1 00:00:03,000 --> 00:00:05,880 Speaker 1: Room anywhere else. So your friend on Friday, the pop 2 00:00:05,920 --> 00:00:10,080 Speaker 1: that puts you the world's most stagers, Morning Show, the camera, 3 00:00:11,520 --> 00:00:18,159 Speaker 1: I agree? Show is this listen cy DJ Harry, the 4 00:00:18,239 --> 00:00:21,360 Speaker 1: captain of this the only one who can keep these 5 00:00:21,360 --> 00:00:25,640 Speaker 1: guys in chat. Charlomagne, the guard by the breath was competition. 6 00:00:37,240 --> 00:00:42,159 Speaker 1: Good morning, Usa, Hey, good morning, good morning angela ye 7 00:00:42,600 --> 00:00:48,440 Speaker 1: money damning. Charlomagne will be here in a second. It's Thursday, 8 00:00:50,560 --> 00:00:53,800 Speaker 1: all day, all day, all day, all day, Oh day. 9 00:00:53,800 --> 00:00:56,680 Speaker 1: Welcome morning, everybody. It's Thursday. The weekend is almost here. 10 00:00:57,840 --> 00:01:00,760 Speaker 1: We got a special guest. I'm excited about this guest. 11 00:01:00,480 --> 00:01:04,119 Speaker 1: A lot of talk about this guess. Yes, Nate Parker 12 00:01:04,160 --> 00:01:06,360 Speaker 1: will be joining us today because The Birth of a 13 00:01:06,440 --> 00:01:09,560 Speaker 1: Nation actually comes out tonight at midnight, midnight tonight. That's right. 14 00:01:09,760 --> 00:01:11,440 Speaker 1: We also have his book The Birth of a Nation, 15 00:01:11,600 --> 00:01:13,960 Speaker 1: Nat Turner and the Making of a Movement, edited by 16 00:01:14,000 --> 00:01:17,040 Speaker 1: Nate Parker. It's a tie into the movie. Right autograph 17 00:01:17,120 --> 00:01:20,199 Speaker 1: to us, right right right ahead of time. I'm excited 18 00:01:20,200 --> 00:01:22,720 Speaker 1: about this movie. My parents are actually excited as well. 19 00:01:22,760 --> 00:01:24,520 Speaker 1: A lot of people are talking about this movie. Want 20 00:01:24,520 --> 00:01:26,840 Speaker 1: to see the movie Birth of a Nation? I want 21 00:01:26,840 --> 00:01:28,440 Speaker 1: to check it. Out. I'm gonna be in Boston tonight, 22 00:01:28,440 --> 00:01:30,640 Speaker 1: so I'm gonna try to find well. I don't think 23 00:01:30,680 --> 00:01:32,360 Speaker 1: they have it at midnight in Boston maybe, but I'm 24 00:01:32,360 --> 00:01:34,080 Speaker 1: gonna try to find a place that has it. I'm 25 00:01:34,080 --> 00:01:37,920 Speaker 1: gonna take maybe twenty listeners, twenty people that follow me 26 00:01:37,920 --> 00:01:40,000 Speaker 1: on Instagram, Snapchat, and I'll just pay for them and 27 00:01:40,000 --> 00:01:42,399 Speaker 1: we'll just all watch it together. I'm excited about this one. 28 00:01:42,720 --> 00:01:47,000 Speaker 1: So is it like you do like a family for Like, 29 00:01:47,080 --> 00:01:49,240 Speaker 1: how do you pick twenty people with me? The first 30 00:01:49,240 --> 00:01:51,480 Speaker 1: twenty people that hit me? Tell you meet me at 31 00:01:51,800 --> 00:01:53,760 Speaker 1: whatever movie theater and I'll just pay for they. Should 32 00:01:53,800 --> 00:01:57,040 Speaker 1: they start hitting you now? No, I'm just wondering how 33 00:01:57,080 --> 00:01:59,040 Speaker 1: does this work. I gotta find a place for us. 34 00:01:59,080 --> 00:02:01,680 Speaker 1: I gotta find some place that's actually hit you now, 35 00:02:01,720 --> 00:02:03,920 Speaker 1: and then you tell them the place. You'll do it 36 00:02:04,000 --> 00:02:06,120 Speaker 1: later on when I find when I find out where 37 00:02:06,120 --> 00:02:07,840 Speaker 1: it's playing, I don't want to say all right now, no, 38 00:02:07,960 --> 00:02:10,200 Speaker 1: we'll find a movie there. Let's say it's The Loans 39 00:02:10,240 --> 00:02:12,640 Speaker 1: at someone sole place. I'll say the first, you're gonna 40 00:02:12,639 --> 00:02:15,280 Speaker 1: pre buy the tickets before you tell people? Absolutely, you 41 00:02:15,280 --> 00:02:19,600 Speaker 1: should start looking now. I am well, not now, but 42 00:02:19,600 --> 00:02:24,160 Speaker 1: if they're showing it right, right, right, But we'll do 43 00:02:24,240 --> 00:02:25,880 Speaker 1: that late. I'm excited to see the movie. You've seen 44 00:02:25,919 --> 00:02:28,680 Speaker 1: the movie, Remaine seeing it already. I haven't seen it 45 00:02:28,720 --> 00:02:32,480 Speaker 1: as a yet. Yeah, it was Listen, it's now envy. 46 00:02:32,560 --> 00:02:34,800 Speaker 1: I know both you and I cry a lot during movie. 47 00:02:34,880 --> 00:02:36,760 Speaker 1: Don't cry a lot. Don't stop saying I cry a 48 00:02:36,800 --> 00:02:41,360 Speaker 1: lot one time during Creed. During Creed, I it's definitely 49 00:02:41,440 --> 00:02:44,440 Speaker 1: a thousand times more tarried than Creed. So I'm probably 50 00:02:44,480 --> 00:02:47,720 Speaker 1: gonna cry definitely on police take a selfie. When it happened, 51 00:02:47,720 --> 00:02:50,120 Speaker 1: and it was more than just the Creed movie. We 52 00:02:50,120 --> 00:02:54,960 Speaker 1: were it was it was late on the airplane. Just 53 00:02:55,080 --> 00:02:56,639 Speaker 1: made it sound like we know we were on a flight. 54 00:02:56,639 --> 00:02:58,760 Speaker 1: We weren't even sitting next to each other. I was 55 00:02:58,800 --> 00:03:01,120 Speaker 1: sitting in a whole another across the road. We were 56 00:03:01,240 --> 00:03:03,919 Speaker 1: high in the air. It was more than just Creed. 57 00:03:04,240 --> 00:03:07,640 Speaker 1: It wasn't high. I was high. We were high. We 58 00:03:07,639 --> 00:03:11,760 Speaker 1: were up in the air high. You know, I wasn't. 59 00:03:12,080 --> 00:03:13,720 Speaker 1: I don't know how what drugs you were taking, but 60 00:03:13,800 --> 00:03:15,880 Speaker 1: I wasn't high. I meaning the airplane was. We were 61 00:03:15,960 --> 00:03:18,760 Speaker 1: hiding it. Yes, it's an airplane, but that had something 62 00:03:18,840 --> 00:03:20,360 Speaker 1: to do with it. I didn't just cry because I've 63 00:03:20,360 --> 00:03:22,120 Speaker 1: seen Creed. I was like, oh my god, saying the 64 00:03:22,160 --> 00:03:25,800 Speaker 1: altitude has something the altitude, yeah, and then I was hungry. 65 00:03:25,880 --> 00:03:29,560 Speaker 1: It was a lot. It was more than just. It 66 00:03:29,600 --> 00:03:31,720 Speaker 1: was more than just. I cried because I've seen Creed. 67 00:03:31,760 --> 00:03:34,360 Speaker 1: Every time you take a flight, you cry if I 68 00:03:34,400 --> 00:03:37,760 Speaker 1: see a sad movie. Yes, I'm just confused, all right, 69 00:03:38,000 --> 00:03:40,080 Speaker 1: but it is a great movie. Um and n Parker 70 00:03:40,120 --> 00:03:42,480 Speaker 1: will be joining us this morning, so we're excited about that. 71 00:03:42,880 --> 00:03:45,120 Speaker 1: And I do recommend that everybody see it because it's 72 00:03:45,120 --> 00:03:49,040 Speaker 1: a story that doesn't get told too often. Right. I 73 00:03:49,040 --> 00:03:52,280 Speaker 1: think it's a place in like the eighteen thirties. All right, 74 00:03:52,320 --> 00:03:54,240 Speaker 1: I'm sorry about this. Now, we got front page news. Next. 75 00:03:54,280 --> 00:03:56,440 Speaker 1: What we're talking about, Oh man, we'll talk about hurricane 76 00:03:56,480 --> 00:03:59,360 Speaker 1: at Matthew. It's in the Bahamas right now. I'll tell 77 00:03:59,360 --> 00:04:01,640 Speaker 1: you what happened. And it's on its way here to 78 00:04:01,680 --> 00:04:03,360 Speaker 1: the United States, so we'll tell you where. You gotta 79 00:04:03,400 --> 00:04:05,200 Speaker 1: be really careful if you live in these places. A 80 00:04:05,240 --> 00:04:07,520 Speaker 1: lot of flights were canceled even today, so make sure 81 00:04:07,520 --> 00:04:09,640 Speaker 1: if you're planning to fly, you go ahead and check 82 00:04:09,680 --> 00:04:13,840 Speaker 1: that out. Also, Samsung more issues with these phones overheating, 83 00:04:13,920 --> 00:04:16,279 Speaker 1: the same one. They're saying, this is a little different. 84 00:04:16,279 --> 00:04:17,880 Speaker 1: I'll tell you what happened. Okay, we'll get into that 85 00:04:17,880 --> 00:04:19,680 Speaker 1: when we come back. Keep the lostics to breakfast Club. 86 00:04:19,760 --> 00:04:24,080 Speaker 1: Good morning, here's Drake. There's one dance. Come onring morning everybody. 87 00:04:24,120 --> 00:04:27,039 Speaker 1: It's DJ M v Angela. Ye, Charlemagne the God. We 88 00:04:27,120 --> 00:04:30,839 Speaker 1: all the breakfast club. Let's getting some front page news now. 89 00:04:31,240 --> 00:04:34,400 Speaker 1: In sports, the Giants beat the Mets three oh in 90 00:04:34,440 --> 00:04:38,040 Speaker 1: the wild card game in advance of the division divisional round. 91 00:04:38,200 --> 00:04:40,839 Speaker 1: It was actually ninth inning, I don't scoreless game to 92 00:04:40,839 --> 00:04:42,680 Speaker 1: the ninth thing and ninth inning, and then the Giants 93 00:04:42,680 --> 00:04:45,200 Speaker 1: actually won. I hate baseball because it's so damn born. 94 00:04:45,279 --> 00:04:48,760 Speaker 1: I didn't know that they do one game eliminations. Had 95 00:04:48,839 --> 00:04:51,279 Speaker 1: no idea for a while, very born sport. It was 96 00:04:51,360 --> 00:04:53,440 Speaker 1: very exciting when everybody used to be on steroids and 97 00:04:53,480 --> 00:04:55,240 Speaker 1: performance and hands and drugs. Did you really watch them 98 00:04:55,240 --> 00:04:57,040 Speaker 1: back then? Yes? I did. I was actually in the 99 00:04:57,120 --> 00:04:58,600 Speaker 1: Lanta Brace fan. This is back in the day when 100 00:04:58,640 --> 00:05:01,680 Speaker 1: they had that great pitching staff, Tom Claveland and John 101 00:05:01,880 --> 00:05:05,520 Speaker 1: Smokes David just as she used to play for them. 102 00:05:05,960 --> 00:05:07,279 Speaker 1: You the type of person to seem like you had 103 00:05:07,279 --> 00:05:09,520 Speaker 1: a lot of baseball cards back then too. I used 104 00:05:09,520 --> 00:05:11,120 Speaker 1: to have a lot of baseball cars because I realized 105 00:05:11,120 --> 00:05:13,800 Speaker 1: how much money you could make collecting cards. Because you 106 00:05:13,800 --> 00:05:16,440 Speaker 1: know when you used to get those trading card books 107 00:05:16,440 --> 00:05:18,200 Speaker 1: and you see that those cards are worth man money. 108 00:05:18,200 --> 00:05:21,000 Speaker 1: Like I saw Lebron James card. Rookie card is worth 109 00:05:21,040 --> 00:05:24,240 Speaker 1: like three hundred thousand dollars. Now, just that was only 110 00:05:24,320 --> 00:05:27,280 Speaker 1: what twelve years ago? Twelve years ago, somebody got that card, 111 00:05:27,279 --> 00:05:29,400 Speaker 1: and my son has all those cards. Well, I was 112 00:05:29,440 --> 00:05:32,440 Speaker 1: reading the story about Brooks Marlowe. He was trying to 113 00:05:32,680 --> 00:05:34,520 Speaker 1: he was a prospect for the Houston Astros. And you 114 00:05:34,560 --> 00:05:37,320 Speaker 1: saw that tweet he put out. No, he tweeted, no 115 00:05:37,520 --> 00:05:40,760 Speaker 1: lady needs to be on ESPN talking during a baseball game, 116 00:05:40,920 --> 00:05:45,440 Speaker 1: especially Mendoza. Sorry, oh, why would you. He's trying to say, 117 00:05:45,480 --> 00:05:48,119 Speaker 1: no women, women talking about baseball. I don't think nobody 118 00:05:48,120 --> 00:05:49,920 Speaker 1: should be talking about baseball. It was just that Born 119 00:05:51,120 --> 00:05:53,240 Speaker 1: deleted the tweet, but still everybody's seen it. So I 120 00:05:53,240 --> 00:05:56,039 Speaker 1: don't know about this guy. All right, I'm bored with 121 00:05:56,040 --> 00:05:58,160 Speaker 1: this conversation. Too much baseball talk, all right. Well, on 122 00:05:58,240 --> 00:06:01,720 Speaker 1: Thursday night football, Oh, the Colinals played a forty nine 123 00:06:01,800 --> 00:06:04,640 Speaker 1: is now let's talk about Hurricane Matthew. Yes, hurricane and 124 00:06:04,720 --> 00:06:08,040 Speaker 1: Matthew is in the Bahamas right now, battering parts of 125 00:06:08,080 --> 00:06:11,279 Speaker 1: the Bahamas. They landed there early this morning. They're saying 126 00:06:11,320 --> 00:06:15,200 Speaker 1: it will intensify going towards Florida's coast right now, which 127 00:06:15,240 --> 00:06:17,680 Speaker 1: means mass evacuations. A lot of people have been told 128 00:06:17,680 --> 00:06:21,920 Speaker 1: to evacuate in Florida and in South Carolina. So what 129 00:06:22,240 --> 00:06:25,080 Speaker 1: they are saying now is if you are told to evacuate, 130 00:06:25,160 --> 00:06:27,840 Speaker 1: please leave. You can leave now, get out of there now. 131 00:06:27,880 --> 00:06:30,120 Speaker 1: If you're able to leave early, just go. We can 132 00:06:30,200 --> 00:06:32,640 Speaker 1: rebuild your home, we can rebuild your business, we cannot 133 00:06:32,640 --> 00:06:36,240 Speaker 1: rebuild your life. Yes, people in the eight forty three 134 00:06:36,240 --> 00:06:37,960 Speaker 1: on my family in a forty three, it say it's 135 00:06:37,960 --> 00:06:39,640 Speaker 1: gonna be a category two by the time it hit 136 00:06:39,680 --> 00:06:42,360 Speaker 1: South Carolina. But they're saying it's still very powerful, still 137 00:06:42,480 --> 00:06:45,880 Speaker 1: very dangerous hurricane. There's gonna be a lot of storm surge, 138 00:06:45,880 --> 00:06:48,480 Speaker 1: flooding in high winds, so be careful. Officials in Haiti 139 00:06:48,560 --> 00:06:50,800 Speaker 1: did raise the death toll to ten. They say that 140 00:06:50,880 --> 00:06:54,240 Speaker 1: number is expecting to further increase as they reach some 141 00:06:54,279 --> 00:06:57,159 Speaker 1: remote areas and the storm Moosto had hit Jamaica, the 142 00:06:57,200 --> 00:07:01,320 Speaker 1: Dominican Republic and Cuba. Yes, super say you talk to evacuate, 143 00:07:01,400 --> 00:07:03,960 Speaker 1: Please get out. We would rather you live than stay 144 00:07:04,000 --> 00:07:06,320 Speaker 1: behind me. We can people feel like you can ride 145 00:07:06,320 --> 00:07:09,280 Speaker 1: out the stormy. Yea, I've had to evacuate from a 146 00:07:09,320 --> 00:07:11,960 Speaker 1: couple of hurricanes in my day, did you, Yeah, Hugo 147 00:07:12,160 --> 00:07:13,880 Speaker 1: and um it was another one. I can't remember another 148 00:07:13,880 --> 00:07:16,760 Speaker 1: one's name. All right, Yeah, there's everything all right with 149 00:07:16,800 --> 00:07:20,160 Speaker 1: the household. Though. Um let me see when Hugo here, 150 00:07:20,200 --> 00:07:22,360 Speaker 1: we used to live in a mobile home trailer. We didn't. Yeah, 151 00:07:22,360 --> 00:07:24,280 Speaker 1: the trailer didn't get messed up, not like other people's 152 00:07:24,320 --> 00:07:27,559 Speaker 1: houses next to us, to other people's trailers next to us. Yeah, 153 00:07:27,760 --> 00:07:30,960 Speaker 1: all right, let's talk about Samsung, right, Well, more issues 154 00:07:30,960 --> 00:07:35,120 Speaker 1: with Samsung. Now, there was another overheating, smoking Samsung smartphone 155 00:07:35,120 --> 00:07:38,200 Speaker 1: and that caused a Southwest Airlines jet to land. They 156 00:07:38,240 --> 00:07:40,360 Speaker 1: were about to take off from the Louisville Airport. It's 157 00:07:40,400 --> 00:07:44,240 Speaker 1: the new Galaxy Note seven. Remember they recalled that device 158 00:07:44,360 --> 00:07:47,160 Speaker 1: last month because of overheating. Yeah, they said only like 159 00:07:47,200 --> 00:07:49,880 Speaker 1: fifteen percent of the people actually traded their phone in 160 00:07:49,920 --> 00:07:52,120 Speaker 1: or something. But this person did trade their phone in 161 00:07:52,600 --> 00:07:55,720 Speaker 1: and got a replacement, and unfortunately now this replacement for 162 00:07:55,760 --> 00:07:59,720 Speaker 1: his recalled phone still has issues. Yeah, so I don't 163 00:07:59,760 --> 00:08:01,920 Speaker 1: know what they're gonna do about this, but there looks 164 00:08:01,960 --> 00:08:04,440 Speaker 1: like there's still some problems. I ain't gonna front man yesterday. 165 00:08:04,480 --> 00:08:06,880 Speaker 1: You know, I never ever ever paid my full phone 166 00:08:06,920 --> 00:08:08,440 Speaker 1: bill because that's just not what I feel like a 167 00:08:08,520 --> 00:08:10,680 Speaker 1: real man should do. I feel like anybody that's worth 168 00:08:10,720 --> 00:08:13,120 Speaker 1: their salt, man, all women should only pay the pass 169 00:08:13,160 --> 00:08:15,480 Speaker 1: to amount. Okay, they complain when your phone gets shut 170 00:08:15,480 --> 00:08:16,680 Speaker 1: off and you got to figure out a way to 171 00:08:16,680 --> 00:08:19,720 Speaker 1: turn them. They cut me off yesterday, right, So I 172 00:08:19,800 --> 00:08:22,080 Speaker 1: paid the pass to amount like I do because I'm 173 00:08:22,080 --> 00:08:24,160 Speaker 1: a real one, okay, and they did not turn my 174 00:08:24,240 --> 00:08:27,120 Speaker 1: phone back on. I had to pay the full amount. 175 00:08:27,160 --> 00:08:29,560 Speaker 1: They probably they never did that. They never did that. 176 00:08:29,760 --> 00:08:32,319 Speaker 1: I'm like, I hope they say't some new policy. They 177 00:08:32,360 --> 00:08:33,959 Speaker 1: listen to the show they here you want here, trying 178 00:08:34,000 --> 00:08:36,200 Speaker 1: to be cute, encouraging people not to pay their full bill, 179 00:08:36,559 --> 00:08:39,920 Speaker 1: encouraging people not to do whoa whoa whoa prismatic. They 180 00:08:39,960 --> 00:08:42,160 Speaker 1: cut me off Monday, and they cut me off midnight, 181 00:08:42,200 --> 00:08:44,240 Speaker 1: And I was so mad that they cut me off midnight. 182 00:08:44,320 --> 00:08:45,719 Speaker 1: Usually they cut me off in the day when I 183 00:08:45,720 --> 00:08:48,120 Speaker 1: could figure it out so late I couldn't really figure out. 184 00:08:48,640 --> 00:08:50,920 Speaker 1: They cut me off yesterday mid text, like I had 185 00:08:51,000 --> 00:08:53,600 Speaker 1: just text somebody and it was like call me. When 186 00:08:53,640 --> 00:08:55,920 Speaker 1: I went to call the person, they directed me right 187 00:08:55,960 --> 00:08:58,600 Speaker 1: to financial services at Verizon and they maybe end up 188 00:08:58,600 --> 00:09:00,480 Speaker 1: having to pay the full amount. Then they they didn't 189 00:09:00,480 --> 00:09:02,600 Speaker 1: turn my phone on that say zero balance. They should 190 00:09:02,679 --> 00:09:05,880 Speaker 1: charge your extras their charge for people like you. That 191 00:09:06,080 --> 00:09:08,480 Speaker 1: makes no sense to leave because they offer you to pay. 192 00:09:08,520 --> 00:09:10,160 Speaker 1: They say you can pay the pass to amount or 193 00:09:10,200 --> 00:09:11,520 Speaker 1: you can pay the full amount. You can pay the 194 00:09:11,520 --> 00:09:12,880 Speaker 1: pass to the amount and get your phone turned on it. 195 00:09:12,880 --> 00:09:14,199 Speaker 1: They want you to pay the full amount, then get 196 00:09:14,240 --> 00:09:16,839 Speaker 1: rid of the past due option. Right, just pay your bill. 197 00:09:16,880 --> 00:09:18,599 Speaker 1: Don't have a pass due. Well, you're fine for the 198 00:09:18,640 --> 00:09:21,400 Speaker 1: next thirty days. Yeah, well forty five days since you 199 00:09:21,400 --> 00:09:23,480 Speaker 1: paid the full amount. I just want to say thanks 200 00:09:23,480 --> 00:09:25,480 Speaker 1: to you guys. I have automatic payment on my phone. 201 00:09:26,200 --> 00:09:28,000 Speaker 1: I don't even have to worry about it. Boogie. People 202 00:09:28,040 --> 00:09:30,719 Speaker 1: pay their full amount of their phone bill. Okay, rest 203 00:09:30,720 --> 00:09:32,040 Speaker 1: of us pay the paths to the mind. We use 204 00:09:32,080 --> 00:09:34,240 Speaker 1: that little money for us business call coming in and 205 00:09:34,640 --> 00:09:38,200 Speaker 1: they get that message this person does not accept incoming calls. 