WEBVTT - TechStuff Shreds on the Electric Guitar

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<v Speaker 1>Brought to you by the reinvented two thousand twelve cameray.

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<v Speaker 1>It's ready. Are you get in touch with technologies? With

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<v Speaker 1>tech Stuff from how stuff works dot com. Hello everybody,

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<v Speaker 1>and welcome to tech Stuff. My name is Chris Poett.

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<v Speaker 1>I'm an editor here at how stuff Works dot com

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<v Speaker 1>and sitting across from me as usual as senior writer

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<v Speaker 1>Jonathan Strickland Crispy. I would like to rock and roll

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<v Speaker 1>all night and party every day, right, okay, And in

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<v Speaker 1>order to do that, I need one of the greatest

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<v Speaker 1>inventions of the twentieth century, the blender. No, that well,

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<v Speaker 1>that could help the whole partying part. No, I'm talking

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<v Speaker 1>about the electric guitar. Now, recently the world lost a

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<v Speaker 1>great inventor, Les Paul, who was one of the people

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<v Speaker 1>instrumental to use a pe in creating the electric guitar.

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<v Speaker 1>He was not the first person to combine electricity with guitars,

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<v Speaker 1>but we'll get to his contribution shortly. So why would

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<v Speaker 1>you want to create an electric guitar in the first place.

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<v Speaker 1>There are a couple of reasons, the most, I would say,

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<v Speaker 1>in my opinion, obvious of which is that if you

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<v Speaker 1>want your guitar to be heard by people more than

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<v Speaker 1>a few feet away, you're going to need to find

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<v Speaker 1>some way to amplify it. That's a good point. And

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<v Speaker 1>so you would want to be able to plug it

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<v Speaker 1>into an amplifier so that the amplifier would project the

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<v Speaker 1>sound farther. That's a good point to which is, uh,

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<v Speaker 1>you know why you have those giant speaker cabinets on

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<v Speaker 1>the side of rock stages, right, because the only real alternative,

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<v Speaker 1>at if we're talking about the earlier stages, is to

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<v Speaker 1>put a microphone directly in front of the guitar and

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<v Speaker 1>hopefully pick up the sound and and transmit it that way,

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<v Speaker 1>which is not the best way to get a clean

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<v Speaker 1>sound out of your guitar. It's it's inefficient, to be honest,

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<v Speaker 1>because the sound is not the sound waves are traveling

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<v Speaker 1>from the guitar to the microphone, and of course, anytime

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<v Speaker 1>sound travels through the air, there is the possibility that

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<v Speaker 1>will become distorted, yes, which sometimes is something you want,

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<v Speaker 1>but you want to be able to control it. You

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<v Speaker 1>don't want uncontrolled distortion. Although uncontrolled distortion would be an

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<v Speaker 1>awesome name for a rock band, it probably is one

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<v Speaker 1>already could be if not patent pending. Okay, so uh yeah,

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<v Speaker 1>I guess we guess we do. We have a whole

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<v Speaker 1>bunch of them pending, now, don't we at least three?

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<v Speaker 1>So the way sound works, you've got something vibrating, right,

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<v Speaker 1>and then that causes other molecules to vibrate. Eventually, these

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<v Speaker 1>vibrating molecules hit our ears, causing little hairs to vibrate,

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<v Speaker 1>sends little vibrations down to our ear drums, and that's

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<v Speaker 1>what we interpret as sound excellent. You've got to have

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<v Speaker 1>some sort of molecules in the in the environment in

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<v Speaker 1>order to be able to hear, which is why if

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<v Speaker 1>you're in outer space, you're not likely to hear anything

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<v Speaker 1>because the molecules are spread out so far apart that

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<v Speaker 1>there's not much chance of one bumping into another. That

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<v Speaker 1>would be the whole vacuum thing. That would be, yes,

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<v Speaker 1>the vacuum thing. Yeah, yes, it's the hoover element of

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<v Speaker 1>say equation as I like to say. Yeah, I'm going

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<v Speaker 1>to leave the science stuff to other folks, all right, Well,

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<v Speaker 1>I of course wrote an article about can humans here

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<v Speaker 1>in space? Spoiler alert they can't. Um. So, the the

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<v Speaker 1>idea behind a regular guitar I mean, the reason why

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<v Speaker 1>guitars have a hollow body, why many stringed instruments have

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<v Speaker 1>a hollowed body body is so that creates a natural

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<v Speaker 1>amplification chamber. Yeah, without it, you wouldn't hear very much.

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<v Speaker 1>And the the size and shape of that chamber, you know,

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<v Speaker 1>has a lot of effect on the way a guitar sounds.

