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Speaker 1: And it's Drink Chas motherfucking podcast. He's a legendary queen's rapper.

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Speaker 1: He's like, that's your boy in o R. He's a

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Speaker 1: Miami hippoper pioneer us d j e f N. Together

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Speaker 1: they drinking up with some of the biggest players in

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Speaker 1: the most professional unprofessional podcast and your number one sorts

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Speaker 1: for drunk drinks mother is New Year's e Just time

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Speaker 1: for drink Champs. Drink up mother, motherfuck? What did good

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Speaker 1: be hope of this want should be? This is your

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Speaker 1: boy in a oh a A what up is dj

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Speaker 1: e FN And it's a type of crazy role drink chaps,

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Speaker 1: yappy motherfucking our making up? And I broad up now

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Speaker 1: something before we have now the people that's here, you

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Speaker 1: was on vacation. He was on vacation. And so before

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Speaker 1: we get into that, and also say two verses, one

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Speaker 1: for math and one for the Drinks Champs album never

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Speaker 1: making we're making up to get into all that. I

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Speaker 1: wanted to say happy birthday to to our friend Russ.

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Speaker 1: Where come on, happy gooder thing, good good friend Russ.

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Speaker 1: But right now what I like to say, this is

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Speaker 1: one of the hottest podcasts on the street. They arguing

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Speaker 1: they started controversy. I was so happy they see them

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Speaker 1: and I'm so proud to introduce my extra to pinion

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Speaker 1: on Motherfucker drinks. Man, I can't I can't. You know, Math,

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Speaker 1: I'm gonna be honest with you, Math, like I brag

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Speaker 1: about you. I brag about you because you're one of

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Speaker 1: the people who actually listen to And I'll be like, ye,

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Speaker 1: let this should be working. I'll be scared to give him.

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Speaker 1: I don't want to not work, no more so. But guys,

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Speaker 1: you guys have been on a road. How did how did?

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Speaker 1: How did we come here? Because I felt it feels

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Speaker 1: like the show. Let speak about the show. It feels

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Speaker 1: like the show. This is like it's third leg, like

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Speaker 1: it's a third different iteration. Yeah, like yes, and so

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Speaker 1: so it described to the people who who well, first,

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Speaker 1: I want to say, part of me even getting here

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Speaker 1: was you believing that's right. You know, I was the

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Speaker 1: first battle rapping. I was the first battle rapper drinking,

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Speaker 1: you know what I mean. And and just knowing that

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Speaker 1: you had that type of um belief in what I

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Speaker 1: was doing and you put me on the platform that

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Speaker 1: you've had. Na's so many like so many legends. That

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Speaker 1: gave me a lot of energy to just go back

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Speaker 1: in and keep it going, you know. I mean, and

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Speaker 1: I found a good crew and we're here now. How

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Speaker 1: did we get here though, because I remember it felt

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Speaker 1: like it was a different crew in the beginning. And

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Speaker 1: then the girl that was one of the things that

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Speaker 1: that you told me told me to do, I did that.

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Speaker 1: Shout out to Misfit. You know, that's still a homie.

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Speaker 1: But she went on. She had she created her own

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Speaker 1: platforms and we're working on something with her now for

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Speaker 1: the future. Um. Yeah, and there was knowledge shout the

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Speaker 1: knowledge hip hop is real. You know, he still covers

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Speaker 1: all the battle rap events and all that stuff, like

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Speaker 1: he's the number one in that field. Shout the Uncle

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Speaker 1: Rod also, and yeah, after that, it was kind of like,

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Speaker 1: you know, just just finding the right niche, you know,

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Speaker 1: with a with a barbershop. Every time you walk into barbershop,

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Speaker 1: you're not gonna see the same person. So, you know,

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Speaker 1: it was like that for a little while. But I

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Speaker 1: feel like I got a good squad now and we're here,

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Speaker 1: ye here man, the flowers off top. Give you all

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Speaker 1: your flowers, man, y'all deserve your flowers. Let's get your

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Speaker 1: flowers and we could have gavest fucking sucks. It's right

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Speaker 1: and righting you God damn it, Jesus, we had to

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Speaker 1: see We had to see it all the gather you

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Speaker 1: got us. We don't look like experts at all. Yeah,

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Speaker 1: Jesus Jesus did. Come on, Come on, but I want

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Speaker 1: to say the uh you literally giving you your flowers?

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Speaker 1: Come on? You know what it is to be in

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Speaker 1: the trench? Yes, yeah, yes, sixty, I'm good. Yes, is real? Wow?

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Speaker 1: So let me so let me ask you, matheo. Right,

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Speaker 1: you're coming from a journalistic background, right, and you now

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Speaker 1: happen to be critiqued, right because there's people who's gonna

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Speaker 1: have an opinion on you the same way you had

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Speaker 1: opinions on it. Is that something when it flips on you?

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Speaker 1: Is it something that you don't know? First of all? Um,

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Speaker 1: he was getting picked at at the source all the time. Really,

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Speaker 1: God forbid you rate an album if if this is

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Speaker 1: your favorite rapper, y'all talk about that the other day.

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Speaker 1: I'm sorry because he don't really gave itself for that.

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Speaker 1: I'm thinking about love. I'm sorry. I'm sorry your brain fart.

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Speaker 1: Didn't you think we didn't get criticized for that. No,

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Speaker 1: I did not go back then. Y'all didn't have Instagram

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Speaker 1: and Twitter and like that. So it's different actually outside,

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Speaker 1: and I was outside, actually outside. So for the longest

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Speaker 1: time my name was Mecca from the source, everybody knew

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Speaker 1: what so I think you saved under my phone. This

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Speaker 1: is fuck up? Here we go, hold on, hold on.

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Speaker 1: So all the drama you had to source is that

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Speaker 1: where you started doing martial arts. Here we go trying

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Speaker 1: to figure out with his cokebone really has you know

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Speaker 1: what it is? Made my bones in there? I'm not

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Speaker 1: mad at it. But at the same time, if you

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Speaker 1: ask me if critique is something new, it's really not.

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Speaker 1: I had your favorite, your favorite rappers. Fans were mad

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Speaker 1: us for whatever reason. Old bottle man, we can we

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Speaker 1: can get your old bottle, sir. You know what I mean.

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Speaker 1: Come on, we get money over here. Man. You try

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Speaker 1: to know it's not new, right, You're not doing at all.

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Speaker 1: If I said something bad about No Reas album, you

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Speaker 1: think his fans wouldn't show up. I thought if all

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Speaker 1: your fans thought everything you did was classic and we

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Speaker 1: gave you four and a half, we had to hear it.

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Speaker 1: Somebody was pulling up to say something. So that's not

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Speaker 1: new at all. Get it to your wife. That's that's

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Speaker 1: the property to do it. That's right. That's not doing

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Speaker 1: at all, bro. So now I want to ask you

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Speaker 1: something because something that came up on the show. Right,

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Speaker 1: I know you have a coach relationship with Busta Rounds,

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Speaker 1: one of my great friends. Right, and say you know

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Speaker 1: and um, at one point you have read the villain, right.

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Speaker 1: I don't remember what he said, but he says something

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Speaker 1: plenty he said, So how do you cross that line?

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Speaker 1: Balance it between you and Buster? Because me working with

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Speaker 1: somebody who I respect versus their personal relationship are two

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Speaker 1: totally separate things. It's the same. It's the same, Bro.

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Speaker 1: How many people have your man had beef with that?

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Speaker 1: You didn't have beef with I get that, but not

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Speaker 1: bust the Rise, Right. You're not getting away that. I

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Speaker 1: mean I didn't. There was nothing to really get away from.

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Speaker 1: He had not been working together for years. So me

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Speaker 1: going to him and saying, listen, this is what this

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Speaker 1: is what happened, and I talked to math about it.

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Speaker 1: We had a big, long conversation about the whole thing.

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Speaker 1: But I wasn't working with Bus when he was dealing

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Speaker 1: with Reek, so I don't know what their business relationship was.

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Speaker 1: I don't know what their personal relationship was. I'm free

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Speaker 1: to that man's truth is that man's truth buster as

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Speaker 1: his own version of that story. And no one is

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Speaker 1: develling in their own story. So whoever's telling the story,

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Speaker 1: they're a good guy in it. And I want to say,

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Speaker 1: shout out the Bus. He got mad at you too,

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Speaker 1: but he hasn't been on the show. I noticed about

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Speaker 1: the world I late though. I like, I'm a patty dude,

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Speaker 1: But what it happens, you know what I'm saying, Like,

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Speaker 1: I'm sure people come on this platform, they see certain

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Speaker 1: things and then it comes out and then your phone

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Speaker 1: is right. He's like, Yo, how you let that guy

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Speaker 1: say that? And it's like, Yo, what do you mean

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Speaker 1: how they let him? Yeah, I ain't gonna lie. The

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Speaker 1: biggest version of that recently journalism. Journalism might be tougher

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Speaker 1: than hip hop, like on the law, they don't hear

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Speaker 1: you both. But I'm having this is I've been the

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Speaker 1: hip hop making music for twenty years and I've only

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Speaker 1: been this going on seven ye and the controversy when

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Speaker 1: when something goes wrong, it's a bad day. You guys

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Speaker 1: got black Twitter, I assume, yeah, Yeah, I love black Twitter.

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Speaker 1: I love the negative ship, I love the positives. But

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Speaker 1: when I'm going through something, I can't go on black

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Speaker 1: two much too much. Did you receive slack for for

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Speaker 1: the Troy a Half interview? Not just Troy av It

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Speaker 1: was a lot still besides besides the Troy ship, it

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Speaker 1: was that that situation with Buster. Yeah, it was shout

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Speaker 1: to shout out to self service. You know, he told

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Speaker 1: the story about just Blade getting slapped and I got

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Speaker 1: a bunch of phone calls about that, not from just Blaze,

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Speaker 1: not from just place shot, but shot. But just what

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Speaker 1: are people saying when you're getting these phone calls? They

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Speaker 1: are they saying like you shouldn't have that's there? I

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Speaker 1: didn't see that. And sometimes, you know, my my thing

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Speaker 1: is um unchecked Live becomes the truth. And I'm not

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Speaker 1: saying anybody came on my platform lying. I'm saying, if

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Speaker 1: you feel like there went another way, you know, this

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Speaker 1: is entertainment, the same way this person came to the

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Speaker 1: shop and then you know they told their story, you

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Speaker 1: can tell your story. Also, my issue is when people

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Speaker 1: get upset and then they ignore it like they're above

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Speaker 1: it when they're not above it. Because you're upset. If

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Speaker 1: you're upset, you're not above it. You know, there's certain

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Speaker 1: things that don't bother me anymore because I'm above it,

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Speaker 1: you know what I mean. But if it's it's irking me,

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Speaker 1: then you should. You should just set that straight, whether

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Speaker 1: it's my platform or Drake Champs or whatever platform you

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Speaker 1: want to go on. But don't just let us sit

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Speaker 1: and get mad at me for it, you know what

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Speaker 1: I mean. I understand if if Styles has something to say.

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Speaker 1: After the Jadehood joint and then a lot of people

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Speaker 1: called me, it was like, yeah, I could have told

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Speaker 1: you that. I'm like, then why didn't you? You know

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Speaker 1: what I mean? You know what I'm gonna tell you.

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Speaker 1: I'm gonna tell you. I'm gonna tell you. I'm gonna

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Speaker 1: tell you like it's like with no disrespect, Like I

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Speaker 1: could never ever even think about interview in Cuban Lank

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Speaker 1: right because of my relationship with Fat Joe. It's just

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Speaker 1: it's just it's just it's no disrespect to him. I

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Speaker 1: have no beef, I have no quarrel, but I'm with Joe.

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Speaker 1: It's just just simple and why I don't another No,

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Speaker 1: I can't interview Greek because of the same thing. My

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Speaker 1: relationship with Buster is too crazy. He's told me so.

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Speaker 1: In that situation, if I was to have either of

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Speaker 1: those two brothers on, I would be wrong. But that's

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Speaker 1: personal wrong as a friend. As media really, as media,

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Speaker 1: we're supposed to be a whole thing person. It's supposed

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Speaker 1: to be a whole media. I'm supposed to be a

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Speaker 1: you know what I'm saying, Like remember that at all?

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Speaker 1: For me, they are certain things did did you know? Okay?

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Speaker 1: You know my my moral standard couldn't allow somebody who

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Speaker 1: presented paper work on someone to come on the platform

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Speaker 1: just reckless. And if you came on the platform and

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Speaker 1: you said something reckless like I would be responsible for

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Speaker 1: that because I already saw it. You know. It's not drinking.

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Speaker 1: You know I'm drinking. It was bade, come on, you

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Speaker 1: know what that was? That was the thing like you know, no, no, no,

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Speaker 1: give me something Cuban punt like I love those guys

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Speaker 1: back in the days. But when you see certain things,

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Speaker 1: it's like you got you never did that because now

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Speaker 1: it's like to me, if you have a relationship with

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Speaker 1: styles and y'all was talking like that, then you would

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Speaker 1: be wrong. But if y'all have a regular industry relationship,

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Speaker 1: like when you see each other, you're just a fan of,

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Speaker 1: they're just a fan of. You didn't understand, you know

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Speaker 1: what I mean. But once that relationship is like I remember,

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Speaker 1: I remember Nos getting mad at me right over over

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Speaker 1: me hanging with Mega and I'm thought Nas at the time,

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Speaker 1: I thought Nas would wouldn't even care, but he had

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Speaker 1: expressed the feeling that like or I like that, I

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Speaker 1: like that was together, that was together. But and at

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Speaker 1: that time I didn't agree with him nothing. And I

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Speaker 1: don't know if you've ever seen this video John Blaze,

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Speaker 1: And if you ever look at the video, John Blaze,

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Speaker 1: that's the day we squashed it. And if you notice,

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Speaker 1: I got the microphone and I'm in the background like this,

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Speaker 1: because I really didn't understand him until recently, Like I

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Speaker 1: didn't understand that my loyalty was supposed to be there,

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Speaker 1: like it was never supposed to be questioned. I was

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Speaker 1: supposed to never especially at that moment I've seen you

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Speaker 1: had on the show. What you know, I can't break

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Speaker 1: it down because you know, it's a little stress. I'm

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Speaker 1: not saying, but but what made you feel like, okay,

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Speaker 1: for these reasons, he wasn't supposed to do do that?

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Speaker 1: What are the reasons? Well, the reason was at that time,

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Speaker 1: he wanted that loyalty. He wanted he wanted me to

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Speaker 1: show that I was loyal to him. Actually ahead of time. Yeah,

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Speaker 1: actually actually kind of did no, no, no, no. I

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Speaker 1: found out after it was like it was like whatever

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Speaker 1: a picture was. And then I found out that he

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Speaker 1: didn't like us taking a picture. Right, that's differ. But

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Speaker 1: that's tough because then you you know, you over there

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Speaker 1: being like, okay, I can't talk to you because my

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Speaker 1: friend is mad at you, and then they become friends.

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Speaker 1: But that person still remembers. But when that happened to me,

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Speaker 1: I got I was upset. So I'm trying to say,

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Speaker 1: is if I'm mad at somebody, shoot, I don't want

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Speaker 1: nobody around that motherfucker man who was But I was

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Speaker 1: saying that's just general. It was life, that's your mind, life, man.

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Speaker 1: I could be mad at anybody. I just at the time,

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Speaker 1: I'm so loyal I expect everyone to just fall in

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Speaker 1: line into that to my line. Loyal and and it

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Speaker 1: just doesn't have that and with this, with with with

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Speaker 1: this something totally different, because honestly a system now the

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Speaker 1: nowl on the coffin. It's like when Kanye called, did

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Speaker 1: we know he was gonna be on some crazy ship? Nah?

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Speaker 1: I mean that's not totally true. Well you did then

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Speaker 1: come out of the the clouds, come out. We talked about it.

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Speaker 1: You see my post before you got in contact with Kanye. No,

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Speaker 1: because the minute I heard that end of you got canceled. No. No,

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Speaker 1: not not that one, the one we went on Lebron's platform.

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Speaker 1: Once I found out that they wasn't putting that out,

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Speaker 1: I was all over Instagram, like Yo, Kanyea, we're gonna

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Speaker 1: do that. And then I saw you guy. I was like,

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Speaker 1: damn no, that was That was rough fun, man. That

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Speaker 1: was a rough fun because I kind of wish you

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Speaker 1: didn't take it down though, you know, I gotta stand

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Speaker 1: by it because it was actually him who requested it.

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Speaker 1: Take it taken down, you know what I'm saying. Yeah,

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Speaker 1: And you know, and we were between a rock and

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Speaker 1: hard prison and and Revolts still with us, and they said,

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Speaker 1: we're not gonna edit this. It either stays up, it

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Speaker 1: comes down. So we had one choice, you know, one

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Speaker 1: of two choices. Are you working with? No, we are

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Speaker 1: the number one independent in the world. I'm saying talking man,

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Speaker 1: we were talking. Ain't happen yet, ain't not happened. I

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Speaker 1: know people were throwing that out. There's false information. Don't

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Speaker 1: believe them. Don't believe them. They're unreliable sources. How about

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Speaker 1: how about you? You? What do you feel about independent?

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Speaker 1: On Masia? Independent? Um? I feel independent always the right

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Speaker 1: way to go because you get to bill your own narrative.

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Speaker 1: You know, when you go with major, you're going with

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Speaker 1: someone else's narrative. Not really, Yeah, you know know what

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Speaker 1: I say I say in other cases. Yes, when Puff

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Speaker 1: Puff's case, I was surprised, did you did the Kanye

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Speaker 1: thing after everything that was going on to go back

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Speaker 1: to Kanye and trying to get off that keep pushing

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Speaker 1: Kanye than keep saying that verse so as exist. But

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Speaker 1: I was I was surprised because of what they went

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Speaker 1: through both um with Kanye, what he was saying about

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Speaker 1: Puff listen honest, but yeah, tell him because this would

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Speaker 1: be honest. Year we ever worked with, he's never called

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Speaker 1: us about an episode this. They called me on FaceTime

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Speaker 1: with the ship playing You'll play Boy, and then he

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Speaker 1: was like, he was like, so, I'm thinking he's gonna

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Speaker 1: scream on me, Like, how are you gonna let this

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Speaker 1: guy say this this? It's a part of you that

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Speaker 1: like fun that he because he can't have none our creativity.

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Speaker 1: He can't be a part of it. That's what we are.

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Speaker 1: We we like I don't know if you if you

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Speaker 1: the verse I just said, I said, you know, I'm

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Speaker 1: feeling good. So what did I say? What did I say?

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Speaker 1: I said, I said it sounds like some old camera. No,

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Speaker 1: you gotta stand on, stay in there like a tampon,

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Speaker 1: I said, rap podcast millionaire, I'm the first one before me.

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Speaker 1: They get their youtubees for free, the I p o

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Speaker 1: S they ain't own, only me and E. And that's

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Speaker 1: gonna be another conversation I'm gonna have with you right

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Speaker 1: after the show. We got you, man, But hold on,

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00:18:37,640 --> 00:18:40,359
Speaker 1: hold up, But be clear, nobody is truly independent unless

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Speaker 1: we own these distribution platforms with nobody here you partner

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Speaker 1: with with with YouTube or whatever. I'm needed is distributing

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Speaker 1: to Apple and all these people. That's that's the problem.

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Speaker 1: What was it really independent? I would say yeah with

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Speaker 1: you with YouTube somewhat, but it's still not a uh

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Speaker 1: well then I guess they do kind of they can't.

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Speaker 1: They can take you down a partnership if you got

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Speaker 1: to see those agreements and played by their rules, that's

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Speaker 1: a partnership. Listen, I'm not gonna lie to you. I'm

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Speaker 1: ready to sell out. Started relaxing with new partnership. Congratulations, Yes,

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Speaker 1: just keep cracking them doors man, I'm gonna be honest. Yeah,

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Speaker 1: this is this, this is bad. This was this was

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Speaker 1: one of our you know, great moves. It's a great move.

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Speaker 1: I'll be partnering with some good people. And they showed

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Speaker 1: us that they wanted us if you know what I mean?

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Speaker 1: What that so? How much how much control do they

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Speaker 1: what kind of control do they want to exercise over

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Speaker 1: your hunts? You know about the thing about drink chat

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Speaker 1: stroke that they could end the deal if they want to.

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Speaker 1: But we're on the content. We just licensed with that

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Speaker 1: in mind, I like, how y'a flipping it on us

329
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Speaker 1: right now? Yeah, we don't know what's going on with

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Speaker 1: that in mind? How how what's the what's the hardest

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Speaker 1: part about interview with somebody who's where it's going to

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Speaker 1: be difficult. We're gonna say something super I mean, you

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Speaker 1: know what, at the end of the day, you know,

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Speaker 1: we wanted to get back to like me and yeah,

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00:20:29,400 --> 00:20:32,399
Speaker 1: we hardly ever speak just me and him. It's always

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Speaker 1: like someone's on the phone. And one time we were

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Speaker 1: just spoken years yeah, I know this sucking ship we

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Speaker 1: want us and we just said, yeo, let's get back

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Speaker 1: to the legends, man, like, let's you know, sometimes we

340
00:20:46,480 --> 00:20:48,280
Speaker 1: started to chase I don't want to say click baby.

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Speaker 1: We started to chase those those those so much things

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00:20:51,400 --> 00:20:54,000
Speaker 1: that's happened moment and we're gonna take those two. You know,

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Speaker 1: I got these relationships with these people, you know what

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Speaker 1: I mean, I can't help it, but I want to

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Speaker 1: get back to the cool hirks like I love it. Y'all.

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Speaker 1: Have Mellie scared of me? Never used to give me

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Speaker 1: a five. I've never said this story. I've been wanting

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00:21:09,400 --> 00:21:11,760
Speaker 1: to say this forever. Millie mill has never gave me

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Speaker 1: a five. And the first time I gave me a

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Speaker 1: five is after drink Champ started. I swear to God,

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Speaker 1: I swear like I said, when you have Millie mill

352
00:21:22,320 --> 00:21:24,880
Speaker 1: and Grandmaster cast on there, I'm like you know. That's

353
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Speaker 1: what That's what me and Finn is about, Like, Yo,

354
00:21:27,520 --> 00:21:29,960
Speaker 1: let's let's give these props to you know, the cool hirks.

355
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Speaker 1: You know what I'm saying to people that you know

356
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Speaker 1: what I mean, and especially why our platform is as

357
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Speaker 1: high as it can be, Like this is really dope

358
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Speaker 1: what we're doing. We're giving back, Like I remember, you know,

359
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Speaker 1: I don't want to blow people up because I don't know,

360
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Speaker 1: but I remember me interviewing certain people and they calling

361
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Speaker 1: me like, yo, I'm getting shows again. Like I'm like, like,

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Speaker 1: that was my that was my I was like what

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Speaker 1: words like like just being on this show and then

364
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Speaker 1: they could get to go back outside, and it's like

365
00:22:00,960 --> 00:22:03,560
Speaker 1: that's that's my reward, you know what I'm saying. That

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00:22:03,600 --> 00:22:06,399
Speaker 1: feels so good, Like all right, somebody comes to Mike's

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Speaker 1: for opinion. For the next two weeks, the phone is

368
00:22:08,880 --> 00:22:11,280
Speaker 1: ringing and they'll call me and be like, yo, I

369
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Speaker 1: didn't know. I'm like yo, I feel like we're doing

370
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Speaker 1: what we're supposed to do. But getting back to the styles.

371
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Speaker 1: I just met him like five times and he never

372
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Speaker 1: looked me in my face. And for me, that's a thing,

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Speaker 1: Like you know what I mean, it's like somebody dapping

374
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Speaker 1: you and they're looking in the other direction. Yo, let's something.

375
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Speaker 1: Hold on, hold you know what I mean. But you

376
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Speaker 1: know it's just got to fix you in Styles. No, no, no,

377
00:22:33,600 --> 00:22:36,199
Speaker 1: we don't got issues. We spoke olverad, we spoke already.

378
00:22:36,240 --> 00:22:38,320
Speaker 1: But um, I spoke the Styles, I spoke the Sheet,

379
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Speaker 1: and I offered for Sheet to come on the platform.

380
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Speaker 1: I can see that and talk about it. We'll see

381
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Speaker 1: what happens in the future. But yeah, I was just

382
00:22:46,359 --> 00:22:49,080
Speaker 1: real unfortunate. I feel like the bond that they had

383
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Speaker 1: and how they felt towards jay Hood and kind of

384
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Speaker 1: got caught in the mix of it because with these interviews,

385
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Speaker 1: when we're sitting here, we're getting people's life stories, were

386
00:22:58,040 --> 00:23:01,639
Speaker 1: getting Internet moments. You don't connected to that person, I

387
00:23:01,680 --> 00:23:04,720
Speaker 1: mean your artists. And at one point he was beating

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Speaker 1: with Serious Jones. Like at that point when things got real,

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Speaker 1: anybody that would have stood next to the Serious Jones

390
00:23:10,200 --> 00:23:14,400
Speaker 1: you wouldn't have. It wasn't It wasn't okay. I mean

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Speaker 1: we saw something on a live, nice little party out there.

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Speaker 1: You know it was cool now now yeah he locked

393
00:23:24,880 --> 00:23:28,000
Speaker 1: up right now? Yeah, But um, you know how that

394
00:23:28,040 --> 00:23:30,120
Speaker 1: it is sometimes I can see because you know why.

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Speaker 1: The difference between that with jay Hood to me is

396
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Speaker 1: when they were going through their turmoil, it was personal,

397
00:23:37,320 --> 00:23:41,040
Speaker 1: very very personal things that was said. And I'm thinking,

398
00:23:41,040 --> 00:23:44,080
Speaker 1: I'm guessing, I don't know, I'm guessing after you of

399
00:23:44,080 --> 00:23:48,359
Speaker 1: course a certain line that it's it's unfixable. So and

400
00:23:48,400 --> 00:23:52,040
Speaker 1: I think the Locks is so honorable that they are

401
00:23:52,080 --> 00:23:54,080
Speaker 1: getting mad at anybody standing next to them because they

402
00:23:54,200 --> 00:23:58,520
Speaker 1: just like you. You should believe me. Look, look, look, look,

403
00:23:58,600 --> 00:24:02,320
Speaker 1: look how trustworthy I am. But out of all of them,

404
00:24:02,359 --> 00:24:05,080
Speaker 1: you would expect she was going to have that reaction.

405
00:24:05,760 --> 00:24:08,479
Speaker 1: But but you look at styles and where he's at

406
00:24:08,520 --> 00:24:10,679
Speaker 1: in life, you know, with all the health food stuff

407
00:24:10,680 --> 00:24:13,720
Speaker 1: and there's a lot of there's a lot of care. Yeah,

408
00:24:13,800 --> 00:24:15,600
Speaker 1: you know what I mean. And I felt like he

409
00:24:15,960 --> 00:24:17,720
Speaker 1: felt like he needed to stand up for his brother.

410
00:24:18,480 --> 00:24:20,800
Speaker 1: So he went live. He said some things. I went live.

411
00:24:20,880 --> 00:24:22,840
Speaker 1: I kind of put it out there, like yo, I

412
00:24:22,880 --> 00:24:26,080
Speaker 1: don't have control over what these people are saying. I

413
00:24:26,200 --> 00:24:28,479
Speaker 1: wasn't there. I don't know what can't be like over

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00:24:28,560 --> 00:24:32,320
Speaker 1: the edit. That's that's what you know what, Loki. I

415
00:24:32,440 --> 00:24:34,800
Speaker 1: take it out if I feel like it's gonna be

416
00:24:34,800 --> 00:24:37,679
Speaker 1: a big problem and I can't. I hate that. I

417
00:24:37,720 --> 00:24:41,640
Speaker 1: hate that because sometimes somebody gets sucy and but like, yeah,

418
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Speaker 1: you know what I'm saying. We was gonna slap him

419
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Speaker 1: with the hammer. I'll be like, pick that out out.

420
00:24:47,400 --> 00:24:51,280
Speaker 1: We ain't putting that out. Yeah, you know what I'm saying.

421
00:24:51,880 --> 00:24:54,919
Speaker 1: That seeing me and trying to like be war report nor,

422
00:24:55,080 --> 00:25:00,080
Speaker 1: I'm like right, but but but you know, sir, and

423
00:25:00,080 --> 00:25:02,200
Speaker 1: ship like that, you gotta be responsible and be like

424
00:25:02,840 --> 00:25:05,320
Speaker 1: you was hit you said that ship that could lead

425
00:25:05,320 --> 00:25:08,199
Speaker 1: to a big problem. I'm not even gonna ask you

426
00:25:08,200 --> 00:25:10,639
Speaker 1: about it, but you know what's up about that? Sometimes

427
00:25:11,320 --> 00:25:14,720
Speaker 1: and we have to leave ship sometimes because what happens

428
00:25:14,760 --> 00:25:16,320
Speaker 1: is if you throw it in the air. I'll tell

429
00:25:16,320 --> 00:25:18,359
Speaker 1: you something, but throw it in the air and it

430
00:25:18,400 --> 00:25:21,760
Speaker 1: doesn't get fixed or doesn't, it's gonna keep repeating itself.

431
00:25:21,800 --> 00:25:26,600
Speaker 1: For instance, Swiss flipped on Drake first on drink camps.

432
00:25:27,040 --> 00:25:31,000
Speaker 1: We edited it was like you remember, and we filmed

433
00:25:31,000 --> 00:25:33,840
Speaker 1: the New York that was the one, and you know

434
00:25:33,920 --> 00:25:36,359
Speaker 1: we we had Drake coming up. We thought we had

435
00:25:36,400 --> 00:25:44,000
Speaker 1: Drake coming up. He said he put on the Graham drink.

436
00:25:46,040 --> 00:25:47,680
Speaker 1: We were like, no, we're not. We can't we can't

437
00:25:47,720 --> 00:25:53,000
Speaker 1: have that. And two months later, he goes on Live

438
00:25:53,080 --> 00:25:56,200
Speaker 1: with Busting Rhymes and it's pretty much but no, he

439
00:25:56,480 --> 00:25:58,760
Speaker 1: went he went bad with Busting. He didn't go bad

440
00:25:58,800 --> 00:26:02,000
Speaker 1: on us because we were rolling. Yeah, yeah, he was

441
00:26:02,040 --> 00:26:06,840
Speaker 1: controlling with and he was like, oh, so he still

442
00:26:07,040 --> 00:26:09,080
Speaker 1: said what he had to say, but we controlled it

443
00:26:09,119 --> 00:26:11,600
Speaker 1: to a certain extent. But then when we edited it,

444
00:26:11,680 --> 00:26:14,679
Speaker 1: it was like he threw it in the universe and

445
00:26:14,680 --> 00:26:18,360
Speaker 1: it didn't get corrected. So that's the reason why, just

446
00:26:18,440 --> 00:26:20,720
Speaker 1: like you could you could because he's thewist and Busts

447
00:26:20,720 --> 00:26:22,960
Speaker 1: are talking and then they're not even talking about nothing.

448
00:26:23,080 --> 00:26:28,040
Speaker 1: This is what He's a black white like I don't

449
00:26:28,040 --> 00:26:30,240
Speaker 1: know what would kids a plane? He like waited minutes

450
00:26:30,320 --> 00:26:33,880
Speaker 1: west and I remember it. It's like, damn, it's kind

451
00:26:33,880 --> 00:26:36,840
Speaker 1: of like my fault because I edited in it. Excuse me,

452
00:26:36,880 --> 00:26:38,200
Speaker 1: I edited it. You know what I'm trying to say.

453
00:26:38,240 --> 00:26:41,080
Speaker 1: You didn't get that off. So I felt like he

454
00:26:41,119 --> 00:26:43,520
Speaker 1: felt like he didn't get it all. And because like,

455
00:26:43,560 --> 00:26:45,399
Speaker 1: if you go back and look at that stuff, so

456
00:26:45,440 --> 00:26:48,080
Speaker 1: what do you do because you you you thought Drake

457
00:26:48,160 --> 00:26:50,320
Speaker 1: was coming on the show. Yes, that's not the reason

458
00:26:50,359 --> 00:26:52,399
Speaker 1: why we edit that. That's not the reason it was.

459
00:26:53,440 --> 00:26:58,040
Speaker 1: I don't I mean, I don't quite remember asked us

460
00:26:58,080 --> 00:27:02,479
Speaker 1: to take it out, but that was this reason. I

461
00:27:02,560 --> 00:27:06,159
Speaker 1: was like, yes, we're taking it out right because what

462
00:27:06,160 --> 00:27:08,760
Speaker 1: did he say? Right back around and said something he said,

463
00:27:09,000 --> 00:27:13,080
Speaker 1: he said worse said, what's the he said way worse

464
00:27:13,160 --> 00:27:17,640
Speaker 1: that time that. See, listen, journalism is different. You error

465
00:27:17,680 --> 00:27:19,320
Speaker 1: on the side of your conscious. I understand if you

466
00:27:19,320 --> 00:27:21,119
Speaker 1: don't want to get somebody him up in the shop

467
00:27:21,200 --> 00:27:22,760
Speaker 1: when we're doing on one too. And by the way,

468
00:27:22,800 --> 00:27:24,639
Speaker 1: I'm learning on the job, I'm being I got you

469
00:27:24,680 --> 00:27:30,879
Speaker 1: on that. Know. All the journalists shout out to everybody.

470
00:27:31,080 --> 00:27:33,320
Speaker 1: We sit back and you we we see the mistakes

471
00:27:33,320 --> 00:27:35,879
Speaker 1: that are being made. It's it's not a problem to

472
00:27:36,000 --> 00:27:38,920
Speaker 1: error on the side of your conscious because real things happen.

473
00:27:39,160 --> 00:27:42,080
Speaker 1: I'm saying, somebody say something, it reverberates the families, they

474
00:27:42,119 --> 00:27:44,240
Speaker 1: get involved. Hip hop is in a very different place.

475
00:27:44,240 --> 00:27:47,080
Speaker 1: People get shot, way more often, people get killed. You

476
00:27:47,119 --> 00:27:50,919
Speaker 1: have to rock with your conscious. Lord knows, if I

477
00:27:51,000 --> 00:27:54,080
Speaker 1: was in charge, you're not could go back and take

478
00:27:54,200 --> 00:27:56,639
Speaker 1: something out that Pop said that might have kept him alive.

479
00:27:56,800 --> 00:27:58,560
Speaker 1: Take something out that Biggie said that might have kept

480
00:27:58,600 --> 00:28:00,119
Speaker 1: him you know, on the side of your conscious you

481
00:28:00,160 --> 00:28:03,879
Speaker 1: do that. However, this is somebody's story. You don't have

482
00:28:03,920 --> 00:28:06,199
Speaker 1: the right to put hands on somebody's story and the

483
00:28:06,240 --> 00:28:09,040
Speaker 1: consequences that come from that story. That that's something that

484
00:28:09,160 --> 00:28:12,119
Speaker 1: they need to be prepared to deal with you, and

485
00:28:12,160 --> 00:28:13,919
Speaker 1: you can't take that away from It's not right. You

486
00:28:13,920 --> 00:28:15,359
Speaker 1: can't really get in the middle of that. So if

487
00:28:15,440 --> 00:28:17,040
Speaker 1: you if he comes on the here and this is

488
00:28:17,080 --> 00:28:20,520
Speaker 1: his truth when Styles started talking, when we when we

489
00:28:20,520 --> 00:28:23,000
Speaker 1: were talking to Styles, and he's upset that we didn't.