206 00:09:38,280 --> 00:09:41,000 Speaker 1: That's y'all, ball does not getting twisted. It's only all 207 00:09:41,040 --> 00:09:42,760 Speaker 1: for about well when I figured it out, but it's 208 00:09:42,800 --> 00:09:44,800 Speaker 1: usually about thirty minutes. No, they got me yesterday for 209 00:09:44,840 --> 00:09:46,319 Speaker 1: two hours. I tell you had to call the operator. 210 00:09:46,840 --> 00:09:49,240 Speaker 1: I had to pay the full amount and then call 211 00:09:49,320 --> 00:09:51,959 Speaker 1: the operator and tell the operator. Look, man, I ended 212 00:09:52,000 --> 00:09:54,000 Speaker 1: up paying the full amount. I got zero balance, what's up? 213 00:09:54,240 --> 00:09:57,440 Speaker 1: And then they reconnected me. All right, well that's front 214 00:09:57,480 --> 00:10:00,120 Speaker 1: page news. Tell them why you're mad. They don't. I've 215 00:10:00,120 --> 00:10:01,960 Speaker 1: eighty five one oh five one. If you're upset, you 216 00:10:02,000 --> 00:10:05,000 Speaker 1: need the vent callers right now. Maybe i'd bad you 217 00:10:05,080 --> 00:10:06,560 Speaker 1: got to go to a pay phone. Yeah, maybe they 218 00:10:06,559 --> 00:10:09,520 Speaker 1: didn't turn the phone back on. Eight hundred five eighty 219 00:10:09,559 --> 00:10:11,280 Speaker 1: five one oh five one. Tell him why you're mad. 220 00:10:11,280 --> 00:10:17,640 Speaker 1: It's the Breakfast Club. Co morning, the Breakfast Club. Hey 221 00:10:18,080 --> 00:10:21,079 Speaker 1: ya ya, the mad Rapper. Something real. I'm mad and 222 00:10:21,240 --> 00:10:23,240 Speaker 1: I stay mad, I stay angry, I stay heated, I 223 00:10:23,240 --> 00:10:26,600 Speaker 1: stay fisted, all mad Breakfast Club. Let's go. This is 224 00:10:26,880 --> 00:10:28,760 Speaker 1: I can't really tell y'all my name because I'm work 225 00:10:28,800 --> 00:10:31,360 Speaker 1: in the medical field, and what I have to say, 226 00:10:32,360 --> 00:10:34,320 Speaker 1: I'm very upset, but First, I want to say hi 227 00:10:34,400 --> 00:10:37,400 Speaker 1: to Charlottamagne here. Remind me and my uncle I always 228 00:10:37,400 --> 00:10:42,960 Speaker 1: say that, why mad mama. Okay, so on my job, 229 00:10:43,000 --> 00:10:45,280 Speaker 1: ware are working like I'm always getting bully bot is 230 00:10:45,520 --> 00:10:48,040 Speaker 1: My body is one girl now, y'all. I'm trying to 231 00:10:48,120 --> 00:10:50,360 Speaker 1: be very professional, but I just want to let her 232 00:10:50,440 --> 00:10:53,680 Speaker 1: know that stop bullying me, because you know, I don't 233 00:10:53,720 --> 00:10:56,160 Speaker 1: want to be mean. I don't want to get go 234 00:10:56,240 --> 00:10:58,400 Speaker 1: back at us. First of all, you're a black woman. 235 00:10:58,440 --> 00:11:00,240 Speaker 1: As a black woman, sometimes you gotta put the fair 236 00:11:00,320 --> 00:11:02,000 Speaker 1: God and people. You know what to do. You walk 237 00:11:02,080 --> 00:11:05,160 Speaker 1: up on her, smacking your hands together in her face, 238 00:11:05,480 --> 00:11:07,920 Speaker 1: giving her old hair claps, and tell her it can 239 00:11:07,960 --> 00:11:11,040 Speaker 1: and will go down if she ain't right. I love. 240 00:11:12,800 --> 00:11:15,720 Speaker 1: I don't know about that advice, but don't let her 241 00:11:15,720 --> 00:11:17,840 Speaker 1: bully you. Mama. I ain't telling it hit nobody, y'all. 242 00:11:17,880 --> 00:11:20,360 Speaker 1: I almost quit my job because of her. Oh you 243 00:11:20,400 --> 00:11:23,240 Speaker 1: can nobody make you quit your job now. I know 244 00:11:23,320 --> 00:11:26,120 Speaker 1: it was that serious this morning, y'all. It's not like 245 00:11:26,160 --> 00:11:28,560 Speaker 1: that for like a good thirty days. And I've been 246 00:11:28,600 --> 00:11:32,240 Speaker 1: trying to be humble nable. Sometimes something f being humble. 247 00:11:32,360 --> 00:11:35,360 Speaker 1: Sometimes you just gotta go put the fear God and people. Hello, 248 00:11:35,400 --> 00:11:39,280 Speaker 1: who's this? Yes, this is Nicole, Nicole from you in 249 00:11:39,360 --> 00:11:42,040 Speaker 1: age ten. Tell them about you, man, mamma man man, 250 00:11:42,080 --> 00:11:44,400 Speaker 1: I was listening listening to Nook while you buck man 251 00:11:44,440 --> 00:11:49,319 Speaker 1: I fly, you know. But anyways, I'm not Yes, I was, 252 00:11:49,480 --> 00:11:51,440 Speaker 1: so I gave him the mouthful before I even you 253 00:11:51,480 --> 00:11:53,240 Speaker 1: hold out on the air. But what I'm mad about 254 00:11:53,360 --> 00:11:56,559 Speaker 1: is people who come to this country, certain illegals or 255 00:11:56,600 --> 00:11:59,680 Speaker 1: so who come here. Mccondo's think that better than my 256 00:11:59,760 --> 00:12:02,360 Speaker 1: peace people. Okay, but I start acting like they wipe. 257 00:12:02,559 --> 00:12:05,040 Speaker 1: These mofos are getting free money from the IRS. Look 258 00:12:05,080 --> 00:12:07,920 Speaker 1: at us. Bu's for real, because they're claiming kids up 259 00:12:07,960 --> 00:12:10,959 Speaker 1: in Mexico don't even live here. They're getting extra money 260 00:12:10,960 --> 00:12:13,960 Speaker 1: from the government from the IRS. Freaking My people can't 261 00:12:14,000 --> 00:12:16,679 Speaker 1: get reparations. We got soldiers who can't get their disability, 262 00:12:16,800 --> 00:12:19,000 Speaker 1: can't get their social maturity. So that's the problem. You know, 263 00:12:19,960 --> 00:12:24,080 Speaker 1: want the Mexicans be the new black twist realized here, 264 00:12:24,160 --> 00:12:30,360 Speaker 1: Homie realized Homie Baby listens talking about we as black people, 265 00:12:30,520 --> 00:12:33,400 Speaker 1: gonna really criticize somebody for claiming other people's kids on 266 00:12:33,440 --> 00:12:39,800 Speaker 1: our taxes. That ain't nab rod nab na you ain't 267 00:12:39,800 --> 00:12:42,400 Speaker 1: never claim another You ain't never claim another kid on 268 00:12:42,400 --> 00:12:45,160 Speaker 1: your taxes. If they don't matter, they get they get 269 00:12:45,240 --> 00:12:46,880 Speaker 1: check to the address. They can't come make it. Some 270 00:12:46,960 --> 00:12:50,280 Speaker 1: text can repot your account. Mofo, repost your account. Don't 271 00:12:50,280 --> 00:12:53,600 Speaker 1: get into seeds. The bacons on you up that that's right. 272 00:12:56,040 --> 00:12:58,280 Speaker 1: And I worked, and I worked like the Mexicans. They 273 00:12:58,280 --> 00:13:00,440 Speaker 1: don't get it. It's called new slavery. The only different 274 00:13:00,480 --> 00:13:02,719 Speaker 1: things the mobiles get paid, but they ever come from 275 00:13:02,760 --> 00:13:05,080 Speaker 1: a black person on that bitch, I come knocking onside 276 00:13:05,080 --> 00:13:07,520 Speaker 1: their head. They don't want. I'm gonna tell you straight 277 00:13:07,600 --> 00:13:09,840 Speaker 1: up like this, stay away from all home depots for 278 00:13:09,880 --> 00:13:19,240 Speaker 1: about a month. Girl, you're gonna get jumped. Right, anything 279 00:13:21,240 --> 00:13:23,200 Speaker 1: you're gonna get, you're gonna get jumped by a bunch 280 00:13:23,240 --> 00:13:28,040 Speaker 1: of essays. A bunch of MS thirteen is gonna get you. 281 00:13:28,760 --> 00:13:32,080 Speaker 1: Wall Jesus Christ, Wow, tell them why you man eight 282 00:13:32,120 --> 00:13:34,000 Speaker 1: hundred and five eight five one on five one. If 283 00:13:34,040 --> 00:13:35,960 Speaker 1: you're upset, you need to VIC callers. Now. It's the 284 00:13:35,960 --> 00:13:43,240 Speaker 1: breakfast Club. Good morning, the breakfast Club that was real 285 00:13:43,320 --> 00:13:47,400 Speaker 1: even needed me morning. Everybody is DJ mzy Angela Yee Charlomagne, 286 00:13:47,440 --> 00:13:49,559 Speaker 1: the guy we are the Breakfast Club and sleut to 287 00:13:49,600 --> 00:13:51,800 Speaker 1: my guy, Nape Parker. He'll be here next hour. He'll 288 00:13:51,800 --> 00:13:53,720 Speaker 1: be joining us the next hour. Birth of a Nation 289 00:13:53,840 --> 00:13:56,560 Speaker 1: hit steadus tonight at midnight. Yeah. I got his book, 290 00:13:56,800 --> 00:13:58,800 Speaker 1: The Birth of the Nation That Turner in the Making 291 00:13:58,840 --> 00:14:01,360 Speaker 1: of a Movement at a by Nate Parker, the official 292 00:14:01,400 --> 00:14:03,920 Speaker 1: movie tie in. A lot of people are still mad man, 293 00:14:04,200 --> 00:14:06,480 Speaker 1: especially a lot of women are mad about his um. 294 00:14:07,040 --> 00:14:09,000 Speaker 1: I guess he was found innocent, but his charge and 295 00:14:09,000 --> 00:14:11,080 Speaker 1: they're saying that they necessarily don't want to see the 296 00:14:11,120 --> 00:14:13,679 Speaker 1: movie because of the charge that he got when he 297 00:14:13,720 --> 00:14:17,079 Speaker 1: was in college, or that's ignorant um. I think, I mean, 298 00:14:17,080 --> 00:14:19,080 Speaker 1: you know, I'm not even gonna say that's ignorant, that's ignorant, 299 00:14:19,080 --> 00:14:21,560 Speaker 1: that's that's your that's your choice. But I feel like 300 00:14:21,600 --> 00:14:24,600 Speaker 1: this movie Birth of a Nation has nothing to do 301 00:14:24,640 --> 00:14:26,720 Speaker 1: with Nate Parker and everything to do in that Turner. 302 00:14:27,040 --> 00:14:29,120 Speaker 1: I think it's a very teachable a movie that can 303 00:14:29,360 --> 00:14:30,880 Speaker 1: teach people a lot of things. I think that you 304 00:14:30,880 --> 00:14:32,360 Speaker 1: can take your kids to this movie and have a 305 00:14:32,360 --> 00:14:34,720 Speaker 1: lot of teachable moments. And I just think that this 306 00:14:34,760 --> 00:14:37,400 Speaker 1: movie is bigger than than Ny Parker. Plus, can we 307 00:14:37,440 --> 00:14:39,720 Speaker 1: all keep in mind that ny Parker got found not guilty. 308 00:14:39,760 --> 00:14:42,760 Speaker 1: Like it kills me that if a woman comes to 309 00:14:42,800 --> 00:14:45,640 Speaker 1: me and a woman says she got sexually assaulted, rape, 310 00:14:45,720 --> 00:14:47,520 Speaker 1: we have to take her serious. We can't dismiss her 311 00:14:47,600 --> 00:14:50,400 Speaker 1: right right. So if a guy says, hey, I didn't 312 00:14:50,400 --> 00:14:52,440 Speaker 1: do it, and he gets found not guilty, why do 313 00:14:52,520 --> 00:14:54,600 Speaker 1: we just dismiss that. I guess people are reading the 314 00:14:54,600 --> 00:14:56,960 Speaker 1: transscript right, and he did at that school, did have 315 00:14:57,000 --> 00:15:00,560 Speaker 1: to set up with them harassing her afterwards. In other words, 316 00:15:00,560 --> 00:15:05,440 Speaker 1: they were before the trial. I'm telling you to do 317 00:15:05,480 --> 00:15:08,640 Speaker 1: it again. I'm telling you what happened. These are facts, 318 00:15:09,120 --> 00:15:11,120 Speaker 1: what I know. What I'm saying, not guilty, all right, 319 00:15:11,160 --> 00:15:13,240 Speaker 1: he got found not guilty. But a lot of times 320 00:15:13,400 --> 00:15:15,600 Speaker 1: people are very sensitive about this because there are times 321 00:15:15,600 --> 00:15:18,640 Speaker 1: that people get found not guilty because for other reasons, 322 00:15:18,760 --> 00:15:22,600 Speaker 1: especially on college campus. We don't know. Once again, how 323 00:15:22,640 --> 00:15:25,960 Speaker 1: come as a man, when a man is found not guilty, 324 00:15:26,160 --> 00:15:28,320 Speaker 1: nobody gives us the benefit of the doubt. We're still 325 00:15:28,360 --> 00:15:30,360 Speaker 1: guilty in the court of public found not guilty. But 326 00:15:30,360 --> 00:15:32,760 Speaker 1: I think people were upset because they said the girl 327 00:15:32,880 --> 00:15:34,960 Speaker 1: was drunk and he invited his friend over while the 328 00:15:35,000 --> 00:15:37,680 Speaker 1: girl was found guilty and then he appealed. But you know, 329 00:15:37,760 --> 00:15:40,040 Speaker 1: it's a conversation that we should have. And I was 330 00:15:40,080 --> 00:15:42,600 Speaker 1: having this conversation with a friend of mine yesterday that 331 00:15:42,680 --> 00:15:45,000 Speaker 1: went to Temple, and he was saying, this is true. 332 00:15:45,160 --> 00:15:47,840 Speaker 1: It's sad, but it's true that in college that's what 333 00:15:47,920 --> 00:15:50,680 Speaker 1: people would do. They would get drunk and they would small. 334 00:15:52,200 --> 00:15:54,360 Speaker 1: But it isn't even just in college. In life. It 335 00:15:54,440 --> 00:15:57,360 Speaker 1: is an important conversation for everybody to have. Now, just 336 00:15:57,480 --> 00:16:00,680 Speaker 1: in other words, just let people know if a woman 337 00:16:00,840 --> 00:16:04,400 Speaker 1: is drunk or incapacitated and just walk away and leave 338 00:16:04,400 --> 00:16:06,080 Speaker 1: it alone. If that's the most that comes out of 339 00:16:06,120 --> 00:16:08,320 Speaker 1: this conversation, I think that's a great thing to really, 340 00:16:08,680 --> 00:16:11,880 Speaker 1: especially on college campuses where kids are getting drunken for 341 00:16:11,960 --> 00:16:17,160 Speaker 1: the first time, experimenting with different things. Girl, I think 342 00:16:17,200 --> 00:16:19,680 Speaker 1: they had some type of interaction prior to that, but 343 00:16:19,720 --> 00:16:22,120 Speaker 1: I don't think they had an intercourse. Well, we'll talk 344 00:16:22,120 --> 00:16:24,280 Speaker 1: about it more, and of course Nate Parker will be 345 00:16:24,360 --> 00:16:26,560 Speaker 1: joining us. The Nat Turner movie Birth of a Nation 346 00:16:27,000 --> 00:16:29,640 Speaker 1: is out tonight eleven fifty nine pm. You can go 347 00:16:29,680 --> 00:16:32,560 Speaker 1: see at midnight. But we got rumors on the way. Yes, 348 00:16:32,640 --> 00:16:35,040 Speaker 1: let's talk about Drake. I had no idea he was 349 00:16:35,120 --> 00:16:37,520 Speaker 1: hurt this badly. I'll tell you about what he had 350 00:16:37,560 --> 00:16:39,840 Speaker 1: to put out there for his fans. Some shows that 351 00:16:39,840 --> 00:16:42,160 Speaker 1: will be rescheduled, all right, we'll get into all that 352 00:16:42,240 --> 00:16:44,160 Speaker 1: when we come back. Keep it locked. As to Breakfast Club, 353 00:16:44,160 --> 00:16:50,240 Speaker 1: good morning, the Breakfast Club I didn't come out of. 354 00:16:50,600 --> 00:16:57,080 Speaker 1: This is the Rumle Report with angela year Breakfast Club. 355 00:17:00,000 --> 00:17:03,240 Speaker 1: We have some very unfortunate news. Drake actually has to 356 00:17:03,280 --> 00:17:05,359 Speaker 1: put off at least three of his shows that are 357 00:17:05,400 --> 00:17:08,479 Speaker 1: coming up now. He posted on his ovo website as 358 00:17:08,480 --> 00:17:11,080 Speaker 1: a blog site. The love that my fans aka my 359 00:17:11,119 --> 00:17:13,320 Speaker 1: family have shown to me on the Summer sixteen tour 360 00:17:13,359 --> 00:17:15,200 Speaker 1: has been something I will ever forget. We are over 361 00:17:15,280 --> 00:17:18,000 Speaker 1: fifty shows in and I've done everything to power through 362 00:17:18,040 --> 00:17:20,240 Speaker 1: my recent ankle injury and leave it all out there 363 00:17:20,280 --> 00:17:22,359 Speaker 1: on the stage every night. I hate to be told 364 00:17:22,359 --> 00:17:24,720 Speaker 1: I can't do something, but under doctor's orders to allow 365 00:17:24,760 --> 00:17:28,040 Speaker 1: me time to recuperate, being forced to postpone with intense 366 00:17:28,160 --> 00:17:30,960 Speaker 1: three shows in a row in cities which have only 367 00:17:30,960 --> 00:17:34,840 Speaker 1: ever shown me unconditional support, So as far as Toronto 368 00:17:35,119 --> 00:17:37,840 Speaker 1: and Philly, He's gonna have to postpone, he said. He 369 00:17:37,880 --> 00:17:40,040 Speaker 1: was also asked to postpone both New York shows that 370 00:17:40,080 --> 00:17:42,199 Speaker 1: he has but I have yet to perform there, and 371 00:17:42,200 --> 00:17:46,200 Speaker 1: so we compromised at one. So for all those people 372 00:17:46,240 --> 00:17:48,520 Speaker 1: that were planning to go to these shows, he's only 373 00:17:48,560 --> 00:17:50,399 Speaker 1: going to do one of the two New York shows 374 00:17:50,880 --> 00:17:54,200 Speaker 1: and then he will be postponing Toronto and Philly. By 375 00:17:54,240 --> 00:17:56,520 Speaker 1: the way, this is the longest summer ever. It seemed 376 00:17:56,520 --> 00:17:58,880 Speaker 1: like Drag and Future been on tour forever. Well, let's 377 00:17:58,880 --> 00:18:00,680 Speaker 1: coming back around because member they did in New York 378 00:18:00,720 --> 00:18:02,560 Speaker 1: for then it seemed like they came back around and 379 00:18:02,600 --> 00:18:07,840 Speaker 1: did the ball Clays summer sixteen and Nickel doing York, 380 00:18:07,920 --> 00:18:10,480 Speaker 1: so they came a bunch of times for us. Now, 381 00:18:10,560 --> 00:18:14,560 Speaker 1: Drake also went to Drake University and did a surprise visit. 382 00:18:14,600 --> 00:18:17,680 Speaker 1: He stopped by the campus. It's in Iowa. They actually 383 00:18:17,720 --> 00:18:20,880 Speaker 1: had did this huge online campaign, a social media campaign 384 00:18:21,200 --> 00:18:23,680 Speaker 1: trying to get Drake to visit. The ladies of Kappa 385 00:18:23,760 --> 00:18:26,800 Speaker 1: Kappa Gamma were doing that and here's what happened when 386 00:18:26,840 --> 00:18:30,399 Speaker 1: he showed up early Wednesday morning. Look, Kappa Kappa Gamma, 387 00:18:30,440 --> 00:18:34,480 Speaker 1: I'm outside your sorority house right now and you're all sleep. 388 00:18:34,720 --> 00:18:40,200 Speaker 1: You're all the Kappa Alpha theater. You're out here waiting 389 00:18:40,240 --> 00:18:43,560 Speaker 1: on you who ain't on you. They must got curfew 390 00:18:43,600 --> 00:18:45,240 Speaker 1: on that campus because somebody should have been awake. I 391 00:18:45,280 --> 00:18:47,960 Speaker 1: didn't believe it was those cragglers away. Nobody on a 392 00:18:47,960 --> 00:18:50,919 Speaker 1: college camp and they were studying. Nobody was there playing spades. 393 00:18:51,200 --> 00:18:53,199 Speaker 1: When I went to college, we played spades all night. Oh, 394 00:18:53,320 --> 00:18:55,600 Speaker 1: we definitely played spades today that one of What time 395 00:18:55,640 --> 00:18:57,560 Speaker 1: did he actually go there? It was after his show, 396 00:18:57,920 --> 00:19:00,879 Speaker 1: so you have to figure it was pretty late, you know, 397 00:19:00,920 --> 00:19:04,360 Speaker 1: after the show. So unfortunately for them, they missed out. 398 00:19:04,400 --> 00:19:06,159 Speaker 1: I know they were so mad when they woke up 399 00:19:06,160 --> 00:19:09,119 Speaker 1: and saw this video, and they actually posted video too, 400 00:19:09,240 --> 00:19:11,800 Speaker 1: trying to convince him to come back. But who knows 401 00:19:11,800 --> 00:19:14,760 Speaker 1: when that's going to happen, all right. Kim Kardashian update. 402 00:19:14,800 --> 00:19:17,399 Speaker 1: Her bodyguard actually deleted every mention of her from his 403 00:19:17,480 --> 00:19:20,159 Speaker 1: social media. They don't think that her bodyguard was involved. 