WEBVTT - Monumental

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<v Speaker 1>Hey, dear Latino USA listener. So there's a new series

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<v Speaker 1>by PRX and we wanted to share it with you.

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<v Speaker 1>It's called Monumental, and it's well kind of what you'd

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<v Speaker 1>expect by the title. It's about how monuments reflect the

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<v Speaker 1>story and the realities of America. Quite a topic, huh.

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<v Speaker 1>If there's one figure that's particularly complex and hurtful for

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<v Speaker 1>US Latinos to revisit, and if there's one figure with

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<v Speaker 1>a lot of statues who is particularly complex and yes,

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<v Speaker 1>even hurtful for many Latinos to revisit, that would be

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<v Speaker 1>Christopher Columbus, the man who was glorified for centuries as

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<v Speaker 1>elds guridor the America, the man who discovered America. This

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<v Speaker 1>episode of Monumental questions exactly that the myth of Columbus

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<v Speaker 1>as a discoverer, and it highlights the bloody history that

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<v Speaker 1>has often been erased from that very glorifying narrative. And

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<v Speaker 1>it turns out that that myth is present in monuments

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<v Speaker 1>that are still up in places like Arecibo, Puerto Rico.

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<v Speaker 1>Here's the episode and enjoy.

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<v Speaker 2>The whole idea of the drama and imposition of the

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<v Speaker 2>monumental landscape is that it is meant to feel natural.

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<v Speaker 2>It is not meant to make you stop and think.

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<v Speaker 2>It is meant to be ambient, and in the case

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<v Speaker 2>of so many monuments, it is meant to dwarf you.

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<v Speaker 2>It is meant to make you feel smaller. It is

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<v Speaker 2>meant to make you look up and worship.

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<v Speaker 3>This is Monumental, a podcast series produced by PRX. I'm

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<v Speaker 3>your host Ashley Seaford. The voice you heard at the

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<v Speaker 3>top is Elizabeth Alexander. She's the president of the Mellon Foundation.

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<v Speaker 3>In twenty twenty one, the Mellon Foundation supported an audit

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<v Speaker 3>of every last monument across the US. What they found

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<v Speaker 3>out was that there were a few front runners. Coming

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<v Speaker 3>in at number three, just behind Abraham Lincoln and George

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<v Speaker 3>Washington with one hundred and forty nine monuments across these

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<v Speaker 3>United States, was Christopher Columbus, but that number has been

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<v Speaker 3>falling fast. When I was growing up, Christopher Columbus was

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<v Speaker 3>the reason for Columbus Day. He represented a three day

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<v Speaker 3>weekend and the kickoff for the holiday season. It wasn't

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<v Speaker 3>until I got to college that I started questioning why

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<v Speaker 3>we celebrate him in the first place. I heard first

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<v Speaker 3>hand from other Native American students. While a long weekend

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<v Speaker 3>for me was a source of pain and sadness for them,

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<v Speaker 3>it was a really stark example of how people I

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<v Speaker 3>cared about were forced to see so many of us

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<v Speaker 3>celebrating in our ignorance, And of course it didn't matter

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<v Speaker 3>whether that ignorance was wilful or not. Listening to the

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<v Speaker 3>reporting in this episode, I realized that a lot of

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<v Speaker 3>the experiences I was having were paralleled by what was

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<v Speaker 3>happening nationwide. Nineteen ninety two was the five hundredth anniversary

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<v Speaker 3>of Columbus's arrival in the quote unquote New World, and

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<v Speaker 3>that moment sparked a lot of the reappraisal of Columbus

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<v Speaker 3>that were still very much in the middle of soon

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<v Speaker 3>plenty of other perspectives on the Columbus story, it could

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<v Speaker 3>no longer be ignored. Native and Indigenous community stood up

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<v Speaker 3>on behalf of their own populations that had been decimated

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<v Speaker 3>even eradicated by Western colonization. And while Indigenous People's Day

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<v Speaker 3>was proposed as counter programming starting in the late nineteen seventies,

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<v Speaker 3>it wasn't until twenty twenty one that is sitting President

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<v Speaker 3>Joe Biden actually acknowledged it. Over the last few years,

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<v Speaker 3>we've seen the fight over Columbus as a symbol reaching

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<v Speaker 3>a new pitch, with statues being torn down all over

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<v Speaker 3>the place, while statues of Christopher Columbus have been coming

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<v Speaker 3>down in places like Saint Paul, Minnesota, Chicago, and even Columbus, Ohio.

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<v Speaker 3>In this episode, you'll hear the story of the largest

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<v Speaker 3>one in the world, standing tall, very very tall in

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<v Speaker 3>a US territory. We'll look at the legacy of Columbus

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<v Speaker 3>and how it fed into America's own colonialist ambitions, and

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<v Speaker 3>we'll explore how some community are dismantling and reclaiming those narratives. Today.

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<v Speaker 3>Producer Giselli Regaetau, Associate professor of journalism at Barok College

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<v Speaker 3>in New York City, takes the story from here.

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<v Speaker 4>Arecibo is a small beach town in Puerto Rico that

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<v Speaker 4>faces the Atlantic Ocean. The waves are pretty rough, but

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<v Speaker 4>I got in the water anyway. It was warm, pristine

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<v Speaker 4>and clear. On the shore, there are several large rock formations.

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<v Speaker 4>The beach is filled with palm trees. Some of the

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<v Speaker 4>houses are partially destroyed, their walls falling apart, but the

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<v Speaker 4>general filling is still idyllic and lugar sagro. We are

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<v Speaker 4>located in a sacred place, says Pluma Barbara Moreno. She's

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<v Speaker 4>an indigenous activist who lives in this area. Moreno is

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<v Speaker 4>forty nine years old. She has brown skin and very long,

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<v Speaker 4>dark straight hair that moves all over her face with

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<v Speaker 4>the strong wind. She's wearing this colorful necklace and earrings

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<v Speaker 4>that are made of wood and feathers. From where we're

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<v Speaker 4>standing in Punta Caracoli's beach, she points out a giant

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<v Speaker 4>statue that's located more than two miles away, Siga Mina

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<v Speaker 4>Jumbogo behelpico. If you walk a little bit, you see

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<v Speaker 4>it speak. She says. I was running earlier today and

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<v Speaker 4>I actually stopped when I saw the statue far away

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<v Speaker 4>on the shore. It's way taller than the palm trees around.

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<v Speaker 5>It was a little bit.

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<v Speaker 4>I'm going to tell you the truth, she says. I

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<v Speaker 4>pass in front of it. It's on a roof that's

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<v Speaker 4>used by the community. But I don't even like looking

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<v Speaker 4>at it because every time I look at it, I

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<v Speaker 4>remember an unpunished crime. Moreno is talking about the birth

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<v Speaker 4>of the New world. That's a monument of Christopher Columbus

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<v Speaker 4>that is larger than the Statue of Liberty. It was

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<v Speaker 4>inaugurated in Arecibo in twenty sixteen. I was surprised by

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<v Speaker 4>how recently the statue was installed here. By then, many

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<v Speaker 4>Columbus statues had been vandalized and a few taken down

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<v Speaker 4>all over the world. Moreno and other indigenous groups have

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<v Speaker 4>protested against this monument for years. So monumento di ferrari

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<v Speaker 4>historico purque this is a monument of historical fraud. Why

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<v Speaker 4>because first we have to talk about the fact that

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<v Speaker 4>here there were no conquests. People talk about the conquerors.

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<v Speaker 4>Here there are no conquerors. There are invaders, she says.

