1 00:00:04,040 --> 00:00:09,000 Speaker 1: Previously on the Princess of South Beach, Maria del Garman 2 00:00:09,160 --> 00:00:11,440 Speaker 1: is too busy making out with the hot reporter to 3 00:00:11,480 --> 00:00:14,480 Speaker 1: continue her and estray A's plan to destroy the Calderon's. 4 00:00:15,200 --> 00:00:18,239 Speaker 1: Nacho has sent Raoul to pay off some mobsters who 5 00:00:18,239 --> 00:00:20,919 Speaker 1: he owes a lot of money to, and as you 6 00:00:20,960 --> 00:00:35,760 Speaker 1: can imagine, what's about to go down is not pleasant. Look, 7 00:00:38,760 --> 00:00:44,080 Speaker 1: look what the cats again? Poppy took his time. Inn't here. 8 00:00:44,440 --> 00:00:47,880 Speaker 1: I'm so sorry for the inconvenience. My dad gave me 9 00:00:47,920 --> 00:00:50,120 Speaker 1: something I'm supposed to give to you, so anyway, here 10 00:00:50,120 --> 00:00:54,880 Speaker 1: it is and goodbye. Wait, let's see what your poppy 11 00:00:54,920 --> 00:01:06,640 Speaker 1: sent us? M h, everything all right? Can I go 12 00:01:07,760 --> 00:01:11,200 Speaker 1: tell me something rolling though? Do you think I'm an idiot? 13 00:01:11,400 --> 00:01:15,880 Speaker 1: Do you think I'm playing games with you? But no, no, no, no, 14 00:01:15,920 --> 00:01:18,800 Speaker 1: I do not think you'd like to play games, except 15 00:01:18,800 --> 00:01:21,200 Speaker 1: for the game you're playing right now, which looks like 16 00:01:21,240 --> 00:01:24,680 Speaker 1: you know that's a Hey, anyone, don't look at my games. 17 00:01:25,080 --> 00:01:28,320 Speaker 1: Um No, I just met you, and you seem very 18 00:01:28,319 --> 00:01:34,080 Speaker 1: smart and very menacing you. Hey, shut up, what do 19 00:01:34,120 --> 00:01:37,920 Speaker 1: you think for now? This asshole came in here just 20 00:01:38,040 --> 00:01:41,919 Speaker 1: to insult me. No, no, no, what I came straight 21 00:01:41,959 --> 00:01:44,200 Speaker 1: from the bank. There are sixty thousand dollars in there. 22 00:01:44,480 --> 00:01:46,399 Speaker 1: I'm sure that whatever is going on, it's just a 23 00:01:46,440 --> 00:01:52,080 Speaker 1: big misunderstanding. My poppy can explain. Mina, you tell your 24 00:01:52,120 --> 00:01:54,880 Speaker 1: pathetic poppy. And I'm keeping this just so I don't 25 00:01:54,880 --> 00:01:58,480 Speaker 1: have to whoop your ass right now. I'm expecting to 26 00:01:58,600 --> 00:02:01,080 Speaker 1: get everything I'm old by this fry any or I'll 27 00:02:01,080 --> 00:02:04,200 Speaker 1: cut both your necks and feed them to the crocodiles. 28 00:02:05,000 --> 00:02:09,399 Speaker 1: I understand. Yes, Actually no, m you're gonna you're gonna 29 00:02:09,400 --> 00:02:11,880 Speaker 1: feed our next to the crocodiles. You're gonna be dead. 30 00:02:12,480 --> 00:02:15,480 Speaker 1: If I were you, I leave right now. Okay, you cookie, 31 00:02:15,520 --> 00:02:19,880 Speaker 1: what about you? I pulled the door when it was 32 00:02:19,919 --> 00:02:23,600 Speaker 1: a push time. I think it's not you know what. 33 00:02:23,720 --> 00:02:25,760 Speaker 1: I'm just gonna go out the one too good, have 34 00:02:25,840 --> 00:02:37,040 Speaker 1: a dumpling on the way up. WELP. While raoul situation 35 00:02:37,160 --> 00:02:40,920 Speaker 1: feels very HBO, let's head over to La Casa Rosa, 36 00:02:41,120 --> 00:02:44,120 Speaker 1: where Mario del Carmen is still making out with the 37 00:02:44,160 --> 00:03:00,560 Speaker 1: hot reporter. Mhm, tongue already stop, does anyone today? This 38 00:03:00,680 --> 00:03:03,799 Speaker 1: is not what it looks like. No, no, no, no, yeah, no, 39 00:03:03,800 --> 