404 00:19:20,200 --> 00:19:23,480 Speaker 1: They really like him everything he's been with her since 405 00:19:23,480 --> 00:19:26,280 Speaker 1: I think twenty twelve, but they just felt like he 406 00:19:26,320 --> 00:19:28,160 Speaker 1: should clean it out. They don't want people to know 407 00:19:28,280 --> 00:19:31,160 Speaker 1: and connect where he's going to be with where she's at, 408 00:19:31,520 --> 00:19:34,000 Speaker 1: and they say that she is closer to catching who 409 00:19:34,040 --> 00:19:36,480 Speaker 1: did it? Who stole her jewelry, because they do have 410 00:19:36,560 --> 00:19:39,359 Speaker 1: a camera that caught a reflection of the thieves in 411 00:19:39,400 --> 00:19:43,359 Speaker 1: a mirror during their getaway. So Paris cops did seize 412 00:19:43,359 --> 00:19:46,160 Speaker 1: that footage Tuesday morning, and they spoke with a nail 413 00:19:46,160 --> 00:19:48,199 Speaker 1: salon owner because it was a nail salon that had 414 00:19:48,240 --> 00:19:50,760 Speaker 1: that in the camera outside. The mirror outside got a 415 00:19:50,800 --> 00:19:53,720 Speaker 1: clear shot up the crooks as they were fleeing. Now, 416 00:19:53,720 --> 00:19:57,040 Speaker 1: they also said the president is very involved and making 417 00:19:57,080 --> 00:20:02,000 Speaker 1: sure that these thieves are caught. It's hurts tourism, yeah, absolutely, 418 00:20:02,040 --> 00:20:04,280 Speaker 1: and it's you know, Kim Kardashian's a high profile case. 419 00:20:04,760 --> 00:20:08,160 Speaker 1: Kim Kardashian, on her behalf, feels like she is also 420 00:20:08,240 --> 00:20:10,800 Speaker 1: partly at fault. She agrees with critics who are saying 421 00:20:10,840 --> 00:20:12,959 Speaker 1: that she put a target on her back by just 422 00:20:13,000 --> 00:20:15,840 Speaker 1: flaunting her wealth and her jewelry on social media. They 423 00:20:15,840 --> 00:20:18,159 Speaker 1: say a number of people have been critical as we 424 00:20:18,200 --> 00:20:20,080 Speaker 1: know of her for flaunting her ring. So right now, 425 00:20:20,080 --> 00:20:22,439 Speaker 1: she's gonna take a month off of work. When she 426 00:20:22,480 --> 00:20:24,639 Speaker 1: gets back, she's not going to be on social media 427 00:20:24,760 --> 00:20:28,080 Speaker 1: the same way displaying her personal wealth and all of 428 00:20:28,160 --> 00:20:29,919 Speaker 1: that she was supposed to be. I think in Dubai 429 00:20:30,040 --> 00:20:32,240 Speaker 1: or something doing a makeup class, so she's postponed that. 430 00:20:32,359 --> 00:20:34,400 Speaker 1: It isn't that kind of like victim blaming though, I mean, 431 00:20:34,480 --> 00:20:37,000 Speaker 1: she of course you're not. You can't entice the wools, 432 00:20:37,000 --> 00:20:38,560 Speaker 1: and you should be able to protect what you post. 433 00:20:38,600 --> 00:20:40,480 Speaker 1: But isn't that like the same thing as saying, well, 434 00:20:40,680 --> 00:20:42,520 Speaker 1: you kind of deserved it because of what you were wearing. 435 00:20:42,560 --> 00:20:45,479 Speaker 1: It is, well, I guess for her own precautions. She 436 00:20:45,600 --> 00:20:48,600 Speaker 1: just feels like, you know what, when I have certain things, 437 00:20:48,640 --> 00:20:51,239 Speaker 1: I just won't flaunt. I don't want people to know 438 00:20:51,280 --> 00:20:53,680 Speaker 1: what I have and therefore make me a target. I 439 00:20:53,720 --> 00:20:57,800 Speaker 1: guess that's how she's looking at It's like a woman said, 440 00:20:57,800 --> 00:21:00,240 Speaker 1: I'm gonna start wearing more clothes now because I don't 441 00:21:00,240 --> 00:21:02,359 Speaker 1: want to wear revealing stuff because I don't want to 442 00:21:02,400 --> 00:21:05,440 Speaker 1: get raped. Almost got raped. A start wearing a bunch 443 00:21:05,440 --> 00:21:07,679 Speaker 1: of clothes. Now, you're right, I mean, I understand that, 444 00:21:07,720 --> 00:21:09,920 Speaker 1: but I even felt like, you know, on my behalf, 445 00:21:10,000 --> 00:21:11,480 Speaker 1: not like I have anything on the level of a 446 00:21:11,560 --> 00:21:14,840 Speaker 1: Kim Kardashian, but I feel like I'm also pretty careful 447 00:21:14,880 --> 00:21:17,320 Speaker 1: about what I have and you know, putting it out 448 00:21:17,359 --> 00:21:18,720 Speaker 1: there like that because you don't want to be like, hey, 449 00:21:18,720 --> 00:21:20,520 Speaker 1: look what I have come. You know, I would love 450 00:21:20,520 --> 00:21:22,439 Speaker 1: the flaws on Instagram, But I ain't got nothing, bro. 451 00:21:22,560 --> 00:21:25,639 Speaker 1: I'm a part time mover driver in the afternoon. You 452 00:21:25,680 --> 00:21:28,280 Speaker 1: know what I'm saying. I don't know a white talking 453 00:21:28,320 --> 00:21:32,720 Speaker 1: T shirt right now from baby liar I Now. Derek 454 00:21:32,840 --> 00:21:36,159 Speaker 1: Rose's attorneys are saying that he's not going to settle. 455 00:21:36,200 --> 00:21:37,680 Speaker 1: He said, I want to take it to court because 456 00:21:37,720 --> 00:21:40,040 Speaker 1: I didn't want to settle. He said, I don't feel 457 00:21:40,040 --> 00:21:41,520 Speaker 1: like I did anything wrong, and this is all for 458 00:21:41,640 --> 00:21:43,639 Speaker 1: the rate case that he has. If I go up 459 00:21:43,640 --> 00:21:45,199 Speaker 1: there and just tell my side of the story, I 460 00:21:45,240 --> 00:21:48,080 Speaker 1: think I'll be all right. The problem is that they 461 00:21:48,119 --> 00:21:50,280 Speaker 1: feel like there's a lack of black people in the 462 00:21:50,359 --> 00:21:54,479 Speaker 1: jury pool. An attorney for Derek roses two co defendants, 463 00:21:54,520 --> 00:21:57,160 Speaker 1: so that that only two of the fifty perspective jurors where 464 00:21:57,200 --> 00:22:00,720 Speaker 1: African American and all three defendants are blacks. So they 465 00:22:00,760 --> 00:22:02,960 Speaker 1: want to make sure that this is a little bit 466 00:22:03,000 --> 00:22:06,680 Speaker 1: more fair. Okay, all right, and that is your rumor report. 467 00:22:06,720 --> 00:22:09,000 Speaker 1: I'm angela ye, all right, thank you, mischee. Now, when 468 00:22:09,000 --> 00:22:11,639 Speaker 1: we come back, Nate Parker will be joining us. His 469 00:22:11,800 --> 00:22:14,960 Speaker 1: movie Birth of a Nation hits theaters tonight at midnight. 470 00:22:15,040 --> 00:22:16,679 Speaker 1: I know you guys have a lot of questions. We 471 00:22:16,680 --> 00:22:17,960 Speaker 1: want to chop it up with him. We got a 472 00:22:17,960 --> 00:22:21,280 Speaker 1: lot to talk about. Keep it, Grab some popcorn and relax. 473 00:22:21,320 --> 00:22:24,840 Speaker 1: It's the Breakfast Local Morning. That was Usher No Limit Morning. 474 00:22:24,880 --> 00:22:28,200 Speaker 1: Everybody is DJ MVY, Angela Yee, Charlomagne and the guy. 475 00:22:28,240 --> 00:22:30,400 Speaker 1: We are the Breakfast Club. We got a special guest 476 00:22:30,480 --> 00:22:32,480 Speaker 1: in the building, the Man of the Hour. A lot 477 00:22:32,480 --> 00:22:35,840 Speaker 1: of controversy around his movie. Charlomagne and Angela, Ye have 478 00:22:35,840 --> 00:22:37,919 Speaker 1: seen it? I have it. Yes, I am going tomorrow. 479 00:22:37,960 --> 00:22:39,679 Speaker 1: I'm gonna be in Boston. I'm gonna see in Boston. 480 00:22:40,200 --> 00:22:46,280 Speaker 1: Could be dangerous ladies and gentlemen. Nate Parkers in the building. 481 00:22:46,480 --> 00:22:48,280 Speaker 1: What's up? What's up? Two things I thought I would 482 00:22:48,280 --> 00:22:50,520 Speaker 1: never see on a Hollywood screen as Luke Cage in 483 00:22:50,600 --> 00:22:53,479 Speaker 1: any form and Nat turn In the movie. I've been 484 00:22:53,520 --> 00:22:55,280 Speaker 1: screaming for a Nat Turning movie because I don't like 485 00:22:55,359 --> 00:22:57,359 Speaker 1: slave movie. I've been denounced him. I said, are you 486 00:22:57,359 --> 00:22:59,600 Speaker 1: gonna make any slave movie? Let it be Nat Turning 487 00:22:59,600 --> 00:23:02,080 Speaker 1: because that Turner wasn't a victim and you got it 488 00:23:02,080 --> 00:23:03,720 Speaker 1: done well. Let's explain in that turn of two for 489 00:23:03,760 --> 00:23:05,960 Speaker 1: people that don't know because I've never learned it in 490 00:23:06,040 --> 00:23:08,080 Speaker 1: my history books. It was it wasn't anything that I've 491 00:23:08,080 --> 00:23:11,560 Speaker 1: ever read, and I've went to Hampton University with the HBCU. 492 00:23:11,800 --> 00:23:13,880 Speaker 1: I've been in here to know you from Norfolk? So 493 00:23:14,080 --> 00:23:16,720 Speaker 1: what what made that so special to you? That story? Well, 494 00:23:16,760 --> 00:23:17,960 Speaker 1: a lot of it is what you just said. I 495 00:23:18,000 --> 00:23:20,919 Speaker 1: grew up in Norfolk, forty two miles east of Southampton 496 00:23:20,920 --> 00:23:22,880 Speaker 1: County where the revolt happened, and I never heard about 497 00:23:22,880 --> 00:23:26,240 Speaker 1: this brother, right, so Wiley, Yeah, I never heard about Yeah, 498 00:23:26,280 --> 00:23:29,040 Speaker 1: we learned about it growing up, but yeah, I've never 499 00:23:29,080 --> 00:23:31,920 Speaker 1: learned about it in school. Uh. And it's significantly because 500 00:23:31,920 --> 00:23:33,840 Speaker 1: when you think of the proximity, you would think that 501 00:23:33,920 --> 00:23:35,960 Speaker 1: someone would have said something. But it speaks to the 502 00:23:36,040 --> 00:23:38,960 Speaker 1: danger of the revolutionary, you know, the person that looks 503 00:23:38,960 --> 00:23:40,640 Speaker 1: like us, that fought for its own freedom. We don't 504 00:23:40,640 --> 00:23:42,240 Speaker 1: get those stories like you you said, you know what 505 00:23:42,280 --> 00:23:44,280 Speaker 1: I mean. Like even when we learn about slavery, we 506 00:23:44,480 --> 00:23:47,399 Speaker 1: learned through the context stuff the victim, victim and honest 507 00:23:47,400 --> 00:23:50,080 Speaker 1: and we laid down into honest. Abe said enough is enough, 508 00:23:50,320 --> 00:23:52,360 Speaker 1: you know he you know, honestly, Abe couldn't tell a lie. 509 00:23:52,440 --> 00:23:56,160 Speaker 1: Moden's chin pensive slave problem. We got to figure it out, 510 00:23:56,240 --> 00:23:58,720 Speaker 1: us up and now we're free. Right. We don't learn 511 00:23:58,760 --> 00:24:01,480 Speaker 1: about you know, TUCSONID. We don't learn about Denmark VC. 512 00:24:02,480 --> 00:24:04,200 Speaker 1: You know, we don't learn about Gabriel Prosser. We don't 513 00:24:04,280 --> 00:24:06,159 Speaker 1: learn about any of them. Right, and so you have 514 00:24:06,200 --> 00:24:08,000 Speaker 1: to ask yourself, why is that? Why are the why 515 00:24:08,080 --> 00:24:10,000 Speaker 1: is our history of being hit and things that would 516 00:24:10,080 --> 00:24:11,639 Speaker 1: empower us, you know what I mean? I mean, even 517 00:24:11,680 --> 00:24:13,240 Speaker 1: when I was trying to make this film, people were like, 518 00:24:13,440 --> 00:24:15,320 Speaker 1: if you make this film, bro, like it's gonna be 519 00:24:15,359 --> 00:24:17,639 Speaker 1: a problem. Like, don't make this film like black people. 520 00:24:17,640 --> 00:24:20,879 Speaker 1: Like prominent directors was like, make the story of John Brown. 521 00:24:21,040 --> 00:24:22,879 Speaker 1: You know, John Brown's a white abolitionist, theill let a 522 00:24:22,880 --> 00:24:25,040 Speaker 1: slave revolt. It was like, that'll be easier for people 523 00:24:25,080 --> 00:24:26,600 Speaker 1: to digest, you know what I mean. I had another 524 00:24:26,800 --> 00:24:29,399 Speaker 1: prominent black director told me. He was like, well, I 525 00:24:29,480 --> 00:24:31,119 Speaker 1: liked your script, but I didn't love it. One thing 526 00:24:31,160 --> 00:24:32,359 Speaker 1: would have made me love And I was like, what 527 00:24:32,560 --> 00:24:35,160 Speaker 1: you know, I got my notebook. He said, you need 528 00:24:35,200 --> 00:24:37,399 Speaker 1: more good white people. Wow. I was like, what do 529 00:24:37,400 --> 00:24:38,920 Speaker 1: you mean? He was like, white people are gonna watch that. 530 00:24:38,960 --> 00:24:42,240 Speaker 1: Man gonna watch this eighteen a period piece, and it 531 00:24:42,280 --> 00:24:44,359 Speaker 1: was America. And that's the thing. It's like, you know, 532 00:24:44,359 --> 00:24:47,120 Speaker 1: when it comes to other demographics that have endured torture 533 00:24:47,200 --> 00:24:50,200 Speaker 1: and genocide and holocaust and this never forget, you know 534 00:24:50,200 --> 00:24:51,880 Speaker 1: what I mean. It's very important that we hold those 535 00:24:51,920 --> 00:24:54,119 Speaker 1: stories up so they never repeat themselves. But in this 536 00:24:54,200 --> 00:24:57,360 Speaker 1: country we have this this habit of kind of closing 537 00:24:57,440 --> 00:24:59,520 Speaker 1: off the things that don't reflect us in the best 538 00:24:59,520 --> 00:25:02,399 Speaker 1: of lights, you know. So in telling the story, you know, 539 00:25:02,800 --> 00:25:05,000 Speaker 1: I said, man, I learned about Nat Turner twenty one. 540 00:25:05,200 --> 00:25:06,879 Speaker 1: But if I'd learn about him at twelve, how did 541 00:25:06,920 --> 00:25:09,560 Speaker 1: he learn about him at twenty one? African American studies class? 542 00:25:09,680 --> 00:25:10,960 Speaker 1: You know what I'm saying, Like made you read the 543 00:25:10,960 --> 00:25:13,520 Speaker 1: confessions in that turn up? I did read that, you know, 544 00:25:13,520 --> 00:25:16,320 Speaker 1: And it's funny because confessions is fiction, you know, that's 545 00:25:16,320 --> 00:25:18,120 Speaker 1: not That's like I always wondered about if somebody told 546 00:25:18,119 --> 00:25:20,120 Speaker 1: me that before. It's well, it won a Pulitzer, which 547 00:25:20,119 --> 00:25:22,160 Speaker 1: is was it tricky because it won the Pulitzer for fiction? 548 00:25:22,600 --> 00:25:25,880 Speaker 1: But the writer, he said, it's a reimagining of Nat 549 00:25:25,880 --> 00:25:27,680 Speaker 1: Turner's life. It's not Naturn's life. So when you read 550 00:25:27,720 --> 00:25:30,359 Speaker 1: the fires of Jubilee, you know, or William Drewry's book 551 00:25:30,440 --> 00:25:33,040 Speaker 1: in Southampton Interaction. You read the real stuff, You're like, 552 00:25:33,160 --> 00:25:34,960 Speaker 1: wait a minute, well I need to read the real stuff. 553 00:25:34,960 --> 00:25:36,080 Speaker 1: I only they have a red with the confessions in 554 00:25:36,119 --> 00:25:37,920 Speaker 1: that time. I don't menna tell you how like it's 555 00:25:37,920 --> 00:25:40,960 Speaker 1: a fiction book. We said, okay, well Nat Turner, um 556 00:25:41,400 --> 00:25:44,040 Speaker 1: he is. All of his motivation came for his lust 557 00:25:44,080 --> 00:25:46,920 Speaker 1: after the handmaid of his master, like a white woman, 558 00:25:47,040 --> 00:25:49,320 Speaker 1: Like that's why. And he was crazy, he was a fanatic, 559 00:25:49,440 --> 00:25:52,000 Speaker 1: he was homosexual, like all these things that they made up. Yeah, 560 00:25:52,160 --> 00:25:53,760 Speaker 1: you know what I mean. So when you get to 561 00:25:53,800 --> 00:25:56,159 Speaker 1: the real you're like, well, why would they detegrate it's life? 562 00:25:56,200 --> 00:25:58,880 Speaker 1: Why would they mysticize the things that actually happened when 563 00:25:58,880 --> 00:26:00,159 Speaker 1: they had Like why would they make it so he 564 00:26:00,160 --> 00:26:02,239 Speaker 1: didn't have children or didn't have a wife. He had 565 00:26:02,240 --> 00:26:04,960 Speaker 1: a wife, He had a child, you know what I'm saying. 566 00:26:04,960 --> 00:26:07,639 Speaker 1: So it's like the attack of the black man, the 567 00:26:07,720 --> 00:26:10,320 Speaker 1: demonizing of the black man is something it ain't knew. 568 00:26:10,440 --> 00:26:13,000 Speaker 1: This is age old, you know. So when we get 569 00:26:13,040 --> 00:26:15,960 Speaker 1: to celebrate this story, you know, like I said, you 570 00:26:16,000 --> 00:26:17,239 Speaker 1: know a lot of people I grew up with when 571 00:26:17,320 --> 00:26:20,120 Speaker 1: the president not here with us today, had that chip 572 00:26:20,119 --> 00:26:22,840 Speaker 1: on his shoulder and had no context as to why 573 00:26:22,920 --> 00:26:25,320 Speaker 1: or where you know they could put that energy. But 574 00:26:25,560 --> 00:26:27,199 Speaker 1: he rose when you can say oh no, no, no no, no, 575 00:26:27,800 --> 00:26:30,560 Speaker 1: Nat Turner rose and stood, so I can stand natur 576 00:26:30,760 --> 00:26:33,639 Speaker 1: with Jangle the real jack Men and Chris Rock had 577 00:26:33,680 --> 00:26:35,240 Speaker 1: a debate about that because he thought I was trying 578 00:26:35,240 --> 00:26:36,600 Speaker 1: to insult in that Turner by saying that. But the 579 00:26:36,640 --> 00:26:38,880 Speaker 1: reason I loved Jangles because he wasn't a victim Jango 580 00:26:38,880 --> 00:26:40,760 Speaker 1: Burton the plantation he did, and he stood up and 581 00:26:40,760 --> 00:26:42,120 Speaker 1: he was like, Nah, it's not happening in this way. 582 00:26:42,160 --> 00:26:44,280 Speaker 1: I'll take it even a step further though. Nat Turner said, 583 00:26:44,480 --> 00:26:46,920 Speaker 1: I'm going to sacrifice on behalf of people that I'll 584 00:26:46,920 --> 00:26:49,639 Speaker 1: never meet. You get what I'm saying, Like and Biblically 585 00:26:49,680 --> 00:26:51,320 Speaker 1: it says a good man leaves an inheritance for his 586 00:26:51,400 --> 00:26:54,639 Speaker 1: children's children, right. Nat Turner was like, Okay, I'm going 587 00:26:54,680 --> 00:26:56,720 Speaker 1: to walk to these gallows, but I know that what 588 00:26:56,840 --> 00:26:59,960 Speaker 1: I did will echo into eternity. We're celebrating that turn 589 00:27:00,119 --> 00:27:03,959 Speaker 1: They scanned him lampshades out of his skin and pursues 590 00:27:04,040 --> 00:27:05,920 Speaker 1: like this is what they did? You know what I'm saying. 591 00:27:05,960 --> 00:27:08,159 Speaker 1: So it's like all and they did what they did 592 00:27:08,200 --> 00:27:09,840 Speaker 1: in the name of God. He did what he did 593 00:27:09,840 --> 00:27:11,320 Speaker 1: in the name of God. Well, there are certain things 594 00:27:11,320 --> 00:27:13,160 Speaker 1: that you originally had in the movie that you felt 595 00:27:13,200 --> 00:27:15,359 Speaker 1: like you had to take out our people said, okay, 596 00:27:15,359 --> 00:27:19,360 Speaker 1: maybe that's nope, And it goes back to your question. Seriously, 597 00:27:19,400 --> 00:27:21,240 Speaker 1: like you said, I didn't you know, I went on 598 00:27:21,680 --> 00:27:23,520 Speaker 1: for money. Everybody that said they passed or how did 599 00:27:23,560 --> 00:27:26,240 Speaker 1: you pay for it? I knocked on doors man. You know, 600 00:27:26,240 --> 00:27:28,480 Speaker 1: I went to school. A lot of friends were in finance. 601 00:27:28,680 --> 00:27:31,560 Speaker 1: You know, one guy in particularly I contacted. He connected 602 00:27:31,600 --> 00:27:33,240 Speaker 1: me to one of his friends that actually worked in 603 00:27:33,280 --> 00:27:35,480 Speaker 1: New York that had a hedge fund, and I asked 604 00:27:35,560 --> 00:27:37,439 Speaker 1: him for the money. He said no. I said, okay, 605 00:27:37,520 --> 00:27:42,080 Speaker 1: that was what you're asking for millions. You got seven. 606 00:27:42,160 --> 00:27:43,840 Speaker 1: You're ade seven to get it done, right? Yeah? I 607 00:27:43,880 --> 00:27:47,240 Speaker 1: remember you think you needed the budget? Said we need 608 00:27:47,240 --> 00:27:50,440 Speaker 1: it like thirty right to make it. Oh my, it's 609 00:27:50,440 --> 00:27:53,120 Speaker 1: a battle film. Yeah, they said we needed forty days. 610 00:27:53,119 --> 00:27:55,480 Speaker 1: We shot in twenty seven days. You know what I'm saying. 611 00:27:55,520 --> 00:27:57,719 Speaker 1: So I knocked on doors. I went to anyone who 612 00:27:57,760 --> 00:28:00,440 Speaker 1: would listen. My lowest contribution was like seventy five thousand. 