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<v Speaker 4>Moreno says she and other groups will continue to fight.

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<v Speaker 4>Right now. They are asking that statues and names of

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<v Speaker 4>the so called conquerors be removed from everywhere in Puerto Rico.

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<v Speaker 4>It's a tad one representa el polo criminal. This statue

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<v Speaker 4>represents the worst of crimes. If they're going to take

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<v Speaker 4>it down right now or not, I don't know. Maybe

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<v Speaker 4>it won't be right now, but it will happen. Because

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<v Speaker 4>we believe in justice, the justice we can perpetuate ourselves.

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<v Speaker 4>We tirelessly will continue to fight, she says. On my draft.

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<v Speaker 4>To get closer to the statue, I stopped to get

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<v Speaker 4>coffee at a food truck. It's parked in front of

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<v Speaker 4>a hardware store called Ferreteria Caracolis. Felix Mielis is the

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<v Speaker 4>owner of the store. You can see the statue from here,

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<v Speaker 4>he tells me proudly. His store is about half a

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<v Speaker 4>mile from the monument. Mielis sees the statue in a

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<v Speaker 4>very different way than Pluma Moreno, the indigenous activist into

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<v Speaker 4>Lando Mueno. Touristically speaking, it's very good, he says. Mielis

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<v Speaker 4>was born and raised in Arecibo. He's seen lots of

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<v Speaker 4>changes since the statue got here. On weekends, there's a

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<v Speaker 4>men's traffic. It's been very favorable for all the businesses

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<v Speaker 4>for the town of Arecibo. Many people have been motivated

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<v Speaker 4>to set up shops in the area. Basically, Arecibo was

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<v Speaker 4>not on the map before, he says. Mieli says he

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<v Speaker 4>knows that other Columbus statues have been removed, but he

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<v Speaker 4>thinks the Birth of the New World belongs right here.

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<v Speaker 6>Part the lictorial entrobais para Obarama.

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<v Speaker 4>It is part of our country's history, for the good

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<v Speaker 4>or the bad, he says. I'm now rid in front

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<v Speaker 4>of the Birth of the New World on a narrow

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<v Speaker 4>coastal road in Arecibo. Seeing this massive bronze monument up

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<v Speaker 4>close hits me even harder than I expected. The gigantic

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<v Speaker 4>Columbus is on top of a hill facing the beach.

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<v Speaker 4>Picture a twenty story building. It's taller than that. I'm

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<v Speaker 4>here with a Puerto Rican historian.

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<v Speaker 7>My name is Aura Hiraja Royo, and I am an

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<v Speaker 7>assistant professor of history at Eastern Illinois University, and I'm

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<v Speaker 7>originally from Bajamont, Puerto Rico, which is twenty minutes west

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<v Speaker 7>of San Juan.

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<v Speaker 4>auDA hiral studies activism in Puerto Rico. She's wearing two

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<v Speaker 4>long silver earrings that say in one critica or critic

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<v Speaker 4>and on the other luchadorra or fighter. I asked her

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<v Speaker 4>to meet me here, and it's her first time seeing

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<v Speaker 4>the statue up close.

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<v Speaker 7>I just find its esthetically and not pleasing because it

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<v Speaker 7>dimensions are so messed up, like the boat is so

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<v Speaker 7>small and the Columbus looks so big. Oh, I'm just

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<v Speaker 7>very stunned.

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<v Speaker 4>The dimensions are a mishmash. Columbus is standing on a

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<v Speaker 4>small boat behind the ship's helm. He's wearing a hat

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<v Speaker 4>and a robe, and his right hand is raised awkwardly

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<v Speaker 4>palm facing up. Behind him. There are three sails. They

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<v Speaker 4>represent the ships from his journey across the Atlantic in

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<v Speaker 4>fourteen ninety two. The statue sits on private land and

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<v Speaker 4>you can't get close to it. It's fenced off. I'm

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<v Speaker 4>going to tell you why in a minute. I visited

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<v Speaker 4>the statue several times over a holiday weekend. A lot

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<v Speaker 4>of people didn't even look at it at all. Just

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<v Speaker 4>a few stop their cars, should take pictures from the road.

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<v Speaker 4>Drasa Melandez is one of them.

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<v Speaker 8>Joeywan Pennsylvania, Cata, Pennsylvania, she tells me.

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<v Speaker 4>She lives in Lancaster, Pennsylvania and is a pre school teacher.

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<v Speaker 4>She's of Puerto Rican descent and stops by the statue

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<v Speaker 4>every time she's in this area. I don't know much

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<v Speaker 4>about the history. There are people for and against it,

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<v Speaker 4>but I just keep myself neutral and just enjoy the statue,

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<v Speaker 4>she says. Historian Ala Hiral says she's never wanted to

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<v Speaker 4>visit the statue because she believes Columbus is a problematic

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<v Speaker 4>historical figure.

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<v Speaker 7>And Porto Rico specifically, we have a huge problem glorifying

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<v Speaker 7>great man. Christopher Columbus is the first one we learned

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<v Speaker 7>to glorify in school. I don't know if you've heard

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<v Speaker 7>about this, the Columbus song. It's like India, like in

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<v Speaker 7>a little town in Italy. Naso Cristo Cologne. Cristopher Columbus

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<v Speaker 7>was born yeah Lard and a Vegas. He enjoyed looking

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<v Speaker 7>at shifts and speaking about sailing.

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<v Speaker 4>In Hira's opinion, the European colonizer's impact here was devastating.

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<v Speaker 7>The violence of people like Columbus and his cronies in

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<v Speaker 7>the early stages of Conquisa was such that our native

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<v Speaker 7>people got killed like on mass So it's so bizarre

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<v Speaker 7>to see someone like him be praised as this intelligent person,

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<v Speaker 7>this innovative person.

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<v Speaker 4>It might seem bizarre now, but that is how the

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<v Speaker 4>artists who created Birth of the New World saw Columbus

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<v Speaker 4>when he built the statue. His name is Zurabi. He

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<v Speaker 4>grew up in Georgia when it was part of the

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<v Speaker 4>Soviet Union.

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<v Speaker 8>If you take early nineties eighties, it's a fascination with

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<v Speaker 8>a person who discs over the world.

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<v Speaker 4>This is what upse Telly's grandson, Vasili. He's often his

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<v Speaker 4>spokesperson because his grandfather lives in Moscow and doesn't speak English.

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<v Speaker 8>It's higher than Statue of Liberty because in the idea

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<v Speaker 8>of my grandfather, first then land was discovered on which

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<v Speaker 8>the freedom was built.

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<v Speaker 4>I met Vasili at his lawyer's office in Midtown Manhattan.

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<v Speaker 4>He greeted me warmly and even gave me two books

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<v Speaker 4>about his grandfather. We come.

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<v Speaker 1>I just landed yesterday.

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<v Speaker 4>Oh my gosh, for you, the books. Oh thank you.

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<v Speaker 4>Vasili says his grandfather created the statue in the early

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<v Speaker 4>nineteen nineties to celebrate the five hundredth anniversary of columbus

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<v Speaker 4>arrival to the Americas. He says it was his hardest project.

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<v Speaker 8>To Columbus was a difficult monument. It's a very difficult

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<v Speaker 8>monument to create and to place it.

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<v Speaker 4>I ask, Vasili said it Telly. If he thinks his

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<v Speaker 4>grandfather would have built the monument today, probably not.