490
00:28:23,000 --> 00:28:25,640
Speaker 1: We didn't come to him with the Jayhood situation. Bro,

491
00:28:25,680 --> 00:28:28,639
Speaker 1: if you listen to that interview, jay Hood didn't address Styles.

492
00:28:28,640 --> 00:28:30,840
Speaker 1: He said, really it was she. She was in charge

493
00:28:30,840 --> 00:28:33,359
Speaker 1: of X, Y, and Z. These are questions for she,

494
00:28:33,720 --> 00:28:35,439
Speaker 1: not stuff what I look like trying to make you

495
00:28:35,480 --> 00:28:38,640
Speaker 1: answer for somebody else. But he gave a million disclaimers also,

496
00:28:38,720 --> 00:28:42,760
Speaker 1: like understand the story is coming from fifteen, sixteen, seventeen

497
00:28:42,840 --> 00:28:45,320
Speaker 1: year old and and and then they're twenty years ago.

498
00:28:45,480 --> 00:28:47,760
Speaker 1: But most of the times and and and to correct

499
00:28:47,760 --> 00:28:49,360
Speaker 1: me if I'm wrong, I don't know. If y'all go

500
00:28:49,400 --> 00:28:52,120
Speaker 1: through this too, people will call you up beefing about

501
00:28:52,120 --> 00:28:59,640
Speaker 1: a clip but they didn't even didn't even that's the

502
00:28:59,680 --> 00:29:02,800
Speaker 1: one was like, yeah, it's like, yo, bro the world.

503
00:29:02,960 --> 00:29:04,640
Speaker 1: So somebody just ran to you and was like, Yo,

504
00:29:04,680 --> 00:29:06,800
Speaker 1: they did. You just picked up the phone and just

505
00:29:06,800 --> 00:29:10,280
Speaker 1: called me. One time. One time, we just had clips

506
00:29:10,280 --> 00:29:12,480
Speaker 1: out and I'm at the airport and the the guys telling

507
00:29:12,480 --> 00:29:14,880
Speaker 1: me he saw the episode, and I'm like, you didn't

508
00:29:14,880 --> 00:29:17,400
Speaker 1: see the episode and he's like, yeah, I saw it.

509
00:29:18,160 --> 00:29:21,680
Speaker 1: He's just breaking down clips after clip after clip, and

510
00:29:21,720 --> 00:29:23,560
Speaker 1: I'm just looking at this guy and I'm like, yo,

511
00:29:23,680 --> 00:29:27,560
Speaker 1: you didn't see this episode out? And uh, yeah, that

512
00:29:27,520 --> 00:29:30,080
Speaker 1: that's that's that's had a guy get mad at me

513
00:29:30,440 --> 00:29:33,560
Speaker 1: and say that I need to stop talking over the guests.

514
00:29:34,200 --> 00:29:36,960
Speaker 1: And it was super obvious that what he watched was

515
00:29:37,040 --> 00:29:39,720
Speaker 1: a couple of minutes before we actually start filming. We

516
00:29:39,800 --> 00:29:42,240
Speaker 1: have like these wild arguments and just wild debates, and

517
00:29:42,640 --> 00:29:45,760
Speaker 1: we keep them. He saw that he saw a barbershop

518
00:29:45,840 --> 00:29:48,760
Speaker 1: argument and thought that, yo, you'll be talking over the

519
00:29:48,760 --> 00:29:51,000
Speaker 1: guests all the time. I don't shut the funk up, Yo,

520
00:29:51,120 --> 00:29:54,240
Speaker 1: No ship you thinking you're the smartest person. Mean, while

521
00:29:54,480 --> 00:29:57,360
Speaker 1: we four separate conversations going on. Once we got started,

522
00:29:57,440 --> 00:30:02,440
Speaker 1: all right, we're back, they called me cut off like

523
00:30:02,960 --> 00:30:07,840
Speaker 1: cut off. You get that with victims of you know people,

524
00:30:08,320 --> 00:30:09,840
Speaker 1: you know where the lions get blury and what you're

525
00:30:09,840 --> 00:30:12,880
Speaker 1: saying about not editing. For example, for us here the

526
00:30:12,960 --> 00:30:16,480
Speaker 1: drinking aspects, there's a point where we never used to

527
00:30:16,560 --> 00:30:22,840
Speaker 1: edit at all. Never we learned some lessons down you

528
00:30:22,840 --> 00:30:24,880
Speaker 1: want to learn these. Let me just actually want to

529
00:30:24,880 --> 00:30:28,200
Speaker 1: take this time out to apologize to Missy. Missy, I'm sorry.

530
00:30:28,240 --> 00:30:33,240
Speaker 1: I love your music. Last time I was here said

531
00:30:33,280 --> 00:30:35,760
Speaker 1: something about Missy towards the end of the episode. Of course,

532
00:30:35,800 --> 00:30:42,480
Speaker 1: everybody apologize later was drunk on drink chance. Oh they

533
00:30:42,560 --> 00:30:44,840
Speaker 1: had me drinking. I'm like thinking we were drinking together,

534
00:30:47,960 --> 00:30:49,800
Speaker 1: but I don't even know how we got on the subject,

535
00:30:50,080 --> 00:30:53,440
Speaker 1: but somehow that came out. You need to get that

536
00:30:53,440 --> 00:30:57,760
Speaker 1: all the way. But that's that. I feel like we

537
00:30:57,880 --> 00:31:01,040
Speaker 1: have a response when we're indn't here drinking for four

538
00:31:01,080 --> 00:31:04,680
Speaker 1: hours and someone starts talking a little crazy, I think

539
00:31:04,680 --> 00:31:06,840
Speaker 1: we do have a responsibility to that person. Okay, So

540
00:31:07,320 --> 00:31:09,080
Speaker 1: because we're here to protect the guests, we're here to

541
00:31:09,280 --> 00:31:11,360
Speaker 1: we're here to celebrate the guests. We're not here for

542
00:31:11,400 --> 00:31:14,080
Speaker 1: them to fund themselves up. But you also every now

543
00:31:14,120 --> 00:31:23,800
Speaker 1: and then you also, you gotta let go crazy, right? What? Absolutely? Okay?

544
00:31:23,800 --> 00:31:27,760
Speaker 1: Hold on, you got so bad? He walked over there.

545
00:31:28,560 --> 00:31:31,480
Speaker 1: We've been piping here for seven years. I've never even

546
00:31:31,520 --> 00:31:35,920
Speaker 1: knew that really existed. Time. I was like, what the

547
00:31:36,920 --> 00:31:39,959
Speaker 1: smoking up? Yo? He was Yo, yeah, big big up

548
00:31:39,960 --> 00:31:42,480
Speaker 1: the mc shaft. Yeah, I'm just still you're coming from

549
00:31:42,520 --> 00:31:46,760
Speaker 1: with that. I interviewed somebody before. I'm not going yeah, okay,

550
00:31:47,040 --> 00:31:53,840
Speaker 1: you good. I interviewed somebody before and shok TV, thank you.

551
00:31:54,480 --> 00:31:57,200
Speaker 1: So I interviewed this dude. He's talking, he's giving these

552
00:31:57,240 --> 00:32:00,280
Speaker 1: great background stories, like a fake legend in the game too.

553
00:32:01,040 --> 00:32:04,160
Speaker 1: And he said something about one super popular rapper m

554
00:32:05,000 --> 00:32:07,920
Speaker 1: and I said, Bro, who wasn't I don't believe that.

555
00:32:08,320 --> 00:32:11,880
Speaker 1: Who wasn't? Who wasn't? Who was it? Who was the rapper?

556
00:32:11,920 --> 00:32:15,200
Speaker 1: He talked about what you talked about fifty something about

557
00:32:15,200 --> 00:32:18,200
Speaker 1: fifty And I was like, that's not going to this magazine, bro,

558
00:32:18,720 --> 00:32:22,360
Speaker 1: because that's not happening because we all didn't believe it.

559
00:32:22,840 --> 00:32:25,240
Speaker 1: We all didn't believe it. And what do you say? No?

560
00:32:25,640 --> 00:32:37,440
Speaker 1: Did you what he say? Second? Now? But he said

561
00:32:37,480 --> 00:32:39,800
Speaker 1: something some wild ship and the same thing with me,

562
00:32:39,880 --> 00:32:42,960
Speaker 1: like it was its trialing error with me, feel me

563
00:32:43,000 --> 00:32:45,240
Speaker 1: like coming from prison and getting right into it. It's

564
00:32:45,280 --> 00:32:48,360
Speaker 1: trialing error. So we're sitting here listening. I'm like, yo,

565
00:32:48,400 --> 00:32:50,800
Speaker 1: I'm asking what you think about there, Like, now I

566
00:32:50,840 --> 00:32:56,000
Speaker 1: don't believe that? Yeah, cut, I'll say you let's wait

567
00:32:56,040 --> 00:32:58,000
Speaker 1: till no, no no, no, not time out. Did you challenge

568
00:32:58,040 --> 00:32:59,960
Speaker 1: him to say I don't believe that because X Y

569
00:33:00,000 --> 00:33:02,719
Speaker 1: as the A, B and C. Yeah that's so now,

570
00:33:02,720 --> 00:33:04,520
Speaker 1: I said, because the history of this man and how

571
00:33:04,560 --> 00:33:06,440
Speaker 1: I know this man, I know the people surrounding him

572
00:33:06,600 --> 00:33:10,000
Speaker 1: at that time. No, that didn't happen, bro, say some

573
00:33:10,040 --> 00:33:17,200
Speaker 1: crazy ship what he said? Bro, My point is you

574
00:33:17,320 --> 00:33:21,360
Speaker 1: don't edit it. You don't edit it. No, No, I

575
00:33:21,360 --> 00:33:24,680
Speaker 1: wouldn't you have the same responsible to that person that Yo,

576
00:33:24,840 --> 00:33:26,920
Speaker 1: if I go in the bar, drink my ass off

577
00:33:26,920 --> 00:33:29,320
Speaker 1: hot behind the wheel and kill somebody, is the bartender

578
00:33:29,360 --> 00:33:44,080
Speaker 1: in trouble? No? Yeah, kind of yeah, direcular responsible. Get

579
00:33:44,200 --> 00:33:46,160
Speaker 1: drunk at the hotel. If you get drunk at the

580
00:33:46,200 --> 00:33:49,000
Speaker 1: hotel and you leave that hotel, your family can sued him.

581
00:33:49,040 --> 00:33:51,640
Speaker 1: I didn't say drunk. I said he drinks his asshole, Okay.

582
00:33:51,680 --> 00:33:54,240
Speaker 1: I was super specific. I said drunk. Okay, because you

583
00:33:54,240 --> 00:33:55,880
Speaker 1: don't need to be drunk to get in an accident

584
00:33:55,960 --> 00:34:04,640
Speaker 1: and sucking hurt. Somebody said something, but no, I don't wait, Mecca.

585
00:34:04,720 --> 00:34:07,520
Speaker 1: So you've written, You've written stuff when people said crazy

586
00:34:07,520 --> 00:34:08,880
Speaker 1: ship and you let it go. And I've had the

587
00:34:08,920 --> 00:34:10,920
Speaker 1: answer for you. Never you had the answer for you.

588
00:34:13,320 --> 00:34:16,520
Speaker 1: You had to school. Did you go to school for journalists? No?

589
00:34:16,560 --> 00:34:19,799
Speaker 1: I learned. I learned from the masters. I feel like

590
00:34:19,920 --> 00:34:24,160
Speaker 1: real true like purist journalists. They feel the way you feel.

591
00:34:24,680 --> 00:34:32,560
Speaker 1: We don't. We're not journalists stick integrity and morals that

592
00:34:32,840 --> 00:34:35,960
Speaker 1: you gotta go, which is which is why I'm not

593
00:34:36,080 --> 00:34:37,799
Speaker 1: judging you know what I'm saying, which is why I'm here,

594
00:34:37,800 --> 00:34:39,279
Speaker 1: which is why I don't. I'm not shipping on you.

595
00:34:39,280 --> 00:34:43,279
Speaker 1: I call it snow judgment and anything I'm saying, I'm

596
00:34:43,320 --> 00:34:45,680
Speaker 1: telling you what my stances and why you think what

597
00:34:45,680 --> 00:34:47,799
Speaker 1: I'm saying. And I take into account the fact that

598
00:34:47,880 --> 00:34:53,120
Speaker 1: you guys us have a different level of responsibility now

599
00:34:53,200 --> 00:34:56,719
Speaker 1: because of the platform, because there's alcohol involved, because it's

600
00:34:56,719 --> 00:34:59,240
Speaker 1: so quick and it goes right to the people. People

601
00:34:59,280 --> 00:35:01,279
Speaker 1: are gonna talk without clips, and they're people who want

602
00:35:01,440 --> 00:35:03,400
Speaker 1: to do something for clickbait. So you gotta take that

603
00:35:03,440 --> 00:35:05,640
Speaker 1: in mind. He could be blatantly lying. Do you think

604
00:35:05,640 --> 00:35:07,880
Speaker 1: what I'm saying? So I understand all of the above.

605
00:35:08,000 --> 00:35:12,239
Speaker 1: With that said, I think about editing in terms of

606
00:35:12,560 --> 00:35:16,160
Speaker 1: who it's going to offend. And in my mind, I

607
00:35:16,200 --> 00:35:18,080
Speaker 1: got a O G who always takes me back to

608
00:35:18,800 --> 00:35:23,480
Speaker 1: when Emmett Till was killed his mother let them shoot

609
00:35:23,520 --> 00:35:25,880
Speaker 1: his body the way it was. You got way too deep, brother,

610
00:35:26,360 --> 00:35:29,319
Speaker 1: It's gonna offend somebody. But that's the truth. You don't

611
00:35:32,320 --> 00:35:36,160
Speaker 1: I'm not okay, what are you trying to go? What

612
00:35:36,200 --> 00:35:39,600
Speaker 1: you're saying? I do think that that's way deeper than what.

613
00:35:39,280 --> 00:35:43,400
Speaker 1: Yeah we're talking. You know, so who when? When? Wouldn't

614
00:35:43,440 --> 00:35:46,000
Speaker 1: it be easier if you just didn't have to think

615
00:35:46,040 --> 00:35:49,440
Speaker 1: about ship like that and just let it fly? Yeah,

616
00:35:50,200 --> 00:35:53,319
Speaker 1: here's the difference, and tell you all right now, we

617
00:35:53,440 --> 00:35:56,759
Speaker 1: come from different backgrounds from Mecca, right, that's the thing.

618
00:35:56,880 --> 00:36:00,200
Speaker 1: Mecca is a professional in journalism and what he does us.

619
00:36:00,760 --> 00:36:04,680
Speaker 1: But let me where I come from. But it's totally different.

620
00:36:05,040 --> 00:36:07,680
Speaker 1: So me walking outside knowing that things are going on

621
00:36:07,719 --> 00:36:10,120
Speaker 1: the street, me me having one ft in one ft out.

622
00:36:10,960 --> 00:36:13,399
Speaker 1: When I do certain things, I know I listen. Nah,

623
00:36:13,719 --> 00:36:17,480
Speaker 1: we can't do that. So it's two different things. He's

624
00:36:17,520 --> 00:36:20,160
Speaker 1: a professional journalist, So I'm gonna tell you to do

625
00:36:20,160 --> 00:36:26,600
Speaker 1: it in the streets. That's why I'm gonnaperate from your conscience.

626
00:36:26,600 --> 00:36:28,879
Speaker 1: I'm gonna tell you why. We kind of know better.

627
00:36:29,239 --> 00:36:32,080
Speaker 1: And I know better because I have one of the

628
00:36:32,160 --> 00:36:37,080
Speaker 1: only fifty cent interviews without a jar rule word being spoke,

629
00:36:37,400 --> 00:36:40,160
Speaker 1: one of the only fifty cent interviews without Earth Gotti.

630
00:36:41,000 --> 00:36:45,560
Speaker 1: And let's flip it back, I have also the only

631
00:36:46,239 --> 00:36:52,720
Speaker 1: Rule Gotti interviews without being mentioned. I avoided it on purpose,

632
00:36:52,760 --> 00:36:55,560
Speaker 1: so I knew that I got. I got that intelligence,

633
00:36:55,600 --> 00:36:57,239
Speaker 1: you know what I'm saying, because I got a relationship

634
00:36:57,280 --> 00:37:01,960
Speaker 1: with both. I'm the only dude the job in the

635
00:37:01,840 --> 00:37:05,040
Speaker 1: in the beginning, in the middle, and still now. So

636
00:37:05,040 --> 00:37:08,960
Speaker 1: so you had that conversation before they know, I had myself,

637
00:37:09,400 --> 00:37:14,080
Speaker 1: and I said, they ain't funny to me, you know

638
00:37:14,080 --> 00:37:16,000
Speaker 1: what I'm saying. Like I'm gonna ask about funny beef.

639
00:37:16,040 --> 00:37:18,080
Speaker 1: I'm not gonna ask about ship that led to other

640
00:37:18,120 --> 00:37:20,840
Speaker 1: ship that nah. So I just avoided that period, and

641
00:37:20,880 --> 00:37:23,160
Speaker 1: I swear to God I always that's something I take

642
00:37:23,239 --> 00:37:26,600
Speaker 1: pride in, you know what I'm saying. And even that's

643
00:37:26,600 --> 00:37:29,640
Speaker 1: the part we edited it, Uh, God, he got a

644
00:37:29,680 --> 00:37:33,360
Speaker 1: little lit and he called the y'all assault man. We

645
00:37:33,400 --> 00:37:39,640
Speaker 1: were like all that going and we avoided it. You

646
00:37:39,680 --> 00:37:43,600
Speaker 1: know what I mean, because because because at times you're right,

647
00:37:43,640 --> 00:37:45,920
Speaker 1: we shouldn't addit nothing, but at at times we have

648
00:37:46,000 --> 00:37:49,200
Speaker 1: some type of responsibility if you know it's gonna end

649
00:37:49,280 --> 00:37:51,719
Speaker 1: up later in the relationships you got with the people

650
00:37:51,760 --> 00:37:54,360
Speaker 1: and their relationships. Great from your conscience, That's all I

651
00:37:54,360 --> 00:37:56,879
Speaker 1: ever say. I agree with that. When I was when

652
00:37:56,920 --> 00:38:01,719
Speaker 1: I was interviewing rappers day in out, Goddamn, my very

653
00:38:01,760 --> 00:38:03,759
Speaker 1: first thing I would tell him I am not your fan.

654
00:38:04,400 --> 00:38:15,600
Speaker 1: I'm not I am not a fan. First I told

655
00:38:15,600 --> 00:38:20,960
Speaker 1: it to you, remember Jesus, like bro, I think I

656
00:38:20,960 --> 00:38:22,480
Speaker 1: would have been. You would have sat down right here.

657
00:38:22,600 --> 00:38:26,359
Speaker 1: I'm not your You have to know what I'm doing.

658
00:38:26,400 --> 00:38:29,400
Speaker 1: First thing I say, Yo, I'm from Queens with seeing

659
00:38:29,440 --> 00:38:33,839
Speaker 1: the ship in this space, not your fans to get

660
00:38:33,880 --> 00:38:36,319
Speaker 1: the story. Yes, okay, I see where you're from. You. Yes,

661
00:38:36,480 --> 00:38:38,120
Speaker 1: they don't think that I'm gonna paint you in rose

662
00:38:38,200 --> 00:38:40,520
Speaker 1: colored glass. You are meeting literally that you're not there fan.

663
00:38:40,600 --> 00:38:44,560
Speaker 1: You're just saying this moment, yeah, this moment, a moment, yeah,

664
00:38:44,600 --> 00:38:49,240
Speaker 1: like man is out crazy as soon as we get outside,

665
00:38:49,520 --> 00:38:52,600
Speaker 1: I might take a picture because it's my god, seeing that.

666
00:38:52,680 --> 00:38:54,920
Speaker 1: I got that. I know what you're saying. However, they

667
00:38:54,960 --> 00:38:56,920
Speaker 1: don't pay me to be for dad. But that's what's crazy,

668
00:38:56,960 --> 00:38:59,920
Speaker 1: and paid that's what's crazy. That's what started this is

669
00:39:00,080 --> 00:39:03,040
Speaker 1: we were were fans. Like if you noticed, when we

670
00:39:03,080 --> 00:39:07,879
Speaker 1: first started this, I didn't know research. No, we didn't

671
00:39:07,880 --> 00:39:10,799
Speaker 1: do any research. I didn't do because I'm like, what

672
00:39:10,840 --> 00:39:13,680
Speaker 1: the might ask frat Joe, what kind I google about him?

673
00:39:13,719 --> 00:39:16,400
Speaker 1: Like you know what I'm saying, Like I noticed his moms,

674
00:39:16,400 --> 00:39:19,919
Speaker 1: I know he's working, his wife, I know everything. Because

675
00:39:20,640 --> 00:39:23,120
Speaker 1: then when I started to realize, I said, you know what,

676
00:39:23,480 --> 00:39:26,359
Speaker 1: Google is your friend, and I would google certain ship

677
00:39:26,400 --> 00:39:29,160
Speaker 1: like like like and I would research people like and

678
00:39:29,200 --> 00:39:32,480
Speaker 1: that's becoming like fun to me now, like my research.

679
00:39:32,520 --> 00:39:35,680
Speaker 1: When I researched Turky, Oh my god, I was like, yo,

680
00:39:35,800 --> 00:39:46,600
Speaker 1: this this is gonna be a great yea. And let

681
00:39:46,680 --> 00:39:49,040
Speaker 1: me just tell you something. We edited nothing of him,

682
00:39:49,320 --> 00:39:52,960
Speaker 1: even when he's talked crazy because he said this everywhere else,

683
00:39:53,360 --> 00:39:55,799
Speaker 1: so I didn't feel obligated. That's that's the good thing

684
00:39:55,880 --> 00:39:58,200
Speaker 1: about researching people. But seems, like I said before, I

685
00:39:58,200 --> 00:40:00,200
Speaker 1: wouldn't do that. So if I research you and you

686
00:40:00,239 --> 00:40:03,080
Speaker 1: already said yeah, man, I was, I was gone, um

687
00:40:03,760 --> 00:40:06,000
Speaker 1: trip words to five nine. That's not to say anybody

688
00:40:06,120 --> 00:40:08,160
Speaker 1: said that, just making an example. First wrapper that came

689
00:40:08,200 --> 00:40:10,239
Speaker 1: to my mind got a trip worse. I'm like, damn,

690
00:40:10,239 --> 00:40:12,600
Speaker 1: I got a relationship with works. Maybe I should take

691
00:40:12,600 --> 00:40:14,960
Speaker 1: that out. But then I'm looking, you said that everywhere.

692
00:40:15,680 --> 00:40:19,600
Speaker 1: It's just a platform. Ain't big enough story? How kid

693
00:40:19,640 --> 00:40:22,879
Speaker 1: you not? It's been times artists has sat right there

694
00:40:23,560 --> 00:40:26,520
Speaker 1: and said the same story, and I was like, oh

695
00:40:26,560 --> 00:40:30,439
Speaker 1: my god, you said it's on black TV, you said

696
00:40:30,480 --> 00:40:32,960
Speaker 1: this on such and such, But for some reason, they

697
00:40:33,000 --> 00:40:35,440
Speaker 1: say it here and then it goes viral because it's

698
00:40:35,760 --> 00:40:42,120
Speaker 1: to you, because you know, okay, okay, okay, So you're

699
00:40:42,160 --> 00:40:44,880
Speaker 1: not you're not cool with you like that? Yeah, I'm

700
00:40:44,920 --> 00:40:48,200
Speaker 1: cool with Actually that's that was my own. That was

701
00:40:48,239 --> 00:40:52,239
Speaker 1: my first cash money relationship was to Julie. Now, I'm

702
00:40:52,280 --> 00:40:55,239
Speaker 1: the one that came to ninety seven. You could pull

703
00:40:55,239 --> 00:40:56,960
Speaker 1: it up. I don't know if you can, but I

704
00:40:56,960 --> 00:41:01,520
Speaker 1: was one said They're like, I'm saying, what are you singing?

705
00:41:02,800 --> 00:41:04,840
Speaker 1: And I'm like, I don't know. Because I called I

706
00:41:04,880 --> 00:41:08,200
Speaker 1: called him Jovi, This dude Jovi from New Orleans. He

707
00:41:09,640 --> 00:41:13,480
Speaker 1: had and then monks after Jake got on on the Remax,

708
00:41:14,120 --> 00:41:16,560
Speaker 1: the record actually hit because a lot of people don't know,

709
00:41:16,880 --> 00:41:18,799
Speaker 1: you know, I'm half Latino. A lot of people don't

710
00:41:18,800 --> 00:41:22,719
Speaker 1: know there's a whole Latino fucking in New Orleans. There's

711
00:41:22,719 --> 00:41:26,120
Speaker 1: a whole little It's crazy because it's like they look

712
00:41:26,640 --> 00:41:29,239
Speaker 1: they looked like chicos from Miami. They like they got

713
00:41:29,400 --> 00:41:31,320
Speaker 1: runts and then they're like, what's up with all the

714
00:41:31,520 --> 00:41:38,520
Speaker 1: like from day counting? So it sweeter or you know

715
00:41:38,520 --> 00:41:40,560
Speaker 1: what I'm talking about. Yeah, yeah, that's serious. So I

716
00:41:40,680 --> 00:41:42,920
Speaker 1: used to be in New Orleans so much. It's crazy

717
00:41:42,960 --> 00:41:45,839
Speaker 1: because David Banner always picks me up and you know,

718
00:41:46,040 --> 00:41:49,279
Speaker 1: he always says, he always says. Because what happened was

719
00:41:51,800 --> 00:41:54,400
Speaker 1: David Bannon was froming a video and like this is

720
00:41:54,440 --> 00:41:57,719
Speaker 1: the time I fucking had a show in Mississippi. I

721
00:41:57,760 --> 00:42:00,279
Speaker 1: was hearing this ship. So when David man that came

722
00:42:00,320 --> 00:42:02,840
Speaker 1: to me, he was unknown. He was like, yo, penalty

723
00:42:02,960 --> 00:42:06,879
Speaker 1: won't give me nothing for my budget. I told him

724
00:42:06,960 --> 00:42:09,600
Speaker 1: take my video budget out and gave it to him.

725
00:42:10,160 --> 00:42:14,480
Speaker 1: Creaking letters, right, Cooking Letters keep saying I'm I'm so

726
00:42:16,480 --> 00:42:19,120
Speaker 1: I'm so suck David. He blew up on his own

727
00:42:19,400 --> 00:42:22,399
Speaker 1: bad but cooking letters. And I would do things like that,

728
00:42:22,480 --> 00:42:23,839
Speaker 1: like if a lot of people don't know, like for

729
00:42:23,840 --> 00:42:27,480
Speaker 1: what else from the South technically Virginia, like not technically

730
00:42:27,520 --> 00:42:31,080
Speaker 1: he's from, just because I need to know, because I

731
00:42:31,080 --> 00:42:33,400
Speaker 1: don't know. Y'all think it's a slip in my interview.

732
00:42:33,400 --> 00:42:45,399
Speaker 1: I'm a fan. I'm not a fan, but you, um,

733
00:42:45,560 --> 00:42:50,120
Speaker 1: were you responsible for featuring? For real? I mean you

734
00:42:50,160 --> 00:42:53,279
Speaker 1: know that from the very beginning. I mean it's documented. Yeah,

735
00:42:55,239 --> 00:42:59,400
Speaker 1: he was working, he said to me. And this is

736
00:42:59,480 --> 00:43:01,560
Speaker 1: the reason why I believe him, because he was, to

737
00:43:01,600 --> 00:43:05,080
Speaker 1: be exact, he was a genius. I know it's so

738
00:43:05,160 --> 00:43:07,719
Speaker 1: cliche to say it now because he's like he's read

739
00:43:07,800 --> 00:43:10,799
Speaker 1: she's a top. But I knew it. Then he said

740
00:43:10,840 --> 00:43:14,120
Speaker 1: to me, no one listens to me. That was one

741
00:43:14,160 --> 00:43:16,360
Speaker 1: of the first things I wanted to do, because I

742
00:43:16,400 --> 00:43:18,560
Speaker 1: wanted to I like to be petty, I like to right,

743
00:43:18,640 --> 00:43:21,319
Speaker 1: no one listened. Let me listen then, and he said,

744
00:43:21,400 --> 00:43:23,160
Speaker 1: the first person to listen to me is gonna go

745
00:43:23,280 --> 00:43:26,200
Speaker 1: number one. And I was like, all right, and he's

746
00:43:26,200 --> 00:43:27,840
Speaker 1: a little guy. I'm talking my after I got the

747
00:43:27,920 --> 00:43:29,680
Speaker 1: number one record in New York City, and I know

748
00:43:29,760 --> 00:43:33,600
Speaker 1: y'all are fronting on New York City right now, New

749
00:43:33,680 --> 00:43:40,799
Speaker 1: York you heard the background. But at one point, when

750
00:43:40,800 --> 00:43:42,880
Speaker 1: you had the number one record in New York City,

751
00:43:44,360 --> 00:43:48,120
Speaker 1: that ship meant the world number one record on Anti

752
00:43:48,200 --> 00:43:59,520
Speaker 1: Martinez the world, that top seven and seven. I want

753
00:43:59,520 --> 00:44:09,239
Speaker 1: to five the industry record. You know. No, no, it

754
00:44:09,320 --> 00:44:12,400
Speaker 1: was not from listening. It was from being stopping it

755
00:44:12,480 --> 00:44:16,319
Speaker 1: to the point and it's a crazy ship with a

756
00:44:16,320 --> 00:44:19,080
Speaker 1: lot of people don't know. I said this story Minia Times.

757
00:44:19,120 --> 00:44:22,240
Speaker 1: Let me say three. If you're listening to Super Doug,

758
00:44:22,360 --> 00:44:25,920
Speaker 1: real real good. At the end, I go in r Noriri.

759
00:44:26,239 --> 00:44:35,040
Speaker 1: The remix Super Doug was a fucking remix. It's still

760
00:44:35,080 --> 00:44:39,080
Speaker 1: there somewhere. And if you listen, because the album was

761
00:44:39,160 --> 00:44:45,120
Speaker 1: done and it's pause, this cocky young producer with this

762
00:44:45,840 --> 00:44:48,799
Speaker 1: Filipino guy, and they look at me and they say,

763
00:44:49,320 --> 00:44:53,719
Speaker 1: you're not closing your album. And I don't number one,

764
00:44:53,719 --> 00:44:58,279
Speaker 1: Like I said, I'm number one, But it's how they talk,

765
00:44:58,360 --> 00:45:01,000
Speaker 1: it's how they delivered it. It was humble, but it

766
00:45:01,160 --> 00:45:05,640
Speaker 1: was cocky. It was delivered like you can That's the

767
00:45:05,640 --> 00:45:09,520
Speaker 1: word I was looking for. You can't close your album.

768
00:45:09,760 --> 00:45:21,080
Speaker 1: You need this m hm, and they were right. Sorry.

769
00:45:22,080 --> 00:45:26,319
Speaker 1: I was listening to our album on the way here. Sorry, sorry, um,

770
00:45:26,520 --> 00:45:29,000
Speaker 1: and it was crazy. I was speaking my man JP,

771
00:45:29,360 --> 00:45:32,239
Speaker 1: Eric and um Diego and I was pointing out to

772
00:45:32,320 --> 00:45:35,800
Speaker 1: them how many times Nas was on our You know,

773
00:45:35,920 --> 00:45:38,640
Speaker 1: Nas was on in our album five times. But I

774
00:45:38,640 --> 00:45:40,560
Speaker 1: don't even think at that time A Z had two

775
00:45:40,560 --> 00:45:43,080
Speaker 1: records with Nas. I Love my Life. That's him on

776
00:45:43,120 --> 00:45:47,239
Speaker 1: the hook replace that's how he wrote that. He wrote

777
00:45:47,360 --> 00:45:49,360
Speaker 1: stumps into this day. I've seen this other day. I

778
00:45:49,400 --> 00:46:00,600
Speaker 1: was like, damn, this thing is still there's a count

779
00:46:00,680 --> 00:46:05,880
Speaker 1: pick of it. Worry well, I'm trying to I'm in

780
00:46:05,960 --> 00:46:08,560
Speaker 1: the process of buying the album. But um, it was crazy.

781
00:46:08,600 --> 00:46:12,440
Speaker 1: He's on, He's on the story, he's on I Love

782
00:46:12,480 --> 00:46:16,080
Speaker 1: my Life, and he's on two others joints, just just

783
00:46:16,280 --> 00:46:18,000
Speaker 1: just talking in the background. And then he was on

784
00:46:18,040 --> 00:46:26,840
Speaker 1: the firm too. Yeah. I can't. I'm done being a

785
00:46:26,880 --> 00:46:36,000
Speaker 1: humble I'm gonna be honest single handed. I was telling

786
00:46:36,040 --> 00:46:42,480
Speaker 1: them the story earlier that record single handedly saved my

787
00:46:42,520 --> 00:46:48,680
Speaker 1: life life which one I'm leaving house? I was dead.

788
00:46:48,800 --> 00:46:51,680
Speaker 1: I didn't me and trash started beefing after the War

789
00:46:51,719 --> 00:46:55,600
Speaker 1: Report came out, and I literally had no manager, had

790
00:46:55,640 --> 00:46:57,160
Speaker 1: no a and all I had I didn't know what

791
00:46:57,200 --> 00:47:01,480
Speaker 1: to do set your solo career off. So what happened

792
00:47:01,560 --> 00:47:04,480
Speaker 1: is what happened is, you know, after the poem went

793
00:47:04,520 --> 00:47:08,719
Speaker 1: to jail. It's kind of crazy because Nature gave me

794
00:47:08,760 --> 00:47:11,520
Speaker 1: some backstory on that too. What nature was the man

795
00:47:11,600 --> 00:47:14,440
Speaker 1: let me just say no. But at the time he wasn't. Nah,

796
00:47:14,560 --> 00:47:17,400
Speaker 1: that's false. He said they flew you out there. They

797
00:47:17,400 --> 00:47:24,720
Speaker 1: did flew me out here his jail. Oh that's true

798
00:47:25,000 --> 00:47:28,000
Speaker 1: because I was. He said, you let your verses and

799
00:47:29,000 --> 00:47:32,000
Speaker 1: I had my ship room before I got damn, Like like,

800
00:47:32,200 --> 00:47:34,080
Speaker 1: first of all, let me get me get deep. I'm

801
00:47:34,080 --> 00:47:36,160
Speaker 1: not trying to make this about me because it's about y'all.