613 00:28:00,680 --> 00:28:02,920 Speaker 1: My biggest contribution was like two million, you know. And 614 00:28:02,960 --> 00:28:04,280 Speaker 1: the guy that gave me the two million, I just 615 00:28:04,320 --> 00:28:06,200 Speaker 1: I just begged him. I stepped away from acting for 616 00:28:06,240 --> 00:28:08,479 Speaker 1: two years. I thought I finished Beyond the Lights. Uh. 617 00:28:08,600 --> 00:28:10,440 Speaker 1: That Monday I went into my team, was like, I'm 618 00:28:10,440 --> 00:28:14,080 Speaker 1: not acting anymore, writing anything else. I'm not acting anything else, 619 00:28:14,119 --> 00:28:16,840 Speaker 1: I'm not directing. Don't call me. The next skin I 620 00:28:16,880 --> 00:28:19,240 Speaker 1: live in will be na turning period. Um. It's a 621 00:28:19,320 --> 00:28:23,399 Speaker 1: different comment. And and you know, leafing yourself from it. 622 00:28:23,440 --> 00:28:25,600 Speaker 1: It's a belief in God, like my faith really had. 623 00:28:25,720 --> 00:28:28,440 Speaker 1: It really reeled me in. The first hundred grand into 624 00:28:28,440 --> 00:28:30,800 Speaker 1: this film was my own money, and that's all I had. 625 00:28:31,040 --> 00:28:32,480 Speaker 1: You know what I'm saying, Like I ain't a millionaire. 626 00:28:32,480 --> 00:28:34,119 Speaker 1: I'm a thousand there, you know what I mean. And 627 00:28:34,640 --> 00:28:36,960 Speaker 1: to put up one hundred grand it hurts, you know. 628 00:28:37,000 --> 00:28:38,440 Speaker 1: I mean talking to my wife, I was like, this 629 00:28:38,520 --> 00:28:40,760 Speaker 1: is important, Like I didn't know it will be a 630 00:28:40,800 --> 00:28:43,880 Speaker 1: hunting HU stands at this point because baby, you ain't 631 00:28:43,920 --> 00:28:47,040 Speaker 1: working and you want to take everything. And we got lights, 632 00:28:47,520 --> 00:28:49,480 Speaker 1: you know, they got kid and kids need to be 633 00:28:49,520 --> 00:28:51,719 Speaker 1: turned on. But she had faith. Man, she was just 634 00:28:51,760 --> 00:28:53,760 Speaker 1: like you know, you know the lords called you to 635 00:28:53,760 --> 00:28:58,000 Speaker 1: do this. You know I got your back. Um, yeah, 636 00:28:58,040 --> 00:28:59,600 Speaker 1: you know. I was gonna say, like Nat Turner was 637 00:28:59,600 --> 00:29:02,320 Speaker 1: a choke in one from when he was a child. 638 00:29:02,320 --> 00:29:04,120 Speaker 1: From the point, did you feel like you were a 639 00:29:04,240 --> 00:29:07,040 Speaker 1: chosen one in telling this story, that it was something 640 00:29:07,080 --> 00:29:09,640 Speaker 1: that you were kind of born to do? I felt 641 00:29:09,640 --> 00:29:11,360 Speaker 1: like it was written on my spirit, you know what 642 00:29:11,400 --> 00:29:13,000 Speaker 1: I'm saying. Like I wouldn't say I'm chosen. I just 643 00:29:13,040 --> 00:29:14,680 Speaker 1: felt like, you know how you like you know what? 644 00:29:14,880 --> 00:29:16,840 Speaker 1: You know, we all struggle and rustle with our faith 645 00:29:16,840 --> 00:29:18,920 Speaker 1: and trying to get strong and whatever that means. And 646 00:29:19,280 --> 00:29:20,840 Speaker 1: U and I was like, you know, Lord, like, I 647 00:29:20,880 --> 00:29:22,840 Speaker 1: feel like you want me to tell this story? How 648 00:29:22,840 --> 00:29:27,480 Speaker 1: many times can you get offered crypt number four or blood? 649 00:29:29,680 --> 00:29:31,440 Speaker 1: At some point you're like, man, there's got to be 650 00:29:31,480 --> 00:29:33,600 Speaker 1: something better, you know. And it's like I go a 651 00:29:33,640 --> 00:29:37,160 Speaker 1: whole year and pass on fifty projects and they'd be 652 00:29:37,240 --> 00:29:39,920 Speaker 1: one great debaters. Now I got to compete against the 653 00:29:39,920 --> 00:29:42,160 Speaker 1: whole world to get that and then hope that Denzel 654 00:29:42,240 --> 00:29:45,560 Speaker 1: see something in me that works. At some point you're like, man, well, 655 00:29:45,560 --> 00:29:46,880 Speaker 1: what is the story I want to If I could 656 00:29:46,880 --> 00:29:50,600 Speaker 1: tell any story I want to be. That's brave heart. 657 00:29:51,040 --> 00:29:53,719 Speaker 1: We never had a brave heart, but we have more 658 00:29:53,720 --> 00:29:55,960 Speaker 1: with Nate Parker when we come back. Keep it locked. 659 00:29:56,320 --> 00:30:03,000 Speaker 1: It's the breakfast Club. Good Morning, the breakfast Club that 660 00:30:03,240 --> 00:30:06,280 Speaker 1: was Tory Lanez with Love Morning. Everybody is DJ M, 661 00:30:06,360 --> 00:30:09,440 Speaker 1: v Angela Yee, Charlomagne the guy. We are the breakfast Club. 662 00:30:09,920 --> 00:30:12,280 Speaker 1: We have Nate Parker in the building. That Birth of 663 00:30:12,280 --> 00:30:16,000 Speaker 1: a Nation hit status everywhere tonight at midnight. You must 664 00:30:16,200 --> 00:30:18,080 Speaker 1: see it. And it took you seven years to get done. Right. 665 00:30:18,120 --> 00:30:21,040 Speaker 1: This is my eighth year. So how did you eat 666 00:30:21,080 --> 00:30:24,000 Speaker 1: in between? Oh, we're acting. I only stepped away from 667 00:30:24,040 --> 00:30:26,520 Speaker 1: acting the last two years because you know how she's 668 00:30:26,520 --> 00:30:28,160 Speaker 1: so you're asking people for money. It's like, all right, 669 00:30:28,360 --> 00:30:30,440 Speaker 1: you know, Amy, I need a million dollars. You're like, 670 00:30:30,480 --> 00:30:32,360 Speaker 1: all right, we'll get me a business plan. I say, 671 00:30:32,600 --> 00:30:34,479 Speaker 1: all right, I'm gonna shoot this movie first and then 672 00:30:34,480 --> 00:30:36,000 Speaker 1: i'll be back with a business plan. So then I 673 00:30:36,040 --> 00:30:37,960 Speaker 1: get back, You're like, if you were serious, you wouldn't 674 00:30:37,960 --> 00:30:39,120 Speaker 1: have went and did that thing. So that's why I 675 00:30:39,120 --> 00:30:41,240 Speaker 1: walked away from acting, because I felt like it was 676 00:30:41,280 --> 00:30:44,080 Speaker 1: distracting from raising the money. You know, So when I 677 00:30:44,120 --> 00:30:46,960 Speaker 1: went for broke, and I literally like, hail Mary, closed 678 00:30:47,040 --> 00:30:50,520 Speaker 1: my eyes, went for broke. I'm asking black folks, anyone 679 00:30:50,520 --> 00:30:52,720 Speaker 1: you do think? I asked, I asked anybody and hip 680 00:30:52,720 --> 00:30:55,680 Speaker 1: hop step up like all these rich ass wrappers. Tony 681 00:30:55,720 --> 00:30:59,560 Speaker 1: Parker gave me money, Michael Finley gave me money, Derek 682 00:30:59,560 --> 00:31:02,160 Speaker 1: Brooks any money. Look, and I'm not blaming anyone for 683 00:31:02,280 --> 00:31:05,640 Speaker 1: not because all the models said, don't do it. They're like, wait, 684 00:31:05,680 --> 00:31:07,920 Speaker 1: you want to make a movie with a black mode 685 00:31:08,440 --> 00:31:10,880 Speaker 1: and he killing all these white people, right, and that's 686 00:31:10,920 --> 00:31:13,680 Speaker 1: never been seen on screen? Like they're reading the scripts 687 00:31:13,720 --> 00:31:17,320 Speaker 1: like so the black guy baptizes the white dude, okay, right, 688 00:31:17,360 --> 00:31:21,240 Speaker 1: and as a black angel, so the angels are black, okay? 689 00:31:21,320 --> 00:31:24,720 Speaker 1: And you want this to sell overseas, okay? How about No, 690 00:31:25,040 --> 00:31:26,800 Speaker 1: it's hard out there in these streets, like in hind 691 00:31:26,840 --> 00:31:28,440 Speaker 1: the Hollywood, it is hard to get projects off the 692 00:31:28,480 --> 00:31:30,640 Speaker 1: ground that reflect people of color in a positive light. 693 00:31:30,680 --> 00:31:33,000 Speaker 1: Were you surprised it actually made it in theaters because 694 00:31:33,360 --> 00:31:37,320 Speaker 1: we've been hearing about it for why? Look that's why 695 00:31:37,360 --> 00:31:40,480 Speaker 1: I said, I said, Look, the reality is you still 696 00:31:40,480 --> 00:31:47,560 Speaker 1: whispering like you ain't having that. I'm saying, look, but 697 00:31:47,560 --> 00:31:49,360 Speaker 1: that's what I'm saying. I'm saying that the I'm actually 698 00:31:49,360 --> 00:31:51,440 Speaker 1: saying the ops. I'm like, come for me. That's okay. 699 00:31:51,560 --> 00:31:55,800 Speaker 1: The movie exists, that Turner is alive and well right, 700 00:31:56,000 --> 00:31:58,200 Speaker 1: and and young people will see it, old people will 701 00:31:58,200 --> 00:32:01,520 Speaker 1: see it. Healing will be had, will be had, Solidary 702 00:32:01,840 --> 00:32:05,360 Speaker 1: will be achieved. In the name of Jesus, I'm not tripping. 703 00:32:05,440 --> 00:32:07,959 Speaker 1: My whole thing is I would have released this on YouTube, 704 00:32:08,000 --> 00:32:09,640 Speaker 1: no joke when we went to Sunday if I wouldn't 705 00:32:09,640 --> 00:32:11,640 Speaker 1: have gotten Sundance. You know, I went to my investors 706 00:32:11,640 --> 00:32:13,000 Speaker 1: and said, look, this is like, you know, six and 707 00:32:13,000 --> 00:32:16,040 Speaker 1: a half million dollars equity loss. I'm sorry, but I 708 00:32:16,040 --> 00:32:17,760 Speaker 1: do think this film needs to be seen. So we're 709 00:32:17,800 --> 00:32:21,120 Speaker 1: gonna do We're gonna make a deal with YouTube, you know, 710 00:32:21,240 --> 00:32:24,200 Speaker 1: and dropping on YouTube. Let people know. I'll plug it, 711 00:32:24,280 --> 00:32:26,760 Speaker 1: whatever I gotta do. For me. It ain't about the money. 712 00:32:26,760 --> 00:32:29,160 Speaker 1: It ain't about no accolades. It ain't I didn't step 713 00:32:29,200 --> 00:32:32,080 Speaker 1: away from acting and bankrupt my life and put my 714 00:32:32,160 --> 00:32:35,760 Speaker 1: mortgage in jeopardy to be fly, you know, Like, that's 715 00:32:35,760 --> 00:32:37,840 Speaker 1: not what this is about. This is about a story 716 00:32:37,880 --> 00:32:39,560 Speaker 1: that if I had when I was twelve, I mean, 717 00:32:39,720 --> 00:32:42,240 Speaker 1: you know, we lose young brothers and sisters eleven twelve, 718 00:32:42,400 --> 00:32:45,480 Speaker 1: they don't have heroes and people to connect to. Now 719 00:32:45,600 --> 00:32:48,240 Speaker 1: to have a kid on a playground saying well, I'm 720 00:32:48,280 --> 00:32:51,520 Speaker 1: that Turner like it's priceless. I learned about Denmark VC 721 00:32:51,720 --> 00:32:55,040 Speaker 1: at about thirteen fourteen because I'm from most CORNERSYC line 722 00:32:55,080 --> 00:32:57,400 Speaker 1: up A born in Charleston. Yes, would take us to 723 00:32:57,560 --> 00:33:01,000 Speaker 1: field trips to Denmark VC's house. I knew about Denmark 724 00:33:01,080 --> 00:33:03,680 Speaker 1: VCI since decades ago. What does that do for your 725 00:33:03,680 --> 00:33:07,400 Speaker 1: self esteem? When someone says black people that fight, You're like, wait, no, no, no, no, no, 726 00:33:07,480 --> 00:33:09,600 Speaker 1: let's get this straight right now. And what we're working 727 00:33:09,600 --> 00:33:12,080 Speaker 1: on right now is like a monument for Nat Turner, 728 00:33:12,120 --> 00:33:14,760 Speaker 1: the things we're trying to put together. So my young 729 00:33:15,000 --> 00:33:17,720 Speaker 1: eleven year old self in Norfolk at tied with a 730 00:33:17,760 --> 00:33:20,680 Speaker 1: park were rough in the middle middle school. They say, everyone, 731 00:33:20,720 --> 00:33:22,480 Speaker 1: this is the path that Nat Turner took with his 732 00:33:22,560 --> 00:33:25,000 Speaker 1: rebels when they were fighting for the liberation that you 733 00:33:25,080 --> 00:33:27,760 Speaker 1: enjoy and even watching this afterwards, you feel like you 734 00:33:27,760 --> 00:33:29,800 Speaker 1: can apply a lot of different things to what's going on. 735 00:33:30,360 --> 00:33:32,320 Speaker 1: Even today, I walked out of there and I was like, wow, 736 00:33:32,360 --> 00:33:34,680 Speaker 1: there's just so many things that you see when you 737 00:33:34,720 --> 00:33:36,640 Speaker 1: watch Bertha the Nation that what's going on in the 738 00:33:36,680 --> 00:33:39,440 Speaker 1: news today was going on the communities. And I saw 739 00:33:39,480 --> 00:33:42,200 Speaker 1: that you were on TD Jake's and you spoke about 740 00:33:42,280 --> 00:33:45,440 Speaker 1: the first police officers were overseers. Well, yeah, first police 741 00:33:45,440 --> 00:33:47,680 Speaker 1: officers were slave catchers, were called Patty Woo who you 742 00:33:47,720 --> 00:33:49,840 Speaker 1: belonged to? Boy? Yeah, they go straight, they go through 743 00:33:49,880 --> 00:33:53,360 Speaker 1: the plantation. It's funny how like when you have contexts, 744 00:33:53,360 --> 00:33:56,600 Speaker 1: you just think differently. Right, So, look, the first police 745 00:33:56,600 --> 00:34:00,120 Speaker 1: officers right on seeing in South Carolina. Their job us 746 00:34:00,160 --> 00:34:02,040 Speaker 1: to go in between the plantation and make sure nobody 747 00:34:02,320 --> 00:34:05,400 Speaker 1: was wandering or deserted or ran. And if they caught someone, 748 00:34:05,520 --> 00:34:07,480 Speaker 1: sometimes they just kill them. Sometimes they bring them back 749 00:34:07,480 --> 00:34:10,040 Speaker 1: and beat them publicly. Right, so you fast forward the 750 00:34:10,080 --> 00:34:12,799 Speaker 1: twenty sixteen you look at our communities. Right, if we 751 00:34:12,800 --> 00:34:16,520 Speaker 1: can understand the damaged relationship between us and law enforcement 752 00:34:16,560 --> 00:34:19,600 Speaker 1: back then, then we have context as to right now 753 00:34:19,640 --> 00:34:22,080 Speaker 1: we're twenty and sixteen, and we're not saying, oh, a 754 00:34:22,120 --> 00:34:25,000 Speaker 1: couple of bad apples. We're saying, no, something systemic has happened. 755 00:34:25,040 --> 00:34:28,359 Speaker 1: The rat correlate driving the wrong neighborhood. If you want 756 00:34:28,400 --> 00:34:31,200 Speaker 1: to as a black man for your pass. Yeah, if 757 00:34:31,400 --> 00:34:33,239 Speaker 1: they don't ask you for your pass and then get 758 00:34:33,239 --> 00:34:34,800 Speaker 1: out of the car, get the f on the curb. 759 00:34:35,200 --> 00:34:37,440 Speaker 1: That's the game, you know. But if you have that 760 00:34:37,520 --> 00:34:39,239 Speaker 1: context right, then you can deal with it in a 761 00:34:39,239 --> 00:34:41,360 Speaker 1: way that's made more progressive rather than saying there are 762 00:34:41,360 --> 00:34:43,759 Speaker 1: a couple of bad cops, I for one. And people 763 00:34:43,800 --> 00:34:46,040 Speaker 1: may disagree with this. I don't think a cop wakes 764 00:34:46,120 --> 00:34:48,160 Speaker 1: up and says, man, I hope I can kill me today. 765 00:34:48,280 --> 00:34:51,120 Speaker 1: Excuse my language. I don't think you know. But we're 766 00:34:51,160 --> 00:34:53,600 Speaker 1: they're taught in condition to believe black ones and white 767 00:34:53,800 --> 00:34:56,480 Speaker 1: Boughton conditions to believe that when you see someone of color, 768 00:34:57,000 --> 00:35:01,279 Speaker 1: they are presumed dangerous and guilty. Bad guy, a bad 769 00:35:01,280 --> 00:35:04,320 Speaker 1: guy dangerous, or they call it criminal policing. Hot to 770 00:35:04,360 --> 00:35:05,920 Speaker 1: police tell me. He was like, dude, we went in 771 00:35:06,160 --> 00:35:09,360 Speaker 1: with the good neighborhoods. That is administrative policing. You know 772 00:35:09,400 --> 00:35:11,200 Speaker 1: what I'm saying. We see someone, How are you, sir? 773 00:35:11,280 --> 00:35:13,799 Speaker 1: How are you ma'am? Can you please? He was like, 774 00:35:13,840 --> 00:35:15,400 Speaker 1: but when we're in the jungle, and he said the 775 00:35:15,400 --> 00:35:17,160 Speaker 1: word jungle, but just because it's like in him, it's 776 00:35:17,200 --> 00:35:20,200 Speaker 1: the hunt. Criminal policing. You know, you got your in probation, 777 00:35:20,280 --> 00:35:22,839 Speaker 1: you know your prole get on the curb. But it's 778 00:35:22,840 --> 00:35:25,239 Speaker 1: a mentality, and that same mentality says, make it home 779 00:35:25,360 --> 00:35:28,799 Speaker 1: no matter what, protect yourself, no matter what. All of 780 00:35:28,800 --> 00:35:30,799 Speaker 1: that has past, that all that fear, like all of 781 00:35:30,800 --> 00:35:33,759 Speaker 1: this trauma that we're feeling, is it is directly connected 782 00:35:33,960 --> 00:35:36,719 Speaker 1: to the worst period of American history that we do, 783 00:35:36,840 --> 00:35:40,520 Speaker 1: like this cognitive dissonance. The movie. The movie is graphic, 784 00:35:40,640 --> 00:35:42,400 Speaker 1: but if you noted that turning the story, it's not 785 00:35:42,440 --> 00:35:45,200 Speaker 1: as graphic as they That's exactly did you purposely not 786 00:35:45,440 --> 00:35:47,680 Speaker 1: kill women and kids in the movie? Yeah, what I 787 00:35:47,719 --> 00:35:49,319 Speaker 1: deal with. Maybe you look at any story you look 788 00:35:49,320 --> 00:35:51,000 Speaker 1: at I'm not gonna name movies because it's gonna look 789 00:35:51,000 --> 00:35:52,319 Speaker 1: like I'm going at him. But you look at any 790 00:35:52,320 --> 00:35:54,960 Speaker 1: films that deal with you know, the Roman times, or 791 00:35:55,040 --> 00:35:57,840 Speaker 1: deal with different you know, different battle and revolution in 792 00:35:57,920 --> 00:36:00,279 Speaker 1: films with white people, right, every single one of them. 793 00:36:00,280 --> 00:36:02,280 Speaker 1: You look it up, there were casualties that were men, women, 794 00:36:02,320 --> 00:36:05,080 Speaker 1: and even in America, we've dropped a couple bombs, kill 795 00:36:05,120 --> 00:36:06,520 Speaker 1: a lot of people, you know what I mean. But 796 00:36:06,520 --> 00:36:08,279 Speaker 1: we don't have to go graphically and put it on it, 797 00:36:08,320 --> 00:36:10,440 Speaker 1: you know, show the baby. But what I wanted to 798 00:36:10,440 --> 00:36:12,879 Speaker 1: do I didn't want to rely on shock value. There's 799 00:36:12,880 --> 00:36:14,600 Speaker 1: a scene in the film where he's looking at the 800 00:36:14,600 --> 00:36:17,960 Speaker 1: Bible and he's like, something has to change. If this 801 00:36:18,000 --> 00:36:20,800 Speaker 1: Bible is right, then they're wrong. If they're wrong, and 802 00:36:20,840 --> 00:36:23,480 Speaker 1: I'm a leader of men, I gotta do something. And 803 00:36:23,520 --> 00:36:25,239 Speaker 1: as the page comes up and you see what he's 804 00:36:25,239 --> 00:36:28,239 Speaker 1: reading and it says, go and kill everyone men, women, 805 00:36:28,320 --> 00:36:31,719 Speaker 1: children and their animals. Smite emilec. That's how I deal 806 00:36:31,760 --> 00:36:33,319 Speaker 1: with it, in the same way that there are different 807 00:36:33,320 --> 00:36:35,640 Speaker 1: things that happened throughout that I didn't want to make 808 00:36:35,680 --> 00:36:38,480 Speaker 1: this the grossest film you ever saw. A couple scenes 809 00:36:38,480 --> 00:36:40,520 Speaker 1: that are hard to watch, but for the most part, 810 00:36:40,560 --> 00:36:42,919 Speaker 1: I mean even just the scene with one spoiler because 811 00:36:42,920 --> 00:36:45,000 Speaker 1: it's in the trailer. The scene with a little girl 812 00:36:45,480 --> 00:36:47,520 Speaker 1: comes out with the skipping with the rope, and then 813 00:36:47,520 --> 00:36:49,200 Speaker 1: the rope is around a little girl's neck. But the 814 00:36:49,320 --> 00:36:53,160 Speaker 1: crazy thing is she's skipping too and smiling. That's twenty sixteen. 