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<v Speaker 8>It's a different world. At that time, it was five

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<v Speaker 8>hundred anniversary to celebrate the United States. Whole United States

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<v Speaker 8>was celebrating, and you have to understand also from where

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<v Speaker 8>we are coming from. It's an artist Georgian creating a

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<v Speaker 8>monument in Soviet Union where you could not envision of

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<v Speaker 8>traveling anywhere. So Columbus, for many of people who were

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<v Speaker 8>deprived of traveling, deprived of thinking of new ideas, and

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<v Speaker 8>everything was a symbol of something new.

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<v Speaker 4>After he created the statue Zurapse, Telli needed a home

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<v Speaker 4>for it, and that turned out to be much harder

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<v Speaker 4>than he anticipated. He envisioned this statue in Roosevelt Island

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<v Speaker 4>in New York City, but there wasn't enough local support

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<v Speaker 4>to make that happen. Other cities weren't interested either, including Columbus, Ohio, Myami,

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<v Speaker 4>and Boston. The governor of Puerto Rico accepted the statue

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<v Speaker 4>as a gift in nineteen ninety eight. They spent more

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<v Speaker 4>than two million dollars in public funds to bring it

0:16:10.440 --> 0:16:14.880
<v Speaker 4>to the island. They hoped it would attract tourists. It

0:16:14.960 --> 0:16:17.240
<v Speaker 4>was supposed to go to a suburb of the capital

0:16:17.280 --> 0:16:20.680
<v Speaker 4>of San Juan, but local people protested and a new

0:16:20.720 --> 0:16:25.120
<v Speaker 4>mayor came in, so the gigantic bronze pieces went into

0:16:25.280 --> 0:16:32.360
<v Speaker 4>storage for sixteen years. In twenty fourteen, Jose Gonzales, fred

0:16:32.520 --> 0:16:36.520
<v Speaker 4>who's a local businessman, decided to install the statue on

0:16:36.560 --> 0:16:40.440
<v Speaker 4>his private land in Arecibo. His plan was to develop

0:16:40.480 --> 0:16:45.240
<v Speaker 4>a park and other attractions around it. Serratelli says Gonzales

0:16:45.280 --> 0:16:50.120
<v Speaker 4>and his grandfather financed the installation together. They spent almost

0:16:50.200 --> 0:16:54.720
<v Speaker 4>twenty million dollars, and in twenty sixteen, Birth of the

0:16:54.800 --> 0:16:59.280
<v Speaker 4>New World was inaugurated. Ingrid Rivera was the head of

0:16:59.320 --> 0:17:02.680
<v Speaker 4>the government aid agency in charge of tourism in Puerto Rico.

0:17:02.760 --> 0:17:09.960
<v Speaker 4>Then we're talking about the tallest structure in the Americas,

0:17:10.280 --> 0:17:13.280
<v Speaker 4>and that will make people want to visit it, she says.

0:17:13.920 --> 0:17:17.879
<v Speaker 4>Even after the statue finally went up, the turmoil around

0:17:17.880 --> 0:17:22.240
<v Speaker 4>it continued. In twenty nineteen, set Telis sued the owner

0:17:22.280 --> 0:17:25.120
<v Speaker 4>of the land. He said people were climbing on top

0:17:25.160 --> 0:17:29.359
<v Speaker 4>of the statue. The party is eventually settled, and that's

0:17:29.400 --> 0:17:32.800
<v Speaker 4>when the fence was built around it. The park and

0:17:32.840 --> 0:17:39.560
<v Speaker 4>other attractions still haven't been built. This is not the

0:17:39.600 --> 0:17:43.120
<v Speaker 4>first time that Zuran s Telli's work has been tangled

0:17:43.160 --> 0:17:47.960
<v Speaker 4>in controversy. His massive statue of the Russians are Peter

0:17:48.080 --> 0:17:53.960
<v Speaker 4>the Great in downtown Moscow is overwhelmingly disliked says Alex Rodriguez.

0:17:54.720 --> 0:17:58.199
<v Speaker 4>Rodriguez was the Russian correspondent of the Chicago Tribune and

0:17:58.320 --> 0:18:01.320
<v Speaker 4>is now on its editorial board. He got a rare

0:18:01.440 --> 0:18:04.600
<v Speaker 4>increase in interview with Sir Robsa. Tella in two thousand

0:18:04.600 --> 0:18:09.359
<v Speaker 4>and five. Rodriguez asked him directly to respond to his critics.

0:18:09.960 --> 0:18:12.520
<v Speaker 9>The way they refer to it was he had a

0:18:12.560 --> 0:18:16.480
<v Speaker 9>conveyor belt approach to art, just churning it out rather

0:18:16.560 --> 0:18:20.480
<v Speaker 9>than focusing on meaning, on something to say on quality.

0:18:20.920 --> 0:18:24.080
<v Speaker 9>His answer was something akin to Goya or Donna, Tello

0:18:24.400 --> 0:18:28.200
<v Speaker 9>or Michaelangelo. Would you ask the same question to them?

0:18:28.520 --> 0:18:31.400
<v Speaker 9>So he was equating himself with some of the great

0:18:31.440 --> 0:18:33.280
<v Speaker 9>artists in history.

0:18:33.320 --> 0:18:36.760
<v Speaker 4>Still, his sculptures are displayed in places like the United

0:18:36.920 --> 0:18:39.960
<v Speaker 4>Nations in New York City and also in London, Rome

0:18:40.119 --> 0:18:45.400
<v Speaker 4>and Tokyo. Rodriguez says that's because of his wealth and connections.

0:18:45.840 --> 0:18:50.480
<v Speaker 9>He early on was able to find friends in high places,

0:18:50.520 --> 0:18:54.440
<v Speaker 9>in powerful places, and that's how he rose up the ranks.

0:18:54.680 --> 0:18:57.679
<v Speaker 9>So if people with a lot of power and money

0:18:58.160 --> 0:19:01.080
<v Speaker 9>like the art that you create, regardless of what the

0:19:01.119 --> 0:19:04.200
<v Speaker 9>masses think, you're going to go places and your art's

0:19:04.200 --> 0:19:07.680
<v Speaker 9>going to be paid for and commonly displayed.

0:19:07.920 --> 0:19:10.880
<v Speaker 4>In the case of Birth of the New World. Arecibo

0:19:11.040 --> 0:19:15.639
<v Speaker 4>is not exactly a prominent location, but Julian Go isn't

0:19:15.680 --> 0:19:18.840
<v Speaker 4>surprised to find a Columbus statue in Puerto Rico.

0:19:19.680 --> 0:19:24.920
<v Speaker 10>Everywhere across the colonial world, monuments go up to the colonizers.

0:19:25.520 --> 0:19:28.560
<v Speaker 4>He's a professor of sociology at the University of Chicago

0:19:28.720 --> 0:19:33.399
<v Speaker 4>who studies empires and colonialism. He says, it's unfortunate to

0:19:33.480 --> 0:19:38.360
<v Speaker 4>have this symbol of imperialism here. Let's consider Puerto Rico's

0:19:38.440 --> 0:19:42.440
<v Speaker 4>status as an American territory and the history that led

0:19:42.520 --> 0:19:47.520
<v Speaker 4>up to this. Columbus opened the door. Then, for over

0:19:47.640 --> 0:19:50.880
<v Speaker 4>four hundred years, Puerto Rico was a colony of Spain,

0:19:51.400 --> 0:19:54.680
<v Speaker 4>like most of Latin America, but while other countries in

0:19:54.760 --> 0:19:58.800
<v Speaker 4>the region became independent, Puerto Rico didn't. When the Spanish

0:19:58.840 --> 0:20:02.479
<v Speaker 4>American War ended in eighteen ninety eight, the US took it,

0:20:02.720 --> 0:20:07.159
<v Speaker 4>along with Spain's other possessions, the Philippines and wamp Go

0:20:07.480 --> 0:20:11.359
<v Speaker 4>says when the US first took over, it promised to

0:20:11.480 --> 0:20:14.880
<v Speaker 4>shape its new colonies in America's image.