802
00:47:36,280 --> 00:47:38,480
Speaker 1: But this is history. This is what history is, not,

803
00:47:38,480 --> 00:47:40,799
Speaker 1: not the guy that's on the show. This is this guy,

804
00:47:40,920 --> 00:47:46,160
Speaker 1: right the reason why. So this is what happened. Nas

805
00:47:46,160 --> 00:47:48,279
Speaker 1: called me. I was like, yo, I gotta make up

806
00:47:48,280 --> 00:47:50,279
Speaker 1: for missing the War report because remember if NAS was

807
00:47:50,280 --> 00:47:53,680
Speaker 1: on the War Report music, make these stuffs he ain't clear.

808
00:47:54,040 --> 00:47:56,200
Speaker 1: I was like, damn, that should cut us deep. Yeah,

809
00:47:57,480 --> 00:48:02,319
Speaker 1: because it was on the mixtapes. Yeah, nothing. So he

810
00:48:02,360 --> 00:48:04,600
Speaker 1: wanted to make up. So he was like, YO, make

811
00:48:04,640 --> 00:48:06,399
Speaker 1: it up to you. Let me um, I'm gonna fly

812
00:48:06,440 --> 00:48:08,680
Speaker 1: you out to Miami. So I was like, don't even

813
00:48:08,800 --> 00:48:10,880
Speaker 1: other time I've been to Miami, it's with this fucking

814
00:48:10,920 --> 00:48:13,960
Speaker 1: guy and DJ klor have all people right, hierronic right,

815
00:48:14,960 --> 00:48:18,319
Speaker 1: the two people that hironic this this. I'm not making

816
00:48:18,360 --> 00:48:20,960
Speaker 1: this up, by the way. So I never went back

817
00:48:20,960 --> 00:48:22,839
Speaker 1: to Miami. I couldn't afford it. I just I ain't

818
00:48:22,880 --> 00:48:33,080
Speaker 1: have it. I'm just being honest. Just back, you're laughing. Damn,

819
00:48:35,320 --> 00:48:38,640
Speaker 1: it's true. It's true. So now it's never the week

820
00:48:38,680 --> 00:48:40,960
Speaker 1: they go to Miami. They never called me, and whatever

821
00:48:41,080 --> 00:48:43,080
Speaker 1: was Instagram back then, I had to like see that

822
00:48:43,200 --> 00:48:46,960
Speaker 1: the picture. So I was like, oh, satisfied. They called

823
00:48:47,000 --> 00:48:50,520
Speaker 1: me like a month later, so they're like, yo, we're

824
00:48:50,520 --> 00:48:55,680
Speaker 1: gonna work. I go in true story, fly straight. I

825
00:48:55,719 --> 00:48:58,879
Speaker 1: remember I told my friends this today. I won't even

826
00:48:59,200 --> 00:49:01,799
Speaker 1: stay at this place. Is this universal sheraton. I won't

827
00:49:01,800 --> 00:49:03,879
Speaker 1: even have a drink at the bar right now? Look

828
00:49:04,040 --> 00:49:08,360
Speaker 1: Look look how far came. Huh, just person I asked,

829
00:49:08,360 --> 00:49:12,879
Speaker 1: I'll keep it in the hunting. So then I love

830
00:49:12,960 --> 00:49:16,440
Speaker 1: the universal Sheraton. I was like, oh, I'm balling. I

831
00:49:16,960 --> 00:49:20,800
Speaker 1: guess I get to the studio Nature. I'm supposed to

832
00:49:20,800 --> 00:49:23,600
Speaker 1: go to the studio on Wednesday. They fly me out

833
00:49:23,600 --> 00:49:28,560
Speaker 1: on that Tuesday for Nature session. So I'm on my ship.

834
00:49:29,480 --> 00:49:37,200
Speaker 1: I'm like, and God named Dr Dre walks in the room,

835
00:49:37,480 --> 00:49:41,200
Speaker 1: kicks the engineer out and says, you got something for

836
00:49:41,280 --> 00:49:56,440
Speaker 1: this snory and engineer that if you listen to my

837
00:49:56,520 --> 00:49:59,560
Speaker 1: whole career, that's the cleanest record I've ever been on.

838
00:49:59,560 --> 00:50:01,760
Speaker 1: That go I can listen to that any other record.

839
00:50:01,760 --> 00:50:08,760
Speaker 1: You're gonna hear me. That motherfucker had that ship speaky clean.

840
00:50:09,600 --> 00:50:11,920
Speaker 1: And I nailed it so ill that he made me

841
00:50:11,960 --> 00:50:13,600
Speaker 1: do it three or four more times. He said, because

842
00:50:13,640 --> 00:50:16,080
Speaker 1: no one nails it for me. And I said, all right, cool,

843
00:50:17,320 --> 00:50:22,080
Speaker 1: and they, by the way, by the way, I was,

844
00:50:22,280 --> 00:50:24,440
Speaker 1: I wasn't supposed to be on the firm. It was

845
00:50:24,480 --> 00:50:26,680
Speaker 1: supposed to be a record, and then they just pushed

846
00:50:26,680 --> 00:50:28,560
Speaker 1: it to the front. And the reason why Nature is

847
00:50:28,560 --> 00:50:31,640
Speaker 1: on band from TV, it's because Nature could have hated

848
00:50:31,800 --> 00:50:34,760
Speaker 1: My session was the next day. My session was Wednesday.

849
00:50:34,760 --> 00:50:38,360
Speaker 1: I showed there tuesdays support him, and my thirsty ass

850
00:50:38,840 --> 00:50:53,120
Speaker 1: went said, you guys something for this, you gotta pay.

851
00:50:53,280 --> 00:50:55,440
Speaker 1: I was like, no, we know this, we know that,

852
00:50:56,360 --> 00:50:58,200
Speaker 1: and it was ironic about it. That's why me a

853
00:50:58,239 --> 00:51:01,560
Speaker 1: trash Corp beef was because that was on the War

854
00:51:01,680 --> 00:51:05,640
Speaker 1: Report album. That verse that the whole song. That's not

855
00:51:05,719 --> 00:51:10,680
Speaker 1: to be the whole song. This is I'm sorry, I'm

856
00:51:10,680 --> 00:51:14,560
Speaker 1: remember listening too much right now. Listen, I walk into

857
00:51:14,600 --> 00:51:17,320
Speaker 1: I go to this trashic co bones out with these chicks.

858
00:51:17,880 --> 00:51:20,040
Speaker 1: I'm in the studio. I don't got time for chicks.

859
00:51:21,160 --> 00:51:23,080
Speaker 1: I laid his whole ship. I'm leaving. But it was

860
00:51:23,120 --> 00:51:28,520
Speaker 1: on to Dune, Dune, don't let it go to your head.

861
00:51:29,280 --> 00:51:32,240
Speaker 1: So picture don't know this and that's why I leave.

862
00:51:33,040 --> 00:51:36,719
Speaker 1: On the next thing, Oh no, it go together. And

863
00:51:36,800 --> 00:51:39,239
Speaker 1: I played it and then and then I played it

864
00:51:39,239 --> 00:51:48,000
Speaker 1: for compone was like, yes, it's dope and trashes. It

865
00:51:48,200 --> 00:51:51,520
Speaker 1: was like, I was like this, he said, that's horrible.

866
00:51:54,760 --> 00:51:57,960
Speaker 1: We sample, we sample like Havoc. We don't sample like

867
00:51:57,960 --> 00:52:06,120
Speaker 1: Puff Daddy, And well, you have no idea listen, no, no,

868
00:52:06,960 --> 00:52:08,840
Speaker 1: I don't know idea. How that ship hurt me. He

869
00:52:08,880 --> 00:52:11,640
Speaker 1: was like, we don't sample like Puff, we sample like Havoc.

870
00:52:12,160 --> 00:52:14,480
Speaker 1: And I was just like oh ship. So for me

871
00:52:14,520 --> 00:52:19,160
Speaker 1: to go to dr J and this is it. You

872
00:52:19,160 --> 00:52:23,800
Speaker 1: don't understand how good that's mountain? So did you go

873
00:52:23,880 --> 00:52:26,279
Speaker 1: back to trash? Like I don't know what you know

874
00:52:27,120 --> 00:52:40,239
Speaker 1: the world? I never? I never, And he told me

875
00:52:40,320 --> 00:52:42,480
Speaker 1: years later he was like, I should listen to you.

876
00:52:43,239 --> 00:52:45,160
Speaker 1: So I was like, but he was bad at the record,

877
00:52:45,200 --> 00:52:47,799
Speaker 1: at the sample and the record no, the sample it

878
00:52:47,920 --> 00:52:52,880
Speaker 1: was it was rudy. It was like brand and that's

879
00:52:52,880 --> 00:52:55,799
Speaker 1: a big working brand Newby and took it years later

880
00:52:55,840 --> 00:52:57,960
Speaker 1: and I was I definitely called him that day. He's like,

881
00:52:58,000 --> 00:53:00,960
Speaker 1: I know already know what you call. Everyone knows I'm

882
00:53:00,960 --> 00:53:04,080
Speaker 1: petty things like, He's like, all you know, it was

883
00:53:04,080 --> 00:53:07,520
Speaker 1: a dope shout. Just did something for his album. Oh really,

884
00:53:07,520 --> 00:53:09,439
Speaker 1: that's that's that's my brother be trying to do all

885
00:53:09,560 --> 00:53:15,520
Speaker 1: overseas for e FN's birthday. UM played my birthday gigs

886
00:53:15,520 --> 00:53:18,120
Speaker 1: I got UM. So tomorrow we're gonna get on the

887
00:53:18,120 --> 00:53:20,520
Speaker 1: phone with the promoter. So we're gonna do drink Champs

888
00:53:20,600 --> 00:53:24,160
Speaker 1: Europe um and you know ended in Paris. You know,

889
00:53:24,200 --> 00:53:27,560
Speaker 1: I love my wife, she loves Paris. Oh yeah, so

890
00:53:27,600 --> 00:53:31,560
Speaker 1: we're gonna do it. Oh really, what y'all doing in Paris.

891
00:53:32,480 --> 00:53:36,959
Speaker 1: Oh you and your lady. Okay, look at one to all,

892
00:53:37,200 --> 00:53:49,920
Speaker 1: one to three. Now you got ladies. Sean, you're married. Okay,

893
00:53:49,920 --> 00:53:52,880
Speaker 1: that's what I'm talking about. Listen, be getting married as gangster.

894
00:53:53,880 --> 00:53:59,600
Speaker 1: That's the new game in Mega. Looked the way Megan said.

895
00:53:59,640 --> 00:54:08,640
Speaker 1: You just to Megan, you're going to do He said

896
00:54:08,680 --> 00:54:14,640
Speaker 1: that on the show show he's trying to break up. No,

897
00:54:16,200 --> 00:54:17,640
Speaker 1: I'm trying to figure out what you'll think it has

898
00:54:17,640 --> 00:54:20,120
Speaker 1: come up with this ship. But I'm not looking you

899
00:54:20,200 --> 00:54:24,359
Speaker 1: look like you just think that break up. I just

900
00:54:24,400 --> 00:54:38,360
Speaker 1: bought two beads and ship. Ye oh god day beats

901
00:54:38,400 --> 00:54:41,799
Speaker 1: to second conversation. That's back to make up some whole ship. Man.

902
00:54:42,320 --> 00:54:44,600
Speaker 1: I don't know he's gonna have fun today. He looks

903
00:54:44,600 --> 00:54:47,000
Speaker 1: like he looked like he's going through Wait what I'm calling.

904
00:54:47,680 --> 00:54:51,600
Speaker 1: I'm fine. I'm fine because he got three differr haircuts.

905
00:54:51,600 --> 00:55:01,440
Speaker 1: You got a poem that make up your mind? We

906
00:55:01,480 --> 00:55:09,640
Speaker 1: can be Oh my god, I'm used to. Once you

907
00:55:09,680 --> 00:55:11,279
Speaker 1: see the side shape, you know ain't got nothing to

908
00:55:11,360 --> 00:55:17,480
Speaker 1: do with He holds holding on, came out the hat.

909
00:55:17,520 --> 00:55:24,560
Speaker 1: Whenever you're ready. Shining is the right. So being that

910
00:55:24,640 --> 00:55:26,520
Speaker 1: you're the only one drinking. I feel sorry for you

911
00:55:26,560 --> 00:55:29,799
Speaker 1: because the whole time. Oh no, you're drinking too. That's right.

912
00:55:29,960 --> 00:55:32,480
Speaker 1: So we're doing shots. What do you prefer you're not drinking?

913
00:55:33,000 --> 00:55:36,360
Speaker 1: Come on, come on my talk with bigger Drink on

914
00:55:36,360 --> 00:55:47,760
Speaker 1: the show that I'm gonna keep it real. Okay, bigger

915
00:55:47,840 --> 00:55:50,400
Speaker 1: Drink on the show gets a little dangerous. Oh no,

916
00:55:50,440 --> 00:55:54,560
Speaker 1: we don't want them danger bigger Okay, New York, Okay,

917
00:55:54,800 --> 00:55:56,520
Speaker 1: all in New York. But he was a hall of

918
00:55:56,640 --> 00:56:00,760
Speaker 1: nigger hanging with Brooklyn niggas in the just the nineties,

919
00:56:00,880 --> 00:56:07,160
Speaker 1: right to that's so, what shot are you gonna take?

920
00:56:07,760 --> 00:56:10,280
Speaker 1: It's up to you, brother, No, not up to you

921
00:56:10,360 --> 00:56:11,920
Speaker 1: want you to drink what you want to drink, because

922
00:56:11,920 --> 00:56:14,919
Speaker 1: we don't want you to blame it on me. I'm no,

923
00:56:14,800 --> 00:56:18,600
Speaker 1: no no shots shot shot shots. Yeah, well that you

924
00:56:18,640 --> 00:56:22,480
Speaker 1: gotta yeah, because it's the game slot even I've never

925
00:56:22,480 --> 00:56:25,759
Speaker 1: even heard of, and you can pick both and be

926
00:56:25,800 --> 00:56:27,520
Speaker 1: politically correct. That's when you're taking too much. You got

927
00:56:27,560 --> 00:56:31,880
Speaker 1: with options, we got whatever you want me by the

928
00:56:31,960 --> 00:56:41,520
Speaker 1: way of the killer. Yeah, like no, I'm telling you

929
00:56:42,560 --> 00:56:47,399
Speaker 1: money never money, bro, Yeah, thank you. Okay, I'm gonna

930
00:56:48,040 --> 00:56:51,320
Speaker 1: but I'm being honest. It's knowing your own it. Still,

931
00:56:51,800 --> 00:56:54,080
Speaker 1: it's worth it, that's on it. That's that's all. What

932
00:56:54,160 --> 00:56:59,000
Speaker 1: you're talking about. What I'm saying a potential revolts whole

933
00:56:59,040 --> 00:57:03,520
Speaker 1: money too. They ain't listening. We ain't mad, we ain't mad,

934
00:57:03,920 --> 00:57:07,840
Speaker 1: they ain't bad. I'm telling you they've been great partners.

935
00:57:07,840 --> 00:57:10,440
Speaker 1: Bro Wait, what are you pausing? I'm not said bars

936
00:57:10,520 --> 00:57:14,120
Speaker 1: they say, pull ye, get that fixed. And you know

937
00:57:14,360 --> 00:57:17,320
Speaker 1: right right now they're young. I'm gonna do a rock though.

938
00:57:18,320 --> 00:57:27,080
Speaker 1: Oh should I do sap beneque risty? Right? Can they

939
00:57:27,080 --> 00:57:29,960
Speaker 1: get another bottle of water? Yeah? Yeah, yeah, yeah, this

940
00:57:30,080 --> 00:57:32,000
Speaker 1: is this is it. By the way, the game that

941
00:57:32,080 --> 00:57:34,760
Speaker 1: you got me with the missy thing. You better be

942
00:57:34,840 --> 00:57:38,880
Speaker 1: aware that game. You better be aware. And no edit

943
00:57:40,120 --> 00:57:43,560
Speaker 1: I answer half of my questions. Yeah, but you gotta

944
00:57:43,560 --> 00:57:48,800
Speaker 1: still drink anyway. Yeah, yeah, all right, you gotta remember

945
00:57:48,840 --> 00:57:53,280
Speaker 1: the rules. You my water? You're doing mama wana? Okay,

946
00:57:53,800 --> 00:57:58,120
Speaker 1: try it like my mama wanna you know they make

947
00:57:58,160 --> 00:58:00,160
Speaker 1: that in the tub and can I told him make

948
00:58:00,160 --> 00:58:05,640
Speaker 1: a commercial playing? I just I just say that. I

949
00:58:05,760 --> 00:58:09,000
Speaker 1: just say that with him. I was just ready to jail. Ready,

950
00:58:10,040 --> 00:58:15,000
Speaker 1: you're ready, ready, man, you ain't gotta take them big

951
00:58:15,040 --> 00:58:16,880
Speaker 1: shots like that. You ain't got to do it yeah yeah,

952
00:58:21,240 --> 00:58:23,320
Speaker 1: yeah they started off like that. Yeah yeah, yeah, you

953
00:58:23,360 --> 00:58:29,160
Speaker 1: don't got to do it like that, big owl or

954
00:58:29,280 --> 00:58:33,400
Speaker 1: big punt. Start ready, that's a good one. You can

955
00:58:33,400 --> 00:58:38,080
Speaker 1: you explain the rules? Oh I did? Did? I mean? Did?

956
00:58:38,240 --> 00:58:45,560
Speaker 1: You can't? You say both politically correct? You got to drink? Yeah? Both? Yeah?

957
00:58:46,920 --> 00:58:51,200
Speaker 1: Oh you damn you gotta wait for us. We drink. Yeah,

958
00:58:52,280 --> 00:58:54,000
Speaker 1: did we drink to rest the piece of both of

959
00:58:54,040 --> 00:59:03,439
Speaker 1: them legs? Absolutely? Okay? Not bad? Caress one or rock camp,

960
00:59:03,920 --> 00:59:14,959
Speaker 1: rock camp you too, h like a dragon. I'm gonna

961
00:59:14,960 --> 00:59:20,240
Speaker 1: go rock him to Caress one, of course, rock him.

962
00:59:20,960 --> 00:59:28,680
Speaker 1: Then you got a drink? Yeah, yeah, my bad, bad.

963
00:59:28,840 --> 00:59:32,360
Speaker 1: I didn't try to teach you my bath. We can

964
00:59:32,360 --> 00:59:36,360
Speaker 1: see they can see, you know, all right, good one

965
00:59:37,280 --> 00:59:47,000
Speaker 1: murder mook or loaded lucks math motherfucking drink to that.

966
00:59:48,920 --> 01:00:01,880
Speaker 1: Let them make it on man. That was all that was, dude.

967
01:00:01,880 --> 01:00:07,760
Speaker 1: They're going that should taste like I got limited. All right,

968
01:00:08,160 --> 01:00:11,080
Speaker 1: you got the next one. Let me see what we are,

969
01:00:15,200 --> 01:00:20,520
Speaker 1: all right? Wuchang or n w ag? Yeah that should

970
01:00:20,520 --> 01:00:24,600
Speaker 1: be easy for New New York. Yeah yeah, yeah, yeah,

971
01:00:26,080 --> 01:00:31,320
Speaker 1: we we love California. Just want to put that all right? Cool?

972
01:00:31,360 --> 01:00:41,800
Speaker 1: You got the next one? Kanye Andre three Kan Kanye yeah, Bro,

973
01:00:43,000 --> 01:00:47,040
Speaker 1: three stacks. You're not drinking, man, you're just making this shrink. Man.

974
01:00:47,040 --> 01:00:50,240
Speaker 1: If you're not drinking, bro, like you gotta just go

975
01:00:50,400 --> 01:00:53,560
Speaker 1: with what we saved. Man ain't good now you don't? Okay?

976
01:00:53,760 --> 01:01:00,320
Speaker 1: Did take place? Everybody on the individual merriage taking play?

977
01:01:00,880 --> 01:01:05,800
Speaker 1: You got it? Yeah? Man? Right? Oh no, I got

978
01:01:05,880 --> 01:01:07,840
Speaker 1: this one. No, i'mnna skipping this one to go to him.

979
01:01:09,240 --> 01:01:15,880
Speaker 1: The sauce or xxile y k TV magazine? Did you

980
01:01:16,000 --> 01:01:22,680
Speaker 1: drink that? I want to get keep it real high,

981
01:01:24,800 --> 01:01:28,640
Speaker 1: the source suce, the sauce, and now what sauce, the

982
01:01:28,720 --> 01:01:34,320
Speaker 1: Benzino sauce or the Landown mcnilan sauce. Definitely the Benzino sauce.

983
01:01:34,560 --> 01:01:49,480
Speaker 1: That's like the Dave Benzino Me too, I heard that too, okay,

984
01:01:51,240 --> 01:01:59,800
Speaker 1: d M Max or Tupac ship DMX. I'm go ahead

985
01:01:59,800 --> 01:02:10,240
Speaker 1: get shop. I can just hear flex calling me now

986
01:02:10,840 --> 01:02:14,880
Speaker 1: because you're gonna you take this shot by saying that

987
01:02:14,960 --> 01:02:24,360
Speaker 1: you're saying tupop. Yeah, you're not rolling up. It's been drinking.

988
01:02:26,080 --> 01:02:32,600
Speaker 1: You've been drinking all day. I know, I know you

989
01:02:32,680 --> 01:02:39,000
Speaker 1: you I'll just take a shot. Piece. You take a

990
01:02:39,000 --> 01:02:44,880
Speaker 1: shot for that little Okay, I'm gonna take this one.

991
01:02:44,880 --> 01:02:49,040
Speaker 1: I'm gonna jump over a couple of though. Joe Button

992
01:02:49,120 --> 01:03:02,160
Speaker 1: is a million. That was pro game, my expert. That's

993
01:03:02,200 --> 01:03:04,800
Speaker 1: a good I like that. Not like that too. Shout

994
01:03:04,800 --> 01:03:06,880
Speaker 1: out to Gilly, shout the while I was shout to Joe,

995
01:03:06,920 --> 01:03:09,200
Speaker 1: Shout out to everybody in the space. Man, there's room

996
01:03:09,200 --> 01:03:16,480
Speaker 1: for everybody to win the recipeace Jack recipes coming back

997
01:03:16,560 --> 01:03:18,920
Speaker 1: Jack Um. You know what, let's take this to all

998
01:03:19,040 --> 01:03:22,959
Speaker 1: podcasters because who would have thought that people are hally

999
01:03:23,000 --> 01:03:26,960
Speaker 1: even listening to the radio like we kind of some

1000
01:03:27,040 --> 01:03:29,080
Speaker 1: of the people that wouldn't refuse to play my music,

1001
01:03:29,800 --> 01:03:35,520
Speaker 1: I refused to interview to them, I got the juice.

1002
01:03:35,560 --> 01:03:46,240
Speaker 1: Now I've been going crazy today. I'm not humble at all.

1003
01:03:46,280 --> 01:03:48,960
Speaker 1: I gotta calm down. And while we saying recipes, recipes,

1004
01:03:49,000 --> 01:03:52,680
Speaker 1: gangs to do as well. Man, you know it's crazy, man,

1005
01:03:52,880 --> 01:03:56,800
Speaker 1: I really can't believe. Really it's crazy because you know,

1006
01:03:56,920 --> 01:03:59,560
Speaker 1: we don't want to be the last person to interview anybody.

1007
01:03:59,640 --> 01:04:03,320
Speaker 1: But when she passed away, when Um take Off passed away,

1008
01:04:03,680 --> 01:04:06,480
Speaker 1: people just kept going to our interview and it was

1009
01:04:06,520 --> 01:04:09,400
Speaker 1: just like damn it's honor and it was crazy. That's

1010
01:04:09,440 --> 01:04:12,440
Speaker 1: why you should never listened to directly to the internet

1011
01:04:12,840 --> 01:04:16,360
Speaker 1: or directly to the rhetoric that that's happening. The week

1012
01:04:16,440 --> 01:04:19,720
Speaker 1: before they critiqued us and said drink chances for legends.

1013
01:04:19,960 --> 01:04:23,920
Speaker 1: Me goes ain't legends, and then then you know, unfortunately

1014
01:04:24,040 --> 01:04:27,360
Speaker 1: his de minds that week. The next week at to

1015
01:04:27,440 --> 01:04:29,200
Speaker 1: that there was like, I'm so glad you got to

1016
01:04:29,200 --> 01:04:31,520
Speaker 1: give him you any flowers, And it's just like, Damn,

1017
01:04:31,560 --> 01:04:34,560
Speaker 1: if I were listening, I wouldn't even interview them because

1018
01:04:35,040 --> 01:04:38,840
Speaker 1: yesterday they're not legend and it's crazy. So you just

1019
01:04:38,920 --> 01:04:41,640
Speaker 1: gotta what did you say, go with your opinion. Unconsciously,

1020
01:04:42,680 --> 01:04:45,040
Speaker 1: you also got to consider the source the people who

1021
01:04:45,080 --> 01:04:51,040
Speaker 1: were talking. That was a double ententure, So you gotta

1022
01:04:51,040 --> 01:04:54,360
Speaker 1: consider the source, not everybody who's talking. As the resumeated talk.

1023
01:04:54,600 --> 01:04:59,120
Speaker 1: Tonyo says something on the show, By the way, great episode, Tony,

1024
01:04:59,320 --> 01:05:03,320
Speaker 1: your uncle murder. Yeah, he he went, as I like,

1025
01:05:03,600 --> 01:05:05,720
Speaker 1: but he said, once I realized that I couldn't make

1026
01:05:05,760 --> 01:05:11,200
Speaker 1: everybody happy, I felt liberated. It's real because you get

1027
01:05:11,880 --> 01:05:16,160
Speaker 1: all different types of opinions. You just gotta be comfortable with, Okay,

1028
01:05:16,200 --> 01:05:18,920
Speaker 1: You're gonna be bad, all right a little with that,

1029
01:05:19,520 --> 01:05:24,960
Speaker 1: you know what I mean? Smith and Wesson, Yeah, that

1030
01:05:25,080 --> 01:05:28,600
Speaker 1: was that was you again. What happened? What you say?

1031
01:05:28,680 --> 01:05:31,400
Speaker 1: You said? Um? They was down with pocket. Um. You know,

1032
01:05:31,560 --> 01:05:35,200
Speaker 1: they were defended and miss understood something. I was telling

1033
01:05:35,280 --> 01:05:38,400
Speaker 1: them how we felt, guys, me and your age, you know,

1034
01:05:38,840 --> 01:05:41,680
Speaker 1: maybe not you personally, but a lot of my parents

1035
01:05:41,760 --> 01:05:47,880
Speaker 1: at that time. When that song dropped, we hit him up.

1036
01:05:48,240 --> 01:05:52,280
Speaker 1: We were affected in New York. We were hurt, you know.

1037
01:05:52,600 --> 01:05:57,040
Speaker 1: And I know people spend the narrative that he was

1038
01:05:57,120 --> 01:06:01,720
Speaker 1: talking about, you know, Bigg directly, but me and my

1039
01:06:01,920 --> 01:06:04,080
Speaker 1: parents and the guys in the street, we didn't hear

1040
01:06:04,400 --> 01:06:07,240
Speaker 1: it like that. We heard loud and clear. It felt

1041
01:06:07,320 --> 01:06:12,200
Speaker 1: like you're coming directly at New York with those guys.

1042
01:06:12,600 --> 01:06:16,360
Speaker 1: I asked them in the future, when y'all ended up

1043
01:06:16,520 --> 01:06:20,920
Speaker 1: like at his house recording the albums, we kind of,

1044
01:06:21,240 --> 01:06:25,160
Speaker 1: you know, respectfully looked at you guys as traders and

1045
01:06:25,320 --> 01:06:33,120
Speaker 1: that that that set it off. Big said it. I

1046
01:06:33,240 --> 01:06:35,960
Speaker 1: was like, oh, this is a good one. Let's see

1047
01:06:35,960 --> 01:06:40,880
Speaker 1: what your memory is. So so shocked because I do

1048
01:06:41,040 --> 01:06:43,360
Speaker 1: remember and and and and both of those brothers. Those

1049
01:06:43,360 --> 01:06:49,000
Speaker 1: are my brothers. Much respect to them, I do much

1050
01:06:49,040 --> 01:06:53,200
Speaker 1: respect love. I do remember me being mad at them

1051
01:06:53,240 --> 01:06:55,120
Speaker 1: for a week or two weeks. I remember. I remember

1052
01:06:55,160 --> 01:06:59,560
Speaker 1: that and Buckshot, I believe, and I remember Let's go

1053
01:06:59,680 --> 01:07:07,280
Speaker 1: even EPA. I remember being mad Red and Meth remember

1054
01:07:08,080 --> 01:07:13,080
Speaker 1: read it made it up. I'm sorry my brothers got

1055
01:07:13,120 --> 01:07:15,280
Speaker 1: both of the phone numbers. They didn't even know though,

1056
01:07:15,920 --> 01:07:18,200
Speaker 1: but I didn't know that they didn't. You understand what

1057
01:07:18,240 --> 01:07:20,520
Speaker 1: I'm trying to say. So I felt exactly like that.

1058
01:07:20,640 --> 01:07:23,160
Speaker 1: I felt like I've seen. I remember me seeing Red

1059
01:07:23,240 --> 01:07:30,200
Speaker 1: Man in Branson and just being like like he had

1060
01:07:30,280 --> 01:07:32,760
Speaker 1: his legs. I jumped in my legs, just walked. That

1061
01:07:32,840 --> 01:07:35,120
Speaker 1: was the first time. I love Red Man the first time.

1062
01:07:35,520 --> 01:07:37,720
Speaker 1: And then the Method Man got on the radio and

1063
01:07:38,280 --> 01:07:40,840
Speaker 1: I guess like it was and it was spreading like

1064
01:07:40,960 --> 01:07:43,360
Speaker 1: yo man, you know, because because that's the one thing

1065
01:07:44,360 --> 01:07:46,760
Speaker 1: that we needed at that time. You know. I made

1066
01:07:46,920 --> 01:07:51,560
Speaker 1: L A L A and here's a crazy ship, and

1067
01:07:51,560 --> 01:07:52,920
Speaker 1: I said it on your show. I don't know if

1068
01:07:52,960 --> 01:07:55,200
Speaker 1: you remember I said it on your show. I saw

1069
01:07:55,280 --> 01:07:56,840
Speaker 1: the clip the other day, someone sent it to me.

1070
01:07:57,400 --> 01:07:59,480
Speaker 1: But I remember making L A L A and bringing

1071
01:07:59,520 --> 01:08:04,000
Speaker 1: it to be big and big saying, Nah, they're not

1072
01:08:04,120 --> 01:08:07,600
Speaker 1: gonna use this, and like he told me to my face,

1073
01:08:07,680 --> 01:08:09,240
Speaker 1: and I was just like and at the time I

1074
01:08:09,360 --> 01:08:12,160
Speaker 1: was too young to understand that he understood who he was.

1075
01:08:13,400 --> 01:08:15,480
Speaker 1: I didn't know that, and he was like, what they're

1076
01:08:15,480 --> 01:08:18,519
Speaker 1: accusing me of? I didn't do that, so I ain't

1077
01:08:18,520 --> 01:08:20,360
Speaker 1: gonna address it. And at the time, I was like,

1078
01:08:20,760 --> 01:08:23,560
Speaker 1: they just talked about your wife, my nigga, like, and

1079
01:08:24,439 --> 01:08:26,879
Speaker 1: they didn't use it. It was for a bad boy mixtape.

1080
01:08:26,880 --> 01:08:30,320
Speaker 1: Remember remember the labels was doing mixtape. Stretch arm Strong

1081
01:08:30,479 --> 01:08:35,479
Speaker 1: did it. We went mix tapes were legends and they

1082
01:08:35,560 --> 01:08:39,880
Speaker 1: didn't know that. And that's speaking on that time. Like

1083
01:08:40,400 --> 01:08:43,439
Speaker 1: if you guys at that time didn't make that song,

1084
01:08:44,520 --> 01:08:46,559
Speaker 1: it was like that was you know what I'm saying,

1085
01:08:46,720 --> 01:08:49,400
Speaker 1: y'all wasn't even did some but just to make that song.

1086
01:08:50,120 --> 01:08:53,960
Speaker 1: You know what's crazy? Let me let me in York,

1087
01:08:55,479 --> 01:09:01,920
Speaker 1: let me he too. Listen. Listen, um sean um listen.

1088
01:09:03,120 --> 01:09:06,200
Speaker 1: A friend of mine was on something called a DJ list.

1089
01:09:06,840 --> 01:09:11,640
Speaker 1: So remember the dj they would get this before, so

1090
01:09:12,040 --> 01:09:14,719
Speaker 1: he had the record two months prior to it dropping.

1091
01:09:15,040 --> 01:09:16,840
Speaker 1: So what we did was we went to Stretch our

1092
01:09:16,920 --> 01:09:19,080
Speaker 1: Strong crib and we was like, are they dissing us?

1093
01:09:19,479 --> 01:09:23,000
Speaker 1: And we understand yo, be yo, God, we knew that

1094
01:09:23,200 --> 01:09:26,240
Speaker 1: was so that's if you listen. We were going back

1095
01:09:26,280 --> 01:09:28,479
Speaker 1: and he was like he was saying, whatever the funk

1096
01:09:28,520 --> 01:09:30,920
Speaker 1: They were saying whatever we said, So we didn't you

1097
01:09:31,040 --> 01:09:33,679
Speaker 1: talking about the dog Pound record. Now that's people listening.

1098
01:09:33,760 --> 01:09:35,240
Speaker 1: They because we can stay and hit him up and

1099
01:09:35,280 --> 01:09:41,800
Speaker 1: we gotta go. They did. We did l A l

1100
01:09:41,880 --> 01:09:47,880
Speaker 1: A in response, so we purposely didn't, I would say

1101
01:09:47,920 --> 01:09:50,640
Speaker 1: the story, So we purposely didn't say anything about l A.

1102
01:09:51,280 --> 01:09:55,439
Speaker 1: But Prodigy did. If you remember the first that they

1103
01:09:55,479 --> 01:09:58,320
Speaker 1: took off, they took it off, he said, JFK on

1104
01:09:58,439 --> 01:10:00,439
Speaker 1: my way to l A. He laid to use that

1105
01:10:00,600 --> 01:10:03,800
Speaker 1: verse on Live Nigga Rap what not, but that verse

1106
01:10:03,920 --> 01:10:07,040
Speaker 1: was originally on L A L A. Yeah, and then

1107
01:10:07,120 --> 01:10:09,920
Speaker 1: was crazy was funked up about that prodas he said,

1108
01:10:09,920 --> 01:10:11,280
Speaker 1: he did not want to be on the record. He

1109
01:10:11,360 --> 01:10:14,040
Speaker 1: did not want to be involved. And the day that

1110
01:10:14,160 --> 01:10:16,519
Speaker 1: we filmed l A l A video hit him up

1111
01:10:16,600 --> 01:10:20,800
Speaker 1: came out and he wanted to be involved. Sir. He

1112
01:10:21,000 --> 01:10:25,360
Speaker 1: tag he takes mind that night they think it's in

1113
01:10:25,479 --> 01:10:28,519
Speaker 1: the season since three o'clock and was in the back nine.