815 00:36:53,400 --> 00:36:55,360 Speaker 1: A lot of us have ropes around our neck and 816 00:36:55,400 --> 00:36:58,120 Speaker 1: we don't even realize. Right. Yeah, A lot of people 817 00:36:58,120 --> 00:37:00,640 Speaker 1: give you flat for the image of you with the 818 00:37:00,680 --> 00:37:04,960 Speaker 1: American flag around you. I didn't understand what people got 819 00:37:05,040 --> 00:37:07,080 Speaker 1: upset about, for the same reason they don't teach us 820 00:37:07,080 --> 00:37:09,040 Speaker 1: our history. You know what I'm saying. It's like, like, 821 00:37:09,360 --> 00:37:13,360 Speaker 1: are we to really grasp and wrestle with white supremacy 822 00:37:13,360 --> 00:37:15,640 Speaker 1: in this country? Do we really want to? Or are 823 00:37:15,680 --> 00:37:17,560 Speaker 1: we going to attack everyone that ever brings it up? 824 00:37:18,400 --> 00:37:20,479 Speaker 1: That's the question we have to ask. Like that hold 825 00:37:20,480 --> 00:37:23,520 Speaker 1: the news image was America has a stranglehold on black men. 826 00:37:24,200 --> 00:37:26,759 Speaker 1: I didn't make that up, you know, And like I said, 827 00:37:26,800 --> 00:37:30,680 Speaker 1: I have to say publicly, dude, Fox releasing that like 828 00:37:30,760 --> 00:37:33,239 Speaker 1: they've been the best partner. They've been like, we want 829 00:37:33,239 --> 00:37:35,239 Speaker 1: to help this film along in the way that you 830 00:37:35,320 --> 00:37:38,239 Speaker 1: made this film. We don't want to dictate. So when 831 00:37:38,239 --> 00:37:40,440 Speaker 1: that art came up, they were like, we have chosen 832 00:37:40,480 --> 00:37:42,160 Speaker 1: our line. We have to, we have to. We will 833 00:37:42,200 --> 00:37:45,080 Speaker 1: stand with you. Next thing, you know, the art goes out, 834 00:37:45,120 --> 00:37:47,440 Speaker 1: most people are like, oh my god. Other people are like, 835 00:37:47,880 --> 00:37:50,680 Speaker 1: they're desecrating the flag, Like do you know how many 836 00:37:50,680 --> 00:37:53,440 Speaker 1: people have been Thousands of people have been lynched, you know, 837 00:37:53,520 --> 00:37:56,760 Speaker 1: castrated with their genitalius stuff in their mouths to protect 838 00:37:56,840 --> 00:37:59,239 Speaker 1: white privilege. You know, And let's be clear, this film. 839 00:37:59,239 --> 00:38:01,439 Speaker 1: I mean, you saw the film. You saw this film 840 00:38:01,560 --> 00:38:04,800 Speaker 1: is like it's not anti white, anti evil, you know. 841 00:38:05,600 --> 00:38:08,600 Speaker 1: You know, Turner said very clearly, he said in his visions, 842 00:38:08,640 --> 00:38:11,479 Speaker 1: we will cut the head from the serpent. If God 843 00:38:11,560 --> 00:38:13,640 Speaker 1: is real, these people are even we got to do something. 844 00:38:13,840 --> 00:38:16,359 Speaker 1: Black empowerment doesn't mean white hate, you know. And there 845 00:38:16,360 --> 00:38:18,440 Speaker 1: will be people mark my words, when this film comes out. 846 00:38:18,440 --> 00:38:20,680 Speaker 1: Oh it's propaganda. It's not propaganda, which is why the 847 00:38:20,680 --> 00:38:23,239 Speaker 1: white people you see aren't bad people. They're just in 848 00:38:23,280 --> 00:38:26,600 Speaker 1: a situation where the system is as crafted in such 849 00:38:26,600 --> 00:38:28,160 Speaker 1: a way that it makes it very difficult to go 850 00:38:28,200 --> 00:38:31,880 Speaker 1: against the everyday norms of life. All right, well, we 851 00:38:31,880 --> 00:38:34,000 Speaker 1: have the director and the star of the movie Birth 852 00:38:34,000 --> 00:38:36,000 Speaker 1: of a Nation with us right now. When we come back, 853 00:38:36,000 --> 00:38:38,640 Speaker 1: we have to address all the rape allegations and rape 854 00:38:38,640 --> 00:38:40,640 Speaker 1: talks to keep it locked. As to breakfast Slugal Morning 855 00:38:41,760 --> 00:38:44,680 Speaker 1: and that was Drakarrerie with two good morning. Everybody is 856 00:38:44,760 --> 00:38:47,799 Speaker 1: DJ envy angela yee. Charlemagne the God, we are the 857 00:38:47,800 --> 00:38:50,360 Speaker 1: breakfast club. We have Nate Parker in the building. His 858 00:38:50,480 --> 00:38:53,480 Speaker 1: movie Birth of a Nation hits everywhere tonight at midnight 859 00:38:53,560 --> 00:38:56,360 Speaker 1: to definitely go. Said now Charlemagne, I honestly, don't know 860 00:38:56,400 --> 00:38:58,480 Speaker 1: who's demonizing you at this point, because I see it 861 00:38:58,640 --> 00:39:01,040 Speaker 1: from all angles, because I'm gona tell this story. I remember, 862 00:39:01,280 --> 00:39:03,600 Speaker 1: maybe a month before I saw the movie, had an 863 00:39:03,600 --> 00:39:05,360 Speaker 1: og triple og in the game hit me up and 864 00:39:05,360 --> 00:39:07,520 Speaker 1: he goes, look, we gotta support this film. He said 865 00:39:07,520 --> 00:39:10,160 Speaker 1: he's gonna try to crucify an A Parker. And then 866 00:39:10,320 --> 00:39:12,839 Speaker 1: two three weeks later, all the different allegations came out. 867 00:39:12,880 --> 00:39:14,400 Speaker 1: It was, oh he got a white wife, it was 868 00:39:14,719 --> 00:39:17,600 Speaker 1: oh he's homophobic, it was oh he has rape charges? 869 00:39:17,960 --> 00:39:21,680 Speaker 1: Did you expect that to happen? M Let's just say 870 00:39:22,360 --> 00:39:26,120 Speaker 1: I was warned early on. You know, people in the industry, 871 00:39:26,160 --> 00:39:28,919 Speaker 1: people that love me, people that I love that just said, 872 00:39:29,080 --> 00:39:31,839 Speaker 1: you know, are you ready for what may come with 873 00:39:31,920 --> 00:39:34,200 Speaker 1: this film? You know It's like it's look, I'm gonna say, look, 874 00:39:34,920 --> 00:39:37,560 Speaker 1: you know, how do you rediscover something you already knew. 875 00:39:38,120 --> 00:39:40,680 Speaker 1: I've never hid anything from my life, never ran from nobody, Mama, 876 00:39:41,200 --> 00:39:43,399 Speaker 1: and I'm not gonna run now. No one's gonna stop 877 00:39:43,440 --> 00:39:45,200 Speaker 1: me from telling stories that I think I've left my people. 878 00:39:45,200 --> 00:39:46,880 Speaker 1: They're just not gonna do it. It can come for me. 879 00:39:46,920 --> 00:39:49,399 Speaker 1: That's okay. I'm a grown up. I'm a man. I'm 880 00:39:49,719 --> 00:39:51,840 Speaker 1: I'm so anchored in the Lord, Bro. My faith is 881 00:39:51,880 --> 00:39:55,280 Speaker 1: so strong that I'm not tripping. I know the power 882 00:39:55,320 --> 00:39:57,680 Speaker 1: of Nat Turning, what he can do for our people, 883 00:39:57,719 --> 00:39:59,920 Speaker 1: what he can do for America. What happens if we 884 00:40:00,000 --> 00:40:02,719 Speaker 1: starts celebrating Nat Turner as a hero and who you know, 885 00:40:02,840 --> 00:40:07,680 Speaker 1: look the African American Museum. Just open Nat Turner's Bible, right, 886 00:40:07,680 --> 00:40:11,400 Speaker 1: George Bush said, you know Nat Turner, Like, what happens 887 00:40:11,400 --> 00:40:14,880 Speaker 1: if if he if it becomes normal to celebrate every 888 00:40:14,920 --> 00:40:16,880 Speaker 1: one of every color that has contribute to the narrative 889 00:40:16,920 --> 00:40:20,200 Speaker 1: of this country, things will change. Privilege will be challenged, 890 00:40:20,800 --> 00:40:22,879 Speaker 1: but things will change. Doesn't pitch you off through because 891 00:40:23,000 --> 00:40:26,360 Speaker 1: we were watching your Good Morning America and you look like, 892 00:40:26,400 --> 00:40:27,880 Speaker 1: all right, enough is enough? You look like you on 893 00:40:27,960 --> 00:40:31,920 Speaker 1: the screen put some respect on my name, because I mean, 894 00:40:31,960 --> 00:40:34,040 Speaker 1: because they showed some of the stuff that you went 895 00:40:34,040 --> 00:40:35,680 Speaker 1: through when you were in college. You look like, come 896 00:40:35,719 --> 00:40:38,319 Speaker 1: on now, I'll just say this. I posted out there. 897 00:40:38,320 --> 00:40:40,239 Speaker 1: I probably in trouble. It was an ambush, you know, 898 00:40:40,400 --> 00:40:43,320 Speaker 1: just it looked like anybud. It looked like you just happened, 899 00:40:43,360 --> 00:40:45,240 Speaker 1: Like what the fuck? You know, because this is bigger 900 00:40:45,239 --> 00:40:47,200 Speaker 1: than me. Nat Turner is so much bigger than me, 901 00:40:48,040 --> 00:40:50,440 Speaker 1: like in my in my thirty six year old life 902 00:40:50,640 --> 00:40:53,480 Speaker 1: and anything you could ever dig up or whatever. Nat Turner, 903 00:40:54,040 --> 00:40:56,360 Speaker 1: a film about Nat Turner exists. It's gonna drop on Friday, 904 00:40:56,440 --> 00:40:59,120 Speaker 1: like for real. I don't believe it exactly until until 905 00:40:59,200 --> 00:41:02,120 Speaker 1: you go to the theater and you see that title card. 906 00:41:02,360 --> 00:41:04,719 Speaker 1: It's even hard for me to believe. Like when I 907 00:41:04,840 --> 00:41:06,680 Speaker 1: and every morning I pray and I'm in like a 908 00:41:06,719 --> 00:41:09,759 Speaker 1: devotional space, I'm like, Lord, thank you. I'm not playing 909 00:41:09,800 --> 00:41:12,520 Speaker 1: the victim. I'm not crying. I'm not walking around sad 910 00:41:12,560 --> 00:41:16,200 Speaker 1: at all. I'm rejoicing every day because the film exists. 911 00:41:16,520 --> 00:41:18,160 Speaker 1: Did you feel like it would be in jeopardy at 912 00:41:18,160 --> 00:41:21,319 Speaker 1: any point the film, Yeah, just with everything coming up, 913 00:41:21,360 --> 00:41:23,839 Speaker 1: like we can't put this out because I remember thinking, oh, man, 914 00:41:23,880 --> 00:41:25,839 Speaker 1: are they gonna try to not put the movie out? Now? 915 00:41:26,040 --> 00:41:28,319 Speaker 1: There's a there's a verse in the Bible says I 916 00:41:28,400 --> 00:41:30,520 Speaker 1: tell you these things so that you will find peace 917 00:41:30,560 --> 00:41:32,840 Speaker 1: in me. You know, in the world there will be tribulation. 918 00:41:32,880 --> 00:41:35,080 Speaker 1: Would be a good cheer if I've overcome the world. 919 00:41:35,560 --> 00:41:38,160 Speaker 1: God is God, the same guy that helped me to 920 00:41:38,239 --> 00:41:40,640 Speaker 1: make this film. The same guy that got me through 921 00:41:40,800 --> 00:41:42,800 Speaker 1: you know, whatever options I have in my life, the 922 00:41:42,840 --> 00:41:44,239 Speaker 1: same guy that made it so this film is coming 923 00:41:44,239 --> 00:41:46,080 Speaker 1: out on Friday. The same god has made it so 924 00:41:46,200 --> 00:41:49,480 Speaker 1: people will be able to gain something perspective young people. 925 00:41:49,840 --> 00:41:52,160 Speaker 1: Fifty years from now, some ten year old kid is 926 00:41:52,160 --> 00:41:53,640 Speaker 1: going to be able to watch this film. In the 927 00:41:53,680 --> 00:41:56,200 Speaker 1: same way that they use the original Birth of a 928 00:41:56,280 --> 00:41:59,239 Speaker 1: Nation as a recruitment tool for the KKK, We're gonna 929 00:41:59,280 --> 00:42:02,040 Speaker 1: use it as a recruit tool for revolution and resistance 930 00:42:02,160 --> 00:42:04,840 Speaker 1: for people that recognize something needs to change that's bigger 931 00:42:04,840 --> 00:42:07,560 Speaker 1: than me. If I died today and the film can live, 932 00:42:07,640 --> 00:42:11,320 Speaker 1: I'm not tripping. I'm good, bro'. I'm in such peace 933 00:42:11,440 --> 00:42:14,319 Speaker 1: right now because this film exists. So for me, it's 934 00:42:14,400 --> 00:42:17,440 Speaker 1: kind of like, Okay, well cool, let's get the film out. Okay, cool, 935 00:42:17,480 --> 00:42:20,000 Speaker 1: all right, fine, let's get the film out. Okay, yeah, 936 00:42:20,160 --> 00:42:22,320 Speaker 1: next question, Let's get the film out. Because when the 937 00:42:22,320 --> 00:42:24,319 Speaker 1: film comes out, it will speak for itself. I mean, 938 00:42:24,320 --> 00:42:26,440 Speaker 1: I think we've all been guilty of it. It judges 939 00:42:26,440 --> 00:42:28,960 Speaker 1: your character, you know. When we hear in Nate Parker, 940 00:42:29,000 --> 00:42:31,879 Speaker 1: we hear this accusation, his friend is this his friend 941 00:42:31,960 --> 00:42:34,319 Speaker 1: is that that has to affect you in a way 942 00:42:34,360 --> 00:42:37,759 Speaker 1: because now people who don't know you might look at 943 00:42:37,760 --> 00:42:39,719 Speaker 1: you at a different life. But guess what we gotta 944 00:42:39,760 --> 00:42:42,520 Speaker 1: we gotta rise up to the ten thousand foot view. Right, 945 00:42:42,800 --> 00:42:44,960 Speaker 1: Like when you're in a moment and you're set on fire, 946 00:42:45,520 --> 00:42:48,239 Speaker 1: it's easy to be like, oh my god, I'm on fire, right, 947 00:42:48,280 --> 00:42:49,879 Speaker 1: But when you rise up to the ten thousand foot 948 00:42:49,920 --> 00:42:53,000 Speaker 1: view and you see the Lord's resume, everything that's happening 949 00:42:53,040 --> 00:42:55,560 Speaker 1: up into that moment, and you're looking forward and say, okay, 950 00:42:55,600 --> 00:42:59,799 Speaker 1: this moment will cause a reaction forward, then then you realize, look, 951 00:43:00,200 --> 00:43:02,960 Speaker 1: this is bigger than my character. People will get to 952 00:43:03,000 --> 00:43:05,239 Speaker 1: know me, They'll get to know my heart, you know 953 00:43:05,280 --> 00:43:06,880 Speaker 1: what I mean. I'm cool with that. I'm cool. I 954 00:43:06,920 --> 00:43:08,799 Speaker 1: didn't know you guys until I knew you. I didn't 955 00:43:08,800 --> 00:43:10,840 Speaker 1: know you until I knew you. If I could go 956 00:43:10,880 --> 00:43:12,600 Speaker 1: out and meet every single person in glad hand and 957 00:43:12,600 --> 00:43:14,680 Speaker 1: shake their hand, would I do? Yeah? I can't do that. 958 00:43:14,920 --> 00:43:18,680 Speaker 1: I'm gonna let my art, let my activism speak in 959 00:43:18,760 --> 00:43:22,040 Speaker 1: ways that my mouth on these shows with these headline 960 00:43:22,080 --> 00:43:24,480 Speaker 1: hunters and these clickbait people, I'm gonna let them do 961 00:43:24,520 --> 00:43:26,560 Speaker 1: that thing. I'm not tripping on the news. I feel 962 00:43:26,600 --> 00:43:28,200 Speaker 1: this is just me talking. I feel like it was 963 00:43:28,200 --> 00:43:31,279 Speaker 1: a conspiracy by some powers that be the reality release 964 00:43:31,320 --> 00:43:33,000 Speaker 1: of the film, because all of this information has been 965 00:43:33,040 --> 00:43:35,320 Speaker 1: out there, it's been public. You will found not guilty. 966 00:43:35,320 --> 00:43:37,600 Speaker 1: You spoke about it before. Why now? That's all I 967 00:43:37,640 --> 00:43:40,600 Speaker 1: wanted to like, why why now? You know what? You know? 968 00:43:40,719 --> 00:43:43,759 Speaker 1: There's some people that say, you know, why me? And 969 00:43:43,760 --> 00:43:45,480 Speaker 1: then there's some people that say, well, what can come 970 00:43:45,480 --> 00:43:47,440 Speaker 1: out of this moment? You know? And I try to 971 00:43:47,440 --> 00:43:49,200 Speaker 1: be the latter. I try to be the person that says, 972 00:43:49,239 --> 00:43:53,200 Speaker 1: regardless of the moment, what can change because of these actions? 973 00:43:53,520 --> 00:43:57,160 Speaker 1: Because look, if people forever kick dirt on me forever, 974 00:43:57,760 --> 00:44:01,240 Speaker 1: but this film exists by itself, and then a hundred 975 00:44:01,320 --> 00:44:05,640 Speaker 1: years when I'm dead and gone, they got this film. 976 00:44:05,760 --> 00:44:08,880 Speaker 1: We win. We all win if we release this film 977 00:44:08,960 --> 00:44:11,120 Speaker 1: right and all the old heads see it and all 978 00:44:11,120 --> 00:44:12,920 Speaker 1: the old heads are like, yeah, we get it. We're 979 00:44:12,960 --> 00:44:15,760 Speaker 1: moving forward. And the kid in best Start, the fifteen 980 00:44:15,800 --> 00:44:17,800 Speaker 1: year old kids don't know who that turning is still 981 00:44:18,560 --> 00:44:21,400 Speaker 1: Oakland or the kid in Decatur don't it doesn't know. 982 00:44:21,520 --> 00:44:24,280 Speaker 1: We lose. So I reached out to the dopest artists 983 00:44:24,280 --> 00:44:26,200 Speaker 1: I could find Gucci Maine and talk to them on 984 00:44:26,200 --> 00:44:28,000 Speaker 1: the phone. I said, brother, I know you care about 985 00:44:28,000 --> 00:44:31,640 Speaker 1: your care. I haven't heard the music, so I'm not 986 00:44:31,680 --> 00:44:34,960 Speaker 1: gonna judge it, but I didn't understand. But you gotta 987 00:44:35,040 --> 00:44:36,680 Speaker 1: you gotta hear the music. This is the thing. Look, 988 00:44:37,040 --> 00:44:39,759 Speaker 1: guess what Gucci got the streets, little Wayne got. I 989 00:44:39,760 --> 00:44:47,600 Speaker 1: don't have the streets. And every listen, everyone is on message. 990 00:44:47,600 --> 00:44:50,280 Speaker 1: It's kind of crazy. You got two chains on message 991 00:44:50,280 --> 00:44:52,000 Speaker 1: talking about go up to the state House. Tell them 992 00:44:52,040 --> 00:44:54,279 Speaker 1: to provise a system good chains, you know what I mean. 993 00:44:54,320 --> 00:44:56,640 Speaker 1: It's like if you can get them on message, because 994 00:44:57,000 --> 00:45:00,720 Speaker 1: I just as you know, music in a ways corporate tize. 995 00:45:01,239 --> 00:45:03,160 Speaker 1: You know a lot of them. You know the politics 996 00:45:03,200 --> 00:45:05,160 Speaker 1: around making music and who we're making it for, who's 997 00:45:05,200 --> 00:45:07,680 Speaker 1: consuming it. A lot of times it doesn't help our people. 998 00:45:08,120 --> 00:45:10,040 Speaker 1: A lot of times in this country, they give a 999 00:45:10,080 --> 00:45:12,439 Speaker 1: little bit to a few and then tell those few 1000 00:45:12,440 --> 00:45:14,279 Speaker 1: to time kinda be happy with what you got and 1001 00:45:14,320 --> 00:45:16,440 Speaker 1: turn your back and your power against the people that 1002 00:45:16,480 --> 00:45:18,120 Speaker 1: needed the most. I mean that things happened. It happens 1003 00:45:18,160 --> 00:45:20,360 Speaker 1: in my industry too. So if I can get people 1004 00:45:20,719 --> 00:45:22,520 Speaker 1: that do care about the community but don't have the 1005 00:45:22,560 --> 00:45:24,799 Speaker 1: platform to release it. So I had the chance to 1006 00:45:24,840 --> 00:45:27,120 Speaker 1: sit with all these these guys, you know, Vic Mensa, 1007 00:45:27,200 --> 00:45:30,920 Speaker 1: all of them, you know, Tray Songs, Neo. Everyone is 1008 00:45:31,040 --> 00:45:33,400 Speaker 1: on message, talking about the system, talking about the pressure, 1009 00:45:33,520 --> 00:45:36,600 Speaker 1: talking about faith. You know what I'm saying. Like Little 1010 00:45:36,640 --> 00:45:38,840 Speaker 1: Wayne was like I got to feed the family, but 1011 00:45:38,880 --> 00:45:40,800 Speaker 1: I had to leave the family. I left the CNB. 1012 00:45:41,120 --> 00:45:43,440 Speaker 1: I'm an empathy, but I would never leave Christianity. I 1013 00:45:43,480 --> 00:45:45,839 Speaker 1: heard it gets submitted a track, but you turned it down. 1014 00:45:46,200 --> 00:45:51,160 Speaker 1: I didn't turn anything down. You know, It's like anything else. 1015 00:45:51,200 --> 00:45:52,919 Speaker 1: Things like everyone that wants to be on your show 1016 00:45:52,920 --> 00:46:00,400 Speaker 1: can't get a show you get really submitted a track? No, no, no, 1017 00:46:00,440 --> 00:46:03,719 Speaker 1: I'm saying that I'm trying to be fair. A lot 1018 00:46:03,800 --> 00:46:06,719 Speaker 1: of people submitted albums, but we really you know, when 1019 00:46:06,719 --> 00:46:08,800 Speaker 1: you track list, when you make a track list, you 1020 00:46:08,840 --> 00:46:10,960 Speaker 1: want to make sure everything fits. NAS has an incredible 1021 00:46:11,000 --> 00:46:16,600 Speaker 1: song called war that's on brand. Huh na, But why 1022 00:46:16,600 --> 00:46:18,160 Speaker 1: would you do something obvious? You know what I'm saying, 1023 00:46:18,200 --> 00:46:20,520 Speaker 1: Like at some point like if I can get lu Wayne, 1024 00:46:20,920 --> 00:46:23,440 Speaker 1: you know, to talk about the streets in the context 1025 00:46:23,520 --> 00:46:25,560 Speaker 1: of message, And then a young person was like, wait 1026 00:46:25,600 --> 00:46:28,760 Speaker 1: a minute, just say that and wait he was inspired 1027 00:46:28,760 --> 00:46:30,879 Speaker 1: by a movie to like be on message. I need 1028 00:46:30,920 --> 00:46:33,960 Speaker 1: to see this movie. These artists care about what's happening, 1029 00:46:33,960 --> 00:46:35,880 Speaker 1: they just don't always have the platform. So I just 1030 00:46:35,920 --> 00:46:38,680 Speaker 1: was trying to create some space man, you know, and 1031 00:46:38,760 --> 00:46:40,400 Speaker 1: to get young people in the theater so they can 1032 00:46:40,400 --> 00:46:42,600 Speaker 1: feel empowered. All right, we have more with Nate Parker 1033 00:46:42,640 --> 00:46:45,160 Speaker 1: when we come back. Keep it locked. It's the Breakfast Club. 1034 00:46:45,200 --> 00:46:52,520 Speaker 1: Good Morning, the Breakfast Club that was challenge for Free Morning. 