: He was just like, I don't know if it's exactly 1544 01:20:57,640 --> 01:21:02,479 Speaker 1: my vibe to strike back against those ninja assassins who 1545 01:21:02,560 --> 01:21:07,479 Speaker 1: came after me. So just amazing, amazing testament to just 1546 01:21:07,560 --> 01:21:12,479 Speaker 1: this weird psychological experiment of being the most famous person 1547 01:21:12,680 --> 01:21:17,960 Speaker 1: on earth and never interacting with anybody who wasn't, you know, 1548 01:21:18,280 --> 01:21:21,000 Speaker 1: part of your entourage for like years and years and years. 1549 01:21:21,560 --> 01:21:25,160 Speaker 1: On the Nixon encounter, there's this joke by Jack Handy 1550 01:21:25,840 --> 01:21:28,960 Speaker 1: that I think a good gift for the President would 1551 01:21:29,000 --> 01:21:32,080 Speaker 1: be a chocolate revolver, and since he's so busy, you'd 1552 01:21:32,120 --> 01:21:34,200 Speaker 1: probably have to run up real quick and hand it 1553 01:21:34,280 --> 01:21:38,280 Speaker 1: to him. And that's essentially what Elvis did, but with 1554 01:21:38,439 --> 01:21:41,800 Speaker 1: a real gun, and he got away with it while 1555 01:21:41,840 --> 01:21:45,680 Speaker 1: wearing a big purple cape. The Ray Charles interview that 1556 01:21:45,880 --> 01:21:48,760 Speaker 1: Chris brought up is great worth watching Ray Charles and 1557 01:21:48,880 --> 01:21:51,840 Speaker 1: Bob Costas talking about Elvis. Ray Charles points out that 1558 01:21:52,360 --> 01:21:56,120 Speaker 1: you know, black artists had been doing the dancing and 1559 01:21:56,240 --> 01:21:58,679 Speaker 1: the type of music Elvis had been doing for years. 1560 01:21:59,120 --> 01:22:03,160 Speaker 1: And I will say Elvis came by the influences. Honestly. 1561 01:22:04,040 --> 01:22:06,880 Speaker 1: He grew up so poor that he grew up around 1562 01:22:07,320 --> 01:22:11,639 Speaker 1: black families. He went to integrated churches. But I think 1563 01:22:11,680 --> 01:22:17,600 Speaker 1: that double standard also applies to the sexual charisma we 1564 01:22:17,640 --> 01:22:21,639 Speaker 1: spent spent a lot of time talking about especially applies 1565 01:22:21,800 --> 01:22:24,800 Speaker 1: to the sexual charisma. Even I don't know that Ray 1566 01:22:24,920 --> 01:22:28,040 Speaker 1: Charles was in the best position to appreciate just how 1567 01:22:28,360 --> 01:22:32,320 Speaker 1: hot Elvis was being blind, but in the interview he 1568 01:22:32,800 --> 01:22:35,680 Speaker 1: points out. Ray Charles points out that he was like 1569 01:22:35,840 --> 01:22:39,439 Speaker 1: Elvis made people swoon, and so did Nat King Cole, 1570 01:22:39,720 --> 01:22:43,599 Speaker 1: and they kicked him out of Alabama for making women swoon. 1571 01:22:44,000 --> 01:22:47,920 Speaker 1: And I think that was an important part of like 1572 01:22:48,120 --> 01:22:51,400 Speaker 1: Elvis being able to get away with what he got 1573 01:22:51,439 --> 01:22:55,839 Speaker 1: away with. I was watching a performance by Little Richard 1574 01:22:56,520 --> 01:22:59,920 Speaker 1: that I think was before Elvis broke, where little rich 1575 01:23:00,320 --> 01:23:03,920 Speaker 1: like playing the piano and dancing. There's a bunch of 1576 01:23:04,240 --> 01:23:09,240 Speaker 1: goofy white teenagers dancing like absolute shit behind him. But 1577 01:23:09,520 --> 01:23:11,720 Speaker 1: little Richard at one point puts his leg up on 1578 01:23:11,800 --> 01:23:14,120 Speaker 1: his piano and is like playing the piano, well, just 1579 01:23:14,280 --> 01:23:18,280 Speaker 1: like showing off his stroke game. And I feel like 1580 01:23:18,920 --> 01:23:22,639 Speaker 1: white people must have seen that, seen a black artist 1581 01:23:22,720 --> 01:23:26,439 Speaker 1: displaying unrestrained sexuality, and just been like, all right, well 1582 01:23:26,920 --> 01:23:29,760 Speaker 1: we'll let a white one do it, you know, Like 1583 01:23:30,040 --> 01:23:33,320 Speaker 1: I don't think it was a plan, but it was 1584 01:23:33,680 --> 01:23:37,479 Speaker 1: just the dynamic that Elvis by default took advantage of. 1585 01:23:37,920 --> 01:23:40,599 Speaker 1: Like he was dangerous, but he was a safer version 1586 01:23:40,840 --> 01:23:45,439 Speaker 1: of dangerous for a white supremacist. Leave it to beaver 1587 01:23:45,600 --> 01:23:49,280 Speaker 1: ass country, safer as long as you weren't a girl 1588 01:23:50,240 --> 01:23:54,040 Speaker 1: in ninth grade, I guess. And then just with all 1589 01:23:54,080 --> 01:23:57,040 Speaker 1: the echoes of Trump in this episode, it did make 1590 01:23:57,160 --> 01:24:01,800 Speaker 1: me kind of wish that though white working class version 1591 01:24:01,880 --> 01:24:08,000 Speaker 1: of masculinity had incorporated more of the early Elvis, because like, 1592 01:24:08,120 --> 01:24:12,240 Speaker 1: I don't know, you compare that to their current god, 1593 01:24:12,600 --> 01:24:16,679 Speaker 1: Donald Trump, where you know, the stereotypical Trump Trump supporter 1594 01:24:16,920 --> 01:24:22,759 Speaker 1: is this sort of depressing, depressed in cell type person. 1595 01:24:23,120 --> 01:24:26,560 Speaker 1: Not all Trump supporters, but you know, that's kind of 1596 01:24:26,800 --> 01:24:29,680 Speaker 1: what the general vibe is there. And it's kind of 1597 01:24:29,760 --> 01:24:34,800 Speaker 1: surreal to see this off ramp where they could have 1598 01:24:35,520 --> 01:24:38,479 Speaker 1: gotten over themselves and just like learned to dance with 1599 01:24:38,600 --> 01:24:42,320 Speaker 1: some goddamn honey in their hips, to quote Miles. Anyways, 1600 01:24:43,360 --> 01:24:47,160 Speaker 1: interesting episode, that's going to be it. We're off next week, 1601 01:24:47,240 --> 01:24:51,200 Speaker 1: but the following Monday, we are going from Elvis, someone 1602 01:24:51,280 --> 01:24:54,800 Speaker 1: who by the way, was blonde and dyed his hair 1603 01:24:54,960 --> 01:24:58,320 Speaker 1: jet black, to someone who was a brunette and turned 1604 01:24:58,360 --> 01:25:01,720 Speaker 1: themselves into the Quintus Central Blonde. We're looking at the 1605 01:25:01,800 --> 01:25:05,720 Speaker 1: amazing life the mysterious death of Marilyn Mama, and we 1606 01:25:05,840 --> 01:25:09,439 Speaker 1: will talk to y'all in a couple of weeks. Bye.