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<v Speaker 1>That's why some electric guitars maintain the hollow body while

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<v Speaker 1>others go for a solid body, right, So you know,

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<v Speaker 1>they both have their own merits and yeah, and early

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<v Speaker 1>on in the the experiments in electrifying guitars, um many

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<v Speaker 1>of the innovators tried to to alter existing guitars like

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<v Speaker 1>hollow body guitars, but there was a problem with that

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<v Speaker 1>and that you would often get distortion based upon the

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<v Speaker 1>natural amplification from the hollow body and the electrical implication

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<v Speaker 1>you're getting from the electric guitar. Well, also depends on

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<v Speaker 1>how you are trying to electrify your guitar too, because

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<v Speaker 1>if you're just hunking up a couple of jumper cables

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<v Speaker 1>to your guitar, that's probably not the best way. Not

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<v Speaker 1>quite what I meant, okay, because I know that in

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<v Speaker 1>early early electric guitars. They didn't always plug in in

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<v Speaker 1>the same place, and they didn't always try to pick

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<v Speaker 1>up the sound from the same place. Wait, you used

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<v Speaker 1>a word there, pick up. Oh. Yes, it's not just

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<v Speaker 1>a truck. No, it's not. It's an important part of

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<v Speaker 1>an electric guitar. Yes, because in in early guitars they

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<v Speaker 1>tried to pick up the vibrations, the the sound vibrations

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<v Speaker 1>up of you know, upwards, away from the guitar body

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<v Speaker 1>and toward the neck and even at the end of

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<v Speaker 1>the guitar. Yes, and now it's at the other end,

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<v Speaker 1>the base of the guitar. That's where you're gonna find

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<v Speaker 1>the pickups. Now a pickup. Uh, here, we've better explain,

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<v Speaker 1>I guess the basis of an electric guitar, Like, what

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<v Speaker 1>makes the electric guitar work? I'd like to point out

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<v Speaker 1>that electric guitars aren't, well, at least not in most

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<v Speaker 1>cases themselves. Electric their passward, their passive exactly. Um, we're

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<v Speaker 1>getting back to our old friend, the electro magnet here. Yes,

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<v Speaker 1>I remember our old friend, the electromagnet. Yes, they got

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<v Speaker 1>up and left the other day. Does I had to

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<v Speaker 1>pay for lunch? What a jerk? But electro magnets. Uh.

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<v Speaker 1>You may recall from our previous episodes that if you

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<v Speaker 1>have a UM, if you run an electric current through

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<v Speaker 1>a coiled copper wire usually coiled around an iron core,

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<v Speaker 1>not necessarily, but it can be UM, that can create

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<v Speaker 1>a magnetic field. So electricity congeneraing magnetic field, and if

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<v Speaker 1>you alter a magnetic field, you can induce electricity. So

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<v Speaker 1>with a an electric guitar, you have a pickup at

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<v Speaker 1>the base usually of the guitar that is a magnet

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<v Speaker 1>that has a coil around the magnet. And uh, that

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<v Speaker 1>means there's a magnetic field magnet. That's what magnets produce. Right,

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<v Speaker 1>So when you strum a string, the frequency the vibration

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<v Speaker 1>of that that string um created distorts the magnetic field

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<v Speaker 1>by destroying the magnetic field, oscillating it. Essentially, you create

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<v Speaker 1>an electric current. The electric current runs through the little

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<v Speaker 1>coil that's around the magnet. And then, Uh, if you

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<v Speaker 1>don't have your guitar plugged into anything, it doesn't go

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<v Speaker 1>anywhere and all you won't really hear anything. If it's

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<v Speaker 1>a solid body electric guitar anyway, UM, well you will,

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<v Speaker 1>but you'd have to be very very close to it.

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<v Speaker 1>You won't hear much. Yeah, it will sound pretty weak

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<v Speaker 1>and uh, because there's nothing to really amplify the sound. Now,

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<v Speaker 1>if you haven't plugged into an amp, that little electric

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<v Speaker 1>signal will go to the amp which has a couple

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<v Speaker 1>of different elements to it that can boost the signal

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<v Speaker 1>and then convert it back into sound. And that's the

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<v Speaker 1>sound you hear when you strum the strings on electric guitar. Now,

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<v Speaker 1>UM for an electric guitar to uh what I mean,

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<v Speaker 1>assuming that we're not talking about an acoustic electric guitar

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<v Speaker 1>in which you're basically attempting to amplify the sound from

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<v Speaker 1>the electric guitar. If you're talking about UM an electric

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<v Speaker 1>guitar like, for example, a less paul Um, then the

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<v Speaker 1>pickups are directly underneath the strings where you actually play,

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<v Speaker 1>where actually strong or pick the strings UM, and that

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<v Speaker 1>enables them to be very close to the origin vibration.