1114
01:10:32,320 --> 01:10:34,880
Speaker 1: I respect that. I respect that like he rest in peace,

1115
01:10:35,120 --> 01:10:38,720
Speaker 1: Rest peace, my favorite boy. Still when y'all y'all through

1116
01:10:38,760 --> 01:10:40,880
Speaker 1: the body of thing. See, we had to do that.

1117
01:10:41,160 --> 01:10:43,040
Speaker 1: We had no budget. By the way, I was the

1118
01:10:43,080 --> 01:10:55,080
Speaker 1: worst looking we had boards. Remember that. Let you know

1119
01:10:55,200 --> 01:11:01,920
Speaker 1: he abound you remember Eve. You know I wasn't in that.

1120
01:11:02,320 --> 01:11:07,599
Speaker 1: It was there on the bridge, dumping the body. Looking around.

1121
01:11:07,760 --> 01:11:11,240
Speaker 1: It's mad, cars dropping bodies thinking they have no bunchet. Mad.

1122
01:11:13,840 --> 01:11:15,800
Speaker 1: I'll I'll be looking at I'll be looking at that

1123
01:11:15,920 --> 01:11:20,559
Speaker 1: videos down and I'd be like, thank god, I can

1124
01:11:20,600 --> 01:11:23,360
Speaker 1: see the hunger in my face. You can smell who

1125
01:11:23,520 --> 01:11:29,599
Speaker 1: steps on me there? You can smell it. Oh my god. Okay,

1126
01:11:29,760 --> 01:11:31,720
Speaker 1: we're still in a quick time. I'm sorry, just trying

1127
01:11:31,720 --> 01:11:36,240
Speaker 1: to kick us out. Yeah, yes, alright, Bits Markey old

1128
01:11:36,360 --> 01:11:41,800
Speaker 1: b O d b bs market oldb That's a tough one.

1129
01:11:43,080 --> 01:11:49,360
Speaker 1: That's a tough one. That's a tough one. Because they

1130
01:11:49,360 --> 01:12:01,639
Speaker 1: almost comes bro. I would say, oh dirty bad about you, Max,

1131
01:12:01,960 --> 01:12:13,519
Speaker 1: Yeah O d B B Yeah. I say, I say, um, well,

1132
01:12:13,560 --> 01:12:16,240
Speaker 1: if you had one of the illest personalities, I say,

1133
01:12:17,040 --> 01:12:20,640
Speaker 1: that's why we gotta protect our legends. Prior to him

1134
01:12:20,680 --> 01:12:23,360
Speaker 1: going to jail, it's probably the best personality we ever

1135
01:12:23,479 --> 01:12:25,479
Speaker 1: had in hip hop. If you see how he came home,

1136
01:12:25,479 --> 01:12:27,400
Speaker 1: I'm sorry to make it about the ODB, but if

1137
01:12:27,439 --> 01:12:29,280
Speaker 1: you see how he came home, that wasn't the same

1138
01:12:29,360 --> 01:12:31,640
Speaker 1: person definitely, like it wasn't the same. It wasn't like

1139
01:12:33,160 --> 01:12:36,639
Speaker 1: Fox people up man, J. I don't know. I think,

1140
01:12:36,680 --> 01:12:39,880
Speaker 1: I think. I think, I think being a rapper is way.

1141
01:12:40,160 --> 01:12:43,000
Speaker 1: I think we all need therapy. I think we all

1142
01:12:43,160 --> 01:12:45,160
Speaker 1: need to sit down. Maybe it's not therapy. We all

1143
01:12:45,240 --> 01:12:48,880
Speaker 1: need to sit down and to realize that we ain't

1144
01:12:48,920 --> 01:12:52,920
Speaker 1: each other's enemy like we like, we aren't enemies of

1145
01:12:53,040 --> 01:12:55,160
Speaker 1: each other, and we have to start taking care of

1146
01:12:55,280 --> 01:12:58,599
Speaker 1: each other because it's ship like that that shouldn't happen,

1147
01:12:58,960 --> 01:13:00,920
Speaker 1: like when I see old mean when he came back

1148
01:13:01,240 --> 01:13:03,560
Speaker 1: and and God bless because Rockefeller was trying to do

1149
01:13:03,680 --> 01:13:07,320
Speaker 1: the right thing. It's just that they shouldn't have been involved,

1150
01:13:07,400 --> 01:13:11,960
Speaker 1: in my opinion, And what happened is it made Odi

1151
01:13:12,040 --> 01:13:15,840
Speaker 1: be kind of take a choice between family and money.

1152
01:13:17,120 --> 01:13:20,880
Speaker 1: And that's a bad it's a bad choice. Like and

1153
01:13:21,520 --> 01:13:26,639
Speaker 1: I'm gonna tell you, always pick family, Yes, always pick family.

1154
01:13:26,880 --> 01:13:30,080
Speaker 1: The money the money has come, Yes, but maybe he's

1155
01:13:30,080 --> 01:13:33,280
Speaker 1: picking family by picking the money exactly, you know, and

1156
01:13:33,360 --> 01:13:35,400
Speaker 1: everything we're saying is from the outside looking and we

1157
01:13:35,479 --> 01:13:37,760
Speaker 1: really don't know what we really don't know. But picked

1158
01:13:37,840 --> 01:13:41,200
Speaker 1: him up. Man. I got a chance to meet O. D. B.

1159
01:13:41,520 --> 01:13:43,599
Speaker 1: And I want to play Bisinesmarkey in the movie. Remember

1160
01:13:43,720 --> 01:13:47,680
Speaker 1: they was doing the Juice movie. I went to um

1161
01:13:48,280 --> 01:13:53,040
Speaker 1: to play bisinmar I still I still want to play

1162
01:13:53,080 --> 01:13:57,880
Speaker 1: bisinmar That that was my That was my rapper who

1163
01:13:57,920 --> 01:14:02,320
Speaker 1: made me laugh like boogers, well picking buggers say he

1164
01:14:02,400 --> 01:14:04,680
Speaker 1: picked the booker and put it on a basketball and

1165
01:14:04,760 --> 01:14:09,519
Speaker 1: then passed. He's a genius. He made being a joker

1166
01:14:09,600 --> 01:14:17,639
Speaker 1: cool and then it's crazy. He made it cool. Yeahs

1167
01:14:17,640 --> 01:14:21,479
Speaker 1: a sucker, but he could be. I'm in dinner with

1168
01:14:21,600 --> 01:14:27,760
Speaker 1: Daddy came the other night. I was like, I was

1169
01:14:27,880 --> 01:14:30,160
Speaker 1: so mad. I didn't know. Okay, real pick buggers. But

1170
01:14:30,240 --> 01:14:34,559
Speaker 1: then the vapors vapors, by the way, vapors. This day

1171
01:14:37,000 --> 01:14:39,200
Speaker 1: something will happen. You'd be like, they go to the vapors.

1172
01:14:39,280 --> 01:14:43,360
Speaker 1: Yeah to this day. Yeah, I don't know what. There's

1173
01:14:43,360 --> 01:14:50,920
Speaker 1: a lot of people catching the vapors. N't want to

1174
01:14:51,120 --> 01:14:53,439
Speaker 1: get you that. Just run through this real quick, okay,

1175
01:14:53,960 --> 01:15:05,679
Speaker 1: kiss all fast, relaxed, listening, Mecca, what are you doing?

1176
01:15:06,960 --> 01:15:17,880
Speaker 1: He's trying to secure his relationships. That's why it's just

1177
01:15:18,240 --> 01:15:27,519
Speaker 1: just just brother camera you kiss, right, the versus kind

1178
01:15:27,560 --> 01:15:31,120
Speaker 1: of you're just gonna say that kiss. I don't think

1179
01:15:31,160 --> 01:15:35,280
Speaker 1: the verses proven. You know that you know kiss? Yeah,

1180
01:15:35,479 --> 01:15:37,560
Speaker 1: I just think Fat picked. I would say, yeah, he

1181
01:15:37,600 --> 01:15:44,080
Speaker 1: picked the wrong records. Fat really over Yeah as the

1182
01:15:44,160 --> 01:15:46,960
Speaker 1: hardest to a body of music. If I'm driving, I'm

1183
01:15:46,960 --> 01:15:50,160
Speaker 1: gonna throw something in the listing to a three hour drive.

1184
01:15:50,520 --> 01:15:54,320
Speaker 1: I'm I'm gonna definitely choose fab like side of dout.

1185
01:15:55,920 --> 01:16:00,439
Speaker 1: I'm gonna say kiss because kiss is more personable. Kiss

1186
01:16:00,520 --> 01:16:03,160
Speaker 1: will sit down and talk to you and tell you

1187
01:16:03,200 --> 01:16:08,400
Speaker 1: how crack Yeah I got. I got a lot of

1188
01:16:08,640 --> 01:16:11,479
Speaker 1: a lot of like things I've done. That was the

1189
01:16:11,600 --> 01:16:13,880
Speaker 1: sound that Jada Kiss was the soundtrack to the ship

1190
01:16:13,960 --> 01:16:17,240
Speaker 1: that I did. So I might be kissed any view Fat,

1191
01:16:17,280 --> 01:16:19,920
Speaker 1: but I've been viewed jadakiss a couple of dams. I

1192
01:16:20,000 --> 01:16:21,840
Speaker 1: don't really do it. It might take a shot for it,

1193
01:16:21,920 --> 01:16:23,720
Speaker 1: might be a little biased. You gotta take a shot

1194
01:16:23,760 --> 01:16:28,800
Speaker 1: for your man. You gotta take a shot just for that. Yah,

1195
01:16:29,080 --> 01:16:33,800
Speaker 1: you ain't saying nothing now. He ain't say nothing. It's

1196
01:16:33,840 --> 01:16:41,920
Speaker 1: crazy because I feel like I mean yeah, I mean

1197
01:16:41,920 --> 01:16:45,160
Speaker 1: we h you take a shot. I'm gonna say both. Okay,

1198
01:16:46,600 --> 01:16:49,680
Speaker 1: we want to stand and take a shot. Let me

1199
01:16:49,760 --> 01:16:57,320
Speaker 1: take a shot of this. Fine, there we are. Hey,

1200
01:16:57,400 --> 01:17:01,200
Speaker 1: that's a whole another day and we cool as well.

1201
01:17:07,320 --> 01:17:14,040
Speaker 1: Profession questions, we know that's too much. Yes, every every question,

1202
01:17:14,200 --> 01:17:19,160
Speaker 1: Ship got let own in there. You ready? Yeah, you

1203
01:17:19,200 --> 01:17:24,840
Speaker 1: go drer puff you said Drake or puff d I

1204
01:17:24,880 --> 01:17:29,080
Speaker 1: gotta go puff, Sorry, I gotta go puff as a

1205
01:17:29,120 --> 01:17:34,320
Speaker 1: producer as your future Life after being my favorite album

1206
01:17:35,240 --> 01:17:40,160
Speaker 1: of all time. Okay, I know people would owe the Chronic.

1207
01:17:40,240 --> 01:17:44,360
Speaker 1: The Chronic Life After Death was a masterpiece from be

1208
01:17:45,920 --> 01:17:54,680
Speaker 1: not just No, No, it is right. Don't see the

1209
01:17:55,760 --> 01:17:58,120
Speaker 1: did you can play from start to finish? Now that's

1210
01:17:58,160 --> 01:18:01,080
Speaker 1: true that what was the last time did that? You know? What?

1211
01:18:01,479 --> 01:18:05,760
Speaker 1: God about that? I forgot about that. No, it looks

1212
01:18:05,760 --> 01:18:10,320
Speaker 1: like we're gonna get technical that he produced dre produced.

1213
01:18:11,400 --> 01:18:13,840
Speaker 1: But then I guess you could go into he's in

1214
01:18:13,920 --> 01:18:18,080
Speaker 1: the question this person of that person puffing on the

1215
01:18:18,200 --> 01:18:22,640
Speaker 1: versus you can say about Drake against also Yeah, but

1216
01:18:22,680 --> 01:18:26,200
Speaker 1: I'm saying that's gonna be both right, It's gonna be crazy.

1217
01:18:26,240 --> 01:18:28,680
Speaker 1: I'm saying it's a tough one for that quickly. But

1218
01:18:28,840 --> 01:18:31,000
Speaker 1: just off the strength of Life after Death is my

1219
01:18:31,200 --> 01:18:35,200
Speaker 1: favorite album of all time. I gotta give it to Puff,

1220
01:18:36,240 --> 01:18:39,920
Speaker 1: how about you, Mecca, brother, I don't know, I don't

1221
01:18:39,920 --> 01:18:42,800
Speaker 1: know that resumes. I mean because you started giving Dre

1222
01:18:42,920 --> 01:18:45,200
Speaker 1: credit for the n w A ward if you put

1223
01:18:45,280 --> 01:18:48,639
Speaker 1: the Tree of Dre. Yeah, and the Tree of Puff

1224
01:18:48,720 --> 01:18:52,040
Speaker 1: is hell too, but the Tree Evil make an album

1225
01:18:52,240 --> 01:18:55,759
Speaker 1: that was better than Life after Death. No, but Dorgy

1226
01:18:55,880 --> 01:19:01,160
Speaker 1: Styles is not a game. No, you gotta go with

1227
01:19:01,400 --> 01:19:06,320
Speaker 1: m Life after Death is it's death is a double album.

1228
01:19:06,479 --> 01:19:13,519
Speaker 1: I'm trying to the last but for life and it

1229
01:19:13,680 --> 01:19:16,880
Speaker 1: just wasn't to say thank you how many? And then

1230
01:19:16,920 --> 01:19:20,840
Speaker 1: there's like the Kindrick work and the game word nah nah,

1231
01:19:21,200 --> 01:19:25,559
Speaker 1: there's love it, love it. I'm gonna step back wants

1232
01:19:25,600 --> 01:19:30,160
Speaker 1: but Life after Death, bro, But I'm not saying that

1233
01:19:31,320 --> 01:19:37,080
Speaker 1: you want know bro, it's emotionate. Wait a minute, the

1234
01:19:37,160 --> 01:19:44,840
Speaker 1: album is a movement, is yeah? About I needed to

1235
01:19:44,960 --> 01:19:48,840
Speaker 1: hear explanation because you gotta we can't ignore Mace. You

1236
01:19:48,920 --> 01:19:51,920
Speaker 1: know what I'm saying, make Superstar of the game, right,

1237
01:19:52,000 --> 01:19:55,120
Speaker 1: you know? But that but let me stop you for

1238
01:19:55,280 --> 01:19:58,200
Speaker 1: one second. Doesn't Mace only have one album? Isn't him

1239
01:19:58,240 --> 01:20:00,840
Speaker 1: like Lauren Hill the same na got your Yeah, oh

1240
01:20:00,880 --> 01:20:04,640
Speaker 1: yeah that's right. My bad bad, Yeah, but don't really

1241
01:20:05,840 --> 01:20:13,360
Speaker 1: album the Treason. Don't really like that. But the original

1242
01:20:13,479 --> 01:20:16,519
Speaker 1: Joint and No Way Out work. You're counting no where

1243
01:20:16,600 --> 01:20:22,800
Speaker 1: you can start early DC, easy, cool and heavy. You

1244
01:20:23,080 --> 01:20:29,120
Speaker 1: gotta go heavy, Ye, you gotta go head. No, you're

1245
01:20:29,120 --> 01:20:31,840
Speaker 1: talking about an A and R at that point. That's producer. No,

1246
01:20:33,800 --> 01:20:39,400
Speaker 1: he wasn't get your favorite week, it was your favorite week.

1247
01:20:39,760 --> 01:20:42,680
Speaker 1: Smoke wrote that ship up smoke it listen to the

1248
01:20:42,760 --> 01:20:48,000
Speaker 1: Life After Death, the whole ship debate. No one's debate,

1249
01:20:48,040 --> 01:20:51,800
Speaker 1: you not one. So yeah, yeah, yeah we know that.

1250
01:20:52,520 --> 01:20:57,240
Speaker 1: If none of those credit to Puff for BIG's album,

1251
01:20:57,479 --> 01:20:59,600
Speaker 1: and I'm not giving a hundred percent credit, that's what

1252
01:20:59,680 --> 01:21:01,879
Speaker 1: we're talking talking about it. But if he was involved

1253
01:21:02,000 --> 01:21:03,800
Speaker 1: in the in the album that I feel like it

1254
01:21:03,880 --> 01:21:09,840
Speaker 1: was the great Rick Ross. You know what I'm saying.

1255
01:21:14,439 --> 01:21:19,639
Speaker 1: That's so as far as that's the problem with this question,

1256
01:21:19,720 --> 01:21:22,439
Speaker 1: is that too many other nuances, right, Yeah, Well that's

1257
01:21:22,439 --> 01:21:26,640
Speaker 1: why Dr dre is more relevant as far as how

1258
01:21:26,760 --> 01:21:29,360
Speaker 1: many people worked at how many albums that sold all

1259
01:21:29,479 --> 01:21:32,719
Speaker 1: crazy how many records he actually produced with his fingers?

1260
01:21:32,920 --> 01:21:36,479
Speaker 1: Right right? Right? Puff is a great orchestrated He knows

1261
01:21:36,560 --> 01:21:38,240
Speaker 1: the talent, he knows how to find it, put in

1262
01:21:38,320 --> 01:21:41,720
Speaker 1: the right set it and make magic. That's what Puff does, right.

1263
01:21:41,800 --> 01:21:44,439
Speaker 1: But it's too many factors. But I'm gonna say, Puff,

1264
01:21:44,720 --> 01:21:48,120
Speaker 1: if you could have part of it, part of it,

1265
01:21:48,400 --> 01:21:52,960
Speaker 1: to town part of it, you have to long history, baby,

1266
01:21:53,320 --> 01:21:56,240
Speaker 1: because then you started taking into account Dr Dre's influence

1267
01:21:56,360 --> 01:22:00,519
Speaker 1: over the entire West Coast because Puff has that influence

1268
01:22:00,560 --> 01:22:02,799
Speaker 1: as well. Yeah, but I could, I could, But that's

1269
01:22:02,920 --> 01:22:04,960
Speaker 1: but that's my whole point. It starts to even out

1270
01:22:05,040 --> 01:22:07,880
Speaker 1: once we start the why do you cast the net?

1271
01:22:08,240 --> 01:22:10,479
Speaker 1: They both have a lot of fish to catch? And

1272
01:22:11,040 --> 01:22:13,560
Speaker 1: who you start asking about X, Y, Z, A, B,

1273
01:22:13,680 --> 01:22:17,120
Speaker 1: and C. Guess maybe the question we should be asking

1274
01:22:17,360 --> 01:22:20,639
Speaker 1: who today are the children of them? Specifically, that's a law.

1275
01:22:21,720 --> 01:22:25,920
Speaker 1: They are relevant right now, like actively right now. You

1276
01:22:26,000 --> 01:22:29,559
Speaker 1: know what right now are active right now that are

1277
01:22:29,600 --> 01:22:34,080
Speaker 1: directly under the umbrella of them, that are relevant right now.

1278
01:22:35,439 --> 01:22:40,040
Speaker 1: So you don't forget what But you got to understand

1279
01:22:40,520 --> 01:22:45,479
Speaker 1: that pas credit has to go to easy Come on, No,

1280
01:22:53,760 --> 01:22:58,439
Speaker 1: that's not that's not without no public you want to

1281
01:22:58,439 --> 01:23:07,240
Speaker 1: say on the conversation. Conversation to Rescipe is easy. Rescipace

1282
01:23:07,520 --> 01:23:13,639
Speaker 1: Andrea Rose, We're moving on, gonna class record day, world

1283
01:23:13,680 --> 01:23:15,960
Speaker 1: class record crew like, yeah, man, we could go even

1284
01:23:16,000 --> 01:23:20,160
Speaker 1: for the back, we could wear what's your podcast? What's

1285
01:23:20,160 --> 01:23:30,519
Speaker 1: your favorite past? Stamped? We stamped and stopping that a

1286
01:23:30,600 --> 01:23:35,680
Speaker 1: shopping that shot we do? Who are we kidding? We

1287
01:23:35,760 --> 01:23:38,599
Speaker 1: know why we're here. Shout out the easy mobi. Oh yeah,

1288
01:23:38,640 --> 01:23:43,760
Speaker 1: absolutely for all the work on both sides. Crazy drink

1289
01:23:44,479 --> 01:23:47,120
Speaker 1: with both. Not only he worked with both of them,

1290
01:23:47,240 --> 01:23:49,719
Speaker 1: but kept working during the beat. Yeah, because Me against

1291
01:23:49,760 --> 01:23:55,479
Speaker 1: the World is my favorite pot album. Shout out lose.

1292
01:23:57,200 --> 01:24:01,320
Speaker 1: We don't believe you, man, We don't don't kills you.

1293
01:24:02,920 --> 01:24:07,280
Speaker 1: That's trust. The fans will kill you. Take your shot,

1294
01:24:07,400 --> 01:24:14,360
Speaker 1: trust me, trust me. It doesn't get a regular us

1295
01:24:14,439 --> 01:24:16,360
Speaker 1: for here in the game. You eas see it. Come

1296
01:24:16,400 --> 01:24:20,960
Speaker 1: on and we celebrate you today. He celebrated you and

1297
01:24:21,080 --> 01:24:25,599
Speaker 1: your kid. You on your team. And by the way,

1298
01:24:25,640 --> 01:24:27,200
Speaker 1: you know the top is a shot too. I really

1299
01:24:27,280 --> 01:24:30,599
Speaker 1: thought you setting me up. Yeah, I thought a puff

1300
01:24:30,680 --> 01:24:32,439
Speaker 1: was going right out here with a const No. Yeah,

1301
01:24:37,760 --> 01:24:39,960
Speaker 1: Chance just went to bath. He went to the bathroom

1302
01:24:40,000 --> 01:24:41,760
Speaker 1: trying to avoid his shot. He got, we got, we

1303
01:24:41,840 --> 01:24:45,880
Speaker 1: got something for his ass. We're gonna wait. We gotta

1304
01:24:45,880 --> 01:24:50,080
Speaker 1: say something. Y'all had a podcast waiting for a podcast today,

1305
01:24:51,240 --> 01:24:56,680
Speaker 1: y'all were late. I can't believe that. Accept let me

1306
01:24:56,720 --> 01:24:59,280
Speaker 1: tell you something. First of a podcast, we had math.

1307
01:24:59,360 --> 01:25:07,080
Speaker 1: He showed up early. Yes, sweatsuits, he was. You know,

1308
01:25:07,240 --> 01:25:14,920
Speaker 1: he needed some money right now, right said, I missed

1309
01:25:14,920 --> 01:25:20,240
Speaker 1: my flagers that I got the helicopter. Yeah yeah, yeah, no, no,

1310
01:25:20,479 --> 01:25:22,840
Speaker 1: but yo, damn I was. I was. Champ was. I

1311
01:25:22,880 --> 01:25:25,200
Speaker 1: don't know, gonna take this shot for him now, I'm

1312
01:25:25,360 --> 01:25:30,360
Speaker 1: really really proud of you got no man. Um. The

1313
01:25:30,479 --> 01:25:35,559
Speaker 1: reason why is the show kept its it's realness. It's

1314
01:25:35,880 --> 01:25:39,759
Speaker 1: a little bit, but it kept the main integrity because

1315
01:25:39,800 --> 01:25:43,280
Speaker 1: the main integrity. And I like the fact that y'all

1316
01:25:43,439 --> 01:25:47,720
Speaker 1: arguing now. I like the fact that because it makes

1317
01:25:47,800 --> 01:25:51,400
Speaker 1: feel great, it makes feel great. You gotta realize, you

1318
01:25:51,479 --> 01:25:53,880
Speaker 1: gotta realize your big end. Champ got into it the

1319
01:25:53,960 --> 01:26:00,360
Speaker 1: last episode. Yeah yeah, bro, hold on, take your take

1320
01:26:00,400 --> 01:26:02,479
Speaker 1: your shot. You got your shot, You got your shot,

1321
01:26:02,520 --> 01:26:04,599
Speaker 1: you got yeah yeah yeah. Because this is for y'all,

1322
01:26:04,680 --> 01:26:06,640
Speaker 1: let me just tell ya something that um, you poll

1323
01:26:06,680 --> 01:26:10,439
Speaker 1: your shot in give y'all a great speech because I'm

1324
01:26:10,479 --> 01:26:12,519
Speaker 1: gonna give you all a great speech because I know

1325
01:26:12,600 --> 01:26:15,280
Speaker 1: how hard it is to survive, to be You know,

1326
01:26:15,760 --> 01:26:19,920
Speaker 1: podcasting is like being in Costcos. Right, you can, everyone

1327
01:26:20,000 --> 01:26:22,559
Speaker 1: can have their product in Costcos. But if you got

1328
01:26:22,640 --> 01:26:27,320
Speaker 1: your ship behind the deers, the dear, yeah, you need

1329
01:26:27,400 --> 01:26:30,559
Speaker 1: you need to have your ship where the ugly lady says,

1330
01:26:30,600 --> 01:26:34,400
Speaker 1: welcome to Costcos and your ships right right front. You

1331
01:26:34,439 --> 01:26:39,479
Speaker 1: know the lady that smoked too much cigarettes. We smoke cigarettes.

1332
01:26:39,479 --> 01:26:43,840
Speaker 1: She's nine hundreds and she's like, yeah, she's like she's like,

1333
01:26:44,000 --> 01:26:47,360
Speaker 1: she's like, welcome Costco lady taking it straight for no reason. Yeah,

1334
01:26:47,400 --> 01:26:49,400
Speaker 1: I mean you know, you know she's doing their job

1335
01:26:49,520 --> 01:26:54,880
Speaker 1: right now. Yeah, but you know I'm talking hard. The

1336
01:26:55,000 --> 01:26:58,280
Speaker 1: one the lady that she looked like she spoke, so

1337
01:26:59,240 --> 01:27:02,360
Speaker 1: what is he wanna tell ya? We have been no

1338
01:27:05,760 --> 01:27:09,400
Speaker 1: independent podcast. We know how it fails. We know how

1339
01:27:09,439 --> 01:27:12,080
Speaker 1: it feels to go up against these others. We know

1340
01:27:12,160 --> 01:27:15,480
Speaker 1: how it feels to be recognized and not be recognized.

1341
01:27:17,280 --> 01:27:21,920
Speaker 1: We know that y'all going through it's crazy because whether

1342
01:27:22,240 --> 01:27:25,519
Speaker 1: it is direct or indirect, we've been through. And for

1343
01:27:25,640 --> 01:27:27,920
Speaker 1: me to see y'all growth, for me to see how

1344
01:27:28,000 --> 01:27:30,599
Speaker 1: this ship came together, for me to see how y'all

1345
01:27:30,800 --> 01:27:34,160
Speaker 1: keeping it tight. It's something I wanted to It's my idea.

1346
01:27:34,200 --> 01:27:36,479
Speaker 1: I called Math. I said, Yo, I want y'all want

1347
01:27:36,520 --> 01:27:39,519
Speaker 1: the crew we had you don't over we had you, um,

1348
01:27:39,880 --> 01:27:41,120
Speaker 1: but I want, I want. I want to give it

1349
01:27:41,160 --> 01:27:44,160
Speaker 1: to y'all. It's not it's not sorry, it's not just

1350
01:27:44,320 --> 01:27:47,479
Speaker 1: about you see I see you, you know, but it's

1351
01:27:47,520 --> 01:27:51,160
Speaker 1: it's about Yeah, it's about commodity. You know. I'm a

1352
01:27:51,200 --> 01:27:53,640
Speaker 1: little socia. You know that. You know what I mean.

1353
01:27:54,320 --> 01:27:56,800
Speaker 1: I'm I can't pronounce my own name. You know what

1354
01:27:56,840 --> 01:27:59,920
Speaker 1: I mean. Salute, but I want to salute y'all say

1355
01:28:00,080 --> 01:28:04,120
Speaker 1: respect um, continue to do your thing for that one. Yes,

1356
01:28:04,320 --> 01:28:07,599
Speaker 1: are you gonna take it with your hell? Yeah? Yeah,

1357
01:28:09,760 --> 01:28:17,599
Speaker 1: I'm you know, it's like the contract not for real

1358
01:28:17,720 --> 01:28:22,519
Speaker 1: because it salut um and and and what's crazy is

1359
01:28:22,720 --> 01:28:28,960
Speaker 1: your personalities. Thank you, you have personalities. The fact I

1360
01:28:29,080 --> 01:28:33,280
Speaker 1: knew the show was going to change for the better

1361
01:28:36,200 --> 01:28:38,280
Speaker 1: because of Mecca, right, And I want to give you

1362
01:28:38,320 --> 01:28:41,960
Speaker 1: a Flowers direct because man, there's an all street don't

1363
01:28:42,600 --> 01:28:44,559
Speaker 1: everyone else is like a street guy. I'm not saying

1364
01:28:44,560 --> 01:28:46,000
Speaker 1: you're not a street guy. We know you're not a

1365
01:28:46,040 --> 01:28:51,519
Speaker 1: s but you to but I know you have an

1366
01:28:51,560 --> 01:28:56,680
Speaker 1: expert opinion. You actually are an expert alright, extually, I

1367
01:28:56,800 --> 01:28:59,040
Speaker 1: think out of all of us here, I think you're

1368
01:28:59,040 --> 01:29:10,240
Speaker 1: probably only actually like I've always you know, um, you know,

1369
01:29:10,360 --> 01:29:12,679
Speaker 1: prior to this, I've always done interviews and I've always

1370
01:29:12,720 --> 01:29:15,000
Speaker 1: been a fan of you and how you handled me,

1371
01:29:15,680 --> 01:29:17,599
Speaker 1: you know what I mean, how you treated me, whether

1372
01:29:17,640 --> 01:29:19,760
Speaker 1: I was when I was coming up, whether when I

1373
01:29:19,880 --> 01:29:23,720
Speaker 1: was in the medium of error or whether And how

1374
01:29:23,840 --> 01:29:27,200
Speaker 1: hard is that because these relationships, how hard is to

1375
01:29:27,320 --> 01:29:32,840
Speaker 1: maintain that here? It's not hard. It's not. I don't

1376
01:29:32,880 --> 01:29:36,400
Speaker 1: I don't make it. Just don't handle this after that's

1377
01:29:36,920 --> 01:29:43,160
Speaker 1: that's whatever you're about to get into it. Get know

1378
01:29:43,160 --> 01:29:47,439
Speaker 1: what I'm saying. Gets it's not. It's not a difficult thing. Man.

1379
01:29:47,479 --> 01:29:50,479
Speaker 1: I learned early on. The job is the job, and

1380
01:29:50,560 --> 01:29:53,680
Speaker 1: it's not. It's not about you. It's not about me.

1381
01:29:53,880 --> 01:29:55,880
Speaker 1: It's about the person who picks up the magazine and

1382
01:29:55,960 --> 01:29:58,120
Speaker 1: decides they want to know more about this person's life.

1383
01:29:58,720 --> 01:30:00,920
Speaker 1: My job is to paint that at you and make

1384
01:30:00,960 --> 01:30:03,720
Speaker 1: it as honest as possible, and make it entertaining. The

1385
01:30:03,800 --> 01:30:05,800
Speaker 1: reason why we have such a good thing going over

1386
01:30:05,880 --> 01:30:08,760
Speaker 1: here is because all of those factors come into play.

1387
01:30:09,160 --> 01:30:12,040
Speaker 1: We make it entertaining. He's gonna say what he's gonna say.

1388
01:30:12,120 --> 01:30:15,040
Speaker 1: It's gonna be real, even even if it's wrong. He

1389
01:30:15,240 --> 01:30:18,920
Speaker 1: really means it. He's telling the truth, his truth. It's

1390
01:30:19,160 --> 01:30:22,000
Speaker 1: exactly like, how can how can you ever be mad

1391
01:30:22,040 --> 01:30:24,639
Speaker 1: at anybody who's telling it? Now, the consequences are gonna

1392
01:30:24,680 --> 01:30:27,040
Speaker 1: come down, But I'm used to I've done that already.

1393
01:30:27,200 --> 01:30:31,120
Speaker 1: So it's a it's a it's it's it's definitely a

1394
01:30:31,240 --> 01:30:33,600
Speaker 1: unique experience. It's the first time I've ever been a

1395
01:30:33,640 --> 01:30:36,680
Speaker 1: part of anything like this. I'm happy to move off

1396
01:30:36,720 --> 01:30:40,080
Speaker 1: a print and do this here with But I'm make

1397
01:30:40,160 --> 01:30:43,599
Speaker 1: no mistake. I'm I've been built for this a long

1398
01:30:43,680 --> 01:30:46,599
Speaker 1: time ago. It's not as rugged as what people may

1399
01:30:46,640 --> 01:30:49,720
Speaker 1: think it is. And I knew that. I remember when

1400
01:30:50,000 --> 01:30:52,880
Speaker 1: the podcast started, right yelling at heat makers and ship

1401
01:30:54,200 --> 01:31:00,160
Speaker 1: and I knew that. I was like, yeah, or you

1402
01:31:00,280 --> 01:31:02,800
Speaker 1: was a guest on the show first, you gotta keep first. Yeah. No,

1403
01:31:02,880 --> 01:31:04,600
Speaker 1: I didn't know that. No, I wasn't called to be

1404
01:31:04,640 --> 01:31:06,639
Speaker 1: a host. I was called it. He's somebody backed out.

1405
01:31:07,800 --> 01:31:10,280
Speaker 1: He's a homie. He called me Yo, can you pull up?

1406
01:31:11,240 --> 01:31:13,680
Speaker 1: I know Megan shout out the yo dub one of

1407
01:31:13,720 --> 01:31:16,639
Speaker 1: the longest open mics in New York City. Rest in peace,

1408
01:31:17,000 --> 01:31:20,200
Speaker 1: rest in peace, vice versus vice versus rest in peace?

1409
01:31:20,560 --> 01:31:26,360
Speaker 1: Uh Jay, rest in peace? Um yeah, go all down

1410
01:31:26,400 --> 01:31:32,640
Speaker 1: that tree j arch head. Yeah. Um so I know

1411
01:31:32,800 --> 01:31:37,800
Speaker 1: Mecca from that environment. And another thing I want to say, yo,

1412
01:31:38,120 --> 01:31:43,120
Speaker 1: open mics need to come back. Yeah for you just ryman, Yeah,

1413
01:31:44,600 --> 01:31:47,720
Speaker 1: on your craft. Ain't that such a legtion? You don't

1414
01:31:47,720 --> 01:31:51,599
Speaker 1: even know what the open mic? That's not what they're

1415
01:31:51,600 --> 01:31:58,160
Speaker 1: doing right now? Karaoke? Yeah, man, this ain't car It's

1416
01:31:58,160 --> 01:32:00,800
Speaker 1: probably close to the stand up open mics. If you could,

1417
01:32:00,800 --> 01:32:03,680
Speaker 1: you could relate it. You can relate it close to

1418
01:32:03,720 --> 01:32:06,439
Speaker 1: someone who doesn't understand. But that was that, But that

1419
01:32:06,600 --> 01:32:09,800
Speaker 1: was the space. Will you hone the craft when you

1420
01:32:09,960 --> 01:32:12,680
Speaker 1: saw guys rocking a stage and you said, what was

1421
01:32:12,720 --> 01:32:17,360
Speaker 1: the jay z? The Mayfield she's um um the lady

1422
01:32:17,800 --> 01:32:23,280
Speaker 1: short shorty name two the intro ohh uh he knows,

1423
01:32:23,360 --> 01:32:26,880
Speaker 1: because yeah, just because I was supposed Yeah, of course.