00:03:05,919 Speaker 1: no, no no, it definitely doesn't look like you guys were 40 00:03:06,160 --> 00:03:11,240 Speaker 1: passionately making out. I didn't see anything MEA what am 41 00:03:11,240 --> 00:03:14,400 Speaker 1: I doing? I can't get involved with you. I'm engaged 42 00:03:14,440 --> 00:03:17,280 Speaker 1: to I know, I know, but I feel like I 43 00:03:17,320 --> 00:03:20,000 Speaker 1: don't know, Gloria. I don't think you are feelings for him. 44 00:03:20,040 --> 00:03:22,400 Speaker 1: Every time I asked you something about Raoul, it was 45 00:03:22,440 --> 00:03:25,680 Speaker 1: like you were a completely different person. What look, I 46 00:03:25,720 --> 00:03:30,400 Speaker 1: almost feel like you are not Gloria Calderon Andres. I mean, 47 00:03:30,639 --> 00:03:32,959 Speaker 1: maybe I'm being impulsive here, but I have to tell 48 00:03:33,000 --> 00:03:37,520 Speaker 1: you something. You're right, I'm not water. I brought the water. 49 00:03:37,960 --> 00:03:41,200 Speaker 1: Here is your water. I know how thirsty you get, 50 00:03:41,240 --> 00:03:42,720 Speaker 1: and I don't want you to make the mistake of 51 00:03:42,760 --> 00:03:46,280 Speaker 1: being thirsty in front of a stranger. Okay, yeah, I'm 52 00:03:46,320 --> 00:03:47,960 Speaker 1: I'm just gonna go to the bathroom because it looks 53 00:03:47,960 --> 00:03:51,000 Speaker 1: like you two are talking in code again, and you know, 54 00:03:51,160 --> 00:03:52,600 Speaker 1: just like leave a cup of water next to your 55 00:03:52,720 --> 00:03:54,480 Speaker 1: nightstand and you wake up and you just hydrate. It's okay, 56 00:03:54,480 --> 00:03:56,240 Speaker 1: you know what I'm I'm I'm gonna leave you guys 57 00:03:56,800 --> 00:04:01,520 Speaker 1: do your code thing. Estray, you have got to stop 58 00:04:01,560 --> 00:04:03,920 Speaker 1: doing that. You were about to tell him who you are. 59 00:04:04,000 --> 00:04:07,520 Speaker 1: Weren't a heart at all. It wasn't gonna tell him anything. 60 00:04:08,040 --> 00:04:10,160 Speaker 1: We need to find you a hobbyist today, because the 61 00:04:10,200 --> 00:04:13,800 Speaker 1: whole lurking behind closed doors thing is getting old. Don't 62 00:04:13,800 --> 00:04:15,920 Speaker 1: try to change the subject. Were you gonna tell him 63 00:04:15,920 --> 00:04:19,680 Speaker 1: the truth? Are not? No? I was gonna ask him 64 00:04:19,720 --> 00:04:23,360 Speaker 1: if he was willing to help us investigate the Calderon family. 65 00:04:23,480 --> 00:04:26,840 Speaker 1: And don't you think that would seem a little suspicious? 66 00:04:27,400 --> 00:04:30,679 Speaker 1: Gloria got that own wanting to investigate her own family. 67 00:04:30,800 --> 00:04:33,480 Speaker 1: I guess I hadn't thought about it that way. I 68 00:04:33,560 --> 00:04:37,919 Speaker 1: was distracted. His eyes. They're so blue, and they have 69 00:04:38,000 --> 00:04:41,240 Speaker 1: this warm honey hue to them. They're completely You have 70 00:04:41,320 --> 00:04:43,839 Speaker 1: to smack you again, no, ma'am, Okay, you need to 71 00:04:43,920 --> 00:04:46,880 Speaker 1: wake up. He could expose us and then we lose 72 00:04:46,920 --> 00:04:49,599 Speaker 1: our only chance at making things right. But I think 73 00:04:49,600 --> 00:04:52,120 Speaker 1: he's not like the rest of them. I swear I 74 00:04:52,160 --> 00:04:54,880 Speaker 1: feel like he's genuine. You've known him for less time 75 00:04:54,920 --> 00:04:57,479 Speaker 1: than it takes to warm up a hot pocket. You 76 00:04:57,520 --> 00:05:01,919 Speaker 1: ain't catching feelings for him, are you? What? Of course not? 77 00:05:04,400 --> 