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<v Speaker 1>And in some cases the pickups are designed to um

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<v Speaker 1>move closer to or farther away from the string as

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<v Speaker 1>you need to adjust them so that you can pardon

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<v Speaker 1>the pun for once uh fine tune your sound. You

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<v Speaker 1>can sort of modify things too, as you need to

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<v Speaker 1>to get the sound you're trying to get. That's not

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<v Speaker 1>always the case. I mean, some of them are very

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<v Speaker 1>very simple, where there is a single bar magnet that

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<v Speaker 1>as you used as a pick up. But you'll notice

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<v Speaker 1>too that some guitars use one set of pickups while

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<v Speaker 1>other guitars use several different sets of pickups. And you

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<v Speaker 1>can actually you'll see switches on the guitar body that uh,

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<v Speaker 1>you know, enables you to turn one set on or

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<v Speaker 1>one set off, or modify the sound to to uh,

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<v Speaker 1>you know, make changes to your sound without having to

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<v Speaker 1>sit there and you know, rewire the whole darn thing. Yeah. Essentially,

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<v Speaker 1>you have controls that allow you to filter out certain frequencies,

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<v Speaker 1>and so by choosing which frequencies you want and which

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<v Speaker 1>ones you don't want, you can have your guitar sound

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<v Speaker 1>in you know, many different ways. You can have that

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<v Speaker 1>really you know kind of crunchy rock sound that you

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<v Speaker 1>hear from alternative rock bands, where you can have that

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<v Speaker 1>more sort of twangy sound from uh, you know, a

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<v Speaker 1>country western or even like the sort of the surf

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<v Speaker 1>rock sound of a guitar. A lot of that is

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<v Speaker 1>just through filtering out which frequencies you want to to

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<v Speaker 1>go to the app and which ones you don't. So

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<v Speaker 1>it's kind of cool that with one instrument you can

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<v Speaker 1>get so many different sounds out of you know, just

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<v Speaker 1>by tweaking a knob or two. Yeah. And the one

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<v Speaker 1>of the really cool things about an electric guitar as

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<v Speaker 1>far as I mean just from a scientific standpoint, although

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<v Speaker 1>apparently I'm not leaving the science to other people, UM,

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<v Speaker 1>is that you can make so many modifications. I mean

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<v Speaker 1>that having it wired like that gives you a lot

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<v Speaker 1>of control over the sound, and it actually enables you

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<v Speaker 1>to uh share the sound and control of your sound

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<v Speaker 1>with another p of your instrument puzzle, which is the amplifier,

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<v Speaker 1>because once you plug it in, the amplifier becomes part

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<v Speaker 1>of the electric guitar as the entire instrument. UM. In

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<v Speaker 1>some cases you're it's just simply going to amplify. But

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<v Speaker 1>in a lot of cases, especially for rock musicians, UM,

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<v Speaker 1>there are amplifier amplifiers you can buy that have a

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<v Speaker 1>lot of the equipment built in that allows you to

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<v Speaker 1>modify the sound. You can add reverberation for example, UM

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<v Speaker 1>or distortion, which is very very popular depending on the

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<v Speaker 1>kind of music you're playing. UM. And then of course

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<v Speaker 1>there are effects pedals um, some of which actually I

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<v Speaker 1>know some people who have quite a few effects pedals

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<v Speaker 1>UM and basically what these are doing enables they enable

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<v Speaker 1>you to make slight changes to the way those vibrations

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<v Speaker 1>are are distributed across the um, the electrical current from

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<v Speaker 1>between the guitar and the amplifier, and then you know,

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<v Speaker 1>from there to whatever else I guess technically the speaker,

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<v Speaker 1>but if you are in some cases playing saying arena show,

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<v Speaker 1>you might have a microphone stuck up next to your

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<v Speaker 1>actual guitar amp and then from there just going through

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<v Speaker 1>the p A system out to the crowd. So there's

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<v Speaker 1>a there's a lot of wiring and rock stars live

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<v Speaker 1>lives I can only dream of. Yeah, I've had to

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<v Speaker 1>haul around a lot of that gear so thankfully not

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<v Speaker 1>usually the p A, but I just looked at that gear. Yeah,

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<v Speaker 1>it's heavy, a lot of it. What I think is

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<v Speaker 1>cool about electric guitars as it does allow you to

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<v Speaker 1>do things like have a guitar that has a solid body.

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<v Speaker 1>I mean again, if if it weren't for the electrical amplification,

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<v Speaker 1>then a solid body guitar would be pretty much useless

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<v Speaker 1>because you would have to be sitting just a couple

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<v Speaker 1>inches away to be able to hear anything that was

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<v Speaker 1>coming out of it in the first place. Um and

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<v Speaker 1>uh Les Paul's is widely credited with creating the first

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<v Speaker 1>real solid body electric guitar, which he called the log Um.