1424
01:32:27,160 --> 01:32:29,000
Speaker 1: And we're still on quick time and slime. We forgot

1425
01:32:29,840 --> 01:32:32,680
Speaker 1: I can't remember my name. I can't, but I know

1426
01:32:32,720 --> 01:32:34,920
Speaker 1: I know that I know that ahead. I noticed that's

1427
01:32:34,920 --> 01:32:36,639
Speaker 1: sucking me up that I don't know that he wants

1428
01:32:36,680 --> 01:32:39,639
Speaker 1: to look it up there? Yes, what was that woman's name?

1429
01:32:40,000 --> 01:32:43,320
Speaker 1: Is he passed away? Yeah, that's that's where holding them

1430
01:32:43,400 --> 01:32:45,880
Speaker 1: used to uh go And we had something like that

1431
01:32:46,080 --> 01:32:50,360
Speaker 1: similar and queens called the Q Club Q Club. Yeah,

1432
01:32:50,360 --> 01:32:52,920
Speaker 1: and shot at at the Queah. You got shot at

1433
01:32:53,040 --> 01:32:54,560
Speaker 1: from brook A lot of people got shot at the

1434
01:32:54,640 --> 01:33:02,639
Speaker 1: Shotria David Davis rest in peace. Um, but yeah, EO

1435
01:33:02,800 --> 01:33:05,479
Speaker 1: dub end of the Week. That was the spot where

1436
01:33:06,560 --> 01:33:09,840
Speaker 1: I used to go through weight on that line, sign up,

1437
01:33:10,000 --> 01:33:12,080
Speaker 1: get on that list, to get on that stage, whether

1438
01:33:12,120 --> 01:33:14,719
Speaker 1: it was freestyle and I was performing a song or whatever,

1439
01:33:15,640 --> 01:33:17,800
Speaker 1: and Mecca would be in the spot. And I did

1440
01:33:17,920 --> 01:33:21,400
Speaker 1: that for years, for years. And that's where I know

1441
01:33:21,600 --> 01:33:24,880
Speaker 1: Mecca from. Um the soort stuff I didn't. I wasn't

1442
01:33:24,880 --> 01:33:32,920
Speaker 1: really too familiar. It wasn't he wasn't that Zeno's fault.

1443
01:33:33,080 --> 01:33:36,600
Speaker 1: That Zeno's fault is Zeno's fault. When I decided not

1444
01:33:36,720 --> 01:33:40,560
Speaker 1: to dis eminem, he took away to unsigned hype for me,

1445
01:33:42,760 --> 01:33:46,240
Speaker 1: So I was like, yeah, pretty much shot Do you

1446
01:33:46,320 --> 01:33:49,320
Speaker 1: know though, I hope, I hope, I hope Dad is

1447
01:33:49,360 --> 01:33:52,040
Speaker 1: doing okay and all that ship. But when Mett came

1448
01:33:52,080 --> 01:33:56,960
Speaker 1: on the show, I was like, mm hmm, okay, he's

1449
01:33:57,000 --> 01:34:07,160
Speaker 1: a historian, you know what, not get to I don't

1450
01:34:07,200 --> 01:34:10,760
Speaker 1: want to want history. I want to I want to

1451
01:34:11,479 --> 01:34:14,240
Speaker 1: being a historian and and somebody who cares so much

1452
01:34:14,280 --> 01:34:17,960
Speaker 1: about the culture. I said, Yo, no he has to.

1453
01:34:20,479 --> 01:34:22,719
Speaker 1: I don't think I've ever had a conversation with Mecca

1454
01:34:23,040 --> 01:34:25,479
Speaker 1: that doesn't involve hip hop, right, I don't think it's

1455
01:34:25,560 --> 01:34:28,360
Speaker 1: not true. The day I introduce you to BArch your chicken,

1456
01:34:28,400 --> 01:34:41,839
Speaker 1: we didn't talk. Yeah. Yeah, I ain't gonna lie that bonch.

1457
01:34:42,120 --> 01:34:46,280
Speaker 1: I ain't gonna lie. That's yo. Don't read itself into

1458
01:34:46,320 --> 01:34:48,760
Speaker 1: it like that. I can't even I can't even tell

1459
01:34:48,800 --> 01:34:57,080
Speaker 1: you because this might sound crazy. Gone let alone. I'm okay.

1460
01:34:57,520 --> 01:35:10,800
Speaker 1: Scarf face, ice cube, scarf Oh shut damn cute. Yeah,

1461
01:35:10,880 --> 01:35:16,960
Speaker 1: he's gonna said, I said, Starfish from the Womb to

1462
01:35:17,120 --> 01:35:20,200
Speaker 1: the tomb a hot powder, John Spoon trying to make

1463
01:35:20,240 --> 01:35:25,839
Speaker 1: me the thousand to move today? What's a good days?

1464
01:35:25,840 --> 01:35:27,680
Speaker 1: Two and two? Technically I should make your drink, but

1465
01:35:27,680 --> 01:35:31,680
Speaker 1: it's okay, No, that's not the way it works. You

1466
01:35:31,760 --> 01:35:35,920
Speaker 1: stay trying to that's his job. Came late, my night

1467
01:35:36,000 --> 01:35:41,519
Speaker 1: is already room. Uh you got it? Oh yeah, you're

1468
01:35:41,520 --> 01:35:43,760
Speaker 1: on TV wraps A Rap city. I love this one.

1469
01:35:44,600 --> 01:35:56,479
Speaker 1: We do your music box right when one time he's

1470
01:35:56,520 --> 01:35:58,479
Speaker 1: the father. By the way, did you see he's get

1471
01:35:58,520 --> 01:36:01,160
Speaker 1: the money? Did you know that? You see McDaniels was

1472
01:36:01,320 --> 01:36:07,400
Speaker 1: only second to Oprah the ratings, the ratings, he was

1473
01:36:07,640 --> 01:36:11,599
Speaker 1: only second, So how does that not continue? Like, how

1474
01:36:11,640 --> 01:36:17,040
Speaker 1: does that not bigger for him? Ralph McDaniels is single

1475
01:36:17,280 --> 01:36:21,680
Speaker 1: handedly responsible for the spread of hip hop, absolutely, but

1476
01:36:22,040 --> 01:36:25,439
Speaker 1: how was that to another level? Because I wanted to

1477
01:36:25,560 --> 01:36:29,360
Speaker 1: reproduce I can't be saying all that and you ain't

1478
01:36:29,360 --> 01:36:34,240
Speaker 1: watching and started watching it's so good and it was

1479
01:36:34,880 --> 01:36:38,200
Speaker 1: so dope about it is you get to see NAS

1480
01:36:38,439 --> 01:36:42,200
Speaker 1: fan the funk out. He's just like like it's like

1481
01:36:42,600 --> 01:36:44,880
Speaker 1: like he's just he's not Nas at all. He's just

1482
01:36:45,000 --> 01:36:49,280
Speaker 1: a fan of like he's breaking it down. He remembered

1483
01:36:49,320 --> 01:37:00,120
Speaker 1: the intro. He's like, remember, come on, come on, take

1484
01:37:00,160 --> 01:37:03,720
Speaker 1: a shouting around me. You're from New York City, New

1485
01:37:03,800 --> 01:37:06,320
Speaker 1: York City and you my age, you know, you know

1486
01:37:06,360 --> 01:37:09,839
Speaker 1: it's crazy about it was the Disney afternoon until Batman

1487
01:37:09,960 --> 01:37:12,720
Speaker 1: came out. Then Batman came out at four thirty. But

1488
01:37:13,080 --> 01:37:18,160
Speaker 1: right at five o'clock you went straight channel. Queen's was thirty.

1489
01:37:18,200 --> 01:37:23,640
Speaker 1: I thought, I'm thinking. I was thinking about the box,

1490
01:37:23,760 --> 01:37:29,439
Speaker 1: but the boxes on the boxes of Miami Daily Man. Yeah,

1491
01:37:32,040 --> 01:37:43,439
Speaker 1: drinking when Sir ralpers from Queen's. Yeah, Queen's get and

1492
01:37:43,520 --> 01:37:45,479
Speaker 1: we gotta get here his flowers for sure. You gotta

1493
01:37:45,479 --> 01:37:49,679
Speaker 1: go crazy. The first of my soul, Ralph, I fanned out, cheers, guys,

1494
01:37:49,800 --> 01:37:53,600
Speaker 1: and I was like, Uncle Ralph. He looked at me.

1495
01:37:53,680 --> 01:38:01,280
Speaker 1: He was like laugh, said, ship, you do a little

1496
01:38:01,360 --> 01:38:06,160
Speaker 1: dance the whole ship. Yo. He was like, you understand,

1497
01:38:06,200 --> 01:38:07,720
Speaker 1: that's what it's all about. At the end of the day,

1498
01:38:07,880 --> 01:38:11,000
Speaker 1: That's what it's about. Goddamn he getting that feels great. Yeah,

1499
01:38:11,680 --> 01:38:12,960
Speaker 1: this is a great one. I'm going straight to you.

1500
01:38:13,080 --> 01:38:15,040
Speaker 1: Mac now hold, I'm sorry I cut your story off.

1501
01:38:15,080 --> 01:38:17,080
Speaker 1: Finish your stof No. No, he was like, math Holf,

1502
01:38:17,160 --> 01:38:19,400
Speaker 1: I sold you deal with that Irons Solomon situation. I

1503
01:38:19,560 --> 01:38:27,000
Speaker 1: was masterful. I was like, thank you, stand Moca never

1504
01:38:27,040 --> 01:38:33,120
Speaker 1: battle me. He would never battle me. Bro, Why should

1505
01:38:33,120 --> 01:38:36,720
Speaker 1: we finished kreektime and come back to this. Yeah, that's

1506
01:38:36,720 --> 01:38:40,360
Speaker 1: Fritish Creekti House coming back. We are going straight to you,

1507
01:38:40,600 --> 01:38:46,519
Speaker 1: Mecca and Manema bust the rhymes bus bus math. He

1508
01:38:46,560 --> 01:38:50,479
Speaker 1: ain't been on the show yet, dope, but you shout

1509
01:38:50,560 --> 01:38:55,080
Speaker 1: of the South, Okay, So I'm gonna go in with

1510
01:38:55,200 --> 01:39:04,400
Speaker 1: this one. He's never going Now, that's a tough one,

1511
01:39:04,760 --> 01:39:07,280
Speaker 1: you know, um or shout out to both of them.

1512
01:39:08,320 --> 01:39:10,639
Speaker 1: That's a tough one. That's one of those epic ones.

1513
01:39:11,640 --> 01:39:14,920
Speaker 1: You say both you gotta drink, we gotta drink, would say,

1514
01:39:16,320 --> 01:39:20,639
Speaker 1: I would say Eminem, Yeah, yeah, you're the top breaking

1515
01:39:20,760 --> 01:39:30,240
Speaker 1: right now? Wait who is it again? And Buster? Eminem?

1516
01:39:31,400 --> 01:39:34,880
Speaker 1: So three the one. If I could vote, I'm vote Buster.

1517
01:39:35,800 --> 01:39:38,280
Speaker 1: And it's actually easy to vost because because you could

1518
01:39:38,280 --> 01:39:41,080
Speaker 1: say without one, there's no other. But we know Buster.

1519
01:39:41,240 --> 01:39:44,360
Speaker 1: That's right. I'm not gonna lie to hold on real quick. Yes,

1520
01:39:44,400 --> 01:39:49,400
Speaker 1: I'm not gonna lie. That calm down record event to

1521
01:39:50,479 --> 01:39:57,040
Speaker 1: no Buster. The morning was retarded, that I never understood

1522
01:39:57,040 --> 01:39:59,080
Speaker 1: why I should never got no radio plate. That ship

1523
01:39:59,320 --> 01:40:05,439
Speaker 1: was richly hard the real world. Yeah, but when it

1524
01:40:05,520 --> 01:40:10,000
Speaker 1: comes to m being that I'm a battle rapper, yeah

1525
01:40:10,680 --> 01:40:12,200
Speaker 1: and has to be on your shot. Let's move on.

1526
01:40:15,520 --> 01:40:25,519
Speaker 1: He's gonna come here first and then go you know

1527
01:40:28,160 --> 01:40:32,160
Speaker 1: closer in Detroit. We can make mocktails. Bro, We're good.

1528
01:40:33,080 --> 01:40:38,080
Speaker 1: I literally I have this argument with Royce five now

1529
01:40:38,280 --> 01:40:40,240
Speaker 1: all the time. We go back and forth, and I

1530
01:40:40,360 --> 01:40:44,920
Speaker 1: tell him, my guy will scrape your guy, so get

1531
01:40:45,000 --> 01:40:49,080
Speaker 1: your guy. Let's figure it out for versus versus. We

1532
01:40:49,200 --> 01:40:52,920
Speaker 1: were actually the only people that was talking about Eminem

1533
01:40:53,080 --> 01:40:57,400
Speaker 1: versus Buster for for for for the verses. That's hard.

1534
01:40:57,560 --> 01:41:00,800
Speaker 1: I think that would be incredible. I'm sofa the world

1535
01:41:00,840 --> 01:41:07,519
Speaker 1: was stopped that fucking fast and go crazy world. They

1536
01:41:07,640 --> 01:41:09,960
Speaker 1: gotta go back and forth with the buses. The thing

1537
01:41:10,040 --> 01:41:12,280
Speaker 1: about it is and is a beast on stage and

1538
01:41:12,320 --> 01:41:19,120
Speaker 1: he's a beast and lyrics and buses not but bust world.

1539
01:41:19,200 --> 01:41:25,400
Speaker 1: What is the stage again? Nothing like the on stage everything.

1540
01:41:25,520 --> 01:41:31,839
Speaker 1: What he said was what happened. Twisters is the fastest

1541
01:41:31,880 --> 01:41:33,960
Speaker 1: in the in the world record, all right, shout to twist,

1542
01:41:34,080 --> 01:41:35,960
Speaker 1: move on or holding from fish to gains. I think

1543
01:41:36,000 --> 01:41:41,040
Speaker 1: he might have chipped Chip. Gonna go to you back

1544
01:41:41,080 --> 01:41:44,479
Speaker 1: and forth because I know you're gonna let Brooklyn rule,

1545
01:41:44,840 --> 01:41:46,960
Speaker 1: and then I'm going to you because I know you're

1546
01:41:46,960 --> 01:41:54,439
Speaker 1: gonna let queens mp A mob d it depends on

1547
01:41:54,640 --> 01:42:02,760
Speaker 1: what type of activities into That sounds like just say

1548
01:42:02,840 --> 01:42:06,479
Speaker 1: both man, No, we're getting into both got to have

1549
01:42:06,680 --> 01:42:09,560
Speaker 1: it be. How are you going to do this some

1550
01:42:09,720 --> 01:42:13,200
Speaker 1: crazy ship? Um, because the Brooklyn and you ain't going

1551
01:42:13,280 --> 01:42:15,360
Speaker 1: to just let you just walk over and you can't

1552
01:42:15,479 --> 01:42:19,280
Speaker 1: kick him. Bro Brooklyn's gonna be. It's something like a

1553
01:42:19,360 --> 01:42:23,600
Speaker 1: shot to me. And we got a whole got at

1554
01:42:23,640 --> 01:42:27,840
Speaker 1: them both. Yeah yeah, I mean, I mean, don't even bick.

1555
01:42:27,880 --> 01:42:34,479
Speaker 1: Don't killers in a hundred dollar billis it's real? Niggas

1556
01:42:34,600 --> 01:42:37,760
Speaker 1: ain't got no p he's speaking mom d Yeah, come on,

1557
01:42:38,800 --> 01:42:41,280
Speaker 1: I love both of them, but you can't compare and

1558
01:42:41,400 --> 01:42:47,040
Speaker 1: mo pee by the work definitely Okay, that's true. Yeah,

1559
01:42:47,680 --> 01:42:51,599
Speaker 1: bib okay, it sounds like I canna understand. I mean cool,

1560
01:42:52,120 --> 01:42:58,800
Speaker 1: but come on, love we love stop back and forth.

1561
01:42:59,400 --> 01:43:06,599
Speaker 1: Brown's real. Hell, I see fame and BT awards. Man,

1562
01:43:06,680 --> 01:43:09,400
Speaker 1: you guys are looking good. You guys are you know?

1563
01:43:10,160 --> 01:43:12,200
Speaker 1: Famous in the gym every day. I want I want,

1564
01:43:12,280 --> 01:43:13,639
Speaker 1: I want you to know that we want to give

1565
01:43:13,680 --> 01:43:17,519
Speaker 1: you your flowers please please, Um, We're gonna go so

1566
01:43:17,680 --> 01:43:23,920
Speaker 1: hard this year because it's really about those legends that yes,

1567
01:43:24,479 --> 01:43:28,880
Speaker 1: I love you so that's a little I love. Or

1568
01:43:29,080 --> 01:43:30,880
Speaker 1: when they come, they're coming to me first, no problem,

1569
01:43:30,920 --> 01:43:32,960
Speaker 1: I don't mind. I guess what. I'm gonna watch it too.

1570
01:43:33,439 --> 01:43:36,920
Speaker 1: And it was reposted and I don't care. I do

1571
01:43:37,040 --> 01:43:41,120
Speaker 1: the same thing. Yeah, I love major or independent independent

1572
01:43:42,080 --> 01:44:02,240
Speaker 1: Mecca major. I'm making some noise for you the face.

1573
01:44:04,320 --> 01:44:06,479
Speaker 1: I will go independent. But if you're dealing with the

1574
01:44:06,600 --> 01:44:10,200
Speaker 1: right major that you have, you have your own relationship,

1575
01:44:11,040 --> 01:44:14,479
Speaker 1: relationship with major. Okay, that's that's my which is what

1576
01:44:14,560 --> 01:44:17,840
Speaker 1: I've always told that, That's what I've always said. I

1577
01:44:17,920 --> 01:44:20,719
Speaker 1: would state the beauty of independence for the simple fact

1578
01:44:20,800 --> 01:44:25,440
Speaker 1: of when you look at different platforms that are independent,

1579
01:44:25,680 --> 01:44:31,320
Speaker 1: artist wise, podcast wise, Mike's for the p nbing number one. Um,

1580
01:44:34,000 --> 01:44:36,800
Speaker 1: you don't really want nobody over you telling you what

1581
01:44:36,880 --> 01:44:39,640
Speaker 1: to do in any shape, way, shape or form. You

1582
01:44:39,680 --> 01:44:42,160
Speaker 1: won't be able to count count your own dollars with

1583
01:44:42,160 --> 01:44:44,719
Speaker 1: a certain extent. But that's not that's not really control

1584
01:44:44,800 --> 01:44:47,160
Speaker 1: you and control your creative You know what, if you

1585
01:44:47,200 --> 01:44:49,000
Speaker 1: know what, if you have to, if you The perfect

1586
01:44:49,040 --> 01:44:52,519
Speaker 1: way to put this is, I don't think anyone should

1587
01:44:52,560 --> 01:44:56,200
Speaker 1: reach towards the major until you find out what you

1588
01:44:56,240 --> 01:45:00,639
Speaker 1: could do independently, right at first have to be great

1589
01:45:00,720 --> 01:45:03,320
Speaker 1: at being independent so you can take advantage of a

1590
01:45:03,439 --> 01:45:07,559
Speaker 1: major major exactly, so the major doesn't take it smart

1591
01:45:14,160 --> 01:45:25,839
Speaker 1: Ya that truly did? I enjoyed it? Okay? Last question

1592
01:45:26,680 --> 01:45:31,760
Speaker 1: we asked everybody, and this has not been quick, not

1593
01:45:33,040 --> 01:45:42,559
Speaker 1: quick with time. Loyalty or respect loyalty because you can't

1594
01:45:42,720 --> 01:45:48,519
Speaker 1: have loyalty without respect. You can't. You can respect somebody

1595
01:45:48,560 --> 01:45:50,640
Speaker 1: and you can stab him in the back, that's how

1596
01:45:50,720 --> 01:45:53,400
Speaker 1: much you respect him, you know what I mean? Like, Oh,

1597
01:45:53,520 --> 01:45:55,840
Speaker 1: this motherfucker, No, he's gonna tear me up. I'm gonna

1598
01:45:55,880 --> 01:45:57,240
Speaker 1: stab him in the bag, you know what I mean.

1599
01:45:57,520 --> 01:46:05,519
Speaker 1: But when you got loyalty, that's everything, that's everything. Loyalty

1600
01:46:05,680 --> 01:46:13,559
Speaker 1: creates kingdoms, it creates countries, that creates movements. Respect it's

1601
01:46:13,600 --> 01:46:17,599
Speaker 1: a part of loyalty. It falls under the umbrella. HM.

1602
01:46:18,560 --> 01:46:23,760
Speaker 1: So I'm going respect because I've never been able to

1603
01:46:23,840 --> 01:46:27,000
Speaker 1: be loyal to anybody I didn't respect. Ever, I've never

1604
01:46:27,080 --> 01:46:29,320
Speaker 1: been able to If if I can't respect what you do,

1605
01:46:29,479 --> 01:46:31,840
Speaker 1: how you treat people, how you how you act, can't

1606
01:46:31,880 --> 01:46:34,960
Speaker 1: be loyal. But doesn't that mean that to be loyal

1607
01:46:35,040 --> 01:46:37,840
Speaker 1: to someone you have to respect them to to I

1608
01:46:37,960 --> 01:46:40,640
Speaker 1: can't I cannot be loyal to someone I don't. But

1609
01:46:40,920 --> 01:46:43,360
Speaker 1: there are people you respect that you you're not loyal to.

1610
01:46:43,880 --> 01:46:46,280
Speaker 1: I don't have any I don't have any ties to them.

1611
01:46:46,400 --> 01:46:47,600
Speaker 1: Let me let me say Let let me say it

1612
01:46:47,640 --> 01:46:50,240
Speaker 1: this way. First of all, like I respect Shorty's had,

1613
01:46:51,280 --> 01:46:59,360
Speaker 1: but I ain't like I don't think I don't. I mean,

1614
01:46:59,439 --> 01:47:06,920
Speaker 1: I don't spect that quality. But that is not what

1615
01:47:07,000 --> 01:47:09,760
Speaker 1: you're doing. I like you like the head, you don't

1616
01:47:09,800 --> 01:47:12,280
Speaker 1: respect it, you like it, I respect you like it.

1617
01:47:12,479 --> 01:47:15,120
Speaker 1: You might even love it. However, again, I've never been

1618
01:47:15,160 --> 01:47:17,519
Speaker 1: able to show loyalty to somebody I didn't respect. If

1619
01:47:17,520 --> 01:47:20,360
Speaker 1: you're doing ship that I can't respect, did disrespectful ship

1620
01:47:20,920 --> 01:47:23,000
Speaker 1: or ship that I that I don't see. If you're

1621
01:47:23,000 --> 01:47:26,439
Speaker 1: not an upstanding just being a fun boy and ship,

1622
01:47:26,600 --> 01:47:28,439
Speaker 1: I can't be loyal to that because I don't respect you.

1623
01:47:28,520 --> 01:47:30,240
Speaker 1: I don't respect what you do. If I see, okay,

1624
01:47:30,479 --> 01:47:32,519
Speaker 1: if I see you treat somebody close to you really

1625
01:47:32,600 --> 01:47:35,680
Speaker 1: really fucked up, I'm gonna be loyal to that, all right.

1626
01:47:35,880 --> 01:47:39,960
Speaker 1: So so so so when a little uh the flowers,

1627
01:47:43,360 --> 01:47:47,360
Speaker 1: when somebody who's stepping into the podcast and they're really

1628
01:47:47,400 --> 01:47:49,760
Speaker 1: in the dirty section of YouTube, right, hey, man, get

1629
01:47:49,800 --> 01:47:52,880
Speaker 1: your life together. They're really in a dirty sextion the

1630
01:47:52,960 --> 01:47:56,720
Speaker 1: YouTube and they start ticking shots, the filthy shots. They

1631
01:47:56,800 --> 01:47:58,400
Speaker 1: want to get dirty, so they're gonna be like, yo,

1632
01:47:58,520 --> 01:48:02,720
Speaker 1: may make kids this mecha's that you could respect it,

1633
01:48:03,280 --> 01:48:05,720
Speaker 1: but that don't mean that they can't you pop it

1634
01:48:05,760 --> 01:48:11,280
Speaker 1: ship that about that means a martial artists. Did you

1635
01:48:11,360 --> 01:48:16,599
Speaker 1: know that he looked he gonna kick somebody. I'm trying

1636
01:48:16,640 --> 01:48:19,320
Speaker 1: to get this thing to do around household camera forever

1637
01:48:22,400 --> 01:48:28,120
Speaker 1: one time? How about you loyal to your respect with

1638
01:48:28,240 --> 01:48:33,000
Speaker 1: respect respect? Yeah, and the reason why I go respect

1639
01:48:33,080 --> 01:48:37,519
Speaker 1: something slightly similar to what Maca said, so but a

1640
01:48:37,600 --> 01:48:40,240
Speaker 1: little different. I could be loyal to something that I

1641
01:48:40,320 --> 01:48:43,240
Speaker 1: don't respect. It could start out the same way and

1642
01:48:43,320 --> 01:48:47,479
Speaker 1: they are very similar. But at some point someone could

1643
01:48:47,479 --> 01:48:50,280
Speaker 1: be loyal to you that have lawyer's respect for you.

1644
01:48:50,960 --> 01:48:55,400
Speaker 1: How how can you be because I respect if I

1645
01:48:55,439 --> 01:48:57,040
Speaker 1: don't respect you, I'm not. I don't have to be

1646
01:48:57,160 --> 01:49:00,840
Speaker 1: loyal to you. That to eat that every conforms you

1647
01:49:01,320 --> 01:49:03,840
Speaker 1: to stay loyal if you don't respect them. Because a

1648
01:49:03,880 --> 01:49:05,960
Speaker 1: lot of people money, a lot of people are loyal

1649
01:49:06,120 --> 01:49:09,679
Speaker 1: to the opportunity and not the person. That's why I'm different.

1650
01:49:10,040 --> 01:49:11,800
Speaker 1: I don't give a funk how much money you but

1651
01:49:12,080 --> 01:49:13,880
Speaker 1: but you would you give it to me if I

1652
01:49:13,880 --> 01:49:16,920
Speaker 1: don't respect your don't respect you? Simple and can you

1653
01:49:17,040 --> 01:49:21,479
Speaker 1: even describe that as loyalty? Though? Sure? No, no, no,

1654
01:49:21,800 --> 01:49:24,599
Speaker 1: it's how you know, even in this business we wanted

1655
01:49:24,640 --> 01:49:33,040
Speaker 1: to don't have to be as complicated as we make

1656
01:49:33,080 --> 01:49:37,720
Speaker 1: it been. And wives get married every day. That's the

1657
01:49:37,840 --> 01:49:41,160
Speaker 1: same exact thing. Somewhere on the line. Your husband or

1658
01:49:41,200 --> 01:49:45,599
Speaker 1: your wife is gonna watch you and according to your ways,

1659
01:49:45,720 --> 01:49:48,800
Speaker 1: your characteristics and things that you show them, they could

1660
01:49:48,840 --> 01:49:51,639
Speaker 1: lose respect for you, but they are going to stay

1661
01:49:51,800 --> 01:49:54,760
Speaker 1: loyal to you because of whose they are. So you're

1662
01:49:54,760 --> 01:50:00,280
Speaker 1: picking loyalty. No, no, no, it's respect. He's staying Which

1663
01:50:00,360 --> 01:50:05,439
Speaker 1: one do you more? It's respect because someone who respects you,

1664
01:50:06,800 --> 01:50:10,920
Speaker 1: it's gonna be lower you to you come someone who

1665
01:50:11,040 --> 01:50:13,880
Speaker 1: respects you going to be lawyer to you. That's when

1666
01:50:13,920 --> 01:50:16,479
Speaker 1: it comes in thesane. But someone who is lawing you

1667
01:50:16,560 --> 01:50:19,640
Speaker 1: to you don't have to respect you. People get up

1668
01:50:19,640 --> 01:50:22,519
Speaker 1: and go to a job every day that they're lawyering

1669
01:50:22,560 --> 01:50:25,720
Speaker 1: you too, and be like, fuck this job and don't

1670
01:50:25,800 --> 01:50:28,560
Speaker 1: respect the job. But there I'm lawyer you said the

1671
01:50:28,680 --> 01:50:41,560
Speaker 1: job I want respect, we give it to you. I

1672
01:50:41,680 --> 01:50:48,040
Speaker 1: taking a shot this job. I got fired from every

1673
01:50:48,120 --> 01:50:50,400
Speaker 1: job I was ever. Let me taking a show that

1674
01:50:50,439 --> 01:50:55,880
Speaker 1: I'll taking a shot, and now you lower your respect.

1675
01:50:56,760 --> 01:51:02,479
Speaker 1: So I'm gonna say respect, right, Okay, So I'm going

1676
01:51:02,560 --> 01:51:07,120
Speaker 1: by I'm going by the dictionary version, right, the dictionary

1677
01:51:07,200 --> 01:51:13,439
Speaker 1: version of respected. Yeah. The foundation Google, So it's not

1678
01:51:13,640 --> 01:51:18,800
Speaker 1: just respect is a feeling of deep admiration for someone

1679
01:51:19,080 --> 01:51:24,120
Speaker 1: or something elicited by their abilities, qualities, or achievements. And

1680
01:51:24,200 --> 01:51:27,880
Speaker 1: what's the loyal to? Loyal ti means a strong feeling

1681
01:51:28,000 --> 01:51:31,400
Speaker 1: of support or allegiance. That's it. That's as far as

1682
01:51:31,439 --> 01:51:42,240
Speaker 1: to go the dictionary. At first, you know, you know

1683
01:51:42,360 --> 01:51:45,280
Speaker 1: it is amongst us. But my thing is, at first

1684
01:51:45,320 --> 01:51:47,640
Speaker 1: I was in agreeance with math. I'm like, yeah, loyal t.

1685
01:51:48,160 --> 01:51:50,120
Speaker 1: You know I'm saying my wife is loyal, my fiance

1686
01:51:50,320 --> 01:51:52,439
Speaker 1: is loyal to? Right, put me down my whole bit,

1687
01:51:53,000 --> 01:51:57,680
Speaker 1: you know what I'm saying. But does respect makes out

1688
01:51:57,720 --> 01:52:01,360
Speaker 1: of mouth? But where's the respect? That? Don't you respected

1689
01:52:01,479 --> 01:52:06,280
Speaker 1: me personal? Right now? But that's because he used the

1690
01:52:06,360 --> 01:52:10,400
Speaker 1: example and I got to ask the question, does with

1691
01:52:10,680 --> 01:52:17,080
Speaker 1: respect stop you from stitching? Wait? What does respect stop

1692
01:52:17,120 --> 01:52:21,599
Speaker 1: you from stitching? Code? Does respect stop you from snitching?

1693
01:52:21,720 --> 01:52:26,640
Speaker 1: Or does loyalty stop you from snitching? Respect for the bro?

1694
01:52:26,760 --> 01:52:29,800
Speaker 1: Because if I which one with me? Which one is

1695
01:52:29,840 --> 01:52:33,160
Speaker 1: in the lead to you? That's all I'm saying. Hold

1696
01:52:33,200 --> 01:52:40,479
Speaker 1: on all right, give you a good example, right? If

1697
01:52:40,560 --> 01:52:43,160
Speaker 1: I respect every man in this room, I don't know

1698
01:52:43,280 --> 01:52:46,599
Speaker 1: everybody in this room. Respect back, y'all brothers. I respect

1699
01:52:46,680 --> 01:52:50,960
Speaker 1: everything y'all doing because y'all showed results, right, I've done

1700
01:52:51,040 --> 01:52:53,400
Speaker 1: things that I have not done yet. I'm still learning,

1701
01:52:53,840 --> 01:52:57,280
Speaker 1: and y'all have set the standard you right, I respect

1702
01:52:57,400 --> 01:53:01,000
Speaker 1: that and my loyalty to you don't know what you

1703
01:53:01,040 --> 01:53:06,280
Speaker 1: don't know us, right. That's so here's where I'm going. Um,

1704
01:53:07,439 --> 01:53:12,280
Speaker 1: People fuck up, People fuck up, right up people, and

1705
01:53:12,439 --> 01:53:16,679
Speaker 1: sometimes you don't respect the funk up. But staying loyal

1706
01:53:18,520 --> 01:53:23,360
Speaker 1: that's more important. Bro, People fuck up. If people fuck

1707
01:53:23,479 --> 01:53:27,760
Speaker 1: up that somebody sucks up once and your loyalties out,

1708
01:53:27,760 --> 01:53:29,920
Speaker 1: you would never really loyal. But but can you can

1709
01:53:29,960 --> 01:53:32,680
Speaker 1: you respect the funk up? I can? Of course you

1710
01:53:32,720 --> 01:53:39,640
Speaker 1: can respect the fun How fu U I got? If you?

1711
01:53:39,840 --> 01:53:41,720
Speaker 1: If you lose respect with me because I'm funked up,

1712
01:53:41,720 --> 01:53:44,479
Speaker 1: I'm flawless. Of course I respect. I respect the fact.

1713
01:53:44,479 --> 01:53:49,960
Speaker 1: That's what I say loyalty because nobody's perfect. I'm like,

1714
01:53:50,080 --> 01:53:56,040
Speaker 1: funk up loyalty to me, all right, exactly. But I

1715
01:53:56,120 --> 01:54:02,280
Speaker 1: won't lose right at four in the morning when I'm

1716
01:54:02,280 --> 01:54:04,960
Speaker 1: twisting coming out the club and ship that I'm doing

1717
01:54:05,200 --> 01:54:07,960
Speaker 1: is just still respect you. I just mean your mother.

1718
01:54:08,600 --> 01:54:12,679
Speaker 1: I'll still judge, yeah, but I respect. What I'm saying

1719
01:54:12,760 --> 01:54:15,240
Speaker 1: is that I don't think you can you can separate

1720
01:54:15,320 --> 01:54:18,400
Speaker 1: the two now, you can't separate. That's that's why we

1721
01:54:18,439 --> 01:54:20,960
Speaker 1: asked this question. It is because to us, to me

1722
01:54:21,080 --> 01:54:24,040
Speaker 1: at E f N, that's the only time you should drink.