0:20:15.400 --> 0:20:19.400
<v Speaker 10>There was a sort of pretext of helping Puerto Ricans

0:20:19.440 --> 0:20:23.400
<v Speaker 10>and Filipinos learn how to become one day self governing,

0:20:23.840 --> 0:20:25.840
<v Speaker 10>and so they let them have elections, they let them

0:20:25.880 --> 0:20:29.320
<v Speaker 10>whole political office. But again the Americans controlled and made

0:20:29.320 --> 0:20:30.760
<v Speaker 10>all final decisions.

0:20:31.520 --> 0:20:35.200
<v Speaker 4>Today, Puerto Rico is a US territory, but Go says

0:20:35.480 --> 0:20:37.240
<v Speaker 4>that term is misleading.

0:20:37.800 --> 0:20:40.159
<v Speaker 10>I do think Puerto Rico has the status of a

0:20:40.200 --> 0:20:43.760
<v Speaker 10>colony or a quasi colony. There are a whole series

0:20:43.800 --> 0:20:47.879
<v Speaker 10>of privileges and rights that Puerto Ricans are denied. I mean, officially,

0:20:48.080 --> 0:20:50.119
<v Speaker 10>if you are a Puerto Rican resident, you can't vote for

0:20:50.160 --> 0:20:52.080
<v Speaker 10>the president. For the president can send you to war.

0:20:52.960 --> 0:20:57.120
<v Speaker 4>Puerto Rico is neither an American state nor an independent country.

0:20:57.600 --> 0:21:00.919
<v Speaker 4>Puerto Ricans are US citizens, but they don't have representation

0:21:01.040 --> 0:21:05.720
<v Speaker 4>in Congress. Essentially, it's still under imperial control. According to Go,

0:21:06.760 --> 0:21:09.760
<v Speaker 4>Congress is once again discussing a new bill to the

0:21:09.840 --> 0:21:14.439
<v Speaker 4>side Puerto Rico's status, with the debate between statehood and

0:21:14.520 --> 0:21:19.600
<v Speaker 4>independent swirling. Historian Aura Hirau says Puerto Ricans are seeing

0:21:19.640 --> 0:21:22.800
<v Speaker 4>their history and people like Columbus in a much more

0:21:22.840 --> 0:21:23.639
<v Speaker 4>critical way.

0:21:24.520 --> 0:21:27.520
<v Speaker 7>People are beginning to like say, like, oh, Christopher Columbus

0:21:27.840 --> 0:21:31.520
<v Speaker 7>was not a good person. He helped exterminate our indigenous people.

0:21:31.960 --> 0:21:35.560
<v Speaker 7>So it's very ironic that right when that conversation is shifting,

0:21:35.600 --> 0:21:42.280
<v Speaker 7>they bring that monument here.

0:21:43.359 --> 0:21:47.360
<v Speaker 4>And so a monument to imperialism stands in a small

0:21:47.440 --> 0:21:52.680
<v Speaker 4>town in Puerto Rico, looming over a de facto American colony.

0:21:54.040 --> 0:21:57.919
<v Speaker 3>When we come back, Giselli Reggaetau continues her story on

0:21:58.000 --> 0:21:59.360
<v Speaker 3>the myth of Columbus.

0:22:00.240 --> 0:22:04.920
<v Speaker 5>Columbus could almost be seen as a kind of ancestor

0:22:05.040 --> 0:22:10.800
<v Speaker 5>figure justifying the American colonization of Puerto Rico in the

0:22:10.840 --> 0:22:14.280
<v Speaker 5>eighteen nineties, sort of like the story of colonization coming

0:22:14.359 --> 0:22:15.520
<v Speaker 5>around full circle.

0:22:16.480 --> 0:22:20.240
<v Speaker 3>That's next on Monumental from PRX back in a moment.

0:22:33.440 --> 0:22:36.720
<v Speaker 4>Columbus landed in Puerto Rico on his second trip in

0:22:36.800 --> 0:22:40.440
<v Speaker 4>fourteen ninety three, but he never set foot on the mainland.

0:22:41.320 --> 0:22:44.719
<v Speaker 4>So why has he been portrayed in so many statues

0:22:44.760 --> 0:22:49.760
<v Speaker 4>throughout the country and why are there about five thousand streets, buildings,

0:22:49.800 --> 0:22:53.879
<v Speaker 4>and schools named after Columbus, including the country's capital, the

0:22:53.920 --> 0:22:55.080
<v Speaker 4>District of Columbia.

0:22:56.000 --> 0:22:58.840
<v Speaker 5>I think Columbus was chosen simply because he was seen

0:22:58.880 --> 0:22:59.320
<v Speaker 5>as the.

0:22:59.240 --> 0:23:03.360
<v Speaker 4>First That's Kirk Savage, a professor of history of art,

0:23:03.400 --> 0:23:06.320
<v Speaker 4>and Architecture at the University of Pittsburgh.

0:23:06.880 --> 0:23:11.080
<v Speaker 5>That idea that Columbus was the discoverer, I think is

0:23:11.119 --> 0:23:16.040
<v Speaker 5>what made him the key figure, because the doctrine of

0:23:16.080 --> 0:23:21.479
<v Speaker 5>discovery was so important both legally and ideologically that it

0:23:21.520 --> 0:23:24.960
<v Speaker 5>was enshrined in a Supreme Court decision in eighteen twenty three.

0:23:25.600 --> 0:23:29.240
<v Speaker 4>That was the Supreme Court ruling determining that Native Americans

0:23:29.320 --> 0:23:30.800
<v Speaker 4>do not own land.

0:23:31.600 --> 0:23:38.040
<v Speaker 5>The doctrine of discovery gave the discoverer the ownership rights,

0:23:38.440 --> 0:23:42.800
<v Speaker 5>and that the Native peoples who lived there only occupied

0:23:42.800 --> 0:23:45.159
<v Speaker 5>the land, they didn't own it. You know, the United

0:23:45.160 --> 0:23:51.760
<v Speaker 5>States saw itself as the inheritor of that right of

0:23:51.840 --> 0:23:56.000
<v Speaker 5>conquest through discovery, through Columbus's discovery.

0:23:56.160 --> 0:23:59.960
<v Speaker 4>Savage says. The first Columbus statue was installed in eighteen

0:24:00.040 --> 0:24:04.159
<v Speaker 4>forty four. He was commissioned by the US Congress. It

0:24:04.240 --> 0:24:09.000
<v Speaker 4>featured Columbus with a semi nude woman below him. She

0:24:09.080 --> 0:24:10.840
<v Speaker 4>represented Native Americans.

0:24:11.880 --> 0:24:19.119
<v Speaker 5>Very racist, very problematic, overtly racist statue that depicted Columbus

0:24:19.119 --> 0:24:22.359
<v Speaker 5>as the kind of white man, you know, striding forward

0:24:22.440 --> 0:24:26.200
<v Speaker 5>to the globe in his hand, while this representation of

0:24:26.240 --> 0:24:30.600
<v Speaker 5>the Native people's just cowers below him without any agency.

0:24:31.119 --> 0:24:35.720
<v Speaker 5>That was on the Capitol steps for over a century.