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<v Speaker 1>It would it is it is. It was made by

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<v Speaker 1>made out of a slab of wood, a solid block,

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<v Speaker 1>and and uh, it actually could come apart in pieces.

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<v Speaker 1>I've seen pictures of it. It was pretty impressive. And

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<v Speaker 1>granted he refined that design lightly, that was not the

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<v Speaker 1>design that Gibson picked up when they started to market

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<v Speaker 1>the guitars later on. Um. Yeah, and and the electric

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<v Speaker 1>guitar has really revolutionized music. I mean there, it's that's

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<v Speaker 1>not a exaggeration by any stretch of the imagination. By

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<v Speaker 1>pairing an electric guitar with an app and playing a note, uh,

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<v Speaker 1>it's possible for you to get a vibration off the

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<v Speaker 1>the speaker that continues to vibrate the string, and you

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<v Speaker 1>get a perpetual note, a note that will last forever,

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<v Speaker 1>or until the power runs out, or until the power

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<v Speaker 1>runs out, or until your audience decides they've had enough

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<v Speaker 1>of this and they're gonna go home. He just kind

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<v Speaker 1>of play that one note. This is like the most boring,

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<v Speaker 1>grateful dead concert ever. He's jamming on one note and

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<v Speaker 1>that's it. Well, you know whatever floats. Yeah, I think

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<v Speaker 1>I could have manage managed that. You know, I bet

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<v Speaker 1>there's a performance artists out there somewhere who's done this,

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<v Speaker 1>and sure that I'm sure there are more than one.

0:13:11.920 --> 0:13:15.880
<v Speaker 1>But yes, yes, I'm pretty sure. Um. You know, more

0:13:15.920 --> 0:13:18.320
<v Speaker 1>power to you if that brings the grant money in

0:13:19.640 --> 0:13:23.640
<v Speaker 1>good luck. But um, if you've wondered, if you've watched

0:13:23.920 --> 0:13:26.880
<v Speaker 1>a rock band play and then watched another rock band

0:13:26.960 --> 0:13:28.880
<v Speaker 1>right after them, you go, why, you know, why does

0:13:28.920 --> 0:13:32.439
<v Speaker 1>it matter what guitars they're using? You know, other than

0:13:32.840 --> 0:13:35.680
<v Speaker 1>maybe a six swing string versus a twelve string or

0:13:36.160 --> 0:13:41.120
<v Speaker 1>you know, uh, a regular guitar versus say, an alto

0:13:41.320 --> 0:13:44.920
<v Speaker 1>or a bass guitar. Um, I'm sorry, a tenor versus

0:13:44.920 --> 0:13:46.960
<v Speaker 1>a bass guitar. You might go, Okay, well, I get it.

0:13:47.000 --> 0:13:48.480
<v Speaker 1>Once a little bigger than the other one has a

0:13:48.520 --> 0:13:51.520
<v Speaker 1>couple more strings, So you know, why are there? You know,

0:13:51.520 --> 0:13:54.560
<v Speaker 1>what's the difference in a stratocaster versus the last Paul? Well,

0:13:54.559 --> 0:13:57.320
<v Speaker 1>it all it's sort of all comes down to the

0:13:57.400 --> 0:13:59.480
<v Speaker 1>things we were talking about before, the number of pickups,

0:13:59.480 --> 0:14:01.560
<v Speaker 1>what kinds of pickups there are on it, whether or

0:14:01.559 --> 0:14:03.960
<v Speaker 1>not it's a hollow or solid body, the kind of

0:14:03.960 --> 0:14:06.000
<v Speaker 1>wood it's made out of, or other material that it

0:14:06.040 --> 0:14:08.440
<v Speaker 1>may be made out of, and um. You know, even

0:14:08.600 --> 0:14:10.640
<v Speaker 1>Gibson changed things a couple of years ago when they

0:14:10.760 --> 0:14:14.440
<v Speaker 1>offered an ethernet guitar because suddenly the connection is no

0:14:14.520 --> 0:14:17.480
<v Speaker 1>longer analog, which is basically it's a you know, one

0:14:17.559 --> 0:14:21.120
<v Speaker 1>quarter inch phono plug on either end. You plug one

0:14:21.120 --> 0:14:23.040
<v Speaker 1>side in your guitar, one side and your amp. Well,

0:14:23.800 --> 0:14:27.440
<v Speaker 1>Gibson changed that by incorporating an Ethernet connection. Well, that

0:14:27.600 --> 0:14:30.760
<v Speaker 1>changes the sound even more, gives you an opportunity to

0:14:30.880 --> 0:14:34.160
<v Speaker 1>play a really clean digital signal, which a lot of

0:14:34.160 --> 0:14:37.720
<v Speaker 1>purists really don't like the idea of. Um. You know,

0:14:37.840 --> 0:14:41.680
<v Speaker 1>everything adds a little bit of change to it, so um.