1723
01:54:24,200 --> 01:54:26,960
Speaker 1: It's just say it should always it should be handing

1724
01:54:27,000 --> 01:54:31,240
Speaker 1: hand to us. I can dig it. There's respect that answer.

1725
01:54:31,400 --> 01:54:36,880
Speaker 1: There's no real there's no real respect without lawyer. I

1726
01:54:37,040 --> 01:54:38,720
Speaker 1: get it. I get it. You could have respect from

1727
01:54:38,760 --> 01:54:42,560
Speaker 1: a distance to an adversary that you say, damn, that

1728
01:54:42,680 --> 01:54:45,440
Speaker 1: dude is fucking wild, but I respect his game, But

1729
01:54:45,640 --> 01:54:48,800
Speaker 1: is that really respect? That goes back to the whole

1730
01:54:48,920 --> 01:54:52,000
Speaker 1: editing thing too. Right, So like you have a loyal

1731
01:54:52,080 --> 01:54:54,040
Speaker 1: t to a buster, you have a loyal t toward

1732
01:54:54,120 --> 01:54:57,360
Speaker 1: fat Joe, right, and I'm gonna keep it. Mecca doesn't

1733
01:54:57,400 --> 01:54:59,920
Speaker 1: have a certain loyalty because when it comes to work,

1734
01:55:00,520 --> 01:55:02,600
Speaker 1: it's work. I'm not a fan of your work. I'm

1735
01:55:02,640 --> 01:55:08,520
Speaker 1: here to do a job. Loyalty, your loyal to the job. Respect.

1736
01:55:09,800 --> 01:55:12,440
Speaker 1: But he respects the morality or the or the guidelines

1737
01:55:12,480 --> 01:55:15,480
Speaker 1: of that job. There's a code that comes with that respecting.

1738
01:55:15,760 --> 01:55:17,760
Speaker 1: And that's why I won't tell due to loyalty. Bro,

1739
01:55:18,200 --> 01:55:24,560
Speaker 1: But it's it's both. Listen, man telling me, don't tell

1740
01:55:27,160 --> 01:55:36,120
Speaker 1: without a reason. Salute no goddamn reason. Oh, I gotta

1741
01:55:36,160 --> 01:55:41,400
Speaker 1: say it is not so loud. I'm gonna tell you whatever.

1742
01:55:41,480 --> 01:55:43,640
Speaker 1: This is right here. This ship is smooth and I'm

1743
01:55:43,680 --> 01:55:48,720
Speaker 1: not even drunk. Let me ask all the quart for

1744
01:55:48,840 --> 01:55:54,720
Speaker 1: those that believe in the creator? Okay, which one? Which?

1745
01:55:56,000 --> 01:56:01,280
Speaker 1: That's why I made that, bro, You know, um to

1746
01:56:01,360 --> 01:56:04,280
Speaker 1: speak to those schools believe in different things. What would

1747
01:56:04,320 --> 01:56:11,840
Speaker 1: you think your creative would loyalty or respect? And this

1748
01:56:12,040 --> 01:56:15,240
Speaker 1: is why I was right. I think it would always

1749
01:56:15,240 --> 01:56:20,520
Speaker 1: be loyalty. You think your creator will want loyalty, So

1750
01:56:20,720 --> 01:56:23,360
Speaker 1: then if that is the case, if he want loyalty,

1751
01:56:23,480 --> 01:56:30,240
Speaker 1: why wouldn't he just made everybody to be loyal If

1752
01:56:30,240 --> 01:56:32,280
Speaker 1: he made us to be loyal, we wouldn't be asking

1753
01:56:32,320 --> 01:56:36,400
Speaker 1: this question. Wants us to be laying our own accord.

1754
01:56:37,120 --> 01:56:41,000
Speaker 1: He said, motherfucker you better just because how how does

1755
01:56:41,040 --> 01:56:46,320
Speaker 1: a person become lawyeral you? I think we're I think

1756
01:56:46,360 --> 01:56:50,920
Speaker 1: we're chasing our tails at this point. Absolutely not, absolutely not.

1757
01:56:51,160 --> 01:56:55,520
Speaker 1: The point that's being made is that the Creator wants

1758
01:56:55,600 --> 01:56:59,480
Speaker 1: you to respect him. If he wanted you to be

1759
01:56:59,640 --> 01:57:01,680
Speaker 1: lawyer you, he would have just made you lower you

1760
01:57:01,800 --> 01:57:03,640
Speaker 1: in a road by he puts you in life to

1761
01:57:03,840 --> 01:57:07,800
Speaker 1: understand or also everything that you go through in life.

1762
01:57:07,960 --> 01:57:11,080
Speaker 1: But that's assuming the Creator. I want you to believe

1763
01:57:11,120 --> 01:57:13,800
Speaker 1: in one God and one God only. That's kind of

1764
01:57:13,840 --> 01:57:16,920
Speaker 1: a really selfish name. But we we we're saying that's

1765
01:57:16,920 --> 01:57:19,440
Speaker 1: on the premise that the Creator is saying that respect

1766
01:57:19,600 --> 01:57:23,600
Speaker 1: and loyalty is a thing. The Creator might not think

1767
01:57:23,680 --> 01:57:26,200
Speaker 1: that this is the thing. If you're dealing with with

1768
01:57:26,920 --> 01:57:30,960
Speaker 1: the creative. The scripture it actually speaks so no, okay, Well,

1769
01:57:31,000 --> 01:57:34,320
Speaker 1: that's why I said, which creator? Each religion has that

1770
01:57:35,240 --> 01:57:37,400
Speaker 1: with your god? You know what I'm saying, whichever God?

1771
01:57:37,520 --> 01:57:40,320
Speaker 1: That That's why I asked you specifically, what if we're

1772
01:57:40,360 --> 01:57:45,280
Speaker 1: talking biblical thing? Yes, I understand from change the subject

1773
01:57:45,320 --> 01:57:53,880
Speaker 1: for us, murder mock you murder muck no, because that

1774
01:57:53,960 --> 01:57:59,920
Speaker 1: will be spoke for me. I'll be points sure, brom.

1775
01:58:00,520 --> 01:58:04,440
Speaker 1: From the beginning of this ship, y'all, like I'm I

1776
01:58:04,600 --> 01:58:10,680
Speaker 1: was the realest nigger in this ship. I need you

1777
01:58:10,800 --> 01:58:15,720
Speaker 1: to know what was going on. I would like to battle.

1778
01:58:15,800 --> 01:58:23,240
Speaker 1: Rap was cool until math came. It was cool. Yeah,

1779
01:58:24,440 --> 01:58:27,720
Speaker 1: Oh that's cute. They're dissing each other. That's cute. When

1780
01:58:28,160 --> 01:58:32,160
Speaker 1: when I came on and serious, it was intense. It

1781
01:58:32,400 --> 01:58:35,360
Speaker 1: was what are they gonna talk about? Who are you going,

1782
01:58:36,520 --> 01:58:39,040
Speaker 1: what's gonna be revealed? What's gonna be you know what

1783
01:58:39,080 --> 01:58:44,800
Speaker 1: I mean? Became something else. And as much as you know,

1784
01:58:45,240 --> 01:58:47,720
Speaker 1: shout out the move for for his contributory to the

1785
01:58:47,800 --> 01:58:52,280
Speaker 1: culture and how he still you know, it's control of

1786
01:58:52,360 --> 01:58:57,040
Speaker 1: that area. But bro, see this battle recently. If you

1787
01:58:57,160 --> 01:59:02,360
Speaker 1: don't believe what the nigg is saying, it's just entertainment.

1788
01:59:03,160 --> 01:59:07,320
Speaker 1: But when you believe, no, that nigga really do that ship,

1789
01:59:08,440 --> 01:59:13,240
Speaker 1: it's different. You feel the pressure. You feel the pressure.

1790
01:59:13,400 --> 01:59:16,760
Speaker 1: You did what I'm saying, And that's why I like,

1791
01:59:17,640 --> 01:59:22,560
Speaker 1: I feel like, That's why I feel like nothing nigga

1792
01:59:22,600 --> 01:59:28,080
Speaker 1: would funk with me period ever in life, in life,

1793
01:59:28,160 --> 01:59:30,000
Speaker 1: you know what you gotta you gotta think about something, Bro,

1794
01:59:30,480 --> 01:59:35,000
Speaker 1: I'm thinking about it, right, I've looked at baddle rap right,

1795
01:59:35,760 --> 01:59:44,160
Speaker 1: I'm a jail nigger. I'm the resident jailologist. I'm the

1796
01:59:44,200 --> 01:59:50,760
Speaker 1: resident jailologists right. Unfortunately, but when you look at if

1797
01:59:50,800 --> 01:59:55,480
Speaker 1: you look at results, you look at results in comparison

1798
01:59:55,600 --> 02:00:00,480
Speaker 1: to what was happening at the time, then you can

1799
02:00:00,560 --> 02:00:04,720
Speaker 1: make a sound decision on your own. Look at the results.

1800
02:00:04,800 --> 02:00:10,400
Speaker 1: Look at the escalation of ship. Right. Let this factually fun? Funk?

1801
02:00:10,400 --> 02:00:12,040
Speaker 1: How I feel fun that I'm not trying. I'm not

1802
02:00:12,120 --> 02:00:15,480
Speaker 1: being biased because I work with math. No, look at

1803
02:00:15,520 --> 02:00:19,360
Speaker 1: the results, So why didn't date them about it? Is

1804
02:00:19,400 --> 02:00:24,200
Speaker 1: just scared and elevated? He elevated, b know while I

1805
02:00:24,360 --> 02:00:30,960
Speaker 1: was there, it was scared. When I left, I monitor funk.

1806
02:00:31,000 --> 02:00:34,920
Speaker 1: I need to hold another frequency, bro. Yeah, it's definitely

1807
02:00:35,600 --> 02:00:43,600
Speaker 1: it's definitely much understand what is gonna happen. It's not

1808
02:00:43,640 --> 02:00:46,800
Speaker 1: gonna happen. Bro a garanteam so y'all spoke y'all, y'all

1809
02:00:46,840 --> 02:00:49,040
Speaker 1: like y'all was in like because yeah, he was on

1810
02:00:49,120 --> 02:00:53,000
Speaker 1: the show. Yes to the side of said it's not

1811
02:00:53,080 --> 02:00:57,400
Speaker 1: gonna happen. It's not gonna happen, not because of you.

1812
02:00:58,960 --> 02:01:01,760
Speaker 1: That it's never been Yo. I stepped into the ship.

1813
02:01:02,240 --> 02:01:06,640
Speaker 1: I stepped into the ship calling yeah, t Rex that

1814
02:01:06,800 --> 02:01:09,200
Speaker 1: and that was the start of your roll. So every

1815
02:01:09,360 --> 02:01:11,280
Speaker 1: everything that you see, as far as you are, roll

1816
02:01:11,360 --> 02:01:15,080
Speaker 1: and Smacking or that started with me and t Rex.

1817
02:01:16,520 --> 02:01:19,720
Speaker 1: If we didn't hit, if we didn't do four million

1818
02:01:19,840 --> 02:01:24,200
Speaker 1: views on World Star in two days, that might not exist.

1819
02:01:24,880 --> 02:01:26,520
Speaker 1: But shout out to Smack because he gave me a

1820
02:01:26,600 --> 02:01:29,760
Speaker 1: look before that, you know what I mean. Shout out

1821
02:01:29,760 --> 02:01:34,440
Speaker 1: to t Rex also. But it's just different when the

1822
02:01:34,560 --> 02:01:39,760
Speaker 1: nigga damn, how can I put it? If murder mucus

1823
02:01:39,760 --> 02:01:44,960
Speaker 1: Floyd Maywether, who are you in batagraph? If murder much

1824
02:01:45,160 --> 02:01:54,440
Speaker 1: is Floyd Mayweather? Horma Muhammad Ali? I'm a Hummed Ali

1825
02:01:56,200 --> 02:02:06,280
Speaker 1: to that. But but but there's a difference between the

1826
02:02:06,400 --> 02:02:09,080
Speaker 1: nigger who made the most bread and the nigger who

1827
02:02:09,160 --> 02:02:12,840
Speaker 1: stood for something and change people's perceptions on how to

1828
02:02:12,920 --> 02:02:15,360
Speaker 1: view life. Is that murder book who made the most bread?

1829
02:02:15,440 --> 02:02:17,800
Speaker 1: I don't. I would say so, I would say as

1830
02:02:17,840 --> 02:02:20,600
Speaker 1: far as like the Battle Rappers, but then you know,

1831
02:02:20,880 --> 02:02:23,920
Speaker 1: unfortunately the way battle rappers. Structured Cassidy might have made

1832
02:02:24,040 --> 02:02:27,320
Speaker 1: more more bread than you do. What I'm saying, But

1833
02:02:28,440 --> 02:02:31,840
Speaker 1: when you think about people who change your perception on life,

1834
02:02:33,760 --> 02:02:40,760
Speaker 1: that's math period, results, period, results, period, the rest, a

1835
02:02:40,800 --> 02:02:45,800
Speaker 1: piece of backsteps, the piece backstairs. Even look at Noory

1836
02:02:46,000 --> 02:02:50,480
Speaker 1: right now. You're not a bad rapper. You're not a rapper.

1837
02:02:50,600 --> 02:02:55,400
Speaker 1: But when on the track, niggas, yeah, really do that?

1838
02:02:55,560 --> 02:02:58,880
Speaker 1: Should it hit different? And you want to make it

1839
02:02:58,920 --> 02:03:02,880
Speaker 1: this y'all spray you what the forty is? But but

1840
02:03:03,040 --> 02:03:07,600
Speaker 1: you know what I was saying was like back in

1841
02:03:07,680 --> 02:03:14,680
Speaker 1: the day when you said I'm from well Hope, you

1842
02:03:14,720 --> 02:03:17,840
Speaker 1: said couldn't talk about it, FI live it. That was

1843
02:03:18,120 --> 02:03:22,840
Speaker 1: real for me. That's the vibe. So when niget stand

1844
02:03:22,920 --> 02:03:25,360
Speaker 1: in front of me and they say all types of

1845
02:03:25,480 --> 02:03:29,120
Speaker 1: ridiculous ship and I know, like, come on, my nigger,

1846
02:03:29,160 --> 02:03:33,320
Speaker 1: I'll put your call over your head. Stop it right now. Yeah,

1847
02:03:34,360 --> 02:03:36,520
Speaker 1: shut up, shut up? You know what I mean? Like

1848
02:03:37,320 --> 02:03:41,840
Speaker 1: stop stop? It's different? When when when it think about

1849
02:03:41,880 --> 02:03:48,280
Speaker 1: a fictional movie and uh an auto biography biography biography movie,

1850
02:03:49,600 --> 02:03:55,360
Speaker 1: you know that story is real. It's different. It hit different? Snack,

1851
02:03:55,440 --> 02:03:59,440
Speaker 1: Really did this ship hit different? You think what I'm saying,

1852
02:03:59,480 --> 02:04:04,160
Speaker 1: like watching Alcomex will always be better than watching Indiocracy

1853
02:04:04,480 --> 02:04:14,600
Speaker 1: exactly exactly killed that you did, you mean ominous. If

1854
02:04:14,680 --> 02:04:17,680
Speaker 1: you want to know how dumb we are, watch Idiocracy.

1855
02:04:18,400 --> 02:04:21,280
Speaker 1: Have you ever seen this movie? Ye? This movie ever,

1856
02:04:21,560 --> 02:04:23,960
Speaker 1: I feel like and it shows us exactly what we're doing.

1857
02:04:24,600 --> 02:04:27,400
Speaker 1: It said that the more technology we get, the dumber

1858
02:04:27,640 --> 02:04:30,920
Speaker 1: that we actually get. These motherfucker's. It's just like it's

1859
02:04:30,960 --> 02:04:35,320
Speaker 1: like the year twenty seventies seven, right, and everybody it

1860
02:04:35,440 --> 02:04:40,880
Speaker 1: was drinking gatorade replaced with gatorade. They're trying to you're

1861
02:04:40,880 --> 02:04:46,520
Speaker 1: trying to hold the plants with malta. Dude, ridiculous powers.

1862
02:04:47,600 --> 02:04:54,120
Speaker 1: Sid there's a wrestler as president and all that ship

1863
02:04:55,520 --> 02:04:59,200
Speaker 1: and he had a Spanish last name and he was black.

1864
02:05:03,680 --> 02:05:07,360
Speaker 1: But that's what I'm saying, Like it's wrestling when they

1865
02:05:07,720 --> 02:05:10,560
Speaker 1: no reality. There's just wrestling, you know what I mean?

1866
02:05:10,760 --> 02:05:13,480
Speaker 1: And if we all love wrestling, but at some age

1867
02:05:13,520 --> 02:05:16,160
Speaker 1: you realize, you know, he's not really punching that nigger,

1868
02:05:16,760 --> 02:05:19,760
Speaker 1: you know what I mean, Like Santa Claus, right, But

1869
02:05:19,920 --> 02:05:23,560
Speaker 1: my my question to you know he is you understand

1870
02:05:23,600 --> 02:05:27,560
Speaker 1: the process of evolution? Yes? Right? You evolved in many

1871
02:05:27,600 --> 02:05:34,720
Speaker 1: different ways. It's right. So when you talk about when

1872
02:05:34,720 --> 02:05:38,760
Speaker 1: you when you talk about two different people, totally different people,

1873
02:05:39,320 --> 02:05:41,040
Speaker 1: and then you like, again, you look at the results,

1874
02:05:41,080 --> 02:05:44,840
Speaker 1: you look at the evolution. You're a fact minded guy.

1875
02:05:45,800 --> 02:05:48,280
Speaker 1: You know what it is. Yeah, you know what it is.

1876
02:05:48,400 --> 02:05:51,520
Speaker 1: Don't we talk about the murder mook. That's what we're

1877
02:05:51,520 --> 02:05:57,640
Speaker 1: talking about. It's no battle. The point is that evolution

1878
02:05:58,280 --> 02:06:00,680
Speaker 1: there's starting. There's certain things you just can't say yes

1879
02:06:00,720 --> 02:06:04,120
Speaker 1: too because you know, what's a l You just can't

1880
02:06:04,440 --> 02:06:09,480
Speaker 1: broad Why am I gonna say yes to that? What

1881
02:06:13,560 --> 02:06:16,200
Speaker 1: I'm just saying. But but but I don't feel like

1882
02:06:16,280 --> 02:06:18,680
Speaker 1: we should put people under the pressure of like you're

1883
02:06:18,760 --> 02:06:24,760
Speaker 1: just running towards that else. You don't need to do that. No, No, realistically,

1884
02:06:24,840 --> 02:06:27,320
Speaker 1: don't don't put people in that position. Don't make them

1885
02:06:27,400 --> 02:06:39,880
Speaker 1: desperate because they don't go sw what's the next question?

1886
02:06:42,400 --> 02:06:45,000
Speaker 1: I just go to the next No, I would love

1887
02:06:45,080 --> 02:06:51,480
Speaker 1: to see it. That's that's met together awesome the way

1888
02:06:51,520 --> 02:06:54,800
Speaker 1: I put it together. There might be six niggers in

1889
02:06:54,840 --> 02:07:01,040
Speaker 1: the world. It's gonna be like, sure, that's what it.

1890
02:07:01,400 --> 02:07:03,640
Speaker 1: That's that's exciting. Like me. But I'll tell you what,

1891
02:07:03,840 --> 02:07:08,680
Speaker 1: Like I am Solomon, but take both of your battles both.

1892
02:07:09,600 --> 02:07:13,160
Speaker 1: Solomon was the eminem. Let's just be clear before you

1893
02:07:13,640 --> 02:07:16,880
Speaker 1: move battle them. And he was the eminem and I was.

1894
02:07:17,680 --> 02:07:22,400
Speaker 1: But by the way, washing everybody, everybody. I couldn't believe

1895
02:07:22,440 --> 02:07:25,280
Speaker 1: it right now, who'll be e solom at first? You

1896
02:07:25,440 --> 02:07:32,200
Speaker 1: mean me? You know what, Here's a line from that battle.

1897
02:07:32,440 --> 02:07:34,800
Speaker 1: He no thug, you know me from his people's club

1898
02:07:34,960 --> 02:07:37,800
Speaker 1: because I don't fu niggers up outside of EEO dub.

1899
02:07:38,520 --> 02:07:42,040
Speaker 1: And he moved that, and the people standing with him

1900
02:07:42,160 --> 02:07:52,520
Speaker 1: moved that. You did what I'm saying right, good one

1901
02:07:53,160 --> 02:07:58,200
Speaker 1: gotta be hype man this ship. Oh, I wasn't mean

1902
02:07:58,840 --> 02:08:01,440
Speaker 1: niggers relate to you because as you really was like that. Yes,

1903
02:08:02,000 --> 02:08:04,280
Speaker 1: I am not no more. I know that. I know that,

1904
02:08:04,680 --> 02:08:06,320
Speaker 1: you know that, we know that. You know We're not

1905
02:08:06,400 --> 02:08:14,320
Speaker 1: gonna lie. Now, brothers, I'm gonna be honest. Sean Bigger,

1906
02:08:14,840 --> 02:08:20,360
Speaker 1: Um Champ math Mecca, I'm going back us at the bathroom.

1907
02:08:20,800 --> 02:08:23,200
Speaker 1: What you're doing is remarkable. What you're doing is taking

1908
02:08:23,200 --> 02:08:26,760
Speaker 1: barber shop talk, yeah, really making it world health hunts

1909
02:08:26,760 --> 02:08:29,640
Speaker 1: a little, really making it worldwide. I just want to

1910
02:08:29,640 --> 02:08:36,160
Speaker 1: salute your brothers. I want to tell y'all continue, continue

1911
02:08:36,200 --> 02:08:38,320
Speaker 1: to do your thing, but I also want to tell

1912
02:08:38,360 --> 02:08:41,920
Speaker 1: you I'll protect your energy. M hmm, because the bigger

1913
02:08:42,000 --> 02:08:47,160
Speaker 1: you get, the more people are gonna want to spread

1914
02:08:47,240 --> 02:08:52,640
Speaker 1: false narratives around it, and they're gonna start using and

1915
02:08:52,800 --> 02:08:56,480
Speaker 1: everyone is not to be used, and everyone shouldn't have

1916
02:08:56,640 --> 02:08:59,920
Speaker 1: the platform. So being careful, like it's a learning lesson,

1917
02:09:01,360 --> 02:09:03,880
Speaker 1: and I have nothing wrong to say about any artists,

1918
02:09:03,920 --> 02:09:06,920
Speaker 1: but sometimes you gotta like sit back and say, you

1919
02:09:06,960 --> 02:09:09,800
Speaker 1: know what, if I do this, I know what this

1920
02:09:09,920 --> 02:09:16,600
Speaker 1: result is gonna lead to, and I know the intention

1921
02:09:16,720 --> 02:09:20,200
Speaker 1: of the That's the best thing I'm trying to tell

1922
02:09:20,240 --> 02:09:21,680
Speaker 1: us to my friends on the time. The best things

1923
02:09:21,760 --> 02:09:25,800
Speaker 1: I ever had his relationships, and the best thing I

1924
02:09:25,880 --> 02:09:32,400
Speaker 1: ever did was always make friends first, then business partners.

1925
02:09:33,520 --> 02:09:37,800
Speaker 1: Because the thing about it is all these people are

1926
02:09:37,840 --> 02:09:41,840
Speaker 1: pieces of ship. Right. If they're gonna pick between y'all

1927
02:09:41,960 --> 02:09:44,360
Speaker 1: and their family, they're gonna pick their family every time.

1928
02:09:45,000 --> 02:09:48,280
Speaker 1: So are you so that that that much pieces of ship?

1929
02:09:48,440 --> 02:09:51,600
Speaker 1: Because y'all have the same morals when it comes to that.

1930
02:09:52,560 --> 02:09:54,200
Speaker 1: And then you gotta take it from there. You gotta say,

1931
02:09:54,240 --> 02:09:57,680
Speaker 1: all right, cool, he's not wrong for saying that him

1932
02:09:57,760 --> 02:10:00,520
Speaker 1: and Brenda. He just wants want to about him and

1933
02:10:00,560 --> 02:10:04,320
Speaker 1: Brenda because he because we just care about me and

1934
02:10:04,520 --> 02:10:09,400
Speaker 1: our family. Right. But you gotta you gotta watch that

1935
02:10:09,520 --> 02:10:13,440
Speaker 1: ship because the more powerful you get, the more responsibilities

1936
02:10:13,440 --> 02:10:17,640
Speaker 1: you're gonna have, and the more the devil is gonna

1937
02:10:17,680 --> 02:10:21,920
Speaker 1: come out side. But the devil, the devil is working

1938
02:10:22,000 --> 02:10:24,960
Speaker 1: over time on y'all right now. But for me, it's

1939
02:10:25,000 --> 02:10:31,720
Speaker 1: a simple decision for me, thank you all. But for me,

1940
02:10:31,800 --> 02:10:35,360
Speaker 1: it's a simple decision. I put my energy into the

1941
02:10:35,480 --> 02:10:44,000
Speaker 1: show changed my life. If I put energy into a hater,

1942
02:10:45,560 --> 02:10:49,760
Speaker 1: I'm gonna change his life. So why would I do that? Mhm.

1943
02:10:51,680 --> 02:10:54,040
Speaker 1: I just let him. Let's see what you could do

1944
02:10:54,120 --> 02:10:57,760
Speaker 1: on your own. I ain't got no words from him.

1945
02:10:58,920 --> 02:11:01,720
Speaker 1: I don't have to. I responded things that I feel

1946
02:11:01,800 --> 02:11:05,760
Speaker 1: like I have to and things that I don't. People

1947
02:11:05,800 --> 02:11:08,720
Speaker 1: see it, they'd be like, yeah, man, probably don't gotta

1948
02:11:08,760 --> 02:11:11,440
Speaker 1: say nothing to this single And it is what it is.

1949
02:11:13,160 --> 02:11:16,080
Speaker 1: So shout out to old you niggas. I hope you

1950
02:11:16,160 --> 02:11:19,360
Speaker 1: find your way, and I hope that you realize when

1951
02:11:19,400 --> 02:11:22,600
Speaker 1: you get to a point of success to what you

1952
02:11:22,680 --> 02:11:25,840
Speaker 1: did to get there might not have been the right thing.

1953
02:11:26,520 --> 02:11:29,280
Speaker 1: And that's the way he was moving. That what I'm saying,

1954
02:11:31,360 --> 02:11:39,240
Speaker 1: how about you John, Um? You you you being on camera,

1955
02:11:40,080 --> 02:11:42,400
Speaker 1: I can just tell you a street dude, like I

1956
02:11:42,480 --> 02:11:44,840
Speaker 1: can tell um, I can tell you from my error.

1957
02:11:44,960 --> 02:11:47,520
Speaker 1: Like and my error is we don't look at the

1958
02:11:47,600 --> 02:11:52,160
Speaker 1: camera direct kind of like like I kid you not

1959
02:11:52,680 --> 02:11:57,520
Speaker 1: my whole um first year of n R and I

1960
02:11:57,560 --> 02:12:00,400
Speaker 1: went platinum. It's plightly the worst year at me and

1961
02:12:00,480 --> 02:12:04,680
Speaker 1: my uncle wise, um, all of my my, my friends.

1962
02:12:04,840 --> 02:12:08,040
Speaker 1: We took no pictures. We thought pictures was tracked that

1963
02:12:08,840 --> 02:12:14,120
Speaker 1: you didn't take yo, old we were all over the worlds.

1964
02:12:18,520 --> 02:12:20,640
Speaker 1: He was like, you know how corny niggas we were

1965
02:12:20,760 --> 02:12:23,200
Speaker 1: back then, And I said, well, he said, yo, we

1966
02:12:23,360 --> 02:12:27,360
Speaker 1: purposely didn't take pictures. We have nothing documented but memories.

1967
02:12:27,600 --> 02:12:30,000
Speaker 1: And I said, that's kind of better than this error.

1968
02:12:30,120 --> 02:12:33,560
Speaker 1: Right now, I go and perform. No one's looking at me,

1969
02:12:34,360 --> 02:12:37,600
Speaker 1: They're going like this. I wanted to kick their fucking phone.

1970
02:12:39,000 --> 02:12:41,840
Speaker 1: Is you doing that? I'm killing it? Yeah, why you

1971
02:12:41,880 --> 02:12:47,560
Speaker 1: want to document it for later? But so um, yeah,

1972
02:12:48,000 --> 02:12:50,640
Speaker 1: like you said, and our error, that's how it was.

1973
02:12:51,480 --> 02:12:54,760
Speaker 1: Now how you adapt into like this fame and people?

1974
02:12:57,160 --> 02:13:00,400
Speaker 1: It was so I just launched about the that thing

1975
02:13:00,480 --> 02:13:03,160
Speaker 1: and all of that and the people that react and

1976
02:13:03,320 --> 02:13:06,960
Speaker 1: reading the comment learned about the internet. Yeah, pretty much

1977
02:13:07,040 --> 02:13:22,200
Speaker 1: the internet with the INSTAGRAMM actually school, I am still

1978
02:13:22,560 --> 02:13:24,840
Speaker 1: you know, pretty much on that. You know, if I

1979
02:13:24,960 --> 02:13:27,960
Speaker 1: have Facebook's private and it was only for my family

1980
02:13:28,040 --> 02:13:31,640
Speaker 1: members that you know, that's like you have a Facebook, Yeah,

1981
02:13:31,800 --> 02:13:36,360
Speaker 1: you have a Twitter? I had no, you have a Instagram? Yeah,

1982
02:13:36,400 --> 02:13:39,080
Speaker 1: Because he said time out, let me just do you.

1983
02:13:39,240 --> 02:13:45,360
Speaker 1: This is if you ever want to dose a negativity Twitter.

1984
02:13:46,040 --> 02:13:54,680
Speaker 1: Oh my god, dudn't even elon Musk. It's worse, way worse.

1985
02:13:54,760 --> 02:13:59,200
Speaker 1: It's racist now it wasn't racist really on it like that?

1986
02:13:59,720 --> 02:14:02,280
Speaker 1: What stay away, yo? Let me tell you something. I'm

1987
02:14:02,320 --> 02:14:05,720
Speaker 1: so sorry because I'm gonna sound crazy, but I wake up.

1988
02:14:06,280 --> 02:14:09,480
Speaker 1: I don't even brush my teeth. He's a Twitter, dude, Twitter,

1989
02:14:11,520 --> 02:14:16,920
Speaker 1: I'm so addictive that the first half an hour that

1990
02:14:17,040 --> 02:14:19,200
Speaker 1: you wake up, he shouldn't be on you don't be

1991
02:14:19,320 --> 02:14:23,120
Speaker 1: on social media. Let me tell you. I'm getting some energy.

1992
02:14:23,320 --> 02:14:27,160
Speaker 1: Let me get you something better, right, Me andes you

1993
02:14:27,160 --> 02:14:30,080
Speaker 1: should live in the same building. Right. So one day,

1994
02:14:30,160 --> 02:14:33,560
Speaker 1: you know, we're having breakfast. Bino wakes up in the

1995
02:14:33,720 --> 02:14:39,240
Speaker 1: morning and he goes on Twitter and he googles his

1996
02:14:39,360 --> 02:14:41,400
Speaker 1: own name. I don't even know how you could do this,

1997
02:14:42,720 --> 02:14:45,520
Speaker 1: so you can look you know how. You don't know

1998
02:14:45,560 --> 02:14:48,240
Speaker 1: how you can do because because this is the messages

1999
02:14:48,240 --> 02:14:51,000
Speaker 1: that they're not adding you, they're not adding you. He

2000
02:14:51,120 --> 02:14:59,000
Speaker 1: knows how to pull up the messages where he responds

2001
02:14:59,080 --> 02:15:05,120
Speaker 1: to every to get im for that. That's kind of like,

2002
02:15:05,320 --> 02:15:08,800
Speaker 1: I've never seen nobody more negative than this in my life.

2003
02:15:10,200 --> 02:15:16,040
Speaker 1: You can go negative, be that negative all the way.

2004
02:15:16,440 --> 02:15:24,000
Speaker 1: I got to say, shout out to toler qualities. Does

2005
02:15:24,120 --> 02:15:29,160
Speaker 1: that Twitter fingers? I don't know. He's a definition of Twitter.

2006
02:15:30,160 --> 02:15:32,480
Speaker 1: He's by the way, he's every finger that's just Twitter.

2007
02:15:33,400 --> 02:15:43,400
Speaker 1: Everything he finds every racist bro doesn't have click the

2008
02:15:43,440 --> 02:15:50,320
Speaker 1: farm helping him. Then he's at it's him. I got tiplates,

2009
02:15:50,680 --> 02:15:53,960
Speaker 1: actually got timplates. A ready asked him about that and

2010
02:15:54,040 --> 02:15:56,040
Speaker 1: he smiled and I was like, yeah, that nigga like

2011
02:15:59,080 --> 02:16:03,800
Speaker 1: And we interviewed him Dave Chabelle at which was and

2012
02:16:03,960 --> 02:16:06,720
Speaker 1: when when we broke it up, they all laughed at him.

2013
02:16:06,800 --> 02:16:10,480
Speaker 1: They was all like, no, don't get tired. Started he

2014
02:16:10,680 --> 02:16:13,120
Speaker 1: goes in. He goes in. So you guys, you don't

2015
02:16:13,160 --> 02:16:15,120
Speaker 1: have a Twitter, I recommend you get a Twitter. I'm

2016
02:16:15,120 --> 02:16:17,160
Speaker 1: gonna be honest with now. I don't get don't get

2017
02:16:17,160 --> 02:16:22,480
Speaker 1: a Twitter. Don is enough. Let me tell you why

2018
02:16:22,560 --> 02:16:24,600
Speaker 1: I like Twitter. Listen, let me tell you why I

2019
02:16:24,640 --> 02:16:26,880
Speaker 1: like Twitter way on the Instagram way more than um

2020
02:16:27,120 --> 02:16:30,480
Speaker 1: and I don't know much or another. Okay, thanks for

2021
02:16:30,840 --> 02:16:33,119
Speaker 1: thanks for that. I don't have a hitcut. I ain't

2022
02:16:33,160 --> 02:16:37,200
Speaker 1: going on Instagram. If I don't like feel good about life,

2023
02:16:37,200 --> 02:16:40,200
Speaker 1: I ain't going on Instagram. I could be fucked up.

2024
02:16:40,760 --> 02:16:43,320
Speaker 1: This is my mind is whatever, And I go on Twitter.

2025
02:16:43,400 --> 02:16:49,280
Speaker 1: It's somebody so much worse than me. There's somebody like

2026
02:16:50,320 --> 02:16:59,160
Speaker 1: I just little my dog following sucking some guy named

2027
02:16:59,240 --> 02:17:05,440
Speaker 1: Chucky you know c Twitter and not look and Terry

2028
02:17:05,480 --> 02:17:08,440
Speaker 1: Springer you used to think your life was sucked up

2029
02:17:08,480 --> 02:17:15,160
Speaker 1: and you go on Jerry No good. Now Twitter's like

2030
02:17:15,240 --> 02:17:20,920
Speaker 1: the dirty section of social media. All right, that's regular Twitter.