00:05:09,040 Speaker 1: That would be crazy. You're a terrible actress. Until we're 78 00:05:09,080 --> 00:05:12,360 Speaker 1: sure we can trust him, don't tell him anything. Got it? Okay? 79 00:05:12,760 --> 00:05:16,280 Speaker 1: All right? But nothing is stopping me from getting to 80 00:05:16,279 --> 00:05:18,919 Speaker 1: know him better. Right, as long as that doesn't involve 81 00:05:19,000 --> 00:05:22,799 Speaker 1: you choking on his tongue, they sure go ahead. So 82 00:05:23,040 --> 00:05:26,839 Speaker 1: you were listening to us the entire time? Huh? So 83 00:05:27,120 --> 00:05:32,000 Speaker 1: are you guys done talking about me? What I'm beautiful 84 00:05:32,080 --> 00:05:37,960 Speaker 1: and funny? No, we were talking about glorious hydration levels. Okay, bias, 85 00:05:38,760 --> 00:05:42,760 Speaker 1: thank you so much for the for the water. Okay, 86 00:05:42,839 --> 00:06:00,960 Speaker 1: leaving now, don't forget what we talked about or thank you, 87 00:06:01,320 --> 00:06:06,480 Speaker 1: thank you? You know I love you. Can you believe 88 00:06:06,720 --> 00:06:12,520 Speaker 1: the latest news? Estevan Can is running for mayor? Do 89 00:06:12,560 --> 00:06:16,560 Speaker 1: you know who you're voting for? Maybe it's Estevan or 90 00:06:16,640 --> 00:06:22,800 Speaker 1: maybe it's tonight's guests. He's one of the more unusual candidates. 91 00:06:23,000 --> 00:06:30,720 Speaker 1: Let's give a warm welcome to Glens Bass. Glenn, you 92 00:06:30,800 --> 00:06:36,160 Speaker 1: need no introduction. Everyone knows you. You're a billionaire, the 93 00:06:36,240 --> 00:06:41,200 Speaker 1: CEO of Bass COO, and you recently launched a rocket 94 00:06:41,279 --> 00:06:45,600 Speaker 1: into space, and now you're running to be Miami's mayor. 95 00:06:46,320 --> 00:06:51,040 Speaker 1: Tell us, is politics your new hobby? Glenn Bass doesn't 96 00:06:51,080 --> 00:06:55,080 Speaker 1: have hobbies, Tatiana, Like every great man in history, I 97 00:06:55,200 --> 00:06:58,359 Speaker 1: have a plan, one that will take all humankind to 98 00:06:58,440 --> 00:07:05,560 Speaker 1: the next level. Okay, that sounds ominous. What are your 99 00:07:05,600 --> 00:07:09,440 Speaker 1: plans today? I'm running to be Miami's mayor, but next 100 00:07:09,480 --> 00:07:13,120 Speaker 1: I'll be Governor of Florida, then President of the United States, 101 00:07:13,120 --> 00:07:18,120 Speaker 1: and finally Chancellor of Space. I want to give humanity 102 00:07:18,160 --> 00:07:21,600 Speaker 1: the future we all deserve. My campaign is just the 103 00:07:21,640 --> 00:07:25,640 Speaker 1: first step of a twelve year project. Chancellor of Space 104 00:07:25,840 --> 00:07:32,640 Speaker 1: in only twelve years. Wow, that's um that's fast. Progress 105 00:07:32,680 --> 00:07:36,840 Speaker 1: waits for no one, Tatiana, not even Glenn Bass. Well 106 00:07:36,880 --> 00:07:40,920 Speaker 1: what about your rival Estelan Calderon. Aren't you worried that 107 00:07:41,000 --> 00:07:46,960 Speaker 1: he might win? Glen Bass competes with no one. What 108 00:07:47,120 --> 00:07:51,400 Speaker 1: is the band ever dream of colonizing Mars? No? But 109 00:07:51,520 --> 00:07:54,960 Speaker 1: once Basco has conquered it and made it a livable place, 110 00:07:55,440 --> 00:07:58,640 Speaker 1: everybody will be able to go for vacations there like 111 00:07:58,760 --> 00:08:02,680 Speaker 1: it's Hawaii. It'll be America's fifty first date and I 112 00:08:02,720 --> 00:08:12,480 Speaker 1: shall call it Bass Why e Wow, that is ambitious. Yeah. Well, 113 00:08:12,520 --> 00:08:16,000 Speaker 1: is there anything you like about Estelan? Ah? Well, the 114 00:08:16,080 --> 00:08:19,440 Speaker 1: one thing I can say is he has great taste, 115 00:08:19,760 --> 00:08:24,960 Speaker 1: because that Lincoln Aviator is one beautiful suv. In fact, 116 00:08:25,200 --> 00:08:27,960 Speaker 1: after seeing Esteban in it, I bought one for myself. 