0:24:36.320 --> 0:24:40.040
<v Speaker 4>The statue was in a place of high visibility for

0:24:40.080 --> 0:24:43.159
<v Speaker 4>more than one hundred years. It was the backdrop for

0:24:43.280 --> 0:24:48.720
<v Speaker 4>Presidentcinagro addresses. Then one day it was gone.

0:24:49.480 --> 0:24:51.320
<v Speaker 5>As far as I know, that was the first up

0:24:51.720 --> 0:24:57.920
<v Speaker 5>in the first down. It was removed in nineteen fifty eight,

0:24:58.440 --> 0:25:04.160
<v Speaker 5>ostensibly because they were renovating the Capitol steps. They never

0:25:04.200 --> 0:25:07.960
<v Speaker 5>put this one back because there had been many complaints

0:25:08.000 --> 0:25:13.240
<v Speaker 5>about it from the National Congress of American Indians. They

0:25:13.359 --> 0:25:16.480
<v Speaker 5>complained about it enough that eventually in fifty eight they

0:25:16.560 --> 0:25:19.240
<v Speaker 5>just decided it wasn't worth putting back up, and it's

0:25:19.280 --> 0:25:22.520
<v Speaker 5>been in storage ever since. It's literally never been seen

0:25:22.640 --> 0:25:24.080
<v Speaker 5>publicly since that time.

0:25:26.160 --> 0:25:29.480
<v Speaker 4>In nineteen ninety two, as the US celebrated five hundred

0:25:29.560 --> 0:25:34.560
<v Speaker 4>years of Columbus's arrival on the continent, indigenous groups protested

0:25:34.640 --> 0:25:45.280
<v Speaker 4>against those celebrations and against Columbus statues. But Catherine Dignisio

0:25:45.400 --> 0:25:49.320
<v Speaker 4>points out the opposition to Columbus started way before that.

0:25:50.359 --> 0:25:54.480
<v Speaker 11>He has been challenged since the very beginning, and in

0:25:54.480 --> 0:25:58.720
<v Speaker 11>fact even by people on his own boat. Though Bartolome

0:25:58.840 --> 0:26:03.200
<v Speaker 11>de las Casas is a religious figure who's traveling with Columbus,

0:26:03.200 --> 0:26:07.679
<v Speaker 11>who ended up detailing his accounts of Columbus's barbarism, and

0:26:07.720 --> 0:26:11.760
<v Speaker 11>that's how we know about the violence that was actually perpetrated.

0:26:11.800 --> 0:26:16.639
<v Speaker 11>So even his own people did not revere Columbus and

0:26:16.680 --> 0:26:20.040
<v Speaker 11>did not universally think he was such a great, awesome

0:26:20.160 --> 0:26:21.080
<v Speaker 11>founder of anything.

0:26:21.720 --> 0:26:25.760
<v Speaker 4>Dignizio is an associate professor of Urban Science and Planning

0:26:25.800 --> 0:26:30.280
<v Speaker 4>at MIT. She also directs their Data plus Feminism Lab.

0:26:30.760 --> 0:26:34.320
<v Speaker 4>In twenty twenty one, the lab created a zine challenging

0:26:34.359 --> 0:26:39.040
<v Speaker 4>the greatness of Columbus. It's called we Never Wanted Him Here.

0:26:39.800 --> 0:26:43.800
<v Speaker 4>But her questioning of the Columbus mystique is personal as well.

0:26:44.560 --> 0:26:48.520
<v Speaker 11>I am of Italian American descent. My grandfather was Italian,

0:26:49.040 --> 0:26:52.320
<v Speaker 11>and so Columbus is a figure I've always had mixed

0:26:52.359 --> 0:26:53.159
<v Speaker 11>feelings about.

0:26:53.880 --> 0:26:56.840
<v Speaker 4>Kirk Savage from the University of Pittsburgh says in the

0:26:56.920 --> 0:27:01.159
<v Speaker 4>nineteen hundreds, Italian Americans and organizations like the Knights of

0:27:01.200 --> 0:27:05.200
<v Speaker 4>Columbus played a key role in making statues of Columbus

0:27:05.280 --> 0:27:06.480
<v Speaker 4>even more popular.

0:27:07.200 --> 0:27:09.720
<v Speaker 5>The fact that there are hundreds around the world is

0:27:09.880 --> 0:27:13.120
<v Speaker 5>almost completely owing to the fact that Italian immigrants took

0:27:13.160 --> 0:27:15.879
<v Speaker 5>over this symbol and pushed it as a symbol of

0:27:15.920 --> 0:27:19.720
<v Speaker 5>their own heritage. What I think is important to stress, though,

0:27:20.520 --> 0:27:24.600
<v Speaker 5>is that they adopted Columbus because he was already an

0:27:24.680 --> 0:27:29.040
<v Speaker 5>important figure in White American mythology.

0:27:29.960 --> 0:27:33.920
<v Speaker 4>In nineteen thirty seven, the Knights of Columbus successfully lobbied

0:27:34.000 --> 0:27:38.639
<v Speaker 4>President Franklin Roosevelt to make Columbus Day a national holiday.

0:27:39.480 --> 0:27:42.760
<v Speaker 4>Here he's celebrating the day in one of his radio addresses.

0:27:42.840 --> 0:27:44.160
<v Speaker 4>During World War Two.

0:27:44.880 --> 0:27:48.360
<v Speaker 11>Christopher Columbus oo the aid of Spain.

0:27:48.160 --> 0:27:49.680
<v Speaker 6>Opened up a new world.

0:27:50.080 --> 0:27:54.360
<v Speaker 11>We have freedom, tolerance, and respect for human rights, and

0:27:54.400 --> 0:27:58.159
<v Speaker 11>dignity provided in asylum for the oppressed.

0:27:57.680 --> 0:27:58.520
<v Speaker 7>Of the old world.

0:28:00.440 --> 0:28:04.000
<v Speaker 4>Dignesia says, when she was growing up, her grandfather was

0:28:04.200 --> 0:28:08.199
<v Speaker 4>very proud of Columbus, and she understands the importance of

0:28:08.240 --> 0:28:08.920
<v Speaker 4>that symbol.

0:28:09.520 --> 0:28:13.600
<v Speaker 11>He was very proud of the fact that Italian Americans

0:28:13.640 --> 0:28:20.400
<v Speaker 11>had some representation in the US kind of canonical history.

0:28:21.000 --> 0:28:24.919
<v Speaker 4>When Columbus Day became a national holiday, Italians had become

0:28:25.080 --> 0:28:28.920
<v Speaker 4>the largest immigrant group in the country with political poll

0:28:29.720 --> 0:28:32.120
<v Speaker 4>but it had been a hard road to get there.

0:28:32.760 --> 0:28:36.240
<v Speaker 11>Italian immigrants were very discriminated against. My own grandfather has

0:28:36.359 --> 0:28:38.800
<v Speaker 11>his own stories that he would tell us of the

0:28:38.880 --> 0:28:42.600
<v Speaker 11>times and as such, he wanted to be assimilating into

0:28:42.640 --> 0:28:43.720
<v Speaker 11>white culture.

0:28:44.120 --> 0:28:47.760
<v Speaker 4>And she says that's what the Italian American allyship with

0:28:47.880 --> 0:28:49.200
<v Speaker 4>Columbus tries to do.