2031
02:17:21,160 --> 02:17:25,480
Speaker 1: Right then there's black Twitter right right where I don't

2032
02:17:25,520 --> 02:17:29,560
Speaker 1: give a funk what you do. You're wrong, you don't

2033
02:17:29,560 --> 02:17:34,760
Speaker 1: make it. Nobody happy, nobody, nobody sitter. I could put

2034
02:17:34,800 --> 02:17:39,000
Speaker 1: the picture of my dog the dog game doing ship

2035
02:17:41,320 --> 02:17:49,640
Speaker 1: your dog? Who told you that I enjoy it? I

2036
02:17:49,920 --> 02:17:55,640
Speaker 1: enjoy your dog? I enjoyed it because my life is

2037
02:17:55,720 --> 02:17:58,960
Speaker 1: really positive. I'm really living a great life, and I

2038
02:17:59,080 --> 02:18:03,920
Speaker 1: need to know. Do not be comfortable, sir, Do not

2039
02:18:04,120 --> 02:18:10,360
Speaker 1: get comfortable because yourself every day post your picture with

2040
02:18:10,440 --> 02:18:13,320
Speaker 1: you and a bottle of water saying I'm living life

2041
02:18:13,320 --> 02:18:22,880
Speaker 1: and the nigga I need. Don't you ever get comfortable?

2042
02:18:22,959 --> 02:18:26,680
Speaker 1: And all there's a paid out there right there, and

2043
02:18:27,240 --> 02:18:33,680
Speaker 1: he likes you, but he's talking crazy right now. Don't

2044
02:18:33,720 --> 02:18:38,400
Speaker 1: get comfortable at all. That's the hood, that's not that's

2045
02:18:38,440 --> 02:18:42,320
Speaker 1: the hood. That's the world. It's the world, just the hood,

2046
02:18:42,440 --> 02:18:48,480
Speaker 1: that's the world. I recommend it wholeheartedly. Got no mercy

2047
02:18:48,840 --> 02:18:54,000
Speaker 1: against anyone who hates on me because if you knew,

2048
02:18:54,959 --> 02:19:03,200
Speaker 1: could I have no fucking shoes for months in Barbados? Yes?

2049
02:19:03,520 --> 02:19:07,440
Speaker 1: Why would you hate on me if you knew? If

2050
02:19:07,480 --> 02:19:10,800
Speaker 1: you if you knew that I had to get adjusted

2051
02:19:10,840 --> 02:19:14,000
Speaker 1: to the New York school system getting jumped and get

2052
02:19:14,040 --> 02:19:16,800
Speaker 1: into fights every single day, why would you hate on me?

2053
02:19:16,920 --> 02:19:20,600
Speaker 1: If you knew? I came from the fucking bottom and

2054
02:19:20,720 --> 02:19:25,040
Speaker 1: I made something? Why would you hate on me? Makes

2055
02:19:25,120 --> 02:19:28,880
Speaker 1: no sense? I got a real question for you. Did

2056
02:19:28,920 --> 02:19:36,480
Speaker 1: you ever win? Didja making belts? Yes? Jeans? You j

2057
02:19:39,240 --> 02:19:55,360
Speaker 1: West especially yes, yes, everything, get everything. So while I

2058
02:19:55,440 --> 02:19:58,840
Speaker 1: got my friends from how I was out from Nasal,

2059
02:19:59,200 --> 02:20:09,320
Speaker 1: I mean a low square More was Illa then sum

2060
02:20:09,400 --> 02:20:12,640
Speaker 1: kind of like, what do you do? Hurt me so much?

2061
02:20:14,160 --> 02:20:20,039
Speaker 1: I got I gotta be honest with you, Homie Troy

2062
02:20:20,080 --> 02:20:23,800
Speaker 1: outlaws to bring read the Farragan Farragant for Greeen was

2063
02:20:23,879 --> 02:20:25,680
Speaker 1: right next to each other. By the way, It's the

2064
02:20:25,760 --> 02:20:28,280
Speaker 1: craziest thing ever. It was totally. I felt like I

2065
02:20:28,440 --> 02:20:30,640
Speaker 1: was in Like I was gonna say Disney World, but

2066
02:20:30,760 --> 02:20:32,400
Speaker 1: I mean by that Disney World. What I mean is

2067
02:20:32,480 --> 02:20:36,800
Speaker 1: I was totally I didn't even and I went to

2068
02:20:36,879 --> 02:20:39,280
Speaker 1: a more how do We Square mall and the guy

2069
02:20:39,600 --> 02:20:41,400
Speaker 1: in there said I got dent to Gold and I

2070
02:20:41,520 --> 02:20:45,000
Speaker 1: was like, dent to good I had never heard. He

2071
02:20:45,080 --> 02:20:46,880
Speaker 1: can't about to see food, y'all to me, I don't

2072
02:20:46,920 --> 02:20:50,400
Speaker 1: even know. I went and I came back because because

2073
02:20:50,440 --> 02:20:54,120
Speaker 1: I got friends, and it was so thin and no

2074
02:20:54,320 --> 02:20:58,000
Speaker 1: one in Queens, no one in Queens could understand, and

2075
02:20:58,600 --> 02:21:13,480
Speaker 1: I was like, we got thats like Syracuse. I'm sorry, man,

2076
02:21:13,480 --> 02:21:17,200
Speaker 1: I just told my mold school. Downtown Brooklyn is crazy.

2077
02:21:18,760 --> 02:21:21,240
Speaker 1: There's fifty niggers out there. When you walked in there, right,

2078
02:21:21,520 --> 02:21:25,440
Speaker 1: it's not the same. It's not it's not, but no

2079
02:21:25,560 --> 02:21:27,520
Speaker 1: places the same. But you can still get robbed though.

2080
02:21:27,560 --> 02:21:31,520
Speaker 1: That's yeah, definitely, you turn the wrong corner and you

2081
02:21:31,600 --> 02:21:34,960
Speaker 1: can still get robbed. I was talking, go ahead, go

2082
02:21:35,320 --> 02:21:38,560
Speaker 1: go go to Brooklyn. He's like, and that's okay. I

2083
02:21:38,640 --> 02:21:41,560
Speaker 1: mean I missed that part Brooklyn. I went to a

2084
02:21:41,640 --> 02:21:46,240
Speaker 1: soho house in Brooklyn, like, oh, downtown by the Bridge, Yeah,

2085
02:21:46,440 --> 02:21:49,760
Speaker 1: I mean downhole house that along in Brooklyn, but down

2086
02:21:50,680 --> 02:21:52,680
Speaker 1: they don't have a soul house in compon next week.

2087
02:21:52,720 --> 02:21:59,280
Speaker 1: I'm just it's probably gentification is rare. It can we

2088
02:21:59,560 --> 02:22:03,040
Speaker 1: get to? Why the opposite way? Can we go? I

2089
02:22:03,040 --> 02:22:09,440
Speaker 1: don't believe in gentrification, is why you don't Jesus classism classes.

2090
02:22:10,000 --> 02:22:13,320
Speaker 1: If you got the money to stay, stay, But what

2091
02:22:13,520 --> 02:22:16,280
Speaker 1: is gentrification to you? Gentrification? Does that mean to you?

2092
02:22:16,720 --> 02:22:20,200
Speaker 1: It's called gentrification because I feel like this is a

2093
02:22:20,280 --> 02:22:23,920
Speaker 1: specific race who has more money. You think that's exactly

2094
02:22:23,959 --> 02:22:27,520
Speaker 1: what it means. I'm not saying that's what it means.

2095
02:22:28,360 --> 02:22:33,440
Speaker 1: I'm saying when people say gentrification, it's not completely just

2096
02:22:33,720 --> 02:22:36,760
Speaker 1: if you got the money to stay where you at,

2097
02:22:37,080 --> 02:22:40,480
Speaker 1: you could, you're gonna stay. But if you don't write

2098
02:22:40,480 --> 02:22:43,560
Speaker 1: because money is buying the people out that ricing you. Yeah,

2099
02:22:43,840 --> 02:22:46,040
Speaker 1: so so you gotta go to where it makes sense

2100
02:22:46,080 --> 02:22:48,480
Speaker 1: for you. So when I when when I went to Columbia,

2101
02:22:48,480 --> 02:22:51,520
Speaker 1: I went to this area called you know, but I

2102
02:22:51,560 --> 02:22:54,920
Speaker 1: did a drink chance from Columbia. We didn't remember that.

2103
02:22:55,400 --> 02:22:58,320
Speaker 1: You don't remember that I went to one of the

2104
02:22:58,480 --> 02:23:01,880
Speaker 1: word hoods and columb be that during the cartel wars

2105
02:23:01,879 --> 02:23:05,880
Speaker 1: and everything. No, it was, uh, where do we go, Paul? Paul?

2106
02:23:06,920 --> 02:23:10,320
Speaker 1: We went to Oh my god, he's not helping. Did

2107
02:23:10,360 --> 02:23:14,720
Speaker 1: you go to Choko? We were in many Yang were Manian?

2108
02:23:16,240 --> 02:23:17,680
Speaker 1: What was the place in the end we went to

2109
02:23:20,800 --> 02:23:29,120
Speaker 1: But y'all was on cocaine and you hold on Colombia.

2110
02:23:29,200 --> 02:23:33,480
Speaker 1: So we went to this is this is h Escobar's

2111
02:23:33,560 --> 02:23:36,760
Speaker 1: territory where he had the gangs fighting and they had

2112
02:23:36,800 --> 02:23:40,520
Speaker 1: they had a crazy war in there. It was one

2113
02:23:40,520 --> 02:23:44,800
Speaker 1: of the worst spots in like late nineties. Hip hop

2114
02:23:45,560 --> 02:23:51,040
Speaker 1: actually changed everything there. So um, the hip hop community

2115
02:23:51,240 --> 02:23:54,080
Speaker 1: did graffiti that that changed everything that they had be

2116
02:23:54,280 --> 02:23:57,280
Speaker 1: boys they had, they didn't get an outlet. They hit

2117
02:23:57,879 --> 02:24:02,480
Speaker 1: for artistic ex It was wild. Like at the documentary,

2118
02:24:02,560 --> 02:24:04,000
Speaker 1: like you can watch it like right now, I'm sucked

2119
02:24:04,040 --> 02:24:07,680
Speaker 1: up and I can't explain it totally. But this is

2120
02:24:07,720 --> 02:24:13,480
Speaker 1: where I realized there is reverse gentrification because what they did,

2121
02:24:14,560 --> 02:24:16,920
Speaker 1: the government was part of it, So you might need

2122
02:24:17,080 --> 02:24:21,119
Speaker 1: government help. The government put because in Colombia, the way

2123
02:24:21,160 --> 02:24:23,600
Speaker 1: I saw it is the higher you got out in

2124
02:24:23,680 --> 02:24:27,200
Speaker 1: the mountain, the worst it was. Right, So the more

2125
02:24:27,320 --> 02:24:31,360
Speaker 1: poverty was up in other places, the higher you got up,

2126
02:24:31,640 --> 02:24:35,600
Speaker 1: the richer it was. But in Colombia, in this specific area,

2127
02:24:35,959 --> 02:24:38,920
Speaker 1: higher up it was worse. So they actually put um

2128
02:24:39,320 --> 02:24:47,439
Speaker 1: escalators in the hood, going up into the hood, escalators, elevators,

2129
02:24:48,440 --> 02:24:53,959
Speaker 1: had escalators the side of the mountain, escalators going into

2130
02:24:54,000 --> 02:24:58,520
Speaker 1: the mountain into the to the side of the hill. No,

2131
02:24:59,400 --> 02:25:04,320
Speaker 1: so you go into this area and we were in

2132
02:25:04,400 --> 02:25:06,240
Speaker 1: there and you and then they have a tour of

2133
02:25:06,560 --> 02:25:10,480
Speaker 1: the graffiti there. There's kids that are be boys and

2134
02:25:10,560 --> 02:25:15,880
Speaker 1: be girls. DJs are set up, they have artisans with

2135
02:25:16,160 --> 02:25:19,800
Speaker 1: with because now it's a tourist trap for the better

2136
02:25:19,879 --> 02:25:23,320
Speaker 1: sense of what a tourist trap is, but because the

2137
02:25:23,480 --> 02:25:27,720
Speaker 1: escalators there, but it's the people that lived there. You're

2138
02:25:27,800 --> 02:25:35,320
Speaker 1: focused whole time. Both y'all know. The point is that

2139
02:25:35,480 --> 02:25:37,880
Speaker 1: there is I do believe that there's a way for

2140
02:25:38,160 --> 02:25:43,440
Speaker 1: reverse gentrification where the hood can control their ship. Because

2141
02:25:43,520 --> 02:25:45,320
Speaker 1: they did it. We saw it with our own eyes

2142
02:25:46,320 --> 02:25:51,040
Speaker 1: in Colombia, no government assisted in was well the government has.

2143
02:25:53,440 --> 02:25:56,680
Speaker 1: It's like saying no, it's like saying independent or major

2144
02:25:57,240 --> 02:26:01,080
Speaker 1: there is no independence in this world. You can't. But

2145
02:26:01,160 --> 02:26:06,000
Speaker 1: it's not gonna happen bro to minorities brought in. He

2146
02:26:06,120 --> 02:26:08,920
Speaker 1: made off from Lauraton enough money to have their own country,

2147
02:26:09,120 --> 02:26:15,040
Speaker 1: made off from Queen's It's Fat made off documentary which

2148
02:26:15,080 --> 02:26:19,760
Speaker 1: made off. You ain't seen the Doctor Netflix? All know

2149
02:26:19,840 --> 02:26:23,400
Speaker 1: why you seen it? Your story? Is that ship mean?

2150
02:26:23,560 --> 02:26:27,360
Speaker 1: Or what's a fat? Yo? But by the way, that's

2151
02:26:27,400 --> 02:26:31,320
Speaker 1: the first person I've ever seen they confiscated his ship,

2152
02:26:31,640 --> 02:26:36,599
Speaker 1: his wife, ship, his sonship. It's other. They confiscated everything

2153
02:26:36,800 --> 02:26:39,160
Speaker 1: from They don't do that to white people. That's the

2154
02:26:39,240 --> 02:26:41,880
Speaker 1: first time I've ever seen it. It's usually they just

2155
02:26:42,000 --> 02:26:44,400
Speaker 1: do it to him and that's it. They let his

2156
02:26:44,840 --> 02:26:49,760
Speaker 1: wife was in a Honda Accord, living in the Honda Accord.

2157
02:26:49,840 --> 02:26:53,360
Speaker 1: That's fat. She was living in living in Honda. You're

2158
02:26:53,360 --> 02:26:56,879
Speaker 1: gonna watch the ship. This is crazy twice, that's crazy.

2159
02:26:56,959 --> 02:26:59,040
Speaker 1: This You ain't talking it like that? No, it's heavy.

2160
02:26:59,080 --> 02:27:06,120
Speaker 1: I ain't watching. That showed me a lot. I didn't know.

2161
02:27:06,959 --> 02:27:10,520
Speaker 1: What's crazy is what you didn't know. He did this

2162
02:27:10,600 --> 02:27:15,160
Speaker 1: for thirty years. He would take your money and make

2163
02:27:15,200 --> 02:27:19,000
Speaker 1: you feel like you made money. He'll be like yo, whatever,

2164
02:27:19,120 --> 02:27:23,080
Speaker 1: and you would give him back your money. Yeah, he

2165
02:27:23,160 --> 02:27:26,800
Speaker 1: took somebody's money. You got nothing. He just like you

2166
02:27:27,520 --> 02:27:29,760
Speaker 1: listen on your I'll just give you a example. I

2167
02:27:29,800 --> 02:27:32,080
Speaker 1: was just giving false numbers, like you're on your thirty

2168
02:27:32,120 --> 02:27:35,120
Speaker 1: grand I already made like sixty sixty such and such

2169
02:27:35,280 --> 02:27:37,320
Speaker 1: for it, So you want me to um whatever whatever.

2170
02:27:37,480 --> 02:27:39,520
Speaker 1: You're like, no, no, no, take it because you feel

2171
02:27:39,560 --> 02:27:41,480
Speaker 1: like you want to keep making money. So he did

2172
02:27:41,520 --> 02:27:48,080
Speaker 1: it with thirty years. And it's crazy because these people

2173
02:27:48,120 --> 02:27:51,880
Speaker 1: were reinvested. What's crazy about it with one of the

2174
02:27:51,959 --> 02:27:56,160
Speaker 1: first things we learned about brother Kanye is that Chase

2175
02:27:57,840 --> 02:28:03,000
Speaker 1: cut their ties with him. Chase is still tied to

2176
02:28:03,080 --> 02:28:07,440
Speaker 1: this man, to Bernie to Bernie. That's crazy. They never

2177
02:28:07,760 --> 02:28:11,240
Speaker 1: stopped their bank account with him. They said, we didn't know.

2178
02:28:13,040 --> 02:28:17,040
Speaker 1: That's it. They had no lawsuit, there's nothing filed against them.

2179
02:28:17,080 --> 02:28:21,320
Speaker 1: There was nothing, and they were still in business. This

2180
02:28:21,480 --> 02:28:25,560
Speaker 1: is crazy, bro and Kanye hurt. No one, Kanye took

2181
02:28:25,600 --> 02:28:32,720
Speaker 1: No One's house. Uh he he none of that. I

2182
02:28:32,920 --> 02:28:37,840
Speaker 1: think Google said something very important on my show. You said,

2183
02:28:37,879 --> 02:28:44,320
Speaker 1: stop saying Yeah, young Google tried to google mixing my project. Um, damn,

2184
02:28:44,440 --> 02:28:49,680
Speaker 1: it's awsome on us, you know what I mean? He said,

2185
02:28:50,400 --> 02:28:56,760
Speaker 1: we need to stop saying the illuminati. That's true, that's true.

2186
02:28:58,160 --> 02:29:01,959
Speaker 1: You don't want to say no. But we actually find

2187
02:29:02,040 --> 02:29:05,520
Speaker 1: the names of the people that's behind certain ship that

2188
02:29:05,640 --> 02:29:07,880
Speaker 1: holds people back. You can't create the booget man and

2189
02:29:08,000 --> 02:29:12,120
Speaker 1: that you can't find it there. You can't find illuminati.

2190
02:29:12,200 --> 02:29:16,080
Speaker 1: You don't know what to do to escape going your problems.

2191
02:29:16,160 --> 02:29:18,840
Speaker 1: But there is a motherfucker out there that's trying to

2192
02:29:18,920 --> 02:29:21,200
Speaker 1: pass a bill that's gonna sunk us soul up, and

2193
02:29:21,320 --> 02:29:25,560
Speaker 1: we can find him, right, So find his name, put

2194
02:29:25,680 --> 02:29:28,760
Speaker 1: his ship in the circuit, and be like, yo, fuck

2195
02:29:29,040 --> 02:29:31,880
Speaker 1: this guy. You know what I mean? They claim, y'all,

2196
02:29:33,320 --> 02:29:40,680
Speaker 1: Oh yeah, definitely we all right the whole video the

2197
02:29:40,760 --> 02:29:44,720
Speaker 1: man brought me in. That's what they say, video the

2198
02:29:44,800 --> 02:29:47,640
Speaker 1: man brought me in. I didn't know that, but we're

2199
02:29:47,640 --> 02:29:52,440
Speaker 1: all in it, right. Yeah, listen, you know what really

2200
02:29:52,520 --> 02:29:58,080
Speaker 1: just in hip hop that's was so fucked up if

2201
02:29:58,160 --> 02:30:01,080
Speaker 1: you're successful, it's either you're gay, you're with a little

2202
02:30:01,640 --> 02:30:05,040
Speaker 1: or you're gay. But that's a loser. But that's a

2203
02:30:05,120 --> 02:30:09,000
Speaker 1: loser mentality because losers are gonna come up with every

2204
02:30:09,200 --> 02:30:12,840
Speaker 1: reason of why they can't win, but their reasons when

2205
02:30:12,879 --> 02:30:18,160
Speaker 1: they put out the videos, it is pretty good true.

2206
02:30:18,240 --> 02:30:23,800
Speaker 1: I believe they're like yo, They're like when they tell

2207
02:30:23,879 --> 02:30:26,080
Speaker 1: me what Nori did with nas in the room and

2208
02:30:26,160 --> 02:30:33,520
Speaker 1: then puffing, I was like, bro, you're right ship hanging

2209
02:30:33,560 --> 02:30:40,880
Speaker 1: out with yo. They caught a picture with me and

2210
02:30:40,920 --> 02:30:43,200
Speaker 1: meth Man. I went like this, but they caught my

2211
02:30:43,320 --> 02:30:45,280
Speaker 1: fingers bent and he was like, look he's throwing up

2212
02:30:45,320 --> 02:30:47,360
Speaker 1: the six six six and he's I was like, what

2213
02:30:47,520 --> 02:30:49,440
Speaker 1: the full I'm gonna tell them right now like you are.

2214
02:30:53,720 --> 02:30:56,080
Speaker 1: I'm the leader of the cartime. I was playing around

2215
02:30:56,120 --> 02:30:59,800
Speaker 1: about this. There's a kid in the agastar right now, like, damn,

2216
02:31:02,959 --> 02:31:05,000
Speaker 1: it's gonna be it's gonna be a two second clips

2217
02:31:05,200 --> 02:31:09,080
Speaker 1: that we are in. It's gonna be your fans here.

2218
02:31:09,240 --> 02:31:12,560
Speaker 1: We are in the limit. We are. That's crazy. But

2219
02:31:12,680 --> 02:31:15,160
Speaker 1: you know, I feel like when when other person say

2220
02:31:15,240 --> 02:31:19,320
Speaker 1: that they're downgrading your hard work, that's a scapego. It's

2221
02:31:19,360 --> 02:31:25,959
Speaker 1: a scapegir. But so I'm gonna tell you something right

2222
02:31:26,400 --> 02:31:30,040
Speaker 1: about this this show, right, this show Math, How for

2223
02:31:30,240 --> 02:31:33,240
Speaker 1: Mecca Bigger? I sit back on the show. I came

2224
02:31:33,280 --> 02:31:36,080
Speaker 1: on the show with about in the summertime, right a

2225
02:31:36,160 --> 02:31:41,200
Speaker 1: few months ago. I sat back and watched an organization

2226
02:31:41,280 --> 02:31:45,200
Speaker 1: of things that was unprecedented as far as my experience. Right,

2227
02:31:45,360 --> 02:31:50,200
Speaker 1: I sat and watched Math be calculated in strategic I

2228
02:31:50,320 --> 02:31:53,840
Speaker 1: watched Mecca come with wisdom, right, wisdom and knowledge of

2229
02:31:53,920 --> 02:31:57,600
Speaker 1: the game experience. I watched Mecca be a person who

2230
02:31:57,640 --> 02:32:01,120
Speaker 1: takes a stand and stands on his his word right

2231
02:32:01,240 --> 02:32:04,880
Speaker 1: and actually his beliefs in his beliefs right, and his

2232
02:32:05,000 --> 02:32:08,360
Speaker 1: fear of God and his belief in God. Yeah, but

2233
02:32:08,680 --> 02:32:12,120
Speaker 1: that's what I'm saying with Bigger, So sit back and

2234
02:32:12,240 --> 02:32:18,680
Speaker 1: watching this makes for a great pot of greatness. It

2235
02:32:18,760 --> 02:32:21,000
Speaker 1: makes for a great part of greatness. And that's why

2236
02:32:21,160 --> 02:32:23,640
Speaker 1: so many people in an intimate environment. Right. First of all,

2237
02:32:23,680 --> 02:32:27,120
Speaker 1: the Ballshop is an intimate intimate environment. Right, sitting there

2238
02:32:27,160 --> 02:32:32,520
Speaker 1: having these conversations, there's there's no editing of sorts or whatever.

2239
02:32:33,080 --> 02:32:35,800
Speaker 1: If you're sitting in your living room and you're watching

2240
02:32:35,840 --> 02:32:39,360
Speaker 1: the show, there's an intimacy. Then whether you with your boys,

2241
02:32:39,680 --> 02:32:41,720
Speaker 1: or you're in the studio, or you with your your

2242
02:32:41,800 --> 02:32:44,640
Speaker 1: loved one. So what this does is it helps you

2243
02:32:44,720 --> 02:32:48,080
Speaker 1: relate to the show more. You understand what I'm saying.

2244
02:32:48,240 --> 02:32:51,200
Speaker 1: This is why again, you know, motherfucker's can't say it enough.

2245
02:32:51,280 --> 02:32:53,880
Speaker 1: It's it's number one as far as the independent round.

2246
02:32:54,680 --> 02:32:58,080
Speaker 1: And we respect that because people connect to the intimacy

2247
02:32:58,160 --> 02:33:01,720
Speaker 1: of it, no freaking, no freaky, they connect to that,

2248
02:33:02,400 --> 02:33:03,680
Speaker 1: you know what I'm saying. So I just I just

2249
02:33:03,760 --> 02:33:06,040
Speaker 1: gotta put that out there. We connected that. But but

2250
02:33:06,520 --> 02:33:11,520
Speaker 1: and I'm gonna also tell you something. I also tell

2251
02:33:11,560 --> 02:33:16,440
Speaker 1: you something. Um, he's an independent guy, right if it

2252
02:33:16,600 --> 02:33:20,199
Speaker 1: wants to own a hundred percent of everything, which is great.

2253
02:33:21,879 --> 02:33:26,920
Speaker 1: I'm a major guy, right, I can own fifty percent

2254
02:33:29,080 --> 02:33:33,880
Speaker 1: of a major company and I'm and I'm good with that,

2255
02:33:34,160 --> 02:33:39,480
Speaker 1: right And as I like what he said, I'm with

2256
02:33:39,680 --> 02:33:44,240
Speaker 1: the major as long as the major's with me. I'm

2257
02:33:44,280 --> 02:33:48,360
Speaker 1: paraphrasing what you say. But um, and that's really what

2258
02:33:48,520 --> 02:33:57,560
Speaker 1: it is. It's like I've been platinum, all right. Being

2259
02:33:57,640 --> 02:34:01,160
Speaker 1: platinum is probably one of the illest feelings you ever had.

2260
02:34:02,240 --> 02:34:11,120
Speaker 1: I wish it on any And I'm gonna tell you something.

2261
02:34:12,520 --> 02:34:17,160
Speaker 1: When I sold crack, nothing can replace that feeling. So

2262
02:34:17,280 --> 02:34:19,320
Speaker 1: when a person is still selling crack, will still being

2263
02:34:19,360 --> 02:34:22,879
Speaker 1: a drug dealer. I understand that because it's not the money,

2264
02:34:23,120 --> 02:34:26,800
Speaker 1: it's the thrill. It's the thrill of me saying you'll

2265
02:34:26,840 --> 02:34:29,560
Speaker 1: come to the corner. Yeah, I got this, I got

2266
02:34:29,680 --> 02:34:35,320
Speaker 1: and and nothing can replace that until I went until

2267
02:34:35,320 --> 02:34:39,279
Speaker 1: I went gold. When I got gold, it replaced that feeling.

2268
02:34:40,959 --> 02:34:43,119
Speaker 1: Then it's a time in the rapper's life where it's

2269
02:34:43,160 --> 02:34:48,440
Speaker 1: not gonna happen again. Stop. I could not replace that

2270
02:34:49,040 --> 02:34:56,039
Speaker 1: I was sold until a party game. I can literally

2271
02:34:56,120 --> 02:35:01,840
Speaker 1: go platinum every week week, den't know how hard. And

2272
02:35:01,959 --> 02:35:04,480
Speaker 1: it's it's got so great that we take days off

2273
02:35:04,640 --> 02:35:09,280
Speaker 1: like we do ship and to be like, let's let's

2274
02:35:09,320 --> 02:35:12,920
Speaker 1: interview that, y'all because we know that, y'all we can't

2275
02:35:12,920 --> 02:35:19,440
Speaker 1: help it, but let's give him that platform where and

2276
02:35:19,520 --> 02:35:24,480
Speaker 1: we take a day though, And it's so thrilling because

2277
02:35:26,360 --> 02:35:30,280
Speaker 1: this is the easiest money I've ever made. Not not

2278
02:35:30,560 --> 02:35:33,760
Speaker 1: saying that don't work hard. I work hard as a motherfucker.

2279
02:35:34,840 --> 02:35:39,360
Speaker 1: But what it is is I'm talking like when I

2280
02:35:39,520 --> 02:35:41,800
Speaker 1: work right rhyme, So I gotta sit there, I gotta

2281
02:35:43,200 --> 02:35:45,240
Speaker 1: I gotta show down. It's rhyme, no rhyme with this,

2282
02:35:45,400 --> 02:35:49,880
Speaker 1: or I ain't say this like this committed to memory.

2283
02:35:50,000 --> 02:35:52,520
Speaker 1: And then yeah, well, well I don't remember I shipping

2284
02:35:52,560 --> 02:35:54,880
Speaker 1: the one. I'll be trying to think I'm holding him

2285
02:35:54,920 --> 02:35:59,920
Speaker 1: negatively the performance he said, I was thinking a joke.

2286
02:36:00,320 --> 02:36:04,200
Speaker 1: But um, yeah, and this it's such a beautiful thing.

2287
02:36:04,360 --> 02:36:09,080
Speaker 1: Man Um, I'm so glad where y'all at and where

2288
02:36:09,160 --> 02:36:15,040
Speaker 1: y'all continue to go and continue to grow, because because

2289
02:36:15,280 --> 02:36:19,680
Speaker 1: I just I'll tell you, man, Um, being great by

2290
02:36:19,720 --> 02:36:22,960
Speaker 1: yourself is cool, being great with the team is so

2291
02:36:23,160 --> 02:36:25,960
Speaker 1: much better, you know what I mean? Like I don't

2292
02:36:25,959 --> 02:36:28,320
Speaker 1: want to go on vacation by myself and I gotta

2293
02:36:28,360 --> 02:36:31,520
Speaker 1: pay for the bill. Like my people, I want to

2294
02:36:31,560 --> 02:36:34,600
Speaker 1: put them in a position for them to say, Sean,

2295
02:36:35,200 --> 02:36:43,560
Speaker 1: this is on me. And I know I'm saying that

2296
02:36:43,600 --> 02:36:47,720
Speaker 1: in the most minute situation, but it's really true. It

2297
02:36:47,879 --> 02:36:51,920
Speaker 1: really feels good to empower someone else and to make

2298
02:36:52,080 --> 02:36:55,480
Speaker 1: them the boss. You know what I'm saying, to make

2299
02:36:55,560 --> 02:36:59,440
Speaker 1: them You know, I always say and I probably never

2300
02:36:59,480 --> 02:37:02,080
Speaker 1: said it to E F and or around and my

2301
02:37:02,240 --> 02:37:06,680
Speaker 1: relationship with capone made my relationship with EF so much better.

2302
02:37:07,480 --> 02:37:09,920
Speaker 1: How so because I always just Be'm trying to make

2303
02:37:09,959 --> 02:37:12,920
Speaker 1: a Poem like me. I wanted him to be on time.

2304
02:37:13,480 --> 02:37:15,760
Speaker 1: I wanted him to be punctual. I wanted him to

2305
02:37:16,240 --> 02:37:20,400
Speaker 1: and that's not who he is. That's not And every

2306
02:37:20,480 --> 02:37:22,560
Speaker 1: time I pushed him to beat to us that we

2307
02:37:22,840 --> 02:37:26,000
Speaker 1: separated so I don't change the e f and at all,

2308
02:37:26,480 --> 02:37:31,680
Speaker 1: this motherfucker don't want to change. I want to roll

2309
02:37:31,800 --> 02:37:35,280
Speaker 1: up this motherfucker. I don't want He just wants to

2310
02:37:35,360 --> 02:37:40,920
Speaker 1: be him. But had I not. Yeah, but I've been

2311
02:37:41,000 --> 02:37:44,320
Speaker 1: through it with Poem, trying to make him like me

2312
02:37:44,600 --> 02:37:49,960
Speaker 1: and realize to just relax with the yall. You know

2313
02:37:50,000 --> 02:37:54,800
Speaker 1: what I'm saying. It's a beautiful thing. And and I'm

2314
02:37:54,840 --> 02:38:00,320
Speaker 1: proud of that ship. I actually proud because but now us,

2315
02:38:00,959 --> 02:38:02,800
Speaker 1: you know, you look at these people and it looks

2316
02:38:02,840 --> 02:38:08,160
Speaker 1: like we're hanging out with people. Damn there seventy percent

2317
02:38:08,240 --> 02:38:11,440
Speaker 1: of these people are on pay road. They all got dropped.

2318
02:38:11,520 --> 02:38:15,119
Speaker 1: They're all here, seven of them, and they all looked

2319
02:38:15,160 --> 02:38:18,880
Speaker 1: like us. You know what I mean. We was We

2320
02:38:19,040 --> 02:38:21,000
Speaker 1: was able to do that. We was able to um

2321
02:38:22,320 --> 02:38:24,480
Speaker 1: and pick up a vote for that because because when

2322
02:38:24,640 --> 02:38:27,960
Speaker 1: we got a vote, we vote hired this whole staff,

2323
02:38:28,680 --> 02:38:33,880
Speaker 1: and we was like, move me to the check but

2324
02:38:36,680 --> 02:38:42,440
Speaker 1: and we looked and it's you know, relaxed. But Mr

2325
02:38:42,600 --> 02:38:45,800
Speaker 1: Lee and has it is and you know our roster.

2326
02:38:45,879 --> 02:38:48,800
Speaker 1: I just told him, Man, just watched them. Man, let's watch.

2327
02:38:48,920 --> 02:38:52,320
Speaker 1: Let's see what they are doing. And we realized day

2328
02:38:52,480 --> 02:39:04,400
Speaker 1: smarter than us fire day holes, Well, let me go,

2329
02:39:07,160 --> 02:39:09,800
Speaker 1: and we hired our people back, the same people that

2330
02:39:10,000 --> 02:39:14,680
Speaker 1: was here. And you know that it reminds of the

2331
02:39:14,760 --> 02:39:18,520
Speaker 1: realness that y'all displaying, Like you know, you're my friend. Um,

2332
02:39:19,080 --> 02:39:20,560
Speaker 1: I think this is the first time I met you, right,

2333
02:39:20,760 --> 02:39:24,440
Speaker 1: I think this is the first time. Okay, yeah, yeah, yeah,

2334
02:39:24,480 --> 02:39:28,280
Speaker 1: you hadn't no suit, I think I have you think

2335
02:39:28,400 --> 02:39:38,280
Speaker 1: I'm boy. But and I watch y'all man, and I

2336
02:39:38,360 --> 02:39:42,800
Speaker 1: sit back, and I'm proud, not only proud of you,

2337
02:39:42,879 --> 02:39:45,160
Speaker 1: I'm proud of the older brothers. I'm proud of like

2338
02:39:46,000 --> 02:39:48,080
Speaker 1: and y'rself from the same thing that we suffer from

2339
02:39:49,959 --> 02:39:55,520
Speaker 1: female guests. Mm hmm. We do need some more females. Man.