117 00:08:28,000 --> 00:08:31,600 Speaker 1: And it's honestly my favorite place to brainstorm new ideas 118 00:08:31,640 --> 00:08:35,440 Speaker 1: for Basco. You know, everyone keeps talking about that Lincoln. 119 00:08:35,600 --> 00:08:38,160 Speaker 1: I'm starting to think I should get one. It has 120 00:08:38,200 --> 00:08:41,960 Speaker 1: the Glenn Bass stamp of approval, and when I terraform Mars, 121 00:08:42,040 --> 00:08:46,679 Speaker 1: it will be the first thing I send to Bass. Why. Okay, 122 00:08:47,600 --> 00:08:50,760 Speaker 1: we are out of time for today. Thank you very 123 00:08:50,840 --> 00:08:53,840 Speaker 1: much for coming and I look forward to booking my 124 00:08:53,960 --> 00:08:58,960 Speaker 1: vacation in Bass. Ye that's it for today, but remember 125 00:08:59,280 --> 00:09:04,520 Speaker 1: what happened in Busway stays in Busway. We'll be back 126 00:09:04,520 --> 00:09:08,040 Speaker 1: with Mark calderon scandals and rumors in the next team 127 00:09:08,160 --> 00:09:27,920 Speaker 1: with Tatiana. You two seem close. Yeah, she's great, she's 128 00:09:27,960 --> 00:09:33,160 Speaker 1: a good person. The question is are you me? Yes? No, 129 00:09:33,400 --> 00:09:37,760 Speaker 1: I'm a terrible human being obviously. Oh really, what makes 130 00:09:37,760 --> 00:09:42,720 Speaker 1: you so terrible? Quiss? My mom always tells me I 131 00:09:42,720 --> 00:09:44,640 Speaker 1: don't call her enough, even though I talked to her 132 00:09:44,679 --> 00:09:48,240 Speaker 1: every single day. My friends tell me I work too much, 133 00:09:48,280 --> 00:09:49,880 Speaker 1: but they're just mad I can't play Call of Duty 134 00:09:49,880 --> 00:09:52,840 Speaker 1: all the time. And oh the real puncher. My grandma 135 00:09:52,840 --> 00:09:55,320 Speaker 1: thinks I am a criminal for not liking raisins in 136 00:09:55,360 --> 00:10:02,280 Speaker 1: my Tomah's disgusting. I know right. Okay, what about you, 137 00:10:02,559 --> 00:10:06,480 Speaker 1: Claudia Calderon? Are you a good person or a bad person? 138 00:10:07,360 --> 00:10:11,800 Speaker 1: I don't know what I used to be, and honestly, 139 00:10:12,200 --> 00:10:14,960 Speaker 1: I don't know what I am right now. I think 140 00:10:15,000 --> 00:10:16,760 Speaker 1: I have what it takes to be a good person, 141 00:10:16,960 --> 00:10:19,760 Speaker 1: and I want to be a good person. But sometimes 142 00:10:19,760 --> 00:10:21,920 Speaker 1: it's hard to tell which decisions are the right ones. 143 00:10:22,720 --> 00:10:25,520 Speaker 1: I think you're a good person. You don't even know me, 144 00:10:26,120 --> 00:10:28,559 Speaker 1: then let me get to know you. What's your favorite 145 00:10:28,600 --> 00:10:31,680 Speaker 1: type of pizza? That doesn't tell you anything about a person. 146 00:10:32,320 --> 00:10:35,080 Speaker 1: Of course it does if you say you like Hawaiian pizza, 147 00:10:35,120 --> 00:10:37,600 Speaker 1: although immediately that you are a monster. What is with 148 00:10:37,640 --> 00:10:41,240 Speaker 1: the stigma against pineapples on pizza? I knew it. You 149 00:10:41,320 --> 00:10:47,800 Speaker 1: are a monster andres I can't cheat on Raoul, even 150 00:10:47,840 --> 00:10:51,120 Speaker 1: though it's complicated. I want to be a good person. 