0:14:41.720 --> 0:14:44.320
<v Speaker 1>And that's why some people prefer vintage guitars over brand

0:14:44.320 --> 0:14:46.360
<v Speaker 1>new guitars. They say, well, you know, it was made

0:14:46.360 --> 0:14:48.840
<v Speaker 1>out of this kind of wood back in six five.

0:14:49.080 --> 0:14:50.760
<v Speaker 1>It's made out of this kind of wood now is

0:14:50.800 --> 0:14:53.080
<v Speaker 1>just not the same. And they may look the same

0:14:53.080 --> 0:14:55.440
<v Speaker 1>to you or me, but that's not the same. And

0:14:55.560 --> 0:14:58.400
<v Speaker 1>you saw one of those digital guitars over sea, Yes,

0:14:58.760 --> 0:15:01.920
<v Speaker 1>didn't you? Yes, I did. I thought it was a

0:15:01.920 --> 0:15:05.400
<v Speaker 1>little weird. Um. Not not because there's anything necessarily wrong

0:15:05.440 --> 0:15:07.000
<v Speaker 1>with it, but I thought, well, you know, I wonder

0:15:07.040 --> 0:15:10.480
<v Speaker 1>if this is the kind of thing that's going to change, um,

0:15:10.680 --> 0:15:14.000
<v Speaker 1>the way people play guitar. And I don't know that

0:15:14.040 --> 0:15:16.320
<v Speaker 1>it has significantly. I haven't seen a lot of people

0:15:16.480 --> 0:15:18.120
<v Speaker 1>with them. As a matter of fact, I've seen nobody

0:15:18.120 --> 0:15:21.800
<v Speaker 1>in person with them. Um. But it was sort of

0:15:21.840 --> 0:15:23.600
<v Speaker 1>the same kind of thing that you saw in the

0:15:23.680 --> 0:15:26.720
<v Speaker 1>nineteen eighties with electronic drums. They were all the rage

0:15:26.720 --> 0:15:28.280
<v Speaker 1>back in the day because you could play all kinds

0:15:28.280 --> 0:15:31.360
<v Speaker 1>of sounds on them. And now the purists I think

0:15:31.400 --> 0:15:34.160
<v Speaker 1>have sort of maybe not one out because they still

0:15:34.160 --> 0:15:39.560
<v Speaker 1>make electronic drums, but they have certainly taken the the

0:15:39.600 --> 0:15:44.120
<v Speaker 1>electronic drum market back. And I think that acoustic or

0:15:44.320 --> 0:15:48.360
<v Speaker 1>not acoustic, but uh, analog guitars, electric guitars are are

0:15:48.640 --> 0:15:52.520
<v Speaker 1>still predominantly the most popular. Yeah, I'm just waiting for

0:15:52.560 --> 0:15:56.080
<v Speaker 1>the key tar to really really make an impact, right.

0:15:56.920 --> 0:15:59.440
<v Speaker 1>And you know it's funny because I'm just gonna skip

0:15:59.440 --> 0:16:03.480
<v Speaker 1>that um because it's there's a there's a website. I'm

0:16:03.560 --> 0:16:05.600
<v Speaker 1>assuming it's still there. I can check real quick while

0:16:05.600 --> 0:16:09.880
<v Speaker 1>we're talking. But um, there was a guitar website called

0:16:09.920 --> 0:16:15.280
<v Speaker 1>guitar geek dot com um and basically, uh, it hasn't

0:16:15.480 --> 0:16:17.680
<v Speaker 1>been updated in a while, but it allows you to

0:16:17.840 --> 0:16:19.920
<v Speaker 1>look at the rigs that everybody has set ups. You

0:16:19.960 --> 0:16:22.560
<v Speaker 1>can see what kind of guitar that they that famous

0:16:22.640 --> 0:16:24.960
<v Speaker 1>artist plays, along with the effects pedals they might use,

0:16:25.360 --> 0:16:29.200
<v Speaker 1>and what kind of amplifier UM they might use. And

0:16:29.240 --> 0:16:31.920
<v Speaker 1>it's really kind of cool because you learn things about

0:16:32.200 --> 0:16:35.280
<v Speaker 1>certain guitar players like um Dave Davies of The Kinks,

0:16:35.320 --> 0:16:40.880
<v Speaker 1>who liked to slit his um speaker and his amplifier

0:16:40.920 --> 0:16:43.560
<v Speaker 1>cabinet so that it would provide just the right distortion sound.