2340
02:39:58,800 --> 02:40:01,400
Speaker 1: It's just it's just area this time because we say

2341
02:40:01,480 --> 02:40:07,880
Speaker 1: reckless around each other. But if you say, yeah, we

2342
02:40:08,280 --> 02:40:11,680
Speaker 1: have read me twice. Okay, okay, whoa whoa? Whoa, whoa. No,

2343
02:40:11,879 --> 02:40:14,760
Speaker 1: we had her on the show. I said, hold, my

2344
02:40:14,840 --> 02:40:19,680
Speaker 1: brother might boot for me on too low Brock. She's

2345
02:40:19,680 --> 02:40:28,440
Speaker 1: making around. I'm okay with it, okay with shout to

2346
02:40:28,480 --> 02:40:37,480
Speaker 1: Mike Booth what Yeah, I would, I would too, I

2347
02:40:37,560 --> 02:40:40,760
Speaker 1: would mean and you know what I want to I

2348
02:40:40,879 --> 02:40:42,760
Speaker 1: want to apologize to it too, because I saw a

2349
02:40:42,800 --> 02:40:45,640
Speaker 1: fifty put out an apology. What you went at Megan too.

2350
02:40:46,600 --> 02:40:50,240
Speaker 1: We didn't believe him. We did not believe he bro

2351
02:40:50,480 --> 02:40:53,480
Speaker 1: We We didn't believe him. She needed more people. She

2352
02:40:53,600 --> 02:40:56,120
Speaker 1: definitely need more people, but she didn't really need more people.

2353
02:40:56,280 --> 02:40:58,879
Speaker 1: She we just needed to hear that. That that jail

2354
02:40:58,959 --> 02:41:04,480
Speaker 1: conversation that was not good. Yeah, Pops got a hill cut,

2355
02:41:08,959 --> 02:41:15,280
Speaker 1: Lord Jesus, But I want to publicly apologize to me

2356
02:41:15,480 --> 02:41:18,680
Speaker 1: in because you know, it's black men we're supposed to

2357
02:41:18,760 --> 02:41:23,480
Speaker 1: protect on women, and I feel like I feeled in

2358
02:41:23,600 --> 02:41:26,160
Speaker 1: that category as far as, like, you know, the things

2359
02:41:26,200 --> 02:41:29,920
Speaker 1: that I said on our podcast, I just I just

2360
02:41:30,040 --> 02:41:33,600
Speaker 1: didn't believe. I just didn't believe you got puppy. It

2361
02:41:33,760 --> 02:41:36,880
Speaker 1: was not it was it was look at you. Yeah,

2362
02:41:37,280 --> 02:41:43,039
Speaker 1: it's just a serious moment you ain't for I'm almost disappointed.

2363
02:41:44,400 --> 02:41:49,760
Speaker 1: What did you say, I got me disappointed right now,

2364
02:41:51,080 --> 02:41:54,440
Speaker 1: I gotta say that, you know, um, you know, I'm

2365
02:41:54,520 --> 02:41:57,880
Speaker 1: sorry for what you went through. I'm sorry for what

2366
02:41:57,959 --> 02:42:01,240
Speaker 1: you went through. I'm sorry for you know, for that

2367
02:42:01,360 --> 02:42:07,360
Speaker 1: coming from a black man, and yeah, I apologize. Do

2368
02:42:07,440 --> 02:42:09,560
Speaker 1: you think do you think and by the way, Tories,

2369
02:42:09,640 --> 02:42:12,119
Speaker 1: my man, Tory's been in here, do you think Tori

2370
02:42:12,240 --> 02:42:14,920
Speaker 1: didn't take it serious? Like at one point he felt asleep?

2371
02:42:16,320 --> 02:42:19,000
Speaker 1: I think in court, like, I don't think you're taking

2372
02:42:19,040 --> 02:42:24,400
Speaker 1: your life seriously? Fell to sleep in court? I think Tori,

2373
02:42:25,200 --> 02:42:27,960
Speaker 1: what what you know? But with both of them, I

2374
02:42:28,040 --> 02:42:30,440
Speaker 1: hope they find better places in their lives because we've

2375
02:42:30,480 --> 02:42:34,080
Speaker 1: seen plenty of artists go through ship. We saw Chris

2376
02:42:34,160 --> 02:42:37,280
Speaker 1: and Rihanna go through the ship and then you know,

2377
02:42:37,920 --> 02:42:41,119
Speaker 1: look at with a now. So hopefully we can get

2378
02:42:41,160 --> 02:42:44,560
Speaker 1: to that space. But we do need to do more

2379
02:42:44,879 --> 02:42:49,000
Speaker 1: about it's just misusing each other, you know what I'm saying.

2380
02:42:49,640 --> 02:42:51,680
Speaker 1: We need to acknowledge that we're human beings and some

2381
02:42:51,840 --> 02:42:55,440
Speaker 1: of us come with traumas, and those traumas because sometimes

2382
02:42:56,040 --> 02:42:59,360
Speaker 1: lead people in the wrong direction. To the more we

2383
02:42:59,520 --> 02:43:02,760
Speaker 1: work on mental health, I feel like that will better

2384
02:43:03,360 --> 02:43:06,200
Speaker 1: us as a culture. And you know, it's crazy. We

2385
02:43:06,320 --> 02:43:10,199
Speaker 1: old Canada so much favors. Canada could have stepped in. Canada,

2386
02:43:10,480 --> 02:43:15,600
Speaker 1: Canada the country because he's a Canada. He's a Canadian,

2387
02:43:15,680 --> 02:43:18,120
Speaker 1: so get it. But you said we owe them or

2388
02:43:18,160 --> 02:43:21,120
Speaker 1: they us. But yeah, like I mean, Canada could have

2389
02:43:21,160 --> 02:43:24,560
Speaker 1: stepped in. But it's violence. Violence. They can't. They can't

2390
02:43:24,600 --> 02:43:27,400
Speaker 1: do that. They can't. But like if he would have

2391
02:43:27,440 --> 02:43:30,199
Speaker 1: got caught with Keylos, I think Canada would have flex.

2392
02:43:30,280 --> 02:43:39,360
Speaker 1: They must have like they did the switch with the Yeah, yeah, yeah,

2393
02:43:39,640 --> 02:43:43,119
Speaker 1: what's the what's what's the The Russian ship was wild.

2394
02:43:43,680 --> 02:43:45,840
Speaker 1: But another thing I want to say, by the way

2395
02:43:45,879 --> 02:43:48,280
Speaker 1: they traded a basketball player for Killer. That was hard,

2396
02:43:48,560 --> 02:43:53,240
Speaker 1: not just not just a killer like a killer Homie

2397
02:43:55,920 --> 02:44:02,800
Speaker 1: Bodies weapons game was crazy. He funded wars. But that's

2398
02:44:02,879 --> 02:44:04,600
Speaker 1: that's the part that everybody looks over. He was getting

2399
02:44:04,600 --> 02:44:06,560
Speaker 1: out in a couple more months. Anyway. I think he

2400
02:44:06,600 --> 02:44:08,760
Speaker 1: had been in there for a minute. He was about

2401
02:44:08,800 --> 02:44:13,160
Speaker 1: to get planned already. Bro. But I'm gonna tell you something.

2402
02:44:13,200 --> 02:44:15,879
Speaker 1: I was like, I'm gonna tell you something still Glass. Yes,

2403
02:44:16,400 --> 02:44:20,560
Speaker 1: my last conversation with Kanye before like he kind of

2404
02:44:20,640 --> 02:44:24,040
Speaker 1: like went dark was That's what he told me. He

2405
02:44:24,080 --> 02:44:28,320
Speaker 1: said he's going to he's had it to Russia that

2406
02:44:28,959 --> 02:44:35,440
Speaker 1: to meet with Putin too, free Home girl. Yeah, whatever,

2407
02:44:35,600 --> 02:44:39,720
Speaker 1: whichever way, whichever way it happened, Kanye was the first

2408
02:44:39,760 --> 02:44:44,400
Speaker 1: person to put it in. Putin here's a question for

2409
02:44:44,480 --> 02:44:46,120
Speaker 1: both of y'all. And I don't know if Kanye told

2410
02:44:46,120 --> 02:44:47,360
Speaker 1: me that off the record. So if I said that,

2411
02:44:47,480 --> 02:44:52,960
Speaker 1: by get I can y'all see ourselves doing it like that,

2412
02:44:53,200 --> 02:44:57,640
Speaker 1: doing like what going to meet with rulers the whole county? Yeah,

2413
02:44:58,160 --> 02:45:02,400
Speaker 1: hell yeah, hell yeah. And it was sucked up. I

2414
02:45:02,480 --> 02:45:04,959
Speaker 1: smoked weed in Russia with him. Me and him were

2415
02:45:05,000 --> 02:45:07,160
Speaker 1: in Russian That was the most terrifying thing in the world.

2416
02:45:07,640 --> 02:45:11,680
Speaker 1: That was the most racist ever been in my planet. Listen,

2417
02:45:11,680 --> 02:45:16,119
Speaker 1: they're so racist. Listen, listen, but so racist they can't

2418
02:45:16,120 --> 02:45:22,000
Speaker 1: even look at you. What do you mean this? And

2419
02:45:22,080 --> 02:45:24,039
Speaker 1: this is how dope it was. At the same time,

2420
02:45:24,440 --> 02:45:27,880
Speaker 1: the promoters that booked us booked him. I was his

2421
02:45:28,000 --> 02:45:31,880
Speaker 1: DJ and the manager. The same time the promoters that

2422
02:45:32,000 --> 02:45:34,640
Speaker 1: booked us. You want to know what they said? Hold up, okay,

2423
02:45:34,720 --> 02:45:38,119
Speaker 1: I gotta say it. Let him say it. Russians against racism.

2424
02:45:39,000 --> 02:45:41,040
Speaker 1: I said, We're fucked you. If you got a rear

2425
02:45:41,160 --> 02:45:45,800
Speaker 1: button that says Russ's against racist. We don't belong here.

2426
02:45:46,360 --> 02:45:48,720
Speaker 1: And by the way, by the way, about the story

2427
02:45:48,800 --> 02:45:51,320
Speaker 1: with the soccer gang, Oh, hold on, I'm gonna get

2428
02:45:51,320 --> 02:45:52,600
Speaker 1: to that. By the way, let me just tell you

2429
02:45:52,840 --> 02:45:57,320
Speaker 1: how crazy it was. Right, we forget that. They just

2430
02:45:57,400 --> 02:46:01,320
Speaker 1: look at us like Americans is no west coast, there

2431
02:46:01,480 --> 02:46:04,360
Speaker 1: is no east. So the guy comes and picks us

2432
02:46:04,440 --> 02:46:07,160
Speaker 1: up in a six fourth chef. He was cool though

2433
02:46:07,720 --> 02:46:17,960
Speaker 1: he was I was like, what, I don't want to

2434
02:46:18,520 --> 02:46:23,760
Speaker 1: we don't drop. He had of a tony touch of

2435
02:46:23,840 --> 02:46:30,520
Speaker 1: mix tape, A no rider. You know. That's that's that's why,

2436
02:46:32,560 --> 02:46:35,520
Speaker 1: that's why we should never hate on each other, because

2437
02:46:35,640 --> 02:46:40,760
Speaker 1: outside of us, everyone looks at us and saying what

2438
02:46:40,840 --> 02:46:42,760
Speaker 1: he's saying. It's so ill. I'm gonna be honest. We

2439
02:46:42,959 --> 02:46:46,880
Speaker 1: just kicked went in to Hawaii. How was it? Me?

2440
02:46:47,520 --> 02:46:52,920
Speaker 1: My friend Diego, um, and they were racist. Diego is

2441
02:46:53,000 --> 02:46:56,560
Speaker 1: my white friend. He literally sometimes when we're jogging, her

2442
02:46:56,600 --> 02:46:59,120
Speaker 1: walk in front of a car because he's white. He

2443
02:46:59,200 --> 02:47:01,480
Speaker 1: got that privilege. They're not gonna end. Don't even look,

2444
02:47:01,560 --> 02:47:05,600
Speaker 1: they're not gonna hit them. They were racist. Ago I've

2445
02:47:05,840 --> 02:47:11,520
Speaker 1: never seen he literally bought a drink and came up

2446
02:47:11,560 --> 02:47:14,400
Speaker 1: to him and said, you can't drink on the dance floor.

2447
02:47:14,840 --> 02:47:17,640
Speaker 1: Little bars the dance floor, they go, what the you mean?

2448
02:47:18,280 --> 02:47:20,520
Speaker 1: I come out like literally and I was like, wow,

2449
02:47:20,959 --> 02:47:28,800
Speaker 1: they literally hate Americans. It's America though, And now so

2450
02:47:29,000 --> 02:47:32,760
Speaker 1: he's crazy. This is crazy. I come home and I

2451
02:47:32,879 --> 02:47:35,960
Speaker 1: watched the show called White Lotus. Anybody ever seen the

2452
02:47:35,959 --> 02:47:39,120
Speaker 1: show called White Lotus. They just wanna golden Globe. I

2453
02:47:39,200 --> 02:47:42,720
Speaker 1: want to Oscar, whatever the funk it is. And then

2454
02:47:42,840 --> 02:47:48,800
Speaker 1: in in White Lotus, the lady says, oh, I want

2455
02:47:48,879 --> 02:47:53,360
Speaker 1: to leave because and it's deep. Is deep, she said,

2456
02:47:53,560 --> 02:47:57,080
Speaker 1: but why would I stay here? These guys store our

2457
02:47:57,240 --> 02:47:59,720
Speaker 1: land and then they make us dance for them for dinner.

2458
02:48:03,040 --> 02:48:10,720
Speaker 1: So when you eat dinner in Hawaii ya, But so

2459
02:48:11,080 --> 02:48:13,480
Speaker 1: the girl was like, yo, I don't want to watch this.

2460
02:48:14,000 --> 02:48:16,640
Speaker 1: This guys stole these guys land and now they gotta

2461
02:48:16,760 --> 02:48:22,480
Speaker 1: dance for them for dinner. It is deep. So no,

2462
02:48:22,800 --> 02:48:25,600
Speaker 1: it gets worse, It gets worse, It gets worse. So

2463
02:48:25,720 --> 02:48:29,120
Speaker 1: now we're in the hotel, we're walking through diegos blended in.

2464
02:48:29,280 --> 02:48:33,560
Speaker 1: It's nothing but me Mike does he blended in gout

2465
02:48:33,640 --> 02:48:35,640
Speaker 1: doesn't see him. I got us to see him. Guy

2466
02:48:35,760 --> 02:48:38,360
Speaker 1: walks by and goes, there's too many fucking white people

2467
02:48:38,360 --> 02:48:44,480
Speaker 1: in the pool. It's the only place in America. They

2468
02:48:44,640 --> 02:48:50,480
Speaker 1: raised it the white people. And Dio Diego wants something.

2469
02:48:50,680 --> 02:48:53,120
Speaker 1: He goes, does he see him right here? Because he's

2470
02:48:53,440 --> 02:48:56,600
Speaker 1: blended in with black people, he felt so comfortable saying

2471
02:48:56,680 --> 02:48:59,200
Speaker 1: that it suits crazy. I'm sorry, I'm sorry, I went,

2472
02:48:59,280 --> 02:49:01,880
Speaker 1: I went, I went to far No, I was amazing. No,

2473
02:49:02,040 --> 02:49:04,680
Speaker 1: it's crazy because you don't know. And in the world.

2474
02:49:04,920 --> 02:49:08,600
Speaker 1: Step to me, a whale, step to you, you said,

2475
02:49:08,600 --> 02:49:11,280
Speaker 1: a well, yeah, step to you. What kind of whale?

2476
02:49:11,560 --> 02:49:13,680
Speaker 1: He posted that on this ground. Yeah, I ain't like it.

2477
02:49:14,040 --> 02:49:17,880
Speaker 1: What kind of way? What do you mean? Step to you?

2478
02:49:19,320 --> 02:49:22,520
Speaker 1: These three pit bulls in the hood, step to me? Okay,

2479
02:49:22,560 --> 02:49:25,640
Speaker 1: I like this story. First it was three three pit

2480
02:49:25,720 --> 02:49:31,920
Speaker 1: bulls came running out cries. Right. So so in between

2481
02:49:32,000 --> 02:49:36,680
Speaker 1: cries this, these these private houses. It's like a little

2482
02:49:36,720 --> 02:49:39,480
Speaker 1: area where you feel like, oh, ship, I want to

2483
02:49:39,480 --> 02:49:41,520
Speaker 1: have a house like this one day, you know what

2484
02:49:41,520 --> 02:49:46,959
Speaker 1: I mean. So I would take chicks on walks through

2485
02:49:47,040 --> 02:49:49,400
Speaker 1: that neighborhood and like be like, yeah, we're gonna get

2486
02:49:49,440 --> 02:49:53,080
Speaker 1: this down, We're gonna do this, bring back to the

2487
02:49:53,400 --> 02:49:56,600
Speaker 1: apartment and smash you know what I mean. But one day,

2488
02:49:56,680 --> 02:49:58,800
Speaker 1: me and three of my homeboys just walking through there,

2489
02:49:59,720 --> 02:50:02,480
Speaker 1: and the dogs came running out from one of those houses.

2490
02:50:04,440 --> 02:50:07,959
Speaker 1: I turned around and looked at him, and I started

2491
02:50:08,000 --> 02:50:13,760
Speaker 1: talking like, Tony Montana, you're a Cuban. I told you

2492
02:50:13,800 --> 02:50:15,959
Speaker 1: a long time. Yeah, I said, you want to play man?

2493
02:50:17,200 --> 02:50:20,680
Speaker 1: And they stopped. They were balking and running the top

2494
02:50:20,760 --> 02:50:23,360
Speaker 1: speed and they stopped. It was like, oh, ship, he's

2495
02:50:23,400 --> 02:50:26,680
Speaker 1: not scared. All right, we out of here. And I

2496
02:50:26,840 --> 02:50:29,240
Speaker 1: was like, yeah, that's how you turned around, my homies.

2497
02:50:29,879 --> 02:50:33,640
Speaker 1: It was down the block. But yeah, you put pitbows

2498
02:50:33,680 --> 02:50:36,720
Speaker 1: pressed me in. It's a whale step to me. A well,

2499
02:50:37,320 --> 02:50:40,680
Speaker 1: but step, How does a whale step to you in

2500
02:50:40,720 --> 02:50:44,440
Speaker 1: the ocean? Yeah, you don't like you were scooping to you.

2501
02:50:44,560 --> 02:50:47,520
Speaker 1: What did he step to you? Yeah, that's the saying ship.

2502
02:50:48,320 --> 02:50:50,840
Speaker 1: Look because they By the way, by the way, my wife,

2503
02:50:51,440 --> 02:50:55,640
Speaker 1: my wife never said well watching nothing. She said, we're

2504
02:50:55,920 --> 02:50:59,199
Speaker 1: taking her sunset cruise. I say, okay, that sounds cool.

2505
02:51:03,640 --> 02:51:07,320
Speaker 1: And then you get to the remember the last dragon,

2506
02:51:08,000 --> 02:51:10,360
Speaker 1: Remember last dragon? And they said, and there ain't no

2507
02:51:10,520 --> 02:51:14,680
Speaker 1: coming back. We got to the level where they ain't

2508
02:51:14,680 --> 02:51:20,000
Speaker 1: no coming back. And then and then they said, well,

2509
02:51:20,040 --> 02:51:24,160
Speaker 1: this is where the whales is that? So these motherfucker's

2510
02:51:24,320 --> 02:51:30,680
Speaker 1: turned off the engine. We don't want to scare the whales.

2511
02:51:31,120 --> 02:51:35,640
Speaker 1: But I'm like, how about the whales? Scaler and me right,

2512
02:51:36,080 --> 02:51:39,640
Speaker 1: So they're like, looking, it's over there, and then the

2513
02:51:39,720 --> 02:51:46,160
Speaker 1: whale comes up. Damn, they just come straight to the

2514
02:51:46,280 --> 02:51:52,400
Speaker 1: y'all straight to you come on the front of the

2515
02:51:52,480 --> 02:51:54,640
Speaker 1: boat smoking weed because that's the only place you can

2516
02:51:54,680 --> 02:51:56,840
Speaker 1: smoke on the is the front. So me and might

2517
02:51:56,959 --> 02:52:01,640
Speaker 1: move and I got up and I just moved away.

2518
02:52:01,840 --> 02:52:05,720
Speaker 1: I said, oh, this is not good. And then the

2519
02:52:05,800 --> 02:52:15,960
Speaker 1: whale said and then he flew under the boat. But

2520
02:52:16,160 --> 02:52:18,480
Speaker 1: by the way, let me just tell you pause, let

2521
02:52:18,560 --> 02:52:20,520
Speaker 1: me tell you how pauls Let me say how big

2522
02:52:20,680 --> 02:52:25,320
Speaker 1: the well was that he flew under the boat. Everybody

2523
02:52:25,400 --> 02:52:26,800
Speaker 1: was like, oh, this is neat. I was like, this

2524
02:52:26,879 --> 02:52:31,680
Speaker 1: is not neat at all. Lean is filming from one

2525
02:52:31,760 --> 02:52:34,880
Speaker 1: side from the other side, they have the same view.

2526
02:52:35,959 --> 02:52:37,960
Speaker 1: That's how big. Like all he had to do was

2527
02:52:38,600 --> 02:52:41,680
Speaker 1: and everyone else is no one's no one's panicking. Everyone's

2528
02:52:41,720 --> 02:52:47,440
Speaker 1: like it was at that very moment I knew I

2529
02:52:47,560 --> 02:52:56,360
Speaker 1: was different up drinking my ties I'm like, this is

2530
02:52:57,040 --> 02:52:59,320
Speaker 1: And then at one point the well just looked at me.

2531
02:52:59,400 --> 02:53:05,240
Speaker 1: He just came. He came straight to and you know

2532
02:53:05,320 --> 02:53:07,080
Speaker 1: what the lady. You know what the lady said. You know,

2533
02:53:07,200 --> 02:53:09,240
Speaker 1: the lady came to me. I promised you the people

2534
02:53:09,280 --> 02:53:11,879
Speaker 1: here co signed the story. Lady came to me and said,

2535
02:53:12,920 --> 02:53:17,400
Speaker 1: the whales, no, you don't like them, so that they're

2536
02:53:17,520 --> 02:53:20,720
Speaker 1: keep filming them. I said, well, tell the worls that's full.

2537
02:53:28,040 --> 02:53:32,960
Speaker 1: I like you, it's not like them. I'm scared. And

2538
02:53:33,040 --> 02:53:38,080
Speaker 1: then it's all new. Someone right about this talk. The

2539
02:53:38,160 --> 02:53:42,240
Speaker 1: guy takes the mic and he goes think some Micy

2540
02:53:42,320 --> 02:53:46,280
Speaker 1: goes listen. We're gonna listen to the whales. Now goes

2541
02:53:46,320 --> 02:53:49,560
Speaker 1: into the water and the whales starts speaking. I said this,

2542
02:53:49,879 --> 02:54:04,880
Speaker 1: I gotta mix tape. Well, mixed tape and get that clothes.

2543
02:54:07,240 --> 02:54:09,720
Speaker 1: I tell you that I wish I was exaggerating any

2544
02:54:09,800 --> 02:54:12,920
Speaker 1: part of this story. I am not. I am not.

2545
02:54:13,200 --> 02:54:20,000
Speaker 1: There's people here. It's beautiful. Um. That is Maui, one

2546
02:54:20,040 --> 02:54:24,320
Speaker 1: of my favorite places on earth, Malui Honolulu. Um, we're

2547
02:54:24,320 --> 02:54:26,480
Speaker 1: going to the big Island, big up to Royan artest

2548
02:54:27,320 --> 02:54:31,040
Speaker 1: Um world metal piece. Don't go fun with him? He

2549
02:54:31,360 --> 02:54:34,680
Speaker 1: got the people additioning that work on direct TV something

2550
02:54:34,720 --> 02:54:36,240
Speaker 1: like that. They got a little party, so we wanna

2551
02:54:36,240 --> 02:54:40,240
Speaker 1: go out there. Yeah, but man, let me just tell

2552
02:54:40,320 --> 02:54:46,520
Speaker 1: y'all want to I know how hard it is to

2553
02:54:46,640 --> 02:54:49,320
Speaker 1: operate in this space, and I know how hard it

2554
02:54:49,480 --> 02:54:52,480
Speaker 1: is to be important in that space, and I want

2555
02:54:52,480 --> 02:54:56,800
Speaker 1: to salute you brothers. Man and man. Tell y'all continue

2556
02:54:56,840 --> 02:55:00,160
Speaker 1: to do your thing. What you're doing is right. You're

2557
02:55:00,200 --> 02:55:02,680
Speaker 1: on the right path. The fact that you'll just uh

2558
02:55:02,760 --> 02:55:08,480
Speaker 1: suffer some controversy. I loved it because it wasn't light

2559
02:55:08,560 --> 02:55:11,320
Speaker 1: on you. No. No, I love it because we all

2560
02:55:11,360 --> 02:55:17,400
Speaker 1: got experience. Because rain sun is not good unless you

2561
02:55:17,520 --> 02:55:20,520
Speaker 1: enjoy the rain too, you know what I mean. So

2562
02:55:22,080 --> 02:55:26,119
Speaker 1: I'm anna manage the rain like I never really cook

2563
02:55:26,200 --> 02:55:29,800
Speaker 1: coke good. So when I was a hustler, I had

2564
02:55:29,840 --> 02:55:38,480
Speaker 1: to hustle in the rain. Real house is called the

2565
02:55:38,600 --> 02:55:42,800
Speaker 1: nigga said cooking good outside of because they got good ship.

2566
02:55:43,000 --> 02:55:45,960
Speaker 1: Let's get what I'm saying. You want to be available

2567
02:55:46,040 --> 02:55:49,720
Speaker 1: at the worst possible time, because ain't that good? But

2568
02:55:49,840 --> 02:55:52,880
Speaker 1: you're gonna make that. I didn't want this ship. Wanting

2569
02:55:52,959 --> 02:55:56,440
Speaker 1: ship I was. I was. I was like from four

2570
02:55:56,560 --> 02:56:01,039
Speaker 1: to nine, like when no one's outside, So crackhead Brenda,

2571
02:56:01,160 --> 02:56:03,520
Speaker 1: she can't really get playing, Like who you else you

2572
02:56:03,600 --> 02:56:08,600
Speaker 1: gonna see? You remember Rainskins? I used to have the Rainskins,

2573
02:56:08,840 --> 02:56:13,160
Speaker 1: the Columbia Jackets, y'all, the gored text. I used to

2574
02:56:13,320 --> 02:56:19,480
Speaker 1: love snow Rain in the morning shift because because I

2575
02:56:19,600 --> 02:56:22,480
Speaker 1: knew that was it. But so what I'm trying to

2576
02:56:22,520 --> 02:56:25,680
Speaker 1: tell y'all, I'm relating that to y'all is it's very

2577
02:56:25,760 --> 02:56:29,280
Speaker 1: hard to be out here. And what's so crazy this

2578
02:56:29,440 --> 02:56:32,760
Speaker 1: podcast is the New Rappers, right, you know how everyone

2579
02:56:32,879 --> 02:56:36,280
Speaker 1: was wrapped. So, like I said, it's costcos. You know

2580
02:56:36,320 --> 02:56:38,600
Speaker 1: what I mean, It's costcos like everyone wants to be

2581
02:56:38,680 --> 02:56:41,920
Speaker 1: in costcos. Being in the back of costcos doesn't mean nothing,

2582
02:56:42,320 --> 02:56:45,680
Speaker 1: right unless that person is going to look for that.

2583
02:56:46,280 --> 02:56:50,360
Speaker 1: So I want to pig y'all up. Every one of y'all. Uh,

2584
02:56:51,520 --> 02:56:54,720
Speaker 1: I want you to know that I understand. I want

2585
02:56:54,760 --> 02:56:59,320
Speaker 1: you to continue and keep being unapologetic about this ship.

2586
02:56:59,400 --> 02:57:01,840
Speaker 1: You know what I'm saying. And because um, I love

2587
02:57:01,959 --> 02:57:05,920
Speaker 1: that you went through it was styles p because Stus

2588
02:57:06,160 --> 02:57:11,760
Speaker 1: is a real person and we we gotta learn, um period,

2589
02:57:11,840 --> 02:57:16,199
Speaker 1: that sometimes relationships we got to choose between relationships and media,

2590
02:57:16,879 --> 02:57:21,120
Speaker 1: and I had to learn that. I learned it, and

2591
02:57:21,120 --> 02:57:23,720
Speaker 1: it's such a bad way that you're learned in a

2592
02:57:24,240 --> 02:57:27,640
Speaker 1: such a better way that I enjoy it like I

2593
02:57:27,840 --> 02:57:30,680
Speaker 1: enjoy you going through. And it's like the see sail, right,

2594
02:57:31,360 --> 02:57:33,760
Speaker 1: the seesaw is not good unless you gotta go wop

2595
02:57:33,800 --> 02:57:35,720
Speaker 1: it down and then there's gotta be two people on

2596
02:57:35,800 --> 02:57:39,360
Speaker 1: the see sail. See. So can't work by myself. I

2597
02:57:39,480 --> 02:57:44,520
Speaker 1: got deep. I ain't gonna lie. I killed that. I

2598
02:57:44,600 --> 02:57:52,000
Speaker 1: be right now, Anna like that, but not honestly, honestly,

2599
02:57:52,080 --> 02:57:58,119
Speaker 1: for real, what you're doing. It's hard. As a person

2600
02:57:58,200 --> 02:58:01,160
Speaker 1: that's been through, I know what you're going through. I

2601
02:58:01,240 --> 02:58:02,880
Speaker 1: know what you're gonna continue to go through. It is hard,

2602
02:58:05,040 --> 02:58:08,280
Speaker 1: but know that you're on the path of righteousness. Know

2603
02:58:08,400 --> 02:58:11,360
Speaker 1: that you're on that yellow brick road. You know what

2604
02:58:11,400 --> 02:58:19,520
Speaker 1: I'm saying. So it's gonna lead to Dorothy. Thanks, that's

2605
02:58:19,560 --> 02:58:21,680
Speaker 1: where you don't want to go. You don't you don't

2606
02:58:21,720 --> 02:58:28,920
Speaker 1: want to go to they, But the rest exists. Thank

2607
02:58:28,959 --> 02:58:32,520
Speaker 1: you for saying that. You know what that was. It exists.

2608
02:58:33,040 --> 02:58:36,400
Speaker 1: We need to avoid her to get to Dorothy, and

2609
02:58:36,560 --> 02:58:39,879
Speaker 1: we need to tap our boots because that's what there's

2610
02:58:39,920 --> 02:58:44,640
Speaker 1: no place like home. And you know where home is here.

2611
02:58:45,879 --> 02:58:50,400
Speaker 1: It's not a place, it's it's here. And that is

2612
02:58:50,480 --> 02:58:54,080
Speaker 1: also taking care of your family, taking care of people.

2613
02:58:54,959 --> 02:58:58,160
Speaker 1: D m X at right there when DMX said something

2614
02:58:58,200 --> 02:59:01,680
Speaker 1: to me that changed my life forever. I said something

2615
02:59:01,720 --> 02:59:04,400
Speaker 1: about an artist in DMX, I can't call him whack.

2616
02:59:05,600 --> 02:59:10,240
Speaker 1: And I said why he said, because for everyone artist,

2617
02:59:10,760 --> 02:59:14,840
Speaker 1: they feeds sixteen people from the hood. So if I

2618
02:59:14,959 --> 02:59:20,160
Speaker 1: call this artist whack, I'm taking away from sixteen people's mouths.

2619
02:59:28,200 --> 02:59:30,879
Speaker 1: So I don't call no podcast. Even though a lot

2620
02:59:30,920 --> 02:59:40,720
Speaker 1: of you whack out there. I don't take a shot

2621
02:59:40,800 --> 02:59:44,200
Speaker 1: the end this out. But I'm telling y'all again, I

2622
02:59:44,360 --> 02:59:47,640
Speaker 1: know me and you have very close relationship. A lot

2623
02:59:47,640 --> 02:59:49,640
Speaker 1: of people don't know that. We don't really tell people.

2624
02:59:50,280 --> 02:59:52,840
Speaker 1: But any time you call I pick up, any time

2625
02:59:52,879 --> 02:59:54,760
Speaker 1: I call you pick up, you be there for me too.

2626
02:59:55,680 --> 02:59:57,879
Speaker 1: I loved when you called me for Wu Tang when

2627
02:59:57,879 --> 03:00:00,320
Speaker 1: I was going through the Remember that I was going

2628
03:00:00,360 --> 03:00:03,600
Speaker 1: through the woof tang ship man call me for the car.

2629
03:00:04,440 --> 03:00:07,960
Speaker 1: And as much as I know you appreciate me, I

2630
03:00:08,000 --> 03:00:11,000
Speaker 1: want you to know I appreciate you. I sit down,

2631
03:00:11,840 --> 03:00:14,760
Speaker 1: I take your advice as well. Um it's not just

2632
03:00:15,200 --> 03:00:18,039
Speaker 1: it's a see sawt with us. And I respect all

2633
03:00:18,120 --> 03:00:20,520
Speaker 1: of you brothers, and I want you to continue to

2634
03:00:20,600 --> 03:00:27,000
Speaker 1: do what you gotta do. Keep monkey footing these people

2635
03:00:27,040 --> 03:00:32,400
Speaker 1: in they fucking face, keep keeping doing, keep doing it

2636
03:00:32,920 --> 03:00:37,800
Speaker 1: because because because y'all on the right path, got it.

2637
03:00:39,120 --> 03:00:41,800
Speaker 1: So we can went to the West, go out there

2638
03:00:42,400 --> 03:00:49,240
Speaker 1: and go hang out with Dorthy because I feel like

2639
03:00:49,320 --> 03:00:53,000
Speaker 1: my wife is already drunk. Thanks for joining us for

2640
03:00:53,040 --> 03:00:55,720
Speaker 1: another episode of Drink CHAMPCE hosted by yours truly, d

2641
03:00:55,879 --> 03:00:58,440
Speaker 1: J E f F and n R E. Please make

2642
03:00:58,440 --> 03:01:00,720
Speaker 1: sure to follow us on all our social Let's at

2643
03:01:00,760 --> 03:01:04,240
Speaker 1: drink Champs across all platforms at the Real Noriegon. I

2644
03:01:04,440 --> 03:01:08,080
Speaker 1: g at Noriega on Twitter, mine is at Who's Crazy

2645
03:01:08,280 --> 03:01:11,160
Speaker 1: on I g at d J E F N on Twitter,

2646
03:01:11,560 --> 03:01:14,119
Speaker 1: and most importantly, stay up to date with the latest releases,

2647
03:01:14,520 --> 03:01:17,680
Speaker 1: news and merch by going to drink Champs dot com