1035 00:46:52,560 --> 00:46:56,160 Speaker 1: Everybody's DJ Envy Angela Yee, Charlomagne the guy. We are 1036 00:46:56,200 --> 00:46:59,439 Speaker 1: the Breakfast Club. Now. Usually we do rumors right here, 1037 00:46:59,440 --> 00:47:01,840 Speaker 1: but Nate talks in the building. Birth of a Nation 1038 00:47:01,960 --> 00:47:05,000 Speaker 1: hits theaters tonight at midnight. Are you I don't want 1039 00:47:05,000 --> 00:47:07,879 Speaker 1: to say, concerned that this movie will cause some type 1040 00:47:07,920 --> 00:47:10,239 Speaker 1: of revolte now because this could this could be a 1041 00:47:10,320 --> 00:47:12,359 Speaker 1: dangerous time to put this. Let me let me be clear. 1042 00:47:12,800 --> 00:47:16,480 Speaker 1: It's a quotable. I hope it makes people uncomfortable. I 1043 00:47:16,520 --> 00:47:19,759 Speaker 1: hope that it inspires a riotous disposition. Now. Do I 1044 00:47:19,840 --> 00:47:23,480 Speaker 1: want violence? Absolutely not. We're above that. Now. Why we 1045 00:47:23,480 --> 00:47:25,879 Speaker 1: need to be violent? When we got journalists, we got 1046 00:47:25,960 --> 00:47:28,480 Speaker 1: radio personalities that have power. We have social media, but 1047 00:47:28,560 --> 00:47:30,759 Speaker 1: that's not like the same most social media is not. 1048 00:47:30,800 --> 00:47:33,560 Speaker 1: But everything else out like the same. Watch that Turner 1049 00:47:33,600 --> 00:47:36,719 Speaker 1: had ax handles and broomsticks, right, and he didn't have 1050 00:47:36,800 --> 00:47:38,080 Speaker 1: the right to as symbol. So what does that mean? 1051 00:47:38,200 --> 00:47:39,799 Speaker 1: That means what we're doing right now in this room 1052 00:47:39,880 --> 00:47:42,399 Speaker 1: would have been illegal and we would all have been lunched. Right. Well, 1053 00:47:42,440 --> 00:47:45,600 Speaker 1: we do have a white man in the room. Oh good, good, good, 1054 00:47:45,600 --> 00:47:50,400 Speaker 1: I couldn't see your whole face good. As soon as 1055 00:47:50,400 --> 00:47:56,960 Speaker 1: I said that, he was like, no, you're wrong, but 1056 00:47:57,760 --> 00:47:59,200 Speaker 1: the right. We didn't have the rate. This a symbol. 1057 00:47:59,360 --> 00:48:02,719 Speaker 1: It's right here, dead right right, not turn it out 1058 00:48:02,719 --> 00:48:05,480 Speaker 1: of that only tools he had, his only Yeah, he 1059 00:48:05,520 --> 00:48:07,439 Speaker 1: couldn't have been like I'm calling the meeting every bend 1060 00:48:07,480 --> 00:48:10,359 Speaker 1: the plantation. We're gonna strike, We're gonna protest and walk 1061 00:48:10,360 --> 00:48:12,680 Speaker 1: around the main house like he didn't. He couldn't do nothing. 1062 00:48:13,040 --> 00:48:15,520 Speaker 1: So he fought and in the tools he had. You 1063 00:48:15,560 --> 00:48:17,920 Speaker 1: look now, right, if we I mean the power we have, 1064 00:48:18,000 --> 00:48:20,319 Speaker 1: you look at like Colin Kaepernick, like the I always 1065 00:48:20,360 --> 00:48:22,480 Speaker 1: say when athletes get involved, it's around like things are 1066 00:48:22,520 --> 00:48:24,440 Speaker 1: gonna change because we're messing with the money. You get 1067 00:48:24,480 --> 00:48:26,279 Speaker 1: what I'm saying. So if nothing else, They walk out 1068 00:48:26,280 --> 00:48:29,000 Speaker 1: of that film and says, I'm gonna use my occupation 1069 00:48:29,320 --> 00:48:32,880 Speaker 1: to spearhead the systemic crisis I see in my own life, 1070 00:48:32,920 --> 00:48:36,160 Speaker 1: my own community. Things will change immediately. Does that mean 1071 00:48:36,520 --> 00:48:39,200 Speaker 1: marching maybe? Does it mean more than marching? Does it 1072 00:48:39,239 --> 00:48:41,120 Speaker 1: mean some people saying, Nah, I ain't gonna do that. 1073 00:48:41,239 --> 00:48:43,479 Speaker 1: I'm gonna walk into my producer and tell him I'm 1074 00:48:43,520 --> 00:48:47,560 Speaker 1: not saying that thing ever again. What in sacrificing somebody 1075 00:48:47,560 --> 00:48:51,640 Speaker 1: get fired? You know? Is it whatever your occupation, what 1076 00:48:51,760 --> 00:48:54,120 Speaker 1: is your contribution? I want people? You know. The biggest 1077 00:48:54,120 --> 00:48:57,080 Speaker 1: difference I believe between the civil rights movement of old 1078 00:48:57,360 --> 00:48:59,239 Speaker 1: and the civil rights movements of new is that people 1079 00:48:59,280 --> 00:49:01,879 Speaker 1: aren't willing to die anything that's ever anything and done 1080 00:49:01,880 --> 00:49:04,600 Speaker 1: anything for our community that actually resulted in progress had 1081 00:49:04,600 --> 00:49:06,520 Speaker 1: to take a bullet to their head. The good thing 1082 00:49:06,520 --> 00:49:08,040 Speaker 1: about the movie too, it is like, when you say 1083 00:49:08,160 --> 00:49:10,640 Speaker 1: systemic oppression, I like that because it's not just seeing 1084 00:49:10,640 --> 00:49:13,000 Speaker 1: white people because they had to go battle against their 1085 00:49:13,000 --> 00:49:15,880 Speaker 1: own who on the side of systemic oppression as well. Right, 1086 00:49:15,920 --> 00:49:18,799 Speaker 1: You're absolutely right. Brother. Frederick Douglas has this dope quote 1087 00:49:18,800 --> 00:49:20,600 Speaker 1: where he says, when I became free, I begin to 1088 00:49:20,640 --> 00:49:23,640 Speaker 1: see the effects lavery had not only on slave but 1089 00:49:23,719 --> 00:49:26,880 Speaker 1: on slave masters. Right, like we all of everyone around 1090 00:49:26,920 --> 00:49:29,760 Speaker 1: us has been passed down something this tum this trauma, 1091 00:49:30,120 --> 00:49:33,600 Speaker 1: this wound that we won't he let he or we 1092 00:49:33,640 --> 00:49:36,440 Speaker 1: won't face it. We just won't because it's too uncomfortable, 1093 00:49:36,600 --> 00:49:38,600 Speaker 1: too painful. Man, how many times do you hear someone say, 1094 00:49:38,760 --> 00:49:40,680 Speaker 1: like in politics, you know, we got to have the 1095 00:49:40,760 --> 00:49:43,560 Speaker 1: race of conversation. Have you ever had the race conversation 1096 00:49:43,600 --> 00:49:45,720 Speaker 1: with like like, have we haven't? Been? Like, okay, everyone, 1097 00:49:45,960 --> 00:49:48,399 Speaker 1: this is race conversation day. Race conversation Day is gonna 1098 00:49:48,400 --> 00:49:51,880 Speaker 1: be October ten, Right, call your friends or the pizza, 1099 00:49:52,400 --> 00:49:55,640 Speaker 1: you know, and coke and in Coca cola. And when 1100 00:49:56,280 --> 00:49:58,880 Speaker 1: come over to the right come over to the house 1101 00:49:58,920 --> 00:50:04,080 Speaker 1: headline like part encourages people, you know, come over, We're 1102 00:50:04,080 --> 00:50:06,279 Speaker 1: gonna have a conversation on race. Invite people that don't 1103 00:50:06,280 --> 00:50:07,799 Speaker 1: look like you. When come to the table's gonna eat 1104 00:50:07,800 --> 00:50:11,280 Speaker 1: and be like yo, so race, like you know, black privilege. 1105 00:50:11,480 --> 00:50:14,120 Speaker 1: You what you think no one's having that conversation. Yeah, 1106 00:50:14,280 --> 00:50:16,239 Speaker 1: you know. So at some point, you know they say, 1107 00:50:16,280 --> 00:50:17,800 Speaker 1: if you always do what you're always done, you always 1108 00:50:17,800 --> 00:50:20,399 Speaker 1: get what you always got. America's always doing what they're 1109 00:50:20,400 --> 00:50:23,800 Speaker 1: always done. That's shutting people up, that's attacking the people 1110 00:50:23,840 --> 00:50:26,719 Speaker 1: that that resist, and that's a problem for America. I 1111 00:50:26,719 --> 00:50:30,600 Speaker 1: always say, a healthier Black community, healthier Latino community, is 1112 00:50:30,600 --> 00:50:33,440 Speaker 1: a healthier United States of America. Do you think your 1113 00:50:33,520 --> 00:50:35,920 Speaker 1: past rape charges will cause people not to see this 1114 00:50:36,000 --> 00:50:38,279 Speaker 1: movie with an objective eye? Because I saw an article 1115 00:50:38,320 --> 00:50:40,120 Speaker 1: in The New York where the author didn't give it 1116 00:50:40,160 --> 00:50:43,640 Speaker 1: the best review, but it kept mixing you with the movie, 1117 00:50:43,640 --> 00:50:46,600 Speaker 1: and I'm like, listen, listen, presume dangerous and guilty. Presume 1118 00:50:46,680 --> 00:50:48,960 Speaker 1: dangerous and guilty, Like that's you know, the attack is 1119 00:50:48,960 --> 00:50:50,839 Speaker 1: the attack. You know, you know, you know what I'm saying. 1120 00:50:50,960 --> 00:50:55,400 Speaker 1: I think anyone that thinks it's important to hear stories 1121 00:50:55,440 --> 00:50:58,000 Speaker 1: that have been a race from history that can aid 1122 00:50:58,120 --> 00:51:01,160 Speaker 1: in our progress as America, he needs to see this film. 1123 00:51:01,239 --> 00:51:03,960 Speaker 1: In my humble opinion, right to take me out of it. 1124 00:51:04,000 --> 00:51:06,480 Speaker 1: Whatever you feel about me, whatever you feel about my acquittal, 1125 00:51:06,560 --> 00:51:09,279 Speaker 1: whatever you feel about my innocence or whatever you have, 1126 00:51:09,760 --> 00:51:12,120 Speaker 1: just for a second recognize, if you call yourself a patriot, 1127 00:51:12,200 --> 00:51:15,280 Speaker 1: I think you have to take steps toward healing America. 1128 00:51:15,360 --> 00:51:18,840 Speaker 1: And if this film stands for something like that outside 1129 00:51:18,840 --> 00:51:21,560 Speaker 1: of me. Then let's have that conversation. Let's let's not 1130 00:51:21,600 --> 00:51:25,440 Speaker 1: take the baggage of whatever you've read in a headline 1131 00:51:25,800 --> 00:51:27,520 Speaker 1: and just say, I'm gonna see what the film does. 1132 00:51:27,760 --> 00:51:30,719 Speaker 1: And a black man ever be not guilty in America, 1133 00:51:30,880 --> 00:51:33,799 Speaker 1: even you're you're acquitted, you're not guilty. But even when 1134 00:51:33,800 --> 00:51:35,480 Speaker 1: you was on sixty minutes, they would like you should 1135 00:51:35,520 --> 00:51:38,080 Speaker 1: have apologized. I'm like, but he's maintained his innocence. Thing 1136 00:51:38,160 --> 00:51:41,000 Speaker 1: I found not guilty. What do you want to apologize for? Um, 1137 00:51:42,040 --> 00:51:44,120 Speaker 1: it's it's it's it's a it's a question worth asking. 1138 00:51:44,239 --> 00:51:46,600 Speaker 1: But at the same time, I think that we're more 1139 00:51:46,680 --> 00:51:49,239 Speaker 1: concerned about how we've been conditioned to see ourselves and 1140 00:51:49,360 --> 00:51:51,719 Speaker 1: less concerned about how other people see us, then we'll 1141 00:51:51,760 --> 00:51:54,319 Speaker 1: be able to really deal with crisis. We have to 1142 00:51:54,360 --> 00:51:58,080 Speaker 1: make ourselves smaller, bigger picture that Turner made himself small. 1143 00:51:58,280 --> 00:51:59,719 Speaker 1: You know, it doesn't say a good man make sure 1144 00:51:59,719 --> 00:52:01,480 Speaker 1: his name is good when he dies, Like I'm not 1145 00:52:01,520 --> 00:52:03,640 Speaker 1: tripping on me. You know, everything I'm doing, I'm doing 1146 00:52:03,680 --> 00:52:05,839 Speaker 1: for my children and my children's children so that when 1147 00:52:05,880 --> 00:52:07,880 Speaker 1: they look up at that image of me wherever it is, 1148 00:52:07,920 --> 00:52:10,240 Speaker 1: and I'm in hopefully looking fly in the oil painting. 1149 00:52:10,680 --> 00:52:12,920 Speaker 1: They can be like, you know what, man, my dad tried, 1150 00:52:13,040 --> 00:52:14,799 Speaker 1: you know, my great, great great, you know whatever, he 1151 00:52:14,880 --> 00:52:16,680 Speaker 1: tried to do something. He tried to deal with it. 1152 00:52:16,920 --> 00:52:18,920 Speaker 1: Even if they say they came for him whatever, but 1153 00:52:19,040 --> 00:52:21,960 Speaker 1: he tried to do something. They definitely try to divide, yea, 1154 00:52:22,840 --> 00:52:25,200 Speaker 1: but that ain't new, man, that ain't new. Like, all 1155 00:52:25,200 --> 00:52:27,200 Speaker 1: I'm saying is, can we try to start with women 1156 00:52:27,239 --> 00:52:29,759 Speaker 1: and African American women and that women against you? And 1157 00:52:29,760 --> 00:52:32,200 Speaker 1: then you know with the headlines, they definitely try to divide. Yeah, 1158 00:52:32,200 --> 00:52:34,000 Speaker 1: I mean, it's it's interesting to me that a black 1159 00:52:34,000 --> 00:52:36,000 Speaker 1: man can't be black if he's married to a white woman. 1160 00:52:36,120 --> 00:52:39,120 Speaker 1: That's the picture they try to paint. All I'm saying 1161 00:52:39,239 --> 00:52:41,520 Speaker 1: is this, look at my resume. Do I care about 1162 00:52:41,560 --> 00:52:45,400 Speaker 1: black people? Do I care about systemic oppression? Have I 1163 00:52:45,440 --> 00:52:48,600 Speaker 1: dedicated anything to raising all ships when it comes to 1164 00:52:48,600 --> 00:52:52,440 Speaker 1: progress in the conversation around America. I don't have to 1165 00:52:52,440 --> 00:52:54,680 Speaker 1: answer that question, you know what I mean? I will 1166 00:52:54,680 --> 00:52:57,640 Speaker 1: continue like I said, no one's gonna take take my seat. 1167 00:52:57,640 --> 00:53:00,319 Speaker 1: What I believe the Lord is putting me to to 1168 00:53:00,440 --> 00:53:03,319 Speaker 1: do for our community, to do for our country. I'm 1169 00:53:03,320 --> 00:53:05,520 Speaker 1: just staying the course and staying focused man, and the 1170 00:53:05,600 --> 00:53:07,920 Speaker 1: hope that you know, the next what's the next project? 1171 00:53:07,960 --> 00:53:09,080 Speaker 1: You know, That's what I was going to ask you, 1172 00:53:09,120 --> 00:53:10,839 Speaker 1: what's next for an eight Parker now after you put 1173 00:53:10,840 --> 00:53:13,960 Speaker 1: out such a huge movie with Tyler Perry, because you're 1174 00:53:13,960 --> 00:53:21,319 Speaker 1: gonna have to listen. All right, Look, I'm gonna say 1175 00:53:21,360 --> 00:53:26,359 Speaker 1: this publicly. All right, we leave Tyler Perry alone. He's 1176 00:53:26,400 --> 00:53:28,560 Speaker 1: a friend of mine. And uh, he's a good brother. 1177 00:53:28,560 --> 00:53:31,200 Speaker 1: He's giving some money. He did not give me money. Um, 1178 00:53:31,280 --> 00:53:32,680 Speaker 1: but he's a good brother. He's a good you know. 1179 00:53:32,719 --> 00:53:34,560 Speaker 1: I don't know what I'm gonna do next. You know, 1180 00:53:34,560 --> 00:53:37,759 Speaker 1: I'm gonna do, you know, whatever makes me as passionate about, 1181 00:53:37,800 --> 00:53:40,080 Speaker 1: you know, doing the work in the art as this has. 1182 00:53:40,239 --> 00:53:42,120 Speaker 1: You know, like I said, I stepped away two years 1183 00:53:42,280 --> 00:53:44,799 Speaker 1: to really get it together. Um so the next thing, 1184 00:53:44,800 --> 00:53:46,520 Speaker 1: who knows, the next thing might take eight more years. 1185 00:53:46,560 --> 00:53:49,359 Speaker 1: I don't know. You know, My arts are function my activism. Man. 1186 00:53:49,400 --> 00:53:51,400 Speaker 1: I'm not tripping on Hollywood. Am I tripping on money? 1187 00:53:51,560 --> 00:53:53,960 Speaker 1: By tripping on awards? Like I just want to wake 1188 00:53:54,000 --> 00:53:56,120 Speaker 1: folks up. I can get a ten year old kid 1189 00:53:56,680 --> 00:53:58,719 Speaker 1: to have a you know, walking out the street playing 1190 00:53:58,719 --> 00:54:01,759 Speaker 1: with his friends. I'm not Turner. We win. That's the 1191 00:54:01,800 --> 00:54:04,439 Speaker 1: biggest win of them all. So yeah, until he's chasing 1192 00:54:04,480 --> 00:54:12,160 Speaker 1: for a little white kids. Now, when people get to 1193 00:54:12,160 --> 00:54:14,120 Speaker 1: see it, how many theaters is it in? Because you 1194 00:54:14,120 --> 00:54:17,480 Speaker 1: know sometimes when these movies come out of being five theaters, 1195 00:54:16,360 --> 00:54:19,960 Speaker 1: it's a massive release. And again I got to give 1196 00:54:20,000 --> 00:54:22,160 Speaker 1: props to to Fox. You know, there's a lot to 1197 00:54:22,160 --> 00:54:24,440 Speaker 1: be gained from this film. You know, October seventh, You know, 1198 00:54:24,480 --> 00:54:27,160 Speaker 1: I want to say tonight it will uh you know, 1199 00:54:27,200 --> 00:54:29,560 Speaker 1: Thursday night, tonight midnight, you'll be able to watch the 1200 00:54:29,600 --> 00:54:32,960 Speaker 1: film and guess what if if young people you know, 1201 00:54:33,080 --> 00:54:35,200 Speaker 1: I don't beg but I'm begging you. I'm begging you 1202 00:54:35,239 --> 00:54:37,120 Speaker 1: to go to see this film. If you don't like it, 1203 00:54:37,400 --> 00:54:39,879 Speaker 1: don't say nothing. If you're not pulled in it, hooked 1204 00:54:39,920 --> 00:54:42,160 Speaker 1: in it, walk out. You know I'm not, but just 1205 00:54:42,640 --> 00:54:45,600 Speaker 1: give it a shot to see if there's anything for 1206 00:54:45,760 --> 00:54:47,000 Speaker 1: you win it. There's a lot in the film where 1207 00:54:47,000 --> 00:54:48,680 Speaker 1: they said they're killing black people from no original norm 1208 00:54:48,719 --> 00:54:50,880 Speaker 1: but being black like this. I got to write this film, 1209 00:54:51,120 --> 00:54:53,520 Speaker 1: so I wrote it for young people. There you will 1210 00:54:53,560 --> 00:54:55,480 Speaker 1: see the themes it'll attach to you. You know what 1211 00:54:55,520 --> 00:54:57,160 Speaker 1: I'm saying, you get out of school, you get out 1212 00:54:57,200 --> 00:54:59,200 Speaker 1: of practice wherever. Go check the film out and if 1213 00:54:59,200 --> 00:55:01,120 Speaker 1: you love it. Man, Luke Cage ain't got nothing on 1214 00:55:01,160 --> 00:55:05,640 Speaker 1: that turning. And I love Luke King, I love Luke Cave. 1215 00:55:05,840 --> 00:55:07,560 Speaker 1: Ain't got nothing on that can. I always say things 1216 00:55:07,560 --> 00:55:09,120 Speaker 1: like I could have never been a slave man when 1217 00:55:09,160 --> 00:55:10,600 Speaker 1: a minute they told me to do this. This is 1218 00:55:10,600 --> 00:55:13,720 Speaker 1: the movie for you, This is the movie. We appreciate you, Jordan, 1219 00:55:14,480 --> 00:55:17,080 Speaker 1: We really appreciate it. The movie. Go see it tonight midnight, 1220 00:55:17,120 --> 00:55:19,160 Speaker 1: also tomorrow. Like I said, I'm in Boston this weekend. 