0:16:43.640 --> 0:16:46.040
<v Speaker 1>And suddenly it's no longer about the guitar or the

0:16:47.000 --> 0:16:50.520
<v Speaker 1>effects pedals, but um whether or not the speaker as

0:16:50.560 --> 0:16:53.680
<v Speaker 1>a hole in it? Nice. Uh. Yeah, I'd like to

0:16:53.720 --> 0:16:56.440
<v Speaker 1>see how how Queen got that amazing sound at the

0:16:56.560 --> 0:16:59.080
<v Speaker 1>end of the with the guitar solo of UM we

0:16:59.120 --> 0:17:02.640
<v Speaker 1>Will Rock You, because that's still to this day my

0:17:02.680 --> 0:17:05.919
<v Speaker 1>favorite guitar solo ever. Yeah, no serious, it really is.

0:17:06.400 --> 0:17:08.639
<v Speaker 1>UM so here's a little trivia for you guys. Uh.

0:17:08.800 --> 0:17:12.080
<v Speaker 1>We were talking about the oscillations of the string causing

0:17:12.119 --> 0:17:14.800
<v Speaker 1>a change in the magnetic field, and that is what

0:17:15.000 --> 0:17:20.040
<v Speaker 1>creates the electrical current. Um. That is based off of

0:17:20.119 --> 0:17:24.640
<v Speaker 1>Faraday's law. So there you go. If you ever are

0:17:24.720 --> 0:17:29.400
<v Speaker 1>watching a musician rock out uh on stage, you can

0:17:29.400 --> 0:17:31.600
<v Speaker 1>turn to the person next to you and say, this

0:17:31.680 --> 0:17:36.240
<v Speaker 1>is an excellent demonstration of Faraday's law, which is guaranteed

0:17:36.320 --> 0:17:43.719
<v Speaker 1>to get you the ladies. Yeah, not actually guaranteed, your

0:17:44.200 --> 0:17:48.679
<v Speaker 1>ma y, some restrictions apply it. It worked on my wife,

0:17:48.800 --> 0:17:53.960
<v Speaker 1>but she's taken So okay. Then, well are you Are

0:17:54.000 --> 0:17:56.080
<v Speaker 1>you all rocked out? Yeah? I'm kind of rocked out

0:17:56.080 --> 0:17:57.920
<v Speaker 1>for the moment. Well then I guess that takes us

0:17:58.000 --> 0:18:06.640
<v Speaker 1>straight to a listener. Yeah, rock on this listener. Mail

0:18:06.680 --> 0:18:10.320
<v Speaker 1>comes from Louis and or Louis Louis or Lewis. I

0:18:10.320 --> 0:18:13.119
<v Speaker 1>don't know. You can write me and let me go

0:18:14.920 --> 0:18:17.199
<v Speaker 1>hey me again. So you think I know how to

0:18:17.200 --> 0:18:20.440
<v Speaker 1>pronounce his name? Bry Now finally got my modem working again,

0:18:20.480 --> 0:18:23.280
<v Speaker 1>so time to email you. In the video game podcast

0:18:23.400 --> 0:18:25.600
<v Speaker 1>The New One, you said that the p S three

0:18:25.680 --> 0:18:28.800
<v Speaker 1>had a cell based processor. What does this mean. Also,

0:18:28.880 --> 0:18:30.480
<v Speaker 1>from what you were saying, it seemed that in the

0:18:30.600 --> 0:18:33.200
<v Speaker 1>US Xbox three sixties are more expensive than the we.

0:18:33.840 --> 0:18:36.520
<v Speaker 1>Is this true here? In New Zealand, a twenty gigabyte

0:18:36.640 --> 0:18:39.600
<v Speaker 1>Xbox three sixties three hundred dollars, whereas a WE cost

0:18:39.640 --> 0:18:44.280
<v Speaker 1>almost four fifty And I'm a bit confused. Well, Louie, Um,

0:18:44.400 --> 0:18:48.080
<v Speaker 1>let's talk a little bit about the cell based processor. Uh.

0:18:48.160 --> 0:18:52.160
<v Speaker 1>It's a specific kind of microprocessor architecture, right, It's based

0:18:52.200 --> 0:18:56.080
<v Speaker 1>off of the cell broadband engine architecture. It's just sell

0:18:56.200 --> 0:18:59.280
<v Speaker 1>for short UM. And the idea here is that each

0:18:59.320 --> 0:19:05.240
<v Speaker 1>cell and handle a certain amount of um of of

0:19:05.320 --> 0:19:09.160
<v Speaker 1>calculations per second. UH. And the p S three has

0:19:09.240 --> 0:19:13.320
<v Speaker 1>I believe, seven of these cells, So each cell is

0:19:13.359 --> 0:19:17.040
<v Speaker 1>capable of handling a massive amount of information. The problem

0:19:17.119 --> 0:19:19.359
<v Speaker 1>is you have to be able to design games that

0:19:19.440 --> 0:19:23.639
<v Speaker 1>take advantage of this. They're very good at handling parallel problems.