151 00:10:51,600 --> 00:10:54,520 Speaker 1: But why do you care so much about Raoul? I've 152 00:10:54,520 --> 00:10:56,880 Speaker 1: read the articles on your fight. I don't know. I 153 00:10:57,440 --> 00:11:00,760 Speaker 1: don't think he treats you right. He does. He might 154 00:11:01,080 --> 00:11:04,200 Speaker 1: be a little corny, but he does love me, and 155 00:11:04,280 --> 00:11:07,240 Speaker 1: it's not fair of me to betray that trust. Are 156 00:11:07,280 --> 00:11:09,160 Speaker 1: you sure Raoul is who you want? Or is it 157 00:11:09,240 --> 00:11:14,160 Speaker 1: just who everyone expected Gloria to want that's a loaded question. 158 00:11:14,840 --> 00:11:18,040 Speaker 1: And can I take you out to dinner as friends? 159 00:11:18,440 --> 00:11:20,120 Speaker 1: I'm sure I can find a place where they can 160 00:11:20,160 --> 00:11:27,320 Speaker 1: ruin a perfectly good pizza with some tropical fruit. It 161 00:11:27,400 --> 00:11:30,240 Speaker 1: seems like Maria del Garmin is falling head over heels 162 00:11:30,280 --> 00:11:35,120 Speaker 1: for Andres or Raoul. He's going to be heartbroken. But 163 00:11:35,280 --> 00:11:39,440 Speaker 1: be careful, Maria del Garmin. Not all frogs transform into princes. 164 00:11:39,960 --> 00:11:43,160 Speaker 1: Sometimes when you kiss them, they just give you hurt bees. 165 00:11:56,480 --> 00:12:04,000 Speaker 1: Oh my god. Okay, your call has been forwarded to 166 00:12:04,040 --> 00:12:08,520 Speaker 1: an automatic voice message system. Bobby, what the hell? What 167 00:12:08,600 --> 00:12:10,360 Speaker 1: was that place? And who do you owe money to? 168 00:12:10,800 --> 00:12:13,480 Speaker 1: What have you gotten yourself into? They're gonna feed her 169 00:12:13,520 --> 00:12:16,160 Speaker 1: next to the crocodile. I'm on my way home. I 170 00:12:16,200 --> 00:12:28,880 Speaker 1: want you to explain everything. Okay, love you, I Raoul? 171 00:12:29,800 --> 00:12:35,560 Speaker 1: What is your father up to now? If you're enjoying 172 00:12:35,600 --> 00:12:39,000 Speaker 1: Princess of South Beach, please subscribe, rate, and review our 173 00:12:39,040 --> 00:12:42,760 Speaker 1: show wherever you're listening. The Princess of South Beach is 174 00:12:42,760 --> 00:12:46,160 Speaker 1: a production of Ihearts, Michael Tura Podcast Network and Sonoro, 175 00:12:46,760 --> 00:12:50,320 Speaker 1: created and directed by Jasmine Romero. Written by Jasmine Romero 176 00:12:50,440 --> 00:12:54,240 Speaker 1: and Joanna Houseman, with help from Daniels Arkis, Monisa Henris 177 00:12:54,320 --> 00:12:59,559 Speaker 1: and Christian Hat produced by Luis Executive produced by conal 178 00:12:59,600 --> 00:13:03,600 Speaker 1: Byrne and Giselle Bances for iHeart by Joanna Housman, and 179 00:13:03,720 --> 00:13:08,240 Speaker 1: by Jasmine Romero and Joshua Weinstein. For Sonaro. Performances in 180 00:13:08,280 --> 00:13:13,360 Speaker 1: this episode by Rachel Zegler, x Mayo, Andi Bustillos, Alan 181 00:13:13,440 --> 00:13:19,840 Speaker 1: Eisenberg and Alfredo Narciso. Our production manager is Querensachaitis. Recording 182 00:13:19,840 --> 00:13:24,160 Speaker 1: and engineering by Emiliano Quintaner, with sound designed by Eduin Irigoyen, 183 00:13:24,440 --> 00:13:29,840 Speaker 1: Cassandra Tinajo, Andres Bayena, Diego Medina and Andres Coronado. Assistant 184 00:13:29,840 --> 00:13:33,600 Speaker 1: sound designed by Eric Senttheno, Casting and coordination by Andres 185 00:13:33,720 --> 00:13:37,840 Speaker 1: Chaitis Folly by Samantha Gonzalez Fong, our theme song and 186 00:13:37,880 --> 00:13:41,559 Speaker 1: original music by Rodrigo Garcia Roles and Charlie Hernandez.