0:28:49.840 --> 0:28:54.800
<v Speaker 11>That tries to ally Italian Americans with the dominant white

0:28:54.840 --> 0:28:58.360
<v Speaker 11>culture with this sort of founder's culture, with a nation

0:28:58.600 --> 0:29:03.239
<v Speaker 11>building quote unqung discovery oriented culture. And so you know

0:29:03.600 --> 0:29:08.120
<v Speaker 11>what's the cost of that pride, right, And the cost

0:29:08.200 --> 0:29:11.880
<v Speaker 11>of that is that we're overlooking both Columbus as the

0:29:11.920 --> 0:29:17.880
<v Speaker 11>man himself and the horrible genocidal, violent, sexual assault and

0:29:17.960 --> 0:29:21.920
<v Speaker 11>other incredible violence that he perpetrated as a person. But

0:29:21.960 --> 0:29:25.040
<v Speaker 11>then we're also overlooking the harm of this myth of

0:29:25.080 --> 0:29:28.520
<v Speaker 11>discovery and kind of who is erased by that myth

0:29:28.560 --> 0:29:34.960
<v Speaker 11>as well.

0:29:35.040 --> 0:29:40.280
<v Speaker 4>Kirk Savage understands why earlier generations of Italian American immigrants

0:29:40.400 --> 0:29:44.800
<v Speaker 4>rallied around Columbus, but seeing the harm to indigenous people,

0:29:45.200 --> 0:29:47.600
<v Speaker 4>he himself has picked one side.

0:29:48.320 --> 0:29:51.840
<v Speaker 5>What I guess tilts the debate for me in the

0:29:51.880 --> 0:29:55.440
<v Speaker 5>direction of removal is that this is just really terrible history.

0:29:55.600 --> 0:29:58.959
<v Speaker 5>You know, the Columbus cult is just wrong in so

0:29:59.080 --> 0:30:04.240
<v Speaker 5>many ways and reinforces so many myths about our country

0:30:04.280 --> 0:30:08.280
<v Speaker 5>that need to be changed, and reinforces white supremacy and

0:30:08.360 --> 0:30:09.200
<v Speaker 5>he just needs to go.

0:30:16.280 --> 0:30:19.560
<v Speaker 4>After the killing of Black American George Floyd by police

0:30:19.600 --> 0:30:23.480
<v Speaker 4>in twenty twenty, massive protests led to the removal of

0:30:23.720 --> 0:30:32.120
<v Speaker 4>dozens of statues. Columbus became one of the biggest targets

0:30:32.640 --> 0:30:40.040
<v Speaker 4>moral will him say, We are still here, but he's gone.

0:30:40.240 --> 0:30:43.520
<v Speaker 4>About forty of his statues have been taken down all

0:30:43.560 --> 0:30:47.640
<v Speaker 4>over the country, Around one hundred and thirty still remain.

0:30:50.240 --> 0:30:53.479
<v Speaker 4>As statues of Columbus are coming down, new monuments are

0:30:53.520 --> 0:30:56.800
<v Speaker 4>coming up. Some of them celebrate those who have been

0:30:56.840 --> 0:31:02.960
<v Speaker 4>erased and reject old white supremacists myths. Now immigrants are

0:31:02.960 --> 0:31:10.120
<v Speaker 4>putting themselves at the center of the story. Immigrants from

0:31:10.200 --> 0:31:13.440
<v Speaker 4>all over Living Queens, New York. It's known as one

0:31:13.480 --> 0:31:16.960
<v Speaker 4>of the most diverse urban areas in the world, and

0:31:17.040 --> 0:31:20.920
<v Speaker 4>the neighborhood of Woodside is home to a lot of Filipinos.

0:31:21.560 --> 0:31:24.320
<v Speaker 6>We are on the corner of sixty ninth Street and

0:31:24.400 --> 0:31:25.440
<v Speaker 6>Roosevelt Avenue.

0:31:26.320 --> 0:31:29.960
<v Speaker 4>Jacqueline Reyes is a cultural organizer with a group called

0:31:30.200 --> 0:31:34.320
<v Speaker 4>Little Manila Queens by a Nihon Arts, They create art

0:31:34.440 --> 0:31:38.080
<v Speaker 4>about the Filipino community in New York, like the mural

0:31:38.120 --> 0:31:42.680
<v Speaker 4>they painted on this corner. On it. The word Mabuhai

0:31:43.160 --> 0:31:47.240
<v Speaker 4>is written in yellow and orange letters over a blue background.

0:31:47.880 --> 0:31:52.080
<v Speaker 4>Around it, there are white jasmine flowers and green leaves.

0:31:52.640 --> 0:31:56.840
<v Speaker 4>Reyes says the word means different things in Filipino.

0:31:57.120 --> 0:31:59.800
<v Speaker 6>It has a lot of meanings that doesn't translate an

0:31:59.800 --> 0:32:03.240
<v Speaker 6>in very cleanly, but it means like welcome, may you live.

0:32:04.040 --> 0:32:07.760
<v Speaker 4>The mirror was painted in twenty twenty early COVID times.

0:32:08.240 --> 0:32:11.000
<v Speaker 4>She says, the mirror was meant to lift the spirits

0:32:11.040 --> 0:32:13.080
<v Speaker 4>of the people in the neighborhood.

0:32:12.840 --> 0:32:16.960
<v Speaker 6>When Queens was the epicenter of the epicenter. At the time,

0:32:17.000 --> 0:32:21.320
<v Speaker 6>we knew that Filipinos were going to be more impacted

0:32:21.360 --> 0:32:24.280
<v Speaker 6>by the healthcare crisis because a lot of Filipinos are

0:32:24.680 --> 0:32:26.960
<v Speaker 6>healthcare workers or work in the healthcare sector.

0:32:28.360 --> 0:32:31.560
<v Speaker 4>There's a reason so many Filipino immigrants are in healthcare.

0:32:32.080 --> 0:32:36.400
<v Speaker 4>After the Philippines became a US colony, Americans created nursing

0:32:36.480 --> 0:32:41.080
<v Speaker 4>programs in that country. According to Julian Go, the sociologist

0:32:41.120 --> 0:32:45.040
<v Speaker 4>from the University of Chicago, that was strategic.

0:32:45.200 --> 0:32:49.400
<v Speaker 10>Colonial powers have all kinds of interests, economic and political interests.

0:32:49.440 --> 0:32:53.160
<v Speaker 10>And one of the things besides raw materials that they

0:32:53.160 --> 0:32:57.120
<v Speaker 10>can get from colonies is labor right, cheap labor.

0:32:57.920 --> 0:33:01.640
<v Speaker 4>In the nineteen sixties, the US started allowing foreign professionals

0:33:01.640 --> 0:33:05.760
<v Speaker 4>to come here. The medical field needed workers, and Filipino

0:33:05.880 --> 0:33:10.400
<v Speaker 4>nurses helped meet that need. Jacqueline Rayes says, the mural

0:33:10.560 --> 0:33:12.880
<v Speaker 4>celebrates those nurses, and.

0:33:12.840 --> 0:33:15.880
<v Speaker 6>It was also just to kind of show us solidarity

0:33:16.160 --> 0:33:18.720
<v Speaker 6>to the people living in Queens also to the people

0:33:18.720 --> 0:33:21.800
<v Speaker 6>who came from outside New York City, like welcoming them.

0:33:22.240 --> 0:33:25.880
<v Speaker 4>The mural clearly resonates with a passerby who can't help

0:33:26.000 --> 0:33:27.400
<v Speaker 4>interrupting our interview.

0:33:27.880 --> 0:33:29.440
<v Speaker 7>Iman, who made this one?

0:33:29.720 --> 0:33:31.320
<v Speaker 5>This is so beautiful?