0:19:23.960 --> 0:19:27.000
<v Speaker 1>So in other words, you've got a you know, one

0:19:27.080 --> 0:19:29.920
<v Speaker 1>of them's handling graphics, another might be handling physics engine,

0:19:29.960 --> 0:19:33.879
<v Speaker 1>another might be handling sound something like that, as opposed

0:19:33.920 --> 0:19:38.560
<v Speaker 1>to all of them working together on one big problem.

0:19:38.600 --> 0:19:40.359
<v Speaker 1>So so if you can divide it up if you

0:19:40.359 --> 0:19:44.400
<v Speaker 1>can divide up duties for each cell. Uh, it really

0:19:44.400 --> 0:19:47.680
<v Speaker 1>takes advantage of the hardware. Um, otherwise you've just got

0:19:47.720 --> 0:19:50.840
<v Speaker 1>a massively powerful machine that that you can't really take

0:19:50.880 --> 0:19:54.280
<v Speaker 1>advantage of. But uh, you know, if you design the

0:19:54.280 --> 0:19:57.560
<v Speaker 1>game the right way, that makes that system one in

0:19:57.600 --> 0:20:00.360
<v Speaker 1>the most powerful system on the market right now or none.

0:20:00.400 --> 0:20:03.879
<v Speaker 1>PS three would be the most powerful. But again you

0:20:03.960 --> 0:20:08.120
<v Speaker 1>have to design the software to match the hardware's capabilities. Now,

0:20:08.160 --> 0:20:12.720
<v Speaker 1>as for the pricing, well back when the game consoles

0:20:12.800 --> 0:20:14.840
<v Speaker 1>first came out and they didn't all come out at

0:20:14.880 --> 0:20:17.560
<v Speaker 1>the same time, we should we should make that point.

0:20:18.359 --> 0:20:21.280
<v Speaker 1>But the core system, the Xbox three sixty core system

0:20:21.400 --> 0:20:26.320
<v Speaker 1>was two dollars and the Xbox three sixty the main system.

0:20:26.400 --> 0:20:29.199
<v Speaker 1>Because the core system was the no frills version, the

0:20:29.240 --> 0:20:32.920
<v Speaker 1>main system was three. P S three came out with

0:20:32.960 --> 0:20:35.000
<v Speaker 1>two different models as well. At that time. There was

0:20:35.040 --> 0:20:37.920
<v Speaker 1>a twenty gigabyte version and that was four hundred and

0:20:38.000 --> 0:20:41.320
<v Speaker 1>ninety nine dollars, But then there was the sixty gigabyte

0:20:41.400 --> 0:20:46.480
<v Speaker 1>version that was five hundred and ninety nine dollars, pretty

0:20:46.480 --> 0:20:49.360
<v Speaker 1>expensive states right in the US and the WE when

0:20:49.359 --> 0:20:52.000
<v Speaker 1>it came out two nine dollars, So it was cheaper

0:20:52.040 --> 0:20:57.960
<v Speaker 1>by fifty bucks than the next least expensive console. I

0:20:57.960 --> 0:21:00.600
<v Speaker 1>should also add many people have written in to point

0:21:00.640 --> 0:21:02.160
<v Speaker 1>this out, and I think we mentioned it in an

0:21:02.160 --> 0:21:06.200
<v Speaker 1>earlier podcast as well, but the those first PS three

0:21:06.240 --> 0:21:09.879
<v Speaker 1>models were backwards compatible. You could play PS two games

0:21:09.920 --> 0:21:12.480
<v Speaker 1>on them. It was only after they moved to the

0:21:12.520 --> 0:21:16.000
<v Speaker 1>PS three eighty gigabyte version, and even some of the

0:21:16.040 --> 0:21:19.560
<v Speaker 1>early ones of those were backwards compatible, but eventually they

0:21:19.640 --> 0:21:23.119
<v Speaker 1>took that compatibility out of the p S three and

0:21:23.240 --> 0:21:26.199
<v Speaker 1>since then it has not been there. Yeah, and some

0:21:26.280 --> 0:21:31.280
<v Speaker 1>of those older models are are much more um prized

0:21:31.840 --> 0:21:34.680
<v Speaker 1>by PS three fans than the newer models because of

0:21:34.880 --> 0:21:37.399
<v Speaker 1>backwards compatibility. Yeah, because it means one less machine that

0:21:37.480 --> 0:21:39.280
<v Speaker 1>you have to have hooked up to your your system

0:21:39.320 --> 0:21:42.240
<v Speaker 1>if you want to play all your games. Uh. And