1221 00:55:19,480 --> 00:55:22,799 Speaker 1: I'm gonna call some tissues with you. I'm some I know, 1222 00:55:22,920 --> 00:55:24,920 Speaker 1: I know you are crying. Ain't gonna want to talk 1223 00:55:24,920 --> 00:55:27,160 Speaker 1: to none of them white people in Boston people And 1224 00:55:27,200 --> 00:55:28,960 Speaker 1: guess what, And that's that's the white folks. I'm telling 1225 00:55:29,000 --> 00:55:30,480 Speaker 1: to tell you that are gonna be down and give 1226 00:55:30,520 --> 00:55:32,680 Speaker 1: you the proper handshake after they walk out. I'm trying, 1227 00:55:33,000 --> 00:55:36,640 Speaker 1: you know what I'm saying. I appreciate I'm talking to 1228 00:55:37,680 --> 00:55:40,320 Speaker 1: my brother. Please, no movie dating Boston, that show and 1229 00:55:40,400 --> 00:55:41,680 Speaker 1: we're gonna go see. I'm gonna pay for some of 1230 00:55:41,680 --> 00:55:45,359 Speaker 1: the listeners. That's about. That's that's big. I appreciate you much. 1231 00:55:46,680 --> 00:55:49,040 Speaker 1: I appreciate y'all. Thank you for the time. Man's the 1232 00:55:49,160 --> 00:55:56,600 Speaker 1: best club. Good Morning's time for Donkey of the day 1233 00:56:00,000 --> 00:56:02,880 Speaker 1: and Donkey of the day a little bit like a 1234 00:56:02,960 --> 00:56:10,680 Speaker 1: dog the other day. I've been called a lot of 1235 00:56:10,719 --> 00:56:12,759 Speaker 1: my twenty three years, but donkey of the day is 1236 00:56:12,800 --> 00:56:17,440 Speaker 1: a new wife. Yes, Donkey to day for Thursday, October 1237 00:56:17,480 --> 00:56:20,120 Speaker 1: six goes to the Weather Channels, Jin Delgado not a 1238 00:56:20,160 --> 00:56:22,160 Speaker 1: Weather channel has to be one of the most reputable 1239 00:56:22,160 --> 00:56:24,640 Speaker 1: networks ever. It's been around since nineteen eighty two, and 1240 00:56:24,640 --> 00:56:27,680 Speaker 1: if you want to accurate whether assessment, this is the 1241 00:56:27,719 --> 00:56:29,959 Speaker 1: place to go. They are to whether what es began 1242 00:56:30,080 --> 00:56:32,400 Speaker 1: is the sport. So we would expect the report is 1243 00:56:32,400 --> 00:56:35,800 Speaker 1: there to be accurate on all things, all things weather, 1244 00:56:36,440 --> 00:56:38,719 Speaker 1: and jin Delgado made me realize this week that is 1245 00:56:38,760 --> 00:56:41,480 Speaker 1: quite possible that maybe, just maybe all the reporters on 1246 00:56:41,520 --> 00:56:44,879 Speaker 1: the Weather Channel maybe only know his weather because Jim 1247 00:56:44,960 --> 00:56:47,919 Speaker 1: Delgado was reporting on Hurricane Matthews a few days ago. 1248 00:56:47,960 --> 00:56:50,799 Speaker 1: When she was discussing the impact that the hurricane would 1249 00:56:50,840 --> 00:56:53,040 Speaker 1: have on Haiti, and she spoke on the lack of 1250 00:56:53,120 --> 00:56:56,040 Speaker 1: trees in the region. She informed us that areas in 1251 00:56:56,120 --> 00:56:59,960 Speaker 1: Haiti have been deforested, and she decided to discuss kids 1252 00:57:00,239 --> 00:57:05,000 Speaker 1: in Haities culinary preference. Okay, Jen Delgatto is aware of 1253 00:57:05,000 --> 00:57:08,120 Speaker 1: a delicacy that kids in Haiti love, that kids in 1254 00:57:08,160 --> 00:57:10,440 Speaker 1: Hades weren't even away that they loved. Let's go to 1255 00:57:10,480 --> 00:57:13,000 Speaker 1: Jin Delgatto on the Weather Channel for the report. We're 1256 00:57:13,040 --> 00:57:15,480 Speaker 1: really concerned about Haiti. So we look at the area 1257 00:57:15,680 --> 00:57:17,880 Speaker 1: of Dominican Republic and you notice what's differ in this 1258 00:57:17,960 --> 00:57:21,080 Speaker 1: NASA image. You see all brown here and then green 1259 00:57:21,200 --> 00:57:24,240 Speaker 1: to the east. That's because this whole area has been 1260 00:57:24,360 --> 00:57:27,960 Speaker 1: essentially deforesting. They take all the trees down, they burn 1261 00:57:28,040 --> 00:57:30,600 Speaker 1: the trees. Even the kids there, they're so hungry they 1262 00:57:30,640 --> 00:57:36,240 Speaker 1: actually eat the trees. Oh what oh what Haitian Matthew 1263 00:57:36,320 --> 00:57:39,680 Speaker 1: did you hit with? Jindalgatto just said play the clip 1264 00:57:39,720 --> 00:57:44,480 Speaker 1: again please. The whole area has been essentially deforesting. They 1265 00:57:44,520 --> 00:57:46,760 Speaker 1: take all the trees down, they burn the trees, even 1266 00:57:46,760 --> 00:57:50,120 Speaker 1: the kids there, they're so hungry they actually eat the trees. 1267 00:57:50,800 --> 00:57:55,200 Speaker 1: Oh that's Jindalgatto. Did you even hit a word that 1268 00:57:55,280 --> 00:57:57,280 Speaker 1: came out of your mouth? I would love to know 1269 00:57:57,400 --> 00:58:00,840 Speaker 1: your perception of Haitian people. What Acian people have you 1270 00:58:00,920 --> 00:58:03,360 Speaker 1: spoken to? What if you've been your experiences with Haitian 1271 00:58:03,400 --> 00:58:06,080 Speaker 1: people to be able to hear and believe that Haitian 1272 00:58:06,200 --> 00:58:09,840 Speaker 1: kids eat trees. I can't speak for all Haitians because 1273 00:58:09,880 --> 00:58:11,640 Speaker 1: I'm not Haitian, but I got a lot of Haitian partners. 1274 00:58:11,640 --> 00:58:13,200 Speaker 1: And we have a proud Haitian that works here at 1275 00:58:13,200 --> 00:58:15,840 Speaker 1: the Mothership the Breakfast Club, or we broadcast live from 1276 00:58:15,840 --> 00:58:17,440 Speaker 1: Power one on five one in New York. Shop on 1277 00:58:17,520 --> 00:58:19,320 Speaker 1: a close bombs of Power one on five in New York, 1278 00:58:19,360 --> 00:58:21,919 Speaker 1: and we have a Haitian who works here named m Easy. 1279 00:58:21,960 --> 00:58:25,480 Speaker 1: Say tell me how you feel about Jin del Goto, 1280 00:58:25,560 --> 00:58:29,000 Speaker 1: Am Easy? Wear me a mom by mun Pie Boy, 1281 00:58:29,480 --> 00:58:33,120 Speaker 1: second the mom figil look at my mom. Let need 1282 00:58:33,160 --> 00:58:36,880 Speaker 1: to bike o sa bike onsa. We're good people, and 1283 00:58:36,880 --> 00:58:39,160 Speaker 1: put somewhere speck on my name. I have no idea 1284 00:58:39,200 --> 00:58:40,800 Speaker 1: what you just said, but before you go, give me 1285 00:58:40,840 --> 00:58:44,800 Speaker 1: an oh oh now, please, everybody, can we stop these 1286 00:58:44,800 --> 00:58:48,080 Speaker 1: generalizations about other cultures? Okay? If you truly don't know 1287 00:58:48,120 --> 00:58:50,400 Speaker 1: about other cultures and what they do, just shut the 1288 00:58:50,480 --> 00:58:52,920 Speaker 1: f up forever. And if you have questions about other 1289 00:58:53,000 --> 00:58:56,120 Speaker 1: coaches and you know people from that culture before, you 1290 00:58:56,200 --> 00:59:00,680 Speaker 1: just assume ask questions for example, and easiest been established 1291 00:59:00,680 --> 00:59:04,120 Speaker 1: your Haitian? Right, We have you ever eaten a tree? No? 1292 00:59:04,920 --> 00:59:09,120 Speaker 1: What did you have for breakfast? Tree? Eggs? Okay, now 1293 00:59:10,600 --> 00:59:14,400 Speaker 1: gets confused? Yeah, yeah, I mean yeah, I mean. Just 1294 00:59:14,520 --> 00:59:17,240 Speaker 1: to play Devil's advocate, she might have been in the 1295 00:59:17,360 --> 00:59:20,280 Speaker 1: McDonald's with a bunch of Haitians and heard them trying 1296 00:59:20,280 --> 00:59:23,080 Speaker 1: to order a number tree off the value menu and 1297 00:59:23,160 --> 00:59:28,120 Speaker 1: got confused with the tree. Maybe na, no, no, okay. 1298 00:59:28,240 --> 00:59:34,520 Speaker 1: Iif Jindell got on the biggest seahart police shout to 1299 00:59:34,520 --> 00:59:41,560 Speaker 1: all the Haitian people outlet. Yes, Haitian people get a 1300 00:59:41,560 --> 00:59:44,480 Speaker 1: bad rap sometimes. Man, that's a new one too. By 1301 00:59:44,520 --> 00:59:47,600 Speaker 1: the way, I never ate a tree. Haitian kids eat trees. 1302 00:59:48,240 --> 00:59:51,840 Speaker 1: Come on that smoke him? All right, all right, will 1303 00:59:51,880 --> 00:59:53,240 Speaker 1: thank you for that dog of the day. When we 1304 00:59:53,280 --> 00:59:56,640 Speaker 1: come back, ask ye eight hundred five eight five one 1305 00:59:56,640 --> 00:59:58,880 Speaker 1: oh five one. If you got a question for Eye, 1306 00:59:58,920 --> 01:00:00,640 Speaker 1: you could ask her right now. Should put your live 1307 01:00:00,680 --> 01:00:02,120 Speaker 1: on the air and help you with your problems. Eight 1308 01:00:02,160 --> 01:00:05,840 Speaker 1: hundred five eight five one on five one. It's the 1309 01:00:05,880 --> 01:00:10,840 Speaker 1: breakfast club. Come on, that was Tupac would keep your 1310 01:00:10,880 --> 01:00:14,560 Speaker 1: head up morning. Everybody's dj M vy Angela. Ye, Charlemagne 1311 01:00:14,560 --> 01:00:17,760 Speaker 1: the guy. We are the breakfast club. Now it's time 1312 01:00:17,800 --> 01:00:20,040 Speaker 1: for asking ye eight hundred five eighty five one on 1313 01:00:20,160 --> 01:00:23,160 Speaker 1: five one one. You're gonna go to ye. Hello, who's 1314 01:00:23,200 --> 01:00:26,000 Speaker 1: this yo? What's up? Is Jays from Seattle? What's up? Bro? 1315 01:00:26,040 --> 01:00:28,400 Speaker 1: What's your question for? Ye? Man? My question? For years, 1316 01:00:28,800 --> 01:00:31,560 Speaker 1: I went in with my homeboy. He came up with 1317 01:00:31,600 --> 01:00:34,400 Speaker 1: the idea to get us paid. Okay, we got paid, 1318 01:00:34,760 --> 01:00:37,680 Speaker 1: We got paid, right, But when it got time to 1319 01:00:37,680 --> 01:00:40,920 Speaker 1: actually do what we were supposed to do, he bitched up. 1320 01:00:41,400 --> 01:00:46,080 Speaker 1: So I went through with it. Is this illegal? Yes? 1321 01:00:46,440 --> 01:00:48,960 Speaker 1: About that? So we went through with you? Right? I 1322 01:00:48,960 --> 01:00:51,800 Speaker 1: mean I went through with it for two years. Then 1323 01:00:51,880 --> 01:00:55,240 Speaker 1: the bad team I got everything because he came in minding. 1324 01:00:55,640 --> 01:00:57,640 Speaker 1: Now he's looking at me and this is my best 1325 01:00:57,640 --> 01:01:00,040 Speaker 1: friend since third grade. He's looking at me like it 1326 01:01:00,200 --> 01:01:02,040 Speaker 1: was my half. He got to go on with his 1327 01:01:02,080 --> 01:01:04,280 Speaker 1: whole life, though my whole life stopped for two years. 1328 01:01:04,840 --> 01:01:06,720 Speaker 1: All right, here's my question. But y'all had a deal 1329 01:01:06,760 --> 01:01:10,080 Speaker 1: from the beginning, right, The deal was we were gonna 1330 01:01:10,160 --> 01:01:12,360 Speaker 1: it was it was just his ideas, but okay, it 1331 01:01:12,440 --> 01:01:15,920 Speaker 1: was half and half. That was the deal. Yeah, Okay, 1332 01:01:17,040 --> 01:01:18,840 Speaker 1: whether or not. You felt like he did what he 1333 01:01:18,880 --> 01:01:21,680 Speaker 1: was supposed to do. Y'all still had a deal. You 1334 01:01:21,680 --> 01:01:23,160 Speaker 1: wouldn't have done it if it wasn't for him. It 1335 01:01:23,200 --> 01:01:25,520 Speaker 1: was his idea, so you didn't. He just half if 1336 01:01:25,520 --> 01:01:27,280 Speaker 1: he didn't have to take anything, if he didn't have 1337 01:01:27,320 --> 01:01:30,400 Speaker 1: to sacrifice anything. I would never do another deal with 1338 01:01:30,480 --> 01:01:34,160 Speaker 1: him again. This was illegal. Ye okay, but he got 1339 01:01:34,240 --> 01:01:36,080 Speaker 1: a good advice. I'm not gonna you had to do 1340 01:01:36,080 --> 01:01:38,600 Speaker 1: two years in prison. No. I didn't do two years 1341 01:01:38,640 --> 01:01:40,400 Speaker 1: in prison. He just had to go through it everything 1342 01:01:40,400 --> 01:01:43,400 Speaker 1: another guy put everything, and then I couldn't work. I 1343 01:01:43,400 --> 01:01:45,360 Speaker 1: couldn't I couldn't go to job, get I had to 1344 01:01:45,360 --> 01:01:47,440 Speaker 1: do other stuff to give him. But he got to 1345 01:01:47,480 --> 01:01:50,000 Speaker 1: go on throughout his life. Here's the thing. Just never 1346 01:01:50,040 --> 01:01:53,160 Speaker 1: do nothing with him again. I never agree with letting 1347 01:01:53,240 --> 01:01:56,440 Speaker 1: money interfere with a friendship. Sometimes it's not good for 1348 01:01:56,480 --> 01:01:58,760 Speaker 1: you to do business with your friends. And you just 1349 01:01:58,800 --> 01:02:01,320 Speaker 1: realized this is your best friend. Is it worth it 1350 01:02:01,360 --> 01:02:03,720 Speaker 1: for you to sacrifice not being friends with this person 1351 01:02:03,760 --> 01:02:07,520 Speaker 1: anymore over money? I told him. I I was like, okay, 1352 01:02:08,000 --> 01:02:10,680 Speaker 1: from the one who actually thirty And what did he 1353 01:02:10,760 --> 01:02:15,080 Speaker 1: say to me? He was like, no, I'm cool man. No, 1354 01:02:15,320 --> 01:02:19,160 Speaker 1: you you you're a sucker. Okay, I just think this. 1355 01:02:19,360 --> 01:02:21,320 Speaker 1: There's a lot of times I've been in situations where 1356 01:02:21,400 --> 01:02:24,640 Speaker 1: I wanted to do something with somebody and it's supposed 1357 01:02:24,640 --> 01:02:27,040 Speaker 1: to be half and half. Nothing illegal, though, but I 1358 01:02:27,080 --> 01:02:28,960 Speaker 1: do feel like a lot of times I carry my 1359 01:02:28,960 --> 01:02:30,840 Speaker 1: weight and do more work than the other person. But 1360 01:02:30,880 --> 01:02:33,120 Speaker 1: if we had a deal from the beginning, I still 1361 01:02:33,160 --> 01:02:34,760 Speaker 1: got to honor my part of the deal. But I'll 1362 01:02:34,800 --> 01:02:36,520 Speaker 1: just never do nothing with them again, not if it's 1363 01:02:36,520 --> 01:02:40,640 Speaker 1: illegal though. Well, listen, I'm just talking in general. Evy, 1364 01:02:40,920 --> 01:02:43,080 Speaker 1: you want to say something here, envy. I want to 1365 01:02:43,120 --> 01:02:44,280 Speaker 1: know what he did? What you doing? Bro? We ain't 1366 01:02:44,280 --> 01:02:47,400 Speaker 1: gonna tell nobody. Yeah, right, I listen to every morning, 1367 01:02:47,680 --> 01:02:52,200 Speaker 1: you know, every telling. If anybody telling, you know, I'm 1368 01:02:52,240 --> 01:02:56,240 Speaker 1: not gonna tell anybody. I honestly felt like I'm gonna 1369 01:02:56,280 --> 01:02:57,960 Speaker 1: do my part and always hold up my part of 1370 01:02:58,000 --> 01:03:00,800 Speaker 1: the deal. That's it. You went up and beyond. You 1371 01:03:00,800 --> 01:03:02,760 Speaker 1: could have chose to bitch out and not do it too, 1372 01:03:03,400 --> 01:03:06,520 Speaker 1: but you didn't. Did he did? He moved away the 1373 01:03:06,520 --> 01:03:08,360 Speaker 1: way he should have to split it. But all the 1374 01:03:08,440 --> 01:03:09,840 Speaker 1: last thing you want to do, I think is have 1375 01:03:09,960 --> 01:03:13,520 Speaker 1: somebody mad at you over some money. Just give him, 1376 01:03:14,560 --> 01:03:16,760 Speaker 1: give him his half him and move on. You did 1377 01:03:16,800 --> 01:03:19,640 Speaker 1: something illegal. You wasn't supposed to do it anyway. It 1378 01:03:19,760 --> 01:03:21,360 Speaker 1: was his idea. You wouldn't have did it if it 1379 01:03:21,400 --> 01:03:23,240 Speaker 1: wasn't for him. You got away with it. You did 1380 01:03:23,320 --> 01:03:25,840 Speaker 1: him illegal ish and you got whatever amount of money. 1381 01:03:26,040 --> 01:03:27,880 Speaker 1: Give him his half. Don't do nothing with him again 1382 01:03:27,920 --> 01:03:30,440 Speaker 1: and try to get right. He might tell on your work. 1383 01:03:30,920 --> 01:03:33,000 Speaker 1: He's right, it's too late. It's too late for that. 1384 01:03:33,120 --> 01:03:36,080 Speaker 1: I appreciate something that will late for him to tell 1385 01:03:36,120 --> 01:03:39,200 Speaker 1: on you. Yeah, all right, Well don't worry. We have 1386 01:03:39,240 --> 01:03:45,160 Speaker 1: your number. We're gonna find him, all right. Ask ye 1387 01:03:45,200 --> 01:03:47,240 Speaker 1: eight hundred five eight five one o five one. If 1388 01:03:47,240 --> 01:03:49,080 Speaker 1: you got a question for ye, even if it's illegal, 1389 01:03:49,160 --> 01:03:51,800 Speaker 1: call help you out. I'm not gonna tell on you. 1390 01:03:51,840 --> 01:03:54,280 Speaker 1: This is a safe haven. Safe haven is the breakfast 1391 01:03:54,320 --> 01:03:58,520 Speaker 1: glocal boarder that was re rewneeded me mourning? Everybody is 1392 01:03:58,600 --> 01:04:01,520 Speaker 1: DJ MVY Angel Yee, Charlomne the guy. We are the 1393 01:04:01,560 --> 01:04:04,240 Speaker 1: breakfast club we're in the middle of. Ask Ye eight 1394 01:04:04,320 --> 01:04:06,520 Speaker 1: hundred five eight five one oh five one? What line 1395 01:04:06,520 --> 01:04:09,440 Speaker 1: you want to go to? Five? Hello? Who's this? Hey? 1396 01:04:09,480 --> 01:04:13,640 Speaker 1: My question is um, what would you do if if 1397 01:04:13,680 --> 01:04:17,160 Speaker 1: you have a person that you married and been married 1398 01:04:17,200 --> 01:04:22,000 Speaker 1: too for five years and you love them, but you're 1399 01:04:22,040 --> 01:04:24,800 Speaker 1: not in love with them, and it's also three kids 1400 01:04:24,800 --> 01:04:27,320 Speaker 1: involved two Okay, so you guys have three kids, you've 1401 01:04:27,320 --> 01:04:29,400 Speaker 1: been married, you were in love at some point and 1402 01:04:29,480 --> 01:04:33,760 Speaker 1: I don't really know, no, So what made you get married? Um? 1403 01:04:33,960 --> 01:04:36,160 Speaker 1: I think that's that's what I needed. You know, I 1404 01:04:36,200 --> 01:04:39,120 Speaker 1: was getting a little older, and you know you settled. 1405 01:04:39,400 --> 01:04:43,600 Speaker 1: So for you, settling down mean settling exactly. Okay, But 1406 01:04:43,680 --> 01:04:45,400 Speaker 1: you love this person, you care, you just feel like 1407 01:04:45,400 --> 01:04:47,120 Speaker 1: you're not in love. What do you want to feel? 1408 01:04:47,280 --> 01:04:51,280 Speaker 1: You want to feel like butterflies all the time? Passionate love, yeah, 1409 01:04:51,600 --> 01:04:54,400 Speaker 1: something like you know, like I mean, we're very different people, 1410 01:04:54,520 --> 01:04:56,760 Speaker 1: you know what I mean. It's like now I'm a 1411 01:04:56,760 --> 01:04:59,600 Speaker 1: little hooding street and she's like it's square, you know 1412 01:04:59,600 --> 01:05:02,439 Speaker 1: what I mean. You guys balance each other out. Yeah, 1413 01:05:02,840 --> 01:05:05,000 Speaker 1: I mean, so it's like I felt like I needed that, 1414 01:05:05,320 --> 01:05:07,920 Speaker 1: something called me down. So now you married her, had 1415 01:05:07,960 --> 01:05:09,840 Speaker 1: three kids with her, and you want to be selfish 1416 01:05:09,880 --> 01:05:12,960 Speaker 1: and go out and find somebody that WHOA no, no, no no, 1417 01:05:13,000 --> 01:05:15,600 Speaker 1: I don't want to be selfish. Its just that and 1418 01:05:15,680 --> 01:05:17,400 Speaker 1: I didn't. I don't have three kids with her. She 1419 01:05:17,480 --> 01:05:19,680 Speaker 1: has already had three kids. She had three kids, So 1420 01:05:19,760 --> 01:05:23,280 Speaker 1: you've been playing daddy to somebody else's kids and you 1421 01:05:23,280 --> 01:05:26,440 Speaker 1: out the stepfather. I mean, listen, that's a difficult one 1422 01:05:26,480 --> 01:05:28,280 Speaker 1: because you're saying you were never in love. You just 1423 01:05:28,280 --> 01:05:31,120 Speaker 1: got married because you felt like that was what you needed. Yeah, 1424 01:05:31,160 --> 01:05:33,120 Speaker 1: I mean, but they also needed me as well. You 1425 01:05:33,160 --> 01:05:35,320 Speaker 1: know what I'm saying for you know, stability, and I 1426 01:05:35,400 --> 01:05:37,040 Speaker 1: felt like that that's what you know, that I could 1427 01:05:37,040 --> 01:05:38,880 Speaker 1: provide for them and give them a better life, and 1428 01:05:38,960 --> 01:05:40,640 Speaker 1: at the same time that can help me as well. 1429 01:05:40,760 --> 01:05:42,200 Speaker 1: Do you feel like you would regret it if you 1430 01:05:42,240 --> 01:05:46,720 Speaker 1: guys weren't together, because sometimes, you know, they always say 1431 01:05:46,760 --> 01:05:49,640 Speaker 1: the grass is greener on the other side, so you 1432 01:05:49,760 --> 01:05:52,080 Speaker 1: being in this relationship might make you feel like, man, 1433 01:05:52,080 --> 01:05:53,840 Speaker 1: it would be so much fun. My friends are running 1434 01:05:53,840 --> 01:05:56,120 Speaker 1: around single having a good time. I'm stuck here with 1435 01:05:56,240 --> 01:05:58,680 Speaker 1: three kids married. It's not it's not that I want 1436 01:05:58,680 --> 01:06:01,120 Speaker 1: to be single, it's that I think I don't know, 1437 01:06:01,160 --> 01:06:03,840 Speaker 1: I think I can do better. Wow, you think you 1438 01:06:03,840 --> 01:06:07,920 Speaker 1: could do better? Yeah? And you've been feeling like this 1439 01:06:09,000 --> 01:06:12,400 Speaker 1: for how long since we got married. I don't even 1440 01:06:12,480 --> 01:06:14,600 Speaker 1: understand what you got married for in the first place. 