0:33:30.600 --> 0:33:33.160
<v Speaker 10>Oh, you represent the country.

0:33:33.320 --> 0:33:34.480
<v Speaker 6>Yeah, that's what I tried to do.

0:33:34.720 --> 0:33:36.480
<v Speaker 4>How do you think represent the country?

0:33:36.760 --> 0:33:40.320
<v Speaker 10>Yeah, because that word represents the Filipino Yeah.

0:33:40.640 --> 0:33:41.920
<v Speaker 7>So it says long lived.

0:33:42.040 --> 0:33:44.040
<v Speaker 6>That's the meaning of it. Yeah.

0:33:44.080 --> 0:33:46.200
<v Speaker 11>So when you say I'm abuhai to any person, it

0:33:46.200 --> 0:33:51.360
<v Speaker 11>seems that just go on, go on to your life.

0:33:51.160 --> 0:33:51.520
<v Speaker 6>Keep on.

0:33:52.840 --> 0:33:57.080
<v Speaker 4>Yeah. But also Rayes tends to draw people in.

0:33:57.520 --> 0:33:59.840
<v Speaker 6>Or what's your name again? Richard Richard Jack.

0:34:00.840 --> 0:34:04.000
<v Speaker 4>She's thirty six years old. She has straight brown hair

0:34:04.120 --> 0:34:08.040
<v Speaker 4>with a blonde highlight streak. She seems at home here,

0:34:08.200 --> 0:34:11.360
<v Speaker 4>but she actually grew up in Los Angeles. Her parents

0:34:11.360 --> 0:34:14.880
<v Speaker 4>are Filipino immigrants. She says, when she moved to New

0:34:14.960 --> 0:34:19.560
<v Speaker 4>York City in twenty ten, she would often come to Woodside.

0:34:19.120 --> 0:34:21.640
<v Speaker 6>If I needed to get Filipino groceries. If I wanted

0:34:21.640 --> 0:34:24.520
<v Speaker 6>to be around Filipinos, I would come here.

0:34:25.719 --> 0:34:29.200
<v Speaker 4>The mirror was the first project of what Reyes calls

0:34:29.400 --> 0:34:33.400
<v Speaker 4>creative place keeping. As part of that effort, in twenty

0:34:33.480 --> 0:34:36.719
<v Speaker 4>twenty two, they were able to officially co name one

0:34:36.760 --> 0:34:41.400
<v Speaker 4>street here Little Manila Avenue es on box.

0:34:44.680 --> 0:34:50.520
<v Speaker 7>My Boy, I'm Done, by Ann really Pino, by a Veino,

0:34:50.800 --> 0:34:51.279
<v Speaker 7>by on.

0:34:53.280 --> 0:34:55.840
<v Speaker 10>My wohy migrding Bino.

0:34:58.719 --> 0:35:02.160
<v Speaker 6>We saw that the streets getting installed as an important

0:35:02.200 --> 0:35:06.080
<v Speaker 6>part of monument making, because it's like, let's get used

0:35:06.080 --> 0:35:08.360
<v Speaker 6>to like us taking up space publicly.

0:35:09.280 --> 0:35:11.800
<v Speaker 4>The next step will be the creation of a monument

0:35:11.840 --> 0:35:15.040
<v Speaker 4>about a Filipino woman known as tan Dang Sora.

0:35:15.760 --> 0:35:20.160
<v Speaker 6>Tondang Sora is this She's like this revolutionary figure in

0:35:20.200 --> 0:35:21.120
<v Speaker 6>Philippine history.

0:35:21.960 --> 0:35:25.680
<v Speaker 4>Tan Dang Sora is like the anti Columbus. She was

0:35:25.719 --> 0:35:29.200
<v Speaker 4>in her eighties when she provided support for the revolutionaries

0:35:29.239 --> 0:35:31.880
<v Speaker 4>fighting Spain in the late eighteen hundreds.

0:35:32.239 --> 0:35:35.480
<v Speaker 6>She was there like part of the Philippine Revolution, but

0:35:35.560 --> 0:35:37.680
<v Speaker 6>she was taking care of people, and so we want

0:35:37.719 --> 0:35:41.520
<v Speaker 6>to highlight that care labor is just as heroic as

0:35:41.719 --> 0:35:44.440
<v Speaker 6>any other narrative out there. And we thought that this

0:35:44.600 --> 0:35:49.440
<v Speaker 6>monument to Tandang Sora would help, I guess, elevate that

0:35:49.880 --> 0:35:52.720
<v Speaker 6>to increase the visibility of women doing that work.

0:35:53.680 --> 0:35:57.439
<v Speaker 4>Ray says, revolutionaries in the Philippines and Puerto Rico were

0:35:57.520 --> 0:36:00.400
<v Speaker 4>exchanging ideas about how to fight Spain.

0:36:01.000 --> 0:36:03.200
<v Speaker 6>If you look at the Puerto Rican flag and the

0:36:03.239 --> 0:36:07.359
<v Speaker 6>Filipino flag with that triangle, it's because of the solidarity

0:36:07.400 --> 0:36:11.759
<v Speaker 6>between those different communities. So our struggles are intertwined.

0:36:11.800 --> 0:36:16.880
<v Speaker 4>Actually, And like Puerto Rico, the Philippines was ruled by Americans.

0:36:17.400 --> 0:36:21.120
<v Speaker 4>The US controlled the country for almost fifty years until

0:36:21.280 --> 0:36:25.840
<v Speaker 4>nineteen forty six. Rai says with her work, she's highlighting

0:36:25.920 --> 0:36:28.440
<v Speaker 4>voices that were erased by that history.

0:36:28.960 --> 0:36:32.440
<v Speaker 6>Maybe a form of decolonizing is just like amplifying women's

0:36:32.440 --> 0:36:35.560
<v Speaker 6>stories first and just balancing it out the history a

0:36:35.600 --> 0:36:38.760
<v Speaker 6>bit more. And I think that women would approach monuments

0:36:38.800 --> 0:36:40.920
<v Speaker 6>differently because I don't think that women would want to

0:36:41.320 --> 0:36:45.600
<v Speaker 6>impose like huge figures of themselves, right, That's why I like,

0:36:45.760 --> 0:36:48.560
<v Speaker 6>I'm resistant to like just putting another statue up because

0:36:48.760 --> 0:36:54.400
<v Speaker 6>I don't think that our freedom should be imitating our oppression.

0:36:54.560 --> 0:36:55.320
<v Speaker 6>Does that make sense?

0:37:02.960 --> 0:37:05.839
<v Speaker 4>The placing of Birth of the New World in Arecibo

0:37:06.040 --> 0:37:10.600
<v Speaker 4>was quite the saga for cultural organizers like Rais. Building

0:37:10.600 --> 0:37:13.920
<v Speaker 4>a monument is not a simple process either, but for

0:37:14.120 --> 0:37:17.440
<v Speaker 4>very different reasons. Her group has been talking to the

0:37:17.480 --> 0:37:21.800
<v Speaker 4>community and is considering several ideas building a resting place,

0:37:22.200 --> 0:37:24.880
<v Speaker 4>putting art on the bridge that connects Little Manila to

0:37:24.920 --> 0:37:27.960
<v Speaker 4>a central plaza, or designing a statue.