0:21:42.840 --> 0:21:45.840
<v Speaker 1>when we were recording that podcast, we were really concentrating

0:21:45.880 --> 0:21:48.400
<v Speaker 1>on the systems that were available on the market as

0:21:48.960 --> 0:21:52.360
<v Speaker 1>of the recording of that podcast. And while you can

0:21:52.440 --> 0:21:55.280
<v Speaker 1>find the sixty gigabyte p S three's, and you know,

0:21:55.359 --> 0:21:59.080
<v Speaker 1>things like Craigslist or eBay or whatever, in general, your

0:21:59.560 --> 0:22:03.520
<v Speaker 1>local game store, unless they're selling used consoles, they're not

0:22:03.560 --> 0:22:06.600
<v Speaker 1>going to have one of those um in stock because

0:22:06.640 --> 0:22:09.960
<v Speaker 1>they've been out for a while. Um, So that's really

0:22:09.960 --> 0:22:12.280
<v Speaker 1>why we weren't talking about those and why we said

0:22:12.320 --> 0:22:14.399
<v Speaker 1>that the p S three was not backwards compatible. It

0:22:14.400 --> 0:22:16.760
<v Speaker 1>wasn't because we didn't know about these earlier models, because

0:22:16.760 --> 0:22:21.679
<v Speaker 1>you can't really get those in your average store. Yeah. Um,

0:22:21.720 --> 0:22:24.679
<v Speaker 1>today the pricing is a little different. Uh. The Xbox

0:22:24.760 --> 0:22:29.000
<v Speaker 1>three sixty Elite just got knocked down to two dollars.

0:22:29.040 --> 0:22:32.640
<v Speaker 1>The Xbox three sixty Arcade is to forty nine. They

0:22:32.640 --> 0:22:37.840
<v Speaker 1>are completely eliminating the core Xbox three sixty that's gonna

0:22:37.880 --> 0:22:41.120
<v Speaker 1>go away once they sell out. That they're gone. Uh,

0:22:41.160 --> 0:22:44.359
<v Speaker 1>then you've got the p S three Gigabyte Slim. That

0:22:44.400 --> 0:22:48.879
<v Speaker 1>one is the and the Wei is still sitting there

0:22:48.880 --> 0:22:51.920
<v Speaker 1>at to forty nine hasn't changed, which is uh. If

0:22:52.000 --> 0:22:53.879
<v Speaker 1>those for those of you who are listening in on

0:22:53.920 --> 0:22:57.840
<v Speaker 1>our conversation with our single listener who lives in New Zealand,

0:22:57.960 --> 0:23:02.199
<v Speaker 1>that's as of right now, recording a podcast three and

0:23:02.280 --> 0:23:06.040
<v Speaker 1>twenty six cents in your US currency, uh for the

0:23:06.080 --> 0:23:08.600
<v Speaker 1>four and or fifty dollars that it costs in New Zealand,

0:23:09.160 --> 0:23:13.639
<v Speaker 1>So it is actually more expensive there he would have

0:23:13.680 --> 0:23:17.800
<v Speaker 1>to pay in US currency to get that machine. We

0:23:17.840 --> 0:23:21.920
<v Speaker 1>would we would smuggle you and a us uh we

0:23:22.200 --> 0:23:24.119
<v Speaker 1>and have you just pay us the equivalent, except that

0:23:24.160 --> 0:23:26.120
<v Speaker 1>it wouldn't do any good because all the pictures will

0:23:26.160 --> 0:23:32.800
<v Speaker 1>be upside down. Okay, then, so if you have any comments, questions,

0:23:32.880 --> 0:23:34.800
<v Speaker 1>or you want to yell at me for making a horrible,

0:23:34.840 --> 0:23:39.000
<v Speaker 1>stupid joke that was geocentric, you can write us. Our

0:23:39.040 --> 0:23:42.680
<v Speaker 1>email address is tech stuff at how stuff works dot com.

0:23:42.720 --> 0:23:45.280
<v Speaker 1>We have articles on electric guitars and just about everything

0:23:45.320 --> 0:23:47.800
<v Speaker 1>else you can imagine at how stuff works dot com.

0:23:47.960 --> 0:23:50.440
<v Speaker 1>And Chris and I will talk to you again really

0:23:50.520 --> 0:23:55.840
<v Speaker 1>soon for moral this and thousands of other topics. Does

0:23:55.880 --> 0:23:58.159
<v Speaker 1>it how stuff works dot com And be sure to

0:23:58.240 --> 0:24:00.479
<v Speaker 1>check out the new tech stuff blog Almum the house

0:24:00.480 --> 0:24:07.880
<v Speaker 1>staff works homepage brought to you by the reinvented two

0:24:07.920 --> 0:24:10.399
<v Speaker 1>thousand twelve camera. It's ready, are you