1441 01:06:14,760 --> 01:06:16,600 Speaker 1: But I tell you this, I always feel like you're 1442 01:06:16,640 --> 01:06:18,760 Speaker 1: doing the other person a disservice as well. To be 1443 01:06:18,840 --> 01:06:21,880 Speaker 1: with somebody that you're not in love with, yeah, just 1444 01:06:21,960 --> 01:06:24,320 Speaker 1: out of convenience. So we might think, Okay, I don't 1445 01:06:24,360 --> 01:06:27,240 Speaker 1: want to hurt this person's feelings, but I think not 1446 01:06:27,280 --> 01:06:29,400 Speaker 1: allowing them to find the true happiness that they want 1447 01:06:29,400 --> 01:06:32,360 Speaker 1: to find is also very hurtful. It's hurtful for you 1448 01:06:32,400 --> 01:06:34,840 Speaker 1: and it's hurtful for them. My thing is I don't 1449 01:06:34,840 --> 01:06:39,840 Speaker 1: want to it's the king that's my first concern, right 1450 01:06:39,920 --> 01:06:42,800 Speaker 1: of course, And just because you guys aren't married or 1451 01:06:42,960 --> 01:06:45,480 Speaker 1: not living together or whatever anymore, doesn't mean that you 1452 01:06:45,520 --> 01:06:47,800 Speaker 1: can't still be in these children's lives because they look 1453 01:06:47,800 --> 01:06:51,000 Speaker 1: at you as a father. I'm sure. Yeah, So I 1454 01:06:51,000 --> 01:06:53,400 Speaker 1: don't think that that ends that, but I will say 1455 01:06:53,440 --> 01:06:55,439 Speaker 1: that maybe you need to give it some time. I'm 1456 01:06:55,480 --> 01:06:57,919 Speaker 1: never against couples doing therapy to get to the root 1457 01:06:57,920 --> 01:07:00,000 Speaker 1: of whatever the issues might be and figure it out. 1458 01:07:00,400 --> 01:07:02,400 Speaker 1: If you feel like it's worth something that you could 1459 01:07:02,440 --> 01:07:05,520 Speaker 1: potentially salvage, I would highly recommend that you guys go 1460 01:07:05,600 --> 01:07:08,040 Speaker 1: into couples therapy because it might be some things you 1461 01:07:08,040 --> 01:07:11,800 Speaker 1: discover about her son and it didn't so and you 1462 01:07:11,800 --> 01:07:15,160 Speaker 1: still feel this way. Well yeah, but I also feel 1463 01:07:15,160 --> 01:07:18,040 Speaker 1: like if I give it more time, maybe I'll end 1464 01:07:18,120 --> 01:07:21,200 Speaker 1: up falling into love, maybe out of long Well, maybe 1465 01:07:21,200 --> 01:07:23,520 Speaker 1: what you guys need to do is reconnect. Maybe what 1466 01:07:23,600 --> 01:07:26,440 Speaker 1: you should do is do certain things, like if you 1467 01:07:26,480 --> 01:07:30,360 Speaker 1: guys are dating and rediscovering each other again, and take 1468 01:07:30,400 --> 01:07:32,200 Speaker 1: it back to that, because it seems like you never 1469 01:07:32,200 --> 01:07:34,800 Speaker 1: were really that into it from the beginning. I don't 1470 01:07:34,840 --> 01:07:37,360 Speaker 1: know at this point if you can possibly fall in love. 1471 01:07:37,400 --> 01:07:40,120 Speaker 1: I know what's happened for people before. But I would say, 1472 01:07:40,240 --> 01:07:41,800 Speaker 1: you know, give it some time. If you feel like 1473 01:07:41,800 --> 01:07:44,080 Speaker 1: there's children involved, if you feel like she's a good woman, 1474 01:07:44,360 --> 01:07:46,800 Speaker 1: she's worth it. It has potential, and you need to 1475 01:07:46,840 --> 01:07:48,720 Speaker 1: really dig deep. I'm glad that you guys went to 1476 01:07:48,800 --> 01:07:52,040 Speaker 1: therapy and that you're making every effort possible because marriage 1477 01:07:52,080 --> 01:07:56,160 Speaker 1: is a serious business. I feel like nowadays people get married, 1478 01:07:56,480 --> 01:07:58,160 Speaker 1: you know, they don't realize that this is something that's 1479 01:07:58,160 --> 01:08:00,080 Speaker 1: supposed to be permanent and forever. That's the plan in 1480 01:08:01,040 --> 01:08:03,840 Speaker 1: and sometimes that does take some extra work. You're right, 1481 01:08:03,960 --> 01:08:07,160 Speaker 1: but if so put in put in that work. And 1482 01:08:07,200 --> 01:08:09,440 Speaker 1: if you really really feel like it's not salvageable, make 1483 01:08:09,440 --> 01:08:13,480 Speaker 1: sure you guys communicate always because she deserves that. You're right, 1484 01:08:13,640 --> 01:08:16,880 Speaker 1: good luck? Right, all right, let's asking eight hundred five 1485 01:08:16,920 --> 01:08:18,880 Speaker 1: eight five one oh five one day. We got rumors 1486 01:08:18,880 --> 01:08:20,840 Speaker 1: coming up. Yes, Halloween is coming up, and there's some 1487 01:08:20,880 --> 01:08:22,800 Speaker 1: crazy costumes that have been on the shelves. We'll tell 1488 01:08:22,800 --> 01:08:25,160 Speaker 1: you about one of them they actually had to pull. Also, 1489 01:08:25,280 --> 01:08:27,960 Speaker 1: while what was he so mad about? We'll tell you 1490 01:08:28,000 --> 01:08:30,560 Speaker 1: why he went crazy on this woman? And it was 1491 01:08:30,600 --> 01:08:32,639 Speaker 1: all caught on video. All right, all that and more, 1492 01:08:32,800 --> 01:08:35,479 Speaker 1: keep it locked. It's the Breakfast Club. Good morning, the 1493 01:08:35,720 --> 01:08:49,960 Speaker 1: Breakfast Club. Listen up, it just oh gosh, report go Well, 1494 01:08:50,080 --> 01:08:53,080 Speaker 1: while was leaving Bootsy Bellows and I guess he got 1495 01:08:53,120 --> 01:08:56,160 Speaker 1: into a little bit of an altercation with the woman 1496 01:08:56,200 --> 01:09:00,200 Speaker 1: who blew some smoking I feel them too, Yes, So 1497 01:09:00,560 --> 01:09:02,920 Speaker 1: this is how he handled it. This is what happened 1498 01:09:02,960 --> 01:09:05,040 Speaker 1: with the woman that he was I guess he kind 1499 01:09:05,040 --> 01:09:08,240 Speaker 1: of was following her. She was going crazy. But we'll 1500 01:09:08,240 --> 01:09:10,600 Speaker 1: explain the whole situation. Here's the video of what the 1501 01:09:10,640 --> 01:09:25,840 Speaker 1: woman was saying to him. Are you really following me? Really? Really? Anyway? 1502 01:09:26,520 --> 01:09:30,040 Speaker 1: All right? Well, what happened. We had no idea until 1503 01:09:30,080 --> 01:09:32,840 Speaker 1: while they called into TMZ. Here's what he said. She says, 1504 01:09:32,920 --> 01:09:35,760 Speaker 1: I'm like you like you people are so disrespectful DA 1505 01:09:36,240 --> 01:09:38,040 Speaker 1: and like, I don't know where y'all from, but when 1506 01:09:38,040 --> 01:09:40,519 Speaker 1: I'm from, like when you say you people like it 1507 01:09:40,920 --> 01:09:43,920 Speaker 1: just enrages me. When I walked up to her and 1508 01:09:43,960 --> 01:09:46,160 Speaker 1: then she took a whip out of the I guess 1509 01:09:46,200 --> 01:09:49,040 Speaker 1: there's a bape thing blew it in my face. She said, 1510 01:09:49,040 --> 01:09:50,160 Speaker 1: what are you gonna do? What are you gonna do? 1511 01:09:50,200 --> 01:09:52,080 Speaker 1: I said, I'm not gonna hit a girl, Like what 1512 01:09:52,200 --> 01:09:54,519 Speaker 1: do you like? Come on, man, So I just smacked 1513 01:09:54,520 --> 01:09:57,120 Speaker 1: their food. You don't even deserve to eat. Rest in 1514 01:09:57,120 --> 01:09:59,840 Speaker 1: peace to your meal. I'm not mad at while they 1515 01:10:00,000 --> 01:10:01,759 Speaker 1: with doing that, And I probably would have just cursed 1516 01:10:01,760 --> 01:10:04,160 Speaker 1: her out because it just looks bad on camera when 1517 01:10:04,160 --> 01:10:05,880 Speaker 1: you're knocking the girl's food out of hand, it looks 1518 01:10:05,920 --> 01:10:08,720 Speaker 1: like you're almost assaulting her. In the era we live 1519 01:10:08,760 --> 01:10:11,559 Speaker 1: in right now, where people can press charges and you 1520 01:10:11,600 --> 01:10:14,519 Speaker 1: get arrested for things like that, I personally wouldn't have 1521 01:10:14,560 --> 01:10:16,360 Speaker 1: moved like, I'm not mad at them. I mean, the 1522 01:10:16,360 --> 01:10:18,720 Speaker 1: way she blew smoke in his face is so disrespectful. 1523 01:10:18,760 --> 01:10:20,960 Speaker 1: I mean, that's why you got your home girl or 1524 01:10:21,040 --> 01:10:23,080 Speaker 1: your wife handle home girl. And he was walking up 1525 01:10:23,120 --> 01:10:24,880 Speaker 1: the club she said you people said, what do you mean? 1526 01:10:24,960 --> 01:10:29,000 Speaker 1: You people all right on the floor. I feel like 1527 01:10:29,040 --> 01:10:32,160 Speaker 1: you should get a woman to handle a woman. No 1528 01:10:32,240 --> 01:10:34,519 Speaker 1: more leftovers for you. Yeah, but sometimes when things happened 1529 01:10:34,520 --> 01:10:35,920 Speaker 1: in the spur of a moment, I'm glad he didn't 1530 01:10:35,920 --> 01:10:38,840 Speaker 1: put his hands on her. Now he didn't, though, No, 1531 01:10:38,960 --> 01:10:40,840 Speaker 1: he smacked the food out of hand. That's what I'm 1532 01:10:40,880 --> 01:10:42,960 Speaker 1: saying though. But people can watch that video and be like, oh, 1533 01:10:43,040 --> 01:10:44,960 Speaker 1: that's an assault. That's not in the sault. I don't 1534 01:10:44,960 --> 01:10:48,160 Speaker 1: think it is, but hey, they I've seen people get 1535 01:10:48,200 --> 01:10:50,880 Speaker 1: arrested for a little than nothing. It was her, The 1536 01:10:50,920 --> 01:10:52,559 Speaker 1: food was in her hand, it was on her person, 1537 01:10:52,600 --> 01:10:54,120 Speaker 1: it was part of her. You hit her, you knocked 1538 01:10:54,120 --> 01:10:55,920 Speaker 1: it out of her hand. You're rested for assault. Can't 1539 01:10:55,920 --> 01:10:58,320 Speaker 1: go that far, all right. Halloween is coming up, and 1540 01:10:58,360 --> 01:11:01,360 Speaker 1: there's some Halloween costumes that are getting pulled from websites 1541 01:11:01,439 --> 01:11:06,040 Speaker 1: already now. Walmart and Amazon had to pull their Granny 1542 01:11:06,120 --> 01:11:10,920 Speaker 1: Men's costume. Okay, it was basically like a transgender costume. 1543 01:11:11,439 --> 01:11:13,080 Speaker 1: It's I don't know if you guys saw it, but 1544 01:11:13,120 --> 01:11:14,840 Speaker 1: if you have Revolt TV, you can see a picture 1545 01:11:15,360 --> 01:11:19,040 Speaker 1: of what it looks like. My dear to me, that's granny, 1546 01:11:19,120 --> 01:11:21,880 Speaker 1: I look like my deal. Well, Walmart had to tell 1547 01:11:21,960 --> 01:11:25,120 Speaker 1: the LGBT, Oh it's a trend. Oh, I just thought 1548 01:11:25,120 --> 01:11:27,680 Speaker 1: it was a granny. So it's listed on some of 1549 01:11:27,720 --> 01:11:29,960 Speaker 1: their websites. Oh, my dear is a transsexual. That's what 1550 01:11:30,000 --> 01:11:32,439 Speaker 1: you're telling me, my dear is transgender? Because that looked 1551 01:11:32,479 --> 01:11:34,240 Speaker 1: like my dear to me. What's the problem that looked 1552 01:11:34,280 --> 01:11:36,680 Speaker 1: like miss doubtfire, my deal. What's the problem. They can't 1553 01:11:36,720 --> 01:11:38,640 Speaker 1: even say that word. That word is this disrespect? We 1554 01:11:38,680 --> 01:11:40,439 Speaker 1: can't say that word. So now they have it as 1555 01:11:40,479 --> 01:11:42,760 Speaker 1: a manny granny. Now if they if they had like 1556 01:11:42,760 --> 01:11:44,680 Speaker 1: a fake penis in front of the thing too, and 1557 01:11:44,760 --> 01:11:50,160 Speaker 1: that's different. That's just my deal, missedoubtfire, right right. So 1558 01:11:50,400 --> 01:11:53,000 Speaker 1: the description was all the guys will be dressing at 1559 01:11:53,000 --> 01:11:55,320 Speaker 1: the superheroes and princes, but you will stand out among 1560 01:11:55,320 --> 01:11:58,080 Speaker 1: the rest in this hilarious granny men's costume. So people 1561 01:11:58,120 --> 01:12:01,200 Speaker 1: were upset about that. So that's why they should take 1562 01:12:01,240 --> 01:12:03,519 Speaker 1: all the clown outfits off the shells where the clowns 1563 01:12:03,520 --> 01:12:07,960 Speaker 1: are kidnapping kids, kids, all right, Jake, Clowns have never 1564 01:12:08,000 --> 01:12:09,760 Speaker 1: been funny, by the way, I don't know whoever that 1565 01:12:09,800 --> 01:12:11,880 Speaker 1: By the way, always been scared. Cuns have always been guys. 1566 01:12:11,960 --> 01:12:14,720 Speaker 1: Are Stephen King's it before it before I've Clowns have 1567 01:12:14,720 --> 01:12:16,519 Speaker 1: always been creepy. First of all, you know what I'm not. 1568 01:12:16,840 --> 01:12:18,360 Speaker 1: You know what I am going some a clown? Shame 1569 01:12:18,479 --> 01:12:20,040 Speaker 1: right now. Further of all, who grows up and says 1570 01:12:20,080 --> 01:12:23,160 Speaker 1: they want to be a clown, think about that. That 1571 01:12:23,200 --> 01:12:26,840 Speaker 1: within itself is creepy. Okay, Crone asked men, and your 1572 01:12:26,840 --> 01:12:29,479 Speaker 1: occupation is a clown all right now. Drake had to 1573 01:12:29,560 --> 01:12:33,280 Speaker 1: postpone some of his upcoming shows in Toronto, Philly and Newark, 1574 01:12:33,320 --> 01:12:35,840 Speaker 1: and that is because of his ankle. He posted on 1575 01:12:35,960 --> 01:12:37,920 Speaker 1: his Obo block. He said, I hate to be told 1576 01:12:37,960 --> 01:12:40,599 Speaker 1: I can't do something, but under doctor's orders to allow 1577 01:12:40,640 --> 01:12:42,840 Speaker 1: me time to recuperate. On being forced to postpone the 1578 01:12:42,880 --> 01:12:45,400 Speaker 1: intense three shows in a row in cities which have 1579 01:12:45,479 --> 01:12:47,640 Speaker 1: only showed me unconditional support. So if you were going 1580 01:12:47,680 --> 01:12:50,639 Speaker 1: to go see him in Toronto and Philly, and he's 1581 01:12:50,640 --> 01:12:52,679 Speaker 1: gonna do one show in New York, he had two planned. 1582 01:12:52,960 --> 01:12:54,599 Speaker 1: The reason he's doing one is because he's never been 1583 01:12:54,640 --> 01:12:56,800 Speaker 1: there before so performed there. So I guess he wants 1584 01:12:56,800 --> 01:12:58,160 Speaker 1: to make sure he makes good on at least one 1585 01:12:58,160 --> 01:12:59,960 Speaker 1: of them. But he did promise he will make it 1586 01:13:00,080 --> 01:13:02,880 Speaker 1: up to you and with new music and a stronger ankle. 1587 01:13:03,000 --> 01:13:05,080 Speaker 1: He do notice some of the the twenty sixteen is over. 1588 01:13:05,320 --> 01:13:08,280 Speaker 1: He ride away, bro, So we'll see when that show 1589 01:13:08,400 --> 01:13:12,320 Speaker 1: is okay. Beanie Seagull, Now somehow Nby got his hands. 1590 01:13:12,320 --> 01:13:14,920 Speaker 1: I don't believe this Beanie Seagull record. I guess it's 1591 01:13:14,920 --> 01:13:18,560 Speaker 1: a disrecord. Are you sure? This is different day and 1592 01:13:18,760 --> 01:13:21,000 Speaker 1: it's entirety? But I do have a snippet for you 1593 01:13:21,040 --> 01:13:24,880 Speaker 1: for the rumor report with the cripple keeper grim Reaper 1594 01:13:25,240 --> 01:13:28,800 Speaker 1: just a tweeter. I'm knocking the devil speaker stop to 1595 01:13:28,880 --> 01:13:31,280 Speaker 1: spick it in on Mika. I wanted you and Nazi. 1596 01:13:31,400 --> 01:13:35,120 Speaker 1: Why let's see fu switch this hard flick double feature. 1597 01:13:35,280 --> 01:13:37,840 Speaker 1: See what you can do for money. My brother's keep up. 1598 01:13:38,320 --> 01:13:41,280 Speaker 1: I sunk away out of silly faces. It look a 1599 01:13:41,400 --> 01:13:45,040 Speaker 1: mint size and killing and get weak for reals and 1600 01:13:45,160 --> 01:13:47,759 Speaker 1: diet that for me. You shouldn't get it for meals, 1601 01:13:48,240 --> 01:13:50,919 Speaker 1: all right? Listen, I thought the interview with taxtone was entertaining, 1602 01:13:51,120 --> 01:13:53,840 Speaker 1: but we can't act like Beanie didn't come off as 1603 01:13:53,880 --> 01:13:56,840 Speaker 1: a complete, jealous, envious hater who can't be trusted. And 1604 01:13:56,920 --> 01:13:59,200 Speaker 1: on that same podcast, he said he wasn't putting out 1605 01:13:59,240 --> 01:14:02,080 Speaker 1: any disrecords. But now you're telling me he got dish records. 1606 01:14:02,880 --> 01:14:05,000 Speaker 1: Not just one, what you mean, not just one? I 1607 01:14:05,080 --> 01:14:07,680 Speaker 1: think they got one today trilogy, then we got a 1608 01:14:07,720 --> 01:14:12,400 Speaker 1: different one tomorrow. He was on tact On podcast and 1609 01:14:12,560 --> 01:14:14,960 Speaker 1: saying that's not how Muslims move, and he's not putting 1610 01:14:14,960 --> 01:14:16,920 Speaker 1: out no dish records, and he's gonna see him on 1611 01:14:16,960 --> 01:14:19,160 Speaker 1: the day at judgment, and now he got dis records. 1612 01:14:19,200 --> 01:14:22,040 Speaker 1: Beni Siegel is a rapper. You can't stop him from rapping. 1613 01:14:22,439 --> 01:14:25,080 Speaker 1: Beans can't be trusted. And he's spitting bars and that's 1614 01:14:25,400 --> 01:14:28,080 Speaker 1: this is Charlotte man, this is this is DJ me 1615 01:14:28,160 --> 01:14:31,160 Speaker 1: mixtape days talking these days back to spit. Don't you 1616 01:14:31,200 --> 01:14:33,960 Speaker 1: love the bars? Back? I do love the bars. I 1617 01:14:34,000 --> 01:14:36,600 Speaker 1: just want some consistency as a human being. You're in 1618 01:14:36,640 --> 01:14:38,439 Speaker 1: the studio with Mikey ready to go to LA and 1619 01:14:38,520 --> 01:14:41,320 Speaker 1: three hours, eight days later, he's not real. He's a sucker. 1620 01:14:41,479 --> 01:14:43,519 Speaker 1: You're not making any dish records. Now you got a 1621 01:14:43,560 --> 01:14:45,479 Speaker 1: week later, you got dish records out. I just want 1622 01:14:45,479 --> 01:14:47,920 Speaker 1: some consistency as a human being, that's all I want. 1623 01:14:47,960 --> 01:14:51,960 Speaker 1: But we gotta have three consistent records. All right, let's 1624 01:14:51,960 --> 01:14:55,120 Speaker 1: get into because I don't like this little babe boy. 1625 01:14:55,200 --> 01:14:58,880 Speaker 1: I don't like Luke Bagee. Luke bage don't be liking 1626 01:14:58,880 --> 01:15:01,000 Speaker 1: to tell me stuff. Okay, what do you tell me? 1627 01:15:01,040 --> 01:15:03,280 Speaker 1: He got three dish records? Yes, it's three. It's a trilogy. 1628 01:15:03,360 --> 01:15:05,559 Speaker 1: He called me this morning. Do you remember when I 1629 01:15:05,600 --> 01:15:08,200 Speaker 1: was on the phone that was being he got three records. 1630 01:15:09,000 --> 01:15:11,559 Speaker 1: He said he's gonna send one today, one tomorrow and 1631 01:15:11,600 --> 01:15:13,519 Speaker 1: one on Monday. All right, well that is your room 1632 01:15:13,520 --> 01:15:15,880 Speaker 1: and report. I'm man to the year and we get 1633 01:15:15,920 --> 01:15:20,200 Speaker 1: to your DJ. Oh you're trying to be funny. Now 1634 01:15:20,720 --> 01:15:23,960 Speaker 1: what you said? Why? He said? No? See you stupid? 1635 01:15:23,960 --> 01:15:28,360 Speaker 1: So starting like that because it's just like I need 1636 01:15:28,360 --> 01:15:30,840 Speaker 1: some consistency as a man. It's like, like I said, 1637 01:15:30,880 --> 01:15:33,400 Speaker 1: beans can't be trusted. All right, he's flip flops too much. 1638 01:15:33,439 --> 01:15:35,280 Speaker 1: But let's let's play the full version right now. Let 1639 01:15:35,320 --> 01:15:38,080 Speaker 1: us know what you think. Add us on Twitter, Instagram, 1640 01:15:38,200 --> 01:15:41,880 Speaker 1: People's choice mixes up. Next, it's the Breakfast logan revote 1641 01:15:42,200 --> 01:15:42,320 Speaker 1: later