0:37:28.520 --> 0:37:32.319
<v Speaker 6>It takes a long time to really conceptualize something that

0:37:33.000 --> 0:37:36.080
<v Speaker 6>could have the resonance that it should have, the hopes

0:37:36.080 --> 0:37:41.320
<v Speaker 6>and aspirations we want for this message or this figure

0:37:41.440 --> 0:37:44.000
<v Speaker 6>or all of these women that were trying to speak

0:37:44.040 --> 0:37:46.600
<v Speaker 6>for we wanted to do it right.

0:37:47.680 --> 0:37:50.440
<v Speaker 4>They will present different ideas to the community to get

0:37:50.440 --> 0:37:53.319
<v Speaker 4>their feedback, and even though they've got a brand from

0:37:53.320 --> 0:37:56.440
<v Speaker 4>the Melon Foundation, they will probably have to raise more

0:37:56.480 --> 0:37:58.200
<v Speaker 4>money to build something permanent.

0:37:59.000 --> 0:38:03.040
<v Speaker 6>Building a monument is also building consensus around it, building

0:38:03.080 --> 0:38:06.319
<v Speaker 6>the desire, building the consciousness around it. Even if we

0:38:06.360 --> 0:38:07.759
<v Speaker 6>had the money, if we were to just put a

0:38:07.800 --> 0:38:11.160
<v Speaker 6>statue there with no context, it wouldn't mean anything. So

0:38:11.360 --> 0:38:14.360
<v Speaker 6>it's a slow. To change minds, to change our understanding

0:38:14.400 --> 0:38:15.680
<v Speaker 6>of history takes a long time.

0:38:15.880 --> 0:38:19.839
<v Speaker 4>You know, the process that rey Is and her team

0:38:19.880 --> 0:38:23.200
<v Speaker 4>are going through is much more inclusive than how monuments

0:38:23.200 --> 0:38:26.960
<v Speaker 4>have been built in the past. Kirk Savage, the professor

0:38:27.080 --> 0:38:31.759
<v Speaker 4>from the University of Pittsburgh, says that historically, monuments have

0:38:31.880 --> 0:38:34.000
<v Speaker 4>said a lot about who we are as people.

0:38:34.840 --> 0:38:38.440
<v Speaker 5>The process of building and erecting a monument is a

0:38:38.480 --> 0:38:43.360
<v Speaker 5>microcosm of all of the social forces and conflicts that

0:38:43.480 --> 0:38:47.840
<v Speaker 5>go into any kind of political activity and decision making.

0:38:48.120 --> 0:38:50.200
<v Speaker 5>So that's on the one hand. On the other hand,

0:38:50.360 --> 0:38:54.080
<v Speaker 5>you know, the finished monument, once it's erected, becomes, as

0:38:54.120 --> 0:38:58.400
<v Speaker 5>I say, a kind of microcosm of the world that

0:38:58.600 --> 0:39:02.840
<v Speaker 5>is imagined by those people who have the power and

0:39:02.960 --> 0:39:05.000
<v Speaker 5>privilege to imagine that world.

0:39:05.920 --> 0:39:08.799
<v Speaker 4>Unless they are being built with input from the community,

0:39:09.080 --> 0:39:13.080
<v Speaker 4>like Rayes is doing in Queens. Savage says, monuments can

0:39:13.160 --> 0:39:15.160
<v Speaker 4>do more harm than good.

0:39:16.480 --> 0:39:19.560
<v Speaker 5>I would say that after you know lifetime studying traditional

0:39:19.640 --> 0:39:22.359
<v Speaker 5>monuments and say we probably could use a lot less

0:39:22.400 --> 0:39:25.720
<v Speaker 5>of them, I'm not willing to say that we shouldn't

0:39:25.760 --> 0:39:28.880
<v Speaker 5>ever erect anymore, because I think that they still have

0:39:28.960 --> 0:39:31.600
<v Speaker 5>the power to do good. And to change the narrative

0:39:31.800 --> 0:39:34.920
<v Speaker 5>in ways that are healthy and constructive and good for

0:39:35.080 --> 0:39:39.920
<v Speaker 5>us all but most of the time they don't. And

0:39:39.960 --> 0:39:43.839
<v Speaker 5>I think the more we turn the commmditive landscape into

0:39:43.880 --> 0:39:47.799
<v Speaker 5>a more living landscape right in which people are engaging

0:39:48.040 --> 0:39:52.000
<v Speaker 5>with it from different perspectives, in different points of view,

0:39:52.280 --> 0:39:53.600
<v Speaker 5>you know, that's democracy.

0:39:55.880 --> 0:39:59.279
<v Speaker 4>I'm trying to imagine what this living landscape would look like.

0:40:00.200 --> 0:40:03.839
<v Speaker 4>I hope that people of Farcibo in Puerto Rico get

0:40:03.920 --> 0:40:04.920
<v Speaker 4>to create their own.

0:40:19.080 --> 0:40:22.560
<v Speaker 3>This episode of Monumental was written and produced by Giselle

0:40:22.600 --> 0:40:27.320
<v Speaker 3>Reguetau Special thanks to Wendy Smith and Qike Cubero Garcia.

0:40:28.000 --> 0:40:32.359
<v Speaker 3>The senior editor from Monumental is Roslyn Tordecilias, and our

0:40:32.400 --> 0:40:36.880
<v Speaker 3>senior producer is Nancy Rosenbau. Jamie Yorke is our writer

0:40:37.239 --> 0:40:41.279
<v Speaker 3>and our associate producer is Lauren Francis. The show is

0:40:41.320 --> 0:40:45.720
<v Speaker 3>recorded by Bryce Bowman and Ben Ericsson at earshot audio

0:40:45.719 --> 0:40:51.640
<v Speaker 3>posts and mixed by Tommy Bazarian, with support from Emmanuel Disarme, Pedro,

0:40:51.760 --> 0:40:58.160
<v Speaker 3>Rafael Rossado, Morgan Flannery and Sandra Lopez Mansalve. Fact checking

0:40:58.160 --> 0:41:02.400
<v Speaker 3>by Christina Ribello. Our theme was composed and produced by

0:41:02.480 --> 0:41:08.040
<v Speaker 3>Jolani Bowman with additional music by Alexis Quadrado. Edwin Achoa

0:41:08.160 --> 0:41:12.560
<v Speaker 3>is our project manager and our executive producer is Jocelyn Gonzalez.

0:41:13.400 --> 0:41:17.759
<v Speaker 3>Monumental is produced by PRX Productions and made possible by

0:41:17.760 --> 0:41:21.200
<v Speaker 3>a grant from the Melon Foundation. For more on the show,

0:41:21.520 --> 0:41:30.040
<v Speaker 3>visit us at PRX dot org. Backslash Monumental. Coming up

0:41:30.120 --> 0:41:33.839
<v Speaker 3>on the next episode of Monumental, how a civil war

0:41:33.960 --> 0:41:37.480
<v Speaker 3>obelisk has become a flashpoint for a four hundred year

0:41:37.520 --> 0:41:41.800
<v Speaker 3>old identity crisis in Santa Fe, New Mexico, a place

0:41:41.840 --> 0:41:46.800
<v Speaker 3>that's still struggling with the legacy of slavery, colonialism, and belonging.

0:41:47.560 --> 0:41:49.600
<v Speaker 9>Do I look like a savage?

0:41:49.960 --> 0:41:52.560
<v Speaker 4>Does my children look like savages? We don't.

0:41:53.160 --> 0:41:56.600
<v Speaker 2>Words savage and that obelisk are one of the same

0:41:57.080 --> 0:41:59.440
<v Speaker 2>to me and my family and to the indigenous community.

0:42:00.800 --> 0:42:03.440
<v Speaker 3>I'm Ashley c Ford. Thanks for listening.